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1
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All right, clear it. Clear lights, guys.
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00:00:05,922 --> 00:00:07,233
For the moment. There's a camera test.
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- Clear.
- Clear.
4
00:00:08,341 --> 00:00:09,384
Slate it.
5
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Slate it, Black Widow camera test.
6
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Do you see yourself...
7
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Because the Marvel Cinematic Universe
will expand.
8
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There's no question about that.
Your character is set up.
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Would you follow her
and do break-offs, other sequels?
10
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I would love to.
I would love to take this character
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in every different direction.
12
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She certainly encounters her fair share
of the Marvel Universe,
13
00:00:33,450 --> 00:00:37,746
and it's nice to be able to
play a female, you know,
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superheroine, who has a past,
15
00:00:40,540 --> 00:00:46,713
and I think has a real foundation
for all different kinds of spin-offs
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or interactions with other characters.
17
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The length is okay.
We may have to scale down.
18
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We may have to scale it just by length
to remain dexterous.
19
00:01:01,186 --> 00:01:04,439
The part that appealed to me most
about her is her dedication
20
00:01:04,522 --> 00:01:05,899
and just her intelligence.
21
00:01:05,982 --> 00:01:08,735
You need smart people
in a movie like this.
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There's too much up for grabs.
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There's too many things that change,
you need somebody
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who's gonna be
a steward of their character.
25
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I've never been able to return
to a character before, so,
26
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in a way, putting on the suit is like
a old familiar friend.
27
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It's really so audience-driven,
exactly what people want to see,
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what characters they respond to.
29
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I really can't think of
any other opportunity
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to grow with the character as I have.
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There is a two-year period
between Civil War and Infinity War.
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There's a lot to explore there.
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There were many different
dramatic directions that we could go.
34
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But her past has to come back
to haunt her.
35
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What's very exciting about the genre
is that it's really fan-driven.
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It's almost like you're playing
"Choose Your Own Adventure."
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And the fans are kind of navigating
through this universe
38
00:02:02,914 --> 00:02:06,918
and sort of demanding of the studio,
what they wanna see.
39
00:02:08,294 --> 00:02:10,672
Black Widow, shooting right now in London.
40
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They flew overnight
and got here this morning.
41
00:02:13,716 --> 00:02:16,261
Scarlett,
you've played Natasha through seven films
42
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over the last ten years.
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What are you excited for fans to discover
about Natasha this go-around?
44
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Um...
45
00:02:23,893 --> 00:02:24,894
I...
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Advertise your product or brand here
contact www.OpenSubtitles.org today
47
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As a film fan, I look at, uh, uh,
how do you take these iconic characters
48
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and humanize them even more.
49
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And Scarlett has humanized Natasha
50
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through the course of ten years
worth of movies for us.
51
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But in this one, it really goes further
by introducing this family unit.
52
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I think about Indiana Jones and his
great entrance in Raiders of the Lost Ark,
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and Indy was this enigmatic figure,
and in The Last Crusade you meet his dad.
54
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And you see his dad treating him
just like a dad treats any kid,
55
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and you're like, "That's Indiana Jones,
you can't talk to him that way."
56
00:03:06,436 --> 00:03:11,524
Likewise, the way that Natasha feels
and suddenly becomes this little kid,
57
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I think it's very funny, very relatable,
and very unique
58
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to what we've seen
the circumstances of Widow in before.
59
00:03:19,824 --> 00:03:22,076
Scarlett really wanted to
make the most of it.
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Good.
61
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And she assured me that she would work
as hard as she needed to,
62
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to do her stunts and learn all that stuff.
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And she spent hours and hours
and hours for months.
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By far, the most dedicated actor
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when it came to the stunt work
and the physical work.
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Giving away the secrets here.
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The fight choreography,
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we combined a lot of
different fighting styles.
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And she was game for learning it all.
And the biggest one was lucha libre
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which seemed silly to me
when they had first mentioned it,
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but when you see the acrobatic moves,
and the swinging around,
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and the flips and the turns
and the holds...
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When you see a woman doing it
in the Black Widow costume,
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it has a much different effect.
75
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There's a freshness to it,
and it felt right
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when you saw it choreographed properly.
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So you really believe
that as she's moving through
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this hallway full of these guards
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that she's able to do her flips
turns and grabs.
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It was pretty inspired.
81
00:04:13,962 --> 00:04:16,214
- Really tough.
- Yeah.
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It's ten years,
and we're really kickin' ass.
83
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Training in general,
I feel like these ten years,
84
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I've just been kind of working up
to this point,
85
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I felt really capable, which is great.
86
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When I first got the role, I remember
I went to go and meet Kevin Feige.
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And I was a little bit anxious
about how much you have to do.
88
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Like, I don't know
what's involved in these films,
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and every single time I've seen one,
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there are these essential athlete actors
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just running through the screen
all the time.
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And I didn't know if that was required
or enforced or whatever.
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And so I asked him, I was like,
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"What's the deal, like, do you guys
make me into what I need to be?"
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He goes, "No, it's totally up to you."
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And so with that,
I kind of felt nicely relaxed
97
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because my favorite thing is
getting in there and doing stunts.
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From the moment I could,
I went to the warehouse.
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All these amazing stunties were just there
to teach you any one of their crafts.
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- Ready?
- Yep.
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Hey.
102
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I found that fascinating. And, yeah,
I tried to do as much as I could.
103
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James, the stunt coordinator,
makes it a lot of fun.
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He would just say, "Just have fun."
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You're about to do something
incredibly violent and vicious.
106
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But he'd just say, "Have fun."
107
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The stunt person is like a dance partner.
They just make you look good.
108
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This was the hardest thing I've ever done.
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And I am not at all like a Tom Cruise
about this stuff, where I'm like,
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"I do all my own stunts."
I do not do any of my own stunts
111
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and I do not want to.
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Put the guy in. He does it better than me.
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Please, I will go sit and hang out
and have a croissant.
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- Trying.
- I love the teeth!
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Aren't those cool? I know.
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It's more like in your face.
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And then she goes for you again.
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So we get the emotion back into it.
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I want it to be really truthful,
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and I want each fight to have a story.
121
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So for me, it was like
we would choreograph fights,
122
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but we would also be choreographing
dramatic moments between the characters,
123
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of trust or revenge, or different feelings
that they might have.
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I think we're all lookin'
for those moments,
125
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and that's something
that Cate did as a director,
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where she really galvanized all of us
to bring our best, our A-game,
127
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and to really look for the heart
of the movie,
128
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as opposed to looking for what's cool.
129
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She really always would steer us back to,
"What's the heart of the movie?
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"What are we looking for here?"
131
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And, you know, that's real artistry.
132
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- So, Florence. Just...
- Yes.
133
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Doesn't matter. Keep pushing on to it.
134
00:07:03,923 --> 00:07:05,651
- Just keep going through that.
- Keep pushing you into it.
135
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For me, that opening fight sequence
was scary.
136
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It was our first weekend to shoot,
137
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and I hadn't really hung out
with Scarlett that much before.
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That whole fight is about not knowing
how to say what you feel.
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It's so aggressive. It's so face to face,
and I think what you were just saying,
140
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we haven't seen that before. It's true.
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You're on land,
and you have these two women
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kind of doing a bit of
Jason Bourne-style fighting.
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They are just kind of
trying to kill each other.
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Um, and that was so exhilarating,
as an actor to come to that,
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and then they let you
actually do it. Amazing.
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There's a lot of fights.
It's a Marvel movie.
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But the next one we come to
will be the bridge fight
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which will be the first time we see
Taskmaster come against Natasha.
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And it's the first time
we'll see Natasha on the backfoot.
150
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Kevin always said to me,
"We know she's gonna survive it.
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"But we have to think, at times, how."
152
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And so we knew we had to put her
in some situations
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where you questioned,
were things gonna be okay?
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Taskmaster is an interesting one
because we've done a little bit
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to make the character different than
the comics for our cinematic experience.
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Say hello.
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Who says Taskmaster has to be a man?
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We had been talking about
this reference that Loki makes
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in Avengers about the horrible things
Natasha's done in her past.
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Can you wipe out that much red?
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Dreykov's daughter?
162
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It was very important to Kevin
that we shed
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a little bit of light on that mystery.
164
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It's incredibly redemptive for Natasha
because, in a way,
165
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she can save this person
that she thought she'd murdered.
166
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What the film speaks about a lot
is lack of control,
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that these young women didn't have control
over their lives or their bodies.
168
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And Taskmaster is like
the living embodiment of that.
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Someone who's completely programmed
and has no say in any of her actions.
170
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The Taskmaster was
one of the film's costume I worked on.
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We were quite obsessed by making it
in a way that it was light,
172
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that she could jump, that she could roll,
173
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um, that she could do all the acrobatics
she needed to do.
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So we made the armor as light as we could,
the helmet as light as we could.
175
00:10:01,726 --> 00:10:05,813
We printed the fabric
with a very specific little design.
176
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The blue is a gorgeous blue.
177
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That was also a Marvel design,
and then also the interpretation
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and the realization is from us.
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All of the weapons are concealed
on Taskmaster all the time.
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So, they can appear,
and we can decide to lose them.
181
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So the idea of having a shield,
where does it go?
182
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On the back, same as Captain America?
It won't work.
183
00:10:29,795 --> 00:10:33,758
So they wanted to do it so that you could
have it appear from his arms.
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Trying not to tie the action down.
The whole thing about these movies
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is to try and work out
what the action requires.
186
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Once we started working
with the fight coordinators,
187
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we had to work out that the shield
had to be left or right handed.
188
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Same with the sword. The beauty was
not having a handle involved
189
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and that we can assume
this is held together
190
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by a magnet or some sort of shield
on the armor.
191
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What was great was Marvel said to me,
"We'll tell you when to stop.
192
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"You just have to keep having ideas
and don't suppress them.
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"Just keep having ideas."
194
00:11:06,582 --> 00:11:10,961
And so, I don't think they ever
really did tell us to stop.
195
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Cate Shortland is such a gift
as a filmmaker.
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The emotional layer
that we added to it was necessary.
197
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It was imperative that we told you
198
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that layer from Black Widow.
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Otherwise, it would have been
another action film.
200
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And we've made action films before.
201
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But the emotional resonance had to be
202
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something that got us
through the next two hours.
203
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Because we waited ten years
for these two hours.
204
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So it better be worth it.
205
00:11:41,992 --> 00:11:44,078
And Cate Shortland
is a visionary filmmaker
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that takes her time in the detail
of the nuances of that particular moment.
207
00:11:50,668 --> 00:11:55,631
And sometimes it's just with a look,
or with a hand,
208
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or with the camera just tilting.
And you feel it.
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And your heart just goes there,
and you're, like, "Oh, I get it."
210
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And that's a true talent
and an all-around phenomenal woman.
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Obviously, going into this film,
I knew it was...
212
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The most important thing
was having my partner.
213
00:12:16,736 --> 00:12:19,321
Cate was somebody
whose work I really admired.
214
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Her stuff is so deep,
and so character-driven.
215
00:12:22,324 --> 00:12:24,660
And knowing that I had her,
216
00:12:24,744 --> 00:12:29,081
knowing that she and I would be able
to build this character together,
217
00:12:29,165 --> 00:12:33,127
I knew that we were, you know,
cooking with gas.
218
00:12:39,884 --> 00:12:42,511
For me, the most important scene for her
219
00:12:42,595 --> 00:12:44,680
was at the beginningof the first Avengers.
220
00:12:45,389 --> 00:12:49,977
Where she fights these Russians
in a warehouse,
221
00:12:50,060 --> 00:12:53,063
in a tight, beautiful black dress.
222
00:12:53,147 --> 00:12:57,526
And as she walks away,
and she's done an amazing fight,
223
00:12:57,610 --> 00:13:00,946
an introduction that anyone
will dream of having,
224
00:13:01,030 --> 00:13:04,450
she picks up her high heels
and she walks away.
225
00:13:04,909 --> 00:13:09,747
The ultimate female badass.
226
00:13:14,835 --> 00:13:18,923
Each movie, I think
everybody feels a little bit closer
227
00:13:19,006 --> 00:13:22,176
and less guarded with each other.
228
00:13:22,301 --> 00:13:27,431
I mean, I've seen, uh,
Avengers start their families.
229
00:13:27,515 --> 00:13:32,520
And I've seen, you know, from Scarlett
even being pregnant on Avengers, to...
230
00:13:32,603 --> 00:13:36,023
It's crazy. So we've all been together
a long time now,
231
00:13:36,106 --> 00:13:38,359
and I think we trust each other,
232
00:13:38,442 --> 00:13:41,737
and we know that we have
everybody's best interests at heart.
233
00:13:42,530 --> 00:13:44,573
Scarlett was a producer on the film.
234
00:13:44,657 --> 00:13:48,953
So she knew that
she also had to drive production,
235
00:13:49,036 --> 00:13:51,413
and she had to keep people's spirits up.
236
00:13:51,497 --> 00:13:53,617
It was almost too good,
where I was wondering
237
00:13:53,666 --> 00:13:55,167
where the other shoe was gonna drop.
238
00:13:55,251 --> 00:14:00,089
Like, is it really... Can it be this good,
that biggest movie star in the world
239
00:14:00,172 --> 00:14:03,425
is actually a really nice person
who's completely dedicated to the movie
240
00:14:03,509 --> 00:14:05,553
and trying to make it better at all times?
241
00:14:05,636 --> 00:14:08,806
And also, when you see her turn it on,
everything changes.
242
00:14:09,849 --> 00:14:11,517
What you taught me kept me alive.
243
00:14:13,102 --> 00:14:15,688
I think Scarlett portrays
Black Widow in a way
244
00:14:15,771 --> 00:14:18,941
that she's obviously
extremely strong and powerful
245
00:14:19,024 --> 00:14:23,404
and can fight and can outwit everybody.
246
00:14:23,487 --> 00:14:27,867
But she also has a heart
and an emotional life, she's vulnerable,
247
00:14:27,950 --> 00:14:29,827
and she wants, and she needs.
248
00:14:29,910 --> 00:14:33,205
Scarlett's been playing the character,
obviously, now for decades.
249
00:14:33,289 --> 00:14:36,458
So she's grown up with Natasha Romanoff.
250
00:14:36,542 --> 00:14:40,963
And she knows her inside out. I really
feel that when I'm playing opposite her,
251
00:14:41,046 --> 00:14:44,925
it's a character that has many,
many layers. She's deeply committed.
252
00:14:45,009 --> 00:14:49,096
She is Natasha. She is Natasha.
She created that character.
253
00:14:49,179 --> 00:14:52,308
And the minute that she walks on set,
she is Natasha.
254
00:14:52,850 --> 00:14:56,228
I remember her daughter came to set,
I asked, "What does she think you do?"
255
00:14:56,312 --> 00:14:58,731
And she goes,
"Fight baddies for a living."
256
00:14:58,814 --> 00:15:00,649
I was like, "But that is what you do.
257
00:15:00,733 --> 00:15:03,068
"That's what you've been
the face of for so long."
258
00:15:03,152 --> 00:15:05,487
The only woman
that has been at the front of it.
259
00:15:06,030 --> 00:15:09,033
And slowly, there's more coming.
260
00:15:09,116 --> 00:15:14,997
And that's a wicked thing,
to be a part of this new search
261
00:15:15,080 --> 00:15:20,878
for more stories about women
in this world, outside of this world,
262
00:15:20,961 --> 00:15:23,672
as you were just saying.
The era of feminism
263
00:15:23,756 --> 00:15:27,176
and finding women
to tell interesting stories.
264
00:15:28,010 --> 00:15:31,096
And she's been, I suppose,
doing it for a very long time.
265
00:15:33,098 --> 00:15:35,684
Five, six, seven.
266
00:15:40,940 --> 00:15:45,861
Just as an exercise. I'm wondering,
is there a way of letting go of the gun?
267
00:15:45,945 --> 00:15:48,197
This isn't ideal,
but just to give you an idea.
268
00:15:48,280 --> 00:15:50,699
Yeah. I understand you.
I'm just trying to work out...
269
00:15:50,783 --> 00:15:53,160
- Doing into the roll, drop it.
- Here?
270
00:15:55,120 --> 00:15:56,705
- Yeah.
- You just release it?
271
00:15:56,789 --> 00:15:57,957
- Yeah.
- Just release it.
272
00:15:58,040 --> 00:15:59,351
- Yeah, we could just...
- Release it there?
273
00:15:59,375 --> 00:16:00,376
As you roll.
274
00:16:00,459 --> 00:16:03,963
I wonder, if you make it part of...
So that if it's the second time around,
275
00:16:04,046 --> 00:16:05,926
because it feels odd
that they let their gun go.
276
00:16:06,048 --> 00:16:07,841
- Okay.
- But if you made it part of
277
00:16:07,925 --> 00:16:11,470
the first part of it, so if they all
started with their guns on the ground...
278
00:16:11,553 --> 00:16:12,846
- Yes.
- And there's a move
279
00:16:12,930 --> 00:16:16,350
- that gets them to their gun.
- Then your shoulder. Tuck in your head.
280
00:16:16,433 --> 00:16:17,494
- Yeah. That's great.
- Yeah.
281
00:16:17,518 --> 00:16:19,687
- Yeah. So, guys, this.
- Okay.
282
00:16:22,439 --> 00:16:28,070
All the young Widows are training
in what's called Systema,
283
00:16:28,153 --> 00:16:33,742
which is a Russian form of combat.
And when I first met Cate,
284
00:16:33,826 --> 00:16:39,039
we talked about what kind of movement
that the young Russians could be doing.
285
00:16:39,123 --> 00:16:44,378
And I suggested, because earlier
in the Black Widow's history,
286
00:16:44,461 --> 00:16:47,214
she was trained in ballet,
it would be great
287
00:16:47,297 --> 00:16:51,719
if we could find some kind of movement
that was not balletic,
288
00:16:51,802 --> 00:16:56,974
but still had the beauty,
and the discipline, and the rhythm
289
00:16:57,057 --> 00:16:58,934
that you get in a ballet class.
290
00:16:59,018 --> 00:17:04,314
So I went away and looked at
lots of stuff, and I found the Systema,
291
00:17:04,398 --> 00:17:07,651
and I was like, "Oh, this could be it.
This could be it."
292
00:17:07,735 --> 00:17:11,447
Because this is like a dance.
It's beautiful.
293
00:17:11,530 --> 00:17:14,867
But at the same time,
you need so much strength.
294
00:17:15,659 --> 00:17:19,079
One, two, three, four,
five, six, seven, eight.
295
00:17:19,163 --> 00:17:23,292
I fell in love with our Widows.
That was a wonderful process
296
00:17:23,375 --> 00:17:27,504
because I knew we were
gonna have 25 young women
297
00:17:27,588 --> 00:17:31,800
who were dancers, acrobats
and stunt performers
298
00:17:31,884 --> 00:17:35,888
who trained in fighting.
They trained with guns.
299
00:17:38,891 --> 00:17:41,477
Something that was so amazing
that I loved Cate did,
300
00:17:41,560 --> 00:17:45,481
she made sure that every single girl
had something from where they were from.
301
00:17:46,190 --> 00:17:51,737
Whether it was the way that they did
their hair or something that they owned.
302
00:17:51,820 --> 00:17:55,991
It really felt like these people
had been stolen from their birthplace.
303
00:17:56,075 --> 00:17:58,160
You get to make your own choices now.
304
00:17:59,286 --> 00:18:02,164
It's only when they escape
and when they leave
305
00:18:02,247 --> 00:18:05,417
that maybe they realize
how twisted it all is.
306
00:18:05,501 --> 00:18:07,127
Even though throughout this movie,
307
00:18:07,211 --> 00:18:09,755
they're presented
as an antagonistic force,
308
00:18:10,339 --> 00:18:14,134
it was important that we kind of show
why they were the way they were.
309
00:18:14,218 --> 00:18:17,304
That, like Natasha,
they too have a shot at redemption.
310
00:18:17,387 --> 00:18:18,931
It's not really what people make you,
311
00:18:19,014 --> 00:18:21,183
you can still decide
how you want to live your life.
312
00:18:23,185 --> 00:18:26,688
You know, this is the first piece
of clothing I've ever bought for myself.
313
00:18:28,690 --> 00:18:31,652
- That?
- Yeah, you don't like it?
314
00:18:31,735 --> 00:18:35,572
Was that like an army surplus or...
315
00:18:35,656 --> 00:18:37,991
Okay, it has a lot of pockets.
316
00:18:38,075 --> 00:18:42,204
But I use them all the time,
and I made some of my own modifications.
317
00:18:42,287 --> 00:18:44,123
- Oh, yeah?
- Whatever.
318
00:18:44,206 --> 00:18:48,919
Shut up. The point is, I've never had
control over my own life before.
319
00:18:49,002 --> 00:18:51,547
And now I do. I want to do things.
320
00:18:52,756 --> 00:18:53,966
Mm...
321
00:18:54,049 --> 00:18:55,050
I like your vest.
322
00:18:55,134 --> 00:18:57,010
I knew it. I knew you did.
323
00:18:57,094 --> 00:18:58,762
- It's so cool, right?
- It's cool.
324
00:19:00,139 --> 00:19:02,224
In the comics,
Yelena is another Widow
325
00:19:02,307 --> 00:19:04,017
who trained in the Red Room.
326
00:19:04,143 --> 00:19:08,105
And in the comics,
she's more of a competitor to Natasha.
327
00:19:08,188 --> 00:19:12,860
But what we've created is that
Yelena and Natasha were children together.
328
00:19:12,943 --> 00:19:15,320
They were part of a spy family.
329
00:19:15,404 --> 00:19:19,658
Florence Pugh plays Yelena,
and her character,
330
00:19:19,741 --> 00:19:22,911
you know, she is the next generation
of Widows, in a way.
331
00:19:22,995 --> 00:19:25,622
When she comes out of that Widow program,
332
00:19:25,706 --> 00:19:28,709
she's never had any sense of independence.
333
00:19:28,792 --> 00:19:32,504
She wants to write her own story.
334
00:19:32,588 --> 00:19:34,840
One of the coolest things
about playing Yelena
335
00:19:34,923 --> 00:19:36,967
is just how complex and broken she is,
336
00:19:37,050 --> 00:19:41,930
for someone who is so sure
of what she does.
337
00:19:42,014 --> 00:19:46,560
She knows exactly how to function
in the things that she's been trained in,
338
00:19:46,643 --> 00:19:49,730
but she has no clue how to live
as a human.
339
00:19:50,522 --> 00:19:53,901
She's a bit of a kid,
but she's a lethal weapon.
340
00:19:55,903 --> 00:20:01,450
She has this murky side to her life
that she has no idea what it's about,
341
00:20:01,533 --> 00:20:04,369
and she's having to now discover
who she is.
342
00:20:05,495 --> 00:20:07,331
To him, we are just things.
343
00:20:08,749 --> 00:20:11,543
Weapons with no face
that he can just throw away
344
00:20:12,711 --> 00:20:15,255
because there is always more.
345
00:20:15,339 --> 00:20:17,966
Her and Natasha, I think, both have that.
346
00:20:18,050 --> 00:20:21,762
This constant not knowing
of where they come from
347
00:20:21,845 --> 00:20:25,641
and this constant need to figure out
where they came from and who they are.
348
00:20:26,642 --> 00:20:28,727
I mean, that's what
Natasha's always looking for,
349
00:20:28,810 --> 00:20:32,564
is a sense of family and a sense of home.
And it's because of their history.
350
00:20:36,193 --> 00:20:37,361
No!
351
00:20:37,444 --> 00:20:41,657
You do this split with the hair head flip.
And you do it when you're fighting.
352
00:20:41,740 --> 00:20:44,201
It's like a fighting pose.
353
00:20:44,284 --> 00:20:50,123
When I came onto the film,
I spoke to Kevin about actors.
354
00:20:50,207 --> 00:20:53,835
And Florence Pugh
was one of the first people I spoke about
355
00:20:53,919 --> 00:20:56,046
because I'd seen Lady Macbeth,
356
00:20:56,129 --> 00:21:01,760
and she and Scarlett as a team
are unstoppable.
357
00:21:03,387 --> 00:21:08,433
Florence, I adore her as not only
as an extraordinary actress,
358
00:21:08,517 --> 00:21:10,269
but also just as a human being.
359
00:21:10,352 --> 00:21:14,856
I remember there's a little scene in it
where I think I hug the two of them
360
00:21:14,940 --> 00:21:16,525
in this ridiculous way at this...
361
00:21:16,608 --> 00:21:18,777
I'm, like, "I love you so much."
362
00:21:18,860 --> 00:21:21,280
And they break away from me
like, "You're a narcissist."
363
00:21:21,363 --> 00:21:24,283
But I remember before that break,
there is a moment that we shot.
364
00:21:24,366 --> 00:21:26,994
I don't know if it's in the movie,
where she softens
365
00:21:27,077 --> 00:21:29,413
in his embrace for a second,
366
00:21:29,997 --> 00:21:35,168
like, "This is my dad holding me."
And it is a beautiful moment, I thought.
367
00:21:35,252 --> 00:21:38,588
So sophisticated to find that moment.
368
00:21:40,132 --> 00:21:41,550
You smell really bad.
369
00:21:43,343 --> 00:21:48,265
The thought was,
who do we pair up with Scarlett
370
00:21:49,057 --> 00:21:52,853
that can hold her own, that could shine?
371
00:21:52,936 --> 00:21:58,900
And we needed to have someone that go,
"Those two together are just nuclear."
372
00:22:00,193 --> 00:22:04,364
Which was the whole idea,
to tell that story of sisterhood
373
00:22:04,448 --> 00:22:08,410
and the conflict of that
and how they grow together in this film.
374
00:22:08,493 --> 00:22:11,288
So I think Florence Pugh was a true gift.
375
00:22:11,371 --> 00:22:15,000
I'm not here trying to be your friend,
but you need to tell me what that is.
376
00:22:15,083 --> 00:22:18,587
It's a synthetic gas,
the counter-agent to chemical subjugation.
377
00:22:18,670 --> 00:22:22,132
The gas immunizes the brain's neural
pathways from external manipulation.
378
00:22:22,215 --> 00:22:23,592
Maybe in English next time.
379
00:22:25,844 --> 00:22:27,095
Ochen' umno.
380
00:22:27,179 --> 00:22:30,432
Why don't you take it
to one of your super-scientist friends?
381
00:22:30,515 --> 00:22:33,352
They can explain it to you.
Tony Stark, maybe?
382
00:22:33,435 --> 00:22:36,021
It was so wonderful to be able to
do those scenes with Florence
383
00:22:36,104 --> 00:22:39,316
'cause she's such a wonderful actor
and playful.
384
00:22:39,399 --> 00:22:45,989
And her work is so touching. And so it was
a ease to feel connected to her
385
00:22:46,073 --> 00:22:48,784
because she's so open in those moments.
386
00:22:48,867 --> 00:22:53,538
And you really feel that when you watch it
on screen, it just feels very natural.
387
00:22:54,206 --> 00:22:55,457
Belts are on the end.
388
00:22:56,666 --> 00:23:01,171
All set, here we go. Ready. And action!
389
00:23:02,756 --> 00:23:04,716
Charge!
390
00:23:18,063 --> 00:23:25,028
The gulag set, we decided very early on
that this would be very remote
391
00:23:25,278 --> 00:23:28,115
in this sort of snowy wilderness,
I suppose.
392
00:23:28,198 --> 00:23:30,325
The set's actually 160 foot in diameter.
393
00:23:30,409 --> 00:23:33,120
We start by building
these sorts of sets as 3-D models.
394
00:23:33,203 --> 00:23:36,456
And then what we do very early on
is we try and populate them.
395
00:23:36,540 --> 00:23:39,042
And we try and see how many extras
we think we need
396
00:23:39,126 --> 00:23:42,629
to try and make the space
feel big enough for camera.
397
00:23:43,255 --> 00:23:45,215
The snow, by the way, is all salt.
398
00:23:45,298 --> 00:23:48,176
It's about the only material
you can use which actually,
399
00:23:48,260 --> 00:23:51,596
really does look like snow.
The really bad news is we're in England.
400
00:23:51,680 --> 00:23:54,683
It rains a lot.
And the salt dissolves in water.
401
00:23:55,517 --> 00:23:59,771
It probably took us about four days
to put the snow down,
402
00:23:59,855 --> 00:24:01,815
and then it just so happens,
403
00:24:01,898 --> 00:24:06,194
the night before we were gonna film,
we had a really bad storm.
404
00:24:06,278 --> 00:24:08,405
And basically, all the snow went away.
405
00:24:08,488 --> 00:24:11,783
So the next morning,
we pulled everyone from everywhere
406
00:24:11,867 --> 00:24:14,161
and put it back together
in about four hours.
407
00:24:14,244 --> 00:24:15,996
Which is what film-making's all about.
408
00:24:17,622 --> 00:24:20,208
Charlie is such an accomplished
production designer.
409
00:24:20,292 --> 00:24:24,171
His attention to detail is unlike
anything I've ever seen before.
410
00:24:24,254 --> 00:24:26,715
And something that was very important
from the beginning
411
00:24:26,798 --> 00:24:29,926
was creating a world
that Cate saw fit for this movie.
412
00:24:31,511 --> 00:24:33,555
We try and build all of the models.
413
00:24:33,638 --> 00:24:35,765
We try and supply
as much reference as possible,
414
00:24:35,849 --> 00:24:38,810
and we'll go through it all.
But then what also happens is
415
00:24:38,894 --> 00:24:41,146
the stunts department
will then become involved in this
416
00:24:41,229 --> 00:24:43,523
because, obviously,
they have to perform on here.
417
00:24:43,607 --> 00:24:46,234
They'll have their own requirements.
As will lighting.
418
00:24:46,318 --> 00:24:49,779
So the thing about art direction
and set design and that sort of thing,
419
00:24:49,863 --> 00:24:52,365
it's not just for one department.
It's for the entire film.
420
00:24:52,449 --> 00:24:54,993
You have to be mindful and accommodating
421
00:24:55,076 --> 00:24:58,705
of what everyone needs from a set besides
what you're just trying to do visually.
422
00:24:58,788 --> 00:25:02,209
It has to work for everyone.
Otherwise, it, it wouldn't work at all.
423
00:25:22,687 --> 00:25:26,024
The Red Guardian, he's the most
insecure character in the film,
424
00:25:26,107 --> 00:25:28,401
and so he's always hiding.
425
00:25:28,485 --> 00:25:30,153
Did he talk to you about me?
426
00:25:31,780 --> 00:25:32,822
What?
427
00:25:33,615 --> 00:25:37,077
Did he talk to you about me?
You know, trading war stories.
428
00:25:37,160 --> 00:25:39,955
- Who? What are you talking about?
- Captain America.
429
00:25:40,747 --> 00:25:45,585
When it first came to me, Cate sat me down
and started telling me about the script
430
00:25:45,669 --> 00:25:50,799
'cause they don't let you see a script
in these things, which I understand.
431
00:25:50,882 --> 00:25:54,010
It's all so top secret. But she started
pitching me this idea of this guy,
432
00:25:54,094 --> 00:26:00,016
and I think the first thing she
talked about was this scene in a prison,
433
00:26:00,100 --> 00:26:03,562
and he has this strength,
and he's this, like, beastly guy.
434
00:26:03,645 --> 00:26:07,399
And I was envisioning this kind of
gangster movie and all this stuff, and it,
435
00:26:07,482 --> 00:26:09,985
and I was like, "Oh, this is great."
436
00:26:10,068 --> 00:26:12,195
And I kind of project where he's gonna go.
437
00:26:12,279 --> 00:26:14,990
And then she said,
"And he desperately wants to be liked.
438
00:26:15,073 --> 00:26:17,951
"He desperately wants people
to think he's funny and charming."
439
00:26:18,034 --> 00:26:22,205
I was like, "Whoa!" So the zig
and the zag of the character in that way
440
00:26:22,289 --> 00:26:27,210
was so appealing to me that you are able
to create this full human being
441
00:26:27,294 --> 00:26:30,964
who has this big, strong,
massive side to him,
442
00:26:31,047 --> 00:26:35,927
but also has all these human qualities
of being an obtuse narcissist
443
00:26:36,011 --> 00:26:42,475
and a guy who is desperate
for the affection of the people
444
00:26:42,559 --> 00:26:45,645
that he loves or as much as
he possibly can love, loves.
445
00:26:45,729 --> 00:26:49,816
He's a very complicated guy,
so when she pitched this to me,
446
00:26:49,899 --> 00:26:53,236
I was like,
"Wow, this is really exciting."
447
00:26:54,070 --> 00:26:55,322
It still fits.
448
00:26:58,617 --> 00:27:05,582
It is easier for a designer when you know
the behind of the character
449
00:27:05,832 --> 00:27:08,251
because you can project that
in the costume.
450
00:27:08,960 --> 00:27:11,421
Even when you design a superhero,
451
00:27:11,504 --> 00:27:15,216
like when I started designing
the Red Guardian,
452
00:27:15,300 --> 00:27:18,762
I knew that he wanted to be
like Captain America.
453
00:27:18,845 --> 00:27:23,600
I knew that he was a guy who was
always trying too hard to be somebody.
454
00:27:23,683 --> 00:27:28,563
I knew that his personality was
a little bit overdone, bigger than life.
455
00:27:28,647 --> 00:27:31,566
So I project that in the design.
456
00:27:33,568 --> 00:27:38,156
This is why it's so important to know
457
00:27:38,740 --> 00:27:42,535
the psychology of the character,
458
00:27:42,619 --> 00:27:48,333
what's behind the facade of the superhero.
It helps tremendously for the design.
459
00:27:49,834 --> 00:27:51,961
Jany has such a great backstory
460
00:27:52,045 --> 00:27:54,297
just in terms of everything
that she's done before.
461
00:27:54,381 --> 00:27:58,218
She's come from the 007 world,
which is a little bit more grounded.
462
00:27:58,301 --> 00:28:00,011
She's also done Harry Potters.
463
00:28:00,095 --> 00:28:03,723
And to be able to strike that balance
was something that we were looking for.
464
00:28:03,807 --> 00:28:07,143
Everything that you see here
is made in our work room.
465
00:28:07,227 --> 00:28:10,355
All the leather, all the rubber bits.
466
00:28:10,939 --> 00:28:13,983
All the costumes here
is made by people here.
467
00:28:18,488 --> 00:28:23,618
For the first time, we are going to have
a white costume for our Black Widow.
468
00:28:24,369 --> 00:28:26,121
- Hey, girl.
- Look at you.
469
00:28:26,204 --> 00:28:29,082
- Day one, White Widow.
- You look good.
470
00:28:29,165 --> 00:28:30,875
- Hmm. You look good.
- Yay. Thanks.
471
00:28:31,918 --> 00:28:37,090
The original idea was that
when they fight in the snow,
472
00:28:37,173 --> 00:28:42,053
they are wearing white uniform
because it's the color of the snow.
473
00:28:42,137 --> 00:28:45,140
So that was the start of an idea.
474
00:28:46,141 --> 00:28:50,937
I was so afraid at the beginning
to start doing it, you know?
475
00:28:51,020 --> 00:28:53,440
I was thinking,
"Oh, my God. Will she like it?"
476
00:28:53,523 --> 00:28:57,986
But the suit is designed in such a way
that you have some graphic line in it,
477
00:28:58,069 --> 00:29:01,489
give an incredible silhouette to Scarlett.
478
00:29:04,200 --> 00:29:08,121
This is the one that Yelena,
her sister, is wearing.
479
00:29:09,664 --> 00:29:13,543
It's more functional.
It was based on a more sportive idea.
480
00:29:13,626 --> 00:29:17,922
And on top of that, she has the vest
that you could see at the end of the film
481
00:29:18,006 --> 00:29:20,508
she's going to give it
to her older sister.
482
00:29:23,762 --> 00:29:27,682
What we are using for fabric
is actually a durable jersey.
483
00:29:27,766 --> 00:29:31,352
Very strong. And we print on them,
484
00:29:31,436 --> 00:29:35,356
we print on them a design
which is different.
485
00:29:35,440 --> 00:29:39,194
And that give her the possibility
of having something very original,
486
00:29:39,277 --> 00:29:44,824
and being able to use any source of fabric
which is necessary
487
00:29:44,908 --> 00:29:48,036
for the elasticity
and the comfort of the suit.
488
00:29:48,828 --> 00:29:52,707
Scarlett and I both have
White Widow suits, which is very cool.
489
00:29:52,791 --> 00:29:54,292
I can move in it, I can fight in it,
490
00:29:54,375 --> 00:29:57,504
which isn't the same
for lots of the superhero suits.
491
00:29:57,587 --> 00:30:00,423
They're usually, you know,
there to look amazing.
492
00:30:00,507 --> 00:30:03,301
So it was cool to be in a suit
that was made for function
493
00:30:03,384 --> 00:30:06,930
and completely summed up
exactly what Yelena is about.
494
00:30:07,013 --> 00:30:10,266
She just puts the clothes on
and then fights.
495
00:30:11,643 --> 00:30:12,852
I think it's never finished.
496
00:30:12,936 --> 00:30:15,897
For me, the costume is finished
when they are shooting on it.
497
00:30:15,980 --> 00:30:18,942
When the first take is done,
and I think, "Ha, ha, it works."
498
00:30:19,025 --> 00:30:22,403
This is the moment
where I think that my job is finished.
499
00:30:22,487 --> 00:30:25,156
But I think till that moment,
you are never finished.
500
00:30:28,618 --> 00:30:31,913
There are so many great characters
that we needed to design for this.
501
00:30:31,996 --> 00:30:34,207
One thing that's interesting
about Marvel Studios
502
00:30:34,290 --> 00:30:37,544
is we have our in-house
visual development team,
503
00:30:37,627 --> 00:30:38,962
led by Andy Park,
504
00:30:39,045 --> 00:30:41,756
who headed the development
of the costumes and everything.
505
00:30:41,840 --> 00:30:45,176
And what was so great
about Jany is her collaboration with Andy,
506
00:30:45,260 --> 00:30:47,428
is that they formed a great partnership
507
00:30:47,512 --> 00:30:49,722
in ultimately bringing
these characters to life.
508
00:30:51,766 --> 00:30:55,436
My father, he go toilet on my hands.
509
00:30:55,520 --> 00:30:59,190
- Oh, my God. Oh, my God.
- Urine is 35�C...
510
00:30:59,274 --> 00:31:01,526
- Oh, my God.
- Staves off the frostbite.
511
00:31:01,609 --> 00:31:03,194
How is this relevant?
512
00:31:04,070 --> 00:31:06,990
You know, fathers.
513
00:31:07,657 --> 00:31:11,202
I think when you have a juicy scene
that you know you've got coming up,
514
00:31:11,286 --> 00:31:13,538
and especially David and I
get along really well,
515
00:31:13,621 --> 00:31:15,373
we were good mates during the filming.
516
00:31:15,456 --> 00:31:18,751
So we were genuinely excited
about doing that scene.
517
00:31:18,835 --> 00:31:21,796
And then when it came about,
it kind of happened so quickly,
518
00:31:21,880 --> 00:31:23,965
and we... And then it was done.
519
00:31:24,048 --> 00:31:26,509
And we're like,
"Oh! We really enjoyed that."
520
00:31:26,593 --> 00:31:29,512
It's amazing when you have
that connection with someone.
521
00:31:29,596 --> 00:31:32,515
It's amazing when you all have
the same idea of where you're going.
522
00:31:32,599 --> 00:31:33,600
That's very rare.
523
00:31:33,683 --> 00:31:35,351
And also to have someone like Cate,
524
00:31:35,435 --> 00:31:38,313
who is constantly
pushing for you to not shy away
525
00:31:38,396 --> 00:31:42,734
from feeling is an amazing,
supportive feeling.
526
00:31:44,402 --> 00:31:49,657
David Harbour,
every choice he makes is so funny and big.
527
00:31:49,741 --> 00:31:51,993
And I love that he...
528
00:31:52,076 --> 00:31:56,539
I said to him, "You should have
Karl Marx across your knuckles."
529
00:31:56,623 --> 00:31:59,000
And that he has all these prison tattoos.
530
00:31:59,083 --> 00:32:01,169
And he just went for it right away.
531
00:32:01,252 --> 00:32:02,629
Oh!
532
00:32:05,340 --> 00:32:07,300
That guy think he goin' to beat me.
533
00:32:07,383 --> 00:32:11,179
He was just another...
Again, we have a real bounty of riches.
534
00:32:11,262 --> 00:32:13,514
Our cast has been
incredible the whole way.
535
00:32:14,766 --> 00:32:17,435
Well, me joining
the Marvel Universe was a...
536
00:32:17,518 --> 00:32:19,646
I guess a big surprise for me.
537
00:32:19,729 --> 00:32:22,982
I read comic books when I was a kid
like every other kid, I guess.
538
00:32:24,025 --> 00:32:26,986
I always remember
in the early comic books,
539
00:32:27,070 --> 00:32:29,197
that even the bad guy
had kind of a sadness
540
00:32:29,280 --> 00:32:31,240
and a sorrow about him in the end.
541
00:32:32,533 --> 00:32:36,829
So when I kind of read this,
I wondered whether my character Dreykov
542
00:32:37,705 --> 00:32:42,418
might have that same kind of realization
543
00:32:42,502 --> 00:32:46,923
within death or within the ending,
his demise, you know?
544
00:32:52,637 --> 00:32:55,390
It's amazing!
Like, it's full on amazing
545
00:32:55,473 --> 00:32:58,810
to think I might be
part of something as big
546
00:32:58,893 --> 00:33:01,020
and important
to so many people as the MCU.
547
00:33:03,898 --> 00:33:05,525
So sorry.
548
00:33:05,608 --> 00:33:07,777
I think
I was really attracted to the idea
549
00:33:07,860 --> 00:33:09,612
of working with Cate, our director,
550
00:33:09,696 --> 00:33:12,115
who, you know, is such an auteur
551
00:33:12,198 --> 00:33:15,326
and the movies she's done
are so moving and meaningful.
552
00:33:15,410 --> 00:33:18,246
And so, it would be kind of like,
confluence of her style
553
00:33:18,329 --> 00:33:23,042
with the scope
of the Marvel Universe was just...
554
00:33:23,126 --> 00:33:24,711
It was really intriguing to me.
555
00:33:25,670 --> 00:33:27,005
You're gonna go easy.
556
00:33:27,755 --> 00:33:28,756
Let him go.
557
00:33:28,840 --> 00:33:30,842
What was really
interesting for me actually
558
00:33:30,925 --> 00:33:33,094
was getting to spend
some time with William Hurt.
559
00:33:33,177 --> 00:33:38,850
He was so vigorous and so...
Like, he wanted to explore and sit...
560
00:33:38,933 --> 00:33:40,977
And it really kind of, I don't know,
561
00:33:41,060 --> 00:33:43,187
it gave me a lot of heart,
really, to be honest.
562
00:33:43,271 --> 00:33:45,106
To go, like, "Yeah," you know?
563
00:33:45,189 --> 00:33:48,651
You're still fightin'
for the integrity of the piece.
564
00:33:49,277 --> 00:33:53,990
The perfect model for me,
as an actor, is repertory ensemble, okay?
565
00:33:54,073 --> 00:33:57,076
So that you're an ensemble,
and you're building ethics of trust,
566
00:33:57,160 --> 00:33:58,619
you're learning to trust each other
567
00:33:58,703 --> 00:34:01,664
so that you can surrender
your concentration and trust
568
00:34:01,748 --> 00:34:04,208
to depths that it can't go to without it.
569
00:34:04,292 --> 00:34:10,173
And then one of the things
that you do with that is go to character,
570
00:34:10,256 --> 00:34:13,593
and character demands
all the imagination you have.
571
00:34:13,676 --> 00:34:17,430
So you can't really get to character
unless you can have the imagination
572
00:34:17,513 --> 00:34:19,223
that is only possible with trust.
573
00:34:19,807 --> 00:34:23,436
So trusting the other actor is the scene.
574
00:34:23,519 --> 00:34:25,813
It's the life of the scene. Period.
575
00:34:25,897 --> 00:34:28,691
We got Barton,
we got Wilson, and that other guy,
576
00:34:28,775 --> 00:34:30,401
"The Incredible Shrinking Convict."
577
00:34:30,485 --> 00:34:33,154
Rogers is on the run. You got no friends.
578
00:34:33,821 --> 00:34:35,281
Where are you gonna go?
579
00:34:35,364 --> 00:34:38,910
I think for us, consistently,
we say, "Thank God for our cast.
580
00:34:38,993 --> 00:34:41,329
"Thank God for what they were able to..."
581
00:34:41,412 --> 00:34:45,166
That we had that dream
of what they could create.
582
00:34:45,249 --> 00:34:50,129
And then at the helm,
with Cate's help, that they get there.
583
00:34:50,213 --> 00:34:53,591
And you get those scenes,
and you go, "Hallelujah."
584
00:34:57,178 --> 00:34:59,847
Honey. We're home.
585
00:35:03,768 --> 00:35:06,395
Rachel Weisz is playing Melina Vostokoff.
586
00:35:07,355 --> 00:35:11,275
She, in the comics,
is also a former Russian spy
587
00:35:11,359 --> 00:35:14,821
that we wanted to integrate into the film.
588
00:35:16,447 --> 00:35:17,573
How long do we have?
589
00:35:17,657 --> 00:35:19,909
I don't know. Like an hour maybe?
590
00:35:23,079 --> 00:35:24,539
I don't wanna go.
591
00:35:24,622 --> 00:35:29,001
With Melina, Rachel Weisz
is such an accomplished dramatic actor.
592
00:35:29,085 --> 00:35:31,963
To have someone like that
step into a role like this,
593
00:35:32,046 --> 00:35:34,132
it's such an incredible
leap of faith for us,
594
00:35:34,215 --> 00:35:35,758
and it validates everything we do.
595
00:35:37,468 --> 00:35:38,636
You look like you have...
596
00:35:38,719 --> 00:35:40,555
- Hey, everybody set?
- Set.
597
00:35:40,638 --> 00:35:42,765
Here we go. And action!
598
00:35:43,349 --> 00:35:45,768
She brings such a gravitas
to this character
599
00:35:45,852 --> 00:35:47,812
who has been a part of this spy world.
600
00:35:47,895 --> 00:35:50,064
Who came from the Red Room before Natasha.
601
00:35:54,318 --> 00:35:57,196
You know, it's like when you told them
602
00:35:57,280 --> 00:35:59,532
that they could stay up late
to catch Santa Claus.
603
00:35:59,615 --> 00:36:00,616
That was fun, you know.
604
00:36:00,700 --> 00:36:02,910
He come down the chimney, girls.
Look out! Where is he?
605
00:36:02,994 --> 00:36:04,620
But he doesn't come.
606
00:36:05,121 --> 00:36:06,789
Well, I know. But that's the fun.
607
00:36:06,873 --> 00:36:09,417
That's part of the fun of it,
is that he never come.
608
00:36:09,500 --> 00:36:11,502
It's like, you know,
waiting for the thing.
609
00:36:11,586 --> 00:36:12,962
But it gives you hope, right?
610
00:36:13,045 --> 00:36:17,550
- And I believe you should...
- No, no.
611
00:36:17,633 --> 00:36:20,887
- No, I do know it give you hope, you know?
- No, I know.
612
00:36:20,970 --> 00:36:24,182
And I believe you should, you should hope.
613
00:36:24,265 --> 00:36:25,725
I'm sorry. Wait, wait.
614
00:36:25,808 --> 00:36:28,728
You were going for Waiting for Godot.
Well, you were.
615
00:36:28,811 --> 00:36:30,438
- Waiting for whatever.
- Just say it!
616
00:36:30,521 --> 00:36:32,148
As soon as they arrive at Melina's,
617
00:36:32,231 --> 00:36:35,860
we kinda see how even though
they've been separated for 20 years,
618
00:36:35,943 --> 00:36:39,780
they sit down, and it's like picking up
from where they were in Ohio.
619
00:36:39,864 --> 00:36:42,200
You haven't aged a day, huh?
620
00:36:42,283 --> 00:36:47,079
You're just as beautiful and supple
as the day they staged our marriage.
621
00:36:49,999 --> 00:36:52,585
I think because we all individually knew
622
00:36:52,668 --> 00:36:56,214
how each one of our characters
felt about the other person,
623
00:36:57,089 --> 00:37:00,801
it actually, in a way, you kind of
don't want to kill it with rehearsal,
624
00:37:00,885 --> 00:37:04,347
you just wanna get there on the day
and see what everybody's giving.
625
00:37:06,265 --> 00:37:08,559
It was really,
the script was the hardest part
626
00:37:08,643 --> 00:37:10,353
because it was a jigsaw puzzle.
627
00:37:10,436 --> 00:37:13,522
It was comedy,
it was drama, it's spectacle.
628
00:37:13,606 --> 00:37:16,192
And you have to make it all
one beautiful thing.
629
00:37:16,275 --> 00:37:18,069
So, that was a challenge.
630
00:37:18,152 --> 00:37:19,570
Action.
631
00:37:19,654 --> 00:37:21,989
Good boy, Alexei. Good boy.
632
00:37:23,366 --> 00:37:25,117
You named the pig after me?
633
00:37:25,785 --> 00:37:27,495
You don't see the resemblance?
634
00:37:27,578 --> 00:37:31,916
The funny-ness that comes out of it
comes from these missed connections
635
00:37:31,999 --> 00:37:36,045
and from these attempts
to love each other.
636
00:37:36,128 --> 00:37:38,506
And they're just
inadequate people, all of them.
637
00:37:39,715 --> 00:37:41,759
- Change it up. Yeah.
- Yep, yep, yes.
638
00:37:43,135 --> 00:37:45,763
- Can you go to your right further?
- Try to find...
639
00:37:45,846 --> 00:37:50,142
Cate has made
a film that it isn't necessarily...
640
00:37:50,226 --> 00:37:52,436
The heart isn't about superheroes.
641
00:37:52,520 --> 00:37:55,523
The heart is about being damaged
642
00:37:55,606 --> 00:37:59,652
and trying to find a way to fix yourself.
643
00:37:59,735 --> 00:38:03,364
And so, you know,
there's obviously so much humor in it,
644
00:38:03,447 --> 00:38:06,534
and David Harbour's hilarious,
and Rachel Weisz is just a legend.
645
00:38:06,617 --> 00:38:08,494
But equally, when it gets to those scenes,
646
00:38:08,577 --> 00:38:12,957
Cate was really sure that she needed
this to be the heart of the film.
647
00:38:13,040 --> 00:38:14,792
She kept on saying throughout the shoot,
648
00:38:14,875 --> 00:38:16,711
"What's the heart of the film?"
649
00:38:16,794 --> 00:38:19,338
And she needed this to be about the pain
650
00:38:19,422 --> 00:38:22,925
and how you repair yourself
and how you collect yourself.
651
00:38:23,926 --> 00:38:25,636
You are an idiot.
652
00:38:30,349 --> 00:38:31,934
And you're a coward.
653
00:38:34,520 --> 00:38:37,481
You're a coward,
and our family was never real,
654
00:38:37,565 --> 00:38:40,192
so, there's nothing to hold onto.
655
00:38:41,569 --> 00:38:43,112
We're moving on.
656
00:38:44,739 --> 00:38:47,033
It's important for us
to understand in this film
657
00:38:47,116 --> 00:38:53,748
how this family has shaped
the person that Natasha became.
658
00:38:59,462 --> 00:39:01,005
I'm sorry.
659
00:39:03,716 --> 00:39:06,177
Why she is so guarded,
660
00:39:06,260 --> 00:39:09,889
and why she wears many faces
and puts on the masks.
661
00:39:09,972 --> 00:39:13,434
She's been deeply hurt by the people
who meant the most to her,
662
00:39:13,517 --> 00:39:16,812
and the result is kind
of what you see is what you get.
663
00:39:16,896 --> 00:39:18,939
You got some nerve, I'll give you that.
664
00:39:19,023 --> 00:39:20,691
You could use some of that right now.
665
00:39:21,567 --> 00:39:24,612
I think especially,
coming out of this time,
666
00:39:24,695 --> 00:39:26,989
where we're all really
longing for community,
667
00:39:27,073 --> 00:39:30,368
and there has been so much division,
668
00:39:30,451 --> 00:39:33,579
I think what the film does is it says,
669
00:39:33,662 --> 00:39:36,957
"Accept and love each other
for who you are,
670
00:39:37,041 --> 00:39:40,127
"and look at each other
as precious beings."
671
00:39:40,211 --> 00:39:41,837
And I think that's all I want,
672
00:39:41,921 --> 00:39:47,093
is for people to enjoy it
and see the human under the suit.
673
00:39:49,929 --> 00:39:51,806
It's a security issue, Barry.
674
00:39:51,889 --> 00:39:53,349
- Come on. Come on.
- Barry?
675
00:39:53,432 --> 00:39:55,518
- It's a security.
- I know.
676
00:39:55,601 --> 00:39:56,602
Come on.
677
00:39:56,685 --> 00:40:00,064
So this is my 23rd movie at Marvel.
678
00:40:00,147 --> 00:40:01,816
I've been all around the world.
679
00:40:01,899 --> 00:40:05,903
This is absolutely the biggest
security threat we've ever faced.
680
00:40:06,862 --> 00:40:08,197
These guys right here.
681
00:40:13,369 --> 00:40:15,788
I think this is gonna
have a very different look
682
00:40:15,871 --> 00:40:18,916
than most of the other MCU movies
'cause we're on location.
683
00:40:18,999 --> 00:40:21,794
We're in the brush. We're in the mud.
684
00:40:21,877 --> 00:40:23,921
We're gonna probably be
in the snow, in the sand.
685
00:40:24,004 --> 00:40:28,384
And I feel like we're gonna be
in a lot of real natural places.
686
00:40:29,176 --> 00:40:31,512
- Left pocket is the best one for us.
- Yeah.
687
00:40:31,595 --> 00:40:33,722
- Then let's do a pre-wet.
- Yeah.
688
00:40:33,806 --> 00:40:35,182
So she's really, like...
689
00:40:36,267 --> 00:40:38,394
But, uh, she probably
won't have to act that.
690
00:40:38,477 --> 00:40:41,981
- You know, like, she's like...
- Her, okay. She fell in icy cold water.
691
00:40:42,064 --> 00:40:44,442
And then she's up, and she's like...
692
00:40:44,525 --> 00:40:46,110
You know?
693
00:40:46,193 --> 00:40:48,487
- Shout out if I'm overacting.
- No, overact. Yeah.
694
00:40:48,571 --> 00:40:50,865
- Okay.
- That'll make me look better.
695
00:40:50,948 --> 00:40:54,118
Guys, what we'll do, we'll pre-wet
and everything just by the water's edge.
696
00:40:54,201 --> 00:40:56,454
- So mean.
- You're sending her in first?
697
00:40:56,537 --> 00:40:58,456
- Um, oh, we talked about it.
- Always.
698
00:41:06,297 --> 00:41:10,801
Crew away, one more.
Keep rolling. Keep rolling.
699
00:41:11,385 --> 00:41:13,429
- Keep going?
- Coming back, C.C.
700
00:41:13,512 --> 00:41:14,805
- Okay.
- You good?
701
00:41:14,889 --> 00:41:16,658
We couldn't be happier with our doubles.
702
00:41:16,682 --> 00:41:20,102
For Natasha, we've got
Mickey Facchinello and C.C. Ice.
703
00:41:20,186 --> 00:41:24,607
C.C. has come from our Avengers crew,so she knows the character very well.
704
00:41:25,107 --> 00:41:28,360
And Mickey
is an extremely talented martial artist.
705
00:41:28,444 --> 00:41:31,822
So both our ladies do the research.
They watch the old movies.
706
00:41:31,906 --> 00:41:33,365
They are at the top of their game.
707
00:41:33,449 --> 00:41:36,285
They're looking
for the moments, those pieces,
708
00:41:36,368 --> 00:41:39,205
and they're very conscious
of what Scarlett's gonna be doing.
709
00:41:39,288 --> 00:41:41,749
I think the most important thing
is that they know
710
00:41:41,832 --> 00:41:46,045
that to be a good double is to blend
when we see the actor stunts.
711
00:41:46,128 --> 00:41:49,089
We wanna make it seamless.
The biggest respect to these ladies.
712
00:41:49,173 --> 00:41:52,134
They are brilliant, you know,
story moments of what we want,
713
00:41:52,218 --> 00:41:53,594
but you wanna see Scarlett.
714
00:41:54,595 --> 00:41:57,097
- I'm going.
- Here we come, she's comin' in.
715
00:41:59,016 --> 00:42:00,601
Happy thoughts.
716
00:42:00,684 --> 00:42:02,937
I'm thinking happy thoughts.
717
00:42:03,020 --> 00:42:04,355
How's that position, Rob?
718
00:42:04,438 --> 00:42:07,525
I love my job. I love my job.
719
00:42:07,608 --> 00:42:09,777
Here we go. Everyone ready?
720
00:42:10,402 --> 00:42:12,821
And action!
721
00:42:19,537 --> 00:42:21,580
- Everybody, reset!
- Reset, Scarlett.
722
00:42:24,458 --> 00:42:25,793
It's still cold.
723
00:42:35,719 --> 00:42:37,221
From the very beginning,
724
00:42:37,304 --> 00:42:39,640
this movie had to be
something very different.
725
00:42:39,723 --> 00:42:43,227
This movie wasn't something
that could be cheated for other locations.
726
00:42:43,310 --> 00:42:46,814
We wouldn't be able to take another
European city and double it for Budapest.
727
00:42:46,897 --> 00:42:50,484
It was very important that we put
our characters on the ground,
728
00:42:50,568 --> 00:42:52,611
feel the city, and feature the city.
729
00:42:52,695 --> 00:42:54,905
And ever since Avengers 1,
730
00:42:54,989 --> 00:43:00,286
we set up this idea that Clint and Natasha
had this incredible adventure in Budapest.
731
00:43:02,037 --> 00:43:05,583
- Just like Budapest all over again.
- I remember Budapest very differently.
732
00:43:05,666 --> 00:43:08,460
It's something that's become
very important to fans,
733
00:43:08,544 --> 00:43:10,045
and when making a Black Widow movie,
734
00:43:10,129 --> 00:43:12,339
it's very important for us
to kind of pay that off,
735
00:43:12,423 --> 00:43:15,259
or at least shed light as to what
had happened so many years ago.
736
00:43:15,342 --> 00:43:16,802
What bullet does that?
737
00:43:19,138 --> 00:43:21,640
- Not bullets, arrows.
- Ah, right.
738
00:43:21,724 --> 00:43:25,477
As Natasha, in our movie, kind of finds
herself thrown back into Budapest,
739
00:43:25,561 --> 00:43:28,689
she's forced to relive things
that happened with her and Clint.
740
00:43:29,607 --> 00:43:32,151
It started out so funnily,
is this thing that,
741
00:43:32,234 --> 00:43:33,819
you know, Joss Whedon threw in there,
742
00:43:33,902 --> 00:43:38,866
as this great sort of quippy moment
between Hawkeye and Black Widow, you know.
743
00:43:38,949 --> 00:43:42,119
That's Clint and Natasha right there,
their kind of history.
744
00:43:42,202 --> 00:43:46,624
Just a fun little Easter egg for people
and for fans to kind of theorize about.
745
00:43:46,707 --> 00:43:49,710
Then we thought, "We gotta find out
what happened in Budapest."
746
00:43:50,711 --> 00:43:53,297
Tell me what happened. Tell me exactly.
747
00:43:54,465 --> 00:43:56,008
- We rigged bombs.
- Who's "we"?
748
00:43:56,091 --> 00:43:57,092
Clint Barton.
749
00:43:57,593 --> 00:44:00,721
Killing Dreykov was the final step
in my defection to S.H.I.E.L.D.
750
00:44:02,264 --> 00:44:03,682
Simple as that.
751
00:44:03,766 --> 00:44:08,604
The location just felt like it would be
visually, really exciting, too.
752
00:44:08,687 --> 00:44:10,230
And give a kind of flavor
753
00:44:10,314 --> 00:44:12,983
that the Marvel Universe
has never really explored,
754
00:44:13,067 --> 00:44:16,320
this great, like,
Eastern European vibe, which is so fun.
755
00:44:21,200 --> 00:44:23,369
All right, no more smoke. Action!
756
00:44:27,623 --> 00:44:30,084
When I first went to Budapest
over 30 years ago,
757
00:44:30,209 --> 00:44:33,212
I went to a lot of apartments like that.
And, um...
758
00:44:33,962 --> 00:44:36,215
And we shot the exterior of it
in a courtyard
759
00:44:36,298 --> 00:44:38,759
in a wonderful old building
called the Express Building,
760
00:44:38,842 --> 00:44:40,928
which is right in the center of Budapest,
761
00:44:41,011 --> 00:44:46,266
which amazingly, hasn't been touched
in all the years I've known the city.
762
00:44:46,892 --> 00:44:49,436
So it was a pleasure
to go back and see that.
763
00:44:50,896 --> 00:44:52,564
I guess I just...
764
00:44:52,648 --> 00:44:56,318
Me too.
I just slipped down, basically.
765
00:44:58,070 --> 00:45:01,073
It was very nice on this film
to actually see it as Budapest.
766
00:45:01,156 --> 00:45:03,617
'Cause I'll tell you,
in all the times I've been there,
767
00:45:03,701 --> 00:45:08,330
we've always turned it into East Berlin
or Paris or Rome or somewhere else.
768
00:45:08,414 --> 00:45:10,457
But, um, you know, just for a change,
769
00:45:10,541 --> 00:45:13,252
it was Budapest as Budapest
and celebrated as such.
770
00:45:14,169 --> 00:45:15,546
Here we go. Picture's up.
771
00:45:18,132 --> 00:45:21,427
One of the biggest chases
is set in Budapest.
772
00:45:21,510 --> 00:45:26,390
And we are on a motorbike as Taskmaster
is in a tank coming after us.
773
00:45:26,473 --> 00:45:29,685
So for three weeks,
they had a tank drive around Budapest,
774
00:45:29,768 --> 00:45:32,146
and I'm sure
that shocked quite a lot of people.
775
00:45:34,106 --> 00:45:36,734
The city of Budapest gave us,
like, you know,
776
00:45:36,817 --> 00:45:38,002
basically the keys to the city.
777
00:45:38,026 --> 00:45:44,450
So we were able to really use these
iconic locations in a very practical way,
778
00:45:44,533 --> 00:45:46,618
which is really fun
'cause you don't have to be
779
00:45:46,702 --> 00:45:50,581
shooting all these plates and using a lot
of CG, you can actually really do it.
780
00:45:52,332 --> 00:45:53,500
It was very funny.
781
00:45:53,584 --> 00:45:55,586
We had stunt doubles going around the city
782
00:45:55,669 --> 00:45:56,754
on a real motorbike.
783
00:45:56,837 --> 00:45:59,381
And then we were on
a pole that had a motorbike on it.
784
00:46:03,969 --> 00:46:06,388
Three, two, one. Go!
785
00:46:09,767 --> 00:46:12,853
That chase is so many things.
786
00:46:12,936 --> 00:46:14,396
As it normally is.
787
00:46:14,980 --> 00:46:18,066
Some of it is us being
pulled by a camera on this rig.
788
00:46:18,150 --> 00:46:19,234
And fire!
789
00:46:19,318 --> 00:46:20,319
Hey!
790
00:46:21,570 --> 00:46:24,698
That car-flipping stuff
was all on this weird track.
791
00:46:24,782 --> 00:46:26,450
And then a lot of it is also practical.
792
00:46:53,769 --> 00:46:57,314
It was just also one of those things
that you had to fill in all the blanks.
793
00:46:57,397 --> 00:47:01,026
So obviously, your stunts are doing
mega things and making this look real.
794
00:47:01,109 --> 00:47:02,861
And then
we have to come in to do
795
00:47:02,945 --> 00:47:04,988
the corner shot
and make it look really scary.
796
00:47:05,072 --> 00:47:08,158
Okay, you got a plan,
or shall I just stay, duck and cover?
797
00:47:08,242 --> 00:47:09,743
My plan was to drive us away!
798
00:47:09,827 --> 00:47:10,911
It's a shit plan.
799
00:47:16,291 --> 00:47:18,627
I always find that part
of filmmaking fascinating.
800
00:47:18,710 --> 00:47:22,631
It was a lot of fun, and it starts
the film on that energy straight away.
801
00:47:23,298 --> 00:47:28,053
It excels
and basically moves the entire story line
802
00:47:28,136 --> 00:47:30,722
into the main part of the film.
803
00:47:30,806 --> 00:47:33,642
And it's just one car chase.
It's unbelievable.
804
00:47:51,535 --> 00:47:56,582
Every Marvel film,
we're trying to up the one before it
805
00:47:56,665 --> 00:47:59,334
and give audiences something new,
exciting, and creative
806
00:47:59,418 --> 00:48:01,169
that they've never seen before.
807
00:48:01,253 --> 00:48:02,379
While at the same time,
808
00:48:02,462 --> 00:48:05,632
trying to manage and maintain
a constant and consistent story.
809
00:48:06,675 --> 00:48:08,176
What about Romanoff?
810
00:48:08,260 --> 00:48:09,553
She's a traitor.
811
00:48:10,554 --> 00:48:12,723
She turned her back on her people.
812
00:48:12,806 --> 00:48:14,099
On her blood.
813
00:48:15,767 --> 00:48:18,770
For us right now, the third act
is probably the biggest challenge.
814
00:48:18,854 --> 00:48:20,272
It's a free fall sequence.
815
00:48:20,355 --> 00:48:24,943
Sky-diving in and out of planes
and, you know, zero-G.
816
00:48:25,027 --> 00:48:28,363
So, there's a lot of choreography
that's gonna be involved,
817
00:48:28,447 --> 00:48:31,116
both with the visual effects
and stunts and special effects.
818
00:48:31,199 --> 00:48:33,285
And to really try to bring
that sequence together
819
00:48:33,368 --> 00:48:36,997
and giving our actors opportunities
to really perform at their best
820
00:48:37,080 --> 00:48:41,168
in that environment and not be overwhelmed
by the number of rigs or wires, et cetera,
821
00:48:41,251 --> 00:48:42,544
that they're going to be on.
822
00:48:43,545 --> 00:48:45,714
Cate has created
a really beautiful palette.
823
00:48:45,797 --> 00:48:48,842
Because this is a new world for her,
in terms of visual effects,
824
00:48:48,926 --> 00:48:52,596
a lot of her questions had to do with how.
825
00:48:52,763 --> 00:48:56,308
"How do we shoot this?
How to I get this vision onto the screen?"
826
00:48:56,391 --> 00:48:58,268
Which, of course, is our jobs.
827
00:49:05,734 --> 00:49:09,696
So we had lots of early
pre-conversations about, um,
828
00:49:09,780 --> 00:49:11,823
like, how we shoot visual effects,
829
00:49:11,907 --> 00:49:15,035
whether it's set extensions
or just A over B comps
830
00:49:15,118 --> 00:49:17,162
and showing her
what we can bring to her movie.
831
00:49:27,172 --> 00:49:29,341
Lift those feet a little bit
and push forward.
832
00:49:29,424 --> 00:49:30,717
Heels.
833
00:49:32,719 --> 00:49:35,013
- Nice.
- Need a focus.
834
00:49:35,097 --> 00:49:36,848
- I'll pause it...
- Yeah.
835
00:49:36,932 --> 00:49:39,810
Yeah, that would be better.
That's cool. Let's shoot it.
836
00:49:40,852 --> 00:49:42,854
A lot of the time,
what's written on the page
837
00:49:42,938 --> 00:49:45,315
isn't always what we can produce.
838
00:49:45,399 --> 00:49:47,275
But there are the alternatives that,
839
00:49:47,359 --> 00:49:49,945
if we wanna keep this as grounded
and as real as possible,
840
00:49:50,028 --> 00:49:51,655
this is what we can really achieve.
841
00:49:51,738 --> 00:49:54,116
And then getting everybody on board
842
00:49:54,199 --> 00:49:57,244
with that part of it
and then developing that sequence.
843
00:49:57,327 --> 00:50:00,831
And then go, "Okay, well, that sequence,
that's what we want it to be.
844
00:50:00,914 --> 00:50:04,084
"This is the next sequence.
We will need help to make this work."
845
00:50:04,167 --> 00:50:07,379
It'll be three-quarter visual effects,
quarter stunts.
846
00:50:07,462 --> 00:50:10,090
But are we happy
with the look of what that is?
847
00:50:10,173 --> 00:50:12,592
And then buy into that.
So it's kinda then...
848
00:50:12,676 --> 00:50:16,972
It's making the most of our time on each
sequence, really, which is important.
849
00:50:27,441 --> 00:50:29,568
If you don't know what's happening,
850
00:50:30,110 --> 00:50:34,823
that is the biggest compliment
that you can give a visual effects team.
851
00:50:35,532 --> 00:50:38,869
If you're so into the story
that you don't question,
852
00:50:38,952 --> 00:50:40,912
"How did they do that?"
You don't because why?
853
00:50:40,996 --> 00:50:43,832
'Cause you're afraid
that they're not going to make it.
854
00:50:43,915 --> 00:50:47,002
Or you're so excited that you're like,
"Oh, my God!"
855
00:50:47,085 --> 00:50:49,588
If that's happening to you as an audience,
856
00:50:49,671 --> 00:50:53,967
every single visual effects artist
around the world,
857
00:50:54,051 --> 00:50:57,262
like the, whatever, 5,000 people
that worked on this movie,
858
00:50:57,345 --> 00:50:59,056
everybody will be grateful.
859
00:51:03,560 --> 00:51:05,395
Enough.
860
00:51:05,479 --> 00:51:07,689
I think there's probably,
out of 2,800 shots,
861
00:51:07,773 --> 00:51:09,900
is maybe 200
that don't have visual effects.
862
00:51:12,736 --> 00:51:14,196
There's a lot of work in there.
863
00:51:14,279 --> 00:51:17,365
A lot of it you know,
and you realize it's happening
864
00:51:17,449 --> 00:51:21,578
'cause it will be not safe to do it
that way, so then you know it's happening.
865
00:51:21,661 --> 00:51:25,165
But there is so much more
that is happening that you have no idea.
866
00:51:25,248 --> 00:51:30,754
What better joy to have
as a filmmaker or as an artist,
867
00:51:30,837 --> 00:51:34,925
that we can have to create
worlds or to create moments
868
00:51:35,008 --> 00:51:36,718
that you don't even know it's happening,
869
00:51:36,802 --> 00:51:39,471
but you can actually
give that to the audience?
870
00:51:39,554 --> 00:51:42,265
I mean, I think to me,
that's a dream come true.
871
00:51:42,349 --> 00:51:46,061
In every movie we make,
and every streaming show we do,
872
00:51:46,144 --> 00:51:51,900
we have a chance to tell a story
that on paper feels or seems impossible.
873
00:51:51,983 --> 00:51:55,278
And then you allow the artistry
874
00:51:55,362 --> 00:51:57,948
of visual effects artists
around the world,
875
00:51:58,031 --> 00:52:01,409
and they come in,
and they just make it work for you.
876
00:52:02,410 --> 00:52:04,996
Can you pull back? Pull back.
Pull back with the girls.
877
00:52:05,080 --> 00:52:06,790
Florence, can you stand?
878
00:52:06,873 --> 00:52:09,835
I want you to cheat
and go through more Widows.
879
00:52:09,918 --> 00:52:11,670
Come through more Widows. Cheat it.
880
00:52:11,753 --> 00:52:15,006
Something that I was always very...
For me as an actor,
881
00:52:15,090 --> 00:52:19,136
I've always felt sure about,
what is power, what does power look like?
882
00:52:19,219 --> 00:52:21,471
And when you look at a superhero,
883
00:52:22,222 --> 00:52:25,559
I've always thought,
if I'm in a building, and it's burning,
884
00:52:25,642 --> 00:52:28,478
and I need a superhero
to come and save me,
885
00:52:28,562 --> 00:52:31,314
I need a woman to come and save me,
what would they look like?
886
00:52:31,398 --> 00:52:35,569
And I think for a long time,
we've looked at, you know,
887
00:52:35,652 --> 00:52:38,655
these shooting things that come
through the air, and they grab you.
888
00:52:38,738 --> 00:52:41,074
And actually, if you had a warrior
that was coming in
889
00:52:41,158 --> 00:52:43,827
to come and save you,
what would these people look like?
890
00:52:46,037 --> 00:52:49,124
For me, I always found
something very unique about the script,
891
00:52:49,207 --> 00:52:53,253
which is the amount
of women that this will reach.
892
00:52:54,129 --> 00:52:58,425
This film is about abuse
and women finding their path again.
893
00:52:59,217 --> 00:53:03,013
And something as big
and as serious as that reaching
894
00:53:03,096 --> 00:53:06,600
the amount of people that it will do
because of this film is, um...
895
00:53:07,976 --> 00:53:10,645
I mean, I didn't have that
when I was growing up.
896
00:53:11,646 --> 00:53:15,150
It was striking how many female, you know,
897
00:53:15,233 --> 00:53:17,903
how many stuntwomen we had on set
at any given time.
898
00:53:17,986 --> 00:53:21,281
I mean, just the power of these women,
899
00:53:21,364 --> 00:53:25,869
all in one room together was something
I'd never experienced before.
900
00:53:26,536 --> 00:53:30,874
It was an amazing feeling to be surrounded
by all these badass women
901
00:53:30,957 --> 00:53:33,793
and really be able to get,
like, down and dirty with them.
902
00:53:33,877 --> 00:53:35,212
Action!
903
00:53:37,297 --> 00:53:42,177
What Scarlett brings to her character,
with what she means to young girls today,
904
00:53:42,260 --> 00:53:45,222
what she means to all the fans
'cause she's got such a following,
905
00:53:45,305 --> 00:53:49,392
but especially to young girls,
is incredibly special and inspiring.
906
00:53:49,476 --> 00:53:52,145
When you're watching it
you feel like, "That's me."
907
00:53:52,229 --> 00:53:54,147
You're kinda watching it
thinking it's you,
908
00:53:54,231 --> 00:53:56,191
so I think when a girl or a woman sees
909
00:53:56,274 --> 00:53:59,277
women being action stars,
they can identify.
910
00:53:59,361 --> 00:54:03,198
And you go along with the story
imagining that it's you who are like that.
911
00:54:03,281 --> 00:54:04,908
So it's just a lot more exciting.
912
00:54:04,991 --> 00:54:06,493
It's imperative.
913
00:54:06,576 --> 00:54:11,623
It's imperative that these kids have
a character that they can look up to.
914
00:54:11,706 --> 00:54:15,710
That on a day when they don't
feel up to facing the world,
915
00:54:15,794 --> 00:54:20,090
that they can put a mask,
they can put a cape, and they can pretend.
916
00:54:24,177 --> 00:54:27,931
And if that is what gives you the strength
to get through that moment and time,
917
00:54:28,014 --> 00:54:33,186
and it helps you because it empowers you,
then I salute you.
918
00:54:33,853 --> 00:54:38,024
And if we don't do that for every kid,
then we will fail.
919
00:54:38,108 --> 00:54:42,112
One of the beautiful things about comics,
is comics didn't fail you.
920
00:54:42,195 --> 00:54:43,947
People saw themselves.
921
00:54:44,030 --> 00:54:47,075
So that identity that the page created,
922
00:54:47,158 --> 00:54:50,495
we need to continue
to do in the moving image.
923
00:54:53,331 --> 00:54:55,625
This has been a dream job for me,
924
00:54:55,709 --> 00:54:58,670
and you guys have been
bringing all your creative juice
925
00:54:58,753 --> 00:55:00,714
and spirit and energy to this film.
926
00:55:00,797 --> 00:55:03,133
I think we're making
something really, really special.
927
00:55:03,216 --> 00:55:05,385
Something very, very special
to me, anyway.
928
00:55:05,468 --> 00:55:08,305
And so thank you all so, so much.
929
00:55:11,850 --> 00:55:15,353
It's been an incredible
opportunity for me to be able to continue
930
00:55:15,437 --> 00:55:18,523
to come back to a character
that I love so much.
931
00:55:18,606 --> 00:55:21,359
And I really have to thank
the audiences for that.
932
00:55:23,737 --> 00:55:26,906
I'm super happy
with all the work that we've done
933
00:55:26,990 --> 00:55:31,745
with this long-standing series
of franchise films from Marvel,
934
00:55:31,828 --> 00:55:33,955
and it just feels like real family.
935
00:55:47,701 --> 00:55:49,701
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936
00:55:50,305 --> 00:56:50,915
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937
00:56:50,965 --> 00:56:55,515
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