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These are the user uploaded subtitles that are being translated: 1 00:00:02,336 --> 00:00:05,005 Man: SERIAL KILLER JOE CARROLL HAS ESCAPED FROM PRISON. 2 00:00:05,005 --> 00:00:07,175 WE NEED HELP NOW! 3 00:00:07,175 --> 00:00:08,342 FBI Director Franklin: RYAN, I KNOW THINGS DIDN'T END WELL WITH THE BUREAU, 4 00:00:08,342 --> 00:00:09,343 BUT YOU CAUGHT CARROLL. 5 00:00:09,343 --> 00:00:10,878 NO ONE KNOWS HIM LIKE YOU DO. 6 00:00:10,878 --> 00:00:12,180 I'M NOT AN AGENT ANYMORE. 7 00:00:12,180 --> 00:00:13,881 HE CUT OUT HIS VICTIMS' EYES AS A NOD 8 00:00:13,881 --> 00:00:15,249 TO HIS FAVORITE WORKS OF POE. 9 00:00:15,249 --> 00:00:17,185 HE DIDN'T JUST EVISCERATE 14 FEMALE STUDENTS. 10 00:00:17,185 --> 00:00:18,452 HE WAS MAKING ART. 11 00:00:18,452 --> 00:00:19,887 Woman: SARAH WAS HIS UNFINISHED WORK. 12 00:00:19,887 --> 00:00:21,355 HE WANTED TO GET THE ENDING RIGHT. 13 00:00:21,355 --> 00:00:24,225 Carroll: THE POINT OF SARAH'S DEATH WAS FOR YOU. 14 00:00:24,225 --> 00:00:25,793 Ryan: HE'S FINDING PEOPLE. 15 00:00:25,793 --> 00:00:26,794 THEY'RE HIS FOLLOWERS. 16 00:00:26,794 --> 00:00:28,296 PRISON GUARD, GAY NEIGHBORS-- 17 00:00:28,296 --> 00:00:30,298 HOW DO THEY FIGURE INTO YOUR NEW PLOT? 18 00:00:30,298 --> 00:00:31,532 WE KNOWN ABOUT THE CULT. 19 00:00:31,532 --> 00:00:33,401 I LIKE TO THINK OF THEM AS MY FRIENDS. 20 00:00:33,401 --> 00:00:34,702 SO WHAT'S MY SEQUEL ABOUT, JOE? 21 00:00:34,702 --> 00:00:36,137 WE'RE GONNA WRITE THIS TOGETHER, RYAN, 22 00:00:36,137 --> 00:00:38,272 EVEN THOUGH YOU SLEPT WITH MY WIFE. 23 00:00:38,272 --> 00:00:39,573 DID SHE SHOW YOU THE LETTER? 24 00:00:39,573 --> 00:00:41,041 HOW DOES HE KNOW? HE DOESN'T. 25 00:00:41,041 --> 00:00:42,210 NO ONE NEED TO KNOW ABOUT THIS. 26 00:00:42,210 --> 00:00:44,512 Boy: MOM, WHAT'S GOING ON? YEAH. 27 00:00:44,512 --> 00:00:46,046 IT'S DAD, ISN'T IT? 28 00:00:46,046 --> 00:00:47,715 I DIDN'T KNOW WHAT TO SAY. OH, HONEY. 29 00:00:47,715 --> 00:00:49,083 Ryan: IF THIS BOOK ENDS WITH ANYTHING OTHER THAN YOUR DEATH, 30 00:00:49,083 --> 00:00:50,684 YOU BETTER PLAN ON A REWRITE. 31 00:00:50,684 --> 00:00:52,086 AAH! AAH! 32 00:00:52,086 --> 00:00:53,221 JOEY? WHERE IS HE? 33 00:00:53,221 --> 00:00:55,189 JOEY! JOEY, HONEY, WHERE ARE YOU? 34 00:00:55,189 --> 00:00:58,292 WHERE'S DENISE? WHERE'S MY SON?! 35 00:00:58,292 --> 00:01:01,162 SORRY. DIDN'T MEAN TO SCARE YOU. 36 00:01:01,162 --> 00:01:02,330 IS EVERYTHING OK? 37 00:01:02,330 --> 00:01:03,897 EXTRA PATROL THIS EVENING. 38 00:01:03,897 --> 00:01:04,732 I THOUGHT THEY CAUGHT HIM. 39 00:01:04,732 --> 00:01:06,066 I SAW IT ON THE NEWS. 40 00:01:06,066 --> 00:01:07,235 STILL, MIND IF I LOOK AROUND, 41 00:01:07,235 --> 00:01:08,502 CHECK YOUR DOORS AND WINDOWS? 42 00:01:08,502 --> 00:01:09,337 SURE. 43 00:01:11,605 --> 00:01:13,107 COME ON IN. 44 00:01:13,107 --> 00:01:14,675 I THINK EVERYONE'S ASLEEP. 45 00:01:17,345 --> 00:01:19,147 WHY DON'T WE START UPSTAIRS? 46 00:01:24,352 --> 00:01:26,053 DO YOU WANT ME TO WAKE EVERYONE? 47 00:01:26,053 --> 00:01:27,721 NO. WE DON'T WANT TO DO THAT. 48 00:01:27,721 --> 00:01:30,391 LET'S START WITH THE ROOM ON THE END. 49 00:01:30,391 --> 00:01:31,392 OK. 50 00:01:38,599 --> 00:01:41,068 THIS IS JESSE'S ROOM. SHE'S OUT. 51 00:01:41,068 --> 00:01:46,307 YES. JESSE'S ROOM. I KNOW. 52 00:01:46,307 --> 00:01:48,176 I'VE STUDIED THIS HOUSE A LOT. 53 00:01:59,720 --> 00:02:02,122 WHAT IS THAT? 54 00:02:02,122 --> 00:02:05,159 I THREW THIS UP HERE EARLIER. 55 00:02:05,159 --> 00:02:07,328 IT'S MY KIT. 56 00:02:07,328 --> 00:02:10,298 IT'S IMPORTANT TO HAVE THE RIGHT TOOLS. 57 00:02:13,534 --> 00:02:16,304 I'VE BEEN PLANNING THIS FOR A LONG TIME. 58 00:02:22,310 --> 00:02:24,612 Turner: CONVICTED SERIAL KILLER JOE CARROLL 59 00:02:24,612 --> 00:02:26,447 HAS BEEN CAPTURED AND IS BEING HELD 60 00:02:26,447 --> 00:02:28,482 AT THE RICHMOND FEDERAL DETENTION CENTER. 61 00:02:28,482 --> 00:02:31,319 AS OF EARLY THIS MORNING, CAROL'S SON JOEY MATTHEWS 62 00:02:31,319 --> 00:02:34,455 AND HIS NANNY DENISE HARRIS HAVE BEEN MISSING. 63 00:02:34,455 --> 00:02:35,789 AN AMBER ALERT IS IN EFFECT, 64 00:02:35,789 --> 00:02:38,892 AND WE ASK THAT ANYONE WITH ANY INFORMATION 65 00:02:38,892 --> 00:02:41,895 AS TO THEIR WHEREABOUTS PLEASE CONTACT THE FBI. 66 00:02:41,895 --> 00:02:44,298 WHAT'S GOING ON, RYAN? WHERE IS MY SON? 67 00:02:44,298 --> 00:02:46,200 WE NEED TO TALK. 68 00:02:46,200 --> 00:02:47,635 WHY IS JOE DOING THIS? 69 00:02:47,635 --> 00:02:48,869 I DON'T UNDERSTAND HOW DENISE IS INVOLVED. 70 00:02:48,869 --> 00:02:51,339 ARE THEY GONNA HURT JOEY? 71 00:02:51,339 --> 00:02:53,474 I THINK SHE'S YOUR NANNY BECAUSE OF JOEY. 72 00:02:53,474 --> 00:02:54,642 I THINK HE PUT HER HERE-- 73 00:02:54,642 --> 00:02:56,544 NO. THAT'S IMPOSSIBLE. 74 00:02:56,544 --> 00:02:57,945 SHE'S BEEN JOEY'S NANNY FOR TWO YEARS. 75 00:02:57,945 --> 00:03:00,147 SHE LIVES WITH ME, I KNOW HER. 76 00:03:00,147 --> 00:03:02,950 THE ACCOMPLICES, THE GUYS THAT HELPED HIM KILL SARAH FULLER, 77 00:03:02,950 --> 00:03:04,852 THEY WERE THERE FOR YEARS, 78 00:03:04,852 --> 00:03:06,019 USING FALSE IDENTITIES. 79 00:03:06,019 --> 00:03:07,221 WE THINK THAT SHE DID, TOO. 80 00:03:07,221 --> 00:03:09,390 I DID A BACKGROUND CHECK, 81 00:03:09,390 --> 00:03:11,191 I CHECKED HER REFERENCES, I HAVE RECORDS. 82 00:03:11,191 --> 00:03:12,526 CAN I SEE THEM? 83 00:03:12,526 --> 00:03:13,361 YEAH. 84 00:03:18,466 --> 00:03:20,901 Weston: HEAVY TRACES OF ZOLPIDEM ON THE KITCHEN COUNTER. 85 00:03:20,901 --> 00:03:21,869 SHE DRUGGED THE GUARDS. 86 00:03:21,869 --> 00:03:23,537 I BET THE KID, TOO. 87 00:03:23,537 --> 00:03:24,938 CARRIED HIM DOWN THE BACK STAIRCASE TO THE GARAGE. 88 00:03:24,938 --> 00:03:26,374 CAR WAS FOUND 10 MINUTES AGO 89 00:03:26,374 --> 00:03:28,276 IN A PARKING LOT 45 MINUTES FROM HERE. 90 00:03:34,315 --> 00:03:35,983 DENISE HARRIS FROM ALEXANDRIA. 91 00:03:35,983 --> 00:03:39,019 HER ADDRESS, HER REFERENCES, IT'S ALL THERE. 92 00:03:39,019 --> 00:03:40,488 SHE TALKED ABOUT HER MOM A LOT. 93 00:03:40,488 --> 00:03:41,889 I GUESS THEY WERE CLOSE. 94 00:03:41,889 --> 00:03:43,223 NO DAD IN THE PICTURE. 95 00:03:43,223 --> 00:03:44,525 YOU EVER MEET ANY OF HER FRIENDS 96 00:03:44,525 --> 00:03:45,793 OR OVERHEAR A PHONE CONVERSATION? 97 00:03:45,793 --> 00:03:47,495 HER FRIENDS NEVER CAME OVER. SHE WAS SHY, 98 00:03:47,495 --> 00:03:49,597 SHE KEPT TO HERSELF. 99 00:03:49,597 --> 00:03:54,402 SHE READ IN HER ROOM A LOT. 100 00:03:54,402 --> 00:03:56,236 I CAN'T BE THIS BLIND, CAN I? 101 00:03:56,236 --> 00:04:00,808 YOU CANNOT AFFORD TO THINK LIKE THAT, DO YOU UNDERSTAND? 102 00:04:00,808 --> 00:04:02,343 FIND MY SON. 103 00:04:12,820 --> 00:04:14,522 [JOEY SCREAMING] 104 00:04:14,522 --> 00:04:16,757 HEY! YOU CAN'T RUN FROM ME! 105 00:04:20,328 --> 00:04:23,797 HA HA HA! WHEE! 106 00:04:23,797 --> 00:04:26,300 ERR! 107 00:04:26,300 --> 00:04:27,968 I GOT YOU! 108 00:04:27,968 --> 00:04:29,937 [GIGGLING] 109 00:04:29,937 --> 00:04:31,405 LOOK AT THIS PLACE. 110 00:04:38,045 --> 00:04:40,414 WOW! 111 00:04:40,414 --> 00:04:41,449 WHOSE HOUSE IS THIS? 112 00:04:41,449 --> 00:04:42,683 FRIEND OF A FRIEND. 113 00:04:42,683 --> 00:04:44,284 AND IT'S OK THAT WE'RE HERE? 114 00:04:44,284 --> 00:04:46,854 YEAH. COME ON! LET'S CHECK IT OUT! 115 00:04:49,289 --> 00:04:50,958 CAN I CALL MY MOM NOW? 116 00:04:50,958 --> 00:04:54,762 HONEY, I TOLD YOU. 117 00:04:54,762 --> 00:04:56,864 YOUR MOM TOLD US NOT TO CALL. 118 00:04:56,864 --> 00:04:59,967 SHE DOESN'T WANT ANYONE TO KNOW WHERE WE ARE. 119 00:04:59,967 --> 00:05:01,435 YOU REMEMBER WHAT I SAID? 120 00:05:01,435 --> 00:05:02,570 WE'RE ON AN ADVENTURE! 121 00:05:02,570 --> 00:05:05,439 MM-HMM. COME HERE. 122 00:05:07,741 --> 00:05:09,042 WHAT'S WRONG WITH YOU? 123 00:05:09,042 --> 00:05:10,411 I HATE KIDS. STOP IT. 124 00:05:10,411 --> 00:05:11,679 I DO. I HATE TALKING TO THEM, 125 00:05:11,679 --> 00:05:13,013 I HATE LOOKING AT THEM. 126 00:05:13,013 --> 00:05:15,015 HEY. NOT THIS KID, OK? 127 00:05:15,015 --> 00:05:16,817 YOU LIKE THIS KID. 128 00:05:16,817 --> 00:05:19,353 JUST KEEP SAYING IT OVER AND OVER AGAIN UNTIL IT STICKS. 129 00:05:19,353 --> 00:05:23,424 I'D RATHER SNAP HIS NECK. 130 00:05:23,424 --> 00:05:24,792 I'M KIDDING. 131 00:05:29,963 --> 00:05:31,098 IS THERE A PROBLEM? 132 00:05:31,098 --> 00:05:32,466 NOPE. NO. NOT HERE. 133 00:05:32,466 --> 00:05:34,301 WE'RE ON AN ADVENTURE WITH A KID, 134 00:05:34,301 --> 00:05:37,505 AND I LIKE KIDS, ESPECIALLY THIS KID. 135 00:05:43,411 --> 00:05:45,579 WHAT WAS THAT ABOUT? 136 00:05:45,579 --> 00:05:49,417 IT'S BEEN A LONG NIGHT, HE'S TIRED. 137 00:05:57,491 --> 00:05:59,460 IT'S GOOD TO HAVE YOU BACK. 138 00:06:01,729 --> 00:06:03,864 Man on TV: MORE DEVELOPMENTS FROM RICHMOND, VIRGINIA, 139 00:06:03,864 --> 00:06:05,799 UPON SARAH FULLER'S DEATH AS THE SEARCH 140 00:06:05,799 --> 00:06:07,935 FOR YOUNG JOEY MATTHEWS CONTINUES. 141 00:06:07,935 --> 00:06:09,970 CONVICTED SERIAL KILLER JOE CARROLL'S SON 142 00:06:09,970 --> 00:06:11,705 IS BELIEVED TO HAVE BEEN ABDUCTED... 143 00:06:11,705 --> 00:06:14,074 OK. THE TEAM OVER THERE'S COVERING THE GROUND SEARCH, 144 00:06:14,074 --> 00:06:15,709 THAT GROUP IS ON OUR PRISON GUARD JORDY, 145 00:06:15,709 --> 00:06:17,611 AND WE'VE GOT JOEY'S SEARCH RIGHT HERE. 146 00:06:17,611 --> 00:06:19,913 RYAN HARDY, THIS IS AGENT MITCHELL, CYBERFORENSICS. 147 00:06:19,913 --> 00:06:22,115 SHE'S FROM OUR D.C. OFFICE. SHE'S AWESOME. 148 00:06:22,115 --> 00:06:23,183 NICE TO MEET YOU, SIR. 149 00:06:23,183 --> 00:06:24,552 WHERE ARE WE ARE ON THE NANNY? 150 00:06:24,552 --> 00:06:25,853 I KNOW DENISE HARRIS IS NOT FROM ALEXANDRIA 151 00:06:25,853 --> 00:06:28,522 BECAUSE DENISE HARRIS DOES NOT EXIST. 152 00:06:28,522 --> 00:06:30,791 BUT WE I.D.ed SARAH FULLER'S GAY OR NOT-SO-GAY NEIGHBORS. 153 00:06:30,791 --> 00:06:33,494 REAL NAMES ARE JACOB WELLS AND PAUL TORRES. 154 00:06:33,494 --> 00:06:34,762 JACOB IS FROM LAKE WHITEHURST, 155 00:06:34,762 --> 00:06:36,764 PAUL IS FORM EL PASO, TEXAS. 156 00:06:36,764 --> 00:06:38,365 WHERE HE'S A COMPUTER CONSULTANT WITH A HISTORY OF FRAUD, 157 00:06:38,365 --> 00:06:40,000 WHICH EXPLAINS ALL THE FAKE I.D.s. 158 00:06:40,000 --> 00:06:41,034 WHERE'S AGENT MASON? 159 00:06:49,109 --> 00:06:51,945 Turner: I'D JUST GET RID OF HIM, SEND HIM HOME. 160 00:06:51,945 --> 00:06:53,581 Riley: YOU CAN'T. YOU HEARD CARROLL. HE'S PART OF THE STORY. 161 00:06:53,581 --> 00:06:55,115 THEN SIDELINE HIM BEFORE HE CRACKS 162 00:06:55,115 --> 00:06:56,850 BECAUSE HE WILL CRACK. 163 00:06:56,850 --> 00:06:59,453 YOU WEREN'T AROUND 10 YEARS AGO. I LIVED...IT. 164 00:07:03,090 --> 00:07:06,694 WELL, THIS IS AWKWARD. 165 00:07:06,694 --> 00:07:07,895 HELLO, MR. HARDY. 166 00:07:07,895 --> 00:07:09,029 I'M AGENT DEBRA PARKER. 167 00:07:09,029 --> 00:07:10,498 I'M NEW THE PARTY. 168 00:07:10,498 --> 00:07:13,934 WE WERE JUST, UH, DISCUSSING YOU. 169 00:07:13,934 --> 00:07:16,637 AGENT PARKER'S IN FROM QUANTICO. SHE'S TAKING THE LEAD. 170 00:07:16,637 --> 00:07:17,938 I WANT TO SPEAK TO MR. HARDY PRIVATELY. 171 00:07:17,938 --> 00:07:18,939 WHERE'S MASON? 172 00:07:18,939 --> 00:07:20,541 SHE'S ON HER WAY BACK TO QUANTICO. 173 00:07:20,541 --> 00:07:22,676 APPARENTLY SHE PUT A FORMER AGENT ALONE 174 00:07:22,676 --> 00:07:23,977 IN A ROOM WITH JOE CARROLL 175 00:07:23,977 --> 00:07:26,279 AND LET HIM BREAK 3 OF HIS FINGERS. 176 00:07:26,279 --> 00:07:27,915 TURNS OUT THAT'S A NO-NO. 177 00:07:27,915 --> 00:07:30,918 3, HUH? 178 00:07:30,918 --> 00:07:32,786 BUT HE'S REMEMBERING YOU FOR THE MAN YOU WERE 10 YEARS AGO, 179 00:07:32,786 --> 00:07:34,221 NOT THE MAN YOU ARE NOW. 180 00:07:34,221 --> 00:07:35,455 AND THERE'S A DIFFERENCE? 181 00:07:35,455 --> 00:07:37,491 I HOPE SO BECAUSE JOE CARROLL 182 00:07:37,491 --> 00:07:39,627 HAS CAST YOU AS THE MAIN CHARACTER IN HIS PSYCHO SEQUEL, 183 00:07:39,627 --> 00:07:41,595 SO I CAN'T JUST KICK YOU TO THE CURB. 184 00:07:44,364 --> 00:07:47,501 I'M SORRY ABOUT SARAH FULLER. 185 00:07:47,501 --> 00:07:49,136 I WANT A GUN. 186 00:07:49,136 --> 00:07:50,838 I'M NOT ASKING TO BE AN AGENT AGAIN, 187 00:07:50,838 --> 00:07:52,906 BUT YOU NEED TO DEPUTIZE ME AND GIVE ME A GUN. 188 00:07:52,906 --> 00:07:54,975 WHEN WAS THE LAST TIME YOU HAD A DRINK? 189 00:07:54,975 --> 00:07:57,144 DIRECTOR FRANKLIN ASKED ME TO BE HERE, 190 00:07:57,144 --> 00:08:00,380 AND IF I'M GONNA STAY, I WANT A GUN. 191 00:08:00,380 --> 00:08:02,650 HOW'S YOUR HEART? I SEE HERE YOU SUFFER 192 00:08:02,650 --> 00:08:03,884 FROM, UH, CARDIOMYOPATHY. 193 00:08:03,884 --> 00:08:05,753 IS THIS REALLY THE BEST USE OF OUR TIME? 194 00:08:05,753 --> 00:08:06,987 THERE'S A CHILD MISSING. 195 00:08:06,987 --> 00:08:08,488 SO TELL ME ABOUT CARROLL'S ACCOMPLICES. 196 00:08:12,259 --> 00:08:15,362 HE USED THIS PRISON GUARD TO GAIN ACCESS TO THE INTERNET 197 00:08:15,362 --> 00:08:17,831 TO CREATE A FOLLOWING, LIKE A CULT. 198 00:08:17,831 --> 00:08:19,867 LET'S NOT USE THAT WORD. PEOPLE DON'T HEAR IT WELL. 199 00:08:19,867 --> 00:08:21,168 WELL, YOU CAN CALL IT WHAT YOU WANT, 200 00:08:21,168 --> 00:08:22,670 BUT HE SOLICITED PEOPLE TO DO HIS BIDDING. 201 00:08:22,670 --> 00:08:24,638 CARROLL MENTIONED A LETTER. 202 00:08:30,277 --> 00:08:34,114 CLAIRE MATTHEWS RECEIVED A LETTER ABOUT A WEEK BEFORE CARROLL'S ESCAPE. 203 00:08:34,114 --> 00:08:37,217 IT WAS PERSONAL. 204 00:08:37,217 --> 00:08:38,986 HE QUESTIONED MY RELATIONSHIP WITH HER. 205 00:08:38,986 --> 00:08:42,790 AS DID THE FBI 8 YEARS AGO. 206 00:08:42,790 --> 00:08:46,727 SO NOW YOU'RE UP TO SPEED. 207 00:08:46,727 --> 00:08:48,095 WE GOT MORE BODIES. 208 00:08:50,698 --> 00:08:53,166 BLOOD SMEAR. JORDY WAS MESSY. 209 00:08:53,166 --> 00:08:54,835 LEFT PRINTS EVERYWHERE. 210 00:08:54,835 --> 00:08:56,837 MADE NO ATTEMPT TO CONCEAL HIS IDENTITY. 211 00:08:56,837 --> 00:09:00,741 VICTIM NUMBER 3-- SHE TRIED TO RUN, QUICK STRUGGLE. 212 00:09:00,741 --> 00:09:02,643 NOT THE CASE FOR THE OTHERS. 213 00:09:08,749 --> 00:09:10,183 Turner: THERE WERE 9 GIRLS IN THE HOUSE AT THE TIME. 214 00:09:10,183 --> 00:09:12,019 SOME OF THEM WOKE UP WHEN THEY HEARD THE SCREAMS, 215 00:09:12,019 --> 00:09:13,987 AND JORDY RAN. 216 00:09:13,987 --> 00:09:16,323 HE REMOVED THE EYES-- CARROLL'S SIGNATURE. 217 00:09:16,323 --> 00:09:18,091 Riley: IS JORDY PLAYING AT POE'S GREATEST HITS? 218 00:09:18,091 --> 00:09:19,727 IT'S PAYING HOMAGE TO CARROLL. 219 00:09:19,727 --> 00:09:21,629 IT'S FOLLOWING IN THE FOOTSTEPS OF HIS HERO, 220 00:09:21,629 --> 00:09:24,497 IT'S CEREMONIAL, THE WORK OF AN ACOLYTE. 221 00:09:24,497 --> 00:09:25,666 LET'S NOT USE THAT WORD EITHER. 222 00:09:25,666 --> 00:09:27,100 IT IMPLIES THE OTHER WORD. 223 00:09:27,100 --> 00:09:28,936 LET'S SAY, "CARROLL'S ACCOMPLICES." 224 00:09:28,936 --> 00:09:33,340 PICK A WORD, ANY WORD, BUT THIS IS MIND CONTROL AT WORK. 225 00:09:33,340 --> 00:09:34,574 WHY HAVE HIS SON KIDNAPPED? 226 00:09:34,574 --> 00:09:36,043 IT'S AN OFFERING, IT'S BIBLICAL. 227 00:09:36,043 --> 00:09:37,678 THEY THINK OF HIM AS THE SON OF GOD, 228 00:09:37,678 --> 00:09:40,213 SOMETHING TO BE WORSHIPED. 229 00:09:40,213 --> 00:09:42,582 OR SACRIFICED. 230 00:09:42,582 --> 00:09:43,917 CARROLL KNOWS WHERE THE KID IS. 231 00:09:43,917 --> 00:09:45,786 HE'S NOT GONNA TELL US. 232 00:09:45,786 --> 00:09:47,988 BUT HE MIGHT TELL HIS WIFE. 233 00:09:47,988 --> 00:09:50,123 CARROLL ASKED TO SEE HER. 234 00:09:50,123 --> 00:09:51,725 HE'S SMARTER THAN THAT. HE'S NOT GONNA TELL HER ANYTHING. 235 00:09:51,725 --> 00:09:53,593 WELL, LET'S FIND OUT. 236 00:09:53,593 --> 00:09:55,729 [BUZZ] 237 00:09:57,698 --> 00:09:59,967 Claire, voice-over: WHAT DO I SAY? 238 00:09:59,967 --> 00:10:02,402 IS THERE ANYTHING SPECIAL I NEED TO ASK HIM? 239 00:10:02,402 --> 00:10:04,672 TRY TO ENGAGE HIM ABOUT JOEY, 240 00:10:04,672 --> 00:10:06,840 SPEAK TO HIS PATERNAL INSTINCTS. 241 00:10:06,840 --> 00:10:11,812 MAKE JOEY IMPORTANT TO HIM. 242 00:10:11,812 --> 00:10:13,747 ARE YOU SURE YOU WANT TO DO THIS? 243 00:10:33,734 --> 00:10:35,402 I LIKE YOUR NEW PLACE. 244 00:10:35,402 --> 00:10:37,237 ME, TOO. 245 00:10:37,237 --> 00:10:38,972 HOW WAS COURT TODAY? 246 00:10:38,972 --> 00:10:40,774 MOVING FAST. WON'T BE LONG NOW. 247 00:10:40,774 --> 00:10:43,944 I CAN'T GO ANYMORE. I CAN'T LOOK AT HIM. 248 00:10:43,944 --> 00:10:49,750 I DON'T EVER WANT TO SEE HIM AGAIN. 249 00:10:49,750 --> 00:10:51,251 YOU DON'T HAVE TO. 250 00:11:05,398 --> 00:11:07,667 [BUZZ] 251 00:11:30,958 --> 00:11:33,460 MY HANDS ARE SHAKING. 252 00:11:33,460 --> 00:11:36,930 MY GOD. YOU STILL HAVE THAT EFFECT ON ME. 253 00:11:36,930 --> 00:11:38,331 YOU'RE SO BEAUTIFUL ALWAYS-- 254 00:11:38,331 --> 00:11:41,935 WHERE'S MY SON? 255 00:11:41,935 --> 00:11:43,703 OUR SON, CLAIRE. 256 00:11:43,703 --> 00:11:48,776 PLEASE, JOE. WHERE IS HE? 257 00:11:48,776 --> 00:11:52,212 DO YOU REMEMBER WHEN WE WENT TO ANTIGUA, 258 00:11:52,212 --> 00:11:55,949 WE RENTED THAT LITTLE COTTAGE ON THE BEACH? 259 00:11:55,949 --> 00:11:57,751 WE WERE ONLY SUPPOSED TO BE THERE FOR A FEW DAYS, 260 00:11:57,751 --> 00:11:59,252 BUT IT TURNED INTO A WHOLE MONTH. 261 00:11:59,252 --> 00:12:01,388 I DON'T THINK WE WORE CLOTHES THE ENTIRE TIME. 262 00:12:01,388 --> 00:12:04,958 HE'S GROWING UP SO FAST--JOEY IS. 263 00:12:04,958 --> 00:12:07,828 HE'S SO BRILLIANT, READING WELL BEYOND HIS YEARS-- 264 00:12:07,828 --> 00:12:09,229 MELVILLE AND TWAIN. 265 00:12:09,229 --> 00:12:10,831 HE FINISHED "ROBINSON CRUSOE" LAST WEEK, 266 00:12:10,831 --> 00:12:11,899 BUT HE DIDN'T LIKE IT VERY MUCH. 267 00:12:11,899 --> 00:12:14,768 IT MUST BE SO HARD FOR YOU. 268 00:12:14,768 --> 00:12:19,072 YOU MUST FEEL SO BETRAYED. 269 00:12:19,072 --> 00:12:22,209 AGAIN. 270 00:12:22,209 --> 00:12:24,878 COME ON, CLAIRE. HANG IN THERE. 271 00:12:29,049 --> 00:12:31,418 SO YOU... GOT MY LETTER. 272 00:12:31,418 --> 00:12:34,788 IS HE IN DANGER, JOE? 273 00:12:34,788 --> 00:12:36,056 PLEASE JUST LET HIM BE, OK, OK? 274 00:12:36,056 --> 00:12:37,424 PLEASE DON'T LET HIM BE HURT. 275 00:12:37,424 --> 00:12:39,159 I'D LIKE SOME ANSWERS TO MY QUESTIONS. 276 00:12:46,900 --> 00:12:48,268 TELL ME WHERE JOEY IS FIRST. 277 00:12:48,268 --> 00:12:51,638 I ASKED YOU SOME VERY SPECIFIC QUESTIONS. 278 00:12:51,638 --> 00:12:52,973 I'D LIKE YOU TO ANSWER THEM. 279 00:12:52,973 --> 00:12:58,511 YES. "YES," YOU WHAT? 280 00:12:58,511 --> 00:13:02,315 RYAN AND I HAD AN AFFAIR FOR ALMOST TWO MONTHS. 281 00:13:05,853 --> 00:13:07,420 AFTER THE TRIAL? 282 00:13:07,420 --> 00:13:08,355 AND THE DIVORCE. 283 00:13:08,355 --> 00:13:10,557 OH, YES. OF COURSE. 284 00:13:10,557 --> 00:13:12,325 YOU WAITED FOR THE DIVORCE. 285 00:13:12,325 --> 00:13:16,830 NOBLE CLAIRE. ONLY A PROPER LITTLE DIDDLE WILL DO. 286 00:13:16,830 --> 00:13:20,233 WAS IT GOOD, THE SEX? 287 00:13:20,233 --> 00:13:26,439 DID YOU BODY QUIVER TO HIS EVERY TOUCH? 288 00:13:26,439 --> 00:13:29,176 YES. 289 00:13:29,176 --> 00:13:30,110 IT DID. 290 00:13:30,110 --> 00:13:31,578 WE GOT TO GET HER OUT OF THERE. 291 00:13:31,578 --> 00:13:33,914 NOT YET. 292 00:13:33,914 --> 00:13:35,315 Carroll: AND THE LAST QUESTION? 293 00:13:35,315 --> 00:13:36,683 I DON'T KNOW. OH, YOU KNOW THE QUESTION. 294 00:13:36,683 --> 00:13:40,988 I DON'T KNOW IS MY ANSWER. 295 00:13:40,988 --> 00:13:42,822 HOW COULD I LOVE ANYONE AFTER YOU? 296 00:13:42,822 --> 00:13:45,192 YOU DESTROYED ME. YOU SON OF A BITCH! 297 00:13:45,192 --> 00:13:48,461 WHERE'S MY SON? WHERE IS JOEY, YOU BASTARD? 298 00:13:48,461 --> 00:13:50,864 WHERE IS--OHH! AAH! 299 00:13:50,864 --> 00:13:51,999 WE NEED TO GET IN THERE. DAMN IT! 300 00:13:51,999 --> 00:13:54,301 I WILL ALWAYS LOVE YOU. 301 00:13:54,301 --> 00:13:55,235 [BUZZ] 302 00:13:55,235 --> 00:13:56,569 [MOANS] 303 00:13:56,569 --> 00:13:58,238 NO! OFF! 304 00:14:14,387 --> 00:14:15,388 YOU OK? 305 00:14:15,388 --> 00:14:17,224 YES. 306 00:14:17,224 --> 00:14:19,359 I'M SORRY ABOUT WHAT I SAID IN THERE. 307 00:14:19,359 --> 00:14:22,262 DON'T BE. GOT A CAR WAITING TO TAKE-- 308 00:14:22,262 --> 00:14:25,165 IS THERE ANY NEWS ON JOEY? 309 00:14:25,165 --> 00:14:28,902 AS SOON AS I KNOW ANYTHING, I PROMISE-- 310 00:14:28,902 --> 00:14:30,303 WE'RE GONNA FIND HIM, CLAIRE. 311 00:14:38,545 --> 00:14:40,347 WHICH ROOM DO I GET? 312 00:14:40,347 --> 00:14:42,115 I DON'T KNOW. LET'S SEE. 313 00:14:44,985 --> 00:14:47,787 WHOA! IT'S JUST LIKE MY ROOM AT HOME! 314 00:14:47,787 --> 00:14:50,257 MY NINJA WARRIOR! 315 00:14:50,257 --> 00:14:51,591 AND IT'S BRAND-NEW! 316 00:14:51,591 --> 00:14:53,260 HOW COOL IS THAT? 317 00:14:53,260 --> 00:14:54,561 SUPERCOOL! 318 00:14:54,561 --> 00:14:56,229 CAN I CALL MOM NOW? 319 00:14:56,229 --> 00:15:00,067 HONEY, SHE ASKED US NOT TO CALL. 320 00:15:00,067 --> 00:15:01,801 WE HAVE TO WAIT. 321 00:15:01,801 --> 00:15:04,171 WHY IS MY DAD SUCH A BAD MAN? 322 00:15:06,439 --> 00:15:07,640 OH, HONEY. 323 00:15:10,410 --> 00:15:11,311 COME HERE. 324 00:15:15,682 --> 00:15:21,021 MAYBE HE'S NOT SO BAD. 325 00:15:21,021 --> 00:15:25,525 MAYBE WE JUST DON'T UNDERSTAND HIM. 326 00:15:25,525 --> 00:15:28,461 I'LL TELL YOU WHAT, WHY DON'T YOU GET SETTLED 327 00:15:28,461 --> 00:15:31,231 AND CHECK OUT ALL YOUR NEW THINGS? 328 00:15:34,667 --> 00:15:38,038 Carroll, voice-over: "GOOD AND BAD NO LONGER EXISTED. 329 00:15:38,038 --> 00:15:41,474 "IT WAS ALL DEGREES OF EVIL NOW. 330 00:15:41,474 --> 00:15:44,277 "GWENDOLYN HELD HIS DYING BODY 331 00:15:44,277 --> 00:15:47,914 "AS THE STORM RAGED ON. 332 00:15:47,914 --> 00:15:50,984 "DEATH HAD FINALLY ARRIVED, 333 00:15:50,984 --> 00:15:54,654 AND IT WAS GLORIOUS TO THE TOUCH." 334 00:16:01,461 --> 00:16:02,395 THANK YOU. 335 00:16:06,866 --> 00:16:09,369 THANK YOU FOR COMING, UH... 336 00:16:09,369 --> 00:16:12,772 EMMA. I LOVED YOUR BOOK. 337 00:16:12,772 --> 00:16:15,875 SO YOU'RE THE ONE, EMMA. 338 00:16:15,875 --> 00:16:19,346 IT'S BEAUTIFUL. ALL THE IMAGERY'S SO VIVID. 339 00:16:19,346 --> 00:16:21,881 I FELT LIKE I WAS THERE. 340 00:16:21,881 --> 00:16:26,119 OH. YOU JUST MADE MY DAY. 341 00:16:26,119 --> 00:16:28,288 UH, MAY I JUST, UH-- 342 00:16:32,225 --> 00:16:34,794 YOU HAVE SUCH LOVELY EYES, EMMA. 343 00:16:34,794 --> 00:16:36,496 DON'T DEPRIVE US OF THEM. 344 00:16:41,000 --> 00:16:42,869 DID SHE DIE-- GWENDOLYN--AT THE END 345 00:16:42,869 --> 00:16:45,905 WHEN SHE WENT INTO THE SEA AND STARTED SWIMMING TO THE HORIZON? 346 00:16:45,905 --> 00:16:48,575 WELL, YOU TELL ME. 347 00:16:48,575 --> 00:16:50,510 I THINK SHE DIED. 348 00:16:50,510 --> 00:16:56,216 SHE WAS SWIMMING TOWARD THE HORIZON, TOWARD THE SUN. 349 00:16:56,216 --> 00:17:00,120 IN DEATH, SHE FOUND HOPE. 350 00:17:00,120 --> 00:17:01,921 Woman: EMMA, HON. YOU ALMOST DONE? 351 00:17:01,921 --> 00:17:03,923 I'M READY, MOM--OH. 352 00:17:03,923 --> 00:17:06,493 SO THIS IS THE FELLA YOU CAME TO SEE. 353 00:17:06,493 --> 00:17:10,029 MY, MY. I THOUGHT ALL WRITERS WERE BIG-NOSED AND MUSHY. 354 00:17:10,029 --> 00:17:11,564 NOT YOU. MOM, PLEASE. LET'S GO. 355 00:17:11,564 --> 00:17:13,800 I'M GIVING THE MAN A COMPLIMENT. 356 00:17:13,800 --> 00:17:14,834 NO, SIR. YOU DO NOT LOOK LIKE 357 00:17:14,834 --> 00:17:15,902 A WRITER. 358 00:17:15,902 --> 00:17:17,904 DID HE SIGN YOUR BOOK? 359 00:17:17,904 --> 00:17:20,907 OH, YES. MUSTN'T FORGET THIS. 360 00:17:20,907 --> 00:17:28,348 "EMMA, HOPEFULLY YOURS, JOE." 361 00:17:33,520 --> 00:17:35,322 Paul: SO WHICH IS OUR ROOM? 362 00:17:43,230 --> 00:17:44,631 YOU MEAN, YOUR ROOM. 363 00:17:44,631 --> 00:17:47,300 JACOB AND I ARE TAKING THE MASTER. 364 00:17:47,300 --> 00:17:48,535 YOU CAN'T DO THAT. 365 00:17:48,535 --> 00:17:49,902 WELL, YOU'RE NOT GAY ANYMORE, REMEMBER? 366 00:17:49,902 --> 00:17:51,471 WE WERE NEVER GAY. 367 00:17:51,471 --> 00:17:55,208 IT'S JUST WITH THE KID, IS THAT COOL? 368 00:17:55,208 --> 00:17:56,709 DON'T WORRY ABOUT IT. 369 00:17:59,646 --> 00:18:01,581 Weston: I TRACKED HER THROUGH THE PRISON FOOTAGE. 370 00:18:01,581 --> 00:18:04,617 SHE USED SEVERAL ALIASES VERY SIMILAR TO THE GAY GUYS. 371 00:18:04,617 --> 00:18:06,953 3 YEARS AGO. 372 00:18:06,953 --> 00:18:08,555 THE GUY BESIDE HER. 373 00:18:08,555 --> 00:18:10,623 JACOB WELLS. YOU CONNECTED THEM. 374 00:18:10,623 --> 00:18:12,625 AND GET THIS. I DID A SEARCH FOR JACOB... 375 00:18:15,495 --> 00:18:16,929 PAUL TORRES. 376 00:18:16,929 --> 00:18:18,398 THEY SIGNED IN TOGETHER. 377 00:18:18,398 --> 00:18:19,832 YOU WERE RIGHT. THEY'RE ALL IN ON THIS. 378 00:18:19,832 --> 00:18:22,402 HEY. FIND THE FIRST TIME THE NANNY VISITED CARROLL. 379 00:18:22,402 --> 00:18:24,103 MAYBE SHE DIDN'T USE AN ALIAS. 380 00:18:26,939 --> 00:18:30,377 2004, SHE SIGNED IN AS EMMA HILL. 381 00:18:30,377 --> 00:18:33,280 OK. THERE'S AN EMMA HILL IN PETERSBURG, VIRGINIA. 382 00:18:33,280 --> 00:18:34,747 I HAVE AN ADDRESS. 383 00:18:34,747 --> 00:18:36,449 PETERSBURG IS TOO CLOSE. THEY'D NEVER RISK IT. 384 00:18:36,449 --> 00:18:38,918 UNLESS THEY'RE HIDING UNDER OUR NOSE. 385 00:18:38,918 --> 00:18:41,788 GO. TAKE WESTON. 386 00:18:41,788 --> 00:18:44,657 AND RYAN. 387 00:18:44,657 --> 00:18:46,893 CALL AHEAD. HAVE THE LOCAL AUTHORITIES MEET YOU THERE. 388 00:18:46,893 --> 00:18:47,860 OK. 389 00:18:55,302 --> 00:18:56,936 [KNOCK ON DOOR] 390 00:18:56,936 --> 00:18:58,037 NOBODY'S HOME. 391 00:18:58,037 --> 00:18:59,772 THIS IS DEFINITELY THE PLACE. 392 00:18:59,772 --> 00:19:03,009 NEIGHBORS SAY THEY HAVEN'T SEEN ANYBODY IN A LONG TIME. 393 00:19:03,009 --> 00:19:05,912 OK. YOU CAN'T DO THAT. 394 00:19:05,912 --> 00:19:08,147 NOPE. YOU CAN'T DO THAT. 395 00:19:08,147 --> 00:19:09,282 I'M GONNA GO CHECK AROUND BACK, 396 00:19:09,282 --> 00:19:10,483 SEE IF I CAN SEE THROUGH THE WINDOW. 397 00:21:01,828 --> 00:21:02,829 [CREAK] 398 00:21:10,069 --> 00:21:12,204 YOU SHOULDN'T BE HERE. 399 00:21:12,204 --> 00:21:13,873 YOU KNOW, YOU'RE GONNA DIE. 400 00:21:13,873 --> 00:21:15,007 ONLY NOT TODAY. 401 00:21:15,007 --> 00:21:15,942 UNH! 402 00:21:19,078 --> 00:21:22,749 [POLICE RADIO CHATTER] 403 00:21:22,749 --> 00:21:25,718 Weston: GOOD NEWS-- NO DEAD PUPPIES. 404 00:21:25,718 --> 00:21:28,054 BAD NEWS--I THINK IT'S TIME TO USE THAT WORD 405 00:21:28,054 --> 00:21:29,889 NOBODY WANTS TO USE. 406 00:21:29,889 --> 00:21:33,259 SO WE HAVE A CULT. 407 00:21:33,259 --> 00:21:34,794 YOU SURE THIS MAN WASN'T JORDY? 408 00:21:34,794 --> 00:21:37,430 HEIGHT, WEIGHT-- NOTHING MATCHED. IT WAS SOMEONE ELSE. 409 00:21:37,430 --> 00:21:39,499 WE WEREN'T SUPPOSED TO FIND THIS PLACE. 410 00:21:39,499 --> 00:21:41,133 THIS IS WHERE THEY MET AND PLANNED. 411 00:21:41,133 --> 00:21:42,769 I THINK CARROLL WAS-- 412 00:21:42,769 --> 00:21:45,872 CARROLL'S USING POE'S WORK AS A RELIGION. 413 00:21:45,872 --> 00:21:48,741 HE'S SPEAKING TO PEOPLE THROUGH GOTHIC ROMANTICISM. 414 00:21:48,741 --> 00:21:53,813 THERE'S A PATHOLOGY TO TODAY'S INTERNET TECHNO-BRED MINDS. 415 00:21:53,813 --> 00:21:57,917 IT'S CREATED A NEW... VACANCY IN OUR HUMANITY. 416 00:21:57,917 --> 00:22:02,789 FIND THE ONES WITH ADDITIONAL DISORDERS--JACKPOT. 417 00:22:02,789 --> 00:22:06,593 ENTER A HANDSOME, CHARISMATIC MAN 418 00:22:06,593 --> 00:22:09,496 WHO CAN TOUCH THEM, 419 00:22:09,496 --> 00:22:12,932 LET THEM FEEL THEIR LIVES FOR THE FIRST TIME, 420 00:22:12,932 --> 00:22:16,268 CONDITIONS THEM. 421 00:22:16,268 --> 00:22:22,108 THE ONLY WAY TO TRULY LIVE IS TO KILL. 422 00:22:22,108 --> 00:22:23,710 OR SOME CRAP LIKE THAT. 423 00:22:26,946 --> 00:22:29,582 I RUN THE BUREAU'S ALTERNATIVE RELIGION UNIT. 424 00:22:29,582 --> 00:22:32,084 DID I NOT MENTION THAT? 425 00:22:32,084 --> 00:22:33,986 CULTS--MY SPECIALTY. 426 00:22:40,159 --> 00:22:41,428 Jacob: HEY. WE ONLINE? 427 00:22:41,428 --> 00:22:43,095 YEAH. IS IT SECURE? 428 00:22:43,095 --> 00:22:45,197 IT'S A LITTLE SLOW, BUT I GOT US KEYED INTO THE BOARD. 429 00:22:45,197 --> 00:22:46,766 IT'S UNTRACEABLE. 430 00:22:46,766 --> 00:22:48,401 YOU CHECK THE NEWS YET? 431 00:22:48,401 --> 00:22:50,537 YEAH. WE'RE EVERYWHERE, MAN. 432 00:22:50,537 --> 00:22:52,972 THAT'S THE PHOTO THAT THEY PICK OF ME? 433 00:22:52,972 --> 00:22:54,173 I HATE THAT PICTURE. 434 00:22:54,173 --> 00:22:56,543 DID YOU GET IT RUNNING? WHAT'S UP WITH JORDY? 435 00:22:56,543 --> 00:22:58,010 WELL, HE HASN'T E-MAILED YET, 436 00:22:58,010 --> 00:22:59,846 BUT THEY DID FIND 3 GIRLS AT THE SORORITY HOUSE. 437 00:22:59,846 --> 00:23:02,849 SCORE FOR THE VILLAGE IDIOT. 438 00:23:02,849 --> 00:23:04,917 HEY, PAUL. WILL YOU GO WATCH JOEY FOR A FEW MINUTES? 439 00:23:04,917 --> 00:23:05,952 I CAN DO IT. 440 00:23:08,220 --> 00:23:09,822 BE A GOOD WINGMAN, PAUL. 441 00:23:18,731 --> 00:23:20,700 ARE YOU SURE HE'S STRAIGHT? 442 00:23:20,700 --> 00:23:23,870 BECAUSE HE IS ACTING LIKE A JEALOUS LITTLE BITCH. 443 00:23:23,870 --> 00:23:27,106 HE JUST FEELS LIKE THE THIRD WHEEL. 444 00:23:27,106 --> 00:23:29,676 AND FOR A LONG TIME, IT WAS JUST ME AND HIM. 445 00:23:29,676 --> 00:23:30,743 NOW EVERYTHING'S CHANGED. 446 00:23:30,743 --> 00:23:32,579 WELL, HE NEEDS TO ADJUST. 447 00:23:34,747 --> 00:23:36,649 THIS IS WHAT JOE WANTED. 448 00:23:39,218 --> 00:23:42,154 WHAT DO YOU THINK? 449 00:23:42,154 --> 00:23:46,292 MY MOM SAYS THAT IT MAKES ME LOOK LIKE A BOY 450 00:23:46,292 --> 00:23:47,894 OR A GIRL WHO DOESN'T LIKE BOYS. 451 00:23:47,894 --> 00:23:49,295 WELL, YOUR MOTHER DOESN'T UNDERSTAND YOU. 452 00:23:49,295 --> 00:23:51,931 SHE NEVER HAS. 453 00:23:51,931 --> 00:23:55,234 NO. I LIKE IT VERY MUCH, EMMA. 454 00:23:55,234 --> 00:23:56,469 IT'S BEAUTIFUL. 455 00:23:58,805 --> 00:24:02,074 WHAT IF I TOLD YOU THAT I MIGHT KNOW 456 00:24:02,074 --> 00:24:06,979 SOMEONE ELSE WHO MIGHT LIKE IT, TOO? 457 00:24:06,979 --> 00:24:09,315 A GUY? 458 00:24:09,315 --> 00:24:11,984 YOU WANT TO SET ME UP? 459 00:24:11,984 --> 00:24:14,987 I THINK YOU'D LIKE EACH OTHER. 460 00:24:14,987 --> 00:24:16,723 I DON'T KNOW. 461 00:24:19,959 --> 00:24:21,928 I LOVE OUR VISITS. 462 00:24:21,928 --> 00:24:25,565 THEY MEAN THE WORLD TO ME, 463 00:24:25,565 --> 00:24:29,569 BUT I THINK YOU NEED TO MAKE MORE FRIENDS, 464 00:24:29,569 --> 00:24:33,873 YOU KNOW, GO OUT, HAVE SOME FUN, HUH? 465 00:24:38,010 --> 00:24:39,478 HEH HEH HEH. 466 00:24:44,183 --> 00:24:45,652 EMMA? 467 00:24:49,889 --> 00:24:50,957 HI. 468 00:24:54,460 --> 00:24:58,230 JOE SAID YOU'D BE MY TYPE. 469 00:24:58,230 --> 00:24:59,666 WHAT'S YOUR TYPE? 470 00:25:03,002 --> 00:25:04,270 SPECIAL. 471 00:25:19,852 --> 00:25:22,655 Riley: I'VE GOT 8, MAYBE 9 DIFFERENT HANDWRITINGS. 472 00:25:22,655 --> 00:25:24,023 I WANT ANALYSIS ON EACH ONE. 473 00:25:24,023 --> 00:25:24,824 HOW MANY PRINTS? 474 00:25:24,824 --> 00:25:26,626 4. CLEAN. SEVERAL PARTIAL. 475 00:25:26,626 --> 00:25:28,260 OUR MASKED MAN WAS LIVING HERE, TOO. 476 00:25:28,260 --> 00:25:29,762 UNMADE BED, FRESH FOOD. 477 00:25:29,762 --> 00:25:30,997 Weston: THERE'S INTERNET UPSTAIRS. 478 00:25:30,997 --> 00:25:32,531 HE TOOK HIS LAPTOP AND SERVER. 479 00:25:42,909 --> 00:25:45,244 IS IT OK IF I'M HAPPY ABOUT THIS? 480 00:25:45,244 --> 00:25:49,048 I MEAN, I KNOW-- I KNOW DIVORCE IS NOT A HAPPY SUBJECT, 481 00:25:49,048 --> 00:25:51,017 BUT I'M HAPPY. 482 00:25:51,017 --> 00:25:53,052 WELL, IT'S A NEW CHAPTER IN YOUR LIFE. 483 00:25:53,052 --> 00:25:55,655 I MEAN, YOU KNOW, JOE'S BEEN SENTENCED, HE'S GONE. 484 00:25:55,655 --> 00:25:58,457 I THINK YOU DESERVE SOME HAPPY. 485 00:25:58,457 --> 00:26:03,062 ALL RIGHT. WELL, HERE'S TO BEING A SINGLE LADY AGAIN. 486 00:26:03,062 --> 00:26:04,263 OOH. THAT'S DEPRESSING. 487 00:26:04,263 --> 00:26:07,900 HA HA. 488 00:26:07,900 --> 00:26:08,768 KISS ME. 489 00:26:11,437 --> 00:26:12,705 YEAH, YEAH. YOU HEARD ME. 490 00:26:12,705 --> 00:26:14,774 I'M SINGLE, SO JUST... 491 00:26:16,442 --> 00:26:17,744 ARE YOU SURE YOU WANT ME TO KISS YOU? 492 00:26:17,744 --> 00:26:19,078 UH, YEAH. I'M VERY SURE. 493 00:26:19,078 --> 00:26:21,714 I'VE BEEN SURE FOR A LONG TIME. 494 00:26:21,714 --> 00:26:23,783 WELL, IF YOU'RE SURE. 495 00:26:23,783 --> 00:26:25,351 UNLESS--ARE--BUT-- 496 00:26:25,351 --> 00:26:26,686 ARE YOU SURE? BECAUSE IF-- 497 00:26:26,686 --> 00:26:28,154 I DON'T THINK FIRST KISSES ARE 498 00:26:28,154 --> 00:26:29,689 SUPPOSED TO HAVE THIS MUCH DISCUSSION. 499 00:26:29,689 --> 00:26:31,323 I KNOW. IT TAKES THE SPONTANEITY OUT OF IT. 500 00:26:31,323 --> 00:26:32,424 YEAH, IT KIND OF DOES. 501 00:26:32,424 --> 00:26:34,493 DID I JUST RUIN OUR FIRST KISS? 502 00:26:34,493 --> 00:26:36,863 I THINK IT CAN BE SALVAGED. 503 00:26:51,043 --> 00:26:52,211 [CAMERA BEEPS] 504 00:27:00,953 --> 00:27:03,890 SO WE GOT AN UPDATE FROM RICK. 505 00:27:03,890 --> 00:27:07,026 FBI FOUND EMMA'S HOUSE. 506 00:27:07,026 --> 00:27:08,761 WHAT DO YOU MEAN THEY FOUND EMMA'S HOUSE? 507 00:27:08,761 --> 00:27:09,962 WAS JORDY THERE? 508 00:27:09,962 --> 00:27:11,397 NO. RICK WAS, BUT HE GOT AWAY. 509 00:27:11,397 --> 00:27:13,099 NOW HE WANTS EMMA TO CALL. 510 00:27:13,099 --> 00:27:15,101 WHY? 511 00:27:15,101 --> 00:27:17,369 BECAUSE SHE'S IN CHARGE, REMEMBER? 512 00:27:17,369 --> 00:27:20,472 I'M NOT TRUSTED WITH THE IMPORTANT THINGS. 513 00:27:20,472 --> 00:27:23,042 THAT'S NOT TRUE, ALL RIGHT? 514 00:27:23,042 --> 00:27:26,145 SHE'S JUST BEEN HERE FOR LONGER, THAT'S ALL. 515 00:27:26,145 --> 00:27:29,415 YOU GUYS NEED TO STOP THIS THING THAT YOU GOT GOING. 516 00:27:29,415 --> 00:27:30,449 IT'S AWKWARD. 517 00:27:30,449 --> 00:27:32,484 AWKWARD FOR WHOM, MAN? 518 00:27:32,484 --> 00:27:35,387 LOOK. I'M FINE. IT'S JUST I DON'T GET 519 00:27:35,387 --> 00:27:37,189 WHAT YOU SEE IN HER. 520 00:27:37,189 --> 00:27:39,091 YOU'RE WAY OUT OF HER LEAGUE, MAN. 521 00:27:42,561 --> 00:27:44,663 I THINK SHE'S AMAZING. 522 00:27:56,308 --> 00:27:59,846 SO TELL ME, JACOB, 523 00:27:59,846 --> 00:28:01,347 WHAT DO YOU DO? 524 00:28:03,983 --> 00:28:08,020 UH, CURRENTLY I AM IN BETWEEN JOBS. 525 00:28:08,020 --> 00:28:11,257 WELL, YOU'RE TO PRETTY TO WORK. 526 00:28:11,257 --> 00:28:12,992 MOM! 527 00:28:12,992 --> 00:28:14,827 I CAN'T BELIEVE YOU TWO ARE DATING. 528 00:28:18,064 --> 00:28:22,534 YOUR DAUGHTER IS THE MOST AMAZING WOMAN I KNOW. 529 00:28:22,534 --> 00:28:24,670 HMM. HMM. 530 00:28:24,670 --> 00:28:26,472 SO YOU LIKE THE NO-FUSS PLAIN JANES. 531 00:28:26,472 --> 00:28:28,007 THAT'S SWEET. 532 00:28:28,007 --> 00:28:29,241 MOST BOYS DON'T. 533 00:28:29,241 --> 00:28:30,709 UNH! 534 00:28:30,709 --> 00:28:37,884 * I WATCHED A CHANGE IN YOU * 535 00:28:37,884 --> 00:28:44,256 * IT'S LIKE YOU NEVER HAD WINGS * 536 00:28:44,256 --> 00:28:45,524 YOU DID IT. 537 00:28:45,524 --> 00:28:51,697 * NOW YOU FEEL SO ALIVE * 538 00:28:51,697 --> 00:28:55,634 * I'VE WATCHED YOU CHANGE * 539 00:28:55,634 --> 00:28:58,971 YOU REALLY DID IT. 540 00:28:58,971 --> 00:29:03,509 * IT'S LIKE YOU NEVER HAD WINGS * 541 00:29:03,509 --> 00:29:12,518 * AHH, AHH, AHH * 542 00:29:12,518 --> 00:29:13,752 * I'M HOME * 543 00:29:29,501 --> 00:29:31,637 WHO ARE ALL THESE WOMEN? 544 00:29:31,637 --> 00:29:35,374 THEY'RE ALL NAMES OF WOMEN IN POE'S LIFE AND WORK THAT DIED. 545 00:30:04,703 --> 00:30:07,506 A FEMALE. SHE'S BEEN DEAD A WHILE. 546 00:30:07,506 --> 00:30:09,575 THE MOTHER? 547 00:30:09,575 --> 00:30:11,010 BURIED IN THE WALL. 548 00:30:11,010 --> 00:30:13,379 "THE BLACK CAT," "THE CASK OF AMONTILLADO," 549 00:30:13,379 --> 00:30:15,047 CLASSIC POE. 550 00:30:25,657 --> 00:30:27,026 CALL THE MATTHEWS RESIDENCE. 551 00:30:27,026 --> 00:30:28,594 MAKE SURE CLAIRE MATTHEWS IS SAFE. 552 00:30:32,531 --> 00:30:35,134 [SIREN] 553 00:30:38,737 --> 00:30:40,006 SHE'S SAFE. THE HOUSE IS SECURE. 554 00:30:40,006 --> 00:30:41,607 THERE'S NO SIGN OF ENTRY. 555 00:30:46,378 --> 00:30:47,346 ANYTHING? 556 00:30:47,346 --> 00:30:49,281 DENISE'S REAL NAME IS EMMA HILL. 557 00:30:49,281 --> 00:30:51,250 SHE'S BEEN VISITING JOE IN PRISON. 558 00:30:51,250 --> 00:30:54,353 SHE IS PART OF THIS, BUT, NO, WE DIDN'T FIND HER. 559 00:31:14,206 --> 00:31:16,675 HEY, FELLAS. EYES UP, HUH? 560 00:31:16,675 --> 00:31:21,347 YOU'RE ON WATCH. COFFEE BREAK FOR GOD'S SAKE. 561 00:31:42,301 --> 00:31:44,503 ALL GOOD. 562 00:31:44,503 --> 00:31:45,671 THANKS. 563 00:31:53,779 --> 00:31:55,514 [POLICE RADIO CHATTER] 564 00:31:59,318 --> 00:32:01,753 9 DIFFERENT HANDWRITINGS WERE FOUND. 565 00:32:01,753 --> 00:32:03,255 WE MATCHED ALL OUR SUSPECTS, 566 00:32:03,255 --> 00:32:07,559 BUT, UH, 5 REMAIN UNIDENTIFIED. 567 00:32:07,559 --> 00:32:11,897 M.E. HAS CONFIRMED THAT THE DEAD BODY IS EMMA'S MOTHER SHARON COOPER. 568 00:32:11,897 --> 00:32:14,700 STILL NO I.D. ON THE MASKED MAN. 569 00:32:14,700 --> 00:32:17,836 JORDY, A DISORGANIZED KILLER WITH A LOW IQ, 570 00:32:17,836 --> 00:32:20,006 HOW DOES HE JUST DISAPPEAR? 571 00:32:39,658 --> 00:32:41,393 [WATER RUNNING] 572 00:33:20,799 --> 00:33:22,534 WHAT ARE THOSE? 573 00:33:22,534 --> 00:33:24,736 BLUEPRINTS. 574 00:33:24,736 --> 00:33:29,007 THEY WERE ON THE WALL OF THE NANNY'S HOUSE. 575 00:33:29,007 --> 00:33:32,611 THAT'S THE CLOSET THEY TOOK HER THROUGH. 576 00:33:32,611 --> 00:33:34,780 THAT'S THE GARAGE WHERE THE OFFICER WAS KILLED. 577 00:33:40,186 --> 00:33:43,355 WAIT A MINUTE. THAT'S CLAIRE'S BASEMENT! 578 00:33:49,027 --> 00:33:50,762 Riley: GO, GO, GO! 579 00:33:50,762 --> 00:33:52,364 COVER THE BACK! 580 00:33:55,901 --> 00:33:57,936 DON'T SHOOT! I'M UNARMED. 581 00:33:57,936 --> 00:34:00,572 IT'S YOU. 582 00:34:00,572 --> 00:34:03,375 FINALLY. YOU KNOW, WE'VE BEEN WAITING FOR YOU. 583 00:34:03,375 --> 00:34:06,044 KEEP THEM OUT! KEEP EVERYBODY OUT! 584 00:34:06,044 --> 00:34:07,113 GET BACK! EVERYONE BACK. 585 00:34:07,113 --> 00:34:09,581 GET BACK! 586 00:34:09,581 --> 00:34:11,783 OK, JORDY. 587 00:34:11,783 --> 00:34:13,952 THEY'RE GONE. 588 00:34:13,952 --> 00:34:17,923 JUST US. OK? 589 00:34:17,923 --> 00:34:19,358 CAN I SHUT THE DOOR? 590 00:34:19,358 --> 00:34:21,127 YEAH. THAT'S GOOD. YOU SHUT THE DOOR. 591 00:34:33,038 --> 00:34:34,673 TAKE THE GUN AWAY FROM HER HEAD. 592 00:34:34,673 --> 00:34:36,108 I HAVE TO KILL HER. 593 00:34:36,108 --> 00:34:38,076 NO, YOU DON'T. 594 00:34:38,076 --> 00:34:39,478 AND YOU HAVE TO WATCH. 595 00:34:39,478 --> 00:34:43,014 THOSE ARE THE RULES, OR, UH-- 596 00:34:43,014 --> 00:34:45,050 OR WHAT? 597 00:34:45,050 --> 00:34:48,687 OR YOU HAVE TO KILL ME. 598 00:34:48,687 --> 00:34:50,822 I'M NOT SURE I'M READY TO DIE. 599 00:34:50,822 --> 00:34:52,291 JORDY, NOBODY HAS TO DIE. 600 00:34:52,291 --> 00:34:53,659 JOE DOESN'T WANT HER TO DIE. 601 00:34:53,659 --> 00:34:54,860 YES, HE DOES! 602 00:34:54,860 --> 00:34:57,629 AND HE CHOSE ME TO DO IT, NOT ANYONE ELSE, ME! 603 00:34:57,629 --> 00:35:00,832 THIS IS MY CHAPTER, AND I CAN WRITE IT ANY WAY I WANT TO! 604 00:35:00,832 --> 00:35:02,934 OK. I'LL TELL YOU WHAT. 605 00:35:02,934 --> 00:35:05,437 WHY DON'T WE CALL HIM? 606 00:35:05,437 --> 00:35:09,107 WE CAN CALL HIM. WE CAN ASK HIM. 607 00:35:09,107 --> 00:35:12,744 I HAVE HIS NUMBER. 608 00:35:12,744 --> 00:35:16,248 THERE'S A PHONE RIGHT OVER THERE BY THE BED. 609 00:35:20,018 --> 00:35:22,954 GET AN AMBULANCE! 610 00:35:22,954 --> 00:35:25,224 [JORDY GROANS] 611 00:35:27,659 --> 00:35:30,296 OK. 612 00:35:30,296 --> 00:35:31,997 THE STORM WINDOWS WERE PADLOCKED. 613 00:35:31,997 --> 00:35:33,565 THE MAN HAD A KEY. 614 00:35:33,565 --> 00:35:34,833 THE NANNY GAVE IT TO HIM. 615 00:35:34,833 --> 00:35:36,101 HE WAS DRESSED AS A COP. 616 00:35:36,101 --> 00:35:37,669 HE HID UNDER ONE OF THE AC UNITS 617 00:35:37,669 --> 00:35:39,171 NOBODY KNEW ABOUT. 618 00:35:39,171 --> 00:35:41,640 EXCEPT THE NANNY, WHO GAVE IT TO HIM. 619 00:35:41,640 --> 00:35:42,974 COME ON. HOW ARE WE SUPPOSED TO KNOW THAT? 620 00:35:42,974 --> 00:35:46,678 IT'S YOUR JOB! 621 00:35:46,678 --> 00:35:49,014 OK. LISTEN UP. IF YOU'RE NOT A FEDERAL AGENT, 622 00:35:49,014 --> 00:35:52,050 I WANT YOU OUT OF THIS HOUSE NOW, YOU UNDERSTAND? 623 00:35:52,050 --> 00:35:53,151 COME ON. LET' GO. 624 00:36:19,878 --> 00:36:22,948 WHAT'S UP? 625 00:36:22,948 --> 00:36:24,750 SHE'S A STRONG WOMAN. 626 00:36:24,750 --> 00:36:26,485 SHE HAS TO BE. 627 00:36:26,485 --> 00:36:27,919 THE PRISON GUARD'S IN SURGERY. 628 00:36:27,919 --> 00:36:29,488 HE'LL BE FINE. 629 00:36:29,488 --> 00:36:30,856 WE'LL QUESTION HIM THE SECOND HE'S CONSCIOUS. 630 00:36:30,856 --> 00:36:33,459 I WANT TO SEE JOE. 631 00:36:33,459 --> 00:36:35,261 SO YOU CAN BREAK HIS OTHER HAND? 632 00:36:41,867 --> 00:36:43,969 [BUZZ] 633 00:37:03,154 --> 00:37:04,723 DON'T TRUST ME ALONE WITH YOU. 634 00:37:06,892 --> 00:37:09,895 HOW'S THE HAND? 635 00:37:09,895 --> 00:37:12,063 HAVE YOU SLEPT? 636 00:37:12,063 --> 00:37:14,099 YOU LOOK TIRED. 637 00:37:14,099 --> 00:37:17,002 IT'S IMPORTANT YOU TAKE CARE OF YOURSELF, 638 00:37:17,002 --> 00:37:19,037 PRESERVE YOU STRENGTH. 639 00:37:19,037 --> 00:37:20,772 I'VE MADE A FEW REQUESTS, 640 00:37:20,772 --> 00:37:24,042 NOTHING SCANDALOUS, JUST A COUPLE OF BOOKS. 641 00:37:24,042 --> 00:37:25,344 CLAIRE ALMOST DIED TONIGHT. 642 00:37:25,344 --> 00:37:29,080 I LIKE TO READ BEFORE BED. 643 00:37:29,080 --> 00:37:31,249 CALMS THE MIND, HELPS ME SLEEP. 644 00:37:31,249 --> 00:37:33,719 SHE ALMOST DIED, 645 00:37:33,719 --> 00:37:35,354 THE WOMAN YOU PROFESS TO LOVE. 646 00:37:35,354 --> 00:37:37,523 YEAH, BUT SHE DIDN'T. 647 00:37:37,523 --> 00:37:40,258 I WAS HOPING YOU'D SAVE HER. 648 00:37:40,258 --> 00:37:42,027 AN HEROIC VICTORY BY THE LEADING MAN 649 00:37:42,027 --> 00:37:43,695 THAT CEMENTS THE LOVE STORY. 650 00:37:43,695 --> 00:37:45,263 WHAT IF I HADN'T ARRIVED IN TIME? 651 00:37:45,263 --> 00:37:48,734 WELL, THAT'S WHAT MAKES THE STORY SO UNPREDICTABLE. 652 00:37:48,734 --> 00:37:50,302 YOU GOT TO TOUGHEN UP, RYAN. 653 00:37:50,302 --> 00:37:53,071 YOU'RE DEALING WITH DEPRAVED MINDS, 654 00:37:53,071 --> 00:37:55,607 SICK AND TWISTED. 655 00:37:55,607 --> 00:38:00,111 JORDY WAS A MERE PUPPY 656 00:38:00,111 --> 00:38:03,048 COMPARED TO SOME OF THE GAMES I HAVE IN STORE FOR YOU. 657 00:38:11,323 --> 00:38:13,124 WHY YOU DOING THIS, JOE? 658 00:38:13,124 --> 00:38:15,260 THE CHALLENGE, RYAN. 659 00:38:15,260 --> 00:38:17,295 ACCEPT IT. 660 00:38:17,295 --> 00:38:19,731 WE'VE BARELY EVEN STARTED. 661 00:38:19,731 --> 00:38:22,067 I HAVE SO MANY SURPRISES 662 00:38:22,067 --> 00:38:24,836 WAITING FOR YOU. 663 00:38:24,836 --> 00:38:28,306 AND HOW LONG DO YOU THINK YOU CAN KEEP THIS UP BEHIND BARS? 664 00:38:28,306 --> 00:38:29,941 WHAT'S THE END GAME? 665 00:38:29,941 --> 00:38:32,010 THAT'S A QUESTION THE HERO MUST ANSWER. 666 00:38:32,010 --> 00:38:34,312 I'M SORRY, RYAN. YOU REALLY ARE GONNA HAVE TO DO 667 00:38:34,312 --> 00:38:38,384 SOME OF THE WORK YOURSELF. 668 00:38:38,384 --> 00:38:43,254 JORDY WAS THE FIRST STEP IN YOUR RETURN TO FORM. 669 00:38:43,254 --> 00:38:46,425 YOU SAVED THE DAY. HOW DOES IT FEEL 670 00:38:46,425 --> 00:38:50,462 TO BE VICTORIOUS, TO KILL THE VILLAIN? 671 00:38:56,435 --> 00:38:59,605 I DIDN'T KILL HIM. 672 00:38:59,605 --> 00:39:00,806 YEAH. JORDY'S ALIVE AND WELL. 673 00:39:00,806 --> 00:39:04,810 HE'S IN A CELL RIGHT DOWN THE HALL. 674 00:39:04,810 --> 00:39:09,214 THAT WASN'T PART OF THE PLAN, WAS IT? 675 00:39:09,214 --> 00:39:12,384 NO. IT DOESN'T MATTER. 676 00:39:12,384 --> 00:39:15,887 HE KNOWS NOTHING. 677 00:39:15,887 --> 00:39:18,724 MAN'S A HALFWIT. 678 00:39:18,724 --> 00:39:21,126 EXTREMELY SHORT SHELF LIFE, YOU KNOW? 679 00:39:21,126 --> 00:39:24,329 PROBABLY SHOULDN'T TELL HIM THAT WHEN I SPEAK TO HIM. 680 00:39:24,329 --> 00:39:26,164 SLEEP TIGHT. 681 00:39:26,164 --> 00:39:27,365 [BUZZ] 682 00:39:38,810 --> 00:39:41,379 IT'S GOOD? OK. THANKS. 683 00:39:47,719 --> 00:39:49,421 YOU DON'T HAVE TO STAY HERE, YOU KNOW? 684 00:39:49,421 --> 00:39:50,956 WE COULD TAKE YOU SOMEPLACE ELSE. 685 00:39:50,956 --> 00:39:51,923 WHERE? 686 00:39:55,093 --> 00:39:56,828 YOU SHOULD GET SOME SLEEP. 687 00:39:59,097 --> 00:40:00,466 DON'T GO. 688 00:40:03,602 --> 00:40:08,339 I DON'T TRUST ANYONE BUT YOU. 689 00:40:08,339 --> 00:40:09,808 I'M NOT GOING ANYWHERE. 690 00:40:26,758 --> 00:40:34,199 * YOU ARE MY ANGEL * 691 00:40:41,507 --> 00:40:47,078 * COME FROM WAY ABOVE * 692 00:40:47,078 --> 00:40:48,780 * TO BRING ME * 693 00:40:48,780 --> 00:40:54,219 * TO BRING ME LOVE * 694 00:41:07,232 --> 00:41:15,641 * HER EYES, SHE'S ON THE DARK SIDE * 695 00:41:15,641 --> 00:41:22,914 * NEUTRALIZE EVERYONE IN SIGHT * 696 00:41:31,289 --> 00:41:34,292 * LOVE YOU, LOVE YOU, LOVE YOU LOVE YOU, LOVE YOU, LOVE YOU * 697 00:41:34,292 --> 00:41:38,630 * LOVE YOU, LOVE YOU, LOVE YOU LOVE YOU, LOVE YOU, LOVE YOU * 698 00:42:12,397 --> 00:42:15,500 * CAME FROM WAY BELOW * 699 00:42:15,500 --> 00:42:19,771 * CAME FROM WAY BELOW * 700 00:42:19,771 --> 00:42:23,709 * SHE'S ON THE DARK SIDE * 701 00:42:23,709 --> 00:42:26,945 * SHE'S ON THE DARK SIDE * 702 00:42:26,945 --> 00:42:30,548 * COME FROM WAY BELOW * 703 00:42:34,519 --> 00:42:37,088 * COME FROM WAY BELOW * 704 00:42:41,593 --> 00:42:44,630 * COME FROM WAY BELOW * 705 00:42:52,203 --> 00:42:54,205 HEY! 706 00:42:54,205 --> 00:42:56,274 [SCREAMING] 49082

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