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♪ Chappelle's Show ♪
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♪ Chappelle's Show ♪
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♪ Chappelle's Show ♪ ♪ Chappelle's Show ♪
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♪ Oww ♪
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♪ Woo-hoo hoo ♪
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♪ Woo-hoo ♪
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♪ Yeah, yeah ♪
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Let's start the show.
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[playing harmonica]
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[man] Ladies and gentlemen,
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Dave Chappelle!
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Oh!
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Hey, everybody.
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Hey!
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Alright!
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Alright!
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Welcome to Chappelle's Show.
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Man, welcome, guys. Thanks for coming out tonight.
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You at home, thanks for tuning in.
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You know, folks, it's been an interesting couple of weeks
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here at Chappelle's Show--
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Lot of flak I've been getting
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for the racially-charged sketches.
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It happens.
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[laughing]
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But I think I'm being misunderstood,
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so I just want to take a moment to explain myself, okay?
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I'm not advocating
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in any way, shape or form
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any type of racial hatred.
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I'm just making fun of each other's cultures.
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It's fun.
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Problem is, when you do stereotypical kind of jokes,
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there's no room for subtleties.
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People always say things, for instance,
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that white people can't dance.
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It's not that white people can't dance.
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Is that, is that really how it goes?
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[laughing]
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I don't think so.
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Let's explore this further, okay?
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I'd like to introduce a piece now
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called "White people dancing."
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[laughing]
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Hey, gang.
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You know, all my life I've heard that white people can't dance.
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I don't believe that.
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I don't think it's so much that white people can't dance,
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it's just that they like certain musical instruments.
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That instrument, my friends, is electric guitar.
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It speaks directly to the soul of the white person.
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They find it irresistible.
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Now with me, as you can see, is my good friend, John Mayer.
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How are ya?
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And we are going to test this theory this afternoon.
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You ready?
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-I'm ready. -Let's do it.
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Let's go.
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[Dave] It's my personal theory
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that when white people hear electric guitar,
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they cannot resist the urge to dance,
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no matter where they are.
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Well, me and John went to different locations
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and put this theory to the test.
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[quiet business chattering]
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Okay, folks, here we are in a corporate board room.
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You can see people behind us working in the bullpens.
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And right now, a meeting is in progress.
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We want to see what happens when you play electric guitar
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in the most professional of settings.
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-Ready, John? -[whispering] Yeah, I'm ready.
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Okay, cool, go, go.
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♪
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[audience laughing]
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[music ends]
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I knew it, I knew it.
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Come on, let's get out of here.
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[audience laughing]
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Okay, we've seen how white people
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respond to guitar music at work.
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Now we're in a chic Manhattan restaurant.
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It's lunchtime, the business crowd is here.
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A lot of bush votes in the room.
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Let's see how the conservative crowd acts
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when they hear guitar music while they're eating.
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John, play-- Play The Fight Riff , play i!
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♪
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These people-- look it here!
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Oh, my God, look at this!
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Oh!
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Oh, my gosh.
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I've never seen anything like this, folks.
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[music stops]
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Enjoy your lunch, everybody.
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[classical music playing]
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Alright.
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Every experiment needs a control.
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Now, right now, me and John
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are in a barber shop in Harlem.
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Everyone here is either Black or Latino.
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Let's see how electric guitar works on them.
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-Ready, John? -Yeah.
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Okay, okay, go, go.
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♪
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Hey, yo!
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Shut the fuck up!
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Okay, okay.
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That went pretty much how I expected.
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Now, let's see how the blacks respond to drums.
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[drum roll]
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Questlove, go.
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[playing drums]
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Ahh... yeah!
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Yeah!
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Yeah!
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Uh!
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Play somethin', play somethin', play somethin'.
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♪ Yo, yo ♪
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♪ I'm down with Any sex or any race ♪
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♪ If you were beatin' me ♪
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♪ It's like Billy Crystal Playin' Scarface ♪
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♪ And I can't See it, blind to the eyes ♪
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♪ I came up in your face, Oops, pow, surprise ♪
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Oh!
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Yeah!
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Whoo!
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Whoo, that worked like gangbusters!
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But I still happened to notice,
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some of the Latin people were nodding their heads,
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but they weren't really feeling it
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As much as I thought they would.
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But I think I got the remedy.
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What would happen if I incorporated within that
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an electric piano?
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Sanchez, go!
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[playing piano]
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[drums playing Latin beat]
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Alright, this is going great.
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Now I'm gonna kick it up a notch, watch this.
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[gibberish]
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♪ Yi, yi, yi Yi, yi, yi ♪
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♪ Yi, yi, yi Yi, yi, yi, yi ♪
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Ay, caramba!
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Ole!
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[music ends]
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Hey, guys, have a good day.
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Sorry for interrupting.
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So what did we learn, gang?
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We learned that white people can dance
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If you play what they like, electric guitar.
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Of course, we, the blacks, can't resist drums.
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And Latino's love congas and electric piano
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with Spanish gibberish over it, I guess.
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So next time someone says
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that someone from another race can't dance--
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Alright, alright.
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We're gonna need to see a permit.
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Excuse me?
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You have to have a permit to shoot out here.
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And we will fine you.
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John, do something quick.
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Eh...
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♪ Every rose has its thorn ♪
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♪ Just like every night ♪
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♪ Has its dawn ♪
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That's right, sing it!
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♪ Just like every cowboy ♪
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♪ Sings a sad, sad song ♪
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Hey, my man, how you know that song?
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I'm from the suburbs, man, I can't help it.
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I can't help it!
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♪ Though it's been a while now ♪
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♪ I can still feel So much pain ♪
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♪ Every rose has it's thorn ♪
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♪ Just like every night ♪
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♪ Has it's dawn ♪
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♪ Just like every cowboy ♪
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♪ Sings a sad, sad song ♪
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♪ Every rose has its thorn ♪
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[applauding]
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We're gonna take a quick commercial break.
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Keep dancin', we'll be right back.
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♪ We're going to Dave Chappelle's Show ♪
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-How's this? -Go!
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Hey, everybody, welcome back to Chappelle's Show.
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Thanks for joining us.
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You know, folks, I hate to hit this point so hard,
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But remember, whenever we do these racial commentaries,
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it's always about the subtleties.
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We're all part of the same human family.
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Our differences are just cultural, that's it.
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For instance, when a white person is
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maybe having trouble sleeping,
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You might take some kind of, uh, warm milk--
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I don't know what you drink.
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[laughing]
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For the black people,
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we have a sleeping aid, too.
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And it's just coming out on the market.
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It's available for everyone's consumption.
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And we're proud to be the first sponsor
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of the newest sleep aid for Black America.
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Here it is.
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[groaning]
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What is it, honey?
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I got a big meeting tomorrow,
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and I still can't sleep.
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I took sleeping pills and everything.
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Relax, honey.
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I think I've got just the thing.
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[Woman] From the makers of Valtran and Simelox
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comes America's number one sleeping aid.
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Ribs.
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[audience laughing]
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Hickory!
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Oh, wow.
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[audience laughing]
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[Woman] Here's how it works.
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Once ingested, ribs go to work on your stomach,
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spreading barbecue sauce and greasy porkiness throughout,
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creating an age-old condition called, the "ITIS."
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You'll feel sluggish, drowsy
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and should be asleep in a matter of minutes.
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Got that ITIS.
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[whispering] Thanks, ribs.
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Oh... [farting]
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Mud butt.
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[cheers and applause]
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What would be the inverse of that joke ?
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If I did that joke for white people,
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what would it be, like, turkey or something?
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I don't know-- turkey, right?
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What's the food that white people say,
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"Boy, that sure makes me sleepy"?
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-Huh? -Box of wine.
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-What is it? -Box of wine.
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Box of wine?
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Wine comes in a box, America, damn!
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He said that without hesitation, "Box of wine."
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[audience laughing]
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"Puts me right out."
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We're gonna take a quick commercial break.
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Don't go nowhere, we got more comedy for you
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on Chappelle's Show.
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That's right.
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♪ Chappelle's Show ♪
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Better not bring your kids!
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[cheers and applause]
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Welcome back.
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Welcome back to Chappelle's Show , everybod.
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A lot-- one thing I've been hearing a lot recently is,
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they say, you know, "Dave, you make fun of everybody
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and everything, but how come you never make fun of yourself?"
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'Cause it's not easy, I'm sensitive.
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But since you guys have been so good to me tonight,
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I feel like I owe you no less.
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This next piece is about the real Dave Chappelle.
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It's personal, it's actually very personal,
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but here it is.
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Hey, I'm Dave Chappelle, host of Chappelle's Show .
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Many guys are familiar with my on-screen persona,
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but the question keeps popping up,
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Who is Dave Chappelle, really?
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Well, guys, the answer isn't so simple.
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You see, in the last 12 years,
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I've been at least three different people.
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Here's me at 18.
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Sincere, earnest, relentlessly optimistic.
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Then there was me at 24.
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Budding movie star, reefer addict
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00:12:15,966 --> 00:12:17,626
and a man with a sexual appetite
272
00:12:17,700 --> 00:12:21,330
that would make Michael Douglas seem gay.
273
00:12:21,400 --> 00:12:24,030
Then, of course, is the man who stands in front of you now.
274
00:12:24,100 --> 00:12:28,500
Proud father, loyal husband and prompt taxpayer.
275
00:12:28,566 --> 00:12:30,166
All three of these men had different psyches
276
00:12:30,233 --> 00:12:33,373
and handled things in very different ways.
277
00:12:33,433 --> 00:12:34,873
And with your permission,
278
00:12:34,933 --> 00:12:37,573
I'd like to explore these three men tonight
279
00:12:37,633 --> 00:12:40,273
in a piece that I like to call,
280
00:12:40,333 --> 00:12:42,273
"Three Dave's."
281
00:12:42,333 --> 00:12:44,003
♪
282
00:12:44,066 --> 00:12:46,126
Alright, first scenario.
283
00:12:46,200 --> 00:12:48,770
Let's say I'm having problems in a relationship.
284
00:12:48,833 --> 00:12:52,073
Why don't we take a look at how I used to handle that at 18?
285
00:12:52,133 --> 00:12:53,003
[music playing]
286
00:12:53,066 --> 00:12:55,166
Sharon, Sharon, look.
287
00:12:55,233 --> 00:12:56,333
I want to work this out,
288
00:12:56,400 --> 00:12:57,370
but you gotta talk to me.
289
00:12:57,433 --> 00:12:58,533
You gotta open up.
290
00:12:59,333 --> 00:13:02,803
Last week, when we were at that Das EFX concert,
291
00:13:04,033 --> 00:13:05,173
I riggity realized...
292
00:13:05,233 --> 00:13:08,803
I liggity love you.
293
00:13:08,866 --> 00:13:10,526
Clickety clow!
294
00:13:10,600 --> 00:13:12,500
Come on, girl, don't be like this.
295
00:13:12,566 --> 00:13:13,996
You act like all I want to do
296
00:13:14,066 --> 00:13:16,366
is zooma-zoom-zoom in your boom-boom.
297
00:13:17,333 --> 00:13:19,533
Why you gotta be like this ?
298
00:13:19,600 --> 00:13:21,430
Clickety clow!
299
00:13:21,966 --> 00:13:24,396
What a biggity bitch!
300
00:13:24,466 --> 00:13:26,166
I'm talking about myself, of course.
301
00:13:26,700 --> 00:13:28,000
Alright.
302
00:13:28,066 --> 00:13:29,496
Well, let's see how I handled relationship difficulties
303
00:13:29,566 --> 00:13:30,796
at 24.
304
00:13:31,466 --> 00:13:34,766
I love her but she don't trust me.
305
00:13:34,833 --> 00:13:37,873
I can't be with someone who don't trust me.
306
00:13:37,933 --> 00:13:39,433
Oh, that sounds terrible.
307
00:13:39,500 --> 00:13:41,230
Do you want another song, honey?
308
00:13:41,300 --> 00:13:42,270
Yes, I do.
309
00:13:42,333 --> 00:13:43,973
-$10. -I know.
310
00:13:46,000 --> 00:13:47,130
And the other day,
311
00:13:47,200 --> 00:13:50,370
you know what she had the nerve to say to me?
312
00:13:50,433 --> 00:13:52,503
That I smell like I been at a titty bar.
313
00:13:52,566 --> 00:13:54,366
So the fuck what!
314
00:13:55,200 --> 00:13:57,130
Well, let's see how I handle relationship problems today,
315
00:13:57,200 --> 00:13:58,800
Now that I'm a father and a husband
316
00:13:58,866 --> 00:14:00,696
and all that good stuff.
317
00:14:01,300 --> 00:14:04,030
[sighing]
318
00:14:04,100 --> 00:14:05,970
[whispering] Baby...
319
00:14:06,033 --> 00:14:07,333
Baby, you up?
320
00:14:17,000 --> 00:14:20,470
[audience laughing]
321
00:14:20,533 --> 00:14:23,103
Oh, ooh.
322
00:14:26,700 --> 00:14:28,370
Scenario two.
323
00:14:28,433 --> 00:14:30,373
Let's say I'm pulled over by the police,
324
00:14:30,433 --> 00:14:32,303
and I'm being treated less than fairly.
325
00:14:32,366 --> 00:14:33,926
These kinds of things happen.
326
00:14:34,000 --> 00:14:36,300
Why don't we see how 18-year-old Dave used to handle that?
327
00:14:38,200 --> 00:14:39,330
Help!
328
00:14:39,933 --> 00:14:41,103
Okay.
329
00:14:41,166 --> 00:14:43,296
Now, let's take a look at 24-year-old Dave.
330
00:14:44,533 --> 00:14:46,403
-I ain't do nothin'! -Get on the ground!
331
00:14:46,466 --> 00:14:47,666
-Get on--on the ground! -Alright!
332
00:14:47,733 --> 00:14:48,603
Hey-yeah!
333
00:14:48,666 --> 00:14:49,626
What about you?
334
00:14:49,700 --> 00:14:50,770
Why don't you get on the ground?
335
00:14:50,833 --> 00:14:52,333
That's right-- give me my license back.
336
00:14:52,400 --> 00:14:55,300
Now, spread your cheeks and lift your sac.
337
00:14:55,366 --> 00:14:57,226
That's right, and you know what?
338
00:14:57,300 --> 00:14:58,900
I am high... I'm high!
339
00:15:01,800 --> 00:15:04,770
And now, let's take a look at 30-year-old Dave.
340
00:15:06,033 --> 00:15:07,973
Hi, license, insurance and registration, please.
341
00:15:08,033 --> 00:15:08,833
Sure.
342
00:15:10,533 --> 00:15:12,103
Sorry about that, I was running late
343
00:15:12,166 --> 00:15:14,326
for a shoot for my show...
344
00:15:14,400 --> 00:15:16,230
Chappelle's Show, I'm Dave Chappelle?
345
00:15:16,300 --> 00:15:17,200
Oh, yeah?
346
00:15:17,266 --> 00:15:18,466
I'm rich, bitch.
347
00:15:20,100 --> 00:15:22,130
You haven't seen it?
348
00:15:22,200 --> 00:15:23,570
Don't get it.
349
00:15:24,233 --> 00:15:25,203
Buckle up, baby!
350
00:15:25,266 --> 00:15:26,396
Yah!
351
00:15:29,566 --> 00:15:30,996
Over the last 12 years of my career,
352
00:15:31,066 --> 00:15:32,966
I went through a lot of ups and downs.
353
00:15:33,033 --> 00:15:35,733
A lot of people ask me, "Dave, how do you handle it
354
00:15:35,800 --> 00:15:37,400
when you lose out on a movie part
355
00:15:37,466 --> 00:15:38,566
that you really want?"
356
00:15:38,633 --> 00:15:39,933
It's a good question.
357
00:15:40,000 --> 00:15:43,270
I'll show you how I used to handle it at 18 right now.
358
00:15:43,333 --> 00:15:45,673
Well, who got the part?
359
00:15:45,733 --> 00:15:46,903
The Wayans Brothers?
360
00:15:46,966 --> 00:15:48,196
There's, there's more?
361
00:15:49,000 --> 00:15:50,770
And here's how I handled
362
00:15:50,833 --> 00:15:53,333
the same type of situation at 24.
363
00:15:53,400 --> 00:15:56,270
Chris Tucker... fuck!
364
00:15:56,333 --> 00:15:57,703
This is the second time this happened.
365
00:15:57,766 --> 00:15:59,666
Who got the other part?
366
00:15:59,733 --> 00:16:01,003
Tell me man, just--
367
00:16:01,066 --> 00:16:02,896
Jackie Chan?
368
00:16:02,966 --> 00:16:05,826
That motherfucker can't even speak English.
369
00:16:06,633 --> 00:16:07,633
Shit!
370
00:16:07,700 --> 00:16:11,370
And now, here's how sensible Shoe Dave
371
00:16:11,433 --> 00:16:13,203
handles it at 30.
372
00:16:13,266 --> 00:16:14,126
Who?
373
00:16:14,866 --> 00:16:16,126
Who's Nick Cannon?
374
00:16:16,200 --> 00:16:19,370
Daddy, Nick Cannon is hilarious.
375
00:16:19,900 --> 00:16:21,400
Man, fuck you, son.
376
00:16:21,466 --> 00:16:23,396
You probably think he's so goddamned hilarious
377
00:16:23,466 --> 00:16:25,896
Because he just walked off with your school clothes money.
378
00:16:25,966 --> 00:16:27,066
It's funny, isn't it?
379
00:16:27,133 --> 00:16:29,133
I'm broke, nigga, I'm broke!
380
00:16:29,200 --> 00:16:30,930
Well, I guess that gives you guys a pretty good idea
381
00:16:31,000 --> 00:16:33,700
of how I've changed over the years.
382
00:16:33,766 --> 00:16:36,666
But before I go, I just want to give each of me
383
00:16:36,733 --> 00:16:40,473
a chance to tell you their overall philosophy in life.
384
00:16:40,533 --> 00:16:42,273
18-year-old Dave, you're on.
385
00:16:42,833 --> 00:16:44,073
"When you lose...
386
00:16:45,200 --> 00:16:47,000
don't lose the lesson."
387
00:16:48,433 --> 00:16:50,833
His Holiness, the Dalai Lama.
388
00:16:50,900 --> 00:16:52,430
That was touching.
389
00:16:52,500 --> 00:16:55,200
Alright, how about you, me at 24?
390
00:16:58,633 --> 00:17:00,733
"Hey, hey, hey, hey...
391
00:17:00,800 --> 00:17:02,930
smoke weed every day."
392
00:17:03,000 --> 00:17:03,870
Nate Dogg.
393
00:17:04,833 --> 00:17:07,133
Dave at 30, what you got for me?
394
00:17:07,866 --> 00:17:09,166
Fuck Nick Cannon.
395
00:17:09,233 --> 00:17:10,633
Dave Chappelle.
396
00:17:10,700 --> 00:17:12,030
He's hilarious.
397
00:17:12,100 --> 00:17:14,330
You know, you're acting like a little bitch, alright ?
398
00:17:14,400 --> 00:17:16,400
Stop saying that, you trying to make your father feel bad?
399
00:17:16,466 --> 00:17:17,826
I gotta pay all the bills around here.
400
00:17:17,900 --> 00:17:19,000
You're gonna go tell your mother?
401
00:17:19,066 --> 00:17:20,596
You tell your mother I'm cussin' in the house!
402
00:17:20,666 --> 00:17:22,126
That's right, shit!
403
00:17:22,200 --> 00:17:25,500
[cheers and applause]
404
00:17:27,466 --> 00:17:29,626
We're gonna take a quick commercial break.
405
00:17:29,700 --> 00:17:32,570
But Dave at 30 will be right back after these messages.
406
00:17:35,800 --> 00:17:37,570
♪ Chappelle's Show ow ♪
407
00:17:37,633 --> 00:17:39,873
[applause]
408
00:17:39,933 --> 00:17:41,273
Welcome back.
409
00:17:41,333 --> 00:17:42,803
Welcome back, everybody.
410
00:17:45,866 --> 00:17:47,696
It is time for another
411
00:17:47,766 --> 00:17:50,826
Chappelle's Show musical performance.
412
00:17:50,900 --> 00:17:53,130
As you can see tonight, we were lucky enough to have
413
00:17:53,200 --> 00:17:56,370
John Mayer and Questlove from the roots appear in our sketch.
414
00:17:56,433 --> 00:17:58,073
And while we were shootin' the sketch,
415
00:17:58,133 --> 00:18:01,103
we actually shot a musical performance just for fun.
416
00:18:01,166 --> 00:18:03,026
This next one, folks, is just for you.
417
00:18:03,100 --> 00:18:07,130
Please welcome yours truly and The Dave Chappelle trio.
418
00:18:07,200 --> 00:18:10,070
You know, folks, right now, the world is in trouble.
419
00:18:10,133 --> 00:18:12,273
And I know it seems like the sketches we do are racey,
420
00:18:12,333 --> 00:18:14,803
but this is all just comedy.
421
00:18:14,866 --> 00:18:17,366
Really, it's all about love.
422
00:18:17,433 --> 00:18:20,333
So this song right now is not only going out to you at home
423
00:18:20,400 --> 00:18:25,300
and everyone across America, but everyone across the world.
424
00:18:25,366 --> 00:18:27,126
And it goes a little something like this,
425
00:18:29,633 --> 00:18:34,733
♪ Now the world don't move ♪
426
00:18:34,800 --> 00:18:38,400
♪ To the beat of just One drum ♪
427
00:18:39,733 --> 00:18:43,633
♪ What might Be right for you ♪
428
00:18:43,700 --> 00:18:47,770
♪ May not be right For some ♪
429
00:18:47,833 --> 00:18:51,173
♪ A man is born ♪
430
00:18:51,233 --> 00:18:54,333
♪ He's a man of means ♪
431
00:18:54,400 --> 00:18:57,430
♪ Then along come two ♪
432
00:18:57,500 --> 00:19:00,070
♪ They got nothin' but The dream ♪
433
00:19:00,133 --> 00:19:02,203
♪ But it takes different strokes ♪
434
00:19:02,266 --> 00:19:04,226
♪ It takes different strokes ♪
435
00:19:04,300 --> 00:19:09,430
♪ It takes different strokes To rule the world ♪
436
00:19:09,500 --> 00:19:13,300
♪ Everybody's got their Special kind of story ♪
437
00:19:13,366 --> 00:19:17,696
♪ Everybody's got a way To shine ♪
438
00:19:17,766 --> 00:19:21,296
♪ It don't matter what You got not a lot so what ♪
439
00:19:21,366 --> 00:19:23,196
♪ They'll have theirs And you'll have yours ♪
440
00:19:23,266 --> 00:19:25,566
♪ And I'll have mine ♪
441
00:19:25,633 --> 00:19:27,673
♪ And together we'll Be fine ♪
442
00:19:27,733 --> 00:19:29,633
♪ 'Cause it Takes different strokes ♪
443
00:19:29,700 --> 00:19:31,800
♪ It takes different strokes ♪
444
00:19:31,866 --> 00:19:37,196
♪ It takes different Strokes to rule the world ♪
445
00:19:37,266 --> 00:19:40,526
♪ Different strokes To rule the-- ♪
446
00:19:40,600 --> 00:19:42,730
♪ Mmm ♪
447
00:19:42,800 --> 00:19:44,500
♪ That was the gooch ♪
448
00:19:46,500 --> 00:19:47,630
[laughing] Alright.
449
00:19:48,366 --> 00:19:50,026
Alright, alright.
450
00:19:50,100 --> 00:19:53,700
♪ When the world never seems ♪
451
00:19:53,766 --> 00:19:57,326
♪ To be livin' Up to your dream ♪
452
00:19:57,400 --> 00:19:59,400
♪ And suddenly You're finding out ♪
453
00:19:59,466 --> 00:20:02,596
♪ The facts of life Are all about you ♪
454
00:20:03,300 --> 00:20:06,400
♪ Doo... ♪
455
00:20:06,466 --> 00:20:07,726
[man] Turn around!
456
00:20:07,800 --> 00:20:12,470
♪ Uh, it takes a lot to get Them right ♪
457
00:20:12,533 --> 00:20:14,403
♪ When you're learning The facts of ♪
458
00:20:14,466 --> 00:20:16,096
♪ Learning the facts of ♪
459
00:20:16,166 --> 00:20:19,526
♪ Learning the facts of life ♪
460
00:20:20,500 --> 00:20:24,730
♪ They're all about you ♪
461
00:20:24,800 --> 00:20:27,030
That's right.
462
00:20:27,100 --> 00:20:30,300
Turns out that life is all about you.
463
00:20:30,366 --> 00:20:32,466
Thanks for watching the show this week.
464
00:20:32,533 --> 00:20:35,403
I'd like to thank my guests John Mayer,
465
00:20:35,466 --> 00:20:37,226
Questlove.
466
00:20:37,300 --> 00:20:39,470
John on keyboards.
467
00:20:39,533 --> 00:20:41,733
I'm Dave Chappelle.
468
00:20:41,800 --> 00:20:43,030
I'll see you guys next week.
469
00:20:44,566 --> 00:20:46,696
I'll see you next week, everybody, God bless.
470
00:20:46,766 --> 00:20:47,926
I'm out.
471
00:20:48,000 --> 00:20:50,400
[cheers and applause]
472
00:20:57,266 --> 00:20:58,366
[Dave] I'm rich, bitch!
473
00:20:58,433 --> 00:20:59,473
[horn honks]
474
00:20:59,533 --> 00:21:00,603
Hi, thank you.
475
00:21:02,066 --> 00:21:04,126
♪ Fish don't fry In the kitchen ♪
476
00:21:04,200 --> 00:21:06,730
♪ Beans don't burn On the grill ♪
477
00:21:06,800 --> 00:21:09,370
♪ Took a whole lotta tryin' ♪
478
00:21:09,433 --> 00:21:11,903
♪ Just to get up that hill ♪
479
00:21:11,966 --> 00:21:14,426
♪ Now we're up In the big leagues ♪
480
00:21:14,500 --> 00:21:17,070
♪ Gettin' our turn at bat ♪
481
00:21:17,133 --> 00:21:19,633
♪ As long as we live, It's you and me baby ♪
482
00:21:19,700 --> 00:21:21,300
♪ There ain't Nothin' wrong with that ♪
483
00:21:21,366 --> 00:21:22,726
♪ Well we're movin' on up ♪
484
00:21:22,800 --> 00:21:24,130
♪ Movin' on up ♪
485
00:21:24,200 --> 00:21:25,370
♪ To the east side ♪
486
00:21:25,433 --> 00:21:26,933
♪ Movin' on up ♪
487
00:21:27,000 --> 00:21:30,270
♪ To a deluxe apartment In the sky ♪
488
00:21:31,633 --> 00:21:34,573
♪
489
00:21:34,623 --> 00:21:39,173
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