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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,002 --> 00:00:04,963 [♪♪] 2 00:00:08,091 --> 00:00:10,385 [PHONE RINGING] 3 00:00:19,602 --> 00:00:20,854 [BEEP] 4 00:00:20,854 --> 00:00:24,315 OH... THAT'S SO NOT GOOD. 5 00:00:28,027 --> 00:00:30,572 [♪♪] 6 00:00:36,911 --> 00:00:38,371 [POP] 7 00:00:43,460 --> 00:00:45,044 [GAGS] 8 00:00:45,044 --> 00:00:46,004 [SPITS] 9 00:00:49,841 --> 00:00:51,885 [♪♪] 10 00:00:54,137 --> 00:00:55,597 EM! 11 00:00:57,098 --> 00:00:59,184 EMILY! 12 00:00:59,184 --> 00:01:01,519 T-MINUS 20 MINUTES. 13 00:01:03,897 --> 00:01:06,691 [♪♪] 14 00:01:13,281 --> 00:01:15,283 WHERE'D YOU GET THAT, KIDDO? 15 00:01:20,413 --> 00:01:22,081 YOU'RE NOT OLD ENOUGH TO HAVE MOMMY'S JEWELRY YET. 16 00:01:22,081 --> 00:01:23,750 PUT THAT BACK WHERE YOU FOUND IT, PLEASE. 17 00:01:23,750 --> 00:01:26,920 I DON'T WANT TO WEAR IT. I JUST WANT TO HAVE IT. 18 00:01:26,920 --> 00:01:28,671 I KNOW, I KNOW, BUT JUST... 19 00:01:28,671 --> 00:01:32,425 NOT YET, OKAY? 20 00:01:34,886 --> 00:01:37,055 [♪♪] 21 00:01:42,268 --> 00:01:44,270 AH! SORRY. 22 00:01:44,270 --> 00:01:47,440 ONE, TWO THREE, FOUR, FIVE-- 23 00:01:47,440 --> 00:01:49,943 DO YOU HAVE YOUR PERMISSION SLIP FOR TOMORROW'S FIELD TRIP? 24 00:01:49,943 --> 00:01:51,152 ...FOUR, FIVE. 25 00:01:51,152 --> 00:01:53,446 DID YOU KNOW THIS IS HOW YOUR DAD STARTED MAKING MAPS? 26 00:01:53,446 --> 00:01:54,989 YEP. WHEN I WAS A KID, 27 00:01:54,989 --> 00:01:56,825 I COUNTED SIDEWALK SQUARES TOO, 28 00:01:56,825 --> 00:01:59,285 SO I COULD FIGURE OUT HOW TO SCALE MY MAPS. 29 00:01:59,285 --> 00:02:01,162 NOW, IF WE WERE TO MAP THIS BLOCK, 30 00:02:01,162 --> 00:02:02,747 WHERE DO WE START? REMEMBER? 31 00:02:02,747 --> 00:02:04,290 FIND THE FOCAL POINT. 32 00:02:04,290 --> 00:02:06,334 RIGHT! A FIXED POINT THAT DOESN'T CHANGE, 33 00:02:06,334 --> 00:02:07,335 LIKE AN ANCHOR. 34 00:02:07,335 --> 00:02:09,754 NOW, WHERE WOULD OUR FIXED POINT BE? 35 00:02:09,754 --> 00:02:12,382 HOW ABOUT THAT YELLOW BUILDING? 36 00:02:12,382 --> 00:02:15,635 GREAT! NOW WE NEED SOME LANDMARKS. 37 00:02:15,635 --> 00:02:18,012 WHAT ABOUT THOSE STREET LAMPS? 38 00:02:18,012 --> 00:02:20,139 THAT'S RIGHT! AND HOW DO WE DETERMINE 39 00:02:20,139 --> 00:02:22,183 SPATIAL RELATIONSHIPS BETWEEN LANDMARKS? 40 00:02:22,183 --> 00:02:23,893 COUNT THE STEPS BETWEEN EACH LAMP? 41 00:02:23,893 --> 00:02:25,520 EXACTLY! 42 00:02:26,604 --> 00:02:30,024 [♪♪] 43 00:02:30,024 --> 00:02:32,151 ONE, TWO, THREE, FOUR... 44 00:02:32,151 --> 00:02:33,486 NO, NO, NO! WAIT! 45 00:02:33,486 --> 00:02:34,946 AHH! COME ON! 46 00:02:36,531 --> 00:02:38,783 YOU READY FOR A GREAT DAY AT SCHOOL? 47 00:02:40,785 --> 00:02:42,704 [♪♪] 48 00:02:44,330 --> 00:02:46,666 BYE. 49 00:02:48,293 --> 00:02:50,545 [♪♪] 50 00:02:52,922 --> 00:02:57,677 AND FIVE... FOUR... THREE... TWO... 51 00:02:57,677 --> 00:02:58,845 ONE. 52 00:02:59,929 --> 00:03:02,390 [♪♪] 53 00:03:14,819 --> 00:03:17,697 "ATTACHMENT THEORY"... 54 00:03:17,697 --> 00:03:19,699 SHARES A COMMON THREAD 55 00:03:19,699 --> 00:03:23,369 WITH THE CONCEPT OF "OBJECT PERMANENCE." 56 00:03:23,369 --> 00:03:24,704 IF YOU SHOW AN INFANT A BALL, 57 00:03:24,704 --> 00:03:26,706 AND THEN HIDE THAT BALL BEHIND YOUR BACK, 58 00:03:26,706 --> 00:03:28,750 THE CHILD HAS NO IDEA WHERE THE BALL HAS GONE. 59 00:03:28,750 --> 00:03:30,460 -ONLY-- -[OBJECT THUDS ON FLOOR] 60 00:03:30,460 --> 00:03:32,420 ...THAT IT HAS DISAPPEARED 61 00:03:32,420 --> 00:03:35,298 AND WILL NEVER RETURN. 62 00:03:35,298 --> 00:03:38,009 UNTIL HE LEARNS OBJECT PERMANENCE, 63 00:03:38,009 --> 00:03:39,093 THE BALL'S DISAPPEARANCE 64 00:03:39,093 --> 00:03:42,388 WILL BE A TRAUMATIC EVENT FOR THE CHILD. 65 00:03:42,388 --> 00:03:44,515 HOW WAS SCHOOL? 66 00:03:45,642 --> 00:03:47,894 WHAT WAS THE BEST THING THAT HAPPENED TODAY? 67 00:03:47,894 --> 00:03:49,854 THERE WASN'T A BEST THING. 68 00:03:51,439 --> 00:03:54,609 OKAY, WAS THERE A "WORST THING"? 69 00:03:56,235 --> 00:03:58,738 WELL, SO, HOW ARE YOU, EMILY? 70 00:03:58,738 --> 00:04:00,406 FINE. 71 00:04:01,741 --> 00:04:03,242 [TAKES A BREATH] 72 00:04:03,242 --> 00:04:05,036 YOU KNOW, IF YOU'RE BUILDING A CASTLE, 73 00:04:05,036 --> 00:04:07,497 YOU NEED MUCH BIGGER WALLS. 74 00:04:07,497 --> 00:04:09,582 THESE WALLS CAN WITHSTAND 75 00:04:09,582 --> 00:04:12,126 AN ONSLAUGHT OF ENEMY ARROWS... 76 00:04:12,126 --> 00:04:13,336 BUT-- 77 00:04:13,336 --> 00:04:17,298 GOTTA TELL THE CASTLE GUARD TO WATCH OUT FOR RABBITS. 78 00:04:19,801 --> 00:04:20,802 I NOW PRONOUNCE 79 00:04:20,802 --> 00:04:23,179 THESE VITAMIN-D FORTIFIED WALLS, 80 00:04:23,179 --> 00:04:24,305 "THE CASTLE OF... 81 00:04:24,305 --> 00:04:27,308 ...CARROTY ROCK." 82 00:04:28,393 --> 00:04:29,852 [CHUCKLES] 83 00:04:29,852 --> 00:04:31,145 EAT YOUR CHICKEN, 84 00:04:31,145 --> 00:04:33,815 AND WE'LL BUILD A MOAT OUT OF GRAVY. DEAL? 85 00:04:33,815 --> 00:04:35,400 OKAY. 86 00:04:41,614 --> 00:04:43,783 [MAN]: THANKS FOR COMING IN THIS MORNING. 87 00:04:43,783 --> 00:04:45,201 OKAY, THIS IS SO CUTE, 88 00:04:45,201 --> 00:04:47,370 BUT PEOPLE DON'T FRAME THEIR SELFIES, WALT. 89 00:04:47,370 --> 00:04:50,456 I'M RE-ENERGIZING THE MEDIUM. 90 00:04:50,456 --> 00:04:52,834 BENEDICT CUMBERCAT II LOOKS ESPECIALLY DAPPER. 91 00:04:52,834 --> 00:04:57,672 AH, WELL, HE CAN'T HELP IT. THE CAMERA LOVES HIM. 92 00:04:58,840 --> 00:05:00,216 OH, HO. 93 00:05:00,216 --> 00:05:01,634 HOW'S YOUR THESIS COMING? 94 00:05:01,634 --> 00:05:05,346 THAT'S IT? NO CHIT-CHAT? NO "HOW ARE YOU?" 95 00:05:05,346 --> 00:05:08,224 OH, NO, WE'VE MOVED WELL BEYOND 96 00:05:08,224 --> 00:05:10,226 THE CHIT-CHAT STAGE IN OUR RELATIONSHIP. 97 00:05:10,226 --> 00:05:12,812 WHAT I WANT TO KNOW IS DO YOU HAVE ANY IDEAS. 98 00:05:12,812 --> 00:05:15,231 TSK. DEFINE "IDEA." 99 00:05:15,231 --> 00:05:18,359 OH, WELL, EDUCATION IS MEANT TO BE A MEANS TO AN END. 100 00:05:18,359 --> 00:05:21,696 THE END IS COMING, MY DEAR. 101 00:05:21,696 --> 00:05:23,281 YOU HAVE TO FIGURE OUT 102 00:05:23,281 --> 00:05:25,908 A RESEARCH TOPIC FOR YOUR THESIS. 103 00:05:25,908 --> 00:05:27,702 I STOPPED BY FOR A FRIENDLY VISIT. 104 00:05:27,702 --> 00:05:29,162 THIS IS ME BEING FRIENDLY. 105 00:05:29,162 --> 00:05:31,372 IT'S CALLED "TOUGH LOVE." IT'S WHAT ADVISORS DO. 106 00:05:31,372 --> 00:05:33,833 ACTUALLY, YOU'RE MY ENGLISH ADVISOR. 107 00:05:33,833 --> 00:05:35,585 I'M A PSYCH MAJOR NOW. 108 00:05:35,585 --> 00:05:36,878 OH, THAT'S RIGHT. 109 00:05:36,878 --> 00:05:38,379 THIS IS WHAT, YOUR THIRD MAJOR? 110 00:05:38,379 --> 00:05:39,505 [STAMMERS PLAYFULLY] 111 00:05:39,505 --> 00:05:41,007 WHY AREN'T YOU 112 00:05:41,007 --> 00:05:44,510 HAVING THIS CONVERSATION WITH YOUR PSYCHOLOGY ADVISOR? 113 00:05:44,510 --> 00:05:46,054 BECAUSE HE SAYS TERRIFYING THINGS, LIKE, 114 00:05:46,054 --> 00:05:47,055 "YOU NEED TO DECIDE ON 115 00:05:47,055 --> 00:05:48,681 A RESEARCH TOPIC FOR YOUR THESIS." 116 00:05:48,681 --> 00:05:49,807 AH-HAH! [CHUCKLES] 117 00:05:49,807 --> 00:05:53,269 YOU LIKE YOUR CHILD PSYCHOLOGY COURSE. 118 00:05:53,269 --> 00:05:54,729 WHY DON'T YOU DO SOMETHING WITH KIDS? 119 00:05:54,729 --> 00:05:55,938 KIDS ARE FASCINATING. 120 00:05:55,938 --> 00:05:58,399 SAYS THE MAN WITH NO KIDS. 121 00:05:58,399 --> 00:05:59,525 IF I HAD LITTLE KIDS, 122 00:05:59,525 --> 00:06:02,236 HOW WOULD I DEAL WITH ALL OF MY OVERGROWN ONES, 123 00:06:02,236 --> 00:06:03,738 LIKE YOU, WHO DON'T TAKE MY ADVICE? 124 00:06:03,738 --> 00:06:06,324 FINE! FINE. 125 00:06:06,324 --> 00:06:08,242 HIT ME WITH YOUR BEST SHOT. 126 00:06:08,242 --> 00:06:11,370 AHEM, MY NIECE TEACHES A FOURTH-GRADE CLASS. 127 00:06:11,370 --> 00:06:12,622 I'M GOING TO SUGGEST 128 00:06:12,622 --> 00:06:13,915 THAT YOU GO AND YOU MEET WITH HER, 129 00:06:13,915 --> 00:06:15,792 AND YOU OBSERVE THE CLASS, 130 00:06:15,792 --> 00:06:19,712 AND MAYBE IT WILL LEAD TO AN IDEA. 131 00:06:19,712 --> 00:06:22,715 OR IT WILL LEAD TO A CUT-THROAT GAME OF DODGEBALL. 132 00:06:22,715 --> 00:06:26,177 EITHER WAY, IT'S A WIN-WIN. 133 00:06:27,678 --> 00:06:30,556 [♪♪] 134 00:06:33,768 --> 00:06:35,269 -SO, I'M NOT SURE EXACTLY... -THIS ONE? 135 00:06:35,269 --> 00:06:37,897 -YEAH. -OKAY. 136 00:06:37,897 --> 00:06:40,316 -OKAY. -OKAY. GOOD LUCK. 137 00:06:40,316 --> 00:06:41,734 OH, HI! YOU MUST BE BECCA. 138 00:06:41,734 --> 00:06:44,112 SORRY I'M LATE. I MISSED THE BUS. 139 00:06:44,112 --> 00:06:45,738 HOW CAN I HELP? 140 00:06:45,738 --> 00:06:46,739 JUST GIVE ME A TASK. 141 00:06:46,739 --> 00:06:48,658 IS IT "MS." OR "MRS." GODFREY? 142 00:06:48,658 --> 00:06:50,076 PLEASE. CALL ME AMY. 143 00:06:50,076 --> 00:06:51,077 SO... 144 00:06:51,077 --> 00:06:53,204 MY UNCLE TELLS ME THAT YOU ARE... 145 00:06:53,204 --> 00:06:55,498 LOOKING FOR INSPIRATION? 146 00:06:55,498 --> 00:06:56,582 WELL, POSSIBLY. 147 00:06:56,582 --> 00:06:58,543 MY THESIS IS STILL IN THE GESTATION PHASE. 148 00:06:58,543 --> 00:07:00,002 BUT MAYBE I COULD BE 149 00:07:00,002 --> 00:07:01,462 YOUR UNOFFICIAL TEACHER'S ASSISTANT? 150 00:07:01,462 --> 00:07:02,797 I COULD START BY OBSERVING A CLASS-- 151 00:07:02,797 --> 00:07:03,840 DONE! 152 00:07:03,840 --> 00:07:05,967 REALLY? THAT'S IT? 153 00:07:05,967 --> 00:07:07,260 NO INTERVIEW? 154 00:07:07,260 --> 00:07:09,303 WELL, UNCLE WALT SAYS THAT YOU WERE HIS BEST STUDENT, 155 00:07:09,303 --> 00:07:10,596 AND I COULD USE THE HELP. 156 00:07:10,596 --> 00:07:13,766 SO, HOW ABOUT 10:00 TO NOON ON WEEKDAYS? 157 00:07:13,766 --> 00:07:15,726 THAT WOULD BE PERFECT! 158 00:07:15,726 --> 00:07:16,769 THANK YOU. 159 00:07:16,769 --> 00:07:18,271 THEN YOU CAN START RIGHT AWAY. 160 00:07:18,271 --> 00:07:21,149 WE ARE PLAYING "NATURE DETECTIVE." 161 00:07:21,149 --> 00:07:22,775 THE KIDS NEED TO IDENTIFY AND DRAW 162 00:07:22,775 --> 00:07:24,152 FIVE DIFFERENT TYPES OF PLANTS. 163 00:07:24,152 --> 00:07:27,280 COOL! I'LL, UH, SEE WHO NEEDS HELP. 164 00:07:27,280 --> 00:07:28,823 GREAT. THANKS! 165 00:07:29,991 --> 00:07:33,619 75, 76, 77, 78... 166 00:07:33,619 --> 00:07:35,663 79, 80... 167 00:07:35,663 --> 00:07:37,957 81, 82... 168 00:07:37,957 --> 00:07:40,710 -83, EIGHTY-F-- -WHATCHA DOING? 169 00:07:40,710 --> 00:07:42,628 DON'T WORRY, I'M NOT SOME RANDO. 170 00:07:42,628 --> 00:07:44,297 I'M A FIELD TRIP CHAPERONE. 171 00:07:45,381 --> 00:07:46,883 I'M MAKING A MAP. 172 00:07:46,883 --> 00:07:48,134 REALLY? 173 00:07:48,134 --> 00:07:50,469 THAT SOUNDS COOL. CAN I SEE IT? 174 00:07:50,469 --> 00:07:52,054 AREN'T YOU SUPPOSED TO MAKE ME 175 00:07:52,054 --> 00:07:54,473 DO MY "NATURE DETECTIVE" WORKSHEET? 176 00:07:54,473 --> 00:07:56,184 THE FUN THING ABOUT BEING A GROWN-UP... 177 00:07:56,184 --> 00:07:57,977 IS YOU GET TO MAKE YOUR OWN RULES. 178 00:07:57,977 --> 00:08:00,646 SO FIRST... I WANT TO SEE YOUR MAP. 179 00:08:03,399 --> 00:08:06,235 IT'S SO DETAILED! 180 00:08:06,235 --> 00:08:07,695 THESE NUMBERS ON THE SIDE, IS THIS... 181 00:08:07,695 --> 00:08:09,572 IS THIS TO SCALE? 182 00:08:09,572 --> 00:08:11,657 CAN I HAVE MY MAP BACK NOW? 183 00:08:11,657 --> 00:08:13,451 I'M NOT DONE CHARTING THE TREES. 184 00:08:14,785 --> 00:08:16,287 AS YOU WERE. 185 00:08:17,330 --> 00:08:19,498 86... 87... 186 00:08:19,498 --> 00:08:22,877 88, 89, 90... 187 00:08:24,003 --> 00:08:25,254 [KNOCK AT DOOR] 188 00:08:25,254 --> 00:08:26,672 IT'S OPEN. 189 00:08:27,757 --> 00:08:29,508 DO WE HAVE PLANS TONIGHT? 190 00:08:29,508 --> 00:08:31,844 NO, BUT I HAVEN'T SEEN YOU FOR A FEW DAYS. 191 00:08:31,844 --> 00:08:33,221 SORRY, AMBER. 192 00:08:33,221 --> 00:08:34,889 I'VE BEEN SLAMMED WITH SCHOOL. 193 00:08:34,889 --> 00:08:37,600 I GET IT, I'M SLAMMED AT THE YOGA STUDIO TOO, 194 00:08:37,600 --> 00:08:40,353 BUT BEING SLAMMED IS A STATE OF MIND. 195 00:08:40,353 --> 00:08:41,395 MM. 196 00:08:41,395 --> 00:08:43,731 AND THE BEST WAY TO GET THAT OUT OF YOUR HEAD 197 00:08:43,731 --> 00:08:46,692 IS TO PUT THIS MAC'N'CHEESE INTO YOUR MOUTH. 198 00:08:46,692 --> 00:08:47,693 CLASSY. 199 00:08:47,693 --> 00:08:50,363 IT'S MY MOM'S RECIPE. 200 00:08:50,363 --> 00:08:52,406 IT'S THE BEST MAC'N'CHEESE YOU'LL EVER EAT. 201 00:08:55,076 --> 00:08:56,410 THAT IS UNREAL. 202 00:08:56,410 --> 00:08:59,372 MM-HMM. IT'S MY GO-TO COMFORT FOOD. 203 00:08:59,372 --> 00:09:00,581 AND I FIGURED YOU COULD USE SOME COMFORT, 204 00:09:00,581 --> 00:09:02,750 SEEING AS YOU JUST BROKE UP WITH JACOB. 205 00:09:02,750 --> 00:09:05,211 HOW'D YOU KNOW I JUST BROKE UP WITH JACOB? 206 00:09:05,211 --> 00:09:06,712 PLEASE, BECCA. IT'S BEEN SIX MONTHS. 207 00:09:06,712 --> 00:09:09,340 THAT'S YOUR AVERAGE RELATIONSHIP EXPIRATION DATE. 208 00:09:09,340 --> 00:09:11,634 IT'S JUST... JACOB AND I... 209 00:09:11,634 --> 00:09:15,054 WE WERE ALWAYS JUST GONNA BE "JACOB AND I." 210 00:09:15,054 --> 00:09:16,639 IT WAS NEVER GONNA BE "US." 211 00:09:16,639 --> 00:09:18,933 I WOULD KILL FOR AN "US." 212 00:09:21,060 --> 00:09:23,437 [QUIET CHATTER] 213 00:09:24,981 --> 00:09:26,983 CAN YOU HELP ME WITH MY MATH? 214 00:09:26,983 --> 00:09:30,069 UH... MATH ISN'T MY STRONG SUIT. 215 00:09:30,069 --> 00:09:32,238 IT'S FOURTH-GRADE MATH. 216 00:09:32,238 --> 00:09:34,240 AND YOUR POINT IS? 217 00:09:34,240 --> 00:09:35,283 I'M KIDDING. 218 00:09:35,283 --> 00:09:37,451 LET ME SEE WHAT I CAN DO. 219 00:09:37,451 --> 00:09:39,245 OH! I ACTUALLY KNOW THIS. 220 00:09:39,245 --> 00:09:40,329 OKAY. 221 00:09:40,329 --> 00:09:42,290 SO FIRST, YOU'RE GONNA SIMPLIFY THE FRACTION... 222 00:09:44,208 --> 00:09:47,253 [♪♪] 223 00:09:47,253 --> 00:09:48,754 YEAH! THERE YOU GO. 224 00:09:48,754 --> 00:09:50,923 YOU GOT IT. 225 00:09:50,923 --> 00:09:53,175 KELLY, CARRIE, CRISTEN, AND ALISHA ARE MY BESTIES. 226 00:09:53,175 --> 00:09:54,385 WE DO EVERYTHING TOGETHER. 227 00:09:54,385 --> 00:09:56,971 BRIAN M., BRIAN S., AND BRIAN D. 228 00:09:56,971 --> 00:09:58,347 ARE THE CUTEST BOYS. 229 00:09:58,347 --> 00:10:00,683 BUT BRIAN B. IS NOT CUTE AT ALL, 230 00:10:00,683 --> 00:10:02,351 EVEN THOUGH HE'S A "BRIAN." 231 00:10:02,351 --> 00:10:04,520 JEN IS THE BEST AT SPORTS, 232 00:10:04,520 --> 00:10:05,521 AND SAM HAS 233 00:10:05,521 --> 00:10:06,689 A MINIATURE WIENER DOG NAMED ORSON. 234 00:10:06,689 --> 00:10:08,441 WHAT ABOUT EMILY? 235 00:10:08,441 --> 00:10:11,277 SHE BARELY TALKS SINCE HER MOM DIED. 236 00:10:12,278 --> 00:10:13,362 WAIT! WHERE ARE YOU GOING? 237 00:10:13,362 --> 00:10:16,115 I'M NOT DONE TELLING YOU WHO EVERYONE IS. 238 00:10:20,786 --> 00:10:23,122 HOW ARE YOU? 239 00:10:23,122 --> 00:10:24,832 FINE. 240 00:10:24,832 --> 00:10:26,792 YOU KNOW WHAT? 241 00:10:26,792 --> 00:10:28,794 THAT WAS A DUMB QUESTION. 242 00:10:28,794 --> 00:10:30,963 PEOPLE EXPECT YOU TO SAY YOU'RE "FINE," 243 00:10:30,963 --> 00:10:33,007 BUT WHEN YOU DO, 244 00:10:33,007 --> 00:10:34,717 THEY'RE NOT EVEN LISTENING. 245 00:10:34,717 --> 00:10:38,012 NEXT TIME SOMEONE ASKS HOW YOU ARE, 246 00:10:38,012 --> 00:10:39,013 WHAT IF YOU GAVE THEM AN ANSWER 247 00:10:39,013 --> 00:10:40,556 THAT ACTUALLY MAKES THEM THINK? 248 00:10:40,556 --> 00:10:43,726 LIKE, IF YOU'RE SAD, YOU COULD SAY, 249 00:10:43,726 --> 00:10:45,644 "I'M A BALLOON WITHOUT ANY AIR IN IT." 250 00:10:45,644 --> 00:10:47,897 OR IF YOU'RE HAPPY, YOU COULD SAY, 251 00:10:47,897 --> 00:10:50,316 "I'M A SUNNY DAY AT THE BEACH," 252 00:10:50,316 --> 00:10:51,192 WHICH IS SELF-EXPLANATORY, 253 00:10:51,192 --> 00:10:52,401 BECAUSE WHAT'S HAPPIER 254 00:10:52,401 --> 00:10:53,986 THAN A SUNNY DAY AT THE BEACH? 255 00:10:53,986 --> 00:10:56,197 BUT THE PERSON WHO ASKS "HOW ARE YOU" 256 00:10:56,197 --> 00:10:58,032 IS GONNA THINK ABOUT YOUR ANSWER, 257 00:10:58,032 --> 00:11:00,409 BECAUSE YOU DIDN'T SAY "I'M FINE," 258 00:11:00,409 --> 00:11:01,994 LIKE THEY EXPECTED. 259 00:11:01,994 --> 00:11:05,539 THEY'LL HEAR YOU IN A WAY THAT THEY NEVER HAVE BEFORE. 260 00:11:05,539 --> 00:11:06,999 YOU KNOW? 261 00:11:08,084 --> 00:11:09,627 I'M BECCA. 262 00:11:09,627 --> 00:11:12,254 I DON'T THINK I SAID THAT YESTERDAY. 263 00:11:12,254 --> 00:11:14,799 HI, BECCA. YOU'RE DIFFERENT. 264 00:11:14,799 --> 00:11:16,092 IS THAT A GOOD THING? 265 00:11:16,092 --> 00:11:18,719 YEAH... AND YOU TALK A LOT. 266 00:11:18,719 --> 00:11:20,221 YOU'RE LIKE A KID. 267 00:11:20,221 --> 00:11:22,681 I LIKE YOU, EMILY. 268 00:11:22,681 --> 00:11:24,600 YOU GET ME. 269 00:11:24,600 --> 00:11:26,060 CAN WE BE FRIENDS? 270 00:11:27,186 --> 00:11:28,729 WE CAN BE FRIENDS. 271 00:11:30,606 --> 00:11:32,024 [LAUGHS] 272 00:11:32,024 --> 00:11:34,235 COOL. 273 00:11:36,737 --> 00:11:37,738 WHEW! 274 00:11:37,738 --> 00:11:39,949 SO, HOW ARE YOU TODAY, EM? 275 00:11:39,949 --> 00:11:42,201 I'M A SUNNY DAY AT THE BEACH. 276 00:11:42,201 --> 00:11:43,869 YOU'RE A WHAT? 277 00:11:43,869 --> 00:11:46,455 A SUNNY DAY AT THE BEACH. 278 00:11:46,455 --> 00:11:48,249 [LAUGHS] THAT SOUNDS LOVELY. 279 00:11:48,249 --> 00:11:50,626 SO, IT WAS A GOOD DAY AT SCHOOL? 280 00:11:50,626 --> 00:11:52,002 I MADE A NEW FRIEND. 281 00:11:52,002 --> 00:11:54,755 HER NAME'S BECCA AND SHE'S FUNNY. 282 00:11:56,298 --> 00:11:59,176 SO IT WAS A REALLY GOOD DAY? 283 00:11:59,176 --> 00:12:01,345 WELL, HOW WOULD YOU LIKE A PLAY DATE WITH BECCA? 284 00:12:02,221 --> 00:12:03,764 HOW ABOUT THIS THURSDAY? 285 00:12:03,764 --> 00:12:06,225 ASK BECCA TO ASK HER PARENTS, OKAY? 286 00:12:06,225 --> 00:12:07,268 THANKS, DAD. 287 00:12:08,352 --> 00:12:11,730 SO, TALKING ABOUT KIDS, YOU WERE IN AMY'S CLASS. 288 00:12:11,730 --> 00:12:14,567 DID YOU COME UP WITH ANY KIND OF INSPIRATION? 289 00:12:14,567 --> 00:12:16,735 NO. IT'S NOT THEIR FAULT, THOUGH. 290 00:12:16,735 --> 00:12:18,362 THEY'RE ALL GREAT KIDS. 291 00:12:18,362 --> 00:12:20,156 DARN THEM FOR ALL BEING SO WELL-ADJUSTED. 292 00:12:20,156 --> 00:12:22,450 MM, WELL, YOU DON'T NECESSARILY HAVE TO 293 00:12:22,450 --> 00:12:24,243 DO YOUR THESIS ON A PROBLEM. 294 00:12:24,243 --> 00:12:26,036 HOW ABOUT FRIENDSHIP DYNAMICS? 295 00:12:26,036 --> 00:12:28,372 OR PLAYGROUND HIERARCHY, OR...? 296 00:12:28,372 --> 00:12:29,373 I DON'T KNOW. 297 00:12:29,373 --> 00:12:31,000 YEAH, MAYBE. 298 00:12:31,000 --> 00:12:32,918 THERE IS THIS ONE GIRL, EMILY WILLIAMS. 299 00:12:32,918 --> 00:12:33,961 SHE BREAKS MY HEART. 300 00:12:33,961 --> 00:12:36,422 SHE'S GOING THROUGH SO MUCH. 301 00:12:36,422 --> 00:12:38,424 HER MOM PASSED AWAY. 302 00:12:38,424 --> 00:12:40,593 AMY SAID IT HAPPENED TWO YEARS AGO, 303 00:12:40,593 --> 00:12:41,927 BUT YOU CAN TELL IT'S STILL RAW. 304 00:12:41,927 --> 00:12:44,013 SO, YOU HAVE SOMETHING IN COMMON. 305 00:12:44,013 --> 00:12:46,432 MY MOM DIED MORE THAN TWO YEARS AGO. 306 00:12:46,432 --> 00:12:48,100 THAT'S NOT WHAT I MEANT. 307 00:12:48,100 --> 00:12:49,185 ANYWAY, I DON'T THINK 308 00:12:49,185 --> 00:12:50,811 THAT THERE'S ANYTHING TO WRITE ABOUT THERE. 309 00:12:50,811 --> 00:12:52,313 ARE YOU SURE ABOUT THAT? 310 00:12:52,313 --> 00:12:55,191 THERE'S NO INSPIRATION? NO IDEAS? 311 00:12:55,191 --> 00:12:58,152 NOT AN AVENUE I'M INTERESTED IN EXPLORING. 312 00:13:00,154 --> 00:13:01,197 HEY, I WAS READING 313 00:13:01,197 --> 00:13:02,490 THOSE LIT JOURNALS OUTSIDE YOUR OFFICE 314 00:13:02,490 --> 00:13:04,116 AND I SAW YOU GOT PUBLISHED AGAIN. 315 00:13:04,116 --> 00:13:05,868 THAT WAS JUST A LITTLE ARTICLE 316 00:13:05,868 --> 00:13:07,786 ON THE FINNISH ORIGINS OF THE ELVEN LANGUAGE 317 00:13:07,786 --> 00:13:10,831 IN TOLKIEN'S LORD OF THE RINGS. 318 00:13:10,831 --> 00:13:13,334 SO MUCH NERD JUST HAPPENED THERE. 319 00:13:13,334 --> 00:13:15,419 NOW, YOU CAN TEASE ME ALL YOU WANT. 320 00:13:15,419 --> 00:13:18,547 I WRITE ABOUT THINGS THAT HAVE AFFECTED ME. 321 00:13:18,547 --> 00:13:20,633 YOU MIGHT TRY IT SOMEDAY. 322 00:13:27,056 --> 00:13:29,016 [KIDS LAUGHING AND SHOUTING] 323 00:13:30,267 --> 00:13:31,810 FROZEN APPLE SAUCE! 324 00:13:31,810 --> 00:13:33,187 FROZEN APPLE SAUCE! 325 00:13:34,897 --> 00:13:37,483 COME ON, SOMEONE UNFREEZE ME! 326 00:13:37,483 --> 00:13:40,194 EMILY! COME PLAY WITH US. 327 00:13:42,238 --> 00:13:43,697 I CAN'T! I'M FROZEN. 328 00:13:49,203 --> 00:13:51,163 DO YOU WANT TO HAVE A PLAY DATE? 329 00:13:51,163 --> 00:13:52,206 ON THURSDAY. 330 00:13:52,206 --> 00:13:53,916 YOU CAN SAY NO IF YOU DON'T WANT TO. 331 00:13:53,916 --> 00:13:55,417 I'D LOVE TO HAVE A PLAY DATE! 332 00:13:55,417 --> 00:13:57,086 HAVE YOU BEEN TO JACKSON'S ICE CREAM SHOP? 333 00:13:57,086 --> 00:13:58,754 I LOVE JACKSON'S! 334 00:13:58,754 --> 00:14:00,339 ME TOO. 335 00:14:00,339 --> 00:14:01,715 I'LL MEET YOU THERE AT 4:00. 336 00:14:01,715 --> 00:14:02,758 [BELL RINGS] 337 00:14:02,758 --> 00:14:05,511 WAIT! UNFREEZE ME BEFORE YOU GO! 338 00:14:05,511 --> 00:14:07,471 YOU GUYS! 339 00:14:08,597 --> 00:14:10,641 THIS IS SO UNFAIR. 340 00:14:10,641 --> 00:14:13,269 [♪♪] 341 00:14:13,269 --> 00:14:15,145 GUYS? 342 00:14:17,022 --> 00:14:18,274 DO YOU EVER FEEL LIKE 343 00:14:18,274 --> 00:14:20,609 SISYPHUS PUSHING THAT BOULDER UP A HILL? 344 00:14:20,609 --> 00:14:23,487 LET ME GUESS. UH, YOU MISSED YOUR BUS? 345 00:14:23,487 --> 00:14:24,738 WELL, AT LEAST I'M CONSISTENT. 346 00:14:24,738 --> 00:14:26,865 UM, SO I HAVE A BOUNDARIES QUESTION. 347 00:14:26,865 --> 00:14:28,784 REMEMBER THAT LITTLE GIRL I WAS TELLING YOU ABOUT? 348 00:14:28,784 --> 00:14:31,787 EMILY? SHE INVITED ME FOR A PLAY DATE. 349 00:14:31,787 --> 00:14:34,081 SHE WAS SO, SO SWEET I COULDN'T SAY NO. 350 00:14:34,081 --> 00:14:35,082 IS THAT KOSHER, 351 00:14:35,082 --> 00:14:36,333 FOR A TEACHER'S ASSISTANT 352 00:14:36,333 --> 00:14:38,168 TO GO ON A PLAY DATE WITH A STUDENT? 353 00:14:38,168 --> 00:14:39,712 WHY DO YOU THINK SHE ASKED YOU? 354 00:14:39,712 --> 00:14:41,797 I THINK SHE THINKS I'M FUN. 355 00:14:41,797 --> 00:14:43,549 WELL, THEN I SAY DO IT. 356 00:14:43,549 --> 00:14:44,550 BETTER HURRY UP. 357 00:14:44,550 --> 00:14:46,302 I'M SURE YOU'RE LATE TO CLASS. 358 00:14:46,302 --> 00:14:48,679 LIKE I SAID. CONSISTENT. 359 00:14:50,014 --> 00:14:52,182 [♪♪] 360 00:14:59,315 --> 00:15:01,442 [NATE]: ARE ONE OF THOSE TWO BECCA? 361 00:15:01,442 --> 00:15:02,651 [EMILY]: NO. 362 00:15:02,651 --> 00:15:04,570 THERE SHE IS! 363 00:15:04,570 --> 00:15:07,448 [♪♪] 364 00:15:08,782 --> 00:15:09,950 DAD... 365 00:15:11,035 --> 00:15:12,202 THIS IS BECCA. 366 00:15:13,996 --> 00:15:15,789 HI. I'M DAD. 367 00:15:15,789 --> 00:15:17,458 UH, EMILY'S DAD. 368 00:15:17,458 --> 00:15:19,418 NATE. 369 00:15:19,418 --> 00:15:20,502 SORRY. I'M NATE. 370 00:15:20,502 --> 00:15:22,963 YOU WERE EXPECTING A NINE-YEAR-OLD. 371 00:15:22,963 --> 00:15:25,090 I'M A T.A. IN EMILY'S CLASS. 372 00:15:25,090 --> 00:15:27,134 OH, RIGHT. 373 00:15:27,134 --> 00:15:29,178 [BEGINS SPEAKING FRENCH] 374 00:15:29,178 --> 00:15:32,222 [EMILY REPLIES IN FRENCH] 375 00:15:34,016 --> 00:15:35,851 WHAT'S YOUR FAVORITE FLAVOR? 376 00:15:35,851 --> 00:15:38,937 MINE IS CHOCOLATE FUDGE. OR BUBBLE GUM. 377 00:15:38,937 --> 00:15:40,814 IT'S SO HARD TO DECIDE. 378 00:15:40,814 --> 00:15:42,483 I THINK THE ONLY SAFE CHOICE IS TO ORDER THEM ALL 379 00:15:42,483 --> 00:15:43,651 AND GET "THE AVALANCHE." 380 00:15:43,651 --> 00:15:47,154 THE AVALANCHE IS SO BIG! 381 00:15:47,154 --> 00:15:49,114 20 SCOOPS, BUT IF WE FINISH, 382 00:15:49,114 --> 00:15:50,532 WE GET FREE HATS. 383 00:15:50,532 --> 00:15:52,868 CAN I GO ON RECORD AND SAY I THINK THIS IS A BAD IDEA? 384 00:15:52,868 --> 00:15:55,162 THAT'S NOT A "NO," THOUGH... RIGHT? 385 00:16:00,000 --> 00:16:01,710 ONE AVALANCHE, PLEASE. 386 00:16:01,710 --> 00:16:03,462 WE HAVE AN AVALANCHE WARNING! 387 00:16:03,462 --> 00:16:05,339 [BECCA LAUGHS] 388 00:16:05,339 --> 00:16:06,799 YES! [GIGGLES] 389 00:16:09,635 --> 00:16:12,888 [♪♪] 390 00:16:12,888 --> 00:16:14,807 IT'S THE BEST DAY OF MY LIFE! 391 00:16:14,807 --> 00:16:18,394 OKAY, I HAVE TO FOCUS, IF WE WANT HATS. 392 00:16:18,394 --> 00:16:20,729 DO YOU KNOW WHAT HAPPENS IF WE DON'T GET HATS? 393 00:16:20,729 --> 00:16:23,190 NOTHING. WE'LL HAVE AN UN-HAT DAY. 394 00:16:23,190 --> 00:16:25,818 WHICH IS JUST AS FUN AS A HAT DAY, IF YOU ASK ME, 395 00:16:25,818 --> 00:16:27,236 BECAUSE YOU DON'T NEED A HAT TO HAVE FUN. 396 00:16:27,236 --> 00:16:29,988 YOU DO NEED A HEAD, THOUGH, AND WE HAVE THREE OF THOSE, 397 00:16:29,988 --> 00:16:31,490 SO WE'RE GOOD. 398 00:16:31,490 --> 00:16:32,658 YOU'RE WEIRD. 399 00:16:32,658 --> 00:16:33,742 THANK YOU. 400 00:16:33,742 --> 00:16:35,244 SO, HOW LONG HAVE YOU BEEN A T.A.? 401 00:16:35,244 --> 00:16:37,496 SINCE MONDAY. SO FAR, SO GOOD. 402 00:16:37,496 --> 00:16:38,872 TEACHING'S A NOBLE PROFESSION. 403 00:16:38,872 --> 00:16:40,165 I CAN SEE WHY YOU'D WANT TO DO IT. 404 00:16:40,165 --> 00:16:41,542 OH, I DON'T WANT TO BE A TEACHER. 405 00:16:41,542 --> 00:16:45,671 OKAY. THEN WHY ARE YOU A TEACHER'S ASSISTANT? 406 00:16:45,671 --> 00:16:47,881 I THOUGHT THAT WAS A STEPPING STONE OR SOMETHING. 407 00:16:47,881 --> 00:16:51,885 YES. JUST... NOT FOR ME, I THINK. 408 00:16:51,885 --> 00:16:54,179 I COULD USE SOME HELP HERE. 409 00:16:55,180 --> 00:16:58,517 EM, WHAT'S THE BEST THING THAT'S HAPPENED TO YOU TODAY? 410 00:16:58,517 --> 00:17:00,310 THIS AVALANCHE. 411 00:17:01,520 --> 00:17:04,565 WHAT'S THE BEST NON-ICE CREAM THING THAT'S HAPPENED TODAY? 412 00:17:04,565 --> 00:17:06,358 BECCA. 413 00:17:06,358 --> 00:17:08,026 YOU MIGHT NOT WANT TO BE A TEACHER, 414 00:17:08,026 --> 00:17:10,028 BUT YOU CERTAINLY HAVE A FAN. 415 00:17:10,028 --> 00:17:12,239 ACTUALLY... I HAVE A FRIEND. 416 00:17:12,239 --> 00:17:14,408 YEAH, DAD. WE'RE FRIENDS. 417 00:17:14,408 --> 00:17:16,618 AND MAYBE I WILL TEACH. WHO KNOWS? 418 00:17:16,618 --> 00:17:18,787 I'M JUST EXPLORING CAREER CHOICES 419 00:17:18,787 --> 00:17:20,247 WHILE I FINISH MY MASTER'S. 420 00:17:20,247 --> 00:17:21,623 WHAT'S YOUR MAJOR? 421 00:17:21,623 --> 00:17:22,833 THAT'S ACTUALLY A LOADED QUESTION. 422 00:17:22,833 --> 00:17:24,209 MY FIRST MAJOR WAS ENGLISH LIT. 423 00:17:24,209 --> 00:17:26,086 REALLY? THAT WAS MY WIFE'S MAJOR. 424 00:17:28,088 --> 00:17:29,506 SHE, UH, SHE LOVED SHAKESPEARE. 425 00:17:29,506 --> 00:17:30,883 SHE HAD GOOD TASTE. 426 00:17:30,883 --> 00:17:34,720 "NOTHING IS EITHER GOOD OR BAD, BUT THINKING MAKES IT SO." 427 00:17:34,720 --> 00:17:37,055 THAT ONE BOUNCES AROUND MY HEAD A LOT. 428 00:17:37,055 --> 00:17:38,557 WHICH IS IRONIC, BECAUSE HE'S SAYING 429 00:17:38,557 --> 00:17:39,892 "DON'T THINK SO MUCH." 430 00:17:39,892 --> 00:17:41,226 SORRY TO RAMBLE. IT'S JUST... 431 00:17:41,226 --> 00:17:43,979 I WISH WE STILL USED LANGUAGE LIKE THAT. 432 00:17:43,979 --> 00:17:45,647 WOW. 433 00:17:45,647 --> 00:17:47,816 I'M IMPRESSED. YOU'RE A FONT OF INFORMATION. 434 00:17:47,816 --> 00:17:50,235 OH, I'M 30 AND STILL IN COLLEGE. 435 00:17:50,235 --> 00:17:52,237 I'VE TURNED THINKING INTO A CAREER. 436 00:17:52,237 --> 00:17:53,280 NOTHING WRONG WITH THAT. 437 00:17:53,280 --> 00:17:55,741 MM. TELL THAT TO MY ADVISOR. 438 00:17:55,741 --> 00:17:57,910 YOU KNOW, LIFE MAKES HARD CHOICES FOR US. 439 00:17:57,910 --> 00:18:00,120 I SAY WE JUST HAVE AS MUCH FUN AS WE CAN RIGHT NOW. 440 00:18:01,580 --> 00:18:02,581 RIGHT, EM? 441 00:18:02,581 --> 00:18:05,125 AS MUCH FUN AS WE CAN RIGHT NOW. 442 00:18:06,251 --> 00:18:07,628 MM-HMM! 443 00:18:07,628 --> 00:18:08,962 [LAUGHS] 444 00:18:08,962 --> 00:18:10,589 [NATE]: YOU KNOW, SHE'S SO QUIET, 445 00:18:10,589 --> 00:18:12,758 MOST PEOPLE DON'T KNOW HOW TO TALK TO HER. 446 00:18:12,758 --> 00:18:15,677 BUT I DON'T KNOW, SHE-- SHE LIGHTS UP 447 00:18:15,677 --> 00:18:17,429 WHEN SHE'S AROUND YOU. 448 00:18:17,429 --> 00:18:19,765 YOU'VE GOT A GOOD KID THERE. 449 00:18:19,765 --> 00:18:20,974 WELL, IT WASN'T ALL ME. 450 00:18:20,974 --> 00:18:22,226 HONESTLY, I'M JUST TRYING NOT TO UNDO 451 00:18:22,226 --> 00:18:24,144 ALL THE GOOD THAT HER MOM DID. 452 00:18:24,144 --> 00:18:26,146 BUT YOU'RE REALLY GOOD WITH HER. 453 00:18:28,774 --> 00:18:31,109 WELL, THIS IS THE MOST FUN PLAY DATE I'VE EVER HAD. 454 00:18:31,109 --> 00:18:32,361 [LAUGHING] 455 00:18:32,361 --> 00:18:34,154 SO YOU GO ON A LOT OF PLAY DATES? 456 00:18:36,156 --> 00:18:37,825 NO. THIS WAS MY FIRST ONE, ACTUALLY. 457 00:18:37,825 --> 00:18:40,911 THEN HOW DO YOU KNOW IT WAS A GOOD ONE? 458 00:18:40,911 --> 00:18:44,331 I THINK SOMETIMES YOU JUST KNOW. 459 00:18:44,331 --> 00:18:46,083 [LAUGHS] WELL... 460 00:18:46,083 --> 00:18:48,502 YOU'RE A PRO, AT PLAY DATES. 461 00:18:48,502 --> 00:18:49,837 [LAUGHING] THANKS. 462 00:18:49,837 --> 00:18:52,464 UM, I GOTTA GET EMILY HOME NOW, 463 00:18:52,464 --> 00:18:54,716 BUT SHE HAD A FANTASTIC TIME. 464 00:18:54,716 --> 00:18:57,302 OH. I MEANT TO ASK YOU ABOUT THE FRENCH THING. 465 00:18:57,302 --> 00:18:59,721 IT WAS REALLY CUTE. 466 00:18:59,721 --> 00:19:01,807 YEAH, EMILY'S MOTHER WAS FRENCH, 467 00:19:01,807 --> 00:19:04,143 AND WE WANTED TO RAISE HER BILINGUAL, 468 00:19:04,143 --> 00:19:06,395 SO I TRY TO SPEAK FRENCH TO HER AS MUCH AS I CAN. 469 00:19:06,395 --> 00:19:08,897 I THINK MAGGIE WOULD'VE WANTED IT THAT WAY. 470 00:19:08,897 --> 00:19:09,982 EM LOVES IT, 471 00:19:09,982 --> 00:19:12,067 BECAUSE IT'S LIKE OUR OWN SECRET LANGUAGE. 472 00:19:12,067 --> 00:19:13,986 BUT, UH... 473 00:19:13,986 --> 00:19:15,237 THANKS... 474 00:19:15,237 --> 00:19:17,197 BECCA. 475 00:19:18,991 --> 00:19:19,950 ANYTIME. 476 00:19:23,704 --> 00:19:25,664 H-E-L... 477 00:19:25,664 --> 00:19:27,332 "P"-- OH, MAN. 478 00:19:27,332 --> 00:19:29,167 "P." THAT'S "PEPPERS." 479 00:19:29,167 --> 00:19:30,210 DOUBLE-TIME! 480 00:19:30,210 --> 00:19:32,087 [BECCA LAUGHS] 481 00:19:32,087 --> 00:19:34,173 EM! 482 00:19:34,173 --> 00:19:35,507 DO YOU WANT A TURN? 483 00:19:37,217 --> 00:19:39,845 NO? 484 00:19:39,845 --> 00:19:41,096 OKAY. 485 00:19:41,096 --> 00:19:43,098 ALL RIGHT, LET'S TRY THAT AGAIN. 486 00:19:43,098 --> 00:19:45,058 H-E... 487 00:19:47,060 --> 00:19:48,228 DADDY! 488 00:19:48,228 --> 00:19:50,606 DADDY! 489 00:19:50,606 --> 00:19:54,067 IT'S OKAY. IT'S OKAY. IT'S OKAY. IT'S OKAY. 490 00:19:54,067 --> 00:19:56,111 I'M RIGHT HERE. 491 00:19:56,111 --> 00:19:57,362 YOU OKAY? 492 00:19:57,362 --> 00:19:59,865 YOU WERE GONE. 493 00:19:59,865 --> 00:20:01,950 [HE SIGHS] 494 00:20:01,950 --> 00:20:04,870 DADDY'S NEVER GONNA LEAVE YOU. IT WAS JUST A NIGHTMARE. 495 00:20:04,870 --> 00:20:05,871 YOU'RE OKAY. 496 00:20:08,332 --> 00:20:10,584 [♪♪] 497 00:20:38,403 --> 00:20:40,781 [♪♪] 498 00:20:42,741 --> 00:20:43,951 NATE? 499 00:20:43,951 --> 00:20:46,453 HEY. HI. 500 00:20:46,453 --> 00:20:48,080 BECCA? 501 00:20:48,080 --> 00:20:50,332 WHAT ARE YOU--? [CHUCKLES] 502 00:20:50,332 --> 00:20:52,000 I'M DESIGNING AN INTERACTIVE MAP 503 00:20:52,000 --> 00:20:53,251 FOR THE SCHOOL WEBSITE. 504 00:20:53,251 --> 00:20:54,419 HAVE YOU BEEN HERE BEFORE? 505 00:20:54,419 --> 00:20:55,921 I COULD SHOW YOU AROUND. IF YOU'RE DESIGNING A MAP, 506 00:20:55,921 --> 00:20:58,090 YOU PROBABLY KNOW WHERE EVERYTHING IS ALREADY, 507 00:20:58,090 --> 00:20:59,758 STOP ME IF I'M RAMBLING. 508 00:20:59,758 --> 00:21:01,760 I JUST... THE WORDS KEEP COMING OUT. 509 00:21:01,760 --> 00:21:05,681 I HAVE NO CONTROL. JUST... WORDS. 510 00:21:05,681 --> 00:21:07,391 A-AREN'T YOU LATE? 511 00:21:07,391 --> 00:21:08,767 WHY WOULD YOU THINK I WAS LATE? 512 00:21:08,767 --> 00:21:10,811 YOU WERE RUNNING SO FAST TO CLASS, 513 00:21:10,811 --> 00:21:12,688 THAT YOU HAVEN'T CAUGHT YOUR BREATH YET. 514 00:21:12,688 --> 00:21:14,606 OH. THAT. [LAUGHS] 515 00:21:14,606 --> 00:21:16,358 NO, UH... 516 00:21:16,358 --> 00:21:18,610 I WAS JUST DOING MY CARDIO. 517 00:21:18,610 --> 00:21:21,321 I'VE GOT LOTS OF TIME. 518 00:21:22,531 --> 00:21:24,574 I HAD FUN THE OTHER NIGHT. 519 00:21:24,574 --> 00:21:26,952 SO DID WE. 520 00:21:26,952 --> 00:21:28,537 YOU'RE ALL EMILY'S TALKED ABOUT. 521 00:21:28,537 --> 00:21:31,665 I HAVEN'T SEEN HER THAT ANIMATED SINCE... 522 00:21:33,417 --> 00:21:35,794 IT'S BEEN A REALLY LONG TIME. 523 00:21:36,837 --> 00:21:39,172 WANT TO CHECK OUT THE ART WALK? 524 00:21:40,340 --> 00:21:41,425 YEAH. 525 00:21:43,510 --> 00:21:45,512 [BECCA]: THE WORST THING ABOUT BEING AN ART MAJOR 526 00:21:45,512 --> 00:21:47,556 IS ANALYZING ART. 527 00:21:47,556 --> 00:21:49,516 ART SHOULD BE EXPERIENCED. 528 00:21:49,516 --> 00:21:51,309 NOT ANALYZED. 529 00:21:51,309 --> 00:21:53,478 THOUGHT YOU WERE AN ENGLISH MAJOR? 530 00:21:53,478 --> 00:21:55,647 MY FIRST MAJOR WAS ENGLISH. 531 00:21:55,647 --> 00:21:57,190 MY SECOND WAS ART. 532 00:21:57,190 --> 00:21:59,609 BUT STUDYING PAINTING TOOK THE FUN OUT OF IT. 533 00:22:00,861 --> 00:22:02,487 EMILY GETS SUPER-SERIOUS 534 00:22:02,487 --> 00:22:03,864 ABOUT HER PAINTING. 535 00:22:03,864 --> 00:22:06,783 I SEE MYSELF IN THAT AND IT SCARES ME A LITTLE. 536 00:22:06,783 --> 00:22:08,410 WHEN I'M, LIKE, ON A DEADLINE, 537 00:22:08,410 --> 00:22:09,703 I FORGET TO ENJOY 538 00:22:09,703 --> 00:22:11,872 THE FACT THAT I GET TO DRAW MAPS FOR WORK. 539 00:22:11,872 --> 00:22:13,331 I MEAN, HOW AWESOME IS THAT? 540 00:22:13,331 --> 00:22:17,836 I FEEL LIKE EM SEES ME GET SUPER-SERIOUS ABOUT IT, 541 00:22:17,836 --> 00:22:19,421 AND SHE MIMICS ME. 542 00:22:19,421 --> 00:22:21,048 I WANT TO SAY "DON'T FORGET TO HAVE FUN," 543 00:22:21,048 --> 00:22:22,716 WITHOUT SOUNDING LIKE SUCH A DAD. 544 00:22:22,716 --> 00:22:24,342 THAT'S THE RIGHT KIND OF DAD TO SOUND LIKE. 545 00:22:24,342 --> 00:22:26,094 THANKS. 546 00:22:26,094 --> 00:22:27,095 [CHUCKLES] 547 00:22:27,095 --> 00:22:29,014 SO... 548 00:22:29,014 --> 00:22:31,183 WERE YOU A "MAP MAJOR"? 549 00:22:31,183 --> 00:22:32,392 IS THAT A THING? 550 00:22:32,392 --> 00:22:35,103 NO, UH, GEOGRAPHY. BUT I LOVED ART. 551 00:22:35,103 --> 00:22:36,271 WHEN I WAS A KID, 552 00:22:36,271 --> 00:22:38,982 I WOULD DRAW THESE ALTERNATE UNIVERSES 553 00:22:38,982 --> 00:22:41,485 OF LABYRINTHS AND MAPS-- I WAS OBSESSED. 554 00:22:42,569 --> 00:22:45,572 I DIDN'T THINK I'D GET TO DO IT FOR A LIVING, BUT... 555 00:22:45,572 --> 00:22:47,783 THOSE WERE MY FIRST MAPS. 556 00:22:47,783 --> 00:22:50,452 SOUNDS LIKE YOU FOUND A WAY TO KEEP THE JOY IN IT. 557 00:22:50,452 --> 00:22:52,913 YEAH. I GUESS SO. 558 00:22:55,123 --> 00:22:56,249 [DEEP BREATH] 559 00:22:56,249 --> 00:22:57,959 I GOTTA GO. 560 00:22:57,959 --> 00:22:59,586 I REALLY WAS LATE WHEN I WAS RUNNING PAST YOU 561 00:22:59,586 --> 00:23:00,796 LIKE A CRAZY PERSON. 562 00:23:00,796 --> 00:23:02,547 YEAH, WELL, UM... 563 00:23:02,547 --> 00:23:04,674 WOULD YOU LIKE TO PLAY MINIATURE GOLF TOMORROW? 564 00:23:05,926 --> 00:23:07,636 EMILY WOULD LOVE TO SEE YOU AGAIN. 565 00:23:07,636 --> 00:23:09,471 ANOTHER PLAY DATE? 566 00:23:09,471 --> 00:23:11,306 YEAH. [LAUGHS] 567 00:23:11,306 --> 00:23:13,391 YEAH. ABSOLUTELY. 568 00:23:13,391 --> 00:23:16,228 SOUNDS GOOD. 569 00:23:16,228 --> 00:23:18,188 OKAY. 570 00:23:21,066 --> 00:23:23,944 [♪♪] 571 00:23:27,072 --> 00:23:29,407 THAT'S YOUR FIFTH HOLE-IN-ONE! 572 00:23:29,407 --> 00:23:30,408 THAT'S IT? 573 00:23:30,408 --> 00:23:31,409 I KNEW I SHOULD'VE BEEN WORRIED 574 00:23:31,409 --> 00:23:32,994 WHEN THE CASHIER KNEW YOU BY NAME. 575 00:23:32,994 --> 00:23:35,080 DON'T BE A SORE LOSER, DAD! 576 00:23:35,080 --> 00:23:37,749 BECCA CAN'T HELP IT IF SHE'S AMAZING. 577 00:23:37,749 --> 00:23:39,584 MM. YOU HEAR THAT? 578 00:23:39,584 --> 00:23:40,836 I'M AMAZING. 579 00:23:40,836 --> 00:23:42,462 I CAN STILL MAKE AN EPIC COMEBACK. 580 00:23:42,462 --> 00:23:45,465 OH, PLEASE. I COULD BEAT YOU WITH MY EYES CLOSED. 581 00:23:46,842 --> 00:23:47,884 TIME TO GET SERIOUS. 582 00:23:47,884 --> 00:23:50,428 OH, SO YOU WERE "LETTING" US TAKE A LEAD, 583 00:23:50,428 --> 00:23:53,431 AND NOW YOU'RE FINALLY GONNA BRING IT ON HOLE NUMBER 16? 584 00:23:53,431 --> 00:23:55,267 POSSIBLY. 585 00:23:56,893 --> 00:23:58,186 YOU CAN DO IT, DAD. 586 00:23:58,186 --> 00:23:59,813 YOU CAN DO IT! 587 00:24:04,860 --> 00:24:06,611 [SIGHS AS CLUB HITS GROUND] 588 00:24:06,611 --> 00:24:07,904 UGH. 589 00:24:09,197 --> 00:24:11,449 OR NOT. 590 00:24:11,449 --> 00:24:13,451 [BECCA]: CAREFUL. 591 00:24:13,451 --> 00:24:15,370 [♪♪] 592 00:24:15,370 --> 00:24:16,997 DO YOU SEE IT? 593 00:24:18,123 --> 00:24:19,291 OH! 594 00:24:24,129 --> 00:24:26,298 [♪♪] 595 00:24:26,298 --> 00:24:29,176 WELL, UM... THAT'S A WATER PENALTY, 596 00:24:29,176 --> 00:24:31,219 SO YOU MIGHT AS WELL SURRENDER NOW. 597 00:24:31,219 --> 00:24:33,054 [LAUGHS] 598 00:24:33,054 --> 00:24:35,682 I NEVER SURRENDER. 599 00:24:40,812 --> 00:24:41,980 I CAN'T TELL YOU 600 00:24:41,980 --> 00:24:44,482 HOW GOOD THIS HAS BEEN FOR EMILY. 601 00:24:44,482 --> 00:24:47,861 THE KIDS IN HER CLASS HAVE TALKED ABOUT HER SILENCE. 602 00:24:49,070 --> 00:24:50,822 TALKED, OR TEASED? 603 00:24:50,822 --> 00:24:52,282 YOU KNOW HOW KIDS ARE. 604 00:24:52,282 --> 00:24:53,909 IF THEY DON'T UNDERSTAND SOMETHING, 605 00:24:53,909 --> 00:24:55,160 THEY CAN BE MEAN. 606 00:24:55,160 --> 00:24:57,120 WELL... NOT ALL KIDS. 607 00:24:58,663 --> 00:24:59,915 EMILY STARTED WITHDRAWING 608 00:24:59,915 --> 00:25:02,626 WHEN HER MOM WAS DIAGNOSED WITH LEUKEMIA. 609 00:25:02,626 --> 00:25:03,793 EM WAS SIX. 610 00:25:03,793 --> 00:25:05,670 SHE DIDN'T UNDERSTAND, 611 00:25:05,670 --> 00:25:07,380 BUT SHE KNEW IT WAS BAD. 612 00:25:07,380 --> 00:25:09,007 THAT'S SO HARD. 613 00:25:09,007 --> 00:25:10,884 AFTER MAGGIE DIED, 614 00:25:10,884 --> 00:25:12,552 I TOOK EM TO A COUNSELOR, 615 00:25:12,552 --> 00:25:14,554 BUT HE DIDN'T GIVE HER TOOLS NEEDED 616 00:25:14,554 --> 00:25:16,014 TO DEAL WITH HER GRIEF. 617 00:25:16,014 --> 00:25:18,016 I'VE TRIED TO FIND OTHER COUNSELORS, 618 00:25:18,016 --> 00:25:20,060 BUT SHE STOPPED TALKING. 619 00:25:20,060 --> 00:25:22,145 JUST SHUT DOWN. 620 00:25:22,145 --> 00:25:24,105 YOU WANT SOME NACHOS? 621 00:25:24,105 --> 00:25:25,523 [LAUGHS] 622 00:25:25,523 --> 00:25:26,775 IT DOESN'T FEEL LIKE THE RIGHT MOMENT 623 00:25:26,775 --> 00:25:28,902 TO BE CHOMPING ON NACHOS. 624 00:25:28,902 --> 00:25:30,570 I HAVE A HARD TIME TALKING ABOUT THIS, 625 00:25:30,570 --> 00:25:32,239 SO MIGHT BE EASIER 626 00:25:32,239 --> 00:25:33,531 IF THERE WAS CHIPS CRUNCHED IN THE BACKGROUND. 627 00:25:33,531 --> 00:25:34,616 THEN LET THE, UH, 628 00:25:34,616 --> 00:25:37,494 INAPPROPRIATE CHIP-CRUNCHING BEGIN. 629 00:25:40,205 --> 00:25:42,082 WHAT WORRIES ME THE MOST 630 00:25:42,082 --> 00:25:44,542 IS I HAVEN'T SEEN EMILY CRY SINCE SHE LOST HER MOM. 631 00:25:49,756 --> 00:25:51,758 [EMILY]: I GOT A HOLE-IN-ONE IN THE WISHING WELL! 632 00:25:53,385 --> 00:25:55,595 THINK YOU CAN DO IT AGAIN? 633 00:25:56,888 --> 00:25:58,765 LET'S TRY TOGETHER. 634 00:25:59,975 --> 00:26:02,227 [♪♪] 635 00:26:35,343 --> 00:26:37,971 MISS HOWARD. HOW'S YOUR THESIS COMING? 636 00:26:37,971 --> 00:26:39,639 MY THESIS? 637 00:26:39,639 --> 00:26:40,765 YES. THE ONE YOU WERE SUPPOSED TO 638 00:26:40,765 --> 00:26:43,143 TURN IN AN ABSTRACT FOR LAST WEEK. 639 00:26:43,143 --> 00:26:44,311 OH. THAT ONE. 640 00:26:44,311 --> 00:26:45,478 UH, IT'S... COMING. 641 00:26:45,478 --> 00:26:46,646 OH, SO YOU HAVE A TOPIC? 642 00:26:46,646 --> 00:26:48,606 NO, BUT I THINK I MIGHT BE ONTO SOMETHING. 643 00:26:48,606 --> 00:26:49,941 I'M FORMULATING. 644 00:26:49,941 --> 00:26:50,817 "FORMULATING." 645 00:26:50,817 --> 00:26:53,111 "FORM-U-LAT-ING." 646 00:26:53,111 --> 00:26:56,114 YOU SURE THAT'S NOT FRENCH FOR "PROCRASTINATING"? 647 00:26:56,114 --> 00:26:57,365 PRETTY SURE. 648 00:26:57,365 --> 00:26:59,617 UH, I'M RUNNING LATE, THOUGH. 649 00:27:04,622 --> 00:27:06,791 READY FOR SOME GALACTIC FUN? 650 00:27:08,835 --> 00:27:11,171 CAN'T YOU COME WITH US, DAD? 651 00:27:11,171 --> 00:27:12,881 WE TALKED ABOUT THIS, HONEY. 652 00:27:12,881 --> 00:27:14,632 I'D LOVE TO COME, BUT I HAVE TO WORK TODAY. 653 00:27:14,632 --> 00:27:16,634 YOU'LL HAVE A LOT OF FUN WITH BECCA. 654 00:27:16,634 --> 00:27:17,594 SHE'S YOUR FRIEND. 655 00:27:18,636 --> 00:27:20,847 SORRY, THIS DEADLINE CREPT UP ON ME. 656 00:27:20,847 --> 00:27:22,974 THANKS FOR STEPPING IN AT THE LAST MINUTE LIKE THIS. 657 00:27:22,974 --> 00:27:24,893 I'LL HAVE HER BACK IN A FEW HOURS. 658 00:27:24,893 --> 00:27:26,144 READY? 659 00:27:34,027 --> 00:27:35,695 FIVE... FOUR... 660 00:27:35,695 --> 00:27:38,656 THREE... TWO... 661 00:27:38,656 --> 00:27:39,866 ONE. 662 00:27:41,159 --> 00:27:43,203 [♪♪] 663 00:27:53,671 --> 00:27:55,507 WHY DO YOU THINK SATURN HAS RINGS, 664 00:27:55,507 --> 00:27:56,883 BUT THE EARTH DOESN'T? 665 00:27:56,883 --> 00:27:58,635 MAYBE SATURN FELT LIKE IT WASN'T PRETTY ENOUGH, 666 00:27:58,635 --> 00:28:00,512 SO IT DECIDED TO ACCESSORIZE, 667 00:28:00,512 --> 00:28:02,972 BUT THE EARTH IS BEAUTIFUL JUST THE WAY IT IS. 668 00:28:02,972 --> 00:28:06,101 DO YOU REALLY THINK THAT? 669 00:28:06,101 --> 00:28:07,769 SURE. EVERYONE KNOWS 670 00:28:07,769 --> 00:28:10,021 THAT TOO MUCH BLING CAN RUIN A LOOK. 671 00:28:11,189 --> 00:28:13,400 COME ON. NEXT EXHIBIT. 672 00:28:14,818 --> 00:28:16,986 [♪♪] 673 00:28:24,244 --> 00:28:25,787 IS THAT A NEW PLANET? 674 00:28:25,787 --> 00:28:27,330 MM-HMM. 675 00:28:27,330 --> 00:28:28,623 IT'S IN A DIFFERENT GALAXY. 676 00:28:28,623 --> 00:28:32,127 A GALAXY NO ONE ON EARTH HAS DISCOVERED YET. 677 00:28:32,127 --> 00:28:33,670 I LOVE THAT. 678 00:28:33,670 --> 00:28:35,713 I'M PAINTING THE GALAXY YOUR PLANET'S IN. 679 00:28:35,713 --> 00:28:38,550 YOU KNOW, IF YOU DISCOVER A NEW PLANET, 680 00:28:38,550 --> 00:28:40,093 YOU GET TO NAME IT. 681 00:28:40,093 --> 00:28:42,178 HMM... 682 00:28:42,178 --> 00:28:44,264 HOW ABOUT... 683 00:28:45,890 --> 00:28:47,684 "BECTUNE"? 684 00:28:47,684 --> 00:28:48,893 I LIKE IT. 685 00:28:48,893 --> 00:28:51,062 OR MAYBE... 686 00:28:51,062 --> 00:28:51,938 "BUPITUR." 687 00:28:51,938 --> 00:28:53,398 "BUPITUR" IS UNIQUE. 688 00:28:53,398 --> 00:28:55,150 AND I LIKE UNIQUE. 689 00:28:55,150 --> 00:28:56,568 I NOW PRONOUNCE THIS PLANET 690 00:28:56,568 --> 00:28:58,736 "BUPITUR OF THE EMDROMEDA GALAXY." 691 00:28:58,736 --> 00:29:01,322 EMDROMEDA? COOL! 692 00:29:01,322 --> 00:29:03,283 MM-HMM. 693 00:29:04,325 --> 00:29:06,494 LET'S CHECK OUT THE HIDDEN WONDERS EXHIBIT. 694 00:29:06,494 --> 00:29:08,955 I'LL GET US HEADPHONES. 695 00:29:09,998 --> 00:29:11,958 HI. TWO, PLEASE. 696 00:29:15,503 --> 00:29:17,464 THANKS. 697 00:29:17,464 --> 00:29:19,007 THANKS. 698 00:29:19,007 --> 00:29:20,383 EMILY? 699 00:29:23,261 --> 00:29:25,763 [♪♪] 700 00:29:29,517 --> 00:29:31,478 EMILY? 701 00:29:34,647 --> 00:29:36,649 EMILY! 702 00:29:38,526 --> 00:29:40,737 BECCA? 703 00:29:43,114 --> 00:29:44,282 EXCUSE ME? 704 00:29:44,282 --> 00:29:46,326 DID YOU SEE THE LITTLE GIRL THAT WAS JUST WITH ME? 705 00:29:48,119 --> 00:29:49,245 EMILY? 706 00:29:50,872 --> 00:29:53,333 [♪♪] 707 00:30:05,970 --> 00:30:08,306 HAS ANYONE SEEN THE LITTLE GIRL WHO WAS WITH ME? 708 00:30:08,306 --> 00:30:09,807 SHE'S THIS TALL-- 709 00:30:09,807 --> 00:30:11,684 [POUNDING] BECCA! 710 00:30:14,354 --> 00:30:16,773 BECCA! 711 00:30:21,694 --> 00:30:23,488 HAVE YOU SEEN A LITTLE GIRL? 712 00:30:23,488 --> 00:30:25,490 SHE WAS WITH ME EARLIER? LONG BLONDE HAIR? 713 00:30:25,490 --> 00:30:27,700 [♪♪] 714 00:30:29,160 --> 00:30:30,995 YOU HAVE TO FIND HER. YOU HAVE TO HELP ME FIND HER. 715 00:30:30,995 --> 00:30:32,539 YOU HAVE TO FIND HER. 716 00:30:32,539 --> 00:30:34,040 BECCA? 717 00:30:34,040 --> 00:30:35,208 EMILY! 718 00:30:37,710 --> 00:30:38,711 BECCA! 719 00:30:41,089 --> 00:30:42,507 OKAY. THERE YOU GO. 720 00:30:42,507 --> 00:30:43,758 I'M SO SORRY. 721 00:30:43,758 --> 00:30:44,884 ARE YOU OKAY? 722 00:30:44,884 --> 00:30:46,010 DID ANYTHING HAPPEN? 723 00:30:46,010 --> 00:30:48,680 I DIDN'T KNOW WHERE YOU WERE. 724 00:30:48,680 --> 00:30:50,473 I'M SO SORRY, SWEETIE. 725 00:30:50,473 --> 00:30:52,475 I DIDN'T KNOW WHERE YOU WERE EITHER. 726 00:30:52,475 --> 00:30:53,768 BUT WE FOUND EACH OTHER. 727 00:30:53,768 --> 00:30:54,852 HOW DO YOU FEEL? 728 00:30:54,852 --> 00:30:57,689 I'M A BALLOON WITH NO AIR IN IT. 729 00:30:57,689 --> 00:30:59,857 [BECCA SIGHS SADLY] 730 00:30:59,857 --> 00:31:02,735 I'M SO SORRY. 731 00:31:05,280 --> 00:31:07,490 [♪♪] 732 00:31:19,335 --> 00:31:20,461 SHE OKAY? 733 00:31:20,461 --> 00:31:23,256 YEAH, SHE'S FINE. SHE JUST HAD A FULL FEW HOURS. 734 00:31:54,621 --> 00:31:55,872 DO YOU WANT TO STAY FOR SOME COFFEE? 735 00:31:55,872 --> 00:31:56,873 I JUST MADE A FRESH POT. 736 00:31:56,873 --> 00:31:59,167 I LOST EMILY. 737 00:31:59,167 --> 00:32:00,835 WHAT? 738 00:32:00,835 --> 00:32:01,961 AT THE PLANETARIUM. 739 00:32:01,961 --> 00:32:03,254 WE WERE WALKING TO AN EXHIBIT, 740 00:32:03,254 --> 00:32:05,089 AND I TURNED AROUND FOR, LIKE, A SECOND, 741 00:32:05,089 --> 00:32:06,382 AND SHE WAS GONE 742 00:32:06,382 --> 00:32:07,592 AND SHE WAS ONLY OUT OF MY SIGHT 743 00:32:07,592 --> 00:32:08,843 FOR, LIKE, A FEW MINUTES. 744 00:32:08,843 --> 00:32:11,137 NOTHING BAD HAPPENED, BESIDES THE LOSING-HER THING-- 745 00:32:11,137 --> 00:32:12,347 THAT'S OBVIOUSLY BAD. 746 00:32:12,347 --> 00:32:13,556 [LAUGHS] 747 00:32:13,556 --> 00:32:15,808 YOU WANT TO KNOW HOW MANY TIMES I'VE LOST EMILY? 748 00:32:16,976 --> 00:32:19,145 FIVE TIMES. 749 00:32:19,145 --> 00:32:20,146 FIVE. 750 00:32:20,146 --> 00:32:21,481 [RELIEVED LAUGH] 751 00:32:21,481 --> 00:32:23,149 KIDS, THEY WANDER OFF. 752 00:32:23,149 --> 00:32:24,859 THEY'RE SMALL, THEY'RE WILY, 753 00:32:24,859 --> 00:32:27,028 THEY DISAPPEAR, I... 754 00:32:27,028 --> 00:32:28,613 WHAT MATTERS IS THAT YOU FOUND HER. 755 00:32:28,613 --> 00:32:31,866 UM... MAYBE YOU SHOULDN'T 756 00:32:31,866 --> 00:32:33,868 GIVE ME THAT MUCH RESPONSIBILITY. 757 00:32:33,868 --> 00:32:35,912 YOU KNOW, MY TRACK RECORD THERE ISN'T STELLAR. 758 00:32:35,912 --> 00:32:39,374 [LAUGHS] YOU'RE BEING WAY TOO HARD ON YOURSELF. 759 00:32:39,374 --> 00:32:41,918 SHE'S FINE. YOU'RE FINE. 760 00:32:41,918 --> 00:32:43,836 WE'RE GOOD. 761 00:32:43,836 --> 00:32:45,838 I SHOULD GO. 762 00:32:45,838 --> 00:32:47,840 HAVE A GOOD NIGHT. 763 00:32:49,592 --> 00:32:51,844 [♪♪] 764 00:32:54,681 --> 00:32:57,433 [DOOR CREAKS] 765 00:32:58,518 --> 00:33:00,103 I COULDN'T FIND BECCA. 766 00:33:01,187 --> 00:33:02,939 YEAH. SHE TOLD ME. 767 00:33:02,939 --> 00:33:04,774 BUT IT'S OKAY. 768 00:33:04,774 --> 00:33:06,192 YOU'RE HOME, 769 00:33:06,192 --> 00:33:08,820 AND BECCA'S REALLY SORRY SHE COULDN'T FIND YOU. 770 00:33:08,820 --> 00:33:11,698 I DON'T LIKE IT WHEN PEOPLE DISAPPEAR. 771 00:33:13,574 --> 00:33:15,326 I DON'T LIKE IT EITHER. 772 00:33:20,373 --> 00:33:21,916 YOU WON'T DISAPPEAR... 773 00:33:21,916 --> 00:33:23,918 WILL YOU, DADDY? 774 00:33:23,918 --> 00:33:26,587 NO. 775 00:33:26,587 --> 00:33:28,548 NOT A CHANCE. 776 00:33:29,966 --> 00:33:33,428 I'M YOUR FIXED POINT, EM. I'M NOT GOING ANYWHERE. 777 00:33:33,428 --> 00:33:35,388 COME HERE. 778 00:33:36,973 --> 00:33:39,183 [♪♪] 779 00:33:44,522 --> 00:33:45,606 MAYBE CHILD PSYCHOLOGY 780 00:33:45,606 --> 00:33:46,941 ISN'T THE RIGHT FIELD FOR ME. 781 00:33:46,941 --> 00:33:48,526 WHAT IF I EMOTIONALLY TRAUMATIZED EMILY 782 00:33:48,526 --> 00:33:49,777 BY LOSING HER? 783 00:33:49,777 --> 00:33:50,945 YOU ARE OVERREACTING. 784 00:33:50,945 --> 00:33:52,947 NO! DAMAGE DONE IN YOUR FORMATIVE YEARS 785 00:33:52,947 --> 00:33:54,407 LASTS A LIFETIME. 786 00:33:54,407 --> 00:33:55,575 THAT'S WAY TOO MUCH PRESSURE. 787 00:33:55,575 --> 00:33:57,368 I SHOULDN'T BE ALLOWED TO WORK WITH KIDS. 788 00:33:57,368 --> 00:33:58,619 WOULD YOU STOP IT? 789 00:33:58,619 --> 00:33:59,954 I AM NOT GONNA LET YOU QUIT AGAIN. 790 00:33:59,954 --> 00:34:01,456 YOU'RE A PSYCHOLOGY MAJOR 791 00:34:01,456 --> 00:34:02,582 AND YOU'RE STICKING WITH IT. 792 00:34:02,582 --> 00:34:04,417 YOU SHOW REAL APTITUDE FOR THIS KIND OF WORK. 793 00:34:04,417 --> 00:34:06,377 WHETHER YOU WANT TO SEE IT OR NOT 794 00:34:06,377 --> 00:34:07,879 DOESN'T MAKE ANY DIFFERENCE, I SEE IT, 795 00:34:07,879 --> 00:34:10,882 AND I AM NOT GOING TO ALLOW YOU TO BACKSLIDE ANYMORE. 796 00:34:10,882 --> 00:34:12,759 YOU'RE GOING FORWARD FROM THIS POINT. 797 00:34:12,759 --> 00:34:14,802 AM I CLEAR? 798 00:34:14,802 --> 00:34:16,721 WHEN DID YOU GET SO MEAN? 799 00:34:16,721 --> 00:34:19,307 WHEN I MET YOU. 800 00:34:19,307 --> 00:34:21,392 YOU'RE NOTHING IF NOT CHALLENGING. 801 00:34:21,392 --> 00:34:23,227 [CHUCKLES] 802 00:34:23,227 --> 00:34:24,562 YOU'RE LATE TO CLASS? 803 00:34:24,562 --> 00:34:26,606 YEAH. YEAH. 804 00:34:33,738 --> 00:34:35,948 [♪♪] 805 00:34:50,671 --> 00:34:51,923 [GASPS] 806 00:34:51,923 --> 00:34:53,466 I'M SO GLAD YOU'RE HERE! 807 00:34:53,466 --> 00:34:55,009 I'M DYING TO KNOW 808 00:34:55,009 --> 00:34:56,677 WHAT YOU'RE SO EXCITED TO DO AT THE MALL. 809 00:34:56,677 --> 00:34:58,054 DON'T LOOK AT ME. 810 00:34:58,054 --> 00:34:59,305 THIS WAS EMILY'S IDEA. 811 00:34:59,305 --> 00:35:00,932 SHE WANTED TO SURPRISE YOU. 812 00:35:00,932 --> 00:35:01,974 DAD... 813 00:35:01,974 --> 00:35:03,017 YOU WAIT HERE. 814 00:35:03,017 --> 00:35:04,268 WE'LL GET YOU WHEN WE'RE READY. 815 00:35:04,268 --> 00:35:06,979 [♪♪] 816 00:35:10,066 --> 00:35:13,653 LET'S GET A PRETTY "PRINCESS" MAKEOVER. 817 00:35:16,489 --> 00:35:18,032 YOU DON'T NEED A MAKEOVER. 818 00:35:18,032 --> 00:35:20,952 YOU ARE PERFECT JUST THE WAY YOU ARE. 819 00:35:20,952 --> 00:35:22,870 BUT I REALLY WANT ONE. PLEASE? 820 00:35:22,870 --> 00:35:24,497 PLEASE? 821 00:35:24,497 --> 00:35:26,040 OKAY, YOU'RE TOO YOUNG TO UNDERSTAND THIS, 822 00:35:26,040 --> 00:35:28,084 BUT MAKEOVERS ARE A CULTURAL CONSTRUCT OF BEAUTY 823 00:35:28,084 --> 00:35:29,710 USED BY OUR PATRIARCHAL SOCIETY 824 00:35:29,710 --> 00:35:32,338 TO KEEP WOMEN IN SUBSERVIENT ROLES. 825 00:35:32,338 --> 00:35:35,508 MY MOM ALWAYS SAID BEAUTY'S ON THE INSIDE, 826 00:35:35,508 --> 00:35:39,053 BUT IT'S ALWAYS FUN TO MAKE YOUR OUTSIDE SPARKLE. 827 00:35:39,053 --> 00:35:41,347 OH. OKAY. 828 00:35:41,347 --> 00:35:44,559 BUT WHY WOULDN'T YOU WANT YOUR DAD TO COME IN? 829 00:35:44,559 --> 00:35:46,727 BECAUSE I DON'T WANT TO DO THIS WITH DAD. 830 00:35:46,727 --> 00:35:48,062 [LAUGHS] 831 00:35:48,062 --> 00:35:50,648 THEN IT'S TIME TO SPARKLE. 832 00:35:50,648 --> 00:35:52,525 [GIGGLING] 833 00:35:52,525 --> 00:35:54,902 I HAD NO IDEA IT WOULD BE SO MUCH FUN 834 00:35:54,902 --> 00:35:56,362 TO BE A PRETTY PINK PRINCESS. 835 00:35:56,362 --> 00:35:58,364 UH... 836 00:35:58,364 --> 00:36:00,700 EM? WHERE'D YOU GET THAT? 837 00:36:00,700 --> 00:36:02,076 TOOK IT WITHOUT ASKING. 838 00:36:02,076 --> 00:36:04,537 YOU STOLE IT? FROM HERE IN THE MALL? 839 00:36:04,537 --> 00:36:06,080 NO! 840 00:36:06,080 --> 00:36:08,082 I TOOK IT FROM MY DAD'S CLOSET. 841 00:36:08,082 --> 00:36:10,126 IT'S MY MOM'S FAVORITE NECKLACE. 842 00:36:10,126 --> 00:36:12,795 OH... I SEE. 843 00:36:12,795 --> 00:36:14,672 HE SAYS I'M NOT OLD ENOUGH 844 00:36:14,672 --> 00:36:16,048 TO HAVE IT YET, 845 00:36:16,048 --> 00:36:18,593 BUT I WON'T LOSE IT... I PROMISE. 846 00:36:18,593 --> 00:36:20,678 WILL YOU TELL HIM? 847 00:36:20,678 --> 00:36:22,096 I THINK YOU SHOULD TELL HIM. 848 00:36:22,096 --> 00:36:24,724 BUT HE'LL BE MAD I TOOK IT. 849 00:36:24,724 --> 00:36:26,100 IF YOU'RE OLD ENOUGH TO WEAR IT, 850 00:36:26,100 --> 00:36:28,436 YOU'RE OLD ENOUGH TO TELL HIM THAT YOU TOOK IT. 851 00:36:28,436 --> 00:36:30,563 DON'T YOU AGREE? 852 00:36:35,109 --> 00:36:37,069 [PHONE CHIMES] 853 00:36:39,864 --> 00:36:42,116 [EMILY GIGGLING] 854 00:36:42,116 --> 00:36:44,911 I LOVE YOUR DRESS! 855 00:36:44,911 --> 00:36:47,121 [BECCA]: THANK YOU! YOURS LOOKS BEAUTIFUL, TOO. 856 00:36:47,121 --> 00:36:50,124 [EMILY]: THANK YOU! YOUR CROWN IS ACTUALLY MADE-- 857 00:36:50,124 --> 00:36:51,417 HELLO? 858 00:36:51,417 --> 00:36:53,127 [BECCA]: COME IN. 859 00:36:53,127 --> 00:36:55,421 [SWOOSH] 860 00:36:56,589 --> 00:36:58,758 WELL, I DID NOT KNOW ROYALTY WAS IN TOWN. 861 00:36:58,758 --> 00:37:00,885 AND AT THE MALL, NO LESS. 862 00:37:00,885 --> 00:37:03,763 [QUIETLY]: I HAVE TO SHOW YOU SOMETHING. 863 00:37:16,943 --> 00:37:19,403 YOU WENT INTO MY CLOSET 864 00:37:19,403 --> 00:37:20,988 AND TOOK THIS WITHOUT ASKING? 865 00:37:20,988 --> 00:37:22,657 WE'VE TALKED ABOUT THIS, EM. 866 00:37:22,657 --> 00:37:26,661 I KNOW, BUT, IT'S JUST... 867 00:37:26,661 --> 00:37:29,080 EMILY, CAN I TALK TO YOUR DAD FOR A SECOND? 868 00:37:34,627 --> 00:37:35,920 DON'T YOU THINK THAT TOOK BRAVERY, 869 00:37:35,920 --> 00:37:37,213 FOR HER TO TELL YOU THAT SHE TOOK IT? 870 00:37:37,213 --> 00:37:39,507 I MEAN, I KNOW I'M NOT AN EXPERT IN PARENTING, 871 00:37:39,507 --> 00:37:42,927 BUT IT'S HARD TO ADMIT WHEN YOU DID SOMETHING WRONG. 872 00:37:42,927 --> 00:37:46,681 MAYBE WE SHOULD ASK HER WHY SHE TOOK IT. 873 00:37:46,681 --> 00:37:49,225 SOMETIMES, THE "WHYS" ARE MORE IMPORTANT THAN THE HOW. 874 00:37:49,225 --> 00:37:51,644 DON'T YOU THINK, NATE? 875 00:37:55,231 --> 00:37:58,150 [NATE]: EMILY, YOU CAN COME BACK NOW. 876 00:38:06,075 --> 00:38:08,661 WHY DID YOU TAKE THIS? 877 00:38:08,661 --> 00:38:10,997 WHY DIDN'T YOU ASK ME FIRST? 878 00:38:10,997 --> 00:38:13,624 I TRIED TO ASK. 879 00:38:13,624 --> 00:38:15,960 IT'S JUST... 880 00:38:15,960 --> 00:38:18,629 I WAS AFRAID YOU'D SAY NO, 881 00:38:18,629 --> 00:38:22,967 AND I THOUGHT ABOUT IT A LOT... 882 00:38:22,967 --> 00:38:25,261 AND I'M READY TO WEAR IT. 883 00:38:25,261 --> 00:38:29,724 EM, I WANT YOU TO KNOW YOU CAN ALWAYS TALK TO ME. 884 00:38:29,724 --> 00:38:32,184 YOU SHOULD NEVER HAVE TO BE AFRAID TO ASK ME ANYTHING, 885 00:38:32,184 --> 00:38:33,185 OKAY, SWEETIE? 886 00:38:34,645 --> 00:38:37,690 I THINK YOU ARE OLD ENOUGH TO WEAR IT. 887 00:38:40,609 --> 00:38:44,030 AND... YOU'RE GONNA TAKE REALLY GOOD CARE OF IT. 888 00:38:46,824 --> 00:38:48,200 THANK YOU! 889 00:38:49,660 --> 00:38:51,871 [♪♪] 890 00:38:54,582 --> 00:38:58,210 WELL... YOU KNEW EXACTLY HOW TO HANDLE THAT. 891 00:38:59,295 --> 00:39:01,297 HOW DID YOU KNOW HOW TO DO THAT SO WELL? 892 00:39:01,297 --> 00:39:03,591 I KNOW HOW KIDS THINK, I GUESS. 893 00:39:03,591 --> 00:39:05,009 DO YOU DEAL WITH A LOT OF KIDS 894 00:39:05,009 --> 00:39:06,260 AT THE ROYAL CASTLE? 895 00:39:06,260 --> 00:39:07,303 [CHUCKLES] OH... 896 00:39:07,303 --> 00:39:09,180 YOU MAY BOW, MY LIEGE. 897 00:39:09,180 --> 00:39:10,723 OH! AHEM. 898 00:39:11,849 --> 00:39:14,226 [♪♪] 899 00:39:16,729 --> 00:39:18,856 CAN I TAKE BECCA ON A HOUSE TOUR? 900 00:39:18,856 --> 00:39:20,566 SHOULDN'T WE HELP YOUR DAD COOK? 901 00:39:20,566 --> 00:39:21,567 NO, GO. 902 00:39:21,567 --> 00:39:23,736 NO, I CAN TAKE CARE OF THE COOKING. 903 00:39:25,279 --> 00:39:26,864 OKAY. 904 00:39:31,577 --> 00:39:33,954 THIS IS WHERE I DO MY PAINTINGS... 905 00:39:33,954 --> 00:39:35,956 AND THESE ARE MY PAINT BRUSHES, 906 00:39:35,956 --> 00:39:37,708 AND THIS IS MY DAD'S ROOM. 907 00:39:37,708 --> 00:39:40,127 AND THIS IS MINE! COME ON! 908 00:39:40,127 --> 00:39:41,879 THAT'S MY BED 909 00:39:41,879 --> 00:39:45,216 AND THIS IS MY FAVORITE COMFORTER. 910 00:39:45,216 --> 00:39:48,719 OH, AND MY DAD MADE THESE PAINTINGS. 911 00:39:48,719 --> 00:39:51,806 AND... THAT'S MY LIBRARY. 912 00:39:51,806 --> 00:39:54,100 DO YOU WANT TO BORROW A BOOK? 913 00:39:54,100 --> 00:39:56,185 IS THIS YOUR MOM? 914 00:39:57,353 --> 00:40:00,022 THIS ONE'S MY FAVORITE. 915 00:40:02,733 --> 00:40:05,778 ARE YOU OKAY, EM? 916 00:40:07,071 --> 00:40:09,323 OH, I SHOULDN'T HAVE ASKED HOW YOU ARE. 917 00:40:09,323 --> 00:40:10,908 WE'RE BEYOND THAT BORING QUESTION. 918 00:40:10,908 --> 00:40:13,077 WHAT ARE YOU READING? 919 00:40:14,245 --> 00:40:16,831 [GASPS] THE VELVETEEN RABBIT? 920 00:40:16,831 --> 00:40:19,333 I REMEMBER THAT BOOK FROM WHEN I WAS LITTLE. 921 00:40:19,333 --> 00:40:21,293 CAN I? 922 00:40:21,293 --> 00:40:23,087 OKAY. 923 00:40:23,087 --> 00:40:24,380 "WEEKS PASSED, 924 00:40:24,380 --> 00:40:27,341 "AND THE LITTLE RABBIT GREW VERY OLD AND SHABBY, 925 00:40:27,341 --> 00:40:29,927 "BUT THE BOY LOVED HIM JUST AS MUCH. 926 00:40:29,927 --> 00:40:31,095 "HE LOVED HIM SO HARD, 927 00:40:31,095 --> 00:40:33,639 "THAT HE LOVED ALL OF HIS WHISKERS OFF, 928 00:40:33,639 --> 00:40:35,766 "AND THE PINK LINING TO HIS EARS TURNED GRAY, 929 00:40:35,766 --> 00:40:37,810 "AND HIS BROWN SPOTS FADED. 930 00:40:37,810 --> 00:40:40,271 "HE EVEN BEGAN TO LOSE HIS SHAPE, 931 00:40:40,271 --> 00:40:42,898 "AND HE SCARCELY LOOKED LIKE A RABBIT ANYMORE, 932 00:40:42,898 --> 00:40:44,316 "EXCEPT TO THE BOY. 933 00:40:44,316 --> 00:40:47,403 "TO HIM, HE WAS ALWAYS BEAUTIFUL, 934 00:40:47,403 --> 00:40:50,281 "AND THAT WAS ALL THE LITTLE RABBIT CARED ABOUT. 935 00:40:50,281 --> 00:40:52,283 "HE DIDN'T MIND HOW HE LOOKED TO OTHER PEOPLE, 936 00:40:52,283 --> 00:40:55,119 "BECAUSE THE NURSERY MAGIC HAD MADE HIM REAL, 937 00:40:55,119 --> 00:40:58,789 "AND WHEN YOU ARE REAL... SHABBINESS DOESN'T MATTER. 938 00:41:00,416 --> 00:41:04,378 "AND THEN, ONE DAY... THE BOY WAS ILL. 939 00:41:04,378 --> 00:41:06,380 "HIS FACE GREW VERY FLUSHED, 940 00:41:06,380 --> 00:41:09,091 "AND HE TALKED IN HIS SLEEP, 941 00:41:09,091 --> 00:41:11,385 "AND HIS LITTLE BODY WAS SO HOT, 942 00:41:11,385 --> 00:41:14,388 "THAT IT BURNED THE RABBIT WHEN HE HELD HIM CLOSE. 943 00:41:14,388 --> 00:41:17,224 "STRANGE PEOPLE CAME AND WENT IN THE NURSERY, 944 00:41:17,224 --> 00:41:19,435 "AND A LIGHT BURNED ALL NIGHT... 945 00:41:19,435 --> 00:41:20,644 [VOICE CRACKING]: "AND THROUGH IT ALL, 946 00:41:20,644 --> 00:41:23,189 "THE LITTLE VELVETEEN RABBIT LAY THERE, 947 00:41:23,189 --> 00:41:25,983 "HIDDEN FROM SIGHT, UNDER THE BEDCLOTHES, 948 00:41:25,983 --> 00:41:27,693 "AND HE NEVER STIRRED... 949 00:41:28,819 --> 00:41:30,446 [TEARING UP]: "FOR HE WAS AFRAID, 950 00:41:30,446 --> 00:41:32,156 "IF THEY FOUND HIM... 951 00:41:32,156 --> 00:41:34,450 "SOMEONE MIGHT TAKE HIM AWAY, 952 00:41:34,450 --> 00:41:37,036 AND HE KNEW THAT THE BOY NEEDED HIM." 953 00:41:37,036 --> 00:41:38,996 [BECCA SOBS] 954 00:41:38,996 --> 00:41:41,415 BECCA, ARE YOU OKAY? 955 00:41:41,415 --> 00:41:43,751 [BECCA SNIFFS AND SOBS] 956 00:41:43,751 --> 00:41:45,419 MY MOM... 957 00:41:45,419 --> 00:41:47,713 READ THIS TO ME WHEN I WAS LITTLE. 958 00:41:47,713 --> 00:41:49,340 [SNIFFS] 959 00:41:49,340 --> 00:41:51,467 I GUESS SHE WAS GETTING ME READY, 960 00:41:51,467 --> 00:41:54,178 BUT I DIDN'T REALIZE IT. 961 00:41:54,178 --> 00:41:57,890 I LOST MY MOM... LIKE YOU DID. 962 00:41:59,058 --> 00:42:00,935 AND I MISS HER. 963 00:42:00,935 --> 00:42:02,895 I MISS HER A LOT. 964 00:42:02,895 --> 00:42:07,733 SOMETIMES, IT-- IT HITS ME WHEN I'M NOT EXPECTING IT, 965 00:42:07,733 --> 00:42:10,361 AND... I GET SAD. 966 00:42:10,361 --> 00:42:11,987 LIKE RIGHT NOW? 967 00:42:11,987 --> 00:42:13,405 YOU'RE SAD? 968 00:42:13,405 --> 00:42:16,492 [EXHALES DEEPLY] YEAH. 969 00:42:16,492 --> 00:42:18,869 BUT IT'S OKAY TO BE SAD. 970 00:42:18,869 --> 00:42:20,371 IT IS? 971 00:42:20,371 --> 00:42:21,914 ABSOLUTELY. 972 00:42:23,040 --> 00:42:25,501 YOU CAN BORROW THE VELVETEEN RABBIT, 973 00:42:25,501 --> 00:42:27,086 IF YOU WANT. 974 00:42:27,086 --> 00:42:28,462 NO. 975 00:42:28,462 --> 00:42:30,422 I THINK YOU SHOULD KEEP IT. 976 00:42:32,132 --> 00:42:35,094 [BECCA CHUCKLES SADLY, SOBS] 977 00:42:40,057 --> 00:42:42,309 IS THAT YOUR NORMAL DINNER? 978 00:42:42,309 --> 00:42:45,479 UH, LATELY, YES. SCHOOL HAS ME BUSY. 979 00:42:45,479 --> 00:42:46,522 THAT'S NOT ENTIRELY TRUE. 980 00:42:46,522 --> 00:42:47,690 I AM BUSY, 981 00:42:47,690 --> 00:42:50,359 BUT THE "TOP RAMEN" THING IS REALLY JUST A BAD HABIT. 982 00:42:50,359 --> 00:42:51,402 IT'S EASY... 983 00:42:51,402 --> 00:42:53,237 AND I LIKE EASY. 984 00:42:53,237 --> 00:42:54,488 YOU KNOW WHAT-- YOU KNOW WHAT I MEAN. 985 00:42:54,488 --> 00:42:58,158 TOP RAMEN IS A LOW-COST INVESTMENT MEAL. 986 00:42:58,158 --> 00:43:00,411 MY GRAM AND POP HAVE A COOL CABIN. 987 00:43:00,411 --> 00:43:02,121 WE'RE GOING THERE THIS WEEKEND. 988 00:43:02,121 --> 00:43:03,455 THAT SOUNDS LIKE FUN. 989 00:43:03,455 --> 00:43:05,249 YOU SHOULD COME, TOO. CAN SHE, DAD? 990 00:43:05,249 --> 00:43:06,959 [GULPS] UM... 991 00:43:08,252 --> 00:43:13,340 A WEEKEND'S A... A WEEKEND'S A PRETTY BIG COMMITMENT, EMILY. 992 00:43:13,340 --> 00:43:15,426 BECCA ALREADY SAID HOW BUSY SHE WAS. 993 00:43:16,427 --> 00:43:18,470 THAT'S RIGHT, I DID SAY THAT. 994 00:43:18,470 --> 00:43:20,431 AWW, BUT WE'D HAVE SO MUCH FUN. 995 00:43:20,431 --> 00:43:23,100 YOU CAN BE UN-BUSY FOR TWO DAYS, RIGHT? 996 00:43:24,101 --> 00:43:25,811 YOU MAKE A COMPELLING ARGUMENT. 997 00:43:29,523 --> 00:43:30,816 OKAY. 998 00:43:30,816 --> 00:43:32,568 IF BECCA DOESN'T THINK SHE'S TOO BUSY, 999 00:43:32,568 --> 00:43:33,485 SHE'S MORE THAN WELCOME. 1000 00:43:34,778 --> 00:43:37,448 YES! [GIGGLES] 1001 00:43:39,283 --> 00:43:41,243 [FOOTSTEPS] 1002 00:43:43,370 --> 00:43:45,372 EMILY IS OUT LIKE A LIGHT. 1003 00:43:45,372 --> 00:43:47,541 SHE HAD A BIG DAY. 1004 00:43:47,541 --> 00:43:49,168 THIS HAS BEEN NICE. 1005 00:43:49,168 --> 00:43:52,338 WHAT'S NICE IS FINALLY HAVING AN ADULT TO TALK WITH. 1006 00:43:52,338 --> 00:43:53,547 IT'S REFRESHING. 1007 00:43:53,547 --> 00:43:55,090 I HOPE YOU DON'T MEAN ME. 1008 00:43:55,090 --> 00:43:57,134 ADULT'S A SCARY WORD. 1009 00:43:57,134 --> 00:44:00,304 I SPEND SO MUCH TIME WORKING ALONE, OR WITH EM, 1010 00:44:00,304 --> 00:44:02,014 SO THIS IS... 1011 00:44:02,014 --> 00:44:03,349 NICE? 1012 00:44:03,349 --> 00:44:05,976 RIGHT. IT'S NICE. 1013 00:44:06,977 --> 00:44:08,479 HOW MANY MORE TIMES DO YOU THINK 1014 00:44:08,479 --> 00:44:10,397 WE CAN SAY "NICE"? 1015 00:44:10,397 --> 00:44:12,608 AT LEAST A DOZEN. 1016 00:44:12,608 --> 00:44:13,901 [CHUCKLES] 1017 00:44:13,901 --> 00:44:15,361 SO, ABOUT THE CABIN. 1018 00:44:15,361 --> 00:44:17,404 I DON'T WANT TO IMPOSE ON YOUR FAMILY TIME. 1019 00:44:17,404 --> 00:44:18,572 NO, YOU'RE NOT. 1020 00:44:18,572 --> 00:44:20,574 BESIDES, MY PARENTS WILL BE THRILLED 1021 00:44:20,574 --> 00:44:22,159 TO SEE HOW WELL EM'S DOING. 1022 00:44:22,159 --> 00:44:24,036 THAT'S ALL BECAUSE OF YOU. 1023 00:44:25,496 --> 00:44:28,540 SO THIS KINDA FEELS LIKE A DATE. 1024 00:44:28,540 --> 00:44:31,001 OH! BUT IT'S NOT. HA, OBVIOUSLY. 1025 00:44:31,001 --> 00:44:33,587 I MEAN, WHY... WHY WOULD IT BE A DATE? 1026 00:44:33,587 --> 00:44:35,422 YOU AND I... DATING? 1027 00:44:35,422 --> 00:44:36,590 MM. 1028 00:44:36,590 --> 00:44:37,883 -I DIDN'T MEAN TO IMPLY THAT-- -[HE LAUGHS] 1029 00:44:37,883 --> 00:44:39,635 ...DATING YOU WOULD BE-- BE BAD, 1030 00:44:39,635 --> 00:44:40,552 IT WOULDN'T. 1031 00:44:40,552 --> 00:44:42,846 DATING YOU WOULD BE... 1032 00:44:43,889 --> 00:44:45,057 "NICE"? 1033 00:44:45,057 --> 00:44:47,059 [LAUGHS] NICE. 1034 00:44:47,059 --> 00:44:49,019 EXACTLY. 1035 00:44:51,397 --> 00:44:53,148 I'M A PRO AT FIRST DATES. 1036 00:44:53,148 --> 00:44:55,526 IT'S THE ONES THAT COME AFTER 1037 00:44:55,526 --> 00:44:58,278 THAT ARE TRICKY. 1038 00:44:58,278 --> 00:45:00,406 WHAT'S, UH, TRICKY ABOUT THEM? 1039 00:45:00,406 --> 00:45:02,574 UH... 1040 00:45:02,574 --> 00:45:05,953 WELL, YOU EVENTUALLY REALIZE 1041 00:45:05,953 --> 00:45:07,371 YOU'RE IN A RELATIONSHIP, 1042 00:45:07,371 --> 00:45:09,873 AND RELATIONSHIPS AREN'T MY STRONG SUIT, 1043 00:45:09,873 --> 00:45:14,670 SO MY EXPIRATION DATE IS TYPICALLY SIX MONTHS. 1044 00:45:14,670 --> 00:45:16,296 WHY IS THAT? 1045 00:45:16,296 --> 00:45:18,549 UH... 1046 00:45:18,549 --> 00:45:21,093 YOU DON'T HAVE TO TELL ME THAT. 1047 00:45:23,137 --> 00:45:25,681 NO, I THINK I'M AFRAID OF COMMITMENT, 1048 00:45:25,681 --> 00:45:26,640 BECAUSE... 1049 00:45:26,640 --> 00:45:29,685 LIFE IS SO UNPREDICTABLE. 1050 00:45:29,685 --> 00:45:31,395 YOU NEVER KNOW WHAT'S GOING TO HAPPEN. 1051 00:45:31,395 --> 00:45:33,647 YEAH, BUT THAT PERSON WE MEET, 1052 00:45:33,647 --> 00:45:36,358 THAT MAKES THE UNPREDICTABLE LESS SCARY... 1053 00:45:36,358 --> 00:45:39,278 LIKE WHAT I HAD WITH MAGGIE... 1054 00:45:42,072 --> 00:45:43,615 ...THAT MAKES IT ALL WORTH IT. 1055 00:45:44,700 --> 00:45:46,660 DO YOU THINK THAT... 1056 00:45:46,660 --> 00:45:49,163 YOU COULD HAVE THAT WITH SOMEONE AGAIN? 1057 00:45:49,163 --> 00:45:51,623 HMM. HONESTLY, I DON'T KNOW. 1058 00:45:52,708 --> 00:45:55,127 I HOPE SO. 1059 00:45:56,712 --> 00:45:59,590 I THINK SHE'D WANT ME TO FIND SOMEONE. 1060 00:45:59,590 --> 00:46:01,633 [EMILY YELLS]: DADDY! DADDY! 1061 00:46:04,678 --> 00:46:07,139 [♪♪] 1062 00:46:09,433 --> 00:46:12,019 IT'S OKAY, BABY. IT WAS JUST A NIGHTMARE. 1063 00:46:12,019 --> 00:46:14,313 I'M RIGHT HERE. 1064 00:46:16,607 --> 00:46:18,025 SORRY. 1065 00:46:18,025 --> 00:46:19,651 NO. DON'T BE. 1066 00:46:19,651 --> 00:46:22,488 I SHOULD GO. THANKS AGAIN FOR DINNER. 1067 00:46:25,741 --> 00:46:27,659 [♪♪] 1068 00:46:36,710 --> 00:46:38,712 YOU'RE NOT GONNA WANT TO HEAR THIS, 1069 00:46:38,712 --> 00:46:39,755 BUT YOU HAVE TO-- 1070 00:46:39,755 --> 00:46:42,466 YOU'VE GOT TO START YOUR THESIS, BECCA! 1071 00:46:42,466 --> 00:46:43,717 -YOU'RE TOO INDECISIVE! -I STARTED. 1072 00:46:43,717 --> 00:46:46,720 NO, YOU HAVE BEEN INDECISIVE EVER SINCE WE MET. 1073 00:46:46,720 --> 00:46:48,138 I CHOSE MY TOPIC. 1074 00:46:48,138 --> 00:46:50,224 YOU HAVE TO CHOO-- WHAT? 1075 00:46:50,224 --> 00:46:51,683 DID YOU-- YOU'VE CHOSEN A TOPIC? 1076 00:46:53,769 --> 00:46:56,021 I'M GONNA WRITE ABOUT HOW KIDS DEAL WITH GRIEF, 1077 00:46:56,021 --> 00:46:57,022 AND HOW ADULTS FAIL THEM 1078 00:46:57,022 --> 00:46:58,524 BY NOT GIVING THEM THE PROPER TOOLS 1079 00:46:58,524 --> 00:46:59,858 TO PROCESS THEIR EMOTIONS. 1080 00:46:59,858 --> 00:47:02,152 WHEN NATE TOLD ME THAT EMILY HADN'T CRIED SINCE HER MOM DIED, 1081 00:47:02,152 --> 00:47:03,320 I STARTED THINKING-- 1082 00:47:03,320 --> 00:47:05,656 HOW MANY KIDS HAVE TROUBLE ACCESSING THEIR EMOTIONS 1083 00:47:05,656 --> 00:47:07,533 WHEN THEY GO THROUGH SOMETHING TRAUMATIC? 1084 00:47:07,533 --> 00:47:10,619 WE NEED TO FIND BETTER WAYS TO TALK TO THOSE KIDS. 1085 00:47:10,619 --> 00:47:13,080 IT'S INCREDIBLE TO SEE HOW MUCH EMILY HAS CHANGED 1086 00:47:13,080 --> 00:47:14,790 SINCE WE STARTED HANGING OUT, 1087 00:47:14,790 --> 00:47:18,252 HOW MUCH SHE'S GROWN AND COME OUT OF HER SHELL... 1088 00:47:18,252 --> 00:47:20,420 I'M REALLY HAVING FUN HANGING OUT WITH HER. 1089 00:47:20,420 --> 00:47:21,797 I'VE ALSO NOTICED 1090 00:47:21,797 --> 00:47:23,757 YOU'VE BEEN SPENDING A LOT OF TIME WITH NATE, TOO. IT'S... 1091 00:47:24,925 --> 00:47:29,012 I MAKE AN IMPASSIONED SPEECH, AND THAT'S WHAT YOU GET FROM IT? 1092 00:47:29,012 --> 00:47:30,472 I'M JUST MAKING AN OBSERVATION. 1093 00:47:30,472 --> 00:47:32,182 [FRUSTRATED SIGH] I THOUGHT YOU'D BE HAPPY 1094 00:47:32,182 --> 00:47:34,601 THAT I FINALLY CHOSE SOMETHING TO WRITE ABOUT. 1095 00:47:34,601 --> 00:47:35,811 OH, I AM, I JUST WANT YOU TO BE CAREFUL 1096 00:47:35,811 --> 00:47:38,772 NOT TO GET, YOU KNOW, TOO CLOSE TO THE SITUATION. 1097 00:47:38,772 --> 00:47:40,774 I'M NOT TOO CLOSE. 1098 00:47:40,774 --> 00:47:41,900 WHAT DOES THAT EVEN MEAN ANYWAY? 1099 00:47:41,900 --> 00:47:44,611 WHAT I'M SAYING IS, YOU HAVE TO STAY FOCUSED 1100 00:47:44,611 --> 00:47:46,780 ON WHAT'S REALLY IMPORTANT RIGHT NOW. 1101 00:47:46,780 --> 00:47:50,492 YOU KNOW, AND THAT IS FINISHING YOUR THESIS 1102 00:47:50,492 --> 00:47:51,702 GRADUATING FINALLY, 1103 00:47:51,702 --> 00:47:52,828 AND NOT WASTING YOUR TIME 1104 00:47:52,828 --> 00:47:54,830 FLIRTING WITH SOME GUY YOU JUST MET. 1105 00:47:54,830 --> 00:47:56,540 STOP. IF I WAS A MAN, YOU WOULDN'T EVEN 1106 00:47:56,540 --> 00:47:58,250 START THAT SENTENCE, SO DON'T BOTHER FINISHING IT. 1107 00:47:58,250 --> 00:47:59,418 BECCA! 1108 00:47:59,418 --> 00:48:01,295 I CAN FLIRT WITH WHOEVER I WANT, 1109 00:48:01,295 --> 00:48:03,797 AND FINISH MY THESIS, I ASSURE YOU. 1110 00:48:03,797 --> 00:48:05,090 WELL, I'M SORRY, 1111 00:48:05,090 --> 00:48:07,801 I DIDN'T MEAN TO IMPLY YOU WERE BEING UNPROFESSIONAL. 1112 00:48:07,801 --> 00:48:10,178 YOU DIDN'T IMPLY IT, YOU SAID IT. 1113 00:48:11,346 --> 00:48:12,848 YEAH, YOU'RE RIGHT. 1114 00:48:12,848 --> 00:48:14,808 THAT WAS UNCALLED FOR. 1115 00:48:14,808 --> 00:48:17,811 I JUST WANT YOU TO SUCCEED. 1116 00:48:17,811 --> 00:48:20,272 IN EVERYTHING. 1117 00:48:20,272 --> 00:48:21,315 THAT'S ALL. 1118 00:48:21,315 --> 00:48:22,816 I KNOW. 1119 00:48:22,816 --> 00:48:25,277 IT'S OKAY, I'M NOT MAD... 1120 00:48:26,445 --> 00:48:27,529 ...MUCH. 1121 00:48:27,529 --> 00:48:30,115 BUT I HAVE TO GO WORK ON MY PAPER, SO... 1122 00:48:30,115 --> 00:48:33,201 I'LL CALL YOU IN A FEW DAYS. 1123 00:48:34,328 --> 00:48:36,288 OKAY. 1124 00:48:37,664 --> 00:48:39,708 [DOOR CREAKS SHUT] 1125 00:48:40,834 --> 00:48:43,795 [CELL PHONE STARTS RINGING] 1126 00:48:45,589 --> 00:48:46,882 [CHUCKLES] 1127 00:48:46,882 --> 00:48:48,842 I WAS JUST TALKING ABOUT YOU. 1128 00:48:48,842 --> 00:48:51,261 I MEAN, THINKING ABOUT YOU. I MEAN... WHAT? 1129 00:48:51,261 --> 00:48:53,889 HELLO. HI, NATE. 1130 00:48:53,889 --> 00:48:55,515 HEY, BECCA. 1131 00:48:55,515 --> 00:48:56,892 HEY, NATE. 1132 00:48:56,892 --> 00:48:58,310 I SAID THAT ALREADY. 1133 00:48:58,310 --> 00:49:00,145 YOU CAN SAY IT AGAIN IF YOU WANT. 1134 00:49:00,145 --> 00:49:01,146 TWO TIMES IS CHARMING, 1135 00:49:01,146 --> 00:49:02,773 THREE TIMES IS A LITTLE WEIRD. 1136 00:49:02,773 --> 00:49:04,650 WELL, YOU KNOW, WHEN WE MET AT JACKSON'S, 1137 00:49:04,650 --> 00:49:06,735 EMILY SAID YOU WERE WEIRD. 1138 00:49:06,735 --> 00:49:08,445 SHE WAS SO RIGHT. 1139 00:49:08,445 --> 00:49:09,821 SO, HOW'S EM? 1140 00:49:09,821 --> 00:49:13,700 WELL, WHEN WE GOT HOME TODAY, SHE PUT ON HER PRINCESS DRESS. 1141 00:49:13,700 --> 00:49:15,118 YOU KNOW, SHE, UH, 1142 00:49:15,118 --> 00:49:16,536 REALLY LIKED HAVING YOU OVER. 1143 00:49:16,536 --> 00:49:18,705 I LIKED BEING OVER. 1144 00:49:18,705 --> 00:49:22,876 UH, THAT REMINDS ME-- YOU LEFT YOUR JACKET OVER HERE. 1145 00:49:22,876 --> 00:49:24,336 UM, SO... 1146 00:49:24,336 --> 00:49:27,297 IF YOU LIKE, I COULD DROP IT OFF, UM... 1147 00:49:27,297 --> 00:49:28,840 IN CASE YOU NEEDED IT? 1148 00:49:28,840 --> 00:49:31,134 YOU THINK I MIGHT NEED IT URGENTLY? 1149 00:49:31,134 --> 00:49:32,552 WELL, I JUST DIDN'T WANT YOU TO GET COLD 1150 00:49:32,552 --> 00:49:35,472 AND FIND YOURSELF IN A JACKETLESS SITUATION. 1151 00:49:35,472 --> 00:49:36,932 TRUE. 1152 00:49:36,932 --> 00:49:37,933 YOU COULD BRING IT OVER. 1153 00:49:37,933 --> 00:49:39,893 I COULD COOK YOU DINNER, 1154 00:49:39,893 --> 00:49:41,561 JUST GIVE ME AN HOUR. 1155 00:49:41,561 --> 00:49:43,689 OKAY. SOUNDS GOOD. SEE YOU THEN. 1156 00:49:46,274 --> 00:49:48,318 [♪♪] 1157 00:49:48,318 --> 00:49:49,945 I INVITED NATE OVER. HE'S ON HIS WAY NOW. 1158 00:49:49,945 --> 00:49:50,904 WHAT'S WRONG WITH ME? 1159 00:49:50,904 --> 00:49:52,531 MY PLACE IS A MESS! 1160 00:49:52,531 --> 00:49:53,657 MY PLACE CAN'T BE A MESS, 1161 00:49:53,657 --> 00:49:54,908 BECAUSE THEN HE'LL THINK I'M A MESS! 1162 00:49:54,908 --> 00:49:56,535 THIS IS A DISASTER. 1163 00:49:56,535 --> 00:49:57,828 CALM DOWN! THIS IS GREAT. 1164 00:49:57,828 --> 00:49:59,663 I ALSO TOLD HIM I'D COOK FOR HIM. 1165 00:49:59,663 --> 00:50:00,956 BUT YOU CAN'T COOK. 1166 00:50:00,956 --> 00:50:04,334 I WAS IN THE MOMENT! IT JUST CAME OUT. 1167 00:50:04,334 --> 00:50:05,919 IT'S OKAY, YOU CAN DO THIS. 1168 00:50:05,919 --> 00:50:07,754 CAN I JUST ASK-- 1169 00:50:07,754 --> 00:50:10,424 YOU'VE NEVER CARED WHAT YOUR PLACE LOOKED LIKE BEFORE. 1170 00:50:10,424 --> 00:50:11,675 WHY DO YOU CARE NOW? 1171 00:50:11,675 --> 00:50:13,510 I DATED BOYS BEFORE. NATE'S A MAN. 1172 00:50:13,510 --> 00:50:15,345 HE NEEDS A WOMAN WITH A WOMAN'S APARTMENT, 1173 00:50:15,345 --> 00:50:16,847 AND A WOMAN WHO CAN COOK. 1174 00:50:16,847 --> 00:50:18,890 WHY AM I NOT COOKING YET? 1175 00:50:19,975 --> 00:50:21,893 WHEN I SAID "WHY AM I NOT COOKING YET," 1176 00:50:21,893 --> 00:50:24,771 I MEANT, "WHY AREN'T YOU COOKING YET?" COME ON! 1177 00:50:24,771 --> 00:50:26,982 [♪♪] 1178 00:50:26,982 --> 00:50:27,899 [HARD BAGUETTE THUDS] 1179 00:50:33,238 --> 00:50:34,448 YOU CAME JUST IN TIME. 1180 00:50:34,448 --> 00:50:36,533 I WAS STARTING TO GET REALLY COLD. 1181 00:50:36,533 --> 00:50:39,286 I KNEW THERE WAS AN URGENT JACKET SITUATION. 1182 00:50:39,286 --> 00:50:40,954 HERE. 1183 00:50:40,954 --> 00:50:41,913 THANKS. 1184 00:50:47,878 --> 00:50:50,839 THIS LOOKS AMAZING. 1185 00:50:50,839 --> 00:50:52,340 DID YOU MAKE THIS YOURSELF? 1186 00:50:52,340 --> 00:50:54,843 I MAY HAVE HAD SOME HELP FROM MY UPSTAIRS NEIGHBOR. 1187 00:50:54,843 --> 00:50:55,927 AND BY "HELP," I MEAN, 1188 00:50:55,927 --> 00:50:58,430 SHE MAY HAVE MADE THE ENTIRE THING. 1189 00:50:58,430 --> 00:51:01,266 BUT I DID SUPPLY THE DISH. 1190 00:51:01,266 --> 00:51:03,393 DISH SELECTION 1191 00:51:03,393 --> 00:51:05,437 IS THE MOST IMPORTANT PART OF A GOOD MEAL. 1192 00:51:06,897 --> 00:51:09,232 DO YOU NOTICE THAT ALL WE DO TOGETHER IS EAT? 1193 00:51:09,232 --> 00:51:12,903 I FEEL LIKE WE'RE IN A JULIA CHILD MOVIE. 1194 00:51:12,903 --> 00:51:14,279 IS THERE SOMETHING ELSE YOU'D RATHER BE DOING WITH ME? 1195 00:51:14,279 --> 00:51:15,655 THAT'S A LOADED QUESTION. 1196 00:51:15,655 --> 00:51:16,615 [CHUCKLES] 1197 00:51:16,615 --> 00:51:18,658 I MEANT, UM... 1198 00:51:18,658 --> 00:51:21,995 WE COULD GO TO A... A MOVIE. 1199 00:51:21,995 --> 00:51:23,872 NOT TONIGHT, OBVIOUSLY, 1200 00:51:23,872 --> 00:51:25,916 BUT WE COULD MAKE SOME PLANS. 1201 00:51:25,916 --> 00:51:29,961 YEAH. PLANS... PLANS WOULD BE GOOD. 1202 00:51:29,961 --> 00:51:31,755 YEAH. 1203 00:51:31,755 --> 00:51:33,423 SO YOU'RE SAYING 1204 00:51:33,423 --> 00:51:35,008 YOU WANT TO MAKE SOME PLANS? 1205 00:51:35,008 --> 00:51:36,968 DEFINITELY. YEAH. 1206 00:51:39,471 --> 00:51:40,430 OKAY. 1207 00:51:43,767 --> 00:51:45,310 DO YOU EVER FEEL STUCK? 1208 00:51:48,939 --> 00:51:51,024 LIKE YOU CAN... 1209 00:51:51,024 --> 00:51:52,442 SEE YOURSELF MOVING FORWARD, 1210 00:51:52,442 --> 00:51:54,027 YOU JUST DON'T KNOW HOW TO TAKE THAT FIRST STEP? 1211 00:51:54,027 --> 00:51:55,862 EVERY SINGLE DAY OF MY LIFE. 1212 00:51:55,862 --> 00:51:57,364 ME TOO. 1213 00:51:57,364 --> 00:51:58,657 REALLY? 1214 00:51:58,657 --> 00:52:00,033 I WOULD'VE THOUGHT 1215 00:52:00,033 --> 00:52:02,035 FIRST STEPS WOULD BE EASY FOR MAPMAKERS. 1216 00:52:02,035 --> 00:52:03,787 ISN'T THAT WHAT MAPS ARE ALL ABOUT? 1217 00:52:03,787 --> 00:52:06,039 CHARTING THE UNKNOWN? 1218 00:52:06,039 --> 00:52:09,626 I CAN DRAW A MAP FOR SOMEONE ELSE, NO PROBLEM. 1219 00:52:09,626 --> 00:52:11,711 JUST NOT MYSELF. 1220 00:52:11,711 --> 00:52:14,047 BECAUSE YOU'RE STANDING IN THE MIDDLE OF IT. 1221 00:52:14,047 --> 00:52:17,050 YOU NEED TO TAKE A STEP OUT 1222 00:52:17,050 --> 00:52:18,635 SO YOU KNOW WHERE YOU WANT TO GO. 1223 00:52:18,635 --> 00:52:20,345 MAYBE YOU'RE RIGHT. 1224 00:52:20,345 --> 00:52:22,013 I'VE BEEN STUCK IN THE SAME SPOT 1225 00:52:22,013 --> 00:52:23,849 FOR A LONG TIME. 1226 00:52:26,059 --> 00:52:27,769 SEEMS LIKE MAYBE YOU ARE, TOO. 1227 00:52:28,937 --> 00:52:30,689 IN A WAY. 1228 00:52:33,984 --> 00:52:37,404 I HAVE TO RELIEVE THE, UM, BABYSITTER. 1229 00:52:37,404 --> 00:52:41,032 RIGHT. UM, AHEM. OF COURSE. 1230 00:52:43,910 --> 00:52:44,995 UM... 1231 00:52:55,046 --> 00:52:56,047 [SMOOCH] 1232 00:52:59,134 --> 00:53:01,136 WELL, UH... 1233 00:53:01,136 --> 00:53:03,013 TELL EMILY I SAID HI. 1234 00:53:04,055 --> 00:53:05,015 OKAY. 1235 00:53:09,394 --> 00:53:11,062 ♪ CINDERELLA ♪ 1236 00:53:11,062 --> 00:53:12,772 ♪ BROKE HER UMBRELLA ♪ 1237 00:53:12,772 --> 00:53:14,149 ♪ STUCK IN THE RAIN ♪ 1238 00:53:14,149 --> 00:53:16,151 ♪ ON THE WAY TO COACHELLA ♪ 1239 00:53:16,151 --> 00:53:19,613 ♪ LOOKED FOR A TAXI SHE COULD TAKE ♪ 1240 00:53:19,613 --> 00:53:23,533 ♪ HOW MANY LEFT HER IN THEIR WAKE? ♪ 1241 00:53:23,533 --> 00:53:27,037 ONE! TWO! THREE! FOUR! 1242 00:53:27,037 --> 00:53:28,163 WHO'S NEXT? 1243 00:53:28,163 --> 00:53:29,581 EM, WANNA TRY? 1244 00:53:29,581 --> 00:53:30,999 GO FOR IT, EM! 1245 00:53:33,960 --> 00:53:37,756 [KIDS JOIN IN]: ♪ CINDERELLA BROKE HER UMBRELLA ♪ 1246 00:53:40,967 --> 00:53:43,178 YOU DID SO WELL. YOU TRIED! 1247 00:53:43,178 --> 00:53:45,889 CAN I GO BACK TO THE CLASSROOM AND DRAW? 1248 00:53:45,889 --> 00:53:47,057 YOU DON'T WANT TO TRY AGAIN? 1249 00:53:48,141 --> 00:53:49,184 OKAY. 1250 00:53:49,184 --> 00:53:50,727 I'LL SEE YOU AFTER SCHOOL, 1251 00:53:50,727 --> 00:53:51,937 WHEN WE GO TO YOUR CABIN. 1252 00:53:54,189 --> 00:53:56,566 [♪♪] 1253 00:53:59,736 --> 00:54:01,738 HI! [LAUGHING] 1254 00:54:01,738 --> 00:54:04,074 COME HERE, YOU! 1255 00:54:04,074 --> 00:54:05,200 -OH... -GRAM! 1256 00:54:05,200 --> 00:54:07,160 I MISSED YOU! 1257 00:54:07,160 --> 00:54:09,204 HEY. 1258 00:54:09,204 --> 00:54:11,706 HEY. HOW ARE YOU TWO? 1259 00:54:11,706 --> 00:54:13,625 GOOD TO SEE YOU GUYS. 1260 00:54:13,625 --> 00:54:14,709 BECCA, THESE ARE MY PARENTS, CHUCK AND ESSIE. 1261 00:54:14,709 --> 00:54:18,046 OH, PLEASE, CALL US "GRAM" AND "POP." 1262 00:54:18,046 --> 00:54:20,131 THAT'S WHAT WE BECAME AS SOON AS THIS LITTLE ONE WAS BORN. 1263 00:54:20,131 --> 00:54:22,592 AND OF ALL THE NAMES I'VE BEEN CALLED IN MY LIFE, 1264 00:54:22,592 --> 00:54:25,595 I'D SAY "GRAM" WAS BY FAR MY FAVORITE. 1265 00:54:25,595 --> 00:54:26,930 LET ME HELP YOU WITH THAT BAG. 1266 00:54:26,930 --> 00:54:29,182 OH, IT'S FINE. I CAN-- I CAN GET IT. 1267 00:54:29,182 --> 00:54:31,851 NO ONE WHO MAKES MY EMILY SO HAPPY 1268 00:54:31,851 --> 00:54:33,937 EVER HAS TO CARRY THEIR OWN BAG. 1269 00:54:33,937 --> 00:54:35,105 -OH! -[LAUGHTER] 1270 00:54:35,105 --> 00:54:36,439 [GRAM]: WELL, COME ON. 1271 00:54:36,439 --> 00:54:38,566 SO, WHAT'S YOUR CARD GAME OF CHOICE? 1272 00:54:38,566 --> 00:54:40,986 OH, AND IT GETS COLD AT NIGHT, BUT I HAVE LOTS OF SWEATERS. 1273 00:54:40,986 --> 00:54:43,154 DO YOU HAVE ALLERGIES? I'M ALLERGIC TO EVERYTHING. 1274 00:54:47,200 --> 00:54:48,618 FRESHLY SQUEEZED. 1275 00:54:48,618 --> 00:54:50,161 -OH, THANK YOU. -YOU'RE WELCOME. 1276 00:54:50,161 --> 00:54:52,122 -EMILY? -YES? 1277 00:54:52,122 --> 00:54:53,873 COME HERE. I BAKED YOUR FAVORITE COOKIES, 1278 00:54:53,873 --> 00:54:55,625 AND YOU CAN HAVE ONE BEFORE DINNER. 1279 00:54:55,625 --> 00:54:56,626 -YES! -OFF YOU GO. 1280 00:54:57,669 --> 00:54:58,962 SO, BECCA... 1281 00:54:58,962 --> 00:55:01,006 COME IN! SIT DOWN. 1282 00:55:01,006 --> 00:55:03,258 SO, WHERE ARE YOU FROM? 1283 00:55:03,258 --> 00:55:04,509 ARE YOU CLOSE TO YOUR FAMILY, 1284 00:55:04,509 --> 00:55:05,552 OR...? 1285 00:55:05,552 --> 00:55:06,553 CAN SHE GET SETTLED 1286 00:55:06,553 --> 00:55:08,054 BEFORE YOU MAKE HER THE COVER STORY, MA? 1287 00:55:08,054 --> 00:55:09,222 [SCOFFS] 1288 00:55:09,222 --> 00:55:10,849 DON'T MAKE FUN OF YOUR MOTHER. 1289 00:55:10,849 --> 00:55:12,225 I DON'T MIND QUESTIONS. 1290 00:55:12,225 --> 00:55:15,228 UM, I WAS BORN IN L.A. AND RAISED BY MY GRANDPARENTS. 1291 00:55:15,228 --> 00:55:16,521 THEY'RE IN FLORIDA NOW, 1292 00:55:16,521 --> 00:55:18,648 AND THEN I MOVED UP TO SAN FRAN FOR SCHOOL. 1293 00:55:18,648 --> 00:55:19,816 OH! WHERE WERE YOUR PARENTS? 1294 00:55:19,816 --> 00:55:21,192 WELL, MY DAD WAS NEVER IN THE PICTURE, 1295 00:55:21,192 --> 00:55:24,237 AND MY MOM PASSED AWAY WHEN I WAS SEVEN. 1296 00:55:24,237 --> 00:55:26,698 WE'RE SORRY TO HEAR THAT, BECCA. 1297 00:55:26,698 --> 00:55:28,283 BECCA! 1298 00:55:28,283 --> 00:55:30,243 WANT TO SEE GRAM AND POP'S BOARD GAMES? 1299 00:55:30,243 --> 00:55:32,037 THEY HAVE EVERY GAME EVER! 1300 00:55:32,037 --> 00:55:34,914 AND WANT TO LOOK FOR SHOOTING STARS TONIGHT? 1301 00:55:34,914 --> 00:55:38,293 YOU CAN SEE SO MANY MORE STARS HERE THAN IN THE CITY. 1302 00:55:38,293 --> 00:55:40,003 I AM SO DOWN FOR THAT. 1303 00:55:40,003 --> 00:55:42,213 AND GRAM, DID YOU KNOW 1304 00:55:42,213 --> 00:55:44,007 THAT ON A CLEAR, MOONLESS NIGHT, YOU CAN SEE 1305 00:55:44,007 --> 00:55:45,258 UP TO 10,000 STARS IN THE SKY? 1306 00:55:45,258 --> 00:55:48,011 AND YOU CAN SEE THE FIVE BRIGHTEST PLANETS. 1307 00:55:48,011 --> 00:55:49,179 -COOL, RIGHT? -YES. 1308 00:55:49,179 --> 00:55:51,306 WE LEARNED THAT AT THE PLANETARIUM. 1309 00:55:51,306 --> 00:55:52,682 I'M IMPRESSED. 1310 00:55:58,980 --> 00:56:01,107 EMILY IS SO MUCH MORE TALKATIVE 1311 00:56:01,107 --> 00:56:02,734 THAN WHEN WE LAST SAW HER. 1312 00:56:02,734 --> 00:56:04,235 SHE LIGHTS UP AROUND BECCA. 1313 00:56:05,612 --> 00:56:09,032 [SIGHS] FOR THE FIRST TIME SINCE MAGGIE DIED, 1314 00:56:09,032 --> 00:56:10,867 I THINK EMILY'S GONNA BE OKAY. 1315 00:56:10,867 --> 00:56:11,868 YEAH. 1316 00:56:11,868 --> 00:56:14,079 I THINK SO, TOO. 1317 00:56:18,291 --> 00:56:21,294 AND YOU WILL BE STAYING IN HERE. 1318 00:56:21,294 --> 00:56:23,713 YOU SURE YOU DON'T MIND GIVING UP YOUR ROOM? 1319 00:56:23,713 --> 00:56:25,924 OH, I'VE BEEN TOO TALL FOR THIS BED 1320 00:56:25,924 --> 00:56:28,301 SINCE MY GROWTH SPURT AT 17. 1321 00:56:28,301 --> 00:56:30,345 [LAUGHS] 1322 00:56:30,345 --> 00:56:32,764 WE HAD THE SAME TASTE WHEN WE WERE TEENAGERS. 1323 00:56:32,764 --> 00:56:33,807 GARP IS SO GOOD. 1324 00:56:33,807 --> 00:56:36,351 YEAH, BUT OWEN MEANY WAS THE BEST. 1325 00:56:36,351 --> 00:56:39,312 OBVIOUSLY. 1326 00:56:39,312 --> 00:56:40,939 OH! SOMETHING I WANT TO SHOW YOU. 1327 00:56:40,939 --> 00:56:42,899 UH... 1328 00:56:42,899 --> 00:56:45,235 [RUMMAGING IN DRAWER] 1329 00:56:45,235 --> 00:56:46,945 THIS IS ONE OF MY EARLY SKETCHBOOKS. 1330 00:56:50,115 --> 00:56:52,283 OH! THE MAZES YOU WERE TELLING ME ABOUT. 1331 00:56:52,283 --> 00:56:54,994 WOW! YOU REALLY WERE OBSESSIVE. 1332 00:56:54,994 --> 00:56:56,329 YOU MIGHT NOT BE ABLE TO FIND AN EXIT, THOUGH. 1333 00:56:56,329 --> 00:56:59,332 MOST OF THE MAZES I DREW BACK THEN LED TO DEAD ENDS. 1334 00:56:59,332 --> 00:57:00,834 [LAUGHS] 1335 00:57:00,834 --> 00:57:04,295 OH. EVEN WITHOUT EXITS, THEY'RE BEAUTIFUL. 1336 00:57:07,382 --> 00:57:08,591 SO DO YOU HAVE A TWO? 1337 00:57:08,591 --> 00:57:10,176 NO. GO FISH. 1338 00:57:10,176 --> 00:57:11,386 OKAY. OKAY. 1339 00:57:11,386 --> 00:57:13,138 [NATE]: HEY, YOU GUYS? 1340 00:57:13,138 --> 00:57:14,973 WE'RE GONNA WALK OFF SOME OF THAT DINNER. 1341 00:57:14,973 --> 00:57:17,142 WE'LL BE BACK BY 9:00. 1342 00:57:17,142 --> 00:57:18,893 PRIME STAR-WATCHING TIME. 1343 00:57:18,893 --> 00:57:21,104 WHAT IF THERE AREN'T ANY SHOOTING STARS 1344 00:57:21,104 --> 00:57:22,355 FOR US TO SEE? 1345 00:57:22,355 --> 00:57:23,857 THEN WE'LL LOOK FOR SOME CONSTELLATIONS. 1346 00:57:23,857 --> 00:57:27,110 I PROMISE, WE'LL FIND SOME GOOD ONES. 1347 00:57:28,403 --> 00:57:30,405 [GRAM]: I THINK IT'S YOUR TURN. 1348 00:57:30,405 --> 00:57:32,407 OH, RIGHT! YEAH. DO YOU HAVE ANY TENS? 1349 00:57:32,407 --> 00:57:35,410 NO. GO FISH. 1350 00:57:35,410 --> 00:57:38,830 SO WHY WOULD A PIRATE COME ALL THE WAY OUT HERE 1351 00:57:38,830 --> 00:57:40,290 TO BURY TREASURE? 1352 00:57:40,290 --> 00:57:41,749 I DIDN'T SAY IT WAS LOGICAL. 1353 00:57:41,749 --> 00:57:43,126 I WAS A KID. 1354 00:57:43,126 --> 00:57:44,377 IT WAS AFTER I HAD EMILY, 1355 00:57:44,377 --> 00:57:47,380 I REALIZED HOW UNIQUE KID LOGIC IS. 1356 00:57:47,380 --> 00:57:50,008 SOUNDS LIKE YOU WERE A PRETTY SWEET KID. 1357 00:57:50,008 --> 00:57:53,136 I NEVER FOUND ANY TREASURE, THOUGH. 1358 00:57:53,136 --> 00:57:54,679 SO WHAT ARE YOU SAYING? 1359 00:57:54,679 --> 00:57:56,389 YOU WANT TO KEEP LOOKING FOR IT? 1360 00:57:56,389 --> 00:57:58,349 IS THAT WHAT YOU WANT TO DO? 1361 00:57:58,349 --> 00:57:59,976 YOU'RE NOT GONNA LET ME LIVE THIS DOWN, ARE YOU? 1362 00:57:59,976 --> 00:58:01,352 HEY, IF THERE'S PIRATE TREASURE, 1363 00:58:01,352 --> 00:58:02,437 I WANT IN ON IT. 1364 00:58:02,437 --> 00:58:03,813 EMILY SHOULD BE IN ON IT, TOO. 1365 00:58:03,813 --> 00:58:05,690 WE COULD SPLIT IT THREE WAYS. 1366 00:58:06,858 --> 00:58:09,027 LET ME SHOW YOU SOMETHING. 1367 00:58:10,320 --> 00:58:12,280 ["BRIGHT" BY ECHOSMITH PLAYS] 1368 00:58:15,325 --> 00:58:19,662 ♪ I THINK THE UNIVERSE IS ON MY SIDE ♪ 1369 00:58:20,914 --> 00:58:24,876 ♪ HEAVEN AND EARTH HAVE FINALLY ALIGNED ♪ 1370 00:58:26,711 --> 00:58:28,880 ♪ DAYS ARE GOOD ♪ 1371 00:58:28,880 --> 00:58:32,467 ♪ AND THAT'S THE WAY IT SHOULD BE ♪ 1372 00:58:32,467 --> 00:58:33,885 [BECCA]: IT'S BEAUTIFUL. 1373 00:58:37,263 --> 00:58:41,184 ♪ YOU SPRINKLE STAR DUST ON MY PILLOW CASE ♪ 1374 00:58:43,019 --> 00:58:47,065 ♪ IT'S LIKE A MOONBEAM BRUSHED ACROSS MY FACE ♪ 1375 00:58:48,233 --> 00:58:50,193 ♪ NIGHTS ARE GOOD ♪ 1376 00:58:50,193 --> 00:58:53,404 ♪ AND THAT'S THE WAY IT SHOULD BE ♪ 1377 00:58:57,033 --> 00:58:59,494 ♪ YOU MAKE ME SING ♪ 1378 00:58:59,494 --> 00:59:02,455 ♪ OH, LA, LA, LA ♪ 1379 00:59:02,455 --> 00:59:05,458 ♪ YOU MAKE A GIRL GO OH, OH ♪ 1380 00:59:05,458 --> 00:59:08,711 ♪ I'M IN LOVE, LOVE ♪ 1381 00:59:10,213 --> 00:59:13,383 ♪ DID YOU SEE THAT SHOOTING STAR TONIGHT? ♪ 1382 00:59:14,801 --> 00:59:16,219 PRETTY GOOD, HUH? 1383 00:59:16,219 --> 00:59:17,845 MM-HMM. 1384 00:59:19,472 --> 00:59:21,891 [POP]: IT'S YOUR TURN, EM. 1385 00:59:21,891 --> 00:59:24,978 ♪ DID YOU AND JUPITER CONSPIRE TO GET ME? ♪ 1386 00:59:24,978 --> 00:59:25,979 CAN YOU BLAME ME 1387 00:59:25,979 --> 00:59:28,064 FOR HOW MUCH TIME I WANT TO SPENT OUT HERE? 1388 00:59:28,064 --> 00:59:29,190 ♪ 'CAUSE NOW I'M SHINING ♪ 1389 00:59:29,190 --> 00:59:30,900 LOOK AT THAT. 1390 00:59:30,900 --> 00:59:32,986 ♪ BRIGHT SO BRIGHT ♪ 1391 00:59:32,986 --> 00:59:34,445 [BECCA]: IT'S BEAUTIFUL. 1392 00:59:36,072 --> 00:59:38,491 ♪ BRIGHT SO BRIGHT ♪ 1393 00:59:38,491 --> 00:59:40,118 IT REALLY IS. 1394 00:59:41,160 --> 00:59:45,123 ♪ AND I SEE COLORS IN A DIFFERENT WAY ♪ 1395 00:59:46,374 --> 00:59:51,045 ♪ YOU MAKE WHAT DOESN'T MATTER FADE TO GRAY ♪ 1396 00:59:52,171 --> 00:59:53,256 ♪ LIFE IS GOOD ♪ 1397 00:59:53,256 --> 00:59:56,050 THIS WAS SO MUCH BETTER THAT THE EAR KISS. 1398 00:59:56,050 --> 00:59:58,845 ♪ AND THAT'S THE WAY IT SHOULD BE ♪ 1399 00:59:58,845 --> 01:00:02,140 I JUST HAVE TO BE CAREFUL NOT TO MOVE TOO FAST. 1400 01:00:03,558 --> 01:00:05,518 I DON'T WANT TO CONFUSE EMILY, 1401 01:00:05,518 --> 01:00:07,437 SO IF-- 1402 01:00:07,437 --> 01:00:09,439 HOW LONG HAVE WE BEEN HERE? 1403 01:00:09,439 --> 01:00:11,524 IT'S PROBABLY 9:30. 1404 01:00:11,524 --> 01:00:13,943 [GROANS] STAR- WATCHING WITH EM! 1405 01:00:13,943 --> 01:00:15,445 I'M SO LATE. 1406 01:00:15,445 --> 01:00:18,573 ♪ DID YOU SEE THAT SHOOTING STAR TONIGHT? ♪ 1407 01:00:18,573 --> 01:00:20,825 ♪ WERE YOU DAZZLED ♪ 1408 01:00:20,825 --> 01:00:22,493 I'M SO SORRY, EM! 1409 01:00:22,493 --> 01:00:24,037 I DIDN'T MEAN IT, REALLY. 1410 01:00:24,037 --> 01:00:25,955 I JUST LOST TRACK OF TIME. 1411 01:00:25,955 --> 01:00:27,540 [GRAM]: COME ON. 1412 01:00:27,540 --> 01:00:30,001 I WAS JUST TALKING WITH YOUR DAD. 1413 01:00:30,001 --> 01:00:31,294 [NATE]: IT'S MY FAULT WE'RE LATE, KIDDO. 1414 01:00:31,294 --> 01:00:32,545 IT'S BOTH OUR FAULTS. 1415 01:00:32,545 --> 01:00:35,965 WE JUST NEEDED A LITTLE ADULT TIME. 1416 01:00:40,303 --> 01:00:43,264 SHE'S MY FRIEND, DAD. 1417 01:00:46,559 --> 01:00:48,853 I SHOULD GO TALK TO HER. 1418 01:00:50,480 --> 01:00:52,023 NO. IT'S ME SHE'S MAD AT. 1419 01:00:52,023 --> 01:00:53,524 I'M SUCH AN IDIOT. 1420 01:00:53,524 --> 01:00:54,567 WHAT DO YOU MEAN? 1421 01:00:54,567 --> 01:00:56,944 EM WAS DOING SO WELL WITH YOU, 1422 01:00:56,944 --> 01:00:59,364 AND I JUST THOUGHT SHE'D BE OKAY WITH YOU AND I, 1423 01:00:59,364 --> 01:01:01,240 BUT I HAVE TO STOP THINKING LIKE THAT, 1424 01:01:01,240 --> 01:01:03,201 BECAUSE IT'S NOT JUST ME... 1425 01:01:03,201 --> 01:01:04,952 IT'S ME AND HER. 1426 01:01:07,455 --> 01:01:09,415 MAYBE WE SHOULD STOP SEEING EACH OTHER FOR AWHILE 1427 01:01:09,415 --> 01:01:11,292 AFTER THIS WEEKEND. 1428 01:01:12,335 --> 01:01:14,045 EM'S YOUR NUMBER-ONE. 1429 01:01:15,588 --> 01:01:18,383 YOU SHOULD GO CHECK ON HER. 1430 01:01:19,842 --> 01:01:21,552 [WORDS CATCH] 1431 01:01:22,637 --> 01:01:24,889 [♪♪] 1432 01:01:39,904 --> 01:01:42,573 YOU READY FOR A GREAT DAY AT SCHOOL? 1433 01:01:44,867 --> 01:01:47,245 DO YOU WANT TO TALK ABOUT WHAT HAPPENED AT THE CABIN? 1434 01:01:47,245 --> 01:01:49,288 NO. 1435 01:01:49,288 --> 01:01:51,582 [♪♪] 1436 01:01:56,462 --> 01:01:58,673 DO YOU WANT TO PLAY SOME FROZEN APPLE SAUCE, EM? 1437 01:01:58,673 --> 01:02:00,591 NO, THANKS. 1438 01:02:01,676 --> 01:02:03,594 [♪♪] 1439 01:02:08,057 --> 01:02:10,560 ARE YOU GIVING UP THAT EASILY? 1440 01:02:11,644 --> 01:02:13,438 I THOUGHT WE HAD EXTRA STOMACHS 1441 01:02:13,438 --> 01:02:15,231 FOR DESSERT. 1442 01:02:15,231 --> 01:02:17,358 THAT'S COWS, DAD. WE'RE NOT COWS. 1443 01:02:17,358 --> 01:02:20,236 YEAH, THAT'S TRUE. OKAY... 1444 01:02:20,236 --> 01:02:21,696 I SURRENDER. 1445 01:02:21,696 --> 01:02:24,574 DEFEATED BY THE AVALANCHE. 1446 01:02:25,700 --> 01:02:27,994 DO YOU STILL MISS HER? 1447 01:02:27,994 --> 01:02:30,621 YOUR MOM? 1448 01:02:32,373 --> 01:02:33,624 EVERY DAY. 1449 01:02:33,624 --> 01:02:34,709 ME TOO. 1450 01:02:34,709 --> 01:02:36,669 SOMETIMES, I FORGET SHE'S GONE 1451 01:02:36,669 --> 01:02:38,296 AND THEN IT HURTS AGAIN 1452 01:02:38,296 --> 01:02:40,214 WHEN I REMEMBER. 1453 01:02:40,214 --> 01:02:41,007 HEY. 1454 01:02:41,007 --> 01:02:42,341 SHE'S IN OUR HEARTS FOREVER. 1455 01:02:42,341 --> 01:02:44,302 YOU KNOW THAT, RIGHT? 1456 01:02:46,095 --> 01:02:47,680 I MISS BECCA, TOO. 1457 01:02:47,680 --> 01:02:49,682 YOU'RE NOT STILL MAD SHE MISSED OUT 1458 01:02:49,682 --> 01:02:51,100 ON STAR-WATCHING WITH YOU? 1459 01:02:51,100 --> 01:02:53,102 SHE SAID SHE'S SORRY. 1460 01:02:53,102 --> 01:02:55,730 YOU KNOW, I'M SORRY, TOO. 1461 01:02:55,730 --> 01:02:57,732 YOU WERE RIGHT. BECCA'S YOUR FRIEND. 1462 01:02:57,732 --> 01:02:59,525 I KNOW HOW MUCH YOU LIKE HER. 1463 01:02:59,525 --> 01:03:01,110 YOU LIKE HER, TOO. 1464 01:03:01,110 --> 01:03:03,029 [LAUGHS] THAT'S TRUE. 1465 01:03:03,029 --> 01:03:05,448 SHE CAN BE BOTH OUR FRIENDS. 1466 01:03:05,448 --> 01:03:06,782 IS THAT WHAT YOU'D LIKE? 1467 01:03:07,783 --> 01:03:10,536 CAN WE INVITE HER OVER AFTER SCHOOL TOMORROW? 1468 01:03:10,536 --> 01:03:11,746 WILL YOU CALL HER? 1469 01:03:11,746 --> 01:03:12,997 RIGHT NOW? 1470 01:03:14,707 --> 01:03:16,709 OF COURSE. I'LL SEE IF SHE CAN JOIN US 1471 01:03:16,709 --> 01:03:19,045 FOR DINNER TOMORROW NIGHT. 1472 01:03:19,045 --> 01:03:23,299 OKAY. SO I KNOW WE MISSED OUT ON LOOKING FOR SHOOTING STARS, 1473 01:03:23,299 --> 01:03:24,717 AND I WANTED TO MAKE UP FOR THAT, 1474 01:03:24,717 --> 01:03:28,221 AND... I FOUND A FEW IN YOUR ROOM. 1475 01:03:28,221 --> 01:03:30,681 YOU CAN OPEN YOUR EYES NOW. 1476 01:03:31,766 --> 01:03:34,602 I DON'T SEE ANYTHING. 1477 01:03:34,602 --> 01:03:36,729 JUST BECAUSE YOU DON'T SEE IT, 1478 01:03:36,729 --> 01:03:38,689 DOESN'T MEAN IT'S NOT THERE. 1479 01:03:41,734 --> 01:03:43,736 [CLICK] 1480 01:03:43,736 --> 01:03:45,738 WOW. 1481 01:03:45,738 --> 01:03:48,491 THIS IS AMAZING. 1482 01:03:51,744 --> 01:03:53,704 WOW... 1483 01:03:55,623 --> 01:03:57,124 WHEN YOU GO TO SLEEP AT NIGHT, 1484 01:03:57,124 --> 01:03:58,793 WHEN YOU MISS YOUR MOM, 1485 01:03:58,793 --> 01:04:01,504 I WANT YOU TO PICTURE HER IN THESE STARS, 1486 01:04:01,504 --> 01:04:02,713 SMILING DOWN ON YOU, 1487 01:04:02,713 --> 01:04:05,675 BECAUSE SHE IS ALWAYS THERE, 1488 01:04:05,675 --> 01:04:07,552 WATCHING OUT FOR YOU, 1489 01:04:07,552 --> 01:04:09,345 EVEN IF YOU CAN'T SEE HER. 1490 01:04:09,345 --> 01:04:11,180 THANK YOU, BECCA. 1491 01:04:11,180 --> 01:04:13,224 SO WE'RE OKAY? 1492 01:04:16,602 --> 01:04:19,313 [SPEAKING FRENCH] 1493 01:04:20,439 --> 01:04:21,691 [ADULTS CHUCKLING] 1494 01:04:27,530 --> 01:04:30,032 [KEYBOARD CLACKING] 1495 01:04:30,032 --> 01:04:32,410 [♪♪] 1496 01:04:45,798 --> 01:04:48,092 [♪♪] 1497 01:05:12,742 --> 01:05:15,745 [PRINTER WHIRRING AND CLACKING] 1498 01:05:24,086 --> 01:05:26,797 [PHONE RINGS] 1499 01:05:28,841 --> 01:05:29,842 HEY. 1500 01:05:29,842 --> 01:05:31,761 SO NOW THAT I HAVE MY DAUGHTER'S APPROVAL, 1501 01:05:31,761 --> 01:05:33,846 I'M CALLING TO OFFICIALLY ASK YOU OUT. 1502 01:05:33,846 --> 01:05:35,890 THIS IS NATE, BY THE WAY. 1503 01:05:35,890 --> 01:05:37,141 [LAUGHS] LIKE I HAVE 1504 01:05:37,141 --> 01:05:39,602 SO MANY OTHER GUYS CALLING TO ASK ME OUT. 1505 01:05:39,602 --> 01:05:41,646 YOU'RE A SMART, FUNNY, ATTRACTIVE, WOMAN. 1506 01:05:41,646 --> 01:05:44,190 I'M SURE COLLEGE GUYS ARE LINING UP TO ASK YOU OUT. 1507 01:05:44,190 --> 01:05:45,650 I'VE DATED ENOUGH COLLEGE GUYS 1508 01:05:45,650 --> 01:05:48,235 TO KNOW I AM DONE WITH COLLEGE GUYS. 1509 01:05:48,235 --> 01:05:50,237 WAIT. I'M-- I'M SORRY, SO YOU'RE SAYING 1510 01:05:50,237 --> 01:05:51,614 YOU DON'T WANT TO GO TO THE FRAT PARTY 1511 01:05:51,614 --> 01:05:54,367 AT PI BETA KAPPA GAMMA SIGMA DELTA OMEGA TONIGHT? 1512 01:05:54,367 --> 01:05:56,869 WAS THAT EVERY GREEK LETTER THAT YOU KNOW? 1513 01:05:56,869 --> 01:05:57,870 BASICALLY, YEAH. 1514 01:05:57,870 --> 01:05:59,455 [LAUGHS] 1515 01:05:59,455 --> 01:06:01,207 UM... [SIGHS] 1516 01:06:01,207 --> 01:06:02,875 NATE, I'D LOVE TO GO OUT WITH YOU 1517 01:06:02,875 --> 01:06:04,669 TONIGHT, BUT-- 1518 01:06:04,669 --> 01:06:05,878 NO-NO-NO-NO-NO. DON'T, DON'T. 1519 01:06:05,878 --> 01:06:08,255 DON'T SAY "BUT." SAY... 1520 01:06:08,255 --> 01:06:11,133 "YES." BUT'S MY LEAST-FAVORITE WORD. 1521 01:06:12,301 --> 01:06:13,928 [SIGHS] YES. 1522 01:06:13,928 --> 01:06:15,388 [♪♪] 1523 01:06:15,388 --> 01:06:17,932 OKAY. SOUNDS GOOD. 1524 01:06:17,932 --> 01:06:19,850 PICK YOU UP AT 8:00. 1525 01:06:22,478 --> 01:06:24,855 [♪♪] 1526 01:06:26,357 --> 01:06:27,566 [GIGGLES] 1527 01:06:27,566 --> 01:06:29,193 YOU LOOK LIKE A DAD! 1528 01:06:33,906 --> 01:06:35,866 YOU LOOK LIKE MY PRINCIPAL. 1529 01:06:38,953 --> 01:06:41,831 [♪♪] 1530 01:06:43,416 --> 01:06:45,251 BE GOOD FOR THE BABYSITTER, OKAY? 1531 01:06:45,251 --> 01:06:46,502 OKAY. 1532 01:06:46,502 --> 01:06:47,962 WELL? 1533 01:06:47,962 --> 01:06:49,338 I LOVE IT. 1534 01:06:49,338 --> 01:06:50,965 IT'S FUN, YET CLASSY. 1535 01:06:50,965 --> 01:06:53,509 SEXY AND RESPECTABLE. 1536 01:06:53,509 --> 01:06:55,469 FLIRTY, YET FUN. 1537 01:06:55,469 --> 01:06:56,679 I KNOW I SAID "FUN" TWICE, 1538 01:06:56,679 --> 01:06:58,264 BUT THAT'S BECAUSE IT IS. 1539 01:06:58,264 --> 01:07:00,933 OKAY, I THINK I CAN LIVE WITH THAT. 1540 01:07:00,933 --> 01:07:02,977 YOU'VE ALREADY GONE OUT WITH NATE A FEW TIMES. 1541 01:07:02,977 --> 01:07:04,270 WHY ARE YOU NERVOUS? 1542 01:07:04,270 --> 01:07:05,896 I DON'T KNOW. [SIGHING] 1543 01:07:05,896 --> 01:07:06,939 I'VE ALREADY MET HIS PARENTS. 1544 01:07:06,939 --> 01:07:08,774 HIS DAUGHTER APPROVES OF ME. 1545 01:07:08,774 --> 01:07:12,945 I JUST FEEL LIKE NOW IT ACTUALLY MEANS SOMETHING. 1546 01:07:12,945 --> 01:07:15,698 I CAN'T BELIEVE YOU BROUGHT ME BACK HERE FOR A REMATCH. 1547 01:07:15,698 --> 01:07:16,699 BECAUSE YOU HUSTLED ME. 1548 01:07:16,699 --> 01:07:17,992 I DIDN'T KNOW YOU WERE 1549 01:07:17,992 --> 01:07:19,034 A PROFESSIONAL MINIATURE GOLFER. 1550 01:07:19,034 --> 01:07:21,662 SO I DECIDED TO LEVEL THE PLAYING FIELD. 1551 01:07:21,662 --> 01:07:23,748 YOU SAID YOU COULD BEAT ME BLINDFOLDED. 1552 01:07:23,748 --> 01:07:25,499 SO... 1553 01:07:25,499 --> 01:07:26,959 [LAUGHING] OH! 1554 01:07:26,959 --> 01:07:29,837 OKAY. I'M GAME. 1555 01:07:29,837 --> 01:07:32,381 PUT IT ON ME. 1556 01:07:32,381 --> 01:07:34,508 [LAUGHS] 1557 01:07:34,508 --> 01:07:36,594 ALL RIGHT. 1558 01:07:38,262 --> 01:07:39,305 THAT TOO TIGHT? 1559 01:07:39,305 --> 01:07:41,265 NO, THAT'S GOOD. 1560 01:07:42,558 --> 01:07:43,893 -ALL RIGHT? -OKAY. 1561 01:07:43,893 --> 01:07:45,686 -CAN YOU SEE? NO? -NO. 1562 01:07:45,686 --> 01:07:46,937 HERE WE GO. 1563 01:07:49,648 --> 01:07:50,941 TURN THE CLUB. 1564 01:07:50,941 --> 01:07:52,943 -ALL SET? -THERE YOU GO. 1565 01:07:56,447 --> 01:07:57,531 [BALL RATTLES AND THUDS] 1566 01:08:00,576 --> 01:08:02,286 YOU'VE GOT TO BE KIDDING ME. 1567 01:08:02,286 --> 01:08:03,996 YOU HAVE TO BE KIDDING ME! 1568 01:08:03,996 --> 01:08:05,039 WHAT HAPPENED? 1569 01:08:05,039 --> 01:08:07,416 YOU MADE A HOLE-IN-ONE, BLIND! 1570 01:08:07,416 --> 01:08:08,793 THIS WAS YOUR IDEA! 1571 01:08:08,793 --> 01:08:11,003 WHAT-- 1572 01:08:11,003 --> 01:08:12,421 WHAT, ARE YOU TRYING TO PUNISH ME? 1573 01:08:12,421 --> 01:08:13,672 YOU LIKE IT. 1574 01:08:13,672 --> 01:08:16,509 OKAY. 1575 01:08:16,509 --> 01:08:18,052 JUST DON'T LEAD ME INTO ANY PONDS. 1576 01:08:18,052 --> 01:08:19,678 I'M NOT MAKING ANY PROMISES. 1577 01:08:19,678 --> 01:08:21,847 [KEYS CLACKING] 1578 01:08:21,847 --> 01:08:24,767 [♪♪] 1579 01:08:29,021 --> 01:08:30,314 [EXHALES DEEPLY] 1580 01:08:30,314 --> 01:08:31,816 HERE GOES NOTHING. 1581 01:08:42,076 --> 01:08:44,495 [♪♪] 1582 01:08:52,461 --> 01:08:54,547 WOW. 1583 01:08:54,547 --> 01:08:56,382 ON TIME AGAIN TO CLASS? 1584 01:08:56,382 --> 01:08:59,343 THIRD TIME THIS WEEK, MISS HOWARD. 1585 01:08:59,343 --> 01:09:01,762 THIS SURELY MUST BE A SIGN OF END TIMES. 1586 01:09:01,762 --> 01:09:03,389 NO, SIR. JUST A VALIDATION 1587 01:09:03,389 --> 01:09:05,057 OF YOUR MAD TEACHING SKILLS. 1588 01:09:05,057 --> 01:09:07,101 I SEE YOUR BROWN-NOSING HAS IMPROVED AS WELL. 1589 01:09:07,101 --> 01:09:08,394 IT'S NOT BROWN-NOSING IF IT'S TRUE. 1590 01:09:08,394 --> 01:09:10,104 PERHAPS. 1591 01:09:10,104 --> 01:09:13,023 I'M HAPPY TO SEE YOU APPLYING YOURSELF BECAUSE-- 1592 01:09:13,023 --> 01:09:15,067 I'M NOT SURE I SHOULD FINISH THAT THOUGHT, 1593 01:09:15,067 --> 01:09:16,735 I DON'T WANT IT TO GO TO YOUR HEAD. 1594 01:09:16,735 --> 01:09:19,029 TAKE THE RISK. FINISH THE THOUGHT. 1595 01:09:21,782 --> 01:09:23,868 WHEN YOU APPLY YOURSELF, 1596 01:09:23,868 --> 01:09:25,870 YOU'RE ONE OF MY BRIGHTEST STUDENTS, BECCA. 1597 01:09:25,870 --> 01:09:29,498 I'M REALLY HAPPY TO SEE YOU TAKING IT THIS SERIOUSLY. 1598 01:09:30,666 --> 01:09:31,667 SO... 1599 01:09:31,667 --> 01:09:33,377 GO BACK TO WORK. 1600 01:09:37,506 --> 01:09:39,758 I HOPE YOU HAVE A GOOD DAY, SWEETHEART. 1601 01:09:39,758 --> 01:09:40,718 OKAY, DAD. 1602 01:09:40,718 --> 01:09:42,136 ALL RIGHT. BYE. 1603 01:09:42,136 --> 01:09:44,471 [♪♪] 1604 01:09:53,731 --> 01:09:55,941 FIVE... FOUR... 1605 01:09:55,941 --> 01:09:59,111 THREE... TWO... 1606 01:09:59,111 --> 01:10:00,696 ONE.... 1607 01:10:03,532 --> 01:10:06,076 [♪♪] 1608 01:10:12,541 --> 01:10:15,753 [GIRLS]: PEACHES, PEARS AND PLUMS! 1609 01:10:15,753 --> 01:10:19,173 TELL ME WHEN YOUR BIRTHDAY COMES! 1610 01:10:19,173 --> 01:10:21,175 JANUARY, FEBRUARY... 1611 01:10:21,175 --> 01:10:24,136 [NATE]: HEY, EM, IT'S PAST YOUR BEDTIME. 1612 01:10:24,136 --> 01:10:26,055 WHY DON'T YOU PUT ON YOUR PAJAMAS? 1613 01:10:26,055 --> 01:10:28,432 AWW! BUT WE'RE HAVING SO MUCH FUN. 1614 01:10:28,432 --> 01:10:30,142 CAN'T I STAY UP A LITTLE LATER? 1615 01:10:30,142 --> 01:10:33,020 I THINK I GAVE YOU THAT ANSWER 30 MINUTES AGO. 1616 01:10:33,020 --> 01:10:35,481 NOW IT'S REALLY TIME. 1617 01:10:35,481 --> 01:10:38,525 [THUMP] 1618 01:10:41,070 --> 01:10:43,906 [STOMPING UP STEPS] 1619 01:10:43,906 --> 01:10:45,991 THIS HAS BEEN REALLY NICE. 1620 01:10:45,991 --> 01:10:47,868 HANGING OUT WITH THE TWO OF YOU. 1621 01:10:49,203 --> 01:10:51,789 YEAH, ALMOST FEELS LIKE WE'RE... 1622 01:10:53,082 --> 01:10:54,166 UM, THERE IS SOMETHING 1623 01:10:54,166 --> 01:10:56,126 I WANTED TO TALK WITH YOU ABOUT. 1624 01:10:58,462 --> 01:11:01,215 YOU TOLD ME THAT... 1625 01:11:01,215 --> 01:11:02,424 SIX MONTHS WAS 1626 01:11:02,424 --> 01:11:05,135 YOUR RELATIONSHIP EXPIRATION DATE. 1627 01:11:06,470 --> 01:11:07,596 I DID SAY THAT. 1628 01:11:07,596 --> 01:11:09,181 I UNDERSTAND. 1629 01:11:09,181 --> 01:11:11,141 I GET THAT, I DO. 1630 01:11:12,226 --> 01:11:13,978 BUT I LIKE YOU, BECCA-- 1631 01:11:13,978 --> 01:11:15,813 I LIKE YOU, TOO. 1632 01:11:15,813 --> 01:11:17,773 AND YOUR EXPIRATION DATE SCARES ME. 1633 01:11:17,773 --> 01:11:19,483 BECAUSE I CAN'T DO THIS 1634 01:11:19,483 --> 01:11:23,070 IF I THINK YOU MIGHT RUN IN SIX MONTHS. 1635 01:11:23,070 --> 01:11:26,198 I-I'M-- I DON'T MEAN TO PUT ANY PRESSURE ON YOU, 1636 01:11:26,198 --> 01:11:28,867 BUT THIS IS BIGGER THAN YOU AND ME. 1637 01:11:28,867 --> 01:11:30,828 I HAVE TO THINK ABOUT EMILY. 1638 01:11:32,079 --> 01:11:34,623 SO I NEED TO KNOW IF YOU THINK 1639 01:11:34,623 --> 01:11:37,918 YOU MAY RUN AWAY FOR NO REASON SIX MONTHS FROM NOW. 1640 01:11:41,213 --> 01:11:43,924 WILL YOU TUCK ME IN, BECCA? 1641 01:11:45,134 --> 01:11:46,677 [EXHALES DEEPLY] 1642 01:11:50,139 --> 01:11:52,766 TO BE CONTINUED. GO. 1643 01:11:59,773 --> 01:12:01,859 [♪♪] 1644 01:12:03,193 --> 01:12:05,195 [THUD] 1645 01:12:17,833 --> 01:12:20,252 OKAY. ALL TUCKED IN. 1646 01:12:20,252 --> 01:12:21,712 YOU COMFY? 1647 01:12:21,712 --> 01:12:23,255 MM-HMM! 1648 01:12:23,255 --> 01:12:24,923 ARE YOU? 1649 01:12:24,923 --> 01:12:26,091 [LAUGHING] 1650 01:12:26,091 --> 01:12:28,302 KIND OF. 1651 01:12:28,302 --> 01:12:30,846 YOU'RE MY BEST FRIEND, BECCA. 1652 01:12:30,846 --> 01:12:33,140 DITTO, KIDDO. 1653 01:12:34,892 --> 01:12:36,935 MM. [SMOOCH] 1654 01:12:36,935 --> 01:12:38,812 MOVE OVER. 1655 01:12:38,812 --> 01:12:40,898 [GIGGLING] 1656 01:12:43,817 --> 01:12:46,153 [♪♪] 1657 01:12:52,534 --> 01:12:54,953 I THOUGHT ABOUT WHAT YOU SAID. 1658 01:12:54,953 --> 01:12:55,913 WHAT IS THIS? 1659 01:12:55,913 --> 01:12:58,040 YOU'VE BEEN USING EMILY. 1660 01:12:58,040 --> 01:13:00,084 YOU'VE... 1661 01:13:00,084 --> 01:13:01,335 BOILED HER DOWN 1662 01:13:01,335 --> 01:13:03,629 INTO SCIENTIFIC TERMS AND PSYCHOBABBLE. 1663 01:13:03,629 --> 01:13:05,214 NO. YOU DON'T UNDERSTAND. 1664 01:13:05,214 --> 01:13:08,217 "THE PSYCHOLOGICAL EFFECTS OF LOSING A PARENT." 1665 01:13:08,217 --> 01:13:11,095 THIS IS ALL EMILY'S BEEN TO YOU, THE WHOLE TIME? 1666 01:13:11,095 --> 01:13:12,304 A TEST SUBJECT? 1667 01:13:12,304 --> 01:13:13,889 NO. YOU DON'T UNDERSTAND. 1668 01:13:13,889 --> 01:13:16,725 I... I WOULD NEVER DO ANYTHING TO HURT EMILY. 1669 01:13:16,725 --> 01:13:18,310 IF YOU JUST READ THE REST OF IT-- 1670 01:13:18,310 --> 01:13:20,020 I'VE READ ENOUGH. 1671 01:13:20,020 --> 01:13:20,979 NATE, PLEASE-- 1672 01:13:20,979 --> 01:13:22,815 IF IT ONLY HAD BEEN ME YOU LIED TO, 1673 01:13:22,815 --> 01:13:25,734 THAT WOULD BE ONE THING, BUT YOU LIED TO EMILY. 1674 01:13:25,734 --> 01:13:26,777 THAT'S THE PART THAT HURTS. 1675 01:13:26,777 --> 01:13:28,112 LET ME EXPLAIN. 1676 01:13:28,112 --> 01:13:29,321 I DON'T WANT YOUR EXPLANATIONS, BECCA. 1677 01:13:29,321 --> 01:13:30,906 I WANT YOU TO LEAVE ME AND MY DAUGHTER ALONE. 1678 01:13:30,906 --> 01:13:33,742 NATE, NO, LISTEN! I WANT THIS. 1679 01:13:33,742 --> 01:13:35,077 I WANT US. I WANT ALL OF IT. 1680 01:13:35,077 --> 01:13:36,245 I'M NOT GOING TO RUN. 1681 01:13:36,245 --> 01:13:37,955 HOW DO YOU EXPECT ME TO BELIEVE ANYTHING YOU SAY, 1682 01:13:37,955 --> 01:13:39,665 AFTER YOU WRITE SOMETHING LIKE THIS BEHIND MY BACK? 1683 01:13:39,665 --> 01:13:42,251 BEHIND MY DAUGHTER'S BACK? 1684 01:13:42,251 --> 01:13:43,794 [QUIET GASP] 1685 01:13:46,004 --> 01:13:48,298 [DOOR CREAKS] 1686 01:13:48,298 --> 01:13:50,300 PLEASE. 1687 01:13:53,846 --> 01:13:56,223 [♪♪] 1688 01:14:04,398 --> 01:14:06,984 [♪♪] 1689 01:14:08,861 --> 01:14:10,821 DID YOU HEAR US FIGHTING? 1690 01:14:11,947 --> 01:14:13,657 WHY ARE YOU MAD AT BECCA? 1691 01:14:14,741 --> 01:14:17,995 BECAUSE I JUST FOUND OUT THAT SHE'S... 1692 01:14:21,373 --> 01:14:24,793 UH, EM, SHE'S LIKE A... DOCTOR. 1693 01:14:24,793 --> 01:14:28,172 UM... 1694 01:14:28,172 --> 01:14:31,633 SHE WANTED TO HELP YOU, AND THAT'S GOOD... 1695 01:14:38,682 --> 01:14:41,810 BUT SHE DIDN'T TELL THE TRUTH ABOUT SOME THINGS. 1696 01:14:46,815 --> 01:14:48,859 I'M REALLY SORRY, EM. 1697 01:14:51,445 --> 01:14:54,323 I RUINED EVERYTHING. 1698 01:14:54,323 --> 01:14:56,408 I'M SURE THAT'S NOT TRUE. 1699 01:14:56,408 --> 01:14:58,160 [SOBS] 1700 01:14:58,160 --> 01:15:00,329 NO. NO, IT IS. 1701 01:15:00,329 --> 01:15:04,374 I FINALLY FOUND SOMETHING THAT REALLY MATTERED... 1702 01:15:04,374 --> 01:15:06,376 AND I RUINED IT. 1703 01:15:08,837 --> 01:15:11,381 I RUIN EVERYTHING, AMBER. 1704 01:15:12,758 --> 01:15:14,468 [TEARFULLY]: "WEEKS PASSED, 1705 01:15:14,468 --> 01:15:18,972 "AND THE LITTLE RABBIT GREW VERY OLD AND SHABBY, 1706 01:15:18,972 --> 01:15:22,476 "BUT THE BOY LOVED HIM JUST AS MUCH. 1707 01:15:22,476 --> 01:15:23,852 "HE LOVED HIM SO HARD, 1708 01:15:23,852 --> 01:15:27,064 "THAT HE LOVED ALL HIS WHISKERS OFF, 1709 01:15:27,064 --> 01:15:30,234 "AND THE PINK LINING TO HIS EARS TURNED GRAY, 1710 01:15:30,234 --> 01:15:31,401 AND HIS BROWN SPOTS FADED." 1711 01:15:33,362 --> 01:15:35,405 [CRYING] 1712 01:15:46,458 --> 01:15:48,502 I'M SO SORRY. 1713 01:15:48,502 --> 01:15:50,504 I DID NOT MEAN TO UPSET YOU, EM. 1714 01:15:50,504 --> 01:15:53,048 IT'S OKAY TO BE SAD. 1715 01:15:54,466 --> 01:15:57,761 NOW CAN I PLEASE BE ALONE? 1716 01:15:58,887 --> 01:16:01,098 [♪♪] 1717 01:16:01,098 --> 01:16:02,933 [CRYING] 1718 01:16:09,064 --> 01:16:10,107 [KNOCKING] 1719 01:16:10,107 --> 01:16:12,150 I CAN'T TALK ANYMORE, AMBER. 1720 01:16:12,150 --> 01:16:13,443 I'M ALL TALKED OUT. 1721 01:16:19,491 --> 01:16:21,994 BREAKING AND ENTERING IS A FELONY. 1722 01:16:21,994 --> 01:16:24,997 YOUR FRIEND, AMBER, LET ME IN. 1723 01:16:24,997 --> 01:16:27,332 I DON'T WANT TO DO THIS RIGHT NOW. 1724 01:16:27,332 --> 01:16:31,253 I READ YOUR THESIS, BECCA. IT'S BRILLIANT! 1725 01:16:31,253 --> 01:16:34,506 YOU'RE REALLY GONNA FLOOR PEOPLE WITH THIS PRESENTATION. 1726 01:16:34,506 --> 01:16:37,467 NO, I'M NOT. I'M QUITTING. 1727 01:16:38,760 --> 01:16:41,555 NO. NO, NO, NO, NO, NO. I WON'T ALLOW IT. 1728 01:16:41,555 --> 01:16:43,432 IT'S NOT UP TO YOU. 1729 01:16:43,432 --> 01:16:45,517 OH, REALLY? 1730 01:16:45,517 --> 01:16:47,352 [SETS THESIS DOWN] 1731 01:16:47,352 --> 01:16:49,813 YOU KNOW, I HAVE... 1732 01:16:49,813 --> 01:16:52,232 I HAVE BEEN THERE FOR YOUR ENGLISH DEGREE, 1733 01:16:52,232 --> 01:16:53,942 I'VE BEEN THERE FOR YOUR ART DEGREE, 1734 01:16:53,942 --> 01:16:55,444 I'VE BEEN THERE THROUGH IT ALL, 1735 01:16:55,444 --> 01:16:58,030 AND I HAVE WATCHED YOU FIND YOURSELF, 1736 01:16:58,030 --> 01:17:00,532 BY WORKING WITH THIS LITTLE GIRL. 1737 01:17:00,532 --> 01:17:02,534 YOU'RE WRONG. 1738 01:17:02,534 --> 01:17:04,953 ALL I DID WAS HURT EVERYONE. 1739 01:17:04,953 --> 01:17:07,289 NO. MM-MM. 1740 01:17:08,540 --> 01:17:13,045 THIS IS WHAT YOU'RE SUPPOSED TO DO IN YOUR LIFE, BECCA. 1741 01:17:13,045 --> 01:17:16,548 THIS IS WHERE YOU MAKE YOUR MARK. 1742 01:17:16,548 --> 01:17:18,508 THIS IS WHERE YOU GROW UP... 1743 01:17:20,093 --> 01:17:22,554 ...AND BE WHAT YOU WERE SUPPOSED TO BE-- 1744 01:17:22,554 --> 01:17:25,140 THE PERSON YOU ALREADY ARE. 1745 01:17:25,140 --> 01:17:27,976 NATE THINKS I WAS STUDYING EMILY. 1746 01:17:29,478 --> 01:17:31,938 AND NOW HE HATES ME. 1747 01:17:31,938 --> 01:17:33,857 NO, YOU MIGHT BE A LOT OF THINGS, BECCA, 1748 01:17:33,857 --> 01:17:35,067 BUT YOU'RE NOT A COWARD. 1749 01:17:35,067 --> 01:17:36,610 YOU KNOW WHAT MARK TWAIN SAID? 1750 01:17:36,610 --> 01:17:38,987 "COURAGE IS NOT THE LACK OF FEAR, 1751 01:17:38,987 --> 01:17:41,823 IT'S ACTING IN SPITE OF IT." 1752 01:17:41,823 --> 01:17:43,200 OR SOMETHING LIKE THAT. 1753 01:17:44,576 --> 01:17:45,827 [LAUGHS] 1754 01:17:47,037 --> 01:17:50,332 I AM SO PROUD OF WHAT YOU WROTE... 1755 01:17:50,332 --> 01:17:52,876 AND I AM PROUD OF YOU. 1756 01:17:54,878 --> 01:17:57,506 AND YOU SHOULD BE, TOO. 1757 01:17:58,590 --> 01:18:00,384 WELL, I AM, UM, 1758 01:18:00,384 --> 01:18:03,136 I'M LOOKING FORWARD TO YOUR PRESENTATION, BECCA. 1759 01:18:07,557 --> 01:18:10,852 PROMISE ME YOU'LL AT LEAST THINK ABOUT IT. 1760 01:18:13,188 --> 01:18:15,857 [♪♪] 1761 01:18:24,533 --> 01:18:26,159 MR. WILLIAMS? 1762 01:18:28,078 --> 01:18:30,580 I'M WALT GODFREY. 1763 01:18:32,582 --> 01:18:34,626 GODFREY? 1764 01:18:34,626 --> 01:18:37,546 MY NIECE, AMY, IS EMILY'S TEACHER, 1765 01:18:37,546 --> 01:18:40,090 AND I AM BECCA'S COLLEGE ADVISOR. 1766 01:18:43,093 --> 01:18:46,555 I'M NOT INTERESTED IN ANYTHING YOU HAVE TO SAY, MR. GODFREY. 1767 01:18:46,555 --> 01:18:47,597 YOU SEE, I THINK 1768 01:18:47,597 --> 01:18:49,141 YOU'VE GOT IT ALL WRONG, MR. WILLIAMS. 1769 01:18:49,141 --> 01:18:51,143 I THINK YOU SHOULD GIVE BECCA A CHANCE, 1770 01:18:51,143 --> 01:18:53,103 LET HER EXPLAIN. 1771 01:18:55,647 --> 01:18:57,691 I DON'T WANT EXPLANATIONS. 1772 01:18:57,691 --> 01:18:59,651 OH, I THINK YOU DO, 1773 01:18:59,651 --> 01:19:01,319 BECAUSE I THINK THAT YOU LOVE YOUR DAUGHTER 1774 01:19:01,319 --> 01:19:02,654 MORE THAN ANYTHING IN THE WORLD, 1775 01:19:02,654 --> 01:19:04,656 AND BECCA HAS HELPED EMILY, 1776 01:19:04,656 --> 01:19:08,535 AND EMILY HAS HELPED BECCA MORE THAN YOU'LL EVER KNOW, 1777 01:19:08,535 --> 01:19:13,457 AND NOW BECCA IS PRESENTING WHAT SHE HAS LEARNED TOMORROW 1778 01:19:13,457 --> 01:19:15,417 IN FRONT OF THE THESIS COMMITTEE, 1779 01:19:15,417 --> 01:19:18,420 AND I THINK... YOU SHOULD HEAR HER OUT. 1780 01:19:19,463 --> 01:19:21,423 AND I THINK YOU SHOULD BRING EMILY. 1781 01:19:21,423 --> 01:19:23,425 HERE. SEE THIS? 1782 01:19:23,425 --> 01:19:25,635 IT'S A DRAWING THAT YOUR DAUGHTER DID. 1783 01:19:26,720 --> 01:19:29,306 NOT BECAUSE SHE WAS ASKED TO, 1784 01:19:29,306 --> 01:19:32,142 BUT BECAUSE SHE WANTED TO. 1785 01:19:33,435 --> 01:19:35,520 NICE TO MEET YOU. 1786 01:19:35,520 --> 01:19:37,564 YOU HAVE A BEAUTIFUL GARDEN. 1787 01:19:38,732 --> 01:19:41,568 [♪♪] 1788 01:19:50,076 --> 01:19:51,495 [BECCA]: THANK YOU FOR COMING. 1789 01:19:51,495 --> 01:19:52,704 MY RESEARCH CENTERS AROUND 1790 01:19:52,704 --> 01:19:55,207 "THE PSYCHOLOGICAL EFFECTS OF LOSING A PARENT." 1791 01:19:55,207 --> 01:19:56,333 AHEM. 1792 01:19:58,043 --> 01:20:00,045 I STUDIED A SHY GIRL WHO LOST HER MOM 1793 01:20:00,045 --> 01:20:01,546 AND THEN STOPPED TALKING, 1794 01:20:01,546 --> 01:20:03,715 A GIRL WHO SHUT HERSELF OFF FROM THE WORLD. 1795 01:20:03,715 --> 01:20:06,301 THE IDEA OF "LOSING" SOMEONE 1796 01:20:06,301 --> 01:20:09,221 IS SO MUCH MORE COMPLICATED THAN THE WORD IMPLIES. 1797 01:20:09,221 --> 01:20:11,765 YOU LOSE YOUR KEYS, YOU LOSE A QUARTER, 1798 01:20:11,765 --> 01:20:14,768 YOU DON'T LOSE A PERSON. 1799 01:20:14,768 --> 01:20:17,729 IT JUST MAKES DEATH SOUND SO TRIVIAL. 1800 01:20:17,729 --> 01:20:19,314 BUT IT'S ONE OF THOSE THINGS 1801 01:20:19,314 --> 01:20:21,024 THAT NEVER GETS EASY TO TALK ABOUT, 1802 01:20:21,024 --> 01:20:23,652 ESPECIALLY IF YOU'RE A 9-YEAR-OLD GIRL, 1803 01:20:23,652 --> 01:20:26,446 WHO DOESN'T WANT TO ACCEPT THAT KIND OF PERMANENCE. 1804 01:20:26,446 --> 01:20:28,323 A GIRL WHO-- 1805 01:20:28,323 --> 01:20:31,701 [♪♪] 1806 01:20:34,329 --> 01:20:37,165 A GIRL WHO... 1807 01:20:37,165 --> 01:20:38,708 [BECCA FIGHTING TEARS] 1808 01:20:38,708 --> 01:20:40,418 [SOFTLY]: OH... 1809 01:20:40,418 --> 01:20:41,795 GO ON. 1810 01:20:41,795 --> 01:20:44,422 THE GIRL IN MY STUDY, 1811 01:20:44,422 --> 01:20:46,258 MY SUBJECT... 1812 01:20:46,258 --> 01:20:48,218 WAS ME. 1813 01:20:49,261 --> 01:20:51,346 I NEVER GOT OVER THE DEATH OF MY MOM. 1814 01:20:51,346 --> 01:20:54,057 [CHOKES UP] I NEVER GREW UP. 1815 01:20:55,183 --> 01:20:56,768 I ALWAYS THOUGHT THAT... 1816 01:20:56,768 --> 01:21:00,355 GROWING UP MEANT I-- I HAD TO LET GO, 1817 01:21:00,355 --> 01:21:02,566 AND I COULDN'T DO THAT. 1818 01:21:02,566 --> 01:21:06,278 SO I JUST FOCUSED ON HAVING FUN... 1819 01:21:06,278 --> 01:21:07,779 BUT WHEN YOU FOCUS ON FUN, 1820 01:21:07,779 --> 01:21:09,573 YOU NEVER END UP FINISHING ANYTHING, 1821 01:21:09,573 --> 01:21:10,824 AND THEN, AFTER A WHILE, 1822 01:21:10,824 --> 01:21:13,743 IT FEELS LIKE YOUR LIFE IS FLOATING PAST YOU. 1823 01:21:16,454 --> 01:21:18,707 BUT THEN I MET A FRIEND NAMED EMILY, 1824 01:21:18,707 --> 01:21:21,251 WHO ALSO LOST HER MOM. 1825 01:21:21,251 --> 01:21:24,129 SHE'S GOING THROUGH SOME OF SOME OF THE SAME THINGS 1826 01:21:24,129 --> 01:21:25,755 I WENT THROUGH WHEN I WAS HER AGE, 1827 01:21:25,755 --> 01:21:29,384 BUT SHE HAS THE KIND OF SUPPORT SYSTEM I NEVER HAD. 1828 01:21:29,384 --> 01:21:31,595 SHE'S SURROUNDED BY PEOPLE WHO LOVE HER, 1829 01:21:31,595 --> 01:21:34,264 WHICH DOESN'T MAKE HER JOURNEY ANY EASIER. 1830 01:21:34,264 --> 01:21:36,850 BUT ONE THING OUR FRIENDSHIP HAS SHOWN ME 1831 01:21:36,850 --> 01:21:38,852 IS THAT SHE'S GONNA GET THROUGH THIS. 1832 01:21:38,852 --> 01:21:40,812 I'VE TAUGHT HER HOW TO HAVE FUN, 1833 01:21:40,812 --> 01:21:43,857 AND, IRONICALLY, SHE TAUGHT ME HOW TO BE AN ADULT, 1834 01:21:43,857 --> 01:21:47,652 BECAUSE SHE'S WISER AT NINE THAN I'VE EVER BEEN. 1835 01:21:47,652 --> 01:21:49,112 PART OF GROWING UP 1836 01:21:49,112 --> 01:21:52,282 MEANS LEARNING HOW TO TAKE CARE OF YOURSELF. 1837 01:21:54,409 --> 01:21:56,202 I KNOW HOW TO DO THAT NOW. 1838 01:21:58,079 --> 01:21:59,414 [EMILY]: EXCUSE ME! 1839 01:21:59,414 --> 01:22:01,833 CAN WE ASK QUESTIONS? 1840 01:22:01,833 --> 01:22:04,836 QUESTIONS ARE NORMALLY RESERVED FOR THE END, 1841 01:22:04,836 --> 01:22:07,088 BUT... GO FOR IT. 1842 01:22:07,088 --> 01:22:09,549 I MISS YOU, 1843 01:22:09,549 --> 01:22:11,635 YOU'RE MY BEST FRIEND... 1844 01:22:11,635 --> 01:22:14,179 AND I WAS JUST WONDERING... 1845 01:22:14,179 --> 01:22:16,848 CAN WE HAVE ANOTHER PLAY DATE? 1846 01:22:16,848 --> 01:22:18,391 [LAUGHS] 1847 01:22:18,391 --> 01:22:20,810 [♪♪] 1848 01:22:24,522 --> 01:22:26,691 WE CAN HAVE AS MANY PLAY DATES AS YOU WANT, 1849 01:22:26,691 --> 01:22:29,319 AS LONG AS IT'S OKAY WITH YOUR DAD. 1850 01:22:31,321 --> 01:22:32,822 IT'S OKAY BY ME. 1851 01:22:35,825 --> 01:22:37,369 I MISSED YOU. 1852 01:22:37,369 --> 01:22:39,329 I MISSED YOU, TOO. 1853 01:22:40,455 --> 01:22:42,624 [♪♪] 1854 01:22:42,624 --> 01:22:44,334 [APPLAUDING] 1855 01:22:48,922 --> 01:22:50,548 I'M PROUD OF YOU, GIRL. 1856 01:22:50,548 --> 01:22:52,884 YOU KNOW WHAT THE OPERATIVE WORD IS? 1857 01:22:52,884 --> 01:22:54,135 "WHEW!" 1858 01:22:54,135 --> 01:22:55,970 [LAUGHING] 1859 01:22:55,970 --> 01:22:57,347 BYE. 1860 01:22:57,347 --> 01:23:00,350 GREATEST THESIS PRESENTATION EVER! 1861 01:23:01,893 --> 01:23:03,853 -SEE YOU LATER. -SEEYA. 1862 01:23:04,896 --> 01:23:07,232 WELL... 1863 01:23:07,232 --> 01:23:09,693 OKAY, WELL, IF WE'RE GONNA DO THIS, 1864 01:23:09,693 --> 01:23:11,820 WE HAVE TO BE TOTALLY AND COMPLETELY HONEST, 1865 01:23:11,820 --> 01:23:14,406 AND I HAVE ONE LAST CONFESSION TO MAKE. 1866 01:23:14,406 --> 01:23:15,907 JE PARLE FRANCAIS. 1867 01:23:15,907 --> 01:23:17,617 I'M TOTALLY FLUENT. 1868 01:23:17,617 --> 01:23:19,911 SO I KNEW WHEN YOU GUYS WERE TALKING ABOUT ME, 1869 01:23:19,911 --> 01:23:21,705 I KNEW WHAT YOU WERE SAYING, 1870 01:23:21,705 --> 01:23:23,915 AND I THOUGHT IT WAS REALLY CUTE. 1871 01:23:23,915 --> 01:23:25,166 SO MANY DEGREES. 1872 01:23:25,166 --> 01:23:26,876 SHOULD'VE KNOWN ONE WOULD BE FRENCH. 1873 01:23:26,876 --> 01:23:27,919 NO, ACTUALLY. 1874 01:23:27,919 --> 01:23:29,504 "ROSETTA STONE." 1875 01:23:29,504 --> 01:23:30,672 [EMILY]: YOU DID REALLY GOOD! 1876 01:23:30,672 --> 01:23:32,716 YOU THINK SO? 1877 01:23:33,758 --> 01:23:35,176 ANYONE UP FOR A PLAY DATE? 1878 01:23:35,176 --> 01:23:37,387 [♪♪] 1879 01:23:42,350 --> 01:23:44,561 ICE CREAM? 1880 01:23:45,603 --> 01:23:47,564 -FINE. -YES! 118532