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1
00:00:16,729 --> 00:00:19,767
SHOW PEOPLE
2
00:01:00,970 --> 00:01:06,549
To hopeful hundreds there is a
golden spot in the map called...
HOLLYWOOD.
3
00:01:25,085 --> 00:01:33,784
Golonel Pepper had motored all the
way from Georgia to prove that his
daughter, Peggy, was a grat actress.
4
00:02:00,187 --> 00:02:02,275
It must be Hollywood.
5
00:02:27,709 --> 00:02:31,711
I like this place, Peggy...
even if it ain't Georgia.
6
00:02:40,409 --> 00:02:42,476
It is John Gilbert!
7
00:02:58,103 --> 00:03:01,586
I am General Marmaduke
Oldfish Pepper, of Georgia.
8
00:03:04,196 --> 00:03:07,520
You ain't gonna blame
me for that, are you?
9
00:03:10,197 --> 00:03:13,997
I'd like to see the president
of your company.
10
00:03:16,521 --> 00:03:18,211
What about, General?
11
00:03:19,610 --> 00:03:24,079
I'm going to let him put my
daughter in the movies.
12
00:03:28,786 --> 00:03:30,877
Casting office...
Mr. Oldfish.
13
00:04:15,576 --> 00:04:19,889
I want to introduce my daughter,
Miss Peggy Pepper.
14
00:04:25,376 --> 00:04:27,414
Got one a little
more recent?
15
00:04:39,758 --> 00:04:42,459
Got one a little
more recent?
16
00:04:51,084 --> 00:04:53,930
The idea is, can
you act?
17
00:05:03,049 --> 00:05:07,865
She will now present the
various moods. The first
will be meditation.
18
00:05:13,307 --> 00:05:14,578
Passion.
19
00:05:19,983 --> 00:05:21,259
Anger.
20
00:05:24,938 --> 00:05:26,437
Sorrow.
21
00:05:31,209 --> 00:05:32,382
Joy.
22
00:05:36,091 --> 00:05:38,807
Very funny. Fill out
this card.
23
00:05:47,629 --> 00:05:58,803
There is many a slip between the casting office
card and a menu card... especially when one's
capital has dwindled to forty cents.
24
00:06:20,122 --> 00:06:26,195
I'm Colonel Pepper of Georgia, Miss.
At first I thought you were
Gloria Swanson.
25
00:06:44,128 --> 00:06:48,603
You big beezark! I gotta
notion to knock yer
block off
26
00:06:56,184 --> 00:06:58,716
What an uncouth
saint he is!
27
00:07:07,417 --> 00:07:11,495
Billy Boone... a custard
pie artist from the
slapstick "lots".
de esos de 'tartas en la cara',
.
28
00:07:21,985 --> 00:07:25,771
As a Southern colonel
your make-up is very
Indiana.
29
00:07:53,987 --> 00:07:56,883
Father, who is this
coarse person?
30
00:08:11,794 --> 00:08:16,342
One has to come to
Hollywood to meet
such common people.
31
00:08:22,859 --> 00:08:26,227
Aw, boloney... and
you're slicing it too
thick.
32
00:08:33,213 --> 00:08:37,227
Say, are you punks
trying to crash into
the movies?
33
00:08:41,688 --> 00:08:45,436
My daughter, suh, is
considering a few
offers.
34
00:08:50,686 --> 00:08:53,583
My acting is talk
of Savannah.
35
00:08:56,722 --> 00:09:00,343
My acting is the scandal
of Hollywood.
36
00:09:13,731 --> 00:09:24,982
Crashing the movies is
no cinch... but I thing
I can help you.
37
00:09:44,583 --> 00:09:46,779
What'll you have
for dessert?
38
00:09:53,514 --> 00:09:56,202
They've got the swellest
cocoanut cake today.
39
00:10:08,505 --> 00:10:10,087
Isn't he wonderful!
40
00:10:26,584 --> 00:10:34,207
The Comet Studio, where serious
comedians went through the daily
grind though of "getting laughs".
41
00:10:49,528 --> 00:10:53,699
Where's the dame you were
going to bring out?
42
00:10:58,203 --> 00:11:02,180
She'll be here, all right...
you couldn't keep
her away.
43
00:11:18,545 --> 00:11:25,244
Gee, Dad... won't they be thrilled
back home when they see me as
a great dramatic actress?
44
00:11:40,970 --> 00:11:47,228
Stage 4, Lot 5... turn to hour
right as you enter the left
wing and keep going.
45
00:12:04,638 --> 00:12:06,370
Are you Mr. Comet?
46
00:12:22,095 --> 00:12:25,734
If you don't say yes
I'll kill myself.
47
00:12:54,918 --> 00:12:57,474
I'm Miss Pepper, the
new actress.
48
00:13:15,043 --> 00:13:17,677
Remember, Baby...
you're not painting
a bungalow.
49
00:13:29,950 --> 00:13:32,704
You gotta fall harder...
and funnier.
50
00:13:46,316 --> 00:13:47,768
Can she act?
51
00:13:52,728 --> 00:13:57,491
Go on, Baby... show him
what they're talking about
in Savannah.
52
00:14:02,345 --> 00:14:08,267
Ah, my brave toreador!
In all Spain none is more
skillful with the bull.
53
00:14:14,890 --> 00:14:19,466
You have reduced to beggary,
kidnapped my husband, and
murdered my aged mother...
54
00:14:19,470 --> 00:14:23,203
but beware!
Don't go too far!
55
00:14:29,481 --> 00:14:31,667
That's darn good hokum.
56
00:14:36,591 --> 00:14:40,781
I shall always give
my public best
that's in me.
57
00:14:45,571 --> 00:14:50,722
When I call just come in
and show mid surprise,
like this...
58
00:15:01,858 --> 00:15:05,677
Remember, the one law
of the pictures is, don't
anticipate!
59
00:15:29,634 --> 00:15:31,459
Now we'll rehearse it.
60
00:16:10,157 --> 00:16:12,402
Is that all I do?
61
00:16:14,658 --> 00:16:18,899
Until the jolt. Then
just take it natural...
don't anticipate!
62
00:16:22,148 --> 00:16:25,762
Don't get camera-shy,
Baby, and you're a
cinch.
63
00:16:31,692 --> 00:16:40,151
I didn't think they
made them that green!
64
00:19:12,902 --> 00:19:15,976
Baby, you did that
like a real trouper.
65
00:19:23,240 --> 00:19:27,528
I came here to do drama.
Why didn't you tell me
it was this?
66
00:19:31,900 --> 00:19:39,616
Bat, Baby, all the stars have had
to take it on the chin... Swanson,
Daniels, Lloyd... all of them.
67
00:19:46,896 --> 00:19:52,678
Come on, Baby...
you've gone this far...
it'll be easy from now on.
68
00:20:01,896 --> 00:20:06,792
She did that so nifty
we'll take it again...
in a close up.
69
00:20:29,473 --> 00:20:35,081
Success in this game means
work. Show them that you've
got the stuff.
70
00:20:41,241 --> 00:20:47,878
Just think of that first big
thrill you'll get when you see
yourself in a theatre.
71
00:21:02,335 --> 00:21:06,759
I've backed you to
win, Baby... show
them I'm right.
72
00:21:17,015 --> 00:21:22,355
You're great on water
stuff... I'm gonna get
you a lot of it.
73
00:21:31,640 --> 00:21:35,591
Go ahead. I'll take it
on the chin.
74
00:21:46,343 --> 00:21:54,709
The preview... that trying ordeal when
a new picture is tired out before
Mr. and Mrs. Audience.
75
00:22:13,199 --> 00:22:14,724
Don't anticipate!
76
00:22:24,983 --> 00:22:28,391
What's the matter, Baby?
Don't you know you're a
wow?
77
00:22:39,336 --> 00:22:44,542
That girl's got real personality.
I'll have Billy Boone
bring her over tomorrow.
78
00:23:43,278 --> 00:23:47,802
I can't keep it from
you any longer...
I'm the director.
79
00:24:06,404 --> 00:24:12,636
Come on. Let's get out
front and hear what they
have to say.
80
00:24:30,509 --> 00:24:34,822
What do you want
to see a punk drama
for? Come on.
81
00:24:56,152 --> 00:25:00,949
That's the kind acting
I'm gonna do some day.
That's real art!
82
00:25:07,535 --> 00:25:11,667
Don't be sil. Make them
laugh and you make
them happy.
83
00:25:35,459 --> 00:25:39,743
I tell you, Mr. Chaplin...
that girl is a find.
84
00:25:54,123 --> 00:25:56,815
Will you please sign
my album?
85
00:26:04,873 --> 00:26:17,692
I'm crazy about
signatures.
86
00:26:38,913 --> 00:26:40,715
Who is that little guy?
87
00:27:04,523 --> 00:27:08,356
That guy is casting
director for High
Arts Studio.
88
00:27:32,116 --> 00:27:36,026
Bring me a nice big piece
of custard pie.
89
00:27:42,431 --> 00:27:46,398
Why, I'd be afraid I'd
throw it at someone.
90
00:27:50,361 --> 00:27:55,968
The thrill that seldom
comes... a call to the
High Arts Studio!
91
00:28:09,533 --> 00:28:11,595
Lew Cody and
Elinor Glyn.
92
00:28:20,973 --> 00:28:23,919
She writes a lot of
those IT stories.
93
00:28:25,596 --> 00:28:29,671
I like Mr. Cody... he
has such an open face.
94
00:28:35,249 --> 00:28:39,047
Maybe Mr. Morton will
only see you... and
not me.
95
00:28:46,346 --> 00:28:50,485
I Won't sign up unless
he takes you, too.
96
00:29:06,410 --> 00:29:08,897
You want Miss Pepper
also, don't you?
97
00:29:11,773 --> 00:29:13,767
I want Miss Pepper
only.
98
00:29:53,015 --> 00:29:57,072
I won't sign up unless
he takes you, too,
Billy.
99
00:30:01,219 --> 00:30:05,288
Oh, that's all right.
I can take it on the
chin
100
00:30:27,585 --> 00:30:31,338
Nothing for you now,
Billy. Maybe next year.
101
00:30:47,203 --> 00:30:51,679
A contract from the "big
studio" and the thought
of leaving her old friends...
102
00:30:51,687 --> 00:30:57,335
brought to Peggy mingled
emotions of gladness and
sadness.
103
00:31:19,900 --> 00:31:26,065
Goodbye, Jim... I'll always
think kindly of you
for giving me a chance.
104
00:31:28,177 --> 00:31:33,745
I hate to see you go, Peggy...
but I knew I'd make
something of you.
105
00:32:05,615 --> 00:32:07,607
I'm all through, Billy.
106
00:32:11,392 --> 00:32:13,808
You mean you're just
beginning.
107
00:32:41,729 --> 00:32:45,482
It's going to be hard...
working without you, Billy.
108
00:32:51,785 --> 00:32:56,027
But we'll see a lot of
each other, won't we?
109
00:32:59,833 --> 00:33:02,136
Yes, but it Won't be
the same.
110
00:33:07,408 --> 00:33:16,182
It's all in game, Baby. I guess
it's the crossroads... your path
leads one way and mine another.
111
00:33:21,258 --> 00:33:23,007
Then I won't go!
112
00:33:27,766 --> 00:33:34,348
"You're going to be a big success, Baby...
and I'm going to watch every step
of your career.
113
00:33:58,660 --> 00:34:05,194
At the High Arts Studio
preliminary test were being made
for Peggy's first drama.
114
00:34:35,346 --> 00:34:37,028
That's Marion Davies.
115
00:35:01,191 --> 00:35:05,595
Mr. Telfair, I want you
to meet Miss Pepper,
your new leading lady.
116
00:35:34,589 --> 00:35:44,371
I understand you're
quite popular also.
117
00:36:46,937 --> 00:36:54,592
You're at the Countess De Fray's
reception. Yoy look over there and see
the man you hate...
118
00:36:56,192 --> 00:37:01,283
Then you look over
there and see the
man you love.
119
00:37:18,885 --> 00:37:19,920
The man you love!
120
00:37:26,100 --> 00:37:28,213
The man you hate!
121
00:37:46,606 --> 00:37:53,088
It is six months later. You
have just received a letter
that your lover is dying.
122
00:38:09,240 --> 00:38:13,548
I know there's nothing
written on it, but read
it anyway.
123
00:38:22,144 --> 00:38:24,472
Your lover is dying...
suffer.
124
00:38:30,858 --> 00:38:32,602
Give me tears!
125
00:38:49,302 --> 00:38:50,938
Tears... please!
126
00:38:54,776 --> 00:38:59,385
Would you please ask
them to play "Heats
and Flowers"?
127
00:39:18,442 --> 00:39:20,183
Louder... and sadder!
128
00:39:27,202 --> 00:39:33,754
Tears... tears... please, Miss Pepper,
if you have any respect for
me, give me tears!
129
00:39:51,358 --> 00:39:54,318
That's no way to let
a lover die!
130
00:40:00,675 --> 00:40:04,705
Imagine your poor old
father starving to
death.
131
00:40:12,330 --> 00:40:14,756
You don't know my
father!
132
00:40:27,557 --> 00:40:30,580
Can't you do something
to bring tears?
133
00:40:59,011 --> 00:41:01,481
Imagine forty thousand
starving Armenians...
134
00:41:36,324 --> 00:41:41,099
Now that we've got her
going... no film in
the camera!
135
00:42:05,961 --> 00:42:12,879
Imagine you're very much in
love with someone...
you're at the crossroads of your lives...
136
00:42:41,378 --> 00:42:43,691
Just once more...
a big yelp!
137
00:42:50,574 --> 00:42:53,330
That's what I call good
commercial crying.
138
00:43:00,590 --> 00:43:01,873
Stop crying!
139
00:43:07,197 --> 00:43:11,893
Stop it, I say... we've got
a big laughing scene to
do!
140
00:43:21,253 --> 00:43:23,240
Everybody go to
lunch.
141
00:43:41,287 --> 00:43:46,930
Now that you have graduated
from cheap comedy,
you must forget it...
142
00:43:59,674 --> 00:44:04,183
You must acquire new
personality... a superior
manner... new friends...
143
00:44:08,282 --> 00:44:12,845
I will be glad to introduce
you to the elite of
Hollywood.
144
00:44:15,601 --> 00:44:19,524
Confidentially, I am
Andre d'Bergerac, le
Comte d'Avignon...
145
00:44:26,970 --> 00:44:36,329
And so plain Peggy Pepper acquired
the manner of the "elite"...
and became known as Patricia Pepoire...
146
00:44:48,213 --> 00:44:53,087
My paper is SO anxious
to have a true story of
your past...
147
00:44:59,542 --> 00:45:04,115
When I first came on
a movie lot I thought
a pie was...
148
00:45:12,963 --> 00:45:25,630
Miss Pepoire is fatigued.
With her permission I
will speak for her.
149
00:45:32,155 --> 00:45:40,046
First, allow me to inform you that
Miss Pepoire is a direct descendant
of General Robert E. Lee.
150
00:45:50,252 --> 00:45:53,367
This is going to make
a splendid story.
151
00:45:56,779 --> 00:46:02,802
Being a lady of quality,
she chose the cinema as a
medium of self-expression.
152
00:46:12,473 --> 00:46:16,521
She has the temperament
of Nazimova, the appeal
of Garbo,
153
00:46:16,582 --> 00:46:22,560
the sweetness of Pickford,
and the lure of Pola Negri!
154
00:46:49,881 --> 00:46:52,412
Hold it! Hold it!
Don't move!
155
00:47:12,847 --> 00:47:17,742
My being in the picture
will help get it in the
big magazines.
156
00:47:43,327 --> 00:47:48,149
While Billy struggled
on the same old
way.
157
00:48:27,124 --> 00:48:31,729
Let's have Peggy come
over and have chow
with us...
158
00:48:34,597 --> 00:48:39,920
Peggy's too busy these
days... I seldom get a
chance to see her.
159
00:48:42,255 --> 00:48:45,350
I'll bet if ask her
she'll come.
160
00:49:08,307 --> 00:49:15,344
Miss Pepoire won't be able to
see you tonight. She has
important business to them to.
161
00:49:37,106 --> 00:49:41,687
We haven't seen each
other for so long...
162
00:49:41,760 --> 00:49:46,857
I was wondering if you'd
come over and have dinner...
like we used to?
163
00:49:50,851 --> 00:49:53,767
I'm sorry, but I have
another engagement.
164
00:49:59,167 --> 00:50:03,650
You're not going out
with your leading man,
are you?
165
00:50:08,441 --> 00:50:13,585
It's all part of work...
won't you please try to
understand?
166
00:50:17,904 --> 00:50:22,108
Sure I understand. I'll
see you some other
time, eh?
167
00:50:58,533 --> 00:51:04,451
No one realized Patricia
Pepoire's importance more
than Peggy Pepper.
168
00:51:20,622 --> 00:51:25,068
I'm terribly, terribly
sorry if I kept you
waiting.
169
00:51:30,988 --> 00:51:35,900
Waiting is such sweet
sorrow where you are
concerned, dear lady.
170
00:52:13,019 --> 00:52:17,590
Today we're going to
do the kidnapping and
rescue stuff.
171
00:52:24,865 --> 00:52:29,112
Is it necessary that it
be done so roughly?
172
00:52:33,380 --> 00:52:37,939
...one thrust of his
sword, and he takes
you in his arms.
173
00:53:25,285 --> 00:53:27,985
Ten thousand dollars
or your life!
174
00:53:59,393 --> 00:54:11,618
Another troupe on
location.
175
00:55:18,292 --> 00:55:20,845
Now we'll take it
once more.
176
00:55:45,235 --> 00:55:49,885
Better beat it... Miss
Pepoire's nerves ain't
right today.
177
00:56:03,815 --> 00:56:08,119
Miss Pepoire, will you
please freshen your
make-up?
178
00:56:28,131 --> 00:56:33,561
...we're still making
them, but the old troupe
sure misses you.
179
00:56:37,160 --> 00:56:41,622
Baby... it's a kick to
see you doing so good.
180
00:57:01,703 --> 00:57:05,949
Why, Peggy... surely
success hasn't gone
to the bean!
181
00:57:09,364 --> 00:57:12,419
Of course not! Don't
be absurd.
182
00:57:17,805 --> 00:57:23,385
I knew you were only clowning.
Same old Peggy...
anything for a laugh.
183
00:57:27,127 --> 00:57:30,760
I wish you would
please refrain from
using slag.
184
00:57:33,522 --> 00:57:35,872
Oh, for crying out
loud!
185
00:58:15,688 --> 00:58:19,679
Patricia, they are ready
for the next scene.
186
00:58:23,017 --> 00:58:28,588
Andre, this is Billy Boone...
I used to know him in
the old days.
187
00:58:32,394 --> 00:58:36,451
Why, Andy used to
serve me spaghetti
down at Tony's.
188
00:58:43,028 --> 00:58:45,669
How can you be so
insulting!
189
00:59:18,418 --> 00:59:22,957
Gee, Baby, I'll bet you
miss the laughs we
used to have!
190
00:59:26,534 --> 00:59:29,484
I never miss lowness,
cheapness and vulgarity.
191
00:59:37,721 --> 00:59:42,245
...but I suppose you'll
always be the same...
a cheap clown.
192
01:00:10,807 --> 01:00:15,066
Would that I had the
right to protect you...
always.
193
01:00:22,691 --> 01:00:27,243
Come on, Billy... forget
the sob squad and jump
off that rock.
194
01:00:53,268 --> 01:00:56,138
Studio lunch... at the
stars' table.
195
01:02:14,753 --> 01:02:26,896
The boss wants you
to come up to his
office right away.
196
01:02:30,008 --> 01:02:32,093
I'm having my
luncheon.
197
01:02:52,007 --> 01:02:58,690
He says you'll have lots of
time for lunch after he gets
though talking to you.
198
01:03:01,638 --> 01:03:03,863
Pardon me, Doug... just
another one of those
boring conferences.
199
01:03:29,416 --> 01:03:32,014
Read these... Miss
"Patricia Pepoire".
200
01:03:34,304 --> 01:03:42,435
NEW ORLEANS SEPT 2 1928
CANCEL PATEICIA PEPOIRE FEATURES
AUDIENCE TIRED OF HER
201
01:03:42,521 --> 01:03:46,332
DETROIT 2PM SEPT 1928
CANCEL BOOKING PATRICIA PEPOIRE
IN "THE LOVE HOUR"...
202
01:03:46,333 --> 01:03:49,333
OUR AUDIENCRSDO NOT
LIKE HER WORK LATELY
203
01:03:49,414 --> 01:03:55,175
FILADELFIA IOAM SEPT 4 1928
CANCEL PATRICIA PEPOIRE PICTURES
NOT WHAT SHE USED TO BE
204
01:03:59,095 --> 01:04:04,608
What's it to me if a few
theatres don't know art!
205
01:04:05,531 --> 01:04:07,173
Sit down... Sarah Bernhardt!
206
01:04:20,678 --> 01:04:26,650
"Pati Pepper, when I first signed
you, you were human... regular...
full of ambition...
207
01:04:32,939 --> 01:04:37,945
You're not on the level
with the public that
made you...
208
01:04:38,026 --> 01:04:43,395
and from now on I want
to see the real Peggy
Pepper in the screen.
209
01:04:44,737 --> 01:04:50,400
I'll give you one last
chance to change... and
I want your answer now.
210
01:05:01,733 --> 01:05:06,027
If you'll pardon me,
Mr. Morton, I shall
finish my luncheon.
211
01:05:16,275 --> 01:05:20,236
These producers are
so disturbing... to
one's equilibrium.
212
01:05:23,357 --> 01:05:27,458
They don't appreciate
what a great artist
you are.
213
01:05:31,644 --> 01:05:33,954
You are so understanding!
214
01:05:41,868 --> 01:05:47,459
SCREEN ROMANCE
Wedding oh Patricia Pepoire and Andre d'Bergerac,
le Comte d'Avignon, to be solemnized today.
215
01:05:47,522 --> 01:05:53,989
The wedding promises to be one of the most
outstanding social events of the season and
will be attended by many screen notables.
216
01:06:08,528 --> 01:06:12,485
Just think, Patricia,
you'll be a real
countess.
217
01:06:18,781 --> 01:06:22,375
It must be wonderful
to be in love!
218
01:07:01,036 --> 01:07:05,524
Sorry, but I can't admit
you unless you have
an invitation.
219
01:07:37,810 --> 01:07:40,123
I must see her right
away!
220
01:07:43,482 --> 01:07:48,395
You tell her I've got to
see her... and I don't
mean maybe.
221
01:08:00,069 --> 01:08:10,796
Pardon my depravity...
but that terrible comedian
person is downstairs.
222
01:08:39,768 --> 01:08:42,807
You don't realize what
you're doing!
223
01:08:45,421 --> 01:08:51,555
I do not know what I'm doing,
and I won't have you
interfering in my affairs.
224
01:08:53,883 --> 01:08:58,953
"You've ruined your career...
just when you were becoming
so successful.
225
01:09:02,679 --> 01:09:10,659
...and now you're going to marry
a man you don't care a rap for...
just for a phoney title.
226
01:09:16,847 --> 01:09:21,691
I'm not pleading for myself...
it's for your
own happiness.
227
01:09:26,191 --> 01:09:29,465
Think a minute...
remember the old
days.
228
01:09:31,443 --> 01:09:34,430
I don't want to remember
the old days.
229
01:09:36,896 --> 01:09:41,058
I'm going to bring you
to your senses... now!
230
01:10:25,989 --> 01:10:28,802
Don't worry... everything is
quite all right.
231
01:10:46,196 --> 01:10:51,070
You were right! I'm all
you said I was... just
a clumsy fool!
232
01:11:20,199 --> 01:11:24,800
Look at yourself! Look at
me! We're only fakes...
just clowns!
233
01:11:33,530 --> 01:11:37,783
He was the only real
person... and now
I've lost him!
234
01:11:40,140 --> 01:11:42,400
But, Patricia...
our wedding!
235
01:11:43,517 --> 01:11:45,690
There will be no
wedding!
236
01:11:51,619 --> 01:11:56,214
Don't talk to me...
Don't touch med!...
You... you... pie-face!!!
237
01:12:02,161 --> 01:12:04,663
Peggy's trip "down to
earth" had brought a clearer
view of things worth while.
238
01:12:15,098 --> 01:12:21,693
Peggy, I hope you were right
in recommending this new leading
man... but can he really act?
239
01:12:25,651 --> 01:12:29,858
He's marvelous, Mr.
Vidor... and we work
together so well.
240
01:12:36,764 --> 01:12:43,088
Don't tell him I'm in the
picture. Just start the scene...
I want to surprise him.
241
01:13:08,974 --> 01:13:13,374
Mr. Vidor, I want to
thank you for giving
me this chance.
242
01:13:15,770 --> 01:13:20,575
It's up to you, Billy...
and don't let enlarge
your hatband.
243
01:13:30,516 --> 01:13:36,659
You boys have been
separated from your outfit...
and make for this village...
244
01:14:25,174 --> 01:14:28,042
The camera's going...
you can't quit now.
245
01:14:33,600 --> 01:14:38,118
Take them on the chin...
it's all in the game.
22594
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