Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
2
00:00:15,690 --> 00:00:18,150
WARREN: I remember we sat and
listened to the songs, and,
3
00:00:18,190 --> 00:00:21,120
there was something
incredibly eerie about
4
00:00:21,150 --> 00:00:23,920
the first track Jesus Alone,
5
00:00:23,950 --> 00:00:27,150
sort of had this line, "He fell
from the sky, crash landed".
6
00:00:27,190 --> 00:00:29,190
MAN: Do you wanna
just tell me the story?
7
00:00:29,220 --> 00:00:31,950
WARREN: I mean I don't really
know because I can't imagine
8
00:00:31,990 --> 00:00:34,320
how you never get such
a thing.
9
00:00:34,350 --> 00:00:38,050
And, you know, I
just can't even
10
00:00:38,090 --> 00:00:39,920
fathom it. Um...
11
00:00:39,950 --> 00:00:44,820
And watching this happen to
people that you love,
12
00:00:44,850 --> 00:00:47,750
is um...
It doesn't even...
13
00:00:47,790 --> 00:00:51,750
I don't think even... lets you
any, gives you any insight
14
00:00:51,790 --> 00:00:54,590
really into it. Because,
there's a step within,
15
00:00:54,620 --> 00:00:55,950
you can't go.
16
00:00:56,950 --> 00:00:59,990
But, it... it feels like...
17
00:01:00,020 --> 00:01:04,020
for Nick or somebody who's
created all his life, um,
18
00:01:04,050 --> 00:01:07,790
it feels like...
19
00:01:07,820 --> 00:01:09,550
Can we stop right there?
20
00:01:11,850 --> 00:01:13,890
MAN: We have to re-calibrate,
this is out of focus.
21
00:01:13,920 --> 00:01:15,090
It's not usable at the moment.
22
00:01:15,120 --> 00:01:17,050
I know.
Calibrate focus please.
23
00:01:18,050 --> 00:01:20,220
Sorry.
That's alright, man.
24
00:01:20,250 --> 00:01:22,090
Are you...
Let's cut it.
25
00:01:23,320 --> 00:01:25,050
Alright, do you want me
to hop out?
Yeah.
26
00:01:25,090 --> 00:01:27,150
Yes please. Could you?
Do you want me to get out too?
27
00:01:27,190 --> 00:01:29,150
Yea, we'll get out.
If you wanna stretch your legs.
28
00:01:29,190 --> 00:01:30,290
Yeah.
29
00:01:32,290 --> 00:01:34,590
MAN 1: Mate, I'm sorry.
30
00:01:34,620 --> 00:01:37,750
MAN 2: It's shocking man.
It's shocking, it's terrible.
This is not what I...
31
00:01:37,790 --> 00:01:42,190
-what I want you to...
- To be honest I find this
really hard, because,
32
00:01:42,220 --> 00:01:47,020
- I've never discussed Nick's
private life, um...
- Yeah.
33
00:01:47,050 --> 00:01:52,050
Or anybody that I know. I don't
sort of, discuss it like this,
and, it feels like this is
34
00:01:52,090 --> 00:01:55,220
-something that gotta come up.
You know?
- Yeah.
35
00:01:55,250 --> 00:02:00,190
Um, and so there's a part of
me that feels very protective.
36
00:02:00,220 --> 00:02:03,090
That's where's it's hard
to strike a balance, you know.
37
00:02:03,120 --> 00:02:04,920
Like, I can... you know,
38
00:02:04,950 --> 00:02:07,690
I don't wanna go and tell you
what I saw when I went there,
39
00:02:07,720 --> 00:02:11,020
and all this, I don't wanna
tell what I felt because,
40
00:02:11,050 --> 00:02:14,650
it just feels like...
that's...
41
00:02:14,690 --> 00:02:16,490
that's like, private, you know.
42
00:02:20,350 --> 00:02:24,120
Uh, I just... Warren sent me
something yesterday.
43
00:02:24,150 --> 00:02:26,520
MAN: Uh...
emailed a friend...
44
00:02:26,990 --> 00:02:29,950
um, last night.
45
00:02:29,990 --> 00:02:32,890
I shouldn't go in first,
because I get in before...
46
00:02:33,850 --> 00:02:34,890
Uh...
47
00:02:38,190 --> 00:02:40,820
We've all gotta get behind you.
48
00:02:40,850 --> 00:02:42,250
Um, I don't know.
49
00:02:42,290 --> 00:02:47,150
WARREN: And, I was
mentioning how time
50
00:02:47,190 --> 00:02:49,890
felt elastic these days.
51
00:02:52,350 --> 00:02:54,790
Alright so we need to go
this way, mate.
52
00:02:58,690 --> 00:03:01,720
WARREN: And he emailed
me back...
53
00:03:01,750 --> 00:03:06,290
uh, a very excited
and lovely email.
54
00:03:06,320 --> 00:03:11,750
Where he spoke about um, the idea
that all things were happening...
55
00:03:11,790 --> 00:03:12,820
Is this um...
56
00:03:12,850 --> 00:03:14,490
WARREN: all the time.
57
00:03:14,520 --> 00:03:17,090
Is this okay to wear in the studio,
do you want me to put a shirt on and stuff?
58
00:03:18,150 --> 00:03:21,950
Uh...
Textually,
59
00:03:21,990 --> 00:03:23,920
textually that's not the
greatest thing.
Okay.
60
00:03:23,950 --> 00:03:26,290
Yeah.
Okay.
61
00:03:26,320 --> 00:03:30,650
Okay, come on, let's uh...
begin to film this. Alright.
Yeah, we're filming.
62
00:03:30,690 --> 00:03:31,950
We never stopped.
63
00:03:31,990 --> 00:03:34,620
Okay.
So, try and get
both Nick's.
64
00:03:34,650 --> 00:03:38,820
WARREN:
All past present and future,
are happening now.
65
00:03:38,850 --> 00:03:40,050
Right now.
66
00:03:40,090 --> 00:03:43,090
And then if you just...
Yeah, great Nick.
67
00:03:43,120 --> 00:03:48,290
WARREN:
That basically a caveman,
was clubbing a female mate,
68
00:03:51,550 --> 00:03:57,290
Uh, at the same time that
astronauts, or scientists
trying to...
69
00:03:57,320 --> 00:03:59,850
work out how to
colonize Mars.
70
00:04:08,220 --> 00:04:09,290
WARREN: Now...
71
00:04:11,750 --> 00:04:14,650
that is encouraging right?
72
00:04:16,750 --> 00:04:22,220
And, I think he meant well.
But, it's not true because...
73
00:04:30,120 --> 00:04:31,250
it's not true...
74
00:04:32,650 --> 00:04:33,820
because...
75
00:04:33,850 --> 00:04:35,820
We need an exit.
I know.
76
00:04:35,850 --> 00:04:36,950
It's to the right.
77
00:04:41,320 --> 00:04:43,950
Hey, you see there's another
Nick in the mirror there...
Yeah, there.
78
00:04:43,990 --> 00:04:45,850
Wait till he comes back in.
79
00:04:47,690 --> 00:04:49,790
WARREN: If everything was
happening now...
80
00:04:50,650 --> 00:04:51,890
Nick.
NICK: Yeah?
81
00:04:51,920 --> 00:04:54,320
How do you feel about us
having another go at that?
82
00:04:54,350 --> 00:04:56,150
WARREN:
I wouldn't be sitting here
83
00:04:56,190 --> 00:05:00,090
waiting for the film crew to
work out how to work...
84
00:05:00,120 --> 00:05:02,850
MAN:
Yeah, we'd really appreciate
another go.
85
00:05:02,890 --> 00:05:06,190
WARREN:
this ridiculous 3D black
and white camera.
86
00:05:07,050 --> 00:05:08,050
NICK: Uh, alright.
87
00:05:08,790 --> 00:05:09,620
Okay.
88
00:05:09,650 --> 00:05:11,790
WARREN:
Right now nothing is happening.
89
00:05:11,820 --> 00:05:13,720
MAN:
We won't do it a third time.
90
00:05:13,750 --> 00:05:15,550
Okay, so what do you
want to do?
91
00:05:15,590 --> 00:05:18,920
Basically, everything you just
did was fantastic, okay?
92
00:05:18,950 --> 00:05:22,190
And?
We'd really appreciate
another go.
93
00:05:25,120 --> 00:05:27,890
You know what I'm saying?
Um... so, I have to
undress again?
94
00:05:27,920 --> 00:05:29,620
MAN: Undress, yeah.
95
00:05:29,650 --> 00:05:32,750
Now, let's go back to it, eh?
Do you want to do it
a bit slower?
96
00:05:32,790 --> 00:05:34,950
I see the focus, guys,
you need to focus guys.
97
00:05:41,890 --> 00:05:46,290
MAN: I mean obviously
your songs have become
98
00:05:46,320 --> 00:05:48,020
a lot less narrative.
99
00:05:49,150 --> 00:05:51,090
Uh...
100
00:05:51,120 --> 00:05:53,590
Yeah. The other half.
Yeah, and...
101
00:05:53,620 --> 00:05:56,920
do you have uh, is there
a reason for that?
102
00:05:56,950 --> 00:05:59,750
Well, yeah...
Yeah I mean,
103
00:05:59,790 --> 00:06:01,890
I think um...
104
00:06:04,150 --> 00:06:09,090
maybe there's... maybe
some serve a certain need,
105
00:06:09,120 --> 00:06:13,590
and, I think I probably needed
uh, on some level
106
00:06:13,620 --> 00:06:17,890
a kind of narrative in my life
that was...
107
00:06:17,920 --> 00:06:20,220
kind of predictable
and had it's...
108
00:06:21,120 --> 00:06:23,020
had a kind of logic to it.
109
00:06:25,690 --> 00:06:28,250
NICK: So, I wrote stories and,
110
00:06:28,290 --> 00:06:33,750
they seem to hold everything
together. Um, in a particular
part of my life, for a long
111
00:06:33,790 --> 00:06:35,790
part of my life
112
00:06:35,820 --> 00:06:41,020
where things needed to be
held together. Um, but, I
don't believe in the narrative
113
00:06:41,050 --> 00:06:43,550
anymore. I don't... um...
114
00:06:47,050 --> 00:06:50,990
I don't actually believe that
that's what life is like.
115
00:06:51,020 --> 00:06:53,120
And, that there's
116
00:06:53,150 --> 00:06:57,920
a pleasing resolve and all
of that sort of thing to life.
117
00:06:57,950 --> 00:07:00,550
I... I... I just feel that
118
00:07:00,590 --> 00:07:05,120
to do fractured narrative, uh,
a thing where, uh...
119
00:07:05,150 --> 00:07:07,690
where time is actually
compressed,
120
00:07:07,720 --> 00:07:10,590
um, events uh...
121
00:07:10,620 --> 00:07:15,290
stuck on top of other events.
There's no particular logic
to it. Um...
122
00:07:17,020 --> 00:07:19,920
or, a distressing
kind of logic,
123
00:07:19,950 --> 00:07:22,890
um, makes it, um...
124
00:07:22,920 --> 00:07:26,520
it's much ore real that true
to the way I feel about things.
125
00:07:27,690 --> 00:07:31,620
So, um, this is just sort of
directorial...
126
00:07:32,790 --> 00:07:36,550
uh, tactic, to make us
all pissed off.
127
00:07:36,590 --> 00:07:38,050
What, you're pissed off?
128
00:07:39,290 --> 00:07:40,520
No, roll.
129
00:07:41,950 --> 00:07:43,590
To get us all edgy in the
morning.
130
00:07:43,620 --> 00:07:45,250
WOMAN: Should we put
your bags in front?
Yeah, thanks.
131
00:07:45,290 --> 00:07:49,020
Not at all. It's
actually just
a... this is...
132
00:07:49,050 --> 00:07:50,120
Thanks, Nick.
133
00:07:51,350 --> 00:07:53,320
We're rolling right?
134
00:07:58,350 --> 00:08:02,020
So, um, everything we say...
135
00:08:03,090 --> 00:08:04,920
is taped?
136
00:08:04,950 --> 00:08:06,950
It's all.
Unless we pull out the plug.
137
00:08:07,690 --> 00:08:08,750
Yup.
138
00:08:10,850 --> 00:08:12,450
Okay.
139
00:08:12,490 --> 00:08:17,950
NICK: I think it's the nature
of songs to um... have an
insight into things
140
00:08:17,990 --> 00:08:22,820
that we don't consciously have
because, largely they come from
141
00:08:22,850 --> 00:08:24,920
the unconscious.
Yeah.
142
00:08:24,950 --> 00:08:29,620
Which is a king of reservoir
of knowledge and understanding
that"s far beyond what
143
00:08:29,650 --> 00:08:31,750
we consciously are aware of.
144
00:08:34,620 --> 00:08:36,550
I've got this...
145
00:08:36,590 --> 00:08:38,890
stuff that we did in
Morwan here,
146
00:08:38,920 --> 00:08:41,250
when we were going
through it.
147
00:08:41,290 --> 00:08:44,790
And, maybe we can just go
through
148
00:08:45,650 --> 00:08:47,320
these, and look at them.
149
00:08:47,350 --> 00:08:50,090
What?
Yeah, let's change it
a little bit.
150
00:08:50,120 --> 00:08:53,320
Yeah, but it...
Well, you know, we can add
But um...
151
00:08:53,350 --> 00:08:56,220
or subtract and then...
152
00:08:56,250 --> 00:09:00,620
But actually,
with Jesus Alone,
should we go back to that,
153
00:09:00,650 --> 00:09:04,550
um, you know, we talked about
going back to the earlier
version of it.
154
00:09:04,590 --> 00:09:06,750
Yeah.
That's less... okay, good.
155
00:09:06,790 --> 00:09:08,690
NICK: So, songs an often uh...
156
00:09:10,190 --> 00:09:14,220
appear to foretell
situations in
157
00:09:14,250 --> 00:09:16,920
the same way as dreams maybe,
are able to...
158
00:09:17,850 --> 00:09:21,920
um... have, uh...
159
00:09:21,950 --> 00:09:24,790
have a kind of
prophetic nature sometimes.
160
00:09:24,820 --> 00:09:28,890
Susie, for example, is
hugely superstitious,
161
00:09:28,920 --> 00:09:33,250
about my songs. Um...
Yeah.
162
00:09:33,290 --> 00:09:36,750
That there being a canary in
the coal mine kind of thing
that there's some...
163
00:09:36,790 --> 00:09:38,690
Because, if...
Exactly. Yeah.
164
00:09:40,720 --> 00:09:45,990
But, you know, and I... I...
Like I said, I don't think
165
00:09:46,020 --> 00:09:50,290
that this is a unique to what
I do. Although I
166
00:09:50,320 --> 00:09:54,790
write a certain type of song,
that has a certain element
167
00:09:54,820 --> 00:09:59,850
of, uh, anxiety, and dread,
and anguish...
168
00:09:59,890 --> 00:10:01,920
Yeah.
To them in their nature.
169
00:10:03,120 --> 00:10:05,090
So, it can... it can...
170
00:10:05,790 --> 00:10:08,850
foretell, um...
171
00:10:13,020 --> 00:10:16,550
uh, they can foretell, um...
172
00:10:18,320 --> 00:10:19,820
certain events.
173
00:10:46,650 --> 00:10:49,550
Right.
Hey Jake!
174
00:10:49,590 --> 00:10:51,850
This is the vocal that
you didn't do at La Frite.
NICK: Yeah.
175
00:10:51,890 --> 00:10:55,920
NICK: Yeah but, I just patched
up this...
Yeah.
176
00:10:55,950 --> 00:11:00,020
So, um, is this
before it's being...
177
00:11:00,050 --> 00:11:01,820
Before it's being...
put in time?
178
00:11:01,850 --> 00:11:04,650
Yeah.
179
00:11:04,690 --> 00:11:09,620
* You fell from the sky
Crash landed in a field
Near the river Adur
180
00:11:14,650 --> 00:11:20,790
* Flowers spring from the
Ground Lambs burst from the
Wombs of their mothers
181
00:11:25,120 --> 00:11:29,990
* In a hole beneath the bridge
You convalesced you
Fashioned masks
182
00:11:30,020 --> 00:11:33,320
* You gave them names
You gave them names
183
00:11:33,350 --> 00:11:35,150
* With my voice.
184
00:11:35,190 --> 00:11:36,590
It's better there.
185
00:11:36,620 --> 00:11:40,550
* I am calling you.
186
00:11:40,590 --> 00:11:42,550
And, I'm playing the
piano at the same time.
Yeah.
187
00:11:42,590 --> 00:11:45,290
And, because it's
just opened up a bit more there.
188
00:11:46,190 --> 00:11:48,250
This feels like...
189
00:11:48,290 --> 00:11:51,650
It does need the piano right?
Cut the piano here.
190
00:11:53,050 --> 00:11:55,790
We could do the piano
separately.
Yeah, yeah.
191
00:11:55,820 --> 00:11:59,550
Edit over done piano, and
all those sorts of.
192
00:11:59,590 --> 00:12:00,850
"Ooh's", and "Ah's",
and all that.
193
00:12:00,890 --> 00:12:04,550
*You're an African doctor
Harvesting tear ducts *
194
00:12:04,590 --> 00:12:07,750
That has a, I mean a...
I have to listen to the other
one, but this...
195
00:12:07,790 --> 00:12:10,190
definitely has a sort of,
intensity about it.
196
00:12:10,220 --> 00:12:14,220
Yeah. There's something the
vibe just builds in it and it
becomes hypnotic and stuff
197
00:12:14,250 --> 00:12:18,220
and, the other one feels like
a song. It Feels...
Yeah, okay. So...
198
00:12:18,250 --> 00:12:22,890
The vocal needs to be fixed up,
because there's...
Yeah, it goes in and out.
199
00:12:22,920 --> 00:12:24,890
Just mumbo-jumbo on it.
200
00:12:26,850 --> 00:12:28,550
Well, it's kind of ad-libbed.
201
00:12:28,590 --> 00:12:31,550
Right.
A bit, a bit. You know,
a lot.
202
00:12:31,590 --> 00:12:32,420
And then...
203
00:12:32,450 --> 00:12:35,250
In La Frite we
kind of put it on one.
204
00:12:35,290 --> 00:12:37,650
The one was actually...
it wasn't...
205
00:12:37,690 --> 00:12:39,620
We never even knew
where the one was.
206
00:12:39,650 --> 00:12:43,590
It's coming in the wrong spots.
At least we all had
a different opinion.
207
00:12:43,620 --> 00:12:45,050
As we often do.
208
00:12:45,090 --> 00:12:48,690
It felt like it...
You've never heard
that one before.
209
00:12:51,850 --> 00:12:56,220
One! Should there be a vocal
before we do anything else?
210
00:12:56,250 --> 00:12:59,820
WARREN: Uh... Yeah.
Or, maybe we don't need
a vocal before.
211
00:12:59,850 --> 00:13:04,050
I think the vocal would give us
the kind of... the energy,
212
00:13:04,090 --> 00:13:05,590
Um...
Right.
213
00:13:05,620 --> 00:13:08,120
And what to do, so that you
feed off...
214
00:13:08,150 --> 00:13:10,890
You know,
you working off like...
215
00:13:14,990 --> 00:13:16,250
Oh, that's it?
Yeah.
216
00:13:20,150 --> 00:13:22,820
Incredible wasn't it.
Aluminum.
217
00:13:26,250 --> 00:13:27,720
I'm incredible.
218
00:13:29,150 --> 00:13:30,550
3000 Dollars.
219
00:13:32,990 --> 00:13:35,290
You bought it?
Yeah.
220
00:13:35,320 --> 00:13:38,320
It sound good?
Nah, it looks awesome.
221
00:13:56,720 --> 00:14:00,150
NICK: This is difficult.
This is really
fucking difficult.
222
00:14:01,020 --> 00:14:02,120
It is.
223
00:14:03,890 --> 00:14:09,890
Doing and over dub-vocal, is
some kind of torture.
224
00:14:09,920 --> 00:14:13,150
And it's something that I
really try and avoid.
225
00:14:13,190 --> 00:14:18,890
I do everything I can to get
the vocal down while
226
00:14:18,920 --> 00:14:21,090
the basic track is being
recorded,
227
00:14:21,120 --> 00:14:23,650
you know. That we just
all do it together.
228
00:14:23,690 --> 00:14:27,720
WARREN: There's something more
hypnotic about this one
and kind of more...
229
00:14:27,750 --> 00:14:30,690
meditative or, something.
And it kind of has a...
230
00:14:30,720 --> 00:14:33,120
Feels a bit more
mysterious or something.
231
00:14:33,150 --> 00:14:38,150
And, also the kind of fact
that the stuff doesn't
just come in on the one,
232
00:14:38,190 --> 00:14:40,250
wait, feel it
comes in somewhere,
233
00:14:40,290 --> 00:14:42,720
there's some more space
for the kind of backing...
234
00:14:42,750 --> 00:14:44,220
to kind of come through.
235
00:14:52,890 --> 00:14:54,050
WARREN: C?
236
00:14:55,220 --> 00:14:57,820
No.
WARREN: What's that one?
237
00:15:00,890 --> 00:15:02,990
NICK: I don't know
what the chords are.
238
00:15:04,190 --> 00:15:05,650
I have to hear it on...
239
00:15:07,150 --> 00:15:09,920
Nick, you wanna
play piano right?
240
00:15:09,950 --> 00:15:12,150
NICK: I don't know what
the chords are.
241
00:15:12,190 --> 00:15:16,050
I don't know.
I don't know yet, because,
242
00:15:16,090 --> 00:15:17,850
I don't even know what
the chords are.
243
00:15:19,790 --> 00:15:21,790
NICK: They keep changing
all the time.
244
00:15:25,090 --> 00:15:27,550
NICK: I mean, I played the
chords originally.
245
00:15:30,050 --> 00:15:34,290
But, there seems to be an
endless variations on the
circle.
246
00:15:34,320 --> 00:15:37,590
Oh fuck it. I don't know what
that is. So, no, I won't be
playing the piano.
247
00:15:39,890 --> 00:15:42,590
And, there seems to be a bit
weird to be trying to work
out the chords,
248
00:15:43,590 --> 00:15:45,990
to an improvised song anyway.
249
00:15:46,020 --> 00:15:47,620
Don't you think?
250
00:15:49,050 --> 00:15:52,750
* I am calling you
251
00:15:57,050 --> 00:15:59,850
* With your voice
252
00:15:59,890 --> 00:16:04,620
* I am calling you
253
00:16:04,650 --> 00:16:06,820
I should have strengthened
my voice.
254
00:16:07,650 --> 00:16:09,720
* With my voice
255
00:16:10,650 --> 00:16:12,750
* With my voice
My voice
256
00:16:13,920 --> 00:16:18,620
* I am call, call, call
257
00:16:21,090 --> 00:16:24,120
I should have sung more before
I came into the studio.
258
00:16:26,250 --> 00:16:28,320
* I am call
259
00:16:28,350 --> 00:16:30,290
I knew that at the time.
260
00:16:31,090 --> 00:16:32,220
Okay.
261
00:16:36,090 --> 00:16:37,250
Alright.
262
00:16:39,850 --> 00:16:41,620
WARREN: I'll come out okay.
Yeah.
263
00:16:43,790 --> 00:16:45,920
NICK:
I think I'm losing my voice.
264
00:16:58,220 --> 00:17:00,120
Just find it
into lost things.
265
00:17:05,220 --> 00:17:06,750
My voice.
266
00:17:09,120 --> 00:17:10,820
My iPhone.
267
00:17:13,690 --> 00:17:15,650
My judgment.
268
00:17:18,650 --> 00:17:19,850
My memory maybe.
269
00:17:23,590 --> 00:17:24,890
Fuck.
270
00:17:39,890 --> 00:17:42,220
And, isn't that
the invisible things?
271
00:17:46,850 --> 00:17:48,120
Lost things...
272
00:17:50,050 --> 00:17:51,920
that have so much mass,
273
00:17:54,790 --> 00:17:56,120
and so much weight.
274
00:18:01,690 --> 00:18:02,720
Alright.
275
00:18:02,750 --> 00:18:04,620
NICK: And, are as big as
the universe.
276
00:18:27,150 --> 00:18:29,790
* You fell from the sky
277
00:18:29,820 --> 00:18:33,250
* Crash landed in a field
Near the river Adur
278
00:18:38,750 --> 00:18:43,820
* Flowers spring from
The ground Lambs burst from
The wombs of their mothers
279
00:18:48,690 --> 00:18:54,720
* In a hole beneath the bridge
You convalesced, you fashioned
Masks of twigs and clay
280
00:18:59,890 --> 00:19:03,790
* You cried beneath
The dripping tree
281
00:19:03,820 --> 00:19:06,050
* Ghost song Lodged
In the throat of a mermaid
282
00:19:12,290 --> 00:19:14,150
* With my voice
283
00:19:15,120 --> 00:19:18,950
* I am calling you
284
00:19:23,290 --> 00:19:28,050
* You're a young man waking
Covered in blood that is
Not yours
285
00:19:33,120 --> 00:19:38,620
* You're a woman in a yellow
Dress Surrounded by a charm
Of hummingbirds
286
00:19:43,890 --> 00:19:49,150
* You're a young girl full of
Forbidden energy
Flickering in the gloom
287
00:19:54,050 --> 00:19:59,620
* You're a drug addict
Lying on your back
In a Tijuana hotel room
288
00:20:04,890 --> 00:20:07,690
* With my voice
289
00:20:07,720 --> 00:20:11,920
* I am calling you
290
00:20:15,190 --> 00:20:17,950
* With my voice
291
00:20:17,990 --> 00:20:21,520
* I am calling you
292
00:20:27,350 --> 00:20:32,990
* You're an African doctor
Harvesting tear ducts
293
00:20:37,690 --> 00:20:43,550
* You believe in God, but you
Get no special dispensation
For this belief now
294
00:20:49,720 --> 00:20:55,120
* You're an old man sitting by
The fire, you're the mist
Rolling off the sea
295
00:20:59,720 --> 00:21:05,550
* You're a distant memory in
The mind of your creator
Don't you see
296
00:21:08,650 --> 00:21:11,220
* With my voice
297
00:21:11,250 --> 00:21:15,520
* I am calling you
298
00:21:18,890 --> 00:21:21,190
* With my voice
299
00:21:21,220 --> 00:21:25,850
* I am calling you
300
00:21:30,890 --> 00:21:33,250
* Let us sit together
301
00:21:34,250 --> 00:21:37,550
* Until the moment comes
302
00:21:40,120 --> 00:21:42,120
* With my voice
303
00:21:42,950 --> 00:21:47,190
* I am calling you
304
00:21:52,190 --> 00:21:54,850
* Let us sit together
In the dark
305
00:21:54,890 --> 00:21:58,250
* Until the moment comes
306
00:22:01,950 --> 00:22:03,590
* With my voice
307
00:22:04,290 --> 00:22:08,290
* I am calling you
308
00:22:12,050 --> 00:22:14,120
* With my voice
309
00:22:15,020 --> 00:22:19,050
* I am calling you
310
00:22:22,350 --> 00:22:25,290
* With my voice
311
00:22:25,320 --> 00:22:30,020
* I am calling you
312
00:22:33,020 --> 00:22:35,850
* With my voice
313
00:22:35,890 --> 00:22:40,250
* I am calling you
314
00:24:15,690 --> 00:24:18,190
WARREN: Cool!
Nice.
315
00:24:18,220 --> 00:24:20,650
WARREN: That's a good one,
and a longer.
It's good.
316
00:24:20,690 --> 00:24:22,520
Great.
Cup of tea?
317
00:24:26,720 --> 00:24:30,820
WARREN: Do you feel that
the lack of narrative allows
you to get the something...
318
00:24:30,850 --> 00:24:34,650
as wide a...
I just don't think, I
don't think, uh...
319
00:24:35,920 --> 00:24:37,620
life is a story.
320
00:24:37,650 --> 00:24:40,550
Yeah.
You know, that...
that hasn't,
321
00:24:40,590 --> 00:24:42,820
I mean, we all hope it is.
Yeah.
322
00:24:43,220 --> 00:24:45,050
Um...
323
00:24:45,090 --> 00:24:47,150
We all...
It kind of is,
I have to say.
324
00:24:47,850 --> 00:24:50,220
It kind of is a story.
325
00:24:50,250 --> 00:24:52,790
It's the same story for
everyone.
326
00:24:52,820 --> 00:24:56,250
In a way
It... In a way but, um...
327
00:24:56,290 --> 00:25:00,790
the arc can be very different
and it's not necessarily, um...
328
00:25:03,650 --> 00:25:04,790
um...
329
00:25:05,920 --> 00:25:08,650
yeah, yeah,
I guess...
330
00:25:08,690 --> 00:25:11,020
you were born, and you die.
331
00:25:11,050 --> 00:25:13,750
Um...
Well you gradually...
332
00:25:13,790 --> 00:25:15,890
decay.
Gradually decay.
333
00:25:15,920 --> 00:25:18,020
Yeah, which is...
334
00:25:18,050 --> 00:25:20,550
I mean, that what I feel like
I'm dealing with.
335
00:25:20,590 --> 00:25:22,120
And, you're ten years ahead
of me.
336
00:25:23,350 --> 00:25:24,620
Um...
337
00:25:26,120 --> 00:25:29,550
you decay and you sort
of diminish.
338
00:25:35,820 --> 00:25:37,820
Um...
339
00:25:37,850 --> 00:25:39,190
WARREN:
Do you really feel that way?
340
00:25:40,120 --> 00:25:43,550
Yeah.
In what sense?
341
00:25:43,590 --> 00:25:48,820
Um, that the struggle to...
to do what I do is um...
342
00:25:51,290 --> 00:25:53,850
it just requires more effort.
343
00:25:57,220 --> 00:25:58,750
Was he ready?
Yeah.
344
00:25:58,790 --> 00:26:00,120
Alright, mate.
What from?
345
00:26:00,150 --> 00:26:02,120
Were do you wanna go from, boss?
346
00:26:02,150 --> 00:26:04,520
WARREN:
I guess the second, uh...
347
00:26:06,220 --> 00:26:08,050
the second... no, verse.
Chord?
348
00:26:08,090 --> 00:26:09,220
Second verse, okay.
349
00:26:10,920 --> 00:26:12,720
NICK: Most of us don't
wanna change.
350
00:26:13,820 --> 00:26:15,150
Really.
351
00:26:15,190 --> 00:26:16,790
Does that went away?
352
00:26:16,820 --> 00:26:18,290
That did...
What happened when you,
353
00:26:18,320 --> 00:26:20,690
when you came in, 'cause it
went away. Now, it's come back.
354
00:26:21,690 --> 00:26:23,450
NICK: I mean why should we.
355
00:26:23,490 --> 00:26:27,290
WARREN: Has it moved back or,
is it a cable? Was it when you
lifted up the cables, John?
356
00:26:27,320 --> 00:26:28,890
Lift up the cables.
357
00:26:31,320 --> 00:26:33,650
NICK: What we want to do is...
358
00:26:33,690 --> 00:26:35,950
to sort of modific...
modif...
359
00:26:35,990 --> 00:26:37,320
modify...
360
00:26:37,350 --> 00:26:40,250
Yeah.
Yes. Stop, what've you
done there?
361
00:26:40,290 --> 00:26:42,850
NICK: Most of us don't
want to change.
362
00:26:42,890 --> 00:26:45,550
Whatever that cable is,
that's the one.
363
00:26:45,590 --> 00:26:50,550
NICK: What we do want is
sort of, modifications
on the original model.
364
00:26:52,920 --> 00:26:56,850
We keep on being ourselves
but just...
365
00:26:56,890 --> 00:26:59,020
hopefully better
versions of ourselves.
366
00:27:01,050 --> 00:27:02,290
But, what happens when...
367
00:27:03,920 --> 00:27:07,550
an event occurs that's
so catastrophic
368
00:27:07,590 --> 00:27:10,890
that we just change from one
day to the next.
369
00:27:12,720 --> 00:27:15,090
You change from the known
person,
370
00:27:15,120 --> 00:27:17,550
to an unknown person.
371
00:27:17,590 --> 00:27:19,650
So that, when you look at
yourself in the mirror,
372
00:27:20,790 --> 00:27:23,290
you recognize the person...
373
00:27:24,120 --> 00:27:26,020
uh, but you won't...
374
00:27:26,050 --> 00:27:29,050
but, the person inside
the skin is a different person.
375
00:27:33,850 --> 00:27:35,820
NICK: So that when you go
outside...
376
00:27:40,950 --> 00:27:43,020
the world is the same.
377
00:27:43,050 --> 00:27:47,750
But, now you are a different
person and you have to
378
00:27:47,790 --> 00:27:50,190
renegotiate your position
in the world.
379
00:27:52,650 --> 00:27:53,920
WOMAN:
a bit. Going for G here...
380
00:27:53,950 --> 00:27:55,250
Yeah.
We can do it.
381
00:27:55,290 --> 00:27:56,620
Okay.
NICK: For instance...
382
00:27:57,350 --> 00:27:59,890
I think D-F-G, D-F-A seems to...
383
00:27:59,920 --> 00:28:01,820
NICK:
when you go into a shop
384
00:28:01,850 --> 00:28:06,620
to get cigarettes, because this
new version of yourself
385
00:28:06,650 --> 00:28:10,920
smokes, and the shop owner
says, "How are you?"
386
00:28:10,950 --> 00:28:14,020
And you don't know how
to answer.
387
00:28:14,050 --> 00:28:18,020
Or, when you meet a friend on
the street, who says some
kindness.
388
00:28:18,050 --> 00:28:22,720
Uh, the... they don't really
work on the choruses because,
389
00:28:22,750 --> 00:28:26,290
they connect to the...
Yes... maybe it should be...
390
00:28:26,320 --> 00:28:27,850
it's like a "boom".
391
00:28:27,890 --> 00:28:31,090
NICK: And, suddenly
you are crying in their
arms for ages.
392
00:28:31,120 --> 00:28:34,320
And, then you realize
that the person is not
a friend at all.
393
00:28:34,350 --> 00:28:37,750
I think it's... we're saying
the same thing...
Like a boom?
394
00:28:39,250 --> 00:28:41,250
They're doing the "waa".
Then I'm planning to wind up.
395
00:28:41,720 --> 00:28:43,120
Yeah.
396
00:28:43,150 --> 00:28:46,020
NICK:
But, someone else that you
don't actually really
397
00:28:46,050 --> 00:28:47,220
know very well.
398
00:28:49,050 --> 00:28:51,550
I wouldn't put any more
emotion into it.
399
00:28:51,590 --> 00:28:55,590
Or, you go into a bakery to
buy a loaf of bread...
400
00:28:56,120 --> 00:28:58,220
let's say.
401
00:28:58,250 --> 00:29:01,650
And, you're standing
in the queue,
402
00:29:01,690 --> 00:29:05,020
and someone grabs you
by the arm and says something,
403
00:29:05,050 --> 00:29:07,050
with their kind eyes...
404
00:29:09,090 --> 00:29:14,720
But, you can't work out what
they've said because the new
you can't hear very well.
405
00:29:14,750 --> 00:29:16,920
And, so, you say "What?"
406
00:29:16,950 --> 00:29:19,550
But, too loudly and angrily,
407
00:29:20,020 --> 00:29:21,220
and he says,
408
00:29:23,620 --> 00:29:26,790
"We are all with you, man".
409
00:29:26,820 --> 00:29:31,290
And you look around and all
the bakery is looking at you
with kind eyes.
410
00:29:32,750 --> 00:29:34,950
And, you think that people
are really nice.
411
00:29:37,850 --> 00:29:40,790
But, when did you become
an object of pity?
412
00:30:03,050 --> 00:30:07,750
As soon as I walked in here,
I got this spike of agitation.
You did?
413
00:30:08,150 --> 00:30:09,150
How come?
414
00:30:14,120 --> 00:30:15,690
Has anyone seen my pen?
415
00:30:20,150 --> 00:30:21,650
Thank you.
416
00:30:21,690 --> 00:30:23,620
Um, yeah.
417
00:30:27,350 --> 00:30:28,520
Um...
418
00:30:28,550 --> 00:30:31,990
did you print out the words
that I sent, or the words...
419
00:30:32,020 --> 00:30:33,720
This is what you sent.
Yeah.
Did I?
420
00:30:34,890 --> 00:30:36,650
Um, okay.
421
00:30:37,750 --> 00:30:39,850
Yeah, um...
422
00:30:39,890 --> 00:30:42,290
No, because you
don't have any...
423
00:30:42,320 --> 00:30:43,990
What if I've got them on
my computer?
424
00:30:46,290 --> 00:30:47,690
Do you have a printer?
425
00:30:49,250 --> 00:30:53,620
NICK: Here I am,
the moonlight man, with my six
shooter and Steve McQueen,
426
00:30:53,650 --> 00:30:58,050
call me a cab,
I'm not that kind of a guy,
I have a dream.
427
00:30:58,090 --> 00:31:01,890
Sometimes I the elevator to
the top of the Burj Al Arab
428
00:31:01,920 --> 00:31:04,820
and shoot my guns across Dubai.
429
00:31:04,850 --> 00:31:07,650
Bang, bang, bang,
I'm that kind of guy.
430
00:31:14,090 --> 00:31:15,650
I know.
431
00:31:15,690 --> 00:31:20,050
But mostly, I curl up inside
my typewriter... curl up inside
my typewriter and wish
432
00:31:20,090 --> 00:31:21,150
that I can die.
433
00:31:23,820 --> 00:31:27,920
Your legs are so long, they
should come with their
own elevator.
434
00:31:27,950 --> 00:31:31,050
Don't worry, darling, I'll be
coming around, see you later.
435
00:31:31,090 --> 00:31:32,850
Have you guys sang them
differently,
436
00:31:32,890 --> 00:31:34,750
or, something like that, um...
437
00:31:36,920 --> 00:31:40,290
Because, between you and me
and my best friend,
the housefly...
438
00:31:42,720 --> 00:31:45,820
I'm Steve McQueen
with a big beautiful dream.
439
00:31:47,320 --> 00:31:48,720
I am god.
440
00:31:50,990 --> 00:31:54,690
I am God, thinking about
God, thinking about
Steve McQueen.
441
00:31:55,290 --> 00:31:57,790
Oh, yeah, great.
442
00:31:57,820 --> 00:32:01,790
It's for me the sirens
and the sylphs do their
twilight pining.
443
00:32:01,820 --> 00:32:05,790
On Saturday night. I woke on
someone else's stomach lining.
444
00:32:07,320 --> 00:32:10,120
Up and down this street,
call me a cab.
445
00:32:10,150 --> 00:32:11,950
Call me a cab.
446
00:32:11,990 --> 00:32:15,620
No I'm a housefly called God
and I don't give a fuck.
447
00:32:17,050 --> 00:32:18,790
Right, that's it.
Go on.
448
00:32:18,820 --> 00:32:23,050
Here I come up the elevator,
sixty floors hoping I don't
get stuck.
449
00:32:24,720 --> 00:32:29,050
And everyone out here does mean
And everyone out here does pain.
450
00:32:29,090 --> 00:32:31,620
But, someone's got to
sing the stars.
451
00:32:31,650 --> 00:32:33,690
And, someone's got to
sing the rain.
452
00:32:35,150 --> 00:32:36,850
I'm the atomizer.
453
00:32:36,890 --> 00:32:38,490
I'm the vaporizer.
454
00:32:38,520 --> 00:32:43,050
I turn everything to crud,
I like it here in flesh
and blood.
455
00:32:43,090 --> 00:32:45,250
I'm the elevator man,
don't you see?
456
00:32:45,290 --> 00:32:48,990
You're a spine lashed,
long legged lovely young thing.
457
00:32:49,020 --> 00:32:52,990
Call me a cab. I'll drive
to the top of the Burj Al Arab.
458
00:32:53,020 --> 00:32:55,720
And, fire my guns
across your stomach.
459
00:32:59,650 --> 00:33:05,120
Because, someone's got to
sing the stars, and someone's
got to sing the rain.
460
00:33:05,150 --> 00:33:09,620
And someone's got to sing
the blood. And someone's got to
sing the pain.
461
00:33:11,220 --> 00:33:13,550
Watch out you fuckers.
462
00:33:13,590 --> 00:33:16,650
I've got my six shooter and my
housefly on lead,
463
00:33:16,690 --> 00:33:18,950
I'm Burj Al McQueen.
464
00:33:18,990 --> 00:33:21,890
And I'm coming to make
every last one of you bleed.
465
00:33:21,920 --> 00:33:25,650
How are you, Jim?
I'm alright, thank you.
How are you?
466
00:33:27,720 --> 00:33:30,090
Got your beard back, mate.
Yeah, yeah.
467
00:33:30,120 --> 00:33:31,820
I thought I'd grow it just
for the show.
468
00:33:33,650 --> 00:33:35,320
What about continuity?
469
00:33:35,350 --> 00:33:36,920
Fuck continuity.
470
00:33:37,850 --> 00:33:39,550
Fuck continuity.
471
00:33:39,590 --> 00:33:45,320
God is great, chances are
God is good,
well I wouldn't go that far
472
00:33:47,150 --> 00:33:48,190
C to B Flat.
473
00:33:48,220 --> 00:33:51,220
I'm Steve McQueen
the atrocity man.
474
00:33:51,250 --> 00:33:55,790
* You wanna bleed on me.
475
00:33:57,120 --> 00:33:58,720
And sing too, Jim.
476
00:33:58,750 --> 00:34:03,650
* If you wanna bleed
Don't bleed *
477
00:34:03,690 --> 00:34:06,650
NICK: With my strap on blood
pondered dream...
478
00:34:06,690 --> 00:34:10,820
* If you wanna bleed
Don't bleed
479
00:34:11,950 --> 00:34:13,720
* Step away.
480
00:34:13,750 --> 00:34:18,150
NICK: But, mostly curl up
inside my typewriter
with my housefly and cry.
481
00:34:20,720 --> 00:34:23,220
I tell my housefly not to cry.
482
00:34:23,250 --> 00:34:25,750
My housefly chose me
not to die.
483
00:34:27,090 --> 00:34:30,190
Because someone's got to
sing the stars,
484
00:34:30,220 --> 00:34:32,520
and someone's got to sing
the rain.
485
00:34:33,120 --> 00:34:34,120
D minor.
486
00:34:34,150 --> 00:34:35,990
And, someone's got to
sing the blood.
487
00:34:38,750 --> 00:34:40,850
And, someone's
got to sing the pain.
488
00:34:42,320 --> 00:34:43,590
Okay.
489
00:34:53,590 --> 00:34:54,750
NICK: Look at him.
490
00:34:57,750 --> 00:34:59,120
Holding everything together.
491
00:34:59,150 --> 00:35:00,520
NICK: Is my hair alright?
492
00:35:01,950 --> 00:35:04,090
Fucking, never been better.
493
00:35:04,120 --> 00:35:07,990
Best it's ever been.
Best it's ever been.
Huh? Best it's ever...
494
00:35:08,020 --> 00:35:12,950
It better be.
Fucking, proceed with
absolute confidence.
495
00:35:12,990 --> 00:35:14,820
NICK: What would I
do without Warren.
496
00:35:14,850 --> 00:35:15,920
If it's not...
497
00:35:17,290 --> 00:35:18,650
MAN: Cut! Cut!
498
00:35:19,920 --> 00:35:21,150
MAN: Three-Four minutes.
499
00:35:21,190 --> 00:35:24,790
NICK:
We should do one, we should
do a take pretty soon.
500
00:35:24,820 --> 00:35:28,250
Or we're gonna lose
the essence of the thing.
501
00:35:28,290 --> 00:35:31,820
Because I can the whole mojo
slipping away.
WARREN: Yeah, it's getting
502
00:35:31,850 --> 00:35:35,820
cold.
NICK: We're getting bored,
irritable.
503
00:35:35,850 --> 00:35:40,020
Can I hear, can I try that
out just with the backing track
please, Jake.
504
00:35:47,890 --> 00:35:49,020
What's the time line?
505
00:35:55,120 --> 00:35:57,120
NICK: 'Cause it's too loud.
506
00:36:33,990 --> 00:36:36,620
Tishi, see that guy?
Tishi.
507
00:36:36,650 --> 00:36:40,720
That means, go to...
The cameraman, was like, Tishi.
508
00:36:40,750 --> 00:36:43,290
Did you show him his camera?
Yeah, yeah, I showed him
a photo.
509
00:36:43,790 --> 00:36:45,220
Spooky.
510
00:36:45,250 --> 00:36:48,250
NICK: Warren just pointed out
how much the photographer
looks like.
511
00:36:48,290 --> 00:36:49,690
Tishi.
512
00:36:51,050 --> 00:36:52,890
Tishi is another photographer.
513
00:36:52,920 --> 00:36:55,650
MAN: Hang on.
514
00:36:55,690 --> 00:36:58,220
Who has like shaggy hair
and a beard and...
515
00:36:58,250 --> 00:37:00,820
Bad backs are coming back.
Yeah, mate.
516
00:37:00,850 --> 00:37:04,650
NICK: Lived most of his life in
the streets, of his home town.
517
00:37:05,250 --> 00:37:06,520
In the Czech Republic.
518
00:37:08,020 --> 00:37:10,690
He took photographs of
women, with a camera
519
00:37:10,720 --> 00:37:11,990
that he made himself.
520
00:37:12,920 --> 00:37:14,750
They are...
521
00:37:14,790 --> 00:37:17,320
really wonderful photographs.
522
00:37:17,350 --> 00:37:21,850
Like stolen moments, of women
in over many
523
00:37:21,890 --> 00:37:23,690
amazing facets.
524
00:37:26,790 --> 00:37:28,950
I mean,
many amazing facets.
525
00:37:32,020 --> 00:37:34,890
Women have more
facets than men.
526
00:37:36,350 --> 00:37:38,150
Men are...
527
00:37:38,190 --> 00:37:40,920
Men are pretty much
two dimensional.
528
00:37:41,950 --> 00:37:43,820
And women are,
529
00:37:43,850 --> 00:37:44,950
like, fucking 3D.
530
00:37:46,620 --> 00:37:49,750
My wife is spectacularly
three dimensional.
531
00:37:53,150 --> 00:37:54,820
But, every time I try to, um...
532
00:37:56,090 --> 00:37:57,220
get a handle on her,
533
00:37:59,050 --> 00:38:02,120
and to put her into focus,
534
00:38:02,150 --> 00:38:05,250
she shifts and changes,
and becomes someone else.
535
00:38:05,290 --> 00:38:08,090
Or worse, she steps out of
the frame entirely.
536
00:38:08,920 --> 00:38:09,950
And...
537
00:38:10,850 --> 00:38:14,120
I'm left with a hovering
538
00:38:14,150 --> 00:38:16,190
ghost, in which...
that's...
539
00:38:17,590 --> 00:38:18,990
burned on my retina.
540
00:38:20,250 --> 00:38:22,890
Like I've starred into
a spotlight.
541
00:38:23,820 --> 00:38:25,190
And closed my eyes.
542
00:38:28,020 --> 00:38:29,920
Eventually she steps back
into the frame,
543
00:38:31,590 --> 00:38:33,850
and I pull her back in focus.
544
00:38:33,890 --> 00:38:35,850
But, she's changed because
she's been
545
00:38:38,150 --> 00:38:41,190
out there, communing
with the dead.
546
00:39:09,750 --> 00:39:14,920
* Some go and some stay behind
Some never move at all
547
00:39:16,290 --> 00:39:23,250
* Girl in amber trapped forever
Spinning down the hall
548
00:39:23,290 --> 00:39:29,990
* Let no part of her go
Unremembered, clothes
Across the floor
549
00:39:30,020 --> 00:39:36,720
* Girl in amber lumber slumber
Shuts the bathroom door
550
00:39:36,750 --> 00:39:43,790
* The phone, the phone
The phone it rings, it rings
It rings no more
551
00:39:43,820 --> 00:39:51,050
* The song, the song,
the Song it spins
since nineteen eighty-four
552
00:39:51,090 --> 00:39:57,990
* The phone, the phone
The phone it rings, it rings
It rings no more
553
00:39:58,020 --> 00:40:02,120
* The song, the song
It's been spinning
554
00:40:02,150 --> 00:40:05,990
* Since Nineteen
555
00:40:06,020 --> 00:40:09,720
* And if you want to
Bleed, just bleed
556
00:40:12,250 --> 00:40:16,650
* And if you want to
Bleed, just bleed
557
00:40:19,220 --> 00:40:23,920
* But if you want to leave
Don't breathe
558
00:40:24,920 --> 00:40:28,990
* The world just step away
559
00:40:29,020 --> 00:40:31,690
* And let the world
560
00:40:31,720 --> 00:40:38,150
* And now in turn, you turn
You kneel, lace up his shoes
Your little blue-eyed boy
561
00:40:40,020 --> 00:40:47,320
* Take him by his hand
Go floating down the hall
562
00:40:47,350 --> 00:40:54,550
* I get lucky, I get lucky
Cause I tried again
563
00:40:54,590 --> 00:41:01,920
* I knew the world it would
Stop spinning now since
You've been gone
564
00:41:01,950 --> 00:41:08,790
* I used to think that when
You died you kind of
Wandered the world
565
00:41:08,820 --> 00:41:15,320
* In a slumber till you
Crumbled, were absorbed
Into the earth
566
00:41:15,350 --> 00:41:19,720
* Well, I don't think
That any more
567
00:41:19,750 --> 00:41:22,290
* The phone it rings no more
568
00:41:22,320 --> 00:41:29,790
* The song, the song it
Spins now
Since nineteen eighty-four
569
00:41:29,820 --> 00:41:36,050
* The song, the song it spins
The song, it spins, it spins
It's been a spinning now
570
00:41:36,090 --> 00:41:42,690
* And if you'll hold me I will
Tell you that you know that
571
00:41:44,790 --> 00:41:49,190
* And if you want to leave
Don't breathe
572
00:41:50,850 --> 00:41:55,520
* And if you want to leave
Don't breathe
573
00:41:57,650 --> 00:42:02,990
* And if you want to leave
Don't breathe
574
00:42:03,950 --> 00:42:05,920
* A word
575
00:42:06,820 --> 00:42:09,320
* Just step away
576
00:42:09,350 --> 00:42:13,550
* And let the world turn
577
00:42:25,620 --> 00:42:31,820
* The song, the song it
Spins now
Since nineteen eighty-four
578
00:42:33,190 --> 00:42:39,050
* The phone, it rings, it rings
And you won't stay
579
00:43:08,020 --> 00:43:10,590
* Don't touch me
580
00:43:15,250 --> 00:43:17,190
* Don't touch me
581
00:43:22,050 --> 00:43:24,590
* Don't touch me
582
00:43:28,320 --> 00:43:31,020
* Don't touch me
583
00:43:36,320 --> 00:43:39,520
* Don't touch me
584
00:43:56,150 --> 00:43:57,750
NICK: Hair's still alright?
585
00:43:58,650 --> 00:44:00,050
WARREN: Even better.
586
00:44:00,090 --> 00:44:01,920
It's even better now.
587
00:44:03,350 --> 00:44:04,850
What ever you did,
don't touch it.
588
00:44:05,650 --> 00:44:07,590
NICK: Don't touch it.
589
00:44:13,620 --> 00:44:15,120
NICK:
Fuck! What happened to my face.
590
00:44:18,020 --> 00:44:19,920
Look at those bags
under my eyes.
591
00:44:21,950 --> 00:44:23,250
Where did they come from?
592
00:44:26,350 --> 00:44:27,750
They weren't there last year.
593
00:44:32,280 --> 00:44:35,190
The director says I look
like a battered monument.
594
00:44:38,020 --> 00:44:40,820
I have a terrible feeling he's
trying to be kind to me.
595
00:44:44,920 --> 00:44:47,020
I must remember
to be kind back.
596
00:44:49,620 --> 00:44:51,650
I must remember to be kind.
597
00:45:31,850 --> 00:45:35,020
* Mostly I never knew
Which way was out
598
00:45:40,950 --> 00:45:44,620
* Once it was on
It was on and that was that
599
00:45:50,950 --> 00:45:54,850
* The umbilicus was a faucet
That fountained rabbit blood
600
00:45:54,890 --> 00:45:57,280
* And I spun on my wheel
601
00:46:00,720 --> 00:46:02,590
* Like a laboratory rat
602
00:46:09,690 --> 00:46:14,920
* I was an electrical storm
On the bathroom floor
Clutching the bowl
603
00:46:19,650 --> 00:46:23,750
* My blood was for the gags
And other people's diseases
604
00:46:28,790 --> 00:46:32,150
* My monstrous little memory
Had swallowed me whole
605
00:46:37,850 --> 00:46:42,850
* It was the year I officially
Became the bride of Jesus
606
00:46:44,050 --> 00:46:48,950
* In love, in love
In love you laugh
607
00:46:48,990 --> 00:46:51,690
* I move you move
608
00:46:51,720 --> 00:46:55,550
* And one more time
With feeling
609
00:46:55,590 --> 00:46:58,850
* In love, in love
In laugh, you laugh
610
00:46:59,720 --> 00:47:01,920
* I'm sawn in half
611
00:47:01,950 --> 00:47:04,950
* And the stars are splashed
612
00:47:08,180 --> 00:47:12,620
* Across the ceiling
613
00:47:14,850 --> 00:47:20,050
* Oh, the urge to kill
Somebody was basically
Overwhelming
614
00:47:24,280 --> 00:47:29,790
* I had such hard blues
Down there in the supermarket
Queues
615
00:47:33,820 --> 00:47:39,850
* And I had a sudden urge to
Become someone
Someone like you
616
00:47:39,890 --> 00:47:45,690
* Who started out with less
Than anyone I ever knew
617
00:47:52,020 --> 00:47:56,180
* In love, in love, I love
You love, I laugh, you love
618
00:47:56,220 --> 00:48:01,950
* I move, you move
And one more time with feeling
619
00:48:03,820 --> 00:48:06,890
* In love, in love
I love, You love
I laugh, you laugh
620
00:48:07,920 --> 00:48:10,590
* I'm sawn in half
621
00:48:10,620 --> 00:48:13,220
* And the stars are splashed
622
00:48:15,950 --> 00:48:20,620
* Across the ceiling
623
00:48:47,320 --> 00:48:51,750
* Oh, and oh you come shining
624
00:48:51,790 --> 00:48:54,790
* Softly to the hold
Of a drink
625
00:48:57,180 --> 00:49:02,950
*Come as far as the edge
Of my blood and swim
626
00:49:07,690 --> 00:49:12,590
* And in the bathroom mirror
I see me vomit in the sink
627
00:49:16,120 --> 00:49:21,920
* And all through the house we
Hear the hyena's hymns
628
00:49:25,980 --> 00:49:30,890
* Of love
I love, you love
I laugh, You laugh
629
00:49:30,920 --> 00:49:35,920
* I move, you move, you move
One more time with feeling
630
00:49:38,820 --> 00:49:43,550
* I love, you love
I laugh, you laugh
631
00:49:43,590 --> 00:49:49,720
* We saw each other in heart
And all the stars have
Splashed
632
00:49:49,750 --> 00:49:51,550
* And splattered
633
00:49:53,750 --> 00:49:56,850
* Across the ceiling
634
00:50:18,590 --> 00:50:20,790
How disturbing is this?
635
00:50:20,820 --> 00:50:22,750
It's quite disturbing. Yeah.
It is?
636
00:50:22,790 --> 00:50:27,220
Well, I think, um...
I'll make a deal with you.
637
00:50:27,250 --> 00:50:30,620
Absolutely anything in that's
in the film that you don't like?
638
00:50:30,650 --> 00:50:32,150
Yeah.
Right? You can cut out.
639
00:50:32,180 --> 00:50:33,520
Okay.
Okay?
640
00:50:36,890 --> 00:50:38,250
Okay.
641
00:50:38,280 --> 00:50:39,920
Let's just take one now.
642
00:50:39,950 --> 00:50:41,820
Wait till it's, um...
643
00:50:41,850 --> 00:50:45,550
I'll wait till...
You know, take a photo
of them,
644
00:50:45,590 --> 00:50:47,980
and then we can put it
in the film.
645
00:50:51,650 --> 00:50:53,790
That worked, yeah.
Okay, cool.
Yeah. Okay.
646
00:50:53,820 --> 00:50:55,590
And just wind it
on with the...
Okay.
647
00:50:56,020 --> 00:50:57,220
The winder thing.
648
00:50:58,350 --> 00:51:00,050
Okay.
649
00:51:00,080 --> 00:51:01,050
Awesome.
Okay.
650
00:51:01,080 --> 00:51:03,980
And so, if you wanna, um,
take any photos today,
651
00:51:04,020 --> 00:51:05,850
just gotta pop up the flash,
which is that.
652
00:51:11,280 --> 00:51:12,690
NICK: We didn't ask for it.
653
00:51:17,050 --> 00:51:19,050
But, it is all around us.
654
00:51:19,080 --> 00:51:20,650
A gratuitous beauty.
655
00:51:22,350 --> 00:51:25,280
That exists whether we,
uh, there to witness it or not.
656
00:51:27,920 --> 00:51:30,050
The world plunges on.
657
00:51:32,080 --> 00:51:33,790
And the world is magnificent.
658
00:51:37,820 --> 00:51:39,950
I watch you on your ice flow.
659
00:51:41,750 --> 00:51:44,180
Cold something into
the Arctic wind.
660
00:51:46,980 --> 00:51:49,750
The wind offers
a brutal resistance.
661
00:51:52,150 --> 00:51:53,520
But, still you plough on.
662
00:51:58,050 --> 00:52:00,620
I cling to my ice berg
and sing to you.
663
00:52:02,180 --> 00:52:07,920
*See the sun, see it rising
664
00:52:10,690 --> 00:52:14,220
* See it rising
665
00:52:15,280 --> 00:52:20,520
* Rising in your eyes.
666
00:52:25,120 --> 00:52:27,950
Oh my God.
Hey.
667
00:52:27,980 --> 00:52:30,180
Look at you.
I've got brown hair.
668
00:52:35,050 --> 00:52:37,820
You've been alright?
Yeah.
669
00:52:37,850 --> 00:52:40,590
What you doing.
Oh, good.
Nothing.
670
00:52:41,350 --> 00:52:45,080
Um...
No, get rid of it.
671
00:52:45,120 --> 00:52:47,880
Have the animal rights
people...
Shh, shh!
672
00:52:48,780 --> 00:52:50,050
Why is creaking?
673
00:52:52,350 --> 00:52:56,120
It's been, um, an enormous
amount of doing nothing,
674
00:52:56,150 --> 00:52:57,280
waiting around.
Yeah.
675
00:52:58,620 --> 00:53:00,020
Sounds pretty difficult.
676
00:53:02,690 --> 00:53:05,180
You'll get used to the camera
being there, now your on.
677
00:53:06,150 --> 00:53:07,520
Thanks.
678
00:53:08,880 --> 00:53:10,020
Good day Suz!
679
00:53:12,780 --> 00:53:14,050
See you're shy.
680
00:53:20,080 --> 00:53:21,720
That's what I'd do
at the time, and they...
681
00:53:21,750 --> 00:53:24,620
they give me special one
that's not connected.
682
00:53:24,650 --> 00:53:26,120
Just for the fuck of it.
683
00:53:27,350 --> 00:53:30,120
Go to DFA fader, that's
fuck all.
684
00:53:33,820 --> 00:53:36,050
BOY: And the buttons?
Can I press
the buttons as well.
685
00:53:43,620 --> 00:53:47,950
NICK: And this guy,
is the videographer. We're
watching the videographer,
686
00:53:47,980 --> 00:53:51,320
who's watching the camera man,
who's watching us,
687
00:53:51,350 --> 00:53:53,780
and it just goes around,
and around, and around.
688
00:53:55,180 --> 00:53:56,980
Spooky, huh?
689
00:53:57,020 --> 00:53:58,880
WOMAN:
So, which is the 3D camera?
690
00:53:58,920 --> 00:53:59,950
Cam-ception!
691
00:53:59,980 --> 00:54:01,880
They heavy one.
That one.
692
00:54:01,920 --> 00:54:03,720
This is the videographer.
693
00:54:03,750 --> 00:54:06,880
Is this in 2D?
That's in 2D.
694
00:54:06,920 --> 00:54:08,980
Okay.
He's in 2D.
695
00:54:19,280 --> 00:54:22,620
WARREN:
Yeah, I mean it's...
No, I mean it's...
696
00:54:22,650 --> 00:54:26,080
Yeah, yeah. Basically
the couple of record in
the soundtrack stuff
697
00:54:26,120 --> 00:54:30,120
has been really about that
I just pall a bunch of
stuff in there,
698
00:54:30,150 --> 00:54:34,220
and then just try and find
something in there, like it's
really about... that's
699
00:54:34,250 --> 00:54:36,150
the really exciting thing.
700
00:54:36,180 --> 00:54:40,320
Um, for the last few years with
me, has been about that, like...
701
00:54:40,350 --> 00:54:44,620
trying to find something that
kind of, just comes out of
nowhere.
702
00:54:45,020 --> 00:54:46,220
Um...
703
00:54:46,250 --> 00:54:49,680
NICK: These guys, Warren
and Andrew the director,
704
00:54:49,720 --> 00:54:51,680
they like to go on about,
705
00:54:51,720 --> 00:54:55,880
accidents
and the accident... uh...
706
00:54:56,850 --> 00:55:00,920
the accidental nature of art,
707
00:55:00,950 --> 00:55:05,150
but, this is just another way
of saying they're communing
with the Gods.
708
00:55:06,980 --> 00:55:10,280
I mean, you think God would
have more pressing to do.
Really.
709
00:55:12,180 --> 00:55:14,250
There's no such thing as
accidents.
710
00:55:16,620 --> 00:55:17,680
MAN: Oh, fuck!
711
00:55:21,020 --> 00:55:23,720
Yeah, I think accidents
is the wrong word, because,
712
00:55:25,650 --> 00:55:27,780
um, it more...
713
00:55:30,120 --> 00:55:31,620
Um...
714
00:55:31,650 --> 00:55:35,980
that we just get into... that
we get ourselves into
a space these days.
715
00:55:36,720 --> 00:55:38,680
Where, um...
716
00:55:38,720 --> 00:55:42,820
some sort of magical thing
happens, that isn't
717
00:55:42,850 --> 00:55:44,080
to do with, uh,
718
00:55:46,250 --> 00:55:49,150
which isn't to do with knowing,
719
00:55:49,180 --> 00:55:53,220
which isn't to do with knowing
at all actually, so...
720
00:55:53,950 --> 00:55:56,550
um...
721
00:55:56,580 --> 00:56:02,080
I mean there are of course,
happy accidents and stuff
like that, but...
722
00:56:02,120 --> 00:56:07,250
Mostly, um, I find that me
and Warren particularly,
when we kind of
723
00:56:07,280 --> 00:56:10,880
jam together and stuff like
that, we get into, uh...
724
00:56:12,580 --> 00:56:16,950
a situation where a lot of very
beautiful things just happen
725
00:56:16,980 --> 00:56:22,280
after each other. And, then we
get into a situation where
that doesn't happen at all.
726
00:56:22,320 --> 00:56:25,020
And we kind of, um,
forever...
727
00:56:27,150 --> 00:56:31,650
um, foraging away
for these moments.
728
00:56:37,880 --> 00:56:42,650
NICK: It's a very different
collaborative situation with me
and Warren that is
729
00:56:42,680 --> 00:56:47,580
with anybody else, that has
been working with me.
730
00:56:47,620 --> 00:56:51,150
Because, we actually sit down
in a room together and compose
731
00:56:51,180 --> 00:56:52,580
a song together.
732
00:56:54,180 --> 00:56:56,680
* We're beginning our descent
733
00:56:58,150 --> 00:57:01,580
* I never knew
What that meant
734
00:57:03,920 --> 00:57:06,250
* We grabbed the oxygen pod
735
00:57:21,320 --> 00:57:25,880
* And I call out the window
736
00:57:29,850 --> 00:57:32,180
* Down here the sea.
737
00:57:35,780 --> 00:57:41,320
And it actually really exciting
to sing the same if you're
in a room together,
738
00:57:41,350 --> 00:57:43,250
to sing to something,
739
00:57:44,680 --> 00:57:46,720
that you don't know.
740
00:57:46,750 --> 00:57:48,820
You don't know
where it's going.
741
00:57:48,850 --> 00:57:50,920
So, I'm singing
a melody,
742
00:57:52,250 --> 00:57:58,220
that's being kind of,
stretched into all these
743
00:57:58,250 --> 00:58:02,620
into a wholly different way,
that I can never come up with
myself.
744
00:58:31,880 --> 00:58:34,650
When I sit at the piano,
745
00:58:34,680 --> 00:58:39,850
I play chords and I know what
it's gonna sound like before I
press the keys down.
746
00:58:42,950 --> 00:58:47,250
And so you just... it becomes
repetitious, there's no way
around it.
747
00:58:55,280 --> 00:58:57,150
It's very exciting to have
748
00:58:58,050 --> 00:59:00,280
someone else doing
749
00:59:00,320 --> 00:59:02,020
that side of things.
750
00:59:04,750 --> 00:59:07,920
Because, your melodies aren't
dictated by
751
00:59:07,950 --> 00:59:09,080
what you know,
752
00:59:30,220 --> 00:59:34,280
* Sunday morning
753
00:59:34,320 --> 00:59:38,120
* Scattered in trees
754
00:59:39,650 --> 00:59:42,150
* Pressed against the sky
755
00:59:43,680 --> 00:59:47,580
* The jittery TV
756
00:59:48,680 --> 00:59:51,620
* And an empty bed
757
00:59:54,180 --> 00:59:59,650
* Glowing white like fire
758
00:59:59,680 --> 01:00:03,580
* And I called out the window
759
01:00:07,280 --> 01:00:11,920
* Down to the sea
760
01:00:14,780 --> 01:00:18,780
* And the devil
Comes collecting
761
01:00:18,820 --> 01:00:21,720
* For nothing is for free
762
01:00:22,620 --> 01:00:25,780
* And I call out the window
763
01:00:26,820 --> 01:00:32,650
* Jesus rising by
764
01:00:32,680 --> 01:00:35,220
* In a
765
01:00:38,920 --> 01:00:41,650
* Field.
766
01:00:53,950 --> 01:00:55,680
You know, I'm...
767
01:00:56,750 --> 01:00:58,780
to a fault,
768
01:00:58,820 --> 01:01:03,080
have had a thing about words,
both, love and respect about
769
01:01:03,120 --> 01:01:08,680
words, but, a kind of fear
about words, of where they can
actually take you, and...
770
01:01:08,720 --> 01:01:14,980
Um, what they can expose and
stuff about you. Words right,
that's what that's...
771
01:01:15,020 --> 01:01:18,820
what makes the world go around,
if we didn't have any way about
772
01:01:18,850 --> 01:01:22,650
articulating anything, we would
have no way of even remembering
anything really.
773
01:01:23,720 --> 01:01:27,020
Um... so,
774
01:01:27,050 --> 01:01:30,920
because of that power of
words I've really kept them
775
01:01:31,350 --> 01:01:33,920
contained like,
776
01:01:33,950 --> 01:01:36,750
don't let a line go,
in my opinion...
777
01:01:36,780 --> 01:01:40,250
I mean, people might just think
what I do is shit. I have to
forget about that.
778
01:01:40,280 --> 01:01:42,320
But, in my opinion I don't
need a line go,
779
01:01:42,350 --> 01:01:44,280
that I'm not really really
please with.
780
01:01:44,320 --> 01:01:46,120
Basically, right?
781
01:01:46,150 --> 01:01:47,820
Um, and this record
782
01:01:48,850 --> 01:01:52,620
I have to let go of that,
because,
783
01:01:52,650 --> 01:01:55,280
um, the line is successful
784
01:01:55,320 --> 01:01:56,720
for another reason.
785
01:02:05,250 --> 01:02:08,950
* All the fine wind is gone
786
01:02:13,580 --> 01:02:16,980
* And this sweet world is so
Much older
787
01:02:22,680 --> 01:02:27,880
* Animals pull the night
Around their shoulders
788
01:02:31,580 --> 01:02:36,980
*Flowers fall to their
Naked knees
789
01:02:37,980 --> 01:02:42,220
* Here I come now here I come
790
01:02:42,250 --> 01:02:47,220
* I hear you been out there
Looking for something to love
791
01:02:51,020 --> 01:02:55,880
* The dark force that shifts
At the edge of the tree
792
01:02:57,250 --> 01:03:01,250
* It's alright, it's alright
793
01:03:01,280 --> 01:03:06,950
* When you turn
So long and Lovely
It's hard to believe
794
01:03:10,080 --> 01:03:17,020
* That we're falling now
In the name of the Anthrocene
795
01:03:27,950 --> 01:03:34,150
* All the things we love
We love, we love, we lose
796
01:03:37,680 --> 01:03:44,580
* It's our bodies that fall
When they try to rise
797
01:03:47,980 --> 01:03:53,580
* And I hear you been looking
Out for something to love
798
01:03:55,750 --> 01:03:59,780
* Sit down beside me
799
01:03:59,820 --> 01:04:02,520
* And I'll name it for you
800
01:04:05,150 --> 01:04:10,620
* Behold, behold
The heaven bound sea
801
01:04:14,320 --> 01:04:19,820
* The wind cast its shadow
And moves for the tree
802
01:04:22,120 --> 01:04:29,120
*Behold the animals
And the Birds
And the sky entire
803
01:04:29,150 --> 01:04:34,920
* I hear you been out there
Looking for something to
Set on fire
804
01:04:37,620 --> 01:04:44,120
*The head bow children
Fall to their knees
805
01:04:44,150 --> 01:04:50,250
* Humbled in the age
Of the Anthrocene
806
01:05:04,580 --> 01:05:07,750
* Here they come now
Here they come
807
01:05:07,780 --> 01:05:10,550
* Are pulling you away
808
01:05:11,950 --> 01:05:17,550
* There are powers at play
More forceful than we
809
01:05:20,180 --> 01:05:23,820
* Come over here and sit down
810
01:05:23,850 --> 01:05:26,920
* And say a short prayer
811
01:05:28,750 --> 01:05:34,120
* A prayer to the air, the air
That we breathe
812
01:05:35,650 --> 01:05:40,980
* And the astonishing rise
Of the Anthrocene
813
01:05:42,220 --> 01:05:45,220
* Come on now, come on now
814
01:05:45,250 --> 01:05:48,620
* Hold your breath
While you're safe
815
01:05:51,250 --> 01:05:57,120
* It's a long way back
And I'm begging you please
816
01:05:57,150 --> 01:06:01,150
* To come home now
Come home now
817
01:06:05,780 --> 01:06:11,920
* Well, I heard you been out
Looking for something to love
818
01:06:14,820 --> 01:06:18,820
* Close your eyes
Little world
819
01:06:18,850 --> 01:06:21,250
* And brace yourself
820
01:06:28,950 --> 01:06:33,180
I don't want to just write
songs like a diary,
821
01:06:33,220 --> 01:06:36,950
of what my life is like, I'm
not really interested in that.
822
01:06:36,980 --> 01:06:39,180
Um...
823
01:06:39,220 --> 01:06:43,120
I want to write songs that
radiate out... that...
824
01:06:43,150 --> 01:06:46,020
connect with people
and don't alienate people.
825
01:06:50,850 --> 01:06:53,120
A kind of great...
826
01:06:53,150 --> 01:06:56,780
trauma isn't actually
a very good thing,
827
01:06:56,820 --> 01:06:58,420
um...
828
01:06:58,450 --> 01:07:02,920
you know, you kind of...
Well sometimes you know,
we all wish we have something
829
01:07:02,950 --> 01:07:07,280
to write about. We all wish
we have something in
our lives,
830
01:07:07,320 --> 01:07:10,320
that can happen.
That we can...
831
01:07:10,350 --> 01:07:12,520
that we can, um...
832
01:07:16,580 --> 01:07:19,250
to write about and make
our writing interesting.
833
01:07:19,280 --> 01:07:22,220
And all of that
sort of stuff.
834
01:07:22,250 --> 01:07:26,580
But, actually trauma actually
I think in the way that
this happened and,
835
01:07:26,620 --> 01:07:28,020
and in the events that
happened,
836
01:07:31,620 --> 01:07:34,850
it was extremely damaging to
the creative process.
837
01:07:39,220 --> 01:07:45,550
NICK: Later someone entered
the garden and bashed the
snakes brains in with a rock.
838
01:07:45,580 --> 01:07:50,680
Basically every one stood
around among the long black
cars in a state of shock.
839
01:07:52,920 --> 01:07:57,550
Everything got sad,
sad as a wind chime.
Sad, as stream as,
840
01:07:57,580 --> 01:07:59,720
sad as a single lost sock.
841
01:08:01,820 --> 01:08:07,280
There are many snakes, many
trees, many gardens to unlock.
842
01:08:07,320 --> 01:08:13,080
The media and it's complicitors
reader blew the whole thing out
of proportion.
843
01:08:13,120 --> 01:08:18,150
A snake became a serpent,
and in a typical tabloid
distortion
844
01:08:18,180 --> 01:08:22,650
the dead tree grew apples,
the wasteland paradise,
God was brought in
845
01:08:22,680 --> 01:08:25,080
blame apportioned.
846
01:08:25,120 --> 01:08:30,020
The whole thing went tits up
to the ceiling. A complete
fuck up and a total abortion.
847
01:08:30,050 --> 01:08:31,120
It's like a rap song.
848
01:08:32,280 --> 01:08:37,250
The children let off hand fulls
of balloons into the sky,
849
01:08:37,280 --> 01:08:38,880
they huddled under the marquis.
850
01:08:41,350 --> 01:08:42,720
The wind chime stopped.
851
01:08:45,580 --> 01:08:46,780
Stream is flagged.
852
01:08:49,580 --> 01:08:51,720
The straight sailing ships
on the sea.
853
01:08:54,350 --> 01:08:58,580
There is a toll gate now in
paradise, absolutely nothing
is for free.
854
01:09:03,180 --> 01:09:04,720
What's the worst
that can happen?
855
01:09:06,920 --> 01:09:09,850
Turning, pushing the hair
from you face
and smiling at me.
856
01:09:15,320 --> 01:09:19,220
MAN: Do you think it's a good
idea to have Suzie coming out
of the toilet?
857
01:09:20,950 --> 01:09:23,980
Just from an aesthetic
858
01:09:24,020 --> 01:09:26,050
and emotional and,
859
01:09:26,080 --> 01:09:28,680
How do you feel Suzie?
SUZIE: I don't mind. No, no.
860
01:09:28,720 --> 01:09:29,880
It's fine.
I don't mind.
861
01:09:32,050 --> 01:09:35,550
Darling, do you really wanna be
photographed pinning
and dressed up in the toilet?
862
01:09:35,580 --> 01:09:36,950
It's fine. I don't mind.
863
01:09:36,980 --> 01:09:38,920
Just decide though.
Okay.
864
01:09:38,950 --> 01:09:42,250
Well, it probably, oh...
MAN: Let's move the camera
up there.
865
01:09:42,280 --> 01:09:43,780
Can we avoid seeing th toilet?
866
01:09:43,820 --> 01:09:45,580
You won't see the toilet.
867
01:09:45,620 --> 01:09:47,850
You're not going down
into the bowl.
868
01:10:11,250 --> 01:10:12,920
MAN:
What d'you think when you
look at the picture?
869
01:10:14,980 --> 01:10:16,580
Yeah, things are changed.
870
01:10:17,280 --> 01:10:18,280
Um...
871
01:10:20,350 --> 01:10:22,180
I like that because, uh...
872
01:10:25,750 --> 01:10:30,880
because of the position of our
bodies, that we're not, uh,
connected.
873
01:10:30,920 --> 01:10:32,650
That we're sorbed
in our own...
874
01:10:34,350 --> 01:10:40,020
whatever. And, uh... but there
is a real connection as well
875
01:10:40,050 --> 01:10:41,120
at the same time.
876
01:10:46,680 --> 01:10:48,650
Anyway I love that picture.
877
01:10:48,680 --> 01:10:53,920
Actually went to a union
psychiatrist, 'cause I had
878
01:10:53,950 --> 01:10:57,250
some problems or whatever. But,
when you ended up talking about
Suzie all the time because
879
01:10:57,280 --> 01:11:00,720
she's actually much more
interesting than I am,
880
01:11:00,750 --> 01:11:04,820
And he was obviously more
interested in her as well.
881
01:11:05,320 --> 01:11:07,550
Um, and...
882
01:11:09,250 --> 01:11:13,720
and he said, that it was a kind
of untapped
883
01:11:13,750 --> 01:11:17,280
creativity makes... is quite
a common thing, actually
884
01:11:17,320 --> 01:11:21,180
to... for... um,
885
01:11:21,220 --> 01:11:24,250
that she's not doing what
she's supposed to be doing.
886
01:11:24,280 --> 01:11:27,080
So, it's a common
thing for women
887
01:11:28,080 --> 01:11:29,650
to move furniture around.
888
01:11:30,620 --> 01:11:32,580
I mean, what should we do... 2.
889
01:11:32,620 --> 01:11:34,580
Yes?
Where can this go?
890
01:11:34,620 --> 01:11:37,220
It can go back to where it
was the other day.
Back into...
891
01:11:37,250 --> 01:11:40,220
SUZIE:
Where was it the other day?
It was where?
892
01:11:40,250 --> 01:11:44,550
The bike was there. Yeah.
SUZIE: Yeah, but do you want
this out of the shot completely.
893
01:11:44,580 --> 01:11:45,780
If you can just get that.
894
01:11:45,820 --> 01:11:47,950
That could go into
Nick's office.
895
01:11:47,980 --> 01:11:51,780
NICK: She knows I don't like it,
so, um,
896
01:11:51,820 --> 01:11:54,720
tends to happen when I'm
not in the house.
897
01:11:54,750 --> 01:11:58,880
And, so I go away and then I
come back in and it's different.
898
01:11:58,920 --> 01:12:03,780
You don't mind if I put this
back under the...
SUZIE: Yeah, that's fine.
899
01:12:03,820 --> 01:12:08,720
NICK: I found this article of
this guy up north, who had a
similar situation with his wife
900
01:12:08,750 --> 01:12:10,480
and, he would nail...
901
01:12:10,520 --> 01:12:14,880
everything. All the chairs to
the ground and everything like
that. And she would tear them up
902
01:12:14,920 --> 01:12:19,820
and she'd be... it was like,
that chronic. And eventually
he divorced her in the end.
903
01:12:20,820 --> 01:12:21,880
But, um...
904
01:12:24,180 --> 01:12:25,950
doesn't bid well for the future.
905
01:12:29,180 --> 01:12:31,980
'Cause it's cropped up in
couple of Nick's songs,
906
01:12:32,020 --> 01:12:33,820
I'm like...
MAN: Yeah, yeah, yeah.
907
01:12:33,850 --> 01:12:36,080
I'm really embarrassed.
MAN: I always thought that
908
01:12:36,120 --> 01:12:41,120
it was some brilliant...
He'd come up with
some brilliant kind of,
909
01:12:41,150 --> 01:12:43,880
metaphor, you know...
SUZIE: Yeah, I know.
910
01:12:43,920 --> 01:12:46,920
Is an actual description.
Actual description.
911
01:12:46,950 --> 01:12:51,880
Suzie changes, um, it's better
but Suzie actually changes
912
01:12:51,920 --> 01:12:54,050
the function of the room.
913
01:12:54,080 --> 01:12:57,020
While you asleep, right.
914
01:12:57,050 --> 01:12:58,620
So that you wake up,
915
01:12:59,820 --> 01:13:03,880
and, yeah it's...
it's a different, yeah.
916
01:13:03,920 --> 01:13:07,620
It's like the TV room,
when before it was
the bedroom or something.
917
01:13:09,150 --> 01:13:11,580
No, I unplug it myself, darling.
918
01:13:11,620 --> 01:13:14,620
The woman keeps it
plugged in though.
Suzie, I think here...
919
01:13:14,650 --> 01:13:18,150
they should...
SUZIE: The boots
and everything. Thank you.
920
01:13:20,850 --> 01:13:22,180
NICK: Alright, just take
it in and out.
921
01:13:24,850 --> 01:13:26,250
NICK: Oh, fuck.
922
01:13:26,280 --> 01:13:28,180
Because there's, um...
SUZIE: Okay.
923
01:13:31,980 --> 01:13:34,050
MAN: Did you see that?
That's Nick Cave.
924
01:13:36,750 --> 01:13:40,080
Now, should we just see,
you can see what's gong
on there, Nick.
925
01:13:40,120 --> 01:13:42,550
You can see what you're being
photographed by.
926
01:13:42,580 --> 01:13:44,580
NICK: Yeah.
927
01:13:44,620 --> 01:13:47,880
MAN: You just thought that we'd
leave the house and you'd
be safe from us right?
928
01:13:47,920 --> 01:13:50,680
Yeah. In a sense yeah.
929
01:13:50,720 --> 01:13:53,880
But, we're still filming you,
in 3D.
930
01:13:53,920 --> 01:13:55,780
From another location.
931
01:13:55,820 --> 01:13:57,250
Thats amazing.
932
01:13:57,280 --> 01:14:01,020
But, seriously what...
what do you think about
Suzie's shoes?
933
01:14:02,120 --> 01:14:03,980
Well, let me see her feet.
934
01:14:07,580 --> 01:14:09,680
You see them?
935
01:14:09,720 --> 01:14:13,050
I think you should wear
the high heels.
Okay.
936
01:14:13,080 --> 01:14:14,250
I'll keep them on.
937
01:14:14,980 --> 01:14:17,650
Alright.
Okay.
938
01:14:17,680 --> 01:14:21,020
Now, Suzie, you want to just
explain to us the philosophy
of the dress?
939
01:14:21,050 --> 01:14:26,720
Yeah, um, okay this dress is
based on the American
prairie dress,
940
01:14:27,080 --> 01:14:29,120
and, um...
941
01:14:29,150 --> 01:14:32,680
it's, you know, there's
some cults that all wear
the same dresses...
942
01:14:33,720 --> 01:14:35,580
that was kind of
the inspiration,
943
01:14:35,620 --> 01:14:38,620
because I wanted to do them
in all these different color
pastels.
944
01:14:38,650 --> 01:14:42,120
And I wanted them to be kind
of, instead of, being really
frumpy that they're really
945
01:14:42,150 --> 01:14:44,920
see through. Some of them are
completely see through.
946
01:14:44,950 --> 01:14:48,050
And some of them, like, this
one is sort of,
semi see through.
947
01:14:48,080 --> 01:14:50,820
We can decide how much you...
948
01:14:50,850 --> 01:14:52,480
want to reveal.
949
01:14:52,520 --> 01:14:57,680
MAN: So, its the idea that takes
something that is supposed to
be deeply conservative,
950
01:14:57,720 --> 01:14:59,180
and sexualize it.
951
01:14:59,220 --> 01:15:02,920
Yeah, I guess so. There is that.
And it's not that see through.
952
01:15:02,950 --> 01:15:04,220
So you don't have to worry.
953
01:15:05,880 --> 01:15:07,280
Since, um,
954
01:15:07,320 --> 01:15:12,020
you know, since everything that
happened my work became
something
955
01:15:12,050 --> 01:15:15,180
different, you know. Before it
was something I was doing
956
01:15:15,220 --> 01:15:19,680
you know, because I was enjoying
it and loving it, but, then
it became a real necessity,
957
01:15:19,720 --> 01:15:22,850
I really had to be able to work,
958
01:15:22,880 --> 01:15:25,320
'cause it was the only thing
that would take my mind
off everything.
959
01:15:25,350 --> 01:15:26,180
Yeah.
960
01:15:28,020 --> 01:15:32,150
SUZIE:
I tried to not
allow myself,
961
01:15:32,180 --> 01:15:37,280
to sink down into, you know,
I try to...
962
01:15:37,320 --> 01:15:42,880
You know, to just keep moving
forward and keep looking
forwards, and just, um...
963
01:15:42,920 --> 01:15:49,120
But, sometimes, you know,
physically sometimes I feel
it almost more on my...
964
01:15:49,150 --> 01:15:54,080
Don't know how to describe it.
It's like a physical depression
almost. Not 'cause I'm
965
01:15:54,120 --> 01:15:58,920
depressed, but just the grief
process and, you know, and
everything like that is very...
966
01:15:58,950 --> 01:16:03,620
physical but, very you know,
my work is so diverting,
967
01:16:03,650 --> 01:16:06,820
and, I'm so grateful
for that.
Right.
968
01:16:06,850 --> 01:16:10,880
Nick tells me, "You're really
different when you go..."
Nick really encourages
969
01:16:10,920 --> 01:16:13,720
me to work, and, um,
970
01:16:13,750 --> 01:16:18,850
people have said to me all
that's what... creativity,
where it comes from.
971
01:16:18,880 --> 01:16:23,020
It comes from all other time
from pain and from...
972
01:16:23,050 --> 01:16:26,220
some terrible situations and...
973
01:16:26,250 --> 01:16:29,820
And, then I realized that
that's what was happening
to me.
974
01:16:30,920 --> 01:16:32,180
You know, in a small way.
975
01:16:35,820 --> 01:16:40,150
I haven't got anything I can
say any words of...
976
01:16:40,180 --> 01:16:46,080
wisdom or anything about it.
Because, I'm not at that... I
don't know if I ever will be.
977
01:17:00,350 --> 01:17:01,820
MAN: Suzie, can tell us
what it is?
978
01:17:03,250 --> 01:17:04,650
Um...
979
01:17:04,680 --> 01:17:05,820
It's difficult.
980
01:17:08,780 --> 01:17:09,780
I'm gonna cry.
981
01:17:14,850 --> 01:17:22,050
Um, well, after Arthur died
I found this in storage.
982
01:17:22,080 --> 01:17:27,920
I just couldn't believe it when
I saw it because, it's a
painting that he did when he was
983
01:17:27,950 --> 01:17:33,250
how old? About five or,
something like that? And it
was... it's of the windmill,
984
01:17:35,920 --> 01:17:37,180
and, you know, just where died.
985
01:17:40,050 --> 01:17:41,920
Um...
986
01:17:41,950 --> 01:17:45,680
And Earl did one as well.
There's two of them.
987
01:17:45,720 --> 01:17:50,280
Um, and then I found this one
and I just kind of couldn't
believe it.
988
01:17:53,950 --> 01:17:57,680
I sort of hid it for a while,
I didn't want to show
Nick, I didn't know what to
989
01:17:57,720 --> 01:17:59,620
do with it,
990
01:17:59,650 --> 01:18:03,850
and, I was upset that it's
framed in black and why
it's framed in black.
991
01:18:03,880 --> 01:18:05,150
I don't know why?
992
01:18:05,180 --> 01:18:08,050
Um, because it was framed
a long time ago,
993
01:18:08,080 --> 01:18:11,950
and it kind of, freaked me out
as well. 'Cause I thought "Why
is it framed in black?"
994
01:18:11,980 --> 01:18:13,080
You know, maybe that's...
995
01:18:15,050 --> 01:18:19,820
you know, it's been really
superstitious, and, um,
anyway yeah.
996
01:18:19,850 --> 01:18:21,720
But, I'm...
I don't really know
997
01:18:23,580 --> 01:18:24,780
what else to say about it.
Really.
998
01:18:32,580 --> 01:18:33,780
Yeah.
999
01:18:37,720 --> 01:18:39,280
Put it over here?
Yeah.
1000
01:18:58,950 --> 01:19:02,980
NICK: There is more paradise
in hell than what we've been
told.
1001
01:19:03,020 --> 01:19:06,750
And every step we take,
we stop from blue.
1002
01:19:06,780 --> 01:19:08,780
Lie down and bleed
into the water hole.
1003
01:19:10,920 --> 01:19:13,980
And so, the night, it will
in time unfold.
1004
01:19:14,020 --> 01:19:17,220
Curled up inside my palm
and it's sleeping too.
1005
01:19:17,250 --> 01:19:21,220
There is more paradise in
hell than we've been told.
1006
01:19:21,250 --> 01:19:24,650
From your lashes tumble
stars of gold,
1007
01:19:24,680 --> 01:19:27,820
star lashes, little splashes
of dew.
1008
01:19:27,850 --> 01:19:30,520
Spill across the world
and through my soul.
1009
01:19:31,880 --> 01:19:35,120
Now call your tiny animals
to the drinking hole.
1010
01:19:35,150 --> 01:19:39,080
Little cat, little bear, little
fire horse, little kangaroo,
1011
01:19:39,120 --> 01:19:42,680
there is more paradise in hell
than we've been told.
1012
01:19:42,720 --> 01:19:46,650
Little cat, little fire horse
with a shivering foal.
1013
01:19:46,680 --> 01:19:49,780
Curled in my demon palm
and dreaming too.
1014
01:19:49,820 --> 01:19:53,250
And, all across the world
the night night unfolds.
1015
01:19:53,280 --> 01:19:56,620
And all across the night
and through my soul.
1016
01:19:56,650 --> 01:20:00,220
But, every step
we take we start
from blue.
1017
01:20:00,250 --> 01:20:02,650
Fresh tears bleed into
the water hole.
1018
01:20:04,850 --> 01:20:07,280
There is more paradise
in hell than we've been told.
1019
01:20:17,350 --> 01:20:21,820
You need... The imagination
needs room to move.
1020
01:20:21,850 --> 01:20:24,220
It needs room to invent.
1021
01:20:24,250 --> 01:20:28,120
Um, and to dream,
and when
1022
01:20:28,150 --> 01:20:32,580
a trauma happens, that's
that big...
1023
01:20:32,620 --> 01:20:36,650
It is no room, it's just
no imaginative room around it.
1024
01:20:36,680 --> 01:20:38,080
It's just the fucking trauma.
1025
01:20:39,980 --> 01:20:43,250
Um, and I think that was...
1026
01:20:43,280 --> 01:20:47,650
that was what the problem
was when I tried to do new
songs in the studio.
1027
01:20:49,720 --> 01:20:51,850
It's almost like
the songs, uh...
1028
01:20:53,080 --> 01:20:56,220
that songs that you
had written, uh...
1029
01:20:58,780 --> 01:21:03,120
in a way... maybe there
were songs you might have
needed.
1030
01:21:06,020 --> 01:21:08,780
I don't know.
I don't know about the songs.
1031
01:21:08,820 --> 01:21:11,220
Because the songs do seem
to have a...
1032
01:21:12,950 --> 01:21:14,950
The...
Um...
1033
01:21:17,820 --> 01:21:20,150
There's a sense of helplessness
in the songs.
1034
01:21:20,180 --> 01:21:23,050
Yeah. Well, you know...
You know.
1035
01:21:25,620 --> 01:21:29,780
When we... you know, it's sort
of talking about this prophetic
nature of all of them,
1036
01:21:29,820 --> 01:21:32,850
that sort of stuff, I mean we
gotta take that with a pinch
of salt.
1037
01:21:32,880 --> 01:21:35,120
Yeah.
You know, um...
1038
01:21:36,880 --> 01:21:40,180
And I don't really care
about their prophetic,
1039
01:21:40,220 --> 01:21:42,780
they're not important enough.
1040
01:21:42,820 --> 01:21:45,550
At this stage...
1041
01:21:45,580 --> 01:21:49,280
but, the way that they've been
presented, the way that...
1042
01:21:49,320 --> 01:21:51,120
the way that you hear them
on this record.
1043
01:21:55,180 --> 01:21:59,080
It's very much because of
the emotional state,
1044
01:21:59,120 --> 01:22:02,050
just... not just of myself but,
everybody actually.
1045
01:22:02,080 --> 01:22:03,820
In the studio when we
were doing that...
1046
01:22:05,050 --> 01:22:07,320
it's... it's, um,
1047
01:22:07,350 --> 01:22:12,850
the kind of state we were all in
gave us, I think a confidence
just to allow this thing
1048
01:22:12,880 --> 01:22:17,120
to go out like it was. This
document to go out like it was.
1049
01:22:17,150 --> 01:22:22,220
Um, which we wouldn't have done
if events were different,
you know.
1050
01:22:22,250 --> 01:22:26,280
Fix this up and we would have
redone this and, um...
1051
01:22:29,680 --> 01:22:34,680
There's something about
the naked nature
of the songs that have
1052
01:22:34,720 --> 01:22:35,820
um...
1053
01:22:37,320 --> 01:22:38,720
Alpha.
1054
01:22:40,050 --> 01:22:42,820
Or, you know...
1055
01:22:44,120 --> 01:22:45,720
all through.
1056
01:22:47,220 --> 01:22:48,220
So we're here.
1057
01:23:43,180 --> 01:23:48,250
* When you're feeling
Like a lover
1058
01:23:48,280 --> 01:23:53,820
* Nothing really
Matters anymore
1059
01:23:54,780 --> 01:23:58,050
* I saw you standing there
1060
01:23:58,080 --> 01:24:02,180
* In the supermarket
1061
01:24:02,220 --> 01:24:09,180
* With your red dress falling
And your eyes are to
The ground
1062
01:24:11,280 --> 01:24:15,750
* Nothing really matters
1063
01:24:15,780 --> 01:24:22,550
* Nothing really matters
When the one you love is gone
1064
01:24:23,920 --> 01:24:26,920
* You're still in me, baby
1065
01:24:27,620 --> 01:24:31,150
* I need you
1066
01:24:36,780 --> 01:24:42,220
* In my heart, I need you
1067
01:24:48,320 --> 01:24:52,880
* Cause nothing
Really matters
1068
01:24:52,920 --> 01:24:57,050
* I'm standing in the doorway
1069
01:24:57,080 --> 01:25:03,250
* You're walking around my
Place in your red dress
1070
01:25:03,280 --> 01:25:07,820
* Hair hanging down
1071
01:25:07,850 --> 01:25:13,920
* With your eyes on one, we
Love the ones we can
1072
01:25:13,950 --> 01:25:19,020
* Cause nothing really matters
When you're standing
1073
01:25:27,150 --> 01:25:32,750
* I need you, I need you
1074
01:25:36,080 --> 01:25:41,050
* Cause nothing
Really matters
1075
01:25:41,080 --> 01:25:47,220
* We follow the line of
The palms of our hands
1076
01:25:47,250 --> 01:25:51,950
* You're standing
In the supermarket
1077
01:25:51,980 --> 01:25:55,150
* Nothing, holding hands
1078
01:25:55,180 --> 01:26:00,720
* In your red dress, falling
1079
01:26:00,750 --> 01:26:04,550
* Falling, Falling in
1080
01:26:04,580 --> 01:26:09,950
* A long black car is
Waiting 'round
1081
01:26:09,980 --> 01:26:15,250
* I will miss you
When you're gone
1082
01:26:15,280 --> 01:26:22,120
* I'll miss you when you're
Gone away forever
1083
01:26:22,150 --> 01:26:26,580
* Cause nothing
Really matters
1084
01:26:26,620 --> 01:26:32,080
* I thought I knew better
So much better
1085
01:26:32,120 --> 01:26:36,180
* And I need you
1086
01:26:42,320 --> 01:26:46,720
* I need you
1087
01:26:51,680 --> 01:26:55,980
* Cause nothing
Really matters
1088
01:26:56,020 --> 01:27:00,720
* On the night we
Wrecked like a train
1089
01:27:00,750 --> 01:27:05,020
* Purring cars
And pouring rain
1090
01:27:05,050 --> 01:27:10,980
* Never felt right about
Never again
1091
01:27:11,020 --> 01:27:15,550
* Cause nothing
Really matters
1092
01:27:15,580 --> 01:27:20,820
* Nothing really
Matters anymore
1093
01:27:20,850 --> 01:27:23,020
* Not even today
1094
01:27:23,050 --> 01:27:27,280
* No matter how hard I try
1095
01:27:29,320 --> 01:27:34,750
* When you're standing in
The aisle
1096
01:27:35,980 --> 01:27:39,650
* And no, baby
1097
01:27:39,680 --> 01:27:45,250
* Nothing, nothing, nothing
1098
01:27:46,620 --> 01:27:49,620
* Nothing
1099
01:27:51,150 --> 01:27:57,720
* I need, I need, I need you
1100
01:27:59,850 --> 01:28:04,980
* I need you
1101
01:28:09,950 --> 01:28:13,150
* In my heart
1102
01:28:13,180 --> 01:28:17,280
* I need you
1103
01:28:20,220 --> 01:28:23,950
* Just breathe, just breathe
1104
01:28:24,650 --> 01:28:31,580
* I need you
1105
01:28:51,020 --> 01:28:54,180
There are things that are
being torn apart,
1106
01:28:54,220 --> 01:28:58,280
and I'm desperately trying
to find
1107
01:28:58,320 --> 01:29:03,050
a way of making some
kind of, um...
1108
01:29:03,080 --> 01:29:07,180
narrative sense out of it,
if we're talking about song
writing, or, at least
1109
01:29:07,220 --> 01:29:10,580
some sense out of it
where, um...
1110
01:29:10,620 --> 01:29:16,220
over the... I can do what
it keeps saying in the books.
What people keep saying to me
1111
01:29:16,250 --> 01:29:21,650
that It's, uh...
that I can reduce
this chaotic...
1112
01:29:21,680 --> 01:29:25,720
mess that's happened down
into something that...
1113
01:29:25,750 --> 01:29:26,780
that's more um...
1114
01:29:30,020 --> 01:29:34,220
You know, that I can reduce,
distill it down to like
1115
01:29:34,250 --> 01:29:39,120
a platitude that I can fit
nicely you know,
a kind of greeting card
1116
01:29:39,150 --> 01:29:41,280
sized platitude,
1117
01:29:41,320 --> 01:29:45,250
that means something to me,
like, "He lives in my heart",
or something like that.
1118
01:29:45,280 --> 01:29:47,850
People say it all
the time to me.
1119
01:29:47,880 --> 01:29:51,650
"He lives in my heart",
and I go, "Yeah, yeah, I know,
I know".
1120
01:29:51,680 --> 01:29:53,950
But, he doesn't you know.
MAN: He doesn't?
1121
01:29:53,980 --> 01:29:58,180
I mean, he is in my heart but,
he doesn't live at all.
1122
01:29:58,220 --> 01:30:02,920
And, there is no...
I wanna be able to sit
here and...
1123
01:30:05,120 --> 01:30:10,250
round this off in some kind of
way. But, to me it's just
not.
1124
01:30:11,780 --> 01:30:13,550
You know, it's just not...
1125
01:30:19,050 --> 01:30:23,880
things... it's affected me
in a way that I don't
understand.
1126
01:30:23,920 --> 01:30:28,950
So, then my reactions to things
aren't, um,
1127
01:30:28,980 --> 01:30:32,880
the same as they used to,
and they used to be able to
predict what would...
1128
01:30:32,920 --> 01:30:35,750
I would feel at certain
times and now...
1129
01:30:35,780 --> 01:30:37,650
um...
1130
01:30:37,680 --> 01:30:40,920
I just have a handle on things
anymore.
1131
01:30:41,880 --> 01:30:45,650
Um...
What's that like?
1132
01:30:45,680 --> 01:30:49,020
Well, it's frightening
because, uh...
1133
01:30:49,050 --> 01:30:51,510
like, I don't know what I'm
fucking doing now.
1134
01:30:51,950 --> 01:30:53,180
For example.
1135
01:30:53,220 --> 01:30:56,620
What am I sitting in a...
in a... camera...
1136
01:30:57,850 --> 01:31:01,250
being filmed, talking about
this sort of thing.
1137
01:31:01,280 --> 01:31:04,220
I wouldn't have dreamed
of doing that before.
1138
01:31:04,250 --> 01:31:06,820
MAN: Well, I'm not sure that
I feel entirely comfortable
about it either.
1139
01:31:08,220 --> 01:31:09,550
I don't know either.
1140
01:31:20,650 --> 01:31:23,720
* Let us go now
1141
01:31:28,980 --> 01:31:31,510
* My one true love
1142
01:31:33,220 --> 01:31:35,680
* Call the gasman
1143
01:31:36,280 --> 01:31:39,120
* Cut the power out
1144
01:31:41,150 --> 01:31:45,020
* We can set out
1145
01:31:45,050 --> 01:31:48,150
* We can set out
For the distant sky
1146
01:31:51,080 --> 01:31:56,550
* Watch the sun
Watch it rising
1147
01:31:59,180 --> 01:32:01,580
* In your eyes
1148
01:32:21,680 --> 01:32:25,820
* Let us go now
1149
01:32:26,820 --> 01:32:33,280
* My darling companion
1150
01:32:40,880 --> 01:32:43,120
* Set out
1151
01:32:43,150 --> 01:32:50,120
* For the distant sky
1152
01:33:00,880 --> 01:33:05,750
* See the sun
See it rising
1153
01:33:08,720 --> 01:33:13,220
* See it rising
1154
01:33:13,250 --> 01:33:18,750
* Rising in your eyes
1155
01:33:36,250 --> 01:33:39,580
* Let us go now
1156
01:33:41,180 --> 01:33:46,650
* My only companion
1157
01:33:55,620 --> 01:34:00,050
* Set out for
1158
01:34:01,180 --> 01:34:06,720
* The distant skies
1159
01:34:14,350 --> 01:34:19,310
* Soon the children
1160
01:34:19,350 --> 01:34:22,980
* Will be rising
1161
01:34:23,880 --> 01:34:29,750
* Will be rising
1162
01:34:29,780 --> 01:34:36,750
* This is not for our eyes
1163
01:34:51,980 --> 01:34:57,150
* They told us our gods
Would outlive us
1164
01:34:59,150 --> 01:35:04,580
* They told us our dreams
Would outlive us
1165
01:35:07,580 --> 01:35:13,150
* They told us our gods
Would outlive us
1166
01:35:15,350 --> 01:35:19,780
* But they lied
1167
01:36:37,050 --> 01:36:40,980
NICK: I'm driving in a car
along the M25,
1168
01:36:41,020 --> 01:36:46,950
and I'm driving in a car along
the M25, on a tiny blue spec
trapped in a moon beam.
1169
01:36:50,720 --> 01:36:55,650
I'm looking out the window,
and up at the countless
and indifferent stars.
1170
01:36:57,210 --> 01:36:58,750
I am barely a child, really.
1171
01:37:00,780 --> 01:37:03,180
The blue spec spins in
a dark field,
1172
01:37:04,950 --> 01:37:09,210
that began 15 billion
years ago.
1173
01:37:09,250 --> 01:37:14,150
I'm driving home from
the studio where I've been
making a record.
1174
01:37:14,180 --> 01:37:18,550
I'm feeling what every person
who makes a record probably
feels.
1175
01:37:18,580 --> 01:37:22,850
That I am making something
of great significance,
and permanence.
1176
01:37:22,880 --> 01:37:27,950
Even though in reality I know
what I've committed my self to
is of no real significance.
1177
01:37:29,110 --> 01:37:30,620
And, no real permanence.
1178
01:37:34,310 --> 01:37:38,850
But, I have something
that the universe has not
1179
01:37:38,880 --> 01:37:40,210
never has had.
1180
01:37:40,250 --> 01:37:41,920
And will never have.
1181
01:37:43,110 --> 01:37:44,180
Consciousness.
1182
01:37:47,680 --> 01:37:52,820
My consciousness exists only
at this given time,
it has no past.
1183
01:37:52,850 --> 01:37:55,280
And no future.
1184
01:37:55,310 --> 01:38:00,650
But, it's present, is bigger
in magnitude than
all the trillion stars
1185
01:38:00,680 --> 01:38:02,020
and planets, and galaxies.
1186
01:38:13,080 --> 01:38:14,080
There's no, um...
1187
01:38:16,210 --> 01:38:20,820
it... you know, I can put it in
different ways with...
1188
01:38:20,850 --> 01:38:25,550
and make it sound nice
and stuff like that,
what happened, and...
1189
01:38:25,580 --> 01:38:30,680
you just kind of, tied up in
language and stuff like that,
but, actually...
1190
01:38:30,720 --> 01:38:34,210
every time I try and articulate
it just... just...
1191
01:38:35,580 --> 01:38:39,110
does the whole...
does him a disservice.
1192
01:38:39,150 --> 01:38:40,620
That's what it feels
like to me.
1193
01:38:45,280 --> 01:38:47,110
You know, 'cause it's...
1194
01:38:47,150 --> 01:38:49,050
it happened to us
but, to happened to him.
1195
01:39:03,680 --> 01:39:05,510
Um, and that's um...
1196
01:39:08,080 --> 01:39:12,620
like the day, or the night,
and around that time is, um...
1197
01:39:15,010 --> 01:39:16,720
is like this place...
1198
01:39:20,310 --> 01:39:22,210
you just don't wanna go,
1199
01:39:22,250 --> 01:39:23,820
you know.
It's like...
1200
01:39:23,850 --> 01:39:26,650
all the rest around
is okay, I can
1201
01:39:26,680 --> 01:39:31,820
deal with that. I can deal with
that. It's okay. In fact that's
something I wanted to say...
1202
01:39:32,680 --> 01:39:34,310
is that...
1203
01:39:34,350 --> 01:39:37,880
if everything is not okay, but,
it's also okay.
1204
01:39:37,920 --> 01:39:42,310
Right? Things go on,
and, you know, if
1205
01:39:42,350 --> 01:39:45,080
anyone's interested,
the records go on.
1206
01:39:45,110 --> 01:39:46,950
And, we're still going
what we do.
1207
01:39:47,820 --> 01:39:49,010
Um, and the work goes on.
1208
01:39:50,310 --> 01:39:51,950
Um...
1209
01:39:51,980 --> 01:39:54,150
And, in that respect things...
1210
01:39:55,720 --> 01:39:57,150
continue.
1211
01:40:02,110 --> 01:40:04,210
Can we hear the, uh...
1212
01:40:04,250 --> 01:40:07,010
song please?
Jake, where ever you are.
1213
01:40:09,820 --> 01:40:12,180
What ever, we just want
to see how it goes.
1214
01:40:12,950 --> 01:40:14,180
Okay.
1215
01:40:15,980 --> 01:40:17,880
NICK:
Can you do one one way,
and one they other way?
1216
01:40:17,920 --> 01:40:19,180
Here we go guys,
And...
1217
01:40:19,210 --> 01:40:21,110
We're rolling.
1218
01:40:34,310 --> 01:40:37,110
* Sunday morning
1219
01:40:38,250 --> 01:40:40,580
* Skeleton tree
1220
01:40:42,950 --> 01:40:46,110
* Oh, nothing is for free
1221
01:40:50,180 --> 01:40:54,750
* In the window, a candle
1222
01:40:58,250 --> 01:41:01,950
* Well, maybe you can see
1223
01:41:06,110 --> 01:41:12,580
* Fallen leaves thrown
Against the sky
1224
01:41:14,150 --> 01:41:17,680
* A jittery TV
1225
01:41:21,080 --> 01:41:25,180
* Glowing white like fire
1226
01:41:29,310 --> 01:41:33,050
* Nothing is for free
1227
01:41:36,680 --> 01:41:39,850
* I called out
1228
01:41:40,880 --> 01:41:43,650
* I called out
1229
01:41:45,050 --> 01:41:48,580
* Right across the sea
1230
01:41:52,580 --> 01:41:56,580
* But the echo comes
Back empty
1231
01:42:00,350 --> 01:42:03,720
* Nothing is for free
1232
01:42:37,810 --> 01:42:40,580
* Sunday morning
1233
01:42:41,750 --> 01:42:43,780
* Skeleton tree
1234
01:42:46,680 --> 01:42:49,910
* Pressed against the sky
1235
01:42:54,350 --> 01:42:57,150
* The jittery TV
1236
01:43:00,850 --> 01:43:05,910
* Glowing white like fire
1237
01:43:09,010 --> 01:43:12,880
* And I called out
1238
01:43:12,910 --> 01:43:15,250
* I called out
1239
01:43:17,880 --> 01:43:20,880
* Right across the sea
1240
01:43:24,950 --> 01:43:27,910
* And I called out
1241
01:43:27,950 --> 01:43:30,620
* I called out
1242
01:43:32,780 --> 01:43:36,010
* Nothing is for free
1243
01:43:36,880 --> 01:43:39,580
* And it's
1244
01:43:40,810 --> 01:43:44,110
* Alright
1245
01:43:46,080 --> 01:43:47,810
* Now
1246
01:43:51,780 --> 01:43:53,850
* And it's
1247
01:43:55,680 --> 01:43:58,620
* Alright
1248
01:44:01,010 --> 01:44:02,580
* Now
1249
01:44:06,910 --> 01:44:08,980
* And it's
1250
01:44:10,880 --> 01:44:13,780
* Alright
1251
01:44:16,350 --> 01:44:17,880
* Now.
1252
01:44:29,150 --> 01:44:32,550
Anyway, that's what
I mean, you know...
1253
01:44:32,580 --> 01:44:36,620
All of this stuff that I'm
saying now it just...
it feels like,
1254
01:44:36,650 --> 01:44:38,950
it's just a lot of
bullshit to me.
1255
01:44:38,980 --> 01:44:42,010
You know, it may mean something
but, in the end,
1256
01:44:43,280 --> 01:44:46,150
in the end there's something
that happened,
1257
01:44:48,010 --> 01:44:53,880
um, and there's a kind of,
like a ring around that
event...
1258
01:44:55,250 --> 01:44:57,010
um, it's fenced off.
1259
01:45:01,250 --> 01:45:05,620
And, everything else is okay
around it but, there's just
something that happened
1260
01:45:05,650 --> 01:45:09,880
in that short space of time
that we can never get
that far away from.
1261
01:45:10,980 --> 01:45:12,080
That we're, uh...
1262
01:45:12,950 --> 01:45:14,850
You probably
don't want to.
1263
01:45:14,880 --> 01:45:17,910
Well, it's I think,
you know, when I looked
at the film back there was
1264
01:45:17,950 --> 01:45:20,650
something I was rattling all
about time being elastic.
1265
01:45:20,680 --> 01:45:22,110
Yeah.
And that is
1266
01:45:22,150 --> 01:45:26,910
I think, that's what I meant
that we're attached to this
1267
01:45:26,950 --> 01:45:31,950
event. And that we move
away like that and we're
line on a rubber band.
1268
01:45:31,980 --> 01:45:35,810
And life can go on, and on,
and on, but eventually,
1269
01:45:35,850 --> 01:45:38,910
it just keeps coming
back to that thing.
And that's, uh...
1270
01:45:41,910 --> 01:45:44,780
that's some kind of
trauma, I guess.
1271
01:45:51,080 --> 01:45:54,910
NICK:
It's strange reading those
scripts back, those,
1272
01:45:56,150 --> 01:45:57,950
lyrics...
1273
01:45:57,980 --> 01:45:59,180
from my song book back.
1274
01:46:02,350 --> 01:46:05,980
And, you know, they're okay.
1275
01:46:07,610 --> 01:46:09,280
They're actually kind
of beautiful really.
1276
01:46:11,750 --> 01:46:14,310
But, at the time they never
revealed themselves as such.
1277
01:46:14,350 --> 01:46:16,050
And they just thought
that I was writing
1278
01:46:16,750 --> 01:46:17,980
a lot of rubbish.
1279
01:46:21,950 --> 01:46:23,250
That was one of
the things I lost.
1280
01:46:25,680 --> 01:46:28,080
That was one of the things
that I lost hard.
1281
01:46:30,810 --> 01:46:32,950
A sense of belief in myself.
1282
01:46:35,250 --> 01:46:36,880
Like I had fucked up bad.
1283
01:46:38,910 --> 01:46:42,980
The me and Suzie had looked
away for a terrible moment.
1284
01:46:43,010 --> 01:46:45,580
And this reflected savagely
on everything else.
1285
01:46:48,150 --> 01:46:51,050
My belief in the good in things
in the world.
1286
01:46:52,580 --> 01:46:54,950
In ourselves, evaporated.
1287
01:47:00,950 --> 01:47:03,680
But, you know, after a while,
after a time,
1288
01:47:05,110 --> 01:47:07,180
Suzie and I decided
to be happy.
1289
01:47:08,880 --> 01:47:12,980
This happiness seemed to
be an act of revenge.
1290
01:47:15,750 --> 01:47:17,210
An act of defiance.
1291
01:47:21,750 --> 01:47:24,550
To care about each other,
and everyone else.
1292
01:47:25,810 --> 01:47:27,150
And to be careful.
1293
01:47:28,210 --> 01:47:29,680
To be careful with each other.
1294
01:47:31,180 --> 01:47:32,710
And the ones around us.
1295
01:47:43,880 --> 01:47:47,950
* I'm walking through
Deep water
1296
01:47:49,110 --> 01:47:52,650
* It's all but I can do
1297
01:47:56,150 --> 01:47:59,780
* I'm walking through
Deep water
1298
01:48:01,710 --> 01:48:05,810
* Trying to get to you
1299
01:48:08,650 --> 01:48:13,550
* Your face is hidden from me
But your love is not
1300
01:48:13,580 --> 01:48:18,280
* I will not reach for other
Things till I know what
I have got
1301
01:48:18,310 --> 01:48:24,280
* I'm walking through
Deep water
Trying to get to you
1302
01:48:28,210 --> 01:48:31,110
* I'm walking through
Deep water
1303
01:48:33,580 --> 01:48:38,210
* I have no time to lose
1304
01:48:40,910 --> 01:48:45,580
* I'm walking through
Deep water
1305
01:48:45,610 --> 01:48:49,880
* There's nothing
Left to choose
1306
01:48:52,910 --> 01:48:57,710
* This little heart of mine
Got loaded up with chains
1307
01:48:57,750 --> 01:49:02,950
* The world just swirls
Around me
The water makes its claim
1308
01:49:02,980 --> 01:49:07,980
* I'm walking through
Deep water
Trying to get to you
1309
01:49:12,910 --> 01:49:15,980
* Who will calm my fears?
1310
01:49:17,680 --> 01:49:22,780
* Who will drive my
tears away
1311
01:49:22,810 --> 01:49:26,280
* Who will calm my fears?
1312
01:49:27,780 --> 01:49:31,750
* Who will drive my
Tears away
1313
01:49:41,150 --> 01:49:45,150
* I'm walking through
Deep water
1314
01:49:46,350 --> 01:49:50,150
* Nearer to the sea
1315
01:49:53,250 --> 01:49:58,080
* I'm asking the deep water
1316
01:49:58,110 --> 01:50:01,950
* Don't take my love from me
1317
01:50:05,350 --> 01:50:09,950
* I'll dance with little ladies
With a hundred just like me
1318
01:50:09,980 --> 01:50:14,810
* They hold their breath
And hesitate
And dance beneath the sea
1319
01:50:14,850 --> 01:50:20,280
* I'm walking through
Deep water
Trying to get to you *
1320
01:50:36,980 --> 01:50:40,510
NICK: One, two, three, four...
1321
01:50:41,750 --> 01:50:43,810
* Come one
1322
01:50:45,780 --> 01:50:48,980
* Morning comes
1323
01:50:52,010 --> 01:50:56,080
* A jittery TV
1324
01:50:59,810 --> 01:51:02,550
* I call out the window
1325
01:51:02,580 --> 01:51:05,110
* When the morning comes
1326
01:51:06,880 --> 01:51:09,650
* Nothing is for free
1327
01:51:12,010 --> 01:51:18,550
* Nothing is for free
1328
01:51:27,580 --> 01:51:30,710
* Fire
1329
01:51:31,980 --> 01:51:34,910
* Nothing
1330
01:51:36,050 --> 01:51:39,780
* Can narrow the bed
1331
01:51:39,810 --> 01:51:45,950
* Glowing white like fire
1332
01:51:45,980 --> 01:51:52,080
* And I called out the window
1333
01:51:54,350 --> 01:51:58,850
* Down in the sea
1334
01:52:02,080 --> 01:52:06,180
* But the echo
Comes back in, dear
1335
01:52:06,210 --> 01:52:10,010
* 'Cause nothing is for free
1336
01:52:10,050 --> 01:52:13,580
* And I called out the window
1337
01:52:13,610 --> 01:52:18,280
* Skeleton tree104023
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof