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{\an8}I'm nearly there!
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{\an8}We've gotta go.Get off!
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{\an8}Get down!
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{\an8}I'm scared that next time,I'm not gonna know what I'm doing.
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{\an8}You've just lost your mate.Give yourself a break.
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{\an8}Who's that?
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{\an8}Er... It's just Danny.Some stupid GIF.
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{\an8}You know, I've been thinkingabout it for a while.
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{\an8}Might be an idea for youto move in here with me, you know.
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{\an8}You working?Is he bollocks.
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{\an8}It's just tough at the minute.
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{\an8}Look at the bloody state of you.A Halal butcher's?
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{\an8}Don't mention this to Mum and Dad.What are you doing, Billy?
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{\an8}We're at war, Lana.You haven't got a clue.
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{\an8}What do you know about war?
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{\an8}Single bombing campaignrun by one group, the Crusaders.
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{\an8}We know at least one memberof the cell, Nic Roberts.
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{\an8}Nic Roberts didn't havebomb-making training.
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{\an8}There's another member of the cell,the bomb-maker.
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{\an8}It's HMX-319.
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{\an8}How the hell are the bombersgetting military-grade explosive?
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{\an8}What does the CCTVfrom the tower block tell us?
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{\an8}This is him leaving the building.
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{\an8}From there,he gets into a white Prius.
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{\an8}We're still searchingfor the vehicle.
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{\an8}Look at this,from the first device at Westhaven.
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{\an8}It's the same technique.It's military training.
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{\an8}They know call-out times,how we think,
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{\an8}how we move, everything.
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{\an8}It's got to be an inside man.
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{\an8}REPORTER: The suspect shot deadin the terror attack
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{\an8}at the Five Oaks pub in London
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{\an8}has been named todayas Nicholas Roberts,
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{\an8}a former member of the English Flag.
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{\an8}Counter-terror policeare appealing for
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{\an8}anyone with informationto come forward.
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{\an8}This attempt on an LGBT venue
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{\an8}follows attacksby the so-called Crusaders
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{\an8}on the Amburiq Mosqueand Westhaven Estate.
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{\an8}Speak to the jogger.Find out if she saw anything.
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{\an8}There you go.Thanks.
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{\an8}OK.
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{\an8}Prelim report from forensics saysthere's no fingerprints,
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{\an8}no evidence of the second Crusader.
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{\an8}But the vehicle make and modelmatch the one detected on CCTV
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{\an8}leaving Fairhall Tower.
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{\an8}Plates were taken andthe VIN removed from the chassis.
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{\an8}So, the guy's a pro.What about CCTV?
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{\an8}We're in a black hole here.
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{\an8}That's why it's so popularwith doggers.
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{\an8}We didn't get luckyto find some couple?
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{\an8}No-one that's likelyto come forward.
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{\an8}Detectives.Sonya, anything useful?
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{\an8}Well, from the blast patternand the intense local burning,
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{\an8}looks like some sort of accelerantwas used for the interior.
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{\an8}Hey.Hi.
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{\an8}And then a det chargeon the petrol tank.
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{\an8}So our man isn't taking any chances.
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{\an8}What kind of accelerant?
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{\an8}Well, I'll do a deep dive,but I'd say good old petrol.
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{\an8}Nothing exotic to trace.
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{\an8}So, the use of a det charge,
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{\an8}does that suggest he could bethe bomb-maker?
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{\an8}You can teach anyoneto use a det charge.
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{\an8}It's making it that's harder.
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{\an8}OK.I'm gonna head back to Five Oaks.
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{\an8}Is there anything else?
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{\an8}No. When I get a reporton the accelerant,
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{\an8}I'll let you knowif anything comes up.
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{\an8}Can I have a word?Yeah.
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{\an8}So, how are we getting on?The HMX? Porton Down?
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{\an8}I've sent it on.We're looking at it.
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{\an8}Well, I think thiswill speed things up.
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{\an8}That's how professionalstie their wires.
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{\an8}Yeah.
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{\an8}Well, we found the same patternin all three devices.
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{\an8}And that's why you thinkit was one bomber for all three?
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{\an8}I found thatin John Hudson's locker.
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{\an8}What were you doing in his locker,Lana?
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{\an8}Christ!It's a breach of confidence,
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{\an8}not to mention it makes any evidenceinadmissible.
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{\an8}Yeah, obviously, I know that.Just hear me out, yeah?
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{\an8}Hidden in the back of his lockeris an A-Z of London
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{\an8}covering these locations.
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{\an8}Five Oaks pub, Westhaven,Amburiq Mosque.
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{\an8}Come on, Tommy, are you gonnahelp me or not?Yeah, all right.
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{\an8}You did the right thing,bringing this to me.
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{\an8}I'll... I'll take care of it.
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{\an8}Right, I'll text you the pictures.Yeah, all right.
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{\an8}All right! See you in a bit.
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{\an8}SHE SIGHS
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{\an8}PHONE RINGS
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{\an8}Hello?'Hi, is that Lana Washington?'
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{\an8}Yeah, speaking.'This is DC Jones.
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{\an8}'Your brother Williamhas failed to attend
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{\an8}'a further interviewat Holloway Police Station.'
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{\an8}He's not turned up. There's not muchI can do about that, sorry.
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{\an8}'It's in his best interestto co-operate
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{\an8}'with these additional enquiries.If he doesn't...'
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{\an8}No, no, it's fine.I'll bring him in myself. OK.
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{\an8}'OK, thank you.'Thanks, bye.
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{\an8}'Bye.'
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{\an8}God's sake.
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{\an8}'Ey up, it's Billy.
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{\an8}'Um... leave me a message.I'll get back to you.'
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{\an8}Billy, I'm at your flat.
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{\an8}You were meant to have anappointment with the police today.
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{\an8}Billy!
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{\an8}Will you call me?I ain't got time for this shit.
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{\an8}The situation with the far rightin this country is very fluid.
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{\an8}When Agatha Jack attempted toreform English Flag last year,
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{\an8}there were 100 expulsionsfrom the party for extremist views.
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{\an8}Names on a listthat were easy for us to monitor.
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{\an8}So, we think the far rightchanged tactics.
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{\an8}They started to look at peoplewithout criminal convictions
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{\an8}or a history of far-right activism -
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{\an8}clean skins -
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{\an8}to target the disillusioned,
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{\an8}the unemployed, the left behind,
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{\an8}and to groom themfor political ends.
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{\an8}So, to restate our current thinking,
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{\an8}the initial attack on Westhavenwas a false flag operation
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{\an8}by the Crusaders, to justifytheir attack on the Amburiq Mosque.
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{\an8}Andrew Phelan was chosenas the unwilling victim
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{\an8}for the Westhaven attack,
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{\an8}because Nick Roberts had some kindof personal grudge against him.
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{\an8}Do we know what that was?
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{\an8}From our interviews with Phelan,we've established that Roberts
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{\an8}mistakenly believed Phelan had beendeliberately placed in his cell
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{\an8}by MI5, to gather intelon the far right.
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{\an8}We're working through a databaseof suspects supplied by Thames House
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{\an8}that had history with Nic Roberts,
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{\an8}and examining CCTV and commsfor any new associations.
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{\an8}We've had the preliminary resultsof Nic Roberts' autopsy,
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{\an8}and it seems that he wasin the advanced stages
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{\an8}of terminal prostate cancer,
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{\an8}which might explain why he wasprepared to act as a suicide bomber.
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{\an8}Lana, I read your reporton the Five Oaks. Again, well done.
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{\an8}You seem certain that we're lookingfor the same bombers
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{\an8}for all three attacks.
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{\an8}Er... no, sir, not certain,
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{\an8}but I think it's highly likely thatwe're looking for just one bomber.
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{\an8}We've identifiedthree distinct elements.
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{\an8}One, the chemical compositionof the device, HMX-319...
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{\an8}..which has been reportedas classified at Porton Down.
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{\an8}We're tracing that now, sir.
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{\an8}Working theory is thatsome of the explosive
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{\an8}found its way on to the dark web.
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{\an8}Two, the method of delivery,
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{\an8}the repeated use of secondaries.
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{\an8}And three, with the reconstructionof the devices,
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{\an8}we've been able to identifya distinct signature in the wiring.
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{\an8}Does that tell us anythingabout the bomb-maker?
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{\an8}That they've hadhigh-level military training.
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{\an8}This considerably raisesthe threat level.
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{\an8}I've got an example herefrom the device.May I?
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{\an8}Our technique is durable.
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{\an8}It prevents snagging.
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{\an8}An EXPO can quickly check for damage
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{\an8}without pullingthe whole thing apart.
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{\an8}This is not somethingjust anyone can do.
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{\an8}When was this report submitted,Thom?
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{\an8}Ms Washington only madethe discovery about the wiring
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{\an8}earlier today, ma'am.
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{\an8}We're now looking throughofficial databases
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{\an8}to see if we can identifyany persons of interest.
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{\an8}We're keeping an open mind.
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{\an8}We're looking at formerEnglish Flag members
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{\an8}who may have had some levelof training - TA, paramilitary.
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{\an8}Lana, I'm not doubtingthat you recognise this technique,
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{\an8}but why would the bombers choose toadvertise who they were so clearly,
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{\an8}unless it's a ruseto throw us off track.
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{\an8}The false flag attack at Westhavenshows they use misdirection.
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{\an8}Finishing a wire like thisis second nature.
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{\an8}You just do it without thinking.
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{\an8}The bombers obviously didn'texpect us to check the wiring -
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{\an8}circuits are usually damagedin the blast.
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{\an8}I'm absolutely certainthe bomber's military.
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{\an8}KNOCK AT DOOR
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{\an8}Billy? Wake up!
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{\an8}What a shit tip.
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{\an8}It's that one.
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{\an8}Right.Where is the birthday boy?
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{\an8}I'll wake the lazy sod up.
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{\an8}Oh, look.Billy?
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{\an8}He started the party without us.Looks like it.
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{\an8}Jeez.
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{\an8}Well, that's typical. He's not here.
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{\an8}I told youwe should have called first.
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{\an8}Well, he's obviouslyhad people round.
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{\an8}Maybe him and Becky have gone outfor a birthday surprise.
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{\an8}No, I doubt it, Mum.
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{\an8}Think them two have split upfor good now.
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{\an8}What? He never said.Well, he wouldn't, would he?
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{\an8}His car's gone and all.
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{\an8}Oh, that's a shame, about Becky.
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{\an8}How did he seemwhen you last saw him?
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{\an8}Er... mardy. Confused.
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{\an8}No change there, then.No!
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{\an8}Bloody hell, what's that?It's a bandage.
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{\an8}He cut his handa couple of days ago.When?
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{\an8}A couple of days ago.
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{\an8}SHE SCOFFS
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{\an8}It was after Nut's funeral.He got absolutely battered.
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{\an8}He'd had too much to drinkand he ended up smashing a window,
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{\an8}and he got arrested.Arrested?
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{\an8}Yes, Dad.But he didn't want you to worry,
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{\an8}so I promised him I wouldn't say.
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{\an8}You promised himyou wouldn't say anything.
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{\an8}Mum, come on.What's going on?
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{\an8}Nothing, Mum.Please, stop worrying.
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{\an8}Billy's not turned upto his own party. What's new?
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{\an8}Yeah, it sounds likehis usual dozy self.Yeah.
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{\an8}Probably nursing a hangoversomewhere.
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{\an8}You're off, then?I'm not gonna stay if he's not here.
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{\an8}All right.I'll see you in a bit.
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{\an8}Ta-ra, love.Ta-ra.
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{\an8}Thank you.Thank you. Bye-bye.
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{\an8}All right?
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{\an8}Well, I've had better weeks.
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{\an8}Yeah, I just wanted to say sorryabout your window.
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{\an8}Bloody idiots. Drunk, weren't they?
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{\an8}I've been here my entire life, love.It's always the same.
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{\an8}Things go wrong,we're an easy target.
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{\an8}Were you in when it happened?
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{\an8}Yeah, I sleep up there, don't I?
227
00:11:52,440 --> 00:11:54,280
{\an8}We heard themstaggering down the road,
228
00:11:54,280 --> 00:11:56,040
{\an8}2:00 in the morning,singing, shouting.
229
00:11:59,080 --> 00:12:02,520
{\an8}Look, er... will you let me payfor your window?
230
00:12:02,520 --> 00:12:05,360
{\an8}Nah, you're all right.It's not your fault, is it?
231
00:12:06,720 --> 00:12:08,440
{\an8}No, it's not. It's my brother's.
232
00:12:08,440 --> 00:12:12,800
{\an8}And I'm really ashamed, so pleasewill you just let me pay for it?
233
00:12:12,800 --> 00:12:16,080
{\an8}No. Keep your money.
234
00:12:16,080 --> 00:12:18,080
{\an8}I'm not trying to offend you. I...
235
00:12:18,080 --> 00:12:20,320
{\an8}We don't need anything from you.
236
00:12:20,320 --> 00:12:22,240
{\an8}Sorry, can I just ask?You said "them".
237
00:12:22,240 --> 00:12:24,200
{\an8}Did you saythere was more than one guy?
238
00:12:24,200 --> 00:12:25,480
{\an8}I can't remember.
239
00:12:26,480 --> 00:12:28,600
{\an8}You need to leave us alone.
240
00:12:43,400 --> 00:12:45,680
{\an8}Thing to do is not to panic, yeah?
241
00:12:45,680 --> 00:12:47,480
{\an8}Don't go forsome fancy flavour combo,
242
00:12:47,480 --> 00:12:49,640
{\an8}like banana salted caramel.
243
00:12:49,640 --> 00:12:52,280
{\an8}You'll regret it.I'll just have some of yours, then.
244
00:12:53,440 --> 00:12:55,080
{\an8}Oh, you will, will you?Mm-mm.
245
00:12:55,080 --> 00:12:58,200
{\an8}There you go, tap when you're ready.Thank you.
246
00:13:08,000 --> 00:13:09,640
{\an8}So, come on. What's up?
247
00:13:10,880 --> 00:13:13,200
{\an8}I mean, I know hanging out with meis on your bucket list,
248
00:13:13,200 --> 00:13:16,160
{\an8}but something's wrong, I can tell.
249
00:13:18,040 --> 00:13:20,280
{\an8}It's my stupid brother.
250
00:13:20,280 --> 00:13:25,160
{\an8}He's gone on some bender,and my folks are worried, so...
251
00:13:26,240 --> 00:13:28,720
{\an8}They're giving me grief,which is all I need.
252
00:13:28,720 --> 00:13:30,080
{\an8}Billy's a grown lad, isn't he?
253
00:13:30,080 --> 00:13:32,360
{\an8}Probably just letting off steam.
254
00:13:32,360 --> 00:13:34,920
{\an8}Yeah. He's done it before.Lost weekends.
255
00:13:37,640 --> 00:13:39,760
{\an8}But there's more, right?
256
00:13:41,800 --> 00:13:42,880
{\an8}After Nut's wake,
257
00:13:42,880 --> 00:13:45,440
{\an8}he went and smashed up the windowat a Halal butcher's.
258
00:13:47,000 --> 00:13:50,520
{\an8}He's been charged with raciallyaggravated criminal damage.
259
00:13:50,520 --> 00:13:53,080
{\an8}Oh, mate, I...I don't know what to say.
260
00:13:53,080 --> 00:13:55,200
{\an8}Neither do I. It's disgusting.
261
00:14:00,720 --> 00:14:03,200
{\an8}I'm not making excusesfor what he's done or anything,
262
00:14:03,200 --> 00:14:07,360
{\an8}but he was bloody wasted that night,wasn't he?
263
00:14:07,360 --> 00:14:08,760
{\an8}Almost as bad as you.
264
00:14:08,760 --> 00:14:10,040
{\an8}HE CHUCKLES
265
00:14:10,040 --> 00:14:13,200
{\an8}According to Micky, him and Johnstarted on the flaming sambucas
266
00:14:13,200 --> 00:14:16,000
{\an8}after we left,nearly set the bar on fire.
267
00:14:17,280 --> 00:14:19,040
{\an8}John, EXPO John?
268
00:14:19,040 --> 00:14:21,400
{\an8}Yeah, Micky reckons they were on itall night, those two.
269
00:14:21,400 --> 00:14:23,320
{\an8}Said they left together as well.
270
00:14:27,280 --> 00:14:33,360
{\an8}Six, seven, eight, nine, ten.
271
00:14:34,440 --> 00:14:36,520
{\an8}Go on, old man.Mate, you're up.
272
00:14:36,520 --> 00:14:38,440
{\an8}Go on, you got this.
273
00:14:38,440 --> 00:14:41,080
{\an8}One, two...
274
00:14:41,080 --> 00:14:44,560
{\an8}John, can I have a quick word,please?
275
00:14:47,720 --> 00:14:50,600
{\an8}What's up, Wash?You haven't seenBilly around, have you?
276
00:14:50,600 --> 00:14:52,360
{\an8}He's not been back to his flat.
277
00:14:52,360 --> 00:14:54,560
{\an8}Billy who?My Billy.
278
00:14:54,560 --> 00:14:57,280
{\an8}Oh, right, your brother.No. Why would I have seen him?
279
00:14:58,360 --> 00:15:01,560
{\an8}I thought you two were mates.Mates? What are you on about?
280
00:15:01,560 --> 00:15:02,920
{\an8}I barely said two words to him.
281
00:15:05,680 --> 00:15:06,960
{\an8}Is that it?
282
00:15:08,400 --> 00:15:10,160
{\an8}Yeah, that's it.
283
00:15:24,640 --> 00:15:26,560
{\an8}See you later, ladies.Later, old man.See ya.
284
00:15:27,720 --> 00:15:32,160
{\an8}It's called technique, bro.Wash, how many pull-ups can you do?
285
00:15:32,160 --> 00:15:34,880
{\an8}Don't wanna embarrass you.THEY LAUGH
286
00:16:51,120 --> 00:16:52,360
{\an8}SHE GASPS
287
00:17:12,400 --> 00:17:13,800
{\an8}Shit.
288
00:17:20,560 --> 00:17:22,080
{\an8}'Ey up, it's Billy.
289
00:17:22,080 --> 00:17:24,640
{\an8}'Erm... Leave me a message,I'll get back to you.'
290
00:17:24,640 --> 00:17:27,080
{\an8}Yo, numpty, it's me.
291
00:17:27,080 --> 00:17:30,000
{\an8}Where are you?Call me when you get this, OK?
292
00:17:30,000 --> 00:17:32,120
{\an8}Lana!Bye.
293
00:17:32,120 --> 00:17:35,240
{\an8}What do you think you're playing at?What are you doing, following me?
294
00:17:35,240 --> 00:17:38,160
{\an8}We've got an individual undersurveillance, active surveillance.
295
00:17:38,160 --> 00:17:39,360
{\an8}They saw you following John.
296
00:17:39,360 --> 00:17:41,440
{\an8}I had to tell my teamnot to include it in the report.
297
00:17:41,440 --> 00:17:44,720
{\an8}He was checking out a Jewish centre.
298
00:17:44,720 --> 00:17:47,440
{\an8}Thom, he's mixed up in all of this.I can tell you now, he is.
299
00:17:47,440 --> 00:17:50,080
{\an8}Look, he's underconstant surveillance, OK?
300
00:17:50,080 --> 00:17:52,320
{\an8}Just leave the job to us, please.
301
00:17:52,320 --> 00:17:54,320
{\an8}See you later at work, yeah?
302
00:17:55,360 --> 00:17:57,400
{\an8}SHE SIGHS
303
00:18:02,440 --> 00:18:04,720
{\an8}All right, Wash? Brew?
304
00:18:04,720 --> 00:18:06,720
{\an8}Just the man I was after.
305
00:18:06,720 --> 00:18:08,760
{\an8}I was just thinking aboutthe Five Oaks attack.
306
00:18:08,760 --> 00:18:11,240
{\an8}John was on shift that day,but he never turned up to the job.
307
00:18:11,240 --> 00:18:13,680
{\an8}Hass did.Oh, yeah, I remember.
308
00:18:13,680 --> 00:18:15,560
{\an8}He went homejust before the call came in.
309
00:18:15,560 --> 00:18:16,760
{\an8}Stomach bug, he said.
310
00:18:16,760 --> 00:18:20,000
{\an8}That's strange.Seemed fine when I saw him.
311
00:18:21,160 --> 00:18:22,360
{\an8}Do you want a brew?
312
00:18:22,360 --> 00:18:23,400
{\an8}Yeah, cheers.
313
00:18:33,280 --> 00:18:36,040
{\an8}SIREN WAILS
314
00:18:38,160 --> 00:18:40,160
{\an8}SHE SIGHSCome on.
315
00:18:40,160 --> 00:18:41,560
{\an8}'Ey up, it's Billy.
316
00:18:41,560 --> 00:18:44,120
{\an8}'Erm... Leave me a message,I'll get back to you.'
317
00:18:44,120 --> 00:18:46,000
{\an8}Hey.Hey.
318
00:18:46,000 --> 00:18:47,560
{\an8}Who's that?Billy.
319
00:18:47,560 --> 00:18:49,680
{\an8}Have you spoken to John Hudson yet?
320
00:18:51,600 --> 00:18:54,280
{\an8}I can't talk aboutan ongoing investigation, Lana.
321
00:18:54,280 --> 00:18:57,000
{\an8}..the neighbour at number six.Yeah, she seems...
322
00:18:57,000 --> 00:18:58,640
{\an8}He's hiding something.
323
00:18:58,640 --> 00:19:02,160
{\an8}I found out that he pulled a sickythe day of the Five Oaks attack.
324
00:19:02,160 --> 00:19:04,160
{\an8}Even lied to my faceabout knowing Billy.
325
00:19:05,200 --> 00:19:08,000
{\an8}If we had anything on him, do youreally think we'd let him on duty?
326
00:19:08,000 --> 00:19:10,840
{\an8}I'm sorry, Lana,I've already said too much.
327
00:19:10,840 --> 00:19:13,080
{\an8}Have you got the traceon the military explosives
328
00:19:13,080 --> 00:19:14,120
{\an8}that you promised me?
329
00:19:14,120 --> 00:19:16,960
{\an8}It's ongoing, like I've told you.Ongoing? What does that even mean?
330
00:19:16,960 --> 00:19:18,680
{\an8}Lana...Thom, it's me you're talking to.
331
00:19:18,680 --> 00:19:21,760
{\an8}I can't tell you everything.I've already shared too much.
332
00:19:22,760 --> 00:19:25,480
{\an8}There's a DCI position opening upin Serious and Organised Crime
333
00:19:25,480 --> 00:19:27,400
{\an8}and I can't affordto not play it by the book.
334
00:19:27,400 --> 00:19:29,920
{\an8}Are you seriously thinking aboutyour career at the moment?
335
00:19:29,920 --> 00:19:31,520
{\an8}Is that all you care about?
336
00:19:31,520 --> 00:19:34,160
{\an8}What I'm saying is...Oi-oi, heads up!
337
00:19:34,160 --> 00:19:37,440
{\an8}Yes, I will come back to youon that, Lana.All right, Wash?
338
00:19:37,440 --> 00:19:40,200
{\an8}What are you lot doing here?Same as you, EXPO briefing.Yeah.
339
00:19:40,200 --> 00:19:44,240
{\an8}Yeah, keep up, mate.Come on then, John.
340
00:19:44,240 --> 00:19:46,640
{\an8}What have you gotour Billy mixed up in?
341
00:19:48,200 --> 00:19:50,280
{\an8}Come on.I know about the butcher's window.
342
00:19:50,280 --> 00:19:52,440
{\an8}No idea what you're talking about.
343
00:19:52,440 --> 00:19:53,840
{\an8}Where you getting this shit from?
344
00:19:53,840 --> 00:19:56,760
{\an8}No-one's telling me anything.Just working it all out for myself.
345
00:19:56,760 --> 00:19:58,120
{\an8}Right.
346
00:19:58,120 --> 00:19:59,840
{\an8}Mm-hm.
347
00:20:02,400 --> 00:20:04,360
{\an8}What you doing, grooming him?
348
00:20:04,360 --> 00:20:05,720
{\an8}HUMOURLESS CHUCKLE.
349
00:20:06,760 --> 00:20:09,040
{\an8}Lana! Whoa!
350
00:20:09,040 --> 00:20:11,280
{\an8}Lana, what the hell's going on?
351
00:20:11,280 --> 00:20:13,760
{\an8}Leave it! Come on!Jesus Christ!
352
00:20:13,760 --> 00:20:15,560
{\an8}You all right?
353
00:20:15,560 --> 00:20:17,240
{\an8}Fuck's sake!
354
00:20:17,240 --> 00:20:19,080
{\an8}You OK?Yeah, I'm good.
355
00:20:19,080 --> 00:20:20,480
{\an8}What's that about?
356
00:20:21,560 --> 00:20:24,680
{\an8}Do you wish to make a formalcomplaint about this officer?
357
00:20:24,680 --> 00:20:28,480
{\an8}No. No, I'm not like that.SHE LAUGHS BITTERLY
358
00:20:28,480 --> 00:20:31,000
{\an8}She's had a lot to deal with lately,what with Nut and that.
359
00:20:31,000 --> 00:20:33,480
{\an8}Pressure's getting to her.Ain't that right?Oh, fuck off!
360
00:20:33,480 --> 00:20:37,920
{\an8}Lana! I can't ignore your conduct.
361
00:20:37,920 --> 00:20:40,400
{\an8}I think you should takesome personal leave.What?
362
00:20:40,400 --> 00:20:43,080
{\an8}You do know that it's himyou need to worry about, don't you?
363
00:20:43,080 --> 00:20:44,560
{\an8}It wasn't a request.
364
00:20:44,560 --> 00:20:47,520
{\an8}You need some time away fromthe frontline.This is bullshit!
365
00:20:47,520 --> 00:20:49,520
{\an8}There's a psycho out therekilling people.
366
00:20:49,520 --> 00:20:52,080
{\an8}What do you want me to do, go homeand start twiddling my thumbs?
367
00:20:52,080 --> 00:20:55,240
{\an8}That's my decision.With respect, ma'am, it's bollocks.
368
00:20:56,600 --> 00:20:57,680
{\an8}Excuse me.
369
00:20:59,600 --> 00:21:00,760
{\an8}HE CHUCKLES
370
00:21:00,760 --> 00:21:02,240
{\an8}Hey, leave it.Hudson!
371
00:21:43,440 --> 00:21:45,520
{\an8}Wash, hey.
372
00:21:45,520 --> 00:21:48,160
{\an8}Hey. Thanks for making time for me.
373
00:21:48,160 --> 00:21:50,360
{\an8}Like I said,I don't wanna get you in trouble.
374
00:21:50,360 --> 00:21:51,840
{\an8}Don't worry about it.
375
00:21:51,840 --> 00:21:53,680
{\an8}I'll help if I can,but let's make it quick.
376
00:21:54,680 --> 00:21:56,320
{\an8}So, I've had a thought.
377
00:21:56,320 --> 00:21:59,160
{\an8}HMX-319, that's whatSpecial Forces use, innit?
378
00:21:59,160 --> 00:22:01,120
{\an8}Yeah, I believe so.
379
00:22:01,120 --> 00:22:04,080
{\an8}I mean, that's about as muchas we know from Porton Down.
380
00:22:05,280 --> 00:22:07,080
{\an8}All right, well,what's the lifespan of it?
381
00:22:07,080 --> 00:22:08,680
{\an8}If we can narrow downthe timescales,
382
00:22:08,680 --> 00:22:09,760
{\an8}we can get some dates.
383
00:22:09,760 --> 00:22:13,000
{\an8}Then maybe we can work outwho'd have access.
384
00:22:13,000 --> 00:22:16,440
{\an8}Well, depending on storage,about 50 years, I reckon.
385
00:22:16,440 --> 00:22:20,760
{\an8}The traces we found would seem to beabout ten years old.
386
00:22:20,760 --> 00:22:24,040
{\an8}Look, leave this with me,and I'll see if I can find out
387
00:22:24,040 --> 00:22:26,680
{\an8}about military operationsthat used HMX, OK?
388
00:22:28,400 --> 00:22:29,800
{\an8}Did you get any sleep last night?
389
00:22:31,640 --> 00:22:35,280
{\an8}I just can't sit around,waiting for something to happen,
390
00:22:35,280 --> 00:22:37,320
{\an8}while the bomber is out there.
391
00:22:37,320 --> 00:22:39,440
{\an8}Billy's a pain in the arse.
392
00:22:39,440 --> 00:22:41,360
{\an8}He's just a magnet for bulliesand wrong-uns.
393
00:22:41,360 --> 00:22:43,760
{\an8}I'm just sick ofhaving to look out for him.
394
00:22:45,400 --> 00:22:46,800
{\an8}I need to be on duty.
395
00:22:46,800 --> 00:22:49,160
{\an8}Mate, you need totake your mind off things.
396
00:22:50,480 --> 00:22:52,280
{\an8}How?
397
00:23:06,760 --> 00:23:09,800
{\an8}Here she is, lady of leisure.
398
00:23:09,800 --> 00:23:11,680
{\an8}Oh, yeah. You gonna break?
399
00:23:11,680 --> 00:23:14,000
{\an8}Er...
400
00:23:14,000 --> 00:23:16,040
{\an8}Ladies first.
401
00:23:18,080 --> 00:23:19,720
{\an8}You'll regret that.
402
00:23:33,160 --> 00:23:34,720
{\an8}He's going for it. Middle pocket.
403
00:23:34,720 --> 00:23:38,560
{\an8}Come on, mate, just caress it home.Just tickle it.
404
00:23:40,200 --> 00:23:41,560
{\an8}Ooh, unlucky!
405
00:23:41,560 --> 00:23:43,120
{\an8}THEY CHUCKLE
406
00:23:43,120 --> 00:23:45,160
{\an8}Sorry, pal.Better luck next time.
407
00:23:47,520 --> 00:23:50,440
{\an8}That's why I love coming here.The vibe, you know.Yeah.
408
00:23:51,800 --> 00:23:53,120
{\an8}These boys are bloody useless,
409
00:23:53,120 --> 00:23:55,760
{\an8}but they're having the timeof their life.
410
00:23:55,760 --> 00:23:57,200
{\an8}Yeah, this is all I want.
411
00:23:58,280 --> 00:24:00,920
{\an8}What, fizzy pop, crisps,and being shit at pool?
412
00:24:00,920 --> 00:24:02,320
{\an8}What a life.
413
00:24:02,320 --> 00:24:03,720
{\an8}THEY LAUGH
414
00:24:03,720 --> 00:24:06,240
{\an8}Yeah. I just mean the simple things.
415
00:24:07,240 --> 00:24:09,720
{\an8}Having a laugh, mates.
416
00:24:10,640 --> 00:24:12,360
{\an8}Yeah, I get it.
417
00:24:16,920 --> 00:24:18,480
{\an8}And thanks.
418
00:24:19,760 --> 00:24:23,120
{\an8}What for?For not asking me how I am.
419
00:24:25,680 --> 00:24:28,440
{\an8}Well, I'm... I'm always around,
420
00:24:28,440 --> 00:24:30,400
{\an8}any time you don't wanna talk.
421
00:24:32,640 --> 00:24:35,720
{\an8}So, is that what we are, then,mates?
422
00:24:39,560 --> 00:24:41,400
{\an8}You tell me.
423
00:24:51,240 --> 00:24:52,480
{\an8}PHONE VIBRATES
424
00:24:52,480 --> 00:24:54,480
{\an8}HE CHUCKLES
425
00:24:54,480 --> 00:24:56,200
{\an8}Great timing.
426
00:24:58,800 --> 00:25:01,080
{\an8}Sorry for kissing you.
427
00:25:02,000 --> 00:25:03,320
{\an8}Don't be.
428
00:25:12,680 --> 00:25:14,640
{\an8}PHONE VIBRATESOh, God.
429
00:25:16,720 --> 00:25:19,320
{\an8}Hello?MUFFLED VOICE
430
00:25:21,320 --> 00:25:23,760
{\an8}What? Say that again,I can't hear you properly.
431
00:25:25,840 --> 00:25:27,080
{\an8}What?
432
00:25:27,080 --> 00:25:29,640
{\an8}There's bad reception in here.Best outside.
433
00:25:29,640 --> 00:25:30,760
{\an8}I'll be one minute.
434
00:25:32,160 --> 00:25:34,120
{\an8}Hang on a sec.
435
00:25:36,440 --> 00:25:37,760
{\an8}'It's Commander Bregman.
436
00:25:37,760 --> 00:25:39,840
{\an8}'I need to talk to you aboutyour brother, Billy.
437
00:25:39,840 --> 00:25:41,920
{\an8}'Can you hear me?'Yeah, I can hear you. What's up?
438
00:25:41,920 --> 00:25:45,680
{\an8}Listen carefully.This is a confidential briefing.
439
00:25:45,680 --> 00:25:48,440
{\an8}Do not repeat it to anyoneunless I authorise you to do so.
440
00:25:48,440 --> 00:25:50,440
{\an8}'OK.'
441
00:25:50,440 --> 00:25:52,960
{\an8}We believe your brother isinvolved with the Crusaders' cell.
442
00:25:55,200 --> 00:25:56,840
{\an8}'We don't knowwhat his involvement is.
443
00:25:56,840 --> 00:25:59,080
{\an8}'It could be low-level,transporting things around.
444
00:25:59,080 --> 00:26:00,680
{\an8}'We can't be certain yet.'
445
00:26:00,680 --> 00:26:02,760
{\an8}We know he's due in frontof the Magistrate's Court
446
00:26:02,760 --> 00:26:05,320
{\an8}on the charge of racially aggravatedcriminal damage.
447
00:26:06,320 --> 00:26:08,920
{\an8}Our investigationshave revealed a link
448
00:26:08,920 --> 00:26:10,880
{\an8}between Billy and the Crusaders.
449
00:26:10,880 --> 00:26:15,400
{\an8}We found CCTV evidenceof Nic Roberts meeting with Billy.
450
00:26:15,400 --> 00:26:17,840
{\an8}Now, I knowthis is a lot to take in,
451
00:26:17,840 --> 00:26:19,800
{\an8}but the situationhas become critical.
452
00:26:19,800 --> 00:26:22,280
{\an8}Billy's car has trippedan ANPR camera,
453
00:26:22,280 --> 00:26:24,960
{\an8}and we tracked himheading into North London.
454
00:26:24,960 --> 00:26:27,600
{\an8}We need to detain himand bring him in for questioning.
455
00:26:27,600 --> 00:26:29,840
{\an8}'The Crusaders'next attack may be imminent.'
456
00:26:31,280 --> 00:26:33,480
{\an8}I'm sorry, Sir,are you sure you mean my Billy?
457
00:26:33,480 --> 00:26:37,960
{\an8}Lana, we have an armed policeresponse unit ready to intercept.
458
00:26:37,960 --> 00:26:41,200
{\an8}'But we want you to encourage himto co-operate calmly and safely.'
459
00:26:43,480 --> 00:26:46,000
{\an8}'I'm going to have to push you,Lana. Will you make the call?'
460
00:26:46,000 --> 00:26:48,400
{\an8}Er... Yeah, yeah.
461
00:26:49,480 --> 00:26:51,720
{\an8}DI Desai, do you have anything elseto add?
462
00:26:51,720 --> 00:26:53,200
{\an8}Lana, it's Sam.
463
00:26:53,200 --> 00:26:55,440
{\an8}When we need to communicate,we'll text you.
464
00:26:55,440 --> 00:26:58,280
{\an8}'We need as much informationas possible. Keep him talking.'
465
00:26:58,280 --> 00:27:01,400
{\an8}Find out where he's going andmake him come to Southwark Station.
466
00:27:01,400 --> 00:27:05,200
{\an8}He's... he's not been answeringmy calls, so...
467
00:27:05,200 --> 00:27:06,880
{\an8}'Understood.
468
00:27:06,880 --> 00:27:10,520
{\an8}'From his phone records, he's beenmaking calls to a Becky Walters.
469
00:27:10,520 --> 00:27:13,160
{\an8}'Several unanswered calls.'Yeah, that's his ex.
470
00:27:13,160 --> 00:27:16,400
{\an8}Text him and say you're with Beckyand she wants to speak to him.
471
00:27:16,400 --> 00:27:18,200
{\an8}Make him call you.
472
00:27:18,200 --> 00:27:20,360
{\an8}Thom, is the audio recording set up?
473
00:27:20,360 --> 00:27:22,400
{\an8}Yeah, just...'You're recording this?'
474
00:27:22,400 --> 00:27:24,560
{\an8}Lana, we have to.
475
00:27:26,440 --> 00:27:28,440
{\an8}SHE SIGHS
476
00:27:28,440 --> 00:27:29,560
{\an8}OK.
477
00:27:29,560 --> 00:27:31,160
{\an8}Ready?Yeah.
478
00:27:31,160 --> 00:27:32,320
{\an8}OK, everything's ready.
479
00:27:32,320 --> 00:27:34,320
{\an8}We'll be listening inon a secure line.
480
00:27:35,360 --> 00:27:37,400
{\an8}We playing or what?
481
00:27:37,400 --> 00:27:39,160
{\an8}Um...
482
00:27:42,560 --> 00:27:44,200
{\an8}Er... No, not now.
483
00:27:44,200 --> 00:27:46,280
{\an8}It's just...What's up?
484
00:27:46,280 --> 00:27:48,320
{\an8}I've gotta go. I'm sorry, Karl.
485
00:27:59,080 --> 00:28:01,120
{\an8}SIREN WAILS
486
00:28:21,360 --> 00:28:23,320
{\an8}CALLING TONE
487
00:28:24,520 --> 00:28:25,560
{\an8}'Billy!'
488
00:28:25,560 --> 00:28:27,280
{\an8}'Can you put Becky on?'
489
00:28:28,560 --> 00:28:30,360
{\an8}Where are you?Sounds like you're driving.
490
00:28:30,360 --> 00:28:33,080
{\an8}Raise the volume.'I'm driving to meet my mates.
491
00:28:33,080 --> 00:28:34,560
{\an8}'Let me speak to Becky.'
492
00:28:34,560 --> 00:28:36,400
{\an8}'What mates? Anyone I know?'
493
00:28:36,400 --> 00:28:39,320
{\an8}Just mates, Lana. Why, what's going?
494
00:28:39,320 --> 00:28:41,920
{\an8}'Is she with you or what?'Listen, Billy, I'm not with Becky.
495
00:28:41,920 --> 00:28:43,560
{\an8}I just needed you to call me.
496
00:28:43,560 --> 00:28:45,680
{\an8}'You're not with Becky?What do you mean? Why?'
497
00:28:45,680 --> 00:28:46,720
{\an8}I need to talk to you.
498
00:28:46,720 --> 00:28:49,800
{\an8}'You've not been answering my calls.You've not been about.
499
00:28:49,800 --> 00:28:51,600
{\an8}'Where are you driving to?'
500
00:28:51,600 --> 00:28:54,520
{\an8}PROTESTERS CHATTER
501
00:28:56,920 --> 00:28:58,880
{\an8}'Billy. Billy!'
502
00:29:00,680 --> 00:29:02,480
{\an8}Fucking arsehole!
503
00:29:03,920 --> 00:29:05,760
{\an8}Billy, where exactly are you?
504
00:29:05,760 --> 00:29:07,800
{\an8}'Farringdon Tube Station.'
505
00:29:07,800 --> 00:29:09,960
{\an8}Sounds busy. What's going on?
506
00:29:09,960 --> 00:29:12,600
{\an8}Farringdon Tube is near wherethe anti-fascist demo
507
00:29:12,600 --> 00:29:14,640
{\an8}is taking placein Clerkenwell Green.
508
00:29:14,640 --> 00:29:16,280
{\an8}What's Billy doing amongstall that lot?
509
00:29:16,280 --> 00:29:18,640
{\an8}PROTESTERS:Against the far right!
510
00:29:18,640 --> 00:29:21,400
{\an8}'OK. Well, why are you there?'
511
00:29:23,480 --> 00:29:25,640
{\an8}How close are the armed units?Two minutes out.
512
00:29:25,640 --> 00:29:27,880
{\an8}'Billy! Billy!'
513
00:29:29,360 --> 00:29:30,960
{\an8}Intercept.
514
00:29:30,960 --> 00:29:32,280
{\an8}'Listen to me. It's important.
515
00:29:32,280 --> 00:29:34,280
{\an8}'What are you doing atFarringdon Station?'
516
00:29:34,280 --> 00:29:36,560
{\an8}'I was meant to meet the lads,but they're not here.
517
00:29:36,560 --> 00:29:38,560
{\an8}'Outside the Tube, he said,but I can't see him.
518
00:29:38,560 --> 00:29:40,960
{\an8}'Just a load of lefty wankers.'
519
00:29:42,680 --> 00:29:45,360
{\an8}Billy, why did you drive?Was that your idea?
520
00:29:45,360 --> 00:29:48,480
{\an8}No, my mate asked me to givesome of the lads a lift down.
521
00:29:48,480 --> 00:29:51,360
{\an8}'Must be some kind of joke.'
522
00:29:54,560 --> 00:29:56,520
{\an8}Yeah, he's set me up, hasn't he?
523
00:29:56,520 --> 00:29:58,440
{\an8}'They're having a laugh,aren't they?
524
00:29:58,440 --> 00:30:00,480
{\an8}'Knobheads.'
525
00:30:00,480 --> 00:30:03,880
{\an8}Billy, these new mates of yours,they're not who you think they are.
526
00:30:05,760 --> 00:30:08,800
{\an8}Lana, what are you on about?'Nic. Nic Roberts.'
527
00:30:08,800 --> 00:30:11,440
{\an8}H's a... he's a terrorist.
528
00:30:12,400 --> 00:30:14,880
{\an8}'One of the Crusadersthat killed Nut.'
529
00:30:15,920 --> 00:30:16,960
{\an8}You're winding me up.
530
00:30:16,960 --> 00:30:19,000
{\an8}Do I sound likeI'm fucking winding you up?
531
00:30:20,760 --> 00:30:22,800
{\an8}'Have any of them beennear your car?
532
00:30:22,800 --> 00:30:25,160
{\an8}'Look around. Is there anythingdifferent about it?'Eh?
533
00:30:25,160 --> 00:30:27,240
{\an8}For fuck's sake, Billy,listen to me.
534
00:30:27,240 --> 00:30:29,200
{\an8}I need you to check the carfor me, OK?
535
00:30:29,200 --> 00:30:31,920
{\an8}Have a look under the steering wheelor under the footwell,
536
00:30:31,920 --> 00:30:34,280
{\an8}anything that you can seethat might be unusual.
537
00:30:36,800 --> 00:30:38,400
{\an8}Right, yeah.
538
00:30:56,000 --> 00:30:59,400
{\an8}Lana, there's some masking tapeunderneath the foot mat.
539
00:30:59,400 --> 00:31:00,680
{\an8}All right, OK.
540
00:31:00,680 --> 00:31:05,160
{\an8}Can you really carefully lift upthe masking tape?
541
00:31:07,200 --> 00:31:09,960
{\an8}'There's... there's a wire, Lana.'
542
00:31:11,600 --> 00:31:13,360
{\an8}Can you see where it's leading to?
543
00:31:16,360 --> 00:31:18,000
{\an8}Erm...
544
00:31:22,680 --> 00:31:25,120
{\an8}Th-th-th-the glovebox.
545
00:31:32,080 --> 00:31:36,080
{\an8}Fucking hell. Shit, shit, shit.
546
00:31:36,080 --> 00:31:37,280
{\an8}It's hooked up to summat.
547
00:31:37,280 --> 00:31:39,160
{\an8}Looks like a bomb.I've gotta get out the car.
548
00:31:39,160 --> 00:31:41,000
{\an8}'No, Billy!Do not get out of the car.'
549
00:31:41,000 --> 00:31:43,080
{\an8}I'm gonna die.'Do not get out the car.'
550
00:31:43,080 --> 00:31:45,400
{\an8}You just need to stay calmand listen to me, all right?
551
00:31:49,560 --> 00:31:51,680
{\an8}We need to get the vehicle awayfrom the crowds.
552
00:31:51,680 --> 00:31:53,720
{\an8}Get Lana to direct Billy toa safer location,
553
00:31:53,720 --> 00:31:55,400
{\an8}away from the Tube.
554
00:31:55,400 --> 00:31:56,920
{\an8}OK, texting her now.
555
00:31:56,920 --> 00:31:59,600
{\an8}This is DI Desai.We need an EXPO unit.
556
00:31:59,600 --> 00:32:01,600
{\an8}Standby for exact location.
557
00:32:01,600 --> 00:32:03,560
{\an8}Trojan unit from Central Eight Five.
558
00:32:03,560 --> 00:32:06,360
{\an8}Hold back. Do not engage.Repeat, do not engage.
559
00:32:06,360 --> 00:32:07,760
{\an8}'Right, Billy, here's the plan.
560
00:32:07,760 --> 00:32:09,280
{\an8}'You need to drive awayfrom the Tube.
561
00:32:09,280 --> 00:32:11,160
{\an8}'The police are looking fora safe location.'
562
00:32:11,160 --> 00:32:12,680
{\an8}How about Hackney Marshes?Too far.
563
00:32:12,680 --> 00:32:14,600
{\an8}Too busy at this time of day.
564
00:32:14,600 --> 00:32:17,320
{\an8}He's about two miles fromCranstead Fields, that could work.
565
00:32:17,320 --> 00:32:18,720
{\an8}Yeah, OK.
566
00:32:18,720 --> 00:32:20,520
{\an8}OK, I'll send him there.
567
00:32:24,480 --> 00:32:26,480
{\an8}HORNS HONK
568
00:32:28,040 --> 00:32:30,360
{\an8}'Right, we're gonna goto Cranstead Fields, Billy.
569
00:32:30,360 --> 00:32:32,360
{\an8}'You know it, yeah?'Yeah, I know it.
570
00:32:32,360 --> 00:32:34,880
{\an8}'I'll meet you there.It's gonna be OK.'
571
00:32:38,880 --> 00:32:40,640
{\an8}The vehicle is beingdriven to Cranstead.
572
00:32:40,640 --> 00:32:42,560
{\an8}We need EMTand EXPO units to meet him.
573
00:32:42,560 --> 00:32:44,280
{\an8}Trojan unit from Central Eight Five.
574
00:32:44,280 --> 00:32:46,880
{\an8}New RVP for suspectis Cranstead Fields.
575
00:32:46,880 --> 00:32:49,920
{\an8}Do not engage suspect unlessthere is a significant threat.
576
00:32:49,920 --> 00:32:52,000
{\an8}'Trojan One, received.'
577
00:32:52,000 --> 00:32:54,600
{\an8}When you get there,keep the engine running, all right?
578
00:32:54,600 --> 00:32:57,600
{\an8}Don't press anything, open the door,don't touch anything. Stay still.
579
00:32:57,600 --> 00:32:59,120
{\an8}I'll be there as soon as possible.
580
00:33:03,320 --> 00:33:05,200
{\an8}You've gotta tell Mum and DadI'm sorry, yeah?
581
00:33:05,200 --> 00:33:07,680
{\an8}Billy, tell 'em yourself.You're gonna be fine.
582
00:33:07,680 --> 00:33:10,600
{\an8}I'm about five minutes away.Just stay calm, stay focused.
583
00:33:10,600 --> 00:33:12,680
{\an8}I'm nearly there, all right?
584
00:33:21,720 --> 00:33:23,560
{\an8}Shit!'What's happened?'
585
00:33:25,120 --> 00:33:30,360
{\an8}There's a timer, Lana.There's a fucking timer.
586
00:33:36,520 --> 00:33:38,560
{\an8}Shit! Shit!
587
00:33:38,560 --> 00:33:39,840
{\an8}'Listen, Billy.'Fuck!
588
00:33:39,840 --> 00:33:42,920
{\an8}'I'm gonna help you, I swear,but you need to focus, OK?
589
00:33:42,920 --> 00:33:45,160
{\an8}'Just need to concentrateon getting to the park.
590
00:33:45,160 --> 00:33:46,880
{\an8}'You're only a few minutes away.
591
00:33:46,880 --> 00:33:49,240
{\an8}'When you get there,drive straight onto the field
592
00:33:49,240 --> 00:33:51,400
{\an8}'and it'll be fine, I promise.You're gonna be safe.'
593
00:33:54,000 --> 00:33:55,120
{\an8}Fucking hell!
594
00:33:55,120 --> 00:33:56,480
{\an8}'My battery's gonna die.'
595
00:33:56,480 --> 00:33:59,360
{\an8}Billy! Billy!BEEPING
596
00:33:59,360 --> 00:34:01,840
{\an8}This is Central Seven Four.I need eyes on the ground.
597
00:34:03,440 --> 00:34:05,240
{\an8}Do we have units yet at Cranstead?
598
00:34:07,440 --> 00:34:10,200
{\an8}'Aerial Nine Eight,we have visuals on target,
599
00:34:10,200 --> 00:34:12,680
{\an8}'eastbound, Cranstead Road.'
600
00:34:12,680 --> 00:34:14,720
{\an8}'EXPO Eight, received.ETA two minutes.'
601
00:34:14,720 --> 00:34:16,680
{\an8}'Trojan One, received.ETA, one minute.'
602
00:34:16,680 --> 00:34:18,280
{\an8}Oh, damn.
603
00:34:24,760 --> 00:34:26,320
{\an8}HONKS HORN
604
00:34:38,520 --> 00:34:40,440
{\an8}SIREN WAILS
605
00:34:48,680 --> 00:34:51,200
{\an8}'EXPO incoming.Secure the perimeter.
606
00:34:51,200 --> 00:34:52,840
{\an8}'Evacuate members of the public.
607
00:34:52,840 --> 00:34:54,960
{\an8}'Evacuate the area.'
608
00:34:54,960 --> 00:34:57,880
{\an8}Costa, secure yourselfa firing position.
609
00:35:00,120 --> 00:35:02,280
{\an8}Move, move.Clear the area now.
610
00:35:06,320 --> 00:35:08,560
{\an8}'Suspect is approachingthe perimeter.'
611
00:35:11,880 --> 00:35:13,360
{\an8}HORN HONKS
612
00:35:13,360 --> 00:35:15,520
{\an8}Move, move!Get out the way, move!
613
00:35:15,520 --> 00:35:17,360
{\an8}Move!
614
00:35:23,920 --> 00:35:25,480
{\an8}Get away from that car!
615
00:35:27,200 --> 00:35:29,600
{\an8}Get out of here!You could have killed us!
616
00:35:29,600 --> 00:35:31,960
{\an8}This is the bomb squad. Move!There's a bomb in the car.
617
00:35:31,960 --> 00:35:33,440
{\an8}Get away!There's a bomb in the car.
618
00:35:33,440 --> 00:35:38,560
{\an8}Billy, Billy, Billy, look, it's me.It's Hass. Stay still, OK?
619
00:35:39,600 --> 00:35:42,080
{\an8}We're gonna work...We're gonna work around you, OK?
620
00:35:42,080 --> 00:35:43,720
{\an8}Yeah, yeah.Look at me.
621
00:35:43,720 --> 00:35:45,760
{\an8}It's gonna be OK. Stay still.
622
00:35:45,760 --> 00:35:47,400
{\an8}Hass, I'm losing it, Hass!
623
00:35:47,400 --> 00:35:50,840
{\an8}Billy, Billy, Billy, stay calm.
624
00:35:50,840 --> 00:35:52,440
{\an8}Just stay calm.
625
00:35:52,440 --> 00:35:54,640
{\an8}It's gonna be OK.
626
00:35:59,280 --> 00:36:01,080
{\an8}HE SIGHSLana!
627
00:36:02,400 --> 00:36:03,840
{\an8}Oh, my God.
628
00:36:07,320 --> 00:36:09,360
{\an8}I'm worried he's gonna bolt.Get everyone back.
629
00:36:09,360 --> 00:36:10,720
{\an8}I'll speak to him.
630
00:36:11,880 --> 00:36:13,360
{\an8}I'll get hers.Thanks.
631
00:36:14,360 --> 00:36:15,960
{\an8}Billy, I'm here.Lana.
632
00:36:15,960 --> 00:36:18,720
{\an8}All right, it's gonna be fine.Stay really still for me, yeah?
633
00:36:18,720 --> 00:36:21,000
{\an8}I'm gonna look around the car.You've gotta do summat.
634
00:36:21,000 --> 00:36:22,920
{\an8}It's about three minutes, yeah?
635
00:36:22,920 --> 00:36:25,080
{\an8}I'm gonna get out.Stay still, I'll go and have a look.
636
00:36:25,080 --> 00:36:27,480
{\an8}Don't touch anything.I'm gonna check the car, OK?
637
00:36:27,480 --> 00:36:30,080
{\an8}Yeah, yeah. Just hurry.
638
00:37:09,440 --> 00:37:11,320
{\an8}How bad is it?
639
00:37:11,320 --> 00:37:12,720
{\an8}It's fine.
640
00:37:12,720 --> 00:37:16,080
{\an8}I can tell when you're lying, man.How bad is it?
641
00:37:19,240 --> 00:37:20,960
{\an8}It's fine.
642
00:37:20,960 --> 00:37:22,160
{\an8}Lana!
643
00:37:22,160 --> 00:37:23,240
{\an8}It's fine, Billy.
644
00:37:23,240 --> 00:37:24,960
{\an8}Lana!
645
00:37:26,360 --> 00:37:27,800
{\an8}What's he done?
646
00:37:29,680 --> 00:37:31,200
{\an8}What's he done?
647
00:37:34,880 --> 00:37:37,280
{\an8}Lana! Lana!
648
00:37:37,280 --> 00:37:39,160
{\an8}SIREN WAILS.
649
00:37:46,360 --> 00:37:47,920
{\an8}Trojan Five Four, I have visual.
650
00:37:56,840 --> 00:37:59,040
{\an8}EXPO is at the device.Cordon secure.
651
00:37:59,040 --> 00:38:01,720
{\an8}Sniper's in position.Good work.
652
00:38:03,040 --> 00:38:05,120
{\an8}Lana!
653
00:38:05,120 --> 00:38:06,920
{\an8}The timer, it makes no sense.Why?
654
00:38:06,920 --> 00:38:08,880
{\an8}How would the bomber knowwhere he's gonna be
655
00:38:08,880 --> 00:38:11,480
{\an8}when the device goes off?I don't get it.A decoy?
656
00:38:11,480 --> 00:38:14,640
{\an8}Yeah.Lana, I need to get out.It's less than two minutes!
657
00:38:14,640 --> 00:38:15,840
{\an8}Get me out the car.
658
00:38:15,840 --> 00:38:19,240
{\an8}Billy, listen to me.Listen to me. Look at me, yeah?
659
00:38:19,240 --> 00:38:21,040
{\an8}The timer means nothing.
660
00:38:21,040 --> 00:38:23,720
{\an8}They put it there as a trick,so that you open the door.Please.
661
00:38:23,720 --> 00:38:25,400
{\an8}Can you hear me?Please.
662
00:38:25,400 --> 00:38:28,040
{\an8}Don't touch it. Stay still.It's gonna be fine.Oh, fuck.
663
00:38:28,040 --> 00:38:30,440
{\an8}Listen to me. I'm your sister, OK?
664
00:38:31,960 --> 00:38:34,320
{\an8}You need to trust me.I'm gonna go and get some stuff.
665
00:38:34,320 --> 00:38:35,440
{\an8}Lana, please don't go.
666
00:38:35,440 --> 00:38:37,600
{\an8}You've gotta trust me.
667
00:38:41,200 --> 00:38:42,640
{\an8}It's gonna be fine.
668
00:38:42,640 --> 00:38:44,800
{\an8}Please, please.
669
00:38:47,240 --> 00:38:49,160
{\an8}OK, OK.
670
00:38:51,480 --> 00:38:53,080
{\an8}OK.
671
00:38:53,080 --> 00:38:55,120
{\an8}BREATHES HEAVILY
672
00:38:58,080 --> 00:38:59,400
{\an8}What's happening?
673
00:38:59,400 --> 00:39:02,200
{\an8}Billy's freaked out by the timer,but I'm sure it's a trap.
674
00:39:02,200 --> 00:39:05,120
{\an8}I need to get him out, butthe driver's side might be rigged.
675
00:39:05,120 --> 00:39:07,280
{\an8}Passenger side?That's where the device is.
676
00:39:07,280 --> 00:39:09,600
{\an8}I don't wanna risk it.They could have done all the doors.
677
00:39:12,360 --> 00:39:14,760
{\an8}Lana, I need you!
678
00:39:14,760 --> 00:39:16,840
{\an8}TIMER BEEPS
679
00:39:21,440 --> 00:39:22,480
{\an8}Lana!
680
00:39:26,480 --> 00:39:28,200
{\an8}Lana!
681
00:39:28,200 --> 00:39:30,880
{\an8}Lana, do something!
682
00:39:30,880 --> 00:39:32,320
{\an8}No, no!
683
00:39:32,320 --> 00:39:33,560
{\an8}Lana!
684
00:39:33,560 --> 00:39:35,240
{\an8}Let's extract himout the rear window.
685
00:39:35,240 --> 00:39:37,200
{\an8}Rear window, right.OK.
686
00:39:40,200 --> 00:39:42,280
{\an8}Lana! Lana!
687
00:39:42,280 --> 00:39:45,360
{\an8}Trojan Five Four,suspect is unlocking door.
688
00:39:45,360 --> 00:39:46,600
{\an8}Billy!
689
00:39:54,920 --> 00:39:56,440
{\an8}No!
690
00:39:58,080 --> 00:39:59,520
{\an8}EXPLOSION
691
00:40:24,320 --> 00:40:26,360
{\an8}SIRENS WAIL
692
00:43:17,720 --> 00:43:20,880
{\an8}'Hi, it's me.Er... I've been round yours.
693
00:43:20,880 --> 00:43:24,400
{\an8}'No-one's heard from you.Please, call me.
694
00:43:24,400 --> 00:43:26,240
{\an8}'I just need to know you're OK.'
695
00:43:52,000 --> 00:43:54,240
{\an8}'It's me again. I, erm......
696
00:43:54,240 --> 00:43:56,280
{\an8}'I can't imaginewhat you're going through.
697
00:43:56,280 --> 00:43:58,440
{\an8}'I just...
698
00:43:58,440 --> 00:44:02,800
{\an8}'Christ. I'm here if you wanna talk,
699
00:44:02,800 --> 00:44:05,600
{\an8}'or I can come round.
700
00:44:05,600 --> 00:44:08,360
{\an8}'Whatever you need, OK? I...
701
00:44:08,360 --> 00:44:11,920
{\an8}'I don't want you to be alone.Just call me.'
702
00:44:16,320 --> 00:44:18,360
{\an8}SIREN WAILS
703
00:45:44,640 --> 00:45:46,680
{\an8}Subtitles by accessibility@itv.com
62643
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