All language subtitles for Episode 04 Gone Too Soon

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,625 --> 00:00:18,685 WE’RE ALL GOING TO DIE. 2 00:00:18,692 --> 00:00:21,812 DIDN’T MINE TO REMIND YOU OF IT, BUT IT IS ON YOUR SCHEDULE. 3 00:00:21,810 --> 00:00:26,800 WE FIND THE LOSS OF COMEDIANS SO PROFOUND BECAUSE WE HAD FUN 4 00:00:26,807 --> 00:00:29,637 WITH THEM, AND THEY WERE IN OUR HOME. 5 00:00:29,643 --> 00:00:33,583 SHE’D MAKE YOU FEEL THAT YOU HAD A SPECIAL PLACE IN HER HEART. 6 00:00:33,581 --> 00:00:34,481 LAUGHING WITH SOMEBODY BINDS YOU TO THEM. 7 00:00:34,482 --> 00:00:39,152 COMEDIANS DON’T HAVE A GREAT 8 00:00:39,153 --> 00:00:42,923 MORTALITY RATE. WE LOSE A LOT OF PEOPLE. 9 00:00:42,923 --> 00:00:46,693 WHEN YOU LOSE A COMEDIAN, I FEEL IT’S MORE PERSONAL BECAUSE 10 00:00:46,694 --> 00:01:05,084 I KNOW THE. 11 00:01:05,079 --> 00:01:18,489 I DON’T DRINK ANYMORE, I HAD 12 00:01:18,492 --> 00:01:23,632 TO QUIT BECAUSE I REALLY DRANK. MAN, I GET PULLED OVER BY THE 13 00:01:23,631 --> 00:01:28,231 COPS, I’D BE SO DRUNK, DANCING TO THEIR LIGHTS, THINKING I MADE 14 00:01:28,235 --> 00:01:32,465 IT TO ANOTHER CLUB. LAUGHTER IS A BIZARRELY 15 00:01:32,473 --> 00:01:34,813 INTIMATE THING, IT’S AN UNCONTROLLED PHYSICAL RESPONSE, 16 00:01:34,808 --> 00:01:39,138 VERY SIMILAR BUY LOGICALLY TO ORGASM. 17 00:01:39,146 --> 00:01:45,316 SOMEONE MADE YOU LAUGH EVEN ONCE, YOU HAVE AN AFFECTION FOR 18 00:01:45,319 --> 00:01:47,549 THAT PERSON. IT’S ALL LOVE, BABY. 19 00:01:47,555 --> 00:01:49,815 A COMEDIAN IS LIKE YOUR FRIEND. 20 00:01:49,823 --> 00:01:55,263 THAT’S WHAT THE JOB OF A COMEDIAN IS TO COME ON STAGE AND 21 00:01:55,262 --> 00:01:58,362 IN 60 SECONDS MAKE FRIENDS WITH A ROOM FULL OF PEOPLE. 22 00:01:58,365 --> 00:02:02,565 ACTORS, THEIR GENIUS IS NEVER QUITE TELLING US WHO THEY ARE. 23 00:02:02,570 --> 00:02:07,640 BUT COMEDIANS GETTING INSIDE OUR HEADS IS VERY PERSONAL. 24 00:02:07,641 --> 00:02:11,481 THERE’S AN INTIMACY TO COMEDY. SO WHEN THEY’RE GONE, YOU MISS IT. 25 00:02:11,478 --> 00:02:12,338 YOU EVER HAVE YOUR GIRLFRIEND 26 00:02:12,346 --> 00:02:15,546 OR YOUR WIFE CALL YOU FROM ANOTHER ROOM AND SHE’S LIKE, 27 00:02:15,549 --> 00:02:18,719 SWEETIE, AND THEN IMMEDIATELY, YOU GO, WHAT DOES SHE WANT? 28 00:02:18,719 --> 00:02:23,249 BECAUSE COMEDIANS ARE OPEN AND HONEST YOU GET A REAL FEEL 29 00:02:23,257 --> 00:02:24,487 FOR WHO THEY ARE AND WHAT THEY’RE LIKE. 30 00:02:24,491 --> 00:02:29,261 SO WHEN THEY’RE GONE IT’S LIKE ‐‐ SUCKS. 31 00:02:29,263 --> 00:02:33,303 THE ACADEMY AWARD WINNING ACTOR AND COMEDIAN ROBIN 32 00:02:33,300 --> 00:02:35,270 WILLIAMS ‐‐ PEOPLE AROUND THE WORLD ARE 33 00:02:35,269 --> 00:02:37,729 REACTING TONIGHT TO THE TERRIBLE ‐‐ 34 00:02:37,738 --> 00:02:41,938 BREAKING NEWS JUST INTO CNN IS THAT ACTOR ROBIN WILLIAMS IS 35 00:02:41,942 --> 00:02:44,982 DEAD AT THE AGE OF 63 OF AN APPARENT SUICIDE. 36 00:02:44,979 --> 00:02:47,779 HAVE A GOOD NIGHT. I WAS IN NEW YORK CITY, AND 37 00:02:47,781 --> 00:02:52,381 SOME GUY STUCK A MICROPHONE IN MY FACE AND SAID, SO DID YOU 38 00:02:52,386 --> 00:02:55,716 HEAR ABOUT ROBIN WILLIAMS? AND I WAS LIKE WHAT? 39 00:02:55,723 --> 00:03:03,693 HE SAID, WELL, HE DIED. AND MY FIRST THOUGHT WAS, NO, HE 40 00:03:03,697 --> 00:03:04,257 DIDN’T. THANK YOU. 41 00:03:04,264 --> 00:03:07,534 NICE TO HAVE YOU HERE. YOU’RE A LITTLE LATE. 42 00:03:07,534 --> 00:03:13,574 WE HAVE TO GO BACK AND START AT THE BEGINNING. 43 00:03:13,574 --> 00:03:17,414 THE ENERGY AND THE CREATIVITY AND THE LOVE THAT CAME OUT, IT 44 00:03:17,411 --> 00:03:22,851 WAS LIKE A STAR BURNING OUT. LOOK, LOOK, LOOK, LIVE AT 45 00:03:22,850 --> 00:03:26,680 5:00, LIVE AT 5:00. WHAT MADE ROB INSPECIAL WAS 46 00:03:26,687 --> 00:03:33,257 THE USO TOUR WHERE HE HAD MORE ENERGY THAN ANYONE COULD 47 00:03:33,260 --> 00:03:34,260 POSSIBLY HAVE. AS SOON AS WE HIT THE TARMAC, 48 00:03:34,261 --> 00:03:41,471 HE’S OUT THE DOOR AND RUNNING UP TO PEOPLE, AND HE’S BEING ROBIN. 49 00:03:41,468 --> 00:03:44,568 HE WASN’T ALWAYS THAT GUY. BUT BOY, HE KNEW HOW IMPORTANT 50 00:03:44,571 --> 00:03:47,841 THAT GUY WAS TO THEM. IF HEAVEN EXISTS, WHAT WOULD 51 00:03:47,841 --> 00:03:52,511 YOU LIKE GOD TO HEAR WHEN YOU ARRIVE AT THE PEARLY GATES? 52 00:03:52,513 --> 00:03:56,083 THERE’S SEATING NEAR THE FRONT. IT’S NICE TO KNOW THAT’S 53 00:03:56,083 --> 00:03:59,453 LAUGHTER, A GREAT THING. I HAVEN’T BEEN HIT HARD WITH 54 00:03:59,453 --> 00:04:02,493 ANY COMEDIAN’S DEATH BECAUSE I’M GRATEFUL WE HAD THE OPPORTUNITY 55 00:04:02,489 --> 00:04:05,519 FOR THEM TO LEAVE BEHIND WHAT THEY LEFT BEHIND. 56 00:04:05,526 --> 00:04:12,866 SO I CAN’T BE SAD OR FALL APART. IT’S LIKE, WOW, LOOK AT THE GIFT 57 00:04:12,866 --> 00:04:18,266 THAT WAS LEFT. MR. ‐‐ 58 00:04:18,272 --> 00:04:21,372 THANK YOU, THANK YOU VERY MUCH, YOU’RE BEAUTIFUL. 59 00:04:21,375 --> 00:04:27,045 JOHN BELUSHI WAS REMARKABLE TO WATCH ON STAGE. 60 00:04:27,047 --> 00:04:28,817 YOU COULDN’T TAKE YOUR EYES OFF OF HIM. 61 00:04:28,816 --> 00:04:36,086 HE HAD THIS EXTRAORDINARY POWER. I RUN A LOT OF MILES TRAINING 62 00:04:36,090 --> 00:04:39,120 FOR THAT DAY, AND I DOWNED A LOT OF DONUTS. 63 00:04:39,126 --> 00:04:42,556 THEY TASTE GOOD, AND THEY’VE GOT THE SUGAR I NEED TO GET ME GOING 64 00:04:42,563 --> 00:04:45,063 IN THE MORNING. JOHN IS VERY MUCH LIKE HIS 65 00:04:45,065 --> 00:04:46,365 COMEDY. IT WAS ON THE EDGE, AND IT 66 00:04:46,366 --> 00:04:50,196 PUSHED THE ENVELOPE. WELL, I THOUGHT I’D BE THE 67 00:04:50,204 --> 00:04:53,104 FIRST TO GO. I WAS ONE OF THOSE LIVE FAST, 68 00:04:53,107 --> 00:04:58,347 DIE YOUNG, LEAVE A GOOD‐LOOKING CORPSE TYPE, YOU KNOW, WELL, I 69 00:04:58,345 --> 00:05:01,575 GUESS THEY WERE WRONG. HERE WE ARE. 70 00:05:01,582 --> 00:05:04,782 THIS IS NOT READY FOR PRIME TIME SUMMIT. 71 00:05:04,785 --> 00:05:09,715 I WAS IN HIGH SCHOOL WHEN JOHN BELUSHI DIED. 72 00:05:09,723 --> 00:05:11,723 I’M NOT SURE WHY, BUT I WAS DEVASTATED. 73 00:05:11,725 --> 00:05:16,825 I CRIED AS A TEENAGER. ZET ISDEATH IS A DRAG AND A 74 00:05:16,830 --> 00:05:19,330 TERRIBLE BARGAIN, YOU COME INTO THE WORLD AND YOU’VE GOT TO DIE 75 00:05:19,333 --> 00:05:22,473 AT THE END. WHO THOUGHT THIS UP? 76 00:05:22,469 --> 00:05:26,799 THE CITY STEAK HOUSE SERVES THE BEST BEEF IN TOWN. 77 00:05:26,807 --> 00:05:32,147 THEIR SENSUAL SETTING WILL SET THE MOOD FOR ANY ROMANTIC 78 00:05:32,146 --> 00:05:39,386 RENDEZVOUS. OH, HEAR THAT, HANK? 79 00:05:39,386 --> 00:05:47,256 IT’S NOT HIGHYPERBOLE TO SAY YOU WALKED IN A ROOM AND CHRIS 80 00:05:47,261 --> 00:05:50,631 FARLEY WAS THERE, YOU WOULD WALK OUT AND SAY THAT IS THE FUNNIEST 81 00:05:50,631 --> 00:05:54,631 PERSON THAT EVER LIVED. NOBODY ELSE COULD DO THAT. 82 00:05:54,635 --> 00:05:58,005 I THINK THAT’S THE BEAUTIFUL THING ABOUT LAUGHTER. 83 00:05:58,005 --> 00:06:12,715 IF SOMEBODY MADE YOU LAUGH, YOU’LL REMEMBER THAT FOREVER. 84 00:06:12,719 --> 00:06:18,459 JOE HARTMAN WAS MY CLOSEST FRIEND AT SATURDAY NIGHT LIVE. 85 00:06:18,458 --> 00:06:21,528 HE HAD THE GREATEST INSTRUMENT OF ANY COMEDIAN I EVER WORKED WITH. 86 00:06:21,528 --> 00:06:23,728 I’M JUST A KID, MAN. 87 00:06:23,730 --> 00:06:28,470 I FELL IN SOME ICE AND LATER GOT THAWED OUT BY SOME OF YOUR SCIENTISTS. 88 00:06:28,468 --> 00:06:29,898 YOUR WORLD FRIGHTENS AND 89 00:06:29,903 --> 00:06:35,813 CONFUSES ME. HE WAS THE GLUE. 90 00:06:35,809 --> 00:06:39,009 HE HELD EVERYTHING TOGETHER. SO IF A SKETCH WAS HORRIBLE, PUT 91 00:06:39,012 --> 00:06:41,452 PHIL HARTMAN IN IT, AND IT WILL ELEVATE IT. 92 00:06:41,448 --> 00:06:45,118 I HIDE BEHIND ‐‐ MANY FRIENDS AND FANS OF 93 00:06:45,118 --> 00:06:50,118 COMIC ACTOR PHIL HARTMAN ARE GRIEF STRICKEN THIS MORNING. 94 00:06:50,123 --> 00:06:53,263 POLICE BELIEVE HE WAS SHOT BY HIS WIFE WHO THEN SHOT HERSELF 95 00:06:53,260 --> 00:06:55,990 IN THEIR CALIFORNIA HOME. THE LOSS OF PHIL WAS A HUGE 96 00:06:55,996 --> 00:06:58,066 SHOCK TO THE SYSTEM. IT WAS A BAD MARRIAGE, BUT NO 97 00:06:58,065 --> 00:07:00,825 ONE THOUGHT IT WAS GOING TO RESOLVE ITSELF THAT TRAGICALLY 98 00:07:00,834 --> 00:07:04,504 AND THAT HORRIFYINGLY. WHEN THESE PEOPLE GO, EVEN IF 99 00:07:04,504 --> 00:07:07,574 WE DON’T KNOW THEM PERSONALLY, WE FEEL LIKE WE’VE LOST A FRIEND 100 00:07:07,574 --> 00:07:11,044 BECAUSE WE’VE LOST SOMEONE WHO’S REALLY MADE US LAUGH. 101 00:07:11,044 --> 00:07:14,284 THAT’S WHAT A FRIEND DOES. ARE YOU ON? 102 00:07:14,281 --> 00:07:20,051 GOOD WING WENCELAS. I’M SORRY, IT’S NOT WORKING. 103 00:07:20,053 --> 00:07:24,123 I WOULDN’T REHEARSE AN ACTOR IN SHAKESPEARE THE WAY YOU PEOPLE 104 00:07:24,124 --> 00:07:25,624 WORK HERE. IT’S HIS FAULT. 105 00:07:25,626 --> 00:07:26,786 HIM? YES, YOU. 106 00:07:26,793 --> 00:07:29,763 I’LL FIRE HIM, DON’T WORRY. YOU PEOPLE ARE PESTS. 107 00:07:29,763 --> 00:07:33,303 NO MONEY IS WORTH THIS. PEOPLE WOULD ASK ME WHAT HE 108 00:07:33,300 --> 00:07:36,570 WAS LIKE, THINK OF THE BEST JOHN CANDY YOU CAN IMAGINE, HE WAS 109 00:07:36,570 --> 00:07:40,800 ACTUALLY LIKE THAT. AND MORE. 110 00:07:40,807 --> 00:07:46,847 OH. HE TOUCHED EVERYBODY ‐‐ 111 00:07:46,847 --> 00:07:50,077 DON’T KNOW IF IT WAS JUST THAT YOU COULD SEE INTO HIS SOUL 112 00:07:50,083 --> 00:07:53,953 BECAUSE HE WAS SO VULNERABLE. YOU COULD SEE HIM IN PLANES, 113 00:07:53,954 --> 00:07:57,124 TRAINS AND AUTOMOBILES AND KNOW WHAT A BEAUTIFUL DRAMATIC ACTOR 114 00:07:57,124 --> 00:07:59,424 HE WAS. NEXT TIME, LET’S GO FIRST 115 00:07:59,426 --> 00:08:02,556 CLASS, ALL RIGHT? OH, GOD, I HOPE THERE ISN’T A 116 00:08:02,562 --> 00:08:04,032 NEXT TIME. I KNOW WHAT YOU MEAN. 117 00:08:04,031 --> 00:08:08,271 I REALLY DO. HAPPY HOLIDAYS. 118 00:08:08,268 --> 00:08:10,228 SAME TO YOU. THERE WAS A SCENE AT THE END, 119 00:08:10,237 --> 00:08:14,977 AND JOHN HAD A SPEECH ABOUT HIS LIFE. 120 00:08:14,975 --> 00:08:18,805 AND I WEPT. I MEAN, I SAW THIS SCENE LIKE 121 00:08:18,812 --> 00:08:21,512 SIX TIMES. IT WAS AS CLOSE AS I AM TO YOU, 122 00:08:21,515 --> 00:08:24,715 AND I WAS SO MOVED EVERY TIME. HE WAS SO GENUINE. 123 00:08:24,718 --> 00:08:27,648 HE WAS BIGGER THAN LIFE, GRANDER THAN LIFE, AND SO 124 00:08:27,654 --> 00:08:30,754 ADORABLE, SO FUNNY. I SUPPOSE IT MIGHT MEAN 125 00:08:30,757 --> 00:08:34,127 SOMETHING FOR YOU TO THINK THAT SOME DAY SOMEBODY SAYS JOHN 126 00:08:34,127 --> 00:08:36,227 CANDY AND EVERYBODY SMILES. THAT WOULD BE NICE, THAT 127 00:08:36,229 --> 00:08:40,599 WOULD BE NICE. THEN YOU’VE 128 00:08:47,507 --> 00:08:50,907 WE HAVE A NEW YOUNG COMEDIAN WITH US TONIGHT, JUST 19 YEARS 129 00:08:50,911 --> 00:08:53,441 OLD, AND GRADUATED ABOUT SIX MONTHS AGO FROM THE HIGH SCHOOL 130 00:08:53,447 --> 00:08:59,017 OF PERFORMING ARTS IN NEW YORK. WOULD YOU WELCOME FREDDY PRINZE. 131 00:08:59,019 --> 00:09:06,319 HE HAD THIS LA TEE NO ENERGY TO COMEDY IN A WAY WE HADN’T SEEN IT. 132 00:09:06,326 --> 00:09:09,896 HE WAS AN AMBASSADOR. 133 00:09:09,896 --> 00:09:12,726 I COULD NEVER FIGURE OUT HOW MY PARENTS MET. 134 00:09:12,733 --> 00:09:15,333 THEY WERE ON THE SUBWAY, TRYING TO PICK EACH OTHER’S POCKETS. 135 00:09:15,335 --> 00:09:18,805 HE GOES ON THE TONIGHT SHOW AND DOES THIS SET, CATCHES FIRE. 136 00:09:18,805 --> 00:09:20,765 CARSON BRINGS HEM OVER. ALL RIGHT, THAT’S ANOTHER ‐‐ 137 00:09:20,774 --> 00:09:22,844 THIS IS INCREDIBLE. THEN THEY GO TO COMMERCIAL. 138 00:09:22,843 --> 00:09:27,813 THEY COME BACK AGAIN, THEY BUMP THE GUEST TO TALK MORE WITH THIS 139 00:09:27,814 --> 00:09:29,484 YOUNG COMEDIAN. YOU KNOW, THERE’S NO GREATER 140 00:09:29,483 --> 00:09:34,183 THRILL FOR ME PERSONALLY THAN TO HAVE SOMEBODY COME OUT HERE AND 141 00:09:34,187 --> 00:09:36,917 ABSOLUTELY WIPE THEM OUT FIRST APPEARANCE COAST‐TO‐COAST. 142 00:09:36,923 --> 00:09:39,523 THAT’S GREAT. HE HAD A SITCOM SO FAST HE 143 00:09:39,526 --> 00:09:42,796 BECAME KIND OF THE TEMPLATE FOR WHAT YOU WANTED TO ACHIEVE IF 144 00:09:42,796 --> 00:09:44,926 YOU WERE A STANDUP COMIC AT THAT TIME. 145 00:09:44,931 --> 00:09:48,471 MOMMY, WHAT TOOK YOU SO LONG? I’VE BEEN WAITING FOR YOUR CALL? 146 00:09:48,468 --> 00:09:52,338 ARE YOU SURPRISED, MY LOVER? OH, HI, MR. PETERSON. 147 00:09:52,339 --> 00:09:56,109 SUCCESS COMING EARLY IN LIFE, AND QUICKLY, IT DESTROYS A LOT 148 00:09:56,109 --> 00:09:57,769 OF PEOPLE. BUT YOU JUST SEEM TO GROW AND 149 00:09:57,778 --> 00:10:01,248 HANDLE IT BETTER THAN ALMOST ANYBODY I KNOW. 150 00:10:01,248 --> 00:10:05,188 WELL, I WAS LUCKY. A COUPLE OF GOOD ACCIDENTS HAPPEN. 151 00:10:05,185 --> 00:10:06,915 FREDDIE PRINZE, THE 152 00:10:06,920 --> 00:10:12,160 22‐YEAR‐OLD STAR OF TELEVISION’S CHICO IN THE MAN SHOT HIMSELF IN 153 00:10:12,159 --> 00:10:15,659 THE HEAD TODAY IN AN APPARENT SUICIDE ATTEMPT. 154 00:10:15,662 --> 00:10:19,432 IT’S THE CLASSIC TALE OF SHOW BUSINESS, WHEN YOU BECOME THAT 155 00:10:19,433 --> 00:10:24,203 FAMOUS THAT FAST AT THE AGE OF 20, IT’S THROWING A CHILD INTO 156 00:10:24,204 --> 00:10:26,904 THE WORLD AND FAME OF MONEY. THERE’S NOTHING ABOUT THAT 157 00:10:26,907 --> 00:10:29,877 MAKES ANY SENSE. IT’S SAD AND TRAGIC. 158 00:10:29,876 --> 00:10:33,476 THAT’S HOW LIFE IS. THAT’S WHAT COMEDY IS. 159 00:10:33,480 --> 00:10:36,550 YOU CAN’T PLEASE ALL THE PEOPLE ALL THE TIME. 160 00:10:36,550 --> 00:10:40,750 AND LAST NIGHT ALL THOSE PEOPLE WERE AT MY SHOW. 161 00:10:40,754 --> 00:10:49,564 MITCH HEDBERG IS ONE OF THE GRADE COMEDIANS OF ALL TIME, IF 162 00:10:49,563 --> 00:10:54,063 YOU LOOK AT WHAT HE’S WRITING ON THE PAGE, IT’S COMEDIC HAIKU. 163 00:10:54,067 --> 00:10:57,897 I DON’T CARE IF THEY’RE BLACK, WHITE, PURPLE OR GREEN, 164 00:10:57,904 --> 00:11:01,404 HOLD ON NOW, PURPLE OR GREEN, YOU’VE GOT TO DRAW THE LINE SOMEWHERE. 165 00:11:01,408 --> 00:11:04,408 I LIKE RICE, RICE IS GREAT WHEN 166 00:11:04,411 --> 00:11:06,011 YOU’RE HUNGRY AND YOU WANT 2,000 OF SOMETHING. 167 00:11:06,012 --> 00:11:08,952 ONE TIME A GUY HANDED ME A PICTURE, HERE’S A PICTURE OF ME 168 00:11:08,949 --> 00:11:12,719 WHEN I WAS YOUNGER. EVERY PICTURE IS OF YOU WHEN YOU 169 00:11:12,719 --> 00:11:25,899 WERE YOUNGER. MITCH HEDBERG IS JOKE MAGIVER. 170 00:11:25,899 --> 00:11:27,499 IT RESCUES YOU. 171 00:11:27,501 --> 00:11:29,671 IT’S A VERY ABSURD BAIT AND SWITCH. 172 00:11:29,669 --> 00:11:34,439 I THINK BIG FOOT IS BLURRY. THAT’S THE PROBLEM. 173 00:11:34,441 --> 00:11:38,711 IT’S NOT THE PHOTOGRAPHER’S FAULT. 174 00:11:38,712 --> 00:11:43,012 PEOPLE THAT DIE IN THEIR 30s YOU DON’T GET SO SEE THEM 175 00:11:43,016 --> 00:11:45,516 FLOURISH. IT IS A RIPOFF. 176 00:11:45,519 --> 00:11:47,819 I WISH I COULD HEAR HOW THEY PROCESSED THE WORLD TODAY. 177 00:11:47,821 --> 00:11:53,921 I LOVE YOU GUYS. THANKS FOR COMING. 178 00:11:53,927 --> 00:11:57,727 WE’VE GOT A NICE MIXED CROWD. LOOK WHAT WE GOT. 179 00:11:57,731 --> 00:12:02,971 WE GOT WHITE FOLKS. WE GOT BLACK FOLKS. 180 00:12:02,969 --> 00:12:12,979 WE GOT PUERTO RICANS, PUERTO RICANS, PUERTO RICANS. 181 00:12:12,979 --> 00:12:16,009 I SEE SOMETHING I HAVEN’T SEEN BEFORE, STREET PERFORMERS 182 00:12:16,016 --> 00:12:18,616 DOING STANDUP COMEDY IN WASHINGTON SQUARE PARK, ONE OF 183 00:12:18,618 --> 00:12:21,478 THE BEST, CHARLIE BARNETT. THERE WAS THIS POWER ABOUT 184 00:12:21,488 --> 00:12:27,528 HIM AND HE WAS SO FLUID WITH HIS BODY AND WOULD DRAW 400 OR 500 185 00:12:27,527 --> 00:12:29,827 PEOPLE AROUND HIM AND DO SHOWS FOR FOUR HOURS. 186 00:12:29,829 --> 00:12:34,999 I DO A LOT OF ETHNIC HUMOR, BUT DON’T GET ME WRONG. 187 00:12:35,001 --> 00:12:37,771 I KNOW FROM WITHIN MY HEART, THERE’S ONLY ONE RACE, AND 188 00:12:37,771 --> 00:12:42,141 THAT’S THE HUMAN RACE. THE REST OF THEM ARE MEXICANS. 189 00:12:42,142 --> 00:12:47,242 CHARLIE DIDN’T HAVE MATERIAL, BUT HE HAD ENERGY. 190 00:12:47,247 --> 00:12:50,447 HE WENT ON AND BLEW THE ROOF OFF. 191 00:12:50,450 --> 00:12:52,520 TO BE HONEST I DON’T HAVE SEX ANYMORE. 192 00:12:52,519 --> 00:12:58,889 I’M SCARED OF A.I.D.S. I TOOK THE A. I. D. S. TEST, I GOT A 65. 193 00:12:58,892 --> 00:13:02,932 HIGHWAY, AT LEAST AT LEAST I PASSED. 194 00:13:02,929 --> 00:13:07,229 IN 1980 CHARLIE WAS HIRED ON 195 00:13:07,234 --> 00:13:11,304 "SATURDAY NIGHT LIVE" AND HE WAS FIRED BECAUSE HE WAS ILLITERATE 196 00:13:11,304 --> 00:13:18,344 AND COULDN’T READ THE CUE CARDS. AND GUESS WHO THEY HIRED IN HIS PLACE? 197 00:13:18,345 --> 00:13:19,745 ED 198 00:13:19,746 --> 00:13:23,116 EDDIE MURPHY. HE WAS A REAL NEW YORK STREET 199 00:13:23,116 --> 00:13:26,016 CHARACTER, HOMELESS, A. I. D. S., CRACK ADDICTS. 200 00:13:26,019 --> 00:13:28,519 BUT THROUGH IT ALL, HE WAS ALWAYS AN AMAZING PERFORMER. 201 00:13:28,521 --> 00:13:32,321 I’M HARRIS, I’M 33 YEARS YOUNG, I HAVE MY COUSIN’S 202 00:13:32,325 --> 00:13:35,855 JASON’S TRUCK FOR TWO MORE WEEKS. 203 00:13:35,862 --> 00:13:37,732 I HAVE ONE TESTICLE, AND I’M DOWN TO A CLOWN. 204 00:13:37,731 --> 00:13:40,701 HARRIS, WE KNOW WHO YOU ARE. I LITERALLY JUST FIRED YOU. 205 00:13:40,700 --> 00:13:45,070 OH, IS THIS THAT JOB? THAT’S CRAZY. 206 00:13:45,071 --> 00:13:49,341 NEVER MIND. HARRIS WITLES WAS SO 207 00:13:49,342 --> 00:13:52,182 TALENTED, HE WAS DOING STANDUP, DOING IMPROV, DOING SKETCHES. 208 00:13:52,178 --> 00:13:55,878 HE’S IN A BAND. HE WROTE FOR A SITCOM. 209 00:13:55,882 --> 00:14:01,552 HIS UNIQUE LOVABLE PERSONALITY TRANSCENDS EVEN HIS JOKES. 210 00:14:01,554 --> 00:14:04,924 I’M OUT OF ORDER, YOU’RE OUT OF ORDER. 211 00:14:04,924 --> 00:14:09,464 SAY NO IN AUSTRALIAN, JUST SAY ALL THE VOWELS. 212 00:14:09,462 --> 00:14:14,362 IS THAT GUY SURFING? YOU GOT ME AGAIN COKE CAN. 213 00:14:14,367 --> 00:14:19,667 HE’S JUST A NATURALLY FUNNY GUY WHO HAD A PROBLEM WITH DRUGS. 214 00:14:19,673 --> 00:14:20,943 I DON’T THINK YOU KNOW THAT I 215 00:14:20,940 --> 00:14:23,340 STARTED SHOOTING HEROIN. YOU DIDN’T? 216 00:14:23,343 --> 00:14:24,843 YEAH. ARE YOU READY TO TALK ABOUT THIS? 217 00:14:24,844 --> 00:14:27,514 I MEAN, NOW THAT IT’S 218 00:14:27,514 --> 00:14:31,514 SHOOTING HEROIN, I COULD DIE, AND I DON’T WANT TO DO THAT TO 219 00:14:31,518 --> 00:14:34,948 MY PARENTS OR MYSELF. SO I’M TAKING IT MORE SERIOUSLY 220 00:14:34,954 --> 00:14:36,454 NOW. AND I’M IN A GOOD PLACE. 221 00:14:36,456 --> 00:14:38,286 YOU’RE MAKING OUR LIVES BETTER. 222 00:14:38,291 --> 00:14:40,421 THANK YOU. YOU ARE A PART OF A TAPESTRY 223 00:14:40,427 --> 00:14:47,027 THAT IS BIGGER THAN YOU. YEAH, SOMEBODY JUST TEXTED ME 224 00:14:47,033 --> 00:14:50,433 THE WORD "HARRIS," AND THAT’S A SAD SITUATION WHEN YOU’RE LIKE 225 00:14:50,437 --> 00:14:55,607 THAT’S ALL THAT SOMEBODY NEEDS TO SAY AND YOU’RE LIKE, OH BOY. 226 00:14:55,608 --> 00:15:01,338 IT’S A WEIRD WORLD TO LIVE IN WHEN YOU KNOW PEOPLE THAT CAN 227 00:15:01,348 --> 00:15:03,818 GET THE ONE NAME DEATH ANNOUNCEMENT. 228 00:15:03,817 --> 00:15:08,017 BECAUSE YOU WORRY ABOUT SO MANY PEOPLE THAT ARE IN OUR WORLD. 229 00:15:08,021 --> 00:15:13,691 IT’S A TIGHT KNIT COMMUNITY. WHEN ONE PERSON DIES IT IS 230 00:15:13,693 --> 00:15:16,563 PARTICULARLY JUST KIND OF HEARTBREAKING. 231 00:15:16,563 --> 00:15:22,433 THE BATTLE BETWEEN GOOD AND EVIL IN A LOT OF COMEDIANS IS POWERFUL. 232 00:15:22,435 --> 00:15:24,735 AND SADLY AS YOU’LL FIND FOR 233 00:15:24,738 --> 00:15:29,238 MANY OF THESE ARTISTS, EVIL WINS OUT A LOT OF THE TIME. 234 00:15:29,242 --> 00:15:32,582 HEY, IT’S HARRIS, CALLING FROM HEAVEN. 235 00:15:32,579 --> 00:15:39,149 IT’S PRETTY GREAT UP HERE. IT’S BEAUTIFUL, FOR STARTERS. 236 00:15:39,152 --> 00:15:43,322 IT’S ‐‐ IT IS VERY CLOUDY, AND YOU SIT ON THEM SO THAT’S COOL. 237 00:15:43,323 --> 00:15:47,063 GOTTA GO, ICE CREAM BUFFET. 238 00:15:53,533 --> 00:15:59,603 GOOD EVENING, HELLO, I HAVE CANCER. 239 00:15:59,606 --> 00:16:02,236 HOW ARE YOU? I DON’T THINK A COMEDIAN CAN 240 00:16:02,242 --> 00:16:05,512 TURN OFF THEIR COMEDIC INSTINCTS JUST BECAUSE SOMETHING TERRIBLE 241 00:16:05,512 --> 00:16:09,212 IS HAPPENING TO THEM. IT’S HOW YOU EXPRESS YOURSELF. 242 00:16:09,215 --> 00:16:11,545 AND SO WHY WOULD THAT GO AWAY 243 00:16:11,551 --> 00:16:15,651 WHEN YOU’RE ILL OR WHEN THINGS ARE ROCK BOTTOM? 244 00:16:15,655 --> 00:16:17,785 THAT’S WHEN IT WOULD KICK IN MORE THAN EVER. 245 00:16:17,791 --> 00:16:20,291 THEY SAY LAUGHTER IS THE BEST MEDICINE. 246 00:16:20,293 --> 00:16:22,633 I REALLY DO BELIEVE THAT WITH MY HEART. 247 00:16:22,629 --> 00:16:25,429 NOT JUST FOR THE PEOPLE LAUGHING, FOR THE PEOPLE ON THE 248 00:16:25,432 --> 00:16:30,802 RECEIVING END OF THE LAUGHTER TOO. 249 00:16:30,804 --> 00:16:35,004 PHILOSOPHER SAID THAT COMEDY IS THE REALIZATION OF YOUR MORTALITY. 250 00:16:35,008 --> 00:16:37,178 AND LAUGHTER IS AN INVOLUNTARY RESPONSE. 251 00:16:37,177 --> 00:16:38,877 THAT, TO ME, IS ONE OF THE GREAT 252 00:16:38,878 --> 00:16:41,478 JOYS OF COMEDY. YES. 253 00:16:41,481 --> 00:16:43,851 WHO IS CALLING? IT’S A MR. DEATH OR 254 00:16:43,850 --> 00:16:46,050 SOMETHING, HE’S COME ABOUT THE REAPING. 255 00:16:46,052 --> 00:16:49,352 DEATH IS ESSENTIAL TO COMEDY. I DON’T KNOW IF ANYTHING’S FUNNY 256 00:16:49,355 --> 00:16:52,885 IF WE WERE LIVING IN SOME SORT OF INFINITE WORLD. 257 00:16:52,892 --> 00:16:58,862 THERE’S A CERTAIN DEGREE OF GALLOWS HUMOR. 258 00:16:58,865 --> 00:17:01,565 BUT AT THE SAME TIME, MAN, THAT’S A BETTER WAY TO GO OUT. 259 00:17:01,568 --> 00:17:07,938 HI, I’M GILDA RADNER AND ‐‐ OKAY NOW. 260 00:17:07,941 --> 00:17:15,551 I ASPIRED TO BE GILDA RADNER. SHE PLAYED MY MOM IN A TV 261 00:17:15,548 --> 00:17:19,348 COMMERCIAL WHEN I WAS A KID. HE WAS JUST A GREAT COMBINATION 262 00:17:19,352 --> 00:17:23,892 OF BEING FREE IN HER PERFORMING, BUT ALSO INSANELY VULNERABLE, 263 00:17:23,890 --> 00:17:27,160 WHICH IS A FANTASTIC COMBINATION. 264 00:17:27,160 --> 00:17:31,290 OH, IT’S GILDA RADNER, EVERYBODY. 265 00:17:31,297 --> 00:17:34,067 SHE DELIGHTED YOU. THERE ARE VERY FEW PEOPLE LIKE THAT. 266 00:17:34,067 --> 00:17:36,237 SO THE IDEA THAT SHE WAS SICK 267 00:17:36,236 --> 00:17:39,306 AND STRUGGLING, PEOPLE WERE DEVASTATED. 268 00:17:39,305 --> 00:17:42,475 DON’T, DON’T, DON’T MILK THE APPLAUSE LIKE THAT. 269 00:17:42,475 --> 00:17:45,445 OH, I’M SORRY, GARY, I HAVEN’T BEEN ON INVESTIGATION FOR A WHILE. 270 00:17:45,445 --> 00:17:46,545 YEAH, WHAT WAS WRONG? 271 00:17:46,546 --> 00:17:52,086 OH, I HAD CANCER. WHAT DID YOU HAVE? 272 00:17:52,085 --> 00:17:58,215 SHE HAD A HESITATION AS TO WHETHER OR NOT SHE WANTED TO BE 273 00:17:58,224 --> 00:18:01,724 ON GARY’S SHOW BECAUSE SHE WAS SICK AND SHE WAS AFRAID THE 274 00:18:01,728 --> 00:18:05,198 AUDIENCE WOULD RECOGNIZE HER OR REMEMBER HER. 275 00:18:05,198 --> 00:18:08,028 BUT THE REASON SHE DID IT WAS BECAUSE SHE FELT HER COMEDY WAS 276 00:18:08,034 --> 00:18:10,634 THE ONLY WEAPON SHE HAD AGAINST THE CANCER. 277 00:18:10,637 --> 00:18:14,007 I FEEL VERY LUCKY. I HAVE A WONDERFUL JOB. 278 00:18:14,007 --> 00:18:18,207 I HAVE THE OPPORTUNITY AS A PERFORMER TO TEST ANYTHING I 279 00:18:18,211 --> 00:18:24,151 WANT TO OR COME UP WITH IDEAS AND GET TO FULFILL ANYTHING I WANT TO PRETEND. 280 00:18:24,150 --> 00:18:29,890 AND THERE AREN’T MANY JOBS LIKE THAT. 281 00:18:29,889 --> 00:18:33,019 I HAVE NOT DONE ANYTHING YET. 282 00:18:33,026 --> 00:18:41,866 YOU’RE GIVING ME A HEADACHE. TOTTIE FIELDS IS ONE OF THOSE 283 00:18:41,868 --> 00:18:43,668 WOMEN THAT MORE PEOPLE SHOULD KNOW ABOUT. 284 00:18:43,670 --> 00:18:47,300 SHE LOST A LEG AND WAS STILL DOING COMEDY. 285 00:18:47,307 --> 00:18:51,677 CAN I GIVE YOU A HAND? I NEED A FOOT. 286 00:18:51,678 --> 00:18:55,178 SHE HAD BEEN ON TELEVISION A THOUSAND TIMES WITH TWO LEGS. 287 00:18:55,181 --> 00:18:59,721 SHE HAD TO ADDRESS IT. SHE TURNED IT INTO GREAT COMEDY. 288 00:18:59,719 --> 00:19:02,249 AFTER YOU GET YOUR HEAD IN THE RIGHT PERSPECTIVE, YOU 289 00:19:02,255 --> 00:19:04,985 REALIZE THAT YOU HAVE TWO LEGS. AND IF YOU LOSE ONE, SO YOU’VE 290 00:19:04,991 --> 00:19:09,491 LOST A LEG, BUT YOU REALLY ONLY HAVE ONE SENSE OF HUMOR. 291 00:19:09,495 --> 00:19:15,395 DO YOU KNOW, SWEETHEART, WHAT BROUGHT ME THROUGH THIS WHOLE THING? 292 00:19:15,401 --> 00:19:15,971 NO, I DON’T. 293 00:19:15,969 --> 00:19:17,869 I WOULDN’T GIVE YOU THE PLEASURE OF A SECOND LIFE. 294 00:19:17,870 --> 00:19:19,570 YOU HAVE TO BE REAL WITH YOUR SITUATION. 295 00:19:19,572 --> 00:19:24,372 WHEN WE ARE NOT AFRAID TO BE VULNERABLE, THAT’S COURAGEOUS, 296 00:19:24,377 --> 00:19:27,377 IT’S COURAGEOUS. I MADE SO MANY JOKES OVER THE 297 00:19:27,380 --> 00:19:31,750 YEARS ABOUT HOW SMALL MY CHEST WAS. 298 00:19:31,751 --> 00:19:39,591 BUT I STARTED TO THINK THAT MAYBE MY BOOBES OVERHEARD ME, 299 00:19:39,592 --> 00:19:45,192 AND WERE JUST LIKE, WE’RE SICK OF THIS. 300 00:19:45,198 --> 00:19:48,868 LET’S KILL HER. BEFORE I WAS DIAGNOSED WITH 301 00:19:48,868 --> 00:19:54,538 CANCER, I HAD LOST MY MOTHER, AND I HAD THIS POTENTIALLY 302 00:19:54,540 --> 00:20:01,180 DEADLY INTESTINAL DISEASE. AND NOTHING WAS STRIKING ME AS FUNNY. 303 00:20:01,180 --> 00:20:04,610 AND THEN I GOT DIAGNOSED WITH 304 00:20:04,617 --> 00:20:13,657 CANCER, AND I STARTED MINIAKLY LAUGHING. 305 00:20:13,660 --> 00:20:16,660 THIS IS HILARIOUS, ACTUALLY. SOMEHOW THEY’RE ABLE TO HAVE 306 00:20:16,663 --> 00:20:20,933 A THIRD PERSON PERSPECTIVE ON THE DRAMA OF THEIR LIFE AND 307 00:20:20,933 --> 00:20:23,473 THAT’S WHAT WE LOVE ABOUT GREAT COMEDIANS. 308 00:20:23,469 --> 00:20:29,739 DO NOT TEMPT ME. LAUGHTER TAKES THE AIR OUT OF EVERYTHING. 309 00:20:29,742 --> 00:20:32,442 FOR MY HBO SPECIAL, HALFWAY 310 00:20:32,445 --> 00:20:40,785 THROUGH I TOOK MY SHIRT OFF AND REVEALED MY DOUBLE MASTECTOMI SCARS. 311 00:20:40,787 --> 00:20:42,687 WHEN YOU LAUGH AT A JOKE 312 00:20:42,689 --> 00:20:44,289 ABOUT DEATH, IT’S FUNNY CONSIDERING THE SOURCE. 313 00:20:44,290 --> 00:20:46,590 YOU’RE MAKING A JOKE ABOUT DEATH, THE THING THAT’S 314 00:20:46,592 --> 00:20:48,422 DEFINITELY GOING TO HAPPEN TO YOU. 315 00:20:48,428 --> 00:20:52,498 AND NOW, LADIES AND GENTLEMEN, THE ALMOST FULL MONTY. 316 00:20:52,498 --> 00:20:56,768 MONTY PYTHON WAS AT THE ASPEN 317 00:20:56,769 --> 00:20:59,569 COMEDY FESTIVAL, AND IT WAS ONE OF THE FIRST TIMES THEY WERE ALL 318 00:20:59,572 --> 00:21:01,502 GATHERED TODAY SINCE GRAHAM CHAPMAN DIED. 319 00:21:01,507 --> 00:21:05,907 AND THEY CAME OUT AND THE JOKE WAS THEY BROUGHT HIS URN SO 320 00:21:05,912 --> 00:21:10,982 GRAHAM CHAPMAN COULD BE THERE. I THINK THAT’S THE MOST 321 00:21:10,983 --> 00:21:13,423 APPROPRIATE WAY TO MOURN A COMEDIAN. 322 00:21:13,419 --> 00:21:16,919 I DON’T THINK ANY COMEDIAN WANTS TO BE TAKEN SERIOUSLY IN DEATH. 323 00:21:16,923 --> 00:21:19,323 IT WOULD ALMOST FEEL LIKE A BETRAYAL. 324 00:21:19,325 --> 00:21:23,255 IT’S PART OF THE CODE OF COMEDY. SO WE WERE DOING A SHOW IN 325 00:21:23,262 --> 00:21:26,102 BRISTOL, AND WE WERE DOING A MATINEE THERE. 326 00:21:26,099 --> 00:21:32,539 AND FOR SOME EXTRAORDINARY REASON THE AUDIENCE JUST DIDN’T LAUGH. 327 00:21:32,538 --> 00:21:33,798 AND AFTER ABOUT ‐‐ 328 00:21:33,806 --> 00:21:49,486 OH. THE WORTH KIND OF 329 00:21:49,489 --> 00:21:53,359 NON‐SMOKER, YOU’RE A SMOKER AND THEY WALK UP TO YOU, THAT’S 330 00:21:53,359 --> 00:21:55,789 CRUEL, MAN, GOING UP TO A SMOKER AND COUGHING AT HIM. 331 00:21:55,795 --> 00:21:59,095 DO YOU GO UP TO CRIPPLED DANCING TOO? 332 00:21:59,098 --> 00:22:03,898 THE COMEDIANS THAT YOU FEEL THAT WE’VE LOST TOO QUICKLY, WE 333 00:22:03,903 --> 00:22:07,273 FEEL THAT LOSS BECAUSE THEY WERE SAYING SOMETHING THAT WAS 334 00:22:07,273 --> 00:22:10,843 UNSAYABLE UP UNTIL THEN. EVERY TIME I’M HEARING 335 00:22:10,843 --> 00:22:16,283 SOMETHING WEIRD HAPPENS, THIS TIME BUSH LOST. 336 00:22:16,282 --> 00:22:18,882 COOL. IT’S NOT THAT I DISAGREE WITH 337 00:22:18,885 --> 00:22:21,645 BUSH’S ECONOMIC POLICY OR HIS FOREIGN POLICY, IT’S THAT I 338 00:22:21,654 --> 00:22:26,894 BELIEVE HE WAS A CHILD OF SATAN HERE TO DESTROY THE PLANET EARTH. 339 00:22:26,893 --> 00:22:29,363 YEAH, I’M A LITTLE TO THE LEFT 340 00:22:29,362 --> 00:22:31,862 THERE, I WAS. WHEN YOU’RE TALKING ABOUT THE 341 00:22:31,864 --> 00:22:38,074 MT. RUSHMORE OF COMEDY, BILL HICKS WAS MY FAVORITE OF ALL TIME. 342 00:22:38,070 --> 00:22:39,900 THE FUNNY IS IN THE BACKGROUND, 343 00:22:39,906 --> 00:22:42,036 I HAVE THOUGHTS I NEED TO SHARE WITH YOU AND I NEED TO CONNECT WITH YOU. 344 00:22:42,041 --> 00:22:44,671 THAT TRUTH, GENERAL AMERICA 345 00:22:44,677 --> 00:22:55,557 WASN’T READY FOR. HE WAS SO OUT THERE. 346 00:22:55,555 --> 00:22:58,885 THE FLAG BURNING THING, RETARDED EMOTIONS, HEY, BUDDY, 347 00:22:58,891 --> 00:23:04,531 LET ME TELL YOU SOMETHING, MY DADDY DIED FOR THAT FLAG. 348 00:23:04,530 --> 00:23:07,530 REALLY? I BOUGHT MINE. 349 00:23:07,533 --> 00:23:12,943 HE WAS COURAGEOUS. HE WAS BALLSY. 350 00:23:12,939 --> 00:23:16,039 HE KNEW WHY HE WAS PUT ON THIS EARTH. 351 00:23:16,042 --> 00:23:19,512 WAITING FOR THE NEXT BILL HICKS IS A FOOL’S ERRAND. 352 00:23:19,512 --> 00:23:21,882 I DON’T KNOW IF THERE EVER WILL BE ANOTHER ONE. 353 00:23:21,881 --> 00:23:29,091 YOU DON’T UNDERSTAND. I AIN’T SCARED OF YOU. 354 00:23:29,088 --> 00:23:33,418 BERNIE MACK INTRODUCES HIMSELF TO THE WORLD OF COMEDY 355 00:23:33,426 --> 00:23:39,126 BY SAYING, I AIN’T SCARED OF YOU MOTHER DENY. 356 00:23:39,131 --> 00:23:46,001 I LOVE SEX, I LOVE IT, I’M BLESSED. 357 00:23:46,005 --> 00:23:48,305 IT WAS NOT A GAME WITH BERNIE MACK. 358 00:23:48,307 --> 00:23:50,977 HE GOT DISCOVERED A LITTLE BIT OLDER SO HE’D BEEN AROUND. 359 00:23:50,977 --> 00:23:56,517 BY THE TIME HE GETS HIS SHOT, HE BECOMES AN INSTANT LEGEND. 360 00:23:56,515 --> 00:24:00,645 I CAN’T BELIEVE THE KIDS, EVERYBODY TALKING ABOUT KIDS, 361 00:24:00,653 --> 00:24:04,693 TALKING ABOUT HOW BAD KIDS IS, YOU KNOW WHAT’S BAD, YOU CAN’T 362 00:24:04,690 --> 00:24:10,390 SAY KIDS BAD. I WANT TO ‐‐ A KID UP. 363 00:24:10,396 --> 00:24:13,566 BERNIE WELCOMES YOU INTO HIS LIFE TO TELL THE STORY THAT MY 364 00:24:13,566 --> 00:24:17,296 SISTER WAS A JUNKIE, AND I HAD TO TAKE HER BABIES, AND TO MAKE 365 00:24:17,303 --> 00:24:25,713 IT FUNNY, HOW AMAZING IS THAT? THAT’S CIGAR SMOKE THERE, I 366 00:24:25,711 --> 00:24:30,311 AIN’T HERE TO TALK ABOUT CIGARS. I’M HERE TO TELL YOU THAT ‐‐ I’M 367 00:24:30,316 --> 00:24:35,046 GOING TO KILL ONE OF THEM KIDS. BERNIE MACK WAS SUCH AN 368 00:24:35,054 --> 00:24:39,494 ORIGINAL VOICE TOO, AND INSTANTLY LIKABLE ON SCREEN. 369 00:24:39,492 --> 00:24:42,492 WE HAVE A LOT OF WARS COMING. WE’RE DEFINITELY GOING TO WAR 370 00:24:42,495 --> 00:24:50,895 WITH NORTH KOREA, THAT ANGRY LITTLE PSYCHOMIDGET, ANYBODITIME 371 00:24:50,903 --> 00:24:55,543 YOU HAVE A SHORT ‐‐ YOU KNOW HOW SHORT YOU HAVE TO BE TO HAVE A 372 00:24:55,541 --> 00:25:02,081 NAPOLEON COMPLEX IN NORTH KOREA. HE WAS A BRILLIANT MIND. 373 00:25:02,081 --> 00:25:06,451 AN INTENSE GUY ENERGETICALLY, BUT WENT TO HARVARD LAW SCHOOL, 374 00:25:06,452 --> 00:25:09,422 LIKE A REALLY GREAT BRAIN. SERIOUSLY, YOU’RE NOT THE 375 00:25:09,422 --> 00:25:15,122 ONLY ONE HERE, ALL THESE RUBBER‐FACED MONOSTERS, HOW MUCH 376 00:25:15,127 --> 00:25:19,067 WORSE COULD YOUR REAL FACE LOOK THAN THAT CLOWN MASK YOU’VE HAD 377 00:25:19,065 --> 00:25:21,465 WELDED ON YOUR HEAD. YOU USED TO LOOK YOUR AGE, NOW 378 00:25:21,467 --> 00:25:23,237 YOU DON’T EVEN LOOK YOUR SPECIES. 379 00:25:23,235 --> 00:25:26,905 THE FIRST TIME I SAW HIM PERFORM I WAS LIKE, OH, SPANDUP IS A SPORT. 380 00:25:26,906 --> 00:25:31,536 HE WAS SO INTENSE, AND HE WAS SO QUICK. 381 00:25:31,544 --> 00:25:34,344 HE DIDN’T WAIT FOR ANYONE TO LAUGH. 382 00:25:34,347 --> 00:25:36,617 THIS GUY WRITES SO MANY JOKES 383 00:25:36,615 --> 00:25:38,845 BEFORE THE SHOW IT’S NOT EVEN FUNNY. 384 00:25:38,851 --> 00:25:42,691 IT’S UNBELIEVABLE. KIND OF WHAT WE DO HERE, DENNIS. 385 00:25:42,688 --> 00:25:45,788 COMEDY WRITERS. YOU’RE THE GUY AT SCHOOL WHO 386 00:25:45,791 --> 00:25:48,961 DID ALL THE MOERK AND ASKED IF THERE WAS ANYMORE TO DO. 387 00:25:48,961 --> 00:25:52,601 THAT’S A GOOD POINT. IF YOU WOULD TRY SOME COMEDY WRITING ‐‐ 388 00:25:52,598 --> 00:25:56,168 I GOT TO KNOW GREG DOING 389 00:25:56,168 --> 00:25:59,238 TOUGH CROWD, HIS TAKES ON THE TOPICS WERE MORE INSIGHTFUL, 390 00:25:59,238 --> 00:26:03,538 MORE SON SKIES, FUNNIER THAN ANYTHING I COULD COME UP WITH. 391 00:26:03,542 --> 00:26:06,142 I LOVED IT. WHAT WAS SO GREAT ABOUT GREG, 392 00:26:06,145 --> 00:26:11,615 WHICH WOULD BE REALLY HELPFUL TODAY, IS AN INTELLECTUAL, 393 00:26:11,617 --> 00:26:14,847 CONTRARYIAN WORKING CLASS POINT OF VIEW. 394 00:26:14,854 --> 00:26:17,094 WILL THERE EVER BE A CANDIDATE THAT CAN RELATE TO 395 00:26:17,089 --> 00:26:19,519 BOTH RACES? 396 00:26:19,525 --> 00:26:23,125 THEY KEEP TRYING TO PAINT DEAN HAS HAVING RACE ISSUES. 397 00:26:23,129 --> 00:26:26,899 HE CAN’T POSSIBLY BE RACIST, HE’S FROM VERMONT, YOU CAN’T 398 00:26:26,899 --> 00:26:29,969 HATE BLACK PEOPLE UNTIL YOU’RE AROUND THEM A LOT. 399 00:26:29,969 --> 00:26:36,209 I FEEL BAD FOR WHITE DUDES, MAN, WHITE DUDES CAN’T BE RACIST. 400 00:26:36,208 --> 00:26:38,738 I’M WALKING THROUGH HARLEM. 401 00:26:38,744 --> 00:26:43,614 I’M KIND OF LOST RIGHT NOW, BUT I SEE A FEW BLACK GUYS WALKING TOWARDS ME. 402 00:26:43,616 --> 00:26:44,846 I CAN’T RUN. 403 00:26:44,850 --> 00:26:49,350 IF I START RUNNING, THEY’LL CALL ME A RACIST. 404 00:26:49,355 --> 00:26:55,655 RUN, STUPID ‐‐ RIGHT? PATRICE O’NEILL WAS A 405 00:26:55,661 --> 00:26:59,531 COMBINATION OF CROWD PLEASING PERSONALITY WITH VERY BITING MATERIAL. 406 00:26:59,532 --> 00:27:00,802 HE WAS REALLY FUNNY AND HE 407 00:27:00,800 --> 00:27:09,270 WAS LOUD AND HE WAS LIKE SHUT UP, THAT TYPE OF JUST OBNOXIOUS LOUD. 408 00:27:09,275 --> 00:27:12,605 HE WOULD HAVE BEEN AS FUNNY 409 00:27:12,611 --> 00:27:17,911 AS ANY OF THEM IN THE ROOM. SPORT FISHERMEN, THAT’S WHAT MEN ARE. 410 00:27:17,917 --> 00:27:21,487 YOU CATCH IT, YOU SHOW YOUR 411 00:27:21,487 --> 00:27:22,287 FRIENDS, AND THEN YOU RELEASE IT. 412 00:27:22,288 --> 00:27:25,928 BUT A LOT OF WOMEN IN HERE, YOU HAVE BOYFRIENDS OR HUSBANDS, YOU 413 00:27:25,925 --> 00:27:30,595 WERE FISH THAT JUMPED BACK ON THE BOAT, FLAPPING, LOOKING AT ME LIKE ‐‐ 414 00:27:30,596 --> 00:27:34,226 I WAS WONDERING IF YOU’RE GOING TO BE FISHING HERE 415 00:27:34,233 --> 00:27:35,763 AGAIN NEXT WEEK. AS A FEMINIST, I DIDN’T WANT TO ENJOY HIS COMEDY. 416 00:27:35,768 --> 00:27:42,368 AND THEN I WATCHED EL LEEPHANT IN THE ROOM. 417 00:27:42,374 --> 00:27:44,244 DESPITE IF I AGREE WITH HIM OR 418 00:27:44,243 --> 00:27:48,813 NOT, OR WANT TO OWN UP TO THE WAY I ACT AS A WOMAN IN THAT 419 00:27:48,814 --> 00:27:51,784 SCENARIO, HE NAILED IT. MY DAYS ARE NUMBERED. 420 00:27:51,784 --> 00:27:56,054 YOU KNOW WHAT I MEAN, I’M 40, AND THAT’S YOUNG IN EVERYONE 421 00:27:56,055 --> 00:28:01,925 ELSE YEARS, BUT IN BLACK YEARS, YOU KNOW, IF YOU DO THE BLACK TO 422 00:28:01,927 --> 00:28:12,507 WHITE LIFE RATIO, I’M A HUNDRED AND 77 YEARS OLD. 423 00:28:12,505 --> 00:28:16,375 HE WAS ABLE TO SPEAK TO AUDIENCES UNLIKE ANY OTHER COMEDIAN. 424 00:28:16,375 --> 00:28:17,375 SO CONVERSATIONAL. 425 00:28:17,376 --> 00:28:20,946 BUT HE WAS SAYING SO MANY IMPORTANT THINGS. 426 00:28:20,946 --> 00:28:23,916 YEAH. WE MISSED OUT ON WHAT HE HAD 427 00:28:23,916 --> 00:28:26,286 TO SAY ABOUT OBAMA AND TRUMP. YOU NEED THAT VOICE. 428 00:28:26,285 --> 00:28:28,985 YOU SAY YOU’RE GOING TO MELLOW IN YOUR OLDER AGE? 429 00:28:28,988 --> 00:28:33,058 I DOUBT I’M EVER GOING TO MAKE OLDER AGE. 430 00:28:33,058 --> 00:28:36,658 BILL HICKS AND THESE GUYS WERE A VOICE OF A GENERATION 431 00:28:36,662 --> 00:28:41,632 THAT JUST GOT SNUFFED OUT. IT SEEMS LIKE THERE’S SOMETHING 432 00:28:41,634 --> 00:28:43,804 ABOUT THIS BUSINESS THAT TAKES THE LIFE OUT OF YOU. 433 00:28:43,802 --> 00:28:49,512 THE DEGREE THAT COMICS HAVE GONE AWAY, IT’S JUST RAREFIED, THE 434 00:28:49,508 --> 00:28:52,738 MEN AND WOMEN THAT DO THIS, TO LOSE ONE, IT’S ONE LESS VOICE. 435 00:28:52,745 --> 00:28:57,215 THANK YOU ALL VERY MUCH. 436 00:29:05,324 --> 00:29:12,804 >WHAT I FIND INTERESTING IN TERMS OF GONE TOO SOON IS NOT SO 437 00:29:12,798 --> 00:29:16,728 MUCH THOSE COMEDIANS WHO DIED, BUT THOSE WHO QUIT DOING STANDUP 438 00:29:16,735 --> 00:29:21,635 FOREVER, LARRY DAVID, STEVE MARTIN, ALL THESE PEOPLE WERE 439 00:29:21,640 --> 00:29:25,910 IMMENSELY RESPECTED STANDUPS. HAVE I STARTED YET. 440 00:29:25,911 --> 00:29:31,411 I THINK A LOT OF STANDUP COMEDIANS HAVE AN AMBIVALENT 441 00:29:31,417 --> 00:29:34,387 RELATIONSHIP WITH COMEDY. A STEPPINGSTONE FOR THOSE 442 00:29:34,386 --> 00:29:40,786 PEOPLE, LIKE THEY HAVE SOMETHING ELSE ON THEIR MINDS. 443 00:29:40,793 --> 00:29:44,393 STEVE MARTIN QUIT DOING STANDUP AT THE HEIGHT OF HIS FAME. 444 00:29:44,396 --> 00:29:48,366 I KNEW IT WAS OVER ABOUT A 445 00:29:48,367 --> 00:29:51,897 YEAR BEFORE I STOPPED. I WASN’T BEING CREATIVE IN IT ANYMORE. 446 00:29:51,904 --> 00:29:55,704 AND I DIDN’T REALLY KNOW HOW TO 447 00:29:55,708 --> 00:30:00,808 WRITE FOR SUCH A BIG AUDIENCE. I SPENT $150 FOR A TAPE 448 00:30:00,813 --> 00:30:05,853 RECORDER, AND AS I TALK INTO IT, IT GOES, I KNOW, I KNOW. 449 00:30:05,851 --> 00:30:09,491 WOODY ALLEN WAS A VERY SHY PERSON, HE WAS THE LAST PERSON 450 00:30:09,488 --> 00:30:11,948 IN THE WORLD WHO YOU WOULD THINK WOULD BECOME A PERFORMER. 451 00:30:11,957 --> 00:30:15,057 AS SOON AS HE WAS ABLE TO LEAVE STANDUP OR MOVIES, HE DID. 452 00:30:15,060 --> 00:30:17,630 EVERY TIME I TRY AND DO SOMETHING SERIOUS, PEOPLE LAUGH AT ME. 453 00:30:17,630 --> 00:30:20,030 WHICH WOULD BE A PROBLEM, IF I 454 00:30:20,032 --> 00:30:23,702 TRIED TO DO A SERIOUS MOVIE EVER, AND I WOULD LIKE TO MAKE A 455 00:30:23,702 --> 00:30:25,332 MOVIE EVER WHERE I WAS REAL SERIOUS IN IT. 456 00:30:25,337 --> 00:30:30,077 THE COMEDIANS THAT WALKED AWAY FROM STANDUP BECAME MOVIE STARS. 457 00:30:30,075 --> 00:30:31,335 STAY AWAY FROM THE CANS. 458 00:30:31,343 --> 00:30:37,553 THAT’S THE COMMON DENOMINATOR. 459 00:30:37,549 --> 00:30:39,409 JESUS CHRIST. I FOUND OUT SOME WHITE KIDS 460 00:30:39,418 --> 00:30:46,688 CAN CURSE AROUND THE HOUSE. YOU’RE LITTLE LATE. 461 00:30:46,692 --> 00:30:50,862 COME ON, MOM, I’M MOVING AS FAST AS I CAN. 462 00:30:50,863 --> 00:30:53,163 AND I WAS STANDING THERE LIKE THIS. 463 00:30:53,165 --> 00:30:55,925 EDDIE WAS A ROCK STAR, HE HIT 464 00:30:55,934 --> 00:30:57,934 SO BIG ‐‐ HE WAS CHIPPING AWAY AT COMEDY. 465 00:30:57,936 --> 00:31:00,566 WE DON’T KNOW HOW GREAT EDDIE COULD HAVE BEEN. 466 00:31:00,572 --> 00:31:04,912 YOU’RE WRITING AND ACTING AND EVERYTHING RIGHT THERE ON THE STAGE. 467 00:31:04,910 --> 00:31:08,880 YOU’VE GOT TO WRITE YOUR OWN SHOW AND PRESENT IT. 468 00:31:08,881 --> 00:31:10,211 IT’S WORTH IT IF IT WORKS. 469 00:31:10,215 --> 00:31:12,515 YEAH, IT’S WORTH IT IF IT WORKS. 470 00:31:12,518 --> 00:31:16,858 THERE ARE A LOT OF COMEDIANS WHO LEAVE STANDUP TOO SOON. 471 00:31:16,855 --> 00:31:19,555 LARRY DAVID COULDN’T LEAVE STANDUP SOON ENOUGH. 472 00:31:19,558 --> 00:31:23,688 I BOMBED SO MANY TIMES. I WASN’T REALLY A VERY GOOD COMEDIAN IN MY BOOK. 473 00:31:23,696 --> 00:31:26,226 THE MATERIAL I WAS DOING THE 474 00:31:26,231 --> 00:31:31,201 AUDIENCE DIDN’T SEEM TO LIKE IT. EN MASSE. 475 00:31:31,203 --> 00:31:34,373 I THINK WE’VE COME TO THE END OF THE LINE HERE. 476 00:31:34,373 --> 00:31:39,843 BUT, YOU KNOW, THIS IS WHAT HAPPENS WHEN YOU RUN OUT OF NOTHING. 477 00:31:39,845 --> 00:31:42,005 THANK YOU VERY MUCH, GOOD NIGHT. 478 00:31:42,014 --> 00:31:46,924 IT’S HARD TO SAY IF ANYTHING’S AHEAD OF ITS TIME. 479 00:31:46,919 --> 00:31:49,689 I THINK WHEN PEOPLE ARE INNOVATIVE, IT’S SOMETIMES HARD 480 00:31:49,688 --> 00:31:51,418 TO GET THE AUDIENCE FOR THE FIRST TIME. 481 00:31:51,423 --> 00:31:54,723 THERE WAS A PERIOD WHERE EVERY SHOW I DID WOULD GET CANCELLED 482 00:31:54,727 --> 00:31:56,597 IN THE MIDDLE OF THE FIRST SEASON. 483 00:31:56,595 --> 00:31:59,155 AND IT SUCKS. WHAT DO YOU WANT? 484 00:31:59,164 --> 00:32:01,764 GIVE ME YOUR TEETH. TEETH. 485 00:32:01,767 --> 00:32:04,197 ARM. GIVE ME A YOU. 486 00:32:04,203 --> 00:32:05,533 T. WHAT’S THAT SPELL? 487 00:32:05,537 --> 00:32:08,807 THE TRUTH. YOU’RE RIGHT, YOU GOT IT. 488 00:32:08,807 --> 00:32:09,507 THAT’S GREAT. THANK YOU. 489 00:32:09,508 --> 00:32:12,978 NO FURTHER QUESTIONS. I GUESS THE ULTIMATE REVENGE 490 00:32:12,978 --> 00:32:17,908 FOR THE STILLER SHOW WAS THAT IT WON THE EMMY AFTER IT HAD BEEN 491 00:32:17,916 --> 00:32:19,686 ANNOUNCED THAT IT HAD BEEN CANCELLED. 492 00:32:19,685 --> 00:32:22,285 THEY USE OUR SHOW AS AN EXAMPLE IN THE MEETINGS OF WHAT 493 00:32:22,287 --> 00:32:29,827 THEY DON’T WANT TO DO IN THE FOX NETWORK, WITH THE EMPLOYMENT 494 00:32:29,828 --> 00:32:35,898 OFFESTROJEN HORMONAL THERAPY I HAVE DEVELOPED THE ABILITY TO 495 00:32:35,901 --> 00:32:38,671 SOME OF THE GREATEST SKETCH BREAST‐FEED. 496 00:32:38,670 --> 00:32:42,240 COMEDY DONE ON TELEVISION. LAWYERS WHO ARE NAUSEATED BY 497 00:32:42,241 --> 00:32:47,041 FOOD IS, I THINK, ONE OF THE PUREST SKETCHES EVER DONE. 498 00:32:47,045 --> 00:32:54,115 FOOD IS FLOUNDER. IT’S SAUTEED IN A ‐‐ SPICY 499 00:32:54,119 --> 00:32:57,819 BUTTER SAUCE SERVED ON A BED OF STEAMED LEEKS. 500 00:32:57,823 --> 00:33:00,623 HIS SHOW WAS THE GREATEST EXAMPLE OF THE SHOWS THAT GATHER 501 00:33:00,626 --> 00:33:05,256 A LOT OF AMAZING PEOPLE TOGETHER THAT DIDN’T QUITE CLICK IN THAT 502 00:33:05,264 --> 00:33:08,304 MOMENT FOR WHATEVER REASON. ANOTHER WAY TO LOOK AT IT, BUT 503 00:33:08,300 --> 00:33:12,970 WHAT IF THAT SHOW HAD KEPT GOING, ALL THESE DIFFERENT GREAT 504 00:33:12,971 --> 00:33:15,441 PERFORMERS MIGHT NOT HAVE GIVEN US SO MUCH GREAT WORK. 505 00:33:15,441 --> 00:33:20,341 IT’S LIKE SAYING, YOU KNOW, ABE LINCOLN’S DRY GOODS STORE, GOON TOO SON, IF ONLY. 506 00:33:20,345 --> 00:33:23,715 NO, WE NEEDED HIM, WE NEEDED HIM FOR OTHER STUFF. 507 00:33:23,715 --> 00:33:28,515 MY FIRST GUEST HAS A SPECIAL 508 00:33:28,520 --> 00:33:33,390 TONIGHT ON NBC, WELCOME STEVE MARTIN. 509 00:33:33,392 --> 00:33:35,692 STEVE? OH, HI, DAVID. 510 00:33:35,694 --> 00:33:40,304 HOW ARE YOU? OH, YEAH, I WAS DOING THAT 511 00:33:40,299 --> 00:33:42,499 THIS MORNING. DAVID LETTERMAN HAD HIS 512 00:33:42,501 --> 00:33:46,301 MORNING SHOW, NOBODY HAD EVER SEEN A GUY LIKE THIS AT THIS TIME OF DAY. 513 00:33:46,305 --> 00:33:50,035 RIGHT THERE YOU SAW BASICALLY 514 00:33:50,042 --> 00:33:53,782 THE INCIPIENT STAGES OF THE IRREVERENCE. 515 00:33:53,779 --> 00:33:57,779 A HUGE TANK OF LEMONADE AND MINNOWS. 516 00:33:57,783 --> 00:34:01,423 MINNOWS. MY IDEA OF A JOKE. 517 00:34:01,420 --> 00:34:03,120 THE ONLY REASON WE WERE GETTING ALL THAT STUFF ON THE 518 00:34:03,121 --> 00:34:06,291 AIR WAS THAT WE WERE JUST PUTTING IT ON THE AIR BECAUSE WE 519 00:34:06,291 --> 00:34:09,461 WERE ALREADY ON THE AIR. I READ THE NBC RESEARCH, AND 520 00:34:09,461 --> 00:34:12,631 IF WE WOULD HAVE HAD MORE SEX, MORE VIOLENCE ON THE SHOW, I 521 00:34:12,631 --> 00:34:16,531 THINK WE WOULD HAVE DONE BETTER. THEY TALKED ABOUT BEING 522 00:34:16,535 --> 00:34:18,535 CANCELLED A LOT, WHICH I HADN’T SEEN BEFORE ON TV. 523 00:34:18,537 --> 00:34:20,907 A HOST REALLY MOCKING THEIR FAILURE. 524 00:34:20,906 --> 00:34:27,346 VIOLENCE, LADIES AND GENTLEMEN. 525 00:34:27,346 --> 00:34:31,316 I’M SORRY THAT THIS PROGRAM IS GOING TO DISAPPEAR, BECAUSE 526 00:34:31,316 --> 00:34:33,216 IT WAS SOMETHING ‐‐ IT WAS SOMETHING DIFFERENT, AND 527 00:34:33,218 --> 00:34:37,688 SOMETHING ADVENTUROUS, AND SOMETHING REALLY COURAGEOUS IN 528 00:34:37,689 --> 00:34:42,389 DAYTIME TELEVISION. AND UNFORTUNATELY ‐‐ 529 00:34:42,394 --> 00:34:44,894 NONE OF THESE SHOWS EVER GOT BAD. 530 00:34:44,897 --> 00:34:52,597 ANY SHOW THAT’S CANCELLED PREMATURELY, THEY BECOME A SEXY CORPSE. 531 00:34:52,604 --> 00:34:53,144 I QUIT. 532 00:34:53,138 --> 00:34:55,368 YOU REMEMBER THEM AS THEY WERE YOUNG AND HANDSOME. 533 00:34:55,374 --> 00:34:57,914 THEY NEVER AGE. HEY, YOU KNOW I NEVER APPROVED THIS. 534 00:34:57,910 --> 00:35:00,980 NOBODY EVER LISTENS TO ME AROUND HERE. 535 00:35:00,979 --> 00:35:03,549 I’M NOT DANGEROUS. 536 00:35:03,549 --> 00:35:18,229 AT LEAST I WASN’T I’M SORRY FOR HEARING THIS 537 00:35:18,230 --> 00:35:25,100 JUST NOW FOR THE FIRST TIME BUT DON RICKLES PASSED AWAY THIS MORNING. 538 00:35:25,103 --> 00:35:27,903 HE WAS 90 YEARS OLD. 539 00:35:27,906 --> 00:35:31,806 I KNOW IT’S CRAZY TO SAY HE WAS TOO YOUNG BUT HE WAS. 540 00:35:31,810 --> 00:35:37,310 NICE TO SEE MY BLACK BROTHERS AND SISTERS. 541 00:35:37,316 --> 00:35:38,246 HALLELUJAH HALLELUJAH. 542 00:35:38,250 --> 00:35:40,120 THERE IS NO BOOING. THERE IS NO BOOING. 543 00:35:40,118 --> 00:35:54,328 IF THERE IS ANOTHER OUTBURST, WE’LL LET BOB DO HIS JOKE. 544 00:35:54,333 --> 00:35:55,503 FILLIPINO. COMMAEDY DOESN’T HAVE AN AGE. 545 00:35:55,500 --> 00:35:56,600 YOU CAN DIE AT 125. IF YOU’RE A GREAT COMEDIAN WHO 546 00:35:56,602 --> 00:35:58,572 IS STILL BRINGING IT, YOU DIED TOO YOUNG. 547 00:35:58,570 --> 00:36:04,540 AM I RIGHT OR WRONG? I DON’T WANT THE COLORED GUY TO 548 00:36:04,543 --> 00:36:07,113 BUTT BUT IN. 549 00:36:07,112 --> 00:36:10,552 DON RICKLES, ANY BAD THING HE’D SAY, HE SHOULDN’T BE SAYING THAT. 550 00:36:10,549 --> 00:36:13,519 WHEN HE DIED, HE TOOK AN ERA 551 00:36:13,518 --> 00:36:20,618 OF SHOW BIZ WITH HIM. DON RICKLES, LADIES AND GENTLEMEN. 552 00:36:20,626 --> 00:36:26,666 REALLY GOOD, GOOD GIRL. 553 00:36:26,665 --> 00:36:31,595 IS SHE NORMAL? YEAH. 554 00:36:31,603 --> 00:36:32,873 GOOD. GOOD. 555 00:36:32,871 --> 00:36:36,671 IS SHE WHITE? YEAH. 556 00:36:36,675 --> 00:36:39,945 THE ONLY COMEDIANS INTIMIDATED BY IS JOAN RIVERS. 557 00:36:39,945 --> 00:36:43,575 SHE WAS A MACHINE ON STAGE AND DID IT BEFORE SHE WAS EASY. 558 00:36:43,582 --> 00:36:46,152 WOMEN AREN’T PERMITTED TO TALK A CERTAIN WAY ON TELEVISION. 559 00:36:46,151 --> 00:36:48,851 THE MARRIAGE WAS IN TROUBLE SINCE THE WEDDING NIGHT. 560 00:36:48,854 --> 00:36:54,364 REALLY? YEAH, A LOT OF MEN SMOKE 561 00:36:54,359 --> 00:36:58,589 AFTERWARD AND HE SMOKED DURING. ASKED ME FOR A LIGHT. 562 00:36:58,597 --> 00:37:00,767 INCREDIBLE. I SAID GET IT YOURSELF ON THE 563 00:37:00,766 --> 00:37:02,496 DASHBOARD. JOAN WAS UNDAUNTED. 564 00:37:02,501 --> 00:37:05,071 SHE WAS DETERMINED TO SUCCEED AND KEEP SUCCEEDING. 565 00:37:05,070 --> 00:37:08,500 HER RULE ABOUT LIFE THAT IT’S ALL A BIG JOKE AND WE’RE HERE 566 00:37:08,507 --> 00:37:11,337 FOR LIKE A SECOND, LIKE THAT REALLY STAYED WITH ME. 567 00:37:11,343 --> 00:37:15,143 I COULD DIE ANY MOMENT AND YOU KNOW HOW LUCKY YOU GUYS WOULD BE? 568 00:37:15,147 --> 00:37:18,877 YOU WERE THERE? 569 00:37:18,884 --> 00:37:22,124 YEAH. SHE WAS LYING THERE, THE FACE 570 00:37:22,120 --> 00:37:23,920 DIDN’T MOVE. WE THOUGHT BOTOX. 571 00:37:23,922 --> 00:37:27,192 HER JOKES AND HER STYLE WILL BE HERE FOREVER BECAUSE WHEN YOU 572 00:37:27,192 --> 00:37:29,692 DO SOMETHING GREAT, A LITTLE PIECE OF YOU WILL ALWAYS 573 00:37:29,695 --> 00:37:32,755 CONTINUE TO GO ON. THE WORST THING ABOUT BEG IN 574 00:37:32,764 --> 00:37:38,974 THE HOSPITAL IS THAT THEY SHAVE YOU. 575 00:37:38,970 --> 00:37:46,040 I MEAN, THEY SHAVE EVERYTHING. I WAS JUST VISITING A FRIEND OF MINE. 576 00:37:46,044 --> 00:37:48,684 BARRY WASGARRY WAS NOT AFRAID 577 00:37:48,680 --> 00:37:54,420 HE BROKE THE FOURTH WALL WITH HIS SHOW AND WITH LARRY SANDERS, 578 00:37:54,419 --> 00:37:59,519 HE BROKE THAT MOLD, TOO. HE TURNED TV ON ITS HEAD TWICE. 579 00:37:59,524 --> 00:38:02,994 OH, COMFORTABLE. SO DO I. 580 00:38:02,994 --> 00:38:04,334 YOU DO? YEAH. 581 00:38:04,329 --> 00:38:07,659 YOU’RE SO GOOD AT IT. TRUST ME, I HATE MYSELF. 582 00:38:07,666 --> 00:38:13,666 MUCH OF MODERN TELEVISION COMEDY CAN BE TRACED BACK TO A 583 00:38:13,672 --> 00:38:19,312 LOT OF CHANCES GARRY TOOK. IT DOESN’T ADD UP FOR ME HE’S GONE. 584 00:38:19,311 --> 00:38:20,941 IT DOESN’T MAKE SENSE. 585 00:38:20,946 --> 00:38:24,416 NOT HAVING HIS VOICE DOESN’T FEEL RIGHT. 586 00:38:24,416 --> 00:38:27,846 LONG BEFORE I MET HIM, HE FELT LIKE A FRIEND TO ME. 587 00:38:27,853 --> 00:38:32,453 MY JOURNEY IS TO BE WHO I AM. HE WAS A MENTOR TO A LOT OF PEOPLE. 588 00:38:32,457 --> 00:38:34,387 HE SEEMED LIKE HE WAS FLOATING 589 00:38:34,392 --> 00:38:36,632 THROUGH THE WORLD A BIT. HE WAS THERE TO HELP. 590 00:38:36,628 --> 00:38:42,998 WHAT I WANT AT MY FUNERAL IS AN ACTUAL BOXING REFEREE TO DO A 591 00:38:43,001 --> 00:38:46,871 COUNT AND IF I WAVE IT OFF AND HI SIGHT HE’S NOT GETTING UP. 592 00:38:46,872 --> 00:38:52,212 THE REASON THAT GARRY’S DEATH IS A CRIME IS NOT JUST BECAUSE I 593 00:38:52,210 --> 00:38:55,410 DON’T GET TO TALK TO HIM ANYMORE, BUT HE WASN’T DONE. 594 00:38:55,413 --> 00:39:04,453 WASN’T DONE FOR HIMSELF. NOT FOR US. 595 00:39:04,456 --> 00:39:07,526 THE WHOLE KEY COMING THROUGH LIFE IS A SENSE OF HUMOR. 596 00:39:07,526 --> 00:39:11,426 THERE IS A LIFE SENSE INVOLVED OF NOT SEEING THE WORLD SO SERIOUSLY. 597 00:39:11,429 --> 00:39:13,759 WHY IS IT MOST OF THE PEOPLE 598 00:39:13,765 --> 00:39:17,435 AGAINST ABORTION ARE PEOPLE YOU WON’T WANT TO IN THE FIRST PLACE? 599 00:39:17,435 --> 00:39:22,605 HE DIDN’T DIE NECESSARILY 600 00:39:22,607 --> 00:39:25,307 YOUNG BUT SEEMED YOUNG. HIS THOUGHTS NEVER STOPPED. 601 00:39:25,310 --> 00:39:28,710 IT WASN’T LIKE AN OLD PERSON DYING. 602 00:39:28,713 --> 00:39:34,323 HE REINVENTED HIMSELF EVERY DECADE TO APPEAL TO WHATEVER WAS ACQUIRED. 603 00:39:34,319 --> 00:39:35,649 WITHOUT SELLING OUT. 604 00:39:35,654 --> 00:39:38,324 WHITE GUYS. LET ME TELL YOU SOMETHING, 605 00:39:38,323 --> 00:39:41,293 YOU’RE NEVER GOING TO BE AS COOL AS BLACK GUYS. 606 00:39:41,293 --> 00:39:47,533 IT’S NOT GOING TO HAPPEN. YOU’RE WHITE AND YOU’RE LAME. 607 00:39:47,532 --> 00:39:52,102 I WOULD LIKE ONE OF TWO THINGS, HE WAS JUST HERE A 608 00:39:52,103 --> 00:39:55,103 MINUTE AGO OR TOO HIP FOR THE ROOM. 609 00:39:55,106 --> 00:40:00,976 TOO HIP FOR THE ROOM. I HAVE SOME ISSUE WITH GONE TOO SOON. 610 00:40:00,979 --> 00:40:02,939 WE GO. 611 00:40:02,948 --> 00:40:06,888 EVERYBODY GOES AND IT ALWAYS STINKS SO HE WAS OLD BUT YOU’RE 612 00:40:06,885 --> 00:40:11,155 STILL LIKE HEY, IT WAS TOO SOON. YOU DON’T EVER WANT IT TO END. 613 00:40:11,156 --> 00:40:17,826 YOU GET A FEELING AFTER PLAYING ALL OVER THE COUNTRY, 614 00:40:17,829 --> 00:40:21,059 THAT WAS WORTH IT SAYING I HAVEN’T LAUGHED THAT HARD IN A LONG TIME. 615 00:40:21,066 --> 00:40:22,596 PEOPLE NEED IT. 616 00:40:22,601 --> 00:40:24,871 THAT’S THE PURPOSE OF GOING OUT AND DOING IT. 617 00:40:24,870 --> 00:40:30,140 COMEDIANS AT THEIR BEST, WHAT THEY ARE PROVIDING IS A 618 00:40:30,141 --> 00:40:34,381 LIFE‐AFFIRMING EXPERIENCE. THE MINUTE YOU LAUGH YOU FEEL BETTER. 619 00:40:34,379 --> 00:40:36,909 SOUNDS CLICHE BUT IT’S TRUE. 620 00:40:36,915 --> 00:40:40,685 FOR ALL OUR CRAZINESS, WE DO LEAVE IT BETTER THAN WE FOUND IT. 621 00:40:40,685 --> 00:40:43,815 WE BRING SOME JOY FROM WHATEVER 622 00:40:43,822 --> 00:40:47,462 SELFISH REASONS, IT’S A NOBLE PROFESSION. 623 00:40:47,459 --> 00:40:50,089 SEE HOW HAPPY I AM? WE KEEP MOVING ON. 624 00:40:50,095 --> 00:40:53,095 WE DON’T KNOW WHAT WE’RE DOING HERE AND ALLOW ME TO MAKE YOU 625 00:40:53,098 --> 00:40:57,168 LAUGH IS TREMENDOUS AND I’M BLESSED TO BE PART OF IT AND I 626 00:40:57,168 --> 00:41:00,568 TERRIBLY MISSED THE MEN AND WOMEN THAT HAVE GONE BEFORE ME. 627 00:41:00,572 --> 00:41:04,172 THE FACT YOU HAVE TOUCHED MORE PEOPLE THAN YOU WOULD HAVE 628 00:41:04,175 --> 00:41:06,975 IF YOU DID NOT DO STANDUP, THAT’S AMAZING. 629 00:41:06,978 --> 00:41:11,178 I GUESS THE RULE THINKING HOW SAD IT IS A MAN OF SUCH TALENT, 630 00:41:11,182 --> 00:41:15,152 SUCH KINDNESS SHOULD NOT SO SUDDENLY BE SPIRITED AWAY BEFORE 631 00:41:15,153 --> 00:41:18,623 HE’D ACHIEVED MANY OF THE THINGS WHICH HE WAS CAPABLE. 632 00:41:18,623 --> 00:41:22,523 WELL, I FEEL I SHOULD SAY NOTHING. 633 00:41:22,527 --> 00:41:27,397 GOOD RIDDANCE TO HIM, THE FREE LOADING BASTARD. 634 00:41:27,399 --> 00:41:31,999 CAN I SAY FOR THE RECORD IF I DIE IN ANY WAY THAT’S FUNNY OR 635 00:41:32,003 --> 00:41:33,873 INTERESTING, NOTHING IS TOO SOON. 636 00:41:33,872 --> 00:41:36,472 GO FOR IT. I TALK ABOUT MY DEATH ALL THE TIME. 637 00:41:36,474 --> 00:41:39,514 I TELL MY FRIENDS THE DAY I DIE, 638 00:41:39,511 --> 00:41:42,911 I DON’T WANT ANYBODY THAT LOVE ME TO GO TO WORK. 639 00:41:42,914 --> 00:41:46,414 WE HAD A WAKE FOR PHIL. I GOT UP AND SAID I THINK I 640 00:41:46,418 --> 00:41:52,318 SPEAK FOR A LOT OF PEOPLE HERE WHEN I SAY I JUST CAN’T BELIEVE 641 00:41:52,324 --> 00:41:54,964 IT’S NOT ANDY THAT’S DEAD. I WAS IN SHOCK. 642 00:41:54,960 --> 00:42:02,060 I KEPT SAYING CAN YOU BELIEVE THAT BRIANYNN MURDERED FILL? 643 00:42:02,067 --> 00:42:05,837 HE SAID COME ON, YOU’RE MAKING IT SOUND WORSE THAN IT WAS. 644 00:42:05,837 --> 00:42:10,777 I WAS LIKE HOLY. 645 00:42:10,775 --> 00:42:13,715 WE LAUGHED FOR A HALF AN HOUR AND NOBODY WOULD HAVE FOUND THAT 57109

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