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WEâRE ALL GOING TO DIE.
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DIDNâT MINE TO REMIND YOU OF IT,
BUT IT IS ON YOUR SCHEDULE.
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00:00:21,810 --> 00:00:26,800
WE FIND THE LOSS OF COMEDIANS
SO PROFOUND BECAUSE WE HAD FUN
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00:00:26,807 --> 00:00:29,637
WITH THEM, AND THEY WERE IN OUR HOME.
5
00:00:29,643 --> 00:00:33,583
SHEâD MAKE YOU FEEL THAT YOU
HAD A SPECIAL PLACE IN HER HEART.
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00:00:33,581 --> 00:00:34,481
LAUGHING WITH SOMEBODY BINDS YOU TO THEM.
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COMEDIANS DONâT HAVE A GREAT
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MORTALITY RATE.
WE LOSE A LOT OF PEOPLE.
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00:00:42,923 --> 00:00:46,693
WHEN YOU LOSE A COMEDIAN, I
FEEL ITâS MORE PERSONAL BECAUSE
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00:00:46,694 --> 00:01:05,084
I KNOW THE.
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00:01:05,079 --> 00:01:18,489
I DONâT DRINK ANYMORE, I HAD
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TO QUIT BECAUSE I REALLY DRANK.
MAN, I GET PULLED OVER BY THE
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COPS, IâD BE SO DRUNK, DANCING
TO THEIR LIGHTS, THINKING I MADE
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IT TO ANOTHER CLUB.
LAUGHTER IS A BIZARRELY
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INTIMATE THING, ITâS AN
UNCONTROLLED PHYSICAL RESPONSE,
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VERY SIMILAR BUY LOGICALLY TO ORGASM.
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SOMEONE MADE YOU LAUGH EVEN
ONCE, YOU HAVE AN AFFECTION FOR
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00:01:45,319 --> 00:01:47,549
THAT PERSON.
ITâS ALL LOVE, BABY.
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A COMEDIAN IS LIKE YOUR FRIEND.
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THATâS WHAT THE JOB OF A
COMEDIAN IS TO COME ON STAGE AND
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IN 60 SECONDS MAKE FRIENDS WITH
A ROOM FULL OF PEOPLE.
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ACTORS, THEIR GENIUS IS NEVER
QUITE TELLING US WHO THEY ARE.
23
00:02:02,570 --> 00:02:07,640
BUT COMEDIANS GETTING INSIDE OUR
HEADS IS VERY PERSONAL.
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00:02:07,641 --> 00:02:11,481
THEREâS AN INTIMACY TO COMEDY.
SO WHEN THEYâRE GONE, YOU MISS IT.
25
00:02:11,478 --> 00:02:12,338
YOU EVER HAVE YOUR GIRLFRIEND
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00:02:12,346 --> 00:02:15,546
OR YOUR WIFE CALL YOU FROM
ANOTHER ROOM AND SHEâS LIKE,
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SWEETIE, AND THEN IMMEDIATELY,
YOU GO, WHAT DOES SHE WANT?
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00:02:18,719 --> 00:02:23,249
BECAUSE COMEDIANS ARE OPEN
AND HONEST YOU GET A REAL FEEL
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FOR WHO THEY ARE AND WHAT THEYâRE LIKE.
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SO WHEN THEYâRE GONE ITâS LIKE ââ
SUCKS.
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THE ACADEMY AWARD WINNING
ACTOR AND COMEDIAN ROBIN
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WILLIAMS ââ
PEOPLE AROUND THE WORLD ARE
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REACTING TONIGHT TO THE TERRIBLE ââ
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BREAKING NEWS JUST INTO CNN
IS THAT ACTOR ROBIN WILLIAMS IS
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DEAD AT THE AGE OF 63 OF AN APPARENT SUICIDE.
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HAVE A GOOD NIGHT.
I WAS IN NEW YORK CITY, AND
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SOME GUY STUCK A MICROPHONE IN
MY FACE AND SAID, SO DID YOU
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HEAR ABOUT ROBIN WILLIAMS?
AND I WAS LIKE WHAT?
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HE SAID, WELL, HE DIED.
AND MY FIRST THOUGHT WAS, NO, HE
40
00:03:03,697 --> 00:03:04,257
DIDNâT.
THANK YOU.
41
00:03:04,264 --> 00:03:07,534
NICE TO HAVE YOU HERE.
YOUâRE A LITTLE LATE.
42
00:03:07,534 --> 00:03:13,574
WE HAVE TO GO BACK AND START AT
THE BEGINNING.
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THE ENERGY AND THE CREATIVITY
AND THE LOVE THAT CAME OUT, IT
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WAS LIKE A STAR BURNING OUT.
LOOK, LOOK, LOOK, LIVE AT
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00:03:22,850 --> 00:03:26,680
5:00, LIVE AT 5:00.
WHAT MADE ROB INSPECIAL WAS
46
00:03:26,687 --> 00:03:33,257
THE USO TOUR WHERE HE HAD MORE
ENERGY THAN ANYONE COULD
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POSSIBLY HAVE.
AS SOON AS WE HIT THE TARMAC,
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HEâS OUT THE DOOR AND RUNNING UP
TO PEOPLE, AND HEâS BEING ROBIN.
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HE WASNâT ALWAYS THAT GUY.
BUT BOY, HE KNEW HOW IMPORTANT
50
00:03:44,571 --> 00:03:47,841
THAT GUY WAS TO THEM.
IF HEAVEN EXISTS, WHAT WOULD
51
00:03:47,841 --> 00:03:52,511
YOU LIKE GOD TO HEAR WHEN YOU
ARRIVE AT THE PEARLY GATES?
52
00:03:52,513 --> 00:03:56,083
THEREâS SEATING NEAR THE FRONT.
ITâS NICE TO KNOW THATâS
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LAUGHTER, A GREAT THING.
I HAVENâT BEEN HIT HARD WITH
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00:03:59,453 --> 00:04:02,493
ANY COMEDIANâS DEATH BECAUSE IâM
GRATEFUL WE HAD THE OPPORTUNITY
55
00:04:02,489 --> 00:04:05,519
FOR THEM TO LEAVE BEHIND WHAT
THEY LEFT BEHIND.
56
00:04:05,526 --> 00:04:12,866
SO I CANâT BE SAD OR FALL APART.
ITâS LIKE, WOW, LOOK AT THE GIFT
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00:04:12,866 --> 00:04:18,266
THAT WAS LEFT.
MR. ââ
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00:04:18,272 --> 00:04:21,372
THANK YOU, THANK YOU VERY
MUCH, YOUâRE BEAUTIFUL.
59
00:04:21,375 --> 00:04:27,045
JOHN BELUSHI WAS REMARKABLE
TO WATCH ON STAGE.
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00:04:27,047 --> 00:04:28,817
YOU COULDNâT TAKE YOUR EYES OFF OF HIM.
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HE HAD THIS EXTRAORDINARY POWER.
I RUN A LOT OF MILES TRAINING
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00:04:36,090 --> 00:04:39,120
FOR THAT DAY, AND I DOWNED A LOT OF DONUTS.
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THEY TASTE GOOD, AND THEYâVE GOT
THE SUGAR I NEED TO GET ME GOING
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IN THE MORNING.
JOHN IS VERY MUCH LIKE HIS
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COMEDY.
IT WAS ON THE EDGE, AND IT
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PUSHED THE ENVELOPE.
WELL, I THOUGHT IâD BE THE
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00:04:50,204 --> 00:04:53,104
FIRST TO GO.
I WAS ONE OF THOSE LIVE FAST,
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00:04:53,107 --> 00:04:58,347
DIE YOUNG, LEAVE A GOODâLOOKING
CORPSE TYPE, YOU KNOW, WELL, I
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00:04:58,345 --> 00:05:01,575
GUESS THEY WERE WRONG.
HERE WE ARE.
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00:05:01,582 --> 00:05:04,782
THIS IS NOT READY FOR PRIME TIME SUMMIT.
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00:05:04,785 --> 00:05:09,715
I WAS IN HIGH SCHOOL WHEN JOHN BELUSHI DIED.
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00:05:09,723 --> 00:05:11,723
IâM NOT SURE WHY, BUT I WAS DEVASTATED.
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00:05:11,725 --> 00:05:16,825
I CRIED AS A TEENAGER.
ZET ISDEATH IS A DRAG AND A
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00:05:16,830 --> 00:05:19,330
TERRIBLE BARGAIN, YOU COME INTO
THE WORLD AND YOUâVE GOT TO DIE
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00:05:19,333 --> 00:05:22,473
AT THE END.
WHO THOUGHT THIS UP?
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THE CITY STEAK HOUSE SERVES THE
BEST BEEF IN TOWN.
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00:05:26,807 --> 00:05:32,147
THEIR SENSUAL SETTING WILL SET
THE MOOD FOR ANY ROMANTIC
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RENDEZVOUS.
OH, HEAR THAT, HANK?
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00:05:39,386 --> 00:05:47,256
ITâS NOT HIGHYPERBOLE TO SAY
YOU WALKED IN A ROOM AND CHRIS
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00:05:47,261 --> 00:05:50,631
FARLEY WAS THERE, YOU WOULD WALK
OUT AND SAY THAT IS THE FUNNIEST
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PERSON THAT EVER LIVED.
NOBODY ELSE COULD DO THAT.
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00:05:54,635 --> 00:05:58,005
I THINK THATâS THE BEAUTIFUL
THING ABOUT LAUGHTER.
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IF SOMEBODY MADE YOU LAUGH,
YOUâLL REMEMBER THAT FOREVER.
84
00:06:12,719 --> 00:06:18,459
JOE HARTMAN WAS MY CLOSEST
FRIEND AT SATURDAY NIGHT LIVE.
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00:06:18,458 --> 00:06:21,528
HE HAD THE GREATEST INSTRUMENT
OF ANY COMEDIAN I EVER WORKED WITH.
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00:06:21,528 --> 00:06:23,728
IâM JUST A KID, MAN.
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00:06:23,730 --> 00:06:28,470
I FELL IN SOME ICE AND LATER GOT
THAWED OUT BY SOME OF YOUR SCIENTISTS.
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00:06:28,468 --> 00:06:29,898
YOUR WORLD FRIGHTENS AND
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00:06:29,903 --> 00:06:35,813
CONFUSES ME.
HE WAS THE GLUE.
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00:06:35,809 --> 00:06:39,009
HE HELD EVERYTHING TOGETHER.
SO IF A SKETCH WAS HORRIBLE, PUT
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00:06:39,012 --> 00:06:41,452
PHIL HARTMAN IN IT, AND IT WILL ELEVATE IT.
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00:06:41,448 --> 00:06:45,118
I HIDE BEHIND ââ
MANY FRIENDS AND FANS OF
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COMIC ACTOR PHIL HARTMAN ARE
GRIEF STRICKEN THIS MORNING.
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00:06:50,123 --> 00:06:53,263
POLICE BELIEVE HE WAS SHOT BY
HIS WIFE WHO THEN SHOT HERSELF
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00:06:53,260 --> 00:06:55,990
IN THEIR CALIFORNIA HOME.
THE LOSS OF PHIL WAS A HUGE
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00:06:55,996 --> 00:06:58,066
SHOCK TO THE SYSTEM.
IT WAS A BAD MARRIAGE, BUT NO
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00:06:58,065 --> 00:07:00,825
ONE THOUGHT IT WAS GOING TO
RESOLVE ITSELF THAT TRAGICALLY
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00:07:00,834 --> 00:07:04,504
AND THAT HORRIFYINGLY.
WHEN THESE PEOPLE GO, EVEN IF
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00:07:04,504 --> 00:07:07,574
WE DONâT KNOW THEM PERSONALLY,
WE FEEL LIKE WEâVE LOST A FRIEND
100
00:07:07,574 --> 00:07:11,044
BECAUSE WEâVE LOST SOMEONE WHOâS
REALLY MADE US LAUGH.
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00:07:11,044 --> 00:07:14,284
THATâS WHAT A FRIEND DOES.
ARE YOU ON?
102
00:07:14,281 --> 00:07:20,051
GOOD WING WENCELAS.
IâM SORRY, ITâS NOT WORKING.
103
00:07:20,053 --> 00:07:24,123
I WOULDNâT REHEARSE AN ACTOR IN
SHAKESPEARE THE WAY YOU PEOPLE
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00:07:24,124 --> 00:07:25,624
WORK HERE.
ITâS HIS FAULT.
105
00:07:25,626 --> 00:07:26,786
HIM?
YES, YOU.
106
00:07:26,793 --> 00:07:29,763
IâLL FIRE HIM, DONâT WORRY.
YOU PEOPLE ARE PESTS.
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00:07:29,763 --> 00:07:33,303
NO MONEY IS WORTH THIS.
PEOPLE WOULD ASK ME WHAT HE
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00:07:33,300 --> 00:07:36,570
WAS LIKE, THINK OF THE BEST JOHN
CANDY YOU CAN IMAGINE, HE WAS
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00:07:36,570 --> 00:07:40,800
ACTUALLY LIKE THAT.
AND MORE.
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00:07:40,807 --> 00:07:46,847
OH.
HE TOUCHED EVERYBODY ââ
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00:07:46,847 --> 00:07:50,077
DONâT KNOW IF IT WAS JUST THAT
YOU COULD SEE INTO HIS SOUL
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00:07:50,083 --> 00:07:53,953
BECAUSE HE WAS SO VULNERABLE.
YOU COULD SEE HIM IN PLANES,
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00:07:53,954 --> 00:07:57,124
TRAINS AND AUTOMOBILES AND KNOW
WHAT A BEAUTIFUL DRAMATIC ACTOR
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00:07:57,124 --> 00:07:59,424
HE WAS.
NEXT TIME, LETâS GO FIRST
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00:07:59,426 --> 00:08:02,556
CLASS, ALL RIGHT?
OH, GOD, I HOPE THERE ISNâT A
116
00:08:02,562 --> 00:08:04,032
NEXT TIME.
I KNOW WHAT YOU MEAN.
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00:08:04,031 --> 00:08:08,271
I REALLY DO.
HAPPY HOLIDAYS.
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00:08:08,268 --> 00:08:10,228
SAME TO YOU.
THERE WAS A SCENE AT THE END,
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00:08:10,237 --> 00:08:14,977
AND JOHN HAD A SPEECH ABOUT HIS LIFE.
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00:08:14,975 --> 00:08:18,805
AND I WEPT.
I MEAN, I SAW THIS SCENE LIKE
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00:08:18,812 --> 00:08:21,512
SIX TIMES.
IT WAS AS CLOSE AS I AM TO YOU,
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00:08:21,515 --> 00:08:24,715
AND I WAS SO MOVED EVERY TIME.
HE WAS SO GENUINE.
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00:08:24,718 --> 00:08:27,648
HE WAS BIGGER THAN LIFE,
GRANDER THAN LIFE, AND SO
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00:08:27,654 --> 00:08:30,754
ADORABLE, SO FUNNY.
I SUPPOSE IT MIGHT MEAN
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00:08:30,757 --> 00:08:34,127
SOMETHING FOR YOU TO THINK THAT
SOME DAY SOMEBODY SAYS JOHN
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00:08:34,127 --> 00:08:36,227
CANDY AND EVERYBODY SMILES.
THAT WOULD BE NICE, THAT
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00:08:36,229 --> 00:08:40,599
WOULD BE NICE.
THEN YOUâVE
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00:08:47,507 --> 00:08:50,907
WE HAVE A NEW YOUNG COMEDIAN
WITH US TONIGHT, JUST 19 YEARS
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00:08:50,911 --> 00:08:53,441
OLD, AND GRADUATED ABOUT SIX
MONTHS AGO FROM THE HIGH SCHOOL
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00:08:53,447 --> 00:08:59,017
OF PERFORMING ARTS IN NEW YORK.
WOULD YOU WELCOME FREDDY PRINZE.
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00:08:59,019 --> 00:09:06,319
HE HAD THIS LA TEE NO ENERGY
TO COMEDY IN A WAY WE HADNâT SEEN IT.
132
00:09:06,326 --> 00:09:09,896
HE WAS AN AMBASSADOR.
133
00:09:09,896 --> 00:09:12,726
I COULD NEVER FIGURE OUT HOW MY PARENTS MET.
134
00:09:12,733 --> 00:09:15,333
THEY WERE ON THE SUBWAY, TRYING
TO PICK EACH OTHERâS POCKETS.
135
00:09:15,335 --> 00:09:18,805
HE GOES ON THE TONIGHT SHOW
AND DOES THIS SET, CATCHES FIRE.
136
00:09:18,805 --> 00:09:20,765
CARSON BRINGS HEM OVER.
ALL RIGHT, THATâS ANOTHER ââ
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00:09:20,774 --> 00:09:22,844
THIS IS INCREDIBLE.
THEN THEY GO TO COMMERCIAL.
138
00:09:22,843 --> 00:09:27,813
THEY COME BACK AGAIN, THEY BUMP
THE GUEST TO TALK MORE WITH THIS
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00:09:27,814 --> 00:09:29,484
YOUNG COMEDIAN.
YOU KNOW, THEREâS NO GREATER
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00:09:29,483 --> 00:09:34,183
THRILL FOR ME PERSONALLY THAN TO
HAVE SOMEBODY COME OUT HERE AND
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00:09:34,187 --> 00:09:36,917
ABSOLUTELY WIPE THEM OUT FIRST
APPEARANCE COASTâTOâCOAST.
142
00:09:36,923 --> 00:09:39,523
THATâS GREAT.
HE HAD A SITCOM SO FAST HE
143
00:09:39,526 --> 00:09:42,796
BECAME KIND OF THE TEMPLATE FOR
WHAT YOU WANTED TO ACHIEVE IF
144
00:09:42,796 --> 00:09:44,926
YOU WERE A STANDUP COMIC AT THAT TIME.
145
00:09:44,931 --> 00:09:48,471
MOMMY, WHAT TOOK YOU SO LONG?
IâVE BEEN WAITING FOR YOUR CALL?
146
00:09:48,468 --> 00:09:52,338
ARE YOU SURPRISED, MY LOVER?
OH, HI, MR. PETERSON.
147
00:09:52,339 --> 00:09:56,109
SUCCESS COMING EARLY IN LIFE,
AND QUICKLY, IT DESTROYS A LOT
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00:09:56,109 --> 00:09:57,769
OF PEOPLE.
BUT YOU JUST SEEM TO GROW AND
149
00:09:57,778 --> 00:10:01,248
HANDLE IT BETTER THAN ALMOST ANYBODY I KNOW.
150
00:10:01,248 --> 00:10:05,188
WELL, I WAS LUCKY.
A COUPLE OF GOOD ACCIDENTS HAPPEN.
151
00:10:05,185 --> 00:10:06,915
FREDDIE PRINZE, THE
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00:10:06,920 --> 00:10:12,160
22âYEARâOLD STAR OF TELEVISIONâS
CHICO IN THE MAN SHOT HIMSELF IN
153
00:10:12,159 --> 00:10:15,659
THE HEAD TODAY IN AN APPARENT SUICIDE ATTEMPT.
154
00:10:15,662 --> 00:10:19,432
ITâS THE CLASSIC TALE OF SHOW
BUSINESS, WHEN YOU BECOME THAT
155
00:10:19,433 --> 00:10:24,203
FAMOUS THAT FAST AT THE AGE OF
20, ITâS THROWING A CHILD INTO
156
00:10:24,204 --> 00:10:26,904
THE WORLD AND FAME OF MONEY.
THEREâS NOTHING ABOUT THAT
157
00:10:26,907 --> 00:10:29,877
MAKES ANY SENSE.
ITâS SAD AND TRAGIC.
158
00:10:29,876 --> 00:10:33,476
THATâS HOW LIFE IS.
THATâS WHAT COMEDY IS.
159
00:10:33,480 --> 00:10:36,550
YOU CANâT PLEASE ALL THE
PEOPLE ALL THE TIME.
160
00:10:36,550 --> 00:10:40,750
AND LAST NIGHT ALL THOSE PEOPLE
WERE AT MY SHOW.
161
00:10:40,754 --> 00:10:49,564
MITCH HEDBERG IS ONE OF THE
GRADE COMEDIANS OF ALL TIME, IF
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00:10:49,563 --> 00:10:54,063
YOU LOOK AT WHAT HEâS WRITING ON
THE PAGE, ITâS COMEDIC HAIKU.
163
00:10:54,067 --> 00:10:57,897
I DONâT CARE IF THEYâRE
BLACK, WHITE, PURPLE OR GREEN,
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00:10:57,904 --> 00:11:01,404
HOLD ON NOW, PURPLE OR GREEN,
YOUâVE GOT TO DRAW THE LINE SOMEWHERE.
165
00:11:01,408 --> 00:11:04,408
I LIKE RICE, RICE IS GREAT WHEN
166
00:11:04,411 --> 00:11:06,011
YOUâRE HUNGRY AND YOU WANT 2,000 OF SOMETHING.
167
00:11:06,012 --> 00:11:08,952
ONE TIME A GUY HANDED ME A
PICTURE, HEREâS A PICTURE OF ME
168
00:11:08,949 --> 00:11:12,719
WHEN I WAS YOUNGER.
EVERY PICTURE IS OF YOU WHEN YOU
169
00:11:12,719 --> 00:11:25,899
WERE YOUNGER.
MITCH HEDBERG IS JOKE MAGIVER.
170
00:11:25,899 --> 00:11:27,499
IT RESCUES YOU.
171
00:11:27,501 --> 00:11:29,671
ITâS A VERY ABSURD BAIT AND SWITCH.
172
00:11:29,669 --> 00:11:34,439
I THINK BIG FOOT IS BLURRY.
THATâS THE PROBLEM.
173
00:11:34,441 --> 00:11:38,711
ITâS NOT THE PHOTOGRAPHERâS FAULT.
174
00:11:38,712 --> 00:11:43,012
PEOPLE THAT DIE IN THEIR 30s
YOU DONâT GET SO SEE THEM
175
00:11:43,016 --> 00:11:45,516
FLOURISH.
IT IS A RIPOFF.
176
00:11:45,519 --> 00:11:47,819
I WISH I COULD HEAR HOW THEY
PROCESSED THE WORLD TODAY.
177
00:11:47,821 --> 00:11:53,921
I LOVE YOU GUYS.
THANKS FOR COMING.
178
00:11:53,927 --> 00:11:57,727
WEâVE GOT A NICE MIXED CROWD.
LOOK WHAT WE GOT.
179
00:11:57,731 --> 00:12:02,971
WE GOT WHITE FOLKS.
WE GOT BLACK FOLKS.
180
00:12:02,969 --> 00:12:12,979
WE GOT PUERTO RICANS, PUERTO
RICANS, PUERTO RICANS.
181
00:12:12,979 --> 00:12:16,009
I SEE SOMETHING I HAVENâT
SEEN BEFORE, STREET PERFORMERS
182
00:12:16,016 --> 00:12:18,616
DOING STANDUP COMEDY IN
WASHINGTON SQUARE PARK, ONE OF
183
00:12:18,618 --> 00:12:21,478
THE BEST, CHARLIE BARNETT.
THERE WAS THIS POWER ABOUT
184
00:12:21,488 --> 00:12:27,528
HIM AND HE WAS SO FLUID WITH HIS
BODY AND WOULD DRAW 400 OR 500
185
00:12:27,527 --> 00:12:29,827
PEOPLE AROUND HIM AND DO SHOWS FOR FOUR HOURS.
186
00:12:29,829 --> 00:12:34,999
I DO A LOT OF ETHNIC HUMOR,
BUT DONâT GET ME WRONG.
187
00:12:35,001 --> 00:12:37,771
I KNOW FROM WITHIN MY HEART,
THEREâS ONLY ONE RACE, AND
188
00:12:37,771 --> 00:12:42,141
THATâS THE HUMAN RACE.
THE REST OF THEM ARE MEXICANS.
189
00:12:42,142 --> 00:12:47,242
CHARLIE DIDNâT HAVE MATERIAL, BUT HE HAD ENERGY.
190
00:12:47,247 --> 00:12:50,447
HE WENT ON AND BLEW THE ROOF OFF.
191
00:12:50,450 --> 00:12:52,520
TO BE HONEST I DONâT HAVE SEX ANYMORE.
192
00:12:52,519 --> 00:12:58,889
IâM SCARED OF A.I.D.S.
I TOOK THE A. I. D. S. TEST, I GOT A 65.
193
00:12:58,892 --> 00:13:02,932
HIGHWAY, AT LEAST AT LEAST I PASSED.
194
00:13:02,929 --> 00:13:07,229
IN 1980 CHARLIE WAS HIRED ON
195
00:13:07,234 --> 00:13:11,304
"SATURDAY NIGHT LIVE" AND HE WAS
FIRED BECAUSE HE WAS ILLITERATE
196
00:13:11,304 --> 00:13:18,344
AND COULDNâT READ THE CUE CARDS.
AND GUESS WHO THEY HIRED IN HIS PLACE?
197
00:13:18,345 --> 00:13:19,745
ED
198
00:13:19,746 --> 00:13:23,116
EDDIE MURPHY.
HE WAS A REAL NEW YORK STREET
199
00:13:23,116 --> 00:13:26,016
CHARACTER, HOMELESS, A. I. D. S., CRACK ADDICTS.
200
00:13:26,019 --> 00:13:28,519
BUT THROUGH IT ALL, HE WAS
ALWAYS AN AMAZING PERFORMER.
201
00:13:28,521 --> 00:13:32,321
IâM HARRIS, IâM 33 YEARS
YOUNG, I HAVE MY COUSINâS
202
00:13:32,325 --> 00:13:35,855
JASONâS TRUCK FOR TWO MORE WEEKS.
203
00:13:35,862 --> 00:13:37,732
I HAVE ONE TESTICLE, AND IâM DOWN TO A CLOWN.
204
00:13:37,731 --> 00:13:40,701
HARRIS, WE KNOW WHO YOU ARE.
I LITERALLY JUST FIRED YOU.
205
00:13:40,700 --> 00:13:45,070
OH, IS THIS THAT JOB?
THATâS CRAZY.
206
00:13:45,071 --> 00:13:49,341
NEVER MIND.
HARRIS WITLES WAS SO
207
00:13:49,342 --> 00:13:52,182
TALENTED, HE WAS DOING STANDUP,
DOING IMPROV, DOING SKETCHES.
208
00:13:52,178 --> 00:13:55,878
HEâS IN A BAND.
HE WROTE FOR A SITCOM.
209
00:13:55,882 --> 00:14:01,552
HIS UNIQUE LOVABLE PERSONALITY
TRANSCENDS EVEN HIS JOKES.
210
00:14:01,554 --> 00:14:04,924
IâM OUT OF ORDER, YOUâRE OUT OF ORDER.
211
00:14:04,924 --> 00:14:09,464
SAY NO IN AUSTRALIAN, JUST SAY ALL THE VOWELS.
212
00:14:09,462 --> 00:14:14,362
IS THAT GUY SURFING?
YOU GOT ME AGAIN COKE CAN.
213
00:14:14,367 --> 00:14:19,667
HEâS JUST A NATURALLY FUNNY
GUY WHO HAD A PROBLEM WITH DRUGS.
214
00:14:19,673 --> 00:14:20,943
I DONâT THINK YOU KNOW THAT I
215
00:14:20,940 --> 00:14:23,340
STARTED SHOOTING HEROIN.
YOU DIDNâT?
216
00:14:23,343 --> 00:14:24,843
YEAH.
ARE YOU READY TO TALK ABOUT THIS?
217
00:14:24,844 --> 00:14:27,514
I MEAN, NOW THAT ITâS
218
00:14:27,514 --> 00:14:31,514
SHOOTING HEROIN, I COULD DIE,
AND I DONâT WANT TO DO THAT TO
219
00:14:31,518 --> 00:14:34,948
MY PARENTS OR MYSELF.
SO IâM TAKING IT MORE SERIOUSLY
220
00:14:34,954 --> 00:14:36,454
NOW.
AND IâM IN A GOOD PLACE.
221
00:14:36,456 --> 00:14:38,286
YOUâRE MAKING OUR LIVES BETTER.
222
00:14:38,291 --> 00:14:40,421
THANK YOU.
YOU ARE A PART OF A TAPESTRY
223
00:14:40,427 --> 00:14:47,027
THAT IS BIGGER THAN YOU.
YEAH, SOMEBODY JUST TEXTED ME
224
00:14:47,033 --> 00:14:50,433
THE WORD "HARRIS," AND THATâS A
SAD SITUATION WHEN YOUâRE LIKE
225
00:14:50,437 --> 00:14:55,607
THATâS ALL THAT SOMEBODY NEEDS
TO SAY AND YOUâRE LIKE, OH BOY.
226
00:14:55,608 --> 00:15:01,338
ITâS A WEIRD WORLD TO LIVE IN
WHEN YOU KNOW PEOPLE THAT CAN
227
00:15:01,348 --> 00:15:03,818
GET THE ONE NAME DEATH ANNOUNCEMENT.
228
00:15:03,817 --> 00:15:08,017
BECAUSE YOU WORRY ABOUT SO MANY
PEOPLE THAT ARE IN OUR WORLD.
229
00:15:08,021 --> 00:15:13,691
ITâS A TIGHT KNIT COMMUNITY.
WHEN ONE PERSON DIES IT IS
230
00:15:13,693 --> 00:15:16,563
PARTICULARLY JUST KIND OF HEARTBREAKING.
231
00:15:16,563 --> 00:15:22,433
THE BATTLE BETWEEN GOOD AND
EVIL IN A LOT OF COMEDIANS IS POWERFUL.
232
00:15:22,435 --> 00:15:24,735
AND SADLY AS YOUâLL FIND FOR
233
00:15:24,738 --> 00:15:29,238
MANY OF THESE ARTISTS, EVIL WINS
OUT A LOT OF THE TIME.
234
00:15:29,242 --> 00:15:32,582
HEY, ITâS HARRIS, CALLING FROM HEAVEN.
235
00:15:32,579 --> 00:15:39,149
ITâS PRETTY GREAT UP HERE.
ITâS BEAUTIFUL, FOR STARTERS.
236
00:15:39,152 --> 00:15:43,322
ITâS ââ IT IS VERY CLOUDY, AND
YOU SIT ON THEM SO THATâS COOL.
237
00:15:43,323 --> 00:15:47,063
GOTTA GO, ICE CREAM BUFFET.
238
00:15:53,533 --> 00:15:59,603
GOOD EVENING, HELLO, I HAVE CANCER.
239
00:15:59,606 --> 00:16:02,236
HOW ARE YOU?
I DONâT THINK A COMEDIAN CAN
240
00:16:02,242 --> 00:16:05,512
TURN OFF THEIR COMEDIC INSTINCTS
JUST BECAUSE SOMETHING TERRIBLE
241
00:16:05,512 --> 00:16:09,212
IS HAPPENING TO THEM.
ITâS HOW YOU EXPRESS YOURSELF.
242
00:16:09,215 --> 00:16:11,545
AND SO WHY WOULD THAT GO AWAY
243
00:16:11,551 --> 00:16:15,651
WHEN YOUâRE ILL OR WHEN THINGS ARE ROCK BOTTOM?
244
00:16:15,655 --> 00:16:17,785
THATâS WHEN IT WOULD KICK IN MORE THAN EVER.
245
00:16:17,791 --> 00:16:20,291
THEY SAY LAUGHTER IS THE BEST MEDICINE.
246
00:16:20,293 --> 00:16:22,633
I REALLY DO BELIEVE THAT WITH MY HEART.
247
00:16:22,629 --> 00:16:25,429
NOT JUST FOR THE PEOPLE
LAUGHING, FOR THE PEOPLE ON THE
248
00:16:25,432 --> 00:16:30,802
RECEIVING END OF THE LAUGHTER TOO.
249
00:16:30,804 --> 00:16:35,004
PHILOSOPHER SAID THAT COMEDY
IS THE REALIZATION OF YOUR MORTALITY.
250
00:16:35,008 --> 00:16:37,178
AND LAUGHTER IS AN INVOLUNTARY RESPONSE.
251
00:16:37,177 --> 00:16:38,877
THAT, TO ME, IS ONE OF THE GREAT
252
00:16:38,878 --> 00:16:41,478
JOYS OF COMEDY.
YES.
253
00:16:41,481 --> 00:16:43,851
WHO IS CALLING?
ITâS A MR. DEATH OR
254
00:16:43,850 --> 00:16:46,050
SOMETHING, HEâS COME ABOUT THE REAPING.
255
00:16:46,052 --> 00:16:49,352
DEATH IS ESSENTIAL TO COMEDY.
I DONâT KNOW IF ANYTHINGâS FUNNY
256
00:16:49,355 --> 00:16:52,885
IF WE WERE LIVING IN SOME SORT OF INFINITE WORLD.
257
00:16:52,892 --> 00:16:58,862
THEREâS A CERTAIN DEGREE OF GALLOWS HUMOR.
258
00:16:58,865 --> 00:17:01,565
BUT AT THE SAME TIME, MAN,
THATâS A BETTER WAY TO GO OUT.
259
00:17:01,568 --> 00:17:07,938
HI, IâM GILDA RADNER AND ââ
OKAY NOW.
260
00:17:07,941 --> 00:17:15,551
I ASPIRED TO BE GILDA RADNER.
SHE PLAYED MY MOM IN A TV
261
00:17:15,548 --> 00:17:19,348
COMMERCIAL WHEN I WAS A KID.
HE WAS JUST A GREAT COMBINATION
262
00:17:19,352 --> 00:17:23,892
OF BEING FREE IN HER PERFORMING,
BUT ALSO INSANELY VULNERABLE,
263
00:17:23,890 --> 00:17:27,160
WHICH IS A FANTASTIC COMBINATION.
264
00:17:27,160 --> 00:17:31,290
OH, ITâS GILDA RADNER, EVERYBODY.
265
00:17:31,297 --> 00:17:34,067
SHE DELIGHTED YOU.
THERE ARE VERY FEW PEOPLE LIKE THAT.
266
00:17:34,067 --> 00:17:36,237
SO THE IDEA THAT SHE WAS SICK
267
00:17:36,236 --> 00:17:39,306
AND STRUGGLING, PEOPLE WERE DEVASTATED.
268
00:17:39,305 --> 00:17:42,475
DONâT, DONâT, DONâT MILK THE APPLAUSE LIKE THAT.
269
00:17:42,475 --> 00:17:45,445
OH, IâM SORRY, GARY, I
HAVENâT BEEN ON INVESTIGATION FOR A WHILE.
270
00:17:45,445 --> 00:17:46,545
YEAH, WHAT WAS WRONG?
271
00:17:46,546 --> 00:17:52,086
OH, I HAD CANCER.
WHAT DID YOU HAVE?
272
00:17:52,085 --> 00:17:58,215
SHE HAD A HESITATION AS TO
WHETHER OR NOT SHE WANTED TO BE
273
00:17:58,224 --> 00:18:01,724
ON GARYâS SHOW BECAUSE SHE WAS
SICK AND SHE WAS AFRAID THE
274
00:18:01,728 --> 00:18:05,198
AUDIENCE WOULD RECOGNIZE HER OR REMEMBER HER.
275
00:18:05,198 --> 00:18:08,028
BUT THE REASON SHE DID IT WAS
BECAUSE SHE FELT HER COMEDY WAS
276
00:18:08,034 --> 00:18:10,634
THE ONLY WEAPON SHE HAD AGAINST THE CANCER.
277
00:18:10,637 --> 00:18:14,007
I FEEL VERY LUCKY.
I HAVE A WONDERFUL JOB.
278
00:18:14,007 --> 00:18:18,207
I HAVE THE OPPORTUNITY AS A
PERFORMER TO TEST ANYTHING I
279
00:18:18,211 --> 00:18:24,151
WANT TO OR COME UP WITH IDEAS
AND GET TO FULFILL ANYTHING I WANT TO PRETEND.
280
00:18:24,150 --> 00:18:29,890
AND THERE ARENâT MANY JOBS LIKE THAT.
281
00:18:29,889 --> 00:18:33,019
I HAVE NOT DONE ANYTHING YET.
282
00:18:33,026 --> 00:18:41,866
YOUâRE GIVING ME A HEADACHE.
TOTTIE FIELDS IS ONE OF THOSE
283
00:18:41,868 --> 00:18:43,668
WOMEN THAT MORE PEOPLE SHOULD KNOW ABOUT.
284
00:18:43,670 --> 00:18:47,300
SHE LOST A LEG AND WAS STILL DOING COMEDY.
285
00:18:47,307 --> 00:18:51,677
CAN I GIVE YOU A HAND?
I NEED A FOOT.
286
00:18:51,678 --> 00:18:55,178
SHE HAD BEEN ON TELEVISION A
THOUSAND TIMES WITH TWO LEGS.
287
00:18:55,181 --> 00:18:59,721
SHE HAD TO ADDRESS IT.
SHE TURNED IT INTO GREAT COMEDY.
288
00:18:59,719 --> 00:19:02,249
AFTER YOU GET YOUR HEAD IN
THE RIGHT PERSPECTIVE, YOU
289
00:19:02,255 --> 00:19:04,985
REALIZE THAT YOU HAVE TWO LEGS.
AND IF YOU LOSE ONE, SO YOUâVE
290
00:19:04,991 --> 00:19:09,491
LOST A LEG, BUT YOU REALLY ONLY
HAVE ONE SENSE OF HUMOR.
291
00:19:09,495 --> 00:19:15,395
DO YOU KNOW, SWEETHEART, WHAT
BROUGHT ME THROUGH THIS WHOLE THING?
292
00:19:15,401 --> 00:19:15,971
NO, I DONâT.
293
00:19:15,969 --> 00:19:17,869
I WOULDNâT GIVE YOU THE
PLEASURE OF A SECOND LIFE.
294
00:19:17,870 --> 00:19:19,570
YOU HAVE TO BE REAL WITH YOUR SITUATION.
295
00:19:19,572 --> 00:19:24,372
WHEN WE ARE NOT AFRAID TO BE
VULNERABLE, THATâS COURAGEOUS,
296
00:19:24,377 --> 00:19:27,377
ITâS COURAGEOUS.
I MADE SO MANY JOKES OVER THE
297
00:19:27,380 --> 00:19:31,750
YEARS ABOUT HOW SMALL MY CHEST WAS.
298
00:19:31,751 --> 00:19:39,591
BUT I STARTED TO THINK THAT
MAYBE MY BOOBES OVERHEARD ME,
299
00:19:39,592 --> 00:19:45,192
AND WERE JUST LIKE, WEâRE SICK OF THIS.
300
00:19:45,198 --> 00:19:48,868
LETâS KILL HER.
BEFORE I WAS DIAGNOSED WITH
301
00:19:48,868 --> 00:19:54,538
CANCER, I HAD LOST MY MOTHER,
AND I HAD THIS POTENTIALLY
302
00:19:54,540 --> 00:20:01,180
DEADLY INTESTINAL DISEASE.
AND NOTHING WAS STRIKING ME AS FUNNY.
303
00:20:01,180 --> 00:20:04,610
AND THEN I GOT DIAGNOSED WITH
304
00:20:04,617 --> 00:20:13,657
CANCER, AND I STARTED MINIAKLY LAUGHING.
305
00:20:13,660 --> 00:20:16,660
THIS IS HILARIOUS, ACTUALLY.
SOMEHOW THEYâRE ABLE TO HAVE
306
00:20:16,663 --> 00:20:20,933
A THIRD PERSON PERSPECTIVE ON
THE DRAMA OF THEIR LIFE AND
307
00:20:20,933 --> 00:20:23,473
THATâS WHAT WE LOVE ABOUT GREAT COMEDIANS.
308
00:20:23,469 --> 00:20:29,739
DO NOT TEMPT ME.
LAUGHTER TAKES THE AIR OUT OF EVERYTHING.
309
00:20:29,742 --> 00:20:32,442
FOR MY HBO SPECIAL, HALFWAY
310
00:20:32,445 --> 00:20:40,785
THROUGH I TOOK MY SHIRT OFF AND
REVEALED MY DOUBLE MASTECTOMI SCARS.
311
00:20:40,787 --> 00:20:42,687
WHEN YOU LAUGH AT A JOKE
312
00:20:42,689 --> 00:20:44,289
ABOUT DEATH, ITâS FUNNY CONSIDERING THE SOURCE.
313
00:20:44,290 --> 00:20:46,590
YOUâRE MAKING A JOKE ABOUT DEATH, THE THING THATâS
314
00:20:46,592 --> 00:20:48,422
DEFINITELY GOING TO HAPPEN TO YOU.
315
00:20:48,428 --> 00:20:52,498
AND NOW, LADIES AND GENTLEMEN, THE ALMOST FULL MONTY.
316
00:20:52,498 --> 00:20:56,768
MONTY PYTHON WAS AT THE ASPEN
317
00:20:56,769 --> 00:20:59,569
COMEDY FESTIVAL, AND IT WAS ONE
OF THE FIRST TIMES THEY WERE ALL
318
00:20:59,572 --> 00:21:01,502
GATHERED TODAY SINCE GRAHAM CHAPMAN DIED.
319
00:21:01,507 --> 00:21:05,907
AND THEY CAME OUT AND THE JOKE
WAS THEY BROUGHT HIS URN SO
320
00:21:05,912 --> 00:21:10,982
GRAHAM CHAPMAN COULD BE THERE.
I THINK THATâS THE MOST
321
00:21:10,983 --> 00:21:13,423
APPROPRIATE WAY TO MOURN A COMEDIAN.
322
00:21:13,419 --> 00:21:16,919
I DONâT THINK ANY COMEDIAN WANTS
TO BE TAKEN SERIOUSLY IN DEATH.
323
00:21:16,923 --> 00:21:19,323
IT WOULD ALMOST FEEL LIKE A BETRAYAL.
324
00:21:19,325 --> 00:21:23,255
ITâS PART OF THE CODE OF COMEDY.
SO WE WERE DOING A SHOW IN
325
00:21:23,262 --> 00:21:26,102
BRISTOL, AND WE WERE DOING A MATINEE THERE.
326
00:21:26,099 --> 00:21:32,539
AND FOR SOME EXTRAORDINARY
REASON THE AUDIENCE JUST DIDNâT LAUGH.
327
00:21:32,538 --> 00:21:33,798
AND AFTER ABOUT ââ
328
00:21:33,806 --> 00:21:49,486
OH.
THE WORTH KIND OF
329
00:21:49,489 --> 00:21:53,359
NONâSMOKER, YOUâRE A SMOKER AND
THEY WALK UP TO YOU, THATâS
330
00:21:53,359 --> 00:21:55,789
CRUEL, MAN, GOING UP TO A SMOKER
AND COUGHING AT HIM.
331
00:21:55,795 --> 00:21:59,095
DO YOU GO UP TO CRIPPLED DANCING TOO?
332
00:21:59,098 --> 00:22:03,898
THE COMEDIANS THAT YOU FEEL
THAT WEâVE LOST TOO QUICKLY, WE
333
00:22:03,903 --> 00:22:07,273
FEEL THAT LOSS BECAUSE THEY WERE
SAYING SOMETHING THAT WAS
334
00:22:07,273 --> 00:22:10,843
UNSAYABLE UP UNTIL THEN.
EVERY TIME IâM HEARING
335
00:22:10,843 --> 00:22:16,283
SOMETHING WEIRD HAPPENS, THIS TIME BUSH LOST.
336
00:22:16,282 --> 00:22:18,882
COOL.
ITâS NOT THAT I DISAGREE WITH
337
00:22:18,885 --> 00:22:21,645
BUSHâS ECONOMIC POLICY OR HIS
FOREIGN POLICY, ITâS THAT I
338
00:22:21,654 --> 00:22:26,894
BELIEVE HE WAS A CHILD OF SATAN
HERE TO DESTROY THE PLANET EARTH.
339
00:22:26,893 --> 00:22:29,363
YEAH, IâM A LITTLE TO THE LEFT
340
00:22:29,362 --> 00:22:31,862
THERE, I WAS.
WHEN YOUâRE TALKING ABOUT THE
341
00:22:31,864 --> 00:22:38,074
MT. RUSHMORE OF COMEDY, BILL
HICKS WAS MY FAVORITE OF ALL TIME.
342
00:22:38,070 --> 00:22:39,900
THE FUNNY IS IN THE BACKGROUND,
343
00:22:39,906 --> 00:22:42,036
I HAVE THOUGHTS I NEED TO SHARE
WITH YOU AND I NEED TO CONNECT WITH YOU.
344
00:22:42,041 --> 00:22:44,671
THAT TRUTH, GENERAL AMERICA
345
00:22:44,677 --> 00:22:55,557
WASNâT READY FOR.
HE WAS SO OUT THERE.
346
00:22:55,555 --> 00:22:58,885
THE FLAG BURNING THING,
RETARDED EMOTIONS, HEY, BUDDY,
347
00:22:58,891 --> 00:23:04,531
LET ME TELL YOU SOMETHING, MY
DADDY DIED FOR THAT FLAG.
348
00:23:04,530 --> 00:23:07,530
REALLY?
I BOUGHT MINE.
349
00:23:07,533 --> 00:23:12,943
HE WAS COURAGEOUS.
HE WAS BALLSY.
350
00:23:12,939 --> 00:23:16,039
HE KNEW WHY HE WAS PUT ON THIS EARTH.
351
00:23:16,042 --> 00:23:19,512
WAITING FOR THE NEXT BILL HICKS
IS A FOOLâS ERRAND.
352
00:23:19,512 --> 00:23:21,882
I DONâT KNOW IF THERE EVER WILL BE ANOTHER ONE.
353
00:23:21,881 --> 00:23:29,091
YOU DONâT UNDERSTAND.
I AINâT SCARED OF YOU.
354
00:23:29,088 --> 00:23:33,418
BERNIE MACK INTRODUCES
HIMSELF TO THE WORLD OF COMEDY
355
00:23:33,426 --> 00:23:39,126
BY SAYING, I AINâT SCARED OF YOU MOTHER DENY.
356
00:23:39,131 --> 00:23:46,001
I LOVE SEX, I LOVE IT, IâM BLESSED.
357
00:23:46,005 --> 00:23:48,305
IT WAS NOT A GAME WITH BERNIE MACK.
358
00:23:48,307 --> 00:23:50,977
HE GOT DISCOVERED A LITTLE BIT
OLDER SO HEâD BEEN AROUND.
359
00:23:50,977 --> 00:23:56,517
BY THE TIME HE GETS HIS SHOT, HE
BECOMES AN INSTANT LEGEND.
360
00:23:56,515 --> 00:24:00,645
I CANâT BELIEVE THE KIDS,
EVERYBODY TALKING ABOUT KIDS,
361
00:24:00,653 --> 00:24:04,693
TALKING ABOUT HOW BAD KIDS IS,
YOU KNOW WHATâS BAD, YOU CANâT
362
00:24:04,690 --> 00:24:10,390
SAY KIDS BAD.
I WANT TO ââ A KID UP.
363
00:24:10,396 --> 00:24:13,566
BERNIE WELCOMES YOU INTO HIS
LIFE TO TELL THE STORY THAT MY
364
00:24:13,566 --> 00:24:17,296
SISTER WAS A JUNKIE, AND I HAD
TO TAKE HER BABIES, AND TO MAKE
365
00:24:17,303 --> 00:24:25,713
IT FUNNY, HOW AMAZING IS THAT?
THATâS CIGAR SMOKE THERE, I
366
00:24:25,711 --> 00:24:30,311
AINâT HERE TO TALK ABOUT CIGARS.
IâM HERE TO TELL YOU THAT ââ IâM
367
00:24:30,316 --> 00:24:35,046
GOING TO KILL ONE OF THEM KIDS.
BERNIE MACK WAS SUCH AN
368
00:24:35,054 --> 00:24:39,494
ORIGINAL VOICE TOO, AND
INSTANTLY LIKABLE ON SCREEN.
369
00:24:39,492 --> 00:24:42,492
WE HAVE A LOT OF WARS COMING.
WEâRE DEFINITELY GOING TO WAR
370
00:24:42,495 --> 00:24:50,895
WITH NORTH KOREA, THAT ANGRY
LITTLE PSYCHOMIDGET, ANYBODITIME
371
00:24:50,903 --> 00:24:55,543
YOU HAVE A SHORT ââ YOU KNOW HOW
SHORT YOU HAVE TO BE TO HAVE A
372
00:24:55,541 --> 00:25:02,081
NAPOLEON COMPLEX IN NORTH KOREA.
HE WAS A BRILLIANT MIND.
373
00:25:02,081 --> 00:25:06,451
AN INTENSE GUY ENERGETICALLY,
BUT WENT TO HARVARD LAW SCHOOL,
374
00:25:06,452 --> 00:25:09,422
LIKE A REALLY GREAT BRAIN.
SERIOUSLY, YOUâRE NOT THE
375
00:25:09,422 --> 00:25:15,122
ONLY ONE HERE, ALL THESE
RUBBERâFACED MONOSTERS, HOW MUCH
376
00:25:15,127 --> 00:25:19,067
WORSE COULD YOUR REAL FACE LOOK
THAN THAT CLOWN MASK YOUâVE HAD
377
00:25:19,065 --> 00:25:21,465
WELDED ON YOUR HEAD.
YOU USED TO LOOK YOUR AGE, NOW
378
00:25:21,467 --> 00:25:23,237
YOU DONâT EVEN LOOK YOUR SPECIES.
379
00:25:23,235 --> 00:25:26,905
THE FIRST TIME I SAW HIM
PERFORM I WAS LIKE, OH, SPANDUP IS A SPORT.
380
00:25:26,906 --> 00:25:31,536
HE WAS SO INTENSE, AND HE WAS SO QUICK.
381
00:25:31,544 --> 00:25:34,344
HE DIDNâT WAIT FOR ANYONE TO LAUGH.
382
00:25:34,347 --> 00:25:36,617
THIS GUY WRITES SO MANY JOKES
383
00:25:36,615 --> 00:25:38,845
BEFORE THE SHOW ITâS NOT EVEN FUNNY.
384
00:25:38,851 --> 00:25:42,691
ITâS UNBELIEVABLE.
KIND OF WHAT WE DO HERE, DENNIS.
385
00:25:42,688 --> 00:25:45,788
COMEDY WRITERS.
YOUâRE THE GUY AT SCHOOL WHO
386
00:25:45,791 --> 00:25:48,961
DID ALL THE MOERK AND ASKED IF
THERE WAS ANYMORE TO DO.
387
00:25:48,961 --> 00:25:52,601
THATâS A GOOD POINT.
IF YOU WOULD TRY SOME COMEDY WRITING ââ
388
00:25:52,598 --> 00:25:56,168
I GOT TO KNOW GREG DOING
389
00:25:56,168 --> 00:25:59,238
TOUGH CROWD, HIS TAKES ON THE
TOPICS WERE MORE INSIGHTFUL,
390
00:25:59,238 --> 00:26:03,538
MORE SON SKIES, FUNNIER THAN
ANYTHING I COULD COME UP WITH.
391
00:26:03,542 --> 00:26:06,142
I LOVED IT.
WHAT WAS SO GREAT ABOUT GREG,
392
00:26:06,145 --> 00:26:11,615
WHICH WOULD BE REALLY HELPFUL
TODAY, IS AN INTELLECTUAL,
393
00:26:11,617 --> 00:26:14,847
CONTRARYIAN WORKING CLASS POINT OF VIEW.
394
00:26:14,854 --> 00:26:17,094
WILL THERE EVER BE A
CANDIDATE THAT CAN RELATE TO
395
00:26:17,089 --> 00:26:19,519
BOTH RACES?
396
00:26:19,525 --> 00:26:23,125
THEY KEEP TRYING TO PAINT
DEAN HAS HAVING RACE ISSUES.
397
00:26:23,129 --> 00:26:26,899
HE CANâT POSSIBLY BE RACIST,
HEâS FROM VERMONT, YOU CANâT
398
00:26:26,899 --> 00:26:29,969
HATE BLACK PEOPLE UNTIL YOUâRE AROUND THEM A LOT.
399
00:26:29,969 --> 00:26:36,209
I FEEL BAD FOR WHITE DUDES,
MAN, WHITE DUDES CANâT BE RACIST.
400
00:26:36,208 --> 00:26:38,738
IâM WALKING THROUGH HARLEM.
401
00:26:38,744 --> 00:26:43,614
IâM KIND OF LOST RIGHT NOW, BUT
I SEE A FEW BLACK GUYS WALKING TOWARDS ME.
402
00:26:43,616 --> 00:26:44,846
I CANâT RUN.
403
00:26:44,850 --> 00:26:49,350
IF I START RUNNING, THEYâLL CALL ME A RACIST.
404
00:26:49,355 --> 00:26:55,655
RUN, STUPID ââ RIGHT?
PATRICE OâNEILL WAS A
405
00:26:55,661 --> 00:26:59,531
COMBINATION OF CROWD PLEASING
PERSONALITY WITH VERY BITING MATERIAL.
406
00:26:59,532 --> 00:27:00,802
HE WAS REALLY FUNNY AND HE
407
00:27:00,800 --> 00:27:09,270
WAS LOUD AND HE WAS LIKE SHUT
UP, THAT TYPE OF JUST OBNOXIOUS LOUD.
408
00:27:09,275 --> 00:27:12,605
HE WOULD HAVE BEEN AS FUNNY
409
00:27:12,611 --> 00:27:17,911
AS ANY OF THEM IN THE ROOM.
SPORT FISHERMEN, THATâS WHAT MEN ARE.
410
00:27:17,917 --> 00:27:21,487
YOU CATCH IT, YOU SHOW YOUR
411
00:27:21,487 --> 00:27:22,287
FRIENDS, AND THEN YOU RELEASE IT.
412
00:27:22,288 --> 00:27:25,928
BUT A LOT OF WOMEN IN HERE, YOU
HAVE BOYFRIENDS OR HUSBANDS, YOU
413
00:27:25,925 --> 00:27:30,595
WERE FISH THAT JUMPED BACK ON
THE BOAT, FLAPPING, LOOKING AT ME LIKE ââ
414
00:27:30,596 --> 00:27:34,226
I WAS WONDERING IF
YOUâRE GOING TO BE FISHING HERE
415
00:27:34,233 --> 00:27:35,763
AGAIN NEXT WEEK.
AS A FEMINIST, I DIDNâT WANT TO ENJOY HIS COMEDY.
416
00:27:35,768 --> 00:27:42,368
AND THEN I WATCHED EL LEEPHANT IN THE ROOM.
417
00:27:42,374 --> 00:27:44,244
DESPITE IF I AGREE WITH HIM OR
418
00:27:44,243 --> 00:27:48,813
NOT, OR WANT TO OWN UP TO THE
WAY I ACT AS A WOMAN IN THAT
419
00:27:48,814 --> 00:27:51,784
SCENARIO, HE NAILED IT.
MY DAYS ARE NUMBERED.
420
00:27:51,784 --> 00:27:56,054
YOU KNOW WHAT I MEAN, IâM 40,
AND THATâS YOUNG IN EVERYONE
421
00:27:56,055 --> 00:28:01,925
ELSE YEARS, BUT IN BLACK YEARS,
YOU KNOW, IF YOU DO THE BLACK TO
422
00:28:01,927 --> 00:28:12,507
WHITE LIFE RATIO, IâM A HUNDRED
AND 77 YEARS OLD.
423
00:28:12,505 --> 00:28:16,375
HE WAS ABLE TO SPEAK TO
AUDIENCES UNLIKE ANY OTHER COMEDIAN.
424
00:28:16,375 --> 00:28:17,375
SO CONVERSATIONAL.
425
00:28:17,376 --> 00:28:20,946
BUT HE WAS SAYING SO MANY IMPORTANT THINGS.
426
00:28:20,946 --> 00:28:23,916
YEAH.
WE MISSED OUT ON WHAT HE HAD
427
00:28:23,916 --> 00:28:26,286
TO SAY ABOUT OBAMA AND TRUMP.
YOU NEED THAT VOICE.
428
00:28:26,285 --> 00:28:28,985
YOU SAY YOUâRE GOING TO
MELLOW IN YOUR OLDER AGE?
429
00:28:28,988 --> 00:28:33,058
I DOUBT IâM EVER GOING TO MAKE OLDER AGE.
430
00:28:33,058 --> 00:28:36,658
BILL HICKS AND THESE GUYS
WERE A VOICE OF A GENERATION
431
00:28:36,662 --> 00:28:41,632
THAT JUST GOT SNUFFED OUT.
IT SEEMS LIKE THEREâS SOMETHING
432
00:28:41,634 --> 00:28:43,804
ABOUT THIS BUSINESS THAT TAKES
THE LIFE OUT OF YOU.
433
00:28:43,802 --> 00:28:49,512
THE DEGREE THAT COMICS HAVE GONE
AWAY, ITâS JUST RAREFIED, THE
434
00:28:49,508 --> 00:28:52,738
MEN AND WOMEN THAT DO THIS, TO
LOSE ONE, ITâS ONE LESS VOICE.
435
00:28:52,745 --> 00:28:57,215
THANK YOU ALL VERY MUCH.
436
00:29:05,324 --> 00:29:12,804
>WHAT I FIND INTERESTING IN
TERMS OF GONE TOO SOON IS NOT SO
437
00:29:12,798 --> 00:29:16,728
MUCH THOSE COMEDIANS WHO DIED,
BUT THOSE WHO QUIT DOING STANDUP
438
00:29:16,735 --> 00:29:21,635
FOREVER, LARRY DAVID, STEVE
MARTIN, ALL THESE PEOPLE WERE
439
00:29:21,640 --> 00:29:25,910
IMMENSELY RESPECTED STANDUPS.
HAVE I STARTED YET.
440
00:29:25,911 --> 00:29:31,411
I THINK A LOT OF STANDUP
COMEDIANS HAVE AN AMBIVALENT
441
00:29:31,417 --> 00:29:34,387
RELATIONSHIP WITH COMEDY.
A STEPPINGSTONE FOR THOSE
442
00:29:34,386 --> 00:29:40,786
PEOPLE, LIKE THEY HAVE SOMETHING
ELSE ON THEIR MINDS.
443
00:29:40,793 --> 00:29:44,393
STEVE MARTIN QUIT DOING
STANDUP AT THE HEIGHT OF HIS FAME.
444
00:29:44,396 --> 00:29:48,366
I KNEW IT WAS OVER ABOUT A
445
00:29:48,367 --> 00:29:51,897
YEAR BEFORE I STOPPED.
I WASNâT BEING CREATIVE IN IT ANYMORE.
446
00:29:51,904 --> 00:29:55,704
AND I DIDNâT REALLY KNOW HOW TO
447
00:29:55,708 --> 00:30:00,808
WRITE FOR SUCH A BIG AUDIENCE.
I SPENT $150 FOR A TAPE
448
00:30:00,813 --> 00:30:05,853
RECORDER, AND AS I TALK INTO IT,
IT GOES, I KNOW, I KNOW.
449
00:30:05,851 --> 00:30:09,491
WOODY ALLEN WAS A VERY SHY
PERSON, HE WAS THE LAST PERSON
450
00:30:09,488 --> 00:30:11,948
IN THE WORLD WHO YOU WOULD THINK
WOULD BECOME A PERFORMER.
451
00:30:11,957 --> 00:30:15,057
AS SOON AS HE WAS ABLE TO LEAVE
STANDUP OR MOVIES, HE DID.
452
00:30:15,060 --> 00:30:17,630
EVERY TIME I TRY AND DO
SOMETHING SERIOUS, PEOPLE LAUGH AT ME.
453
00:30:17,630 --> 00:30:20,030
WHICH WOULD BE A PROBLEM, IF I
454
00:30:20,032 --> 00:30:23,702
TRIED TO DO A SERIOUS MOVIE
EVER, AND I WOULD LIKE TO MAKE A
455
00:30:23,702 --> 00:30:25,332
MOVIE EVER WHERE I WAS REAL SERIOUS IN IT.
456
00:30:25,337 --> 00:30:30,077
THE COMEDIANS THAT WALKED
AWAY FROM STANDUP BECAME MOVIE STARS.
457
00:30:30,075 --> 00:30:31,335
STAY AWAY FROM THE CANS.
458
00:30:31,343 --> 00:30:37,553
THATâS THE COMMON DENOMINATOR.
459
00:30:37,549 --> 00:30:39,409
JESUS CHRIST.
I FOUND OUT SOME WHITE KIDS
460
00:30:39,418 --> 00:30:46,688
CAN CURSE AROUND THE HOUSE.
YOUâRE LITTLE LATE.
461
00:30:46,692 --> 00:30:50,862
COME ON, MOM, IâM MOVING AS FAST AS I CAN.
462
00:30:50,863 --> 00:30:53,163
AND I WAS STANDING THERE LIKE THIS.
463
00:30:53,165 --> 00:30:55,925
EDDIE WAS A ROCK STAR, HE HIT
464
00:30:55,934 --> 00:30:57,934
SO BIG ââ HE WAS CHIPPING AWAY AT COMEDY.
465
00:30:57,936 --> 00:31:00,566
WE DONâT KNOW HOW GREAT EDDIE COULD HAVE BEEN.
466
00:31:00,572 --> 00:31:04,912
YOUâRE WRITING AND ACTING AND
EVERYTHING RIGHT THERE ON THE STAGE.
467
00:31:04,910 --> 00:31:08,880
YOUâVE GOT TO WRITE YOUR OWN SHOW AND PRESENT IT.
468
00:31:08,881 --> 00:31:10,211
ITâS WORTH IT IF IT WORKS.
469
00:31:10,215 --> 00:31:12,515
YEAH, ITâS WORTH IT IF IT WORKS.
470
00:31:12,518 --> 00:31:16,858
THERE ARE A LOT OF COMEDIANS
WHO LEAVE STANDUP TOO SOON.
471
00:31:16,855 --> 00:31:19,555
LARRY DAVID COULDNâT LEAVE STANDUP SOON ENOUGH.
472
00:31:19,558 --> 00:31:23,688
I BOMBED SO MANY TIMES.
I WASNâT REALLY A VERY GOOD COMEDIAN IN MY BOOK.
473
00:31:23,696 --> 00:31:26,226
THE MATERIAL I WAS DOING THE
474
00:31:26,231 --> 00:31:31,201
AUDIENCE DIDNâT SEEM TO LIKE IT.
EN MASSE.
475
00:31:31,203 --> 00:31:34,373
I THINK WEâVE COME TO THE END OF THE LINE HERE.
476
00:31:34,373 --> 00:31:39,843
BUT, YOU KNOW, THIS IS WHAT
HAPPENS WHEN YOU RUN OUT OF NOTHING.
477
00:31:39,845 --> 00:31:42,005
THANK YOU VERY MUCH, GOOD NIGHT.
478
00:31:42,014 --> 00:31:46,924
ITâS HARD TO SAY IF ANYTHINGâS AHEAD OF ITS TIME.
479
00:31:46,919 --> 00:31:49,689
I THINK WHEN PEOPLE ARE
INNOVATIVE, ITâS SOMETIMES HARD
480
00:31:49,688 --> 00:31:51,418
TO GET THE AUDIENCE FOR THE FIRST TIME.
481
00:31:51,423 --> 00:31:54,723
THERE WAS A PERIOD WHERE EVERY
SHOW I DID WOULD GET CANCELLED
482
00:31:54,727 --> 00:31:56,597
IN THE MIDDLE OF THE FIRST SEASON.
483
00:31:56,595 --> 00:31:59,155
AND IT SUCKS.
WHAT DO YOU WANT?
484
00:31:59,164 --> 00:32:01,764
GIVE ME YOUR TEETH.
TEETH.
485
00:32:01,767 --> 00:32:04,197
ARM.
GIVE ME A YOU.
486
00:32:04,203 --> 00:32:05,533
T.
WHATâS THAT SPELL?
487
00:32:05,537 --> 00:32:08,807
THE TRUTH.
YOUâRE RIGHT, YOU GOT IT.
488
00:32:08,807 --> 00:32:09,507
THATâS GREAT.
THANK YOU.
489
00:32:09,508 --> 00:32:12,978
NO FURTHER QUESTIONS.
I GUESS THE ULTIMATE REVENGE
490
00:32:12,978 --> 00:32:17,908
FOR THE STILLER SHOW WAS THAT IT
WON THE EMMY AFTER IT HAD BEEN
491
00:32:17,916 --> 00:32:19,686
ANNOUNCED THAT IT HAD BEEN CANCELLED.
492
00:32:19,685 --> 00:32:22,285
THEY USE OUR SHOW AS AN
EXAMPLE IN THE MEETINGS OF WHAT
493
00:32:22,287 --> 00:32:29,827
THEY DONâT WANT TO DO IN THE FOX
NETWORK, WITH THE EMPLOYMENT
494
00:32:29,828 --> 00:32:35,898
OFFESTROJEN HORMONAL THERAPY I
HAVE DEVELOPED THE ABILITY TO
495
00:32:35,901 --> 00:32:38,671
SOME OF THE GREATEST SKETCH BREASTâFEED.
496
00:32:38,670 --> 00:32:42,240
COMEDY DONE ON TELEVISION.
LAWYERS WHO ARE NAUSEATED BY
497
00:32:42,241 --> 00:32:47,041
FOOD IS, I THINK, ONE OF THE
PUREST SKETCHES EVER DONE.
498
00:32:47,045 --> 00:32:54,115
FOOD IS FLOUNDER.
ITâS SAUTEED IN A ââ SPICY
499
00:32:54,119 --> 00:32:57,819
BUTTER SAUCE SERVED ON A BED OF STEAMED LEEKS.
500
00:32:57,823 --> 00:33:00,623
HIS SHOW WAS THE GREATEST
EXAMPLE OF THE SHOWS THAT GATHER
501
00:33:00,626 --> 00:33:05,256
A LOT OF AMAZING PEOPLE TOGETHER
THAT DIDNâT QUITE CLICK IN THAT
502
00:33:05,264 --> 00:33:08,304
MOMENT FOR WHATEVER REASON.
ANOTHER WAY TO LOOK AT IT, BUT
503
00:33:08,300 --> 00:33:12,970
WHAT IF THAT SHOW HAD KEPT
GOING, ALL THESE DIFFERENT GREAT
504
00:33:12,971 --> 00:33:15,441
PERFORMERS MIGHT NOT HAVE GIVEN
US SO MUCH GREAT WORK.
505
00:33:15,441 --> 00:33:20,341
ITâS LIKE SAYING, YOU KNOW, ABE
LINCOLNâS DRY GOODS STORE, GOON TOO SON, IF ONLY.
506
00:33:20,345 --> 00:33:23,715
NO, WE NEEDED HIM, WE NEEDED HIM FOR OTHER STUFF.
507
00:33:23,715 --> 00:33:28,515
MY FIRST GUEST HAS A SPECIAL
508
00:33:28,520 --> 00:33:33,390
TONIGHT ON NBC, WELCOME STEVE MARTIN.
509
00:33:33,392 --> 00:33:35,692
STEVE?
OH, HI, DAVID.
510
00:33:35,694 --> 00:33:40,304
HOW ARE YOU?
OH, YEAH, I WAS DOING THAT
511
00:33:40,299 --> 00:33:42,499
THIS MORNING.
DAVID LETTERMAN HAD HIS
512
00:33:42,501 --> 00:33:46,301
MORNING SHOW, NOBODY HAD EVER
SEEN A GUY LIKE THIS AT THIS TIME OF DAY.
513
00:33:46,305 --> 00:33:50,035
RIGHT THERE YOU SAW BASICALLY
514
00:33:50,042 --> 00:33:53,782
THE INCIPIENT STAGES OF THE IRREVERENCE.
515
00:33:53,779 --> 00:33:57,779
A HUGE TANK OF LEMONADE AND MINNOWS.
516
00:33:57,783 --> 00:34:01,423
MINNOWS.
MY IDEA OF A JOKE.
517
00:34:01,420 --> 00:34:03,120
THE ONLY REASON WE WERE
GETTING ALL THAT STUFF ON THE
518
00:34:03,121 --> 00:34:06,291
AIR WAS THAT WE WERE JUST
PUTTING IT ON THE AIR BECAUSE WE
519
00:34:06,291 --> 00:34:09,461
WERE ALREADY ON THE AIR.
I READ THE NBC RESEARCH, AND
520
00:34:09,461 --> 00:34:12,631
IF WE WOULD HAVE HAD MORE SEX,
MORE VIOLENCE ON THE SHOW, I
521
00:34:12,631 --> 00:34:16,531
THINK WE WOULD HAVE DONE BETTER.
THEY TALKED ABOUT BEING
522
00:34:16,535 --> 00:34:18,535
CANCELLED A LOT, WHICH I HADNâT
SEEN BEFORE ON TV.
523
00:34:18,537 --> 00:34:20,907
A HOST REALLY MOCKING THEIR FAILURE.
524
00:34:20,906 --> 00:34:27,346
VIOLENCE, LADIES AND GENTLEMEN.
525
00:34:27,346 --> 00:34:31,316
IâM SORRY THAT THIS PROGRAM
IS GOING TO DISAPPEAR, BECAUSE
526
00:34:31,316 --> 00:34:33,216
IT WAS SOMETHING ââ
IT WAS SOMETHING DIFFERENT, AND
527
00:34:33,218 --> 00:34:37,688
SOMETHING ADVENTUROUS, AND
SOMETHING REALLY COURAGEOUS IN
528
00:34:37,689 --> 00:34:42,389
DAYTIME TELEVISION.
AND UNFORTUNATELY ââ
529
00:34:42,394 --> 00:34:44,894
NONE OF THESE SHOWS EVER GOT BAD.
530
00:34:44,897 --> 00:34:52,597
ANY SHOW THATâS CANCELLED
PREMATURELY, THEY BECOME A SEXY CORPSE.
531
00:34:52,604 --> 00:34:53,144
I QUIT.
532
00:34:53,138 --> 00:34:55,368
YOU REMEMBER THEM AS THEY WERE YOUNG AND HANDSOME.
533
00:34:55,374 --> 00:34:57,914
THEY NEVER AGE.
HEY, YOU KNOW I NEVER APPROVED THIS.
534
00:34:57,910 --> 00:35:00,980
NOBODY EVER LISTENS TO ME AROUND HERE.
535
00:35:00,979 --> 00:35:03,549
IâM NOT DANGEROUS.
536
00:35:03,549 --> 00:35:18,229
AT LEAST I WASNâT IâM SORRY FOR HEARING THIS
537
00:35:18,230 --> 00:35:25,100
JUST NOW FOR THE FIRST TIME BUT
DON RICKLES PASSED AWAY THIS MORNING.
538
00:35:25,103 --> 00:35:27,903
HE WAS 90 YEARS OLD.
539
00:35:27,906 --> 00:35:31,806
I KNOW ITâS CRAZY TO SAY HE WAS
TOO YOUNG BUT HE WAS.
540
00:35:31,810 --> 00:35:37,310
NICE TO SEE MY BLACK BROTHERS AND SISTERS.
541
00:35:37,316 --> 00:35:38,246
HALLELUJAH
HALLELUJAH.
542
00:35:38,250 --> 00:35:40,120
THERE IS NO BOOING.
THERE IS NO BOOING.
543
00:35:40,118 --> 00:35:54,328
IF THERE IS ANOTHER OUTBURST,
WEâLL LET BOB DO HIS JOKE.
544
00:35:54,333 --> 00:35:55,503
FILLIPINO.
COMMAEDY DOESNâT HAVE AN AGE.
545
00:35:55,500 --> 00:35:56,600
YOU CAN DIE AT 125.
IF YOUâRE A GREAT COMEDIAN WHO
546
00:35:56,602 --> 00:35:58,572
IS STILL BRINGING IT, YOU DIED TOO YOUNG.
547
00:35:58,570 --> 00:36:04,540
AM I RIGHT OR WRONG?
I DONâT WANT THE COLORED GUY TO
548
00:36:04,543 --> 00:36:07,113
BUTT BUT IN.
549
00:36:07,112 --> 00:36:10,552
DON RICKLES, ANY BAD THING
HEâD SAY, HE SHOULDNâT BE SAYING THAT.
550
00:36:10,549 --> 00:36:13,519
WHEN HE DIED, HE TOOK AN ERA
551
00:36:13,518 --> 00:36:20,618
OF SHOW BIZ WITH HIM.
DON RICKLES, LADIES AND GENTLEMEN.
552
00:36:20,626 --> 00:36:26,666
REALLY GOOD, GOOD GIRL.
553
00:36:26,665 --> 00:36:31,595
IS SHE NORMAL?
YEAH.
554
00:36:31,603 --> 00:36:32,873
GOOD.
GOOD.
555
00:36:32,871 --> 00:36:36,671
IS SHE WHITE?
YEAH.
556
00:36:36,675 --> 00:36:39,945
THE ONLY COMEDIANS INTIMIDATED BY IS JOAN RIVERS.
557
00:36:39,945 --> 00:36:43,575
SHE WAS A MACHINE ON STAGE AND
DID IT BEFORE SHE WAS EASY.
558
00:36:43,582 --> 00:36:46,152
WOMEN ARENâT PERMITTED TO TALK A
CERTAIN WAY ON TELEVISION.
559
00:36:46,151 --> 00:36:48,851
THE MARRIAGE WAS IN TROUBLE
SINCE THE WEDDING NIGHT.
560
00:36:48,854 --> 00:36:54,364
REALLY?
YEAH, A LOT OF MEN SMOKE
561
00:36:54,359 --> 00:36:58,589
AFTERWARD AND HE SMOKED DURING.
ASKED ME FOR A LIGHT.
562
00:36:58,597 --> 00:37:00,767
INCREDIBLE.
I SAID GET IT YOURSELF ON THE
563
00:37:00,766 --> 00:37:02,496
DASHBOARD.
JOAN WAS UNDAUNTED.
564
00:37:02,501 --> 00:37:05,071
SHE WAS DETERMINED TO SUCCEED
AND KEEP SUCCEEDING.
565
00:37:05,070 --> 00:37:08,500
HER RULE ABOUT LIFE THAT ITâS
ALL A BIG JOKE AND WEâRE HERE
566
00:37:08,507 --> 00:37:11,337
FOR LIKE A SECOND, LIKE THAT
REALLY STAYED WITH ME.
567
00:37:11,343 --> 00:37:15,143
I COULD DIE ANY MOMENT AND
YOU KNOW HOW LUCKY YOU GUYS WOULD BE?
568
00:37:15,147 --> 00:37:18,877
YOU WERE THERE?
569
00:37:18,884 --> 00:37:22,124
YEAH.
SHE WAS LYING THERE, THE FACE
570
00:37:22,120 --> 00:37:23,920
DIDNâT MOVE.
WE THOUGHT BOTOX.
571
00:37:23,922 --> 00:37:27,192
HER JOKES AND HER STYLE WILL
BE HERE FOREVER BECAUSE WHEN YOU
572
00:37:27,192 --> 00:37:29,692
DO SOMETHING GREAT, A LITTLE
PIECE OF YOU WILL ALWAYS
573
00:37:29,695 --> 00:37:32,755
CONTINUE TO GO ON.
THE WORST THING ABOUT BEG IN
574
00:37:32,764 --> 00:37:38,974
THE HOSPITAL IS THAT THEY SHAVE YOU.
575
00:37:38,970 --> 00:37:46,040
I MEAN, THEY SHAVE EVERYTHING.
I WAS JUST VISITING A FRIEND OF MINE.
576
00:37:46,044 --> 00:37:48,684
BARRY WASGARRY WAS NOT AFRAID
577
00:37:48,680 --> 00:37:54,420
HE BROKE THE FOURTH WALL WITH
HIS SHOW AND WITH LARRY SANDERS,
578
00:37:54,419 --> 00:37:59,519
HE BROKE THAT MOLD, TOO.
HE TURNED TV ON ITS HEAD TWICE.
579
00:37:59,524 --> 00:38:02,994
OH, COMFORTABLE.
SO DO I.
580
00:38:02,994 --> 00:38:04,334
YOU DO?
YEAH.
581
00:38:04,329 --> 00:38:07,659
YOUâRE SO GOOD AT IT.
TRUST ME, I HATE MYSELF.
582
00:38:07,666 --> 00:38:13,666
MUCH OF MODERN TELEVISION
COMEDY CAN BE TRACED BACK TO A
583
00:38:13,672 --> 00:38:19,312
LOT OF CHANCES GARRY TOOK.
IT DOESNâT ADD UP FOR ME HEâS GONE.
584
00:38:19,311 --> 00:38:20,941
IT DOESNâT MAKE SENSE.
585
00:38:20,946 --> 00:38:24,416
NOT HAVING HIS VOICE DOESNâT FEEL RIGHT.
586
00:38:24,416 --> 00:38:27,846
LONG BEFORE I MET HIM, HE FELT
LIKE A FRIEND TO ME.
587
00:38:27,853 --> 00:38:32,453
MY JOURNEY IS TO BE WHO I AM.
HE WAS A MENTOR TO A LOT OF PEOPLE.
588
00:38:32,457 --> 00:38:34,387
HE SEEMED LIKE HE WAS FLOATING
589
00:38:34,392 --> 00:38:36,632
THROUGH THE WORLD A BIT.
HE WAS THERE TO HELP.
590
00:38:36,628 --> 00:38:42,998
WHAT I WANT AT MY FUNERAL IS
AN ACTUAL BOXING REFEREE TO DO A
591
00:38:43,001 --> 00:38:46,871
COUNT AND IF I WAVE IT OFF AND
HI SIGHT HEâS NOT GETTING UP.
592
00:38:46,872 --> 00:38:52,212
THE REASON THAT GARRYâS DEATH
IS A CRIME IS NOT JUST BECAUSE I
593
00:38:52,210 --> 00:38:55,410
DONâT GET TO TALK TO HIM
ANYMORE, BUT HE WASNâT DONE.
594
00:38:55,413 --> 00:39:04,453
WASNâT DONE FOR HIMSELF.
NOT FOR US.
595
00:39:04,456 --> 00:39:07,526
THE WHOLE KEY COMING THROUGH
LIFE IS A SENSE OF HUMOR.
596
00:39:07,526 --> 00:39:11,426
THERE IS A LIFE SENSE INVOLVED
OF NOT SEEING THE WORLD SO SERIOUSLY.
597
00:39:11,429 --> 00:39:13,759
WHY IS IT MOST OF THE PEOPLE
598
00:39:13,765 --> 00:39:17,435
AGAINST ABORTION ARE PEOPLE YOU
WONâT WANT TO IN THE FIRST PLACE?
599
00:39:17,435 --> 00:39:22,605
HE DIDNâT DIE NECESSARILY
600
00:39:22,607 --> 00:39:25,307
YOUNG BUT SEEMED YOUNG.
HIS THOUGHTS NEVER STOPPED.
601
00:39:25,310 --> 00:39:28,710
IT WASNâT LIKE AN OLD PERSON DYING.
602
00:39:28,713 --> 00:39:34,323
HE REINVENTED HIMSELF EVERY
DECADE TO APPEAL TO WHATEVER WAS ACQUIRED.
603
00:39:34,319 --> 00:39:35,649
WITHOUT SELLING OUT.
604
00:39:35,654 --> 00:39:38,324
WHITE GUYS.
LET ME TELL YOU SOMETHING,
605
00:39:38,323 --> 00:39:41,293
YOUâRE NEVER GOING TO BE AS COOL AS BLACK GUYS.
606
00:39:41,293 --> 00:39:47,533
ITâS NOT GOING TO HAPPEN.
YOUâRE WHITE AND YOUâRE LAME.
607
00:39:47,532 --> 00:39:52,102
I WOULD LIKE ONE OF TWO
THINGS, HE WAS JUST HERE A
608
00:39:52,103 --> 00:39:55,103
MINUTE AGO OR TOO HIP FOR THE ROOM.
609
00:39:55,106 --> 00:40:00,976
TOO HIP FOR THE ROOM.
I HAVE SOME ISSUE WITH GONE TOO SOON.
610
00:40:00,979 --> 00:40:02,939
WE GO.
611
00:40:02,948 --> 00:40:06,888
EVERYBODY GOES AND IT ALWAYS
STINKS SO HE WAS OLD BUT YOUâRE
612
00:40:06,885 --> 00:40:11,155
STILL LIKE HEY, IT WAS TOO SOON.
YOU DONâT EVER WANT IT TO END.
613
00:40:11,156 --> 00:40:17,826
YOU GET A FEELING AFTER
PLAYING ALL OVER THE COUNTRY,
614
00:40:17,829 --> 00:40:21,059
THAT WAS WORTH IT SAYING I
HAVENâT LAUGHED THAT HARD IN A LONG TIME.
615
00:40:21,066 --> 00:40:22,596
PEOPLE NEED IT.
616
00:40:22,601 --> 00:40:24,871
THATâS THE PURPOSE OF GOING OUT AND DOING IT.
617
00:40:24,870 --> 00:40:30,140
COMEDIANS AT THEIR BEST, WHAT
THEY ARE PROVIDING IS A
618
00:40:30,141 --> 00:40:34,381
LIFEâAFFIRMING EXPERIENCE.
THE MINUTE YOU LAUGH YOU FEEL BETTER.
619
00:40:34,379 --> 00:40:36,909
SOUNDS CLICHE BUT ITâS TRUE.
620
00:40:36,915 --> 00:40:40,685
FOR ALL OUR CRAZINESS, WE DO
LEAVE IT BETTER THAN WE FOUND IT.
621
00:40:40,685 --> 00:40:43,815
WE BRING SOME JOY FROM WHATEVER
622
00:40:43,822 --> 00:40:47,462
SELFISH REASONS, ITâS A NOBLE PROFESSION.
623
00:40:47,459 --> 00:40:50,089
SEE HOW HAPPY I AM?
WE KEEP MOVING ON.
624
00:40:50,095 --> 00:40:53,095
WE DONâT KNOW WHAT WEâRE DOING
HERE AND ALLOW ME TO MAKE YOU
625
00:40:53,098 --> 00:40:57,168
LAUGH IS TREMENDOUS AND IâM
BLESSED TO BE PART OF IT AND I
626
00:40:57,168 --> 00:41:00,568
TERRIBLY MISSED THE MEN AND
WOMEN THAT HAVE GONE BEFORE ME.
627
00:41:00,572 --> 00:41:04,172
THE FACT YOU HAVE TOUCHED
MORE PEOPLE THAN YOU WOULD HAVE
628
00:41:04,175 --> 00:41:06,975
IF YOU DID NOT DO STANDUP, THATâS AMAZING.
629
00:41:06,978 --> 00:41:11,178
I GUESS THE RULE THINKING HOW
SAD IT IS A MAN OF SUCH TALENT,
630
00:41:11,182 --> 00:41:15,152
SUCH KINDNESS SHOULD NOT SO
SUDDENLY BE SPIRITED AWAY BEFORE
631
00:41:15,153 --> 00:41:18,623
HEâD ACHIEVED MANY OF THE THINGS
WHICH HE WAS CAPABLE.
632
00:41:18,623 --> 00:41:22,523
WELL, I FEEL I SHOULD SAY NOTHING.
633
00:41:22,527 --> 00:41:27,397
GOOD RIDDANCE TO HIM, THE FREE LOADING BASTARD.
634
00:41:27,399 --> 00:41:31,999
CAN I SAY FOR THE RECORD IF I
DIE IN ANY WAY THATâS FUNNY OR
635
00:41:32,003 --> 00:41:33,873
INTERESTING, NOTHING IS TOO SOON.
636
00:41:33,872 --> 00:41:36,472
GO FOR IT.
I TALK ABOUT MY DEATH ALL THE TIME.
637
00:41:36,474 --> 00:41:39,514
I TELL MY FRIENDS THE DAY I DIE,
638
00:41:39,511 --> 00:41:42,911
I DONâT WANT ANYBODY THAT LOVE ME TO GO TO WORK.
639
00:41:42,914 --> 00:41:46,414
WE HAD A WAKE FOR PHIL.
I GOT UP AND SAID I THINK I
640
00:41:46,418 --> 00:41:52,318
SPEAK FOR A LOT OF PEOPLE HERE
WHEN I SAY I JUST CANâT BELIEVE
641
00:41:52,324 --> 00:41:54,964
ITâS NOT ANDY THATâS DEAD.
I WAS IN SHOCK.
642
00:41:54,960 --> 00:42:02,060
I KEPT SAYING CAN YOU BELIEVE
THAT BRIANYNN MURDERED FILL?
643
00:42:02,067 --> 00:42:05,837
HE SAID COME ON, YOUâRE MAKING
IT SOUND WORSE THAN IT WAS.
644
00:42:05,837 --> 00:42:10,777
I WAS LIKE HOLY.
645
00:42:10,775 --> 00:42:13,715
WE LAUGHED FOR A HALF AN HOUR
AND NOBODY WOULD HAVE FOUND THAT
57109
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