All language subtitles for Double Door (1934).en

Well, I can't say there's much style

about anybody that's gone
into the Van Brett's so far.

They don't have to look stylish.

The Van Brett's have been on 5th Avenue

long before the Vanderbilt's
or the Gould's or any of 'em.

Hm, looks like an old museum to me.

I'd live in a tomb if I had
all the millions they have.

Are we late, Telson?

No, Ma'am, there's
five or 10 minutes yet.

The wedding's to be at high noon.

Not a thing in the
house has been changed

since old Jacob Van Brett died.

I wonder how Victoria will like having

her brother married to a nurse.

Half brother, dear.

Rip is her half brother.

He's a Van Brett.

Well, it's about time

there was some new blood in the family.

Where are you going?

I'm taking the bridal
bouquet to Ms. Darrow.

That's mine, please.

Louise, the back stairway.

Avery, wait a minute.

I'll take it.

Oh, Mr. Rip, that's blood luck.

A groom shouldn't see his
bride until the wedding.

I'm not superstitious.

- Who is it?
- Me, may I come in?

Oh no, you mustn't.

Then you won't have any
posies to carry to your wedding.

And you won't have any bride

if you don't let me get ready.

Please.

You have a lovely hand, Ms. Darrow.

Oh, Rip, it's gorgeous.

Goodbye, darling.

Meet you in front of the preacher.

Oh, wait a minute, Rip.

Here.

Thank you, darling.

On my soul, where did that come from?

It just arrived from-

Jay VanEss.

Grapefruit spoons.

That's the full set of grapefruit spoons.

On my soul!

Don't put it there.

Why?

Oh, I should have told you.

This contains the ashes
of Jacob Van Brett,

Ms. Van Brett's father.

And that holds the ashes of their mother.

The real ashes?

The actual ashes.

Never touch them.

Believe me, I won't.

Avery, are the guests here?

Most of them, Ms. Caroline.

Oh, Avery, a wedding, here.

I used to think the first
wedding here would be mine.

They say romance is catching.

Perhaps yours will be the next.

Oh never now, Avery.

I'm 42 years old.

Oh, you never can tell, Ms. Caroline.

Only last night I read in "The Globe"

of a lady who was marrying at 65.

- Oh, heavens! Really?
- It's true.

Just imagine.

And they say she smoked cigarettes!

Caroline.

Caroline, must I always remind you

that you must not gossip with servants?

Yes, Victoria.

I'm sorry.

Sit in your chair, Caroline.

I beg pardon, Madam.

Yes, William?

There's a man from
Tiffany's here with a package

which he wishes to handle
directly to Mrs. Van Brett.

There is no Mrs. Van Brett at present.

No, Madam, I...

That is, he meant Ms. Anne Darrow, Madam.

Move my chair.

Send Tiffany's man here to me.

But he said especially
it was for Missus-

Bring him here.

Yes, Madam.

Yes. Excuse.

Victoria, it must be the pearls.

Rip's gift to his bride.

Bride.

Oh, Vicky, she saved Rip for us.

Dr. Lucas said that-

Nursing is her business.

Must he marry her for that?

Why, he's marrying her
because he loves her.

She's marrying him
because he's a Van Brett.

What right has she to
intrude into this house?

We were perfectly happy
until she came here.

The man from Tiffany's, Madam.

This is Ms. Van Brett.

Yes, I know, Ms. Van Brett.

How do you do?

How do you do?

Mister, um, uh, Chase.

Yes, that's right.

It's some years since
I've been in this house.

All looks just the same.

Is this what you came for, Mr. Chase?

No, I have the Van Brett pearls here

for the new Missus, uh-

She's dressing for her wedding.

I'll take charge of them.

Yes, yes, quite so, uh,

no reason at all why I
shouldn't hand them over to you.

The customary receipt, Ma'am.

We had 'em in storage since 1885.

The year Rip's mother died.

They belonged to my
mother, not to Rip's.

I remember how delighted Mr. Van Brett

was every time one of our
agents found another pearl

the right size and color.

And then we'd both sit down

and examine the new Van Brett pearl

over a glass of port or brandy.

He told me a great deal about his life.

He told me how the noise
on 5th Avenue prevented

him from sleeping.

That's why he built that
mysterious sleeping room.

Oh, but...

Mysterious?

What do you mean?

Why, uh, uh, Mr. Van
Brett told me that uh,

he built a sort of um, a sound proof room.

Ah, he was a wise man.

He foresaw the coming of motor cars.

I occupy the room my father had.

Saw the secret chamber?

Nonsense, it's almost
as large as this one.

Three windows on the avenue.

Nothing mysterious.

Well, we sometimes
did have several glasses

of port or brandy.

What is the value of the pearls today?

Oo, at least half a million.

Good day, Mr. Chase.

Good day.

Good day.

This priceless heirloom 'round the neck

of that empty headed upper servant.

Oh, but Vicky, father gave them

to Rip's mother on her wedding day,

and she meant them for his bride.

They belonged to my mother.

They should've come to me.

Half a million dollars to a stranger.

Where's that string of beads
you bought for the housemaid?

You wouldn't let me give them to her.

Of course not.

Get them.

Oh, Victoria, you're not going

to keep the real pearls from her?

In her will his mother said,

"To be given to my son-."

Rip never saw his mother's will.

You will hold your tongue.

Now go down and tend to the guests.

And tell Neff I want
to see him immediately.

Yes, Vicky.

It's 12 o'clock, Madam.

The Minister and Mr. Rip
are already downstairs.

Who is that playing the organ?

The young man, the Reverend,
Dr. Loring brought with him.

Who told him to play?

I believe the Reverend,
Dr. Loring suggested it.

Is that clergyman master in this house?

Lock the keyboard of the organ

and bring the key to me at once.

Very good, Madam.

The organ didn't
break down, somebody did it.

Do you suppose?

Anne?

Ah, Neff, morning.

Morning.

Ms. Caroline insisted
that you couldn't wait.

Yes.

But the wedding has already started.

Dearly beloved,

we are gathered together here

in the sight of God, and
in the face of this company

to join together this man and
this woman in holy matrimony.

I am making a new will, Neff.

All of its share is to go to the list

of hospitals mentioned in the old will.

But you, you're not
leaving Rip out altogether?

Just that.

I thought you were very fond of him?

I was, but he's changed.

But my dear, Ms. Victoria-

Will you do it or
shall I get someone else?

Now you've failed me thus far.

I sent you to her to buy her off.

She wouldn't be bought off.

She loves him.

Get me that new will.

- My dear, Ms. Victoria, you-
- Tonight.

Very well.

I'll go directly and uh,
bring it here before dinner.

Good.

And now, shall we go down?

Will thou have this
woman to thy wedded wife,

to live together after God's ordinance

in the holy estate of matrimony?

Will thou love her, comfort her,

honor and keep her in-

And forsaking all others,

keep thee only unto her so
long as you both shall live?

The Father, God the
Son, God the Holy Ghost,

- Avery!
- Bless, preserve,

- What is the matter?
- And keep you?

- Come here.
- The Lord mercifully.

- William, come.
- With his favor

look upon you, and fill you with

all spiritual benediction and grace,

that you may soul live together-

Shut the door, William.

And in the world to come,

and in the heavens-
Now, pack all these

things away in the closet of my room.

Here's the key.

Carry them right out on the tables.

Get them out of here.

Get this place in order.

Well, congratulations.

Throw me the bouquet, will ya?

- I want it.
- Give it to me.

- Throw it to me.
- Here, Anne.

- Come on.
- Oh, please.

- Come on, come on.
- Please throw it.

Come on.

Oh, I caught it.

Good for you, Caroline.

Oh, Rip.

Sweetheart.

Anne, the presents.

Oh, Rip.

Victoria, we're married.

You didn't come down, Vic.

I had important matters to attend to.

What about the organ?

That was a misunderstanding.

Sorry.

Tiffany's man left Anne's gift with you.

Where is it?

Here, boy.

Taking heirlooms with
you across the continent

on your wedding trip?

Nonsense.

Are they so valuable, really?

They belong to my mother.

Oh, of course.

But I should like to see
my wedding gift from Rip,

and try them on with this dress.

Why certainly, dear.

Victoria-

I was afraid they might be lost

in the confusion here today.

As trustee of your estate,
I've taken charge of them.

I've disposed of them safely.

Oh, Vic, you sent them away?

But why couldn't you have
let Anne see them first?

Had you arranged with Neff,

asked if you could take
possession under the will?

No, I, I never thought of that.

Well, I'll take it up
with him while you're gone.

This thing must be done legally.

But Anne should have a present.

I planned for that, dear.

Here is a new necklace.

Good old, Vic.

Here you are, dear, open it.

Oh, Rip, let me see, please.

These aren't anything.

I think they're lovely.

Just the length I like.

Neff's probably still downstairs.

I'll ask him about the will.

Back in a moment, dear.

Hurry, darling.

I think this belongs with the
real pearls, Ms. Van Brett.

It does.

Oh, Ms. Van Brett,
there's plenty of room

in the closet of Rip's dressing room.

I should like to have
our presents put there.

These are not your presents.

Not ours?

Not yours.

They've come from friends
of the Van Brett's.

As head of this house, I
shall take charge of them.

Annel!

John.

Where were you?

I didn't see you after the-
I saw you.

I took advantage of being Rip's doctor

to come right upstairs.

I came to wish you great happiness.

Thank you, John.

It's not a wedding
present, just a little joke.

- Oh, John!
- All your own.

Remember how we tramped through the slums

when you were a district nurse?

You always talked of
getting a dog to protect us?

Oh, John!

How wonderful of you to think of it.

And gold.

I'll keep it always.

To remind you of old times.

It will.

Anne, do you mind if
I say something to you?

Why not?

This family you're married into-

Please, John-

Oh, I don't mean, Rip.

He's a fine fellow.

You mean Ms. Van Brett?

Yes.

I know she doesn't like me,

but it takes two to make a quarrel.

Only one to drive a girl like you

to the very verge of a reason.

You don't count much on my endurance.

I intend to win her over.

Hm, try it.

You underestimate my charm, Dr. Lucas.

I'm not likely to do that, Anne.

If things do get bad here,
telephone me and I'll come over.

Aren't you forgetting

that I have a perfectly good husband?

Yes, I'm remembering

that he's under the spell of this place.

He hasn't been able to save himself.

Can he save you?

I'll give you six months.

Six months?

November.

Come and see us.

Thanks, I will.

Well, goodbye, Anne.

Goodbye.

And thank you for the kind
things you've done, John.

You may kiss the bride.

Don't lets rock the boat.

It's half past 12, Mrs. Van Brett.

Oh, you'll miss your train.

Don't go away without
telling Rip goodbye.

I won't.

I'll be waiting downstairs for you

with a pocket full of rice.

- Good.
- Goodbye.

I'll help you change.

Oh, thank you, Avery.

Avery?

I want you.

That's all right, Avery.

I'm sorry, Mrs. Van Brett.

Avery, where's my silk piece?

Can't read my paper without
my silk piece, can I?

Somebody always takes it.

I'll speak to the servants, Madam.

Please tell Louise to take
Raffle out for his walk.

Yes, Ms. Van Brett.

Look, Vicky, I caught
the bride's bouquet!

Oh, Rip.

I couldn't find Neff anywhere.

It doesn't matter a wit, darling.

I'm so happy.

The necklace, I could
make a row about that, Anne.

No rows, not for you and not today.

We must go.

But all the same, I
don't feel right about it.

I'll make it up to you when we get back.

I'm going to take care
of you for a change.

You haven't had a square deal, Rip.

This is going to be a
new life, I promise you.

Rip, darling.

Oh, you're sweet.

What's this?

It's a present.

John Lucas gave it to me.

Oh, John was pretty much
in love with you wasn't he?

Oh, I don't know.

Yes, you do.

He was.

And you chose me.

Idiot.

Well, Raffle, going out for
a nice, long walk with Louise.

Run along, run along.

Vicky, why wouldn't you
let them have the music?

Vicky, please listen to me.

I was too young when
you came between Robert

and me to know what it meant,

but it spoiled my life.

Please be kind to them.

Don't spoil their lives.

I'm ready, Anne.

Be with you in a minute.

Well, we're off!

Almost, the carriage awaits.

Oh, my dear!

We're going to miss you.

Goodbye, Carrie, old dear.

Goodbye, Rip, darling.

May I go down and see them off?

Remember, Caroline,
they don't care for you.

They have each other.

Don't hold them up.

- Goodbye, Caroline.
- Goodbye, Anne.

Ms. Van Brett, may I say goodbye?

Goodbye.

Anne, we've got to
hurry or we'll miss our train.

Oh, Vicky, come and see them go!

Close those shutters, Caroline.

I told you never to open those shutters.

Vicky!

No, Vicky, don't!

No, Vicky, don't!

Don't!

No, no, Vicky, I'll be good.

Don't be a fool, Carrie.

I'm not going to punish you.

I'm just putting the pearls away.

What is the matter with you, Carrie?

I try not,

but ever since you locked
me in there that day...

Nonsense.

That was years ago.

You had to be punished.

Buried alive.

Listen to me, Carrie.

If you don't pull yourself together

and stand with me about this marriage,

I will put you in there again.

No!

The vents are all closed now.

- You'd suffocate.
- No, Vicky, don't!

I'll do as you say, really I will.

See that you do.

Wait 'til they get back.

Well, what do you think
of your husband now?

I think he's wonderful.

We've got to have a lake

and two mountains when we get back.

Oh, where will you put
them, in the backyard?

We'll put the backyard near 'em.

Telegram for you, Mr. Van Brett.

Here.

Thank you, Sir.

Open it.

It's from Vic, I know it.

I won't open it.

Why not?

She wants me to come home,

terribly important
things about the estate.

That's all right, Rip.

It may be really necessary.

You've got to shoulder
responsibility sometime.

We were going back in three weeks anyway.

I know, but-

Remember what we agreed, Rip.

Not to balk anything she wanted
that's at all reasonable.

And we're going to have a lake, you know?

We are, I mean it.

And a house on the edge of it.

Welcome, Mr. Van Brett.

- Hello.
- Hello, Telson.

Good boy, Rip.

- Carrie!
- Welcome back!

I'm glad to have you back, my darling.

Isn't Anne looking great?

Caroline!

- Oh, Anne.
- How are you?

We missed you so, you have no idea.

- So excited to be back.
- Carrie, where's Vic?

She's upstairs waiting for you.

I have something for you, Caroline.

How well you're looking,

- Mr. Rip.
- Thank you, Avery.

Oh, Anne, may I open it now?

- Of course, Caroline.
- Come on, Anne.

Oh, Anne, it's beautiful!

Oh, you're so dear to
think of me.

Hello, Vic.

Hello.

Hello, Victoria.

Hello.

Vicky, see what Anne brought me.

I have some important
matters to discuss with Rip.

Please leave us alone.

Yes.

You will find your old room, Rip,

ready for you and your wife.

Why, Anne and I were planning

on taking a house up in Westchester.

And leave your father's house?

Why, Rip.

Well, just to make
things easier, I mean.

That was a very selfish thing to say.

You will stay here and
look after Caroline and me.

But I didn't intend to be selfish, Vic.

Good.

I have tended to the estate
alone for many years.

Now it's your turn.

It's difficult work.

You'll have to consult with me constantly

until you learn the details.

You couldn't live away
from here even if you wish.

And I know you don't wish it.

I've arranged an appointment
for you with Neff.

You'll have to go downtown this morning.

It's uh, past 11 now.

Don't feel badly, Rip.

We'll stick it out here for awhile.

After all, she's old and rather lonely.

Now run along.

Hurry back, darling.

Who opened that window?

Why, I did.

Perhaps you don't understand.

This is not the public living room.

It is for the exclusive
use of Caroline and myself,

and those whom we invite
to share it with us.

This is for you, Victoria.

Anne, come in.

I went to your office but you'd gone.

I had to talk to someone,
so you're elected, John.

I accept the great honor.

I'm about at the end of my rope, John.

I can see that.

Victoria Van Brett hasn't let up

on you for a minute has she?

I've sensed it every time I've seen you

since you and Rip came back.

You haven't looked happy for weeks, Anne.

Rip still loves you, doesn't he?

Of course.

You love him?

Yes, John, I do.

Then you two have got to break away

and find a home of your own.

That's impossible.

Rip says his sisters need him.

She's made him believe that.

Well, what about you?

That's what I'm trying to decide.

She'd stop at nothing
to get Rip away from me.

She doesn't care a rack
about his happiness.

But I do.

Rip's fine, John.

He's worth fighting for.

Then the only way left is for you

to stand up for yourself.

Invite your friends in, lead
your own life, fight her!

Mrs. Van Brett upstairs?

She went out I believe, Sir.

Hello, Vic.

Lovely that you're home so early.

Neff and I spent the day going over

those Broadway properties.

Had to climb more stairs,
inspected more lofts and cellars.

I'm tired.

Vic, let's get an agent
to look after it all.

I have an agent.

You are he.

Then let's sell some
of those old buildings.

Never sell.

Never sell, Rip, not on
the island of Manhattan.

But the neighborhood is going down.

Nonsense!

Look at Park Avenue,

nothing but slums a couple of years ago.

Look, Rip.

Look at that crowd.

People creating trade
and a demand for life.

People flowing down 5th
Avenue like a river of gold,

lapping along our land.

Everyday they add a greater value to it.

But I don't wanna fuss with it all.

I haven't seen Anne for a month.

It's the price you pay for wealth.

The price is too high.

I wanna be happy with Anne while
we're young and enjoy life.

I want a home.

You have a home.

Not really.

I mean a place where Anne
and I can live our own lives.

The Van Brett's have lived

in this house for generations.

- Damn the Van Brett's!
- Rip!

What do I care what the
Van Brett's have done?

I'm a new generation,
I live in a new world.

I can't breathe in this.

I'm sorry, Vic.

Excuse me,
Madam, is this the cloth

you wanted out for dinner?

Yes.

Don't let it out of your
hands until dinner time.

But Madam-

Don't tell me people don't
take things in this house.

They take them all the time,

then when they find out I've missed them,

they get frightened and
they put them back again.

Yes, Ms. Van Brett.

Are we having guests for dinner?

Yes, and a surprise for you.

What?

Gertrude Vamiress is coming.

She's been in Paris
ever since your wedding.

I didn't know it.

Her affection for
you has never faltered.

Victoria, Gertrude Vamiress has never

been anything to me and you know it.

Well, that needn't prevent

your being agreeable to her at dinner.

Oh, Vic.

You know where Anne went?

Probably with your friend, Dr. Lucas.

She's been meeting him regularly.

I'm glad she has.

So you approve of your
wife's affairs with other men?

Affairs?

What do you mean?

I can call it by an
uglier name if you wish.

This man has an apartment on Central Park.

Your wife goes there to be alone with him.

You're being ridiculous, Vic.

I've always heard the husband

was the last person to know.

I'm beginning to understand why.

Are you insinuating

that Anne and Lucas are
doing anything wrong?

Well, what
could be more natural?

She was going to marry Dr.
Lucas when she met you.

She deliberately capitalized
on your infatuation.

Now she's found out that your
money is not hers to spend.

It's quite natural she should turn

to Dr. Lucas for consolation.

I'll believe that
when Anne tells me so.

She's just come in.

Hello, sweetheart.

Why don't you ask her?

Ask me what, Rip?

Rip refuses to believe

that you've ever been to
Dr. Lucas's apartment alone.

Have you?

No, I haven't.

You see, Vic?

How nice for you.

Forget it, darling.

Just some of Vic's nonsense.

I gotta put these papers away.

I'll be finished in a moment, darling.

Rip, I have been seeing John Lucas.

How is he?

He's doing splendid
work at the foundation.

That's fine.

You don't mind my talking
things over with him do you?

No, of course not.

Only...

Only what?

Well,

I wouldn't want you to see him too often.

You know how people talk.

Well, that is, well,

I wouldn't want you
going to his apartment,

alone I mean.

You wouldn't like to have me do that?

No.

That's where I draw the line.

I see.

Rip, I-

Please don't worry about it, darling.

Somebody's been gossiping to Vic

and she's made the most of it, that's all.

I'd rather hoped if we were nice to her,

she might go reconciled.

And we can live in that hope and feel

while everything else is scarified to it.

What else?

Our happiness and love.

Anne, Vic's got us
just where she wants us.

We haven't a cent but what she gives us.

She's the sole trustee.

It's not the money I care about,

it's our happiness.

What do you want us to
do, give up the money?

Go out and earn our living?

Yes.

Stand on your own feet.

Assert your will.

You talk like Lucas.

He's down on money.

It isn't that I'm down on it.

It's when it spoils my
happiness that I hate it.

I can never make you realize, Rip,

what my life is here in this house.

I know.

I even hesitated to come into this room.

She's told me that it's
not a public sitting room.

Anne-

She never speaks of
me as Mrs. Van Brett.

She refers to me to Caroline, to Telson,

even to Louise as, "That woman."

Anne.

I should've fought her down long

before I asked you to marry me.

I was a coward.

Oh, Rip.

Rip, don't say that.

Listen to me.

You think you know me,

but I'm going to tell you
some things you don't know.

My mother died when I was born.

Have you ever thought what my childhood

was like here in this haunted house?

Haunted?

To me, yes.

For the first seven years of my life,

I slept in that big
room on the third floor

in a big, black walnut bed

with carved faces on the headboard.

Victoria brought me up.

I seldom saw my father.

She used him as a club over me.

When I was seven he died.

The day of his funeral,

Victoria led me down to the
drawing room where he lay.

She took my hand and made
me put it in his cool hand.

And there she made me promise
to keep him in mind always,

and to do all the things
he'd always wanted me to do.

Most of them she made up
because it pleased her.

I know that now.

She told me she was able to watch me

from the place he'd gone.

After that she took me
into her room to sleep.

I had a bed at the foot of hers.

Many a night I'd lain in there shivering

at the thought that those cold eyes

of his could look in through
the key hole and watch me.

I think it amused her.

It all went to build her power over me.

Oh, Rip.

Then she set up this
shrine here with his ashes.

I thought somehow those cold eyes

of his were in there watching me.

Darling.

Day by day she broke my will.

You mustn't say that.

Its' true, I tell you, don't I know it?

I have no will left.

No, Rip, all you have to
do is to assert yourself,

make a scene for once.

You think I've never tried?

I never got anything but humiliation.

Why didn't you tell me this before?

I wanted you to look up to me.

I do, dear.

I'm glad you told me.

You've cleared up things
for me, Rip, a lotta things.

I've never had a friend for very long.

She always managed to come between us.

You had John Lucas.

I never dared ask him for this house,

except when I was Ill.

Begin with him, Rip.

Have John here.

Oh, what's the use?

She won't have it.

Excuse me, Ms. Van Brett
wishes to see you, Mr. Rip.

Go, darling.

It's all right.

What should I send you up

for dinner this evening, Mrs. Van Brett?

In my room?

Ms. Van Brett explained

that you preferred staying in your room.

Your headache.

You may as well tell me, Avery.

Ms. Van Brett was short a
man to balance the table and-

Thank you, Avery.

You may go.

Yes, Madam.

Avery?

Ms. Van Brett spoke needing
another man for dinner?

Yes, Mrs. Van Brett.

Thank you.

Hello, Columbus 3612.

Dr. John Lucas, please.

John, this is Anne Van Brett.

Will you come to
dinner tonight at 7:30?

Of course I mean it.

No, I'm just starting the revolution.

Good.

Oh John, don't mention that
I've been to your apartment.

No, I started to tell him,

but Victoria'd been lying about us

and she'd gotten him terribly upset.

John, I know now what I'm fighting.

And you'll come?

Thank you, John.

Who else is coming for dinner, Vic?

Dr. Loring, Neff, Gertrude,
you, Caroline and I.

What about Anne?

Anne has a headache.

You're mistaken, Victoria.

I have no headache.

I'm feeling especially well tonight.

I'm looking forward to the dinner.

As you like.

I can ask old Larimore
to balance the table.

He's always so fond of a square meal.

There's no need.

I knew you were short a man for dinner

so I called Dr. Lucas and asked him.

He's coming.

John Lucas?

Did you really?

How very interesting.

Well, I shall look forward to seeing him.

That will be a great pleasure.

Louise, there's a salad fork missing.

Gosh!

I was just gonna pull the stopper.

I guess Ms. Van Brett would take

my head off if she knew
it was gone that long.

How was the old Caroline feeling tonight?

Louise.

She was perfectly furious

with Mr. Rip because he couldn't keep

his eyes off his wife during dinner.

Oh, stop that gossiping.

She certainly was throwing Ms.
Vamiress at Mr. Rip's head.

Why, Telson.

She sure tries to make trouble.

But at least Ms. Vamiress and Dr. Loring

had sense enough to leave early.

I wish the others would go.

It's the front door.

The front door?

Why, who can that be at this hour?

I don't know.

Who do you wish to see?

I wanna see Ms. Victoria Van Brett.

I'm sorry, but uh, she's busy.

Ms. Van Brett sent for me.

Take these into the library, Rip.

All right.

I beg pardon, Madam.

Yes?

Good.

Well, I'm afraid I must run along.

I want you to wait a moment.

I have something to take up with you.

Oh, anything wrong?

I'll explain later.

All right.

This looks like the end.

Check.

Don't beat Dr. Lucas too badly, Anne.

She's certainly gone out of
her way to put me at my ease.

It's not like her.

Do you suppose...

What?

About this afternoon,
maybe I was foolish,

but she was twisting truth into lies.

Did you tell Rip?

I haven't had a chance.

She's kept him at her heels deliberately.

Every moment.

Well, let's save the king.

And you have everything with you?

Yes, everything.

Would you just wait here
a moment until I call you?

Yes, Madam.

Well, Anne, afraid
I'll have to be going.

I'm sorry, John.

Oh, Ms. Van Brett, I
want to thank you very much

for a very pleasant evening.

Don't go.

I'm afraid I must.

I'm taking the train to Philadelphia.

I have an operation there
at five in the morning.

I wish you to remain,
Dr. Lucas, for a moment.

Neff, will you sit here?

Rip, you and your wife there.

What's up, a board meeting?

And Dr. Lucas, will you please sit here?

What's all this about?

I told you this afternoon, Rip,

that your wife is having
an affair with Dr. Lucas.

Victoria, I won't have this!

She has been meeting him in the park.

Of course she has.

If you will allow me to continue.

Furthermore, she has been
going to this man's rooms.

You know that isn't true.

I thought we settled that this afternoon.

The matter is closed.

So, you're satisfied with her words?

Of course I am.

Unfortunately,

I am not.

Will you come in now, please?

This is Mr. Lambert.

Just one moment, please.

Ms. Van Brett, why bring
strangers into this matter?

Mr. Lambert is no
stranger to this matter.

You may begin.

Ms. Van Brett engaged the services

of our agency September 1st of this year

to follow Mrs. Van Brett,

and report on-
Oh, Anne, I beg of you!

Will you please sit down?

Your report, Mr. Lambert.

I began following her September 3rd.

She met Dr. John Lucas,
this man here in the park

near the 72nd Street entrance.

Well, what if she did?

Quiet, Rip.

On October 18th she met him again.

Finally, this afternoon
she entered apartment 106,

located at 151 Central Park West,

occupied by the said, Dr. Lucas.

She remained there and hour.

This was no third party present.

I have three affidavits here

from people in the apartment house.

But you have no actual proof.

No legal proof, no Sir.

I am not interested
in the legality of it.

I'm merely trying to show Rip

the kind of woman that he married.

If she'll lie to him, she'll deceive him.

That will do, Mr. Lambert.

Well, Rip?

Rip, you've known me a good many years.

You know that I wouldn't
do anything to hurt you.

You know that Anne

- wouldn't either.
- Anne,

I'd like to speak to you alone.

No, Rip, it's gone too far for that.

I want Victoria to hear all I have to say.

But first I wanna ask you,

do you believe that John
and I have deceived you?

Oh, Anne, I can't believe it,

but Anne you-
Yes, I lied this afternoon.

I'm not excusing it, I lied.

- I was frightened.
- Anne, you don't have to-

Yes, I do.

The day you told her you
were going to marry me,

she began her campaign against me.

She was determined to break down our love.

That's why I went to see John.

I had to talk to somebody to see

if there wasn't some way

to get you out of this terrible house.

- It's true.
- You lied.

I beg to explain it later.

Is that all you have to say?

No, that's not all.

I'm glad this has happened, Rip.

It's given me the courage I needed.

I'm not going to stay in
this house another day.

You've got to decide now,

which is it to be, Victoria or me?

Just a moment, Rip.

You're not gonna be taken
in by these hysterics.

I warned you when you married her,

all she's after is your money.

Get out of this house
if that's what you want.

Anne.

Oh, Rip!

If you have anything else to say to me,

I'll meet you in Neff's office anytime.

Come on, darling, let's get out of here.

We'll go to the Waldorf and
a fresh start in the morning.

I trust you realize just
exactly what you've done.

Goodnight, Rip.

Sorry, John.

That's all right.

Let me know where you'll be.

Of course.

Goodnight, Anne.

Goodnight.

Pack your bag, darling.

I'll be waiting for you.

See you at the office
in the morning, Rip.

Wait a minute, Neff.

Walk to the corner with
me and let's find a cab.

Wait, you mustn't leave
without your pearls.

Oh, I don't really care.

If you want them, keep them.

No, Rip wants you to have them.

Come in.

You shall have them now.

I lock the doors because
the servants mustn't know.

Even Rip doesn't know what you'll now.

I'm going to show you my treasure room.

My father built this soundproof room

so he could sleep in peace.

He slept in there for over a year.

He died in there.

Now I use it to store my valuables.

I'll show you.

Come.

There are three steps.

Rip, Rip!

Victoria!

Victoria!

Victoria, let me in.

- What's the matter with you?
- What is it?

I heard a scream.

- Ridiculous.
- No, it was here,

Anne's voice.

You imagined it.

And when I tried to open
the door it was locked.

No it wasn't, I just opened it.

You had a nightmare.

Go back to bed.

Oh, Vicky, I'm sorry.

I don't know what got into me to do that.

Well, don't let me
hear anymore from you.

Anne?

Anne?

Anne?

Anne, where are you?

Victoria?

What is it?

I can't find Anne.

Have you seen her?

She um, went downstairs.

Perhaps she's with Caroline.

No, don't disturb Caroline.

She's asleep.

I saw Anne go down the stairs.

Caroline,

I don't want you telling
anyone about your nightmare.

Do you understand?

- Yes, Vicky.
- Not a word.

Your clear notions will
get you into trouble,

into a lunatic asylum.

I tell you, she's not here, Neff.

Oh, nonsense, nonsense.

People don't just disappear.

I have questioned Caroline.

She's not seen Anne.

I'm going to call the servants.

- No, no.
- Rip, I have

my own ideas about Anne's disappearance.

What?

She's left you, gone with Dr. Lucas.

That's a lie.

Anne stuck with me, even
with your persecution.

She wouldn't walk out on me now.

Why not call Lucas?

Perhaps she told him something.

Maybe he can help us.

Hello, hello?

Columbus 3612.

Dr. John Lucas, please.

What?

Are you sure?

Thanks.

Well?

He's gone out of town.

Morning paper, Madam.

Thank you, William.

Victoria-

I'm reading.

Excuse me.

Where are you going?

Nowhere.

Oh, Vicky, I can't sit still any longer.

I'm so nervous.

What about?

Anne.

It's so terrible not to
know what's become of her.

Sit down, Caroline.

I don't want you running around the house.

Vicky, what's that?

Those idiots sounding the walls.

Victoria, the more I think of it,

the more certain I am that

that scream last night was
Anne's voice, not mine.

Impossible.

Vicky, you don't think
she could've gotten down

in the vault do you?

Caroline!

Go to your room.

- Oh no, Vicky!
- Do as I say.

If there's any news

- of her I'll call you.
- Oh please, Vicky, please.

Do as I say!

Come in.

Ah, Telson, yes.

I am closing the house, Telson.

Ms. Caroline and I and probably Mr. Rip

are going abroad for a year.

Therefore, I am dismissing
the entire staff.

They will leave immediately.

Here are their wages to date

with one month extra in lieu of notice.

- But Madam, I-
- I gave you

two months extra, Telson,

and I'll write you some references today.

Yes, Madam.

Very good, Madam.

Well, have you found her?

No, not a trace.

We've searched the entire house.

The attic, the cellar, every
closet, every store room.

There's only one thing left to do.

I'm going to telephone the police.

How they'll laugh at you

when they find her with her lover.

It isn't true.

I've called Lucas every hour.

When he gets back-

You won't find Lucas until he's had time

to invent a good story.

I won't, I can't believe it.

You better wait for the afternoon mail.

He may have written to you.

A few hours can't make any difference.

Yes, you might do that, Rip.

Neff, the old elevator shaft,

we haven't looked there.

What?

Are you quite sure you can't
tell us anything further?

You'll never find her in this house.

Caroline, I told you to stay in your room.

Yes, I know, Victoria,
but I've been thinking,

why don't we tell them about the vault?

No, we can't do that.

Only you and I know about that room.

Anne might've gone down there somehow.

I'm so frightened.

Why don't we tell them?

You shan't, you mustn't!

You fool, how could she open it?

Vicky, you did it to me.

You wouldn't put her in there would you?

You dare so much as suggest

to anyone that I've done that

and I'll put you in there again.

Oh no, Vicky, don't!

You're hurting my arm, let me go.

Don't you dare mention the vault,

not to Rip, not to anyone.

Do you promise me?

Yes, I promise.

Then get back in your room.

Morning, Telson.

Good morning, Dr. Lucas.

Mr. Van Brett in?

- John.
- Hello, Rip.

Anne's gone.

I know, I telephone my office

and got your message.

I took the first train here.

John, if you know where she is, tell me.

I don't know, Rip.

She's not the sort of girl
who'd leave you like this.

I can't understand
what's happened to her, John.

You sure she left the house?

Oh, I don't know.

I went to the corner last night

to get a cab and when I
came back she was gone.

Shut up!

Question all the servants?

Yes, they know nothing.

Why didn't you call the
police the first thing?

Victoria insisted that
she'd left me, John.

I don't believe that.

Does Ms. Caroline know anything?

Well, Victoria questioned her-

Oh, Victoria.

Ah, Dr. Lucas.

How do you do?

I'd like to talk to Ms. Caroline.

She's in her room I expect.

Caroline is upset.

She can't tell you anything.

Why, the door's locked from this side.

Carrie, Carrie, we want to
ask you a few questions.

Sit down here, dear.

Did you go right to your room last night?

Yes.

When your door is closed,

can you hear conversation
going on in here?

Well, I could hear an unusual noise.

What do you mean, Carrie?

Well, like a loud scream or-

You could hear a
scream through the door?

Yes.

How do you know that, Caroline?

Well, I don't know, I-

But you did hear a scream?

Well, no.

- That is-
- Caroline!

No, no I didn't.

Why, Carrie, dear, what's the matter?

You're all right.

No one's going to hurt you.

What happened, dear?

Tell me.

She had a nightmare,
that's what happened.

Yes, but who screamed?

She did.

You hear her?

Certainly I did.

She's always had nightmares.

Wait a minute, Carrie,
tell me about your nightmare.

Well, last night I woke bolt upright.

A terrible cry.

I thought someone was calling you.

I ran to the door and
I tried to get it open.

I thought it was locked.

Was it?

Oh no, Victoria opened it easily.

She couldn't open it
because she was half asleep.

What happened then, Carrie?

Well, then I saw her bag.

You saw Anne's bag in here?

Yes.

I thought you said Anne
didn't come into this room.

How did her bag get in here?

I refuse to answer
these silly questions.

You can talk here and now
or you'll talk to the police.

You dare to threaten me?

It's no threat, it's what
must inevitably happen.

Now don't get excited, Caroline.

Go on, Rip.

Carrie, why did you wanna get in here?

Well, because I was frightened I guess.

You had a nightmare.

They always frighten you so?

Well, I didn't think this
was a nightmare at first.

You thought the
scream came from someone else.

Yes.

You thought it came from in here?

- No!
- But you went to the door

because you thought something
had happened in here?

- Yes.
- You struggled

with the handle but you
couldn't get it open,

and suddenly Victoria
opened it and let you in,

and you asked what's the matter

and she told you that you had a nightmare

and it was you who screamed?

Yes!

Who's voice did it sound like?

Was it Anne's?

- Oh no!
- Don't listen to her!

- She's mad, she's insane.
- No, I'm not.

I'm not insane.

You shan't say it.

Quiet, Caroline.

I won't be quiet, I'm going to tell.

Rip, I'll show you where she is.

She's here, she's here.

Where?

Here!

It won't open, it's locked!

Do you know the combination?

No, only Victoria knows.

Open it.

You can't make me.

I'll kill you if I have to.

Open that door!

Ow, Rip, my arm!

Ah, you're breaking-
Then open it!

There's no time to lose.

Open it, Victoria.

Let me go!

Hurry!

Anne?

Put her here.

Get some brandy.

Is she all right,
John, is she all right?

We'll see in a minute.

Put her head down here.

Easy now.

That's right.

Now...

She's only fainted.

Oh, darling.

No, no, Rip, keep her head down.

Sweetheart?

Here's the brandy, Doctor Lucas.

Darling, it's all right.

We're all here.

Here, drink this.

Come on, drink it.

That's right.

Anne, darling, it's all right.

John, is she strong enough to go?

I think so, yes.

Come on, darling.

I'm going to take you
away from here right now.

Carrie, do you wanna come with us?

Oh yes, of
course, Rip, if you want me to.

Get your coat.

No.

No, you can't stop me now.

I'm going with Rip.

Very well, you can go.

I'm not stopping you.

Then let me go.

Just a moment, Caroline.

In his haste, Rip forgot the pearls.

Surely you wouldn't like Anne

to leave without the pearls?

No, we can get them some other time.

Well, I'd like her to have them now.

We'll go in together.

No.

Come, Caroline.

- No.
- Don't be afraid.

- No, I can't!
- Yes, you will!

Coming, Miss Caroline?

Now then.

"I, Victoria Van Brett,
convey Anne's set over-."

No!

"Unto Rip Van Brett."

No, never.

"Any and all of the
estate, real and personal.”

Now, sign it.

I refuse.

Very well.

I shall prefer charges
against you this morning.

You wouldn't dare.

Assault with murderous
intent is a criminal offense.

They forgot the pearls.

The pearls.

My pearls!

He'll never find them again.

We're waiting
for you, Ms. Avery.