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♪ MTV ♪
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- "1883" is...
- Gritty.
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- Intense.
- Beautiful.
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It's epic.
There's no question about it.
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It's a young woman's
coming of age story.
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- It's massive.
- Mind-boggling.
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It's a journey.
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There's excitement, danger, unpredictability.
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I don't care if I do
any other show
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for the rest of my life.
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I only do Westerns from now.
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Those are the kind
of stories I like to tell,
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and that's the way
I like to tell them.
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♪ ♪
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The idea to make "1883"
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actually came from
one of the studio executives
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asking me about the backstory
of John Dutton.
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And I explained it to him
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from the origin
of where they came,
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and he thought that that in
and of itself was a TV show.
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I was intrigued by the idea,
and so I wrote some flashbacks
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that people have now seen
on "Yellowstone."
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So Taylor called, he goes,
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"Hey, man,
I want you to be in the show.
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"I want you to be
in 'Yellowstone.'
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Are you're interested in it?"
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And he says, "I got this idea.
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"We're gonna do a flashback,
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"and you're gonna play
the original Dutton
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"who founded
the Yellowstone ranch.
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You're also gonna have
a wife in this."
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He says, "Do you think
Faith would be interested
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in playing your wife
in the flashbacks?"
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♪ ♪
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If you go in the handbook
of directors,
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you're not supposed to hire
a husband and wife
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to do a movie together.
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It's historically failed
every time,
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but you're also not supposed
to film kids or horses, so.
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We both watch the show,
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so we were excited
to have that invitation
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and didn't know quite
what to expect.
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Then I spoke with Sam Elliott
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about doing something
in the space.
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♪ ♪
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I got a call from him.
"I got something to show you,"
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and he sent me
this series of scripts,
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and there was no saying no,
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because it spoke to me.
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The character spoke to me.
The show speaks to me.
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♪ ♪
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You know what I'm doing here?
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Looking for a reason.
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You wanna be my reason?
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I had not found
the connective tissue
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between this origin story
of James Dutton
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and this road to redemption
story of Sam Elliott.
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I had not found the bridge.
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And the actress Isabel May
read for me
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for another TV series,
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and it dawned on me
that she was the bridge.
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I called the network,
and I said, I found our lead,
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and I haven't written a word,
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and you're just gonna
have to trust me.
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♪ ♪
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This is something different
altogether,
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'cause you're seeing it through
the eyes of a young woman.
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And I don't think
that's ever been done before.
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Not in this way.
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We are seeing things through
an 18-year-old girl's eyes.
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And it's a very different
vision of the West
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because you see it,
sort of her innocence
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and her magic that she's able
to show us this world
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that has sex and violence
and despair,
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but also hope.
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To play a character
that narrates her own story
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as well as every
other character story,
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it's extremely humbling.
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Freedom is riding wild
over untamed land
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with no notion
any moment exists
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beyond the one you are living.
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It's pretty phenomenal,
right?
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If you just sort of look
at a big family tree,
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it takes us back
many generations
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and that survival
and fighting for the land
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and doing what's right
and protecting your family
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are these similar themes
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that were handed down
generation to generation
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until we get the John Dutton.
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♪ ♪
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- Good shot.
- Yep.
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James is John's great, great,
great grandfather.
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You can see the bloodline.
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You can see the strength
in the bloodline.
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You can see the backbone
that this family has
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and the power that they have,
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and their concern
for each other.
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I believe in you,
and I believe in that boy,
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and I believe in our daughter.
That's all.
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That's why it's so important
to the Dutton family
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present day
to fight for his land.
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And, like, you see
how fierce they are,
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fighting for what's theirs.
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God!
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"1883" is a journey
of an unlikely group of people
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fighting against
the forces of nature,
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the malice of humankind
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in search of change
and a new home.
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♪ ♪
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It's about freedom.
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It's about the American dream,
which, you know,
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it's become this synonymous
with the idea of freedom,
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about the beauty of it
and the ugliness of it,
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and all the beautiful things
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people will do
for their freedom
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and then also all the ugly
things they do for it.
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I can be a good wife.
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Stop.
Quit it.
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The thing about "1883,"
it's a tale that's been told.
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It's a tale that
we're all familiar with,
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the Oregon Trail.
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But it's never been done like
Taylor's done it on the page.
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You think we're fools
just because we--
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You have no horses, no guns.
You can't ride.
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You are a fucking fool.
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♪ ♪
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History is doomed
to repeat itself
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because it's never taught
accurately.
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As a storyteller,
my job is to try
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and hold a mirror up to nature
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and reflect back the world
as it was.
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I think that it's truth
through fiction.
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There's a grittiness to it.
There's an authenticity to it.
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It feels real.
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The struggles are all real.
The people are all real.
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We're traveling with
a caravan of immigrants.
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It was incredible for me
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because I am
an immigrant myself.
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So I get to tell
a story of someone
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who goes across the world
to follow their dream.
141
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Most people who went West
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saw ads in newspapers in Poland
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and in Croatia and in Germany
and answered those ads
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and saved up all their money,
sold everything they had,
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and hired a group that would
take them on these wagons.
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In the 1800s,
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there's actually a large flight
of immigrants to America
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because there's overpopulation.
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And there was a high rate
of unemployment.
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It's actually interesting
there has been a Texan--
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a German Texan immigrant
who wrote letters,
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like beautiful letters,
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how beautiful Texas is
and everything,
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and these letters were printed
in a German newspaper.
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And many Germans
at the time read them,
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and that was their decision
to come.
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I think people dreamed
of change
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and creating something
and having land
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and being free.
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It's a free country.
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That's a free country.
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That is Comanche land.
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Beyond it
is no man's land,
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and that's where we're going.
You ain't free yet.
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And these people
didn't speak English,
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had no notion of
what the Southwest was like
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or the Great Plains were like.
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Had no idea they were
horribly unprepared,
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facing a whole new host
of diseases
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that they've never been
exposed to,
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elements they've never
been exposed to.
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It was an extremely dangerous,
dangerous journey.
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♪ ♪
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I'll push her.
Now get to the back.
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This is what happened.
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This is the journey
that our ancestors took,
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and it was horrifying
and extremely difficult.
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It's nothing new.
It's happened back then.
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It's happening now.
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We're all immigrants
in this country,
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and this journey...
it's so compelling,
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and it tells a story that
just--it's gut-wrenching
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but it's truthful.
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And there's a lot of people
in this journey
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that haven't been represented
in other westerns.
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I don't think that there is
a more misrepresented group
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in American cinema
than the Native American.
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And what little I can do
to correct
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that historical perspective
in fiction, I'm gonna do.
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00:08:59,049 --> 00:09:02,118
When historians write books
about native people,
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a lot of times
they put us in this box, right?
192
00:09:05,722 --> 00:09:07,590
And they say, oh,
they were hunter-gatherers,
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or they lived
according to this way.
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It completely
removes the idea
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that we were also individuals.
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We had our own
individual tastes,
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our own individual
attractions.
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00:09:16,199 --> 00:09:18,568
And that's kind of the way
the storytelling has gone
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00:09:18,635 --> 00:09:20,503
in Hollywood for a long time.
200
00:09:20,570 --> 00:09:22,005
One of the most
interesting things
201
00:09:22,072 --> 00:09:26,609
is the number one cause
of death on these wagon trains
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00:09:26,677 --> 00:09:28,378
was people
falling off a wagon
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00:09:28,444 --> 00:09:31,514
and getting run over.
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00:09:31,581 --> 00:09:33,650
The number two cause of death
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00:09:33,717 --> 00:09:36,252
was accidental discharge
of firearms.
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00:09:36,319 --> 00:09:38,889
Number three, it was drowning
in river crossing.
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00:09:38,955 --> 00:09:41,825
Number seven
was Native Americans.
208
00:09:41,892 --> 00:09:44,194
I think in all the stuff
that we learned growing up
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00:09:44,260 --> 00:09:47,764
was the number one fear
was Native Americans.
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00:09:47,831 --> 00:09:51,301
And nine times out of ten,
they were trying to help.
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00:09:51,367 --> 00:09:54,070
I made the Native American
community a promise
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00:09:54,137 --> 00:09:56,606
that I was gonna tell
their story truthfully.
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00:09:56,673 --> 00:09:58,809
And so, every opportunity
I get to do it,
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00:09:58,875 --> 00:10:00,610
I try to fulfill that promise.
215
00:10:00,677 --> 00:10:03,013
♪ ♪
216
00:10:03,079 --> 00:10:08,885
It's rare to have the kind of
story that we have been handed,
217
00:10:08,952 --> 00:10:11,454
to be honest with you.
And I think for all of us,
218
00:10:11,521 --> 00:10:13,924
we feel the responsibility
219
00:10:13,990 --> 00:10:16,359
to do the best job
that we can
220
00:10:16,426 --> 00:10:18,461
to bring these characters
to life
221
00:10:18,528 --> 00:10:20,463
the way they were written.
222
00:10:23,867 --> 00:10:27,838
There's three classic
struggles in these westerns.
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00:10:27,904 --> 00:10:31,374
It's man against man,
man against himself,
224
00:10:31,441 --> 00:10:34,077
man against the environment.
225
00:10:34,144 --> 00:10:37,848
In those struggles,
we're all in this in spades.
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00:10:37,914 --> 00:10:40,650
Let's go.
227
00:10:40,717 --> 00:10:44,855
♪ ♪
228
00:10:52,863 --> 00:10:57,567
"1883" is the origin story
of the Dutton family.
229
00:10:57,633 --> 00:10:59,936
The Duttons come
from Tennessee originally.
230
00:11:00,003 --> 00:11:02,305
There's a number of people
who moved West
231
00:11:02,372 --> 00:11:04,340
out of desperation
from the South.
232
00:11:04,407 --> 00:11:06,109
And America was unique
in the fact
233
00:11:06,176 --> 00:11:08,478
that, wherever you were
that you failed,
234
00:11:08,544 --> 00:11:11,414
you could simply move west
to a new place
235
00:11:11,481 --> 00:11:15,518
and reinvent yourself
and reinvent your life.
236
00:11:15,585 --> 00:11:16,853
The main characters
are Tim McGraw,
237
00:11:16,920 --> 00:11:18,922
who plays obviously
James Dutton.
238
00:11:18,989 --> 00:11:22,258
We have Faith Hill,
who plays Margaret Dutton.
239
00:11:22,325 --> 00:11:24,060
We have Isabel May,
who plays Elsa.
240
00:11:24,127 --> 00:11:25,762
Sam Elliott plays Shea.
241
00:11:25,829 --> 00:11:29,665
And then LaMonica Garrett
plays Thomas.
242
00:11:29,732 --> 00:11:32,735
Elsa Dutton is a daughter
of the patriarch
243
00:11:32,803 --> 00:11:35,238
and matriarch
of the Dutton family.
244
00:11:37,473 --> 00:11:40,743
At this time,
we have two children, Elsa,
245
00:11:40,811 --> 00:11:43,279
and then we have John.
246
00:11:43,346 --> 00:11:47,283
I wanted to be John Dutton
'cause he was a boy,
247
00:11:47,350 --> 00:11:50,186
and he loves the outside.
248
00:11:50,253 --> 00:11:52,355
I love the outside too.
249
00:11:52,422 --> 00:11:55,959
Elsa, she's very naive.
250
00:11:56,026 --> 00:11:58,228
She's experienced
very few things.
251
00:11:58,294 --> 00:12:00,263
They lived on a little farm.
252
00:12:00,330 --> 00:12:01,832
She'd seen the same people
her entire life,
253
00:12:01,898 --> 00:12:05,201
and she was bored.
She was desperate to get out.
254
00:12:05,268 --> 00:12:07,637
This child is spirited,
255
00:12:07,703 --> 00:12:10,340
and she's hard-headed
and strong,
256
00:12:10,406 --> 00:12:11,942
but she's also very smart.
257
00:12:12,008 --> 00:12:14,110
Elsa is extremely independent
258
00:12:14,177 --> 00:12:15,946
at a time when a young woman
259
00:12:16,012 --> 00:12:18,548
is not allowed to be
independent in such a way.
260
00:12:18,614 --> 00:12:20,783
There are certain things
that we weren't allowed
261
00:12:20,851 --> 00:12:24,420
to say or voice.
And as the journey continues,
262
00:12:24,487 --> 00:12:29,092
she sheds that civilized
kind of costume
263
00:12:29,159 --> 00:12:31,661
and starts to flourish
264
00:12:31,727 --> 00:12:34,931
because she loves this world
so much
265
00:12:34,998 --> 00:12:36,699
and what it has to offer.
266
00:12:36,766 --> 00:12:38,902
There's a fair chance
you're too pretty for me.
267
00:12:38,969 --> 00:12:42,005
If you are, rather know now
so I don't waste my time.
268
00:12:42,072 --> 00:12:43,573
Maybe you're too pretty
for me.
269
00:12:45,441 --> 00:12:51,915
Right away, Ennis is just
fully blown away by Elsa--
270
00:12:51,982 --> 00:12:54,484
aside from her beauty,
271
00:12:54,550 --> 00:12:57,153
her wit, her brashness.
272
00:12:57,220 --> 00:12:58,588
And I think she's
the first girl
273
00:12:58,654 --> 00:13:01,057
that ever makes
Ennis speechless.
274
00:13:01,124 --> 00:13:03,393
Oh, my gosh,
you're forward.
275
00:13:06,696 --> 00:13:08,698
Part of the storyline is,
you know,
276
00:13:08,764 --> 00:13:11,001
they were escaping poverty
and looking for a better life.
277
00:13:11,067 --> 00:13:12,268
And I think there's more to it
278
00:13:12,335 --> 00:13:13,904
than that in my mind
for James Dutton.
279
00:13:13,970 --> 00:13:16,606
During the series, you find
out that I was a captain
280
00:13:16,672 --> 00:13:18,708
in the Civil War
for the Confederacy,
281
00:13:18,774 --> 00:13:20,776
put in a position
that he didn't want to be in.
282
00:13:20,843 --> 00:13:22,946
Tim's character was one
of those who was drafted
283
00:13:23,013 --> 00:13:25,648
and conscripted into the army.
284
00:13:25,715 --> 00:13:31,487
And then endured, you know,
years in a prison of war camp
285
00:13:31,554 --> 00:13:34,757
and then came home
to a destroyed homeland
286
00:13:34,824 --> 00:13:36,792
and had lost faith
in that society.
287
00:13:36,859 --> 00:13:38,728
He had a lot of pain
and PTSD from that.
288
00:13:38,794 --> 00:13:40,496
I mean, you see it
in the flashbacks,
289
00:13:40,563 --> 00:13:42,865
and you see little glimpses
of who James is,
290
00:13:42,933 --> 00:13:46,636
and you know that he's not
as hard as he comes across.
291
00:13:46,702 --> 00:13:48,804
He really cares about people,
but you also know that
292
00:13:48,871 --> 00:13:52,175
his family's the number one
concern that he has.
293
00:13:52,242 --> 00:13:53,944
He dreamed of a better place.
294
00:13:54,010 --> 00:13:56,346
He dreamed of a life
where he could dictate
295
00:13:56,412 --> 00:13:58,448
his own fortune or failure.
296
00:13:58,514 --> 00:14:00,783
And his family trusted him.
297
00:14:00,850 --> 00:14:04,955
In my work as I become
more invested in the people
298
00:14:05,021 --> 00:14:07,490
that we're trying to help
as the journey goes on.
299
00:14:07,557 --> 00:14:08,858
You know, I'm always
there for my family,
300
00:14:08,925 --> 00:14:11,227
and I'm always concerned
about my family,
301
00:14:11,294 --> 00:14:14,397
but I think as the show
goes on,
302
00:14:14,464 --> 00:14:16,099
you realize that James cares
more about people
303
00:14:16,166 --> 00:14:17,733
than you think he does.
304
00:14:17,800 --> 00:14:20,403
It's better to double
the latigo with him.
305
00:14:20,470 --> 00:14:23,239
Girl, I've forgotten more
about horses
306
00:14:23,306 --> 00:14:24,941
than you'll ever know.
307
00:14:25,008 --> 00:14:28,311
Margaret, at the age of 17,
308
00:14:28,378 --> 00:14:29,812
was a nurse in the Civil War.
309
00:14:29,879 --> 00:14:32,515
That would change your life,
basically.
310
00:14:32,582 --> 00:14:34,917
It would give you
a perspective of life
311
00:14:34,985 --> 00:14:39,189
that a 17-year-old in this day
and age could never imagine.
312
00:14:39,255 --> 00:14:41,491
I mean, she is really
this sort of strong-willed,
313
00:14:41,557 --> 00:14:44,027
powerful woman of the West.
314
00:14:44,094 --> 00:14:45,661
She's raising a young boy
315
00:14:45,728 --> 00:14:48,264
and a young, you know, daughter
who's becoming a woman.
316
00:14:48,331 --> 00:14:50,666
And obviously has to manage
all of that while she sort of
317
00:14:50,733 --> 00:14:53,636
takes this family
on this very treacherous,
318
00:14:53,703 --> 00:14:56,472
dangerous journey
across America.
319
00:14:56,539 --> 00:14:59,209
Her heart, she becomes
stronger and stronger
320
00:14:59,275 --> 00:15:02,312
and stronger
as the journey goes on.
321
00:15:02,378 --> 00:15:04,780
The moment our first daughter
was born,
322
00:15:04,847 --> 00:15:07,850
I'm a mom for the rest
of my life, period.
323
00:15:07,917 --> 00:15:09,585
I mean,
that is the first thing.
324
00:15:09,652 --> 00:15:11,154
That's the last thing.
That's the middle thing.
325
00:15:11,221 --> 00:15:14,024
That's everything.
My character is most concerned
326
00:15:14,090 --> 00:15:16,392
about what is this
going to do to my family?
327
00:15:16,459 --> 00:15:18,594
Look after your brother.
- I will.
328
00:15:18,661 --> 00:15:22,098
- "Yes, ma'am."
- I said I will.
329
00:15:22,165 --> 00:15:23,433
I know what you said.
330
00:15:23,499 --> 00:15:25,768
What you didn't say
is "Yes, ma'am."
331
00:15:25,835 --> 00:15:27,337
Women don't say that
to each other.
332
00:15:27,403 --> 00:15:30,373
- Oh, so you're a woman now?
- Aren't I?
333
00:15:32,575 --> 00:15:35,445
Elsa has always viewed
her mother
334
00:15:35,511 --> 00:15:39,182
as restraining her
from, you know,
335
00:15:39,249 --> 00:15:43,019
being able to fully embrace
all that life has to offer.
336
00:15:43,086 --> 00:15:46,822
And so, therefore, she kinda
has it out for her mom.
337
00:15:46,889 --> 00:15:50,326
Margaret and Elsa have such
a contentious relationship,
338
00:15:50,393 --> 00:15:53,796
as most teenage daughters
and moms do.
339
00:15:53,863 --> 00:15:56,832
Then she sees her mother
in a different light
340
00:15:56,899 --> 00:16:01,671
because there's clearly a past
that she's unaware of.
341
00:16:01,737 --> 00:16:03,906
Her mother can ride
a horse beautifully.
342
00:16:03,973 --> 00:16:06,609
And so she kind of starts
to understand
343
00:16:06,676 --> 00:16:09,011
my mother was something else
in the past,
344
00:16:09,079 --> 00:16:10,780
and she gave that up,
345
00:16:10,846 --> 00:16:13,015
and maybe
she gave that up for me.
346
00:16:13,083 --> 00:16:16,018
That's the biggest part of
James and Elsa's relationship,
347
00:16:16,086 --> 00:16:17,420
that he understands her,
348
00:16:17,487 --> 00:16:19,822
and he understands
the passion that she has.
349
00:16:19,889 --> 00:16:22,558
And not only because
it's a reflection of him,
350
00:16:22,625 --> 00:16:25,428
but it's a reflection
of Margaret as well.
351
00:16:25,495 --> 00:16:27,897
She loves like Margaret.
She fights like me.
352
00:16:34,637 --> 00:16:36,939
Having Sam Elliot come
on board was just incredible
353
00:16:37,006 --> 00:16:39,175
because I think
he embodies everything
354
00:16:39,242 --> 00:16:41,377
that the character of Shea
should be.
355
00:16:41,444 --> 00:16:43,479
When I think of Westerns,
I think him and Clint Eastwood.
356
00:16:43,546 --> 00:16:44,947
Like that's just what it is.
357
00:16:45,014 --> 00:16:46,549
Of course, my wife
gets weak-kneed
358
00:16:46,616 --> 00:16:49,119
every time she's around him.
I don't know a woman yet
359
00:16:49,185 --> 00:16:51,354
that hasn't been weak-kneed
around Sam Elliott.
360
00:16:51,421 --> 00:16:53,256
And I told my mama that I was
working with Sam Elliott.
361
00:16:53,323 --> 00:16:55,358
She's like, "Oh my God, you're
working with Sam Elliott."
362
00:16:57,793 --> 00:17:00,863
Shea is on a mission
to get back to Oregon.
363
00:17:00,930 --> 00:17:03,233
Then at the same time,
he has something in him
364
00:17:03,299 --> 00:17:07,069
that wants to help these
other people get there as well.
365
00:17:07,137 --> 00:17:09,972
He knows that
it's rife with hardship.
366
00:17:10,039 --> 00:17:11,874
There's no question
about that.
367
00:17:11,941 --> 00:17:13,609
And a lot of them
aren't gonna make it,
368
00:17:13,676 --> 00:17:15,245
but he's driven to get those
369
00:17:15,311 --> 00:17:19,449
that are tough enough
to survive to Oregon.
370
00:17:22,452 --> 00:17:25,788
He is a troubled man
for a lot of different reasons.
371
00:17:25,855 --> 00:17:28,023
First off, he was in the war.
372
00:17:28,090 --> 00:17:30,226
You know, he's suffers
from that.
373
00:17:30,293 --> 00:17:31,594
He loses his family,
374
00:17:31,661 --> 00:17:33,729
and I think that's
the biggest burden
375
00:17:33,796 --> 00:17:37,633
that he carries with him
throughout the show.
376
00:17:37,700 --> 00:17:39,669
You know, Taylor talked to me
about Shea rode
377
00:17:39,735 --> 00:17:41,103
with the Buffalo soldiers,
378
00:17:41,171 --> 00:17:44,207
which was an all-Black group
of soldiers.
379
00:17:44,274 --> 00:17:49,279
Shea is very heavy-handed with
everyone other than Thomas.
380
00:17:49,345 --> 00:17:52,582
And... I don't know.
381
00:17:52,648 --> 00:17:54,083
I get very emotional
382
00:17:54,150 --> 00:17:58,354
talking about the relationship
of Shea and Thomas.
383
00:17:58,421 --> 00:18:00,690
They're close.
Theye like brothers.
384
00:18:00,756 --> 00:18:03,092
Thomas's story
is not unfamiliar
385
00:18:03,159 --> 00:18:04,827
to a lot of Black cowboys
back then.
386
00:18:04,894 --> 00:18:06,429
He's a former slave.
387
00:18:06,496 --> 00:18:10,132
At 12 years old,
he went inside the house,
388
00:18:10,200 --> 00:18:13,469
and the slave owner was
passed away, natural causes.
389
00:18:13,536 --> 00:18:15,871
So Thomas just gets on a horse
390
00:18:15,938 --> 00:18:20,009
and just goes off
and figures out life.
391
00:18:21,911 --> 00:18:24,214
All that happened in between
then has helped shaped
392
00:18:24,280 --> 00:18:26,182
who he was, his integrity.
393
00:18:26,249 --> 00:18:29,252
And he met Shea during the war.
He was a soldier.
394
00:18:29,319 --> 00:18:31,754
There were brothers-in-arms
in the war.
395
00:18:31,821 --> 00:18:34,224
Began fighting together
in the Civil War.
396
00:18:34,290 --> 00:18:37,159
So they've been fighting
together for some 20 years.
397
00:18:37,227 --> 00:18:39,295
And that's how the bond
with them, you know,
398
00:18:39,362 --> 00:18:41,997
became so strong.
It's like an 1800s odd couple.
399
00:18:42,064 --> 00:18:44,367
What in the hell
is a "toilette"?
400
00:18:44,434 --> 00:18:47,570
It's French for shitter.
401
00:18:47,637 --> 00:18:50,005
When did you learn French?
402
00:18:50,072 --> 00:18:52,442
Don't know French.
It's just
403
00:18:52,508 --> 00:18:53,976
the French word for shitter.
404
00:18:54,043 --> 00:18:56,879
Two men who grow old together
trying to survive
405
00:18:56,946 --> 00:18:59,014
and protect each other.
406
00:18:59,081 --> 00:19:03,419
And so, relationships like
that that have so much history,
407
00:19:03,486 --> 00:19:06,121
they don't have
to say too much.
408
00:19:06,188 --> 00:19:10,760
Thomas, he's a kind person.
He's an honest person.
409
00:19:10,826 --> 00:19:12,228
And he's a very loyal person.
410
00:19:12,295 --> 00:19:14,764
To me, he's the humanity
of the show.
411
00:19:14,830 --> 00:19:16,866
He's the soul of the show.
412
00:19:16,932 --> 00:19:19,902
And he's the enforcer
of the show.
413
00:19:19,969 --> 00:19:22,705
So it's not a show where it's,
you know, "Yes, sir, no, sir."
414
00:19:22,772 --> 00:19:25,040
Yes--it's, if you look
at him wrong
415
00:19:25,107 --> 00:19:27,243
or if you cross his moral code,
416
00:19:27,310 --> 00:19:28,544
he's gonna kill you.
417
00:19:28,611 --> 00:19:30,012
Get everything that was hers.
418
00:19:30,079 --> 00:19:33,816
Nothing was hers.
It was his, and he's a thief.
419
00:19:33,883 --> 00:19:35,851
Get everything that was hers.
420
00:19:35,918 --> 00:19:39,154
It was like it's a different
Black cowboy take.
421
00:19:39,221 --> 00:19:40,490
And I'm so glad Taylor,
422
00:19:40,556 --> 00:19:44,059
you know, he chose me
to bring that to life.
423
00:19:44,126 --> 00:19:48,431
Both Sam and LaMonica
are character builders,
424
00:19:48,498 --> 00:19:51,667
and they really want
to understand what's motivated
425
00:19:51,734 --> 00:19:54,370
the actions of the character
in the screenplay.
426
00:19:54,437 --> 00:19:56,272
The show "Lonesome Dove,"
427
00:19:56,339 --> 00:19:58,808
Danny Glover played
the role of Deets.
428
00:19:58,874 --> 00:20:01,544
And Deets, the real-life Deets
429
00:20:01,611 --> 00:20:03,513
on the Goodnight-Loving Trail,
430
00:20:03,579 --> 00:20:05,348
was Bose Ikard.
431
00:20:05,415 --> 00:20:08,351
And I found out he was buried
right there in Weatherford.
432
00:20:08,418 --> 00:20:12,622
So me and a few castmates,
we went to the cemetery,
433
00:20:12,688 --> 00:20:15,525
and it just--it moved me.
434
00:20:15,591 --> 00:20:19,329
And it's, you know,
435
00:20:19,395 --> 00:20:21,797
it's a story I'm very proud
to be a part,
436
00:20:21,864 --> 00:20:23,966
telling, you know,
a story about Black cowboys.
437
00:20:24,033 --> 00:20:25,801
He goes back to the truth.
438
00:20:25,868 --> 00:20:29,204
The Westerns of post-Civil War
439
00:20:29,271 --> 00:20:32,808
that painted
these matinee idol characters
440
00:20:32,875 --> 00:20:34,677
in these false roles
441
00:20:34,744 --> 00:20:38,047
and painted a really inaccurate
picture of the American West.
442
00:20:38,113 --> 00:20:40,082
To tell the story truthfully
and really show
443
00:20:40,149 --> 00:20:43,453
the American West
or a version of it accurately,
444
00:20:43,519 --> 00:20:46,021
then you have to look
at those relationships,
445
00:20:46,088 --> 00:20:49,291
and you have to re-examine
a version
446
00:20:49,359 --> 00:20:51,727
that Hollywood portrayed
that was wrong.
447
00:20:51,794 --> 00:20:55,064
♪ ♪
448
00:21:00,603 --> 00:21:02,204
You know, I think
my favorite moment
449
00:21:02,271 --> 00:21:05,475
is this incredible scene that
we have Billy Bob Thornton
450
00:21:05,541 --> 00:21:08,744
walking down main street
in the middle of the 1800s.
451
00:21:08,811 --> 00:21:10,780
And I look to the left,
and I see Billy Bob Thornton.
452
00:21:10,846 --> 00:21:13,749
I look a little bit further,
there's Tim McGraw,
453
00:21:13,816 --> 00:21:16,386
Sam Elliott,
and LaMonica Garrett,
454
00:21:16,452 --> 00:21:17,987
and I thought this is
a pretty good group
455
00:21:18,053 --> 00:21:19,555
to walk into a bar with.
456
00:21:19,622 --> 00:21:21,791
You know, you saw
"Reservoir Dogs" growing up,
457
00:21:21,857 --> 00:21:23,993
you saw "Tombstone."
They all had that walk
458
00:21:24,059 --> 00:21:26,496
where it was just these bad
dudes going to find trouble.
459
00:21:26,562 --> 00:21:29,632
So I got to play out
those childhood dreams
460
00:21:29,699 --> 00:21:31,967
of walking down
that dusty road
461
00:21:32,034 --> 00:21:33,603
to a gunfight in the saloon.
462
00:21:33,669 --> 00:21:36,271
And it just happened to be with
all these icons next to me,
463
00:21:36,338 --> 00:21:39,074
but it was...
yeah, it was amazing.
464
00:21:39,141 --> 00:21:42,077
Billy Bob Thornton,
he's this easy-going guy.
465
00:21:42,144 --> 00:21:43,078
He's kinda unassuming.
466
00:21:43,145 --> 00:21:45,681
We get inside the saloon,
467
00:21:45,748 --> 00:21:50,219
and he just turns it on to this
stone-cold killer and sheriff.
468
00:21:50,285 --> 00:21:52,254
Order this business
on the Trinity.
469
00:21:52,321 --> 00:21:54,724
So I'm supposed to stop
and have a line with Sam
470
00:21:54,790 --> 00:21:56,692
right before the end
of the scene.
471
00:21:56,759 --> 00:22:00,062
And I got so caught up into
watching Billy Bob perform,
472
00:22:00,129 --> 00:22:02,465
I just walked right past Sam,
just blew right by
473
00:22:02,532 --> 00:22:04,567
and didn't say my line,
walked out the door.
474
00:22:04,634 --> 00:22:07,437
And I looked at Sam and goes,
"Sam, I'm sorry.
475
00:22:07,503 --> 00:22:10,473
I know I'm supposed
to give a line, and I forgot."
476
00:22:10,540 --> 00:22:12,274
And he goes, "I noticed."
477
00:22:12,341 --> 00:22:13,776
He's a powerful actor,
Billy Bob,
478
00:22:13,843 --> 00:22:15,578
and when he comes in at work,
479
00:22:15,645 --> 00:22:18,581
it's hard to take your eye
off of him.
480
00:22:18,648 --> 00:22:21,183
Another incredible moment
is this Civil War sequence
481
00:22:21,250 --> 00:22:22,452
that we have.
482
00:22:22,518 --> 00:22:24,219
And out of nowhere,
483
00:22:24,286 --> 00:22:26,221
Tom Hanks just shows up--
484
00:22:26,288 --> 00:22:29,258
full beard, in character,
and a really powerful scene
485
00:22:29,324 --> 00:22:31,561
between him and Tim McGraw.
486
00:22:31,627 --> 00:22:33,463
It starts with Antietam,
487
00:22:33,529 --> 00:22:36,098
and it starts
with an original picture
488
00:22:36,165 --> 00:22:37,767
from the battleground scene
489
00:22:37,833 --> 00:22:41,236
and morphs out of the original
picture into a live shot.
490
00:22:41,303 --> 00:22:42,805
And everybody's dead.
491
00:22:42,872 --> 00:22:45,307
His whole company
has been wiped out.
492
00:22:46,876 --> 00:22:49,344
Captain.
493
00:22:49,411 --> 00:22:52,782
Tom and I have been friends
for such a long time,
494
00:22:52,848 --> 00:22:55,317
but no matter how good
a friend you are,
495
00:22:55,384 --> 00:22:58,053
when you're sitting there in
a scene that's that emotional,
496
00:22:58,120 --> 00:22:59,755
and then you turn,
497
00:22:59,822 --> 00:23:03,593
and you see Tom Hanks walk up
in a Union uniform,
498
00:23:03,659 --> 00:23:06,195
look at you, and say,
"Captain,"
499
00:23:06,261 --> 00:23:07,763
I just fell apart.
500
00:23:07,830 --> 00:23:09,632
And then he sat beside me
as I'm crying,
501
00:23:09,699 --> 00:23:11,166
and he puts his hand
on my shoulder.
502
00:23:11,233 --> 00:23:12,602
Yeah, that's a great scene.
503
00:23:12,668 --> 00:23:16,005
And of course, Tom,
you know, Tom was average.
504
00:23:17,640 --> 00:23:19,875
When actors like this
are willing to come play
505
00:23:19,942 --> 00:23:21,777
for a day or two,
of course now you're working
506
00:23:21,844 --> 00:23:24,580
with some of the greatest
actors who've ever worked.
507
00:23:24,647 --> 00:23:26,181
It's just a privilege.
508
00:23:29,819 --> 00:23:31,487
I've done a lot of shows,
509
00:23:31,554 --> 00:23:33,055
and I've never seen
anything this big.
510
00:23:33,122 --> 00:23:36,058
We did scenes in Fort Worth
with hundreds of extras,
511
00:23:36,125 --> 00:23:38,628
businessmen going to work
in the 1800s,
512
00:23:38,694 --> 00:23:40,229
two bar guys having fight.
513
00:23:40,295 --> 00:23:42,932
We have huge scenes out in
sort of wild open with bandits.
514
00:23:42,998 --> 00:23:44,567
We have everything
that you can imagine.
515
00:23:44,634 --> 00:23:46,536
We have 30-something wagons,
516
00:23:46,602 --> 00:23:48,904
and it takes two to four
horses to pull them.
517
00:23:48,971 --> 00:23:51,874
And I'm running from snow
and rain and schedule
518
00:23:51,941 --> 00:23:53,308
and everything else.
519
00:23:53,375 --> 00:23:55,077
It's epic.
There's no question about it.
520
00:23:55,144 --> 00:23:57,046
I'm not gonna compare it
to anything
521
00:23:57,112 --> 00:23:59,181
because I've never done
anything like this.
522
00:23:59,248 --> 00:24:02,785
♪ ♪
523
00:24:02,852 --> 00:24:05,254
"Yellowstone,"
at any given time,
524
00:24:05,320 --> 00:24:08,791
we might have 40 horses on set.
On this, at any given time,
525
00:24:08,858 --> 00:24:11,393
we have 180,
and we have a cattle herd.
526
00:24:11,460 --> 00:24:16,899
Ironically, we are having to
actually have a trail drive
527
00:24:16,966 --> 00:24:20,202
in order to film a trail drive.
And it's a challenge.
528
00:24:20,269 --> 00:24:22,638
We have goats.
We have chickens.
529
00:24:22,705 --> 00:24:27,409
We have 60 wranglers, cowboys
just working the horses
530
00:24:27,476 --> 00:24:29,111
to make sure everyone is safe.
531
00:24:29,178 --> 00:24:32,882
We have 80 trucks and drivers
to move the whole company.
532
00:24:32,948 --> 00:24:34,817
I mean, this is bigger
than a Beyoncé tour.
533
00:24:34,884 --> 00:24:38,020
This is "Game of Thrones"
on the Prairie.
534
00:24:38,087 --> 00:24:41,657
We began the shooting
in Texas in August.
535
00:24:41,724 --> 00:24:45,027
So it was about 104,
103 degrees.
536
00:24:45,094 --> 00:24:48,964
There was sweat in places
I didn't know sweat can be.
537
00:24:49,031 --> 00:24:50,365
I got wool on,
538
00:24:50,432 --> 00:24:53,402
and wool is not Texas-friendly
in the summertime.
539
00:24:53,468 --> 00:24:56,271
On top of the bandolier,
the belt, the guns,
540
00:24:56,338 --> 00:24:57,973
like, ten-pound leather chaps,
541
00:24:58,040 --> 00:25:00,610
like,
everything is weighed down.
542
00:25:00,676 --> 00:25:03,378
And my horse,
he looks like a utility camp.
543
00:25:03,445 --> 00:25:06,181
First, we were in 98-degree
sweating, hot weather.
544
00:25:06,248 --> 00:25:08,784
And three weeks later, we were
in ten-degree weather.
545
00:25:08,851 --> 00:25:11,020
You know, we were out there
last week in Montana
546
00:25:11,086 --> 00:25:13,322
with snowcap mountains
in the middle of a field.
547
00:25:13,388 --> 00:25:15,858
Me, Sam, and Tim are on top
of our horses on the mountain.
548
00:25:15,925 --> 00:25:18,160
And there was like a blizzard
that came through,
549
00:25:18,227 --> 00:25:19,561
like you couldn't see
your hand in front of you.
550
00:25:19,629 --> 00:25:21,196
The wind was blowing.
551
00:25:21,263 --> 00:25:23,933
There've been times
where I was so cold out here,
552
00:25:23,999 --> 00:25:26,568
I didn't think I could
tough it out too long.
553
00:25:26,636 --> 00:25:28,137
And the thing that
brought me out of it
554
00:25:28,203 --> 00:25:30,906
and continues to bring me out
of it is just looking around
555
00:25:30,973 --> 00:25:33,175
and seeing these mountain
ranges everywhere,
556
00:25:33,242 --> 00:25:34,777
and you think, my God,
557
00:25:34,844 --> 00:25:37,747
how lucky we are to be here
number one, but number two,
558
00:25:37,813 --> 00:25:40,883
how lucky we are
to be here making a film.
559
00:25:40,950 --> 00:25:43,719
You never really know
what you're gonna get
560
00:25:43,786 --> 00:25:45,655
from Mother Earth that day.
561
00:25:45,721 --> 00:25:47,657
And that adds to
the grand scheme
562
00:25:47,723 --> 00:25:49,224
and the look of the show,
563
00:25:49,291 --> 00:25:52,561
but it also adds to the thrill
as an actor
564
00:25:52,628 --> 00:25:56,298
to get to experience
such spontaneity
565
00:25:56,365 --> 00:25:58,367
on set every single day.
566
00:25:58,433 --> 00:26:01,103
The methodology of Taylor
is to make everything
567
00:26:01,170 --> 00:26:05,808
look like a ten-hour movie.
It's so big and so beautiful,
568
00:26:05,875 --> 00:26:08,610
but there's a word
that is so important to him,
569
00:26:08,678 --> 00:26:10,212
and that is "authenticity."
570
00:26:10,279 --> 00:26:12,848
I'm interested in the truth,
even though it's fiction--
571
00:26:12,915 --> 00:26:15,350
as accurately
retelling an event
572
00:26:15,417 --> 00:26:17,319
or a world as I possibly can.
573
00:26:17,386 --> 00:26:19,488
Everything is
historically accurate.
574
00:26:19,554 --> 00:26:21,223
Every building,
every structure,
575
00:26:21,290 --> 00:26:23,125
every wagon, everything.
576
00:26:23,192 --> 00:26:25,360
We strive to do everything
period correct.
577
00:26:25,427 --> 00:26:28,597
We spent a lot of time
in research together,
578
00:26:28,664 --> 00:26:29,865
all the information we can.
579
00:26:29,932 --> 00:26:33,168
So when the camera's tight
on a cast member,
580
00:26:33,235 --> 00:26:35,570
that he has the right equipment
on his horse
581
00:26:35,637 --> 00:26:37,139
for the time period.
582
00:26:37,206 --> 00:26:41,343
I went to school for film
and watched countless movies,
583
00:26:41,410 --> 00:26:43,412
countless westerns
where everything was wrong.
584
00:26:43,478 --> 00:26:46,548
And you know, just me being
an indigenous person,
585
00:26:46,615 --> 00:26:50,185
I would feel kind of ticked off
if I saw,
586
00:26:50,252 --> 00:26:52,454
you know, that we weren't
accurately portrayed.
587
00:26:52,521 --> 00:26:54,724
So when it comes
to finding the props,
588
00:26:54,790 --> 00:26:58,160
I am trying to do my absolute
best on sourcing them from,
589
00:26:58,227 --> 00:27:01,396
you know, the proper places
and making sure that they are,
590
00:27:01,463 --> 00:27:03,899
in fact, you know,
if it's a Lakota bow case
591
00:27:03,966 --> 00:27:06,168
that it's
an actual Lakota bow case.
592
00:27:06,235 --> 00:27:09,304
The language that
the Native Americans speak
593
00:27:09,371 --> 00:27:10,806
has to be authentic.
594
00:27:10,873 --> 00:27:14,043
The beads that they wear
have to be authentic.
595
00:27:14,109 --> 00:27:17,847
The wagons, the horse breeds,
the cattle breeds.
596
00:27:17,913 --> 00:27:22,484
And I think these days
audiences respect it,
597
00:27:22,551 --> 00:27:25,320
actors feel it.
598
00:27:25,387 --> 00:27:29,091
After you've done all your
work on the text and character,
599
00:27:29,158 --> 00:27:31,426
you finally get
to put on the clothes.
600
00:27:31,493 --> 00:27:35,164
And I think that's kind of
your superhero cape in a way.
601
00:27:35,230 --> 00:27:37,699
If you look at the costumes,
we made them all.
602
00:27:37,767 --> 00:27:39,334
We didn't call
some costume house
603
00:27:39,401 --> 00:27:40,770
and get a bunch of "Little
House on the Prairie" stuff.
604
00:27:40,836 --> 00:27:43,873
Every dress, every suit,
every jacket,
605
00:27:43,939 --> 00:27:47,642
everything was custom-made
by Janie and her team.
606
00:27:47,709 --> 00:27:50,212
I am very familiar
with this period
607
00:27:50,279 --> 00:27:53,448
because I designed "Deadwood,"
the series,
608
00:27:53,515 --> 00:27:55,951
which was living in 1876.
609
00:27:56,018 --> 00:27:59,789
And then, I designed the movie,
which was in 1886,
610
00:27:59,855 --> 00:28:02,191
but no two shows are alike.
611
00:28:02,257 --> 00:28:05,160
"1883" is the West.
612
00:28:05,227 --> 00:28:07,029
And during this time,
there were
613
00:28:07,096 --> 00:28:09,364
a lot of cowboys in Texas.
614
00:28:09,431 --> 00:28:10,632
And that was one of the aspects
615
00:28:10,699 --> 00:28:13,602
that I love
doing the research for.
616
00:28:13,668 --> 00:28:17,039
When she put this coat on me
the first time, I squealed.
617
00:28:17,106 --> 00:28:18,941
Yeah, I'm in love
with my costume.
618
00:28:19,008 --> 00:28:20,275
I love the costumes,
619
00:28:20,342 --> 00:28:22,978
and the attention to detail
is microscopic.
620
00:28:23,045 --> 00:28:25,180
You see these people,
and then suddenly,
621
00:28:25,247 --> 00:28:29,351
wow, we're really here.
It's like a time machine.
622
00:28:29,418 --> 00:28:32,521
This was a great opportunity
to do a period piece.
623
00:28:32,587 --> 00:28:34,890
And period makeup
is a lot of fun.
624
00:28:34,957 --> 00:28:36,725
You look at a lot
of the old Westerns,
625
00:28:36,792 --> 00:28:37,960
and you see makeup on them.
626
00:28:38,027 --> 00:28:39,661
Taylor definitely
wanted this raw.
627
00:28:39,728 --> 00:28:43,098
He said, "I want dirty sweaty."
628
00:28:43,165 --> 00:28:46,035
There is some makeup
that is being applied to them.
629
00:28:46,101 --> 00:28:47,169
The trick with it
is to make it look
630
00:28:47,236 --> 00:28:49,138
like they're not
wearing any makeup.
631
00:28:49,204 --> 00:28:51,640
So the start of the show,
they're on a train.
632
00:28:51,706 --> 00:28:53,876
And that's the only time
that they're kind of have a,
633
00:28:53,943 --> 00:28:55,577
what I'd call a beauty look
about them.
634
00:28:55,644 --> 00:28:58,647
But once they start getting out
onto the wagon train,
635
00:28:58,713 --> 00:29:01,250
we're gonna try to
keep them dirty looking.
636
00:29:01,316 --> 00:29:03,452
These departments,
from our production designer
637
00:29:03,518 --> 00:29:06,856
to our prop master, everybody,
they had to come together
638
00:29:06,922 --> 00:29:09,825
and build a world
in a very short period of time.
639
00:29:09,892 --> 00:29:12,727
Nothing existed.
We created it all.
640
00:29:12,794 --> 00:29:15,397
We wanted to avoid
the clichés
641
00:29:15,464 --> 00:29:18,733
and do things that are
a little bit unusual
642
00:29:18,800 --> 00:29:22,104
that you haven't seen in
so many westerns.
643
00:29:22,171 --> 00:29:23,605
Cary White,
our production designer,
644
00:29:23,672 --> 00:29:24,974
this is his wheelhouse.
645
00:29:25,040 --> 00:29:28,577
And he was able to come up
with some really,
646
00:29:28,643 --> 00:29:30,913
really smart ideas.
647
00:29:30,980 --> 00:29:36,518
The building right next to us
was built in 1939, 1940.
648
00:29:36,585 --> 00:29:39,889
We constructed
a complete façade around it
649
00:29:39,955 --> 00:29:44,493
and turned it into
a real building of 1883.
650
00:29:44,559 --> 00:29:48,697
But also put Styrofoam cornices
on a lot of these buildings
651
00:29:48,763 --> 00:29:50,832
up on the top of them
652
00:29:50,900 --> 00:29:53,735
that gives them
a much more Victorian look.
653
00:29:53,802 --> 00:29:55,170
And the whole thing
tied together
654
00:29:55,237 --> 00:29:58,273
when we put the dirt in.
It really just came alive.
655
00:29:58,340 --> 00:30:00,575
They brought in layers
and layers and layers of dirt.
656
00:30:00,642 --> 00:30:04,279
And it's all compacted and then
top dressed appropriately
657
00:30:04,346 --> 00:30:06,882
to make it all safe for
the animals that we have here.
658
00:30:06,949 --> 00:30:10,219
I think we went
a solid two months prep
659
00:30:10,285 --> 00:30:13,188
to shoot for four days
on house half-acre.
660
00:30:13,255 --> 00:30:14,589
I mean, the stuff
that they've done
661
00:30:14,656 --> 00:30:16,525
is just so incredibly epic.
662
00:30:16,591 --> 00:30:20,129
I like to get on set early and
walk around some of these sets
663
00:30:20,195 --> 00:30:22,631
just to put yourself
in that world.
664
00:30:22,697 --> 00:30:25,901
So it makes it easy to find
the emotion in the scene.
665
00:30:25,968 --> 00:30:27,802
This show
would not be possible
666
00:30:27,869 --> 00:30:30,005
without everyone
that you don't see.
667
00:30:30,072 --> 00:30:32,474
It is not a walk in the park.
668
00:30:32,541 --> 00:30:37,879
It is hard work, and it's...
669
00:30:37,947 --> 00:30:39,381
fucking awesome.
670
00:30:39,448 --> 00:30:40,983
Can I say that?
671
00:30:41,050 --> 00:30:42,484
- Sure can.
- I just did.
672
00:30:51,393 --> 00:30:53,862
I don't rehearse
with my actors.
673
00:30:53,929 --> 00:30:57,666
There's no way for me to inform
them what this way of life is.
674
00:30:57,732 --> 00:30:59,101
You just have to do it.
675
00:30:59,168 --> 00:31:01,770
I just take them out
and put them to work.
676
00:31:01,836 --> 00:31:03,172
The purpose of cowboy camp
677
00:31:03,238 --> 00:31:05,907
is to get actors comfortable
enough on the horses
678
00:31:05,975 --> 00:31:08,010
that they weren't nervous
when they were riding.
679
00:31:09,544 --> 00:31:11,813
The better I can make them
as a rider,
680
00:31:11,880 --> 00:31:14,416
the more they understand
the thing they're acting out,
681
00:31:14,483 --> 00:31:16,118
the better the performances,
682
00:31:16,185 --> 00:31:19,088
the more authentic the scenes
look, then it looks real.
683
00:31:19,154 --> 00:31:21,756
Cowboy camp is the actors
get here about 8:00,
684
00:31:21,823 --> 00:31:23,225
and then we start
just exposing them
685
00:31:23,292 --> 00:31:26,728
to real-life situations
in 1883.
686
00:31:28,563 --> 00:31:30,465
Cowboy camp was probably
687
00:31:30,532 --> 00:31:31,566
the most helpful thing
in the world.
688
00:31:31,633 --> 00:31:33,302
Good morning, guys.
- Morning.
689
00:31:33,368 --> 00:31:34,803
How's everybody doing?
690
00:31:34,869 --> 00:31:36,838
And we all got to spend
a couple of weeks together,
691
00:31:36,905 --> 00:31:39,975
just riding horses and roping
and herding cattle.
692
00:31:40,042 --> 00:31:42,044
And here comes
Taylor walking up like
693
00:31:42,111 --> 00:31:43,845
he's the first one out there.
694
00:31:43,912 --> 00:31:45,947
And he'll never ask you
to do anything
695
00:31:46,015 --> 00:31:49,551
that he doesn't do
as far as being on a horse.
696
00:31:50,919 --> 00:31:53,255
We take them down
and have them work cattle.
697
00:31:53,322 --> 00:31:55,757
We have them part them out
and sort them.
698
00:31:55,824 --> 00:31:59,028
Roping, horseback riding,
699
00:31:59,094 --> 00:32:01,363
herding cows.
700
00:32:01,430 --> 00:32:04,066
We take them down to the pond
and have them swim horses
701
00:32:04,133 --> 00:32:06,068
so we can prepare them
for the river crossings
702
00:32:06,135 --> 00:32:07,802
that are coming up
in the script.
703
00:32:07,869 --> 00:32:09,771
Most of us learned
how to drive wagons,
704
00:32:09,838 --> 00:32:11,640
which is dangerous, by the way.
705
00:32:13,108 --> 00:32:16,245
Climbing up rocks,
going through lakes and rivers,
706
00:32:16,311 --> 00:32:19,514
and steering cattle.
707
00:32:19,581 --> 00:32:21,416
I'm learning how
to ride a horse,
708
00:32:21,483 --> 00:32:25,087
and I'm swinging
the rope around.
709
00:32:26,755 --> 00:32:30,659
We're shooting guns back
to riding horses, lassoing.
710
00:32:31,493 --> 00:32:34,896
We just played little games
where you put, for example,
711
00:32:34,963 --> 00:32:36,365
an egg on a spoon
712
00:32:36,431 --> 00:32:38,867
and have to ride
straight back and forth.
713
00:32:38,933 --> 00:32:41,503
And whoever does it
the fastest wins.
714
00:32:41,570 --> 00:32:43,072
So it was really fun.
715
00:32:43,138 --> 00:32:44,606
You had to carry the egg
on a spoon,
716
00:32:44,673 --> 00:32:46,941
but I dropped it every time.
717
00:32:47,008 --> 00:32:48,977
So some people were getting
a little crafty,
718
00:32:49,044 --> 00:32:50,745
and when they get
further away from us,
719
00:32:50,812 --> 00:32:53,115
their thumb would ease
over the eggs,
720
00:32:53,182 --> 00:32:56,251
so you really can't see
what's going on and like,
721
00:32:56,318 --> 00:32:58,687
wait a minute, like you got
glue on that or something?
722
00:32:58,753 --> 00:33:00,722
Like, you know,
what's going on?
723
00:33:00,789 --> 00:33:02,891
I'd heard Taylor cheated
when he does it.
724
00:33:02,957 --> 00:33:04,959
That he puts his thumb
on the egg.
725
00:33:05,026 --> 00:33:07,129
I'm not saying
that that's true.
726
00:33:07,196 --> 00:33:09,664
I'm just saying that I've heard
that Taylor cheated.
727
00:33:09,731 --> 00:33:13,402
There's no proof of cheating,
728
00:33:13,468 --> 00:33:14,936
but it is suspected.
729
00:33:15,003 --> 00:33:16,871
You know, everyone was
very competitive,
730
00:33:16,938 --> 00:33:21,443
but in a supportive way
to somewhat degree.
731
00:33:26,248 --> 00:33:28,683
Everything that we have done,
we've learned how to do it
732
00:33:28,750 --> 00:33:31,286
properly
by the best of the best.
733
00:33:31,353 --> 00:33:33,755
For all the talent,
they're trying to get them
734
00:33:33,822 --> 00:33:36,525
comfortable
with driving and riding.
735
00:33:36,591 --> 00:33:37,992
So then, when they get
on camera,
736
00:33:38,059 --> 00:33:40,195
it becomes
second nature to them.
737
00:33:40,262 --> 00:33:43,365
Everyone will remember
their lines and not panic,
738
00:33:43,432 --> 00:33:45,167
so they look the part.
739
00:33:45,234 --> 00:33:46,701
They feel the part.
740
00:33:46,768 --> 00:33:49,738
They can be the cowboy.
741
00:33:49,804 --> 00:33:52,006
A lot of what we're doing now
is day in and day out,
742
00:33:52,073 --> 00:33:53,942
so this becomes second nature.
743
00:33:54,008 --> 00:33:56,511
So when we're going
through the script,
744
00:33:56,578 --> 00:33:57,912
that's what you could focus on
745
00:33:57,979 --> 00:34:00,349
and not have to worry about
where my hands are,
746
00:34:00,415 --> 00:34:01,683
and where's the gun?
747
00:34:01,750 --> 00:34:03,552
You must know how to do it
the right way.
748
00:34:03,618 --> 00:34:06,521
Otherwise, it's just
kind of watered down,
749
00:34:06,588 --> 00:34:08,557
and it just feels wrong.
750
00:34:10,125 --> 00:34:11,726
Cowboy camp gets you ready
for the show.
751
00:34:11,793 --> 00:34:13,728
You're not showing up
752
00:34:13,795 --> 00:34:14,829
and putting some dirt
and makeup on.
753
00:34:14,896 --> 00:34:16,298
Before you ever do that,
754
00:34:16,365 --> 00:34:19,067
you're falling off of a horse.
Your back is hurting.
755
00:34:20,435 --> 00:34:22,504
As a cowboy in 1883,
756
00:34:22,571 --> 00:34:24,038
you didn't have
nice cushiony saddles.
757
00:34:24,105 --> 00:34:27,309
You know, you didn't have
all the fancy modern equipment
758
00:34:27,376 --> 00:34:28,777
that you have today.
759
00:34:28,843 --> 00:34:31,180
Oh, it's bare-bones.
It's bare knuckles.
760
00:34:31,246 --> 00:34:34,983
This is my first time
on an 1880s saddle.
761
00:34:35,049 --> 00:34:37,319
A hundred years ago,
if you went across country
762
00:34:37,386 --> 00:34:39,354
from New York to California,
763
00:34:39,421 --> 00:34:40,889
this is the way you went.
764
00:34:40,955 --> 00:34:43,158
This is rougher than heck.
765
00:34:43,225 --> 00:34:45,560
I'll tell you it's
a lot harder than it looks.
766
00:34:45,627 --> 00:34:48,363
I mean, you see those wagon
drivers kind of leaning over.
767
00:34:48,430 --> 00:34:51,666
I mean, oh man,
it did a number on your back.
768
00:34:53,101 --> 00:34:55,504
There's an experience
of time.
769
00:34:55,570 --> 00:34:56,838
You know,
you realize old people
770
00:34:56,905 --> 00:34:59,174
traveled like this 5,000 miles,
771
00:34:59,241 --> 00:35:03,011
and you understand
what a journey like this means.
772
00:35:03,077 --> 00:35:06,014
This training creates
an authentic cowboy
773
00:35:06,080 --> 00:35:08,583
because you're--you know,
the blisters are real.
774
00:35:08,650 --> 00:35:10,151
The cuts are real.
775
00:35:10,219 --> 00:35:12,987
You know, I'm running into
barbed wire fences on my horse.
776
00:35:14,489 --> 00:35:17,759
I've been to like Hell Week
and camps and football,
777
00:35:17,826 --> 00:35:19,628
and this is
a whole different beast.
778
00:35:19,694 --> 00:35:20,929
When they get off at night,
779
00:35:20,995 --> 00:35:22,531
they feel like their legs
are melted.
780
00:35:22,597 --> 00:35:24,165
They got cramps
in their thighs.
781
00:35:24,233 --> 00:35:26,167
They got
cramps in their calves.
782
00:35:26,235 --> 00:35:28,803
They go, "My butt's sore."
Yeah, probably is.
783
00:35:28,870 --> 00:35:30,939
You ain't never sat
on a saddle that long.
784
00:35:31,005 --> 00:35:32,874
They're grinding us
into the ground.
785
00:35:32,941 --> 00:35:34,709
I mean, by the time
we finished riding horses,
786
00:35:34,776 --> 00:35:36,778
I'm like completely
soaked through.
787
00:35:36,845 --> 00:35:38,447
Like, it's kinda gross.
788
00:35:38,513 --> 00:35:42,016
I feel bad for everyone
that has to smell us.
789
00:35:45,520 --> 00:35:48,423
Cowboy camp was this
incredible bonding experience
790
00:35:48,490 --> 00:35:49,691
between all of the talent.
791
00:35:49,758 --> 00:35:51,025
Everybody gets to
come out there.
792
00:35:51,092 --> 00:35:52,527
They don't know each other.
793
00:35:52,594 --> 00:35:55,264
And they start to sort of work
together and understand
794
00:35:55,330 --> 00:35:56,598
what their characters
are gonna be,
795
00:35:56,665 --> 00:35:57,899
where are they going,
796
00:35:57,966 --> 00:36:01,102
and how hard this
is gonna really be.
797
00:36:01,169 --> 00:36:04,373
Cowboy camp is extremely
important for teamwork.
798
00:36:04,439 --> 00:36:06,775
We're all trying
to build chemistry as actors.
799
00:36:06,841 --> 00:36:09,344
And there's nothing
more team-oriented
800
00:36:09,411 --> 00:36:12,347
than getting 28 cattle,
I mean, over hills
801
00:36:12,414 --> 00:36:15,116
and through alleyways
for miles and miles.
802
00:36:15,183 --> 00:36:17,819
So if you're not communicating
to your teammates,
803
00:36:17,886 --> 00:36:20,188
then it's not gonna work.
804
00:36:20,255 --> 00:36:22,357
The only way to survive
at that time
805
00:36:22,424 --> 00:36:24,192
was to be collaborative,
806
00:36:24,259 --> 00:36:26,728
and people would go out of
their way to help one another
807
00:36:26,795 --> 00:36:28,830
without expecting anything.
808
00:36:28,897 --> 00:36:30,432
Well, it's the only way
that you can survive
809
00:36:30,499 --> 00:36:31,933
in an environment like that.
810
00:36:32,000 --> 00:36:34,135
You become a group, you know,
'cause we will be
811
00:36:34,202 --> 00:36:37,306
on this journey
for half a year
812
00:36:37,372 --> 00:36:39,107
and go through hell.
813
00:36:44,746 --> 00:36:45,947
We're all
doing this together.
814
00:36:46,014 --> 00:36:47,649
So we're all dedicated to it.
815
00:36:47,716 --> 00:36:51,052
And that's been extraordinary
to watch.
816
00:36:51,119 --> 00:36:52,854
It's about to be a family.
817
00:36:52,921 --> 00:36:54,789
It's about to be all of us
against the world.
818
00:36:54,856 --> 00:36:56,991
So against nature, literally.
819
00:36:57,058 --> 00:36:58,427
So we all have
to trust each other.
820
00:36:58,493 --> 00:37:00,795
We have to, you know,
hold each other accountable
821
00:37:00,862 --> 00:37:02,263
and just being
out here period,
822
00:37:02,331 --> 00:37:04,132
being on the ranch together
and bonding,
823
00:37:04,198 --> 00:37:07,336
and like--it's great for what
we're about to encounter.
824
00:37:17,278 --> 00:37:19,047
From a production standpoint,
825
00:37:19,113 --> 00:37:22,351
I've never seen
so many different departments
826
00:37:22,417 --> 00:37:25,654
have to coordinate
so many different details.
827
00:37:25,720 --> 00:37:27,756
I have never worked on
a company this big in my life.
828
00:37:27,822 --> 00:37:29,958
Then you got cattle that,
you know,
829
00:37:30,024 --> 00:37:31,526
one day they might be like,
830
00:37:31,593 --> 00:37:33,227
we don't feel like doing
what you tell us to do today.
831
00:37:33,294 --> 00:37:35,630
And they're running
in 50 different directions.
832
00:37:35,697 --> 00:37:37,666
I think
it's borderline miraculous
833
00:37:37,732 --> 00:37:39,934
that the show has come together
834
00:37:40,001 --> 00:37:44,439
because it's taken a lot
of people and a lot of work.
835
00:37:44,506 --> 00:37:46,775
And you know, it's just
impressive what this team
836
00:37:46,841 --> 00:37:48,009
has been able to do.
837
00:37:48,076 --> 00:37:50,111
This is unique
and very special.
838
00:37:50,178 --> 00:37:52,747
And the production
scale is huge.
839
00:37:52,814 --> 00:37:56,585
For me, I don't feel it because
it still feels so personal.
840
00:37:56,651 --> 00:37:58,587
Taylor creates
such an incredible world
841
00:37:58,653 --> 00:38:01,923
with his writing that
it's so easy to get lost in it.
842
00:38:06,828 --> 00:38:09,498
You got it.
You got him, son.
843
00:38:09,564 --> 00:38:13,067
My most favorite scene is
844
00:38:13,134 --> 00:38:15,103
a scene with Tim.
845
00:38:15,169 --> 00:38:17,572
I had to hunt with my dad,
846
00:38:17,639 --> 00:38:21,976
and it was blood
from the deer.
847
00:38:22,043 --> 00:38:25,179
It's your first kill,
so I got to blood you.
848
00:38:25,246 --> 00:38:28,149
To shoot a deer and do
the whole blooding situation
849
00:38:28,216 --> 00:38:31,586
and explain to him
why we did it and what it means
850
00:38:31,653 --> 00:38:33,455
and how we have to
thank the animal
851
00:38:33,522 --> 00:38:35,957
for giving us
sustenance in life...
852
00:38:36,024 --> 00:38:40,462
To be able to do
that was pretty special for me.
853
00:38:40,529 --> 00:38:44,399
It felt cool.
854
00:38:44,466 --> 00:38:46,601
It felt really cool.
855
00:38:46,668 --> 00:38:48,537
And you can see
the similarities
856
00:38:48,603 --> 00:38:49,804
with "Yellowstone."
857
00:38:49,871 --> 00:38:51,406
There are
certainly similarities
858
00:38:51,473 --> 00:38:53,341
to John Dutton and James,
859
00:38:53,408 --> 00:38:55,844
and you can see the tradition
that started it.
860
00:38:55,910 --> 00:38:57,812
I think absolutely fans
will find Easter eggs through
861
00:38:57,879 --> 00:38:59,380
this whole thing,
and I'm excited.
862
00:38:59,448 --> 00:39:00,882
And I think it'll be
a fun journey for people
863
00:39:00,949 --> 00:39:02,183
to pick them out.
864
00:39:02,250 --> 00:39:04,686
Well, I would ask you,
was there ever a time
865
00:39:04,753 --> 00:39:08,490
that you went out on Easter
and found only one Easter egg?
866
00:39:10,124 --> 00:39:12,126
Look, I think the journey
we're about to go on
867
00:39:12,193 --> 00:39:14,429
in the rest of the episodes
is pretty magical, right?
868
00:39:14,496 --> 00:39:15,964
We've just gotten started.
869
00:39:16,030 --> 00:39:18,433
I'm thrilled for people
to see Elsa's journey
870
00:39:18,500 --> 00:39:21,135
because it's quite
a dramatic one.
871
00:39:21,202 --> 00:39:24,606
It's not what you would
expect whatsoever.
872
00:39:24,673 --> 00:39:26,775
I think all of us are pushed
873
00:39:26,841 --> 00:39:31,480
to what we think
will be our limit.
874
00:39:31,546 --> 00:39:35,183
We're just on the trail,
875
00:39:35,249 --> 00:39:37,385
and we'll see who survives.
876
00:39:37,452 --> 00:39:43,024
Every episode brings a new
level of excitement and danger,
877
00:39:43,091 --> 00:39:44,659
and unpredictability.
878
00:39:44,726 --> 00:39:47,562
So just find
a huge box of tissues,
879
00:39:47,629 --> 00:39:48,897
nice bucket of popcorn,
880
00:39:48,963 --> 00:39:53,101
the biggest TV you can find,
and enjoy.
881
00:39:53,167 --> 00:39:56,370
I could barely get through it
without just falling apart.
882
00:39:56,437 --> 00:39:59,841
I couldn't do it.
I'm literally snot crying.
883
00:39:59,908 --> 00:40:01,375
I feel that the audience
is going to get
884
00:40:01,442 --> 00:40:02,911
very connected
to these characters,
885
00:40:02,977 --> 00:40:06,347
and heartbreak is coming,
as you would imagine.
886
00:40:06,414 --> 00:40:08,583
And some catharsis is coming,
887
00:40:08,650 --> 00:40:10,685
and some beauty's coming,
888
00:40:10,752 --> 00:40:13,087
and you know, I can't say
much more than that.
67069
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