Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:40,068 --> 00:00:42,137
Man:
JENNY!
2
00:00:46,724 --> 00:00:49,000
[ girl laughing ]
3
00:01:44,827 --> 00:01:46,793
[ rattles ]
4
00:02:26,103 --> 00:02:28,103
[ yelling ]
5
00:02:28,103 --> 00:02:31,758
[ Jenny screams ]
HALLAM!
6
00:02:31,758 --> 00:02:33,517
YOU'’RE DEAD.
7
00:02:33,517 --> 00:02:35,896
YOU'’RE FUCKING DEAD!
8
00:02:35,896 --> 00:02:39,068
- I'’LL GET MY BROTHER ON YOU.
- JENNY, COME BACK, WAIT!
9
00:02:39,068 --> 00:02:42,068
FUCKING PERVERT!
10
00:02:42,068 --> 00:02:44,206
IF THAT WAS A JOKE,
IT WASN'’T VERY
FUCKING FUNNY.
11
00:02:46,379 --> 00:02:49,344
AND I WOULD
LOOK OUT FOR HER BROTHER.
HE'’S A FUCKING MENTALIST.
12
00:02:49,344 --> 00:02:52,689
JENNY, JENNY!
13
00:03:01,827 --> 00:03:03,758
[ blows ]
14
00:04:13,034 --> 00:04:16,379
- I'’LL MISS YOU.
- I HATE YOU.
15
00:04:16,379 --> 00:04:18,034
CAN I TAKE THIS?
16
00:04:18,034 --> 00:04:20,137
THIS CAN'’T STILL
FIT YOU, SURELY.
17
00:04:20,137 --> 00:04:21,551
GET OUT OF MY ROOM,
HALLAM.
18
00:04:21,551 --> 00:04:23,103
YOU'’RE NOT GOING ANYWHERE
WITHOUT THESE, ARE YOU?
19
00:04:23,103 --> 00:04:25,689
I'’M GONNA TAKE THESE.
AND WHAT IF I START
PUTTING THESE BACK?
20
00:04:25,689 --> 00:04:27,655
- GET OUT OF MY ROOM.
- OW!
21
00:04:41,344 --> 00:04:44,793
♪ WHEN HE SPOKE, SHE SMILED
IN ALL THE RIGHT PLACES ♪
22
00:04:48,344 --> 00:04:51,206
♪ IN HER SMILE, HE SAW
THE POISON SHE TASTED ♪
23
00:04:53,896 --> 00:04:57,413
♪ HE WASN'’T LISTENING
TO HER SWEET WORDS ♪
24
00:04:57,413 --> 00:05:00,344
♪ HE WASN'’T LISTENING
TO HER LYING TONGUE ♪
25
00:05:00,344 --> 00:05:04,379
♪ HE WAS LISTENING
TO THE WORDS BEING SUNG... ♪
26
00:05:04,379 --> 00:05:06,413
[ electricity crackles ]
27
00:05:06,413 --> 00:05:08,586
♪ I HEAR YOU,
BLUE BOY... ♪
28
00:05:08,586 --> 00:05:11,206
[ growls ]
29
00:05:13,620 --> 00:05:15,758
♪ FRIENDS TOLD HIM ABOUT THEIR
YOUNG HEARTS'’ PASSION... ♪
30
00:05:15,758 --> 00:05:17,689
[ howls ]
31
00:05:20,103 --> 00:05:22,724
♪ DOWN BY THE SEA WHERE
THE BLUE WAVES CRASH IN ♪
32
00:05:26,379 --> 00:05:29,379
♪ HE WASN'’T LISTENING
TO HER SWEET WORDS ♪
33
00:05:29,379 --> 00:05:32,896
♪ HE WASN'’T LISTENING
TO HER LYING TONGUE ♪
34
00:05:32,896 --> 00:05:36,000
♪ HE WAS LISTENING
TO THE WORDS BEING SUNG. ♪
35
00:05:43,655 --> 00:05:45,620
[ liquid pouring ]
36
00:05:45,620 --> 00:05:47,379
THANK YOU.
37
00:05:48,758 --> 00:05:50,827
TO AUSTRALIA
38
00:05:50,827 --> 00:05:52,586
AND GREAT ADVENTURES.
39
00:05:52,586 --> 00:05:54,724
HAPPY ANNIVERSARY DAD
AND VERITY.
40
00:05:56,448 --> 00:05:59,137
ABSENT FRIENDS.
41
00:05:59,137 --> 00:06:01,655
ABSENT FRIENDS.
42
00:06:07,310 --> 00:06:09,793
DO YOU KNOW WHY WE
CHOSE THIS RESTAURANT?
43
00:06:09,793 --> 00:06:13,275
- IT CAN'’T BE THE FOOD.
- I TOLD YOU TO HAVE THE VEAL.
44
00:06:13,275 --> 00:06:15,310
IT WAS HERE THAT JULIUS
45
00:06:15,310 --> 00:06:18,551
FIRST ASKED ME
TO HELP MANAGE THE FIRM.
46
00:06:18,551 --> 00:06:21,965
YOU MEAN WHEN YOU
WERE THE SECRETARY?
47
00:06:21,965 --> 00:06:24,655
THAT'’S RIGHT.
WHEN I WAS HIS SECRETARY.
48
00:06:24,655 --> 00:06:27,448
- I DIDN'’T KNOW THAT.
- Verity: THAT'’S BECAUSE
I SAID NO.
49
00:06:27,448 --> 00:06:29,448
I WASN'’T READY
FOR IT THEN.
50
00:06:29,448 --> 00:06:31,689
BUT THIS AFTERNOON,
I PUT THE SAME QUESTION
TO VERITY,
51
00:06:31,689 --> 00:06:34,965
- AND I'’M HAPPY
TO SAY SHE AGREED.
- OH, CONGRATULATIONS.
52
00:06:39,620 --> 00:06:41,620
WHEN WAS IT
YOU WERE FIRST ASKED?
53
00:06:43,551 --> 00:06:45,551
IT MUST HAVE BEEN
A COUPLE YEARS AGO.
54
00:06:45,551 --> 00:06:48,344
AND WAS THAT
BEFORE OR AFTER?
55
00:06:51,724 --> 00:06:54,000
IT WASN'’T LONG BEFORE
YOUR MOTHER PASSED AWAY.
56
00:07:04,689 --> 00:07:07,344
DO YOU REMEMBER
WHAT HAPPENED LATER?
57
00:07:07,344 --> 00:07:09,551
YOUR FRIEND.
58
00:07:09,551 --> 00:07:12,344
[ laughs ]
OH, YES.
59
00:07:12,344 --> 00:07:15,448
THAT SAME DAY AN OLD
BOYFRIEND OF MINE
CALLS UP AND INSISTS
60
00:07:15,448 --> 00:07:19,206
ON TAKING ME OUT FOR DINNER.
GUESS WHERE HE TOOK ME?
61
00:07:19,206 --> 00:07:21,275
[ laughs ]
62
00:07:21,275 --> 00:07:23,379
CAN YOU IMAGINE WHAT
THE STAFF MUST HAVE THOUGHT?
63
00:07:23,379 --> 00:07:25,241
THE PROBABLY THOUGHT
YOU WERE A PROSTITUTE.
64
00:07:27,068 --> 00:07:28,344
[ muffled laugh ]
65
00:07:30,379 --> 00:07:32,068
[ laughs ]
66
00:07:35,379 --> 00:07:37,137
PROBABLY.
67
00:07:42,758 --> 00:07:45,172
- Lucy: WHY DON'’T YOU
COME TO THE PUB?
- Hallam: NO, THANKS.
68
00:07:45,172 --> 00:07:48,827
- HERE'’S FINE.
- YOU GOT YOUR BINOCULARS
IN THERE?
69
00:07:48,827 --> 00:07:51,448
COME TO THE PUB.
70
00:07:51,448 --> 00:07:53,172
MAYBE NEXT TIME.
71
00:07:53,172 --> 00:07:56,517
THERE ISN'’T GONNA
BE A NEXT TIME.
72
00:08:00,931 --> 00:08:03,482
YOU FUCKING SPLITTER.
73
00:08:58,448 --> 00:09:01,379
[ piano playing ]
74
00:09:43,379 --> 00:09:45,310
NIGHT, MOM.
75
00:09:52,517 --> 00:09:55,586
♪ I HOPE THAT YOU GET ♪
76
00:09:55,586 --> 00:09:59,379
- ♪ WHAT YOU WANT... ♪
- HALLAM!
77
00:09:59,379 --> 00:10:02,689
- I'’M GOING.
- ♪ WHEN YOU WANT IT... ♪
78
00:10:02,689 --> 00:10:04,620
GOODBYE.
79
00:10:16,655 --> 00:10:19,310
LUCY!
80
00:10:20,517 --> 00:10:23,931
WAIT, LUCY!
81
00:10:30,379 --> 00:10:35,310
♪ '’CAUSE I AIN'T GOT ♪
82
00:10:35,310 --> 00:10:38,068
♪ WHAT I LIKE ♪
83
00:10:38,068 --> 00:10:41,413
♪ I DON'’T KNOW. ♪
84
00:10:54,034 --> 00:10:56,965
- [ feedback ]
- HALLAM, LUNCH IS READY.
85
00:11:04,896 --> 00:11:06,862
MMM!
86
00:11:06,862 --> 00:11:08,551
IT'’S VERY GOOD SOUP.
87
00:11:11,310 --> 00:11:13,310
WE'’VE BEEN THINKING, HALLAM.
NOW THAT LUCY'’S GONE,
88
00:11:13,310 --> 00:11:16,103
IT'’S NOT GOOD FOR YOU
TO BE HERE
89
00:11:16,103 --> 00:11:18,586
WITH NO ONE
OF YOUR OWN AGE AROUND.
90
00:11:18,586 --> 00:11:21,655
YOU HAVE TOO MUCH TIME
TO DWELL ON THINGS.
91
00:11:23,862 --> 00:11:27,241
I HAVE SOME CONTACTS
IN THE WINE TRADE
IN LONDON.
92
00:11:27,241 --> 00:11:29,551
Julius: YOU'’LL HAVE A CHANCE
TO MAKE NEW FRIENDS,
93
00:11:29,551 --> 00:11:31,482
EARN A BIT OF MONEY,
94
00:11:31,482 --> 00:11:33,413
LEARN SOMETHING YOU'’LL
ENJOY FOR THE REST
OF YOUR LIFE.
95
00:11:33,413 --> 00:11:36,310
AND IT'’LL BE A GOOD
STOPGAP BEFORE COLLEGE.
96
00:11:36,310 --> 00:11:38,551
ACTUALLY, I'’VE DECIDED
NOT TO GO TO COLLEGE.
97
00:11:38,551 --> 00:11:41,344
SO WHAT ARE YOU
GOING TO DO?
98
00:11:41,344 --> 00:11:44,344
I'’M STAYING RIGHT HERE.
99
00:11:44,344 --> 00:11:47,448
SO I'’M SORRY IF THAT
SCREWS UP YOUR PLANS.
100
00:13:00,655 --> 00:13:03,034
Verity:
IT'’S AS IF THIS PLACE
IS STILL HERS.
101
00:13:03,034 --> 00:13:05,517
WE AGREED YOU COULD MAKE
WHATEVER CHANGES
102
00:13:05,517 --> 00:13:07,310
YOU WANT,
AND YOU ARE.
103
00:13:07,310 --> 00:13:09,931
- Verity: YOU KNOW WHAT I
WANT MOST OF ALL?
- WHAT?
104
00:13:15,206 --> 00:13:18,620
- NO, HE DOESN'’T HATE YOU.
HE DOESN'’T.
- HE DOES.
105
00:13:18,620 --> 00:13:20,758
YOU JUST HAVE TO
BE PATIENT.
106
00:13:24,931 --> 00:13:27,241
I THINK THAT I SHOULD
GO AWAY FOR A WHILE.
107
00:13:29,655 --> 00:13:31,655
[ sighs ]
108
00:13:31,655 --> 00:13:34,517
I'’LL DEAL WITH HALLAM,
ALL RIGHT?
109
00:13:56,896 --> 00:13:58,862
WHERE'’S VERITY?
110
00:13:58,862 --> 00:14:02,000
SHE'’S GONE
TO SEE A FRIEND.
111
00:14:03,965 --> 00:14:05,827
ARE YOU IN THE DOGHOUSE?
112
00:14:07,931 --> 00:14:09,758
WHAT IS IT, HALLAM?
113
00:14:09,758 --> 00:14:11,586
I FOUND MOM'’S OLD BOAT
IN THE LOCH.
114
00:14:11,586 --> 00:14:14,724
DID YOU? GOOD GOD,
I THOUGHT IT WAS SUNK.
115
00:14:14,724 --> 00:14:18,551
DAD, WHEN SHE TOOK
ME OUT IN IT,
116
00:14:18,551 --> 00:14:21,517
HOW LONG WAS THAT
BEFORE SHE DIED?
117
00:14:21,517 --> 00:14:23,586
ABOUT A MONTH.
118
00:14:23,586 --> 00:14:25,724
- WHY?
- WERE YOU FUCKING VERITY
BY THEN?
119
00:14:25,724 --> 00:14:27,862
[ chuckles ]
120
00:14:27,862 --> 00:14:31,103
SO THAT'’S WHAT
"FANCY A STROLL" IS ABOUT.
CHRIST, I'’M A FOOL.
121
00:14:31,103 --> 00:14:33,000
YOU HAVEN'’T ANSWERED
THE QUESTION.
122
00:14:33,000 --> 00:14:34,379
YOU'’RE NOT EVEN CLOSE, HAL.
123
00:14:34,379 --> 00:14:36,827
I WAS FAR TOO BUSY TRYING
TO KEEP THE SHOW ON THE ROAD.
124
00:14:36,827 --> 00:14:40,310
WHEN YOU FOUND HER,
HAD SHE TIED HER HANDS
AND WEIGHED HERSELF DOWN?
125
00:14:40,310 --> 00:14:41,827
WHERE'’S ALL THIS
COMING FROM?
126
00:14:41,827 --> 00:14:44,137
DAD, PEOPLE WHO CAN SWIM,
IT'’S HARD FOR THEM TO DROWN.
127
00:14:44,137 --> 00:14:47,655
- SURVIVAL INSTINCTS TAKE OVER.- WHO TOLD YOU THAT?
128
00:14:47,655 --> 00:14:50,896
I DID SOME RESEARCH,
ALL RIGHT?
129
00:14:53,241 --> 00:14:55,965
AT THE TIME,
I DECIDED TO SPARE YOU
130
00:14:55,965 --> 00:14:58,413
SOME OF THE DETAILS
FROM THE INQUEST.
131
00:15:01,586 --> 00:15:05,620
BEFORE SHE CAME OUT HERE,
132
00:15:05,620 --> 00:15:09,000
YOUR MOTHER TOOK AN OVERDOSE
OF SLEEPING PILLS.
133
00:15:13,137 --> 00:15:15,137
THANKS FOR FUCKING
TELLING ME.
134
00:15:15,137 --> 00:15:17,068
I'’M SORRY.
135
00:15:18,862 --> 00:15:21,862
I KNOW IT'’S HARD,
BUT YOU HAVE GOT TO TRY
136
00:15:21,862 --> 00:15:23,551
TO PICK UP THE PIECES.
137
00:15:23,551 --> 00:15:25,758
I CAN SEE IT DIDN'’T TAKE
YOU VERY LONG, DID IT?
138
00:15:25,758 --> 00:15:28,068
HAL, THIS WON'’T HELP.
139
00:15:33,620 --> 00:15:35,517
SO IT DEFINITELY WASN'’T
AN ACCIDENT?
140
00:15:37,241 --> 00:15:39,551
NO...
141
00:15:39,551 --> 00:15:41,344
IT WASN'’T.
142
00:16:14,034 --> 00:16:16,068
- [ clanging ]
- [ woman laughs ]
143
00:16:16,068 --> 00:16:17,517
Man:
LOOK AT THE FUCKING
PICTURE OF HIS MOM.
144
00:16:17,517 --> 00:16:19,862
Woman: PAINT OVER
HIS MOTHER'’S FACE.
145
00:16:21,586 --> 00:16:23,586
- JUST PAINT ALL OVER IT.
- [ man laughing ]
146
00:16:23,586 --> 00:16:25,172
GIVE IT HERE.
I'’LL DO IT.
147
00:16:25,172 --> 00:16:28,379
Man:
GO ON, TAKE IT.
148
00:16:28,379 --> 00:16:31,034
- Woman: COLOR IN HER FACE.
- Man: DON'’T HOLD BACK.
149
00:17:44,586 --> 00:17:46,827
[ cell phone ringing ]
150
00:17:51,103 --> 00:17:53,586
- Lucy: Hallam.
- LUCY?
151
00:17:56,482 --> 00:17:59,206
- ARE YOU STILL THERE?
HELLO.
- Can you hear me?
152
00:18:03,689 --> 00:18:06,137
WHAT IF SOMEONE ELSE
GAVE HER THE PILLS?
153
00:18:06,137 --> 00:18:09,275
SPIKED HER DRINK
OR SOMETHING?
154
00:18:09,275 --> 00:18:12,310
DON'’T YOU THINK
SHE'’S CAPABLE OF IT?
155
00:18:12,310 --> 00:18:14,241
WHY IS THAT PARANOID?
156
00:18:16,310 --> 00:18:17,862
OF COURSE I MISS YOU.
157
00:18:17,862 --> 00:18:19,827
SHE'’D LOVE THAT.
158
00:18:19,827 --> 00:18:23,379
SHE'’S ALREADY TWISTING DAD'S
ARM TO TRY AND GET RID OF ME.
159
00:19:27,827 --> 00:19:31,000
[ hammering ]
160
00:19:34,586 --> 00:19:37,344
Verity: HELLO.
161
00:19:39,758 --> 00:19:42,034
I SEE YOU'’VE HAD
SOME VISITORS.
162
00:19:42,034 --> 00:19:44,862
- CAN I COME UP?
- NO WAY.
163
00:20:07,379 --> 00:20:09,689
YOU LEFT THESE
ON YOUR BED.
164
00:20:13,551 --> 00:20:15,827
"TODAY, WALKING PAST
THE OFFICE,
165
00:20:15,827 --> 00:20:18,379
I SAW DAD
STROKING VERITY'’S BACK.
166
00:20:18,379 --> 00:20:20,620
MADE ME PONDER
HIS EVENING STROLLS."
167
00:20:20,620 --> 00:20:22,551
- YOU'’RE NOT ALLOWED
TO READ THAT.
- "SO I FOLLOWED HIM
168
00:20:22,551 --> 00:20:25,241
AND THERE SHE WAS
BOUNCING UP AND DOWN.
169
00:20:25,241 --> 00:20:27,827
I COULDN'’T TAKE MY EYES
OFF THE DIMPLE THAT APPEARED
ON HER SHOULDER
170
00:20:27,827 --> 00:20:31,448
EVERY TIME SHE CLAWED
AT HIS NECK.
171
00:20:31,448 --> 00:20:33,413
I HATE MYSELF,
172
00:20:33,413 --> 00:20:35,620
BUT I WANT TO BURY MY FACE
173
00:20:35,620 --> 00:20:37,586
IN THAT LITTLE CUSHION."
174
00:20:37,586 --> 00:20:39,827
GIVE ME MY DIARIES BACK.
175
00:20:39,827 --> 00:20:42,482
HALLAM, YOU REALLY
NEED TO MOVE ON.
176
00:20:42,482 --> 00:20:45,241
AND I KNOW THAT JULIUS
WILL FEEL THE SAME WAY
WHEN HE READS THESE.
177
00:20:45,241 --> 00:20:47,137
NO, PLEASE, THEY'’RE PRIVATE.
THEY'’RE MY DIARIES.
178
00:20:47,137 --> 00:20:48,793
YES, BUT SO ARE PEOPLE'’S
BEDROOMS, BUT BY VOLUME TWO,
179
00:20:48,793 --> 00:20:50,620
YOU SEEM TO HAVE PEEPED
IN HALF THE VILLAGES.
180
00:20:50,620 --> 00:20:53,896
WONDER WHAT THE LOCAL
PAPER WOULD DO WITH THAT.
181
00:20:53,896 --> 00:20:56,275
OR THE POLICE,
FOR THAT MATTER.
182
00:20:56,275 --> 00:21:00,137
THE POLICE? I WONDER
WHAT THEY'’LL THINK WHEN
I TELL THEM ABOUT YOU.
183
00:21:00,137 --> 00:21:03,275
ME?
184
00:21:03,275 --> 00:21:05,241
RECOGNIZE THIS?
185
00:21:05,241 --> 00:21:06,862
IT'’S A HAMMER, HALLAM.
186
00:21:06,862 --> 00:21:09,413
THE SAME HAMMER THAT
SUNK MY MOTHER'’S BOAT
187
00:21:09,413 --> 00:21:11,241
ONCE YOU DRUGGED
HER COFFEE.
188
00:21:12,586 --> 00:21:15,413
[ laughs ]
189
00:21:15,413 --> 00:21:16,724
YOU FUCKER.
190
00:21:20,034 --> 00:21:22,517
SHE WANTED TO DIE.
191
00:21:22,517 --> 00:21:24,862
- HALLAM!
- YOU TELL ME
WHAT YOU DID TO HER.
192
00:21:28,586 --> 00:21:30,275
[ groans ]
193
00:21:30,275 --> 00:21:33,758
[ both gasping ]
194
00:22:20,827 --> 00:22:23,137
[ breathing heavily ]
195
00:22:58,034 --> 00:23:01,275
IT'’S TIME TO FLY
THE NEST, HALLAM.
196
00:23:01,275 --> 00:23:04,172
AND I THINK
YOU KNOW THAT.
197
00:23:19,827 --> 00:23:22,758
[ cell phone ringing ]
198
00:23:56,206 --> 00:23:58,103
SPARE SOME CHANGE,
PLEASE.
199
00:24:36,689 --> 00:24:40,034
[ siren wailing ]
200
00:24:53,931 --> 00:24:56,310
[ beeping ]
201
00:25:21,448 --> 00:25:24,413
[ man yelling ]
202
00:25:30,931 --> 00:25:33,137
Man:
IT'’S A FUCKING SHITE BALL.
203
00:25:34,931 --> 00:25:38,413
STICK YOUR FUCKING CASTLE
RIGHT UP YOUR FUCKING ASS.
204
00:25:38,413 --> 00:25:40,896
WHAT DO YOU WANT?
205
00:25:40,896 --> 00:25:43,965
30, 35?
206
00:25:43,965 --> 00:25:45,448
35?
207
00:25:47,586 --> 00:25:50,586
WELL, FUCK OFF THEN.
208
00:25:50,586 --> 00:25:52,758
FUCK OFF THEN!
209
00:25:52,758 --> 00:25:56,241
WHOA, WHAT'’S YOUR
NAME, SON?
210
00:25:56,241 --> 00:25:58,310
CARL.
211
00:25:58,310 --> 00:26:00,275
WHERE'’S HOME, CARL?
212
00:26:00,275 --> 00:26:02,000
I'’M STAYING
WITH A FRIEND.
213
00:26:02,000 --> 00:26:05,413
- NOT THAT GENTLEMAN YOU
WERE JUST TALKING TO NOW?
- NO.
214
00:26:05,413 --> 00:26:08,241
SO YOUR FRIEND,
WHAT'’S HIS ADDRESS?
215
00:26:36,413 --> 00:26:39,000
WHERE THE HELL IS HE?
216
00:27:06,758 --> 00:27:08,758
[ gasps ]
217
00:27:08,758 --> 00:27:10,896
[ coughs ]
218
00:27:39,206 --> 00:27:42,068
MOM.
219
00:29:02,965 --> 00:29:04,896
CAN I HELP YOU?
220
00:29:10,482 --> 00:29:12,620
DO YOU HAVE ANY JOBS,
PLEASE?
221
00:29:12,620 --> 00:29:13,862
SORRY,
WE USE AN AGENCY.
222
00:29:13,862 --> 00:29:15,862
I CAN GIVE YOU
THEIR DETAILS.
223
00:29:15,862 --> 00:29:18,103
THANKS.
224
00:29:25,931 --> 00:29:28,103
WHY ARE YOU STARING
AT ME?
225
00:29:28,103 --> 00:29:30,448
I'’M SORRY.
I DIDN'’T MEANT TO.
226
00:29:30,448 --> 00:29:33,827
IT'’S JUST I'VE NEVER BEEN
FOR A JOB INTERVIEW BEFORE,
AND I WAS JUST WONDERING
227
00:29:33,827 --> 00:29:36,689
IF YOU COULD GIVE ME SOME
ADVICE ON HOW TO DO IT.
228
00:29:36,689 --> 00:29:38,655
I'’M SORRY?
229
00:29:38,655 --> 00:29:41,000
WOULD YOU--
230
00:29:41,000 --> 00:29:43,103
COULD YOU THROW A COUPLE
OF PRACTICE QUESTIONS AT ME?
231
00:29:43,103 --> 00:29:44,896
JUST FOR PRACTICE.
232
00:29:49,034 --> 00:29:51,103
HOW DESPERATE ARE YOU
FOR WORK?
233
00:29:51,103 --> 00:29:53,448
PRETTY DESPERATE.
234
00:29:53,448 --> 00:29:55,827
WELL, THE HIGHEST
TURNOVER IN JOBS
235
00:29:55,827 --> 00:29:57,413
IS USUALLY
IN KITCHEN PORTERS.
236
00:29:57,413 --> 00:29:59,620
OKAY, THEN I'’LL BE
A KITCHEN PORTER.
237
00:29:59,620 --> 00:30:01,241
WHY DO YOU THINK
YOU'’D BE SUITABLE?
238
00:30:01,241 --> 00:30:04,310
IT'’S WHAT I'VE WANTED TO DO
EVER SINCE I WAS A KID.
239
00:30:04,310 --> 00:30:07,068
SIT DOWN.
240
00:30:09,034 --> 00:30:12,137
DON'’T TELL PEOPLE WHAT
YOU THINK THEY WANT TO HEAR.
241
00:30:12,137 --> 00:30:13,931
JUST BE YOURSELF.
242
00:30:13,931 --> 00:30:16,896
OKAY. I'’M VERY
ENTHUSIASTIC
243
00:30:16,896 --> 00:30:19,689
AND I'’M A QUICK LEARNER
AND I'’LL WORK DAYS,
244
00:30:19,689 --> 00:30:22,931
NIGHTS, WEEKENDS--
ANY OVERTIME YOU WANT
FOR NO EXTRA MONEY.
245
00:30:22,931 --> 00:30:26,448
IT WOULD BE ILLEGAL
FOR YOU TO WORK OVERTIME
FOR NO EXTRA MONEY.
246
00:30:26,448 --> 00:30:29,275
WELL, THEN GIVE ME
A WEEK'’S TRIAL.
247
00:30:29,275 --> 00:30:32,448
A DAY'’S TRIAL. ALL I WANT
IS A CHANCE TO GET A FOOT
ON THE LADDER.
248
00:30:32,448 --> 00:30:35,448
IF EVERYTHING WORKS OUT,
YOU WON'’T HAVE TO PAY
ANY AGENCY FEES.
249
00:30:35,448 --> 00:30:37,655
IT'’S A WIN-WIN
SITUATION FOR YOU.
250
00:30:44,896 --> 00:30:47,137
REMEMBER WHAT I SAID
ABOUT THE FAST TURNOVER
251
00:30:47,137 --> 00:30:50,448
IN KITCHEN PORTERS?
252
00:30:50,448 --> 00:30:53,034
YOU'’RE ABOUT
TO MEET THE EXCEPTION.
253
00:30:53,034 --> 00:30:56,896
CUTLERY-- HANDLES UP.
254
00:30:56,896 --> 00:30:59,655
- RIGHT.
- GO ON.
255
00:31:02,586 --> 00:31:05,724
HEY HEY HEY HEY,
WHAT IS THE HURRY?
256
00:31:05,724 --> 00:31:09,068
- ARE YOU TRYING TO SHOW
ME UP YOUR FIRST DAY?
- NO.
257
00:31:09,068 --> 00:31:11,551
I FUCKING
HATE THIS JOB,
258
00:31:11,551 --> 00:31:13,724
BUT IT'’S MY JOB.
259
00:31:13,724 --> 00:31:16,793
DO YOU UNDERSTAND?
260
00:31:16,793 --> 00:31:18,793
I KILLED A MAN ONCE.
261
00:31:18,793 --> 00:31:21,689
SMASHED HIS SKULL
ON A PIER.
262
00:31:21,689 --> 00:31:24,448
JUST SO YOU KNOW.
263
00:31:44,827 --> 00:31:47,000
YOU TAKE THE REST.
I'’M OFF FOR A SMOKE.
264
00:33:15,827 --> 00:33:20,896
♪ IS THIS
FOR SOMEONE ELSE? ♪
265
00:33:24,620 --> 00:33:26,827
♪ IS THIS ♪
266
00:33:26,827 --> 00:33:29,344
♪ FOR SOMEONE ELSE? ♪
267
00:33:33,793 --> 00:33:35,758
♪ IS THIS ♪
268
00:33:35,758 --> 00:33:37,551
♪ FOR SOMEONE ELSE? ♪
269
00:34:06,655 --> 00:34:08,724
Man:
LOOK ALIVE.
270
00:34:12,758 --> 00:34:14,241
[ praying ]
271
00:34:14,241 --> 00:34:15,586
DON'’T MAKE FRIENDS
WITH THE CHEFS,
272
00:34:15,586 --> 00:34:17,137
OTHERWISE
THEY'’LL WANT FAVORS.
273
00:34:17,137 --> 00:34:19,137
BUT DON'’T GET ON
THEIR BAD SIDE, EITHER,
274
00:34:19,137 --> 00:34:21,137
OR YOU'’LL BE CLEANING
OUT THE FAT FRYER
275
00:34:21,137 --> 00:34:23,206
ON A QUIET THURSDAY.
276
00:34:23,206 --> 00:34:26,275
THEY'’RE ALL CUNTS ANYWAY,
EXCEPT T.J.
277
00:34:26,275 --> 00:34:30,241
HE'’S OKAY, EVEN IF HE IS
A FUCKING BULLSHITTER.
278
00:34:30,241 --> 00:34:31,689
YOU EVER MET
AN AFRICAN OVER HERE
279
00:34:31,689 --> 00:34:34,551
WHO WASN'’T A BRAIN
SURGEON OVER THERE?
280
00:34:34,551 --> 00:34:37,413
ARE YOU LISTENING
TO ME?
281
00:34:37,413 --> 00:34:39,344
[ laughing ]
282
00:34:39,344 --> 00:34:42,000
YES, OF COURSE.
283
00:34:42,000 --> 00:34:45,310
BRAIN SURGEON,
AFRICAN, CUNT.
284
00:34:45,310 --> 00:34:48,275
AYE, CUNT.
285
00:34:49,896 --> 00:34:51,827
[ men chatting ]
286
00:34:59,689 --> 00:35:01,275
RIGHT KNEE.
RIGHT KNEE.
287
00:35:04,724 --> 00:35:06,517
GOOD JOB.
ONE, TWO.
288
00:35:06,517 --> 00:35:08,275
ONE.
RIGHT KNEE.
289
00:35:38,620 --> 00:35:41,034
[ lock rattling ]
290
00:36:27,344 --> 00:36:28,689
[ sniffs ]
291
00:36:45,758 --> 00:36:48,724
[ blows ]
292
00:38:42,620 --> 00:38:45,068
[ men chatting ]
293
00:39:14,103 --> 00:39:15,965
[ grunts ]
294
00:39:47,862 --> 00:39:50,137
[ woman laughs ]
295
00:40:24,379 --> 00:40:26,689
HEY! HO!
296
00:40:26,689 --> 00:40:29,206
RAYMOND!
HEY!
297
00:40:29,206 --> 00:40:31,206
- [ dish shatters ]
- WHOA-HO!
298
00:40:31,206 --> 00:40:33,206
THAT'’S GONNA COST YOU.
299
00:40:33,206 --> 00:40:35,413
- REALLY?
- YEAH.
300
00:40:35,413 --> 00:40:38,034
£2 A PLATE.
£1 A CUP.
301
00:40:38,034 --> 00:40:39,448
50p A SAUCER.
302
00:40:39,448 --> 00:40:41,413
- ARE YOU SERIOUS?
- ABSOLUTELY.
303
00:40:41,413 --> 00:40:43,241
£3 A GLASS.
304
00:40:46,724 --> 00:40:49,103
RAPIDO!
305
00:40:51,137 --> 00:40:52,862
COME ON,
LET'’S GET MOVING.
306
00:40:57,517 --> 00:40:58,931
[ shatters ]
307
00:40:58,931 --> 00:41:00,689
[ laughs ]
THAT'’S £4.
308
00:41:04,896 --> 00:41:06,689
DO YOU MIND
IF I TAKE A BREAK?
309
00:41:06,689 --> 00:41:08,241
DO WHAT THE FUCK
YOU LIKE.
310
00:42:28,931 --> 00:42:31,000
[ panting ]
311
00:42:41,172 --> 00:42:42,482
[ blows ]
312
00:42:42,482 --> 00:42:46,068
♪ IT'’S TIME
FOR YOU TO FLY. ♪
313
00:42:50,000 --> 00:42:51,724
[ man vocalizing ]
314
00:43:02,034 --> 00:43:04,896
WHO ARE YOU?
315
00:43:04,896 --> 00:43:07,551
I'’M A KITCHEN PORTER.
316
00:43:07,551 --> 00:43:09,310
SO WHAT ARE YOU
DOING UP HERE THEN?
317
00:43:09,310 --> 00:43:11,137
IT'’S VERY SIMPLE.
318
00:43:12,689 --> 00:43:14,310
STAFF ENTRANCE IS
ON THE GROUND FLOOR,
319
00:43:14,310 --> 00:43:16,482
SO IS THE KITCHEN,
SO IS THE CANTEEN.
320
00:43:16,482 --> 00:43:19,482
YOU ENTER,
YOU WORK YOUR SHIFT,
THEN YOU FUCK OFF.
321
00:43:19,482 --> 00:43:22,586
ALL ON THE SAME FLOOR.
GOT THAT?
322
00:43:22,586 --> 00:43:25,620
- YES.
- GOOD, NOW BEAT IT.
323
00:43:41,034 --> 00:43:43,000
HAVE YOU SEEN RAYMOND?
324
00:43:43,000 --> 00:43:45,862
HE'’S CLEANING THE BINS.
325
00:43:45,862 --> 00:43:48,241
- DO YOU WANT ME
TO GO AND GET HIM?
- NO, DON'’T WORRY.
326
00:43:50,172 --> 00:43:52,448
HOW ARE YOU SETTLING IN?
327
00:43:52,448 --> 00:43:55,689
VERY WELL, THANKS.
I'’M REALLY ENJOYING IT.
IN FACT, IT'’S BRILLIANT.
328
00:43:55,689 --> 00:43:57,931
THIS ISN'’T AN INTERVIEW.
329
00:43:57,931 --> 00:44:00,344
NO, I KNOW,
BUT IT'’S GREAT TO BE
PART OF THIS BIG TEAM
330
00:44:00,344 --> 00:44:03,620
AND TO HAVE A SENSE
OF PURPOSE, YOU KNOW?
331
00:44:03,620 --> 00:44:06,275
YOU GET INTO THE RHYTHM,
THEN YOU START PLAYING
TUNES IN YOUR HEAD
332
00:44:06,275 --> 00:44:07,862
TO GO ALONG WITH IT.
333
00:44:10,517 --> 00:44:13,000
[ laughs ]
334
00:44:13,000 --> 00:44:16,827
YOU CAN TURN
THE RADIO ON
IF YOU WANT.
335
00:44:16,827 --> 00:44:18,827
OH, I KNOW.
I LIKE IT.
336
00:44:18,827 --> 00:44:21,448
IT KEEPS ME FROM THINKING.
337
00:44:21,448 --> 00:44:23,241
DO YOU THINK THERE MIGHT
BE A CHANCE
338
00:44:23,241 --> 00:44:25,448
THIS JOB COULD
BECOME PERMANENT?
339
00:44:25,448 --> 00:44:29,000
YES, HALLAM,
IF YOU CAN MAINTAIN
YOUR ENTHUSIASM.
340
00:45:06,965 --> 00:45:09,137
♪ THEY SAID I WOULD
NEVER REMEMBER ♪
341
00:45:09,137 --> 00:45:11,344
♪ THEY SAID I WOULD
NEVER REMEMBER ♪
342
00:45:11,344 --> 00:45:13,448
♪ THAT STREET
BACK IN DECEMBER ♪
343
00:45:13,448 --> 00:45:16,344
♪ I'’M FALLING FALLING
FALLING FALLING ♪
344
00:45:16,344 --> 00:45:18,827
♪ NOW HE'’S GONE,
HE WILL ALWAYS REMAIN ♪
345
00:45:18,827 --> 00:45:21,275
♪ NOW HE'’S GONE,
HE WILL ALWAYS REMAIN ♪
346
00:45:21,275 --> 00:45:23,000
♪ NOW HE'’S GONE,
HE WILL ALWAYS REMAIN ♪
347
00:45:23,000 --> 00:45:26,655
♪ IT'’S THE FUTURE
FUTURE FUTURE FUTURE ♪
348
00:45:26,655 --> 00:45:28,827
♪ I'’M HERE ON MY OWN ♪
349
00:45:31,344 --> 00:45:33,827
♪ I'’M HERE ON MY OWN ♪
350
00:45:36,586 --> 00:45:38,689
♪ I'’M HERE ON MY OWN ♪
351
00:45:41,379 --> 00:45:43,517
♪ I'’M HERE ON MY OWN... ♪
352
00:45:47,344 --> 00:45:49,206
[ babbling ]
353
00:45:49,206 --> 00:45:51,896
[ screeching ]
354
00:45:59,310 --> 00:46:01,275
[ grunts ]
355
00:46:04,655 --> 00:46:06,965
♪ HAVE YOU SEEN
SUCH A MIXED UP MIND? ♪
356
00:46:06,965 --> 00:46:09,206
♪ HAVE YOU SEEN
SUCH A MIXED UP MIND? ♪
357
00:46:09,206 --> 00:46:11,310
♪ HAVE YOU SEEN
SUCH A MIXED UP MIND? ♪
358
00:46:11,310 --> 00:46:14,000
♪ AND THE CANDLE'’S
BURNING BURNING BURNING... ♪
359
00:46:14,000 --> 00:46:16,000
[ Hallam squealing ]
360
00:46:28,620 --> 00:46:30,413
[ crowd chattering,
laughing ]
361
00:46:55,689 --> 00:46:58,379
[ moaning ]
362
00:47:10,482 --> 00:47:12,000
I'’VE GOT TO RUN.
363
00:47:20,862 --> 00:47:23,793
Man:
I CANNOT DO TOMORROW.
364
00:47:23,793 --> 00:47:26,344
MY BOY'’S BIRTHDAY.
MAYBE THE DAY AFTER.
365
00:47:26,344 --> 00:47:28,034
SAY HI TO YOUR WIFE.
366
00:47:32,310 --> 00:47:33,793
Man:
SEE YA.
367
00:47:44,103 --> 00:47:45,931
♪ SO KEEP WRITING HER NAME ♪
368
00:47:45,931 --> 00:47:48,551
♪ SO IT'’S SET IN STONE ♪
369
00:47:53,827 --> 00:47:57,379
♪ YOU'’LL LIVE
IN THE SHADOW ♪
370
00:47:58,931 --> 00:48:02,896
♪ OF THESE BROKEN ♪
371
00:48:05,413 --> 00:48:07,000
♪ BONES. ♪
372
00:48:30,103 --> 00:48:31,793
I WANT TO REPORT A MURDER.
373
00:48:36,172 --> 00:48:37,758
PLEASE, SIT.
374
00:48:45,620 --> 00:48:48,310
MY STEPMOTHER KILLED MY MOTHER.SHE AS GOOD AS CONFESSED IT.
375
00:48:48,310 --> 00:48:50,275
HOW? WHEN?
376
00:48:50,275 --> 00:48:52,482
SHE TOLD ME LAST WEEK.
377
00:48:52,482 --> 00:48:55,172
WE HAD A--
378
00:48:55,172 --> 00:48:56,896
A CONFRONTATION.
379
00:48:56,896 --> 00:48:59,000
BUT MY MOM DIED
ABOUT TWO YEARS AGO.
380
00:48:59,000 --> 00:49:01,551
THE ENQUIRY SAID THAT SHE
COMMITTED SUICIDE BY DROWNING,
381
00:49:01,551 --> 00:49:03,103
BUT AS YOU CAN SEE HERE...
382
00:49:06,068 --> 00:49:08,172
THEY FOUND DRUGS IN HER.
383
00:49:08,172 --> 00:49:10,241
I THINK MY STEPMOTHER,
WHO WAS THEN MY DAD'’S
SECRETARY,
384
00:49:10,241 --> 00:49:11,862
PUT SLEEPING PILLS
IN HER COFFEE
385
00:49:11,862 --> 00:49:14,413
AND PUT HER OUT
INTO THE LOCH IN
A SINKING BOAT.
386
00:49:14,413 --> 00:49:15,965
SHE HAD A MOTIVE--
387
00:49:15,965 --> 00:49:18,724
SHE WANTED MY DAD
AND THE HOUSE.
388
00:49:18,724 --> 00:49:21,241
AND HAVE YOU SPOKEN
TO YOUR FATHER ABOUT THIS?
389
00:49:22,655 --> 00:49:24,344
HE'’D DO ANYTHING
TO SUPPORT MY STEPMOTHER.
390
00:49:25,793 --> 00:49:27,379
HE'’S HER LAPDOG.
391
00:49:45,379 --> 00:49:47,206
[ footsteps climbing ]
392
00:50:01,482 --> 00:50:03,413
NICE PLACE YOU GOT.
393
00:50:04,827 --> 00:50:06,896
ANYTHING YOU NEED,
YOU JUST CALL ROOM SERVICE.
394
00:50:20,758 --> 00:50:22,586
[ gasps ]
395
00:50:24,517 --> 00:50:26,896
SHE'’S GONNA LAUGH WHEN I TELL
HER SHE'’S GOT A PEEPING TOM.
396
00:50:28,586 --> 00:50:30,310
YOU'’RE NOT
GOING TO TELL HER.
397
00:50:30,310 --> 00:50:33,000
OH, YOU THINK
YOU'’RE IN A POSITION
TO DICTATE TERMS HERE?
398
00:50:33,000 --> 00:50:34,758
I THINK, BY SOME
STRANGE COINCIDENCE,
399
00:50:34,758 --> 00:50:36,620
I SAW YOU THERE LAST NIGHT.
400
00:50:36,620 --> 00:50:38,206
SO WHAT IF I WAS?
401
00:50:38,206 --> 00:50:40,344
- WHAT WOULD YOUR WIFE THINK?
- WHAT ABOUT?
402
00:50:43,310 --> 00:50:45,482
I CAN KEEP A SECRET
IF YOU CAN.
403
00:50:46,620 --> 00:50:48,448
I DON'’T HAVE
A SECRET TO KEEP.
404
00:50:51,206 --> 00:50:53,724
YOU KNOW, I WAS THINKING
ABOUT GETTING A TATTOO.
405
00:50:54,931 --> 00:50:56,620
LIKE THAT NICE TIGER
ON YOUR ARM.
406
00:51:00,448 --> 00:51:02,310
I'’LL TELL HUMAN RESOURCES
YOU QUIT.
407
00:51:03,448 --> 00:51:05,000
WHAT ABOUT MY PAY?
408
00:51:14,310 --> 00:51:16,034
NOW FUCK OFF.
409
00:51:16,034 --> 00:51:17,758
AND IF I EVER SEE YOU AGAIN,
YOU'’LL REGRET IT.
410
00:51:36,931 --> 00:51:38,620
[ lock rattling ]
411
00:52:00,034 --> 00:52:02,931
- Hallam: CAN YOU COUNT?
- Both: ONE, TWO, THREE, GO!
412
00:52:02,931 --> 00:52:04,551
ONE DOWN.
ONE IS PRETTY GOOD, THOUGH.
413
00:52:04,551 --> 00:52:06,103
- ONE IS PRETTY GOOD.
- LET'’S BUILD IT.
414
00:52:06,103 --> 00:52:07,896
- [ door closes ]
- HERE HE IS NOW.
415
00:52:09,103 --> 00:52:11,068
- HI.
- EVENING, SIR.
416
00:52:11,068 --> 00:52:13,827
HALLAM'’S BEEN TELLING ME
ALL SORTS OF SECRETS.
417
00:52:13,827 --> 00:52:15,965
WELL, ALL OF THEM
COMPLIMENTARY, I ASSURE YOU.
418
00:52:17,310 --> 00:52:19,000
I'’M REALLY SORRY
TO INVADE YOU BOTH LIKE THIS,
419
00:52:19,000 --> 00:52:21,655
BUT I'’M AFRAID
THERE'’S BEEN AN ACCIDENT
WITH ONE OF THE CHEFS.
420
00:52:21,655 --> 00:52:24,655
IT'’S NOTHING SERIOUS,
BUT THE RULES SAY WE
NEED A SIGNATURE
421
00:52:24,655 --> 00:52:26,551
FROM SENIOR MANAGEMENT
WITHIN 12 HOURS.
422
00:52:34,620 --> 00:52:36,068
[ boy chatting ]
423
00:52:44,034 --> 00:52:46,413
THANK YOU.
424
00:52:46,413 --> 00:52:47,965
IT WAS A PLEASURE
TO MEET YOU BOTH.
425
00:52:47,965 --> 00:52:49,448
- YOU, TOO, HALLAM.
SAY GOODBYE.
- BYE, SEAN.
426
00:52:49,448 --> 00:52:51,551
- BYE.
- Woman: BYE-BYE.
427
00:52:51,551 --> 00:52:53,034
GOODBYE.
428
00:53:03,931 --> 00:53:07,068
HALLAM, THAT WEE LASSIE
KATE FROM HR...
429
00:53:08,206 --> 00:53:09,931
SHE WANTS TO SEE YOU.
430
00:53:17,655 --> 00:53:19,655
HAVE A SEAT.
431
00:53:30,103 --> 00:53:33,862
WE HAVE A VACANCY COMING UP
FOR FRONT-OF-HOUSE PORTER.
432
00:53:33,862 --> 00:53:36,862
IF YOU APPLY,
YOU STAND AN EXCELLENT
CHANCE OF WINNING IT.
433
00:53:38,965 --> 00:53:41,413
- REALLY?
- THERE'’S A NICER UNIFORM,
434
00:53:41,413 --> 00:53:44,448
AND SIGNIFICANTLY MORE
AGREEABLE WORKING CONDITIONS.
435
00:53:45,758 --> 00:53:47,172
RIGHT.
436
00:53:48,689 --> 00:53:51,034
SHALL I PUT YOU
FORWARD OR NOT?
437
00:53:51,034 --> 00:53:52,586
YEAH, I SUPPOSE SO.
438
00:53:52,586 --> 00:53:55,413
IF YOU'’D PREFER
TO STAY PUT, THAT'’S FINE.
439
00:53:55,413 --> 00:53:57,827
I KNOW HOW MUCH
YOU ENJOY IT.
440
00:54:03,448 --> 00:54:06,655
♪ I NEVER THOUGHT
I'’D HOLD YOU CLOSE ♪
441
00:54:06,655 --> 00:54:08,172
♪ SO YOU DON'’T SEE ME ♪
442
00:54:08,172 --> 00:54:10,896
♪ CAUGHT UP COMPLETELY
BY YOUR JOKE ♪
443
00:54:10,896 --> 00:54:12,413
♪ FUNNY HA-HA ♪
444
00:54:12,413 --> 00:54:15,172
♪ CALL ME
KING BUBBLES AND TA ♪
445
00:54:15,172 --> 00:54:17,172
♪ LIKE SHEIK SHAKE,
OH... ♪
446
00:54:17,172 --> 00:54:19,137
♪ YOU CAN ALL
HAVE A LAUGH ON ME... ♪
447
00:54:19,137 --> 00:54:21,000
FUCKING ASSHOLE.
448
00:54:21,000 --> 00:54:23,413
WHATEVER YOU DO,
DON'’T CALL HIM SIR.
449
00:54:23,413 --> 00:54:25,068
WHAT DO YOU CALL HIM?
450
00:54:25,068 --> 00:54:26,827
A TWO-FACED LYING CUNT.
451
00:54:26,827 --> 00:54:29,172
Raymond:
HALLAM.
452
00:54:29,172 --> 00:54:32,000
- HI, RAYMOND.
- YOU LOOK A RIGHT POOF
IN THAT OUTFIT.
453
00:54:32,000 --> 00:54:33,827
- I MISS YOU, YOU KNOW.
- FUCK OFF.
454
00:54:33,827 --> 00:54:35,413
[ chuckles ]
455
00:54:38,586 --> 00:54:41,275
♪ OH, YOU CAN ALL ♪
456
00:54:41,275 --> 00:54:43,620
♪ HAVE A LAUGH ON ME. ♪
457
00:54:46,655 --> 00:54:49,241
[ chatting, laughing ]
458
00:55:21,275 --> 00:55:22,896
[ doorbell buzzing ]
459
00:56:07,172 --> 00:56:09,586
[ moaning ]
460
00:57:23,965 --> 00:57:26,862
♪ BEFORE I JUMP SHIP ♪
461
00:57:26,862 --> 00:57:28,689
♪ FOR COOLER SHORES ♪
462
00:57:29,965 --> 00:57:31,689
♪ MAY I GENTLY CLOSE ♪
463
00:57:31,689 --> 00:57:35,310
♪ THIS ACCOUNT OF OURS? ♪
464
00:57:36,827 --> 00:57:38,689
♪ THOUGH ALL THAT I KNOW ♪
465
00:57:38,689 --> 00:57:40,965
♪ AND HAVE LOVED ♪
466
00:57:40,965 --> 00:57:43,551
♪ IS INSIDE ♪
467
00:57:43,551 --> 00:57:45,551
♪ I'’M JUST LOSING FAITH ♪
468
00:57:45,551 --> 00:57:48,827
♪ IN THESE COSTLY TIMES ♪
469
00:57:50,655 --> 00:57:52,379
♪ AND I PRAY
FOR YOUR HEALTH ♪
470
00:57:52,379 --> 00:57:56,103
♪ AND YOUR
PEACE OF MIND... ♪
471
00:57:56,103 --> 00:57:57,965
- WHAT'’S UP YOUR BUTT?
- NOTHING.
472
00:58:00,413 --> 00:58:02,965
[ desk bell rings ]
473
00:58:05,344 --> 00:58:07,344
HAPPY BIRTHDAY.
474
00:58:08,965 --> 00:58:10,586
- THANK YOU.
- DON'’T GET TOO CARRIED AWAY.
475
00:58:10,586 --> 00:58:12,586
EVERYBODY GETS A CARD
FROM THE LOVELY KATE.
476
00:58:13,724 --> 00:58:16,172
- THANK YOU, ANDY.
- THANK YOU.
477
00:58:16,172 --> 00:58:18,206
YOU KNOW WHAT THE BEST THING
ABOUT BEING 18 IS?
478
00:58:18,206 --> 00:58:20,689
YOU GET AN EXTRA
£1.25 AN HOUR.
479
00:58:20,689 --> 00:58:22,551
AYE, SO DRINKS
ARE ON YOU TONIGHT.
480
00:58:22,551 --> 00:58:24,655
WE'’LL BE CELEBRATING
YOUR FIRST LEGAL DRINK.
481
00:58:26,241 --> 00:58:28,068
DON'’T REALLY FEEL LIKE IT.
482
00:58:28,068 --> 00:58:29,689
I'’LL COME FOR A COUPLE,
JUST TO MAKE SURE
483
00:58:29,689 --> 00:58:31,517
YOU DON'’T HAVE TO
BUY YOUR OWN DRINKS.
484
00:58:31,517 --> 00:58:33,344
BUT ABSOLUTELY
NO WORK TALK.
485
00:58:35,034 --> 00:58:37,689
- [ laughing, chattering ]
- Kate: NO, PLEASE.
486
00:58:37,689 --> 00:58:40,241
Andy:
"THE SYSTEM SHOULD PROVIDE
ALL EMPLOYEES
487
00:58:40,241 --> 00:58:41,862
WITH CLEAR LINKED GOALS
488
00:58:41,862 --> 00:58:43,689
TO THE HOTEL'’S
BUSINESS STRATEGY."
489
00:58:43,689 --> 00:58:45,275
THE HOTEL'’S BUSINESS STRATEGY.
490
00:58:45,275 --> 00:58:46,827
IN 20 YEARS,
NO ONE'’S DISCUSSED
491
00:58:46,827 --> 00:58:48,482
THE HOTEL'’S BUSINESS
STRATEGY WITH ME.
492
00:58:48,482 --> 00:58:50,517
WHERE DID YOU GET THIS?
493
00:58:50,517 --> 00:58:53,724
"THE HOTEL WORKERS'’ UNION
OF LAS VEGAS."
494
00:58:53,724 --> 00:58:55,482
- [ all laughing ]
- WHO GIVES A FUCK?
495
00:58:57,034 --> 00:58:59,310
YOU THOUGHT THAT CONCIERGE
JOB WAS MINE, DIDN'’T YOU?
496
00:59:01,310 --> 00:59:04,137
GUESS YOU DIDN'’T WANT ME
TO HAVE IT, HMM?
497
00:59:04,137 --> 00:59:06,000
EH?
498
00:59:06,000 --> 00:59:09,068
ALASDAIR-- SHE CAN'’T
ASK THE LAD '’CAUSE
SHE'’S FUCKING HIM.
499
00:59:09,068 --> 00:59:10,724
- SORRY.
- Kate: THAT WAS A BIT
BELOW THE BELT.
500
00:59:13,344 --> 00:59:15,310
SORRY, I LIKE YOU, KATE.
501
00:59:15,310 --> 00:59:17,034
IT'’S JUST MY SITUATION.
502
00:59:17,034 --> 00:59:19,241
- WANT A DRINK?
- SIT DOWN.
503
00:59:19,241 --> 00:59:21,448
OUT OF THE QUESTION.
SEE YOU LATER.
504
00:59:26,344 --> 00:59:28,517
SORRY ABOUT THAT.
505
00:59:28,517 --> 00:59:30,862
UH, RIGHT, WELL,
I THINK IT'’S MY ROUND.
506
00:59:30,862 --> 00:59:34,206
- MAYBE WE'’VE HAD ENOUGH.
- OH, PLEASE, COME ON.
507
00:59:34,206 --> 00:59:36,034
[ dance music playing ]
508
00:59:43,379 --> 00:59:46,413
- CHEERS.
- CHEERS.
509
00:59:52,620 --> 00:59:54,172
I HOPE YOU DON'’T
MIND ME ASKING.
510
00:59:54,172 --> 00:59:56,344
IS-- IS ALASDAIR
YOUR BOYFRIEND?
511
00:59:56,344 --> 00:59:58,689
GOD, NO.
HE'’S GOT A WIFE AND A KID.
512
01:00:00,275 --> 01:00:01,793
OH.
513
01:00:04,482 --> 01:00:06,517
AND WHAT ABOUT YOU?
ARE YOU MARRIED?
514
01:00:06,517 --> 01:00:08,172
NO.
515
01:00:11,137 --> 01:00:12,827
AND YOU?
516
01:00:12,827 --> 01:00:14,344
IS THERE A LOVE
IN YOUR LIFE?
517
01:00:16,241 --> 01:00:18,551
SHE'’S DEAD.
518
01:00:18,551 --> 01:00:20,448
WOULD YOU LIKE
TO MEET HER?
519
01:00:22,275 --> 01:00:23,758
I LIKE CREEPY GUYS.
520
01:00:23,758 --> 01:00:26,172
ONE, TWO, THREE!
521
01:00:27,620 --> 01:00:29,172
WHOO!
522
01:00:29,172 --> 01:00:30,793
[ giggling ]
523
01:00:30,793 --> 01:00:33,551
[ rock music playing ]
524
01:00:41,620 --> 01:00:43,655
YOU KNOW, IF IT WASN'’T
FOR YOUR DRESS SENSE,
525
01:00:43,655 --> 01:00:45,862
- I MIGHT HAVE THOUGHT
YOU WERE GAY.
- [ laughing ]
526
01:00:47,000 --> 01:00:48,517
"YOU'’RE SO BEAUTIFUL,
527
01:00:48,517 --> 01:00:51,827
I WANT TO SUCK
THE DICK OF THE LAST MAN
WHO FUCKED YOU."
528
01:00:51,827 --> 01:00:53,689
AND THAT WORKED?
REALLY?
529
01:00:54,931 --> 01:00:57,241
WHAT DOES THAT
SAY ABOUT YOU?
530
01:00:57,241 --> 01:00:59,896
THAT I AM A GULLIBLE SLAG.
531
01:00:59,896 --> 01:01:02,448
THAT'’S HARSH.
A SLAG, MAYBE, BUT--
532
01:01:04,896 --> 01:01:06,413
GET ME ANOTHER DRINK.
533
01:01:07,758 --> 01:01:09,344
[ both laughing ]
534
01:01:10,482 --> 01:01:12,793
PERHAPS SOME
COFFEE, MAYBE?
535
01:01:12,793 --> 01:01:15,586
NO.
LET'’S HAVE ONE AT MINE.
536
01:01:18,413 --> 01:01:21,931
WELL, IT'’S A BIT LATE.
I SHOULD-- PROBABLY
SHOULD BE GETTING--
537
01:01:21,931 --> 01:01:24,482
- NO, I-- NO, REALLY.
- YOU'’RE COMING WITH ME.
538
01:01:53,413 --> 01:01:55,482
[ exhales ]
539
01:02:05,689 --> 01:02:07,862
[ pop music playing ]
540
01:03:02,862 --> 01:03:05,827
PLEASE DON'’T TOUCH ME.
I'’M GAY. I'M GAY.
541
01:03:08,620 --> 01:03:10,758
EXPLAIN
THE ERECTION THEN.
542
01:03:10,758 --> 01:03:12,310
I WAS THINKING
OF MY CAREER.
543
01:03:12,310 --> 01:03:13,896
BULLSHIT!
544
01:03:13,896 --> 01:03:15,482
LOOK, YOU'’RE
VERY ATTRACTIVE,
545
01:03:15,482 --> 01:03:17,448
BUT I'’M POLITICALLY VERY
COMMITTED TO THE GAY CAUSE.
546
01:03:18,827 --> 01:03:20,620
- DO YOU HAVE
A BOYFRIEND?
- NO.
547
01:03:22,103 --> 01:03:24,172
FOR SOME REASON,
I BELIEVE THAT.
548
01:03:24,172 --> 01:03:26,965
THE REST I'’M AFRAID
IS SUSPECT.
549
01:03:26,965 --> 01:03:29,034
I'’M A VIRGIN.
550
01:03:31,586 --> 01:03:33,379
- THAT'’S OKAY.
- NO, IT'’S NOT.
551
01:03:34,965 --> 01:03:37,551
COME ON,
FIRST TIME FOR EVERYONE.
552
01:03:37,551 --> 01:03:39,275
IT'’S NOT MY FIRST TIME.
553
01:03:39,275 --> 01:03:41,344
[ sighs ]
554
01:03:42,689 --> 01:03:44,586
PERHAPS YOU SHOULD GO.
555
01:03:46,724 --> 01:03:50,275
LOOK, I WANT TO GO TO BED
WITH YOU MORE THAN ANYTHING.
556
01:03:51,517 --> 01:03:53,586
I THINK THE MOMENT
MIGHT HAVE PASSED.
557
01:04:00,793 --> 01:04:02,517
I'’M NOT SURE I WANT
THE RESPONSIBILITY.
558
01:04:03,965 --> 01:04:05,413
WE DON'’T HAVE TO...
559
01:04:06,517 --> 01:04:08,275
DO IT.
560
01:04:08,275 --> 01:04:10,137
I JUST WANT TO SLEEP
WITH YOU SO I CAN TELL PEOPLE.
561
01:04:10,137 --> 01:04:12,310
[ laughs ]
562
01:04:14,000 --> 01:04:15,758
[ snoring ]
563
01:04:43,620 --> 01:04:45,379
[ sniffs ]
564
01:04:50,310 --> 01:04:51,793
[ knocks ]
565
01:04:51,793 --> 01:04:54,448
- HI.
- HI.
566
01:04:54,448 --> 01:04:56,689
YOU WANT TO GO
FOR A BEER LATER?
567
01:04:58,344 --> 01:05:01,000
- UH, NO.
- WHAT ABOUT A FILM?
568
01:05:01,000 --> 01:05:03,103
I DON'’T THINK
EITHER'’S A GOOD IDEA.
569
01:05:04,241 --> 01:05:06,206
LAST NIGHT
WASN'’T A GOOD IDEA.
570
01:05:08,758 --> 01:05:10,724
OKAY. SURE.
571
01:05:12,034 --> 01:05:14,000
- I'’LL SEE YOU.
- SEE YOU.
572
01:05:21,482 --> 01:05:24,517
303, YES.
OKAY, THANK YOU.
573
01:05:24,517 --> 01:05:26,172
THANK YOU.
574
01:05:26,172 --> 01:05:29,068
303-- THAT'’S A BAD ROOM.
575
01:05:29,068 --> 01:05:31,275
GUY KILLED HIS WIFE
UP THERE IN 303.
576
01:05:31,275 --> 01:05:33,068
GUESS WHO FOUND THE BODY?
577
01:05:33,068 --> 01:05:36,689
GOES IN-- LEGS STICKING OUT,
STUFFED UNDER THE BED.
578
01:05:36,689 --> 01:05:39,517
HER HUSBAND DONE IT,
THAT JEALOUS BASTARD.
579
01:05:39,517 --> 01:05:42,551
I FELT BAD BECAUSE LIKE
THE NIGHT BEFORE, RIGHT...
580
01:05:44,689 --> 01:05:47,034
THE NIGHT BEFORE,
I GOT CALLED UP TO THE ROOM,
581
01:05:47,034 --> 01:05:48,793
SHE FUCKING SUCKED MY COCK.
582
01:05:49,896 --> 01:05:51,448
I KNOCKED ON THE DOOR, RIGHT?
583
01:05:51,448 --> 01:05:54,724
IT OPENS UP
AND THAT'’S HER,
ALL DRUNK, RIGHT?
584
01:05:54,724 --> 01:05:56,655
FUCK ME!
I'’M LIKE...
585
01:05:56,655 --> 01:05:59,275
"SORRY, MADAM,
I-- I'’M MARRIED."
586
01:05:59,275 --> 01:06:00,862
SHE'’S LIKE
"AYE, ME TOO."
587
01:06:00,862 --> 01:06:02,896
FUCK, I'’M LIKE
"EXCUSE ME, MADAM.
588
01:06:02,896 --> 01:06:04,517
I'’M VERY SORRY,
I CAN'’T DO THAT.
589
01:06:04,517 --> 01:06:06,103
BUT YOU CAN SUCK
MY COCK IF YOU WANT."
590
01:06:06,103 --> 01:06:09,137
- SHE'’S LIKE--
AND KICKS OFF-- BANG!
- [ phone rings ]
591
01:06:09,137 --> 01:06:11,482
CONCIERGE.
592
01:06:11,482 --> 01:06:14,931
YES, MADAM.
CERTAINLY. RIGHT AWAY.
593
01:06:14,931 --> 01:06:16,655
VERY GOOD.
594
01:06:16,655 --> 01:06:18,758
CAN YOU GO GET THE BAGS
AT 405, MR. FOE?
595
01:06:18,758 --> 01:06:21,241
- MY SHIFT'’S ABOUT TO END.
- YEAH, WELL, THEY'’VE
ASKED FOR YOU BY NAME,
596
01:06:21,241 --> 01:06:22,689
SO GET UP THERE.
597
01:06:24,344 --> 01:06:27,551
- BY NAME?
- BY NAME, MR. FOE.
598
01:06:29,172 --> 01:06:30,586
[ clears throat ]
599
01:06:31,965 --> 01:06:33,448
CONCIERGE.
600
01:06:45,758 --> 01:06:47,241
HELLO?
601
01:06:50,965 --> 01:06:52,413
CONCIERGE!
602
01:06:57,517 --> 01:06:59,862
THERE'’S NOBODY HERE.
603
01:06:59,862 --> 01:07:01,862
WE NEED TO TALK
ABOUT LAST NIGHT.
604
01:07:03,137 --> 01:07:04,965
I UNDERSTAND.
605
01:07:04,965 --> 01:07:07,551
YOU WERE DRUNK AND NOW
YOU FEEL GUILTY ABOUT IT.
606
01:07:07,551 --> 01:07:09,896
I'’M SORRY I PUT YOU
IN THAT POSITION,
607
01:07:09,896 --> 01:07:11,758
BUT THANK YOU FOR
A LOVELY EVENING ANYWAY.
608
01:07:13,310 --> 01:07:15,448
I ENJOYED MYSELF.
609
01:07:15,448 --> 01:07:18,655
I ENJOYED MYSELF TOO.
610
01:07:18,655 --> 01:07:20,620
[ sighs ]
I--
611
01:07:20,620 --> 01:07:22,034
I JUST DIDN'’T EXPECT--
612
01:07:23,965 --> 01:07:25,482
NOR DID I.
613
01:07:31,965 --> 01:07:33,655
SHALL WE STAY
HERE FOR A BIT?
614
01:07:34,862 --> 01:07:36,724
UNLESS YOU HAVE
OTHER PLANS.
615
01:07:38,413 --> 01:07:40,655
DON'’T WORRY,
THE ROOM'’S FREE.
616
01:07:40,655 --> 01:07:42,758
ALL I NEED TO DO IS SUCK
THE DUTY MANAGER'’S COCK.
617
01:07:46,379 --> 01:07:47,896
I'’M JOKING.
618
01:07:47,896 --> 01:07:50,448
[ laughs ]
619
01:07:50,448 --> 01:07:52,310
WHAT DO YOU CALL IT?
620
01:07:52,310 --> 01:07:53,896
WHAT?
621
01:07:56,172 --> 01:07:57,689
[ laughs ]
MY--
622
01:07:59,896 --> 01:08:02,551
MY WILLY. YOU?
623
01:08:03,655 --> 01:08:05,068
MY PUSSY.
624
01:08:07,034 --> 01:08:08,689
MY TODGER.
625
01:08:10,241 --> 01:08:11,655
MY MINGE.
626
01:08:13,931 --> 01:08:15,931
MY SCHLONG.
627
01:08:18,137 --> 01:08:19,724
MY HOLE.
628
01:08:21,517 --> 01:08:23,896
MY STICK.
629
01:08:23,896 --> 01:08:25,137
MY GASH.
630
01:08:26,517 --> 01:08:27,965
MY BAT.
631
01:08:30,103 --> 01:08:32,206
MY MUFF.
632
01:08:54,586 --> 01:08:57,310
♪ YOU TOOK OFF
ALL YOUR CLOTHES ♪
633
01:08:57,310 --> 01:09:00,758
♪ AND YOU DIVED
INTO THE SEA ♪
634
01:09:00,758 --> 01:09:02,758
♪ I TOOK ALL THOSE PHOTOS ♪
635
01:09:02,758 --> 01:09:06,241
♪ I SWORE NO ONE
SHOULD EVER SEE ♪
636
01:09:08,137 --> 01:09:11,862
♪ AND I JOINED YOU
IN THE SAND ♪
637
01:09:18,724 --> 01:09:21,724
♪ WHEN THE COLD
HAD DONE ITS WORK ♪
638
01:09:21,724 --> 01:09:25,068
♪ WE RETIRED BACK INSIDE ♪
639
01:09:25,068 --> 01:09:28,034
♪ WE DRANK TO OUR FUTURE ♪
640
01:09:28,034 --> 01:09:30,344
♪ AND THOSE
WE LEAVE BEHIND... ♪
641
01:09:33,827 --> 01:09:35,413
STAY HERE FOR A MINUTE
642
01:09:35,413 --> 01:09:37,413
OR WE'’LL BE ON
THE FRONT PAGE BY LUNCHTIME.
643
01:10:03,379 --> 01:10:04,689
YEAH!
644
01:10:26,344 --> 01:10:27,793
KATE!
645
01:10:47,896 --> 01:10:49,655
Alasdair:
WHO IS HE?
DO I KNOW HIM?
646
01:10:49,655 --> 01:10:51,551
Kate:
IT DOESN'’T MATTER.
647
01:10:51,551 --> 01:10:53,517
- Alasdair: I BEG
TO FUCKING DIFFER.
- Kate: AL, DON'’T!
648
01:10:53,517 --> 01:10:55,586
- Alasdair: TELL ME WHO HE IS.
- Kate: AL, THAT HURTS.
649
01:10:55,586 --> 01:10:58,344
- Alasdair: DOES HE WORK
IN THAT FUCKING HOTEL?
- Kate: OW!
650
01:10:58,344 --> 01:11:00,793
- WHAT'’S HIS NAME!
TELL ME WHO HE IS!
- ALASDAIR, NO!
651
01:11:00,793 --> 01:11:02,379
GET OFF HER!
652
01:11:03,551 --> 01:11:05,758
[ grunts ]
653
01:11:05,758 --> 01:11:08,689
- [ groaning ]
- IS THIS YOUR MAN?
654
01:11:08,689 --> 01:11:10,000
HALLAM, HOW DID
YOU GET IN HERE?
655
01:11:11,241 --> 01:11:14,586
THE ROOF.
HE PRACTICALLY
LIVES UP THERE.
656
01:11:14,586 --> 01:11:16,344
HE LIKES TO WATCH.
657
01:11:16,344 --> 01:11:18,275
WATCH WHAT?
658
01:11:18,275 --> 01:11:19,827
WHAT DO YOU THINK?
659
01:11:26,551 --> 01:11:28,758
YOU... GET OUT.
660
01:11:30,931 --> 01:11:33,000
GET OUT.
661
01:11:36,586 --> 01:11:38,137
YOU SURE HE'’S GOT
WHAT IT TAKES?
662
01:11:38,137 --> 01:11:40,137
FUCK OFF.
663
01:11:48,034 --> 01:11:50,448
- I'’M SORRY.
- HOW LONG HAS THIS
BEEN GOING ON?
664
01:11:50,448 --> 01:11:52,344
[ door slams ]
665
01:11:53,620 --> 01:11:55,103
SINCE I FIRST SAW YOU.
666
01:11:56,862 --> 01:11:58,965
I THOUGHT YOU
LOOKED LIKE SOMEONE,
SO I FOLLOWED YOU.
667
01:11:58,965 --> 01:12:02,310
AND-- I DIDN'’T KNOW
SOMETHING WAS GOING
TO HAPPEN BETWEEN US.
668
01:12:02,310 --> 01:12:04,103
WHO DID YOU THINK
I LOOKED LIKE?
669
01:12:07,103 --> 01:12:09,448
MY MOTHER.
670
01:12:09,448 --> 01:12:11,068
SHE'’S DEAD.
671
01:12:14,896 --> 01:12:17,793
PLEASE,
JUST LEAVE ME ALONE.
672
01:12:17,793 --> 01:12:20,000
AND I MEAN ALONE.
673
01:12:21,172 --> 01:12:22,724
NOW GET OUT.
674
01:12:22,724 --> 01:12:24,413
YOU'’RE FIRED.
675
01:12:59,206 --> 01:13:00,758
[ shouting ]
676
01:13:15,310 --> 01:13:16,655
[ groans ]
677
01:13:25,793 --> 01:13:27,655
[ keys jangling ]
678
01:13:27,655 --> 01:13:29,068
[ door opens ]
679
01:13:34,793 --> 01:13:36,448
WHAT DO YOU WANT?
680
01:13:38,034 --> 01:13:40,482
I HEAR YOU'’VE GOT A VACANCY
FOR A FRONT-OF-HOUSE PORTER.
681
01:13:43,000 --> 01:13:45,620
WE'’LL NEED REFERENCES
FROM PREVIOUS EMPLOYERS.
682
01:13:47,068 --> 01:13:49,965
WELL, IF MY PREVIOUS
EMPLOYER HAD KNOWN
THE FACTS,
683
01:13:49,965 --> 01:13:52,896
SHE MIGHT HAVE DECIDED THAT
THE GOOD OUTWEIGHED THE BAD.
684
01:13:52,896 --> 01:13:56,000
- REALLY?
- I DID SAVE HER
QUITE HEROICALLY
685
01:13:56,000 --> 01:13:57,793
FROM THIS BLOKE
TWICE MY SIZE.
686
01:13:59,034 --> 01:14:01,758
AND WHAT WAS
THE UNGRATEFUL
BITCH'’S PROBLEM?
687
01:14:01,758 --> 01:14:04,137
IN SAVING HER, I...
688
01:14:04,137 --> 01:14:06,965
REVEALED AN UNEDIFYING
HABIT WHICH--
689
01:14:06,965 --> 01:14:08,827
AN UNEDIFYING HABIT?
690
01:14:14,000 --> 01:14:17,000
WHEN MY MOM DIED, I DIDN'’T
WANT TO BE AROUND ANYONE.
691
01:14:17,000 --> 01:14:19,103
I HAD THIS OLD TREE HOUSE
WHICH MY DAD BUILT ME.
692
01:14:19,103 --> 01:14:20,931
HE'’S AN ARCHITECT.
693
01:14:20,931 --> 01:14:23,862
I SORT OF RETREATED
THERE AND JUST WATCHED
PEOPLE FROM A DISTANCE.
694
01:14:25,827 --> 01:14:27,413
IT KIND OF BECAME A HABIT.
695
01:14:28,827 --> 01:14:30,586
WHO DID YOU WATCH THE MOST?
696
01:14:31,724 --> 01:14:33,586
MY STEPMOTHER.
697
01:14:33,586 --> 01:14:36,206
- WHY?
- I DIDN'’T TRUST HER.
698
01:14:38,172 --> 01:14:40,655
DID YOU WATCH HER
WITH YOUR FATHER?
699
01:14:42,655 --> 01:14:44,137
DID IT EXCITE YOU?
700
01:14:45,517 --> 01:14:47,275
I KNOW YOU WON'’T BELIEVE ME,
BUT I DON'’T REALLY
701
01:14:47,275 --> 01:14:49,103
LOOK AT PEOPLE
FOR THOSE REASONS.
702
01:14:51,034 --> 01:14:52,965
WHAT ABOUT ME, THEN?
703
01:14:52,965 --> 01:14:54,689
DIDN'’T I TURN YOU ON
WHEN YOU WATCHED ME?
704
01:14:56,965 --> 01:14:59,689
OR WAS MY PERFORMANCE
NOT TO YOUR SATISFACTION?
705
01:15:04,137 --> 01:15:06,689
IT DIDN'’T ALWAYS
LOOK LIKE YOU WERE
ENJOYING YOURSELF.
706
01:15:08,172 --> 01:15:09,862
- WERE YOU?
- COME HERE.
707
01:15:19,448 --> 01:15:22,551
I'’M A REAL LIVE
HUMAN BEING, HALLAM.
708
01:15:22,551 --> 01:15:25,862
SOMETIMES I WANT SWEET,
SOMETIMES I WANT SOUR.
709
01:15:25,862 --> 01:15:28,000
SOMETIMES I DON'’T
KNOW WHAT I WANT.
710
01:15:28,000 --> 01:15:30,241
MY SHIT STINKS.
I'’M GOING TO DIE SOMEDAY.
711
01:15:31,724 --> 01:15:34,965
IF I LOOK LIKE YOUR MOTHER,
IT'’S JUST A COINCIDENCE.
712
01:15:34,965 --> 01:15:37,827
AM I TELLING YOU ANYTHING
YOU DON'’T ALREADY KNOW?
713
01:15:39,206 --> 01:15:41,000
IS THERE ANYTHING I CAN DO
TO MAKE IT UP TO YOU?
714
01:15:44,827 --> 01:15:46,448
PROBABLY NOT.
715
01:15:47,551 --> 01:15:49,034
PUT YOUR CLOTHES ON,
LEAVE
716
01:15:49,034 --> 01:15:50,862
AND GO TO WORK
TOMORROW MORNING.
717
01:16:05,034 --> 01:16:06,689
HALLAM...
718
01:16:11,413 --> 01:16:13,620
YOU DON'’T HAVE TO GO
IF YOU DON'’T WANT TO.
719
01:16:16,689 --> 01:16:18,827
[ urinating ]
720
01:16:22,241 --> 01:16:24,000
[ squeaks ]
721
01:16:42,620 --> 01:16:45,517
- AND THE DRESS?
- MOM'’S.
722
01:16:47,379 --> 01:16:49,482
Hallam:
YOU DO LOOK LIKE HER.
723
01:16:50,827 --> 01:16:52,482
IS THAT THE ONLY REASON
YOU'’RE INTERESTED IN ME?
724
01:16:52,482 --> 01:16:54,137
NO, IT'’S NOT.
725
01:17:01,482 --> 01:17:03,034
BUT I DO MISS HER.
726
01:17:08,655 --> 01:17:10,103
I REALLY MISS HER A LOT.
727
01:17:14,689 --> 01:17:16,000
WOULD YOU LIKE ME
TO WEAR IT?
728
01:17:17,551 --> 01:17:19,137
NO.
729
01:17:40,793 --> 01:17:43,034
ARE YOU OKAY?
730
01:17:55,862 --> 01:17:57,827
[ sobbing ]
731
01:18:28,206 --> 01:18:31,896
♪ YOU KNOW AND I KNOW ♪
732
01:18:31,896 --> 01:18:33,689
- ♪ HOW WE WORK
AND HOW WE HOPE... ♪
- HELLO.
733
01:18:34,931 --> 01:18:36,827
HELLO.
734
01:18:38,793 --> 01:18:41,310
[ laughing ]
735
01:18:44,379 --> 01:18:45,931
♪ YOU MADE SOME MAGIC ♪
736
01:18:45,931 --> 01:18:48,482
♪ YOU DIDN'’T EVEN TRY ♪
737
01:18:49,793 --> 01:18:52,965
♪ IT FELL OUT
OF YOUR EYES ♪
738
01:18:54,344 --> 01:18:56,620
♪ THEN I DID TOO... ♪
739
01:18:58,241 --> 01:19:00,448
- READY?
- AH!
740
01:19:00,448 --> 01:19:02,241
DID I TELL YOU I HAVE
REALLY BAD VERTIGO?
741
01:19:05,275 --> 01:19:08,068
♪ MY FINGERS
GET IN THE WAY... ♪
742
01:19:08,068 --> 01:19:11,931
- YOU OKAY? YOU OKAY?
- ♪ I GET ALL TIED UP... ♪
743
01:19:11,931 --> 01:19:14,551
ALMOST FELL INTO
YOUR MOUTH IT WAS SO WIDE.
YOU WERE LIKE--
744
01:19:14,551 --> 01:19:17,310
- [ grunts ]
- [ giggles ]
745
01:19:17,310 --> 01:19:19,172
ON YOU GO.
746
01:19:19,172 --> 01:19:21,482
YOU WANT TO STAY OFF
THAT FRONT PAGE, DON'’T YOU?
747
01:19:21,482 --> 01:19:23,068
DO I?
748
01:19:29,379 --> 01:19:30,344
BYE.
749
01:19:33,517 --> 01:19:34,965
[ snaps ]
750
01:19:36,103 --> 01:19:37,724
[ whistling ]
751
01:19:41,551 --> 01:19:43,655
HALLAM!
GOT YOUR PARENTS HERE.
752
01:19:43,655 --> 01:19:45,172
THEY'’RE UP IN
THE McDERMOTT LOUNGE.
753
01:19:45,172 --> 01:19:47,275
WHAT ABOUT YOUR MOM?
SHE'’S A FUCKING STAR!
754
01:20:07,724 --> 01:20:09,206
HALLAM.
755
01:20:10,586 --> 01:20:13,103
- THANK GOD WE FOUND YOU.
- HOW DID YOU FIND ME?
756
01:20:14,517 --> 01:20:16,275
WELL, A VERY NICE
POLICEMAN CALLED.
757
01:20:16,275 --> 01:20:18,793
HE WAS WORRIED
ABOUT YOU.
758
01:20:22,620 --> 01:20:25,931
WHAT ARE YOU,
SOME KIND OF BUSBOY?
759
01:20:25,931 --> 01:20:28,896
A FRONT-OF-HOUSE
PORTER, ACTUALLY.
760
01:20:28,896 --> 01:20:31,103
HELLO, I'’M KATE,
A FRIEND OF HALLAM'’S.
761
01:20:35,344 --> 01:20:37,448
DAD, WHAT'’S
HAPPENED TO YOU?
762
01:20:37,448 --> 01:20:39,344
IT'’S NOTHING,
JUST A STUPID FALL.
763
01:20:44,275 --> 01:20:46,931
WELL, KATE, IT WAS
VERY NICE TO MEET YOU.
764
01:20:46,931 --> 01:20:48,586
IF YOU WOULD EXCUSE US,
WE DO ACTUALLY HAVE
765
01:20:48,586 --> 01:20:50,551
SOME FAMILY MATTERS
TO DISCUSS.
766
01:20:51,793 --> 01:20:54,379
I OWE YOU AN APOLOGY.
767
01:20:54,379 --> 01:20:57,896
I UNDERESTIMATED HOW TOUGH
768
01:20:57,896 --> 01:20:59,793
THIS PAST YEAR
HAS BEEN FOR YOU
AND I'’M SORRY.
769
01:21:01,689 --> 01:21:03,586
AND I KNOW ABOUT
YOU AND VERITY.
770
01:21:04,965 --> 01:21:07,862
SHE TOLD ME ABOUT
THE CLUMSY PASS
YOU MADE AT HER.
771
01:21:07,862 --> 01:21:11,103
- N-- NO. NO--
- IT'’S ALL RIGHT.
IT'’S ALL RIGHT.
772
01:21:11,103 --> 01:21:12,724
WE'’VE ALL HAD
TEENAGE CRUSHES.
773
01:21:12,724 --> 01:21:14,034
I HAD A THING FOR
MY FRENCH TEACHER'’S WIFE.
774
01:21:14,034 --> 01:21:15,724
DAD, BUT THAT'’S
NOT WHAT HAPPENED.
775
01:21:15,724 --> 01:21:17,689
HALLAM, YOUR FATHER'’S
TRYING TO TELL YOU SOMETHING.
776
01:21:17,689 --> 01:21:20,172
EXCUSE ME, DON'’T CHANGE
THE SUBJECT, ALL RIGHT?
777
01:21:20,172 --> 01:21:22,448
I'’M AFRAID, I DO HAVE
SOMETHING TO DISCUSS WITH YOU.
778
01:21:23,793 --> 01:21:25,448
SHALL WE SIT DOWN?
779
01:21:37,000 --> 01:21:39,482
THINGS HAVEN'’T BEEN
GOING SO WELL LATELY.
780
01:21:39,482 --> 01:21:41,172
MY COMMISSIONS
HAVE RATHER DRIED UP,
781
01:21:41,172 --> 01:21:44,931
SO WE'’VE HAD TO CONSIDER
OTHER FINANCIAL OPTIONS.
782
01:21:49,620 --> 01:21:51,965
THE BANK HAS OKAYED AN IDEA
783
01:21:51,965 --> 01:21:55,000
TO DEVELOP THE GROUNDS
OF THE HOUSE.
784
01:21:55,000 --> 01:21:58,000
OUR PLAN IS TO TRANSFORM
785
01:21:58,000 --> 01:22:00,793
THE WASTELAND AROUND
THE LOCH INTO ECO-HOUSING.
786
01:22:00,793 --> 01:22:03,448
WHY ARE YOU
TELLING ME THIS?
787
01:22:06,241 --> 01:22:08,551
CONSULTING YOU IS A CONDITION
OF YOUR MOTHER'’S WILL.
788
01:22:08,551 --> 01:22:11,517
[ laughs ]
AND WHAT ABOUT LUCY?
789
01:22:11,517 --> 01:22:13,862
LUCY HAS ALREADY
GIVEN HER CONSENT.
790
01:22:13,862 --> 01:22:15,965
DO YOU THINK MOM
WOULD'’VE APPROVED OF THIS?
791
01:22:15,965 --> 01:22:18,758
I WOULDN'’T BE DOING THIS
IF I HAD ANY ALTERNATIVE.
792
01:22:18,758 --> 01:22:21,758
- NOW PLEASE, HEAR US OUT.
- DAD, SHE KILLED MY MOTHER.
793
01:22:21,758 --> 01:22:23,827
I WORKED IT ALL OUT.
THAT'’S WHY I WENT
TO THE POLICE.
794
01:22:23,827 --> 01:22:25,448
DON'’T BE RIDICULOUS.
795
01:22:25,448 --> 01:22:27,000
YOU'’VE GOT YOURSELF
INTO A MUDDLE.
796
01:22:27,000 --> 01:22:29,310
NOW YOU CANNOT BLAME
VERITY FOR EVERYTHING.
797
01:22:31,068 --> 01:22:33,896
CAN'’T YOU SEE YOU'RE
BEING MANIPULATED? HUH?
798
01:22:33,896 --> 01:22:35,482
HALLAM, PLEASE!
799
01:22:35,482 --> 01:22:37,344
IT'’S OKAY.
800
01:22:39,103 --> 01:22:42,206
WHILE YOU'’VE BEEN
ENJOYING YOURSELF
WITH YOUR LOOKALIKE,
801
01:22:42,206 --> 01:22:45,310
I HAVE BEEN COMBING
YOUR FATHER'’S BOOKS.
802
01:22:45,310 --> 01:22:46,896
HE'’S IN BIG TROUBLE.
803
01:22:46,896 --> 01:22:49,034
HE'’S £800,000 IN DEBT.
804
01:22:49,034 --> 01:22:51,275
HE'’S BEING SUED--
805
01:22:51,275 --> 01:22:54,137
HE'’S BEING SUED
BY TWO CLIENTS.
806
01:22:54,137 --> 01:22:55,724
HE NEEDS YOUR HELP.
807
01:22:55,724 --> 01:22:57,448
YOU MURDERED MY MOTHER.
808
01:22:57,448 --> 01:22:59,344
AND YOU ADMITTED IT.
809
01:22:59,344 --> 01:23:01,413
I WASN'’T EVEN THERE
THE NIGHT SHE DIED.
810
01:23:01,413 --> 01:23:04,068
OH, I SEE. SO, YOU GOT
YOURSELF AN ALIBI NOW?
811
01:23:07,413 --> 01:23:10,034
WHATEVER HAPPENED
812
01:23:10,034 --> 01:23:13,137
BETWEEN US
WAS A MISTAKE.
813
01:23:13,137 --> 01:23:15,206
AND I'’M SORRY.
814
01:23:15,206 --> 01:23:17,793
BUT I THOUGHT
THAT JULIUS AND I
COULD START FRESH.
815
01:23:17,793 --> 01:23:20,137
BUT THAT WAS
NEVER GONNA HAPPEN
816
01:23:20,137 --> 01:23:22,551
WITH YOU AND LUCY
IN THE HOUSE TREATING
ME LIKE AN IMPOSTER.
817
01:23:24,206 --> 01:23:26,586
AND I KNOW THAT THAT'’S
NO EXCUSE, BUT PLEASE,
818
01:23:26,586 --> 01:23:28,620
JUST TRY TO SEE THINGS
FROM MY PERSPECTIVE.
819
01:23:28,620 --> 01:23:31,758
YOU HAVE TREATED ME
LIKE A WHITE TRASH,
820
01:23:31,758 --> 01:23:33,793
GOLD-DIGGING WHORE
FROM DAY ONE.
821
01:23:35,000 --> 01:23:36,827
THAT'’S EXACTLY
WHAT YOU ARE.
822
01:23:38,241 --> 01:23:39,517
OKAY.
823
01:23:40,965 --> 01:23:42,551
HOW IS IT
WITH YOUR LOOKALIKE?
824
01:23:43,862 --> 01:23:45,655
DO YOU FEEL LIKE YOU'’RE
FUCKING MOMMY?
825
01:23:52,137 --> 01:23:54,862
[ muttering ]
DOES IT FEEL LIKE
YOU'’RE FUCKING MOMMY?
826
01:23:54,862 --> 01:23:57,793
DOES IT-- DOES IT FEEL
LIKE YOU'’RE FUCKING MOMMY?
827
01:24:42,206 --> 01:24:44,827
HALLAM?
828
01:24:44,827 --> 01:24:47,379
[ muffled screams ]
829
01:24:58,379 --> 01:24:59,965
[ screaming ]
830
01:25:17,758 --> 01:25:19,482
[ grunts ]
831
01:25:38,827 --> 01:25:42,310
I HATE YOU.
I HATE YOU.
832
01:25:42,310 --> 01:25:43,931
I HATE YOU!
833
01:25:43,931 --> 01:25:45,586
I HATE YOU.
[ panting ]
834
01:26:02,344 --> 01:26:04,275
[ gasping ]
835
01:26:20,965 --> 01:26:23,103
[ panting ]
836
01:26:47,689 --> 01:26:49,103
[ coughing ]
837
01:26:59,413 --> 01:27:01,689
I MADE A MISTAKE.
838
01:27:07,379 --> 01:27:09,620
SORRY. COME HERE.
839
01:27:29,517 --> 01:27:32,241
Julius:
GOOD GOD.
WHAT DID HE DO?
840
01:27:32,241 --> 01:27:33,965
Verity:
YOU NEED TO TALK TO HIM.
841
01:27:33,965 --> 01:27:35,379
PLEASE.
842
01:27:48,758 --> 01:27:50,551
IF YOU MUST
BLAME SOMEONE...
843
01:27:51,896 --> 01:27:54,827
IT WAS ME THAT TOOK
A HAMMER TO THE BOAT
844
01:27:54,827 --> 01:27:57,517
TO STOP YOU MOTHER
GOING OUT IN IT.
845
01:27:57,517 --> 01:27:59,413
BUT...
846
01:27:59,413 --> 01:28:01,344
SHE JUST WENT
SWIMMING INSTEAD.
847
01:28:03,551 --> 01:28:05,068
SO WHAT DID YOU DO?
848
01:28:09,517 --> 01:28:11,551
IT HAD BEEN
GOING ON FOR MONTHS
849
01:28:11,551 --> 01:28:13,379
AND I WAS TIRED.
850
01:28:13,379 --> 01:28:15,068
DAD.
851
01:28:17,344 --> 01:28:19,241
WHAT DID YOU DO?
852
01:28:20,965 --> 01:28:22,448
I DID NOTHING.
853
01:28:26,862 --> 01:28:28,655
I HEARD HER
854
01:28:28,655 --> 01:28:30,551
RUMMAGING IN
THE MEDICINE CABINET.
855
01:28:30,551 --> 01:28:33,034
AND I HEARD HER
GO OUT THE BACK DOOR.
856
01:28:35,689 --> 01:28:37,931
AND I DID NOTHING.
I GAVE UP.
857
01:28:43,827 --> 01:28:45,482
BUT IT WAS HER CHOICE.
858
01:28:46,655 --> 01:28:48,655
FINAL VICTORY
IN HER WAR AGAINST ME.
859
01:28:55,068 --> 01:28:57,793
- WHAT ABOUT ME?
- OH, SHE LOVED YOU.
860
01:28:57,793 --> 01:28:59,620
NOT ENOUGH TO STICK AROUND.
861
01:29:01,206 --> 01:29:02,793
AND THAT'’S WHY
YOU'’VE BEEN SO ANGRY.
862
01:29:07,241 --> 01:29:08,655
I KNOW.
863
01:29:42,034 --> 01:29:43,482
[ knocking ]
864
01:29:48,379 --> 01:29:50,620
DON'’T WORRY, I'M NOT
LOOKING FOR MY JOB BACK.
865
01:29:53,758 --> 01:29:55,448
HOW ARE YOU?
866
01:29:55,448 --> 01:29:57,862
BETTER.
THANK YOU.
867
01:29:57,862 --> 01:29:59,862
I SORTED A FEW THINGS OUT.
868
01:30:01,310 --> 01:30:03,551
I'’M GLAD.
869
01:30:05,482 --> 01:30:07,103
CAN I COME IN?
870
01:30:09,620 --> 01:30:11,620
NOW IS NOT
AN IDEAL TIME.
871
01:30:17,241 --> 01:30:19,206
I'’M CRAP AT
RELATIONSHIPS ANYWAY.
872
01:30:37,793 --> 01:30:39,655
YOU'’LL SOON FIND SOMEONE
TO HELP YOU IRON OUT
873
01:30:39,655 --> 01:30:41,241
THOSE CREASES OF YOURS.
874
01:30:46,344 --> 01:30:48,482
GUESS I'’LL CATCH YOU
LATER THEN.
875
01:30:48,482 --> 01:30:50,413
YEAH.
876
01:30:51,482 --> 01:30:53,000
THAT WOULD BE GOOD.
877
01:30:54,758 --> 01:30:57,241
LOOK ME UP
IN FIVE YEARS'’ TIME.
878
01:30:59,827 --> 01:31:01,689
WILL YOU STILL BE BEAUTIFUL
IN FIVE YEARS'’ TIME?
879
01:31:03,965 --> 01:31:05,620
I HOPE SO.
880
01:31:08,275 --> 01:31:09,793
YOU WILL BE.
881
01:31:41,827 --> 01:31:44,379
♪ THERE'’S A MAN ♪
882
01:31:44,379 --> 01:31:46,068
♪ IN THE STREET ♪
883
01:31:46,068 --> 01:31:48,896
♪ WHO TELLS ME
THAT HE LOVES ME ♪
884
01:31:52,310 --> 01:31:55,620
♪ GOD IS EVERYWHERE ♪
885
01:31:55,620 --> 01:31:58,137
♪ HE SAYS HE
LIVES ABOVE ME ♪
886
01:32:01,275 --> 01:32:04,586
♪ I KNOW MORE
ABOUT THIS MAN ♪
887
01:32:06,068 --> 01:32:08,172
♪ THAN I KNOW ABOUT YOU. ♪
888
01:32:09,827 --> 01:32:13,655
[ acoustic guitar playing ]
889
01:32:15,931 --> 01:32:18,827
♪ BREEZE BLOWS ♪
890
01:32:18,827 --> 01:32:20,448
♪ FROM TREETOPS ♪
891
01:32:20,448 --> 01:32:25,310
♪ TO TEASE SENSATION ♪
892
01:32:25,310 --> 01:32:31,413
♪ WONDER IN
YOUR IMAGINATION ♪
893
01:32:31,413 --> 01:32:35,137
♪ WONDERING WHERE
SHE CAN BE ♪
894
01:32:37,896 --> 01:32:41,344
♪ IT FEELS SO ♪
895
01:32:41,344 --> 01:32:43,689
♪ COLD AS YOU GO ♪
896
01:32:43,689 --> 01:32:46,172
♪ WHEN YOU LEAVE ♪
897
01:32:47,448 --> 01:32:49,448
♪ YOU'’RE A DANDELION ♪
898
01:32:49,448 --> 01:32:52,000
♪ BLOWN ON THE BREEZE ♪
899
01:32:54,275 --> 01:32:56,655
♪ WONDERING WHERE ♪
900
01:32:56,655 --> 01:32:58,310
♪ YOU COULD BE ♪
901
01:33:00,724 --> 01:33:03,448
♪ THE WHISPERS WIND UP ♪
902
01:33:03,448 --> 01:33:05,551
♪ SHE WHISPERS ♪
903
01:33:05,551 --> 01:33:09,344
♪ AND INTO THE AIR WE FLY ♪
904
01:33:11,827 --> 01:33:15,241
♪ SO FLY ♪
905
01:33:17,931 --> 01:33:20,896
♪ OH, DANDELION, FLY ♪
906
01:33:24,551 --> 01:33:27,758
♪ YES, IT'’S TIME ♪
907
01:33:30,896 --> 01:33:33,931
♪ IT'’S TIME FOR YOU TO FLY ♪
908
01:34:01,344 --> 01:34:04,482
♪ YOU WATCH THEM FOR HOURS ♪
909
01:34:04,482 --> 01:34:07,551
♪ FROM SLATES
AND CLOCK TOWERS ♪
910
01:34:07,551 --> 01:34:10,931
♪ THE LINES ♪
911
01:34:10,931 --> 01:34:12,689
♪ BELOW ♪
912
01:34:14,000 --> 01:34:17,137
♪ BUT YOUR LIFE IS OTHER ♪
913
01:34:17,137 --> 01:34:20,862
♪ AND LOVERS AND MOTHERS ♪
914
01:34:20,862 --> 01:34:24,724
♪ OH WHOA WHOA ♪
915
01:34:27,206 --> 01:34:30,034
♪ BREEZE BLOWS ♪
916
01:34:30,034 --> 01:34:31,689
♪ FROM ROOFTOPS ♪
917
01:34:31,689 --> 01:34:36,482
♪ TO YOUR DESTINATION ♪
918
01:34:36,482 --> 01:34:41,275
♪ TRAPPED IN YOUR IMAGINATION ♪
919
01:34:44,413 --> 01:34:47,413
♪ SHE'’S ALL YOU CAN SEE ♪
920
01:34:48,827 --> 01:34:50,655
♪ BLACK LOCH WATER ♪
921
01:34:50,655 --> 01:34:52,586
♪ YOU MISS HER ♪
922
01:34:52,586 --> 01:34:56,896
♪ OH GOD, HOW YOU
MISS HER SO ♪
923
01:35:00,827 --> 01:35:04,241
♪ HALLAM FOE ♪
924
01:35:07,103 --> 01:35:09,689
♪ OH, DANDELION, GROW ♪
925
01:35:13,551 --> 01:35:16,758
♪ YES, IT'’S TIME ♪
926
01:35:20,137 --> 01:35:22,724
♪ DANDELION FLY. ♪
61797
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.