All language subtitles for The Hard Way (1943)

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Hey Captain!

This girl, she jumped in.

Any identification?
- No, nothing.

Well, she ain't no
bargain-basement dame.

This hunk of fur must
have set her back plenty.

You know Mack, I don't get it.

Why should a good-looking number
like that want to bump herself off?

You got me. Women ..
- Yeah, who can figure it.

Well, Doc?

If you want to ask any questions,
you'd better get in there fast.

Thanks.

What's your name, lady?

Look Miss, we got to make out a report.

Will you give us your name
and address, please?

You see, we have to
have it for the record.

Chernen.

Chernen.

First or last name?

Helen Chernen.

Helen Chernen.

Where are you from?

Greenhill.

Won't you please speak up?

Greenhill.
- Greenhill?

Where's that?
- Never heard of it.

Is there anybody you want us to notify?

No.
- Well then, Miss.

Please tell us. Why did you do it?

Yeah, why?

"Why, why, why?"

"Why, why, why?"

"Why, why, why?"

"Why?"

"They asked me, why."

"As though I could tell them
in one brief sentence."

"No. I would have to start
in Greenhill. A long time ago."

"Greenhill."

"What a name for a town like that."

"Oh, there were hills there alright, but
there was nothing green about them."

"Just soot and dirt and grime.
Morning until night."

"Many of us had dreams of a
different life. A better life."

"What could we do?"

"Not even the sun could break through
that prison of smoke and grime."

"This is where my sister
Katie and I were born."

"Where we grew up."

"When Mom died, I got married to Sam."

"And Katie came to live with us."

"I did my best for her.
Gave her a home."

"Put her through high-school."

"Then came the day before graduation."

"Katie had dreams, too."

Is this the one, Katie?
- Yeah. Isn't it pretty, Helen?

Oh yeah, it's beautiful.

I've been looking at every store in town
and this is the nicest one of them all.

Oh, If I could only ..

What do you think, Helen?
- Well ..

Eight dollars.

Oh, eight dollars, eight hundred,
eight million. What's the difference?

Everything is beneath me.
So, so beneath me.

As I saw it with my
sister, Lady Chernen.

In Vienna, in Capri, on the Riviera.

I dance in white only,
with a thousand officers.

All terribly handsome, but
oh so dull. Don't you agree?

I agree.

Oh Helen, do you think I can get it?

Oh I'll talk to Sam. You'll get it.
- Oh, thanks.

Wait until they see me in this.

Oh, but I promised her, Sam.

Don't you understand? She can't sit with
100 friends and she's the only one ..

I do. I do understand. But I
haven't got the money to spend.

But you can find it. Look, I know she's
my sister. I know it's not your worry.

But I owe it to her, Sam.
I'm the only one the kid's got.

Helen.

Oh Sam, do I ever ask you
for anything for myself?

No. A white dress in this town? She'd
wear it only once for a couple of hours.

No, Helen. It just don't
make sense. Eight dollars.

Sam, do you have to take
your shoes off in the kitchen?

My feet hurt.

Your feet have been hurting for 6 years.
- That's right.

What's the matter with that dress?
That looks good enough.

Sam, look at it, will you. You can't
expect her to wear that to graduation.

Look, I'd like to buy her the dress.
I like the kid as much as you do.

But there are other things.
There's things we really need.

Sure there are things we need.
I know that, but this is different.

Look, Sam.

We grub and grub morning,
noon and night. We're half dead.

But she's beautiful. She's alive.

Why, she's the only living thing
we have anything to do with.

When something is that beautiful,
Sam, you got to take care of it.

You got to protect it.

I can't do it. That's all.

It's no use talking to me.
- Okay.

The spirit of Greenhill. The tired man.

You're dirty and dumb. You want
all you touch to be dirty and dumb.

Now, Helen.
- Six years.

Six years and you can't afford
eight dollars for a white dress.

I don't know what's going to happen.
I'm not personally responsible.

You're not responsible for much
of anything. I'll vote for that.

Now, hold on a minute, Helen.

It's easy enough to criticize.

But it's not so easy to change things.

You should know.

You tried it once yourself.
- Sam.

I'm only speaking the truth. You didn't
work wonders when you walked out on me.

You came back quick enough.
- Shut up.

I'm not blaming you. All I ..
- Shut up.

Don't throw it on to me again. At least
I tried, and don't sit there like you.

Okay, okay. Go try again.
- Alright .. maybe I will someday.

Try a thousand times.
Nobody is stopping you.

That's it.

Alright boys and girls.
Hold still .. and look right here.

The girl on the end, just
to the left .. hold it.

The dress.

Now my dear, I hope you won't mind,
but you see you're a little too tall.

You come down here. Yes, please.
Quickly now. That's it.

Now .. smile.

Hold it.

That's it .. thank you.

Where are you going?
- Home.

You mustn't run away.
Go back to your friends.

So they can laugh at me?
- Don't be silly. Katherine.

I hate them. All of them
in their white dresses.

I wish I was dead.
- Oh, come out of it, baby.

This isn't a whole life.
Things won't stay like this forever.

No.

No. Someone as pretty and lovely as you.
You're going to have fifty dresses.

Yeah .. Miss Katherine Blaine was
at the Ambassador's ball last night.

In her usual dirty rayon.

Never mind. You wait and see. I'm not
going to let you be buried in this town.

I'm through arguing with Sam.
I've made up my mind.

You're going to amount to something,
someday. Something big.

Oh, I'll live and die in Greenhill.
- No you won't.

I'm going to get you out of
here if it's the last thing I do.

Listen .. in a few years, you're
going to be away from all this.

In a few years, you're
going to be riding high.

I'd like to see the day.
How? How's it going to happen?

I don't know, but it will happen.
The chance will come, and we'll grab it.

But you've got to promise
me one thing, Katie.

Don't get taken in like I was. You don't
know your own mind when you're 18.

You get fooled so easy.

I didn't know what I wanted when I was
that age. I just knew I was unhappy.

So I married Sam.

Well, I'm six years
unhappier now, that's all.

So don't you get taken in.

Now listen .. you've got a date with
Johnny Gilpin tonight. Go out with him.

But don't get serious.
You know, moonlight, a kiss.

Do you think that's the
way out, Katie? Well it isn't.

So, be careful and I'll
figure out something.

But Helen, if you can't get out,
what makes you think I can?

Well baby, you got
something I never had.

What?
- You've got me to guide you.

And you've got natural resources.

Now come on, baby. Cheer up.

Go out tonight. Have fun.

Gee. They were swell, weren't they.
- Yeah.

Hey Katie, let's go for a walk.

I leave tomorrow. I see the coach at
Pittsburgh about playing for Pittsburgh.

Johnny, not yet.

It's the show. I want to watch this.

"Gee, what an actor
does to earn a living."

"Is it a wonder that we go berserk."

"I says to him, he says to me,
let's give the whole thing up."

"What will we do if
we have to go to work?"

We're just kidding folks.
We don't do this for a living.

No, we got all kinds of money.

Speaking of money. You
seen the new 2-dollar bills?

The new 2-dollar bills?

Ha .. I haven't seen the old ones yet.

"Am I blue?"
- "Well, you're looking down and out."

"Am I blue?"
- "Tell me what it's all about."

"Ain't these tears in
these eyes telling you?"

"Who is to blame? I wonder who."

"Am I blue?"
- "Say, you asked me that before."

"You'd be too."
- "Come on, brother. Tell me more."

"If his plan, with your girl .."

"Done fell through."
- "What a sorry how-to-do."

Hey, Katie. Can't we go now?

I got to catch the last
trolley home at 11:30.

It's my last night in Greenhill.
- I want to watch this.

"Tears today."
- "That's the price for giving in."

"And now she's gone .."

Oh, cut it out Johnny.
- Shush.

I don't eat lunch all week long,
saving up to take you here.

And you don't even let me
put my arm around you.

Not now, anyway.
- When?

I don't know .. during the acrobats.

In spades.

What's yours?

Alright. What will you have?
- Chocolate sundae.

One coke.
- Banana split.

Banana split?
- Yeah, banana split.

Okay.

What about you, Katie?
What will you be?

Yeah Katie, what will you do?
- Well, I haven't given it much thought.

But I may go on the stage.
- On the stage?

An actress? Holy smoke.

You serious?
- Sure I am.

My dears, just too, too salubrious.

Hey, get her. Garbo.
She's going to be an actress.

Alright, I'll show you.
Give me a nickel.

What for?
- A nickel.

Give it to her.

I must catch the last trolley
home. There's no time left.

Katie, the coach at Pittsburgh.

'Runkel and Collins,
a pair of sophisticates'.

'Am I blue'?

'Take it easy for a while'.

I think I'm going to have a chocolate
malt and a piece of apple pie.

With strawberry ice-cream.
What about you?

A cup of coffee.
- Okay.

Hey, Paul. Take a look.

Am I blue .. that's the
name of the song.

When each plan, with
your girl, just fell through.

Boy, that's sad. There was a time.

Twenty after eleven.

Kinda cute, ain't she?
- Yeah, kind of fresh, too.

'But now I'm so sad'.

'A sad and lonely one .. Mammy'.

'Was I gay? Yes, sir'.

'Until today? Yes, sir'.

'Now he's gone, and we're through'.

'Am I blue'?

Say, that was swell.
- Thank you.

Go ahead kid, dig in. You're doing fine.
- That's great.

Well, thanks but I
think I've had enough.

Go on, do the second chorus for us.

Yeah, we like it. It's wonderful.
I never heard better.

Paul, did you ever hear better?
- Never heard better.

See?
- You're very nice.

Well, I've got some friends
waiting for me. They are ..

Goodbye.
- Wait a minute. You were really great.

Come on .. get me a cup of coffee.

Well I think the kid has something.
- Yeah? Let her keep it.

Come on, sit down, drink you malt.
We're not looking for talent this week.

Johnny, invite them over.

But Katie, I got to catch
the last coach to Pittsburgh.

I need my sleep.
- Invite him over.

But what can I do about my .. ow!

Paul. They want us to go to their table.
- Look pal, that's a nice kid.

Stay away unless you want
to settle down here.

It's not that. I like her personality,
that's all. I want to talk to her.

Come on. Come on, Paul. Be a good guy.

Loosen up.
- Serve us at the table will you.

Say, it sure is nice to
meet you, Miss Blaine.

You're the nicest girl I've
met since I left Nebraska.

I was just saying to Paul. You're the
nicest girl I met since I left Nebraska.

For Runkel, that's a real poem.

When Runkel says a thing like that, it
means he's been stirred to the depths.

Gee, that's very nice. Thank you.

Excuse me, gentlemen. Katie, I'm afraid
I'm going to have to go home now.

I haven't had my banana split yet.
- Stay and have one too, Mr Gilpin.

Thanks, Mr Collins, but you see ..
- Runkel.

You've got talent.

She's got real talent. It hits you just
like a sledgehammer. Am I right, Paul?

Like a sledgehammer.

Gee, you really mean that?
- Sure.

You know something? You remind me of
Ginger Rogers when she was starting out.

Doesn't she remind you of Ginger, Paul?
- Yeah, she reminds me of Ginger.

Gosh. Hearing it from you professionals
who've seen everybody.

Well, practically.

Katie, I got to catch the last trolley.
I've got to be in Pittsburgh tomorrow.

Well, goodbye then.
- Can't I take you home?

Not tonight.
- What's your hurry Mr Gilpin?

I've got to pack my bags.
I've got to get busy.

Well, it's certainly an honor
to meet you gentlemen. Yes, sir.

I hope we're not breaking anything up.

No, no. The last trolley,
otherwise I'd stay.

I'm interested. The coach at Pittsburgh.
- The coach at Pittsburgh. Naturally.

Goodbye. Goodbye Katie.
- Goodbye.

Who's the bright young man?
- Oh, he's just a kid I know.

A very erratic fellow.
What's this 'coach at Pittsburgh' stuff?

The secret password to his fraternity?

He's very young and foolish.

But you're not.
- I dance too.

Yeah?

I bet you do imitations.
- Yes, I do.

W.C. Fields, Hazel Fitch. Mae West?

How did you know?
- I knew it.

There's no limit to the girl's talent.
- I'd love to see you dance.

I'll take you over to
the theater, backstage.

Backstage?
- Would you like that?

Would I?
- I predict a great future for you.

This is the most wonderful
night I've ever had.

Anything else, boys?
- Yeah, how about you?

Our speciality is waffles.

Oh, now wait a minute.
What are you doing tonight?

I predict a great future for you.

Say, she's the nicest girl I've
met since I left Nebraska.

He's just kidding.
- Just kidding.

He's always kidding.

Paul, she's beautiful ain't she.
- Yep.

She lights up the whole theater. Look.

Albert.

If I were you I'd get down on my hands
and knees and crawl out on the street.

Before that lady gets through dancing.
- You ain't me.

I'm looking for Mr Collins.

Well.

Down these steps, Miss.
- Thanks.

Hello.
- Hi, baby.

The working girl arrived on schedule.
- Be with you in a minute.

Say, does she ever get tired?

We're not going to
wait around to find out.

That was swell.

Gee, with a little training you will go
places. I had no idea you were so good.

You really think so?
- Sensational.

You got class and you got
personality and that's what counts.

Of course, there's tricks to
learn to be a real performer.

I can show it to you in no time.

Here. Get some altitude, and
use your face. Sell. See? Try it.

Can I turn of the lights?
- If you do, I'll break your neck.

And don't leave them alone.

You saw me come out tonight. What I do?

Got them, right now. Sold. See?

Ha. Hiya folks. Ha. See?

Ha. Ha. Hiya, folks.

Hello. Hello. See?

Selling all the time.
Ha, ha, ha. That's it.

A young girl like that. You can't
tell what might happen to her.

These crazy kids. They get excited.
They lose their heads.

Please Helen, come to bed. I've been
telling you all night, she's alright.

It's all very well for you to talk.
She doesn't mean anything to you.

But she's my sister and I'm not
going to let her mess up her life.

What's so terrible? It's only
Johnny Gilpin. He's a nice enough kid.

It's 3 o'clock.

So they lost track of the time.

No, no. They never stop to think.

They'll get married. Finished for good
and then wonder what happened to them.

Oh, what am I talking to you for?

What do you care?

Why, you ought to be
ashamed of yourself.

Here I am walking around half crazy,
and you're lying there comfortable.

I'm not lying so comfortable.

If you cared anything about me,
you'd go outside and look for her.

Helen, I've got to get up at 6 o'clock.
- Is that all you care about, sleep?

Sure, that's all I care about.
I've been caring about it all night.

Instead of doing it .. oh, alright.

I'll wander around ..
- Shut up.

[ Girl's laughter ]

There she is.

Well, come on.

Hello, Helen.
- Good evening.

Helen, this is Mr Runkel.
Albert Runkel - this is my sister.

How do you do? I guess this is what you
call a regular embarrassing moment, huh?

Go inside the house.
- But Helen, wait a minute.

Who's this?

I thought she went with Johnny Gilbert.
- See, my name is Runkel. Albert Runkel.

Get out of here.

What?
- Go on, get out.

Wait a minute. I know how this
looks but it ain't what it looks like.

Don't misunderstand.
- What's the trouble?

Helen, there's nothing wrong.
Albert didn't do anything.

We had a very simple evening.
- I told you to get out.

Okay.

Goodnight.
- Goodnight.

Go on.

I hope I see you again, Katherine.

Albert.
- Let him go.

You don't know who he
is or where I met him.

I don't have to.

You came home at 3 in the morning
with a strange man. Enough.

Let me explain.

You don't have to explain anything.
I've been waited up all night, worrying.

Alright. That's enough, please.

You're waking the neighbors.

You keep the house in uproar all night.
At least, we can now all go to bed.

Keep out. Go on upstairs.

Now just a minute, Helen. You're
not going to talk to me like that.

After all, I'm the head of this ..

What you laughing at?

Nothing, Sam. You look
so funny, that's all.

Go to bed.
- You go to bed. Got to be up at 6.

Now, cut it out.
- Katie, I'm telling you.

You keep your hands off her.

Don't you ever touch her
again. Do you hear me?

Well, maybe she won't laugh anymore.

I don't understand. She goes with Johnny
but comes home with somebody else.

A fellow I never even saw before.
- Will you keep quiet.

Oh, shut up.
- She can apologize in the morning.

If he ever hits me again, I'll leave.

I don't have to live here. I can
go someplace else and get a job.

Alright. Now, it's all over.
Get undressed and go to sleep.

It's over. Go to sleep.

Something happens to you.
Something wonderful.

And they try to spoil it. They
won't let you have any fun.

Something nice happened?
You don't know what you're saying.

So, some fellah picked you up.
You thought you were having fun.

But you're only making a
lot of trouble for yourself.

Who said?

What's the matter with you, Katherine?
Do you want to be a tramp?

After all, I told you this afternoon.

Tonight's been the best night
I ever had in my whole life.

I don't care what anybody says.

I danced on a real stage.

And they said I was wonderful.

Who?

Who said that?

Runkel and Collins.

They're real professionals.
Vaudeville actors.

The one you saw was
Runkel. Albert Runkel.

He looks more like a farmer.

You ought to see him on the stage.

He's a very important man.
He's been all over the country.

His big trouble he says, is fitting
in all the theaters that want him.

Yeah?
- Yes.

He says I'm the nicest girl
he's met since left Nebraska.

He says he's seen them all, and I've got
more talent and stuff than any of them.

I see.

Well, you'd better forget about him.

Do you think he really likes you?

Well.

He said he'd been missing something for
ten years and didn't know what it was.

Tonight he found out.
He said .. it was me.

How about you?

Do you like him?

What do you think?

How long is he going to be here?
- Three days.

Three days, huh?

Yeah, and he said he couldn't
bear the thought of leaving me.

He wants to see me tomorrow
night, too. If I can get out.

Don't worry .. you'll get out.

Goodnight, honey.

Goodnight, Helen.

You should have caught
the act in Schenectady.

They wouldn't let us leave the theater.

I warn you.

Break into my act one more time and I
hit you in the head with a beer bottle.

Right in the middle of the stage.
- Now listen, honey ..

Paul, I'm saving my laundry until we
get to Preston. They're robbers here.

Thirteen cents a shirt.

Where do you want to eat?
- A place down the street isn't bad.

Mr Runkel?
- Yeah.

I'm Helen Chernen. We met last night.

Oh .. yes.

Is this the one who kicked you out?
- Yeah.

Look, lady. Don't start any trouble.

In these industrial towns.
You smile at a girl ..

And you find five relatives
chasing you with crowbars.

I promise you Mr Runkel here
won't bother your sister again.

Well, it's not that.
I didn't come for that.

Huh?

Mr Runkel .. I didn't know
who you were last night.

I just thought you were someone
travelling to town looking for some fun.

You know?

Well naturally, that was
the impression I got.

Oh.

Oh, naturally.

Naturally, naturally. Go ahead
sister. What do you want?

Can I talk to you alone, Mr Runkel?

Somewhere where it's quiet.

Yeah, sure. Excuse me, Paul.
I'll be with you in a minute.

This way, Mrs Chernen.

Now remember Bob, I warned you.
Stay away from the natives.

Ah, go on, beat it.
He's always kidding.

I guess I ought to apologize.
It's kind of messy.

Here. Have a seat here.

I tell Paul, we just got to get a valet.
You see, we're on the go all the time.

Now.

Mr Runkel.

Do you think you were quite fair?

Fair?
- Yes.

A man like you who's been
everywhere. Experienced.

Filling Katherine's head
with New York, the theater.

Telling her she's beautiful, talented.

And that you like her.
- But I do.

Mrs Chernen, I meant every word of it.

Listen, don't get me mixed
up with these other guys.

Mr Runkel.

Do you know what she did last night?
- What?

She cried.
- Cried?

Oh, imagine that.

She's a poor kid.

She couldn't sleep.

I don't know.

I've never seen her act like
that before over anyone.

Why, imagine that.

For me?

Fancy a kid like her crying because
I'm leaving town. How do you like that?

Mrs Chernen, can I see her?
Can she get out tonight?

Well, I don't know, Mr Runkel.

How can I be sure?

I don't think you're very serious.
- Serious?

Listen, Mrs Chernen.

What I said to Katherine last
night, every word. I wasn't lying.

I must say something.

This may sound funny, after only seeing
her for one night and everything but ..

It's the truth, and I
might as well face it.

Mrs Chernen.

I'd lay down on railroad tracks for her.

Do you believe me?

Yes .. yes, I believe you.

Oh, thanks.

Then, tonight after the show?

Well, alright. After the show, then.

Okay.

Where can I write you?
- Detroit.

Last night you said Louisville.
- Did I?

I leap from town to town liked a
trained flea. Sometimes I get mixed up.

I wonder where that partner of mine is.

Boy, will I be glad to
get him out of town.

Love has smitten him
like a ten-ton truck.

It never hits you, does it.

Every other Thursday, baby.

Well, looks like I do a single.

Hey, Paul. Wait a minute. Paul.

Hello.

Kiss her. Kiss the bride, Paul.
- Bride?

It just happened. I convinced
her at the last minute.

Well, congratulations.
- Go ahead, kiss her.

Go on.

All aboard.

That's enough.
Come on, honey. Let's get on.

Nice work, lady .. goodbye.

Not yet .. I'm coming with you.

Of course .. how stupid of me.

May I?

Write me in Louisville, baby.
- But you said Detroit.

Louisville.

[ Helen: ]
"It worked: Runkel, Collins & Company."

"Not exactly top billing for Katie."

"But it was a start and
good experience."

"So until the day that one comes along."

"I'll string along."

"With you .."

"Runkel was nobody to
spend a lifetime with, but .."

"He was a meal ticket."

"All she needed now was a real chance."

"I made up my mind to
get her that chance."

Oh, it's beautiful.
Helen, it's beautiful.

Uhuh, it's lovely.
- Can I get it right now? Can I please?

Well, it does a lot for her.

Dear, she fills it beautifully.

Too fancy.

Get something simple.

Hello Paul.

Get something to show your best points
without smacking you right in the eye.

Yes. It's too fancy.
Get something simple.

Gee, isn't anybody going
to ask me if I like it?

Do you like it?
- Well, of course.

Boy, if I showed up in Greenhill wearing
this, they'd call the Fire Department.

That's exactly what Helen
is trying to avoid.

That's right, Paul.

Something a little .. less revealing.

But you're a mighty pretty girl.

Gee, thanks Paul.

Yes, sir. Mighty.

We'll try another one, please.
- Yes, madam. This way please.

Maybe something darker, huh?

Yes, madam.

Did you hear what she
called me? 'Madam'.

A sweet kid.

I'm so glad you came, Paul.
I need your help.

I want Katherine to look just right.

You know, as though she
were born in Park Avenue.

And the first time she walks inside a
good restaurant in New York city ..

I want the doorman to bow to
her as though she belonged there.

Huh? What a horrible ambition.

You're fiddling with a girl's whole life
to make an impression on a city doorman?

Oh Paul, be serious.

We're in the big towns now. You
never know who's going to see the act.

Paul.

You and I have got to
do something for Katie.

We've got to fix it so she
can do a song in the act.

By herself?
- Sure.

All she does now is walk
through. That's not enough.

I'd like to see the kid
get a break. She's good.

Where will we get the time? The act
only runs 12 minutes you know. No more.

Well, we could cut
down on Albert's stuff.

Well, it's for the good
of the act, isn't it, Paul?

We're not really doing him any harm.
- No, I suppose not.

There are men in the audience, too.

They want to see a pretty face.
A young girl, dressed right.

She's got to do more. That's
what the act needs. A little ..

Well you know, Paul.

Hmm.

Maybe you're right.

I've got an idea.
- Yes, Paul?

Maybe we can work it out tonight.
- How?

You know the part where Albert ends his
first routine and does a quick change?

Yes.

You get in the wings and wait for him.
- Uhuh.

And just as he takes his coat off.
- Yes?

Take a knife and stick
it right in his back.

Now listen to me. Things are tough
and they're going to get tougher.

Each day there are ten less people in
the audience. We're in a dying business.

Helen, it's the fourth time
I've tried to do this tie.

You must have something fresh.
Something that attracts the people.

You must have more of Katie in the act.

Well, it's a radical change.
It means practically a brand-new act.

I'm against it and Paul
won't like it either.

Why are you worrying about Paul?
- I don't think he'd like it.

What's more important?
Your own wife or Paul Collins?

Helen, that's no basis. You know it.

He's my partner. I've worked
with him for four years.

I've got to take his feelings
into consideration.

A thing like this may lead to something
serious. It might even split up the act.

Listen to me. Do you think he
gives a hoot about the act?

I know him better than you.
The act is beneath him.

He's tired of it.
- I doubt it.

Someday he'll pat you on the shoulder
and say: 'So long pal, it was fun'.

You'll see.
- That's not true.

Albert, why not be smart? If you had
any sense you'd get rid of him first.

After all, you don't need him.

Hello.

I just popped in to pick up some funds.

What's up?

I distinctly smell something in the air.

Who's getting it now, my dear?
- What the devil do you mean by that?

How about it, Paul? She's right.
That's no way to talk. You know it.

Every time you see Helen, you let go
with anything you feel like saying.

You're not 'privileged' here you know.
- What's got into you?

It's not because she's my sister-in-law.
Not that. I'm sick of all the friction.

All the cheap, nasty wisecracks.

Stop it, Albert. What are you doing?
He didn't say anything.

That's the trouble with me. I'm too
easy-going. I let people walk over me.

I've stood enough.
Things have come to a head.

Doggone it, what does everybody
want from me, anyway?

All I want is five bucks.
That's all I need.

I got a date with a lady tonight.

A genuine lady.

That's a novelty.

If you drink your milk you'll
grow up to be a nice young girl.

Maybe I'll take you out one night.

Ah, you and your gags.
- Thanks.

What's he want to do
a thing like that for?

What does it mean, huh?

Huh?

Nobody is saying, and I
have got to make this tie.

"Until the Station Master calls."

"We'll see other honeymooners."

"Yes, but will we see Niagara Falls?"

"In the winter, for a
little silver quarter."

"We can have the Pullman porter
turn the lights down low."

"Ooh, off we're going to shuffle."

"Shuffle off to Buffalo."

"Ooh, ooh, ooh."

Well. We're seeing the country anyway.

Des Moines, Minneapolis. Kansas City.

All look the same from back here.

[ Helen: ]
"We'd come a long way from Greenhill."

"But we hadn't gotten away
from the soot and the dirt."

"But when we get to New York."

"New York."

Well. Here we are in Brooklyn.

This is worse than Greenhill.

I got you out of Greenhill, didn't I?

I'll get you out of this.

[ Helen: ]

"I started pounding the pavements,
going from office to office."

"But it wasn't easy."

"New York is a tough town and
the agents were even tougher."

'Nothing today'.

'Runkel and Runkel?
Never heard of them'.

'Song and dance teams'?

'A dime a dozen'.

'What about you, sister'?

This is no town for you, baby.
You are too trusting. Too innocent.

Take my advice. Go home.

Go home? But my home is in Italy.

Okay, don't go home.

Well, well, well.

The wide-eyed innocent
invades the big, bad city.

How do you do?
- Hello, Paul.

What are you doing in New York?

Don't tell me you've
become an artiste, too?

No. I'm just looking around
for Albert and Katie.

We play in Brooklyn this week.

You came to the right place. Come on,
sit down. Join the rest of the suckers.

Thank you.

Maria, I'd like to have you meet an old,
old friend of mine. Helen Chernen.

How do you do?
- Charmed, I'm sure.

How are Katie and Albert?
- Getting no place fast.

I thought maybe I could get
them started in a nightclub.

They've a new routine worked out.
Maybe they'd have a chance that way.

How about Wade?
- Max? Max is a great agent.

He's what's known as a charming rat.

He's got jobs to give.
- If he wants to give them.

Yes, but keep your guard up.
He's a very fast man with his hands.

Don't worry about her.
She can take care of Max.

You don't know this lady.

The John Dillinger of the
one-night stands. Eh?

Maybe I'd better sit someplace else.
- Ah, don't be silly.

I was just half-kidding.

Well. Here he is.

Mr Wade, we're playing in Jersey City.

Can you catch our act?
We're the Morgan Twins.

When you're triplets,
come back and see me.

Oh ..

Mr Wade ..
- Hello.

Hiya.

I certainly knocked him cold, didn't I.

I'll see you.
- Me, Mr Wade?

No .. you.

Excuse me.

Goodbye, Paul.

"She's a Latin from Manhattan."

"Suzie's the name."

"You can tell from her Ma�anas."
- "As Latin as can be."

"She's a Latin from Manhattan."

Say, I invited John Shagrue tonight.

The Producer?

He's over there.

Thank you, Max.

"She can take a tambourine
and whack it."

"But with her it's just a racket."

"She's a hoofer from Tenth Avenue."

"That's true. I'm a
Latin from Manhattan."

"Oh what a treat."
- "Just a 42nd Streeter."

"Brother, I repeat."
"I'm a Latin from Manhattan."

"Se�orita Donahue."

Good aren't they, Max?

Gee, it's swell of you to come down
here tonight, Paul. You're a real pal.

Forget it.

Katie, did you hear
what Paul said? We're in.

I heard.

How do you like that? What you expect?
We broke the act in cold.

Eddie Cantor or Chuck Benny
couldn't have done any better.

Sure. It takes time, Katie.

Yeah, it takes time. Wait, Katie baby.
Wait until you see tomorrow night.

There is no tomorrow.
Tonight is the end.

Sorry. I've no time to be
subtle but I can't use you.

What do you mean, Mr Wade?

With all due respect you
kids just didn't take.

So it's goodbye to Runkel & Runkel.

Sir, it's our opening night. You've
got to give us a chance to catch on.

We're fresh personalities, see.
- I'm sorry, but you're through.

Through?
- That's it.

Hey, wait a minute. You can't get
away with this. You can't fire us.

We got a deal. A 3-week guarantee.

Who told you?
- I did.

I told him.
- Yes, she told me.

Helen. What's this guy talking about?
Tell him about that 3-week guarantee.

Mrs Chernen.

Did she show you the contract?
- Why do I have to see that? Helen.

We got three weeks, ain't we?
We can't sell bookings for ..

I know. I know. Max is right.
It was only a trial.

I doubted you'd come
if I told you the truth.

You bet your life I wouldn't come.
Eight weeks bookings down the drain.

Boy, have we been taken.
- I'll be tactful. I'm leaving.

How could you do a thing like this?
- Oh, be quiet.

Be quiet?
- Please. At least explain to Albert.

Yeah, explain ..

Katie, did you know about this?

Of course not. Honest.
- I did it to help you.

You'd have been satisfied hanging around
little jerkwater towns all your life.

Jumping from one dirty
little theater to another.

Only it isn't good enough. And I'd tell
you any lie to pull you out of that.

You pulled us out of weeks
of bookings, I know.

I hoped it would work. It didn't. It
wasn't my fault. I did the best I could.

Ah, you fixed us. You fixed us great.

Eleven years in show business
and I've got to audition.

Well.

Yours not to reason why.

Yours but to do or ..
- Yeah, I know. Live and learn.

Let me tell you. From now on I'm putting
a distance between us and Mrs Chernen.

John Shagrue was out front tonight.

He's doing a new revue.

Albert, did you hear that?
- Shagrue?

You mean, he caught us?
- Right.

For crying out loud, why didn't you say?

Yeah, what did he say?
- He wants Katherine for a part.

Great. Did you hear that, baby?
Shagrue liked the act.

Isn't it wonderful?
- He wants Katherine.

Katherine?
- Yes.

Well, what about me?

Yeah, what about Albert?

There's nothing for Albert.

But I couldn't do anything
without Albert. I just couldn't.

Oh sure you could, baby.

It's like I always said.
I knew you'd kill them.

Congratulations.
- I won't take it.

I'm staying with you no matter what.

No. I'm not going to stand in your way.
I'm not going to hold you back.

If Shagrue wants you for his show,
that's okay. Perfectly okay with me.

I'm not going to leave you.
It's crazy, Albert. The act or nothing.

Don't get mixed up. It's not between
me and you. It's strictly business.

There's no hard feelings, understand?
No hard feelings at all.

I've been in this business 11 years.
I can always get by.

I don't want it. We'll not break up.
I'll not let you down.

Don't worry your little head about me.

That's the least thing.
I got offers, plenty of them.

I can always go back
with Paul if I must.

Listen. I took care of myself
before and I can do it now.

Albert.

Please. You act as though you hate me.

No, I'm glad for you.
It's great, wonderful.

I want to wish you all the luck
in the world. See you later.

Albert.

You're making a dumb move, Al.
This grandstand stuff is silly.

Keep out of it. I know what I'm doing.

If you leave her with Helen, she's gone.
- Nothing doing. I've got my pride.

Don't be a sap. She needs you.

I know she needs me. She'll come back.
She can't do it without me. You'll see.

Let me alone will you, Paul.

Is Katie having a good cry?

She's dressing. She'll get over it.

You feel good, don't you.

Don't you ever wake up
at night and say to yourself ..

'Maybe there's something just
a little bit poisonous about me'?

Mind your own business.

You know, in a queer,
crazy kind of way, I admire you.

I like to watch you work.

It's like watching the manoeuvres,
of the Atlantic Fleet.

And after you've done something
particularly mean and nasty.

I'd like to take you in
my arms and kiss you.

What a lover you'll make.

Is this the line you feed
all those girls of yours?

No, seriously. You're marvelous.

A regular machine.

No heart, no blood, no feelings.

I'll bet you never had a useless
daydream in your life.

You never even thought of a man.

I'll bet you couldn't fall
in love if you wanted to.

You're smart.

You're very wise.

But you're wrong, Paul.

The battleship has a softer side, eh?

Oh, Paul.

Paul, you don't know.
- Darling, I do.

I've known all along.
- No, you don't.

I know what you think about me.

There are so many things, Paul.
I can't explain.

I tell you what, sweetheart.
- What, Paul?

Write me.

Write me in Duluth.

Car 64 on platform seven.

That's right. Rosalyn College.
Ever hear of us?

No, sir. Never did.

Albert.

Hi, baby.

Gee, I was afraid we would be late.
- No.

We got a few minutes yet, I guess.

I got a present for you. It's brandy.

Forty years old.
- Gee, thanks.

You're supposed to drink it slowly.
- Yeah, I know it.

Albert, you're not sore?
- Huh?

Oh no, I never was.
I couldn't be sore at you, Katie.

You're sure now? You think
we really ought to do this?

Do what?
- Split up like this.

Tell me Albert. It's not too late.

You got it wrong.
I said this is show business.

This time you get the breaks.
Next time I get the breaks.

Do you good to be on
your own for a while.

Well, well.

New outfits, eh?

Two smart young ladies.
And I mean smart.

I talked to our agent, Runkel.
Everything is okay.

We follow a couple of trained seals.
- Wait a minute. We don't follow seals.

Maybe the seals don't want to follow us.

All Aboard.

Seems like every time I look around,
somebody is yelling 'all aboard'.

Well .. goodbye, baby.

Gee, I love you so much.

Goodbye, Helen.

Goodbye, Albert. Good luck.
- Thanks a lot.

Come on, Paul.
- Goodbye, Katie. Take care of yourself.

Goodbye .. don't cry
your pretty eyes out.

Remember .. write me in Duluth.

So long, Katie. Thanks for the brandy.

So long.

Okay kids, we break. Go out and get
something to eat. Be back here at 8:30.

And I mean 8:30. And you, Hardcastle.

Don't make me go looking
for you in the yard.

What do you want now, Mr Shagrue?

That number is beginning to look good.
- Yeah? Who cares.

Never on stage with less than a dozen
people. May as well be carrying a spear.

Never mind, baby. You wait
and see. Your time will come.

I'm waiting.

Has anybody seen Miss Emery?
Miss Emery, please ..

Alright, here I am.

Miss Emery, please.
We're waiting for you.

I'm so sorry.

Shush, let's hear this.

Aren't you tired of listening to her?
Let's go and eat.

No. You get dressed. I'll watch
this and wait for you here.

"I love to dance .. I love romance."

"But most of all I love the spring."

Hold it, Joe.

What's the matter?

I can't hear you, Lily.

Would you bring the voice up a little.

Okay.
- Okay, Joe.

"I love to dance. I love romance."

"But most of all I love the spring."

"For when old man Pep
puts rhythm in your step .."

Now what is it?

You got to bring it up.
Get a little more into it.

Well, it's only a rehearsal, John.

I know, but if you don't mind I want to
get a notion of what it will sound like.

I don't want to be surprised
on the opening night.

Well, you don't expect me to
give a performance, do you?

I'm not asking for a performance. I'm
simply asking for a bit more enthusiasm.

I'm tired. I've been hanging around this
theater all day. Just for one number.

Alright, Joe. Let's start again.

"I love to dance, I love romance."

"And most of all I love the spring."

How do you expect me to sing with
those men deliberately hammering away?

Eddie, tell them to stop hammering.

Hold the hammers, boys.

If you must hammer, hammer in tempo.

What did you say?
- I didn't say a word, Miss.

You did. I heard you.

You're always pulling
some sort of wisecrack.

Now Lilly, please.
Let's get on with the number.

Well, are you ready?

Well, she'll never knock them
dead with what she's doing now.

How do you know it?

Sure. I've been listening
to it long enough.

Let's get a bite to eat. I'm hungry.

No. Go eat with the girls.
I'll see you later.

And what are you going to do?
- Stay here. Go. I'll see you later.

Alright.

"Music has its charms when
you're in someone's arms."

"And youth must have its fling."

"When violins are softly playing .."

[ Hammering noise ]

I can't stand it.

Even the carpenters get
more respect than I do.

This is ridiculous.

You know, I've been in
musical comedy fifteen years.

And now suddenly, for no
reason, I'm being persecuted.

And that's what you're doing.
You're persecuting me.

You treat me like a
chorus girl. I refuse.

I absolutely refuse to
sing a single note.

Alright, Eddie. Go up and dry her
tears and let her go for dinner.

Okay, sir.

And if a plank happens to fall
on her, shall I take it to heart?

Oh go on, Eddie. Go on.

That's all for now, Miss Emery.

Mr Shagrue wants you to go out and have
some dinner. Be back at 8:30. Right?

Okay.

It's a shame. An artist like you.

It certainly is.
- Will you have another?

Uh .. just one more.

You see, I can't stand too many.

Charlie, one Martini please.

Ten years ago.

I had seven solos in a
show that cost $150,000.

Seven, mind you.

And now ..

This dirty little stage manager.

He won't even keep the carpenters from
hammering as I rehearse my one number.

Ah, it's a dirty shame,
that's what it is.

And that number, oh ..

It smells, doesn't it.

Well, it's ..

It's like using a
racehorse to pull a plow.

Say, that's beautiful.

A beautiful way to express it.

That's what I am.

A beautiful, thoroughbred racehorse.

Pulling a stinking plow.

Now, what were you saying, dear?

Well, just that it seems terrible to
see it happen to somebody like you.

A woman with your reputation,
your following, your talent.

My talent?

And what they've done to it.

I was a pure, blazing light.

That's what .. Butch Atkinson
said about me ten years ago.

He wrote a whole column just about me.

I still have the clipping.

I was just looking at it the other day.

It was in the Sunday theater section.

A pure, blazing light.

And now they say that ..

Tell me the truth, Helen.

What are they saying?
You know, Helen dear.

You're the only friend I've
got in this stinking business.

Ah well, Lily. It isn't anything
you should take too seriously.

Oh, I know. Go on, tell me honey.

You know, ten years ago, the men were ..

Lined up waiting for me at the stage
door like feeding time at the zoo.

That was ten years ago.

I can't seem to find that clipping.

Some dirty rat must
have stolen it from me.

Everybody is stealing from me.

No-one will help me.

Well, Lilly, I think we'd
better get back to rehearsal.

Huh? Oh yeah.

Besides, John wouldn't like this.

Here you are, Charlie.

And that little stage manager.

You want me to tell you something?

I can't stand him.

Well, I don't blame
you, darling. Come on.

"I love to dance, I love romance."

"Most of all, I love the spring."

"For when old man Pep
puts rhythm in your step."

"Then youth must have its spring."

"Give me a moon, and Chopin, too."

"And you can sell me anything."

"Music has its charms when
you're in someone's arms."

"And .."

I saw that.

I saw you shake your head.

I can't stand it.

Everybody is sitting around shaking
their heads saying they're sorry for me.

Nobody said anything of the kind, Lily.
- Don't tell me.

I know what happens
in this dirty racket.

I could do a job like this
and wind up in burlesque.

Lily, who put an idea
like that in your head?

Don't worry. I got friends.

And they think it's awful, you shoving
me into a little part like this.

Stop those carpenters!

Nobody is hammering now, Miss Emery.

Don't contradict me.

And I've taken enough
from you too, young man.

She's drunk.
- I'm not drunk.

I can smell it.
- I'm not. I'm not. I'm not.

You know I'm not.

I've don't have to take
all this insolence.

Just for this one little part.

You know .. ten years ago.

The managers filled my dressing
room with flowers every day.

But this is ridiculous.

It's just ridiculous.

A woman of my calibre standing for this.

Well, I'm through.

Do you understand?

I'm through.

Alright, Katie. Go on up there quick.

But Helen, what will
I do, what will I say?

Ask him to give you a chance.
Tell him you know the song. Hurry.

Gee, Helen. Don't you think
I'd better wait a little ..?

No, now is the time. Hurry, Katie.
- I can't. It just doesn't seem right.

Mr Shagrue .. Mr Shagrue.

Everybody has a certain
something they love.

For instance. Like the
English love their tea.

"Grandfather loves his rocking-chair."

"And Grandma loves her lace."

"But when it comes to me."

"I love to dance. I love romance."

"But most of all I love the spring."

"Because when old man
Pep puts rhythm in your step."

"Then youth must have its spring."

"Give me a moon, a Chopin tune."

"And you can sell me anything."

"Music has its charms when
you're in someone's arms."

"And youth must have its fling."

"When violins are softly playing."

"When songs of love are sung."

"I'm happy when my heart keeps saying."

"Gee, but it's fun.
It's great to be young."

"The magic of, that thing called love."

"Can throw you higher than a swing."

"When you feel the urge
of a romantic merge."

"It only means one thing."

"Youth must have its fling."

Nervous?

Yeah. For the first time in my life.

Miss Blaine. Miss Blaine.

Oh, Miss Blaine.

There's a telephone call for you.
Operator says very important.

Thank you very much.
Excuse me. I'll join you later.

Katherine.
- Yes?

Someone wants to meet you.
Miss Laura Britton.

The writer? Hello.
- How do you do?

This is Katherine's sister, Mrs Chernen.
- How do you do?

Oh, you're charming, lovely.
- Thank you.

The first bright thing I've
seen in a Shagrue musical.

Now, Laura.

You're wasting your talents
on songs and dances.

I'd like to write a play for her.

Well thank you, Miss Britton, but we're
going to do whatever Mr Shagrue says.

Thank you, Helen.
- Excuse me. I have to answer the phone.

Hello?
- Katie, darling?

It's Albert.

I've been waiting for you to
call. What happened?

I meant to, Albert, but everything is
so crazy backstage. You ought to see it.

You never heard so much applause
in all your life. They just ate me up.

Oh sure. I knew they would. They had to.
Everyone has to love my Katie.

Oh gee that's great, kid.
I'm awful glad for you.

Look honey, I've been thinking.
Suppose I come down to see you?

You mean over the weekend?
- No, no. Tonight.

I'm in Wellsboro.
I can make it in two hours.

Gee, Albert. That would be swell.

Who's that?
- Albert. He's in Wellsboro.

Forget about it. You must get dressed.

Shagrue is giving a party for you.
You don't want to miss a minute of it.

Oh.

Albert. Gee, I'd like to see you, but ..

Well everything is so upset. I don't
even know where I'm going to be.

Gosh, there's so much excitement here.

Oh sure. Naturally, I know how it is.
Opening night excitement and everything.

I was thinking, honey.

Yeah, sure. Well, I'll be
seeing you, Albert.

Yeah, I wish you were here. Goodbye.

Katie .. Katie.

Come on, Katie.

Personally, I'm in this racket
to get material for a book.

I'm going to put you in it.
A whole paragraph.

Ah, go on.

Meet me after the show.
Maybe I'll give you a chapter.

Albert, you talk to Katie yet?
- Oh yeah, yeah.

What she say?

They're still applauding. Marvelous.
- Yeah, marvelous.

Say, I looked up the cast in Variety and
there ain't no Katherine Runkel in it.

What you saying? I just talked to
her on the phone. She's a big hit.

I don't care. There ain't
no Katherine Runkel in it.

I swear to you on a stack of bibles.

You must be nuts.

I'll check it myself.

I don't know why she'd
lie to me. No reason for that.

Shagrue.

Here she is: Katherine Blaine.

She changed her name, see.

'Runkel' .. it's a comedy handle.
You can't expect her to use that.

That's her own name. Her maiden name.

She's got a right to use
that, ain't she, Paul?

Yeah.

Say, if you're going down to New York
tonight you'd better get a move on.

Well I .. I'm not going tonight.

I changed my mind, see.

I see.

But she wants me there.
She wants me to go down alright.

When? 1950?

I'll give this advice
whether you like it or not.

Never mind.

Go to New York tonight.
Get your wife. Don't wait.

I said never mind.
- Can you see what they're doing?

Why don't you wake up?
- Cut it out.

You leave her with Helen for two weeks
and she'll end up a first-rate tramp.

Hey, what's the idea?

You shouldn't have done that.
He's a friend of yours.

It's okay, baby.
- If I was you, I'd listen to him.

I've been around, see. And what
he said makes a lot of sense to me.

Fool.

Oh, Harry.

Good evening.
- Good evening, Brooks.

Will you tell Mr Shagrue we're here.
- Yes, ma'am.

Look, Katie. Isn't it wonderful?
- Yeah.

Eat it up, baby. Eat it up.

Hello, John.
- Hello.

Good evening, Mr Shagrue.
- Lovely. Lovely.

You timed her entrance perfectly, dear.
- Thank you, John.

Ladies and gentlemen.

I would like to introduce
Miss Katherine Blaine.

And her sister, Helen Chernen.
The little lady who made it possible.

Come on, Katie. I'll run
interference for you my dear.

Hello, Helen.
- Hello, Max.

You here too?
- Yes.

The kid certainly did it, didn't she?
- Yes. Didn't she.

Oh, Helen.
- Huh?

What about us having dinner?
- Why don't you call me up some time.

Call you up? I thought
we were good friends.

I'm my only good friend, Max.
You know that.

Magnificent, my dear.

Colossal. Colossal is the word.

Now, I want to talk to you, young lady.
- Harry. Leave the girl alone.

This is her first show.
Give her a chance.

Ridiculous. You know what Hector
told me. He's fighting a lost cause.

The theater is dead. You come
and listen to me, young lady.

You know John, you're very sweet.
- Thank you, my dear.

Brooks.
- Yes, sir.

There you are.
- Thank you.

Here's to you, Helen.

Here's to us.

Uh .. pardon me.

Oh .. hello. You're cute.

Why, I just got here.
I'm looking for Katherine Runkel.

Or Katherine Blaine. They thought
at the theater I'd find her here.

Excuse me, John.

I'll go and get you a drink.
Now, don't go away.

Look, I ..

Albert, what are you doing here?
- Where's Katie? I came to see Katie.

She can't see you now.
- Why not?

Why, she's with some important people.

Albert, why not go to a hotel now?
You can see her in the morning.

My wife's here. I want to see her.

But she can't talk to
you now. Be sensible.

Listen, Katie and I will live
our own lives from now on.

Stop trying to tell us what to do.

If these liquor-carriers
can stay here, so can I.

Albert, you know as well as I ..

Think it over my dear, and I'm
sure you'll see it my way.

Think what over?

Albert When did you get here?
- Who's this guy? What's he saying?

Nothing. You said you weren't coming.

A swell bunch you're
running around with I must say.

I beg your pardon, sir.
- Ah, go on, beat it.

Katie, I want to talk to you.

Who's this big bully?
- He's just an old friend.

I'm nobody's old friend.
I'm her husband.

Stop shouting, Albert.
What is it with you?

Be quiet, or we'll have you thrown out.
- Oh, sit still, will you.

Katie, I want to talk with you.
I got to talk to you.

But Albert, you can't talk to her now.

Let me go. Are you crazy?

No, I just want to talk to you.
What's wrong with that?

No, but you've disgraced
me in front of all my friends.

What did you have to
come here for anyway?

You've made a fool out of yourself
and a fool out of me, too.

Sorry Katie, I ..

I lost my head. I couldn't help it.

I just had to talk to you. That's all.

What is it? What do you want?

Gee, I don't know.

I thought of a lot of things to say
on the way down here but ..

But when I look at you, you're so
beautiful I can't say any of them.

All I know is that I love you.

Of course you love me, Albert.
I know that.

Is that what you wanted to tell me?
- No.

Katie, darling. I can't go on like this.
I'm not ashamed to admit it.

I can't work. I can't do anything.

I'm so lonesome, I cry in
my sleep like a 6-year-old.

All I keep thinking about is you.

I know how you feel, Albert.

What can I do about it?
- Come back with me, Katie. Please.

Let's make some sort
of a life for ourselves.

I want to, Albert.

I want to be with you just as
much as you want to be with me.

I told you on the phone
we'll be together soon.

Katie, I want you to come back to
me now. Right this minute. Tonight.

I can't, Albert.

How can I give up everything now?

You ask me to do something that
makes no sense. It's not even right.

I'm not asking you to come back
because it's right or wrong.

I'm asking because I need
you. Because I love you.

Everything is so wonderful for me now.

I'm living in a bath of champagne. This
is what I dreamed about all my life.

We'll be together soon, later on.
There's plenty of time.

No there isn't. If you don't come
back to me now, you never will.

Why do you say a thing like that?
- Because Helen won't let you.

That's not true.

Then why did you change your name?

Oh nothing, Albert.

Helen felt it would be a good idea.
- See what I mean?

She doesn't want you to come
back. She wants to break us up.

I won't hear anything against Helen.

But I can see it. Day by day, she's
making a person out of you I never knew.

She's no good, baby.
- Don't say that.

Everything she ever did, she did for me.

You're always against her, but do you
think of the good she's done for me?

All the sacrifices she's made? Just go
into that room there and listen to them.

All bringing me contracts.
In Hollywood and on the stage.

You call it doing me harm?
- I don't know.

All I know is I won't go
on this way any longer.

Alright, then.

Come to New York.
Get out of show business.

I make enough money to
take care of both of us.

What kind of a guy do you think I am?

What do you expect? Give up everything
and go back to those one-night stands?

Holding your hand in
some dirty little theater?

If you think I'm going
to do that, you're crazy.

Albert. I didn't mean it.

All those speeches I rehearsed.

Thanks.

I know you're an artist.
Don't give me that.

Now just do what I tell you and go away.

Where is he?

Has your partner come in yet?
- In a few minutes, Mr Flores.

How do you like that?
He doesn't even come on time.

You can't argue with
them or talk to them.

Everybody around here is sensitive and
temperamental. Everybody except me.

Something on your mind, Mr Flores?

I didn't want to talk to you about it.
Your partner says he's the business end.

I'm willing to talk to him. But he's
never around when you want him.

What is it?
- Well.

Well, after the show tonight, I've got
to ask you to go and that's straight up.

Don't think I'm a rat. I'm not a hard
hearted boss. Look at it from my side.

You boys aren't working out.
There's no life to the act.

Personally, I've got faith.
Personally I think you're great.

But the customers, they ain't ..
- Okay, never mind.

Oh, now you'll go around
saying I'm a dirty heel.

Oh, I understand, Mr Flores.

Hey Runkel, a fine pal you are.
Why didn't you tell a guy?

What you trying to do? Keep it a secret?
I just saw the review in Variety. See?

Yeah, I saw it.

What .. what's the matter?

She's your wife ain't she?
That's a true fact, ain't it?

What wife? Who?
- Katherine Blaine. A big story.

The first season she had one number.
Today she plays a leading part.

It says so right here:
'A new star in the firmament'.

The words are written in the review.
Take a look.

There it is. Look at it yourself.

I don't get it, Runkel.
To me, it makes no sense.

I don't know what you're
talking about, Frenchy.

Listen. What are you working
in a joint like this for?

Your wife's a big star.
Go to New York. Take it easy.

Cut it out.

Listen, don't be a jerk.
You gave her a big start, didn't you?

You put her where she is.

It's time she paid off. Collect.

Mr Runkel, I think we
can work something out.

I've got a great idea.

Before, it was one thing.
But now it's different.

If we can get the people to
know, and we advertise it right.

That you're Katherine Blaine's husband.

I couldn't do that, Mr Flores.
- Why not? It's a great break for you.

Think of all the theaters you can play.
- Cash in on your wife's name.

Nothing to be ashamed of.
- More contracts than ever.

You're her husband, ain't you?

Will you please leave me alone.

Alright, alright. Don't get sore.

What's the matter with him?
- A peculiar type. I can't make him out.

Sensitive. Everybody is sensitive.
You see, we've hurt his feelings.

Why? What did we say?

If it was my wife and someone gave
me good advice, would I holler at him?

No. I would thank them from
the bottom of my heart.

Hey .. listen.

That's the record I was playing.

Can you beat that?

Instead of going to New York.
Instead of living in the lap of luxury.

He sits there and plays records.

Dope.

I wouldn't say it's not my business.

I didn't say nothing.
- You're right.

Ah, go on .. I've got to
get dressed for my number.

No, I mean it. You meet me after the
show and I'll take you out to supper.

Okay. I'll have a nice, thick steak.

Good. You'll get a nice small hamburger.
Then we'll go out for a little walk, eh?

Walk where?
- Oh, just around the town.

We'll see.
- Okay, kid. See you then.

[ Gunshot! ]

What's that?

I don't know.

Albert.

Albert.

What's the matter? What's going on?

Oh.

Well, I ..

I was just talking to
him two minutes ago.

We had friendship.

What did he do a thing like that for?

Get out.

If I haven't got trouble enough as it
is he had to go and pick on my club.

I'll be lucky if I sell five beers
in the next two weeks.

I said, get out.
- I'll be wrecked, ruined. That's what.

Gattling, Kansas.

What a place to be buried.

He was playing your song
when he killed himself.

Funny about him.

He was the kind of guy who
wished he'd lived in a big house.

And had ten kids to eat
thanksgiving dinner with him.

Somehow, he got to
run in the wrong race.

He never had any idea what
you were really like at all.

He invented something
loving, sweet, faithful.

He called it his Katherine.

His Katie.

At night he used to walk around
the dreary little towns we were in.

And read your letters
under the street lamps.

The nicest girl he'd met
since he left Nebraska.

Paul, leave her alone will you.

People get hurt.

It's nobody's fault. Just live
and get hurt. That's all.

That's right .. the world
is full of murderers.

Come on, Katie.

Katie.

Be careful.

For Albert's sake.

He wouldn't want you to get hurt.

I gave him a bottle of brandy.

Forty years old.

Drink it slowly, I told him.

He never even opened it.

It's still in his trunk.

It's nobody's fault, Katie.

Albert was weak.

There are a lot of people like him.

But you can't worry about them. They're
bound to get crushed sooner or later.

The only thing you ever did to
him was to become a success.

Do you want to blame yourself for that?

I don't know.

[ Helen: ]
"Something happened to Katie."

"Something went wrong inside."

"I couldn't quite understand."

"I knew she wasn't happy, but.."

"Well, I didn't know what to do."

Flowers for Miss Blaine.

Nice word, Katie.

A new guy every night.

We won't be late, and we won't be early.

'Success, Miss Blaine'.
- 'You're marvelous'.

Youthful enthusiasm is the
keynote of Katherine's success.

Five minutes, Miss Blaine.
- On stage, Miss Blaine.

Hurry, Miss Blaine.

[ Helen: ]

"Katie went on and on from
one success to another."

"But she didn't seem to
care about it anymore."

"Something crumpled up."

Where are you going?
- Out. Do you mind?

But Katie, Shagrue and Laura will
read the play in the morning.

You have to look fresh.
- Oh, let me alone.

Hello? Club 41? Is this Emile?

Emile, this is Mrs Chernen. I'm looking
for my sister. Have you seen her?

Don't lie, Emile. I know
she was at your place last night.

I must know who she was
with and where she went.

Yes, I know about the other places
I can try. You don't have to tell me.

Royal Club, Essie.
- Evergreen 54192.

Right. Now look for Club Valentine.
- Yes, ma'am.

[ Buzzer ]

Never mind, Essie. Answer the door.

Hello, Maurice?

This is Mrs Chernen. Was my
sister at your place last night?

You should keep me on steady.
It would be much cheaper.

Where is she? I rushed my
head off getting here.

We don't know.

A fine thing a kid like
that staying out all night.

I've got 2 daughters her age. They still
don't know what aspirin tastes like.

Shut up Anderson. Wait in the bedroom.
- Go on, insult me. You're paying.

Essie, don't stand there. Mr Shagrue
will be here soon. Get the drinks ready.

Yes, ma'am.

Make yourself right at home.

I don't mean to barge in on you.
- You're not barging in.

Take your hat off and stay awhile.
- You see, I'm not trying to ..

I just feel that way.

Oh.

Hello Helen.

Oh, this is Mr Duglatz. Joe Duglatz.

The world knows this fellow man, eh Joe?
- She's just kidding you.

I'm not kidding.
- Begging your pardon.

I saw her sitting alone on the
steps of an apartment house.

A bit under the weather, you know.

So I took in the situation and
figured I'd watch over her a little.

I want to know my fellow man.
- Alright. Now get out of here.

Get out of here?

Helen, please ..
- The appreciation I get ..

The rewards.
- Just a minute.

Human nature.

Just a minute, Helen.

Don't 'just a minute' me.
In the bedroom.

Anderson.
- I don't want Anderson.

I don't care what you want.

Come on, off with these clothes.
We don't have much time.

Essie, get the door.
- Yes, ma'am.

Come on. Come on.

The homes I go in to.
The things I have to see.

Get away from me.
- Katie, stop it.

Is that ladylike?
- Get away from me.

Sweetheart.

Now, Anderson, make her
look good. Make her look fresh.

What will I do?

Essie, help Anderson.
- Come on Essie, give me a hand.

After a few showers, hot and cold.
You'll be okay, honey.

Good morning.

Good morning.
- Laura, darling.

John.
- Helen.

Lovely morning.
- Beautiful.

Appalling. Where's Katie?

She'll be right out.
She overslept a bit.

Overslept? It's past twelve.

Doesn't it sound glamorous, though?
Up at the crack of noon.

As a matter of fact she had a headache.
She didn't sleep all night, poor thing.

Like a drink?
- I'd love one.

John?
- No thanks.

Helen, would you ask Katie to
come in. I'd like to get started.

Tell the truth, John, I was thinking
we might go ahead without her.

I'd like her to be here to
see what she thinks of the part.

So would I.

What the difference?
I'll tell her about it.

But, Helen. After all she's
the one who's going to do it.

She may not want to. I don't know.

John, what's on your mind?
What are you driving at?

Well frankly Helen, I'm worried.

I just don't know about Katie.

The part needs somebody charming.

Fresh, bright, alive.

Katie certainly fits that.

Let me go. Let me go.

Katie.

Oh.

Hello.

Excuse me, I'm ..

Well, she's crazy.
She tried to scold me.

She tried to put me in a
shower that's boiling hot.

Boiling.

Katie.

John.

Where are you going?

We'll have a reading another time.
I've got to get back to my office.

Oh but John, that didn't mean a thing.

Katie just went off on a little tear.

You know, with the show closing and all.

Helen. Let's face it.
She just can't do the part.

I don't want to be cruel about it.

I'm crazy about Katie but
I've a play to produce.

And I just can't do it with her in
the lead. I'm too good a businessman.

I'm going to get somebody else
for the part. My mind is made up.

Wait a minute.

You promised us this play.

I'm sorry.
- Sorry?

What good is that now? You're running
out on us just when we need you.

Let me tell you, you're no better
than a cheap Broadway sharpshooter.

You think about yourself. No-one else.

And as far as I'm concerned, you've
turned out to be a first-class heel.

Coming, Laura?

John, I do think you were a little
harsh on the girl. After all she's ..

Now just keep quiet and relax.

Well, that was a beautiful
entrance you made.

Did I spoil something?
- Oh, no, nothing at all.

Shagrue just decided he didn't
want you in Laura's play, that's all.

I knew all along he wouldn't
want me for the part.

Did they go or have I to keep this up?
- No, they've gone.

Wait a minute, Anderson.
I've got an idea.

What are you up to now?
- Wait and see.

Shagrue may be the best Producer
in town but he's not the smartest.

Going to have a little
talk with authoress.

Hello. Is this Miss Britton's apartment?

This is Mrs Chernen. I know she's back.
Would you give her a message for me?

Tell her I want her to meet Miss Blaine
and I at The Embassy at 5 for cocktails.

Laura, darling.
- Oh, there you are.

We didn't keep you waiting?
- It's alright. I was at the bar.

As usual, nothing happened.
Hello Katie, dear.

Hello Laura.
- My, my. Don't you look nice.

Yes, doesn't she.
- Thank you.

But you were certainly
stinko this morning.

Come, Laura, We have a table ready.

You must give me Anderson's
telephone number. She's terrific.

Laura darling.
I tell you frankly why we're here.

Well, well. The two famous ladies.
The great manoeuvres.

Paul Collins.
- Hello, Paul.

Hello, Katie.
- Paul, where did you come from?

Oh, you know. The world
is a small place.

How are things? You don't have to answer
that. I can see things are wonderful.

Miss Laura Britton, I believe?
- Yes. Miss Britton - Mr Collins.

How do you do?
- Paul, won't you sit down?

No thanks, Katie. I just
came over to say hello.

Well, here we are after all these years.

Yes, here we are.

We haven't seen each other for a
long time but you still fascinate me.

You and Katie. Katie and you.
- That's fine, Paul.

You make all the rest of the women in
the world seem dull and uninteresting.

Really. I wonder why?

You wouldn't understand but
I'm sure Miss Britton would.

You know the feeling you get when you're
on a tall building and want to jump off?

That desire for self-destruction?

Well these two lovely ladies represent
my deepest desire to cut my own throat.

Goodness.

Do you mind? Laura and
I must discuss business.

Business?
- Yes.

Oh, poor Miss Britton.

Poor Miss ..?
Say, I don't think I like that.

Paul, stop joking.

Katie, take him away.
Have a drink at the bar, will you.

What a delightful idea.

A treat for a middle-aged man.

Katie?
- Come on Paul.

Goodbye, Miss Britton.
Farewell, Lady Macbeth.

A very attractive guy.

A little eccentric.
- Nevertheless, a girl could do worse.

I suppose so.

Why Helen, that man means
something to you, doesn't he?

Oh, don't be silly, Laura.

Now darling, about the play.

What will you have?
- I ordered a Martini.

A Martini for the lady.
Double Scotch and soda for me.

Yes, sir.

It's nice to see you, Katie.
- It's good to see you too, Paul.

You look beautiful .. yes, sir.

Thanks, Paul.

Why haven't we seen you before?

I don't know. I knew I'd run into you.

Sometime, somewhere.

No thanks.

You could have phoned. You could have
dropped in backstage and said hello.

Yes, I could have.

I guess maybe I wanted it this way.

You know Katie, you and Helen
have left your mark on me.

I think about you all the time.

I've thought about you a lot too, Paul.

Here you are, Mr Collins.
- Thanks, Bill.

Well, here it goes.

You're a big success now, aren't you.
- This season's the jitterbug's delight.

I've heard your band over
the radio. It's very good.

I hear Toscanini is resting.
He's got a big lead.

Tell me about you, Katie.
Are you having a good time?

Oh I don't know, Paul.

I'm so tired these days, I don't
seem to care about anything.

What I do, where I go.

Yeah, I know.
Everything is tinsel and ashes.

Life is sad and ironical, isn't it.

The same old story.
Here you are, big star.

Jewels, furs, penthouses
Chanel Number 5.

Everything you ever dreamed of.

Yet deep down underneath
it all, you're sad and lonely.

Is that it?

Paul, be nice to me, please.

It was nasty. I'm sorry, Katie.

Paul, can't we get out of here?

What's the matter, Katie?

Nothing. Don't ask me. Let's just go.

Okay.

Oh. It's nice here, Paul.

It's quiet and restful.

Do you want to know the truth, Katie?

If it's a nice truth.

Remember that first time I saw you?

In the ice-cream parlor in Greenhill?

I thought you were wonderful.

I'd like to go off somewhere.

And try to get back to that
girl in the ice-cream parlor.

Do you think I could?

Not you, Katie.

You're tied up with Broadway.
The whole business.

With Helen for good.

It doesn't make any difference
what you say now. I know.

You can't break away.

Forget it.

We met .. we talked.

We had a nice sentimental evening.

That's all.

Well, I've got to catch
a train in the morning.

Where are you going?
- Saratoga Springs.

I'm booked in a resort
near there for the summer.

I'll see you again, won't I?
- Sure.

We'll run into each other
again sometime soon.

In four or five years.

I enjoyed being with you tonight, Paul.

I enjoyed being with you, Katie.

Yep, it's getting late. Take you home.

"Goodnight."

"Oh, my darling."

"The moon has spread its silvery wings."

"Across the sky."

"And angels watch."

"Above you."

"So that I would always see you."

"You are my own."

"You are my true love."

"My old, yet my new love."

"And when I'm with you, love."

"Oh, how the time does fly."

"Goodnight, oh my darling."

"Until another morning
brings a brighter sky."

"Until then, I'll be dreaming of you."

"Goodnight, my darling."

"Pleasant dreams. Goodbye."

"So my love."

"I say goodnight."

"To my love."

"With all my love."

Katie.
- Hello, Paul.

What are you doing up here?

I don't know. I just had to come.

I don't get it.

Come on, you'd better explain it to me.

How did you get away? Where's Helen?

She's in New York.

What did you do, chloroform her?
What about your career in the theater?

I left all that in New York, too.

I still don't get it.

I'm trying to tell you, Paul.

I wanted to see you.
I wanted to be with you.

I don't want to talk about the theater,
about plays, managers, or anything.

At last you got some sense into
that little head of yours, didn't you.

You're not angry with me, are you Paul?
- Angry?

You crazy kid.

Katie.

Did you ever ride a horse?
Climb a mountain?

Fly fish for trout?

Ride across a lake at 50 miles
an hour in a motorboat?

No, never.

Baby.

We've got a lot of
important things to do.

You know Katie, you get
more like her every day.

Like who?
- Like yourself.

Like that little girl in
the ice-cream parlor.

You're just like her right now.

You know, I just found out something.
- What?

You're a deep thinker.
- Who, me?

I'm a minor league deep thinker.

You know, I just found out something.

Maybe you've been wasting
these last few years.

Yeah, but what can I do about it?

Marry me.

Didn't that ever occur to you?

Yes.

But I didn't think it would
ever occur to you.

Let's take a chance. Huh?

Paul, do you think it really could be?
The way we want it to be?

I'll tell you in twenty years.

But if you don't marry me,
you'll never know.

Alright. I'll take a chance.

Okay. Let's get dressed.

Hey, wait a minute. You haven't
even told me you love me.

There's a lot I haven't told you.
- And you haven't kissed me.

Later on. Come on.

My sister's here. Miss Katherine Blaine.
I believe she has a reservation for us.

No. I don't think she has.
Did she expect you?

Why, yes. I sent her a letter yesterday.

That's funny, isn't it.

This must be the letter. She hasn't got
her mail yet. She's been out all day.

But I can give you a suite next to hers.

Thank you.

Can you tell me where I can find her?

I think she's at the pool.
Tommy will show you.

This way please.

Take the bags to the
room. We'll find it.

Right through those doors.

All this glorious sunshine.
How I hate it.

Oh there she is.

Did I keep you waiting long?
- Five years.

Isn't that the man we met
in New York? Paul Collins?

Yes.

Yes, I remember. He ran out with Katie.

I had no idea they were
going to run so far.

Helen.

I thought you told me he didn't
mean anything to you.

He doesn't.

Then why you so upset?
Katie can take care of herself.

Please, Laura. You don't know about it.

But I'm beginning to catch on.

You're in love with him yourself.

You're crazy.

Well it's nothing to be upset about,
or ashamed of. These things happen.

I once knew a family of five sisters and
they all fell in love with the same man.

Fortunately, he was in
love with five other girls.

Helen.

Hello, Katie.

Katie, darling.
- Laura, hello.

Good to see you. When did you get here?
- A few minutes ago.

We came to take you back to New York.
We're ready to start rehearsals.

Oh, so soon? I didn't think you'd
be ready for several weeks yet.

You don't know your sister.
I've never seen anyone work like her.

It wears me out to sit and watch her.
It's going to be a wonderful production.

A Helen Chernen production.
Look at these sketches.

Please, Laura.

She can see those later.
Let me talk to her now.

Why yes, Helen. I'd be glad to.

You know, you're the only two sisters
I've ever met who never quarrel.

A beautiful thing.

Why didn't you tell me
you were here with Paul?

Well, there's a lot of people here.

I didn't know I had to give
you a list of everyone.

Why not mention it in your letters?

You've been there 3 weeks and
wrote as if you're alone.

That's lying, Katie. It's lying when you
don't say one thing that's important.

Why didn't you tell me?

Well, I guess I wanted
something just for myself.

I suppose I'd be in the way.

That's not so, Helen.

So you and Paul planned this?

The time I've been in New York working
for you, you've been here with him.

I begged you to avoid him. I warned you.
- Helen.

I'd not care if it was anyone else.

But Paul of all people.

You make yourself cheap.
- Helen, please.

It's the truth. You ought to know.
He has a girl every week.

This is just your week.

Don't say that, Helen.
I love him. I'm going to marry him.

Marry?
- Yes.

He asked me a little while ago.

Helen.

Oh, I suppose I should
have told you he was here.

I wanted to write to you about it.
I just didn't know quite how to explain.

Well, haven't you
anything to say, Helen?

What do you expect me to say, Katie?

Well, you might at least wish me luck.

Doesn't it mean anything to you that
I'm happy for the first time in years?

Of course it does, Katie. Only I ..

I want time to think it over.

I don't want you to get hurt.

Make a mistake and find out afterwards.

I'm not making a mistake. I know it.

Oh Katie, don't you
think you ought to wait?

Katie, this isn't much of a ring, but ..

Oh.

Hello, Helen.

Hello Paul.

Paul. I told her about us.

I can see by the look on
her face she's delighted.

Well, as long as you're here,
you can give the bride away.

Would you like that?

I've got nothing to say to you, Paul.

It's between Kate and myself.

It seems to me it's between
Katie and me and no-one else.

Paul, I ..
- What?

Nothing.

If she wants to marry you
there's no way I can prevent it.

That's clever of you.

Only I think she should
wait for a little while.

Just so she could be sure of herself.

That's very clever of you.

Perhaps she hasn't told you.
He's doing Laura Britton's new play.

We're ready to start
rehearsals immediately.

This is a crucial point in her career.
It mustn't go wrong or stand in the way.

Katie.

We might as well get this straight.

You won't be able to do the play.

You're asking her to give
up the play altogether?

That's exactly what I'm asking.

But you don't realize.
Every cent we have is tied up in it.

Why don't you want her to do the play?
What have you against the theater?

Nothing.

Theater is alright for those who care
for it. But for you, it's a cheap game.

As long as Katie is with
us she's part of it.

Everything I've done I did for Katie.

You don't want her to have a career.
- I want her to have her own career.

Not yours.

You want her to give up everything.
That's what you want.

Katie, listen.

You've sweated and slaved for
years to get ahead, to be somebody.

And now he's asking you to toss it all
away for a lot of sentimental promises.

You don't believe them, do you?

Suddenly he's changed.
He's full of ideals.

He wants a house in the
country and ten kids.

That's right .. something you
wouldn't understand.

It's just what all the simple,
humble people in the world have.

It's what I thought Katie wanted.
- Of course that's what I want.

You ought to know that, Paul.

Then you've got to break from Helen.
Believe me, it's the only way.

So that's what you want.
You want to take her away from me.

Do you hear that, Katie?
He never wants you to see me again.

As he hates me. He's always hated me and
he'd do anything he could to hurt me.

I don't hate you, Helen. As a
matter of fact, I feel sorry for you.

You're wonderful and destructive.
But I'll not let you destroy Katie.

Oh Katie, you don't believe that do you?

I've done my best. I may have made
mistakes but it's all been for you.

You can't leave me now.
I'll lose everything. I'll be finished.

I never asked you for anything
before but now I need your help.

Do this thing for me.
I won't stand in your way.

I can't refuse. Don't you see
how much it means to her?

I told you what it means to me, Katie.

Paul, can't we wait?
- There will be nothing to wait for.

You've got to make up your mind now.

Gee, I just can't walk out on her now.

She's counting on me. I owe it to her.

Sorry about those ten kids, Katie.

I really wanted them.

Paul.

Fifteen minutes.

Now, Miss Katie, you're the prettiest
leading lady on Broadway tonight.

And I mean the prettiest, too.
- Hello, Katie.

You look scrumptious too, Miss Helen.
- Thank you, Essie.

How are you feeling, darling?

Oh, I'm alright.

Sure she is.

The minute she gets on stage and hears
applause, she'll forget everything else.

Sure, darling. You're
going to be wonderful.

The house is sold out, and word
is going around we have a hit.

After tonight, you're going to
be sitting on top of the world.

Do you think so?
- I'm sure of it.

Katie, are you still
worrying about Paul?

If I could only see him for five
minutes. Just to talk to him.

But darling, he hasn't even written.
He's probably forgotten all about you.

I can't blame him.

He gave me a chance and I threw it away.

Baby, you must stop worrying.
You've a performance to give.

Mrs Chernen?
- Yes.

The first act's on stage.
- I'll be right out.

Essie, make her lie down for 5 minutes.
- Yes, Miss.

It's all yours, baby.

You'll get over this, Katie.

Roland.
- Yes?

Tell Mr Webster I want to see him.
I must change a line in the second act.

Bud, tell Mr Webster to come
out as soon as he's ready.

Good evening.
- Evening.

Can I see Miss Blaine, please?

Sorry sir. You can't see anyone
before the performance.

Would you tell her Paul Collins
is calling? I think she'll see me.

Well, I'll give her your name.

Thanks.

Wait on the pause before you reply.
- Yes.

Okay.

What are you doing here, Paul?

Well, I ..

Wrote a lot of telegraphs to Katie.

None of them seemed
to turn out right, so ..

I thought I'd bring her all of them.
- Very thoughtful of you.

You always time things so well.

I don't think it's wise
for you to see her.

Why not?

The curtain goes up in a few minutes.
She's nervous. You might throw her off.

Oh.

I ..

I just had a human impulse
to see her .. wish her luck.

To let her know I'm out
there cheering for her.

That's very generous of you.

We settled this once, didn't we.
So, let's leave it that way.

That's right.

It's your night, Helen. I wouldn't
want to do anything to interfere.

It's not my night. It's Katie's.
- No .. it's yours.

I hope you enjoy it.

But remember.

One of these days it's all
going to catch up with you.

Thanks for warning me, Paul.

Give these to Katie, will you.

With my love.

Oh, ma'am.

But Miss Blaine wanted to see that man.

Oh.

Where's Paul?
- He left, Katie.

He left?

But he was waiting here.
He wanted to see me.

Henry just told me. Henry ..
- I sent him away.

You sent him away?
- Oh Katie, I thought ..

You knew I had to see him.
How could you?

Katie, I didn't think you ought to.
- I'll find him myself.

Katie, come back. You can't go there.
- Paul?

Come back. People will can you.
- I don't care. Paul.

You'll catch a death of cold.
Come inside, dear.

Let me alone.
- Come on, please.

Five minutes. You must get ready.
- Roland, please help me.

Please, Miss Blaine. Please.

Take your hands off me.
- Katie, get hold of yourself.

You have a performance go give.
- I don't care about it.

Why don't you admit it?
Be true for once.

You want him yourself and always have.

No Katie, that's not true.
- Don't lie to me. Answer me.

Alright, I was in love with him once.

I gave him up as he'd
have been in the way.

Your way, our way. And I
wouldn't let anyone do that.

Paul, or anyone else.
- You're lying.

You still love him. You can't have him,
so you didn't want me to have him.

That's not the reason. I didn't
want him to come between us.

I don't want him to break
everything we've done.

I don't believe you.
- Katie, where you going?

To find Paul. You won't stop me.
- Are you crazy?

A thousand people out
there wait for you.

I don't care. Tell them to
go home. Do anything.

Katie, listen to me.

Listen .. this is the most
important night of our lives.

It's what we've worked
hard for all these years.

It's what you've worked for, not me.

I'm sick and tired of it, of you and
the theater and everybody in it.

I'm tired of all the fighting and
cheating and lying and double-crossing.

Just a minute, Katie.

You seem to forget, I'm the one
that's done the fighting. Not you.

You've taken all the bows. You've had it
easy because I've made it easy for you.

How did you do it? By stepping
on everyone who got in your way.

Well, how else can you get along?
By being soft? Honest?

No. You've got to fight.

You must scheme and double-cross
to get ahead in this business.

I'd like to tell it to the audience.

Go ahead, tell them.
But tell them everything.

Tell them what I took you from.
Tell them what you had in Greenhill.

Tell them what you have today.

I've heard all that before.
I never wanted it.

You wanted it alright,
and don't pretend you didn't.

Your eyes were open. You realized
what I was doing all the time.

You came each bit of the way with me. If
you didn't like it you could have said.

Katie.

I never should have listened to you.

I should have left you a long time ago.

Oh darling, I didn't mean it.
Forget what I said.

Baby, let's not argue any more.

They finished the overture.
What do you want me to do?

Pull the curtains, she'll be right out.

I can't. I can't go through with it.
- Baby, you've got to.

Let's go out and show them.
- Helen, what's the matter with you two?

Nothing. It's alright.

The audience has got restless.
- Katie darling. Get dressed quick.

Get her ready. Go on stage.
The company's waiting.

Okay, thanks, Laura. Hurry, darling.

Come on Essie, help me with this.
- Yes, ma'am.

Here she is, Miss Helen.

I can't. I don't know the first line.
- Don't worry. You're going to be right.

You'll go out and be wonderful.

Alright folks, take your places.
Here we go. Come on.

Helen, I can't. I can't go on.
- Oh but baby, you've got to.

The tide is just carrying us in.
We can't give up now.

I'm afraid I must go without
seeing Lisa, my dear.

Don't hurry, Edward. She'll arrive soon.
I can't Imagine what keeps her so long.

Now don't forget. You've just come
back from a party. You're happy, gay.

I'll try.
- Good luck, baby.

Hello, everyone.
- Lisa, where have you been?

Oh. I'm sorry, mother.
But I had the most glorious time.

Hello, Lisa.
- Uncle Edward.

We've been waiting for you, but I
must say you're worth waiting for.

Thank you.

I've been worried about you, Lisa.
You promised to be home at eleven.

I forgot all about time.
I wanted to dance all night.

I'm surprised you didn't.
- And who was the lucky man, my dear?

Who was he?
- Yes, who did you dance with, Lisa?

Well ..

His name was ..

I think she's forgot ..

His name was ..

She's forgotten the line.

I don't even know his name.

I don't even know his name.

To tell the truth,
I didn't even know his name.

Lisa, you mean you danced all night
with a man you didn't even know?

Yes, mother. Is that terrible?
- Very romantic.

Spring fever.

Very dangerous.

Why aunt Vera, I don't
believe you trust me.

Why should I?
- They say I take after you.

Well, I must say goodnight
and goodbye, my dear.

Goodbye?

Yes, uncle Edward is leaving for
South America in the morning.

Oh yes. Of course, I remember.

I've a present for you.

A present for you.

Uncle Edward, I have a present for you.

Thank you, my dear.
- I'll run right upstairs and get it.

Katie.

Don't leave, uncle Edward.
I'll be right back.

"Don't listen to him, Katie."

"I'm going to get you out of
here if it's the last thing I do."

"You've got to think of yourself, baby."

"You can be bigger than any of them."

"All you have to do
is put out your hand."

Miss Blaine.

Feeling better, darling?

Yes. Thanks.

Sure. You going to be
fine now, Miss Katie.

Well, how is she?

She's alright, Laura.

I've tried, Laura.

I just couldn't do it.

I guess it was pretty terrible.

You guessed right.

I listened to the gossip in the lobby
until I couldn't stand it anymore.

Everybody knows you two
had a fight in the alley.

You may as well have had it
in the middle of Times Square.

Please Laura, let's
not talk about it now.

I'll see you tomorrow.
- There's nothing to see me about.

You had everything all
neatly arranged, didn't you.

You knew exactly what you
were doing every minute.

She was going to be a hit for you in
this show and the next and the next.

Oh, what's the use.

I think I'll go and take a
small quantity of poison.

Well, Katie.

There isn't much left, is there.

I'm sorry, Helen.

Oh, why should you be sorry, baby?

No .. it was my fault.

But I just saw something
in you I wanted to make great.

I did it the only way I knew how.

I guess if I had to do it all over
again, I'd do it the same way.

Can I help you get dressed, Miss Katie?

Thanks, Essie.

It's pretty, isn't it.

You wanted a dress like that, once.

Remember, Katie?

I didn't know how much
it was going to cost.

We came so far.

We nearly made it.

You hate me, don't you.

I never want to see you again.

Goodbye, Helen.

Paul.

Katie.

Oh, Paul.

The next time you fall down, baby.

I want to be there to catch you.

You'd better be.

I hate to bother you Miss,
but won't you please speak up.

Why did you do it?

Haven't you any relatives, friends?

Well, what do you make of her?

Well some little something
went wrong. She couldn't take it.

Yep.

That's the trouble with the rich ones.
They have it too easy all their lives.

Yeah.

..t-g..

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