All language subtitles for All American s04e01 Survival of the Fittest.eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified) Download
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian Download
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal) Download
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,436 --> 00:00:03,003 DANIEL EZRA: PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:03,046 --> 00:00:04,352 SPENCER: I'VE GOT TO TELL YOU SOMETHING. 3 00:00:04,395 --> 00:00:06,006 I'VE BEEN TRAINING JORDAN FOR WEEKS. 4 00:00:06,049 --> 00:00:09,009 BILLY: YOU RISKED HIS FUTURE? I'M SO DISAPPOINTED IN YOU. 5 00:00:09,052 --> 00:00:12,012 MONTES: OBVIOUSLY, I AM NOT HAPPY ABOUT WHAT JUST HAPPENED, 6 00:00:12,055 --> 00:00:15,058 BUT IF WE CAN OVERCOME WHAT IS DIVIDING US, WE CAN CREATE A SPECIAL MEMORY. 7 00:00:15,102 --> 00:00:19,584 YOU ARE GOING TO TELL YOUR GRANDKIDS ABOUT THIS GAME, SO LET'S MAKE IT A GOOD STORY. 8 00:00:19,628 --> 00:00:22,848 LAYLA: I CANNOT BELIEVE I LEFT MY PHONE AT HOME. I WAS SURE I PUT IT IN MY PURSE. 9 00:00:22,892 --> 00:00:24,937 [PHONE RINGING] CARRIE: IT'S GOOD TO UNPLUG ONCE IN A WHILE. 10 00:00:24,981 --> 00:00:27,549 BESIDES, WE HAVE EACH OTHER. [LAYLA CHUCKLES] 11 00:00:28,985 --> 00:00:32,162 COOP: WHAT'S UP, MO? SURPRISED TO SEE ME? 12 00:00:32,206 --> 00:00:34,251 [TWO GUNSHOTS] 13 00:00:34,295 --> 00:00:36,036 COOP: PREACH! 14 00:00:36,079 --> 00:00:38,429 NO, NO, NO, NO, NO, NO, NO, COOP. 15 00:00:38,473 --> 00:00:40,736 COOP! NO, NO, NO, NO, NO, NO! 16 00:00:52,400 --> 00:00:55,055 ["WEIGHT" BY LEE DeWYZE PLAYING] 17 00:00:59,624 --> 00:01:02,192 LAYLA: UH, OK, SO WHY'D YOU WANT ME TO SWING 18 00:01:02,236 --> 00:01:04,890 BY HERE BEFORE WE WENT TO YOUR PARENTS'? 19 00:01:04,934 --> 00:01:08,546 DeWYZE: ♪ THE WEIGHT OF IT ALL ON YOUR SHOULDERS ♪ 20 00:01:08,590 --> 00:01:10,548 [SEAT BELT UNBUCKLES] 21 00:01:10,592 --> 00:01:12,550 [CAR DOOR CLOSES] 22 00:01:12,594 --> 00:01:16,206 DeWYZE: ♪ THE SILENCE CRAWLS WITHIN EVERYWHERE ♪ 23 00:01:16,250 --> 00:01:18,426 HEY, WHAT'S GOING ON? 24 00:01:20,341 --> 00:01:22,299 CARRIE? HEY. 25 00:01:22,343 --> 00:01:24,693 TAKE MY HAND? 26 00:01:27,826 --> 00:01:30,481 UH, OK. 27 00:01:35,312 --> 00:01:37,923 IT'S OK. 28 00:01:37,967 --> 00:01:40,578 EVERYTHING'S OK NOW. 29 00:01:40,622 --> 00:01:45,148 YEAH, WELL, UM, WE SHOULD PROBABLY GET GOING. 30 00:01:45,192 --> 00:01:48,151 THERE'S NOWHERE ELSE TO GO. 31 00:01:48,195 --> 00:01:50,893 THIS IS IT. 32 00:01:54,201 --> 00:01:57,160 WE CAN FINALLY END THE PAIN. 33 00:01:57,204 --> 00:01:59,162 WE CAN END THE CRIPPLING LONELINESS HERE, 34 00:01:59,206 --> 00:02:01,425 NOW. LAYLA: CARRIE. 35 00:02:01,469 --> 00:02:03,253 - YOU DON'T HAVE TO BE SCARED. IT'S OK. - CARRIE. 36 00:02:03,297 --> 00:02:04,950 NO, THIS IS A GOOD THING. 37 00:02:04,994 --> 00:02:06,517 WE'RE GONNA FINALLY BE AT PEACE. 38 00:02:06,561 --> 00:02:08,476 WHAT ARE YOU DOING? NO. 39 00:02:08,519 --> 00:02:10,478 NO! CARRIE! OH! 40 00:02:10,521 --> 00:02:13,133 NO! CARRIE! OH! [GASPING] 41 00:02:13,176 --> 00:02:16,788 NO, CARRIE! NO, NO, NO! [CRYING] PLEASE! NO! 42 00:02:16,832 --> 00:02:18,964 HEY, HEY, HEY, IT'S OK. IT'S OK. 43 00:02:19,008 --> 00:02:21,053 HEY, HEY, YOU'RE HOME. YOU'RE SAFE. 44 00:02:21,097 --> 00:02:23,447 [EXHALES SHARPLY] SORRY. 45 00:02:23,491 --> 00:02:26,450 [GASPS] SORRY. IT'S JUST A BAD DREAM. I'M FINE. 46 00:02:26,494 --> 00:02:28,626 - ARE YOU? - YEAH, I AM. I PROMISE. 47 00:02:28,670 --> 00:02:32,804 DR. LELAND SAID NIGHTMARES ARE TO BE EXPECTED, SO IT'S FINE. 48 00:02:32,848 --> 00:02:35,024 - LAYLA, I'M HERE. - ACTUALLY, I JUST, UM, 49 00:02:35,067 --> 00:02:38,070 I NEED TO GO TO THE BATHROOM. I-- I'M FINE, DAD, REALLY. 50 00:02:41,378 --> 00:02:43,424 [DOOR CLOSES] 51 00:02:54,391 --> 00:02:58,090 SENIOR YEAR WASN'T SUPPOSED TO BE LIKE THIS. 52 00:03:00,049 --> 00:03:02,225 I MOVED BACK HERE, 53 00:03:02,269 --> 00:03:04,662 I SAVED THE SCHOOL, 54 00:03:04,706 --> 00:03:06,838 I GOT A D1 SCHOLARSHIP, 55 00:03:06,882 --> 00:03:09,537 GOT NAMED AN ALL-AMERICAN... 56 00:03:11,626 --> 00:03:14,324 AND I GOT THE GIRL. 57 00:03:14,368 --> 00:03:16,326 [CHUCKLES] 58 00:03:16,370 --> 00:03:20,025 AND I WAS HAPPY... 59 00:03:20,069 --> 00:03:22,593 LIKE, FOR REAL, FOR THE FIRST TIME, HAPPY, 60 00:03:22,637 --> 00:03:25,596 THEN... 61 00:03:25,640 --> 00:03:28,251 [CLEARS THROAT] 62 00:03:28,295 --> 00:03:30,949 I DON'T KNOW. 63 00:03:32,473 --> 00:03:36,085 MAYBE PEOPLE LIKE US AIN'T SUPPOSED TO HAVE IT ALL. 64 00:03:36,128 --> 00:03:39,523 ["LEAVE A LEGACY" PLAYING] SINGERS: ♪ NA NA NA-NA NA NA-NA NA NA NA ♪ 65 00:03:39,567 --> 00:03:41,917 ♪ NA NA NA-NA-NA... FIELD ANNOUNCER: IT'S BEEN A HELL OF A GAME 66 00:03:41,960 --> 00:03:44,528 FOR THESE TWO TEAMS, AND WE'RE ONLY IN THE SECOND QUARTER. 67 00:03:44,572 --> 00:03:46,748 - HUT! - CHRIS JACKSON TAKES THE SNAP. 68 00:03:46,791 --> 00:03:50,230 SINGERS: ♪ NA NA NA-NA NA NA-NA NA NA ♪ 69 00:03:50,273 --> 00:03:52,144 ANNOUNCER: WHAT A CATCH BY SPENCER JAMES! 70 00:03:52,188 --> 00:03:55,147 SINGERS: ♪ NA-NA NA NA NA NA NA... ♪ 71 00:03:55,191 --> 00:03:57,280 [WHISTLE BLOWS] ANNOUNCER: AND HE'S IN THE END ZONE! 72 00:03:57,324 --> 00:03:59,543 TOUCHDOWN, CRENSHAW! 73 00:03:59,587 --> 00:04:02,546 WOMAN: HEY! EASY McCOY: ♪ LEGENDARY LIKE MY BIRTHPLACE ♪ 74 00:04:02,590 --> 00:04:04,069 ♪ THIS IS MY TIME, LIKE MY BIRTHDAY...♪ 75 00:04:04,113 --> 00:04:05,549 ANNOUNCER: JJ PARKER GETS THE BALL. 76 00:04:05,593 --> 00:04:07,725 CRENSHAW DEFENSE IS CLOSING IN. 77 00:04:07,769 --> 00:04:10,728 - ♪ DON'T STOP, KEEP GOING... - GETS IT OFF JUST IN TIME. 78 00:04:10,772 --> 00:04:14,254 - ♪ DON'T SLEEP ON 'EM, I'M LIVING OUT... ♪ - AND TOUCHDOWN, BEVERLY! 79 00:04:14,297 --> 00:04:15,951 HEY, I GOT AN IDEA! 80 00:04:15,994 --> 00:04:18,649 WHY DON'T WE TRY AND CONTAIN THAT DAMN TAILBACK?! 81 00:04:18,693 --> 00:04:21,173 BILLY: HOW 'BOUT THAT?! [WHISTLE BLOWS] 82 00:04:23,175 --> 00:04:26,091 SINGERS: ♪ I CAME HERE TO LEAVE A LEGACY ♪ 83 00:04:26,135 --> 00:04:28,920 ANNOUNCER: WHAT A SACK BY RIO FAUSTO! BALL IS LOOSE! 84 00:04:28,964 --> 00:04:31,793 - ♪ DESTINY - AND THAT WILL BE CRENSHAW'S BALL. 85 00:04:31,836 --> 00:04:34,274 - THAT'S US! - ♪ FOR THE WORLD TO SEE [WHISTLE BLOWS] 86 00:04:34,317 --> 00:04:38,147 - ♪ AND I CAME - ♪ I CAME TO LEAVE A LEGACY 87 00:04:38,190 --> 00:04:41,585 SINGERS: ♪ NA NA NA-NA NA NA-NA NA NA NA ♪ 88 00:04:41,629 --> 00:04:43,500 ♪ NA NA NA-NA NA... 89 00:04:43,544 --> 00:04:45,154 HEY, YO, SPENCE! 90 00:04:45,197 --> 00:04:46,764 GET YOUR DAMN HEAD BACK IN THE GAME, MAN! 91 00:04:46,808 --> 00:04:48,331 MAN, IT IS IN THE GAME. 92 00:04:48,375 --> 00:04:49,985 THAT'S WHY WE'RE ON THE BOARD RIGHT NOW. 93 00:04:50,028 --> 00:04:52,596 WORRY ABOUT YOUR DAMN SELF. 94 00:04:52,640 --> 00:04:54,206 McCOY: ♪ HEY 95 00:04:54,250 --> 00:04:56,121 ♪ LEGACY, I WAS MADE AT THE BOTTOM ♪ 96 00:04:56,165 --> 00:04:58,123 ♪ AND NOW WE ON TOP, NOT SHIFTING MY FOCUS ♪ 97 00:04:58,167 --> 00:04:59,777 ♪ OR CHANGING MY THOUGHTS 98 00:04:59,821 --> 00:05:02,302 ANNOUNCER: WHAT A CATCH BY SPENCER JAMES! 99 00:05:02,345 --> 00:05:03,955 AND THAT'S HALFTIME. SPENCER: AAH! 100 00:05:03,999 --> 00:05:05,957 ANNOUNCER: CRENSHAW LEADS, 21-17... 101 00:05:06,001 --> 00:05:08,133 - WHOO! - IN A GAME FOR THE RECORD BOOK. 102 00:05:08,177 --> 00:05:10,962 BOTH TEAMS ARE LEAVING IT ALL ON THE FIELD. 103 00:05:11,006 --> 00:05:13,530 [CROWD CHEERING AND WHISTLING] 104 00:05:13,574 --> 00:05:15,793 SPENCER: WHAT'S GOING ON? BILLY: UH, 105 00:05:15,837 --> 00:05:18,840 YOU, UH, YOU NEED TO, UH, GO WITH YOUR MOTHER, SON. 106 00:05:18,883 --> 00:05:21,886 WHAT ARE YOU TALKING ABOUT? WE IN THE MIDDLE OF THE GAME OF OUR LIVES RIGHT NOW. 107 00:05:21,930 --> 00:05:23,453 [VOICE SHAKING] IT'S COOP. 108 00:05:23,497 --> 00:05:25,629 BILLY: YOU SHOULD GO. WE'LL HANDLE WHAT NEEDS 109 00:05:25,673 --> 00:05:27,501 TO BE DONE HERE ON THE FIELD. 110 00:05:27,544 --> 00:05:30,155 [CHEERING FADES OUT] 111 00:05:30,199 --> 00:05:32,854 [CAR DOOR OPENS] 112 00:05:36,031 --> 00:05:38,903 [CAR DOOR CLOSES] 113 00:05:38,947 --> 00:05:40,992 THOUGHT YOU COULD USE SOME COMPANY. 114 00:05:41,036 --> 00:05:44,039 YOUR COMPANY? ALWAYS. 115 00:05:47,521 --> 00:05:49,479 YOU OK? 116 00:05:49,523 --> 00:05:51,220 NO. 117 00:05:52,743 --> 00:05:55,267 WHAT'S IN THE ENVELOPE? 118 00:05:55,311 --> 00:05:58,270 MY COMMITMENT LETTER TO TOLEDO STATE. 119 00:05:58,314 --> 00:06:00,882 EARLY SIGNING, THAT ENDS TOMORROW NIGHT. 120 00:06:00,925 --> 00:06:02,884 SUPPOSED TO SIGN IT BY THEN. 121 00:06:02,927 --> 00:06:04,929 WELL, YOU HAVEN'T SIGNED IT. 122 00:06:04,973 --> 00:06:07,497 - AND I'M NOT GOING TO. - SPENCER-- 123 00:06:07,541 --> 00:06:10,370 AFTER EVERYTHING THAT HAPPENED, I CAN'T LEAVE MY FAMILY. 124 00:06:10,413 --> 00:06:13,547 - [SIGHS] - AND I CAN'T LEAVE YOU. 125 00:06:13,590 --> 00:06:16,550 I CAN'T LEAVE THE PEOPLE I HAVE LEFT THAT I LOVE. 126 00:06:16,593 --> 00:06:20,031 BABE, TOLEDO IS YOUR ONLY OFFER. 127 00:06:20,075 --> 00:06:24,035 THEN I GUESS, AFTER TOMORROW, I'LL BE DOWN TO NONE. 128 00:06:24,079 --> 00:06:27,735 [KISS] I'LL SEE YOU LATER. 129 00:06:29,432 --> 00:06:31,391 OK. 130 00:06:39,486 --> 00:06:41,531 HEY. WHERE YOU BEEN? 131 00:06:41,575 --> 00:06:43,403 UH, I WAS OUT FOR A RUN. 132 00:06:43,446 --> 00:06:45,230 SORRY. I DIDN'T THINK THAT'D FREAK YOU OUT. 133 00:06:45,274 --> 00:06:47,232 OH, IT DIDN'T. IT DIDN'T. 134 00:06:47,276 --> 00:06:49,278 IT'S JUST THAT WE HAD BREAKFAST PLANS AT 9:00. 135 00:06:49,321 --> 00:06:51,715 OH! SORRY. I FORGOT. 136 00:06:51,759 --> 00:06:54,457 IT'S ALL GOOD. COME ON. YOU'RE HERE. SIT. 137 00:06:54,501 --> 00:06:56,720 I, UM--AHEM--SEE YOU MADE ENOUGH FOOD 138 00:06:56,764 --> 00:06:58,896 TO FEED THE WHOLE COUNTY AGAIN. HEH! 139 00:06:58,940 --> 00:07:02,422 I JUST NEVER KNOW WHAT YOU'RE GONNA WANT, SO I JUST COVER MY BASES. 140 00:07:02,465 --> 00:07:05,816 DAD, LIKE--LIKE I TOLD YOU YESTERDAY AND THE DAY BEFORE THAT, 141 00:07:05,860 --> 00:07:08,123 YOU DON'T HAVE TO DO ALL THIS. I'M FINE. 142 00:07:08,166 --> 00:07:10,168 - FINE. THERE'S THAT WORD AGAIN. - YEAH. 143 00:07:10,212 --> 00:07:12,432 YOU KNOW, YOU SAY IT AT LEAST 9 TIMES A DAY. 144 00:07:12,475 --> 00:07:15,260 - WOULD YOU PREFER "SWELL"? - IT'S NOT FUNNY, LAYLA. 145 00:07:15,304 --> 00:07:17,654 LOOK, I'M WORRIED ABOUT YOU. 146 00:07:17,698 --> 00:07:19,656 YOU DON'T HAVE TO BE, OK? 147 00:07:19,700 --> 00:07:21,658 DID A CRAPPY THING HAPPEN? YES. 148 00:07:21,702 --> 00:07:25,096 AM I...HAVING SOME TROUBLE SLEEPING? YES. 149 00:07:25,140 --> 00:07:27,925 AM I WORKING THROUGH ALL OF IT WITH MY THERAPIST? YES. 150 00:07:27,969 --> 00:07:30,624 GOOD. AND, YOU KNOW, I WAS THINKING THAT MAYBE 151 00:07:30,667 --> 00:07:33,453 WE SHOULD HAVE YOU START SEEING DR. LELAND MORE THAN ONCE A WEEK. 152 00:07:33,496 --> 00:07:35,803 - DAD-- - IN FACT, I'M THINKING THAT 153 00:07:35,846 --> 00:07:38,762 MAYBE THAT SECOND SESSION COULD BE FOR BOTH OF US, YOU KNOW? 154 00:07:38,806 --> 00:07:41,461 LIKE A--LIKE A... FAMILY SESSION. 155 00:07:45,377 --> 00:07:47,597 YEAH, MAYBE. UM, 156 00:07:47,641 --> 00:07:50,513 I GOT TO RUN. I HAVE SOME WORK TO DO AT THE STUDIO. 157 00:07:50,557 --> 00:07:53,385 - OH, YOU KNOW, I CAN DRIVE YOU. - OR I CAN DRIVE MYSELF. 158 00:07:53,429 --> 00:07:55,126 IT'S JUST THE STUDIO, DAD. 159 00:07:55,170 --> 00:07:57,128 I'LL BE FINE. 160 00:07:57,172 --> 00:07:59,348 [FOOTSTEPS RETREAT] 161 00:08:01,829 --> 00:08:03,874 [DOOR CREAKS] 162 00:08:07,661 --> 00:08:09,619 [DOOR CLOSES] SPENCER: WHAT'S ALL THIS? 163 00:08:09,663 --> 00:08:11,621 OLIVIA: OK, DON'T BE MAD. 164 00:08:11,665 --> 00:08:14,319 WE'RE ALL JUST WORRIED ABOUT YOU. 165 00:08:14,363 --> 00:08:17,801 GRACE: BABY, EVERYBODY IS HERE BECAUSE THEY LOVE YOU, AND THEY WANT THE BEST FOR YOU. 166 00:08:17,845 --> 00:08:20,238 IF I DIDN'T KNOW ANY BETTER, I'D SAY Y'ALL WERE STAGING SOME KINDA INTERVENTION. 167 00:08:20,282 --> 00:08:21,718 CHRIS: WE ARE. SPENCER: FOR WHAT? 168 00:08:21,762 --> 00:08:23,851 TO STOP YOU FROM THROWING AWAY YOUR FUTURE. 169 00:08:23,894 --> 00:08:25,853 LOOK, WE KNOW WHAT YOU THINKING, SPENCE, YOUR NEED 170 00:08:25,896 --> 00:08:28,508 TO CARRY THE RESPONSIBILITY OF OTHERS ON YOUR BACK. 171 00:08:28,551 --> 00:08:31,162 IT'S LIKE AN ADDICTION. 172 00:08:31,206 --> 00:08:32,686 GRACE: YOU WANT TO USE WHAT HAPPENED TO COOP 173 00:08:32,729 --> 00:08:34,644 TO THROW AWAY TOLEDO STATE AND STAY HERE. 174 00:08:34,688 --> 00:08:37,560 WE CAN'T LET THAT HAPPEN. 175 00:08:37,604 --> 00:08:41,172 PATIENCE: LOOK, NOW, YOU KNOW... 176 00:08:41,216 --> 00:08:43,740 THAT THERE'S NO WAY THAT COOP WOULD LET YOU JUST 177 00:08:43,784 --> 00:08:46,177 PUT ASIDE YOUR DREAMS 'CAUSE OF HER. 178 00:08:46,221 --> 00:08:48,745 WHAT'D SHE TELL YOU WHEN YOU HAD A SHOT AT BEVERLY? 179 00:08:48,789 --> 00:08:51,748 THAT IF SHE HAD A TENTH OF MY TALENT, 180 00:08:51,792 --> 00:08:54,055 SHE'D BOUNCE AND NEVER LOOK BACK. 181 00:08:54,098 --> 00:08:57,058 AND SHE AIN'T HERE TO SAY IT THIS TIME... 182 00:08:57,101 --> 00:08:59,713 SO I'MMA SAY IT FOR HER. 183 00:08:59,756 --> 00:09:02,585 LAUREN DAIGLE: ♪ WHEN THE BEST OF ME IS 184 00:09:02,629 --> 00:09:05,588 ♪ BARELY BREATHIN' 185 00:09:05,632 --> 00:09:09,549 ♪ WHEN I'M NOT SOMEBODY I... ♪ 186 00:09:09,592 --> 00:09:11,899 CAN YOU TELL ME? TELL ME. WHY CAN'T YOU-- THEY TELL ME ANYTHING? 187 00:09:11,942 --> 00:09:14,379 DAIGLE: ♪ HOLD ON TO ME 188 00:09:14,423 --> 00:09:16,294 - [CRYING] - HEY, HEY, HEY. 189 00:09:16,338 --> 00:09:18,122 DAIGLE: ♪ WHEN I MISS THE LIGHT ♪ 190 00:09:18,166 --> 00:09:20,211 ♪ THE NIGHT HAS STOLEN SPENCER: WHAT HAPPENED? 191 00:09:20,255 --> 00:09:22,083 WHAT HAPPENED? PATIENCE: I DON'T KNOW. 192 00:09:22,126 --> 00:09:24,085 - WHO SHOT HER? HOW BAD IS IT? - [CRYING] I DON'T KNOW. 193 00:09:24,128 --> 00:09:26,478 I DON'T KNOW. HER DAD IS IN THE TRAUMA BAY, 194 00:09:26,522 --> 00:09:29,394 AND HER--HER MOM IS TRYING TO CATCH A FLIGHT BACK. 195 00:09:29,438 --> 00:09:30,961 SPENCER, SHE CAN'T DIE. 196 00:09:31,005 --> 00:09:32,615 - NO, NO, NO. - SHE CAN'T DIE. 197 00:09:32,659 --> 00:09:34,225 NO, NO, I KNOW. I KNOW. STOP. 198 00:09:34,269 --> 00:09:36,053 [SOBBING] 199 00:09:36,097 --> 00:09:38,621 DOCTOR: YOU CAN'T BE IN HERE. YOU HAVE TO GO NOW. 200 00:09:38,665 --> 00:09:42,320 DAIGLE: ♪ HOLD ON TO ME 201 00:09:42,364 --> 00:09:44,801 [EQUIPMENT BEEPING] 202 00:09:44,845 --> 00:09:50,938 ♪ HOLD ON TO ME 203 00:09:54,637 --> 00:09:56,726 LAYLA: HEY. JORDAN: HEY. 204 00:09:56,770 --> 00:09:58,902 UH, IS LIV HOME? 205 00:09:58,946 --> 00:10:01,122 HI. UH... 206 00:10:03,341 --> 00:10:05,779 - JORDAN? - YES. YES. 207 00:10:05,822 --> 00:10:07,998 OLIVIA'S HERE. YOU KNOW, UM, NO. NO, SHE'S NOT. 208 00:10:08,042 --> 00:10:10,784 NO, OLIV--LIV--LIV-- IS AT SPENCER'S. 209 00:10:10,827 --> 00:10:12,786 RIGHT. OF COURSE. 210 00:10:12,829 --> 00:10:15,440 - YES. - ARE YOU OK? 211 00:10:15,484 --> 00:10:18,443 ME? YEAH. UH, UM, YOU KNOW WHAT? 212 00:10:18,487 --> 00:10:21,011 I PROMISED MYSELF I WOULDN'T BE WEIRD WHEN I SAW YOU. 213 00:10:21,055 --> 00:10:23,448 - OH. PROMISE BROKEN. - I KNOW, AND I'M SORRY. 214 00:10:23,492 --> 00:10:26,103 I'M SORRY. IT'S JUST-- LAYLA, COME ON. 215 00:10:26,147 --> 00:10:28,453 OH. HMM. 216 00:10:28,497 --> 00:10:31,195 HMM. I'M JUST GLAD THAT YOU'RE OK. 217 00:10:31,239 --> 00:10:33,328 THANKS. 218 00:10:35,243 --> 00:10:38,855 ACTUALLY, IS IT COOL IF I JUST HANG OUT HERE? 219 00:10:38,899 --> 00:10:42,511 IT'S JUST KINDA HARD TO BREATHE AT HOME WITH MY DAD, LIKE, HOVERING. 220 00:10:42,554 --> 00:10:45,949 MM-HMM. WELL, I MEAN, HE WAS SCARED. 221 00:10:45,993 --> 00:10:48,343 I MEAN, WE ALL WERE WHEN WE HEARD. 222 00:10:48,386 --> 00:10:50,780 I THINK A LITTLE HOVERING IS ALLOWED? 223 00:10:50,824 --> 00:10:53,000 - YEAH, I KNOW. - AND HEY, I MEAN, AT LEAST 224 00:10:53,043 --> 00:10:55,655 YOU AND YOUR DAD ARE TALKING, RIGHT? I MEAN, ME AND MINE, 225 00:10:55,698 --> 00:10:58,353 I THINK WE'RE UP TO 3 "HEYS" AND A "SEE YA LATER"? 226 00:10:59,876 --> 00:11:03,706 HEY, DO YOU, UH--HEH!-- DO YOU REMEMBER WHEN WE WERE 11, 227 00:11:03,750 --> 00:11:06,361 AND YOU ACCIDENTALLY BROKE HIS MVP TROPHY, 228 00:11:06,404 --> 00:11:08,972 BUILDING ME AND LIV OUR SLEEPOVER FORT? 229 00:11:09,016 --> 00:11:10,974 - OH, MY GOD, YES. - [CHUCKLING] 230 00:11:11,018 --> 00:11:12,672 I THOUGHT HE WAS GONNA KILL ME. 231 00:11:12,715 --> 00:11:15,370 AND YET HERE YOU ARE, STILL ALIVE. 232 00:11:15,413 --> 00:11:18,547 HEY, LOOK, YOU AND YOUR DAD ARE GONNA POWER THROUGH THIS AS WELL. 233 00:11:18,590 --> 00:11:21,158 YEAH, I DON'T KNOW. 234 00:11:21,202 --> 00:11:23,160 IT'S JUST HE, UM, 235 00:11:23,204 --> 00:11:26,381 HE BLAMES HIMSELF ABOUT WHAT HAPPENED WITH... 236 00:11:26,424 --> 00:11:29,819 CARRIE, AND NOW HE'S OVERCOMPENSATING, 237 00:11:29,863 --> 00:11:32,909 AND HIS GUILT IS JUST SUFFOCATING BOTH OF US. 238 00:11:32,953 --> 00:11:35,564 BUT WHATEVER. I JUST... 239 00:11:35,607 --> 00:11:38,088 HAVE TO MAKE THIS OK FOR HIM. 240 00:11:38,132 --> 00:11:40,830 OK, BUT WHO'S MAKING IT OK FOR YOU? 241 00:11:40,874 --> 00:11:43,050 I'M FINE. 242 00:11:43,093 --> 00:11:46,706 - LAYLA. - OK, MAYBE NOT... 243 00:11:46,749 --> 00:11:48,708 EXACTLY FINE. 244 00:11:48,751 --> 00:11:51,362 I THINK...[CHUCKLES] 245 00:11:51,406 --> 00:11:54,365 IT'S NOT EVEN CLOSE, BUT... 246 00:11:54,409 --> 00:11:56,759 IF I TELL MY DAD, IT'LL BREAK HIM. 247 00:11:56,803 --> 00:11:59,196 HMM. 248 00:11:59,240 --> 00:12:02,199 OK, SO... 249 00:12:02,243 --> 00:12:04,201 TELL ME. 250 00:12:04,245 --> 00:12:06,377 I'M HAPPY TO BE AN EAR, 251 00:12:06,421 --> 00:12:09,076 AND I PROMISE YOU I WON'T BREAK. 252 00:12:11,426 --> 00:12:14,211 I--I JUST KEEP, UM, 253 00:12:14,255 --> 00:12:16,866 LIKE, REPLAYING IT IN MY HEAD OVER AND OVER. 254 00:12:16,910 --> 00:12:18,563 LAYLA: CARRIE? NO! NO! 255 00:12:18,607 --> 00:12:20,217 - LAYLA... - CARRIE! 256 00:12:20,261 --> 00:12:22,872 I PROMISE YOU, I AM NOT CRAZY. 257 00:12:22,916 --> 00:12:26,658 OK? I JUST WANT THE PAIN TO STOP. 258 00:12:26,702 --> 00:12:29,400 CARRIE, CARRIE, LISTEN TO ME, OK? 259 00:12:29,444 --> 00:12:31,446 I AM NOT IN PAIN. I DO NOT 260 00:12:31,489 --> 00:12:33,448 NEED YOU TO FREE ME FROM ANYTHING. 261 00:12:33,491 --> 00:12:35,493 YOUR MOTHER LEFT YOU. 262 00:12:35,537 --> 00:12:36,930 SHE'S DEAD! SHE DIED! 263 00:12:36,973 --> 00:12:38,975 YOUR FATHER ABANDONED YOU. 264 00:12:39,019 --> 00:12:41,238 YOUR BEST FRIEND AND YOUR BOYFRIEND... LAYLA: CARRIE. 265 00:12:41,282 --> 00:12:44,285 YOUR CHOSEN FAMILY, THEY ALL BETRAYED YOU, 266 00:12:44,328 --> 00:12:47,418 AND YOUR MIND BETRAYED YOU, TOO, LAYLA. I KNOW WHAT ALL OF 267 00:12:47,462 --> 00:12:49,986 THAT ABANDONMENT AND BETRAYAL FEELS LIKE, OK? 268 00:12:50,030 --> 00:12:52,989 I KNOW WHAT IT--HOW IT BURNS A HOLE IN YOUR GUT, 269 00:12:53,033 --> 00:12:55,992 MAKING YOU FEEL BROKEN AND UNWORTHY! 270 00:12:56,036 --> 00:12:57,994 WE DON'T HAVE TO FEEL LIKE THAT ANYMORE. 271 00:12:58,038 --> 00:13:00,780 CARRIE, STOP--STOP SAYING "WE," OK? 272 00:13:00,823 --> 00:13:02,782 THAT IS NOT MY LIFE, 273 00:13:02,825 --> 00:13:05,088 AND IT'S NOT HOW I FEEL. 274 00:13:05,132 --> 00:13:08,439 YES, I--I FELT BETRAYAL 275 00:13:08,483 --> 00:13:11,442 AND ABANDONMENT, BUT YOU KNOW WHAT ELSE I FELT? 276 00:13:11,486 --> 00:13:14,794 FORGIVENESS AND LOVE AND PURPOSE 277 00:13:14,837 --> 00:13:16,796 AND HOPE, OK? 278 00:13:16,839 --> 00:13:18,798 - [GASPING] - CARRIE, I NEED YOU TO HEAR ME. 279 00:13:18,841 --> 00:13:21,801 CARRIE, I NEED YOU TO HEAR ME, OK? 280 00:13:21,844 --> 00:13:25,805 I DO NOT--I DON'T WANT TO DIE, OK? 281 00:13:25,848 --> 00:13:28,808 PLEASE, CARRIE? 282 00:13:28,851 --> 00:13:31,027 LET ME GO, OK? 283 00:13:31,071 --> 00:13:32,681 [SOBS] PLEASE. 284 00:13:37,251 --> 00:13:38,730 IT IS ONE SCHOLARSHIP, 285 00:13:38,774 --> 00:13:40,341 AND THERE MIGHT BE OTHERS. 286 00:13:40,384 --> 00:13:41,951 CHRIS: OR THERE MIGHT NOT BE. 287 00:13:41,995 --> 00:13:43,170 YOU'RE PLAYING RUSSIAN ROULETTE 288 00:13:43,213 --> 00:13:44,867 WITH YOUR FUTURE, DAWG. 289 00:13:44,911 --> 00:13:46,477 I MEAN, IT'S ONE THING IF YOU SAID THE DREAM 290 00:13:46,521 --> 00:13:49,132 HAS CHANGED, THAT YOU DIDN'T WANT TO PLAY 291 00:13:49,176 --> 00:13:50,742 PROFESSIONAL FOOTBALL ANYMORE. DILLON: BUT IT HASN'T, 292 00:13:50,786 --> 00:13:52,962 AND YOU DO, SO WHY WON'T YOU SIGN THE PAPER? 293 00:13:53,006 --> 00:13:54,964 PATIENCE: LOOK, I GET IT, SPENCE. YOU KNOW I DO. 294 00:13:55,008 --> 00:13:57,967 AND THINKING 'BOUT JUST WAKING UP TOMORROW IS HARD, 295 00:13:58,011 --> 00:14:01,753 LET ALONE...ANYTHING BEYOND THAT, BUT, COME ON, 296 00:14:01,797 --> 00:14:04,582 YOU'RE STRONGER THAN THAT. WE'RE STRONGER THAN THAT. 297 00:14:04,626 --> 00:14:06,758 [SIGHS] 298 00:14:06,802 --> 00:14:09,326 BRUH, PLEASE SAY SOMETHING BEFORE SOMEONE BREAKS OUT 299 00:14:09,370 --> 00:14:11,981 INTO THE "YOU IS KIND, YOU IS SMART" SPEECH, 300 00:14:12,025 --> 00:14:14,331 PLEASE. [SCATTERED CHUCKLING] 301 00:14:14,375 --> 00:14:16,899 SPENCER: I APPRECIATE Y'ALL DOING THIS. I DO, 302 00:14:16,943 --> 00:14:19,684 BUT I'M DOING WHAT'S BEST FOR ME. 303 00:14:19,728 --> 00:14:23,384 ARE YOU, THOUGH, OR YOU JUST LETTING FEAR TAKE OVER? 304 00:14:24,907 --> 00:14:26,866 GRACE: THANK YOU FOR COMING. 305 00:14:26,909 --> 00:14:29,085 [HIP-HOP MUSIC PLAYING] 306 00:14:29,129 --> 00:14:31,087 TEXAS, HUH? 307 00:14:31,131 --> 00:14:33,524 YES, SIR. MY MOM'S DOING GREAT 308 00:14:33,568 --> 00:14:35,526 WITH HER PHYSICAL THERAPY THERE, 309 00:14:35,570 --> 00:14:37,920 AND I JUST COMMITTED TO PLAY FOR TEXAS NORTHERN TECH. 310 00:14:37,964 --> 00:14:40,009 THAT'S DOPE, MAN. PROUD OF YOU, HOMIE. 311 00:14:40,053 --> 00:14:42,011 APPRECIATE YOU. 312 00:14:42,055 --> 00:14:44,057 SO IT'S GOOD SEEING YOU, MAN. 313 00:14:44,100 --> 00:14:46,059 - YOU, TOO, MAN. - A'IGHT, SO COME ON, MAN. 314 00:14:46,102 --> 00:14:48,409 WHAT'S UP? I KNOW YOU HURTIN', 315 00:14:48,452 --> 00:14:50,802 BUT YOU SMARTER THAN THIS. 316 00:14:50,846 --> 00:14:52,717 DANG, MAN, I CAN'T ORDER A DRINK FIRST? 317 00:14:52,761 --> 00:14:55,895 NO. NOT WHEN YOU GOT MS. GRACE LOSING SLEEP AT NIGHT. 318 00:14:55,938 --> 00:14:58,288 SHE'S WORRIED ABOUT YOU STARTING TO HAVE SURVIVOR'S GUILT 319 00:14:58,332 --> 00:15:00,377 OVER ALL THE GOOD THINGS HAPPENING IN YOUR LIFE, 320 00:15:00,421 --> 00:15:03,815 LIKE TOLEDO STATE, BUT I TOLD HER 321 00:15:03,859 --> 00:15:06,383 YOU WERE WAY TOO SMART TO THROW AWAY A SCHOLARSHIP 322 00:15:06,427 --> 00:15:09,082 OVER A HEARTBREAK THAT YOU CAN'T CHANGE. 323 00:15:11,998 --> 00:15:14,609 YOU KNOW HOW THEY SAY PAIN IS ALWAYS HARDEST 324 00:15:14,652 --> 00:15:16,611 FOR THE ONES LEFT STANDING? 325 00:15:16,654 --> 00:15:18,743 THEY AIN'T WRONG. 326 00:15:18,787 --> 00:15:21,224 YEAH. WHO KNOWS THAT BETTER 327 00:15:21,268 --> 00:15:23,748 THAN ME, YOU, AND DILLON? 328 00:15:23,792 --> 00:15:26,577 YEAH, BUT THIS IS COOP, MAN. 329 00:15:26,621 --> 00:15:28,623 COOP. 330 00:15:30,146 --> 00:15:32,844 IT'S DIFFERENT. 331 00:15:43,029 --> 00:15:44,900 I'M SO SORRY. 332 00:15:48,034 --> 00:15:49,992 OLIVIA: IS--IS THERE ANY UPDATE? 333 00:15:50,036 --> 00:15:51,994 IS--IS THERE ANYTHING THAT I CAN DO FOR YOU? 334 00:15:52,038 --> 00:15:53,996 REGGIE: THANK YOU. NO, NO. PATIENCE: THE DOCTORS 335 00:15:54,040 --> 00:15:56,172 WON'T LET ANYBODY BACK INTO THE TRAUMA BAY. 336 00:15:56,216 --> 00:15:58,827 THEY'RE TRYING TO...STABILIZE HER 337 00:15:58,870 --> 00:16:01,177 OR SOMETHING, SO THEY CAN GET HER TO SURGERY. 338 00:16:01,221 --> 00:16:03,266 GRACE: YOU KNOW WHAT, OLIVIA? 339 00:16:03,310 --> 00:16:05,442 HOW ABOUT WE SEE IF WE CAN FIND, UH, 340 00:16:05,486 --> 00:16:07,531 SOME FOOD OR COFFEE FOR EVERYONE? 341 00:16:07,575 --> 00:16:09,533 OF COURSE. 342 00:16:09,577 --> 00:16:12,536 SPENCER: THANKS, MOM. GRACE: YOU'RE WELCOME. 343 00:16:12,580 --> 00:16:16,192 [CELLPHONE CHIMES] 344 00:16:16,236 --> 00:16:18,281 [SIGHS] 345 00:16:18,325 --> 00:16:20,457 SPENCER: 'SCUSE ME. 346 00:16:20,501 --> 00:16:22,503 I'LL BE RIGHT BACK. 347 00:16:29,727 --> 00:16:31,816 YO, SPENCE, LISTEN, MAN. 348 00:16:31,860 --> 00:16:33,383 SPENCER: HEY. PATIENCE: HOW COULD YOU?! 349 00:16:33,427 --> 00:16:35,385 - NO, STOP, STOP. - HOW COULD YOU?! STOP! 350 00:16:35,429 --> 00:16:37,387 DUMPED HER THERE! 351 00:16:37,431 --> 00:16:39,911 YOU JUST DUMPED HER THERE! SHE'S DYING! 352 00:16:39,955 --> 00:16:41,696 SHE IS DYING 'CAUSE YOUR ASS WAS NOWHERE TO BE FOUND! 353 00:16:41,739 --> 00:16:43,306 LOOK, MY ASS IS THE REASON 354 00:16:43,350 --> 00:16:44,873 SHE GOT A FIGHTING CHANCE. 355 00:16:44,916 --> 00:16:46,483 - STOP! - STOP! 356 00:16:46,527 --> 00:16:48,050 YOU NEED TO START EXPLAINING FAST, BRUH. 357 00:16:48,094 --> 00:16:50,487 LOOK, COOP CALLED AND SAID THAT SHE WAS 358 00:16:50,531 --> 00:16:52,837 GONNA CONFRONT MO ABOUT PLANTING DRUGS ON THE BUS. 359 00:16:52,881 --> 00:16:55,014 I TOLD HER TO WAIT, LET ME TAKE CARE OF IT. 360 00:16:55,057 --> 00:16:57,842 YOU KNOW COOP DON'T LISTEN TO NO ONE. 361 00:16:57,886 --> 00:17:00,584 WHEN I GET THERE, MO HAD A GUN ON COOP. 362 00:17:00,628 --> 00:17:02,195 NEXT THING I KNOW, SHE'S SHOOTING AT COOP 363 00:17:02,238 --> 00:17:03,544 AND I'M SHOOTING AT HER. 364 00:17:03,587 --> 00:17:06,025 YOU SHOT MO? 365 00:17:06,068 --> 00:17:08,070 I HAD NO CHOICE. 366 00:17:08,114 --> 00:17:10,159 I THOUGHT I GOT MY SHOT OFF BEFORE SHE DID, 367 00:17:10,203 --> 00:17:13,597 BUT...COOP WAS BLEEDING OUT IN MY ARMS, 368 00:17:13,641 --> 00:17:16,426 SO I GOT HER TO MY CAR AND I GOT HER HERE. 369 00:17:16,470 --> 00:17:18,254 AND WHY DIDN'T YOU STAY? 370 00:17:18,298 --> 00:17:20,256 'CAUSE YOU HAD HER BLOOD ALL OVER YOU. 371 00:17:20,300 --> 00:17:22,258 I'M A FELON ON PAROLE. 372 00:17:22,302 --> 00:17:25,783 I'M GOING BACK TO PRISON WHEN ALL THIS GETS OUT. 373 00:17:25,827 --> 00:17:28,351 WELL, WHERE'S MO? WHERE'S SHE AT? 374 00:17:28,395 --> 00:17:30,310 SHE'S DEAD. 375 00:17:32,399 --> 00:17:34,879 [HELICOPTER WHIRRING OVERHEAD] 376 00:17:34,923 --> 00:17:36,794 [SIGHS] 377 00:17:36,838 --> 00:17:39,797 I JUST TRIED LAYLA AGAIN. NO ANSWER. 378 00:17:39,841 --> 00:17:41,364 THIS IS ALL MY FAULT. 379 00:17:41,408 --> 00:17:42,887 WHAT? NO. 380 00:17:42,931 --> 00:17:44,585 PATIENCE, YOU'RE UPSET. 381 00:17:44,628 --> 00:17:47,544 WE ALL ARE. YOU'RE NOT THINKING STRAIGHT. 382 00:17:47,588 --> 00:17:49,546 REALLY? 383 00:17:49,590 --> 00:17:53,202 OK, WELL, WHO FIRST TOLD COOP 384 00:17:53,246 --> 00:17:56,292 THAT SHE WAS LOOKING FOR DRAMA WITH MO WHEN THERE WAS NONE? 385 00:17:56,336 --> 00:17:59,774 OR WHO PUSHED COOP TO LET HER GUARD DOWN? 386 00:18:01,254 --> 00:18:05,910 BECAUSE OF ME, COOP WALKED RIGHT INTO MO'S TRAP. 387 00:18:05,954 --> 00:18:10,437 NOW SHE'S BLEEDING OUT ON A STRETCHER, AND I CAN'T GET TO HER. 388 00:18:10,480 --> 00:18:12,091 HEY... 389 00:18:12,134 --> 00:18:14,267 COOP'S A FIGHTER, RIGHT? 390 00:18:14,310 --> 00:18:16,791 SHE GONNA PULL THROUGH THIS. 391 00:18:18,271 --> 00:18:20,969 [BREATHING HEAVILY] SPENCER. 392 00:18:24,886 --> 00:18:27,541 [EQUIPMENT BEEPING] 393 00:18:31,806 --> 00:18:34,025 DOCTOR, PLEASE, CAN YOU TELL ME SOMETHING? 394 00:18:34,069 --> 00:18:36,419 MR. COOPER, I NEED YOU TO STAND BACK. WE HAVE TO GET YOUR DAUGHTER 395 00:18:36,463 --> 00:18:38,334 INTO THE OPERATING ROOM RIGHT NOW. 396 00:18:38,378 --> 00:18:39,988 SPENCER: I THOUGHT SHE WASN'T STABLE ENOUGH FOR SURGERY. 397 00:18:40,031 --> 00:18:41,598 SHE'S NOT, BUT WE CAN'T WAIT ANY LONGER. 398 00:18:41,642 --> 00:18:43,252 WE HAVE TO TRY TO GET THAT BULLET OUT 399 00:18:43,296 --> 00:18:45,124 AND STOP THE BLEEDING, OR SHE WON'T MAKE IT. 400 00:18:45,167 --> 00:18:46,821 SORRY. 401 00:18:54,742 --> 00:18:56,700 COOP: ♪ I'MMA AIM AT ANY TARGET ♪ AND I'MMA HIT IT 402 00:18:56,744 --> 00:18:58,702 ♪ START COMING OUT YOUR WIG, YOU KNOW I'MMA SPLIT IT ♪ 403 00:18:58,746 --> 00:19:01,140 ♪ AND THAT'S HOW THEY MADE ME, THAT'S HOW I LIVE IT ♪ 404 00:19:01,183 --> 00:19:03,142 ♪ BUT SOMETIMES I THINK OF MYSELF, I THANK GOD FOR SAVING MYSELF ♪ 405 00:19:03,185 --> 00:19:05,144 ♪ I COULD BE THE ONE IN THE CASKET, NOW I LOOK BACK... ♪ 406 00:19:05,187 --> 00:19:06,971 CARRIE, PLEASE LET ME GO. CARRIE, PLEASE. 407 00:19:07,015 --> 00:19:09,060 - EVERYTHING FEELS SO OUT OF CONTROL. - CARRIE. 408 00:19:09,104 --> 00:19:11,019 I THOUGHT THAT WE WERE THE SAME. 409 00:19:11,062 --> 00:19:13,630 I--I THOUGHT I WAS HELPING YOU. 410 00:19:13,674 --> 00:19:15,589 [PANTING] 411 00:19:17,330 --> 00:19:18,983 BUT YOU'RE RIGHT. 412 00:19:19,027 --> 00:19:20,507 - CARRIE. - YOU HAVE HOPE. 413 00:19:20,550 --> 00:19:23,727 [LAYLA GASPING] 414 00:19:23,771 --> 00:19:25,729 [GASPING] OH, MY GOD. 415 00:19:25,773 --> 00:19:27,340 OH, MY GOD. 416 00:19:27,383 --> 00:19:30,821 I'M SO SORRY. I'M SO SORRY! 417 00:19:30,865 --> 00:19:32,867 [CRYING] OH! OH! 418 00:19:32,910 --> 00:19:35,870 OH! [HYPERVENTILATING] 419 00:19:35,913 --> 00:19:38,873 [WAILING AND BREATHING HEAVILY] 420 00:19:46,750 --> 00:19:48,796 CARRIE? 421 00:19:50,798 --> 00:19:52,756 [COOP RAPPING INDISTINCTLY] 422 00:19:52,800 --> 00:19:54,497 - LAYLA. - DAD. HEY. 423 00:19:54,541 --> 00:19:56,499 [STOPS MUSIC] WHAT ARE YOU DOING HERE? 424 00:19:56,543 --> 00:19:59,198 UH, I COME BEARING GIFTS--A COFFEE 425 00:19:59,241 --> 00:20:00,764 AND MY MUSICAL EXPERTISE. 426 00:20:00,808 --> 00:20:02,375 YOU'RE WORKING ON COOP'S ALBUM, RIGHT? 427 00:20:02,418 --> 00:20:04,377 YEAH, UM, I'M FINISHING IT FOR HER. 428 00:20:04,420 --> 00:20:06,335 IT SEEMS LIKE THE LEAST I CAN DO RIGHT NOW. 429 00:20:06,379 --> 00:20:08,032 WELL, ALL RIGHT. LET'S DO IT THEN. 430 00:20:08,076 --> 00:20:10,339 UH, NO, THANKS. I'VE GOT IT COVERED. 431 00:20:10,383 --> 00:20:12,385 ALL RIGHT, COOL. WELL, I WILL JUST SIT BACK 432 00:20:12,428 --> 00:20:14,517 AND WATCH YOUR MUSICAL GENIUS AT WORK THEN. 433 00:20:14,561 --> 00:20:17,868 THANK YOU AGAIN, DAD, BUT NO, YOU DON'T 434 00:20:17,912 --> 00:20:20,871 HAVE TO WATCH OVER ME EVERY SECOND. IT'S A LOT. 435 00:20:20,915 --> 00:20:24,397 SWEETHEART, I, UH, I ALMOST LOST YOU. 436 00:20:24,440 --> 00:20:26,921 I'M GONNA BE A LITTLE OVERPROTECTIVE RIGHT NOW. 437 00:20:26,964 --> 00:20:28,575 YOU KNOW, YOUR THERAPIST SAID THAT-- 438 00:20:28,618 --> 00:20:30,272 YOU SPOKE--YOU SPOKE TO MY THERAPIST? 439 00:20:30,316 --> 00:20:31,882 JUST BRIEFLY, WHEN I CALLED ABOUT 440 00:20:31,926 --> 00:20:33,884 ADDING THE EXTRA SESSION A WEEK. 441 00:20:33,928 --> 00:20:36,278 LOOK... 442 00:20:36,322 --> 00:20:38,280 - LAYLA? - IT'S--I JUST-- 443 00:20:38,324 --> 00:20:40,282 I HAVE TO RUN SOME ERRANDS. 444 00:20:40,326 --> 00:20:43,154 OK, UH, I KNOW I SOUND LIKE A BROKEN RECORD, 445 00:20:43,198 --> 00:20:45,983 BUT I'D FEEL BETTER IF I CAME WITH YOU. 446 00:20:46,027 --> 00:20:47,985 OK, WELL, I'M NOT GONNA BE ALONE. 447 00:20:48,029 --> 00:20:50,597 JORDAN IS COMING WITH ME. WE MADE PLANS EARLIER, 448 00:20:50,640 --> 00:20:53,077 SO I WILL BE SAFE, DAD, OK? 449 00:20:53,121 --> 00:20:55,602 I'LL SEE YOU AT HOME. 450 00:20:55,645 --> 00:20:57,691 [DOOR CLOSES] 451 00:20:59,301 --> 00:21:01,260 HEY. 452 00:21:01,303 --> 00:21:04,828 I'M GONNA TAKE IT TO MEAN THAT BECAUSE YOU'RE HERE, 453 00:21:04,872 --> 00:21:08,005 YOU DID NOT GO TO GRACE'S INTERVENTION FOR SPENCER. 454 00:21:08,049 --> 00:21:11,835 SOUNDS LIKE SHE HAS EVERYBODY AND THEIR MAMA GOING, SO I THINK HE'S COVERED. 455 00:21:11,879 --> 00:21:14,925 - BILLY-- - HE'S GOT WHAT HE NEEDS. HE'S GONNA BE WITH FAMILY. 456 00:21:14,969 --> 00:21:17,624 YEAH, YOU'RE HIS FAMILY, BILLY. 457 00:21:19,147 --> 00:21:21,149 JORDAN WAS SUPPOSED TO BE RECOVERING. 458 00:21:21,192 --> 00:21:25,153 THE DOCTOR MADE IT CLEAR, ANY JARRING AT ALL COULD BE DAMAGING. 459 00:21:25,196 --> 00:21:27,851 SPENCER RISKED JORDAN'S LIFE. LAURA: NO, NO, NO. 460 00:21:27,895 --> 00:21:30,463 JORDAN RISKED JORDAN'S LIFE, 461 00:21:30,506 --> 00:21:34,118 AND IT WAS STUPID AND DANGEROUS, 462 00:21:34,162 --> 00:21:37,296 BUT ULTIMATELY, IT WAS A RISK THAT PAID OFF. 463 00:21:37,339 --> 00:21:39,776 I MEAN, I'VE NEVER SEEN JORDAN PLAY 464 00:21:39,820 --> 00:21:41,778 THE WAY HE PLAYED AT THE CHAMPIONSHIPS. 465 00:21:41,822 --> 00:21:43,476 [CROWD CHEERING] JORDAN: HERE WE GO, 466 00:21:43,519 --> 00:21:45,216 HERE WE GO, HERE WE GO. DOWN, SET! 467 00:21:45,260 --> 00:21:46,783 ANNOUNCER: THIS IS JORDAN BAKER'S FIRST RETURN 468 00:21:46,827 --> 00:21:48,785 TO THE FIELD SINCE HIS CONCUSSION MIDSEASON. 469 00:21:48,829 --> 00:21:50,526 - ALL RIGHT, HUT! - WHAT A RETURN IT IS. 470 00:21:50,570 --> 00:21:52,789 QUE PARKS: ♪ TAKE OFF TO THE TOP... 471 00:21:52,833 --> 00:21:55,357 [SINGING CONTINUES INDISTINCTLY] 472 00:21:55,401 --> 00:21:57,359 [WHISTLE BLOWS] 473 00:21:57,403 --> 00:21:59,883 [SINGING CONTINUES INDISTINCTLY] 474 00:22:05,236 --> 00:22:07,543 [JORDAN GROANS] 475 00:22:12,505 --> 00:22:15,029 PARKS: ♪ STAND BACK, THERE'S A TRAP, MAN ♪ 476 00:22:16,552 --> 00:22:18,467 [CROWD CHEERING, WHISTLE BLOWS] 477 00:22:18,511 --> 00:22:20,643 ANNOUNCER: BEVERLY'S UP, 38-33. WHAT AN IMPRESSIVE GAME 478 00:22:20,687 --> 00:22:22,384 IT'S BEEN FOR BOTH TEAMS. 479 00:22:22,428 --> 00:22:24,386 CRENSHAW HAS TIME FOR ONE MORE PLAY. 480 00:22:24,430 --> 00:22:26,388 THEY GET THIS ACROSS THE GOAL LINE, 481 00:22:26,432 --> 00:22:27,998 AND THEY WILL BE THE NEW STATE CHAMPIONS. 482 00:22:28,042 --> 00:22:29,391 - YOU GOOD? - YEAH, I'M GOOD. 483 00:22:29,435 --> 00:22:30,914 ALL RIGHT. YOU KNOW WHAT TO DO. 484 00:22:30,958 --> 00:22:32,351 PLAY LIKE CHARGERS. 485 00:22:32,394 --> 00:22:34,353 YOU HAVE GIVEN ME EVERYTHING TONIGHT. 486 00:22:34,396 --> 00:22:36,746 I CAN'T ASK FOR NO MORE. FINISH IT. 487 00:22:36,790 --> 00:22:39,401 - YES, SIR. - ALL RIGHT. GET OUT THERE. 488 00:22:39,445 --> 00:22:41,664 CHRIS: HEY! Y'ALL, LISTEN UP! 489 00:22:41,708 --> 00:22:43,666 HEY, WE BEEN TOGETHER FOR A MINUTE NOW. 490 00:22:43,710 --> 00:22:46,669 WE HAD EACH OTHER'S BACKS EVEN WHEN WE MAD 'CAUSE THAT'S 491 00:22:46,713 --> 00:22:49,716 HOW FAMILIES BE, AND WE ARE FAMILY THROUGH AND THROUGH. 492 00:22:49,759 --> 00:22:51,370 OK? SO LET'S FINISH THIS. 493 00:22:51,413 --> 00:22:53,110 IT'S NOW OR NEVER, BOYS. 494 00:22:53,154 --> 00:22:54,764 CHRIS IS RIGHT. NOW, WE MISSING 495 00:22:54,808 --> 00:22:56,418 A VITAL MEMBER OF THIS FAMILY, WHO'S OFF 496 00:22:56,462 --> 00:22:58,420 DEALING WITH A TRAGEDY, AND THAT MAN CARRIED US 497 00:22:58,464 --> 00:23:00,422 HERE DAMN NEAR ON HIS BACK, 498 00:23:00,466 --> 00:23:03,207 SO THE LEAST WE CAN DO IS FINISH THIS ONE OUT FOR HIM. 499 00:23:03,251 --> 00:23:06,080 - YES, SIR. - THIS WIN TONIGHT IS FOR SPENCER JAMES! 500 00:23:06,123 --> 00:23:08,082 CHRIS: AND BREAK! 501 00:23:08,125 --> 00:23:10,780 [CROWD CHEERING, DRUMS BEATING] 502 00:23:15,089 --> 00:23:17,134 SET, HUT! 503 00:23:26,796 --> 00:23:28,624 GET THERE, GET THERE, GET THERE! 504 00:23:30,583 --> 00:23:33,150 [CROWD CHEERING, PLAYERS SHOUTING INDISTINCTLY] 505 00:23:34,978 --> 00:23:36,589 JJ: HEY! 506 00:23:36,632 --> 00:23:38,591 NO! HE'S SHORT! 507 00:23:38,634 --> 00:23:40,984 HE'S SHORT, HE'S SHORT, HE'S SHORT, HE'S SHORT! 508 00:23:41,028 --> 00:23:43,073 REFEREE: HE'S SHORT. HE WAS SHORT. 509 00:23:43,117 --> 00:23:45,554 JJ: SHORT, SHORT, SHORT! HEAD REF: RUNNER IS SHORT! NO GOOD! 510 00:23:45,598 --> 00:23:47,556 [CROWD CHEERING AND WHISTLING] ANNOUNCER: AND JUST LIKE THAT, 511 00:23:47,600 --> 00:23:49,819 BEVERLY WINS STATE CHAMPIONSHIPS AGAIN! 512 00:23:49,863 --> 00:23:51,430 WHAT A GAME! 513 00:23:51,473 --> 00:23:53,257 WHAT A FINAL PLAY AND VALIANT EFFORT 514 00:23:53,301 --> 00:23:55,608 BY CHRIS JACKSON AND THE WHOLE CRENSHAW TEAM. 515 00:23:55,651 --> 00:23:58,132 THIS WILL GO DOWN AS ONE FOR THE BOOKS. 516 00:24:10,318 --> 00:24:13,060 CHRIS: WE'RE HERE FOR YOU AND COOP. 517 00:24:15,889 --> 00:24:18,500 I'M SORRY. 518 00:24:18,544 --> 00:24:20,676 I CAN'T BELIEVE YOU'RE ALL HERE, MAN. 519 00:24:20,720 --> 00:24:23,113 WHERE ELSE WOULD WE BE? 520 00:24:23,157 --> 00:24:25,812 LOOK, SPENCE, I SHOULD BE THE ONE APOLOGIZING, 521 00:24:25,855 --> 00:24:27,814 OK, NOT YOU. 522 00:24:27,857 --> 00:24:29,598 YOU GOT IT, BRUH. 523 00:24:29,642 --> 00:24:31,644 SPENCER: HEY. 524 00:24:31,687 --> 00:24:34,342 JORDAN: IT'S GONNA BE ALL RIGHT. 525 00:24:35,996 --> 00:24:38,955 JJ: HOW--HOW'S COOP DOING? ANY UPDATE? 526 00:24:38,999 --> 00:24:41,654 [DOOR OPENS] 527 00:24:44,831 --> 00:24:46,833 WHAT? WHAT IS IT? 528 00:24:46,876 --> 00:24:48,617 SHE MADE IT THROUGH SURGERY. 529 00:24:48,661 --> 00:24:50,140 THANK GOD. THAT'S GOOD NEWS. 530 00:24:50,184 --> 00:24:52,360 THEY WON'T KNOW THE EXTENT 531 00:24:52,403 --> 00:24:55,363 OF THE DAMAGE UNTIL SHE WAKES UP. 532 00:24:55,406 --> 00:24:58,235 WHAT IS IT, MA? 533 00:24:58,279 --> 00:25:00,847 WHAT ARE Y'ALL NOT SAYING? 534 00:25:00,890 --> 00:25:03,502 THE SURGERY WAS...ROUGH. 535 00:25:03,545 --> 00:25:05,416 SHE BARELY MADE IT THROUGH. 536 00:25:05,460 --> 00:25:09,203 IT'S NOT A MATTER OF WHEN SHE WAKES UP. 537 00:25:09,246 --> 00:25:13,555 IT'S IF...SHE WAKES UP. 538 00:25:15,122 --> 00:25:17,559 C-COOP'S IN A COMA? 539 00:25:17,603 --> 00:25:19,082 [WHISPERS] Yeah. 540 00:25:19,126 --> 00:25:21,650 - [CRYING] - COME HERE, COME HERE. 541 00:25:21,694 --> 00:25:23,391 IT'S OK. 542 00:25:25,088 --> 00:25:27,482 IT'S OK. 543 00:25:30,790 --> 00:25:33,749 SPENCER: I APPRECIATE YOU FLYING OUT, BUT MY MIND'S MADE UP. 544 00:25:33,793 --> 00:25:36,360 OLIVIA: OK, THAT WAS WEIRD. 545 00:25:36,404 --> 00:25:39,233 LAYLA'S DAD JUST CALLED, ASKING FOR JORDAN'S NUMBER. 546 00:25:39,276 --> 00:25:43,585 - HE SAY HOW SHE WAS DOING? - SOUNDS LIKE BETTER THAN HE IS. 547 00:25:43,629 --> 00:25:46,588 SO, ANY LUCK GETTING THROUGH TO HIM? 548 00:25:46,632 --> 00:25:49,069 [CHUCKLES] YO, THIS IS ONE HARDHEADED NEGRO. 549 00:25:49,112 --> 00:25:51,680 Y'ALL KNOW I'M SITTING RIGHT HERE, RIGHT? 550 00:25:51,724 --> 00:25:55,205 YOU SHOULD TRY TALKING TO MY DAD. YOU GUYS ALWAYS-- 551 00:25:55,249 --> 00:25:57,207 HE AIN'T TRYING TO HEAR FROM ME RIGHT NOW. 552 00:25:57,251 --> 00:25:59,862 - [SIGHS] - ALL RIGHT, SPENCE. 553 00:25:59,906 --> 00:26:02,299 THIS IS THE LAST THING I'MMA SAY. 554 00:26:02,343 --> 00:26:06,086 STAYING BACK AND MOVING BACK HAS ALWAYS BEEN YOUR GO-TO ANYTIME THINGS GET 555 00:26:06,129 --> 00:26:10,394 A LITTLE ROUGH, AND IF YOU'RE BEING HONEST WITH YOURSELF, IT'S BECOME A CRUTCH 556 00:26:10,438 --> 00:26:12,745 'CAUSE I DON'T KNOW, MAYBE SOMETHING OUT THERE SCARES YOU. 557 00:26:12,788 --> 00:26:15,225 MAYBE SOMETHING ABOUT THE DREAM SCARES YOU. 558 00:26:15,269 --> 00:26:18,272 THE QUESTION IS, WHAT? 559 00:26:20,491 --> 00:26:22,450 MALE SINGER: ♪ HEY! [ECHOES] 560 00:26:22,493 --> 00:26:24,887 JORDAN: THE NEXT TIME YOU WANT TO USE ME AS AN ALIBI, 561 00:26:24,931 --> 00:26:26,889 MAYBE GIVE A BROTHER A HEADS-UP SO I KNOW 562 00:26:26,933 --> 00:26:28,630 TO COVER FOR YOU WHEN YOUR DAD CALLS. 563 00:26:28,674 --> 00:26:30,632 OF COURSE HE CHECKED. 564 00:26:30,676 --> 00:26:32,242 WAIT. HOW'D YOU FIND ME? 565 00:26:32,286 --> 00:26:34,331 WELL, YOUR DAD HAS FIND-MY-PHONE ACTIVATED. 566 00:26:34,375 --> 00:26:36,943 YEAH, THE ONLY WAY I COULD GET HIM TO NOT 567 00:26:36,986 --> 00:26:39,598 COME HERE HIMSELF WAS TO OFFER TO COME INSTEAD. 568 00:26:39,641 --> 00:26:42,122 - OH, THANK YOU. - HMM. 569 00:26:43,689 --> 00:26:45,821 IT'S WEIRD BEING HERE WITHOUT COOP. 570 00:26:45,865 --> 00:26:48,084 YEAH. UH, LOOK, 571 00:26:48,128 --> 00:26:50,434 I WAS ACTUALLY GONNA SWING BY SPENCER'S 572 00:26:50,478 --> 00:26:52,785 AND CHECK ON HIM WHILE I'M DOWN HERE. WOULD-- WOULD YOU WANT TO COME? 573 00:26:52,828 --> 00:26:55,788 UH, I WOULD, I JUST FEEL LIKE IF I DON'T 574 00:26:55,831 --> 00:26:58,529 GET GOING, MY DAD'LL HAVE THE NATIONAL GUARD COME ESCORT ME HOME. 575 00:26:58,573 --> 00:27:01,794 DO YOU MIND IF I TOSS IN MY TWO CENTS? 576 00:27:01,837 --> 00:27:04,274 THE MORE YOU KEEP YOUR DAD IN THE DARK ABOUT EVERYTHING 577 00:27:04,318 --> 00:27:07,103 THAT YOU'RE FEELING, THE TIGHTER HE'S GONNA WANT TO HOLD ON. 578 00:27:07,147 --> 00:27:10,672 JUST BE HONEST WITH HIM, LAYLA, FOR BOTH YOUR SAKES. 579 00:27:10,716 --> 00:27:14,284 - EVEN IF IT HURTS HIM? - THE PAIN IS FOR A MOMENT. 580 00:27:14,328 --> 00:27:16,765 THE HEALING IS A LIFETIME. 581 00:27:16,809 --> 00:27:19,376 ISN'T THAT WHAT YOU TOLD CARRIE THAT NIGHT? 582 00:27:19,420 --> 00:27:21,988 LAYLA: CARRIE. CARRIE: WHY ARE YOU STILL HERE? 583 00:27:22,031 --> 00:27:24,817 [PANTING] BECAUSE YOU'RE STILL HERE. 584 00:27:24,860 --> 00:27:28,472 OH, LAYLA, PLEASE. 585 00:27:28,516 --> 00:27:31,127 YOU NEED TO GO. 586 00:27:31,171 --> 00:27:33,695 LOOK, I... 587 00:27:33,739 --> 00:27:36,785 I KNOW I SAID WE WEREN'T THE SAME, BUT WE KIND OF ARE. 588 00:27:36,829 --> 00:27:39,396 NO...YOU WERE RIGHT. 589 00:27:39,440 --> 00:27:42,138 [SNIFFLES] WE'RE NOT. 590 00:27:42,182 --> 00:27:45,141 I'VE FELT WHAT YOU FELT. 591 00:27:45,185 --> 00:27:48,579 I'VE BEEN WHERE YOU ARE. THE... 592 00:27:48,623 --> 00:27:51,800 THE UNIMAGINABLE PAIN AND THE... 593 00:27:51,844 --> 00:27:54,411 BEING TIRED OF HURTING AND 594 00:27:54,455 --> 00:27:57,414 FEELING LIKE NO ONE UNDERSTANDS, 595 00:27:57,458 --> 00:28:00,243 AND FEELING LIKE THERE'S NO WAY TO MAKE IT STOP 596 00:28:00,287 --> 00:28:03,246 EXCEPT TO TAKE YOUR OWN LIFE. CARRIE, I... 597 00:28:03,290 --> 00:28:06,510 I WAS ON MY OWN CLIFF LESS THAN A YEAR AGO, 598 00:28:06,554 --> 00:28:09,862 AND I AM STILL HERE. I AM PROOF-- [SNIFFLES]-- 599 00:28:09,905 --> 00:28:12,081 THAT YOU CAN AND YOU WILL MAKE IT. 600 00:28:12,125 --> 00:28:15,432 [CRYING] YOU'RE STRONGER THAN ME. 601 00:28:15,476 --> 00:28:18,044 [SOBBING] I'VE BEEN HERE BEFORE, 602 00:28:18,087 --> 00:28:20,350 AND I GOT HELP, 603 00:28:20,394 --> 00:28:23,049 AND NOW I'M BACK HERE AGAIN. 604 00:28:23,092 --> 00:28:25,051 I CAN'T KEEP STARTING OVER 605 00:28:25,094 --> 00:28:28,576 BECAUSE CLEARLY IT IS NOT WORKING-- 606 00:28:28,619 --> 00:28:31,361 NO, LOOK, I KNOW IT FEELS LIKE YOU ARE BACK 607 00:28:31,405 --> 00:28:34,190 IN THE SAME PLACE, BUT YOU ARE NOT, OK? 608 00:28:34,234 --> 00:28:37,019 FIGHTING FOR OUR MENTAL HEALTH, IT'S LIKE 609 00:28:37,063 --> 00:28:40,414 A ROLLERCOASTER, YOU KNOW? THERE ARE UPS AND THERE ARE DOWNS, 610 00:28:40,457 --> 00:28:43,025 BUT THERE IS ALWAYS FORWARD MOVEMENT. 611 00:28:43,069 --> 00:28:45,375 WHY ARE YOU TRYING TO HELP ME AFTER EVERYTHING THAT I'VE DONE? 612 00:28:45,419 --> 00:28:48,378 BECAUSE YOU HELPED ME ONCE. 613 00:28:48,422 --> 00:28:51,599 WHEN I--WHEN I WAS AT MY WORST, AND I WALKED 614 00:28:51,642 --> 00:28:54,733 INTO RUNNING SPRINGS, YOU HELPED GET ME BETTER. 615 00:28:54,776 --> 00:28:57,387 YOU SAVED MY LIFE, CARRIE, AND I'M 616 00:28:57,431 --> 00:29:00,608 NOT LEAVING UNTIL I RETURN THE FAVOR. 617 00:29:12,925 --> 00:29:15,492 IT HURTS, LAYLA. 618 00:29:15,536 --> 00:29:17,930 [GASPING] EVERYTHING HURTS. 619 00:29:17,973 --> 00:29:20,584 I KNOW. I KNOW. 620 00:29:20,628 --> 00:29:23,239 I PROMISE YOU 621 00:29:23,283 --> 00:29:25,241 THAT THAT PAIN IS JUST FOR THE MOMENT, 622 00:29:25,285 --> 00:29:28,244 AND... YOU'LL HEAL AND-- 623 00:29:28,288 --> 00:29:31,770 AND YOU'LL GET THROUGH THIS, AND THEN THAT NEW, BRIGHTER FEELING 624 00:29:31,813 --> 00:29:34,511 - WILL LAST A LIFETIME. - IT'S TOO LATE! 625 00:29:34,555 --> 00:29:36,905 - NO, NO, NO. - I ALREADY MESSED UP! 626 00:29:36,949 --> 00:29:39,603 - NO. - MY PARENTS, 627 00:29:39,647 --> 00:29:41,954 YOU, I--[CRYING] 628 00:29:41,997 --> 00:29:43,912 CARRIE, CARRIE, WE LOVE YOU, OK? 629 00:29:43,956 --> 00:29:46,132 WE WANT YOU TO GET BETTER, 630 00:29:46,175 --> 00:29:49,352 AND I KNOW IT...I KNOW IT 631 00:29:49,396 --> 00:29:53,617 ALL FEELS REALLY OVERWHELMING AND HUGE RIGHT NOW, 632 00:29:53,661 --> 00:29:55,924 AND... 633 00:29:55,968 --> 00:29:58,927 LOOK... 634 00:29:58,971 --> 00:30:02,148 ALL WE HAVE TO DO... 635 00:30:02,191 --> 00:30:05,281 IS JUST FOCUS ON ONE THING AT A TIME, OK? 636 00:30:05,325 --> 00:30:07,675 I DON'T KNOW WHERE TO START. 637 00:30:07,718 --> 00:30:09,677 OK, UM... 638 00:30:09,720 --> 00:30:12,680 WHERE--WHERE WAS THE LAST PLACE THAT YOU FELT 639 00:30:12,723 --> 00:30:15,378 LIKE YOURSELF AND--AND YOU FELT SAFE? 640 00:30:19,556 --> 00:30:22,211 HONESTLY... 641 00:30:23,778 --> 00:30:25,736 THE RUNNING SPRINGS FACILITY. 642 00:30:25,780 --> 00:30:27,738 OK. 643 00:30:27,782 --> 00:30:30,350 OK, LET'S START THERE. 644 00:30:30,393 --> 00:30:32,961 OK? JUST...COME ON. 645 00:30:33,005 --> 00:30:35,964 COME ON. IT'S GONNA BE FINE. 646 00:30:36,008 --> 00:30:37,966 OK, COME ON. CARRIE: OK. 647 00:30:38,010 --> 00:30:40,577 [CARRIE WAILING LOUDLY] 648 00:30:40,621 --> 00:30:42,971 [CRYING] I'M SO SORRY! 649 00:30:43,015 --> 00:30:45,974 I CAN'T--I CAN'T-- LAYLA: IT'S OK. 650 00:30:46,018 --> 00:30:49,891 - I DON'T WANT TO! - IT'S OK. 651 00:30:56,289 --> 00:30:58,987 - HEY. - HEY. 652 00:30:59,031 --> 00:31:02,861 LISTEN, UM, I'M REALLY GLAD YOU WANTED TO TALK. 653 00:31:02,904 --> 00:31:04,427 - DAD, I-- - JUST, UH, 654 00:31:04,471 --> 00:31:07,039 JUST LET ME GET THIS OUT FIRST. 655 00:31:07,082 --> 00:31:10,085 LAYLA, I'M SORRY. 656 00:31:10,129 --> 00:31:13,088 AFTER ALMOST LOSING YOU IN THE MIDST OF CARRIE'S EPISODE, 657 00:31:13,132 --> 00:31:15,830 I, UH... 658 00:31:17,788 --> 00:31:20,748 IT SCARED ME TO DEATH, AND, UH, 659 00:31:20,791 --> 00:31:23,925 I REALIZED THAT THE WAY I'VE BEEN ACTING OVER THE LAST 3 DAYS 660 00:31:23,969 --> 00:31:25,927 HAS BEEN MORE ABOUT WHAT I NEEDED, WHEN IT 661 00:31:25,971 --> 00:31:28,538 SHOULD HAVE BEEN ABOUT WHAT YOU NEEDED. 662 00:31:28,582 --> 00:31:31,193 HONESTLY, I DON'T KNOW 663 00:31:31,237 --> 00:31:34,457 THAT I REALLY UNDERSTOOD WHAT I NEEDED UNTIL NOW. 664 00:31:36,285 --> 00:31:37,896 I'M LISTENING. 665 00:31:37,939 --> 00:31:40,899 UM... 666 00:31:40,942 --> 00:31:43,902 I NEED TO FEEL SAFE, DAD, 667 00:31:43,945 --> 00:31:46,730 AND I DON'T FEEL SAFE HERE. JP: OK. 668 00:31:46,774 --> 00:31:49,037 IT'S JUST A HOUSE. WE CAN MOVE AGAIN. LAYLA: NO, IT'S--IT'S NOT 669 00:31:49,081 --> 00:31:51,039 THE HOUSE. IT'S... 670 00:31:51,083 --> 00:31:53,259 IT'S THE HOME, YOU KNOW. 671 00:31:53,302 --> 00:31:56,262 IT'S NOT JUST ABOUT WHAT HAPPENED WITH CARRIE 672 00:31:56,305 --> 00:31:58,917 OR THE BREAK-IN AT THE LAST HOUSE 673 00:31:58,960 --> 00:32:01,745 OR MY STRUGGLE WITH DEPRESSION. 674 00:32:01,789 --> 00:32:04,139 I HAVE NOT FELT SAFE OR LIKE I'M 675 00:32:04,183 --> 00:32:07,229 ON SOLID GROUND SINCE... 676 00:32:07,273 --> 00:32:10,319 LIKE, SINCE MOM DIED AND--AND YOU LEFT. 677 00:32:13,540 --> 00:32:18,066 YOU'RE PART OF THE HOME I FEEL UNSAFE IN... 678 00:32:18,110 --> 00:32:20,590 AND... 679 00:32:20,634 --> 00:32:22,766 [SIGHS] THAT FEELING IS WHAT 680 00:32:22,810 --> 00:32:26,466 LEFT ME VULNERABLE TO SOMEONE LIKE CARRIE. 681 00:32:28,859 --> 00:32:30,818 I'M SORRY. 682 00:32:30,861 --> 00:32:34,517 NO...NO, DON'T BE. 683 00:32:36,041 --> 00:32:38,652 YOU'RE RIGHT, YOU KNOW? 684 00:32:38,695 --> 00:32:41,524 I SHOULD BE THE ONE ASKING FOR FORGIVENESS. 685 00:32:41,568 --> 00:32:44,527 LOOK, UM... 686 00:32:44,571 --> 00:32:47,139 MOST IMPORTANTLY, 687 00:32:47,182 --> 00:32:49,837 I WANT YOU FEELING HEALTHY AND WHOLE. 688 00:32:49,880 --> 00:32:52,318 - YEAH, SO DO I. - OK. 689 00:32:52,361 --> 00:32:55,060 HOW DO WE MAKE YOU FEEL SAFE AGAIN? 690 00:32:59,194 --> 00:33:01,153 [SIGHS] 691 00:33:01,196 --> 00:33:03,894 [CELLPHONE CHIMES, VIBRATES] 692 00:33:12,860 --> 00:33:15,080 SPENCER: TAMIA COOPER? 693 00:33:24,089 --> 00:33:26,656 THREE DAYS, COOP? 694 00:33:26,700 --> 00:33:29,572 YOU JUST HAD TO MAKE MY HEART STOP FOR 3 DAYS? 695 00:33:29,616 --> 00:33:31,835 [COOP GROANS] 696 00:33:31,879 --> 00:33:35,448 I--I'M SORRY, BUT... WHO ARE YOU? 697 00:33:39,887 --> 00:33:41,845 IT'S ME. 698 00:33:41,889 --> 00:33:44,065 COOP, IT'S ME, 699 00:33:44,109 --> 00:33:46,459 SPENCE. 700 00:33:48,417 --> 00:33:50,376 [CHUCKLING] 701 00:33:50,419 --> 00:33:53,161 YOU SHOULD SEE YOUR FACE, FOOL. 702 00:33:53,205 --> 00:33:55,381 [CHUCKLES] 703 00:33:55,424 --> 00:33:58,601 YO, IF YOU WASN'T IN THAT BED, I WOULD WHUP YOUR ASS. 704 00:33:58,645 --> 00:34:00,603 OH--OW, OW, OW. 705 00:34:00,647 --> 00:34:03,302 IT'S ALL GOOD. 706 00:34:15,575 --> 00:34:17,707 - HEY. - HI, MS. BAKER. 707 00:34:17,751 --> 00:34:20,058 - HI, HONEY. - THANK YOU. 708 00:34:21,668 --> 00:34:24,540 LAURA: HEY. JORDAN: I'LL GRAB THIS. 709 00:34:24,584 --> 00:34:26,760 [DOOR CLOSES] JP: HEY, THANKS AGAIN 710 00:34:26,803 --> 00:34:28,588 FOR, UH, AGREEING TO LET HER STAY. 711 00:34:28,631 --> 00:34:30,285 TAKES A VILLAGE, RIGHT? 712 00:34:30,329 --> 00:34:31,982 JP: RIGHT. 713 00:34:32,026 --> 00:34:34,681 THANKS FOR AGREEING TO THIS, DAD. 714 00:34:37,249 --> 00:34:40,208 - I LOVE YOU. - I LOVE YOU, TOO. 715 00:34:40,252 --> 00:34:42,384 LAURA: JP, 716 00:34:42,428 --> 00:34:44,821 THIS IS NOT GONNA BE FOREVER, 717 00:34:44,865 --> 00:34:47,259 AND YOU KNOW YOU CAN COME ANY TIME YOU WANT. 718 00:34:47,302 --> 00:34:49,913 JP: I KNOW. 719 00:34:49,957 --> 00:34:53,917 MALE SINGER: ♪ OH, I'M NOT FEELING 720 00:34:53,961 --> 00:34:57,138 ♪ I JUST GOT NOTHING LEFT JP: THANK YOU. 721 00:34:57,182 --> 00:34:59,836 SINGER: ♪ TO LOSE NO MORE [CROWD CHEERING, WHISTLE BLOWS] 722 00:34:59,880 --> 00:35:04,972 [PLAYERS SHOUTING ON VIDEO] ♪ I HAVE BEEN THROUGH THIS 723 00:35:06,452 --> 00:35:09,107 ♪ IT ISN'T THE FIRST TIME 724 00:35:09,150 --> 00:35:11,413 ♪ WON'T BE THE LAST TIME [KNOCK ON DOOR] 725 00:35:11,457 --> 00:35:13,415 SPENCER: HEY, YOU GOT A SECOND, COACH? [WHISTLE BLOWS] 726 00:35:13,459 --> 00:35:16,418 BILLY: UH... 727 00:35:16,462 --> 00:35:18,681 I HEARD THE GOOD NEWS ABOUT COOP. 728 00:35:18,725 --> 00:35:21,031 YEAH, YEAH. IT'S AMAZING. 729 00:35:21,075 --> 00:35:23,643 YEAH. IT'S GOOD NEWS. 730 00:35:23,686 --> 00:35:28,430 I'M, UH, MEANT TO SIGN TO TOLEDO BY THE END OF TODAY. 731 00:35:28,474 --> 00:35:30,867 I COULDN'T BRING MYSELF TO DO IT WHEN I THOUGHT COOP WAS GONNA STAY 732 00:35:30,911 --> 00:35:34,480 IN THE COMA INDEFINITELY, BUT SHE'S AWAKE NOW, 733 00:35:34,523 --> 00:35:37,483 GONNA MAKE A FULL RECOVERY, YET... 734 00:35:37,526 --> 00:35:40,138 I STILL CAN'T SIGN. 735 00:35:40,181 --> 00:35:44,229 DARNELL THINKS IT'S 'CAUSE SOMETHING ABOUT THE DREAM SCARES ME. 736 00:35:46,056 --> 00:35:50,104 YEAH, WELL, UH, YOU KNOW, YOU GOT TO DO WHAT'S RIGHT FOR YOU. 737 00:35:53,673 --> 00:35:56,197 HOW MANY TIMES I GOT TO SAY I'M SORRY, MAN? 738 00:35:56,241 --> 00:35:59,200 COACH, I AM SORRY I TRAINED JORDAN. 739 00:35:59,244 --> 00:36:01,637 I'M SORRY I HAD TO LEAVE THE GAME. 740 00:36:01,681 --> 00:36:04,074 MAYBE IF I'D HAVE STAYED, IT WOULDN'T HAVE CAME SO CLOSE TO THE WIRE, 741 00:36:04,118 --> 00:36:07,687 AND WE'D BE THE OFFICIAL STATE CHAMPS-- BILLY: WE ARE THE STATE CHAMPS. 742 00:36:07,730 --> 00:36:10,298 I DON'T CARE WHAT THE OFFICIAL RECORDS SAY. 743 00:36:10,342 --> 00:36:13,519 WE ALL KNOW THAT, AND THAT'S ALL THAT MATTERS. 744 00:36:13,562 --> 00:36:16,913 [CROWD CHEERING AND WHISTLING] 745 00:36:18,524 --> 00:36:21,483 JJ: SHORT, SHORT, SHORT, SHORT! REF: RUNNER WAS SHORT. NO GOOD. [ECHOES] 746 00:36:21,527 --> 00:36:24,094 THERE'S NO INSTANT REPLAY, WE GOT TO LIVE WITH THAT CALL, 747 00:36:24,138 --> 00:36:26,706 BUT WE WON THAT GAME, DAMN IT! 748 00:36:26,749 --> 00:36:29,883 AND WE WON IT WITHOUT SPENCER JAMES. 749 00:36:29,926 --> 00:36:33,191 OH, NOW, I AIN'T SAYING THAT TO BE CRUEL, I'M JUST PROVING THE POINT. 750 00:36:33,234 --> 00:36:35,193 AND WHAT POINT IS THAT? 751 00:36:35,236 --> 00:36:38,021 YOU DON'T ALWAYS HAVE TO BE THE HERO, SPENCER, 752 00:36:38,065 --> 00:36:40,023 JUST LIKE YOU DIDN'T HAVE TO BE THE HERO 753 00:36:40,067 --> 00:36:42,678 WHEN JORDAN ASKED YOU TO TRAIN HIM. 754 00:36:42,722 --> 00:36:46,029 YOUR NEED TO PLAY GOD COULD GET SOMEBODY KILLED ONE DAY! 755 00:36:46,073 --> 00:36:49,032 WHAT WAS I SUPPOSED TO DO...HUH? 756 00:36:49,076 --> 00:36:52,122 JORDAN WAS GONNA TRAIN WITH OR WITHOUT ME, MAN! 757 00:36:52,166 --> 00:36:54,124 AT LEAST WITH ME, I COULD KEEP HIM SAFE! 758 00:36:54,168 --> 00:36:56,605 NOT YOUR JOB TO KEEP HIM SAFE! 759 00:36:56,649 --> 00:36:59,521 THAT'S MY JOB! THAT'S LAURA'S JOB! 760 00:36:59,565 --> 00:37:02,220 YOU SHOULD HAVE COME TO US! 761 00:37:02,263 --> 00:37:05,788 YOU WANT TO KNOW WHY YOU AIN'T GONNA SIGN THIS DAMN LETTER? 762 00:37:05,832 --> 00:37:08,400 [PICKS UP LETTER] IT'S NOT 'CAUSE YOU THINK CRENSHAW 763 00:37:08,443 --> 00:37:11,229 OR YOUR FAMILY OR YOUR FRIENDS ARE GONNA FALL APART WITHOUT YOU. 764 00:37:11,272 --> 00:37:13,535 THAT'S NOT IT. 765 00:37:13,579 --> 00:37:16,190 YOU'RE SCARED THAT THEY WON'T. 766 00:37:18,105 --> 00:37:20,368 AND WHO IS SPENCER JAMES 767 00:37:20,412 --> 00:37:22,979 IF HE AIN'T THE HERO? 768 00:37:23,023 --> 00:37:27,984 MALE SINGER: ♪ TELL ME IF YOU CAN FEEL IT ♪ 769 00:37:28,028 --> 00:37:31,118 ♪ 'CAUSE I FEEL IT 770 00:37:33,816 --> 00:37:36,819 ♪ 'CAUSE I FEEL IT 771 00:37:38,343 --> 00:37:40,736 - I CAN'T LET YOU DO THAT. - MAN, YOU'RE ON PAROLE. 772 00:37:40,780 --> 00:37:42,303 I'M NOT LETTING YOU GO BACK TO PRISON. 773 00:37:42,347 --> 00:37:45,741 WHAT'S GOING ON? I THOUGHT YOU WERE LAYING LOW. 774 00:37:45,785 --> 00:37:49,745 I WANTED TO SEE HER AWAKE FOR MYSELF. 775 00:37:49,789 --> 00:37:52,748 PROMISED ME YOU'D REST, COOP. 776 00:37:52,792 --> 00:37:55,751 HEY, I WAS ASLEEP THE LAST 3 DAYS. 777 00:37:55,795 --> 00:37:58,406 I THINK I'M GOOD ON REST. 778 00:37:58,450 --> 00:38:01,583 NAH, SHE'S RIGHT. THINK I'MMA HEAD UP OUTTA HERE. 779 00:38:01,627 --> 00:38:03,585 TAMIA COOPER? 780 00:38:03,629 --> 00:38:06,936 I'M DETECTIVE POWORSKI. IT'S GOOD TO SEE YOU AWAKE. 781 00:38:06,980 --> 00:38:09,939 I HAVE SOME QUESTIONS FOR YOU ABOUT THE NIGHT OF YOUR SHOOTING. 782 00:38:09,983 --> 00:38:12,942 WELL, SHE'S STILL RECOVERING, SO CAN THIS WAIT? 783 00:38:12,986 --> 00:38:15,423 - NOT IF YOU WANT TO CATCH WHO DID THIS. - THERE'S NO ONE TO CATCH. 784 00:38:15,467 --> 00:38:17,425 MONIQUE MOORE SHOT COOP RIGHT BEFORE-- 785 00:38:17,469 --> 00:38:19,471 RIGHT BEFORE I SHOT HER BACK. 786 00:38:21,168 --> 00:38:23,518 POWORSKI: SO YOU'RE SAYING THAT MONIQUE MOORE SHOT YOU 787 00:38:23,562 --> 00:38:26,608 FIRST, AND THEN YOU SHOT BACK IN SELF-DEFENSE? 788 00:38:26,652 --> 00:38:28,784 THAT'S EXACTLY WHAT I'M SAYING. 789 00:38:28,828 --> 00:38:32,222 WHERE'S THE GUN? IT WASN'T RECOVERED AT THE SCENE. 790 00:38:32,266 --> 00:38:34,137 I DON'T KNOW. I PASSED OUT AFTER GETTING SHOT, 791 00:38:34,181 --> 00:38:35,965 AND I WOKE UP HERE A FEW HOURS AGO. 792 00:38:36,009 --> 00:38:39,012 - HOW'D YOU GET TO THE HOSPITAL? - AGAIN, I DON'T KNOW. 793 00:38:39,055 --> 00:38:41,057 WERE THERE ANY WITNESSES AT THE SCENE? 794 00:38:41,101 --> 00:38:43,495 NO, IT WAS JUST ME AND MO. 795 00:38:43,538 --> 00:38:47,237 COOP, I THINK YOU SHOULD HAVE YOUR LAWYER AROUND BEFORE YOU SAY NOTHING ELSE. 796 00:38:49,022 --> 00:38:52,242 TELL YOUR LAWYER THAT WE'LL BE BACK TO FINISH UP 797 00:38:52,286 --> 00:38:55,507 OUR STATEMENT IN THE MORNING. HAVE A GOOD NIGHT. 798 00:38:57,117 --> 00:38:58,988 [SIGHS] THERE. 799 00:38:59,032 --> 00:39:00,816 IT'S DONE. 800 00:39:00,860 --> 00:39:03,471 THEY'LL DOT THEIR I's AND CROSS THEIR WHATEVERS, 801 00:39:03,515 --> 00:39:06,474 BUT SELF-DEFENSE IS A CLEAN CUT. PATIENCE: 'SCUSE ME. 802 00:39:06,518 --> 00:39:09,216 [PREACH SIGHS] 803 00:39:11,566 --> 00:39:14,177 - WHAT? - WHAT'S THE PROBLEM? 804 00:39:14,221 --> 00:39:15,831 COOP WAS OUT. 805 00:39:15,875 --> 00:39:18,660 SHE WAS DONE WITH THE DRAMA, WITH THE GANG CRAP, 806 00:39:18,704 --> 00:39:21,881 AND SHE JUST THREW HERSELF RIGHT BACK IN THE MIDDLE OF IT ALL BY LYING TO THOSE COPS. 807 00:39:21,924 --> 00:39:23,752 - SHE'S TRYING TO SAVE ME. - YEAH. 808 00:39:23,796 --> 00:39:26,581 YEAH, THERE IS ALWAYS A REASON. 809 00:39:26,625 --> 00:39:29,236 YOU KNOW, I SPENT THE LAST FEW DAYS 810 00:39:29,279 --> 00:39:32,065 BLAMING YOU, BLAMING MYSELF 811 00:39:32,108 --> 00:39:35,677 FOR WHAT HAPPENED TO COOP, BUT THE TRUTH IS 812 00:39:35,721 --> 00:39:37,897 THE PERSON TO BLAME FOR ALL THE DRAMA 813 00:39:37,940 --> 00:39:40,073 THAT FOLLOWS COOP AROUND IS COOP. 814 00:39:40,116 --> 00:39:42,684 WHEN IS IT EVER GONNA STOP? 815 00:39:42,728 --> 00:39:44,773 [FOOTSTEPS RETREAT] 816 00:39:46,906 --> 00:39:49,430 [CRICKETS CHIRPING] 817 00:39:49,474 --> 00:39:52,172 [JORDAN WHISPERS] Shh. Hey, here she comes. 818 00:39:53,739 --> 00:39:56,045 [LAYLA CHUCKLES] 819 00:39:56,089 --> 00:39:58,221 UM, BIG HEAD AND I THOUGHT MAYBE, 820 00:39:58,265 --> 00:40:00,789 JUST FOR TONIGHT, YOU DIDN'T WANT TO SLEEP ALONE. 821 00:40:02,356 --> 00:40:04,706 OUR SLEEPOVER FORT. [CHUCKLES] 822 00:40:04,750 --> 00:40:06,752 JORDAN: YOUR SLEEPOVER FORT. 823 00:40:06,795 --> 00:40:08,449 BOUNDARY RUN: ♪ EVERYTHING STOPS LAYLA: THANKS. 824 00:40:08,493 --> 00:40:10,538 HEH! [SNIFFLES] JORDAN: YEAH. 825 00:40:10,582 --> 00:40:12,540 BOUNDARY RUN: ♪ THE SECOND HAND LOCKS 826 00:40:12,584 --> 00:40:14,324 HEY, HEY. 827 00:40:14,368 --> 00:40:17,763 - ♪ I LET IT SINK IN - [SOBS] THANKS. 828 00:40:17,806 --> 00:40:20,766 BOUNDARY RUN: ♪ I'M SEEING IT NOW 829 00:40:20,809 --> 00:40:24,465 [LAYLA SNIFFLES, SIGHS] 830 00:40:29,644 --> 00:40:33,256 YOU KNOW, COACH BAKER ASKED ME A QUESTION TONIGHT, 831 00:40:33,300 --> 00:40:36,956 AND I REALIZED I AIN'T HAD THE ANSWER. 832 00:40:39,524 --> 00:40:41,482 I DON'T KNOW. 833 00:40:41,526 --> 00:40:44,093 MAYBE HE'S RIGHT ABOUT ME HAVING A SAVIOR COMPLEX. 834 00:40:44,137 --> 00:40:46,748 MAYBE NOT... 835 00:40:46,792 --> 00:40:50,491 BUT AT SOME POINT, I GOT TO TAKE THE LEAP AND FIND OUT, RIGHT? 836 00:40:54,016 --> 00:40:57,455 I MEAN, DR. SPEARS ALWAYS TELLING ME TO PUT MY MASK ON FIRST. 837 00:40:57,498 --> 00:41:00,588 - ♪ BUT I'VE BEEN RUNNING CIRCLES ♪ - SO HERE WE GO. 838 00:41:00,632 --> 00:41:04,287 BOUNDARY RUN: ♪ 'CAUSE I CAN'T MAKE UP MY 839 00:41:04,331 --> 00:41:07,639 ♪ MAKE UP MY MIND 840 00:41:07,682 --> 00:41:12,731 I ALWAYS IMAGINED WE'D BE TOGETHER WHEN I SIGNED TO A D1 SCHOOL... 841 00:41:16,561 --> 00:41:19,128 SO LET'S DO IT, POPS. [CLEARS THROAT] 842 00:41:19,172 --> 00:41:25,657 BOUNDARY RUN: ♪ MAKE UP MY MIND 843 00:41:27,180 --> 00:41:33,447 ♪ MAKE UP MY MIND 844 00:41:35,014 --> 00:41:41,237 ♪ MAKE UP MY MIND 845 00:41:43,022 --> 00:41:49,245 ♪ MAKE UP MY MIND 846 00:42:02,476 --> 00:42:04,522 [THEME MUSIC PLAYING] 847 00:42:20,886 --> 00:42:22,409 MAN: GREG, MOVE YOUR HEAD! 848 00:42:22,459 --> 00:42:27,009 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 63619

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.