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1
00:00:02,336 --> 00:00:05,005
Man: SERIAL KILLER JOE CARROLL
HAS ESCAPED FROM PRISON.
2
00:00:05,005 --> 00:00:07,175
WE NEED HELP NOW!
3
00:00:07,175 --> 00:00:08,342
FBI Director Franklin: RYAN,
I KNOW THINGS DIDN'T END
WELL WITH THE BUREAU,
4
00:00:08,342 --> 00:00:09,343
BUT YOU CAUGHT CARROLL.
5
00:00:09,343 --> 00:00:10,878
NO ONE KNOWS HIM
LIKE YOU DO.
6
00:00:10,878 --> 00:00:12,180
I'M NOT AN AGENT
ANYMORE.
7
00:00:12,180 --> 00:00:13,881
HE CUT OUT HIS VICTIMS' EYES
AS A NOD
8
00:00:13,881 --> 00:00:15,249
TO HIS FAVORITE WORKS
OF POE.
9
00:00:15,249 --> 00:00:17,185
HE DIDN'T JUST
EVISCERATE 14 FEMALE STUDENTS.
10
00:00:17,185 --> 00:00:18,452
HE WAS MAKING ART.
11
00:00:18,452 --> 00:00:19,887
Woman: SARAH WAS
HIS UNFINISHED WORK.
12
00:00:19,887 --> 00:00:21,355
HE WANTED TO GET
THE ENDING RIGHT.
13
00:00:21,355 --> 00:00:24,225
Carroll: THE POINT
OF SARAH'S DEATH
WAS FOR YOU.
14
00:00:24,225 --> 00:00:25,793
Ryan: HE'S FINDING PEOPLE.
15
00:00:25,793 --> 00:00:26,794
THEY'RE HIS FOLLOWERS.
16
00:00:26,794 --> 00:00:28,296
PRISON GUARD,
GAY NEIGHBORS--
17
00:00:28,296 --> 00:00:30,298
HOW DO THEY FIGURE
INTO YOUR NEW PLOT?
18
00:00:30,298 --> 00:00:31,532
WE KNOWN
ABOUT THE CULT.
19
00:00:31,532 --> 00:00:33,401
I LIKE TO THINK
OF THEM AS MY FRIENDS.
20
00:00:33,401 --> 00:00:34,702
SO WHAT'S MY
SEQUEL ABOUT, JOE?
21
00:00:34,702 --> 00:00:36,137
WE'RE GONNA WRITE
THIS TOGETHER, RYAN,
22
00:00:36,137 --> 00:00:38,272
EVEN THOUGH YOU SLEPT
WITH MY WIFE.
23
00:00:38,272 --> 00:00:39,573
DID SHE SHOW YOU
THE LETTER?
24
00:00:39,573 --> 00:00:41,041
HOW DOES HE KNOW?
HE DOESN'T.
25
00:00:41,041 --> 00:00:42,210
NO ONE NEED TO KNOW
ABOUT THIS.
26
00:00:42,210 --> 00:00:44,512
Boy: MOM, WHAT'S GOING ON?
YEAH.
27
00:00:44,512 --> 00:00:46,046
IT'S DAD,
ISN'T IT?
28
00:00:46,046 --> 00:00:47,715
I DIDN'T KNOW
WHAT TO SAY.
OH, HONEY.
29
00:00:47,715 --> 00:00:49,083
Ryan: IF THIS BOOK
ENDS WITH ANYTHING
OTHER THAN YOUR DEATH,
30
00:00:49,083 --> 00:00:50,684
YOU BETTER PLAN
ON A REWRITE.
31
00:00:50,684 --> 00:00:52,086
AAH! AAH!
32
00:00:52,086 --> 00:00:53,221
JOEY? WHERE IS HE?
33
00:00:53,221 --> 00:00:55,189
JOEY! JOEY, HONEY,
WHERE ARE YOU?
34
00:00:55,189 --> 00:00:58,292
WHERE'S DENISE?
WHERE'S MY SON?!
35
00:00:58,292 --> 00:01:01,162
SORRY. DIDN'T MEAN
TO SCARE YOU.
36
00:01:01,162 --> 00:01:02,330
IS EVERYTHING OK?
37
00:01:02,330 --> 00:01:03,897
EXTRA PATROL
THIS EVENING.
38
00:01:03,897 --> 00:01:04,732
I THOUGHT THEY
CAUGHT HIM.
39
00:01:04,732 --> 00:01:06,066
I SAW IT
ON THE NEWS.
40
00:01:06,066 --> 00:01:07,235
STILL, MIND IF I
LOOK AROUND,
41
00:01:07,235 --> 00:01:08,502
CHECK YOUR DOORS
AND WINDOWS?
42
00:01:08,502 --> 00:01:09,337
SURE.
43
00:01:11,605 --> 00:01:13,107
COME ON IN.
44
00:01:13,107 --> 00:01:14,675
I THINK EVERYONE'S
ASLEEP.
45
00:01:17,345 --> 00:01:19,147
WHY DON'T WE
START UPSTAIRS?
46
00:01:24,352 --> 00:01:26,053
DO YOU WANT ME
TO WAKE EVERYONE?
47
00:01:26,053 --> 00:01:27,721
NO. WE DON'T WANT
TO DO THAT.
48
00:01:27,721 --> 00:01:30,391
LET'S START
WITH THE ROOM
ON THE END.
49
00:01:30,391 --> 00:01:31,392
OK.
50
00:01:38,599 --> 00:01:41,068
THIS IS
JESSE'S ROOM.
SHE'S OUT.
51
00:01:41,068 --> 00:01:46,307
YES. JESSE'S ROOM.
I KNOW.
52
00:01:46,307 --> 00:01:48,176
I'VE STUDIED
THIS HOUSE A LOT.
53
00:01:59,720 --> 00:02:02,122
WHAT IS THAT?
54
00:02:02,122 --> 00:02:05,159
I THREW THIS
UP HERE EARLIER.
55
00:02:05,159 --> 00:02:07,328
IT'S MY KIT.
56
00:02:07,328 --> 00:02:10,298
IT'S IMPORTANT
TO HAVE
THE RIGHT TOOLS.
57
00:02:13,534 --> 00:02:16,304
I'VE BEEN
PLANNING THIS
FOR A LONG TIME.
58
00:02:22,310 --> 00:02:24,612
Turner: CONVICTED
SERIAL KILLER JOE CARROLL
59
00:02:24,612 --> 00:02:26,447
HAS BEEN CAPTURED
AND IS BEING HELD
60
00:02:26,447 --> 00:02:28,482
AT THE RICHMOND
FEDERAL DETENTION CENTER.
61
00:02:28,482 --> 00:02:31,319
AS OF EARLY THIS MORNING,
CAROL'S SON JOEY MATTHEWS
62
00:02:31,319 --> 00:02:34,455
AND HIS NANNY DENISE HARRIS
HAVE BEEN MISSING.
63
00:02:34,455 --> 00:02:35,789
AN AMBER ALERT IS IN EFFECT,
64
00:02:35,789 --> 00:02:38,892
AND WE ASK THAT ANYONE
WITH ANY INFORMATION
65
00:02:38,892 --> 00:02:41,895
AS TO THEIR WHEREABOUTS
PLEASE CONTACT THE FBI.
66
00:02:41,895 --> 00:02:44,298
WHAT'S GOING ON, RYAN?
WHERE IS MY SON?
67
00:02:44,298 --> 00:02:46,200
WE NEED TO TALK.
68
00:02:46,200 --> 00:02:47,635
WHY IS JOE
DOING THIS?
69
00:02:47,635 --> 00:02:48,869
I DON'T UNDERSTAND
HOW DENISE
IS INVOLVED.
70
00:02:48,869 --> 00:02:51,339
ARE THEY GONNA
HURT JOEY?
71
00:02:51,339 --> 00:02:53,474
I THINK SHE'S YOUR NANNY
BECAUSE OF JOEY.
72
00:02:53,474 --> 00:02:54,642
I THINK HE PUT
HER HERE--
73
00:02:54,642 --> 00:02:56,544
NO. THAT'S
IMPOSSIBLE.
74
00:02:56,544 --> 00:02:57,945
SHE'S BEEN JOEY'S
NANNY FOR TWO YEARS.
75
00:02:57,945 --> 00:03:00,147
SHE LIVES WITH ME,
I KNOW HER.
76
00:03:00,147 --> 00:03:02,950
THE ACCOMPLICES,
THE GUYS THAT HELPED HIM
KILL SARAH FULLER,
77
00:03:02,950 --> 00:03:04,852
THEY WERE THERE
FOR YEARS,
78
00:03:04,852 --> 00:03:06,019
USING FALSE IDENTITIES.
79
00:03:06,019 --> 00:03:07,221
WE THINK THAT
SHE DID, TOO.
80
00:03:07,221 --> 00:03:09,390
I DID
A BACKGROUND CHECK,
81
00:03:09,390 --> 00:03:11,191
I CHECKED
HER REFERENCES,
I HAVE RECORDS.
82
00:03:11,191 --> 00:03:12,526
CAN I SEE THEM?
83
00:03:12,526 --> 00:03:13,361
YEAH.
84
00:03:18,466 --> 00:03:20,901
Weston: HEAVY TRACES
OF ZOLPIDEM ON
THE KITCHEN COUNTER.
85
00:03:20,901 --> 00:03:21,869
SHE DRUGGED THE GUARDS.
86
00:03:21,869 --> 00:03:23,537
I BET THE KID, TOO.
87
00:03:23,537 --> 00:03:24,938
CARRIED HIM DOWN
THE BACK STAIRCASE
TO THE GARAGE.
88
00:03:24,938 --> 00:03:26,374
CAR WAS FOUND
10 MINUTES AGO
89
00:03:26,374 --> 00:03:28,276
IN A PARKING LOT
45 MINUTES
FROM HERE.
90
00:03:34,315 --> 00:03:35,983
DENISE HARRIS
FROM ALEXANDRIA.
91
00:03:35,983 --> 00:03:39,019
HER ADDRESS,
HER REFERENCES,
IT'S ALL THERE.
92
00:03:39,019 --> 00:03:40,488
SHE TALKED
ABOUT HER MOM A LOT.
93
00:03:40,488 --> 00:03:41,889
I GUESS THEY WERE CLOSE.
94
00:03:41,889 --> 00:03:43,223
NO DAD
IN THE PICTURE.
95
00:03:43,223 --> 00:03:44,525
YOU EVER MEET
ANY OF HER FRIENDS
96
00:03:44,525 --> 00:03:45,793
OR OVERHEAR
A PHONE CONVERSATION?
97
00:03:45,793 --> 00:03:47,495
HER FRIENDS
NEVER CAME OVER.
SHE WAS SHY,
98
00:03:47,495 --> 00:03:49,597
SHE KEPT TO HERSELF.
99
00:03:49,597 --> 00:03:54,402
SHE READ IN HER ROOM
A LOT.
100
00:03:54,402 --> 00:03:56,236
I CAN'T BE
THIS BLIND, CAN I?
101
00:03:56,236 --> 00:04:00,808
YOU CANNOT AFFORD
TO THINK LIKE THAT,
DO YOU UNDERSTAND?
102
00:04:00,808 --> 00:04:02,343
FIND MY SON.
103
00:04:12,820 --> 00:04:14,522
[JOEY SCREAMING]
104
00:04:14,522 --> 00:04:16,757
HEY! YOU CAN'T
RUN FROM ME!
105
00:04:20,328 --> 00:04:23,797
HA HA HA! WHEE!
106
00:04:23,797 --> 00:04:26,300
ERR!
107
00:04:26,300 --> 00:04:27,968
I GOT YOU!
108
00:04:27,968 --> 00:04:29,937
[GIGGLING]
109
00:04:29,937 --> 00:04:31,405
LOOK AT THIS PLACE.
110
00:04:38,045 --> 00:04:40,414
WOW!
111
00:04:40,414 --> 00:04:41,449
WHOSE HOUSE IS THIS?
112
00:04:41,449 --> 00:04:42,683
FRIEND OF A FRIEND.
113
00:04:42,683 --> 00:04:44,284
AND IT'S OK
THAT WE'RE HERE?
114
00:04:44,284 --> 00:04:46,854
YEAH. COME ON!
LET'S CHECK IT OUT!
115
00:04:49,289 --> 00:04:50,958
CAN I CALL
MY MOM NOW?
116
00:04:50,958 --> 00:04:54,762
HONEY, I TOLD YOU.
117
00:04:54,762 --> 00:04:56,864
YOUR MOM TOLD US
NOT TO CALL.
118
00:04:56,864 --> 00:04:59,967
SHE DOESN'T WANT
ANYONE TO KNOW
WHERE WE ARE.
119
00:04:59,967 --> 00:05:01,435
YOU REMEMBER
WHAT I SAID?
120
00:05:01,435 --> 00:05:02,570
WE'RE ON AN ADVENTURE!
121
00:05:02,570 --> 00:05:05,439
MM-HMM. COME HERE.
122
00:05:07,741 --> 00:05:09,042
WHAT'S WRONG
WITH YOU?
123
00:05:09,042 --> 00:05:10,411
I HATE KIDS.
STOP IT.
124
00:05:10,411 --> 00:05:11,679
I DO. I HATE
TALKING TO THEM,
125
00:05:11,679 --> 00:05:13,013
I HATE LOOKING
AT THEM.
126
00:05:13,013 --> 00:05:15,015
HEY. NOT
THIS KID, OK?
127
00:05:15,015 --> 00:05:16,817
YOU LIKE THIS KID.
128
00:05:16,817 --> 00:05:19,353
JUST KEEP SAYING IT
OVER AND OVER AGAIN
UNTIL IT STICKS.
129
00:05:19,353 --> 00:05:23,424
I'D RATHER SNAP
HIS NECK.
130
00:05:23,424 --> 00:05:24,792
I'M KIDDING.
131
00:05:29,963 --> 00:05:31,098
IS THERE A PROBLEM?
132
00:05:31,098 --> 00:05:32,466
NOPE. NO. NOT HERE.
133
00:05:32,466 --> 00:05:34,301
WE'RE ON AN ADVENTURE
WITH A KID,
134
00:05:34,301 --> 00:05:37,505
AND I LIKE KIDS,
ESPECIALLY THIS KID.
135
00:05:43,411 --> 00:05:45,579
WHAT WAS THAT ABOUT?
136
00:05:45,579 --> 00:05:49,417
IT'S BEEN A LONG NIGHT,
HE'S TIRED.
137
00:05:57,491 --> 00:05:59,460
IT'S GOOD TO HAVE
YOU BACK.
138
00:06:01,729 --> 00:06:03,864
Man on TV: MORE DEVELOPMENTS
FROM RICHMOND, VIRGINIA,
139
00:06:03,864 --> 00:06:05,799
UPON SARAH FULLER'S DEATH
AS THE SEARCH
140
00:06:05,799 --> 00:06:07,935
FOR YOUNG JOEY MATTHEWS
CONTINUES.
141
00:06:07,935 --> 00:06:09,970
CONVICTED SERIAL KILLER
JOE CARROLL'S SON
142
00:06:09,970 --> 00:06:11,705
IS BELIEVED TO HAVE BEEN
ABDUCTED...
143
00:06:11,705 --> 00:06:14,074
OK. THE TEAM
OVER THERE'S COVERING
THE GROUND SEARCH,
144
00:06:14,074 --> 00:06:15,709
THAT GROUP IS
ON OUR PRISON GUARD JORDY,
145
00:06:15,709 --> 00:06:17,611
AND WE'VE GOT JOEY'S
SEARCH RIGHT HERE.
146
00:06:17,611 --> 00:06:19,913
RYAN HARDY,
THIS IS AGENT MITCHELL,
CYBERFORENSICS.
147
00:06:19,913 --> 00:06:22,115
SHE'S FROM OUR D.C. OFFICE.
SHE'S AWESOME.
148
00:06:22,115 --> 00:06:23,183
NICE TO MEET YOU,
SIR.
149
00:06:23,183 --> 00:06:24,552
WHERE ARE WE
ARE ON THE NANNY?
150
00:06:24,552 --> 00:06:25,853
I KNOW DENISE HARRIS
IS NOT FROM
ALEXANDRIA
151
00:06:25,853 --> 00:06:28,522
BECAUSE
DENISE HARRIS
DOES NOT EXIST.
152
00:06:28,522 --> 00:06:30,791
BUT WE I.D.ed
SARAH FULLER'S GAY
OR NOT-SO-GAY NEIGHBORS.
153
00:06:30,791 --> 00:06:33,494
REAL NAMES ARE JACOB WELLS
AND PAUL TORRES.
154
00:06:33,494 --> 00:06:34,762
JACOB IS FROM
LAKE WHITEHURST,
155
00:06:34,762 --> 00:06:36,764
PAUL IS
FORM EL PASO, TEXAS.
156
00:06:36,764 --> 00:06:38,365
WHERE HE'S A COMPUTER CONSULTANT
WITH A HISTORY OF FRAUD,
157
00:06:38,365 --> 00:06:40,000
WHICH EXPLAINS ALL
THE FAKE I.D.s.
158
00:06:40,000 --> 00:06:41,034
WHERE'S AGENT MASON?
159
00:06:49,109 --> 00:06:51,945
Turner: I'D JUST
GET RID OF HIM,
SEND HIM HOME.
160
00:06:51,945 --> 00:06:53,581
Riley: YOU CAN'T.
YOU HEARD CARROLL.
HE'S PART OF THE STORY.
161
00:06:53,581 --> 00:06:55,115
THEN SIDELINE HIM
BEFORE HE CRACKS
162
00:06:55,115 --> 00:06:56,850
BECAUSE HE
WILL CRACK.
163
00:06:56,850 --> 00:06:59,453
YOU WEREN'T AROUND
10 YEARS AGO. I LIVED...IT.
164
00:07:03,090 --> 00:07:06,694
WELL, THIS IS
AWKWARD.
165
00:07:06,694 --> 00:07:07,895
HELLO, MR. HARDY.
166
00:07:07,895 --> 00:07:09,029
I'M AGENT
DEBRA PARKER.
167
00:07:09,029 --> 00:07:10,498
I'M NEW THE PARTY.
168
00:07:10,498 --> 00:07:13,934
WE WERE JUST, UH,
DISCUSSING YOU.
169
00:07:13,934 --> 00:07:16,637
AGENT PARKER'S
IN FROM QUANTICO.
SHE'S TAKING THE LEAD.
170
00:07:16,637 --> 00:07:17,938
I WANT TO SPEAK
TO MR. HARDY
PRIVATELY.
171
00:07:17,938 --> 00:07:18,939
WHERE'S MASON?
172
00:07:18,939 --> 00:07:20,541
SHE'S ON HER WAY
BACK TO QUANTICO.
173
00:07:20,541 --> 00:07:22,676
APPARENTLY SHE PUT
A FORMER AGENT ALONE
174
00:07:22,676 --> 00:07:23,977
IN A ROOM
WITH JOE CARROLL
175
00:07:23,977 --> 00:07:26,279
AND LET HIM BREAK
3 OF HIS FINGERS.
176
00:07:26,279 --> 00:07:27,915
TURNS OUT
THAT'S A NO-NO.
177
00:07:27,915 --> 00:07:30,918
3, HUH?
178
00:07:30,918 --> 00:07:32,786
BUT HE'S REMEMBERING
YOU FOR THE MAN YOU
WERE 10 YEARS AGO,
179
00:07:32,786 --> 00:07:34,221
NOT THE MAN
YOU ARE NOW.
180
00:07:34,221 --> 00:07:35,455
AND THERE'S
A DIFFERENCE?
181
00:07:35,455 --> 00:07:37,491
I HOPE SO
BECAUSE JOE CARROLL
182
00:07:37,491 --> 00:07:39,627
HAS CAST YOU AS
THE MAIN CHARACTER
IN HIS PSYCHO SEQUEL,
183
00:07:39,627 --> 00:07:41,595
SO I CAN'T JUST KICK
YOU TO THE CURB.
184
00:07:44,364 --> 00:07:47,501
I'M SORRY
ABOUT SARAH FULLER.
185
00:07:47,501 --> 00:07:49,136
I WANT A GUN.
186
00:07:49,136 --> 00:07:50,838
I'M NOT ASKING
TO BE AN AGENT AGAIN,
187
00:07:50,838 --> 00:07:52,906
BUT YOU NEED TO DEPUTIZE ME
AND GIVE ME A GUN.
188
00:07:52,906 --> 00:07:54,975
WHEN WAS THE LAST
TIME YOU HAD A DRINK?
189
00:07:54,975 --> 00:07:57,144
DIRECTOR FRANKLIN ASKED
ME TO BE HERE,
190
00:07:57,144 --> 00:08:00,380
AND IF I'M GONNA STAY,
I WANT A GUN.
191
00:08:00,380 --> 00:08:02,650
HOW'S YOUR HEART?
I SEE HERE YOU SUFFER
192
00:08:02,650 --> 00:08:03,884
FROM, UH,
CARDIOMYOPATHY.
193
00:08:03,884 --> 00:08:05,753
IS THIS REALLY
THE BEST USE OF OUR TIME?
194
00:08:05,753 --> 00:08:06,987
THERE'S A CHILD MISSING.
195
00:08:06,987 --> 00:08:08,488
SO TELL ME ABOUT
CARROLL'S ACCOMPLICES.
196
00:08:12,259 --> 00:08:15,362
HE USED THIS PRISON GUARD
TO GAIN ACCESS
TO THE INTERNET
197
00:08:15,362 --> 00:08:17,831
TO CREATE A FOLLOWING,
LIKE A CULT.
198
00:08:17,831 --> 00:08:19,867
LET'S NOT USE THAT WORD.
PEOPLE DON'T HEAR
IT WELL.
199
00:08:19,867 --> 00:08:21,168
WELL, YOU CAN CALL IT
WHAT YOU WANT,
200
00:08:21,168 --> 00:08:22,670
BUT HE SOLICITED PEOPLE
TO DO HIS BIDDING.
201
00:08:22,670 --> 00:08:24,638
CARROLL MENTIONED
A LETTER.
202
00:08:30,277 --> 00:08:34,114
CLAIRE MATTHEWS RECEIVED
A LETTER ABOUT A WEEK
BEFORE CARROLL'S ESCAPE.
203
00:08:34,114 --> 00:08:37,217
IT WAS PERSONAL.
204
00:08:37,217 --> 00:08:38,986
HE QUESTIONED
MY RELATIONSHIP WITH HER.
205
00:08:38,986 --> 00:08:42,790
AS DID THE FBI
8 YEARS AGO.
206
00:08:42,790 --> 00:08:46,727
SO NOW YOU'RE
UP TO SPEED.
207
00:08:46,727 --> 00:08:48,095
WE GOT MORE BODIES.
208
00:08:50,698 --> 00:08:53,166
BLOOD SMEAR.
JORDY WAS MESSY.
209
00:08:53,166 --> 00:08:54,835
LEFT PRINTS EVERYWHERE.
210
00:08:54,835 --> 00:08:56,837
MADE NO ATTEMPT
TO CONCEAL HIS IDENTITY.
211
00:08:56,837 --> 00:09:00,741
VICTIM NUMBER 3--
SHE TRIED TO RUN,
QUICK STRUGGLE.
212
00:09:00,741 --> 00:09:02,643
NOT THE CASE
FOR THE OTHERS.
213
00:09:08,749 --> 00:09:10,183
Turner: THERE WERE
9 GIRLS IN THE HOUSE
AT THE TIME.
214
00:09:10,183 --> 00:09:12,019
SOME OF THEM WOKE
UP WHEN THEY HEARD
THE SCREAMS,
215
00:09:12,019 --> 00:09:13,987
AND JORDY RAN.
216
00:09:13,987 --> 00:09:16,323
HE REMOVED THE EYES--
CARROLL'S SIGNATURE.
217
00:09:16,323 --> 00:09:18,091
Riley: IS JORDY PLAYING
AT POE'S GREATEST HITS?
218
00:09:18,091 --> 00:09:19,727
IT'S PAYING HOMAGE
TO CARROLL.
219
00:09:19,727 --> 00:09:21,629
IT'S FOLLOWING
IN THE FOOTSTEPS
OF HIS HERO,
220
00:09:21,629 --> 00:09:24,497
IT'S CEREMONIAL,
THE WORK OF AN ACOLYTE.
221
00:09:24,497 --> 00:09:25,666
LET'S NOT USE
THAT WORD EITHER.
222
00:09:25,666 --> 00:09:27,100
IT IMPLIES
THE OTHER WORD.
223
00:09:27,100 --> 00:09:28,936
LET'S SAY,
"CARROLL'S ACCOMPLICES."
224
00:09:28,936 --> 00:09:33,340
PICK A WORD, ANY WORD,
BUT THIS IS MIND CONTROL
AT WORK.
225
00:09:33,340 --> 00:09:34,574
WHY HAVE HIS SON
KIDNAPPED?
226
00:09:34,574 --> 00:09:36,043
IT'S AN OFFERING,
IT'S BIBLICAL.
227
00:09:36,043 --> 00:09:37,678
THEY THINK OF HIM
AS THE SON OF GOD,
228
00:09:37,678 --> 00:09:40,213
SOMETHING TO BE WORSHIPED.
229
00:09:40,213 --> 00:09:42,582
OR SACRIFICED.
230
00:09:42,582 --> 00:09:43,917
CARROLL KNOWS
WHERE THE KID IS.
231
00:09:43,917 --> 00:09:45,786
HE'S NOT GONNA
TELL US.
232
00:09:45,786 --> 00:09:47,988
BUT HE MIGHT
TELL HIS WIFE.
233
00:09:47,988 --> 00:09:50,123
CARROLL ASKED
TO SEE HER.
234
00:09:50,123 --> 00:09:51,725
HE'S SMARTER THAN THAT.
HE'S NOT GONNA TELL
HER ANYTHING.
235
00:09:51,725 --> 00:09:53,593
WELL, LET'S
FIND OUT.
236
00:09:53,593 --> 00:09:55,729
[BUZZ]
237
00:09:57,698 --> 00:09:59,967
Claire, voice-over:
WHAT DO I SAY?
238
00:09:59,967 --> 00:10:02,402
IS THERE ANYTHING
SPECIAL I NEED
TO ASK HIM?
239
00:10:02,402 --> 00:10:04,672
TRY TO ENGAGE HIM
ABOUT JOEY,
240
00:10:04,672 --> 00:10:06,840
SPEAK TO HIS
PATERNAL INSTINCTS.
241
00:10:06,840 --> 00:10:11,812
MAKE JOEY
IMPORTANT TO HIM.
242
00:10:11,812 --> 00:10:13,747
ARE YOU SURE YOU
WANT TO DO THIS?
243
00:10:33,734 --> 00:10:35,402
I LIKE YOUR NEW PLACE.
244
00:10:35,402 --> 00:10:37,237
ME, TOO.
245
00:10:37,237 --> 00:10:38,972
HOW WAS COURT TODAY?
246
00:10:38,972 --> 00:10:40,774
MOVING FAST.
WON'T BE LONG NOW.
247
00:10:40,774 --> 00:10:43,944
I CAN'T GO ANYMORE.
I CAN'T LOOK AT HIM.
248
00:10:43,944 --> 00:10:49,750
I DON'T EVER WANT
TO SEE HIM AGAIN.
249
00:10:49,750 --> 00:10:51,251
YOU DON'T HAVE TO.
250
00:11:05,398 --> 00:11:07,667
[BUZZ]
251
00:11:30,958 --> 00:11:33,460
MY HANDS
ARE SHAKING.
252
00:11:33,460 --> 00:11:36,930
MY GOD. YOU STILL
HAVE THAT EFFECT
ON ME.
253
00:11:36,930 --> 00:11:38,331
YOU'RE SO BEAUTIFUL
ALWAYS--
254
00:11:38,331 --> 00:11:41,935
WHERE'S MY SON?
255
00:11:41,935 --> 00:11:43,703
OUR SON, CLAIRE.
256
00:11:43,703 --> 00:11:48,776
PLEASE, JOE.
WHERE IS HE?
257
00:11:48,776 --> 00:11:52,212
DO YOU REMEMBER
WHEN WE WENT
TO ANTIGUA,
258
00:11:52,212 --> 00:11:55,949
WE RENTED THAT
LITTLE COTTAGE
ON THE BEACH?
259
00:11:55,949 --> 00:11:57,751
WE WERE ONLY
SUPPOSED TO BE THERE
FOR A FEW DAYS,
260
00:11:57,751 --> 00:11:59,252
BUT IT TURNED
INTO A WHOLE MONTH.
261
00:11:59,252 --> 00:12:01,388
I DON'T THINK
WE WORE CLOTHES
THE ENTIRE TIME.
262
00:12:01,388 --> 00:12:04,958
HE'S GROWING UP
SO FAST--JOEY IS.
263
00:12:04,958 --> 00:12:07,828
HE'S SO BRILLIANT,
READING WELL
BEYOND HIS YEARS--
264
00:12:07,828 --> 00:12:09,229
MELVILLE AND TWAIN.
265
00:12:09,229 --> 00:12:10,831
HE FINISHED
"ROBINSON CRUSOE"
LAST WEEK,
266
00:12:10,831 --> 00:12:11,899
BUT HE DIDN'T
LIKE IT VERY MUCH.
267
00:12:11,899 --> 00:12:14,768
IT MUST BE
SO HARD FOR YOU.
268
00:12:14,768 --> 00:12:19,072
YOU MUST FEEL
SO BETRAYED.
269
00:12:19,072 --> 00:12:22,209
AGAIN.
270
00:12:22,209 --> 00:12:24,878
COME ON, CLAIRE.
HANG IN THERE.
271
00:12:29,049 --> 00:12:31,418
SO YOU...
GOT MY LETTER.
272
00:12:31,418 --> 00:12:34,788
IS HE IN DANGER, JOE?
273
00:12:34,788 --> 00:12:36,056
PLEASE JUST LET HIM
BE, OK, OK?
274
00:12:36,056 --> 00:12:37,424
PLEASE DON'T LET
HIM BE HURT.
275
00:12:37,424 --> 00:12:39,159
I'D LIKE
SOME ANSWERS
TO MY QUESTIONS.
276
00:12:46,900 --> 00:12:48,268
TELL ME WHERE
JOEY IS FIRST.
277
00:12:48,268 --> 00:12:51,638
I ASKED YOU SOME
VERY SPECIFIC
QUESTIONS.
278
00:12:51,638 --> 00:12:52,973
I'D LIKE YOU
TO ANSWER THEM.
279
00:12:52,973 --> 00:12:58,511
YES.
"YES," YOU WHAT?
280
00:12:58,511 --> 00:13:02,315
RYAN AND I HAD AN AFFAIR
FOR ALMOST TWO MONTHS.
281
00:13:05,853 --> 00:13:07,420
AFTER THE TRIAL?
282
00:13:07,420 --> 00:13:08,355
AND THE DIVORCE.
283
00:13:08,355 --> 00:13:10,557
OH, YES. OF COURSE.
284
00:13:10,557 --> 00:13:12,325
YOU WAITED
FOR THE DIVORCE.
285
00:13:12,325 --> 00:13:16,830
NOBLE CLAIRE.
ONLY A PROPER LITTLE
DIDDLE WILL DO.
286
00:13:16,830 --> 00:13:20,233
WAS IT GOOD,
THE SEX?
287
00:13:20,233 --> 00:13:26,439
DID YOU BODY QUIVER
TO HIS EVERY TOUCH?
288
00:13:26,439 --> 00:13:29,176
YES.
289
00:13:29,176 --> 00:13:30,110
IT DID.
290
00:13:30,110 --> 00:13:31,578
WE GOT TO GET HER
OUT OF THERE.
291
00:13:31,578 --> 00:13:33,914
NOT YET.
292
00:13:33,914 --> 00:13:35,315
Carroll:
AND THE LAST QUESTION?
293
00:13:35,315 --> 00:13:36,683
I DON'T KNOW.
OH, YOU KNOW
THE QUESTION.
294
00:13:36,683 --> 00:13:40,988
I DON'T KNOW
IS MY ANSWER.
295
00:13:40,988 --> 00:13:42,822
HOW COULD I LOVE ANYONE
AFTER YOU?
296
00:13:42,822 --> 00:13:45,192
YOU DESTROYED ME.
YOU SON OF A BITCH!
297
00:13:45,192 --> 00:13:48,461
WHERE'S MY SON?
WHERE IS JOEY, YOU BASTARD?
298
00:13:48,461 --> 00:13:50,864
WHERE IS--OHH! AAH!
299
00:13:50,864 --> 00:13:51,999
WE NEED TO GET
IN THERE. DAMN IT!
300
00:13:51,999 --> 00:13:54,301
I WILL ALWAYS
LOVE YOU.
301
00:13:54,301 --> 00:13:55,235
[BUZZ]
302
00:13:55,235 --> 00:13:56,569
[MOANS]
303
00:13:56,569 --> 00:13:58,238
NO! OFF!
304
00:14:14,387 --> 00:14:15,388
YOU OK?
305
00:14:15,388 --> 00:14:17,224
YES.
306
00:14:17,224 --> 00:14:19,359
I'M SORRY ABOUT WHAT
I SAID IN THERE.
307
00:14:19,359 --> 00:14:22,262
DON'T BE. GOT A CAR
WAITING TO TAKE--
308
00:14:22,262 --> 00:14:25,165
IS THERE ANY NEWS
ON JOEY?
309
00:14:25,165 --> 00:14:28,902
AS SOON AS I KNOW ANYTHING,
I PROMISE--
310
00:14:28,902 --> 00:14:30,303
WE'RE GONNA
FIND HIM, CLAIRE.
311
00:14:38,545 --> 00:14:40,347
WHICH ROOM DO I GET?
312
00:14:40,347 --> 00:14:42,115
I DON'T KNOW.
LET'S SEE.
313
00:14:44,985 --> 00:14:47,787
WHOA! IT'S JUST LIKE
MY ROOM AT HOME!
314
00:14:47,787 --> 00:14:50,257
MY NINJA WARRIOR!
315
00:14:50,257 --> 00:14:51,591
AND IT'S BRAND-NEW!
316
00:14:51,591 --> 00:14:53,260
HOW COOL IS THAT?
317
00:14:53,260 --> 00:14:54,561
SUPERCOOL!
318
00:14:54,561 --> 00:14:56,229
CAN I CALL MOM NOW?
319
00:14:56,229 --> 00:15:00,067
HONEY, SHE ASKED US
NOT TO CALL.
320
00:15:00,067 --> 00:15:01,801
WE HAVE TO WAIT.
321
00:15:01,801 --> 00:15:04,171
WHY IS MY DAD
SUCH A BAD MAN?
322
00:15:06,439 --> 00:15:07,640
OH, HONEY.
323
00:15:10,410 --> 00:15:11,311
COME HERE.
324
00:15:15,682 --> 00:15:21,021
MAYBE HE'S NOT SO BAD.
325
00:15:21,021 --> 00:15:25,525
MAYBE WE JUST DON'T
UNDERSTAND HIM.
326
00:15:25,525 --> 00:15:28,461
I'LL TELL YOU WHAT,
WHY DON'T YOU GET SETTLED
327
00:15:28,461 --> 00:15:31,231
AND CHECK OUT
ALL YOUR NEW THINGS?
328
00:15:34,667 --> 00:15:38,038
Carroll, voice-over:
"GOOD AND BAD NO LONGER EXISTED.
329
00:15:38,038 --> 00:15:41,474
"IT WAS ALL DEGREES
OF EVIL NOW.
330
00:15:41,474 --> 00:15:44,277
"GWENDOLYN HELD
HIS DYING BODY
331
00:15:44,277 --> 00:15:47,914
"AS THE STORM RAGED ON.
332
00:15:47,914 --> 00:15:50,984
"DEATH HAD FINALLY ARRIVED,
333
00:15:50,984 --> 00:15:54,654
AND IT WAS GLORIOUS
TO THE TOUCH."
334
00:16:01,461 --> 00:16:02,395
THANK YOU.
335
00:16:06,866 --> 00:16:09,369
THANK YOU
FOR COMING, UH...
336
00:16:09,369 --> 00:16:12,772
EMMA. I LOVED
YOUR BOOK.
337
00:16:12,772 --> 00:16:15,875
SO YOU'RE THE ONE,
EMMA.
338
00:16:15,875 --> 00:16:19,346
IT'S BEAUTIFUL.
ALL THE IMAGERY'S
SO VIVID.
339
00:16:19,346 --> 00:16:21,881
I FELT LIKE I WAS THERE.
340
00:16:21,881 --> 00:16:26,119
OH. YOU JUST
MADE MY DAY.
341
00:16:26,119 --> 00:16:28,288
UH, MAY I JUST, UH--
342
00:16:32,225 --> 00:16:34,794
YOU HAVE SUCH
LOVELY EYES, EMMA.
343
00:16:34,794 --> 00:16:36,496
DON'T DEPRIVE US
OF THEM.
344
00:16:41,000 --> 00:16:42,869
DID SHE DIE--
GWENDOLYN--AT THE END
345
00:16:42,869 --> 00:16:45,905
WHEN SHE WENT INTO THE SEA
AND STARTED SWIMMING
TO THE HORIZON?
346
00:16:45,905 --> 00:16:48,575
WELL, YOU TELL ME.
347
00:16:48,575 --> 00:16:50,510
I THINK SHE DIED.
348
00:16:50,510 --> 00:16:56,216
SHE WAS SWIMMING
TOWARD THE HORIZON,
TOWARD THE SUN.
349
00:16:56,216 --> 00:17:00,120
IN DEATH, SHE FOUND HOPE.
350
00:17:00,120 --> 00:17:01,921
Woman: EMMA, HON.
YOU ALMOST DONE?
351
00:17:01,921 --> 00:17:03,923
I'M READY, MOM--OH.
352
00:17:03,923 --> 00:17:06,493
SO THIS IS THE FELLA
YOU CAME TO SEE.
353
00:17:06,493 --> 00:17:10,029
MY, MY. I THOUGHT
ALL WRITERS WERE
BIG-NOSED AND MUSHY.
354
00:17:10,029 --> 00:17:11,564
NOT YOU.
MOM, PLEASE.
LET'S GO.
355
00:17:11,564 --> 00:17:13,800
I'M GIVING THE MAN
A COMPLIMENT.
356
00:17:13,800 --> 00:17:14,834
NO, SIR. YOU DO NOT
LOOK LIKE
357
00:17:14,834 --> 00:17:15,902
A WRITER.
358
00:17:15,902 --> 00:17:17,904
DID HE SIGN YOUR BOOK?
359
00:17:17,904 --> 00:17:20,907
OH, YES.
MUSTN'T FORGET THIS.
360
00:17:20,907 --> 00:17:28,348
"EMMA, HOPEFULLY YOURS,
JOE."
361
00:17:33,520 --> 00:17:35,322
Paul: SO WHICH IS
OUR ROOM?
362
00:17:43,230 --> 00:17:44,631
YOU MEAN, YOUR ROOM.
363
00:17:44,631 --> 00:17:47,300
JACOB AND I ARE TAKING
THE MASTER.
364
00:17:47,300 --> 00:17:48,535
YOU CAN'T DO THAT.
365
00:17:48,535 --> 00:17:49,902
WELL, YOU'RE NOT GAY
ANYMORE, REMEMBER?
366
00:17:49,902 --> 00:17:51,471
WE WERE NEVER GAY.
367
00:17:51,471 --> 00:17:55,208
IT'S JUST
WITH THE KID,
IS THAT COOL?
368
00:17:55,208 --> 00:17:56,709
DON'T WORRY ABOUT IT.
369
00:17:59,646 --> 00:18:01,581
Weston: I TRACKED HER
THROUGH THE PRISON FOOTAGE.
370
00:18:01,581 --> 00:18:04,617
SHE USED SEVERAL
ALIASES VERY SIMILAR
TO THE GAY GUYS.
371
00:18:04,617 --> 00:18:06,953
3 YEARS AGO.
372
00:18:06,953 --> 00:18:08,555
THE GUY BESIDE HER.
373
00:18:08,555 --> 00:18:10,623
JACOB WELLS.
YOU CONNECTED THEM.
374
00:18:10,623 --> 00:18:12,625
AND GET THIS.
I DID A SEARCH FOR JACOB...
375
00:18:15,495 --> 00:18:16,929
PAUL TORRES.
376
00:18:16,929 --> 00:18:18,398
THEY SIGNED IN TOGETHER.
377
00:18:18,398 --> 00:18:19,832
YOU WERE RIGHT.
THEY'RE ALL IN ON THIS.
378
00:18:19,832 --> 00:18:22,402
HEY. FIND THE FIRST
TIME THE NANNY
VISITED CARROLL.
379
00:18:22,402 --> 00:18:24,103
MAYBE SHE DIDN'T
USE AN ALIAS.
380
00:18:26,939 --> 00:18:30,377
2004, SHE SIGNED IN
AS EMMA HILL.
381
00:18:30,377 --> 00:18:33,280
OK. THERE'S AN EMMA HILL
IN PETERSBURG, VIRGINIA.
382
00:18:33,280 --> 00:18:34,747
I HAVE AN ADDRESS.
383
00:18:34,747 --> 00:18:36,449
PETERSBURG IS TOO CLOSE.
THEY'D NEVER RISK IT.
384
00:18:36,449 --> 00:18:38,918
UNLESS THEY'RE HIDING
UNDER OUR NOSE.
385
00:18:38,918 --> 00:18:41,788
GO. TAKE WESTON.
386
00:18:41,788 --> 00:18:44,657
AND RYAN.
387
00:18:44,657 --> 00:18:46,893
CALL AHEAD.
HAVE THE LOCAL AUTHORITIES
MEET YOU THERE.
388
00:18:46,893 --> 00:18:47,860
OK.
389
00:18:55,302 --> 00:18:56,936
[KNOCK ON DOOR]
390
00:18:56,936 --> 00:18:58,037
NOBODY'S HOME.
391
00:18:58,037 --> 00:18:59,772
THIS IS DEFINITELY
THE PLACE.
392
00:18:59,772 --> 00:19:03,009
NEIGHBORS SAY THEY
HAVEN'T SEEN ANYBODY
IN A LONG TIME.
393
00:19:03,009 --> 00:19:05,912
OK. YOU CAN'T DO THAT.
394
00:19:05,912 --> 00:19:08,147
NOPE. YOU CAN'T
DO THAT.
395
00:19:08,147 --> 00:19:09,282
I'M GONNA GO CHECK
AROUND BACK,
396
00:19:09,282 --> 00:19:10,483
SEE IF I CAN SEE
THROUGH THE WINDOW.
397
00:21:01,828 --> 00:21:02,829
[CREAK]
398
00:21:10,069 --> 00:21:12,204
YOU SHOULDN'T BE HERE.
399
00:21:12,204 --> 00:21:13,873
YOU KNOW, YOU'RE GONNA DIE.
400
00:21:13,873 --> 00:21:15,007
ONLY NOT TODAY.
401
00:21:15,007 --> 00:21:15,942
UNH!
402
00:21:19,078 --> 00:21:22,749
[POLICE RADIO CHATTER]
403
00:21:22,749 --> 00:21:25,718
Weston: GOOD NEWS--
NO DEAD PUPPIES.
404
00:21:25,718 --> 00:21:28,054
BAD NEWS--I THINK IT'S
TIME TO USE THAT WORD
405
00:21:28,054 --> 00:21:29,889
NOBODY WANTS TO USE.
406
00:21:29,889 --> 00:21:33,259
SO WE HAVE A CULT.
407
00:21:33,259 --> 00:21:34,794
YOU SURE THIS MAN
WASN'T JORDY?
408
00:21:34,794 --> 00:21:37,430
HEIGHT, WEIGHT--
NOTHING MATCHED.
IT WAS SOMEONE ELSE.
409
00:21:37,430 --> 00:21:39,499
WE WEREN'T SUPPOSED TO
FIND THIS PLACE.
410
00:21:39,499 --> 00:21:41,133
THIS IS WHERE THEY MET
AND PLANNED.
411
00:21:41,133 --> 00:21:42,769
I THINK CARROLL WAS--
412
00:21:42,769 --> 00:21:45,872
CARROLL'S USING
POE'S WORK
AS A RELIGION.
413
00:21:45,872 --> 00:21:48,741
HE'S SPEAKING TO PEOPLE
THROUGH GOTHIC ROMANTICISM.
414
00:21:48,741 --> 00:21:53,813
THERE'S A PATHOLOGY
TO TODAY'S INTERNET
TECHNO-BRED MINDS.
415
00:21:53,813 --> 00:21:57,917
IT'S CREATED A NEW...
VACANCY IN OUR HUMANITY.
416
00:21:57,917 --> 00:22:02,789
FIND THE ONES
WITH ADDITIONAL
DISORDERS--JACKPOT.
417
00:22:02,789 --> 00:22:06,593
ENTER A HANDSOME,
CHARISMATIC MAN
418
00:22:06,593 --> 00:22:09,496
WHO CAN TOUCH THEM,
419
00:22:09,496 --> 00:22:12,932
LET THEM FEEL THEIR LIVES
FOR THE FIRST TIME,
420
00:22:12,932 --> 00:22:16,268
CONDITIONS THEM.
421
00:22:16,268 --> 00:22:22,108
THE ONLY WAY TO TRULY LIVE
IS TO KILL.
422
00:22:22,108 --> 00:22:23,710
OR SOME CRAP LIKE THAT.
423
00:22:26,946 --> 00:22:29,582
I RUN THE BUREAU'S
ALTERNATIVE
RELIGION UNIT.
424
00:22:29,582 --> 00:22:32,084
DID I NOT
MENTION THAT?
425
00:22:32,084 --> 00:22:33,986
CULTS--MY SPECIALTY.
426
00:22:40,159 --> 00:22:41,428
Jacob: HEY.
WE ONLINE?
427
00:22:41,428 --> 00:22:43,095
YEAH.
IS IT SECURE?
428
00:22:43,095 --> 00:22:45,197
IT'S A LITTLE SLOW,
BUT I GOT US KEYED
INTO THE BOARD.
429
00:22:45,197 --> 00:22:46,766
IT'S UNTRACEABLE.
430
00:22:46,766 --> 00:22:48,401
YOU CHECK
THE NEWS YET?
431
00:22:48,401 --> 00:22:50,537
YEAH. WE'RE EVERYWHERE, MAN.
432
00:22:50,537 --> 00:22:52,972
THAT'S THE PHOTO
THAT THEY PICK OF ME?
433
00:22:52,972 --> 00:22:54,173
I HATE THAT PICTURE.
434
00:22:54,173 --> 00:22:56,543
DID YOU GET IT RUNNING?
WHAT'S UP WITH JORDY?
435
00:22:56,543 --> 00:22:58,010
WELL, HE HASN'T
E-MAILED YET,
436
00:22:58,010 --> 00:22:59,846
BUT THEY DID FIND 3 GIRLS
AT THE SORORITY HOUSE.
437
00:22:59,846 --> 00:23:02,849
SCORE FOR
THE VILLAGE IDIOT.
438
00:23:02,849 --> 00:23:04,917
HEY, PAUL.
WILL YOU GO WATCH JOEY
FOR A FEW MINUTES?
439
00:23:04,917 --> 00:23:05,952
I CAN DO IT.
440
00:23:08,220 --> 00:23:09,822
BE A GOOD WINGMAN, PAUL.
441
00:23:18,731 --> 00:23:20,700
ARE YOU SURE
HE'S STRAIGHT?
442
00:23:20,700 --> 00:23:23,870
BECAUSE HE IS ACTING
LIKE A JEALOUS
LITTLE BITCH.
443
00:23:23,870 --> 00:23:27,106
HE JUST FEELS LIKE
THE THIRD WHEEL.
444
00:23:27,106 --> 00:23:29,676
AND FOR A LONG TIME,
IT WAS JUST ME AND HIM.
445
00:23:29,676 --> 00:23:30,743
NOW EVERYTHING'S CHANGED.
446
00:23:30,743 --> 00:23:32,579
WELL, HE NEEDS
TO ADJUST.
447
00:23:34,747 --> 00:23:36,649
THIS IS WHAT JOE
WANTED.
448
00:23:39,218 --> 00:23:42,154
WHAT DO YOU THINK?
449
00:23:42,154 --> 00:23:46,292
MY MOM SAYS THAT IT
MAKES ME LOOK LIKE A BOY
450
00:23:46,292 --> 00:23:47,894
OR A GIRL WHO DOESN'T
LIKE BOYS.
451
00:23:47,894 --> 00:23:49,295
WELL, YOUR MOTHER
DOESN'T UNDERSTAND YOU.
452
00:23:49,295 --> 00:23:51,931
SHE NEVER HAS.
453
00:23:51,931 --> 00:23:55,234
NO. I LIKE IT
VERY MUCH, EMMA.
454
00:23:55,234 --> 00:23:56,469
IT'S BEAUTIFUL.
455
00:23:58,805 --> 00:24:02,074
WHAT IF I TOLD YOU
THAT I MIGHT KNOW
456
00:24:02,074 --> 00:24:06,979
SOMEONE ELSE WHO MIGHT
LIKE IT, TOO?
457
00:24:06,979 --> 00:24:09,315
A GUY?
458
00:24:09,315 --> 00:24:11,984
YOU WANT TO
SET ME UP?
459
00:24:11,984 --> 00:24:14,987
I THINK YOU'D
LIKE EACH OTHER.
460
00:24:14,987 --> 00:24:16,723
I DON'T KNOW.
461
00:24:19,959 --> 00:24:21,928
I LOVE OUR VISITS.
462
00:24:21,928 --> 00:24:25,565
THEY MEAN THE WORLD
TO ME,
463
00:24:25,565 --> 00:24:29,569
BUT I THINK YOU NEED TO
MAKE MORE FRIENDS,
464
00:24:29,569 --> 00:24:33,873
YOU KNOW, GO OUT,
HAVE SOME FUN, HUH?
465
00:24:38,010 --> 00:24:39,478
HEH HEH HEH.
466
00:24:44,183 --> 00:24:45,652
EMMA?
467
00:24:49,889 --> 00:24:50,957
HI.
468
00:24:54,460 --> 00:24:58,230
JOE SAID YOU'D
BE MY TYPE.
469
00:24:58,230 --> 00:24:59,666
WHAT'S YOUR TYPE?
470
00:25:03,002 --> 00:25:04,270
SPECIAL.
471
00:25:19,852 --> 00:25:22,655
Riley: I'VE GOT 8,
MAYBE 9 DIFFERENT
HANDWRITINGS.
472
00:25:22,655 --> 00:25:24,023
I WANT ANALYSIS
ON EACH ONE.
473
00:25:24,023 --> 00:25:24,824
HOW MANY PRINTS?
474
00:25:24,824 --> 00:25:26,626
4. CLEAN.
SEVERAL PARTIAL.
475
00:25:26,626 --> 00:25:28,260
OUR MASKED MAN WAS
LIVING HERE, TOO.
476
00:25:28,260 --> 00:25:29,762
UNMADE BED, FRESH FOOD.
477
00:25:29,762 --> 00:25:30,997
Weston: THERE'S
INTERNET UPSTAIRS.
478
00:25:30,997 --> 00:25:32,531
HE TOOK HIS LAPTOP
AND SERVER.
479
00:25:42,909 --> 00:25:45,244
IS IT OK IF I'M
HAPPY ABOUT THIS?
480
00:25:45,244 --> 00:25:49,048
I MEAN, I KNOW--
I KNOW DIVORCE IS
NOT A HAPPY SUBJECT,
481
00:25:49,048 --> 00:25:51,017
BUT I'M HAPPY.
482
00:25:51,017 --> 00:25:53,052
WELL, IT'S A NEW CHAPTER
IN YOUR LIFE.
483
00:25:53,052 --> 00:25:55,655
I MEAN, YOU KNOW,
JOE'S BEEN SENTENCED,
HE'S GONE.
484
00:25:55,655 --> 00:25:58,457
I THINK YOU DESERVE
SOME HAPPY.
485
00:25:58,457 --> 00:26:03,062
ALL RIGHT.
WELL, HERE'S TO BEING
A SINGLE LADY AGAIN.
486
00:26:03,062 --> 00:26:04,263
OOH.
THAT'S DEPRESSING.
487
00:26:04,263 --> 00:26:07,900
HA HA.
488
00:26:07,900 --> 00:26:08,768
KISS ME.
489
00:26:11,437 --> 00:26:12,705
YEAH, YEAH.
YOU HEARD ME.
490
00:26:12,705 --> 00:26:14,774
I'M SINGLE,
SO JUST...
491
00:26:16,442 --> 00:26:17,744
ARE YOU SURE YOU
WANT ME TO KISS YOU?
492
00:26:17,744 --> 00:26:19,078
UH, YEAH.
I'M VERY SURE.
493
00:26:19,078 --> 00:26:21,714
I'VE BEEN SURE
FOR A LONG TIME.
494
00:26:21,714 --> 00:26:23,783
WELL, IF YOU'RE SURE.
495
00:26:23,783 --> 00:26:25,351
UNLESS--ARE--BUT--
496
00:26:25,351 --> 00:26:26,686
ARE YOU SURE?
BECAUSE IF--
497
00:26:26,686 --> 00:26:28,154
I DON'T THINK
FIRST KISSES ARE
498
00:26:28,154 --> 00:26:29,689
SUPPOSED TO HAVE
THIS MUCH DISCUSSION.
499
00:26:29,689 --> 00:26:31,323
I KNOW. IT TAKES
THE SPONTANEITY
OUT OF IT.
500
00:26:31,323 --> 00:26:32,424
YEAH, IT KIND OF DOES.
501
00:26:32,424 --> 00:26:34,493
DID I JUST RUIN
OUR FIRST KISS?
502
00:26:34,493 --> 00:26:36,863
I THINK IT
CAN BE SALVAGED.
503
00:26:51,043 --> 00:26:52,211
[CAMERA BEEPS]
504
00:27:00,953 --> 00:27:03,890
SO WE GOT AN UPDATE
FROM RICK.
505
00:27:03,890 --> 00:27:07,026
FBI FOUND
EMMA'S HOUSE.
506
00:27:07,026 --> 00:27:08,761
WHAT DO YOU MEAN
THEY FOUND EMMA'S HOUSE?
507
00:27:08,761 --> 00:27:09,962
WAS JORDY THERE?
508
00:27:09,962 --> 00:27:11,397
NO. RICK WAS,
BUT HE GOT AWAY.
509
00:27:11,397 --> 00:27:13,099
NOW HE WANTS EMMA
TO CALL.
510
00:27:13,099 --> 00:27:15,101
WHY?
511
00:27:15,101 --> 00:27:17,369
BECAUSE SHE'S
IN CHARGE, REMEMBER?
512
00:27:17,369 --> 00:27:20,472
I'M NOT TRUSTED
WITH THE IMPORTANT
THINGS.
513
00:27:20,472 --> 00:27:23,042
THAT'S NOT TRUE,
ALL RIGHT?
514
00:27:23,042 --> 00:27:26,145
SHE'S JUST BEEN HERE
FOR LONGER, THAT'S ALL.
515
00:27:26,145 --> 00:27:29,415
YOU GUYS NEED TO STOP
THIS THING THAT YOU
GOT GOING.
516
00:27:29,415 --> 00:27:30,449
IT'S AWKWARD.
517
00:27:30,449 --> 00:27:32,484
AWKWARD FOR WHOM,
MAN?
518
00:27:32,484 --> 00:27:35,387
LOOK. I'M FINE.
IT'S JUST
I DON'T GET
519
00:27:35,387 --> 00:27:37,189
WHAT YOU SEE IN HER.
520
00:27:37,189 --> 00:27:39,091
YOU'RE WAY OUT
OF HER LEAGUE, MAN.
521
00:27:42,561 --> 00:27:44,663
I THINK SHE'S AMAZING.
522
00:27:56,308 --> 00:27:59,846
SO TELL ME, JACOB,
523
00:27:59,846 --> 00:28:01,347
WHAT DO YOU DO?
524
00:28:03,983 --> 00:28:08,020
UH, CURRENTLY I AM
IN BETWEEN JOBS.
525
00:28:08,020 --> 00:28:11,257
WELL, YOU'RE
TO PRETTY TO WORK.
526
00:28:11,257 --> 00:28:12,992
MOM!
527
00:28:12,992 --> 00:28:14,827
I CAN'T BELIEVE
YOU TWO ARE DATING.
528
00:28:18,064 --> 00:28:22,534
YOUR DAUGHTER IS
THE MOST AMAZING
WOMAN I KNOW.
529
00:28:22,534 --> 00:28:24,670
HMM. HMM.
530
00:28:24,670 --> 00:28:26,472
SO YOU LIKE
THE NO-FUSS PLAIN JANES.
531
00:28:26,472 --> 00:28:28,007
THAT'S SWEET.
532
00:28:28,007 --> 00:28:29,241
MOST BOYS DON'T.
533
00:28:29,241 --> 00:28:30,709
UNH!
534
00:28:30,709 --> 00:28:37,884
* I WATCHED
A CHANGE IN YOU *
535
00:28:37,884 --> 00:28:44,256
* IT'S LIKE YOU
NEVER HAD WINGS *
536
00:28:44,256 --> 00:28:45,524
YOU DID IT.
537
00:28:45,524 --> 00:28:51,697
* NOW YOU FEEL
SO ALIVE *
538
00:28:51,697 --> 00:28:55,634
* I'VE WATCHED YOU CHANGE *
539
00:28:55,634 --> 00:28:58,971
YOU REALLY DID IT.
540
00:28:58,971 --> 00:29:03,509
* IT'S LIKE YOU NEVER
HAD WINGS *
541
00:29:03,509 --> 00:29:12,518
* AHH, AHH, AHH *
542
00:29:12,518 --> 00:29:13,752
* I'M HOME *
543
00:29:29,501 --> 00:29:31,637
WHO ARE ALL
THESE WOMEN?
544
00:29:31,637 --> 00:29:35,374
THEY'RE ALL NAMES
OF WOMEN IN POE'S LIFE
AND WORK THAT DIED.
545
00:30:04,703 --> 00:30:07,506
A FEMALE.
SHE'S BEEN DEAD A WHILE.
546
00:30:07,506 --> 00:30:09,575
THE MOTHER?
547
00:30:09,575 --> 00:30:11,010
BURIED IN THE WALL.
548
00:30:11,010 --> 00:30:13,379
"THE BLACK CAT,"
"THE CASK OF AMONTILLADO,"
549
00:30:13,379 --> 00:30:15,047
CLASSIC POE.
550
00:30:25,657 --> 00:30:27,026
CALL THE MATTHEWS RESIDENCE.
551
00:30:27,026 --> 00:30:28,594
MAKE SURE CLAIRE MATTHEWS
IS SAFE.
552
00:30:32,531 --> 00:30:35,134
[SIREN]
553
00:30:38,737 --> 00:30:40,006
SHE'S SAFE.
THE HOUSE IS SECURE.
554
00:30:40,006 --> 00:30:41,607
THERE'S NO SIGN
OF ENTRY.
555
00:30:46,378 --> 00:30:47,346
ANYTHING?
556
00:30:47,346 --> 00:30:49,281
DENISE'S REAL NAME
IS EMMA HILL.
557
00:30:49,281 --> 00:30:51,250
SHE'S BEEN VISITING
JOE IN PRISON.
558
00:30:51,250 --> 00:30:54,353
SHE IS PART OF THIS,
BUT, NO, WE DIDN'T FIND HER.
559
00:31:14,206 --> 00:31:16,675
HEY, FELLAS.
EYES UP, HUH?
560
00:31:16,675 --> 00:31:21,347
YOU'RE ON WATCH.
COFFEE BREAK
FOR GOD'S SAKE.
561
00:31:42,301 --> 00:31:44,503
ALL GOOD.
562
00:31:44,503 --> 00:31:45,671
THANKS.
563
00:31:53,779 --> 00:31:55,514
[POLICE RADIO CHATTER]
564
00:31:59,318 --> 00:32:01,753
9 DIFFERENT
HANDWRITINGS
WERE FOUND.
565
00:32:01,753 --> 00:32:03,255
WE MATCHED ALL
OUR SUSPECTS,
566
00:32:03,255 --> 00:32:07,559
BUT, UH, 5 REMAIN
UNIDENTIFIED.
567
00:32:07,559 --> 00:32:11,897
M.E. HAS CONFIRMED
THAT THE DEAD BODY IS
EMMA'S MOTHER SHARON COOPER.
568
00:32:11,897 --> 00:32:14,700
STILL NO I.D.
ON THE MASKED MAN.
569
00:32:14,700 --> 00:32:17,836
JORDY, A DISORGANIZED
KILLER WITH A LOW IQ,
570
00:32:17,836 --> 00:32:20,006
HOW DOES HE
JUST DISAPPEAR?
571
00:32:39,658 --> 00:32:41,393
[WATER RUNNING]
572
00:33:20,799 --> 00:33:22,534
WHAT ARE THOSE?
573
00:33:22,534 --> 00:33:24,736
BLUEPRINTS.
574
00:33:24,736 --> 00:33:29,007
THEY WERE ON THE WALL
OF THE NANNY'S HOUSE.
575
00:33:29,007 --> 00:33:32,611
THAT'S THE CLOSET
THEY TOOK HER THROUGH.
576
00:33:32,611 --> 00:33:34,780
THAT'S THE GARAGE WHERE
THE OFFICER WAS KILLED.
577
00:33:40,186 --> 00:33:43,355
WAIT A MINUTE.
THAT'S CLAIRE'S BASEMENT!
578
00:33:49,027 --> 00:33:50,762
Riley: GO, GO, GO!
579
00:33:50,762 --> 00:33:52,364
COVER THE BACK!
580
00:33:55,901 --> 00:33:57,936
DON'T SHOOT!
I'M UNARMED.
581
00:33:57,936 --> 00:34:00,572
IT'S YOU.
582
00:34:00,572 --> 00:34:03,375
FINALLY. YOU KNOW,
WE'VE BEEN WAITING FOR YOU.
583
00:34:03,375 --> 00:34:06,044
KEEP THEM OUT!
KEEP EVERYBODY OUT!
584
00:34:06,044 --> 00:34:07,113
GET BACK!
EVERYONE BACK.
585
00:34:07,113 --> 00:34:09,581
GET BACK!
586
00:34:09,581 --> 00:34:11,783
OK, JORDY.
587
00:34:11,783 --> 00:34:13,952
THEY'RE GONE.
588
00:34:13,952 --> 00:34:17,923
JUST US. OK?
589
00:34:17,923 --> 00:34:19,358
CAN I SHUT THE DOOR?
590
00:34:19,358 --> 00:34:21,127
YEAH. THAT'S GOOD.
YOU SHUT THE DOOR.
591
00:34:33,038 --> 00:34:34,673
TAKE THE GUN AWAY
FROM HER HEAD.
592
00:34:34,673 --> 00:34:36,108
I HAVE TO KILL HER.
593
00:34:36,108 --> 00:34:38,076
NO, YOU DON'T.
594
00:34:38,076 --> 00:34:39,478
AND YOU HAVE TO WATCH.
595
00:34:39,478 --> 00:34:43,014
THOSE ARE THE RULES,
OR, UH--
596
00:34:43,014 --> 00:34:45,050
OR WHAT?
597
00:34:45,050 --> 00:34:48,687
OR YOU HAVE TO KILL ME.
598
00:34:48,687 --> 00:34:50,822
I'M NOT SURE
I'M READY TO DIE.
599
00:34:50,822 --> 00:34:52,291
JORDY, NOBODY
HAS TO DIE.
600
00:34:52,291 --> 00:34:53,659
JOE DOESN'T WANT HER
TO DIE.
601
00:34:53,659 --> 00:34:54,860
YES, HE DOES!
602
00:34:54,860 --> 00:34:57,629
AND HE CHOSE ME TO DO IT,
NOT ANYONE ELSE, ME!
603
00:34:57,629 --> 00:35:00,832
THIS IS MY CHAPTER,
AND I CAN WRITE IT
ANY WAY I WANT TO!
604
00:35:00,832 --> 00:35:02,934
OK. I'LL TELL YOU WHAT.
605
00:35:02,934 --> 00:35:05,437
WHY DON'T WE CALL HIM?
606
00:35:05,437 --> 00:35:09,107
WE CAN CALL HIM.
WE CAN ASK HIM.
607
00:35:09,107 --> 00:35:12,744
I HAVE HIS NUMBER.
608
00:35:12,744 --> 00:35:16,248
THERE'S A PHONE
RIGHT OVER THERE
BY THE BED.
609
00:35:20,018 --> 00:35:22,954
GET AN AMBULANCE!
610
00:35:22,954 --> 00:35:25,224
[JORDY GROANS]
611
00:35:27,659 --> 00:35:30,296
OK.
612
00:35:30,296 --> 00:35:31,997
THE STORM WINDOWS
WERE PADLOCKED.
613
00:35:31,997 --> 00:35:33,565
THE MAN HAD A KEY.
614
00:35:33,565 --> 00:35:34,833
THE NANNY
GAVE IT TO HIM.
615
00:35:34,833 --> 00:35:36,101
HE WAS DRESSED
AS A COP.
616
00:35:36,101 --> 00:35:37,669
HE HID UNDER ONE
OF THE AC UNITS
617
00:35:37,669 --> 00:35:39,171
NOBODY KNEW ABOUT.
618
00:35:39,171 --> 00:35:41,640
EXCEPT THE NANNY,
WHO GAVE IT TO HIM.
619
00:35:41,640 --> 00:35:42,974
COME ON. HOW ARE
WE SUPPOSED
TO KNOW THAT?
620
00:35:42,974 --> 00:35:46,678
IT'S YOUR JOB!
621
00:35:46,678 --> 00:35:49,014
OK. LISTEN UP.
IF YOU'RE NOT
A FEDERAL AGENT,
622
00:35:49,014 --> 00:35:52,050
I WANT YOU OUT
OF THIS HOUSE NOW,
YOU UNDERSTAND?
623
00:35:52,050 --> 00:35:53,151
COME ON.
LET' GO.
624
00:36:19,878 --> 00:36:22,948
WHAT'S UP?
625
00:36:22,948 --> 00:36:24,750
SHE'S
A STRONG WOMAN.
626
00:36:24,750 --> 00:36:26,485
SHE HAS TO BE.
627
00:36:26,485 --> 00:36:27,919
THE PRISON GUARD'S
IN SURGERY.
628
00:36:27,919 --> 00:36:29,488
HE'LL BE FINE.
629
00:36:29,488 --> 00:36:30,856
WE'LL QUESTION HIM
THE SECOND HE'S
CONSCIOUS.
630
00:36:30,856 --> 00:36:33,459
I WANT TO SEE JOE.
631
00:36:33,459 --> 00:36:35,261
SO YOU CAN BREAK
HIS OTHER HAND?
632
00:36:41,867 --> 00:36:43,969
[BUZZ]
633
00:37:03,154 --> 00:37:04,723
DON'T TRUST ME
ALONE WITH YOU.
634
00:37:06,892 --> 00:37:09,895
HOW'S THE HAND?
635
00:37:09,895 --> 00:37:12,063
HAVE YOU SLEPT?
636
00:37:12,063 --> 00:37:14,099
YOU LOOK TIRED.
637
00:37:14,099 --> 00:37:17,002
IT'S IMPORTANT
YOU TAKE CARE
OF YOURSELF,
638
00:37:17,002 --> 00:37:19,037
PRESERVE
YOU STRENGTH.
639
00:37:19,037 --> 00:37:20,772
I'VE MADE
A FEW REQUESTS,
640
00:37:20,772 --> 00:37:24,042
NOTHING SCANDALOUS,
JUST A COUPLE
OF BOOKS.
641
00:37:24,042 --> 00:37:25,344
CLAIRE ALMOST DIED
TONIGHT.
642
00:37:25,344 --> 00:37:29,080
I LIKE TO READ
BEFORE BED.
643
00:37:29,080 --> 00:37:31,249
CALMS THE MIND,
HELPS ME SLEEP.
644
00:37:31,249 --> 00:37:33,719
SHE ALMOST DIED,
645
00:37:33,719 --> 00:37:35,354
THE WOMAN YOU PROFESS
TO LOVE.
646
00:37:35,354 --> 00:37:37,523
YEAH,
BUT SHE DIDN'T.
647
00:37:37,523 --> 00:37:40,258
I WAS HOPING
YOU'D SAVE HER.
648
00:37:40,258 --> 00:37:42,027
AN HEROIC VICTORY
BY THE LEADING MAN
649
00:37:42,027 --> 00:37:43,695
THAT CEMENTS
THE LOVE STORY.
650
00:37:43,695 --> 00:37:45,263
WHAT IF I HADN'T
ARRIVED IN TIME?
651
00:37:45,263 --> 00:37:48,734
WELL, THAT'S WHAT
MAKES THE STORY
SO UNPREDICTABLE.
652
00:37:48,734 --> 00:37:50,302
YOU GOT TO
TOUGHEN UP, RYAN.
653
00:37:50,302 --> 00:37:53,071
YOU'RE DEALING
WITH DEPRAVED MINDS,
654
00:37:53,071 --> 00:37:55,607
SICK AND TWISTED.
655
00:37:55,607 --> 00:38:00,111
JORDY WAS
A MERE PUPPY
656
00:38:00,111 --> 00:38:03,048
COMPARED TO SOME
OF THE GAMES I HAVE
IN STORE FOR YOU.
657
00:38:11,323 --> 00:38:13,124
WHY YOU DOING THIS, JOE?
658
00:38:13,124 --> 00:38:15,260
THE CHALLENGE, RYAN.
659
00:38:15,260 --> 00:38:17,295
ACCEPT IT.
660
00:38:17,295 --> 00:38:19,731
WE'VE BARELY
EVEN STARTED.
661
00:38:19,731 --> 00:38:22,067
I HAVE SO MANY
SURPRISES
662
00:38:22,067 --> 00:38:24,836
WAITING FOR YOU.
663
00:38:24,836 --> 00:38:28,306
AND HOW LONG DO YOU
THINK YOU CAN KEEP THIS UP
BEHIND BARS?
664
00:38:28,306 --> 00:38:29,941
WHAT'S THE END GAME?
665
00:38:29,941 --> 00:38:32,010
THAT'S A QUESTION
THE HERO MUST ANSWER.
666
00:38:32,010 --> 00:38:34,312
I'M SORRY, RYAN.
YOU REALLY ARE
GONNA HAVE TO DO
667
00:38:34,312 --> 00:38:38,384
SOME OF THE WORK
YOURSELF.
668
00:38:38,384 --> 00:38:43,254
JORDY WAS THE FIRST STEP
IN YOUR RETURN TO FORM.
669
00:38:43,254 --> 00:38:46,425
YOU SAVED THE DAY.
HOW DOES IT FEEL
670
00:38:46,425 --> 00:38:50,462
TO BE VICTORIOUS,
TO KILL THE VILLAIN?
671
00:38:56,435 --> 00:38:59,605
I DIDN'T KILL HIM.
672
00:38:59,605 --> 00:39:00,806
YEAH. JORDY'S
ALIVE AND WELL.
673
00:39:00,806 --> 00:39:04,810
HE'S IN A CELL
RIGHT DOWN THE HALL.
674
00:39:04,810 --> 00:39:09,214
THAT WASN'T PART
OF THE PLAN, WAS IT?
675
00:39:09,214 --> 00:39:12,384
NO. IT DOESN'T MATTER.
676
00:39:12,384 --> 00:39:15,887
HE KNOWS NOTHING.
677
00:39:15,887 --> 00:39:18,724
MAN'S A HALFWIT.
678
00:39:18,724 --> 00:39:21,126
EXTREMELY SHORT
SHELF LIFE, YOU KNOW?
679
00:39:21,126 --> 00:39:24,329
PROBABLY SHOULDN'T
TELL HIM THAT WHEN I
SPEAK TO HIM.
680
00:39:24,329 --> 00:39:26,164
SLEEP TIGHT.
681
00:39:26,164 --> 00:39:27,365
[BUZZ]
682
00:39:38,810 --> 00:39:41,379
IT'S GOOD?
OK. THANKS.
683
00:39:47,719 --> 00:39:49,421
YOU DON'T HAVE TO
STAY HERE, YOU KNOW?
684
00:39:49,421 --> 00:39:50,956
WE COULD TAKE YOU
SOMEPLACE ELSE.
685
00:39:50,956 --> 00:39:51,923
WHERE?
686
00:39:55,093 --> 00:39:56,828
YOU SHOULD GET
SOME SLEEP.
687
00:39:59,097 --> 00:40:00,466
DON'T GO.
688
00:40:03,602 --> 00:40:08,339
I DON'T TRUST
ANYONE BUT YOU.
689
00:40:08,339 --> 00:40:09,808
I'M NOT GOING ANYWHERE.
690
00:40:26,758 --> 00:40:34,199
* YOU ARE MY ANGEL *
691
00:40:41,507 --> 00:40:47,078
* COME FROM WAY ABOVE *
692
00:40:47,078 --> 00:40:48,780
* TO BRING ME *
693
00:40:48,780 --> 00:40:54,219
* TO BRING ME LOVE *
694
00:41:07,232 --> 00:41:15,641
* HER EYES,
SHE'S ON THE DARK SIDE *
695
00:41:15,641 --> 00:41:22,914
* NEUTRALIZE EVERYONE IN SIGHT *
696
00:41:31,289 --> 00:41:34,292
* LOVE YOU, LOVE YOU, LOVE YOU
LOVE YOU, LOVE YOU, LOVE YOU *
697
00:41:34,292 --> 00:41:38,630
* LOVE YOU, LOVE YOU, LOVE YOU
LOVE YOU, LOVE YOU, LOVE YOU *
698
00:42:12,397 --> 00:42:15,500
* CAME FROM WAY BELOW *
699
00:42:15,500 --> 00:42:19,771
* CAME FROM WAY BELOW *
700
00:42:19,771 --> 00:42:23,709
* SHE'S ON THE DARK SIDE *
701
00:42:23,709 --> 00:42:26,945
* SHE'S ON THE DARK SIDE *
702
00:42:26,945 --> 00:42:30,548
* COME FROM WAY BELOW *
703
00:42:34,519 --> 00:42:37,088
* COME FROM WAY BELOW *
704
00:42:41,593 --> 00:42:44,630
* COME FROM WAY BELOW *
705
00:42:52,203 --> 00:42:54,205
HEY!
706
00:42:54,205 --> 00:42:56,274
[SCREAMING]
49082
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