All language subtitles for Anaconda (1997) BluRay 1080p x264

MAN: Please, help.
Somebody, help.

[MAN SPEAKING IN PORTUGUESE]

[SHRIEKING]

[RUMBLING]

[GRUNTING]

[MUTTERING IN PORTUGUESE]

[GUNSHOT]

[ANIMAL SQUEALING IN DISTANCE]

[$30]

[KNOCKING ON DOOR]

Miss Flores. Professor Cale.

Come on in. When did you get in?

A couple of days ago. I've been
out talking to some guides,

hoping they might know the
whereabouts our tribe.

Any luck?

Well, looks like there's sufficient evidence
to suspect that these people are out there

and can be found and studied.

At least, that's what I
told the grant people.

My man seemed to think that
the tribe was around here,

between these two tributaries.
He'd found one of their markers.

Well, that's good.

Yep, I think we may
have a chance.

You get me there
and I'll shoot it.

I'm counting on that.
That's why I hired you.

And I'm glad you did. I
really appreciate it.

Well, I wanted the best
director I could get.

I think we'll make a good team.

You're a mess. What
happened to you?

Oh, just a small attack of piranha.
Barely escaped with my life.

[CHUCKLES]

Somebody's up awfully early.

Yeah, well, today's a good day.

Is that right? Oh, yeah.

Not every day my home girl from SC
get to direct her own documentary.

You ready?

I think so. That's right.

[LAUGHING]

Congratulations. Thanks.

CALE: Mateo?

[SPEAKS IN PORTUGUESE]

I see you made this
a pleasure cruise.

Come on, you know me.

I don't mix business with pleasure.
Mm-hm.

Okay, well, what about if
we go up through here?

This way better. If not,
I cannot be responsible.

[MATEO SPEAKS IN PORTUGUESE]

CALE: Okay, well, it's only
55 kilometers out of the way.

Shouldn't be a problem.
Better safe than sorry. Hm?

Good morning. Morning.

Mateo, you understand me?

Mm-hm. Sure, I understand.

Great. I'm gonna need you to drift
through that channel over there.

I wanna get some shots.

As you say, chefe.

TERRI: For your approval.

Thanks.

So where's Westridge?
I know he checked in.

He's probably just catching
up on his beauty sleep.

MAN: Careful!

Careful! Bordeaux. Fragile.
Expensive wine.

Christ!

Morning.

Morning. How was your flight?

Actually, it was a bloody nightmare.
Ongoing, I think.

WOMAN: One zoom lens. Ah.

You. Stow this in
my room, will you?

Excuse me? I'm not the bellhop,
I'm the production manager.

Then surely you can manage
my things into my room.

DENISE: One pompous ass.

You know, in some cultures, that's
a sign of friendship and respect

when somebody cares enough to
ask you to carry their bags.

Respect this, sound man.
It's not me who said that.

Mr. Westridge, Terri Flores.
Terri, this is a pleasure.

Professor Cale lent me
some of your films.

I thought they were
very promising.

God, it's hot. Are we
exactly on the equator?

Well, thanks.

Welcome aboard, I guess.

I think he likes you.
Oh, you felt that too?

Damn, Cale, you look like a little
low-budget-ass Jacques Cousteau there.

[SPEAKING IN FRENCH]

Yeah, well, whatever
the hell that means.

It's good to see you, man.

Chefe, ready for Rio Negro.

All right. Double-check your gear,
make sure it's all onboard,

and pray you didn't
forget your bug spray.

[$30]

WESTRIDGE: Our adventure begins 1000 miles
from the mouth of the mighty Amazon

deep in the heart
of the rain forest.

From here, we will
travel by river barge

up through shallow tributaries
and unexplored backwaters

in search of the elusive
people of the mist:

The Shirishama tribe.

One of the last great
mysteries of the rain forest.

Is it just me or does the jungle
make you really, really horny?

Oh, no. I think it's the jungle.

I'm serious. I've got, like,
one thing on my mind.

Can I work, please?

[THUNDER RUMBLING]

MAN: Help!

Save me! I'm stranded.

My boat is stranded
in the roots.

Help me!

Help me! Hello!

Check it out, there's a
dude on a boat over there.

[$30]

Hey! Pull over to his boat.

[SPEAKS IN PORTUGUESE]

Stop.

We'll bring you onboard.

Here.

[GRUNTS]

Thank the Lord for you.
Thank the Lord.

You hurt?

Are you okay?

My propeller tore
off in the roots.

We can't take you back to Manaus.
We're headed upriver.

At the next village, I know the people.
They help me fix my boat.

I sorry if I be trouble for you.

CALE: There's no
need to apologize.

We're all at the mercy
of our machines.

Yours broke.

Mateo?

[SPEAKS IN PORTUGUESE]

Fish, river-style.

Wow. Not bad. What?

We're gonna have to get
that on film next time.

Ever work in a sushi bar, Mr...?

Serone. Paul Serone.

Where you from, Mr. Serone?

REIT Paraguay.

SERONE: I started out
studying for the priesthood,

but then I needed to
see the real world.

So I ended up in the jungle.

I seem to fit.

Tell me, what does a failed
priest do in the jungle?

Fail?

Who says I fail?

I didn't fail.

I'm sure you didn't. Well,
what is your calling now?

Snakes. Snakes?

I catch them.

For zoos and collectors.
Whatever they want.

Poaching?

Poaching is illegal. May I
ask what you are hunting?

We are not hunting or
trapping anything.

We're making a documentary
on the Shirishama Indians.

The people of the mist?

That's right. You've
heard of them?

I've seen them.

Really? You think you could
show me where that was?

You people saved my life.
This I can do.

I can show you exactly where
I saw the Shirishama.

So slurs every other river rat after
five whiskies in any bar in Manaus.

Come on, lovey.

SERONE: Five whiskies?

That's breakfast on the river.

Well, does salad go well with
fish river-style, Mr. Serone?

Salad would be perfect,

little baby bird.

[ZIGGY MARLEY'S "TIPSY DAZY"
PLAYING OVER SPEAKERS]

TERRI: Okay.

Look at that.

Wow.

What are those, fireflies?

CALE: Mm-hm.

It's pretty, huh? Mm.

CALE: Family Lampyridae.

On certain nights they all
gather in the same tree

and use their night flashes to
announce their readiness to mate.

Well, whose flashes,
the males or females?

Both, actually.

The females with a series of short,
dainty feminine little flashes,

about eight per second.

The males respond with a series
of long, drawn-out manly flashes.

Hmm.

I like that.

No pick-up lines, no
misunderstandings.

Mm-hm. Just instinct and nature.

[BOTH CHUCKLE]

[$30]

I've missed you.

[$30]

[BRANCH SNAPS THEN
JAGUAR GRUNTS]

[ANACONDA GROWLING]

[JAGUAR SHRIEKING]

[MACK 10'S "FOE LIFE"
PLAYING OVER SPEAKERS]

Shit.

What a bloody racket.

Hey, hey, hey! Don't
touch my radio.

Ow.

You know, I could cheerfully
hire someone to kill you.

A local tribesman, perhaps.
Fifteen dollars should cover it.

I could just kill you
for free right now.

Oh, yeah?

You and whose army? Your mama's.

So are we getting close?

Just around this bend.

Perfect.

[$30]

CALE: A snake totem.

This totem is Shirishama.

Shirishama worship giant
snakes, anacondas,

as gods, protectors.

There's a legend they pass down
of a journey to a sacred lake.

Wow.

First you must pass a waterfall
protected by warrior snakes.

Once you pass those guardians,

you travel through the
land of the Shirishama

until you come to a wall so
high, it blots out the sky--

Follow that wall for five days,
finally reaching its end,

the head of a giant anaconda.

You know the story. Of course.

Beautiful, beautiful legend.

I believe, however, it's
a legend of the Maku.

Also the Shirishama.

Not to my knowledge.

SERONE: The water is high now,
but the village was right here.

You'll find them down this fork. I
know, I trap snakes for a living.

And I'm sure you're
very good at it.

I locate tribes for a living,
and I'm very good at that.

The water level is high, which
by my calculations means

that the areas to this
side will be flooded

which would force our tribe,
if they wanted to eat,

to seek out higher ground.
So over here.

[SPEAKING IN PORTUGUESE]

Which way?

We'll go this way.

TERRI: Westridge, come on.

I wanna get a shot of you with the totem.
And, Gary, you're gonna roll sound.

DANNY: Camera rolling.

TERRI: Action.

Our first piece of luck:
a Shirishama idol,

although this is the
subject of some dispute.

I know what I know. You can
accept it or reject it.

Leave me at the next village.

TERRI: Cut.

With pleasure.

What the hell was
that all about?

[$30]

We're gonna go out and
get some wild sound.

Well, just be careful.

We will.

See you guys.

DANNY: All right.

[CRICKETS CHIRPING
AND BIRDS CALLING]

DENISE: Gary...

Wow.

[ANIMALS WHISTLING
AND SHRIEKING]

It's unbelievable.

What? cary?

[CHUCKLING]

Oh, my God.

[DENISE PANTING]

No, wait. Shh.

Do you hear that?

The silence.

[ANIMAL ROARS]

Run, Gary!

[SCREAMS]

[GUNSHOT]

[$30]

[DENISE SCREAMS]

What was that? I don't know.

Mateo, shine the
light over there.

Oh.

These two are fortunate
to be alive.

What happened? You guys okay?

Man, you should have seen it.
What a shot.

This guy just blasted this
thing coming right at us.

Wild boar.

Gores with his tusks.
Goes for the eyes.

Denise, are you okay?
Yeah, thanks.

From now on, everybody stays
onboard at night, all right?

No exceptions.
That's a smart idea.

Mateo, let's cut him up.
Food for a week.

Food?

[OPERA MUSIC PLAYING
OVER SPEAKERS]

GARY: My turn? DANNY:
No, it's my turn.

DENISE: No, it isn't.
Yeah, itis.

[RUMBLING]

Mateo, do you have
control of this vessel?

Lie, if you must.

Mate-- Mateo.

Goddamn rope's caught
in the propeller.

Well, looks like I'm gonna
have to cut us loose.

It's maybe better I do it. This
river can kill you in 1000 ways.

I can handle it. Besides, the
only thing I'm really afraid of--

Okay. --is the candiru acu.

Can do what?

Candiru acu. It's a
tiny little catfish.

It swims up into your urethra,
finds a nice warm spot,

spreads its thorny little
spines and refuses to budge.

Ouch.

You have to cut it out.

That's it, man. I'm getting
the hell back to L.A.

[$30]

[GRUNTING]

Terri, something's wrong!

Oh, my God.

Cale?

He's hurt. I'm going.

Hold up, hold on.
Hold it, I got it.

Gary.

Hurry up.

DENISE: Come on, guys. Come on.

TERRI: Steven?
DENISE: Oh, my God.

TERRI: Is he breathing?

Faster, come on. Is he all right?
Is he okay?

DENISE: Hurry.
TERRI: Oh, my God.

TERRI: Dan, be careful.
DENISE: What is it?

It's okay. DENISE: What is it?
Lift him up.

TERRI: Take his mask off.
Be careful, be careful.

SERONE: Get something
for his head.

DENISE: Okay. He's
not breathing.

SERONE: Move him.

He's not breathing.

SERONE: Something for his head.
DENISE: Here. Here. Here

There's something in the mouth.

WESTRIDGE: Oh, dear God.

DANNY: Oh, damn. What's that?

TERRI: Oh, God.

MATEO: A wasp.

Deadly.

Poisonous.

TERRI: Well, he's still not breathing.
What are we gonna do?

Oh, God. How did this happen?
Alcohol.

MATEO: I've got
whiskey in my flask.

[CRYING]

Wha--7?

SERONE: Quickly.

TERRI: What's that for?
What are you---?

MATEO: Ooh. Oh!

[CALE WHEEZING]

He's breathing. He's breathing.

That's it. He's
gonna be all right.

Here.

He seems okay. We should go now.

Man, that radio don't work.
We have no communication.

Hey, I can't fix, okay?

SERONE: We can start now.
No, no, no.

[SPEAKING IN PORTUGUESE]

Fog.

We don't get this man
to a hospital soon,

we might as well, uh,
throw him in the river.

What?

Terri, we got lights.

TERRI: Good. Mateo, we're
just gonna double back.

Fighting the current,
lose two days.

Cut back to this tributary,
save us 50 miles.

This is the route you
suggested we take yesterday.

Yesterday for a
different reason.

Now our concern is getting
Professor Cale to a hospital

as fast as possible.

Fine.

I hope you know
what you're doing,

because I don't know
about this dude.

What choice do I have?

[$30]

DANNY: What the hell is this?

Hey, Terri, come here.

This is the river you know?

No, this is new.

But no cause for panic.

I'm not panicking, I'm
just looking at this wall

that's blocking our way down
this river that you know.

SERONE: Well, let's just,
uh, see what we can do.

Hey, is that real dynamite?

It's always good to be prepared.

Prepared for what?

TERRI: Well, you
gotta be kidding me.

That thing must be
there for a reason.

Yeah, to keep us out.

I'm talking about upsetting the
ecological balance of this river.

Well, look, I can blow
it in 10 minutes,

or if you feeling sensitive, we can
turn around and lose two days.

It's up to you.

Terri?

Oh, for God's sake,
blow the bloody thing.

Just give me 10 minutes, people.
Ten minutes.

I'm gonna need some help.
Gary, get the little boat.

[$30]

[SPLASH]

GARY: There's
something down there.

That's right.

No, I really mean it.
I really mean it too.

Hurry!

[$30]

Shit.

Goddamn it. These snakes.

[DENISE SCREAMING]

[TERRI SCREAMING]

Whoa! Oh, God.

Babies. All of them babies.

Well, how do we get
them off the boat?

Come on, babies. Come on,
back to your mama. Come on.

Come on.

Some of these aren't babies.

Mateo, there's more right here.

Calm.

You little shit.

TERRI: Serone, help
him get it off.

Someone get this bloody
thing off my freaking hand!

Get it off!

So young and yet so lethal.

Get it off me. Come on.

[GRUNTS]

Later, sweetie.

WESTRIDGE: You knew there were
snakes here, didn't you, Serone?

SERONE: It was a
pleasant surprise.

What about the fuel?

There's only one drum left.

That's enough for
about 100 kilometers.

About a day's ride. Well,
that will have to do.

Go, go. Back to your mother.

[$30]

DANNY: Hey.

Hi.

How's he doing?

He's breathing normally now.

That's good.

We'll get him home.

I just don't know what's
going on, you know?

Serone's supposed to help us get
back to the hospital, right?

And he acts like he
owns this river.

And we run into a
barrier full of snakes.

I mean, where is he taking us?

[$30]

Mateo. Mateo! Stop the boat.

Stop it.

Why are we stopping now?

SERONE: Could be fuel.

You know that boat?

There's lots of boats like that.

Hello?

[GUNSHOT]

I get the distinct impression
there's nobody home.

SERONE: Mateo?

Come with me.

Hold up.

I'm gonna get this on film.

You don't need sound, do you?

No, I'm not gonna go over there.

[$30]

Go aft.

[$30]

DANNY: Serone?

Kind of spooky in here.
You think so?

What the...?

Goddamn.

Help me with this. What's that?

Treasures.

[GRUNTS]

Here.

DANNY: Hey, be careful. I
put my camera in here.

Mateo, that's it. Let's go.

Hey, I'm coming. I'm coming.

[YELLS]

[SPEAKS IN PORTUGUESE]

[SHRIEKING]

[SCREAMS]

[GRUNTING]

TERRI: What's all this? DENISE:
And what about the fuel?

There wasn't no fuel.

Great. Where's Mateo?

I don't know. He was
right behind us.

Mateo!

I'm going back.

Serone, go with him.

Maybe some other time.

TERRI: Asshole.

[$30]

Stuck in the middle of nowhere
and now we've lost the driver.

Mateo.

Come on, man. Stop playing.

Danny?

Danny!

Danny?

Yeah.

You okay?

DANNY: I'm all right.

I didn't see him.

How very reassuring.

Here, this is it.

This is all you found?
DANNY: Yeah.

What the hell is this?

Anaconda skin.

There's snakes out
there this big?

SERONE: This skin is
three or four years old.

Whatever's shed it has
grown since then.

But something like this has made
a meal of our dear captain.

What?

Snakes don't eat people.
Oh, they don't?

Anacondas are a perfect
killing machine.

They have heat sensors.

A warm body like Mateo's in the
water wasn't hard to find.

They strike, wrap around you, hold
you tighter than your true love.

And you get the privilege
of hearing your bones break

before the power of the embrace
causes your veins to explode.

No, Mateo's probably just lost.

Oh, wake up.

Imagine something this
big, captured alive.

That's worth a lot
of money, Gary.

Jesus.

Please, people,

don't make me out a monster.

I didn't eat the captain Mateo.

Come on, everybody.

We are not sure
that Mateo is dead.

So we'll just wait
here till the morning.

WESTRIDGE: Are you insane?

Where do you think he went,
a walk in the woods?

Now listen. We've got to
get the hell out of here.

Oh, get a grip, Westridge.

I've got a grip!

We're not leaving. If it was you out
there, you'd want us to stay too.

Listen, if it was me out there,
I'd be dead, don't you see?

Just go into your cabin
and lock the door.

Like a bad boy. All right.
All right.

Where are my shoes?
Where are my shoes?

We're gonna aim some
lights at the boat.

That's a good idea.

Lights are a good idea.

[$30]

I'm not so sure he
didn't eat the captain.

He sure looks satiated.

Think he's still alive?

No. Let's go to bed. Okay.

SERONE: Danger.

Danger is exciting, huh, Gary?

You go ahead on to bed, I'm
gonna catch up to you.

DENISE: Gary, come on.

I'm just gonna talk to him for a second.
Then I'll catch up to you.

DENISE: Well, hurry
up, I'm scared.

GARY: I'll be right there.

So it's out there, isn't it?
Yeah.

And you know how to catch
these things, right?

That's right.

But you can't catch an
anaconda by yourself.

You need a partner.

Capture alive,

maybe a million dollars, Gary.

[$30]

Still no Mateo.

[GIBBERING]

[$30]

Keep it steady, Westridge.

Steady it.

[GUNSHOT]

Man, what the fuck
are you doing?

You can't catch
anacondas without bait.

Oh, my God.

Westridge, let's go.

No, Westridge. Stop.
Not on my boat.

Your boat? You speak
for everybody?

Gary? She speak for everybody?

Huh?

Gary?

Well, I mean, the way I figure
it, with Cale messed up,

I mean, the movie's off.

Why not salvage something?

You know, let's film Serone
capturing a big snake.

Have you lost your mind?
Have I lost my mind?

No, I haven't lost my mind. If anything,
I'm completely lucid right now.

It's you guys who need
to open up your eyes.

DANNY: Yo, hold up.

How we go from taking
Cale to the hospital

to catching a goddamn snake?

GARY: Do you know where you are?

You're in the middle
of the jungle.

Okay, all you guys do is you
question, and you criticize

but remember, you
don't know shit

about the shit
we're in out here.

And neither do I, okay?

But I guarantee you I
know who does: this guy.

Paul has been here.

And if we help him
catch the snake,

then he will help us
get out of here alive.

And that, amigos, is not insanity.
That is common freaking sense.

Come on, Gary, this--
This isn't you.

Honey, what did he do to you?

Stop, okay? Stop.

Think about how much money
this will be worth.

Imagine capturing something like this
on film for the first time ever.

Let's be honest. What else
are we supposed to do?

I know what I'm gonna do.

I'm about to throw both of you son
of bitches in the river myself.

Aah! DENISE: Aah!

[$30]

I don't think so.

I didn't want this
to happen, people.

Let's go, Westridge.

Okay.

Gary.

Occupy yourselves.
Play some cards.

[$30]

[CREAKING]

Nobody move.

[$30]

[GRUNTING]

[SHRIEKING]

Gary! Gary, get the lights.

Westridge, stop the boat.
Stop it.

[SPEAKING IN SPANISH]

[HISSING]

Get it over here, Westridge.

You're gonna get us all killed.

SERONE: That's it, that's it.

Go for the eyes.

Go for the eyes. Blind it.
Oh, man.

Oh, he's fishing for a snake.
The man gotta be crazy.

Just let it go.

SERONE: Westridge, come here.
Come down here.

[GRUNTING]

DENISE: Danny!

SERONE: Westridge.

[GRUNTING]

Where is it?

Where is it?

[ROARS]

[WESTRIDGE SCREAMS]

[GASPING]

SERONE: Don't move. I'll get
it with the tranquilizer.

[SCREAMS]

[SHRIEKING]

[SCREAMING]

Denise, get up here.
Get up here.

DENISE: Gary, help me.

Get out of there.

DANNY: Grab her, man. I'm stuck.

Grab her hand.

The snake, it's in the water!

Let's go!

Gary! I got you.

[SHRIEKING]

[SCREAMING]

Gary, give me your hand.

[ROARS]

[GRUNTING]

Gary! No!

Gary! No!

It's no good to me dead.

[SCREAMS]

Gary!

Oh, God!

Gary!

[GROANS]

[DENISE SOBBING]

May the souls of the
faithful departed

through the mercy of God
rest in peace. Amen.

[SPEAKING IN SPANISH]

Westridge. How dare you.

It was you who
brought that snake.

You brought the devil.

There's the devil
inside everyone.

TERRI: Get your hands off her.

Horrible.

Westridge!

WESTRIDGE: What?

Take my gear up to
the pilot house.

I'm not your bloody poodle.

What you say?

How dare you presume
to order me about?

Presume?

How you like I presume to throw you in
the river? You like that "presume"?

Take it upstairs.

Thank you.

Everyone else, don't move.

Get back.

Get back.

[$30]

DANNY: Terri, let's talk.

[$30]

You want something?

I just want to talk to you.

I was thinking about the myth.

I don't know if you
know, but this...

This film was supposed
to be my big break.

And it's turned out
to be a big disaster.

Anyway, I was just thinking

that maybe I could film you

capturing the snake, and then

it wouldn't have all
been for nothing.

I don't know. It
could be dangerous.

Well, I know.

But at least you'd be
there to protect us.

You need protection?

Yeah.

It's been a long time

since I had a woman.

Ah. You think I'm stupid?

[GRUNTING]

I'm not stupid.

It worked.

Asshole in one. Shall I hit
him again to make sure?

No. Let's throw
him in the river.

Haven't we had enough of that?

I'm ashamed to say I
rather enjoyed it.

Come on, let's just
tie him up, okay?

[$30]

This was all one big setup, huh?

Mateo, you stranded,

the shipwrecked boat, your
route to the hospital.

How can you forget
about the wasp?

[GRUNTS]

[CHUCKLES]

See, what you do is not so hard.

I can trap a snake too.

As smart as you are, you
can't survive without me.

Hey, we're gonna be
home soon, okay?

TERRI: I can't believe how good
you're doing. Hang in there, baby.

Is it hard to drive?

It's a doddle, like driving
a Cadillac Fleetwood.

Tell you what, I'll give
you a driving lesson.

Right, black knobs:

up to go forward,
down to go back.

Red knobs: up to go
fast, down to go slow.

Wheel: four turns hard
over, left and right.

If you get into trouble, turn
off the ignition, all right?

Take it for a spin.

DANNY: That's it?

WESTRIDGE: Take us
back to civilization.

Shit, no problem.

Take us back to

crisp sheets and hot showers.

The playoffs and a six-pack.

Eighteen holds of golf and
a quadruple gin and tonic.

L.A. traffic and
my cellular phone.

Don't start.

[LAUGHING]

[$30]

SERONE: The waterfall.

It's a beautiful
sight, baby bird.

The legend was right.

What is this place?

Oh, dear.

It's absolutely beautiful.

[METAL CREAKING]

[GRUNTING]

TERRI: What the hell was that?
DANNY: I think we hit the bottom.

WESTRIDGE: We did. Hey.

Turn the wheel hard over left.

Right. Put it in reverse.

[METAL CREAKING]

Shut it down.

Shit.

We got to winch ourselves loose.

Whoa, what are you doing?

That means we have
to get in the water.

We ain't got much choice.

I figure me and you go over here,
wrap a rope around that tree.

You, you wrap a rope
around that tree.

Pull it tight. If not,
we're stuck here forever.

We've got to make it
quick, in and out.

I rather hoped I'd done my bit.

That's our rope right there.

TERRI: Just enough to go around the tree?
DANNY: Yeah.

We'll take this, get it around
that trunk right there.

Make sure it's secure. Roger.

Hate this.

Last time I was in water like this I was up
all night picking leeches off my scrotum.

[$30]

Aren't you gonna pray?

Never look in the eyes
of those you Kill.

They will haunt you forever.
I know.

[CRYING]

[GRUNTING]

[DENISE SCREAMS]

I firmly resolve with
the help of thy grace

to confess my sins

and to amend my life. Amen.

Sanctus, Sanctus, Sanctus,

baby bird.

Okay.

Hurry up.

[$30]

[SPLASH]

Back on the boat. Now.

Come on! Go.

Christ.

Get on the boat. Go on, hurry.

DANNY: Come on. Come on.
WESTRIDGE: Quick!

Get up. WESTRIDGE:
Hurry, it's there!

TERRI: Get up!

Over here, you
fat-assed bastard.

Shit.

Westridge, go up the rocks.

DANNY: Go!

TERRI: Get up the rocks!

DANNY: It's coming. Go!

Go get the gun.

TERRI: What are we gonna do?

Go get it.

[GRUNTING]

Hurry up.

Come on, man.

Westridge, keep going, man.

Danny, watch out!

[GRUNTING]

[GUNSHOT]

[GROANS]

TERRI: Danny, move your arm.

[ANACONDA HISSING]

[GROANS]

[SCREAMING]

TERRI: Westridge!

Look out!

Danny?

Danny! Danny!

Yeah?

Westridge? Westridge?

Shit.

Come on, hurry up.

I'm caught.

Come on, Danny. Hurry up.

Come on.

[$30]

[GASPING]

Danny!

[HISSING]

No!

[DANNY SCREAMING]

Danny!

[HISSES THEN TERRI SCREAMING]

Danny, hold on.

Hold on.

[ANACONDA SNARLING]

[GRUNTING]

Come on.

[$30]

[GRUNTING]

You killed my warrior snake.

Get up.

Ungh. The dart.

TERRI: The tranquilizer's working.
Get him.

DANNY: Damn, the dart
came out his back.

Come on, almost there.

All right.

Baby?

He's lost consciousness again.

I'm gonna try to get
us out of here.

The tree knocked us loose.
All right.

DANNY: Hey, Terri, look.

They might have
some fuel for us.

TERRI: Let's check it out.

Need some help? No, I'm cool.

I don't even wanna know
what happened here.

Me neither.

I hope they got
some fuel, though.

[$30]

Damn.

TERRI: Those drums.
Could be fuel.

DANNY: A snake skin.

TERRI: Look, there's
plenty of fuel in here.

MAN: Welcome.

[GRUNTS]

[SERONE HUMMING]

Time to wake up.

[$30]

[GRUNTING]

Monkey blood.

I'm gonna Kill you, Serone! I
swear to God, I'm gonna kill you!

Don't get me upset.

See this?

Human bones.

That's how it comes out.

Ashes to ashes...

[$30]

Oh, shit.

Oh, shit. Look.

Up, on three. Come on.

[HISSING]

Go.

[GRUNTS]

[SHRIEKING]

[GASPS]

Gotcha.

[GROANING]

[BONES CRACKING THEN
SERONE SCREAMS]

DANNY: Come on.

Get loose.

Let's get the fuel and get
the hell out of here.

DANNY: Don't worry, just go.

Run. It's coming for you.

[SHRIEKING]

[SCREAMING]

TERRI: Danny, where are you?

There's a whole nest
of them up there.

I'll have him chase
me up the smokestack.

No, I've got the legs. DANNY:
Okay, we can trap it there.

[ANACONDA SHRIEKS]

Okay.

DANNY: Go. Go!

[GRUNTING THEN
ANACONDA SHRIEKING]

Hey! Can you climb up the top?

TERRI: I can use the rope.

DANNY: Hurry up, I think
I can blow him up.

I'm about to light it.

TERRI: Go ahead, I'm at the top.

Danny! DANNY: Okay.

Danny!

[SHRIEKS]

DANNY: Get out, the fuse is lit.

TERRI: Danny, wait!

Push it on the side!
Hit the hinges!

[GRUNTING]

Hurry up! You gotta jump!

I can't, it's too high.

DANNY: Just jump!

[ANACONDA SHRIEKS]

I got you. Come on.

Did we get him? Did we get him?

DANNY: We got him.

You all right?

Yeah.

DANNY: We should get the fuel

so we can get the hell
out of here, all right?

Come on.

[TERRI SCREAMING]

[$30]

Come on!

Bitch.

Let's get out of here.

Miss Flores.

You're a mess.

[$30]

Found another one.

Here, let me see that.

Shirishama.

Serone was right.

Danny.

Damn.

I'll get the camera.

TERRI: I think so.

TERRI: All right, roll film.
DANNY: Camera rolling.