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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,713 --> 00:00:15,716 [indistinct crowd chatter] 2 00:00:19,220 --> 00:00:22,156 [Bizet's Habanera from Carmen] 3 00:00:22,190 --> 00:00:30,198 * 4 00:00:46,814 --> 00:00:49,250 - IT'S A BIT OVERWROUGHT, DON'T YOU THINK? 5 00:00:49,283 --> 00:00:52,520 - NO. YOU'RE MISSING THE POINT OF CHIAROSCURO. 6 00:00:52,553 --> 00:00:54,488 JOSEPH WRIGHT DERBY'S MASTERY 7 00:00:54,522 --> 00:00:56,857 RIVALED THAT OF CARAVAGGIO. 8 00:00:56,890 --> 00:01:00,094 THE WORLD'S A DARK PLACE. 9 00:01:00,128 --> 00:01:02,430 A LOT CRITICS BELIEVE HE WAS THE FIRST ARTIST 10 00:01:02,463 --> 00:01:08,669 TO TRULY CAPTURE THE SPIRIT OF THE INDUSTRIAL REVOLUTION. 11 00:01:08,702 --> 00:01:12,840 - J.W. DERBY'S MY FAVORITE PAINTER. 12 00:01:12,873 --> 00:01:15,776 YOU SEEM TO KNOW A LOT ABOUT HIM. 13 00:01:15,809 --> 00:01:18,346 - I THINK HE AND CARAVAGGIO WERE TWO OF THE THREE 14 00:01:18,379 --> 00:01:21,182 GREAT MASTERS OF LIGHT AND SHADOW. 15 00:01:23,651 --> 00:01:25,353 - NOW, WHO'S THE THIRD? 16 00:01:27,455 --> 00:01:28,622 - JOHN ALTON. 17 00:01:32,160 --> 00:01:33,894 - THE NAME'S DAVIS. 18 00:01:33,927 --> 00:01:35,829 DAVIS BENNETT. 19 00:01:35,863 --> 00:01:37,198 - LAUREN. 20 00:01:37,231 --> 00:01:38,532 LAUREN COLESTON. 21 00:01:46,274 --> 00:01:49,810 - I THINK I JUST FOUND ANOTHER ENCHANTING WORK OF ART. 22 00:01:49,843 --> 00:01:53,147 - ARE YOU ALWAYS THIS DIRECT? 23 00:01:53,181 --> 00:01:55,216 - I KNOW WHAT I LIKE. 24 00:01:55,249 --> 00:01:56,884 AND I KNOW WHAT I WANT. 25 00:01:56,917 --> 00:01:59,820 - AND WHAT, EXACTLY, IS IT THAT YOU WANT? 26 00:02:03,257 --> 00:02:06,227 [Latin guitar music] 27 00:02:06,260 --> 00:02:14,268 * 28 00:03:26,440 --> 00:03:28,576 - OHH! 29 00:03:30,378 --> 00:03:31,779 MMM. 30 00:03:31,812 --> 00:03:33,581 [moaning softly] 31 00:03:46,360 --> 00:03:47,795 DAVIS, I WANT TO THANK YOU 32 00:03:47,828 --> 00:03:50,264 FOR A FANTASTIC EVENING. 33 00:03:50,298 --> 00:03:53,267 I WILL NEVER FORGET IT AS LONG AS I LIVE. 34 00:03:53,301 --> 00:03:55,269 AND I WANT YOU TO KNOW SOMETHING 35 00:03:55,303 --> 00:03:57,571 THAT WILL PROBABLY SURPRISE YOU. 36 00:04:02,676 --> 00:04:04,778 YOU WERE MY FIRST. 37 00:04:13,454 --> 00:04:16,424 [upbeat music] 38 00:04:16,457 --> 00:04:21,562 * 39 00:04:21,595 --> 00:04:25,833 - * I GOT MY EYE ON YOU 40 00:04:25,866 --> 00:04:28,736 * I'VE GOT MY EYE ON YOU 41 00:04:28,769 --> 00:04:30,704 * 42 00:04:30,738 --> 00:04:34,675 * AND A MOTIVE, TOO 43 00:04:34,708 --> 00:04:38,579 * YOUR FOOLING AROUND IS GETTING BLOOD ON MY SHOES * 44 00:04:38,612 --> 00:04:41,815 * OH WHOA OH 45 00:04:41,849 --> 00:04:43,984 * OH OH 46 00:04:44,017 --> 00:04:45,986 * WHOA OH 47 00:04:46,019 --> 00:04:47,688 * 48 00:04:47,721 --> 00:04:50,891 * I'VE SET MY SIGHTS ON YOU 49 00:04:50,924 --> 00:04:52,626 * I SET MY SIGHTS ON YOU 50 00:04:52,660 --> 00:04:54,828 * I'VE SET MY SIGHTS ON YOU 51 00:04:54,862 --> 00:04:56,930 * 52 00:04:56,964 --> 00:05:00,801 * I'VE GOT AN ALIBI TOO 53 00:05:00,834 --> 00:05:02,670 * SO DON'T LOOK AROUND 54 00:05:02,703 --> 00:05:06,474 * I'VE GOT NOTHING TO LOSE 55 00:05:06,507 --> 00:05:07,975 * WHOA OH 56 00:05:08,008 --> 00:05:10,678 * OH OH 57 00:05:10,711 --> 00:05:12,613 * WHOA OH 58 00:05:12,646 --> 00:05:14,648 * OH OH 59 00:05:14,682 --> 00:05:16,917 * WHOA OH 60 00:05:16,950 --> 00:05:19,086 * 61 00:05:19,119 --> 00:05:20,888 * WHOA OH 62 00:05:20,921 --> 00:05:23,557 * OH OH 63 00:05:23,591 --> 00:05:24,792 * WHOA OH 64 00:05:24,825 --> 00:05:26,894 [gunshot] 65 00:05:36,870 --> 00:05:40,674 - DAVIS BENNETT JUST DISCOVERED THAT LETHAL THINGS 66 00:05:40,708 --> 00:05:43,777 OFTEN COME IN PRETTY PACKAGES. 67 00:05:43,811 --> 00:05:46,346 BUT THE LESSON COST HIM HIS LIFE. 68 00:05:47,915 --> 00:05:50,784 IN THIS CASE, LOOKS REALLY CAN KILL. 69 00:05:50,818 --> 00:05:52,853 AS FOR LAUREN COLESTON, 70 00:05:52,886 --> 00:05:56,590 WELL, SHE'S ALSO ABOUT TO LEARN SOMETHING, 71 00:05:56,624 --> 00:05:59,693 WHICH IS THAT THE LIFE OF A PROFESSIONAL ASSASSIN 72 00:05:59,727 --> 00:06:03,063 IS JUST AS MUCH ABOUT RECEIVING PAIN 73 00:06:03,096 --> 00:06:06,099 AS IT IS ABOUT DISPENSING IT. 74 00:06:21,482 --> 00:06:23,517 [men grunting] 75 00:06:26,520 --> 00:06:27,755 - UHH! 76 00:06:42,703 --> 00:06:46,106 [panting] 77 00:06:46,139 --> 00:06:48,041 [rattling] 78 00:06:57,551 --> 00:06:59,587 - I'M GOING TO ASK YOU SOME QUESTIONS. 79 00:07:03,557 --> 00:07:06,560 YOU'LL EITHER ANSWER THEM NOW... 80 00:07:06,594 --> 00:07:08,896 OR AFTER I TORTURE YOU. 81 00:07:08,929 --> 00:07:11,865 AND I HOPE YOU REFUSE TO COOPERATE. 82 00:07:11,899 --> 00:07:13,501 - WHY? 83 00:07:13,534 --> 00:07:16,069 - BECAUSE I SO ENJOY INFLICTING PAIN. 84 00:07:16,103 --> 00:07:17,871 - WHO ARE YOU? 85 00:07:17,905 --> 00:07:19,807 - SOMEONE... 86 00:07:21,041 --> 00:07:23,911 WHO LIKES TO PUSH YOUR BUTTONS. 87 00:07:25,078 --> 00:07:28,148 [electricity sizzling] - [screaming] 88 00:07:31,251 --> 00:07:33,621 - YOU'RE AN ASSASSIN. 89 00:07:33,654 --> 00:07:35,523 WHO TRAINED YOU? 90 00:07:35,556 --> 00:07:37,257 WHO DO YOU WORK FOR? 91 00:07:37,290 --> 00:07:40,728 AND WHY DID YOU KILL DAVIS BENNETT? 92 00:07:40,761 --> 00:07:43,597 - YOU'VE GOT ME MIXED UP WITH SOMEBODY ELSE. 93 00:07:43,631 --> 00:07:45,599 I'M NO ASSASSIN. 94 00:07:45,633 --> 00:07:48,168 AND I'VE NEVER HEARD OF A DAVIS BENNETT. 95 00:07:48,201 --> 00:07:50,037 - EXCELLENT. 96 00:07:50,070 --> 00:07:51,271 FOR A MOMENT THERE, 97 00:07:51,304 --> 00:07:53,741 I THOUGHT WE WEREN'T GOING TO HAVE ANY FUN. 98 00:07:53,774 --> 00:07:56,109 [electricity sizzling] - AAH! 99 00:07:59,880 --> 00:08:01,615 - WHO DO YOU WORK FOR? 100 00:08:04,618 --> 00:08:07,020 - FASHION PHOTOGRAPHERS. 101 00:08:07,054 --> 00:08:08,255 I'M A MODEL. 102 00:08:08,288 --> 00:08:11,925 - NOOOO! 103 00:08:11,959 --> 00:08:13,794 - NOW YOU'RE NOT THAT HARD, HUH? 104 00:08:13,827 --> 00:08:15,195 - OH, YEAH. - FUCK WITH ME? 105 00:08:15,228 --> 00:08:16,864 - AH, YEAH. YEAH, THAT'S RIGHT. 106 00:08:16,897 --> 00:08:18,699 COME ON! - GET HER ASS! 107 00:08:18,732 --> 00:08:20,934 [overlapping shouting] 108 00:08:20,968 --> 00:08:22,603 - COME ON! COME ON! 109 00:08:22,636 --> 00:08:24,037 - FUCK WITH ME! COME ON! 110 00:08:24,071 --> 00:08:25,906 - I TOLD YOU, BITCH. 111 00:08:25,939 --> 00:08:28,308 MOTHERFUCKER, WHO THE FUCK YOU THINK YOU ARE, HUH? 112 00:08:28,341 --> 00:08:29,710 WHO THE FUCK DO YOU THINK YOU ARE? 113 00:08:29,743 --> 00:08:31,111 - GET HER ASS! 114 00:08:31,144 --> 00:08:32,846 - SETTLE DOWN! 115 00:08:32,880 --> 00:08:33,981 [whistle blowing] 116 00:08:34,014 --> 00:08:36,016 - AAH! YOU FUCKING CUNTS! 117 00:08:36,049 --> 00:08:38,686 YOU FUCKING... [shouting indistinctly] 118 00:08:38,719 --> 00:08:42,590 [continues shouting] 119 00:08:42,623 --> 00:08:46,293 FUCK YOU! FUCK YOU! FUCK-- 120 00:08:46,326 --> 00:08:49,529 [shouting and banging on door] 121 00:08:52,132 --> 00:08:54,735 - AAAAH! 122 00:08:54,768 --> 00:08:56,069 [panting] 123 00:08:56,103 --> 00:09:00,173 - WHO TRAINED YOU? 124 00:09:00,207 --> 00:09:02,743 - I PICKED UP TIPS 125 00:09:02,776 --> 00:09:06,013 WATCHING THE TYRA BANKS SHOW ON THE C.W. 126 00:09:06,046 --> 00:09:09,316 [buzzer] [screaming] 127 00:09:11,952 --> 00:09:14,655 [gasping] 128 00:09:14,688 --> 00:09:17,591 - AND WHO ORDERED YOU TO MURDER BENNETT? 129 00:09:21,662 --> 00:09:24,364 - I'VE NEVER KILLED ANYONE. 130 00:09:24,397 --> 00:09:26,299 BUT IN YOUR CASE, 131 00:09:26,333 --> 00:09:28,902 I'D MAKE AN EXCEPTION. 132 00:09:28,936 --> 00:09:30,137 - THAT'S FUNNY. 133 00:09:30,170 --> 00:09:32,940 I LIKE A GIRL WITH A SENSE OF GALLOWS HUMOR. 134 00:09:32,973 --> 00:09:36,143 [laughs] THAT'S A GOOD ONE. 135 00:09:36,176 --> 00:09:40,948 - AAAAAH! 136 00:09:42,182 --> 00:09:44,785 [distant crashing and shouting] 137 00:09:44,818 --> 00:09:46,219 [buzzer] 138 00:09:49,222 --> 00:09:50,357 [door clanks open] 139 00:10:05,806 --> 00:10:07,174 - WHAT'S A NICE GIRL LIKE YOU 140 00:10:07,207 --> 00:10:09,342 DOING IN A PLACE LIKE THIS, HUH? 141 00:10:09,376 --> 00:10:11,111 - WHO THE FUCK ARE YOU? 142 00:10:11,144 --> 00:10:13,380 - WOULDN'T YOU LIKE TO GET OUT OF THIS PLACE? 143 00:10:13,413 --> 00:10:14,948 - [chuckles] 144 00:10:14,982 --> 00:10:16,750 THAT'S NOT GONNA HAPPEN FOR A LONG TIME. 145 00:10:16,784 --> 00:10:17,818 - THE PEOPLE THAT I WORK FOR, 146 00:10:17,851 --> 00:10:20,754 THEY HAVE USE FOR PEOPLE LIKE YOU. 147 00:10:20,788 --> 00:10:22,790 - WHAT DO YOU MEAN, "PEOPLE LIKE ME"? 148 00:10:22,823 --> 00:10:25,192 - YOUR IQ IS OFF THE CHARTS. 149 00:10:25,225 --> 00:10:27,060 BUT YOU CAN'T CONTROL YOUR VIOLENT TENDENCIES 150 00:10:27,094 --> 00:10:29,930 AND YOUR PERSONALITY DISORDERS, CAN YOU? 151 00:10:29,963 --> 00:10:31,865 I CAN HELP YOU DO THAT. 152 00:10:31,899 --> 00:10:34,401 - WHY? 153 00:10:34,434 --> 00:10:36,670 - BECAUSE I THINK THAT YOU 154 00:10:36,704 --> 00:10:39,406 HAVE THE KILLER INSTINCT, MS. COLESTON. 155 00:10:39,439 --> 00:10:41,041 - I'VE NEVER KILLED ANYBODY. 156 00:10:41,074 --> 00:10:43,043 - BUT YOU'D LIKE TO, THOUGH, WOULDN'T YOU? 157 00:10:45,145 --> 00:10:46,446 - MAYBE. 158 00:10:46,479 --> 00:10:48,381 - YOUR COUNTRY NEEDS YOU. 159 00:10:48,415 --> 00:10:50,383 YOU EITHER ANSWER THE CALL 160 00:10:50,417 --> 00:10:52,219 OR YOU ROT IN HERE FOREVER. 161 00:10:52,252 --> 00:10:54,221 I DON'T GIVE A SHIT, EITHER WAY. 162 00:11:01,294 --> 00:11:03,430 - WHAT'S YOUR NAME? 163 00:11:03,463 --> 00:11:05,665 - PRESSMAN. 164 00:11:08,969 --> 00:11:12,105 - AAAAAH! 165 00:11:13,974 --> 00:11:16,176 - YOU CAN'T TAKE MUCH MORE OF THIS. 166 00:11:16,209 --> 00:11:18,078 TRUST ME. 167 00:11:18,111 --> 00:11:22,182 THE HUMAN BODY CAN ONLY ENDURE SO MUCH PAIN. 168 00:11:22,215 --> 00:11:25,152 EVERY TIME I PRESS THIS BUTTON, 169 00:11:25,185 --> 00:11:29,422 I PUSH YOUR BODY THAT MUCH CLOSER TO DEATH. 170 00:11:29,456 --> 00:11:31,191 WHEN THE MASTERS YOU WORK FOR 171 00:11:31,224 --> 00:11:33,460 LIKE AN OBEDIENT LAP DOG FIND YOU, 172 00:11:33,493 --> 00:11:35,729 YOU'LL EITHER BE DEAD 173 00:11:35,763 --> 00:11:38,766 OR YOUR MIND WILL BE COMPLETELY FRIED. 174 00:11:38,799 --> 00:11:41,101 YOU'LL BE A COMPLETE VEGETABLE. 175 00:11:41,134 --> 00:11:44,437 BUT THERE IS A WAY TO END THIS... 176 00:11:44,471 --> 00:11:47,841 IF YOU ANSWER MY QUESTIONS. 177 00:11:47,875 --> 00:11:50,377 WHERE DID YOU GET YOUR TRAINING... 178 00:11:50,410 --> 00:11:52,212 WHO DO YOU WORK FOR... 179 00:11:52,245 --> 00:11:54,915 AND WHY DID YOU KILL BENNETT? 180 00:11:54,948 --> 00:11:56,049 - [panting] I'VE... 181 00:11:56,083 --> 00:11:57,317 GOT... 182 00:11:57,350 --> 00:11:58,952 NO IDEA... 183 00:11:58,986 --> 00:12:02,122 WHAT YOU'RE TALKING ABOUT. 184 00:12:02,155 --> 00:12:04,391 [screaming] 185 00:12:14,935 --> 00:12:17,037 - IN THIS CLASS, YOU'LL LEARN THREE VITAL SKILLS 186 00:12:17,070 --> 00:12:19,272 YOU NEED TO COMPLETE YOUR MISSIONS. 187 00:12:19,306 --> 00:12:21,408 CHARM, PERSUASION, 188 00:12:21,441 --> 00:12:23,310 AND SEDUCTION. 189 00:12:23,343 --> 00:12:25,445 A WOMAN ARMED WITH THESE TOOLS 190 00:12:25,478 --> 00:12:27,247 CAN INFLUENCE A MAN TO DO ANYTHING. 191 00:12:27,280 --> 00:12:29,149 YOU UNDERSTAND? 192 00:12:29,182 --> 00:12:32,786 - SO I UNDERSTAND YOU HAVE SOME HACKING SKILLS. 193 00:12:32,820 --> 00:12:35,956 SHOW ME WHAT YOU CAN DO. 194 00:12:35,989 --> 00:12:38,091 - MAY I HAVE A GLASS OF WATER, PLEASE? 195 00:12:45,132 --> 00:12:47,400 - THE TECHNIQUES YOU'LL BE REQUIRED TO MASTER 196 00:12:47,434 --> 00:12:50,470 INCLUDE BODY LANGUAGE, MANIPULATION, 197 00:12:50,503 --> 00:12:52,305 HYPNOTIC LANGUAGE, 198 00:12:52,339 --> 00:12:54,007 AND ADVANCED FLIRTATION. 199 00:12:54,041 --> 00:12:56,009 - AM I LEARNING HOW TO BE AN ASSASSIN 200 00:12:56,043 --> 00:12:57,044 OR A CALL GIRL? 201 00:12:57,077 --> 00:12:58,078 - SHUT UP! 202 00:12:58,111 --> 00:13:00,047 - [snorts] 203 00:13:03,951 --> 00:13:05,085 - HUH! 204 00:13:06,619 --> 00:13:08,221 - SON OF A BITCH. 205 00:13:08,255 --> 00:13:11,058 - GIVE ME EXAMPLES OF THESE TECHNIQUES 206 00:13:11,091 --> 00:13:13,226 OF PERSUASION AND MANIPULATION. 207 00:13:13,260 --> 00:13:14,327 - OHH! 208 00:13:14,361 --> 00:13:15,929 - RECIPROCATION. 209 00:13:15,963 --> 00:13:18,832 HUMAN BEINGS FEEL COMPULSIVELY OBLIGATED 210 00:13:18,866 --> 00:13:22,435 TO REPAY FAVORS, GIFTS, OR CONCESSIONS. 211 00:13:22,469 --> 00:13:24,604 - IF A DUDE TAKES YOU ON A TRIP TO VEGAS, 212 00:13:24,637 --> 00:13:27,374 HE EXPECTS TO GET LAID. 213 00:13:35,282 --> 00:13:39,086 - THAT--THAT'S QUITE IMPRESSIVE, LAUREN. 214 00:13:39,119 --> 00:13:40,487 NOW, WOULD YOU PLEASE 215 00:13:40,520 --> 00:13:43,323 PUT THE MONEY BACK INTO MY BANK ACCOUNTS? 216 00:13:43,356 --> 00:13:45,292 - CONTRAST. 217 00:13:45,325 --> 00:13:47,027 REQUESTS OF A DIFFERENT SCOPE 218 00:13:47,060 --> 00:13:48,561 SEEM TO BE MORE DIFFERENT 219 00:13:48,595 --> 00:13:50,230 WHEN PRESENTED IN A SEQUENCE. 220 00:13:50,263 --> 00:13:52,365 - SOMEBODY ASKS YOU TO LOAN 'EM 100 BUCKS. 221 00:13:52,399 --> 00:13:56,369 WHEN YOU SAY NO, THEY SAY, "HOW 'BOUT 20?" 222 00:13:59,372 --> 00:14:00,373 [both grunting] 223 00:14:00,407 --> 00:14:02,109 - OHH! 224 00:14:02,142 --> 00:14:03,276 - HOW YOU LIKE ME NOW, BITCH? 225 00:14:03,310 --> 00:14:04,945 - CONSISTENCY. 226 00:14:04,978 --> 00:14:07,414 ONCE SOMEONE COMMITS TO A POSITION OR A BELIEF, 227 00:14:07,447 --> 00:14:08,949 THEY'LL TEND TO STRONGLY DEFEND IT 228 00:14:08,982 --> 00:14:11,018 DESPITE ANY CONTRARY EVIDENCE. 229 00:14:11,051 --> 00:14:12,485 - YOU TELL ALL YOUR GIRLFRIENDS 230 00:14:12,519 --> 00:14:14,354 YOUR BOYFRIEND IS AWESOME. 231 00:14:14,387 --> 00:14:17,157 AND YOU STICK WITH HIM EVEN AFTER YOU FIND OUT 232 00:14:17,190 --> 00:14:19,126 HE'S A CHEATING LOSER. 233 00:14:19,159 --> 00:14:21,128 [panting] 234 00:14:30,137 --> 00:14:32,672 [chain clinking] 235 00:14:32,705 --> 00:14:34,107 HYUH! 236 00:14:34,141 --> 00:14:37,444 - THERE'S NO SHAME IN BREAKING, MS. COLESTON. 237 00:14:37,477 --> 00:14:40,047 EVERYBODY DOES, EVENTUALLY. 238 00:14:40,080 --> 00:14:41,381 - [grunting] 239 00:14:44,617 --> 00:14:47,520 - WHAT IS YOUR AREA OF SPECIALIZATION? 240 00:14:47,554 --> 00:14:49,456 - [panting] 241 00:14:49,489 --> 00:14:51,424 BIKINI SHOTS. 242 00:14:53,693 --> 00:14:56,529 - COME ON, LET'S GO. HARDER. 243 00:14:56,563 --> 00:14:58,398 COME ON, GOD DAMN IT! HARDER THAN THAT! 244 00:14:58,431 --> 00:15:00,300 LET'S GO! WAIT, DON'T LOOK AT ME. 245 00:15:00,333 --> 00:15:01,501 BACK, NICE. 246 00:15:01,534 --> 00:15:04,304 - SCARCITY. 247 00:15:04,337 --> 00:15:07,007 ANYTHING LOST OR UNAVAILABLE 248 00:15:07,040 --> 00:15:08,441 SEEMS FAR MORE DESIRABLE 249 00:15:08,475 --> 00:15:10,944 THAN COMPARABLE THINGS EASILY OBTAINED. 250 00:15:10,978 --> 00:15:12,679 - THE ONLY GUY AT THE PARTY 251 00:15:12,712 --> 00:15:14,447 THAT ALL THE BITCHES ARE HITTING ON 252 00:15:14,481 --> 00:15:17,117 IS THE ONE WHO ALREADY HAS A GIRLFRIEND. 253 00:15:19,652 --> 00:15:22,122 - YOU'RE VERY INTELLIGENT, LAUREN. 254 00:15:22,155 --> 00:15:24,257 YOU ALSO HAVE A HELL OF A LOT OF ISSUES. 255 00:15:24,291 --> 00:15:25,959 - SO? 256 00:15:25,993 --> 00:15:27,527 WOULD I BE HERE IF I DIDN'T? 257 00:15:31,064 --> 00:15:33,566 - YOU'RE INCREDIBLY STUBBORN, LAUREN. 258 00:15:36,336 --> 00:15:40,240 - [screaming] 259 00:15:41,274 --> 00:15:43,110 - COME ON. 260 00:15:43,143 --> 00:15:44,244 COME ON, DUCK. 261 00:15:44,277 --> 00:15:45,378 [electricity sizzling] 262 00:15:45,412 --> 00:15:46,980 ALL RIGHT, FASTER. 263 00:15:49,016 --> 00:15:50,250 HARDER. 264 00:15:55,455 --> 00:15:58,591 - ARE YOU REALLY WILLING TO DIE FOR THESE PEOPLE? 265 00:16:00,127 --> 00:16:01,528 - [whispers] FUCK YOU. 266 00:16:01,561 --> 00:16:05,365 - YOU HAVE BEEN USED AND ABUSED YOUR ENTIRE LIFE, 267 00:16:05,398 --> 00:16:08,468 HAVEN'T YOU? 268 00:16:08,501 --> 00:16:10,737 - FUCK YOU. [panting] 269 00:16:10,770 --> 00:16:13,506 - YOUR EMPLOYERS ARE NO DIFFERENT THAN ALL THE OTHERS. 270 00:16:13,540 --> 00:16:16,409 YOU WERE ALWAYS A SCARRED, DAMAGED CREATURE, 271 00:16:16,443 --> 00:16:18,111 BUT THEY TOOK YOU INTO THEIR LAB 272 00:16:18,145 --> 00:16:20,413 AND THEY TURNED YOU INTO SOMETHING ELSE. 273 00:16:20,447 --> 00:16:24,184 YOU'RE NOT THE BRIDE OF FRANKENSTEIN'S MONSTER. 274 00:16:24,217 --> 00:16:27,054 YOU ARE THE MONSTER! 275 00:16:27,087 --> 00:16:28,521 LAUREN... 276 00:16:28,555 --> 00:16:31,024 PAY ATTENTION TO ME! 277 00:16:37,130 --> 00:16:42,102 ARE YOU READY TO ANSWER MY QUESTIONS NOW? 278 00:16:42,135 --> 00:16:43,703 - YES. 279 00:16:45,338 --> 00:16:47,074 - WHERE DID YOU GET YOUR TRAINING, 280 00:16:47,107 --> 00:16:48,441 WHO DO YOU WORK FOR, 281 00:16:48,475 --> 00:16:52,045 AND WHY DID YOU KILL BENNETT? 282 00:16:52,079 --> 00:16:55,815 - I WAS TRAINED BY FUCK YOU. 283 00:16:55,848 --> 00:16:58,785 AND I WORK FOR FUCK YOU. 284 00:16:58,818 --> 00:17:00,787 [groans] 285 00:17:00,820 --> 00:17:04,224 - [slaps table] LAUREN, WAKE UP! 286 00:17:04,257 --> 00:17:05,492 LAUREN! 287 00:17:05,525 --> 00:17:07,527 DAMN IT! 288 00:17:07,560 --> 00:17:09,696 [footsteps receding] 289 00:17:12,299 --> 00:17:16,303 [door clanks open] 290 00:17:16,336 --> 00:17:17,537 [door slams] 291 00:17:19,539 --> 00:17:22,775 - LAUREN COLESTON, HABITUAL OFFENDER. 292 00:17:22,809 --> 00:17:24,644 A WOMAN BARELY FEMALE. 293 00:17:24,677 --> 00:17:27,247 LADIES, WE CAN REBUILD HER. 294 00:17:27,280 --> 00:17:29,416 WE HAVE THE TECHNOLOGY. 295 00:17:30,883 --> 00:17:33,720 ["bionic" sound effect] 296 00:17:33,753 --> 00:17:35,388 WE HAVE THE CAPABILITY 297 00:17:35,422 --> 00:17:39,259 TO CREATE A TRUE LETHAL FEMME FATALE. 298 00:17:39,292 --> 00:17:42,429 LAUREN COLESTON WILL BE THE ULTIMATE ASSASSIN. 299 00:17:42,462 --> 00:17:45,132 FINER, SEXIER, 300 00:17:45,165 --> 00:17:46,566 MORE ALLURING. 301 00:18:03,316 --> 00:18:04,717 [knock on door] 302 00:18:07,287 --> 00:18:08,355 - COME IN. 303 00:18:10,890 --> 00:18:12,759 LAUREN. - I HAD A MAKEOVER. 304 00:18:12,792 --> 00:18:14,394 - YEAH, THEY DID A GREAT JOB. 305 00:18:14,427 --> 00:18:15,728 - THANKS. 306 00:18:15,762 --> 00:18:17,497 I HAVE TO TALK TO YOU. 307 00:18:17,530 --> 00:18:19,466 - WELL, I... 308 00:18:19,499 --> 00:18:20,800 YOU KNOW, I DON'T, UH, I DON'T-- 309 00:18:20,833 --> 00:18:22,902 - I NEED TO TELL YOU SOMETHING. 310 00:18:22,935 --> 00:18:24,804 - I DON'T USUALLY HAVE PRIVATE TALKS, 311 00:18:24,837 --> 00:18:26,173 UH, WITH TRAINEES. 312 00:18:26,206 --> 00:18:27,407 - I KNOW. 313 00:18:27,440 --> 00:18:29,409 BUT...I NEEDED TO TELL YOU 314 00:18:29,442 --> 00:18:31,744 THAT I'M GRATEFUL FOR EVERYTHING YOU'VE DONE FOR ME. 315 00:18:31,778 --> 00:18:33,446 YOU SCOOPED ME OUT OF A GUTTER 316 00:18:33,480 --> 00:18:36,249 AND GAVE ME A LIFE. 317 00:18:36,283 --> 00:18:39,319 YOU'RE SAYING YOU DON'T CARE ABOUT ME AT ALL? 318 00:18:39,352 --> 00:18:41,188 - NO, I'M NOT-- I'M NOT SAYING THAT. 319 00:18:41,221 --> 00:18:43,523 I JUST... YOU DON'T OWE ME ANYTHING. 320 00:18:43,556 --> 00:18:46,259 THAT'S ALL. 321 00:18:46,293 --> 00:18:47,660 - I MADE A FOOL OUT OF MYSELF 322 00:18:47,694 --> 00:18:48,861 FOR COMING IN HERE LIKE THIS. 323 00:18:48,895 --> 00:18:50,263 - NO, YOU DIDN'T. OKAY? 324 00:18:50,297 --> 00:18:52,932 DON'T--DON'T SAY THAT. 325 00:18:52,965 --> 00:18:54,901 - [crying] I JUST REALLY WANTED YOU TO SEE ME 326 00:18:54,934 --> 00:18:58,405 AFTER MY MAKEOVER. 327 00:18:58,438 --> 00:19:00,673 I THOUGHT YOU'D FIND ME ATTRACTIVE. 328 00:19:00,707 --> 00:19:02,475 - LAUREN, DON'T. DON'T CRY. 329 00:19:02,509 --> 00:19:03,776 PLEASE, JUST-- 330 00:19:03,810 --> 00:19:05,478 I DO FIND YOU ATTRACTIVE, OKAY? 331 00:19:05,512 --> 00:19:06,946 I THOUGHT YOU WERE ATTRACTIVE 332 00:19:06,979 --> 00:19:10,683 BEFORE YOU EVEN HAD THE MAKEOVER. 333 00:19:10,717 --> 00:19:12,552 - REALLY? 334 00:19:12,585 --> 00:19:13,686 - YEAH. 335 00:19:13,720 --> 00:19:14,721 - THANKS. 336 00:19:14,754 --> 00:19:16,356 [sniffles] 337 00:19:19,692 --> 00:19:21,361 - I JUST... 338 00:19:21,394 --> 00:19:23,530 I'VE GOTTA WARN YOU, YOU KNOW, UM... 339 00:19:23,563 --> 00:19:24,831 ROAD AHEAD. 340 00:19:24,864 --> 00:19:27,400 IT'S, UH, IT'S NOT GONNA BE EASY. 341 00:19:27,434 --> 00:19:28,735 - I KNOW. 342 00:19:28,768 --> 00:19:30,737 BUT AS LONG AS YOU'RE THERE, 343 00:19:30,770 --> 00:19:32,705 I'M SURE I'LL MAKE IT. 344 00:19:36,476 --> 00:19:38,711 WHY ARE YOU LOOKING AT ME LIKE THAT? 345 00:19:40,580 --> 00:19:42,749 - WHAT DO YOU MEAN? 346 00:19:42,782 --> 00:19:44,817 - I THINK... 347 00:19:44,851 --> 00:19:46,786 MAYBE YOU WANNA KISS ME? 348 00:19:48,455 --> 00:19:51,424 [rock music] 349 00:19:51,458 --> 00:20:00,867 * 350 00:20:00,900 --> 00:20:03,870 - * CAN YOU SHOW ME A SHRED OF WILL * 351 00:20:03,903 --> 00:20:06,773 * MY BODY WANTS SUCH AN EASY KILL * 352 00:20:06,806 --> 00:20:09,976 * WELL, ALL'S FAIR IN LOVE AND WAR * 353 00:20:10,009 --> 00:20:15,548 * AND ON THE RADIO, SHIP TO SHORE * 354 00:20:15,582 --> 00:20:19,552 * 355 00:20:19,586 --> 00:20:21,454 * WHO KNEW YOU HAD SUCH A MOUTH? * 356 00:20:21,488 --> 00:20:22,622 - * I'M ON FIRE 357 00:20:22,655 --> 00:20:24,391 - * DON'T MAKE ME WANNA WASH IT OUT * 358 00:20:24,424 --> 00:20:25,958 - * KEEPIN' ME DOWN 359 00:20:25,992 --> 00:20:27,627 - * YOU KNOW YOU CAN'T KEEP UP 360 00:20:27,660 --> 00:20:28,828 - * KEEPIN' ME DOWN 361 00:20:28,861 --> 00:20:32,332 - * HERE'S ONE MORE KISS FOR LUCK * 362 00:20:32,365 --> 00:20:34,734 * WELL, I FIND MYSELF 363 00:20:34,767 --> 00:20:36,703 * RUNNING FROM YOU 364 00:20:36,736 --> 00:20:38,705 * ALL OVER THE TOWN 365 00:20:38,738 --> 00:20:40,973 * BUT I'M DRIVIN' MYSELF 366 00:20:41,007 --> 00:20:45,445 * INTO THE GROUND 367 00:20:45,478 --> 00:20:51,784 * 368 00:20:51,818 --> 00:20:54,821 * SAW IT COMIN' LIKE A LIVE GRENADE * 369 00:20:54,854 --> 00:20:57,824 * LIT UP A FIRE LIKE A TIDAL WAVE * 370 00:20:57,857 --> 00:21:01,294 * I SAW IT COMING, BRINGING HEAVY DOWN * 371 00:21:01,328 --> 00:21:04,063 * BUT I'LL NEVER TOUCH DOWN 372 00:21:04,096 --> 00:21:06,333 * WHERE ARE YOUR BOOT CAMP BUDDIES NOW? * 373 00:21:06,366 --> 00:21:07,567 - * I'M ON FIRE 374 00:21:07,600 --> 00:21:10,470 - * WHO'S HERE TO YELL, "MAN DOWN" * 375 00:21:10,503 --> 00:21:12,839 * I'D BE YOUR LITTLE ARMY NURSE * 376 00:21:12,872 --> 00:21:13,973 - * MAN DOWN 377 00:21:14,006 --> 00:21:17,377 * BUT I MIGHT MAKE YOU FEEL WORSE * 378 00:21:17,410 --> 00:21:19,546 * WELL, I FIND MYSELF 379 00:21:19,579 --> 00:21:21,514 * RUNNING FROM YOU 380 00:21:21,548 --> 00:21:23,783 * ALL OVER TOWN 381 00:21:23,816 --> 00:21:27,654 * BUT I NEED SOMETHING MORE FROM YOU * 382 00:21:27,687 --> 00:21:29,756 * I HAVEN'T FOUND 383 00:21:29,789 --> 00:21:33,793 * I CAN'T TRUST OR BE TRUSTED WITH YOU * 384 00:21:33,826 --> 00:21:35,895 * WHEN YOU'RE AROUND 385 00:21:35,928 --> 00:21:38,565 * BUT I'M DRIVING MYSELF 386 00:21:38,598 --> 00:21:40,467 * INTO THE GROUND 387 00:21:40,500 --> 00:21:42,535 - [breathing hard] 388 00:21:42,569 --> 00:21:45,772 - * AH AH AH 389 00:21:45,805 --> 00:21:48,841 * AH AH AH 390 00:21:48,875 --> 00:21:51,344 * AH AH AH... 391 00:21:51,378 --> 00:21:52,879 - OKAY, WHY ARE YOU GRINNING 392 00:21:52,912 --> 00:21:54,981 LIKE THE CAT THAT JUST ATE THE CANARY? 393 00:21:55,014 --> 00:21:58,017 - BECAUSE I JUST PASSED MY SEDUCTION TEST. 394 00:21:59,151 --> 00:22:03,523 - SEDUCTION TEST? 395 00:22:03,556 --> 00:22:04,624 - THAT'S RIGHT. 396 00:22:04,657 --> 00:22:05,892 - [chuckles] 397 00:22:05,925 --> 00:22:07,994 - AGENT PAM TOLD ME I HAD TO GET YOU INTO BED. 398 00:22:08,027 --> 00:22:11,097 YOU TWO HAVE SLEPT TOGETHER, RIGHT? 399 00:22:11,130 --> 00:22:12,732 - WHAT DO YOU THINK? 400 00:22:12,765 --> 00:22:13,666 - [chuckles] 401 00:22:13,700 --> 00:22:16,469 - I EVEN USED HYPNOTIC LANGUAGE ON YOU. 402 00:22:16,503 --> 00:22:19,839 "WHEN SENTENCES CONTAIN WORDS THAT CAN'T BE PICTURED, 403 00:22:19,872 --> 00:22:21,874 "SUCH AS 'MAYBE' OR 'MIGHT,' 404 00:22:21,908 --> 00:22:24,844 "THE SUBCONSCIOUS MIND REMOVES THAT WORD. 405 00:22:24,877 --> 00:22:28,114 "FOR EXAMPLE, 'MAYBE YOU WANT TO KISS ME NOW' 406 00:22:28,147 --> 00:22:30,850 BECOMES, 'YOU WANT TO KISS ME NOW.'" 407 00:22:30,883 --> 00:22:32,852 - YEAH. OKAY, SO YOU'RE TELLING ME 408 00:22:32,885 --> 00:22:36,856 THAT WHAT JUST HAPPENED WAS... BECAUSE OF THE TEST? 409 00:22:36,889 --> 00:22:39,859 - NO. NOT ALL OF IT. 410 00:22:39,892 --> 00:22:41,994 THE ORGASMS WERE REAL. 411 00:22:42,028 --> 00:22:44,731 - [chuckles] I HOPE SO. 412 00:22:44,764 --> 00:22:46,433 YOU'RE LEARNIN'. 413 00:22:46,466 --> 00:22:48,000 YOU ARE LEARNING. 414 00:22:48,034 --> 00:22:50,503 AH. 415 00:22:50,537 --> 00:22:52,004 [chuckling] 416 00:22:58,745 --> 00:23:00,046 LAUREN. 417 00:23:00,079 --> 00:23:01,948 WAKE UP. 418 00:23:01,981 --> 00:23:04,183 SLEEPING BEAUTY, GET UP. 419 00:23:04,216 --> 00:23:05,885 COME WITH ME. 420 00:23:05,918 --> 00:23:09,055 I'VE GOT A REALLY BIG SURPRISE FOR YOU. 421 00:23:09,088 --> 00:23:11,724 - WAIT, DON'T YOU WANT ME TO CHANGE? 422 00:23:11,758 --> 00:23:14,794 - NO, ACTUALLY, WHAT YOU'RE WEARING WILL BE PERFECT. 423 00:23:14,827 --> 00:23:17,630 COME ON, WE GOTTA GO. HURRY. 424 00:23:17,664 --> 00:23:19,466 - OKAY, BOSS. 425 00:23:19,499 --> 00:23:21,000 [door creaks and rattles] 426 00:23:21,033 --> 00:23:22,134 - WHAT ARE WE DOING HERE? 427 00:23:22,168 --> 00:23:23,803 - THERE'S SOMEONE I WANT YOU TO MEET. 428 00:23:23,836 --> 00:23:25,071 - WHO'S THAT? 429 00:23:25,104 --> 00:23:26,573 - THAT'S WALKER. 430 00:23:26,606 --> 00:23:28,608 HE'S DOING 12 CONSECUTIVE LIFE TERMS FOR MURDER 431 00:23:28,641 --> 00:23:30,176 IN A SUPER-MAX FEDERAL PRISON. 432 00:23:30,209 --> 00:23:31,944 - I DON'T UNDERSTAND. 433 00:23:31,978 --> 00:23:33,546 - HE'S BEEN OFFERED A CHANCE TO WIN HIS FREEDOM 434 00:23:33,580 --> 00:23:34,947 JUST LIKE YOU HAVE. 435 00:23:34,981 --> 00:23:38,217 BUT ONLY ONE OF YOU'S GONNA GET OUT OF HERE ALIVE. 436 00:23:38,250 --> 00:23:41,921 I TRULY HOPE IT'S YOU. 437 00:23:41,954 --> 00:23:43,189 - PRESSMAN. 438 00:23:51,631 --> 00:23:53,132 [man grunting] 439 00:23:53,165 --> 00:23:55,067 [blows landing] 440 00:23:55,101 --> 00:23:56,235 [Lauren grunting and shrieking] 441 00:23:56,268 --> 00:23:59,105 [both grunting] 442 00:24:06,513 --> 00:24:07,547 [bones cracking] 443 00:24:07,580 --> 00:24:09,215 - AAH! AH! 444 00:24:35,307 --> 00:24:37,577 - SPECIAL AGENT COLESTON... 445 00:24:37,610 --> 00:24:39,211 I HAVE YOUR FIRST ASSIGNMENT. 446 00:24:39,245 --> 00:24:41,213 - ASSIGNMENT? 447 00:24:41,247 --> 00:24:42,882 - DAVIS BENNETT HAS MADE HIS FORTUNE 448 00:24:42,915 --> 00:24:44,283 SELLING WEAPONS TO TERRORISTS 449 00:24:44,316 --> 00:24:45,752 AND LAUNDERING THEIR MONEY. 450 00:24:45,785 --> 00:24:48,254 YOUR MISSION IS TO GET THROUGH HIS SECURITY NET 451 00:24:48,287 --> 00:24:51,891 AND TERMINATE THE THREAT WITH EXTREME PREJUDICE. 452 00:24:51,924 --> 00:24:53,059 DO YOU UNDERSTAND? 453 00:24:53,092 --> 00:24:55,061 - YES. 454 00:24:55,094 --> 00:24:56,195 OH! AH! 455 00:24:56,228 --> 00:24:57,830 [bucket clatters] 456 00:24:59,231 --> 00:25:02,735 THIS IS YOUR LAST CHANCE, LAUREN. 457 00:25:02,769 --> 00:25:04,937 THERE'S A MAN WHO RECRUITED YOU 458 00:25:04,971 --> 00:25:06,639 AND WHO TRAINED YOU. 459 00:25:06,673 --> 00:25:09,976 HE'S THE REASON YOU'RE IN THIS FIX RIGHT NOW. 460 00:25:10,009 --> 00:25:12,011 GIVE ME HIS NAME, 461 00:25:12,044 --> 00:25:15,314 AND I'LL SET YOU FREE. 462 00:25:15,347 --> 00:25:18,284 YOU HAVE JUST FIVE SECONDS. 463 00:25:20,219 --> 00:25:21,888 [gun cocks] 464 00:25:23,189 --> 00:25:25,925 FIVE... 465 00:25:25,958 --> 00:25:28,294 FOUR... 466 00:25:28,327 --> 00:25:30,129 THREE... 467 00:25:30,162 --> 00:25:32,064 TWO... 468 00:25:32,098 --> 00:25:33,600 ONE. 469 00:25:33,633 --> 00:25:35,101 - FUCK YOU. 470 00:25:35,134 --> 00:25:37,804 - GOOD-BYE, LAUREN. 471 00:25:37,837 --> 00:25:38,838 [click] 472 00:25:41,608 --> 00:25:42,742 [gun thuds] 473 00:25:42,775 --> 00:25:44,143 - WHAT? 474 00:25:44,176 --> 00:25:45,111 - MS. COLESTON. 475 00:25:45,144 --> 00:25:48,748 LOOKS LIKE YOU JUST PASSED YOUR FINAL TEST. 476 00:25:48,781 --> 00:25:49,982 AHH. 477 00:25:51,851 --> 00:25:53,786 CONGRATULATIONS, LAUREN COLESTON. 478 00:25:53,820 --> 00:25:55,655 YOU'RE NOW A FULL-FLEDGED AGENT. 479 00:25:55,688 --> 00:25:58,958 I'LL LET RAVEN KNOW THE GOOD NEWS IMMEDIATELY. 480 00:25:58,991 --> 00:26:01,728 WELCOME TO THE ORGANIZATION. 481 00:26:01,761 --> 00:26:03,630 [cuffs unlatching] 482 00:26:04,931 --> 00:26:06,032 - COME ON, STAND UP. 483 00:26:06,065 --> 00:26:07,333 I GOT YOU. 484 00:26:09,101 --> 00:26:11,037 - PRESSMAN? 485 00:26:11,070 --> 00:26:12,304 - YES, LAUREN? 486 00:26:16,809 --> 00:26:18,745 I HAD THAT COMING. 487 00:26:18,778 --> 00:26:19,879 - YOU SURE DID. 488 00:26:19,912 --> 00:26:21,681 COME ON. PUT THIS ON. 489 00:26:21,714 --> 00:26:23,816 GOT SOMETHING I WANNA SHOW YOU. COME ON. 490 00:26:33,059 --> 00:26:36,028 [dramatic music] 491 00:26:36,062 --> 00:26:44,336 * 492 00:26:44,370 --> 00:26:47,173 SO...WHAT DO YOU THINK? 493 00:26:47,206 --> 00:26:48,841 - YOU NEARLY KILLED ME. 494 00:26:48,875 --> 00:26:49,876 NOW YOU THINK YOU CAN BUY ME OFF 495 00:26:49,909 --> 00:26:52,044 WITH A FANCY NEW CAR? 496 00:26:52,078 --> 00:26:55,181 - SOMETHING LIKE THAT. 497 00:26:55,214 --> 00:26:57,016 - WHAT MODEL/YEAR IS IT? 498 00:26:57,049 --> 00:26:58,818 - THAT'S NEXT YEAR'S MODEL. 499 00:26:58,851 --> 00:27:03,122 - OKAY, WHO DO YOU WANT ME TO KILL NEXT? 500 00:27:03,155 --> 00:27:04,924 - I'LL THINK OF SOMEBODY. 501 00:27:11,197 --> 00:27:14,166 [Habanera playing] 502 00:27:14,200 --> 00:27:22,208 * 503 00:28:00,246 --> 00:28:01,447 [electricity humming] 504 00:28:01,480 --> 00:28:04,050 - KILL, UBU. KILL. 505 00:28:04,083 --> 00:28:06,052 GOOD FISH. 32570

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