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1
00:00:02,903 --> 00:00:03,637
Man: CARROLL WAS CONVICTED
IN 2004
2
00:00:03,671 --> 00:00:06,107
FOR THE MURDERS
OF 14 YOUNG WOMEN.
3
00:00:06,140 --> 00:00:08,309
FBI Director: WE NEED
YOU IN VIRGINIA, RYAN.
4
00:00:08,342 --> 00:00:09,343
I'M NOT AN AGENT ANYMORE.
5
00:00:09,377 --> 00:00:11,812
YOU CAUGHT CARROLL.
NO ONE KNOWS HIM
LIKE YOU DO.
6
00:00:11,845 --> 00:00:13,414
SO WHAT'S MY SEQUEL
ABOUT, JOE?
7
00:00:13,447 --> 00:00:16,384
Carroll: WE'RE GONNA
WRITE THIS TOGETHER, RYAN.
8
00:00:16,417 --> 00:00:17,185
OHH!
9
00:00:17,218 --> 00:00:19,587
EVEN THOUGH YOU
SLEPT WITH MY WIFE.
10
00:00:19,620 --> 00:00:24,525
I HAVE SO MANY SURPRISES
WAITING FOR YOU.
11
00:00:24,558 --> 00:00:25,426
Claire: HE FANCIES
HIMSELF EDGAR ALLEN POE.
12
00:00:25,459 --> 00:00:28,062
THAT WAS THE IMPETUS
FOR WRITING HIS NOVEL.
13
00:00:28,096 --> 00:00:29,029
WE GOT MORE BODIES.
14
00:00:29,063 --> 00:00:30,164
Ryan: HE REMOVED THE EYES,
CARROLL'S SIGNATURE.
15
00:00:30,198 --> 00:00:33,401
HE USED THIS PRISON GUARD
TO GAIN ACCESS TO THE INTERNET
16
00:00:33,434 --> 00:00:34,602
TO CREATE A CULT.
17
00:00:34,635 --> 00:00:36,804
AGENT PARKER'S
TAKING THE LEAD.
18
00:00:36,837 --> 00:00:38,439
CULTS, MY SPECIALTY.
19
00:00:38,472 --> 00:00:40,441
Ryan: ICE PICK LADY,
GAY NEIGHBORS,
20
00:00:40,474 --> 00:00:43,677
AND THE NANNY,
HOW DO THEY FIGURE
INTO YOUR NEW PLOT?
21
00:00:43,711 --> 00:00:46,547
WHERE IS HE? JOEY?
WHERE IS MY SON?!
22
00:00:46,580 --> 00:00:48,482
Riley: CARROLL KNOWS
WHERE THE KID IS.
23
00:00:48,516 --> 00:00:49,550
HE'S NOT GONNA TELL US.
24
00:00:49,583 --> 00:00:51,552
HE MIGHT TELL
HIS WIFE.
25
00:00:51,585 --> 00:00:55,223
YOU SON OF A BITCH,
WHERE'S MY SON?
26
00:00:56,357 --> 00:00:58,592
"TAKE THY BEAK
FROM OUT OF MY HEART,
27
00:00:58,626 --> 00:01:01,729
AND TAKE THY FORM
FROM OFF MY DOOR."
28
00:01:01,762 --> 00:01:04,432
QUOTH THE RAVEN "NEVERMORE."
29
00:01:04,465 --> 00:01:08,436
AND THE RAVEN, NEVER FLITTING,
STILL IS SITTING,
30
00:01:08,469 --> 00:01:09,103
STILL IS SITTING...
31
00:01:09,137 --> 00:01:10,471
IF YOU DON'T LIKE
THE PIECE,
32
00:01:10,504 --> 00:01:13,307
CALL MY EDITOR,
SCREAM AT HIM.
33
00:01:13,341 --> 00:01:16,244
IT IS TOO EARLY
FOR THIS CRAP.
34
00:01:16,277 --> 00:01:17,178
YOU HAVE A NICE DAY.
35
00:01:17,211 --> 00:01:19,180
Poe impersonator:
LIES FLOATING ON THE FLOOR
36
00:01:19,213 --> 00:01:22,650
SHALL BE LIFTED--NEVERMORE!
37
00:01:22,683 --> 00:01:25,486
[CHEERING AND APPLAUSE]
38
00:01:46,407 --> 00:01:48,342
HEY!
39
00:01:48,376 --> 00:01:50,711
[SCREAMING]
40
00:02:11,399 --> 00:02:12,666
GOOD MORNING,
CLAIRE.
41
00:02:12,700 --> 00:02:14,502
[GASPS]
42
00:02:14,535 --> 00:02:15,403
AAH!
43
00:02:15,436 --> 00:02:16,804
[GAGGING]
44
00:02:24,745 --> 00:02:25,913
GOOD MORNING, MA'AM.
45
00:02:25,946 --> 00:02:26,714
IS RYAN HARDY HERE?
46
00:02:26,747 --> 00:02:30,551
NO, MA'AM.
HE LEFT OVER AN HOUR AGO.
47
00:02:30,584 --> 00:02:32,686
[BUZZER]
48
00:02:43,431 --> 00:02:46,600
HOW'D YOU SLEEP?
THAT MOTEL THEY
STUCK US IN SUCKS.
49
00:02:46,634 --> 00:02:47,868
THE BED IS BRICKS.
50
00:02:47,901 --> 00:02:48,702
HOW MANY FINGERPRINTS?
51
00:02:48,736 --> 00:02:51,939
9 IN TOTAL.
SEVERAL WERE OLDER PRINTS,
52
00:02:51,972 --> 00:02:54,275
BUT UPSTAIRS
IN THE ATTIC ROOM,
53
00:02:54,308 --> 00:02:55,976
THAT IS WHERE
WE FOUND 6 SETS.
54
00:02:56,009 --> 00:02:57,678
THEY'RE THE NEWEST
ONES WE FOUND.
55
00:02:57,711 --> 00:03:00,348
I'M GUESSING
THAT'S WHERE THEY
GATHERED MOST.
56
00:03:00,381 --> 00:03:03,617
4 OF THE SETS BELONG
TO EMMA, JACOB,
PAUL, AND JORDY.
57
00:03:03,651 --> 00:03:08,456
YEAH. THAT'S 4.
THE GUY WITH THE POE MASK
THAT ATTACKED ME.
58
00:03:08,489 --> 00:03:09,590
5.
59
00:03:09,623 --> 00:03:11,725
YOU REALLY THINK THAT
THIS CULT IS LIMITED
TO 6 PEOPLE?
60
00:03:11,759 --> 00:03:15,829
WE WEREN'T SUPPOSED
TO FIND THEIR
LITTLE CLUBHOUSE.
61
00:03:15,863 --> 00:03:17,565
I TELL YOU, THERE'S
GOT TO BE SOMETHING HERE
62
00:03:17,598 --> 00:03:19,500
THAT WILL TELL US
WHERE JOEY MATTHEWS IS.
63
00:03:19,533 --> 00:03:20,968
UH-UH. I'VE BEEN
THROUGH EVERY PIECE OF IT.
64
00:03:21,001 --> 00:03:24,705
NOTHING POINTS
TO WHERE HE IS
OR WHY THEY TOOK HIM.
65
00:03:24,738 --> 00:03:26,974
I WANT TO UNDERSTAND
WHAT THIS CULT IS ABOUT.
66
00:03:27,007 --> 00:03:28,642
I MEAN, WHAT'S
CARROLL'S MESSAGE?
67
00:03:28,676 --> 00:03:30,644
KORESH, JONES, MANSON--
THEY ALL USED MIND CONTROL
68
00:03:30,678 --> 00:03:34,248
TO REINFORCE THEIR MESSAGE
OF FAMILY AND UNITY
OVER THE INDIVIDUAL.
69
00:03:34,282 --> 00:03:36,250
DIDN'T MANSON CONVINCE
HIS FAMILY TO KILL
70
00:03:36,284 --> 00:03:37,551
FOR HIS OWN
SELFISH NEEDS?
71
00:03:37,585 --> 00:03:40,588
YEAH, BUT HE DRESSED IT
UP IN SEVERAL DIFFERENT
MOTIVES AT ONCE.
72
00:03:40,621 --> 00:03:42,623
HE'D TEST HIS FOLLOWERS
73
00:03:42,656 --> 00:03:44,925
WITH ACTS OF MURDER
IN ORDER TO PROVE
THEIR DEVOTION.
74
00:03:44,958 --> 00:03:47,328
HE WAS
A BRILLIANT MANIPULATOR,
75
00:03:47,361 --> 00:03:50,598
GET ANYONE
TO DO ANYTHING.
76
00:03:50,631 --> 00:03:52,600
JOE WAS A TEACHER.
77
00:03:52,633 --> 00:03:53,667
HE WAS A MAN OF IDEAS,
78
00:03:53,701 --> 00:03:55,603
AND HE WAS
BRILLIANT AT IT.
79
00:03:55,636 --> 00:03:56,770
I WITNESSED HIM AT CLASS
80
00:03:56,804 --> 00:03:59,740
HE COULD ENGAGE
AND INSPIRE HIS STUDENTS
81
00:03:59,773 --> 00:04:02,810
IN WAYS THAT I'D
NEVER SEEN BEFORE.
82
00:04:02,843 --> 00:04:06,780
Carroll: HESTER HAD
BROKEN FREE FROM ALL OF THAT.
83
00:04:06,814 --> 00:04:11,619
SHE HAD--SHE HAD CREATED
HER OWN MORAL CODE.
84
00:04:11,652 --> 00:04:18,759
ARE WE NOT ABLE TO BREAK FREE
AND--AND DO WHATEVER WE WANT
85
00:04:18,792 --> 00:04:24,064
AS LONG AS WE ARE WILLING
TO PAY LIFE'S CONSEQUENCES?
86
00:04:24,097 --> 00:04:28,936
WHAT IS--WHAT IS
YOUR MORAL CODE?
87
00:04:28,969 --> 00:04:32,906
MAKE IT UNIQUE
UNTO YOURSELF,
88
00:04:32,940 --> 00:04:37,645
AND IT WILL BLEED
INTO YOUR WRITING.
89
00:04:37,678 --> 00:04:39,913
[TELEPHONE RINGS]
90
00:04:39,947 --> 00:04:42,082
YEAH.
91
00:04:42,115 --> 00:04:43,551
THANK YOU.
92
00:04:43,584 --> 00:04:45,386
HOW'S YOUR
BESIDE MANNER?
93
00:04:45,419 --> 00:04:46,554
JORDY'S AWAKE.
94
00:04:46,587 --> 00:04:47,788
[BUZZER]
95
00:04:47,821 --> 00:04:49,790
HEY, JORDY.
HOW YOU FEELING?
96
00:04:49,823 --> 00:04:51,659
HOW AM I FEELING?
YOU SHOT ME.
97
00:04:51,692 --> 00:04:53,661
YEAH. SORRY ABOUT THAT.
98
00:04:53,694 --> 00:04:56,797
TELL US WHERE
JOEY MATTHEWS IS.
99
00:04:56,830 --> 00:04:58,832
OH, IS THAT ALL?
100
00:04:58,866 --> 00:05:01,469
DO YOU THINK
I'M STUPID?
101
00:05:01,502 --> 00:05:02,403
I'M NOT TALKING.
102
00:05:02,436 --> 00:05:04,104
I THINK YOU'RE LOOKING
AT THE DEATH PENALTY.
103
00:05:04,137 --> 00:05:06,674
I'LL NEVER MAKE IT
TO THE CHAIR.
104
00:05:06,707 --> 00:05:08,075
I'M A CORRECTIONAL
OFFICER.
105
00:05:08,108 --> 00:05:11,479
I WON'T LAST A WEEK
IN PRISON,
106
00:05:11,512 --> 00:05:15,583
BUT CAN I TELL YOU
A LITTLE SECRET?
107
00:05:15,616 --> 00:05:17,718
IT WAS WORTH IT
108
00:05:17,751 --> 00:05:20,087
TO KILL THOSE GIRLS,
109
00:05:20,120 --> 00:05:23,457
TO HOLD THEM
IN MY HANDS
WHILE THEY DIED,
110
00:05:23,491 --> 00:05:24,858
FELT THEIR LAST BREATH.
111
00:05:24,892 --> 00:05:26,827
YOU KNOW I TALKED
TO JOE, RIGHT?
112
00:05:26,860 --> 00:05:30,097
HE WAS VERY UPSET
TO FIND OUT THAT
YOU WERE STILL ALIVE.
113
00:05:30,130 --> 00:05:31,432
HE WANTED YOU DEAD.
YOU FAILED.
114
00:05:31,465 --> 00:05:33,133
YOU WERE SUPPOSED TO
KILL CLAIRE MATTHEWS.
115
00:05:33,166 --> 00:05:35,803
WEREN'T THOSE THE RULES?
116
00:05:37,871 --> 00:05:40,107
I KNOW
WHAT YOU'RE DOING.
117
00:05:40,140 --> 00:05:41,709
IT'S NOT GONNA WORK.
118
00:05:41,742 --> 00:05:43,577
COME ON, JORDY.
119
00:05:43,611 --> 00:05:46,714
WHERE'S JOEY?
120
00:05:46,747 --> 00:05:48,148
* LA LA LA
121
00:05:48,181 --> 00:05:49,450
I CAN'T HEAR YOU.
JORDY.
122
00:05:49,483 --> 00:05:50,884
* LOOK AT WHAT'S
HAPPENED TO ME *
123
00:05:50,918 --> 00:05:52,753
COME ON. JUST TELL
US WHERE--
124
00:05:52,786 --> 00:05:55,122
* I CAN'T BELIEVE
IT MYSELF *
125
00:05:55,155 --> 00:05:58,859
* SUDDENLY I'M UP ON
TOP OF THE WORLD *
126
00:05:58,892 --> 00:05:59,660
JORDY! JORDY!
127
00:05:59,693 --> 00:06:02,463
* SHOULD HAVE BEEN
SOMEBODY ELSE *
128
00:06:02,496 --> 00:06:03,163
AAH!
129
00:06:03,196 --> 00:06:04,498
Parker: HEY!
SORRY. I SLIPPED.
130
00:06:04,532 --> 00:06:05,599
YOU CAN'T DO THAT!
131
00:06:05,633 --> 00:06:08,702
[CELL PHONES RINGING]
132
00:06:10,504 --> 00:06:11,739
Weston: SORRY FOR
THE SHAKY CAM.
133
00:06:11,772 --> 00:06:12,773
IT'S FROM A WITNESS' CELL.
134
00:06:12,806 --> 00:06:13,907
Parker: WHAT ARE
WE WATCHING?
135
00:06:13,941 --> 00:06:15,543
STREET PERFORMANCE
BY A MAN DRESSED AS POE
136
00:06:15,576 --> 00:06:16,610
EARLY THIS MORNING.
137
00:06:16,644 --> 00:06:17,745
RECOGNIZE THE MASK?
138
00:06:17,778 --> 00:06:18,746
HE WAS DOING THIS
ON THE STREET?
139
00:06:18,779 --> 00:06:22,149
IT'S VERY COMMON.
IT'S THE HISTORICAL DISTRICT,
140
00:06:22,182 --> 00:06:23,884
AND HERE IT COMES.
141
00:06:23,917 --> 00:06:27,154
[SCREAMING]
142
00:06:27,187 --> 00:06:29,623
HEY. WAIT.
WHO'S THE VICTIM?
143
00:06:29,657 --> 00:06:31,892
STAN FELLOWS,
BOOK CRITIC.
144
00:06:31,925 --> 00:06:33,794
YEAH. RICHMOND PAPER.
I KNOW THIS GUY.
145
00:06:33,827 --> 00:06:35,195
I INTERVIEWED HIM
FOR MY BOOK.
146
00:06:35,228 --> 00:06:36,830
HE WROTE A SCATHING REVIEW
147
00:06:36,864 --> 00:06:38,899
OF CARROLL'S BOOK
"THE GOTHIC SEA."
148
00:06:38,932 --> 00:06:39,700
IT WAS THE WORST I READ.
149
00:06:39,733 --> 00:06:41,902
SUSPECT THREW
CONFETTI ON THE CROWD.
150
00:06:41,935 --> 00:06:42,770
IT'S GOT WRITING ON IT.
151
00:06:42,803 --> 00:06:44,505
"GENEROUS CRITIC
FANN'D THE POET'S FIRE,
152
00:06:44,538 --> 00:06:46,807
AND TAUGHT THE WORLD
WITH REASON TO ADMIRE."
153
00:06:46,840 --> 00:06:48,041
THAT'S POE.
154
00:06:48,075 --> 00:06:49,176
SO CARROLL WANTS
HIS FOLLOWERS
155
00:06:49,209 --> 00:06:51,645
TO EXACT REVENGE
ON HIS CRITICS?
156
00:06:51,679 --> 00:06:53,447
THAT COULD TAKE
A WHILE.
157
00:06:53,481 --> 00:06:54,915
Woman on TV:
THE RECENT STRING OF MURDERS
158
00:06:54,948 --> 00:06:56,550
IN THE WAKE OF JOE CARROLL'S
PRISON ESCAPE
159
00:06:56,584 --> 00:06:58,986
IS RAISING ALL KINDS
OF SPECULATION.
160
00:06:59,019 --> 00:07:01,855
IS THIS THE WORK
OF A CULT?
161
00:07:01,889 --> 00:07:05,092
HEY. THE PRESS IS
OFFICIALLY CALLING US A CULT,
162
00:07:05,125 --> 00:07:06,527
BUT THE FBI WON'T
CONFIRM IT,
163
00:07:06,560 --> 00:07:08,095
SO THEY'VE ISSUED
A MEDIA BLACKOUT.
164
00:07:08,128 --> 00:07:10,998
THAT'S BECAUSE THEY'RE
COMPLETELY CLUELESS.
165
00:07:11,031 --> 00:07:12,933
HAVE YOU TALKED
TO EMMA?
166
00:07:12,966 --> 00:07:14,668
NO. NO. WHY?
167
00:07:14,702 --> 00:07:16,604
THINGS ARE WEIRD
BETWEEN YOU GUYS,
168
00:07:16,637 --> 00:07:22,610
AND TO BE FAIR,
YOU HAVEN'T BEEN
THAT NICE TO HER.
169
00:07:22,643 --> 00:07:25,813
OH. IS THAT RICK?
AWESOME!
170
00:07:25,846 --> 00:07:28,148
LOOK. HERE'S SOME
COOL FOOTAGE OF THE FIRE.
171
00:07:28,181 --> 00:07:31,819
SO--SO TORCH MAN'S
A HIT, HUH?
172
00:07:31,852 --> 00:07:32,853
I KNEW IT WOULD WORK.
173
00:07:32,886 --> 00:07:34,221
[FELLOWS SCREAMING]
174
00:07:34,254 --> 00:07:37,124
IF YOU HATE
BLOOD SO MUCH,
WHAT ABOUT FIRE?
175
00:07:37,157 --> 00:07:38,125
IT'S FLASHY.
176
00:07:38,158 --> 00:07:40,728
I DON'T HATE BLOOD.
177
00:07:40,761 --> 00:07:42,630
WHAT ABOUT REMOVING
THE EYES?
178
00:07:42,663 --> 00:07:44,231
YOU CAN'T DO THAT
WITH FIRE.
179
00:07:44,264 --> 00:07:46,834
ACTUALLY YOU CAN,
DOOFUS.
180
00:07:46,867 --> 00:07:50,170
Paul: WHAT JORDY
MEANS IS THE EYES ARE
JOE'S SIGNATURE.
181
00:07:50,203 --> 00:07:52,706
FIRE DOESN'T GO
WITH GOUGING EYES.
182
00:07:52,740 --> 00:07:53,674
YOU'RE
BEING LITERAL.
183
00:07:53,707 --> 00:07:56,043
BESIDES, WE'RE SUPPOSED
TO FIND OUR OWN VOICE,
184
00:07:56,076 --> 00:07:59,847
NOT JUST COPY JOE'S STORY,
DOOFUS DEUX.
185
00:07:59,880 --> 00:08:01,982
Jordy: I LIKE
JOE'S STORY.
186
00:08:02,015 --> 00:08:02,783
THEN HAVE AT IT, JORDY.
187
00:08:02,816 --> 00:08:05,819
YOU DO IT YOUR WAY,
I'LL DO IT MINE.
188
00:08:09,022 --> 00:08:10,791
JUST TALK
TO EMMA, OK?
189
00:08:10,824 --> 00:08:12,259
YOU DON'T SEE IT,
DO YOU?
190
00:08:12,292 --> 00:08:15,729
I MEAN, THAT GIRL
WEARS A LOT OF FACES.
191
00:08:15,763 --> 00:08:17,731
I DON'T GET
THE EMMA YOU GET.
192
00:08:17,765 --> 00:08:20,534
Emma: WHAT EMMA
IS THAT, PAUL?
193
00:08:20,568 --> 00:08:21,935
OH, WE WERE JUST
TALKING--
194
00:08:21,969 --> 00:08:23,604
DON'T COVER FOR HIM.
195
00:08:23,637 --> 00:08:26,239
IF HE HAS
SOMETHING TO SAY...
196
00:08:28,976 --> 00:08:30,978
FORGET IT.
197
00:08:42,656 --> 00:08:43,757
HEY, GUYS. WE GOT HIM.
198
00:08:43,791 --> 00:08:45,759
THERE'S A BUSINESS OWNER
DOWNTOWN WITH A SECURITY CAMERA
199
00:08:45,793 --> 00:08:47,194
IN AN ALLEY
TWO BLOCKS AWAY.
200
00:08:47,227 --> 00:08:49,563
CAN YOU GET
A LICENSE PLATE?
201
00:08:49,597 --> 00:08:50,230
WAY AHEAD.
202
00:08:50,263 --> 00:08:51,932
CAR'S REGISTERED TO...
203
00:08:51,965 --> 00:08:53,967
RICK KESTER. HE'S 29.
204
00:08:54,001 --> 00:08:56,069
120 CHURCHILL.
205
00:09:35,776 --> 00:09:37,878
[RATTLING]
206
00:09:43,183 --> 00:09:45,819
AAH!
207
00:09:45,853 --> 00:09:46,820
PLEASE DON'T
HURT ME.
208
00:09:46,854 --> 00:09:48,822
Parker: WE'RE NOT
GONNA HURT YOU.
209
00:09:48,856 --> 00:09:49,890
WHO ARE YOU?
210
00:09:49,923 --> 00:09:51,692
MAGGIE KESTER.
I LIVE HERE.
211
00:09:51,725 --> 00:09:52,359
YOU KNOW RICK KESTER?
212
00:09:52,392 --> 00:09:55,128
YES, I DO.
HE'S MY HUSBAND.
213
00:10:01,234 --> 00:10:02,369
Parker: THANK YOU FOR
AGREEING TO COME DOWN
AND TALK TO US.
214
00:10:02,402 --> 00:10:05,038
ARE YOU KIDDING?
I DON'T WANT TO STAY
IN THAT HOUSE ALONE.
215
00:10:05,072 --> 00:10:07,775
WHEN WAS THE LAST TIME
YOU HEARD FROM
YOUR HUSBAND?
216
00:10:07,808 --> 00:10:08,909
LAST NIGHT.
217
00:10:08,942 --> 00:10:13,246
HE...CALLED.
I DIDN'T PICK UP.
218
00:10:13,280 --> 00:10:15,983
WE'RE SEPARATED.
219
00:10:16,016 --> 00:10:18,986
6 MONTHS NOW.
220
00:10:19,019 --> 00:10:20,387
UM...
221
00:10:20,420 --> 00:10:23,991
7:15. HE DIDN'T
LEAVE A MESSAGE.
222
00:10:24,024 --> 00:10:24,858
WHY WERE YOU
HIDING FROM US?
223
00:10:24,892 --> 00:10:27,127
I DIDN'T KNOW IT WAS YOU.
I WAS SCARED.
224
00:10:27,160 --> 00:10:28,862
[BUZZER]
225
00:10:28,896 --> 00:10:30,130
HE STILL HAS A KEY,
226
00:10:30,163 --> 00:10:32,866
AND HE'S BEEN BOTHERING ME,
CALLING ME,
227
00:10:32,900 --> 00:10:34,267
SHOWING UP AT WORK.
228
00:10:34,301 --> 00:10:39,072
RICK CAN BE...SCARY
WHEN HE WANTS TO BE.
229
00:10:39,106 --> 00:10:42,042
PULLED YOUR RECORDS,
AND YOUR STORY CHECKS OUT,
230
00:10:42,075 --> 00:10:46,046
BUT I'M CURIOUS
ABOUT THIS POLICE REPORT
231
00:10:46,079 --> 00:10:49,016
THAT YOU FILLED OUT
A COUPLE OF YEARS BACK
232
00:10:49,049 --> 00:10:51,785
IN THE EMERGENCY ROOM.
233
00:10:52,485 --> 00:10:55,923
WHY DID YOUR HUSBAND
TRY TO KILL YOU?
234
00:10:59,993 --> 00:11:01,895
I ASKED HIM
FOR A DIVORCE.
235
00:11:01,929 --> 00:11:04,364
SO HE TOOK
A KNIFE TO YOU?
236
00:11:08,001 --> 00:11:09,169
UNH!
237
00:11:09,202 --> 00:11:10,670
UGH!
238
00:11:12,272 --> 00:11:15,275
[GASPING]
239
00:11:21,214 --> 00:11:23,050
THEY NEVER
PRESSED CHARGES.
240
00:11:23,083 --> 00:11:25,185
I WOULDN'T TESTIFY
BECAUSE HE WAS SORRY.
241
00:11:25,218 --> 00:11:29,256
HE WAS. HE WASN'T...
ALWAYS LIKE THIS.
242
00:11:29,289 --> 00:11:30,390
WHEN DID YOU
NOTICE A CHANGE?
243
00:11:30,423 --> 00:11:32,459
HE LOST HIS JOB
AND HAD ALL THIS FREE TIME
244
00:11:32,492 --> 00:11:36,263
AND STARTED HANGING OUT
WITH THESE NEW FRIENDS.
245
00:11:36,296 --> 00:11:37,197
DID YOU EVER MEET
ANY OF THEM?
246
00:11:37,230 --> 00:11:39,199
NO. I DIDN'T WANT
ANYTHING TO DO WITH THEM.
247
00:11:39,232 --> 00:11:41,835
HE WOULD COME HOME
WITH THESE WEIRD IDEAS
248
00:11:41,869 --> 00:11:43,236
AND SAYING CRAZY THINGS.
249
00:11:43,270 --> 00:11:44,037
WHAT THINGS?
250
00:11:44,071 --> 00:11:45,973
HE STARTED TALKING
A LOT ABOUT DEATH,
251
00:11:46,006 --> 00:11:47,507
HOW LIFE DIDN'T MATTER.
252
00:11:47,540 --> 00:11:52,045
HE GOT REALLY DARK.
HE WAS DEPRESSED.
253
00:11:55,883 --> 00:11:57,284
WE'RE GONNA GIVE
YOU PROTECTION
254
00:11:57,317 --> 00:11:59,519
TILL WE FIND
YOUR HUSBAND.
255
00:11:59,552 --> 00:12:01,421
Parker: EXCUSE ME.
256
00:12:06,459 --> 00:12:07,260
SO YOU BELIEVE HER?
257
00:12:07,294 --> 00:12:10,097
YEAH, I DO.
SHE'S TRAGIC AND PATHETIC,
258
00:12:10,130 --> 00:12:12,099
AND I KNOW HER WELL.
259
00:12:12,132 --> 00:12:12,800
HOW SO?
260
00:12:12,833 --> 00:12:13,967
SHE WANTS THE MAN
IN HER HEAD,
261
00:12:14,001 --> 00:12:15,235
NOT THE ONE
SHE MARRIED.
262
00:12:15,268 --> 00:12:17,437
SHE'S MY MOTHER,
MY SISTER, MY OTHER SISTER.
263
00:12:17,470 --> 00:12:21,308
NO ONE EVER WANTS TO SEE
WHAT'S REALLY THERE.
264
00:12:21,341 --> 00:12:22,309
WE NEED TO FIND
THE HUSBAND.
265
00:12:22,342 --> 00:12:24,978
HE'S THE CLOSEST
THING WE HAVE TO
FINDING JOEY.
266
00:12:25,012 --> 00:12:26,379
WHY DON'T YOU LET ME
SEE JOE AGAIN,
267
00:12:26,413 --> 00:12:28,148
SEE IF I CAN GET
HIM TO TALK?
268
00:12:28,181 --> 00:12:29,249
LET ME TRY.
269
00:12:29,282 --> 00:12:32,152
I THINK IT'S TIME
JOE AND I MET ANYWAY.
270
00:12:33,153 --> 00:12:36,156
[CHOPPING]
271
00:12:42,495 --> 00:12:45,132
WHAT DO YOU WANT, PAUL?
272
00:12:45,165 --> 00:12:47,400
YOU NEED ANY HELP?
273
00:12:47,434 --> 00:12:49,336
NO.
274
00:12:51,038 --> 00:12:53,206
LOOK. I'M SORRY
275
00:12:53,240 --> 00:12:56,076
ABOUT BEFORE
AND WHATEVER I'VE DONE.
276
00:12:56,109 --> 00:12:56,944
WE'RE ALL
IN THIS TOGETHER,
277
00:12:56,977 --> 00:13:00,413
AND I DON'T WANT THINGS
TO BE LIKE THIS.
278
00:13:00,447 --> 00:13:01,381
I DON'T EITHER, PAUL.
279
00:13:01,414 --> 00:13:04,918
CAN WE SORT OF PRETEND
THAT WE LIKE EACH OTHER
280
00:13:04,952 --> 00:13:08,488
AND, I DON'T KNOW, SEE
WHERE THAT GOES?
281
00:13:12,259 --> 00:13:13,861
TRUCE?
282
00:13:16,964 --> 00:13:18,165
UNH! BITCH!
283
00:13:18,198 --> 00:13:21,568
DON'T TRY TO TURN
JACOB AGAINST ME.
284
00:13:21,601 --> 00:13:23,503
IT WON'T WORK.
285
00:13:28,341 --> 00:13:29,176
BITCH!
286
00:13:29,209 --> 00:13:31,444
[BUZZER]
287
00:13:31,478 --> 00:13:34,047
HI. I'M AGENT PARKER.
288
00:13:34,081 --> 00:13:36,049
WE HAVEN'T
OFFICIALLY MET.
289
00:13:36,083 --> 00:13:37,885
HOW'S YOUR HAND?
290
00:13:39,887 --> 00:13:43,056
FIRST OF ALL,
AWESOME JOB.
291
00:13:43,090 --> 00:13:44,191
I'M VERY IMPRESSED.
292
00:13:44,224 --> 00:13:47,094
HOW MUCH PLANNING
DID ALL OF THIS TAKE?
293
00:13:47,127 --> 00:13:52,332
SERIOUSLY, YOU ARE DOING
A GREAT JOB.
294
00:13:52,365 --> 00:13:55,969
THANK YOU
FOR MY BOOK.
295
00:13:56,003 --> 00:13:58,138
YOU'RE WELCOME.
296
00:14:00,507 --> 00:14:02,475
WHY TORCH YOUR CRITICS?
297
00:14:02,509 --> 00:14:04,211
THAT SEEMS
A LITTLE PETTY.
298
00:14:04,244 --> 00:14:09,082
OH, DEAR. HAS
SOMEONE BEEN PLAYING
WITH MATCHES?
299
00:14:09,116 --> 00:14:10,383
I LIKE FIRE, SIR.
300
00:14:10,417 --> 00:14:13,153
IT STARTED WHEN
I WAS A KID,
AND IT JUST STUCK.
301
00:14:13,186 --> 00:14:14,654
I'M NOT GOOD AT KNIVES.
302
00:14:14,687 --> 00:14:16,890
I'VE BEEN PRACTICING
GETTING BETTER,
303
00:14:16,924 --> 00:14:19,392
BUT I STILL PREFER FIRE.
304
00:14:19,426 --> 00:14:23,230
DEFINITELY MAKES
A STATEMENT.
305
00:14:23,263 --> 00:14:24,364
TELL ME MORE.
306
00:14:24,397 --> 00:14:26,433
POE OFTEN WROTE
OF REVENGE.
307
00:14:26,466 --> 00:14:31,104
I WANT MY CHAPTER
TO BE ABOUT REVENGE.
308
00:14:31,138 --> 00:14:35,308
I WANT TO TARGET
THE PEOPLE WHO HURT
YOU PROFESSIONALLY.
309
00:14:35,342 --> 00:14:39,046
I'VE DONE MY RESEARCH.
I KNOW WHO THEY ARE.
310
00:14:39,446 --> 00:14:41,982
I'M NOT ABOVE
REVENGE, AGENT.
311
00:14:42,015 --> 00:14:43,383
I THINK
I'VE PROVED THAT.
312
00:14:43,416 --> 00:14:46,519
REVENGE IS PRIMAL.
IT'S A UNIVERSAL
THEME,
313
00:14:46,553 --> 00:14:48,922
AND EVERY GOOD STORY
NEEDS ONE.
314
00:14:48,956 --> 00:14:52,259
DON'T YOU AGREE,
RYAN?
315
00:14:52,292 --> 00:14:56,163
OF COURSE, HIS THEME
SOMEWHAT DIFFERENT.
316
00:14:56,196 --> 00:14:59,933
SO YOUR ACOLYTES
COME UP WITH WAYS
TO MAKE YOU PROUD
317
00:14:59,967 --> 00:15:01,268
WITH THESE
LITTLE TRIBUTES.
318
00:15:01,301 --> 00:15:03,403
IS THAT THE WAY
THEY'RE HELPING YOU
WRITE YOUR BOOK?
319
00:15:03,436 --> 00:15:07,540
RIGHT. EVERYONE HAS
A STORY TO TELL, AGENT.
320
00:15:07,574 --> 00:15:12,145
YOUR LITTLE DEVOTEE,
IS HE GONNA TORCH
ALL YOUR CRITICS?
321
00:15:12,179 --> 00:15:15,949
THERE ARE REALLY
ONLY 3 PEOPLE THAT
I HOLD ACCOUNTABLE
322
00:15:15,983 --> 00:15:19,019
FOR MY PROFESSIONAL
DOWNFALL, AGENT.
323
00:15:19,052 --> 00:15:22,555
ISN'T THAT RIGHT, RYAN?
324
00:15:22,589 --> 00:15:25,292
I WONDER WHO HE HOLDS
ACCOUNTABLE...
325
00:15:25,325 --> 00:15:27,961
[WHISPERING]
for his downfall?
326
00:15:27,995 --> 00:15:29,629
MUST BE VERY HARD
FOR YOU
327
00:15:29,662 --> 00:15:36,369
TO BE SURROUNDED
BY THE STENCH
OF DEATH AGAIN.
328
00:15:36,403 --> 00:15:41,441
I KNOW THIS TAKES
A TERRIBLE TOLL ON YOU,
329
00:15:41,474 --> 00:15:44,711
AND YOU MUST BE CAREFUL,
330
00:15:44,744 --> 00:15:46,613
WHAT WITH THAT...
331
00:15:46,646 --> 00:15:50,017
THAT LITTLE HEART
OF YOURS.
332
00:16:00,360 --> 00:16:01,394
WHAT ARE YOU DOING?
333
00:16:01,428 --> 00:16:04,998
3 PEOPLE RESPONSIBLE
FOR JOE'S DOWNFALL--
HIS WORDS.
334
00:16:05,032 --> 00:16:08,335
THAT WOULD BE ME,
THE DEAD CRITIC,
335
00:16:08,368 --> 00:16:09,769
AND THIS GUY.
336
00:16:09,802 --> 00:16:11,371
HE WAS A PROFESSOR
AT THE UNIVERSITY.
337
00:16:11,404 --> 00:16:12,472
I INTERVIEWED HIM.
HE WAS A DEAN.
338
00:16:12,505 --> 00:16:15,542
AFTER JOE'S BOOK FAILED,
THIS GUY DENIED
HIM TENURE,
339
00:16:15,575 --> 00:16:17,144
SAID THAT JOE
WASN'T WORTHY.
340
00:16:17,177 --> 00:16:18,478
IT WAS A BIG BLOW
TO JOE'S CAREER.
341
00:16:18,511 --> 00:16:21,514
HERE IT IS.
PHILLIP BARNES,
DEAN OF LITERATURE.
342
00:16:21,548 --> 00:16:23,616
DO YOU THINK HE'S
STILL THE DEAN?
343
00:16:23,650 --> 00:16:26,486
AS FAR AS I KNOW.
THIS WAS YEARS AGO.
344
00:16:26,519 --> 00:16:29,122
[BELL TOLLING]
345
00:16:32,459 --> 00:16:34,661
Rick: DEAN BARNES.
346
00:16:36,429 --> 00:16:38,098
MAY I HELP YOU?
347
00:16:38,131 --> 00:16:40,367
DID WE HAVE
AN APPOINTMENT?
348
00:16:40,400 --> 00:16:45,272
WHY DID YOU DENY
JOE CARROLL TENURE?
349
00:16:45,305 --> 00:16:46,306
I BEG YOUR PARDON.
350
00:16:46,339 --> 00:16:47,507
I ASKED YOU
A QUESTION.
351
00:16:47,540 --> 00:16:49,542
IS THIS A JOKE?
352
00:16:49,576 --> 00:16:51,411
I'M SORRY.
YOU NEED TO LEAVE.
353
00:16:51,444 --> 00:16:53,113
OOH! UNH!
354
00:16:53,146 --> 00:16:55,215
NO. YOU NEED TO SIT.
355
00:16:55,815 --> 00:16:58,385
WHY DID YOU DENY
CARROLL TENURE?
356
00:16:58,418 --> 00:17:00,153
ANSWER ME.
357
00:17:02,689 --> 00:17:04,591
UNH!
358
00:17:20,507 --> 00:17:25,445
I NEVER KILLED ANYONE
WITH A KNIFE BEFORE.
359
00:17:25,478 --> 00:17:27,247
[SIGHS]
360
00:17:38,525 --> 00:17:39,826
PRESS IS USING
THE CULT WORD.
361
00:17:39,859 --> 00:17:42,429
IT'S OUT THERE.
WE GONNA COMMENT?
362
00:17:42,462 --> 00:17:45,632
NO. LET THEM SPECULATE.
WHERE'S RYAN?
363
00:17:45,665 --> 00:17:47,534
HE WENT OUTSIDE.
364
00:17:50,137 --> 00:17:54,174
THERE'S NO WAY
YOU COULD HAVE
STOPPED THIS.
365
00:17:54,207 --> 00:17:55,108
YEAH.
366
00:17:55,142 --> 00:17:56,309
I COULD HAVE.
367
00:17:56,343 --> 00:17:57,777
SEE, THAT'S THE POINT.
368
00:17:57,810 --> 00:17:58,878
HE'S BAITING ME!
369
00:17:58,911 --> 00:17:59,846
I SHOULD HAVE
SEEN IT COMING.
370
00:17:59,879 --> 00:18:04,117
WHY? BECAUSE YOU
INTERVIEWED HIM
8 YEARS AGO?
371
00:18:04,151 --> 00:18:08,321
SERIOUSLY? YOU KNOW
CARROLL'S OUT
TO TORTURE YOU.
372
00:18:08,355 --> 00:18:10,357
WELL, IT'S WORKING.
373
00:18:24,271 --> 00:18:25,605
PROFESSOR CARROLL.
HMM?
374
00:18:25,638 --> 00:18:26,906
HI. RYAN HARDY, FBI.
375
00:18:26,939 --> 00:18:30,277
OH, YES, YES.
MY WIFE SAID
TO EXPECT YOU.
376
00:18:30,310 --> 00:18:31,878
IT'S A PLEASURE,
AGENT HARDY.
HOW CAN I HELP?
377
00:18:31,911 --> 00:18:34,881
I WAS HOPING TO PICK
YOUR BRAIN ON A CASE
I'M WORKING ON.
378
00:18:34,914 --> 00:18:38,418
OH, THE MURDERS.
YES. OH, GOSH.
AWFUL. POOR GIRLS.
379
00:18:38,451 --> 00:18:40,687
NO. I'D RELISH
THE OPPORTUNITY.
380
00:18:40,720 --> 00:18:42,222
"RELISH." I DON'T
MEAN RELISH.
381
00:18:42,255 --> 00:18:44,891
I MEAN, IT'S NOT
EVERY DAY ONE GETS
TO AID THE FBI
382
00:18:44,924 --> 00:18:47,160
IN A MURDER
INVESTIGATION,
IS IT?
383
00:18:47,194 --> 00:18:48,328
NOW A GOOD TIME?
384
00:18:48,361 --> 00:18:50,763
NO. I'M AFRAID NOT.
I'M ALREADY LATE
FOR AN APPOINTMENT,
385
00:18:50,797 --> 00:18:52,799
BUT, UH, LOOK.
JUST CALL MY OFFICE.
386
00:18:52,832 --> 00:18:54,501
I'M FREE EVERY
NIGHT THIS WEEK.
387
00:18:54,534 --> 00:18:57,270
I'LL DO THAT.
THANK YOU, SIR.
388
00:18:57,304 --> 00:19:01,274
PLEASE CALL ME JOE.
NICE TO MEET YOU.
389
00:19:10,883 --> 00:19:12,952
ALL RIGHT.
GET IN CLOSER.
390
00:19:12,985 --> 00:19:14,721
SMILE!
391
00:19:14,754 --> 00:19:15,355
Joey: HOW WAS IT?
392
00:19:15,388 --> 00:19:17,690
I DON'T LIKE IT.
ONE MORE.
393
00:19:17,724 --> 00:19:19,926
COME HERE. OHH!
HA HA HA!
394
00:19:19,959 --> 00:19:22,595
ALL RIGHT.
1...2...3.
395
00:19:22,629 --> 00:19:23,930
CAN I CALL MOM NOW?
396
00:19:23,963 --> 00:19:28,401
NO, YOU CANNOT,
AND STOP ASKING ME THAT!
397
00:19:28,435 --> 00:19:29,936
Jacob: WE'RE HAVING
SO MUCH FUN.
398
00:19:29,969 --> 00:19:31,838
HA HA HA!
399
00:19:35,842 --> 00:19:37,744
NO. WE CAN'T
PRETEND TO BE GAY.
400
00:19:37,777 --> 00:19:39,612
SARAH FULLER HAS
MAJOR ISSUES.
401
00:19:39,646 --> 00:19:41,281
SHE'S NOT GONNA
WARM UP TO
A STRAIGHT GUY
402
00:19:41,314 --> 00:19:43,350
THE WAY THAT SHE
WOULD TO A TOTALLY
403
00:19:43,383 --> 00:19:44,951
NONTHREATENING
GAY COUPLE.
404
00:19:44,984 --> 00:19:47,954
UH, I DON'T KNOW.
405
00:19:47,987 --> 00:19:51,591
JOE THINKS IT'S
A GREAT IDEA.
406
00:19:51,624 --> 00:19:53,826
BUT WE'RE STRAIGHT.
407
00:19:53,860 --> 00:19:56,763
DETAILS. COME ON.
408
00:19:56,796 --> 00:20:00,233
EXPAND YOUR MINDS.
409
00:20:00,267 --> 00:20:01,968
LET'S TRY.
410
00:20:02,001 --> 00:20:03,836
KISS.
411
00:20:03,870 --> 00:20:04,571
WHAT, NOW?
412
00:20:04,604 --> 00:20:05,972
LET'S SEE IF YOU
CAN PULL IT OFF.
413
00:20:06,005 --> 00:20:09,309
[MUSIC PLAYING]
414
00:20:09,342 --> 00:20:11,578
NO, NO, NO.
NO WAY, NO WAY.
415
00:20:11,611 --> 00:20:14,581
YOU GUYS ARE LOSERS!
416
00:20:14,614 --> 00:20:17,350
SO WHAT AM I
GONNA TELL JOE?
417
00:20:23,022 --> 00:20:27,327
OK. OK. LET'S DO THIS.
418
00:20:27,360 --> 00:20:28,328
COME ON.
419
00:20:28,361 --> 00:20:30,563
GAY CHICKEN.
420
00:20:47,647 --> 00:20:49,316
[EMMA LAUGHS]
421
00:20:51,684 --> 00:20:55,021
Jacob: THAT'S NOT
EVEN A QUESTION.
422
00:20:55,054 --> 00:20:57,924
[LAUGHTER]
423
00:20:57,957 --> 00:21:00,460
WHAT'S WRONG
WITH HIM?
424
00:21:03,062 --> 00:21:03,763
Paul: HEY!
425
00:21:03,796 --> 00:21:05,031
WHAT DO YOU
THINK YOU'RE DOING?
426
00:21:05,064 --> 00:21:06,633
GET AWAY.
COME ON, MAN.
427
00:21:06,666 --> 00:21:07,700
DON'T DO THIS.
428
00:21:07,734 --> 00:21:08,935
WHERE ARE YOU
GOING, HUH?
429
00:21:08,968 --> 00:21:11,037
HEY. YOUR FACE IS
ALL OVER THE NEWS
RIGHT NOW.
430
00:21:11,070 --> 00:21:13,039
DON'T BE STUPID.
431
00:21:13,072 --> 00:21:15,642
YOU'RE A LIAR.
432
00:21:15,675 --> 00:21:17,744
[TIRES SQUEAL]
433
00:21:23,483 --> 00:21:25,385
Woman on TV: AUTHORITIES
HAVE YET TO CONFIRM OR DENY
434
00:21:25,418 --> 00:21:29,556
ANY CULT ACTIVITY
SURROUNDING JOE CARROLL.
435
00:21:42,101 --> 00:21:44,937
SO DOES THE COFFEE WORK
AS AN EQUALIZER?
436
00:21:44,971 --> 00:21:49,542
THAT'S THE IDEA.
RICK KESTER'S RECORDS
JUST CAME IN.
437
00:21:49,576 --> 00:21:51,644
TAKE A LOOK AT THIS.
438
00:21:53,446 --> 00:21:55,047
WAIT.
439
00:21:56,383 --> 00:21:58,084
A CRITIC
FOR THE "RICHMOND HERALD"
440
00:21:58,117 --> 00:21:59,285
STAN FELLOWS IS DEAD.
441
00:21:59,318 --> 00:22:01,988
THE ASSAILANT,
A STREET PERFORMER,
IS CURRENTLY AT LARGE...
442
00:22:02,021 --> 00:22:03,022
[KNOCK ON DOOR]
443
00:22:03,055 --> 00:22:04,557
SEVERAL EYEWITNESS CAUGHT
THE INCIDENT ON CAMERA.
444
00:22:04,591 --> 00:22:06,426
COME IN?
445
00:22:06,459 --> 00:22:08,995
EXCUSE ME.
446
00:22:09,028 --> 00:22:10,697
CLAIRE?
447
00:22:10,730 --> 00:22:13,366
I'M WATCHING
THE NEWS.
WHAT'S HAPPENING?
448
00:22:13,400 --> 00:22:14,434
LISTEN. WE HAVE
A SUSPECT.
449
00:22:14,467 --> 00:22:15,568
I NEED TO ASK
YOU SOMETHING.
450
00:22:15,602 --> 00:22:17,136
THE MAN WHO'S
STARTING THE FIRES?
451
00:22:17,169 --> 00:22:20,139
RIGHT. I'VE JUST GOT
HIS CREDIT CARD STATEMENTS,
452
00:22:20,172 --> 00:22:22,575
AND THERE'S A COUPLE
OF ITEMS
453
00:22:22,609 --> 00:22:24,744
THAT I JUST NEED
TO CONFIRM WITH YOU--
454
00:22:24,777 --> 00:22:31,451
ALL PRO SPONGE BALL,
RIDLEY RACE CAR SET,
DRAGON NINJA WARRIOR--
455
00:22:31,484 --> 00:22:33,853
ACTION FIGURE. YEAH.
456
00:22:33,886 --> 00:22:36,523
THOSE ARE ALL JOEY'S
FAVORITE TOYS.
WHAT'S GOING ON?
457
00:22:36,556 --> 00:22:38,991
THIS IS GOOD NEWS, CLAIRE.
458
00:22:39,025 --> 00:22:40,126
THEY BOUGHT HIM TOYS.
459
00:22:40,159 --> 00:22:41,360
WHEREVER HE IS,
THEY'RE NOT HURTING HIM.
460
00:22:41,394 --> 00:22:45,532
I WANT HIM HOME, RYAN.
HE'S NOT GONNA BE SAFE
UNTIL HE'S HOME.
461
00:22:45,565 --> 00:22:48,067
I KNOW.
462
00:22:48,100 --> 00:22:49,035
I GOT TO GO.
463
00:22:49,068 --> 00:22:51,938
I'LL CALL YOU LATER, OK?
464
00:22:51,971 --> 00:22:53,640
BYE-BYE.
465
00:22:53,673 --> 00:22:55,575
BYE.
466
00:22:55,908 --> 00:22:59,412
I'VE BEEN HERE ALL DAY.
CAN I GO NOW?
467
00:22:59,446 --> 00:23:01,147
SOON.
468
00:23:01,180 --> 00:23:05,752
ANY IDEA WHY YOUR HUSBAND
WOULD PURCHASE TOYS?
469
00:23:05,785 --> 00:23:10,022
I DON'T KNOW.
IT'S HIS
CREDIT CARD.
470
00:23:10,056 --> 00:23:11,624
YOU'LL HAVE TO
ASK HIM.
471
00:23:11,658 --> 00:23:15,795
[CELL PHONE RINGING]
472
00:23:15,828 --> 00:23:17,697
IT'S RICK.
473
00:23:17,730 --> 00:23:20,433
ANSWER IT.
PUT IT ON SPEAKER PHONE.
474
00:23:20,467 --> 00:23:23,002
[RINGING]
475
00:23:31,978 --> 00:23:32,812
RICK.
476
00:23:32,845 --> 00:23:34,681
Rick: WHERE ARE YOU?
477
00:23:34,714 --> 00:23:37,216
THE FBI CAME
TO THE HOUSE, RICK.
478
00:23:37,249 --> 00:23:40,186
WHAT HAVE YOU DONE?
479
00:23:40,219 --> 00:23:42,221
ARE YOU WITH THEM NOW?
480
00:23:42,254 --> 00:23:44,524
Y-YES. YES.
481
00:23:44,557 --> 00:23:46,125
THEY'RE LOOKING
FOR YOU, RICK.
482
00:23:46,158 --> 00:23:46,859
YOU'RE IN TROUBLE.
483
00:23:46,893 --> 00:23:50,530
HOW COULD YOU HURT
THOSE PEOPLE?
484
00:23:50,563 --> 00:23:53,032
WHERE ARE YOU, RICK?
485
00:23:55,101 --> 00:23:59,071
IS RYAN HARDY THERE?
486
00:23:59,105 --> 00:24:01,207
TELL RYAN IT WAS
ALL FOR HIM.
487
00:24:01,240 --> 00:24:03,442
[CLICK]
488
00:24:13,853 --> 00:24:15,622
HE'S USING THE SAME
SETUP AT THEIR INTERNET.
489
00:24:15,655 --> 00:24:18,825
IT'S BEING ROUTED
INTERNATIONALLY.
WE CAN'T TRACE IT.
490
00:24:18,858 --> 00:24:20,226
WHAT DO YOU THINK?
491
00:24:20,259 --> 00:24:22,228
WE TRY
AND MAKE CONTACT?
492
00:24:22,261 --> 00:24:23,830
I DON'T KNOW.
493
00:24:23,863 --> 00:24:24,864
TAKE HER HOME,
STAY WITH HER.
494
00:24:24,897 --> 00:24:26,833
I'LL SEND SOMEONE
TO RELIEVE YOU
IN THE MORNING.
495
00:24:26,866 --> 00:24:27,700
I'LL GO WITH HIM.
496
00:24:27,734 --> 00:24:29,569
NO. WHAT YOU'RE GONNA
DO, VODKA BREATH,
497
00:24:29,602 --> 00:24:32,138
IS GO BACK TO THAT
DUMPY, LITTLE MOTEL
THE FBI PUT US IN
498
00:24:32,171 --> 00:24:33,105
AND GET SOME REST.
499
00:24:33,139 --> 00:24:34,306
I FEEL TOTALLY FINE.
500
00:24:34,340 --> 00:24:35,441
WHEN WAS THE LAST TIME
YOU HAD MORE THAN
AN HOUR OF SLEEP?
501
00:24:35,474 --> 00:24:37,844
YOU'RE GONNA GO,
AND YOU'RE GONNA GET
SOME SLEEP, RYAN,
502
00:24:37,877 --> 00:24:39,879
AND TOMORROW,
WE'RE GONNA FIND JOEY.
503
00:24:39,912 --> 00:24:41,781
DO YOU UNDERSTAND?
504
00:24:41,814 --> 00:24:44,584
LOOK. I GET IT.
YOU OVERIDENTIFY
WITH THE VICTIMS,
505
00:24:44,617 --> 00:24:48,921
THE GUILT
MAKES IT PERSONAL,
YOU UNRAVEL.
506
00:24:48,955 --> 00:24:50,890
I GET IT.
507
00:25:03,169 --> 00:25:05,104
YOU OK?
508
00:25:07,039 --> 00:25:09,876
NOT GOING BACK
TO THE HOTEL TO
SLEEP, ARE YOU?
509
00:25:09,909 --> 00:25:14,280
I THINK RICK KESTER
KNOWS WHERE JOEY IS.
510
00:25:14,313 --> 00:25:17,249
WELL, THEY GAVE ME
A RENTAL CAR.
511
00:25:22,121 --> 00:25:23,956
JOEY'S IN HIS ROOM.
512
00:25:23,990 --> 00:25:27,226
HE THINKS WE GOT
INTO A LITTLE FIGHT.
513
00:25:27,259 --> 00:25:29,295
PAUL JUST NEEDED TO
BLOW OFF SOME STEAM.
514
00:25:29,328 --> 00:25:32,899
OUR FACES ARE
ALL OVER THE NEWS.
515
00:25:32,932 --> 00:25:34,300
WHAT IF HE GOES
INTO TOWN?
516
00:25:34,333 --> 00:25:36,769
I KNOW PAUL, OK?
517
00:25:36,803 --> 00:25:40,072
HE'S NOT GONNA GO
INTO TOWN.
518
00:25:40,973 --> 00:25:41,808
DID YOU SEND
THAT E-MAIL?
519
00:25:41,841 --> 00:25:44,844
NOT YET. I WAS
WAITING FOR RICK
TO CALL.
520
00:25:44,877 --> 00:25:48,815
WHY IS NO ONE DOING
WHAT THEY'RE
SUPPOSED TO DO?
521
00:25:48,848 --> 00:25:50,817
DAMN IT.
522
00:26:04,831 --> 00:26:07,600
[PRICE TAG GUN CLICKING]
523
00:26:26,118 --> 00:26:29,856
EXCUSE ME. MEGAN?
524
00:26:29,889 --> 00:26:30,522
HEH HEH.
525
00:26:30,556 --> 00:26:32,091
WHERE WOULD I FIND
THE WINE?
526
00:26:32,124 --> 00:26:34,093
OH. WE DON'T SELL WINE.
527
00:26:34,126 --> 00:26:36,629
ALL WE HAVE IS BEER.
THAT'S THE LAW.
528
00:26:36,663 --> 00:26:38,831
WELL, I REALLY
WANTED WINE.
529
00:26:38,865 --> 00:26:41,233
HMM. HEH HEH.
530
00:26:41,267 --> 00:26:43,736
UH...
531
00:26:46,272 --> 00:26:50,977
SO, UH,
RED OR WHITE?
532
00:26:51,010 --> 00:26:53,379
G-GO WITH THE RED.
533
00:26:53,412 --> 00:26:57,917
AND, UH, WHAT TIME
DO YOU GET OFF?
534
00:27:10,462 --> 00:27:15,067
DO YOU REALLY THINK
HE'S GONNA COME HERE?
535
00:27:15,101 --> 00:27:19,906
WE JUST WANT TO
KEEP YOU SAFE,
THAT'S ALL.
536
00:27:19,939 --> 00:27:21,140
DO WHAT YOU
NORMALLY DO.
537
00:27:21,173 --> 00:27:22,742
PRETEND I'M NOT
EVEN HERE.
538
00:27:22,775 --> 00:27:27,379
UM, HELP YOURSELF
TO THE FRIDGE.
539
00:27:29,081 --> 00:27:32,018
[CELL PHONE RINGING]
540
00:27:32,051 --> 00:27:32,919
YO.
541
00:27:32,952 --> 00:27:34,887
OK. HARDY AND I
ARE OUTSIDE.
542
00:27:34,921 --> 00:27:35,888
Riley: WHAT?
543
00:27:35,922 --> 00:27:39,091
DOES PARKER KNOW?
544
00:27:39,125 --> 00:27:40,292
YEAH.
545
00:27:40,326 --> 00:27:42,061
MM-HMM.
546
00:27:43,730 --> 00:27:48,100
DO YOU REALLY THINK
KESTER WOULD BE STUPID
ENOUGH TO COME HERE?
547
00:27:48,134 --> 00:27:50,169
Weston:
HE'S ALREADY KILLED
TWO PEOPLE TODAY.
548
00:27:50,202 --> 00:27:53,172
HE'S ESCALATING,
HE'S GETTING BOLDER.
549
00:27:53,205 --> 00:27:55,307
WE'LL BE OUTSIDE
IF YOU NEED US.
550
00:27:55,341 --> 00:27:57,409
YEAH.
551
00:28:00,212 --> 00:28:03,449
DOES PARKER KNOW
WE'RE HERE?
552
00:28:03,482 --> 00:28:06,953
SHE TOLD ME
TO WATCH YOU.
553
00:28:06,986 --> 00:28:09,255
LOOK. I KNOW YOU
MARCH TO YOUR OWN
DRUM AND EVERYTHING,
554
00:28:09,288 --> 00:28:10,356
AND, HEY,
THAT'S COOL.
555
00:28:10,389 --> 00:28:12,725
MAYBE SOMEDAY I CAN,
BUT I'M THE SECOND
YOUNGEST AGENT
556
00:28:12,759 --> 00:28:16,228
IN THE BAU,
AND PEOPLE STILL
LOOK AT ME FUNNY.
557
00:28:18,130 --> 00:28:20,867
THIS IS
MY CAREER, SIR.
558
00:28:24,370 --> 00:28:26,939
YOU STILL LIVE
IN BROOKLYN?
559
00:28:26,973 --> 00:28:27,639
YEAH.
560
00:28:27,673 --> 00:28:29,742
YOU EVER MAKE IT
UP TO ALBANY?
561
00:28:29,776 --> 00:28:32,945
I READ YOUR BOOK.
I KNOW YOU
GREW UP THERE.
562
00:28:32,979 --> 00:28:37,950
NOT FOR YEARS.
THERE'S NO REASON.
563
00:28:37,984 --> 00:28:41,854
RIGHT. FAMILY.
564
00:28:41,888 --> 00:28:45,758
SORRY. UM, I'M
A MILITARY BRAT.
565
00:28:45,792 --> 00:28:47,026
WAS BORN
IN SAN DIEGO.
566
00:28:47,059 --> 00:28:48,094
I'VE LIVED
EVERYWHERE--
567
00:28:48,127 --> 00:28:49,528
I'M GONNA TAKE
A LOOK AROUND,
568
00:28:49,561 --> 00:28:51,764
STRETCH MY LEGS.
569
00:29:05,011 --> 00:29:06,178
RYAN, GOOD TO SEE YOU.
570
00:29:06,212 --> 00:29:07,179
COME ON IN.
571
00:29:07,213 --> 00:29:08,380
I'M AFRAID IT'S
ONLY ME TONIGHT.
572
00:29:08,414 --> 00:29:10,116
CLAIRE'S OUT
WITH THE LITTLE ONE.
573
00:29:10,149 --> 00:29:11,250
CAN I GET YOU A DRINK?
574
00:29:11,283 --> 00:29:13,986
NO. I'M FINE. THANKS.
575
00:29:14,020 --> 00:29:15,454
Carroll: MY GOD.
576
00:29:15,487 --> 00:29:19,859
THIS IS A MOMENT
WHEN IT ALL BECOMES
VERY REAL.
577
00:29:19,892 --> 00:29:21,894
YOUR WIFE MENTIONED
EDGAR ALLEN POE
578
00:29:21,928 --> 00:29:24,030
AS A REFERENCE
FOR THE EYES.
579
00:29:24,063 --> 00:29:26,532
YES. YES. WHAT MAKES
YOU THINK THAT
YOUR KILLER HAS
580
00:29:26,565 --> 00:29:28,000
A GREATER
LITERARY PURPOSE?
581
00:29:28,034 --> 00:29:30,402
WELL, THERE'S
A SOPHISTICATION
TO THE MURDERS,
582
00:29:30,436 --> 00:29:33,139
THE WAY THE BODIES
ARE HANDLED
AND DISPLAYED.
583
00:29:33,172 --> 00:29:36,142
THERE'S A...
ROMANCE TO IT.
584
00:29:36,175 --> 00:29:39,946
POE'S EYE ALLEGORIES
WOULD CERTAINLY FIT,
585
00:29:39,979 --> 00:29:46,152
AND YOU'LL FIND
HIS SYMBOLISM FULL
OF HAUNTING ROMANCE.
586
00:29:46,185 --> 00:29:47,319
HERE.
587
00:29:47,353 --> 00:29:50,189
WOW. GREAT.
THANKS A LOT.
588
00:29:50,222 --> 00:29:51,323
I'LL GET THIS
RIGHT BACK TO YOU.
589
00:29:51,357 --> 00:29:52,892
NO, NO, NO.
DON'T YOU DARE. NO.
590
00:29:52,925 --> 00:29:56,128
THIS HAS--THIS HAS
BEEN A TREAT FOR ME.
591
00:29:57,063 --> 00:30:01,200
NOW PLEASE MAY I
OFFER YOU A DRINK?
592
00:30:04,603 --> 00:30:06,038
ALL RIGHT.
SURE. YEAH.
593
00:30:06,072 --> 00:30:07,239
WHATEVER
YOU'RE DRINKING.
594
00:30:07,273 --> 00:30:09,008
GREAT.
595
00:30:12,478 --> 00:30:15,214
[HEAVY METAL PLAYING]
596
00:30:20,652 --> 00:30:22,588
HEY. I NEED A BREATHER.
597
00:30:22,621 --> 00:30:26,993
AND MORE WINE.
HA HA HA!
598
00:30:27,026 --> 00:30:28,427
SURE.
599
00:30:32,631 --> 00:30:34,200
WE'RE NOT
HAVING SEX, OK?
600
00:30:34,233 --> 00:30:37,336
LET'S JUST TAKE THAT
OFF THE TABLE.
601
00:30:37,369 --> 00:30:38,971
OK.
602
00:30:46,145 --> 00:30:47,146
UNH!
603
00:30:47,179 --> 00:30:48,280
WAIT. NO.
THAT HURT.
604
00:30:48,314 --> 00:30:50,016
WERE YOU JUST
CHOKING ME?
605
00:30:50,049 --> 00:30:52,618
NO. NO. OF COURSE NOT.
606
00:30:52,651 --> 00:30:56,122
WE SHOULD GET GOING.
IT'S GETTING LATE.
607
00:30:56,155 --> 00:30:57,223
BUT--
608
00:30:57,256 --> 00:30:58,657
I NEED TO GET HOME.
609
00:30:58,690 --> 00:31:02,494
OK?
OK.
610
00:31:02,528 --> 00:31:04,430
OK.
611
00:31:06,598 --> 00:31:09,301
WAIT. LET ME GET
THE DOOR FOR YOU.
612
00:31:11,570 --> 00:31:13,472
AAH!
613
00:31:27,419 --> 00:31:29,321
DON'T BE SO HAPPY
TO SEE ME.
614
00:31:29,355 --> 00:31:31,890
WILL YOU EXCUSE US, PLEASE?
615
00:31:36,562 --> 00:31:38,597
I'M NOT TALKING
TO YOU.
616
00:31:38,630 --> 00:31:39,999
WELL, YOU'RE GONNA
HAVE TO.
617
00:31:40,032 --> 00:31:42,935
I NEED SOME INFORMATION
FROM YOU, JORDY.
618
00:31:42,969 --> 00:31:45,671
* BELIEVE IT OR NOT,
I'M WALKING ON AIR *
619
00:31:45,704 --> 00:31:47,006
SO I WAS TALKING TO JOE.
620
00:31:47,039 --> 00:31:49,208
* I NEVER--
621
00:31:49,241 --> 00:31:52,044
AND HE WANTS
TO SEE YOU.
622
00:31:53,579 --> 00:31:55,081
I WANT TO SEE HIM.
623
00:31:55,114 --> 00:31:55,881
I CAN MAKE THAT HAPPEN,
624
00:31:55,914 --> 00:31:59,451
BUT I CAN'T IF YOU
WON'T TALK TO ME.
625
00:32:04,456 --> 00:32:06,625
YOU OK IN HERE?
626
00:32:06,658 --> 00:32:08,995
YEAH, I GUESS.
627
00:32:10,462 --> 00:32:13,599
ARE YOU MARRIED,
AGENT RILEY?
628
00:32:13,632 --> 00:32:15,401
DIVORCED.
629
00:32:17,003 --> 00:32:19,338
WAS SHE A GOOD WOMAN?
630
00:32:19,371 --> 00:32:21,940
SHE WASN'T
THE PROBLEM.
631
00:32:23,775 --> 00:32:25,444
[THUD]
632
00:32:25,477 --> 00:32:27,413
WHAT WAS THAT?
633
00:32:30,249 --> 00:32:32,184
[BANGING ON DOOR]
634
00:32:32,218 --> 00:32:35,354
WAS THAT INSIDE
OR OUTSIDE?
635
00:32:38,757 --> 00:32:41,493
[WIND CHIMES RINGING]
636
00:33:07,586 --> 00:33:10,756
[CELL PHONE RINGING]
637
00:33:10,789 --> 00:33:11,757
YEAH.
638
00:33:11,790 --> 00:33:13,092
YOU OK?
639
00:33:13,125 --> 00:33:14,493
I'M NOT SURE.
640
00:33:14,526 --> 00:33:17,096
THERE'S SOMEONE
IN THE BACKYARD.
641
00:33:17,129 --> 00:33:17,796
I'M COMING IN.
642
00:33:17,829 --> 00:33:18,930
HOW DO I KNOW YOU'RE
NOT LYING?
643
00:33:18,964 --> 00:33:22,168
WHAT IF I TELL YOU
STUFF AND YOU DON'T
LET ME SEE JOE?
644
00:33:22,201 --> 00:33:25,037
CHARACTER, JORDY.
I SAY WHAT I MEAN,
645
00:33:25,071 --> 00:33:26,338
AND I MEAN
WHAT I SAY.
646
00:33:26,372 --> 00:33:28,107
WHAT IF I TELL YOU STUFF
AND YOU DON'T LIKE
THE STUFF I TELL YOU?
647
00:33:28,140 --> 00:33:29,308
DO I STILL GET
TO SEE JOE?
648
00:33:29,341 --> 00:33:31,377
JUST TALK TO ME, JORDY.
649
00:33:31,410 --> 00:33:34,113
I'LL LET YOU SEE JOE.
650
00:33:34,146 --> 00:33:35,514
I DON'T KNOW
WHERE THE KID IS.
651
00:33:35,547 --> 00:33:37,116
OH, COME ON, JORDY.
652
00:33:37,149 --> 00:33:38,250
I DON'T.
653
00:33:38,284 --> 00:33:41,120
WE DIVIDE THE SECRETS
SO NO ONE PERSON
KNOWS EVERYTHING
654
00:33:41,153 --> 00:33:44,456
IN CASE ONE OF US
GETS CAUGHT.
655
00:33:44,490 --> 00:33:45,291
SO WHO HAS JOEY?
656
00:33:45,324 --> 00:33:46,525
EMMA AND JACOB
AND PAUL,
657
00:33:46,558 --> 00:33:48,394
BUT I DON'T KNOW
WHERE THEY ARE,
658
00:33:48,427 --> 00:33:49,561
AND THAT'S THE TRUTH.
659
00:33:49,595 --> 00:33:50,696
CAN I SEE JOE NOW?
660
00:33:50,729 --> 00:33:51,830
DOES RICK KNOW
WHERE JOEY IS?
661
00:33:51,863 --> 00:33:54,133
I DON'T KNOW,
BUT HIS WIFE DOES.
662
00:33:54,166 --> 00:33:54,966
WHAT?
663
00:33:55,000 --> 00:33:58,504
MAGGIE. SHE AND EMMA
PLANNED THAT PART.
664
00:34:01,873 --> 00:34:02,808
[CELL PHONE RINGS]
665
00:34:02,841 --> 00:34:05,277
SOMETHING'S UP.
666
00:34:05,311 --> 00:34:06,612
HELLO.
667
00:34:06,645 --> 00:34:07,313
Jordy: YOU LIED!
668
00:34:07,346 --> 00:34:09,715
IT'S PARKER.
JORDY JUST TOLD ME
669
00:34:09,748 --> 00:34:12,151
MAGGIE KESTER
IS ONE OF THEM.
SHE'S LYING.
670
00:34:12,184 --> 00:34:14,153
MAGGIE'S ONE OF THEM.
671
00:34:14,186 --> 00:34:18,290
[VIBRATING]
672
00:34:18,324 --> 00:34:21,327
MAGGIE, YOU'RE
GETTING A MESSAGE.
673
00:34:21,360 --> 00:34:22,728
WHAT DOES IT SAY?
674
00:34:22,761 --> 00:34:26,698
IT SAYS, "NOW."
675
00:34:26,732 --> 00:34:28,100
WHAT THE?
676
00:34:28,134 --> 00:34:30,602
[GROANING]
677
00:34:32,871 --> 00:34:36,074
[GAGGING]
678
00:34:42,748 --> 00:34:43,749
UNH!
679
00:34:43,782 --> 00:34:46,852
UGH!
680
00:34:46,885 --> 00:34:49,488
[GASPING]
681
00:34:50,556 --> 00:34:51,857
OH, MY GOD.
BABY, ARE YOU OK?
682
00:34:51,890 --> 00:34:52,724
YOU WENT TOO DEEP.
683
00:34:52,758 --> 00:34:54,460
OH, MY GOD.
I'M SO SORRY.
684
00:34:54,493 --> 00:34:56,795
Paul: YOU LOSE.
YOU SUCK AT GAMES.
685
00:34:56,828 --> 00:34:58,230
HE SUCKS AT KNIVES.
686
00:34:58,264 --> 00:35:00,499
ALL RIGHT. WHO'S NEXT?
TRUTH OR DARE?
687
00:35:00,532 --> 00:35:02,201
GUYS, SHE NEEDS
A HOSPITAL.
688
00:35:02,234 --> 00:35:04,470
WHAT? OH, MY GOD.
BABY, I'M SO SORRY.
689
00:35:04,503 --> 00:35:06,538
BABY, I'M SO SORRY.
690
00:35:06,572 --> 00:35:08,240
THERE'S NO TIME.
WE HAVE TO GO.
691
00:35:08,274 --> 00:35:09,708
OK.
692
00:35:17,849 --> 00:35:19,885
GET AN AMBULANCE!
693
00:35:19,918 --> 00:35:21,520
[CLATTER]
694
00:35:21,553 --> 00:35:23,255
HERE. HOLD PRESSURE.
ON THIS.
695
00:35:23,289 --> 00:35:26,758
OK. OK. OK.
HOLD ON. I GOT IT. OK.
696
00:35:26,792 --> 00:35:27,926
HEY, TROY. LOOK AT ME.
697
00:35:27,959 --> 00:35:29,761
YOU'RE GONNA BE OK.
698
00:35:29,795 --> 00:35:31,830
STOP!
699
00:35:31,863 --> 00:35:32,698
STOP!
700
00:35:32,731 --> 00:35:36,835
NO. PLEASE, PLEASE.
HE'S GONNA KILL ME.
701
00:35:36,868 --> 00:35:39,438
I DON'T THINK SO,
MAGGIE.
702
00:35:43,809 --> 00:35:44,910
[GUNSHOT]
703
00:35:44,943 --> 00:35:49,415
NOOOO! AH, AH AH!
704
00:35:57,223 --> 00:35:59,591
[GUNSHOT]
705
00:36:29,655 --> 00:36:34,226
[SOBBING]
706
00:36:34,260 --> 00:36:36,595
WHAT IS THAT?
707
00:36:38,597 --> 00:36:40,866
WHAT THE HELL?
708
00:36:41,500 --> 00:36:44,303
HEY, GUYS.
THIS IS MEGAN.
709
00:36:44,336 --> 00:36:47,306
MEGAN, THIS IS
EMMA AND JACOB.
710
00:36:47,339 --> 00:36:48,073
WHO IS SHE?
711
00:36:48,106 --> 00:36:49,841
SHE'S A FRIEND,
AND SHE'S GONNA BE
712
00:36:49,875 --> 00:36:52,878
STAYING WITH US
FOR A WHILE.
713
00:36:52,911 --> 00:36:55,013
YOU HAVE LOST
YOUR MIND.
714
00:36:55,046 --> 00:36:57,916
YEAH. I'M DONE
LISTENING TO HER.
715
00:36:57,949 --> 00:37:00,619
HEY. I'LL
TAKE CARE OF THIS.
716
00:37:00,652 --> 00:37:03,221
GO CHECK ON JOEY.
717
00:37:04,890 --> 00:37:06,692
GO.
718
00:37:13,365 --> 00:37:14,099
WHAT ARE YOU
DOING, PAUL?
719
00:37:14,132 --> 00:37:17,002
I'M TIRED OF BEING
THE THIRD WHEEL,
720
00:37:17,035 --> 00:37:19,605
AND NOW I'M NOT.
721
00:37:19,638 --> 00:37:20,806
I KNOW YOU'RE MAD
AT ME RIGHT NOW,
722
00:37:20,839 --> 00:37:23,875
BUT YOU CAN'T RUIN
THINGS FOR EVERYONE.
723
00:37:23,909 --> 00:37:28,347
DOES EMMA KNOW
WHAT A LIAR YOU ARE?
724
00:37:28,380 --> 00:37:32,284
WE PROMISED WE
WOULDN'T TELL
ANYONE...
725
00:37:33,785 --> 00:37:35,721
ESPECIALLY EMMA.
726
00:37:36,722 --> 00:37:39,891
I DRANK TOO MUCH.
SARAH'S GONNA THINK
I'M A DRUNK.
727
00:37:39,925 --> 00:37:42,361
ARE YOU KIDDING?
SHE LOVES YOU.
728
00:37:42,394 --> 00:37:46,064
YOU HAD A FEW
TOO MANY, TOO.
YOU KNOW THAT?
729
00:37:46,097 --> 00:37:47,833
SO TOUCHY-FEELY
WHEN YOU DRINK.
730
00:37:47,866 --> 00:37:49,635
HEY. IT'S FOR SARAH,
ALL RIGHT?
731
00:37:49,668 --> 00:37:51,770
I MEAN, WE GO TO
LOOK LIKE
A REAL COUPLE.
732
00:37:51,803 --> 00:37:52,971
SO TOUCHY...
733
00:37:53,004 --> 00:37:54,640
HA HA HA!
STOP THAT.
734
00:37:54,673 --> 00:37:57,343
OHH.
HA HA HA!
735
00:37:59,478 --> 00:38:02,814
Man: * UNDER A BLUE MOON
I SAW YOU *
736
00:38:02,848 --> 00:38:08,587
* SO SOON YOU'LL TAKE ME
737
00:38:08,620 --> 00:38:09,455
* UP IN YOUR ARMS
738
00:38:09,488 --> 00:38:12,958
* TOO LATE TO BEG YOU
OR CANCEL IT... *
739
00:38:12,991 --> 00:38:13,625
OK.
740
00:38:13,659 --> 00:38:15,527
* THOUGH I KNOW IT MUST BE
741
00:38:15,561 --> 00:38:18,564
* THE KILLING TIME
742
00:38:18,597 --> 00:38:20,632
LOOK.
743
00:38:22,000 --> 00:38:23,669
WE CAN'T KEEP
HER HERE.
744
00:38:23,702 --> 00:38:28,907
LOOK. I'LL HELP YOU
TAKE HER INTO
THE BASEMENT, OK?
745
00:38:32,444 --> 00:38:33,345
COME ON.
746
00:38:33,379 --> 00:38:34,713
[WHIMPERS]
747
00:38:52,063 --> 00:38:56,768
THAT WOMAN
FOOLED ME TODAY,
AND I AM...
748
00:38:56,802 --> 00:38:59,037
MAD.
749
00:38:59,070 --> 00:39:01,640
RILEY DIDN'T
HAVE TO DIE.
750
00:39:08,747 --> 00:39:09,748
THANKS A LOT.
751
00:39:09,781 --> 00:39:11,750
I'LL READ IT
RIGHT WAY,
I PROMISE.
752
00:39:11,783 --> 00:39:13,151
WELL, FEEL FREE
TO HATE IT.
753
00:39:13,184 --> 00:39:15,120
EVERYONE ELSE HAS. HEH.
754
00:39:15,153 --> 00:39:15,821
IT'S NOT DOING WELL?
755
00:39:15,854 --> 00:39:18,724
I THINK THAT'S
THE THIRD COPY.
756
00:39:18,757 --> 00:39:20,626
MAYBE I SHOULD GIVE
YOU 20 BUCKS
OR SOMETHING.
757
00:39:20,659 --> 00:39:21,527
HA HA HA!
758
00:39:21,560 --> 00:39:24,129
LISTEN. I REALLY
APPRECIATE
TONIGHT, JOE.
759
00:39:24,162 --> 00:39:27,766
WELL, IF NOTHING ELSE
IT'S GOOD SCOTCH, HUH?
760
00:39:27,799 --> 00:39:29,868
IT'S GREAT SCOTCH.
761
00:39:29,901 --> 00:39:32,771
YOU KNOW, I'VE BEEN
WORKING ON THIS
CASE NONSTOP
762
00:39:32,804 --> 00:39:34,005
FOR MONTHS NOW.
763
00:39:34,039 --> 00:39:36,742
SOMETIMES I JUST
FORGET TO STOP
764
00:39:36,775 --> 00:39:39,878
AND TURN IT OFF
FOR A FEW HOURS.
765
00:39:39,911 --> 00:39:43,048
I COULDN'T TURN IT
OFF IF I WERE YOU.
766
00:39:43,081 --> 00:39:45,751
MUST BE HARD
WITH FRIENDS AND FAMILY
767
00:39:45,784 --> 00:39:51,156
WHEN YOU'RE RUNNING AROUND,
TRYING TO CHASE DOWN
THE BAD GUY.
768
00:39:51,189 --> 00:39:56,428
I IMAGINE IT, UH,
IT GETS QUITE LONELY.
769
00:39:59,798 --> 00:40:02,568
BUT THE PAYOFF, HUH?
770
00:40:02,601 --> 00:40:07,506
HELPING PEOPLE,
SAVING LIVES.
771
00:40:07,539 --> 00:40:11,843
YOU KNOW, I THINK
WHAT YOU DO
772
00:40:11,877 --> 00:40:15,013
IS QUITE REMARKABLE.
773
00:40:19,485 --> 00:40:21,753
ONE MORE, HUH?
774
00:40:22,821 --> 00:40:24,823
SURE. WHY NOT?
775
00:40:28,627 --> 00:40:30,629
JOE FOOLED ME.
776
00:40:31,863 --> 00:40:33,465
I SHOULD HAVE KNOWN
FROM THE FIRST TIME
I MET HIM
777
00:40:33,499 --> 00:40:34,933
HE WAS THE MAN
I WAS LOOKING FOR,
778
00:40:34,966 --> 00:40:37,703
BUT HE HAD THIS POWER.
779
00:40:37,736 --> 00:40:40,806
I'M SORRY, JOE.
780
00:40:40,839 --> 00:40:43,709
I'M SORRY, JOE!
781
00:40:43,742 --> 00:40:44,743
I'M SORRY.
782
00:40:44,776 --> 00:40:48,814
CHARMED AND SEDUCED.
783
00:40:48,847 --> 00:40:51,517
I KNOW WHAT
HIS FOLLOWERS FEEL.
784
00:40:52,050 --> 00:40:55,554
Miranda Sex Garden:
* AS I RUN BLINDLY
785
00:40:55,587 --> 00:40:59,625
[GRUNTING]
786
00:40:59,658 --> 00:41:03,862
* FROM THE FEAR
I KNOW IS NOT REAL *
787
00:41:03,895 --> 00:41:07,232
THEY'RE BETTER
FOR BEING NEAR HIM.
788
00:41:07,265 --> 00:41:11,102
HE KNOWS HOW
TO GIVE THEM
A LITTLE PIECE OF...
789
00:41:11,136 --> 00:41:12,638
WHAT THEY'RE MISSING.
790
00:41:12,671 --> 00:41:16,241
[JORDY GROANING]
791
00:41:16,274 --> 00:41:20,979
I'M SORRY, JOE.
792
00:41:21,012 --> 00:41:24,249
[GAGGING]
793
00:41:24,282 --> 00:41:25,884
I FELL FOR IT.
794
00:41:25,917 --> 00:41:28,486
[GAGGING]
795
00:41:34,025 --> 00:41:36,928
AND 5 MORE GIRLS
WERE MURDERED.
796
00:41:37,563 --> 00:41:45,003
* LET ME HATE FOR YOU
797
00:41:45,036 --> 00:41:52,277
* AND HATE FOR ME
798
00:41:52,310 --> 00:41:55,947
I GOT YOUR MESSAGE.
WHAT IS IT?
799
00:41:55,981 --> 00:41:58,116
I GOT AN E-MAIL.
800
00:42:01,920 --> 00:42:03,622
[JOEY GIGGLES]
801
00:42:03,655 --> 00:42:05,791
SEE? IF YOU CATCH
THE SUN JUST RIGHT,
802
00:42:05,824 --> 00:42:07,158
THE BUG CATCHES FIRE.
803
00:42:07,192 --> 00:42:09,961
WHY DO YOU WANT TO
KILL A BUG?
804
00:42:09,995 --> 00:42:12,230
BECAUSE WE CAN.
805
00:42:12,263 --> 00:42:13,264
SEE, IF YOU KILL
THE BUG,
806
00:42:13,298 --> 00:42:17,903
THEN IT DIES,
AND YOUR LIFE MEANS
A LITTLE MORE.
807
00:42:17,936 --> 00:42:19,170
I--I DON'T UNDERSTAND.
808
00:42:19,204 --> 00:42:20,138
LOOK AT THIS
LITTLE GUY.
809
00:42:20,171 --> 00:42:22,340
WHOA! WHERE DID YOU GET
A CUTE, LITTLE MOUSE?
810
00:42:22,373 --> 00:42:23,842
CAUGHT HIM
IN A TRAP.
811
00:42:23,875 --> 00:42:24,910
HERE. SCREW
THE LID ON.
812
00:42:24,943 --> 00:42:26,678
IT'S GOT TO BE
REAL TIGHT.
813
00:42:26,712 --> 00:42:28,313
THEN IT'S
GONNA SUFFOCATE.
814
00:42:28,346 --> 00:42:29,047
IT--IT WILL DIE.
815
00:42:29,080 --> 00:42:31,683
EXACTLY. HERE.
SCREW THE LID ON.
816
00:42:31,717 --> 00:42:32,684
I DON'T WANT TO.
817
00:42:32,718 --> 00:42:36,054
Emma: IT'S OK, SWEETIE.
GO AHEAD.
818
00:42:36,087 --> 00:42:38,924
THEN WE WATCH IT GO
STRAIGHT TO HEAVEN.
819
00:42:38,957 --> 00:42:39,925
THERE YOU GO.
820
00:42:39,958 --> 00:42:41,827
YEAH. GOOD JOB.
821
00:42:41,860 --> 00:42:44,696
I NEVER KILLED
ANYTHING BEFORE.
822
00:42:44,730 --> 00:42:47,332
WE'RE JUST
GETTING STARTED.
823
00:42:47,365 --> 00:42:49,000
THEY'RE TEACHING HIM.
824
00:42:49,034 --> 00:42:52,938
CLAIRE, WE ARE
GOING TO FIND HIM.
825
00:42:52,971 --> 00:42:54,806
THEN DO IT!
826
00:42:54,840 --> 00:42:55,641
CLAIRE!
CLAIRE, WAIT.
827
00:42:55,674 --> 00:42:57,809
Emma: JOEY, CAN YOU WAVE
TO THE CAMERA
828
00:42:57,843 --> 00:42:59,344
AND SAY, "HI, RYAN"?
829
00:42:59,377 --> 00:43:00,612
WHO'S THAT?
830
00:43:00,646 --> 00:43:01,713
HE'S A FRIEND.
831
00:43:01,747 --> 00:43:03,815
COME ON.
JUST SAY IT FOR ME.
832
00:43:03,849 --> 00:43:05,150
HI, RYAN!
833
00:43:05,183 --> 00:43:06,952
YEAH.
56374
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