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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,617 --> 00:00:09,835 {\an8}WOOF! 2 00:03:09,537 --> 00:03:10,581 Man: 21. 3 00:03:10,625 --> 00:03:13,367 Ashley: 21? NOT FOR ME, BUT -- 4 00:03:32,037 --> 00:03:34,605 MM-HMM. 5 00:03:50,055 --> 00:03:51,361 SHE'S PRETTY. 6 00:04:20,085 --> 00:04:23,872 SHE JUST MAYBE NEVER HAVE THE BODY, THOUGH. 7 00:04:25,917 --> 00:04:27,354 OH, REALLY? WOW. 8 00:04:27,397 --> 00:04:28,877 THERE ARE SOME CUTE GIRLS, THOUGH, 9 00:04:28,920 --> 00:04:31,096 THERE ARE SOME NICE ONES. 10 00:04:31,140 --> 00:04:32,315 WOW! 11 00:04:32,359 --> 00:04:35,405 HOW OLD IS SHE? 12 00:04:39,496 --> 00:04:41,019 I'LL TRY HER. 13 00:05:00,212 --> 00:05:02,650 MM-HMM. 14 00:05:02,693 --> 00:05:05,043 I'M LOOKING FOR A SPECIFIC 15 00:05:05,087 --> 00:05:07,916 TYPE OF GIRL 16 00:05:07,959 --> 00:05:09,657 FOR THE JAPANESE MARKET. 17 00:05:09,700 --> 00:05:12,747 EVERYBODY HAS THEIR OWN VISION OF BEAUTY 18 00:05:12,790 --> 00:05:15,097 AND IT'S HARD SOMETIMES TO BYPASS 19 00:05:15,140 --> 00:05:18,187 MY OWN PERSONAL AESTHETIC PREFERENCES, 20 00:05:18,230 --> 00:05:22,974 BUT, FOR JAPAN, IT IS QUITE SPECIFIC. 21 00:05:23,018 --> 00:05:26,369 SO THE GIRLS HAVE TO BE A CERTAIN HEIGHT, NOT TOO TALL. 22 00:05:26,413 --> 00:05:29,111 CUTE, YOUNG. 23 00:05:29,154 --> 00:05:30,852 YOUNG IS VERY IMPORTANT. 24 00:05:35,030 --> 00:05:36,553 IT'S NOT ENTIRELY UP TO ME. 25 00:05:36,597 --> 00:05:39,251 I MAKE NOTE OF WHAT I SEE TODAY, 26 00:05:39,295 --> 00:05:41,993 THEN I REVIEW IT WITH OUR BOARD IN TOKYO. 27 00:05:42,037 --> 00:05:44,735 WE HAVE MASAKO, OUR BOOKER; 28 00:05:44,779 --> 00:05:47,738 MESSIAH, THE OWNER; KAZUME, ANOTHER BOOKER. 29 00:05:47,782 --> 00:05:49,610 SO IT'S A GROUP DECISION 30 00:05:49,653 --> 00:05:53,918 AND, OFTEN, IT'S NOT WHAT I BELIEVE IS THE BEST 31 00:05:53,962 --> 00:05:56,660 AND SOMETIMES THE GIRL THAT I THINK IS SO AMAZING FOR JAPAN 32 00:05:56,704 --> 00:05:58,880 DOESN'T WORK AT ALL, SO. 33 00:05:58,923 --> 00:06:00,490 THAT'S WHAT'S EXCITING ABOUT THIS BUSINESS, 34 00:06:00,534 --> 00:06:05,539 IS IT'S TOTALLY UNPREDICTABLE, SO NOBODY KNOWS. 35 00:06:25,515 --> 00:06:27,996 MMM, VERY GOOD FOR JAPAN. 36 00:06:30,694 --> 00:06:34,785 Woman: TIGRAN ADORES HER, JUST ADORES HER. 37 00:06:41,401 --> 00:06:42,576 OKAY. 38 00:06:42,619 --> 00:06:43,707 FILMING? 39 00:06:43,751 --> 00:06:45,013 NO, NO. YEAH, I'M GOING TO VIDEO HER. 40 00:07:02,509 --> 00:07:04,641 OKAY, STAY HERE, NADYA. 41 00:07:04,685 --> 00:07:08,515 CAN YOU COME HERE? CLOSER. Closer. 42 00:07:08,558 --> 00:07:10,081 CAN YOU OPEN YOUR HAIR? 43 00:07:16,436 --> 00:07:18,220 SAY HELLO, NADYA. 44 00:07:24,269 --> 00:07:26,228 FROM NOVOSIBIRSK. 45 00:07:29,797 --> 00:07:30,928 OKAY. 46 00:07:30,972 --> 00:07:32,887 LET ME JUST SEE. 47 00:07:32,930 --> 00:07:35,498 JUST SEE HOW LONG IT IS. OKAY. 48 00:07:44,594 --> 00:07:46,291 PERFECT. THANK YOU. 49 00:07:46,335 --> 00:07:50,295 {\an8}SPASIBO. 50 00:07:50,339 --> 00:07:53,821 OKAY. HEL-LO! 51 00:07:53,864 --> 00:07:55,518 HELLO. 52 00:10:40,378 --> 00:10:43,251 YO. 53 00:10:43,294 --> 00:10:46,820 WHAT'S UP? WHAT'S UP? WHAT'S UP? 54 00:10:53,217 --> 00:10:56,786 I LOVE TO TRAVEL. 55 00:10:56,830 --> 00:11:00,311 I {\an8}LOVE THE TRAINS, ESPECIALLY THE TOILETS. 56 00:11:00,355 --> 00:11:02,879 I MISS THEM! 57 00:11:02,923 --> 00:11:04,402 I MISS THIS, YOU KNOW? 58 00:11:04,446 --> 00:11:06,535 THE CONCEPT OF NOAH 59 00:11:06,578 --> 00:11:08,102 JUST LIKE NOAH SAVED 60 00:11:08,145 --> 00:11:09,669 ALL THE ANIMALS, 61 00:11:09,712 --> 00:11:11,714 I'M TRYING TO SAVE ALL THESE YOUNG GIRLS. 62 00:11:11,758 --> 00:11:14,499 THAT'S WHAT I'M DOING, I'M PUTTING THEM ON THE PLANE, 63 00:11:14,543 --> 00:11:17,677 SENDING THEM TO THE WEST, GIVING THEM A CHANCE 64 00:11:17,720 --> 00:11:20,331 WHERE THEY CAN FIND THEMSELVES, 65 00:11:20,375 --> 00:11:25,119 DEVELOP AS WOMEN, GROW AS INDIVIDUALS, 66 00:11:25,162 --> 00:11:27,251 AND I HOPE THAT, SOMEDAY, 67 00:11:27,295 --> 00:11:30,298 THEY'LL DO SOME GOOD TO THE OTHER PEOPLE. 68 00:11:30,341 --> 00:11:33,823 SO IN A WAY, FOR ME, THIS IS A RELIGIOUS MATTER, YOU KNOW? 69 00:11:33,867 --> 00:11:35,695 THIS IS MY BIBLE. 70 00:11:39,524 --> 00:11:45,574 ASHLEY WILL BE MY WESTERN PARTNER. 71 00:11:45,617 --> 00:11:47,489 WE ALSO HAVE PROBLEMS IN THE WEST 72 00:11:47,532 --> 00:11:50,710 AND IT'S ALSO A DIFFICULT, UPHILL BATTLE THERE, 73 00:11:50,753 --> 00:11:52,886 BUT IT'S A DIFFERENT PROBLEM, SO, 74 00:11:52,929 --> 00:11:55,932 TOGETHER, WE'LL BE A GREAT TEAM. 75 00:11:58,282 --> 00:12:00,807 THE DEPTH OF THE PSYCHOLOGY INVOLVED, YOU KNOW, 76 00:12:00,850 --> 00:12:02,330 WE GO VERY, VERY DEEP WITH A GIRL, 77 00:12:02,373 --> 00:12:04,201 TRYING TO UNDERSTAND ALL HER PROBLEMS, 78 00:12:04,245 --> 00:12:06,943 TRYING TO UNDERSTAND THE PARENTS. 79 00:12:06,987 --> 00:12:09,816 WE SORT OF, AT THE END, FORM A PROFILE. 80 00:12:09,859 --> 00:12:15,430 WE TRY TO SORT OF REPLACE THOSE FATHERS FOR THEM 81 00:12:15,473 --> 00:12:18,476 AND SUPPORT THEM ANY WAY WE CAN. 82 00:12:18,520 --> 00:12:23,090 YOU KNOW, IN CERTAIN CITIES, YOU MUST HAVE TRUSTWORTHY PEOPLE 83 00:12:23,133 --> 00:12:29,661 SO, THEN, THEY CAN FIND THE GIRLS AT A MUCH EARLIER STAGE 84 00:12:29,705 --> 00:12:34,188 AND SORT OF PRESCREEN THEM UNTIL WE GET THERE. 85 00:12:34,231 --> 00:12:37,626 THIS IS STRATEGICALLY VERY IMPORTANT. 86 00:12:37,669 --> 00:12:41,717 BEFORE ANYBODY ELSE CAN GET THERE, WE'LL HAVE THE GIRLS. 87 00:12:41,761 --> 00:12:46,287 FOR HER, I HAVE SOME PICTURES HERE. 88 00:12:46,330 --> 00:12:49,333 YEAH, THOSE ARE PRETTY. 89 00:12:49,377 --> 00:12:51,118 SHE'S SO CUTE. 90 00:12:51,161 --> 00:12:52,423 YES, CUTE FACE. 91 00:12:52,467 --> 00:12:54,295 CAN YOU SEND ME HER PICTURES, JUST TO FOLLOW? 92 00:12:54,338 --> 00:12:56,819 YEAH, SURE. 93 00:12:56,863 --> 00:13:01,302 THEY LOVE SKINNY GIRLS IN JAPAN 94 00:13:01,345 --> 00:13:04,261 AND SHE HAS A FRESH, YOUNG FACE. 95 00:13:04,305 --> 00:13:08,831 SHE LOOKS YOUNG, ALMOST LIKE A PREPUBESCENT GIRL. 96 00:16:28,726 --> 00:16:30,380 IT'S A GREAT FREEDOM, 97 00:16:30,424 --> 00:16:34,123 NOT TO BE EMPLOYED 98 00:16:34,167 --> 00:16:41,391 IN A 9-TO-5 JOB. 99 00:16:41,435 --> 00:16:44,394 BUT I DON'T KNOW, 100 00:16:44,438 --> 00:16:49,225 THE BUSINESS OF MODELING IS NOT SOMETHING 101 00:16:49,269 --> 00:16:53,795 I FEEL NECESSARILY PASSIONATE ABOUT 102 00:16:53,838 --> 00:16:59,018 BECAUSE IT REALLY HAS NO -- 103 00:16:59,061 --> 00:17:03,761 NO WEIGHT. 104 00:17:03,805 --> 00:17:07,069 IT CHANGES, MINUTE-BY-MINUTE, AND NOBODY -- 105 00:17:07,113 --> 00:17:10,638 IT'S BASED ON NOTHING. 106 00:17:10,681 --> 00:17:12,379 IF YOU START TO LOOK AT ALL THOSE GIRLS 107 00:17:12,422 --> 00:17:14,076 AND YOU REALLY LOOK AT EACH ONE AND YOU BRING THEM CLOSE TO YOU 108 00:17:14,120 --> 00:17:17,471 AND YOU LOOK IN THEIR EYES AND YOU LOOK AT THEIR FACES, 109 00:17:17,514 --> 00:17:23,825 YOU CAN START TO SEE THEIR AGE AND THEIR EXPERIENCE. 110 00:17:23,868 --> 00:17:28,482 AND THE BUSINESS IS OBSESSED WITH YOUTH AND, ESPECIALLY 111 00:17:28,525 --> 00:17:31,485 MY BUSINESS IN JAPAN, YOU CAN'T BE YOUNG ENOUGH. 112 00:17:31,528 --> 00:17:39,188 AND YOUTH {\an8}IS BEAUTIFUL BECAUSE THERE'S THE LUMINOSITY, 113 00:17:39,232 --> 00:17:44,541 THERE'S SOMETHING IN THE SKIN, 114 00:17:44,585 --> 00:17:47,196 THERE'S SOMETHING INNOCENT... 115 00:17:53,115 --> 00:17:57,598 AND THAT'S WHAT MY EYE HAS BEEN TRAINED TO SEE FROM JAPAN, 116 00:17:57,641 --> 00:18:02,037 SO I LOOK AT BEAUTY AND I THINK BEAUTIFUL. 117 00:22:14,768 --> 00:22:16,987 WE HAD A REALLY GOOD CASTING YESTERDAY, 118 00:22:17,031 --> 00:22:19,686 REALLY BEAUTIFUL GIRLS, QUITE PRODUCTIVE. 119 00:22:19,729 --> 00:22:22,079 THERE WERE, LIKE, 200 GIRLS. 120 00:22:26,780 --> 00:22:28,434 PROBABLY, LIKE, 121 00:22:28,477 --> 00:22:30,740 SIX GIRLS, SEVEN GIRLS. 122 00:22:30,784 --> 00:22:33,569 SO I WANT TO PICK MAYBE 30 REALLY GREAT GIRLS 123 00:22:33,613 --> 00:22:35,092 THAT I KNOW I CAN CONFIRM. 124 00:22:35,136 --> 00:22:37,007 OKAY, TIGRAN. 125 00:22:37,051 --> 00:22:42,317 I'LL TALK TO YOU AGAIN. OKAY. BYE. 126 00:22:42,361 --> 00:22:44,275 WELL, TIGRAN IS REALLY HARDCORE BUSINESS. 127 00:22:44,319 --> 00:22:48,149 YOU KNOW, HE'S DONE WHAT NOBODY ELSE IN THIS BUSINESS HAS DONE, 128 00:22:48,192 --> 00:22:49,846 LIKE THE MONEY HE'S MADE. 129 00:22:53,894 --> 00:22:58,420 WHEREAS, WHEN I WORK WITH JAPAN, THEY DON'T KNOW WHAT I DO, 130 00:22:58,464 --> 00:23:02,337 WHERE I GO, AS LONG AS I BRING THEM THE GIRLS. 131 00:23:02,381 --> 00:23:06,428 I HAVE NO, LIKE, JOB DESCRIPTION OF WHAT I DO 132 00:23:06,472 --> 00:23:08,648 OR WHAT I'M SUPPOSED TO BRING THEM. 133 00:23:08,691 --> 00:23:11,999 THEY COVER MY EXPENSES AND I GET A COMMISSION 134 00:23:12,042 --> 00:23:17,831 OF WHATEVER I BRING THEM, SO THAT IS FREEDOM. 135 00:23:17,874 --> 00:23:19,354 I CAN KIND OF GET AWAY WITH NOT REALLY CARING 136 00:23:19,398 --> 00:23:21,617 ABOUT THIS BUSINESS THAT MUCH. 137 00:23:24,751 --> 00:23:27,710 BUT I NEVER LIKE TO THINK OF MYSELF AS AN EX-MODEL, 138 00:23:27,754 --> 00:23:32,193 I NEVER LIKE TO BRING THAT POINT UP, 139 00:23:32,236 --> 00:23:36,458 BUT, OF COURSE, IT DOES BRING A DIFFERENT INSIGHT. 140 00:23:36,502 --> 00:23:38,808 I WAS THE PERSON THAT HATED THIS BUSINESS MORE THAN ANYBODY 141 00:23:38,852 --> 00:23:42,769 AND, NOW, I'M 15 YEARS IN IT. 142 00:24:01,440 --> 00:24:04,486 THIS WHOLE PLACE IS HURTING ME TOO MUCH. 143 00:24:04,530 --> 00:24:07,533 EVEN IF I DO 10 JOBS IN THE NEXT 2 WEEKS, 144 00:24:07,576 --> 00:24:09,709 THERE WON'T BE ANY MONEY FOR ME 145 00:24:09,752 --> 00:24:11,624 BY THE TIME I COVER MY EXPENSES. 146 00:24:11,667 --> 00:24:15,584 FASHION IS SO BORING TO ME THESE DAYS. 147 00:24:15,628 --> 00:24:17,368 I HATE -- I DON'T EVEN LIKE TO LOOK AT THE MAGAZINES. 148 00:24:17,412 --> 00:24:22,286 I MEAN, I DO, BUT IT'S JUST ALL THE SAME STUFF, ALL THE TIME. 149 00:24:22,330 --> 00:24:24,941 ANYONE WHO DOES IT MUST BE AN IDIOT. 150 00:24:26,421 --> 00:24:27,988 So what are you trying to say? 151 00:24:28,031 --> 00:24:31,295 Oh. Ooh! 152 00:24:31,339 --> 00:24:34,516 WHAT WOULD RATHER DO, POTTERY? YEAH. 153 00:24:39,739 --> 00:24:42,306 GIRL, WHAT HAPPENED TO YOU IN TOKYO, HUH? 154 00:24:42,350 --> 00:24:45,440 WHAT'S THIS TWISTER 155 00:24:45,484 --> 00:24:48,138 TAKING YOU AWAY FOR? 156 00:24:48,182 --> 00:24:50,140 IS IT REALLY WORTH IT? 157 00:26:08,741 --> 00:26:12,832 TICKET. 158 00:26:12,875 --> 00:26:13,876 MODEL? 159 00:26:13,920 --> 00:26:17,445 YES. 160 00:26:55,614 --> 00:26:59,661 NO NO NO. 161 00:26:59,705 --> 00:27:00,836 AH. 162 00:27:06,363 --> 00:27:07,451 AH, YES. 163 00:27:07,495 --> 00:27:09,453 OKAY. 164 00:27:16,373 --> 00:27:18,027 OKAY. 165 00:27:22,728 --> 00:27:25,992 I'M SO SORRY. TAKE OFF YOUR SHOES. 166 00:27:26,035 --> 00:27:29,648 OKAY? 167 00:27:29,691 --> 00:27:31,650 WHAT? 168 00:27:31,693 --> 00:27:35,262 TAKE OFF SHOES. 169 00:27:35,305 --> 00:27:37,264 YEAH YEAH. 170 00:27:37,307 --> 00:27:38,352 YEAH? 171 00:27:38,395 --> 00:27:39,832 YEAH YEAH YEAH YEAH YEAH. 172 00:29:07,702 --> 00:29:09,443 TO LIVE IN A GLASS HOUSE... 173 00:29:13,839 --> 00:29:17,364 IT'S GREAT IN THE DAYTIME, BUT SCARY AT NIGHT. 174 00:29:17,407 --> 00:29:21,977 WHEN I STAY HERE ALONE, I GET SCARED. 175 00:29:22,021 --> 00:29:25,024 BECAUSE IT'S LIKE, IF YOU'RE INSIDE WITH THE LIGHTS ON, 176 00:29:25,067 --> 00:29:27,983 PEOPLE CAN SEE YOU, BUT YOU CAN'T SEE THEM 177 00:29:28,027 --> 00:29:32,205 AND THEN THERE'S, LIKE, WEIRD SOUNDS AND IT'S PRETTY ISOLATED. 178 00:29:41,997 --> 00:29:45,174 THEY'RE SLEEPING. 179 00:29:45,218 --> 00:29:48,438 ONE BOY AND ONE GIRL. 180 00:29:53,052 --> 00:29:55,794 I GOT THEM FROM, LIKE, A $1 STORE, OR SOMETHING. 181 00:29:55,837 --> 00:30:00,059 WHEN I BOUGHT MY HOUSE, I GOT THE BABIES AT THE SAME TIME 182 00:30:00,102 --> 00:30:05,891 BECAUSE I FELT LIKE I HAD A HOME, SO I SHOULD HAVE A BABY. 183 00:30:05,934 --> 00:30:09,938 I WAS 23, AT THE TIME. 184 00:30:09,982 --> 00:30:13,463 I HAD THREE, BUT THEN I DISSECTED ONE. 185 00:30:13,507 --> 00:30:17,990 I MEAN THE MODELS THAT WE MEET IN RUSSIA 186 00:30:18,033 --> 00:30:20,993 ARE REALLY LITTLE GIRLS, JUST THE BABIES, 187 00:30:21,036 --> 00:30:22,342 BUT THEY'RE NOT MY CHILDREN. 188 00:30:22,385 --> 00:30:25,127 I MEAN, I'M NOT AT THAT POINT, YET, LIKE THAT, 189 00:30:25,171 --> 00:30:28,130 I'M SORT OF IN THAT PRECARIOUS PLACE 190 00:30:28,174 --> 00:30:30,654 WHERE THEY DON'T REALLY KNOW, LIKE, CAN THEY BE MY FRIEND? 191 00:30:30,698 --> 00:30:33,962 I CARE ABOUT THE GIRLS A LOT, 192 00:30:34,006 --> 00:30:40,099 BUT I DON'T FEEL, LIKE, INSPIRED BY -- 193 00:30:40,142 --> 00:30:41,622 I DON'T KNOW. 194 00:30:41,665 --> 00:30:46,496 NO, I DO REALLY CARE ABOUT THE GIRLS, IT'S JUST -- 195 00:30:46,540 --> 00:30:48,672 I DON'T FEEL SO -- 196 00:30:48,716 --> 00:30:52,676 LIKE I HAVE SOME HUGE, YOU KNOW, 197 00:30:52,720 --> 00:30:57,507 BIG, BIG TRUTH TO TELL THEM ABOUT THE AMAZING BUSINESS 198 00:30:57,551 --> 00:30:59,248 THAT I'M GOING TO, LIKE, 199 00:30:59,292 --> 00:31:02,991 CHANGE THEIR LIVES AND MAKE THEM BE FULFILLED 200 00:31:03,035 --> 00:31:05,864 BECAUSE IT'S A VERY TOUGH, VERY TOUGH BUSINESS. 201 00:33:17,734 --> 00:33:21,825 Ashley: I'M TRYING TO REMEMBER HOW I FELT 202 00:33:21,869 --> 00:33:26,700 THE FIRST TIME I LANDED IN JAPAN. 203 00:33:26,743 --> 00:33:30,312 I'M JUST HAVING A HARD TIME REMEMBERING THE FIRST FLIGHT, 204 00:33:30,356 --> 00:33:33,663 BUT I REMEMBER WALKING INTO THE AGENCY 205 00:33:33,707 --> 00:33:38,625 AND MEETING MASAKO, WHO WAS MY BOOKER. 206 00:33:42,020 --> 00:33:45,849 THE JAPANESE ALWAYS WANT SOMETHING NEW 207 00:33:45,893 --> 00:33:47,329 AND IT'S THE BEST PLACE FOR THE NEW FACE TO COME, 208 00:33:47,373 --> 00:33:50,115 SO TIGRAN WANTS TO SEND HIS MODELS TO JAPAN 209 00:33:50,158 --> 00:33:54,075 AND MESSIAH WANTS TO RECEIVE THE NEW MODELS. 210 00:33:54,119 --> 00:33:56,208 IT'S MORE CONVENIENT TO HAVE ME IN NEW YORK, 211 00:33:56,251 --> 00:33:58,775 WHERE I CAN MEET GIRLS IN NEW YORK, FLY TO EUROPE, 212 00:33:58,819 --> 00:34:01,300 YOU KNOW, COVER CERTAIN REGIONS. 213 00:34:01,343 --> 00:34:04,825 SO THEY PAY ME A SMALL COMMISSION TO BE THE SCOUT. 214 00:34:04,868 --> 00:34:09,308 MESSIAH'S 40 AND THE MODELS ARE 13. 215 00:34:09,351 --> 00:34:16,619 SO, MESSIAH. MESSIAH. 216 00:34:16,663 --> 00:34:19,274 MESSIAH OWNS SWITCH. HE LOVES THE -- 217 00:34:19,318 --> 00:34:23,844 I MEAN, HE LOVES MODELS. 218 00:34:54,309 --> 00:34:57,312 3, 2 -- 219 00:34:57,356 --> 00:35:00,663 HELLO, MY NAME IS NADYA AND I'M 15 YEARS OLD. 220 00:37:38,995 --> 00:37:43,478 MANY, MANY QUESTIONS, BUT DON'T ANSWER. 221 00:37:43,522 --> 00:37:47,830 I DON'T HEAR ANSWER. 222 00:37:47,874 --> 00:37:51,921 WHY? 223 00:37:54,707 --> 00:37:55,925 DISCUSS. 224 00:38:13,029 --> 00:38:16,990 I'D SAY THAT THE MAIN ISSUE, FOR ME, IS THAT 225 00:38:17,033 --> 00:38:19,471 THERE IS A LOT OF 13, 14, 15 YEARS OLD GIRL. 226 00:38:19,514 --> 00:38:22,517 I MEAN, THERE IS, TOO, IN EUROPE AND ALL JUST SAY THAT 227 00:38:22,561 --> 00:38:24,954 THEY'RE SAYING THAT OH, NO, NO, IN EUROPE AND AMERICA, 228 00:38:24,998 --> 00:38:27,348 THEY DON'T USE ANY GIRL UNDER 16 ANYMORE, 229 00:38:27,392 --> 00:38:30,395 BUT THE GIRLS, I SEE THEN IN THE CASTINGS, I TALK TO THEM. 230 00:38:30,438 --> 00:38:32,353 BUT WHO IS TO BLAME? 231 00:38:32,397 --> 00:38:35,356 WE CAN'T BLAME THE GIRLS BECAUSE THEY'RE JUST BEING SENT. 232 00:38:35,400 --> 00:38:38,098 WE CAN'T BLAME FAMILIES BECAUSE MAYBE THEY ARE IN NEED. 233 00:38:38,141 --> 00:38:39,882 CAN WE BLAME THE AGENCY THAT TAKES THEM ON 234 00:38:39,926 --> 00:38:41,623 BECAUSE THE CLIENT WILL TAKE THEM? 235 00:38:41,667 --> 00:38:43,538 CAN WE BLAME THE CLIENTS THAT WILL PRETEND 236 00:38:43,582 --> 00:38:46,715 OR WON'T KNOW, ACTUALLY, HOW OLD ARE THOSE GIRLS? 237 00:38:46,759 --> 00:38:49,675 THERE'S NO ONE TO BLAME, BUT THE WHOLE THING IS STILL AROUND. 238 00:38:49,718 --> 00:38:52,939 THEY ALL PLAY BLIND, REALLY. 239 00:38:52,982 --> 00:38:55,507 AND IF THEY USE 13, 14 YEARS OLD GIRL, IT MEANS 240 00:38:55,550 --> 00:38:59,162 DID YOU NOT WANT ANY GIRL THAT ARE 241 00:38:59,206 --> 00:39:01,469 THE SHAPE OF A WOMAN, REALLY? 242 00:39:13,220 --> 00:39:16,223 SEVEN FOR RUSSIA. 243 00:39:16,266 --> 00:39:18,181 SO YOU START FROM AREA CODE. 244 00:39:18,225 --> 00:39:23,404 I DON'T KNOW. IT'S YOUR NUMBER. 245 00:39:23,448 --> 00:39:25,972 IS THAT AREA CODE? 246 00:39:27,452 --> 00:39:29,671 DO YOU HAVE A DICTIONARY? 247 00:39:29,715 --> 00:39:32,805 DICTIONARY. 248 00:39:32,848 --> 00:39:35,547 DO YOU HAVE A BOOK? 249 00:39:36,983 --> 00:39:40,465 RUSSIAN/ENGLISH BOOK YOU HAVE. 250 00:39:40,508 --> 00:39:44,817 BRING, BRING. YES. 251 00:39:44,860 --> 00:39:48,255 THIS RUSSIAN. 252 00:39:48,298 --> 00:39:51,345 I UNDERSTAND. 253 00:39:51,389 --> 00:39:55,567 SO... 254 00:39:55,610 --> 00:39:59,266 7 IS RUSSIA AND YOU PUT -- 255 00:40:04,314 --> 00:40:05,315 YES. 256 00:40:05,359 --> 00:40:10,059 PRESS. 257 00:40:14,499 --> 00:40:17,545 WRITE DOWN YOUR NUMBER. 258 00:40:24,204 --> 00:40:25,988 IT'S NOT IN SERVICE. 259 00:40:26,032 --> 00:40:28,251 WE CANNOT CALL FROM THIS NUMBER. 260 00:40:28,295 --> 00:40:29,775 THIS PHONE DOESN'T WORK. 261 00:42:27,022 --> 00:42:30,983 AND HERE'S ME GETTING MY HAIR DONE IN JAPAN. 262 00:42:31,026 --> 00:42:35,422 I REMEMBER THE BIRTH, BEING A MODEL, 263 00:42:35,465 --> 00:42:37,293 AND I HATED IT SO MUCH. 264 00:42:37,337 --> 00:42:40,166 I'VE NEVER BEEN SO DOWN. 265 00:42:40,209 --> 00:42:41,907 I REMEMBER DAYS WHERE I WOULD JUST LITERALLY STAY 266 00:42:41,950 --> 00:42:43,822 IN MY APARTMENT 267 00:42:43,865 --> 00:42:45,650 AND STAY IN MY BED ALL DAY. 268 00:42:45,693 --> 00:42:48,174 I JUST COULDN'T EVEN GET OUT OF BED, I JUST DIDN'T KNOW 269 00:42:48,217 --> 00:42:50,655 WHAT TO DO WITH MYSELF, I FELT SO DEPRESSED. 270 00:42:50,698 --> 00:42:53,135 LIKE, ALL I WOULD THINK ABOUT IS 271 00:42:53,179 --> 00:42:55,442 "OKAY, WHAT AM I GOING TO REALLY DO WITH MY LIFE? 272 00:42:55,485 --> 00:42:57,226 "OKAY, WHY AM I DOING THIS? 273 00:42:57,270 --> 00:43:01,317 WHEN CAN I GO HOME?" 274 00:43:01,361 --> 00:43:04,320 I REALIZED THAT I DIDN'T ACTUALLY HAVE TO HAVE 275 00:43:04,364 --> 00:43:06,714 A DEATH OF MODELING BECAUSE I STARTED SCOUTING 276 00:43:06,758 --> 00:43:12,024 AND I COULD ACTUALLY NOW BE IN CONTROL AND THAT WAS FUN. 277 00:43:12,067 --> 00:43:13,416 BECAUSE I COULD DECIDE WHEN I WANT TO TRAVEL 278 00:43:13,460 --> 00:43:15,680 AND I COULD PICK THE MODELS. 279 00:43:15,723 --> 00:43:17,899 AND I WAS STILL A MODEL, SO ALL OF MY FRIENDS 280 00:43:17,943 --> 00:43:20,336 WERE MODELS, A LOT OF THEM, 281 00:43:20,380 --> 00:43:22,251 SO I JUST STARTED SENDING THEM TO JAPAN, 282 00:43:22,295 --> 00:43:25,515 SO RIGHT AWAY, I HAD AN INSTANTANEOUS BUSINESS. 283 00:43:25,559 --> 00:43:30,738 THE BEST THING I DID WAS BUY MY LITTLE HOUSE. 284 00:43:30,782 --> 00:43:34,133 AND THEN I MADE MORE MONEY WHEN I SOLD IT, WHICH I'M DOING NOW. 285 00:43:34,176 --> 00:43:35,656 SO I'M ACTUALLY REAPING THE BENEFITS 286 00:43:35,700 --> 00:43:38,180 OF MY MODELING CAREER RIGHT NOW. 287 00:43:50,628 --> 00:43:53,152 SO THIS IS MY FAVORITE LITTLE SPOT. 288 00:43:53,195 --> 00:43:57,678 I HAD THESE BOXES MADE FOR THESE LITTLE MINIPRINTS. 289 00:43:57,722 --> 00:44:01,377 STOCKINGS. 290 00:44:04,032 --> 00:44:06,339 SEE THE HANDS? 291 00:44:06,382 --> 00:44:07,557 GESTURES. 292 00:44:11,997 --> 00:44:13,476 SEE? I'M TRYING TO HIDE MY CAMERA 293 00:44:13,520 --> 00:44:17,002 UNDER THE TABLE 294 00:44:17,045 --> 00:44:21,093 SO THAT THEY DON'T KNOW THAT I'M PHOTOGRAPHING. 295 00:44:21,136 --> 00:44:23,182 SOMETIMES I WOULDN'T PHOTOGRAPH THE GIRL'S FACE, 296 00:44:23,225 --> 00:44:25,750 I'D JUST PHOTOGRAPH HER FEET 297 00:44:25,793 --> 00:44:27,665 OR HER HANDS. 298 00:44:34,759 --> 00:44:37,239 SOMETIMES I WOULD TRY TO FIND THE LEGS, 299 00:44:37,283 --> 00:44:42,897 MATCH THE LEGS, WHICH LEGS WENT WITH WHICH BODY. 300 00:44:42,941 --> 00:44:46,248 HEY, DOES THAT WORK? THAT WORKS. 301 00:44:46,292 --> 00:44:47,728 DOESN'T IT? WAIT. 302 00:44:47,772 --> 00:44:50,122 OH, NO, IT DOESN'T WORK. 303 00:44:50,165 --> 00:44:52,472 WAIT. ALMOST WORKS. 304 00:44:52,515 --> 00:44:56,955 THIS IS THE SAME BATHING SUIT, THOUGH, LOOK. 305 00:44:56,998 --> 00:45:00,088 THAT FITS THAT. I JUST DIDN'T -- 306 00:45:00,132 --> 00:45:02,569 IF I HAD IT ON A TRIPOD, THEN I COULD -- 307 00:46:53,158 --> 00:46:55,464 A LOT OF TIMES, YOU DO SHOOTS 308 00:46:55,508 --> 00:46:57,249 AND YOU NEVER SEE THE PICTURES, IN THE END. 309 00:46:57,292 --> 00:47:00,165 THE PICTURES CAN BE SOLD TO A MAGAZINE AFTERWARDS 310 00:47:00,208 --> 00:47:01,819 AND SHE WON'T MAKE ANY MONEY 311 00:47:01,862 --> 00:47:05,648 BECAUSE AGENCIES DON'T WANT YOU TO KNOW WHAT'S GOING ON, ANYWAY. 312 00:47:05,692 --> 00:47:07,955 IT'S BETTER FOR THEM BECAUSE, IF YOU DON'T REALLY KNOW 313 00:47:07,999 --> 00:47:09,827 WHAT'S GOING ON, HOW MUCH YOU'RE GETTING PAID, 314 00:47:09,870 --> 00:47:12,830 WHAT ARE YOUR EXPENSES, THEY CAN GET MORE MONEY OUT OF YOU. 315 00:47:12,873 --> 00:47:16,834 YOU HAVE TO BE REALLY ON TOP OF EVERYTHING AND, 316 00:47:16,877 --> 00:47:19,401 AT 13 YEARS OLD, THEY WON'T BE ON TOP OF EVERYTHING. 317 00:47:19,445 --> 00:47:21,664 SHE'LL BE LIKE "OH, MY GOD, I'M GOING TO JAPAN. 318 00:47:21,708 --> 00:47:23,449 "I HAVE ALL THOSE JOBS BOOKED. 319 00:47:23,492 --> 00:47:24,972 I'M GOING TO MAKE THAT MUCH MONEY, AT LEAST," 320 00:47:25,016 --> 00:47:28,323 BUT THEY DON'T KNOW THAT THEY'RE NOT GETTING THOSE JOBS. 321 00:47:28,367 --> 00:47:31,370 THEY'LL JUST TAKE ADVANTAGE OF HER. 322 00:47:52,478 --> 00:47:54,915 {\an8}S'IL VOUS PLAIT. 323 00:47:54,959 --> 00:47:56,395 CONCORDE. CONCORDE. 324 00:47:56,438 --> 00:47:57,657 {\an8}S'IL VOUS PLAIT! 325 00:47:57,700 --> 00:47:59,746 TAXI. 326 00:47:59,789 --> 00:48:02,314 Taxi. 327 00:48:02,357 --> 00:48:07,362 I DON'T KNOW IF "SHORT-TERM" WOULD BE DEFINED BY, LIKE, 328 00:48:07,406 --> 00:48:08,711 12 YEARS OF TRAVELING. 329 00:48:08,755 --> 00:48:10,800 IT'S, LIKE, MORE THAN SHORT-TERM. 330 00:48:10,844 --> 00:48:12,933 IT'S AN ADDICTION. 331 00:48:16,197 --> 00:48:21,681 IT REALLY IS AN ADDICTION. 332 00:48:21,724 --> 00:48:25,554 AND THEN I STICK WITH WHAT I KNOW BECAUSE I'M -- 333 00:48:25,598 --> 00:48:31,517 I'M SORT OF AFRAID TO REALLY TRY NEW THINGS. 334 00:48:31,560 --> 00:48:35,303 ONCE YOU'VE TRAVELED AND SEEN SO MUCH, 335 00:48:35,347 --> 00:48:37,915 YOU SORT OF WANT 336 00:48:37,958 --> 00:48:40,613 THAT STIMULUS AGAIN BECAUSE THERE'S A CERTAIN STIMULUS 337 00:48:40,656 --> 00:48:42,136 WITH NEW PLACES. 338 00:48:47,185 --> 00:48:50,666 SORRY, TIGRAN, 339 00:48:50,710 --> 00:48:53,669 I JUST WANTED TO MAKE SURE I HAD IT RIGHT. 340 00:48:53,713 --> 00:48:55,497 YOU HAD IT RIGHT. 341 00:48:55,541 --> 00:48:59,023 I MEAN, THIS IS WHAT I KNOW THE MOST. 342 00:48:59,066 --> 00:49:00,546 I STARTED DOING THIS 343 00:49:00,589 --> 00:49:02,591 WHEN I WAS 17, IT'S JUST LIKE SOMETHING I KNOW, 344 00:49:02,635 --> 00:49:04,854 BUT IT'S NOT SOMETHING THAT I NECESSARILY -- 345 00:49:04,898 --> 00:49:07,640 I NEED TO BE MORE BUSINESS, LIKE YOU. 346 00:49:07,683 --> 00:49:09,250 I'M MORE BUSINESS? 347 00:49:09,294 --> 00:49:11,470 YOU'RE BUSINESS IN THIS BUSINESS. 348 00:49:11,513 --> 00:49:13,385 SO MANY PEOPLE AREN'T BUSINESS 349 00:49:13,428 --> 00:49:16,170 IN THIS BUSINESS, SO. 350 00:49:27,312 --> 00:49:29,401 I MEAN, IF YOU CATCH THE GIRL AT 12, 351 00:49:29,444 --> 00:49:30,924 WHEN THESE GIRLS ARE IN THESE 352 00:49:30,968 --> 00:49:32,404 VERY DELICATE STAGES OF THEIR LIFE, 353 00:49:32,447 --> 00:49:34,449 THEN YOU HAVE MORE POWER OR YOU HAVE 354 00:49:34,493 --> 00:49:36,147 MORE INFLUENCE TO GUIDE AND DIRECT. 355 00:49:36,190 --> 00:49:37,452 IT'S NOT REALLY THE AGE, 356 00:49:37,496 --> 00:49:39,150 IT'S HOW MATURE THEY ARE. 357 00:49:39,193 --> 00:49:40,673 BECAUSE, AT THE AGE OF 13, 358 00:49:40,716 --> 00:49:42,153 SHE HAS SOMETHING THAT MOST PEOPLE 359 00:49:42,196 --> 00:49:43,719 RARELY HAVE, AND THAT'S CALLED DIGNITY. 360 00:49:43,763 --> 00:49:47,114 THAT 13-YEAR-OLD WILL NEVER GO WITH A RICH MAN, 361 00:49:47,158 --> 00:49:50,378 YOU KNOW, FOR MONEY, YOU KNOW? 362 00:49:50,422 --> 00:49:51,553 RIGHT. 363 00:49:51,597 --> 00:49:53,033 BECAUSE SHE'LL UNDERSTAND THAT, 364 00:49:53,077 --> 00:49:55,209 YOU KNOW, SHE'S MUCH HAPPIER 365 00:49:55,253 --> 00:49:58,038 WITH THE $100,000 THAT SHE EARNED 366 00:49:58,082 --> 00:49:59,648 OR WITH THE $50,000 THAT SHE EARNED, 367 00:49:59,692 --> 00:50:02,347 THAN WITH THE $3 MILLION 368 00:50:02,390 --> 00:50:04,088 THAT SHE GETS FROM THIS RICH MAN, 369 00:50:04,131 --> 00:50:06,655 DOING NOTHING OTHER THAN, YOU KNOW, 370 00:50:06,699 --> 00:50:08,570 SPREADING HER LEGS IN FRONT OF HIM. 371 00:50:08,614 --> 00:50:10,268 THAT 12-YEAR-OLD OR 13-YEAR-OLD 372 00:50:10,311 --> 00:50:11,921 WOULD NEVER DO. 373 00:50:11,965 --> 00:50:13,358 OKAY? 374 00:50:13,401 --> 00:50:15,316 NOW, THEY'RE DIFFICULT GIRLS, 375 00:50:15,360 --> 00:50:20,278 SO, TO HAVE A GOOD EFFECT OF EDUCATION, 376 00:50:20,321 --> 00:50:22,715 WE SOMETIMES TAKE THESE GIRLS TO THE MORGUE 377 00:50:22,758 --> 00:50:25,109 AND WE SHOW THEM THESE YOUNG GIRLS OR BOYS 378 00:50:25,152 --> 00:50:27,589 WHO DID DRUGS AND PASSED AWAY. 379 00:50:27,633 --> 00:50:30,636 THAT HAS EVERLASTING EFFECT. 380 00:50:30,679 --> 00:50:33,073 AND IF THE MODEL IS STILL TOO HARDHEADED, 381 00:50:33,117 --> 00:50:35,075 WE HAVE THE AUTOPSY DONE IN FRONT OF THEM. 382 00:50:35,119 --> 00:50:37,991 BELIEVE ME, THAT AFFECTS THEM SO STRONGLY. 383 00:50:38,035 --> 00:50:39,645 YOU DO THAT?YEAH. 384 00:50:39,688 --> 00:50:41,995 SO YOU CALL UP THE MORGUE IN ST. PETERSBURG? 385 00:50:42,039 --> 00:50:43,475 THAT'S RIGHT. THAT'S RIGHT. 386 00:50:43,518 --> 00:50:44,998 AND YOU FIND OUT. 387 00:50:45,042 --> 00:50:46,521 THAT'S RIGHT. 388 00:50:46,565 --> 00:50:48,480 AND YOU KNOW, THE WORST PART IS 389 00:50:48,523 --> 00:50:51,091 WHEN THEY REALIZE THEY COULD BE IN THEIR PLACE. 390 00:50:51,135 --> 00:50:52,919 HMM. 391 00:50:52,962 --> 00:50:55,269 AND THAT HAS A VERY, VERY STRONG EFFECT ON THEM. 392 00:50:55,313 --> 00:50:58,968 BELIEVE ME, SEEING A DEAD, YOUNG GIRL 393 00:50:59,012 --> 00:51:02,102 IN FRONT OF YOU HAS A REALLY STRONG EFFECT. 394 00:51:02,146 --> 00:51:07,803 WITH AN OPEN BODY, YOU KNOW. 395 00:51:07,847 --> 00:51:09,675 YEAH. 396 00:51:13,635 --> 00:51:16,551 I THINK I WAS A VERY BAD PERSON 397 00:51:16,595 --> 00:51:19,119 IN MY PAST LIFE, 398 00:51:19,163 --> 00:51:22,688 SO I'M BACK TO PAY MY DEBT. 399 00:51:22,731 --> 00:51:26,300 YOUR KARMA? HMM. 400 00:51:26,344 --> 00:51:28,128 I THINK I WAS A MILITARY PERSON. 401 00:51:28,172 --> 00:51:31,566 I KNOW THAT. AND I KILLED A LOT OF PEOPLE. 402 00:51:31,610 --> 00:51:35,570 SO I THINK I'M BACK TO NOW HELP PEOPLE. 403 00:51:39,052 --> 00:51:40,880 So. 404 00:53:27,595 --> 00:53:30,990 HELLO? 405 00:55:15,529 --> 00:55:17,401 WELL I'VE BEEN SCOUTING WITH TIGRAN, 406 00:55:17,444 --> 00:55:19,272 YOU KNOW, WITH NOAH MODELS, AND THIS IS 407 00:55:19,316 --> 00:55:21,361 NOAH MODELS'S MOST RECENT FIND. 408 00:55:21,405 --> 00:55:25,844 BUT THEY HAVE A REAL MONOPOLY 409 00:55:25,887 --> 00:55:27,454 ON THE RUSSIAN MARKET BECAUSE THEY HAVE AGENCIES 410 00:55:27,498 --> 00:55:28,977 STRETCHING ALL THE WAY ACROSS RUSSIA 411 00:55:29,021 --> 00:55:30,631 AND THEY HAVE 20 LITTLE OFFICES, 412 00:55:30,675 --> 00:55:33,025 SO THEY'RE SCOUTING IN THAT AREA 413 00:55:33,068 --> 00:55:35,680 AND THEY'RE REALLY GETTING, YOU KNOW, 414 00:55:35,723 --> 00:55:37,203 FIRST OPTION ON THE GIRLS 415 00:55:37,246 --> 00:55:39,727 BECAUSE THERE'S LITTLE AGENCIES. 416 00:56:17,330 --> 00:56:20,768 Ashley: AH. 417 00:56:20,812 --> 00:56:24,511 LET ME SEE. THIS IS THE BATHROOM? 418 00:56:24,555 --> 00:56:26,644 OH, MY GOSH. 419 00:56:26,687 --> 00:56:30,517 WOW! THAT IS A PRETTY BAD ONE. 420 00:56:31,823 --> 00:56:33,433 THAT'S PRETTY BAD. 421 00:56:35,566 --> 00:56:38,612 WELL, WHAT DO WE HAVE OUT HERE? 422 00:56:38,656 --> 00:56:40,222 A GARDEN? 423 00:56:40,266 --> 00:56:41,876 YEAH, WE HAVE. 424 00:57:02,549 --> 00:57:08,163 SO, YES, IT'S NOT -- YEAH. 425 00:57:08,207 --> 00:57:10,644 IT'S NOT THE BEST MODELS' APARTMENT, 426 00:57:10,688 --> 00:57:13,952 BUT I GUESS IT'S OKAY. 427 00:57:13,995 --> 00:57:16,171 YEAH. OKAY. IT'S ALL OKAY. 428 00:57:19,958 --> 00:57:22,613 YOU'RE GOING TO -- I MEAN, YOU'RE PRETTY BUSY 429 00:57:22,656 --> 00:57:24,179 WITH THE CASTINGS AND THEN, THIS WEEKEND, 430 00:57:24,223 --> 00:57:27,487 I THINK YOU HAVE TEST SHOOTING, OR...? 431 00:57:27,531 --> 00:57:30,272 WHY? WHY IS THAT FUNNY? 432 00:57:30,316 --> 00:57:33,014 NO. 433 00:57:35,539 --> 00:57:36,540 OH. OH. 434 00:57:47,725 --> 00:57:50,684 WE DON'T WORK, NADYA AND I. 435 00:57:50,728 --> 00:57:52,425 WE DON'T KNOW YET. 436 00:57:52,469 --> 00:57:55,515 {\an8}NYET, I KNOW. I DON'T WORK. 437 00:57:55,559 --> 00:57:56,647 WHY? 438 00:57:56,690 --> 00:57:58,170 I DON'T KNOW WHY. 439 00:57:58,213 --> 00:58:00,781 YOU FEEL YOU DON'T WORK. 440 00:58:00,825 --> 00:58:05,525 I DON'T WORK IN THIS WEEK, NEXT WEEK. 441 00:58:05,569 --> 00:58:08,746 NADYA DON'T WORK THIS WEEK OR NEXT WEEK. 442 00:58:08,789 --> 00:58:10,095 WHY? 443 00:58:10,138 --> 00:58:11,575 I DON'T KNOW. 444 00:58:11,618 --> 00:58:15,535 THIS IS YOUR FEELING, THIS IS NOT THE REALITY, 445 00:58:15,579 --> 00:58:17,319 BECAUSE WE DON'T KNOW. 446 00:58:17,363 --> 00:58:18,973 BECAUSE, STILL, EVERY DAY, 447 00:58:19,017 --> 00:58:20,540 YOU'RE DOING CASTINGS, RIGHT? 448 00:58:20,584 --> 00:58:23,978 BUT THIS WEEK, WE KNOW NO JOB, RIGHT? 449 00:58:24,022 --> 00:58:26,546 AND THEN, NEXT WEEK, CASTING, CASTING, CASTING. 450 00:58:26,590 --> 00:58:27,852 CASTING, CASTING, NO JOB. 451 00:58:27,895 --> 00:58:30,811 BUT MAYBE THE {\an8}NEXT WEEK, YOU HAVE A JOB. 452 00:58:30,855 --> 00:58:32,770 I DON'T KNOW. 453 00:58:40,517 --> 00:58:48,655 OKAY. ALL RIGHT. 454 00:58:52,093 --> 00:58:53,399 NADYA. 455 00:59:06,630 --> 00:59:09,241 Okay. 456 00:59:25,997 --> 00:59:33,265 I WANTED OUT OF LIFE WAS 457 00:59:33,308 --> 00:59:36,964 I WANT MY OWN SECURITY. 458 00:59:37,008 --> 00:59:39,837 WHEN I GO BACK AND READ A LOT OF MY WRITINGS, 459 00:59:39,880 --> 00:59:41,882 A LOT OF THE TIMES I'VE BEEN MODELING, 460 00:59:41,926 --> 00:59:45,973 I FEEL REALLY SCARED. 461 00:59:46,017 --> 00:59:52,023 I GET SO OBSESSED ABOUT MONEY AND I JUST HAVE TO CHILL OUT. 462 00:59:52,066 --> 00:59:54,068 I DON'T KNOW. 463 00:59:54,112 --> 00:59:56,636 SOMETIMES I THINK I'M NOT BEING PROFESSIONAL, YOU KNOW? 464 00:59:56,680 --> 00:59:58,333 THERE'S A LOT OF THINGS THAT I'VE HAVE DONE 465 00:59:58,377 --> 01:00:01,075 THAT ARE BAD IN THE BUSINESS, BUT I ALWAYS TRY TO PLAY IT OFF 466 01:00:01,119 --> 01:00:04,688 LIKE I'M SO GOOD, BUT MAYBE I'M NOT REALLY THAT GOOD AT ALL. 467 01:00:11,608 --> 01:00:13,522 IT'S JUST GROWING. 468 01:00:13,566 --> 01:00:15,829 IT'S PRODUCING. IT'S VERY ACTIVE, YOU KNOW. 469 01:00:15,873 --> 01:00:18,397 IT'S JUST DOING ITS OWN THING. 470 01:00:18,440 --> 01:00:20,617 I MEAN, I WOULD BE HAPPY TO BE FOUR MONTHS PREGNANT 471 01:00:20,660 --> 01:00:23,402 WITH A HEALTHY THING, 472 01:00:23,445 --> 01:00:28,146 BUT THIS IS JUST SOMETHING THAT'S GROWING FOR NO REASON, 473 01:00:28,189 --> 01:00:29,887 THAT, EVENTUALLY, WILL HAVE TO BE TAKEN OUT. 474 01:00:29,930 --> 01:00:35,109 ONE'S HERE AND ONE IS HERE. 475 01:00:35,153 --> 01:00:36,676 THEY SAID IT'S RIGHT AT THE TOP. 476 01:00:36,720 --> 01:00:42,813 THEY JUST OPEN IT AND THERE IT IS, SITTING RIGHT THERE. 477 01:00:42,856 --> 01:00:44,858 SO. 478 01:00:47,644 --> 01:00:52,344 ONE IS A FIBROID AND ONE IS A CYST. 479 01:00:55,042 --> 01:00:58,045 BUT, HOPEFULLY, IT WILL BE ALL RIGHT 480 01:00:58,089 --> 01:01:01,048 IN 10 DAYS FROM NOW, 481 01:01:01,092 --> 01:01:05,357 WHEN I GET OPERATED ON BY A ROBOT. 482 01:01:11,537 --> 01:01:13,670 THANK YOU SO {\an8}MUCH. 483 01:03:03,867 --> 01:03:10,047 I HAVE DIARIES. PROBABLY MORE VIDEOTAPES. 484 01:03:10,090 --> 01:03:13,528 THIS IS THE TRUEST EVIDENCE. 485 01:03:29,718 --> 01:03:32,417 ALL THE GIRLS JUST WANT TO GET OUT SO THEY TRY, LIKE -- 486 01:03:32,460 --> 01:03:34,201 THEY CAN BE ATHLETES, THEY CAN BE GYMNASTS, 487 01:03:34,245 --> 01:03:36,769 THEY CAN BE BALLERINAS, THEY CAN BE MODELS, 488 01:03:36,813 --> 01:03:40,120 THEY CAN BE PROSTITUTES. 489 01:03:43,907 --> 01:03:47,171 MOST OF THE TIME, THEY DO A COMBINATION OF BOTH OR -- 490 01:03:47,214 --> 01:03:49,651 I MEAN, OFTEN, YEAH, THEY DO. 491 01:03:49,695 --> 01:03:52,611 THERE ARE CERTAIN AGENCIES, 492 01:03:52,654 --> 01:03:58,922 LIKE, HIGH-CLASS AGENCIES, THAT WILL HELP FACILITATE. 493 01:03:58,965 --> 01:04:01,446 AND ESPECIALLY ONCE -- IF YOU HAVE THE EXPERIENCE 494 01:04:01,489 --> 01:04:04,666 OF MAKING MONEY AND YOU ARE A MODEL, 495 01:04:04,710 --> 01:04:06,320 YOU ONLY KNOW HOW TO MAKE MONEY AS A MODEL, 496 01:04:06,364 --> 01:04:08,757 IF YOU'RE NOT MAKING MONEY AS A MODEL, 497 01:04:08,801 --> 01:04:10,890 YOU JUST KNOW YOU'RE A BEAUTIFUL GIRL WHO USES HER BODY, 498 01:04:10,934 --> 01:04:15,503 SO IT'S KIND OF NATURAL TO THINK "WELL, 499 01:04:15,547 --> 01:04:18,376 "I SELL MY BODY FOR THE CAMERA 500 01:04:18,419 --> 01:04:21,074 AND WHAT'S THE DIFFERENCE?" 501 01:04:21,118 --> 01:04:24,556 EVEN, DID YOU SEE -- YOU KNOW THE DVDs I GAVE YOU? 502 01:04:24,599 --> 01:04:26,166 AND YOU COULD SEE SOMETIMES THE GIRL 503 01:04:26,210 --> 01:04:29,430 PRESENTED HERSELF IN A CERTAIN WAY, THE CASTINGS IN RUSSIA. 504 01:04:29,474 --> 01:04:32,520 SOMETIMES IT WAS CLEARLY LIKE SHE WAS PRESENTING HERSELF 505 01:04:32,564 --> 01:04:35,654 AS A SEX OBJECT, SOMETIMES SHE WAS JUST A YOUNG GIRL. 506 01:04:35,697 --> 01:04:39,919 I MEAN THOSE TAPES ARE WIDELY DISTRIBUTED. 507 01:04:39,963 --> 01:04:41,921 AND, OF COURSE, THE GOAL IS 508 01:04:41,965 --> 01:04:43,575 THAT THEY GET PLACED IN MODELING AGENCIES, 509 01:04:43,618 --> 01:04:52,323 BUT THE REALITY IS, IS THAT THEY GET PLACED OTHER PLACES, TOO. 510 01:04:52,366 --> 01:04:56,501 AND I DON'T HAVE FIRSTHAND EXPERIENCE OF THESE THINGS. 511 01:04:56,544 --> 01:05:03,769 I MEAN, I'M NOT, OBVIOUSLY, PARTICIPATING IN THIS, SO. 512 01:05:03,812 --> 01:05:08,817 IT'S JUST NORMAL TO BE A PROSTITUTE. 513 01:05:08,861 --> 01:05:12,473 FOR THEM, YOU KNOW? 514 01:05:12,517 --> 01:05:16,347 MAYBE IT'S EASIER THAN BEING A MODEL, I DON'T KNOW. 515 01:05:21,352 --> 01:05:22,875 I MEAN, IN A LOT OF COUNTRIES, 516 01:05:22,919 --> 01:05:29,664 PROSTITUTION IS NOT CONSIDERED A TERRIBLE THING. 517 01:05:29,708 --> 01:05:34,669 UM -- 518 01:05:34,713 --> 01:05:39,718 I DON'T REALLY ACKNOWLEDGE THAT IT EXISTS. 519 01:06:43,173 --> 01:06:45,566 David: I DON'T UNDERSTAND HOW NEW GIRLS 520 01:06:45,610 --> 01:06:48,004 LIKE NADYA AND MADLEN CAN MAKE YOU MONEY, 521 01:06:48,047 --> 01:06:50,876 CAN MAKE TIGRAN MONEY, CAN MAKE ASHLEY MONEY. 522 01:07:08,459 --> 01:07:10,635 SO IF THEY DON'T MAKE MONEY, THEN WHY DO YOU BRING THEM IN? 523 01:07:10,678 --> 01:07:13,681 HMM... 524 01:07:18,599 --> 01:07:20,558 UH... 525 01:07:47,454 --> 01:07:49,239 HERE IS SOME LITERATURE, 526 01:07:49,282 --> 01:07:50,762 JUST ON THE PROCEDURE YOU HAD. 527 01:07:50,805 --> 01:07:52,851 THIS IS VERY BROAD AND IT'S NOT 528 01:07:52,894 --> 01:07:56,115 TRULY SPECIFIC TO EXACTLY WHAT YOU HAD DONE. 529 01:07:56,159 --> 01:07:59,118 YOU WANT TO MAKE SURE YOU CONTINUE TO EAT WELL, 530 01:07:59,162 --> 01:08:01,077 BUT THINGS TO LOOK OUT FOR THAT YOU WOULD NEED 531 01:08:01,120 --> 01:08:05,472 TO CALL YOUR DOCTOR IS IF YOU NOTICE ANY SEPARATION. 532 01:08:05,516 --> 01:08:08,388 SO IT SOMETIMES TAKES A LITTLE WHILE 533 01:08:08,432 --> 01:08:12,262 FOR THE BODY TO PROCESS ALL THAT YOU'VE RECEIVED, SO. 534 01:08:12,305 --> 01:08:13,872 OKAY, SO I'LL BE RIGHT BACK. 535 01:08:17,180 --> 01:08:20,879 OH, GOD THAT HURTS. 536 01:08:20,922 --> 01:08:24,361 IT'S PAINFUL TO COUGH. 537 01:08:24,404 --> 01:08:27,146 IT'S A SMALL INCISION. 538 01:08:27,190 --> 01:08:30,149 THE FIBROID, THEY HAD TO CUT IN 20 PIECES 539 01:08:30,193 --> 01:08:31,890 TO TAKE IT OUT. 540 01:08:31,933 --> 01:08:33,674 THEY THOUGHT IT WAS 10 CENTIMETERS, 541 01:08:33,718 --> 01:08:35,372 BUT IT'S ACTUALLY 15. 542 01:08:35,415 --> 01:08:39,463 THE BABY'S HEAD, LIKE THAT BIG, 543 01:08:39,506 --> 01:08:43,293 THAT CAME OUT OF ME. 544 01:08:43,336 --> 01:08:45,121 AND THEN ANOTHER ONE. 545 01:08:45,164 --> 01:08:49,473 THIS ONE. 546 01:08:49,516 --> 01:08:51,475 THIS THING. 547 01:08:51,518 --> 01:08:52,911 SO DISGUSTING. OH, MY GOD. 548 01:08:52,954 --> 01:08:54,652 THIS IS THE CYST. 549 01:08:54,695 --> 01:08:56,219 THIS IS BLONDE HAIR. 550 01:08:56,262 --> 01:08:58,699 THEY HAVE NEVER SEEN ONE WITH, LIKE, SO MUCH BLONDE HAIR. 551 01:08:58,743 --> 01:09:04,662 MY EGG, SPLITTING ON ITS OWN. 552 01:09:04,705 --> 01:09:07,273 I MEAN, THEY SAID I COULD HAVE A BABY IN SIX MONTHS. 553 01:09:07,317 --> 01:09:13,540 I MEAN, I WANT A BABY BECAUSE THAT'S WHAT I'M BORN TO DO. 554 01:09:13,584 --> 01:09:15,847 I MEAN, I'M BORN WITH THESE ORGANS. 555 01:09:19,851 --> 01:09:23,637 I WANT A LITTLE BIT OF EVERYTHING, 556 01:09:23,681 --> 01:09:26,379 BUT I DO WANT A BABY. 557 01:09:26,423 --> 01:09:31,254 HOPEFULLY, THAT COULD TRAVEL WITH ME TO RUSSIA. 558 01:09:32,907 --> 01:09:36,781 SO WHEN I GO TO HAVE A BABY, I'LL, LIKE, DECIDE WHICH DATE 559 01:09:36,824 --> 01:09:38,652 AND THEN JUST GO AND HAVE THE SAME OPERATION 560 01:09:38,696 --> 01:09:41,089 THAT I JUST HAD, BASICALLY. 561 01:09:41,133 --> 01:09:42,830 KRRCH. 562 01:13:30,014 --> 01:13:31,407 Woman: THERE'S A LOT OF MEDIA TODAY. 563 01:13:35,019 --> 01:13:36,324 Ashley: OKAY. 564 01:13:36,368 --> 01:13:38,892 WHICH GIRLS, PARTICULARLY, YOU ARE LOOKING FOR? 565 01:13:38,936 --> 01:13:42,461 FOR MY MARKET, WHICH IS JAPAN, WE ARE QUITE SPECIFIC, 566 01:13:42,505 --> 01:13:46,987 SO WE LIKE YOUNG, YOUNG GIRLS, FRESH GIRLS, NEW FACES. 567 01:13:47,031 --> 01:13:48,902 THE GIRLS THAT I SEE TODAY, CHANCES ARE, 568 01:13:48,946 --> 01:13:50,469 I WILL BOOK SOME OF THEM. 569 01:13:50,513 --> 01:13:53,341 THEY SHOULD EXPECT TO WORK VERY HARD IN JAPAN, 570 01:13:53,385 --> 01:13:54,908 BUT IT'S A VERY SAFE PLACE 571 01:13:54,952 --> 01:13:59,217 AND EVERY MODEL HAS SUCCESS IN JAPAN. 572 01:13:59,260 --> 01:14:02,960 UNLIKE OTHER MARKETS, WHERE THEY MIGHT GO INTO DEBT, 573 01:14:03,003 --> 01:14:05,528 THEY NEVER DO IN JAPAN, THEY ONLY WIN, SO. 574 01:14:05,571 --> 01:14:06,920 VERY GOOD. 575 01:14:14,841 --> 01:14:16,756 WOW, SHE'S CUTE. 576 01:14:16,800 --> 01:14:18,105 HELLO! 577 01:14:18,149 --> 01:14:19,585 HELLO. 578 01:14:19,629 --> 01:14:22,153 YOU SPEAK ENGLISH? 579 01:14:22,196 --> 01:14:23,328 YES. 580 01:14:23,371 --> 01:14:25,635 YES, YOU DO? 581 01:14:25,678 --> 01:14:27,637 A LITTLE ENGLISH? 582 01:14:30,117 --> 01:14:32,511 YES. 583 01:14:32,555 --> 01:14:37,516 SHE'S SO CUTE. 584 01:14:37,560 --> 01:14:40,824 MARIA. CAN YOU INTRODUCE YOURSELF? 585 01:14:40,867 --> 01:14:43,783 ♪ MY NAME IS MARIA, MARIA ♪ 586 01:14:43,827 --> 01:14:45,263 My name is Maria. 587 01:14:45,306 --> 01:14:49,615 AND YOU ARE 13 YEARS OLD. 588 01:14:49,659 --> 01:14:52,618 YOUR AGE IS 13? 589 01:14:52,662 --> 01:14:54,794 13? 590 01:14:54,838 --> 01:14:56,535 OKAY. 591 01:14:59,625 --> 01:15:01,975 BEAUTIFUL. 592 01:15:02,019 --> 01:15:03,760 CAN YOU PUT YOUR HAIR BACK? 593 01:15:03,803 --> 01:15:06,545 SHE'S SO CUTE. 594 01:15:06,589 --> 01:15:08,025 DO YOU THINK SHE'LL GROW A LITTLE BIT? 595 01:15:08,068 --> 01:15:09,548 SHE'LL GROW, RIGHT? SHE'S 13. 596 01:15:09,592 --> 01:15:11,071 Woman: YEAH, FOR SURE. 40804

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