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Downloaded from
YTS.MX
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>>> PLEASE WELCOME VENUS AND
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SERENA WILLIAMS.
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Official YIFY movies site:
YTS.MX
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>> TONIGHT MOVIE LOVERS ACROSS
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THE GLOBE WILL
UNITE HERE AT THE
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OSCARS.
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WE'RE PROUD TO
JOIN A PLACE THAT
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HAS PLAYED SUCH AN IMPORTANT
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PART OF OUR LIVES.
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>> IN THE HEART OF BEAUTIFUL
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COMPTON, VIBRANT L. A. WHERE WE
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TRULY CAME ALIVE AS YOUNG
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ATHLETES.
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AND NOW JOINED BY SOME VERY
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SPECIAL MEMBERS OF THAT
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COMMUNITY, THE FIRST-EVER
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PERFORMANCE OF THE
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OSCAR-NOMINATED
SONG "BE ALIVE"
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BY DICKSON AND BEYONCE KNOWLES
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CARTER.
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"KING RICHARD."
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LADIES AND GENTLEMEN, BEYONCE!
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♪
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♪
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♪
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♪ IT FEELS SO GOOD TO BE ALIVE
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GOT ALL MY FAMILY BY MY SIDE ♪
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♪ COULDN'T WIPE THIS BLACK OFF
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IF I TRIED ♪
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♪ THAT'S WHY I
LIFT MY HEAD WITH
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PRIDE ♪
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♪
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>> OSCARS.
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I WANT YOU TO
TELL THESE PEOPLE
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WHERE WE ARE.
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>> CITY OF COMPTON.
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>> YEAH, I THINK
YOU CAN SING IT
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LIKE YOU MEN IT.
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TELL THEM WHERE WE ARE.
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♪ CITY OF COMPTON
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>> YEAH.
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♪
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♪ OOH, OOH, OOH, YEAH
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♪
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>> NOW BREAK IT DOWN NOW.
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♪ BE ALIVE
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♪ BE ALIVE
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♪ OOH, OOH, OOH, OOH
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♪
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>> GIVE ME SOME HORNS.
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♪
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>> YEAH, STRINGS.
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OH.
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LADIES, SING.
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♪
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♪ IT FEELS GOOD
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♪ TO BE ALIVE
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♪ IT FEELS GOOD
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♪ TO BE ALIVE
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♪ IT FEELS GOOD
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♪ GOT A MILLION MILES ON ME
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♪ THEY WANT TO SEE HOW FAR I
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GO ♪
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♪ THEY WANT TO SEE HOW FAR I
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GO ♪
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♪ THE PATH WAS
NEVER PAVED WITH
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GOLD ♪
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♪ GOLD
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♪ YEAH, WE WORKED
AND BUILT THIS
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ON OUR OWN ♪
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♪ WE WORKED AND BUILT THIS ON
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OUR OWN ♪
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♪ SO WHEN WE WIN WE WILL HAVE
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PRIDE ♪
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♪ DO YOU KNOW HOW MUCH WE HAVE
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PRIDE ♪
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♪ HOW HARD WE HAVE TO FIGHT
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♪ BE ALIVE
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♪ FEELS SO GOOD
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♪ GOT ALL MY SISTERS BY MY
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SIDE ♪
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♪ I GOT ALL MY SISTERS BY MY
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SIDE ♪
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♪ THAT'S WHY I
LIFT MY HEAD WITH
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PRIDE ♪
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♪ LIKE YOU'RE
SITTING ON TOP OF
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THE WORLD AGAIN ♪
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♪ I GOT A MILLION MILES ON ME
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♪ THEY WANT TO SEE HOW FAR I
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GO ♪
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♪ THEY WANT TO
SEE HOW FAR I'LL
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GO ♪
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♪ THE PATH WAS
NEVER PAVED WITH
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GOLD ♪
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♪ WE FOREVER BUILT THIS ON OUR
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OWN ♪
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♪ WE BUILT THIS ON OUR OWN
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♪ CAN'T NOBODY
KNOCK IT IF THEY
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TRY ♪
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♪ LOOK HOW WE FIGHT TO STAY
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ALIVE ♪
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♪ SO WHEN WE WIN WE CRY
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♪ TILL YOU KNOW
HOW MUCH WE HAVE
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PRIDE ♪
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♪ HOW HARD WE HAVE TO FIGHT
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♪ IT FEELS SO GOOD TO BE ALIVE
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♪ I HAVE MY SISTERS BY MY SIDE
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♪ DO EVERYTHING YOU COULDN'T
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DO ♪
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♪ OH, OH, OH, YEAH
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♪
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♪ BABY, LIFT YOUR HEAD
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♪ FEELS SO GOOD TO BE ALIVE
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♪ IT FEELS SO GOOD TO BE ALIVE
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♪ GOT ALL MY SISTERS BY MY
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SIDE ♪
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♪ I'M SITTING ON TOP OF THE
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WORLD AGAIN, HUH ♪
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♪
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>> THANK YOU SO MUCH.
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>> AND NOW, LADIES AND
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GENTLEMEN, PLEASE WELCOME YOUR
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HOST FOR THE 94th ACADEMY
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AWARDS, D. J. KHALID.
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>> HOLD ON.
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LET ME INTRODUCE THE THREE
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QUEENS RIGHT.
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LET ME INTRODUCE
THIS THE RIGHT
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WAY.
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I'M TALKING ABOUT ACTRESSES,
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COMEDIANS, MOGULS.
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I'M TALKING ABOUT YOUR OUTFITS
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LOOK AMAZING.
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WILL SMITH, WHAT WE DOING?
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YOU KNOW WE'RE
THE BEST, RIGHT?
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COME ON.
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>> YOU GOT IT.
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>> ENERGY.
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>> LOT OF ENERGY.
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>> YOU THE BEST.
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>> WE THE BEST.
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>> WE THE BEST.
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>> ALL RIGHT.
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WE ARE HERE AT THE OSCARS.
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>> YES.
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THAT'S RIGHT.
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WHERE MOVIE LOVERS UNITE AND
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WATCH TV.
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>> THIS YEAR THE ACADEMY HIRED
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THREE WOMEN TO
HOST BECAUSE IT'S
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CHEAPER THAN HIRING ONE MAN.
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>> YOU'RE RIGHT, RIGHT.
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>> BUT I'M STILL EXCITED TO BE
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HOSTING, REPRESENTING BLACK
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WOMEN WHO ARE STANDING PROUD.
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>> YES, AND I'M
LIVING OUT LOUD,
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YES.
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>> YES.
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AND I AM REPRESENTING
UNBEARABLE
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WHITE WOMEN WHO CALL THE CALLS
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WHEN YOU GET A
LITTLE TOO LOUD.
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>> YEAH, WE'VE
BEEN DEALING WITH
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00:08:03,027 --> 00:08:04,095
COVID FOR TWO YEARS.
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00:08:04,095 --> 00:08:06,297
IT'S BEEN REALLY
HARD ON PEOPLE.
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>> JUST LOOK AT TIMOTHY SHAW,
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MAN.
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>> OH, GOD.
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>> WHAT HAPPENED?
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>> I DON'T KNOW.
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IT'S NOT GOOD.
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NOT GOOD.
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>> YOU KNOW WHAT?
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I STILL SMASH.
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>> YEAH?
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>> AS MANY OF YOU KNOW, A
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DECISION WAS MADE TO PRESENT
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SOME BEHIND THE
SCENE AWARDS IN
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THE FIRST HOUR.
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>> IT WAS A CONTROVERSIAL AND
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DIFFICULT DECISION,
BUT I THINK
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WE'VE MOVED ON.
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>> OH, OH.
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>> MAYBE NOT.
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>> WAIT A MINUTE.
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WE'RE ALL HUMAN.
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>> COME ON.
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IT'S NOT OUR DECISION.
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>> THERE WERE A LOT OF SNUBS
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THIS YEAR.
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RACHEL SEIGLE FOR "WEST SIDE
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STORY."
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JENNIFER HUDSON FOR "RESPECT".
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AND LADY GAGA AND
JARED LETO FOR
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"RANDOM HOUSE OF ACCENTS."
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00:09:06,691 --> 00:09:08,259
>> YOU'RE RIGHT.
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00:09:08,259 --> 00:09:16,200
>> YOU KNOW WHAT'S
IN THE IN ME
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00:09:16,200 --> 00:09:16,734
MOR
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MEMORIUM PACKAGE THIS YEAR?
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THE GOLDEN GLOBES.
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>> THEY DIDN'T HAVE ANY BLACK
202
00:09:23,608 --> 00:09:23,841
PEOPLE.
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>> I'M SURPRISED
THEY DIDN'T GET
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RECOGNIZED FOR
THE HAIRLINE THEY
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GAVE LeBRON JAMES.
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>> REALLY GOOD.
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00:09:32,884 --> 00:09:34,552
>> BLACK TWITTER IS GOING TO
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LOVE THAT ONE.
209
00:09:35,386 --> 00:09:36,254
>> YEAH, WHAT IS THAT?
210
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NO.
211
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STAY AWAY.
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00:09:42,160 --> 00:09:44,462
>> THIS YEAR WE SAW QUITE THE
213
00:09:44,462 --> 00:09:46,998
DISPLAY OF HOW
TOXIC MASCULINITY
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00:09:46,998 --> 00:09:49,867
TURNS INTO CRUELTY
TOWARDS WOMEN
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00:09:49,867 --> 00:09:51,369
AND CHILDREN.
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00:09:51,369 --> 00:09:52,737
>> DARN THAT MITCH McCONNELL.
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>> I KNOW.
218
00:09:53,738 --> 00:09:55,973
I WAS ACTUALLY
TALKING ABOUT THE
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00:09:55,973 --> 00:09:56,374
POWER OF THE DOG.
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00:09:56,374 --> 00:10:02,280
>> OH, YES.
221
00:10:02,280 --> 00:10:04,115
>> YOU KNOW, I WATCHED THAT
222
00:10:04,115 --> 00:10:04,715
MOVIE THREE TIMES, AND I'M
223
00:10:04,715 --> 00:10:09,687
HALFWAY THROUGH IT.
224
00:10:09,687 --> 00:10:11,789
>> YEAH, THE BEST PART.
225
00:10:11,789 --> 00:10:12,990
>> YEAH, YEAH.
226
00:10:12,990 --> 00:10:14,192
ONE MORE WEEK AND YOU'RE IN
227
00:10:14,192 --> 00:10:14,392
THERE.
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00:10:14,392 --> 00:10:16,894
>> STAY WITH IT, STAY WITH IT.
229
00:10:16,894 --> 00:10:20,198
>> YOU KNOW, SAMUEL L. JACKSON
230
00:10:20,198 --> 00:10:25,603
IS HERE.
231
00:10:25,603 --> 00:10:27,772
>> YES, THERE HE IS.
232
00:10:27,772 --> 00:10:29,674
A HE JUST GOT THE GOVERNOR'S
233
00:10:29,674 --> 00:10:32,143
AWARD FOR HIS LIFETIME BODY OF
234
00:10:32,143 --> 00:10:34,045
WORK.
235
00:10:34,045 --> 00:10:46,090
[ CHEERS AND APPLAUSE ]
236
00:10:46,090 --> 00:10:47,391
[ LAUGHTER ]
237
00:10:47,391 --> 00:10:51,662
>> DID YOU JUST "EH" SAMUEL L.
238
00:10:51,662 --> 00:10:52,096
JACKSON?
239
00:10:52,096 --> 00:10:53,564
>> I LOVE HIM.
240
00:10:53,564 --> 00:10:54,298
HE'S MY GUY.
241
00:10:54,298 --> 00:10:57,602
BUT THERE'S A FEW HOLES IN HIS
242
00:10:57,602 --> 00:10:58,569
RESUME.
243
00:10:58,569 --> 00:11:02,373
WHERE'S THE SAM
JACKSON ROM-COM?
244
00:11:02,373 --> 00:11:04,976
LIKE, LIKE, WHERE'S
SAM JACKSON
245
00:11:04,976 --> 00:11:08,145
AND JENNIFER LEWIS?
246
00:11:08,145 --> 00:11:10,915
WHEN THIS MOW FoW MET THAT MOW
247
00:11:10,915 --> 00:11:11,282
FoW.
248
00:11:11,282 --> 00:11:12,717
YOU KNOW, THE SECRET, BENCH, I
249
00:11:12,717 --> 00:11:17,722
SAID I LOVE YOU.
250
00:11:17,722 --> 00:11:18,022
[ LAUGHTER ]
251
00:11:18,022 --> 00:11:18,456
>> HE LIKES THAT.
252
00:11:18,456 --> 00:11:22,093
HE LIKES THAT.
253
00:11:22,093 --> 00:11:23,094
>> YOU'RE RIGHT.
254
00:11:23,094 --> 00:11:27,431
>> AND WHERE IS HIS MUSICAL?
255
00:11:27,431 --> 00:11:27,665
"RENT."
256
00:11:27,665 --> 00:11:29,066
I SAID, WHERE'S MY RENT.
257
00:11:29,066 --> 00:11:31,435
>> I'D STREAM IT.
258
00:11:31,435 --> 00:11:34,071
>> WE'RE GOING TO HAVE A GREAT
259
00:11:34,071 --> 00:11:36,807
NIGHT TONIGHT FOR
YOU PEOPLE IN
260
00:11:36,807 --> 00:11:38,576
FLORIDA, WE'RE GOING TO HAVE A
261
00:11:38,576 --> 00:11:39,310
GAY NIGHT.
262
00:11:39,310 --> 00:11:57,028
GAY, GAY, GAY,
GAY, GAY, GAY --
263
00:11:57,028 --> 00:11:59,563
>> I'M WANDA SYKES.
264
00:11:59,563 --> 00:12:00,865
>> I'M AMY SCHUMER.
265
00:12:00,865 --> 00:12:04,101
>> AND I'M SINGLE.
266
00:12:04,101 --> 00:12:05,369
PROVIDING THE SOUND TRACK FOR
267
00:12:05,369 --> 00:12:08,139
THE NEXT HOUR, GIVE IT UP FOR
268
00:12:08,139 --> 00:12:16,113
THE INCOMPARABLE D LACE.
269
00:12:16,113 --> 00:12:21,152
[ APPLAUSE ]
270
00:12:21,152 --> 00:12:23,020
>> LIVE FROM THE
DOLBY THEATER,
271
00:12:23,020 --> 00:12:28,693
IT'S THE OSCARS
STARRING HALLIE
272
00:12:28,693 --> 00:12:33,931
BAILEY, JOSH BROLIN, RUTHIE
273
00:12:33,931 --> 00:12:34,165
CARTER.
274
00:12:34,165 --> 00:12:36,400
SEAN "DIDDY" COMBS.
275
00:12:36,400 --> 00:12:44,141
JAMIE LEE CURTIS,
ROBERT DeNIRO.
276
00:12:44,141 --> 00:12:44,642
BILLIE EILISH.
277
00:12:44,642 --> 00:12:45,309
PHINEAS.
278
00:12:45,309 --> 00:12:46,043
JENNIFER GARNER.
279
00:12:46,043 --> 00:12:49,513
JAKE JILL EN HALL.
280
00:12:49,513 --> 00:12:50,648
TIFFINI HADDISH.
281
00:12:50,648 --> 00:12:51,649
H.E.R.
282
00:12:51,649 --> 00:12:52,116
ANTHONY HOPKINS.
283
00:12:52,116 --> 00:13:00,524
SAMUEL L. JACKSON.
284
00:13:00,524 --> 00:13:00,825
LILY JAMES.
285
00:13:00,825 --> 00:13:07,698
DANIEL ALKALULA.
286
00:13:07,698 --> 00:13:08,232
SEAN MENDEZ, JASON MOMOA.
287
00:13:08,232 --> 00:13:08,566
REBA McENTIRE.
288
00:13:08,566 --> 00:13:10,101
LUPITA NYONG'O.
289
00:13:10,101 --> 00:13:12,169
ELLIOT PAGE.
290
00:13:12,169 --> 00:13:13,204
ROSIE PEREZ.
291
00:13:13,204 --> 00:13:13,504
TYLER PERRY.
292
00:13:13,504 --> 00:13:16,073
CHRIS ROCK.
293
00:13:16,073 --> 00:13:18,275
TRACEE ELLIS ROSS.
294
00:13:18,275 --> 00:13:20,144
JILL SCOTT.
295
00:13:20,144 --> 00:13:23,714
WESLEY SNIPES.
296
00:13:23,714 --> 00:13:25,082
YUMA THURMAN.
297
00:13:25,082 --> 00:13:26,283
SERENA WILLIAMS.
298
00:13:26,283 --> 00:13:28,052
VENUS WILLIAMS.
299
00:13:28,052 --> 00:13:30,654
SEBASTIAN YATRA.
300
00:13:30,654 --> 00:13:34,091
RACHEL SEIGLER,
WITH HOST REGINA
301
00:13:34,091 --> 00:13:39,096
HALL, AMY SCHUMER, AND WANDA
302
00:13:39,096 --> 00:13:39,296
SYKES.
303
00:13:39,296 --> 00:13:39,730
AND NOW AMY SCHUMER.
304
00:13:39,730 --> 00:13:42,900
>> I'M BACK OUT HERE.
305
00:13:42,900 --> 00:13:43,334
[ APPLAUSE ]
306
00:13:43,334 --> 00:13:44,168
>> I'M BACK.
307
00:13:44,168 --> 00:13:46,203
I'M AMY SCHUMER,
OR AS THEY KNOW
308
00:13:46,203 --> 00:13:48,139
ME IN HOLLYWOOD, MELISSA
309
00:13:48,139 --> 00:13:52,810
McCARTHY SAID NO.
310
00:13:52,810 --> 00:13:55,146
NOW, I'M NOT JUST HERE TONIGHT
311
00:13:55,146 --> 00:14:00,151
AS A MODEL, BUT, BUT AS A
312
00:14:00,151 --> 00:14:01,619
MOTHER.
313
00:14:01,619 --> 00:14:04,088
NOT BAD FOR A YEAR, RIGHT?
314
00:14:04,088 --> 00:14:07,625
NOT BAD.
315
00:14:07,625 --> 00:14:13,130
IT'S BEEN TWO.
316
00:14:13,130 --> 00:14:14,865
WELL, SORT OF THREE.
317
00:14:14,865 --> 00:14:16,534
WE'RE AT THE
OSCARS, AND THIS IS
318
00:14:16,534 --> 00:14:16,700
IT.
319
00:14:16,700 --> 00:14:18,102
THIS IS A DREAM COME TRUE.
320
00:14:18,102 --> 00:14:19,703
I CAN'T EVEN BELIEVE IT.
321
00:14:19,703 --> 00:14:21,138
THE ONLY THING,
THE ONLY PLACE I
322
00:14:21,138 --> 00:14:22,373
COULD THINK OF THAT COULD BE
323
00:14:22,373 --> 00:14:27,244
BETTER THAN THIS, IS HOME.
324
00:14:27,244 --> 00:14:27,445
RIGHT?
325
00:14:27,445 --> 00:14:29,079
OH, HOME IS THE BEST, RIGHT?
326
00:14:29,079 --> 00:14:32,149
ALL MY PILLS ARE THERE, YOU
327
00:14:32,149 --> 00:14:33,250
KNOW.
328
00:14:33,250 --> 00:14:34,051
THIS IS SO EXCITING.
329
00:14:34,051 --> 00:14:35,853
I JUST WANT TO
CONGRATULATE ALL
330
00:14:35,853 --> 00:14:38,222
OF YOU DURING A
RAGING PANDEMIC,
331
00:14:38,222 --> 00:14:39,557
YOU MADE A MOVIE.
332
00:14:39,557 --> 00:14:41,926
I MEAN, GIVE
YOURSELVES A HAND.
333
00:14:41,926 --> 00:14:43,093
THAT'S INCREDIBLE.
334
00:14:43,093 --> 00:14:44,161
YOU DID IT.
335
00:14:44,161 --> 00:14:48,165
[ APPLAUSE ]
336
00:14:48,165 --> 00:14:49,967
IT'S HUGE.
337
00:14:49,967 --> 00:14:52,403
AND YET THEY
WEREN'T ALL GREAT,
338
00:14:52,403 --> 00:14:53,070
RIGHT?
339
00:14:53,070 --> 00:14:54,738
A LOT OF THEM WERE PRETTY HARD
340
00:14:54,738 --> 00:14:55,372
TO UNDERSTAND,
YOU KNOW, WHO YOU
341
00:14:55,372 --> 00:14:59,243
ARE.
342
00:14:59,243 --> 00:15:01,612
I DIDN'T SEE MANY
-- ANY OF THEM
343
00:15:01,612 --> 00:15:03,080
I DIDN'T SEE THEM.
344
00:15:03,080 --> 00:15:10,054
I HAVE A TODDLER, SO I JUST
345
00:15:10,054 --> 00:15:13,724
WATCHED "ENCANTO" 190 TIMES.
346
00:15:13,724 --> 00:15:14,391
INSPIRATIONAL, ISN'T IT?
347
00:15:14,391 --> 00:15:16,227
AFTER YEARS OF HOLLYWOOD
348
00:15:16,227 --> 00:15:17,695
IGNORING WOMEN'S STORIES, THIS
349
00:15:17,695 --> 00:15:19,964
YEAR WE FINALLY GOT A MOVIE
350
00:15:19,964 --> 00:15:26,403
ABOUT THE INCREDIBLE WILLIAMS
351
00:15:26,403 --> 00:15:26,637
SISTERS'
352
00:15:26,637 --> 00:15:28,072
[ LAUGHTER ]
353
00:15:28,072 --> 00:15:32,243
[ APPLAUSE ]
354
00:15:32,243 --> 00:15:34,245
WILL, JADA, WHAT A BEAUTIFUL
355
00:15:34,245 --> 00:15:35,312
COUPLE.
356
00:15:35,312 --> 00:15:37,014
WE'RE HONORING A
LOT OF COUPLES
357
00:15:37,014 --> 00:15:37,882
HERE TONIGHT.
358
00:15:37,882 --> 00:15:40,784
JADA AND WILL SMITH, PENELOPE
359
00:15:40,784 --> 00:15:48,792
AND JAVIER BARDEM,
NAGY AND JAKE
360
00:15:48,792 --> 00:15:49,093
GYLLENHAAL.
361
00:15:49,093 --> 00:15:49,793
THE NIGHT FOR LOVERS.
362
00:15:49,793 --> 00:15:52,930
[ LAUGHTER ]
363
00:15:52,930 --> 00:15:57,568
WHAT OTHER MOVIES -- JOHEL IS
364
00:15:57,568 --> 00:15:58,536
NOMINATED, YES.
365
00:15:58,536 --> 00:15:59,003
YEP.
366
00:15:59,003 --> 00:16:00,638
I GUESS THE ACADEMY MEMBERS
367
00:16:00,638 --> 00:16:03,040
DON'T LOOK UP REVIEWS.
368
00:16:03,040 --> 00:16:07,745
[ LAUGHTER ]
369
00:16:07,745 --> 00:16:08,312
WAIT A MINUTE, I LOVED THAT
370
00:16:08,312 --> 00:16:10,881
MOVIE.
371
00:16:10,881 --> 00:16:13,083
JENNIFER LAWRENCE
WAS AMAZING IN
372
00:16:13,083 --> 00:16:16,053
IT EVEN THOUGH
SHE DID GAIN SOME
373
00:16:16,053 --> 00:16:18,556
WEIGHT THIS YEAR.
374
00:16:18,556 --> 00:16:21,091
AND, I MEAN,
LEONARDO DiCAPRIO,
375
00:16:21,091 --> 00:16:23,093
WHAT CAN I EVEN SAY ABOUT HIM?
376
00:16:23,093 --> 00:16:24,461
HE'S DONE SO MUCH TO FIGHT
377
00:16:24,461 --> 00:16:26,096
CLIMATE CHANGE,
AND LEAVE BEHIND
378
00:16:26,096 --> 00:16:27,364
A CLEANER, GREENER PLANET FOR
379
00:16:27,364 --> 00:16:33,404
HIS GIRLFRIENDS.
380
00:16:33,404 --> 00:16:34,438
[ LAUGHTER ]
381
00:16:34,438 --> 00:16:36,740
BECAUSE HE'S OLDER --
382
00:16:36,740 --> 00:16:37,041
[ LAUGHTER ]
383
00:16:37,041 --> 00:16:38,576
AND THEY'RE YOUNGER, OKAY, YOU
384
00:16:38,576 --> 00:16:39,944
GET IT, YEAH.
385
00:16:39,944 --> 00:16:40,778
THIS IS SUCH AN INTIMIDATING
386
00:16:40,778 --> 00:16:43,147
ROOM TO BE IN.
387
00:16:43,147 --> 00:16:44,848
ALL MY HEROES ARE HERE.
388
00:16:44,848 --> 00:16:46,784
SO MANY AMAZING FILM MAKERS.
389
00:16:46,784 --> 00:16:52,089
I MEAN, AARON
SOROKIN, A GENIUS,
390
00:16:52,089 --> 00:16:53,824
TRULY, RIGHT?
391
00:16:53,824 --> 00:16:54,124
[ APPLAUSE ]
392
00:16:54,124 --> 00:16:56,160
THE INNOVATION TO MAKE A MOVIE
393
00:16:56,160 --> 00:16:57,661
ABOUT LUCILLE
BALL WITHOUT EVEN
394
00:16:57,661 --> 00:17:02,900
A MOMENT THAT'S FUNNY.
395
00:17:02,900 --> 00:17:03,200
[ LAUGHTER ]
396
00:17:03,200 --> 00:17:04,101
NOT YOUR FAULT, NICOLE.
397
00:17:04,101 --> 00:17:07,771
YOU'RE GREAT.
398
00:17:07,771 --> 00:17:09,940
NO, I MEAN, YOU'RE AARON
399
00:17:09,940 --> 00:17:10,174
SOROKIN.
400
00:17:10,174 --> 00:17:11,408
HOW DO YOU MAKE A MOVIE ABOUT
401
00:17:11,408 --> 00:17:13,844
THE MOST ICONIC
FEMALE COMEDIAN
402
00:17:13,844 --> 00:17:15,512
AND NOT LAUGH?
403
00:17:15,512 --> 00:17:17,281
IT'S BRILLIANT, BRILLIANT.
404
00:17:17,281 --> 00:17:20,985
LIKE MAKING A BIOPIC ABOUT
405
00:17:20,985 --> 00:17:23,988
MICHAEL JORDAN AND MAKING A
406
00:17:23,988 --> 00:17:27,958
MOVIE ABOUT JUST BUS TRIPS
407
00:17:27,958 --> 00:17:28,292
BETWEEN GAMES.
408
00:17:28,292 --> 00:17:28,525
AMAZING.
409
00:17:28,525 --> 00:17:28,826
[ LAUGHTER ]
410
00:17:28,826 --> 00:17:38,102
I WANTED TO SAY THAT I LOVED
411
00:17:38,102 --> 00:17:39,937
"CODA," MY FAVORITE MOVIE.
412
00:17:39,937 --> 00:17:40,204
THANK YOU.
413
00:17:40,204 --> 00:17:42,039
THIS IS THE HIGHEST
HONOR FOR A
414
00:17:42,039 --> 00:17:42,339
CMEDIAN.
415
00:17:42,339 --> 00:17:43,707
IT IS SUCH A DREAM
COME TRUE TO
416
00:17:43,707 --> 00:17:45,242
PERFORM FOR ALL
OF YOU TONIGHT,
417
00:17:45,242 --> 00:17:46,210
SO THANK YOU FOR HAVING ME.
418
00:17:46,210 --> 00:17:49,380
MY PLAN IS TO STAY PRESENT AS
419
00:17:49,380 --> 00:17:51,081
HELL UNTIL I BLACK OUT.
420
00:17:51,081 --> 00:17:53,217
AND NOW PLEASE
WELCOME TWO OSCAR
421
00:17:53,217 --> 00:17:56,153
WINNERS FROM LAST YEAR, H. E. R.
422
00:17:56,153 --> 00:18:00,190
AND DANIEL KALUUYA.
423
00:18:00,190 --> 00:18:15,039
[ APPLAUSE ]
424
00:18:15,039 --> 00:18:16,173
>> YEAH, YEAH,
YEAH, YEAH, YEAH,
425
00:18:16,173 --> 00:18:18,308
WE DONE IT.
426
00:18:18,308 --> 00:18:20,144
>> I HAD TO SHOW EVERYONE MY
427
00:18:20,144 --> 00:18:21,879
OUTFIT.
428
00:18:21,879 --> 00:18:22,613
I CAN'T BELIEVE IT WAS ONLY A
429
00:18:22,613 --> 00:18:24,648
YEAR AGO THAT WE
WATCHED YOU WIN
430
00:18:24,648 --> 00:18:28,052
AN OSCAR FOR YOUR
UNFORGETTABLE
431
00:18:28,052 --> 00:18:32,189
PERFORMANCE IN "JUDAS AND THE
432
00:18:32,189 --> 00:18:32,556
BLACK MESSIAH."
433
00:18:32,556 --> 00:18:32,890
>> THANK YOU.
434
00:18:32,890 --> 00:18:33,724
[ APPLAUSE ]
435
00:18:33,724 --> 00:18:35,125
>> THANK YOU.
436
00:18:35,125 --> 00:18:37,628
LONG LIVE CHAIRMAN FRED.
437
00:18:37,628 --> 00:18:39,797
DON'T FORGET YOU TOOK HOME THE
438
00:18:39,797 --> 00:18:40,464
OSCAR FOR ORIGINAL
SONG FOR THE
439
00:18:40,464 --> 00:18:41,231
SAME FILM.
440
00:18:41,231 --> 00:18:44,168
[ APPLAUSE ]
441
00:18:44,168 --> 00:18:45,803
>> THANK YOU.
442
00:18:45,803 --> 00:18:48,005
I WILL NEVER, EVER FORGET THAT
443
00:18:48,005 --> 00:18:48,172
NIGHT.
444
00:18:48,172 --> 00:18:51,208
IT WAS AMAZING.
445
00:18:51,208 --> 00:18:52,242
>> NEITHER WILL I.
446
00:18:52,242 --> 00:18:53,777
AND HOW GREAT TO
BE BACK IN THE
447
00:18:53,777 --> 00:18:55,279
DOLBY, A TRADITION.
448
00:18:55,279 --> 00:18:57,715
>> AS IS HAVING LAST YEAR'S
449
00:18:57,715 --> 00:18:58,382
WINNER ANNOUNCE THE WINNER IN
450
00:18:58,382 --> 00:18:59,483
THIS CATEGORY.
451
00:18:59,483 --> 00:18:59,817
ARE YOU READY?
452
00:18:59,817 --> 00:19:01,351
>> COME ON, LET'S DO THIS.
453
00:19:01,351 --> 00:19:01,819
>> LET'S GO.
454
00:19:01,819 --> 00:19:04,054
HERE ARE THE NOMINEES FOR
455
00:19:04,054 --> 00:19:08,158
PERFORMANCE BY AN ACTRESS IN A
456
00:19:08,158 --> 00:19:10,094
SUPPORTING ROLE.
457
00:19:10,094 --> 00:19:12,162
JESSE BUCKLEY, THE LOST
458
00:19:12,162 --> 00:19:22,706
DAUGHTER.
459
00:19:22,706 --> 00:19:24,108
>> DON'T DO THAT.
460
00:19:24,108 --> 00:19:26,210
DON'T DO THAT EVER AGAIN,
461
00:19:26,210 --> 00:19:26,443
BIANCA.
462
00:19:26,443 --> 00:19:43,560
LIST T
463
00:19:43,560 --> 00:19:44,161
LISTEN TO AM I ME, DON'T YOU
464
00:19:44,161 --> 00:19:44,461
EVER AGAIN.
465
00:19:44,461 --> 00:19:44,862
>> ARIANA DeBOSE.
466
00:19:44,862 --> 00:19:45,562
>> DO YOU THINK I WANT TO STAY
467
00:19:45,562 --> 00:19:48,165
HERE IN A CITY LIKE YOU?
468
00:19:48,165 --> 00:19:53,637
NO GRACIA.
469
00:19:53,637 --> 00:20:00,043
[ SPEAKING IN SPANISH ]
470
00:20:00,043 --> 00:20:12,189
>> JUDY DENCH, BELFAST.
471
00:20:12,189 --> 00:20:20,164
>> DON'T LOOK BACK.
472
00:20:20,164 --> 00:20:28,071
[ APPLAUSE ]
473
00:20:28,071 --> 00:20:31,875
>> KIRSTEN DUNST, THE POWER OF
474
00:20:31,875 --> 00:20:32,109
THE DOG.
475
00:20:32,109 --> 00:20:34,645
>> WE COULD, BUT WE PAIRED UP.
476
00:20:34,645 --> 00:20:36,079
>> I DON'T WANT THAT.
477
00:20:36,079 --> 00:20:36,713
I DON'T WANT TO
BE WITH PHIL AT
478
00:20:36,713 --> 00:20:41,618
ALL.
479
00:20:41,618 --> 00:20:44,154
>> HE'S HELPING HIM.
480
00:20:44,154 --> 00:20:48,192
HE TAUGHT HIM HOW TO RIDE.
481
00:20:48,192 --> 00:20:50,427
[ APPLAUSE ]
482
00:20:50,427 --> 00:21:00,637
>> AUNJANU ELLIS, "KING
483
00:21:00,637 --> 00:21:01,038
RICHARD."
484
00:21:01,038 --> 00:21:05,008
>> I STAY HERE FOR SOMETHING
485
00:21:05,008 --> 00:21:06,543
BETTER THAN RICHARD.
486
00:21:06,543 --> 00:21:07,744
IF I WERE STAYING
HERE FOR YOU,
487
00:21:07,744 --> 00:21:10,047
I WOULD HAVE BEEN GONE A LONG
488
00:21:10,047 --> 00:21:10,314
TIME AGO.
489
00:21:10,314 --> 00:21:15,919
[ APPLAUSE ]
490
00:21:15,919 --> 00:21:20,390
>> AND THE OSCAR
GOES TO ARIANA
491
00:21:20,390 --> 00:21:25,495
DeBOSE, "WEST SIDE STORY."
492
00:21:25,495 --> 00:21:28,098
>> THIS IS THE FIRST OSCAR AND
493
00:21:28,098 --> 00:21:40,043
NOMINATION FOR ARIANA DeBOSE.
494
00:21:40,043 --> 00:21:44,147
[ APPLAUSE ]
495
00:21:44,147 --> 00:21:46,750
>> THANK YOU.
496
00:21:46,750 --> 00:21:47,184
OH, MY GOD, YIKES!
497
00:21:47,184 --> 00:21:51,154
OKAY.
498
00:21:51,154 --> 00:21:52,089
OH, MY WORD.
499
00:21:52,089 --> 00:21:52,422
YOU KNOW WHAT?
500
00:21:52,422 --> 00:21:54,625
WHAT IS THIS?
501
00:21:54,625 --> 00:22:00,097
YOU KNOW WHAT,
NOW YOU SEE WHY I
502
00:22:00,097 --> 00:22:02,266
WANT TO BE IN
AMERICA BECAUSE IN
503
00:22:02,266 --> 00:22:03,767
THIS WEIRD WORLD THAT WE LIVE
504
00:22:03,767 --> 00:22:06,536
IN, DREAMS DO COME TRUE, AND
505
00:22:06,536 --> 00:22:09,172
THAT'S REALLY A
HEARTENING THING
506
00:22:09,172 --> 00:22:10,207
RIGHT NOW.
507
00:22:10,207 --> 00:22:11,775
IF I TOOK THE
TIME TO SAY THANK
508
00:22:11,775 --> 00:22:15,612
YOU TO EVERY SINGLE BEAUTIFUL
509
00:22:15,612 --> 00:22:16,246
PERSON WHO HAS LIFTED ME UP ON
510
00:22:16,246 --> 00:22:17,514
THIS STAGE, YOU WOULD FIND
511
00:22:17,514 --> 00:22:18,882
PEOPLE WILL BE SITTING HERE
512
00:22:18,882 --> 00:22:21,385
UNTIL NEXT OSCARS,
SO I WON'T DO
513
00:22:21,385 --> 00:22:21,585
THAT.
514
00:22:21,585 --> 00:22:23,220
LET ME SAY IT WAS
THE SUMMER OF
515
00:22:23,220 --> 00:22:25,255
A LIFETIME AND I AM THE MOST
516
00:22:25,255 --> 00:22:26,390
PRIVILEGED AND
GRATEFUL TO HAVE
517
00:22:26,390 --> 00:22:27,758
SPENT IT WITH ALL OF YOU.
518
00:22:27,758 --> 00:22:30,627
MY GOD, THANK YOU, STEVEN
519
00:22:30,627 --> 00:22:30,894
SPIELBERG.
520
00:22:30,894 --> 00:22:33,931
YOU'RE STUCK WITH ME NOW.
521
00:22:33,931 --> 00:22:34,097
YAY.
522
00:22:34,097 --> 00:22:38,568
THANK YOU, CHRISTINE, AND THE
523
00:22:38,568 --> 00:22:41,071
DIVINE INSPIRATION
THAT IS RITA
524
00:22:41,071 --> 00:22:41,338
MORENO.
525
00:22:41,338 --> 00:22:42,873
I AM SO GRATEFUL.
526
00:22:42,873 --> 00:22:45,375
YOU PAVED THE WAY FOR TONS OF
527
00:22:45,375 --> 00:22:46,009
ANITAS LIKE ME
AND I LOVE YOU SO
528
00:22:46,009 --> 00:22:47,778
MUCH.
529
00:22:47,778 --> 00:22:51,081
I'M GOING TO WRAP THIS UP AND
530
00:22:51,081 --> 00:22:52,516
TALK ABOUT MY
FAMILY, MY MOTHER
531
00:22:52,516 --> 00:22:57,254
WHO IS HERE TONIGHT.
532
00:22:57,254 --> 00:23:01,124
I LOVE YOU WITH
MY WHOLE HEART.
533
00:23:01,124 --> 00:23:04,094
THIS IS AS MUCH YOURS AS IT IS
534
00:23:04,094 --> 00:23:04,294
MINE.
535
00:23:04,294 --> 00:23:08,632
SOME OF MY
TRIBESMEN, MY FAMILY.
536
00:23:08,632 --> 00:23:09,366
I COULDN'T DO
WHAT I DO WITHOUT
537
00:23:09,366 --> 00:23:12,169
EACH AND EVERY ONE OF YOU.
538
00:23:12,169 --> 00:23:15,539
SO, LASTLY, IMAGINE
THIS LITTLE
539
00:23:15,539 --> 00:23:18,942
GIRL IN THE BACK
SEAT OF A WHITE
540
00:23:18,942 --> 00:23:19,576
FORD FOCUS.
541
00:23:19,576 --> 00:23:22,012
LOOK INTO HER EYES.
542
00:23:22,012 --> 00:23:23,680
YOU SEE A QUEER, OPENLY QUEER
543
00:23:23,680 --> 00:23:26,950
WOMAN OF COLOR,
AFRO-LATINA WHO
544
00:23:26,950 --> 00:23:27,884
FOUND HER STRENGTH IN LIFE
545
00:23:27,884 --> 00:23:29,252
THROUGH ART, AND THAT'S WHAT I
546
00:23:29,252 --> 00:23:36,193
BELIEVE WE'RE
HERE TO CELEBRATE.
547
00:23:36,193 --> 00:23:36,493
YEAH, YEAH.
548
00:23:36,493 --> 00:23:41,298
[ CHEERS AND APPLAUSE ]
549
00:23:41,298 --> 00:23:42,699
SO, TO ANYBODY WHO HAS EVER
550
00:23:42,699 --> 00:23:44,368
QUESTIONED YOUR
IDENTITY, EVER,
551
00:23:44,368 --> 00:23:46,203
EER, OR YOU FIND YOURSELF
552
00:23:46,203 --> 00:23:48,138
LIVING IN THE GRAY SPACES, I
553
00:23:48,138 --> 00:23:49,573
PROMISE YOU THIS.
554
00:23:49,573 --> 00:23:50,907
THERE IS INDEED
A PLACE FOR US.
555
00:23:50,907 --> 00:23:52,042
THANK YOU TO THE ACADEMY AND
556
00:23:52,042 --> 00:24:06,454
THANK YOU ALL.
557
00:24:06,454 --> 00:24:09,423
>> JASON MOMOA,
JOSH BROLIN AND
558
00:24:09,423 --> 00:24:12,326
RACHEL SEIGLER, PLUS LATER THE
559
00:24:12,326 --> 00:24:13,360
FIRST EVER LIVE PERFORMANCE OF
560
00:24:13,360 --> 00:24:14,662
BRUNO.
561
00:24:14,662 --> 00:24:18,099
THE OSCARS RIGHT HERE ON ABC.
562
00:24:36,210 --> 00:24:37,244
>> WE HAVE TO DO SOMETHING.
563
00:24:37,244 --> 00:24:43,752
>> THIS IS OUR HOME.
564
00:24:43,752 --> 00:24:48,156
>> I WOULDN'T BE
THE OLD MAN IN
565
00:24:48,156 --> 00:24:48,457
THE STREET.
566
00:24:48,457 --> 00:24:55,163
>> I WANT MY FAMILY WITH ME.
567
00:24:55,163 --> 00:24:55,664
[ CHEERS AND APPLAUSE ]
568
00:24:55,664 --> 00:25:00,669
.
569
00:25:00,802 --> 00:25:02,604
>> WELL, I'VE
COME WITH A BIT OF
570
00:25:02,604 --> 00:25:03,205
BAD NEWS.
571
00:25:03,205 --> 00:25:05,073
AS YOU KNOW, EVERYONE HERE HAS
572
00:25:05,073 --> 00:25:07,742
BEEN TESTED FOR COVID, BUT
573
00:25:07,742 --> 00:25:08,643
UNFORTUNATELY SOME OF THE TEST
574
00:25:08,643 --> 00:25:11,012
RESULTS HAVE GOTTEN LOST.
575
00:25:11,012 --> 00:25:12,314
SO BEFORE WE GO ON WITH THE
576
00:25:12,314 --> 00:25:13,748
SHOW, WE JUST HAVE TO DO SOME
577
00:25:13,748 --> 00:25:15,684
QUICK EMERGENCY TESTING BACK
578
00:25:15,684 --> 00:25:15,884
STAGE.
579
00:25:15,884 --> 00:25:16,718
DON'T WORRY.
580
00:25:16,718 --> 00:25:18,453
IT'S ONLY A FEW PEOPLE.
581
00:25:18,453 --> 00:25:19,855
IT'S TOTALLY RANDOM.
582
00:25:19,855 --> 00:25:21,323
SO WHEN I CALL YOUR NAME, I'M
583
00:25:21,323 --> 00:25:23,859
JUST GOING TO NEED YOU TO COME
584
00:25:23,859 --> 00:25:24,826
WITH ME.
585
00:25:24,826 --> 00:25:27,128
NOW, I'VE GOT A
LIST HERE, WHICH
586
00:25:27,128 --> 00:25:29,064
I'M LOOKING AT.
587
00:25:29,064 --> 00:25:32,033
I HAVEN'T MEMORIZED.
588
00:25:32,033 --> 00:25:32,667
IF YOU HEAR YOUR
NAME, I'M GOING
589
00:25:32,667 --> 00:25:36,771
TO START WITH BRADLEY COOPER.
590
00:25:36,771 --> 00:25:39,107
TIMOTHY CHALAMET.
591
00:25:39,107 --> 00:25:47,015
TYLER PERRY.
592
00:25:47,015 --> 00:25:53,455
UH, WAIT, JAVIER BARDEM --
593
00:25:53,455 --> 00:25:56,491
YOU'RE STILL WITH PENELOPE?
594
00:25:56,491 --> 00:25:57,592
YOUR TEST IS FINE.
595
00:25:57,592 --> 00:25:58,226
IT SAYS YOU'RE MARRIED,
596
00:25:58,226 --> 00:26:01,930
NEGATIVE, NEGATIVE.
597
00:26:01,930 --> 00:26:04,533
WILL SMITH, UM,
YOU'RE MARRIED,
598
00:26:04,533 --> 00:26:05,867
BUT YOU KNOW WHAT,
YOU'RE ON THE
599
00:26:05,867 --> 00:26:08,603
LIST AND IT LOOKS LIKE JADA
600
00:26:08,603 --> 00:26:10,972
APPROVED YOU, SO YOU GET ON UP
601
00:26:10,972 --> 00:26:11,172
HERE.
602
00:26:11,172 --> 00:26:13,875
GET ON UP
603
00:26:13,875 --> 00:26:14,175
[ LAUGHTER ]
604
00:26:14,175 --> 00:26:18,780
[ APPLAUSE ]
605
00:26:18,780 --> 00:26:19,714
ALL RIGHT.
606
00:26:19,714 --> 00:26:21,650
NOW, I SEE WE'VE
GOT ANOTHER BAD
607
00:26:21,650 --> 00:26:23,051
BOY ON THE LIST.
608
00:26:23,051 --> 00:26:25,754
LET'S SEE.
609
00:26:25,754 --> 00:26:28,423
IS THAT JACOB --
IS THAT HOW YOU
610
00:26:28,423 --> 00:26:28,957
SAY IT?
611
00:26:28,957 --> 00:26:31,159
I'VE SEEN YOU ON
EUPHORIA, AND,
612
00:26:31,159 --> 00:26:35,063
YES, YOU ARE LEGAL.
613
00:26:35,063 --> 00:26:37,832
I'M SORRY, YOU ARE PROVIDENCE,
614
00:26:37,832 --> 00:26:41,636
SO YOU'RE GOING TO NEED A DEEP
615
00:26:41,636 --> 00:26:42,170
PCR TEST.
616
00:26:42,170 --> 00:26:44,773
NOW, NOW, I DON'T WANT ANY OF
617
00:26:44,773 --> 00:26:46,041
YOU ALL TO WORRY.
618
00:26:46,041 --> 00:26:48,310
IT'S GOING TO BE
A TYPICAL QUICK
619
00:26:48,310 --> 00:26:50,679
COVID TEST, COME BACK STAGE,
620
00:26:50,679 --> 00:26:51,947
TAKE YOUR MASK OFF AND YOUR
621
00:26:51,947 --> 00:26:53,148
CLOTHES AND THEN I'M GOING TO
622
00:26:53,148 --> 00:26:55,383
SWAB -- NO, IT'S SIMPLE.
623
00:26:55,383 --> 00:26:57,319
I'M GOING TO SWAP THE BACK OF
624
00:26:57,319 --> 00:26:58,486
YOUR MOUTH WITH MY TONGUE, AND
625
00:26:58,486 --> 00:27:00,655
WE'RE JUST GOING TO DO SOME
626
00:27:00,655 --> 00:27:02,524
OTHER FREAKY STUFF
WHICH I WILL
627
00:27:02,524 --> 00:27:04,392
RECORD FOR ACADEMY PROTOCOL.
628
00:27:04,392 --> 00:27:06,027
REALLY, THIS ISN'T UP TO ME.
629
00:27:06,027 --> 00:27:11,066
THE TRUTH IS WE'RE
STILL IN THE
630
00:27:11,066 --> 00:27:11,333
PANDEMIC.
631
00:27:11,333 --> 00:27:12,601
OH, BOY.
632
00:27:12,601 --> 00:27:17,038
ONE MORE NAME ON THE LIST.
633
00:27:17,038 --> 00:27:21,276
SO, IS JOHN DAVID HERE?
634
00:27:21,276 --> 00:27:21,643
[ LAUGHTER ]
635
00:27:21,643 --> 00:27:24,079
NO, NO, I'LL MAKE
A HOUSE CALL.
636
00:27:24,079 --> 00:27:26,014
THERE'S NO NEED TO WORRY.
637
00:27:26,014 --> 00:27:27,115
THERE WILL BE MORE NAMES.
638
00:27:27,115 --> 00:27:30,619
I'LL SEE YOU GUYS BACK STAGE.
639
00:27:30,619 --> 00:27:31,219
YOU CAN GO BACK THERE.
640
00:27:31,219 --> 00:27:35,056
I'LL BE WAITING FOR YOU.
641
00:27:35,056 --> 00:27:37,392
PLEASE WELCOME JASON MOMOA AND
642
00:27:37,392 --> 00:27:39,294
JOSH BROLIN.
643
00:27:39,294 --> 00:27:47,168
[ APPLAUSE ]
644
00:27:47,168 --> 00:27:48,536
>> SORRY.
645
00:27:48,536 --> 00:27:51,106
I GOT TO DO A COVID PAT DOWN.
646
00:27:51,106 --> 00:27:53,408
JESUS.
647
00:27:53,408 --> 00:27:56,144
IT'S ROUGH, YOU KNOW WHAT I
648
00:27:56,144 --> 00:27:56,344
MEAN?
649
00:27:56,344 --> 00:27:58,546
GET ON DOWN HERE.
650
00:27:58,546 --> 00:27:59,581
MAKE SURE YOU OKAY.
651
00:27:59,581 --> 00:28:04,319
LET ME GET ON IN THERE.
652
00:28:04,319 --> 00:28:05,887
HE'S FEELING GOOD, EVERYBODY.
653
00:28:05,887 --> 00:28:07,088
GET ON OVER HERE.
654
00:28:07,088 --> 00:28:07,422
OH, BOY, WOW.
655
00:28:07,422 --> 00:28:11,059
THIS IS A LOT.
656
00:28:11,059 --> 00:28:13,261
GOT TO GET ON OVER HERE.
657
00:28:13,261 --> 00:28:13,662
EXCUSE ME.
658
00:28:13,662 --> 00:28:14,896
>> YOU KNOW, I DON'T THINK
659
00:28:14,896 --> 00:28:15,730
THAT'S A THING.
660
00:28:15,730 --> 00:28:26,041
>> NO, NO, IT'S REAL, JOSH, A
661
00:28:26,041 --> 00:28:27,108
KAZACADEMY PROTOCOL.
662
00:28:27,108 --> 00:28:29,511
>> THANK YOU.
663
00:28:29,511 --> 00:28:29,811
[ APPLAUSE ]
664
00:28:29,811 --> 00:28:31,112
>> HAVE YOU EVER
BEEN NOMINATED?
665
00:28:31,112 --> 00:28:37,318
>> NO.
666
00:28:37,318 --> 00:28:39,054
BUT BETWEEN YOU AND ME, I KIND
667
00:28:39,054 --> 00:28:42,123
OF WROTE MY NAME IN EVERY
668
00:28:42,123 --> 00:28:42,390
CATEGORY.
669
00:28:42,390 --> 00:28:43,558
>> EVEN THIS CATEGORY, SOUND?
670
00:28:43,558 --> 00:28:44,592
>> OH, YEAH.
671
00:28:44,592 --> 00:28:47,062
>> FOR LIKE WHAT, BURPIN?
672
00:28:47,062 --> 00:28:47,829
>> YEAH.
673
00:28:47,829 --> 00:28:48,096
>> REALLY?
674
00:28:48,096 --> 00:28:50,598
>> YEAH.
675
00:28:50,598 --> 00:28:51,132
>> GOOD LUCK TO YOU, MAN.
676
00:28:51,132 --> 00:28:55,470
>> THANKS, BRO.
677
00:28:55,470 --> 00:28:57,138
>> YOU PICKED THE WRONG
678
00:28:57,138 --> 00:28:57,839
CATEGORY, BRO.
679
00:28:57,839 --> 00:29:00,141
>> THESE PEOPLE ARE GENIUSES.
680
00:29:00,141 --> 00:29:03,111
THEY ARE THE NOMINEES FOR
681
00:29:03,111 --> 00:29:04,212
ACHIEVEMENT IN SOUND.
682
00:29:04,212 --> 00:29:07,982
[ APPLAUSE ]
683
00:29:07,982 --> 00:29:15,156
>> THREE QUARTERS OF THE WAY.
684
00:29:15,156 --> 00:29:17,258
>> BELFAST, DENISE YARD.
685
00:29:17,258 --> 00:29:27,102
SIMON CHASE, JAMES MATHER.
686
00:29:27,102 --> 00:29:28,369
DUNE, RON BART LET.
687
00:29:28,369 --> 00:29:32,974
NO TIME TO DIE, OLIVER, JAMES
688
00:29:32,974 --> 00:29:33,942
HARRISON AND MARK TAYLOR.
689
00:29:33,942 --> 00:29:35,944
THE POWER OF THE DOG, RICHARD
690
00:29:35,944 --> 00:29:37,812
FLYNN, ROBERT
MacKENZIE AND TARA
691
00:29:37,812 --> 00:29:41,015
WEB.
692
00:29:41,015 --> 00:29:43,218
"WEST SIDE STORY,"
GARY, BRIAN,
693
00:29:43,218 --> 00:29:45,386
ANDY NELSON AND SEAN MURPHY.
694
00:29:45,386 --> 00:29:52,360
AND THE OSCAR GOES TO "DUNE."
695
00:29:52,360 --> 00:29:57,799
>> THANK YOU SO MUCH, ACADEMY.
696
00:29:57,799 --> 00:30:00,268
>> THANK YOU TO OUR AMAZING
697
00:30:00,268 --> 00:30:03,972
DIRECTOR WHO IS
LIKE THE SPICE.
698
00:30:03,972 --> 00:30:05,774
YOU, SIR, WITH
THE SPICE FLOWING
699
00:30:05,774 --> 00:30:08,209
THROUGH OUR BRAINS,
TURNING OUR
700
00:30:08,209 --> 00:30:10,378
HUMBLE IDEAS INTO
YOUR IMAGINARY
701
00:30:10,378 --> 00:30:10,612
WORLD.
702
00:30:10,612 --> 00:30:13,915
THANK YOU SO MUCH.
703
00:30:13,915 --> 00:30:17,385
THANK YOU TO HUN ZIMMER, YOU
704
00:30:17,385 --> 00:30:18,887
TREATED US LIKE
FELLOW ARTISTS.
705
00:30:18,887 --> 00:30:19,754
THIS IS FOR YOU.
706
00:30:19,754 --> 00:30:21,723
THANK YOU.
707
00:30:21,723 --> 00:30:22,724
THANK YOU FOR EVERYONE FROM
708
00:30:22,724 --> 00:30:24,793
LEGENDARY AND WARNER BROTHERS.
709
00:30:24,793 --> 00:30:26,494
>> TO ALL OUR FAMILY AND
710
00:30:26,494 --> 00:30:28,163
FRIENDS, THANK
YOU FOR YOUR LOVE
711
00:30:28,163 --> 00:30:30,431
AND SUPPORT.
712
00:30:30,431 --> 00:30:34,536
THANK YOU, DEMI.
713
00:30:34,536 --> 00:30:37,138
[ SPEAKING FOREIGN LANGUAGE ]
714
00:30:37,138 --> 00:30:38,406
>> LOOK, I'M NOT HERE TO CRY
715
00:30:38,406 --> 00:30:38,773
ABOUT IT.
716
00:30:38,773 --> 00:30:45,046
I'M HERE ON BUSINESS.
717
00:30:45,046 --> 00:30:45,446
>> SORRY.
718
00:30:45,446 --> 00:30:46,247
>> WHO IS THIS?
719
00:30:46,247 --> 00:30:46,614
>> SIDNEY DEAN.
720
00:30:46,614 --> 00:30:51,686
>> SO.
721
00:30:51,686 --> 00:30:54,956
>> CELEBRATING THE 30th
722
00:30:54,956 --> 00:30:56,624
ANNIVERSARY OF "WHITE MEN CAN
723
00:30:56,624 --> 00:30:58,860
JUMP" PLEASE WELCOME WESLEY
724
00:30:58,860 --> 00:31:02,997
SNIPES AND ACADEMY
AWARD NOMINEE
725
00:31:02,997 --> 00:31:09,537
ROSIE PEREZ AND
WOODY HARRELSON.
726
00:31:09,537 --> 00:31:09,771
>> WHAT?
727
00:31:09,771 --> 00:31:18,346
[ CHEERS AND APPLAUSE ]
728
00:31:18,346 --> 00:31:20,682
>> OH, MY GOSH, OH, MY GOSH.
729
00:31:20,682 --> 00:31:22,350
THANK YOU, THANK YOU SO MUCH.
730
00:31:22,350 --> 00:31:24,219
IT'S JUST HARD TO BELIEVE THAT
731
00:31:24,219 --> 00:31:26,621
IT'S BEEN 30 YEARS
SINCE "WHITE
732
00:31:26,621 --> 00:31:29,057
MEN CAN'T JUMP."
733
00:31:29,057 --> 00:31:32,527
>> YOU MEAN 30 YEARS SINCE I
734
00:31:32,527 --> 00:31:32,927
PROVED THEY COULD.
735
00:31:32,927 --> 00:31:33,962
>> I DON'T KNOW ABOUT THAT.
736
00:31:33,962 --> 00:31:35,296
YOU STILL LIKE A SLOW GEEKIE
737
00:31:35,296 --> 00:31:39,100
CHUMP TO ME.
738
00:31:39,100 --> 00:31:40,235
>> I'M NOT SLOW.
739
00:31:40,235 --> 00:31:41,736
IN FACT, I'M IN THE BEST SHAPE
740
00:31:41,736 --> 00:31:42,403
OF MY LIFE.
741
00:31:42,403 --> 00:31:43,605
I'M IN THE ZONE.
742
00:31:43,605 --> 00:31:47,041
>> LIKE ZONED OUT, LIKE REALLY
743
00:31:47,041 --> 00:31:51,679
HIGH, LIKE REALLY UP THERE?
744
00:31:51,679 --> 00:31:55,016
>> THAT IS TRUE.
745
00:31:55,016 --> 00:31:56,551
I WISH I HADN'T DONE THAT BONE
746
00:31:56,551 --> 00:31:58,052
RIP IN THE CAR.
747
00:31:58,052 --> 00:31:59,053
>> OKAY.
748
00:31:59,053 --> 00:32:00,788
LOOKS LIKE I'M THE ONLY SOBER
749
00:32:00,788 --> 00:32:01,856
ONE UP HERE.
750
00:32:01,856 --> 00:32:02,991
SOME THINGS HAVEN'T CHANGED IN
751
00:32:02,991 --> 00:32:05,627
30 YEARS.
752
00:32:05,627 --> 00:32:07,795
SO, OH, MY GOSH,
YOU GUYS SHOULD
753
00:32:07,795 --> 00:32:09,964
HAVE HOOKED ME UP.
754
00:32:09,964 --> 00:32:14,302
ANYWAY, FOCUS!
755
00:32:14,302 --> 00:32:15,703
>> LISTEN TO THE WORDS.
756
00:32:15,703 --> 00:32:16,905
>> THAT'S YOU.
757
00:32:16,905 --> 00:32:18,706
>> OH, I WAS LISTENING.
758
00:32:18,706 --> 00:32:20,408
I'M SORRY.
759
00:32:20,408 --> 00:32:22,877
HERE ARE THE VISIONARIES
760
00:32:22,877 --> 00:32:29,050
NOMINATED FOR ACHIEVEMENT IN
761
00:32:29,050 --> 00:32:29,417
CINEMATOGRAPHY.
762
00:32:29,417 --> 00:32:40,094
>> DUNE, GREG FRASER.
763
00:32:40,094 --> 00:32:41,062
NIGHTMARE ALLEY.
764
00:32:41,062 --> 00:32:45,633
THE POWER OF THE DOG.
765
00:32:45,633 --> 00:32:53,041
THE TRAGEDY OF MACBETH.
766
00:32:53,041 --> 00:32:56,611
"WEST SIDE STORY."
767
00:32:56,611 --> 00:33:02,750
>> AND THE OSCAR GOES TO
768
00:33:02,750 --> 00:33:03,418
NOMINATED THREE TIMES, THAT'S
769
00:33:03,418 --> 00:33:03,985
THE MOST WORDS I EVER SPOKE
770
00:33:03,985 --> 00:33:04,185
HERE.
771
00:33:04,185 --> 00:33:05,053
>> WOW.
772
00:33:05,053 --> 00:33:13,027
[ LAUGHTER ]
773
00:33:13,027 --> 00:33:13,761
>> PRESENTING IS
WHERE IT'S AT.
774
00:33:13,761 --> 00:33:16,731
[ LAUGHTER ]
775
00:33:16,731 --> 00:33:19,133
>> I BET YOU GUYS
ARE WANTING TO
776
00:33:19,133 --> 00:33:20,768
HEAR -- OKAY.
777
00:33:20,768 --> 00:33:22,937
DUNE, GREG FRASER.
778
00:33:22,937 --> 00:33:32,313
[ CHEERS AND APPLAUSE ]
779
00:33:32,313 --> 00:33:34,816
>> THIS IS THE FIRST OSCAR AND
780
00:33:34,816 --> 00:33:35,950
SECOND NOMINATION FOR GREG
781
00:33:35,950 --> 00:33:36,184
FRASER.
782
00:33:36,184 --> 00:33:38,019
HE RECEIVED HIS
FIRST NOMINATION
783
00:33:38,019 --> 00:33:39,387
IN THIS CATEGORY
FOR HIS WORK ON
784
00:33:39,387 --> 00:33:51,966
"LION."
785
00:33:51,966 --> 00:33:55,503
>> WOW, LISTEN,
I'M SO HAPPY SO
786
00:33:55,503 --> 00:33:56,671
I CAN GET OUT AND GET TO THE
787
00:33:56,671 --> 00:33:56,938
BAR.
788
00:33:56,938 --> 00:34:03,111
I WILL KEEP IT SHORT FOR THAT
789
00:34:03,111 --> 00:34:03,478
REASON.
790
00:34:03,478 --> 00:34:05,013
MASTER D.
791
00:34:05,013 --> 00:34:08,049
YOU KNOW, HE'S BROUGHT A WHOLE
792
00:34:08,049 --> 00:34:09,484
GROUP OF UNKNOWN
ACTORS TOGETHER
793
00:34:09,484 --> 00:34:11,586
TO MAKE AN AMAZING MOVIE ALONG
794
00:34:11,586 --> 00:34:12,954
WITH OUR LOVELY PRODUCERS.
795
00:34:12,954 --> 00:34:13,654
THANK YOU.
796
00:34:13,654 --> 00:34:14,722
COLLABORATORS ARE NOTHING
797
00:34:14,722 --> 00:34:17,825
WITHOUT THIS, WITH MY FRIENDS
798
00:34:17,825 --> 00:34:20,094
PATRICE AND PAUL
AND DONALD AND
799
00:34:20,094 --> 00:34:23,131
JACKIE AND ANU.
800
00:34:23,131 --> 00:34:23,431
AMAZING.
801
00:34:23,431 --> 00:34:23,698
MY CREW.
802
00:34:23,698 --> 00:34:26,234
I'M NOT GOING TO NAME THEM ALL
803
00:34:26,234 --> 00:34:27,702
BECAUSE IT WILL TAKE TOO LONG,
804
00:34:27,702 --> 00:34:29,203
BUTLY CALL YOU STRAIGHT AFTER
805
00:34:29,203 --> 00:34:29,404
THIS.
806
00:34:29,404 --> 00:34:31,773
AND SPEAKING OF
CALLING, MOM, I
807
00:34:31,773 --> 00:34:36,077
WILL RETURN YOUR CALL AND I
808
00:34:36,077 --> 00:34:36,377
APOLOGIZED.
809
00:34:36,377 --> 00:34:36,944
LAUREN, ALL THE FRIENDS AND
810
00:34:36,944 --> 00:34:38,012
FAMILY CELEBRATING AROUND THE
811
00:34:38,012 --> 00:34:39,881
WORLD IN MELBOURNE.
812
00:34:39,881 --> 00:34:44,452
AND MY WIFE JODIE, MY CHILDREN
813
00:34:44,452 --> 00:34:47,088
FELIX AND PUPPY, ALLOWING A
814
00:34:47,088 --> 00:34:47,201
MIDDLE AGED MAN TO GO PLAY IN
815
00:34:47,201 --> 00:34:48,963
THE SAND DUNES FOR SIX MONTHS,
816
00:34:48,963 --> 00:34:50,165
I'M LUCKY.
817
00:34:50,165 --> 00:34:54,002
I'LL BE HOME IN
TIME FOR DINNER.
818
00:34:54,002 --> 00:34:57,739
THANK YOU, GUYS.
819
00:34:57,739 --> 00:35:05,316
♪
820
00:35:05,316 --> 00:35:07,351
>> SEAN WHITE,
KELLY SLATER AND
821
00:35:07,351 --> 00:35:10,621
TONY HALL, AND THE 60th
822
00:35:10,621 --> 00:35:12,723
ANNIVERSARY
CELEBRATION OF JAMES
823
00:35:12,723 --> 00:35:13,491
BOND.
824
00:35:27,233 --> 00:35:28,393
>> HERE ARE THE NOMINEES FOR
825
00:35:28,393 --> 00:35:32,164
BEST DOCUMENTARY
SHORT SUBJECT.
826
00:35:32,164 --> 00:35:32,464
"AUDIBLE."
827
00:35:32,464 --> 00:35:33,599
MATT AND JEFF.
828
00:35:33,599 --> 00:35:37,069
"LEAD ME HOME.
829
00:35:37,069 --> 00:35:40,372
"THE QUEEN OF BASKETBALL."
830
00:35:40,372 --> 00:35:46,345
"THREE SONGS FOR BENAZIR."
831
00:35:46,345 --> 00:35:48,247
"WHEN WE WERE BULLIES."
832
00:35:48,247 --> 00:35:52,384
AND THE OSCAR
GOES TO "THE QUEEN
833
00:35:52,384 --> 00:35:53,418
OF BASKETBALL."
834
00:35:53,418 --> 00:35:57,456
>> IF THERE IS
ANYONE OUT THERE
835
00:35:57,456 --> 00:35:58,657
THAT STILL DOUBTS
WHETHER THERE
836
00:35:58,657 --> 00:36:01,727
IS AN AUDIENCE FOR FEMALE
837
00:36:01,727 --> 00:36:04,363
ATHLETES, LET
THIS ACADEMY AWARD
838
00:36:04,363 --> 00:36:08,433
BE THE ANSWER.
839
00:36:08,433 --> 00:36:10,902
[ APPLAUSE ]
840
00:36:10,902 --> 00:36:11,870
LUCIE HARRIS IS
NOT HERE TONIGHT
841
00:36:11,870 --> 00:36:13,472
BECAUSE SHE PASSED AWAY BEFORE
842
00:36:13,472 --> 00:36:14,940
THIS FILM WAS NOMINATED.
843
00:36:14,940 --> 00:36:16,975
BUT HER FAMILY
IS HERE TONIGHT,
844
00:36:16,975 --> 00:36:20,445
SO I'D ASK YOU TO PLEASE GIVE
845
00:36:20,445 --> 00:36:24,483
YOUR RECOGNITION TO THEM.
846
00:36:24,483 --> 00:36:27,753
AND ONE LAST THING.
847
00:36:27,753 --> 00:36:29,988
PRESIDENT BIDEN,
BRING BRITTNEY
848
00:36:29,988 --> 00:36:30,822
GREINER HOME.
849
00:36:30,822 --> 00:36:31,089
THANK YOU.
850
00:36:31,089 --> 00:36:32,491
LONG LIVE THE QUEEN.
851
00:36:32,491 --> 00:36:38,430
THANK YOU.
852
00:36:38,430 --> 00:36:39,498
> WORKING WITH MY DAD.
853
00:36:39,498 --> 00:36:40,132
>> COLLEGE?
854
00:36:40,132 --> 00:36:42,267
>> I CAN'T AFFORD SCHOOL.
855
00:36:42,267 --> 00:36:43,835
>> YOU HAVE NO IDEA WHAT IT'S
856
00:36:43,835 --> 00:36:46,371
LIKE TO HEAR PEOPLE LAUGH AT
857
00:36:46,371 --> 00:36:46,672
YOUR FAMILY.
858
00:36:46,672 --> 00:36:55,147
JUST RIPPING YOU OFF.
859
00:36:55,147 --> 00:36:55,781
>> I CAN'T STAY
WITH YOU FOR THE
860
00:36:55,781 --> 00:37:00,218
REST OF MY LIFE.
861
00:37:00,218 --> 00:37:04,156
>> AND NOW PLEASE
WELCOME RACHEL
862
00:37:04,156 --> 00:37:17,736
SEIGLER AND JACOB ALURDIE.
863
00:37:17,736 --> 00:37:18,637
>> I CAN'T BELIEVE WE'RE HERE
864
00:37:18,637 --> 00:37:20,138
TONIGHT AT THE OSCARS.
865
00:37:20,138 --> 00:37:21,239
IT'S DEFINITELY A LITTLE BIT
866
00:37:21,239 --> 00:37:24,443
SCARY BEING UP HERE.
867
00:37:24,443 --> 00:37:26,278
GROWING UP IN
SYDAUSTRALIA, I NR
868
00:37:26,278 --> 00:37:28,347
THOUGHT I WOULD STAND ON THIS
869
00:37:28,347 --> 00:37:28,547
STAGE.
870
00:37:28,547 --> 00:37:29,648
>> AND I NEVER THOUGHT I WOULD
871
00:37:29,648 --> 00:37:31,450
BE HERE SIX DAYS AGO.
872
00:37:31,450 --> 00:37:31,917
I DID IT.
873
00:37:31,917 --> 00:37:34,386
DREAMS REALLY CAN COME TRUE.
874
00:37:34,386 --> 00:37:36,188
PRETTY FAST, TOO.
875
00:37:36,188 --> 00:37:38,623
AND FOR SO MANY HERE TONIGHT
876
00:37:38,623 --> 00:37:40,092
BEING NOMINATED
FOR AN OSCAR IS
877
00:37:40,092 --> 00:37:42,227
A LIFETIME DREAM COME TRUE.
878
00:37:42,227 --> 00:37:43,362
>> HERE ARE THE NOMINEES FOR
879
00:37:43,362 --> 00:37:49,768
ACHIEVEMENT AND
VISUAL EFFECTS.
880
00:37:49,768 --> 00:37:56,141
DUNE, PAUL LAMBERT,
PAUL MILES.
881
00:37:56,141 --> 00:38:01,413
"FREE GUY."
882
00:38:01,413 --> 00:38:03,949
"NO TIME TO DIE."
883
00:38:03,949 --> 00:38:05,884
CHARLIE NOBLE, JOE GREEN,
884
00:38:05,884 --> 00:38:20,432
JONATHAN FORKNER AND CHRIS
885
00:38:20,432 --> 00:38:20,665
COBALT.
886
00:38:20,665 --> 00:38:22,367
>>> SPIDERMAN, NO WAY HOME.
887
00:38:22,367 --> 00:38:24,436
CHRIS WAGNER.
888
00:38:24,436 --> 00:38:25,370
SCOTT EDELSTEIN.
889
00:38:25,370 --> 00:38:28,206
AND DAN SUBERT.
890
00:38:28,206 --> 00:38:39,618
>> AND THE OSCAR
GOES TO "DUNE."
891
00:38:39,618 --> 00:38:39,985
[ APPLAUSE ]
892
00:38:39,985 --> 00:38:41,420
>> THIS IS THE FIRST OSCAR WIN
893
00:38:41,420 --> 00:38:43,388
FOR BRIAN CONNER,
THE SECOND WIN
894
00:38:43,388 --> 00:38:46,525
FOR TRISTAN MILES AND GARRETT
895
00:38:46,525 --> 00:38:46,758
NESTER.
896
00:38:46,758 --> 00:39:00,439
THE THIRD WIN
FOR PAUL LAMBERT.
897
00:39:00,439 --> 00:39:16,354
♪
898
00:39:16,354 --> 00:39:16,788
>> CONGRATULATIONS.
899
00:39:16,788 --> 00:39:19,224
>> OH, MY GOODNESS.
900
00:39:19,224 --> 00:39:20,792
THANK YOU TO THE
MEMBERS OF THE
901
00:39:20,792 --> 00:39:22,394
ACADEMY FOR THIS
AMAZING AWARD.
902
00:39:22,394 --> 00:39:24,463
NONE OF THIS WOULD HAVE BEEN
903
00:39:24,463 --> 00:39:27,466
POSSIBLE WITHOUT THE TRULY
904
00:39:27,466 --> 00:39:28,967
INSPIRATIONAL --
THANK YOU TO MY
905
00:39:28,967 --> 00:39:30,702
PRODUCER BRICE PARKER, JASON
906
00:39:30,702 --> 00:39:35,006
GARBER, ALL THE
PRODUCERS, MARY,
907
00:39:35,006 --> 00:39:36,575
JOHEL, JOSH,
TANYA, AND ALL THE
908
00:39:36,575 --> 00:39:37,609
OTHER HEADS OF
DEPARTMENTS AND,
909
00:39:37,609 --> 00:39:39,811
OF COURSE, THE
AMAZING CAST AND
910
00:39:39,811 --> 00:39:41,580
CREW ON THE SHOW.
911
00:39:41,580 --> 00:39:43,281
THE EFFECTS IS A
TEAM EFFORT OF
912
00:39:43,281 --> 00:39:45,183
HUNDREDS OF PEOPLE AROUND THE
913
00:39:45,183 --> 00:39:45,383
WORLD.
914
00:39:45,383 --> 00:39:46,384
SO HUGE CONGRATULATIONS TO ALL
915
00:39:46,384 --> 00:39:49,321
THE ARTISTS AND
PRODUCTION FROM
916
00:39:49,321 --> 00:39:51,857
D NICK, WILEY CO-AND RODEO
917
00:39:51,857 --> 00:39:52,390
EFFECTS.
918
00:39:52,390 --> 00:39:55,360
TO MY AMAZING AND WONDERFUL
919
00:39:55,360 --> 00:39:57,062
BEAUTIFUL PARTNER
MEGS, BOYS IN
920
00:39:57,062 --> 00:39:58,396
THE RAFTERS RIGHT NOW, I LOVE
921
00:39:58,396 --> 00:40:03,602
YOU ALL.
922
00:40:03,602 --> 00:40:03,902
[ APPLAUSE ]
923
00:40:03,902 --> 00:40:06,271
>> SPECIAL THANK
YOU TO MY WIFE,
924
00:40:06,271 --> 00:40:08,039
OUR TWO GIRLS FOR ALL THEIR
925
00:40:08,039 --> 00:40:08,273
SUPPORT.
926
00:40:08,273 --> 00:40:09,808
AND, OF COURSE,
THE OUTSTANDING
927
00:40:09,808 --> 00:40:16,515
WORK FROM ALL THE ARTISTS.
928
00:40:16,515 --> 00:40:22,387
THANK YOU.
929
00:40:22,387 --> 00:40:28,393
♪
930
00:40:28,393 --> 00:40:28,894
>> THANK YOU VERY MUCH.
931
00:40:28,894 --> 00:40:39,004
THANK YOU.
932
00:40:39,004 --> 00:40:42,240
>> PLEASE WELCOME
EXTREME SPORTS
933
00:40:42,240 --> 00:40:44,943
LEGENDS TONY HAWK,
KELLY SLATER
934
00:40:44,943 --> 00:40:49,147
AND SEAN WHITE.
935
00:40:49,147 --> 00:40:51,750
>> THIS YEAR MARKS THE 60th
936
00:40:51,750 --> 00:40:54,085
ANNIVERSARY OF
DR. NO, THE FIRST
937
00:40:54,085 --> 00:40:55,420
OF THE CLASSIC
JAMES BOND FILMS.
938
00:40:55,420 --> 00:40:58,223
>> JAMES BOND IS
THE MOST ICONIC
939
00:40:58,223 --> 00:41:01,226
AND LEGENDARY SECRET AGENT IN
940
00:41:01,226 --> 00:41:01,726
CINEMA HISTORY.
941
00:41:01,726 --> 00:41:03,395
>> OF COURSE, OVER THE YEARS
942
00:41:03,395 --> 00:41:04,629
WE'VE ALL HAD OUR FAVORITE
943
00:41:04,629 --> 00:41:05,230
BONDS.
944
00:41:05,230 --> 00:41:07,098
SOME PEOPLE ARE SEAN CONNERY
945
00:41:07,098 --> 00:41:07,399
FANS.
946
00:41:07,399 --> 00:41:08,433
OTHERS ROGER MOORE.
947
00:41:08,433 --> 00:41:12,037
OWE OR TIMOTHY
BALL TON, PEARCE
948
00:41:12,037 --> 00:41:13,171
BROSNAN OR TIMOTHY CRAIG.
949
00:41:13,171 --> 00:41:15,073
>> AS GREAT AS THEY ALL ARE,
950
00:41:15,073 --> 00:41:17,208
IT'S IMPOSSIBLE TO EVER BE
951
00:41:17,208 --> 00:41:20,145
CERTAIN ONE STAR
WAS CLEARLY THE
952
00:41:20,145 --> 00:41:20,445
G.O.A.T.
953
00:41:20,445 --> 00:41:22,113
>> I DON'T KNOW,
THERE ARE SOME
954
00:41:22,113 --> 00:41:22,747
ATHLETES WHO ARE
THE GREATEST IN
955
00:41:22,747 --> 00:41:25,250
THEIR FIELD.
956
00:41:25,250 --> 00:41:26,418
>> REALLY, DUDE?
957
00:41:26,418 --> 00:41:28,787
>> I'M TALKING
ABOUT YOU TWO, OF
958
00:41:28,787 --> 00:41:32,457
COURSE.
959
00:41:32,457 --> 00:41:35,460
>> AT LEAST WE USED TO BE.
960
00:41:35,460 --> 00:41:37,729
>> WELL, WE TRIED
OUR BEST TO BE
961
00:41:37,729 --> 00:41:39,164
GAME CHANGERS IN
OUR RESPECTIVE
962
00:41:39,164 --> 00:41:40,365
SPORTS.
963
00:41:40,365 --> 00:41:41,666
THERE'S NO QUESTION JAMES BOND
964
00:41:41,666 --> 00:41:43,535
WAS A GAME CHANGER, INFLUENCE
965
00:41:43,535 --> 00:41:44,869
THE CULTURE AND LOOK OF FILMS
966
00:41:44,869 --> 00:41:46,171
FOR OVER HALF A CENTURY.
967
00:41:46,171 --> 00:41:48,506
>> AND WHAT WE
LOVE BEST, HE WAS
968
00:41:48,506 --> 00:41:50,075
AND IS NEVER AFRAID TO TAKE
969
00:41:50,075 --> 00:41:51,176
THINGS TO THE EXTREME.
970
00:41:51,176 --> 00:41:52,677
NOW LET'S TAKE A LOOK AT 60
971
00:41:52,677 --> 00:41:54,279
YEARS OF BOND.
972
00:41:54,279 --> 00:42:05,890
[ APPLAUSE ]
973
00:42:05,890 --> 00:42:09,527
♪ WHEN YOU WERE YOUNG AND YOUR
974
00:42:09,527 --> 00:42:12,397
HEART WAS AN OPEN BOOK ♪
975
00:42:12,397 --> 00:42:16,368
>> YOU'RE?
976
00:42:16,368 --> 00:42:16,801
>> BOND, JAMES BOND.
977
00:42:16,801 --> 00:42:19,450
>> DO YOU EXPECT ME TO TALK?
978
00:42:19,450 --> 00:42:20,933
>> MR. BOND, I EXPECT YOU TO
979
00:42:20,933 --> 00:42:26,805
DIE.
980
00:42:26,805 --> 00:42:35,914
♪
981
00:42:35,914 --> 00:42:36,682
>> SO, WHAT'S YOURS?
982
00:42:36,682 --> 00:42:41,086
>> RESURRECTION.
983
00:42:41,086 --> 00:42:48,727
♪ LIVE AND LET DIE
984
00:42:48,727 --> 00:42:58,804
♪
985
00:42:58,804 --> 00:43:01,206
>> LOOK AFTER MR. BOND.
986
00:43:01,206 --> 00:43:08,247
SEE THAT SOME
HARM COMES TO HIM.
987
00:43:08,247 --> 00:43:22,795
♪
988
00:43:22,795 --> 00:43:27,266
♪
989
00:43:27,266 --> 00:43:27,966
>> TO US, MR. BOND.
990
00:43:27,966 --> 00:43:38,844
WE ARE THE BEST.
991
00:43:38,844 --> 00:43:42,748
♪
992
00:43:42,748 --> 00:43:51,256
♪
993
00:43:51,256 --> 00:43:54,726
>> BOND, I NEED YOU BACK.
994
00:43:54,726 --> 00:43:58,030
>> I NEVER LEFT.
995
00:43:58,030 --> 00:43:58,897
♪
996
00:43:58,897 --> 00:44:03,300
[ APPLAUSE ]
997
00:44:03,300 --> 00:44:05,535
>> NEXT, THE LITTLE MERMAID,
998
00:44:05,535 --> 00:44:07,671
PRINCESS JASMINE
AND CINDERELLA.
999
00:44:07,671 --> 00:44:09,873
PLUS, A LIVE
PERFORMANCE BY REBA
1000
00:44:09,873 --> 00:44:10,841
A MacINTYRE.
1001
00:44:10,841 --> 00:44:12,742
THE OSCARS RIGHT HERE ON ABC.
1002
00:44:17,184 --> 00:44:19,953
♪
1003
00:44:19,953 --> 00:44:21,321
>>> THE ENTIRE PLANET IS ABOUT
1004
00:44:21,321 --> 00:44:22,222
TO BE DESTROYED.
1005
00:44:22,222 --> 00:44:24,124
>> THAT'S WHAT WE DO AROUND
1006
00:44:24,124 --> 00:44:24,324
HERE.
1007
00:44:24,324 --> 00:44:26,259
WE JUST KEEP THE
BAD NEWS LIGHT.
1008
00:44:26,259 --> 00:44:27,260
>> WHAT IS THIS GOING TO COST
1009
00:44:27,260 --> 00:44:27,427
ME?
1010
00:44:27,427 --> 00:44:30,063
WHAT'S THE ASK HERE?
1011
00:44:30,063 --> 00:44:30,764
>> YOU GUYS
DISCOVERED A COMET?
1012
00:44:30,764 --> 00:44:36,770
THAT'S SO DOPE.
1013
00:44:36,770 --> 00:44:41,608
>> WE'RE GONNA DIE!
1014
00:44:41,608 --> 00:44:43,777
>> PLEASE WELCOME STEPHANIE
1015
00:44:43,777 --> 00:44:50,316
BEATRICE.
1016
00:44:50,316 --> 00:44:51,051
[ APPLAUSE ]
1017
00:44:51,051 --> 00:44:53,319
>> IT'S MY ENORMOUS HONOR TO
1018
00:44:53,319 --> 00:44:56,790
PRESENT OUR NEXT NOMINEE FOR
1019
00:44:56,790 --> 00:44:57,357
ORIGINAL SONG FROM THE FILM
1020
00:44:57,357 --> 00:45:02,395
CLOSE TO MY HEART, "ENCANTO"
1021
00:45:02,395 --> 00:45:06,266
WRITTEN BY MY DEAR FRIEND,
1022
00:45:06,266 --> 00:45:10,170
EMANUEL MIRANDA.
1023
00:45:10,170 --> 00:45:13,540
TWO PEOPLE CLINGING TOGETHER,
1024
00:45:13,540 --> 00:45:15,809
AND FINDING IN THE MOST
1025
00:45:15,809 --> 00:45:17,477
TROUBLEOUS TIME THERE IS STILL
1026
00:45:17,477 --> 00:45:18,311
HOPE.
1027
00:45:18,311 --> 00:45:22,215
PLEASE WELCOME
SEBASTIAN YATRA.
1028
00:45:22,215 --> 00:45:38,832
[ APPLAUSE ]
1029
00:45:38,832 --> 00:45:38,998
♪
1030
00:45:38,998 --> 00:45:58,218
[ SINGING IN SPANISH ]
1031
00:45:58,218 --> 00:46:10,196
♪
1032
00:46:10,196 --> 00:46:22,208
♪
1033
00:46:22,208 --> 00:46:34,220
♪
1034
00:46:34,220 --> 00:46:50,270
♪
1035
00:46:50,270 --> 00:47:03,216
♪
1036
00:47:03,216 --> 00:47:17,330
♪
1037
00:47:17,330 --> 00:47:34,214
♪
1038
00:47:34,214 --> 00:47:39,719
♪
1039
00:47:39,719 --> 00:47:44,791
♪
1040
00:47:44,791 --> 00:47:50,263
♪
1041
00:47:50,263 --> 00:47:53,633
♪
1042
00:47:53,633 --> 00:48:02,308
♪
1043
00:48:02,308 --> 00:48:04,510
♪
1044
00:48:04,510 --> 00:48:18,258
♪
1045
00:48:18,258 --> 00:48:28,167
[ CHEERS AND APPLAUSE ]
1046
00:48:28,167 --> 00:48:30,837
>> GRACIAS.
1047
00:48:30,837 --> 00:48:34,173
>> PLEASE WELCOME LILY JAMES,
1048
00:48:34,173 --> 00:48:41,514
HALLIE BAILEY AND NAOMI SCOTT.
1049
00:48:41,514 --> 00:48:48,087
[ APPLAUSE ]
1050
00:48:48,087 --> 00:48:50,223
>> THE THREE OF
US HAVE ALL HAD
1051
00:48:50,223 --> 00:48:53,393
THE PRIVILEGE OF BRINGING A
1052
00:48:53,393 --> 00:48:54,193
BELOVED ANIMATED CHARACTER TO
1053
00:48:54,193 --> 00:48:55,662
THE LIVE SCREEN.
1054
00:48:55,662 --> 00:49:00,166
I PLAYED CINDERELLA.
1055
00:49:00,166 --> 00:49:02,602
NAOMI WAS PRINCESS JASMINE.
1056
00:49:02,602 --> 00:49:05,805
AND SOON SHE'LL
JOIN AS ARIEL IN
1057
00:49:05,805 --> 00:49:09,542
THE LITTLE MERMAID.
1058
00:49:09,542 --> 00:49:09,876
>> THANK YOU.
1059
00:49:09,876 --> 00:49:10,176
[ APPLAUSE ]
1060
00:49:10,176 --> 00:49:12,345
>> THEY HOLD SUCH A SPECIAL
1061
00:49:12,345 --> 00:49:13,713
PLACE IN OUR HEARTS BECAUSE
1062
00:49:13,713 --> 00:49:16,015
ANIMATED FILMS MAKEUP SOME OF
1063
00:49:16,015 --> 00:49:21,454
OUR MOST FORMATIVE EXPERIENCES
1064
00:49:21,454 --> 00:49:22,221
AS KIDS.
1065
00:49:22,221 --> 00:49:24,123
>> SOME WATCH THEM OVER AND
1066
00:49:24,123 --> 00:49:24,324
OVER.
1067
00:49:24,324 --> 00:49:25,958
>> AND OVER AND OVER AND OVER.
1068
00:49:25,958 --> 00:49:26,926
>> SOME PARENTS KNOW EXACTLY
1069
00:49:26,926 --> 00:49:28,061
WHAT WE'RE TALKING ABOUT.
1070
00:49:28,061 --> 00:49:33,499
>> HERE ARE THE
NOMINEES FOR THE
1071
00:49:33,499 --> 00:49:34,067
BEST ANIMATED FEATURE FILM.
1072
00:49:34,067 --> 00:49:38,271
>> ENCANTO, JARED BUSH, BYRUM
1073
00:49:38,271 --> 00:49:42,308
HOWARD.
1074
00:49:42,308 --> 00:49:45,378
FLEE.
1075
00:49:45,378 --> 00:49:50,316
MONICA HALSTRUM.
1076
00:49:50,316 --> 00:49:54,887
LUCA.
1077
00:49:54,887 --> 00:49:58,124
THE MITCHELLS VERSUS THE
1078
00:49:58,124 --> 00:49:58,391
MACHINES.
1079
00:49:58,391 --> 00:50:05,832
CHRISTOPHER MILLER AND KURT
1080
00:50:05,832 --> 00:50:06,766
ALBRECHT.
1081
00:50:06,766 --> 00:50:11,671
RAYA AND THE LAST DRAGON.
1082
00:50:11,671 --> 00:50:21,280
>> AND THE OSCAR GOES TO --
1083
00:50:21,280 --> 00:50:23,750
>> "ENCANTO."
1084
00:50:23,750 --> 00:50:26,285
>> THIS IS THE FIRST OSCAR AND
1085
00:50:26,285 --> 00:50:29,021
NOMINATION FOR JARED BUSH AND
1086
00:50:29,021 --> 00:50:35,261
YVETTE MORENO, THE SECOND WIN
1087
00:50:35,261 --> 00:50:35,895
AND THIRD NOMINATION FOR BRIE
1088
00:50:35,895 --> 00:50:40,199
RUM HOWARD AND CLARK SPENCER.
1089
00:50:40,199 --> 00:50:40,366
♪
1090
00:50:40,366 --> 00:50:52,211
♪
1091
00:50:52,211 --> 00:50:55,848
>> CONGRATULATIONS.
1092
00:50:55,848 --> 00:51:00,253
>> OH, MY GOODNESS.
1093
00:51:00,253 --> 00:51:01,487
HI.
1094
00:51:01,487 --> 00:51:02,889
THANK YOU SOTO THE ACADEMY.
1095
00:51:02,889 --> 00:51:04,824
I AM SO PROUD TO BE PART OF A
1096
00:51:04,824 --> 00:51:06,793
FILM THAT PUTS
BEAUTIFUL DIVERSE
1097
00:51:06,793 --> 00:51:08,661
CHARACTERS IN
FRONT AND CENTER,
1098
00:51:08,661 --> 00:51:10,663
AND THAT PEOPLE EVERYWHERE ARE
1099
00:51:10,663 --> 00:51:14,267
SEEING THEMSELVES IN THE FILM.
1100
00:51:14,267 --> 00:51:15,234
[ APPLAUSE ]
1101
00:51:15,234 --> 00:51:18,104
>> WE HAVE SOME KEY PEOPLE TO
1102
00:51:18,104 --> 00:51:22,208
THANK FOR OUR ENCANTO MUSICAL
1103
00:51:22,208 --> 00:51:24,143
DEPARTMENT LED BY THE
1104
00:51:24,143 --> 00:51:27,613
INCOMPARABLE LIN
-MANUEL MIRANDA,
1105
00:51:27,613 --> 00:51:30,249
AND OUR STRENGTH SHERISSE, THE
1106
00:51:30,249 --> 00:51:31,617
HEART OF THE FAMILY.
1107
00:51:31,617 --> 00:51:33,219
AND EVERYONE AT
THE WALT DISNEY
1108
00:51:33,219 --> 00:51:34,754
ANIMATION STUDIOS.
1109
00:51:34,754 --> 00:51:35,888
>> THIS FILM ONLY
EXISTS BECAUSE
1110
00:51:35,888 --> 00:51:40,460
OF YOUR TALENT
AND YOUR PASSION.
1111
00:51:40,460 --> 00:51:41,894
JENNIFER LEE FOR
CHAMPIONING THE
1112
00:51:41,894 --> 00:51:42,628
FILM FROM THE BEGINNING.
1113
00:51:42,628 --> 00:51:45,965
>> AND THE ENTIRE COUNTRY OF
1114
00:51:45,965 --> 00:51:46,232
COLOMBIA.
1115
00:51:46,232 --> 00:51:48,801
THE AMAZING CAST.
1116
00:51:48,801 --> 00:51:51,571
THIS IS A MOVIE
IS ABOUT FAMILY.
1117
00:51:51,571 --> 00:51:55,274
I WANT TO THANK MY FAMILY.
1118
00:51:55,274 --> 00:51:57,977
>> MY HUSBAND, MY FAMILY AND
1119
00:51:57,977 --> 00:52:00,546
DAD, I MISS YOU.
1120
00:52:00,546 --> 00:52:06,285
>> RAFAEL AND FELIX IN MIAMI.
1121
00:52:06,285 --> 00:52:10,223
[ APPLAUSE ]
1122
00:52:10,223 --> 00:52:16,295
♪
1123
00:52:16,295 --> 00:52:18,231
>> MOVIE FANS AROUND THE WORLD
1124
00:52:18,231 --> 00:52:20,800
HAVE BEEN VOTING FOR THEIR
1125
00:52:20,800 --> 00:52:22,068
FAVORITE MOVIE
MOMENTS, THE ONES
1126
00:52:22,068 --> 00:52:23,102
THAT MAKE THEM STAND UP AND
1127
00:52:23,102 --> 00:52:23,302
CHEER.
1128
00:52:23,302 --> 00:52:40,887
HERE ARE YOUR TOP FIVE.
1129
00:52:40,887 --> 00:52:41,053
♪
1130
00:52:41,053 --> 00:52:54,634
♪
1131
00:52:54,634 --> 00:52:59,238
>> AVENGERS!
1132
00:52:59,238 --> 00:53:14,287
ASSEMBLE.
1133
00:53:14,287 --> 00:53:14,453
♪
1134
00:53:14,453 --> 00:53:21,260
♪
1135
00:53:21,260 --> 00:53:22,241
>> JUST GOT TO GO FASTER THAN
1136
00:53:22,241 --> 00:53:23,367
THE SPEED OF LIGHT.
1137
00:53:23,367 --> 00:53:24,597
HAVE TO BREAK THE BARRIER AND
1138
00:53:24,597 --> 00:53:27,395
YOU HAVE TO GO NOW.
1139
00:53:27,395 --> 00:53:27,562
♪
1140
00:53:27,562 --> 00:53:49,935
♪
1141
00:53:49,935 --> 00:53:52,871
>> THE NEXT HOUR
KICKS OFF WITH
1142
00:53:52,871 --> 00:53:54,239
OUR ALL-STAR BAND FEATURING
1143
00:53:54,239 --> 00:53:56,875
TRAVIS BARKER,
SHEILA E, ROBERT
1144
00:53:56,875 --> 00:53:57,809
GLASSBERG.
1145
00:53:57,809 --> 00:53:59,211
LATER A MUSICAL
MOMENT THAT WILL
1146
00:53:59,211 --> 00:54:01,775
HAVE EVERYONE
TALKING ABOUT WHAT
1147
00:54:01,775 --> 00:54:04,013
WE DON'T TALK
ABOUT, THE OSCARS
1148
00:54:17,985 --> 00:54:19,618
>>> HERE ARE THE NOMINEES FOR
1149
00:54:19,618 --> 00:54:23,021
BEST ANIMATED SHORT FILM.
1150
00:54:23,021 --> 00:54:26,625
"AFFAIRS OF THE ART" JOANNA
1151
00:54:26,625 --> 00:54:41,106
QUIN AND LES MILLS.
1152
00:54:41,106 --> 00:54:41,373
"BESTIA.
1153
00:54:41,373 --> 00:54:42,708
ROBIN ROBIN.
1154
00:54:42,708 --> 00:54:44,409
THE WINDSHIELD WIPER.
1155
00:54:44,409 --> 00:54:47,045
AND THE OSCAR GOES TO "THE
1156
00:54:47,045 --> 00:54:47,446
WINDSHIELD WIPER."
1157
00:54:47,446 --> 00:54:49,148
>> ANIMATION IS AN ART THAT
1158
00:54:49,148 --> 00:54:51,517
INCLUDES EVERY SINGLE ART THAT
1159
00:54:51,517 --> 00:54:52,151
YOU CAN IMAGINE.
1160
00:54:52,151 --> 00:54:56,255
ANIMATION FOR
ADULTS IS A FACT,
1161
00:54:56,255 --> 00:54:57,289
IT'S HAPPENING.
1162
00:54:57,289 --> 00:54:59,791
LET'S CALL IT CINEMA.
1163
00:54:59,791 --> 00:54:59,992
OKAY.
1164
00:54:59,992 --> 00:55:01,827
I'M VERY HONORED
BECAUSE THIS IS
1165
00:55:01,827 --> 00:55:02,861
JUST THE BEGINNING OF WHAT WE
1166
00:55:02,861 --> 00:55:05,797
CAN DO WITH ANIMATION.
1167
00:55:05,797 --> 00:55:06,098
[ APPLAUSE ]
1168
00:55:06,098 --> 00:55:07,799
>> AND I JUST WANT TO SECOND
1169
00:55:07,799 --> 00:55:08,834
THAT, AND ALSO
THANK YOU TO ALL
1170
00:55:08,834 --> 00:55:10,502
THE TEAM THAT HAS
BEEN INVOLVED
1171
00:55:10,502 --> 00:55:11,937
FROM THIS PROJECT TO MAKE IT
1172
00:55:11,937 --> 00:55:14,139
HAPPEN STARTING
WITH ALBERTO AND
1173
00:55:14,139 --> 00:55:15,207
HIS VISION.
1174
00:55:15,207 --> 00:55:16,808
IT'S JUST AMAZING.
1175
00:55:16,808 --> 00:55:18,310
THANK YOU TO THE ACADEMY FOR
1176
00:55:18,310 --> 00:55:19,611
THIS AWARD.
1177
00:55:19,611 --> 00:55:21,747
IT'S JUST INCREDIBLE.
1178
00:55:21,747 --> 00:55:22,181
THANK YOU VERY MUCH.
1179
00:55:22,181 --> 00:55:33,225
[ SPEAKING FOREIGN LANGUAGE ]
1180
00:55:33,225 --> 00:55:57,749
[ SPEAKING FOREIGN LANGUAGE ]
1181
00:55:57,749 --> 00:56:01,687
[ APPLAUSE ]
1182
00:56:01,687 --> 00:56:03,755
>> WE'RE BACK WITH A NEW HOUR
1183
00:56:03,755 --> 00:56:07,326
AND NEW MUSIC
FROM OUR ALL-STAR
1184
00:56:07,326 --> 00:56:11,129
BAND LED BY OSCARS MUSIC
1185
00:56:11,129 --> 00:56:12,497
DIRECTOR ON BASE.
1186
00:56:12,497 --> 00:56:17,803
JOINED BY ROBERT ON KEYS.
1187
00:56:17,803 --> 00:56:21,740
AND PERCUSSION.
1188
00:56:21,740 --> 00:56:25,844
AND TRAVIS ON DRUMS.
1189
00:56:25,844 --> 00:56:29,848
YOU GUYS SOUND GREAT.
1190
00:56:29,848 --> 00:56:31,650
>>> SO, THIS PAST SEPTEMBER A
1191
00:56:31,650 --> 00:56:33,752
DREAM WAS REALIZED WHEN THE
1192
00:56:33,752 --> 00:56:35,220
ACADEMY MUSEUM OF MOTION
1193
00:56:35,220 --> 00:56:36,622
PICTURES OPENED ITS DOORS.
1194
00:56:36,622 --> 00:56:38,757
A MUSEUM LIKE
THIS COMES WITH A
1195
00:56:38,757 --> 00:56:42,160
HEFTY PRICE TAG, $482 MILLION.
1196
00:56:42,160 --> 00:56:44,162
AND I KNOW MANY PEOPLE IN THIS
1197
00:56:44,162 --> 00:56:46,398
ROOM DONATED GENEROUSLY.
1198
00:56:46,398 --> 00:56:49,801
I DID MY PART, AND THIS
1199
00:56:49,801 --> 00:56:51,470
WEEKEND -- THIS
PAST WEEKEND, I
1200
00:56:51,470 --> 00:56:52,804
PAID A VISIT TO
SEE WHERE MY $15
1201
00:56:52,804 --> 00:56:54,706
WENT.
1202
00:56:54,706 --> 00:57:02,781
[ LAUGHTER ]
1203
00:57:02,781 --> 00:57:05,984
>>> BARBRA STREISAND BRIDGE.
1204
00:57:05,984 --> 00:57:08,487
I WONDER HOW MUCH
SHE DONATED TO
1205
00:57:08,487 --> 00:57:09,755
GET THIS.
1206
00:57:09,755 --> 00:57:15,727
I KNEW I SHOULD HAVE DONATED
1207
00:57:15,727 --> 00:57:16,295
MORE.
1208
00:57:16,295 --> 00:57:20,032
I'M WANDA SYKES, A DONOR.
1209
00:57:20,032 --> 00:57:21,733
15 BIG ONES.
1210
00:57:21,733 --> 00:57:23,335
>> 15,000?
1211
00:57:23,335 --> 00:57:25,003
OH, MISS SYKES.
1212
00:57:25,003 --> 00:57:26,938
>> I KNOW SOME
OF THESE PEOPLE.
1213
00:57:26,938 --> 00:57:29,808
>> THAT'S OUR DONOR WALL.
1214
00:57:29,808 --> 00:57:30,208
COME ON IN.
1215
00:57:30,208 --> 00:57:35,781
>> I'LL CATCH UP WITH YOU.
1216
00:57:35,781 --> 00:57:37,849
>> THIS IS ONE OF OUR MOST
1217
00:57:37,849 --> 00:57:38,550
POPULAR EXHIBITS.
1218
00:57:38,550 --> 00:57:40,686
>> OH, YOU DON'T
HAVE TO TELL ME
1219
00:57:40,686 --> 00:57:45,424
WHAT THIS IS.
1220
00:57:45,424 --> 00:57:49,027
BILLY PORTER CHEEKY BOOTS.
1221
00:57:49,027 --> 00:57:53,498
IT USED TO BE CALLED KICKING
1222
00:57:53,498 --> 00:57:53,799
HEELS.
1223
00:57:53,799 --> 00:57:56,802
YOU HAVE THIS
WHOLE ROOM FOR THE
1224
00:57:56,802 --> 00:57:57,736
WIZARD OF OZ?
1225
00:57:57,736 --> 00:57:59,037
I GOT THIS.
1226
00:57:59,037 --> 00:58:00,672
HAVE YOU EVER BEEN TO MERYL
1227
00:58:00,672 --> 00:58:01,373
STREEP'S HOUSE?
1228
00:58:01,373 --> 00:58:02,874
IT LOOKS JUST LIKE THIS.
1229
00:58:02,874 --> 00:58:05,777
>> THIS IS A VERY IMPORTANT
1230
00:58:05,777 --> 00:58:06,011
DISPLAY.
1231
00:58:06,011 --> 00:58:09,147
HATTY McDANIEL WAS THE FIRST
1232
00:58:09,147 --> 00:58:09,848
OSCAR WINNER.
1233
00:58:09,848 --> 00:58:12,384
IT WENT MISSING AFTER SHE
1234
00:58:12,384 --> 00:58:15,153
DONATED IT TO A UNIVERSITY.
1235
00:58:15,153 --> 00:58:18,957
THIS EMPTY CASE HONORS HER
1236
00:58:18,957 --> 00:58:19,324
HISTORIC WIN.
1237
00:58:19,324 --> 00:58:29,534
>> IT ALSO
REPRESENTS THE HONORS
1238
00:58:29,534 --> 00:58:32,404
BY BLACK DIRECTORS.
1239
00:58:32,404 --> 00:58:34,139
>> CHER PRESENTED
AT THE OSCARS
1240
00:58:34,139 --> 00:58:37,042
BUT DIDN'T RECEIVE
A NOMINATION.
1241
00:58:37,042 --> 00:58:38,009
>> THIS IS WHAT
YOU DO WHEN YOU
1242
00:58:38,009 --> 00:58:39,978
BREAK UP WITH OSCAR.
1243
00:58:39,978 --> 00:58:43,348
THIS IS THE ULTIMATE REVENGE
1244
00:58:43,348 --> 00:58:43,582
GOWN.
1245
00:58:43,582 --> 00:58:45,016
YOU COULD HAVE HAD THIS.
1246
00:58:45,016 --> 00:58:45,851
YOU COULD HAVE HAD ALL THIS.
1247
00:58:45,851 --> 00:58:47,619
>> EVERYTHING IN THIS ROOM
1248
00:58:47,619 --> 00:58:49,821
BELONGS TO MR. SPIKE LEE.
1249
00:58:49,821 --> 00:58:51,490
>> HE JUST LEFT IT HERE?
1250
00:58:51,490 --> 00:58:53,191
HOW MUCH ARE YOU CHARGING HIM
1251
00:58:53,191 --> 00:58:53,458
FOR STORAGE?
1252
00:58:53,458 --> 00:58:56,361
>> THE ACADEMY ISN'T CHARGING
1253
00:58:56,361 --> 00:58:56,795
HIM ANYTHING.
1254
00:58:56,795 --> 00:58:59,297
>> I HAVE TO GET IN ON THIS.
1255
00:58:59,297 --> 00:59:03,735
I'M PAYING 2.50 IN GLENDALE.
1256
00:59:03,735 --> 00:59:07,205
IS IT 24-HOUR ACCESS?
1257
00:59:07,205 --> 00:59:09,808
>>> OOH, WHITE CHICKS.
1258
00:59:09,808 --> 00:59:12,043
THAT IS HILARIOUS.
1259
00:59:12,043 --> 00:59:13,812
>> THIS IS FROM?
1260
00:59:13,812 --> 00:59:17,816
>> AQUA MAN, JASON MOMOA.
1261
00:59:17,816 --> 00:59:21,119
>> NO, THE CREATURE
IN THE SHAPE
1262
00:59:21,119 --> 00:59:21,953
OF WATER.
1263
00:59:21,953 --> 00:59:24,790
>> YOU DIDN'T SEE JASON MOMOA
1264
00:59:24,790 --> 00:59:29,828
AFTER FILMING ALL DAY UNDER
1265
00:59:29,828 --> 00:59:30,028
WATER.
1266
00:59:30,028 --> 00:59:31,830
HEY, HARVEY WEINSTEIN.
1267
00:59:31,830 --> 00:59:33,331
>> HERE WE HAVE FILM HISTORY
1268
00:59:33,331 --> 00:59:36,001
WITH OVER 700 FILMS FROM THE
1269
00:59:36,001 --> 00:59:38,170
LANIER BROTHERS
TO PRESENT DAY.
1270
00:59:38,170 --> 00:59:40,672
>> THEY HAVE
MONITORS LIKE THIS
1271
00:59:40,672 --> 00:59:41,773
AT BEST BAY.
1272
00:59:41,773 --> 00:59:44,209
YOU PICK THE ONE YOU WANT AND
1273
00:59:44,209 --> 00:59:47,512
THEY LOAD IT INTO YOUR CAR.
1274
00:59:47,512 --> 00:59:47,946
I'M TAKING THIS ONE.
1275
00:59:47,946 --> 00:59:49,114
I'M GRABBING IT.
1276
00:59:49,114 --> 00:59:53,852
>> NO, MISS SYKES.
1277
00:59:53,852 --> 00:59:55,287
[ APPLAUSE ]
1278
00:59:55,287 --> 00:59:58,590
>> PLEASE WELCOME
THE WINNER OF
1279
00:59:58,590 --> 01:00:03,728
LAST YEAR'S OSCAR,
ACTRESS IN A
1280
01:00:03,728 --> 01:00:12,704
SUPPORTING ROLE.
1281
01:00:12,704 --> 01:00:15,507
>> I'M VERY HAPPY
TO BE BACK IN
1282
01:00:15,507 --> 01:00:15,774
HOLLYWOOD.
1283
01:00:15,774 --> 01:00:18,410
I'M NOT HOLLYWOOD
PERSON, BUT MY
1284
01:00:18,410 --> 01:00:25,283
MOTHER USED TO SAY, YOU REAP
1285
01:00:25,283 --> 01:00:25,884
WHAT YOU SOW.
1286
01:00:25,884 --> 01:00:29,187
I SHOULD HAVE LISTENED TO MY
1287
01:00:29,187 --> 01:00:29,855
MOM.
1288
01:00:29,855 --> 01:00:32,791
LAST YEAR I WAS -- OH,
1289
01:00:32,791 --> 01:00:34,926
COMPLAINED ABOUT
MISPRONOUNCING
1290
01:00:34,926 --> 01:00:36,728
MY NAME PUBLICLY.
1291
01:00:36,728 --> 01:00:41,833
AND I'M SO SORRY BECAUSE I
1292
01:00:41,833 --> 01:00:45,737
LOOKED AT THE NOMINEES OF THE
1293
01:00:45,737 --> 01:00:46,071
INCREDIBLE --
1294
01:00:46,071 --> 01:00:49,174
[ LAUGHTER ]
1295
01:00:49,174 --> 01:00:53,578
IN THIS CATEGORY,
AND NOW I HAVE
1296
01:00:53,578 --> 01:00:53,912
TO PRONOUNCE.
1297
01:00:53,912 --> 01:00:57,749
PLEASE FORGIVE ME.
1298
01:00:57,749 --> 01:01:01,853
[ LAUGHTER ]
1299
01:01:01,853 --> 01:01:03,755
NOT THE BEST.
1300
01:01:03,755 --> 01:01:04,055
[ APPLAUSE ]
1301
01:01:04,055 --> 01:01:07,025
.
1302
01:01:07,025 --> 01:01:10,495
>> WELL, HERE ARE THE NOMINEES
1303
01:01:10,495 --> 01:01:15,734
FOR PERFORMANCE
BY AN ACTOR IN A
1304
01:01:15,734 --> 01:01:21,740
SUPPORTING ROLE.
1305
01:01:21,740 --> 01:01:23,208
KIERAN HINES.
1306
01:01:23,208 --> 01:01:26,411
>> I'M COLLECTING
MONEY FOR ALL
1307
01:01:26,411 --> 01:01:29,080
THE FOCUS IN THE STATE.
1308
01:01:29,080 --> 01:01:32,183
THE BOYS WOULD HOLD THEM UP AT
1309
01:01:32,183 --> 01:01:40,725
GUNPOINT IN THE BACK AND HE'D
1310
01:01:40,725 --> 01:01:42,661
HAND IT STRAIGHT BACK TO THE
1311
01:01:42,661 --> 01:01:44,129
RESIDENTS IN THE STATE.
1312
01:01:44,129 --> 01:01:45,730
VERY EFFECTIVE SYSTEM.
1313
01:01:45,730 --> 01:01:52,938
[ APPLAUSE ]
1314
01:01:52,938 --> 01:01:58,977
>> TROY KOTSUR.
1315
01:01:58,977 --> 01:02:17,829
CODA.
1316
01:02:17,829 --> 01:02:23,268
[ APPLAUSE ]
1317
01:02:23,268 --> 01:02:27,739
>> JESSE PLEMONS,
"THE POWER OF
1318
01:02:27,739 --> 01:02:28,039
THE DOG."
1319
01:02:28,039 --> 01:02:36,815
>> WHAT IS IT, GEORGE?
1320
01:02:36,815 --> 01:02:43,154
>> I JUST WANT TO SAY HOW NICE
1321
01:02:43,154 --> 01:02:52,430
IT IS NOT TO BE ALONE.
1322
01:02:52,430 --> 01:02:52,731
[ APPLAUSE ]
1323
01:02:52,731 --> 01:02:56,034
>> J. K. SIMMONS.
1324
01:02:56,034 --> 01:02:58,370
>> I CAME HERE
TO DISTRACT YOU.
1325
01:02:58,370 --> 01:02:59,738
THEY BEAT ME TO IT.
1326
01:02:59,738 --> 01:03:01,406
>> THEY DON'T LIKE THE JOKES
1327
01:03:01,406 --> 01:03:02,741
ABOUT BEING UNAPPEALING.
1328
01:03:02,741 --> 01:03:04,843
>> THERE'S NO ONE IN THE SOUND
1329
01:03:04,843 --> 01:03:07,012
OF HER VOICE THAT DOESN'T KNOW
1330
01:03:07,012 --> 01:03:07,445
THAT.
1331
01:03:07,445 --> 01:03:08,880
>> I SAID WHAT I FELT.
1332
01:03:08,880 --> 01:03:11,650
>> YOU'VE BEEN SAYING WHAT YOU
1333
01:03:11,650 --> 01:03:12,717
FELT SINCE THE FIRST DAY OF
1334
01:03:12,717 --> 01:03:13,151
WORK.
1335
01:03:13,151 --> 01:03:15,754
IT'S NOT LIKE YOU'VE SUDDENLY
1336
01:03:15,754 --> 01:03:20,625
GIVEN VOICE TO YOUR FEELINGS.
1337
01:03:20,625 --> 01:03:24,996
>> COURTNEY SMITH McPHEE, "THE
1338
01:03:24,996 --> 01:03:26,965
POWER OF THE DOG."
1339
01:03:26,965 --> 01:03:28,533
>> THANK YOU, PHIL.
1340
01:03:28,533 --> 01:03:29,567
HOW LONG DO YOU EXPECT IT WILL
1341
01:03:29,567 --> 01:03:30,769
TAKE TO FINISH THAT ROOM?
1342
01:03:30,769 --> 01:03:32,437
>> I'LL GET IT FINISHED BEFORE
1343
01:03:32,437 --> 01:03:36,441
YOU GO BACK TO SCHOOL.
1344
01:03:36,441 --> 01:03:37,842
99
1345
01:03:37,842 --> 01:03:38,710
>> WELL, WON'T BE VERY LONG,
1346
01:03:38,710 --> 01:03:53,124
THEN, PHIL.
1347
01:03:53,124 --> 01:03:53,858
[ APPLAUSE ]
1348
01:03:53,858 --> 01:04:13,311
>> AND THE OSCAR GOES TO --
1349
01:04:13,311 --> 01:04:13,812
[ CHEERS AND APPLAUSE ]
1350
01:04:13,812 --> 01:04:16,147
>> TROY KOTSUR.
1351
01:04:16,147 --> 01:04:18,850
>> THIS IS THE FIRST OSCAR AND
1352
01:04:18,850 --> 01:04:21,086
NOMINATION FOR TROY KOTSUR.
1353
01:04:21,086 --> 01:04:21,720
HE IS THE SECOND DEAF ACTOR TO
1354
01:04:21,720 --> 01:04:41,806
WIN.
1355
01:04:41,806 --> 01:04:42,107
[ APPLAUSE ]
1356
01:04:42,107 --> 01:04:59,457
.
1357
01:04:59,457 --> 01:05:09,968
[ LAUGHTER ]
1358
01:05:09,968 --> 01:05:12,270
>> THIS IS AMAZING
TO BE HERE ON
1359
01:05:12,270 --> 01:05:13,271
THIS JOURNEY.
1360
01:05:13,271 --> 01:05:15,907
I CANNOT BELIEVE I'M HERE.
1361
01:05:15,907 --> 01:05:16,975
THANK YOU SO MUCH TO ALL THE
1362
01:05:16,975 --> 01:05:20,678
MEMBERS OF THE ACADEMY FOR
1363
01:05:20,678 --> 01:05:23,648
RECOGNIZING MY WORK.
1364
01:05:23,648 --> 01:05:25,850
IT'S REALLY AMAZING THAT OUR
1365
01:05:25,850 --> 01:05:28,353
FILM CODA HAS REACHED OUT
1366
01:05:28,353 --> 01:05:28,620
WORLDWIDE.
1367
01:05:28,620 --> 01:05:29,721
IT EVEN REACHED ALL THE WAY TO
1368
01:05:29,721 --> 01:05:30,288
THE WHITE HOUSE.
1369
01:05:30,288 --> 01:05:33,324
AND THEY INVITED THE CAST OF
1370
01:05:33,324 --> 01:05:34,993
CODA TO VISIT AND
HAVE A TOUR OF
1371
01:05:34,993 --> 01:05:35,994
THE WHITE HOUSE.
1372
01:05:35,994 --> 01:05:37,095
WE MET PRESIDENT JOE AND
1373
01:05:37,095 --> 01:05:37,695
DR. JILL.
1374
01:05:37,695 --> 01:05:39,397
AND I WAS PLANNING ON TEACHING
1375
01:05:39,397 --> 01:05:42,100
THEM SOME DIRTY SIGN LANGUAGE,
1376
01:05:42,100 --> 01:05:44,903
BUT MARTY TOLD ME TO BEHAVE
1377
01:05:44,903 --> 01:05:45,136
MYSELF.
1378
01:05:45,136 --> 01:05:47,338
DON'T WORRY, MARLIE, I WON'T
1379
01:05:47,338 --> 01:05:49,808
DROP ANY F BOMBS IN MY SPEECH
1380
01:05:49,808 --> 01:05:50,141
TODAY.
1381
01:05:50,141 --> 01:05:52,477
INSTEAD I WANT
TO THANK ALL THE
1382
01:05:52,477 --> 01:05:53,344
WONDERFUL DEAF THEATER STAGES
1383
01:05:53,344 --> 01:05:55,914
WHERE I WAS ALLOWED AND GIVEN
1384
01:05:55,914 --> 01:05:57,749
THE OPPORTUNITY TO DEVELOP MY
1385
01:05:57,749 --> 01:05:58,149
CRAFT AS AN ACTOR.
1386
01:05:58,149 --> 01:06:04,088
THANK YOU.
1387
01:06:04,088 --> 01:06:04,389
[ APPLAUSE ]
1388
01:06:04,389 --> 01:06:06,624
I READ ONE OF
SPIELBERG'S BOOKS
1389
01:06:06,624 --> 01:06:08,693
RECENTLY AND HE SAID THE BEST
1390
01:06:08,693 --> 01:06:09,761
DIRECTOR, THE
DEFINITION OF THE
1391
01:06:09,761 --> 01:06:13,998
BEST DIRECTOR WAS A SKILLED
1392
01:06:13,998 --> 01:06:14,332
COMMUNICATOR.
1393
01:06:14,332 --> 01:06:17,802
SEAN HADER, YOU ARE THE BEST
1394
01:06:17,802 --> 01:06:19,571
COMMUNICATOR, AND
THE REASON WHY
1395
01:06:19,571 --> 01:06:21,239
IS YOU BROUGHT THE DEAF WORLD
1396
01:06:21,239 --> 01:06:24,142
AND THE HEARING WORLD TOGETHER
1397
01:06:24,142 --> 01:06:25,844
AND YOU ARE OUR BRIDGE.
1398
01:06:25,844 --> 01:06:28,813
AND YOUR NAME
WILL FOREVER BE ON
1399
01:06:28,813 --> 01:06:31,149
THAT BRIDGE, SEAN HADER BRIDGE
1400
01:06:31,149 --> 01:06:32,016
HERE IN HOLLYWOOD.
1401
01:06:32,016 --> 01:06:34,385
THAT WAS SUPPORTED
BY APPLE, SUN
1402
01:06:34,385 --> 01:06:37,088
DANCE, ALL OF OUR CAST, OUR
1403
01:06:37,088 --> 01:06:39,757
CREW, OUR PRODUCERS AND THE
1404
01:06:39,757 --> 01:06:42,627
COMMUNITY OF GLOSS HER,
1405
01:06:42,627 --> 01:06:45,029
MASSACHUSETTS HEY, FISHERMEN,
1406
01:06:45,029 --> 01:06:48,299
HEY, POP EYES, DON'T FORGET TO
1407
01:06:48,299 --> 01:06:48,700
EAT YOUR SPINACH.
1408
01:06:48,700 --> 01:06:50,568
[ LAUGHTER ]
1409
01:06:50,568 --> 01:06:53,171
[ APPLAUSE ]
1410
01:06:53,171 --> 01:06:57,508
MY DAD, HE WAS THE BEST SIGNER
1411
01:06:57,508 --> 01:06:59,844
IN OUR FAMILY, BUT HE WAS IN A
1412
01:06:59,844 --> 01:07:03,748
CAR ACCIDENT, AND HE BECAME
1413
01:07:03,748 --> 01:07:04,782
PARALYZED FROM THE NECK DOWN,
1414
01:07:04,782 --> 01:07:09,721
AND HE NO LONGER WAS ABLE TO
1415
01:07:09,721 --> 01:07:09,921
SIGN.
1416
01:07:09,921 --> 01:07:13,024
DAD, I LEARNED
SO MUCH FROM YOU.
1417
01:07:13,024 --> 01:07:15,727
I'LL ALWAYS LOVE YOU.
1418
01:07:15,727 --> 01:07:23,234
YOU ARE MY HERO --.
1419
01:07:23,234 --> 01:07:23,735
THANK YOU.
1420
01:07:23,735 --> 01:07:25,803
THANK YOU TO MY
BIGGEST FANS, MY
1421
01:07:25,803 --> 01:07:30,642
WIFE, MY DAUGHTER AND MESA,
1422
01:07:30,642 --> 01:07:32,610
ARIZONA, MARK
FINLEY, MY MANAGER
1423
01:07:32,610 --> 01:07:33,645
AND MY TEAM.
1424
01:07:33,645 --> 01:07:36,214
I JUST WANTED TO SAY THIS IS
1425
01:07:36,214 --> 01:07:37,215
DEDICATED TO THE
DEAF COMMUNITY,
1426
01:07:37,215 --> 01:07:39,250
THE CODA COMMUNITY AND THE
1427
01:07:39,250 --> 01:07:39,851
DISABLED COMMUNITY.
1428
01:07:39,851 --> 01:07:47,659
THIS IS OU MOMENT.
1429
01:07:47,659 --> 01:07:47,959
[ APPLAUSE ]
1430
01:07:47,959 --> 01:07:50,695
TO MY MOM, TO MY DAD, AND MY
1431
01:07:50,695 --> 01:07:52,330
BROTHER MARK, THEY'RE NOT HERE
1432
01:07:52,330 --> 01:07:52,563
TODAY.
1433
01:07:52,563 --> 01:07:53,865
BUT LOOK AT ME NOW, I DID IT.
1434
01:07:53,865 --> 01:07:56,434
I LOVE YOU.
1435
01:07:56,434 --> 01:07:57,735
THANK YOU.
1436
01:07:57,735 --> 01:08:11,334
[ CHEERS AND APPLAUSE ]
1437
01:08:11,334 --> 01:08:13,669
>>> NEXT AT THE DOLBY THEATER,
1438
01:08:13,669 --> 01:08:17,807
TIFFINI HADDISH, NILA KUNIS.
1439
01:08:17,807 --> 01:08:24,365
AND LATER WE'LL OFFER A 50th
1440
01:08:24,365 --> 01:08:26,770
ANNIVERSARY GODFATHER REUNION
1441
01:08:40,124 --> 01:08:41,538
>>> PLEASE WELCOME TIFFINI IF
1442
01:08:41,538 --> 01:08:53,020
HADDISH.
1443
01:08:53,020 --> 01:08:55,456
>> CAN YOU BELIEVE THIS?
1444
01:08:55,456 --> 01:08:56,624
WE HAVE TWO
SUPERHEROES ON STAGE
1445
01:08:56,624 --> 01:08:58,893
RIGHT NOW.
1446
01:08:58,893 --> 01:08:59,593
>> TWO?
1447
01:08:59,593 --> 01:09:02,029
>> UM-HMM, YEAH, TWO
1448
01:09:02,029 --> 01:09:02,329
SUPERHEROES.
1449
01:09:02,329 --> 01:09:04,365
YOU'VE BEEN IN
MARVEL MOVIES AND
1450
01:09:04,365 --> 01:09:08,402
I'M TIFFINI HADDISH.
1451
01:09:08,402 --> 01:09:09,036
ASK MY COMMUNITY ABOUT ME.
1452
01:09:09,036 --> 01:09:11,672
>> FAIR ENOUGH.
1453
01:09:11,672 --> 01:09:13,107
WE ARE HERE TO
PRESENT THE AWARD
1454
01:09:13,107 --> 01:09:15,209
FOR INTERNATIONAL
FEATURE FILM,
1455
01:09:15,209 --> 01:09:16,243
WHICH IS PARTICULARLY EXCITING
1456
01:09:16,243 --> 01:09:19,480
FOR ME SINCE I COME FROM AN
1457
01:09:19,480 --> 01:09:21,148
INTERNATIONAL COUNTRY THAT FOR
1458
01:09:21,148 --> 01:09:22,783
MANY AMERICANS MAY SEEM EXOTIC
1459
01:09:22,783 --> 01:09:24,552
AND DIFFERENT.
1460
01:09:24,552 --> 01:09:28,622
CANADA.
1461
01:09:28,622 --> 01:09:32,393
[ SPEAKING FOREIGN LANGUAGE ]
1462
01:09:32,393 --> 01:09:34,128
>> OOH, OKAY.
1463
01:09:34,128 --> 01:09:35,529
I DIDN'T EVEN KNOW THAT FRANCE
1464
01:09:35,529 --> 01:09:35,896
WAS IN CANADA.
1465
01:09:35,896 --> 01:09:37,732
THAT'S CRAZY.
1466
01:09:37,732 --> 01:09:41,335
THAT IS CRAZY.
1467
01:09:41,335 --> 01:09:43,838
YOU KNOW, I GOT A THING FOR
1468
01:09:43,838 --> 01:09:44,105
CANADIANS.
1469
01:09:44,105 --> 01:09:45,306
>> OH, YOU DO?
1470
01:09:45,306 --> 01:09:47,141
>> UM-HMM, UM-HMM, YEAH.
1471
01:09:47,141 --> 01:09:48,743
I LIKE THAT CIRCLE BACON THEY
1472
01:09:48,743 --> 01:09:48,909
GOT.
1473
01:09:48,909 --> 01:09:53,114
YOU KNOW.
1474
01:09:53,114 --> 01:09:56,350
THE MEN WITH THE JACKET THAT
1475
01:09:56,350 --> 01:10:00,521
RIDE ON MOOSES WITH THE HAT.
1476
01:10:00,521 --> 01:10:00,855
THE ACCENT.
1477
01:10:00,855 --> 01:10:02,423
>> THE ACCENT.
1478
01:10:02,423 --> 01:10:03,724
>> THE ACCENT.
1479
01:10:03,724 --> 01:10:04,725
>> WE'LL NEED TO UNPACK THAT
1480
01:10:04,725 --> 01:10:04,925
LATER.
1481
01:10:04,925 --> 01:10:09,597
OKAY.
1482
01:10:09,597 --> 01:10:12,533
>>> HERE'S THE
NOMINEES FOR BEST
1483
01:10:12,533 --> 01:10:13,734
FEATURE FILM.
1484
01:10:13,734 --> 01:10:19,440
>> FROM JAPAN, DRIVE MY CAR.
1485
01:10:19,440 --> 01:10:24,578
FROM DENMARK, FLEE.
1486
01:10:24,578 --> 01:10:31,051
FROM ITALY, THE HAND OF GOD.
1487
01:10:31,051 --> 01:10:39,193
FROM BHUTAN, LUNANA: A YAK IN
1488
01:10:39,193 --> 01:10:44,632
THE CLASSROOM.
1489
01:10:44,632 --> 01:10:46,433
THE WORST PERSON IN THE WORLD.
1490
01:10:46,433 --> 01:10:52,640
>> AND THE OSCAR
GOES TO, DRIVE
1491
01:10:52,640 --> 01:10:54,575
MY CAR, JAPAN.
1492
01:10:54,575 --> 01:10:58,412
YES.
1493
01:10:58,412 --> 01:11:00,748
>> THIS IS THE FIFTH OSCAR AND
1494
01:11:00,748 --> 01:11:16,630
14th NOMINATION FOR JAPAN.
1495
01:11:16,630 --> 01:11:20,634
>> CONGRATULATIONS.
1496
01:11:20,634 --> 01:11:27,241
>> THANK YOU VERY MUCH.
1497
01:11:27,241 --> 01:11:29,743
YEAH, I'D LIKE
TO THANK ALL THE
1498
01:11:29,743 --> 01:11:33,547
MEMBERS OF THE ACADEMY FOR
1499
01:11:33,547 --> 01:11:37,484
HAVING US HERE,
AND I'D LIKE TO
1500
01:11:37,484 --> 01:11:48,395
THANK THE FILMS, SIDESHOW, FOR
1501
01:11:48,395 --> 01:11:51,532
BRINGING "DRIVE MY CAR" TO THE
1502
01:11:51,532 --> 01:11:52,299
UNITED STATES.
1503
01:11:52,299 --> 01:12:00,574
AND I ALSO WOULD LIKE TO --
1504
01:12:00,574 --> 01:12:00,875
[ LAUGHTER ]
1505
01:12:00,875 --> 01:12:01,508
I ALSO WOULD LIKE TO THANK THE
1506
01:12:01,508 --> 01:12:09,717
ACTORS HERE.
1507
01:12:09,717 --> 01:12:17,658
[ CHEERS AND APPLAUSE ]
1508
01:12:17,658 --> 01:12:22,263
AND I'D LIKE TO THANK ALL THE
1509
01:12:22,263 --> 01:12:32,640
ACTORS FOR COMING HERE.
1510
01:12:32,640 --> 01:12:33,240
[ SPEAKING FOREIGN LANGUAGE ]
1511
01:12:33,240 --> 01:12:40,648
THANK YOU VERY MUCH.
1512
01:12:40,648 --> 01:12:46,720
♪
1513
01:12:46,720 --> 01:12:48,555
>> LADIES AND GENTLEMEN, NILA
1514
01:12:48,555 --> 01:13:01,135
KUNIS.
1515
01:13:01,135 --> 01:13:02,403
>> WE'VE SEEN
GLOBAL EVENTS THAT
1516
01:13:02,403 --> 01:13:04,638
LEFT MANY OF US
FEELING GUTTED.
1517
01:13:04,638 --> 01:13:05,806
YET WHEN YOU WITNESS THE
1518
01:13:05,806 --> 01:13:08,709
STRENGTH AND DIGNITY OF THOSE
1519
01:13:08,709 --> 01:13:12,579
FACING DEVASTATION, IT IS
1520
01:13:12,579 --> 01:13:15,649
IMPOSSIBLE TO NOT BE MOVED BY
1521
01:13:15,649 --> 01:13:16,317
THEIR RESILIENCE.
1522
01:13:16,317 --> 01:13:18,185
THE NEXT NOMINEE FOR BEST SONG
1523
01:13:18,185 --> 01:13:20,621
IS A STORY OF HOPE,
1524
01:13:20,621 --> 01:13:23,557
PERSEVERANCE, AND
SURVIVAL THAT
1525
01:13:23,557 --> 01:13:24,625
CELEBRATES THE STRENGTH OF THE
1526
01:13:24,625 --> 01:13:26,226
HUMAN SPIRIT.
1527
01:13:26,226 --> 01:13:28,629
COMPOSED BY 13-TIME OSCAR
1528
01:13:28,629 --> 01:13:31,966
NOMINEE DIANE WARREN, HERE TO
1529
01:13:31,966 --> 01:13:34,168
PERFORM -- YEAH.
1530
01:13:34,168 --> 01:13:37,838
HERE TO PERFORM
"SOMEHOW YOU DO"
1531
01:13:37,838 --> 01:13:40,107
FROM THE FILM "FOUR GOOD DAYS"
1532
01:13:40,107 --> 01:13:48,582
PLEASE WELCOME REBA McENTIRE.
1533
01:13:48,582 --> 01:13:56,223
♪
1534
01:13:56,223 --> 01:14:00,527
♪ SO YOU FEEL LIKE YOU'VE RUN
1535
01:14:00,527 --> 01:14:05,866
OUT OF HOPE CARRYING ALL THAT
1536
01:14:05,866 --> 01:14:07,334
WEIGHT, YOUR BACK'S ABOUT TO
1537
01:14:07,334 --> 01:14:07,668
BREAK ♪
1538
01:14:07,668 --> 01:14:12,006
♪ AND YOU'RE
STANDING AT THE END
1539
01:14:12,006 --> 01:14:12,573
OF YOUR ROPE ♪
1540
01:14:12,573 --> 01:14:15,576
♪ YOU WANT TO GIVE UP THE
1541
01:14:15,576 --> 01:14:15,809
FIGHT ♪
1542
01:14:15,809 --> 01:14:17,978
♪ YOU SEE NO RELIEF IN SIGHT
1543
01:14:17,978 --> 01:14:23,484
♪ AND IT'S HARD TO KEEP THE
1544
01:14:23,484 --> 01:14:23,717
FAITH ♪
1545
01:14:23,717 --> 01:14:28,622
♪ BUT THE DARKEST NIGHT STILL
1546
01:14:28,622 --> 01:14:30,524
FINDS THE DAY ♪
1547
01:14:30,524 --> 01:14:33,460
♪ WHEN YOU THINK
IT'S THE END OF
1548
01:14:33,460 --> 01:14:36,830
THE ROPE ♪
1549
01:14:36,830 --> 01:14:40,300
♪ IT'S JUST 'CAUSE YOU DON'T
1550
01:14:40,300 --> 01:14:42,503
KNOW WHERE THE ROAD'S LEADING
1551
01:14:42,503 --> 01:14:42,703
TO ♪
1552
01:14:42,703 --> 01:14:46,306
♪ WHEN YOU THINK THAT THE
1553
01:14:46,306 --> 01:14:49,910
MOUNTAIN'S TOO HIGH AND THE
1554
01:14:49,910 --> 01:14:52,012
OCEAN'S TOO WIDE AND YOU'LL
1555
01:14:52,012 --> 01:14:56,650
NEVER GET THROUGH ♪
1556
01:14:56,650 --> 01:15:04,191
♪ OH, SOME WAY,
SOMEHOW, SOMEHOW
1557
01:15:04,191 --> 01:15:04,758
YOU DO ♪
1558
01:15:04,758 --> 01:15:08,062
♪ OH, IT'S THOSE TIMES, IT'S
1559
01:15:08,062 --> 01:15:11,165
THOSE TIMES WHEN
TIMES GET BAD ♪
1560
01:15:11,165 --> 01:15:13,734
♪ YOU'LL FIND THE STRENGTH YOU
1561
01:15:13,734 --> 01:15:17,971
DIDN'T KNOW YOU EVEN HAD ♪
1562
01:15:17,971 --> 01:15:27,681
♪ OH, SOMEHOW, OH, YOU --
1563
01:15:27,681 --> 01:15:31,318
♪ WHEN YOU THINK
IT'S THE END OF
1564
01:15:31,318 --> 01:15:32,653
THE ROPE ♪
1565
01:15:32,653 --> 01:15:34,822
♪ IT'S JUST 'CAUSE YOU DON'T
1566
01:15:34,822 --> 01:15:37,591
KNOW WHERE THE ROAD'S LEADING
1567
01:15:37,591 --> 01:15:38,659
TO ♪
1568
01:15:38,659 --> 01:15:39,293
♪ WHEN YOU THINK
1569
01:15:39,293 --> 01:15:42,329
♪ THAT THE MOUNTAIN'S TOO HIGH
1570
01:15:42,329 --> 01:15:45,132
AND THE OCEAN'S TOO WIDE ♪
1571
01:15:45,132 --> 01:15:45,933
♪ AND YOU'LL NEVER GET THROUGH
1572
01:15:45,933 --> 01:15:53,841
♪ OH, SOME WAY, SOMEHOW
1573
01:15:53,841 --> 01:15:57,845
♪ SOMEHOW YOU DO
1574
01:15:57,845 --> 01:16:04,651
♪ OH, SOME WAY, SOMEHOW
1575
01:16:04,651 --> 01:16:16,630
♪ SOMEHOW YOU DO
1576
01:16:16,630 --> 01:16:38,852
[ CHEERS AND APPLAUSE ]
1577
01:17:09,216 --> 01:17:10,059
[ APPLAUSE ]
1578
01:17:10,059 --> 01:17:12,746
♪
1579
01:17:12,746 --> 01:17:14,688
>>> HERE ARE THE NOMINEES FOR
1580
01:17:14,688 --> 01:17:17,825
BEST LIVE ACTION SHORT FILM .
1581
01:17:17,825 --> 01:17:29,203
A LOOK -- ALA KACHU.
1582
01:17:29,203 --> 01:17:29,470
THE DRESS.
1583
01:17:29,470 --> 01:17:32,172
>> THE LONG GOOD-BYE.
1584
01:17:32,172 --> 01:17:34,708
ON MY MIND.
1585
01:17:34,708 --> 01:17:38,712
PLEASE HOLD.
1586
01:17:38,712 --> 01:17:41,482
>>> AND THE OSCAR
GOES TO, "THE
1587
01:17:41,482 --> 01:17:44,852
LONG GOOD-BYE."
1588
01:17:44,852 --> 01:17:45,152
[ APPLAUSE ]
1589
01:17:45,152 --> 01:17:49,823
>> YOU KNOW, IN SUCH DIVIDED
1590
01:17:49,823 --> 01:17:52,026
TIMES, WE BELIEVE
THAT THE STORY
1591
01:17:52,026 --> 01:17:53,127
IS THERE IS NO US AND THEM.
1592
01:17:53,127 --> 01:17:54,595
THERE'S JUST US.
1593
01:17:54,595 --> 01:18:00,034
[ APPLAUSE ]
1594
01:18:00,034 --> 01:18:01,535
AND THIS, THIS IS FOR EVERYONE
1595
01:18:01,535 --> 01:18:03,604
WHO FEELS LIKE THEY DON'T
1596
01:18:03,604 --> 01:18:04,171
BELONG, ANYONE THAT FEELS
1597
01:18:04,171 --> 01:18:05,940
THEY'RE STUCK IN A NO MAN'S
1598
01:18:05,940 --> 01:18:06,307
LAND.
1599
01:18:06,307 --> 01:18:07,207
YOU'RE NOT ALONE.
1600
01:18:07,207 --> 01:18:07,841
WE'LL MEET YOU THERE.
1601
01:18:07,841 --> 01:18:10,711
THAT'S WHERE THE FUTURE IS.
1602
01:18:10,711 --> 01:18:13,213
PEACE.
1603
01:18:13,213 --> 01:18:17,151
[ APPLAUSE ]
1604
01:18:17,151 --> 01:18:20,054
>> YOU COME HERE FOR THIS, YOU
1605
01:18:20,054 --> 01:18:20,621
TAKE IT, GIVING NOTHING IN
1606
01:18:20,621 --> 01:18:24,591
RETURN.
1607
01:18:24,591 --> 01:18:26,760
>> EVERYTHING WE
BUILT, YOU GIVE
1608
01:18:26,760 --> 01:18:29,797
IT TO THEM.
1609
01:18:29,797 --> 01:18:35,669
>> I WANT THE FUTURE.
1610
01:18:35,669 --> 01:18:38,238
YOU'RE STILL EVERYTHING WE
1611
01:18:38,238 --> 01:18:40,174
NEEDED YOU TO BE, THE SON.
1612
01:18:40,174 --> 01:18:44,311
>> PLEASE WELCOME
OSCAR WINNERS
1613
01:18:44,311 --> 01:18:47,548
LUPITA NYONG'O
AND RUBY CARTER.
1614
01:18:47,548 --> 01:18:54,621
[ APPLAUSE ]
1615
01:18:54,621 --> 01:18:58,659
>> EVERY OSCAR
WIN REPRESENTS A
1616
01:18:58,659 --> 01:18:59,560
LIFE-CHANGING MOMENT.
1617
01:18:59,560 --> 01:19:02,663
WHILE ALL ARE
SIGNIFICANT, SOME
1618
01:19:02,663 --> 01:19:05,766
ARE HISTORIC.
1619
01:19:05,766 --> 01:19:08,402
FOR A SPECTACULAR AFRO FUTURE
1620
01:19:08,402 --> 01:19:10,104
LOOKS IN "BLACK PANTHER," RUTH
1621
01:19:10,104 --> 01:19:12,573
MADE HISTORY AS SHE BECAME THE
1622
01:19:12,573 --> 01:19:13,273
FIRST BLACK COSTUME
DESIGNER TO
1623
01:19:13,273 --> 01:19:14,808
WIN AN OSCAR.
1624
01:19:14,808 --> 01:19:15,175
[ APPLAUSE ]
1625
01:19:15,175 --> 01:19:17,845
>> IT'S AN HONOR TO DESIGN
1626
01:19:17,845 --> 01:19:20,514
COSTUMES THAT RE
-IMAGINE BEAUTY,
1627
01:19:20,514 --> 01:19:23,951
EMPOWER THE FEMALE FORUM,
1628
01:19:23,951 --> 01:19:26,854
EXPRESS DIVERSITY IN
1629
01:19:26,854 --> 01:19:27,187
STORYTELLING.
1630
01:19:27,187 --> 01:19:28,355
AND TURN A SUPERHERO INTO AN
1631
01:19:28,355 --> 01:19:31,925
AFRICAN KING.
1632
01:19:31,925 --> 01:19:33,794
>> LET'S PAY TRIBUTE TO THE
1633
01:19:33,794 --> 01:19:36,063
OUTSTANDING VISUAL
STORY TELLERS
1634
01:19:36,063 --> 01:19:38,665
WHO HAVE SHOWN US NEW WORLDS
1635
01:19:38,665 --> 01:19:41,802
THROUGH COSTUMES.
1636
01:19:41,802 --> 01:19:45,439
THAT'S YOU.
1637
01:19:45,439 --> 01:19:51,011
>> OH, I'M USED
TO BEING BEHIND
1638
01:19:51,011 --> 01:19:51,311
C
1639
01:19:51,311 --> 01:19:51,545
CAMERA.
1640
01:19:51,545 --> 01:19:53,714
I'M PROUD TO ANNOUNCE THE
1641
01:19:53,714 --> 01:20:03,991
NOMINEES OF COSTUME DESIGN.
1642
01:20:03,991 --> 01:20:06,527
CRUELLA.
1643
01:20:06,527 --> 01:20:06,760
CYRANO.
1644
01:20:06,760 --> 01:20:11,131
DUNE.
1645
01:20:11,131 --> 01:20:18,639
NIGHTMARE ALLEY.
1646
01:20:18,639 --> 01:20:23,377
"WEST SIDE STORY."
1647
01:20:23,377 --> 01:20:26,013
GENT
1648
01:20:26,013 --> 01:20:35,656
>>> AND THE OSCAR
GOES TO JENNY.
1649
01:20:35,656 --> 01:20:40,127
>> THIS IS THE THIRD OSCAR AND
1650
01:20:40,127 --> 01:20:45,365
11th OSCAR FOR JENNY BEVAN WHO
1651
01:20:45,365 --> 01:20:46,667
TOOK OSCARS HOME
FOR ROOM WITH A
1652
01:20:46,667 --> 01:20:58,712
VIEW.
1653
01:20:58,712 --> 01:21:02,516
[ APPLAUSE ]
1654
01:21:02,516 --> 01:21:08,655
[ CHEERS AND APPLAUSE ]
1655
01:21:08,655 --> 01:21:16,263
>> TEAM CRUELLA, GO, TEAM
1656
01:21:16,263 --> 01:21:16,497
CRUELLA.
1657
01:21:16,497 --> 01:21:17,664
IF YOU HEAR ANY EMBARRASSING
1658
01:21:17,664 --> 01:21:20,868
NOISES, IT'S MY
FAMILY UP THERE
1659
01:21:20,868 --> 01:21:23,036
WHO SUPPORTED ME
THROUGH MASSIVE
1660
01:21:23,036 --> 01:21:23,337
EXPERIENCES.
1661
01:21:23,337 --> 01:21:24,404
SLIGHTLY STRESSFUL.
1662
01:21:24,404 --> 01:21:28,775
THE ONLY ONE I'M MISSING IS MY
1663
01:21:28,775 --> 01:21:31,145
DARLING SON-IN-LAW DAVID WHO
1664
01:21:31,145 --> 01:21:32,779
USED TO GIVE ME GOOD ADVICE AT
1665
01:21:32,779 --> 01:21:34,481
THE END OF EVERY DAY WHO ISN'T
1666
01:21:34,481 --> 01:21:34,815
WITH US.
1667
01:21:34,815 --> 01:21:37,384
I JUST THOUGHT I
SHOULD EXPLAIN,
1668
01:21:37,384 --> 01:21:39,653
OBVIOUSLY I DIDN'T LAST TIME.
1669
01:21:39,653 --> 01:21:50,664
THIS IS HONORING MY INNER
1670
01:21:50,664 --> 01:21:55,836
CRUELLA, LAPEL, TOM, GRAFFITI.
1671
01:21:55,836 --> 01:21:57,404
I HAVE TO TELL CHRISTIAN AND
1672
01:21:57,404 --> 01:21:59,473
CRAIG ASKED ME
TO DO THIS MOVIE.
1673
01:21:59,473 --> 01:22:03,277
I TRULY DIDN'T THINK WE HAD
1674
01:22:03,277 --> 01:22:04,111
TIME.
1675
01:22:04,111 --> 01:22:06,713
I ALMOST SAID NO,
GLAD I DIDN'T.
1676
01:22:06,713 --> 01:22:09,750
THE REASON I DIDN'T, CLARA
1677
01:22:09,750 --> 01:22:11,084
SITTING THERE
SPARKLING SAID SHE
1678
01:22:11,084 --> 01:22:13,187
WOULD COME ON BOARD AS COSTUME
1679
01:22:13,187 --> 01:22:15,189
SUPERVISOR AND BRING THE TEAM.
1680
01:22:15,189 --> 01:22:22,296
THE TEAM OF THE
MOST PHENOMENAL,
1681
01:22:22,296 --> 01:22:24,598
CREATIVE, CLEVER, GENEROUS
1682
01:22:24,598 --> 01:22:25,766
AMAZING PEOPLE.
1683
01:22:25,766 --> 01:22:28,168
WITHOUT THEM IT WOULDN'T HAVE
1684
01:22:28,168 --> 01:22:30,437
HAPPENED.
1685
01:22:30,437 --> 01:22:32,005
I NEED TO THANK OUR MAKEUP AND
1686
01:22:32,005 --> 01:22:33,473
HAIR TEAM BECAUSE
THEY COMPLETE
1687
01:22:33,473 --> 01:22:34,541
THE LOOKS.
1688
01:22:34,541 --> 01:22:37,277
I MEAN, YOU KNOW.
1689
01:22:37,277 --> 01:22:41,315
YOU'D LOOK A
LITTLE SAD PUTTING
1690
01:22:41,315 --> 01:22:45,118
A COSTUME WITH MY HAIR.
1691
01:22:45,118 --> 01:22:49,389
THE ACTORS BROUGHT LIFE.
1692
01:22:49,389 --> 01:22:50,357
HYPERVENTILATING WAS ONE OF THE
1693
01:22:50,357 --> 01:22:50,891
HIGHLIGHTS OF MY CAREER.
1694
01:22:50,891 --> 01:22:58,865
I THINK THAT'S ALL.
1695
01:22:58,865 --> 01:23:01,001
BUT THE LOVELY THING I THINK
1696
01:23:01,001 --> 01:23:03,670
ABOUT A THING LIKE CRUELLA, IT
1697
01:23:03,670 --> 01:23:06,640
DOES BRING A BIT
OF FUN AND JOY
1698
01:23:06,640 --> 01:23:11,511
IN THESE TERRIBLE
TIMES WHICH I
1699
01:23:11,511 --> 01:23:12,312
WON'T MENTION,
BUT IT WAS GREAT
1700
01:23:12,312 --> 01:23:12,512
TO DO.
1701
01:23:12,512 --> 01:23:14,681
THANK YOU, ACADEMY.
1702
01:23:14,681 --> 01:23:18,619
[ CHEERS AND APPLAUSE ]
1703
01:23:18,619 --> 01:23:29,263
♪
1704
01:23:29,263 --> 01:23:41,375
>> PLEASE WELCOME
JOHN LEGAZAMO.
1705
01:23:41,375 --> 01:23:43,844
>> LOOK AT THESE GREAT FACES,
1706
01:23:43,844 --> 01:23:50,684
GREAT LATIN X FACES.
1707
01:23:50,684 --> 01:23:52,653
DID YOU KNOW THE STATUE WAS
1708
01:23:52,653 --> 01:23:56,790
MODELLED AFTER
MEXICAN-AMERICAN
1709
01:23:56,790 --> 01:24:01,428
ACTOR EMILIO FERNANDEZ 1928?
1710
01:24:01,428 --> 01:24:02,629
HE STILL LOOKS GREAT.
1711
01:24:02,629 --> 01:24:03,997
BROWN DON'T BREAK DOWN.
1712
01:24:03,997 --> 01:24:06,066
IF YOU WIN YOU'RE
GOING TO HAVE
1713
01:24:06,066 --> 01:24:09,636
13 1/2 INCHES OF
MEXICAN IN YOUR
1714
01:24:09,636 --> 01:24:10,671
HANDS.
1715
01:24:10,671 --> 01:24:12,105
CALLED OSCAR.
1716
01:24:12,105 --> 01:24:12,406
[ LAUGHTER ]
1717
01:24:12,406 --> 01:24:13,473
AND NOW WE HAVE
SOMETHING VERY,
1718
01:24:13,473 --> 01:24:15,275
VERY SPECIAL FOR
THE FIRST TIME
1719
01:24:15,275 --> 01:24:18,845
EVER, A LIVE PERFORMANCE OF A
1720
01:24:18,845 --> 01:24:20,113
SONG FROM "ENCANTO," A MOVIE
1721
01:24:20,113 --> 01:24:22,082
THAT I'M VERY PROUD TO BE PART
1722
01:24:22,082 --> 01:24:22,449
OF.
1723
01:24:22,449 --> 01:24:26,421
THEY'RE GOING TO
DO THAT "BRUNO"
1724
01:24:26,421 --> 01:24:28,356
SONG WHICH THEY
DIDN'T ASK ME TO
1725
01:24:28,356 --> 01:24:29,557
SING EVEN THOUGH I AM BRUNO.
1726
01:24:29,557 --> 01:24:31,159
WHAT'S UP WITH THAT?
1727
01:24:31,159 --> 01:24:32,694
YOU KNOW WHAT I MEAN?
1728
01:24:32,694 --> 01:24:34,762
WE KNOW WHY, BECAUSE I CAN'T
1729
01:24:34,762 --> 01:24:35,863
SING.
1730
01:24:35,863 --> 01:24:37,298
IT'S PLAYED MORE TIMES THAN
1731
01:24:37,298 --> 01:24:37,999
HAPPY BIRTHDAY.
1732
01:24:37,999 --> 01:24:42,603
SO PLEASE TAKE IT AWAY, FAM.
1733
01:24:42,603 --> 01:24:46,708
[ APPLAUSE ]
1734
01:24:46,708 --> 01:24:46,874
♪
1735
01:24:46,874 --> 01:24:53,358
♪
1736
01:24:53,358 --> 01:24:57,929
♪ WE DON'T TALK
ABOUT BRUNO, NO,
1737
01:24:57,929 --> 01:24:58,797
NO, NO ♪
1738
01:24:58,797 --> 01:25:02,167
♪ WE DON'T TALK ABOUT BRUNO
1739
01:25:02,167 --> 01:25:09,307
♪ WE DON'T TALK ABOUT BRUNO
1740
01:25:09,307 --> 01:25:11,409
♪ NO, NO, NO
1741
01:25:11,409 --> 01:25:14,179
♪ WE DON'T TALK ABOUT BRUNO
1742
01:25:14,179 --> 01:25:18,316
♪ HEY
1743
01:25:18,316 --> 01:25:21,386
♪ IT WAS MY WEDDING DAY
1744
01:25:21,386 --> 01:25:24,823
♪ GETTING READY
AND THERE WASN'T
1745
01:25:24,823 --> 01:25:26,091
A CLOUD IN THE SKY ♪
1746
01:25:26,091 --> 01:25:32,897
♪ NO CLOUDS ALLOWED IN THE SKY
1747
01:25:32,897 --> 01:25:37,268
♪ WE'RE TELLING THE STORY
1748
01:25:37,268 --> 01:25:43,942
♪ BRUNO SAID IT LOOKED LIKE
1749
01:25:43,942 --> 01:25:44,175
RAIN ♪
1750
01:25:44,175 --> 01:25:46,778
♪ I WILL GET THE UMBRELLA
1751
01:25:46,778 --> 01:25:49,914
♪ MARRIED IN A HURRICANE
1752
01:25:49,914 --> 01:25:53,118
♪ WHAT A JOYOUS DAY ANYWAY
1753
01:25:53,118 --> 01:25:55,754
♪ WE DON'T TALK ABOUT BRUNO
1754
01:25:55,754 --> 01:25:59,691
♪ NO, NO, NO, NO
1755
01:25:59,691 --> 01:26:04,829
♪ WE DON'T TALK ABOUT BRUNO
1756
01:26:04,829 --> 01:26:08,533
♪ EVERY DAY BRUNO HERE, BRUNO
1757
01:26:08,533 --> 01:26:08,933
THERE ♪
1758
01:26:08,933 --> 01:26:11,970
♪ YOU SEE WHAT
YOU HAVE DONE ON
1759
01:26:11,970 --> 01:26:12,837
HOLLYWOOD'S BIGGEST NIGHT ♪
1760
01:26:12,837 --> 01:26:15,306
♪ STARS EVERYWHERE, I NEED TO
1761
01:26:15,306 --> 01:26:20,044
SEE OSCARS OVER
THERE, OH, NO WE
1762
01:26:20,044 --> 01:26:21,980
GOT THREE HO, THESE WOMEN, A
1763
01:26:21,980 --> 01:26:23,081
JOKE ♪
1764
01:26:23,081 --> 01:26:27,852
♪ I'M A LITTLE NERVOUS, THEY
1765
01:26:27,852 --> 01:26:29,988
HAVE THE CURTAIN ♪
1766
01:26:29,988 --> 01:26:32,390
♪ VERSACE, I'M
NOT TALKING ABOUT
1767
01:26:32,390 --> 01:26:32,624
MONEY ♪
1768
01:26:32,624 --> 01:26:35,994
♪ YOU CAN ADD IT TO MY SHOW,
1769
01:26:35,994 --> 01:26:37,262
ACADEMY AWARD ♪
1770
01:26:37,262 --> 01:26:39,197
♪ NO, COME FOR THE SHOW
1771
01:26:39,197 --> 01:26:42,600
♪ NO TALK ABOUT BRUNO, EH
1772
01:26:42,600 --> 01:26:44,903
♪ WHICH DON'T
TALK ABOUT BRUNO,
1773
01:26:44,903 --> 01:26:46,538
NO, NO, NO, NO ♪
1774
01:26:46,538 --> 01:27:02,654
♪ WE DON'T TALK ABOUT BRUNO
1775
01:27:02,654 --> 01:27:02,821
♪
1776
01:27:02,821 --> 01:27:14,732
♪
1777
01:27:14,732 --> 01:27:15,600
♪ WE'RE HERE TO CELEBRATE
1778
01:27:15,600 --> 01:27:24,275
♪ WE'RE HERE TO CELEBRATE
1779
01:27:24,275 --> 01:27:24,542
TONIGHT ♪
1780
01:27:24,542 --> 01:27:37,188
♪
1781
01:27:37,188 --> 01:27:38,056
[ CHEERS AND APPLAUSE ]
1782
01:27:38,056 --> 01:27:44,796
♪
1783
01:27:44,796 --> 01:27:48,180
>> STILL TO COME,
LADY GAGA AND
1784
01:27:48,180 --> 01:27:50,058
A SURPRISE APPEARANCE FROM A
1785
01:27:50,058 --> 01:27:52,253
LEGEND OF THE
SILVER SCREEN, THE
1786
01:27:52,253 --> 01:27:54,602
OSCARS RIGHT HERE ON ABC.
1787
01:28:02,794 --> 01:28:05,069
[ APPLAUSE ]
1788
01:28:05,069 --> 01:28:12,534
♪
1789
01:28:12,534 --> 01:28:39,493
[ SPEAKING FOREIGN LANGUAGE ]
1790
01:28:39,493 --> 01:28:41,962
>> I WROTE ME A SEMI-PAGE PLAN
1791
01:28:41,962 --> 01:28:43,497
FOR THEIR CAREER
BEFORE THEY WAS
1792
01:28:43,497 --> 01:28:44,198
EVEN BORN.
1793
01:28:44,198 --> 01:28:49,603
>> YOU NEED TO
TELL YOUR FATHER
1794
01:28:49,603 --> 01:28:50,137
STOP WORKING YOU SO HARD.
1795
01:28:50,137 --> 01:28:52,506
>> CITYSERENA IS
GONNA SHAKE UPS
1796
01:28:52,506 --> 01:28:52,740
WORLD.
1797
01:28:52,740 --> 01:28:55,676
>> WHAT DID YOU DO OUT THERE?
1798
01:28:55,676 --> 01:28:59,413
>> SHE'S GOING
TO BE NUMBER ONE
1799
01:28:59,413 --> 01:28:59,847
IN THE WHOLE WORLD.
1800
01:28:59,847 --> 01:29:01,282
YOU'RE NEXT.
1801
01:29:01,282 --> 01:29:10,157
♪
1802
01:29:10,157 --> 01:29:10,457
[ APPLAUSE ]
1803
01:29:10,457 --> 01:29:17,231
[ LAUGHTER ]
1804
01:29:17,231 --> 01:29:22,803
>> HEY, NO WONDER
RICHARD WAS SO
1805
01:29:22,803 --> 01:29:23,070
STRESSED.
1806
01:29:23,070 --> 01:29:29,977
HIS JUNK WAS SQUISHED.
1807
01:29:29,977 --> 01:29:31,145
WHAT THE HELL?
1808
01:29:31,145 --> 01:29:34,248
YOU WERE SUPPOSED TO BE VENUS.
1809
01:29:34,248 --> 01:29:36,016
>> I KNOW, I AM
VENUS AND TAMMY
1810
01:29:36,016 --> 01:29:40,354
FAYE.
1811
01:29:40,354 --> 01:29:42,289
I'M SORRY, ALL RIGHT.
1812
01:29:42,289 --> 01:29:43,924
I'M JUST TAMMY FAYE.
1813
01:29:43,924 --> 01:29:46,794
I ALWAYS WANTED
TO PLAY A CRAZY
1814
01:29:46,794 --> 01:29:49,063
WHITE LADY.
1815
01:29:49,063 --> 01:29:49,964
HI, GUYS.
1816
01:29:49,964 --> 01:29:53,834
>> WHERE'S AIM I?
1817
01:29:53,834 --> 01:29:55,369
SHE'S SUPPOSED TO BE SERENA.
1818
01:29:55,369 --> 01:30:01,208
>> WAIT, I'M RIGHT HERE.
1819
01:30:01,208 --> 01:30:01,508
[ LAUGHTER ]
1820
01:30:01,508 --> 01:30:02,609
>> WHAT ARE YOU DOING?
1821
01:30:02,609 --> 01:30:03,877
THIS WAS NOT THE PLAN.
1822
01:30:03,877 --> 01:30:06,213
>> WE'RE SUPPOSED
TO DRESS UP AS
1823
01:30:06,213 --> 01:30:07,848
OUR FAVORITE MOVIE, RIGHT?
1824
01:30:07,848 --> 01:30:09,883
>> THAT'S NOT WHAT WE WERE
1825
01:30:09,883 --> 01:30:10,084
DOING.
1826
01:30:10,084 --> 01:30:10,951
I HAD IT WITH Y'ALL.
1827
01:30:10,951 --> 01:30:14,188
I'M THROUGH.
1828
01:30:14,188 --> 01:30:17,091
A SAVED A LOT.
1829
01:30:17,091 --> 01:30:17,624
A LOT.
1830
01:30:17,624 --> 01:30:20,127
>> WE'RE SORRY, DADDY, PLEASE!
1831
01:30:20,127 --> 01:30:22,196
>> I DO NOT KNOW HOW TO GET
1832
01:30:22,196 --> 01:30:25,632
DOWN, SO SOMEBODY CAN MAYBE
1833
01:30:25,632 --> 01:30:28,836
COME -- SOMEBODY --
1834
01:30:28,836 --> 01:30:35,809
>> GET SOME DRINKS,
PELLEGRINO,
1835
01:30:35,809 --> 01:30:41,548
VITAMIN WATER?
1836
01:30:41,548 --> 01:30:44,718
>> A WONDERFUL SENSE OF HUMOR,
1837
01:30:44,718 --> 01:30:46,820
ONE OF HER GENETIC GIFTS.
1838
01:30:46,820 --> 01:30:52,092
>> FROM THE OSCAR WINNING FILM
1839
01:30:52,092 --> 01:30:58,499
"JUNO," OSCAR WINNER JENNIFER
1840
01:30:58,499 --> 01:31:04,538
GARNER AND OSCAR WINNER A. J.
1841
01:31:04,538 --> 01:31:04,772
SIMMONS.
1842
01:31:04,772 --> 01:31:07,875
>> WE EXPERIENCED THE
1843
01:31:07,875 --> 01:31:10,611
EXHILARATING
FEELING OF READING
1844
01:31:10,611 --> 01:31:12,046
A SCREEN PLAY THAT.
1845
01:31:12,046 --> 01:31:15,983
>> I WAS COMPLETELY INFUSED BY
1846
01:31:15,983 --> 01:31:17,818
THE DISTINCTIVE VOICE.
1847
01:31:17,818 --> 01:31:19,386
IT WAS UNLIKE ANYTHING I READ
1848
01:31:19,386 --> 01:31:19,720
BEFORE.
1849
01:31:19,720 --> 01:31:22,022
>> THERE WERE DEFINITELY SOME
1850
01:31:22,022 --> 01:31:23,190
PHRASES I HAD
NEVER READ BEFORE.
1851
01:31:23,190 --> 01:31:27,928
A COUPLE COME TO
MIND, YOUR EGGO
1852
01:31:27,928 --> 01:31:29,096
IS PREGGO.
1853
01:31:29,096 --> 01:31:30,664
>> LIKE THE NOMINEES IN THIS
1854
01:31:30,664 --> 01:31:31,899
CATEGORY IT WAS THE KIND OF
1855
01:31:31,899 --> 01:31:33,267
SCRIPT YOU KNEW HAD TO BE
1856
01:31:33,267 --> 01:31:34,735
BROUGHT TO LIFE ON THE BIG
1857
01:31:34,735 --> 01:31:35,002
SCREEN.
1858
01:31:35,002 --> 01:31:35,969
>> HERE ARE THE NOMINEES FOR
1859
01:31:35,969 --> 01:31:40,974
ORIGINAL SCREEN PLAY.
1860
01:31:40,974 --> 01:31:47,815
BELFAST WRITTEN BY KENNETH
1861
01:31:47,815 --> 01:31:48,048
BRANAGH.
1862
01:31:48,048 --> 01:31:51,018
STORY BY ADAM
McKAY, DON'T LOOK
1863
01:31:51,018 --> 01:31:51,852
UP.
1864
01:31:51,852 --> 01:32:00,761
KING RICHARD WRITTEN BY ZACH.
1865
01:32:00,761 --> 01:32:03,897
LICORICE PIZZA.
1866
01:32:03,897 --> 01:32:07,701
THE WORST PERSON IN THE WORLD.
1867
01:32:07,701 --> 01:32:17,578
>> AND THE OSCAR GOES TO?
1868
01:32:17,578 --> 01:32:17,878
>> KENNETH.
1869
01:32:17,878 --> 01:32:27,621
>> THIS IS THE FIRST OSCAR FOR
1870
01:32:27,621 --> 01:32:27,921
5
1871
01:32:27,921 --> 01:32:28,489
EIGHT-TIME CAREER NOMINEE
1872
01:32:28,489 --> 01:32:31,892
KENNETH BRANAGH.
1873
01:32:31,892 --> 01:32:32,192
[ APPLAUSE ]
1874
01:32:32,192 --> 01:32:35,829
>> THANK YOU.
1875
01:32:35,829 --> 01:32:36,096
THANK YOU.
1876
01:32:36,096 --> 01:32:41,835
THANK YOU, THANK YOU.
1877
01:32:41,835 --> 01:32:44,605
[ APPLAUSE ]
1878
01:32:44,605 --> 01:32:45,539
>> THANK YOU.
1879
01:32:45,539 --> 01:32:47,274
ACADEMY VOTERS, I THANK YOU.
1880
01:32:47,274 --> 01:32:48,909
MY FELLOW NOMINEES, I SALUTE
1881
01:32:48,909 --> 01:32:49,109
YOU.
1882
01:32:49,109 --> 01:32:52,446
THIS IS AN ENORMOUS
HONOR FOR MY
1883
01:32:52,446 --> 01:32:52,679
FAMILY.
1884
01:32:52,679 --> 01:32:54,114
IT'S A GREAT TRIBUTE TO AN
1885
01:32:54,114 --> 01:32:55,849
AMAZING CITY AND FANTASTIC
1886
01:32:55,849 --> 01:32:56,216
PEOPLE.
1887
01:32:56,216 --> 01:32:57,651
I'M ONLY STANDING HERE BECAUSE
1888
01:32:57,651 --> 01:33:03,524
OF THE INCREDIBLE SUPPORT OF
1889
01:33:03,524 --> 01:33:07,161
DANA LANGLEY,
FEARLESS LEADERS,
1890
01:33:07,161 --> 01:33:11,064
JASON CASSIDY, AMAZING TEAM,
1891
01:33:11,064 --> 01:33:13,233
NORTHERN IRELAND SCREEN,
1892
01:33:13,233 --> 01:33:19,907
BRILLIANT UK CAST . .
1893
01:33:19,907 --> 01:33:21,208
THIS STORY IS THE SEARCH FOR
1894
01:33:21,208 --> 01:33:21,508
JOY.
1895
01:33:21,508 --> 01:33:23,343
WE LOST SOME PEOPLE ALONG THE
1896
01:33:23,343 --> 01:33:25,546
WAY.
1897
01:33:25,546 --> 01:33:25,913
JOHNNY SESSIONS.
1898
01:33:25,913 --> 01:33:27,748
WE LOVE THEM.
1899
01:33:27,748 --> 01:33:30,684
WE WILL NEVER
FORGET THEM AND WE
1900
01:33:30,684 --> 01:33:32,486
WILL NEVER FORGET ALL OF THOSE
1901
01:33:32,486 --> 01:33:34,721
LOST IN THE
HEARTBREAKING, HEART
1902
01:33:34,721 --> 01:33:39,893
WARMING HUMAN STORY OF THAT
1903
01:33:39,893 --> 01:33:43,330
AMAZE
1904
01:33:43,330 --> 01:33:46,667
AMAZELINGING CITY
ON THE ISLAND
1905
01:33:46,667 --> 01:33:47,868
OF IRELAND.
1906
01:33:47,868 --> 01:33:48,302
THIS MEANS SO MUCH.
1907
01:33:48,302 --> 01:33:51,905
THANK YOU SO MUCH.
1908
01:33:51,905 --> 01:33:52,739
[ APPLAUSE ]
1909
01:33:52,739 --> 01:33:57,277
♪
1910
01:33:57,277 --> 01:33:58,812
>> PLEASE WELCOME SEAN MENDEZ
1911
01:33:58,812 --> 01:34:08,689
AND TRACEE ELLIS ROSS.
1912
01:34:08,689 --> 01:34:10,624
>> YOU KNOW, MOVIES CAN BE
1913
01:34:10,624 --> 01:34:14,161
ADAPTED FROM MANY SOURCES,
1914
01:34:14,161 --> 01:34:14,795
BOOKS, PLAYS, SONGS.
1915
01:34:14,795 --> 01:34:17,864
>> WHY STOP THERE?
1916
01:34:17,864 --> 01:34:20,334
YOU CAN DO TIKTOK, DANCES,
1917
01:34:20,334 --> 01:34:21,702
RECIPES.
1918
01:34:21,702 --> 01:34:22,269
>> RECIPE?
1919
01:34:22,269 --> 01:34:23,704
>> CAN YOU IMAGINE
THE DEPTH OF
1920
01:34:23,704 --> 01:34:27,007
A SCREEN PLAY ABOUT A WALDORF
1921
01:34:27,007 --> 01:34:27,174
SALAD?
1922
01:34:27,174 --> 01:34:28,775
CAN YOU IMAGINE HOW YOU WOULD
1923
01:34:28,775 --> 01:34:29,843
FIND THE THROUGH LINE?
1924
01:34:29,843 --> 01:34:34,181
HOW WOULD YOU
ADAPT THE CRUNCHY
1925
01:34:34,181 --> 01:34:35,415
SWEET NUANCE BETWEEN THE GRAPE
1926
01:34:35,415 --> 01:34:36,883
AND THE WALL NET?
1927
01:34:36,883 --> 01:34:38,585
>> THE BEST WRITERS
KNOW HOW TO
1928
01:34:38,585 --> 01:34:39,353
DO THAT.
1929
01:34:39,353 --> 01:34:40,554
>> YES, THEY DO.
1930
01:34:40,554 --> 01:34:42,055
>> SHALL WE ANNOUNCE THE
1931
01:34:42,055 --> 01:34:42,322
NOMINEES?
1932
01:34:42,322 --> 01:34:44,291
>> YES, IT SEEMS
LIKE WE'VE SET
1933
01:34:44,291 --> 01:34:46,360
THE TABLE FOR THE TALENT.
1934
01:34:46,360 --> 01:34:50,564
>> HERE ARE THE
NOMINEES FOR THE
1935
01:34:50,564 --> 01:35:00,474
FOR ADAPTED SCREEN PLAY.
1936
01:35:00,474 --> 01:35:05,846
CODA.
1937
01:35:05,846 --> 01:35:11,285
>>> DRIVE MY CAR.
1938
01:35:11,285 --> 01:35:16,523
BASED ON THE STORY OF HARUKE.
1939
01:35:16,523 --> 01:35:27,901
"DO YOU KNOW."
1940
01:35:27,901 --> 01:35:28,068
--
1941
01:35:28,068 --> 01:35:28,568
"DUNE."
1942
01:35:28,568 --> 01:35:33,573
"THE POWER OF THE DOG."
1943
01:35:33,573 --> 01:35:36,076
BASED ON THE BOOK BY THOMAS
1944
01:35:36,076 --> 01:35:36,510
SAVAGE.
1945
01:35:36,510 --> 01:35:39,880
>> ALL RIGHT.
1946
01:35:39,880 --> 01:35:41,848
AND THE OSCAR GOES TO SEAN
1947
01:35:41,848 --> 01:35:46,687
HADER.
1948
01:35:46,687 --> 01:35:47,187
[ CHEERS AND APPLAUSE ]
1949
01:35:47,187 --> 01:35:54,127
>> THIS IS THE FIRST OSCAR AND
1950
01:35:54,127 --> 01:36:05,872
NOMINATION FOR SHAWN HADER.
1951
01:36:05,872 --> 01:36:13,513
♪
1952
01:36:13,513 --> 01:36:17,851
>> OH, MY GOD.
1953
01:36:17,851 --> 01:36:20,587
I'M SO ZADOGLAD
I DRESSED AS A O
1954
01:36:20,587 --> 01:36:22,289
BALL.
1955
01:36:22,289 --> 01:36:23,256
OH, MY GOD.
1956
01:36:23,256 --> 01:36:24,791
THIS WAS AN
INDEPENDENT FILM AND
1957
01:36:24,791 --> 01:36:26,727
IT WAS INCREDIBLY HARD TO GET
1958
01:36:26,727 --> 01:36:26,927
MADE.
1959
01:36:26,927 --> 01:36:29,796
SO I WANT TO THANK MY TEAM,
1960
01:36:29,796 --> 01:36:31,531
DOUG, I WANT TO THANK MY
1961
01:36:31,531 --> 01:36:33,133
PRODUCERS, ALL OF YOU FOR
1962
01:36:33,133 --> 01:36:34,668
BELIEVING IN ME
ON HOW I WANTED
1963
01:36:34,668 --> 01:36:35,869
TO MAKE THIS MOVIE.
1964
01:36:35,869 --> 01:36:37,904
I WANT TO THANK SUN DANCE FOR
1965
01:36:37,904 --> 01:36:40,273
STARTING THIS JOURNEY.
1966
01:36:40,273 --> 01:36:41,174
[ CHEERS AND APPLAUSE ]
1967
01:36:41,174 --> 01:36:45,011
I WANT TO THANK
APPLE FOR BEING
1968
01:36:45,011 --> 01:36:47,547
AMAZING PARTNERS ON THIS RIDE.
1969
01:36:47,547 --> 01:36:50,183
WRITING AND MAKING THIS MOVIE
1970
01:36:50,183 --> 01:36:51,685
WAS TRULY LIFE CHANGING AS AN
1971
01:36:51,685 --> 01:36:53,520
ARTIST AND AS A HUMAN BEING.
1972
01:36:53,520 --> 01:36:56,957
I WANT TO THANK ALL OF MY
1973
01:36:56,957 --> 01:36:57,591
COLLABORATORS IN THE DEAF
1974
01:36:57,591 --> 01:36:59,393
COMMUNITY AND THE
CODA COMMUNITY
1975
01:36:59,393 --> 01:37:02,162
FOR BEING MY TEACHERS.
1976
01:37:02,162 --> 01:37:03,997
ANN AND ALEXANDRIA
FOR BRINGING
1977
01:37:03,997 --> 01:37:11,772
MY WORDS TO LIFE FOR THIS
1978
01:37:11,772 --> 01:37:12,806
CINEMATIC MOVIE.
1979
01:37:12,806 --> 01:37:15,409
DAVE, JOE, OH, MY GOD, DIANE,
1980
01:37:15,409 --> 01:37:17,844
ALL OF YOU.
1981
01:37:17,844 --> 01:37:26,686
MY INCREDIBLE
CAST AMELIA MILEY.
1982
01:37:26,686 --> 01:37:27,320
YOU'RE INCREDIBLE.
1983
01:37:27,320 --> 01:37:29,122
I WANT TO THANK MY REAL LIFE
1984
01:37:29,122 --> 01:37:29,489
FAMILY.
1985
01:37:29,489 --> 01:37:31,725
MY MOM AND DAD ARE HERE.
1986
01:37:31,725 --> 01:37:36,696
[ CHEERS AND APPLAUSE ]
1987
01:37:36,696 --> 01:37:37,831
YOU GUYS ARE ARTISTS.
1988
01:37:37,831 --> 01:37:39,900
YOU MADE ME AN ARTIST.
1989
01:37:39,900 --> 01:37:41,601
YOU MADE ME MAKE THINGS.
1990
01:37:41,601 --> 01:37:42,869
MY HUSBAND DAVID,
I COULDN'T DO
1991
01:37:42,869 --> 01:37:43,904
THIS WITHOUT YOU.
1992
01:37:43,904 --> 01:37:45,405
IT'S SO HARD TO BE A DIRECTOR
1993
01:37:45,405 --> 01:37:47,874
AND A MOM, AND YOU MAKE IT
1994
01:37:47,874 --> 01:37:48,608
POSSIBLE.
1995
01:37:48,608 --> 01:37:52,212
MY KIDS, NICO AND MILO, I LOVE
1996
01:37:52,212 --> 01:37:53,847
YOU SO MUCH.
1997
01:37:53,847 --> 01:37:57,317
I LOVE YOU FOREVER.
1998
01:37:57,317 --> 01:38:15,902
[ CHEERS AND APPLAUSE ]
1999
01:38:15,902 --> 01:38:23,844
♪
2000
01:38:23,844 --> 01:38:29,115
♪
2001
01:38:29,115 --> 01:38:32,185
♪ WHO CARES ABOUT A BIRTHDAY
2002
01:38:32,185 --> 01:38:35,188
♪ TURNING 98
2003
01:38:35,188 --> 01:38:36,957
>> THAT CAME OUT OF YOU.
2004
01:38:36,957 --> 01:38:37,224
>> YEAH.
2005
01:38:37,224 --> 01:38:39,559
>> YOU CAN'T DO THAT, HUH?
2006
01:38:39,559 --> 01:38:39,759
>> NO.
2007
01:38:39,759 --> 01:38:41,862
>> ANYWAY, WE'RE GETTING SIDE
2008
01:38:41,862 --> 01:38:43,096
TRACKED, LOOK.
2009
01:38:43,096 --> 01:38:45,932
>> GIVE ME THAT.
2010
01:38:45,932 --> 01:38:48,268
>> FOCUS ON THE PHOTOGRAPH YOU
2011
01:38:48,268 --> 01:38:49,903
WANT TO TAKE.
2012
01:38:49,903 --> 01:38:53,273
FOCUS ON WHAT YOU WANT TO SAY.
2013
01:38:53,273 --> 01:38:57,911
DO IT NOW.
2014
01:38:57,911 --> 01:39:02,682
>> WHOA, WHERE'S MY TAIL?
2015
01:39:02,682 --> 01:39:03,950
I CAN'T BALANCE
WITHOUT MY TAIL.
2016
01:39:03,950 --> 01:39:08,955
>> YOU BOYS, I ALWAYS ASSUMED
2017
01:39:08,955 --> 01:39:09,890
YOU WERE GIRLS.
2018
01:39:09,890 --> 01:39:12,559
>> WHY WOULD YOU ASSUME THAT?
2019
01:39:12,559 --> 01:39:13,226
>> BECAUSE EVERYONE KNOWS MICE
2020
01:39:13,226 --> 01:39:19,566
ARE GIRLS AND RATS ARE BOYS.
2021
01:39:19,566 --> 01:39:39,853
>> DON'T GO!
2022
01:39:39,853 --> 01:39:51,231
>> HOLD ON!
2023
01:39:51,231 --> 01:39:53,867
>> RAMI MALEK IS NEXT.
2024
01:39:53,867 --> 01:39:54,797
PLUS BILLIE EILISH
PERFORMS, NO
2025
01:39:54,797 --> 01:39:56,302
TIME TO DIE.
2026
01:39:56,302 --> 01:39:58,568
WE REVEAL THE FAN
FAVORITE MOVIE
2027
01:39:58,568 --> 01:39:59,584
OF THE YEAR.
2028
01:39:59,584 --> 01:40:01,911
THE OSCARS RIGHT HERE ON ABC.
2029
01:40:09,978 --> 01:40:11,680
>>> HERE ARE THE NOMINEES FOR
2030
01:40:11,680 --> 01:40:12,814
BEST ORIGINAL SCORE.
2031
01:40:12,814 --> 01:40:18,220
DON'T LOOK UP, BY NICOLAS
2032
01:40:18,220 --> 01:40:18,453
GRATEL.
2033
01:40:18,453 --> 01:40:21,690
DUNE BY HANS ZIMMER.
2034
01:40:21,690 --> 01:40:21,923
ENCANTO.
2035
01:40:21,923 --> 01:40:24,660
PARALLEL MOTHERS.
2036
01:40:24,660 --> 01:40:28,063
THE POWER OF THE DOG BY JOHNNY
2037
01:40:28,063 --> 01:40:28,330
GREENWOOD.
2038
01:40:28,330 --> 01:40:33,535
>>> AND THE OSCAR GOES TO HANS
2039
01:40:33,535 --> 01:40:33,869
ZIMMER, DUNE.
2040
01:40:33,869 --> 01:40:35,804
>> HANS ZIMMER
COULD NOT BE HERE
2041
01:40:35,804 --> 01:40:36,438
TONIGHT.
2042
01:40:36,438 --> 01:40:38,240
HIS OTHER WORLDLY SOUND SCAPE
2043
01:40:38,240 --> 01:40:50,986
FOR DUNE WAS THE DECADE OF --
2044
01:40:50,986 --> 01:40:51,486
WE ACCEPT ON HIS BEHALF.
2045
01:40:51,486 --> 01:40:51,787
[ APPLAUSE ]
2046
01:40:51,787 --> 01:40:53,255
>> YOU'RE GOING
TO BE RICH IN A
2047
01:40:53,255 --> 01:40:55,424
MANSION BY THE TIME YOU'RE 16
2048
01:40:55,424 --> 01:41:00,228
AND YOU'RE GOING TO FORGET ME.
2049
01:41:00,228 --> 01:41:02,731
>> I'M NEVER GOING TO FORGET
2050
01:41:02,731 --> 01:41:02,898
YOU.
2051
01:41:02,898 --> 01:41:04,466
>> STREISAND.
2052
01:41:04,466 --> 01:41:04,700
>> SAM.
2053
01:41:04,700 --> 01:41:07,469
>> I'M GOING TO GET MY LIFE
2054
01:41:07,469 --> 01:41:09,404
TOGETHER.
2055
01:41:09,404 --> 01:41:13,342
>> STREISAND, STREISAND.
2056
01:41:13,342 --> 01:41:17,512
>> PLEASE WELCOME
ACADEMY AWARD
2057
01:41:17,512 --> 01:41:20,282
WINNER ROMMY MALEK.
2058
01:41:20,282 --> 01:41:23,652
>> JAMES BOND FILMS ARE AN
2059
01:41:23,652 --> 01:41:26,455
INDELIBLE PART
OF OUR CINEMATIC
2060
01:41:26,455 --> 01:41:26,688
HISTORY.
2061
01:41:26,688 --> 01:41:28,890
THEY HAVE PRODUCED SIX OSCAR
2062
01:41:28,890 --> 01:41:30,759
NOMINEES INCLUDING THE TITLE
2063
01:41:30,759 --> 01:41:34,696
TRACK FROM OUR
FILM, NO TIME TO
2064
01:41:34,696 --> 01:41:37,165
DIE, WITH THIS
EXQUISITE PIECE,
2065
01:41:37,165 --> 01:41:39,901
THEY'VE CAPTURED THE FILM IN
2066
01:41:39,901 --> 01:41:42,003
WAYS THAT CAN
ONLY BE EXPRESSED
2067
01:41:42,003 --> 01:41:43,405
BY MUSIC.
2068
01:41:43,405 --> 01:41:47,642
PLEASE WELCOME THE FEW
2069
01:41:47,642 --> 01:41:49,711
PHENOMENAL SONG WRITERS WHO
2070
01:41:49,711 --> 01:41:55,650
WROTE IT, BILLIE EILISH AND
2071
01:41:55,650 --> 01:41:55,884
PHINEAS.
2072
01:41:55,884 --> 01:41:58,687
[ APPLAUSE ]
2073
01:41:58,687 --> 01:41:58,887
♪
2074
01:41:58,887 --> 01:42:10,332
♪
2075
01:42:10,332 --> 01:42:23,678
♪ I SHOULD HAVE KNOWN, I LIVE
2076
01:42:23,678 --> 01:42:23,945
ALONE ♪
2077
01:42:23,945 --> 01:42:31,019
♪ JUST GOES TO SHOW THAT THE
2078
01:42:31,019 --> 01:42:35,590
BLOOD YOU BLEED IS JUST THE
2079
01:42:35,590 --> 01:42:36,358
BLOOD YOU ♪
2080
01:42:36,358 --> 01:42:40,562
♪ WAS I STUPID TO KNOW YOU
2081
01:42:40,562 --> 01:42:51,640
♪ WAS I RECKLESS
2082
01:42:51,640 --> 01:43:00,449
♪ THAT I'VE FALLEN FOR --
2083
01:43:00,449 --> 01:43:03,552
♪ YOU WERE NEVER ON MY SIDE
2084
01:43:03,552 --> 01:43:09,825
♪ FOOL ME ONCE, FOOL ME TWICE
2085
01:43:09,825 --> 01:43:18,733
♪ I WILL NEVER SEE YOU CRY
2086
01:43:18,733 --> 01:43:27,609
♪ THERE'S JUST NO TIME TO DIE
2087
01:43:27,609 --> 01:43:33,648
♪ YOU'RE NO LONGER MY CONCERN
2088
01:43:33,648 --> 01:43:38,019
♪ FACES FROM MY PAST RETURN
2089
01:43:38,019 --> 01:43:50,599
♪ ANOTHER LESSON LEARNED
2090
01:43:50,599 --> 01:43:53,902
♪ I'VE FALLEN FOR A LIFE
2091
01:43:53,902 --> 01:43:58,440
♪ YOU WERE NEVER ON MY SIDE
2092
01:43:58,440 --> 01:44:07,182
♪ FOOL ME ONCE, FOOL ME TWICE
2093
01:44:07,182 --> 01:44:09,518
♪ NO, YOU'LL NEVER SEE ME CRY
2094
01:44:09,518 --> 01:44:17,092
♪ THERE'S JUST NO TIME TO DIE
2095
01:44:17,092 --> 01:44:29,204
♪ NO TIME TO DIE
2096
01:44:29,204 --> 01:44:32,807
♪ NO TIME TO DIE
2097
01:44:32,807 --> 01:44:37,245
♪ OOH, OOH, OOH, OOH
2098
01:44:37,245 --> 01:44:43,685
♪ THERE'S JUST NO TIME TO DIE
2099
01:44:43,685 --> 01:44:59,701
[ CHEERS AND APPLAUSE ]
2100
01:44:59,701 --> 01:45:02,404
♪
2101
01:45:02,404 --> 01:45:04,573
>> OUR FINAL EXCITING HOUR
2102
01:45:04,573 --> 01:45:06,341
BEGINS WITH CHRIS ROCK, DIDDY,
2103
01:45:06,341 --> 01:45:08,977
AND KEVIN COST MEREDITH, AND A
2104
01:45:08,977 --> 01:45:10,979
SPECIAL 50th
ANNIVERSARY SALUTE
2105
01:45:10,979 --> 01:45:12,747
TO THE GODFATHER.
2106
01:45:12,747 --> 01:45:15,009
THE OSCARS RIGHT HERE ON ABC.
2107
01:45:32,191 --> 01:45:34,760
>>> FOR ACHIEVEMENT IN FILM
2108
01:45:34,760 --> 01:45:34,994
EDITING.
2109
01:45:34,994 --> 01:45:38,497
DON'T LOOK UP.
2110
01:45:38,497 --> 01:45:39,298
HANK CORWIN.
2111
01:45:39,298 --> 01:45:41,133
DUNE, JOE WALKER.
2112
01:45:41,133 --> 01:45:43,202
KING RICHARD, PAMELA MAR TEN.
2113
01:45:43,202 --> 01:45:51,777
THE POWER OF THE DOG, PETER
2114
01:45:51,777 --> 01:45:52,044
CIBERRAS.
2115
01:45:52,044 --> 01:45:54,947
TICK, TICK...BOOM.
2116
01:45:54,947 --> 01:45:57,516
AND THE OSCAR GOES TO DUNE.
2117
01:45:57,516 --> 01:45:59,652
>> YOU MIGHT NOT
KNOW THE WORDS
2118
01:45:59,652 --> 01:46:00,686
OSCAR NOMINATED CAN BE USED IN
2119
01:46:00,686 --> 01:46:02,455
THE HANDS OF A SKILLED
2120
01:46:02,455 --> 01:46:02,988
17-YEAR-OLD AS AN INSULT.
2121
01:46:02,988 --> 01:46:08,928
[ LAUGHTER ]
2122
01:46:08,928 --> 01:46:10,796
MY DAUGHTER ONCE SAID TO ME IN
2123
01:46:10,796 --> 01:46:13,232
AN ARGUMENT, IT'S
ALL VERY WELL
2124
01:46:13,232 --> 01:46:14,200
FOR YOU, OSCAR-NOMINATED JOE
2125
01:46:14,200 --> 01:46:18,938
WALKER.
2126
01:46:18,938 --> 01:46:25,778
[ APPLAUSE ]
2127
01:46:25,778 --> 01:46:28,881
NOW, NOW, ROSE WITH ALL MY
2128
01:46:28,881 --> 01:46:30,316
HEART, THANK YOU.
2129
01:46:30,316 --> 01:46:30,850
THIS IS A TRIBUTE TO YOU.
2130
01:46:30,850 --> 01:46:31,116
THANK YOU.
2131
01:46:31,116 --> 01:46:32,918
THANK YOU.
2132
01:46:32,918 --> 01:46:40,726
[ APPLAUSE ]
2133
01:46:40,726 --> 01:46:42,928
>>> DON'T MAKE NO NEVER MIND
2134
01:46:42,928 --> 01:46:45,831
WHAT YOU'VE DONE.
2135
01:46:45,831 --> 01:46:47,433
>> YOU HEAR FOOTSTEPS, WE BOTH
2136
01:46:47,433 --> 01:46:48,133
FALL.
2137
01:46:48,133 --> 01:46:49,869
>> WE'VE HAD OUR
SHARE OF SNAKE
2138
01:46:49,869 --> 01:46:50,336
CHARMERS IN THE PAST.
2139
01:46:50,336 --> 01:46:51,637
WE DEAL WITH THEM.
2140
01:46:51,637 --> 01:46:54,940
>> YOU TOOK IT!
2141
01:46:54,940 --> 01:46:58,944
>> SUCH A DISAPPOINTMENT.
2142
01:46:58,944 --> 01:47:03,616
[ APPLAUSE ]
2143
01:47:03,616 --> 01:47:05,818
>> YOU KNOW, WE DIDN'T WANT
2144
01:47:05,818 --> 01:47:08,954
ANYONE TO GO HOME EMPTY-HANDED
2145
01:47:08,954 --> 01:47:10,089
TONIGHT BECAUSE WE THINK THAT
2146
01:47:10,089 --> 01:47:10,723
YOU ARE ALL WINNERS
EVEN THOUGH
2147
01:47:10,723 --> 01:47:14,126
YOU ARE NOT.
2148
01:47:14,126 --> 01:47:14,426
[ LAUGHTER ]
2149
01:47:14,426 --> 01:47:16,562
>> SO WE GOT SOME CONSOLATIONS
2150
01:47:16,562 --> 01:47:18,097
PRIZES BECAUSE
THIS IS GOING TO
2151
01:47:18,097 --> 01:47:19,331
MAKE YOU FEEL BETTER.
2152
01:47:19,331 --> 01:47:21,600
IT'S GONNA MAKE EVERYBODY FEEL
2153
01:47:21,600 --> 01:47:22,768
BETTER A. ABSOLUTELY.
2154
01:47:22,768 --> 01:47:23,802
HERE'S SOMETHING.
2155
01:47:23,802 --> 01:47:24,570
>> WHAT'S THAT?
2156
01:47:24,570 --> 01:47:26,405
>> I HAVE A MOVIE FOR SOMEBODY
2157
01:47:26,405 --> 01:47:27,540
SPECIAL, AND NO ONE HAS EVER
2158
01:47:27,540 --> 01:47:29,108
SEEN THIS MOVIE.
2159
01:47:29,108 --> 01:47:30,342
>> NEVER BEEN SEEN?
2160
01:47:30,342 --> 01:47:32,444
>> IT'S A NEVER
BEEN SEEN MOVIE.
2161
01:47:32,444 --> 01:47:33,212
>> OKAY.
2162
01:47:33,212 --> 01:47:42,655
NOT EVEN BY THE DIRECTOR?
2163
01:47:42,655 --> 01:47:44,957
>> I HAVE NEVER BEEN SEEN, THE
2164
01:47:44,957 --> 01:47:45,958
LAST DUEL.
2165
01:47:45,958 --> 01:47:47,593
>> NEVER BEEN SEEN?
2166
01:47:47,593 --> 01:47:49,361
>> NEVER BEEN SEEN.
2167
01:47:49,361 --> 01:47:50,462
>> I'LL HOLD ON.
2168
01:47:50,462 --> 01:47:52,364
>> YOU HOLD ONTO THAT ONE.
2169
01:47:52,364 --> 01:47:53,232
YOU KNOW WHAT?
2170
01:47:53,232 --> 01:47:54,833
YOU LIKE DEMOCRACY, RIGHT?
2171
01:47:54,833 --> 01:47:56,936
YOU LIKE DEMOCRACY.
2172
01:47:56,936 --> 01:47:59,872
WELL, HERE IS A VOTER
2173
01:47:59,872 --> 01:48:01,106
REGISTRATION FORM
FOR THE STATE
2174
01:48:01,106 --> 01:48:01,640
OF TEXAS.
2175
01:48:01,640 --> 01:48:04,877
OH, BOY, LOOK AT THAT.
2176
01:48:04,877 --> 01:48:05,210
>> NOT AGAIN.
2177
01:48:05,210 --> 01:48:06,946
>> IT COMES PRETTY SHREDDED.
2178
01:48:06,946 --> 01:48:07,813
THERE YOU GO.
2179
01:48:07,813 --> 01:48:08,948
LOOK AT THAT.
2180
01:48:08,948 --> 01:48:13,586
YOU TAKE THAT.
2181
01:48:13,586 --> 01:48:15,487
YOU'RE IN A TEASE, RIGHT?
2182
01:48:15,487 --> 01:48:17,656
>> YEAH.
2183
01:48:17,656 --> 01:48:18,424
>> GUESS WHAT.
2184
01:48:18,424 --> 01:48:22,261
WE GO ON WITH THE S. T. s.
2185
01:48:22,261 --> 01:48:26,932
>> THAT'S GONNA
BE WORTH A LOT.
2186
01:48:26,932 --> 01:48:28,033
>> WHAT YOU GOT?
2187
01:48:28,033 --> 01:48:32,905
>> THERE SHE IS.
2188
01:48:32,905 --> 01:48:34,773
>> DIENG JUDY.
2189
01:48:34,773 --> 01:48:36,508
WE HAVE AN INSPIRATIONAL QUOTE
2190
01:48:36,508 --> 01:48:38,477
FOR YOU BECAUSE YOU DIDN'T WIN
2191
01:48:38,477 --> 01:48:38,711
TONIGHT.
2192
01:48:38,711 --> 01:48:39,378
>> THAT'S RIGHT.
2193
01:48:39,378 --> 01:48:46,952
>> AND THIS IS FROM -- A QUOTE
2194
01:48:46,952 --> 01:48:50,356
FROM KIM--.
2195
01:48:50,356 --> 01:48:52,758
THAT'S WHAT WE NEED YOU TO DO.
2196
01:48:52,758 --> 01:48:53,425
YOU GOT TO MOVE THAT.
2197
01:48:53,425 --> 01:48:57,696
YOU GOT TO MOVE IT.
2198
01:48:57,696 --> 01:48:58,163
[ LAUGHTER ]
2199
01:48:58,163 --> 01:49:00,466
>> LOOK, WE HAVE A NEW LOOK ON
2200
01:49:00,466 --> 01:49:00,666
STAGE.
2201
01:49:00,666 --> 01:49:02,334
WE HAVE A NEW
LOOK ON STAGE PLUS
2202
01:49:02,334 --> 01:49:04,503
OUR MUSIC FOR THE NEXT HOUR IS
2203
01:49:04,503 --> 01:49:10,009
BEING PERFORMED BY THE 2022
2204
01:49:10,009 --> 01:49:13,212
B.B.E. OSCARS ORCHESTRA.
2205
01:49:13,212 --> 01:49:15,014
GIVE IT UP.
2206
01:49:15,014 --> 01:49:17,282
[ APPLAUSE ]
2207
01:49:17,282 --> 01:49:19,485
>> BUT NOW LET'S
PLEASE WELCOME
2208
01:49:19,485 --> 01:49:19,785
CHRIS ROCK.
2209
01:49:19,785 --> 01:49:22,955
>> YES.
2210
01:49:22,955 --> 01:49:30,829
[ APPLAUSE ]
2211
01:49:30,829 --> 01:49:34,667
>> OH, WOW, WHAT A NIGHT.
2212
01:49:34,667 --> 01:49:36,935
EVERYBODY -- NO
ONE'S WEARING A
2213
01:49:36,935 --> 01:49:37,436
MASK.
2214
01:49:37,436 --> 01:49:39,038
JUST BREATHING
RAW DOG TONIGHT.
2215
01:49:39,038 --> 01:49:43,242
[ LAUGHTER ]
2216
01:49:43,242 --> 01:49:49,515
>> WOW!
2217
01:49:49,515 --> 01:49:50,949
MACBETH, LOVED IT.
2218
01:49:50,949 --> 01:49:52,117
[ LAUGHTER ]
2219
01:49:52,117 --> 01:49:54,953
I LOVE THE PART WHERE YOU SAY
2220
01:49:54,953 --> 01:49:58,957
KING LEER DON'T GOT NOTHING ON
2221
01:49:58,957 --> 01:49:59,124
ME.
2222
01:49:59,124 --> 01:50:01,727
Y'ALL GOT TO SEE IT.
2223
01:50:01,727 --> 01:50:02,127
IT'S REALLY GOOD.
2224
01:50:02,127 --> 01:50:06,231
YOU KNOW WHO HAS
THE HARDEST JOB
2225
01:50:06,231 --> 01:50:06,465
TONIGHT?
2226
01:50:06,465 --> 01:50:07,933
JAVIER BARDEM AND HIS WIFE ARE
2227
01:50:07,933 --> 01:50:08,634
BOTH NOMINATED.
2228
01:50:08,634 --> 01:50:15,140
NOW, IF SHE LOSES,
HE CAN'T WIN!
2229
01:50:15,140 --> 01:50:17,710
HE IS PRAYING THAT WILL SMITH
2230
01:50:17,710 --> 01:50:22,214
WINS, LIKE, PLEASE, LORD!
2231
01:50:22,214 --> 01:50:24,550
JADA, I LOVE YOU.
2232
01:50:24,550 --> 01:50:25,818
G.I. JANE 2, CAN'T WAIT TO SEE
2233
01:50:25,818 --> 01:50:32,791
IT.
2234
01:50:32,791 --> 01:50:34,460
THAT WAS A NICE ONE.
2235
01:50:34,460 --> 01:50:34,727
OKAY.
2236
01:50:34,727 --> 01:50:38,297
I'M OUT HERE --
OH, OH, RICHARD!
2237
01:50:38,297 --> 01:50:40,899
[ LAUGHTER ]
2238
01:50:40,899 --> 01:50:41,200
>> OH, WOW.
2239
01:50:41,200 --> 01:51:02,955
WOW.
2240
01:51:02,955 --> 01:51:06,925
--
2241
01:51:06,925 --> 01:51:12,664
>> OH, OKAY.
2242
01:51:12,664 --> 01:51:14,133
>> THAT WAS THE GREATEST NIGHT
2243
01:51:14,133 --> 01:51:14,933
KNIT HISTORY OF TELEVISION.
2244
01:51:14,933 --> 01:51:18,937
OKAY.
2245
01:51:18,937 --> 01:51:21,273
OKAY.
2246
01:51:21,273 --> 01:51:22,875
SO, WE ARE HERE TO GIVE A
2247
01:51:22,875 --> 01:51:24,843
DOCUMENTARY OUT, TO GIVE AN
2248
01:51:24,843 --> 01:51:28,547
OSCAR OUT FOR
BEST DOCUMENTARY.
2249
01:51:28,547 --> 01:51:31,650
NOW, THE BEAUTY OF DOCUM
2250
01:51:31,650 --> 01:51:32,384
DOCUMENTARIES -- BECAUSE WHEN
2251
01:51:32,384 --> 01:51:34,620
YOU WATCH ONE, YOU FEEL SMART.
2252
01:51:34,620 --> 01:51:37,256
LIKE YOU READ A BOOK OR
2253
01:51:37,256 --> 01:51:37,523
SOMETHING.
2254
01:51:37,523 --> 01:51:39,625
BUT ALL YOU REALLY DID WAS GET
2255
01:51:39,625 --> 01:51:40,692
HIGH AND WATCH NETFLIX.
2256
01:51:40,692 --> 01:51:41,026
SO HERE WE GO.
2257
01:51:41,026 --> 01:51:46,932
HERE WE GO.
2258
01:51:46,932 --> 01:51:49,401
THE DOCUMENTARIES
-- LET'S JUST
2259
01:51:49,401 --> 01:51:54,106
GO TO THE NOMINEES.
2260
01:51:54,106 --> 01:51:57,843
ASCENSION, JESSICA KINGDON,
2261
01:51:57,843 --> 01:52:10,455
KIRRA KENNEDY AND
NATHAN TR USDA
2262
01:52:10,455 --> 01:52:10,956
L
2263
01:52:10,956 --> 01:52:12,424
LE.
2264
01:52:12,424 --> 01:52:12,658
ATTICA.
2265
01:52:12,658 --> 01:52:16,795
WE WILL NOT TRY
TO DIE LIKE MEN.
2266
01:52:16,795 --> 01:52:26,905
>> FLEE.
2267
01:52:26,905 --> 01:52:29,675
>>> SUMMER OF SOUL WHEN TE
2268
01:52:29,675 --> 01:52:32,945
REVOLUTION OF TELEVISION COULD
2269
01:52:32,945 --> 01:52:35,247
NOT BE TELEVISED.
2270
01:52:35,247 --> 01:52:37,749
>> I KNEW SOMETHING VERY, VERY
2271
01:52:37,749 --> 01:52:38,750
IMPORTANT WAS HAPPENING IN
2272
01:52:38,750 --> 01:52:40,352
HARLEM THAT DAY.
2273
01:52:40,352 --> 01:52:46,959
IT WASN'T JUST
ABOUT THE MUSIC.
2274
01:52:46,959 --> 01:52:50,929
>> WRITING WITH FIRE.
2275
01:52:50,929 --> 01:52:56,768
[ SPEAKING FOREIGN LANGUAGE ]
2276
01:52:56,768 --> 01:53:01,907
>> AND THE WINNER IS -- OOH, I
2277
01:53:01,907 --> 01:53:07,079
HOPE THIS IS RIGHT.
2278
01:53:07,079 --> 01:53:09,648
SUMMER OF SOUL: WHEN THE
2279
01:53:09,648 --> 01:53:10,148
REVOLUTION COULD NOT BE
2280
01:53:10,148 --> 01:53:17,489
TELEVISED.
2281
01:53:17,489 --> 01:53:18,757
AMIR THOMPSON AND FOUR WHITE
2282
01:53:18,757 --> 01:53:18,957
GUYS.
2283
01:53:18,957 --> 01:53:21,393
>> THIS IS THE FIRST OSCAR AND
2284
01:53:21,393 --> 01:53:23,862
NOMINATION FOR AMIR THOMPSON,
2285
01:53:23,862 --> 01:53:30,936
JOSEPH PATEL,
ROBERT, AND DAVID.
2286
01:53:30,936 --> 01:53:32,938
♪
2287
01:53:32,938 --> 01:53:50,889
[ APPLAUSE ]
2288
01:53:50,889 --> 01:53:54,860
>> OH, MY GOD.
2289
01:53:54,860 --> 01:53:55,627
THANK YOU.
2290
01:53:55,627 --> 01:53:58,931
HEY, REAL QUICK, REAL QUICK,
2291
01:53:58,931 --> 01:54:00,165
FIRST I WOULD LIKE TO
2292
01:54:00,165 --> 01:54:05,304
ACKNOWLEDGE ATTICA, ASCENSION
2293
01:54:05,304 --> 01:54:06,471
AND FLEE AND WRITING WITH FIRE
2294
01:54:06,471 --> 01:54:08,607
FOR THEIR POWERFUL WORK.
2295
01:54:08,607 --> 01:54:12,678
IT'S NOT LOST ON ME THAT THE
2296
01:54:12,678 --> 01:54:14,146
STORY OF THE HARLEM CULTURAL
2297
01:54:14,146 --> 01:54:15,681
FESTIVAL SHOULD HAVE BEEN
2298
01:54:15,681 --> 01:54:20,953
SOMETHING THAT MY BEAUTIFUL
2299
01:54:20,953 --> 01:54:23,622
MOTHER, MY DAD
SHOULD HAVE TAKEN
2300
01:54:23,622 --> 01:54:26,992
ME TO WHEN I WAS 5 YEARS OLD.
2301
01:54:26,992 --> 01:54:28,327
AND THIS IS SUCH A STUNNING
2302
01:54:28,327 --> 01:54:30,262
MOMENT FOR ME RIGHT NOW.
2303
01:54:30,262 --> 01:54:34,599
BUT THIS IS NOT ABOUT ME, THIS
2304
01:54:34,599 --> 01:54:37,569
IS ABOUT THE PEOPLE IN HARLEM
2305
01:54:37,569 --> 01:54:40,105
THAT NEEDED TO HEAL FROM PAIN.
2306
01:54:40,105 --> 01:54:42,908
AND JUST KNOW
THAT IN 2022, YOU
2307
01:54:42,908 --> 01:54:46,945
KNOW, THIS IS NOT JUST A 1969
2308
01:54:46,945 --> 01:54:48,080
STORY ABOUT
MARGINALIZED PEOPLE
2309
01:54:48,080 --> 01:54:48,880
IN HARLEM.
2310
01:54:48,880 --> 01:54:53,685
THIS IS A STORY OF, OF -- I'M
2311
01:54:53,685 --> 01:54:54,252
SORRY, I'M JUST OVERWHELMED
2312
01:54:54,252 --> 01:54:56,154
RIGHT NOW.
2313
01:54:56,154 --> 01:55:06,231
>> THAT'S ALL RIGHT.
2314
01:55:06,231 --> 01:55:08,333
>> I'M GONNA GET
MYSELF TOGETHER
2315
01:55:08,333 --> 01:55:09,735
AND I'LL THANK EVERYONE PROPER
2316
01:55:09,735 --> 01:55:10,902
WHEN I GET OFF STAGE.
2317
01:55:10,902 --> 01:55:13,872
BUT ON BEHALF OF HULU, THE
2318
01:55:13,872 --> 01:55:19,077
BEAUTIFUL WOMEN OF ONYX,
2319
01:55:19,077 --> 01:55:22,381
CONCORDIA AND PLAY ACTION AND
2320
01:55:22,381 --> 01:55:25,751
RDICAL MEDIA, ON BEHALF OF
2321
01:55:25,751 --> 01:55:27,019
JOSEPH AND -- I'M
SO HAPPY RIGHT
2322
01:55:27,019 --> 01:55:28,153
NOW I COULD CRY.
2323
01:55:28,153 --> 01:55:30,956
THANK YOU.
2324
01:55:30,956 --> 01:55:32,958
[ CHEERS AND APPLAUSE ]
2325
01:55:32,958 --> 01:55:52,110
♪
2326
01:55:52,110 --> 01:55:54,946
>> PLEASE WELCOME SEAN "DIDDY"
2327
01:55:54,946 --> 01:56:00,685
COMBS.
2328
01:56:00,685 --> 01:56:03,622
>> I JUST WANT TO SAY, LET'S
2329
01:56:03,622 --> 01:56:14,166
MAKE SOME NOISE
FOR AMY, REGINA,
2330
01:56:14,166 --> 01:56:14,366
WANDA.
2331
01:56:14,366 --> 01:56:14,666
[ APPLAUSE ]
2332
01:56:14,666 --> 01:56:17,702
GOT TO GIVE IT UP FOR WANDA.
2333
01:56:17,702 --> 01:56:19,304
I DID NOT KNOW THAT THIS YEAR
2334
01:56:19,304 --> 01:56:22,941
WAS GOING TO BE THE MOST
2335
01:56:22,941 --> 01:56:25,444
EXCITING OSCARS EVER.
2336
01:56:25,444 --> 01:56:25,744
[ LAUGHTER ]
2337
01:56:25,744 --> 01:56:26,945
OKAY, WILL AND CHRIS, WE'RE
2338
01:56:26,945 --> 01:56:29,281
GOING TO SOLVE
THAT LIKE FAMILY
2339
01:56:29,281 --> 01:56:31,249
AT THE GOLD PARTY, OKAY.
2340
01:56:31,249 --> 01:56:33,852
BUT RIGHT NOW WE'RE MOVING ON
2341
01:56:33,852 --> 01:56:36,188
WITH LOVE.
2342
01:56:36,188 --> 01:56:39,091
EVERYBODY MAKE SOME NOISE.
2343
01:56:39,091 --> 01:56:42,461
[ APPLAUSE ]
2344
01:56:42,461 --> 01:56:43,462
BUT CHECK THIS OUT.
2345
01:56:43,462 --> 01:56:44,930
TONIGHT I'M SO EXCITED TO BE A
2346
01:56:44,930 --> 01:56:48,467
PART OF THIS HISTORIC MOMENT.
2347
01:56:48,467 --> 01:56:51,002
I'M A TRUE MOVIE
LOVER AND I'VE
2348
01:56:51,002 --> 01:56:53,738
WATCHED THESE
FILMS HUNDREDS OF
2349
01:56:53,738 --> 01:56:53,939
TIMES.
2350
01:56:53,939 --> 01:56:56,908
AND LIKE SO MANY
ARTISTS, I WAS
2351
01:56:56,908 --> 01:56:58,510
DEEPLY INFLUENCED BY THE THEME
2352
01:56:58,510 --> 01:57:06,952
SO BRILLIANTLY DISPLAYED IN
2353
01:57:06,952 --> 01:57:14,059
FRANCIS FORD
COPPILA'S GODFATHER
2354
01:57:14,059 --> 01:57:14,459
TRILOGY.
2355
01:57:14,459 --> 01:57:15,727
THEMES THAT ARE UNIVERSAL AS
2356
01:57:15,727 --> 01:57:18,130
THEY TRANSCEND
ALL CULTURES, THE
2357
01:57:18,130 --> 01:57:21,967
DESIRE FOR RESPECT AND
2358
01:57:21,967 --> 01:57:25,036
LEGITIMACY, LOYALTY OVER
2359
01:57:25,036 --> 01:57:27,572
BETRAYAL, OVERCOMING ALL THE
2360
01:57:27,572 --> 01:57:29,741
ODDS IN PURSUIT OF POWER.
2361
01:57:29,741 --> 01:57:32,944
BUT MOST IMPORTANTLY,
THE VALUE
2362
01:57:32,944 --> 01:57:37,115
OF FAMILY AND COMMUNITY.
2363
01:57:37,115 --> 01:57:40,418
TONIGHT WE PAY TRIBUTE TO AN
2364
01:57:40,418 --> 01:57:42,788
UNDENIABLE CLASSIC, "THE
2365
01:57:42,788 --> 01:57:44,787
GODFATHER," ON HIS 50th
2366
01:57:44,787 --> 01:57:46,689
ANNIVERSARY.
2367
01:57:46,689 --> 01:57:54,931
[ APPLAUSE ]
2368
01:57:54,931 --> 01:57:55,932
>> DON'T EVER
TAKE SIDES AGAINST
2369
01:57:55,932 --> 01:58:00,904
THE FAMILY AGAIN.
2370
01:58:00,904 --> 01:58:04,540
>> IT WAS ONLY BUSINESS.
2371
01:58:04,540 --> 01:58:10,513
>> I SPENT MY
LIFE PROTECTING MY
2372
01:58:10,513 --> 01:58:10,747
FAMILY.
2373
01:58:10,747 --> 01:58:12,115
YOU WILL NOT GIVE.
2374
01:58:12,115 --> 01:58:12,482
I DON'T TAKE.
2375
01:58:12,482 --> 01:58:14,083
>> JUST WHEN I THOUGHT I WAS
2376
01:58:14,083 --> 01:58:17,887
OUT, THEY PUT ME BACK IN.
2377
01:58:17,887 --> 01:58:18,054
♪
2378
01:58:18,054 --> 01:58:21,958
♪ WAIT TILL I GET MY MONEY
2379
01:58:21,958 --> 01:58:24,193
>> WHAT ARE YOU GONNA DO?
2380
01:58:24,193 --> 01:58:25,828
>> DON'T WANT TO
GET MIXED UP IN
2381
01:58:25,828 --> 01:58:32,669
THE FAMILY BUSINESS?
2382
01:58:32,669 --> 01:58:34,470
♪
2383
01:58:34,470 --> 01:58:37,874
♪ WHAT YOU WANNA DO
2384
01:58:37,874 --> 01:58:39,976
>> I'M GONNA MAKE AN OFFER YOU
2385
01:58:39,976 --> 01:58:42,745
CAN'T REFUSE.
2386
01:58:42,745 --> 01:58:47,850
>> NOW, LADIES AND GENTLEMEN,
2387
01:58:47,850 --> 01:58:52,689
FRANCIS FORD COPALA, ROBERT
2388
01:58:52,689 --> 01:59:00,663
DeNIRO AND AL PACINO.
2389
01:59:00,663 --> 01:59:28,391
[ CHEERS AND APPLAUSE ]
2390
01:59:28,391 --> 01:59:29,559
>> I THINK I FEEL MOMENTS LIKE
2391
01:59:29,559 --> 01:59:31,327
THIS SHOULD BE SINCERE AND
2392
01:59:31,327 --> 01:59:34,197
BRIEF, AND I'M
SO GRATEFUL TO MY
2393
01:59:34,197 --> 01:59:35,732
TWO WONDERFUL FRIENDS WHO HAVE
2394
01:59:35,732 --> 01:59:39,235
COME HERE TO HELP ME CELEBRATE
2395
01:59:39,235 --> 01:59:41,137
WITH YOU THIS PROJECT THAT WE
2396
01:59:41,137 --> 01:59:44,240
BEGAN 50 YEARS AGO WITH REALLY
2397
01:59:44,240 --> 01:59:45,508
THE MOST EXTRAORDINARY
2398
01:59:45,508 --> 01:59:48,678
COLLABORATORS, MANY OF THEM
2399
01:59:48,678 --> 01:59:48,911
LEGENDS.
2400
01:59:48,911 --> 01:59:51,414
AND SO MANY OF
THEM THAT I CAN'T
2401
01:59:51,414 --> 01:59:53,616
TAKE THE TIME TO
LIST THEM ALL,
2402
01:59:53,616 --> 01:59:54,984
BUT YOU KNOW THEM ALL WELL.
2403
01:59:54,984 --> 01:59:58,221
SO I'M GOING TO
ONLY THANK TWO,
2404
01:59:58,221 --> 02:00:00,690
BUT FROM THE
BOTTOM OF MY HEART.
2405
02:00:00,690 --> 02:00:04,160
ONE IS A COLLABORATOR
WHO HAS --
2406
02:00:04,160 --> 02:00:05,128
I THANK MANY TIMES.
2407
02:00:05,128 --> 02:00:07,430
ANY TIME YOU SEE THE NAME "THE
2408
02:00:07,430 --> 02:00:08,664
GODFATHER," HIS NAME IS ABOVE
2409
02:00:08,664 --> 02:00:10,833
THE TITLE, MARIO PUZZO.
2410
02:00:10,833 --> 02:00:16,472
[ APPLAUSE ]
2411
02:00:16,472 --> 02:00:18,808
AND ANOTHER, AND
ANOTHER I NEVER
2412
02:00:18,808 --> 02:00:21,244
THANKED, BUT THE TIME IS DUE
2413
02:00:21,244 --> 02:00:24,380
THAT I DO BECAUSE IT WAS HIS
2414
02:00:24,380 --> 02:00:26,015
PARTICIPATION AND
HIS DECISIONS
2415
02:00:26,015 --> 02:00:28,184
AT THE END THAT MADE IT
2416
02:00:28,184 --> 02:00:28,451
POSSIBLE.
2417
02:00:28,451 --> 02:00:31,120
ROBERT EVANS.
2418
02:00:31,120 --> 02:00:36,125
[ APPLAUSE ]
2419
02:00:36,125 --> 02:00:40,663
SO THANK YOU, THANK YOU, AND
2420
02:00:40,663 --> 02:00:42,131
VIVA UKRAINE.
2421
02:00:42,131 --> 02:00:44,667
>> VIVA UKRAINE.
2422
02:00:44,667 --> 02:00:48,671
>> THANK YOU.
2423
02:00:48,671 --> 02:00:59,377
♪
2424
02:00:59,377 --> 02:01:01,198
>> ZOE KRAVITZ,
JAKE GYLLENHAAL
2425
02:01:01,198 --> 02:01:09,479
AND A TRIBUTE TO THOSE WE LOST
2426
02:01:24,286 --> 02:01:26,692
>>> IT WAS THE
FIRST AND FAR TOO
2427
02:01:26,692 --> 02:01:28,667
LONG THE ONLY BLACK MAN TO WIN
2428
02:01:28,667 --> 02:01:30,669
AN OSCAR FOR BEST ACSTORE.
2429
02:01:30,669 --> 02:01:32,438
WHEN HE STOOD ON THE STAGE HE
2430
02:01:32,438 --> 02:01:35,240
DID MORE THAN
SHATTER A BARRIER.
2431
02:01:35,240 --> 02:01:36,875
HE DID MORE FOR ALL WHO CAME
2432
02:01:36,875 --> 02:01:37,876
BEFORE HIM AND SPARKED THE
2433
02:01:37,876 --> 02:01:42,014
DREAMS OF ALL WHO FOLLOWED.
2434
02:01:42,014 --> 02:01:50,389
TO QUOTE MR.
PORTIER HIMSELF, I
2435
02:01:50,389 --> 02:01:52,825
WOULD NOT BE HERE WITHOUT
2436
02:01:52,825 --> 02:01:53,225
SYDNEY.
2437
02:01:53,225 --> 02:01:57,196
ALL OF US ARE HONORED TO BE
2438
02:01:57,196 --> 02:01:57,629
INSPIRED BY HIM.
2439
02:01:57,629 --> 02:01:58,230
TO YOU, SIR, WITH ALL OF OUR
2440
02:01:58,230 --> 02:02:06,004
LOVE.
2441
02:02:06,004 --> 02:02:10,175
♪
2442
02:02:10,175 --> 02:02:11,710
♪ DO REMEMBER ME
2443
02:02:11,710 --> 02:02:24,823
♪ DON'T LET YOUR LIFE PASS YOU
2444
02:02:24,823 --> 02:02:25,023
BY ♪
2445
02:02:25,023 --> 02:02:28,393
♪ THE MEMORY
2446
02:02:28,393 --> 02:02:38,203
♪ OOH, OOH, OOH, OOH
2447
02:02:38,203 --> 02:02:53,552
♪ DON'T LET LIFE PASS YOU BY
2448
02:02:53,552 --> 02:03:03,996
♪ AH, AH, AH
2449
02:03:03,996 --> 02:03:04,363
♪ AH, AH, AH
2450
02:03:04,363 --> 02:03:17,976
♪
2451
02:03:17,976 --> 02:03:20,012
♪
2452
02:03:20,012 --> 02:03:26,451
>> WHEN IVAN REITMAN WAS A
2453
02:03:26,451 --> 02:03:28,353
CHILD, HIS PARENTS GAVE HIM A
2454
02:03:28,353 --> 02:03:29,988
SLEEPING PILL AND WRAPPED HIM
2455
02:03:29,988 --> 02:03:35,727
AND PUT HIM IN A
BOAT TO ESCAPE
2456
02:03:35,727 --> 02:03:36,094
CZECHOSLOVAKIA.
2457
02:03:36,094 --> 02:03:41,967
HE GREW UP, MARRIED, AND MADE
2458
02:03:41,967 --> 02:03:42,267
MOVIES, TOO.
2459
02:03:42,267 --> 02:03:48,006
IVAN, I LOVE YOUR WORK.
2460
02:03:48,006 --> 02:03:59,585
♪
2461
02:03:59,585 --> 02:04:03,989
♪ WHEN I DIE AND YOU LAY ME TO
2462
02:04:03,989 --> 02:04:04,223
REST ♪
2463
02:04:04,223 --> 02:04:09,928
♪ GONNA LAY ME
DOWN IN THE PLACE
2464
02:04:09,928 --> 02:04:10,429
THAT'S THE BEST ♪
2465
02:04:10,429 --> 02:04:22,808
♪ GOING UP TO THE
SPIRIT IN THE
2466
02:04:22,808 --> 02:04:24,009
SKY ♪
2467
02:04:24,009 --> 02:04:29,514
♪ GOING TO THE
PLACE THAT'S THE
2468
02:04:29,514 --> 02:04:29,748
BEST ♪
2469
02:04:29,748 --> 02:04:29,915
♪
2470
02:04:29,915 --> 02:04:30,082
♪
2471
02:04:30,082 --> 02:04:42,628
♪
2472
02:04:42,628 --> 02:04:45,564
♪ HEAVEN, HEAVEN, I'M GOING
2473
02:04:45,564 --> 02:04:45,897
THERE ♪
2474
02:04:45,897 --> 02:04:50,135
♪ OH, HEAVEN,
HEAVEN, I'M GOING
2475
02:04:50,135 --> 02:04:50,369
THERE ♪
2476
02:04:50,369 --> 02:04:52,204
♪ I'M GOING THERE
2477
02:04:52,204 --> 02:04:54,506
♪ ONE DAY THE LORD WILL CRACK
2478
02:04:54,506 --> 02:04:55,073
THE SKIES ♪
2479
02:04:55,073 --> 02:04:57,175
♪ I'M GOING TO A HOME ON HIGH
2480
02:04:57,175 --> 02:04:58,644
♪ TO A CITY
2481
02:04:58,644 --> 02:05:00,846
♪ TO A CITY CALLED HEAVEN
2482
02:05:00,846 --> 02:05:02,614
♪ I'M GOING THERE
2483
02:05:02,614 --> 02:05:04,683
♪ OH, I'M GOING THERE
2484
02:05:04,683 --> 02:05:06,852
♪ I'M GOING THERE
2485
02:05:06,852 --> 02:05:09,021
♪ I CAN'T WAIT TO GET TO
2486
02:05:09,021 --> 02:05:09,321
HEAVEN ♪
2487
02:05:09,321 --> 02:05:11,657
♪ ARE YOU GOING THERE
2488
02:05:11,657 --> 02:05:13,925
♪ I'M GOING THERE
2489
02:05:13,925 --> 02:05:17,062
♪ DON'T YOU WANT
TO GO TO A CITY
2490
02:05:17,062 --> 02:05:17,996
CALLED HEAVEN ♪
2491
02:05:17,996 --> 02:05:21,366
♪ I'M GOING THERE
2492
02:05:21,366 --> 02:05:21,833
♪ I'M GOING THERE
2493
02:05:21,833 --> 02:05:25,704
♪
2494
02:05:25,704 --> 02:05:30,876
[ APPLAUSE ]
2495
02:05:30,876 --> 02:05:32,644
>> SHE WAS NOT ONLY A GOLDEN
2496
02:05:32,644 --> 02:05:35,180
GIRL, SHE WAS A LEGEND WHO
2497
02:05:35,180 --> 02:05:38,250
BRIGHTENED EVERY
ROOM SHE WALKED
2498
02:05:38,250 --> 02:05:38,850
IN AND BROUGHT A SMILE TO THE
2499
02:05:38,850 --> 02:05:39,618
FACES OF ALL WHO
WATCHED HER ON
2500
02:05:39,618 --> 02:05:40,419
THE SCREEN.
2501
02:05:40,419 --> 02:05:41,953
AND DAY IN AND DAY OUT FOR
2502
02:05:41,953 --> 02:05:45,590
ALMOST A CENTURY, SHE WAS A
2503
02:05:45,590 --> 02:05:46,958
WOMAN WHO CARED
SO MUCH FOR NOT
2504
02:05:46,958 --> 02:05:49,061
JUST HER TWO-LEGGED
FRIENDS, BUT
2505
02:05:49,061 --> 02:05:52,631
FOR ANIMALS JUST LIKE THIS.
2506
02:05:52,631 --> 02:05:55,634
SO, THE GREATEST
GIFT YOU COULD
2507
02:05:55,634 --> 02:05:57,469
GIVE BETTY WHITE WAS TO OPEN
2508
02:05:57,469 --> 02:05:58,770
YOUR HEART AND YOUR ARMS AND
2509
02:05:58,770 --> 02:06:03,041
ADOPT A RESCUE
DOG LIKE MAC AND
2510
02:06:03,041 --> 02:06:05,243
CHEESE FROM PAW WORKS.
2511
02:06:05,243 --> 02:06:06,745
THANK YOU, BET I, FOR BEING A
2512
02:06:06,745 --> 02:06:14,353
FRIEND TO US ALL.
2513
02:06:14,353 --> 02:06:15,987
[ APPLAUSE ]
2514
02:06:15,987 --> 02:06:16,154
♪
2515
02:06:16,154 --> 02:06:30,035
♪
2516
02:06:30,035 --> 02:06:47,986
♪
2517
02:06:47,986 --> 02:06:50,288
♪
2518
02:06:50,288 --> 02:06:53,091
>> FRIENDS, FAMILY, PEERS,
2519
02:06:53,091 --> 02:06:54,793
PEOPLE, WE ALL KNOW THERE WILL
2520
02:06:54,793 --> 02:06:55,994
BE LOSS.
2521
02:06:55,994 --> 02:06:58,130
OUR MINDS AND HEARTS OFTEN
2522
02:06:58,130 --> 02:06:59,765
REFUSE TO RECONCILE.
2523
02:06:59,765 --> 02:07:02,367
HERE IS WHERE WE
MUST HONOR THE
2524
02:07:02,367 --> 02:07:03,335
LEGACIES, THE MOMENTS THAT
2525
02:07:03,335 --> 02:07:06,571
TICKLED US AND REMINDED US OF
2526
02:07:06,571 --> 02:07:06,805
US.
2527
02:07:06,805 --> 02:07:11,042
HERE IS WHERE WE CELEBRATE THE
2528
02:07:11,042 --> 02:07:12,644
LIGHTS, WHERE WE
SAY THEIR NAMES
2529
02:07:12,644 --> 02:07:13,478
AND WE CLAP OUR HANDS IN
2530
02:07:13,478 --> 02:07:14,633
GRATITUDE.
2531
02:07:14,633 --> 02:07:18,871
COME ON.
2532
02:07:18,871 --> 02:07:31,884
[ APPLAUSE ]
2533
02:07:52,485 --> 02:07:53,680
>>> HERE ARE THE NOMINEES FOR
2534
02:07:53,680 --> 02:07:56,984
ACHIEVEMENT IN PRODUCTION
2535
02:07:56,984 --> 02:07:57,851
DESIGN.
2536
02:07:57,851 --> 02:08:01,755
DUNE, PRODUCTION DESIGN BY
2537
02:08:01,755 --> 02:08:03,924
PATRICE BURNETT.
2538
02:08:03,924 --> 02:08:08,061
NIGHTMARE ALLEY.
2539
02:08:08,061 --> 02:08:12,833
THE POWER OF THE DOG.
2540
02:08:12,833 --> 02:08:18,071
THE TRAGEDY OF MACBETH.
2541
02:08:18,071 --> 02:08:26,079
"WEST SIDE STORY."
2542
02:08:26,079 --> 02:08:32,519
AND THE OSCAR GOES TO DUNE.
2543
02:08:32,519 --> 02:08:35,255
>> THANK YOU FOR
ALLOWING US TO
2544
02:08:35,255 --> 02:08:36,990
DREAM, AND THANK
YOU FOR BEING A
2545
02:08:36,990 --> 02:08:37,758
GREAT FRIEND.
2546
02:08:37,758 --> 02:08:40,027
I OWE THIS TO YOU.
2547
02:08:40,027 --> 02:08:42,062
THANK YOU.
2548
02:08:42,062 --> 02:08:45,199
>> I'M SUCH A CRY BABY, I'M
2549
02:08:45,199 --> 02:08:45,399
SORRY.
2550
02:08:45,399 --> 02:08:46,633
IT MEANS AN AWFUL LOT.
2551
02:08:46,633 --> 02:08:48,769
I JUST WANT TO THANK EVERYONE,
2552
02:08:48,769 --> 02:08:52,039
MY TEAM AND EVERYONE WHO
2553
02:08:52,039 --> 02:08:54,308
PARTICIPATED, AND FOR THE
2554
02:08:54,308 --> 02:08:55,576
OPPORTUNITY.
2555
02:08:55,576 --> 02:08:57,044
THANK YOU.
2556
02:08:57,044 --> 02:09:01,748
>> AND SPECIAL, THANK YOU TO
2557
02:09:01,748 --> 02:09:06,019
JOHN, MY FRIEND.
2558
02:09:06,019 --> 02:09:08,021
>> WHEN MY FATHER PASSED, I
2559
02:09:08,021 --> 02:09:09,523
WANTED NOTHING MORE THAN MY
2560
02:09:09,523 --> 02:09:11,291
MOTHER'S HAPPINESS.
2561
02:09:11,291 --> 02:09:18,265
>> WE WERE MARRIED ED SOME.
2562
02:09:18,265 --> 02:09:19,733
>> I'M NOT YOUR BROTHER.
2563
02:09:19,733 --> 02:09:22,336
YOU'RE A CHEAP SCHEMER.
2564
02:09:22,336 --> 02:09:24,204
>> THAT'S ENOUGH, PHIL.
2565
02:09:24,204 --> 02:09:26,673
>> WHAT KIND OF MAN WOULD I BE
2566
02:09:26,673 --> 02:09:28,775
IF I DIDN'T HELP MY MOTHER?
2567
02:09:28,775 --> 02:09:32,312
>> AND NOW PLEASE WELCOME ZOE
2568
02:09:32,312 --> 02:09:37,517
KRAVITZ AND AWARD NOMINEE JAKE
2569
02:09:37,517 --> 02:09:38,619
GYLLENHAAL.
2570
02:09:38,619 --> 02:09:43,724
[ APPLAUSE ]
2571
02:09:43,724 --> 02:09:52,766
>> FROM THE ENNISTENNIS COURTS
2572
02:09:52,766 --> 02:09:55,602
COMPTON TO THE ELITE REALM OF
2573
02:09:55,602 --> 02:09:57,304
INTERNATIONAL ESPIONAGE, THOSE
2574
02:09:57,304 --> 02:09:58,338
COMPOSITIONS -- THESE
2575
02:09:58,338 --> 02:09:59,640
COMPOSITIONS TOOK US ON DEEPLY
2576
02:09:59,640 --> 02:10:02,576
HUMAN JOURNEYS
AROUND THE WORLD.
2577
02:10:02,576 --> 02:10:05,712
>> THEY ARE POWERFUL AND
2578
02:10:05,712 --> 02:10:07,981
ENGAGING, MOTIFS COMBINED WITH
2579
02:10:07,981 --> 02:10:08,849
INSTRUMENTAL STORYTELLING,
2580
02:10:08,849 --> 02:10:10,083
TOUCHED OUR SOULS.
2581
02:10:10,083 --> 02:10:12,019
EACH PIECE CREATED
AN EMOTIONAL
2582
02:10:12,019 --> 02:10:12,819
EXPERIENCE THAT
WILL REMAIN WITH
2583
02:10:12,819 --> 02:10:15,656
US LONG AFTER THE
FINAL CREDITS.
2584
02:10:15,656 --> 02:10:16,189
HERE ARE THE NOMINEES FOR
2585
02:10:16,189 --> 02:10:20,527
ORIGINAL SONG.
2586
02:10:20,527 --> 02:10:35,909
>>> BE ALIVE FROM
KING RICHARD.
2587
02:10:35,909 --> 02:10:39,146
"DOS ORUGUITAS."
2588
02:10:39,146 --> 02:10:45,953
"DOWN TO JOY."
2589
02:10:45,953 --> 02:10:49,690
"NO TIME TO DIE" FROM "NO TIME
2590
02:10:49,690 --> 02:10:57,731
TO DIE."
2591
02:10:57,731 --> 02:11:04,037
SOME SOMEHOW Y
2592
02:11:04,037 --> 02:11:08,041
"SOMEHOW YOU DO."
2593
02:11:08,041 --> 02:11:14,915
>> AND THE OSCAR GOES TO --
2594
02:11:14,915 --> 02:11:21,989
>> BILLIE EILISH.
2595
02:11:21,989 --> 02:11:24,024
>> THIS IS THE FIRST OSCAR AND
2596
02:11:24,024 --> 02:11:25,659
NOMINATION FOR THE BROTHER AND
2597
02:11:25,659 --> 02:11:27,995
SISTER TEAM OF
BILLIE EILISH AND
2598
02:11:27,995 --> 02:11:48,048
FINNEAS O'CONNELL.
2599
02:11:48,048 --> 02:11:55,422
[ CHEERS AND APPLAUSE ]
2600
02:11:55,422 --> 02:11:57,724
>> THANK YOU.
2601
02:11:57,724 --> 02:11:58,091
>> WHOA!
2602
02:11:58,091 --> 02:12:03,630
OH, MY GOD!
2603
02:12:03,630 --> 02:12:06,767
OH, MY GOSH.
2604
02:12:06,767 --> 02:12:09,069
THIS IS SO -- I COULD SCREAM.
2605
02:12:09,069 --> 02:12:13,206
THANK YOU TO OUR 007 FAMILY,
2606
02:12:13,206 --> 02:12:18,045
BUBBA BROCCOLI MICHAEL, MGM,
2607
02:12:18,045 --> 02:12:22,883
KERI, DANIEL
CRAIG, HAWAIN ZIMM
2608
02:12:22,883 --> 02:12:25,452
WHO IS NOT HERE, STEVEN LIPSON
2609
02:12:25,452 --> 02:12:28,021
FOR TAKING OUR SONG AND MAKING
2610
02:12:28,021 --> 02:12:29,990
IT WORTHY OF JAMES BOND.
2611
02:12:29,990 --> 02:12:31,091
WE LOVE YOU SO MUCH.
2612
02:12:31,091 --> 02:12:37,264
AND THANK YOU TO TONY SIGHLER,
2613
02:12:37,264 --> 02:12:37,564
WE LOVE YOU.
2614
02:12:37,564 --> 02:12:39,366
>> LASTLY, WE
WANT TO THANK OUR
2615
02:12:39,366 --> 02:12:41,201
PARENTS WHO HAVE
ALWAYS BEEN OUR
2616
02:12:41,201 --> 02:12:43,437
BIGGEST INSPIRATIONS
AND HEROES.
2617
02:12:43,437 --> 02:12:45,205
WE LOVE YOU AS PARENTS, AND WE
2618
02:12:45,205 --> 02:12:47,741
LOVE YOU AS REAL PEOPLE, TOO.
2619
02:12:47,741 --> 02:12:48,041
[ LAUGHTER ]
2620
02:12:48,041 --> 02:12:49,342
THANK YOU SO MUCH TO THE
2621
02:12:49,342 --> 02:12:49,576
ACADEMY.
2622
02:12:49,576 --> 02:12:51,812
WE PROMISE NOT TO LOSE THESE.
2623
02:12:51,812 --> 02:13:02,355
[ CHEERS AND APPLAUSE ]
2624
02:13:02,355 --> 02:13:12,632
♪
2625
02:13:12,632 --> 02:13:16,036
>> PLEASE WELCOME
ACADEMY AWARD
2626
02:13:16,036 --> 02:13:21,108
WINNER KEVIN COSTNER.
2627
02:13:21,108 --> 02:13:25,345
[ APPLAUSE ]
2628
02:13:25,345 --> 02:13:32,018
>> GOOD EVENING.
2629
02:13:32,018 --> 02:13:36,389
YOU KNOW, ABOUT
A HALF MILE FROM
2630
02:13:36,389 --> 02:13:39,926
HERE I SAW MY
FIRST FULL-LENGTH
2631
02:13:39,926 --> 02:13:40,227
ADULT MOVIE.
2632
02:13:40,227 --> 02:13:44,865
[ LAUGHTER ]
2633
02:13:44,865 --> 02:13:45,999
I DON'T KNOW WHAT YOU'RE
2634
02:13:45,999 --> 02:13:47,534
THINKING, BUT I
WAS 7 YEARS OLD
2635
02:13:47,534 --> 02:13:49,569
AND I WAS AWAY
FROM MY PARENTS.
2636
02:13:49,569 --> 02:13:52,372
I WANTED TO HAVE SOME FUN.
2637
02:13:52,372 --> 02:13:55,375
IT WAS A COWBOY MOVIE CALLED
2638
02:13:55,375 --> 02:13:57,944
"HOW THE WEST WAS WON."
2639
02:13:57,944 --> 02:14:00,447
AND WHAT I WITNESSED THAT
2640
02:14:00,447 --> 02:14:03,850
AFTERNOON IN THE CINERAMA DOME
2641
02:14:03,850 --> 02:14:07,287
WAS PERFECT.
2642
02:14:07,287 --> 02:14:09,189
THE CURTAIN, WHEN WE STILL HAD
2643
02:14:09,189 --> 02:14:12,893
THEM, OPENED TO A FILM ALMOST
2644
02:14:12,893 --> 02:14:14,528
FOUR HOURS LONG.
2645
02:14:14,528 --> 02:14:18,064
IT HAD AN
INTERMISSION WHERE THE
2646
02:14:18,064 --> 02:14:19,633
SCORE CONTINUED SUBTLY
2647
02:14:19,633 --> 02:14:21,768
SIGNALLING AT ONE POINT THAT A
2648
02:14:21,768 --> 02:14:25,839
SECOND HALF WAS
ABOUT TO START.
2649
02:14:25,839 --> 02:14:26,439
I DON'T KNOW WHERE EVERYONE
2650
02:14:26,439 --> 02:14:28,175
WENT, BUT I WASN'T
GOING TO MOVE
2651
02:14:28,175 --> 02:14:29,709
AN INCH.
2652
02:14:29,709 --> 02:14:31,645
I DECIDED THAT I
WOULD NOT GIVE
2653
02:14:31,645 --> 02:14:34,581
UP MY MAGIC SEAT.
2654
02:14:34,581 --> 02:14:36,082
I WAS DETERMINED THAT I WOULD
2655
02:14:36,082 --> 02:14:38,485
NOT MISS A MINUTE.
2656
02:14:38,485 --> 02:14:42,722
AND AS I SAT IN THAT DARK THAT
2657
02:14:42,722 --> 02:14:46,326
AFTERNOON, 60 YEARS AGO, ALL I
2658
02:14:46,326 --> 02:14:49,529
REALLY KNEW WAS THAT I WAS IN
2659
02:14:49,529 --> 02:14:50,530
CAREFUL HANDS.
2660
02:14:50,530 --> 02:14:52,499
LITTLE DID I KNOW THAT THREE
2661
02:14:52,499 --> 02:14:54,000
DIRECTORS WOULD BE RESPONSIBLE
2662
02:14:54,000 --> 02:14:59,239
FOR THAT EPIC
MOMENT IN MY LIFE.
2663
02:14:59,239 --> 02:15:03,109
THEY FIRED MY IMAGINATION, AND
2664
02:15:03,109 --> 02:15:04,911
THEY CAPTURED MY HEART.
2665
02:15:04,911 --> 02:15:06,112
AND THAT'S WHAT
CAN HAPPEN WHEN
2666
02:15:06,112 --> 02:15:09,516
YOU DIRECT A MOVIE.
2667
02:15:09,516 --> 02:15:11,384
YOU CAN CHANGE A MIND.
2668
02:15:11,384 --> 02:15:13,753
YOU CAN CHANGE
THE TRAJECTORY OF
2669
02:15:13,753 --> 02:15:16,656
A LIFE, OF A CAREER.
2670
02:15:16,656 --> 02:15:21,061
YOU CAN CAPTURE A HEART.
2671
02:15:21,061 --> 02:15:28,068
BUT YOU CAN'T DO IT ALONE.
2672
02:15:28,068 --> 02:15:29,669
AND DIRECTORS TONIGHT'S
2673
02:15:29,669 --> 02:15:31,304
DIRECTORS ALL KNOW THE
2674
02:15:31,304 --> 02:15:32,072
POSSIBILITIES,
THEY KNOW WHAT'S
2675
02:15:32,072 --> 02:15:33,006
AT STAKE.
2676
02:15:33,006 --> 02:15:35,308
THAT'S WHY THEY GIVE THEIR
2677
02:15:35,308 --> 02:15:35,976
PRECIOUS TIME.
2678
02:15:35,976 --> 02:15:39,913
IT'S WHY THEY CHOOSE TO FIGHT
2679
02:15:39,913 --> 02:15:44,017
THROUGH THE LONG DAYS AND THE
2680
02:15:44,017 --> 02:15:47,087
LONGER NIGHTS, AND THE ENDLESS
2681
02:15:47,087 --> 02:15:48,955
QUESTIONS, AND THE INEVITABLE
2682
02:15:48,955 --> 02:15:50,290
SECOND GUESSING
THAT COMES FROM
2683
02:15:50,290 --> 02:15:51,358
THOSE WHO WOULD DO IT
2684
02:15:51,358 --> 02:15:56,062
DIFFERENTLY IF GIVEN HATLF A
2685
02:15:56,062 --> 02:15:56,296
CHANCE.
2686
02:15:56,296 --> 02:15:58,565
THESE FIVE DIRECTORS HAVE ALL
2687
02:15:58,565 --> 02:16:02,168
MANAGED TO STAY THE COURSE.
2688
02:16:02,168 --> 02:16:05,472
THEY HAVE ALL
HELD THE LINE AND
2689
02:16:05,472 --> 02:16:09,676
MASTERFULLY GIVEN
US THE GIFT OF
2690
02:16:09,676 --> 02:16:10,410
A SINGLE VISION.
2691
02:16:10,410 --> 02:16:12,245
AND FOR THAT WE HONOR THEM.
2692
02:16:12,245 --> 02:16:16,016
HERE ARE THE NOMINEES FOR
2693
02:16:16,016 --> 02:16:22,389
ACHIEVEMENT IN DIRECTING.
2694
02:16:22,389 --> 02:16:28,662
KENNETH BRANAGH, BELFAST.
2695
02:16:28,662 --> 02:16:38,738
RYUSUKE HAM A GUCCI, DRIVE MY
2696
02:16:38,738 --> 02:16:39,939
CAR.
2697
02:16:39,939 --> 02:16:43,576
JANE CAMPION, THE POWER OF A
2698
02:16:43,576 --> 02:16:43,743
DOG.
2699
02:16:43,743 --> 02:16:44,344
STEVEN SPIELBERG, "WEST SIDE
2700
02:16:44,344 --> 02:16:46,546
STORY."
2701
02:16:46,546 --> 02:16:55,588
AND THE OSCAR GOES TO JANE
2702
02:16:55,588 --> 02:16:58,925
CAMPION, "POWER OF A DOG."
2703
02:16:58,925 --> 02:17:02,796
>> THIS IS THE
SECOND OSCAR AND
2704
02:17:02,796 --> 02:17:04,631
FIFTH NOMINATION FOR JANE
2705
02:17:04,631 --> 02:17:07,834
CAMPION WHO WAS
THE FIRST WOMAN
2706
02:17:07,834 --> 02:17:28,021
NOMINATED FOR DIRECTING TWICE.
2707
02:17:28,021 --> 02:17:35,328
[ APPLAUSE ]
2708
02:17:35,328 --> 02:17:35,962
>> THANK YOU, KEVIN.
2709
02:17:35,962 --> 02:17:40,066
THAT WAS VERY DRAMATIC.
2710
02:17:40,066 --> 02:17:42,068
WOOPS.
2711
02:17:42,068 --> 02:17:45,605
JUST WANTED TO SAY BIG LOVE TO
2712
02:17:45,605 --> 02:17:49,309
MY FELLOW NOMINEES.
2713
02:17:49,309 --> 02:17:50,810
YOU'RE ALL SO EXTRAORDINARILY
2714
02:17:50,810 --> 02:17:51,077
TALENTED.
2715
02:17:51,077 --> 02:18:02,856
IT COULD HAVE BEEN ANY OF YOU.
2716
02:18:02,856 --> 02:18:04,324
-- NEW ZEALAND AND AUSTRALIA.
2717
02:18:04,324 --> 02:18:06,993
I LOVE DIRECTING
BECAUSE IT'S A
2718
02:18:06,993 --> 02:18:09,095
DEEP DIVE, YET THE TASK OF
2719
02:18:09,095 --> 02:18:10,630
DIRECTING CAN BE OVERWHELMING.
2720
02:18:10,630 --> 02:18:13,400
THE SWEET THING IS I'M NEVER
2721
02:18:13,400 --> 02:18:13,600
ALONE.
2722
02:18:13,600 --> 02:18:17,303
ON "THE POWER OF
A DOG" I WORKED
2723
02:18:17,303 --> 02:18:18,638
WITH ACTORS WHOM I CALL MY
2724
02:18:18,638 --> 02:18:18,872
FRIENDS.
2725
02:18:18,872 --> 02:18:20,306
THEY MET THE CHALLENGE OF THE
2726
02:18:20,306 --> 02:18:20,907
STORY WITH THE DEPTH OF THEIR
2727
02:18:20,907 --> 02:18:28,014
GIFTS.
2728
02:18:28,014 --> 02:18:32,018
[ APPLAUSE ]
2729
02:18:32,018 --> 02:18:35,722
AND MY WHOLE CREW WHO ARE TRUE
2730
02:18:35,722 --> 02:18:35,955
HEARTS.
2731
02:18:35,955 --> 02:18:39,092
I THANK MY BRILLIANT PRODUCERS
2732
02:18:39,092 --> 02:18:44,531
TANYA WHO IS
ALWAYS BY MY SIDE.
2733
02:18:44,531 --> 02:18:47,967
KLAN CLAP NEAL SHERMAN.
2734
02:18:47,967 --> 02:18:50,069
NETFLIX, YOUR
WHOLE AWESOME TEAM
2735
02:18:50,069 --> 02:18:52,639
EMBRACED THIS
FILM FROM THE VERY
2736
02:18:52,639 --> 02:18:52,906
BEGINNING.
2737
02:18:52,906 --> 02:18:54,841
THANK YOU SO VERY MUCH.
2738
02:18:54,841 --> 02:18:56,509
AND MY HOME PEOPLE, MY FAMILY,
2739
02:18:56,509 --> 02:18:58,711
YOU KNOW WHO YOU
ARE, ESPECIALLY
2740
02:18:58,711 --> 02:19:01,481
ALICE MY DAUGHTER WHO IS HERE.
2741
02:19:01,481 --> 02:19:03,516
MY BEAUTIFUL PARTNER, YOU GAVE
2742
02:19:03,516 --> 02:19:04,451
ME SO MUCH LOVE AND
2743
02:19:04,451 --> 02:19:07,187
ENCOURAGEMENT AND MADE IT FUN.
2744
02:19:07,187 --> 02:19:08,655
BUT IT WOULD BE IMPOSSIBLE
2745
02:19:08,655 --> 02:19:11,458
WITHOUT THE MAN I NEVER MET,
2746
02:19:11,458 --> 02:19:12,025
THOMAS SAVAGE
2747
02:19:12,025 --> 02:19:18,097
HE WROTE ABOUT CRUELTY WANTING
2748
02:19:18,097 --> 02:19:18,865
THE OPPOSITE KINDNESS.
2749
02:19:18,865 --> 02:19:20,066
THANK YOU, ACADEMY.
2750
02:19:20,066 --> 02:19:20,533
IT'S A LIFETIME HONOR.
2751
02:19:20,533 --> 02:19:24,070
THANK YOU.
2752
02:19:24,070 --> 02:19:26,239
[ APPLAUSE ]
2753
02:19:26,239 --> 02:19:33,985
♪
2754
02:19:33,985 --> 02:19:36,353
>> NEXT, A REUNION 28 YEARS IN
2755
02:19:36,353 --> 02:19:41,394
THE MAKING WHEN JOHN TRAVOLTA,
2756
02:19:51,200 --> 02:20:06,298
♪
2757
02:20:06,298 --> 02:20:07,867
>>> YOU KNOW WHAT THEY CALL A
2758
02:20:07,867 --> 02:20:09,702
QUARTER POUNDER CHEESE?
2759
02:20:09,702 --> 02:20:14,607
>> WHAT DO THEY CALL IT?
2760
02:20:14,607 --> 02:20:15,207
>> ROYALE.
2761
02:20:15,207 --> 02:20:17,309
I DON'T KNOW, I DIDN'T JOIN
2762
02:20:17,309 --> 02:20:20,613
BURGER KING.
2763
02:20:20,613 --> 02:20:24,517
>> CELEBRATING THE 28th
2764
02:20:24,517 --> 02:20:27,353
ANNIVERSARY OF POKE FICTION,
2765
02:20:27,353 --> 02:20:33,359
HERE IS YUMA
THURMAN, SAMUEL L.
2766
02:20:33,359 --> 02:20:37,296
JACKSON AND JOHN TRAVOLTA.
2767
02:20:37,296 --> 02:20:51,911
[ CHEERS AND APPLAUSE ]
2768
02:20:51,911 --> 02:20:56,815
♪
2769
02:20:56,815 --> 02:21:01,120
>> SOME ACTORS
STAY IN CHARACTER
2770
02:21:01,120 --> 02:21:02,888
AND SOME, WELL,
THEY JUST NEVER
2771
02:21:02,888 --> 02:21:03,856
LET IT GO.
2772
02:21:03,856 --> 02:21:06,659
>> MAYBE LATER WE'LL HAVE A $5
2773
02:21:06,659 --> 02:21:07,893
MILK SHAKE.
2774
02:21:07,893 --> 02:21:11,263
>> YEAH, A ROYALE WITH CHEESE.
2775
02:21:11,263 --> 02:21:13,399
SEE WHAT I MEAN?
2776
02:21:13,399 --> 02:21:15,334
>> IT WAS A MASTERPIECE.
2777
02:21:15,334 --> 02:21:16,802
THESE TWO THINK
IT WAS ALL ABOUT
2778
02:21:16,802 --> 02:21:17,536
A DANCE CONTEST.
2779
02:21:17,536 --> 02:21:19,905
>> THAT'S NOT TRUE, SAM.
2780
02:21:19,905 --> 02:21:21,707
>> IT'S ABOUT A LOT OF THINGS.
2781
02:21:21,707 --> 02:21:23,676
>> NAME ONE.
2782
02:21:23,676 --> 02:21:25,311
>> TORNADOES AND --
2783
02:21:25,311 --> 02:21:27,346
>> AND SHE STILL KNOWS THE
2784
02:21:27,346 --> 02:21:27,947
LINES, FOLKS.
2785
02:21:27,947 --> 02:21:31,483
IT WAS ALL ABOUT
THE CONTENTS OF
2786
02:21:31,483 --> 02:21:32,151
THIS BRIEFCASE.
2787
02:21:32,151 --> 02:21:32,718
>> THAT IS A BOLD STATEMENT.
2788
02:21:32,718 --> 02:21:35,521
>> DO TELL.
2789
02:21:35,521 --> 02:21:39,358
>> ALL THE MURDER AND MAYHEM
2790
02:21:39,358 --> 02:21:41,327
THAT OCCURRED IN TWO HOURS AND
2791
02:21:41,327 --> 02:21:44,763
45 MINUTES WAS IN HERE.
2792
02:21:44,763 --> 02:21:46,231
AT THE END OF THE FILM THEY
2793
02:21:46,231 --> 02:21:48,968
REVEAL, THE
AUDIENCE WAS LEFT TO
2794
02:21:48,968 --> 02:21:50,703
DRAW THEIR CONCLUSION ABOUT
2795
02:21:50,703 --> 02:21:51,036
EXISTENCE.
2796
02:21:51,036 --> 02:21:52,838
>> THEY COULDN'T
HELP YOU WRITE
2797
02:21:52,838 --> 02:21:53,038
THAT?
2798
02:21:53,038 --> 02:21:54,607
YOU KNOW WHAT YOU SHOULD DO?
2799
02:21:54,607 --> 02:21:57,443
YOU SHOULD TEACH
A MASTER CLASS.
2800
02:21:57,443 --> 02:21:58,277
>> ACTUALLY, I DO.
2801
02:21:58,277 --> 02:21:58,577
[ LAUGHTER ]
2802
02:21:58,577 --> 02:22:00,679
>> NOW, SHOULD
WE FINALLY REVEAL
2803
02:22:00,679 --> 02:22:03,382
WHAT'S ACTUALLY IN THIS
2804
02:22:03,382 --> 02:22:03,649
BRIEFCASE?
2805
02:22:03,649 --> 02:22:03,882
>> YEAH.
2806
02:22:03,882 --> 02:22:05,351
>> OH, YEAH.
2807
02:22:05,351 --> 02:22:11,857
[ LAUGHTER ]
2808
02:22:11,857 --> 02:22:14,026
>> HERE ARE THE NOMINEES FOR
2809
02:22:14,026 --> 02:22:17,329
PERFORMANCE BY AN ACTOR IN A
2810
02:22:17,329 --> 02:22:19,732
LEADING ROLE.
2811
02:22:19,732 --> 02:22:22,034
JAVIER BARDEM, BEING THE
2812
02:22:22,034 --> 02:22:22,301
RICARDOS.
2813
02:22:22,301 --> 02:22:23,102
>> LUCIE, YES.
2814
02:22:23,102 --> 02:22:24,503
WE DIDN'T TELL YOU THE PART
2815
02:22:24,503 --> 02:22:26,205
WHERE THEY THROW
YOUR FATHER IN
2816
02:22:26,205 --> 02:22:27,306
PRISON FOR THE CRIME OF BEING
2817
02:22:27,306 --> 02:22:31,210
THE MAYOR OF A CITY.
2818
02:22:31,210 --> 02:22:33,445
I WAS CHASE TODAY
THIS COUNTRY,
2819
02:22:33,445 --> 02:22:33,812
LUCIE.
2820
02:22:33,812 --> 02:22:37,349
BELIEVE ME, YOU CHECKED THE
2821
02:22:37,349 --> 02:22:41,453
WRONG BOX.
2822
02:22:41,453 --> 02:22:45,457
>> BENEDICT CUMBERBATCH, THE
2823
02:22:45,457 --> 02:22:46,425
POWER OF THE DOG.
2824
02:22:46,425 --> 02:22:47,893
>> DO YOU THINK SHE DID IT?
2825
02:22:47,893 --> 02:22:54,633
SHE SOLD HIM?
2826
02:22:54,633 --> 02:22:56,535
WHY WOULD SHE DO THAT, PHIL?
2827
02:22:56,535 --> 02:23:01,306
SHE KNEW WE NEEDED THE HYDE.
2828
02:23:01,306 --> 02:23:03,642
>> SHE WAS SMASHED.
2829
02:23:05,310 --> 02:23:07,946
[ APPLAUSE ]
2830
02:23:07,946 --> 02:23:12,885
>> ANDREW GARFIELD, TICK,
2831
02:23:12,885 --> 02:23:13,185
TICK...BOOM.
2832
02:23:13,185 --> 02:23:15,521
>> THE TICKING
IS SO LOUD NOW, I
2833
02:23:15,521 --> 02:23:17,356
CAN'T HEAR ANYTHING.
2834
02:23:17,356 --> 02:23:19,792
♪ IS THIS REAL, IS THIS REAL
2835
02:23:19,792 --> 02:23:19,958
♪
2836
02:23:19,958 --> 02:23:22,261
>> MY HEARTBEAT IS POUNDING IN
2837
02:23:22,261 --> 02:23:25,130
MY THROAT.
2838
02:23:25,130 --> 02:23:31,937
THE WIND IS SHRIEKING THROUGH
2839
02:23:31,937 --> 02:23:32,604
THE TREES.
2840
02:23:32,604 --> 02:23:33,972
I WANT IT TO STOP.
2841
02:23:33,972 --> 02:23:36,175
I WANT IT ALL TO STOP.
2842
02:23:36,175 --> 02:23:36,875
[ APPLAUSE ]
2843
02:23:36,875 --> 02:23:40,713
>> WILL SMITH, "KING RICHARD."
2844
02:23:40,713 --> 02:23:42,081
>> I HAVE DONE NOTHING BUT TRY
2845
02:23:42,081 --> 02:23:45,951
TO PROTECT YOU.
2846
02:23:45,951 --> 02:23:47,519
THIS NEXT STEP YOU'RE ABOUT TO
2847
02:23:47,519 --> 02:23:51,223
TAKE, IT WILL BE HARD FOR
2848
02:23:51,223 --> 02:23:52,791
ANYBODY.
2849
02:23:52,791 --> 02:23:56,528
BUT FOR YOU, YOU'RE NOT GONNA
2850
02:23:56,528 --> 02:23:57,663
JUST BE REPRESENTING YOU.
2851
02:23:57,663 --> 02:23:59,698
YOU'RE GOING TO
BE REPRESENTING
2852
02:23:59,698 --> 02:24:00,265
EVERY LITTLE BLACK GIRL ON
2853
02:24:00,265 --> 02:24:02,501
EARTH.
2854
02:24:02,501 --> 02:24:05,504
[ APPLAUSE ]
2855
02:24:05,504 --> 02:24:08,574
>> DENZEL WASHINGTON, THE
2856
02:24:08,574 --> 02:24:10,676
TRAGEDY OF MACBETH.
2857
02:24:10,676 --> 02:24:22,020
>> THE CESCEPTER
IN MY GRIP, FO
2858
02:24:22,020 --> 02:24:24,857
THEM, THE GRACIOUS
DUNCAN HAVE I
2859
02:24:24,857 --> 02:24:25,124
MURDERED.
2860
02:24:25,124 --> 02:24:26,692
THE VESSELS OF MY BEAST, ONLY
2861
02:24:26,692 --> 02:24:29,862
FOR THEM AND MY ETERNAL JEWEL
2862
02:24:29,862 --> 02:24:33,198
GIVEN TO THE
COMMON ENEMY OF MEN
2863
02:24:33,198 --> 02:24:37,336
TO MAKE THEM KINGS.
2864
02:24:37,336 --> 02:24:42,407
[ APPLAUSE ]
2865
02:24:42,407 --> 02:24:53,952
>> AND THE OSCAR GOES TO --
2866
02:24:53,952 --> 02:24:54,286
>> WILL SMITH.
2867
02:24:54,286 --> 02:25:09,635
>> "KING RICHARD."
2868
02:25:13,305 --> 02:25:21,346
[ CHEERS AND APPLAUSE ]
2869
02:25:21,346 --> 02:25:29,087
>> OH, MAN.
2870
02:25:29,087 --> 02:25:33,358
RICHARD WILLIAMS WAS A FIERCE
2871
02:25:33,358 --> 02:25:42,267
DEFENDER OF HIS FAMILY.
2872
02:25:42,267 --> 02:25:52,177
IN THIS TIME IN
MY LIFE, IN THIS
2873
02:25:52,177 --> 02:25:54,646
MOMENT, I AM
OVERWHELMED BY WHAT
2874
02:25:54,646 --> 02:25:57,549
GOD IS CALLING ON ME TO DO AND
2875
02:25:57,549 --> 02:26:04,756
BE IN THIS WORLD.
2876
02:26:04,756 --> 02:26:11,730
MAKING THIS FILM, I GOT TO
2877
02:26:11,730 --> 02:26:13,332
PRO
2878
02:26:13,332 --> 02:26:14,566
PROTECT ANJANU
ELLIS WHO WAS ONE
2879
02:26:14,566 --> 02:26:16,702
OF THE STRONGEST,
MOST DELICATE
2880
02:26:16,702 --> 02:26:18,370
PEOPLE I'VE EVER MET.
2881
02:26:18,370 --> 02:26:24,943
I GOT TO PROTECT SANAYA AND
2882
02:26:24,943 --> 02:26:27,079
DEMI, THE TWO ACTRESSES THAT
2883
02:26:27,079 --> 02:26:29,348
PLAYED VENUS AND SERENA.
2884
02:26:29,348 --> 02:26:37,589
[ APPLAUSE ]
2885
02:26:37,589 --> 02:26:45,330
I'M BEING CALLED ON IN MY LIFE
2886
02:26:45,330 --> 02:26:51,270
TO LOVE PEOPLE AND TO PROTECT
2887
02:26:51,270 --> 02:27:00,012
PEOPLE, AND TO
BE A RIVER TO MY
2888
02:27:00,012 --> 02:27:00,245
PEOPLE.
2889
02:27:00,245 --> 02:27:05,350
I KNOW TO DO WHAT
WE DO, YOU GOT
2890
02:27:05,350 --> 02:27:07,452
TO BE ABLE TO TAKE ABUSE.
2891
02:27:07,452 --> 02:27:08,887
YOU HAVE TO BE ABLE TO HAVE
2892
02:27:08,887 --> 02:27:13,325
PEOPLE TALK CRAZY ABOUT YOU.
2893
02:27:13,325 --> 02:27:14,693
IN THIS BUSINESS
YOU HAVE TO BE
2894
02:27:14,693 --> 02:27:18,130
ABLE TO HAVE PEOPLE
2895
02:27:18,130 --> 02:27:18,830
DISRESPECTING YOU.
2896
02:27:18,830 --> 02:27:20,032
AND YOU HAVE TO SMILE AND
2897
02:27:20,032 --> 02:27:27,306
PRETEND LIKE THAT'S OKAY.
2898
02:27:27,306 --> 02:27:30,208
BUT RICHARD WILLIAMS --
2899
02:27:30,208 --> 02:27:31,944
>> I LOVE YOU, TOO.
2900
02:27:31,944 --> 02:27:34,146
>> THANK YOU, D.
2901
02:27:34,146 --> 02:27:36,515
DENZEL SAID TO
ME A FEW MINUTES
2902
02:27:36,515 --> 02:27:38,350
AGO, AT YOUR
HIGHEST MOMENT, BE
2903
02:27:38,350 --> 02:27:38,583
CAREFUL.
2904
02:27:38,583 --> 02:27:39,451
THAT'S WHEN THE
DEVIL COMES FOR
2905
02:27:39,451 --> 02:27:41,353
YOU.
2906
02:27:41,353 --> 02:27:55,767
[ APPLAUSE ]
2907
02:27:55,767 --> 02:28:00,772
IT'S LIKE I WANT
TO BE A VESSEL
2908
02:28:00,772 --> 02:28:02,407
FOR LOVE.
2909
02:28:02,407 --> 02:28:05,911
I WANT TO SAY
THANK YOU TO VENUS
2910
02:28:05,911 --> 02:28:06,878
AND SERENA -- I
HOPE THEY DIDN'T
2911
02:28:06,878 --> 02:28:09,881
SEE THAT ON TV.
2912
02:28:09,881 --> 02:28:13,318
I WANT TO SAY
THANK YOU TO VENUS
2913
02:28:13,318 --> 02:28:15,354
AND SERENA, THE
ENTIRE WILLIAMS
2914
02:28:15,354 --> 02:28:17,155
FAMILY FOR ENTRUSTING ME WITH
2915
02:28:17,155 --> 02:28:18,290
YOUR STORY.
2916
02:28:18,290 --> 02:28:20,892
THAT'S WHAT I WANT TO DO.
2917
02:28:20,892 --> 02:28:24,796
I WANT TO BE AN AMBASSADOR OF
2918
02:28:24,796 --> 02:28:26,832
THAT KIND OF LOVE AND CARE AND
2919
02:28:26,832 --> 02:28:32,738
CONCERN.
2920
02:28:32,738 --> 02:28:34,906
I WANT TO APOLOGIZE TO THE
2921
02:28:34,906 --> 02:28:35,140
ACADEMY.
2922
02:28:35,140 --> 02:28:41,346
I WANT TO APOLOGIZE TO ALL MY
2923
02:28:41,346 --> 02:28:48,954
FELLOW NOMINEES.
2924
02:28:48,954 --> 02:28:52,224
THIS IS A BEAUTIFUL MOMENT AND
2925
02:28:52,224 --> 02:28:55,961
I'M NOT, I'M NOT CRYING FOR
2926
02:28:55,961 --> 02:28:57,562
WINNING AN AWARD.
2927
02:28:57,562 --> 02:28:59,898
IT'S NOT ABOUT
WINNING AN AWARD
2928
02:28:59,898 --> 02:29:00,866
FOR ME.
2929
02:29:00,866 --> 02:29:04,336
IT'S ABOUT BEING ABLE TO SHINE
2930
02:29:04,336 --> 02:29:08,907
LIGHT ON ALL OF THE PEOPLE --
2931
02:29:08,907 --> 02:29:12,444
TIM AND TREVOR AND ZACH AND
2932
02:29:12,444 --> 02:29:16,081
ZANAYA AND DEMI AND THE ENTIRE
2933
02:29:16,081 --> 02:29:24,623
CAST AND CREW OF "KING RICHAR"
2934
02:29:24,623 --> 02:29:28,994
VENUS AND SERENA, THE ENTIRE
2935
02:29:28,994 --> 02:29:29,361
RICHARDS FAMILY.
2936
02:29:29,361 --> 02:29:29,628
[ APPLAUSE ]
2937
02:29:29,628 --> 02:29:30,662
ART IMITATES LIFE.
2938
02:29:30,662 --> 02:29:33,098
I LOOKED LIKE THE CRAZY FATHER
2939
02:29:33,098 --> 02:29:34,366
JUST LIKE THEY SAID.
2940
02:29:34,366 --> 02:29:36,068
I LOOKED LIKE
CRAZY FATHER JUST
2941
02:29:36,068 --> 02:29:36,668
LIKE THEY SAID ABOUT RICHARD
2942
02:29:36,668 --> 02:29:39,905
WILLIAMS.
2943
02:29:39,905 --> 02:29:45,310
BUT LOVE WILL
MAKE YOU DO CRAZY
2944
02:29:45,310 --> 02:29:47,712
THINGS.
2945
02:29:47,712 --> 02:29:53,185
TO MY MOTHER, THIS MOMENT IS
2946
02:29:53,185 --> 02:29:54,052
REALLY COMPLICATED FOR ME.
2947
02:29:54,052 --> 02:29:57,289
BUT TO MY MOTHER, SHE DIDN'T
2948
02:29:57,289 --> 02:29:58,557
WANT TO COME OUT.
2949
02:29:58,557 --> 02:30:00,325
SHE HAD HER KNITTING FRIEND --
2950
02:30:00,325 --> 02:30:05,330
SHE HAS A KNITTING CREW THAT'S
2951
02:30:05,330 --> 02:30:10,435
WATCHING WITH.
2952
02:30:10,435 --> 02:30:12,904
BEING ABLE TO
LOVE AND CARE FOR
2953
02:30:12,904 --> 02:30:15,173
MY MOTHER AND MY FAMILY, MY
2954
02:30:15,173 --> 02:30:21,346
WIFE, I'M TAKING UP TOO MUCH
2955
02:30:21,346 --> 02:30:21,913
TIME.
2956
02:30:21,913 --> 02:30:24,816
THANK YOU FOR THIS HONOR.
2957
02:30:24,816 --> 02:30:26,918
THANK YOU FOR THIS MOMENT.
2958
02:30:26,918 --> 02:30:29,254
AND THANK YOU ON BEHALF OF
2959
02:30:29,254 --> 02:30:33,505
RICHARD AND
ORACENE, THE ENTIRE
2960
02:30:33,505 --> 02:30:37,568
WILLIAMS FAMILY.
2961
02:30:37,568 --> 02:30:39,252
I HOPE THE ACADEMY INVITES ME
2962
02:30:39,252 --> 02:30:39,682
BACK.
2963
02:30:39,682 --> 02:30:40,847
THANK YOU.
2964
02:30:40,847 --> 02:31:00,707
[ APPLAUSE ]
2965
02:31:00,707 --> 02:31:02,945
>> SIR ANTHONY
HOPKINS PRESENTS
2966
02:31:02,945 --> 02:31:05,057
THE OSCAR FOR LEAD ACTOR.
2967
02:31:18,575 --> 02:31:21,193
♪
2968
02:31:21,193 --> 02:31:22,513
>>> HERE ARE THE NOMINEES FOR
2969
02:31:22,513 --> 02:31:25,883
ACHIEVEMENT AND
MAKEUP AND HAIR
2970
02:31:25,883 --> 02:31:26,117
STYLING.
2971
02:31:26,117 --> 02:31:29,921
>>> COMING TO AMERICA.
2972
02:31:29,921 --> 02:31:31,189
CRUELLA.
2973
02:31:31,189 --> 02:31:36,494
DUNE.
2974
02:31:36,494 --> 02:31:39,931
THE EYES OF TAMMY FAYE.
2975
02:31:39,931 --> 02:31:46,604
"HOUSE OF GUCCI."
2976
02:31:46,604 --> 02:31:48,306
>>> AND THE OSCAR GOES TO THE
2977
02:31:48,306 --> 02:31:51,642
EYES OF TAMMY FAYE.
2978
02:31:51,642 --> 02:31:56,047
>> I WANT TO
THANK THE ACADEMY.
2979
02:31:56,047 --> 02:31:58,750
OUR BIGGEST AND MOST DEDICATED
2980
02:31:58,750 --> 02:32:05,390
COLLABORATOR,
JESSICA CHASTAIN.
2981
02:32:05,390 --> 02:32:05,857
[ APPLAUSE ]
2982
02:32:05,857 --> 02:32:07,558
IT DOES TAKE A VILLAGE.
2983
02:32:07,558 --> 02:32:08,159
THANK YOU SO MUCH, EVERYBODY.
2984
02:32:08,159 --> 02:32:09,994
THIS MEANS SO MUCH.
2985
02:32:09,994 --> 02:32:11,028
THANK YOU.
2986
02:32:11,028 --> 02:32:13,898
>> THANK YOU.
2987
02:32:13,898 --> 02:32:15,900
>> THANK YOU.
2988
02:32:15,900 --> 02:32:19,203
♪
2989
02:32:19,203 --> 02:32:20,872
>> I CAN DANCE WITH ANYONE I
2990
02:32:20,872 --> 02:32:21,072
LIKE.
2991
02:32:21,072 --> 02:32:23,241
>> AS LONG AS
HE'S PUERTO RICAN.
2992
02:32:23,241 --> 02:32:25,376
>> MAYBE I'M DONE
WITH TROUBLE.
2993
02:32:25,376 --> 02:32:27,412
>> HE IS NEVER DONE WITH
2994
02:32:27,412 --> 02:32:27,745
TROUBLE.
2995
02:32:27,745 --> 02:32:29,414
>> SOMEONE IS HURT BECAUSE OF
2996
02:32:29,414 --> 02:32:30,314
WHAT WE DO.
2997
02:32:30,314 --> 02:32:34,218
>> I LOVE HER, BERNARDO.
2998
02:32:34,218 --> 02:32:42,293
♪
2999
02:32:42,293 --> 02:32:44,862
>> OH, I LOVE
"WEST SIDE STORY."
3000
02:32:44,862 --> 02:32:45,229
DID YOU SEE IT?
3001
02:32:45,229 --> 02:32:47,832
IT'S SO GOOD.
3002
02:32:47,832 --> 02:32:49,534
I'VE BEEN GETTING OUT OF THE
3003
02:32:49,534 --> 02:32:50,168
SPIDERMAN COSTUME.
3004
02:32:50,168 --> 02:32:56,941
DID I MISS ANYTHING?
3005
02:32:56,941 --> 02:32:57,275
[ LAUGHTER ]
3006
02:32:57,275 --> 02:32:57,909
THERE'S LIKE A
DIFFERENT VIBE IN
3007
02:32:57,909 --> 02:33:04,282
HERE.
3008
02:33:04,282 --> 02:33:04,682
[ LAUGHTER ]
3009
02:33:04,682 --> 02:33:05,016
PROBABLY NOT.
3010
02:33:05,016 --> 02:33:08,586
WELL, ANYWAY, OKAY.
3011
02:33:08,586 --> 02:33:10,421
SO, IT TAKES 2700
PEOPLE TO PUT
3012
02:33:10,421 --> 02:33:12,790
ON THE OSCARS,
AND EVERY JOB IS
3013
02:33:12,790 --> 02:33:15,860
EQUALLY IMPORTANT, OKAY.
3014
02:33:15,860 --> 02:33:17,595
THE GAFFERS, THE
CAMERA PEOPLE,
3015
02:33:17,595 --> 02:33:20,431
THE SEAT FILLERS,
EVERYBODY, ALL
3016
02:33:20,431 --> 02:33:20,631
RIGHT.
3017
02:33:20,631 --> 02:33:23,434
WHAT THE SEAT
FILLERS DO, I HEAR
3018
02:33:23,434 --> 02:33:24,735
YOU, SEAT FILLERS.
3019
02:33:24,735 --> 02:33:25,837
I'LL EXPLAIN WHAT YOU DO.
3020
02:33:25,837 --> 02:33:27,371
SO, WHEN YOU GET
UP TO GO TO THE
3021
02:33:27,371 --> 02:33:29,941
BATHROOM OR IF YOU'RE GOING TO
3022
02:33:29,941 --> 02:33:32,677
CRY BECAUSE YOU
DIDN'T WIN, OH,
3023
02:33:32,677 --> 02:33:34,679
MY GOD, ACTUALLY,
YOU KNOW WHAT?
3024
02:33:34,679 --> 02:33:36,214
LET ME SHOW YOU WHAT THE SEAT
3025
02:33:36,214 --> 02:33:37,048
FILLERS DO.
3026
02:33:37,048 --> 02:33:38,816
HERE IS A SEAT FILLER.
3027
02:33:38,816 --> 02:33:40,384
CAN WE GET YOU UP?
3028
02:33:40,384 --> 02:33:42,286
HONEY, YOU WANT TO GO TO THE
3029
02:33:42,286 --> 02:33:42,587
BATHROOM?
3030
02:33:42,587 --> 02:33:43,888
LET'S JUST GET YOU.
3031
02:33:43,888 --> 02:33:45,022
THANK YOU.
3032
02:33:45,022 --> 02:33:47,358
SEAT FILLERS LOVE THEM.
3033
02:33:47,358 --> 02:33:48,826
JESSE, I LOVE DOING --
3034
02:33:48,826 --> 02:33:51,395
>> YOU KNOW, THAT WAS MY WIFE.
3035
02:33:51,395 --> 02:33:52,029
>> YOU'RE MARRIED TO THAT SEAT
3036
02:33:52,029 --> 02:33:53,898
FILLER?
3037
02:33:53,898 --> 02:33:56,868
>> YEAH.
3038
02:33:56,868 --> 02:33:58,236
>> OH, THAT'S WEIRD.
3039
02:33:58,236 --> 02:34:01,739
ANYWAY, WE WANT
TO TAKE A MOMENT
3040
02:34:01,739 --> 02:34:08,246
TO CONGRATULATE OUR GOVERNORS
3041
02:34:08,246 --> 02:34:11,182
AWARDS HONOREE.
3042
02:34:11,182 --> 02:34:17,788
DANNY GLOVER, LIV ULLMAN AND
3043
02:34:17,788 --> 02:34:18,823
SAMUEL L. JACKSON.
3044
02:34:18,823 --> 02:34:20,658
WE THANK YOU FOR YOUR
3045
02:34:20,658 --> 02:34:21,158
CONTRIBUTIONS TO CINEMA.
3046
02:34:21,158 --> 02:34:21,325
YES.
3047
02:34:21,325 --> 02:34:24,228
[ APPLAUSE ]
3048
02:34:24,228 --> 02:34:25,596
AND THERE'S A
GENOCIDE GOING ON
3049
02:34:25,596 --> 02:34:26,998
IN THE UKRAINE AND WOMEN ARE
3050
02:34:26,998 --> 02:34:28,566
LOSING ALL OF THEIR RIGHTS.
3051
02:34:28,566 --> 02:34:30,601
AND NOW PLEASE WELCOME LAST
3052
02:34:30,601 --> 02:34:33,337
YEAR'S WINNER AND TRANS PEOPLE
3053
02:34:33,337 --> 02:34:35,072
FOR ACTOR IN A LEADING ROLE,
3054
02:34:35,072 --> 02:34:41,879
ANTHONY HOPKINS.
3055
02:34:41,879 --> 02:34:45,883
♪
3056
02:34:45,883 --> 02:35:11,442
[ APPLAUSE ]
3057
02:35:11,442 --> 02:35:11,876
>> WELL, THANK YOU.
3058
02:35:11,876 --> 02:35:15,112
GOOD EVENING.
3059
02:35:15,112 --> 02:35:19,550
IT'S GREAT TO BE HERE.
3060
02:35:19,550 --> 02:35:22,286
WHAT AN EVENING,
AND THANK YOU.
3061
02:35:22,286 --> 02:35:26,457
WILL SMITH SAID IT ALL.
3062
02:35:26,457 --> 02:35:26,824
[ LAUGHTER ]
3063
02:35:26,824 --> 02:35:33,731
WHAT MORE CAN BE SAID?
3064
02:35:33,731 --> 02:35:37,201
PEACE AND LOVE
AND -- THANK YOU,
3065
02:35:37,201 --> 02:35:37,401
WILL.
3066
02:35:37,401 --> 02:35:38,135
THANK YOU.
3067
02:35:38,135 --> 02:35:39,904
IT'S A GREAT HONOR TO BE HERE
3068
02:35:39,904 --> 02:35:45,876
TONIGHT, GREAT
HONOR TO PRESENT
3069
02:35:45,876 --> 02:35:47,378
THE FIVE ACTRESSES IN THE NEXT
3070
02:35:47,378 --> 02:35:49,880
CATEGORY WHO HAVE BUILT THEIR
3071
02:35:49,880 --> 02:35:53,084
CAREERS AROUND THE MOST
3072
02:35:53,084 --> 02:35:56,854
MEMORABLE AND MOST UNEXPECTED
3073
02:35:56,854 --> 02:35:58,823
PERFORMANCES IN MOVIE AFTER
3074
02:35:58,823 --> 02:36:05,663
MOVIE AFTER MOVIE.
3075
02:36:05,663 --> 02:36:07,465
AND THOSE ACTRESSES
TONIGHT, WE
3076
02:36:07,465 --> 02:36:10,935
RECOGNIZE TONIGHT ARE JUST THE
3077
02:36:10,935 --> 02:36:13,871
LATEST EXAMPLE OF WHY THEY ARE
3078
02:36:13,871 --> 02:36:15,906
CONSIDERED SOME OF THE MOST
3079
02:36:15,906 --> 02:36:18,109
FORMIDABLE TO EVER GRACE THE
3080
02:36:18,109 --> 02:36:18,342
SCREEN.
3081
02:36:18,342 --> 02:36:20,878
AND HERE ARE THE NOMINEES FOR
3082
02:36:20,878 --> 02:36:22,113
PERFORMANCE BY AN ACTRESS IN A
3083
02:36:22,113 --> 02:36:24,482
LEADING ROLE.
3084
02:36:24,482 --> 02:36:27,952
JESSICA CHASTAIN, THE EYES OF
3085
02:36:27,952 --> 02:36:28,919
TAMMY FAYE.
3086
02:36:28,919 --> 02:36:30,688
>> AND HOW SAD IS THAT?
3087
02:36:30,688 --> 02:36:33,958
THAT WE AS CHRISTIANS WHO ARE
3088
02:36:33,958 --> 02:36:37,061
SUPPOSED TO LOVE EVERYONE, ARE
3089
02:36:37,061 --> 02:36:39,330
AFRAID SO BADLY OF AN AIDS
3090
02:36:39,330 --> 02:36:40,898
PATIENT THAT WE WILL NOT GO UP
3091
02:36:40,898 --> 02:36:43,601
TO THEM AND PUT OUR ARM AROUND
3092
02:36:43,601 --> 02:36:46,370
THEM AND TELL
THEM THAT WE CARE.
3093
02:36:46,370 --> 02:36:51,909
[ CHEERS AND APPLAUSE ]
3094
02:36:51,909 --> 02:36:53,878
>> OLIVIA COLMAN, THE LOST
3095
02:36:53,878 --> 02:36:55,880
DAUGHTER.
3096
02:36:55,880 --> 02:36:57,882
>> I ABANDONED
THEM AND I DEPTH
3097
02:36:57,882 --> 02:36:58,749
SEE THEM FOR THREE YEARS.
3098
02:36:58,749 --> 02:37:00,451
>> YOU DIDN'T SEE
YOUR CHILDREN
3099
02:37:00,451 --> 02:37:01,619
FOR THREE YEARS?
3100
02:37:01,619 --> 02:37:03,354
WHO TOOK CARE OF THEM?
3101
02:37:03,354 --> 02:37:04,555
>> THEIR FATHER
AND MY MUM AND I
3102
02:37:04,555 --> 02:37:05,222
CAME BACK.
3103
02:37:05,222 --> 02:37:12,763
>> WHAT DID IT
FEEL LIKE WITHOUT
3104
02:37:12,763 --> 02:37:13,898
THEM?
3105
02:37:13,898 --> 02:37:17,868
>> FELT AMAZING.
3106
02:37:17,868 --> 02:37:21,072
[ CHEERS AND APPLAUSE ]
3107
02:37:21,072 --> 02:37:25,943
>> PENELOPE CRUZ, PARALLEL
3108
02:37:25,943 --> 02:37:26,177
MOTHERS.
3109
02:37:26,177 --> 02:37:37,388
[ SPEAKING FOREIGN LANGUAGE ]
3110
02:37:43,561 --> 02:37:51,902
[ CHEERS AND APPLAUSE ]
3111
02:37:51,902 --> 02:37:55,306
>> NICOLE KIDMAN, "BEING THE
3112
02:37:55,306 --> 02:37:55,573
RICARDOS."
3113
02:37:55,573 --> 02:37:57,575
>> I GET PAID A FORTUNE TO GET
3114
02:37:57,575 --> 02:37:58,709
PAID WHAT I DO.
3115
02:37:58,709 --> 02:38:01,812
I WORK SIDE BY SIDE BY MY
3116
02:38:01,812 --> 02:38:03,614
HUSBAND WHO IS
IMPRESSED BY ME,
3117
02:38:03,614 --> 02:38:06,550
AND ALL I HAVE
TO DO IS KILL 36
3118
02:38:06,550 --> 02:38:09,220
WEEKS IN A ROW, AND THEN DO IT
3119
02:38:09,220 --> 02:38:09,920
THE NEXT YEAR, KILL.
3120
02:38:09,920 --> 02:38:13,891
SO LET'S DO IT AGAIN.
3121
02:38:13,891 --> 02:38:17,194
[ APPLAUSE ]
3122
02:38:17,194 --> 02:38:24,201
>> KRISTEN STEWART, "SPENCER."
3123
02:38:24,201 --> 02:38:27,905
>> IT SEEMS JUST ME, NOT YOU,
3124
02:38:27,905 --> 02:38:28,372
JUST ME.
3125
02:38:28,372 --> 02:38:30,374
>> THAT'S BECAUSE
I ALWAYS TAKE
3126
02:38:30,374 --> 02:38:37,882
CARE TO CLOSE MY CURTAINS.
3127
02:38:37,882 --> 02:38:45,589
[ CHEERS AND APPLAUSE ]
3128
02:38:45,589 --> 02:38:53,164
>> AND THE OSCAR
GOES TO JESSICA
3129
02:38:53,164 --> 02:38:55,399
CHASTAIN, THE EYES OF TAMMY
3130
02:38:55,399 --> 02:38:56,033
FAYE.
3131
02:38:56,033 --> 02:38:58,702
>> THIS IS THE FIRST OSCAR AND
3132
02:38:58,702 --> 02:38:59,303
THIRD NOMINATION FOR JESSICA
3133
02:38:59,303 --> 02:39:05,342
CHASTAIN.
3134
02:39:05,342 --> 02:39:05,643
[ APPLAUSE ]
3135
02:39:05,643 --> 02:39:06,477
>> THANK YOU.
3136
02:39:06,477 --> 02:39:10,381
THANK YOU.
3137
02:39:10,381 --> 02:39:13,884
THANK YOU, OH, MY GOSH, YOU
3138
02:39:13,884 --> 02:39:14,084
GUYS.
3139
02:39:14,084 --> 02:39:17,922
OKAY.
3140
02:39:17,922 --> 02:39:22,793
ALL RIGHT.
3141
02:39:22,793 --> 02:39:25,896
SO, THANK YOU SO MUCH TO THE
3142
02:39:25,896 --> 02:39:27,832
ACADEMY FOR THIS.
3143
02:39:27,832 --> 02:39:29,099
I DEFINITELY WOULD NOT BE UP
3144
02:39:29,099 --> 02:39:30,467
HERE RIGHT NOW, I PROBABLY
3145
02:39:30,467 --> 02:39:32,670
WOULDN'T HAVE A CAREER IF IT
3146
02:39:32,670 --> 02:39:35,906
WASN'T FOR HILDA, PAUL NELSON,
3147
02:39:35,906 --> 02:39:36,106
STEVE.
3148
02:39:36,106 --> 02:39:37,875
I LOVE YOU GUYS.
3149
02:39:37,875 --> 02:39:38,709
THANK YOU VERY MUCH.
3150
02:39:38,709 --> 02:39:41,312
I JUST HAVE TO SAY YOUR GUY'S
3151
02:39:41,312 --> 02:39:44,181
NAMES BECAUSE I LOVE YOU.
3152
02:39:44,181 --> 02:39:45,683
KRISTEN, NICOLE, PENELOPE,
3153
02:39:45,683 --> 02:39:47,818
OLIVIA, I LOVE
YOU GUYS SO MUCH.
3154
02:39:47,818 --> 02:39:48,786
AND TO BE INCLUDED IN THE
3155
02:39:48,786 --> 02:39:49,420
CONVERSATION WITH
YOU IS SUCH AN
3156
02:39:49,420 --> 02:39:53,290
HONOR.
3157
02:39:53,290 --> 02:39:57,628
I HAD TO THANK MICHAEL
3158
02:39:57,628 --> 02:39:59,496
SCHOWALTER, MY DIRECTOR WHO
3159
02:39:59,496 --> 02:40:01,632
CREATED A SPACE
WHO INSPIRED THE
3160
02:40:01,632 --> 02:40:03,901
CREATIVITY AND
LOVE AND COURAGE,
3161
02:40:03,901 --> 02:40:06,904
THE INCREDIBLE
HAIR MAKEUP TEAM,
3162
02:40:06,904 --> 02:40:08,372
LINDA, STEPHANIE, JUSTIN WHO
3163
02:40:08,372 --> 02:40:10,741
REALLY HELPED ME FIND HER.
3164
02:40:10,741 --> 02:40:13,878
PRODUCERS KELLY CARMICHAEL,
3165
02:40:13,878 --> 02:40:14,979
RACHEL, GIGI.
3166
02:40:14,979 --> 02:40:17,181
I HAVE TO THANK
DAVID GREENBAUM,
3167
02:40:17,181 --> 02:40:21,418
MATTHEW GREENFIELD FOR
3168
02:40:21,418 --> 02:40:25,389
SHEPHERDING OUR FILM.
3169
02:40:25,389 --> 02:40:27,358
MY PARTNER AND COLLABORATOR
3170
02:40:27,358 --> 02:40:29,360
ANDREW GARFIELD.
3171
02:40:29,360 --> 02:40:29,660
[ APPLAUSE ]
3172
02:40:29,660 --> 02:40:30,527
>> THANK YOU SO MUCH FOR
3173
02:40:30,527 --> 02:40:32,663
BRINGING OUT THE BEST IN ME BY
3174
02:40:32,663 --> 02:40:33,397
SHOWING UP EVERY DAY WITH THE
3175
02:40:33,397 --> 02:40:33,697
BEST OF YOU.
3176
02:40:33,697 --> 02:40:37,868
THANK YOU.
3177
02:40:37,868 --> 02:40:39,904
AND RIGHT NOW WE
ARE COMING OUT
3178
02:40:39,904 --> 02:40:42,339
OF SOME DIFFICULT TIMES THAT
3179
02:40:42,339 --> 02:40:43,908
HAVE BEEN FILLED WITH A LOT OF
3180
02:40:43,908 --> 02:40:45,476
TRAUMA AND ISOLATION.
3181
02:40:45,476 --> 02:40:48,078
AND SO MANY PEOPLE OUT THERE
3182
02:40:48,078 --> 02:40:53,584
FEEL HOPELESSNESS
AND THEY FEEL
3183
02:40:53,584 --> 02:40:53,918
ALONE.
3184
02:40:53,918 --> 02:40:55,486
AND SUICIDE IS A LEADING CAUSE
3185
02:40:55,486 --> 02:40:57,488
OF DEATH IN THE UNITED STATES.
3186
02:40:57,488 --> 02:40:59,156
IT'S TOUCHED MANY FAMILIES.
3187
02:40:59,156 --> 02:41:00,024
IT'S TOUCHED MINE.
3188
02:41:00,024 --> 02:41:03,193
AND ESPECIALLY MEMBERS OF THE
3189
02:41:03,193 --> 02:41:04,228
LGBTQ COMMUNITY WHO OFTENTIMES
3190
02:41:04,228 --> 02:41:09,900
FEEL OUT OF PLACE WITH THEIR
3191
02:41:09,900 --> 02:41:10,334
PEERS.
3192
02:41:10,334 --> 02:41:14,338
THERE IS -- WE'RE FACED WITH
3193
02:41:14,338 --> 02:41:15,372
SKRIM IN
3194
02:41:15,372 --> 02:41:16,307
DISCRIMINATORY AND BIGOTED
3195
02:41:16,307 --> 02:41:17,708
LEGISLATION THAT
IS SWEEPING OUR
3196
02:41:17,708 --> 02:41:20,311
COUNTRY WITH THE ONLY GOAL OF
3197
02:41:20,311 --> 02:41:21,879
FURTHER DIVIDING US.
3198
02:41:21,879 --> 02:41:23,981
THERE'S VIOLENCE
AND HATE CRIMES
3199
02:41:23,981 --> 02:41:26,650
BEING PERPETUATED ON INNOCENT
3200
02:41:26,650 --> 02:41:28,719
CIVILIANS ALL OVER THE WORLD.
3201
02:41:28,719 --> 02:41:31,588
AND IN TIMES LIKE
THIS, I THINK
3202
02:41:31,588 --> 02:41:33,924
OF TAMMY AND I'M
INSPIRED BY HER
3203
02:41:33,924 --> 02:41:35,459
RADICAL ACTS OF LOVE.
3204
02:41:35,459 --> 02:41:37,795
WE TALKED ABOUT LOVE A LOT
3205
02:41:37,795 --> 02:41:38,028
TONIGHT.
3206
02:41:38,028 --> 02:41:39,863
AND I'M INSPIRED BY HER
3207
02:41:39,863 --> 02:41:40,164
COMPASSION.
3208
02:41:40,164 --> 02:41:41,799
I SEE IT AS A
GUIDING PRINCIPLE
3209
02:41:41,799 --> 02:41:45,703
THAT LEADS US FORWARD.
3210
02:41:45,703 --> 02:41:48,672
AND IT CONNECTS
US ALL, AND THE
3211
02:41:48,672 --> 02:41:50,874
DESIRE THAT WE WANT TO BE
3212
02:41:50,874 --> 02:41:52,476
ACCEPTED FOR WHO WE ARE,
3213
02:41:52,476 --> 02:41:56,146
ACCEPTED FOR WHO
WE LOVE, AND TO
3214
02:41:56,146 --> 02:41:59,416
LIVE A LIFE WITHOUT
THE FEAR OF
3215
02:41:59,416 --> 02:42:00,718
VIOLENCE OR TERROR.
3216
02:42:00,718 --> 02:42:03,787
AND FOR ANY OF
YOU OUT THERE WHO
3217
02:42:03,787 --> 02:42:05,923
DO, IN FACT, FEEL HOPELESS OR
3218
02:42:05,923 --> 02:42:10,861
ALONE, I JUST WANT YOU TO KNOW
3219
02:42:10,861 --> 02:42:12,629
THAT YOU ARE UNCONDITIONALLY
3220
02:42:12,629 --> 02:42:14,031
LOVED FOR THE
UNIQUENESS THAT IS
3221
02:42:14,031 --> 02:42:15,165
YOU.
3222
02:42:15,165 --> 02:42:29,880
[ APPLAUSE ]
3223
02:42:29,880 --> 02:42:32,983
NEO TESORO,
AUGUSTUS, YOU ARE MY
3224
02:42:32,983 --> 02:42:33,183
HEART.
3225
02:42:33,183 --> 02:42:33,917
I THANK YOU ALL VERY MUCH.
3226
02:42:33,917 --> 02:42:34,752
THANK YOU.
3227
02:42:34,752 --> 02:42:48,098
♪
3228
02:42:48,098 --> 02:42:54,171
>> PLEASE WELCOME
OSCAR WINNERS
3229
02:42:54,171 --> 02:43:14,858
LADY GAGA AND LIZA MINELLI.
3230
02:43:14,858 --> 02:43:15,359
[ CHEERS AND APPLAUSE ]
3231
02:43:15,359 --> 02:43:15,726
>> THANK YOU.
3232
02:43:15,726 --> 02:43:18,829
OH, IT'S SO EXCITING.
3233
02:43:18,829 --> 02:43:19,897
>> YOU SEE THAT?
3234
02:43:19,897 --> 02:43:20,564
>> YEAH.
3235
02:43:20,564 --> 02:43:22,399
THE PUBLIC, THEY LOVE YOU.
3236
02:43:22,399 --> 02:43:24,768
>> OH, YES, BUT I DON'T
3237
02:43:24,768 --> 02:43:25,069
UNDERSTAND.
3238
02:43:25,069 --> 02:43:29,473
>> I GOT IT.
3239
02:43:29,473 --> 02:43:29,940
GOOD EVENING.
3240
02:43:29,940 --> 02:43:32,876
YOU KNOW HOW I
LOVE WORKING WITH
3241
02:43:32,876 --> 02:43:33,377
LEGENDS.
3242
02:43:33,377 --> 02:43:34,812
>> OH, MY BABY.
3243
02:43:34,812 --> 02:43:36,280
>> AND I'M HONORED TO PRESENT
3244
02:43:36,280 --> 02:43:38,415
THE FINAL AWARD OF THE EVENING
3245
02:43:38,415 --> 02:43:39,917
WITH A TRUE SHOW BUSINESS
3246
02:43:39,917 --> 02:43:45,923
LEGEND.
3247
02:43:45,923 --> 02:43:50,661
[ CHEERS AND APPLAUSE ]
3248
02:43:50,661 --> 02:43:55,732
SHE'S CELEBRATING THE 50th
3249
02:43:55,732 --> 02:44:03,941
ANNIVERSARY OF "CABARET."
3250
02:44:03,941 --> 02:44:04,441
[ CHEERS AND APPLAUSE ]
3251
02:44:04,441 --> 02:44:06,410
OSCAR AWARD-WINNING
ACTRESS LIZA
3252
02:44:06,410 --> 02:44:09,880
MINELLI.
3253
02:44:09,880 --> 02:44:19,156
[ CHEERS AND APPLAUSE ]
3254
02:44:19,156 --> 02:44:25,929
>> TONIGHT WE'VE
SEEN HIGHLIGHTS
3255
02:44:25,929 --> 02:44:27,898
OF THE TEN BEST NOMINATED FOR
3256
02:44:27,898 --> 02:44:28,665
BEST PICTURE AWARDS.
3257
02:44:28,665 --> 02:44:30,067
NOW I'M GOING TO SHOW YOU
3258
02:44:30,067 --> 02:44:32,603
SOMETHING ELSE, AND THEN I'M
3259
02:44:32,603 --> 02:44:35,239
GOING TO TELL YOU WHO IT IS --
3260
02:44:35,239 --> 02:44:35,839
>> WE'LL DO THAT RIGHT NOW.
3261
02:44:35,839 --> 02:44:40,844
>> OH, GOOD.
3262
02:44:40,844 --> 02:44:44,414
I GOTCHA.
3263
02:44:44,414 --> 02:44:45,883
"BELFAST."
3264
02:44:45,883 --> 02:44:49,920
"CODA."
3265
02:44:49,920 --> 02:44:50,554
"DON'T LOOK UP."
3266
02:44:50,554 --> 02:44:57,794
"DRIVE MY CAR."
3267
02:44:57,794 --> 02:44:58,028
"DUNE."
3268
02:44:58,028 --> 02:45:01,899
"KING RICHARD."
3269
02:45:01,899 --> 02:45:05,869
"LICORICE PIZZA."
3270
02:45:05,869 --> 02:45:08,138
"NIGHTMARE ALLEY."
3271
02:45:08,138 --> 02:45:11,608
"THE POWER OF THE DOG."
3272
02:45:11,608 --> 02:45:18,549
"WEST SIDE STORY."
3273
02:45:18,549 --> 02:45:22,986
>>> ALL RIGHT, LIZA.
3274
02:45:22,986 --> 02:45:25,923
>> YES?
3275
02:45:25,923 --> 02:45:26,223
♪
3276
02:45:26,223 --> 02:45:29,059
>> HI, EVERYBODY.
3277
02:45:29,059 --> 02:45:30,160
I'M SO HAPPY TO BE HERE,
3278
02:45:30,160 --> 02:45:31,762
ESPECIALLY WITH YOU.
3279
02:45:31,762 --> 02:45:33,931
>> ARE YOU EXCITED TO ANNOUNCE
3280
02:45:33,931 --> 02:45:36,867
BEST PICTURE?
3281
02:45:36,867 --> 02:45:38,969
AND THE OSCAR GOES TO --
3282
02:45:38,969 --> 02:45:48,278
>> OKAY, "CODA."
3283
02:45:48,278 --> 02:45:56,253
[ CHEERS AND APPLAUSE ]
3284
02:45:56,253 --> 02:46:01,225
>> "CODA" HAS
THREE NOMINATIONS
3285
02:46:01,225 --> 02:46:03,427
THIS YEAR, WINNING ALL THREE,
3286
02:46:03,427 --> 02:46:05,896
ADAPTED SCREEN PLAY, AND BEST
3287
02:46:05,896 --> 02:46:19,409
PICTURE.
3288
02:46:19,409 --> 02:46:32,389
[ APPLAUSE ]
3289
02:46:32,389 --> 02:46:37,928
>> OH, WOW.
3290
02:46:37,928 --> 02:46:38,762
OH, WOW.
3291
02:46:38,762 --> 02:46:41,898
>> THANK YOU TO
THE ACADEMY FOR
3292
02:46:41,898 --> 02:46:46,603
LETTING OUR "CODA"
MAKE HISTORY
3293
02:46:46,603 --> 02:46:46,837
TONIGHT.
3294
02:46:46,837 --> 02:46:47,671
AND CONGRATULATIONS TO ALL OF
3295
02:46:47,671 --> 02:46:49,873
OUR FELLOW NOMINEES.
3296
02:46:49,873 --> 02:46:51,942
YOUR MOVIES WERE ALL SO
3297
02:46:51,942 --> 02:46:52,242
INCREDIBLE.
3298
02:46:52,242 --> 02:46:57,447
WE'RE SO HONORED TO BE HERE.
3299
02:46:57,447 --> 02:46:59,750
SEAN, IT HASN'T BEEN AN EASY
3300
02:46:59,750 --> 02:47:01,018
RIDE FROM THE
FIRST DAY SHOOTING
3301
02:47:01,018 --> 02:47:03,020
WHEN OUR CAST AND CREW WERE
3302
02:47:03,020 --> 02:47:05,922
SUPPOSED TO BE
AT 4:00 A. M., AT
3303
02:47:05,922 --> 02:47:07,391
SEA FISHING WHEN
WE WERE TOLD A
3304
02:47:07,391 --> 02:47:09,326
GIANT STORM WAS
ABOUT TO HIT US.
3305
02:47:09,326 --> 02:47:13,330
IT WAS ONLY THE
BEGINNING OF OUR
3306
02:47:13,330 --> 02:47:13,897
PROBLEMS.
3307
02:47:13,897 --> 02:47:15,499
BUT YOU'VE BEEN -- YOU'VE KEPT
3308
02:47:15,499 --> 02:47:18,535
THE BOAT AFLOAT,
AND YOU'VE BEEN
3309
02:47:18,535 --> 02:47:20,170
THE BEST CAPTAIN A PRODUCER
3310
02:47:20,170 --> 02:47:20,604
COULD EVER DREAM OF.
3311
02:47:20,604 --> 02:47:21,872
REALLY.
3312
02:47:21,872 --> 02:47:26,043
[ APPLAUSE ]
3313
02:47:26,043 --> 02:47:30,847
TO OUR INCREDIBLE
CAST, YOU GUYS
3314
02:47:30,847 --> 02:47:33,917
HAVE MADE SUCH A WONDERFUL AND
3315
02:47:33,917 --> 02:47:36,320
LOVING FAMILY ON SCREEN, BUT
3316
02:47:36,320 --> 02:47:37,821
ALSO OFF SCREEN, AND EVERYBODY
3317
02:47:37,821 --> 02:47:39,923
WANT TO BE A PART OF IT.
3318
02:47:39,923 --> 02:47:43,460
AND CONTRARY TO YOU, RUBY, NO
3319
02:47:43,460 --> 02:47:51,935
ONE SEEMS TO WANT TO LEAVE IT.
3320
02:47:51,935 --> 02:47:54,671
SO, YOU GUYS -- AND I WANT TO
3321
02:47:54,671 --> 02:47:57,240
THANK ERIK, OUR
PARTNER IN PARIS
3322
02:47:57,240 --> 02:47:57,874
AND OUR TEAM.
3323
02:47:57,874 --> 02:48:00,210
I WANT TO THANK MY BETTER HALF
3324
02:48:00,210 --> 02:48:01,378
LEON AND MY KIDS WHO ARE ALL
3325
02:48:01,378 --> 02:48:01,578
HERE.
3326
02:48:01,578 --> 02:48:03,914
I LOVE YOU.
3327
02:48:03,914 --> 02:48:13,857
I WANT TO THANK
TERRY SEMEL FOR
3328
02:48:13,857 --> 02:48:15,692
MENTORING ME FROM
MY EARLY DAYS.
3329
02:48:15,692 --> 02:48:17,894
MY DAD, I HOPE YOU'RE WATCHING
3330
02:48:17,894 --> 02:48:21,298
AND THIS ONE'S FOR YOU, TOO.
3331
02:48:21,298 --> 02:48:24,134
>> WELL, I REALLY,
I REALLY WANT
3332
02:48:24,134 --> 02:48:27,404
TO THANK THE ACADEMY FOR
3333
02:48:27,404 --> 02:48:30,540
RECOGNIZING A
MOVIE OF LOVE AND
3334
02:48:30,540 --> 02:48:32,442
FAMILY ON THIS DIFFICULT TIME
3335
02:48:32,442 --> 02:48:37,381
THAT WE NEEDED TO, AND THIS IS
3336
02:48:37,381 --> 02:48:37,614
"CODA."
3337
02:48:37,614 --> 02:48:40,951
SEAN, YOU'VE BEEN
ABSOLUTELY --
3338
02:48:40,951 --> 02:48:41,551
WHERE ARE YOU?
3339
02:48:41,551 --> 02:48:41,918
>> HERE.
3340
02:48:41,918 --> 02:48:44,087
>> YOU'VE BEEN ABSOLUTELY
3341
02:48:44,087 --> 02:48:45,355
AMAZING FROM THE FIRST DAY AND
3342
02:48:45,355 --> 02:48:47,657
I'M SO BLESSED THAT I'VE MET
3343
02:48:47,657 --> 02:48:49,826
YOU.
3344
02:48:49,826 --> 02:48:54,331
AND TO OUR CAST, ACADEMY AWARD
3345
02:48:54,331 --> 02:48:57,868
WINNER MOLLIE MADELEIN, NEW
3346
02:48:57,868 --> 02:49:01,738
ACADEMY AWARD WINNER, DANIEL
3347
02:49:01,738 --> 02:49:04,341
DURANT, YOUR VOICE CHARMED US.
3348
02:49:04,341 --> 02:49:08,779
AND YOU, DANIEL,
YOU MADE US -L.
3349
02:49:08,779 --> 02:49:10,046
AND YOU TOOK REALLY GREAT CARE
3350
02:49:10,046 --> 02:49:11,815
OF THE RUBY FAMILY.
3351
02:49:11,815 --> 02:49:14,584
I WANT TO THANK ALSO THE
3352
02:49:14,584 --> 02:49:17,354
INCREDIBLE CREW THAT WE HAD,
3353
02:49:17,354 --> 02:49:21,925
INCLUDING THE FISHERMEN
3354
02:49:21,925 --> 02:49:34,538
COMMUNITY IN GLOUSTER.
3355
02:49:34,538 --> 02:49:37,207
AND APPLE, THEY
WERE ABLE TO PUT
3356
02:49:37,207 --> 02:49:38,675
THIS MOVIE EVERYWHERE IN THE
3357
02:49:38,675 --> 02:49:39,943
WORLD.
3358
02:49:39,943 --> 02:49:40,944
REALLY, THANK YOU ALL OF YOU,
3359
02:49:40,944 --> 02:49:45,148
ALL OF YOU, AND
THE MOST AMAZING
3360
02:49:45,148 --> 02:49:45,382
TEAM.
3361
02:49:45,382 --> 02:49:48,685
AND TO MY FATHER WHO IS NOT
3362
02:49:48,685 --> 02:49:49,920
THERE, AND MY
MOTHER WHO IS NOT
3363
02:49:49,920 --> 02:49:52,222
THERE, BUT MY
BEAUTIFUL DAUGHTER
3364
02:49:52,222 --> 02:49:54,291
OLIVIA IS HERE, THE OTHER ONE,
3365
02:49:54,291 --> 02:49:56,259
JUSTIN IS HERE
AND MY WONDERFUL
3366
02:49:56,259 --> 02:49:57,961
WIFE WHO HAVE BEEN SUPPORTING
3367
02:49:57,961 --> 02:49:58,195
ME.
3368
02:49:58,195 --> 02:49:59,796
I DON'T KNOW HOW THEY MADE IT
3369
02:49:59,796 --> 02:50:00,764
FOR SO LONG.
3370
02:50:00,764 --> 02:50:01,031
THANK YOU.
3371
02:50:01,031 --> 02:50:01,965
THANK YOU.
3372
02:50:01,965 --> 02:50:05,402
THANK YOU.
3373
02:50:05,402 --> 02:50:05,869
[ APPLAUSE ]
3374
02:50:05,869 --> 02:50:15,712
♪
3375
02:50:15,712 --> 02:50:19,082
>> OH, WE'RE ON.
3376
02:50:19,082 --> 02:50:20,116
>> CONGRATULATIONS TO ALL THE
3377
02:50:20,116 --> 02:50:20,951
NOMINEES AND WINNERS.
3378
02:50:20,951 --> 02:50:22,919
>> TIME TO GO TO BED.
3379
02:50:22,919 --> 02:50:23,386
>> ABSOLUTELY.
3380
02:50:23,386 --> 02:50:25,822
>> THANK YOU, GUYS.
3381
02:50:25,822 --> 02:50:26,356
GREAT AUDIENCE.
3382
02:50:26,356 --> 02:50:26,723
THANK YOU.
3383
02:50:26,723 --> 02:50:27,224
>> GOOD NIGHT.
3384
02:50:27,224 --> 02:50:27,557
>> GOOD NIGHT.
3385
02:50:27,557 --> 02:50:38,110
>> GOOD NIGHT.
3386
02:50:38,110 --> 02:50:39,142
>> AIR TRANSPORTATION TO THE
3387
02:50:39,142 --> 02:50:41,934
ACADEMY AWARDS
PROVIDED BY DELTA
3388
02:50:41,934 --> 02:50:47,709
AIRLINES.
3389
02:50:47,709 --> 02:50:49,724
L.E.D. AND
PROJECTION PROVIDED,
3390
02:50:49,724 --> 02:50:51,674
IN PART, BY SENOVVA.
3391
02:50:51,674 --> 02:50:51,841
♪
3392
02:50:51,841 --> 02:51:09,692
♪
3393
02:51:09,692 --> 02:51:11,627
♪
3394
02:51:11,627 --> 02:51:19,635
♪
3395
02:51:19,635 --> 02:51:33,716
♪
197819
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