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Downloaded from
YTS.MX
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♪ ♪
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00:00:06,106 --> 00:00:08,274
Taye: IT IS TIME FOR US
TOGATHER VIRTUALLY, ALTHOUGH
WE'D
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00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
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00:00:08,308 --> 00:00:09,976
RATHER MEET IN PERSON,AND
COLLECTIVELY REJOICE.
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00:00:10,010 --> 00:00:12,712
NONETHELESS, THIS CELEBRATION
IS A BRAND NEW ITERATION
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00:00:12,746 --> 00:00:16,683
OF THE PARTY THAT IS KNOWN AS
CRITICS CHOICE.
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00:00:16,716 --> 00:00:21,021
YOU WILL SEE SOME FAMOUS FACES
ON THIS STAGE AND OTHER PLACES
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00:00:21,054 --> 00:00:24,924
TYPICALLY FROM THE COMFORT OF
THEIR HOME.
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00:00:24,958 --> 00:00:29,129
AND OF COURSE WE'LL BE AWARDING
LEAD PERFORMERS AND SUPPORTING
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00:00:29,162 --> 00:00:32,632
AND THE TV SHOWS AND FILMS
FOR WHICH THEY'RE KNOWN.
12
00:00:32,665 --> 00:00:36,636
WE HEARD THE SOUND OF METAL
AND SAW NOMADS NEVER SETTLE,
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00:00:36,669 --> 00:00:40,840
A PROMISING YOUNG WOMAN
MADE MEN SORRY.
14
00:00:40,874 --> 00:00:45,812
DA FIVE BLOODS WERE DA BOMB.
15
00:00:45,845 --> 00:00:46,880
THEY BLEW UP IN VIETNAM.
16
00:00:46,913 --> 00:00:49,082
AND WE LEARNED KOREAN WATER
CELERY IS CALLED MINARI.
17
00:00:49,115 --> 00:00:52,419
THESE MOVIES STREAMED
INTO OUR HOMES
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00:00:52,452 --> 00:00:54,054
AND FILLED OUR HEARTS DESIRE.
19
00:00:54,087 --> 00:00:57,323
AND THIS YEAR'S SERIES OFFERINGS
WERE ALSO FULL BLOWN FIRE.
20
00:00:57,357 --> 00:01:01,227
"THE CROWN" RE-SHOT THE WEDDING
OF PRINCE CHUCK AND LADY DI.
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00:01:01,261 --> 00:01:05,065
"LOVECRAFT COUNTRY" MADE US
WONDER IF WE ALL WERE HIGH.
22
00:01:05,098 --> 00:01:09,469
SAUL GOODMAN'S LIFE WAS
COMPLICATED, SCARY, AND ABSURD.
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00:01:09,502 --> 00:01:13,173
"THE MANDALORIAN" WAS LOVED
BY EV'RY STAR WARS NERD.
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00:01:13,206 --> 00:01:17,143
"THE UNDOING" SAW HUGH GRANT
DOING SOMETHING PRETTY DRASTIC,
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00:01:17,177 --> 00:01:20,013
AND OUR OBSESSION WITH
"THE QUEENS GAMBIT"
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00:01:20,046 --> 00:01:21,514
WAS SIMPLY PAWNOGRAPHIC.
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00:01:21,548 --> 00:01:25,552
AND IF MY LITTLE SPOKEN WORD
HAS LEFT YOU WANTING MORE,
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00:01:25,585 --> 00:01:27,287
CHECK OUT ALL THESE SHOWS.
29
00:01:27,320 --> 00:01:37,230
SEE WHAT WE HAVE IN STORE!
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WE WILL SHOW YOU EXACTLY WHAT
WE MEAN.
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YOU ARE CULTURAL DISRUPTORS.
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00:01:49,042 --> 00:01:50,877
YOU'VE GOT TO DECIDE.
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YOU WANT TO BE SOMEBODY OR NOT?
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00:01:55,048 --> 00:01:57,584
I'VE GOT MY TIME COMING TO
ME.
35
00:01:57,617 --> 00:02:01,788
IT ISN'T ABOUT WHETHER YOU
WIN OR LOSE.
36
00:02:01,821 --> 00:02:03,556
IT'S ABOUT BEING IN THE ROOM.
37
00:02:03,590 --> 00:02:07,393
WHAT'S GOING ON?
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00:02:07,427 --> 00:02:12,232
I LOVE THE WAY YOU SEE THE
WORLD.
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00:02:12,265 --> 00:02:14,634
ARE YOU RECEIVING THIS?
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I COULD BE ANYWHERE IN THE
WORLD RIGHT NOW.
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00:02:20,406 --> 00:02:22,709
YOU DON'T EVER SAY A FINAL
GOODBYE.
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00:02:22,742 --> 00:02:24,978
JUST SAY I'LL SEE YOU DOWN THE
ROAD.
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THIS MOVEMENT IS CALLED A
STRUGGLES BECAUSE WE ARE
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00:02:27,614 --> 00:02:31,784
FIGHTING FOR OUR LIVES.
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00:02:31,818 --> 00:02:32,986
THE WHOLE WORLD IS WATCHING!
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THESE ARE STORIES OF MEN AND
WOMEN VERY MUCH LIKE YOU,
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00:02:37,924 --> 00:02:49,135
WAITING FOR BETTER DAYS TO COME.
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00:02:49,169 --> 00:02:51,471
Announcer: HERE'S THE HOST OF
THE 26TH ANNUAL
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00:02:51,504 --> 00:02:52,405
CRITICS CHOICE AWARDS.
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00:02:52,438 --> 00:03:01,047
FROM THE CW'S "ALL-AMERICAN,"
TAYE DIGGS!
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00:03:01,080 --> 00:03:02,715
Taye: HELLO, EVERYONE.
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00:03:02,749 --> 00:03:05,218
I'M TAYE DIGGS, AND I'M HOSTING
THE CRITICS CHOICE AWARDS
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00:03:05,251 --> 00:03:07,086
FOR THE THIRD YEAR IN A ROW.
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00:03:07,120 --> 00:03:08,955
AND I'LL KEEP DOING IT
UNTIL THEY ADD AN AWARDS SHOW
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00:03:08,988 --> 00:03:11,558
CATEGORY.
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THIS YEAR'S SHOW IS OBVIOUSLY
A LITTLE DIFFERENT.
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00:03:14,761 --> 00:03:17,363
SOCIAL DISTANCING MEANS
THAT MOST OF OUR PRESENTERS AND
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00:03:17,397 --> 00:03:20,366
NOMINEES WILL BE WATCHING THE
SHOW FROM AFAR.
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00:03:20,400 --> 00:03:22,936
AND SINCE MOST OF THEM ARE IN
THEIR LIVING ROOMS, I'M PROBABLY
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00:03:22,969 --> 00:03:27,540
THE ONLY PERSON ON THIS SHOW
NOT WEARING SWEATPANTS.
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00:03:27,574 --> 00:03:29,609
I CALL IT AWARD SHOW CASUAL.
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FORMAL ON TOP.
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00:03:30,944 --> 00:03:33,346
COMFY ON THE BOTTOM.
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00:03:33,379 --> 00:03:36,516
ANOTHER GREAT ADVANTAGE OF
BEAMING INTO THE SHOW
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00:03:36,549 --> 00:03:37,984
IS THAT YOU CAN BE ANYWHERE.
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00:03:38,017 --> 00:03:39,786
WELL, ANYWHERE WITH WI-FI.
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00:03:39,819 --> 00:03:43,256
WE HAVE STARS IN ENGLAND,
GERMANY, ISRAEL, AUSTRALIA, AND
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00:03:43,289 --> 00:03:46,693
ALL OVER THE USA, EVEN HAWAII.
69
00:03:46,726 --> 00:03:51,564
AND WE HAVE MORE LIVE NOMINEES
ATTENDING THAN EVER BEFORE.
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00:03:51,598 --> 00:03:53,900
EVEN THOUGH WE'RE VIRTUAL,
WE STILL HAVE TABLES FULL
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00:03:53,933 --> 00:03:56,102
OF CELEBRITIES AND FILMMAKERS.
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THERE'S CAREY MULLIGAN,
STAR OF "PROMISING YOUNG WOMAN."
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00:04:00,540 --> 00:04:11,584
THERE'S THE "ONE NIGHT IN MIAMI"
TABLE.
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00:04:11,618 --> 00:04:13,119
ALL RIGHT, I SEE YOU LESLIE
ODOM, JR. IS UP
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00:04:13,152 --> 00:04:14,087
FOR THREE AWARDS TONIGHT!
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00:04:14,120 --> 00:04:15,121
"TED LASSO" HAS A TABLE.
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00:04:15,154 --> 00:04:16,723
WITH NOMINEES JASON SUDEIKIS
AND HANNAH WADDINGHAM.
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00:04:16,756 --> 00:04:20,360
AND HERE'S "DA 5 BLOODS" TABLE.
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00:04:20,393 --> 00:04:23,896
THE GREAT DELROY LINDO
AND FILMMAKER SPIKE LEE.
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00:04:23,930 --> 00:04:29,002
BY THE WAY, HERE'S A LITTLE TIP
FOR THE WHITE FOLKS.
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00:04:29,035 --> 00:04:30,937
DON'T THINK IT'S NECESSARY TO
OVER-ENUNCIATE THE "DA" IN THE
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00:04:30,970 --> 00:04:35,275
"DA FIVE BLOODS".
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00:04:35,308 --> 00:04:37,810
LET IT COME OUT NATURALLY.
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00:04:37,844 --> 00:04:38,711
"DA FIVE BLOODS".
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00:04:38,745 --> 00:04:40,313
A LOT HAS CHANGED THIS YEAR.
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00:04:40,346 --> 00:04:42,015
THIS WAS THE YEAR THAT FINDING
YOURSELF IN "SCHITT'S CREEK"
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00:04:42,048 --> 00:04:43,950
IS ACTUALLY A GOOD THING.
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00:04:43,983 --> 00:04:46,119
THEY HAVE FIVE NOMINATIONS.
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00:04:46,152 --> 00:04:52,625
THAT WAS TOPPED BY "THE CROWN,"
WHICH HAS 6.
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00:04:52,659 --> 00:04:59,532
ONE OF THOSE NOMINATIONS WAS FOR
HER PORTRAYAL OF PRIME MINISTER
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00:04:59,565 --> 00:05:00,667
MARGARET THATCHER.
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00:05:00,700 --> 00:05:01,367
SAY HELLO TO GILLIAN ANDERSON!
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00:05:01,401 --> 00:05:02,168
HI, GILLIAN.
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00:05:02,201 --> 00:05:04,137
CONGRATULATIONS ON
YOUR NOMINATION.
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00:05:04,170 --> 00:05:07,006
CONGRATS.
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00:05:07,040 --> 00:05:10,176
THANK YOU VERY MUCH.
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00:05:10,209 --> 00:05:12,578
Taye: WHERE ARE YOU AND
WHAT TIME IS IT?
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00:05:12,612 --> 00:05:18,818
I AM IN PRAGUE AND IT'S ABOUT
JUST AFTER 1:00 A.M. IN THE
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00:05:18,851 --> 00:05:19,786
MORNING.
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00:05:19,819 --> 00:05:23,823
Taye: YOU ARE STAYING UP
EARLY, ALL RIGHT.
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00:05:23,856 --> 00:05:25,058
DID YOU DRESS HEAD TO TOE
FOR TONIGHT?
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00:05:25,091 --> 00:05:29,629
OR JUST WAIST UP?
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I DID PUT AN ENTIRE OUTFIT
ON.
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00:05:34,367 --> 00:05:36,502
Taye: EXCELLENT.
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00:05:36,536 --> 00:05:39,572
WHAT WAS YOUR FAVORITE PART OF
PLAYING MARGARET THATCHER?
106
00:05:39,605 --> 00:05:44,277
WHAT WAS THE FAVORITE THING
ABOUT IT?
107
00:05:44,310 --> 00:05:53,753
PROBABLY I WOULD SAY GETTING
TO DO ALL THE BITS AT THE SAME
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00:05:53,786 --> 00:05:54,687
TIME.
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00:05:54,721 --> 00:05:58,624
THE CHALLENGE OF GETTING TO DO
ALL THE BITS.
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00:05:58,658 --> 00:06:05,198
THE VOICE, HER MANNERISMS, HER
WALK.
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00:06:05,231 --> 00:06:09,802
IN A BODYSUIT, AND THE WIG.
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00:06:09,836 --> 00:06:12,939
Taye: YES, THAT WIG.
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00:06:12,972 --> 00:06:15,475
WONDERFUL.
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00:06:15,508 --> 00:06:19,312
GILLIAN.
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00:06:19,345 --> 00:06:19,812
THANK YOU FOR CHATTING.
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00:06:19,846 --> 00:06:23,616
GOOD LUCK TONIGHT.
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00:06:23,649 --> 00:06:24,951
TO PRESENT IT ARE TWO PREVIOUS
CRITICS CHOICE AWARD WINNERS,
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00:06:24,984 --> 00:06:26,085
ANGELA BASSETT
AND COURTNEY B. VANCE.
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00:06:26,119 --> 00:06:28,121
SHE STARS IN THE TV SERIES
"9-1-1" AND THE BEST ANIMATED
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00:06:28,154 --> 00:06:29,689
PICTURE WINNER "SOUL"
AND HE CAN BE SEEN IN
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00:06:29,722 --> 00:06:32,058
"GENIUS: ARETHA."
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00:06:32,091 --> 00:06:34,127
HERE THEY ARE.
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00:06:34,160 --> 00:06:37,063
HI, I'M ANGELA BASSETT.
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00:06:37,096 --> 00:06:38,097
AND I'M COURTNEY B. VANCE.
125
00:06:38,131 --> 00:06:39,232
AND WE'RE HERE TO PRESENT THE
CRITICS CHOICE FOR
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00:06:39,265 --> 00:06:40,700
BEST SUPPORTING ACTOR.
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00:06:40,733 --> 00:06:43,269
WHICH, I'D LIKE TO POINT OUT,
IS APROPOS, SINCE WE'VE BEEN
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00:06:43,302 --> 00:06:44,137
SUPPORTING EACH OTHER AS HUSBAND
AND WIFE
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00:06:44,170 --> 00:06:48,107
FOR OVER 23 WONDERFUL YEARS.
130
00:06:48,141 --> 00:06:49,509
WHAT'S OUR SECRET?
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00:06:49,542 --> 00:06:51,043
TRUST,
OPEN LINES OF COMMUNICATION.
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00:06:51,077 --> 00:06:53,012
AND EACH WEEK, WE MAKE SURE
TO HAVE A DATE NIGHT.
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00:06:53,045 --> 00:06:54,180
THAT'S RIGHT.
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00:06:54,213 --> 00:06:58,351
IN FACT, YOU ALL ARE WITNESSING
OUR DATE NIGHT RIGHT NOW.
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00:06:58,384 --> 00:07:00,553
EXCUSE ME?
136
00:07:00,586 --> 00:07:03,222
THIS IS OUR DATE NIGHT?
137
00:07:03,256 --> 00:07:05,725
WELL, I MEAN, WE CAN'T REALLY
GO OUT.
138
00:07:05,758 --> 00:07:07,527
BUT WE'RE DRESSED NICELY.
139
00:07:07,560 --> 00:07:09,328
YOU LOOK LIKE A QUEEN,
AS ALWAYS, AND THE LIGHTING IS
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00:07:09,362 --> 00:07:09,729
GOOD.
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00:07:09,762 --> 00:07:10,963
UH-HUH.
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00:07:10,997 --> 00:07:13,766
I THINK NOW WOULD BE A GOOD TIME
TO PRESENT THE BEST SUPPORTING
143
00:07:13,800 --> 00:07:15,268
ACTOR NOMINEES.
144
00:07:15,301 --> 00:07:17,103
I'VE GOT SOME PIZZA ROLLS
RIGHT OVER IN THE TOASTER OVEN,
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00:07:17,136 --> 00:07:31,150
IF YOU --
BEST SUPPORTING ACTOR.
146
00:07:31,184 --> 00:07:33,719
CHADWICK BOSEMAN, "DA 5 BLOODS."
147
00:07:33,753 --> 00:07:35,121
PAUL RACI, "SOUND OF METAL."
148
00:07:35,154 --> 00:07:36,489
DANIEL KALUUYA, "JUDAS AND THE
BLACK MESSIAH."
149
00:07:36,522 --> 00:07:37,390
BILL MURRAY, "ON THE ROCKS."
150
00:07:37,423 --> 00:07:41,360
LESLIE ODOM, JR.,
"ONE NIGHT IN MIAMI.
151
00:07:41,394 --> 00:07:48,000
SACHA BARON COHEN, "THE TRIAL OF
THE CHICAGO 7."
152
00:07:48,034 --> 00:07:51,504
AND THE CRITICS CHOICE IS...
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00:07:51,537 --> 00:07:56,108
DANIEL KALUUYA, "JUDAS AND THE
BLACK MESSIAH."
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00:07:56,142 --> 00:07:59,645
THANK YOU SO MUCH.
155
00:07:59,679 --> 00:08:02,281
THANK YOU, ANGELA AND COURTNEY.
156
00:08:02,315 --> 00:08:03,483
WOW.
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00:08:03,516 --> 00:08:07,587
I WOULD LIKE TO THANK MY FAMILY,
FRIENDS, MY PEOPLE, MY TEAM.
158
00:08:07,620 --> 00:08:17,096
I WOULD LIKE TO SEE 14 SHAKA
KING.
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00:08:17,129 --> 00:08:21,534
EVERYONE AT PROXIMITY.
160
00:08:21,567 --> 00:08:24,237
EVERYONE AT WARNER BROS.,
CHARLES KING .
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00:08:24,270 --> 00:08:32,845
I WOULD LIKE TO THANK -- WE DO
THIS TOGETHER.
162
00:08:32,879 --> 00:08:35,715
THE INCREDIBLE CAST ON THE
COMRADES IN EVERYONE.
163
00:08:35,748 --> 00:08:40,720
EVERYONE BACK IN CLEVELAND.
164
00:08:40,753 --> 00:08:45,191
THANK YOU TO THE CRITICS CHOICE
FOR CHAMPIONING THE LEGACY.
165
00:08:45,224 --> 00:08:49,562
THE MESSAGES AND IDEAS AND
STRATEGIES FOR HELPING THE
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00:08:49,595 --> 00:08:50,029
PEOPLE.
167
00:08:50,062 --> 00:08:50,596
APPRECIATED.
168
00:08:50,630 --> 00:08:53,666
THANK THANK YOU SO MUCH.
169
00:08:53,699 --> 00:08:54,767
Announcer: HE STARRED
IN "THE OUTPOST"
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00:08:54,800 --> 00:08:55,735
AND "RETALIATION."
171
00:08:55,768 --> 00:08:58,838
HERE IS ORLANDO BLOOM.
172
00:08:58,871 --> 00:09:02,975
THE NOMINEES FOR BEST
SUPPORTING ACTRESS PROVE
173
00:09:03,009 --> 00:09:06,879
THE ADAGE THAT "THERE ARE NO
SMALL PARTS, ONLY SMALL ACTORS."
174
00:09:06,913 --> 00:09:10,516
AND ALTHOUGH THEIR ROLES WERE
SUPPORTING, THEIR CONTRIBUTIONS
175
00:09:10,550 --> 00:09:13,786
TO THIS YEAR IN FILM WERE
IMMEASURABLE.
176
00:09:13,819 --> 00:09:16,956
LET'S TAKE A LOOK AT THE
LARGER-THAN-LIFE PERFORMANCES OF
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00:09:16,989 --> 00:09:28,868
THE NOMINEES FOR BEST SUPPORTING
ACTRESS.
178
00:09:28,901 --> 00:09:31,871
Announcer: BEST SUPPORTING
ACTRESS.
179
00:09:31,904 --> 00:09:33,606
AMANDA SEYFRIED, "MANK."
180
00:09:33,639 --> 00:09:34,840
MARIA BAKALOVA,
"BORAT SUBSEQUENT MOVIEFILM."
181
00:09:34,874 --> 00:09:36,008
GLENN CLOSE, "HILLBILLY ELEGY."
182
00:09:36,042 --> 00:09:39,011
OLIVIA COLMAN, "THE FATHER."
183
00:09:39,045 --> 00:09:42,715
YUH-JUNG YOUN, "MINARI."
184
00:09:42,748 --> 00:09:50,790
ELLEN BURSTYN,
"PIECES OF A WOMAN."
185
00:09:50,823 --> 00:09:54,527
AND THE CRITICS CHOICE IS...
186
00:09:54,560 --> 00:10:00,566
MARIA BAKALOVA,
"BORAT SUBSEQUENT MOVIEFILM."
187
00:10:00,600 --> 00:10:05,738
THANK YOU SO VERY MUCH,
CRITICS CHOICE AWARDS
188
00:10:05,771 --> 00:10:06,639
ASSOCIATION.
189
00:10:06,672 --> 00:10:10,810
I CANNOT BELIEVE IT IS HAPPENING
HAPPENING.
190
00:10:10,843 --> 00:10:14,914
GROWING UP IN BULGARIA, IT'S
HARD TO BELIEVE I'M STANDING
191
00:10:14,947 --> 00:10:20,086
HERE, SITTING HERE RIGHT NOW.
192
00:10:20,119 --> 00:10:22,989
SO YOU CAN THINK ABOUT BEING
READY TO SEIZURE MOMENTS BUT YOU
193
00:10:23,022 --> 00:10:26,158
CAN'T DO IT UNLESS YOU'RE GIVEN
A CHANCE.
194
00:10:26,192 --> 00:10:30,796
SASHA, YOU GAVE ME THAT CHANCE
SO THANK YOU FOR THE UNWAVERING
195
00:10:30,830 --> 00:10:32,298
SUPPORT AND FOR TRUSTING ME.
196
00:10:32,331 --> 00:10:35,468
THIS AWARD IS FOR EVERY LITTLE
KID WHEREVER YOU ARE FROM, YOUR
197
00:10:35,501 --> 00:10:38,037
DREAMS ARE VALID NO MATTER HOW
HUGE.
198
00:10:38,070 --> 00:10:40,840
YOU WILL ACHIEVE THEM.
199
00:10:40,873 --> 00:10:43,676
THANK YOU.
200
00:10:43,709 --> 00:10:46,445
Announcer: THERE ARE LOTS
MORE STARS COMING UP, INCLUDING
201
00:10:46,479 --> 00:10:49,148
FROM "THAT WOMAN,"
JAVICIA LESLIE.
202
00:10:49,181 --> 00:10:50,383
FROM "SUPERMAN AND LOIS,"
TYLER HOECHLIN AND
203
00:10:50,416 --> 00:10:53,853
ELIZABETH TULLOCH AND...
204
00:10:53,886 --> 00:10:57,757
WE ARE GOING TO BE PRESENTING
BEST SUPPORTING ACTRESS AND
205
00:10:57,790 --> 00:11:00,860
ACTOR IN A DRAMA SERIES.
206
00:11:00,893 --> 00:11:04,263
STICK AROUND, COMING UP NEXT.
207
00:11:04,296 --> 00:11:07,166
Announcer: WHEN THE 26TH
ANNUAL CRITICS CHOICE AWARDS
208
00:11:07,199 --> 00:11:09,001
CONTINUES.
209
00:11:19,445 --> 00:11:21,447
Announcer: WELCOME BACK.
210
00:11:21,480 --> 00:11:23,916
HERE'S YOUR HOST, TAYE DIGGS.
211
00:11:23,949 --> 00:11:27,453
Taye: FOR MORE THAN A
QUARTER OF A CENTURY, THESE
212
00:11:27,486 --> 00:11:30,322
AWARDS HAVE BEEN DETERMINED BY
THE CRITICS CHOICE ASSOCIATION.
213
00:11:30,356 --> 00:11:33,592
WITH MORE THAN 400 VOTING
MEMBERS IS THE LARGEST AND MOST
214
00:11:33,626 --> 00:11:36,462
DIVERSE CRITICS GROUP IN THE
WORLD.
215
00:11:36,495 --> 00:11:47,306
PLEASE WELCOME OUR NEXT
PRESENTERS.
216
00:11:47,339 --> 00:11:52,178
TOGETHER, THEY STAR IN THE HIT
COMEDY
217
00:11:52,211 --> 00:11:53,045
"CALL ME KAT."
218
00:11:53,079 --> 00:11:54,980
HERE ARE MAYIM BIALIK
AND LESLIE JORDAN.
219
00:11:55,014 --> 00:11:57,283
WE'RE HERE TO PRESENT BEST
SUPPORTING CATEGORIES
220
00:11:57,316 --> 00:11:58,451
IN A DRAMA SERIES.
221
00:11:58,484 --> 00:12:01,721
SOMETHING EXTREMELY FITTING
FOR THE TWO OF US.
222
00:12:01,754 --> 00:12:04,690
BECAUSE WE'VE BOTH HAD SOME
PRETTY MEMORABLE SUPPORTING
223
00:12:04,724 --> 00:12:05,691
ROLES THROUGHOUT OUR CAREERS.
224
00:12:05,725 --> 00:12:07,359
AND I LOVE DRAMA.
225
00:12:07,393 --> 00:12:09,729
IS THAT TRUE?
226
00:12:09,762 --> 00:12:12,098
MAYIM,
I'M PREGNANT.
227
00:12:12,131 --> 00:12:17,870
AND IT'S YOURS!
228
00:12:17,903 --> 00:12:18,738
WAIT, I GOT A TEXT.
229
00:12:18,771 --> 00:12:21,273
SORRY.
230
00:12:21,307 --> 00:12:25,177
THIS IS VERY UNEXPECTED
FOR A NUMBER OF REASONS.
231
00:12:25,211 --> 00:12:26,645
I THINK WE NEED A MINUTE
TO PROCESS THIS.
232
00:12:26,679 --> 00:12:28,414
LET'S TAKE A LOOK AT THE
NOMINEES FOR BEST SUPPORTING
233
00:12:28,447 --> 00:12:38,257
ACTRESS IN A DRAMA SERIES.
234
00:12:38,290 --> 00:12:42,795
Announcer: BEST SUPPORTING
ACTRESS IN A DRAMA SERIES.
235
00:12:42,828 --> 00:12:47,032
GILLIAN ANDERSON, "THE CROWN."
236
00:12:47,066 --> 00:12:56,175
THOSE LITTLE MEN AND YOU WANT
ME TO GET ON MY KNEES TO THEM.
237
00:12:56,208 --> 00:12:59,278
RHEA SEEHORN, "BETTER CALL
SAUL."
238
00:12:59,311 --> 00:13:04,850
TRIA SHELL COMPANY.
239
00:13:04,884 --> 00:13:05,785
WUNMI MOSAKU, "LOVECRAFT
240
00:13:05,818 --> 00:13:09,255
COUNTRY."
241
00:13:09,288 --> 00:13:17,730
SPLIT THAT MONEY REGARDLESS
OF MAMA'S WISHES.
242
00:13:17,763 --> 00:13:20,833
JULIA GARNER, "OZARK."
243
00:13:20,866 --> 00:13:26,205
I WANT YOU TO STOP LYING AND
TELL ME WHY BEN IS DEAD.
244
00:13:26,238 --> 00:13:30,943
CYNTHIA ERIVO,
"THE OUTSIDER."
245
00:13:30,976 --> 00:13:34,346
PERHAPS FIND A WAY TO SEE IT
CLEARLY, NOT TO DISMISS THE
246
00:13:34,380 --> 00:13:35,281
FACTS.
247
00:13:35,314 --> 00:13:39,351
WHAT REALITY MIGHT ENTAIL.
248
00:13:39,385 --> 00:13:44,290
JANET MCTEER, "OZARK."
249
00:13:44,323 --> 00:13:50,963
DON'T MAKE US GO BACK ON THAT
ONE.
250
00:13:50,996 --> 00:13:54,500
AND THE CRITICS CHOICE IS...
251
00:13:54,533 --> 00:13:57,536
GILLIAN ANDERSON, "THE CROWN."
252
00:13:57,570 --> 00:14:02,474
WOW.
253
00:14:02,508 --> 00:14:04,109
THANK YOU.
254
00:14:04,143 --> 00:14:06,745
THANK YOU TO THE CRITICS CHOICE
ASSOCIATION.
255
00:14:06,779 --> 00:14:13,285
AND TO MY AMAZING FELLOW
NOMINEES.
256
00:14:13,319 --> 00:14:18,090
THANK YOU TO THE SHOW RUNNER AND
EXTRAORDINAIRE, TO OUR PRODUCER
257
00:14:18,123 --> 00:14:19,258
ANDY HARRIES.
258
00:14:19,291 --> 00:14:30,803
AND OUR PRODUCER MICHAEL CASEY
AND TO OUR INCREDIBLE.
259
00:14:30,836 --> 00:14:32,271
...
260
00:14:32,304 --> 00:14:35,507
ARE PHENOMENALLY TALENTED
ARTISTIC DIRECTOR.
261
00:14:35,541 --> 00:14:40,646
THE ENTIRE, AMAZING, AMAZING
CAST OF "THE CROWN."
262
00:14:40,679 --> 00:14:45,117
STARTED WITH OLIVIA COLMAN,
TOBIAS MENZIES.
263
00:14:45,150 --> 00:14:45,885
JOSH O'CONNOR.
264
00:14:45,918 --> 00:14:49,154
ALAN DOHERTY, MIRIAM BAILEY.
265
00:14:49,188 --> 00:14:54,660
ALSO IN PARTICULARLY...
266
00:14:54,693 --> 00:14:57,363
THE ACTOR WHO PLAYED MY HUSBAND,
DENNIS THATCHER.
267
00:14:57,396 --> 00:15:02,835
WONDERFUL AND VERY SUPPORTIVE
INTERPRETATION.
268
00:15:02,868 --> 00:15:04,003
I LOVE YOU ALL.
269
00:15:04,036 --> 00:15:05,471
I LOVE EVERYBODY ON THE PLANET.
270
00:15:05,504 --> 00:15:11,110
THANK YOU VERY MUCH.
271
00:15:11,143 --> 00:15:13,746
OKAY, I KNOW WE LEFT ON A BIT
OF A CLIFF HANGER LAST TIME,
272
00:15:13,779 --> 00:15:15,047
SO I'D LIKE TO LET EVERYONE KNOW
THAT LESLIE IS NOT PREGNANT WITH
273
00:15:15,080 --> 00:15:15,915
MY BABY.
274
00:15:15,948 --> 00:15:17,383
IT WAS ALL JUST A BIG
MISUNDERSTANDING.
275
00:15:17,416 --> 00:15:18,384
YES, IT WAS.
276
00:15:18,417 --> 00:15:19,985
TURNS OUT IT WAS JUST SOME
BAD SHRIMP BACKSTAGE.
277
00:15:20,019 --> 00:15:22,755
SORRY, I THOUGHT I PUT IT
ON SILENT.
278
00:15:22,788 --> 00:15:25,724
LET'S TAKE A LOOK AT THE
NOMINEES FOR BEST SUPPORTING
279
00:15:25,758 --> 00:15:31,630
ACTOR IN A DRAMA SERIES.
280
00:15:31,664 --> 00:15:36,201
Announcer: BEST SUPPORTING
ACTOR IN A DRAMA SERIES.
281
00:15:36,235 --> 00:15:40,039
TOM PELPHREY, "OZARK."
282
00:15:40,072 --> 00:15:44,643
YOU DO NOT GET TO LOCK ME UP
IN A HOSPITAL AND TRANQUILIZED
283
00:15:44,677 --> 00:15:48,314
ME LIKE I'M SOME KIND OF ZOO
ANIMAL.
284
00:15:48,347 --> 00:15:51,850
JONATHAN BANKS,
"BETTER CALL SAUL."
285
00:15:51,884 --> 00:15:55,921
IF YOU MANAGE TO DIG A HOLE
BIG ENOUGH FOR THOSE COMING
286
00:15:55,955 --> 00:15:59,058
MIGHT AS WELL BIG ONE FOR
YOURSELF.
287
00:15:59,091 --> 00:16:02,161
JOHN LITHGOW,
"PERRY MASON."
288
00:16:02,194 --> 00:16:06,131
YOU'RE GOING TO FIGHT BECAUSE
I BELIEVE IN YOU.
289
00:16:06,165 --> 00:16:06,999
LET ME HEAR YOU SAY IT.
290
00:16:07,032 --> 00:16:10,569
TOBIAS MENZIES,
"THE CROWN."
291
00:16:10,602 --> 00:16:13,706
ARCHITECTURALLY THERE IS
LITTLE THAT IS NORMAL ABOUT THIS
292
00:16:13,739 --> 00:16:14,406
FAMILY.
293
00:16:14,440 --> 00:16:17,142
I BARELY KNEW MY OWN FATHER.
294
00:16:17,176 --> 00:16:26,618
MICHAEL K. WILLIAMS,
"LOVECRAFT COUNTRY."
295
00:16:26,652 --> 00:16:27,653
YOU WANT US TO TELL THEM THAT
WIZARDS EXIST?
296
00:16:27,686 --> 00:16:28,654
THAT WHITE FOLKS HAVE GOT MAGIC
ON THEIR SIDE TOO?
297
00:16:28,687 --> 00:16:31,490
JUSTIN HARTLEY,
"THIS IS US."
298
00:16:31,523 --> 00:16:34,093
I USED TO THINK THE WORST
THING THAT HAPPENED TO ME WAS
299
00:16:34,126 --> 00:16:35,661
THE DAY THAT DAD DIED.
300
00:16:35,694 --> 00:16:38,731
IT'S THE DAY THEY BROUGHT YOU
HOME.
301
00:16:38,764 --> 00:16:41,600
AND THE CRITICS CHOICE IS...
302
00:16:41,633 --> 00:16:49,842
MICHAEL K. WILLIAMS,
"LOVECRAFT COUNTRY."
303
00:16:49,875 --> 00:16:52,011
WOW.
304
00:16:52,044 --> 00:16:53,178
THANK YOU.
305
00:16:53,212 --> 00:16:57,049
THANK YOU TO THE VOTERS OF THE
CRITICS CHOICE ASSOCIATION.
306
00:16:57,082 --> 00:16:59,885
THANK YOU TO HBO FOR THIS
AMAZING JOURNEY OVER THE YEARS.
307
00:16:59,918 --> 00:17:08,961
TWO WARNER BROS.
308
00:17:08,994 --> 00:17:09,294
BAD ROBOT.
309
00:17:09,328 --> 00:17:10,462
THANK YOU.
310
00:17:10,496 --> 00:17:12,264
THE AMAZING PRODUCERS, THE
SHOWRUNNER, WRITERS, I LOVE YOU
311
00:17:12,297 --> 00:17:13,432
AND THANK YOU SO MUCH.
312
00:17:13,465 --> 00:17:16,101
WITHOUT YOUR WORDS AND YOUR
GUIDANCE NOT OF THIS WOULD BE
313
00:17:16,135 --> 00:17:17,236
DONE.
314
00:17:17,269 --> 00:17:18,971
TO THE AMAZING CAST THAT I
CONSIDER MY FAMILY, I WANT TO
315
00:17:19,004 --> 00:17:21,440
GIVE YOU A SPECIAL SHOUT OUT.
316
00:17:21,473 --> 00:17:24,076
THANK YOU FOR LIFTING ME UP IN
MY TIME OF NEED OUT THERE IN THE
317
00:17:24,109 --> 00:17:24,843
FIELD.
318
00:17:24,877 --> 00:17:27,679
YOU KNOW WHAT I'M TALKING ABOUT.
319
00:17:27,713 --> 00:17:28,781
TO MY MOTHER.
320
00:17:28,814 --> 00:17:31,617
MOM, I LOVE YOU.
321
00:17:31,650 --> 00:17:33,852
I WANT TO GIVE YOU FLOWERS.
322
00:17:33,886 --> 00:17:34,887
I'M NOTHING WITHOUT YOU.
323
00:17:34,920 --> 00:17:39,124
TO MY CHILDREN, I LOVE YOU.
324
00:17:39,158 --> 00:17:41,960
TO THE YOUTH OUT THERE.
325
00:17:41,994 --> 00:17:42,861
BLACK, WHITE, ASIAN.
326
00:17:42,895 --> 00:17:44,096
IT DOESN'T MATTER.
327
00:17:44,129 --> 00:17:48,133
I HOPE THAT YOU TAKE THE JOURNEY
OF "LOVECRAFT COUNTRY" THE
328
00:17:48,167 --> 00:17:52,638
JOURNEYS WE ARE TELLING IN CS,
SEE THE LEGACY THAT WE COME
329
00:17:52,671 --> 00:17:53,272
FROM.
330
00:17:53,305 --> 00:17:55,474
THANK YOU TO EVERYBODY.
331
00:17:55,507 --> 00:17:58,410
GOOD NIGHT.
332
00:17:58,444 --> 00:18:01,346
Announcer: COMING UP:
LIN-MANUEL MIRANDA.
333
00:18:01,380 --> 00:18:04,883
AND FROM "BATWOMAN."
334
00:18:04,917 --> 00:18:10,055
HI, I AM PRESENTING THE AWARD
FOR BEST SUPPORTING ACTOR IN A
335
00:18:10,089 --> 00:18:12,658
MOVIE MADE FOR TELEVISION OR
LIMITED SERIES NEXT ON THE
336
00:18:12,691 --> 00:18:14,726
CRITICS CHOICE AWARDS.
337
00:18:27,639 --> 00:18:32,644
Announcer: WELCOME BACK TO
THE 26TH CRITICS CHOICE AWARDS.
338
00:18:32,678 --> 00:18:35,714
Taye: TONIGHT, FOR THE FIFTH
CONSECUTIVE YEAR,
339
00:18:35,747 --> 00:18:37,449
THE CRITICS CHOICE ASSOCIATION
IS PRESENTING
340
00:18:37,483 --> 00:18:39,985
THE SEE HER AWARD.
341
00:18:40,018 --> 00:18:43,021
SEE HER IS THE LARGEST GLOBAL
MOVEMENT ADVOCATING FOR ACCURATE
342
00:18:43,055 --> 00:18:46,458
PORTRAYALS OF WOMEN AND GIRLS
IN MEDIA AND ENTERTAINMENT
343
00:18:46,492 --> 00:18:49,027
SO THEY CAN BE SEEN AS THEY
TRULY ARE.
344
00:18:49,061 --> 00:18:51,497
LED BY A COALITION OF MEDIA AND
ENTERTAINMENT LEADERS AND
345
00:18:51,530 --> 00:18:55,467
INFLUENCERS, THEY ARE COMMITTED
TO ELIMINATING GENDER BIAS IN
346
00:18:55,501 --> 00:18:57,469
OUR INDUSTRY.
347
00:18:57,503 --> 00:19:02,374
IN ADDITION TO THE AWARD
PRESENTATION TO THE 2021 HONOREE
348
00:19:02,407 --> 00:19:04,042
THIS YEAR, WE WILL ALSO BE
FEATURING SOME SPECIAL
349
00:19:04,076 --> 00:19:05,744
SEE HER MOMENTS THROUGHOUT THE
SHOW.
350
00:19:05,777 --> 00:19:10,048
HERE'S THE FIRST.
351
00:19:10,082 --> 00:19:13,652
I DON'T WANT TO INSPIRE THE
NEXT GENERATION.
352
00:19:13,685 --> 00:19:15,687
I WANT THEM TO INSPIRE ME.
353
00:19:15,721 --> 00:19:18,423
I THINK THAT'S THE WAY IT SHOULD
BE.
354
00:19:18,457 --> 00:19:27,399
THESE YOUNGER GENERATIONS OF
ACTRESSES, THEY ARE PUSHING
355
00:19:27,432 --> 00:19:30,035
PROGRESS THE WAY THAT'S NEW AND
WONDERFUL AND I'M EXCITED AND
356
00:19:30,068 --> 00:19:36,708
GRATEFUL TO LISTEN TO THEM.
357
00:19:36,742 --> 00:19:38,477
Taye: HERE IS ONE OF MY
FELLOW ACTORS FROM THE CW.
358
00:19:38,510 --> 00:19:44,183
SHE IS GETTING RAVE REVIEWS AS
THE NEW BLACK WOMAN.
359
00:19:44,216 --> 00:19:48,187
EXCUSE ME, BAT WOMAN.
360
00:19:48,220 --> 00:19:52,157
SHE'S A BLACK WOMAN
PLAYING BATWOMAN.
361
00:19:52,191 --> 00:19:53,158
HERE FROM VANCOUVER, CANADA,
IS JAVICIA LESLIE.
362
00:19:53,192 --> 00:19:54,026
HI, EVERYONE!
363
00:19:54,059 --> 00:19:55,227
I'M JAVICIA LESLIE,
AND I HAVE TO SAY
364
00:19:55,260 --> 00:19:56,495
IT'S A GOOD THING THIS SHOW IS
CALLED THE CRITICS CHOICE AND
365
00:19:56,528 --> 00:19:59,898
NOT "JAVICIA'S CHOICE," BECAUSE
THERE IS NO WAY I WOULD EVER BE
366
00:19:59,932 --> 00:20:03,802
ABLE TO PICK MY FAVORITE FROM
ALL OF THESE INCREDIBLE
367
00:20:03,835 --> 00:20:06,138
PERFORMANCES FOR BEST SUPPORTING
ACTOR IN A MOVIE MADE
368
00:20:06,171 --> 00:20:10,075
FOR TELEVISION
OR A LIMITED SERIES.
369
00:20:10,108 --> 00:20:13,645
AS A MATTER OF FACT, IF THIS WAS
THE "JAVICIA CHOICE AWARDS,"
370
00:20:13,679 --> 00:20:16,281
I WOULD JUST GIVE TROPHIES TO
ALL THE NOMINEES, BUT I THINK
371
00:20:16,315 --> 00:20:19,985
THAT WOULD BE PRETTY EXPENSIVE.
372
00:20:20,018 --> 00:20:25,857
HERE ARE YOUR NOMINEES.
373
00:20:25,891 --> 00:20:29,127
Announcer: BEST SUPPORTING
ACTOR IN THE MOVIE MADE FOR
374
00:20:29,161 --> 00:20:32,397
TELEVISION OR LIMITED SERIES.
375
00:20:32,431 --> 00:20:36,468
GLYNN TURMAN, "FARGO."
376
00:20:36,501 --> 00:20:38,003
YOU'RE A DOCTOR.
377
00:20:38,036 --> 00:20:39,972
NAME IS DOCTOR.
378
00:20:40,005 --> 00:20:40,806
DR. SENATOR.
379
00:20:40,839 --> 00:20:44,276
IT WAS MY MOTHER'S IDEA.
380
00:20:44,309 --> 00:20:46,478
DYLAN MCDERMOTT, "HOLLYWOOD."
381
00:20:46,511 --> 00:20:50,616
YOU'RE GOING TO DO A LOT OF
BUSINESS.
382
00:20:50,649 --> 00:20:53,018
I CAN TELL.
383
00:20:53,051 --> 00:20:58,357
JOSHUA CALEB JOHNSON,
"THE GOOD LORD BIRD."
384
00:20:58,390 --> 00:21:00,092
JOHN TURTURRO, "THE PLOT AGAINST
385
00:21:00,125 --> 00:21:02,961
AMERICA."
386
00:21:02,995 --> 00:21:07,866
WHAT SORT OF AMERICA WOULD A
MASSIVE SLAUGHTER OF INNOCENT
387
00:21:07,899 --> 00:21:11,370
AMERICAN BOYS LEAVE IN ITS WAKE?
388
00:21:11,403 --> 00:21:14,673
DAVEED DIGGS,
"THE GOOD LORD BIRD."
389
00:21:14,706 --> 00:21:23,915
PLEASE DO NOT PRESUME TO TELL ME
WHAT A SLAVE WILL OR WILL NOT DO
390
00:21:23,949 --> 00:21:24,716
DO.
391
00:21:24,750 --> 00:21:28,754
DONALD SUTHERLAND,
"THE UNDOING."
392
00:21:28,787 --> 00:21:30,789
YOU SPEAK OF UGLINESS.
393
00:21:30,822 --> 00:21:36,962
YOU HAVE NOT YET MET UGLINESS.
394
00:21:36,995 --> 00:21:42,934
AND THE CRITICS CHOICE IS...
395
00:21:42,968 --> 00:21:44,770
DONALD SUTHERLAND.
396
00:21:44,803 --> 00:21:47,839
"THE UNDOING."
397
00:21:47,873 --> 00:21:54,413
HBO, YOU ARE TERRIFIC TO WORK
FOR.
398
00:21:54,446 --> 00:21:59,117
OUTSTANDING.
399
00:21:59,151 --> 00:22:03,055
DAVID, KELLY, RICHARD.
400
00:22:03,088 --> 00:22:05,123
CANNING, ALICIA.
401
00:22:05,157 --> 00:22:08,226
WONDERFUL.
402
00:22:08,260 --> 00:22:09,828
THANK YOU, CATHERINE.
403
00:22:09,861 --> 00:22:15,467
JERRY, HANNAH, ROGUE, JOSH, BEN,
THANK YOU TO THE CRITICS CHOICE
404
00:22:15,500 --> 00:22:18,403
ASSOCIATION TO HONOR ME THUS IN
MY DOTAGE.
405
00:22:18,437 --> 00:22:20,539
MUCH APPRECIATED.
406
00:22:20,572 --> 00:22:21,239
THANK YOU, FRANCINE.
407
00:22:21,273 --> 00:22:25,177
HAVE A LOVELY EVENING, EVERYONE.
408
00:22:25,210 --> 00:22:26,445
Announcer: JARED PADALECKI
STARS IN THE NEW CW SERIES
409
00:22:26,478 --> 00:22:27,112
"WALKER."
410
00:22:27,145 --> 00:22:30,849
HERE HE IS FROM AUSTIN, TEXAS.
411
00:22:30,882 --> 00:22:32,517
HEY, ALL.
412
00:22:32,551 --> 00:22:33,985
JARED PADALECKI HERE.
413
00:22:34,019 --> 00:22:37,055
I AM PRESENTING
THE AWARD FOR BEST SUPPORTING
414
00:22:37,089 --> 00:22:40,258
ACTRESS IN A MOVIE MADE FOR
TELEVISION OR A LIMITED SERIES.
415
00:22:40,292 --> 00:22:42,794
AND THEY PICKED ME FOR THIS
CATEGORY BECAUSE I HAVE SOME
416
00:22:42,828 --> 00:22:46,264
EXPERIENCE IN LIMITED SERIES.
417
00:22:46,298 --> 00:22:49,101
I JUST STARTED MY NEW SHOW
"WALKER" BUT MY LAST
418
00:22:49,134 --> 00:22:52,404
SERIES "SUPERNATURAL"
ENDED AFTER 15 YEARS
419
00:22:52,437 --> 00:22:54,773
AND 327 EPISODES.
420
00:22:54,806 --> 00:22:57,309
SO, I KNOW WHAT IT'S LIKE
TO HAVE TO TELL A STORY --
421
00:22:57,342 --> 00:23:02,581
BEGINNING, MIDDLE, AND END --
IN JUST A DECADE AND A HALF.
422
00:23:02,614 --> 00:23:04,683
CRAZY, RIGHT?
423
00:23:04,716 --> 00:23:07,686
SO IF ANYONE CAN APPRECIATE
THESE PERFORMANCES,
424
00:23:07,719 --> 00:23:09,921
IT'S ME.
425
00:23:09,955 --> 00:23:15,394
AND THE NOMINEES ARE...
426
00:23:15,427 --> 00:23:19,164
Announcer: BEST SUPPORTING
ACTRESS IN A MOVIE MADE FOR
427
00:23:19,197 --> 00:23:22,401
TELEVISION OR LIMITED SERIES.
428
00:23:22,434 --> 00:23:25,771
TRACEY ULLMAN, "MRS. AMERICA."
429
00:23:25,804 --> 00:23:30,175
U ALSO AROUND AROUND THE COUNTRY
DECRYING US FOR TRYING TO OPEN
430
00:23:30,208 --> 00:23:32,677
CAREER OPPORTUNITIES TO WOMEN
AND THIS IS WHAT I CAN'T STAND,
431
00:23:32,711 --> 00:23:39,451
THE HYPOCRISY.
432
00:23:39,484 --> 00:23:43,155
THE MOVES THEY APPLAUD THE
LOUDEST ARE THE ONES YOU MAKE
433
00:23:43,188 --> 00:23:44,189
RATHER QUICKLY.
434
00:23:44,222 --> 00:23:48,326
INTUITION CAN'T BE FOUND IN
BOOKS.
435
00:23:48,360 --> 00:23:51,596
I WAS VERY CLEAR.
436
00:23:51,630 --> 00:23:52,731
WE ARE DONE.
437
00:23:52,764 --> 00:23:59,805
AND I WOULD LIKE YOU TO PACK UP
AND MOVE OUT NOW PLEASE.
438
00:23:59,838 --> 00:24:02,307
DOES THE PRESIDENT KNOW ABOUT
THIS?
439
00:24:02,340 --> 00:24:07,579
HE APPROVED THIS MORNING.
440
00:24:07,612 --> 00:24:10,982
BEFORE WE MET WITH HIM?
441
00:24:11,016 --> 00:24:17,422
WHEN HE CAME OUT AGAINST THE
JEWS IN THE DES MOINES SPEECH, I
442
00:24:17,456 --> 00:24:23,762
WAS OUTRAGED BUT SINCE THEN, HIS
MESSAGE HAS BEEN ANTIWAR.
443
00:24:23,795 --> 00:24:28,700
I DIDN'T GET ANYWHERE IN MY
LIFE WAITING ON SOMEBODY'S
444
00:24:28,733 --> 00:24:29,968
PERMISSION.
445
00:24:30,001 --> 00:24:34,272
IF HE CAN'T SUPPORT ME -- IF YOU
CAN'T SUPPORT ME, GET OUT OF MY
446
00:24:34,306 --> 00:24:35,140
WAY.
447
00:24:35,173 --> 00:24:38,310
AND THE CRITICS CHOICE IS...
448
00:24:38,343 --> 00:24:43,248
UZO ADUBA, "MRS. AMERICA."
449
00:24:43,281 --> 00:24:44,916
WOW.
450
00:24:44,950 --> 00:24:46,051
WOW.
451
00:24:46,084 --> 00:24:50,355
THANK YOU VERY MUCH TO THE
CRITICS CHOICE ASSOCIATION.
452
00:24:50,388 --> 00:24:52,624
CONGRATULATIONS TO THE AMAZING
WOMAN IN THIS CATEGORY.
453
00:24:52,657 --> 00:25:02,767
I WANT TO SAY THANK YOU TO FX,
HULU, FX ON HULU, OUR INCREDIBLE
454
00:25:02,801 --> 00:25:12,244
PRODUCERS, OUR DIRECTORS ANNA
AND RYAN AND SPECIAL LOVE TO AMA
455
00:25:12,277 --> 00:25:15,847
AND TONYA AND MY AMAZING,
AMAZING TEAM WHO HAVE SHOWN ME
456
00:25:15,881 --> 00:25:18,917
SO MUCH LIGHT AND LOVE OVER THE
YEARS AND THROUGHOUT THIS ENTIRE
457
00:25:18,950 --> 00:25:19,951
PROJECT.
458
00:25:19,985 --> 00:25:23,321
MY FAMILY AND MY FRIENDS WHO I
AM NOTHING WITHOUT.
459
00:25:23,355 --> 00:25:30,562
AND I WANT TO GIVE EXTRA, EXTRA
SPECIAL LOVE AND THANKS AND
460
00:25:30,595 --> 00:25:34,399
GRATITUDE TO SHIRLEY CHISHOLM
HERSELF FOR BEING THE REMARKABLE
461
00:25:34,432 --> 00:25:41,606
TRAILBLAZER, PIONEER, FORCE OF A
WOMAN AND VOICE IN HER TENURE IN
462
00:25:41,640 --> 00:25:43,575
CONGRESS AND THE REMARKABLE
CHANGE AND POWER SHE SHOWED SO
463
00:25:43,608 --> 00:25:47,946
MANY OF US IN TERMS OF LEADING
THE WAY AND WHAT WE CAN DO WITH
464
00:25:47,979 --> 00:25:48,413
OUR LIVES.
465
00:25:48,446 --> 00:25:50,782
THANK YOU SO MUCH.
466
00:25:50,815 --> 00:25:52,551
I AM FOREVER GRATEFUL.
467
00:25:52,584 --> 00:25:53,051
THANK YOU.
468
00:25:53,084 --> 00:25:54,419
THANK YOU VERY MUCH.
469
00:25:54,452 --> 00:25:55,587
GOD BLESS.
470
00:25:55,620 --> 00:25:57,289
Announcer: COMING UP:
LIN-MANUEL MIRANDA
471
00:25:57,322 --> 00:26:03,628
INTRODUCES OUR FIRST BEST SONG
NOMINEE.
472
00:26:03,662 --> 00:26:04,829
HI.
473
00:26:04,863 --> 00:26:10,936
I AM PRESENTING BEST YOUNG ACTOR
AND ACTRESS COMING UP NEXT.
474
00:26:10,969 --> 00:26:12,304
Announcer: WHEN THE 26TH
ANNUAL CRITICS CHOICE AWARDS
475
00:26:12,337 --> 00:26:14,339
CONTINUES.
476
00:26:25,383 --> 00:26:26,217
Taye: WELCOME BACK.
477
00:26:26,251 --> 00:26:29,854
LET'S CHECK IN
WITH ANOTHER NOMINEE.
478
00:26:29,888 --> 00:26:37,529
SAY HELLO TO JURNEE SMOLLETT.
479
00:26:37,562 --> 00:26:38,697
JURNEE, HOW ARE YOU?
480
00:26:38,730 --> 00:26:42,167
I'M WONDERFUL, HOW ARE YOU?
481
00:26:42,200 --> 00:26:43,201
Taye: EXCELLENT.
482
00:26:43,234 --> 00:26:44,402
YOU LOOK WONDERFUL TONIGHT.
483
00:26:44,436 --> 00:26:46,938
THANK YOU.
484
00:26:46,972 --> 00:26:48,607
Taye: CONGRATULATIONS ON YOUR
NOMINATION FOR BEST ACTRESS
485
00:26:48,640 --> 00:26:51,943
IN A DRAMA SERIES
FOR "LOVECRAFT COUNTRY."
486
00:26:51,977 --> 00:26:52,911
I HAVE A QUESTION.
487
00:26:52,944 --> 00:26:54,579
THAT SHOW WAS PRETTY OUT THERE.
488
00:26:54,613 --> 00:26:56,581
HOW DO YOU PREPARE FOR A
PERFORMANCE LIKE THAT?
489
00:26:56,615 --> 00:26:57,716
IN ALWAYS.
490
00:26:57,749 --> 00:27:04,623
I TRY TO OPEN MY CREATIVE
CHANNELS WITH AS MUCH RESEARCH
491
00:27:04,656 --> 00:27:05,790
AS POSSIBLE.
492
00:27:05,824 --> 00:27:10,428
WHAT LIFE IS LIKE TO BE A BLACK
WOMAN IN JIM CROW AMERICA.
493
00:27:10,462 --> 00:27:14,866
THE PHOTOGRAPHY, MUSIC.
494
00:27:14,899 --> 00:27:15,634
THE WRITINGS.
495
00:27:15,667 --> 00:27:18,970
IT GAVE ME INSIGHT INTO
HUMANITY.
496
00:27:19,004 --> 00:27:23,842
WOMAN WHO IS BATTLING WHITE
SUPREMACY AND THE PATRIARCHY.
497
00:27:23,875 --> 00:27:24,943
Taye: ABSOLUTELY.
498
00:27:24,976 --> 00:27:28,546
DID YOU WATCH ANY OF MY
PERFORMANCES FOR INSPIRATION?
499
00:27:28,580 --> 00:27:31,783
ALL OF IT.
500
00:27:31,816 --> 00:27:36,454
Taye: I THOUGHT I COULD SEE
LITTLE BITS.
501
00:27:36,488 --> 00:27:38,056
PEOPLE MIGHT NOT KNOW
THAT YOU'VE ALREADY WON
502
00:27:38,089 --> 00:27:39,090
A CRITICS CHOICE AWARD FOR BEST
CHILD PERFORMANCE
503
00:27:39,124 --> 00:27:40,025
FOR "EVE'S BAYOU" BACK IN 1998.
504
00:27:40,058 --> 00:27:50,168
WHAT DO YOU REMEMBER
ABOUT WHEN YOU WON THAT?
505
00:27:50,201 --> 00:27:52,671
MY FIRST TIME WINNING AN
AWARD.
506
00:27:52,704 --> 00:27:53,838
I WAS VERY EXCITED.
507
00:27:53,872 --> 00:27:58,076
I REMEMBER BEING IN A ROOM WITH,
LIKE, JAMES CAMERON.
508
00:27:58,109 --> 00:28:03,815
REALLY COOL PEOPLE.
509
00:28:03,848 --> 00:28:06,117
BEING AROUND ALL THESE COOL
PEOPLE.
510
00:28:06,151 --> 00:28:10,655
Taye: YOU ARE WONDERFUL
THEN AND YOUR WONDERFUL TODAY.
511
00:28:10,689 --> 00:28:12,924
THANK YOU AND GOOD LUCK
TONIGHT, JURNEE!
512
00:28:12,957 --> 00:28:15,727
AS YOU'VE SEEN, MUCH OF THIS
YEAR'S SHOW IS BEING DONE VIA
513
00:28:15,760 --> 00:28:18,997
THE INTERNET BECAUSE OF THE
ONGOING PANDEMIC.
514
00:28:19,030 --> 00:28:20,532
MANY OF OUR CELEBRITY PRESENTERS
ARE SHOOTING THEMSELVES FROM
515
00:28:20,565 --> 00:28:21,833
HOME.
516
00:28:21,866 --> 00:28:24,936
IT SOUNDS EASY ENOUGH,
BUT IT'S NOT.
517
00:28:24,969 --> 00:28:27,005
HOW YOU PRESENT YOURSELF
FROM HOME SAYS A LOT ABOUT
518
00:28:27,038 --> 00:28:28,973
WHO YOU ARE.
519
00:28:29,007 --> 00:28:37,015
SO WE SENT OUR CELEBRITIES
AN INSTRUCTIONAL VIDEO
520
00:28:37,048 --> 00:28:40,919
OUR EXPERT HAS BEEN PRODUCING
HIS OWN SEGMENTS
521
00:28:40,952 --> 00:28:42,220
FOR THE "DAILY SHOW
WITH TREVOR NOAH" FROM HIS HOME
522
00:28:42,253 --> 00:28:43,288
IN NEW YORK.
523
00:28:43,321 --> 00:28:45,924
HERE'S ROY WOOD, JR.
THANK YOU FOR BEING A PART OF
524
00:28:45,957 --> 00:28:48,059
THIS YEAR'S CRITICS CHOICE
AWARDS.
525
00:28:48,093 --> 00:28:50,028
THIS INSTRUCTIONAL VIDEO IS
FILLED WITH TIPS AND POINTERS TO
526
00:28:50,061 --> 00:28:54,132
OPTIMIZE YOUR CRITICS CHOICE
APPEARANCE FROM YOUR OWN HOME.
527
00:28:54,165 --> 00:28:56,968
IT MAY SEEM OBVIOUS, BUT WHILE
TELECONFERENCING,
528
00:28:57,001 --> 00:28:58,336
THE ITEMS IN YOUR BACKGROUND
SEND A MESSAGE
529
00:28:58,369 --> 00:28:59,871
TO THE AUDIENCE.
530
00:28:59,904 --> 00:29:03,608
FOR EXAMPLE, A FILLED BOOKCASE
TELLS THE AUDIENCE,
531
00:29:03,641 --> 00:29:06,678
"I CAN AFFORD TO BUY BOOKS!"
AND WHILE THIS IS BOUND
532
00:29:06,711 --> 00:29:09,481
TO IMPRESS, IT'S THE TITLES OF
THE BOOKS THAT SPEAK VOLUMES
533
00:29:09,514 --> 00:29:11,416
ABOUT YOU.
534
00:29:11,449 --> 00:29:13,785
SO YOU MAY WANT TO REPLACE YOUR
COPIES OF "ART OF THE DEAL,"
535
00:29:13,818 --> 00:29:18,690
AND "THE BEST OF LARRY FLYNT"
WITH A FEW FILM CRITICISM BOOKS,
536
00:29:18,723 --> 00:29:21,926
ESPECIALLY ANYTHING
BY GENE SHALIT.
537
00:29:21,960 --> 00:29:24,195
NOW WE'VE COVERED HOME DECOR,
IF YOU MUST HAVE SOMETHING
538
00:29:24,229 --> 00:29:27,165
IN THE BACKGROUND,
LET IT BE THE MOST POPULAR FORM
539
00:29:27,198 --> 00:29:28,700
OF HOME DECOR.
540
00:29:28,733 --> 00:29:31,069
CHILDREN.
541
00:29:31,102 --> 00:29:32,270
GET OUR OF HERE, CHILD!
542
00:29:32,303 --> 00:29:37,776
YOU ARE MESSING UP MY MOMENT
ON TV.
543
00:29:37,809 --> 00:29:40,879
AVOID PLACING A TELESCOPE IN
YOUR BACKGROUND.
544
00:29:40,912 --> 00:29:42,714
TO YOU, IT INDICATES THAT YOU
ENJOY THE HOBBY
545
00:29:42,747 --> 00:29:43,882
OF STARGAZING.
546
00:29:43,915 --> 00:29:46,718
BUT, TO OTHERS, IT MAY SAY
"MY NEIGHBORS DON'T HAVE
547
00:29:46,751 --> 00:29:49,354
CURTAINS."
548
00:29:49,387 --> 00:29:52,390
AND A WORD OF CAUTION, SOME OF
YOU MAY THINK YOU CAN GET AWAY
549
00:29:52,423 --> 00:29:54,459
WITH BEING NAKED FROM THE WAIST
DOWN.
550
00:29:54,492 --> 00:29:57,896
BASED ON PERSONAL EXPERIENCE,
I WOULD ADVISE AGAINST IT.
551
00:29:57,929 --> 00:30:00,031
YOU NEVER KNOW WHEN
THE PRODUCERS MIGHT DECIDE TO
552
00:30:00,064 --> 00:30:01,132
PLAY THE NATIONAL ANTHEM.
553
00:30:01,166 --> 00:30:03,501
AND EVERYBODY'S GOTTA STAND.
554
00:30:03,535 --> 00:30:07,672
THAT TIP IS FOR THE WHITE
PEOPLE, I KNOW THE BLACK PEOPLE,
555
00:30:07,705 --> 00:30:09,240
WE AIN'T STANDING.
556
00:30:09,274 --> 00:30:11,876
MOST IMPORTANTLY, IF YOU HAVE
EVER RECEIVED AN AWARD, I'M
557
00:30:11,910 --> 00:30:14,245
TALKING IN YOUR ENTIRE LIFE,
INCLUDE THEM ON YOUR BOOKCASE.
558
00:30:14,279 --> 00:30:15,914
IT COULD BE A NOBEL PRIZE
OR A PEEWEE SOCCER
559
00:30:15,947 --> 00:30:17,282
PARTICIPATION TROPHY.
560
00:30:17,315 --> 00:30:18,616
IT DOESN'T MATTER.
561
00:30:18,650 --> 00:30:19,717
AN ACCOLADE IS AN ACCOLADE.
562
00:30:19,751 --> 00:30:22,821
AND, SUBLIMINALLY,
YOU ARE TELLING THE AUDIENCE,
563
00:30:22,854 --> 00:30:23,188
"HEY, YOU!
564
00:30:23,221 --> 00:30:24,155
LOOK AT ME!
565
00:30:24,189 --> 00:30:25,857
I'M AN ACHIEVER."
566
00:30:25,890 --> 00:30:31,062
GOOD LUCK TO EVERYBODY
AND THANKS AGAIN!
567
00:30:31,095 --> 00:30:34,465
ALL RIGHT.
568
00:30:34,499 --> 00:30:35,633
GET OUT OF THIS TUXEDO.
569
00:30:35,667 --> 00:30:36,835
Taye: THANK YOU,
ROY WOOD JR.
570
00:30:36,868 --> 00:30:38,503
NOW, YOU'VE PROBABLY SEEN OUR
NEXT PRESENTER
571
00:30:38,536 --> 00:30:40,705
ON "BLACK-ISH",
"MIXED-ISH"
572
00:30:40,738 --> 00:30:43,074
AND "GROWN-ISH".
573
00:30:43,107 --> 00:30:46,110
I WISH I COULD DISH OUT AN "ISH"
JOKE HERE WITHOUT LOOKING
574
00:30:46,144 --> 00:30:50,582
FOOL-ISH BUT I CAN'T ACCOMPL-ISH
THAT SO I'LL NOT ANGU-ISH
575
00:30:50,615 --> 00:30:55,420
AND JUST FINISH WITH
A STRAIGHT-ISH INTRO:
576
00:30:55,453 --> 00:30:59,324
HERE'S YARA SHAHIDI.
577
00:30:59,357 --> 00:31:02,160
IN HOLLYWOOD, I GET TO WEAR
MANY HATS.
578
00:31:02,193 --> 00:31:04,829
ACTRESS, EXECUTIVE PRODUCER,
DIRECTOR.
579
00:31:04,863 --> 00:31:08,433
BUT WITH THESE NOMINEES, I GET
TO WEAR A NEW ONE.
580
00:31:08,466 --> 00:31:10,134
"ELDER STATESWOMAN."
581
00:31:10,168 --> 00:31:13,471
HERE ARE THE INCREDIBLY TALENTED
NOMINEES FOR
582
00:31:13,504 --> 00:31:24,182
BEST YOUNG ACTOR OR ACTRESS.
583
00:31:24,215 --> 00:31:27,118
Announcer: BEST YOUNG ACTOR
OR ACTRESS.
584
00:31:27,151 --> 00:31:28,286
HELENA ZENGEL,
"NEWS OF THE WORLD."
585
00:31:28,319 --> 00:31:29,854
STAGE.
586
00:31:29,888 --> 00:31:30,221
IT SMELLS GOOD.
587
00:31:30,255 --> 00:31:36,861
GOOD.
588
00:31:36,895 --> 00:31:53,044
[SPEAKING FOREIGN LANGUAGE]
WE HAD A SLEEPOVER WITH MY
589
00:31:53,077 --> 00:32:02,620
MAMA AND YOU DIDN'T WEAR NO
PAJAMAS NOR UNDERWEAR.
590
00:32:02,654 --> 00:32:08,359
IT'S A LONG WAY.
591
00:32:08,393 --> 00:32:11,529
OKAY.
592
00:32:11,562 --> 00:32:16,134
[SPEAKING FOREIGN LANGUAGE]
WHY?
593
00:32:16,167 --> 00:32:20,705
TREES LIKE WATER.
594
00:32:20,738 --> 00:32:21,439
WERE THEY NICE?
595
00:32:21,472 --> 00:32:27,178
NICE ENOUGH.
596
00:32:27,211 --> 00:32:33,985
DID IT HURT?
597
00:32:34,018 --> 00:32:37,956
AND THE CRITICS CHOICE IS...
598
00:32:37,989 --> 00:32:47,098
ALAN KIM, "MINARI."
599
00:32:47,131 --> 00:32:49,133
THANK YOU, THANK YOU.
600
00:32:49,167 --> 00:32:54,806
FIRST OF ALL, I WOULD LIKE TO
THANK THE CRITICS WHO VOTED IN
601
00:32:54,839 --> 00:33:00,345
MY FAMILY.
602
00:33:00,378 --> 00:33:11,055
I'M GOING TO CRY.
603
00:33:11,089 --> 00:33:13,691
THE OTHER CREWMEMBERS.
604
00:33:13,725 --> 00:33:19,931
I HOPE I WILL BE IN OTHER MOVIES
MOVIES.
605
00:33:19,964 --> 00:33:27,138
IS THIS THE TRUTH?
606
00:33:27,171 --> 00:33:39,083
[CRYING]
Announcer: HE'S THE CREATOR
607
00:33:39,117 --> 00:33:40,685
OF THE PHENOMENON KNOWN
AS "HAMILTON" AND COMPOSER OF
608
00:33:40,718 --> 00:33:44,522
THE UPCOMING FILM
OF HIS OWN MUSICAL "IN THE
609
00:33:44,555 --> 00:33:51,095
HEIGHTS,"
HERE'S LIN-MANUEL MIRANDA.
610
00:33:51,129 --> 00:33:51,829
IT'S NO SECRET.
611
00:33:51,863 --> 00:33:53,097
SONGWRITING IS MY BLISS.
612
00:33:53,131 --> 00:33:55,533
WHEN THE RIGHT WORDS MEET
THE RIGHT MUSIC TO
613
00:33:55,566 --> 00:33:57,835
TELL A STORY, THERE IS NOTHING
LIKE IT IN THE WORLD.
614
00:33:57,869 --> 00:34:01,305
AND WHEN THE FINAL CREATION IS
OUTSTANDING, WHEN
615
00:34:01,339 --> 00:34:03,808
IT'S POSSIBLY ONE'S FINEST WORK,
THE WAVE OF PRIDE
616
00:34:03,841 --> 00:34:07,145
AND SENSE OF ACCOMPLISHMENT IS
INDESCRIBABLE.
617
00:34:07,178 --> 00:34:08,679
THAT'S WHAT TONIGHT'S NOMINEES
FOR BEST SONG
618
00:34:08,713 --> 00:34:10,381
ARE FEELING.
619
00:34:10,415 --> 00:34:13,251
THIS YEAR, WE ARE GOING TO
SPOTLIGHT EACH OF OUR NOMINEES
620
00:34:13,284 --> 00:34:16,454
ONE BY ONE BEFORE WE HEAR WHICH
IS THE CRITICS CHOICE.
621
00:34:16,487 --> 00:34:19,957
OUR FIRST NOMINEE FOR BEST SONG
IS "HUSAVIK (MY HOME TOWN)"
622
00:34:19,991 --> 00:34:22,960
FROM "EUROVISION SONG CONTEST:
THE STORY OF FIRE SAGA."
623
00:34:22,994 --> 00:34:26,330
MUSIC AND LYRICS
BY SAVAN KOTECHA.
624
00:34:26,364 --> 00:34:29,767
RICKARD GORANSSON
AND FAT MAX GSUS.
625
00:34:29,801 --> 00:34:32,003
WILL FERRELL AND RACHEL McADAMS
PLAY ICELAND'S ENTRY INTO THIS
626
00:34:32,036 --> 00:34:33,771
OVER-THE-TOP COMPETITION.
627
00:34:33,805 --> 00:34:49,320
RACHEL'S VOCALS ARE ACTUALLY
SUNG BY MOLLY SANDEN.
628
00:34:49,353 --> 00:34:51,055
♪ BUT NOW I KNOW WHAT MAKES ME
HAPPY ♪
629
00:34:51,089 --> 00:34:52,723
♪ AND I CAN TELL YOU FEEL IT
TOO ♪
630
00:34:52,757 --> 00:34:54,358
♪ WHERE THE MOUNTAINS SING
THROUGH THE SCREAMS OF
631
00:34:54,392 --> 00:34:56,894
SEAGULLS ♪
♪ WHERE THE WHALES CAN LIVE
632
00:34:56,928 --> 00:35:03,401
'CAUSE THEY'RE GENTLE PEOPLE ♪
♪ IN MY HOMETOWN, MY HOMETOWN ♪
633
00:35:03,434 --> 00:35:11,642
MY HOMETOWN ♪
Announcer: COMING UP LIVE
634
00:35:11,676 --> 00:35:13,778
ON STAGE, "VEEP" STAR TONY HALE
PRESENTS THE AWARDS FOR ACTOR
635
00:35:13,811 --> 00:35:20,218
AND ACTRESS IN A DRAMA SERIES.
636
00:35:20,251 --> 00:35:22,253
HERE ON THE 26TH ANNUAL CRITICS
CHOICE AWARDS.
637
00:35:35,533 --> 00:35:36,634
Taye: WE'RE BACK.
638
00:35:36,667 --> 00:35:37,768
WE TOLD OUR NEXT PRESENTER
THAT HE COULD DO IT FROM HOME,
639
00:35:37,802 --> 00:35:38,936
BUT HE INSISTED ON THE
FULL CRITICS CHOICE
640
00:35:38,970 --> 00:35:39,937
EXPERIENCE.
641
00:35:39,971 --> 00:35:43,674
HE HAS BEEN ENTERTAINING US
FOR YEARS ON MODERN
642
00:35:43,708 --> 00:35:45,843
COMEDY CLASSICS LIKE "VEEP" AND
"ARRESTED DEVELOPMENT"
643
00:35:45,877 --> 00:35:48,045
AND WILL SOON BE SEEN IN "THE
MYSTERIOUS BENEDICT SOCIETY."
644
00:35:48,079 --> 00:35:51,349
PLEASE WELCOME A THREE-TIME
CRITICS CHOICE NOMINEE
645
00:35:51,382 --> 00:35:57,188
AND A TWO-TIME EMMY WINNER,
TONY HALE.
646
00:35:57,221 --> 00:36:01,125
YES.
647
00:36:01,159 --> 00:36:01,959
HOW ARE YOU DOING?
648
00:36:01,993 --> 00:36:04,962
I AM FINE.
649
00:36:04,996 --> 00:36:06,964
DID YOU GET COVID TESTED ON THE
WAY IN?
650
00:36:06,998 --> 00:36:11,836
I DID I FELT I HAD SOMETHING
TO SAY.
651
00:36:11,869 --> 00:36:14,705
I DID THE MATH AND BECAUSE OF
QUARANTINE, I'VE LOST
652
00:36:14,739 --> 00:36:19,610
640 HOURS OF MY LIFE WATCHING
THESE PERFORMANCES.
653
00:36:19,644 --> 00:36:22,046
640.
654
00:36:22,079 --> 00:36:24,916
I MEAN, A LOT OF THAT IS I
ACCIDENTALLY WATCHED THE
655
00:36:24,949 --> 00:36:26,450
ORIGINAL "PERRY MASON" FIRST.
656
00:36:26,484 --> 00:36:29,420
ALL OF IT.
657
00:36:29,453 --> 00:36:33,558
AND I LEARNED "THIS IS US"
IS NOT ABOUT TIME TRAVEL.
658
00:36:33,591 --> 00:36:38,696
WHO KNEW?
659
00:36:38,729 --> 00:36:42,533
BUT IT'S CLEAR THAT YOUR TALENTS
HAVE BEEN A GIFT AND AN ESCAPE
660
00:36:42,567 --> 00:36:43,401
DURING THESE CHALLENGING TIMES.
661
00:36:43,434 --> 00:36:46,704
THANK YOU VERY MUCH.
662
00:36:46,737 --> 00:36:48,406
SO WITHOUT FURTHER ADO,
HERE'S THE NOMINATIONS
663
00:36:48,439 --> 00:37:01,953
FOR BEST ACTOR IN A DRAMA SERIES
WE WILL GET YOU MORE.
664
00:37:01,986 --> 00:37:04,822
YOU'RE SAYING THAT THERE WAS
A FOURTH MAN.
665
00:37:04,855 --> 00:37:09,527
THERE WAS A FOURTH MAN IN THE
ROOM.
666
00:37:09,560 --> 00:37:10,528
WHO?
667
00:37:10,561 --> 00:37:12,063
I DON'T KNOW THAT YET.
668
00:37:12,096 --> 00:37:14,332
I WANT TO SEE HER AGAIN.
669
00:37:14,365 --> 00:37:22,640
I WANT TO SEE MY KIDS AGAIN.
670
00:37:22,673 --> 00:37:26,444
I LOVE THAT THE HEROES GET TO
GO ON ADVENTURES.
671
00:37:26,477 --> 00:37:36,487
LITTLE NEGRO BOY FROM THE SOUTH
SIDE OF CHICAGO.
672
00:37:36,520 --> 00:37:55,906
THIS IS MY DOOR AS THE
PRINCE OF WALES.
673
00:37:55,940 --> 00:37:58,542
THINGS LIKE THIS HAVE BEEN
HAPPENING TO BLACK PEOPLE FOR
674
00:37:58,576 --> 00:38:00,878
YEARS AND WE'VE NEVER TALKED
ABOUT IT.
675
00:38:00,911 --> 00:38:04,315
NOT ONCE IN 40 YEARS.
676
00:38:04,348 --> 00:38:08,786
AND THE CRITICS CHOICE IS.
677
00:38:08,819 --> 00:38:15,293
JOSH O'CONNOR, "THE CROWN."
678
00:38:15,326 --> 00:38:17,795
CONGRATULATIONS, JOSH COULDN'T
BE HERE TONIGHT SO WE WILL BE
679
00:38:17,828 --> 00:38:20,631
ACCEPTING IT ON HIS BEHALF.
680
00:38:20,665 --> 00:38:22,600
AND NOW HERE'S THE NOMINATIONS
FOR BEST ACTRESS IN A DRAMA
681
00:38:22,633 --> 00:38:32,710
SERIES.
682
00:38:32,743 --> 00:38:35,646
I'M NOT SAYING I'M BETRAYING
MY COUNTRY.
683
00:38:35,680 --> 00:38:37,081
I WON'T.
684
00:38:37,114 --> 00:38:41,552
BUT IN THE BLACK AND WHITE,
THERE IS A LOT OF GRAY.
685
00:38:41,585 --> 00:38:47,892
DON'T YOU LOOK AT ME WITH
THAT BLAME ON YOUR FACE.
686
00:38:47,925 --> 00:38:49,927
I HAVE SPENT MY WHOLE LIFE
PROTECTING HIM.
687
00:38:49,960 --> 00:38:53,931
THIS IS YOURS.
688
00:38:53,964 --> 00:38:55,666
CHARLES RESENTS ME.
689
00:38:55,700 --> 00:38:56,534
AND RESENTS ME.
690
00:38:56,567 --> 00:39:04,108
IS IT POSSIBLE YOU RESENT ME TOO
TOO?
691
00:39:04,141 --> 00:39:14,919
PUT YOUR SHIELD OF ARMOR
AROUND HIM.
692
00:39:14,952 --> 00:39:17,254
WHO'S OUR FAVORITE?
693
00:39:17,288 --> 00:39:20,291
MY FAVORITE OR YOUR FAVORITE.
694
00:39:20,324 --> 00:39:21,926
ALL RIGHT, YOU FIRST.
695
00:39:21,959 --> 00:39:23,461
WHO IS YOURS.
696
00:39:23,494 --> 00:39:26,263
ANN.
697
00:39:26,297 --> 00:39:29,800
TELL THEM WE LOVE HIS MOVIES.
698
00:39:29,834 --> 00:39:32,403
I WILL.
699
00:39:32,436 --> 00:39:37,408
BECAUSE YEAH, I WILL.
700
00:39:37,441 --> 00:39:41,112
AND THE CRITICS CHOICE IS...
701
00:39:41,145 --> 00:39:46,684
EMMA CORRIN, "THE CROWN."
702
00:39:46,717 --> 00:39:48,652
THANK YOU SO MUCH.
703
00:39:48,686 --> 00:39:53,724
THANK YOU SO MUCH TO ALL THE
CRITICS WHO VOTED.
704
00:39:53,758 --> 00:39:54,325
THIS IS MENTAL.
705
00:39:54,358 --> 00:39:56,761
IT'S ALSO 2:00 A.M. HERE.
706
00:39:56,794 --> 00:39:59,730
THANK YOU SO MUCH.
707
00:39:59,764 --> 00:40:04,535
AN INCREDIBLE COLLECTION OF
WOMEN TO BE NOMINATED WITH.
708
00:40:04,568 --> 00:40:08,472
THANK YOU FOR THE TALENT AND THE
STORIES THAT YOU ARE TELLING.
709
00:40:08,506 --> 00:40:12,877
THANK YOU SO MUCH TO NETFLIX AND
MY INCREDIBLE FAMILY ON "THE
710
00:40:12,910 --> 00:40:16,680
CROWN" AND IT LEFT BANK.
711
00:40:16,714 --> 00:40:19,850
HER FOR LETTING ME PLAY OR
DIANA.
712
00:40:19,884 --> 00:40:22,253
IT'S BEEN THE BIGGEST JOY.
713
00:40:22,286 --> 00:40:25,856
THANK YOU TO ALL THE CAST AND
CREW WHO WORKED ON THE SERIES
714
00:40:25,890 --> 00:40:27,024
WITH ME.
715
00:40:27,057 --> 00:40:30,194
GOING INTO WORK EVERY DAY WAS
HONESTLY JUST THE BEST GIFT.
716
00:40:30,227 --> 00:40:33,297
I WISH I COULD DO IT EVERY DAY.
717
00:40:33,330 --> 00:40:36,066
I MISS YOU ALL A LOT AND WISH WE
COULD BE CELEBRATING.
718
00:40:36,100 --> 00:40:39,403
THANK YOU ALL.
719
00:40:39,437 --> 00:40:42,139
Announcer: OUR NEXT TWO
PRESENTERS ARE MARRIED TO EACH
720
00:40:42,173 --> 00:40:44,375
OTHER BUT ARE PRESENTING
SEPARATE AWARDS:
721
00:40:44,408 --> 00:40:49,313
I AM PRESENTING THE WORD FOR
BEST ACTOR IN A LIMITED SERIES
722
00:40:49,346 --> 00:40:51,949
WERE MADE FOR TV MOVIE UP NEXT.
723
00:40:51,982 --> 00:40:55,386
I AM KEVIN BACON I AM
PRESENTING BEST ACTRESS IN A
724
00:40:55,419 --> 00:41:01,592
MOVIE MADE FOR TELEVISION OR
LIMITED SERIES, COMING UP NEXT.
725
00:41:01,625 --> 00:41:06,330
Annoucer: WHEN THE
26TH ANNUAL CRITICS CHOICE
726
00:41:06,363 --> 00:41:08,699
AWARDS CONTINUES.
727
00:41:16,974 --> 00:41:22,847
Announcer: ONCE AGAIN
HERE IS YOUR HOST, TAYE DIGGS.
728
00:41:22,880 --> 00:41:24,815
Taye: WELCOME BACK TO THE
CRITICS CHOICE AWARDS.
729
00:41:24,849 --> 00:41:26,984
I AM STILL YOUR HOST, TAYE
DIGGS.
730
00:41:27,017 --> 00:41:31,489
I AM NOT A MOOSE.
731
00:41:31,522 --> 00:41:35,226
ANYONE ELSE REGRET LETTING THE
KID USE THEIR PHONE DURING THE
732
00:41:35,259 --> 00:41:35,626
COMMERCIAL BREAK?
733
00:41:35,659 --> 00:41:35,926
NO?
734
00:41:35,960 --> 00:41:39,697
JUST ME?
735
00:41:39,730 --> 00:41:45,069
OUR NEXT PRESENTER IS STARTING
IN SEASON TWO OF SERIES "CITY ON
736
00:41:45,102 --> 00:41:46,303
A HILL."
737
00:41:46,337 --> 00:41:49,773
KEVIN BACON.
738
00:41:49,807 --> 00:41:50,975
HELLO, EVERYONE.
739
00:41:51,008 --> 00:41:52,243
I AM SO THRILLED TO BE HERE TO
PRESENT THE CRITICS CHOICE FOR
740
00:41:52,276 --> 00:41:53,811
BEST ACTRESS IN A MOVIE MADE FOR
TELEVISION OR A LIMITED SERIES,
741
00:41:53,844 --> 00:41:55,746
ESPECIALLY SINCE I HAND-PICKED
EACH AND EVERY ONE
742
00:41:55,779 --> 00:41:57,915
OF THE NOMINEES.
743
00:41:57,948 --> 00:42:01,719
IN FACT, NOT TO BRAG, I HAD
A HAND IN EACH OF THESE SIX
744
00:42:01,752 --> 00:42:03,420
STELLAR PERFORMANCES.
745
00:42:03,454 --> 00:42:06,223
AND YOU KNOW,
WHEN CATE BLANCHETT CAME
746
00:42:06,257 --> 00:42:10,294
TO ME AFTER ACCEPTING THE ROLE
IN "MRS. AMERICA,"
747
00:42:10,327 --> 00:42:13,130
I LOOKED HER STRAIGHT IN THE EYE
AND TOLD HER IF THERE
748
00:42:13,163 --> 00:42:16,300
IS ANYONE WHO CAN INHABIT THIS
GRITTY SUPERHERO WHO
749
00:42:16,333 --> 00:42:20,504
IS MARRIED TO AMERICA,
IT'S YOU, CATEY B.
750
00:42:20,538 --> 00:42:23,607
AND NOW, HERE ARE SIX OF MY BEST
FRIENDS.
751
00:42:23,641 --> 00:42:28,245
THE NOMINEES FOR BEST ACTRESS
IN A MOVIE MADE FOR TELEVISION
752
00:42:28,279 --> 00:42:42,593
OR LIMITED SERIES.
753
00:42:42,626 --> 00:42:48,632
I DIDN'T KNOW THAT A NEGRO
WOMAN TELEVISION PRODUCER
754
00:42:48,666 --> 00:42:49,600
EXISTED.
755
00:42:49,633 --> 00:42:54,038
ALL MY LIFE THAT'S ALL I'VE EVER
WANTED TO BE.
756
00:42:54,071 --> 00:42:55,839
I'M GETTING MARRIED.
757
00:42:55,873 --> 00:42:56,640
DON'T YOU GET IT?
758
00:42:56,674 --> 00:42:58,809
I'M GOING TO MAKE A FAMILY.
759
00:42:58,842 --> 00:43:01,011
I WON'T NEED ANYONE ELSE TO GO.
760
00:43:01,045 --> 00:43:04,949
THIS IS WHAT I WANT.
761
00:43:04,982 --> 00:43:10,321
IF YOU WERE TO SUDDENLY NOT
AFFIRM ME WHEN I NEED THE
762
00:43:10,354 --> 00:43:14,058
AFFIRMATION THE MOST, IT SHOULD
MAKE YOU SOMEONE I SHOULD AWAY
763
00:43:14,091 --> 00:43:14,692
FROM.
764
00:43:14,725 --> 00:43:20,264
WOMEN ARE LIKE TEA BAGS.
765
00:43:20,297 --> 00:43:24,602
YOU DON'T KNOW THEIR STRENGTH
AND UNTIL THEY GET INTO HOT
766
00:43:24,635 --> 00:43:26,670
WATER.
767
00:43:26,704 --> 00:43:29,039
DEAR FRIENDS KNOW ABOUT US?
768
00:43:29,073 --> 00:43:30,941
NO.
769
00:43:30,975 --> 00:43:34,578
JOANNA DOES.
770
00:43:34,612 --> 00:43:38,616
SORT OF.
771
00:43:38,649 --> 00:43:42,186
I WOULD SAY THAT IT'S MUCH
EASIER TO PLAY CHESS WITHOUT THE
772
00:43:42,219 --> 00:43:45,489
BURDEN OF AND ADAM'S APPLE.
773
00:43:45,522 --> 00:43:48,359
AND THE CRITICS CHOICE IS...
774
00:43:48,392 --> 00:43:53,430
MY BEST FRIEND.
775
00:43:53,464 --> 00:43:57,001
ANYA TAYLOR-JOY,
"THE QUEEN'S GAMBIT."
776
00:43:57,034 --> 00:43:59,169
THANK YOU SO MUCH.
777
00:43:59,203 --> 00:44:00,604
THANK YOU TO THE CRITICS.
778
00:44:00,638 --> 00:44:05,376
I WOULD LOVE TO TAKE THIS
OPPORTUNITY TO THANK OUR
779
00:44:05,409 --> 00:44:06,577
INCREDIBLE CREW IN BERLIN.
780
00:44:06,610 --> 00:44:12,583
THE SHOW WOULDN'T HAVE BEEN THE
SAME WITHOUT YOU.
781
00:44:12,616 --> 00:44:13,584
DANIEL.
782
00:44:13,617 --> 00:44:17,388
THEY DID TO MOVIES WITH ME IN
2019.
783
00:44:17,421 --> 00:44:21,492
WHAT A PLEASURE TO WORK
ALONGSIDE YOU.
784
00:44:21,525 --> 00:44:24,828
HONESTLY IT WOULDN'T HAVE BEEN
THE SAME WITHOUT EVERY SINGLE
785
00:44:24,862 --> 00:44:26,664
ONE OF YOUR SOULS BEING THERE.
786
00:44:26,697 --> 00:44:28,832
IT WAS A PRIVILEGE TO WATCH YOU
WORK EVERY DAY.
787
00:44:28,866 --> 00:44:32,770
THANK YOU SO MUCH FOR LETTING ME
BE PART OF IT.
788
00:44:32,803 --> 00:44:36,206
THANK YOU.
789
00:44:36,240 --> 00:44:37,675
YOU KNOW HER FROM
"BROOKLYN NINE-NINE"
790
00:44:37,708 --> 00:44:38,575
AND "THE CLOSER".
791
00:44:38,609 --> 00:44:39,343
SHE'S CURRENTLY STARRING
IN THE NEW COMEDY
792
00:44:39,376 --> 00:44:39,910
SERIES "CALL YOUR MOTHER."
793
00:44:39,943 --> 00:44:41,945
HERE'S KYRA SEDGWICK.
794
00:44:41,979 --> 00:44:45,215
IN OUR HOUSE, WE ARE BIG FANS
OF MOVIES MADE FOR TELEVISION
795
00:44:45,249 --> 00:44:48,786
AND LIMITED SERIES.
796
00:44:48,819 --> 00:44:50,254
IN A SHORT PERIOD OF TIME,
THEY DELIVER COMPELLING
797
00:44:50,287 --> 00:44:52,890
STORIES AND TOP-NOTCH
PERFORMANCES FROM ACTORS WE'RE
798
00:44:52,923 --> 00:44:54,458
OFTEN USED TO SEEING ON THE BIG
SCREEN.
799
00:44:54,491 --> 00:44:58,595
AND WHEN THEY'RE OVER,
WE CHECK AND CHECK AGAIN,
800
00:44:58,629 --> 00:45:00,330
HOPING THAT WE MISSED AN
EPISODE.
801
00:45:00,364 --> 00:45:01,799
THAT'S THE BEAUTY OF A MOVIE
MADE FOR TELEVISION
802
00:45:01,832 --> 00:45:02,599
OR LIMITED SERIES.
803
00:45:02,633 --> 00:45:05,502
THEY ALWAYS LEAVE YOU
WANTING MORE.
804
00:45:05,536 --> 00:45:07,705
AND SO DO THE ACTORS WHO STAR IN
THEM.
805
00:45:07,738 --> 00:45:21,719
HERE ARE THE NOMINEES.
806
00:45:21,752 --> 00:45:28,358
ALL THIS IS GOING OUT OF THE
HOUSE TODAY.
807
00:45:28,392 --> 00:45:30,027
IT WAS AN ACCIDENT.
808
00:45:30,060 --> 00:45:30,561
AN ACCIDENT?
809
00:45:30,594 --> 00:45:34,198
THAT'S WHAT WE SAY.
810
00:45:34,231 --> 00:45:38,702
THEY ARE THE OTHERS.
811
00:45:38,736 --> 00:45:42,406
LINDBERGH IS THE OTHER.
812
00:45:42,439 --> 00:45:49,046
I DON'T THINK...
813
00:45:49,079 --> 00:45:56,987
PEOPLE LIKE ME.
814
00:45:57,020 --> 00:45:58,555
THEY'VE GOT THE UPPER HAND
NOW.
815
00:45:58,589 --> 00:46:05,395
NOT FOR LONG.
816
00:46:05,429 --> 00:46:12,002
SIGH CAME BACK WHICH MAY BEEN
SELFISH BUT I WANTED MY FAMILY
817
00:46:12,035 --> 00:46:15,239
BACK.
818
00:46:15,272 --> 00:46:17,841
I AGREE WITH YOU 100%.
819
00:46:17,875 --> 00:46:21,779
WE NEED TO LOOK EACH OTHER IN
THE EYE MAN-TO-MAN AND GIVEN A
820
00:46:21,812 --> 00:46:24,915
CHANCE WE WILL SOON REALIZE WE
ARE NOT DIFFERENT.
821
00:46:24,948 --> 00:46:28,085
AND THE CRITICS CHOICE IS...
822
00:46:28,118 --> 00:46:32,389
JOHN BOYEGA, "SMALL AXE."
823
00:46:32,422 --> 00:46:35,459
WOW, THANK YOU SO MUCH.
824
00:46:35,492 --> 00:46:38,362
FIRST AND FOREMOST I WOULD LIKE
TO THANK THE CRITICS FOR THIS
825
00:46:38,395 --> 00:46:39,563
CHOICE.
826
00:46:39,596 --> 00:46:44,902
THE BBC AND AMAZON AND SPECIAL
THANK YOU TO STEVE McQUEEN FOR
827
00:46:44,935 --> 00:46:48,839
GIVING ME THIS OPPORTUNITY IN
THIS ROLE AND SHARING SO MUCH OF
828
00:46:48,872 --> 00:46:55,879
YOURSELF ON SAT ON A DAY-TO-DAY
BASIS.
829
00:46:55,913 --> 00:47:00,083
TO THE MOST SPECIAL PERSON IN MY
LIFE.
830
00:47:00,117 --> 00:47:03,821
MY AGENT, MY BROTHER AND MY
FRIEND FOR BEING THERE WITH ME
831
00:47:03,854 --> 00:47:05,823
FROM BEGINNING AND MAKING
HISTORY.
832
00:47:05,856 --> 00:47:08,292
THE CHOICES THAT WE'VE MADE SO
FAR.
833
00:47:08,325 --> 00:47:08,759
THANK YOU, GUYS.
834
00:47:08,792 --> 00:47:15,399
MUCH APPRECIATED.
835
00:47:15,432 --> 00:47:16,200
HELLO!
836
00:47:16,233 --> 00:47:17,201
IT'S ME AGAIN.
837
00:47:17,234 --> 00:47:18,202
BEFORE WE PRESENT THE NEXT
NOMINEE FOR BEST SONG,
838
00:47:18,235 --> 00:47:18,969
I'D JUST LIKE TO POINT OUT
HOW VAST THIS CATEGORY
839
00:47:19,002 --> 00:47:20,003
CAN BE.
840
00:47:20,037 --> 00:47:23,307
PAST WINNERS INCLUDE
WIZ KHALIFA AND CHARLIE PUTH,
841
00:47:23,340 --> 00:47:25,943
COMMON AND JOHN LEGEND,
AND THE INIMITABLE...
842
00:47:25,976 --> 00:47:27,344
MUPPETS.
843
00:47:27,377 --> 00:47:29,580
THE NEXT NOMINEE FOR CRITICS
CHOICE FOR BEST SONG,
844
00:47:29,613 --> 00:47:31,849
IS "FIGHT FOR YOU" FROM THE
TWICE-NOMINATED MOVIE "JUDAS AND
845
00:47:31,882 --> 00:47:33,383
THE BLACK MESSIAH."
846
00:47:33,417 --> 00:47:37,821
IT IS WRITTEN BY H.E.R.,
DERNST "D'MILE" EMILE II
847
00:47:37,855 --> 00:47:53,103
AND TIARA THOMAS
AND PERFORMED BY H.E.R.
848
00:47:53,136 --> 00:47:54,605
♪ I'M GON' SEE IT THROUGH ♪
♪ THERE'S NO ONE, THERE'S NO ONE
849
00:47:54,638 --> 00:48:02,346
LIKE YOU ♪
♪ LONG AS I'M STANDING, WE CAN
850
00:48:02,379 --> 00:48:04,514
NEVER LOSE
♪ I'MA ALWAYS, ALWAYS FIGHT FOR
851
00:48:04,548 --> 00:48:08,518
YOU ♪
♪ I'MA ALWAYS, ALWAYS FIGHT
852
00:48:08,552 --> 00:48:21,265
FOR YOU ♪
Announcer: COMING UP,
853
00:48:21,298 --> 00:48:24,334
ASHLEY PARK PRESENTS THE AWARD
FOR BEST COMEDY SPECIAL.
854
00:48:24,368 --> 00:48:29,907
HI, I AM MORGAN FREEMAN AND I
AM PRESENTING THE AWARD NEXT ON
855
00:48:29,940 --> 00:48:33,543
THE CRITICS CHOICE AWARDS.
856
00:48:33,577 --> 00:48:38,248
Announcer: WHEN THE 26TH
ANNUAL CRITICS CHOICE AWARDS
857
00:48:38,282 --> 00:48:39,116
RETURNS.
858
00:48:48,859 --> 00:48:51,128
I SEE HER STARTING THE
CONVERSATIONS AND ASKING THE
859
00:48:51,161 --> 00:48:53,931
QUESTION SO WE CAN ALL FIND THE
ANSWERS.
860
00:48:53,964 --> 00:48:56,600
BECAUSE I STAND ON THE
SHOULDERS OF WOMEN WHO BROKE
861
00:48:56,633 --> 00:48:57,868
BARRIERS.
862
00:48:57,901 --> 00:49:02,306
I WANT LITTLE GIRLS TO KNOW THAT
THERE'S NO WALL THEY CAN'T PUSH
863
00:49:02,339 --> 00:49:07,778
THROUGH.
864
00:49:07,811 --> 00:49:11,148
Taye: IT'S ME AGAIN.
865
00:49:11,181 --> 00:49:13,116
THE SIX NOMINEES FOR BEST COMEDY
SPECIAL ARE AT THEIR OWN
866
00:49:13,150 --> 00:49:13,917
SPECIAL TABLE.
867
00:49:13,951 --> 00:49:18,755
WHAT'S THE FUNNIEST MOVIE
EVER MADE?
868
00:49:18,789 --> 00:49:22,559
FUNNIEST MOVIE EVER MADE IS
"REPO MAN" FROM 1984.
869
00:49:22,592 --> 00:49:29,900
EVERYONE IN THE MOVIE DELIVERS
THESE WEIRD COMEDIC LINES 100%
870
00:49:29,933 --> 00:49:32,002
SERIOUS WHICH MAKES THEM EVEN
FUNNIER.
871
00:49:32,035 --> 00:49:37,140
FUNNIEST MOVIE EVER MADE IN
MY OPINION.
872
00:49:37,174 --> 00:49:38,775
"THE CASTLE."
873
00:49:38,809 --> 00:49:42,245
I'M NOT -- I DON'T KNOW THAT
MANY PEOPLE IN AMERICA WOULD
874
00:49:42,279 --> 00:49:42,946
KNOW THIS.
875
00:49:42,980 --> 00:49:44,348
IT'S AN AUSTRALIAN FILM.
876
00:49:44,381 --> 00:49:48,752
FUNNIEST MOVIE FOR ME, I
WOULD SAY "BRIDESMAIDS."
877
00:49:48,785 --> 00:49:51,822
I WASH IT PROBABLY TEN TIMES.
878
00:49:51,855 --> 00:49:56,059
I LOVE SEEING THIS HILARIOUS
GROUP OF WOMEN GETTING TO JUST
879
00:49:56,093 --> 00:49:57,260
BE OUTRAGEOUS.
880
00:49:57,294 --> 00:50:00,998
I THINK THE FUNNIEST MOVIE
FOR LAUGHS FOR ME WAS PROBABLY
881
00:50:01,031 --> 00:50:02,733
RICHARD PRYOR, LIVE IN CONCERT.
882
00:50:02,766 --> 00:50:05,002
THE FIRST TIME I SAW IT IN
HIGH SCHOOL.
883
00:50:05,035 --> 00:50:07,637
FUNNIEST MOVIE EVER MADE IN
MY OPINION, I CAN'T JUST PICK
884
00:50:07,671 --> 00:50:08,905
ONE.
885
00:50:08,939 --> 00:50:21,018
IT'S LIKE PICKING YOUR FAVORITE
FAVORITE PIN PRINT PRINCE SONG.
886
00:50:21,051 --> 00:50:25,889
NINE TO FIVE, COMING TO AMERICA.
887
00:50:25,922 --> 00:50:28,592
Taye: HE'S ONE OF THE MOST
POPULAR AND RESPECTED ACTORS
888
00:50:28,625 --> 00:50:29,393
IN THE WORLD.
889
00:50:29,426 --> 00:50:30,160
HERE'S OSCAR WINNER
MORGAN FREEMAN.
890
00:50:30,193 --> 00:50:31,294
HELLO, EVERYONE.
891
00:50:31,328 --> 00:50:33,296
I AM DELIGHTED TO BE HERE
TONIGHT TO PRESENT THE CRITICS
892
00:50:33,330 --> 00:50:35,665
CHOICE AWARD FOR BEST COMEDY
FILM.
893
00:50:35,699 --> 00:50:39,503
YOU KNOW, THERE'S AN OLD SAYING
THAT COMEDY IS TRAGEDY
894
00:50:39,536 --> 00:50:44,941
PLUS TIME, AND I COULDN'T
AGREE MORE, BECAUSE I
895
00:50:44,975 --> 00:50:49,980
KNOW THAT SOME OF THE MOST
TRAGIC MOVIES I'VE STARRED IN
896
00:50:50,013 --> 00:50:54,851
OVER THE YEARS, THEY ARE
COMPLETELY HILARIOUS NOW.
897
00:50:54,885 --> 00:50:57,421
SHAWSHANK REDEMPTION?
898
00:50:57,454 --> 00:51:01,258
A DELIGHTFUL BUDDY COMEDY
ABOUT A GUYS' TRIP TO MEXICO!
899
00:51:01,291 --> 00:51:03,493
MILLION DOLLAR BABY?
900
00:51:03,527 --> 00:51:09,633
A FALL-DOWN COMEDY WITH
A REAL RUSH OF ADRENALINE.
901
00:51:09,666 --> 00:51:11,468
SEVEN?
902
00:51:11,501 --> 00:51:13,937
I'LL TELL YOU WHAT'S IN THE BOX.
903
00:51:13,970 --> 00:51:17,574
NON-STOP LAUGHS!
904
00:51:17,607 --> 00:51:31,321
NOW HERE ARE THE NOMINEES
FOR BEST COMEDY FILM.
905
00:51:31,354 --> 00:51:34,458
WE ARE GOING TO DO A SPRAY
TAN.
906
00:51:34,491 --> 00:51:36,560
HOW DARK IS SHE WANTING TO GO?
907
00:51:36,593 --> 00:51:39,162
WHAT COLOR IS BEST FOR A
RACIST FAMILY?
908
00:51:39,196 --> 00:51:42,799
STICK I WOULDN'T GO ANY DARKER
THAN A SIX OR SEVEN.
909
00:51:42,833 --> 00:51:46,970
TOMORROW IS ALSO TODAY.
910
00:51:47,003 --> 00:51:48,338
IT'S ONE OF INFINITE TIME LOOP
SITUATIONS THAT YOU MIGHT'VE
911
00:51:48,371 --> 00:51:58,115
HEARD ABOUT.
912
00:51:58,148 --> 00:52:03,420
DO YOU HAVE A SUITE?
913
00:52:03,453 --> 00:52:05,789
NO, ALL THE ROOMS ARE THE
SAME.
914
00:52:05,822 --> 00:52:08,959
SPEAK A WORD AND I SPENT MOST OF
MY TIME IN HIGH SCHOOL?
915
00:52:08,992 --> 00:52:17,367
WITH YOUR REGRETS.
916
00:52:17,400 --> 00:52:20,737
NO ONE WANTS TO GO TO A
RESTAURANT AND WATCH PEOPLE GET
917
00:52:20,770 --> 00:52:21,104
TATTOOED.
918
00:52:21,138 --> 00:52:25,175
IT'S GROSS.
919
00:52:25,208 --> 00:52:27,244
HOW DO YOU BLUFF?
920
00:52:27,277 --> 00:52:28,578
POKER FACE.
921
00:52:28,612 --> 00:52:29,312
POKER FACE.
922
00:52:29,346 --> 00:52:32,883
POKER FACE.
923
00:52:32,916 --> 00:52:34,818
NICE.
924
00:52:34,851 --> 00:52:38,822
AND THE CRITICS CHOICE IS...
925
00:52:38,855 --> 00:52:47,697
"PALM SPRINGS."
926
00:52:47,731 --> 00:52:48,131
WOW.
927
00:52:48,165 --> 00:52:53,370
THAT'S AWESOME.
928
00:52:53,403 --> 00:52:55,972
THANK YOU TO THE CRITICS FOR
CRITICALLY CHOOSING US.
929
00:52:56,006 --> 00:53:00,644
YOU HAVE TO SAY THIS IS A REALLY
AWESOME CATEGORY.
930
00:53:00,677 --> 00:53:03,113
I NOTICED ALL THE CON MONIES
DIDN'T COME OUT THIS YEAR.
931
00:53:03,146 --> 00:53:05,749
I TAKE IT AS A BIG COMPLEMENT.
932
00:53:05,782 --> 00:53:09,352
I SAW THE MOVIES AND THEY WERE
SUPER FUNNY.
933
00:53:09,386 --> 00:53:11,388
I RIDE WITH COMEDY UNTIL THE
END.
934
00:53:11,421 --> 00:53:14,324
SO MANY PEOPLE WORKED HARD ON
THIS MOVIE.
935
00:53:14,357 --> 00:53:20,664
I AM ACCEPTING IT ON BEHALF OF
EVERYONE AT HULU, NEON,
936
00:53:20,697 --> 00:53:26,203
LIMELIGHT, UTA, I.D. P.R.,
EVERYONE AT OUR COMPANY, PARTY
937
00:53:26,236 --> 00:53:27,804
OVER HERE.
938
00:53:27,837 --> 00:53:32,609
THE ENTIRE CREW THAT WORKED
SUPERHARD AND PULLED TONS OF
939
00:53:32,642 --> 00:53:33,243
FAVORS.
940
00:53:33,276 --> 00:53:35,946
THE CAST WERE INCREDIBLE.
941
00:53:35,979 --> 00:53:47,958
HAVE TO THANK J.K. SIMMONS FOR
LOANING US HIS OSCAR CRED
942
00:53:47,991 --> 00:53:50,627
MAX AND ANDY WERE COMING UP WITH
THE IDEA AND BRINGING THE MOVIE
943
00:53:50,660 --> 00:53:54,130
TO US AND BEING INCREDIBLE
COLLABORATORS.
944
00:53:54,164 --> 00:53:56,066
DIRECTING AND WRITING.
945
00:53:56,099 --> 00:53:56,866
YOU RULE.
946
00:53:56,900 --> 00:54:03,506
THIS IS YOUR SO MUCH.
947
00:54:03,540 --> 00:54:10,046
ESPECIALLY BECKY WHO REALLY
GRANTED ON THIS MOVIE SO HARD
948
00:54:10,080 --> 00:54:13,149
AND ALL OF OUR FAMILIES FOR
DEALING WITH US.
949
00:54:13,183 --> 00:54:14,651
MY WIFE JOANNA AND OUR CHILD.
950
00:54:14,684 --> 00:54:17,854
I LOVE YOU SO MUCH.
951
00:54:17,887 --> 00:54:24,361
YAY, COMEDY.
952
00:54:24,394 --> 00:54:28,732
Taye: LET'S CHECK IN WITH
EMILY PARK.
953
00:54:28,765 --> 00:54:29,499
YOU LOOK AMAZING.
954
00:54:29,532 --> 00:54:30,734
HOW'S IT GOING?
955
00:54:30,767 --> 00:54:35,872
IT TURNS OUT VERSACE DOES NOT
MAKE SWEATPANTS BUT IT'S GOING
956
00:54:35,905 --> 00:54:36,640
WELL.
957
00:54:36,673 --> 00:54:39,909
Taye: WHAT TIME IS IT IN
PARIS?
958
00:54:39,943 --> 00:54:43,913
I AM 15 FEET AWAY FROM YOU
HERE IN LOS ANGELES.
959
00:54:43,947 --> 00:54:46,516
Taye: OH OH.
960
00:54:46,549 --> 00:54:48,485
WHAT'S UP?
961
00:54:48,518 --> 00:54:49,486
LOOK AT THAT.
962
00:54:49,519 --> 00:54:49,886
TECHNOLOGY.
963
00:54:49,919 --> 00:54:51,221
YEAH, YEAH.
964
00:54:51,254 --> 00:54:54,524
Taye: WHATEVER TIME ZONE
YOU ARE IN, IT'S TIME FOR THE
965
00:54:54,557 --> 00:54:55,158
NEXT AWARD.
966
00:54:55,191 --> 00:55:00,563
GO, ASHLEY, GO.
967
00:55:00,597 --> 00:55:02,399
THIS HAS BEEN A TOUGH YEAR.
968
00:55:02,432 --> 00:55:06,870
LUCKILY WHILE WE HAVE BEEN IN
VARIOUS STAGES OF LOCKDOWN AND
969
00:55:06,903 --> 00:55:10,273
QUARANTINE, THESE SIX NOMINEES
KEPT OUR SPIRITS UP.
970
00:55:10,307 --> 00:55:16,479
NOT ONLY ARE THERE PERFORMANCES
FUNNY AS HELL, THEY ARE SMART,
971
00:55:16,513 --> 00:55:17,714
POIGNANT AND HONEST.
972
00:55:17,747 --> 00:55:20,750
IF YOU NEED TO LAUGH YOUR BOOTY
OFF FOR A SOLID HOUR, LOOK NO
973
00:55:20,784 --> 00:55:33,096
FURTHER THAN TONIGHT'S NOMINEES
FOR BEST COMEDY SPECIAL.
974
00:55:33,129 --> 00:55:36,900
IF YOU DON'T HAVE A WIFE, WE
HAVE NOTHING TO TALK ABOUT.
975
00:55:36,933 --> 00:55:38,335
YOU HAVE A GIRLFRIEND.
976
00:55:38,368 --> 00:55:40,970
THAT'S WIFFLE BALL.
977
00:55:41,004 --> 00:55:42,572
YOU ARE PLAYING PAINTBALL WAR
AND I AM IN AFGHANISTAN WITH
978
00:55:42,605 --> 00:55:44,874
LOADED WEAPONS.
979
00:55:44,908 --> 00:55:48,478
I HAND THE BABY TO SOMEONE SO
I COULD TIE MY SHOE AND MY
980
00:55:48,511 --> 00:55:51,881
HUSBAND WAS LIKE, DO YOU KNOW
HER BUT IT'S A BLACK WOMAN.
981
00:55:51,915 --> 00:55:54,351
WE ARE FAMILY.
982
00:55:54,384 --> 00:55:59,422
COULD YOU PUT A COUPLE
STARTLING, DISTURBING SENTENCES
983
00:55:59,456 --> 00:56:00,056
IN IT?
984
00:56:00,090 --> 00:56:02,125
THEY DON'T NEED TO BE TRUE.
985
00:56:02,158 --> 00:56:04,661
JUST SOMETHING TO JOLT THE
AWAKE.
986
00:56:04,694 --> 00:56:09,733
APPARENTLY CANNOT JUST GO
UP TO POTENTIAL SUITORS AND GO
987
00:56:09,766 --> 00:56:15,705
WHAT'S UP, MARK?
988
00:56:15,739 --> 00:56:19,743
SOME GUY TOLD ME GOES INTO
THE HEAD, LOCKS ONTO A FEELING.
989
00:56:19,776 --> 00:56:20,543
THAT SOUNDS GOOD.
990
00:56:20,577 --> 00:56:23,046
I'M GOING TO TELL OTHER PEOPLE
THAT.
991
00:56:23,079 --> 00:56:28,752
THAT'S HOW BRAND MARKETING WORKS
AND FASCISM.
992
00:56:28,785 --> 00:56:31,821
ALUMINUM.
993
00:56:31,855 --> 00:56:36,559
WHY WOULD YOU SAY ALUMINUM WHEN
YOU CAN FLIRT IT.
994
00:56:36,593 --> 00:56:40,130
STOP IT, AMERICA.
995
00:56:40,163 --> 00:56:46,503
AND THE CRITICS CHOICE IS...
996
00:56:46,536 --> 00:56:48,238
OH, IT'S A TIE!
997
00:56:48,271 --> 00:56:49,105
OH, MY GOD.
998
00:56:49,139 --> 00:56:50,340
I LOVE THAT.
999
00:56:50,373 --> 00:56:51,541
SO MANY WINNERS.
1000
00:56:51,574 --> 00:56:52,575
ACTUALLY JUST TWO.
1001
00:56:52,609 --> 00:56:56,446
THE FIRST CRITICS CHOICE IS
JERRY SEINFELD,
1002
00:56:56,479 --> 00:57:00,083
"23 HOURS TO KILL."
1003
00:57:00,116 --> 00:57:01,718
WOW, THAT'S FANTASTIC.
1004
00:57:01,751 --> 00:57:05,655
THANK YOU VERY, VERY MUCH.
1005
00:57:05,688 --> 00:57:06,856
I LIKE CRITICS.
1006
00:57:06,890 --> 00:57:11,895
I DON'T CARE IF THE REVIEWS ARE
GOOD OR BAD.
1007
00:57:11,928 --> 00:57:13,997
AND, MANY WE HAVE TO HAVE
CRITICS.
1008
00:57:14,030 --> 00:57:16,866
WE HAVE TO GET OPINIONS.
1009
00:57:16,900 --> 00:57:22,272
IN THOSE OPINIONS ARE HOW WE
FIGURE OUT OUR JOKES.
1010
00:57:22,305 --> 00:57:26,075
I HAVE ALWAYS ENJOYED READING
REVIEWS.
1011
00:57:26,109 --> 00:57:30,146
THIS IS A VERY EXCITING THING TO
WIN.
1012
00:57:30,180 --> 00:57:34,250
THANK YOU TO THE CRITICS, AND AS
MUCH AS IT'S NICE TO GET THIS, I
1013
00:57:34,284 --> 00:57:38,822
KNOW WHAT WE REALLY WANT,
SPEAKING FOR FORTUNE AND HANNAH
1014
00:57:38,855 --> 00:57:44,894
AND PATTON AND MARC AND
MICHELLE.
1015
00:57:44,928 --> 00:57:48,097
WE WANT TO BE ON STAGE SOMEWHERE
MAKING PEOPLE SMILE AND LAUGH.
1016
00:57:48,131 --> 00:57:50,433
THAT'S WHAT WE WANT MORE THAN
ANYTHING.
1017
00:57:50,467 --> 00:57:53,670
WE HOPE TO BE BACK DOING THAT
SOON.
1018
00:57:53,703 --> 00:57:57,607
IN THE MEANTIME, THANKS A LOT.
1019
00:57:57,640 --> 00:58:00,477
THERE'S ANOTHER WINNER.
1020
00:58:00,510 --> 00:58:01,678
BECAUSE IT'S A TIE.
1021
00:58:01,711 --> 00:58:05,315
THE OTHER CRITICS CHOICE IS:
MICHELLE BUTEAU,
1022
00:58:05,348 --> 00:58:11,254
"WELCOME TO BUTEAUPIA."
1023
00:58:11,287 --> 00:58:14,390
WHAT DO YOU MEAN!
1024
00:58:14,424 --> 00:58:17,927
OH, MY GOODNESS.
1025
00:58:17,961 --> 00:58:19,028
OKAY.
1026
00:58:19,062 --> 00:58:20,864
SHE WASN'T GOING TO GET
EMOTIONAL.
1027
00:58:20,897 --> 00:58:24,701
BUT THE DRESS IS TIGHT AND I'M
FEELING FEELINGS.
1028
00:58:24,734 --> 00:58:27,704
I PICKED THIS DATE, MARCH 1ST,
TO FILM THE SPECIAL BECAUSE IT
1029
00:58:27,737 --> 00:58:31,508
WAS MY GRANDMOTHER'S BIRTHDAY.
1030
00:58:31,541 --> 00:58:34,310
I DON'T KNOW ANYTHING ABOUT
NUMEROLOGY BECAUSE I AM BAD AT
1031
00:58:34,344 --> 00:58:36,379
MATH BUT I THOUGHT WOULDN'T IT
BE NICE TO CELEBRATE IN THIS WAY
1032
00:58:36,412 --> 00:58:40,250
BECAUSE I'M SO GLAD I DID.
1033
00:58:40,283 --> 00:58:43,319
SO I COULD SHARE IT WITH THE
WORLD.
1034
00:58:43,353 --> 00:58:44,020
THANK YOU TO THE CRITICS.
1035
00:58:44,053 --> 00:58:45,722
EVERYBODY ELSE THAT WATCHED IT.
1036
00:58:45,755 --> 00:58:50,059
I WANT TO SAY IF YOU WANT TO DO
SOMETHING IN YOUR LIFE,
1037
00:58:50,093 --> 00:58:51,427
ANYTHING, ANYTHING.
1038
00:58:51,461 --> 00:58:51,861
YOU DO IT.
1039
00:58:51,895 --> 00:58:53,963
YOU ARE ENOUGH.
1040
00:58:53,997 --> 00:58:58,701
YOU ARE ALWAYS ENOUGH!
1041
00:58:58,735 --> 00:58:59,235
YES!
1042
00:58:59,269 --> 00:59:08,411
CRITICS CHOICE AWARD!
1043
00:59:08,444 --> 00:59:10,213
COMING UP,
THE CW STARS OF
1044
00:59:10,246 --> 00:59:13,783
"SUPERMAN AND LOIS."
1045
00:59:13,816 --> 00:59:18,555
HERE ON THE 26TH ANNUAL
CRITICS CHOICE AWARDS.
1046
00:59:32,502 --> 00:59:33,703
Announcer: ONCE AGAIN,
HERE IS THE HOST OF THE
1047
00:59:33,736 --> 00:59:36,472
CRITICS CHOICE AWARDS,
TAYE DIGGS!
1048
00:59:36,506 --> 00:59:38,141
Taye: WELCOME BACK.
1049
00:59:38,174 --> 00:59:41,778
HAS THIS YEAR MADE ANYONE ELSE
FEEL LIKE COUCH POTATO?
1050
00:59:41,811 --> 00:59:42,979
JUST ME?
1051
00:59:43,012 --> 00:59:46,215
ANYBODY, ANYBODY, ANYBODY?
1052
00:59:46,249 --> 00:59:47,483
SHE PUT THE LIFE IN THE
AFTER-LIFE IN "THE GOOD PLACE"
1053
00:59:47,517 --> 00:59:48,952
BUT NOW HOSTS
"THE MISERY INDEX."
1054
00:59:48,985 --> 00:59:58,428
HERE'S JAMEELA JAMIL.
1055
00:59:58,461 --> 01:00:00,029
IN A YEAR WHERE WE WERE
FORCED TO PHYSICALLY
1056
01:00:00,063 --> 01:00:03,600
ISOLATE FROM EACH OTHER THE
CASTS NOMINATED
1057
01:00:03,633 --> 01:00:05,602
FOR BEST ENSEMBLE PROVIDED THE
EMOTIONAL ATTACHMENT WE ALL
1058
01:00:05,635 --> 01:00:11,874
CRAVED.
1059
01:00:11,908 --> 01:00:13,676
I DON'T KNOW ABOUT YOU BUT
I PERSONALLY CONSIDER
1060
01:00:13,710 --> 01:00:16,779
EACH AND EVERY ONE OF THEM MY
OWN EMOTIONAL SUPPORT POD.
1061
01:00:16,813 --> 01:00:22,018
WHAT I'M SAYING IS,
BASICALLY WHOEVER TAKES HOME
1062
01:00:22,051 --> 01:00:25,388
THE CRITICS CHOICE AWARD, I WILL
100% CONSIDER MYSELF
1063
01:00:25,421 --> 01:00:26,556
THE WINNER.
1064
01:00:26,589 --> 01:00:27,824
LET'S TAKE A LOOK AT THE
NOMINEES AND WE'LL FIGURE OUT
1065
01:00:27,857 --> 01:00:33,596
THE LOGISTICS OF HOW TO SHARE
THE TROPHY AFTERWARDS.
1066
01:00:33,630 --> 01:00:47,844
THEY WILL HAVE TO PRY IT FROM MY
COLD, DEAD HANDS.
1067
01:00:47,877 --> 01:00:52,015
MAN.
1068
01:00:52,048 --> 01:00:58,221
COME ON.
1069
01:00:58,254 --> 01:01:02,558
FORMING A RAINBOW COALITION
OF OPPRESSED BROTHERS AND
1070
01:01:02,592 --> 01:01:06,229
SISTERS OF EVERY COLOR.
1071
01:01:06,262 --> 01:01:08,865
WHAT WERE YOU DOING?
1072
01:01:08,898 --> 01:01:11,701
YOU'RE PLAYING TEN NOTES FOR
EVERYONE YOU'RE SUPPOSED TO
1073
01:01:11,734 --> 01:01:12,635
PLAY.
1074
01:01:12,669 --> 01:01:14,871
YOU ARE SUPPOSED TO IMPROVISE
ON A THEME.
1075
01:01:14,904 --> 01:01:20,877
THAT'S WHAT I WAS DOING.
1076
01:01:20,910 --> 01:01:43,900
[SPEAKING FOREIGN LANGUAGE]
YOU BOUGIE BOUGOIS NEGROES.
1077
01:01:43,933 --> 01:01:45,635
RESPECTING THE INSTITUTION.
1078
01:01:45,668 --> 01:01:48,304
I DON'T KNOW WHAT GOOD IT IS
TO INSULT.
1079
01:01:48,337 --> 01:01:54,677
WE MAY HAVE TO HURT
SOMEBODY'S FEELINGS.
1080
01:01:54,711 --> 01:02:01,851
THE WINNER OF THE BEST ACTING
ENSEMBLE IS.
1081
01:02:01,884 --> 01:02:04,053
THANK YOU, CRITICS CHOICE.
1082
01:02:04,087 --> 01:02:08,157
IT'S A GREAT HONOR TO ACCEPT
THIS ENSEMBLE AWARD ON BEHALF OF
1083
01:02:08,191 --> 01:02:13,496
THE CAST OF "THE TRIAL OF THE
CHICAGO SEVEN TRAIN."
1084
01:02:13,529 --> 01:02:17,066
WE BEGAN SHOOTING THE FILM, EACH
OF US KNEW THE POWER OF THE
1085
01:02:17,100 --> 01:02:18,301
RELEVANCE OF THE STORY.
1086
01:02:18,334 --> 01:02:23,539
ON BEHALF OF THE ENTIRE CAST,
THANK YOU, AARON SORKIN, FOR THE
1087
01:02:23,573 --> 01:02:27,176
POWER OF YOUR WORDS AND
CHARACTERS AND MESSAGE THAT
1088
01:02:27,210 --> 01:02:28,211
RESONATES TODAY.
1089
01:02:28,244 --> 01:02:34,684
THE POWER OF PEACEABLE PROTEST
-- PEACEFUL PROTEST.
1090
01:02:34,717 --> 01:02:35,918
THANK YOU.
1091
01:02:35,952 --> 01:02:39,689
MATT JACKSON, TYLER THOMPSON,
THANK YOU TO TED AND EVERYONE AT
1092
01:02:39,722 --> 01:02:42,158
NETFLIX FOR BRINGING THIS STORY
TO THE WORLD.
1093
01:02:42,191 --> 01:02:49,899
MOST OF ALL, THANK YOU TO TOM
HAYDEN, RENNY DAVIS, ABBIE
1094
01:02:49,932 --> 01:02:58,875
HOFFMAN, JERRY RUBIN, DAVID
DILLINGER, JOHN FREUD'S.
1095
01:02:58,908 --> 01:02:59,976
THE AND BOBBY.
1096
01:03:00,009 --> 01:03:03,880
FOR STANDING UP AND BEING SO
BOLD FOR CHANGING HISTORY.
1097
01:03:03,913 --> 01:03:08,751
HISTORY THEY SAY HAS A TENDENCY
TO REPEAT ITSELF.
1098
01:03:08,785 --> 01:03:11,687
IT WILL CONTINUE TO DO SO.
1099
01:03:11,721 --> 01:03:14,757
SO UNLESS WE LEARN FROM IT BY
TELLING ITS MOST SALIENT
1100
01:03:14,791 --> 01:03:19,862
STORIES, WE ARE HUMBLED AND
GRATEFUL TO BEING PART OF
1101
01:03:19,896 --> 01:03:20,930
TELLING THIS ONE.
1102
01:03:20,963 --> 01:03:26,068
THANK YOU SO MUCH.
1103
01:03:26,102 --> 01:03:27,303
OUR NEXT NOMINEE
FOR BEST SONG IS
1104
01:03:27,336 --> 01:03:28,838
"EVERYBODY CRIES" FROM
THE MOVIE "THE OUTPOST."
1105
01:03:28,871 --> 01:03:32,108
THE FILM'S DIRECTOR, ROD LURIE,
TRAGICALLY LOST HIS SON HUNTER
1106
01:03:32,141 --> 01:03:34,777
DURING PRODUCTION AND WROTE THE
LYRICS TO THIS SONG AS A TRIBUTE
1107
01:03:34,811 --> 01:03:36,279
TO HIM AND THE FALLEN SOLDIERS.
1108
01:03:36,312 --> 01:03:38,481
MUSIC BY ROD LURIE,
LARRY GROUPE.
1109
01:03:38,514 --> 01:03:40,383
LYRICS BY ROD LURIE AND RITA
WILSON.
1110
01:03:40,416 --> 01:03:47,390
IT'S SUNG BY RITA WILSON.
1111
01:03:47,423 --> 01:03:51,127
♪ ♪
♪ WHO WILL BE THE LAST TO DIE ♪
1112
01:03:51,160 --> 01:03:56,098
♪ IN A LAND WHERE EMPIRES CRY? ♪
♪ WHO WILL BE THE LAST
1113
01:03:56,132 --> 01:04:03,039
TO REMAIN ♪
♪ WHERE THERE'S ONLY GOD
1114
01:04:03,072 --> 01:04:16,452
AND PAIN? ♪
Announcer: COMING UP, THE
1115
01:04:16,485 --> 01:04:20,923
SUPERSTARS OF THE THOR AND
WONDER WOMAN MOVIES.
1116
01:04:20,957 --> 01:04:27,096
BUT FIRST...
1117
01:04:27,129 --> 01:04:30,399
WE ARE PRESENTING BEST
SUPPORTING ACTOR AND ACTRESS IN
1118
01:04:30,433 --> 01:04:35,271
A COMEDY SERIES COMING UP NEXT.
1119
01:04:35,304 --> 01:04:39,275
Announcer: WHEN THE 26TH
ANNUAL CRITICS CHOICE AWARDS
1120
01:04:39,308 --> 01:04:40,943
CONTINUES.
1121
01:04:51,387 --> 01:04:53,823
♪ ♪
Taye: WELCOME BACK.
1122
01:04:53,856 --> 01:04:54,891
WE ARE HALFWAY THROUGH OUR SHOW.
1123
01:04:54,924 --> 01:04:57,693
I KNOW WHAT YOU'VE ALL BEEN
THINKING.
1124
01:04:57,727 --> 01:05:03,799
WHY DOES TAYE SEEM SO PUT
TOGETHER?
1125
01:05:03,833 --> 01:05:06,269
VIBRATING ON SUCH A HIGH LEVEL.
1126
01:05:06,302 --> 01:05:10,039
I SPENT 2020 MASTERING SOME
SKILLS I'VE ALWAYS LONGED TO
1127
01:05:10,072 --> 01:05:12,375
MASTER AND MY SELF-ESTEEM IS
THROUGH THE ROOF.
1128
01:05:12,408 --> 01:05:22,451
IN LESS THAN ONE YEAR I CRUSHED
JUGGLING...
1129
01:05:22,485 --> 01:05:26,923
ORIGAMI.
1130
01:05:26,956 --> 01:05:27,390
GUITAR.
1131
01:05:27,423 --> 01:05:31,193
TWO, THREE, FOUR.
1132
01:05:31,227 --> 01:05:34,297
DOG TRAINING.
1133
01:05:34,330 --> 01:05:35,364
CHESS.
1134
01:05:35,398 --> 01:05:38,868
AND PUPPETRY.
1135
01:05:38,901 --> 01:05:40,603
HOW ABOUT A KISS?
1136
01:05:40,636 --> 01:05:47,543
I GUESS A LITTLE KISS WON'T HURT
HURT.
1137
01:05:47,576 --> 01:05:54,450
[LAUGHS]
10,000 HOURS, MY ASS.
1138
01:05:54,483 --> 01:05:55,885
I'M THRILLED TO INTRODUCE TWO
MORE CW ACTORS WHO PLAY MARRIED
1139
01:05:55,918 --> 01:05:57,787
COUPLE CLARK KENT AND LOIS LANE
IN THE NEW SERIES "SUPERMAN AND
1140
01:05:57,820 --> 01:05:58,587
LOIS."
1141
01:05:58,621 --> 01:06:03,459
TYLER HOECHLIN
AND ELIZABETH TULLOCH.
1142
01:06:03,492 --> 01:06:07,596
HERE THEY ARE FROM VANCOUVER,
CANADA.
1143
01:06:07,630 --> 01:06:08,931
HI, I'M ELIZABETH TULLOCH
AND I PLAY LOIS LANE
1144
01:06:09,031 --> 01:06:11,968
ON THE NEW SERIES "SUPERMAN
AND LOIS" ON THE CW.
1145
01:06:12,001 --> 01:06:12,969
AND I'M TYLER HOECHLIN
AND I PLAY CLARK KENT
1146
01:06:13,002 --> 01:06:13,836
AND SUPERMAN.
1147
01:06:13,869 --> 01:06:16,505
WE'RE HERE --
WHAT?
1148
01:06:16,539 --> 01:06:18,507
SOMEBODY ELSE PLAYS SUPERMAN.
1149
01:06:18,541 --> 01:06:21,143
NO, BITSIE,
I PLAY BOTH PARTS.
1150
01:06:21,177 --> 01:06:23,479
I MEAN, SUPERMAN'S SLIGHTLY
BETTER LOOKING.
1151
01:06:23,512 --> 01:06:24,914
BUT OKAY.
1152
01:06:24,947 --> 01:06:28,517
BITSIE, I PLAY BOTH PARTS.
1153
01:06:28,551 --> 01:06:29,952
ANYWAY, HERE ARE THE NOMINEES
FOR BEST SUPPORTING ACTOR IN A
1154
01:06:29,986 --> 01:06:45,034
COMEDY SERIES.
1155
01:06:45,067 --> 01:06:48,304
FOUND IT.
1156
01:06:48,337 --> 01:06:50,773
EXIT, IT'S IN SPANISH, I KNOW.
1157
01:06:50,806 --> 01:06:55,311
I KNOW.
1158
01:06:55,344 --> 01:06:56,112
IT DIDN'T COME UP.
1159
01:06:56,145 --> 01:07:01,517
WHAT THE HELL DID YOU TALK
ABOUT?
1160
01:07:01,550 --> 01:07:09,091
THE EARLY GAME IN THE LATE
KICK.
1161
01:07:09,125 --> 01:07:20,336
I JUST LIKE TO TOUCH THIS FOR
LUCK BEFORE I GRAB MY REAL CLUB.
1162
01:07:20,369 --> 01:07:23,305
HOW IS EVERYONE'S WEEKEND?
1163
01:07:23,339 --> 01:07:26,575
THE MORE I FEED, THE MORE I
NEED.
1164
01:07:26,609 --> 01:07:33,382
I'VE NEVER FELT SO ALIVE IN
MY LIFE.
1165
01:07:33,416 --> 01:07:47,163
♪♪ SOMEBODY TO LEAN ON ♪♪
I'M NOT HAVING MY BIG DAY
1166
01:07:47,196 --> 01:07:54,670
COMPROMISED BECAUSE ALEXIS
WANTED TO CHILL IN A TANKINI FOR
1167
01:07:54,703 --> 01:07:55,304
SIX MONTHS.
1168
01:07:55,337 --> 01:07:56,806
THE CRITICS CHOICE IS...
1169
01:07:56,839 --> 01:08:04,447
DANIEL LEVY,
"SCHITT'S CREEK".
1170
01:08:04,480 --> 01:08:08,918
THANK YOU SO MUCH TO EVERYONE
AT THE CRITICS CHOICE
1171
01:08:08,951 --> 01:08:10,386
ASSOCIATION.
1172
01:08:10,419 --> 01:08:13,255
YOUR SUPPORT OVER THE YEARS HAS
PLAYED SUCH A PIVOTAL ROLE IN
1173
01:08:13,289 --> 01:08:15,891
HELPING TO KEEP OUR LITTLE SHOW
ON THE AIR.
1174
01:08:15,925 --> 01:08:20,262
MORE SPECIFICALLY, THANK YOU FOR
SUPPORTING AND CHAMPIONING A
1175
01:08:20,296 --> 01:08:21,997
CHARACTER LIKE DAVID.
1176
01:08:22,031 --> 01:08:26,268
I HAVE SO APPRECIATED READING
ALL OF YOUR THOUGHTFUL AND
1177
01:08:26,302 --> 01:08:27,703
ENCOURAGING WORDS OVER THE
YEARS.
1178
01:08:27,736 --> 01:08:30,139
SOMETIMES WHEN YOU DON'T OFTEN
SEE YOURSELF REPRESENTED THAT
1179
01:08:30,172 --> 01:08:34,477
MUCH ON SCREEN, YOU HAVE TO TAKE
A RISK AND MAKE IT HAPPEN FOR
1180
01:08:34,510 --> 01:08:35,411
YOURSELF.
1181
01:08:35,444 --> 01:08:36,879
THANK YOU SO MUCH FOR THIS.
1182
01:08:36,912 --> 01:08:37,847
IT MEANS THE WORLD.
1183
01:08:37,880 --> 01:08:41,817
REALLY APPRECIATE IT.
1184
01:08:41,851 --> 01:08:43,285
THANK YOU.
1185
01:08:43,319 --> 01:08:45,087
AND NOW ON TO BEST SUPPORTING
ACTRESS IN A COMEDY SERIES.
1186
01:08:45,121 --> 01:08:57,466
HERE ARE THE NOMINEES.
1187
01:08:57,500 --> 01:09:03,472
I REALIZE THAT IF YOU WERE
NOT LONELY YOU WOULD NOT HAVE TO
1188
01:09:03,506 --> 01:09:07,076
DO...
1189
01:09:07,109 --> 01:09:10,513
IT'S 3:00 IN THE MORNING AT
SOME DIVE BAR AND YOU SEE HIM
1190
01:09:10,546 --> 01:09:15,885
SCRATCHING HIS HEAD WITH A FORK
IN THE CUTEST WAY.
1191
01:09:15,918 --> 01:09:17,853
YOU TOLD FRENCH PEOPLE THIS?
1192
01:09:17,887 --> 01:09:20,122
NO WONDER THEY HATE YOU.
1193
01:09:20,156 --> 01:09:22,324
NOT JUST THIS.
1194
01:09:22,358 --> 01:09:23,659
THAT'S THE FRENCH WAY.
1195
01:09:23,692 --> 01:09:27,830
THEY ARE VERY DISAGREEABLE.
1196
01:09:27,863 --> 01:09:29,365
YOU'RE FIRED.
1197
01:09:29,398 --> 01:09:30,866
YEAH, RIGHT.
1198
01:09:30,900 --> 01:09:33,836
BIG I WILL BE BUYING OUT THE
REMAINDER OF YOUR CONTRACT.
1199
01:09:33,869 --> 01:09:37,306
WISH YOU THE BEST OF LUCK.
1200
01:09:37,339 --> 01:09:39,642
THIS IS NOT A WEDDING DRESS.
1201
01:09:39,675 --> 01:09:44,680
IT'S A WHITE FLOOR-LENGTH GOWN.
1202
01:09:44,713 --> 01:09:48,184
IT'S VERY DIFFERENT.
1203
01:09:48,217 --> 01:09:51,320
WRITE DOWN YOUR DEEPEST FEARS
AND WE ARE GOING TO SET THEM ON
1204
01:09:51,353 --> 01:09:54,089
FIRE SO THEY LOSE THEIR POWER.
1205
01:09:54,123 --> 01:09:58,594
THEY CAN'T ALL BE AFRAID
MARJORIE IS GOING TO DIE.
1206
01:09:58,627 --> 01:10:01,463
AND THE CRITICS CHOICE IS...
1207
01:10:01,497 --> 01:10:08,904
HANNAH WADDINGHAM, "TED LASSO."
1208
01:10:08,938 --> 01:10:10,873
WHAT IS GOING ON!
1209
01:10:10,906 --> 01:10:13,943
WHAT IS GOING ON.
1210
01:10:13,976 --> 01:10:14,577
OH, MY GOSH.
1211
01:10:14,610 --> 01:10:15,911
CRITICS CHOICE ASSOCIATION.
1212
01:10:15,945 --> 01:10:20,950
YOU HAVE NO IDEA WHAT YOU HAVE
JUST DONE.
1213
01:10:20,983 --> 01:10:22,384
THANK YOU SO MUCH.
1214
01:10:22,418 --> 01:10:24,453
JASON!
1215
01:10:24,486 --> 01:10:24,820
JASON!
1216
01:10:24,853 --> 01:10:27,890
OH, MY GOD!
1217
01:10:27,923 --> 01:10:31,126
JASON.
1218
01:10:31,160 --> 01:10:32,661
THEY'LL, BRANDON.
1219
01:10:32,695 --> 01:10:33,862
ALL OF THE WRITERS.
1220
01:10:33,896 --> 01:10:35,297
WHAT A GIFT YOU GAVE ME.
1221
01:10:35,331 --> 01:10:38,133
LOOK WHAT YOU HAVE DONE.
1222
01:10:38,167 --> 01:10:38,968
IT'S CRAZY.
1223
01:10:39,001 --> 01:10:46,008
TO MY MANAGEMENT, PETER BROOKS,
ALEX.
1224
01:10:46,041 --> 01:10:53,148
[LAUGHS]
WHAT'S GOING ON!
1225
01:10:53,182 --> 01:10:54,350
TO MY DAD.
1226
01:10:54,383 --> 01:10:58,320
THE GREATEST FORCE IN MY LIFE
AND SHOWS ME HOW TO BEHAVE
1227
01:10:58,354 --> 01:11:01,790
ALWAYS LIKE A LADY.
1228
01:11:01,824 --> 01:11:07,296
[LAUGHS]
TO MY BELOVED GIRLFRIENDS.
1229
01:11:07,329 --> 01:11:13,035
WHEN I'VE HAD A BIT OF A CRAP
TIME, THEY HAVE HELPED ME BRING
1230
01:11:13,068 --> 01:11:14,503
UP MY BABY GIRL.
1231
01:11:14,536 --> 01:11:15,904
THANK YOU SO MUCH.
1232
01:11:15,938 --> 01:11:19,875
IT MEANS THE WORLD AM I CAN'T
BELIEVE I AM IN THE SAME BREATH
1233
01:11:19,908 --> 01:11:21,176
AS THESE GLORIOUS WOMEN.
1234
01:11:21,210 --> 01:11:24,346
THANK YOU SO MUCH.
1235
01:11:24,380 --> 01:11:28,284
SOMEBODY GET ME A DRINK BEFORE I
SWEAR.
1236
01:11:28,317 --> 01:11:30,953
THANK YOU!
1237
01:11:30,986 --> 01:11:39,662
[LAUGHTER]
ONE SECOND.
1238
01:11:39,695 --> 01:11:42,698
I DON'T KNOW ABOUT YOU GUYS BUT
I AM STARTING TO SEE THE APPEAL
1239
01:11:42,731 --> 01:11:46,669
OF THESE FILTERS.
1240
01:11:46,702 --> 01:11:49,638
[LAUGHS]
TOO MUCH?
1241
01:11:49,672 --> 01:11:50,939
I GET IT.
1242
01:11:50,973 --> 01:11:54,343
THESE CAN BE A SLIPPERY SLOPE.
1243
01:11:54,376 --> 01:11:56,545
DID YOU CATCH THAT?
1244
01:11:56,578 --> 01:11:57,012
SLIPPERY.
1245
01:11:57,046 --> 01:12:00,082
YOU KNOW IF THAT.
1246
01:12:00,115 --> 01:12:01,483
Announcer: STILL TO COME,
COMEDIANS JIM GAFFIGAN
1247
01:12:01,517 --> 01:12:02,685
AND CHELSEA HANDLER.
1248
01:12:02,718 --> 01:12:04,953
BUT NEXT: "THIS IS US" STARS
JUSTIN HARTLEY AND CHRISSY METZ
1249
01:12:04,987 --> 01:12:10,526
WHEN THE 26TH ANNUAL CRITICS
CHOICE AWARDS RETURNS.
1250
01:12:27,042 --> 01:12:29,611
Announcer: WELCOME BACK
TO THE CRITICS CHOICE AWARDS
1251
01:12:29,645 --> 01:12:30,746
AND TAYE DIGGS.
1252
01:12:30,779 --> 01:12:32,948
Taye: OUR NEXT PRESENTERS
STAR IN THE HUGELY POPULAR
1253
01:12:32,981 --> 01:12:36,251
NOMINATED BEST DRAMA SERIES
"THIS IS US."
1254
01:12:36,285 --> 01:12:39,121
PLEASE WELCOME CHRISSY METZ
AND BEST SUPPORTING ACTOR
1255
01:12:39,154 --> 01:12:43,492
NOMINEE JUSTIN HARTLEY.
1256
01:12:43,525 --> 01:12:47,062
ALL RIGHT.
1257
01:12:47,096 --> 01:12:49,198
LOOKING SUPER SHARP.
1258
01:12:49,231 --> 01:12:50,132
BEAUTIFUL.
1259
01:12:50,165 --> 01:12:52,301
CONGRATULATIONS, JUSTIN,
ON YOUR NOMINATION.
1260
01:12:52,334 --> 01:12:53,769
AND CONGRATULATIONS, BOTH OF YOU
[LAUGHS]
1261
01:12:53,802 --> 01:12:55,971
I'M FINE WITH IT.
1262
01:12:56,004 --> 01:13:00,008
IT'S AN HONOR TO BE NOMINATED
IS WHAT HE MEANS.
1263
01:13:00,042 --> 01:13:03,178
Taye: IT FEELS GOOD TO GET
DRESSED UP, RIGHT?
1264
01:13:03,212 --> 01:13:06,348
IT'S GOOD TO SEE OTHER PEOPLE.
1265
01:13:06,382 --> 01:13:06,915
YEAH.
1266
01:13:06,949 --> 01:13:10,519
I AM A WINNER WITH YOU.
1267
01:13:10,552 --> 01:13:12,921
Taye: THERE ARE NO LOSERS
HERE.
1268
01:13:12,955 --> 01:13:16,658
THAT'S RIGHT.
1269
01:13:16,692 --> 01:13:18,961
YOU GUYS ARE AWESOME.
1270
01:13:18,994 --> 01:13:20,996
CONGRATULATIONS ON THE
TREMENDOUS SUCCESS OF
1271
01:13:21,029 --> 01:13:21,363
"THIS IS US."
1272
01:13:21,397 --> 01:13:23,499
GREAT SHOW.
1273
01:13:23,532 --> 01:13:26,602
ALSO NOMINATED FOR BEST DRAMA
SERIES FOR THE FIFTH TIME
1274
01:13:26,635 --> 01:13:27,369
TONIGHT.
1275
01:13:27,403 --> 01:13:28,370
IT'S COOL.
1276
01:13:28,404 --> 01:13:30,806
CAN'T BELIEVE WE'VE BEEN
DOING IT THAT LONG.
1277
01:13:30,839 --> 01:13:34,376
Taye: DOES THAT MAKE YOU
FEEL LIKE A WINNER, FIVE TIMES?
1278
01:13:34,410 --> 01:13:37,746
GREAT TO BE SURROUNDED BY
THESE PEOPLE EVERY SINGLE DAY.
1279
01:13:37,780 --> 01:13:40,182
Taye: DOES IT FEEL GREAT TO
BE SURROUNDED BY ME?
1280
01:13:40,215 --> 01:13:43,152
I WISH WE COULD GET CLOSER
BUT THE WHOLE THING GOING ON.
1281
01:13:43,185 --> 01:13:47,623
Taye: I WILL LET YOU DO
YOUR THING.
1282
01:13:47,656 --> 01:13:50,793
CONGRATULATIONS.
1283
01:13:50,826 --> 01:13:52,961
NOEL, NO, HOLD ON.
1284
01:13:52,995 --> 01:13:56,799
CHRISSY WE ARE NOT DOING A SCENE
FROM "THIS IS US."
1285
01:13:56,832 --> 01:14:01,737
NOMINEES FOR BEST ACTOR IN A
COMEDY SERIES.
1286
01:14:01,770 --> 01:14:04,573
I CAN DO THAT.
1287
01:14:04,606 --> 01:14:07,876
WE SHOULD TALK ABOUT
SOMETHING FUNNY, INJECT SOME
1288
01:14:07,910 --> 01:14:10,212
LEVITY SO THAT WE FIT IN.
1289
01:14:10,245 --> 01:14:13,215
OKAY.
1290
01:14:13,248 --> 01:14:18,587
OH, REMEMBER ON "THIS IS US"
AND I PLAYED THE MANNY?
1291
01:14:18,620 --> 01:14:19,054
THAT WAS FUNNY.
1292
01:14:19,087 --> 01:14:21,490
THAT WAS FUNNY.
1293
01:14:21,523 --> 01:14:28,597
BUT THEN REMEMBER WHEN OUR HOUSE
BURNED DOWN?
1294
01:14:28,630 --> 01:14:31,266
THIS IS WHY NO ONE THINKS OUR
SHOW WAS FUNNY.
1295
01:14:31,300 --> 01:14:33,735
YEAH.
1296
01:14:33,769 --> 01:14:46,682
HERE ARE THE NOMINEES.
1297
01:14:46,715 --> 01:14:52,054
OH, THAT'S A FRAMER.
1298
01:14:52,087 --> 01:14:55,657
YOU DELETED IT.
1299
01:14:55,691 --> 01:14:59,328
I THINK I WAS ANGRY BECAUSE
NO ONE HAS EVER NOT LIKED ME.
1300
01:14:59,361 --> 01:15:06,134
IT OR AT LEAST NOT PRETENDING
TO.
1301
01:15:06,168 --> 01:15:11,507
I DID TAKE A BRIEF SOJOURN TO
THE GOLDEN STATE.
1302
01:15:11,540 --> 01:15:14,076
I HAD AGREED TO MEET THE DEVIL
AT AN INTERSECTION OF ROADWAYS
1303
01:15:14,109 --> 01:15:18,480
WHERE I WOULD BECOME A MUCH
BETTER GUITARIST.
1304
01:15:18,514 --> 01:15:21,917
I WISHED ONE OF MY PARENTS
COULD DIE SO I COULD HAVE A
1305
01:15:21,950 --> 01:15:22,684
THING, YOU KNOW.
1306
01:15:22,718 --> 01:15:25,687
THERE'S ALWAYS THAT KID IN
SCHOOL.
1307
01:15:25,721 --> 01:15:26,255
OH, HIS DAD DIED.
1308
01:15:26,288 --> 01:15:30,626
HE HAD KIND OF AN EDGE.
1309
01:15:30,659 --> 01:15:35,197
I'M SO SORRY I AM ALL YOU
HAVE IN THIS WORLD.
1310
01:15:35,230 --> 01:15:35,864
IT'S A BUM DEAL.
1311
01:15:35,898 --> 01:15:41,436
NO TWO WAYS ABOUT IT.
1312
01:15:41,470 --> 01:15:44,206
NATHAN, I LOVE THAT NAME.
1313
01:15:44,239 --> 01:15:45,007
LOVE YOUR HOT DOGS.
1314
01:15:45,040 --> 01:15:48,477
GOOD, GOOD.
1315
01:15:48,510 --> 01:15:51,446
HAVE YOU GOT NATHAN'S HOT DOGS
HERE?
1316
01:15:51,480 --> 01:15:51,747
NO.
1317
01:15:51,780 --> 01:15:53,215
OKAY.
1318
01:15:53,248 --> 01:15:57,786
AND THE CRITICS CHOICE IS...
1319
01:15:57,819 --> 01:16:03,392
JASON SUDEKIS.
1320
01:16:03,425 --> 01:16:04,626
WOW, THANK YOU GUYS.
1321
01:16:04,660 --> 01:16:07,229
THANK YOU VERY MUCH.
1322
01:16:07,262 --> 01:16:12,801
TO THE CRITICS CHOICE
ASSOCIATION.
1323
01:16:12,834 --> 01:16:13,902
WHERE DO I START?
1324
01:16:13,936 --> 01:16:18,807
MORE IMPORTANTLY, WHERE DO I
END?
1325
01:16:18,840 --> 01:16:22,544
I WANT TO THANK EVERYBODY AT
APPLE, WARNER BROS. FOR GETTING
1326
01:16:22,578 --> 01:16:25,814
THE TV SHOW OUT THERE.
1327
01:16:25,847 --> 01:16:31,153
FINDING ITS WAY TO YOUR LAPTOPS,
HOMES, TELEVISIONS.
1328
01:16:31,186 --> 01:16:32,921
ET CETERA.
1329
01:16:32,955 --> 01:16:35,223
ALSO WANT TO THANK MY MANAGER.
1330
01:16:35,257 --> 01:16:43,398
I WANT TO THANK ALL THE WRITERS
ON THE SHOW.
1331
01:16:43,432 --> 01:16:47,002
BILL LAWRENCE, MY PALS AND
COPRODUCERS.
1332
01:16:47,035 --> 01:16:49,204
BRANDON HUNT, JOE KELLY.
1333
01:16:49,237 --> 01:16:53,709
OUR WHOLE, ARE OTHER DIRTY DOZEN
OF WRITERS AND WRITERS
1334
01:16:53,742 --> 01:16:54,943
ASSISTANCE.
1335
01:16:54,977 --> 01:16:58,080
THEY MAKE THE JOB A LOT EASIER
AND A LOT MORE FUN BECAUSE THEY
1336
01:16:58,113 --> 01:16:58,981
WRITE SUCH GREAT STUFF.
1337
01:16:59,014 --> 01:17:03,385
AND THEN EVERYBODY THAT I GET TO
ACT WITH.
1338
01:17:03,418 --> 01:17:07,322
VERY, VERY LUCKY TO GET TO
PERFORM WITH YOU GUYS ON A DAILY
1339
01:17:07,356 --> 01:17:09,958
BASIS.
1340
01:17:09,992 --> 01:17:11,927
AGAIN, THANK YOU, EVERYBODY FOR
SUPPORTING THE SHOW.
1341
01:17:11,960 --> 01:17:12,327
YEAH.
1342
01:17:12,361 --> 01:17:16,231
SEE YOU SOON.
1343
01:17:16,264 --> 01:17:18,967
AND NOW TO BEST ACTRESS IN A
COMEDY SERIES.
1344
01:17:19,001 --> 01:17:30,812
HERE ARE THE NOMINEES.
1345
01:17:30,846 --> 01:17:34,449
HOW CAN I REST UNTIL YOU DO
SOMETHING WITH YOUR ETERNAL
1346
01:17:34,483 --> 01:17:36,885
LIFE.
1347
01:17:36,918 --> 01:17:40,555
LIKE WHAT?
1348
01:17:40,589 --> 01:17:45,627
HOW FUNNY IT WOULD BE TO BE
ARRESTED IN A FOREIGN COUNTRY.
1349
01:17:45,661 --> 01:17:46,595
IT WAS FUNNY.
1350
01:17:46,628 --> 01:17:48,797
WE WERE LAUGHING REALLY HARD.
1351
01:17:48,830 --> 01:17:56,004
TOTALLY, SUPER FUNNY.
1352
01:17:56,038 --> 01:17:58,173
BEFORE WE REBAPTIZE OURSELVES
I'M GOING TO CALL MY AGENT AND
1353
01:17:58,206 --> 01:18:06,682
MAKE IT OFFICIAL.
1354
01:18:06,715 --> 01:18:09,184
I'M SORRY WHAT.
1355
01:18:09,217 --> 01:18:10,185
SPEAK OUT.
1356
01:18:10,218 --> 01:18:11,720
HEALTH CARE SUNDAY.
1357
01:18:11,753 --> 01:18:13,288
YOU TAKE CARE OF YOURSELF ON A
SUNDAY.
1358
01:18:13,321 --> 01:18:17,292
I KNOW WHAT THAT MEANS.
1359
01:18:17,325 --> 01:18:29,538
OH, NICE COLD.
1360
01:18:29,571 --> 01:18:35,110
YOU ARE MY PROBLEM, TYLER.
1361
01:18:35,143 --> 01:18:38,580
I'M NOT PAYING FOR THAT.
1362
01:18:38,613 --> 01:18:44,920
AND THE CRITICS CHOICE IS...
1363
01:18:44,953 --> 01:18:50,559
CATHERINE O'HARA,
"SCHITT'S CREEK."
1364
01:18:50,592 --> 01:18:55,030
WOW.
1365
01:18:55,063 --> 01:18:57,199
THANK YOU, CRITICS CHOICE
ASSOCIATION, FOR CELEBRATING ALL
1366
01:18:57,232 --> 01:18:59,434
THESE BEAUTIFUL, FUNNY WOMEN.
1367
01:18:59,468 --> 01:19:02,170
THANK YOU FOR USING YOUR
CRITICAL THINKING TO BOLSTER
1368
01:19:02,204 --> 01:19:06,775
SUPPORT FOR OUR SHOW AND
THANK YOU FOR RECOGNIZING MY
1369
01:19:06,808 --> 01:19:11,146
WORK WITH THIS LOVELY
"SCHITT'S CREEK" PARTING GIFT.
1370
01:19:11,179 --> 01:19:13,682
I SAY WORK AND LIKE EVERYONE ON
THE SHOW I DID WORK HARD BUT ALL
1371
01:19:13,715 --> 01:19:19,020
I CAN REMEMBER NOW IS THE SHEER
JOY OF BEING INSPIRED BY OUR
1372
01:19:19,054 --> 01:19:23,825
GREAT SCRIPTS, CHALLENGED BY MY
RIDICULOUSLY TALENTED CAST MATES
1373
01:19:23,859 --> 01:19:25,193
AND ARE BEYOND CREATIVE CREW.
1374
01:19:25,227 --> 01:19:30,165
CHARMED BY OUR WONDERFUL HAIR
AND MAKEUP AND WARDROBE.
1375
01:19:30,198 --> 01:19:34,002
GODMOTHERS.
1376
01:19:34,035 --> 01:19:37,472
MADE TO FEEL LIKE A QUEEN BY THE
SWEET, FUN-LOVING PEOPLE WHO
1377
01:19:37,506 --> 01:19:41,777
WATCH OUR SHOW BECAUSE YOU TOLD
THEM TO.
1378
01:19:41,810 --> 01:19:43,545
THANK YOU.
1379
01:19:43,578 --> 01:19:47,582
EUGENE LEVY, DANA, FRED.
1380
01:19:47,616 --> 01:19:52,754
DEB FOR LOANING ME YOUR DEAR
HUSBAND AND SON FOR SIX YEARS.
1381
01:19:52,788 --> 01:19:54,122
THANK YOU.
1382
01:19:54,156 --> 01:19:54,589
WHAT?
1383
01:19:54,623 --> 01:19:55,590
NOTHING.
1384
01:19:55,624 --> 01:19:56,124
WHAT?
1385
01:19:56,158 --> 01:19:59,127
THANK YOU SO MUCH.
1386
01:19:59,161 --> 01:20:00,562
THE NEXT NOMINEE FOR BEST
SONG IS "IO SI (SEEN)"
1387
01:20:00,595 --> 01:20:01,663
FROM "THE LIFE AHEAD."
1388
01:20:01,696 --> 01:20:02,898
AN ITALIAN FILM THAT STARS
SOPHIA LOREN AS A HOLOCAUST
1389
01:20:02,931 --> 01:20:04,466
SURVIVOR WITH A DAYCARE BUSINESS
WHO TAKES IN A 12-YEAR-OLD KID
1390
01:20:04,499 --> 01:20:07,135
PLAYED BY YOUNG ACTOR
OR ACTRESS NOMINEE
1391
01:20:07,169 --> 01:20:08,069
IBRAHIMA GUEYE.
1392
01:20:08,103 --> 01:20:08,970
MUSIC BY DIANE WARREN.
1393
01:20:09,004 --> 01:20:11,106
WORDS BY DIANE WARREN
NICCOLO AGLIARDI.
1394
01:20:11,139 --> 01:20:19,748
AND LAURA PAUSINI
WHO ALSO PERFORMS IT.
1395
01:20:19,781 --> 01:20:26,688
♪ CHE DESTINO E IL TUO ♪
♪ MA SE VUOI ♪
1396
01:20:26,721 --> 01:20:49,477
♪ SE MI VUOI SONO QUI ♪
Announcer: COMING UP, MORE
1397
01:20:49,511 --> 01:20:52,647
BEST SONG NOMINEES.
1398
01:20:52,681 --> 01:20:55,650
"BRIDGERTON" STAR,
PHOEBE DYNEVOR BUT FIRST.
1399
01:20:55,684 --> 01:20:59,154
I AM PRESENTING THE AWARD FOR
BEST DRAMA SERIES NEXT ON THE
1400
01:20:59,187 --> 01:21:04,326
CRITICS CHOICE AWARDS.
1401
01:21:04,359 --> 01:21:08,864
Announcer: HERE ON THE 26TH
ANNUAL CRITICS CHOICE AWARDS.
1402
01:21:18,240 --> 01:21:23,245
I SEE HER TAKING UP SPACE,
EMBRACING HER POWER AND BEING
1403
01:21:23,278 --> 01:21:24,346
UNAPOLOGETICALLY HERSELF.
1404
01:21:24,379 --> 01:21:27,749
I SEE HER TELLING THE STORIES
THAT NEED TO BE TOLD.
1405
01:21:27,782 --> 01:21:30,919
BRING LIGHT AND COMPLEXITY TO
THE SCREEN.
1406
01:21:30,952 --> 01:21:33,221
BRINGING AUTHENTICITY TO
CHARACTERS SO REAL.
1407
01:21:33,255 --> 01:21:36,691
EVERYONE CAN SEE THEMSELVES.
1408
01:21:36,725 --> 01:21:37,993
Taye: WELCOME BACK.
1409
01:21:38,026 --> 01:21:38,593
WELCOME BACK.
1410
01:21:38,627 --> 01:21:39,728
WELCOME BACK.
1411
01:21:39,761 --> 01:21:41,263
HERE FROM UPCOMING FILMS "LUCA"
AND "LINOLEUM"
1412
01:21:41,296 --> 01:21:43,865
IS ONE OF MY FAVORITE COMEDIANS.
1413
01:21:43,899 --> 01:21:46,735
HELLO, CRITICS CHOICE.
1414
01:21:46,768 --> 01:21:48,970
I'M JIM GAFFIGAN.
1415
01:21:49,004 --> 01:21:53,241
I AM COMING TO YOU FROM MY HOME
WHERE I'VE BEEN RIDING OUT
1416
01:21:53,275 --> 01:21:57,746
THE PANDEMIC WITH MY FAMILY.
1417
01:21:57,779 --> 01:21:59,848
I CAN'T BELIEVE THERE
WAS A TIME WHEN I USED TO SAY I
1418
01:21:59,881 --> 01:22:02,350
WANTED TO SPEND MORE TIME
WITH THEM.
1419
01:22:02,384 --> 01:22:03,852
ANYWAY, I'M HERE TO PRESENT
THE AWARD...
1420
01:22:03,885 --> 01:22:04,386
DAD?
1421
01:22:04,419 --> 01:22:05,987
FOR BEST COMEDY...
1422
01:22:06,021 --> 01:22:08,123
YES?
1423
01:22:08,156 --> 01:22:09,391
UH...
1424
01:22:09,424 --> 01:22:11,192
WHAT ARE YOU DOING?
1425
01:22:11,226 --> 01:22:13,795
I'M ATTEMPTING TO PRESENT
THE BEST COMEDY SERIES
1426
01:22:13,828 --> 01:22:15,130
FOR THE CRITICS CHOICE AWARDS.
1427
01:22:15,163 --> 01:22:17,699
I THOUGHT YOU HATED
THE CRITICS.
1428
01:22:17,732 --> 01:22:20,068
I DON'T HATE THE CRITICS.
1429
01:22:20,101 --> 01:22:23,538
DIDN'T YOU SAY THAT CRITICS
ARE LAZY MORONS WHO WILL NEVER
1430
01:22:23,571 --> 01:22:26,574
ACKNOWLEDGE OR ACCEPT YOUR
TALENTS BECAUSE YOU'RE A FAT,
1431
01:22:26,608 --> 01:22:27,442
OLD, BALD GUY?
1432
01:22:27,475 --> 01:22:30,612
I NEVER SAID THAT.
1433
01:22:30,645 --> 01:22:36,084
OH, IT WAS MOM WHO --
AND THE NOMINEES FOR BEST
1434
01:22:36,117 --> 01:22:50,598
COMEDY SERIES ARE...
1435
01:22:50,632 --> 01:22:54,636
I ALWAYS FIGURED THAT T WOULD
TASTE LIKE HOT BROWN WATER.
1436
01:22:54,669 --> 01:22:58,139
YOU KNOW, I WAS RIGHT, IT'S
HORRIBLE.
1437
01:22:58,173 --> 01:23:01,810
WELCOME TO ENGLAND.
1438
01:23:01,843 --> 01:23:04,913
I WANT YOU TO BE MY TEACHER.
1439
01:23:04,946 --> 01:23:08,049
I WANT TO KNOW MY EGO.
1440
01:23:08,083 --> 01:23:11,019
I DON'T WANT TO BE JUST
ANOTHER ONE OF HER DESIRES.
1441
01:23:11,052 --> 01:23:17,359
I DON'T WANT TO HAVE SEX WITH
YOU.
1442
01:23:17,392 --> 01:23:27,502
IT'S GOOD.
1443
01:23:27,535 --> 01:23:28,703
DID NONE OF YOU EVER GO TO A
SLUMBER PARTY WHEN YOU WERE
1444
01:23:28,737 --> 01:23:29,137
KIDS?
1445
01:23:29,170 --> 01:23:34,776
FOSTER CARE.
1446
01:23:34,809 --> 01:23:36,644
NO, NOBODY LEAVES.
1447
01:23:36,678 --> 01:23:37,545
DO NOT LEAVE.
1448
01:23:37,579 --> 01:23:38,813
WE ALL STAY.
1449
01:23:38,847 --> 01:23:43,318
I SWEAR TO GOD.
1450
01:23:43,351 --> 01:23:46,054
I AM NOT HERE FOR YOU.
1451
01:23:46,087 --> 01:23:48,256
THAT'S A RELIEF.
1452
01:23:48,289 --> 01:23:49,057
NOR YOU.
1453
01:23:49,090 --> 01:23:51,292
THANK YOU VERY MUCH, THAT'S
NICE.
1454
01:23:51,326 --> 01:23:53,561
ARE YOU POSSIBLY HERE TO KILL
ME?
1455
01:23:53,595 --> 01:23:55,997
NO.
1456
01:23:56,031 --> 01:24:01,369
YOU ARE SO PROFESSIONAL.
1457
01:24:01,403 --> 01:24:07,575
I DON'T NEED A MAP TO SHOW ME
THE MAGIC OF BANGKOK.
1458
01:24:07,609 --> 01:24:13,915
I WILL ASK DAVID ROSE AND
PATRICK.
1459
01:24:13,948 --> 01:24:19,320
TO EXCHANGE THEIR VOWS.
1460
01:24:19,354 --> 01:24:23,491
AND THE CRITICS CHOICE IS...
1461
01:24:23,525 --> 01:24:28,797
"TED LASSO."
1462
01:24:28,830 --> 01:24:30,432
WOW.
1463
01:24:30,465 --> 01:24:31,866
HOLY SMOKES.
1464
01:24:31,900 --> 01:24:33,368
OKAY.
1465
01:24:33,401 --> 01:24:37,205
AGAIN, THANK YOU VERY MUCH FOR
THE CRITICS CHOICE ASSOCIATION.
1466
01:24:37,238 --> 01:24:41,476
A GREAT NUMBER OF YOU HAVE BEEN
SO VOCAL ABOUT YOUR ENJOYMENT OF
1467
01:24:41,509 --> 01:24:44,012
THE SHOW AND IT'S BEEN VERY,
VERY FLATTERING.
1468
01:24:44,045 --> 01:24:47,615
WE GREATLY APPRECIATED.
1469
01:24:47,649 --> 01:24:53,755
ESPECIALLY FOR YOUNG TELEVISION
START-UP LIKE APPLE, THEY
1470
01:24:53,788 --> 01:24:56,424
CERTAINLY DIG FOR FREE
PUBLICITY.
1471
01:24:56,458 --> 01:24:57,225
THANK YOU.
1472
01:24:57,258 --> 01:25:04,866
I WANT TO GIVE A SHOUT OUT TO
APPLE.
1473
01:25:04,899 --> 01:25:06,468
GIVING US A PLACE TO GO ON
PAYING FOR.
1474
01:25:06,501 --> 01:25:12,240
THE FOLKS AT NBC SPORTS WHO DID
THE INITIAL COMMERCIAL TO GET IT
1475
01:25:12,273 --> 01:25:14,175
ALL GOING.
1476
01:25:14,209 --> 01:25:18,012
BROOKLYN BROTHERS, THE
ADVERTISING COMPANY THAT WAS
1477
01:25:18,046 --> 01:25:19,581
THERE FOR THE GET-GO.
1478
01:25:19,614 --> 01:25:25,220
BILL LAWRENCE AND JOE KELLY,
BRANDON HUNT.
1479
01:25:25,253 --> 01:25:26,387
OUR ENTIRE STAFF, CAST AND CREW.
1480
01:25:26,421 --> 01:25:31,259
I DIDN'T GET TO SAY BEFORE.
1481
01:25:31,292 --> 01:25:36,097
I CAN WATCH THAT SPEECH FOR AN
HOUR.
1482
01:25:36,131 --> 01:25:39,267
I WANT TO THANK THE FOLKS IN
RICHMOND.
1483
01:25:39,300 --> 01:25:41,469
WE WORK LATE.
1484
01:25:41,503 --> 01:25:44,839
THEY ARE KIND PEOPLE WHO LET US
MAKE A RACKET.
1485
01:25:44,873 --> 01:25:48,910
WE LOOK FORWARD TO THE BARS
BEING OPEN AGAIN SO WE CAN SPEND
1486
01:25:48,943 --> 01:25:50,645
SOME MONEY IN YOUR NEIGHBORHOOD.
1487
01:25:50,678 --> 01:25:53,481
I WANT TO THANK MY FOLKS.
1488
01:25:53,515 --> 01:25:56,751
I WANT TO THANK MY SISTERS, MY
KIDS.
1489
01:25:56,784 --> 01:26:00,054
I WANT TO THANK THEIR MOM.
1490
01:26:00,088 --> 01:26:04,659
HAD THE INITIAL IDEA TO DO IT AS
A TV SHOW.
1491
01:26:04,692 --> 01:26:08,563
YOU LIKE DOING THAT, YOU SHOULD
DO IT AS A MOVIE OR TV SHOW.
1492
01:26:08,596 --> 01:26:15,236
SHE WAS RIGHT.
1493
01:26:15,270 --> 01:26:17,105
IT'S BEEN A WACKY YEAR.
1494
01:26:17,138 --> 01:26:23,645
IT'S BEEN A WONDERFUL VESSEL TO
HEAR PEOPLE'S STORIES OF
1495
01:26:23,678 --> 01:26:27,348
FORGIVENESS AND REDEMPTION AND
HEALING AND UNDERSTANDING.
1496
01:26:27,382 --> 01:26:33,087
IT'S REALLY, REALLY FLATTERING
TO HAVE THE OPPORTUNITY TO SHARE
1497
01:26:33,121 --> 01:26:33,788
SOMETHING.
1498
01:26:33,821 --> 01:26:37,692
IT MEANS SOMETHING TO YOU GUYS.
1499
01:26:37,725 --> 01:26:39,861
IT MEANS A LOT.
1500
01:26:39,894 --> 01:26:43,164
THANK YOU.
1501
01:26:43,198 --> 01:26:44,365
Announcer: HE STARS
IN THE FOREIGN LANGUAGE
1502
01:26:44,399 --> 01:26:45,600
NOMINATED FILM
"ANOTHER ROUND,"
1503
01:26:45,633 --> 01:26:50,305
HERE'S MADS MIKKELSEN.
1504
01:26:50,338 --> 01:26:53,141
WITH ALL THE SERIOUSNESS
THAT'S BECOME PART
1505
01:26:53,174 --> 01:26:55,543
OF OUR EVERYDAY LIVES, ONE WOULD
THINK THAT THE LAST THING WE'D
1506
01:26:55,577 --> 01:26:57,512
WANT IS MORE DRAMA.
1507
01:26:57,545 --> 01:27:00,048
BUT WHEN THE STORIES ARE
DELIVERED MASTERFULLY IN
1508
01:27:00,081 --> 01:27:03,818
BEAUTIFUL PACKAGES
BY SOME OF TODAY'S FINEST
1509
01:27:03,851 --> 01:27:08,022
PRODUCERS, WRITERS, DIRECTORS,
AND PERFORMERS, I SAY...
1510
01:27:08,056 --> 01:27:10,124
"BRING IT ON."
1511
01:27:10,158 --> 01:27:27,475
HERE ARE THE NOMINEES FOR BEST
DRAMA SERIES.
1512
01:27:27,508 --> 01:27:31,079
TO YOU, THE COMMONWEALTH IS
SOMETHING OF A DISTRACTION, A
1513
01:27:31,112 --> 01:27:31,980
WASTE OF TIME.
1514
01:27:32,013 --> 01:27:36,484
IN MANY WAYS, I HAVE GIVEN MY
LIFE TO IT.
1515
01:27:36,517 --> 01:27:40,455
ISN'T TRUMP PRESIDENT?
1516
01:27:40,488 --> 01:27:42,690
NO.
1517
01:27:42,724 --> 01:27:47,595
ARE YOU ALL RIGHT, DIANE?
1518
01:27:47,629 --> 01:27:53,735
YOU ARE SO ARROGANT YOU THINK
YOU CAN FLIP AND FBI AGENT.
1519
01:27:53,768 --> 01:27:54,936
YOU KNOW HOW CRAZY THAT SOUNDS?
1520
01:27:54,969 --> 01:27:59,874
IS A CRAZIER THAN KILLING
SOMEONE?
1521
01:27:59,907 --> 01:28:04,245
FIND TRUTH AND SEEK JUSTICE.
1522
01:28:04,279 --> 01:28:13,955
YOU CANNOT SEEK JUSTICE WITHOUT
FIRST KNOWING THE TRUTH.
1523
01:28:13,988 --> 01:28:17,592
HE WAS SMALLER, HE TOOK THE
BRUNT OF IT.
1524
01:28:17,625 --> 01:28:19,227
I SHOULD HAVE PROTECTED HIM
MORE.
1525
01:28:19,260 --> 01:28:20,662
I ALWAYS FORGET THAT.
1526
01:28:20,695 --> 01:28:25,867
I WAS YOUNGER AND SMALLER TOO
TOO.
1527
01:28:25,900 --> 01:28:29,904
EITHER WE END THIS NOW AND
ENJOY THE TIME WE HAD AND GO OUR
1528
01:28:29,937 --> 01:28:32,140
SEPARATE WAYS.
1529
01:28:32,173 --> 01:28:37,445
OR WHAT?
1530
01:28:37,478 --> 01:28:40,882
IF I HAD BEEN THERE I
WOULD'VE WALKED THROUGH LITERAL
1531
01:28:40,915 --> 01:28:42,116
FIRE AND PULLED THAT MAN OUT.
1532
01:28:42,150 --> 01:28:45,320
I GUESS WE'LL NEVER KNOW
BECAUSE YOU WEREN'T THERE AND HE
1533
01:28:45,353 --> 01:28:53,194
DIED ASHAMED OF YOU.
1534
01:28:53,227 --> 01:28:55,363
ALL RIGHT, PAL.
1535
01:28:55,396 --> 01:28:59,300
IT'S TIME TO GO.
1536
01:28:59,334 --> 01:29:03,271
AND THE CRITICS CHOICE IS...
1537
01:29:03,304 --> 01:29:10,278
"THE CROWN."
1538
01:29:10,311 --> 01:29:12,113
ANNOUNCER "THE CROWN" COULDN'T
BE WITH US SO WE ACCEPT THE
1539
01:29:12,146 --> 01:29:13,114
AWARD ON THEIR BEHALF.
1540
01:29:13,147 --> 01:29:14,015
OUR NEXT NOMINEE FOR BEST
SONG IS "SPEAK NOW"
1541
01:29:14,048 --> 01:29:15,917
FROM REGINA KING'S DIRECTORIAL
DEBUT MOVIE
1542
01:29:15,950 --> 01:29:17,118
"ONE NIGHT IN MIAMI."
1543
01:29:17,151 --> 01:29:18,920
THIS IS JUST ONE OF THE FILM'S
FIVE NOMINATIONS.
1544
01:29:18,953 --> 01:29:25,059
WRITTEN BY SAM ASHWORTH AND BEST
SUPPORTING ACTOR NOMINEE
1545
01:29:25,093 --> 01:29:33,034
LESLIE ODOM, JR, WHO
ALSO PERFORMS IT.
1546
01:29:33,067 --> 01:29:36,104
♪ I SWEAR WE'LL NEVER FIND A WAY
TO WHERE WE'RE GOING ALL ALONE ♪
1547
01:29:36,137 --> 01:29:40,908
♪ DON'T TAKE YOUR EYES
OFF THE ROAD ♪
1548
01:29:40,942 --> 01:29:45,546
♪ CAN YOU HEAR
THE BELLS RING OUT? ♪
1549
01:29:45,580 --> 01:30:00,595
♪ SPEAK NOW ♪
♪ SPEAK NOW ♪
1550
01:30:00,628 --> 01:30:04,098
COMING UP: A SPECIAL AWARD TO
ZENDAYA BUT NEXT WE HAVE THIS
1551
01:30:04,132 --> 01:30:08,703
STAR OF "BRIDGERTON."
1552
01:30:08,736 --> 01:30:09,904
HI.
1553
01:30:09,937 --> 01:30:12,640
I AM PRESENTING THE AWARD FOR
BEST LIMITED SERIES COMING UP
1554
01:30:12,673 --> 01:30:15,943
SOON.
1555
01:30:15,977 --> 01:30:21,182
WHEN THE 26TH ANNUAL CRITICS
CHOICE AWARDS CONTINUES.
1556
01:30:28,222 --> 01:30:28,923
Announcer: WELCOME BACK.
1557
01:30:28,956 --> 01:30:33,861
ONCE AGAIN, TAYE DIGGS.
1558
01:30:33,895 --> 01:30:36,798
Taye: LET'S TAKE SOME TIME
TO SPEAK TO ANOTHER ONE OF OUR
1559
01:30:36,831 --> 01:30:38,933
NOMINEES TONIGHT.
1560
01:30:38,966 --> 01:30:39,967
HERE'S RIZ AHMED,
WHO IS NOMINATED FOR BEST ACTOR
1561
01:30:40,001 --> 01:30:43,271
FOR "SOUND OF METAL."
1562
01:30:43,304 --> 01:30:43,905
WHAT'S HAPPENING?
1563
01:30:43,938 --> 01:30:44,472
GOOD TO SEE YOU.
1564
01:30:44,505 --> 01:30:46,674
I AM A BIG FAN.
1565
01:30:46,707 --> 01:30:49,310
THANK YOU VERY MUCH,
LIKEWISE.
1566
01:30:49,343 --> 01:30:50,378
GOOD TO TALK TO YOU.
1567
01:30:50,411 --> 01:30:52,246
Taye: I'M GOING TO READ
YOUR LIPS BECAUSE I'M NOT
1568
01:30:52,280 --> 01:30:55,850
GETTING ANY SOUND BUT AS LONG AS
YOU CAN HEAR ME, WE ARE GOOD.
1569
01:30:55,883 --> 01:31:00,354
FOR YOUR ROLE, DID YOU DO ANY
TYPE OF RESEARCH?
1570
01:31:00,388 --> 01:31:01,322
I DID.
1571
01:31:01,355 --> 01:31:06,260
I'M NOT SURE IF YOU CAN STILL
HEAR ME OR NOT.
1572
01:31:06,294 --> 01:31:07,895
THE ROLE REQUIRED LEARNING A LOT
OF SKILLS.
1573
01:31:07,929 --> 01:31:10,331
I HAD TO LEARN AMERICAN
SIGN LANGUAGE.
1574
01:31:10,364 --> 01:31:15,336
I ALSO HAD TO LEARN HOW TO PLAY
THE DRUMS.
1575
01:31:15,369 --> 01:31:19,640
THOSE TWO THINGS WAS A EIGHT AND
A HALF MONTH PROCESS, FULL-TIME
1576
01:31:19,674 --> 01:31:22,643
EVERY DAY.
1577
01:31:22,677 --> 01:31:23,811
WEEK IN, WEEK OUT.
1578
01:31:23,845 --> 01:31:26,447
QUITE INTENSE.
1579
01:31:26,481 --> 01:31:28,783
IT WAS SOMETHING I WAS GRATEFUL
FOR.
1580
01:31:28,816 --> 01:31:31,986
LEARNING THE DRUMS AND LEARNING
SIGN LAY WHICH KIND OF CHANGED
1581
01:31:32,019 --> 01:31:33,521
ME AS A PERFORMER AT A PERSON.
1582
01:31:33,554 --> 01:31:36,257
IT OPENED ME UP IN NEW WAYS.
1583
01:31:36,290 --> 01:31:37,225
Taye: ALL RIGHT.
1584
01:31:37,258 --> 01:31:39,861
YOU WOULD BE PROUD OF MY LIP
READING RIGHT NOW.
1585
01:31:39,894 --> 01:31:43,931
I KNOW THAT YOU ARE A RAPPER.
1586
01:31:43,965 --> 01:31:46,334
DID YOU HAVE TO LEARN HOW TO
PLAY THE DRUMS?
1587
01:31:46,367 --> 01:31:49,704
HOW DID THAT WORK?
1588
01:31:49,737 --> 01:31:55,510
I DIDN'T KNOW HOW TO PLAY THE
DRUMS AT ALL.
1589
01:31:55,543 --> 01:31:58,346
WE DO MAKE MUSIC AND I THOUGHT
STUPIDLY IT WOULD MAKE PLAYING
1590
01:31:58,379 --> 01:32:01,315
THE DRUMS EASIER BUT KEEPING
RHYTHM IS DIFFERENT TO
1591
01:32:01,349 --> 01:32:04,051
COORDINATION THE KIND OF
DRUMMING THAT WE WERE DOING WAS
1592
01:32:04,085 --> 01:32:08,656
A BLAST BEATS, DOUBLE PEDDLING,
USE ALL FOUR LIMBS IN DIFFERENT
1593
01:32:08,689 --> 01:32:09,857
RHYTHMS.
1594
01:32:09,891 --> 01:32:14,896
IT'S REALLY, I BLAME OUR AMAZING
AND INSANE DIRECTOR WHO SAID
1595
01:32:14,929 --> 01:32:18,699
EVERYTHING IN THIS FILM I WANTED
TO BE AS REAL AS POSSIBLE.
1596
01:32:18,733 --> 01:32:21,736
WHEN YOU'RE PLAYING THE DRUMS ON
SCREEN, I WANT YOU TO BE REALLY
1597
01:32:21,769 --> 01:32:25,873
PLAYING THE DRUMS IN FRONT OF A
REAL AUDIENCE, REAL NIGHTCLUB
1598
01:32:25,907 --> 01:32:27,108
AND A REAL GIG.
1599
01:32:27,141 --> 01:32:31,479
WE HAD TO GO ON THAT JOURNEY OF
FORMING A BAND AND REHEARSING
1600
01:32:31,512 --> 01:32:33,614
AND LEARNING THE INSTRUMENTS.
1601
01:32:33,648 --> 01:32:35,449
Taye: ALL RIGHT, KEEP DOING
YOUR THING.
1602
01:32:35,483 --> 01:32:38,886
WONDERFUL WORK.
1603
01:32:38,920 --> 01:32:43,124
HER LATEST STAND-UP COMEDY
SPECIAL IS CALLED "CHELSEA
1604
01:32:43,157 --> 01:32:43,991
HANDLER: EVOLUTION."
1605
01:32:44,025 --> 01:32:46,294
I'VE LISTENED TO ALL OF HER
AUDIOBOOKS.
1606
01:32:46,327 --> 01:32:47,061
I AM A FAN.
1607
01:32:47,094 --> 01:32:50,398
HERE IS CHELSEA HANDLER.
1608
01:32:50,431 --> 01:32:51,566
I AM HERE TO PRESENT THE
CRITICS CHOICE FOR BEST TALK
1609
01:32:51,599 --> 01:32:52,800
SHOW.
1610
01:32:52,833 --> 01:32:54,602
AND, I HAVE TO SAY, THIS TALK
SHOW FORMAT REALLY HAS EXPANDED
1611
01:32:54,635 --> 01:32:57,572
SINCE I WAS HOSTING MY FIRST
SHOW.
1612
01:32:57,605 --> 01:33:00,641
BACK THEN, I WAS THE ONLY WOMAN
IN LATE NIGHT.
1613
01:33:00,675 --> 01:33:03,544
IT WAS MOSTLY MIDDLE-AGED WHITE
DUDES NAMED JIMMY.
1614
01:33:03,578 --> 01:33:07,882
NOW, HALF THE NOMINEES IN THIS
CATEGORY ARE WOMEN AND TWO SHOWS
1615
01:33:07,915 --> 01:33:10,885
FEATURE PEOPLE OF COLOR.
1616
01:33:10,918 --> 01:33:12,753
AND GUESS WHAT?
1617
01:33:12,787 --> 01:33:18,426
BOTH THE JIMMYS
ARE STILL HERE, WHICH GOES TO
1618
01:33:18,459 --> 01:33:20,661
SHOW YOU THAT WHEN YOU MAKE
ROOM FOR WOMEN AND FOR PEOPLE OF
1619
01:33:20,695 --> 01:33:23,331
COLOR, NO WHITE MEN HAVE TO GIVE
UP ANYTHING.
1620
01:33:23,364 --> 01:33:27,268
THERE IS ROOM FOR EVERYONE
WHEN OPPORTUNITY IS GIVEN
1621
01:33:27,301 --> 01:33:29,270
TO EVERYONE.
1622
01:33:29,303 --> 01:33:46,821
AND HERE ARE THE NOMINEES
FOR BEST TALK SHOW.
1623
01:33:46,854 --> 01:33:49,957
SENATE MAJORITY LEADER MITCH
McCONNELL'S HOME IN
1624
01:33:49,991 --> 01:33:51,726
LOUISVILLE, KENTUCKY, WAS
VANDALIZED OVER THE WEEKEND ON
1625
01:33:51,759 --> 01:33:54,829
THE WHOLE INCIDENT HAS
McCONNELL QUESTIONING WHETHER
1626
01:33:54,862 --> 01:33:58,132
AMERICA IS EVEN WORTH DESTROYING
DESTROYING.
1627
01:33:58,165 --> 01:34:04,538
LET ME JUST SAY THAT I SAW
SOME OF THE FOOTAGE OF Y'ALL
1628
01:34:04,572 --> 01:34:05,172
WITH BOOKER.
1629
01:34:05,206 --> 01:34:12,279
BEFORE YOU SAY ANYTHING.
1630
01:34:12,313 --> 01:34:13,447
QUIT.
1631
01:34:13,481 --> 01:34:15,449
DON'T DO THAT.
1632
01:34:15,483 --> 01:34:18,319
I HAVE TO DO IT.
1633
01:34:18,352 --> 01:34:24,558
I CAN'T BELIEVE MY LIFE!
1634
01:34:24,592 --> 01:34:28,696
THE STATE FLIP TO SENATE
STATE BLUE WITH THE ELECTION OF
1635
01:34:28,729 --> 01:34:30,031
FORMER ASTRONAUT MARK KELLY.
1636
01:34:30,064 --> 01:34:33,534
A MAN FROM SPACE CAME DOWN AND
SAVED US.
1637
01:34:33,567 --> 01:34:37,638
THAT IS THE PREMISE OF SUPERMAN.
1638
01:34:37,672 --> 01:34:41,575
ONE OF MY FRIENDS SAID IT'S A
SHAME YOU'RE NOT GOING TO EVER
1639
01:34:41,609 --> 01:34:44,145
BE ABLE TO MARRY AN NBA OR AN
ATHLETE BECAUSE THEY'RE NOT
1640
01:34:44,178 --> 01:34:49,917
GOING TO BE ABLE TO SEE YOU
BECAUSE YOU ARE SO DARK.
1641
01:34:49,950 --> 01:34:55,056
FOR ELECTORAL VOTE PURPOSES
I'VE FOURTH WITH HERE FOR
1642
01:34:55,089 --> 01:35:00,327
HEATHER TWO AND TWO-BY-FOUR CALL
THE LAST CHOCOLATE DOUGHNUT.
1643
01:35:00,361 --> 01:35:05,900
AND THE CRITICS CHOICE IS...
1644
01:35:05,933 --> 01:35:09,737
"LATE NIGHT WITH SETH MEYERS."
1645
01:35:09,770 --> 01:35:12,139
[LAUGHS]
WOW, THANK YOU.
1646
01:35:12,173 --> 01:35:15,776
I WANT TO THANK OUR WRITERS, OUR
CREW, INCREDIBLE PRODUCERS.
1647
01:35:15,810 --> 01:35:20,448
I WANT TO THANK THE CRITICS FOR
NOT JUST FOR THE HONOR BUT FOR
1648
01:35:20,481 --> 01:35:23,718
POINTING EVERYONE TOWARDS GREAT
TV AND FILM IN THE YEAR WHERE WE
1649
01:35:23,751 --> 01:35:26,854
ALL SO DESPERATELY NEEDED TO
FIND STUFF TO WATCH.
1650
01:35:26,887 --> 01:35:30,024
I AM VERY EXCITED THAT THIS
ISN'T LIVE.
1651
01:35:30,057 --> 01:35:34,061
I HAVE MY PARENTS RIGHT NEXT TO
ME WHICH I WOULDN'T HAVE
1652
01:35:34,095 --> 01:35:35,029
OTHERWISE.
1653
01:35:35,062 --> 01:35:35,529
BOTH FRESHLY VACCINATED.
1654
01:35:35,563 --> 01:35:39,700
SHOUT OUT, MODERNA.
1655
01:35:39,734 --> 01:35:43,304
IT'S FITTING BECAUSE MY MOM AND
MY DAD WERE MY EARLIEST CRITICS.
1656
01:35:43,337 --> 01:35:44,505
THAT'S HALF TRUE.
1657
01:35:44,538 --> 01:35:46,273
MY DAD IS A CRITIC.
1658
01:35:46,307 --> 01:35:47,475
MY MOM IS VERY SUPPORTIVE.
1659
01:35:47,508 --> 01:35:48,709
SHE IS LIKE AN AGENT.
1660
01:35:48,743 --> 01:35:52,079
ALL SHE EVER TELLS ME IS THAT
I'M CRUSHING IT AND SHE'S TAKING
1661
01:35:52,113 --> 01:35:56,984
10% OF EVERYTHING I'VE EVER MADE
MADE.
1662
01:35:57,017 --> 01:36:00,855
[LAUGHTER]
GOOD JOB.
1663
01:36:00,888 --> 01:36:03,124
THEY DON'T HAVE A TV BACKGROUND.
1664
01:36:03,157 --> 01:36:06,827
THANK YOU SO MUCH.
1665
01:36:06,861 --> 01:36:09,797
REALLY FLATTERED AND HONORED.
1666
01:36:09,830 --> 01:36:12,133
[LAUGHTER]
IF YOU ARE A FAN OF
1667
01:36:12,166 --> 01:36:13,734
"BRIDGERTON," YOU'LL KNOW SHE
PLAYED DAPHNE BRIDGERTON IN THE
1668
01:36:13,768 --> 01:36:16,670
WORLD-WIDE HIT.
1669
01:36:16,704 --> 01:36:18,005
HI FROM LONDON.
1670
01:36:18,038 --> 01:36:19,173
I'M PHOEBE DYNEVOR.
1671
01:36:19,206 --> 01:36:21,408
AND I'M HERE TO PRESENT THE
AWARD FOR BEST LIMITED SERIES.
1672
01:36:21,442 --> 01:36:23,911
WHICH AS THESE NOMINEES WILL
SHOW, ARE ANYTHING BUT LIMITED
1673
01:36:23,944 --> 01:36:27,748
IN TERMS OF THEIR TALENT,
CREATIVITY, PRODUCTION VALUE AND
1674
01:36:27,782 --> 01:36:30,050
EVEN THEIR SUBJECT MATTER.
1675
01:36:30,084 --> 01:37:00,147
HERE IS THE CLASS OF 2020.
1676
01:37:08,455 --> 01:37:12,393
AND THE CRITICS CHOICE IS...
1677
01:37:12,426 --> 01:37:21,735
"THE QUEEN'S GAMBIT."
1678
01:37:21,769 --> 01:37:23,037
WOW.
1679
01:37:23,070 --> 01:37:23,537
WOW.
1680
01:37:23,571 --> 01:37:26,307
THANK YOU VERY MUCH.
1681
01:37:26,340 --> 01:37:29,276
TO THE CRITICS CHOICE
ASSOCIATION.
1682
01:37:29,310 --> 01:37:33,647
MY NEW FAVORITE GROUP OF CRITICS
CRITICS.
1683
01:37:33,681 --> 01:37:40,888
ALSO THANK YOU VERY MUCH TO MY
PARTNERS AT NETFLIX, CINDY
1684
01:37:40,921 --> 01:37:47,294
HOLLINS, GULLIBLE ENOUGH TO
BELIEVE IT WHEN I TOLD HER
1685
01:37:47,328 --> 01:37:49,730
PEOPLE WOULD WANT TO WATCH
CHEST.
1686
01:37:49,763 --> 01:37:53,500
TO MY FELLOW PRODUCER WHO TOOK
SUCH CARE OF THE RIGHTS FOR
1687
01:37:53,534 --> 01:37:57,671
THOSE YEARS AND TRUSTED ME WITH
SHOW.
1688
01:37:57,705 --> 01:38:01,542
INTO MY OLD FRIEND AND PRODUCING
PARTNER, BILL, FOR REALLY
1689
01:38:01,575 --> 01:38:06,881
PROTECTING ME FROM MYSELF.
1690
01:38:06,914 --> 01:38:10,184
I THINK IF THIS SHOW WORKED AT
ALL, THERE WERE A COUPLE
1691
01:38:10,217 --> 01:38:11,085
REASONS.
1692
01:38:11,118 --> 01:38:15,489
ONE WAS THE GREAT NOVEL WHICH
WAS AMAZING.
1693
01:38:15,522 --> 01:38:19,927
A HUGE GIFT FOR ME TO USE THEM
TO WORK FROM.
1694
01:38:19,960 --> 01:38:23,530
I'M INCREDIBLY GRATEFUL THAT I
HAD A CHANCE TO TURN IT INTO A
1695
01:38:23,564 --> 01:38:24,598
FILM.
1696
01:38:24,632 --> 01:38:27,334
I HOPE HE'S HAPPY, WHEREVER HE
IS.
1697
01:38:27,368 --> 01:38:30,304
IT WAS A REAL HONOR TO BE ABLE
TO DO THAT.
1698
01:38:30,337 --> 01:38:34,241
AND FINALLY, I DON'T THINK THE
SHOW WOULD'VE WORKED NEARLY
1699
01:38:34,275 --> 01:38:41,882
NEARLY AS WELL WITHOUT ANYA
TAYLOR-JOY, WHO OWNED EVERY
1700
01:38:41,916 --> 01:38:46,287
FRAME OF THE SHOW AND HAS A FACE
THAT LAUNCHED A MILLION NEW
1701
01:38:46,320 --> 01:38:47,087
CHESS PLAYERS.
1702
01:38:47,121 --> 01:38:50,424
THANK YOU, THANK YOU.
1703
01:38:50,457 --> 01:38:52,626
THANK YOU TO THE CRITICS CHOICE.
1704
01:38:52,660 --> 01:38:53,894
THANK YOU.
1705
01:38:53,928 --> 01:38:55,362
HERE IS THE FINAL NOMINEE
FOR BEST SONG.
1706
01:38:55,396 --> 01:38:56,330
IT'S FROM LEE DANIEL'S
"THE UNITED STATES VS.
1707
01:38:56,363 --> 01:38:57,431
BILLIE HOLIDAY."
1708
01:38:57,464 --> 01:38:59,233
THE SONG IS "TIGRESS AND TWEED."
1709
01:38:59,266 --> 01:39:02,136
WRITTEN BY RAPHAEL SAADIQ
AND BEST ACTRESS NOMINEE
1710
01:39:02,169 --> 01:39:14,882
ANDRA DAY WHO ALSO PERFORMS IT.
1711
01:39:14,915 --> 01:39:16,750
♪ ALWAYS PRESSIN' THAT LIN? ♪
♪ SO FULL OF LOVE AND LIGHT ♪
1712
01:39:16,784 --> 01:39:20,688
♪ THE TRUTH IS BLACK AND WHITE ♪
♪ SAY A PRAYER FOR ME
1713
01:39:20,721 --> 01:39:24,124
AH-AAH ♪
♪ 'CAUSE I DON'T GET NO SLEEP
1714
01:39:24,158 --> 01:39:33,600
AH, AH-AAH ♪
♪ SAY A PRAYER FOR ME
1715
01:39:33,634 --> 01:39:37,304
Announcer: NEXT JOHN DAVID
WASHINGTON PRESENTS THE SEEHER
1716
01:39:37,338 --> 01:39:40,841
AWARD
TO HIS "MALCOM AND MARIE"
1717
01:39:40,874 --> 01:39:41,775
CO-STAR, BEST ACTRESS NOMINEE,
ZENDAYA.
1718
01:39:41,809 --> 01:39:48,182
WHEN THE 26TH CRITICS CHOICE
AWARDS RETURNS.
1719
01:40:00,861 --> 01:40:02,730
Taye: AS YOU'VE SEEN
THROUGHOUT THE EVENING,
1720
01:40:02,763 --> 01:40:05,799
THE CRITICS ASSOCIATION
HAS TEAMED UP WITH SEE HER TO
1721
01:40:05,833 --> 01:40:08,869
RECOGNIZE WOMEN WHO HAVE PLAYED
A POWERFUL ROLE ON AND OFF
1722
01:40:08,902 --> 01:40:12,806
SCREEN IN ADVANCING GENDER
EQUALITY IN ENTERTAINMENT.
1723
01:40:12,840 --> 01:40:16,443
OUR PREVIOUS HONOREES HAVE BEEN
VIOLA DAVIS, GAL GADOT,
1724
01:40:16,477 --> 01:40:17,845
CLAIRE FOY AND KRISTEN BELL.
1725
01:40:17,878 --> 01:40:19,813
ALL AMAZING WOMEN.
1726
01:40:19,847 --> 01:40:23,217
TO TELL US ABOUT THIS YEAR'S
HONOREE, ZENDAYA,
1727
01:40:23,250 --> 01:40:24,985
IS THE STAR OF "BLACKKKLANSMAN,"
"TENET," AND "MALCOLM AND
1728
01:40:25,019 --> 01:40:26,487
MARIE."
1729
01:40:26,520 --> 01:40:32,159
JOHN DAVID WASHINGTON.
1730
01:40:32,192 --> 01:40:36,530
IN HER YOUNG TEENS, SHE WAS A
DISNEY STAR.
1731
01:40:36,563 --> 01:40:39,900
BY HER 20s SHE WAS A MEMBER OF
THE MARVEL CINEMATIC UNIVERSE
1732
01:40:39,933 --> 01:40:42,302
THAT IS FILMING HER THIRD
SPIDER-MAN MOVIE.
1733
01:40:42,336 --> 01:40:47,041
ALONG THE WAY, ZENDAYA BECAME A
FASHION ICON AND THE YOUNGEST
1734
01:40:47,074 --> 01:40:52,012
WOMAN TO END LEAD ACTRESS EMMY.
1735
01:40:52,046 --> 01:40:58,519
DURING OUR MOVIE "MALCOLM &
MARIE," WHAT STOOD OUT TO ME THE
1736
01:40:58,552 --> 01:41:02,956
MOST BEYOND HER INCREDIBLE
TALENT WITH HER WISDOM AND HER
1737
01:41:02,990 --> 01:41:04,124
DISCERNMENT.
1738
01:41:04,158 --> 01:41:08,896
AT 24 YEARS OLD, ZENDAYA IS
ALREADY A FORMIDABLE ACTOR BUT
1739
01:41:08,929 --> 01:41:12,566
SHE IS ALSO A FORMIDABLE FORCE
FOR GOOD, FEARLESSLY USING HER
1740
01:41:12,599 --> 01:41:18,338
VOICE AND PLATFORM TO PUSH FOR
CHANGE, INSPIRING HER INSTAGRAM
1741
01:41:18,372 --> 01:41:19,573
FOLLOWERS.
1742
01:41:19,606 --> 01:41:22,376
SHE BELIEVES HER GENERATION HAS
THE OPPORTUNITY TO CHANGE THE
1743
01:41:22,409 --> 01:41:24,545
WORLD.
1744
01:41:24,578 --> 01:41:28,916
ZENDAYA, ICU.
1745
01:41:28,949 --> 01:41:31,385
I SEE YOU.
1746
01:41:31,418 --> 01:41:36,323
OPEN THE DOOR, OPEN THE DOOR,
OPEN THE DOOR.
1747
01:41:36,356 --> 01:41:38,859
MEDIA IS A MIRROR TO THE
WORLD.
1748
01:41:38,892 --> 01:41:41,795
HAS THE POWER TO IMPACT CHANGE,
INFLUENCE CULTURE AND REFLECT
1749
01:41:41,829 --> 01:41:44,865
HOW WOMEN AND GIRLS SEE
THEMSELVES.
1750
01:41:44,898 --> 01:41:46,200
COME ON.
1751
01:41:46,233 --> 01:41:49,303
LIFE IS ABOUT FINDING EXCITEMENT
AND HAVING ADVENTURE.
1752
01:41:49,336 --> 01:41:52,573
MEDIA CAN INSPIRE OUR WORLD
BECAUSE WHEN SHE CAN SEE HER,
1753
01:41:52,606 --> 01:41:55,609
SHE CAN BE HER.
1754
01:41:55,642 --> 01:42:00,547
LED BY THE ASSOCIATION OF
NATIONAL ADVERTISERS, SEE HER IS
1755
01:42:00,581 --> 01:42:03,717
THE LARGEST GLOBAL MOVEMENT FOR
GENDER EQUALITY WITH THE MISSION
1756
01:42:03,750 --> 01:42:07,654
TO ACCURATELY PORTRAY ALL WOMEN
AND GIRLS IN MEDIA AND
1757
01:42:07,688 --> 01:42:11,725
ENTERTAINMENT SO THEY SEE
THEMSELVES AS THEY TRULY ARE AND
1758
01:42:11,758 --> 01:42:12,960
ALL THEIR POTENTIAL.
1759
01:42:12,993 --> 01:42:15,429
I BELIEVE THE PRIVILEGE OF A
LIFETIME IS BEING WHO YOU ARE.
1760
01:42:15,462 --> 01:42:21,135
IT WAS CLEAR TO ME THAT I
WANTED TO PORTRAY A STRONG AND
1761
01:42:21,168 --> 01:42:22,269
INDEPENDENT WOMAN.
1762
01:42:22,302 --> 01:42:25,506
OUR JOB IS TO QUESTION
OURSELVES, WHAT WE DETECT, HOW
1763
01:42:25,539 --> 01:42:28,976
WE DEPICT THEM AND HOW WE WANT
PEOPLE TO SEE THEMSELVES.
1764
01:42:29,009 --> 01:42:33,313
BEING A WOMAN IS NOT ABOUT
BEING BRAVE OR STRONG OR
1765
01:42:33,347 --> 01:42:34,481
POWERFUL.
1766
01:42:34,515 --> 01:42:36,216
IT'S ABOUT GIVING YOURSELF
PERMISSION TO BE THE THINGS THAT
1767
01:42:36,250 --> 01:42:39,586
YOU ALREADY ARE.
1768
01:42:39,620 --> 01:42:42,756
EACH YEAR THE CRITICS CHOICE
AWARDS, SEE HER RECOGNIZES ONE
1769
01:42:42,789 --> 01:42:44,892
WOMAN WHO EMBODIES THE VALUES OF
THE MOVEMENT.
1770
01:42:44,925 --> 01:42:48,762
I THINK IF YOU BELIEVE IN
YOURSELF, YOU CAN HAVE IT ALL.
1771
01:42:48,795 --> 01:42:53,700
TO PUSH BOUNDARIES, DEFIES
STEREOTYPES, AND ELEVATE THE
1772
01:42:53,734 --> 01:42:56,737
IMPORTANCE OF AUTHENTIC
PORTRAYALS.
1773
01:42:56,770 --> 01:42:58,071
ON AND OFF SCREEN.
1774
01:42:58,105 --> 01:43:01,475
USING HER VOICE AND PLATFORM TO
INSPIRE OTHERS.
1775
01:43:01,508 --> 01:43:03,810
YOU HAVE TO GO AGAINST THE
GRAIN AND MAKE PEOPLE ANGRY AND
1776
01:43:03,844 --> 01:43:07,347
MAD BECAUSE THEY DON'T AGREE
WITH YOU YET.
1777
01:43:07,381 --> 01:43:08,782
THAT'S THE WHOLE PART.
1778
01:43:08,815 --> 01:43:09,917
THAT'S PART OF THE PROCESS.
1779
01:43:09,950 --> 01:43:11,185
WHAT DO YOU WANT?
1780
01:43:11,218 --> 01:43:12,119
REALLY.
1781
01:43:12,152 --> 01:43:14,555
DO YOU WANT TO GO THERE?
1782
01:43:14,588 --> 01:43:15,455
YES.
1783
01:43:15,489 --> 01:43:18,225
THIS YEAR'S SEE HER HONOREE
IS ZENDAYA.
1784
01:43:18,258 --> 01:43:20,160
LOOK AT ME.
1785
01:43:20,194 --> 01:43:21,962
I'M THE LAST PERSON STANDING.
1786
01:43:21,995 --> 01:43:25,732
HOLD ON TO ME FOR NEAR LIFE.
1787
01:43:25,766 --> 01:43:29,536
IT'S MY GREAT PLEASURE TO
PRESENT THE 2021 SEEHER AWARD TO
1788
01:43:29,570 --> 01:43:36,610
SOMEONE WHO IS ON-SCREEN AND OFF
CHANGING THE WORLD FOR THE
1789
01:43:36,643 --> 01:43:36,910
BETTER.
1790
01:43:36,944 --> 01:43:38,178
ZENDAYA.
1791
01:43:38,212 --> 01:43:41,048
I'M GOING TO START BY SAYING
THANK YOU SO MUCH TO JOHN DAVID
1792
01:43:41,081 --> 01:43:42,282
WASHINGTON.
1793
01:43:42,316 --> 01:43:46,987
INCREDIBLY LUCKY TO HAVE YOU AS
A FRIEND AND A SCENE PARTNER.
1794
01:43:47,020 --> 01:43:49,056
THANK YOU TO THE CRITICS CHOICE
ASSOCIATION FOR THIS INCREDIBLE
1795
01:43:49,089 --> 01:43:52,226
HONOR AND SEE HER.
1796
01:43:52,259 --> 01:43:54,194
THIS MEANS SO MUCH TO ME.
1797
01:43:54,228 --> 01:43:57,798
I WAS THINKING OF THINGS TO SAY,
THE ONLY REAL THING I CAN THINK
1798
01:43:57,831 --> 01:44:01,535
OF IS GRATITUDE.
1799
01:44:01,568 --> 01:44:03,637
THIS WORD KEEPS COMING TO MY
MIND, ESPECIALLY WITH THE YEAR
1800
01:44:03,670 --> 01:44:07,007
THAT EVERYONE HAS HAD.
1801
01:44:07,040 --> 01:44:10,277
TO CONTINUE TO BE GRATEFUL FOR
EVERY SINGLE MOMENT BIG AND
1802
01:44:10,310 --> 01:44:11,511
SMALL.
1803
01:44:11,545 --> 01:44:16,516
TO BE GRATEFUL FOR THE PEOPLE IN
OUR WORLD AND IN OUR LIFE THAT
1804
01:44:16,550 --> 01:44:20,320
MAKE THE WORK WE DO POSSIBLE, TO
CONTINUE TO MAKE SURE WE HOLD ON
1805
01:44:20,354 --> 01:44:22,656
TO OUR LOVED ONES A LITTLE BIT
TIGHTER.
1806
01:44:22,689 --> 01:44:24,091
MAKE SURE WE CALL THEM,
ACKNOWLEDGE THEM AND TELL THEM
1807
01:44:24,124 --> 01:44:28,128
WE LOVE THEM.
1808
01:44:28,161 --> 01:44:32,032
AND TAKEN MOMENTS LIKE THIS AND
I ABSOLUTELY WOULD NOT BE HERE
1809
01:44:32,065 --> 01:44:34,668
IF IT WEREN'T FOR THE INCREDIBLE
WOMEN THAT HAVE PAVED THE WAY
1810
01:44:34,701 --> 01:44:38,939
FOR ME TO BE HERE.
1811
01:44:38,972 --> 01:44:42,309
EXTREMELY GRATEFUL FOR THOSE
WOMEN.
1812
01:44:42,342 --> 01:44:45,746
YES, THIS IS VERY, VERY SPECIAL.
1813
01:44:45,779 --> 01:44:48,415
THANK YOU SO, SO MUCH.
1814
01:44:48,448 --> 01:44:52,586
NOT TO OVERUSE THE WORD BUT I'M
INCREDIBLY GRATEFUL FOR THIS
1815
01:44:52,619 --> 01:44:53,620
MOMENT.
1816
01:44:53,654 --> 01:44:56,156
Announcer: OTHER
CRITICS' CHOICE AWARDS IN THE
1817
01:44:56,189 --> 01:45:00,994
SERIES AND STREAMING CATEGORIES
TONIGHT INCLUDE BEST MOVIE MADE
1818
01:45:01,028 --> 01:45:03,330
FOR TELEVISION.
1819
01:45:03,363 --> 01:45:04,498
"HAMILTON."
1820
01:45:04,531 --> 01:45:07,200
AND BEST SHORT FORM SERIES.
1821
01:45:07,234 --> 01:45:12,773
"BETTER CALL SAUL."
1822
01:45:12,806 --> 01:45:17,144
ETHICS TRAINING WITH KIM WEXLER.
1823
01:45:17,177 --> 01:45:20,781
COMING UP, GAL GADOT AND CHRIS
HEMSWORTH.
1824
01:45:20,814 --> 01:45:26,219
HI, I AM EVA LONGORIA
PRESENTING THE CRITICS CHOICE
1825
01:45:26,253 --> 01:45:30,457
AWARD FOR BEST DIRECTOR NEXT.
1826
01:45:30,490 --> 01:45:35,462
Announcer: HERE ON THE 26TH
ANNUAL CRITICS CHOICE AWARDS.
1827
01:45:43,537 --> 01:45:44,538
Announcer: WELCOME BACK
TO THE 26TH CRITICS
1828
01:45:44,571 --> 01:45:49,042
CHOICE AWARDS.
1829
01:45:49,076 --> 01:45:51,078
Taye: ONCE AGAIN,
HERE'S EMMY, GRAMMY AND TONY
1830
01:45:51,111 --> 01:45:55,982
WINNER LIN-MANUEL MIRANDA.
1831
01:45:56,016 --> 01:45:58,685
ALL NIGHT LONG WE'VE BEEN
TREATED TO THE AMAZING NOMINEES
1832
01:45:58,719 --> 01:46:01,888
FOR BEST SONG, BUT THAT'S NO
WAY TO TRULY JUDGE THEM.
1833
01:46:01,922 --> 01:46:04,224
IN ORDER TO HELP ALL YOU CRITICS
OUT THERE, YOU NEED TO HEAR THEM
1834
01:46:04,257 --> 01:46:07,227
AS THEY WERE ORIGINALLY INTENDED
BY THEIR COMPOSERS SUNG BY
1835
01:46:07,260 --> 01:46:09,930
YOURS TRULY,
LIN-MANUEL MIRANDA.
1836
01:46:09,963 --> 01:46:12,132
♪ ONE NIGHT IN ♪
OH, THAT'S NOT
1837
01:46:12,165 --> 01:46:14,134
WHAT WE --
OKAY BUT I LEARNED THE WORDS
1838
01:46:14,167 --> 01:46:15,569
SO...
1839
01:46:15,602 --> 01:46:16,470
OH, THEY ALREADY VOTED?
1840
01:46:16,503 --> 01:46:22,476
OKAY, SO YOUR NOMINEES
FOR BEST SONG ARE...
1841
01:46:22,509 --> 01:46:24,945
"HUSAVIK (MY HOME TOWN)"
FROM EUROVISION SONG CONTEST:
1842
01:46:24,978 --> 01:46:26,446
THE STORY OF FIRE SAGA
"FIGHT FOR YOU" FROM JUDAS AND
1843
01:46:26,480 --> 01:46:30,350
THE BLACK MESSIAH
"EVERYBODY CRIES"
1844
01:46:30,384 --> 01:46:31,752
FROM THE OUTPOST.
1845
01:46:31,785 --> 01:46:35,322
"IO SI (SEEN)"
FROM THE LIFE AHEAD.
1846
01:46:35,355 --> 01:46:37,824
"SPEAK NOW" FROM
ONE NIGHT IN MIAMI.
1847
01:46:37,858 --> 01:46:41,328
"TIGRESS & TWEED" FROM THE
UNITED STATES VS. BILLIE
1848
01:46:41,361 --> 01:46:43,096
HOLIDAY.
1849
01:46:43,130 --> 01:46:48,435
AND THE CRITICS CHOICE IS...
1850
01:46:48,468 --> 01:46:53,907
"SPEAK NOW"
"ONE NIGHT IN MIAMI."
1851
01:46:53,940 --> 01:47:01,681
MY COLLABORATOR, SAM ASHWORTH
AND I WOULD LIKE TO THANK THE
1852
01:47:01,715 --> 01:47:05,118
CRITICS CHOICE ASSOCIATION FOR
HONORING THE SONG IN THIS WAY.
1853
01:47:05,152 --> 01:47:11,625
WE WANT TO THANK REGINA KING FOR
THE OPPORTUNITY OF.
1854
01:47:11,658 --> 01:47:15,996
THE SCREENING FROM OTHER AREAS
OF THE HOUSE.
1855
01:47:16,029 --> 01:47:19,633
TO GET TO UNDERSCORING AND
PUNCTUATE THE THEMES IN THIS
1856
01:47:19,666 --> 01:47:23,003
FILM THAT THE WORLD TO US.
1857
01:47:23,036 --> 01:47:24,971
REGINA'S BEAUTIFUL MOVIE.
1858
01:47:25,005 --> 01:47:26,940
THANK YOU, AMAZON FOR THE
SUPPORT OF THE SONG.
1859
01:47:26,973 --> 01:47:31,011
THANK YOU TO THE ORIGINAL
PRODUCERS IN LAST BUT NOT LEAST,
1860
01:47:31,044 --> 01:47:36,450
THANK YOU SAM COOKE FOR THE
LEGACY AND FOR LEAVING US SUCH
1861
01:47:36,483 --> 01:47:39,386
POTENT WORDS TO BE SO INSPIRED
BY AND MELODIES.
1862
01:47:39,419 --> 01:47:41,254
WE ARE VERY HUMBLE TONIGHT.
1863
01:47:41,288 --> 01:47:45,292
THANK YOU SO MUCH.
1864
01:47:45,325 --> 01:47:47,861
Announcer: SHE'S A TERRIFIC
ACTRESS WHO HAS ALSO BECOME
1865
01:47:47,894 --> 01:47:48,862
A SUCCESSFUL TELEVISION
DIRECTOR.
1866
01:47:48,895 --> 01:47:50,063
HERE IS EVA LONGORIA!
1867
01:47:50,096 --> 01:47:51,364
PRESENTING THE CRITICS CHOICE
AWARD FOR BEST DIRECTOR THIS
1868
01:47:51,398 --> 01:47:53,767
YEAR IS A HUGE HONOR FOR ME,
BECAUSE IT'S PERSONALLY VERY
1869
01:47:53,800 --> 01:47:56,837
ENCOURAGING THAT THREE WOMEN
HAVE BEEN RECOGNIZED FOR THEIR
1870
01:47:56,870 --> 01:47:58,872
WORK AS DIRECTORS.
1871
01:47:58,905 --> 01:48:00,006
HERE ARE ALL OF THE NOMINEES.
1872
01:48:00,040 --> 01:48:28,301
HERE ARE ALL OF THE NOMINEES.
1873
01:48:28,335 --> 01:48:35,075
AND THE CRITICS CHOICE IS...
1874
01:48:35,108 --> 01:48:43,517
CHOE ZHAO, "NOMADLAND."
1875
01:48:43,550 --> 01:48:46,720
THANK YOU VERY MUCH, CRITICS
CHOICE.
1876
01:48:46,753 --> 01:48:52,058
I WOULD LIKE TO DEDICATE THIS
AWARD TO MICHAEL WOLF SNYDER WHO
1877
01:48:52,092 --> 01:49:00,166
WAS THE PRODUCTION MIXER ON
"NOMADLAND."
1878
01:49:00,200 --> 01:49:02,235
SADLY HE JUST PASSED AWAY.
1879
01:49:02,269 --> 01:49:06,072
I REMEMBER WE ONLY HAD FIVE
PEOPLE ON THE CREW, A HECTIC
1880
01:49:06,106 --> 01:49:11,878
DAY, HE CAME TO ME AND SAID HEY,
HOW ABOUT I RECORD TONE A LITTLE
1881
01:49:11,912 --> 01:49:15,682
BIT LONGER THAN I NEED SO I CAN
BUY MAKE YOU SOME TIME TO THINK
1882
01:49:15,715 --> 01:49:16,383
AND HEAR YOURSELF BETTER.
1883
01:49:16,416 --> 01:49:20,620
THAT'S WHAT WE DID.
1884
01:49:20,654 --> 01:49:23,423
WE DO THE SAME THING ON
"NOMADLAND."
1885
01:49:23,456 --> 01:49:29,596
THESE WERE THE BEST MOMENTS,
BEST MOMENTS OF OUR DAY.
1886
01:49:29,629 --> 01:49:32,632
THE WHOLE CREW TOGETHER WATCHING
WOLF AND HE WOULD SAY ALL RIGHT,
1887
01:49:32,666 --> 01:49:35,268
EVERYONE GET READY.
1888
01:49:35,302 --> 01:49:40,640
LET'S GO TO YOUR ZEN PLACE AND
WE DID.
1889
01:49:40,674 --> 01:49:41,141
THANK YOU, WOLF.
1890
01:49:41,174 --> 01:49:43,610
WE HONOR YOU.
1891
01:49:43,643 --> 01:49:48,882
WE WILL SEE YOU DOWN THE ROAD,
MY FRIEND.
1892
01:49:48,915 --> 01:49:50,417
THANK YOU.
1893
01:49:50,450 --> 01:49:53,453
Taye: OTHER CRITICS' CHOICE
AWARDS IN THE FILM CATEGORIES
1894
01:49:53,486 --> 01:49:57,424
TONIGHT INCLUDE BEST
CINEMATOGRAPHY.
1895
01:49:57,457 --> 01:50:00,627
JOSHUA JAMES RICHARDS.
1896
01:50:00,660 --> 01:50:01,161
"NOMADLAND."
1897
01:50:01,194 --> 01:50:02,028
BEST EDITING.
1898
01:50:02,062 --> 01:50:04,898
IT IS A TITHE.
1899
01:50:04,931 --> 01:50:10,203
ALAN BAUMGARTEN, "THE TRIAL OF
THE CHICAGO SEVEN TRAN."
1900
01:50:10,236 --> 01:50:14,274
AND "SOUND OF METAL.
1901
01:50:14,307 --> 01:50:22,015
BEST VISUAL EFFECTS, TENANT.
1902
01:50:22,048 --> 01:50:24,217
"MANK."
1903
01:50:24,250 --> 01:50:27,587
BEST HAIR AND MAKEUP, "MA
RAINEY'S BLACK BOTTOM."
1904
01:50:27,621 --> 01:50:36,129
BEST COSTUME DESIGN, "MA
RAINEY'S BLACK BOTTOM.
1905
01:50:36,162 --> 01:50:42,202
STILL TO COME, THE AWARDS FOR
BEST ACTRESS, BEST PICTURE, AND.
1906
01:50:42,235 --> 01:50:45,505
I'M CATHERINE ZETA-JONES AND
I WILL BE PRESENTING BEST ACTOR.
1907
01:50:45,538 --> 01:50:50,110
COMING UP NEXT.
1908
01:50:50,143 --> 01:50:53,513
Announcer: WHEN THE 26TH
CRITICS CHOICE AWARDS CONTINUE
1909
01:51:02,522 --> 01:51:04,257
REPRESENTATION MATTERS.
1910
01:51:04,290 --> 01:51:05,392
MATTERS WHO IS TELLING THE
STORY.
1911
01:51:05,425 --> 01:51:11,564
IT MATTERS THAT WE ARE SEEN AS
WOMEN, AS PEOPLE OF COLOR.
1912
01:51:11,598 --> 01:51:12,766
OF ALL COMMUNITIES.
1913
01:51:12,799 --> 01:51:22,509
STORYTELLING SHOULD REFLECT LIFE
LIFE.
1914
01:51:22,542 --> 01:51:23,543
Taye: WE'RE BACK.
1915
01:51:23,576 --> 01:51:25,011
SHE'S AN OSCAR AND TWO-TIME
CRITICS CHOICE WINNER
1916
01:51:25,045 --> 01:51:28,014
WHO CURRENTLY STARS IN THE
SERIES "THE PRODIGAL SON,"
1917
01:51:28,048 --> 01:51:33,920
HERE'S CATHERINE ZETA-JONES.
1918
01:51:33,953 --> 01:51:36,956
WOULD YOU BELIEVE THAT THE
EIGHT NOMINEES FOR BEST ACTOR
1919
01:51:36,990 --> 01:51:40,260
THIS YEAR HAVE WON A COMBINED
5,000 AWARDS IN
1920
01:51:40,293 --> 01:51:42,195
THE PAST FIVE YEARS?
1921
01:51:42,228 --> 01:51:46,666
NOW, I DON'T KNOW WHETHER
IT'S TRUE, BUT THE FACT THAT
1922
01:51:46,700 --> 01:51:49,302
IT'S BELIEVABLE IS A TESTAMENT
TO WHAT AN AMAZING BUNCH
1923
01:51:49,335 --> 01:51:52,439
THEY ARE.
1924
01:51:52,472 --> 01:52:06,920
LET'S TAKE A LOOK AT THESE
AMAZING ACTORS' WORK.
1925
01:52:06,953 --> 01:52:09,856
YOU DON'T KNEW NOTHING ABOUT
ME.
1926
01:52:09,889 --> 01:52:13,593
YOU DON'T KNOW NOTHING ABOUT
WHAT KIND OF BLOOD I'VE GOT,
1927
01:52:13,626 --> 01:52:16,329
WHAT UP HEART I'VE GOT.
1928
01:52:16,362 --> 01:52:20,900
YOU'RE LEAVING ME, IS THAT IT
IT?
1929
01:52:20,934 --> 01:52:31,644
YOU'RE ABANDONING ME.
1930
01:52:31,678 --> 01:52:37,717
TAKE THE SHOT.
1931
01:52:37,751 --> 01:52:49,129
I WILL CHOOSE WHEN AND HOW I
DIE.
1932
01:52:49,162 --> 01:52:53,166
HOW CAN I PUT THIS?
1933
01:52:53,199 --> 01:53:13,753
I MAY BE A LOOSE CANNON BUT YOU,
MY FRIEND, ARE AN OUTSIDER.
1934
01:53:13,787 --> 01:53:17,123
IF I DISAPPEAR, WHO CARES.
1935
01:53:17,157 --> 01:53:19,659
NOBODY CARES, MAN.
1936
01:53:19,692 --> 01:53:22,729
SERIOUSLY.
1937
01:53:22,762 --> 01:53:26,900
THAT IS COFFEE.
1938
01:53:26,933 --> 01:53:29,736
COFFEE PACKS A PUNCH, DOESN'T
IT?
1939
01:53:29,769 --> 01:53:32,172
IT IS AN ACQUIRED TASTE.
1940
01:53:32,205 --> 01:53:35,608
AND THE CRITICS CHOICE IS...
1941
01:53:35,642 --> 01:53:47,287
CHADWICK BOSEMAN, "MA RAINEY'S
BLACK BOTTOM."
1942
01:53:47,320 --> 01:53:55,395
YOU KNOW, IT HAS TO BE SAID
ALOUD THAT FOR THOSE OF US WHO
1943
01:53:55,428 --> 01:54:00,533
KNOW CHAD INTIMATELY,
PERSONALLY, PROFESSIONALLY,
1944
01:54:00,567 --> 01:54:04,237
THOSE HE TAUGHT, THOSE HE GAVE A
WORD OF ADVICE, THOSE WHO TAUGHT
1945
01:54:04,270 --> 01:54:10,476
HIM, IT IS SO HARD TO FIND A
CELEBRATORY FEELING IN THESE
1946
01:54:10,510 --> 01:54:11,744
MOMENTS.
1947
01:54:11,778 --> 01:54:16,716
AS PROUD AS WE ARE OF HIM, YES,
FOR HIS WORK BUT EVEN MORE JUST
1948
01:54:16,749 --> 01:54:21,087
FOR WHO HE IS AS A PERSON.
1949
01:54:21,120 --> 01:54:22,522
HIS WORK DESERVES THIS.
1950
01:54:22,555 --> 01:54:25,291
HIS WORK IN THIS FILM DESERVES
THIS.
1951
01:54:25,325 --> 01:54:26,559
HE DESERVES THIS.
1952
01:54:26,593 --> 01:54:30,296
SO HE WOULD ALWAYS THANK GOD
FIRST AND FOREMOST AND
1953
01:54:30,330 --> 01:54:31,297
EVERYTHING.
1954
01:54:31,331 --> 01:54:33,800
HE WOULD ALWAYS HONOR HIS MOTHER
AND HIS FATHER.
1955
01:54:33,833 --> 01:54:37,270
HE WOULD ALWAYS ACKNOWLEDGE
THOSE WHO CAME BEFORE HIM, THOSE
1956
01:54:37,303 --> 01:54:38,738
WHO CHARTED THE PATH.
1957
01:54:38,771 --> 01:54:43,743
THOSE WHO GAVE HIM THEIR GIFTS.
1958
01:54:43,776 --> 01:54:46,880
HE MAY SAY SOMETHING ABOUT THE
IMPORTANCE OF THIS STORY, ABOUT
1959
01:54:46,913 --> 01:54:51,951
THE IMPORTANCE OF BLACK VOICES
TELLING BLACK STORIES.
1960
01:54:51,985 --> 01:54:55,054
HE MAY TAKE THIS MOMENT TO GIVE
HONOR TO AUGUST WILSON, ONE OF
1961
01:54:55,088 --> 01:55:00,693
THE GREATEST PLAYWRIGHTS OF OUR
TIME.
1962
01:55:00,727 --> 01:55:07,533
AND I RECENTLY READ, SOCIETIES
GREW GREAT WHEN OLD MEN PLANT
1963
01:55:07,567 --> 01:55:12,372
TREES IN WHOSE SHADE THEY KNOW
THEY MAY NEVER SIT.
1964
01:55:12,405 --> 01:55:16,576
OUR SOCIETY MAY BE A FAR CRY
FROM GREAT BUT I KNOW THAT THE
1965
01:55:16,609 --> 01:55:22,682
SEEDS YOU PLANTED WILL GROW INTO
FORESTS AND ONE DAY WE TOO WILL
1966
01:55:22,715 --> 01:55:28,354
BE TALL ENOUGH TO REACH THE
HEAVENS.
1967
01:55:28,388 --> 01:55:32,592
THANK YOU, CRITICS CHOICE.
1968
01:55:32,625 --> 01:55:35,261
THANK YOU, CHAD.
1969
01:55:35,295 --> 01:55:39,632
THANK YOU.
1970
01:55:39,666 --> 01:55:46,072
OTHER WINNERS INCLUDE BEST
ORIGINAL SCREENPLAY.
1971
01:55:46,105 --> 01:56:05,491
BEST ADAPTED SCREENPLAY.
1972
01:56:05,525 --> 01:56:08,294
Announcer: COMING UP,
TWO SUPER HEROES:
1973
01:56:08,328 --> 01:56:11,197
WONDER WOMAN AND THOR.
1974
01:56:11,230 --> 01:56:14,033
BETTER KNOWN AS GAL GADOT.
1975
01:56:14,067 --> 01:56:15,702
I'M CHRIS HEMSWORTH.
1976
01:56:15,735 --> 01:56:18,838
COMING UP NEXT, PRESENTING THE
CRITICS CHOICE AWARD FOR BEST
1977
01:56:18,871 --> 01:56:21,040
ACTRESS.
1978
01:56:37,323 --> 01:56:38,091
Taye: AND WE'RE BACK.
1979
01:56:38,124 --> 01:56:39,592
HE'S CURRENTLY
IN AUSTRALIA FILMING
1980
01:56:39,625 --> 01:56:42,662
"THOR: LOVE AND THUNDER,"
HIS EIGHTH MOVIE AS THE
1981
01:56:42,695 --> 01:56:47,433
HAMMER-WIELDING SUPERHERO THOR.
1982
01:56:47,467 --> 01:56:51,437
HERE IS AN EXCEEDINGLY
GOOD LOOKING WHITE MAN,
1983
01:56:51,471 --> 01:56:53,840
CHRIS HEMSWORTH.
1984
01:56:53,873 --> 01:56:54,941
HELLO, EVERYONE!
1985
01:56:54,974 --> 01:56:55,775
I AM HONORED TO BE PRESENTING
THE CRITICS CHOICE AWARD
1986
01:56:55,808 --> 01:56:57,543
FOR BEST ACTRESS.
1987
01:56:57,577 --> 01:57:00,079
THIS YEAR'S IMPRESSIVE FIELD OF
SEVEN NOMINEES RANGES FROM
1988
01:57:00,113 --> 01:57:03,016
SEASONED FILM ICONS TO PROMISING
NEWCOMERS.
1989
01:57:03,049 --> 01:57:06,019
EACH OF THEIR PERFORMANCES
ARE RICH, COMPLEX, AND BOLD,
1990
01:57:06,052 --> 01:57:07,920
BRINGING THE TRADEMARK STRENGTH
WE'VE COME TO EXPECT
1991
01:57:07,954 --> 01:57:08,755
FROM THIS CATEGORY.
1992
01:57:08,788 --> 01:57:22,702
HERE ARE THE NOMINEES.
1993
01:57:22,735 --> 01:57:28,174
MY SONG.
1994
01:57:28,207 --> 01:57:35,948
IT REMINDS THEM THAT THEY ARE
KILLING US.
1995
01:57:35,982 --> 01:57:39,986
IF IT'S POSITIVE, IS THERE
ANYWAY COULD BE NEGATIVE?
1996
01:57:40,019 --> 01:57:40,987
NO.
1997
01:57:41,020 --> 01:57:46,125
A POSITIVE IS ALWAYS A POSITIVE.
1998
01:57:46,159 --> 01:57:47,760
THAT IS WHAT YOU WANT.
1999
01:57:47,794 --> 01:57:49,495
THAT'S WHAT YOU NEED.
2000
01:57:49,529 --> 01:57:50,396
THAT'S YOUR WAY.
2001
01:57:50,430 --> 01:57:51,164
IT'S NOT MY WAY.
2002
01:57:51,197 --> 01:57:55,535
IT'S WHAT YOU NEED!
2003
01:57:55,568 --> 01:58:01,040
THANK YOU FOR GETTING OVER
THIS, FOR MOVING FORWARD.
2004
01:58:01,074 --> 01:58:03,609
FOR BEING YOU.
2005
01:58:03,643 --> 01:58:13,152
THANK YOU FOR ALL THAT I FORGET
TO THANK YOU FOR.
2006
01:58:13,186 --> 01:58:14,687
I LIVE IN THERE.
2007
01:58:14,720 --> 01:58:20,827
THAT'S MY HOME.
2008
01:58:20,860 --> 01:58:26,833
THEY DON'T CARE NOTHING ABOUT
ME.
2009
01:58:26,866 --> 01:58:33,172
I WANT IS MY VOICE.
2010
01:58:33,206 --> 01:58:34,607
HOW OLD AM I?
2011
01:58:34,640 --> 01:58:39,512
HOW LONG HAVE I LIVED IN THE
CITY?
2012
01:58:39,545 --> 01:58:43,082
WHAT'S MY NAME?
2013
01:58:43,116 --> 01:58:45,118
AND THE CRITICS CHOICE IS...
2014
01:58:45,151 --> 01:58:52,125
CAREY MULLIGAN,
"PROMISING YOUNG WOMAN."
2015
01:58:52,158 --> 01:58:55,628
OH, MY GOODNESS.
2016
01:58:55,661 --> 01:58:56,095
GOSH.
2017
01:58:56,129 --> 01:59:00,099
THANK YOU SO MUCH.
2018
01:59:00,133 --> 01:59:02,502
THAT'S SUCH -- IT'S VERY EARLY
IN THE MORNING HERE.
2019
01:59:02,535 --> 01:59:04,137
I'M TRYING TO GATHER MY
THOUGHTS.
2020
01:59:04,170 --> 01:59:09,642
I'M AWARE THAT IT IS VERY EARLY
AT THE BEGINNING OF
2021
01:59:09,675 --> 01:59:10,943
INTERNATIONAL WOMEN'S DAY TODAY.
2022
01:59:10,977 --> 01:59:15,915
I AM SO HONORED TO BE RECOGNIZED
AMONGST THESE INCREDIBLE FEMALE
2023
01:59:15,948 --> 01:59:16,816
PERFORMANCES.
2024
01:59:16,849 --> 01:59:18,918
THANK YOU FOR THE STORIES THAT
YOU'VE TOLD.
2025
01:59:18,951 --> 01:59:21,988
IT'S AN HONOR TO BE RECOGNIZED
ALONGSIDE YOU.
2026
01:59:22,021 --> 01:59:29,929
I NEED TO THANK MARGOT ROBBIE,
FILMATION, FOCUS FEATURES.
2027
01:59:29,962 --> 01:59:32,932
OUR REMARKABLE CREW WHO MADE
THIS FILM AND 23 DAYS BECAUSE
2028
01:59:32,965 --> 01:59:34,500
THEY ARE GENIUSES.
2029
01:59:34,534 --> 01:59:38,171
OUR AMAZING CAST.
2030
01:59:38,204 --> 01:59:41,507
ALL OF THEM, THE MOST INCREDIBLY
INSPIRING, CHALLENGING,
2031
01:59:41,541 --> 01:59:42,842
BRILLIANT ACTORS TO WORK WITH.
2032
01:59:42,875 --> 01:59:53,986
MOST ESPECIALLY BO BURNHAM AND
RSE TO ADMIRAL EMERIL FINELL WHO
2033
01:59:54,020 --> 01:59:58,457
WROTE THIS INCREDIBLE SCRIPT AND
DIRECTED WITH SUCH APLOMB AND
2034
01:59:58,491 --> 02:00:00,860
WILL MOCK ME RELENTLESSLY FOR
HAVING USED THE WORD APLOMB.
2035
02:00:00,893 --> 02:00:02,528
I AM INDEBTED TO HER FOR THIS
OPPORTUNITY.
2036
02:00:02,562 --> 02:00:04,730
THANK YOU SO MUCH.
2037
02:00:04,764 --> 02:00:06,098
Announcer: WE STILL HAVE THE
BIG AWARD OF THE NIGHT TO COME
2038
02:00:06,132 --> 02:00:10,002
AND HERE'S
WHO'S PRESENTING IT.
2039
02:00:10,036 --> 02:00:13,606
THIS IS GAL GADOT AND I AM
PRESENTING THE BEST PICTURE
2040
02:00:13,639 --> 02:00:14,907
AWARD COMING UP NEXT.
2041
02:00:14,941 --> 02:00:19,545
Announcer: HERE ON THE 26TH
CRITICS CHOICE AWARDS.
2042
02:00:32,458 --> 02:00:35,194
Taye: JUST ONE FINAL AWARD
LEFT AND IT'S THE BIG ONE.
2043
02:00:35,228 --> 02:00:38,097
TO PRESENT IT, WE WANTED ONE OF
THE BIGGEST STARS IN THE MOVIE
2044
02:00:38,130 --> 02:00:41,300
UNIVERSE AND WE GOT ONE.
2045
02:00:41,334 --> 02:00:44,170
HERE IS THE PRODUCER AND STAR OF
"WONDER WOMAN 1984",
2046
02:00:44,203 --> 02:00:47,273
SOON TO BE SEEN IN THE UPCOMING
"RED NOTICE,"
2047
02:00:47,306 --> 02:00:53,346
GAL GADOT.
2048
02:00:53,379 --> 02:00:56,816
IN A YEAR THAT SAW FILMS
FORCED FROM THEATERS,
2049
02:00:56,849 --> 02:00:59,785
THE NOMINEES FOR BEST PICTURE
WERE STILL ABLE
2050
02:00:59,819 --> 02:01:02,755
TO HAVE IMPACT ON US ALL.
2051
02:01:02,788 --> 02:01:06,025
THIS IS A TESTAMENT TO ALL THE
TALENT AND THE HIGH-QUALITY
2052
02:01:06,058 --> 02:01:10,663
WORKMANSHIP OF EVERYONE IN THIS
ROOM.
2053
02:01:10,696 --> 02:01:13,132
SO, NO MATTER WHAT NAME I READ,
YOU'RE ALL WINNERS.
2054
02:01:13,165 --> 02:01:30,616
LET'S TAKE A LOOK AT THE
NOMINEES FOR BEST PICTURE.
2055
02:01:30,650 --> 02:01:34,420
YOU MAY HAVE HEARD MGM HAS
MORE STARS THAN THERE ARE IN THE
2056
02:01:34,453 --> 02:01:35,087
HEAVENS.
2057
02:01:35,121 --> 02:01:37,290
DO NOT BELIEVE THIS.
2058
02:01:37,323 --> 02:01:44,930
WE ONLY HAVE ONE STAR, LEO THE
LION.
2059
02:01:44,964 --> 02:01:54,974
UM.
2060
02:01:55,007 --> 02:02:02,081
THE BOYS IN THE BAND.
2061
02:02:02,114 --> 02:02:03,616
WHAT BAND?
2062
02:02:03,649 --> 02:02:05,084
THE BAND WORKS FOR ME.
2063
02:02:05,117 --> 02:02:07,053
WHAT DID SHE SAY?
2064
02:02:07,086 --> 02:02:10,056
SHE SAYS SHE'S GOT NO HOME.
2065
02:02:10,089 --> 02:02:16,862
THIS CHILD IS AN ORPHAN TWICE
OVER.
2066
02:02:16,896 --> 02:02:19,965
AIN'T NOBODY ELSE UNDERSTAND
WHAT IT'S LIKE EXCEPT US.
2067
02:02:19,999 --> 02:02:22,401
THERE'S GOING TO BE A TARGET ON
YOUR BACK.
2068
02:02:22,435 --> 02:02:27,073
IT WAS GOING TO BE THERE
ANYWAY.
2069
02:02:27,106 --> 02:02:33,612
ONE OF THE THINGS I LOVE MOST
ABOUT THIS LIFE IS THAT THERE IS
2070
02:02:33,646 --> 02:02:40,586
NO FINAL GOODBYE.
2071
02:02:40,619 --> 02:02:44,724
WHY DO YOU SAY THAT?
2072
02:02:44,757 --> 02:02:48,260
I THOUGHT YOU WERE --
DRUNK?
2073
02:02:48,294 --> 02:02:48,694
REALLY DRUNK?
2074
02:02:48,728 --> 02:02:49,061
YEAH.
2075
02:02:49,095 --> 02:03:05,544
I'M NOT.
2076
02:03:05,578 --> 02:03:10,149
THIS MISSION WAS SO DAMN
IMPORTANT.
2077
02:03:10,182 --> 02:03:13,185
IT'S WHAT THE WAR IS ALL ABOUT.
2078
02:03:13,219 --> 02:03:18,657
I AM BEING DENIED RIGHT NOW
MY CONSTITUTIONAL RIGHTS.
2079
02:03:18,691 --> 02:03:19,558
REPRESENTATION.
2080
02:03:19,592 --> 02:03:25,231
WILL YOU BE QUIET!
2081
02:03:25,264 --> 02:03:28,934
THE CRITICS CHOICE
FOR BEST PICTURE IS...
2082
02:03:28,968 --> 02:03:37,810
"NOMADLAND."
2083
02:03:37,843 --> 02:03:40,012
THANK YOU.
2084
02:03:40,045 --> 02:03:42,214
THANK YOU, CRITICS CHOICE
ASSOCIATION AND OUR FELLOW
2085
02:03:42,248 --> 02:03:43,349
NOMINEES.
2086
02:03:43,382 --> 02:03:48,187
I AM INCREDIBLY HONORED TO
ACCEPT THIS AWARD ON BEHALF OF
2087
02:03:48,220 --> 02:03:52,525
MY FELLOW PRODUCERS, FRANCES
McDORMAND, PETER SPEARS, DAN
2088
02:03:52,558 --> 02:03:53,793
AND CHLOE.
2089
02:03:53,826 --> 02:03:57,596
WE WANT TO THANK THE CRITICS FOR
SHINING A LIGHT ON OUR FILM VERY
2090
02:03:57,630 --> 02:04:00,332
EARLY ON AND CONTINUING TO
DEEPEN THE CONVERSATION WITH
2091
02:04:00,366 --> 02:04:01,901
SUCH NUANCE.
2092
02:04:01,934 --> 02:04:07,473
THANK YOU SEARCHLIGHT PICTURES,
TO OUR "NOMADLAND" CREST AND
2093
02:04:07,506 --> 02:04:08,107
CREW.
2094
02:04:08,140 --> 02:04:10,075
TO JOSH, CONGRATULATIONS.
2095
02:04:10,109 --> 02:04:13,045
TO CHLOE FOR LEADING US WITH
SUCH HEART.
2096
02:04:13,078 --> 02:04:19,185
SO MUCH OF "NOMADLAND" IS ABOUT
LISTENING, LISTENING TO NATURE
2097
02:04:19,218 --> 02:04:20,453
AND ONE ANOTHER'S STORIES.
2098
02:04:20,486 --> 02:04:25,291
WE WANT TO DEDICATE THIS AWARD
TO OUR PRODUCTION SOUND MIXER,
2099
02:04:25,324 --> 02:04:29,328
MICHAEL WOLF SNYDER WHO DIDN'T
JUST RECORD SOUND BUT DEEPLY
2100
02:04:29,361 --> 02:04:30,596
FELT IT.
2101
02:04:30,629 --> 02:04:34,800
IN THE YEAR THAT HAS ILLUMINATED
THE CRUCIAL NEED FOR CONNECTION
2102
02:04:34,834 --> 02:04:39,171
AND EMPATHY, WE ARE SO PROUD TO
HAVE CREATED A FILM THAT
2103
02:04:39,205 --> 02:04:44,577
CELEBRATES THE COMPASSION GAINED
BY SIMPLY LISTENING TO ONE
2104
02:04:44,610 --> 02:04:45,044
ANOTHER.
2105
02:04:45,077 --> 02:04:49,648
THANK YOU SO MUCH.
2106
02:04:49,682 --> 02:04:51,417
Taye: THAT'S IT
FOR THIS YEAR.
2107
02:04:51,450 --> 02:04:55,588
IT'S BEEN A VERY UNUSUAL SHOW
IN A VERY WEIRD YEAR.
2108
02:04:55,621 --> 02:04:57,456
LET'S HOPE NEXT TIME
WE'RE ALL HEALTHY
2109
02:04:57,490 --> 02:04:59,358
AND SAFELY BACK IN ONE BIG ROOM
TOGETHER.
2110
02:04:59,391 --> 02:05:03,229
TILL THEN, GOOD NIGHT!
149922
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