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These are the user uploaded subtitles that are being translated: 1 00:00:01,794 --> 00:00:03,085 [ APPLAUSE ] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:03,129 --> 00:00:06,296 ♪ MY FUNNY VALENTINE ♪ 4 00:00:06,340 --> 00:00:09,800 ♪ SWEET COMIC VALENTINE ♪ 5 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 6 00:00:09,844 --> 00:00:15,180 ♪ YOU MAKE ME SMILE WITH YOUR HEART ♪ 7 00:00:15,224 --> 00:00:19,018 ♪ DON'T CHANGE YOUR HAIR FOR ME ♪ 8 00:00:19,061 --> 00:00:22,563 ♪ NOT IF YOU CARE FOR ME ♪ LOOK AT MY BABY GIRL ON TV. 9 00:00:22,606 --> 00:00:25,232 SHE LOOKS GOOD, DOESN'T SHE? ♪ STAY, LITTLE VALENTINE ♪ 10 00:00:25,276 --> 00:00:28,736 ♪ STA-A-A-A-AY ♪ [ APPLAUSE ] 11 00:00:28,779 --> 00:00:34,658 ♪ EACH DAY IS VALENTINE ♪ 12 00:00:34,702 --> 00:00:41,665 ♪ E-E-E-EACH DAY IS VALENTINE ♪ 13 00:00:41,709 --> 00:00:51,300 ♪ E-E-E-E-E-EACH DAY IS VALENTINE'S 14 00:00:51,343 --> 00:00:58,098 DA-A-A-A-AY ♪ 15 00:00:58,142 --> 00:01:00,517 [ CHEERS AND APPLAUSE ] 16 00:01:04,899 --> 00:01:08,192 Barry: AND I GOT A NEW CLIENT. 17 00:01:08,235 --> 00:01:09,985 R. KELLY. 18 00:01:10,029 --> 00:01:12,696 YOU'RE KIDDING. I'M HIS NEW MANAGER. 19 00:01:12,740 --> 00:01:14,323 WE MADE IT OFFICIAL TODAY. 20 00:01:14,366 --> 00:01:17,284 CONGRATS, MAN, THAT'S BIG. [ LAUGHS ] 21 00:01:17,328 --> 00:01:18,744 YES. YES. FABULOUS. 22 00:01:18,788 --> 00:01:20,329 WHERE'S YOUR SISTER? Rashad: IN HER ROOM. 23 00:01:20,372 --> 00:01:21,747 Mike: SHE ON HER WAY DOWN? 24 00:01:21,791 --> 00:01:23,624 I DON'T KNOW. SHE'S PRACTICING AGAIN. 25 00:01:23,667 --> 00:01:25,084 HEY. COME HERE. 26 00:01:25,127 --> 00:01:26,668 HERE YOU GO. TELL HER UNCLE BARRY'S HERE. 27 00:01:26,712 --> 00:01:28,087 R. KELLY? YEAH. 28 00:01:28,130 --> 00:01:29,588 WOW! 29 00:01:29,632 --> 00:01:31,757 SO, UM... 30 00:01:31,801 --> 00:01:33,842 ALL THE DISAPPOINTMENT WITH "STAR SEARCH"... 31 00:01:36,222 --> 00:01:39,431 WELL, SHE CRIED FOR TWO DAYS, BUT BY DAY THREE... 32 00:01:39,475 --> 00:01:41,016 SOMETIMES I WONDER WHERE SHE GETS "THE FOCUS." 33 00:01:41,060 --> 00:01:42,935 WELL, SHE GREW UP WITH YOU SINGING. 34 00:01:42,978 --> 00:01:45,896 ONLY I WASN'T WILLING TO PUT MY LIFE ON HOLD FOR A CAREER. 35 00:01:45,940 --> 00:01:48,273 NOW, THAT LITTLE GIRL UPSTAIRS -- SHE IS ALL IN. 36 00:01:48,317 --> 00:01:50,317 NOW SHE WANTS ACTING LESSONS. MM-HMM. 37 00:01:50,361 --> 00:01:52,277 ACTING? SHE DOESN'T WANT TO BE PUT IN A BOX. 38 00:01:52,321 --> 00:01:55,405 SHE WANTS TO DO MUSIC AND ACT LIKE STREISAND AND CHER. 39 00:01:55,449 --> 00:01:58,283 SHE WANTS TO DO IT ALL. THAT'S GOOD. THAT'S GOOD. 40 00:01:58,327 --> 00:02:00,369 ALL THE MORE REASON WHY SHE'LL DO GREAT IN VEGAS. 41 00:02:00,412 --> 00:02:03,205 VEGAS? YEAH. 42 00:02:03,249 --> 00:02:04,957 GLADYS IS DOING FIVE NIGHTS AT BALLY'S, 43 00:02:05,000 --> 00:02:06,792 AND SHE WANTS AALIYAH TO PERFORM WITH HER. 44 00:02:09,046 --> 00:02:11,046 DON'T PLAY WITH US, BARRY. I'M NOT. 45 00:02:11,090 --> 00:02:14,383 LOOK, JUST BECAUSE GLADYS AND I ARE DIVORCED 46 00:02:14,426 --> 00:02:16,176 DOESN'T MEAN THAT SHE LOVES AALIYAH ANY LESS. 47 00:02:16,220 --> 00:02:19,221 SHE WANTS HER TO DO A SOLO 48 00:02:19,265 --> 00:02:21,807 AND MAYBE A DUET TO CLOSE THE SHOW. 49 00:02:21,851 --> 00:02:23,183 ALL FIVE NIGHTS. 50 00:02:23,227 --> 00:02:24,852 [ LAUGHS ] WHAT DO YOU THINK, BABE? 51 00:02:24,895 --> 00:02:26,603 W-W-WHAT -- 52 00:02:26,647 --> 00:02:28,522 I THINK IT'LL DO WONDERS FOR HER CONFIDENCE. 53 00:02:28,566 --> 00:02:30,774 OH, YES. THAT'S EXACTLY WHY GLADYS IS DOING THIS. 54 00:02:30,818 --> 00:02:33,110 SHE LOVES THAT LITTLE GIRL. 55 00:02:33,154 --> 00:02:35,195 WE ALL LOVE THAT LITTLE GIRL. 56 00:02:35,239 --> 00:02:38,240 [ LAUGHS ] WE LOVE GLADYS, TOO. 57 00:02:41,287 --> 00:02:42,995 JUST HAVE FUN OUT THERE. 58 00:02:43,038 --> 00:02:45,247 DON'T WORRY ABOUT MISSING A NOTE. 59 00:02:45,291 --> 00:02:46,957 DON'T WORRY ABOUT THAT GUY 60 00:02:47,001 --> 00:02:49,501 IN THE AUDIENCE THAT MIGHT NOT BE SMILING. 61 00:02:49,545 --> 00:02:52,004 WHEN YOU OUT THERE, JUST LOVE ON THEM. 62 00:02:52,047 --> 00:02:54,339 "LOVE ON THEM," AUNTIE GLADYS? MM-HMM. 63 00:02:54,383 --> 00:02:57,009 I'M GONNA TELL YOU A SECRET, SOMETHING I LEARNED 64 00:02:57,052 --> 00:03:00,179 WHEN I WAS JUST ABOUT YOUR AGE, PERFORMING WITH THE PIPS. 65 00:03:00,222 --> 00:03:02,306 THE SECRET TO DELIVERING A GREAT SHOW, 66 00:03:02,349 --> 00:03:04,099 THE KIND THAT FOLKS ARE GLAD 67 00:03:04,143 --> 00:03:06,185 THEY SPENT THEIR HARD-EARNED MONEY ON, 68 00:03:06,228 --> 00:03:08,353 IS TO PERFORM WITH LOVE. 69 00:03:08,397 --> 00:03:10,939 BABY, YOU GOTTA LOVE THAT STAGE. 70 00:03:10,983 --> 00:03:12,816 YOU GOTTA APPRECIATE EVERY PERSON 71 00:03:12,860 --> 00:03:14,234 IN EACH ONE OF THOSE SEATS. 72 00:03:14,278 --> 00:03:15,944 AND YOU'VE GOT TO NEVER FORGET 73 00:03:15,988 --> 00:03:17,946 THAT THEY COULD'VE BEEN SOMEWHERE ELSE, 74 00:03:17,990 --> 00:03:20,824 BUT THEY CHOSE TO HEAR AND SEE YOU. 75 00:03:20,868 --> 00:03:22,910 Woman: HOLD FOR ONE? LOVE TO. 76 00:03:22,953 --> 00:03:24,995 [ CAMERA SHUTTER CLICKING ] 77 00:03:26,749 --> 00:03:27,873 THANKS. 78 00:03:27,917 --> 00:03:29,666 NOW, IF YOU REMEMBER THAT 79 00:03:29,710 --> 00:03:32,211 AND YOU LOVE ON THAT AUDIENCE FROM YOUR HEART, 80 00:03:32,254 --> 00:03:34,213 THEY'LL NOT ONLY FEEL IT, 81 00:03:34,256 --> 00:03:36,590 BUT THEY'RE GONNA WANT TO RE-LIVE THAT FEELING. 82 00:03:36,634 --> 00:03:38,926 WHICH IS WHY YOUR FANS COME SEE YOU OVER AND OVER AGAIN. 83 00:03:38,969 --> 00:03:41,178 YOU KNOW, WHEN I TOLD THAT PROMOTER 84 00:03:41,222 --> 00:03:44,556 THAT MY LITTLE 11-YEAR-OLD NIECE WANTED TO BE A PART OF THE SHOW, 85 00:03:44,600 --> 00:03:47,392 THEY WERE CONCERNED THAT YOU WERE GONNA CRACK UNDER PRESSURE. 86 00:03:47,436 --> 00:03:48,936 [ SCOFFS ] Man: LADIES AND GENTLEMEN... 87 00:03:48,979 --> 00:03:51,480 YOU KNOW WHAT I TOLD 'EM. PRESSURE MAKES DIAMONDS. 88 00:03:51,523 --> 00:03:53,398 ...PLEASE GIVE A WARM WELCOME... AND WE ARE FLAWLESS DIAMONDS, 89 00:03:53,442 --> 00:03:55,025 THE PERFECT CUT. ...TO THE INCOMPARABLE EMPRESS OF SOUL... 90 00:03:55,069 --> 00:03:56,818 THE PERFECT COLOR. ...GLADYS KNIGHT! 91 00:03:56,862 --> 00:03:58,153 YOU READY? LET'S DO THIS. 92 00:03:58,197 --> 00:03:59,613 [ APPLAUSE ] [ BELL RINGS ] 93 00:03:59,657 --> 00:04:01,240 CALL ME LATER. BYE, KEISHA. 94 00:04:01,283 --> 00:04:02,991 Keisha: BYE. 95 00:04:03,035 --> 00:04:04,534 Barry: HEY, BABYGIRL. 96 00:04:04,578 --> 00:04:07,204 SO, WHAT DID THEY SAY? WHAT DID THEY SAY? 97 00:04:07,248 --> 00:04:09,456 JIVE GAVE US A DISTRIBUTION DEAL. 98 00:04:09,500 --> 00:04:11,792 OH, THIS IS SO COOL, UNCLE BARRY! 99 00:04:11,835 --> 00:04:13,835 THIS IS BEYOND COOL. 100 00:04:13,879 --> 00:04:15,295 YOU KNOW WHAT THIS MEANS? 101 00:04:15,339 --> 00:04:17,464 YOU'RE GONNA BE RICH? [ LAUGHS ] 102 00:04:17,508 --> 00:04:20,425 IT MEANS NOW THAT WE'VE GOT DISTRIBUTION FOR BLACKGROUND, 103 00:04:20,469 --> 00:04:22,886 WE CAN PUT OUT RECORDS ON WHOMEVER WE WANT. 104 00:04:22,930 --> 00:04:24,763 YOU MEAN...? YES. 105 00:04:24,807 --> 00:04:26,139 FOR REAL? 106 00:04:26,183 --> 00:04:27,474 [ LAUGHS ] FOR REAL. 107 00:04:27,518 --> 00:04:29,935 OH, MY GOD. OH, MY GOD. 108 00:04:29,979 --> 00:04:31,436 I GOT A RECORD DEAL! 109 00:04:31,480 --> 00:04:32,854 I GOT A RECORD DEAL! 110 00:04:32,898 --> 00:04:34,398 COME ON. MM-HMM! 111 00:04:34,441 --> 00:04:36,108 [ BOTH LAUGH ] 112 00:04:36,151 --> 00:04:39,152 [ SIREN WAILS ] 113 00:04:39,196 --> 00:04:41,613 [ SEWING MACHINE WHIRRING ] 114 00:04:41,657 --> 00:04:44,032 MAKE SURE IT'S STRAIGHT. 115 00:04:44,076 --> 00:04:46,034 DON'T YOU WORRY 'BOUT WHAT I'M DOING. 116 00:04:46,078 --> 00:04:48,537 IT'S THE DETROIT HIGH SCHOOL FOR THE PERFORMING ARTS, MOM. 117 00:04:48,580 --> 00:04:50,038 ANYBODY COULD BE IN THE AUDIENCE! 118 00:04:50,082 --> 00:04:51,999 AND I DON'T KNOW THAT? 119 00:04:52,042 --> 00:04:54,167 Aaliyah: WHEN I'M INTRODUCED, SHOULD I BE INTRODUCED 120 00:04:54,211 --> 00:04:58,005 AS AALIYAH DANA HAUGHTON OR AALIYAH HAUGHTON? 121 00:04:58,048 --> 00:05:00,382 WELL, THAT'S A GOOD QUESTION. WHAT DO YOU THINK, MOM? 122 00:05:00,426 --> 00:05:02,634 MM. THE SIMPLER, THE BETTER. 123 00:05:02,678 --> 00:05:06,013 SO JUST...AALIYAH. 124 00:05:06,056 --> 00:05:08,515 YEAH. JUST AALIYAH. 125 00:05:08,559 --> 00:05:10,183 LIKE CHER OR MADONNA. 126 00:05:10,227 --> 00:05:12,227 [ BOTH LAUGH ] 127 00:05:12,271 --> 00:05:14,062 AALIYAH. 128 00:05:14,106 --> 00:05:15,522 YEAH. 129 00:05:15,566 --> 00:05:18,859 WHY NOT? I LIKE IT. YEAH. 130 00:05:18,902 --> 00:05:20,527 LOOKS GOOD, GRANDMA. 131 00:05:20,571 --> 00:05:22,362 MM-HMM. I KNOW WHAT I'M DOING. 132 00:05:22,406 --> 00:05:25,032 [ CHUCKLES, SMOOCHES ] 133 00:05:26,702 --> 00:05:29,328 [ CHEERS AND APPLAUSE ] 134 00:05:29,371 --> 00:05:31,038 Man: WHOA, LET'S GIVE THEM ANOTHER 135 00:05:31,081 --> 00:05:33,540 ROUND OF APPLAUSE, LADIES AND GENTLEMEN! 136 00:05:33,584 --> 00:05:35,542 KEISHA. 137 00:05:35,586 --> 00:05:38,962 I KNOW YOU GET NERVOUS, BUT YOU'RE GONNA BE GREAT. 138 00:05:39,006 --> 00:05:41,715 NOW, GO OUT THERE AND KILL IT. 139 00:05:41,759 --> 00:05:44,676 AND OUR NEXT PERFORMER NEEDS NO INTRODUCTION. 140 00:05:44,720 --> 00:05:49,014 SHE'S SIMPLY THE ONE AND ONLY AALIYAH! 141 00:05:49,058 --> 00:05:51,266 MAKE SOME NOISE, LADIES AND GENTLEMEN! 142 00:05:51,310 --> 00:05:53,393 [ CHEERS AND APPLAUSE ] [ BOBBY BROWN'S "MY PREROGATIVE" PLAYS ] 143 00:05:53,437 --> 00:05:55,854 HEY, HEY! COME ON! COME ON! 144 00:05:57,524 --> 00:06:00,484 I WANT TO SEE Y'ALL DANCE! 145 00:06:00,527 --> 00:06:04,613 ♪ EVERYBODY'S TALKING ALL THIS STUFF ABOUT ME ♪ 146 00:06:04,656 --> 00:06:08,867 ♪ WHY DON'T THEY JUST LET ME LIVE? ♪ 147 00:06:08,911 --> 00:06:13,330 ♪ I DON'T NEED PERMISSION, MAKE MY OWN DECISIONS ♪ 148 00:06:13,374 --> 00:06:16,958 ♪ THAT'S MY PREROGATIVE ♪ 149 00:06:17,002 --> 00:06:19,961 ♪ THEY SAY I'M CRAZY ♪ 150 00:06:20,005 --> 00:06:22,631 ♪ I REALLY DON'T CARE ♪ 151 00:06:22,674 --> 00:06:25,592 ♪ THAT'S MY PREROGATIVE ♪ 152 00:06:25,636 --> 00:06:27,969 ♪ THEY SAY I'M NASTY ♪ 153 00:06:28,013 --> 00:06:30,514 ♪ BUT I DON'T GIVE A DAMN ♪ 154 00:06:30,557 --> 00:06:34,101 ♪ GETTIN' BOYS IS HOW I LIVE ♪ 155 00:06:34,144 --> 00:06:36,645 ♪ SOME ASK ME QUESTIONS ♪ 156 00:06:36,688 --> 00:06:39,481 ♪ WHY AM I SO REAL? ♪ 157 00:06:39,525 --> 00:06:41,650 ♪ BUT THEY DON'T UNDERSTAND ME ♪ 158 00:06:41,693 --> 00:06:45,028 ♪ I REALLY DON'T KNOW THE DEAL ABOUT MY SISTERS ♪ 159 00:06:45,072 --> 00:06:48,407 ♪ TRYING HARD TO MAKE IT RIGHT ♪ 160 00:06:48,450 --> 00:06:51,701 ♪ NOT LONG AGO, BEFORE I WIN THIS FIGHT ♪ 161 00:06:51,787 --> 00:06:53,537 SING! 162 00:06:53,580 --> 00:06:56,706 ♪ EVERYBODY'S TALKING ALL THIS STUFF ABOUT ME ♪ 163 00:06:56,750 --> 00:07:00,710 ♪ WHY DON'T THEY JUST LET ME LIVE? ♪ 164 00:07:00,754 --> 00:07:05,549 ♪ I DON'T NEED PERMISSION, MAKE MY OWN DECISIONS ♪ 165 00:07:05,592 --> 00:07:08,635 ♪ THAT'S MY PREROGATIVE ♪ 166 00:07:08,679 --> 00:07:10,387 ♪ IT'S MY PREROGATIVE ♪ 167 00:07:10,514 --> 00:07:12,347 WHOO! 168 00:07:12,391 --> 00:07:14,433 COME ON! GET ON YOUR FEET! 169 00:07:14,476 --> 00:07:16,476 I WANT TO SEE A MOVE. 170 00:07:16,520 --> 00:07:19,354 UH! UH! UH-UH! 171 00:07:19,398 --> 00:07:21,273 YEAH, WHERE MY GIRLS AT? 172 00:07:21,316 --> 00:07:24,276 WHERE MY GIRLS AT? 173 00:07:24,319 --> 00:07:27,154 COME ON, COME ON, COME ON! 174 00:07:27,197 --> 00:07:31,074 ♪ EVERYBODY'S TALKING ALL THIS STUFF ABOUT ME ♪ 175 00:07:31,118 --> 00:07:35,162 ♪ WHY DON'T THEY JUST LET ME LIVE? ♪ 176 00:07:35,205 --> 00:07:40,041 ♪ I DON'T NEED PERMISSION, MAKE MY OWN DECISIONS ♪ 177 00:07:40,085 --> 00:07:44,588 ♪ THAT'S MY PREROGATIVE ♪ 178 00:07:44,631 --> 00:07:48,925 ♪ EVERYBODY'S TALKING ALL THIS STUFF ABOUT ME ♪ 179 00:07:48,969 --> 00:07:53,305 ♪ WHY DON'T -- WHY DON'T THEY JUST LET ME LIVE? ♪ 180 00:07:53,348 --> 00:07:57,309 ♪ I DON'T NEED PERMISSION, MAKE MY OWN DECISIONS ♪ 181 00:07:57,352 --> 00:08:00,770 ♪ THAT'S MY PREROGATIVE ♪ 182 00:08:00,814 --> 00:08:05,108 ♪ IT'S MY PREROGATIVE ♪ 183 00:08:05,152 --> 00:08:08,862 ♪ IT'S MY PREROGATIVE ♪ 184 00:08:08,906 --> 00:08:11,406 ♪ IT'S MY PREROGATIVE ♪ 185 00:08:13,785 --> 00:08:16,203 WHOO! 186 00:08:18,332 --> 00:08:20,290 ♪ IT'S MY PREROGATIVE ♪ [ MUSIC STOPS ] 187 00:08:20,334 --> 00:08:22,334 [ CHEERS AND APPLAUSE ] 188 00:08:22,377 --> 00:08:23,960 YEAH! YES! 189 00:08:24,004 --> 00:08:26,087 Man: YOU JUST WITNESSED THE BIRTH OF A STAR, 190 00:08:26,131 --> 00:08:27,172 LADIES AND GENTLEMEN. 191 00:08:27,216 --> 00:08:29,382 WHOO! MY GIRL! 192 00:08:29,426 --> 00:08:31,384 [ LAUGHS ] 193 00:08:31,428 --> 00:08:33,887 [ CHEERS AND APPLAUSE CONTINUE ] 194 00:08:35,891 --> 00:08:37,432 IT'S BEEN SO LONG. 195 00:08:37,476 --> 00:08:39,518 IT'S LIKE I DON'T EVEN HAVE A RECORD DEAL. 196 00:08:39,561 --> 00:08:41,811 UNCLE BARRY DOESN'T BELIEVE IN ME ANYMORE. 197 00:08:41,855 --> 00:08:43,271 [ SIGHS ] 198 00:08:43,315 --> 00:08:45,690 THAT'S NONSENSE. IS IT? 199 00:08:45,734 --> 00:08:48,193 I MEAN, SO FAR, I'VE ONLY DONE SCHOOL TALENT SHOWS AND PLAYS. 200 00:08:48,237 --> 00:08:51,863 WHICH YOU KILL EVERY TIME, LIKE YOU DID TONIGHT. 201 00:08:51,907 --> 00:08:53,615 LIKE THAT MATTERS. 202 00:08:53,659 --> 00:08:55,784 UNCLE BARRY HAS JIVE. WHY DOES HE NEED ME? 203 00:08:55,827 --> 00:08:59,621 HOW ABOUT YOUR DAD AND I CALL BARRY TOMORROW? 204 00:08:59,665 --> 00:09:03,208 ACTUALLY, DO YOU MIND IF I MEET 205 00:09:03,252 --> 00:09:05,544 WITH UNCLE BARRY TOMORROW WITHOUT YOU GUYS? 206 00:09:05,587 --> 00:09:07,212 WE'RE YOUR MANAGERS. 207 00:09:07,256 --> 00:09:09,256 IT'S OUR JOB TO HAVE THESE TYPES OF CONVERSATIONS. 208 00:09:09,299 --> 00:09:11,091 I KNOW, MOM, BUT... 209 00:09:11,134 --> 00:09:12,592 PLEASE? 210 00:09:14,304 --> 00:09:16,763 PLEASE? [ SIGHS ] 211 00:09:16,807 --> 00:09:19,766 [ HORN HONKS ] 212 00:09:23,146 --> 00:09:24,688 [ DOOR CLOSES ] 213 00:09:24,731 --> 00:09:27,274 HI. HEY, BABYGIRL. 214 00:09:27,317 --> 00:09:28,650 DIDN'T KNOW YOU WERE PASSING BY. 215 00:09:28,694 --> 00:09:29,985 IS THIS A BAD TIME? 216 00:09:30,028 --> 00:09:31,486 NO. NOT AT ALL. WHAT'S UP? 217 00:09:31,530 --> 00:09:34,406 WILL YOU BE COMPLETELY HONEST WITH ME? 218 00:09:34,449 --> 00:09:36,491 MOST DEFINITELY. 219 00:09:36,535 --> 00:09:38,285 WHAT'S -- WHAT'S ON YOUR MIND? 220 00:09:38,328 --> 00:09:41,288 IS EVERYTHING OKAY? 221 00:09:41,331 --> 00:09:43,957 WELL, I HAVEN'T EVEN REALLY BEEN IN THE STUDIO. 222 00:09:44,001 --> 00:09:47,836 I-I UNDERSTAND IF YOU GUYS DON'T BELIEVE IN ME ANYMORE. 223 00:09:47,879 --> 00:09:50,755 SO... 224 00:09:50,799 --> 00:09:55,468 IF YOU'RE NOT GONNA MAKE MY ALBUM, JUST TELL ME. 225 00:09:55,512 --> 00:09:59,848 AALIYAH, YOU ARE SO FAR OFF, IT'S ALMOST FUNNY. 226 00:09:59,891 --> 00:10:02,392 I AM? 227 00:10:02,477 --> 00:10:03,810 YES. 228 00:10:03,854 --> 00:10:06,521 [ LAUGHS ] 229 00:10:06,565 --> 00:10:10,233 I'VE JUST BEEN WAITING FOR THE RIGHT MOMENT. 230 00:10:10,277 --> 00:10:12,277 AND I KNOW IT'S BEEN A LONG TIME, 231 00:10:12,321 --> 00:10:14,821 BUT IT HAS TO BE THE RIGHT PLAY. 232 00:10:14,865 --> 00:10:18,908 I'VE BEEN WORKING ONE ANGLE SINCE I SIGNED YOU. 233 00:10:21,079 --> 00:10:24,247 AND I'M CLOSE -- REAL CLOSE, BUT I CAN'T TELL YOU YET. 234 00:10:24,291 --> 00:10:26,583 I'M GONNA NEED YOU TO TRUST ME. 235 00:10:26,627 --> 00:10:28,335 CAN YOU DO THAT? 236 00:10:30,172 --> 00:10:32,714 HMM? 237 00:10:32,758 --> 00:10:35,050 YES. ♪ IT'S ME AGAINST THE WORLD ♪ 238 00:10:35,093 --> 00:10:37,344 Barry: I WANT TO TALK TO YOU ABOUT MY NIECE, MAN -- AALIYAH. 239 00:10:37,387 --> 00:10:39,471 THIS AGAIN, MAN? [ SCOFFS ] 240 00:10:39,514 --> 00:10:41,765 CAN I -- CAN I CELEBRATE MY ALBUM FOR A MINUTE, PLEASE? 241 00:10:41,808 --> 00:10:43,350 C-CAN I DO THAT? 242 00:10:43,393 --> 00:10:45,602 [ SCOFFS ] DAMN. 243 00:10:45,646 --> 00:10:47,604 I-I'M FINALLY IN A POSITION 244 00:10:47,648 --> 00:10:50,774 WHERE I CAN PRODUCE ANYBODY, MAN. 245 00:10:50,817 --> 00:10:52,317 YOU KNOW THAT. 246 00:10:52,361 --> 00:10:54,319 SO I DON'T UNDERSTAND H-HOW YOU'RE STILL 247 00:10:54,363 --> 00:10:55,945 SWEATIN' ME ABOUT WORKING WITH SOME KID. 248 00:10:55,989 --> 00:10:57,572 ROBERT, IF SHE WAS JUST SOME KID, 249 00:10:57,616 --> 00:10:59,199 WOULD I BE COMING AT YOU LIKE THIS? 250 00:10:59,242 --> 00:11:01,534 I'M DOING YOU A FAVOR. 251 00:11:01,578 --> 00:11:04,454 [ CHUCKLES ] FAVOR, HUH? OKAY. 252 00:11:04,498 --> 00:11:07,290 I'M ONLY, LIKE, THE MOST IN-DEMAND WRITER/PRODUCER 253 00:11:07,334 --> 00:11:09,459 IN THE GAME RIGHT NOW, THAT'S ALL. 254 00:11:09,503 --> 00:11:11,503 YEAH, I KNOW THAT. I'M THE ONE FIELDING THE CALLS. 255 00:11:11,546 --> 00:11:13,588 [ CHUCKLES ] 256 00:11:13,632 --> 00:11:15,465 LOOK, 257 00:11:15,509 --> 00:11:18,927 JUST LISTEN TO THE GIRL SING FOR YOU. 258 00:11:18,970 --> 00:11:22,305 IF YOU FEEL THE SAME WAY AFTERWARDS, 259 00:11:22,349 --> 00:11:24,933 I'LL NEVER MENTION THE SUBJECT AGAIN. 260 00:11:28,689 --> 00:11:31,231 [ BRAKES SQUEAL ] 261 00:11:31,274 --> 00:11:33,441 [ ENGINE TURNS OFF ] 262 00:11:33,485 --> 00:11:36,778 JUST GO IN THERE AND BE YOURSELF AND EVERYTHING WILL FINE. 263 00:11:38,156 --> 00:11:40,323 BE MYSELF IN FRONT OF R. KELLY? 264 00:11:40,367 --> 00:11:42,659 MOM, HE'S, LIKE, THE KING OF R&B. 265 00:11:42,703 --> 00:11:46,496 THIS IS ONLY THE MOST IMPORTANT AUDITION OF MY ENTIRE LIFE. 266 00:11:46,540 --> 00:11:49,249 THIS AIN'T ABOUT R. KELLY. 267 00:11:49,292 --> 00:11:51,376 THIS IS ABOUT YOU. 268 00:11:51,420 --> 00:11:53,878 IF HE DOESN'T SEE YOUR TALENT, THAT'S ON HIM. 269 00:11:53,922 --> 00:11:57,966 BUT IF YOU DON'T BRING IT, IT'S ON YOU. 270 00:11:58,009 --> 00:12:00,510 [ HIP-HOP MUSIC PLAYING ] 271 00:12:12,816 --> 00:12:14,065 BABYGIRL. HEY. 272 00:12:14,109 --> 00:12:16,359 HEY, HOW ARE YOU DOING? YOU MADE IT. 273 00:12:16,403 --> 00:12:18,111 [ GRUNTS ] WHERE'S YOUR MOTHER? 274 00:12:18,155 --> 00:12:20,363 UM, SHE'S STILL IN THE CAR. 275 00:12:20,449 --> 00:12:22,240 ROB. 276 00:12:22,284 --> 00:12:23,992 ROB! 277 00:12:24,035 --> 00:12:25,994 ROB', THIS IS MY NIECE AALIYAH. 278 00:12:26,037 --> 00:12:27,871 AALIYAH, R. KELLY. 279 00:12:27,914 --> 00:12:30,415 IT'S AN HONOR TO MEET YOU. YEAH, YOU TOO. 280 00:12:30,459 --> 00:12:32,083 YOU KNOW, AALIYAH'S A HUGE FAN OF YOURS. 281 00:12:32,127 --> 00:12:34,002 WHEN I TOLD HER YOU AGREED TO LET HER SING FOR YOU -- 282 00:12:34,045 --> 00:12:35,378 I DON'T MEAN TO CUT YOU OFF, MAN, 283 00:12:35,422 --> 00:12:36,963 BUT I-I'M KIND OF CRUNCHING TIME HERE. 284 00:12:37,007 --> 00:12:39,674 SO, YOU KNOW, IF WE COULD MOVE THIS ALONG A BIT. 285 00:12:39,718 --> 00:12:42,427 VOCAL BOOTH'S IN THERE, THROUGH THAT DOOR. 286 00:12:42,471 --> 00:12:44,262 THERE'S SOME HEADPHONES ON THE STAND FOR YA. 287 00:12:44,306 --> 00:12:45,722 OKAY. 288 00:12:45,766 --> 00:12:48,433 UM, RIGHT. 289 00:12:51,563 --> 00:12:53,772 YOU KNOW, YOU COULD BE A LITTLE FRIENDLY. 290 00:12:53,815 --> 00:12:55,190 MAN, YOU ASKED ME TO LISTEN. I'M LISTENING. 291 00:12:55,233 --> 00:12:56,816 YOU DIDN'T SAY NOTHING ABOUT FRIENDLY. 292 00:12:56,860 --> 00:12:58,777 WHY YOU ACTING LIKE I AIN'T GOT DEADLINES TO MEET. 293 00:12:58,820 --> 00:13:00,445 YOU'LL FINISH YOUR JANET JACKSON REMIX. 294 00:13:00,489 --> 00:13:01,863 YOU'RE A WEEK AHEAD OF SCHEDULE. 295 00:13:01,907 --> 00:13:03,364 MAN, IT AIN'T JUST JANET, THOUGH. 296 00:13:03,408 --> 00:13:04,741 I GOT THAT SONG FOR MICHAEL. 297 00:13:04,785 --> 00:13:06,451 AND I GOT MY OWN REMIXES, SO YOU KNOW, 298 00:13:06,495 --> 00:13:10,705 EXCUSE ME IF I SEEM A LITTLE PREOCCUPIED. 299 00:13:10,749 --> 00:13:13,458 WHATEVER YOU WANT TO DO WITH IT, NOW'S YOUR CHANCE TO DO IT. 300 00:13:13,502 --> 00:13:15,794 OKAY. 301 00:13:19,800 --> 00:13:23,426 ♪ NA-NA-NA-NA-NA, NA ♪ 302 00:13:23,470 --> 00:13:29,140 ♪ THE SNOW COMES DOWN IN JUNE ♪ 303 00:13:29,184 --> 00:13:33,686 ♪ SOMETIMES THE SUN GOES 'ROUND THE MOON ♪ 304 00:13:33,730 --> 00:13:35,522 YO, KEEP THAT GOING. 305 00:13:35,565 --> 00:13:37,232 I'M GONNA PLAY SOMETHING ON IT. 306 00:13:37,275 --> 00:13:40,109 ♪ I SEE THE PASSION IN YOUR EYES ♪ 307 00:13:40,153 --> 00:13:46,825 ♪ SOMETIMES IT'S ALL A BIG SURPRISE ♪ [ SLOW HIP-HOP MUSIC PLAYS ] 308 00:13:46,868 --> 00:13:53,957 ♪ 'CAUSE THERE WAS A TIME WHEN ALL I DID WAS WISH ♪ 309 00:13:54,000 --> 00:13:58,670 ♪ YOU'D TELL ME THIS WAS LOVE ♪ 310 00:13:58,713 --> 00:14:02,465 ♪ IT'S NOT THE WAY I HOPED ♪ LOOP THAT. LOOP THAT. 311 00:14:02,509 --> 00:14:05,885 ♪ OR HOW I PLANNED ♪ 312 00:14:05,929 --> 00:14:10,598 ♪ BUT SOMEHOW IT'S ENOUGH ♪ 313 00:14:10,642 --> 00:14:16,521 ♪ AND NOW WE'RE STANDING FACE-TO-FACE ♪ 314 00:14:16,565 --> 00:14:22,610 ♪ ISN'T THIS WORLD A CRAZY PLACE? ♪ 315 00:14:22,654 --> 00:14:28,533 ♪ JUST WHEN I THOUGHT OUR CHANCE HAD PASSED ♪ 316 00:14:28,577 --> 00:14:34,747 ♪ YOU GO AND SAVE THE BEST FOR LAST ♪ 317 00:14:34,791 --> 00:14:36,833 [ MUSIC STOPS ] YO, MAN, YOU REALIZE WHAT YOU GOT WITH THIS GIRL? 318 00:14:36,877 --> 00:14:38,668 WHO THIS GIRL COULD BE? 319 00:14:38,712 --> 00:14:41,337 THAT'S WHAT I TRIED TO TELL YOU SINCE THE DAY I SIGNED HER. 320 00:14:41,381 --> 00:14:45,508 WHEN I'M DONE WITH HER RECORD, AIN'T GONNA BE NOBODY LIKE HER. 321 00:14:45,552 --> 00:14:47,260 I DONE SEEN THE FUTURE, MAN. 322 00:14:48,847 --> 00:14:51,097 THAT WAS A'IGHT. JUST COME BACK IN RIGHT NOW. 323 00:14:51,141 --> 00:14:52,682 COME BACK IN. 324 00:14:55,854 --> 00:14:58,688 Rashad: R. KELLY WANTS TO WRITE AND PRODUCE YOUR ALBUM? 325 00:14:58,732 --> 00:15:00,732 CAN YOU BELIEVE IT? YOU'RE GONNA GO PLATINUM RIGHT OUT OF THE GATE. 326 00:15:00,775 --> 00:15:03,443 YOUR WHOLE WORLD'S ABOUT TO CHANGE, SIS. 327 00:15:06,823 --> 00:15:09,032 OKAY, WHAT I'M MISSING? 328 00:15:09,075 --> 00:15:11,117 THE HOTTEST PRODUCER IN THE MUSIC BIZ WANTS TO WORK WITH YOU, 329 00:15:11,161 --> 00:15:12,994 AND YOU'RE ACTING LIKE YOU JUST LOST A TALENT SHOW. 330 00:15:13,038 --> 00:15:15,455 I HAVE NO EXPERIENCE IN THE STUDIO. 331 00:15:15,498 --> 00:15:17,457 WHAT IF I MESS UP? 332 00:15:17,500 --> 00:15:19,000 STOP WORRYING. 333 00:15:19,044 --> 00:15:20,668 YOU'RE GONNA BE FINE. 334 00:15:20,712 --> 00:15:22,337 AND HEY, IF THINGS DON'T WORK OUT, 335 00:15:22,380 --> 00:15:24,088 YOU'LL MAKE MY LIFE A WHOLE LOT EASIER. 336 00:15:24,132 --> 00:15:27,133 HOW'S THAT? BY BEING A NORMAL TEENAGER LIKE ME AGAIN. 337 00:15:27,177 --> 00:15:29,802 AND WHO KNOWS? YOU MIGHT EVEN GET A "B" OR A "C" SOMEDAY. 338 00:15:29,888 --> 00:15:31,095 WHAT?! 339 00:15:31,139 --> 00:15:33,014 [ BOTH GRUNTING ] 340 00:15:33,058 --> 00:15:35,558 [ HIP-HOP MUSIC PLAYING ] 341 00:15:39,314 --> 00:15:40,772 HI. 342 00:15:40,815 --> 00:15:42,690 HEY. WHAT'S UP? Y'ALL SETTLED IN? 343 00:15:42,734 --> 00:15:45,401 YEAH, THE LABEL GOT ME A SPOT DOWNTOWN 344 00:15:45,445 --> 00:15:49,113 WITH OUR OWN KITCHEN, JACUZZI, AND A VIEW. 345 00:15:49,157 --> 00:15:50,573 THAT'S GOOD 'CAUSE WE'RE FITTING 346 00:15:50,617 --> 00:15:51,908 TO CHANGE THE GAME RIGHT NOW, GIRL. 347 00:15:51,952 --> 00:15:53,618 YOU READY? YEAH, I'M READY. 348 00:15:53,662 --> 00:15:55,286 YOU SURE? YOU DON'T LOOK READY. 349 00:15:55,330 --> 00:15:56,663 YOU LOOK NERVOUS. 350 00:15:56,706 --> 00:15:58,665 IS IT THAT OBVIOUS? 351 00:15:58,708 --> 00:16:01,000 STOP THINKING YOU STILL GOTTA PROVE SOMETHING TO ME. 352 00:16:01,044 --> 00:16:02,877 YOU'RE HERE 'CAUSE YOU EARNED IT. 353 00:16:02,921 --> 00:16:05,713 OU DID YOUR THING ON THE MIKE, AND THE PRESSURE'S ON ME NOW. 354 00:16:05,757 --> 00:16:07,590 KNOW WHAT I'M SAYING? NOW I GOTTA DELIVER. 355 00:16:07,634 --> 00:16:09,050 ALL YOU GOTTA DO IS YOU JUST -- 356 00:16:09,094 --> 00:16:10,718 YOU JUST DO WHAT IT IS YOU DO, BABY. 357 00:16:10,762 --> 00:16:13,596 NOW, WHAT I'M-A FITTING TO DO IS I'M-A GIVE 358 00:16:13,640 --> 00:16:16,641 THAT SOFT VOICE OF YOURS AN EDGE. 359 00:16:16,685 --> 00:16:18,893 ALL RIGHT, I'M GONNA GET YOU TO SOUND LIKE... 360 00:16:18,937 --> 00:16:20,436 SOUND LIKE -- WELL, I'M GONNA GET YOU 361 00:16:20,480 --> 00:16:22,105 TO SOUND JUST LIKE MINE, YOU KNOW -- STREET. 362 00:16:22,148 --> 00:16:24,190 YOU WITH IT? YEAH, I'M WITH IT. 363 00:16:24,234 --> 00:16:27,110 ALL RIGHT, LET'S DO IT THEN. 364 00:16:27,153 --> 00:16:29,320 [ PIANO PLAYING ] YOU'RE RUSHING IT, BABY. 365 00:16:29,364 --> 00:16:33,157 LAY BACK A LITTLE. I JUST FEEL LIKE I'M NOT ON BEAT. 366 00:16:33,201 --> 00:16:34,617 FORGET THE BEAT. 367 00:16:34,661 --> 00:16:37,328 WHAT MATTERS IS -- IS -- IS YOUR FLOW. 368 00:16:37,372 --> 00:16:39,497 YOU KNOW WHAT I'M SAYING? 'CAUSE RIGHT NOW, YOU'RE FORCING IT. 369 00:16:39,541 --> 00:16:41,332 BUT WHAT YOU NEED TO DO IS JUST LET IT COME NATURALLY. 370 00:16:41,376 --> 00:16:44,043 SO TRY IT AGAIN FOR ME, BUT THIS TIME, 371 00:16:44,087 --> 00:16:47,588 WHAT I WANT YOU TO DO IS, I WANT TO JUST HAVE FUN WITH IT. 372 00:16:47,632 --> 00:16:49,048 YOU KNOW WHAT I'M SAYING? 373 00:16:49,092 --> 00:16:50,883 JUST HAVE FUN WITH IT LIKE YOU WAS DOING EARLIER, 374 00:16:50,927 --> 00:16:52,427 AND GIVE ME A LITTLE LESS PERFECTION 375 00:16:52,470 --> 00:16:53,886 AND A LITTLE MORE OF THAT SWEET TONE. 376 00:16:53,930 --> 00:16:55,513 JUST IT MAKE IT MORE... 377 00:16:55,557 --> 00:16:58,474 MORE 'LIYAH. 378 00:17:00,562 --> 00:17:03,021 OKAY. 379 00:17:03,064 --> 00:17:05,606 [ PIANO PLAYING ] 380 00:17:10,613 --> 00:17:12,155 I LIKE THAT PART. 381 00:17:12,198 --> 00:17:13,656 YEAH? YEAH. 382 00:17:13,700 --> 00:17:16,325 WHERE YOU CAN BE LIKE, "AH-AH-AH" 383 00:17:16,369 --> 00:17:18,536 [ SLOW HIP-HOP MUSIC PLAYS ] YEAH. [ CHUCKLES ] 384 00:17:26,504 --> 00:17:28,588 WANNA GET SOMETHING TO EAT BEFORE YOU HEAD BACK TO THE HOTEL? 385 00:17:28,631 --> 00:17:31,132 UM, I DON'T KNOW. 386 00:17:31,176 --> 00:17:33,134 COME ON, MY TREAT. ANYTHING YOU WANT. 387 00:17:33,178 --> 00:17:35,636 ANYTHING? ANYTHING. 388 00:17:35,680 --> 00:17:38,389 OKAY. 389 00:17:38,433 --> 00:17:41,559 [ SLOW HIP-HOP CONTINUES ] 390 00:17:54,783 --> 00:17:56,741 WHAT? 391 00:17:56,785 --> 00:17:58,910 YOU HAD THE CHOICE OF THE FINEST RESTAURANTS 392 00:17:58,953 --> 00:18:00,578 IN CHICAGO, AND YOU CHOSE HERE. 393 00:18:00,622 --> 00:18:01,829 I'M SORRY. 394 00:18:01,873 --> 00:18:03,915 I'M KIND OF A PIZZA GIRL. 395 00:18:03,958 --> 00:18:05,917 DO YOU WANNA LEAVE? NAH, NAH, IT'S COOL. 396 00:18:05,960 --> 00:18:07,794 IT'S -- IT'S... 397 00:18:07,837 --> 00:18:10,004 IT'S PERFECT. 398 00:18:10,048 --> 00:18:11,672 Woman: HEY, THERE. 399 00:18:11,716 --> 00:18:12,924 THERE YOU GO. THANKS. 400 00:18:12,967 --> 00:18:14,425 THANKS. 401 00:18:16,137 --> 00:18:18,930 [ SIGHS ] 402 00:18:18,973 --> 00:18:21,390 YOU KNOW I DID MY HOMEWORK ON YOU, RIGHT? 403 00:18:21,434 --> 00:18:24,727 I SEEN YOU ON "STAR SEARCH." 404 00:18:24,771 --> 00:18:27,605 OH, NO, DID YOU SEE ME CRY, TOO? 405 00:18:27,649 --> 00:18:29,190 MM-HMM. 406 00:18:29,234 --> 00:18:31,442 [ CHUCKLES ] AIN'T NOTHING WRONG WITH CRYING. 407 00:18:31,486 --> 00:18:33,486 YOUR FEELINGS SHOW ME WHO YOU ARE, 408 00:18:33,530 --> 00:18:34,987 AND THAT'S IMPORTANT. 409 00:18:35,031 --> 00:18:37,031 BESIDES, YOU WERE JUST 10 ANYWAY. 410 00:18:37,075 --> 00:18:39,367 I WANTED TO WIN SO BAD. 411 00:18:39,410 --> 00:18:42,954 I WANT TO WIN AT EVERYTHING, EVERY DAY, SINCE I WAS A KID. 412 00:18:42,997 --> 00:18:45,373 MUSIC, BASKETBALL -- EVERYTHING. 413 00:18:45,416 --> 00:18:47,458 AS I GOT OLDER, 414 00:18:47,502 --> 00:18:50,670 I REALIZED THAT SETBACKS CAN HAVE AN UPSIDE. 415 00:18:50,713 --> 00:18:52,296 UPSIDE? YEAH. 416 00:18:52,340 --> 00:18:56,008 I BELIEVE THAT, UH, THE DEPTH OF YOUR STRUGGLE 417 00:18:56,052 --> 00:18:58,010 DETERMINES THE HEIGHT FOR YOUR SUCCESS. 418 00:18:58,054 --> 00:18:59,887 I REALLY BELIEVE THAT. 419 00:18:59,931 --> 00:19:02,557 THE THING THAT STUCK ME ABOUT YOU IS THAT, EVEN AT 10, 420 00:19:02,600 --> 00:19:05,017 WHEN OTHER KIDS WOULD'VE GIVEN UP 421 00:19:05,061 --> 00:19:06,811 'CAUSE THINGS DIDN'T HAPPEN AS FAST AS THEY HOPED, 422 00:19:06,855 --> 00:19:09,021 YOU STILL STUCK WITH IT. 423 00:19:09,065 --> 00:19:10,773 I LOVE PERFORMING. 424 00:19:10,817 --> 00:19:12,358 IT'S ALL I'VE EVER WANTED TO DO. 425 00:19:12,402 --> 00:19:14,110 SAME HERE. 426 00:19:14,154 --> 00:19:15,987 MUSIC... 427 00:19:16,030 --> 00:19:18,114 [ CHUCKLES ] MUSIC SAVED MY LIFE, MAN. 428 00:19:18,158 --> 00:19:20,616 I-I-I GREW UP IN DA' HOOD, YOU KNOW WHAT I'M SAYIN'? 429 00:19:20,660 --> 00:19:24,287 SOUTH SIDE OF CHICAGO, SINGLE MOTHER RAISING FOUR KIDS. 430 00:19:24,330 --> 00:19:26,831 WHERE WAS YOUR DAD? COULDN'T TELL YOU. 431 00:19:26,875 --> 00:19:30,126 MATTER OF FACT, MY MOTHER WAS MY DAD. 432 00:19:30,170 --> 00:19:33,963 SHE PASSED AWAY EARLIER THIS YEAR -- CANCER. 433 00:19:34,007 --> 00:19:36,716 YEAH, IT WAS TOUGH GROWING UP IN THEM PROJECTS. 434 00:19:36,759 --> 00:19:38,467 WE STRUGGLED, MAN. 435 00:19:38,511 --> 00:19:42,013 THERE WERE DAYS THAT NEARLY BROKE MY MOTHER'S SOUL. 436 00:19:42,056 --> 00:19:46,350 AIN'T NOTHIN' LIKE SEEING YOUR OWN MOTHER CRY. 437 00:19:46,394 --> 00:19:49,604 SO WHEN I TELL YOU THAT MUSIC LITERALLY SAVED MY LIFE, 438 00:19:49,647 --> 00:19:51,439 I'M KEEPING IT REAL WITH YOU. 439 00:19:51,482 --> 00:19:53,774 MATTER OF FACT, MY MOTHER'S FAVORITE THING IN THE WORLD 440 00:19:53,818 --> 00:19:55,484 WAS TO HEAR ME SING. 441 00:19:55,528 --> 00:19:57,737 SOUNDS LIKE MY FAMILY. YEAH? 442 00:19:57,780 --> 00:19:59,989 YEAH. THAT'S GOOD. 443 00:20:00,033 --> 00:20:02,408 THAT'S GOOD. YOU SHOULD USE THAT. 444 00:20:02,452 --> 00:20:03,868 LET IT DRIVE YOU. 445 00:20:03,912 --> 00:20:05,620 THAT'S WHAT I DO. 446 00:20:05,663 --> 00:20:08,915 YOU KNOW, I-I TAKE THE PAIN FROM LOSING MY MOTHER, 447 00:20:08,958 --> 00:20:13,211 AND I TRY TO -- I TRY TO TURN IT 448 00:20:13,254 --> 00:20:15,796 INTO SOMETHING BEAUTIFUL, YOU KNOW? 449 00:20:15,840 --> 00:20:19,926 SOMETHING THAT PEOPLE CAN CONNECT TO. 450 00:20:19,969 --> 00:20:21,886 'CAUSE THAT'S WHAT GOOD MUSIC DOES, YOU KNOW? 451 00:20:21,930 --> 00:20:23,971 FOR THREE, FOUR MINUTES AT A TIME, 452 00:20:24,015 --> 00:20:26,098 YOU CAN MAKE SOMEBODY'S LIFE SEEM JUST A LITTLE MORE BETTER. 453 00:20:26,142 --> 00:20:28,476 AND THAT'S A GIFT. 454 00:20:31,105 --> 00:20:33,898 THAT'S SO CRAZY. WHAT? 455 00:20:33,942 --> 00:20:37,235 MY WHOLE LIFE, PEOPLE TOLD ME I HAD THIS GIFT. 456 00:20:37,278 --> 00:20:39,528 I FELT LIKE I HAD TO DO SOMETHING WITH IT. 457 00:20:39,572 --> 00:20:41,822 YOU KNOW, MAKE A DIFFERENCE. AND YOU WILL. 458 00:20:41,866 --> 00:20:43,616 JUST A MATTER OF TIME. 459 00:20:43,660 --> 00:20:45,451 YOU SOUND PRETTY SURE YOURSELF. 460 00:20:45,495 --> 00:20:47,078 GIRL, I KNEW YOU WERE A SUPERSTAR 461 00:20:47,121 --> 00:20:48,996 THE MINUTE YOU WALKED INTO MY STUDIO. 462 00:20:49,040 --> 00:20:51,749 YOU DIDN'T EVEN LOOK AT ME WHEN I WALKED INTO YOUR STUDIO. 463 00:20:51,793 --> 00:20:54,835 YOU AIN'T GOT TO LOOK AT THE SUN TO KNOW IT'S SHINING. 464 00:21:03,346 --> 00:21:09,684 Aaliyah: ♪ LET ME KNOW, LET ME KNOW ♪ 465 00:21:09,727 --> 00:21:15,648 ♪ WHEN I FEEL WHAT I FEEL ♪ [ "AT YOUR BEST" PLAYS ] 466 00:21:15,692 --> 00:21:21,654 ♪ SOMETIMES IT'S HARD TO TELL YOU SO ♪ 467 00:21:21,698 --> 00:21:25,283 ♪ YOU MAY NOT BE IN THE MOOD ♪ 468 00:21:25,326 --> 00:21:32,039 ♪ TO LEARN WHAT YOU THINK YOU KNOW ♪ 469 00:21:34,252 --> 00:21:40,298 ♪ THERE ARE TIMES WHEN I FIND ♪ 470 00:21:40,341 --> 00:21:46,512 ♪ YOU WANT TO KEEP YOURSELF FROM ME ♪ 471 00:21:46,556 --> 00:21:49,473 ♪ WHEN I DON'T HAVE THE STRENGTH ♪ 472 00:21:49,517 --> 00:21:56,689 ♪ I'M JUST A MIRROR OF WHAT I SEE ♪ 473 00:21:59,485 --> 00:22:05,406 ♪ BUT AT YOUR BEST, YOU ARE LOVE ♪ 474 00:22:05,450 --> 00:22:11,412 ♪ YOU'RE A POSITIVE MOTIVATING FORCE WITHIN MY LIFE ♪ 475 00:22:11,456 --> 00:22:16,208 ♪ SHOULD YOU EVER FEEL THE NEED TO WONDER WHY ♪ 476 00:22:16,252 --> 00:22:19,253 ♪ LET ME KNOW ♪ 477 00:22:19,297 --> 00:22:23,299 ♪ LET ME KNOW ♪ 478 00:22:28,765 --> 00:22:34,352 ♪ LA-A-A-A-A, AH-AH-AH ♪ 479 00:22:40,693 --> 00:22:42,943 [ MUSIC STOPS ] 480 00:22:47,533 --> 00:22:49,992 HOW WAS THAT? 481 00:22:54,082 --> 00:22:56,874 I DON'T EVEN KNOW WHAT TO SAY. 482 00:22:56,918 --> 00:22:59,502 I CAN DO IT AGAIN. I CAN DO IT BETTER, I PROMISE. NO, NO, NO. 483 00:22:59,545 --> 00:23:00,836 YOU DON'T UNDERSTAND. 484 00:23:00,880 --> 00:23:02,463 YOU -- [ SIGHS ] 485 00:23:02,507 --> 00:23:04,298 YOU DONE NAILED THAT. 486 00:23:04,342 --> 00:23:06,384 WITH A HAMMER. [ CHUCKLES ] 487 00:23:06,427 --> 00:23:08,386 FOR REAL, LIKE, LIKE... 488 00:23:08,429 --> 00:23:11,263 EVERY NOTE, FLUCTUATION, 489 00:23:11,307 --> 00:23:15,393 AND EVERY BREATH YOU TOOK WAS... 490 00:23:15,436 --> 00:23:16,977 WHAT? 491 00:23:23,486 --> 00:23:25,611 ...WAS PERFECT. 492 00:23:27,573 --> 00:23:29,532 IT WAS PERFECT, BABY. 493 00:23:31,786 --> 00:23:34,286 IT WAS PERFECT, BABY. 494 00:23:44,715 --> 00:23:47,550 KEEP THAT UP. 495 00:23:48,928 --> 00:23:52,555 [ HIP-HOP MUSIC PLAYING ] SOMETHING ELEGANT. 496 00:23:52,598 --> 00:23:54,890 YEAH, I'M FEELIN' THIS LOOK RIGHT HERE. 497 00:23:54,934 --> 00:23:58,561 RIGHT. IT DEFINITELY FITS OUR MARKET. 498 00:24:00,606 --> 00:24:02,231 HERE WE GO. 499 00:24:02,275 --> 00:24:04,024 HELLO. WELCOME. 500 00:24:04,068 --> 00:24:06,068 GOOD AFTERNOON. DIANE. 501 00:24:06,112 --> 00:24:07,611 JOHN McKINNEY WITH JIVE. 502 00:24:07,655 --> 00:24:09,321 MARK JONES. ALSO WITH JIVE. 503 00:24:09,365 --> 00:24:11,365 KATE IS THE STYLIST WE BROUGHT IN 504 00:24:11,409 --> 00:24:13,534 TO HELP CRAFT THE "AALIYAH" IMAGE. 505 00:24:13,578 --> 00:24:15,327 HI. DIANE. SHE WORKS WITH SOME OF OUR BIGGEST ACTS. 506 00:24:15,371 --> 00:24:16,829 GREAT TO MEET YOU, AALIYAH. HI. 507 00:24:16,873 --> 00:24:19,415 SO, LET ME SHOW YOU SOME IDEAS THAT WE HAD. 508 00:24:19,459 --> 00:24:22,334 MM-HMM. THE LOOK WE'RE GOING FOR IS KIND OF... 509 00:24:22,378 --> 00:24:24,503 IT'S KIND OF LIKE A "DIVA GLAM," RIGHT? 510 00:24:28,509 --> 00:24:31,510 YOU KNOW WHAT? WE BROUGHT A COUPLE OF IDEAS OURSELVES. 511 00:24:31,554 --> 00:24:33,512 SURE. SO MAYBE WE CAN MIX THEM IN A LITTLE BIT? 512 00:24:33,556 --> 00:24:34,722 NO PROBLEM. Mark: SURE. OKAY. 513 00:24:34,765 --> 00:24:37,641 OH! 514 00:24:37,685 --> 00:24:39,685 [ KNOCK ON DOOR ] 515 00:24:39,729 --> 00:24:41,812 [ KNOCK ON DOOR ] 516 00:24:41,856 --> 00:24:43,939 I'M NOT READY YET! Robert: IT'S ME, BABE. I JUST GOT HERE. 517 00:24:43,983 --> 00:24:45,441 ROBERT? 518 00:24:48,946 --> 00:24:51,071 HEARD YOU DON'T LIKE ANYTHING THEY PICKED OUT. 519 00:24:51,115 --> 00:24:52,364 [ SIGHS ] 520 00:24:52,408 --> 00:24:54,700 THEY'RE NOT ME. 521 00:24:54,744 --> 00:24:56,285 WE NEED AN IMAGE THAT'S MARKETABLE, BABY. 522 00:24:56,329 --> 00:24:57,578 AND I GET THAT. 523 00:24:57,622 --> 00:24:59,955 BUT THESE CLOTHES ARE SO FAR AWAY 524 00:24:59,999 --> 00:25:03,292 FROM WHO I REALLY AM, PEOPLE WILL THINK I'M FAKE. 525 00:25:03,336 --> 00:25:04,877 I WILL FEEL FAKE. 526 00:25:04,921 --> 00:25:06,378 YEAH. 527 00:25:06,422 --> 00:25:09,423 THE ONLY TIME I WEAR A DRESS OR A SKIRT 528 00:25:09,467 --> 00:25:10,799 IS WHEN I GO TO CHURCH. 529 00:25:10,843 --> 00:25:12,593 I DO JEANS. 530 00:25:12,637 --> 00:25:17,431 IF JIVE IS SPENDING SO MUCH TIME ON THIS "LOOK," 531 00:25:17,475 --> 00:25:20,476 THEN AT LEAST MAKE IT UNIQUE, YOU KNOW? 532 00:25:20,520 --> 00:25:24,146 SOMETHING THAT FITS THE SOUND AND FEEL OF MY MUSIC. 533 00:25:24,190 --> 00:25:28,484 A'IGHT, WELL, IF I WERE TO DESCRIBE IT, 534 00:25:28,528 --> 00:25:34,448 I'D SAY THE SOUND AND THE FEEL OF YOUR MUSIC IS... 535 00:25:36,827 --> 00:25:38,077 ...STREET. 536 00:25:38,120 --> 00:25:41,622 THEN WHY NOT GIVE THEM THAT? 537 00:25:41,666 --> 00:25:43,999 NOW, THAT'S JUST GENIUS. 538 00:25:44,043 --> 00:25:45,417 YOU APPROVE? 539 00:25:45,461 --> 00:25:47,044 GIRL, YOU'RE LOOKING DOPE! 540 00:25:47,088 --> 00:25:48,337 [ LAUGHS ] COME HERE. 541 00:25:48,381 --> 00:25:49,922 COME HERE. LOOK. 542 00:25:49,966 --> 00:25:51,674 YOU'RE JUST MISSING ONE THING. 543 00:25:51,717 --> 00:25:54,468 HOLD UP. HOLD UP. OKAY. 544 00:25:54,512 --> 00:25:56,762 TRY THAT. 545 00:25:56,806 --> 00:25:59,640 THERE YOU GO. 546 00:25:59,684 --> 00:26:01,308 YOU LIKE? 547 00:26:01,352 --> 00:26:03,769 I DO. 548 00:26:05,648 --> 00:26:07,106 [ KNOCK ON DOOR ] Kate: HEY, AALIYAH. 549 00:26:07,149 --> 00:26:09,567 UH, WHOA. 550 00:26:09,610 --> 00:26:11,151 UH, WE'RE READY FOR YOU. YOU ALL SET? 551 00:26:11,195 --> 00:26:12,611 YEAH, WE'RE GOOD. 552 00:26:20,621 --> 00:26:23,664 [ HIP-HOP MUSIC PLAYING ] CAN I COME IN? 553 00:26:23,708 --> 00:26:25,833 YOU COULD AT LEAST WAIT FOR ME TO ANSWER. 554 00:26:25,876 --> 00:26:28,085 COME ON, AALIYAH, I DIDN'T ASK BEFORE YOU HAD AN ALBUM, 555 00:26:28,129 --> 00:26:29,461 AND I'M NOT GONNA ASK NOW. 556 00:26:29,505 --> 00:26:31,005 MOM TOLD ME ABOUT YOUR NEW LOOK. 557 00:26:31,048 --> 00:26:33,424 YEAH, YOU LIKE? YEAH, I'M FEELIN' IT. 558 00:26:36,887 --> 00:26:38,429 YEAH? [ CHUCKLES ] 559 00:26:38,472 --> 00:26:40,055 NOW YOU'RE BEING EXTRA. 560 00:26:40,099 --> 00:26:41,849 SO, WHAT DID THE LABEL THINK? 561 00:26:41,892 --> 00:26:43,684 YOU KNOW, I DIDN'T THINK THAT ROBERT 562 00:26:43,728 --> 00:26:45,644 WAS GONNA BACK ME UP, BUT HE DID. 563 00:26:45,688 --> 00:26:48,188 AND I THOUGHT HE WAS GONNA TREAT ME LIKE A KID. 564 00:26:48,232 --> 00:26:50,232 BUT HE'S SO AMAZING. 565 00:26:50,276 --> 00:26:53,485 YOU KNOW, HE... HE AND I TALK ABOUT EVERYTHING. 566 00:26:53,571 --> 00:26:55,112 IT'S LIKE WE'RE BEST FRIENDS. 567 00:26:55,156 --> 00:26:56,655 AND IS THAT ALL YOU ARE? 568 00:26:56,699 --> 00:26:58,991 'CAUSE YOU SOUND LIKE YOU GOT A THING FOR HIM. 569 00:26:59,035 --> 00:27:01,785 WHY DON'T YOU MIND YOUR BUSINESS? 570 00:27:01,829 --> 00:27:03,120 BUT YOU ARE MY BUSINESS, 571 00:27:03,164 --> 00:27:04,455 AND I DON'T WANT YOU TO GET HURT. 572 00:27:04,498 --> 00:27:05,998 GET OUT. AALIYAH -- 573 00:27:06,042 --> 00:27:08,125 GET OUT OF MY ROOM, RASHAD! 574 00:27:15,968 --> 00:27:19,011 BLESS US, OH, LORD, FOR THESE THY GIFTS, 575 00:27:19,055 --> 00:27:22,473 WHICH WE ARE ABOUT TO RECEIVE FROM THY BOUNTY. 576 00:27:22,516 --> 00:27:24,308 AND THANK YOU FOR THIS MEAL 577 00:27:24,352 --> 00:27:27,102 THAT DIANE HAS SO LOVINGLY PREPARED, 578 00:27:27,146 --> 00:27:30,230 AND FOR ALL THAT IS ABOUT TO HAPPEN FOR BABYGIRL. 579 00:27:30,274 --> 00:27:34,902 WE CELEBRATE HER FIRST SINGLE BEING RELEASED TOMORROW, 580 00:27:34,945 --> 00:27:36,779 AND WE THANK YOU FOR ALL YOUR BLESSINGS. 581 00:27:36,822 --> 00:27:39,990 THROUGH CHRIST OUR LORD, AMEN. 582 00:27:40,034 --> 00:27:42,034 AMEN. AMEN. 583 00:27:42,078 --> 00:27:44,745 NOW LET'S EAT! [ LAUGHTER ] 584 00:27:52,380 --> 00:27:54,254 WHAT'S A MATTER, BABYGIRL? 585 00:27:54,298 --> 00:27:56,465 YOU HARDLY SAID A WORD ALL NIGHT. 586 00:27:56,509 --> 00:27:58,550 ARE YOU OKAY? 587 00:27:58,594 --> 00:28:00,969 YOU'RE NOT NERVOUS, ARE YOU? 588 00:28:01,013 --> 00:28:02,638 A LITTLE BIT. 589 00:28:02,682 --> 00:28:04,473 I CAN'T LIE. 590 00:28:04,517 --> 00:28:06,600 I WOULD BE, TOO. 591 00:28:06,644 --> 00:28:10,062 I'VE DREAMT ABOUT THIS MOMENT FOR SO LONG. 592 00:28:10,106 --> 00:28:15,234 TOMORROW, MY WHOLE LIFE IS ABOUT TO CHANGE. 593 00:28:15,277 --> 00:28:18,237 OUR LIVES ARE ABOUT TO CHANGE. 594 00:28:18,280 --> 00:28:21,865 NOW, WHEN YOU'RE ALL RICH AND FAMOUS, 595 00:28:21,909 --> 00:28:24,451 YOU'RE NOT GONNA FORGET ABOUT YOUR OLD GRANDMA, ARE YOU? 596 00:28:24,495 --> 00:28:26,745 GRANDMA, NO. 597 00:28:30,918 --> 00:28:32,668 WELL, JUST TO BE SURE... 598 00:28:34,672 --> 00:28:36,839 THAT'S THE RING THAT YOUR MOTHER GAVE YOU. 599 00:28:36,882 --> 00:28:39,550 I KNOW. HAD IT MORE THAN 50 YEARS. 600 00:28:39,593 --> 00:28:41,844 NOW IT'S YOURS. 601 00:28:43,347 --> 00:28:44,972 WHAT'RE YOU DOING? 602 00:28:45,015 --> 00:28:46,682 HAD IT RE-SIZED TO FIT YOU. 603 00:28:46,726 --> 00:28:49,727 I-I CAN'T ACCEPT THIS. Shh! 604 00:28:49,770 --> 00:28:51,478 DON'T ARGUE WITH YOUR GRANDMA. 605 00:28:51,522 --> 00:28:53,272 THIS WAY, 606 00:28:53,315 --> 00:28:57,693 NO MATTER HOW FAR YOUR GIFT TAKES YOU, 607 00:28:57,737 --> 00:29:00,446 I'LL BE RIGHT HERE. 608 00:29:06,245 --> 00:29:09,121 THANK YOU. 609 00:29:09,165 --> 00:29:11,790 [ HORNS HONK ] 610 00:29:13,586 --> 00:29:15,794 AALIYAH! 611 00:29:15,838 --> 00:29:17,296 THIS CAR'S ON ITS LAST LEGS. 612 00:29:17,339 --> 00:29:18,922 WHY WOULD YOU WANT TO FIX IT? 613 00:29:18,966 --> 00:29:21,258 THIS CAR DOES ITS JOB FOR THIS FAMILY. 614 00:29:21,302 --> 00:29:23,010 YEAH, A BAD ONE. [ CHUCKLES ] 615 00:29:23,053 --> 00:29:24,720 AALIYAH, COME ON! WE'RE GONNA BE LATE FOR THE DENTIST. 616 00:29:24,764 --> 00:29:26,805 DENTIST, DENTIST, DENTIST. [ ENGINE TURNS OVER ] 617 00:29:26,849 --> 00:29:28,682 Man: SHE'S A LOCAL GIRL, 15, 618 00:29:28,726 --> 00:29:30,267 AND REPPIN' THE "D" IN A BIG WAY. 619 00:29:30,311 --> 00:29:32,394 TURN IT UP! TURN IT UP! WHAT? 620 00:29:32,438 --> 00:29:34,813 TURN IT UP! ...WRITTEN AND PRODUCED BY R. KELLY 621 00:29:34,857 --> 00:29:37,065 AND HITS RECORD STORES IN TWO WEEKS, 622 00:29:37,109 --> 00:29:39,401 AND HER FIRST SINGLE COULD BE HER FIRST HIT. 623 00:29:39,445 --> 00:29:41,361 [ ALL CHEER ] LISTEN TO HER SWEET VOICE, PEOPLE. 624 00:29:41,405 --> 00:29:43,322 I'M ON THE RADIO! HERE'S AALIYAH WITH "BACK & FORTH." 625 00:29:43,365 --> 00:29:44,698 YOU'RE ON THE RADIO! AAH! 626 00:29:49,121 --> 00:29:51,580 [ HIP-HOP MUSIC PLAYS ] 627 00:29:53,876 --> 00:29:55,709 [ CHEERS AND APPLAUSE ] 628 00:30:10,184 --> 00:30:12,726 [ LAUGHS ] YEAH! 629 00:30:12,770 --> 00:30:14,478 WHAT'S UP, BABY? HOW ARE YOU DOING? HEY. 630 00:30:14,522 --> 00:30:16,480 THANK YOU FOR COMING. COME ON IN. 631 00:30:16,524 --> 00:30:18,148 HAVE A SEAT. [ CROWD CHEERS ] 632 00:30:18,192 --> 00:30:19,733 LIVE IN THE STUDIO, 633 00:30:19,777 --> 00:30:21,777 THE ONE AND ONLY PRINCESS OF R&B, AALIYAH. 634 00:30:21,821 --> 00:30:23,695 WELCOME TO THE SHOW. THANKS FOR HAVING ME. 635 00:30:23,739 --> 00:30:25,864 "AGE AIN'T NOTHING BUT A NUMBER" 636 00:30:25,908 --> 00:30:27,908 WENT TO NUMBER ONE WITH NO SIGNS OF SLOWING DOWN. 637 00:30:27,952 --> 00:30:31,411 YOU'VE CREATED A-A WHOLE NEW SOUND YOURSELF, RIGHT? 638 00:30:31,455 --> 00:30:33,831 IF YOU ASK ME, I BELIEVE THAT "AGE AIN'T NOTHING BUT A NUMBER" 639 00:30:33,874 --> 00:30:36,124 IS ACTUALLY REDEFINING R&B 640 00:30:36,168 --> 00:30:38,418 BECAUSE IT'S R&B FROM A HIP-HOP PERSPECTIVE. 641 00:30:38,462 --> 00:30:40,671 AND HIP-HOP IS THE SOUND OF YOUNG AMERICA, 642 00:30:40,714 --> 00:30:41,922 SO IT HELPS THAT IT COMES 643 00:30:41,966 --> 00:30:43,507 FROM AN ARTIST WHO IS YOUNG AMERICA. 644 00:30:43,551 --> 00:30:44,716 RIGHT. NO DOUBT. IT'S REAL. 645 00:30:44,760 --> 00:30:46,218 YEAH, AND HIP-HOP IS ALL ABOUT 646 00:30:46,262 --> 00:30:47,719 KEEPING IT REAL, SO YOU KNOW... 647 00:30:47,763 --> 00:30:49,721 YOU KNOW! [ CHUCKLES ] RIGHT. 648 00:30:49,765 --> 00:30:52,516 SO, HOW HAS YOUR LIFE CHANGED? 649 00:30:52,560 --> 00:30:54,434 YOU KNOW, I GET TO, UM, PERFORM 650 00:30:54,478 --> 00:30:57,104 AT ARENAS IN FRONT OF THOUSANDS OF PEOPLE. 651 00:30:57,147 --> 00:30:59,731 AND THE AUDIENCE KNOWS EVERY WORD OF MY SONGS. 652 00:30:59,775 --> 00:31:01,859 SECURITY DOES HAVE TO GO WITH ME 653 00:31:01,902 --> 00:31:03,819 TO PLACES I'VE BEEN GOING MY ENTIRE LIFE. 654 00:31:03,863 --> 00:31:06,572 THAT'S ALWAYS KIND OF CRAZY. 655 00:31:06,615 --> 00:31:10,534 BUT, YOU KNOW, I HAVE THE SAME CHORES, SAME FRIENDS. 656 00:31:10,578 --> 00:31:12,744 SHOUT OUT TO MY GIRL KEISHA. 657 00:31:12,788 --> 00:31:14,413 [ CHUCKLES ] I KNOW SHE'S LISTENING. 658 00:31:14,456 --> 00:31:16,248 UM... 659 00:31:16,292 --> 00:31:19,126 AND, UH, WHEN I'M NOT DOING STUFF LIKE THIS, 660 00:31:19,169 --> 00:31:22,546 I'M HANGING OUT WITH MY FAMILY, OR THEY'RE ON TOUR WITH ME. 661 00:31:22,590 --> 00:31:25,382 BUT YOU GOT THAT BIG MONEY NOW, RIGHT? 662 00:31:25,426 --> 00:31:27,342 SO YOU GOTTA HAVE SOME NEW PLEASURES. 663 00:31:27,386 --> 00:31:29,136 THIS MIGHT SOUND KIND OF BORING, 664 00:31:29,179 --> 00:31:31,138 BUT I STILL LIKE TO DO THE SAME THINGS 665 00:31:31,181 --> 00:31:32,973 THAT I DID BEFORE I HAD THIS CAREER. 666 00:31:33,017 --> 00:31:35,809 OKAY, LIKE WHAT? GOING TO THE MALL NEAR MY HOUSE, 667 00:31:35,853 --> 00:31:38,353 SNEAKER SHOPPING AT FOOT LOCKER, 668 00:31:38,397 --> 00:31:40,063 BUSSIN' A GRUB AT LITTLE CAESARS. 669 00:31:40,107 --> 00:31:41,899 HEY, LITTLE CAESARS IS THE BOMB, RIGHT? 670 00:31:41,942 --> 00:31:44,234 I KNOW, RIGHT? TELL ME ABOUT YOUR TOUR. 671 00:31:44,278 --> 00:31:47,821 I AM ABOUT TO GO TO EUROPE WITH KEITH SWEAT AND BLACKSTREET 672 00:31:47,865 --> 00:31:50,032 ON THE "RHYTHM & BLUES EXPLOSION" TOUR. 673 00:31:50,075 --> 00:31:53,535 I'M ABOUT TO GO TO PLACES I'VE ALWAYS DREAMT ABOUT. 674 00:31:53,579 --> 00:31:55,120 AND WHAT ABOUT "KELLS"? 675 00:31:55,164 --> 00:31:57,331 W-W-WILL "KELLS" BE JOINING YOU ON ANY DATES? 676 00:31:57,374 --> 00:32:00,083 NO. I UNDERSTAND THAT YOU TWO BECAME 677 00:32:00,127 --> 00:32:02,878 VERY CLOSE DURING THIS PROJECT. 678 00:32:02,922 --> 00:32:05,589 YEAH, ROB AND I ARE CLOSE -- WE'RE VERY CLOSE. 679 00:32:05,633 --> 00:32:09,927 SO, ALL THE STUFF ABOUT YOU TWO BEING ROMANTICALLY LINKED? 680 00:32:09,970 --> 00:32:13,972 WE ARE ABSOLUTELY JUST FRIENDS. 681 00:32:36,330 --> 00:32:38,789 HEY, BABE. HEY, MR. KELLY. 682 00:32:51,053 --> 00:32:52,469 I MISSED YOU. 683 00:32:52,513 --> 00:32:53,971 I DIDN'T MISS YOU AT ALL. 684 00:32:54,014 --> 00:32:56,515 [ BOTH LAUGH ] 685 00:32:59,478 --> 00:33:01,853 I HATE THIS -- 686 00:33:01,897 --> 00:33:05,273 HATE THAT WE CAN'T BE TOGETHER. 687 00:33:05,317 --> 00:33:07,734 HATE PRETENDING THAT YOU'RE JUST MY PRODUCER. 688 00:33:07,778 --> 00:33:09,820 ME TOO. 689 00:33:09,863 --> 00:33:12,489 ME TOO, BABE, BUT, UM... 690 00:33:12,533 --> 00:33:15,492 IT'D BE BETTER FOR BOTH OF US 691 00:33:15,536 --> 00:33:20,122 IF WE JUST KEEP THIS ON THE LOW FOR NOW, YOU KNOW? 692 00:33:20,165 --> 00:33:21,748 I GET IT. 693 00:33:21,792 --> 00:33:23,458 DO YOU? 694 00:33:23,502 --> 00:33:24,876 'CAUSE IF THE MEDIA FINDS OUT, 695 00:33:24,920 --> 00:33:26,169 THEY'RE GONNA HAVE A FIELD DAY WITH IT. 696 00:33:26,213 --> 00:33:27,462 AND AIN'T NO TELLIN' WHAT COULD HAPPEN. 697 00:33:27,506 --> 00:33:29,673 I DON'T CARE. 698 00:33:29,717 --> 00:33:32,175 I ONLY WANT TO BE WITH YOU. 699 00:33:35,973 --> 00:33:38,098 I WANT TO BE WITH YOU, TOO, 'LIYAH. 700 00:33:38,142 --> 00:33:40,559 WHENEVER I'M NOT WITH YOU, I DON'T EVEN FEEL RIGHT. 701 00:33:40,602 --> 00:33:42,352 IT'S LIKE... 702 00:33:42,396 --> 00:33:46,273 IT'S LIKE I'M MISSING AN ARM OR A LEG OR NOSE OR SOMETHING. 703 00:33:46,316 --> 00:33:47,983 YOU KNOW, FOR REAL, SOMETIMES -- 704 00:33:48,027 --> 00:33:50,777 SOMETIMES, I CAN'T EVEN CONCENTRATE ON MY OWN MUSIC. 705 00:33:50,821 --> 00:33:53,030 [ CHUCKLES ] 706 00:34:00,581 --> 00:34:03,623 I WAS AFRAID OF THIS, YOU KNOW. 707 00:34:03,667 --> 00:34:05,876 I SEEN IT HAPPENIN'. 708 00:34:05,919 --> 00:34:08,837 I FELT IT INSIDE, AND... 709 00:34:08,881 --> 00:34:10,338 I TRIED TO FIGHT IT. 710 00:34:10,382 --> 00:34:12,549 I DID, BUT... 711 00:34:12,593 --> 00:34:16,136 I CAN'T KEEP FIGHTIN' WHAT I BELIEVE, MAN. 712 00:34:22,978 --> 00:34:25,562 I BELIEVE WE WERE MADE FOR EACH OTHER. 713 00:34:25,606 --> 00:34:28,273 I DO. 714 00:34:28,317 --> 00:34:32,194 OTHERWISE, GOD WOULDN'T HAVE PUT YOU IN MY PATH, 715 00:34:32,237 --> 00:34:34,029 AND I'VE BEEN FEELING LIKE THIS. 716 00:34:45,542 --> 00:34:48,001 WE GOTTA WAIT, BABE. 717 00:34:48,045 --> 00:34:49,961 JUST A FEW MORE YEARS. 718 00:34:50,005 --> 00:34:52,964 18 FEELS LIKE AN ETERNITY FROM NOW. 719 00:35:02,142 --> 00:35:03,892 YOU DID WHAT? 720 00:35:03,936 --> 00:35:06,186 BELIEVE ME, I CAN IMAGINE WHAT YOU'RE THINKIN'. 721 00:35:06,230 --> 00:35:08,230 BUT I PROMISE YOU, IT IS NOT THAT WAY. 722 00:35:09,358 --> 00:35:10,482 NO, DAD, STOP! MIKE! MIKE! 723 00:35:10,526 --> 00:35:12,609 GET OFF OF HIM! STOP IT! 724 00:35:12,653 --> 00:35:13,860 YOU NEED TO CALM DOWN. 725 00:35:13,904 --> 00:35:15,112 HOW AM I SUPPOSED TO STAY CALM?! 726 00:35:15,155 --> 00:35:16,530 YOU HEAR WHAT HE JUST SAID?! 727 00:35:16,573 --> 00:35:18,990 AALIYAH, WHAT THE HELL IS GOING ON? 728 00:35:19,034 --> 00:35:20,492 WE GOT MARRIED. 729 00:35:20,536 --> 00:35:21,743 BUT THAT'S NOT EVEN POSSIBLE. 730 00:35:21,787 --> 00:35:23,912 YOU'RE ONLY 15 YEARS OLD. 731 00:35:23,956 --> 00:35:26,873 DID YOU LIE ON THE MARRIAGE LICENSE? 732 00:35:26,917 --> 00:35:28,375 AALIYAH?! 733 00:35:28,418 --> 00:35:29,876 I LOVE HIM. 734 00:35:29,920 --> 00:35:31,128 ARE YOU CRAZY?! 735 00:35:31,171 --> 00:35:32,462 THE MAN IS ALMOST TWICE YOUR AGE! 736 00:35:32,506 --> 00:35:33,839 SO WHAT?! 737 00:35:33,882 --> 00:35:35,465 SO YOU'RE STILL A CHILD, THAT'S WHAT! 738 00:35:35,509 --> 00:35:37,259 YOU DON'T EVEN... [ SIGHS ] 739 00:35:38,846 --> 00:35:41,888 AND WHAT THE HELL DO YOU WANT WITH A 15-YEAR-OLD GIRL?! 740 00:35:41,932 --> 00:35:43,849 WE TRUSTED YOU! 741 00:35:43,892 --> 00:35:46,935 MAN, I WISH I COULD FIND 742 00:35:46,979 --> 00:35:49,604 THE WORDS TO MAKE YOU UNDERSTAND. UNDERSTAND?! 743 00:35:49,648 --> 00:35:51,857 UNDERSTAND HOW A GROWN MAN COULD WANNA BE WITH A YOUNG GIRL? 744 00:35:51,900 --> 00:35:53,692 WITH ALL DUE RESPECT, 745 00:35:53,735 --> 00:35:55,735 WE DON'T GET TO CHOOSE WHO WE LOVE. DON'T SAY IT! 746 00:35:55,779 --> 00:35:57,946 'CAUSE I BET THAT'S WHAT YOU'VE BEEN TELLING MY DAUGHTER, 747 00:35:57,990 --> 00:36:00,323 KNOWING THAT SHE'S YOUNG ENOUGH... AND NAIVE ENOUGH. 748 00:36:00,367 --> 00:36:02,617 ...TO BELIEVE IT. 749 00:36:02,661 --> 00:36:04,327 THIS WILL BE ANNULLED. YOU CANNOT MAKE US DO THAT. 750 00:36:04,371 --> 00:36:05,871 OH, YES, WE CAN. 751 00:36:05,914 --> 00:36:07,789 IT WILL BE ANNULLED, AND YOUR RELATIONSHIP, 752 00:36:07,833 --> 00:36:09,875 BOTH PERSONAL AND PROFESSIONAL, IS OVER. 753 00:36:09,918 --> 00:36:11,543 HE IS MY HUSBAND! 754 00:36:11,587 --> 00:36:14,004 'LIYAH, MAYBE WE BETTER DO AS HE SAYS. NO! 755 00:36:14,047 --> 00:36:15,964 WE LOVE EACH OTHER. 756 00:36:16,008 --> 00:36:18,008 THAT'S ENOUGH! 757 00:36:18,051 --> 00:36:21,011 YOU'LL DO EXACTLY WHAT I SAY, OR HE'S GOING TO PRISON. 758 00:36:21,054 --> 00:36:23,930 DADDY! ANNULLED, AALIYAH. 759 00:36:23,974 --> 00:36:27,100 STAY AWAY FROM MY DAUGHTER, 760 00:36:27,144 --> 00:36:30,437 OR I'LL HAVE YOU CHARGED WITH STATUTORY RAPE. 761 00:36:30,480 --> 00:36:32,063 YOU UNDERSTAND? I HATE YOU! 762 00:36:32,107 --> 00:36:33,815 YOU'RE RUINING MY LIFE! 763 00:36:33,859 --> 00:36:35,609 COME ON, COME ON. 764 00:36:38,906 --> 00:36:43,325 DO WE UNDERSTAND EACH OTHER? 765 00:36:48,248 --> 00:36:51,416 DO WE UNDERSTAND EACH OTHER?! 766 00:36:57,716 --> 00:36:58,924 ROBERT! 767 00:37:04,598 --> 00:37:07,515 I HATE YOU! 768 00:37:07,559 --> 00:37:09,559 I HATE BOTH OF YOU! [ DOOR CLOSES ] 769 00:37:12,856 --> 00:37:14,773 OH, GOD. 770 00:37:21,698 --> 00:37:24,491 [ DIANA ROSS' "DIDN'T YOU KNOW" PLAYS ] 771 00:37:24,534 --> 00:37:27,577 ♪ REMEMBER WHEN YOU LEFT? ♪ 772 00:37:27,621 --> 00:37:30,705 ♪ YEAH, YOU HAD YOUR OWN RULES ABOUT PLAYING THE GAME ♪ 773 00:37:30,749 --> 00:37:33,541 ♪ AND ANY DAY, YOU COULD WALK AWAY ♪ 774 00:37:33,585 --> 00:37:37,128 ♪ FEELING NO PAIN ♪ 775 00:37:37,172 --> 00:37:40,006 ♪ NOW LOOK AT YOURSELF ♪ 776 00:37:40,050 --> 00:37:43,635 ♪ YEAH, YOU'RE ALL HUNG UP ON SOMEBODY ELSE ♪ 777 00:37:43,679 --> 00:37:45,720 ♪ AND IN YOUR EYES I SEE ALL THE SIGNS ♪ 778 00:37:45,846 --> 00:37:47,222 ♪ ALL THE SIGNS ♪ 779 00:37:47,266 --> 00:37:48,223 ♪ OF THE MISERY ♪ 780 00:37:48,391 --> 00:37:50,475 ♪ ALL THE SIGNS OF THE MISERY ♪ 781 00:37:50,519 --> 00:37:51,977 ♪ THAT YOU LAID ON ME ♪ 782 00:37:52,020 --> 00:37:54,145 ♪ BABY, BABY ♪ 783 00:37:54,189 --> 00:37:57,983 ♪ DIDN'T YOU KNOW YOU'D HAVE TO CRY SOMETIME? ♪ 784 00:37:58,026 --> 00:38:00,610 ♪ OH, DIDN'T YOU KNOW? ♪ 785 00:38:00,654 --> 00:38:04,781 ♪ DIDN'T YOU KNOW YOU'D HAVE TO HURT SOMETIME? ♪ 786 00:38:04,825 --> 00:38:09,286 ♪ DIDN'T YOU KNOW YOU'D HAVE TO LOSE YOUR PRIDE? ♪ 787 00:38:09,329 --> 00:38:13,707 ♪ DIDN'T ANYBODY TELL YOU LOVE HAD ANOTHER SIDE? ♪ 788 00:38:13,750 --> 00:38:18,795 ♪ OH, YOU USED TO BE SO PROUD ♪ 789 00:38:18,839 --> 00:38:22,716 ♪ NOW, YOUR HEAD'S A LITTLE LOWER AND YOU WALK SLOWER ♪ 790 00:38:22,759 --> 00:38:26,219 ♪ AND YOU DON'T TALK SO LOUD ♪ 791 00:38:28,932 --> 00:38:32,600 ♪ NOW, YOU'VE GOTTEN WISE ♪ YOU NEED TO EAT. 792 00:38:32,644 --> 00:38:34,894 ♪ YEAH, YOU KNOW HOW LOVE CAN BUILD YOU UP ♪ 793 00:38:34,938 --> 00:38:37,397 I'M NOT HUNGRY. 794 00:38:41,069 --> 00:38:43,320 SIT DOWN ANYWAY. 795 00:38:46,491 --> 00:38:47,741 [ SIGHS ] 796 00:39:07,054 --> 00:39:10,180 HMM? [ CHUCKLES ] 797 00:39:10,265 --> 00:39:11,681 SO? 798 00:39:11,725 --> 00:39:13,224 OKAY. 799 00:39:13,268 --> 00:39:16,936 YOU KNOW HOW I AM ABOUT MY GUMBO. 800 00:39:16,980 --> 00:39:18,938 JUST "OKAY"? 801 00:39:18,982 --> 00:39:23,109 IT'S REALLY... REALLY, REALLY GOOD. 802 00:39:23,153 --> 00:39:25,570 [ CHUCKLES ] 803 00:39:25,614 --> 00:39:28,114 I STILL DON'T WANT ANY. 804 00:39:41,380 --> 00:39:45,548 BEING A GOOD FATHER AIN'T AN EASY JOB. 805 00:39:45,592 --> 00:39:49,886 HARDEST PART ARE THE TIMES I GOTTA DO THINGS I DON'T LIKE, 806 00:39:49,930 --> 00:39:53,348 TO PROTECT MY FAMILY, PROTECT YOU. 807 00:39:53,392 --> 00:39:56,559 HOW IS FORCING ROBERT OUT OF MY LIFE PROTECTING ME? 808 00:39:56,603 --> 00:39:58,603 HE DIDN'T HURT ME. 809 00:39:58,647 --> 00:40:00,397 YOU AND MOM DID. 810 00:40:04,069 --> 00:40:05,735 [ SIGHS ] 811 00:40:05,779 --> 00:40:10,240 AALIYAH... 812 00:40:10,283 --> 00:40:14,202 YOU AND YOUR BROTHER ARE THE TWO MOST PRECIOUS THINGS 813 00:40:14,246 --> 00:40:15,912 IN THE WORLD TO ME AND YOUR MOTHER. 814 00:40:17,749 --> 00:40:19,958 IT KILLS ME TO SEE YOU IN THIS MUCH PAIN 815 00:40:20,001 --> 00:40:23,169 AND TO KNOW I CAUSED IT. 816 00:40:23,213 --> 00:40:26,297 BUT I DID IT OUT OF LOVE. 817 00:40:26,341 --> 00:40:28,383 AND I'D DO IT AGAIN. 818 00:40:30,178 --> 00:40:34,222 'CAUSE A FATHER DOES WHAT NEEDS TO BE DONE, NO MATTER WHAT. 819 00:40:34,266 --> 00:40:38,935 AND MAYBE IT DON'T MAKE SENSE NOW. 820 00:40:38,979 --> 00:40:42,230 MAYBE IT NEVER WILL. 821 00:40:42,274 --> 00:40:44,399 BUT I LOVE YOU. 822 00:41:08,341 --> 00:41:11,009 [ DOOR OPENS, CLOSES ] 823 00:41:11,052 --> 00:41:12,635 HEY. 824 00:41:12,679 --> 00:41:16,222 HEY. 825 00:41:16,266 --> 00:41:19,142 WELL, THANKS FOR MEETING ME TODAY. 826 00:41:19,186 --> 00:41:21,060 YOU MAKE IT SOUND SO OFFICIAL. 827 00:41:21,104 --> 00:41:23,271 WE -- WE GOT TO TALK ABOUT SOME BUSINESS. 828 00:41:23,315 --> 00:41:26,608 AS YOU KNOW, ATLANTIC RECORDS IS OUR DISTRIBUTOR. 829 00:41:26,651 --> 00:41:30,987 THEY WANT TO MEET IN NEW YORK TO TALK ABOUT YOUR NEXT ALBUM. 830 00:41:31,031 --> 00:41:33,072 DO I HAVE TO BE THERE? 831 00:41:33,116 --> 00:41:34,908 YEAH, YOU HAVE TO BE THERE. 832 00:41:34,951 --> 00:41:36,951 IT'S YOUR ALBUM. 833 00:41:36,995 --> 00:41:39,537 CAN'T YOU GO AND MEET WITH THEM AND JUST CONFERENCE ME IN? 834 00:41:39,581 --> 00:41:41,080 THAT WOULDN'T BE A GOOD LOOK. 835 00:41:41,124 --> 00:41:43,374 LOOK... 836 00:41:43,418 --> 00:41:46,002 WE GOTTA GET YOUR NEXT RECORD OUT 837 00:41:46,046 --> 00:41:47,754 AS SOON AS POSSIBLE. 838 00:41:47,797 --> 00:41:51,007 AFTER THE TOUR. 839 00:42:01,394 --> 00:42:04,229 HI. Diane: HI. 840 00:42:04,272 --> 00:42:06,731 YOUR UNCLE CALLED. 841 00:42:06,775 --> 00:42:08,775 HE'S WORRIED ABOUT YOU. 842 00:42:08,818 --> 00:42:11,486 HE'S WORRIED ABOUT MY NEXT ALBUM. 843 00:42:11,530 --> 00:42:13,154 THAT TOO. 844 00:42:13,198 --> 00:42:16,032 BUT BARRY'S NOT THE ONLY ONE. WE'RE ALL WORRIED. 845 00:42:16,076 --> 00:42:19,827 WHY'S EVERYONE MAKING SUCH A BIG DEAL ABOUT THIS? 846 00:42:19,871 --> 00:42:21,871 WHAT'S THE RUSH TO MAKE ANOTHER ALBUM? 847 00:42:23,917 --> 00:42:25,917 'CAUSE IT'S YOU. 848 00:42:25,961 --> 00:42:28,002 THE AALIYAH I KNOW, THAT LITTLE GIRL 849 00:42:28,046 --> 00:42:30,338 WHO DREAMED OF A RECORD DEAL HER WHOLE LIFE, 850 00:42:30,382 --> 00:42:32,423 SHE DOESN'T DO "DOWNTIME." 851 00:42:32,467 --> 00:42:36,010 THE AALIYAH I KNOW LIKES BEING IN THE STUDIO. 852 00:42:36,054 --> 00:42:39,472 YOU WANT A BREAK, THAT'S FINE, BUT BE HONEST ABOUT IT. 853 00:42:39,516 --> 00:42:41,808 WHAT'S UP? 854 00:42:41,851 --> 00:42:44,352 [ SIGHS ] 855 00:42:50,777 --> 00:42:54,070 AALIYAH, TALK TO ME. 856 00:42:54,114 --> 00:42:56,406 DID YOU LIKE MY LAST ALBUM? 857 00:42:56,449 --> 00:42:58,157 OF COURSE I DID. 858 00:42:58,201 --> 00:43:00,493 ME AND OVER A MILLION OTHER PEOPLE. 859 00:43:00,537 --> 00:43:02,996 THEN Y'ALL SHOULD THANK ROBERT. 860 00:43:03,039 --> 00:43:07,333 IT WAS HIS SOUND, HIS BEATS. 861 00:43:07,377 --> 00:43:10,253 I MUST BE THE MOST SUCCESSFUL PUPPET IN THE WORLD. 862 00:43:10,297 --> 00:43:12,046 AALIYAH. IT'S TRUE. 863 00:43:12,090 --> 00:43:13,923 NO, IT'S NOT TRUE. 864 00:43:13,967 --> 00:43:16,718 LOOK, R. KELLY DID HIS THING. I'LL GIVE HIM THAT. 865 00:43:16,761 --> 00:43:19,012 BUT I'M NOT GIVING HIM ALL THE CREDIT. 866 00:43:19,055 --> 00:43:21,931 WHAT'RE YOU TALKING ABOUT? ROBERT CREATED ME. NO. 867 00:43:21,975 --> 00:43:25,184 ROBERT DID WHAT A PRODUCER IS SUPPOSED TO DO. 868 00:43:25,228 --> 00:43:29,355 BUT THAT WASN'T HIS VOICE ON "AGE." 869 00:43:29,399 --> 00:43:33,776 THAT WASN'T HIS VOCAL STYLE ON "BACK & FORTH." 870 00:43:33,820 --> 00:43:36,070 IT'S BEEN YOUR LOOK 871 00:43:36,114 --> 00:43:38,573 THAT'S CAPTIVATED MILLIONS OF YOUNG GIRLS. 872 00:43:38,617 --> 00:43:41,200 IT'S YOU IN THOSE VIDEOS. 873 00:43:41,244 --> 00:43:44,662 LOOK, I KNOW THE MUSIC BUSINESS, AND LET ME TELL YOU. 874 00:43:44,706 --> 00:43:46,914 IT TAKES MORE THAN A GREAT SONG 875 00:43:46,958 --> 00:43:50,460 OR SOME HOT PRODUCER TO CREATE A SUPERSTAR. 876 00:43:50,503 --> 00:43:53,963 IT TAKES THE RIGHT ARTIST. 877 00:43:54,007 --> 00:43:57,383 THAT'S WHAT ROBERT HAD IN YOU. 878 00:43:57,427 --> 00:44:01,054 THAT'S WHAT HE SAW WHEN YOU WALKED INTO THAT STUDIO. 879 00:44:01,097 --> 00:44:03,473 HE SAW AALIYAH. 880 00:44:03,516 --> 00:44:06,392 AND SO DID THE REST OF THE WORLD. 881 00:44:06,436 --> 00:44:08,519 I'M WORRIED THAT I'M GONNA FAIL WITHOUT HIM. 882 00:44:08,563 --> 00:44:10,980 I'M SCARED THAT THIS NEXT ALBUM WON'T -- 883 00:44:11,024 --> 00:44:13,691 SUCCESS OR FAILURE AIN'T MEASURED 884 00:44:13,735 --> 00:44:19,572 BY RECORD SALES OR RADIO SPINS OR GRAMMYS. 885 00:44:19,616 --> 00:44:25,119 IT IS MEASURED BY YOU, BY WHAT YOU GOT INSIDE 886 00:44:25,163 --> 00:44:29,332 AND HOW YOU LIVE UP TO WHAT YOU KNOW YOU GOTTA DO WITH IT. 887 00:44:32,921 --> 00:44:35,338 [ CRICKETS CHIRPING ] 888 00:44:45,392 --> 00:44:48,017 WHAT WAS THAT FOR? 889 00:44:48,061 --> 00:44:50,311 FOR BEING YOU. 890 00:44:50,355 --> 00:44:52,146 ARE YOU HEADING OUT? 891 00:44:52,190 --> 00:44:53,606 YEP. GOING TO WORK. 892 00:44:53,650 --> 00:44:55,108 YOU'RE GOING TO WORK AT THIS HOUR? 893 00:44:55,151 --> 00:44:56,401 HOW ARE YOU GETTING THERE? 894 00:44:56,444 --> 00:44:58,486 A CAR'S COMING TO PICK ME UP. 895 00:44:58,530 --> 00:45:01,239 DON'T WORRY. I'M GETTING READY FOR THE TOUR. 896 00:45:01,282 --> 00:45:03,408 OH, UM, YOU KNOW, I'VE BEEN THINKING. 897 00:45:03,451 --> 00:45:05,660 I THINK I'M READY FOR A TALENT AGENT. 898 00:45:05,704 --> 00:45:07,620 YOU KNOW, IT'S NOT ENOUGH FOR ME 899 00:45:07,664 --> 00:45:09,706 TO HAVE MY SONGS ON A SOUNDTRACK. 900 00:45:09,749 --> 00:45:12,500 I'M READY TO ACT. THINK YOU CAN HELP ME? 901 00:45:12,544 --> 00:45:16,045 WE'LL ARRANGE FOR SOME MEETINGS NEXT TIME YOU'RE IN L.A. 902 00:45:16,089 --> 00:45:18,005 [ VEHICLE APPROACHES ] COOL. 903 00:45:18,049 --> 00:45:19,966 LOVE YOU. 904 00:45:20,009 --> 00:45:24,178 [ DOOR CLOSES ] 905 00:45:26,057 --> 00:45:28,141 ♪ SITTIN' IN CLASS ♪ 906 00:45:28,184 --> 00:45:30,017 ♪ TRYING TO FIGURE OUT WHAT IT ALL MEANS ♪ 907 00:45:30,061 --> 00:45:34,355 ♪ 'CAUSE IT'S ALL GREAT TO ME ♪ 908 00:45:34,399 --> 00:45:36,858 [ MUSIC STOPS ] 909 00:45:44,534 --> 00:45:48,286 [ HIP-HOP MUSIC PLAYS ] 910 00:46:01,968 --> 00:46:04,886 [ SIREN WAILS ] 911 00:46:06,222 --> 00:46:08,222 SO, GIVE HER SOME COLOR. 912 00:46:08,266 --> 00:46:09,724 MAKE HER BEAUTIFUL. 913 00:46:09,768 --> 00:46:11,893 WE NEED HER SHOW-READY IN 40 MINUTES. 914 00:46:11,936 --> 00:46:13,728 THANK YOU. 915 00:46:13,772 --> 00:46:15,313 HEY, GIRL. 916 00:46:15,356 --> 00:46:19,942 I'LL BE BACK IN A LITTLE WHILE, OKAY? 917 00:46:21,321 --> 00:46:23,404 [ DOOR OPENS, CLOSES ] 918 00:46:23,448 --> 00:46:25,323 TRIGONOMETRY, HUH? 919 00:46:25,366 --> 00:46:28,034 MY LEAST FAVORITE SUBJECT. 920 00:46:28,077 --> 00:46:29,827 I'VE GOT AN EXAM AS SOON AS I GET BACK. 921 00:46:29,871 --> 00:46:32,205 I WAS A WHIZ AT MATH WHEN I WAS AT SCHOOL. 922 00:46:32,248 --> 00:46:33,790 JUST SAYING. 923 00:46:36,461 --> 00:46:38,044 OH, MY GOD. 924 00:46:38,087 --> 00:46:40,588 OH, YOU DO NOT NEED THAT RIGHT NOW. 925 00:46:40,632 --> 00:46:42,673 YOU LET ME WORRY ABOUT HOW YOU LOOK. 926 00:46:42,717 --> 00:46:44,926 YOU WORRY ABOUT TRIG. 927 00:46:47,639 --> 00:46:50,139 I GOT YOU. 928 00:46:50,183 --> 00:46:52,391 [ CHEERS AND APPLAUSE ] [ HIP-HOP MUSIC PLAYS ] 929 00:46:52,435 --> 00:46:54,560 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 930 00:46:54,604 --> 00:46:57,647 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 931 00:46:57,690 --> 00:46:59,524 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 932 00:46:59,567 --> 00:47:01,651 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 933 00:47:01,694 --> 00:47:04,570 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 934 00:47:04,614 --> 00:47:06,239 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 935 00:47:06,282 --> 00:47:07,573 ♪ SOME RAPPERS THESE DAYS DISS THE OLD SCHOOL ♪ 936 00:47:07,617 --> 00:47:09,492 ♪ Y'ALL SHOULD BE ASHAMED ♪ 937 00:47:09,536 --> 00:47:11,702 ♪ 'CAUSE WITHOUT IT, YOU HAVE NO FAME OR YOUR NAME ♪ 938 00:47:11,746 --> 00:47:13,830 ♪ WHEN HIP-HOP TOUCHED MY LIFE, MAN, I KNEW I WAS BLESSED ♪ 939 00:47:13,873 --> 00:47:15,581 ♪ BUT SOME OF THAT TRASH THAT'S COMING OUT NOW ♪ 940 00:47:15,625 --> 00:47:17,667 ♪ I'M NOT IMPRESSED ♪ 941 00:47:17,710 --> 00:47:19,627 ♪ IT TAKES A LOT MORE THAN THE AVERAGE RHYME TO MOVE ME ♪ 942 00:47:19,671 --> 00:47:22,171 ♪ Y'ALL ARE OVERRATED LIKE A SCHWARZENEGGER MOVIE ♪ 943 00:47:22,215 --> 00:47:24,173 ♪ SO YOU GO BE THE LAST ACTION HERO, AND I'LL BE ME ♪ 944 00:47:24,217 --> 00:47:27,385 ♪ DéJà VU THE FREAK STYLE WAS BORN AN EMCEE ♪ 945 00:47:27,428 --> 00:47:29,679 ♪ MOM REALLY FLIPPED THE SCRIPT FOR ME ♪ 946 00:47:29,722 --> 00:47:33,850 [ CROWD CHANTING "AALIYAH" ] 947 00:47:33,893 --> 00:47:37,144 [ INDISTINCT RAPPING ] 948 00:47:37,188 --> 00:47:39,188 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 949 00:47:39,232 --> 00:47:42,191 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 950 00:47:42,235 --> 00:47:44,402 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 951 00:47:44,445 --> 00:47:46,696 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 952 00:47:46,739 --> 00:47:49,407 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 953 00:47:49,450 --> 00:47:52,159 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 954 00:47:52,203 --> 00:47:54,412 ♪ IT'S IN ME, IT'S IN YOU, IT'S IN MY CREW ♪ 955 00:47:54,455 --> 00:47:55,830 ♪ REMEMBER HIP-HOP, YEAH, DéJà VU ♪ 956 00:47:55,874 --> 00:47:58,791 WE'RE THINKING HIT-MAKERS LIKE RODNEY JERKINS, 957 00:47:58,835 --> 00:48:01,127 JERMAINE DUPRI, VINCENT HERBERT. 958 00:48:01,170 --> 00:48:03,379 ESSENTIALLY USE THE SAME STRATEGY 959 00:48:03,423 --> 00:48:06,215 THAT YOU EMPLOYED ON AALIYAH'S FIRST ALBUM WITH R. KELLY. 960 00:48:06,259 --> 00:48:08,175 HIRE WRITER/PRODUCERS WITH TRACK RECORDS OF SUCCESS. 961 00:48:08,219 --> 00:48:10,261 STACK THE DECK WITH PROVEN TALENT. 962 00:48:10,305 --> 00:48:12,763 BEING AALIYAH'S FIRST ALBUM WENT PLATINUM, 963 00:48:12,807 --> 00:48:16,851 WE STRONGLY BELIEVE WE CAN GET ANY PRODUCER WE WANT. 964 00:48:16,895 --> 00:48:19,061 GREAT, THEN I'LL START MAKING CALLS TO SEE WHO'S AVAILABLE. 965 00:48:19,105 --> 00:48:21,898 I GET YOUR STRATEGY, 966 00:48:21,941 --> 00:48:25,067 AND THE PRODUCERS THAT YOU GUYS MENTIONED ARE AMAZING. 967 00:48:25,111 --> 00:48:26,986 I'M SENSING A "BUT." 968 00:48:27,030 --> 00:48:29,655 THEY ALL HAVE WELL-ESTABLISHED SOUNDS. 969 00:48:29,699 --> 00:48:30,948 THAT'S A PLUS, RIGHT? 970 00:48:30,992 --> 00:48:32,783 IF I WANTED TO SOUND LIKE EVERYONE ELSE. 971 00:48:32,827 --> 00:48:35,119 YOU'LL SOUND LIKE MONEY IN THE BANK. 972 00:48:35,163 --> 00:48:37,371 I'D RATHER SOUND LIKE MYSELF. 973 00:48:37,415 --> 00:48:39,707 YOU SHOULD SOUND LIKE YOURSELF, AALIYAH. 974 00:48:39,751 --> 00:48:42,084 WHO WOULD YOU LIKE TO WORK WITH? 975 00:48:42,128 --> 00:48:44,378 TIM AND MISSY. 976 00:48:44,422 --> 00:48:46,464 WHO? 977 00:48:46,507 --> 00:48:48,215 TIMBALAND AND MISSY ELLIOTT. 978 00:48:48,259 --> 00:48:50,468 THEY'RE A PRODUCTION DUO OUT OF NORFOLK, VIRGINIA. 979 00:48:50,511 --> 00:48:53,596 THEIR DEMO'S IN MY OFFICE. 980 00:48:53,640 --> 00:48:56,307 WHAT ARE THEIR HITS? 981 00:48:56,351 --> 00:48:57,767 THEY DON'T HAVE ANY. 982 00:48:57,810 --> 00:49:01,270 AT LEAST LET THEM DO A SONG. 983 00:49:01,314 --> 00:49:03,648 ACTUALLY, I WANT TIMBALAND AND MISSY ELLIOTT 984 00:49:03,691 --> 00:49:05,316 TO PRODUCE MY ENTIRE ALBUM. 985 00:49:05,360 --> 00:49:08,110 [ SIGHS ] THAT'S, UH... 986 00:49:08,154 --> 00:49:10,404 THAT'S A NONSTARTER. 987 00:49:10,448 --> 00:49:13,908 ASKING US TO SUPPORT TIM AND MISSY AS LEAD PRODUCERS, 988 00:49:13,952 --> 00:49:16,452 IT'S A -- IT'S A GAME OF ROULETTE. 989 00:49:16,496 --> 00:49:18,788 I UNDERSTAND THAT YOU GUYS ARE TRYING TO HELP. 990 00:49:18,831 --> 00:49:20,247 I DO. 991 00:49:20,291 --> 00:49:21,832 BUT HOW MANY "FLASH IN THE PAN" SINGERS 992 00:49:21,876 --> 00:49:23,501 DO WE SEE GO DOWN ON THEIR FOLLOW-UP ALBUM 993 00:49:23,544 --> 00:49:26,212 BECAUSE OF A SUPPOSED HIT-MAKER? 994 00:49:26,255 --> 00:49:29,256 A LOT. 995 00:49:29,300 --> 00:49:31,217 THE SUCCESS OF "AGE" WASN'T JUST BECAUSE 996 00:49:31,260 --> 00:49:32,885 OF THE BRILLIANT BUSINESS STRATEGY 997 00:49:32,929 --> 00:49:34,679 THAT MY UNCLE BARRY PUT FORTH, 998 00:49:34,722 --> 00:49:36,305 BUT IT WAS ALSO THE MAGIC 999 00:49:36,349 --> 00:49:39,642 BETWEEN TWO CREATIVELY CONNECTED SOULS. 1000 00:49:39,686 --> 00:49:43,562 AND FROM THAT MAGIC CAME A COMPLETELY NEW SOUND. 1001 00:49:43,606 --> 00:49:45,898 THAT'S WHAT HAPPENS WHEN YOU GO LEFT 1002 00:49:45,942 --> 00:49:48,192 AND EVERYONE ELSE IS GOING RIGHT. 1003 00:49:48,236 --> 00:49:50,027 TIMBALAND AND MISSY ELLIOT 1004 00:49:50,071 --> 00:49:52,613 ARE LIKE NOTHING ON THE RADIO RIGHT NOW. 1005 00:49:52,657 --> 00:49:57,326 BABYGIRL, YOU REALLY BELIEVE IN THEM? 1006 00:49:57,370 --> 00:50:00,413 I DO. 1007 00:50:00,456 --> 00:50:02,915 AND I KNOW THAT IF YOU PUT US IN THE STUDIO TOGETHER, 1008 00:50:02,959 --> 00:50:06,877 WE ARE GONNA CREATE SOMETHING CRAZY. 1009 00:50:06,921 --> 00:50:09,839 ALSO, THIS IS MY ALBUM. 1010 00:50:09,882 --> 00:50:13,092 IT'S MY CAREER, AND I THINK THAT IT SHOULD BE MY DECISION. 1011 00:50:19,057 --> 00:50:21,767 [ TV CHATTER ] 1012 00:50:21,811 --> 00:50:24,353 [ LAUGHTER ] 1013 00:50:24,397 --> 00:50:25,688 HEY. 1014 00:50:25,732 --> 00:50:27,857 HEY. 1015 00:50:27,900 --> 00:50:32,319 Reporter: WE'RE HEARING THAT R&B SINGER R. KELLY GOT MARRIED. 1016 00:50:32,363 --> 00:50:36,240 THE PLATINUM-SELLING ARTIST, WRITER, AND PRODUCER 1017 00:50:36,284 --> 00:50:39,201 REPORTEDLY WED DANCER ANDREA LEE. 1018 00:50:39,245 --> 00:50:40,745 APPARENTLY, THE TWO MET 1019 00:50:40,788 --> 00:50:43,122 WHILE SHE AUDITIONED TO BE HIS BACKUP DANCER. 1020 00:50:43,166 --> 00:50:46,333 IN OTHER ENTERTAINMENT NEWS, EDDIE MURPHY'S THE NUTTY PROF-- 1021 00:50:58,765 --> 00:51:01,265 [ KNOCK ON DOOR ] Diane: AALIYAH, YOUR CAR IS HERE. 1022 00:51:01,309 --> 00:51:03,809 COMING. 1023 00:51:07,398 --> 00:51:09,648 I SAY WE PLAY HER THE ONE WITH THE DOUBLE-BEAT. 1024 00:51:09,692 --> 00:51:11,942 I'M WORRIED IT MIGHT BE TOO OUT THERE FOR HER. 1025 00:51:11,986 --> 00:51:14,236 IF AALIYAH WASN'T DOWN TO STEP OUTSIDE THE BOX, 1026 00:51:14,280 --> 00:51:15,613 WE WOULDN'T BE HERE. 1027 00:51:15,656 --> 00:51:17,698 YOU DON'T THINK IT GOT TOO MUCH EDGE? 1028 00:51:17,742 --> 00:51:21,285 ALL I KNOW IS WHEN SHE SAID MISSY AND TIM, SHE MEANT -- 1029 00:51:21,329 --> 00:51:23,829 HEY. WHAT UP, AALIYAH? 1030 00:51:23,873 --> 00:51:25,706 I'M COOL. 1031 00:51:25,750 --> 00:51:27,917 HEY, GIRL. 1032 00:51:27,960 --> 00:51:29,627 THIS IS MY BROTHER, RASHAD. WHAT'S UP? WHAT'S UP? 1033 00:51:29,670 --> 00:51:31,295 RASHAD, THIS IS TIMBALAND AND MISSY ELLIOTT. 1034 00:51:31,339 --> 00:51:32,922 NICE MEETING YOU, EVERYONE. 1035 00:51:32,965 --> 00:51:35,049 RASHAD IS MY CREATIVE CONSULTANT. 1036 00:51:35,093 --> 00:51:39,011 HE KNOWS ALL THE LATEST ABOUT FASHION, MOVIES, MUSIC. 1037 00:51:39,055 --> 00:51:41,514 ALL RIGHT, ALL RIGHT. WELCOME TO THE LAB, MAN. 1038 00:51:41,557 --> 00:51:42,932 THANKS, MAN. I'M A BIG FAN OF YOURS. 1039 00:51:42,975 --> 00:51:44,391 AH, I LIKE THIS DUDE. 1040 00:51:44,435 --> 00:51:46,018 [ CHUCKLES ] 1041 00:51:46,062 --> 00:51:47,770 [ CHUCKLES ] 1042 00:51:47,814 --> 00:51:49,563 I WANT TO PLAY YOU SOMETHING. 1043 00:51:49,607 --> 00:51:51,857 OKAY. 1044 00:51:51,901 --> 00:51:53,400 NOW, IT'S SOMETHING I BEEN PLAYIN' WITH, 1045 00:51:53,444 --> 00:51:55,277 SO IF YOU AIN'T FEELING IT, NO OFFENSE. 1046 00:51:55,321 --> 00:51:56,779 LET ME HEAR IT. 1047 00:52:00,827 --> 00:52:05,121 [ HIP-HOP MUSIC PLAYS ] 1048 00:52:25,893 --> 00:52:28,894 [ MUSIC STOPS ] SO, WHATCHA THINK? 1049 00:52:30,314 --> 00:52:31,564 YOU HATED IT. 1050 00:52:31,607 --> 00:52:32,857 LOOK. 1051 00:52:32,900 --> 00:52:36,360 DON'T TAKE THIS THE WRONG WAY... 1052 00:52:36,404 --> 00:52:37,987 BUT Y'ALL A LITTLE CRAZY. 1053 00:52:38,030 --> 00:52:39,947 TRUE. HE A LIL' OFF. 1054 00:52:39,991 --> 00:52:41,365 YO, REALLY? 1055 00:52:41,409 --> 00:52:42,658 Missy: YOU ARE, TIMMY. TIMMY? 1056 00:52:42,702 --> 00:52:44,160 HE HATES WHEN I CALL HIM THAT. 1057 00:52:44,203 --> 00:52:46,579 CAN I CALL YOU TIMMY? NO, YOU CAN'T. 1058 00:52:46,622 --> 00:52:48,539 Y'ALL THINK MY TRACKS ARE WHACK. 1059 00:52:48,583 --> 00:52:50,666 DOPE. 1060 00:52:50,710 --> 00:52:52,877 THAT WAS DOPE. YOU MEAN... 1061 00:52:52,920 --> 00:52:54,587 YEAH. 1062 00:52:54,630 --> 00:52:56,380 SO THE STUFF YOU WERE SAYING ABOUT ME BEING -- 1063 00:52:56,424 --> 00:52:57,923 OH, NO, NO, NO, I MEANT ALL OF THAT. 1064 00:52:57,967 --> 00:52:59,383 [ CHUCKLES ] 1065 00:52:59,427 --> 00:53:01,635 BUT AFTER HEARING THAT TRACK, 1066 00:53:01,679 --> 00:53:05,931 I AM CONVINCED YOU GUYS ARE CRAZY. 1067 00:53:05,975 --> 00:53:07,975 IN A GOOD WAY. 1068 00:53:08,019 --> 00:53:09,727 MM. SO THERE'S A GOOD WAY? 1069 00:53:09,770 --> 00:53:11,437 MM-HMM. 1070 00:53:11,480 --> 00:53:14,190 Y'ALL ARE EXACTLY WHAT I WAS LOOKING FOR. 1071 00:53:14,233 --> 00:53:16,025 I KNEW Y'ALL WOULD BRING IT. 1072 00:53:18,946 --> 00:53:20,779 WHAT'S UP? 1073 00:53:20,823 --> 00:53:23,574 IT'S JUST... 1074 00:53:23,618 --> 00:53:26,702 WE NEVER HAD, LIKE, A PLATINUM RECORDING ARTIST 1075 00:53:26,746 --> 00:53:29,496 WILLING TO ROCK WITH US LIKE THIS. 1076 00:53:29,540 --> 00:53:31,165 TO BE HONEST, 1077 00:53:31,209 --> 00:53:33,459 WE WAS A LITTLE WORRIED ABOUT LIVIN' UP TO "AGE." 1078 00:53:33,502 --> 00:53:36,086 I MEAN, YOU HAD R. KELLY BEHIND THE BOARD. 1079 00:53:36,130 --> 00:53:38,881 YEAH, WELL, I'M NOT GONNA LIE. 1080 00:53:38,925 --> 00:53:41,300 I WAS A LITTLE SCARED, TOO. 1081 00:53:41,344 --> 00:53:45,429 BUT WE GOT TO KEEP PUSHING, NO MATTER HOW SCARED WE ARE. 1082 00:53:45,473 --> 00:53:50,517 THIS COULD BE BIG FOR ALL OF US. 1083 00:53:50,561 --> 00:53:53,479 AND TO KEEP IT REAL WITH YOU... 1084 00:53:53,522 --> 00:53:56,899 I NEED Y'ALL JUST AS MUCH AS Y'ALL NEED ME. 1085 00:53:56,943 --> 00:54:00,110 ALL RIGHT. LET'S DO THIS. 1086 00:54:00,154 --> 00:54:02,863 OH! WHAT DID YOU THINK I CAME HERE FOR? 1087 00:54:02,907 --> 00:54:05,407 [ LAUGHS ] OH! 1088 00:54:05,451 --> 00:54:07,701 THAT TABLE OVER THERE. YES. 1089 00:54:11,707 --> 00:54:13,415 RYAN NICHOLS. C.A.A. 1090 00:54:13,459 --> 00:54:15,459 DIANE. SORRY I'M LATE. 1091 00:54:15,503 --> 00:54:17,920 [ SIREN WAILS ] THANK YOU. 1092 00:54:17,964 --> 00:54:19,797 FIRST OFF, I'M A BIG FAN. 1093 00:54:19,840 --> 00:54:21,966 REALLY, YOUR LAST ALBUM WAS A GAME-CHANGER. 1094 00:54:22,009 --> 00:54:24,176 SO, WHAT'S UP? 1095 00:54:24,220 --> 00:54:26,637 WELL, I'M LOOKING TO TAKE MY CAREER TO THE NEXT LEVEL. 1096 00:54:26,681 --> 00:54:28,639 YOU KNOW, WITH THE RELEASE OF MY NEW ALBUM -- 1097 00:54:28,683 --> 00:54:29,890 YOU WANT TO MAKE SOME MOVES. 1098 00:54:29,934 --> 00:54:31,600 EXACTLY. GOTCHA. 1099 00:54:31,644 --> 00:54:33,269 OFF THE TOP OF MY HEAD, 1100 00:54:33,312 --> 00:54:35,688 I KNOW I CAN GET YOU A FEW PARTS IN SOME URBAN MOVIES. 1101 00:54:35,731 --> 00:54:38,983 I WAS THINKING MORE MAINSTREAM ROLES. 1102 00:54:39,026 --> 00:54:40,484 LIKE LEADS? 1103 00:54:43,990 --> 00:54:47,199 LOOK, I'M JUST GONNA BE FRANK WITH YOU. 1104 00:54:47,243 --> 00:54:50,494 IT IS EXTREMELY HARD FOR A BLACK ACTRESS 1105 00:54:50,538 --> 00:54:53,497 TO LAND LEADS IN BIG STUDIO MOVIES. 1106 00:54:53,541 --> 00:54:57,042 IT'S JUST A REAL LONG SHOT. 1107 00:54:57,086 --> 00:54:59,503 LOOK, I-IT'S NOT FAIR, ALL RIGHT? 1108 00:54:59,547 --> 00:55:01,880 BUT UNFORTUNATELY, IT'S THE TRUTH. 1109 00:55:01,924 --> 00:55:03,924 WHITNEY DID IT WITH "THE BODYGUARD." 1110 00:55:03,968 --> 00:55:07,678 YEAH, BUT WHITNEY ISN'T R&B AND HIP-HOP. 1111 00:55:07,722 --> 00:55:12,141 SHE'S MAINSTREAM, MULTI-GRAMMY WINNING ARTIST. 1112 00:55:12,184 --> 00:55:14,018 I MEAN -- ALSO, SHE HAD KEVIN COSTNER, 1113 00:55:14,061 --> 00:55:15,019 ONE OF THE BIGGEST STARS IN HOLLYWOOD, 1114 00:55:15,062 --> 00:55:16,312 FIGHTING FOR HER, SO... 1115 00:55:18,399 --> 00:55:20,482 HEY, HOW'S -- HOW'S THE ALBUM COMING? 1116 00:55:20,526 --> 00:55:22,568 "ONE IN A MILLION," RIGHT? 1117 00:55:22,611 --> 00:55:24,611 GREAT. MASTERING AS WE SPEAK. 1118 00:55:24,655 --> 00:55:25,904 GOOD. 1119 00:55:25,948 --> 00:55:27,698 I DON'T THINK I HAVE TO TELL YOU 1120 00:55:27,742 --> 00:55:29,700 HOW IMPORTANT A SOPHOMORE ALBUM IS. 1121 00:55:29,744 --> 00:55:31,660 USUALLY, IT MEANS ONE OF TWO THINGS -- 1122 00:55:31,704 --> 00:55:33,537 THAT THE SUCCESS OF THE FIRST ALBUM 1123 00:55:33,581 --> 00:55:35,247 WAS EITHER, YOU KNOW, LUCK OR -- 1124 00:55:35,291 --> 00:55:37,041 OR THAT AN ARTIST IS HERE TO STAY. 1125 00:55:38,627 --> 00:55:40,336 LOOK, WE UNDERSTAND THE MUSIC BUSINESS. 1126 00:55:40,379 --> 00:55:43,547 I'M TRYING TO BREAK INTO FILM. 1127 00:55:43,591 --> 00:55:46,050 SO, ARE YOU OUR GUY OR NOT? 1128 00:55:46,093 --> 00:55:48,719 LET'S TAKE IT ONE STEP AT A TIME. 1129 00:55:48,763 --> 00:55:49,928 HOW ABOUT THAT? 1130 00:55:55,518 --> 00:55:57,811 I DON'T KNOW. 1131 00:55:57,855 --> 00:55:59,855 I DON'T WANT TO DO THE SAME THING THAT WE DID FOR THE LAST ALBUM. 1132 00:55:59,899 --> 00:56:01,190 I WANT TO DO SOMETHING DIFFERENT. 1133 00:56:01,233 --> 00:56:02,316 MM-HMM. LIKE WHAT? 1134 00:56:02,360 --> 00:56:03,942 I WANT TO BE INSPIRED. 1135 00:56:03,986 --> 00:56:06,487 I WANT TO FIND A STYLIST THAT IS CREATIVE ENOUGH 1136 00:56:06,530 --> 00:56:09,406 TO COME UP WITH A LOOK THAT CAPTURES A MOMENT. 1137 00:56:09,450 --> 00:56:12,076 YOU KNOW? CAPTURES ME. 1138 00:56:12,119 --> 00:56:13,911 I KNOW A GUY. HIS NAME IS DEREK LEE. 1139 00:56:13,954 --> 00:56:15,371 I'LL CALL HIM. YES. 1140 00:56:15,414 --> 00:56:17,289 YES. OKAY. OKAY? OKAY. OKAY. 1141 00:56:17,333 --> 00:56:19,500 AND I HAD A THOUGHT ABOUT YOUR HAIR. 1142 00:56:19,543 --> 00:56:20,793 MM. YEAH? 1143 00:56:20,836 --> 00:56:23,837 HOW ABOUT ADDING A LITTLE MYSTERY? 1144 00:56:23,881 --> 00:56:26,632 REMEMBER VERONICA LAKE? 1145 00:56:26,675 --> 00:56:28,842 SHE WAS A BIG MOVIE STAR IN THE '40s. 1146 00:56:28,886 --> 00:56:30,761 YES. SHE WAS BEAUTIFUL. 1147 00:56:30,805 --> 00:56:32,596 YEAH. 1148 00:56:32,640 --> 00:56:38,977 WELL, SHE USED TO COVER ONE OF HER EYES WITH HER HAIR. 1149 00:56:39,021 --> 00:56:40,896 OH, YEAH. 1150 00:56:40,940 --> 00:56:42,481 YOU WANT DIFFERENT, RIGHT? 1151 00:56:42,525 --> 00:56:44,024 I FEEL IT. 1152 00:56:44,068 --> 00:56:47,486 NOTHING WRONG WITH A LITTLE MYSTERY. 1153 00:56:48,739 --> 00:56:50,781 OH! 1154 00:56:50,825 --> 00:56:53,283 [ BOTH LAUGH ] THAT'S RIGHT. 1155 00:56:53,327 --> 00:56:55,160 THAT'S IT. THAT'S IT. 1156 00:56:56,622 --> 00:56:59,665 [ BOTH LAUGH ] 1157 00:56:59,708 --> 00:57:01,417 WHAT DO YOU THINK, IF I HAD JUST A LITTLE... 1158 00:57:01,460 --> 00:57:02,668 [ KNOCK ON DOOR ] YEAH. 1159 00:57:02,711 --> 00:57:04,503 OH, LOOK WHO'S HERE. 1160 00:57:04,547 --> 00:57:07,339 YES, YES. HOW'S IT GOING, BROTHER? 1161 00:57:07,383 --> 00:57:09,508 DUDE, YOU ALL RIGHT? GOOD. 1162 00:57:09,552 --> 00:57:12,386 IS THIS THE MAN OF THE HOUR? 1163 00:57:12,430 --> 00:57:14,596 DEREK LEE. HI. AALIYAH. 1164 00:57:14,640 --> 00:57:17,224 SO, ERIC TOLD YOU WHAT I WAS GOING FOR? 1165 00:57:17,268 --> 00:57:18,642 YES, HE DID. 1166 00:57:18,686 --> 00:57:20,394 AND I THINK WHENEVER YOU PERFORM -- 1167 00:57:20,438 --> 00:57:22,396 IN CONCERTS, IN YOUR VIDEOS, ON TV SHOWS -- 1168 00:57:22,440 --> 00:57:27,151 WARDROBE SHOULD BE TREATED LIKE YOUR COSTAR. 1169 00:57:27,194 --> 00:57:30,112 NOW, I AM A STRAIGHT GUY FROM THE EAST VILLAGE. 1170 00:57:30,156 --> 00:57:33,323 MY MOTHER IS A FASHION EDITOR AT ESSENCE. 1171 00:57:33,367 --> 00:57:35,409 SO WHEN I GO AND PICK OUT GEAR, 1172 00:57:35,453 --> 00:57:37,619 I DON'T JUST WANT HOT AND SEXY. 1173 00:57:37,663 --> 00:57:40,122 I WANT TO CREATE THE KIND OF LOOK ON A GIRL 1174 00:57:40,166 --> 00:57:42,875 THAT ME AND THE BOYS FROM THE NEIGHBORHOOD 1175 00:57:42,918 --> 00:57:45,377 FIND REALLY ATTRACTIVE. 1176 00:57:45,421 --> 00:57:46,962 I WANT TO MEET HIS MOM. 1177 00:57:47,006 --> 00:57:49,590 I WANT TO MEET HIS FRIENDS. [ Chuckling ] OKAY. 1178 00:57:49,633 --> 00:57:55,846 NOW, I'M SEEING YOU AS, LIKE, A SEXY FEMALE SUPERHERO, 1179 00:57:55,890 --> 00:57:59,224 PAM GRIER, BLAXPLOITATION TYPE. 1180 00:57:59,268 --> 00:58:02,102 NOW, I KNOW THAT YOU'RE VERY USED TO YOUR LOOSE-FITTING CLOTHING, 1181 00:58:02,146 --> 00:58:05,272 BUT JUST PLEASE KEEP AN OPEN MIND ON THIS ONE. 1182 00:58:05,316 --> 00:58:08,484 [ GASPS ] 1183 00:58:08,527 --> 00:58:10,819 WOW! 1184 00:58:10,863 --> 00:58:13,071 PERFORMING THE BRAND-NEW HIT SINGLE FROM HER SOPHOMORE ALBUM, 1185 00:58:13,115 --> 00:58:16,116 PLEASE WELCOME TO THE SHOW AALIYAH. 1186 00:58:16,160 --> 00:58:19,828 [ CHEERS AND APPLAUSE ] [ "GOT TO GIVE IT UP" PLAYS ] 1187 00:58:30,090 --> 00:58:33,550 ♪ I USED TO GO OUT TO PARTIES ♪ 1188 00:58:33,594 --> 00:58:36,678 ♪ AND STAND AROUND ♪ 1189 00:58:38,265 --> 00:58:42,601 ♪ 'CAUSE I WAS TOO NERVOUS ♪ 1190 00:58:42,645 --> 00:58:45,145 ♪ TO REALLY GET DOWN ♪ 1191 00:58:47,149 --> 00:58:54,196 ♪ BUT MY BODY YEARNED TO BE FREE ♪ 1192 00:58:54,240 --> 00:58:56,448 ♪ I WENT OFF ON THE FLOOR ♪ 1193 00:58:56,492 --> 00:59:02,496 ♪ SO SOMEBODY WOULD CHOOSE ME ♪ 1194 00:59:02,540 --> 00:59:09,711 ♪ NO MORE STANDING UPSIDE THE WALL ♪ 1195 00:59:09,755 --> 00:59:13,882 ♪ NOW I GOT MYSELF TOGETHER, BABY ♪ 1196 00:59:13,926 --> 00:59:16,552 ♪ AND I'M HAVING A BALL ♪ 1197 00:59:17,972 --> 00:59:21,598 ♪ LONG AS YOUR GROOVIN' ♪ 1198 00:59:21,642 --> 00:59:25,519 ♪ THERE'S ALWAYS A CHANCE ♪ 1199 00:59:27,106 --> 00:59:29,481 ♪ SOMEBODY WATCHIN' ♪ 1200 00:59:29,525 --> 00:59:32,734 ♪ MIGHT WANNA MAKE ROMANCE ♪ 1201 00:59:34,530 --> 00:59:37,990 ♪ MOVE YOUR BODY, OOH, BABY ♪ 1202 00:59:38,033 --> 00:59:41,994 ♪ AND DANCE ALL NIGHT ♪ 1203 00:59:42,037 --> 00:59:46,206 ♪ TO THE GROOVIN' ♪ 1204 00:59:46,250 --> 00:59:49,126 ♪ FEEL ALL RIGHT ♪ 1205 00:59:49,169 --> 00:59:53,964 ♪ MOVE YOUR BODY, OH ♪ 1206 00:59:54,008 --> 00:59:57,509 ♪ AND MOVE YOUR FEET ♪ 1207 00:59:57,553 --> 01:00:00,846 ♪ 'CAUSE THE DEEJAY'S GROOVIN' ♪ 1208 01:00:00,889 --> 01:00:03,515 ♪ OH, AND IT SOUNDS SO SWEET ♪ 1209 01:00:03,559 --> 01:00:06,018 ♪ COME ON ♪ 1210 01:00:06,061 --> 01:00:12,107 ♪ BABY, JUST PARTY ON AND ON ♪ 1211 01:00:12,151 --> 01:00:13,692 [ CROWD CHEERS ] 1212 01:00:13,736 --> 01:00:19,406 ♪ 'CAUSE THIS PARTY IS JUMPIN' TILL THE BREAK OF DAWN ♪ 1213 01:00:21,952 --> 01:00:25,120 ♪ SEXY BABY ♪ 1214 01:00:25,164 --> 01:00:27,122 ♪ SEXY BABY ♪ 1215 01:00:27,166 --> 01:00:28,790 ♪ SEXY BABY ♪ 1216 01:00:28,834 --> 01:00:31,126 ♪ SEXY BABY, BABY ♪ 1217 01:00:31,170 --> 01:00:33,211 ♪ SEXY BABY ♪ 1218 01:00:33,255 --> 01:00:35,130 ♪ SEXY BABY ♪ 1219 01:00:35,174 --> 01:00:36,673 ♪ SEXY BABY ♪ 1220 01:00:36,717 --> 01:00:38,842 ♪ SEXY BABY, BABY ♪ 1221 01:00:38,886 --> 01:00:42,721 ♪ YOU CAN HAVE ME WHEN YOU WANT TO, BABE ♪ 1222 01:00:42,765 --> 01:00:46,808 ♪ THIS IS SUCH A LIVE PARTY, BABY ♪ 1223 01:00:46,852 --> 01:00:51,438 ♪ GOIN' CRAZY IN THIS PLACE TONIGHT ♪ 1224 01:00:51,482 --> 01:00:54,524 ♪ AND THE FEELIN' IS OH SO RIGHT ♪ 1225 01:00:54,568 --> 01:00:56,234 ♪ YEAH ♪ 1226 01:00:56,278 --> 01:00:57,819 ♪ ALL THE FELLAS IN HERE ARE SO FINE ♪ 1227 01:01:03,201 --> 01:01:06,536 [ CROWD CHEERING, HIP-HOP MUSIC PLAYING ] 1228 01:01:11,627 --> 01:01:15,337 [ CAMERA SHUTTERS CLICKING ] 1229 01:01:20,719 --> 01:01:24,304 NOW, A LOT HAS CHANGED SINCE THE LAST TIME WE SPOKE. 1230 01:01:24,431 --> 01:01:25,889 A LITTLE BIT. 1231 01:01:25,933 --> 01:01:27,557 YOUR SOPHOMORE ALBUM, "ONE IN A MILLION," 1232 01:01:27,601 --> 01:01:29,059 FEELS LIKE ALBUM OF THE YEAR. 1233 01:01:29,103 --> 01:01:30,477 IT'S DOING PRETTY WELL. 1234 01:01:30,604 --> 01:01:32,688 NOW, HERE YOU GO BEING ALL MODEST, 1235 01:01:32,731 --> 01:01:34,731 KNOWING FULL WELL THAT YOUR REIGN 1236 01:01:34,775 --> 01:01:37,901 AS PRINCESS OF R&B IS OFFICIALLY LOCKED UP. 1237 01:01:37,945 --> 01:01:39,778 YOU'RE A BONA FIDE SUPERSTAR NOW. 1238 01:01:39,822 --> 01:01:40,779 I MEAN, LOOK AT THIS. 1239 01:01:40,823 --> 01:01:42,197 IT'S "AALIYAH MANIA" OUTSIDE. 1240 01:01:42,241 --> 01:01:44,157 [ CROWD CHEERS ] 1241 01:01:44,201 --> 01:01:46,993 THANKS SO MUCH TO ALL THE FANS WHO BOUGHT THE NEW ALBUM. 1242 01:01:47,037 --> 01:01:48,995 IT'S GONE DOUBLE PLATINUM IN THE U.S. 1243 01:01:49,039 --> 01:01:51,456 I CAN'T EXPRESS HOW MUCH THAT MEANS TO ME. 1244 01:01:51,500 --> 01:01:54,292 AND ANOTHER SHOUT-OUT TO TIMBALAND AND MISSY ELLIOT. 1245 01:01:54,336 --> 01:01:55,919 Y'ALL DID YOUR THING ON THIS ALBUM. 1246 01:01:56,046 --> 01:01:57,546 WITH "ONE IN A MILLION," 1247 01:01:57,589 --> 01:02:01,550 YOU ARE NOW ONE OF THE BIGGEST NAMES IN MUSIC. 1248 01:02:01,593 --> 01:02:04,803 WHAT'S LIFE LIKE THESE DAYS? 1249 01:02:04,847 --> 01:02:07,180 I'M DEFINITELY MORE COMFORTABLE WITH THE FAME, 1250 01:02:07,224 --> 01:02:10,350 BUT I THINK I'M MORE HUMBLED BY THE AMAZING THINGS 1251 01:02:10,394 --> 01:02:12,310 THAT ARE HAPPENING IN MY LIFE. 1252 01:02:12,354 --> 01:02:14,771 WHAT'S NEXT FOR YOU? HONESTLY? 1253 01:02:14,815 --> 01:02:17,357 [ SIGHS ] MOVIES. AH! 1254 01:02:17,401 --> 01:02:19,693 YOU HEARD IT HERE FIRST, PEOPLES. 1255 01:02:19,737 --> 01:02:22,279 AALIYAH, THANK YOU FOR STOPPING BY. 1256 01:02:22,322 --> 01:02:23,780 THANK YOU FOR HAVING ME. 1257 01:02:23,824 --> 01:02:26,950 ALL RIGHT. AALIYAH, LADIES AND GENTLEMEN. 1258 01:02:27,911 --> 01:02:29,745 GAME. 1259 01:02:29,788 --> 01:02:31,580 ARE YOU STACKING THE DECK? 1260 01:02:31,623 --> 01:02:33,248 PAY UP, BABYGIRL. 1261 01:02:33,292 --> 01:02:35,000 [ DOORBELL RINGS ] 1262 01:02:35,043 --> 01:02:36,710 Rashad: I GOT IT. 1263 01:02:39,089 --> 01:02:40,547 HEY. Ryan: HI. 1264 01:02:40,591 --> 01:02:42,799 RYAN NICHOLS. IS AALIYAH HOME? 1265 01:02:42,843 --> 01:02:44,259 AALIYAH. 1266 01:02:50,601 --> 01:02:52,642 Mike: YOU DO REALIZE THAT EVERY AGENCY IN HOLLYWOOD 1267 01:02:52,686 --> 01:02:54,895 WANTS TO SIGN HER NOW. MM. 1268 01:02:55,189 --> 01:03:00,317 BUT, HEY, I'M THE ONLY ONE HERE IN DETROIT 1269 01:03:00,360 --> 01:03:01,735 AND IN YOUR LIVING ROOM. 1270 01:03:01,779 --> 01:03:03,820 SO, IF SHE SIGNS, WHAT'S YOUR GAME PLAN? 1271 01:03:03,864 --> 01:03:06,907 WELL, THE IDEA IS WE GET AALIYAH INTO THE RIGHT ROOMS, 1272 01:03:06,950 --> 01:03:09,576 WITH SOME OF THE MOST POWERFUL PEOPLE IN MOVIES, 1273 01:03:09,620 --> 01:03:12,537 AND A SOUNDTRACK. 1274 01:03:12,581 --> 01:03:15,207 SHE'S NOT REALLY INTERESTED IN BEING ON ANOTHER SOUNDTRACK. 1275 01:03:15,250 --> 01:03:17,501 RIGHT, BUT THIS ISN'T JUST ANOTHER SOUNDTRACK. 1276 01:03:17,544 --> 01:03:20,629 DO YOU REMEMBER THAT FILM "ANASTASIA"? YEAH. 1277 01:03:20,672 --> 01:03:24,424 RIGHT, SO, FOX IS DOING AN ANIMATED VERSION WITH MEG RYAN. 1278 01:03:24,468 --> 01:03:29,513 I THINK HAVING YOU DO THE THEME SONG WOULD BE HUGE. 1279 01:03:29,556 --> 01:03:31,556 AND IT WOULD SHOW HOLLYWOOD YOU GOT RANGE. 1280 01:03:31,600 --> 01:03:32,808 AND YOU CAN MAKE THIS HAPPEN? 1281 01:03:32,851 --> 01:03:34,267 I'D LOVE TO SHOW YOU. 1282 01:03:38,524 --> 01:03:40,315 IS THAT A YES? 1283 01:03:40,359 --> 01:03:42,317 OKAY. 1284 01:03:42,361 --> 01:03:44,236 YES! HA-HA! 1285 01:03:44,279 --> 01:03:45,946 THANK YOU, SIR. THANK YOU VERY MUCH. 1286 01:03:45,989 --> 01:03:47,697 AND THANK YOU. 1287 01:03:47,741 --> 01:03:50,742 YOU WON'T REGRET THIS. 1288 01:03:54,998 --> 01:03:58,750 OOH, BABYGIRL, YOU LOOK BEAUTIFUL. 1289 01:03:58,794 --> 01:04:00,669 [ CHUCKLES ] I ACTUALLY LIKE IT. 1290 01:04:00,712 --> 01:04:02,087 [ LAUGHS ] 1291 01:04:02,130 --> 01:04:03,713 I HAVE TO MARK THIS DATE ON THE CALENDAR. 1292 01:04:03,757 --> 01:04:06,591 MY DAUGHTER IN A DRESS. 1293 01:04:06,635 --> 01:04:10,095 YOU KNOW, I STILL CAN'T BELIEVE IT. 1294 01:04:10,138 --> 01:04:13,181 I HAVE JUST PUT ON THE DRESS 1295 01:04:13,225 --> 01:04:17,811 THAT I WILL BE WEARING TO PERFORM AT THE OSCARS! 1296 01:04:17,855 --> 01:04:20,355 AT THE OSCARS. 1297 01:04:20,399 --> 01:04:23,358 WOW! [ SIGHS ] 1298 01:04:23,402 --> 01:04:26,278 [ APPLAUSE ] 1299 01:04:29,241 --> 01:04:31,992 [ EXHALES ] I AM REALLY NERVOUS, MOM. 1300 01:04:32,035 --> 01:04:34,494 ME, TOO. 1301 01:04:34,538 --> 01:04:36,955 HOW MANY PEOPLE ARE GONNA SEE THIS? 1302 01:04:36,999 --> 01:04:39,833 OH, NOT MANY. JUST ABOUT 50 MILLION. 1303 01:04:39,877 --> 01:04:43,587 Announcer: SINGING "JOURNEY TO THE PAST" FROM "ANASTASIA," 1304 01:04:43,630 --> 01:04:46,006 NOMINATED FOR BEST ORIGINAL SONG... 1305 01:04:46,049 --> 01:04:47,465 THANK YOU. 1306 01:04:47,509 --> 01:04:49,926 ...LADIES AND GENTLEMEN, AALIYAH. 1307 01:04:49,970 --> 01:04:51,887 [ APPLAUSE ] YOU GOT THIS! 1308 01:04:51,930 --> 01:04:55,765 [ APPLAUSE CONTINUES ] 1309 01:04:57,936 --> 01:05:01,062 [ INTRODUCTION PLAYS ] 1310 01:05:03,483 --> 01:05:06,109 ♪ HEART, DON'T FAIL ME NOW ♪ 1311 01:05:06,153 --> 01:05:08,987 ♪ COURAGE, DON'T DESERT ME ♪ 1312 01:05:09,031 --> 01:05:14,451 ♪ DON'T TURN BACK NOW THAT WE'RE HERE ♪ 1313 01:05:14,494 --> 01:05:16,953 ♪ PEOPLE ALWAYS SAY ♪ 1314 01:05:16,997 --> 01:05:20,498 ♪ LIFE IS FULL OF CHOICES ♪ 1315 01:05:20,542 --> 01:05:25,003 ♪ NO ONE EVER MENTIONS FEAR ♪ 1316 01:05:25,047 --> 01:05:30,550 ♪ OR HOW THE ROAD CAN SEEM SO LONG ♪ 1317 01:05:30,594 --> 01:05:35,972 ♪ HOW THE WORLD CAN SEEM SO VAST ♪ 1318 01:05:36,016 --> 01:05:39,059 ♪ COURAGE, SEE ME THROUGH ♪ 1319 01:05:39,102 --> 01:05:45,774 ♪ HEART, I'M TRUSTING YOU ON THIS JOURNEY ♪ 1320 01:05:45,817 --> 01:05:51,571 ♪ TO THE PA-A-A-AST ♪ 1321 01:05:53,825 --> 01:05:56,952 ♪ HEART, DON'T FAIL ME NOW ♪ 1322 01:05:56,995 --> 01:05:58,536 ♪ DON'T FAIL ME NOW ♪ 1323 01:05:58,580 --> 01:06:01,498 ♪ COURAGE, DON'T DESERT ME ♪ 1324 01:06:01,541 --> 01:06:03,500 ♪ COURAGE, SEE ME THROUGH ♪ 1325 01:06:03,543 --> 01:06:08,088 ♪ HOME, LOVE, FAMILY ♪ 1326 01:06:08,131 --> 01:06:12,884 ♪ I WILL NEVER BE COMPLETE UNTIL I FIND YOU ♪ 1327 01:06:12,928 --> 01:06:16,888 ♪ HE-E-EY ♪ 1328 01:06:16,974 --> 01:06:19,808 ♪ ONE STEP AT A TIME ♪ 1329 01:06:19,851 --> 01:06:22,560 ♪ ONE HOPE, THEN ANOTHER ♪ 1330 01:06:22,604 --> 01:06:27,774 ♪ WHO KNOWS WHERE THIS ROAD MAY GO? ♪ 1331 01:06:27,818 --> 01:06:30,568 ♪ BACK TO WHO I WAS ♪ 1332 01:06:30,612 --> 01:06:33,613 ♪ ON TO FIND MY FUTURE ♪ 1333 01:06:33,657 --> 01:06:38,576 ♪ THINGS MY HEART STILL NEEDS TO KNOW ♪ 1334 01:06:38,620 --> 01:06:41,788 ♪ YES, LET THIS BE A SIGN ♪ 1335 01:06:41,832 --> 01:06:44,249 ♪ LET THIS ROAD BE MINE ♪ 1336 01:06:44,292 --> 01:06:49,587 ♪ LET IT LEAD ME TO MY PAST ♪ 1337 01:06:49,631 --> 01:06:52,924 ♪ COURAGE, SEE ME THROUGH ♪ 1338 01:06:52,968 --> 01:06:59,222 ♪ HEART, I'M TRUSTING YOU TO BRING ME HOME ♪ 1339 01:06:59,266 --> 01:07:05,603 ♪ AT LA-A-A-A-A-AST ♪ 1340 01:07:05,647 --> 01:07:12,027 ♪ AT LA-A-A-A-A-AST ♪ 1341 01:07:12,070 --> 01:07:14,571 [ APPLAUSE ] 1342 01:07:14,614 --> 01:07:17,198 YOU NAILED IT! [ LAUGHS ] 1343 01:07:23,832 --> 01:07:25,331 YEAH. THANKS. 1344 01:07:25,375 --> 01:07:28,793 SHE'S GONNA BE A MOVIE STAR, LORENZO. 1345 01:07:28,837 --> 01:07:30,336 MARK MY WORDS. 1346 01:07:30,380 --> 01:07:32,547 RYAN, WITH ALL DUE RESPECT, 1347 01:07:32,591 --> 01:07:35,091 ALMOST EVERY SINGER I'VE EVER MET 1348 01:07:35,135 --> 01:07:37,802 THOUGHT THEY HAD WHAT IT TAKES TO BE A MOVIE STAR. 1349 01:07:37,846 --> 01:07:39,846 SO, WHAT MAKES YOU ANY DIFFERENT? 1350 01:07:39,890 --> 01:07:44,017 WELL, THIS STUDIO DID OVER $400 MILLION 1351 01:07:44,061 --> 01:07:46,436 ON A MOVIE CO-STARRING WHITNEY HOUSTON. 1352 01:07:46,480 --> 01:07:48,980 NOW, I'M NOT SAYIN' THAT I'M ON HER LEVEL. 1353 01:07:49,024 --> 01:07:51,149 BUT HER MUSIC TRANSCENDED COLOR. 1354 01:07:51,193 --> 01:07:54,027 BECAUSE LET'S FACE IT, THAT'S WHAT MUSIC DOES. 1355 01:07:54,071 --> 01:07:57,155 AND I'M WILLING TO BET THAT THAT HAD SOMETHING TO DO 1356 01:07:57,199 --> 01:07:59,657 WITH WARNER BROS. GIVING HER THAT ROLE. 1357 01:07:59,701 --> 01:08:02,410 WELL, I'VE SOLD OVER 12 MILLION RECORDS, 1358 01:08:02,454 --> 01:08:04,788 AND 60% OF MY SALES ARE INTERNATIONAL. 1359 01:08:04,831 --> 01:08:08,416 MY FANS AREN'T JUST IN THE U.S., AND THEY AIN'T JUST BLACK. 1360 01:08:08,460 --> 01:08:11,086 I'M TELLING YOU, CASTING HER IN ONE OF YOUR MOVIES 1361 01:08:11,129 --> 01:08:13,046 IS GONNA BE THE BEST DECISION YOU EVER MADE. 1362 01:08:13,090 --> 01:08:15,465 I'M THE GIRL YOU WANT TO BET ON, LORENZO. 1363 01:08:15,509 --> 01:08:18,802 I SUCCEED IN EVERYTHING I PUT MY MIND TO. 1364 01:08:18,845 --> 01:08:22,305 I HAVE A FILM I'M WORKING ON WITH JOEL SILVER. 1365 01:08:22,349 --> 01:08:23,556 MIGHT BE A FIT. 1366 01:08:23,600 --> 01:08:27,352 IT'S AN ACTION FILM STARRING JET LI. 1367 01:08:27,395 --> 01:08:30,313 IT'S CALLED "ROMEO MUST DIE." 1368 01:08:30,357 --> 01:08:33,441 [ TELEPHONE RINGS ] 1369 01:08:36,988 --> 01:08:40,073 UH, HE WAS CUTE, AND HE WAS DEFINITELY CHECKING YOU OUT. 1370 01:08:40,117 --> 01:08:42,325 [ ELEVATOR BELL DINGS ] [ SCOFFS ] 1371 01:08:55,173 --> 01:08:56,965 CAN WE TALK? 1372 01:08:57,008 --> 01:08:58,508 SURE. 1373 01:09:06,935 --> 01:09:09,269 I'M WORRIED ABOUT YOU. 1374 01:09:09,312 --> 01:09:12,438 YOU HAVEN'T HAD A SERIOUS RELATIONSHIP SINCE -- 1375 01:09:12,482 --> 01:09:14,816 I'M FOCUSING ON MY CAREER RIGHT NOW. 1376 01:09:14,860 --> 01:09:16,401 [ SIGHS ] 1377 01:09:16,444 --> 01:09:18,361 BESIDES, LOVE IS OVERRATED. 1378 01:09:18,405 --> 01:09:20,947 [ SCOFFS ] AALIYAH. 1379 01:09:20,991 --> 01:09:24,617 IT'S BEEN FIVE YEARS. YOU SHOULD BE -- 1380 01:09:24,661 --> 01:09:26,870 DO YOU KNOW HOW LONG IT TOOK FOR ME TO GET OVER HIM? 1381 01:09:26,913 --> 01:09:31,958 I UNDERSTAND WHY IT HAD TO END. 1382 01:09:32,002 --> 01:09:36,671 BUT UNDERSTANDING DOESN'T MAKE ME FEEL ANY BETTER. 1383 01:09:41,219 --> 01:09:43,928 WHEN THINGS ENDED WITH ROBERT, I LOST A PIECE OF ME. 1384 01:09:43,972 --> 01:09:45,471 NO, YOU DIDN'T. 1385 01:09:45,515 --> 01:09:47,724 YES, MOMMY, I DID. 1386 01:09:50,187 --> 01:09:54,314 AND I'M SCARED OF IT HAPPENING AGAIN. 1387 01:09:54,357 --> 01:09:56,482 [ CROWD CHEERING, CAMERA SHUTTERS CLICKING ] 1388 01:09:56,526 --> 01:09:57,817 Man: AALIYAH! 1389 01:09:57,861 --> 01:09:59,235 Man #2: AALIYAH, OVER HERE! OVER HERE! 1390 01:09:59,279 --> 01:10:01,029 AALIYAH, HOW DOES IT FEEL 1391 01:10:01,072 --> 01:10:02,697 TO BE AT THE HOLLYWOOD PREMIERE OF YOUR FIRST MOVIE? 1392 01:10:02,741 --> 01:10:04,032 IT FEELS AMAZING. 1393 01:10:04,075 --> 01:10:05,742 WHAT ATTRACTED YOU TO THIS ROLE? 1394 01:10:05,785 --> 01:10:07,493 I WAS LOOKING FOR THE RIGHT PART, 1395 01:10:07,537 --> 01:10:09,204 AND "ROMEO" WAS A PERFECT FIT. 1396 01:10:09,247 --> 01:10:12,665 TRISH'S CHARACTER IS TOUGH, DOESN'T TAKE CRAP FROM ANYBODY, 1397 01:10:12,709 --> 01:10:15,084 AND LIKE ME, SHE'S "STREET BUT SWEET." 1398 01:10:15,128 --> 01:10:16,920 WHERE TO FROM HERE? 1399 01:10:16,963 --> 01:10:19,923 WELL, ONE OF MY FAVORITE BOOKS IS BEING ADAPTED INTO A MOVIE, 1400 01:10:19,966 --> 01:10:21,424 SO FINGERS CROSSED. 1401 01:10:21,468 --> 01:10:22,675 ♪ LET'S GO! ♪ 1402 01:10:22,802 --> 01:10:26,012 [ HIP-HOP MUSIC PLAYS ] 1403 01:10:29,434 --> 01:10:32,185 I CAN'T BELIEVE YOU FLEW IN JUST FOR MY BIRTHDAY. 1404 01:10:32,229 --> 01:10:34,729 I KNOW YOUR SCHEDULE MUST BE INSANE. 1405 01:10:34,773 --> 01:10:36,564 KEISHA, I WOULDN'T HAVE MISSED THIS FOR THE WORLD. 1406 01:10:36,608 --> 01:10:38,024 SO, TELL ME WHAT'S GOING ON WITH YOU. 1407 01:10:38,068 --> 01:10:39,609 I GOT A YEAR LEFT AT WAYNE STATE, 1408 01:10:39,653 --> 01:10:41,486 AND I THINK I'M GONNA GET THIS INTERNSHIP 1409 01:10:41,529 --> 01:10:42,862 AT A REALLY COOL DESIGN FIRM. 1410 01:10:42,906 --> 01:10:45,073 [ GASPS ] THAT'S SO AWESOME. 1411 01:10:45,116 --> 01:10:48,034 WELL, IT AIN'T AS GLAMOROUS AS LIVING ON CENTRAL PARK WEST. 1412 01:10:48,078 --> 01:10:49,911 WHAT MADE YOU DECIDE TO MOVE TO NEW YORK? 1413 01:10:49,955 --> 01:10:51,496 WITH ALL THE MOVIE STUFF YOU GOT GOING ON, 1414 01:10:51,539 --> 01:10:52,956 I FIGURED IT'D BE L.A. 1415 01:10:52,999 --> 01:10:54,958 WELL, YOU KNOW, MY FAMILY'S FROM NEW YORK. 1416 01:10:55,001 --> 01:10:56,501 THAT'S RIGHT. YOU WERE BORN THERE. 1417 01:10:56,544 --> 01:10:58,211 YEAH, SO IT'S IN MY BLOOD. 1418 01:10:58,255 --> 01:11:00,588 GOT TO FEEL GOOD TO BE SETTLED BACK IN ONE PLACE. 1419 01:11:00,632 --> 01:11:03,216 ALTHOUGH, I AM GOING TO A ROC-A-FELLA PARTY 1420 01:11:03,260 --> 01:11:05,218 IN THE HAMPTONS THIS WEEKEND. 1421 01:11:05,262 --> 01:11:06,844 YOU SHOULD COME WITH ME! 1422 01:11:06,888 --> 01:11:08,221 DAMN. 1423 01:11:08,265 --> 01:11:09,973 I GOT TO STAY IN TOWN THIS WEEKEND. 1424 01:11:10,016 --> 01:11:12,225 OKAY. FORGET THE HAMPTONS. 1425 01:11:12,269 --> 01:11:15,728 I GOT YOU RIGHT NOW. LET'S DANCE! 1426 01:11:15,772 --> 01:11:18,856 ♪ IF YOU WANNA SEE ME, YOU CAN GET YOUR CREW ♪ 1427 01:11:18,900 --> 01:11:21,901 ♪ WE CAN TAKE THIS THING DOWN ON THE DANCE FLOOR ♪ 1428 01:11:21,945 --> 01:11:25,571 ♪ HEY, LADIES, MY MERCEDES IS STILL ON THE LOT ♪ 1429 01:11:25,615 --> 01:11:27,657 ♪ BUT YOU'RE STILL ON THE DOCK ♪ 1430 01:11:27,701 --> 01:11:29,158 ♪ GOT THE FREAKS ON LOCK, CAN I FEEL ON THE TOP? ♪ 1431 01:11:29,202 --> 01:11:32,328 ♪ THE HEAT DON'T STOP THIS WHEEL ON THE BLOCK ♪ 1432 01:11:32,372 --> 01:11:35,915 [ INDISTINCT CONVERSATIONS ] 1433 01:11:35,959 --> 01:11:37,750 YO, I'M GONNA GET THAT FIRST. 1434 01:11:37,794 --> 01:11:39,752 YO, WHAT -- [ VASE SHATTERS ] 1435 01:11:39,796 --> 01:11:41,296 BOUNCE! 1436 01:11:41,339 --> 01:11:43,006 "DAME," IT WAS AN ACCIDENT, MAN. 1437 01:11:43,049 --> 01:11:45,174 CHILL. YOU CHILL ON YOUR WAY BACK TO MANHATTAN. 1438 01:11:45,218 --> 01:11:47,051 HOW ARE WE GONNA GET BACK TO MANHATTAN WHEN WE RODE WITH SEAN? 1439 01:11:47,095 --> 01:11:48,553 Y'ALL WALK BACK, I DON'T CARE. 1440 01:11:48,596 --> 01:11:49,762 BUT Y'ALL OUT OF HERE. 1441 01:11:49,806 --> 01:11:51,639 DAME, MAN, WE WERE JUST PLAYIN'. 1442 01:11:51,683 --> 01:11:53,766 DOES THIS LOOK LIKE A PLAYGROUND TO YOU?! 1443 01:11:53,810 --> 01:11:55,935 WE IN A $7 MILLION CRIB RENTED BY ROC-A-FELLA RECORDS! 1444 01:11:55,979 --> 01:11:57,770 WE'RE BLACK! WE'RE BEING SCRUTINIZED! 1445 01:11:57,814 --> 01:11:59,272 SO DON'T TELL ME TO CHILL. 1446 01:12:02,360 --> 01:12:05,028 YO, WE'RE SORRY, MAN. DUDE, I SAID BOUNCE. 1447 01:12:14,706 --> 01:12:16,122 WHAT Y'ALL LOOKING ALL DUMB IN THE FACE FOR? 1448 01:12:16,166 --> 01:12:17,540 [ HIP-HOP MUSIC PLAYS ] 1449 01:12:17,584 --> 01:12:19,250 ♪ DO-DO-DO-DO-DO ♪ 1450 01:12:19,294 --> 01:12:22,587 ♪ DO-DO-DO-DO-DO ♪ 1451 01:12:22,630 --> 01:12:25,757 [ INDISTINCT RAPPING ] 1452 01:12:32,682 --> 01:12:34,640 YOU PROBABLY THINK I'M CRAZY. 1453 01:12:34,684 --> 01:12:36,684 Aaliyah: DAMON DASH, CRAZY? MM. 1454 01:12:36,728 --> 01:12:39,645 DID THOSE GUYS REALLY WALK BACK TO THE CITY? 1455 01:12:39,689 --> 01:12:41,272 I DON'T KNOW AND I DON'T CARE. 1456 01:12:41,316 --> 01:12:42,899 WE GO BACK TO SEVENTH GRADE. 1457 01:12:42,942 --> 01:12:44,400 THEY KNOW ME. 1458 01:12:44,444 --> 01:12:45,943 AND WHEN IT COMES TO PROTECTING FAMILY, 1459 01:12:45,987 --> 01:12:47,653 THEY ALSO KNOW HOW I CAN GET. 1460 01:12:47,697 --> 01:12:50,198 FAMILY? YOU WERE PROTECTING A VASE. 1461 01:12:50,241 --> 01:12:52,075 IT WASN'T ABOUT A VASE, IT WAS ABOUT SOMEBODY 1462 01:12:52,118 --> 01:12:54,118 CONTACTING THE PRESS AND PUTTING THAT MESS ON JAY. 1463 01:12:54,162 --> 01:12:56,746 HE'S THE BIGGEST RAP STAR ON THE PLANET. 1464 01:12:56,790 --> 01:12:59,707 HIS NAME -- OUR NAME -- IS A BRAND I GOT TO PROTECT, 1465 01:12:59,751 --> 01:13:01,959 REGARDLESS OF THOSE TWO KNUCKLEHEADS. 1466 01:13:02,003 --> 01:13:04,962 SO IF I GOT TO BE THE ONE NO ONE WANTS TO A PROBLEM WITH, 1467 01:13:05,006 --> 01:13:07,840 I'M COOL WITH THAT. 1468 01:13:07,884 --> 01:13:11,260 JAY, KAREEM, THE ROC -- THEY MATTER. 1469 01:13:11,304 --> 01:13:13,805 OTHER THAN THAT, I DON'T CARE WHAT ANYBODY THINKS. 1470 01:13:13,848 --> 01:13:15,932 I GOT THESE GUYS ON MY TEAM. 1471 01:13:15,975 --> 01:13:18,226 THEY'VE BECOME BROTHERS TO ME. 1472 01:13:18,269 --> 01:13:19,894 THE LOVE THAT I HAVE FOR THEM... 1473 01:13:19,938 --> 01:13:21,521 [ SCOFFS ] 1474 01:13:21,564 --> 01:13:24,565 IT'S BIGGER THAN ANY BUSINESS THAT WE GOT GOING ON. 1475 01:13:26,611 --> 01:13:28,986 TO FAMILY. 1476 01:13:29,030 --> 01:13:31,322 TO FAMILY. 1477 01:13:34,494 --> 01:13:36,994 I WANT TO DO SO MUCH MORE. 1478 01:13:37,038 --> 01:13:39,247 SO, YOU GOT TIME, GIRL. 1479 01:13:39,290 --> 01:13:40,706 SAYS YOU. 1480 01:13:40,750 --> 01:13:42,375 YOU GOT LIKE A HUNDRED COMPANIES, 1481 01:13:42,419 --> 01:13:44,419 AND YOU PROBABLY WANT LIKE A HUNDRED MORE. 1482 01:13:44,462 --> 01:13:46,587 IT'S NOT ABOUT THE NUMBER OF COMPANIES. 1483 01:13:46,631 --> 01:13:49,090 IT'S THE CHALLENGE OF GOING FROM HARLEM TO WALL STREET 1484 01:13:49,175 --> 01:13:51,467 THAT'S EXCITING TO ME. 1485 01:13:51,511 --> 01:13:53,886 THE CLIMB, THE CHASE. YOU KNOW WHAT I'M SAYING? 1486 01:13:53,930 --> 01:13:55,888 YEAH. 1487 01:13:55,932 --> 01:13:58,433 ONLY PROBLEM IS, MOST PEOPLE HAVE AGENDAS, 1488 01:13:58,476 --> 01:14:00,685 EVEN IF IT'S JUST BEING NEAR SOMEBODY RICH, 1489 01:14:00,728 --> 01:14:02,145 POWERFUL, OR FAMOUS. 1490 01:14:02,188 --> 01:14:04,730 YEAH, THAT'S THE PROBLEM WITH BEING A CELEBRITY. 1491 01:14:04,774 --> 01:14:06,482 YOU GET SUSPICIOUS OF PEOPLE. 1492 01:14:06,526 --> 01:14:08,734 BUT AT A CERTAIN POINT, IT GETS SIMPLE. 1493 01:14:08,778 --> 01:14:10,570 IT BECOMES ABOUT PEACE OF MIND. 1494 01:14:10,613 --> 01:14:12,989 KNOWING PEOPLE YOU DO LET IN HAVE YOUR BACK. 1495 01:14:15,952 --> 01:14:17,410 OOH! WHAT? 1496 01:14:17,454 --> 01:14:19,871 HOW DO YOU HANDLE THE GIRLS? 1497 01:14:19,914 --> 01:14:22,665 GIRLS? I AIN'T GOT TIME FOR NO GIRLS. 1498 01:14:22,709 --> 01:14:24,041 COME ON, DAME. 1499 01:14:24,085 --> 01:14:26,169 WOMEN MUST BE THROWING THEMSELVES AT YOU 24/7. 1500 01:14:26,212 --> 01:14:28,838 HOW DO YOU SEPARATE THE REAL FROM THE FAKE? 1501 01:14:28,882 --> 01:14:31,048 THE ONES WHO REALLY WANT TO BE WITH YOU. 1502 01:14:31,092 --> 01:14:34,385 ESPECIALLY KNOWING THAT YOU COULD CHANGE THEIR LIVES. 1503 01:14:34,429 --> 01:14:37,096 I MEAN, IT'S HARD, BUT BEING RAISED IN HARLEM, 1504 01:14:37,140 --> 01:14:38,431 YOU LEARN HOW TO SPOT A COME UP. 1505 01:14:38,475 --> 01:14:40,099 MM. I'M NOT ALWAYS RIGHT, 1506 01:14:40,143 --> 01:14:42,810 BUT, UH, MY ABILITY TO PEEP GAME IS PRETTY TIGHT. 1507 01:14:42,854 --> 01:14:45,980 YEAH, WELL, I'M FROM NEW YORK AND THE "D," SO... 1508 01:14:46,024 --> 01:14:48,274 AH, SO YOU KNOW HOW TO PEEP GAME, HUH? FROM THE DOOR. 1509 01:14:48,318 --> 01:14:51,819 IF YOU TELL ANYONE WHAT I'M ABOUT TO TELL YOU -- 1510 01:14:51,863 --> 01:14:53,571 YOU'RE GONNA DENY IT. 1511 01:14:53,615 --> 01:14:55,823 TO THE GRAVE. [ CHUCKLES ] 1512 01:14:55,867 --> 01:14:58,117 IT DOES GET LONELY, THOUGH. 1513 01:14:58,244 --> 01:14:59,619 I CAN RELATE. 1514 01:14:59,662 --> 01:15:02,705 I HAVEN'T HAD A REAL RELATIONSHIP IN YEARS. 1515 01:15:02,749 --> 01:15:04,290 ME, EITHER. 1516 01:15:04,334 --> 01:15:06,792 YEAH, AND ALL THE SUCCESS IN THE WORLD 1517 01:15:06,836 --> 01:15:08,794 CAN'T TAKE THE PLACE OF, UH... 1518 01:15:08,838 --> 01:15:11,088 A KISS FROM THE MAN THAT YOU LOVE. 1519 01:15:11,132 --> 01:15:13,883 FINE, I'LL KISS YOU IF THAT'S WHAT THIS IS ABOUT. 1520 01:15:13,927 --> 01:15:15,801 I WASN'T FISHING FOR A KISS. 1521 01:15:15,845 --> 01:15:18,554 LORD KNOWS WHERE YOUR LIPS HAVE BEEN 1522 01:15:18,598 --> 01:15:20,264 WITH ALL THEM VIDEO HOES. 1523 01:15:20,308 --> 01:15:22,391 THAT'S NOT EVEN COOL. [ CHUCKLES ] 1524 01:15:22,435 --> 01:15:24,185 I'M JUST MESSING WITH YOU. 1525 01:15:24,229 --> 01:15:26,854 YEAH, YEAH. WELL, YOU HURT MY FEELINGS, GIRL. 1526 01:15:26,898 --> 01:15:28,814 WHATEVER! [ CHUCKLES ] 1527 01:15:33,029 --> 01:15:35,238 WHAT? NOTHING. 1528 01:15:35,281 --> 01:15:36,989 COME ON OUT WITH IT. 1529 01:15:37,033 --> 01:15:38,991 SERIOUSLY, I WANT TO HEAR WHAT YOU HAVE TO SAY. 1530 01:15:39,035 --> 01:15:42,119 YOU KNOW, YOU KIND OF HAVE A WAY OF EXPRESSING YOURSELF 1531 01:15:42,163 --> 01:15:45,373 THAT CAN BE A LITTLE...AGGRESSIVE. 1532 01:15:45,416 --> 01:15:49,293 I GO OFF ON PEOPLE WHEN THEY DO SOMETHING STUPID. 1533 01:15:49,337 --> 01:15:50,920 THAT'S WHAT I DO. 1534 01:15:50,964 --> 01:15:53,297 AND YOU'RE KNOWN FOR IT. 1535 01:15:53,341 --> 01:15:57,802 BUT, DAMON, A LION DOESN'T HAVE TO ROAR TO BE A LION. 1536 01:15:57,845 --> 01:15:59,512 EVEN WHEN HE PURRS, 1537 01:15:59,556 --> 01:16:03,975 THE WHOLE JUNGLE KNOWS THAT HE'S THE KING. 1538 01:16:04,018 --> 01:16:06,269 SO YOU'RE SAYIN' I DON'T HAVE TO BE TO BE A COMPLETE JERK 1539 01:16:06,312 --> 01:16:07,603 TO GET MY POINT ACROSS? 1540 01:16:07,647 --> 01:16:12,275 I DON'T THINK THAT YOU'RE A JERK AT ALL. 1541 01:16:12,318 --> 01:16:16,904 SO WHY ARE YOU PRETENDING TO BE? 1542 01:16:16,948 --> 01:16:19,115 [ SIGHS ] 1543 01:16:20,743 --> 01:16:23,619 THERE'S SOMETHING SPECIAL ABOUT YOU, MS. AALIYAH. 1544 01:16:23,663 --> 01:16:26,372 YEAH, YOU, TOO, MR. DASH. 1545 01:16:26,457 --> 01:16:27,748 [ CHUCKLES ] 1546 01:16:34,464 --> 01:16:37,675 ♪ LOVE, CAN'T PICTURE LIFE WITHOUT YOU IN IT ♪ 1547 01:16:37,719 --> 01:16:39,218 ♪ OUR HEARTS BEAT THE SAME, ARE YOU IN TUNE WITH IT? ♪ 1548 01:16:39,262 --> 01:16:40,469 ♪ I BEAT IT LIKE I'M M.J. WHEN I DO GET IT ♪ 1549 01:16:40,513 --> 01:16:42,471 ♪ SOME OTHERS HIDE IT ♪ 1550 01:16:42,515 --> 01:16:43,973 ♪ BUT THEY KNOW WHAT TO DO WITH IT ♪ 1551 01:16:44,017 --> 01:16:46,058 ♪ THIS KIND OF LOVE AIN'T NO FAIRY TALE ♪ 1552 01:16:46,102 --> 01:16:48,894 ♪ I'LL WAIT ON YOUR ASS, BUT I AIN'T INTO CHASING TAIL ♪ 1553 01:16:48,938 --> 01:16:50,062 ♪ SO MAKE A CHOICE, FLIP A QUARTER ♪ 1554 01:16:50,106 --> 01:16:51,814 ♪ EITHER HEADS OR TAILS ♪ 1555 01:16:51,858 --> 01:16:53,649 ♪ HOWEVER IT LASTS, LET ME KNOW HOW YOU FEEL ♪ 1556 01:16:53,693 --> 01:16:56,110 ♪ LOVE, WE CAN GO THE WHOLE MILE ♪ 1557 01:16:56,154 --> 01:16:58,904 ♪ WE CAN KEEP IT DISCREET OR WE CAN PROFILE ♪ 1558 01:16:58,948 --> 01:17:02,533 ♪ I AIN'T GOTTA QUESTION YOUR LOYALTY 'CAUSE I KNOW NOW ♪ 1559 01:17:02,577 --> 01:17:04,785 ♪ WHOSE SIDE YOU'RE ON IF SHE GOES DOWN ♪ 1560 01:17:04,829 --> 01:17:07,204 ♪ YOU INDEPENDENT, NOT A LEACH, A FREAK BETWEEN THE SHEETS ♪ 1561 01:17:07,248 --> 01:17:09,915 ♪ WHAT MORE CAN I ASK FOR? ♪ 1562 01:17:09,959 --> 01:17:11,667 ♪ SAY NO MORE, I GOT THE PASSPORT ♪ 1563 01:17:11,711 --> 01:17:14,337 [ INDISTINCT RAPPING ] 1564 01:17:16,549 --> 01:17:19,091 ♪ ALL THE THINGS I'VE DONE FOR YOU LATELY ♪ 1565 01:17:19,135 --> 01:17:23,512 ♪ BABY ♪ 1566 01:17:23,556 --> 01:17:26,766 ♪ DIDN'T YOU KNOW THAT ♪ 1567 01:17:26,809 --> 01:17:31,687 ♪ ALL THE THINGS I'VE DONE FOR YOU LATELY ♪ 1568 01:17:33,399 --> 01:17:34,732 [ LAUGHTER ] 1569 01:17:34,776 --> 01:17:36,692 [ SILVERWARE CLINKING ] 1570 01:17:36,736 --> 01:17:39,070 [ INDISTINCT CONVERSATION ] 1571 01:17:39,113 --> 01:17:41,447 FIRST THING, THANK Y'ALL FOR COMING THROUGH. 1572 01:17:41,491 --> 01:17:43,199 HAS EVERYONE GOT A DRINK? 1573 01:17:43,242 --> 01:17:47,161 WE'RE GONNA DO A LITTLE T-TOAST. 1574 01:17:47,205 --> 01:17:49,080 BABYGIRL, I'M SURE I SPEAK FOR EVERYONE 1575 01:17:49,123 --> 01:17:51,082 WHEN I SAY THAT I'M VERY PROUD OF YOU. 1576 01:17:51,125 --> 01:17:53,709 CONGRATS ON WINNING A MAJOR ROLE IN THE NEXT TWO -- 1577 01:17:53,753 --> 01:17:57,463 NOT ONE, Y'ALL HEAR ME? -- THE NEXT TWO "MATRIX" SEQUELS. 1578 01:17:57,507 --> 01:17:58,964 AMAZING. 1579 01:18:00,551 --> 01:18:03,260 YOU... YOU'RE MY BEST FRIEND. 1580 01:18:03,304 --> 01:18:06,389 MAY WHATEVER ELSE YOU DREAM OF COME TO LIFE. 1581 01:18:06,432 --> 01:18:07,723 TO AALIYAH. 1582 01:18:07,767 --> 01:18:11,352 All: TO AALIYAH. 1583 01:18:11,396 --> 01:18:13,229 CHEERS. 1584 01:18:16,025 --> 01:18:17,441 WHOO! MMM! 1585 01:18:17,485 --> 01:18:20,528 SPEECH, SPEECH, SPEECH! 1586 01:18:20,571 --> 01:18:21,862 MIND IF I HAVE A WORD WITH YOU? 1587 01:18:21,906 --> 01:18:24,323 YEAH, SURE. 1588 01:18:28,204 --> 01:18:29,995 HI, MAMA. MM! 1589 01:18:30,039 --> 01:18:33,124 I LOVE SEEING YOU THIS HAPPY. 1590 01:18:33,167 --> 01:18:35,918 BUT YOU DON'T APPROVE. 1591 01:18:35,962 --> 01:18:38,671 OH, IN THE BEGINNING, I HAD MY DOUBTS. 1592 01:18:38,715 --> 01:18:41,507 BUT AFTER WATCHING HIM AROUND YOU THIS PAST YEAR, 1593 01:18:41,551 --> 01:18:43,634 HE'S BEEN NOTHING BUT A SWEETHEART. 1594 01:18:43,678 --> 01:18:45,886 HE DEFINITELY IS THAT. 1595 01:18:45,930 --> 01:18:48,514 OH, YOU TWO DO SEEM ABOUT AS DIFFERENT AS NIGHT AND DAY. 1596 01:18:48,558 --> 01:18:50,182 IT MIGHT SEEM THAT WAY TO YOU, 1597 01:18:50,226 --> 01:18:52,184 MIGHT SEEM THAT WAY TO MOST PEOPLE. 1598 01:18:52,228 --> 01:18:54,770 BUT THAT'S JUST 'CAUSE THEY JUDGE HIM 1599 01:18:54,814 --> 01:18:59,275 ON THE CLOTHES THAT HE WEARS AND THE THINGS THAT THEY HEAR. 1600 01:18:59,318 --> 01:19:00,860 IF YOU KNEW DAME THE WAY I DO, 1601 01:19:00,903 --> 01:19:03,362 YOU'D SEE JUST HOW SIMILAR WE ARE. 1602 01:19:03,406 --> 01:19:05,573 BUT MOST IMPORTANTLY... 1603 01:19:05,616 --> 01:19:09,952 DAME LOVES ME THE WAY YOU'D WANT A MAN TO LOVE ME. 1604 01:19:13,916 --> 01:19:15,750 I LOVE YOU, MOM. 1605 01:19:15,793 --> 01:19:17,960 AWW. I LOVE YOU, TOO. 1606 01:19:18,004 --> 01:19:19,462 [ APPLAUSE ] 1607 01:19:19,505 --> 01:19:22,423 Man: OH! OOH! 1608 01:19:22,467 --> 01:19:23,716 HA-HA! 1609 01:19:23,760 --> 01:19:26,635 WOW! 1610 01:19:26,679 --> 01:19:28,387 [ INDISTINCT SHOUTING, CAMERA SHUTTERS CLICKING ] 1611 01:19:28,431 --> 01:19:31,807 Announcer: YOU KNOW HER AS R&B AND HIP-HOP ROYALTY. 1612 01:19:31,851 --> 01:19:34,685 WE KNOW HER AS SOMEONE WITH A HUGE HEART, 1613 01:19:34,729 --> 01:19:36,771 WHO'S ALWAYS WILLING TO GIVE BACK. 1614 01:19:36,814 --> 01:19:39,774 WE ARE SO THANKFUL FOR HER FINANCIAL DONATION, 1615 01:19:39,817 --> 01:19:41,317 BUT EVEN MORE GRATEFUL 1616 01:19:41,360 --> 01:19:45,321 THAT SHE VOLUNTEERED TO PERFORM HERE TONIGHT. 1617 01:19:45,364 --> 01:19:49,950 PLEASE WELCOME TO THE STAGE THE PRINCESS OF R&B. 1618 01:19:49,994 --> 01:19:52,244 GIVE IT UP FOR AALIYAH! 1619 01:19:52,288 --> 01:19:53,746 [ APPLAUSE ] 1620 01:19:53,790 --> 01:19:57,249 [ "THE ONE I GAVE MY HEART TO" PLAYS ] 1621 01:20:05,968 --> 01:20:12,223 ♪ HOW COULD THE ONE I GAVE MY HEART TO ♪ 1622 01:20:12,266 --> 01:20:14,725 ♪ BREAK MY HEART SO BAD? ♪ 1623 01:20:14,769 --> 01:20:20,064 ♪ HOW COULD THE ONE WHO MADE ME HAPPY ♪ 1624 01:20:20,107 --> 01:20:23,859 ♪ MAKE ME FEEL SO SAD? ♪ 1625 01:20:23,903 --> 01:20:27,446 ♪ WON'T SOMEBODY TELL ME? ♪ 1626 01:20:27,490 --> 01:20:30,825 ♪ SO I CAN UNDERSTAND ♪ 1627 01:20:30,868 --> 01:20:34,870 ♪ IF YOU LOVE ME ♪ 1628 01:20:34,914 --> 01:20:38,123 ♪ HOW COULD YOU HURT ME LIKE THAT? ♪ 1629 01:20:38,167 --> 01:20:42,628 ♪ HOW COULD THE ONE I GAVE MY WORLD TO ♪ 1630 01:20:42,672 --> 01:20:45,005 ♪ THROW MY WORLD AWAY? ♪ 1631 01:20:45,049 --> 01:20:50,094 ♪ HOW COULD THE ONE WHO SAID, "I LOVE YOU" ♪ 1632 01:20:50,137 --> 01:20:52,721 ♪ SAY THE THINGS YOU SAY? ♪ 1633 01:20:52,765 --> 01:20:57,601 ♪ HOW COULD THE ONE I WAS SO TRUE TO ♪ 1634 01:20:57,645 --> 01:21:00,771 ♪ JUST TELL ME LIES? ♪ 1635 01:21:00,898 --> 01:21:05,818 ♪ HOW COULD THE ONE I GAVE MY HEART TO ♪ 1636 01:21:05,862 --> 01:21:09,113 ♪ BREAK THIS HEART OF MINE? ♪ 1637 01:21:09,156 --> 01:21:12,199 ♪ TELL ME ♪ 1638 01:21:12,243 --> 01:21:16,704 ♪ HOW COULD YOU BE SO COLD TO ME ♪ 1639 01:21:16,747 --> 01:21:21,166 ♪ WHEN I GAVE YOU EVERYTHING? ♪ 1640 01:21:21,210 --> 01:21:27,715 ♪ ALL MY LOVE, ALL I HAD INSIDE ♪ 1641 01:21:27,758 --> 01:21:31,760 ♪ HOW COULD YOU JUST WALK OUT THE DOOR? ♪ 1642 01:21:31,804 --> 01:21:36,640 ♪ HOW COULD YOU NOT LOVE ME ANYMORE? ♪ 1643 01:21:36,684 --> 01:21:40,311 ♪ I THOUGHT WE HAD FOREVER ♪ 1644 01:21:40,354 --> 01:21:43,314 ♪ I CAN'T UNDERSTAND ♪ 1645 01:21:43,441 --> 01:21:48,527 ♪ HOW COULD THE ONE I SHARED MY DREAMS WITH ♪ 1646 01:21:48,571 --> 01:21:50,988 ♪ TAKE MY DREAMS FROM ME? ♪ 1647 01:21:51,032 --> 01:21:56,118 ♪ HOW COULD THE LOVE THAT BROUGHT SUCH PLEASURE ♪ 1648 01:21:56,162 --> 01:22:00,331 ♪ BRING SUCH MISERY? ♪ 1649 01:22:00,374 --> 01:22:03,667 ♪ WON'T SOMEBODY TELL ME? ♪ 1650 01:22:03,711 --> 01:22:06,670 ♪ SOMEBODY TELL ME PLEASE ♪ 1651 01:22:06,714 --> 01:22:10,716 ♪ IF YOU LOVE ME ♪ 1652 01:22:10,760 --> 01:22:14,637 ♪ HOW COULD YOU DO THAT TO ME? ♪ 1653 01:22:14,680 --> 01:22:17,640 ♪ TELL ME ♪ 1654 01:22:17,683 --> 01:22:20,309 [ APPLAUSE ] 1655 01:22:27,401 --> 01:22:29,026 [ MUSIC FADES ] 1656 01:22:29,070 --> 01:22:30,819 YOU GOT "THE MATRIX" AND THE "SPARKLE" REMAKE. 1657 01:22:30,863 --> 01:22:32,696 BUT WE GOT TO KEEP PUSHING THE ALBUM. 1658 01:22:32,782 --> 01:22:35,866 LABEL'S CONCERNED. 1659 01:22:35,910 --> 01:22:38,494 "WE NEED A RESOLUTION" DIDN'T GET THE TRACTION WE HOPED FOR. 1660 01:22:38,537 --> 01:22:39,745 IT STALLED AT 59. 1661 01:22:39,789 --> 01:22:41,330 WHERE ARE WE AT WITH VMAs? 1662 01:22:41,374 --> 01:22:43,415 I SPOKE TO MTV THIS MORNING. YOU'RE CONFIRMED. 1663 01:22:43,459 --> 01:22:45,668 GREAT. AND VIRGIN AGREES WITH US -- 1664 01:22:45,711 --> 01:22:48,295 "ROCK THE BOAT" SHOULD BE THE SECOND SINGLE. 1665 01:22:48,339 --> 01:22:50,214 SO, WE'RE STILL ON FOR THE VIDEO? 1666 01:22:50,257 --> 01:22:52,591 TOOK A LITTLE NEGOTIATING, BUT WE GOT WE NEEDED, YEAH. 1667 01:22:52,635 --> 01:22:54,468 AND HYPE WILLIAMS IS SET TO DIRECT. 1668 01:22:54,512 --> 01:22:56,220 YOUR GIRL FATIMA ROBINSON WILL DO CHOREOGRAPHY. 1669 01:22:56,263 --> 01:22:58,097 ARE WE STILL SHOOTING IN MIAMI? 1670 01:22:58,140 --> 01:22:59,765 MIAMI, A COUPLE DAYS IN THE BAHAMAS. 1671 01:22:59,809 --> 01:23:01,392 AND I BOOKED YOUR STYLIST, DEREK. 1672 01:23:01,435 --> 01:23:04,186 WHAT ABOUT ERIC? 1673 01:23:04,230 --> 01:23:06,105 ERIC HAS A SCHEDULING CONFLICT, 1674 01:23:06,148 --> 01:23:08,440 BUT HE'S SENDING A FRIEND IN HIS PLACE. 1675 01:23:08,484 --> 01:23:12,069 UH...HIS NAME IS CHRIS MALDONADO? 1676 01:23:12,113 --> 01:23:15,364 YES. CHRIS IS AN AMAZING MAKEUP ARTIST. 1677 01:23:15,574 --> 01:23:17,157 WE'RE READY FOR YOU NOW. 1678 01:23:17,201 --> 01:23:18,701 OH, GREAT. [ ELEVATOR BELL DINGS ] 1679 01:23:18,744 --> 01:23:20,744 [ LAUGHS ] ALL SET? 1680 01:23:20,788 --> 01:23:22,830 YEAH, JUST ABOUT. 1681 01:23:22,873 --> 01:23:24,415 WERE Y'ALL ABLE TO GET THE CATAMARAN? 1682 01:23:24,458 --> 01:23:25,958 WE GOT IT. [ CHUCKLES ] DOPE. 1683 01:23:26,002 --> 01:23:27,459 THIS IS GONNA BE SO HOT -- 1684 01:23:27,503 --> 01:23:29,336 EVERYTHING ABOUT THIS VIDEO, 1685 01:23:29,380 --> 01:23:32,339 FROM THE CHOREOGRAPHY TO THE STYLING TO THE LOCATION. UNH! 1686 01:23:32,383 --> 01:23:34,174 I LOVE HEARING YOU THIS EXCITED. 1687 01:23:34,218 --> 01:23:36,051 [ GIGGLES ] 1688 01:23:36,095 --> 01:23:39,138 MAN, THIS IS GONNA BE THE BEST MUSIC VIDEO I HAVE EVER DONE 1689 01:23:39,181 --> 01:23:42,850 BECAUSE I'M TAKING IT TO A WHOLE NOTHER LEVEL. 1690 01:23:42,893 --> 01:23:44,435 BABYGIRL, YOU ALREADY HAVE. 1691 01:23:44,478 --> 01:23:46,311 IN THE YEAR WE'VE BEEN TOGETHER, 1692 01:23:46,355 --> 01:23:48,856 I'VE WATCHED YOU GROW AS A BUSINESSPERSON, 1693 01:23:48,899 --> 01:23:51,692 AS AN ARTIST, AND AS A WOMAN. 1694 01:23:51,736 --> 01:23:55,029 I HOPE THE WORLD SEES ME THE WAY YOU SEE ME 1695 01:23:55,072 --> 01:23:58,532 BECAUSE IT FEELS LIKE ALL MY DREAMS ARE COMING TRUE. 1696 01:23:58,576 --> 01:24:00,159 TRUST ME. 1697 01:24:00,202 --> 01:24:04,705 NO ONE WILL BE ABLE TO AVOID IT. 1698 01:24:07,793 --> 01:24:10,085 [ GIGGLES ] 1699 01:24:15,301 --> 01:24:17,509 THIS IS IT. YEAH. 1700 01:24:20,890 --> 01:24:22,973 SO, WHAT HAPPENS AFTER THIS? 1701 01:24:23,017 --> 01:24:24,433 AFTER THE VIDEO? 1702 01:24:24,477 --> 01:24:26,852 NO, AFTER -- AFTER ALL OF IT. 1703 01:24:26,896 --> 01:24:30,064 WHAT DO YOU WANT TO HAPPEN? 1704 01:24:30,107 --> 01:24:34,068 ALL I KNOW IS THAT YOU'RE THE ONLY WOMAN I WANT. 1705 01:24:34,111 --> 01:24:37,196 I FEEL THE SAME. 1706 01:24:37,239 --> 01:24:39,948 SO LET'S NOT LET OUR CAREERS STOP US FROM SPENDING TIME TOGETHER ANYMORE. 1707 01:24:39,992 --> 01:24:41,408 [ SIGHS ] 1708 01:24:41,619 --> 01:24:43,160 WE'RE BOTH REALLY BUSY PEOPLE, BABE. 1709 01:24:43,204 --> 01:24:46,914 LOOK, IF I GOT TO FLY ALL THE WAY ACROSS THE COUNTRY 1710 01:24:46,957 --> 01:24:50,125 JUST FOR A DATE NIGHT, I'M THERE. 1711 01:24:51,504 --> 01:24:54,004 OKAY, IT'S SETTLED. 1712 01:24:54,048 --> 01:24:55,297 YEAH? YEAH. 1713 01:24:55,341 --> 01:24:57,883 [ CHUCKLES ] YOU MEAN A LOT TO ME. 1714 01:24:57,927 --> 01:25:00,135 WE MEAN A LOT TO ME. 1715 01:25:00,179 --> 01:25:05,390 WHEN I GET BACK FROM THIS SHOOT, THINGS WILL BE DIFFERENT. 1716 01:25:05,434 --> 01:25:08,852 IT'S TIME TO CHANGE OUR PRIORITIES. 1717 01:25:08,896 --> 01:25:10,270 IT'S ABOUT US. 1718 01:25:10,314 --> 01:25:13,148 WE'RE ABOUT TO CONQUER THE WORLD, BABY. 1719 01:25:13,192 --> 01:25:15,400 [ BOTH LAUGH ] 1720 01:25:15,444 --> 01:25:19,363 GOD, YOU'RE SO BEAUTIFUL. 1721 01:25:21,659 --> 01:25:24,326 GOD, I LOVE YOU. 1722 01:25:24,370 --> 01:25:26,829 I LOVE YOU, TOO. 1723 01:25:26,872 --> 01:25:30,457 I'LL BE BACK IN A FEW DAYS, BEFORE YOU EVEN KNOW IT. 1724 01:25:30,584 --> 01:25:32,918 YEAH? YOU BETTER COME BACK TO ME. 1725 01:25:32,962 --> 01:25:34,378 [ LAUGHS ] 1726 01:25:34,421 --> 01:25:36,046 YOU KNOW I'LL BE THINKING ABOUT YOU EVERY NIGHT. 1727 01:25:36,090 --> 01:25:38,132 ALL NIGHT? EVERY NIGHT. 1728 01:25:38,259 --> 01:25:41,760 [ GIGGLES ] 1729 01:25:43,681 --> 01:25:46,807 BYE, BABY. 1730 01:25:46,851 --> 01:25:49,601 [ SIGHS ] 1731 01:25:51,230 --> 01:25:54,898 [ SLOW MUSIC PLAYS ] 118440

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