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These are the user uploaded subtitles that are being translated: 1 00:00:01,434 --> 00:00:05,734 MARTIN SCORSESE PRESENTA 2 00:00:16,182 --> 00:00:18,207 Once I had a pretty little girl 3 00:00:19,786 --> 00:00:22,550 I lose my baby, ain't that sad? 4 00:00:27,861 --> 00:00:31,126 Once I had a pretty little girl 5 00:00:32,866 --> 00:00:35,994 I lose my baby, ain't that sad? 6 00:00:40,940 --> 00:00:43,636 You know you can't Spend what you ain't got 7 00:00:45,912 --> 00:00:48,608 You can't lose What you ain't never had 8 00:00:54,187 --> 00:00:57,350 Well you know you can't Spend what you ain't got 9 00:00:59,325 --> 00:01:01,987 You can't lose What you ain't never had 10 00:01:22,582 --> 00:01:25,949 T�tulo Won't somebody tell me 11 00:01:26,019 --> 00:01:29,511 Tell me what is the soul of a man? 12 00:01:29,589 --> 00:01:32,752 I'm going to ask the question 13 00:01:33,193 --> 00:01:36,720 Please answer if you can 14 00:01:37,230 --> 00:01:40,028 I want somebody to tell me 15 00:01:40,733 --> 00:01:43,395 Tell me What is the soul of a man 16 00:01:43,470 --> 00:01:47,338 I want somebody to tell me 17 00:01:47,574 --> 00:01:54,503 Please answer if you can 18 00:02:48,334 --> 00:02:50,996 En el verano de 1977... 19 00:02:51,304 --> 00:02:55,707 la NASA envi� una nave muy especial al espacio... 20 00:02:56,075 --> 00:03:01,281 Voyager. Deber�a explorar los planetas del sistema solar... 21 00:03:01,281 --> 00:03:06,082 y, despu�s, seguir su jornada hacia el espacio profundo... 22 00:03:08,154 --> 00:03:10,145 para nunca m�s volver. 23 00:03:18,998 --> 00:03:23,435 El Voyager est� en su ruta, hoy, hace un cuarto de siglo. 24 00:03:23,770 --> 00:03:28,173 Y, si por acaso un d�a es interceptada por otros habitantes del universo... 25 00:03:28,441 --> 00:03:34,778 la nave Ileva, a bordo, un disco con im�genes y sonidos de la Tierra... 26 00:03:35,181 --> 00:03:38,014 y mensajes en 50 idiomas. 27 00:03:43,556 --> 00:03:46,684 �ste es un regalo de un mundo distante... 28 00:03:46,893 --> 00:03:49,555 una muestra de nuestros sonidos y nuestra ciencia... 29 00:03:59,973 --> 00:04:02,567 Entre todos estos sonidos de nuestro planeta... 30 00:04:02,675 --> 00:04:08,807 tambi�n hay m�sica, viajando a trav�s del espacio, en el Voyager... 31 00:04:09,015 --> 00:04:13,384 representando al esp�ritu humano de varias culturas y �pocas. 32 00:04:13,453 --> 00:04:18,891 Y, cr�ame si quiere, mi voz est� ah�... 33 00:04:19,392 --> 00:04:20,654 en el espacio. 34 00:04:20,727 --> 00:04:24,163 Una de mis canciones fue elegida... 35 00:04:24,364 --> 00:04:28,300 para representar la m�sica norteamericana del siglo XX. 36 00:04:28,534 --> 00:04:31,594 Es un disco que grab� para Columbia, en 1927... 37 00:04:31,671 --> 00:04:36,973 Ilamado "Dark Was The Night". Yo soy Blind Willie Johnson. 38 00:05:41,407 --> 00:05:43,398 En el 2003... 39 00:05:43,643 --> 00:05:47,306 el Voyager habr� Ilegado al l�mite de nuestro sistema solar. 40 00:05:47,513 --> 00:05:51,381 Para Ilegar a usted, mi voz tendr� que viajar m�s de medio d�a. 41 00:05:51,617 --> 00:05:53,710 A la velocidad de la luz, quiero decir. 42 00:05:53,953 --> 00:05:55,978 El tiempo es relativo... 43 00:05:56,189 --> 00:05:59,556 y la distancia cambia la perspectiva, eso puedo dec�rselo. 44 00:07:34,720 --> 00:07:38,679 Nac� en Marlin, Texas, alrededor del a�o 1900. 45 00:07:38,925 --> 00:07:40,916 No estoy seguro de cu�ndo. 46 00:07:47,266 --> 00:07:50,258 Cantaba en las esquinas, en reuniones de iglesia... 47 00:07:50,470 --> 00:07:53,871 y segu� haci�ndolo, luego de exitosas grabaciones. 48 00:07:54,207 --> 00:07:56,368 No me importaba la carrera. 49 00:07:56,576 --> 00:08:00,034 S�Io me importaban Dios y las cuestiones espirituales. 50 00:08:00,146 --> 00:08:05,049 Aprend� a tocar la guitarra, y la afinaba en re mayor para m�. 51 00:08:07,053 --> 00:08:10,716 Oh, trouble will soon be over 52 00:08:10,957 --> 00:08:14,859 Sorrow will have an end 53 00:08:15,094 --> 00:08:17,927 Oh, trouble will soon be over 54 00:08:17,997 --> 00:08:21,228 Sorrow will have an end 55 00:08:21,467 --> 00:08:24,994 Well, Christ is my burden bearer 56 00:08:25,705 --> 00:08:28,572 He's my only friend 57 00:08:29,509 --> 00:08:32,603 Tell me the end of my sorrow 58 00:08:32,678 --> 00:08:36,136 And tell me to lean on him 59 00:08:36,349 --> 00:08:43,016 Oh, trouble will soon be over Sorrow will have an end 60 00:08:43,222 --> 00:08:49,218 Oh, trouble will soon be over Sorrow will have an end 61 00:08:49,729 --> 00:08:53,028 God is my strong protection 62 00:08:53,599 --> 00:08:56,568 He's my bosom friend 63 00:08:57,470 --> 00:09:00,564 It trouble rose all around me 64 00:09:00,706 --> 00:09:04,039 I know who'll take me in 65 00:09:04,243 --> 00:09:06,768 Oh, trouble will soon be over 66 00:09:07,046 --> 00:09:10,641 Sorrow will have an end 67 00:09:10,883 --> 00:09:13,147 Oh, trouble will soon be over 68 00:09:13,352 --> 00:09:16,913 Sorrow will have an end 69 00:09:32,805 --> 00:09:35,365 Oh, trouble will soon be over 70 00:09:35,675 --> 00:09:39,042 Sorrow will have an end 71 00:09:39,612 --> 00:09:41,944 Oh, trouble will soon be over 72 00:09:42,181 --> 00:09:45,514 Sorrow will have an end 73 00:10:01,434 --> 00:10:04,232 Oh, trouble will soon be over 74 00:10:04,470 --> 00:10:07,871 Sorrow will have an end 75 00:10:08,174 --> 00:10:10,540 Oh, trouble will soon be over 76 00:10:10,810 --> 00:10:14,473 Sorrow will have an end 77 00:10:17,350 --> 00:10:21,753 Me qued� ciego de chico, m�s o menos a los 7 a�os. 78 00:10:22,321 --> 00:10:24,721 Mi madrastra me tir� lej�a en la cara... 79 00:10:24,924 --> 00:10:28,018 para vengarse de la paliza que le hab�a dado mi pap�. 80 00:10:28,227 --> 00:10:30,058 Amor duro. 81 00:10:31,230 --> 00:10:36,361 Pero �por qu� hablar tanto de m�? Eran tiempos diiles para todos. 82 00:10:36,902 --> 00:10:39,598 Yyo buscaba las respuestas en la Biblia. 83 00:11:02,995 --> 00:11:04,519 What's John writing? 84 00:11:04,764 --> 00:11:06,026 Ask the Revelator 85 00:11:06,699 --> 00:11:08,394 The Book of the Seven Seals 86 00:11:08,434 --> 00:11:10,026 Ocurr�a, desde el principio... 87 00:11:10,102 --> 00:11:13,697 - La Ley Seca Ilev� la violencia... - Pandillas rivales... 88 00:11:13,773 --> 00:11:14,535 LEY SECA 89 00:11:14,807 --> 00:11:18,038 EE. UU. PROHIBE EL ALCOHOL Bebida contrabandeada diluida por... 90 00:11:20,579 --> 00:11:21,546 OLA DE CR�MENES BARRE LOS EE. UU. 91 00:11:21,614 --> 00:11:25,516 Armas y barriles de cerveza son una combinaci�n altamente compatibles... 92 00:11:26,585 --> 00:11:28,985 �ste es un joven de mi tiempo. 93 00:11:29,388 --> 00:11:30,980 Se ganaba la vida como contrabandista de bebida. 94 00:11:31,057 --> 00:11:35,016 Su nombre, Nehemiah James, de Bentonia, Mississippi. 95 00:11:35,795 --> 00:11:37,695 La gente Io Ilamaba Skip... 96 00:11:37,897 --> 00:11:40,331 porque nunca se quedaba mucho tiempo en un lugar. 97 00:11:40,499 --> 00:11:41,898 Skip James. 98 00:11:43,035 --> 00:11:47,699 Una noche, amigos intentaron Ilevar a Skip a un concurso de talentos... 99 00:11:47,873 --> 00:11:51,809 realizado en una tienda de m�sica, en el centro de Jackson. 100 00:11:59,118 --> 00:12:03,350 El Sr. H. C. Speir hab�a descubierto a varios hombres del blues. 101 00:12:03,789 --> 00:12:06,758 Hab�a visto a todos, hab�a escuchado a todos. 102 00:12:27,646 --> 00:12:30,479 I'd rather be the devil 103 00:12:31,517 --> 00:12:37,319 Than to be that woman's man 104 00:12:42,094 --> 00:12:46,030 I'd rather be the devil 105 00:12:46,565 --> 00:12:51,059 Than to be that woman's man 106 00:12:57,443 --> 00:13:01,243 Skip James gan� el concurso. 107 00:13:01,947 --> 00:13:05,610 Lo que implic� en un contrato para grabar con la Paramount Records... 108 00:13:05,885 --> 00:13:09,981 y un pasaje de tren a Grafton, Wisconsin... 109 00:13:10,189 --> 00:13:12,487 donde tendr�a lugar la grabaci�n. 110 00:13:19,098 --> 00:13:22,295 John Henry's body went to The White House 111 00:13:22,535 --> 00:13:25,163 And they buried it in the sand 112 00:13:25,938 --> 00:13:28,566 Every time a locomotive rolled 113 00:13:29,341 --> 00:13:32,674 "Yonder lays a steel-drivin' man Lord, Lord 114 00:13:32,912 --> 00:13:36,075 Yonder lays a steel-drivin' man Lord, Lord 115 00:13:36,282 --> 00:13:39,410 Yonder lays a steel-drivin' man Lord, Lord 116 00:13:39,685 --> 00:13:42,313 Yonder lays a steel-drivin' man" 117 00:13:43,055 --> 00:13:45,785 Yonder lays a steel-drivin' man" 118 00:13:46,025 --> 00:13:47,515 Yonder lays 119 00:14:41,513 --> 00:14:45,916 A Skip James Io recibi� el productor de Paramount Records... 120 00:14:46,151 --> 00:14:47,618 el Sr. Art Lavely. 121 00:14:52,825 --> 00:14:56,591 En aquella �poca, industrias de muebles hac�an gram�fonos... 122 00:14:56,795 --> 00:14:58,786 y los discos, tambi�n. 123 00:14:59,298 --> 00:15:02,131 Por eso, las instalaciones de grabaci�n estaban... 124 00:15:02,301 --> 00:15:05,202 en el altillo de una antigua f�brica de sillas. 125 00:15:14,880 --> 00:15:18,077 Al Sr. Lavely no Io impresion� la guitarra barata de Skip... 126 00:15:18,317 --> 00:15:23,311 por eso, le dio un instrumento de la empresa, una Stella. 127 00:15:23,656 --> 00:15:27,490 Skip nunca hab�a tenido en las manos nada tan lindo. 128 00:15:28,060 --> 00:15:30,585 Amigo, �I estaba listo para tocar. 129 00:17:22,107 --> 00:17:25,599 Quiero decir que nos hicieron esta pregunta... 130 00:17:26,011 --> 00:17:29,606 �cu�l es el motivo de que estemos en la carretera 61? 131 00:17:29,882 --> 00:17:31,816 Voy a responderles. 132 00:17:32,017 --> 00:17:36,113 Se trata de la cuesti�n de la divisi�n de tierras... 133 00:17:36,321 --> 00:17:38,653 que fue reducida, de tal forma... 134 00:17:38,891 --> 00:17:41,758 que el granjero dice que no nos puede dar... 135 00:17:41,994 --> 00:17:44,121 el �rea adecuada para trabajar... 136 00:17:44,329 --> 00:17:46,854 de modo que podamos asegurar el sost�n de nuestras esposas e hijos. 137 00:17:47,299 --> 00:17:51,429 Por eso, nos solicitaron que sali�ramos de la propiedad... 138 00:17:51,737 --> 00:17:55,571 y llegamos a la 61, con nuestro esfuerzo. 139 00:17:55,808 --> 00:17:59,471 Y voy a decirles, estas mujeres y ni�os, en esta carretera... 140 00:17:59,645 --> 00:18:01,704 est�n sufriendo en el fr�o. 141 00:18:01,880 --> 00:18:05,714 Ciento y veintinueve mujeres y ni�os, aqu�... 142 00:18:06,118 --> 00:18:09,519 pasan hambre y sufren. Pero nosotros, que tenemos algo... 143 00:18:09,688 --> 00:18:11,383 Io compartimos con ellos. 144 00:18:11,590 --> 00:18:16,425 Ciento y cuarenta y dos familias, en esta carretera, gente desamparada... 145 00:18:16,662 --> 00:18:20,564 y lo �nico que quieren es refugio, comida... 146 00:18:20,766 --> 00:18:22,757 y un lugar decente para vivir. 147 00:19:25,297 --> 00:19:29,495 Hard times here Everywhere you go 148 00:19:29,735 --> 00:19:33,796 Times are harder Than ever been before 149 00:19:50,189 --> 00:19:54,592 You know people are drifting From door to door 150 00:19:54,760 --> 00:19:59,720 They can't find no heaven I don't care where they go 151 00:20:25,857 --> 00:20:30,692 People, if I ever get off This killing floor 152 00:20:30,996 --> 00:20:35,399 I'll never get down This low no more 153 00:21:14,640 --> 00:21:17,074 You go to Banglin 154 00:21:17,309 --> 00:21:19,106 Tell all my boys 155 00:21:24,983 --> 00:21:26,974 In Illinois 156 00:21:27,753 --> 00:21:29,778 In Illinois 157 00:21:30,255 --> 00:21:32,348 Illinois 158 00:21:32,624 --> 00:21:34,091 In Illinois 159 00:22:22,607 --> 00:22:27,203 You go to Banglin Tell all my boys 160 00:22:27,479 --> 00:22:31,745 You go to Banglin Tell all my boys 161 00:22:31,917 --> 00:22:36,320 The time I had in Illinois 162 00:22:36,555 --> 00:22:38,546 Illinois 163 00:22:38,790 --> 00:22:40,724 Illinois 164 00:22:40,926 --> 00:22:44,453 The time I had in Illinois 165 00:22:45,097 --> 00:22:49,363 You get there Before I do 166 00:22:49,534 --> 00:22:53,334 You get there Before I do 167 00:22:53,705 --> 00:22:57,732 Tell all my boys I'm coming through 168 00:22:58,143 --> 00:23:02,136 Coming through Coming through 169 00:23:02,447 --> 00:23:06,144 Tell all my boys I'm coming through 170 00:23:06,852 --> 00:23:10,948 Tell me baby Still at night 171 00:23:11,189 --> 00:23:14,454 Tell me baby Still at night 172 00:23:15,160 --> 00:23:19,324 Hope morning Summer bright 173 00:23:19,564 --> 00:23:23,591 Summer bright Summer bright 174 00:23:23,769 --> 00:23:27,967 Hope morning Summer bright 175 00:23:45,323 --> 00:23:49,350 Hope morning Summer bright 176 00:23:50,295 --> 00:23:54,254 Bien, Skip, donde quiera que est�s, �sta es para ti. 177 00:24:07,479 --> 00:24:11,779 You know I'd rather be the devil 178 00:24:14,286 --> 00:24:18,222 You know I'd rather be the devil 179 00:24:19,458 --> 00:24:22,859 Than the woman to that man 180 00:24:27,899 --> 00:24:32,529 You know I'd rather be the devil 181 00:24:33,104 --> 00:24:36,198 Than be a woman to that man 182 00:24:44,683 --> 00:24:48,847 You know I'm so sorry 183 00:24:51,490 --> 00:24:55,586 You know I'm so sorry 184 00:24:56,561 --> 00:25:00,793 That I ever fell in love with you 185 00:25:08,540 --> 00:25:13,204 Because you know You don't treat me 186 00:25:14,079 --> 00:25:17,947 Baby, like the way you used to do 187 00:25:25,657 --> 00:25:29,093 I'd rather be the devil 188 00:25:29,227 --> 00:25:35,393 Than to be that woman's man 189 00:25:39,838 --> 00:25:43,774 I'd rather be the devil 190 00:25:44,142 --> 00:25:49,273 Than to be that woman's man 191 00:25:58,924 --> 00:26:01,859 �ESE SUJETO GRAB� UN TREMENDO �XITO! 192 00:26:14,973 --> 00:26:17,908 Soy un alma perdida. 193 00:26:27,052 --> 00:26:29,543 I'd rather be the devil 194 00:26:30,989 --> 00:26:33,549 Than be that woman's man 195 00:26:36,361 --> 00:26:40,058 I'd rather be the devil 196 00:26:41,166 --> 00:26:44,624 Than be that woman's man 197 00:26:52,744 --> 00:26:53,768 No 198 00:26:57,582 --> 00:27:00,745 I say nothing but the devil 199 00:27:01,453 --> 00:27:04,047 Would change my babe's mind 200 00:27:06,257 --> 00:27:10,694 No No, nothing but the devil 201 00:27:11,496 --> 00:27:16,263 Would change my babe's mind 202 00:27:17,902 --> 00:27:23,101 Nothing, nothing, nothing 203 00:27:23,575 --> 00:27:28,035 Nothing but the devil 204 00:27:31,383 --> 00:27:34,147 Nothing but the devil 205 00:27:34,519 --> 00:27:37,955 I said nothing but the devil 206 00:27:39,557 --> 00:27:43,288 Would change my babe's mind 207 00:27:47,332 --> 00:27:49,425 Nothing but the devil 208 00:28:00,412 --> 00:28:06,681 I love Cherry Ball Better than I love myself 209 00:28:33,878 --> 00:28:36,176 I'm so glad 210 00:28:36,414 --> 00:28:40,646 And I'm glad I'm glad 211 00:28:41,186 --> 00:28:43,711 I don't know what to do 212 00:28:43,922 --> 00:28:48,825 I don't know what to do 213 00:29:10,849 --> 00:29:14,751 I'm so glad I'm glad 214 00:29:14,986 --> 00:29:17,079 I am glad I am glad 215 00:29:18,189 --> 00:29:22,558 I don't know what to do Don't know what to do 216 00:29:22,761 --> 00:29:26,527 Don't know what to do 217 00:29:59,864 --> 00:30:03,356 And I'm so glad I'm glad 218 00:30:03,635 --> 00:30:06,297 I am glad I am glad 219 00:30:06,638 --> 00:30:10,369 I'm tired of weeping Tired of moaning 220 00:30:10,608 --> 00:30:13,236 Tired of groaning for you 221 00:30:13,478 --> 00:30:17,312 And I'm so glad I'm glad 222 00:30:17,582 --> 00:30:19,675 I am glad I'm glad 223 00:30:27,158 --> 00:30:29,217 I'm so tired of moaning 224 00:30:29,561 --> 00:30:32,724 La sesi�n avanz� hasta tarde en la noche. 225 00:30:33,231 --> 00:30:38,931 Skip grab� 18 canciones en ese d�a de febrero de 1931. 226 00:30:39,470 --> 00:30:43,634 Algunas cosas tradicionales, pero la mayor�a �I las hab�a compuesto. 227 00:30:43,842 --> 00:30:49,439 Eran canciones poderosas, y la sesi�n se volver�a legendaria. 228 00:31:07,232 --> 00:31:11,896 Me pongo a imaginar Io que pas� por la cabeza de Skip esa noche. 229 00:31:12,170 --> 00:31:16,903 �ste era un sue�o realizado, el m�s grande de su vida. 230 00:31:18,309 --> 00:31:19,708 Me pongo a imaginar... 231 00:31:19,911 --> 00:31:24,507 � �I sab�a que hab�a dejado su marca en la historia del blues? 232 00:31:26,784 --> 00:31:29,048 If I send for my baby 233 00:31:30,688 --> 00:31:32,781 And she don't come 234 00:31:37,095 --> 00:31:39,563 If I send for my baby 235 00:31:40,732 --> 00:31:42,996 And she don't come 236 00:31:45,770 --> 00:31:48,364 All the doctors in Wisconsin 237 00:31:49,307 --> 00:31:51,901 They won't help her none 238 00:31:54,946 --> 00:31:57,437 You're talkin' about your.44-40 239 00:31:57,615 --> 00:31:59,776 Buddy, it'll do very well 240 00:32:02,720 --> 00:32:05,120 You're talkin' about your.44-40 241 00:32:06,024 --> 00:32:08,322 Buddy, it'll do very well 242 00:32:11,296 --> 00:32:13,628 But my.22-20 243 00:32:13,865 --> 00:32:16,231 Lord, it's a burnin' hell 244 00:32:18,303 --> 00:32:20,737 Ah, if she gets unruly 245 00:32:20,805 --> 00:32:22,796 Thinks she don't wanna do 246 00:32:24,676 --> 00:32:26,644 Ah, if she gets unruly 247 00:32:26,878 --> 00:32:28,573 She don't wanna do 248 00:32:31,616 --> 00:32:33,880 I take my.22-20 249 00:32:34,886 --> 00:32:36,376 I cut her half in two 250 00:32:46,631 --> 00:32:50,067 En el segundo d�a de febrero de 1931... 251 00:32:50,468 --> 00:32:53,494 grabaron ocho canciones m�s con el piano. 252 00:32:54,605 --> 00:32:58,666 Skip tocaba los dos mejor de Io que muchos tocaban s�Io uno. 253 00:32:58,743 --> 00:33:00,973 I, I, I 254 00:33:01,479 --> 00:33:03,572 And I can't take my rest 255 00:33:05,316 --> 00:33:07,147 I, I, I 256 00:33:07,552 --> 00:33:09,486 I can't take my rest 257 00:33:11,522 --> 00:33:13,387 And my.44 258 00:33:13,725 --> 00:33:15,955 Layin' up and down my breast 259 00:33:19,664 --> 00:33:22,132 Cuando la grabaci�n, finalmente, Ileg� a su fin... 260 00:33:22,233 --> 00:33:25,725 faltaba s�Io una cuesti�n a�n. 261 00:33:26,104 --> 00:33:27,537 �EN DINERO O PARTICIPACl�N? 262 00:33:41,285 --> 00:33:46,188 Skip se march� de Grafton con US$40 para gastos en el bolsillo... 263 00:33:46,824 --> 00:33:49,122 pero �I se sent�a un hombre rico. 264 00:35:13,911 --> 00:35:18,143 Skip James nunca vio un centavo de su participaci�n. 265 00:35:18,416 --> 00:35:21,943 Ni siquiera escuch� ninguna de sus grabaciones. 266 00:35:23,754 --> 00:35:26,314 Las ventas de discos cayeron a principios de los a�os 30. 267 00:35:26,424 --> 00:35:28,824 Hab�a empezado la Gran Depresi�n. 268 00:35:29,026 --> 00:35:32,120 Y, en la radio, era posible escuchar m�sica gratis. 269 00:35:32,296 --> 00:35:36,357 Paramount edit� algunas canciones de Skip en cantidades limitadas... 270 00:35:36,534 --> 00:35:37,796 y, entonces, quebr�. 271 00:35:39,303 --> 00:35:42,500 Yo, tambi�n. No grab� m�s discos. 272 00:35:42,707 --> 00:35:47,610 No es que me importara mucho. No buscaba fama ni fortuna. 273 00:35:48,646 --> 00:35:52,275 Pero el modo como sus discos no Ilegaron a nada... 274 00:35:52,517 --> 00:35:55,179 afect� a Skip James gravemente. 275 00:35:55,753 --> 00:35:59,712 Se dio cuenta de que hab�a Ilegado a una encrucijada. 276 00:36:12,336 --> 00:36:15,533 I would rather be dead and 277 00:36:15,773 --> 00:36:18,435 Six feet in my grave 278 00:36:41,065 --> 00:36:46,526 When your knee bone's achin' And your body's cold 279 00:37:27,979 --> 00:37:32,973 Let Jesus lead you 280 00:37:33,651 --> 00:37:38,384 Let Jesus lead you All the way 281 00:37:38,656 --> 00:37:43,320 All the way From Earth to Heaven 282 00:37:43,494 --> 00:37:47,396 Let Jesus lead you All the way 283 00:37:55,373 --> 00:37:57,432 All the way 284 00:38:06,417 --> 00:38:10,945 Let Jesus lead you Let Jesus lead you 285 00:38:11,188 --> 00:38:15,022 Let Jesus lead you All the way 286 00:38:15,293 --> 00:38:19,320 All the way From Earth to Heaven 287 00:38:19,563 --> 00:38:23,294 Let Jesus lead you All the way 288 00:38:29,573 --> 00:38:33,532 Skip abandon� el blues y su carrera musical. 289 00:38:33,911 --> 00:38:37,142 Salt� de una vida a otra. 290 00:38:37,748 --> 00:38:41,741 Su padre hab�a sido ministro bautista, y �I sigui� sus pasos. 291 00:38:42,320 --> 00:38:45,414 Skip James empez� una nueva vida, con el Se�or. 292 00:38:45,489 --> 00:38:50,017 You better run Better run, better run 293 00:38:50,261 --> 00:38:54,095 - You better run - Better run, better run 294 00:38:54,332 --> 00:38:58,598 You better run To the City of Refuge 295 00:38:59,036 --> 00:39:01,129 You better run 296 00:39:15,119 --> 00:39:18,020 You better 297 00:39:18,255 --> 00:39:20,382 Run, run, run 298 00:39:20,624 --> 00:39:22,956 You better run 299 00:39:39,243 --> 00:39:41,211 Skip desapareci�, simplemente. 300 00:39:41,846 --> 00:39:46,874 Los pocos discos editados se volvieron preciosas piezas de colecci�n... 301 00:39:47,385 --> 00:39:52,345 el nombre, Skip James, una leyenda entre los fan�ticos de blues. 302 00:39:53,090 --> 00:39:57,459 Pero el hombre, de verdad, no ten�a idea. 303 00:40:03,901 --> 00:40:05,198 Pero voy a hablarle de otro sujeto. 304 00:40:13,144 --> 00:40:15,612 En la d�cada de 1960, j�venes ingleses tomaron el blues... 305 00:40:15,880 --> 00:40:18,713 Io electrificaron, Io amplificaron y alcanzaron un nuevo p�blico. 306 00:41:36,160 --> 00:41:39,152 La canci�n de John Mayall, "The Death of J.B. Lenoir"... 307 00:41:39,497 --> 00:41:43,126 impresion� a un estudiante de cinema de Alemania de tal modo... 308 00:41:43,334 --> 00:41:46,701 que �I empez� a indagar qui�n ser�a ese J.B. Lenoir... 309 00:41:46,937 --> 00:41:49,371 y desenterr� todo Io que pudo sobre el hombre... 310 00:41:49,607 --> 00:41:52,041 que se volvi� su eterno �dolo del blues. 311 00:41:52,142 --> 00:41:54,736 Nuestro estudiante de cine se convirti� en director... 312 00:41:55,045 --> 00:41:59,141 que, a trav�s de los a�os, Ilev� a muchos otros a amar a J.B. 313 00:42:00,784 --> 00:42:03,981 No pudieron hallar ninguna pel�cula grabada con su h�roe... 314 00:42:04,255 --> 00:42:09,158 hasta que, un d�a, sali� a flote una pel�cula in�dita de J.B. Lenoir. 315 00:42:09,326 --> 00:42:12,557 Grabada a comienzos de los a�os 60 por dos estudiantes de arte... 316 00:42:12,696 --> 00:42:14,891 un norteamericano y una sueca. 317 00:42:15,833 --> 00:42:19,599 As� fue como conocimos a J.B. Lenoir. 318 00:42:19,937 --> 00:42:25,341 Fuimos a la tienda de discos de Bob Caster... 319 00:42:25,543 --> 00:42:28,011 en la Grand Avenue, en Chicago... 320 00:42:28,312 --> 00:42:31,645 y preguntamos: "�D�nde est� el blues?" 321 00:42:32,049 --> 00:42:36,213 Y �l dijo: "Roosevelt Sykes, el pianista... 322 00:42:36,420 --> 00:42:40,322 est� dando una fiesta en el South Side". 323 00:42:40,925 --> 00:42:47,330 En esa fiesta, estaba un hombre, con un esmoquin con rayas de cebra. 324 00:42:47,565 --> 00:42:51,797 Era J.B. Nos pareci� fant�stico... 325 00:42:52,002 --> 00:42:54,163 y nos volvimos amigos, casi inmediatamente. 326 00:42:54,705 --> 00:42:59,733 Al d�a siguiente, nos llam�, y conversamos mucho tiempo. 327 00:43:00,010 --> 00:43:05,312 Y le preguntamos: "Por favor, d�ganos d�nde va a tocar, en Chicago". 328 00:43:05,449 --> 00:43:06,609 Y �l dijo. 329 00:43:06,850 --> 00:43:09,910 Empezamos con la televisi�n. Vimos... 330 00:43:11,789 --> 00:43:17,659 un programa en la TV. J.B. Nos llam� y dijo: "Voy a estar en la TV". 331 00:43:17,795 --> 00:43:21,629 Nosotros no ten�amos un televisor, pero nos arreglamos para verlo. 332 00:43:22,566 --> 00:43:26,297 Y pensamos: "Dios m�o. Eso tiene que ser hecho de otro modo". 333 00:43:26,503 --> 00:43:29,904 Bien, el programa es interesante. Era un programa religioso... 334 00:43:30,240 --> 00:43:32,800 Ilamado "Jubilee Tour", o algo as�. 335 00:43:33,210 --> 00:43:35,872 Tanto J.B. Como Willie Dixon participaban... 336 00:43:36,113 --> 00:43:40,106 acompa�ando el gospel, pero no mencionaron sus nombres. 337 00:43:40,317 --> 00:43:44,447 S�lo tocaban. Sab�amos qui�nes eran y pensamos... 338 00:43:45,022 --> 00:43:47,286 "Tenemos que hacer algo mejor". 339 00:43:47,491 --> 00:43:52,758 Nos �bamos a Suecia. Entonces, pensamos en hacer un corto... 340 00:43:52,930 --> 00:43:57,867 y llevarlo a la televisi�n sueca, para mostr�rselos... 341 00:43:58,569 --> 00:44:00,594 cosas que no necesitaban ser explicadas. 342 00:44:30,901 --> 00:44:35,736 Well I feel so good I feel like playing my box 343 00:45:15,279 --> 00:45:18,646 I'm so glad I know What's on your mind 344 00:45:18,949 --> 00:45:22,077 I'm so glad I know What's on your mind 345 00:45:22,619 --> 00:45:26,385 I'm so glad, glad Glad, glad, glad 346 00:45:26,457 --> 00:45:29,688 I'm so glad I know What's on your mind 347 00:45:34,398 --> 00:45:40,132 I feel so good I don't know what to do 348 00:45:41,038 --> 00:45:46,237 I feel so good I don't know what to do 349 00:45:46,677 --> 00:45:53,515 I feel so good I feel I want to play with you 350 00:45:53,717 --> 00:45:59,178 I feel so good I feel like playing my box 351 00:45:59,590 --> 00:46:04,789 I feel so good I feel like playing my box 352 00:46:05,729 --> 00:46:12,965 Give me one more shot I believe my name through the top 353 00:46:25,415 --> 00:46:31,047 I feel so good 354 00:46:31,355 --> 00:46:34,518 I'm so glad I know What's on your mind 355 00:46:34,691 --> 00:46:37,558 I'm so glad I know What's on your mind 356 00:46:37,761 --> 00:46:40,389 I'm so glad I know What's on your mind 357 00:46:40,664 --> 00:46:43,633 I'm so glad I know What's on your mind 358 00:46:43,867 --> 00:46:46,893 I'm so glad I know Glad, glad, glad, glad 359 00:46:47,237 --> 00:46:50,900 Glad I know what's on your mind 360 00:47:02,085 --> 00:47:04,144 I feel 361 00:47:04,354 --> 00:47:08,450 I feel so glad 362 00:47:51,735 --> 00:47:54,727 �I ten�a cuatro trajes diferentes. 363 00:47:55,172 --> 00:47:59,871 Y cada uno de ellos era en forma de esmoquin, con frac. 364 00:48:00,077 --> 00:48:02,875 Le pregunt�: "�D�nde los consigue?" 365 00:48:03,080 --> 00:48:04,707 �I los mandaba a hacer. 366 00:48:04,882 --> 00:48:08,374 Nadie m�s ten�a algo as�. Fue el primero de la ciudad. 367 00:48:08,552 --> 00:48:12,545 Eran negro, blanco, verde amarillento, cebra. 368 00:48:12,756 --> 00:48:13,745 Y dorado. 369 00:49:15,752 --> 00:49:19,381 Y llevamos la pel�cula con nosotros a Suecia. 370 00:49:19,656 --> 00:49:21,749 No fue un gran �xito. 371 00:49:21,959 --> 00:49:26,157 No era muy buena, t�cnicamente, pero la hicimos. 372 00:49:26,563 --> 00:49:30,397 Dijeron que deber�amos hacer algo en negro y blanco... 373 00:49:30,600 --> 00:49:34,263 porque la televisi�n sueca no era en colores, en esa �poca. 374 00:49:34,438 --> 00:49:38,772 Entonces, respondimos: "Bueno". Volvimos a Chicago... 375 00:49:39,042 --> 00:49:42,603 Al verano siguiente, �bamos a ir de nuevo a Suecia. 376 00:49:42,813 --> 00:49:48,115 Y poco antes de partir, hicimos otra pel�cula, en blanco y negro. 377 00:49:48,285 --> 00:49:53,018 Mucho m�s larga. Alquilamos la c�mara durante dos d�as. 378 00:49:53,323 --> 00:49:54,950 Es �sta. 379 00:49:57,227 --> 00:49:58,819 �D�nde naci�, J. B? 380 00:49:59,029 --> 00:50:04,467 Oye, Steve, nac� en Mississippi, un pueblo llamado Tilton. 381 00:50:04,768 --> 00:50:09,034 Empec� a tocar desde muy chico Yo tocaba... 382 00:50:09,506 --> 00:50:14,239 tocaba a la noche, intentando aprender varios tipos de m�sicas, creando. 383 00:50:14,444 --> 00:50:17,743 - �D�nde naciste, Steve? - Nac� en Evanston, J.B. 384 00:50:17,914 --> 00:50:20,474 �D�nde aprendiste a tocar esa caja? 385 00:50:20,684 --> 00:50:24,620 Aprend� con un hombre que era del vodevil y tocaba el banjo. 386 00:50:24,755 --> 00:50:29,192 �I me ense�o a tocar el banjo, y pas� a la guitarra, en la escuela. 387 00:50:29,426 --> 00:50:31,792 Entiendo, entiendo. 388 00:50:32,129 --> 00:50:34,689 Escucha, �por qu� los dos no intentamos tocar juntos? 389 00:50:34,898 --> 00:50:36,889 Entonces, deme un minuto. Voy a contar en sueco lo que usted dijo. 390 00:50:36,967 --> 00:50:39,595 Entonces, les cont�. 391 00:52:18,268 --> 00:52:22,568 Yo toqu� la guitarra algunas veces, a prop�sito, fue idea suya. 392 00:52:22,739 --> 00:52:26,732 �I dijo: "Todos tenemos que hacer algo". Y lo hicimos realmente. 393 00:52:26,910 --> 00:52:28,810 Hubo mucha colaboraci�n. 394 00:52:29,045 --> 00:52:33,982 La interacci�n, realmente, fue idea suya, no nuestra. 395 00:52:34,351 --> 00:52:37,946 - � C�mo se llama su esposa? - Ella-Louise. 396 00:52:38,288 --> 00:52:39,755 � Y tienen hijos? 397 00:52:39,923 --> 00:52:43,916 Tengo cuatro hijos. Mi hijo se llama Jerard... 398 00:52:44,194 --> 00:52:49,131 tengo una hija, Rose Berta, y el beb�... 399 00:52:49,332 --> 00:52:51,493 y una ni�a, Emily Tina. 400 00:52:51,668 --> 00:52:54,535 Y mi hija mayor es Barbara Ann. 401 00:53:06,383 --> 00:53:10,843 A prop�sito, Barbara Ann tiene un nuevo baile. Por eso... 402 00:53:11,021 --> 00:53:14,513 cre� esta canci�n para ella. 403 00:54:21,891 --> 00:54:25,827 I got an elevator man 404 00:54:26,062 --> 00:54:28,963 Deep in the heart of town 405 00:54:29,966 --> 00:54:33,424 And when he's feeling right 406 00:54:35,005 --> 00:54:38,702 He'll carry me round and round 407 00:54:38,842 --> 00:54:42,778 Round and round Up and down 408 00:54:43,013 --> 00:54:46,176 Round and round Up and down 409 00:55:00,196 --> 00:55:04,132 Well don't be jealous 410 00:55:04,334 --> 00:55:07,064 When I come to town 411 00:55:08,204 --> 00:55:12,197 Then I'm just a country girl 412 00:55:13,276 --> 00:55:17,178 Everybody tries To push me around 413 00:55:17,414 --> 00:55:20,178 Round and round Up and down 414 00:55:21,017 --> 00:55:24,578 Round and round Up and down 415 00:55:24,988 --> 00:55:28,947 Round and round Up and down 416 00:55:29,225 --> 00:55:33,423 Round and round Up and down 417 00:55:50,213 --> 00:55:55,241 Naturalmente, no fue una pel�cula perfecta. Hubo problemas t�cnicos. 418 00:55:55,385 --> 00:55:59,947 Y est�bamos bastante fastidiados, con su falta de imaginaci�n. 419 00:56:00,757 --> 00:56:03,555 Cuando estaban tocando la canci�n "Voodoo", hab�a... 420 00:56:03,760 --> 00:56:06,058 un trueno terrible, fuera. 421 00:56:39,329 --> 00:56:42,765 Voodoo music got The whole world on the go 422 00:56:46,369 --> 00:56:49,896 Voodoo music all over the world 423 00:56:50,140 --> 00:56:53,507 Look what it's done To the beautiful girls 424 00:56:53,710 --> 00:56:56,770 Got them shake And act real crazy 425 00:56:57,080 --> 00:57:01,642 Voodoo music gonna knock you crazy Voodoo 426 00:57:03,753 --> 00:57:04,720 Voodoo 427 00:57:07,757 --> 00:57:12,251 Voodoo music got The whole world on the go 428 00:57:14,831 --> 00:57:18,130 Voodoo music got hold of the boys 429 00:57:18,501 --> 00:57:21,937 Make them sing And laugh with joy 430 00:57:22,172 --> 00:57:24,902 Makes them feel Like they own the world 431 00:57:25,508 --> 00:57:29,410 Makes them think They can choose the girls, voodoo 432 00:57:32,215 --> 00:57:34,012 Voodoo 433 00:57:36,252 --> 00:57:40,018 Voodoo music got The whole world on the go 434 00:57:40,423 --> 00:57:43,881 La canciones posteriores de J. B... 435 00:57:44,294 --> 00:57:47,991 hechas por un artista, una persona m�s madura... 436 00:57:48,264 --> 00:57:54,032 tend�an a ser m�s espirituales, eran m�s pol�ticas... 437 00:57:54,237 --> 00:57:58,435 pero, tambi�n, con cierta introspecci�n profunda... 438 00:57:58,641 --> 00:58:03,738 que consideraba la vida como un evento espiritual. 439 00:58:04,214 --> 00:58:09,652 Hay una tradici�n de que los que cantan gospel... 440 00:58:09,819 --> 00:58:14,586 no cantan blues, y cantantes de blues no son artistas de [gospel]. 441 00:58:14,791 --> 00:58:19,455 Eso es artificial. Me acuerdo de que J.B. Nos llam� un d�a... 442 00:58:19,629 --> 00:58:22,962 y nos dijo que se hab�a divertido mucho todo el d�a, hab�a estado tocando... 443 00:58:23,166 --> 00:58:25,862 en la iglesia, con los amigos, todo el d�a. 444 00:58:26,236 --> 00:58:31,697 Y, claro, sus amigos no eran m�sicos de gospel, rigurosamente. 445 00:58:31,808 --> 00:58:37,576 Eran m�sicos profesionales, que estaban haciendo lo mejor... 446 00:58:37,747 --> 00:58:40,841 divirti�ndose todo lo posible, un domingo. 447 00:58:41,050 --> 00:58:45,180 Y no era cuesti�n de ganar dinero, sino de crear esp�ritu. 448 00:58:46,322 --> 00:58:50,986 �sta es una canci�n que me gusta tocar. Se llama "God's Word". 449 01:00:35,832 --> 01:00:40,462 Why don't you release me Devil 450 01:00:41,671 --> 01:00:46,574 Free me for I can go home 451 01:00:51,381 --> 01:00:55,715 Why don't you release me Devil 452 01:00:57,120 --> 01:01:02,752 Free me for I can go home 453 01:01:06,796 --> 01:01:10,892 If you don't let me go home 454 01:01:12,435 --> 01:01:17,304 My dad will come and make you Leave me alone 455 01:01:22,245 --> 01:01:26,875 If you don't let me come home 456 01:01:27,917 --> 01:01:31,785 My dad will come and make you Leave me alone 457 01:01:37,627 --> 01:01:42,530 If you don't let me come home 458 01:01:43,166 --> 01:01:50,265 My dad will come and make you Leave me alone 459 01:01:53,209 --> 01:01:56,975 Poco despu�s de que volvimos a los EE. UU... 460 01:01:57,146 --> 01:02:00,343 recibimos una llamada, un d�a, de Ella-Louise Lenoir... 461 01:02:00,550 --> 01:02:02,347 y nos dijo que J.B. Hab�a muerto. 462 01:02:02,518 --> 01:02:07,080 �I ten�a s�lo ocho a�os m�s que Steve. Fui un gran impacto. 463 01:02:07,356 --> 01:02:11,190 Y puso fin a su desarrollo art�stico... 464 01:02:11,360 --> 01:02:14,090 justo cuando �l empezaba a ser conocido... 465 01:02:14,263 --> 01:02:20,259 a impresionar gente como Mayall y ser conocido por los j�venes. 466 01:02:20,403 --> 01:02:25,807 Las letras de sus canciones eran muy diferentes de otros blues... 467 01:02:25,975 --> 01:02:30,571 principalmente, cuando empez� a hacer cosas sobre Vietnam... 468 01:02:31,614 --> 01:02:33,445 y cosas por el estilo. 469 01:02:33,683 --> 01:02:38,711 �I hab�a empezado a hacer canciones sobre los derechos civiles... 470 01:02:38,888 --> 01:02:42,221 que, claro, eran cuestiones muy importantes, en esa �poca... 471 01:02:42,425 --> 01:02:45,724 pero frecuentemente ignoradas en la m�sica popular. 472 01:02:45,995 --> 01:02:49,988 Y �l era sensible a la posici�n de la mujer... 473 01:02:50,199 --> 01:02:52,633 que, claro, tambi�n cambi� en los a�os 60. 474 01:04:10,746 --> 01:04:14,147 Se�alaban que se parec�a a Martin Luther King... 475 01:04:14,350 --> 01:04:19,049 y se parec�a, s�, un poco. Quiz�s era esa tremenda... 476 01:04:19,388 --> 01:04:23,882 fuerza de voluntad, un don art�stico, algo. 477 01:04:24,293 --> 01:04:30,129 Pero ellos ten�an mucho en com�n, adem�s de ser hombres de familia. 478 01:04:30,366 --> 01:04:33,927 Y ambos tuvieron muertes tr�gicas prematuras. 479 01:04:34,170 --> 01:04:38,698 J.B. Sufri� un accidente de auto y no fue tratado, en el hospital... 480 01:04:38,908 --> 01:04:43,072 en Illinois, donde deber�an haberlo cuidado mejor. 481 01:04:54,457 --> 01:04:57,893 Slow down, slow down 482 01:04:59,929 --> 01:05:02,420 Let me step on board 483 01:05:03,099 --> 01:05:06,091 I just wanna ride your train 484 01:05:06,802 --> 01:05:09,293 Just before I go 485 01:05:12,141 --> 01:05:16,043 You're about the sweetest little girl 486 01:05:17,613 --> 01:05:20,104 I believe I've ever seen 487 01:05:20,950 --> 01:05:23,350 And if I had you by my side 488 01:05:23,419 --> 01:05:26,855 You would mean so much to me 489 01:05:29,926 --> 01:05:33,555 I'm a stranger I'm a stranger 490 01:05:47,677 --> 01:05:50,908 Slow down, slow down 491 01:05:52,682 --> 01:05:55,242 Please, let me step on board 492 01:05:55,952 --> 01:05:58,978 Just let me ride your train 493 01:05:59,522 --> 01:06:01,990 Just before I go 494 01:06:06,195 --> 01:06:11,132 Slow down, slow down 495 01:06:11,834 --> 01:06:14,803 Let me step on board 496 01:06:15,304 --> 01:06:19,104 I wanna ride your train 497 01:06:19,342 --> 01:06:21,776 One time before you go 498 01:06:24,580 --> 01:06:28,641 You're about the sweetest The sweetest man 499 01:06:30,319 --> 01:06:33,584 I have ever seen 500 01:06:33,889 --> 01:06:36,881 And if I had you by my side 501 01:06:37,226 --> 01:06:41,026 It'd mean so much to me 502 01:06:43,299 --> 01:06:47,167 Quiero que todo el mundo sepa que te amo. 503 01:07:14,630 --> 01:07:17,929 Ojal� hubi�ramos comprado m�s rollos de pel�cula. 504 01:07:18,134 --> 01:07:23,868 No eran tan caros. Nos parec�an caros. 505 01:07:25,041 --> 01:07:29,375 Nos parec�a que era suficiente. Era suficiente para mostrar. 506 01:07:29,578 --> 01:07:32,775 Porque nuestro objetivo era s�lo presentarlo a la gente. 507 01:07:32,982 --> 01:07:37,817 No pensamos que hac�amos un documental, de ning�n modo. 508 01:07:38,654 --> 01:07:43,148 S�lo cre�amos que, si lo ve�an, lo contratar�an... 509 01:07:43,392 --> 01:07:46,054 - para giras. - Exacto. Inmediatamente. 510 01:07:46,228 --> 01:07:48,753 Dir�an, de inmediato: "�Dios m�o! � Qui�n es? 511 01:07:48,864 --> 01:07:51,094 �Debemos tenerlo en nuestro escenario!" 512 01:07:52,902 --> 01:07:56,463 Las dos pel�culas de los Seabergs, sobre J.B. Lenoir... 513 01:07:56,672 --> 01:07:58,503 nunca fueron exhibidas en ning�n lado... 514 01:07:58,674 --> 01:08:00,801 ni siquiera en la televisi�n sueca. 515 01:08:02,311 --> 01:08:04,802 J.B. No consigui� m�s trabajo en Chicago. 516 01:08:08,050 --> 01:08:09,642 Por m�s extra�o que parezca... 517 01:08:09,752 --> 01:08:13,244 mientras el blues se volv�a popular en Europa... 518 01:08:13,556 --> 01:08:16,286 el hombre del blues en los EE. UU. No pod�a ganarse la vida. 519 01:08:20,262 --> 01:08:23,095 Pero, entonces, ese mismo verano... 520 01:08:23,332 --> 01:08:26,733 cuando los Seabergs filmaban su segunda pel�cula con J. B... 521 01:08:26,969 --> 01:08:30,700 sucedi� algo extraordinario, en Mississippi. 522 01:08:33,242 --> 01:08:36,678 Este es Roosevelt Sykes y Big Mama Thornton. 523 01:08:41,750 --> 01:08:44,116 Willie Dixon. 524 01:08:47,189 --> 01:08:51,922 Muy bien, ahora. �stas son las dos fotos que vino a ver. 525 01:08:53,295 --> 01:08:57,994 Mississippi John Hurt fue redescubierto en 1963... 526 01:08:58,434 --> 01:09:00,493 y lo llevaron a Newport. 527 01:09:00,769 --> 01:09:04,261 �ste es el documento de ese redescubrimiento. 528 01:09:04,540 --> 01:09:08,306 Exactamente un a�o despu�s, Newport, 1964... 529 01:09:08,544 --> 01:09:11,104 John usa su placa de artista. 530 01:09:11,347 --> 01:09:15,374 Skip James acababa de ser encontrado en un hospital. 531 01:09:15,584 --> 01:09:19,577 Lo llevaron, entonces, a Newport y le pusieron una placa... 532 01:09:19,755 --> 01:09:25,716 que dice "Pariente". Eso les daban a las esposas e hijos, los parientes. 533 01:09:26,462 --> 01:09:30,398 �I est� ensayando, est� afinando la guitarra... 534 01:09:30,633 --> 01:09:33,761 prepar�ndose para subir al escenario y tocar. 535 01:09:34,003 --> 01:09:37,632 �I fue descubierto en 1931... 536 01:09:38,207 --> 01:09:40,801 despu�s, pasaron 33 a�os... 537 01:09:41,076 --> 01:09:44,204 y ahora est� a punto de subir al escenario. 538 01:09:44,446 --> 01:09:48,075 Esto ocurre segundos antes de que �l suba al escenario. 539 01:09:49,218 --> 01:09:55,919 Se preparaba para subir al escenario. Y yo tuve una noci�n de historia... 540 01:09:56,125 --> 01:09:58,719 la curva en la historia que hac�an... 541 01:09:58,961 --> 01:10:04,456 y quer�a registrar la primera nota, la primera palabra... 542 01:10:04,733 --> 01:10:08,931 el primer verso, la primera canci�n. Skip James. 543 01:10:09,104 --> 01:10:12,733 Toma la guitarra, pone la cabeza hacia atr�s y dice: "Yo... 544 01:10:12,975 --> 01:10:17,207 Yo prefiero ser el demonio, que ser el hombre de esa mujer". 545 01:10:17,413 --> 01:10:21,645 �sta es la primera nota, precisamente, del redescubrimiento. 546 01:10:25,120 --> 01:10:27,782 A�n usa la placa de "Pariente". 547 01:11:27,516 --> 01:11:30,974 �I surgi� en el a�o 1931... 548 01:11:31,720 --> 01:11:36,555 y fue cautivante, electrizante, carism�tico. 549 01:11:36,792 --> 01:11:38,953 Se rob� el festival. 550 01:11:39,762 --> 01:11:41,252 Se rob� el festival. 551 01:11:41,530 --> 01:11:46,900 En Newport, 1964, Skip James era el tema de conversaci�n de todos. 552 01:11:47,136 --> 01:11:50,537 No necesitaba ni siquiera ser simpatizante de blues... 553 01:11:50,739 --> 01:11:55,802 para entender la historia de un hombre que viene de 1931... 554 01:11:56,011 --> 01:12:01,745 y fue incre�ble. S�lo cant� tres o cuatro canciones y fue m�gico. 555 01:12:02,084 --> 01:12:07,454 Es necesario ver que Newport, 1964, puede haber sido... 556 01:12:07,656 --> 01:12:12,616 la mayor cantidad de gente para la que hab�a tocado... 557 01:12:12,861 --> 01:12:14,795 en toda su vida. 558 01:12:15,097 --> 01:12:19,966 Esos recitales se llenaban, 17.000 o 18.000 personas. 559 01:12:20,269 --> 01:12:26,003 Pero los que redescubrieron a Skip fueron muy incompetentes. 560 01:12:26,175 --> 01:12:28,871 No ten�an la menor idea de lo que hac�an. 561 01:12:29,078 --> 01:12:35,210 Entonces, al a�o siguiente, para Skip, del Newport '64 al Newport '65... 562 01:12:35,517 --> 01:12:37,576 fue una oportunidad perdida. 563 01:12:38,020 --> 01:12:40,784 No consigui� un contrato de grabaci�n... 564 01:12:41,023 --> 01:12:44,754 y el entusiasmo del mundo del blues, que estaba concentrado en �l... 565 01:12:44,927 --> 01:12:45,951 fue desperdiciado. 566 01:13:46,655 --> 01:13:49,988 La afinaci�n de Skip era tan diferente... 567 01:13:50,225 --> 01:13:53,752 y su estilo vocal tan extra�o... 568 01:13:53,962 --> 01:13:56,522 "Cherry Ball", "I Rather Be The Devil"... 569 01:13:56,732 --> 01:14:00,964 que nadie realmente lo hab�a escuchado, u o�do hablar de �l. 570 01:14:01,403 --> 01:14:03,633 Skip no se parec�a a nadie. 571 01:14:03,839 --> 01:14:07,536 Escuchaba algunas de sus canciones de los a�os 60... 572 01:14:07,709 --> 01:14:13,705 y sus dedos volaban. Ten�a una gran destreza. 573 01:14:13,982 --> 01:14:18,612 Apenas tocaba las cuerdas. 574 01:14:18,821 --> 01:14:21,654 Rasgaba muy r�pido, pero muy limpio. 575 01:14:21,857 --> 01:14:24,917 Rasgaba r�pido y limpio. 576 01:14:25,294 --> 01:14:31,722 No s� si toc� entre los a�os 30 y 60. No s�. 577 01:14:32,100 --> 01:14:36,799 Es muy probable que no tuviera una guitarra y no hubiera tocado. 578 01:14:36,972 --> 01:14:41,102 Cuando lo encontraron en Tunica, estaba muy falto de pr�ctica... 579 01:14:41,310 --> 01:14:44,837 no hab�a tocado mucho. Es una especulaci�n de parte m�a. 580 01:14:45,047 --> 01:14:49,916 Pero a mediados de los a�os 60, tocaba extraordinariamente bien. 581 01:14:50,586 --> 01:14:54,022 Muchos hombres del blues trabajaban para las caras... 582 01:14:54,223 --> 01:14:57,920 para las primeras hileras, o contaba cuentos. 583 01:14:58,126 --> 01:15:00,560 Skip viv�a en el abstracto. 584 01:15:00,796 --> 01:15:05,824 Tocaba la m�sica por encima de su cabeza hacia la inmensidad. 585 01:16:13,936 --> 01:16:18,566 En este momento de su vida, Skip James estaba muy enfermo. 586 01:16:18,974 --> 01:16:21,602 Cuando fue descubierto en Tunica, Mississippi... 587 01:16:21,810 --> 01:16:25,712 fue, pr�cticamente, arrastrado del hospital al festival. 588 01:16:25,914 --> 01:16:29,441 Luchaba contra el c�ncer y necesitaba ser operado, urgentemente. 589 01:17:33,382 --> 01:17:36,317 I'm so glad I'm so glad 590 01:17:36,518 --> 01:17:38,577 I'm glad I'm glad I'm glad 591 01:17:40,155 --> 01:17:45,923 I'm so glad I'm glad I'm glad 592 01:17:46,928 --> 01:17:52,889 Don't know Don't know what to do 593 01:17:53,669 --> 01:17:59,904 I'm so tired of weeping, tired Of moaning, tired of groaning for you 594 01:18:00,075 --> 01:18:05,536 El �xito del "cover" de Cream pag� las cuentas del hospital. 595 01:18:06,248 --> 01:18:09,547 La operaci�n le dio a Skip tres a�os m�s de vida... 596 01:18:09,718 --> 01:18:12,744 y una oportunidad de ser grabado, de forma apropiada. 597 01:18:12,988 --> 01:18:16,856 Grab� dos �Ibumes enteros en sus �Itimos a�os de vida... 598 01:18:17,025 --> 01:18:20,825 y regrab� todas las canciones que hab�a cantado una vez, en vano. 599 01:18:22,097 --> 01:18:26,500 �I no ten�a mucho que agregar a los d�as inspirados de 1931... 600 01:18:26,668 --> 01:18:30,604 excepto por dos canciones, una sobre su internaci�n en el hospital. 601 01:19:23,992 --> 01:19:26,290 I says I was a good man 602 01:19:27,462 --> 01:19:29,623 And I was a poor man 603 01:19:30,665 --> 01:19:33,065 You can understand 604 01:19:51,153 --> 01:19:53,280 'Cause I'm a good man 605 01:19:54,556 --> 01:19:56,717 I was a poor man 606 01:19:57,759 --> 01:19:59,192 You can understand 607 01:19:59,728 --> 01:20:02,629 Skip cantaba sobre sus propias experiencias... 608 01:20:02,831 --> 01:20:06,631 y su propia vida. Sab�a que hab�a grandeza de su m�sica... 609 01:20:06,868 --> 01:20:09,268 y que sus canciones sobrevivir�an a �I. 610 01:20:09,571 --> 01:20:13,701 Fue un hombre pobre, sin duda, pero Ileno de orgullo. 611 01:20:14,376 --> 01:20:18,142 J.B. Fue de una generaci�n toda nueva de compositores... 612 01:20:18,346 --> 01:20:20,211 de los que �I fue el precursor. 613 01:20:20,415 --> 01:20:25,318 Se dio cuenta de que su talento no le fue dado para hablar de s�. 614 01:20:25,620 --> 01:20:28,054 J.B. Cantaba sobre el panorama mayor... 615 01:20:28,256 --> 01:20:30,656 sobre c�mo habr�a cambio. 616 01:20:47,943 --> 01:20:50,377 Vietnam, Vietnam 617 01:20:53,181 --> 01:20:57,208 Everybody's cryin' about Vietnam 618 01:21:02,824 --> 01:21:05,190 Vietnam, Vietnam 619 01:21:10,498 --> 01:21:15,401 Everybody's cryin' about Vietnam 620 01:21:19,007 --> 01:21:24,035 These Ionely days are Killing me down in Mississippi 621 01:21:51,673 --> 01:21:57,509 Oh God, if you can hear my prayer 622 01:21:58,813 --> 01:22:04,274 Please help my brothers down In Vietnam 623 01:23:31,439 --> 01:23:36,741 You always cry and cry about Peace 624 01:23:38,179 --> 01:23:42,809 But you must clean up Your house before 625 01:25:19,414 --> 01:25:22,212 Down in Mississipi 626 01:26:05,593 --> 01:26:09,256 Down in Mississipi 627 01:26:10,999 --> 01:26:14,560 Down in Mississipi 628 01:26:16,004 --> 01:26:21,601 Down in Mississipi where I was born 629 01:26:22,343 --> 01:26:27,747 Down in Mississipi where I come from 630 01:27:02,417 --> 01:27:03,782 KU KLUX KLAN AL RESCATE LA VERDAD MATAR� AL CATOLICISMO 631 01:27:38,553 --> 01:27:42,455 I never will love Alabama 632 01:27:44,025 --> 01:27:47,483 Alabama seems to never Have loved poor me 633 01:28:02,977 --> 01:28:05,844 Desde las monta�as poderosas de Nueva York. 634 01:28:06,080 --> 01:28:10,141 Deje que la libertad suene alto desde las Alleghenies de Pensilvania. 635 01:28:10,418 --> 01:28:15,583 Deje que la libertad suene desde las Monta�as Rocallosas de Colorado... 636 01:28:34,309 --> 01:28:36,675 Desde todas las monta�as. 637 01:28:36,911 --> 01:28:39,573 Deje que la libertad suene. Y cuando eso suceda... 638 01:29:01,135 --> 01:29:06,072 Protestantes y cat�licos podr�n unir las manos y cantar el negro spiritual. 639 01:29:06,240 --> 01:29:08,606 "�AI fin, libres! �AI fin, libres! 640 01:29:08,810 --> 01:29:11,335 �Gracias, Dios Todopoderoso, estamos al fin, libres!" 641 01:30:29,056 --> 01:30:33,584 J.B. Lenoir muri� de muerte tr�gica, pobre... 642 01:30:33,761 --> 01:30:38,755 el 29 de abril de 1967, en Champagne, Illinois. 643 01:30:39,167 --> 01:30:42,898 En el hospital, sus heridas no fueron tomadas en serio. 644 01:30:43,070 --> 01:30:47,006 Muri� poco despu�s, en casa, de hemorragia interna. 645 01:30:47,575 --> 01:30:51,841 Pero, amigo, �I estaba muy adelante de su tiempo. 646 01:30:52,079 --> 01:30:55,571 No vivi� para comprobar los frutos de su obra, sin embargo. 647 01:30:55,883 --> 01:30:58,351 Su �Itimo empleo fue de lavaplatos. 648 01:32:52,033 --> 01:32:54,365 Nehemiah Skip James... 649 01:32:54,602 --> 01:32:57,833 muri� de c�ncer, en Filadelfia, Pensilvania... 650 01:32:58,039 --> 01:33:03,944 el 3 de octubre de 1969, s�Io dos a�os despu�s de J.B. 651 01:33:04,445 --> 01:33:07,312 Ambos dejaron un legado incre�ble. 652 01:33:07,715 --> 01:33:10,843 Sus canciones Ilegaron m�s all� que sus vidas... 653 01:33:11,085 --> 01:33:13,144 celebrando el esp�ritu de la vida... 654 01:33:13,387 --> 01:33:16,151 explorando sus niveles m�s profundos y Ilev�ndonos... 655 01:33:16,324 --> 01:33:18,292 hasta el m�s alto de los cielos. 656 01:33:18,593 --> 01:33:23,895 Pero eso es Io que hace el blues. Como pueden ver, conmigo. 657 01:33:55,896 --> 01:33:57,955 I want somebody 658 01:33:58,199 --> 01:33:59,689 To tell me 659 01:33:59,934 --> 01:34:03,028 Answer if you can 660 01:34:03,270 --> 01:34:06,535 I want somebody to tell me 661 01:34:06,874 --> 01:34:10,207 Just what is the soul of a man? 662 01:34:24,725 --> 01:34:26,625 I want somebody 663 01:34:26,927 --> 01:34:28,326 To tell me 664 01:34:28,596 --> 01:34:31,827 Answer if you can 665 01:34:31,899 --> 01:34:35,426 I want somebody to tell me 666 01:34:35,703 --> 01:34:39,161 Just what is the soul of a man? 667 01:34:54,422 --> 01:34:57,914 Well I want somebody to tell me 668 01:34:58,359 --> 01:35:01,624 Answer if you can 669 01:35:01,862 --> 01:35:05,389 I want somebody to tell me 670 01:35:05,700 --> 01:35:08,999 Just what is the soul of a man? 671 01:36:46,500 --> 01:36:50,368 There's one kind of favor I'll ask you 672 01:36:51,972 --> 01:36:55,567 There's one kind of favor I'll ask you 673 01:37:02,850 --> 01:37:08,846 There's just one kind of favor That I'll ask of you 674 01:37:10,224 --> 01:37:13,216 You can see that My grave is kept clean 675 01:37:28,175 --> 01:37:31,406 Long line ain't got no end 676 01:37:32,279 --> 01:37:36,682 Oh there's a long line That's got no end 677 01:37:43,257 --> 01:37:47,057 It's a long, long line that 678 01:37:47,294 --> 01:37:49,558 Ain't got no end 679 01:37:50,631 --> 01:37:53,395 Bad wind that never came 680 01:37:54,468 --> 01:37:58,837 It's a bad wind that never came 681 01:38:01,275 --> 01:38:04,301 Two white horses standing in line 682 01:38:05,312 --> 01:38:09,408 There's two white horses Standing in line 683 01:38:24,064 --> 01:38:29,297 There's two white horses Standing in line 684 01:38:29,370 --> 01:38:32,862 And take me to the burying ground 685 01:38:36,510 --> 01:38:38,910 Take me to the burying ground 686 01:38:40,514 --> 01:38:44,006 My heart stopped beating And my hands are cold 687 01:38:46,153 --> 01:38:49,782 My heart stopped beating And my hands are cold 688 01:38:51,525 --> 01:38:57,430 My heart stopped beating And my hands were cold, it was a 689 01:38:57,965 --> 01:39:01,992 Long note, what the good book said What the Bible told 690 01:39:04,238 --> 01:39:06,229 What the Bible told 60377