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1
00:00:19,671 --> 00:00:20,629
[ ROCK MUSIC PLAYS ]
2
00:00:20,672 --> 00:00:23,066
♪ EMOTIONS, YEAH
3
00:00:24,633 --> 00:00:27,723
Rodney: A BIG SHOUT-OUT TO ALL YOU HEADBANGERS OUT THERE.
4
00:00:27,766 --> 00:00:29,638
THAT WAS METALION
5
00:00:29,681 --> 00:00:33,903
WITH THEIR NEW HIT SINGLE, "EMOTIONS, YEAH."
6
00:00:33,946 --> 00:00:35,557
OKAY.
7
00:00:35,600 --> 00:00:37,689
BUT FIRST, WE HAVE A SPECIAL GUEST,
8
00:00:37,733 --> 00:00:39,735
AND HER NAME IS LENA.
9
00:00:39,778 --> 00:00:43,913
SAYS HERE YOU ARE
A...NOTHOLOGIST.
10
00:00:43,956 --> 00:00:47,090
UH, WHAT IS A NOTHOLOGIST?
11
00:00:47,134 --> 00:00:49,397
Lena: OH, THAT'S A GOOD QUESTION, RODGER.
12
00:00:49,440 --> 00:00:50,615
R-RODNEY.
RODNEY.
13
00:00:50,659 --> 00:00:53,488
OKAY.
ACTUALLY, I AM WHAT YOU SAY.
14
00:00:53,531 --> 00:00:55,577
AND A NOTHOLOGIST,
LIKE ME,
15
00:00:55,620 --> 00:01:00,582
IS SOMEONE WHO STUDIES
THE PHENOMENON OF NOTHING.
16
00:01:00,625 --> 00:01:04,107
THE PHENOMENON OF NOTHING?
17
00:01:04,151 --> 00:01:06,588
WOW. ISN'T THAT SOMETHING?
18
00:01:06,631 --> 00:01:09,678
ACTUALLY, RODGER,
IT'SNOTHING.
19
00:02:30,759 --> 00:02:35,764
LENA, YOU HAVE ESSENTIALLY DEDICATED YOUR ENTIRE LIFE
20
00:02:35,807 --> 00:02:37,200
TO NOTHING.
21
00:02:37,244 --> 00:02:39,898
YES.
THAT WOULD BE CORRECT.
22
00:02:39,942 --> 00:02:43,119
THIS FIELD OF STUDY
DEALS DIRECTLY
23
00:02:43,163 --> 00:02:46,775
WITH THE CORE COMPONENTS
OF HUMAN LOGIC.
24
00:02:46,818 --> 00:02:49,038
IT'S THE INTENSE PROCESS
25
00:02:49,081 --> 00:02:52,694
OF MAKING YOURSELF ONE
WITH NOTHING.
26
00:02:52,737 --> 00:02:54,609
IF ANYTHING HAPPENS,
27
00:02:54,652 --> 00:02:57,525
THEN YOU HAVE TO
START ALL OVER AGAIN.
28
00:02:57,568 --> 00:02:58,787
RIGHT.
29
00:03:09,276 --> 00:03:11,582
Rodney: SO, LENA,
WHY ARE YOU HERE?
30
00:03:11,626 --> 00:03:13,671
I CAN'T TELL YOU
HOW MUCH I NEEDED
31
00:03:13,715 --> 00:03:15,586
TO JUST GET AWAY
THIS WEEKEND.
32
00:03:15,630 --> 00:03:17,675
THANKS FOR ARRANGING THIS,
BRAD.
33
00:03:17,719 --> 00:03:20,200
IT'S GREAT THAT YOUR MOM'S GONE
FOR THE WEEK.
34
00:03:20,243 --> 00:03:22,593
WELL, EVER SINCE
MY STEPBROTHER DIED
35
00:03:22,637 --> 00:03:25,727
IN THAT ACCIDENT WITH THE INSERT
CAR ON THE INDEPENDENT FILM,
36
00:03:25,770 --> 00:03:28,904
MY MOM DOESN'T REALLY HANG
AROUND THE HOUSE THAT OFTEN.
37
00:03:30,949 --> 00:03:32,734
[ HORN HONKS, TIRES SCREECH,
THUD ]
38
00:03:32,777 --> 00:03:36,259
UH, SO, HOW'S THE, UH, SEATTLE
COMMUNICATIONS MAJOR THING
39
00:03:36,303 --> 00:03:37,260
GOING?
40
00:03:40,220 --> 00:03:41,960
WELL,
IT'S COMING ALONG.
41
00:03:42,004 --> 00:03:44,180
I CAN'T WAIT TO GET STARTED UP
AGAIN IN THE SPRING.
42
00:03:45,312 --> 00:03:47,662
YOU KNOW, IF IT WASN'T
FOR MY FAMILY AND FRIENDS,
43
00:03:47,705 --> 00:03:51,143
I WOULD JUST LEAVE THIS PLACE
FOREVER.
44
00:04:00,718 --> 00:04:03,025
[ WIND WHISTLING ]
45
00:04:06,028 --> 00:04:09,161
Adrian: [ French accent ] THIS
PLACE IS JUST THE DAMN PITS.
46
00:04:09,205 --> 00:04:10,815
WHY WOULD YOU SAY THAT?
47
00:04:10,859 --> 00:04:13,035
I THINK IT'S LOVELY
THIS TIME OF YEAR.
48
00:04:13,078 --> 00:04:14,906
YES,
WELL I DON'T UNDERSTAND
49
00:04:14,950 --> 00:04:17,692
HOW YOU COULD LIVE IN A PLACE
LIKE THIS.
50
00:04:17,735 --> 00:04:19,781
YOU SHOULD GET OUT MORE.
51
00:04:23,306 --> 00:04:25,308
WHEN WILL BRAD AND RACHAEL
GET BACK?
52
00:04:25,352 --> 00:04:27,658
THEY'VE BEEN GONE
SUCH A LONG TIME.
53
00:04:27,702 --> 00:04:29,834
I HOPE THEY BROUGHT ME
SOME ANISETTE.
54
00:04:29,878 --> 00:04:31,619
I HOPE THEY DIDN'T.
55
00:04:31,662 --> 00:04:34,796
SOMETHING BOTHERING YOU,
JESSICA?
56
00:04:34,839 --> 00:04:37,973
SEEMS THAT PERHAPS
I SAID SOMETHING.
57
00:04:38,016 --> 00:04:42,020
[ SIGHS ] WHEN IS IT NOT
SOMETHING YOU SAID, ADRIAN?
58
00:04:42,064 --> 00:04:43,631
WELL, IT SEEMS TO ME
59
00:04:43,674 --> 00:04:46,068
THAT PERHAPS SOMETHING ELSE
MAY BE BOTHERING YOU.
60
00:04:46,111 --> 00:04:48,853
IT'S JUST...
61
00:04:48,897 --> 00:04:51,726
IT'S JUST BRAD.
62
00:04:51,769 --> 00:04:52,988
BRAD?
63
00:04:55,730 --> 00:04:58,036
Rachael:
JUST CURIOUS HERE, BUT WHEN
ARE YOU GONNA TELL JESSICA
64
00:04:58,080 --> 00:04:59,995
THAT LITTLE SECRET
YOU'VE BEEN KEEPING FROM HER?
65
00:05:00,038 --> 00:05:01,779
Brad: I DON'T KNOW.
66
00:05:01,823 --> 00:05:03,128
I-I DON'T THINK SHE'S READY
TO HEAR ABOUT IT.
67
00:05:03,172 --> 00:05:05,348
ARE YOU SERIOUS?
SHE'LL NEVER BE READY.
68
00:05:05,392 --> 00:05:08,003
YOU'RE JUST GONNA HAVE TO
BE A BIG BOY AND TELL HER.
69
00:05:08,046 --> 00:05:10,266
I-I KNOW. I KNOW.
YOU'RE RIGHT.
70
00:05:10,310 --> 00:05:13,748
BUT...IT'S JUST SHE'S BEEN
REALLY STRESSED OUT ALREADY
71
00:05:13,791 --> 00:05:16,359
WITH THIS FOREIGN-EXCHANGE
STUDENT FROM FRANCE.
72
00:05:16,403 --> 00:05:20,755
AND BESIDES, THERE'S SOMETHING
I'VE BEEN WANTING TO TELL YOU.
73
00:05:20,798 --> 00:05:23,714
WHAT IS THAT?
74
00:05:23,758 --> 00:05:26,804
UM...NEVER MIND.
75
00:05:32,810 --> 00:05:34,943
Jessica:
ADRIAN, DON'T YOU SEE?
76
00:05:34,986 --> 00:05:36,031
I LOVE BRAD.
77
00:05:36,074 --> 00:05:37,380
YOU LOVE HIM?
78
00:05:37,424 --> 00:05:40,949
ADRIAN,
WHAT ARE YOU DOING?
79
00:05:40,992 --> 00:05:42,037
SORRY.
80
00:05:42,080 --> 00:05:43,865
WELL, WHY BRAD?
81
00:05:43,908 --> 00:05:45,867
DOES HE EVEN KNOW
HOW YOU FEEL ABOUT HIM?
82
00:05:45,910 --> 00:05:47,259
NO.
83
00:05:47,303 --> 00:05:50,001
AND I'M AFRAID
HE HAS FEELINGS FOR RACHAEL.
84
00:05:50,045 --> 00:05:54,919
UH, WELL, UM...
THIS MAY NOT BE THE RIGHT TIME,
85
00:05:54,963 --> 00:05:59,402
BUT...I THINK
YOU'RE ABSOLUTELY BEAUTIFUL.
86
00:05:59,446 --> 00:06:03,014
WOULD YOU EVER, UH,
CONSIDER MEIN THAT WAY?
87
00:06:03,058 --> 00:06:06,409
LIKE I SAID, YOU CAN COME
AND LIVE WITH ME IN PARIS.
88
00:06:06,453 --> 00:06:09,412
I DON'T THINK SO, ADRIAN.
89
00:06:43,054 --> 00:06:44,969
[ WIND HOWLING ]
90
00:06:45,013 --> 00:06:47,232
[ EXHALES SHARPLY ]
91
00:07:00,332 --> 00:07:02,334
[ CELLPHONE RINGING ]
92
00:07:06,991 --> 00:07:09,298
[ CELLPHONE BEEPS ]YEAH, IT'S MILLER.
93
00:07:09,341 --> 00:07:10,168
YEAH.
94
00:07:10,212 --> 00:07:11,822
NO.
95
00:07:11,866 --> 00:07:13,911
NO, IT'S NOT A GOOD TIME FOR ME
AT ALL.
96
00:07:13,955 --> 00:07:15,957
NO, I CAN'T HANDLE THAT.
97
00:07:16,000 --> 00:07:17,175
WHAT?
98
00:07:17,219 --> 00:07:18,873
OH.
99
00:07:18,916 --> 00:07:21,092
OH. OH, OKAY.
100
00:07:21,136 --> 00:07:23,225
WELL, THAT'S --
NO, THAT'S NO PROBLEM AT ALL.
101
00:07:23,268 --> 00:07:25,488
THAT'S FINE. YEAH, SURE.
102
00:07:38,066 --> 00:07:42,070
AGENT MILLER...
HAVE A SEAT.
103
00:07:45,029 --> 00:07:48,250
AS I MENTIONED, THE FBI
JUST RECEIVED THESE PHOTOS,
104
00:07:48,293 --> 00:07:51,122
WHICH WERE TRANSMITTED FROM
THE INTERNATIONAL SPACE STATION
105
00:07:51,166 --> 00:07:53,342
RIGHT BEFORE
A RUSSIAN COSMONAUT
106
00:07:53,385 --> 00:07:56,171
ACCIDENTALLY BLEW
THE WHOLE THING TO SMITHEREENS.
107
00:07:56,214 --> 00:07:57,999
HOW DID HE DO THAT?
108
00:07:58,042 --> 00:07:59,479
IT APPEARS WHEN ATTEMPTING
109
00:07:59,522 --> 00:08:02,090
TO HEAT SEVERAL
FREEZE-DRIED POCKET BURRITOS,
110
00:08:02,133 --> 00:08:04,832
THE COSMONAUT
MISTAKENLY SET THE MICROWAVE
111
00:08:04,875 --> 00:08:08,923
FOR THREE HOURS
INSTEAD OF THREE MINUTES.
112
00:08:08,966 --> 00:08:14,102
THIS, IN TURN, CAUSED A MASSIVE,
CATACLYSMIC EXPLOSION
113
00:08:14,145 --> 00:08:18,933
CONSISTING OF PLASTIC,
MOLTEN BURRITO INGREDIENTS,
114
00:08:18,976 --> 00:08:21,413
WHICH INSTANTANEOUSLY DESTROYED
THE SPACE STATION.
115
00:08:23,938 --> 00:08:24,895
DAMN!
116
00:08:24,939 --> 00:08:26,854
TO MAKE MATTERS WORSE,
117
00:08:26,897 --> 00:08:32,033
THE CIA, NIA, GSC, EPA, NRA,
FCC, NASA, AND THE FBI
118
00:08:32,076 --> 00:08:35,384
ARE NOW REPORTING EVIDENCE
OF RADIOACTIVE PARTICLES
119
00:08:35,427 --> 00:08:38,866
SPEWING ACROSS
THE NORTHERN HEMISPHERE.
120
00:08:38,909 --> 00:08:40,084
BUT AS YOU CAN SEE
FROM THESE PHOTOS
121
00:08:40,128 --> 00:08:41,564
THAT WERE TRANSMITTED
FROM THE SPACE STATION
122
00:08:41,608 --> 00:08:44,436
BEFORE IT WAS
ABSOLUTELY ANNIHILATED,
123
00:08:44,480 --> 00:08:48,528
THERE IS SOMETHING OF EVEN
GREATER CONCERN FOR THE FBI.
124
00:08:50,399 --> 00:08:52,880
WAIT, JESSICA.
125
00:08:52,923 --> 00:08:54,969
WHAT IS THAT?
126
00:08:55,012 --> 00:08:57,101
WHAT IS WHAT?
127
00:08:57,145 --> 00:08:59,451
SOMETHING'S HAPPENING.
128
00:08:59,495 --> 00:09:03,238
I DOUBT IT.
NOTHING EVER HAPPENS HERE.
129
00:09:03,281 --> 00:09:08,156
BUT BALDING, THESE PHOTOS --
THERE'S NOTHING ON THEM.
130
00:09:08,199 --> 00:09:11,289
THEY'RE JUST BLACK.
131
00:09:11,333 --> 00:09:14,379
THAT'S WHERE YOU'RE WRONG,
AGENT MILLER.
132
00:09:15,467 --> 00:09:18,340
IF YOU WERE TO ROTATE THE IMAGE
180 DEGREES,
133
00:09:18,383 --> 00:09:20,603
REMOVE SOME DUST
FROM THE LENS,
134
00:09:20,647 --> 00:09:23,084
THEN DELETE
THE SMALL POCKET OF SPACE GAS,
135
00:09:23,127 --> 00:09:26,435
AND ZOOM IN 900%
ON THE XG9 NEBULA,
136
00:09:26,478 --> 00:09:30,091
YOU WILL SEE
A GREENISH-WHITE BALL OF LIGHT
137
00:09:30,134 --> 00:09:34,225
ON A COLLISION COURSE
WITH EARTH.
138
00:09:35,444 --> 00:09:38,186
Rachael: SO, WHAT IS IT?
139
00:09:38,229 --> 00:09:39,535
Brad: WELL...
140
00:09:39,579 --> 00:09:42,146
SO, ARE YOU GONNA
TELL ME OR WHAT?
141
00:09:42,190 --> 00:09:44,409
[ RAP MUSIC PLAYS ]
142
00:09:44,453 --> 00:09:47,282
I'VE BEEN HAVING THESE FEELINGS,
RACHAEL, AND --
143
00:09:47,325 --> 00:09:50,198
[ RADIO DISTORTS, STATIC ]
144
00:09:50,241 --> 00:09:51,373
WHAT?
145
00:09:51,416 --> 00:09:53,941
WHAT THE HELL'S WRONG
WITH THIS THING?
146
00:09:53,984 --> 00:09:56,378
[ ENGINE STOPS ]
147
00:09:56,421 --> 00:09:58,554
WHY IS THE CAR OFF?
148
00:09:58,598 --> 00:10:00,600
IT JUST TURNED OFF!
149
00:10:00,643 --> 00:10:03,037
BRAD, WHAT'S GOING ON?
150
00:10:03,080 --> 00:10:05,256
I DON'T KNOW, RACHAEL.
151
00:10:06,997 --> 00:10:08,651
[ BIRD CAWS ]
152
00:10:10,261 --> 00:10:13,613
[ BIRD CALLING ]
153
00:10:13,656 --> 00:10:15,440
[ AIR RUSHING ]
154
00:10:15,484 --> 00:10:17,225
WHAT WAS THAT?
155
00:10:23,274 --> 00:10:25,320
I HAVE NO IDEA.
156
00:10:45,253 --> 00:10:47,255
[ GRUNTS ]
AAH!
157
00:11:19,156 --> 00:11:24,379
WOMAN:
Assistant Director Balding,
your mother on line 12.
158
00:11:28,557 --> 00:11:30,733
YES. YES.
159
00:11:30,777 --> 00:11:33,214
NO, MOTHER!
160
00:11:33,257 --> 00:11:35,477
YES, YES, I UNDERSTAND.
161
00:11:39,089 --> 00:11:41,135
THE HEAD OF NASA
JUST REPORTED
162
00:11:41,178 --> 00:11:45,400
THAT THIS INDISCERNIBLE BALL
OF INDESCRIBABLE INTRIGUE
163
00:11:45,443 --> 00:11:49,230
JUST IMPACTED NEAR A SMALL
NORTHERN-CALIFORNIA TOWN
164
00:11:49,273 --> 00:11:50,666
CALLED CROWS END.
165
00:11:50,710 --> 00:11:56,150
YOU AND STYLES WILL HAVE TO
PROBE THE CROWS END.
166
00:11:56,193 --> 00:11:57,499
THAT'S CORRECT.
167
00:11:57,542 --> 00:11:59,327
YOU MUST DO THIS
VERY THOROUGHLY, AGENT MILLER.
168
00:11:59,370 --> 00:12:01,285
AS I WAS ABOUT TO SAY,
MILLER,
169
00:12:01,329 --> 00:12:04,462
YOU WILL HAVE TO PROBE
THE CROWS END COUNTY RESIDENCE
170
00:12:04,506 --> 00:12:06,073
FOR ANY INFORMATION,
171
00:12:06,116 --> 00:12:09,163
CONDUCT AN ASSESSMENT, AND LIE
TO THEM ABOUT THEIR SAFETY.
172
00:12:09,206 --> 00:12:10,425
ONE MORE THING.
173
00:12:10,468 --> 00:12:11,774
WITH THE CURRENT
BUDGET RESTRICTIONS,
174
00:12:11,818 --> 00:12:14,081
PLEASE BE CONSCIOUS
OF YOUR EXPENDITURES
175
00:12:14,124 --> 00:12:15,604
DURING THIS ASSIGNMENT.
176
00:12:15,647 --> 00:12:18,346
DO YOU UNDERSTAND?
177
00:12:20,478 --> 00:12:22,611
[ HELICOPTER BLADES WHIRRING ]
178
00:12:29,183 --> 00:12:31,359
I HAVE YOUR MILK AND CREAM
CHAI TEA,
179
00:12:31,402 --> 00:12:34,318
EXTRA FOAM, NO ICE,
SEVEN-PUMP CARAMEL CHOCOLATTO.
180
00:12:34,362 --> 00:12:36,625
DID YOU SAY SEVEN PUMPS,
STYLES?
181
00:12:36,668 --> 00:12:38,496
YEAH.
182
00:12:38,540 --> 00:12:39,541
GAH!
183
00:12:39,584 --> 00:12:41,195
DAMN!
184
00:12:41,238 --> 00:12:43,197
WHAT?
WHAT IS IT, MILLER?
185
00:12:43,240 --> 00:12:45,503
I SAID EIGHT PUMPS,
NOT SEVEN, STYLES.
186
00:12:45,547 --> 00:12:46,766
NOW, YOU FLY BACK,
187
00:12:46,809 --> 00:12:49,203
AND THIS TIME,
YOU MAKE IT RIGHT.
188
00:12:49,246 --> 00:12:51,118
BUT MILLER,
IT'S A NINE-HOUR FLIGHT.
189
00:12:51,161 --> 00:12:53,294
BUT NOTHING, STYLES.
I NEED THAT EIGHTH PUMP.
190
00:12:53,337 --> 00:12:55,296
ONE PUMP FROM PERFECTION...
191
00:12:55,339 --> 00:12:57,298
JUST WON'T DO.
192
00:12:57,341 --> 00:12:58,821
NOW GO.
193
00:12:58,865 --> 00:13:01,476
MAKE IT RIGHT.
194
00:13:01,519 --> 00:13:03,478
[ CELLPHONE RINGS ]
195
00:13:03,521 --> 00:13:04,479
YEAH.
196
00:13:04,522 --> 00:13:05,785
BALDING:
Just a quick reminder --
197
00:13:05,828 --> 00:13:07,395
I hope you're keeping
your expenses down.
198
00:13:07,438 --> 00:13:09,397
Can't afford another mishap
like the last time.
199
00:13:09,440 --> 00:13:11,268
RIGHT, YEAH.
WE'RE FINE.
200
00:13:11,312 --> 00:13:13,270
I'VE GOT EVERYTHING
UNDER CONTROL HERE.
201
00:13:14,532 --> 00:13:16,578
Rachael: WHAT WAS THAT?
202
00:13:16,621 --> 00:13:18,493
I HAVE NO IDEA.
203
00:13:18,536 --> 00:13:22,540
IT LOOKED LIKE A JET
OR, UH, THE RUSSIANS.
204
00:13:22,584 --> 00:13:25,413
MAYBE THEY LOST
ANOTHER SATELLITE.
205
00:13:25,456 --> 00:13:28,895
NO, BRAD,
THAT HAD TO BE A UFO.
206
00:13:55,573 --> 00:13:57,445
OH.
207
00:13:57,488 --> 00:13:59,751
HEY, ADRIAN.
208
00:14:00,883 --> 00:14:03,451
UFO? ALIENS?
209
00:14:03,494 --> 00:14:05,714
YES, I MEAN,
HOW ELSE DO YOU EXPLAIN THINGS
210
00:14:05,757 --> 00:14:08,848
LIKE MOUNTAIN-GOAT CLONING FARMS
IN SAN TUBARU, MEXICO,
211
00:14:08,891 --> 00:14:10,545
OR -- OR
THE TWO-EYED BEAVER
212
00:14:10,588 --> 00:14:12,634
THEY FOUND LIVING
IN LAKE CAMBORIA?
213
00:14:12,677 --> 00:14:15,724
WHAT IS SO SPECIAL
ABOUT A TWO-EYED BEAVER?
214
00:14:15,767 --> 00:14:18,292
WELL, BRAD,
BEAVERS USUALLY LIVE IN RIVERS,
215
00:14:18,335 --> 00:14:19,815
BUT THIS PARTICULAR
TWO-EYED BEAVER
216
00:14:19,859 --> 00:14:22,557
WAS ACTUALLY FOUND
LIVING IN A LAKE.
217
00:14:22,600 --> 00:14:24,298
ARE YOU SERIOUS?
218
00:14:24,341 --> 00:14:28,519
I'M DEAD SERIOUS, BRAD.
IT WAS ON CNN TWO DAYS AGO.
219
00:14:34,525 --> 00:14:36,745
[ SIGHS ]
220
00:14:36,788 --> 00:14:40,357
STYLES, I WANT TO COMPLIMENT YOU
ON YOUR OUTSTANDING SERVICE
221
00:14:40,401 --> 00:14:42,533
GETTING THAT EIGHTH PUMP
INTO MY COFFEE.
222
00:14:42,577 --> 00:14:45,536
IT WAS ABSOLUTELY VITAL
TO THE SUCCESS OF OUR MISSION.
223
00:14:45,580 --> 00:14:47,495
GLAD I COULD BE OF HELP.
224
00:14:47,538 --> 00:14:49,323
[ TIRES SCREECH ]
225
00:14:49,366 --> 00:14:50,759
[ HORN HONKS ]
UGH!
226
00:14:50,802 --> 00:14:52,369
WHAT WAS THAT FOR?
227
00:14:52,413 --> 00:14:53,544
SHH.
228
00:14:56,939 --> 00:14:58,854
MILLER, WHERE ARE WE...
229
00:14:58,898 --> 00:15:01,422
[ SIGHS ]
230
00:15:01,465 --> 00:15:03,685
[ ENGINE SPUTTERING ]
231
00:15:07,776 --> 00:15:10,779
I THINK WE SHOULD START WALKING
NOW BEFORE THE SUN GOES DOWN.
232
00:15:10,822 --> 00:15:11,867
I --
LISTEN.
233
00:15:11,911 --> 00:15:13,347
I'M GOING TO FIX IT.
234
00:15:13,390 --> 00:15:14,914
STAY RIGHT HERE,
ALL RIGHT?
235
00:15:14,957 --> 00:15:17,307
I'LL BE BACK.
236
00:15:27,970 --> 00:15:29,929
MILLER, WHAT IS THAT?
237
00:15:33,845 --> 00:15:38,372
IT APPEARS TO BE THE FEATHER
OF A RARE SPECIES OF BIRD.
238
00:15:38,415 --> 00:15:41,636
GIAPHOLIPIS LEPIDAPIGA.
239
00:15:41,679 --> 00:15:43,768
TRANSLATES TO
YELLOW-FEATHERED BLUE BELLY
240
00:15:43,812 --> 00:15:46,641
OF THE NORTHERN
ROCKY REDLANDS.
241
00:15:46,684 --> 00:15:49,600
A TIME OF GREAT EVIL
HAS DRAWN NEAR.
242
00:15:49,644 --> 00:15:51,602
DON'T BE FOOLED
BY THE BLUE SKIES,
243
00:15:51,646 --> 00:15:54,779
ROLLING HILLS,
GLISTENING SUNSHINE,
244
00:15:54,823 --> 00:15:58,653
OR EVEN THE DAZZLING
DEW-LADEN DAFFODILS.
245
00:15:58,696 --> 00:16:01,569
THE VERY STENCH OF EVIL
IS FESTERING IN MY NOSTRILS.
246
00:16:01,612 --> 00:16:04,006
THAT WOULD BE COW FECES,
MILLER.
247
00:16:04,050 --> 00:16:06,487
[ COWS MOO, FART ]
248
00:16:06,530 --> 00:16:07,923
MY POINT EXACTLY, STYLES.
249
00:16:07,967 --> 00:16:11,013
JUST REMEMBER --
ONLY ONE THING IS FOR CERTAIN.
250
00:16:11,057 --> 00:16:13,668
WE MUST
UNCOVER THE TRUTH...
251
00:16:13,711 --> 00:16:14,930
RUN A BUNCH OF TESTS...
252
00:16:14,974 --> 00:16:17,019
TELL SOMEONE
WHAT WE FOUND...
253
00:16:17,063 --> 00:16:20,414
RISK OUR LIVES TO PROVE THINGS
THAT ONLY HAPPEN ON TV...
254
00:16:20,457 --> 00:16:22,590
AND THEN DO IT
ALL OVER AGAIN...
255
00:16:22,633 --> 00:16:24,722
NEXT WEEK.
RIGHT.
256
00:16:24,766 --> 00:16:25,506
NEXT WEEK.
257
00:16:25,549 --> 00:16:28,509
LET'S GET GOING, MILLER.
258
00:16:28,552 --> 00:16:30,598
[ BIRD CALLING ]
259
00:16:32,556 --> 00:16:33,818
[ ENGINE TURNS OVER ]
260
00:16:39,911 --> 00:16:42,740
[ WIND HOWLING ]
261
00:17:15,947 --> 00:17:17,645
BRAD, HURRY UP.
262
00:17:20,430 --> 00:17:23,694
PERHAPS BRAD AND RACHAEL
JUST HAD TROUBLE WITH THE CAR.
263
00:17:26,697 --> 00:17:29,874
NOBODY KNOWS MORE ABOUT CARS
THAN BRAD.
264
00:17:29,918 --> 00:17:31,572
WAIT A MINUTE.
265
00:17:31,615 --> 00:17:34,575
THERE DOESN'T APPEAR TO BE
AN ENGINE IN THIS CAR.
266
00:17:34,618 --> 00:17:36,664
OH, THANK GOD.
267
00:17:36,707 --> 00:17:38,579
THERE IT IS.
268
00:17:38,622 --> 00:17:41,103
[ ANIMAL HOWLS ]
269
00:17:41,147 --> 00:17:43,540
Man: [ Echoing ] RACHAEL.
270
00:17:54,943 --> 00:17:56,771
RACHAEL.
271
00:18:06,172 --> 00:18:08,739
THERE, I FIXED IT.
272
00:18:12,047 --> 00:18:14,049
[ IGNITION BEEPS ]
273
00:18:18,662 --> 00:18:20,751
COME ON.
274
00:18:20,795 --> 00:18:22,710
[ ENGINE TURNS OVER,
RAP MUSIC PLAYS ]
275
00:18:22,753 --> 00:18:24,625
YES! THANK YOU, GOD.
276
00:18:24,668 --> 00:18:26,670
[ CHUCKLES ]
277
00:18:26,714 --> 00:18:27,802
WHOO!
278
00:18:27,845 --> 00:18:29,151
OKAY.
279
00:18:29,195 --> 00:18:30,805
ALL SET.
280
00:19:02,619 --> 00:19:04,926
[ ENGINE SHUTS OFF ]
281
00:19:04,969 --> 00:19:07,798
ADRIAN, I THINK I HEAR A CAR.
282
00:19:10,236 --> 00:19:11,715
OH,
AM I GLAD YOU'RE OKAY.
283
00:19:11,759 --> 00:19:13,848
WE WERE SO WORRIED THAT
SOMETHING MIGHT'VE HAPPENED.
284
00:19:13,891 --> 00:19:16,720
NO, JESSICA, BRAD'S ALL RIGHT.
WE JUST HAD SOME CAR TROUBLE.
285
00:19:16,764 --> 00:19:18,592
BRAD,
YOU HAVE THE ONLY CAR.
286
00:19:18,635 --> 00:19:20,898
WHATEVER IT IS OUT THERE,
IT'S EVIL.
287
00:19:20,942 --> 00:19:22,857
WE HAVE TO GET OUT OF HERE
FAST.
288
00:19:22,900 --> 00:19:26,904
YOU CAN SENSE IT.
I CAN ALMOST SMELL IT.
289
00:19:26,948 --> 00:19:28,863
I HAVE TO RETURN TO PARIS
IMMEDIATELY!
290
00:19:28,906 --> 00:19:30,865
[ Echoing ] RACHAEL.WHERE ARE YOU GONNA GO?
291
00:19:30,908 --> 00:19:32,867
IT'S THE MIDDLE OF THE NIGHT,
20 MINUTES FROM TOWN,
292
00:19:32,910 --> 00:19:34,912
AND IN 10 MINUTES,
293
00:19:34,956 --> 00:19:39,700
THE SEASON FINALE OF
"DESPERATE HOUSE PETS" BEGINS.
294
00:19:39,743 --> 00:19:41,223
[ Echoing ] RACHAEL.
295
00:19:44,705 --> 00:19:45,836
...THE SWELLS OF DESPAIR.
296
00:19:45,880 --> 00:19:47,838
YEAH, YEAH. I'VE HEARD IT.
I'VE HEARD IT.
297
00:19:51,625 --> 00:19:53,627
[ Echoing ] RACHAEL.
298
00:19:55,585 --> 00:19:57,718
RACHAEL.
299
00:20:29,880 --> 00:20:31,099
HMM.
300
00:20:32,927 --> 00:20:34,233
STYLES?
301
00:20:34,276 --> 00:20:35,756
YES.
302
00:20:35,799 --> 00:20:38,672
I'VE NEVER SEEN A DANCE CLUB
IN A MOBILE-HOME PARK.
303
00:20:38,715 --> 00:20:40,935
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
304
00:20:40,978 --> 00:20:43,590
♪ TRAILER TRASH MAYBE IT'S ALL
THEY CAN MANAGE.
305
00:20:43,633 --> 00:20:46,593
AFRAID
YOU'RE PROBABLY RIGHT.
306
00:20:46,636 --> 00:20:47,855
♪ GET ON DOWN
307
00:20:47,898 --> 00:20:49,813
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
308
00:20:53,817 --> 00:20:55,950
Jessica: I THINK WE SHOULD
JUST STOP TALKING AND GO.
309
00:20:55,993 --> 00:20:56,951
Brad:
OKAY, OKAY, YOU'RE RIGHT.
310
00:20:56,994 --> 00:20:58,605
Adrian: I LIKE THAT IDEA.
311
00:20:58,648 --> 00:20:59,823
HEY. HEY.
312
00:20:59,867 --> 00:21:02,173
WHERE'S RACHAEL?
313
00:21:03,349 --> 00:21:04,828
RACHAEL?
314
00:21:04,872 --> 00:21:05,829
Jessica: RACHAEL?
315
00:21:16,840 --> 00:21:18,189
RACHAEL?
316
00:21:28,852 --> 00:21:30,898
[ Echoing ] RACHAEL?
317
00:21:43,302 --> 00:21:44,868
RACHAEL?
RACHAEL?
318
00:21:59,927 --> 00:22:02,364
RACHAEL.
319
00:22:21,252 --> 00:22:24,995
AAAAH!
320
00:22:25,039 --> 00:22:27,128
RACHAEL?
321
00:22:28,434 --> 00:22:30,392
COME ON. THIS WAY.
322
00:22:32,089 --> 00:22:33,221
QUICK. LET'S GO.
323
00:22:34,048 --> 00:22:36,964
THIS WAY.
I KNOW I SAW HER.
324
00:22:37,007 --> 00:22:40,271
Adrian:
THERE'S ALL THESE TREES IN THE
WAY. I CAN'T FIND ANYTHING.
325
00:22:40,315 --> 00:22:41,708
COME ON.
326
00:22:41,751 --> 00:22:43,013
YOU HEAR IT?
327
00:22:43,057 --> 00:22:44,145
AAH!
328
00:22:45,842 --> 00:22:47,061
RACHAEL?
RACHAEL?
329
00:22:47,104 --> 00:22:48,323
THIS WAY.
330
00:22:48,367 --> 00:22:49,716
RACHAEL?
RACHAEL?
331
00:22:49,759 --> 00:22:51,021
GUYS, WAIT UP.
332
00:22:51,065 --> 00:22:52,371
[ GASPS, GRUNTS ]
333
00:23:04,034 --> 00:23:08,125
Jessica: BRAD,
I THINK WE FOUND SOMETHING.
334
00:23:14,001 --> 00:23:17,396
WHAT IS THAT?
335
00:23:33,281 --> 00:23:34,848
WHAT IS IT?
336
00:23:34,891 --> 00:23:37,111
I DON'T KNOW.
337
00:23:39,330 --> 00:23:42,029
IT'S DEFINITELY
A BIG CRACK.
338
00:23:43,509 --> 00:23:46,163
YOU KNOW, YOU REALLY NEED TO
GET OFF THE CRACK, BRAD.
339
00:23:46,207 --> 00:23:47,295
WHAT?
340
00:23:47,338 --> 00:23:49,166
I SAID YOU NEED TO
GET OFF THE CRACK.
341
00:23:49,210 --> 00:23:51,386
YOU'RE GOING TO FALL IN.
342
00:23:51,430 --> 00:23:52,779
OH, CRAP. [ CHUCKLES ]
343
00:23:52,822 --> 00:23:54,171
WHAT IS IT, BRAD?
344
00:23:55,521 --> 00:23:59,307
BRIGHT-GREEN THING
OF SOME VARIETY.
345
00:23:59,350 --> 00:24:00,961
Jessica: LIKE WHAT, BRAD?
346
00:24:01,004 --> 00:24:04,486
LAST YEAR, I TOOK A COURSE
IN CATASTROPHYSICS.
347
00:24:04,530 --> 00:24:07,228
NOW,
IF MY MEMORY IS CORRECT,
348
00:24:07,271 --> 00:24:10,318
JUDGING BY THE TRAJECTORY AND
THE SIZE OF THE IMPACT CRATER,
349
00:24:10,361 --> 00:24:13,495
IT WAS CAUSED BY SOMETHING
THE SIZE OF A JUMBO JET
350
00:24:13,539 --> 00:24:15,149
AND YET NO HEAVIER
351
00:24:15,192 --> 00:24:17,456
THAN TWO PLASTIC SCREWS
AND A CANADIAN GOOSE FEATHER.
352
00:24:30,469 --> 00:24:32,253
AAH!
AAH!
353
00:24:32,296 --> 00:24:33,254
RACHAEL?
354
00:24:33,297 --> 00:24:34,951
IS THAT RACHAEL?
355
00:24:34,995 --> 00:24:37,301
RACHAEL?
356
00:24:38,389 --> 00:24:40,174
OH, RACHAEL.
RACHAEL.
357
00:24:40,217 --> 00:24:42,176
SHE'S RIGHT HERE.
OH, MY GOD.
358
00:24:42,219 --> 00:24:44,134
WHAT THE HELL HAPPENED?
359
00:24:46,267 --> 00:24:47,224
[ GRUNTS ]
360
00:24:47,268 --> 00:24:48,835
RACHAEL.
RACHAEL.
361
00:24:48,878 --> 00:24:50,924
Jessica: WHAT HAPPENED?
WHY WERE YOU IN THAT TREE?
362
00:24:50,967 --> 00:24:55,102
I WAS TRYING
TO GET AWAY FROM SOMETHING.
363
00:24:55,145 --> 00:24:56,103
FROM WHAT?
364
00:24:56,146 --> 00:24:58,192
SOMETHING,
BUT I DON'T KNOW WHAT.
365
00:24:58,235 --> 00:25:00,107
IF I DID, I WOULD KNOW.
366
00:25:00,150 --> 00:25:01,021
RACHAEL...
367
00:25:01,064 --> 00:25:03,023
WHAT HAPPENED TO YOUR FACE?
368
00:25:03,066 --> 00:25:05,112
SOMETHING TERRIBLE, BRAD.
369
00:25:05,155 --> 00:25:06,417
LIKE WHAT?
370
00:25:06,461 --> 00:25:08,855
IF I TOLD YOU THE TRUTH,
YOU WOULDN'T BELIEVE ME.
371
00:25:08,898 --> 00:25:10,378
YOU HAVE TO LEAVE ME HERE.NO, RACHAEL!
372
00:25:10,421 --> 00:25:12,206
WAIT, THEY CAN SEE US.WHO?
373
00:25:12,249 --> 00:25:13,555
THEY CAN.[ GASPS ] WHO?
374
00:25:13,599 --> 00:25:14,948
THEM.
WHO?
375
00:25:14,991 --> 00:25:17,211
THOSE!
AAH!
AAH!
376
00:25:17,254 --> 00:25:18,125
RACHAEL,
WHAT'S HAPPENING?
377
00:25:18,168 --> 00:25:19,953
HE'S INSIDE OF ME.
378
00:25:19,996 --> 00:25:23,260
IT WAITS FOR THE MOMENT
WHEN THEY WILL COME FOR IT.
379
00:25:23,304 --> 00:25:24,914
YES, THEY WILL COME,
380
00:25:24,958 --> 00:25:26,916
AND THERE'S NOTHING YOU CAN DO
TO STOP THEM,
381
00:25:26,960 --> 00:25:29,049
EXCEPT FOR ONE THING.
382
00:25:29,092 --> 00:25:31,181
WELL, WHAT'S THAT?
383
00:25:31,225 --> 00:25:33,183
I CAN'T TELL YOU.
Adrian: HEY!
384
00:25:33,227 --> 00:25:34,968
AAH!
AAH!
385
00:25:35,011 --> 00:25:36,578
I'VE BEEN LOOKING
ALL OVER FOR YOU.
386
00:25:36,622 --> 00:25:38,972
ADRIAN, DO YOU THINK,
FOR FUTURE REFERENCE,
387
00:25:39,015 --> 00:25:40,974
YOU COULD AVOID
JUMPING OUT OF THE BUSHES
388
00:25:41,017 --> 00:25:43,498
AND SCREAMING LIKE
A FREAKY FRENCH WHACK-A-DOO?
389
00:25:43,542 --> 00:25:45,108
SORRY.
390
00:25:45,152 --> 00:25:47,415
IT'S JUST
THAT I LOST MY FLASHLIGHT,
391
00:25:47,458 --> 00:25:49,243
AND DESPITE THE INCREDIBLE
AMOUNT OF LIGHT OUT HERE,
392
00:25:49,286 --> 00:25:51,071
I COULDN'T SEE ANYTHING
AT ALL.
393
00:25:51,114 --> 00:25:52,420
WHATEVER, ADRIAN.
COME ON, GET HER UP.
394
00:25:52,463 --> 00:25:55,162
WE GOT TO GET OUT OF HERE.
395
00:25:55,205 --> 00:25:56,119
[ GRUNTS ]
396
00:25:56,163 --> 00:25:59,166
COME ON, RACHAEL.
LET'S GO.
397
00:26:01,429 --> 00:26:03,083
ADRIAN.
398
00:26:03,126 --> 00:26:04,998
ADRIAN!
399
00:26:05,041 --> 00:26:07,348
ADRIAN. ADRIAN.
LOOK, RUN.
400
00:26:07,391 --> 00:26:09,393
COME ON, WE GOT TO GO.
401
00:26:11,439 --> 00:26:14,007
Agent Styles: MILLER,
DO YOU KNOW WHERE WE ARE?
402
00:26:14,050 --> 00:26:15,269
Agent Miller: YES.
403
00:26:15,312 --> 00:26:17,576
WHERE ARE WE?
404
00:26:17,619 --> 00:26:19,534
[ TIRES SCREECH, HORN HONKS ]
405
00:26:19,578 --> 00:26:21,318
UGH!
MILLER!
406
00:26:21,362 --> 00:26:24,017
STYLES, PAY ATTENTION.
407
00:26:24,060 --> 00:26:25,409
WE'RE HERE.
408
00:26:25,453 --> 00:26:28,630
YES, BUT WHERE IS HERE?
409
00:26:28,674 --> 00:26:30,197
RIGHT THERE.
410
00:26:32,155 --> 00:26:35,289
HOW CAN HERE BE RIGHT OVER THERE
AND THERE BE RIGHT OVER HERE?
411
00:26:35,332 --> 00:26:38,161
WELL, THE SIGN SAYS
"YOU ARE HERE,"
412
00:26:38,205 --> 00:26:40,511
AND I KNOW
THAT HERE IS OVER THERE,
413
00:26:40,555 --> 00:26:42,165
SO THERE IS HERE,
414
00:26:42,209 --> 00:26:44,559
AND HERE WE ARE
RIGHT NEXT TO THERE
415
00:26:44,603 --> 00:26:47,257
WHERE THAT SIGN SAYS
"YOU ARE HERE."
416
00:26:47,301 --> 00:26:48,476
MILLER!
417
00:26:48,519 --> 00:26:50,347
OKAY, THEN.
418
00:26:50,391 --> 00:26:53,307
WHAT ARE WE GOING TO DO
NOW THAT WE ARE HERE?
419
00:26:53,350 --> 00:26:56,049
I DO HAVE A PIECE OF PAPER
WITH AN ADDRESS.
420
00:26:56,092 --> 00:26:59,356
"SOME LITTLE HOUSE
IN THE MIDDLE OF THE WOODS."
421
00:26:59,400 --> 00:27:02,316
CHIEF BALDING GAVE IT TO ME
BEFORE WE LEFT.
422
00:27:02,359 --> 00:27:04,274
SAID THAT WE'D KNOW
WHEN WE WERE CLOSE.
423
00:27:04,318 --> 00:27:06,146
THOUGHT IT WOULD BE A GOOD PLACE
TO START.
424
00:27:06,189 --> 00:27:08,148
IN THE MORNING,
425
00:27:08,191 --> 00:27:10,063
A DEPUTY FROM THE CROWS END
COUNTY SHERIFF'S DEPARTMENT
426
00:27:10,106 --> 00:27:11,151
WILL TAKE US THERE.
427
00:27:12,239 --> 00:27:14,676
[ OWL HOOTS ]
428
00:27:22,423 --> 00:27:24,599
[ CLICKING ]
429
00:27:24,643 --> 00:27:26,340
WHAT'S THAT?
430
00:27:26,383 --> 00:27:27,602
WHAT'S WHAT?
431
00:27:27,646 --> 00:27:29,604
[ BIRD SQUAWKS, ALL SCREAM ]
432
00:27:29,648 --> 00:27:30,605
THAT!
433
00:27:30,649 --> 00:27:32,389
I DON'T KNOW.
434
00:27:32,433 --> 00:27:34,348
[ BIRD CALLS, ALL SCREAM ]THEY WON'T HURT YOU YET.
435
00:27:34,391 --> 00:27:36,219
THEY'RE JUST
FOLLOWING US.
436
00:27:36,263 --> 00:27:37,699
BE QUIET, RACHAEL.
437
00:27:37,743 --> 00:27:39,614
WHO'S THERE?
438
00:27:39,658 --> 00:27:41,050
[ MONKEY CHATTERS, ALL SCREAM ]
439
00:27:41,094 --> 00:27:43,096
BRAD, WHAT IS IT?
440
00:27:43,139 --> 00:27:45,272
SOMETHING, JESSICA.
441
00:27:45,315 --> 00:27:46,577
QUIET!
442
00:27:46,621 --> 00:27:47,578
[ FARTS ]
443
00:27:47,622 --> 00:27:50,059
AAH, AAH, AAH!
444
00:27:50,103 --> 00:27:51,191
WHAT WAS THAT FOR?
445
00:27:51,234 --> 00:27:53,193
DID ANYBODY
HEAR SOMETHING?
446
00:27:53,236 --> 00:27:55,282
NO,
I DON'T THINK SO.
447
00:27:55,325 --> 00:27:56,631
OH.
448
00:27:56,675 --> 00:27:58,720
SOMETHING'S HERE.
449
00:27:58,764 --> 00:28:01,418
[ CREATURE CHITTERING ]
450
00:28:01,462 --> 00:28:03,551
RUN.
451
00:28:03,594 --> 00:28:05,553
AAH!
AAH!
AAH!
452
00:28:07,773 --> 00:28:09,644
COME ON. COME ON.
HURRY, ADRIAN.
453
00:28:09,688 --> 00:28:12,168
I CAN'T.
I'M TRAPPED IN AN AMERICAN BUSH.
454
00:28:12,212 --> 00:28:14,693
Rachael: GET OUT OF THE BUSH,
ADRIAN. LET'S GO!
455
00:28:17,608 --> 00:28:19,741
AAH!
AAH!
456
00:28:19,785 --> 00:28:22,265
Adrian:
DAMN AMERICAN ROCKS.
457
00:28:22,309 --> 00:28:23,353
COME ON, LET'S GO.
458
00:28:23,397 --> 00:28:25,573
OVER THAT WAY.
459
00:28:27,357 --> 00:28:28,576
COME ON!
460
00:28:28,619 --> 00:28:30,143
COME ON,
GET HER UP.
461
00:28:30,186 --> 00:28:31,710
THIS WAY.
462
00:28:31,753 --> 00:28:33,450
BRAD, HER FOREHEAD JUST DRIPPED
ON MY FINE FRENCH SCARF.
463
00:28:37,324 --> 00:28:39,369
COME ON, RACHAEL.
464
00:28:39,413 --> 00:28:41,328
[ GRUNTS ]
465
00:28:41,371 --> 00:28:43,765
BRAD, I'M THIRSTY.
466
00:28:43,809 --> 00:28:46,289
LET'S GET HER SOME WATER.
467
00:28:51,468 --> 00:28:53,340
WHAT DO YOU THINK IT WAS?
468
00:28:53,383 --> 00:28:54,776
[ WATER RUNNING ]
469
00:28:54,820 --> 00:28:56,386
IT SEEMED LIKE
A...I-I DON'T KNOW.
470
00:28:56,430 --> 00:28:58,084
MAYBE A...
471
00:28:58,127 --> 00:29:02,436
YEAH, I KNOW WHAT YOU MEAN...
IF YOU KNOW WHAT I MEAN.
472
00:29:02,479 --> 00:29:03,437
YES, I DO.
473
00:29:03,480 --> 00:29:05,569
WHY, BRAD? WHY HERE?
474
00:29:05,613 --> 00:29:08,616
BEFORE YOU ASK WHY,
YOU MUST FIRST ASK HOW, ADRIAN.
475
00:29:08,659 --> 00:29:10,270
WHY?
476
00:29:10,313 --> 00:29:11,619
WHEN AND WHERE
HAVE YOU EVER ASKED WHY
477
00:29:11,662 --> 00:29:13,273
BEFORE KNOWING EXACTLY HOW,
ADRIAN?
478
00:29:13,316 --> 00:29:14,796
WHO COULD EVER
UNDERSTAND HOW
479
00:29:14,840 --> 00:29:17,451
WITHOUT KNOWING WHAT
THEY WERE QUESTIONING AND WHERE?
480
00:29:17,494 --> 00:29:19,453
HOWEVERIT TAKES, ADRIAN.
481
00:29:19,496 --> 00:29:22,195
THAT'S HOW WE KNOW
WHO KNOWS WHAT.
482
00:29:22,238 --> 00:29:24,719
WHEN WE KNOW WHERE
IS THE BEST PLACE TO DECIDE HOW,
483
00:29:24,763 --> 00:29:27,287
WE NO LONGER
NEED TO ASK WHY.
484
00:29:27,330 --> 00:29:29,332
YEAH?
485
00:29:29,376 --> 00:29:30,725
AH.
486
00:29:32,205 --> 00:29:34,207
DO YOU THINK
THIS MEANS ANYTHING?
487
00:29:34,250 --> 00:29:35,425
YES.
488
00:29:35,469 --> 00:29:39,342
WE ARE ALL ABOUT TO
COME FACE-TO-FACE
489
00:29:39,386 --> 00:29:43,303
WITH OUR OWN WORST FEARS.
490
00:29:44,347 --> 00:29:46,741
ADRIAN...
491
00:29:46,785 --> 00:29:50,310
YOU ALONE
ARE PROBABLY GOING TO DIE.
492
00:29:51,746 --> 00:29:53,356
THERE YOU GO.
493
00:30:02,583 --> 00:30:04,541
[ LIGHTER CLICKING ]
494
00:30:04,585 --> 00:30:05,412
[ HEAD THUDS ]
495
00:30:05,455 --> 00:30:08,850
JESSICA,
WHAT'S GOING ON?
496
00:30:08,894 --> 00:30:10,330
I DON'T KNOW.
497
00:30:10,373 --> 00:30:12,462
BRAD, YOU BETTER
TAKE A LOOK AT THIS.
498
00:30:16,423 --> 00:30:18,686
IS SHE ALL RIGHT?
499
00:30:18,729 --> 00:30:20,688
I'M JUST FINE, THANKS.
500
00:30:20,731 --> 00:30:23,473
SHE SEEMS HORRIBLE.
501
00:30:23,517 --> 00:30:26,346
I DON'T KNOW
WHAT HAPPENED TO HER.
502
00:30:26,389 --> 00:30:28,435
OH, MY.
503
00:30:28,478 --> 00:30:31,438
LOOKS LIKE A BITE...
504
00:30:31,481 --> 00:30:33,483
OR A-A CUT...
505
00:30:33,527 --> 00:30:37,183
OR A-A BURN.
506
00:30:37,226 --> 00:30:38,880
MAYBE A RASH.
507
00:30:38,924 --> 00:30:41,448
OR QUITE POSSIBLY
SOMETHING ELSE.
508
00:30:41,491 --> 00:30:42,710
HOW DO YOU KNOW?
509
00:30:42,753 --> 00:30:44,494
WELL, LOOK. LOOK.
510
00:30:44,538 --> 00:30:47,367
THERE'S SOME PURPLE SWELLING
AROUND THE CORE INTRUSION.
511
00:30:47,410 --> 00:30:52,546
SEEMS TO ME THAT, UH,
SOME SORT OF FANG-TOOTHED JAW
512
00:30:52,589 --> 00:30:55,549
OR PARASITIC
SUCKING APPARATUS
513
00:30:55,592 --> 00:30:59,379
JUST STUCK ITSELF IN
AND TRIED TO...SUCK.
514
00:31:00,597 --> 00:31:02,469
OW.
515
00:31:03,644 --> 00:31:06,516
IT SEEMS TO ME
THAT WHATEVER DID THIS
516
00:31:06,560 --> 00:31:09,737
ACTUALLY CLIMBED UP HER,
MOUNTED ITSELF TO HER HEAD,
517
00:31:09,780 --> 00:31:12,218
AND BEGAN
TO SUCK AT HER BRAIN
518
00:31:12,261 --> 00:31:14,481
THROUGH THE TRANSPORT TUNNEL
HERE...
OW!
519
00:31:14,524 --> 00:31:16,483
...LEAVING BEHIND
IT'S SPORES OF INFECTION,
520
00:31:16,526 --> 00:31:19,573
POSSIBLY CAUSING
THIS FLESH-EATING RASH,
521
00:31:19,616 --> 00:31:23,403
WHICH APPEARS TO BE CHEWING
THE SKIN OFF MY FINGERS.
522
00:31:23,446 --> 00:31:24,795
THAT DOESN'T MAKE ANY SENSE!
523
00:31:24,839 --> 00:31:27,320
WELL,
WHAT ELSE COULD IT BE?EXCUSE ME.
524
00:31:27,363 --> 00:31:30,497
WHY DON'T YOU ASK THE PERSON
WITH THE HOLE IN HER FOREHEAD?
525
00:31:30,540 --> 00:31:32,368
ALL RIGHT, RACHAEL.
526
00:31:32,412 --> 00:31:34,631
WHAT HAPPENED
TO YOUR FACE?
527
00:31:36,851 --> 00:31:38,505
I DON'T KNOW.
528
00:31:38,548 --> 00:31:41,377
I NEED TO REST.
I'M TIRED.
529
00:31:41,421 --> 00:31:43,727
GEEZ.
530
00:32:03,660 --> 00:32:06,402
RACHAEL.
531
00:32:27,684 --> 00:32:29,904
SO, WHAT'S WRONG WITH IT?
532
00:32:29,948 --> 00:32:31,993
[ SIGHS ] I DON'T KNOW.
533
00:32:32,037 --> 00:32:36,432
EVER SINCE
LAST NIGHT'S OCCURRENCES,
534
00:32:36,476 --> 00:32:40,480
HALF THE STUFF AROUND HERE
HAS JUST STOPPED WORKING.
535
00:32:40,523 --> 00:32:41,872
PHONES ARE UNPLUGGED,
536
00:32:41,916 --> 00:32:44,527
THE CAR
JUST COMPLETELY STOPPED WORKING,
537
00:32:44,571 --> 00:32:48,792
AND THE COFFEE MAKER'S
OUT OF COFFEE GROUNDS.
538
00:32:48,836 --> 00:32:53,362
I FEEL LIKE THE WORLD
IS JUST CAVING IN ON US.
539
00:32:54,537 --> 00:32:56,670
[ CLATTERING ]
540
00:32:56,713 --> 00:32:58,541
BRAD...
541
00:32:58,585 --> 00:33:02,632
WELL, THERE'S SOMETHING
I'VE BEEN MEANING TO TELL YOU.
542
00:33:02,676 --> 00:33:04,504
YEAH?
543
00:33:04,547 --> 00:33:05,896
YOU GUYS, COME QUICK!
544
00:33:06,810 --> 00:33:09,770
IT'S RACHAEL.
545
00:33:09,813 --> 00:33:11,641
[ GAGGING, COUGHING ]
546
00:33:11,685 --> 00:33:12,816
WHAT DID YOU DO?
547
00:33:12,860 --> 00:33:13,992
I DIDN'T DO ANYTHING.
548
00:33:14,035 --> 00:33:15,994
[ GAGGING, COUGHING ]
549
00:33:16,037 --> 00:33:17,691
IT'S OKAY.
550
00:33:17,734 --> 00:33:19,519
Rachael: [ VOMITS ]
551
00:33:19,562 --> 00:33:21,651
OH! OH, GOD.
552
00:33:21,695 --> 00:33:23,523
[ COUGHS ]
553
00:33:23,566 --> 00:33:25,612
OH.
554
00:33:25,655 --> 00:33:27,744
OH, MY GOD.
555
00:33:27,788 --> 00:33:29,529
WHAT IS THAT?
556
00:33:29,572 --> 00:33:34,534
THAT IS...
JUST DISGUSTING.
557
00:33:34,577 --> 00:33:37,363
IT'S SO...AWFUL.
558
00:33:37,406 --> 00:33:38,973
IT SMELLS TERRIBLE.
559
00:33:39,017 --> 00:33:41,628
AND I'M FRENCH.
560
00:33:41,671 --> 00:33:43,804
IT LOOKS KIND OF FURRY.
561
00:33:43,847 --> 00:33:45,806
AND SMOOTH.
562
00:33:45,849 --> 00:33:47,808
AND WRINKLY, TOO.
563
00:33:47,851 --> 00:33:51,725
IS THAT ALIVE?
564
00:33:51,768 --> 00:33:53,727
I DON'T THINK SO.
565
00:33:53,770 --> 00:33:55,642
ALTHOUGH,
IT DOES SEEM TO BE MOVING.
566
00:33:55,685 --> 00:34:02,475
DO NONLIVING, FURRY, SMOOTH,
WRINKLE THINGS MOVE, ADRIAN?
567
00:34:02,518 --> 00:34:03,737
WELL,
THAT'S A PARTICULAR QUESTION
568
00:34:03,780 --> 00:34:06,479
WITH A WHOLE LOT
OF VERY UNLIKELY ANSWERS.
569
00:34:06,522 --> 00:34:08,568
WELL, MAKE UP YOUR MIND.
IS IT FURRY AND ALIVE
OR SMOOTH AND DEAD?
570
00:34:08,611 --> 00:34:09,917
I DON'T KNOW.
571
00:34:09,960 --> 00:34:11,919
IT SEEMS TO BE NEITHER
AND YET BOTH.
572
00:34:11,962 --> 00:34:13,616
BOTH?
BOTH.
573
00:34:14,617 --> 00:34:16,619
[ BIRDS CHIRPING ]
574
00:34:17,794 --> 00:34:20,406
Jessica:
YOU LOOK TERRIBLE.
575
00:34:20,449 --> 00:34:22,408
AND SO, WHAT IS THE DEAL
WITH THIS HOLE IN YOUR FACE?
576
00:34:22,451 --> 00:34:24,410
Rachael:
I DON'T KNOW, JESSICA.
577
00:34:24,453 --> 00:34:26,107
BUT I DO KNOW THIS.
578
00:34:26,151 --> 00:34:30,024
I KNOW IF YOU WANT TO LIVE,
YOU NEED TO LEAVE NOW.
579
00:34:30,068 --> 00:34:32,940
[ GAGGING ]
580
00:34:32,983 --> 00:34:35,116
[ VOMITS ]
581
00:34:35,160 --> 00:34:38,119
WHILE THE REST,
582
00:34:38,163 --> 00:34:43,864
THAT WHICH IS TRULY HORRIBLE
SLITHERS ABOUT INSIDE MY BODY.
583
00:34:43,907 --> 00:34:46,693
ONLY WHEN IT RUNS OUT
OF ENTRAILS TO FEED ON
584
00:34:46,736 --> 00:34:47,781
WILL IT BE READY.
585
00:34:47,824 --> 00:34:48,782
READY FOR WHAT?
586
00:34:48,825 --> 00:34:50,479
READY TO GO BACK,
587
00:34:50,523 --> 00:34:52,829
AND HE'LL CALL OUT,
AND THEY WILL COME FOR IT.
588
00:34:52,873 --> 00:34:58,748
TONIGHT, TAKE BRAD AND ADRIAN
AND YOURSELF AND RUN.
589
00:35:05,886 --> 00:35:07,627
[ SIREN WAILING ]
590
00:35:14,590 --> 00:35:15,852
[ TIRES SCREECH, HORN HONKS ]
591
00:35:15,896 --> 00:35:17,506
Agent Miller: UGH!
592
00:35:19,813 --> 00:35:21,684
[ CAR DOOR CLOSES ]
593
00:35:41,791 --> 00:35:43,184
HELLO, BOYS.
594
00:35:43,228 --> 00:35:45,186
DO YOU EVER WONDER WHY
595
00:35:45,230 --> 00:35:48,668
IT IS SO HARD TO DESCRIBE
AN UNCERTAIN, PARTICULAR EVENT,
596
00:35:48,711 --> 00:35:51,758
WHICH LEADS ONE TO BELIEVE
THAT OTHERS, IF TOLD,
597
00:35:51,801 --> 00:35:56,023
WOULD NOT BELIEVE THE TRUTH,
EVEN IF YOU TOLD IT TO THEM?
598
00:35:56,066 --> 00:35:58,765
DO YOU BELIEVE THE TRUTH?
599
00:36:01,071 --> 00:36:03,639
BRAD? WHAT'S GOING ON?
600
00:36:03,683 --> 00:36:06,033
HELLO, I'M AGENT MILLER.
601
00:36:06,076 --> 00:36:08,557
THIS IS AGENT STYLES.
602
00:36:08,601 --> 00:36:10,080
WE'RE WITH THE FBI.
603
00:36:11,778 --> 00:36:13,214
MY POINT IS,
604
00:36:13,258 --> 00:36:16,043
WE KNOW ABOUT THE STRANGE,
UNSPEAKABLE THING IN THE WOODS
605
00:36:16,086 --> 00:36:17,740
YOU BOYS SAW CRASH DOWN
606
00:36:17,784 --> 00:36:20,003
FROM THE FAR REACHES
OF THE VERY UNKNOWN...
607
00:36:20,047 --> 00:36:22,571
I MUST NOTE IN MY LOG
THIS SPECTACULAR DISCOVERY
608
00:36:22,615 --> 00:36:24,225
OF CIRCUMSTANTIAL EVIDENCE.
609
00:36:24,269 --> 00:36:28,055
...THE UNKNOWN, WHICH IS USUALLY
QUITE KNOWN TO BE UNKNOWABLE,
610
00:36:28,098 --> 00:36:30,884
EVEN THOUGH
WE KNOW A FEW THINGS ABOUT IT.
611
00:36:30,927 --> 00:36:33,103
THIS MAY BE
WHAT WASHINGTON NEEDS
612
00:36:33,147 --> 00:36:36,629
TO REOPEN THE X, Y, AND Z
SECTION OF THE FILE DRAWER.
613
00:36:36,672 --> 00:36:38,761
WE ALSO KNOW
ABOUT YOUR FRIEND,
614
00:36:38,805 --> 00:36:40,546
IF THAT'S THE RIGHT USE
615
00:36:40,589 --> 00:36:43,810
OF SUCH CONSISTENTLY BLAND
BUT FEDERALLY-APPROVED WORDING.
616
00:36:43,853 --> 00:36:45,203
STYLES, IN ALL MY YEARS
617
00:36:45,246 --> 00:36:47,988
OF SEARCHING THE STARRY NEBULA
OF HOPE,
618
00:36:48,031 --> 00:36:51,600
I'VE NEVER FOUND MORE THAN
A CEREBRAL HEMORRHAGE.
619
00:36:51,644 --> 00:36:54,603
YES, IT'S TRUE,
WE KNOW ALL THESE THINGS,
620
00:36:54,647 --> 00:36:56,953
FOR WE HAVE BEEN
WATCHING YOU.
621
00:36:56,997 --> 00:37:00,740
WATCHING YOU
THROUGH YOUR BEDROOM WINDOW.
622
00:37:00,783 --> 00:37:03,743
SO, WHERE DID THESE COME FROM,
MILLER?
623
00:37:06,136 --> 00:37:09,836
A QUESTION FOR THE AGES.
624
00:37:11,185 --> 00:37:14,971
IT SEEMS THEY HAVE BEEN GROWING
ON THIS VERY CARPET
625
00:37:15,015 --> 00:37:17,104
FOR THE LAST 10,000 YEARS.
626
00:37:17,147 --> 00:37:18,279
[ CLEARS THROAT ]
627
00:37:18,323 --> 00:37:19,802
WELL, UH, ACTUALLY, UH,
628
00:37:19,846 --> 00:37:22,762
SHE JUST COUGHED THAT ONE UP
A FEW HOURS AGO.
629
00:37:23,937 --> 00:37:25,939
HOW IS THIS POSSIBLE?
630
00:37:25,982 --> 00:37:27,723
[ GAGGING ]
631
00:37:29,943 --> 00:37:31,814
[ VOMITS ]
632
00:37:35,122 --> 00:37:37,690
I SEE.
633
00:37:37,733 --> 00:37:40,040
IT HAS BECOME
APPARENTLY POSSIBLE.
634
00:37:40,083 --> 00:37:41,128
[ BURPS ]
635
00:37:41,171 --> 00:37:42,825
STYLES, GATHER A SAMPLE.
636
00:37:42,869 --> 00:37:44,784
WE MUST ASSEMBLE THE LAB.
637
00:37:44,827 --> 00:37:46,176
YES.
638
00:37:46,220 --> 00:37:48,831
WITH THE REMAINS
OF FOIL-WRAPPED STYROFOAM.
639
00:37:48,875 --> 00:37:49,919
RIGHT.
640
00:38:05,239 --> 00:38:08,198
STYLES,
WHAT DO YOU SEE?
641
00:38:08,242 --> 00:38:11,724
MILLER, I DON'T KNOW
HOW TO TELL YOU THIS.
642
00:38:11,767 --> 00:38:12,942
WHAT IS IT?
643
00:38:12,986 --> 00:38:14,814
WELL,
I THINK WE HAVE SOMETHING,
644
00:38:14,857 --> 00:38:17,991
BUT IT'S NOT LIKE ANYTHING
I'VE EVER SEEN BEFORE.
645
00:38:18,034 --> 00:38:20,167
IT APPEARS TO HAVE
AN ADVERSE BIOSYNTHETIC REACTION
646
00:38:20,210 --> 00:38:21,995
TO THE USE OF OXYGEN.
647
00:38:22,038 --> 00:38:25,172
STYLES, DO YOU THINK
IT COULD'VE COME FROM SOMEWHERE,
648
00:38:25,215 --> 00:38:29,959
ABSOLUTELY ANYWHERE IN
THE ENTIRE EXPANSE OF EXISTENCE
649
00:38:30,003 --> 00:38:32,832
WE CALL THE UNIVERSE?
650
00:38:32,875 --> 00:38:34,834
I WOULD NEVER,
IN ALL MY REASONING,
651
00:38:34,877 --> 00:38:36,923
GO ON RECORD
SAYING THIS MILLER,
652
00:38:36,966 --> 00:38:40,013
BUT IT APPEARS
IT DID COME FROM SOMEWHERE.
653
00:38:41,971 --> 00:38:46,236
LOOK, WHEN I DID AN EXTRACTION
OF THE INDEFINABLE MEMBRANE
654
00:38:46,280 --> 00:38:48,848
AROUND THE INSIDE
OF THE OUTER MIDDLE REGION
655
00:38:48,891 --> 00:38:51,764
OF THE INNER DENSE,
HARD, MUSHY CENTER,
656
00:38:51,807 --> 00:38:54,288
THERE ARE TRACES
OF CATABOLIC ENERGY
657
00:38:54,332 --> 00:38:57,030
MIXED WITH PHOSPHOLIPIDS.
658
00:39:10,348 --> 00:39:12,915
RACHAEL.
659
00:39:32,021 --> 00:39:34,110
ARE YOU OKAY?
660
00:39:34,154 --> 00:39:36,417
YEAH, I'M ALL RIGHT.
661
00:39:36,461 --> 00:39:39,159
ALTHOUGH,
I AM WORRIED ABOUT RACHAEL.
662
00:39:39,202 --> 00:39:41,814
HOW ARE YOU DOING WITH ALL THIS?
[ CHUCKLES ]
663
00:39:41,857 --> 00:39:43,946
I'M FINE, I GUESS.
664
00:39:43,990 --> 00:39:47,123
I MEAN,
I'M WORRIED ABOUT RACHAEL, TOO,
665
00:39:47,167 --> 00:39:50,866
ESPECIALLY
AFTER WHAT SHE SAID TO ME.
666
00:39:51,954 --> 00:39:54,000
Agent Miller:
OH, MY GOLLY.
667
00:39:54,043 --> 00:39:56,306
THIS'LL SHAKE
THE VERY FOUNDATION
668
00:39:56,350 --> 00:39:59,222
OF A SMALL STRAW HUT
IN NORTHERN KOREA.
669
00:39:59,266 --> 00:40:01,399
IS THERE ANYTHING YOU CAN USE
TO MATHEMATICALLY ESTIMATE
670
00:40:01,442 --> 00:40:04,140
THE COMPLEX MAKEUP
OF THE SIMPLE OUTER DENSITY
671
00:40:04,184 --> 00:40:05,272
OF THE HARD, MUSHY CENTER?
672
00:40:05,315 --> 00:40:07,013
YES.
WELL, THERE IS SOMETHING.
673
00:40:07,056 --> 00:40:08,188
WHAT?
674
00:40:08,231 --> 00:40:09,842
A CALCULATOR.
675
00:40:09,885 --> 00:40:10,930
DAMN.
OH.
676
00:40:10,973 --> 00:40:13,019
WE DON'T HAVE ONE.
677
00:40:13,062 --> 00:40:17,153
WELL, I DO HAVE
MY GO-GO-GADGET SPEAK AND SPELL.
678
00:40:17,197 --> 00:40:18,981
WHAT'S WRONG?
679
00:40:19,025 --> 00:40:20,156
WHAT DID SHE SAY?
680
00:40:20,200 --> 00:40:23,116
SHE -- IT'S JUST
SHE KEEPS TALKING ABOUT
681
00:40:23,159 --> 00:40:26,162
SOMETHING COMING HERE
TO GET HER.
682
00:40:26,206 --> 00:40:30,036
I MEAN, SHE'S STARTING TO
SOUND A LITTLE, YOU KNOW?
683
00:40:30,079 --> 00:40:32,821
RACHAEL IS NOT CRAZY.
684
00:40:32,865 --> 00:40:34,954
DON'T SAY THAT.
685
00:40:34,997 --> 00:40:37,130
"ACCORDING" TO RACHAEL,
686
00:40:37,173 --> 00:40:41,047
SOME AMBIGUOUS SOMETHING
IS COMING HERE TO KILL US
687
00:40:41,090 --> 00:40:42,352
AND WE SHOULD RUN.
688
00:40:42,396 --> 00:40:44,311
I MEAN, DOESN'T THAT SOUND
A LITTLE CRAZY TO YOU?
689
00:40:44,354 --> 00:40:47,096
WELL, SHE'S SCARED,
AND I DON'T BLAME HER.
690
00:40:47,140 --> 00:40:49,316
I SHOULD PROBABLY GO IN
AND COMFORT HER.
691
00:40:49,359 --> 00:40:50,491
WAIT.
692
00:40:50,535 --> 00:40:53,973
UM, BEFORE YOU GO...
693
00:40:54,016 --> 00:40:57,106
WELL, THERE WAS SOMETHING --
694
00:40:57,150 --> 00:40:59,979
I WANTED TO TELL YOU THIS
EARLIER, BUT...
695
00:41:00,022 --> 00:41:01,502
YEAH?
696
00:41:01,546 --> 00:41:03,939
WELL...
697
00:41:03,983 --> 00:41:06,333
[ SIGHS ]
698
00:41:06,376 --> 00:41:09,336
I'M IN LOVE WITH THIS GUY,
AND --
699
00:41:09,379 --> 00:41:10,946
Y-YEAH?
700
00:41:12,165 --> 00:41:13,906
IT'S YOU, BRAD.
701
00:41:13,949 --> 00:41:17,257
I LOVE YOU, AND I DON'T THINK
YOU UNDERSTAND HOW MUCH.
702
00:41:26,919 --> 00:41:29,008
[ WHISPERING]
703
00:41:29,051 --> 00:41:31,967
[ WIND HOWLING ]
704
00:41:36,885 --> 00:41:39,018
RACHAEL.
705
00:41:44,589 --> 00:41:46,199
[ GAGS ]
706
00:41:50,246 --> 00:41:53,162
[ GAGGING ]
707
00:41:57,253 --> 00:42:00,213
Agent Styles: MILLER, I THINK
IT'S ABSOLUTELY IMPERATIVE
708
00:42:00,256 --> 00:42:01,954
THAT WE DO
A FIBER-DELICACY TEST.
709
00:42:01,997 --> 00:42:03,216
WHAT WILL THAT TELL US?
710
00:42:03,259 --> 00:42:05,348
THE DELICACY OF THE FIBER.
711
00:42:05,392 --> 00:42:08,264
NOW, STAND BACK.
712
00:42:08,308 --> 00:42:12,051
QUICK, CONTAIN THE MUCUS-LIKE
SECRETION BEFORE IT VAPORIZES.
713
00:42:12,094 --> 00:42:14,488
I NEED
A BIOLOGICAL DECONTAMINANT
714
00:42:14,532 --> 00:42:17,230
AND A SKIN-PURIFYING
FACIAL SPRITZ NOW.
715
00:42:17,273 --> 00:42:19,188
NO, FORGET THE SPRITZ.
716
00:42:19,232 --> 00:42:21,451
WE'RE GONNA LOSE OUR CHANCE,
MILLER.
717
00:42:21,495 --> 00:42:23,236
GRAB ME THE SIDE SWIPER
WITH THE .20,
718
00:42:23,279 --> 00:42:25,586
THE LEVEL-TWO OVERDRIVE.
719
00:42:25,630 --> 00:42:27,588
[ WHIRRING ]
720
00:42:27,632 --> 00:42:29,111
WAIT!
721
00:42:29,155 --> 00:42:30,939
AAH!
722
00:42:32,462 --> 00:42:35,074
QUICK, THERE'S A BREACH
IN THE OUTER LAYER
723
00:42:35,117 --> 00:42:36,379
OF THE HARD, MUSHY CENTER.
724
00:42:36,423 --> 00:42:39,426
[ MACHINE BEEPING ]
725
00:42:41,297 --> 00:42:43,169
[ BEEPING STOPS ]THERE. DONE.
726
00:42:43,212 --> 00:42:46,172
WELL, WHAT IS THAT?
727
00:42:46,215 --> 00:42:49,088
GOOD QUESTION.
728
00:42:50,959 --> 00:42:52,613
JESSICA...
729
00:42:52,657 --> 00:42:55,355
YOU KNOW, HONESTLY,
I'VE --
730
00:42:55,398 --> 00:42:58,227
I HAVE ALWAYS KNOWN
YOU FELT THIS WAY,
731
00:42:58,271 --> 00:43:00,142
AND, UH...
732
00:43:00,186 --> 00:43:02,101
I LOVE YOU, TOO.
733
00:43:02,144 --> 00:43:04,364
THEN WHY DIDN'T YOU
EVER SAY ANYTHING?
734
00:43:04,407 --> 00:43:06,148
I WAS SO WORRIED
TO TELL YOU.
735
00:43:06,192 --> 00:43:07,454
BECAUSE IT'S BEEN A SECRET
736
00:43:07,497 --> 00:43:09,282
BETWEEN YOUR MOTHER
AND MY FATHER.
737
00:43:09,325 --> 00:43:11,545
I DON'T UNDERSTAND.
738
00:43:11,589 --> 00:43:14,287
WHAT ARE YOU TALKING ABOUT --
MY PARENTS?
739
00:43:14,330 --> 00:43:18,160
A LONG TIME AGO, YOUR MOTHER
AND FATHER HAD TWO CHILDREN.
740
00:43:18,204 --> 00:43:20,423
ONE OF THEM WAS YOU,
JESSICA.
741
00:43:20,467 --> 00:43:24,036
THEN THEY SPLIT
AND DIVIDED THEIR ASSETS.
742
00:43:24,079 --> 00:43:27,126
YOU WERE ONLY 3,
SO YOU DON'T REMEMBER.
743
00:43:27,169 --> 00:43:29,476
BUT YOU WERE MADE
TO LIVE WITH YOUR MOTHER
744
00:43:29,519 --> 00:43:32,479
IN A SECRET LIFE
OF SOLITUDE.
745
00:43:32,522 --> 00:43:34,263
AT THE SAME TIME,
746
00:43:34,307 --> 00:43:37,136
A VERY IMPORTANT MAN
LEFT FOR AFRICA
747
00:43:37,179 --> 00:43:40,443
TO CONTINUE HIS STUDIES
FOR SIX YEARS.
748
00:43:40,487 --> 00:43:42,663
HE THEN WENT HOME
TO A SMALL ISLAND
749
00:43:42,707 --> 00:43:44,534
OFF THE COAST
OF COSTA RICA.
750
00:43:44,578 --> 00:43:49,148
THERE, HE DISCOVERED
HOW TO EXTRACT PREHISTORIC DNA
751
00:43:49,191 --> 00:43:50,976
FROM MOSQUITOES.
752
00:43:51,019 --> 00:43:53,239
I HAVE NO IDEA WHO HE WAS.
753
00:43:53,282 --> 00:43:56,677
BUT IT WAS ABOUT THAT TIME
WHEN I FIRST MET YOU.
754
00:43:56,721 --> 00:43:59,027
YOU DO REMEMBER,
DON'T YOU?
755
00:43:59,071 --> 00:44:02,378
I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT, BRAD.
756
00:44:02,422 --> 00:44:04,424
WHAT ARE YOU TRYING TO SAY?
757
00:44:04,467 --> 00:44:07,296
JESSICA...
758
00:44:07,340 --> 00:44:10,604
YOU'RE MY SISTER!
759
00:44:10,648 --> 00:44:14,129
[ BIRD CAWING ]
760
00:44:18,133 --> 00:44:20,222
LOOK AT THIS, MILLER.
761
00:44:20,266 --> 00:44:22,224
WHAT IS IT, STYLES?
762
00:44:25,532 --> 00:44:27,273
DO YOU REALIZE
WHAT THIS MEANS?
763
00:44:27,316 --> 00:44:28,274
YES.
764
00:44:30,319 --> 00:44:33,105
Brad: I-I COULDN'T TELL YOU
BEFORE.
765
00:44:33,148 --> 00:44:36,064
I-I...YOU HAVE TO BELIEVE ME,
JESSICA.
766
00:44:36,108 --> 00:44:38,240
NO, I DON'T BELIEVE YOU.
767
00:44:38,284 --> 00:44:41,243
I --
BRAD, WHAT ARE YOU SAYING?
768
00:44:41,287 --> 00:44:44,420
YOUR MOTHER IS MY MOTHER.
769
00:44:44,464 --> 00:44:47,336
YOUR FATHER IS MY FATHER.
770
00:44:47,380 --> 00:44:51,297
WE -- THEY SPLIT UP
AT A VERY YOUNG AGE.
771
00:44:51,340 --> 00:44:54,343
WE ARE THE SAME BLOOD.
772
00:44:54,387 --> 00:44:59,740
WE COULD NEVER BE,
YOU KNOW...TOGETHER.
773
00:45:02,308 --> 00:45:04,266
BESIDES...
774
00:45:04,310 --> 00:45:06,747
I AM IN LOVE
WITH ANOTHER WOMAN.
775
00:45:06,791 --> 00:45:09,271
NO.
776
00:45:09,315 --> 00:45:11,491
BRAD, DON'T TELL ME.
I CAN'T BEAR TO KNOW.
777
00:45:11,534 --> 00:45:12,579
OKAY.
778
00:45:12,622 --> 00:45:13,580
WAIT.
779
00:45:13,623 --> 00:45:15,234
NO, WHO IS IT?
780
00:45:15,277 --> 00:45:17,410
I HAVEN'T TOLD HER YET.
781
00:45:17,453 --> 00:45:19,499
BUT IT'S RACHAEL,
JESSICA.
782
00:45:19,542 --> 00:45:20,718
NO!
783
00:45:20,761 --> 00:45:23,198
I KNEW IT.
784
00:45:23,242 --> 00:45:25,461
I DON'T KNOW WHETHER
TO HUG YOU OR SLAP YOU.
785
00:45:25,505 --> 00:45:27,289
YEAH, I KNOW.
IT'S -- IT'S -- IT'S TOUGH.
786
00:45:27,333 --> 00:45:29,291
[ WHIMPERS ]Y-Y-YOU'LL GET OVER IT.
787
00:45:29,335 --> 00:45:31,598
IT'S -- IT'S --
IT'S A TOUGH THING TO HEAR.
788
00:45:31,641 --> 00:45:33,513
[ WHIMPERS ] I CAN'T!
789
00:45:35,515 --> 00:45:36,255
OW!
790
00:45:36,298 --> 00:45:39,214
[ GASPS ]
791
00:45:39,258 --> 00:45:41,347
OH!
792
00:45:42,565 --> 00:45:44,698
HOW ARE YOU DOING,
SWEETIE?
793
00:45:44,742 --> 00:45:46,265
I'M FEELING BETTER NOW.
794
00:45:46,308 --> 00:45:48,397
Agent Miller:
I HAVE GOOD NEWS.
795
00:45:48,441 --> 00:45:52,227
THE GOOD NEWS IS THAT
I'M NOW ABLE TO TELL YOU NEWS.
796
00:45:52,271 --> 00:45:56,449
UNFORTUNATELY,
MOST OF IT IS EXCEEDINGLY BAD.
797
00:45:56,492 --> 00:45:58,451
ON A LIGHTER NOTE, RACHAEL,
798
00:45:58,494 --> 00:46:00,409
THERE IS SOMETHING
INSIDE OF YOU --
799
00:46:00,453 --> 00:46:02,324
SOMETHING SO AWFUL
800
00:46:02,368 --> 00:46:06,241
THAT UNLESS IT IS REMOVED
WITHIN 5 HOURS AND 58 MINUTES,
801
00:46:06,285 --> 00:46:07,852
YOU WILL DIE.
802
00:46:09,854 --> 00:46:13,292
IN TERMS OF BAD NEWS,
IT HAS BECOME BLAZINGLY APPARENT
803
00:46:13,335 --> 00:46:16,295
THROUGH ALL
MY THOROUGHLY-INTRUSIVE ANALYSIS
804
00:46:16,338 --> 00:46:19,211
THAT THERE'S ONLY ONE WAY
TO REMOVE IT.
805
00:46:19,254 --> 00:46:21,474
W-WELL, THAT'S GOOD NEWS,
ISN'T IT?
806
00:46:21,517 --> 00:46:22,997
IT HAS TO BE DONE
807
00:46:23,041 --> 00:46:26,479
WITH THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR,
808
00:46:26,522 --> 00:46:30,222
WHICH IS THE MASTER KEY
TO THE USUALLY FATAL OPERATION
809
00:46:30,265 --> 00:46:33,399
KNOWN AS
BIO-ATOMIC SUB-SLICING.
810
00:46:33,442 --> 00:46:36,315
SINCE I KNOW YOU'RE WONDERING
WHAT THAT IS,
811
00:46:36,358 --> 00:46:37,707
I'LL TELL YOU.
812
00:46:37,751 --> 00:46:41,407
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR
813
00:46:41,450 --> 00:46:44,845
IS AN EXTENSIVELY COMPLEX
AND EXPENSIVE DEVICE
814
00:46:44,889 --> 00:46:46,412
WHICH,
815
00:46:46,455 --> 00:46:48,327
USING A SUPER-CONCENTRATED
BEAM OF SOUND,
816
00:46:48,370 --> 00:46:51,547
CAN TEAR THROUGH ANY SUBSTANCE
PUT IN FRONT OF IT
817
00:46:51,591 --> 00:46:53,506
AT A RATE
OF 12 METERS PER SECOND.
818
00:46:53,549 --> 00:46:57,249
VERY SIMILAR, INDEED,
TO A SUPER LASER.
819
00:46:57,292 --> 00:46:59,642
THE CIA AND FBI
BOTH CLASSIFY IT
820
00:46:59,686 --> 00:47:02,732
AS A FIRST-GENERATION
PLANET DESTROYER,
821
00:47:02,776 --> 00:47:06,519
AND THE IRS HAS A SECTION "C"
GLOBAL ECONOMIC LIABILITY
822
00:47:06,562 --> 00:47:09,174
FROM MISUSED EXPENDITURES.
823
00:47:09,217 --> 00:47:11,698
WE GENERALLY USE IT TO CUT
THROUGH THE EARTH'S MANTLE
824
00:47:11,741 --> 00:47:13,526
IN ORDER
TO GATHER CORE SAMPLES.
825
00:47:13,569 --> 00:47:16,442
BUT IN THIS CASE,
IT WILL BE USED ON RACHAEL
826
00:47:16,485 --> 00:47:23,362
TO REMOVE THE IN-DWELLING
SPECIMEN KNOWN AS I64479.
827
00:47:23,405 --> 00:47:28,367
SO, DO YOU HAVE ONE OF
THESE FOCAL-WAVE THINGIES?
828
00:47:28,410 --> 00:47:29,934
WELL, THE GOOD NEWS IS
829
00:47:29,977 --> 00:47:32,371
THAT THERE IS ONLY ONE OF THESE
DEVICES IN THE ENTIRE WORLD.
830
00:47:32,414 --> 00:47:34,286
WHAT'S THE POINT, THEN?
831
00:47:34,329 --> 00:47:37,811
THE POINT IS THERE IS ONLY ONE
IN THE ENTIRE WORLD,
832
00:47:37,855 --> 00:47:40,379
AND IT'S NOT VERY FAR
FROM HERE.
833
00:47:40,422 --> 00:47:42,381
WE'D BETTER RUN AND GET IT.
834
00:47:42,424 --> 00:47:46,733
WELL, IN -- IN -- IN 5 HOURS
AND 56 MINUTES, SHE'LL DIE!
835
00:47:46,776 --> 00:47:48,909
ISN'T THERE SOMETHING ELSE
YOU CAN DO?
836
00:47:48,953 --> 00:47:51,259
CAN'T YOU TAKE HER WITH YOU?
837
00:47:51,303 --> 00:47:52,521
NO!
838
00:47:52,565 --> 00:47:54,393
I AM AFRAID
THAT SHE MUST STAY.
839
00:47:54,436 --> 00:47:56,308
ALL OTHER OPTIONS
840
00:47:56,351 --> 00:47:59,485
ARE UNAVAILABLE, INDISCERNIBLE,
EXCEEDINGLY PAINFUL,
841
00:47:59,528 --> 00:48:03,402
OR JUST, QUITE FRANKLY,
HAVEN'T BEEN THOUGHT OF.
842
00:48:03,445 --> 00:48:06,796
WE MUST ACT QUICKLY
IF SHE'S TO LIVE.
843
00:48:12,977 --> 00:48:15,718
WHAT -- WHAT DO I DO
FOR NOW?
844
00:48:15,762 --> 00:48:19,505
JUST WAIT, WATCH THE CLOCK,
AND WONDER.
845
00:48:19,548 --> 00:48:21,681
AT THE MOMENT
WHEN YOU FEEL ALL HOPE IS LOST,
846
00:48:21,724 --> 00:48:23,552
WE'LL BE BACK.
847
00:48:49,622 --> 00:48:52,842
Adrian: SO, WHY ARE WE
STARING AT THIS THING?
848
00:48:54,322 --> 00:48:58,805
AGENT MILLER TOLD US TO WATCH
THE CLOCK TILL HE GETS BACK.
849
00:48:58,848 --> 00:49:00,285
[ CLOCK TICKS ]
850
00:49:00,328 --> 00:49:01,764
Jessica: AND WONDER.
851
00:49:07,857 --> 00:49:10,730
HOW LONG HAVE WE BEEN
WATCHING THIS THING?
852
00:49:10,773 --> 00:49:12,688
[ CLOCK TICKING ]
853
00:49:12,732 --> 00:49:14,603
I DON'T KNOW.
854
00:49:32,970 --> 00:49:34,841
Agent Styles:
IT HAS TO BE DONE
855
00:49:34,884 --> 00:49:39,063
WITH THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR.
856
00:49:41,891 --> 00:49:44,807
[ CLOCK TICKING ]
857
00:49:47,593 --> 00:49:52,511
I COULDN'T BARE TO WATCH
RACHAEL DIE LIKE THIS...
858
00:49:52,554 --> 00:49:55,949
NOT HERE, NOT NOW...
859
00:49:55,993 --> 00:50:00,040
NOT ON THE VERY SOFA
YOU WERE CONCEIVED ON.
860
00:50:00,084 --> 00:50:01,868
♪ DON'T TRY TO STOP ME
OR TOP ME ♪
861
00:50:01,911 --> 00:50:02,956
♪ I CAN TELL YOU WHAT YOU NEED
862
00:50:03,000 --> 00:50:04,697
♪ LISTEN, I'M FISHIN'
863
00:50:04,740 --> 00:50:06,612
♪ I'LL GET YOU WITH MY HOOK,
AND PUMP IT UP, PUMP IT ♪
864
00:50:06,655 --> 00:50:09,528
DO YOU THINK THEY'LL GET BACK
IN TIME?
865
00:50:09,571 --> 00:50:11,747
[ RAP MUSIC PLAYING ]
866
00:50:15,099 --> 00:50:16,709
♪ BUMP, BUMP
867
00:50:16,752 --> 00:50:18,798
ARE YOU GUYS ALMOST DONE?
868
00:50:18,841 --> 00:50:22,541
HEY, COOL YOUR BRITCHES,
MR. FANCY PANTS.
869
00:50:22,584 --> 00:50:24,630
WE'RE WORKING AS FAST AS WE CAN
HERE.
870
00:50:24,673 --> 00:50:26,719
I'M A LITTLE PRESSED
FOR TIME.
871
00:50:26,762 --> 00:50:28,982
[ SIGHS ]
YOU PEOPLE HAVE NO PATIENCE.
872
00:50:29,026 --> 00:50:31,854
ALL YOU SUITS CARE ABOUT
IS YOUR OWN SITUATION.
873
00:50:31,898 --> 00:50:34,466
THAT'S RIGHT.
874
00:50:36,511 --> 00:50:38,035
Jessica: WHERE'S RACHAEL?
875
00:50:45,955 --> 00:50:48,871
Brad: RACHAEL!
COME BACK HERE NOW!
876
00:50:48,915 --> 00:50:51,700
DON'T YOU DARE
LEAVE THE HOUSE AGAIN.
877
00:50:51,744 --> 00:50:53,920
[ Distorted voice ]
I CAN FEEL IT.
878
00:50:53,963 --> 00:50:56,792
IT'S GETTING CLOSER.
879
00:50:56,836 --> 00:50:59,012
OH, WAIT.
880
00:50:59,056 --> 00:51:02,798
SO CLOSE AND YET SO FAR.
881
00:51:02,842 --> 00:51:05,671
THEY'RE COMING.
882
00:51:05,714 --> 00:51:08,717
THE TIME IS AT HAND.
883
00:51:09,892 --> 00:51:12,069
[ BODY THUDS ]
884
00:51:12,112 --> 00:51:13,418
COME ON, RACHAEL.
RACHAEL?
885
00:51:13,461 --> 00:51:14,680
WHAT'S WRONG WITH HER?
886
00:51:14,723 --> 00:51:15,942
[ CREATURE HOWLING ]
887
00:51:15,985 --> 00:51:18,597
WHAT'S THAT?
I DON'T KNOW.
888
00:51:18,640 --> 00:51:20,120
[ RUSTLING ]
889
00:51:20,164 --> 00:51:21,687
OH, MY GOD.
890
00:51:21,730 --> 00:51:23,602
BRAD, THERE'S SOMETHING
OUT THERE.
891
00:51:23,645 --> 00:51:25,430
WE GOT TO GET HER INSIDE.
892
00:51:25,473 --> 00:51:26,953
MAYBE WE SHOULD
LEAVE HER HERE.
893
00:51:26,996 --> 00:51:28,781
NO,
WE'RE NOT LEAVING HER!
894
00:51:28,824 --> 00:51:31,000
COME ON, WE GOT TO
GET HER IN THE HOUSE.
895
00:51:31,044 --> 00:51:32,001
RACHAEL.
896
00:51:32,045 --> 00:51:33,612
[ CREATURE HOWLS ]
897
00:51:33,655 --> 00:51:36,136
WELL, YOU'RE SET TO GO,
MR. ALL FIRED UP.
898
00:51:36,180 --> 00:51:38,617
YEP. JUST TURNED OUT
JUST TO BE A SCREW LOOSE...
899
00:51:38,660 --> 00:51:40,706
IN YOUR HEADLIGHT.MM-HMM.
900
00:51:40,749 --> 00:51:42,708
THAT'S GONNA BE $800 FOR LABOR
AND $1.29 FOR THE SCREW.
901
00:51:42,751 --> 00:51:43,970
IT'S $801.29 TOTAL.
902
00:51:44,013 --> 00:51:46,538
SCREW LOOSE
IN MY HEADLIGHT?
903
00:51:46,581 --> 00:51:48,714
MM-HMM.THAT'S OUTRAGEOUS.
904
00:51:48,757 --> 00:51:50,542
DO YOU TAKE CREDIT CARDS?
905
00:51:50,585 --> 00:51:51,804
HELL NO.
CASH ONLY.
906
00:51:51,847 --> 00:51:53,588
DAMN.
907
00:51:58,071 --> 00:52:00,073
Adrian: THE DOOR --
LOOK AT THIS.
908
00:52:04,730 --> 00:52:07,124
ALL RIGHT,
GET SOME WATER.
909
00:52:08,212 --> 00:52:11,476
DO YOU THINK
SHE'LL BE ALL RIGHT?
910
00:52:11,519 --> 00:52:12,868
RACHAEL, COME ON,
RACHAEL.
911
00:52:12,912 --> 00:52:13,913
RACHAEL?PLEASE WAKE UP.
912
00:52:13,956 --> 00:52:15,175
RACHAEL?
PLEASE.
913
00:52:15,219 --> 00:52:16,872
RACHAEL.COME ON, RACHAEL.
914
00:52:16,916 --> 00:52:18,091
RACHAEL.
915
00:52:18,135 --> 00:52:20,746
THERE'S STILL SO MUCH
I HAVE TO TELL YOU.
916
00:52:20,789 --> 00:52:22,095
RACHAEL.
917
00:52:22,139 --> 00:52:26,795
[ Echoing ] RACHAEL.
918
00:52:33,106 --> 00:52:34,107
RACHAEL.
919
00:52:34,151 --> 00:52:35,500
[ Echoing ] RACHAEL.
920
00:52:35,543 --> 00:52:37,110
COME ON, RACHAEL, WAKE UP.RACHAEL.
921
00:52:37,154 --> 00:52:38,546
COME ON, RACHAEL.
RACHAEL.
922
00:52:38,590 --> 00:52:39,982
COME ON, RACHAEL.
923
00:52:40,026 --> 00:52:42,594
SHE'S NOT --
SHE'S NOT HEARING ANY OF THIS.
924
00:52:42,637 --> 00:52:44,596
RACHAEL.COME ON, RACHAEL, WAKE UP.
925
00:52:44,639 --> 00:52:46,641
RACHAEL, PLEASE.
926
00:52:56,782 --> 00:52:59,001
[ BIRDS CHIRPING ]
927
00:53:36,865 --> 00:53:39,041
RACHAEL.
928
00:53:49,878 --> 00:53:51,793
WHAT WAS THAT?
929
00:53:51,837 --> 00:53:55,232
WHATEVER IT IS, IT'S --
IT'S ON THE PORCH.
930
00:53:55,275 --> 00:53:58,104
WE HAVE TO LOCK ALL THE DOORS
AND WINDOWS!
931
00:53:59,018 --> 00:54:01,281
WELL, DON'T EVERYBODY
JUMP AT ONCE!
932
00:54:01,325 --> 00:54:03,240
GEEZ!
FINE, I'LL DO IT!
933
00:54:03,283 --> 00:54:05,894
LET THE FRENCHMAN.
COME ON.
934
00:54:06,982 --> 00:54:09,942
[ CLATTERING, THUMPING ]
935
00:54:11,900 --> 00:54:13,293
ON THE ROOF.
936
00:54:13,337 --> 00:54:15,904
WHAT DO YOU THINK
IT WANTS?
937
00:54:15,948 --> 00:54:17,645
[ THUMPING, CLATTERING ]
938
00:54:22,824 --> 00:54:24,696
IT'S MORE THAN ONE.
939
00:54:24,739 --> 00:54:26,001
WHERE'S ADRIAN?
940
00:54:26,045 --> 00:54:27,873
[ TOILET FLUSHES ]
941
00:54:37,012 --> 00:54:38,275
AAH!
942
00:54:38,318 --> 00:54:39,798
AAAH!
943
00:54:39,841 --> 00:54:41,669
SORRY, DIDN'T MEAN
TO SCARE YOU GUYS.
944
00:54:41,713 --> 00:54:43,105
[ COUGHING ]
OH.
945
00:54:43,149 --> 00:54:45,325
RACHAEL,
THANK GOD YOU'RE ALL RIGHT.
946
00:54:45,369 --> 00:54:48,197
I TOLD YOU THEY WERE COMING,
BUT YOU DIDN'T WANT TO LISTEN.
947
00:54:48,241 --> 00:54:49,938
NOW IT'S TOO LATE.
948
00:54:49,982 --> 00:54:51,331
[ CLATTERING ]
949
00:54:51,375 --> 00:54:53,768
YOU GUYS, GUESS WHAT?
950
00:54:55,074 --> 00:54:56,945
I THINK THERE'S SOMETHING
ON THE ROOF.
951
00:54:56,989 --> 00:54:58,817
OH, ARE YOU SURE?
YEAH.
952
00:54:58,860 --> 00:55:00,166
WHAT SHOULD WE DO, BRAD?
953
00:55:00,209 --> 00:55:02,037
WELL,
WE SHOULD HOPE THAT --
954
00:55:02,081 --> 00:55:03,909
THAT AGENT MILLER
GETS HERE SOON.
955
00:55:03,952 --> 00:55:05,345
AAH!
AAH!
956
00:55:05,389 --> 00:55:06,868
[ THUMPING ]
957
00:55:06,912 --> 00:55:09,871
WHAT WAS THAT?
WHAT HAPPENED?
958
00:55:13,875 --> 00:55:15,747
[ TIRES SCREECH, HORN HONKS ]Agent Miller: UGH!
959
00:55:15,790 --> 00:55:17,836
IS THAT THE AGENTS?
960
00:55:17,879 --> 00:55:21,143
IT'S AGENT MILLER.
QUICK, OPEN THE DOOR.
961
00:55:21,187 --> 00:55:23,015
OH, YOU'RE HERE.
962
00:55:23,058 --> 00:55:24,886
JUST IN TIME.
963
00:55:24,930 --> 00:55:27,280
WHAT HAPPENED?
WHERE'S AGENT STYLES?
964
00:55:27,324 --> 00:55:29,064
I'M SORRY.
965
00:55:29,108 --> 00:55:32,851
AS FOR STYLES, SHE WAS FORCED
TO RETURN TO WASHINGTON.
966
00:55:32,894 --> 00:55:36,768
I THINK THEY KNOW SOMETHING,
SO WE HAVE TO MOVE QUICKLY.
967
00:55:36,811 --> 00:55:38,160
IS THIS THE --
THE WAVE-GENERATOR THING?
968
00:55:38,204 --> 00:55:39,205
YES, INDEED.
969
00:55:39,248 --> 00:55:40,902
IN MY HANDS, I HOLD
970
00:55:40,946 --> 00:55:44,906
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR --
971
00:55:44,950 --> 00:55:48,040
THE SINGLE KEY
TO SAVING RACHAEL'S LIFE.
972
00:55:48,083 --> 00:55:50,999
[ CREATURE SCREECHES ]
973
00:55:51,043 --> 00:55:53,088
AGENT MILLER!
974
00:55:53,132 --> 00:55:55,003
[ CREATURE GROWLS ]
975
00:55:55,047 --> 00:55:56,831
OH, NO! SOMETHING GOT
976
00:55:56,875 --> 00:55:59,094
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR.
977
00:55:59,138 --> 00:56:01,270
AND AGENT MILLER.
978
00:56:01,314 --> 00:56:03,969
MAYBE YOU SHOULD GO HELP HIM,
BRAD.
979
00:56:04,012 --> 00:56:05,187
[ GUNSHOTS ]
980
00:56:05,231 --> 00:56:08,060
[ CREATURE GROWLING ]Agent Miller: AAH!
981
00:56:08,103 --> 00:56:09,888
WHOA! WHOA![ GUNSHOTS ]
982
00:56:09,931 --> 00:56:11,237
Agent Miller: AAH!
983
00:56:11,280 --> 00:56:12,978
AAH!
AAH!
984
00:56:13,021 --> 00:56:14,936
Agent Miller: AAH!
985
00:56:14,980 --> 00:56:16,068
HE'LL BE FINE.
HE'S FBI, RIGHT?
986
00:56:16,111 --> 00:56:18,418
[ GUNSHOTS ]
987
00:56:18,462 --> 00:56:20,028
OH.SUPPOSE SOMETHING'S
GOT HIM?
988
00:56:20,072 --> 00:56:21,987
[ RUSTLING ]
989
00:56:24,119 --> 00:56:26,252
[ GRUNTS ]
990
00:56:26,295 --> 00:56:28,428
I LOST IT!
991
00:56:28,472 --> 00:56:29,995
DAMN IT!
992
00:56:30,038 --> 00:56:32,040
ARE YOU ALL RIGHT,
AGENT MILLER?
993
00:56:32,084 --> 00:56:33,868
YEAH, I AM, BUT I LOST
994
00:56:33,912 --> 00:56:36,436
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR.
995
00:56:36,480 --> 00:56:38,264
DO YOU HAVE ANY ASPIRIN?
996
00:56:38,307 --> 00:56:40,832
NO, NO.
WE GOT TO GO FIND IT.
997
00:56:40,875 --> 00:56:42,094
WE GOT --
NO. NO.
998
00:56:42,137 --> 00:56:44,313
YOU'RE NOT GOING OUT THERE
UNPROTECTED.
999
00:56:44,357 --> 00:56:47,142
HERE...TAKE THESE.
1000
00:56:47,186 --> 00:56:50,276
BUT I HAVE TO WARN YOU,
THEY'RE FULLY LOADED,
1001
00:56:50,319 --> 00:56:53,018
AND THE LOCKING MECHANISMS
FOR THE SAFETY
1002
00:56:53,061 --> 00:56:55,977
ARE COMPLETELY AND UTTERLY
BROKEN.
1003
00:56:56,021 --> 00:56:57,457
WHAT DO YOU MEAN?
1004
00:56:57,501 --> 00:57:00,852
THE LOCKING MECHANISMS
LOCK AND UNLOCK AT ODD TIMES,
1005
00:57:00,895 --> 00:57:03,463
PREVENTING THE GUN
FROM FIRING AT ALL...
1006
00:57:03,507 --> 00:57:06,466
USUALLY,
AT THE WORST POSSIBLE MOMENT.
1007
00:57:06,510 --> 00:57:08,120
WAIT.
1008
00:57:08,163 --> 00:57:10,427
WE'RE GONNA NEED
MORE FLASHLIGHTS.
1009
00:57:10,470 --> 00:57:12,951
I GOT FLASHLIGHTS.GOOD.
1010
00:57:12,994 --> 00:57:14,953
ALL RIGHT. GOOD.
1011
00:57:14,996 --> 00:57:16,911
WE'RE GOOD.
READY?
1012
00:57:16,955 --> 00:57:18,086
LET'S GO.
1013
00:57:22,526 --> 00:57:24,876
COME ON, GUYS.
1014
00:58:03,218 --> 00:58:05,394
[ OWL HOOTS ]
1015
00:58:10,574 --> 00:58:11,966
I MEAN...
1016
00:58:13,881 --> 00:58:15,274
BRAD AND ADRIAN...YEAH.
1017
00:58:15,317 --> 00:58:18,103
...YOU FIND THE GENERATOR,
FIRE TWO SHOTS.
1018
00:58:18,146 --> 00:58:20,018
JESSICA,
YOU COME WITH ME.
1019
00:58:20,061 --> 00:58:21,933
HEY. HEY!
1020
00:58:23,282 --> 00:58:25,066
I'M GOING HOME.
1021
00:58:25,110 --> 00:58:26,154
COME ON.
1022
00:58:40,081 --> 00:58:41,039
[ ANIMAL HOWLS ]
1023
00:58:41,082 --> 00:58:43,128
[ OWL HOOTS ]
1024
00:58:47,262 --> 00:58:49,526
ADRIAN,
IF I LOSE YOU AGAIN,
1025
00:58:49,569 --> 00:58:53,094
I DON'T WANT YOU JUMPING OUT
OF THE TREES AND SCREAMING.
1026
00:58:53,138 --> 00:58:55,227
YOU HAVE A TENDENCY
TO MAKE THINGS WORSE
1027
00:58:55,270 --> 00:58:56,445
THAN THEY ALREADY ARE.
1028
00:58:56,489 --> 00:58:58,970
YES, I PROMISE.
I NEVER MEANT ANY HARM.
1029
00:58:59,013 --> 00:59:00,580
EXCUSEZ-MOI.
1030
00:59:00,624 --> 00:59:02,974
[ OWL HOOTS ]
1031
00:59:03,017 --> 00:59:09,981
IS IT ME, OR DO THESE WOODS
SEEM TO REEK OF DEATH AND DECAY,
1032
00:59:10,024 --> 00:59:14,115
LIKE SOME GREAT CARRION PIT
OF ROTTING FLESH?
1033
00:59:14,159 --> 00:59:15,247
I DON'T KNOW.
1034
00:59:15,290 --> 00:59:18,293
IT'S LIKE
THE VERY TREES THEMSELVES
1035
00:59:18,337 --> 00:59:21,122
SEEM TO BE SCREAMING OUT TO US,
"RUN.
1036
00:59:21,166 --> 00:59:24,996
"RUN FOR YOUR LIVES,
FOR EVIL LIVES AMONGST US.
1037
00:59:25,039 --> 00:59:27,085
RUN. RUN! RUN!"
1038
00:59:27,128 --> 00:59:28,565
AAH! AAH!
1039
00:59:28,608 --> 00:59:30,436
AAAAH!
1040
00:59:30,479 --> 00:59:32,177
[ OWL HOOTS ]
1041
00:59:32,220 --> 00:59:34,135
NO, NOT REALLY.
1042
00:59:34,179 --> 00:59:36,311
AND MAYBE NOT.
1043
00:59:44,232 --> 00:59:46,104
HOW LONG
BEFORE RACHAEL KEELS OVER
1044
00:59:46,147 --> 00:59:48,497
AND SPILLS HER GUTS OUT
ON THE FLOOR?
1045
00:59:48,541 --> 00:59:50,543
[ SIGHS ]
1046
00:59:50,587 --> 00:59:54,025
WE HAVE ABOUT 16 MINUTES.
1047
00:59:54,068 --> 00:59:56,027
WE HAVE TO FIND
THIS WAVE-GENERATOR THING.
1048
00:59:56,070 --> 00:59:57,637
IT'S GOT TO BE AROUND HERE
SOMEWHERE.
1049
00:59:57,681 --> 00:59:59,247
OH, DON'T WORRY.
WE WILL.
1050
00:59:59,291 --> 01:00:03,121
BUT NOT UNTIL
THE VERY LAST MOMENT.
1051
01:00:03,164 --> 01:00:04,601
COME ON,
WE GOT TO BE QUICKER.
1052
01:00:04,644 --> 01:00:06,428
ALL RIGHT.
WHERE DO WE FIND THIS THING?
1053
01:00:06,472 --> 01:00:08,256
IT'S GOT TO BE
RIGHT AROUND THIS CORNER.
1054
01:00:08,300 --> 01:00:09,954
I-I KNOW THIS PLACE BETTER
IN THE DAYLIGHT.
1055
01:00:09,997 --> 01:00:11,520
I CAN'T SEE ANYTHING.
1056
01:00:11,564 --> 01:00:14,132
OH, GREAT. THIS IS YOUR COUNTRY.
I'M ONLY TRYING TO USE IT.
1057
01:00:14,175 --> 01:00:16,134
COME ON. BE QUIET.
GET OVER HERE.
1058
01:00:16,177 --> 01:00:19,180
COME ON, WE'RE GOING.
JUST RUN. WE'RE GOING.
1059
01:00:19,224 --> 01:00:21,356
[ RUSTLING ]WHAT WAS THAT?
1060
01:00:21,400 --> 01:00:23,228
WHAT'S WHAT?
1061
01:00:23,271 --> 01:00:24,664
THAT OVER THERE.
1062
01:00:24,708 --> 01:00:27,014
I SAW SOMETHING
IN THAT PITCH-BLACK AREA
1063
01:00:27,058 --> 01:00:29,060
BEHIND ALL THE FOG
AND SCRAGGLY TREES.
1064
01:00:29,103 --> 01:00:30,278
WHAT?!
I-I CAN'T SEE ANYTHING.
1065
01:00:30,322 --> 01:00:31,628
IT'S PITCH-BLACK,
1066
01:00:31,671 --> 01:00:33,586
AND IF YOU HAVEN'T NOTICED,
THERE'S A LOT OF FOG.
1067
01:00:33,630 --> 01:00:36,067
I DID NOTICE.
1068
01:00:36,110 --> 01:00:37,155
[ RUSTLING ]
1069
01:00:37,198 --> 01:00:38,156
AAH!
1070
01:00:38,199 --> 01:00:39,244
THAT!
1071
01:00:39,287 --> 01:00:41,159
I CAN'T SEE ANYTHING.
1072
01:00:41,202 --> 01:00:43,335
I-I THINK
WE SHOULD SHOOT IT.
1073
01:00:43,378 --> 01:00:45,642
SHOOT WHAT?
I CAN'T SEE ANYTHING.
1074
01:00:45,685 --> 01:00:48,166
DAMN IT, JUST SHOOT!
IT'S IN THERE SOMEWHERE.
1075
01:00:48,209 --> 01:00:50,603
[ RUSTLING ]
AAH!
AAH!
1076
01:00:50,647 --> 01:00:53,040
OKAY, FINE.
WE'LL SHOOT IT.
1077
01:00:53,084 --> 01:00:54,172
[ GUNS CLICKING ]
1078
01:00:54,215 --> 01:00:56,087
DAMN, MY GUN IS LOCKED.
1079
01:00:56,130 --> 01:00:58,002
MINE, TOO.
WHAT'S WRONG?
1080
01:00:58,045 --> 01:00:59,046
WHY WON'T IT WORK?
1081
01:00:59,090 --> 01:01:00,221
[ GUNS CLICKING ]
1082
01:01:00,265 --> 01:01:02,267
MAYBE IT'S BECAUSE
WE'RE ABOUT TO DIE.
1083
01:01:02,310 --> 01:01:03,529
BRAD.
AAH!
AAH!
1084
01:01:03,572 --> 01:01:06,401
[ GUNSHOT ][ GRUNTING ]
1085
01:01:06,445 --> 01:01:10,101
YOU CRAZY BASTARDS,
WHAT THE HELL ARE YOU THINKING?
1086
01:01:10,144 --> 01:01:12,016
[ OWL HOOTS ]
1087
01:01:12,059 --> 01:01:13,408
OH, NO.
1088
01:01:13,452 --> 01:01:17,021
OH, CRAP.
THOUGHT YOU WERE SOMETHING ELSE.
1089
01:01:17,064 --> 01:01:19,284
WELL, I'M NOT SOMETHING ELSE.
1090
01:01:19,327 --> 01:01:21,112
SO, NEXT TIME, BE MORE CAREFUL.
1091
01:01:21,155 --> 01:01:22,330
[ RUSTLING ]
1092
01:01:22,374 --> 01:01:24,332
WHAT WAS THAT?
1093
01:01:31,775 --> 01:01:34,168
[ RUSTLING ]
1094
01:01:38,477 --> 01:01:39,696
HEY.
1095
01:01:39,739 --> 01:01:41,262
[ GUNSHOTS ]
AAH!
1096
01:01:41,306 --> 01:01:43,308
AAH! DAMN YOU ALL.
1097
01:01:43,351 --> 01:01:45,266
[ GRUNTS ]
1098
01:01:58,453 --> 01:02:00,455
ADRIAN?
1099
01:02:00,499 --> 01:02:02,414
WHAT HAPPENED?
1100
01:02:02,457 --> 01:02:06,287
WE WERE -- WE WERE SHOT,
JESSICA.
1101
01:02:06,331 --> 01:02:08,681
THIS IS ENTIRELY MY FAULT.
1102
01:02:08,725 --> 01:02:12,293
ADRIAN,
AM I GOING TO DIE?
1103
01:02:12,337 --> 01:02:15,470
YES, YOU PROBABLY WILL.
1104
01:02:15,514 --> 01:02:17,603
BUT I WILL BE HERE
BESIDE YOU.
1105
01:02:17,646 --> 01:02:19,779
WHAT ABOUT RACHAEL?
1106
01:02:19,823 --> 01:02:23,565
SHE'S GOING TO DIE BECAUSE
OF BRAD'S INCREDIBLE FAILURE.
1107
01:02:23,609 --> 01:02:25,306
NO, JESSICA,
WE CAN STILL FIND
1108
01:02:25,350 --> 01:02:28,353
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR.
1109
01:02:28,396 --> 01:02:30,181
BUT WE MUST KEEP GOING.
1110
01:02:30,224 --> 01:02:32,400
THERE'S SOMETHING EVIL
IN THESE WOODS,
1111
01:02:32,444 --> 01:02:34,794
AND IT WANTS TO DESTROY US.
1112
01:02:34,838 --> 01:02:38,319
[ Echoing ] YOU HAVE TO FIND
THE STRENGTH TO GO ON.
1113
01:02:38,363 --> 01:02:42,323
WHY DOES IT MATTER
IF I'M GOING TO DIE?
1114
01:02:42,367 --> 01:02:45,631
YES, B-BUT IF YOU DO HAPPEN
TO MAKE IT THROUGH,
1115
01:02:45,674 --> 01:02:49,156
I WANT YOU TO KNOW
THAT I THINK YOU'RE BEAUTIFUL.
1116
01:02:49,200 --> 01:02:51,637
I WANT YOU TO COME TO PARIS
WITH ME.
1117
01:02:51,680 --> 01:02:54,771
OH, JESSICA,
YOU HAVE SUCH BEAUTIFUL EYES.
1118
01:02:54,814 --> 01:02:57,730
PEOPLE, WE'VE GOT TO DO
SOMETHING ABOUT THIS SITUATION.
1119
01:02:57,774 --> 01:03:01,560
JESSICA, GET UP OFF THE GROUND.
YOU'RE NOT GOING TO DIE.
1120
01:03:01,603 --> 01:03:03,344
IF THE FAINTEST SCENT
OF OUR BLOOD
1121
01:03:03,388 --> 01:03:06,304
REACHES ONE OR MORE OF THEIR
PERIPHERAL INTAKE RECEPTORS,
1122
01:03:06,347 --> 01:03:08,480
IT'S ALL OVER.
1123
01:03:08,523 --> 01:03:11,483
THEY'LL GATHER BY THE THOUSANDS
AND SWARM IN ON US,
1124
01:03:11,526 --> 01:03:13,354
TEARING OUR BODIES APART
1125
01:03:13,398 --> 01:03:16,749
BY EVERY THREAD,
SKIN FLAP, AND FAT DEPOSIT
1126
01:03:16,793 --> 01:03:19,491
UNTIL THEIR NEVER-ENDING,
FLESH-DEVOURING APPETITE
1127
01:03:19,534 --> 01:03:21,667
IS QUENCHED BY NOTHING LESS
THAN OUR VERY SOULS.
1128
01:03:21,710 --> 01:03:24,496
THEY CAN TAKE OUR SOULS?
1129
01:03:24,539 --> 01:03:29,327
WELL, I DON'T SUPPOSE
THEY CAN REALLY DO THAT.
1130
01:03:29,370 --> 01:03:32,417
ARE THERE ACTUALLY
THOUSANDS OF THESE THINGS?
1131
01:03:32,460 --> 01:03:35,594
WELL, I DON'T KNOW
EXACTLY HOW MANY.
1132
01:03:35,637 --> 01:03:38,423
I DON'T WANT TO BE TORN APART
BY MY SKIN FLAPS.
1133
01:03:38,466 --> 01:03:40,555
HAVE YOU SEEN THEM,
AGENT MILLER?
1134
01:03:40,599 --> 01:03:41,513
Agent Miller: WELL, YES.
1135
01:03:41,556 --> 01:03:43,384
BUT NO.
1136
01:03:43,428 --> 01:03:46,779
I MEAN, I'VE SEEN THEM
BUT NOT WHAT THEY LOOK LIKE.
1137
01:03:46,823 --> 01:03:48,172
I'M CONFUSED.
1138
01:03:48,215 --> 01:03:50,478
YOU SAID
THEY WILL TEAR US APART.
1139
01:03:50,522 --> 01:03:52,524
DO THEY HAVE CLAWS?
1140
01:03:52,567 --> 01:03:56,441
THAT'S A GOOD QUESTION.
I DON'T REALLY KNOW.
1141
01:03:56,484 --> 01:03:57,616
THEN WHY DID YOU TELL US
1142
01:03:57,659 --> 01:03:59,531
THAT THEY WOULD GATHER
BY THE THOUSANDS,
1143
01:03:59,574 --> 01:04:04,362
SWARM US, RIP US APART,
AND, UH, DEVOUR OUR SOULS?
1144
01:04:04,405 --> 01:04:06,538
IF YOU KNEW THE FIRST THING
ABOUT ME, BRAD,
1145
01:04:06,581 --> 01:04:08,845
YOU WOULD NOT QUESTION
MY AUTHORITY SO RIGIDLY.
1146
01:04:08,888 --> 01:04:10,847
WELL, THEN TELL US
THE FIRST THING ABOUT YOU,
1147
01:04:10,890 --> 01:04:12,674
LIKE HOW YOU KNOW SO MUCH
ABOUT NOTHING.
1148
01:04:12,718 --> 01:04:14,894
NOW IS NOT THE TIME
TO TURN ON ME.
1149
01:04:14,938 --> 01:04:16,461
I'M TRYING TO HELP YOU.
1150
01:04:16,504 --> 01:04:17,505
WELL, HOW DO WE KNOW?
1151
01:04:17,549 --> 01:04:19,377
M-MAYBE YOU'RE HERE
TO KILL US.
1152
01:04:19,420 --> 01:04:21,205
YOU DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
1153
01:04:21,248 --> 01:04:23,903
HOW CAN WE KNOW ANYTHING
WHEN EVERYTHING IS
JUST ABOUT EVERYTHING
1154
01:04:23,947 --> 01:04:26,471
BUT THE IMPOSSIBLE ANSWER
OF NOTHING?
1155
01:04:26,514 --> 01:04:28,560
WELL, BRAD,
MAYBE ALL THIS IS NOTHING,
1156
01:04:28,603 --> 01:04:31,563
AND THEN THE ANSWER
IS ANYTHING BUT YOUR ASSUMPTION.
1157
01:04:31,606 --> 01:04:34,609
YOU'RE INSANE!
IT HAS TO BE ABOUT SOMETHING.
1158
01:04:34,653 --> 01:04:36,307
YOU'RE WRONG, BRAD.
1159
01:04:36,350 --> 01:04:38,918
ANYTHING OTHER THAN SOMETHING
CAN ONLY BE ONE THING --
1160
01:04:38,962 --> 01:04:40,572
NOTHING.
1161
01:04:40,615 --> 01:04:44,532
AGENT MILLER...
WE'RE GONNA DIE OUT HERE.
1162
01:04:44,576 --> 01:04:46,447
THEN TRUST ME, BRAD.
1163
01:04:46,491 --> 01:04:48,754
TRUST ME,
AND SHE WILL LIVE.
1164
01:04:50,887 --> 01:04:53,237
LET'S GO. THIS WAY.
1165
01:04:53,280 --> 01:04:54,934
I KNOW IT'S HARD.
1166
01:04:54,978 --> 01:04:56,544
Adrian:
WITH ALL THESE TREES IN THE WAY,
I CAN'T SEE ANYTHING.
1167
01:04:56,588 --> 01:04:58,720
[ CREATURE CHITTERING ]
1168
01:04:58,764 --> 01:05:00,766
DO YOU HEAR IT?
1169
01:05:03,508 --> 01:05:04,509
THAT WAY.
1170
01:05:09,557 --> 01:05:10,732
AAH!
1171
01:05:10,776 --> 01:05:11,951
[ GRUNTS ]
1172
01:05:11,995 --> 01:05:13,953
DAMN AMERICAN
CARDBOARD BOXES.
1173
01:05:13,997 --> 01:05:18,349
ADRIAN,
YOU FOUND THE THINGY...
1174
01:05:18,392 --> 01:05:22,440
50 STUPID FEET
FROM THE STUPID HOUSE.
1175
01:05:24,398 --> 01:05:26,357
[ GROANS ]
1176
01:05:26,400 --> 01:05:27,836
FOUND WHAT?
1177
01:05:27,880 --> 01:05:30,927
OH, ADRIAN, YOU DID IT.
1178
01:05:32,754 --> 01:05:34,452
OKAY, CALM DOWN.
1179
01:05:34,495 --> 01:05:36,628
WE HAVE TO GET INSIDE
AND SAVE RACHAEL
1180
01:05:36,671 --> 01:05:39,457
BEFORE THE THING
STARTS TO BIRTH ITSELF
1181
01:05:39,500 --> 01:05:42,460
THROUGH THE VIOLENT OUTPOURINGS
OF HER INSIDES.
1182
01:05:42,503 --> 01:05:45,289
QUICK!
THIS IS ALL WE HAVE.
1183
01:05:45,332 --> 01:05:47,465
WITHOUT THIS,
THERE WILL BE NO SAVING RACHAEL,
1184
01:05:47,508 --> 01:05:50,337
BUT WE MUST BE CAREFUL
WITH THIS DEVICE.
1185
01:05:50,381 --> 01:05:52,513
THE SUB-METRONIC BIO CORE
IS EXTREMELY DELICATE.
1186
01:05:52,557 --> 01:05:54,472
IF IT RUPTURES,
1187
01:05:54,515 --> 01:05:56,517
THE BIOLOGICAL AGENT
THAT'S INSIDE
1188
01:05:56,561 --> 01:05:59,390
COULD DESTROY ALL LIFE ON EARTH
WITHIN THREE DAYS.
1189
01:05:59,433 --> 01:06:01,566
[ CREATURE GROWLS ]
1190
01:06:01,609 --> 01:06:03,698
AAH!
1191
01:06:04,699 --> 01:06:05,831
NO!
1192
01:06:05,874 --> 01:06:06,875
AAH!
1193
01:06:06,919 --> 01:06:07,876
[ CREATURE SCREECHING ]
1194
01:06:07,920 --> 01:06:09,008
AAH!
OH, GOD!
1195
01:06:09,052 --> 01:06:10,488
[ GRUNTS ]
1196
01:06:10,531 --> 01:06:12,011
GET IT!
1197
01:06:12,055 --> 01:06:13,012
COME ON!
1198
01:06:13,056 --> 01:06:15,841
[ INDISTINCT SHOUTING ]
1199
01:06:15,884 --> 01:06:17,408
AAH!
1200
01:06:17,451 --> 01:06:18,713
TAKE THE BOX!
1201
01:06:18,757 --> 01:06:20,324
THERE YOU GO.
1202
01:06:20,367 --> 01:06:22,891
DON'T WORRY ABOUT ME.
THIS STUFF HAPPENS ALL THE TIME.
1203
01:06:22,935 --> 01:06:24,502
TAKE THE BOX.
1204
01:06:24,545 --> 01:06:25,503
COME ON.
1205
01:06:25,546 --> 01:06:27,592
Brad: AGENT MILLER!
1206
01:06:27,635 --> 01:06:28,506
[ GUNSHOT ]
1207
01:06:28,549 --> 01:06:29,637
MAKE SURE YOU GET THE BOX.
1208
01:06:29,681 --> 01:06:32,031
AGENT MILLER, COME BACK!
1209
01:06:32,075 --> 01:06:34,425
[ INDISTINCT SHOUTING ]
1210
01:06:34,468 --> 01:06:35,687
LET HIM GO!
1211
01:06:45,088 --> 01:06:47,612
[ PANTING ]
1212
01:06:52,921 --> 01:06:55,098
[ GROANS ]I'M GLAD YOU CAUGHT UP.
1213
01:06:56,490 --> 01:06:57,796
ARE YOU ALL RIGHT?
1214
01:06:57,839 --> 01:06:59,667
I'M FINE. THEY THOUGHT
THEY HAD ME, BUT LET'S GO.
1215
01:07:08,676 --> 01:07:09,721
BRAD, I GIVE UP.
1216
01:07:09,764 --> 01:07:11,940
NO.
NO, WE CAN'T GIVE UP.
1217
01:07:11,984 --> 01:07:14,639
LISTEN.
IT IS IMPOSSIBLE TO --
1218
01:07:14,682 --> 01:07:16,597
ALL RIGHT.
ALL RIGHT.
1219
01:07:16,641 --> 01:07:17,729
I'LL GO FIND HER.
1220
01:07:17,772 --> 01:07:19,557
SHE'S GOT TO BE SOMEWHERE
IN THIS HOUSE.
1221
01:07:19,600 --> 01:07:21,515
IF SHE'S NOT SOMEWHERE
IN THIS HOUSE,
1222
01:07:21,559 --> 01:07:24,649
THEN SHE MUST BE...OUTSIDE.
1223
01:07:24,692 --> 01:07:26,738
YOU'RE RIGHT.
1224
01:07:26,781 --> 01:07:28,566
OKAY, I'M GONNA RUN OUT
TO THE WORK SHED,
1225
01:07:28,609 --> 01:07:30,394
GO TO THE GENERATOR,
1226
01:07:30,437 --> 01:07:32,135
SEE IF I CAN GET SOME OF
THESE LIGHTS WORKING, OKAY?
1227
01:07:34,615 --> 01:07:36,835
SO, IS THAT IT?
1228
01:07:36,878 --> 01:07:38,837
YES, IT IS.
1229
01:07:38,880 --> 01:07:46,149
THE TYPE-11 SECOND-STAGE
MICRON FOCAL-WAVE GENERATOR.
1230
01:07:47,498 --> 01:07:49,021
FOLLOW ME TO THE CAR.
1231
01:07:49,065 --> 01:07:51,110
WE STILL NEED
THE UNLOADING CHAMBER.
1232
01:07:58,813 --> 01:08:02,426
JUDGING BY THE WAY YOU DRESS,
I'M GUESSING YOU'RE AMISH?
1233
01:08:02,469 --> 01:08:04,515
WELL,
IF YOU NOTICED, I --
1234
01:08:04,558 --> 01:08:06,604
AAH!
1235
01:08:06,647 --> 01:08:08,954
CAN YOU BELIEVE
THOSE THINGS?
1236
01:08:08,997 --> 01:08:10,434
WHAT HAPPENED?
1237
01:08:10,477 --> 01:08:12,784
LOOK.
THEY SCRATCHED MY WINDSHIELD.
1238
01:08:12,827 --> 01:08:15,134
HEY, AND THEY KNOCKED OFF
YOUR SIDE-VIEW MIRRORS, TOO.
1239
01:08:15,178 --> 01:08:17,136
THOSE EVIL BASTARDS
SCRATCHED MY DOORS.
1240
01:08:17,180 --> 01:08:18,746
THEY CUT YOUR BRAKE LINE.
1241
01:08:18,790 --> 01:08:20,661
AND LOOK OVER THERE --
YOUR RADIATOR.
1242
01:08:20,705 --> 01:08:22,620
AND ALL THREE
THROTTLE BEARINGS.
1243
01:08:22,663 --> 01:08:24,491
THEY PUT A CRACK
IN YOUR HEADLIGHT.
1244
01:08:24,535 --> 01:08:25,927
WHAT IN ALL HELL IS THAT?
1245
01:08:25,971 --> 01:08:28,582
AND THEY KNOCKED YOUR STEERING
COLUMN OUT OF POSITION.
1246
01:08:28,626 --> 01:08:30,671
LOOK OVER THERE.
ISN'T THAT YOUR OIL FILTER?
1247
01:08:30,715 --> 01:08:33,587
GOD. THEY EVEN TORE OFF
THE RADIATOR CAP.
1248
01:08:33,631 --> 01:08:36,503
AND THEY SMASHED
THE VALVE TRIANGULATOR TWICE.
1249
01:08:36,547 --> 01:08:38,592
AND THE THROTTLE-BODY
DEREGULATOR.
1250
01:08:43,206 --> 01:08:44,859
GOD.
1251
01:08:44,903 --> 01:08:47,688
IT WAS THE ONLY ONE OF ITS KIND
IN THE WORLD.
1252
01:08:49,560 --> 01:08:54,913
YOU KNOW, MAYBE, JUST MAYBE
IT'S WORTH A TRY.
1253
01:08:54,956 --> 01:08:57,045
[ DEVICE WHIRRING, BEEPING ]
1254
01:09:01,702 --> 01:09:02,703
DAMN!
1255
01:09:02,747 --> 01:09:04,749
THEY CHEWED
ON THE FUSION CORE,
1256
01:09:04,792 --> 01:09:06,751
AND PLUS,
THE BATTERIES ARE DEAD!
1257
01:09:06,794 --> 01:09:10,189
AND I LEFT ALL THE EXTRAS I HAD
IN THE TRUNK!
1258
01:09:11,886 --> 01:09:13,540
WHAT -- WHAT --
WHAT IS THAT THING?
1259
01:09:13,584 --> 01:09:16,891
THAT'S MY BRAND-NEW
18-MEGATON DICHLORIC ACID
1260
01:09:16,935 --> 01:09:20,547
POINT-SHIFT FUSION-POWERED
ECO-TERRA PROJECTILE LAUNCHER,
1261
01:09:20,591 --> 01:09:23,550
AND THAT WAS WHAT I HAD
BIG PLANS FOR ON THE WEEKEND,
1262
01:09:23,594 --> 01:09:25,117
LET ME TELL YOU.
1263
01:09:27,554 --> 01:09:28,816
[ GROANS ]
1264
01:09:33,821 --> 01:09:36,824
SO, WHAT ARE WE GOING TO DO
WITHOUT YOUR UNLOADING CHAMBER?
1265
01:09:36,868 --> 01:09:39,784
WELL, WE'LL JUST HAVE TO
FIGURE SOMETHING OUT.
1266
01:09:41,655 --> 01:09:44,049
OH, WORK SHED.
WORK SHED. WORK SHED. WORK SHED.
1267
01:09:44,092 --> 01:09:45,877
WORK SHED.
1268
01:09:45,920 --> 01:09:47,661
OH, YES.
1269
01:09:47,705 --> 01:09:49,185
WORK SHED. WORK SHED. WORK SHED.
1270
01:09:49,228 --> 01:09:51,230
WORK SHED, YES.
1271
01:09:51,274 --> 01:09:52,884
WHOO!
1272
01:09:52,927 --> 01:09:54,842
ALL RIGHT, HERE WE GO.
OKAY.
1273
01:09:59,107 --> 01:10:01,066
[ CLICKING ]
1274
01:10:01,109 --> 01:10:02,807
ALL RIGHT, OKAY, COME ON.
1275
01:10:02,850 --> 01:10:03,938
COME ON, BABY.
1276
01:10:03,982 --> 01:10:06,767
COME -- OH, RIGHT.
1277
01:10:06,811 --> 01:10:08,726
COME ON. COME ON.
1278
01:10:08,769 --> 01:10:10,771
OKAY, OKAY.
1279
01:10:10,815 --> 01:10:12,599
OKAY.
1280
01:10:12,643 --> 01:10:14,732
GEEZ, COME ON.
1281
01:10:14,775 --> 01:10:17,082
Jessica: RACHAEL?
1282
01:10:25,917 --> 01:10:28,136
RACHAEL, WHERE ARE YOU?
1283
01:10:30,791 --> 01:10:32,967
YOU'RE STARTING
TO FREAK ME OUT.
1284
01:10:33,011 --> 01:10:34,882
RACHAEL?
1285
01:10:35,970 --> 01:10:38,843
COME ON, THIS ISN'T FUNNY.
1286
01:11:06,000 --> 01:11:07,959
Brad: COME ON, BABY.
1287
01:11:08,002 --> 01:11:09,047
COME ON.
1288
01:11:09,090 --> 01:11:10,135
COME ON. COME ON.
1289
01:11:10,178 --> 01:11:11,223
[ CLICKING ]
1290
01:11:11,267 --> 01:11:13,269
COME ON. COME ON.
[ GRUNTS ]
1291
01:11:13,312 --> 01:11:14,966
COME ON, GEEZ.
1292
01:11:15,009 --> 01:11:16,707
Agent Miller:
ADRIAN, FOLLOW ME.
1293
01:11:16,750 --> 01:11:19,318
WE HAVE TO FIND A REPLACEMENT
FOR THE UNLOADING CHAMBER.
1294
01:11:19,362 --> 01:11:21,320
Adrian: WHAT IS
THE UNLOADING CHAMBER?
1295
01:11:21,364 --> 01:11:24,323
IT'S A CHAMBER
FOR UNLOADING THINGS INTO.
1296
01:11:24,367 --> 01:11:25,803
AH, THINGS.
1297
01:11:25,846 --> 01:11:28,109
COME ON, BABY. COME ON, WORK.
COME ON.
1298
01:11:28,153 --> 01:11:29,850
YOU CAN DO IT.
COME ON.
1299
01:11:32,070 --> 01:11:33,811
RACHAEL?
1300
01:11:33,854 --> 01:11:35,813
Brad: COME ON. OFF, ON.
1301
01:11:35,856 --> 01:11:38,206
COME ON. COME ON.
WORK! WORK!
1302
01:11:38,250 --> 01:11:39,947
[ ENGINE TURNS OVER ]YEAH!
1303
01:11:39,991 --> 01:11:42,994
[ CHUCKLES ] ALL RIGHT.
1304
01:11:43,037 --> 01:11:44,735
SO, HOW EXACTLY DO YOU PLAN
1305
01:11:44,778 --> 01:11:47,085
TO FIND ONE OF THESE
UNLOADING CHAMBERS AROUND HERE?
1306
01:11:47,128 --> 01:11:48,913
[ GROANS ]
1307
01:11:48,956 --> 01:11:50,306
WELL, PERFECT.
1308
01:11:50,349 --> 01:11:52,656
YOU FOUND
JUST WHAT I WAS LOOKING FOR.
1309
01:11:52,699 --> 01:11:53,831
A TRASH CAN?
1310
01:11:53,874 --> 01:11:55,311
YEP. AND WITH A LID.
1311
01:11:55,354 --> 01:11:58,792
AND LOOK.
WE'VE GOT THE POWER BACK ON NOW.
1312
01:11:58,836 --> 01:12:01,969
WE JUST MIGHT HAVE A CHANCE
AT SAVING RACHAEL'S LIFE.
1313
01:12:02,013 --> 01:12:02,970
[ GENERATOR POWERS DOWN ]
1314
01:12:03,014 --> 01:12:04,363
DAMN.
1315
01:12:04,407 --> 01:12:07,975
OH, NO. NO. NO!
1316
01:12:09,325 --> 01:12:11,196
NO, COME ON.
1317
01:12:11,239 --> 01:12:13,372
COME -- YES![ ENGINE TURNS OVER ]
1318
01:12:13,416 --> 01:12:14,852
OH.
1319
01:12:14,895 --> 01:12:16,810
THANK GOD.
1320
01:12:18,290 --> 01:12:20,379
[ BIRD CAWS ]
1321
01:12:54,108 --> 01:12:55,980
RACHAEL?
1322
01:13:17,131 --> 01:13:19,220
AAH! AAH!
1323
01:13:23,877 --> 01:13:25,444
AAH!
1324
01:13:25,488 --> 01:13:26,837
RACHAEL.
1325
01:13:26,880 --> 01:13:29,361
GET OFF OF ME.
GET...
1326
01:13:29,405 --> 01:13:31,276
[ WHIMPERING ]
1327
01:13:44,071 --> 01:13:45,986
Agent Miller:
JESSICA! RACHAEL!
1328
01:13:46,030 --> 01:13:48,467
[ GASPS ]
1329
01:13:48,511 --> 01:13:50,164
COME ON.
THAT'S ENOUGH.
1330
01:13:50,208 --> 01:13:52,123
EASY, RACHAEL.
DON'T MAKE ME HURT YOU, RACHAEL.
1331
01:13:52,166 --> 01:13:53,211
[ PANTING ]
1332
01:13:53,254 --> 01:13:54,473
ADRIAN.
YEAH.
1333
01:13:54,517 --> 01:13:56,867
GET ME SOME ROPE,
ADRIAN.
1334
01:13:56,910 --> 01:13:58,303
ROPE. ROPE. ROPE. ROPE.
1335
01:13:58,346 --> 01:14:00,044
[ Distorted voice ]
YOU CAN'T STOP THEM.
1336
01:14:00,087 --> 01:14:02,786
AH! ROPE. AHA.
1337
01:14:02,829 --> 01:14:04,178
YES, I CAN, RACHAEL.
1338
01:14:04,222 --> 01:14:07,007
I HAVE A CONSTITUTIONAL DUTY
TO STOP THEM.
1339
01:14:09,401 --> 01:14:11,882
ADRIAN!
WHAT IS GOING ON?
1340
01:14:11,925 --> 01:14:15,233
YOUR PRECIOUS BLOND HAS GONE AS
CRAZY AS A COLD SOUP SANDWICH.
1341
01:14:20,020 --> 01:14:23,023
BRAD, I STILL NEED
A FEW MORE THINGS.
1342
01:14:23,067 --> 01:14:25,330
CAN YOU GET ME
A LONG VACUUM HOSE,
1343
01:14:25,373 --> 01:14:28,420
SOME CHAINS,
AND A LARGE INDUSTRIAL PADLOCK?
1344
01:14:28,464 --> 01:14:29,987
YEAH.
1345
01:14:38,169 --> 01:14:39,997
HERE.
1346
01:14:41,041 --> 01:14:43,043
GREAT.
1347
01:14:44,915 --> 01:14:47,308
WHEN I EXTRACT
THE THING INSIDE HER, BRAD,
1348
01:14:47,352 --> 01:14:49,267
YOU NEED TO RIP OUT
THE VACUUM HOSE,
1349
01:14:49,310 --> 01:14:52,096
SLAM THE LID SHUT
AS QUICKLY AS POSSIBLE,
1350
01:14:52,139 --> 01:14:54,098
THEN CHAIN IT UP
AND LOCK IT.
1351
01:14:54,141 --> 01:14:56,143
IF YOU FAIL,
WE WILL SURELY DIE
1352
01:14:56,187 --> 01:14:59,495
IN THE MOST INSANELY-HORRIFIC
MANNER IMAGINABLE.
1353
01:15:01,453 --> 01:15:03,150
ADRIAN.
1354
01:15:09,069 --> 01:15:12,029
WHY ARE YOU DOING THIS
TO ME?
1355
01:15:12,072 --> 01:15:14,205
IT'S FOR YOUR OWN GOOD,
RACHAEL.
1356
01:15:14,248 --> 01:15:15,162
RIGHT, BRAD?
1357
01:15:15,206 --> 01:15:16,947
RIGHT.
1358
01:15:16,990 --> 01:15:19,297
IT'S FOR YOUR OWN GOOD,
RACHAEL.
1359
01:15:19,340 --> 01:15:21,255
WHY, BRAD?
1360
01:15:21,299 --> 01:15:24,911
BECAUSE I LOVE YOU, RACHAEL.
1361
01:15:24,955 --> 01:15:26,957
[ WHISPERING]
1362
01:15:27,000 --> 01:15:29,089
BRAD, THAT'S NOT THE RACHAEL
YOU LOVE.
1363
01:15:29,133 --> 01:15:30,221
HELP ME, BRAD.
1364
01:15:30,264 --> 01:15:32,528
AAAH! [ GROANS ]
1365
01:15:39,099 --> 01:15:40,927
Agent Miller: OKAY,
WE'RE ALL POWERED UP.
1366
01:15:40,971 --> 01:15:43,147
LET'S JUST HOPE
THIS DOESN'T KILL HER.
1367
01:15:43,190 --> 01:15:45,889
[ ELECTRICITY CRACKLING ]
1368
01:15:45,932 --> 01:15:48,631
[ SCREAMING ]
1369
01:15:50,241 --> 01:15:52,069
HOLD ON, RACHAEL.
1370
01:15:52,112 --> 01:15:53,636
HOLD.
1371
01:15:55,289 --> 01:15:57,117
THERE IT IS. COME ON!
1372
01:15:57,161 --> 01:15:59,076
ALMOST GOT IT.
1373
01:15:59,119 --> 01:16:00,947
JUST A MINUTE.
1374
01:16:00,991 --> 01:16:03,428
RACHAEL, HANG ON.
1375
01:16:03,471 --> 01:16:05,430
THERE IT IS.
1376
01:16:05,473 --> 01:16:07,258
YES!
1377
01:16:07,301 --> 01:16:09,434
[ SCREAMING ]
1378
01:16:09,477 --> 01:16:11,479
DONE!
1379
01:16:11,523 --> 01:16:13,307
[ MACHINE POWERS DOWN ]
1380
01:16:13,351 --> 01:16:15,135
IT'S DONE.
1381
01:16:15,179 --> 01:16:16,963
WHAT'S THAT?
1382
01:16:18,530 --> 01:16:21,141
BRAD, THE LID.
1383
01:16:21,185 --> 01:16:24,014
[ CREATURE GROWLING ]
1384
01:16:24,057 --> 01:16:27,931
GUYS, THERE'S SOMETHING
IN THE CAN.
1385
01:16:27,974 --> 01:16:31,282
Agent Miller: COME ON, BRAD.
YOU TRYING TO KILL US ALL?
1386
01:16:31,325 --> 01:16:33,414
GET THE LID ON THE CAN
AND LOCK IT.
1387
01:16:33,458 --> 01:16:34,546
AAH!
1388
01:16:34,590 --> 01:16:37,114
GET IT. CHAIN IT UP.
1389
01:16:38,158 --> 01:16:40,030
COME ON.
1390
01:16:40,073 --> 01:16:41,292
[ GRUNTS ] THERE.
1391
01:16:41,335 --> 01:16:42,293
AAH!
1392
01:16:50,083 --> 01:16:51,650
[ CREATURE GROWLS ]
1393
01:16:54,218 --> 01:16:57,351
Brad: [ PANTING ]
1394
01:16:59,397 --> 01:17:00,964
IS SHE OKAY?
1395
01:17:01,007 --> 01:17:02,139
YEAH, YEAH, SHE'S FINE.
GIVE HER A FEW HOURS.
1396
01:17:02,182 --> 01:17:04,184
NO, NO.
ARE YOU SURE?
YEAH.
1397
01:17:04,228 --> 01:17:05,446
BECAUSE THAT'S WHAT YOU SAID
BEFORE,
1398
01:17:05,490 --> 01:17:07,100
AND SHE'S LYING THERE
AND --
1399
01:17:07,144 --> 01:17:08,232
BRAD, SHE'S FINE.
1400
01:17:08,275 --> 01:17:10,321
JUST GIVE HER SOME TIME.
1401
01:17:10,364 --> 01:17:14,151
SO, WHAT -- WHAT WAS IT
THAT YOU EXTRACTED?
1402
01:17:14,194 --> 01:17:16,675
I REALLY DON'T KNOW, BRAD.
1403
01:17:16,719 --> 01:17:19,112
EVEN THOUGH MY NEVER-ENDING
QUEST FOR THE TRUTH
1404
01:17:19,156 --> 01:17:23,203
HAS ALWAYS LED ME TO THE
UNANSWERABLE QUESTION OF WHY
1405
01:17:23,247 --> 01:17:25,162
AND THE UNQUESTIONABLE ANSWER
OF HOW,
1406
01:17:25,205 --> 01:17:27,425
I HAVE AT LEAST
BEEN PRIVILEGED ENOUGH
1407
01:17:27,468 --> 01:17:29,557
TO DISCOVER
THE MEANING OF PURPOSE.
1408
01:17:29,601 --> 01:17:31,603
W-WHAT'S THAT?
1409
01:17:31,647 --> 01:17:34,519
THE MEANING OF PURPOSE
IS NONE OTHER THAN
1410
01:17:34,562 --> 01:17:38,566
WHAT ONE INTENDS TO DO
OR ACHIEVE.
1411
01:17:40,743 --> 01:17:42,353
HOW DO YOU FIGURE?
1412
01:17:42,396 --> 01:17:44,007
SAYS SO RIGHT HERE
1413
01:17:44,050 --> 01:17:46,313
IN THE EXPANDED EDITION
OF "RODGER'S THESAURUS."
1414
01:17:46,357 --> 01:17:49,229
FOUND IT LYING OVER THERE
ON THE COUNTER.
1415
01:17:52,189 --> 01:17:53,364
RIGHT.
1416
01:17:53,407 --> 01:17:54,670
[ CREATURE GROWLS ]
1417
01:17:54,713 --> 01:17:56,454
DAMN!
OH, NO.
1418
01:17:56,497 --> 01:17:57,585
[ CLATTERING ]
1419
01:17:57,629 --> 01:17:59,631
THEY'RE BACK.
1420
01:17:59,675 --> 01:18:02,068
WHAT DO WE DO?
1421
01:18:02,112 --> 01:18:05,724
THE TRUTH IS,
WHATEVER'S RIGHT ISN'T WRONG.
1422
01:18:05,768 --> 01:18:08,379
THEY CAME FOR THAT,
WHICH IS OVER THERE,
1423
01:18:08,422 --> 01:18:11,034
AND REVENGE.
1424
01:18:11,077 --> 01:18:13,166
WE MUST GIVE THEM BACK
WHAT THEY CAME FOR,
1425
01:18:13,210 --> 01:18:15,691
OR THEIR WICKED APPETITE FOR
HUMAN BLOOD WILL NEVER RELENT.
1426
01:18:15,734 --> 01:18:16,517
WELL,
CAN WE HURRY UP WITH THAT?
1427
01:18:16,561 --> 01:18:18,084
RIGHT.
1428
01:18:18,128 --> 01:18:20,608
ONE OF YOU HAS TO
SACRIFICE YOURSELVES.
1429
01:18:20,652 --> 01:18:22,654
NEVER MIND.
LET'S TAKE OUR TIME.
1430
01:18:22,698 --> 01:18:25,309
SO, WHO'S GONNA DIE AN
EXCESSIVELY SHAMEFUL
AND TORTUROUS DEATH
1431
01:18:25,352 --> 01:18:27,398
SO THAT THE REST OF US
MAY LIVE?
1432
01:18:27,441 --> 01:18:29,182
ONE OF YOU HAS TO GO.
1433
01:18:33,099 --> 01:18:35,275
FINE.
I'LL DO IT, THEN.
1434
01:18:35,319 --> 01:18:37,321
AND YOU CALL YOURSELVES MEN.
1435
01:18:38,539 --> 01:18:39,627
I DON'T.
1436
01:18:39,671 --> 01:18:41,455
OH, THAT REALLY HELPS.
1437
01:18:41,499 --> 01:18:44,241
DIRTY JOB IN A DIRTY WORLD,
BUT SOMEBODY HAS TO DO IT.
1438
01:18:44,284 --> 01:18:46,243
AGENT MILLER...
1439
01:18:46,286 --> 01:18:47,374
DON'T GO.
1440
01:18:47,418 --> 01:18:49,246
THAT'S OKAY, BRAD.
1441
01:18:49,289 --> 01:18:52,379
I LIVE FOR MOMENTS
LIKE THIS.
1442
01:19:06,306 --> 01:19:08,395
[ BIRD CAWS ]
1443
01:19:15,838 --> 01:19:17,796
W-WHAT HAPPENED?
1444
01:19:17,840 --> 01:19:18,797
SHH.
1445
01:19:18,841 --> 01:19:22,409
NOW WE JUST HAVE TO WAIT.
1446
01:19:26,326 --> 01:19:28,328
[ CLATTERING ]
1447
01:19:29,503 --> 01:19:32,289
[ CREATURE GROWLS ]
1448
01:19:39,775 --> 01:19:41,602
OKAY.
1449
01:19:43,256 --> 01:19:46,477
AGENT MILLER, DID --
D-DID THEY TAKE IT?
1450
01:19:46,520 --> 01:19:49,436
I MEAN,
ARE WE GONNA BE OKAY?
1451
01:19:49,480 --> 01:19:51,743
WELL, THAT DEPENDS.
1452
01:19:51,787 --> 01:19:54,267
DO YOU THINK
THEY'LL EVER RETURN?
1453
01:19:54,311 --> 01:19:56,139
ACTUALLY, YES.
1454
01:19:56,182 --> 01:19:58,184
PROBABLY
JUST IN A FEW MINUTES.
1455
01:19:58,228 --> 01:20:00,404
AND THIS TIME,
THEY WON'T STOP
1456
01:20:00,447 --> 01:20:03,494
UNTIL THEY'VE DESTROYED
EACH AND EVERY ONE OF US.
1457
01:20:03,537 --> 01:20:07,411
YOU MEAN GIVING THEM WHAT THEY
WANTED WAS NOT WHAT THEY WANTED?
1458
01:20:07,454 --> 01:20:08,629
YES...
1459
01:20:08,673 --> 01:20:09,848
AND NO.
1460
01:20:16,507 --> 01:20:17,725
[ CREATURE GROWLS ]AAH! WHAT'S THAT?
1461
01:20:19,510 --> 01:20:20,511
[ CREATURE BANGS ]AAH!AAH!
1462
01:20:21,904 --> 01:20:22,861
AAH!
AAH!
1463
01:20:22,905 --> 01:20:24,297
[ CREATURE GROWLS ]
1464
01:20:26,430 --> 01:20:27,431
AAH!
1465
01:20:27,474 --> 01:20:28,736
[ CREATURE BANGS ]
1466
01:20:28,780 --> 01:20:31,217
AAH!
AAH!
1467
01:20:33,480 --> 01:20:35,874
GUYS, LOOK AT THIS.
1468
01:20:35,918 --> 01:20:37,528
WHAT'S THAT?
1469
01:20:37,571 --> 01:20:38,921
IT'S A CHART, BRAD.
1470
01:20:38,964 --> 01:20:43,490
JESSICA, ON THIS CLIP BOARD
LIES OUR VERY HOPE.
1471
01:20:43,534 --> 01:20:45,492
AGENT MILLER,
WHAT ARE YOU TALKING ABOUT?
1472
01:20:45,536 --> 01:20:48,452
JESSICA, THESE ARE RESULTS
FROM THOSE TESTS WE RAN
1473
01:20:48,495 --> 01:20:50,628
ON THAT HIDEOUS MONSTER
OF A HAIRBALL SAMPLE
1474
01:20:50,671 --> 01:20:52,412
THAT AGENT STYLES COLLECTED.
1475
01:20:52,456 --> 01:20:54,284
DAMN, STYLES.
1476
01:20:54,327 --> 01:20:56,590
WHY DIDN'T YOU
SEE THIS BEFORE?
1477
01:20:56,634 --> 01:20:59,419
WHAT ARE YOU GETTING AT,
AGENT MILLER?
1478
01:20:59,463 --> 01:21:01,291
VERY CLEAR NOW.
1479
01:21:01,334 --> 01:21:02,901
THOSE THINGS --
1480
01:21:02,945 --> 01:21:06,383
THOSE GLOBULAR OBJECTS
THAT RACHAEL WAS HEAVING UP
1481
01:21:06,426 --> 01:21:10,604
LIKE AN INEBRIATED TURKEY
WITH AN ELEVATED CASE OF
IRRITABLE BOWEL SYNDROME
1482
01:21:10,648 --> 01:21:12,606
MAY BE THE VERY KEY.
1483
01:21:12,650 --> 01:21:13,869
WHAT DO YOU MEAN?
1484
01:21:13,912 --> 01:21:15,522
IT'S SIMPLE.
1485
01:21:15,566 --> 01:21:17,655
ALL MATTER RESIDES
AT DIFFERENT FREQUENCIES.
1486
01:21:17,698 --> 01:21:19,439
WHAT I FIND FASCINATING
1487
01:21:19,483 --> 01:21:22,268
IS THAT THESE THINGS APPEAR
TO RESONATE AT FREQUENCIES
1488
01:21:22,312 --> 01:21:23,487
THOUSANDS OF TIMES HIGHER
1489
01:21:23,530 --> 01:21:25,837
THAN ANYTHING FOUND
IN OUR HUMAN BODIES,
1490
01:21:25,881 --> 01:21:28,318
FAR HIGHER, IN FACT, THAN
ANYTHING FOUND ON PLANET EARTH.
1491
01:21:28,361 --> 01:21:29,928
[ CREATURE GROWLS ]AAH!
1492
01:21:29,972 --> 01:21:33,671
IF I CAN JUST HARDWIRE
THE FREQUENCY RESPONSE CHANNELS,
1493
01:21:33,714 --> 01:21:35,412
I CAN ELIMINATE
ALL SONIC FREQUENCIES
1494
01:21:35,455 --> 01:21:37,805
EXCEPT FOR HIGHER ONES...AAH!
1495
01:21:37,849 --> 01:21:41,548
...AND DESTROY THOSE THINGS
WITHOUT CAUSING ANY HARM TO US.
1496
01:21:41,592 --> 01:21:42,680
[ CREATURE ROARS ]
1497
01:21:42,723 --> 01:21:44,769
AAH! AAH!
AAH!
1498
01:21:44,812 --> 01:21:47,728
THEN IF I REMOVE
THE FOCAL-WAVE MOUNT...
1499
01:21:47,772 --> 01:21:49,295
THERE IT IS.
1500
01:21:49,339 --> 01:21:50,949
[ FOCAL-WAVE MOUNT CLATTERS ]
1501
01:21:50,993 --> 01:21:53,604
...RAISE THE BLAST AREA TO
15 TO 20 MILES IN ALL DIRECTIONS
1502
01:21:53,647 --> 01:21:55,432
LIKE
A HIGH-FREQUENCY SOUND BOMB.
1503
01:21:55,475 --> 01:21:57,303
[ CLATTERING ]
1504
01:21:57,347 --> 01:21:58,652
QUICK,
THEY'RE GONNA GET THROUGH.
1505
01:21:58,696 --> 01:22:00,524
WE'LL HAVE TO TAKE IT
TO THE OTHER ROOM.
1506
01:22:09,359 --> 01:22:10,838
WE'RE GOING TO DIE,
AREN'T WE?
1507
01:22:10,882 --> 01:22:12,753
KEEP IT TOGETHER.
WE'RE GOING TO MAKE IT.
1508
01:22:12,797 --> 01:22:13,972
[ CLATTERING ]
1509
01:22:14,016 --> 01:22:15,931
IT'S OUTSIDE.
1510
01:22:15,974 --> 01:22:17,715
AAH!
AAH!
1511
01:22:17,758 --> 01:22:20,761
GUYS, IT'S INSIDE.
1512
01:22:20,805 --> 01:22:24,635
SO,
WHEN THIS THING GOES OFF,
1513
01:22:24,678 --> 01:22:26,376
IT'LL DESTROY THEM
BUT NOT US, RIGHT?
1514
01:22:26,419 --> 01:22:28,900
THEORETICALLY, YES.
THAT'S WHAT SHOULDHAPPEN.
1515
01:22:28,944 --> 01:22:31,337
IT'LL CANCEL OUT
THEIR FREQUENCIES,
1516
01:22:31,381 --> 01:22:34,688
CAUSING THE SUBATOMIC PARTICLES
WHICH HOLD THEM TOGETHER
1517
01:22:34,732 --> 01:22:37,604
TO BREAK THE FORCES
OF ATTRACTION AND FALL APART.
1518
01:22:37,648 --> 01:22:39,737
[ CREATURE GROWLS ]Jessica: PLEASE HURRY,
AGENT MILLER.
1519
01:22:39,780 --> 01:22:40,825
WE'RE GOING TO DIE!
1520
01:22:40,868 --> 01:22:42,435
[ CREATURE GROWLS ]
1521
01:22:43,567 --> 01:22:45,438
AAAH!
1522
01:22:47,571 --> 01:22:48,702
AAH!
1523
01:22:48,746 --> 01:22:50,313
AAAAH!
1524
01:22:50,356 --> 01:22:51,662
HURRY, AGENT MILLER, PLEASE!IT'S GONNA BREAK THROUGH!
1525
01:22:51,705 --> 01:22:54,012
AAH! AAH!
AAH!
1526
01:22:54,056 --> 01:22:56,449
AAAAH!
1527
01:23:10,681 --> 01:23:14,554
RACHAEL.
1528
01:23:14,598 --> 01:23:16,034
THERE, I GOT IT!
1529
01:23:16,078 --> 01:23:17,731
AAH!
1530
01:23:35,662 --> 01:23:38,056
[ EXPLOSION ]
1531
01:24:15,659 --> 01:24:17,574
[ SIGHS ]
1532
01:24:18,966 --> 01:24:22,057
WELL, I GUESS
THAT'LL BE THE LAST OF THEM.
1533
01:24:42,729 --> 01:24:44,688
[ BIRDS CHIRPING ]
1534
01:25:46,880 --> 01:25:48,665
BRAD?
1535
01:25:49,883 --> 01:25:51,929
RACHAEL,
YOU'RE AWAKE.
1536
01:25:51,972 --> 01:25:52,930
YEAH.
1537
01:25:52,973 --> 01:25:54,975
WHAT HAPPENED TO ME?
1538
01:25:55,019 --> 01:25:59,197
DO YOU KNOW
WHAT HAPPENED TO ME?
1539
01:25:59,241 --> 01:26:02,809
OH, WE'RE --
WE'RE NOT EXACTLY SURE.
1540
01:26:02,853 --> 01:26:04,855
I HAD THIS HORRIBLE DREAM
1541
01:26:04,898 --> 01:26:06,813
THAT THERE WAS SOMETHING
INSIDE OF ME,
1542
01:26:06,857 --> 01:26:08,989
AND THIS MAN NAMED MILLER
CAME AND HELPED ME,
1543
01:26:09,033 --> 01:26:11,601
AND YOU WERE THERE, TOO,
BRAD,
1544
01:26:11,644 --> 01:26:15,996
AND YOU TOLD ME...
THAT YOU LOVE ME.
1545
01:26:16,040 --> 01:26:18,564
I-I KNOW IT SOUNDS CRAZY,
BUT --
1546
01:26:18,608 --> 01:26:22,220
NO. NO.
IT DOESN'T SOUND CRAZY AT ALL.
1547
01:26:22,264 --> 01:26:26,790
DO YOU THINK
THAT YOU COULD EVER...
1548
01:26:26,833 --> 01:26:28,705
YEAH.
1549
01:26:28,748 --> 01:26:30,794
I COULD.
1550
01:26:30,837 --> 01:26:33,884
CAN YOU
TELL ME SOMETHING?
1551
01:26:33,927 --> 01:26:35,146
WHAT?
1552
01:26:35,190 --> 01:26:37,670
WAS IT REALLY A DREAM?
1553
01:26:38,758 --> 01:26:42,893
THE TRUTH IS, STANDING
RIGHT HERE IN FRONT OF ME,
1554
01:26:42,936 --> 01:26:45,809
THAT'S ALL
THAT REALLY MATTERS.
1555
01:26:49,943 --> 01:26:51,945
[ GASPS ]
1556
01:26:51,989 --> 01:26:53,860
THAT'S NOT FAIR!
1557
01:26:54,948 --> 01:26:56,907
WHAT'S WRONG WITH HER?
1558
01:26:56,950 --> 01:26:59,257
APPARENTLY, SHE'S JEALOUS.
1559
01:26:59,301 --> 01:27:02,956
UH, MAYBE IT'S BECAUSE
I WANT YOU AND NOT HER.
1560
01:27:03,000 --> 01:27:04,393
THAT'S RIDICULOUS.
1561
01:27:04,436 --> 01:27:06,830
WHEN ARE YOU GOING TO TELL HER
THAT SHE'S YOUR SISTER?
1562
01:27:06,873 --> 01:27:09,963
I TOLD HER YESTERDAY,
YOU KNOW?
1563
01:27:10,007 --> 01:27:11,269
OH.
1564
01:27:11,313 --> 01:27:13,880
WELL, SHE'LL GET OVER IT.
1565
01:27:13,924 --> 01:27:16,143
JUST GIVE HER TIME.
1566
01:27:22,889 --> 01:27:23,760
MILLER.
1567
01:27:23,803 --> 01:27:25,240
STYLES.
1568
01:27:25,283 --> 01:27:28,025
THEY TOLD ME YOU JUST RETURNED.
I CAME TO CHECK ON YOU.
1569
01:27:28,068 --> 01:27:29,679
THANKS.
1570
01:27:29,722 --> 01:27:31,768
THANKS, STYLES.
APPRECIATE THAT.
1571
01:27:31,811 --> 01:27:32,986
MILLER, WHAT'S WRONG?
1572
01:27:33,030 --> 01:27:34,771
NOTHING.
1573
01:27:34,814 --> 01:27:37,034
I DON'T BELIEVE YOU.
1574
01:27:37,077 --> 01:27:38,905
IT'S BALDING.
1575
01:27:38,949 --> 01:27:41,908
SENT THE EXPENSE ACCOUNT
FOR THAT HELICOPTER MISSION.
1576
01:27:41,952 --> 01:27:43,954
I WARNED YOU, MILLER.
1577
01:27:43,997 --> 01:27:46,826
THIS TIME,
IT'S COMING OUT OF MY PENSION.
1578
01:27:46,870 --> 01:27:52,005
STYLES, WHATEVER HAPPENED
TO HAPPY ENDINGS?
1579
01:27:52,049 --> 01:27:53,920
LOOK ON THE BRIGHT SIDE.
1580
01:27:53,964 --> 01:27:57,010
[ CHUCKLES ]
THERE IS NO BRIGHT SIDE.
1581
01:27:58,925 --> 01:28:01,232
[ SMOOCHING ]
1582
01:28:08,848 --> 01:28:11,808
IT'S BEAUTIFUL,
ISN'T IT?
1583
01:28:11,851 --> 01:28:14,854
I THOUGHT YOU SAID
YOU DIDN'T LIKE THIS PLACE.
1584
01:28:14,898 --> 01:28:17,161
OH, NO. I LOVE IT.
REALLY, I DO.
1585
01:28:17,204 --> 01:28:20,947
IT'S, UM,
SO VERY...VERY NICE.
1586
01:28:20,991 --> 01:28:24,647
STILL, NOT AS BEAUTIFUL
AS WHERE I'M FROM.
1587
01:28:24,690 --> 01:28:26,344
YOU SHOULD COME WITH ME.
1588
01:28:26,388 --> 01:28:29,652
WHAT'S WRONG?
1589
01:28:29,695 --> 01:28:31,871
NOTHING.
1590
01:28:31,915 --> 01:28:33,960
IS IT BRAD?
1591
01:28:34,004 --> 01:28:35,092
MAYBE.
1592
01:28:39,009 --> 01:28:42,186
YOU KNOW, I DON'T THINK
YOU SHOULD WORRY ABOUT THAT.
1593
01:28:42,229 --> 01:28:44,144
WHY?
1594
01:28:44,188 --> 01:28:45,929
WELL,
WHY WOULD YOU WANT A MAN
1595
01:28:45,972 --> 01:28:48,845
WHO CAN'T LOVE YOU
JUST THE WAY YOU WANT HIM TO?
1596
01:28:48,888 --> 01:28:51,064
YOU NEED SOMEONE
WHO KNOWS YOU,
1597
01:28:51,108 --> 01:28:53,371
SOMEONE
WHO UNDERSTANDS YOU,
1598
01:28:53,415 --> 01:28:56,896
PERHAPS SOMEONE LIKE ME.
1599
01:28:58,898 --> 01:29:01,771
MAYBE YOU'RE RIGHT, ADRIAN.
1600
01:29:01,814 --> 01:29:04,426
TAKE ME TO PARIS WITH YOU?
1601
01:29:10,997 --> 01:29:11,998
[ GROANS ]
1602
01:29:12,042 --> 01:29:13,957
WHAT'S WRONG?
1603
01:29:14,000 --> 01:29:16,220
I DON'T FEEL SO GOOD.JESSICA, WHAT IS IT?
1604
01:29:16,263 --> 01:29:17,874
ARE YOU ALL RIGHT?
1605
01:29:17,917 --> 01:29:20,703
IT FEELS LIKE
SOMETHING'S INSIDE ME.
1606
01:29:20,746 --> 01:29:22,748
JESSICA, THAT'S --
THAT'S NOT FUNNY.
1607
01:29:22,792 --> 01:29:24,707
WHAT COULD POSSIBLY
BE INSIDE YOU?
1608
01:29:24,750 --> 01:29:27,100
THE OTHER NIGHT WHEN AGENT
MILLER LOST ME IN THE WOODS...
1609
01:29:27,144 --> 01:29:28,363
JESSICA.
1610
01:29:28,406 --> 01:29:30,103
...SOMETHING HAPPENED.
1611
01:29:30,147 --> 01:29:32,845
WHAT HAPPENED IN THE WOODS?
1612
01:29:32,889 --> 01:29:34,020
[ VOMITS ]
1613
01:29:34,064 --> 01:29:35,065
NO.
1614
01:29:35,108 --> 01:29:36,371
NOT AGAIN.
1615
01:29:36,414 --> 01:29:39,069
NO!!
1616
01:29:39,112 --> 01:29:40,287
[ GAGS ]
1617
01:29:47,991 --> 01:29:50,907
Agent Miller: DO YOU EVER WONDER
WHY IT IS SO HARD
1618
01:29:50,950 --> 01:29:54,171
TO DESCRIBE
AN UNCERTAIN, PARTICULAR EVENT,
1619
01:29:54,214 --> 01:29:57,261
WHICH LEADS ONE TO BELIEVE
THAT OTHERS, IF TOLD,
1620
01:29:57,304 --> 01:30:01,091
WOULD NOT BELIEVE THE TRUTH,
EVEN IF YOU TOLD IT TO THEM?
1621
01:30:01,134 --> 01:30:03,963
DO YOU BELIEVE THE TRUTH?
1622
01:30:09,882 --> 01:30:14,060
WE KNOW ALL THESE THINGS,
FOR WE HAVE BEEN WATCHING YOU.
1623
01:30:14,104 --> 01:30:17,107
WE KNOW ABOUT THE STRANGE,
UNSPEAKABLE THING IN THE WOODS
1624
01:30:17,150 --> 01:30:21,111
YOU BOYS SAW CRASH DOWN FROM THE
FAR REACHES OF THE VERY UNKNOWN.
1625
01:30:21,154 --> 01:30:23,374
[ Distorted voice ]
FAR REACHES OF THE VERY UNKNOWN.
1626
01:30:23,418 --> 01:30:26,464
[ Normal voice ]
THE UNKNOWN, WHICH IS USUALLY
QUITE KNOWN TO BE UNKNOWABLE,
1627
01:30:26,508 --> 01:30:29,424
EVEN THOUGH
WE KNOW A FEW THINGS ABOUT IT.
1628
01:30:41,914 --> 01:30:44,961
ONE OF YOU
HAS TO SACRIFICE YOURSELVES.
1629
01:30:50,923 --> 01:30:54,013
ONE OF YOU
HAS TO SACRIFICE YOURSELVES.
1630
01:30:59,062 --> 01:31:02,021
ONE OF YOU
HAS TO SACRIFICE YOURSELVES.
1631
01:31:05,547 --> 01:31:08,071
WE MUST GIVE THEM BACK
WHAT THEY CAME FOR,
1632
01:31:08,114 --> 01:31:11,030
OR THEIR WICKED APPETITE FOR
HUMAN BLOOD WILL NEVER RELENT.
1633
01:31:12,075 --> 01:31:14,991
ONE OF YOU
HAS TO SACRIFICE YOURSELVES.
1634
01:31:16,558 --> 01:31:17,994
SO, WHO'S GONNA DIE
1635
01:31:18,037 --> 01:31:20,170
AN EXCESSIVELY SHAMEFUL
AND TORTUROUS DEATH
1636
01:31:20,213 --> 01:31:21,998
SO THAT THE REST OF US
MAY LIVE?
1637
01:31:22,041 --> 01:31:24,000
ONE OF YOU HAS TO GO.
1638
01:31:24,043 --> 01:31:27,220
ONE OF YOU
HAS TO SACRIFICE YOURSELVES.
1639
01:31:27,264 --> 01:31:29,353
[ ALL SCREAM ]
1640
01:31:34,576 --> 01:31:36,012
[ CREATURE GROWLS ]
1641
01:31:36,055 --> 01:31:38,318
[ ALL SCREAM ]
1642
01:31:41,147 --> 01:31:42,540
[ CREATURE GROWLS ]
1643
01:31:42,584 --> 01:31:45,195
IN ALL MY YEARS OF SEARCHING
THE STARRY NEBULA OF HOPE,
1644
01:31:45,238 --> 01:31:48,546
I'VE NEVER FOUND MORE THAN
A CEREBRAL HEMORRHAGE.
1645
01:31:56,206 --> 01:31:58,513
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1646
01:31:58,556 --> 01:32:01,951
♪ [ Echoing ] TRAILER TRASH
1647
01:32:01,994 --> 01:32:04,431
♪ TRAILER TRASH
1648
01:32:04,475 --> 01:32:06,172
♪ COME ON DOWN
1649
01:32:06,216 --> 01:32:07,957
♪ COME ON DOWN,
ALL YOU TRASHY PEOPLE ♪
1650
01:32:13,223 --> 01:32:15,138
♪ GET ON DOWN ♪ DOWN
1651
01:32:15,181 --> 01:32:16,966
♪ TRAILER TRASH,
TRAILER TRASH ♪
1652
01:32:17,009 --> 01:32:18,968
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1653
01:32:19,011 --> 01:32:20,404
♪ TRAILER TRASH,
TRAILER TRASH ♪
1654
01:32:20,447 --> 01:32:22,493
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1655
01:32:22,537 --> 01:32:24,190
♪ TRAILER TRASH,
TRAILER TRASH ♪
1656
01:32:24,234 --> 01:32:26,105
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1657
01:32:26,149 --> 01:32:28,151
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1658
01:32:28,194 --> 01:32:29,587
♪ TRASHY PEOPLE,
TRASHY PEOPLE ♪
1659
01:32:29,631 --> 01:32:32,155
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1660
01:32:32,198 --> 01:32:34,070
♪ GET, GET ON, GET ON DOWN
1661
01:32:34,113 --> 01:32:37,421
♪ TRASHY PEOPLE, TRASHY PEOPLE,
TRASHY PEOPLE, TRASHY PEOPLE ♪
1662
01:32:37,464 --> 01:32:39,249
♪ COME ON DOWN
1663
01:32:39,292 --> 01:32:41,077
♪ COME ON,
ALL YOU TRASHY PEOPLE ♪
1664
01:32:41,120 --> 01:32:44,384
♪ TRAILER TRASH,
TRAILER TRASH ♪
107774
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