All language subtitles for Happily Divorced s01 e05

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,733 --> 00:00:12,073 - HAPPILY DIVORCED IS SHOT BEFORE A LIVE AUDIENCE. 2 00:00:12,100 --> 00:00:15,600 - FRANNY, HONEY, I GOT A BIG SURPRISE FOR YOU. 3 00:00:15,633 --> 00:00:17,433 - OH! 4 00:00:17,467 --> 00:00:21,097 WELL, I'LL GO SHAVE. OH. 5 00:00:21,133 --> 00:00:22,603 FORCE OF HABIT, OH. 6 00:00:22,633 --> 00:00:26,033 LIKE I'D HAVE ANYTHING TO SHAVE FOR--WHAT? 7 00:00:26,067 --> 00:00:29,027 - I SIGNED A HUGE CLIENT TODAY. 8 00:00:29,067 --> 00:00:31,397 THIS GUY IS LOOKING AT SEVEN-FIGURE ESTATES. 9 00:00:31,433 --> 00:00:33,733 THIS COMMISSION IS THE ANSWER TO OUR PRAYERS! 10 00:00:33,767 --> 00:00:35,327 I'M GONNA BE ABLE TO GET MY OWN PLACE! 11 00:00:35,367 --> 00:00:38,427 - OH, MY GOD. ALL OUR DREAMS ARE COMING TRUE! 12 00:00:38,467 --> 00:00:40,197 FIRST, WE GET MARRIED, THEN YOU COME OUT, 13 00:00:40,233 --> 00:00:42,233 WE GET DIVORCED, NOW YOU'RE MOVING. 14 00:00:42,267 --> 00:00:44,697 IT'S LIKE A FAIRY TALE! 15 00:00:44,733 --> 00:00:46,403 - IF I HAD MY OWN PAD... 16 00:00:46,433 --> 00:00:49,333 I COULD INVITE A FELLA OVER FOR A SLEEPOVER. 17 00:00:50,800 --> 00:00:54,430 MAYBE DO A THREESOME WITH POTSIE AND RALPH. 18 00:00:54,467 --> 00:00:56,427 - HONEY, YOU REALIZE THIS MEANS WE'RE GONNA 19 00:00:56,467 --> 00:00:59,167 BE ABLE TO LIVE LIKE NORMAL DIVORCED PEOPLE! 20 00:00:59,200 --> 00:01:01,630 - I KNOW! 21 00:01:01,667 --> 00:01:03,627 WE'LL BE ABLE TO TALK BEHIND EACH OTHER'S BACKS 22 00:01:03,667 --> 00:01:06,727 WITHOUT ACTUALLY BEING BEHIND EACH OTHER'S BACKS. 23 00:01:06,767 --> 00:01:08,397 - I LOVE YOU! - I LOVE YOU MORE! 24 00:01:08,433 --> 00:01:10,133 - HEY! 25 00:01:11,633 --> 00:01:13,803 - WHAT ARE WE CELEBRATING? 26 00:01:13,833 --> 00:01:15,733 - PETER'S FINALLY MOVING OUT. 27 00:01:15,767 --> 00:01:18,727 - NO! - OH. 28 00:01:18,767 --> 00:01:22,397 CESAR, THIS HAS NOTHING TO DO WITH YOU. 29 00:01:22,433 --> 00:01:24,373 WE BOTH STILL LOVE YOU. 30 00:01:24,400 --> 00:01:27,470 WE'RE JUST NOT GOING TO LIVE TOGETHER ANYMORE. 31 00:01:27,500 --> 00:01:29,070 - BUT IT WON'T BE THE SAME! 32 00:01:29,100 --> 00:01:31,530 - WELL, YOU'LL BE ABLE TO SEE PETER 33 00:01:31,567 --> 00:01:34,067 ON WEEKENDS AND HOLIDAYS. 34 00:01:34,067 --> 00:01:37,097 - OH! I WISH I WAS NEVER HIRED. 35 00:01:41,367 --> 00:01:43,367 - WHAT DO NORMAL DIVORCED PEOPLE DO NEXT? 36 00:01:43,400 --> 00:01:45,370 - I GUESS THEY FIGURE OUT WHO GETS WHAT. 37 00:01:45,400 --> 00:01:46,800 - WELL, LISTEN, FRAN, I'M REALLY JUST GONNA 38 00:01:46,833 --> 00:01:48,703 MOVE TO A SMALL PLACE; I DON'T NEED MUCH. 39 00:01:48,733 --> 00:01:50,673 - OH, SWEETIE, PETEY. 40 00:01:50,700 --> 00:01:52,670 YOU'RE THE ONE THAT'S MOVING OUT. 41 00:01:52,700 --> 00:01:54,600 YOU SHOULD TAKE WHATEVER YOU WANT. 42 00:01:54,633 --> 00:01:57,333 - OKAY. WELL, MAYBE JUST THE COUCH. 43 00:01:57,367 --> 00:01:59,467 - THE CENTERPIECE OF THE WHOLE LIVING ROOM? 44 00:01:59,500 --> 00:02:02,670 - FINE, I'LL TAKE THE TWO CHAIRS. 45 00:02:02,700 --> 00:02:04,170 - OH, THOSE WERE BOUGHT SPECIFICALLY 46 00:02:04,200 --> 00:02:05,730 TO GO WITH THIS COUCH. 47 00:02:05,767 --> 00:02:07,867 - FINE, I'LL TAKE THE TV. 48 00:02:07,900 --> 00:02:09,130 - WELL, WHAT THE HELL AM I GONNA WATCH 49 00:02:09,167 --> 00:02:10,167 WHEN I'M SITTING ON THE COUCH? 50 00:02:10,200 --> 00:02:11,700 THE TWO CHAIRS? 51 00:02:11,733 --> 00:02:13,803 - FRAN, WHY DON'T YOU JUST TELL ME WHAT TO TAKE? 52 00:02:13,833 --> 00:02:15,533 - WELL, WHY DON'T YOU JUST TAKE EVERYTHING? 53 00:02:15,567 --> 00:02:17,567 OH, LISTEN TO US. 54 00:02:17,600 --> 00:02:19,800 - WE'RE ARGUING LIKE NORMAL DIVORCED PEOPLE! 55 00:02:19,833 --> 00:02:22,733 - AH! 56 00:02:22,767 --> 00:02:25,327 - WELL, MAYBE I'LL JUST TAKE-- - NO. 57 00:02:27,400 --> 00:02:32,330 - * SHE WAS CERTAIN THAT HE WAS HER ONE AND ONLY * 58 00:02:32,367 --> 00:02:37,197 * BUT THEIR UNION ALWAYS SEEMED A LITTLE FORCED * 59 00:02:37,233 --> 00:02:40,133 * SHE GOT MARRIED ANYWAY 60 00:02:40,167 --> 00:02:42,327 * TURNS OUT THAT HE WAS GAY * 61 00:02:42,367 --> 00:02:44,427 * THEY'RE STILL IN LOVE BUT NOW SHE'S * 62 00:02:44,467 --> 00:02:46,527 * HAPPILY DIVORCED * 63 00:02:48,333 --> 00:02:49,803 - WELL, FRAN, 64 00:02:49,833 --> 00:02:51,803 YOU'LL FINALLY HAVE THE HOUSE TO YOURSELF. 65 00:02:51,833 --> 00:02:55,673 YOU CAN WALK AROUND NAKED, AND NO ONE WILL BOTHER YOU. 66 00:02:55,700 --> 00:02:58,700 - NO ONE BOTHERS ME NOW. THAT'S THE PROBLEM. 67 00:03:00,467 --> 00:03:01,827 OH, I CAN'T BELIEVE I'M FINALLY GONNA BE 68 00:03:01,867 --> 00:03:03,867 LIVING LIKE A SINGLE WOMAN. 69 00:03:03,900 --> 00:03:06,270 LIVING BY MYSELF, WHAT'S THAT LIKE? 70 00:03:06,300 --> 00:03:08,130 - WELL, LET ME BREAK IT DOWN FOR YOU. 71 00:03:08,167 --> 00:03:11,667 7:00, ENTERTAINMENT TONIGHT, 7:30, GO ON MATCH.COM, 72 00:03:11,700 --> 00:03:13,430 8:00, YOU START THINKING, 73 00:03:13,467 --> 00:03:16,427 "OH, HALF A SNICKERS COULDN'T HURT." 74 00:03:16,467 --> 00:03:18,097 THEN YOU FALL ASLEEP, 75 00:03:18,133 --> 00:03:19,803 WAKE UP AROUND 9:00, READY TO START YOUR DAY, 76 00:03:19,833 --> 00:03:23,503 AND THEN YOU REALIZE "OH, CRAP, IT'S 9:00 P.M." 77 00:03:23,533 --> 00:03:25,803 - WELL, THAT'S NOT GONNA HAPPEN WITH ME. 78 00:03:25,833 --> 00:03:27,703 PETER'S LEAVING, BUT HE'S NOT GOING FAR. 79 00:03:27,733 --> 00:03:30,273 TRUST ME, THAT MAN IS LOST WITHOUT ME. 80 00:03:30,300 --> 00:03:31,730 - FRANNY, I NEED YOU TO DO A CUFF LINK. 81 00:03:31,767 --> 00:03:33,527 - IPSO FACTO. 82 00:03:35,067 --> 00:03:37,527 LOOK AT YOU, DRESSED LIKE TOM BERGERON. 83 00:03:37,567 --> 00:03:40,527 WELL, THAT NEW CLIENT I HAVE, 84 00:03:40,567 --> 00:03:42,167 VICTOR, HE HAS AN EXTRA TICKET TO THE OPERA. 85 00:03:42,200 --> 00:03:43,700 AND WE'RE GONNA GRAB A BITE TO EAT FIRST. 86 00:03:43,733 --> 00:03:45,403 - WOW, ARE YOU CELEBRATING? 87 00:03:45,433 --> 00:03:48,073 DID HE FINALLY MAKE AN OFFER ON THAT ESTATE? 88 00:03:48,067 --> 00:03:50,497 - NO, BECAUSE HE WANTS... A BIGGER ONE! 89 00:03:50,533 --> 00:03:52,573 - WOW! - YES! 90 00:03:52,600 --> 00:03:53,770 - ON THE BEACH IN MALIBU. 91 00:03:53,800 --> 00:03:55,430 AND WITH THIS EXTRA COMMISSION, 92 00:03:55,467 --> 00:03:57,427 I'M NOT GONNA HAVE TO LOOK AT LITTLE CONDOS. 93 00:03:57,467 --> 00:03:59,567 I'M GONNA BE ABLE TO GET A PLACE ANYWHERE. 94 00:03:59,600 --> 00:04:02,300 MAYBE EVEN GO TO NEW YORK. - NEW YORK? 95 00:04:02,333 --> 00:04:05,203 NO. - WHAT DO YOU MEAN, "NO"? 96 00:04:05,233 --> 00:04:08,273 - OH, I JUST MEANT NO WAY. 97 00:04:08,300 --> 00:04:10,730 SHUT UP! THAT'S AWESOME! 98 00:04:10,767 --> 00:04:12,197 - ISN'T IT? - YEAH. 99 00:04:12,233 --> 00:04:13,503 - YOU KNOW HOW MUCH I LOVE THE CITY, 100 00:04:13,533 --> 00:04:15,333 WITH THE THEATER AND THE RESTAURANTS. 101 00:04:15,367 --> 00:04:17,567 - YEAH, BUT... BUT, UM... 102 00:04:17,600 --> 00:04:19,800 BUT WHAT ARE YOU GONNA DO THERE, BESIDES THE GUYS 103 00:04:19,833 --> 00:04:23,203 THAT WORK IN THE THEATER AND THE RESTAURANTS? 104 00:04:23,233 --> 00:04:25,273 - OW. WHY ARE YOU ACTING SO WEIRD? 105 00:04:25,300 --> 00:04:28,500 - WELL, I'M JUST-- I'M WORRIED ABOUT YOU. 106 00:04:28,533 --> 00:04:31,073 YOU KNOW, WHAT DO WE REALLY KNOW ABOUT THIS GUY VICTOR? 107 00:04:31,100 --> 00:04:33,300 I MEAN, YOU KNOW HOW NAIVE YOU ARE AROUND PEOPLE. 108 00:04:33,333 --> 00:04:35,133 - I AM NOT! 109 00:04:35,167 --> 00:04:37,767 - WELL, REMEMBER THAT GUY THAT YOU THOUGHT WAS STRAIGHT, 110 00:04:37,800 --> 00:04:40,500 AND HE WAS ACTUALLY GAY, AND IT TURNED OUT TO BE YOU. 111 00:04:43,267 --> 00:04:46,127 - AND YOUR POINT IS? - WELL, THINK ABOUT IT. 112 00:04:46,167 --> 00:04:48,697 I MEAN, VICTOR WAS SUPPOSED TO BUY THAT HOUSE. 113 00:04:48,733 --> 00:04:50,433 NOW HE WANTS TO SEE MORE HOUSES, 114 00:04:50,467 --> 00:04:52,267 WHICH MEANS SPENDING MORE TIME WITH YOU. 115 00:04:52,300 --> 00:04:54,730 I DON'T THINK THAT HE'S EVEN LOOKING FOR A HOUSE. 116 00:04:54,767 --> 00:04:58,727 I THINK HE'S LOOKING FOR A BOY TOY. 117 00:04:58,767 --> 00:05:00,527 - THAT IS INSULTING! 118 00:05:00,567 --> 00:05:03,227 IT'S FLATTERING, BUT IT'S INSULTING! 119 00:05:03,267 --> 00:05:05,427 - AND IT'S RIDICULOUS. 120 00:05:05,467 --> 00:05:09,197 PETE IS A LITTLE LONG IN THE TOOTH TO BE A TROPHY WIFE. 121 00:05:10,700 --> 00:05:13,170 - BUT THE MAN'S 83 WITH CATARACTS. 122 00:05:13,200 --> 00:05:17,400 TO HIM, PETER LOOKS LIKE JUSTIN BIEBER. 123 00:05:17,433 --> 00:05:20,473 - FRAN, I THINK I KNOW A SERIOUS BUYER WHEN I SEE ONE. 124 00:05:20,500 --> 00:05:24,330 AND "F" YOUR "I"... 125 00:05:24,367 --> 00:05:25,797 VICTOR'S NOT EVEN GAY. 126 00:05:25,833 --> 00:05:30,533 HE WAS MARRIED TO A WOMAN FOR OVER 20-- 127 00:05:30,567 --> 00:05:32,567 - LISTEN, I'M NOT GONNA SAY ANOTHER WORD. 128 00:05:32,600 --> 00:05:35,600 BECAUSE YOU'LL SEE TONIGHT, WHEN HE PULLS THE OLD 129 00:05:35,633 --> 00:05:37,533 DROP THE NAPKIN TRICK. 130 00:05:37,567 --> 00:05:40,267 OH, LET ME GO GET IT HERE. 131 00:05:40,300 --> 00:05:42,670 OH, OOPS, OOPS, OOPS. 132 00:05:42,700 --> 00:05:46,770 AND THEN ACCIDENTAL SLIPPAGE. 133 00:05:46,800 --> 00:05:48,400 - ARE YOU DONE? 134 00:05:48,433 --> 00:05:51,173 - I HOPE NOT. 135 00:05:56,667 --> 00:05:59,497 - FRAN, I HAVE BEEN WORKING LIKE A DOG 136 00:05:59,533 --> 00:06:01,773 TO MAKE THIS SALE FOR US. 137 00:06:01,800 --> 00:06:04,100 I'VE BEEN SCHLEPPING VICTOR ALL OVER TOWN, 138 00:06:04,133 --> 00:06:06,433 SHOWING HIM ESTATES, AND TAKING HIM TO GOLF COURSES, 139 00:06:06,467 --> 00:06:08,467 TOURING COUNTRY CLUBS-- I'M EXHAUSTED! 140 00:06:08,500 --> 00:06:10,730 THANK GOD WE TOOK THAT SAUNA YESTERDAY. 141 00:06:10,767 --> 00:06:13,697 - IS ANYONE ELSE HEARING THIS? 142 00:06:13,733 --> 00:06:16,233 - THERE'S NOTHING HERE TO HEAR. 143 00:06:16,267 --> 00:06:17,697 WHERE'S MY WALLET? 144 00:06:17,733 --> 00:06:19,573 - MAYBE YOU LEFT IT IN THE SAUNA. 145 00:06:19,600 --> 00:06:22,200 - OKAY, NOW YOU'RE JUST BEING RIDICULOUS. 146 00:06:22,233 --> 00:06:23,773 BECAUSE WE WERE NAKED. 147 00:06:27,700 --> 00:06:30,230 WE WERE ALL NAKED. IT WAS A SAUNA FOR MEN, 148 00:06:30,267 --> 00:06:33,667 AND WE WERE ALL SWEAT-- WHO ASKED YOU? 149 00:06:38,167 --> 00:06:40,427 - FRAN, I AM NOT A PART OF THIS. 150 00:06:40,467 --> 00:06:42,167 - YOU'RE JUST DROPPING ME OFF. 151 00:06:42,200 --> 00:06:44,200 - THIS IS SUCH A BAD IDEA. 152 00:06:44,233 --> 00:06:47,703 - YOU SAW HOW MUCH DENIAL PETER WAS IN WHEN HE LEFT BEFORE. 153 00:06:47,733 --> 00:06:51,233 YOU KNOW, HE NEVER KNOWS WHEN HE'S GETTING TAKEN ADVANTAGE OF. 154 00:06:51,267 --> 00:06:54,097 WHICH IS THE REASON WHY WE HAVE A $100 WARRANTY 155 00:06:54,133 --> 00:06:55,733 ON A $50 TOASTER. 156 00:06:55,767 --> 00:06:58,267 - THIS IS SO RIDICULOUS. 157 00:06:58,300 --> 00:07:01,400 - THAT VICTOR HAS NO INTENTION OF BUYING A HOUSE. 158 00:07:01,433 --> 00:07:04,233 - HOW DO YOU THINK YOU'RE EVEN GONNA GET INTO THE OPERA? 159 00:07:04,267 --> 00:07:05,827 - THEY NEVER CHECK THE TICKETS AT INTERMISSION. 160 00:07:05,867 --> 00:07:07,567 I'M JUST GONNA GLIDE INTO THE LOBBY, 161 00:07:07,600 --> 00:07:09,270 MINGLE, MINGLE, MINGLE. 162 00:07:09,300 --> 00:07:11,400 I'LL GET MYSELF A GLASS OF CHAMPAGNE, A BOX OF GOOBERS, 163 00:07:11,433 --> 00:07:14,103 AND BEFORE YOU KNOW IT, I'LL JUST BLEND IN WITH THE CROWD. 164 00:07:14,133 --> 00:07:15,333 - AND THEN WHAT? 165 00:07:15,367 --> 00:07:16,767 - THEN I'M GONNA SAVE PETER. 166 00:07:16,800 --> 00:07:19,270 - OOH, HE IS GONNA BE SO PISSED AT YOU 167 00:07:19,300 --> 00:07:20,800 FOR BUTTIN' INTO HIS BUSINESS. 168 00:07:20,833 --> 00:07:22,833 - SO WHAT? THAT'S NEVER STOPPED ME BEFORE. 169 00:07:33,100 --> 00:07:35,100 - DID YOU ENJOY THE FIRST ACT? 170 00:07:35,133 --> 00:07:36,403 - OH, IT WAS BRILLIANT. 171 00:07:36,433 --> 00:07:37,633 AND VICTOR, IT WAS SO NICE OF YOU 172 00:07:37,667 --> 00:07:39,297 TO TAKE ME TO DINNER FIRST. 173 00:07:39,333 --> 00:07:42,703 - AH, WELL, I HOPE YOU SAVED ROOM FOR DESSERT. 174 00:07:52,067 --> 00:07:53,327 EXCUSE ME. 175 00:07:53,367 --> 00:07:58,067 DO YOU HAVE A BLACK MERCEDES? 176 00:07:58,067 --> 00:08:00,767 - NO, IT'S A SILVER LEXUS. - YEAH, YEAH, YEAH. 177 00:08:00,800 --> 00:08:02,470 SILVER LEXUS, THAT'S IT, THAT'S IT. 178 00:08:02,500 --> 00:08:05,470 THEY'RE TOWING YOUR CAR. - WHAT? WHY? 179 00:08:05,500 --> 00:08:08,100 - I THINK YOU PARKED OVER THE LINE. 180 00:08:08,133 --> 00:08:11,133 THIS IS A GERMAN OPERA. IT'S VERY PRECISE. 181 00:08:11,167 --> 00:08:13,197 - IT'S AN ITALIAN OPERA. 182 00:08:13,233 --> 00:08:16,733 - LADY, DO YOU WANT YOUR CAR OR NOT? 183 00:08:30,800 --> 00:08:34,430 all: SHH. 184 00:08:43,833 --> 00:08:47,503 all: SHH! 185 00:08:57,333 --> 00:08:58,673 all: SHH. 186 00:08:58,700 --> 00:09:00,630 - EXCUSE ME, WOULD YOU KEEP IT DOWN, FRAN? 187 00:09:00,667 --> 00:09:02,297 FRAN! 188 00:09:02,333 --> 00:09:03,573 WHAT ARE YOU DOING HERE? 189 00:09:03,600 --> 00:09:04,830 WHAT ARE YOU DOING HERE? 190 00:09:04,867 --> 00:09:06,727 I'M HELPING YOU! 191 00:09:06,767 --> 00:09:08,527 - Y-Y-YOU'RE INSANE. GO HOME. 192 00:09:08,567 --> 00:09:10,597 - NO, YOU'RE JUST TELLING ME TO LEAVE 193 00:09:10,633 --> 00:09:13,403 BECAUSE YOU KNOW THAT I'M RIGHT ABOUT THAT GUY. 194 00:09:13,433 --> 00:09:15,473 - YOU'RE A CRAZY WOMAN. - YOU'RE NAIVE. 195 00:09:17,767 --> 00:09:20,527 all: SHH! 196 00:09:20,567 --> 00:09:23,467 - I LOVE TUSCANY. 197 00:09:23,500 --> 00:09:26,330 - OH, YES, AND WAIT TILL YOU SEE THE TUSCAN VILLA 198 00:09:26,367 --> 00:09:27,497 I'M GONNA SHOW YOU TOMORROW. 199 00:09:27,533 --> 00:09:29,273 IT'S RIGHT ON THE GOLF COURSE, 200 00:09:29,300 --> 00:09:31,270 AND I'VE ARRANGED FOR US TO PLAY A COUPLE OF ROUNDS. 201 00:09:31,300 --> 00:09:33,800 - OH, EXCELLENT. THOUGH, WITH MY BAD BACK, 202 00:09:33,833 --> 00:09:36,203 BE PREPARED TO SPEND THE REST OF THE DAY 203 00:09:36,233 --> 00:09:38,303 PICKING UP MY BALLS. 204 00:09:42,233 --> 00:09:44,073 - DID YOU HEAR THAT? - YES, I HEARD IT. 205 00:09:44,100 --> 00:09:46,270 IT WAS NOTHING. - IT WAS SOMETHING. 206 00:09:46,300 --> 00:09:47,700 - GO HOME! - SHH! 207 00:09:47,733 --> 00:09:49,533 YOU'RE DISTURBING THE PEOPLE. 208 00:09:49,567 --> 00:09:53,297 - OH, EXCUSE ME. 209 00:10:07,433 --> 00:10:09,833 - CAN YOU BELIEVE THAT GUY? - YEAH, NOW I DO BELIEVE IT. 210 00:10:09,867 --> 00:10:11,667 - RIGHT IN THE MIDDLE OF THE OPERA! 211 00:10:11,700 --> 00:10:14,570 - WELL, WE SHOWED HIM, DIDN'T WE? 212 00:10:14,600 --> 00:10:16,930 YOU WERE SO FORCEFUL, PETER. 213 00:10:16,967 --> 00:10:19,327 THE WAY YOU STOOD UP TO HIM, 214 00:10:19,367 --> 00:10:20,967 GAVE HIM A PIECE OF YOUR MIND, 215 00:10:21,000 --> 00:10:24,430 TOLD HIM YOU DO NOT WISH TO BE HIS REALTOR ANYMORE. 216 00:10:24,467 --> 00:10:26,697 - ACTUALLY, THAT WAS YOU, FRAN. 217 00:10:26,733 --> 00:10:29,603 - ME, YOU, WE WERE A TEAM! 218 00:10:29,633 --> 00:10:31,433 - AH, I COULDN'T HAVE DONE IT WITHOUT YOU. 219 00:10:31,467 --> 00:10:33,827 - WELL, BEHIND EVERY GAY EX-HUSBAND 220 00:10:33,867 --> 00:10:35,367 THERE'S A WOMAN THAT, 221 00:10:35,400 --> 00:10:36,670 NO MATTER HOW MUCH YOU PUT HER THROUGH, 222 00:10:36,700 --> 00:10:37,930 SHE'S STILL THERE FOR YOU. 223 00:10:37,967 --> 00:10:39,727 - HOW COULD I HAVE BEEN SO WRONG? 224 00:10:39,767 --> 00:10:42,227 I ALWAYS KNEW IN THE PAST WHEN SOMEONE WAS HITTING ON ME. 225 00:10:42,267 --> 00:10:43,627 YOU KNOW, THAT WAITRESS IN CABO, 226 00:10:43,667 --> 00:10:45,367 OR THAT GIRL THAT SOLD US THE CAMRY. 227 00:10:45,400 --> 00:10:47,800 THAT SEXY LADY AT THE AIRPORT BAR. 228 00:10:47,833 --> 00:10:49,233 - WORKING FOR TIPS. 229 00:10:49,267 --> 00:10:50,497 TRYING TO SELL YOU A CAR. 230 00:10:50,533 --> 00:10:52,703 NOT A LADY. 231 00:10:52,733 --> 00:10:55,233 - UGH. I JUST FEEL SO STUPID. 232 00:10:55,267 --> 00:10:58,567 - OH, SWEETIE, DON'T BEAT YOURSELF UP. 233 00:10:58,600 --> 00:11:00,600 IT DOESN'T MATTER THAT YOU WERE WRONG, 234 00:11:00,633 --> 00:11:02,203 THAT'S NOT IMPORTANT. 235 00:11:02,233 --> 00:11:05,303 WHAT'S IMPORTANT IS THAT I WAS RIGHT. 236 00:11:05,333 --> 00:11:06,973 - YOU WERE RIGHT. 237 00:11:07,067 --> 00:11:08,927 - I KNOW, BECAUSE I HAVE INSTINCTS. 238 00:11:08,967 --> 00:11:10,427 - YOU DO. YOU HAVE INSTINCTS. 239 00:11:10,467 --> 00:11:12,527 - AND YOU ARE JUST TOO TRUSTING. 240 00:11:12,567 --> 00:11:13,967 - I AM. I TRUST TOO MUCH. 241 00:11:14,067 --> 00:11:16,727 AND YOU KNEW. - I DID, I DID. 242 00:11:16,767 --> 00:11:19,267 BUT, YOU KNOW, I HAVE FEMININE INTUITION. 243 00:11:19,300 --> 00:11:23,770 YOU JUST HAVEN'T BEEN GAY LONG ENOUGH TO HAVE IT YET. 244 00:11:27,600 --> 00:11:29,530 - UGH! IT'S GETTING TO THE POINT 245 00:11:29,567 --> 00:11:30,867 YOU CAN'T EVEN OPEN THE PAPER 246 00:11:30,900 --> 00:11:33,430 WITHOUT SEEING SOME HORRIFYING NEWS. 247 00:11:33,467 --> 00:11:36,927 - JUDY, STOP READING THE ENGAGEMENT ANNOUNCEMENTS. 248 00:11:36,967 --> 00:11:39,397 - WELL, I'M SORRY. IT MAKES ME SICK. 249 00:11:39,433 --> 00:11:41,833 ANOTHER FORMER PLAYMATE SNAGGED A MILLIONAIRE. 250 00:11:41,867 --> 00:11:43,697 HE BOUGHT HER A TEN-KARAT RING. 251 00:11:43,733 --> 00:11:45,333 WHAT'S SHE GOT THAT I AIN'T GOT? 252 00:11:45,367 --> 00:11:47,427 - A MILLIONAIRE AND A TEN-KARAT RING. 253 00:11:48,633 --> 00:11:50,203 - AND CHECK THIS OUT. 254 00:11:50,233 --> 00:11:52,903 HE BOUGHT HER A HUGE MANSION IN MALIBU. 255 00:11:52,933 --> 00:11:55,573 OH, MY GOD. JUDY! 256 00:11:55,600 --> 00:11:57,200 - WHAT? - THIS IS VICTOR, 257 00:11:57,233 --> 00:12:00,203 MY GAY EX-HUSBAND'S STRAIGHT EX-CLIENT! 258 00:12:01,767 --> 00:12:05,197 - I GOTTA GET RID OF THIS BEFORE PETER COMES OUT. 259 00:12:05,233 --> 00:12:08,403 - MORNING! - WHAT'S UP? 260 00:12:08,433 --> 00:12:10,473 - HONEY, YOU DONE WITH THE PAPER? 261 00:12:10,500 --> 00:12:12,430 - UM...YEAH, YEAH, YEAH. 262 00:12:12,467 --> 00:12:14,327 OH, LOOK HOW DIRTY THOSE GLASSES ARE. 263 00:12:14,367 --> 00:12:15,827 LET ME JUST CLEAN IT FOR YOU. 264 00:12:15,867 --> 00:12:19,267 YOU KNOW, LITTLE KNOWN FACT, NEWSPAPER CLEANS GLASS 265 00:12:19,300 --> 00:12:21,600 MUCH BETTER THAN YOUR MAJOR LEADING BRANDS. 266 00:12:21,633 --> 00:12:23,233 OH, BEAUTIFUL. HERE YOU GO. 267 00:12:23,267 --> 00:12:25,397 AND THERE YOU ARE. - THANK YOU. 268 00:12:25,433 --> 00:12:26,973 - YEAH, I'M MAKING A FRESH POT OF COFFEE. 269 00:12:27,067 --> 00:12:28,627 I'LL LET YOU KNOW WHEN IT'S DONE. 270 00:12:28,667 --> 00:12:30,397 OH, GOD, WAS THAT CLOSE? 271 00:12:30,433 --> 00:12:31,733 - OH, BUT YOU THOUGHT QUICK. 272 00:12:31,767 --> 00:12:33,667 - YOU KNOW WHY I THOUGHT QUICK? 273 00:12:33,700 --> 00:12:38,330 BECAUSE YEARS AGO, I TOOK AN IMPROV CLASS. 274 00:12:38,367 --> 00:12:41,327 THEY TEACH YOU TO ANTICIPATE WHAT'S COMING UP NEXT. 275 00:12:41,367 --> 00:12:43,797 LIKE, RIGHT NOW, I'M BEGINNING TO WONDER 276 00:12:43,833 --> 00:12:46,333 WHETHER THERE'S A POSSIBILITY THAT THAT HOUSE SALE 277 00:12:46,367 --> 00:12:48,797 IS ALSO IN THE REAL ESTATE SECTION. 278 00:12:48,833 --> 00:12:50,503 - FRAN! - OH, YEAH. 279 00:12:50,533 --> 00:12:52,733 SEE, IT WAS. IT WAS. 280 00:12:52,767 --> 00:12:54,467 - DID YOU READ THIS? 281 00:12:54,500 --> 00:12:57,170 VICTOR JUST BOUGHT A HUGE ESTATE FOR HIS FIANCEE, 282 00:12:57,200 --> 00:12:59,900 WHO, FUN FACT, IS A WOMAN! 283 00:13:00,067 --> 00:13:01,827 - I DON'T NEED TO SEE THIS. 284 00:13:01,867 --> 00:13:03,527 I'M JUST GONNA GO OUT ON THE PATIO 285 00:13:03,567 --> 00:13:05,397 AND LISTEN WITH CESAR. 286 00:13:05,433 --> 00:13:07,333 - BRING ME AN EVERYTHING BAGEL! 287 00:13:07,367 --> 00:13:10,667 - OKAY. 288 00:13:10,700 --> 00:13:14,500 - FRAN, THIS WAS A $200,000 COMMISSION. 289 00:13:14,533 --> 00:13:15,903 WHY DID I LISTEN TO YOU? 290 00:13:15,933 --> 00:13:17,603 - MY VOICE IS HARD TO IGNORE? 291 00:13:19,467 --> 00:13:21,867 - BUT IT'S NOT JUST ME. WHAT ABOUT THE SLIPPAGE? 292 00:13:21,900 --> 00:13:23,900 - IT WAS JUST SLIPPAGE. 293 00:13:23,933 --> 00:13:26,433 THAT'S WHAT OLD PEOPLE DO. THEY SLIP. 294 00:13:26,467 --> 00:13:28,967 OH, GOD! WHY DIDN'T I LISTEN TO MY OWN INSTINCTS? 295 00:13:29,067 --> 00:13:30,597 - WELL, YOU KNOW, YOU REALLY SHOULD. 296 00:13:30,633 --> 00:13:33,773 I MEAN, YOU TEND TO JUMP TO CONCLUSIONS. 297 00:13:33,800 --> 00:13:35,930 - FRAN, WE WERE THIS CLOSE. 298 00:13:35,967 --> 00:13:38,527 AND THANKS TO YOU, I'M NEVER GONNA GET OUT OF HERE. 299 00:13:38,567 --> 00:13:39,767 I HOPE YOU'RE HAPPY NOW. 300 00:13:42,400 --> 00:13:44,400 - YOU KNOW, I THINK I AM. 301 00:13:49,733 --> 00:13:51,503 - WHAT THE HELL IS WRONG WITH ME? 302 00:13:51,533 --> 00:13:54,073 FOR SIX MONTHS, I'VE BEEN WANTING HIM TO MOVE OUT. 303 00:13:54,067 --> 00:13:57,397 I FINALLY GET A CHANCE, AND I RUIN IT FOR HIM. 304 00:13:57,433 --> 00:14:01,903 AND I THINK THAT I'M ACTUALLY HAPPY ABOUT IT. 305 00:14:01,933 --> 00:14:05,073 - DARLING, WHAT YOU'RE FEELING IS VERY NATURAL 306 00:14:05,100 --> 00:14:08,500 FOR A WOMAN WHO IS GOING THROUGH WHAT YOU ARE GOING THROUGH. 307 00:14:08,533 --> 00:14:10,473 - REALLY, MA? - OF COURSE. 308 00:14:10,500 --> 00:14:13,570 YOU'RE PERIMENOPAUSAL. 309 00:14:13,600 --> 00:14:16,800 - DORI, YOU'RE GIVING AWAY MY LEISURE SUITS? 310 00:14:16,833 --> 00:14:19,373 I WAS GONNA WEAR THESE AGAIN. 311 00:14:19,400 --> 00:14:23,600 - TO WHAT, GLEN? THE WATERGATE HEARINGS? 312 00:14:23,633 --> 00:14:26,473 DARLING, THAT TIME IS OVER FOR YOU. 313 00:14:26,500 --> 00:14:31,270 YOU GOTTA KNOW WHEN TO LET GO OF ALL YOUR OLD CRAP. 314 00:14:31,300 --> 00:14:33,600 - YEAH, WELL THERE'S A TIME FOR YOU TO LET GO OF THE STORY 315 00:14:33,633 --> 00:14:36,673 OF HOW OMAR SHARIF MADE A PASS AT YOU AT THE DRY CLEANERS. 316 00:14:36,700 --> 00:14:39,400 - THAT WAS HIM. 317 00:14:39,433 --> 00:14:41,303 NOW IF YOU DON'T MIND, 318 00:14:41,333 --> 00:14:43,803 I AM DEALING WITH YOUR DAUGHTER'S PERIMENOPAUSE. 319 00:14:43,833 --> 00:14:46,373 - SWEETIE. 320 00:14:46,400 --> 00:14:48,370 YOU KNOW, THEY HAVE SUPPORT GROUPS FOR THAT. 321 00:14:48,400 --> 00:14:50,070 - I DON'T HAVE PERIMENO-- 322 00:14:50,067 --> 00:14:52,497 HOW DO YOU EVEN KNOW ABOUT THAT? 323 00:14:52,533 --> 00:14:54,073 - THERE'S GROUPS FOR EVERYTHING. 324 00:14:54,067 --> 00:14:56,427 THEY MEET HERE AT THE CLUBHOUSE. I GO TO ALL OF THEM. 325 00:14:56,467 --> 00:14:58,667 - WHY? - SNACKS. 326 00:15:00,667 --> 00:15:02,727 - WELL, YOU KNOW, I'VE NEVER TALKED TO ANYBODY 327 00:15:02,767 --> 00:15:05,667 ABOUT ME AND PETER'S PREDICAMENT. 328 00:15:05,700 --> 00:15:07,530 MAYBE IT WOULDN'T HURT TO FIND A GROUP 329 00:15:07,567 --> 00:15:10,397 THAT HAS PEOPLE GOING THROUGH THE SAME THING AS US. 330 00:15:10,433 --> 00:15:12,733 - DARLING, DON'T YOU HAVE ENOUGH ON YOUR PLATE 331 00:15:12,767 --> 00:15:15,767 WITH THE PERIMENOPAUSE? 332 00:15:21,300 --> 00:15:23,070 - I SEE WE HAVE A NEW MEMBER OF THE GROUP TONIGHT. 333 00:15:23,067 --> 00:15:25,467 THIS IS FRAN. all: HI, FRAN. 334 00:15:25,500 --> 00:15:27,930 - HI. - IT'S OKAY, FRAN. 335 00:15:27,967 --> 00:15:29,597 THIS IS A SAFE SPACE. 336 00:15:29,633 --> 00:15:31,473 YOU CAN USE YOUR REAL VOICE. 337 00:15:35,500 --> 00:15:37,270 - WHAT DO YOU MEAN? 338 00:15:37,300 --> 00:15:39,430 - OH. 339 00:15:39,467 --> 00:15:41,627 WHY DON'T YOU JUST TELL US ABOUT YOUR SITUATION? 340 00:15:41,667 --> 00:15:44,897 - WELL, I'D PREFER TO LISTEN, IF YOU DON'T MIND. 341 00:15:44,933 --> 00:15:48,973 I'M REALLY NOT COMFORTABLE TALKING IN FRONT OF PEOPLE. 342 00:15:49,067 --> 00:15:51,397 - OKAY. MARY, HOW ABOUT YOU? 343 00:15:51,433 --> 00:15:53,433 - OH. WELL... 344 00:15:53,467 --> 00:15:55,667 JONATHAN IS IN A LOT OF PAIN RIGHT NOW 345 00:15:55,700 --> 00:15:57,500 AND I'M TRYING TO BE SUPPORTIVE OF HIM 346 00:15:57,533 --> 00:15:59,703 BECAUSE I KNOW IT ISN'T EASY-- 347 00:15:59,733 --> 00:16:01,503 - BUT WHAT ABOUT YOUR PAIN, MARY? 348 00:16:01,533 --> 00:16:03,373 WHAT ABOUT YOUR NEEDS? 349 00:16:03,400 --> 00:16:05,500 YOU'RE THE ONE THAT HE WOKE UP IN THE MIDDLE OF THE NIGHT 350 00:16:05,533 --> 00:16:07,503 TO SAY "GUESS WHAT, HONEY, I'M GAY." 351 00:16:07,533 --> 00:16:09,073 AND THEN BOOM, YOU'RE SUPPOSED 352 00:16:09,100 --> 00:16:11,070 TO JUST FORGET ABOUT YOUR OLD LIFE? 353 00:16:11,067 --> 00:16:13,627 YOU'RE SUPPOSED TO JUST START OFF WITH A NEW ONE? 354 00:16:13,667 --> 00:16:15,597 MAYBE YOU'RE NOT READY YET, MARY. 355 00:16:15,633 --> 00:16:17,833 MAYBE YOU'RE JUST NOT READY! 356 00:16:25,967 --> 00:16:28,927 I'M SORRY. 357 00:16:28,967 --> 00:16:32,627 I'M PERIMENOPAUSAL. 358 00:16:32,667 --> 00:16:33,927 - NO, FRAN, THAT WAS GREAT. 359 00:16:33,967 --> 00:16:36,527 - IT WAS? - IT WAS? 360 00:16:36,567 --> 00:16:39,067 - YOU SEEM TO HAVE A LOT OF REPRESSED FEELINGS. 361 00:16:39,067 --> 00:16:41,867 WHY DON'T YOU TELL US ABOUT YOUR RELATIONSHIP WITH YOUR EX? 362 00:16:41,900 --> 00:16:45,270 - WELL, IT ALL STARTED BACK AT UCLA. 363 00:16:45,300 --> 00:16:46,500 I MET PETER DURING A PRODUCTION-- 364 00:16:46,533 --> 00:16:48,733 AND THEN FOR NO EXPLAINABLE REASON, 365 00:16:48,767 --> 00:16:52,067 I START FINDING FAULT WITH HIS GAY CLIENT 366 00:16:52,067 --> 00:16:56,527 WHO, FUN FACT, ISN'T GAY. 367 00:16:56,567 --> 00:16:59,067 - SOUNDS LIKE YOU AND YOUR EX HAVE A LOT OF HISTORY TOGETHER. 368 00:16:59,067 --> 00:17:01,797 - A LOT. 369 00:17:01,833 --> 00:17:04,573 - WHAT WOULD HAPPEN IF PETER HAD MADE THAT SALE? 370 00:17:04,600 --> 00:17:07,070 - WELL, PETER WOULD'VE MOVED TO NEW YORK, 371 00:17:07,100 --> 00:17:09,470 AND WE WOULD'VE MOVED ON WITH OUR LIVES, 372 00:17:09,500 --> 00:17:12,870 AND I GUESS THAT'S NOT WHAT I WANTED. 373 00:17:12,900 --> 00:17:15,670 - SOUNDS LIKE YOU NEVER REALLY GRIEVED YOUR LOSS. 374 00:17:15,700 --> 00:17:17,370 - NO, I DID NOT. 375 00:17:17,400 --> 00:17:19,700 - YOU CAN'T MOVE ON UNTIL YOU DO THAT. 376 00:17:19,733 --> 00:17:23,073 - NO, I CANNOT. 377 00:17:23,067 --> 00:17:26,267 - SO MAYBE SOME PART OF YOU WAS PURPOSELY 378 00:17:26,300 --> 00:17:28,430 TRYING TO RUIN THAT SALE FOR PETER. 379 00:17:28,467 --> 00:17:33,327 - YOU THINK? all: YES. 380 00:17:33,367 --> 00:17:36,597 - YOU SEE, FRAN, SOMETIMES WE SUBCONSCIOUSLY UNDERMINE 381 00:17:36,633 --> 00:17:39,803 THE ONES WE LOVE THE MOST JUST TO KEEP THEM CLOSE TO US. 382 00:17:39,833 --> 00:17:42,673 - OH, I CAN'T BELIEVE I DID THAT TO PETER. 383 00:17:42,700 --> 00:17:46,370 I'M A TERRIBLE EX-WIFE OF A GAY! 384 00:17:47,900 --> 00:17:49,770 - DOES SOMEBODY NEED A HUG? 385 00:17:49,800 --> 00:17:52,800 - YES. - AW, COME HERE. 386 00:17:52,833 --> 00:17:56,503 - HE'S GOT IT COVERED, MARY. 387 00:18:00,633 --> 00:18:02,803 HI. 388 00:18:02,833 --> 00:18:04,533 - HOW'D YOU KNOW I'D BE HERE? 389 00:18:04,567 --> 00:18:06,667 - WELL, YOU'RE UPSET. 390 00:18:06,700 --> 00:18:09,070 PINKBERRY'S CLOSED, AND THE ABERCROMBIE GUYS 391 00:18:09,100 --> 00:18:11,730 PUT THEIR SHIRTS BACK ON AT 7:00. 392 00:18:11,767 --> 00:18:13,667 ERGO. 393 00:18:13,700 --> 00:18:15,770 OH, PETEY, I NEED TO TALK TO YOU. 394 00:18:15,800 --> 00:18:17,730 I JUST CAME FROM MY SUPPORT GROUP. 395 00:18:17,767 --> 00:18:19,297 - YOU WENT TO A SUPPORT GROUP? 396 00:18:19,333 --> 00:18:21,833 - UH-HUH, BUT YOU KNOW, I MOSTLY JUST LISTENED. 397 00:18:21,867 --> 00:18:23,967 I'M NOT MUCH OF A TALKER. 398 00:18:25,533 --> 00:18:28,533 IT WAS ALL MY FAULT. I RUINED THAT SALE. 399 00:18:28,567 --> 00:18:32,267 AND IT'S ONLY BECAUSE, WELL, I... 400 00:18:32,300 --> 00:18:33,900 I DIDN'T WANNA LOSE YOU. 401 00:18:33,933 --> 00:18:37,273 YOU KNOW, YOU'RE LIKE MY FATHER'S OLD LEISURE SUITS, SEE? 402 00:18:37,300 --> 00:18:41,700 YOU'RE MY OLD CRAP. 403 00:18:41,733 --> 00:18:46,603 SOMETIMES OLD CRAP IS JUST HARD TO LET GO OF. 404 00:18:46,633 --> 00:18:48,333 - THIS GROUP IS FREE, RIGHT? 405 00:18:50,600 --> 00:18:52,330 - OH, SWEETIE, I FEEL SO BAD. 406 00:18:52,367 --> 00:18:54,267 - YEAH, WELL, I'M THE IDIOT WHO LISTENED TO YOU. 407 00:18:54,300 --> 00:18:57,730 - WELL, THAT'S TRUE. AND MAYBE WE SHOULD EXPLORE. 408 00:18:57,767 --> 00:19:00,327 PERHAPS THERE'S SOMEBODY ELSE DEEP DOWN 409 00:19:00,367 --> 00:19:02,097 THAT ISN'T READY TO MOVE ON. 410 00:19:02,133 --> 00:19:04,703 WHAT DO YOU THINK OF THESE? - ARE YOU INSANE? 411 00:19:04,733 --> 00:19:07,103 - WHY? WITH THE LINEN PANTS? 412 00:19:07,133 --> 00:19:09,733 - NO, I MEANT OF COURSE I'M READY TO MOVE ON. 413 00:19:09,767 --> 00:19:12,467 - WELL, OKAY THAT'S MAYBE BECAUSE YOU'RE BETTER 414 00:19:12,500 --> 00:19:14,700 AT FIGURING THINGS OUT THAN I AM. 415 00:19:14,733 --> 00:19:16,333 - BUT YOU DO REALIZE THAT WE'RE GONNA HAVE TO 416 00:19:16,367 --> 00:19:17,867 GO OUR SEPARATE WAYS AT SOME POINT. 417 00:19:17,900 --> 00:19:19,100 - I DO, I DO. 418 00:19:19,133 --> 00:19:20,833 AND THANKS TO MY THERAPY, 419 00:19:20,867 --> 00:19:22,967 I FEEL LIKE I CAN ACCEPT THAT. 420 00:19:23,067 --> 00:19:25,327 I CAN LET GO. 421 00:19:25,367 --> 00:19:27,427 LET'S GO. 422 00:19:27,467 --> 00:19:28,967 YOU KNOW, THEY HAVE TWO FOR ONE 423 00:19:29,067 --> 00:19:31,467 CHINESE CHICKEN SALAD IN THE FOOD COURT. 424 00:19:31,500 --> 00:19:33,530 - WITH THE CRISPY NOODLES? - OF COURSE. 425 00:19:33,567 --> 00:19:34,867 - I LOVE THE CRISPY NOODLES. 426 00:19:34,900 --> 00:19:36,470 - AND WE'LL GET THE HOISIN SAUCE. 427 00:19:40,067 --> 00:19:43,127 I'M SENSING THAT MY EX, 428 00:19:43,167 --> 00:19:45,227 PETER, HAS DENIAL ISSUES. 429 00:19:45,267 --> 00:19:48,767 I AM NOT THE ONLY ONE THAT'S CO-DEPENDENT IN THIS DIVORCE. 430 00:19:48,800 --> 00:19:50,570 AND I FEEL LIKE THIS IS SOMETHING 431 00:19:50,600 --> 00:19:52,970 THAT WE NEED TO BRING TO THE GROUP. 432 00:19:53,067 --> 00:19:55,867 all: HI, PETER. 433 00:19:55,900 --> 00:19:57,570 - WOULD YOU LIKE TO KICK US OFF TONIGHT, PETER? 434 00:19:57,600 --> 00:19:59,770 - NO, I WAS BROUGHT HERE UNDER FALSE PRETENSES. 435 00:19:59,800 --> 00:20:01,500 I WAS TOLD THAT WE WERE GOING TO SEE 436 00:20:01,533 --> 00:20:03,033 LORNA LUFT AT THE CINEGRILL. 437 00:20:03,067 --> 00:20:05,727 I SHALL NOT BE PARTICIPATING. 438 00:20:05,767 --> 00:20:07,867 - MARY, HOW ABOUT YOU? 439 00:20:07,900 --> 00:20:12,200 - AS I WAS SAYING LAST TIME... 440 00:20:12,233 --> 00:20:16,703 SINCE JONATHAN AND I SPLIT UP, I HAVEN'T BEEN DOING VERY WELL. 441 00:20:16,733 --> 00:20:18,133 I'M IN A LOT OF PAIN, AND-- 442 00:20:18,167 --> 00:20:20,097 - WELL, WHAT ABOUT HIS PAIN, MARY? 443 00:20:20,133 --> 00:20:21,933 WHAT ABOUT HIS SLEEP? 444 00:20:21,967 --> 00:20:24,197 DO YOU THINK A FOLD-OUT COUCH IN THE DEN IS COMFORTABLE? 445 00:20:24,233 --> 00:20:25,703 DO YOU THINK IT WAS EASY FOR HIM 446 00:20:25,733 --> 00:20:27,173 TO ADMIT THE TRUTH ABOUT HIMSELF? 447 00:20:27,200 --> 00:20:29,170 DO YOU, MARY? DO YOU? - PETER! PETER! 448 00:20:29,200 --> 00:20:31,870 BREATHE. IT'S OKAY. 449 00:20:31,900 --> 00:20:35,570 - I THINK SOMEONE NEEDS A HUG. 450 00:21:05,700 --> 00:21:09,130 Captioning by CaptionMax www.captionmax.com 31608

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