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♪ ♪
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♪ ♪
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♪ ♪
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>> Bob: WE ARE IN SPARTANBURG.
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>> Eureka: OOH!
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COUNTRY SOUTH CAROLINA.
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>> Shangela: WELCOME BACK TO THE
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SOUTH.
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>> Eureka: I'M FROM LIKE TWO
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HOURS NORTH OF HERE.
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I USED TO LITERALLY DO SHOWS
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HERE.
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SO CRAZY.
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>> Bob: HI, I'M BOB THE DRAG THE
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QUEEN COMING TO LIVE FROM
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SPARTANBURG, SOUTH CAROLINA.
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>> Shangela: GOOD MORNING.
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>> Eureka: SOUTHERN PEOPLE I
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THINK THEY'RE JUST LIKE
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NATURALLY REALLY NICE AND
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WELCOMING.
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THEY'RE LIKE, HAVE A LOVELY DAY,
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BLESS YOUR HEART, OH, MY
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GOODNESS I LOVE YOUR EARRINGS.
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>> Shangela: IT'S GOOD NICE AND
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COUNTRY.
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THERE ARE BIG WRAPAROUND
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PORCHES, LARGE COLUMNS AT THE
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PLANTATION HOMES.
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IT'S BOUGEE, IT'S LIKE MINT
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JULEP AND A DEBUTANT BALL.
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♪ ♪
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>> Bob: SO WE'VE BEEN IN
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QUARANTINE NOW FOR OVER A YEAR
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NOW.
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>> Eureka: I AM IN THE CAR, I'M
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ON MY WAY WE'RE GOING BACK TO
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SPARTANBURG.
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I CAN'T WAIT.
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♪ ♪
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>> Eureka: I'M EXCITED TO BE
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BACK, VERY BRIGHT, IT'S
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BEAUTIFUL HERE.
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>> Bob: I REMEMBER, THINKING
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WE'D BE BACK SHORTLY, EVERYONE
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WAS LIKE, I'LL SEE YOU, SEE YOU
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IN A MONTH, MAYBE TWO.
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A LOT HAS HAPPENED IN THE PAST
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YEAR.
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EVERYTHING CHANGED.
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>> Shangela: AM I GLAD TO BE
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BACK HERE?
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YES.
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ESPECIALLY COME BACK WITH A
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PURPOSE.
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>> Eureka: I DO FEEL LIKE THIS
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ENERGY OF LIKE COMING OUT OF
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COVID PEOPLE ARE JUST LIVING
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THEIR LIVES, I'M LIKE OKAY,
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COOL, WORK.
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>> Shangela: HI!
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>> Eureka: OH, MY GOD.
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>> Shangela: OH, MY•
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>> Eureka: IT IS SO GOOD TO SEE
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YOU.
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>> Shangela: WELL, HALLELOO.
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>> Eureka: OOH.
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COME HERE.
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>> Shangela: GROUP HUG.
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>> Eureka: OH, MY GOSH.
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>> Bob: WE'RE BACK.
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♪ ♪
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♪ ♪
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>> Shangela: OH, WE'RE HAVING
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TEA ON A PORCH IN SOUTH
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CAROLINA.
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>> Pontheola: IN SOUTH CAROLINA.
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>> Shangela: IN SPARTANBURG.
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>> Eureka: THIS IS SO NICE.
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>> Bob: YOU RUNNING OUT OF TEA,
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EUREKA?
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>> Eureka: OH, I'M SORRY YOU
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WANT MORE TEA?
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SOMEONE'S STINGY.
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>> Shangela: NO DARLING, THANK
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YOU SO MUCH, I'M ON A TEA DIET.
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>> Eureka: IT'S A GORGEOUS
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PLACE.
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I LOVE THE GROUNDS.
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>> Pontheola: THANK YOU.
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WE WORK HARD AT IT.
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>> Bob: TO SEE THIS HOME
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RECLAIMED, BLACK OWNED.
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>> Pontheola: OH, YES.
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>> Bob: THIS IS AMAZING.
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♪ ♪
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>> Shangela: HAVE YOU EVER HAD
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TEA WITH THREE DRAG QUEENS ON
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THIS PORCH?
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>> Pontheola: NO I HAVEN'T, THIS
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IS A FIRST FOR ME.
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>> Shangela: TO FIRSTS.
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>> Pontheola: TO FIRSTS.
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>> Eureka: THAT'S THE TEA.
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♪ ♪
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>> Pontheola: AND I'M GLAD
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YOU'RE HERE.
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>> Shangela: OH, THANK YOU.
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>> Pontheola: YES.
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I JUST LOVE IT.
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♪ ♪
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♪ ♪
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>> Bob: SPARTANBURG, WE'RE BACK
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BABY.
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>> WOMAN: I RECOGNIZE Y'ALL.
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>> Bob: HI.
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>> Shangela: I AM SO SORRY,
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THANK YOU.
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>> Eureka: GUESS WHO'S BACK.
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>> Shangela: THAT'S RIGHT, WE'RE
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HERE.
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♪ ♪
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>> Bob: GOTTA TRY THE CHEESE
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STICKS.
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>> Eureka: OH, MY GOD!
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UH, SHANGELA, I'M A BARTENDER.
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♪ ♪
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>> Eureka: SHE'S WORKING IT
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AGAIN, SHE'S WORKING IT AGAIN,
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I'M MAKING MINE.
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>> Shangela: GIRL, THOSE ARE ONE
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HUNDREDS.
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>> Shangela: IT'S NICE TO BE
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ABLE TO COME BACK TO SPARTANBURG
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'CAUSE IT'S BEEN OVER YEAR SINCE
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WE FIRST MET OUR DRAG KIDS AND
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BACK THEN IT WAS A WHOLE
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DIFFERENT FEELING.
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[CHICKENS CLUCKING]
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>> Eureka: ALL RIGHT, MISS NOAH.
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OH HI.
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OH HI!
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>> Noah: OH, MY FUCKING GOD.
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>> Eureka: OH, YOU'RE SO CUTE.
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AHHH.
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>> Eureka: DID YOU DO THIS?
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>> Noah: YES.
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>> Eureka: IS THERE SOMETHING
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YOU MIGHT ADD?
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>> Noah: YEAH, IT'S JUST
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EXPRESSIONISTIC, ABSTRACT
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DESIGN, YEAH.
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>> Eureka: WORK, I LIKE YOU.
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Noah: IT'S PRETTY SMALL.
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LITTLE RANCH STYLE HOUSE.
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>> Eureka: OH, CUTE.
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THIS ISN'T VERY SMALL.
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I LIVE IN L.A. IN THE TINIEST
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APARTMENT.
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>> Eureka: OH, I LOVE THIS BACK
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PORCH.
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OOH, OF COURSE, AND SHE'S GOT
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COCK EVERYWHERE.
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>> Eureka: THEY'RE ALL RUNNING
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AWAY.
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>> Noah: OH, YEAH, THEY'RE
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TERRIFIED.
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>> Eureka: THAT'S CUTE.
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>> Noah: VERY TERRIFIED
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ANIMALS.
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>> Eureka: YOU KNOW I HAVE TO BE
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CAREFUL WITH PLASTIC CHAIRS,
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MISS THING.
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WORK, OH, I LOVE IT.
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>> Noah: YOU GOT IT.
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>> Eureka: SO WAIT, YOU'RE FROM
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HERE?
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>> Noah: YEP.
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I'VE BEEN HERE MY
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WHOLE LIFE AND I'VE SEEN THE
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CHANGES THAT UM, THIS TOWN HAS
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GONE THROUGH AND IT'S STILL BAD
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BUT I MEAN I REMEMBER DAYS LIKE
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GOING BACK TO THE CASTLE WHICH
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WAS THE OLD NIGHT CLUB IN TOWN,
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LIKE PEOPLE WOULD DRIVE BY,
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THROW THINGS AT US, LIKE WHILE
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WE WERE WAITING IN LINE, SCREAM
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FAGGOT, UM, THAT STILL HAPPENS.
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LIKE I'M AFRAID TO HOLD MY HAND
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WITH MY PARTNER IN PUBLIC HERE,
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JUST UNWANTED ATTENTION.
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AND I'M AFRAID TO LIKE
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PRESENT MYSELF IN THE WAY THAT I
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REALLY WANT TO BECAUSE I JUST
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DON'T WANT PEOPLE TO LIKE STARE
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AT ME.
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>> Eureka: HOW DO YOU IDENTIFY?
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>> Noah: UM, I IDENTIFY AS
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MALE.
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>> Eureka: MALE?
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>> Noah: BUT IT'S CONFUSED
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MALE.
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YEAH.
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>> Eureka: THAT'S
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UNDERSTANDABLE.
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I THINK THERE'S A GRAY AREA, I
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LIVE IN IT.
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I, I'M GENDER NEUTRAL, GENDER
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QUEER, I GO BY THEY, OR EUREKA,
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OR DAVID, IF YOU'RE FEELING
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NASTY.
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>> Noah: DAVID?
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>> Eureka: YEAH.
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SO TRUST, I KNOW THE STRUGGLE OF
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LIKE THE ROLLER COASTER THAT
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GENDER CAN BE AS LIKE A QUEER
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MALE YOU KNOW.
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>> Noah: WELL I'M LIKE REALLY
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SELF CONSCIOUS AND I HAVE TWO
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SIDES TO ME, I HAVE A REALLY
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CONFIDENT BITCHY DIVA QUEEN SIDE
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AND THEN I HAVE LIKE CRIPPLING
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SELF-DOUBT AND IT'S ALWAYS A
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STRUGGLE BETWEEN THE TWO.
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>> Eureka: I UNDERSTAND THAT.
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I MEAN ESPECIALLY IN THIS AREA.
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>> Noah: YEP.
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>> Eureka: IT'S HARD IN THE
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BIBLE BELT.
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>> Noah: YES, IT IS.
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>> Eureka: YOU KNOW, YOU ALREADY
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LIKE EXPRESS YOURSELF LIKE WITH
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THE EARRINGS AND THE HAIR AND
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YOU KNOW YOU'RE ALMOST THERE BUT
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IT'S LIKE IF YOU HAVE MORE TO
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SHOW, LIKE YOU'RE KIND OF LIKE
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SHORT CHANGING YOURSELF AND THE
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WORLD IF YOU DON'T LET THEM SEE
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IT.
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YOU HAVE TO LET THAT
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ENERGY OUT.
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>> Noah: YOU HAVE TO.
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>> Eureka: YOU KNOW AND THAT'S
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KIND OF WHAT DRAG DOES TOO I
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THINK IN A WAY LIKE WITH YOUR,
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LIKE THIS FEMININE LIKE PERSONA
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THAT YOU HAVE INSIDE IS JUST A
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WAY TO LIKE LET THAT ENERGY OUT.
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>> Noah: YES.
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>> Eureka: THERE'S A LOT OF
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DIFFICULTIES WHEN IT COMES TO
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GENDER IDENTITY FOR NOAH.
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NOAH IS AFRAID FOR THE WORLD TO
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SEE HIM IN THIS QUEER FEMININE
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SIDE OF THEMSELVES.
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I CAN RELATE WITH THAT, I THINK
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ANY QUEER PERSON CAN, I THINK
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WE'RE RAISED TO THINK THAT WHO
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WE ARE IS WRONG.
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IT GETS EXHAUSTING TO
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FEEL LIKE SHIT ABOUT YOURSELF.
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>> Noah: I THINK IT'LL HELP ME
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WITH THE BATTLE OF TRYING TO GET
265
00:07:49,967 --> 00:07:52,067
RID OF THAT PERSONA THAT'S SO
266
00:07:52,133 --> 00:07:54,100
CRITICAL IN MY EAR.
267
00:07:54,167 --> 00:07:55,367
>> Eureka: THE EASY PART IS LIKE
268
00:07:55,433 --> 00:07:56,766
THE CREATIVE STUFF AND THE
269
00:07:56,832 --> 00:07:57,867
EXCITEMENT ABOUT WANTING TO DO
270
00:07:57,933 --> 00:07:59,666
DRAG 'CAUSE IT'S FUN BUT THE
271
00:07:59,733 --> 00:08:01,400
HARD PART ABOUT DRAG IS THAT IT
272
00:08:01,467 --> 00:08:03,000
WILL TAKE YOU ON AN EMOTIONAL
273
00:08:03,067 --> 00:08:03,766
JOURNEY WEIRDLY, ESPECIALLY THIS
274
00:08:03,833 --> 00:08:08,766
EXPERIENCE.
275
00:08:08,833 --> 00:08:10,267
I THINK IT'S IMPORTANT FOR NOAH
276
00:08:10,334 --> 00:08:11,666
TO ADMIT TO PEOPLE THIS IS WHO I
277
00:08:11,733 --> 00:08:13,067
AM, THIS IS HOW I WANT TO
278
00:08:13,133 --> 00:08:14,800
EXPRESS, BECAUSE WHEN YOU START
279
00:08:14,867 --> 00:08:15,367
JUST LIKE TAKING A STAND AND
280
00:08:15,434 --> 00:08:15,800
BEING LIKE, NO BITCH
281
00:08:15,867 --> 00:08:16,766
THIS IS WHO I AM PEOPLE START
282
00:08:16,832 --> 00:08:20,467
RESPECTING THAT.
283
00:08:20,533 --> 00:08:21,133
>> Noah: ALL RIGHT, YOU READY TO
284
00:08:21,200 --> 00:08:26,900
FLY?
285
00:08:26,967 --> 00:08:31,832
♪ ♪
286
00:08:31,900 --> 00:08:32,433
>> PHOTOGRAPHER: ONE, TWO AND
287
00:08:32,500 --> 00:08:33,866
THREE.
288
00:08:33,933 --> 00:08:34,467
PERFECT, LET'S DO IT ONE MORE
289
00:08:34,533 --> 00:08:36,467
TIME.
290
00:08:36,533 --> 00:08:38,799
>> Faith: OKAY.
291
00:08:38,866 --> 00:08:39,400
>> PHOTOGRAPHER: ONE, TWO AND
292
00:08:39,467 --> 00:08:40,933
THREE.
293
00:08:41,000 --> 00:08:42,200
>> Faith: I'M PRETTY COMFORTABLE
294
00:08:42,267 --> 00:08:43,799
IN MY SKIN, I ACTUALLY UM A PLUS
295
00:08:43,866 --> 00:08:46,234
SIZE MODEL SO I'M USED TO POSING
296
00:08:46,300 --> 00:08:50,300
IN LINGERIE AND ALMOST NUDE LIKE
297
00:08:50,367 --> 00:08:53,766
I LOVE MY BODY BUT I CAN STILL
298
00:08:53,833 --> 00:08:55,033
WALK INTO A RESTAURANT AND
299
00:08:55,100 --> 00:08:58,100
EVERYBODY WILL JUST STOP AND
300
00:08:58,167 --> 00:09:01,200
THEY'LL LOOK BECAUSE ONE,
301
00:09:01,267 --> 00:09:01,833
THERE'S A PLUS SIZE GIRL WITH A
302
00:09:01,900 --> 00:09:02,500
CROP TOP ON AND SHE HAS A FACE
303
00:09:02,566 --> 00:09:05,067
TATTOO LIKE.
304
00:09:05,133 --> 00:09:05,700
>> PHOTOGRAPHER: NOW LOOK BEHIND
305
00:09:05,766 --> 00:09:06,400
YOU, YOU JUST LOOK BACK AT IT,
306
00:09:06,467 --> 00:09:06,933
THERE YOU GO.
307
00:09:07,000 --> 00:09:08,867
ONE, TWO AND THREE.
308
00:09:08,933 --> 00:09:10,033
>> Faith: I ALWAYS KNEW THAT I
309
00:09:10,100 --> 00:09:11,367
WAS CUT FROM A DIFFERENT CLOTH.
310
00:09:11,434 --> 00:09:15,666
I'VE ALWAYS BEEN WEIRD, QUIRKY,
311
00:09:15,733 --> 00:09:17,133
THE GOOFY ONE, NOBODY ELSE IS
312
00:09:17,200 --> 00:09:19,533
LAUGHING BUT I'M LIKE HOLLERING
313
00:09:19,600 --> 00:09:20,967
LAUGHING AT SOMETHING THAT'S NOT
314
00:09:21,033 --> 00:09:22,600
EVEN FUNNY.
315
00:09:22,666 --> 00:09:23,700
SO I'VE ALWAYS KNOWN I WAS
316
00:09:23,766 --> 00:09:26,367
DIFFERENT.
317
00:09:26,434 --> 00:09:27,800
>> PHOTOGRAPHER: STAY THERE,
318
00:09:27,867 --> 00:09:28,600
STAY THERE, DON'T MOVE.
319
00:09:28,666 --> 00:09:29,600
>> Faith: HONESTLY, I DON'T FEEL
320
00:09:29,666 --> 00:09:32,766
LIKE SOUTH CAROLINA IS FREE, I
321
00:09:32,833 --> 00:09:34,867
FEEL LIKE IT BOXES IN THE FREE
322
00:09:34,933 --> 00:09:39,000
SPIRITED PERSON.
323
00:09:39,067 --> 00:09:41,967
SOUTH CAROLINA IS NOT AN EASY
324
00:09:42,033 --> 00:09:57,400
PLACE TO BE HOMOSEXUAL.
325
00:09:57,467 --> 00:09:58,033
>> Bob: OOH.
326
00:09:58,100 --> 00:09:58,933
HI!
327
00:09:59,000 --> 00:10:01,300
>> Faith: OH, MY GOD!
328
00:10:01,367 --> 00:10:02,033
I DIDN'T KNOW IT WAS GONNA BE
329
00:10:02,100 --> 00:10:03,100
YOU!
330
00:10:03,167 --> 00:10:03,900
>> Bob: OH, I'M SO GLAD YOU'RE
331
00:10:03,967 --> 00:10:04,400
EXCITED.
332
00:10:04,467 --> 00:10:05,434
>> Faith: YEAH, I AM.
333
00:10:05,500 --> 00:10:06,000
>> Bob: HOW ARE YOU?
334
00:10:06,067 --> 00:10:06,833
OH, YOU'RE SO PRETTY.
335
00:10:06,900 --> 00:10:07,733
>> Faith: OH, THANKS.
336
00:10:07,800 --> 00:10:09,300
>> Bob: OKAY, YOU'RE WAY
337
00:10:09,367 --> 00:10:10,600
PRETTIER IN PERSON, I MEAN
338
00:10:10,666 --> 00:10:12,200
YOU'RE VERY BEAUTIFUL IN VIDEOS
339
00:10:12,267 --> 00:10:13,467
AND PICTURES BUT YOU ARE LIKE
340
00:10:13,533 --> 00:10:14,033
REALLY GORGEOUS.
341
00:10:14,100 --> 00:10:14,666
>> Faith: I KNEW IT, I KNEW IT,
342
00:10:14,733 --> 00:10:14,933
I KNEW IT!
343
00:10:15,000 --> 00:10:15,400
YAY!
344
00:10:15,467 --> 00:10:17,400
OK, OKAY, OKAY, OKAY.
345
00:10:17,467 --> 00:10:18,367
>> Bob: IS THIS ERYKAH BADU?
346
00:10:18,434 --> 00:10:20,267
>> Faith: YEAH, I PAINTED IT.
347
00:10:20,334 --> 00:10:21,766
>> Bob: OH, IT'S BEAUTIFUL.
348
00:10:21,833 --> 00:10:22,600
>> Faith: THANK YOU.
349
00:10:22,666 --> 00:10:23,200
>> Bob: DID YOU REALLY?
350
00:10:23,267 --> 00:10:23,800
>> Faith: YEAH, I PAINTED THIS
351
00:10:23,867 --> 00:10:24,766
ONE AND THAT ONE.
352
00:10:24,833 --> 00:10:26,000
>> Bob: THESE ARE AMAZING.
353
00:10:26,067 --> 00:10:27,666
ARE YOUR TATTOOS ALSO LIKE THE
354
00:10:27,733 --> 00:10:29,033
UM, DRAWINGS?
355
00:10:29,100 --> 00:10:30,334
>> Faith: SO I DO HAVE LIKE A
356
00:10:30,400 --> 00:10:31,533
LOT OF CLIENTS THAT ARE LOYAL
357
00:10:31,600 --> 00:10:32,833
AND THEY WANT MY PAINTINGS
358
00:10:32,900 --> 00:10:33,800
TATTOOED ON THEM.
359
00:10:33,867 --> 00:10:34,300
>> Bob: WORK.
360
00:10:34,367 --> 00:10:35,234
>> Faith: YEAH.
361
00:10:35,300 --> 00:10:36,566
>> Bob: YOU'RE A TATTOO ARTIST,
362
00:10:36,633 --> 00:10:38,133
YOU ARE RUNNING IN A FIELD THAT
363
00:10:38,200 --> 00:10:40,900
IS MOSTLY WHITE MEN.
364
00:10:40,967 --> 00:10:42,533
DO YOUR PARENTS SEE IT AS LIKE A
365
00:10:42,600 --> 00:10:43,867
VIABLE MEANS OF LIFESTYLE?
366
00:10:43,933 --> 00:10:45,566
>> Faith: AT FIRST THEY DIDN'T
367
00:10:45,633 --> 00:10:49,467
AND IT WASN'T UNTIL LIKE
368
00:10:49,533 --> 00:10:50,933
RECENTLY, LIKE WHEN PEOPLE WOULD
369
00:10:51,000 --> 00:10:52,367
COME UP TO MY MOM'S JOB AND
370
00:10:52,434 --> 00:10:52,967
THEY'RE LIKE IS YOUR DAUGHTER
371
00:10:53,033 --> 00:10:54,400
FAITH?
372
00:10:54,467 --> 00:10:54,967
OH MY GOSH, SHE'S THE BEST
373
00:10:55,033 --> 00:10:56,267
TATTOO ARTIST AROUND HERE, YOU
374
00:10:56,334 --> 00:10:59,434
KNOW LIKE THAT'S WHEN THEY
375
00:10:59,500 --> 00:11:00,133
REALIZED LIKE, WHAT YOU, YOU
376
00:11:00,200 --> 00:11:01,033
MIGHT BE ON TO SOMETHING.
377
00:11:01,100 --> 00:11:02,234
>> Bob: I WANT A TATTOO.
378
00:11:02,300 --> 00:11:03,533
I KIND OF WANT A BUNCH OF DUCKS
379
00:11:03,600 --> 00:11:05,300
ON MY LEFT LEG AND MAYBE YOU CAN
380
00:11:05,367 --> 00:11:06,367
GIVE SOME SUGGESTIONS.
381
00:11:06,434 --> 00:11:09,600
>> Faith: YEAH.
382
00:11:09,666 --> 00:11:10,967
>> Bob: FAITH AND I, WE ARE BOTH
383
00:11:11,033 --> 00:11:12,033
BLACK, WE'RE BOTH QUEER, WE'RE
384
00:11:12,100 --> 00:11:13,234
BOTH SOUTHERNERS AND WE'RE BOTH
385
00:11:13,300 --> 00:11:15,000
ARTISTS.
386
00:11:15,067 --> 00:11:16,367
THERE'S JUST SO MUCH WRAPPED UP
387
00:11:16,434 --> 00:11:18,067
IN THAT, THAT LETS US KNOW HOW
388
00:11:18,133 --> 00:11:19,400
MUCH WE HAVE IN COMMON.
389
00:11:19,467 --> 00:11:20,467
>> Bob: THE WINGS ARE LIKE KIND
390
00:11:20,533 --> 00:11:21,500
OF EITHER GOING AROUND THE OTHER
391
00:11:21,566 --> 00:11:22,400
DUCK.
392
00:11:22,467 --> 00:11:24,000
>> Faith: UM, I'M SUCCESSFUL,
393
00:11:24,067 --> 00:11:26,234
HAPPY, I'M THE FIRST BLACK
394
00:11:26,300 --> 00:11:28,000
FEMALE TATTOO ARTIST THAT'S BEEN
395
00:11:28,067 --> 00:11:30,067
LICENSED IN THE UP STATE.
396
00:11:30,133 --> 00:11:31,100
>> Bob: YEAH, THAT IS A•
397
00:11:31,167 --> 00:11:32,067
>> Faith: AND THEN WITH THAT
398
00:11:32,133 --> 00:11:32,900
BOLD OUTLINE, JUST IMAGINE
399
00:11:32,967 --> 00:11:34,267
GETTING THAT ON THE WINGS DONE.
400
00:11:34,334 --> 00:11:34,933
>> Bob: YEAH, THAT WOULD BE SO
401
00:11:35,000 --> 00:11:35,700
CUTE.
402
00:11:35,766 --> 00:11:36,633
>> Faith: YEAH, THAT'D BE HOT.
403
00:11:36,700 --> 00:11:39,766
>> Bob: GOOD ON THE SKIN TOO.
404
00:11:39,833 --> 00:11:41,133
>> Faith: WHEN I CAME OUT THAT I
405
00:11:41,200 --> 00:11:46,033
WAS GAY, EVERYTHING CHANGED.
406
00:11:46,100 --> 00:11:47,600
ONE DAY YOU DON'T HAVE A CARE IN
407
00:11:47,665 --> 00:11:49,334
THE WORLD, YOU DON'T HAVE A
408
00:11:49,400 --> 00:11:51,400
SECRET, YOU DON'T HAVE A BURDEN
409
00:11:51,467 --> 00:11:55,434
AND THEN ONCE YOU COME TO TERMS
410
00:11:55,500 --> 00:11:58,200
WITH WHO YOU REALLY ARE AND YOU
411
00:11:58,267 --> 00:12:00,067
KNOW THAT IT'S NOT ACCEPTED IN
412
00:12:00,133 --> 00:12:02,000
YOUR FAMILY THEN IT'S LIKE
413
00:12:02,067 --> 00:12:03,867
YOU'RE CARRYING AROUND THIS
414
00:12:03,933 --> 00:12:08,733
GUILT OF WHO YOU REALLY ARE.
415
00:12:08,800 --> 00:12:09,434
>> Bob: FAITH IS REALLY
416
00:12:09,500 --> 00:12:10,800
BEAUTIFUL AND JUST REALLY SWEET
417
00:12:10,867 --> 00:12:15,467
AND REALLY EAGER, REALLY EXCITED
418
00:12:15,533 --> 00:12:16,533
BUT THERE'S A VIBE OF LIKE, IT
419
00:12:16,600 --> 00:12:18,000
FELT LIKE SHE FELT STIFLED BY
420
00:12:18,067 --> 00:12:20,633
WHERE SHE WAS.
421
00:12:20,700 --> 00:12:22,067
LIKE, SHE WASN'T FULL ON CODE
422
00:12:22,133 --> 00:12:23,633
SWITCHING BUT SHE WASN'T ABLE TO
423
00:12:23,700 --> 00:12:28,334
FULL ON BE HERSELF EITHER.
424
00:12:28,400 --> 00:12:29,566
>> Bob: IN REGARDS TO YOUR
425
00:12:29,633 --> 00:12:31,665
FAMILY, WHAT DO YOU WANT THEM TO
426
00:12:31,733 --> 00:12:33,900
SEE IN THIS PERFORMANCE?
427
00:12:33,967 --> 00:12:34,933
>> Faith: I WOULD, I, I JUST
428
00:12:35,000 --> 00:12:37,067
WANT THEM TO KNOW THAT I, MY
429
00:12:37,133 --> 00:12:41,133
LIFE IS FUN, MY LIFE IS EXCITING
430
00:12:41,200 --> 00:12:43,267
AND I'M SUCCESSFUL, I'M A GREAT
431
00:12:43,334 --> 00:12:48,067
PERSON AND WHAT I DO, I LOVE.
432
00:12:48,133 --> 00:12:48,700
MY LIFESTYLE, I LOVE.
433
00:12:48,766 --> 00:12:50,900
I JUST WANT THEM TO REALLY SEE
434
00:12:50,967 --> 00:12:56,733
IT AS BEING OKAY.
435
00:12:56,800 --> 00:13:03,467
I WANT THEM TO SEE THAT.
436
00:13:03,533 --> 00:13:08,200
[TRACTOR ENGINE NOISE]
437
00:13:08,267 --> 00:13:13,000
♪ ♪
438
00:13:13,067 --> 00:13:15,666
>> Olin: I'M STRAIGHT, I AM A
439
00:13:15,733 --> 00:13:19,300
FATHER AND I'M A HUSBAND.
440
00:13:19,367 --> 00:13:23,267
TO ME, FAMILY COMES FIRST.
441
00:13:23,334 --> 00:13:24,566
SO WHEN MY BIG BROTHER CAME TO
442
00:13:24,633 --> 00:13:27,500
ME AND TOLD ME HE WANTED ME TO
443
00:13:27,566 --> 00:13:31,566
DO THIS WITH HIM I JUST THOUGHT
444
00:13:31,633 --> 00:13:33,900
YOU SUPPORT YOUR FAMILY, REALLY
445
00:13:33,967 --> 00:13:44,900
REGARDLESS.
446
00:13:44,967 --> 00:13:48,000
>> Shangela: HELLO.
447
00:13:48,067 --> 00:13:48,933
HI.
448
00:13:49,000 --> 00:13:49,434
>> Olin: HEY.
449
00:13:49,500 --> 00:13:50,234
>> Shangela: I'M GUESSING THAT
450
00:13:50,300 --> 00:13:51,200
YOU ARE OLIN.
451
00:13:51,267 --> 00:13:52,334
>> Olin: I AM, HOW ARE YOU?
452
00:13:52,400 --> 00:13:52,933
>> Shangela: HI, NICE TO MEET
453
00:13:53,000 --> 00:13:53,267
YOU.
454
00:13:53,334 --> 00:13:54,167
>> Olin: NICE TO MEET YOU.
455
00:13:54,234 --> 00:13:54,967
>> Shangela: I'M DJ, OR
456
00:13:55,033 --> 00:13:55,766
SHANGELA, EVERYBODY CALLS ME
457
00:13:55,833 --> 00:13:56,633
SHANGELA, SO FEEL FREE TO.
458
00:13:56,700 --> 00:13:57,467
>> Olin: OKAY, OKAY, CALL ME
459
00:13:57,533 --> 00:13:58,133
OLIN.
460
00:13:58,200 --> 00:13:59,033
>> Shangela: OKAY, CONSIDER THAT
461
00:13:59,100 --> 00:13:59,733
DONE.
462
00:13:59,800 --> 00:14:00,833
>> Olin: YEAH, YEAH.
463
00:14:00,900 --> 00:14:01,434
>> Shangela: AWESOME, NICE TO
464
00:14:01,500 --> 00:14:02,334
MEET YOU.
465
00:14:02,400 --> 00:14:03,600
>> Olin: NICE TO MEET YOU.
466
00:14:03,666 --> 00:14:04,967
>> Shangela: THIS IS MY FIRST
467
00:14:05,033 --> 00:14:05,700
TIME TO SPARTANBURG SO, ARE YOU
468
00:14:05,766 --> 00:14:06,633
FROM HERE?
469
00:14:06,700 --> 00:14:07,766
>> Olin: I AM.
470
00:14:07,833 --> 00:14:08,566
>> Shangela: OH, OKAY.
471
00:14:08,633 --> 00:14:09,600
>> Olin: BORN AND RAISED.
472
00:14:09,666 --> 00:14:12,033
I'VE GOT AN OLDER BROTHER AND A
473
00:14:12,100 --> 00:14:12,533
YOUNGER SISTER.
474
00:14:12,600 --> 00:14:13,000
>> Shangela: OKAY.
475
00:14:13,067 --> 00:14:13,600
>> Olin: MY SISTER AND I JUST
476
00:14:13,666 --> 00:14:14,234
LIVE AROUND THE CORNER FROM EACH
477
00:14:14,300 --> 00:14:14,434
OTHER.
478
00:14:14,500 --> 00:14:15,267
>> Shangela: OKAY, COOL.
479
00:14:15,334 --> 00:14:16,467
>> Olin: BUT MY BROTHER, PAT, HE
480
00:14:16,533 --> 00:14:18,633
LIVES IN CHARLESTON IN COLUMBIA,
481
00:14:18,700 --> 00:14:20,200
HE GOES BACK AND FORTH, HE
482
00:14:20,267 --> 00:14:21,434
PERFORMS DRAG.
483
00:14:21,500 --> 00:14:22,000
>> Shangela: WHAT'S HIS DRAG
484
00:14:22,067 --> 00:14:22,933
NAME?
485
00:14:23,000 --> 00:14:24,133
>> Olin: PATIO FURNITURE.
486
00:14:24,200 --> 00:14:24,933
>> Shangela: I LOVE IT ALREADY.
487
00:14:25,000 --> 00:14:26,067
ALL RIGHT.
488
00:14:26,133 --> 00:14:28,000
>> Olin: IN THE SOUTHEASTERN
489
00:14:28,067 --> 00:14:30,133
REGION IF YOU SAY PATIO
490
00:14:30,200 --> 00:14:33,000
FURNITURE, THEY KNOW PATIO.
491
00:14:33,067 --> 00:14:33,700
>> Shangela: SO, WHAT DO YOU
492
00:14:33,766 --> 00:14:37,933
THINK ABOUT IN SPARTANBURG LIKE
493
00:14:38,000 --> 00:14:38,600
I KNOW THERE'S A GAY PRIDE HERE
494
00:14:38,665 --> 00:14:39,400
BUT DO YOU THINK THAT IT'S LIKE
495
00:14:39,467 --> 00:14:39,933
AN OVERWHELMING AMOUNT OF
496
00:14:40,000 --> 00:14:40,700
SUPPORT?
497
00:14:40,766 --> 00:14:41,334
DO YOU THINK THERE'S STILL SOME
498
00:14:41,400 --> 00:14:42,334
OPPOSITION?
499
00:14:42,400 --> 00:14:43,300
>> Olin: I THINK A LOT OF IT
500
00:14:43,367 --> 00:14:45,400
DOWN HERE WITH US BEING VERY
501
00:14:45,467 --> 00:14:48,933
CHRISTIAN, YOU HAVE SOME PEOPLE
502
00:14:49,000 --> 00:14:51,234
THAT DON'T ACKNOWLEDGE IT AT ALL
503
00:14:51,300 --> 00:14:53,167
AND YOU HAVE SOME THAT ACCEPT IT
504
00:14:53,234 --> 00:14:56,400
BUT NOT WANT IT THROWN AT THEM.
505
00:14:56,467 --> 00:14:57,467
>> Shangela: MMMHMM, AND WHAT DO
506
00:14:57,533 --> 00:14:58,133
YOU THINK ABOUT YOU DOING THIS
507
00:14:58,200 --> 00:15:00,766
SHOW?
508
00:15:00,833 --> 00:15:03,033
>> Olin: IT, IT, IT'S, I GOT
509
00:15:03,100 --> 00:15:04,867
EXTREMELY MIXED FEELINGS.
510
00:15:04,933 --> 00:15:05,900
>> Shangela: YES.
511
00:15:05,967 --> 00:15:07,133
>> Olin: I'VE HAD SOME FRIENDS
512
00:15:07,200 --> 00:15:10,500
OF MINE AT WORK, WHO WHEN THEY
513
00:15:10,566 --> 00:15:11,100
FOUND OUT, IT'S ABSOLUTELY NOT
514
00:15:11,167 --> 00:15:13,300
ACCEPTED.
515
00:15:13,367 --> 00:15:14,900
>> Shangela: LOOK, I BELIEVE IN
516
00:15:14,967 --> 00:15:16,434
THE AMOUNT OF LOVE AND RESPECT
517
00:15:16,500 --> 00:15:17,100
AND ADMIRATION THAT YOU HAVE FOR
518
00:15:17,167 --> 00:15:18,867
YOUR BROTHER, FOR YOU TO TAKE A
519
00:15:18,933 --> 00:15:20,733
WALK IN HIS SHOES, LITERALLY
520
00:15:20,800 --> 00:15:23,133
TAKE A WALK IN HIS HEELS JUST
521
00:15:23,200 --> 00:15:25,200
SAY HEY, I'M GONNA GET IN DRAG
522
00:15:25,267 --> 00:15:27,167
SO I CAN FULLY IDENTIFY WITH
523
00:15:27,234 --> 00:15:29,867
WHAT YOU'RE GOING THROUGH,
524
00:15:29,933 --> 00:15:36,467
THAT'S GONNA BE A HUGE MOMENT.
525
00:15:36,533 --> 00:15:38,967
>> Shangela: HI.
526
00:15:39,033 --> 00:15:39,566
>> Olin: HI, SHANGELA, HOW ARE
527
00:15:39,633 --> 00:15:40,267
YOU?
528
00:15:40,334 --> 00:15:41,067
>> Shangela: GOOD, I THOUGHT I'D
529
00:15:41,133 --> 00:15:42,167
BRING A COUPLE ITEMS BY.
530
00:15:42,234 --> 00:15:43,234
>> Olin: WELL HERE, LET ME, LET
531
00:15:43,300 --> 00:15:44,334
ME GO AHEAD AND GRAB THEM.
532
00:15:44,400 --> 00:15:45,967
>> Shangela: HI.
533
00:15:46,033 --> 00:15:46,733
>> Pat: HELLO, HELLO.
534
00:15:46,800 --> 00:15:47,234
>> Shangela: HELLO.
535
00:15:47,300 --> 00:15:47,867
>> Pat: I'M PAT.
536
00:15:47,933 --> 00:15:48,467
>> Shangela: OH, NICE TO MEET
537
00:15:48,533 --> 00:15:49,733
YOU.
538
00:15:49,800 --> 00:15:50,500
>> Pat: GOOD TO SEE YOU.
539
00:15:50,566 --> 00:15:51,367
>> Shangela: I'M DJ BUT
540
00:15:51,434 --> 00:15:52,434
EVERYBODY CALLS ME SHANGELA.
541
00:15:52,500 --> 00:15:53,500
>> Shangela: SPARTANBURG FEELS
542
00:15:53,566 --> 00:15:54,733
VERY CORDIAL SOUTH, YOU KNOW
543
00:15:54,800 --> 00:15:56,267
IT'S VERY, OH, COME IN, WELCOME
544
00:15:56,334 --> 00:15:58,067
EVERYBODY, IT HAS A BEAUTIFUL
545
00:15:58,133 --> 00:16:01,666
EXTERIOR BUT YOU KNOW EVERY
546
00:16:01,733 --> 00:16:03,633
BEAUTIFUL EXTERIOR ALWAYS HAS
547
00:16:03,700 --> 00:16:04,833
SOMETHING ELSE WORKING ON THE
548
00:16:04,900 --> 00:16:07,033
INSIDE.
549
00:16:07,100 --> 00:16:08,167
>> Shangela: I JUST GOT TO
550
00:16:08,234 --> 00:16:09,400
SPARTANBURG TODAY, THIS CITY IS
551
00:16:09,467 --> 00:16:12,300
BUZZING.
552
00:16:12,367 --> 00:16:13,033
>> Papa: DOWNTOWN HAS PICKED UP
553
00:16:13,100 --> 00:16:14,234
A LOT.
554
00:16:14,300 --> 00:16:15,400
>> Shangela: BEING IN THIS
555
00:16:15,467 --> 00:16:16,400
COMMUNITY YOU FEEL LIKE IT'S
556
00:16:16,467 --> 00:16:20,600
CHANGED ANY OVER TIME?
557
00:16:20,666 --> 00:16:21,434
HOW INCLUSIVE IT IS MAYBE NOW OR
558
00:16:21,500 --> 00:16:23,933
NOT INCLUSIVE?
559
00:16:24,000 --> 00:16:26,800
>> Papa: IN NINETEEN FIFTIES YOU
560
00:16:26,867 --> 00:16:29,967
KNOW I DIDN'T KNOW WHAT GAY WAS,
561
00:16:30,033 --> 00:16:32,234
NEVER HEARD THE TERM.
562
00:16:32,300 --> 00:16:33,566
NOW YOU GOT A BUNCH OF LETTERS
563
00:16:33,633 --> 00:16:34,267
YOU GOTTA MEMORIZE.
564
00:16:34,334 --> 00:16:35,400
>> Shangela: [LAUGHS]
565
00:16:35,467 --> 00:16:36,267
WHAT IS IT OLIN?
566
00:16:36,334 --> 00:16:37,700
IT'S THE•
567
00:16:37,766 --> 00:16:40,500
>> Olin: LGBTQ COMMUNITY.
568
00:16:40,566 --> 00:16:41,367
>> Shangela: THERE YOU GO, LOOK
569
00:16:41,434 --> 00:16:43,167
AT THAT, PROFESSIONAL.
570
00:16:43,234 --> 00:16:43,633
HOW LONG HAVE YOU BEEN
571
00:16:43,700 --> 00:16:44,733
PERFORMING?
572
00:16:44,800 --> 00:16:46,766
>> Pat: TWENTY YEARS.
573
00:16:46,833 --> 00:16:47,200
>> Shangela: REALLY?
574
00:16:47,267 --> 00:16:48,665
AWESOME.
575
00:16:48,733 --> 00:16:50,334
>> Pat: AND WE HAVE A GREAT
576
00:16:50,400 --> 00:16:51,434
ORGANIZATION THAT'S OUR LOCAL
577
00:16:51,500 --> 00:16:52,800
AIDS SERVICE ORGANIZATION.
578
00:16:52,867 --> 00:16:53,434
>> Shangela: IS IT A FUNDRAISER
579
00:16:53,500 --> 00:16:53,800
EVENT?
580
00:16:53,867 --> 00:16:54,633
>> Pat: IT'S A FUNDRAISER, IT IS
581
00:16:54,700 --> 00:16:55,400
THEIR LARGEST SINGLE FUNDRAISER
582
00:16:55,467 --> 00:16:56,566
AND•
583
00:16:56,633 --> 00:16:57,733
>> Shangela: OH, WOW.
584
00:16:57,800 --> 00:16:58,833
>> Pat: AND UM, I HAVE BEEN
585
00:16:58,900 --> 00:17:00,300
LUCKY ENOUGH TO HOST IT FOR THE
586
00:17:00,367 --> 00:17:02,400
PAST TEN YEARS AND LOVE DOING
587
00:17:02,467 --> 00:17:04,400
IT, THAT'S A BIG PART OF WHAT I
588
00:17:04,467 --> 00:17:05,233
DO, I LOVE•
589
00:17:05,300 --> 00:17:05,833
>> Shangela: HAVE YOU BEEN TO
590
00:17:05,900 --> 00:17:06,300
THE FUNDRAISER BEFORE?
591
00:17:06,367 --> 00:17:07,200
>> Olin: I HAVE.
592
00:17:07,267 --> 00:17:07,900
>> Shangela: PAPA, HAVE YOU EVER
593
00:17:07,967 --> 00:17:09,566
BEEN TO THE FUNDRAISER EVENT?
594
00:17:09,633 --> 00:17:12,300
>> Papa: I HAVE NOT.
595
00:17:12,367 --> 00:17:12,900
>> Shangela: BUT YOU'VE HEARD
596
00:17:12,967 --> 00:17:13,700
ABOUT IT?
597
00:17:13,766 --> 00:17:21,833
>> Papa: OH, YEAH, EVERY YEAR.
598
00:17:21,900 --> 00:17:22,434
♪ ♪
599
00:17:22,500 --> 00:17:23,300
>> Pat: YEAH, OLIN WOULD COME
600
00:17:23,367 --> 00:17:25,334
OUT AND HE AND HIS WIFE THERE A
601
00:17:25,400 --> 00:17:30,967
COUPLE TIMES TO SEE ME PERFORM.
602
00:17:31,033 --> 00:17:31,533
YOU KNOW, HAVING YOU IN THE
603
00:17:31,600 --> 00:17:32,434
CROWD, HAVING FAMILY THERE MEANS
604
00:17:32,500 --> 00:17:36,000
A LOT.
605
00:17:36,067 --> 00:17:36,733
COMING UP THIS WEEK UH,
606
00:17:36,800 --> 00:17:37,733
WE'RE GONNA DO A SHOW.
607
00:17:37,800 --> 00:17:38,400
>> Shangela: YES.
608
00:17:38,467 --> 00:17:38,933
>> Pat: DOWNTOWN, HERE IN
609
00:17:39,000 --> 00:17:41,267
SPARTANBURG.
610
00:17:41,334 --> 00:17:42,400
>> Papa: NOT IN COLUMBIA?
611
00:17:42,467 --> 00:17:43,000
HERE?
612
00:17:43,067 --> 00:17:43,500
>> Shangela: NO SIR.
613
00:17:43,566 --> 00:17:44,000
HERE.
614
00:17:44,067 --> 00:17:44,733
>> Papa: OH, HERE, OKAY.
615
00:17:44,800 --> 00:17:45,800
>> Pat: DOWN IN MORGAN SQUARE.
616
00:17:45,867 --> 00:17:46,666
>> Shangela: IN SPARTANBURG ON
617
00:17:46,733 --> 00:17:48,533
TUESDAY NIGHT UM, I AM REALLY
618
00:17:48,600 --> 00:17:49,766
EXCITED BECAUSE PAT'S GONNA BE
619
00:17:49,833 --> 00:17:51,766
THERE AND OLIN IS JOINING ME AS
620
00:17:51,833 --> 00:17:53,133
WELL.
621
00:17:53,200 --> 00:17:53,967
AND THEY'RE GONNA HELP ME TO
622
00:17:54,033 --> 00:17:56,666
SHOWCASE IN THIS COMMUNITY HOW
623
00:17:56,733 --> 00:17:59,533
UH, ADVANCED AND INCLUSIVE AND
624
00:17:59,600 --> 00:18:01,600
UH, LIKE OPEN MINDED THIS
625
00:18:01,666 --> 00:18:02,467
COMMUNITY IS SO WE'RE PUTTING ON
626
00:18:02,533 --> 00:18:04,300
A REALLY COOL DRAG SHOW ON
627
00:18:04,367 --> 00:18:05,033
TUESDAY NIGHT.
628
00:18:05,100 --> 00:18:05,666
>> Papa: SEE I DIDN'T KNOW ABOUT
629
00:18:05,733 --> 00:18:06,867
THIS.
630
00:18:06,933 --> 00:18:07,467
>> Shangela: FIRST OF ITS KIND
631
00:18:07,533 --> 00:18:08,334
SIR.
632
00:18:08,400 --> 00:18:09,833
SO YOU'RE MORE THAN WELCOME IF
633
00:18:09,900 --> 00:18:11,100
YOU WOULD LIKE TO COME.
634
00:18:11,167 --> 00:18:11,900
>> Papa: YOU WILL GET ATTENTION.
635
00:18:11,967 --> 00:18:13,400
>> Shangela: YES, SIR.
636
00:18:13,467 --> 00:18:14,367
>> Olin: OUR FAMILY, I
637
00:18:14,434 --> 00:18:15,467
UNDERSTAND EXACTLY THEIR
638
00:18:15,533 --> 00:18:20,434
FEELINGS, THEY ACKNOWLEDGE THAT
639
00:18:20,533 --> 00:18:27,467
PAT'S GAY BUT THEY DON'T BELIEVE
640
00:18:27,533 --> 00:18:29,800
THAT IT'S RIGHT, SO I KIND OF
641
00:18:29,867 --> 00:18:30,867
HAVE MIXED FEELINGS WHETHER
642
00:18:30,933 --> 00:18:33,800
THEY'RE GONNA ACCEPT ME WANTING
643
00:18:33,867 --> 00:18:37,800
TO DO THIS DRAG SHOW.
644
00:18:37,867 --> 00:18:45,367
AND THAT'S A SCARY THING.
645
00:18:45,434 --> 00:18:53,833
♪ ♪
646
00:18:53,900 --> 00:19:01,700
♪ ♪
647
00:19:01,766 --> 00:19:02,267
>> Eureka: WHAT SIZE DO YOU
648
00:19:02,334 --> 00:19:03,867
WEAR?
649
00:19:03,933 --> 00:19:05,566
>> Noah: UM, I HAVE NO IDEA.
650
00:19:05,633 --> 00:19:06,167
>> Eureka: YOU DON'T KNOW WHAT
651
00:19:06,234 --> 00:19:07,133
SIZE YOU WEAR?
652
00:19:07,200 --> 00:19:08,267
>> Noah: NOT IN DRESSES NO.
653
00:19:08,334 --> 00:19:09,800
>> Eureka: IN LADY'S CLOTHES?
654
00:19:09,867 --> 00:19:11,400
>> Noah: MMM, MMM.
655
00:19:11,467 --> 00:19:12,000
>> Eureka: SHOPPING IS MY
656
00:19:12,067 --> 00:19:14,900
FAVORITE THING.
657
00:19:14,967 --> 00:19:15,633
THAT'S CUTE.
658
00:19:15,700 --> 00:19:18,600
>> Noah: VERY, VERY AUNT NANCY.
659
00:19:18,666 --> 00:19:19,334
>> Eureka: LISTEN, AUNT NANCY
660
00:19:19,400 --> 00:19:20,033
MIGHT DRESS FUNNY BUT SHE KNOWS
661
00:19:20,100 --> 00:19:23,367
HOW TO PARTY.
662
00:19:23,434 --> 00:19:23,800
ARE YOU NERVOUS?
663
00:19:23,867 --> 00:19:24,300
>> Noah: YEAH.
664
00:19:24,367 --> 00:19:24,867
>> Eureka: BEING THIS GAY IN
665
00:19:24,933 --> 00:19:25,100
PUBLIC?
666
00:19:25,167 --> 00:19:25,500
>> Noah: YEP.
667
00:19:25,566 --> 00:19:28,234
>> Eureka: WHY?
668
00:19:28,300 --> 00:19:29,100
>> Noah: UM, THERE'S JUST A LOT
669
00:19:29,167 --> 00:19:30,133
OF HATERS.
670
00:19:30,200 --> 00:19:30,800
>> Eureka: LIKE WHAT, WHAT ARE
671
00:19:30,867 --> 00:19:31,933
YOU AFRAID OF?
672
00:19:32,000 --> 00:19:33,733
THAT THEY'RE GONNA JUDGE YOU?
673
00:19:33,800 --> 00:19:35,400
>> Noah: UM, I'M AFRAID OF
674
00:19:35,467 --> 00:19:37,000
GETTING FOLLOWED AND BASHED.
675
00:19:37,067 --> 00:19:37,600
>> Eureka: REALLY?
676
00:19:37,666 --> 00:19:38,400
>> Noah: YEAH.
677
00:19:38,467 --> 00:19:39,467
I'VE BEEN FOLLOWED BEFORE.
678
00:19:39,533 --> 00:19:40,100
>> Eureka: YOU'VE BEEN FOLLOWED
679
00:19:40,167 --> 00:19:40,733
BEFORE?
680
00:19:40,800 --> 00:19:41,700
>> Noah: YEAH, IT WAS ON A
681
00:19:41,766 --> 00:19:45,867
NIGHT THAT I WAS KIND OF
682
00:19:45,933 --> 00:19:46,300
DRESSING REALLY ON,
683
00:19:46,367 --> 00:19:46,900
ANDROGYNOUSLY AND HAD A LOT OF
684
00:19:46,967 --> 00:19:47,600
MAKEUP ON, I WENT OUT TO THIS
685
00:19:47,666 --> 00:19:48,267
BAR AND THERE THESE PEOPLE
686
00:19:48,334 --> 00:19:49,267
STARING AT ME WEIRD AND I GOT
687
00:19:49,334 --> 00:19:50,367
FOLLOWED HOME.
688
00:19:50,434 --> 00:19:51,100
>> Eureka: DO YOU THINK THEY
689
00:19:51,167 --> 00:19:52,434
WERE FOLLOWING YOU TO LIKE HAVE
690
00:19:52,500 --> 00:19:53,633
SEX WITH YOU OR HURT YOU?
691
00:19:53,700 --> 00:19:54,334
'CAUSE IT COULD BE EITHER.
692
00:19:54,400 --> 00:19:55,300
>> Noah: PROBABLY BOTH.
693
00:19:55,367 --> 00:19:56,633
>> Eureka: RIGHT.
694
00:19:56,700 --> 00:19:57,500
THEY WANTED TO KILL ME AND HAVE
695
00:19:57,566 --> 00:19:58,367
SEX WITH MY DEAD BODY.
696
00:19:58,434 --> 00:19:59,967
>> Noah: [LAUGHS]
697
00:20:00,033 --> 00:20:03,967
>> Eureka: VERY DOMMER FISH.
698
00:20:04,033 --> 00:20:04,566
I'M GETTING MY DAUGHTER READY
699
00:20:04,633 --> 00:20:05,334
FOR THE PROM.
700
00:20:05,400 --> 00:20:06,933
>> Noah: OKAY.
701
00:20:07,000 --> 00:20:07,566
>> Eureka: I'LL BE RIGHT HERE IF
702
00:20:07,633 --> 00:20:08,133
YOU NEED ME.
703
00:20:08,200 --> 00:20:13,000
>> Noah: OKAY, BYE.
704
00:20:13,067 --> 00:20:15,733
>> Eureka: HOW DOES IT FEEL?
705
00:20:15,800 --> 00:20:18,100
DO WE LIKE IT?
706
00:20:18,167 --> 00:20:19,100
WORK!
707
00:20:19,167 --> 00:20:21,234
THIS IS MY FAVORITE.
708
00:20:21,300 --> 00:20:23,434
OH MY GOD, I LOVE THIS.
709
00:20:23,500 --> 00:20:24,000
WE GOTTA GIVE THIS A LITTLE
710
00:20:24,067 --> 00:20:25,067
STRUT.
711
00:20:25,133 --> 00:20:25,967
>> Noah: A STRUT?
712
00:20:26,033 --> 00:20:26,633
>> Eureka: OH, MY GOD, GIVE ME A
713
00:20:26,700 --> 00:20:27,067
LITTLE STRUT.
714
00:20:27,133 --> 00:20:30,067
WHO CARES ABOUT THESE PEOPLE.
715
00:20:30,133 --> 00:20:33,334
YOU CAN DO IT.
716
00:20:33,400 --> 00:20:33,933
HEY, ANYBODY IN THE STORE, I
717
00:20:34,000 --> 00:20:34,467
WANT, I WANT YOU ALL TO
718
00:20:34,533 --> 00:20:35,100
WATCH MY DRAG DAUGHTER RIGHT NOW
719
00:20:35,167 --> 00:20:36,100
'CAUSE SHE'S NERVOUS AND WE'RE
720
00:20:36,167 --> 00:20:38,334
GONNA APPLAUD HER.
721
00:20:38,400 --> 00:20:40,067
MISS MIRANDA PETRI O'HARA.
722
00:20:40,133 --> 00:20:44,300
WORK.
723
00:20:44,367 --> 00:20:44,766
SEE, YES!
724
00:20:44,833 --> 00:20:46,500
COME ON SIS, WORK.
725
00:20:46,566 --> 00:20:49,267
SHE SAYS, OH, THESE OLD THINGS.
726
00:20:49,334 --> 00:20:53,367
THESE MEAN NOTHING.
727
00:20:53,434 --> 00:20:56,100
OK, YOU GOTTA GIVE ME A SNAP.
728
00:20:56,167 --> 00:20:57,133
SNAP, SNAP MAMA.
729
00:20:57,200 --> 00:20:58,633
COME ON WORK.
730
00:20:58,700 --> 00:21:02,867
YES, WORK, YES.
731
00:21:02,933 --> 00:21:04,600
OH, MY GOD, I'M SO PROUD OF YOU.
732
00:21:04,666 --> 00:21:05,200
>> Noah: THAT WAS LIKE THE
733
00:21:05,267 --> 00:21:05,766
HARDEST THING I'VE EVER DONE
734
00:21:05,833 --> 00:21:06,533
ACTUALLY.
735
00:21:06,600 --> 00:21:07,033
>> Eureka: WAS IT?
736
00:21:07,100 --> 00:21:07,833
>> Noah: YEAH.
737
00:21:07,900 --> 00:21:10,633
>> Eureka: WELL YOU LOOKED GOOD.
738
00:21:10,700 --> 00:21:11,434
LOOK, SEE PEOPLE
739
00:21:11,500 --> 00:21:14,300
LITERALLY DON'T CARE.
740
00:21:14,367 --> 00:21:16,766
SO HOW WAS THAT, WEIRD?
741
00:21:16,833 --> 00:21:25,067
>> Noah: IT'S WEIRD.
742
00:21:25,133 --> 00:21:26,800
>> Eureka: OH, I LOVE YOU.
743
00:21:26,867 --> 00:21:28,033
OK, YOU CAN CHANGE.
744
00:21:28,100 --> 00:21:32,033
YOU CAN GET OUT NOW.
745
00:21:32,100 --> 00:21:33,000
>> Noah: IT FEELS SO LAME.
746
00:21:33,067 --> 00:21:33,600
>> Eureka: YOU SHOULD BE PROUD
747
00:21:33,666 --> 00:21:34,200
OF YOURSELF.
748
00:21:34,267 --> 00:21:35,533
>> Noah: IT WAS SO HARD.
749
00:21:35,600 --> 00:21:37,200
>> Eureka: YEAH?
750
00:21:37,267 --> 00:21:41,766
IT'S HARD TO EXPOSE YOURSELF.
751
00:21:41,833 --> 00:21:45,600
>> Noah: YEAH.
752
00:21:45,666 --> 00:21:46,267
I MEAN EVEN IN BOY
753
00:21:46,334 --> 00:21:51,566
CLOTHES I FEEL UNCOMFORTABLE.
754
00:21:51,633 --> 00:21:57,167
>> Eureka: REALLY?
755
00:21:57,234 --> 00:21:59,400
>> Noah: I JUST
756
00:21:59,467 --> 00:22:00,200
WISH THAT I LIKED,
757
00:22:00,267 --> 00:22:02,867
[SIGHS]
758
00:22:02,933 --> 00:22:03,467
I WISH I LIKED WHAT I, WHAT I
759
00:22:03,533 --> 00:22:07,033
LOOKED LIKE.
760
00:22:07,100 --> 00:22:12,133
THAT'S A BIG STRUGGLE.
761
00:22:12,200 --> 00:22:13,434
>> Eureka: SOMETIMES WE CREATE A
762
00:22:13,533 --> 00:22:14,867
PERCEPTION OF OURSELVES THAT WE
763
00:22:14,933 --> 00:22:16,133
THINK OTHER PEOPLE SEE WHERE
764
00:22:16,200 --> 00:22:18,167
YOU'RE JUST OBSESSED OVER
765
00:22:18,234 --> 00:22:20,500
NEGATIVE IMAGES OF YOURSELF.
766
00:22:20,566 --> 00:22:22,067
AND REALLY IT'S JUST NOT TRUE,
767
00:22:22,133 --> 00:22:22,833
THERE'S A LOT OF PEOPLE OUT
768
00:22:22,900 --> 00:22:24,800
THERE THAT SEE THE BEAUTY IN YOU
769
00:22:24,867 --> 00:22:25,733
BUT YOU HAVE TO SEE IT TOO YOU
770
00:22:25,800 --> 00:22:27,267
KNOW.
771
00:22:27,334 --> 00:22:29,200
>> Noah: I SPEND A LOT OF TIME
772
00:22:29,267 --> 00:22:31,167
LIKE HATING MY BODY TOO, SO
773
00:22:31,234 --> 00:22:32,867
BEING A REVEALING IS SOMETIMES
774
00:22:32,933 --> 00:22:34,900
REALLY HARD UNLESS I'M IN A FULL
775
00:22:34,967 --> 00:22:35,300
LOOK, DON'T•
776
00:22:35,367 --> 00:22:35,867
>> Eureka: WHAT DO YOU HATE
777
00:22:35,933 --> 00:22:36,666
ABOUT YOUR BODY?
778
00:22:36,733 --> 00:22:38,367
NO I'M• I'M NOT SAYING YOU'RE
779
00:22:38,434 --> 00:22:39,200
NOT ALLOWED TO HATE YOUR BODY.
780
00:22:39,267 --> 00:22:40,200
>> Noah: I KNOW.
781
00:22:40,267 --> 00:22:40,867
>> Eureka: I JUST WANT TO KNOW
782
00:22:40,933 --> 00:22:42,167
WHAT YOU HATE ABOUT YOUR BODY.
783
00:22:42,234 --> 00:22:43,000
>> Noah: UM, REALLY INSECURE
784
00:22:43,067 --> 00:22:45,267
ABOUT MY LEGS.
785
00:22:45,334 --> 00:22:46,267
>> Eureka: OKAY.
786
00:22:46,334 --> 00:22:48,200
>> Noah: 'CAUSE THEY'RE LIKE
787
00:22:48,267 --> 00:22:49,400
REALLY MANLY AND REALLY STRONG
788
00:22:49,467 --> 00:22:50,033
AND REALLY BIG AND I DON'T LIKE
789
00:22:50,100 --> 00:22:50,900
THAT.
790
00:22:50,967 --> 00:22:57,100
>> Eureka: THAT SOUNDS WONDERFUL
791
00:22:57,167 --> 00:22:59,100
SO YOU KNOW WHAT I'M SAYING,
792
00:22:59,167 --> 00:22:59,766
IT'S LIKE IF YOU HAD LIKE SKINNY
793
00:22:59,833 --> 00:23:00,367
LITTLE LADY LEGS WOULD BE LIKE
794
00:23:00,434 --> 00:23:01,000
GOD, MY LEGS ARE TOO LADY LIKE?
795
00:23:01,067 --> 00:23:01,400
>> Noah: PROBABLY.
796
00:23:01,467 --> 00:23:02,033
>> Eureka: YOU KNOW WHAT I MEAN.
797
00:23:02,100 --> 00:23:03,434
>> Noah: YEAH.
798
00:23:03,500 --> 00:23:04,666
>> Eureka: SO MAYBE IT'S NOT
799
00:23:04,733 --> 00:23:05,434
LIKE THOSE DESCRIPTIONS, MAYBE
800
00:23:05,500 --> 00:23:06,200
IT'S JUST THIS IDEA OF LIKE
801
00:23:06,267 --> 00:23:09,033
YOU'RE NOT ENOUGH.
802
00:23:09,100 --> 00:23:09,800
IF I CAN JUST GET
803
00:23:09,867 --> 00:23:11,300
NOAH TO THIS DRAG SHOW IT'S
804
00:23:11,367 --> 00:23:12,000
GONNA BE OUR BREAKTHROUGH
805
00:23:12,067 --> 00:23:14,833
MOMENT.
806
00:23:14,900 --> 00:23:16,133
I HONESTLY THINK THIS IS COMING
807
00:23:16,200 --> 00:23:23,434
AT THE PERFECT TIME FOR HIM.
808
00:23:23,500 --> 00:23:43,700
♪ ♪
809
00:23:43,766 --> 00:23:54,334
♪ ♪
810
00:23:54,400 --> 00:24:04,833
♪ ♪
811
00:24:04,900 --> 00:24:06,766
>> Noah: COMING OUT AGAIN WAS
812
00:24:06,833 --> 00:24:08,400
REALLY HARD BECAUSE COMING OUT
813
00:24:08,467 --> 00:24:11,367
AS A GAY MALE WAS ALREADY HARD
814
00:24:11,434 --> 00:24:13,000
AND IT TOOK A LOT OF THOUGHT FOR
815
00:24:13,067 --> 00:24:13,700
ME TO COME OUT OF THE CLOSET
816
00:24:13,766 --> 00:24:17,133
WITH THIS.
817
00:24:17,200 --> 00:24:19,766
I WANTED TO MAKE SURE THAT I
818
00:24:19,833 --> 00:24:23,067
KNEW.
819
00:24:23,133 --> 00:24:23,666
>> Noah: HEY, BABE.
820
00:24:23,733 --> 00:24:24,133
>> Nadia: HI.
821
00:24:24,200 --> 00:24:27,133
>> Noah: HOW ARE YOU?
822
00:24:27,200 --> 00:24:27,800
>> Nadia: I'M WELL, HOW ARE YOU?
823
00:24:27,867 --> 00:24:30,133
>> Noah: I'M GOOD, I MISS YOU.
824
00:24:30,200 --> 00:24:30,733
>> Nadia: I MISS YOU, TOO.
825
00:24:30,800 --> 00:24:32,300
> Noah: MY FRIEND NADIA WAS
826
00:24:32,367 --> 00:24:33,434
LIKE ONE OF THE FIRST PEOPLE TO
827
00:24:33,500 --> 00:24:39,666
REALLY ACKNOWLEDGE MY NON-BINARY
828
00:24:39,733 --> 00:24:40,200
NON-CIS SELF.
829
00:24:40,267 --> 00:24:40,833
>> Nadia: I DON'T HAVE TO WORK
830
00:24:40,900 --> 00:24:41,267
TONIGHT BY THE WAY.
831
00:24:41,334 --> 00:24:41,867
>> Noah: OH, PERFECT, WE ARE
832
00:24:41,933 --> 00:24:42,967
GONNA WATCH ALIEN COVENANT•
833
00:24:43,033 --> 00:24:44,900
ALL RIGHT, BYE BABE, LOVE YOU.
834
00:24:44,967 --> 00:24:49,833
>> Nadia: I LOVE YOU.
835
00:24:49,900 --> 00:24:55,000
>> Noah: I DON'T WANT ANYTHING.
836
00:24:55,067 --> 00:24:55,766
>> Eureka: PUT YOUR CLOTHES ON
837
00:24:55,833 --> 00:24:56,867
AND OPEN THE DAMN DOOR.
838
00:24:56,933 --> 00:24:59,133
HELL YEAH!
839
00:24:59,200 --> 00:25:02,766
OH MY GOD.
840
00:25:02,833 --> 00:25:04,300
I LOVE THIS!
841
00:25:04,367 --> 00:25:06,900
>> Noah: MAMACITA.
842
00:25:06,967 --> 00:25:07,566
>> Eureka: YOU LOOK GOOD.
843
00:25:07,633 --> 00:25:08,367
>> Noah: THANK YOU.
844
00:25:08,434 --> 00:25:09,267
>> Eureka: KIND OF WILD 'CAUSE I
845
00:25:09,334 --> 00:25:10,000
REMEMBER THE LAST TIME I MET
846
00:25:10,067 --> 00:25:11,533
YOU, YOU WERE A LITTLE MORE
847
00:25:11,600 --> 00:25:12,267
TIMID ABOUT PUTTING YOURSELF OUT
848
00:25:12,334 --> 00:25:14,666
THERE.
849
00:25:14,733 --> 00:25:16,566
>> Noah: YEP.
850
00:25:16,633 --> 00:25:17,133
>> Eureka: YOU KNOW WHAT I'M
851
00:25:17,200 --> 00:25:17,367
SAYING?
852
00:25:17,434 --> 00:25:17,967
SO CONGRATS TO YOU.
853
00:25:18,033 --> 00:25:18,600
>> Noah: OH, MY GOD, WHEN YOU
854
00:25:18,666 --> 00:25:19,267
HAD ME IN THAT FUCKING THRIFT
855
00:25:19,334 --> 00:25:20,434
STORE ON THE WAY TO HAMPTON.
856
00:25:20,500 --> 00:25:23,033
>> Eureka: OH, MY GOD, THE
857
00:25:23,100 --> 00:25:24,334
THRIFT STORE WAS SO BEAUTIFUL
858
00:25:24,400 --> 00:25:25,334
THOUGH, IT WAS A GORGEOUS
859
00:25:25,400 --> 00:25:26,334
MOMENT.
860
00:25:26,400 --> 00:25:26,833
TO BE HONEST.
861
00:25:26,900 --> 00:25:27,434
>> Noah: YOU CAN, YOU CAN PAY
862
00:25:27,500 --> 00:25:28,100
ME FOR THAT TRAUMA LATER.
863
00:25:28,167 --> 00:25:28,700
>> Eureka: NO, YOU CAN PAY ME
864
00:25:28,766 --> 00:25:29,400
FOR THAT THERAPY THAT THAT
865
00:25:29,467 --> 00:25:31,067
TRAUMA PUT YOU THROUGH OKAY.
866
00:25:31,133 --> 00:25:31,633
>> Noah: YOU'RE RIGHT, OKAY,
867
00:25:31,700 --> 00:25:31,833
FINE.
868
00:25:31,900 --> 00:25:32,666
>> Eureka: THAT WAS CONVERTING
869
00:25:32,733 --> 00:25:34,200
FROM FEAR TO FEARLESS.
870
00:25:34,267 --> 00:25:36,400
>> Noah: NO, THANK YOU.
871
00:25:36,467 --> 00:25:37,300
IT HELPED.
872
00:25:37,367 --> 00:25:37,933
>> Eureka: HAVE YOU COME OUT AS
873
00:25:38,000 --> 00:25:38,234
NON-BINARY?
874
00:25:38,300 --> 00:25:38,700
>> Noah: YEAH.
875
00:25:38,766 --> 00:25:40,100
THAT WAS ALSO A BIG CHANGE.
876
00:25:40,167 --> 00:25:41,400
>> Eureka: FULL T, OH, MY GOSH.
877
00:25:41,467 --> 00:25:42,467
>> Noah: NADIA, NADIA HELPED
878
00:25:42,533 --> 00:25:43,800
ME, SHE WAS JUST LIKE YOU FEEL
879
00:25:43,867 --> 00:25:46,133
VERY, YOU, YOU, YOU FEEL VERY
880
00:25:46,200 --> 00:25:47,000
THEY, THEM, YOU FEEL LIKE A THEY
881
00:25:47,067 --> 00:25:47,400
AND I WAS•
882
00:25:47,467 --> 00:25:47,933
>> Eureka: YEAH?
883
00:25:48,000 --> 00:25:48,766
>> Noah: WHEN SHE SAID THAT I
884
00:25:48,833 --> 00:25:50,033
WAS LIKE, THANK YOU FOR
885
00:25:50,100 --> 00:25:52,700
RECOGNIZING IT WITHOUT ME HAVING
886
00:25:52,766 --> 00:25:54,467
TO PROMPT YOU, LIKE IT WAS A BIG
887
00:25:54,533 --> 00:25:58,267
MOMENT FOR ME BECAUSE I'D BEEN
888
00:25:58,334 --> 00:26:01,500
ASSIGNED LIKE CIS, LIKE
889
00:26:01,566 --> 00:26:02,300
MASCULINE CIS MALE MY ENTIRE
890
00:26:02,367 --> 00:26:03,600
LIFE.
891
00:26:03,666 --> 00:26:04,234
>> Eureka: IS THIS THE INFAMOUS
892
00:26:04,300 --> 00:26:04,533
NADIA?
893
00:26:04,600 --> 00:26:05,067
>> Nadia: WE HAVE GUESTS.
894
00:26:05,133 --> 00:26:05,867
HELLO.
895
00:26:05,933 --> 00:26:07,200
>> Eureka: AHHH!
896
00:26:07,267 --> 00:26:07,900
CAN I HUG YOU?
897
00:26:07,967 --> 00:26:09,400
>> Nadia: YEAH, ABSOLUTELY.
898
00:26:09,467 --> 00:26:10,033
YOU'RE SO BEAUTIFUL.
899
00:26:10,100 --> 00:26:10,700
>> Eureka: OH, MY GOSH, SO YOU
900
00:26:10,766 --> 00:26:11,600
ARE YOU.
901
00:26:11,666 --> 00:26:12,267
>> Nadia: OH, MY GOSH, IT'S NICE
902
00:26:12,334 --> 00:26:12,900
TO MEET YOU.
903
00:26:12,967 --> 00:26:14,100
>> Eureka: OH, MY GOD, YOU'RE
904
00:26:14,167 --> 00:26:15,334
GORGINA.
905
00:26:15,400 --> 00:26:16,967
COME IN AND SIT WITH US.
906
00:26:17,033 --> 00:26:17,600
>> Noah: ISN'T SHE AMAZING.
907
00:26:17,666 --> 00:26:18,200
>> Eureka: NOAH WAS TELLING ME
908
00:26:18,267 --> 00:26:19,467
ABOUT YOUR ALL'S PODCAST.
909
00:26:19,533 --> 00:26:20,033
>> Noah: YEAH.
910
00:26:20,100 --> 00:26:20,833
>> Eureka: AND HOW MUCH YOU LIKE
911
00:26:20,900 --> 00:26:22,067
REALLY HELPED HIM.
912
00:26:22,133 --> 00:26:23,666
>> Nadia: YES, THAT'S ME.
913
00:26:23,733 --> 00:26:24,167
>> Noah: IT IS CALLED•
914
00:26:24,234 --> 00:26:24,700
>> Nadia: I'M THEIR BIGGEST
915
00:26:24,766 --> 00:26:24,867
FAN.
916
00:26:24,933 --> 00:26:25,900
>> Noah: YEAH.
917
00:26:25,967 --> 00:26:27,267
>> Eureka: OH, HO, HO, HO.
918
00:26:27,334 --> 00:26:28,000
>> Noah: I'M, I'M HER BIGGEST
919
00:26:28,067 --> 00:26:29,900
FAN, THIS IS MY HERO, WE ARE
920
00:26:29,967 --> 00:26:32,367
GETTING MARRIED ONE DAY.
921
00:26:32,434 --> 00:26:33,267
>> Eureka: WHEN YOU'RE FORCED TO
922
00:26:33,334 --> 00:26:34,867
GO INTO THAT DARK HOLE, WHEN YOU
923
00:26:34,933 --> 00:26:37,000
COME OUT OF IT ON THE OTHER SIDE
924
00:26:37,067 --> 00:26:39,100
THERE'S A LOT YOU CAN DISCOVER
925
00:26:39,167 --> 00:26:42,133
AND WHEN YOU'RE A PERSON OF
926
00:26:42,200 --> 00:26:43,533
DIFFERENCE, IT HELPS TO HAVE
927
00:26:43,600 --> 00:26:44,800
SOMEONE LIKE NADIA THAT'S LIKE
928
00:26:44,867 --> 00:26:47,100
YOU KNOW WHAT, GIRL YOU ARE OKAY
929
00:26:47,167 --> 00:26:48,967
BEING EXACTLY LIKE THAT.
930
00:26:49,033 --> 00:26:49,566
DON'T BE AFRAID TO BE WHO YOU
931
00:26:49,633 --> 00:26:53,500
ARE.
932
00:26:53,566 --> 00:26:53,900
THIS BEAUTIFUL NON
933
00:26:53,967 --> 00:26:54,367
BINARY CHILD OF MINE.
934
00:26:54,434 --> 00:26:55,200
>> Nadia: YES.
935
00:26:55,267 --> 00:26:58,000
ABSOTUTELY.
936
00:26:58,067 --> 00:26:58,533
>> Eureka: YES, ABSOTOOTER,
937
00:26:58,600 --> 00:27:01,967
TOOTY LOOTLY HONEY.
938
00:27:02,033 --> 00:27:05,600
>> Nadia: YES.
939
00:27:05,666 --> 00:27:06,900
>> Faith: I KNOW USUALLY I PUT
940
00:27:06,967 --> 00:27:07,867
THEM IN THE SINK BUT THEY
941
00:27:07,933 --> 00:27:09,867
HAVEN'T BEEN GETTING UM, LIKE
942
00:27:09,933 --> 00:27:12,434
PROPER DRAINAGE SO THEY'VE BEEN
943
00:27:12,500 --> 00:27:15,566
GROWING LIKE A LAYER OF MOLD ITS
944
00:27:15,633 --> 00:27:18,467
GROSS SO YOU JUST SPRITZ THEM.
945
00:27:18,533 --> 00:27:25,133
IT'S JUST A LITTLE LOVE.
946
00:27:25,200 --> 00:27:25,766
>> Shaniqua: STILL LEARNING.
947
00:27:25,833 --> 00:27:26,800
>> Faith: I FEEL LIKE QUARANTINE
948
00:27:26,867 --> 00:27:29,666
HELPED ME GET MORE IN TUNE WITH
949
00:27:29,733 --> 00:27:31,267
MYSELF BECAUSE I HAD TO HEAL
950
00:27:31,334 --> 00:27:34,033
MYSELF FIRST INTERNALLY IN ORDER
951
00:27:34,100 --> 00:27:40,666
TO LOVE MYSELF.
952
00:27:40,733 --> 00:27:42,500
FOR THE FIRST TIME I AM IN A
953
00:27:42,566 --> 00:27:43,800
HAPPY, HEALTHY RELATIONSHIP WITH
954
00:27:43,867 --> 00:27:48,334
MY PARTNER SHANIQUA.
955
00:27:48,400 --> 00:27:49,133
>> Shaniqua: HEY BABE?
956
00:27:49,200 --> 00:27:49,700
>> Faith: YES?
957
00:27:49,766 --> 00:27:50,300
>> Shaniqua: CAN YOU BRING ME
958
00:27:50,367 --> 00:27:50,633
PAPER TOWELS?
959
00:27:50,700 --> 00:27:51,434
>> Faith: MMMHMM.
960
00:27:51,500 --> 00:27:52,234
>> Shaniqua: THANKS.
961
00:27:52,300 --> 00:27:53,167
>> Faith: ME AND SHANIQUA, WE
962
00:27:53,234 --> 00:27:53,967
BOTH HAD TIME TO REALLY GET TO
963
00:27:54,033 --> 00:27:56,100
KNOW EACH OTHER, WE GOT CLOSE AT
964
00:27:56,167 --> 00:27:59,067
THE PERFECT TIME.
965
00:27:59,133 --> 00:28:00,533
BEFORE QUARANTINE I WAS SO BUSY
966
00:28:00,600 --> 00:28:02,400
THAT I DIDN'T SEE VALUE IN THE
967
00:28:02,467 --> 00:28:05,666
PEOPLE AROUND ME INCLUDING HER.
968
00:28:05,733 --> 00:28:06,133
I JUST GOTTA GET THIS
969
00:28:06,200 --> 00:28:08,867
BOTTOM LAYER OF GOLD.
970
00:28:08,933 --> 00:28:09,334
AND SO WHEN EVERYTHING
971
00:28:09,400 --> 00:28:11,234
SLOWED DOWN FOR ME YOU KNOW
972
00:28:11,300 --> 00:28:17,400
PRETTY MUCH LIKE, IT WAS LIKE
973
00:28:17,467 --> 00:28:17,833
THE PERSON RIGHT IN
974
00:28:17,900 --> 00:28:18,400
FRONT OF YOU THE WHOLE TIME
975
00:28:18,467 --> 00:28:19,566
WHO'S YOUR PERSON.
976
00:28:19,633 --> 00:28:20,167
>> Shaniqua: [UNINTELLIGIBLE]
977
00:28:20,234 --> 00:28:21,900
>> Faith: NO.
978
00:28:21,967 --> 00:28:26,633
THERE'S NOTHING LITTLE ABOUT ME.
979
00:28:26,700 --> 00:28:36,733
♪ ♪
980
00:28:36,800 --> 00:28:37,100
>> Faith: HELLO.
981
00:28:37,167 --> 00:28:37,600
>> Bob: OH, MY GOD, HEY!
982
00:28:37,666 --> 00:28:37,933
>> Faith: HI.
983
00:28:38,000 --> 00:28:38,833
>> Bob: OH, MY GOOD IT'S SO, I
984
00:28:38,900 --> 00:28:39,400
HAVEN'T SEEN YOU IN SO LONG.
985
00:28:39,467 --> 00:28:40,533
>> Faith: OH, MY GOODNESS.
986
00:28:40,600 --> 00:28:41,100
>> Bob: YOU LOOK AMAZING.
987
00:28:41,167 --> 00:28:41,700
>> Faith: NO YOU DO.
988
00:28:41,766 --> 00:28:42,367
>> Bob: WE DO.
989
00:28:42,434 --> 00:28:43,133
>> Faith: I'LL TAKE THAT.
990
00:28:43,200 --> 00:28:44,434
>> Bob: LET'S HAVE A SEAT.
991
00:28:44,500 --> 00:28:45,100
HOW HAVE YOU BEEN?
992
00:28:45,167 --> 00:28:46,900
WHAT'S BEEN UP WITH YOU?
993
00:28:46,967 --> 00:28:48,633
>> Faith: I'M IN A RELATIONSHIP.
994
00:28:48,700 --> 00:28:52,800
>> Bob: WAIT, WHAT IS IT, WHEN
995
00:28:52,867 --> 00:28:54,100
DID THIS START?
996
00:28:54,167 --> 00:28:54,800
NOT THIS, NOT• IS SHE COMING TO
997
00:28:54,867 --> 00:28:55,267
THE SHOW?
998
00:28:55,334 --> 00:28:56,467
>> Faith: OF COURSE.
999
00:28:56,533 --> 00:28:57,133
>> Shangela: LOOK HOW LONG YOUR
1000
00:28:57,200 --> 00:28:58,833
BEARD IS.
1001
00:28:58,900 --> 00:28:59,766
COME ON IN, HAVE A SEAT.
1002
00:28:59,833 --> 00:29:01,600
HI, PAT.
1003
00:29:01,666 --> 00:29:02,900
>> Pat: HEY, GOOD TO SEE YOU.
1004
00:29:02,967 --> 00:29:03,867
>> Shangela: HOW YOU GUY'S BEEN?
1005
00:29:03,933 --> 00:29:05,167
OH, IT'S BEEN A YEAR.
1006
00:29:05,234 --> 00:29:06,234
>> Olin: MMMHMM.
1007
00:29:06,300 --> 00:29:07,167
>> Shangela: IT HAS BEEN A YEAR.
1008
00:29:07,234 --> 00:29:08,234
IT'S JUST CRAZY, I'M SO THANKFUL
1009
00:29:08,300 --> 00:29:10,067
TO BE BACK WITH YOU ALL.
1010
00:29:10,133 --> 00:29:11,100
>> Olin: WELL WE'RE GLAD TO BE
1011
00:29:11,167 --> 00:29:12,234
BACK, I GUESS.
1012
00:29:12,300 --> 00:29:13,167
>> Shangela: OH, YEAH, WHAT YOU
1013
00:29:13,234 --> 00:29:14,967
MEAN YOU GUESS?
1014
00:29:15,033 --> 00:29:16,467
>> Eureka: OOH, WELCOME, YOU
1015
00:29:16,533 --> 00:29:18,334
LOOK GOOD.
1016
00:29:18,400 --> 00:29:19,367
COME ON, COME GIVE MAMA A HUG.
1017
00:29:19,434 --> 00:29:20,334
WE'RE GONNA BE DOMINATRIXES AND
1018
00:29:20,400 --> 00:29:21,833
WE'RE GONNA HAVE CAGES, THE
1019
00:29:21,900 --> 00:29:23,200
WHOLE NINE YARDS, WE'RE ABOUT TO
1020
00:29:23,267 --> 00:29:24,167
BE OUT THERE.
1021
00:29:24,234 --> 00:29:25,900
>> Noah: OKAY.
1022
00:29:25,967 --> 00:29:27,100
>> Shangela: SO WHO DO YOU WANT
1023
00:29:27,167 --> 00:29:28,467
TO BE, WHO DOES OLIN WANT TO BE
1024
00:29:28,533 --> 00:29:30,100
WHEN YOU ARE ON STAGE?
1025
00:29:30,167 --> 00:29:32,434
ARE YOU SASSY?
1026
00:29:32,500 --> 00:29:35,533
ARE YOU LIKE SUGAR PIE, SUPER
1027
00:29:35,600 --> 00:29:36,467
SWEET, NICE?
1028
00:29:36,533 --> 00:29:38,566
ARE YOU THE SEX KITTEN LIKE BAM?
1029
00:29:38,633 --> 00:29:41,234
MMM, MMM, MMM, ARE YOU THAT?
1030
00:29:41,300 --> 00:29:41,900
>> Eureka: REALLY JUST
1031
00:29:41,967 --> 00:29:44,500
EXPRESSING LIKE THIS IDEA OF
1032
00:29:44,566 --> 00:29:45,766
LIKE, NO MATTER WHAT PEOPLE SAY
1033
00:29:45,833 --> 00:29:46,434
LIKE, IT'S YOUR CHOICE TO BE WHO
1034
00:29:46,500 --> 00:29:48,633
YOU ARE.
1035
00:29:48,700 --> 00:29:49,733
OOH!
1036
00:29:49,800 --> 00:29:49,967
SHOES.
1037
00:29:50,033 --> 00:29:51,434
THAT'S A SLUTTY BOOT.
1038
00:29:51,500 --> 00:29:52,234
>> Noah: OH, MY GOD.
1039
00:29:52,300 --> 00:29:53,200
>> Eureka: YEAH.
1040
00:29:53,267 --> 00:29:53,800
>> Noah: THOSE ARE FUCKING
1041
00:29:53,867 --> 00:29:55,334
AMAZING.
1042
00:29:55,400 --> 00:29:56,533
>> Shangela: DO YOU FEEL NERVOUS
1043
00:29:56,600 --> 00:30:01,666
RIGHT NOW TALKING ABOUT IT?
1044
00:30:01,733 --> 00:30:04,766
>> Olin: VERY NERVOUS.
1045
00:30:04,833 --> 00:30:06,434
I DON'T DRESS LIKE A WOMAN.
1046
00:30:06,500 --> 00:30:07,000
I DON'T WANT TO DRESS LIKE A
1047
00:30:07,067 --> 00:30:07,766
WOMAN.
1048
00:30:07,833 --> 00:30:09,167
>> Shangela: YEAH, I HEAR YOU.
1049
00:30:09,234 --> 00:30:09,867
>> Shangela: SO, WE'RE GONNA
1050
00:30:09,933 --> 00:30:11,133
SHAVE THE BEARD AND GIVE YOU,
1051
00:30:11,200 --> 00:30:11,733
HAVE YOU EVER WORN LASHES
1052
00:30:11,800 --> 00:30:12,633
BEFORE?
1053
00:30:12,700 --> 00:30:18,766
>> Olin: MMM, MMM.
1054
00:30:18,833 --> 00:30:19,334
I AIN'T NEVER DONE NOTHING.
1055
00:30:19,400 --> 00:30:20,100
>> Bob: SOMETHING I'VE BEEN
1056
00:30:20,167 --> 00:30:21,800
REALLY THINKING ABOUT IS YOU
1057
00:30:21,867 --> 00:30:24,434
BLOSSOMING INTO THE QUEER WOMAN,
1058
00:30:24,500 --> 00:30:25,033
THE REPRESENTATION OF BLACK
1059
00:30:25,100 --> 00:30:28,500
EXCELLENCE THAT YOU ARE.
1060
00:30:28,566 --> 00:30:29,100
I WANT TO TURN YOU INTO LIKE A
1061
00:30:29,167 --> 00:30:30,300
FLOWER THAT YOU ARE JUST
1062
00:30:30,367 --> 00:30:33,566
OBVIOUSLY, CLEARLY A FLOWER, YOU
1063
00:30:33,633 --> 00:30:35,200
KNOW WHAT I MEAN.
1064
00:30:35,267 --> 00:30:37,334
>> GONNA MAKE A, A HELL OF A LOW
1065
00:30:37,400 --> 00:30:37,867
BIGGER.
1066
00:30:37,933 --> 00:30:38,867
>> LIKE WYNONA.
1067
00:30:38,933 --> 00:30:39,833
>> Shangela: DO YOU LIKE THIS
1068
00:30:39,900 --> 00:30:42,766
COLOR?
1069
00:30:42,833 --> 00:30:43,334
>> OR WOULD YOU LIKE TO TRY
1070
00:30:43,400 --> 00:30:43,766
SOMETHING DIFFERENT.
1071
00:30:43,833 --> 00:30:46,000
>> Shangela: LET'S COMPARE THEM.
1072
00:30:46,067 --> 00:30:49,666
OH, YEAH.
1073
00:30:49,733 --> 00:30:50,533
THERE YOU GO.
1074
00:30:50,600 --> 00:30:51,067
>> LOOK AT, YOU LOOK LIKE
1075
00:30:51,133 --> 00:30:52,633
FLIRTY, WINKY EYES.
1076
00:30:52,700 --> 00:30:54,400
>> Shangela: THAT'S WHAT CHARTER
1077
00:30:54,467 --> 00:30:56,200
BANKS IS, SHMEYES.
1078
00:30:56,267 --> 00:30:57,867
I LIKE THIS COLOR.
1079
00:30:57,933 --> 00:30:58,267
>> Olin: OKAY.
1080
00:30:58,334 --> 00:30:59,334
WE'LL GO WITH THE COLOR.
1081
00:30:59,400 --> 00:30:59,933
>> Shangela: WE'LL GO WITH THE
1082
00:31:00,000 --> 00:31:00,133
COLOR?
1083
00:31:00,200 --> 00:31:00,766
HALLELOO.
1084
00:31:00,833 --> 00:31:01,434
ALL RIGHT.
1085
00:31:01,500 --> 00:31:02,133
>> Eureka: OKAY MAMA, YOU GOTTA
1086
00:31:02,200 --> 00:31:02,733
GIVE US A STRUT HONEY, HERE'S
1087
00:31:02,800 --> 00:31:04,867
YOUR RUNWAY.
1088
00:31:04,933 --> 00:31:06,833
OH GIRL, MISS MISTRESS BOBO
1089
00:31:06,900 --> 00:31:08,566
MAXWELL.
1090
00:31:08,633 --> 00:31:09,733
YES.
1091
00:31:09,800 --> 00:31:11,133
>> SHE'S RUNNING.
1092
00:31:11,200 --> 00:31:11,766
>> Eureka: SHE'S JOGGING THROUGH
1093
00:31:11,833 --> 00:31:12,300
THE HALLS HONEY.
1094
00:31:12,367 --> 00:31:14,033
OOH!
1095
00:31:14,100 --> 00:31:17,133
OH, CAN YOU TWERK IN THEM?
1096
00:31:17,200 --> 00:31:18,467
>> Noah: I CANNOT TWERK.
1097
00:31:18,533 --> 00:31:19,100
>> Eureka: HAVE YOU EVER TRIED?
1098
00:31:19,167 --> 00:31:20,400
>> Noah: EVERY DAY.
1099
00:31:20,467 --> 00:31:22,133
I CANNOT.
1100
00:31:22,200 --> 00:31:23,900
>> Eureka: NO LIE, EVERY DAY.
1101
00:31:23,967 --> 00:31:25,900
>> Shangela: SIX, SEVEN EIGHT,
1102
00:31:25,967 --> 00:31:27,533
AND ONE, TWO, THREE, FOUR, FIVE,
1103
00:31:27,600 --> 00:31:30,400
SIX, SEVEN, EIGHT AND TWO, TWO,
1104
00:31:30,467 --> 00:31:31,400
LOOK AT YOU, AIN'T EVEN GOTTA
1105
00:31:31,467 --> 00:31:32,133
LOOK DOWN.
1106
00:31:32,200 --> 00:31:34,100
>> Olin: UH, UH.
1107
00:31:34,167 --> 00:31:34,733
>> Shangela: SO YOU DON'T THINK
1108
00:31:34,800 --> 00:31:35,733
IT'S GONNA WORK FOR THE SHOW?
1109
00:31:35,800 --> 00:31:37,033
>> Olin: NOT THESE.
1110
00:31:37,100 --> 00:31:37,434
>> Shangela: OKAY.
1111
00:31:37,500 --> 00:31:38,334
>> Olin: SOMETHING A LITTLE BIT
1112
00:31:38,400 --> 00:31:41,067
SHORTER AND MAYBE A LITTLE BIT
1113
00:31:41,133 --> 00:31:41,867
WIDER ON THE, ON THE HEEL.
1114
00:31:41,933 --> 00:31:43,000
>> Shangela: YES.
1115
00:31:43,067 --> 00:31:44,167
>> Olin: THAT'S, THAT'S
1116
00:31:44,234 --> 00:31:45,167
SOMETHING RIGHT THERE.
1117
00:31:45,234 --> 00:31:45,733
TAKE SOMEBODY'S EYE OUT WITH
1118
00:31:45,800 --> 00:31:46,967
THAT.
1119
00:31:47,033 --> 00:31:48,766
>> Pat: AND THAT RIGHT THERE,
1120
00:31:48,833 --> 00:31:49,400
THAT RIGHT THERE IS WHAT I WEAR
1121
00:31:49,467 --> 00:31:50,267
EVERY WEEK.
1122
00:31:50,334 --> 00:31:56,100
>> Shangela: HALLELOO.
1123
00:31:56,167 --> 00:32:03,167
>> Pat: I'M A CAMP QUEEN, I'M A
1124
00:32:03,234 --> 00:32:06,300
COMEDY QUEEN.
1125
00:32:06,367 --> 00:32:08,234
I HOST AND MC EVENTS FOR
1126
00:32:08,300 --> 00:32:13,100
CHARITY.
1127
00:32:13,167 --> 00:32:14,200
>> Pat: QUIETEST ROOM I HAVE
1128
00:32:14,267 --> 00:32:19,334
GOTTEN READY IN.
1129
00:32:19,400 --> 00:32:20,800
>> Olin: LITTLE BIT CROOKED.
1130
00:32:20,867 --> 00:32:23,000
THERE YOU GO.
1131
00:32:23,067 --> 00:32:24,400
>> Olin: GROWING UP SOME OF MY
1132
00:32:24,467 --> 00:32:28,167
CLOSE FRIENDS ASKED ME, SAY, IS
1133
00:32:28,234 --> 00:32:30,766
YOUR BROTHER GAY.
1134
00:32:30,833 --> 00:32:34,267
AND THEN I'D BE LIKE NO, THAT'S
1135
00:32:34,334 --> 00:32:37,733
JUST HIM, BEING PAT.
1136
00:32:37,800 --> 00:32:39,800
THEY DIDN'T THINK THAT IT'S
1137
00:32:39,867 --> 00:32:44,700
RIGHT FOR SOMEONE TO BE GAY.
1138
00:32:44,766 --> 00:32:47,067
>> Pat: WHEN I PUT THAT COSTUME
1139
00:32:47,133 --> 00:32:49,234
ON, I WILL DO THINGS, SAY THINGS
1140
00:32:49,300 --> 00:32:53,000
THAT I WOULDN'T AS PAT.
1141
00:32:53,067 --> 00:32:54,434
>> Olin: I WAS THE LAST ONE IN
1142
00:32:54,500 --> 00:32:57,766
THE FAMILY TO FIND OUT.
1143
00:32:57,833 --> 00:32:59,900
HE HAD TEARS COMING OUT OF HIS
1144
00:32:59,967 --> 00:33:02,900
EYES, LOOKED PRETTY SCARED, AND
1145
00:33:02,967 --> 00:33:03,566
HE JUST COMES OUT AND SAYS OLIN
1146
00:33:03,633 --> 00:33:05,000
I'M GAY.
1147
00:33:05,067 --> 00:33:07,367
I TOLD HIM IT'S OKAY.
1148
00:33:07,434 --> 00:33:08,367
I MEAN HE'S MY BROTHER AND I'M
1149
00:33:08,434 --> 00:33:10,367
GONNA LOVE HIM REGARDLESS.
1150
00:33:10,434 --> 00:33:11,600
>> Pat: BEING IN DRAG EMPOWERS
1151
00:33:11,666 --> 00:33:16,334
ME, I JUST HOPE THAT THERE'S
1152
00:33:16,400 --> 00:33:18,967
SOME KID OUT IN THAT AUDIENCE
1153
00:33:19,033 --> 00:33:20,000
THAT'S HEARING IT AND WILL HAVE
1154
00:33:20,067 --> 00:33:22,033
THE COURAGE TO LIVE THEIR TRUE
1155
00:33:22,100 --> 00:33:34,067
SELF.
1156
00:33:34,133 --> 00:33:35,600
>> Pat: IN THIS 1999 MOVIE...
1157
00:33:35,666 --> 00:33:35,833
WOMAN:
1158
00:33:35,900 --> 00:33:36,334
VARSITY BLUES.
1159
00:33:36,400 --> 00:33:37,200
>> Pat: REALLY HELLEN?
1160
00:33:37,267 --> 00:33:38,100
LET ME EXPLAIN HOW THIS SHIT
1161
00:33:38,167 --> 00:33:38,467
WORKS.
1162
00:33:38,533 --> 00:33:42,000
[EVERYONE LAUGHS]
1163
00:33:42,067 --> 00:33:43,300
>> Shangela: IAN, HAVE YOU EVER
1164
00:33:43,367 --> 00:33:44,167
SEEN YOUR DAD DANCING IN THE
1165
00:33:44,234 --> 00:33:48,200
HOUSE?
1166
00:33:48,267 --> 00:33:48,967
>> IAN: NO.
1167
00:33:49,033 --> 00:33:49,334
NOT•
1168
00:33:49,400 --> 00:33:49,967
>> Olin: TELL THE TRUTH.
1169
00:33:50,033 --> 00:33:51,267
>> Shangela: NO?
1170
00:33:51,334 --> 00:33:51,900
HOW YOU GONNA FEEL IAN SEEING
1171
00:33:51,967 --> 00:33:53,133
YOUR DAD DANCE ON STAGE?
1172
00:33:53,200 --> 00:33:54,133
>> IAN: EMBARRASSED.
1173
00:33:54,200 --> 00:33:55,067
>> Shangela: EMBARRASSED?
1174
00:33:55,133 --> 00:33:56,300
HOW OLD ARE YOU?
1175
00:33:56,367 --> 00:34:00,633
>> Olin: BUT HE'S, HE'S NOT,
1176
00:34:00,700 --> 00:34:01,067
HE'S NOT•
1177
00:34:01,133 --> 00:34:01,533
>> IAN: ELEVEN.
1178
00:34:01,600 --> 00:34:02,067
>> Olin: HE'S NOT GONNA BE
1179
00:34:02,133 --> 00:34:02,267
THERE.
1180
00:34:02,334 --> 00:34:02,900
>> Shangela: WELL YOU'LL SEE IT
1181
00:34:02,967 --> 00:34:03,133
ONE DAY.
1182
00:34:03,200 --> 00:34:03,666
OK.
1183
00:34:03,733 --> 00:34:04,300
>> Olin: YEAH HE WILL, HE'LL SEE
1184
00:34:04,367 --> 00:34:04,700
IT ONE DAY.
1185
00:34:04,766 --> 00:34:05,500
>> Shangela: FOR SURE.
1186
00:34:05,566 --> 00:34:06,000
>> Shangela: WELL COOL.
1187
00:34:06,067 --> 00:34:06,632
>> Olin: HE'S STILL, HE'S STILL
1188
00:34:06,699 --> 00:34:07,167
A LITTLE YOUNG.
1189
00:34:07,234 --> 00:34:08,733
ME BE HONEST WITH YOU I THOUGHT
1190
00:34:08,800 --> 00:34:10,100
THAT Y'ALL WEREN'T GONNA COME
1191
00:34:10,167 --> 00:34:13,300
BACK AND IT WAS MY KIND OF OUT
1192
00:34:13,367 --> 00:34:15,199
AND IT, IT WAS A TOUGH DECISION
1193
00:34:15,266 --> 00:34:17,565
FOR ME ABOUT DOING THIS JUST
1194
00:34:17,632 --> 00:34:20,266
BECAUSE OF THE SMALL TOWN WE
1195
00:34:20,333 --> 00:34:23,632
LIVE IN AND THE WAY THAT THEY'LL
1196
00:34:23,699 --> 00:34:27,266
PERCEIVE ME.
1197
00:34:27,333 --> 00:34:27,766
AND HOW THEY'RE GONNA
1198
00:34:27,833 --> 00:34:29,500
PERCEIVE MY SON.
1199
00:34:29,565 --> 00:34:33,666
I DON'T WANT THEM GETTING
1200
00:34:33,733 --> 00:34:35,434
TARNISHED FOR SOMETHING THAT I
1201
00:34:35,500 --> 00:34:38,533
BELIEVE IN.
1202
00:34:38,600 --> 00:34:40,900
>> Shangela: BUT YOU KNOW WHAT?
1203
00:34:40,967 --> 00:34:41,467
YOU'RE STANDING UP FOR YOUR
1204
00:34:41,533 --> 00:34:42,632
BROTHER.
1205
00:34:42,699 --> 00:34:44,434
YOU'RE STANDING UP TO SAY THAT
1206
00:34:44,500 --> 00:34:45,699
DRAG IS A GOOD THING AND SHOWING
1207
00:34:45,766 --> 00:34:46,900
YOUR KIDS EVERYONE SHOULD BE
1208
00:34:46,967 --> 00:34:50,300
VALUED AND RESPECTED.
1209
00:34:50,367 --> 00:34:50,900
I APPRECIATE YOU FOR THAT AND
1210
00:34:50,967 --> 00:34:51,467
WE'RE GONNA DO IT AND DO IT
1211
00:34:51,533 --> 00:34:51,666
WELL.
1212
00:34:51,733 --> 00:34:57,400
ALL RIGHT?
1213
00:34:57,467 --> 00:35:04,200
♪ ♪
1214
00:35:04,267 --> 00:35:04,933
>> Bob: FAITH, HI.
1215
00:35:05,000 --> 00:35:06,000
>> Faith: HI.
1216
00:35:06,067 --> 00:35:06,766
>> Bob: HEY EVERYBODY, HOW ARE
1217
00:35:06,833 --> 00:35:09,633
YOU ALL?
1218
00:35:09,700 --> 00:35:10,000
>> EVERYONE: HI.
1219
00:35:10,067 --> 00:35:10,633
>> Bob: SO WHO, WHO IS EVERYONE?
1220
00:35:10,700 --> 00:35:12,633
>> Faith: SO THIS IS MY MOM.
1221
00:35:12,700 --> 00:35:14,267
>> Mom: HI, BOB.
1222
00:35:14,334 --> 00:35:15,133
>> Bob: HI, MOM, HOW ARE YOU?
1223
00:35:15,200 --> 00:35:15,733
>> Mom: GOOD, HOW ARE YOU?
1224
00:35:15,800 --> 00:35:16,267
>> Bob: I'M GREAT, IT'S A
1225
00:35:16,334 --> 00:35:16,833
PLEASURE MEETING YOU.
1226
00:35:16,900 --> 00:35:17,633
>> Mom: NICE MEETING YOU TOO.
1227
00:35:17,700 --> 00:35:18,200
>> Faith: AND SO THIS IS MY
1228
00:35:18,267 --> 00:35:18,633
GIRLFRIEND SHANIQUA.
1229
00:35:18,700 --> 00:35:19,234
>> Bob: I'VE HEARD A LOT ABOUT
1230
00:35:19,300 --> 00:35:20,300
YOU.
1231
00:35:20,367 --> 00:35:20,900
>> Shaniqua: I HOPE; I HOPE IT
1232
00:35:20,967 --> 00:35:21,434
WAS GOOD.
1233
00:35:21,500 --> 00:35:22,033
>> Bob: OH, ALL GREAT STUFF, I
1234
00:35:22,100 --> 00:35:23,334
MEAN•
1235
00:35:23,400 --> 00:35:24,733
>> Faith: AND SO THEN THIS IS MY
1236
00:35:24,800 --> 00:35:25,434
LITTLE SISTER ANGEL.
1237
00:35:25,500 --> 00:35:25,967
>> Bob: OH.
1238
00:35:26,033 --> 00:35:27,167
>> Mom: ANGEL.
1239
00:35:27,234 --> 00:35:27,900
>> Angel: NICE TO MEET YOU.
1240
00:35:27,967 --> 00:35:28,533
>> Bob: YOU HAVE A LITTLE SISTER
1241
00:35:28,600 --> 00:35:29,533
VIBE.
1242
00:35:29,600 --> 00:35:31,566
SO I'M GONNA ASK UM, SO HOW IS
1243
00:35:31,633 --> 00:35:32,600
THE BLACK SCENE HERE IN
1244
00:35:32,666 --> 00:35:34,133
SPARTANBURG?
1245
00:35:34,200 --> 00:35:35,900
>> Faith: IT'S NOT.
1246
00:35:35,967 --> 00:35:36,533
>> Bob: WHAT ABOUT QUEER CULTURE
1247
00:35:36,600 --> 00:35:37,133
IN THIS AREA, IS THERE A•?
1248
00:35:37,200 --> 00:35:38,400
>> Angel: SAME.
1249
00:35:38,467 --> 00:35:39,334
>> Faith: BIBLE BELT HERE VERY
1250
00:35:39,400 --> 00:35:40,400
MUCH.
1251
00:35:40,467 --> 00:35:41,566
>> Bob: DO YOU ALL EVER NOTICE
1252
00:35:41,633 --> 00:35:42,200
THERE'S ANY HOMO, ESPECIALLY TO
1253
00:35:42,267 --> 00:35:43,100
YOU TWO, HAVE YOU NOTICED
1254
00:35:43,167 --> 00:35:44,067
THERE'S ANY HOMOPHOBIA
1255
00:35:44,133 --> 00:35:44,833
SPECIFICALLY IN THE BLACK
1256
00:35:44,900 --> 00:35:46,900
COMMUNITY HERE?
1257
00:35:46,967 --> 00:35:47,967
>> Shaniqua: I WOULD SAY WITH ME
1258
00:35:48,033 --> 00:35:50,300
IT, WITHIN MY FAMILY UM, OF
1259
00:35:50,367 --> 00:35:52,200
COURSE UH, I NEVER CAME OUT WHEN
1260
00:35:52,267 --> 00:35:55,367
MY MOM WAS ALIVE BUT I KIND OF
1261
00:35:55,434 --> 00:35:57,467
THINK SHE ALWAYS KNEW, I SAY SHE
1262
00:35:57,533 --> 00:35:59,766
ALWAYS KNEW 'CAUSE IT'S A KEY
1263
00:35:59,833 --> 00:36:01,234
SHE DRANK LIKE A LITTLE BOY AND
1264
00:36:01,300 --> 00:36:01,800
I WOULD SAY MY MOM MUST HAVE
1265
00:36:01,867 --> 00:36:02,600
WANTED ME TO BE GAY YOU KNOW I
1266
00:36:02,666 --> 00:36:03,867
LIKED TO BUT AS, AS FAR AS ON MY
1267
00:36:03,933 --> 00:36:06,234
DADDY'S SIDE I CAUGHT SOME SLACK
1268
00:36:06,300 --> 00:36:09,500
BUT AS I YOU KNOW CAME AROUND
1269
00:36:09,566 --> 00:36:10,267
AND TALKED TO HIM ABOUT IT YOU
1270
00:36:10,334 --> 00:36:12,666
KNOW A LOT OF PEOPLE SEE IT AS
1271
00:36:12,733 --> 00:36:14,467
SOME WOMEN WANTS TO BE A MAN BUT
1272
00:36:14,533 --> 00:36:15,766
THAT'S NOT ME SO ONCE THEY SAW
1273
00:36:15,833 --> 00:36:16,633
THAT, I, I'M NOT I'M STILL A
1274
00:36:16,700 --> 00:36:18,067
WOMAN IDENTITY I JUST LIKE
1275
00:36:18,133 --> 00:36:19,167
WOMEN.
1276
00:36:19,234 --> 00:36:19,833
THEY WERE OKAY WITH IT.
1277
00:36:19,900 --> 00:36:20,600
>> Mom: WELL A LOT OF TIME YOU
1278
00:36:20,666 --> 00:36:21,434
JUST FEEL LIKE IT'S A PHASE THEY
1279
00:36:21,500 --> 00:36:22,267
GOING THROUGH.
1280
00:36:22,334 --> 00:36:23,167
>> Angel: MORE A PHASE?
1281
00:36:23,234 --> 00:36:24,267
>> Mom: YEAH, YOU JUST FEEL LIKE
1282
00:36:24,334 --> 00:36:25,100
IT'S SOMETHING THAT THEY'RE
1283
00:36:25,167 --> 00:36:26,100
GOING THROUGH AND EVENTUALLY
1284
00:36:26,167 --> 00:36:28,434
THEY'LL SNAP OUT OF IT, YOU KNOW
1285
00:36:28,500 --> 00:36:29,033
YOU'LL BE LIKE OKAY, YOU'RE
1286
00:36:29,100 --> 00:36:29,900
GONNA
1287
00:36:29,967 --> 00:36:30,867
WAKE UP IN THREE MONTHS AND
1288
00:36:30,933 --> 00:36:32,633
YOU'RE GONNA BE NORMAL RIGHT.
1289
00:36:32,700 --> 00:36:33,733
>> Faith: WHAT DID YOU THINK
1290
00:36:33,800 --> 00:36:35,000
WHEN I DIDN'T SNAP OUT OF IT
1291
00:36:35,067 --> 00:36:39,666
THREE MONTHS IN?
1292
00:36:39,733 --> 00:36:41,100
>> I WANTED TO COME IN THE
1293
00:36:41,167 --> 00:36:41,566
BEDROOM AND GO, POP!
1294
00:36:41,633 --> 00:36:42,133
SNAP OUT!
1295
00:36:42,200 --> 00:36:45,666
BUT I DIDN'T.
1296
00:36:45,733 --> 00:36:50,533
>> Mom: I JUST, I FELT LIKE SHE
1297
00:36:50,600 --> 00:36:51,700
WAS JUST BEING IN THE CLOSET
1298
00:36:51,766 --> 00:36:52,600
SHUT IN, JUST ALL THE WAY SHUT,
1299
00:36:52,666 --> 00:36:53,434
ALWAYS SHUT INSIDE.
1300
00:36:53,500 --> 00:36:56,133
SO I WANTED HER TO BE HAPPY AND
1301
00:36:56,200 --> 00:36:57,566
SHE WASN'T HAPPY HOLDING ALL
1302
00:36:57,633 --> 00:37:01,633
THAT IN.
1303
00:37:01,700 --> 00:37:02,600
SO I WAS OKAY, I WAS OKAY WITH
1304
00:37:02,666 --> 00:37:04,700
IT.
1305
00:37:04,766 --> 00:37:05,700
BUT I LOVE MY DAUGHTER NO MATTER
1306
00:37:05,766 --> 00:37:07,200
WHAT.
1307
00:37:07,267 --> 00:37:07,800
THAT'S JUST THE WAY IT'S GONNA
1308
00:37:07,867 --> 00:37:09,400
BE.
1309
00:37:09,467 --> 00:37:09,900
>> Bob: THAT'S SO CUTE.
1310
00:37:09,967 --> 00:37:10,633
>> Mom: THIS IS MY BABY.
1311
00:37:10,700 --> 00:37:11,967
I MEAN IT'S, SHE PUT ME THROUGH
1312
00:37:12,033 --> 00:37:13,067
SOME TRYING TIMES BUT HEY I
1313
00:37:13,133 --> 00:37:14,766
STOOD IN THERE.
1314
00:37:14,833 --> 00:37:16,400
>> Bob: FAITH EMBRACES THE
1315
00:37:16,467 --> 00:37:18,200
THINGS THAT HAVE PUT HER ON THE
1316
00:37:18,267 --> 00:37:20,733
FRINGE.
1317
00:37:20,800 --> 00:37:21,933
I THINK IT GOES BACK TO HER
1318
00:37:22,000 --> 00:37:24,000
UPBRINGING AND, AND I THINK SHE
1319
00:37:24,067 --> 00:37:24,633
CONTINUES TO FEEL LIKE THE BLACK
1320
00:37:24,700 --> 00:37:32,300
SHEEP.
1321
00:37:32,367 --> 00:37:37,700
♪ ♪
1322
00:37:37,766 --> 00:37:38,533
>> Eureka: OH, MY GOD, I'M SO
1323
00:37:38,600 --> 00:37:39,633
EXCITED THAT YOU'RE HERE.
1324
00:37:39,700 --> 00:37:40,967
MARVIN.
1325
00:37:41,033 --> 00:37:41,833
THIS IS NOAH.
1326
00:37:41,900 --> 00:37:43,833
>> Noah: HELLO.
1327
00:37:43,900 --> 00:37:44,700
>> Eureka: OBVIOUSLY THE
1328
00:37:44,766 --> 00:37:45,267
PERFORMANCE IS REALLY ABOUT
1329
00:37:45,334 --> 00:37:46,633
EXPRESSING YOURSELF IN A WORLD
1330
00:37:46,700 --> 00:37:47,633
WHERE WE HAVEN'T ALWAYS
1331
00:37:47,700 --> 00:37:48,600
EXPRESSED OURSELVES AND NOW
1332
00:37:48,666 --> 00:37:49,933
ESPECIALLY AS NON-BINARY PEOPLE
1333
00:37:50,000 --> 00:37:50,967
I FEEL LIKE YOU'RE REALLY
1334
00:37:51,033 --> 00:37:51,700
EXPRESSING YOURSELF MORE, I KNOW
1335
00:37:51,766 --> 00:37:52,133
I AM.
1336
00:37:52,200 --> 00:37:52,867
>> Noah: YEP.
1337
00:37:52,933 --> 00:37:56,600
>> Eureka: IT'S LIKE YOU'RE A
1338
00:37:56,666 --> 00:37:57,200
WHOLE BLOSSOMED, LIKE, FLOWER.
1339
00:37:57,267 --> 00:37:57,833
>> Noah: I'M OBSESSED WITH YOUR
1340
00:37:57,900 --> 00:37:58,100
EYEBROWS.
1341
00:37:58,167 --> 00:37:59,867
>> Eureka: OH, THESE.
1342
00:37:59,933 --> 00:38:00,500
>> Noah: I CAN'T STOP LOOKING AT
1343
00:38:00,566 --> 00:38:00,700
THEM.
1344
00:38:00,766 --> 00:38:02,434
>> Eureka: THANK YOU.
1345
00:38:02,500 --> 00:38:03,033
>> Shangela: LOOK WHAT I WORE
1346
00:38:03,100 --> 00:38:03,400
FOR YOU TODAY.
1347
00:38:03,467 --> 00:38:03,867
>> Olin: I LIKE THAT.
1348
00:38:03,933 --> 00:38:04,367
>> Shangela: TINA TURNER
1349
00:38:04,434 --> 00:38:04,600
SWEATER.
1350
00:38:04,666 --> 00:38:05,033
>> Olin: MISS TINA.
1351
00:38:05,100 --> 00:38:06,067
>> MARVIN: TINA TURNER.
1352
00:38:06,133 --> 00:38:06,467
>> Shangela: YES.
1353
00:38:06,533 --> 00:38:07,033
>> Bob: THERE WE GO, WHAT IS
1354
00:38:07,100 --> 00:38:07,400
THIS?
1355
00:38:07,467 --> 00:38:08,400
>> Faith: THERE HAS TO BE
1356
00:38:08,467 --> 00:38:10,000
ANOTHER WAY.
1357
00:38:10,067 --> 00:38:10,833
OH NO.
1358
00:38:10,900 --> 00:38:11,500
>> Bob: YOU GOT THIS.
1359
00:38:11,566 --> 00:38:14,234
YOU GOT THIS.
1360
00:38:14,300 --> 00:38:14,800
>> Faith: IT'S, I'M FEELING
1361
00:38:14,867 --> 00:38:15,766
REALLY TIGHT AND UNCOMFORTABLE
1362
00:38:15,833 --> 00:38:17,400
HERE.
1363
00:38:17,467 --> 00:38:18,967
>> MARVIN: ABOUT ME• YEAH,
1364
00:38:19,033 --> 00:38:19,566
YOU'RE FINE.
1365
00:38:19,633 --> 00:38:20,933
>> Noah: I'LL GET.
1366
00:38:21,000 --> 00:38:26,500
>> MARVIN: UP, DOWN, LEFT,
HIP•
1367
00:38:26,566 --> 00:38:28,400
>> Bob: IF I CAN PROMISE YOU ONE
1368
00:38:28,467 --> 00:38:29,833
THING, I CAN PROMISE YOU THAT
1369
00:38:29,900 --> 00:38:30,267
YOU WILL BE IN PAIN.
1370
00:38:30,334 --> 00:38:33,267
>> Faith: WHAT?
1371
00:38:33,334 --> 00:38:34,234
>> Shangela: SHIMMY, SHIMMY.
1372
00:38:34,300 --> 00:38:35,133
SHIMMY, SHIMMY.
1373
00:38:35,200 --> 00:38:36,833
SHIMMY, SHIMMY.
1374
00:38:36,900 --> 00:38:38,267
YOU GOTTA HAVE THAT GROOVE.
1375
00:38:38,334 --> 00:38:39,167
YOU GOT A LITTLE GROOVE TO YOU.
1376
00:38:39,234 --> 00:38:39,833
>> Olin: YOU DO HAVE TO HAVE
1377
00:38:39,900 --> 00:38:41,167
GROOVE AND I GOT A LITTLE BIT, I
1378
00:38:41,234 --> 00:38:41,800
GOT A LITTLE BIT OF SOUL LEFT IN
1379
00:38:41,867 --> 00:38:42,234
ME.
1380
00:38:42,300 --> 00:38:42,833
>> Shangela: OH, YOU GOT SOME
1381
00:38:42,900 --> 00:38:43,967
SOUL LEFT IN YOU?
1382
00:38:44,033 --> 00:38:47,733
SOUL.
1383
00:38:47,800 --> 00:38:48,100
♪ ♪
1384
00:38:48,167 --> 00:38:54,033
>> Eureka: YOU'RE WELCOME BABY.
1385
00:38:54,100 --> 00:38:54,766
>> Bob: FALLS DOWN.
1386
00:38:54,833 --> 00:38:56,766
HAVE YOU EVER BEEN ABLE TO LIKE
1387
00:38:56,833 --> 00:38:57,833
REALLY DECLARE YOUR LOVE FOR
1388
00:38:57,900 --> 00:38:58,733
SHANIQUA IN FRONT OF YOUR
1389
00:38:58,800 --> 00:39:00,234
FAMILY?
1390
00:39:00,300 --> 00:39:02,100
>> Faith: NO.
1391
00:39:02,167 --> 00:39:02,733
>> Bob: YOU SHOULD FUCKING SLOW
1392
00:39:02,800 --> 00:39:04,633
DANCE.
1393
00:39:04,700 --> 00:39:05,500
>> Faith: WHAT?
1394
00:39:05,566 --> 00:39:06,334
>> Bob: YOU SHOULD.
1395
00:39:06,400 --> 00:39:06,867
IT'LL ADD•
1396
00:39:06,933 --> 00:39:07,434
>> Faith: I HAVE NEVER SLOW
1397
00:39:07,500 --> 00:39:08,967
DANCED.
1398
00:39:09,033 --> 00:39:09,900
>> Bob: IT HAS TO HAPPEN; IT
1399
00:39:09,967 --> 00:39:10,967
JUST HAS TO.
1400
00:39:11,033 --> 00:39:13,267
THERE, IT NEEDS TO BE, IT NEEDS
1401
00:39:13,334 --> 00:39:14,600
TO HAPPEN.
1402
00:39:14,666 --> 00:39:15,267
>> MARVIN: THAT WOULD BE CUTE,
1403
00:39:15,334 --> 00:39:15,967
THAT WOULD BE SO ADORABLE.
1404
00:39:16,033 --> 00:39:25,733
♪ ♪
1405
00:39:25,800 --> 00:39:26,300
>> Bob: OH, MY GOD, THEY'RE
1406
00:39:26,367 --> 00:39:27,700
GONNA GO CRAZY!
1407
00:39:27,766 --> 00:39:35,867
♪ ♪
1408
00:39:35,933 --> 00:39:36,933
>> Eureka: OWN IT, YOU ARE THE
1409
00:39:37,000 --> 00:39:38,033
ONE.
1410
00:39:38,100 --> 00:39:39,400
WHO ARE YOU?
1411
00:39:39,467 --> 00:39:40,967
>> Noah: I'M MISTRESS BOBO
1412
00:39:41,033 --> 00:39:41,766
MAXWELL.
1413
00:39:41,833 --> 00:39:42,800
>> Eureka: SAY IT LOUDER.
1414
00:39:42,867 --> 00:39:45,100
>> Noah: I'M MISTRESS BOBO
1415
00:39:45,167 --> 00:39:45,434
MAXWELL!
1416
00:39:45,500 --> 00:39:45,833
>> Eureka: LOUDER.
1417
00:39:45,900 --> 00:39:46,434
>> MARVIN: LOUDER.
1418
00:39:46,500 --> 00:39:49,533
>> Eureka: SCREAM IT.
1419
00:39:49,600 --> 00:39:50,067
>> ALL: I'M MISTRESS BOBO
1420
00:39:50,133 --> 00:39:50,533
MAXWELL.
1421
00:39:50,600 --> 00:39:54,666
>> Eureka: YES, BITCH.
1422
00:39:54,733 --> 00:39:57,033
♪ ♪
1423
00:39:57,100 --> 00:40:03,500
>> Faith: NOW THAT'S A LASH.
1424
00:40:03,566 --> 00:40:04,167
>> LITERALLY YOUR WHOLE EYEBROW
1425
00:40:04,234 --> 00:40:09,000
IS GONE.
1426
00:40:09,067 --> 00:40:09,533
>> ALL RIGHT, OLIN ARE YOU
1427
00:40:09,600 --> 00:40:10,067
READY?
1428
00:40:10,133 --> 00:40:10,967
>> Olin: YEAH.
1429
00:40:11,033 --> 00:40:11,900
>> ARE YOU GONNA BE SAD?
1430
00:40:11,967 --> 00:40:15,867
>> Olin: NO.
1431
00:40:15,933 --> 00:40:19,500
>> HERE COMES THE LADIES.
1432
00:40:19,566 --> 00:40:20,733
IT'S ENDLESS.
1433
00:40:20,800 --> 00:40:22,367
>> Faith: MY NERVES ARE KIND OF
1434
00:40:22,434 --> 00:40:23,000
STARTING TO KICK IN BUT IT'S IN
1435
00:40:23,067 --> 00:40:23,700
A GOOD WAY.
1436
00:40:23,766 --> 00:40:24,733
>> Bob: NOW WHEN YOUR ADRENALINE
1437
00:40:24,800 --> 00:40:25,900
KICKS IN YOU'RE INVINCIBLE, YOUR
1438
00:40:25,967 --> 00:40:27,133
FEET DON'T HURT, THE CORSET
1439
00:40:27,200 --> 00:40:29,000
DOESN'T FEEL TIGHT.
1440
00:40:29,067 --> 00:40:31,133
>> Faith: OKAY.
1441
00:40:31,200 --> 00:40:39,267
♪ ♪
1442
00:40:39,334 --> 00:40:40,300
>> ALL RIGHT, LET'S PUT HER IN
1443
00:40:40,367 --> 00:40:41,566
BAW-DAY.
1444
00:40:41,633 --> 00:40:43,467
>> Faith: GIVE ME BODY.
1445
00:40:43,533 --> 00:40:45,234
THAT'S MY BUTT.
1446
00:40:45,300 --> 00:40:46,334
I WAITED MY WHOLE LIFE FOR THIS
1447
00:40:46,400 --> 00:40:50,267
MOMENT.
1448
00:40:50,334 --> 00:40:51,200
>> Shangela: YES, POP THE CHEEK
1449
00:40:51,267 --> 00:40:53,234
BONES OUT, LOOK AT, YES LOOK AT.
1450
00:40:53,300 --> 00:40:54,234
>> Olin: I'VE ALWAYS BEEN A BULL
1451
00:40:54,300 --> 00:40:56,300
IN A CHINA SHOP.
1452
00:40:56,367 --> 00:40:57,533
>> Shangela: WELL TONIGHT YOU'RE
1453
00:40:57,600 --> 00:40:58,633
NOT A BULL.
1454
00:40:58,700 --> 00:41:01,867
WHAT ARE YOU?
1455
00:41:01,933 --> 00:41:02,833
>> Olin: FIERCE.
1456
00:41:02,900 --> 00:41:04,566
>> Shangela: THAT'S RIGHT AND
1457
00:41:04,633 --> 00:41:05,167
THAT'S NOBLE, HOW 'BOUT THAT.
1458
00:41:05,234 --> 00:41:12,234
YES.
1459
00:41:12,300 --> 00:41:12,833
>> Pat: YOUR BROTHER HAD BEEN
1460
00:41:12,900 --> 00:41:13,400
HERE UP UNTIL ABOUT FIFTEEN
1461
00:41:13,467 --> 00:41:13,700
MINUTES AGO.
1462
00:41:13,766 --> 00:41:14,467
YOUR BROTHER GONE NOW, THE QUEEN
1463
00:41:14,533 --> 00:41:15,167
HAS ARRIVED.
1464
00:41:15,234 --> 00:41:17,200
YES.
1465
00:41:17,267 --> 00:41:17,800
>> Noah: I HAVEN'T PHYSICALLY
1466
00:41:17,867 --> 00:41:18,533
REHEARSED BUT I'VE BEEN GOING
1467
00:41:18,600 --> 00:41:19,566
THROUGH THE PERFORMANCE AND
1468
00:41:19,633 --> 00:41:21,867
EVERY STEP ALL DAY LONG.
1469
00:41:21,933 --> 00:41:22,500
>> Eureka: THEN JUST BELIEVE IN
1470
00:41:22,566 --> 00:41:23,467
YOURSELF LIKE WE DO.
1471
00:41:23,533 --> 00:41:25,700
'CAUSE WE BELIEVE IN YOU BABY.
1472
00:41:25,766 --> 00:41:26,234
>> IT'S GOOD?
1473
00:41:26,300 --> 00:41:26,967
>> Faith: IT FEELS GOOD.
1474
00:41:27,033 --> 00:41:29,833
I FEEL LIKE A CELEBRITY.
1475
00:41:29,900 --> 00:41:46,100
♪ ♪
1476
00:41:46,167 --> 00:41:51,200
>> Eureka: OH, MY GOD!
1477
00:41:51,267 --> 00:41:52,167
OH, MY GOD, I LOVE YOU GUYS SO
1478
00:41:52,234 --> 00:41:53,267
MUCH.
1479
00:41:53,334 --> 00:41:53,900
>> Eureka: I WAS RAISED AS A
1480
00:41:53,967 --> 00:41:55,367
DRAG QUEEN ONLY A FEW HOURS AWAY
1481
00:41:55,434 --> 00:41:58,133
FROM HERE AND MY DRAG FAMILY
1482
00:41:58,200 --> 00:42:00,100
JUST DROVE UP HERE JUST TO BE A
1483
00:42:00,167 --> 00:42:01,600
PART OF MY PERFORMANCE.
1484
00:42:01,666 --> 00:42:02,200
>> Eureka: I AM LITERALLY HERE
1485
00:42:02,267 --> 00:42:05,533
BECAUSE OF ALL YOU.
1486
00:42:05,600 --> 00:42:06,434
I WOULD NOT BE HERE TODAY
1487
00:42:06,500 --> 00:42:08,633
WITHOUT YOU; I PROMISE YOU THAT.
1488
00:42:08,700 --> 00:42:10,300
I JUST LOVE YOU SO MUCH.
1489
00:42:10,367 --> 00:42:13,666
I LOVE YOU SO MUCH.
1490
00:42:13,733 --> 00:42:14,267
>> DRAG QUEEN: WE LOVE YOU AND
1491
00:42:14,334 --> 00:42:14,800
WE'RE SO PROUD OF YOU.
1492
00:42:14,867 --> 00:42:15,467
>> Eureka: EUREKA WAS CREATED IN
1493
00:42:15,533 --> 00:42:16,533
THIS LIKE BUBBLE OF LOVE RIGHT
1494
00:42:16,600 --> 00:42:17,833
AND THIS BUBBLE OF LOVE JUST
1495
00:42:17,900 --> 00:42:19,533
HAPPENS TO HAVE BIG BOOBIES AND
1496
00:42:19,600 --> 00:42:20,833
SMELL LIKE MACKIE.
1497
00:42:20,900 --> 00:42:23,467
[LAUGHS]
1498
00:42:23,533 --> 00:42:24,666
>> Shangela: COMING TO THE STAGE
1499
00:42:24,733 --> 00:42:28,167
I'D LIKE TO INTRODUCE YOUR
1500
00:42:28,234 --> 00:42:29,133
HOSTESS FOR THE EVENING, MISS
1501
00:42:29,200 --> 00:42:35,400
EUREKA O'HARA AND FAMILY.
1502
00:42:35,467 --> 00:42:36,766
[CHEERS AND APPLAUSE]
1503
00:42:36,833 --> 00:42:43,500
>> Eureka: YOU READY, AH HA.
1504
00:42:43,566 --> 00:42:50,533
♪ ♪
1505
00:42:50,600 --> 00:42:52,200
>> Eureka: GIRL LISTEN, SOCIETY
1506
00:42:52,267 --> 00:42:53,900
HAS TRIED TO TELL ME MY WHOLE
1507
00:42:53,967 --> 00:42:55,434
MOTHER FUCKING LIFE THAT I
1508
00:42:55,500 --> 00:42:59,400
WASN'T HOT OR SEXY BUT AS A
1509
00:42:59,467 --> 00:43:03,133
QUEEN, I KNEW OTHERWISE.
1510
00:43:03,200 --> 00:43:04,100
NOW GIRL, LET'S BE REAL, I
1511
00:43:04,167 --> 00:43:05,867
WOULDN'T BE NOTHING WITHOUT MY
1512
00:43:05,933 --> 00:43:07,566
DRAG FAMILY ALWAYS LIGHTING A
1513
00:43:07,633 --> 00:43:09,700
FIRE UP THIS DELICIOUS SICK
1514
00:43:09,766 --> 00:43:12,167
MOTHER FUCKING ASS.
1515
00:43:12,234 --> 00:43:13,100
NOW I WANT YOU ALL TO MEET SOME
1516
00:43:13,167 --> 00:43:14,033
OF THE AMAZONS THAT HAVE LIT MY
1517
00:43:14,100 --> 00:43:17,533
LIFE UP.
1518
00:43:17,600 --> 00:43:25,234
♪ ♪
1519
00:43:25,300 --> 00:43:26,100
>> Eureka: MY DRAG MOTHER THE
1520
00:43:26,167 --> 00:43:27,566
AMAZING AMAZON, JAQUELINE SAINT
1521
00:43:27,633 --> 00:43:28,566
JAMES.
1522
00:43:28,633 --> 00:43:44,033
♪ ♪
1523
00:43:44,100 --> 00:43:46,400
>> Eureka: MY DRAG SISTER,
1524
00:43:46,467 --> 00:43:47,467
FATRIANA EVANS.
1525
00:43:47,533 --> 00:43:55,733
♪ ♪
1526
00:43:55,800 --> 00:43:59,467
>> Eureka: NOW NEXT UP, MY BABY
1527
00:43:59,533 --> 00:44:00,400
GIRL, SEEING COMPS O'HARA.
1528
00:44:00,467 --> 00:44:08,133
♪ ♪
1529
00:44:08,200 --> 00:44:11,566
♪ ♪
1530
00:44:11,633 --> 00:44:13,633
>> Eureka: YES, AND NOW HERE I
1531
00:44:13,700 --> 00:44:19,167
COME, UH, OH, BITCH, UH, OH,
1532
00:44:19,234 --> 00:44:22,766
HERE SHE COMES, EUREKA!
1533
00:44:22,833 --> 00:44:44,100
♪ ♪
1534
00:44:44,167 --> 00:44:49,133
♪ ♪
1535
00:44:49,200 --> 00:44:51,967
>> Eureka: ALL RIGHT, FAMILY.
1536
00:44:52,033 --> 00:44:52,600
YOU READY, LIGHT UP THE STAGE,
1537
00:44:52,666 --> 00:44:53,234
LIGHT UP THE STAGE, LIGHT UP THE
1538
00:44:53,300 --> 00:44:54,133
STAGE, LIGHT UP THE STAGE.
1539
00:44:54,200 --> 00:44:55,033
LIGHT UP, LIGHT UP, LIGHT UP,
1540
00:44:55,100 --> 00:45:00,334
LIGHT UP•
1541
00:45:00,400 --> 00:45:07,434
♪ ♪
1542
00:45:07,500 --> 00:45:14,334
>> Eureka: ALL RIGHT, BITCHES.
1543
00:45:14,400 --> 00:45:28,300
[CHEERS AND APPLAUSE]
1544
00:45:28,367 --> 00:45:33,133
[CHEERS AND APPLAUSE]
1545
00:45:33,200 --> 00:45:33,833
THAT IS THE LEGACY THAT I COME
1546
00:45:33,900 --> 00:45:34,633
FROM.
1547
00:45:34,700 --> 00:45:36,067
MY ORIGINAL DRAG FAMILY.
1548
00:45:36,133 --> 00:45:36,900
I ALSO HAVE SOME OTHER AMAZING
1549
00:45:36,967 --> 00:45:37,700
FRIENDS IN THE AUDIENCE, THANK
1550
00:45:37,766 --> 00:45:38,766
YOU SO MUCH.
1551
00:45:38,833 --> 00:45:40,566
PONTHEOLA.
1552
00:45:40,633 --> 00:45:41,933
YOU GAVE US THIS AMAZING SPACE.
1553
00:45:42,000 --> 00:45:42,467
CAN I GET A HUGE ROUND OF
1554
00:45:42,533 --> 00:45:44,933
APPLAUSE?
1555
00:45:45,000 --> 00:45:45,400
[CHEERS AND APPLAUSE]
1556
00:45:45,467 --> 00:45:46,800
THIS BEAUTIFUL BLACK WOMAN WHO
1557
00:45:46,867 --> 00:45:48,000
RECLAIMED THIS PLANTATION HOME
1558
00:45:48,067 --> 00:45:50,400
IN A SOCIETY OF REBIRTH AND
1559
00:45:50,467 --> 00:45:51,400
BUILD UP THAT WE NEED IN THIS
1560
00:45:51,467 --> 00:45:53,400
WORLD RIGHT NOW.
1561
00:45:53,467 --> 00:45:55,967
THANK YOU SO MUCH.
1562
00:45:56,033 --> 00:46:03,200
THANK YOU.
1563
00:46:03,267 --> 00:46:03,867
>> Faith: I'M EXCITED TO HAVE MY
1564
00:46:03,933 --> 00:46:05,200
FAMILY SEE ME, LIKE, LIVING IN
1565
00:46:05,267 --> 00:46:08,167
MY TRUTH AND TO SHOW PEOPLE THAT
1566
00:46:08,234 --> 00:46:10,500
HEY, LOVE HAS NO GENDER IT HAS
1567
00:46:10,566 --> 00:46:13,267
NO RACE, IT'S JUST LOVE.
1568
00:46:13,334 --> 00:46:13,867
>> Eureka: I WANT TO INTRODUCE
1569
00:46:13,933 --> 00:46:15,600
MY NEXT ENTERTAINER WHO IS THE
1570
00:46:15,666 --> 00:46:19,467
DAUGHTER OF THE INCREDIBLE BOB
1571
00:46:19,533 --> 00:46:22,067
THE DRAG QUEEN, GIVE IT UP FOR
1572
00:46:22,133 --> 00:46:31,967
BIG MAMA FROM THE HOUSE OF MAMA.
1573
00:46:32,033 --> 00:46:45,300
[CHEERS AND APPLAUSE]
1574
00:46:45,367 --> 00:47:04,666
♪ ♪
1575
00:47:04,733 --> 00:47:12,000
["MAKE YOU FEEL MY LOVE"]
1576
00:47:12,067 --> 00:47:25,100
[CHEERS AND APPLAUSE]
1577
00:47:25,167 --> 00:47:30,334
♪ ♪
1578
00:47:30,400 --> 00:47:48,167
["MAKE YOU FEEL MY LOVE"]
1579
00:47:48,234 --> 00:47:56,967
[CHEERS AND APPLAUSE]
1580
00:47:57,033 --> 00:48:12,933
♪ ♪
1581
00:48:13,000 --> 00:48:19,933
[APPLAUSE]
1582
00:48:20,000 --> 00:48:41,867
["MAKE YOU FEEL MY LOVE"]
1583
00:48:41,933 --> 00:48:43,067
[CHEERS AND APPLAUSE]
1584
00:48:43,133 --> 00:48:46,566
♪ ♪
1585
00:48:46,633 --> 00:48:47,367
>> Bob: MAKE SOME NOISE FOR BIG
1586
00:48:47,434 --> 00:48:51,400
MAMA.
1587
00:48:51,467 --> 00:48:51,867
[CHEERS AND APPLAUSE]
1588
00:48:51,933 --> 00:48:52,434
I KNOW I WAS, I WAS, THAT
1589
00:48:52,500 --> 00:48:55,600
FUCKING LOVE, I WAS CRYING, I'M
1590
00:48:55,666 --> 00:48:57,633
NOT GONNA LIE, I WAS CRYING LIKE
1591
00:48:57,700 --> 00:49:01,067
A BITCH, I'M NOT GONNA LIE.
1592
00:49:01,133 --> 00:49:02,566
AFTER THAT, IF SHANIQUA DON'T
1593
00:49:02,633 --> 00:49:05,000
PUT A RING ON IT I'M GOING TO
1594
00:49:05,067 --> 00:49:05,500
THAT WAS....
1595
00:49:05,566 --> 00:49:06,400
>> Faith: I DO WANT TO THANK
1596
00:49:06,467 --> 00:49:07,500
EVERYBODY FOR COMING OUT AND I
1597
00:49:07,566 --> 00:49:08,766
ESPECIALLY WANT TO THANK MY
1598
00:49:08,833 --> 00:49:12,733
FAMILY AND MY FRIENDS THANK YOU
1599
00:49:12,800 --> 00:49:17,600
ALL SO MUCH.
1600
00:49:17,666 --> 00:49:18,234
>> Noah: IF I COULD TALK TO
1601
00:49:18,300 --> 00:49:21,400
MYSELF A YEAR AGO I WOULD SAY
1602
00:49:21,467 --> 00:49:25,933
FOCUS ON THAT YOU ARE VALID.
1603
00:49:26,000 --> 00:49:27,600
NOTHING THAT ANYBODY ELSE SAYS
1604
00:49:27,666 --> 00:49:30,800
MATTERS.
1605
00:49:30,867 --> 00:49:32,533
>> Shangela: TONIGHT, PLEASE
1606
00:49:32,600 --> 00:49:33,700
WELCOME MY SISTER EUREKA O'HAR•.
1607
00:49:33,766 --> 00:49:34,533
>> Eureka: WITH THIS
1608
00:49:34,600 --> 00:49:36,334
PERFORMANCE, WE'RE BRINGING THE
1609
00:49:36,400 --> 00:49:37,666
FREAK FLAG TO SPARTANBURG AND
1610
00:49:37,733 --> 00:49:39,100
MAYBE THEY'LL GO HOME AND LET
1611
00:49:39,167 --> 00:49:39,700
THEIR FREAK FLAG FLY A LITTLE
1612
00:49:39,766 --> 00:49:48,067
BIT.
1613
00:49:48,133 --> 00:49:52,100
♪ ♪
1614
00:49:52,167 --> 00:49:52,367
>> HELLO.
1615
00:49:52,434 --> 00:49:55,400
LIKE I TOLD YOU BEFORE, I NEED
1616
00:49:55,467 --> 00:49:57,133
TO TO ACT RIGHT, NOAH, HAVE SOME
1617
00:49:57,200 --> 00:49:57,334
CLASS.
1618
00:49:57,400 --> 00:50:00,033
NO ONE'S GOING TO BUY MAKE THE
1619
00:50:00,100 --> 00:50:01,434
CREAM TRUCK IF YOU'RE HANDING
1620
00:50:01,500 --> 00:50:06,600
OUT POPSICLES FOR FREE.
1621
00:50:06,666 --> 00:50:07,367
[CHEERS AND APPLAUSE]
1622
00:50:07,434 --> 00:50:20,800
♪ ♪
1623
00:50:20,867 --> 00:50:24,733
[CHEERS AND APPLAUSE]
1624
00:50:24,800 --> 00:50:38,200
♪ ♪
1625
00:50:38,267 --> 00:50:54,067
♪ ♪
1626
00:50:54,133 --> 00:50:59,867
[CHEERS AND APPLAUSE]
1627
00:50:59,933 --> 00:51:10,867
♪ ♪
1628
00:51:10,933 --> 00:51:17,100
[CHEERS AND APPLAUSE]
1629
00:51:17,167 --> 00:51:33,300
♪ ♪
1630
00:51:33,367 --> 00:51:42,367
[CHEERS AND APPLAUSE]
1631
00:51:42,434 --> 00:51:46,700
>> Eureka: HERE YOU GO, BABY.
1632
00:51:46,766 --> 00:51:48,334
>> Noah: IT'S BEEN A REALLY
1633
00:51:48,400 --> 00:51:49,633
WONDERFUL JOURNEY OUT OF THE
1634
00:51:49,700 --> 00:51:56,300
CHRYSALIS.
1635
00:51:56,367 --> 00:51:57,467
WHEN I GOT DONE WITH MAKEUP
1636
00:51:57,533 --> 00:51:58,434
TODAY, AND LOOKED IN THE MIRROR
1637
00:51:58,500 --> 00:52:01,700
I WAS LIKE, I KNOW YOU BUT I'VE
1638
00:52:01,766 --> 00:52:04,500
NEVER MET YOU BEFORE AND I LOVE
1639
00:52:04,566 --> 00:52:08,967
YOU.
1640
00:52:09,033 --> 00:52:09,434
[CHEERS AND APPLAUSE]
1641
00:52:09,500 --> 00:52:10,967
>> Eureka: AND WE LOVE YOU, I
1642
00:52:11,033 --> 00:52:11,600
KNOW THAT'S WHY, ONE MORE TIME
1643
00:52:11,666 --> 00:52:16,967
FOR MISS BOBO MAXWELL O'HORA.
1644
00:52:17,033 --> 00:52:18,367
>> Olin: I'M THINKING THAT THIS
1645
00:52:18,434 --> 00:52:21,167
IS A, A LOT BIGGER THAN WHAT I
1646
00:52:21,234 --> 00:52:22,334
THOUGHT IT WOULD HAVE BEEN AT
1647
00:52:22,400 --> 00:52:25,234
THE BEGINNING.
1648
00:52:25,300 --> 00:52:26,000
>> Bob: PLEASE WELCOME TO THE
1649
00:52:26,067 --> 00:52:26,900
STAGE FROM SHANGELA'S HOUSE.
1650
00:52:26,967 --> 00:52:29,533
>> Olin: EVERYBODY KNOWS ABOUT
1651
00:52:29,600 --> 00:52:30,833
PAT BUT THIS IS EXTREMELY OUT OF
1652
00:52:30,900 --> 00:52:33,167
MY COMFORT ZONE.
1653
00:52:33,234 --> 00:52:34,700
>> Bob: OH, LOTTA FURNITURE AND
1654
00:52:34,766 --> 00:52:38,666
THE LEGEND MISS PATIO FURNITURE.
1655
00:52:38,733 --> 00:52:39,700
>> Olin: I THINK THAT TO DO
1656
00:52:39,766 --> 00:52:42,566
SOMETHING LIKE THIS NOW I KNOW A
1657
00:52:42,633 --> 00:52:43,267
LITTLE BIT MORE OF WHAT HE'S
1658
00:52:43,334 --> 00:52:49,133
GOING THROUGH.
1659
00:52:49,200 --> 00:52:52,566
♪ ♪
1660
00:52:52,633 --> 00:52:55,300
>> ANOTHER DAY AT THE OFFICE.
1661
00:52:55,367 --> 00:53:00,867
>> LET'S GET TO WORK.
1662
00:53:00,933 --> 00:53:31,967
♪ ♪
1663
00:53:32,033 --> 00:53:32,733
[CHEERS AND APPLAUSE]
1664
00:53:32,800 --> 00:53:39,566
IS A COME MUSICAL
1665
00:53:39,633 --> 00:53:57,234
♪ ♪[CHEERS AND APPLAUSE]
1666
00:53:57,300 --> 00:54:09,167
♪ ♪
1667
00:54:09,234 --> 00:54:16,666
[CHEERS AND APPLAUSE]
1668
00:54:16,733 --> 00:54:32,566
♪ ♪
1669
00:54:32,633 --> 00:54:33,133
[CHEERS AND APPLAUSE]
1670
00:54:33,200 --> 00:54:45,267
♪ ♪
1671
00:54:45,334 --> 00:54:54,867
[CHEERS AND APPLAUSE]
1672
00:54:54,933 --> 00:54:55,400
>> Pat: OUR FATHER IS HERE
1673
00:54:55,467 --> 00:54:58,267
TONIGHT.
1674
00:54:58,334 --> 00:55:02,267
THIS IS THE FIRST TIME IN MY
1675
00:55:02,334 --> 00:55:04,800
TWENTY-ONE-YEAR CAREER THAT HE'S
1676
00:55:04,867 --> 00:55:07,067
EVER SEEN ME PERFORM AND THIS IS
1677
00:55:07,133 --> 00:55:08,067
THE FIRST TIME HE'S EVER SEEN OH
1678
00:55:08,133 --> 00:55:14,733
LOTTA PERFORM EITHER.
1679
00:55:14,800 --> 00:55:15,200
[CHEERS AND APPLAUSE]
1680
00:55:15,267 --> 00:55:15,666
YOU GOT THIS BROTHER.
1681
00:55:15,733 --> 00:55:18,400
>> Olin: WHEN GROWING UP PAT DID
1682
00:55:18,467 --> 00:55:20,700
HIS THING AND I DID MY THING I
1683
00:55:20,766 --> 00:55:23,600
GUESS IT WAS TWENTY YEARS AGO
1684
00:55:23,666 --> 00:55:24,467
MAYBE, I WAS THE LAST ONE TO
1685
00:55:24,533 --> 00:55:28,933
FIND OUT THAT HE WAS GAY AND UM,
1686
00:55:29,000 --> 00:55:31,833
I THINK I WAS THE LAST ONE
1687
00:55:31,900 --> 00:55:34,467
BECAUSE HE WAS SCARED THAT I
1688
00:55:34,533 --> 00:55:37,467
WASN'T GONNA ACCEPT HIM.
1689
00:55:37,533 --> 00:55:39,334
UH.
1690
00:55:39,400 --> 00:55:43,800
[CRYING]
1691
00:55:43,867 --> 00:55:45,400
>> Pat: I LOVE YOU BROTHER.
1692
00:55:45,467 --> 00:55:47,200
>> Olin: [CRYING]
1693
00:55:47,267 --> 00:55:52,666
I LOVE YOU TOO BUT I'M KIND OF A
1694
00:55:52,733 --> 00:55:57,300
MANLY MAN BUT UM, SOMETIMES YOU,
1695
00:55:57,367 --> 00:55:58,766
YOU KNOW THE OLD SAYING, THINK
1696
00:55:58,833 --> 00:56:03,067
OUTSIDE THE BOX, SOMETIMES YOU
1697
00:56:03,133 --> 00:56:08,666
HAVE TO ACT OUTSIDE THE BOX AND
1698
00:56:08,733 --> 00:56:10,833
THERE MIGHT BE ANOTHER TIME THAT
1699
00:56:10,900 --> 00:56:12,400
YOU MIGHT SEE US UP ON STAGE I
1700
00:56:12,467 --> 00:56:13,800
DON'T KNOW.
1701
00:56:13,867 --> 00:56:14,467
>> Shangela: ALL RIGHT, WE GOT A
1702
00:56:14,533 --> 00:56:15,867
ROAD SHOW.
1703
00:56:15,933 --> 00:56:17,500
YOU ALL GIVE UP FOR MY NEW
1704
00:56:17,566 --> 00:56:25,400
DAUGHTERS, THE ONE AND ONLY MISS
1705
00:56:25,467 --> 00:56:26,033
PATTI O'FURNITURE AND OH, LOTTA
1706
00:56:26,100 --> 00:56:26,900
FURNITURE.
1707
00:56:26,967 --> 00:56:27,467
>> Shangela: I'M HOPING THAT
1708
00:56:27,533 --> 00:56:28,267
OLIN'S PERFORMANCE WILL BE THE
1709
00:56:28,334 --> 00:56:29,566
FIRST STEP FOR THE ENTIRE FAMILY
1710
00:56:29,633 --> 00:56:30,900
TO BE ABLE TO SHOWCASE THEIR
1711
00:56:30,967 --> 00:56:32,100
SUPPORT OF PAT WITH NO TYPES OF
1712
00:56:32,167 --> 00:56:33,434
LIMITATIONS ON IT.
1713
00:56:33,500 --> 00:56:35,733
IT'S NOT LIKE WE LOVE YOU BUT
1714
00:56:35,800 --> 00:56:37,167
KEEP THE GAY STUFF OUT THERE.
1715
00:56:37,234 --> 00:56:40,000
IT'S GONNA BE LIKE WE LOVE YOU,
1716
00:56:40,067 --> 00:56:42,500
IF THIS IS A PART OF YOUR LIFE
1717
00:56:42,566 --> 00:56:43,133
AND CONVERSATION, IT IS WELCOME
1718
00:56:43,200 --> 00:56:43,800
HERE.
1719
00:56:43,867 --> 00:56:48,467
>> Faith: Y'ALL, LOOK.
1720
00:56:48,533 --> 00:56:49,300
GOD HAD THE BUTT I'VE BEEN
1721
00:56:49,367 --> 00:56:50,867
WAITING ON ALL MY LIFE.
1722
00:56:50,933 --> 00:56:52,900
OOH, CHILD!
1723
00:56:52,967 --> 00:56:54,800
MY BODY'S TOO BOOTYLICIOUS FOR
1724
00:56:54,867 --> 00:56:58,533
YOU BABY.
1725
00:56:58,600 --> 00:56:59,267
>> Eureka: NOAH!
1726
00:56:59,334 --> 00:57:00,700
BABY.
1727
00:57:00,766 --> 00:57:01,600
WELL THIS IS OBVIOUSLY YOUR
1728
00:57:01,666 --> 00:57:04,933
FAMILY NOW TOO SO.
1729
00:57:05,000 --> 00:57:05,566
>> DRAG QUEEN: WE'RE NOT JUST A
1730
00:57:05,633 --> 00:57:06,234
FAMILY ON STAGE, WE ARE A FAMILY
1731
00:57:06,300 --> 00:57:06,633
IN REAL LIFE.
1732
00:57:06,700 --> 00:57:07,267
>> Eureka: I FEEL LIKE WE NEED A
1733
00:57:07,334 --> 00:57:09,367
GROUP HUG MOMENT.
1734
00:57:09,434 --> 00:57:12,167
GET IN HERE, NOAH.
1735
00:57:12,234 --> 00:57:14,234
>> Pat: I'M SO PROUD OF HIM.
1736
00:57:14,300 --> 00:57:16,700
AND I MEAN HE WENT IN A HUNDRED
1737
00:57:16,766 --> 00:57:17,367
AND TEN PERCENT.
1738
00:57:17,434 --> 00:57:18,666
SEEING THE SACRIFICES THAT HE
1739
00:57:18,733 --> 00:57:19,533
MADE FOR ME, I'M GONNA HAVE TO
1740
00:57:19,600 --> 00:57:20,967
STEP IT UP.
1741
00:57:21,033 --> 00:57:22,800
IT'S GONNA START WITH TOMORROW
1742
00:57:22,867 --> 00:57:24,700
MORNING GETTING UP REAL EARLY TO
1743
00:57:24,766 --> 00:57:27,500
GO SEE MY NEPHEW PLAY BASEBALL,
1744
00:57:27,566 --> 00:57:28,733
UH, HA, BUT I'M GONNA DO IT
1745
00:57:28,800 --> 00:57:31,133
BECAUSE I FIGURE IF, IF OLIN CAN
1746
00:57:31,200 --> 00:57:32,933
DO ALL THIS FOR ME, THE LEAST I
1747
00:57:33,000 --> 00:57:34,833
CAN DO IS GO WATCH SPORTS.
1748
00:57:34,900 --> 00:57:37,467
>> Faith: HEY BABY!
1749
00:57:37,533 --> 00:57:38,200
>> Faith: THIS HAS TO BE LIKE
1750
00:57:38,267 --> 00:57:39,367
ONE OF THE BEST FEELINGS IN MY
1751
00:57:39,434 --> 00:57:41,533
LIFE, LIKE I, LIKE I FEEL
1752
00:57:41,600 --> 00:57:43,367
MAGICAL.
1753
00:57:43,434 --> 00:57:43,967
>> Faith: DID YOU GET MY STORY
1754
00:57:44,033 --> 00:57:44,334
MAMA?
1755
00:57:44,400 --> 00:57:45,234
>> Mom: I GOT YOUR STORY BABY.
1756
00:57:45,300 --> 00:57:46,467
>> Faith: YOU GOT MY STORY.
1757
00:57:46,533 --> 00:57:48,100
>> Mom: YES, MY BABY GROWN INTO
1758
00:57:48,167 --> 00:57:49,566
A FLOWER POT AND THEN SHE GOT
1759
00:57:49,633 --> 00:57:52,367
WATERED AND THEN SHE BLOSSOMED.
1760
00:57:52,434 --> 00:57:53,800
SHE BLOSSOMED.
1761
00:57:53,867 --> 00:57:55,633
SHE BLOSSOMED INTO THE MOST
1762
00:57:55,700 --> 00:57:57,033
BEAUTIFUL INDIVIDUAL EVER.
1763
00:57:57,100 --> 00:57:58,334
AND GOD JUST WANT TO•
1764
00:57:58,400 --> 00:57:59,067
>> Faith: THANKS MA.
1765
00:57:59,133 --> 00:57:59,933
>> Mom: JUST GOD JUST WANT TO
1766
00:58:00,000 --> 00:58:00,900
LET YOU KNOW YOU ARE LOVED AMONG
1767
00:58:00,967 --> 00:58:02,566
EVERYBODY.
1768
00:58:02,633 --> 00:58:05,234
ALL OF US AND WE JUST ADORE YOU.
1769
00:58:05,300 --> 00:58:05,800
>> Faith: THANK YOU ALL FOR
1770
00:58:05,867 --> 00:58:08,267
BEING HERE.
1771
00:58:08,334 --> 00:58:09,200
>> Eureka: HELPING THE QUEER
1772
00:58:09,267 --> 00:58:10,467
COMMUNITY BE RELEVANT IN
1773
00:58:10,533 --> 00:58:13,967
SPARTANBURG IS IMPORTANT BECAUSE
1774
00:58:14,033 --> 00:58:15,434
BEING OUT AND PROUD IS WHAT'S
1775
00:58:15,500 --> 00:58:16,467
GONNA SHOW THOSE KIDS THAT ARE
1776
00:58:16,533 --> 00:58:18,400
BEING RAISED IN THIS TOWN THAT
1777
00:58:18,467 --> 00:58:19,467
ARE QUEER THAT THERE ARE PEOPLE
1778
00:58:19,533 --> 00:58:20,833
LIKE THEM.
1779
00:58:20,900 --> 00:58:23,167
DRAG HEALS THE WORLD.
1780
00:58:23,234 --> 00:58:24,600
AND SPARTANBURG IS JUST THE
1781
00:58:24,666 --> 00:58:25,900
BEGINNING.
1782
00:58:25,967 --> 00:58:31,334
[LAUGHS]
1783
00:58:31,400 --> 00:58:46,933
♪ ♪
1784
00:58:47,000 --> 00:59:03,400
♪ ♪
1785
00:59:03,467 --> 00:59:23,167
♪ ♪
105414
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