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1
00:00:01,523 --> 00:00:03,456
? WELL, WE'RE MOVIN' ON UP ?
? MOVIN' ON UP ?
2
00:00:03,521 --> 00:00:06,255
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
3
00:00:06,316 --> 00:00:11,419
? TO A DELUXE
APARTMENT IN THE SKY ?
4
00:00:11,477 --> 00:00:13,744
? MOVIN' ON UP ?
? MOVIN' ON UP ?
5
00:00:13,806 --> 00:00:16,774
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
6
00:00:16,837 --> 00:00:20,572
? WE FINALLY GOT
A PIECE OF THE PIE ?
7
00:00:22,497 --> 00:00:25,063
? FISH DON'T FRY
IN THE KITCHEN ?
8
00:00:25,127 --> 00:00:27,693
? BEANS DON'T
BURN ON THE GRILL ?
9
00:00:27,756 --> 00:00:30,290
? TOOK A WHOLE LOT OF TRYIN' ?
10
00:00:30,353 --> 00:00:32,853
? JUST TO GET UP THAT HILL ?
11
00:00:32,917 --> 00:00:35,284
? NOW WE'RE UP IN
THE BIG LEAGUES ?
12
00:00:35,347 --> 00:00:37,981
? GETTIN' OUR TURN AT BAT ?
13
00:00:38,043 --> 00:00:40,511
? AS LONG AS WE LIVE
IT'S YOU AND ME, BABY ?
14
00:00:40,574 --> 00:00:41,884
? AIN'T NOTHIN'
WRONG WITH THAT ?
15
00:00:41,905 --> 00:00:45,240
? WELL, WE'RE MOVIN' ON UP ?
? MOVIN' ON UP ?
16
00:00:45,302 --> 00:00:48,136
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
17
00:00:48,198 --> 00:00:52,733
? TO A DELUXE
APARTMENT IN THE SKY ?
18
00:00:52,792 --> 00:00:56,127
? MOVIN' ON UP ?
? MOVIN' ON UP ?
19
00:00:56,188 --> 00:00:58,654
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
20
00:00:58,718 --> 00:01:05,457
? WE FINALLY GOT A
PIECE OF THE PIE ??
21
00:01:09,138 --> 00:01:12,706
AGH! THAT'S THE WORST
COFFEE I EVER TASTED.
22
00:01:14,665 --> 00:01:16,943
IT ISN'T COFFEE. IT'S TEA.
23
00:01:16,962 --> 00:01:20,197
OH, WELL, IN THAT
CASE, IT AIN'T BAD.
24
00:01:20,259 --> 00:01:25,795
THREE MORE MUGGINGS LAST
NIGHT, ANOTHER TORNADO IN TEXAS,
25
00:01:25,851 --> 00:01:28,885
AND A SEVEN-CAR PILEUP
ON THE WEST SIDE HIGHWAY.
26
00:01:28,947 --> 00:01:31,014
THAT'S MAKES ME FEEL BETTER.
27
00:01:31,078 --> 00:01:32,577
IT DOES?
28
00:01:32,643 --> 00:01:36,578
YEAH. BECAUSE NONE OF THEM
THINGS ARE HAPPENIN' TO US.
29
00:01:36,638 --> 00:01:39,605
MORNIN', MA. OH,
GOOD MORNING, SON.
30
00:01:39,667 --> 00:01:41,767
HEY, POP.
31
00:01:41,831 --> 00:01:44,698
NOW, HERE'S SOMETHING I
WISH WOULD HAPPEN TO ME.
32
00:01:44,761 --> 00:01:46,141
YOU REMEMBER THAT
STORY ABOUT THE CHINESE
33
00:01:46,161 --> 00:01:47,703
DUDE WHO OWNS THE
RESTAURANT DOWN THE STREET?
34
00:01:47,724 --> 00:01:50,669
OH, YOU MEAN CHARLIE KWAN, THE ONE
WHO SAVED A GUY FROM BEING MUGGED?
35
00:01:50,686 --> 00:01:53,065
YEAH. SAVED A WINO AND FED
HIM AND TOOK CARE OF HIM...
36
00:01:53,084 --> 00:01:55,096
UNTIL HE WAS TURNED OVER
TO THE SALVATION ARMY.
37
00:01:55,115 --> 00:01:59,683
OH, IT'S SO NICE TO READ ABOUT SOMEONE
WHO'S NOT AFRAID TO GET INVOLVED.
38
00:01:59,742 --> 00:02:02,121
YEAH, THAT'S WHAT GOT HIS PICTURE
ON THE FRONT PAGE. SAVIN' A WINO.
39
00:02:02,140 --> 00:02:04,974
A WHITE ONE AT THAT.
40
00:02:05,036 --> 00:02:07,836
HOW DO YOU KNOW HE'S WHITE?
IT DOESN'T SAY SO IN THE PAPER.
41
00:02:07,866 --> 00:02:10,266
YES, IT DID. THE PAPER
CALLED HIM AN "INDIGENT."
42
00:02:10,329 --> 00:02:12,429
CAN'T BE NOTHIN' BUT A HONKY.
43
00:02:15,556 --> 00:02:18,924
- WHAT MAKES YOU SAY THAT?
- BECAUSE A WHITE WINO...
44
00:02:18,986 --> 00:02:21,664
IS TURNED OVER TO THE SALVATION
ARMY; THEY CALL HIM AN "INDIGENT."
45
00:02:21,682 --> 00:02:26,051
A BLACK WINO IS BUSTED AND
THEY CALL HIM AN "INMATE."
46
00:02:27,375 --> 00:02:29,808
ANYHOW, IT SAYS RIGHT HERE,
47
00:02:29,871 --> 00:02:31,983
SINCE THAT HAPPENED,
HIS BUSINESS HAS TRIPLED.
48
00:02:32,003 --> 00:02:33,970
IT WAS THE
PUBLICITY THAT DID IT.
49
00:02:34,033 --> 00:02:36,011
THEN WHY DON'T YOU ADVERTISE?
50
00:02:36,031 --> 00:02:38,109
BECAUSE YOU CAN'T BUY
THAT KIND OF ADVERTISING.
51
00:02:38,128 --> 00:02:41,463
IF I COULD, I'D BE ONE OF THE BIGGEST
BLACK BUSINESSMEN IN NEW YORK.
52
00:02:41,523 --> 00:02:43,924
LIKE THIS DUDE HERE IN
THIS PAPER? WHAT DUDE?
53
00:02:43,988 --> 00:02:45,951
HAVEN'T YOU BEEN
READING THIS SERIES? IT'S
54
00:02:45,970 --> 00:02:48,052
ON SUCCESSFUL BLACK
BUSINESSMEN AROUND HERE.
55
00:02:48,116 --> 00:02:52,085
TODAY IT'S ABOUT A DUDE WHO OWNS
GOLDMAN PHARMACIES. HE'S A MILLIONAIRE.
56
00:02:52,145 --> 00:02:54,245
GOLDMAN? I THOUGHT
YOU SAID HE WAS BLACK?
57
00:02:54,309 --> 00:02:57,076
OH, HE IS. WAIT A MINUTE.
ABDUL KARIM GOLDMAN.
58
00:02:59,968 --> 00:03:02,868
OLDEST OF SEVEN CHILDREN,
STARTED OUT AS A DELIVERY BOY,
59
00:03:02,931 --> 00:03:05,642
WORKED HIS WAY THROUGH COLLEGE
AND NOW HE OWNS A CHAIN OF DRUGSTORES.
60
00:03:05,660 --> 00:03:07,961
LET ME SEE THAT.
61
00:03:08,025 --> 00:03:10,558
HMM. THIS IS IT!
THIS IS THE ANSWER.
62
00:03:10,621 --> 00:03:12,988
THAT'S GREAT.
WHAT'S THE QUESTION?
63
00:03:14,549 --> 00:03:16,482
HOW TO GET MY
STORY IN THE PAPER.
64
00:03:16,547 --> 00:03:19,260
NOW, YOU ARE GONNA CALL THESE PEOPLE,
LOUISE. I GOT THE NUMBER RIGHT HERE.
65
00:03:19,278 --> 00:03:23,446
WELL, WHY AM I CALLING
THEM? YOU'RE NOT A MILLIONAIRE.
66
00:03:23,505 --> 00:03:28,108
BUT I'M A THOUSANDAIRE.
67
00:03:28,166 --> 00:03:31,134
AND I COULD BE A MILLIONAIRE IF
I COULD GET ME SOME PUBLICITY.
68
00:03:31,196 --> 00:03:35,265
SO CALL THIS REPORTER. HIS NAME IS
MIKE MORENO. I'LL TELL YOU WHAT TO SAY.
69
00:03:35,324 --> 00:03:39,426
I ALREADY KNOW WHAT TO SAY: NO!
70
00:03:39,485 --> 00:03:41,785
I'LL CALL HIM FOR YOU,
POP. THANK YOU, SON.
71
00:03:41,849 --> 00:03:44,527
A MAN'S VOICE SOUNDS MORE
IMPORTANT THAN A WOMAN'S ANYTIME.
72
00:03:44,545 --> 00:03:48,581
NOW, THIS IS WHAT YOU SAY. LOOK, I KNOW
WHAT TO SAY, POP. DON'T WORRY ABOUT ME.
73
00:03:48,640 --> 00:03:50,953
I GOT TO WORRY! HOW DO YOU
THINK I GOT WHERE I AM TODAY?
74
00:03:50,972 --> 00:03:53,050
WORRYING ABOUT
THE LITTLE DETAILS.
75
00:03:53,069 --> 00:03:55,047
I WANT TO MAKE SURE
YOU SAY THE RIGHT THING.
76
00:03:55,067 --> 00:03:57,611
YOU WANNA HEAR WHAT I'LL SAY? OKAY,
YOU BE MR. MORENO, AND I'M CALLING YOU UP.
77
00:03:57,629 --> 00:04:01,031
ALL RIGHT? WELL, COME
ON. WHAT? OH, OKAY.
78
00:04:01,092 --> 00:04:03,172
UH, HELLO, MR. MORENO? SPEAKING.
79
00:04:03,223 --> 00:04:07,091
MR. MORENO, YOU DON'T KNOW ME...
AND I DON'T WANT TO KNOW YOU. BYE.
80
00:04:09,514 --> 00:04:12,649
THAT'S WHAT HE WOULD'VE DONE.
YOU GOT TO GET IN THERE FAST.
81
00:04:12,711 --> 00:04:14,755
YOU GOT TO GRAB HIS INTEREST.
YOU GOT TO HOOK HIM RIGHT AWAY.
82
00:04:14,774 --> 00:04:18,543
OKAY, OKAY. LET ME TRY IT AGAIN.
WHAT'S THE NUMBER AGAIN, POP?
83
00:04:18,603 --> 00:04:22,739
SIX, EIGHT... LOOK, JUST GO ON!
84
00:04:22,798 --> 00:04:24,976
HELLO, MR. MORENO? YEAH,
MR. MORENO. SPEAKING.
85
00:04:24,995 --> 00:04:26,311
HOW WOULD YOU LIKE
TO MEET ONE OF THE
86
00:04:26,332 --> 00:04:28,071
FASTEST-RISING BLACK
BUSINESSMEN IN THE COUNTRY?
87
00:04:28,092 --> 00:04:29,119
THAT'S RIGHT. HE
STARTED OUT WITH NOTHING
88
00:04:29,140 --> 00:04:30,268
AND WORKED HIS WAY
ALL THE WAY TO THE TOP...
89
00:04:30,290 --> 00:04:32,534
AND DID IT ALL THE WAY
BY HIMSELF. YEAH, YEAH!
90
00:04:32,553 --> 00:04:35,621
THIS DUDE IS FORCEFUL, DYNAMIC,
A BRILLIANT MIND. RIGHT ON.
91
00:04:35,682 --> 00:04:37,682
A BORN LEADER. I MEAN,
THIS DUDE IS DYNAMITE.
92
00:04:37,746 --> 00:04:40,292
GREAT. WHEN CAN I MEET THIS
GUY? WELL, HE AIN'T AROUND NOW,
93
00:04:40,310 --> 00:04:43,244
SO WOULD YOU LIKE TO
MEET MY FATHER INSTEAD?
94
00:04:51,562 --> 00:04:54,964
LOOK, NOW, YOU... I'M LATE FOR
SCHOOL, POP. I'LL SEE YOU LATER. BYE.
95
00:04:56,856 --> 00:05:01,125
THAT BOY BETTER WATCH OUT. HE AIN'T
TOO BIG FOR ME TO BE GOIN' UPSIDE HIS HEAD.
96
00:05:01,184 --> 00:05:05,086
OH, GEORGE, HE WAS ONLY KIDDING. BESIDES,
THAT WAS A DUMB THING YOU ASKED HIM TO DO.
97
00:05:05,146 --> 00:05:08,680
LOOK, A SON IS SUPPOSED TO LISTEN TO
HIS FATHER NO MATTER HOW DUMB HE IS.
98
00:05:08,741 --> 00:05:12,409
OKAY, LOOK, LOOK, IF I CAN'T
GET NO HELP FROM MY OWN FAMILY,
99
00:05:12,470 --> 00:05:16,505
I'LL JUST HAVE TO MAKE THE
PHONE CALL MYSELF. OH, GEORGE!
100
00:05:16,565 --> 00:05:18,498
I THINK YOU'RE MAKING A MISTAKE.
101
00:05:18,562 --> 00:05:20,540
NO, I AIN'T. I KNOW
WHAT I'M DOING.
102
00:05:20,560 --> 00:05:23,728
ONE THING I LEARNED IN LIFE,
YOU GOT TO BLOW YOUR OWN HORN.
103
00:05:25,088 --> 00:05:27,722
AND YOU'VE GOT
THE HOT AIR TO DO IT.
104
00:05:29,150 --> 00:05:34,286
THAT'S BECAUSE I GOT A WIFE
WHO'S ALWAYS STEAMING ME UP.
105
00:05:34,343 --> 00:05:36,977
HELLO. I LIKE TO SPEAK
TO MIKE MORENO, PLEASE.
106
00:05:37,040 --> 00:05:39,340
WHAT ARE YOU GOING TO
DO? TELL HIM A BUNCH OF LIES?
107
00:05:39,403 --> 00:05:42,883
I AIN'T GONNA LIE. I'M JUST
GONNA BUILD UP THE TRUTH.
108
00:05:45,862 --> 00:05:47,862
HELLO, MR. MORENO?
109
00:05:47,927 --> 00:05:51,061
YES, MY NAME IS, UH, EBONY.
110
00:05:57,082 --> 00:06:00,850
SIDNEY J. EBONY.
111
00:06:00,910 --> 00:06:04,511
YES. I'M CALLING YOU TO TIP
YOU OFF ABOUT A MILLIONAIRE...
112
00:06:04,572 --> 00:06:07,612
YOU MAY BE INTERESTED IN
INTERVIEWING FOR YOUR SERIES.
113
00:06:09,666 --> 00:06:12,045
UH, YES. YOU MIGHT
HAVE HEARD OF HIM.
114
00:06:12,063 --> 00:06:14,041
HIS NAME IS GEORGE JEFFERSON.
115
00:06:14,061 --> 00:06:16,272
HE OWNS A CHAIN
OF CLEANING STORES.
116
00:06:16,291 --> 00:06:19,793
OH, YOU HAVEN'T. OH, THAT'S
BECAUSE HE'S VERY SHY.
117
00:06:22,883 --> 00:06:24,916
HE HATES PUBLICITY.
118
00:06:24,981 --> 00:06:27,092
WHAT? OH, I'VE GOT
HIS NUMBER RIGHT HERE.
119
00:06:27,111 --> 00:06:32,915
IT'S, UH, 685-4099.
120
00:06:34,535 --> 00:06:37,002
ME? NO. NO CONNECTION.
121
00:06:37,065 --> 00:06:40,499
I'M JUST ONE OF THE PEOPLE WHO
THINKS HE'S DOING A MARVELOUS JOB.
122
00:06:40,561 --> 00:06:42,494
OH, FINE. BYE.
123
00:06:42,558 --> 00:06:44,959
GEORGE? HOLD IT.
124
00:06:45,023 --> 00:06:51,360
SIX, EIGHT, FIVE,
FOUR, OH, NINE, NINE.
125
00:06:51,413 --> 00:06:54,314
NOW. [Rings]
126
00:07:00,802 --> 00:07:02,814
I TOLD YOU TO LEAVE
THE THINKING UP TO ME.
127
00:07:02,834 --> 00:07:05,467
HELLO. GEORGE
JEFFERSON SPEAKING.
128
00:07:05,530 --> 00:07:08,231
MAMA! OHH!
129
00:07:12,554 --> 00:07:16,090
LOOK, MAMA, I CAN'T TALK TO
YOU RIGHT NOW. GET OFF THE LINE.
130
00:07:16,150 --> 00:07:18,317
GET OFF THE LINE!
131
00:07:19,746 --> 00:07:24,115
NO, LOOK, IT'S JUST THAT I'M
EXPECTING AN IMPORTANT CALL.
132
00:07:24,173 --> 00:07:26,340
YEAH, YOU'RE IMPORTANT
TOO, BUT, BUT, BUT...
133
00:07:26,404 --> 00:07:29,271
WHY DON'T YOU TALK
TO HER, WEEZY? WHY?
134
00:07:29,333 --> 00:07:31,634
BECAUSE THAT'LL
MAKE HER HANG UP.
135
00:07:34,327 --> 00:07:36,995
I'M SORRY, BUT I'M NOT HOME.
136
00:07:37,058 --> 00:07:39,892
HELLO, MAMA? OF
COURSE I LOVE YOU,
137
00:07:39,954 --> 00:07:43,088
AND I KNOW YOU'LL UNDERSTAND
BECAUSE YOU LOVE ME TOO.
138
00:07:43,149 --> 00:07:47,452
BYE. WHY DID SHE
HAVE TO CALL NOW?
139
00:07:47,511 --> 00:07:50,145
WELL, WHEN YOU'RE RICH
AND FAMOUS LIKE YOU ARE,
140
00:07:50,207 --> 00:07:54,476
YOU'RE BOUND TO GET A LOT OF
NUISANCE CALLS. [Phone Ringing]
141
00:07:54,536 --> 00:07:57,136
HELLO. OH, OH, OH.
142
00:07:58,864 --> 00:08:01,665
OH, IT'S HIM, IT'S
HIM. SHH. HELLO?
143
00:08:01,727 --> 00:08:05,128
OH, MR. JEFFERSON? THIS
IS MR. JEFFERSON'S BUTLER.
144
00:08:14,444 --> 00:08:17,746
UH-HUH. JUST A
MINUTE. I'LL CALL HIM.
145
00:08:23,799 --> 00:08:26,567
HELLO. GEORGE
JEFFERSON SPEAKING.
146
00:08:26,630 --> 00:08:30,231
AH, YES, MR. MORENO. YES,
I'M FAMILIAR WITH YOUR PAPER.
147
00:08:30,291 --> 00:08:34,761
WELL, I'D LIKE TO HELP YOU OUT,
BUT I HAVE A VERY TIGHT SCHEDULE.
148
00:08:34,819 --> 00:08:37,185
UH, LET'S SEE, HOW
ABOUT TONIGHT, 6:30?
149
00:08:40,079 --> 00:08:43,359
OH, WE'RE HAVING A FEW
FRIENDS OVER FOR COCKTAILS.
150
00:08:43,375 --> 00:08:46,877
A U.N. AMBASSADOR,
A BIG PUBLISHER,
151
00:08:46,937 --> 00:08:49,805
COUPLE OF OTHER MILLIONAIRES.
152
00:08:49,868 --> 00:08:52,067
MAYBE AN ASTRONAUT.
153
00:08:52,131 --> 00:08:54,309
YOU KNOW, JUST A
FEW PERSONAL FRIENDS.
154
00:08:54,328 --> 00:08:56,306
OH, YOU CAN? OH, FINE. OKAY.
155
00:08:56,325 --> 00:09:00,561
WE'RE AT THE COLBY
EAST. TWELFTH FLOOR.
156
00:09:00,621 --> 00:09:03,489
RIGHT. OKAY, FINE.
SEE YOU THEN. BYE.
157
00:09:05,448 --> 00:09:08,282
I DID IT, WEEZY! HE'S COMING
OVER TO DO MY STORY.
158
00:09:08,344 --> 00:09:12,112
[Laughs] OH, THAT'S
JUST GREAT, GEORGE.
159
00:09:12,173 --> 00:09:16,308
NOW ALL YOU'VE GOT TO DO IS COME UP WITH
ALL THOSE PEOPLE YOU LIED TO HIM ABOUT.
160
00:09:16,367 --> 00:09:18,334
I DIDN'T LIE. NOT EXACTLY.
161
00:09:18,398 --> 00:09:20,877
BENTLEY WORKS FOR THE U.N. AND
TOM WILLIS WORKS FOR A PUBLISHER.
162
00:09:20,895 --> 00:09:23,507
YOU'RE INVITING THE WILLISES?
YOU WHO KEEPS SAYING...
163
00:09:23,525 --> 00:09:27,093
YOU DON'T WANT THAT ZEBRA
MARRIAGE HANGING AROUND?
164
00:09:29,552 --> 00:09:32,018
I DON'T, BUT I NEED 'EM TONIGHT.
165
00:09:32,081 --> 00:09:35,750
YOU KNOW, AND THOSE PHONY LIBERAL
WRITERS ARE ALL FOR MIXING THE RACES.
166
00:09:35,811 --> 00:09:38,623
THAT'S NOT HONEST. THAT
MAKES YOU A HYPOCRITE.
167
00:09:38,640 --> 00:09:40,573
IT'S ONLY FOR A COUPLE HOURS.
168
00:09:40,638 --> 00:09:44,306
AFTER THE PARTY, I'LL BE JUST
AS HONEST AS I ALWAYS AM.
169
00:09:45,665 --> 00:09:49,300
OKAY, WHERE ARE YOU GOING
TO GET YOUR MILLIONAIRES?
170
00:09:49,359 --> 00:09:52,038
INVITE SOME OF THE NEIGHBORS. THE
REPORTER AIN'T GONNA KNOW THE DIFFERENCE.
171
00:09:52,056 --> 00:09:55,425
WHAT'S HE GONNA DO? ASK TO
SEE THEIR BANKBOOKS? [Phone Rings]
172
00:09:55,486 --> 00:09:59,422
YOU'LL BE LUCKY TO GET ANYONE
TO COME ON SUCH SHORT NOTICE.
173
00:09:59,481 --> 00:10:02,516
HELLO. OH, HI, MOM. HUH?
174
00:10:02,577 --> 00:10:04,977
OH, NO, IT'S JUST THAT
I WAS BUSY, THAT'S ALL.
175
00:10:05,040 --> 00:10:07,908
OF COURSE. OF COURSE I LOVE YOU.
176
00:10:07,970 --> 00:10:11,939
LOOK, YOU CAN COME TO DINNER
ANYTIME YOU WANT... UH, NOT TONIGHT!
177
00:10:13,463 --> 00:10:18,299
NO, LOOK, MA...
SHE'S ON HER WAY.
178
00:10:18,357 --> 00:10:20,591
YOU'RE DOING JUST GREAT, GEORGE.
179
00:10:20,654 --> 00:10:22,654
SO FAR, YOU'VE GOT
ONE GUEST LINED UP:
180
00:10:22,719 --> 00:10:24,786
YOUR MOTHER, THE ASTRONAUT.
181
00:10:28,845 --> 00:10:30,956
WELL, YOU BETTER GET ON THAT
PHONE AND START MAKING SOME CALLS.
182
00:10:30,975 --> 00:10:33,942
WE NEED BODIES. AND CALL
WHAT'S-HER-NAME UP. DIANE.
183
00:10:34,004 --> 00:10:35,964
WE NEED SOMEBODY TO SERVE.
184
00:10:36,002 --> 00:10:38,236
DIANE'S GOT THE FLU.
I'LL CALL FLORENCE.
185
00:10:38,299 --> 00:10:40,867
ALL SHE'S GOT IS
LARYNGITIS. [Doorbell Rings]
186
00:10:40,929 --> 00:10:43,364
FLORENCE? SHE AIN'T NO GOOD.
187
00:10:43,426 --> 00:10:45,360
SHE'S ALL THUMBS AND NO BRAIN.
188
00:10:45,424 --> 00:10:49,292
IF SHE WAS IN A HOUSE ALL BY
HERSELF, SHE'D BE BUMPIN' INTO HERSELF.
189
00:10:50,950 --> 00:10:52,928
SORRY, GEORGE, WE DIDN'T
KNOW YOU WERE HOME.
190
00:10:52,948 --> 00:10:55,415
WE'LL GO QUIETLY. NO,
NO, NO! COME IN, COME IN!
191
00:10:55,478 --> 00:10:58,446
WE HAVEN'T BEEN SEEING
ENOUGH OF YOU TWO LATELY.
192
00:10:58,507 --> 00:11:01,241
EITHER WE'RE IN THE WRONG
APARTMENT, OR HE'S UP TO SOMETHING.
193
00:11:01,304 --> 00:11:04,249
- HE'S UP TO SOMETHING.
- WE'RE GOOD NEIGHBORS. WHAT'S HAPPENING?
194
00:11:04,267 --> 00:11:07,268
WE WERE HOPING TO TALK TO LOUISE
ABOUT OUR ANNUAL CHARITY AFFAIR.
195
00:11:07,331 --> 00:11:11,366
OH, WHY DON'T YOU TALK TO BOTH OF US
TONIGHT OVER COCKTAILS, SAY ABOUT 6:30?
196
00:11:11,425 --> 00:11:15,760
- YOU'RE INVITING US
TO COCKTAILS? - WHAT'S SO STRANGE ABOUT THAT?
197
00:11:15,820 --> 00:11:18,940
NO STRANGER THAN WILT
CHAMBERLAIN BUYING ELEVATOR SHOES.
198
00:11:21,546 --> 00:11:27,149
IT'S SOME KIND OF SETUP. WE WALK IN, AND
YOU HAVE US ARRESTED AS HOUSEBREAKERS.
199
00:11:27,205 --> 00:11:28,882
I'M TRYING TO BE FRIENDLY.
200
00:11:28,902 --> 00:11:31,637
WAIT A MINUTE. JUST
HOW BAD DO YOU WANT US?
201
00:11:31,700 --> 00:11:33,566
I INVITED YOU, DIDN'T I?
202
00:11:33,631 --> 00:11:37,232
WELL, WE JUST HAVE JUST TWO TICKETS
LEFT TO OUR DINNER DANCE NEXT WEEK.
203
00:11:37,293 --> 00:11:40,360
WE WERE HOPING YOU AND
LOUISE... HELEN, THAT'S BLACKMAIL.
204
00:11:40,422 --> 00:11:43,490
UH-HUH.
205
00:11:43,551 --> 00:11:46,719
- AND BRILLIANT.
- IF I BUY THE TICKETS, WILL YOU COME TONIGHT?
206
00:11:46,781 --> 00:11:50,048
I'LL GUARANTEE IT.
OKAY. HOW MUCH?
207
00:11:50,110 --> 00:11:52,177
FIFTY DOLLARS...
208
00:11:55,304 --> 00:11:58,472
APIECE. WHAT?
209
00:11:58,533 --> 00:12:00,433
THAT'S A HUNDRED BUCKS!
210
00:12:00,497 --> 00:12:04,198
IT SHOULDN'T MAKE ANY DIFFERENCE
TO YOU NOW THAT YOU'RE A MILLIONAIRE.
211
00:12:04,260 --> 00:12:07,561
OKAY. WHO DO I MAKE THIS OUT TO?
212
00:12:07,623 --> 00:12:12,158
TO OUR ORGANIZATION,
AFRO. THAT'S A-F-R-O.
213
00:12:14,147 --> 00:12:19,016
AT LEAST IT SOUNDS LIKE IT'S GOIN' FOR
A GOOD CAUSE. WHAT'S THAT STAND FOR?
214
00:12:19,074 --> 00:12:21,775
THE ASSOCIATION
FOR RACIAL ONENESS.
215
00:12:21,838 --> 00:12:24,905
SEE YOU TONIGHT.
216
00:12:24,967 --> 00:12:28,236
WAIT A MINUTE. RACIAL
ONENESS? WHAT DOES THAT MEAN?
217
00:12:28,296 --> 00:12:32,532
IT MEANS THAT YOU JUST GAVE US A
CHECK TO SUPPORT MIXED MARRIAGES.
218
00:12:45,042 --> 00:12:49,445
NOW LISTEN TO THIS, WEEZY. I GOT MY LIFE
STORY ALL WORKED OUT FOR THAT REPORTER.
219
00:12:49,504 --> 00:12:52,572
NOW, IT ALL STARTED
45 YEARS AGO.
220
00:12:52,633 --> 00:12:54,933
FORTY-SIX.
221
00:12:54,996 --> 00:12:57,375
A BABY WAS BORN IN A
COTTON FIELD IN ALABAMA.
222
00:12:57,394 --> 00:13:01,496
IN THE HOSPITAL IN THE BRONX.
223
00:13:01,556 --> 00:13:03,667
LOOK, I'M TRYING TO
JAZZ UP THE STORY.
224
00:13:03,686 --> 00:13:05,864
I WANNA SHOW HOW A
BOY FROM THE GHETTO...
225
00:13:05,883 --> 00:13:10,052
GOT HIS FIRST CLEANING STORE THROUGH
HARD WORK, SKIMPING AND SAVING...
226
00:13:10,110 --> 00:13:14,780
AND A $5,000 WHIPLASH SETTLEMENT
FROM THE CITY OF NEW YORK.
227
00:13:17,469 --> 00:13:20,637
THAT'S WHAT I CALL
JAZZING DOWN THE STORY.
228
00:13:20,698 --> 00:13:23,633
[Snoring] WHAT'S THAT?
229
00:13:23,694 --> 00:13:26,662
YOUR MOTHER. SHE'S TAKING A NAP.
230
00:13:29,953 --> 00:13:33,788
IT ALL STARTED 45 YEARS
AGO. MR. JEFFERSON?
231
00:13:33,848 --> 00:13:38,484
CAN'T YOU SEE I'M BUSY? NO. I
THOUGHT YOU WAS JUST TALKING.
232
00:13:38,543 --> 00:13:40,576
WHAT DO YOU WANT?
233
00:13:40,640 --> 00:13:43,307
WELL, THIS AIN'T GONNA
WORK, MR. JEFFERSON.
234
00:13:43,370 --> 00:13:46,404
I'M A CLEANING MAID. I
AIN'T USED TO SERVING.
235
00:13:46,466 --> 00:13:50,801
WE KNOW THAT, BUT NOW
YOU'RE MOVING UP IN THE WORLD.
236
00:13:52,226 --> 00:13:54,237
WELL, I DON'T MIND MOVING UP
IN THE WORLD, MR. JEFFERSON,
237
00:13:54,257 --> 00:13:56,257
BUT YOU KNOW HOW
YOU ACT SOMETIMES.
238
00:13:56,321 --> 00:13:58,799
AND I DON'T WANT YOU GETTING MAD
AT ME LIKE YOU DID AT THAT LAST PARTY.
239
00:13:58,817 --> 00:14:01,851
THAT'S WHAT GAVE
ME MY LARYNGITIS.
240
00:14:01,913 --> 00:14:03,980
DON'T BE NERVOUS, FLORENCE.
241
00:14:04,044 --> 00:14:08,481
GEORGE IS OUT TO MAKE AN IMPRESSION
TONIGHT, SO HE'S NOT GOING TO BE HIMSELF.
242
00:14:08,538 --> 00:14:11,539
HE'S GOING TO BE A
PERFECT GENTLEMAN.
243
00:14:11,602 --> 00:14:14,136
WELL, OKAY, I'LL TRY.
244
00:14:14,199 --> 00:14:17,479
AT 2.50 AND HOUR, YOU
BETTER DO BETTER THAN TRY.
245
00:14:19,691 --> 00:14:22,525
- $4.00 AN HOUR, GEORGE.
- SINCE WHEN?
246
00:14:22,588 --> 00:14:26,022
SINCE SHE'S MOVING
UP IN THE WORLD.
247
00:14:26,084 --> 00:14:30,219
FLORENCE, YOU CAN PUT THE PIZZA PUFFS
IN THE OVEN AS SOON THE GUESTS ARRIVE,
248
00:14:30,279 --> 00:14:32,212
WHICH SHOULD BE ANY MINUTE NOW.
249
00:14:32,276 --> 00:14:35,655
- ALL RIGHT, MRS. JEFFERSON.
- AT THESE PRICES, I WANNA SEE SOME FANCY MAIDING.
250
00:14:35,672 --> 00:14:38,117
EVERY TIME I TURN AROUND, I WANT
TO SEE YOU SERVING SOMETHING.
251
00:14:38,135 --> 00:14:39,568
YES, MR. JEFFERSON.
252
00:14:40,798 --> 00:14:42,765
STOP PICKING ON HER, GEORGE.
253
00:14:42,829 --> 00:14:44,796
THIS WHOLE THING
IS SILLY ANYWAY.
254
00:14:44,860 --> 00:14:47,694
HIRING A MAID FOR JUST
FIVE PEOPLE. [Doorbell Rings]
255
00:14:47,757 --> 00:14:49,990
SIX. DON'T FORGET MAMA.
256
00:14:50,054 --> 00:14:52,087
I WISH I COULD.
257
00:14:56,712 --> 00:14:59,358
MR. JEFFERSON? MIKE
MORENO, EAST SIDE CHRONICLE.
258
00:14:59,376 --> 00:15:03,378
AH, YES, COME IN, COME IN. I'D
LIKE YOU TO MEET MY WIFE LOUISE.
259
00:15:03,437 --> 00:15:05,370
IT'S A GREAT PLEASURE.
HOW ARE YOU?
260
00:15:05,435 --> 00:15:07,846
HOW DO YOU DO? WON'T YOU SIT
DOWN? OH, THANK YOU VERY MUCH.
261
00:15:07,865 --> 00:15:09,910
CAN I GET YOU A DRINK,
MR. MORENO? NO, THANKS.
262
00:15:09,929 --> 00:15:12,841
I'VE GOT TO COVER A CONCERT AT
THE LINCOLN CENTER RIGHT AFTER THIS.
263
00:15:12,858 --> 00:15:15,659
I THOUGHT YOU SAID THERE
WAS GOING TO BE OTHER GUESTS.
264
00:15:15,722 --> 00:15:17,766
OH, THEY'LL BE HERE. RICH
PEOPLE ALWAYS COME LATE.
265
00:15:17,785 --> 00:15:20,686
THAT'S HOW YOU
KNOW THEY'RE RICH.
266
00:15:20,749 --> 00:15:24,684
I DON'T HAVE TOO MUCH TIME, SO WHAT
DO YOU SAY WE GET STARTED? RIGHT.
267
00:15:24,744 --> 00:15:26,677
[Clears Throat]
268
00:15:26,741 --> 00:15:29,775
IT ALL STARTED 45 YEARS AGO,
269
00:15:29,837 --> 00:15:33,206
- AND I WAS JUST A LITTLE...
- MEATBALL?
270
00:15:47,149 --> 00:15:49,428
AS I WAS SAYING,
IT ALL STARTED...
271
00:15:49,447 --> 00:15:52,747
OH, HOW ABOUT YOU, MRS.
JEFFERSON? OH, THANK YOU, FLORENCE.
272
00:15:54,108 --> 00:15:56,508
NOW, GETTING BACK TO THE STORY.
273
00:15:56,571 --> 00:16:01,341
FORTY-FIVE YEARS AGO, A WOMAN
WENT INTO THE COTTON FIELD IN ALABAMA.
274
00:16:01,399 --> 00:16:03,333
WHEN SHE CAME OUT,
275
00:16:03,396 --> 00:16:06,597
SHE BROUGHT WITH HER...
CLAM DIP? CHEESE PUFF?
276
00:16:08,756 --> 00:16:11,023
WHY DON'T YOU STOP
HANGING AROUND OUT HERE?
277
00:16:11,087 --> 00:16:14,822
- YOU SAID EVERY TIME...
- DON'T DO WHAT I SAID. DO WHAT I SAY.
278
00:16:19,177 --> 00:16:22,011
IT'S SO HARD TO GET
GOOD HELP THESE DAYS.
279
00:16:22,073 --> 00:16:24,740
OKAY.
280
00:16:25,902 --> 00:16:28,403
I GATHER YOU WERE
BORN 45 YEARS AGO.
281
00:16:28,465 --> 00:16:31,599
YEAH, AND IT WAS A
LONG, TOUGH CLIMB...
282
00:16:31,661 --> 00:16:34,462
FROM THAT RAT-INFESTED
TENEMENT I GREW UP IN.
283
00:16:34,524 --> 00:16:40,461
WE DIDN'T HAVE RATS, GEORGE.
A FEW MICE, MAYBE, BUT NO RATS.
284
00:16:40,517 --> 00:16:42,650
OH, MAMA, MEET MIKE MORENO.
285
00:16:42,714 --> 00:16:44,881
HOW DO YOU DO? FINE, THANK YOU,
286
00:16:44,945 --> 00:16:47,845
ONLY THAT BLOODY
MARY MADE ME SO SLEEPY,
287
00:16:47,908 --> 00:16:51,109
I ALMOST NODDED OFF.
288
00:16:56,763 --> 00:17:01,266
YES, YOU'VE BEEN ALMOST NODDING
OFF FOR TWO-AND-A-HALF HOURS NOW.
289
00:17:01,324 --> 00:17:05,626
MAYBE I BETTER HAVE ANOTHER.
290
00:17:05,685 --> 00:17:09,520
THE SECOND ONE
ALWAYS PERKS ME UP.
291
00:17:10,612 --> 00:17:12,858
NOW, WHAT DO WE
GOT SO FAR? NOTHING,
292
00:17:12,877 --> 00:17:14,943
EXCEPT YOU'RE 45 YEARS OLD.
293
00:17:15,008 --> 00:17:16,941
FORTY-SIX.
294
00:17:17,005 --> 00:17:21,174
I WAS 45 WHEN I STARTED
TELLING THIS STORY.
295
00:17:21,234 --> 00:17:25,836
[Doorbell Rings] DON'T PUT THAT
PENCIL DOWN. I'LL BE RIGHT BACK.
296
00:17:27,192 --> 00:17:29,459
OH, HELLO! I WAS
WORRIED ABOUT YOU.
297
00:17:29,522 --> 00:17:32,202
WE KNEW THAT, BUT WE
DECIDED TO COME ANYWAY.
298
00:17:32,220 --> 00:17:35,321
COME IN. MEET MIKE MORENO.
299
00:17:35,382 --> 00:17:37,794
THIS IS TOM AND HELEN
WILLIS. HOW ARE YOU?
300
00:17:37,812 --> 00:17:39,924
HOW DO YOU DO? MR. WILLIS,
A PLEASURE MEETING YOU.
301
00:17:39,944 --> 00:17:43,478
TOM, IT WAS NICE OF YOU TO TAKE
TIME OUT OF YOUR BUSY SCHEDULE...
302
00:17:43,539 --> 00:17:45,472
TO BE HERE TONIGHT.
303
00:17:45,536 --> 00:17:48,570
I WOULDN'T HAVE MISSED
THIS FOR THE WORLD.
304
00:17:48,632 --> 00:17:51,033
IT PAYS TO VISIT YOU, GEORGE.
305
00:17:56,057 --> 00:17:58,490
TOM HERE IS A BIG PUBLISHER.
306
00:17:58,553 --> 00:18:01,232
WELL, ACTUALLY, I'M JUST A SENIOR
EDITOR WITH PELHAM PUBLISHING.
307
00:18:01,250 --> 00:18:03,784
WELL, I'M VERY GLAD TO MEET
YOU. I'M WRITING A BOOK, YOU KNOW.
308
00:18:03,847 --> 00:18:06,125
OH, REALLY? YES. YOU
SEE, I'M NEWSPAPERMAN.
309
00:18:06,144 --> 00:18:08,756
HE'S HERE TO DO A STORY ABOUT
ME. I GOT THE IDEA FOR MY BOOK...
310
00:18:08,774 --> 00:18:11,308
FROM THIS SERIES I BEEN
WRITING ON BLACK CAPITALISM.
311
00:18:11,370 --> 00:18:13,370
WE'VE HAD A TREMENDOUS
RESPONSE FROM OUR READERS.
312
00:18:13,435 --> 00:18:15,814
I CAN SEE WHY. THE TIME IS
RIGHT FOR A BOOK LIKE THAT.
313
00:18:15,832 --> 00:18:19,044
BUT HE AIN'T INTERESTED IN THAT RIGHT
NOW. HE'S HERE TO DO A STORY ABOUT ME.
314
00:18:19,061 --> 00:18:22,021
SO WHY DON'T YOU TWO GO OVER
THERE AND MAKE YOURSELVES A DRINK?
315
00:18:22,057 --> 00:18:25,292
- I CAN GET THAT, MR. JEFFERSON.
- YOU CAN GET YOURSELF BACK IN THE KITCHEN.
316
00:18:26,918 --> 00:18:30,352
- BUT I THOUGHT YOU SAID...
- DON'T THINK! I DO THE THINKING.
317
00:18:30,414 --> 00:18:33,682
WELL, THINK ABOUT GETTING
YOURSELF ANOTHER MAID!
318
00:18:38,437 --> 00:18:42,173
LOUISE, WOULD YOU PLEASE GO AND
SEE WHAT'S BOTHERING THAT YOUNG LADY?
319
00:18:42,233 --> 00:18:45,500
I DON'T HAVE TO.
I'M LOOKING AT IT.
320
00:18:47,127 --> 00:18:49,271
WHY DON'T WE JUST START
FROM THE BEGINNING?
321
00:18:49,290 --> 00:18:51,518
GOOD IDEA. LET'S GO
CLEAR BACK TO WHERE YOU
322
00:18:51,537 --> 00:18:53,788
ASKED ME IF I WANTED
A DRINK AND I SAID NO.
323
00:18:53,852 --> 00:18:55,918
I CHANGED MY MIND. I'D LOVE ONE.
324
00:18:55,982 --> 00:18:58,327
SURE. WHAT'LL YOU HAVE? OH,
DON'T BOTHER. I CAN GET IT MYSELF.
325
00:18:58,346 --> 00:19:00,324
YOU KNOW, MR. WILLIS,
IN THIS BOOK I'M WRITING,
326
00:19:00,343 --> 00:19:03,122
I'M NOT DEALING WITH YOUR
ORDINARY BLACK BUSINESSMAN.
327
00:19:03,140 --> 00:19:05,651
THE PEOPLE I WANT ARE
BANKERS, CORPORATE EXECUTIVES.
328
00:19:05,670 --> 00:19:08,516
THEN YOU OUGHT TO MEET HELEN'S
FATHER. HE'S A CORPORATE EXECUTIVE.
329
00:19:08,533 --> 00:19:11,179
AND BELIEVE ME, HE'S A
CHARACTER. WHO IS HE?
330
00:19:11,197 --> 00:19:13,130
DID YOU EVER HEAR
OF BUTEX INDUSTRIES?
331
00:19:13,195 --> 00:19:14,672
AMERICAN STOCK EXCHANGE?
332
00:19:14,692 --> 00:19:17,392
THAT'S THE ONE. MY
FATHER'S COMPANY PRESIDENT.
333
00:19:17,455 --> 00:19:20,034
WELL, THAT'S FASCINATING. I'D LIKE
TO HEAR MORE ABOUT YOUR FATHER.
334
00:19:20,052 --> 00:19:23,486
WELL, MY FATHER
WAS VERY, VERY POOR.
335
00:19:23,547 --> 00:19:25,525
WE NEVER HAD NOTHING AS KIDS.
336
00:19:25,545 --> 00:19:27,657
IT WAS TOUGH FOR MY FATHER
TO FIND A JOB IN THOSE DAYS.
337
00:19:27,676 --> 00:19:30,955
OH, THAT'S SAD. HOW DID
YOUR FATHER GET HIS START?
338
00:19:30,972 --> 00:19:33,006
HE INHERITED A FARM
FROM MY GRANDFATHER.
339
00:19:33,070 --> 00:19:35,048
OH, TELL HIM ABOUT YOUR
GRANDFATHER, HELEN,
340
00:19:35,068 --> 00:19:38,180
HOW HE TURNED A SMALL, ROCKY
PIECE OF LAND INTO A RICH FARM.
341
00:19:38,197 --> 00:19:41,431
HE STARTED WITH ONE ACRE
AND WOUND UP OWNING HUNDREDS.
342
00:19:41,492 --> 00:19:43,215
THAT'S KIND OF LIKE MY
STORY. I STARTED OUT
343
00:19:43,235 --> 00:19:45,023
WITH ONE RUNDOWN
CLEANING PLANT IN QUEENS...
344
00:19:45,088 --> 00:19:48,022
BUT THAT'S SUCH A LONG
STORY. WHO ASKED YOU?
345
00:19:48,084 --> 00:19:50,896
I WAS TALKING TO TOM. GOOD.
WELL, YOU KEEP TALKING TO HIM.
346
00:19:50,914 --> 00:19:54,415
I KNOW YOU'RE ANXIOUS TO GET
TO MY STORY, SO LET'S GET GOING.
347
00:19:54,476 --> 00:19:58,845
FORTY-FIVE YEARS AGO, A WOMAN
WENT INTO THE COTTON FIELD IN ALABAMA.
348
00:19:58,904 --> 00:20:01,838
AND WHEN SHE CAME...
GEORGE, I THINK I'LL TAKE A NAP.
349
00:20:01,900 --> 00:20:04,034
AGAIN?
350
00:20:04,098 --> 00:20:07,133
THAT BLOODY MARY MADE ME DIZZY.
351
00:20:07,194 --> 00:20:10,929
YOU TELL LOUISE SHE'S BUYING
THE WRONG KIND OF TOMATO JUICE.
352
00:20:13,120 --> 00:20:15,120
WHERE WERE WE?
IN A COTTON FIELD.
353
00:20:15,184 --> 00:20:17,118
OH, RIGHT. WELL, THIS...
354
00:20:17,181 --> 00:20:20,149
[Doorbell Rings]
FLORENCE, GET THE DOOR!
355
00:20:20,210 --> 00:20:23,578
- YOU TOLD ME TO STAY
IN THE KITCHEN! - GET THE DOOR!
356
00:20:27,202 --> 00:20:30,170
JUST BECAUSE YOU ARE BOSS
DON'T MEAN YOU GOT TO BE SO LAZY.
357
00:20:30,232 --> 00:20:32,132
YOU'RE CLOSER TO
THE DOOR THAN I AM!
358
00:20:32,196 --> 00:20:35,999
YOU COULD'VE HAD IT OPENED, ANSWERED
AND SHUT BEFORE I EVEN GOT NEAR IT!
359
00:20:38,188 --> 00:20:40,122
GOOD EVENING.
360
00:20:41,451 --> 00:20:44,352
MRS. JEFFERSON, IT'S
THAT WEIRDO AND A FOX.
361
00:20:46,013 --> 00:20:49,948
IT'S MR. BENTLEY FROM
THE U.N. HI THERE, BENTLEY.
362
00:20:50,008 --> 00:20:53,554
EVENING, MR. JEFFERSON. ALLOW ME
TO INTRODUCE MISS TANYA PETROVICH.
363
00:20:53,570 --> 00:20:55,548
SHE JUST ARRIVED FROM
RUSSIA THIS AFTERNOON.
364
00:20:55,567 --> 00:20:57,812
MR. JEFFERSON, I
WAS SO EXCITED...
365
00:20:57,831 --> 00:21:01,151
WHEN COMRADE BENTLEY
TOLD ME WE WERE COMING HERE.
366
00:21:01,893 --> 00:21:04,961
SO, THIS IS BLACK GHETTO.
367
00:21:08,651 --> 00:21:11,919
WHY IS EVERYONE
TRYING TO GET OUT?
368
00:21:11,980 --> 00:21:14,291
EVERYBODY, I'D LIKE
YOU TO MEET... YES, YES!
369
00:21:14,310 --> 00:21:18,412
NICE TO MEET YOU. AND YOU
MUST BE MRS. JEFFERSON.
370
00:21:18,472 --> 00:21:21,139
- NO, NO, NO. I'M AFRAID...
- AFRAID?
371
00:21:21,202 --> 00:21:23,402
OF COURSE YOU ARE AFRAID.
372
00:21:23,466 --> 00:21:28,235
IN SOVIET UNION, WE HAVE HEARD MUCH
ABOUT POOR, DOWNTRODDEN BLACKS.
373
00:21:28,293 --> 00:21:32,529
HMM! YOU'RE TALKIN' TO THE
WRONG DOWNTRODDEN BLACK, HONEY.
374
00:21:34,919 --> 00:21:37,085
THIS IS MRS. JEFFERSON.
375
00:21:37,149 --> 00:21:39,149
I'M HELEN WILLIS, AND
THIS IS MY HUSBAND TOM.
376
00:21:39,212 --> 00:21:42,748
MRS. JEFFERSON, I WOULD
KNOW YOU ANYWHERE.
377
00:21:42,808 --> 00:21:44,742
YOU WOULD?
378
00:21:44,806 --> 00:21:49,809
TWENTY-FIVE YEARS BEING MARRIED TO
GEORGE HAS FINALLY CAUGHT UP WITH ME.
379
00:21:49,866 --> 00:21:51,799
CAN I GET YOU SOMETHING TO EAT?
380
00:21:51,864 --> 00:21:54,131
PLEASE. NOT TO SPEAK OF FOOD.
381
00:21:54,194 --> 00:21:57,062
YES, I'M AFRAID TANYA
HAD A VERY ROUGH FLIGHT.
382
00:21:57,124 --> 00:21:59,970
SHE WAS AIRSICK ALL THE WAY.
IT WAS THE SEAFOOD THAT DID IT.
383
00:21:59,988 --> 00:22:02,321
JUST THINKING ABOUT
IT MAKES ME NAUSEOUS.
384
00:22:02,384 --> 00:22:06,452
WOULD YOU LIKE SOME
CLAM DIP? NYET! NYET!
385
00:22:06,513 --> 00:22:08,846
OH, THIS AIN'T BAD. BUT WATCH
OUT FOR THEM PIZZA PUFFS.
386
00:22:08,910 --> 00:22:11,377
THEY TASTE LIKE
HOT RUBBER BANDS.
387
00:22:13,604 --> 00:22:15,804
PLEASE. SOME VODKA?
388
00:22:15,868 --> 00:22:18,735
AH, YES, MAKE IT TWO, NEAT.
389
00:22:18,798 --> 00:22:21,732
EVERY TIME I FLY, I GET AIRSICK.
390
00:22:21,794 --> 00:22:24,461
NOT LIKE HIM!
391
00:22:24,524 --> 00:22:27,091
HE CROSSED THE
ATLANTIC IN SAILBOAT.
392
00:22:27,153 --> 00:22:29,754
DID YOU EVER HEAR
OF ANYTHING SO CRAZY?
393
00:22:29,817 --> 00:22:33,018
THAT WASN'T ME, ACTUALLY.
IT WAS MY BROTHER NIGEL.
394
00:22:33,080 --> 00:22:35,224
IN A SAILBOAT? THAT'S FANTASTIC.
395
00:22:35,243 --> 00:22:38,812
THAT AIN'T NOTHIN'. I CROSSED
THE PACIFIC IN AN AIRCRAFT CARRIER.
396
00:22:38,873 --> 00:22:41,306
I'M AN OLD NAVY MAN, YOU KNOW.
397
00:22:41,369 --> 00:22:44,337
YOUR BROTHER ACTUALLY
CROSSED THE ATLANTIC IN A SAILBOAT?
398
00:22:44,398 --> 00:22:46,966
OH, YES. NOT ONCE,
BUT THREE TIMES.
399
00:22:47,028 --> 00:22:49,228
UNFORTUNATELY, HE
ONLY MADE IT TWICE.
400
00:22:49,292 --> 00:22:52,561
- OH.
- LUCKILY, IT WAS THE FIRST AND THE THIRD TIME.
401
00:22:52,622 --> 00:22:57,525
BUT THE SECOND CROSSING WAS
A BIT OF A STICKY WICKET. [Chuckles]
402
00:22:57,583 --> 00:23:00,417
YES. HE WAS ALONE,
EXCEPT FOR ELOISE.
403
00:23:00,479 --> 00:23:02,457
SHE WAS PREGGERS AT THE TIME.
404
00:23:02,477 --> 00:23:04,677
HE TOOK HIS PREGNANT
WIFE WITH HIM?
405
00:23:04,741 --> 00:23:08,108
- OH, ELOISE WASN'T HIS WIFE.
- OH.
406
00:23:08,169 --> 00:23:10,904
NO. SHE WAS HIS SIAMESE CAT.
407
00:23:10,966 --> 00:23:13,934
- OH?
- YES. HE NEVER MADE A TRIP WITHOUT HER.
408
00:23:13,995 --> 00:23:17,241
ANYWAY, THEY RAN INTO THIS HURRICANE,
AND THEY LOST THEIR MAST AND SAILS,
409
00:23:17,258 --> 00:23:19,893
AND THEY DRIFTED AROUND
FOR DAYS WITHOUT ANY FOOD.
410
00:23:19,955 --> 00:23:23,557
FINALLY, THEY WERE RESCUED
BY A NORWEGIAN SARDINE BOAT.
411
00:23:23,617 --> 00:23:28,119
WHEN THEY PULLED INTO NEW YORK
HARBOR, ELOISE WEIGHED 53 POUNDS.
412
00:23:28,177 --> 00:23:31,746
I'D LIKE TO MEET THIS CRAZY BROTHER
OF YOURS. YOU'LL GET YOUR CHANCE...
413
00:23:31,807 --> 00:23:35,241
BECAUSE HE'S FLYING INTO NEW YORK
NEXT WEEK TO BEGIN HIS NEW ADVENTURE.
414
00:23:35,302 --> 00:23:39,405
- REALLY? WHAT IS THAT?
- HE PLANS TO PADDLE A CANOE FROM HERE TO MIAMI BEACH.
415
00:23:39,464 --> 00:23:44,667
- WHY WOULD HE DO THAT?
- HE LOVES SUNSHINE.
416
00:23:44,724 --> 00:23:48,359
THAT'D MAKE A FANTASTIC STORY. I WISH I
COULD HEAR MORE, BUT I DO HAVE TO LEAVE.
417
00:23:48,420 --> 00:23:50,765
WOULD YOU ASK YOUR BROTHER
TO CALL ME? MY PLEASURE.
418
00:23:50,783 --> 00:23:53,817
AND YOU TOO, MRS. WILLIS. I WANNA
GET ALL THE DETAILS STRAIGHT.
419
00:23:53,880 --> 00:23:56,592
THOSE STORIES YOU TOLD ME WILL
MAKE GREAT FEATURES FOR MY PAPER.
420
00:23:56,609 --> 00:23:59,977
WELL, GOOD NIGHT,
EVERYBODY. KEEP ON TRUCKIN'.
421
00:24:03,900 --> 00:24:06,033
RIGHT. WELL...
422
00:24:06,097 --> 00:24:07,764
HOLD IT. AIN'T YOU
FORGETTING SOMETHING?
423
00:24:07,829 --> 00:24:11,997
I DON'T THINK SO. I'VE GOT MY
PAD HERE... NO, WHAT ABOUT ME?
424
00:24:12,057 --> 00:24:16,393
OF COURSE. THANK
YOU FOR INVITING ME.
425
00:24:16,452 --> 00:24:18,463
I GOT A LINE ON
TWO GREAT STORIES:
426
00:24:18,482 --> 00:24:20,716
MRS. WILLIS'S FATHER AND
MR. BENTLEY'S BROTHER.
427
00:24:20,779 --> 00:24:22,791
VERY GOOD. AIN'T YOU
ONE STORY SHORT?
428
00:24:22,811 --> 00:24:25,611
I OWN A CHAIN OF FIVE CLEANING
STORES, STARTED OUT WITH NOTHING.
429
00:24:25,673 --> 00:24:29,141
I ONLY NEED ONE MORE ARTICLE FOR
MY SERIES ON BLACK BUSINESSMEN,
430
00:24:29,202 --> 00:24:31,402
AND MRS. WILLIS'S FATHER IS...
431
00:24:31,466 --> 00:24:34,434
I MEAN, THAT'S A FANTASTIC
STORY. WHAT ABOUT ME?
432
00:24:34,495 --> 00:24:37,730
AND MR. BENTLEY'S BROTHER,
THAT'S A FANTASTIC STORY!
433
00:24:37,792 --> 00:24:42,160
BUT I INVITED YOU HERE!
DON'T THINK I'M NOT GRATEFUL.
434
00:24:42,219 --> 00:24:45,187
DON'T WORRY. I'LL MENTION THAT
I GOT THE STORY AT YOUR PARTY.
435
00:24:45,248 --> 00:24:48,488
YOUR NAME WILL BE RIGHT
IN THERE, MR. JEFFRIES.
436
00:24:52,573 --> 00:24:54,840
WELL, I THINK WE
OUGHT TO BE GOING TOO.
437
00:24:54,904 --> 00:24:57,805
NO! NOBODY'S GOING NO PLACE!
438
00:24:57,866 --> 00:25:00,133
WHY NOT? WE STAYED
OUR $100 WORTH.
439
00:25:00,197 --> 00:25:03,209
SIT DOWN! I GOT SOMETHING I WANT
EVERYBODY TO HEAR! EVERYBODY SIT DOWN!
440
00:25:03,226 --> 00:25:05,294
SIT DOWN!
441
00:25:05,357 --> 00:25:08,797
NOW, REALLY, GEORGE...
YOU TOO, LOUISE, SIT DOWN.
442
00:25:10,618 --> 00:25:14,654
I WANT EVERYBODY TO LISTEN
TO WHAT I GOT TO SAY. NOW...
443
00:25:16,477 --> 00:25:18,477
FORTY-FIVE YEARS AGO...
444
00:25:51,000 --> 00:25:55,803
[Louise] THE JEFFERSONS WAS RECORDED
ON TAPE IN FRONT OF A STUDIO AUDIENCE.
445
00:26:01,612 --> 00:26:03,978
? MOVIN', MOVIN' ON UP ??
446
00:26:04,028 --> 00:26:08,578
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