All language subtitles for Slaughter.Creek.2011.720p.WEBRip.x264.AAC-[YTS.MX]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:03,164 --> 00:01:07,135 He's got a shotgun. 4 00:01:07,135 --> 00:01:08,469 Let's go. Let's go. Let's go. 5 00:01:08,469 --> 00:01:10,238 Come on. 6 00:02:04,292 --> 00:02:05,659 >> ROBBIE, CHECK IT OUT. 7 00:02:05,659 --> 00:02:06,927 >> OH! OH! 8 00:02:11,699 --> 00:02:14,602 AAH! 9 00:02:15,469 --> 00:02:16,604 YOU SON OF A BITCH! NO! 10 00:02:38,226 --> 00:02:40,261 >> MATT ROGERS. 11 00:02:56,910 --> 00:02:58,879 >> NOW TAKE OFF THE SHIRT. 12 00:03:20,368 --> 00:03:22,536 NO! 13 00:03:25,739 --> 00:03:27,007 NO, PLEASE! 14 00:03:35,616 --> 00:03:36,817 PLEASE! 15 00:03:43,357 --> 00:03:43,924 AAH! 16 00:03:50,364 --> 00:03:52,300 NO! 17 00:03:52,300 --> 00:03:53,066 NO! 18 00:03:59,707 --> 00:04:01,475 >> * STAR I LOVE IS FALLING 19 00:04:01,475 --> 00:04:03,611 FROM THE SKY * 20 00:04:03,611 --> 00:04:05,479 * THERE'S NO SENSE IN JEALOUSY, 21 00:04:05,479 --> 00:04:07,315 NO JOB TO RECONCILE * 22 00:04:07,315 --> 00:04:08,882 * THE PAIN I LIVE WILL NOT BE 23 00:04:08,882 --> 00:04:10,951 LEFT BEHIND * 24 00:04:10,951 --> 00:04:11,919 * IT FEEDS ON ME, 25 00:04:11,919 --> 00:04:12,986 IT PLAYS WITH ME, 26 00:04:12,986 --> 00:04:13,821 IT CRADLES ME * 27 00:04:13,821 --> 00:04:14,855 * SO WHY CATCH ME? * 28 00:04:14,855 --> 00:04:18,692 * WELL, I KNOW THERE'S SOMETHING 29 00:04:18,692 --> 00:04:22,396 HAPPENING INSIDE OF ME * 30 00:04:22,396 --> 00:04:26,033 * WILL HELP ME FIND ME * 31 00:04:26,033 --> 00:04:29,770 * WILL GUIDE ME AWAY FROM 32 00:04:29,770 --> 00:04:31,071 MYSELF * 33 00:04:32,840 --> 00:04:35,543 * WELL, WHO'S MY ENEMY? * 34 00:04:35,543 --> 00:04:37,978 * TAKE SOME TIME TRYING TO STOP 35 00:04:37,978 --> 00:04:40,448 AND THINK * 36 00:04:40,448 --> 00:04:43,116 * WELL, WHO'S MY ENEMY? * 37 00:04:43,116 --> 00:04:45,886 * WITH ALL THAT IS FALLING DOWN, 38 00:04:45,886 --> 00:04:49,056 DOWN, DOWN, DOWN, DOWN * 39 00:04:53,994 --> 00:04:55,596 >> NO! 40 00:04:57,465 --> 00:04:58,966 NO! 41 00:04:58,966 --> 00:04:59,867 NO! 42 00:05:28,095 --> 00:05:29,897 >> HEY, MAN. 43 00:05:29,897 --> 00:05:31,465 SOMETHING I CAN GET YOU? 44 00:05:31,465 --> 00:05:32,766 DO YOU FEEL LIKE COFFEE? 45 00:05:32,766 --> 00:05:34,067 >> YOU CAN GET ME THE FUCK OUT 46 00:05:34,067 --> 00:05:34,802 OF HERE. 47 00:05:35,803 --> 00:05:36,937 WELL, THAT'S NOT GONNA HAPPEN AS 48 00:05:36,937 --> 00:05:39,407 QUICKLY AS YOU MIGHT LIKE, BUT 49 00:05:39,407 --> 00:05:42,109 WE'RE GONNA DO OUR BEST, OKAY? 50 00:05:42,810 --> 00:05:43,977 I'D LIKE A CIGARETTE, THEN, 51 00:05:43,977 --> 00:05:45,045 PLEASE. 52 00:05:45,045 --> 00:05:49,983 >> SURE. 53 00:05:49,983 --> 00:05:54,522 THERE WE GO. 54 00:05:55,155 --> 00:05:56,189 YOU'RE NOT UNDER ARREST. 55 00:05:56,189 --> 00:05:57,658 I KNOW YOU'VE HAD A REALLY HELL 56 00:05:57,658 --> 00:05:59,026 OF A NIGHT, SO IF YOU DON'T 57 00:05:59,026 --> 00:06:00,761 MIND, WE JUST WANT TO ASK YOU A 58 00:06:00,761 --> 00:06:02,029 FEW QUESTIONS ABOUT WHAT 59 00:06:02,029 --> 00:06:02,963 HAPPENED. 60 00:06:02,963 --> 00:06:04,898 >> LOOK, GUYS, I DIDN'T DO 61 00:06:04,898 --> 00:06:06,834 ANYTHING WRONG, ALL RIGHT? 62 00:06:06,834 --> 00:06:07,935 >> NO ONE'S SAYING YOU DID. 63 00:06:07,935 --> 00:06:09,102 NO ONE'S SAYING YOU DID. 64 00:06:09,102 --> 00:06:10,704 BUT IT'S JUST, YOU KNOW, WHEN WE 65 00:06:10,704 --> 00:06:12,005 SEE STUFF LIKE THIS, THEN YOU 66 00:06:12,005 --> 00:06:13,140 GET A COUPLE QUESTIONS TO 67 00:06:13,140 --> 00:06:13,807 ANSWER. 68 00:06:13,807 --> 00:06:15,142 I KNOW YOU'VE HAD A ROUGH NIGHT, 69 00:06:15,142 --> 00:06:16,043 OKAY? 70 00:06:24,652 --> 00:06:26,654 >> THAT'S A LOT OF BLOOD. 71 00:06:31,992 --> 00:06:34,895 >> YEAH, IT IS. 72 00:06:34,895 --> 00:06:37,164 >> DO YOU HAVE ANY IDEA HOW ALL 73 00:06:37,164 --> 00:06:39,099 THAT BLOOD GOT THERE? 74 00:06:39,099 --> 00:06:41,602 >> I ALREADY TOLD YOU GUYS MY 75 00:06:41,602 --> 00:06:43,003 BUDDIES GOT SHOT. 76 00:06:43,003 --> 00:06:44,605 >> AND YOU SHOT THEM? 77 00:06:44,605 --> 00:06:46,139 >> NO. 78 00:06:46,139 --> 00:06:47,975 >> WHO DID SHOOT THEM? 79 00:06:48,842 --> 00:06:49,877 I DON'T KNOW. 80 00:06:49,877 --> 00:06:51,579 I-I THINK IT WAS THIS GUY 81 00:06:51,579 --> 00:06:53,647 SCOTT ROBERTS. 82 00:06:53,647 --> 00:06:55,483 >> MM. 83 00:06:55,483 --> 00:06:56,484 WHO -- WHO -- WHO'S 84 00:06:56,484 --> 00:06:58,018 SCOTT ROBERTS? 85 00:06:58,018 --> 00:06:59,186 >> HE'S THE ONE THAT TOOK 86 00:06:59,186 --> 00:07:02,523 ALYSSA -- KIDNAPPED HER, YEAH. 87 00:07:02,523 --> 00:07:04,157 HE -- SHE WAS DOING A FILM WITH 88 00:07:04,157 --> 00:07:05,158 SCOTT ROBERTS. 89 00:07:05,158 --> 00:07:06,694 HE'S A PORN PRODUCER. 90 00:07:06,694 --> 00:07:07,761 SHE ENDED UP MISSING. 91 00:07:07,761 --> 00:07:09,697 WE WENT LOOKING FOR HER. 92 00:07:09,697 --> 00:07:11,064 >> AND THEN DID YOU GUYS GO DOWN 93 00:07:11,064 --> 00:07:13,000 TO SLAUGHTER CREEK? 94 00:07:24,177 --> 00:07:26,246 >> WHAT -- WHAT ARE YOU DOING? 95 00:07:26,246 --> 00:07:28,716 OHH. 96 00:07:28,716 --> 00:07:29,883 >> DUDE, I DON'T EVEN THINK 97 00:07:29,883 --> 00:07:31,852 WE'RE ON THE ROAD. 98 00:07:41,995 --> 00:07:43,230 >> WE GOT TO KEEP IT TOGETHER, 99 00:07:43,230 --> 00:07:43,864 OKAY? 100 00:07:43,864 --> 00:07:45,065 WE CAN'T HELP HER IF WE DON'T 101 00:07:45,065 --> 00:07:45,933 KEEP IT TOGETHER. 102 00:07:45,933 --> 00:07:47,067 >> MYA, THERE'S A MILLION 103 00:07:47,067 --> 00:07:49,537 FUCKING BARNS IN EVERY DIRECTION 104 00:07:49,537 --> 00:07:50,137 OUT HERE. 105 00:07:50,137 --> 00:07:52,239 WHAT FUCKING BARN IS IT?! 106 00:07:53,574 --> 00:07:55,643 GOD DAMN IT! 107 00:07:55,643 --> 00:07:57,578 WHY THE FUCK DID WE SHOOT THIS 108 00:07:57,578 --> 00:07:58,946 FUCKING DOCUMENTARY?! 109 00:07:58,946 --> 00:08:00,714 TURN THE FUCKING CAMERA OFF, 110 00:08:00,714 --> 00:08:01,214 ROBBIE! 111 00:08:01,214 --> 00:08:03,250 GET THE FUCK OUT OF HERE! 112 00:08:03,250 --> 00:08:04,685 GOD FUCKING DAMN IT! 113 00:08:04,685 --> 00:08:05,953 >> MATT! 114 00:08:05,953 --> 00:08:07,087 >> GET THE FUCKING CAMERA OUT OF 115 00:08:07,087 --> 00:08:07,855 MY FACE! 116 00:08:07,855 --> 00:08:11,725 >> MATT! 117 00:08:11,725 --> 00:08:12,760 YOU HAVE THE PICTURE. 118 00:08:12,760 --> 00:08:16,997 THAT'S THE BARN, RIGHT? 119 00:08:16,997 --> 00:08:18,498 THAT'S THE BARN. 120 00:08:27,908 --> 00:08:31,779 >> OKAY, SO, SCOTT ROBERTS SHOT 121 00:08:31,779 --> 00:08:34,081 YOUR FRIENDS AND DECIDED TO LET 122 00:08:34,081 --> 00:08:35,015 YOU LIVE. 123 00:08:35,215 --> 00:08:37,284 >> YOU RAN OUT IN THE BARN. 124 00:08:39,620 --> 00:08:40,253 >> YEAH. 125 00:08:40,253 --> 00:08:41,589 >> WHY WERE YOU IN THE BARN 126 00:08:41,589 --> 00:08:42,790 AGAIN? 127 00:08:42,790 --> 00:08:44,157 >> I TOLD YOU -- I WAS LOOKING 128 00:08:44,157 --> 00:08:44,992 FOR ALYSSA. 129 00:08:44,992 --> 00:08:46,827 >> ALYSSA -- THAT'S RIGHT. 130 00:08:46,827 --> 00:08:48,195 THE SAME ALYSSA YOU REPORTED 131 00:08:48,195 --> 00:08:50,263 MISSING? 132 00:08:50,263 --> 00:08:51,364 >> YES, WE WERE SHOOTING A 133 00:08:51,364 --> 00:08:52,766 DOCUMENTARY ABOUT IT. 134 00:08:54,602 --> 00:08:56,670 >> DO YOU WANT TO HANDLE THIS? 135 00:08:56,870 --> 00:08:57,671 >> HEY, GUYS. 136 00:08:57,671 --> 00:08:58,639 >> HOW YOU DOING, OFFICER? 137 00:08:58,639 --> 00:08:59,740 >> I'M OFFICER CORBETT WITH THE 138 00:08:59,740 --> 00:09:00,741 LOCKHART POLICE DEPARTMENT. 139 00:09:00,741 --> 00:09:01,174 >> OKAY. 140 00:09:01,174 --> 00:09:02,242 >> REASON I'M MAKING CONTACT 141 00:09:02,242 --> 00:09:03,343 WITH YOU IS I HAVE HAD SOME 142 00:09:03,343 --> 00:09:04,712 COMPLAINTS FROM SOME CITIZENS 143 00:09:04,712 --> 00:09:05,813 ABOUT Y'ALL WALKING AROUND. 144 00:09:05,813 --> 00:09:06,947 UH, WHAT EXACTLY IS GOING ON 145 00:09:06,947 --> 00:09:07,748 HERE TODAY? 146 00:09:07,748 --> 00:09:09,049 >> WE'RE ACTUALLY JUST SHOOTING 147 00:09:09,049 --> 00:09:10,083 A BIT OF A DOCUMENTARY. 148 00:09:10,083 --> 00:09:11,652 AND I'M -- I'M ACTUALLY GLAD YOU 149 00:09:11,652 --> 00:09:13,053 PULLED UP, BECAUSE WE'RE LOOKING 150 00:09:13,053 --> 00:09:13,754 FOR A GIRL. 151 00:09:13,754 --> 00:09:15,656 >> OKAY. HOW OLD IS THIS GIRL? 152 00:09:15,656 --> 00:09:16,690 >> SHE'S 19. 153 00:09:16,690 --> 00:09:17,357 >> 19 YEARS OLD. 154 00:09:17,357 --> 00:09:17,991 >> YEAH. 155 00:09:17,991 --> 00:09:18,726 >> OKAY. OKAY. 156 00:09:18,726 --> 00:09:19,392 SO SHE IS AN ADULT? 157 00:09:19,392 --> 00:09:20,060 >> YES. 158 00:09:20,060 --> 00:09:21,128 >> OKAY. WHAT'S HER NAME? 159 00:09:21,128 --> 00:09:21,929 >> UH, IT'S MATT. 160 00:09:21,929 --> 00:09:23,230 >> NO, HER NAME -- HER NAME. 161 00:09:23,230 --> 00:09:23,931 I'M SORRY. 162 00:09:23,931 --> 00:09:24,898 >> OH, UM, ALYSSA. 163 00:09:24,898 --> 00:09:25,666 >> ALYSSA? 164 00:09:25,666 --> 00:09:26,133 >> YEAH. 165 00:09:26,133 --> 00:09:27,901 >> OKAY. HOW DO YOU KNOW ALYSSA? 166 00:09:27,901 --> 00:09:31,138 >> UM, WE WERE JUST SHOOTING A 167 00:09:31,138 --> 00:09:32,272 DOCUMENTARY ABOUT, UM, 168 00:09:32,272 --> 00:09:32,940 ACTRESSES. 169 00:09:32,940 --> 00:09:33,807 >> SHE'S AN ACTRESS. 170 00:09:33,807 --> 00:09:34,675 >> SHE'S AN ACTRESS. 171 00:09:34,675 --> 00:09:35,643 >> SHE WAS WORKING WITH US. 172 00:09:35,643 --> 00:09:36,076 >> OKAY. 173 00:09:36,076 --> 00:09:36,710 >> YEAH. 174 00:09:36,710 --> 00:09:37,244 >> OKAY. 175 00:09:37,244 --> 00:09:37,845 >> UM. 176 00:09:37,845 --> 00:09:38,979 >> DOES SHE LIVE HERE? 177 00:09:38,979 --> 00:09:40,113 >> NO, SHE LIVES IN AUSTIN. 178 00:09:40,113 --> 00:09:40,881 >> IN AUSTIN. 179 00:09:40,881 --> 00:09:41,348 >> YEAH. 180 00:09:41,348 --> 00:09:42,082 >> OKAY. OKAY. 181 00:09:42,082 --> 00:09:43,116 SO, AUSTIN -- THAT'S WHERE SHE'S 182 00:09:43,116 --> 00:09:44,151 MISSING FROM -- HER APARTMENT IN 183 00:09:44,151 --> 00:09:44,785 AUSTIN? 184 00:09:44,785 --> 00:09:45,218 >> YEAH. 185 00:09:45,218 --> 00:09:46,219 >> BECAUSE SHE IS AN ADULT, 186 00:09:46,219 --> 00:09:47,721 SHE'S 19, AND SHE HAS EVERY 187 00:09:47,721 --> 00:09:49,056 RIGHT TO, YOU KNOW, PACK UP AND 188 00:09:49,056 --> 00:09:50,090 LEAVE IF SHE WANTS TO... 189 00:09:50,090 --> 00:09:50,758 >> SURE. 190 00:09:50,758 --> 00:09:51,759 >> ...BUT, DEFINITELY, IF 191 00:09:51,759 --> 00:09:52,860 THERE'S ANY -- IF IT'S NOT RIGHT 192 00:09:52,860 --> 00:09:53,894 OR IF IT'S SOME KIND OF ODD 193 00:09:53,894 --> 00:09:54,695 CIRCUMSTANCES -- 194 00:09:54,695 --> 00:09:55,696 >> SHE WOULD HAVE -- SHE WOULD 195 00:09:55,696 --> 00:09:56,697 HAVE TOLD US SOMETHING BY NOW. 196 00:09:56,697 --> 00:09:57,230 >> OKAY. OKAY. 197 00:09:57,230 --> 00:09:58,198 >> IT'S NOT LIKE HER TO JUST 198 00:09:58,198 --> 00:09:59,132 BAIL OUT LIKE THIS, SO... 199 00:09:59,132 --> 00:10:00,133 >> OKAY, SO IT'S NOT -- NOT IN 200 00:10:00,133 --> 00:10:00,868 HER CHARACTER. 201 00:10:00,868 --> 00:10:01,969 SHE HAD NO REASON TO JUST UP AND 202 00:10:01,969 --> 00:10:04,104 LEAVE, NO DEBTS -- ANYTHING LIKE 203 00:10:04,104 --> 00:10:05,138 THAT, THEN? 204 00:10:05,138 --> 00:10:07,340 >> I MEAN, I -- NO. 205 00:10:07,340 --> 00:10:08,742 >> OKAY. OKAY. 206 00:10:08,742 --> 00:10:10,811 ALL RIGHT, WELL, I-I THINK IT IS 207 00:10:10,811 --> 00:10:12,045 IMPORTANT THAT WE GO AHEAD AND 208 00:10:12,045 --> 00:10:13,213 AT LEAST GET THE PROCESS 209 00:10:13,213 --> 00:10:14,748 STARTED, SO THAT WE CAN LOOK FOR 210 00:10:14,748 --> 00:10:15,148 HER. 211 00:10:15,148 --> 00:10:16,750 IF YOU HEAR ANYTHING, DEFINITELY 212 00:10:16,750 --> 00:10:18,385 GIVE THE POLICE STATION A CALL. 213 00:10:24,825 --> 00:10:27,194 >> SO, WHAT ARE WE DOING? 214 00:10:27,194 --> 00:10:28,361 >> WE'RE DOING SOMETHING -- 215 00:10:28,361 --> 00:10:29,329 THAT'S WHAT WE'RE DOING. 216 00:10:29,329 --> 00:10:30,330 >> WE'RE NOT DOING ANYTHING. 217 00:10:30,330 --> 00:10:31,431 WE'RE WALKING AROUND THIS TOWN. 218 00:10:31,431 --> 00:10:32,465 WE HAVE NO IDEA WHERE WE'RE 219 00:10:32,465 --> 00:10:33,066 GOING. 220 00:10:33,066 --> 00:10:34,234 >> DO YOU WANT TO SIT AT HOME 221 00:10:34,234 --> 00:10:35,268 AND JUST WAIT FOR A FUCKING 222 00:10:35,268 --> 00:10:36,036 PHONE CALL? 223 00:10:36,036 --> 00:10:37,104 'CAUSE THAT'S NOT WHAT'S GONNA 224 00:10:37,104 --> 00:10:37,771 HAPPEN. 225 00:10:37,771 --> 00:10:39,773 >> WHAT'S THE POINT OF THIS? 226 00:10:40,808 --> 00:10:41,341 >> THIS WAY. 227 00:10:41,341 --> 00:10:42,409 >> SEEMS KIND OF POINTLESS, 228 00:10:42,409 --> 00:10:43,010 MATT. 229 00:10:43,010 --> 00:10:44,812 >> YEAH, WELL, I DON'T KNOW WHAT 230 00:10:44,812 --> 00:10:45,846 ELSE TO DO, OKAY? 231 00:10:45,846 --> 00:10:47,180 SO... 232 00:10:48,415 --> 00:10:50,117 LET ME ASK A FEW MORE PEOPLE IF 233 00:10:50,117 --> 00:10:51,885 THEY MIGHT KNOW ANYTHING, AND 234 00:10:51,885 --> 00:10:53,854 THEN...WE'LL TAKE IT FROM THERE. 235 00:10:53,854 --> 00:10:54,722 I DON'T KNOW, GUYS. 236 00:10:54,722 --> 00:10:55,889 I -- DO YOU WANT TO JUST SIT AT 237 00:10:55,889 --> 00:10:56,757 HOME AND DO NOTHING? 238 00:10:56,757 --> 00:10:57,858 JUST WAIT FOR A FUCKING PHONE 239 00:10:57,858 --> 00:10:58,258 CALL? 240 00:10:58,258 --> 00:10:59,459 IT CAN'T HAPPEN. 241 00:10:59,459 --> 00:11:00,127 HI, GUYS. 242 00:11:00,127 --> 00:11:01,829 SORRY TO S-STARTLE YOU A LITTLE 243 00:11:01,829 --> 00:11:02,229 BIT. 244 00:11:02,229 --> 00:11:03,797 UM, HAVE YOU GUYS SEEN A -- A 245 00:11:03,797 --> 00:11:06,166 FILM CREW AROUND HERE OR, UM... 246 00:11:06,166 --> 00:11:07,200 >> NO, WE'RE JUST -- WE'RE 247 00:11:07,200 --> 00:11:08,268 LOOKING AT SOME REAL-ESTATE 248 00:11:08,268 --> 00:11:09,236 PROPERTY AND CAME OUT. 249 00:11:09,236 --> 00:11:10,403 WE HAVEN'T SEEN ANYBODY AROUND. 250 00:11:10,403 --> 00:11:11,504 >> OKAY. THANKS, GUYS. 251 00:11:11,504 --> 00:11:12,439 >> YOU'RE WELCOME. 252 00:11:12,439 --> 00:11:13,373 >> APPRECIATE IT. 253 00:11:16,176 --> 00:11:17,778 >> SO, WHAT -- WAIT. 254 00:11:17,778 --> 00:11:18,979 WHAT -- WHAT IS THIS ABOUT THE 255 00:11:18,979 --> 00:11:19,813 OTHER FILM CREW? 256 00:11:19,813 --> 00:11:21,081 I THOUGHT YOU GUYS WERE THE ONES 257 00:11:21,081 --> 00:11:22,049 DOING THE DOCUMENTARY. 258 00:11:22,049 --> 00:11:23,283 >> YEAH, WE WERE. 259 00:11:24,484 --> 00:11:25,919 OKAY, NOW, HERE'S -- HERE'S 260 00:11:25,919 --> 00:11:27,520 WHAT'S GONNA HAPPEN NEXT, OKAY? 261 00:11:27,520 --> 00:11:28,789 WE'RE GONNA BACK UP A BIT. 262 00:11:28,789 --> 00:11:29,923 I WANT YOU TO START FROM THE 263 00:11:29,923 --> 00:11:31,491 BEGINNING. 264 00:11:31,491 --> 00:11:35,362 YOU, MYA, ROBBIE -- YOU ARRIVE 265 00:11:35,362 --> 00:11:36,363 IN AUSTIN. 266 00:11:36,363 --> 00:11:37,364 WHY? 267 00:11:37,364 --> 00:11:40,167 >> TO SHOOT A DOCUMENTARY. 268 00:11:41,068 --> 00:11:43,203 >> * WELL, I NEVER BEEN TO 269 00:11:43,203 --> 00:11:45,205 SPAIN * 270 00:11:45,205 --> 00:11:48,008 >> SO, GREETINGS, AMERICA. 271 00:11:48,008 --> 00:11:50,377 HERE WE ARE, ABOUT TO EMBARK ON 272 00:11:50,377 --> 00:11:55,015 OUR FIRST DOCUMENTARY, WHERE WE 273 00:11:55,015 --> 00:11:57,450 WILL BE SHOOTING, UH, A 274 00:11:57,450 --> 00:11:58,418 DOCUMENTARY ABOUT THE PORN 275 00:11:58,418 --> 00:11:59,887 INDUSTRY. 276 00:12:00,087 --> 00:12:00,854 EXCUSE ME. 277 00:12:00,854 --> 00:12:01,955 DO YOU KNOW WHERE BULL McCABE'S 278 00:12:01,955 --> 00:12:03,190 IS -- IRISH PUB? 279 00:12:03,190 --> 00:12:03,824 >> YES. 280 00:12:03,824 --> 00:12:04,792 >> WHERE IS IT? 281 00:12:04,792 --> 00:12:05,993 >> OH, THIS IS IT, RIGHT? 282 00:12:05,993 --> 00:12:06,493 >> YEAH. 283 00:12:06,493 --> 00:12:07,494 >> OH, LOOK AT THIS. 284 00:12:07,494 --> 00:12:08,328 >> BULL McCABE'S. 285 00:12:08,328 --> 00:12:09,362 >> WITH THE TWO STEPS. 286 00:12:09,362 --> 00:12:13,867 >> CAN YOU GET A SHOT OF THAT? 287 00:12:13,867 --> 00:12:14,868 >> YOU FIX IT. 288 00:12:14,868 --> 00:12:15,568 >> YOU FIX IT. 289 00:12:15,568 --> 00:12:16,403 >> ARE YOU JOHNNY? 290 00:12:16,403 --> 00:12:17,337 >> YEAH, MAN. WHAT'S UP? 291 00:12:17,337 --> 00:12:18,471 >> HEY, JOHNNY. JERRY SENT US. 292 00:12:18,471 --> 00:12:19,372 HE SAID IT'S OKAY IF... 293 00:12:19,372 --> 00:12:20,173 >> JERRY SENT YOU? 294 00:12:20,173 --> 00:12:21,474 >> HEY, MATT, HERE'S A QUESTION. 295 00:12:21,474 --> 00:12:23,343 >> WHAT'S UP? 296 00:12:23,343 --> 00:12:24,211 >> WHY PORN? 297 00:12:24,211 --> 00:12:24,945 >> WHY -- 298 00:12:24,945 --> 00:12:26,046 >> OUT OF ALL THE THINGS WE 299 00:12:26,046 --> 00:12:27,114 COULD HAVE MADE ON -- GOOD 300 00:12:27,114 --> 00:12:28,348 CAUSES, STARVING CHILDREN -- YOU 301 00:12:28,348 --> 00:12:29,249 PICK PORN. 302 00:12:29,249 --> 00:12:30,884 >> WHY NOT PORN? 303 00:12:30,884 --> 00:12:32,452 BECAUSE IT'S TABOO IN AMERICA 304 00:12:32,452 --> 00:12:34,254 RIGHT NOW, BECAUSE IT NEEDS TO 305 00:12:34,254 --> 00:12:35,288 BE TALKED ABOUT. 306 00:12:35,288 --> 00:12:36,423 SO, YOU DON'T THINK THERE'S 307 00:12:36,423 --> 00:12:37,390 ANYTHING WRONG WITH AN 308 00:12:37,390 --> 00:12:39,827 18-, 19-YEAR-OLD GIRL THAT'S GOT 309 00:12:39,827 --> 00:12:41,528 NO DIRECTION, NO MONEY, NOWHERE 310 00:12:41,528 --> 00:12:42,996 TO GO GETTING TOTALLY TAKEN 311 00:12:42,996 --> 00:12:43,596 ADVANTAGE OF? 312 00:12:43,596 --> 00:12:44,965 >> WELL, THEY'RE NOT GETTING 313 00:12:44,965 --> 00:12:45,966 TAKEN ADVANTAGE OF. 314 00:12:45,966 --> 00:12:47,200 AND, PLUS, THESE GIRLS THAT HAVE 315 00:12:47,200 --> 00:12:48,969 NO MONEY ARE MAKING VERY NICE 316 00:12:48,969 --> 00:12:50,838 MONEY, ACTUALLY, DOING NOT 317 00:12:50,838 --> 00:12:51,939 REALLY ANY KIND OF WORK. 318 00:12:51,939 --> 00:12:52,840 >> YEAH, BUT THEY'RE -- 319 00:12:52,840 --> 00:12:53,573 >> IT'S A PRETTY NICE GIG. 320 00:12:53,573 --> 00:12:54,842 >> THEY'RE DEGRADING THEMSELVES. 321 00:12:54,842 --> 00:12:55,475 >> ANYONE ELSE? 322 00:12:55,475 --> 00:12:56,243 >> NICE PARTY. 323 00:12:56,243 --> 00:12:57,377 >> COME ON, NANCY BOY. 324 00:12:57,377 --> 00:12:58,445 >> SLAINTE. 325 00:12:58,445 --> 00:12:59,479 >> SLAINTE. 326 00:12:59,479 --> 00:13:00,280 >> OH, SORRY. 327 00:13:00,280 --> 00:13:02,082 >> THAT'S RIGHT. 328 00:13:02,082 --> 00:13:02,916 >> MMM. 329 00:13:02,916 --> 00:13:04,584 >> * BUT I REALLY DON'T 330 00:13:04,584 --> 00:13:06,019 REMEMBER * 331 00:13:06,019 --> 00:13:07,087 >> HEY. 332 00:13:09,322 --> 00:13:10,357 >> * IN OKLAHOMA * 333 00:13:10,357 --> 00:13:11,624 >> IF YOU'LL EXCUSE ME... 334 00:13:11,624 --> 00:13:12,592 >> * NOT ARIZONA * 335 00:13:12,592 --> 00:13:14,294 >> DON'T PEE ON YOUR MIKE. 336 00:13:14,294 --> 00:13:15,428 >> * WHAT DOES IT MATTER? * 337 00:13:15,428 --> 00:13:16,629 >> I'LL PEE WHERE I WANT TO PEE. 338 00:13:16,629 --> 00:13:17,564 >> DON'T PEE ON YOUR MIKE. 339 00:13:17,564 --> 00:13:18,866 >> YEAH, DON'T -- HEY, WHY DON'T 340 00:13:18,866 --> 00:13:19,632 YOU LEAVE YOUR MIKE WITH ME? 341 00:13:19,632 --> 00:13:20,868 >> AND DON'T TAKE THE CAMERA. 342 00:13:20,868 --> 00:13:21,534 WHAT ARE YOU DOING? 343 00:13:21,534 --> 00:13:22,936 >> I KEEPS IT REAL. 344 00:13:22,936 --> 00:13:23,470 >> OH, GOD. 345 00:13:23,470 --> 00:13:25,005 NO, ROBBIE. 346 00:13:25,005 --> 00:13:26,907 >> DON'T DROP THAT. 347 00:13:26,907 --> 00:13:27,607 >> GOOD MORNING. 348 00:13:27,607 --> 00:13:28,341 I'M ROBBIE. 349 00:13:28,341 --> 00:13:31,044 THIS IS DAY 1 OF A DOCUMENTARY 350 00:13:31,044 --> 00:13:32,245 THAT I'M DOING WITH MY FRIEND 351 00:13:32,245 --> 00:13:33,981 MATT, AND HE SORT OF NEEDS MY 352 00:13:33,981 --> 00:13:34,447 HELP. 353 00:13:34,447 --> 00:13:35,983 AND HE DID HELP ME A LOT ON MY 354 00:13:35,983 --> 00:13:37,517 LAST ONE, SO I HAVE A LITTLE 355 00:13:37,517 --> 00:13:38,986 EXTRA MONEY THAT I THOUGHT I'D 356 00:13:38,986 --> 00:13:40,553 HELP HIM INVEST, AS WELL AS OUR 357 00:13:40,553 --> 00:13:42,389 FRIEND MYA, WHICH -- THAT'S A 358 00:13:42,389 --> 00:13:43,556 WHOLE DIFFERENT STORY. 359 00:13:43,556 --> 00:13:44,457 >> MM. 360 00:13:44,457 --> 00:13:45,893 I'M NOT QUITE SURE 361 00:13:45,893 --> 00:13:47,260 HOW I SUDDENLY FOUND MYSELF 362 00:13:47,260 --> 00:13:49,096 DOING THIS. 363 00:13:49,096 --> 00:13:51,031 MATT JUST CALLED ME OUT OF THE 364 00:13:51,031 --> 00:13:53,133 BLUE, UM, A COUPLE OF DAYS AGO, 365 00:13:53,133 --> 00:13:55,435 AND, UH... 366 00:13:55,435 --> 00:13:57,037 UH, YEAH, I HADN'T HEARD FROM 367 00:13:57,037 --> 00:14:00,440 HIM IN A WHILE, BUT I GUESS I 368 00:14:00,440 --> 00:14:03,410 WAS GLAD TO. 369 00:14:03,410 --> 00:14:07,114 SO, YEAH, UH, HE TALKED ME INTO 370 00:14:07,114 --> 00:14:09,516 THIS IN THAT MAGICAL WAY HE HAS 371 00:14:09,516 --> 00:14:13,086 OF JUST GETTING PEOPLE TO DO, 372 00:14:13,086 --> 00:14:15,288 UM, SOMETIMES STUPID THINGS. 373 00:14:18,191 --> 00:14:21,061 >> OH. 374 00:14:22,529 --> 00:14:24,297 TIME TO PEE-PEE. 375 00:14:24,297 --> 00:14:26,599 GOT TO PEE-PEE. 376 00:15:14,147 --> 00:15:17,150 >> I DON'T KNOW, IN TERMS OF ME 377 00:15:17,150 --> 00:15:18,651 AND MATT WORKING TOGETHER, HOW 378 00:15:18,651 --> 00:15:20,587 THAT'S GONNA GO, BUT I GUESS I'M 379 00:15:20,587 --> 00:15:22,422 INTERESTED TO FIND OUT. 380 00:15:23,356 --> 00:15:24,557 >> AND SO, I THINK THERE'S A 381 00:15:24,557 --> 00:15:27,260 TOPIC WE NEED TO ADDRESS HERE. 382 00:15:27,260 --> 00:15:31,231 YOU, UH, PREVIOUSLY HAVE DATED, 383 00:15:31,231 --> 00:15:32,165 RIGHT? 384 00:15:32,165 --> 00:15:32,632 >> YES. 385 00:15:32,632 --> 00:15:33,666 >> WANT TO GIVE US A LITTLE 386 00:15:33,666 --> 00:15:35,135 RUNDOWN ON THAT RELATIONSHIP? 387 00:15:35,135 --> 00:15:36,436 >> THIS IS DOCUMENTARY ABOUT MYA 388 00:15:36,436 --> 00:15:37,504 NOW -- ME AND MYA'S PAST 389 00:15:37,504 --> 00:15:38,238 RELATIONSHIP? 390 00:15:38,238 --> 00:15:39,439 >> THIS IS ROBBIE -- THIS IS 391 00:15:39,439 --> 00:15:41,141 ROBBIE'S "BE REAL" EXTRA 392 00:15:41,141 --> 00:15:41,641 FEATURES. 393 00:15:41,641 --> 00:15:43,610 >> EXTRA FEATURES. OKAY. 394 00:15:43,610 --> 00:15:45,078 I CAN GO WITH THAT. 395 00:15:45,078 --> 00:15:47,314 UH, YEAH, WE USED TO DATE. 396 00:15:47,314 --> 00:15:49,149 WE DATED ON AND OFF THROUGHOUT 397 00:15:49,149 --> 00:15:50,683 COLLEGE, AND NOW WE'RE JUST 398 00:15:50,683 --> 00:15:51,451 FRIENDS, SO... 399 00:15:51,451 --> 00:15:52,219 >> JUST FRIENDS? 400 00:15:52,219 --> 00:15:52,652 >> YEAH. 401 00:15:52,652 --> 00:15:54,254 >> SO WE'RE NOT GONNA HAVE ANY 402 00:15:54,254 --> 00:15:56,356 WEIRD TENSION? 403 00:15:56,356 --> 00:15:57,524 >> NO, WE'RE NOT GONNA HAVE ANY 404 00:15:57,524 --> 00:15:58,291 WEIRD TENSION. 405 00:15:58,291 --> 00:15:59,559 >> YOU'RE NOT GONNA MAKE ROBBIE 406 00:15:59,559 --> 00:16:00,327 A THIRD WHEEL? 407 00:16:00,327 --> 00:16:01,494 >> NO, I WOULD NEVER DO THAT TO 408 00:16:01,494 --> 00:16:02,095 YOU. 409 00:16:02,095 --> 00:16:03,196 >> ROBBIE DOES NOT LIKE BEING A 410 00:16:03,196 --> 00:16:03,696 THIRD WHEEL. 411 00:16:03,696 --> 00:16:04,397 >> I KNOW. 412 00:16:04,397 --> 00:16:05,432 >> ALL RIGHT, IF I'M THERE, YOU 413 00:16:05,432 --> 00:16:06,466 GUYS ARE -- I DON'T KNOW -- 414 00:16:06,466 --> 00:16:07,434 STARTING TO GET A LITTLE 415 00:16:07,434 --> 00:16:08,101 FEELINGS? 416 00:16:08,101 --> 00:16:08,801 >> STRICTLY BUSINESS. 417 00:16:08,801 --> 00:16:09,602 STRICTLY BUSINESS. 418 00:16:09,602 --> 00:16:10,237 >> OKAY. 419 00:16:10,237 --> 00:16:11,038 >> THAT'S IT. 420 00:16:11,038 --> 00:16:12,072 >> THERE'S NO DESIRE? 421 00:16:12,072 --> 00:16:12,672 >> NO DESIRE. 422 00:16:12,672 --> 00:16:13,340 >> REALLY? 423 00:16:13,340 --> 00:16:15,642 >> NONE. THE DESIRE IS DEAD. 424 00:16:33,560 --> 00:16:34,661 >> WHAT DOES THAT MEAN? 425 00:16:34,661 --> 00:16:36,263 WHAT... 426 00:16:36,263 --> 00:16:37,730 >> ACTION. 427 00:16:40,133 --> 00:16:42,102 >> OHH. 428 00:16:45,638 --> 00:16:48,175 >> I KNOW. 429 00:16:48,175 --> 00:16:49,776 OH. 430 00:17:12,432 --> 00:17:13,266 >> DON'T MIND ME. 431 00:17:13,266 --> 00:17:14,434 >> WHAT'S UP, BUDDY? 432 00:17:14,434 --> 00:17:15,468 >> DON'T MIND ME. 433 00:17:15,468 --> 00:17:17,270 >> ARE YOU SHOOTING A PORNO? 434 00:17:18,138 --> 00:17:19,372 YOU TELL ME. 435 00:17:21,308 --> 00:17:22,709 >> I'M OKAY WITH IT IF YOU'RE 436 00:17:22,709 --> 00:17:23,543 OKAY WITH IT. 437 00:17:23,543 --> 00:17:24,177 NO? 438 00:17:24,177 --> 00:17:24,877 >> I DON'T THINK SO. 439 00:17:24,877 --> 00:17:25,812 >> ARE YOU CAMERA-SHY? 440 00:17:25,812 --> 00:17:27,314 >> COME ON. MAKE IT SEXY. 441 00:17:27,314 --> 00:17:27,814 COME ON. 442 00:17:27,814 --> 00:17:29,249 >> OKAY, LET'S GO. 443 00:17:29,249 --> 00:17:31,384 >> WHAT? THANKS A LOT, ROBBIE. 444 00:17:31,584 --> 00:17:33,653 OHH, ROBBIE. 445 00:17:33,653 --> 00:17:34,587 >> YOU LOOK GOOD. 446 00:17:34,587 --> 00:17:36,689 >> OHH, GOD. 447 00:17:36,689 --> 00:17:39,392 >> NO. 448 00:17:39,392 --> 00:17:40,727 >> UM. 449 00:17:40,727 --> 00:17:41,561 BUT I DON'T KNOW. 450 00:17:41,561 --> 00:17:42,562 WE'LL SEE HOW IT GOES. 451 00:17:42,562 --> 00:17:44,597 I MEAN, THINGS OFTEN EXCEED MY 452 00:17:44,597 --> 00:17:46,599 EXPECTATIONS, CONSIDERING HOW 453 00:17:46,599 --> 00:17:49,136 LOW THEY START OUT AT. 454 00:17:59,646 --> 00:18:01,348 WE JUST NEED TO GET OUT OF HERE, 455 00:18:01,348 --> 00:18:02,715 SO CAN YOU PACK YOUR CRAP UP? 456 00:18:02,715 --> 00:18:03,550 AND LET'S GO. 457 00:18:03,550 --> 00:18:04,784 >> DID YOU CHECK THE LIST? 458 00:18:04,784 --> 00:18:05,818 >> YEAH, YEAH. 459 00:18:05,818 --> 00:18:07,254 >> COME ON. LET'S GO. 460 00:18:07,254 --> 00:18:08,655 WE'RE RUNNING LATE. 461 00:18:19,466 --> 00:18:21,168 I HOPE THEY HAVE COFFEE THERE. 462 00:18:22,602 --> 00:18:24,304 THIS IS BRIGHT AND EARLY FOR A 463 00:18:24,304 --> 00:18:27,640 PORN STAR, IT SEEMS, SO... 464 00:18:34,414 --> 00:18:36,183 >> THE PORN INDUSTRY IS A 465 00:18:36,183 --> 00:18:39,252 $10 MILLION-A-YEAR INDUSTRY. 466 00:18:39,252 --> 00:18:40,287 >> BILLION. 467 00:18:40,287 --> 00:18:41,854 >> OHH. BILLION. 468 00:18:41,854 --> 00:18:43,423 >> I THINK SOMETIMES HAPPENED 469 00:18:43,423 --> 00:18:44,391 WITH MATT AND MYA. 470 00:18:44,391 --> 00:18:45,958 I VAGUELY RECALL A KISS WAS 471 00:18:45,958 --> 00:18:46,626 SHARED. 472 00:18:46,626 --> 00:18:48,328 UH, SADLY, I WASN'T INVOLVED 473 00:18:48,328 --> 00:18:51,264 WITH THAT, BUT I THINK I'M GONNA 474 00:18:51,264 --> 00:18:52,832 ASK SOME PROBING QUESTIONS AND 475 00:18:52,832 --> 00:18:54,501 GET TO THE BOTTOM OF THIS -- SEE 476 00:18:54,501 --> 00:18:55,568 WHAT REALLY HAPPENED. 477 00:18:55,568 --> 00:18:56,303 ROLLING. 478 00:18:56,303 --> 00:18:56,769 >> OKAY. 479 00:18:56,769 --> 00:18:59,206 THE PORN INDUSTRY IS A $10 -- 480 00:18:59,206 --> 00:19:00,240 >> ACTION! 481 00:19:01,274 --> 00:19:01,974 >> THE PORN INDUS-- 482 00:19:01,974 --> 00:19:02,809 >> ACTION. COME ON. 483 00:19:02,809 --> 00:19:03,676 >> ROBBIE, PLEASE. 484 00:19:04,444 --> 00:19:06,413 >> AM I SQUINTING TOO MUCH? 485 00:19:06,413 --> 00:19:08,248 >> UH, YEAH, BUT THAT'S PROBABLY 486 00:19:08,248 --> 00:19:09,982 'CAUSE YOU'RE WAY TOO HUNG OVER. 487 00:19:09,982 --> 00:19:11,718 >> OKAY, WHATEVER. 488 00:19:11,718 --> 00:19:13,586 >> UM, OKAY, SO YOU WANT ME TO 489 00:19:13,586 --> 00:19:16,556 BLAB ABOUT MY DEEP, FANTASTIC 490 00:19:16,556 --> 00:19:19,692 FEELINGS ABOUT WHATEVER HAPPENED 491 00:19:19,692 --> 00:19:20,627 WITH MATT YESTERDAY? 492 00:19:20,627 --> 00:19:22,495 UM, YOU KNOW WHAT? 493 00:19:22,495 --> 00:19:25,232 I'M GONNA -- I'M GONNA SEE WHAT 494 00:19:25,232 --> 00:19:25,932 HAPPENS. 495 00:19:25,932 --> 00:19:26,599 >> READY? 496 00:19:26,599 --> 00:19:27,734 >> ACTION! 497 00:19:27,734 --> 00:19:29,369 >> THE PORN INDUSTRY IS A 498 00:19:29,369 --> 00:19:32,905 $10 BILLION-A-YEAR BUSINESS, AND 499 00:19:32,905 --> 00:19:34,941 WE'RE ABOUT TO CRACK THE EGG ON 500 00:19:34,941 --> 00:19:36,909 WHAT IT -- THE -- THE TABOOS OF 501 00:19:36,909 --> 00:19:40,313 SEX IN AMERICA REALLY ARE. 502 00:19:40,880 --> 00:19:42,415 >> AGAIN WITH THE EGG? 503 00:19:42,415 --> 00:19:43,716 >> YEAH, SHE'S A GREAT KISSER. 504 00:19:43,716 --> 00:19:46,253 IT WAS A LOT OF FUN -- MIGHT 505 00:19:46,253 --> 00:19:47,654 HAVE BEEN A MISTAKE, THOUGH. 506 00:19:47,654 --> 00:19:48,588 READY? 507 00:19:48,588 --> 00:19:50,390 >> YEAH, STILL READY. 508 00:19:50,390 --> 00:19:51,724 >> HERE WE ARE AT THE CATTLE 509 00:19:51,724 --> 00:19:53,326 CALL, WHERE WE'RE GONNA MAKE A 510 00:19:53,326 --> 00:19:54,594 DOCUMENTARY ABOUT THE PORN 511 00:19:54,594 --> 00:19:55,262 INDUSTRY. 512 00:19:55,262 --> 00:19:56,796 LET'S GO INSIDE, AND LET'S CHECK 513 00:19:56,796 --> 00:19:58,865 IT OUT. 514 00:19:58,865 --> 00:19:59,866 ALL RIGHT, I LIKE THAT. 515 00:20:00,667 --> 00:20:02,469 >> SIMPLE, BRIEF -- IT'S GOOD. 516 00:20:03,303 --> 00:20:04,371 >> OKAY, WAIT, WAIT, WAIT. 517 00:20:04,371 --> 00:20:05,338 CHECK YOUR MIKE, PLEASE. 518 00:20:05,338 --> 00:20:06,473 >> YEAH. 519 00:20:06,473 --> 00:20:07,540 WE'RE GOOD. 520 00:20:07,540 --> 00:20:09,309 >> OKAY. UH, JUST -- YEAH, I'LL 521 00:20:09,309 --> 00:20:10,710 JUST TRY TO STAY OUT OF THE 522 00:20:10,710 --> 00:20:11,411 FRAME. 523 00:20:11,411 --> 00:20:11,911 >> YEAH. UM. 524 00:20:11,911 --> 00:20:13,012 >> APPRECIATE THAT. 525 00:20:13,012 --> 00:20:13,946 >> OKAY, READY? 526 00:20:13,946 --> 00:20:15,315 SO, WE ARE HERE FOR THE PORN 527 00:20:15,315 --> 00:20:16,516 AUDITION INTERVIEW. 528 00:20:16,516 --> 00:20:18,851 UH, YOU'LL BE ABLE TO SEE RIGHT 529 00:20:18,851 --> 00:20:20,753 BACK THERE. 530 00:21:04,464 --> 00:21:06,399 JUST SNEAKING A PEEK OVER THERE, 531 00:21:06,399 --> 00:21:06,799 GUYS. 532 00:21:06,799 --> 00:21:08,000 HOW ARE WE DOING TODAY? 533 00:21:08,000 --> 00:21:08,701 >> GOOD. 534 00:21:08,701 --> 00:21:10,937 >> AWESOME. WELL, UM, WE HAD 535 00:21:10,937 --> 00:21:12,772 PERMISSION FROM THE DIRECTOR TO 536 00:21:12,772 --> 00:21:14,707 SHOOT A BIT OF AN INTERVIEW WITH 537 00:21:14,707 --> 00:21:15,708 YOU GUYS. 538 00:21:15,708 --> 00:21:16,943 WE'RE JUST GONNA TALK ABOUT THE 539 00:21:16,943 --> 00:21:18,645 PORN INDUSTRY, MAYBE GO A LITTLE 540 00:21:18,645 --> 00:21:19,979 BIT MORE IN DEPTH ABOUT YOUR 541 00:21:19,979 --> 00:21:21,848 LIVES, UH, GROWING UP, HOW YOU 542 00:21:21,848 --> 00:21:23,683 GOT INTO THE PORN INDUSTRY... 543 00:21:23,683 --> 00:21:24,116 >> OKAY. 544 00:21:24,116 --> 00:21:25,618 >> ...UH, SIGNATURE MOVES -- 545 00:21:25,618 --> 00:21:26,553 STUFF LIKE THAT. 546 00:21:26,553 --> 00:21:26,986 >> WHOO! 547 00:21:26,986 --> 00:21:28,621 >> I ALREADY KNOW WHAT YOURS IS. 548 00:21:28,621 --> 00:21:29,456 OH, YEAH. 549 00:21:30,457 --> 00:21:32,592 UM, YOU GUYS LOOK AWESOME TODAY. 550 00:21:32,592 --> 00:21:33,360 >> THANK YOU. 551 00:21:33,360 --> 00:21:33,960 >> THANK YOU. 552 00:21:33,960 --> 00:21:35,828 >> YEAH. OOH, VERY BEAUTIFUL. 553 00:21:35,828 --> 00:21:37,930 I'M -- I'M CONSIDERING CHANGING 554 00:21:37,930 --> 00:21:38,931 OCCUPATIONS. 555 00:21:39,699 --> 00:21:42,001 UM, SO IF YOU WOULD, PLEASE, IF 556 00:21:42,001 --> 00:21:43,536 YOU'RE OPEN TO IT -- ARE YOU 557 00:21:43,536 --> 00:21:44,704 GUYS OKAY WITH THAT? 558 00:21:44,704 --> 00:21:45,372 >> YEAH. 559 00:21:45,372 --> 00:21:45,805 >> YEAH? 560 00:21:45,805 --> 00:21:46,639 >> WITH EVERYTHING. 561 00:21:46,639 --> 00:21:47,874 >> KEEN? ALL RIGHT. 562 00:21:47,874 --> 00:21:49,742 >> MY NAME IS KIKI SUGARLOAF. 563 00:21:49,742 --> 00:21:50,777 >> KIKI SUGARLOAF? 564 00:21:50,777 --> 00:21:51,611 CANDY TRAILS? 565 00:21:51,611 --> 00:21:52,044 >> YEAH. 566 00:21:52,044 --> 00:21:53,446 >> THAT'S YOUR REAL NAME, RIGHT? 567 00:21:53,446 --> 00:21:54,747 >> THAT -- SURE, THAT'S MY REAL 568 00:21:54,747 --> 00:21:55,382 NAME. 569 00:21:55,382 --> 00:21:56,583 >> MY NAME'S KITTY. 570 00:21:56,583 --> 00:21:57,149 >> KITTY. 571 00:21:57,149 --> 00:21:58,651 >> YEAH, JUST KITTY. 572 00:21:58,651 --> 00:22:00,453 >> MY NAME IS KARINA, BUT THEY 573 00:22:00,453 --> 00:22:01,087 CALL ME "NINA." 574 00:22:01,087 --> 00:22:01,954 >> JEZEBEL? 575 00:22:01,954 --> 00:22:02,655 >> YES. 576 00:22:02,655 --> 00:22:03,122 >> OH. 577 00:22:03,122 --> 00:22:04,557 >> WELL, I'M VIVIAN AMORE. 578 00:22:04,557 --> 00:22:05,858 >> VIVIAN AMORE? 579 00:22:05,858 --> 00:22:08,995 >> MM-HMM. A-M-O-R-E. 580 00:22:08,995 --> 00:22:10,162 >> HOW OLD ARE YOU, JEZEBEL? 581 00:22:10,162 --> 00:22:11,431 >> I'M 23, SIR. 582 00:22:11,431 --> 00:22:12,699 >> I'M 20. 583 00:22:12,699 --> 00:22:13,866 >> I'M 25. 584 00:22:13,866 --> 00:22:15,001 >> A GOOD GIRL NEVER TELLS HER 585 00:22:15,001 --> 00:22:15,602 AGE. 586 00:22:15,602 --> 00:22:16,636 >> I DON'T LIKE ANY OTHER GIRLS, 587 00:22:16,636 --> 00:22:18,738 'CAUSE MY VAGINA'S THE 588 00:22:18,738 --> 00:22:19,906 PRETTIEST, AND I DON'T WANT THEM 589 00:22:19,906 --> 00:22:21,608 TO FEEL INSIGNIFICANT. 590 00:22:21,608 --> 00:22:22,809 >> HOW MANY FILMS HAVE YOU BEEN 591 00:22:22,809 --> 00:22:23,410 IN? 592 00:22:23,410 --> 00:22:23,943 >> ONLY FOUR. 593 00:22:23,943 --> 00:22:24,977 >> ONLY FOUR? 594 00:22:24,977 --> 00:22:26,078 SO YOU'RE JUST GETTING STARTED. 595 00:22:26,078 --> 00:22:26,879 >> I'M FRESH. 596 00:22:26,879 --> 00:22:27,780 >> YOU KNOW WHAT? 597 00:22:27,780 --> 00:22:29,148 YOU LOSE COUNT AFTER A WHILE. 598 00:22:29,148 --> 00:22:30,583 >> I REALLY WANT TO CREATE A 599 00:22:30,583 --> 00:22:32,652 MOVIE THAT HAS SUCH A STRONG 600 00:22:32,652 --> 00:22:33,820 ELEMENT OF LOVE AND JUST GIVE 601 00:22:33,820 --> 00:22:35,888 PORN A WHOLE NEW NAME AND GET IT 602 00:22:35,888 --> 00:22:37,657 OUT OF THE -- THE DEROGATORY, 603 00:22:37,657 --> 00:22:38,991 NEGATIVE STIGMA THAT IT HAS, YOU 604 00:22:38,991 --> 00:22:39,626 KNOW? 605 00:22:39,626 --> 00:22:40,092 >> YEAH. 606 00:22:40,092 --> 00:22:41,093 >> 'CAUSE THERE'S SOME REALLY 607 00:22:41,093 --> 00:22:42,094 GOOD ACTING THAT CAN HAPPEN. 608 00:22:42,094 --> 00:22:43,195 AND YOU -- AND THOSE SCENES -- 609 00:22:43,195 --> 00:22:44,464 THOSE SEX SCENES CAN BE SO 610 00:22:44,464 --> 00:22:44,897 PIVOTAL. 611 00:22:44,897 --> 00:22:46,132 >> YOU NAME IT -- I'VE PROBABLY 612 00:22:46,132 --> 00:22:47,033 SEEN IT AND DONE IT. 613 00:22:47,033 --> 00:22:48,735 >> I'M MOSTLY KNOWN FOR MY ANAL 614 00:22:48,735 --> 00:22:49,168 WORK. 615 00:22:49,168 --> 00:22:50,537 >> DO GIRL ON GIRL. 616 00:22:50,537 --> 00:22:51,738 >> THAT COULD ACTUALLY MAKE ME 617 00:22:51,738 --> 00:22:52,805 HAVE AN ORGASM, BUT IT'S A 618 00:22:52,805 --> 00:22:53,740 DIFFERENT KIND OF ORGASM 619 00:22:53,740 --> 00:22:54,474 ALTOGETHER. 620 00:22:54,474 --> 00:22:55,608 >> YOUR PARENTS DON'T APPROVE? 621 00:22:55,608 --> 00:22:56,543 >> THEY DON'T APPROVE. 622 00:22:56,543 --> 00:22:57,510 >> OH. INTERESTING. 623 00:22:57,510 --> 00:22:59,145 >> BUT I-I SECRETLY THINK THEY 624 00:22:59,145 --> 00:22:59,912 WATCH IT. 625 00:23:01,581 --> 00:23:02,782 >> DO YOU -- DO YOU GUYS -- 626 00:23:02,782 --> 00:23:03,750 DO YOU GUYS LUBE UP? 627 00:23:03,750 --> 00:23:04,817 WHAT DO YOU -- HOW DO YOU -- 628 00:23:04,817 --> 00:23:05,652 HOW DO YOU DO THAT? 629 00:23:05,652 --> 00:23:06,986 DO YOU SPIT? DO YOU USE LUBE? 630 00:23:06,986 --> 00:23:08,020 WHAT -- WHAT DO YOU DO? 631 00:23:08,020 --> 00:23:09,121 >> WE'RE YOUNG. WE'RE WET. 632 00:23:09,121 --> 00:23:10,790 >> I THINK IF YOU'RE -- YEAH, IF 633 00:23:10,790 --> 00:23:11,991 YOU'RE IN THE MOOD, IT'LL HAPPEN 634 00:23:11,991 --> 00:23:12,659 NATURALLY. 635 00:23:12,659 --> 00:23:13,092 >> YEAH. 636 00:23:13,092 --> 00:23:14,126 >> IS IT HARD SOMETIMES TO GET 637 00:23:14,126 --> 00:23:15,495 INTO THE MOOD WITH THE CAMERAS 638 00:23:15,495 --> 00:23:16,463 AND LIGHTS AND EVERYBODY 639 00:23:16,463 --> 00:23:16,996 WATCHING YOU? 640 00:23:16,996 --> 00:23:18,230 >> I JUST THINK THAT, AS LONG AS 641 00:23:18,230 --> 00:23:21,133 YOU'RE REALLY FOCUSED -- UM, I-I 642 00:23:21,133 --> 00:23:23,836 LIKE TO FOCUS MY ENERGY ON 643 00:23:23,836 --> 00:23:25,237 CONNECTING WITH MY PARTNER. 644 00:23:25,237 --> 00:23:26,072 >> INTERESTING. 645 00:23:26,072 --> 00:23:27,039 >> AND IT MAKES EVERYTHING 646 00:23:27,039 --> 00:23:27,774 REALLY NICE. 647 00:23:27,774 --> 00:23:28,875 >> I KNOW IT'S THE FIRST DAY, 648 00:23:28,875 --> 00:23:32,078 BUT THIS DOES NOT BODE WELL. 649 00:23:33,012 --> 00:23:35,147 THOSE GIRLS ARE RIDICULOUS. 650 00:23:35,147 --> 00:23:36,248 THEY'RE LIKE CARICATURES. 651 00:23:36,248 --> 00:23:37,650 THEY DON'T EVEN SEEM LIKE REAL 652 00:23:37,650 --> 00:23:38,585 PEOPLE. 653 00:23:38,585 --> 00:23:39,852 AND MATT... 654 00:23:41,053 --> 00:23:42,655 HE NEEDS TO GET IT TOGETHER 655 00:23:42,655 --> 00:23:43,656 AROUND THESE GIRLS. 656 00:23:43,656 --> 00:23:46,559 HE JUST -- HE'S A MESS. 657 00:23:46,559 --> 00:23:47,927 HE'S FALLING ALL OVER HIMSELF. 658 00:23:47,927 --> 00:23:49,195 HE ACTS LIKE HE'S FUCKING 659 00:23:49,195 --> 00:23:50,897 SPEED-DATING INSTEAD OF GETTING 660 00:23:50,897 --> 00:23:52,532 INTERVIEWS HERE. 661 00:23:53,800 --> 00:23:56,002 WE ARE FUCKED IF THIS IS THE 662 00:23:56,002 --> 00:23:58,538 BEST WE CAN DO. 663 00:23:59,205 --> 00:24:00,773 I'M STARTING TO FEEL LIKE A PORN 664 00:24:00,773 --> 00:24:01,608 STAR. 665 00:24:02,274 --> 00:24:03,810 >> IF YOU WANT TO FEEL MORE LIKE 666 00:24:03,810 --> 00:24:04,844 A PORN STAR, CALL ME. 667 00:24:04,844 --> 00:24:06,513 >> OH, REALLY? I-I MIGHT. 668 00:24:06,513 --> 00:24:07,046 WHO KNOWS? 669 00:24:07,046 --> 00:24:07,847 >> MATT. MATT. 670 00:24:07,847 --> 00:24:08,515 >> YEAH? 671 00:24:08,515 --> 00:24:09,549 >> I THINK WE GOT WHAT WE NEED. 672 00:24:09,549 --> 00:24:10,249 >> WE GOT WHAT WE NEED? 673 00:24:10,249 --> 00:24:11,250 >> WE GOT IT. WE GOT IT. 674 00:24:11,250 --> 00:24:12,819 >> WE'RE GOOD? UM, GREAT, GUYS. 675 00:24:12,819 --> 00:24:13,886 THANK YOU SO MUCH. 676 00:24:13,886 --> 00:24:16,556 UM, WE'LL BE IN TOUCH. 677 00:24:16,556 --> 00:24:17,990 PLEASE, FILL -- FINISH YOUR 678 00:24:17,990 --> 00:24:19,091 RELEASE FORMS FOR ME. 679 00:24:19,091 --> 00:24:20,993 AND WE MIGHT EVEN PULL A FEW OF 680 00:24:20,993 --> 00:24:22,962 YOU GIRLS OFF TO THE SIDE AND DO 681 00:24:22,962 --> 00:24:24,664 SOME MORE ONE-ON-ONE INTERVIEWS 682 00:24:24,664 --> 00:24:26,232 AND FIND OUT A LITTLE BIT MORE 683 00:24:26,232 --> 00:24:27,667 ABOUT YOU. 684 00:24:27,667 --> 00:24:28,968 THANK YOU SO MUCH, GUYS. 685 00:24:28,968 --> 00:24:30,069 APPRECIATE IT. 686 00:24:30,069 --> 00:24:30,937 MADE MY DAY. 687 00:24:30,937 --> 00:24:31,704 >> BYE, SWEETIE. 688 00:24:31,704 --> 00:24:32,238 >> EXCELLENT. 689 00:24:34,040 --> 00:24:34,807 CUT. 690 00:24:39,546 --> 00:24:40,547 WATCH IT. 691 00:24:40,547 --> 00:24:42,181 >> THANKS. 692 00:24:42,181 --> 00:24:43,783 >> SO, MATT, HOW DO YOU FEEL 693 00:24:43,783 --> 00:24:44,751 THAT WENT? 694 00:24:44,751 --> 00:24:45,918 >> IT WENT OKAY. 695 00:24:45,918 --> 00:24:46,653 >> YEAH? 696 00:24:46,653 --> 00:24:47,820 >> I THINK IT WENT REALLY WELL. 697 00:24:47,820 --> 00:24:48,888 HOW -- HOW DO YOU GUYS FEEL 698 00:24:48,888 --> 00:24:50,156 ABOUT IT? 699 00:24:50,156 --> 00:24:50,923 >> MYA? 700 00:24:50,923 --> 00:24:52,124 >> UM, EXCUSE ME. 701 00:24:52,124 --> 00:24:52,925 >> YEAH? 702 00:24:52,925 --> 00:24:54,160 >> HEY, IS THIS WHERE THE 703 00:24:54,160 --> 00:24:54,994 AUDITION'S AT? 704 00:24:54,994 --> 00:24:55,862 >> YES, IT IS. 705 00:24:55,862 --> 00:24:57,196 >> THANK YOU. 706 00:24:57,196 --> 00:24:58,565 >> HEY, HOLD ON A SECOND. 707 00:25:01,934 --> 00:25:03,970 SO, I JUST WANT TO THANK YOU SO 708 00:25:03,970 --> 00:25:05,705 MUCH FOR DOING THIS INTERVIEW 709 00:25:05,705 --> 00:25:06,305 WITH US. 710 00:25:06,305 --> 00:25:07,940 >> YOU'RE WELCOME. 711 00:25:07,940 --> 00:25:09,075 >> WOULD YOU START OFF BY 712 00:25:09,075 --> 00:25:10,577 TELLING US YOUR NAME -- TELLING 713 00:25:10,577 --> 00:25:11,143 ME YOUR NAME? 714 00:25:11,143 --> 00:25:12,144 >> TELLING YOU MY NAME? 715 00:25:12,144 --> 00:25:12,812 >> YEAH. 716 00:25:12,812 --> 00:25:14,681 >> MY NAME IS ALYSSA. 717 00:25:19,118 --> 00:25:20,787 >> AND HOW OLD ARE YOU, ALYSSA? 718 00:25:20,787 --> 00:25:21,320 >> I'M 19. 719 00:25:21,320 --> 00:25:22,622 >> 19 YEARS OLD. 720 00:25:22,622 --> 00:25:23,189 >> YEAH. 721 00:25:23,189 --> 00:25:24,123 >> WOW. 722 00:25:24,123 --> 00:25:25,291 >> WOW. 723 00:25:25,291 --> 00:25:26,225 WHAT WAS THAT? 724 00:25:26,225 --> 00:25:27,126 >> THAT'S YOUNG. 725 00:25:27,126 --> 00:25:27,860 >> IS IT? 726 00:25:27,860 --> 00:25:29,195 >> WELL, YEAH, YOU'RE STILL A 727 00:25:29,195 --> 00:25:30,930 TEEN -- 19 YEARS OLD, BUT -- 728 00:25:30,930 --> 00:25:32,031 >> OKAY, BUT I'M -- BUT I'M 729 00:25:32,031 --> 00:25:32,632 LEGAL. 730 00:25:32,632 --> 00:25:33,733 >> DID YOU GRADUATE FROM HIGH 731 00:25:33,733 --> 00:25:34,166 SCHOOL? 732 00:25:34,166 --> 00:25:35,034 >> YEAH, I GRADUATED. 733 00:25:35,034 --> 00:25:35,868 >> OH, GREAT. COOL. 734 00:25:35,868 --> 00:25:36,936 >> YEAH, OF COURSE I GRADUATED. 735 00:25:36,936 --> 00:25:37,604 >> COOL. 736 00:25:37,604 --> 00:25:38,805 >> SORRY, I DIDN'T -- WHAT IS 737 00:25:38,805 --> 00:25:39,305 THIS FOR? 738 00:25:39,305 --> 00:25:40,807 IS THIS GONNA BE ON TV? 739 00:25:40,807 --> 00:25:41,974 >> UM, THAT'S WHAT WE'RE HOPING 740 00:25:41,974 --> 00:25:42,642 FOR, YEAH. 741 00:25:42,642 --> 00:25:43,109 >> REALLY? 742 00:25:43,109 --> 00:25:43,876 >> ABSOLUTELY. 743 00:25:43,876 --> 00:25:44,611 >> OKAY, COOL. 744 00:25:44,611 --> 00:25:45,645 >> YEAH, SO, I THINK YOU'RE 745 00:25:45,645 --> 00:25:46,613 GONNA BE OUR STAR, TOO. 746 00:25:46,613 --> 00:25:47,780 YOU'RE, BY FAR, THE PRETTIEST 747 00:25:47,780 --> 00:25:48,915 ONE THAT WE'VE INTERVIEWED 748 00:25:48,915 --> 00:25:49,649 TODAY. 749 00:25:49,649 --> 00:25:50,683 >> ARE YOU SERIOUS? 750 00:25:50,683 --> 00:25:51,383 >> YEAH, HANDS DOWN. 751 00:25:51,383 --> 00:25:52,652 >> YOU'RE EMBARRASSING ME. 752 00:25:52,652 --> 00:25:54,353 >> NO. YEAH, UM, THIS IS 753 00:25:54,353 --> 00:25:56,789 ACTUALLY A DOCUMENTARY ABOUT 754 00:25:56,789 --> 00:25:58,224 THE, UH, PORN INDUSTRY. 755 00:25:58,224 --> 00:26:00,860 YOU ORIGINALLY WERE PURSUING 756 00:26:00,860 --> 00:26:02,328 MAINSTREAM ACTING, AND NOW 757 00:26:02,328 --> 00:26:04,831 YOU'RE PURSUING, UH, PORN? 758 00:26:04,831 --> 00:26:06,098 >> WELL... 759 00:26:06,866 --> 00:26:08,635 I MEAN, I'M NOT, LIKE, PURSUING 760 00:26:08,635 --> 00:26:09,035 IT. 761 00:26:09,035 --> 00:26:10,637 I'VE NEVER -- LIKE, I'VE NEVER 762 00:26:10,637 --> 00:26:11,203 DONE ANYTHING. 763 00:26:11,203 --> 00:26:12,772 >> YOU HAVEN'T DONE ANYTHING? 764 00:26:12,772 --> 00:26:13,172 >> NO. 765 00:26:13,172 --> 00:26:14,807 >> YOU'VE NEVER BEEN IN A PORN? 766 00:26:14,807 --> 00:26:16,275 SO THIS IS YOUR FIRST AUDITION 767 00:26:16,275 --> 00:26:16,943 OR... 768 00:26:16,943 --> 00:26:18,678 >> WELL, YEAH, THIS IS -- YEAH, 769 00:26:18,678 --> 00:26:19,211 KIND OF. 770 00:26:19,211 --> 00:26:20,246 I MEAN, DO YOU STILL EVEN WANT 771 00:26:20,246 --> 00:26:21,013 TO INTERVIEW ME? 772 00:26:21,013 --> 00:26:22,081 'CAUSE I'VE NEVER, LIKE, DONE -- 773 00:26:22,081 --> 00:26:23,149 EVER DONE ANYTHING, YOU KNOW? 774 00:26:23,149 --> 00:26:25,084 >> ABSOLUTELY. I-I THINK YOU'RE 775 00:26:25,084 --> 00:26:26,185 EVEN MORE INTRIGUING NOW THAT 776 00:26:26,185 --> 00:26:26,953 YOU'VE NEVER -- 777 00:26:26,953 --> 00:26:27,419 >> REALLY? 778 00:26:27,419 --> 00:26:28,254 >> YEAH, ABSOLUTELY. 779 00:26:28,254 --> 00:26:29,055 >> I AM? 780 00:26:29,055 --> 00:26:29,789 >> UM, YEAH. 781 00:26:29,789 --> 00:26:31,791 I'D LIKE TO FIND OUT WHY -- 782 00:26:31,791 --> 00:26:33,092 WHAT -- WHAT BROUGHT YOU HERE, 783 00:26:33,092 --> 00:26:33,860 WHY YOU'RE HERE. 784 00:26:33,860 --> 00:26:36,095 >> WELL, I WAS IN L.A. 'CAUSE 785 00:26:36,095 --> 00:26:38,230 I'VE ALWAYS WANTED TO BE AN 786 00:26:38,230 --> 00:26:38,931 ACTRESS. 787 00:26:38,931 --> 00:26:40,833 I MEAN, IT WAS SO COOL JUST 788 00:26:40,833 --> 00:26:42,268 WATCHING PEOPLE ON TV AND 789 00:26:42,268 --> 00:26:43,369 JUST -- IT'S WHAT I'VE ALWAYS 790 00:26:43,369 --> 00:26:44,103 WANTED TO DO. 791 00:26:44,103 --> 00:26:45,204 YOU KNOW, YOU ALWAYS HEAR, LIKE, 792 00:26:45,204 --> 00:26:46,205 "EVERY EXPERIENCE IS A GOOD 793 00:26:46,205 --> 00:26:47,039 EXPERIENCE." 794 00:26:47,039 --> 00:26:48,007 YOU KNOW, MAYBE... 795 00:26:48,007 --> 00:26:49,441 YOU KNOW, AND -- YOU KNOW, 796 00:26:49,441 --> 00:26:51,077 THERE'S BILLS AND, YOU KNOW, 797 00:26:51,077 --> 00:26:52,011 RENT AND ALL THAT, SO... 798 00:26:52,011 --> 00:26:53,245 >> YEAH. OKAY. 799 00:26:53,245 --> 00:26:55,114 >> ...I HAVE TO PAY THOSE. 800 00:26:55,114 --> 00:26:55,748 >> YEAH. 801 00:26:56,315 --> 00:26:58,718 >> UM, SO, ARE -- ARE YOU A 802 00:26:58,718 --> 00:27:01,788 LITTLE BIT CONCERNED ABOUT, UM, 803 00:27:01,788 --> 00:27:02,922 MAYBE, YOU KNOW, YOUR 804 00:27:02,922 --> 00:27:04,390 MAINSTREAM-ACTING CAREER BEING 805 00:27:04,390 --> 00:27:08,460 RUINED BY PURSUING THIS DREAM? 806 00:27:08,460 --> 00:27:09,829 BECAUSE, A LOT OF TIMES, 807 00:27:09,829 --> 00:27:12,098 ACTRESSES CAN'T MAKE THE 808 00:27:12,098 --> 00:27:13,733 TRANSITION FROM -- FROM PORN TO 809 00:27:13,733 --> 00:27:15,201 MAINSTREAM ACTING, ONCE THEY'VE 810 00:27:15,201 --> 00:27:16,102 DONE PORN. 811 00:27:16,102 --> 00:27:17,236 UM. 812 00:27:17,236 --> 00:27:17,870 >> YEAH. 813 00:27:17,870 --> 00:27:18,470 >> SO, IT'S, UM... 814 00:27:18,470 --> 00:27:19,205 >> I MEAN... 815 00:27:19,205 --> 00:27:20,172 >> I'M JUST WONDERING -- 816 00:27:20,172 --> 00:27:21,040 WHAT'S -- WHAT'S -- 817 00:27:21,040 --> 00:27:21,808 >> NO, I... 818 00:27:21,808 --> 00:27:22,942 >> IS THIS KIND OF A LAST RESORT 819 00:27:22,942 --> 00:27:25,044 FOR YOU OR... 820 00:27:27,947 --> 00:27:29,315 >> I HAVE A FEELING THAT, IF YOU 821 00:27:29,315 --> 00:27:32,284 TRY REALLY HARD, YOU COULD TELL 822 00:27:32,284 --> 00:27:34,987 US WHERE ALYSSA IS. 823 00:27:34,987 --> 00:27:36,956 WHERE IS SHE, MATT? 824 00:27:37,957 --> 00:27:39,358 LOOK, MAN, I DON'T KNOW. 825 00:27:39,358 --> 00:27:40,860 I THINK SOMETHING REALLY BAD 826 00:27:40,860 --> 00:27:44,363 HAPPENED TO HER, ALL RIGHT? 827 00:27:44,363 --> 00:27:45,865 WHY DON'T YOU GUYS FUCKING 828 00:27:45,865 --> 00:27:47,433 BELIEVE ME, MAN? 829 00:27:48,835 --> 00:27:50,102 WHAT DID YOU GUYS THINK ABOUT 830 00:27:50,102 --> 00:27:52,504 ALYSSA, HER STORY? 831 00:27:52,504 --> 00:27:54,974 >> WHAT STORY? 832 00:27:54,974 --> 00:27:55,842 >> WHAT -- LIKE... 833 00:27:55,842 --> 00:27:57,143 >> SHE'S FROM -- SHE'S FROM A 834 00:27:57,143 --> 00:27:58,244 SMALL TOWN IN MISSOURI. 835 00:27:58,244 --> 00:27:59,111 SHE'S 19 YEARS OLD. 836 00:27:59,111 --> 00:28:00,346 >> OH, DUDE, THEY'RE ALL FROM A 837 00:28:00,346 --> 00:28:02,014 SMALL TOWN IN WHEREVER. 838 00:28:02,014 --> 00:28:03,883 >> NO, BUT THAT SHE'S DIFFERENT. 839 00:28:03,883 --> 00:28:06,318 SHE'S -- SHE HASN'T DONE ANY 840 00:28:06,318 --> 00:28:07,053 PORN YET. 841 00:28:07,053 --> 00:28:09,188 SHE'S -- SHE'S ON HER WAY INTO 842 00:28:09,188 --> 00:28:10,289 THE INDUSTRY. 843 00:28:10,289 --> 00:28:12,191 WE SHOULD -- WE SHOULD RECORD 844 00:28:12,191 --> 00:28:12,825 THAT. 845 00:28:12,825 --> 00:28:14,160 WE SHOULD RECORD THAT JOURNEY. 846 00:28:14,160 --> 00:28:15,327 >> YOU COULDN'T GET ANYTHING 847 00:28:15,327 --> 00:28:18,030 INTERESTING OUT OF THE PARADE OF 848 00:28:18,030 --> 00:28:19,365 FREAK-SHOW PORN STARS... 849 00:28:19,365 --> 00:28:20,166 >> KIKI SUGARLOAF? 850 00:28:20,166 --> 00:28:21,100 >> ...BUT THIS GIRL IS 851 00:28:21,100 --> 00:28:21,934 INTERESTING TO YOU. 852 00:28:21,934 --> 00:28:23,002 >> NO, IT'S BEEN DONE BEFORE. 853 00:28:23,002 --> 00:28:25,104 >> I'M GONNA VENTURE TO SAY THAT 854 00:28:25,104 --> 00:28:27,206 YOUR INTEREST IS MAYBE NOT SO 855 00:28:27,206 --> 00:28:29,041 RELATED TO THE DOCUMENTARY. 856 00:28:29,041 --> 00:28:31,110 >> UH-OH. 857 00:28:31,110 --> 00:28:33,245 >> LET'S NOT -- NO. NO. 858 00:28:33,245 --> 00:28:35,314 >> MYA... 859 00:28:35,314 --> 00:28:38,517 THIS IS WHY...OUR RELATIONSHIP 860 00:28:38,517 --> 00:28:40,086 DIDN'T WORK OUT IN THE FUCKING 861 00:28:40,086 --> 00:28:41,387 FIRST PLACE, OKAY? 862 00:28:41,387 --> 00:28:42,822 BECAUSE YOU DON'T FUCKING 863 00:28:42,822 --> 00:28:43,289 LISTEN. 864 00:28:43,289 --> 00:28:45,391 YOU'RE NOT RECEPTIVE TO ANYTHING 865 00:28:45,391 --> 00:28:47,326 THAT I'M TRYING TO CONVEY. 866 00:28:47,326 --> 00:28:50,997 AND...THE WHOLE POINT OF THIS 867 00:28:50,997 --> 00:28:53,900 FUCKING DOCUMENTARY IS -- IF YOU 868 00:28:53,900 --> 00:28:55,334 WANT TO MAKE A DOCUMENTARY ABOUT 869 00:28:55,334 --> 00:28:56,869 THE PORN INDUSTRY, GUESS WHAT -- 870 00:28:56,869 --> 00:28:58,004 THERE'S A THOUSAND OTHER 871 00:28:58,004 --> 00:28:59,839 DOCUMENTARIES OUT THERE, OKAY? 872 00:28:59,839 --> 00:29:01,841 IT'S BEEN DONE BEFORE. 873 00:29:01,841 --> 00:29:04,844 ALYSSA HAS NOT YET CROSSED OVER 874 00:29:04,844 --> 00:29:06,278 TO THE DARK SIDE. 875 00:29:06,278 --> 00:29:07,847 AND WE'RE GONNA FOLLOW HER ON 876 00:29:07,847 --> 00:29:10,349 THAT JOURNEY INTO THE DARK SIDE. 877 00:29:10,349 --> 00:29:11,984 AND IT'S GONNA BE SAD, AND IT'S 878 00:29:11,984 --> 00:29:14,120 GONNA BE FUCKED UP, BUT YOU KNOW 879 00:29:14,120 --> 00:29:15,021 WHAT? 880 00:29:15,021 --> 00:29:15,521 THAT'S LIFE. 881 00:29:15,521 --> 00:29:16,923 >> WHAT -- WHERE DO YOU THINK 882 00:29:16,923 --> 00:29:17,589 THE INTEREST LIES? 883 00:29:17,589 --> 00:29:19,025 >> OKAY. CAN YOU -- CAN YOU -- 884 00:29:19,025 --> 00:29:19,992 CAN YOU TUCK AWAY ALL YOUR 885 00:29:19,992 --> 00:29:21,060 FUCKING BULLSHIT RIGHT NOW... 886 00:29:21,060 --> 00:29:22,028 >> I THINK MYA WAS MAKING A 887 00:29:22,028 --> 00:29:22,428 POINT. 888 00:29:22,428 --> 00:29:23,429 >> ...AND FOCUS ON WHAT WE'RE 889 00:29:23,429 --> 00:29:24,463 REALLY TRYING TO DO HERE, WHICH 890 00:29:24,463 --> 00:29:25,164 IS MAKE A -- 891 00:29:25,164 --> 00:29:26,232 >> YOU'RE ALL THE BULLSHIT THAT 892 00:29:26,232 --> 00:29:27,066 I HAVE TO DEAL WITH. 893 00:29:27,066 --> 00:29:28,134 >> I'M TALKING ABOUT MAKING A 894 00:29:28,134 --> 00:29:29,168 SIGNIFICANT DOCUMENTARY HERE, 895 00:29:29,168 --> 00:29:29,568 OKAY? 896 00:29:29,568 --> 00:29:30,502 WHAT WE'RE TRYING TO DO -- 897 00:29:30,502 --> 00:29:31,370 >> YOU'RE DELUSIONAL. 898 00:29:31,370 --> 00:29:32,371 >> WELL, YOU'RE FUCKING 899 00:29:32,371 --> 00:29:33,906 DELUSIONAL BECAUSE WHAT WE'RE 900 00:29:33,906 --> 00:29:35,374 DOING RIGHT NOW ISN'T WORKING -- 901 00:29:35,374 --> 00:29:36,843 THAT'S OBVIOUS TO US, OKAY? 902 00:29:36,843 --> 00:29:37,844 >> BECAUSE YOU SUCK. 903 00:29:37,844 --> 00:29:39,946 THAT'S WHY IT'S NOT WORKING. 904 00:29:39,946 --> 00:29:41,280 >> I'M OUT OF HERE. 905 00:29:41,280 --> 00:29:45,084 >> OH, BOY. 906 00:29:45,084 --> 00:29:48,387 UM. 907 00:29:48,387 --> 00:29:51,157 THINK THE TORTAS ARE GOOD HERE? 908 00:29:51,157 --> 00:29:53,392 >> WE'RE GONNA FOLLOW THIS GIRL 909 00:29:53,392 --> 00:29:55,427 WHO GREW UP WITH A NORMAL LIFE, 910 00:29:55,427 --> 00:29:57,129 WHO TRIED TO MAKE IT IN 911 00:29:57,129 --> 00:29:59,231 MAINSTREAM ACTING, WHO'S FALLEN 912 00:29:59,231 --> 00:30:02,634 OFF, UH, INTO THIS FUCKING 913 00:30:02,634 --> 00:30:06,372 HORRIBLE PIT OF GOD-AWFUL 914 00:30:06,372 --> 00:30:08,140 EVILNESS, AND WE'RE GONNA 915 00:30:08,140 --> 00:30:10,309 FUCKING SHOW THE WORLD WHAT 916 00:30:10,309 --> 00:30:12,578 HAPPENS WHEN YOU GET OFF YOUR 917 00:30:12,578 --> 00:30:14,146 PATH. 918 00:30:14,146 --> 00:30:16,015 A-AND THAT'S EXACTLY THE POINT. 919 00:30:16,015 --> 00:30:17,549 AND -- AND, MY GOD, IF -- 920 00:30:17,549 --> 00:30:19,085 IMAGINE WHAT WOULD HAPPEN IF WE 921 00:30:19,085 --> 00:30:20,452 WEREN'T THERE. 922 00:30:25,624 --> 00:30:27,026 >> HEY. 923 00:30:27,026 --> 00:30:28,060 >> ALYSSA. 924 00:30:28,260 --> 00:30:31,030 IT'S JUST ABOUT FOLLOWING AN 925 00:30:31,030 --> 00:30:32,398 ASPIRING ACTRESS INTO -- INTO 926 00:30:32,398 --> 00:30:33,199 THE FILM WORLD. 927 00:30:33,199 --> 00:30:34,633 >> SO IS THERE ANY WAY I CAN GET 928 00:30:34,633 --> 00:30:36,135 COMPENSATION FOR MAYBE DOING 929 00:30:36,135 --> 00:30:36,602 THAT? 930 00:30:36,602 --> 00:30:37,937 >> UM, WE COULD PROBABLY WORK 931 00:30:37,937 --> 00:30:38,404 THAT OUT. 932 00:30:38,404 --> 00:30:39,638 >> OKAY, BUT, I MEAN, THAT'S 933 00:30:39,638 --> 00:30:40,472 GOOD. 934 00:30:40,472 --> 00:30:41,573 >> WHAT -- WHAT ARE YOU 935 00:30:41,573 --> 00:30:42,241 THINKING? 936 00:30:42,241 --> 00:30:44,110 >> UM, PROBABLY LIKE $500. 937 00:30:44,110 --> 00:30:45,411 I MEAN, THAT WOULD BE ENOUGH TO 938 00:30:45,411 --> 00:30:48,147 REALLY COVER MY RENT AND BILLS. 939 00:30:48,147 --> 00:30:50,282 >> OHH. OKAY. 940 00:30:50,282 --> 00:30:51,183 OKAY, BYE. 941 00:30:51,183 --> 00:30:52,985 >> BYE. 942 00:30:55,221 --> 00:30:58,424 >> OKAY. SO, SHE WANTS TO DO IT. 943 00:30:58,424 --> 00:30:59,959 SHE'S COOL WITH IT. 944 00:30:59,959 --> 00:31:01,093 WE'RE GOOD TO GO. 945 00:31:01,093 --> 00:31:05,031 >> HOW MUCH MONEY DOES SHE WANT? 946 00:31:05,031 --> 00:31:06,966 >> UM. 947 00:31:06,966 --> 00:31:08,434 SHE WANTS $500. 948 00:31:10,669 --> 00:31:13,439 WELL, THAT'S THE END OF THAT. 949 00:31:13,439 --> 00:31:15,107 I'M NOT FUCKING PAYING SOME 950 00:31:15,107 --> 00:31:15,942 NO-NAME ACTRESS -- 951 00:31:15,942 --> 00:31:16,943 >> I'M NOT TALKING ABOUT YOUR 952 00:31:16,943 --> 00:31:17,343 MONEY. 953 00:31:17,343 --> 00:31:18,377 >> THIS IS NOTHING BUT PUBLICITY 954 00:31:18,377 --> 00:31:19,011 FOR HER. 955 00:31:19,011 --> 00:31:20,012 >> I'M NOT TALKING ABOUT YOUR 956 00:31:20,012 --> 00:31:20,446 MONEY. 957 00:31:20,446 --> 00:31:21,480 >> WE'RE NOT FUCKING PAYING HER. 958 00:31:21,480 --> 00:31:22,348 >> IT'S RIDICULOUS. 959 00:31:22,348 --> 00:31:23,449 WE DON'T HAVE TO GIVE HER A 960 00:31:23,449 --> 00:31:24,150 THING. 961 00:31:24,150 --> 00:31:25,184 >> THERE'S NO WAY. 962 00:31:25,184 --> 00:31:30,156 WE CAN'T DO IT. 963 00:31:30,156 --> 00:31:31,991 >> WHY DON'T YOU STAY INSIDE FOR 964 00:31:31,991 --> 00:31:33,192 A MINUTE, OKAY? 965 00:31:33,192 --> 00:31:34,293 >> SHE SHOULDN'T GET FUCKING 966 00:31:34,293 --> 00:31:34,961 ANYTHING. 967 00:31:34,961 --> 00:31:35,962 >> I'LL GONNA GO HAVE A SMOKE. 968 00:31:52,578 --> 00:31:53,645 >> I MEAN, I THINK THIS IS A 969 00:31:53,645 --> 00:31:54,446 POSITIVE THING. 970 00:31:54,446 --> 00:31:56,248 I DON'T THINK WE'RE NECESSARILY 971 00:31:56,248 --> 00:31:58,384 EXPLOITING HER IN A BAD WAY. 972 00:33:00,379 --> 00:33:01,247 >> HELLO? 973 00:33:01,247 --> 00:33:02,048 >> HEY, ALYSSA. 974 00:33:02,048 --> 00:33:02,648 YEAH, I GOT IT. 975 00:33:02,648 --> 00:33:03,682 I'VE GOT THE MONEY. 976 00:33:03,682 --> 00:33:04,650 >> OKAY, GREAT. 977 00:33:04,650 --> 00:33:06,752 >> WHERE CAN I MEET YOU AT? 978 00:33:06,752 --> 00:33:08,154 >> UM, WANT TO COME BY MY 979 00:33:08,154 --> 00:33:09,255 APARTMENT? 980 00:33:16,795 --> 00:33:18,364 >> SOMEBODY WHO WAS A PORN STAR 981 00:33:18,364 --> 00:33:21,267 IN 1972 OR WHATEVER, WHAT -- YOU 982 00:33:21,267 --> 00:33:22,468 KNOW, HOW MUCH MONEY COULD THEY 983 00:33:22,468 --> 00:33:23,402 POSSIBLY HAVE? 984 00:33:23,602 --> 00:33:24,703 >> BUT DIDN'T THEY KIND OF DO 985 00:33:24,703 --> 00:33:26,272 THAT ALREADY WITH COUNTLESS 986 00:33:26,272 --> 00:33:30,676 OTHER PORN DOCUMENTARIES? 987 00:33:30,676 --> 00:33:32,144 >> WHAT ARE YOU GUYS TALKING 988 00:33:32,144 --> 00:33:34,180 ABOUT IN HERE? 989 00:33:34,180 --> 00:33:35,514 >> TALKING ABOUT WHAT ELSE WE 990 00:33:35,514 --> 00:33:36,448 CAN DO. 991 00:33:36,448 --> 00:33:37,549 >> LET ME SHOW YOU GUYS 992 00:33:37,549 --> 00:33:38,384 SOMETHING. 993 00:33:38,384 --> 00:33:39,251 >> WHAT ARE YOU DOING? 994 00:33:39,251 --> 00:33:40,286 >> ALL RIGHT, THERE'S A NIGHT'S 995 00:33:40,286 --> 00:33:40,719 WORK. 996 00:33:40,719 --> 00:33:41,387 THANK YOU. 997 00:33:41,387 --> 00:33:42,488 >> VERY DRAMATIC. THANKS. 998 00:33:46,758 --> 00:33:48,160 >> ALL RIGHT, MATT, WE ALREADY 999 00:33:48,160 --> 00:33:49,095 WENT DOWN THAT ROAD. 1000 00:33:49,095 --> 00:33:49,728 >> NO, WE GOT HER. 1001 00:33:50,429 --> 00:33:51,630 >> I TALKED TO HER LAST NIGHT. 1002 00:33:51,630 --> 00:33:52,731 SHE'S AGREED TO DO THE FILM. 1003 00:33:52,731 --> 00:33:53,799 >> SHE'S GONNA DO IT FOR NO 1004 00:33:53,799 --> 00:33:55,401 MONEY? 1005 00:33:55,401 --> 00:33:57,269 >> YEAH. 1006 00:34:00,639 --> 00:34:02,708 SO, HERE WE ARE AT ALYSSA'S 1007 00:34:02,708 --> 00:34:03,675 APARTMENT. 1008 00:34:03,675 --> 00:34:04,776 UM, WE'RE GONNA FIND OUT A 1009 00:34:04,776 --> 00:34:05,877 LITTLE BIT MORE ABOUT HER, 1010 00:34:05,877 --> 00:34:08,614 HOPEFULLY, AND, UM, MAYBE FOLLOW 1011 00:34:08,614 --> 00:34:11,183 HER JOURNEY INTO THE INDUSTRY. 1012 00:34:14,853 --> 00:34:16,688 >> SO, OKAY, WHERE DO YOU WANT 1013 00:34:16,688 --> 00:34:17,289 ME? 1014 00:34:17,289 --> 00:34:17,856 >> RIGHT HERE. 1015 00:34:17,856 --> 00:34:18,724 >> IS THAT GOOD? 1016 00:34:18,724 --> 00:34:19,858 >> YES, WE GOT -- WE'RE ALL SET 1017 00:34:19,858 --> 00:34:20,459 UP. 1018 00:34:20,459 --> 00:34:21,293 WE GOT YOU LIT UP. 1019 00:34:21,293 --> 00:34:21,727 >> COOL. 1020 00:34:21,727 --> 00:34:22,828 >> YOU'RE GONNA LOOK GREAT. 1021 00:34:22,828 --> 00:34:23,862 >> THANK YOU FOR THE $500. 1022 00:34:23,862 --> 00:34:25,364 >> YOU'RE WELCOME. 1023 00:34:25,364 --> 00:34:26,732 >> WHAT MONEY? 1024 00:34:26,732 --> 00:34:28,234 >> MATT? 1025 00:34:28,234 --> 00:34:29,368 >> I HAD TO COMPENSATE HER, 1026 00:34:29,368 --> 00:34:30,169 GUYS. 1027 00:34:30,169 --> 00:34:32,504 >> HOW MUCH MONEY, MATT? 1028 00:34:32,504 --> 00:34:33,839 >> $500, MYA. 1029 00:34:33,839 --> 00:34:35,241 CAN WE TALK ABOUT IT LATER? 1030 00:34:35,241 --> 00:34:35,807 >> I KNEW IT. 1031 00:34:35,807 --> 00:34:36,808 >> I-I HAD TO COMPENSATE HER 1032 00:34:36,808 --> 00:34:37,543 SOMEHOW, MYA. 1033 00:34:37,543 --> 00:34:38,510 >> SON OF A BITCH. 1034 00:34:38,510 --> 00:34:39,911 >> UNBELIEVABLE. 1035 00:34:39,911 --> 00:34:41,647 >> I'M DONE. 1036 00:34:41,647 --> 00:34:42,648 >> OH. REALLY, MATT? 1037 00:34:42,648 --> 00:34:43,915 >> UM, CAN YOU EXCUSE ME JUST 1038 00:34:43,915 --> 00:34:44,750 FOR ONE SECOND? 1039 00:34:44,750 --> 00:34:45,884 IT'S A LITTLE BIT OF A 1040 00:34:45,884 --> 00:34:46,652 MALFUNCTION. 1041 00:34:46,652 --> 00:34:47,319 >> YEAH. 1042 00:34:47,319 --> 00:34:48,587 >> I'LL BE RIGHT BACK, OKAY? 1043 00:34:48,587 --> 00:34:49,221 >> OKAY. 1044 00:34:49,221 --> 00:34:49,855 >> MATT, WHAT MONEY? 1045 00:34:49,855 --> 00:34:50,722 >> STAY HERE, ROBBIE. 1046 00:34:50,722 --> 00:34:51,357 >> MAN. 1047 00:34:51,357 --> 00:34:52,191 >> UH, MYA. 1048 00:34:52,191 --> 00:34:53,159 CAN YOU STAY IN THERE WITH 1049 00:34:53,159 --> 00:34:53,759 ALYSSA, ACTUALLY? 1050 00:34:53,759 --> 00:34:54,760 >> I'M NOT STAYING HERE WITH 1051 00:34:54,760 --> 00:34:55,394 ALYSSA. 1052 00:34:55,394 --> 00:34:56,395 WHAT ELSE HAVE YOU BEEN LYING 1053 00:34:56,395 --> 00:34:56,795 ABOUT? 1054 00:34:56,795 --> 00:34:57,529 >> HEY, MYA. 1055 00:34:57,529 --> 00:34:58,564 >> NOW, THIS IS GONNA BE GREAT. 1056 00:34:58,564 --> 00:34:59,565 I'M GONNA DOCUMENT EACH AND 1057 00:34:59,565 --> 00:35:00,599 EVERY ONE OF YOUR LIES, MATT. 1058 00:35:00,599 --> 00:35:01,933 >> HEY, MYA, CAN I TALK TO YOU 1059 00:35:01,933 --> 00:35:02,834 FOR A SECOND? 1060 00:35:02,834 --> 00:35:03,602 >> NO. 1061 00:35:03,602 --> 00:35:04,436 >> PLEASE? 1062 00:35:04,436 --> 00:35:05,504 >> YOU'RE DONE TALKING. 1063 00:35:05,504 --> 00:35:06,472 >> I'M NOT DONE TALKING. 1064 00:35:06,472 --> 00:35:07,573 >> EVERY TIME YOU OPEN YOUR 1065 00:35:07,573 --> 00:35:10,742 MOUTH, YOU'RE A FUCKING LIAR. 1066 00:35:10,742 --> 00:35:11,577 YOU'D BETTER NOT. 1067 00:35:11,577 --> 00:35:12,578 >> I'M NOT GONNA TOUCH YOU. 1068 00:35:12,578 --> 00:35:13,245 >> JUST... 1069 00:35:13,245 --> 00:35:14,246 >> WILL YOU -- WILL YOU JUST 1070 00:35:14,246 --> 00:35:14,880 PLEASE LISTEN TO ME? 1071 00:35:14,880 --> 00:35:15,881 >> WHY IS SHE GONNA LISTEN TO 1072 00:35:15,881 --> 00:35:16,548 YOU NOW? 1073 00:35:16,548 --> 00:35:17,683 REALLY, IT'S LIKE HE DOESN'T 1074 00:35:17,683 --> 00:35:18,384 EVEN CARE. 1075 00:35:18,384 --> 00:35:19,485 HE'S JUST BEING SELFISH AND 1076 00:35:19,485 --> 00:35:20,386 DOING WHAT HE WANTS. 1077 00:35:20,386 --> 00:35:22,288 >> ALL OF OUR FUCKING MONEY -- 1078 00:35:22,288 --> 00:35:23,355 FUCK YOU, ASSHOLE! 1079 00:35:23,355 --> 00:35:24,190 >> HEY, HEY. 1080 00:35:24,190 --> 00:35:24,856 >> FUCK YOU. 1081 00:35:24,856 --> 00:35:26,458 >> MYA, MYA, LISTEN TO ME. 1082 00:35:26,458 --> 00:35:27,493 >> GET THE FUCK OFF OF ME! 1083 00:35:27,493 --> 00:35:27,926 >> HEY. 1084 00:35:27,926 --> 00:35:28,960 >> THAT MONEY SHOULD BE GOING TO 1085 00:35:28,960 --> 00:35:29,928 THE PRODUCTION, NOT TO SOME 1086 00:35:29,928 --> 00:35:30,696 SINGLE ACTRESS. 1087 00:35:30,696 --> 00:35:31,730 >> IT'S A FUCKING INVESTMENT, 1088 00:35:31,730 --> 00:35:32,398 ROBBIE. 1089 00:35:32,398 --> 00:35:33,399 IT'S AN -- SHE IS AN ASSET, 1090 00:35:33,399 --> 00:35:33,799 OKAY? 1091 00:35:33,799 --> 00:35:35,734 >> IT WAS NOT YOUR MONEY. 1092 00:35:35,734 --> 00:35:36,868 >> THE ORIGINAL IDEA FOR THE 1093 00:35:36,868 --> 00:35:39,438 DOCUMENTARY WENT TO SHIT, OKAY? 1094 00:35:39,438 --> 00:35:40,972 WE GOT A BUNCH OF FUCKING 1095 00:35:40,972 --> 00:35:41,740 RUBBISH. 1096 00:35:41,740 --> 00:35:42,941 >> FINALLY, THE TRUTH. 1097 00:35:42,941 --> 00:35:44,443 OKAY, SO I'M PISSED, ALL RIGHT? 1098 00:35:44,443 --> 00:35:45,611 I KNOW IT'S, LIKE, USUALLY 1099 00:35:45,611 --> 00:35:47,279 GOOD-TIME ROBBIE OR WHATEVER. 1100 00:35:47,279 --> 00:35:48,714 AND -- AND MATT WANTS TO GO 1101 00:35:48,714 --> 00:35:50,382 AROUND AND DO WHAT MATT DOES, 1102 00:35:50,382 --> 00:35:51,450 AND WE'RE SUPPOSED TO JUST 1103 00:35:51,450 --> 00:35:52,551 FOLLOW ALONG AND BE COOL WITH 1104 00:35:52,551 --> 00:35:55,354 IT, BUT DAMN IT, LIKE, 1105 00:35:55,354 --> 00:35:56,455 ENOUGH'S ENOUGH. 1106 00:35:56,455 --> 00:35:57,256 >> OKAY? 1107 00:35:57,256 --> 00:35:59,825 >> LIAR, LIAR, LIAR, FUCKING 1108 00:35:59,825 --> 00:36:00,659 LIAR! 1109 00:36:00,659 --> 00:36:01,727 >> YOU HAVE TO PAY YOUR 1110 00:36:01,727 --> 00:36:02,394 ACTRESSES. 1111 00:36:02,394 --> 00:36:03,462 YOU CAN'T MAKE A MOVIE 1112 00:36:03,462 --> 00:36:03,929 WITHOUT -- 1113 00:36:03,929 --> 00:36:04,896 >> SHE'S NOT AN ACTRESS! 1114 00:36:04,896 --> 00:36:05,797 >> IT'S A DOCUMENTARY. 1115 00:36:05,797 --> 00:36:06,965 WE'RE NOT SUPPOSED TO BE PAYING 1116 00:36:06,965 --> 00:36:07,833 THEM. 1117 00:36:07,833 --> 00:36:09,000 >> SHE'S TRYING TO BECOME AN 1118 00:36:09,000 --> 00:36:10,436 ACTRESS, SHE WANTS MONEY, AND 1119 00:36:10,436 --> 00:36:11,537 SHE'S GONNA DO IT ON FUCKING 1120 00:36:11,537 --> 00:36:12,338 CAMERA, ALL RIGHT? 1121 00:36:12,338 --> 00:36:12,804 >> OH, OH! 1122 00:36:12,804 --> 00:36:13,772 MY HEART SWELLS FOR HER! 1123 00:36:13,772 --> 00:36:15,006 >> WELL, WHAT DO YOU WANT TO DO, 1124 00:36:15,006 --> 00:36:15,807 THEN? 1125 00:36:15,807 --> 00:36:17,243 YOU TELL ME. 1126 00:36:17,243 --> 00:36:18,477 YOU TELL ME WHAT YOU WANT TO DO, 1127 00:36:18,477 --> 00:36:19,278 WHAT WE SHOULD DO. 1128 00:36:19,278 --> 00:36:20,512 >> NO, MR. DIRECTOR, IT'S NOT MY 1129 00:36:20,512 --> 00:36:22,348 JOB TO TELL YOU WHAT TO DO. 1130 00:36:22,348 --> 00:36:24,550 YOU DO EVERYTHING ON YOUR OWN! 1131 00:36:24,550 --> 00:36:26,685 >> WE HAD -- HE HAS TAKEN US 1132 00:36:26,685 --> 00:36:28,454 STRAIGHT DOWN TO SCREWEDVILLE. 1133 00:36:28,454 --> 00:36:32,624 >> PLEASE, LET'S JUST FINISH IT. 1134 00:36:32,624 --> 00:36:33,425 COME ON, MYA. 1135 00:36:33,425 --> 00:36:34,460 >> GET THIS DONE, AND THEN I'M 1136 00:36:34,460 --> 00:36:35,026 DONE WITH YOU. 1137 00:36:35,026 --> 00:36:36,328 I DON'T EVER WANT TO HEAR FROM 1138 00:36:36,328 --> 00:36:36,862 YOU AGAIN. 1139 00:36:36,862 --> 00:36:38,029 I DON'T WANT TO SEE YOU AGAIN 1140 00:36:38,029 --> 00:36:38,730 AFTER THIS. 1141 00:36:38,730 --> 00:36:39,898 I DON'T WANT TO TALK TO YOU. 1142 00:36:39,898 --> 00:36:42,334 THAT'S IT. 1143 00:36:42,334 --> 00:36:43,469 >> I DON'T BELIEVE THAT, BUT 1144 00:36:43,469 --> 00:36:43,969 THANK YOU. 1145 00:36:43,969 --> 00:36:46,605 >> FUCK YOU. BELIEVE IT. 1146 00:36:46,605 --> 00:36:47,639 >> OKAY, CAN WE -- 1147 00:36:47,639 --> 00:36:48,407 >> DON'T! 1148 00:36:48,407 --> 00:36:49,441 >> HEY, THIS TENSION -- HOLD ON. 1149 00:36:49,441 --> 00:36:49,908 >> NO! NO! 1150 00:36:49,908 --> 00:36:50,909 >> BEFORE -- BEFORE YOU GO IN 1151 00:36:50,909 --> 00:36:51,543 THERE -- 1152 00:36:51,543 --> 00:36:52,644 >> I CAN BE A PROFESSIONAL IN 1153 00:36:52,644 --> 00:36:53,044 THERE. 1154 00:36:53,044 --> 00:36:54,513 DID I DO THIS IN THERE, OR DID I 1155 00:36:54,513 --> 00:36:55,281 DO IT OUT HERE? 1156 00:36:55,281 --> 00:36:55,714 >> Shh! 1157 00:36:55,714 --> 00:36:56,748 >> DON'T FUCKING DO THAT WITH 1158 00:36:56,748 --> 00:36:57,383 ME. 1159 00:36:57,383 --> 00:36:58,484 >> SHE CAN HEAR YOU IN THERE. 1160 00:36:58,484 --> 00:36:59,485 >> I DON'T GIVE A SHIT. 1161 00:36:59,485 --> 00:37:00,686 >> BUT LET'S NOT BRING THAT 1162 00:37:00,686 --> 00:37:01,820 ENERGY IN THE ROOM, OKAY? 1163 00:37:03,355 --> 00:37:05,624 >> OKAY. 1164 00:37:05,624 --> 00:37:06,892 SORRY ABOUT THAT. 1165 00:37:06,892 --> 00:37:07,893 >> IT'S OKAY. 1166 00:37:07,893 --> 00:37:09,295 IS EVERYTHING ALL RIGHT? 1167 00:37:09,295 --> 00:37:10,562 >> EVERYTHING'S TOTALLY COOL, 1168 00:37:10,562 --> 00:37:11,630 ABSOLUTELY. 1169 00:37:11,630 --> 00:37:12,063 UM. 1170 00:37:12,063 --> 00:37:13,499 >> ARE YOU LYING? 1171 00:37:13,499 --> 00:37:14,800 >> NO, I'M NOT LYING. 1172 00:37:14,800 --> 00:37:16,368 I NOTICED YOU HAD A STEELERS 1173 00:37:16,368 --> 00:37:16,868 JERSEY ON. 1174 00:37:16,868 --> 00:37:18,069 >> THANK YOU. YES, I DO. 1175 00:37:18,069 --> 00:37:19,671 >> YOU'RE A FOOTBALL FAN, HUH? 1176 00:37:19,671 --> 00:37:20,506 >> I AM. I AM. 1177 00:37:20,506 --> 00:37:21,573 I'M ONE OF THOSE GIRLS. 1178 00:37:21,573 --> 00:37:22,308 >> REALLY? 1179 00:37:22,308 --> 00:37:22,741 >> YEAH. 1180 00:37:22,741 --> 00:37:23,675 >> AND YOU LIKE BEER? 1181 00:37:23,675 --> 00:37:24,443 >> YES. 1182 00:37:24,443 --> 00:37:25,777 >> OH, MY GOSH. I'M IN LOVE. 1183 00:37:25,777 --> 00:37:26,678 >> I KNEW YOU WOULD BE. 1184 00:37:26,678 --> 00:37:27,613 >> NO, I'M JUST JOKING. 1185 00:37:27,613 --> 00:37:28,547 >> JUST A MATTER OF TIME. 1186 00:37:28,547 --> 00:37:29,515 >> OH, YOU'RE JUST JOKING? 1187 00:37:29,515 --> 00:37:30,482 >> NO, NO, NO. WELL, IT'S -- 1188 00:37:30,482 --> 00:37:31,417 >> YOU'RE NOT JUST JOKING. 1189 00:37:31,417 --> 00:37:31,983 >> NO, NO, NO. 1190 00:37:31,983 --> 00:37:33,885 >> IT'S ONLY A MATTER OF TIME. 1191 00:37:33,885 --> 00:37:34,753 >> RIGHT. 1192 00:37:34,753 --> 00:37:35,454 >> MM-HMM. 1193 00:37:35,454 --> 00:37:36,788 I WAS ALWAYS SURROUNDED BY 1194 00:37:36,788 --> 00:37:37,423 PEOPLE. 1195 00:37:37,423 --> 00:37:38,624 AND THEN, WHEN I WAS IN 1196 00:37:38,624 --> 00:37:39,891 CALIFORNIA, I LIVED WITH 1197 00:37:39,891 --> 00:37:40,592 SOMEBODY. 1198 00:37:40,592 --> 00:37:41,760 SO THIS IS KIND OF MY OWN 1199 00:37:41,760 --> 00:37:42,361 SPACE. 1200 00:37:42,361 --> 00:37:42,894 I DON'T KNOW. 1201 00:37:42,894 --> 00:37:43,562 >> NICE. 1202 00:37:43,562 --> 00:37:44,663 >> IT'S KIND OF A NEAT FEELING. 1203 00:37:44,663 --> 00:37:46,064 >> HEY, MYA, CAN WE KEEP THIS 1204 00:37:46,064 --> 00:37:47,366 OUT OF FRAME, PLEASE? 1205 00:37:47,366 --> 00:37:47,799 >> OKAY. 1206 00:37:47,799 --> 00:37:48,600 >> STILL ROLLING. 1207 00:37:48,600 --> 00:37:49,335 >> JUST START. 1208 00:37:49,335 --> 00:37:50,436 >> ALL RIGHT. 1209 00:37:50,436 --> 00:37:52,037 UM, SO... 1210 00:37:52,037 --> 00:37:53,772 UH, SORRY. 1211 00:37:53,772 --> 00:37:54,940 I'M GETTING DISTRACTED HERE. 1212 00:37:54,940 --> 00:37:56,007 >> NO, IT'S FINE. 1213 00:37:56,007 --> 00:37:57,543 >> UM, IT'S BEEN A REALLY LONG 1214 00:37:57,543 --> 00:37:58,043 WEEK. 1215 00:37:58,043 --> 00:37:59,745 >> AND WE HAD A LONG NIGHT, 1216 00:37:59,745 --> 00:38:00,379 SO... 1217 00:38:00,379 --> 00:38:01,347 >> YEAH, YEAH. 1218 00:38:01,347 --> 00:38:02,047 >> YEAH. 1219 00:38:02,047 --> 00:38:03,114 >> UM, COOL. 1220 00:38:03,114 --> 00:38:04,950 SO, DO YOU -- DOES -- DOES YOUR 1221 00:38:04,950 --> 00:38:06,585 FAMILY KNOW ABOUT WHAT YOU'RE 1222 00:38:06,585 --> 00:38:08,053 ABOUT TO GET INTO, OR IS THAT 1223 00:38:08,053 --> 00:38:09,755 JUST, LIKE, NOT EVEN AN OPTION? 1224 00:38:09,755 --> 00:38:11,557 LIKE, THEY CAN'T FIND OUT, OR 1225 00:38:11,557 --> 00:38:13,425 WOULD THEY BE OPEN TO YOU GOING 1226 00:38:13,425 --> 00:38:14,593 INTO THIS INDUSTRY? 1227 00:38:14,593 --> 00:38:15,627 HOW -- HOW DO THEY -- HOW WOULD 1228 00:38:15,627 --> 00:38:17,429 THEY FEEL ABOUT THAT, IF -- 1229 00:38:17,429 --> 00:38:18,930 I MEAN, DO THEY KNOW OR... 1230 00:38:19,698 --> 00:38:20,666 >> ...THAT YOU'RE... 1231 00:38:20,666 --> 00:38:22,434 >> UM. 1232 00:38:22,434 --> 00:38:23,001 >> NO. 1233 00:38:23,001 --> 00:38:25,003 >> NO. I JUST THINK THIS IS LIKE 1234 00:38:25,003 --> 00:38:26,605 ONE -- ONE PHASE IN MY LIFE THEY 1235 00:38:26,605 --> 00:38:27,739 JUST DON'T NEED TO KNOW ABOUT, 1236 00:38:27,739 --> 00:38:30,709 YOU KNOW? 1237 00:38:30,709 --> 00:38:33,612 WELL, IT WAS ACTUALLY OUT WHEN I 1238 00:38:33,612 --> 00:38:34,913 WAS IN L.A., SO IT WASN'T THAT 1239 00:38:34,913 --> 00:38:36,147 LONG AGO. 1240 00:38:36,147 --> 00:38:37,983 I HAD GONE OVER TO ONE OF HIS, 1241 00:38:37,983 --> 00:38:39,585 LIKE, I GUESS ONE OF HIS, LIKE, 1242 00:38:39,585 --> 00:38:40,586 WORK ACQUAINTANCES' HOUSE. 1243 00:38:40,586 --> 00:38:42,120 I'D MET HIM -- THE GUY -- ONCE 1244 00:38:42,120 --> 00:38:43,855 BEFORE AT A WORK PARTY WITH HIM 1245 00:38:43,855 --> 00:38:45,056 THAT I'D GONE TO. 1246 00:38:45,056 --> 00:38:47,726 AND, UM, WE WERE ALL JUST 1247 00:38:47,726 --> 00:38:48,460 DRINKING. 1248 00:38:48,460 --> 00:38:49,961 THERE WAS, LIKE, A SLIDING GLASS 1249 00:38:49,961 --> 00:38:51,497 DOOR -- LIKE, IT WOULD BE, LIKE, 1250 00:38:51,497 --> 00:38:52,598 RIGHT HERE, AND THERE WAS A 1251 00:38:52,598 --> 00:38:53,131 BEDROOM IN IT. 1252 00:38:53,131 --> 00:38:54,533 AND THERE WAS ALSO A BALCONY 1253 00:38:54,533 --> 00:38:55,667 DOOR GOING THROUGH THE LIVING 1254 00:38:55,667 --> 00:38:56,067 ROOM. 1255 00:38:56,067 --> 00:38:57,936 AND I REMEMBER MICHAEL STANDING 1256 00:38:57,936 --> 00:38:59,705 OUTSIDE, BEING VERY SICK OVER 1257 00:38:59,705 --> 00:39:00,606 THE BALCONY. 1258 00:39:00,606 --> 00:39:02,908 AND I WENT -- I DIDN'T WANT TO 1259 00:39:02,908 --> 00:39:04,543 EMBARRASS HIM BY GOING, YOU 1260 00:39:04,543 --> 00:39:05,777 KNOW, OUT THERE. 1261 00:39:05,777 --> 00:39:09,415 AND SO I WENT AROUND TO THE 1262 00:39:09,415 --> 00:39:10,682 BEDROOM TO LOOK THROUGH THE -- 1263 00:39:10,682 --> 00:39:11,817 THE GLASS TO SEE IF IT WAS 1264 00:39:11,817 --> 00:39:13,952 OKAY -- OR IF HE WAS OKAY. 1265 00:39:13,952 --> 00:39:15,454 AND WHEN I WENT IN THERE, THE 1266 00:39:15,454 --> 00:39:16,755 OTHER GUY HAD FOLLOWED ME IN 1267 00:39:16,755 --> 00:39:17,823 THERE. 1268 00:39:17,823 --> 00:39:18,524 I'M SORRY. 1269 00:39:18,524 --> 00:39:19,858 IT'S JUST -- IT'S A HARD STORY 1270 00:39:19,858 --> 00:39:20,492 TO TELL. 1271 00:39:20,492 --> 00:39:20,959 UM. 1272 00:39:20,959 --> 00:39:22,060 >> IT'S OKAY. 1273 00:39:22,060 --> 00:39:24,996 >> SO -- SO, HE -- 1274 00:39:24,996 --> 00:39:26,031 HE CAME IN THERE. 1275 00:39:26,031 --> 00:39:28,567 AND HE KNEW I WANTED TO BE AN 1276 00:39:28,567 --> 00:39:29,968 ACTRESS, SO, I MEAN, THAT WAS 1277 00:39:29,968 --> 00:39:31,537 KIND OF SOMETHING, I GUESS, 1278 00:39:31,537 --> 00:39:32,771 MICHAEL HAD TOLD HIM OR 1279 00:39:32,771 --> 00:39:33,505 SOMETHING. 1280 00:39:33,505 --> 00:39:34,573 >> MM-HMM. 1281 00:39:34,573 --> 00:39:37,142 >> I JUST REMEMBER HIM PUSHING 1282 00:39:37,142 --> 00:39:39,611 ME DOWN ON THE BED AND, LIKE, 1283 00:39:39,611 --> 00:39:40,679 YOU KNOW, HOLD-- LIKE, 1284 00:39:40,679 --> 00:39:41,947 PHYSICALLY HOLDING ME DOWN WITH 1285 00:39:41,947 --> 00:39:44,215 HIS LEGS AND EVERYTHING AND 1286 00:39:44,215 --> 00:39:46,084 RIPPING OFF PARTS OF MY CLOTHES. 1287 00:39:46,084 --> 00:39:47,853 HE, YOU KNOW, KIND OF LOOSENED 1288 00:39:47,853 --> 00:39:48,887 HIS GRIP, AND I REMEMBER TRYING 1289 00:39:48,887 --> 00:39:49,588 TO RUN OUT. 1290 00:39:49,588 --> 00:39:50,556 AND THEN, ONE THING I DO 1291 00:39:50,556 --> 00:39:52,190 REMEMBER HIM SAYING TO ME AS HE, 1292 00:39:52,190 --> 00:39:53,892 LIKE, STOPPED ME AT THE DOOR, 1293 00:39:53,892 --> 00:39:55,093 WAS, "DON'T PULL YOUR ACTRESS 1294 00:39:55,093 --> 00:39:56,995 SHIT ON ME, BITCH." 1295 00:39:56,995 --> 00:39:58,129 >> WOW. 1296 00:39:58,129 --> 00:40:00,766 >> YEAH. SO, THAT WAS KIND OF... 1297 00:40:00,766 --> 00:40:02,033 YEAH, THAT WAS... 1298 00:40:02,033 --> 00:40:03,201 WELCOME TO L.A. 1299 00:40:03,201 --> 00:40:05,604 YEAH. 1300 00:40:13,979 --> 00:40:15,881 >> IT SOUNDS TO ME LIKE YOU HAD 1301 00:40:15,881 --> 00:40:17,583 YOUR HANDS CHOCK FULL OF 1302 00:40:17,583 --> 00:40:18,216 TROUBLE. 1303 00:40:18,216 --> 00:40:19,551 SLEEPING WITH TWO GIRLS AT THE 1304 00:40:19,551 --> 00:40:20,051 SAME TIME? 1305 00:40:20,051 --> 00:40:22,120 NOW, THAT'S MESSY. 1306 00:40:22,120 --> 00:40:23,221 >> WHAT? 1307 00:40:23,221 --> 00:40:25,924 >> OH, YOU WEREN'T? 1308 00:40:25,924 --> 00:40:26,825 >> NO, NO. 1309 00:40:26,825 --> 00:40:28,226 I WAS NOT SLEEPING WITH BOTH OF 1310 00:40:28,226 --> 00:40:29,828 THEM AT THE SAME TIME. 1311 00:40:29,828 --> 00:40:31,262 >> BUT YOU GAVE HER $500, 1312 00:40:31,262 --> 00:40:33,499 THOUGH, RIGHT? 1313 00:40:33,499 --> 00:40:34,966 >> SO YOU'RE TELLING US THAT YOU 1314 00:40:34,966 --> 00:40:37,202 GAVE ALYSSA $500 TO PARTICIPATE 1315 00:40:37,202 --> 00:40:39,037 IN YOUR DOCUMENTARY, THEN SHE 1316 00:40:39,037 --> 00:40:41,139 DIDN'T, WHICH LEADS ME TO 1317 00:40:41,139 --> 00:40:43,141 BELIEVE THAT THE $500 WAS FOR 1318 00:40:43,141 --> 00:40:44,209 SOMETHING ELSE. 1319 00:40:44,209 --> 00:40:47,913 I WONDER WHAT IT WAS. 1320 00:40:47,913 --> 00:40:50,549 $500 IS A WHOLE LOT OF ALYSSA. 1321 00:40:59,758 --> 00:41:01,092 >> I WANT TO GET THE FUCK OUT OF 1322 00:41:01,092 --> 00:41:01,827 HERE. 1323 00:41:01,827 --> 00:41:03,161 >> EXCUSE US FOR A SECOND, MATT. 1324 00:41:03,161 --> 00:41:07,533 I'M STARVING. 1325 00:41:07,533 --> 00:41:08,767 OHH. 1326 00:41:25,951 --> 00:41:27,553 >> SO, MATT, THAT'S A $500 1327 00:41:27,553 --> 00:41:28,954 INTERVIEW RIGHT THERE? 1328 00:41:28,954 --> 00:41:31,189 >> NO, IT'S NOT A $500 1329 00:41:31,189 --> 00:41:32,624 INTERVIEW. 1330 00:41:32,624 --> 00:41:35,761 THERE'S A LOT MORE TO SHOOT. 1331 00:41:35,761 --> 00:41:39,898 >> I HOPE SO. 1332 00:41:39,898 --> 00:41:40,699 HEY, WAIT. 1333 00:41:40,699 --> 00:41:43,268 MYA, WHAT ARE YOU DOING? 1334 00:41:43,268 --> 00:41:45,170 MYA, WHAT ARE YOU DOING? 1335 00:41:45,170 --> 00:41:46,337 >> OH, MYA, YOU DON'T HAVE TO DO 1336 00:41:46,337 --> 00:41:46,972 THAT. 1337 00:41:46,972 --> 00:41:48,006 I'LL -- I'LL -- I'LL CLEAN UP 1338 00:41:48,006 --> 00:41:48,707 MY... 1339 00:41:48,707 --> 00:41:49,875 >> UM, THERE'S NO NEED TO CLEAN 1340 00:41:49,875 --> 00:41:50,341 UP. 1341 00:41:50,341 --> 00:41:51,643 THAT'S WHERE YOUR SHIT LIVES 1342 00:41:51,643 --> 00:41:52,010 NOW. 1343 00:41:52,010 --> 00:41:53,178 >> OKAY. WHOA, WHOA, HEY, HEY. 1344 00:41:53,178 --> 00:41:54,780 LET'S -- LET'S GET SOME CALM 1345 00:41:54,780 --> 00:41:55,313 HEADS HERE. 1346 00:41:55,313 --> 00:41:56,648 >> OH, I'M VERY CALM. 1347 00:41:56,648 --> 00:41:58,183 THIS IS AS CALM AS I'M GONNA GET 1348 00:41:58,183 --> 00:41:59,117 FOR THE REST OF THE SHOOT. 1349 00:41:59,117 --> 00:42:00,351 >> OKAY. THAT DOESN'T MEAN YOU 1350 00:42:00,351 --> 00:42:02,020 GUYS CAN'T STILL SHARE BEDS. 1351 00:42:02,020 --> 00:42:02,721 >> WE'RE... 1352 00:42:03,221 --> 00:42:04,222 YOU'VE GOT TO BE OUT OF YOUR 1353 00:42:04,222 --> 00:42:04,856 MIND. 1354 00:42:04,856 --> 00:42:05,824 >> I'LL SLEEP WITH ROBBIE. 1355 00:42:05,824 --> 00:42:06,357 I DON'T CARE. 1356 00:42:06,357 --> 00:42:07,626 >> YEAH, THAT'S RIGHT. YOU WILL. 1357 00:42:07,626 --> 00:42:08,660 >> YOU DON'T HAVE TO SLEEP WITH 1358 00:42:08,660 --> 00:42:09,094 ROBBIE. 1359 00:42:09,094 --> 00:42:10,128 >> I DO SLEEP IN THE NUDE, 1360 00:42:10,128 --> 00:42:11,663 THOUGH, SO FAIR WARNING. 1361 00:42:11,663 --> 00:42:12,631 >> DON'T BE A JERK, MYA. 1362 00:42:12,631 --> 00:42:13,098 COME ON. 1363 00:42:13,098 --> 00:42:14,199 >> YOU'LL BE NICE AND COZY. 1364 00:42:14,199 --> 00:42:14,966 YOU'LL ENJOY IT. 1365 00:42:14,966 --> 00:42:16,602 >> AW, CRAP. COME ON. 1366 00:42:16,602 --> 00:42:17,736 YOU GUYS SHOULD REALLY TRY TO 1367 00:42:17,736 --> 00:42:18,269 MAKE UP. 1368 00:42:18,269 --> 00:42:20,338 >> YOU BETTER MOVE AWAY FROM ME. 1369 00:42:20,338 --> 00:42:24,275 >> HOW LONG IS THIS GONNA LAST? 1370 00:42:24,275 --> 00:42:26,344 >> DON'T MAKE ME FUCKING DO THIS 1371 00:42:26,344 --> 00:42:28,013 AGAIN! 1372 00:42:28,013 --> 00:42:29,615 >> ALL RIGHT. 1373 00:42:29,615 --> 00:42:30,816 WE'RE GONNA WRAP THIS UP IN A 1374 00:42:30,816 --> 00:42:31,182 BIT. 1375 00:42:31,182 --> 00:42:33,251 I JUST NEED TO GET CLEAR ON A 1376 00:42:33,251 --> 00:42:34,686 FEW MORE THINGS. 1377 00:42:34,686 --> 00:42:37,322 THAT HAD TO BE TOUGH FOR YOU, 1378 00:42:37,322 --> 00:42:40,225 WORKING WITH THE EX-GIRLFRIEND 1379 00:42:40,225 --> 00:42:43,962 EVERY DAY, SEEING EACH OTHER -- 1380 00:42:43,962 --> 00:42:45,230 I MEAN, EMOTIONALLY, IT WAS 1381 00:42:45,230 --> 00:42:46,765 ROUGH ON YOU. 1382 00:42:46,765 --> 00:42:48,033 >> NO, EVERYTHING WAS FINE. 1383 00:42:48,033 --> 00:42:49,267 EVERYTHING -- EVERYTHING BETWEEN 1384 00:42:49,267 --> 00:42:50,836 ME AND MYA WAS FINE. 1385 00:42:50,836 --> 00:42:52,037 WE'RE FRIENDS NOW. 1386 00:42:52,037 --> 00:42:53,338 WE USED TO DATE, BUT WE WERE 1387 00:42:53,338 --> 00:42:54,139 FRIENDS. 1388 00:42:54,139 --> 00:42:55,373 >> I'M SURE YOU'RE FRIENDS, BUT, 1389 00:42:55,373 --> 00:42:57,375 I MEAN, YOU GET THOSE SAME 1390 00:42:57,375 --> 00:43:00,011 SITUATIONS -- THE HEART STARTS 1391 00:43:00,011 --> 00:43:02,413 BUBBLING A LITTLE BIT, YOU KNOW? 1392 00:43:02,413 --> 00:43:03,782 >> I THINK HE WAS STILL FUCKING 1393 00:43:03,782 --> 00:43:05,383 HER. 1394 00:43:05,383 --> 00:43:07,418 >> IS THAT TRUE? 1395 00:43:07,418 --> 00:43:10,121 >> YEAH. SO WHAT? 1396 00:43:10,121 --> 00:43:13,391 >> NOW YOU GOT ME CURIOUS. 1397 00:43:13,391 --> 00:43:18,697 HOW DID MYA FEEL ABOUT ALYSSA? 1398 00:43:18,697 --> 00:43:19,898 IF I HAD TO GUESS, I'D SAY 1399 00:43:19,898 --> 00:43:21,099 YOU -- YOU FOUND YOURSELF IN 1400 00:43:21,099 --> 00:43:26,071 SOME TROUBLE. 1401 00:43:26,071 --> 00:43:28,273 DID MYA LIKE ALYSSA? 1402 00:43:28,273 --> 00:43:30,676 >> NO, NOT -- NOT PARTICULARLY. 1403 00:43:30,676 --> 00:43:31,910 >> WERE YOU HAVING ANY TROUBLES 1404 00:43:31,910 --> 00:43:32,377 WITH HER? 1405 00:43:32,377 --> 00:43:33,411 WERE YOU GUYS GETTING INTO 1406 00:43:33,411 --> 00:43:34,345 FIGHTS ALL THE TIME OR 1407 00:43:34,345 --> 00:43:35,814 SOMETHING? 1408 00:43:35,814 --> 00:43:37,248 >> WHO -- ME AND ALYSSA? 1409 00:43:37,248 --> 00:43:39,050 >> YOU AND MYA. 1410 00:43:39,050 --> 00:43:40,418 >> EVERYTHING WAS FINE BETWEEN 1411 00:43:40,418 --> 00:43:42,253 ME AND MYA -- NO. 1412 00:43:49,427 --> 00:43:51,797 >> MATT -- EVERY TIME WE TRY TO 1413 00:43:51,797 --> 00:43:54,232 TALK, IT...DOESN'T GO THAT WELL. 1414 00:43:54,232 --> 00:43:55,433 >> THERE'S -- THERE'S NONE OF 1415 00:43:55,433 --> 00:43:56,768 THIS CONFRONTATION GOING INTO 1416 00:43:56,768 --> 00:43:57,168 IT. 1417 00:43:57,168 --> 00:43:58,403 >> HOW DO YOU EXPECT ME TO FEEL, 1418 00:43:58,403 --> 00:44:01,973 HONESTLY, WHEN YOU GO FROM ME TO 1419 00:44:01,973 --> 00:44:06,111 SOME FUCKING AIRHEAD, BRAINLESS 1420 00:44:06,111 --> 00:44:08,313 19-YEAR-OLD -- WHICH, BY THE 1421 00:44:08,313 --> 00:44:09,414 WAY, EW! 1422 00:44:09,414 --> 00:44:10,048 >> UM. 1423 00:44:10,048 --> 00:44:14,219 >> COULD YOU JUST STOP SPEAKING? 1424 00:44:14,219 --> 00:44:15,453 >> COULD YOU JUST STAY IN THE 1425 00:44:15,453 --> 00:44:16,788 CAR WHILE I GO TALK TO HER A 1426 00:44:16,788 --> 00:44:17,222 MINUTE? 1427 00:44:17,222 --> 00:44:18,223 >> SHUT THE FUCK UP! 1428 00:44:18,223 --> 00:44:19,290 YOU'RE SUCH AN ASSHOLE! 1429 00:44:19,290 --> 00:44:21,927 GOD DAMN IT! SHUT UP! 1430 00:44:25,496 --> 00:44:27,966 YOU KEEP COMING BACK TO ME, AND 1431 00:44:27,966 --> 00:44:29,367 WHEN IT'S GOOD, IT'S GOOD, AND I 1432 00:44:29,367 --> 00:44:31,937 KNOW YOU KNOW THAT. 1433 00:44:31,937 --> 00:44:34,405 BUT THERE'S ALWAYS SOME ALYSSA. 1434 00:44:34,405 --> 00:44:35,040 >> MYA. 1435 00:44:35,040 --> 00:44:36,207 >> YOU ACT THE WAY YOU ACT THE 1436 00:44:36,207 --> 00:44:39,077 OTHER NIGHT, AND THEN YOU ARE -- 1437 00:44:39,077 --> 00:44:40,278 YOU CAN'T EVEN KEEP YOUR FUCKING 1438 00:44:40,278 --> 00:44:41,446 TONGUE IN YOUR HEAD WHEN YOU'RE 1439 00:44:41,446 --> 00:44:43,481 TALKING TO HER. 1440 00:44:43,481 --> 00:44:47,853 SO...I'M GONNA KEEP MYSELF 1441 00:44:47,853 --> 00:44:50,822 TOGETHER UNTIL WE'RE DONE WITH 1442 00:44:50,822 --> 00:44:52,223 THIS PROJECT. 1443 00:44:52,223 --> 00:44:58,864 AND...I GUESS, AFTERWARD... 1444 00:44:58,864 --> 00:44:59,464 I DON'T KNOW. 1445 00:44:59,464 --> 00:45:02,433 YOU CAN...MAKE WHATEVER MOVE 1446 00:45:02,433 --> 00:45:03,902 YOU'RE GONNA MAKE, BUT YOU'VE 1447 00:45:03,902 --> 00:45:05,270 GOT TO MAKE ONE, AND YOU HAVE TO 1448 00:45:05,270 --> 00:45:08,306 STICK WITH IT, 'CAUSE I'M -- I'M 1449 00:45:08,306 --> 00:45:10,475 RIGHT THERE, AND I'M WILLING TO 1450 00:45:10,475 --> 00:45:13,378 DO IT IF YOU WANT TO HONESTLY 1451 00:45:13,378 --> 00:45:15,046 GIVE THIS A TRY, BUT I NEED YOUR 1452 00:45:15,046 --> 00:45:16,047 FULL ATTENTION. 1453 00:45:16,047 --> 00:45:18,049 I NEED TO KNOW THAT YOU'RE NOT 1454 00:45:18,049 --> 00:45:19,951 GONNA BAIL ON ME. 1455 00:45:19,951 --> 00:45:21,386 >> SHE'S YOUNG AND NAIVE, OKAY? 1456 00:45:21,386 --> 00:45:22,320 >> WHAT DO YOU THINK? 1457 00:45:22,320 --> 00:45:24,122 HOW DO YOU EXPECT PEOPLE TO 1458 00:45:24,122 --> 00:45:26,057 REACT TO YOU WHEN YOU ACT LIKE 1459 00:45:26,057 --> 00:45:26,491 THIS? 1460 00:45:26,491 --> 00:45:27,392 >> YOU HAVE TO TALK TO 1461 00:45:27,392 --> 00:45:28,493 19-YEAR-OLDS DIFFERENTLY THAN 1462 00:45:28,493 --> 00:45:29,828 YOU TALK TO SOMEONE THAT'S 25. 1463 00:45:29,828 --> 00:45:30,495 >> OKAY. 1464 00:45:30,495 --> 00:45:31,529 ESPECIALLY WHEN YOU'RE TRYING TO 1465 00:45:31,529 --> 00:45:32,397 GET IN THEIR PANTS. 1466 00:45:32,397 --> 00:45:34,565 >> MYA, THE TENSION THAT -- THAT 1467 00:45:34,565 --> 00:45:35,400 WE'RE FEELING... 1468 00:45:35,400 --> 00:45:36,434 >> I GET IT. I GET IT. 1469 00:45:36,434 --> 00:45:37,869 >> ...ALYSSA'S GONNA FEEL IT. 1470 00:45:37,869 --> 00:45:38,369 >> I GET IT. 1471 00:45:38,369 --> 00:45:39,437 >> SO WE NEED TO GET OVER THIS 1472 00:45:39,437 --> 00:45:40,238 HUMP, OKAY? 1473 00:45:40,238 --> 00:45:41,206 >> YOU JUST KEEP TALKING. 1474 00:45:41,206 --> 00:45:41,873 I GET IT. 1475 00:45:41,873 --> 00:45:43,274 >> ALL RIGHT. I'M DONE. 1476 00:45:43,274 --> 00:45:44,475 I JUST WANT TO MAKE SURE THAT 1477 00:45:44,475 --> 00:45:45,376 WE'RE ON THE SAME... 1478 00:45:46,311 --> 00:45:48,013 >> YOU'RE KILLING ME. 1479 00:45:48,013 --> 00:45:50,448 >> ...PAGE HERE. 1480 00:45:50,448 --> 00:45:51,149 HELLO? 1481 00:45:51,149 --> 00:45:52,550 >> HEY, IT'S ALYSSA. 1482 00:45:52,550 --> 00:45:53,451 >> HEY. 1483 00:45:53,451 --> 00:45:54,820 >> HEY, I GOT MY FIRST AUDITION 1484 00:45:54,820 --> 00:45:55,586 TOMORROW. 1485 00:45:55,586 --> 00:45:57,255 DO YOU WANT TO COME? 1486 00:45:57,255 --> 00:45:57,956 >> YEAH. 1487 00:45:57,956 --> 00:45:59,457 >> I'M GOING TO MEET A PRODUCER. 1488 00:45:59,457 --> 00:46:00,358 >> WHAT TIME? 1489 00:46:00,358 --> 00:46:01,893 >> IT'S AT 1:15. 1490 00:46:01,893 --> 00:46:02,928 >> WHAT TIME? 1491 00:46:02,928 --> 00:46:04,462 >> UH, IT'S AT 1:15. 1492 00:46:04,462 --> 00:46:05,964 BUT IS THERE ANY WAY YOU GUYS 1493 00:46:05,964 --> 00:46:07,532 COULD MAYBE COME PICK ME UP? 1494 00:46:07,532 --> 00:46:09,835 >> OKAY. 1495 00:46:09,835 --> 00:46:11,169 SHE HAS HER FIRST AUDITION 1496 00:46:11,169 --> 00:46:12,337 TOMORROW. 1497 00:46:13,471 --> 00:46:17,108 >> LET'S KEEP THIS BALL ROLLING. 1498 00:46:17,108 --> 00:46:20,045 WE GOOD? MYA? 1499 00:46:22,380 --> 00:46:25,851 SO, TELL US A LITTLE BIT ABOUT 1500 00:46:25,851 --> 00:46:28,019 WHAT YOU'RE FEELING RIGHT NOW. 1501 00:46:28,019 --> 00:46:30,889 >> I FEEL...A LITTLE NERVOUS. 1502 00:46:31,089 --> 00:46:32,290 >> A LITTLE NERVOUS? 1503 00:46:32,290 --> 00:46:34,559 >> YEAH. I DON'T -- I MEAN, I 1504 00:46:34,559 --> 00:46:37,963 DON'T KNOW, REALLY, WHAT TO -- 1505 00:46:37,963 --> 00:46:39,130 DON'T REALLY KNOW WHAT TO 1506 00:46:39,130 --> 00:46:39,965 EXPECT, YOU KNOW? 1507 00:46:39,965 --> 00:46:41,967 I JUST... 1508 00:46:41,967 --> 00:46:44,302 >> DO YOU KNOW MUCH ABOUT THIS 1509 00:46:44,302 --> 00:46:46,437 PRODUCTION COMPANY OR THIS... 1510 00:46:46,437 --> 00:46:48,139 >> NO, I MEAN -- I MEAN -- 1511 00:46:48,139 --> 00:46:49,975 NO, I MEAN, I THINK THEY'RE -- 1512 00:46:49,975 --> 00:46:51,943 I THINK THEY'RE LEGITIMATE. 1513 00:46:51,943 --> 00:46:53,578 IT'S -- HE SOUNDED LIKE HE -- 1514 00:46:53,578 --> 00:46:54,980 YOU KNOW, HE'S DONE A LOT OF 1515 00:46:54,980 --> 00:46:56,514 WORK AND STUFF, SO... 1516 00:46:56,514 --> 00:46:58,583 YEAH, I MEAN, THEY'RE GOOD. 1517 00:46:58,583 --> 00:47:00,218 >> AND JENNIFER HAS WORKED WITH 1518 00:47:00,218 --> 00:47:01,386 THIS GUY BEFORE -- THAT'S HOW 1519 00:47:01,386 --> 00:47:02,587 YOU -- HOW YOU FOUND OUT ABOUT 1520 00:47:02,587 --> 00:47:03,354 HIM? 1521 00:47:03,354 --> 00:47:04,890 >> I DON'T KNOW IF SHE'S WORKED 1522 00:47:04,890 --> 00:47:06,224 WITH HIM OR IF HER FRIEND HAS. 1523 00:47:06,224 --> 00:47:07,125 I DIDN'T ASK HER THAT. 1524 00:47:07,125 --> 00:47:09,460 BUT, I MEAN, THEY SAID IT'S -- 1525 00:47:09,460 --> 00:47:10,495 IT'S FINE. 1526 00:47:10,495 --> 00:47:12,830 >> OKAY. 1527 00:47:30,381 --> 00:47:32,150 HEY, ALYSSA, WAIT UP. 1528 00:47:32,150 --> 00:47:32,984 >> YEAH. 1529 00:47:32,984 --> 00:47:35,420 >> UM, LISTEN...IF YOU DON'T 1530 00:47:35,420 --> 00:47:37,688 FEEL COMFORTABLE DOING ANYTHING, 1531 00:47:37,688 --> 00:47:39,090 YOU CAN SAY "NO." 1532 00:47:39,090 --> 00:47:40,558 YOU DON'T HAVE TO DO IT. 1533 00:47:40,558 --> 00:47:41,226 >> I KNOW. 1534 00:47:41,226 --> 00:47:42,460 >> OKAY? JUST KNOW YOUR 1535 00:47:42,460 --> 00:47:44,029 LIMITATIONS BEFORE YOU GO IN, 1536 00:47:44,029 --> 00:47:44,462 OKAY? 1537 00:47:44,462 --> 00:47:46,031 >> MATT, IT'S GONNA -- GONNA BE 1538 00:47:46,031 --> 00:47:46,464 FINE. 1539 00:47:46,464 --> 00:47:47,665 >> OKAY. WE'RE GONNA BE RIGHT 1540 00:47:47,665 --> 00:47:48,466 HERE, ALL RIGHT? 1541 00:47:48,466 --> 00:47:50,335 UM, I KNOW IT'S A LONG SHOT, BUT 1542 00:47:50,335 --> 00:47:51,369 TRY TO BE PERSUASIVE WHEN YOU 1543 00:47:51,369 --> 00:47:52,170 TALK TO HIM. 1544 00:47:52,170 --> 00:47:53,304 >> OKAY. OKAY. DEFINITELY. 1545 00:47:53,304 --> 00:47:53,972 >> OKAY. 1546 00:47:53,972 --> 00:47:55,173 >> AND DON'T WORRY -- I'M GONNA 1547 00:47:55,173 --> 00:47:55,606 BE FINE. 1548 00:47:55,606 --> 00:47:56,441 >> OKAY. 1549 00:47:56,441 --> 00:47:57,508 >> SEE YOU IN A MINUTE. 1550 00:47:57,508 --> 00:47:59,010 >> BE RIGHT HERE, OKAY? 1551 00:47:59,010 --> 00:48:00,211 >> RIGHT THERE. DON'T LEAVE. 1552 00:48:00,211 --> 00:48:01,712 >> GOT MY PHONE ON ME, TOO. 1553 00:48:01,712 --> 00:48:03,481 >> OKAY. 1554 00:48:13,291 --> 00:48:14,092 >> YOU'RE LATE. 1555 00:48:14,092 --> 00:48:14,592 >> HEY. 1556 00:48:14,592 --> 00:48:15,493 >> I'LL TAKE GET BACK. 1557 00:48:15,493 --> 00:48:16,627 >> I'M FILMING A DOCUMENTARY. 1558 00:48:16,627 --> 00:48:18,463 IS THERE ANY WAY THAT THE CREW 1559 00:48:18,463 --> 00:48:20,131 CAN COME IN AND MAYBE FILM SOME 1560 00:48:20,131 --> 00:48:21,732 STUFF HERE WITH US, PLEASE? 1561 00:48:21,732 --> 00:48:22,567 >> THE CREW'S HERE? 1562 00:48:22,567 --> 00:48:23,601 >> YEAH, DO YOU THINK THEY COULD 1563 00:48:23,601 --> 00:48:24,235 JUST -- 1564 00:48:24,235 --> 00:48:25,303 >> I DON'T WANT THEM ANYWHERE 1565 00:48:25,303 --> 00:48:26,171 NEAR HERE. 1566 00:48:26,371 --> 00:48:27,405 >> SIR, I HAVE A -- I HAVE A 1567 00:48:27,405 --> 00:48:28,306 CONTRACT HERE. 1568 00:48:28,306 --> 00:48:29,607 >> NO, I DON'T CARE ABOUT YOUR 1569 00:48:29,607 --> 00:48:30,275 CONTRACT. 1570 00:48:30,275 --> 00:48:31,209 GET AWAY FROM MY PROPERTY. 1571 00:48:31,409 --> 00:48:32,610 AND -- AND IF YOU WANT THIS JOB, 1572 00:48:32,610 --> 00:48:33,611 JUST GET IN HERE. 1573 00:48:33,611 --> 00:48:34,712 >> OKAY. 1574 00:48:34,712 --> 00:48:36,047 >> YOU BETTER NOT BE HERE WHEN 1575 00:48:36,047 --> 00:48:37,015 WE GET BACK OUT. 1576 00:48:37,015 --> 00:48:38,416 >> I'M NOT ON YOUR PROPERTY, 1577 00:48:38,416 --> 00:48:40,051 SIR. 1578 00:48:40,051 --> 00:48:41,019 >> DID YOU REALLY THINK THEY 1579 00:48:41,019 --> 00:48:42,053 WERE GONNA LET US SHOOT IN HERE? 1580 00:48:42,053 --> 00:48:43,088 >> I DIDN'T THINK WE WERE GONNA 1581 00:48:43,088 --> 00:48:44,089 END UP AT A FUCKING HOUSE. 1582 00:48:44,089 --> 00:48:45,090 I THOUGHT WE WERE GOING TO A 1583 00:48:45,090 --> 00:48:45,723 LEGITIMATE STUDIO... 1584 00:48:45,723 --> 00:48:46,757 >> WHAT'S LEGITIMATE ABOUT THIS? 1585 00:48:46,757 --> 00:48:49,427 >> ...WITH LEGITIMATE PEOPLE. 1586 00:48:49,427 --> 00:48:54,465 >> DON'T KNOW ABOUT LEGITIMATE. 1587 00:48:54,465 --> 00:48:55,666 SO, ARE WE JUST GONNA WAIT? 1588 00:48:55,666 --> 00:48:57,202 >> OH, IS THIS DOCUMENTARY ABOUT 1589 00:48:57,202 --> 00:48:57,702 MATT NOW? 1590 00:48:57,702 --> 00:48:59,570 GET IN THE FUCKING VAN. 1591 00:49:09,380 --> 00:49:10,681 >> DUDE, WELL, WHAT'S MATT'S 1592 00:49:10,681 --> 00:49:12,150 DEAL? 1593 00:49:12,150 --> 00:49:16,087 HE SEEM A LITTLE TOO WORKED UP? 1594 00:49:16,087 --> 00:49:17,155 >> ARE YOU REALLY THAT 1595 00:49:17,155 --> 00:49:19,257 SURPRISED? 1596 00:49:19,257 --> 00:49:21,659 >> WHY? 1597 00:49:21,659 --> 00:49:24,029 YOU THINK HE'S INTO HER? 1598 00:49:24,029 --> 00:49:25,396 >> DO YOU THINK? 1599 00:49:33,338 --> 00:49:35,640 >> IS HE JEALOUS? 1600 00:49:35,640 --> 00:49:38,109 SHE'S DOING A JOB. 1601 00:49:38,109 --> 00:49:39,610 YEAH, I BET HE IS JEALOUS. 1602 00:49:56,327 --> 00:49:57,328 >> YOU KNOW, THIS WHOLE TIME, 1603 00:49:57,328 --> 00:49:58,696 WE'VE BEEN IN THIS TUNNEL, AND I 1604 00:49:58,696 --> 00:50:01,332 FINALLY SEE THE LIGHT, AND THAT 1605 00:50:01,332 --> 00:50:02,533 LIGHT IS ALYSSA. 1606 00:50:18,716 --> 00:50:20,385 HEY, YOU ALL RIGHT? 1607 00:50:20,385 --> 00:50:21,152 >> I'M FINE. 1608 00:50:21,152 --> 00:50:22,087 NOW JUST MOVE. 1609 00:50:22,087 --> 00:50:22,587 >> OKAY. 1610 00:50:22,587 --> 00:50:23,421 >> PLEASE. 1611 00:50:23,421 --> 00:50:24,322 >> LET'S GO. 1612 00:50:24,322 --> 00:50:26,791 GET -- GET IN THE FRONT, ROBBIE. 1613 00:52:07,525 --> 00:52:10,728 >> HEY, ALYSSA. 1614 00:52:10,728 --> 00:52:12,630 ALYSSA. 1615 00:52:12,630 --> 00:52:13,598 HEY, CAN I TALK TO YOU FOR A 1616 00:52:13,598 --> 00:52:14,232 SECOND? 1617 00:52:14,232 --> 00:52:15,266 >> MATT, JUST 1618 00:52:15,266 --> 00:52:16,267 LET ME GO INSIDE, OKAY? 1619 00:52:16,267 --> 00:52:16,867 >> ALYSSA, HEY. 1620 00:52:16,867 --> 00:52:17,902 CAN I TALK TO YOU FOR A SECOND, 1621 00:52:17,902 --> 00:52:18,536 PLEASE? 1622 00:52:18,536 --> 00:52:19,404 >> NO, DON'T TOUCH ME! 1623 00:52:19,404 --> 00:52:21,239 >> WHAT HAPPENED IN THERE? 1624 00:52:22,907 --> 00:52:23,808 >> WHAT'S WRONG? 1625 00:52:23,808 --> 00:52:26,811 WHAT'S GOING ON? 1626 00:52:26,811 --> 00:52:28,479 DID HE TOUCH YOU? 1627 00:52:28,479 --> 00:52:30,781 >> I GOT THE PART. 1628 00:52:30,781 --> 00:52:31,816 >> YOU GOT THE PART. 1629 00:52:31,816 --> 00:52:32,550 >> MM-HMM. 1630 00:52:33,851 --> 00:52:37,622 >> IS THAT WHAT YOU WANTED? 1631 00:52:37,622 --> 00:52:39,457 YEAH? 1632 00:52:39,457 --> 00:52:40,658 THEN WHY ARE YOU SO EMOTIONAL 1633 00:52:40,658 --> 00:52:41,926 RIGHT NOW? 1634 00:52:41,926 --> 00:52:43,828 WELL, UH, I'LL -- I'LL CALL YOU 1635 00:52:43,828 --> 00:52:45,530 LATER TONIGHT, AND, UH, WE'LL BE 1636 00:52:45,530 --> 00:52:47,398 BACK HERE, UH, TOMORROW, AND 1637 00:52:47,398 --> 00:52:52,403 WE'LL TALK ABOUT IT THEN, OKAY? 1638 00:52:52,403 --> 00:52:54,972 >> MATT, I CAN'T -- I CAN'T KEEP 1639 00:52:54,972 --> 00:52:56,441 SHOOTING THE DOCUMENTARY WITH 1640 00:52:56,441 --> 00:52:58,576 YOU. 1641 00:52:58,576 --> 00:53:00,478 >> WHY NOT? 1642 00:53:03,814 --> 00:53:05,250 WHAT DO YOU MEAN YOU CAN'T KEEP 1643 00:53:05,250 --> 00:53:06,417 SHOOTING THE DOCUMENTARY WITH 1644 00:53:06,417 --> 00:53:07,017 ME? 1645 00:53:07,017 --> 00:53:08,353 >> THE PRODUCER'S NOT GONNA -- 1646 00:53:08,353 --> 00:53:09,287 >> WHAT DOES THAT MEAN? 1647 00:53:09,287 --> 00:53:10,455 >> THE PRODUCER'S NOT GONNA LET 1648 00:53:10,455 --> 00:53:11,256 ME. 1649 00:53:11,256 --> 00:53:12,390 I'M SUPPOSED TO JUST RISK 1650 00:53:12,390 --> 00:53:16,861 EVERYTHING FOR $500? 1651 00:53:16,861 --> 00:53:19,730 >> ALYSSA...THAT'S ALL THE MONEY 1652 00:53:19,730 --> 00:53:20,498 I HAVE. 1653 00:53:20,498 --> 00:53:21,699 I KNOW IT'S NOT MUCH, BUT THAT 1654 00:53:21,699 --> 00:53:23,401 IS ALL I'VE GOT. 1655 00:53:23,401 --> 00:53:24,635 I'VE PUT EVERYTHING ON THE LINE 1656 00:53:24,635 --> 00:53:25,303 FOR YOU. 1657 00:53:25,303 --> 00:53:26,704 YOU CAN'T JUST BAIL ON ME RIGHT 1658 00:53:26,704 --> 00:53:27,305 NOW. 1659 00:53:27,305 --> 00:53:27,972 THAT'S NOT AN OPTION. 1660 00:53:27,972 --> 00:53:28,973 >> OH, SO YOU'RE GONNA MAKE ME 1661 00:53:28,973 --> 00:53:29,674 FEEL GUILTY? 1662 00:53:29,674 --> 00:53:30,641 >> YOU'RE GONNA -- SO YOU'RE 1663 00:53:30,641 --> 00:53:31,909 GONNA QUIT THIS DOCUMENTARY AND 1664 00:53:31,909 --> 00:53:33,444 YOU'RE GONNA GO DO HOMEMADE 1665 00:53:33,444 --> 00:53:35,780 FUCKING PORN? 1666 00:53:35,780 --> 00:53:37,648 ALYSSA, THAT'S ABOUT THE SADDEST 1667 00:53:37,648 --> 00:53:39,784 FUCKING ENDING TO A STORY I'VE 1668 00:53:39,784 --> 00:53:40,785 EVER HEARD OF IN MY ENTIRE 1669 00:53:40,785 --> 00:53:41,619 FUCKING LIFE. 1670 00:53:41,619 --> 00:53:42,653 >> DON'T SAY IT LIKE THAT! 1671 00:53:42,653 --> 00:53:43,488 >> IT'S THE TRUTH. 1672 00:53:43,488 --> 00:53:44,589 >> I'M REALLY SORRY, AND I'M 1673 00:53:44,589 --> 00:53:45,756 GONNA GIVE YOU ALL OF YOUR MONEY 1674 00:53:45,756 --> 00:53:46,357 BACK. 1675 00:53:46,357 --> 00:53:47,525 >> I DON'T WANT MY MONEY BACK -- 1676 00:53:47,525 --> 00:53:48,926 I WANT YOU BACK. 1677 00:53:50,528 --> 00:53:52,697 >> ALYSSA, QUIT -- LOOK, I'M -- 1678 00:53:52,697 --> 00:53:54,599 HEY, I'M SORRY, OKAY? 1679 00:53:54,599 --> 00:53:55,733 I'M SORRY. 1680 00:53:55,733 --> 00:53:57,902 ALYSSA. 1681 00:53:57,902 --> 00:53:59,570 >> PLEASE DON'T TOUCH ME, MATT. 1682 00:53:59,570 --> 00:54:01,506 PLEASE STOP. 1683 00:54:02,340 --> 00:54:04,842 >> LISTEN, I'M -- I'M REALLY 1684 00:54:04,842 --> 00:54:05,676 SORRY, OKAY? 1685 00:54:05,676 --> 00:54:06,811 >> STOP, PLEASE. 1686 00:54:06,811 --> 00:54:08,413 >> LISTEN TO ME. 1687 00:54:08,413 --> 00:54:09,914 LISTEN TO ME, OKAY? 1688 00:54:09,914 --> 00:54:12,950 JUST RETHINK, OKAY? 1689 00:54:12,950 --> 00:54:14,752 JUST -- JUST GATHER YOURSELF FOR 1690 00:54:14,752 --> 00:54:15,820 A SECOND, OKAY? 1691 00:54:15,820 --> 00:54:17,087 IS THIS WHAT YOU REALLY WANT TO 1692 00:54:17,087 --> 00:54:18,423 DO? 1693 00:54:18,423 --> 00:54:19,890 DO YOU REALLY WANT TO GO INTO 1694 00:54:19,890 --> 00:54:20,591 PORN? 1695 00:54:20,591 --> 00:54:21,992 I MEAN, IS THAT SOMETHING THAT 1696 00:54:21,992 --> 00:54:22,893 YOU HAVE TO DO? 1697 00:54:22,893 --> 00:54:24,495 DO YOU REALLY WANT TO DO THIS? 1698 00:54:24,495 --> 00:54:25,630 CAN YOU NOT WAIT TABLES? 1699 00:54:25,630 --> 00:54:26,864 CAN YOU -- IS THERE JUST NO 1700 00:54:26,864 --> 00:54:28,766 OTHER OPTION? 1701 00:54:28,766 --> 00:54:32,403 YOU CAN'T DO ANYTHING ELSE? 1702 00:54:32,403 --> 00:54:33,971 >> I DON'T KNOW, MATT. 1703 00:54:34,672 --> 00:54:36,607 I DON'T KNOW, MATT. 1704 00:54:36,607 --> 00:54:38,576 I JUST -- I JUST WANT TO BE -- 1705 00:54:38,576 --> 00:54:39,677 I JUST WANT TO BE LEFT ALONE, 1706 00:54:39,677 --> 00:54:40,478 OKAY? 1707 00:54:40,478 --> 00:54:41,679 >> ALYSSA, LISTEN TO ME. 1708 00:54:41,679 --> 00:54:42,580 >> MATT, JUST... 1709 00:54:42,580 --> 00:54:43,481 >> HEY, ALYSSA. 1710 00:54:43,481 --> 00:54:44,849 >> ...STOP. 1711 00:54:51,822 --> 00:54:53,691 >> SO, MATT... 1712 00:54:53,691 --> 00:54:54,525 >> SO, WHAT? 1713 00:54:54,525 --> 00:54:55,893 >> ...THERE ISN'T ANYTHING YOU, 1714 00:54:55,893 --> 00:55:01,399 UH, FEEL LIKE TELLING US? 1715 00:55:01,399 --> 00:55:02,567 >> WHAT'S THAT SUPPOSED TO MEAN? 1716 00:55:02,567 --> 00:55:04,902 >> YOUR MIKE'S BEEN ON, DUMBASS. 1717 00:55:12,076 --> 00:55:13,411 >> AREN'T YOU CURIOUS, ROBBIE? 1718 00:55:13,411 --> 00:55:15,646 >> WHAT AM I MISSING HERE? 1719 00:55:15,646 --> 00:55:16,981 >> GOD DAMN IT. 1720 00:55:16,981 --> 00:55:18,082 >> MYA, WHAT IS HE TALKING -- 1721 00:55:18,082 --> 00:55:19,384 WHAT IS -- WHAT IS GOING ON? 1722 00:55:19,384 --> 00:55:20,685 >> WELL, WOULD YOU RATHER HEAR 1723 00:55:20,685 --> 00:55:21,586 IT FROM ME OR HIM? 1724 00:55:21,586 --> 00:55:22,653 >> I JUST WANT TO HEAR IT -- 1725 00:55:22,653 --> 00:55:24,922 SOMEBODY. 1726 00:55:24,922 --> 00:55:28,659 >> GO AHEAD. 1727 00:55:31,462 --> 00:55:32,730 ALYSSA'S NOT DOING THE 1728 00:55:32,730 --> 00:55:34,599 DOCUMENTARY. 1729 00:55:34,599 --> 00:55:35,966 >> WHAT? 1730 00:55:38,002 --> 00:55:39,136 >> LET ME GET -- LET ME GET 1731 00:55:39,136 --> 00:55:42,106 SOMETHING STRAIGHT. 1732 00:55:42,106 --> 00:55:44,074 NOW, YOU TELL ME HOW YOU FEEL 1733 00:55:44,074 --> 00:55:45,543 ABOUT THIS. 1734 00:55:45,543 --> 00:55:48,178 YOU MENTIONED THAT ALYSSA HAD 1735 00:55:48,178 --> 00:55:49,414 BURNED YOU FOR A FEW BUCKS, 1736 00:55:49,414 --> 00:55:49,814 RIGHT? 1737 00:55:49,814 --> 00:55:51,782 HOW MUCH WAS THAT? 1738 00:55:51,782 --> 00:55:52,850 >> $500. 1739 00:55:52,850 --> 00:55:54,519 >> $500. 1740 00:55:54,519 --> 00:55:55,052 WOW. 1741 00:55:55,052 --> 00:55:56,921 >> MM-HMM. 1742 00:55:56,921 --> 00:55:58,589 >> SO, ALYSSA BURNS YOU FOR 1743 00:55:58,589 --> 00:56:03,861 $500, AND YOU GET PISSED... 1744 00:56:03,861 --> 00:56:05,630 AND YOU KILL HER. 1745 00:56:05,630 --> 00:56:06,797 MYA AND ROBBIE FIND OUT ABOUT 1746 00:56:06,797 --> 00:56:07,432 IT. 1747 00:56:07,432 --> 00:56:08,098 YOU KILL THEM, TOO. 1748 00:56:08,098 --> 00:56:10,468 HOW DOES THAT SOUND? 1749 00:56:10,468 --> 00:56:13,604 >> GUYS, PLEASE, ALL RIGHT? 1750 00:56:13,604 --> 00:56:15,606 I JUST WANTED TO MAKE A 1751 00:56:15,606 --> 00:56:16,974 DOCUMENTARY, ALL RIGHT? 1752 00:56:16,974 --> 00:56:18,476 I DIDN'T CARE ABOUT THE FUCKING 1753 00:56:18,476 --> 00:56:19,143 $500. 1754 00:56:19,143 --> 00:56:20,811 I'M NOT GONNA KILL SOMEBODY OVER 1755 00:56:20,811 --> 00:56:21,679 $500. 1756 00:56:21,679 --> 00:56:22,447 COME ON. 1757 00:56:22,447 --> 00:56:24,114 >> YOU DIDN'T CARE THAT SHE TOOK 1758 00:56:24,114 --> 00:56:26,484 THE MONEY AND DIDN'T PARTICIPATE 1759 00:56:26,484 --> 00:56:28,018 IN YOUR DOCUMENTARY BECAUSE SHE 1760 00:56:28,018 --> 00:56:29,920 GAVE YOU SOMETHING ELSE -- 1761 00:56:29,920 --> 00:56:31,556 $500 WORTH? 1762 00:56:32,156 --> 00:56:33,491 >> THAT SOUND CLOSE? 1763 00:56:33,491 --> 00:56:34,859 THAT SOUND RIGHT? 1764 00:56:34,859 --> 00:56:36,461 AM I CLOSE? 1765 00:56:36,461 --> 00:56:37,728 >> NO, YOU'RE NOT, MAN. 1766 00:56:37,728 --> 00:56:40,965 YOU'RE NOT EVEN FUCKING CLOSE. 1767 00:56:40,965 --> 00:56:42,032 I WANT TO GET THE FUCK OUT OF 1768 00:56:42,032 --> 00:56:42,633 HERE. 1769 00:56:42,633 --> 00:56:44,168 >> EXCUSE US FOR A SECOND, MATT. 1770 00:56:44,168 --> 00:56:49,674 I'M STARVING. 1771 00:56:57,482 --> 00:56:59,183 >> ALYSSA, PLEASE ANSWER THE 1772 00:56:59,183 --> 00:56:59,817 DOOR. 1773 00:56:59,817 --> 00:57:00,518 IT'S MATT. 1774 00:57:00,518 --> 00:57:02,119 I NEED TO TALK TO YOU. 1775 00:57:09,594 --> 00:57:11,796 ALYSSA, PLEASE COME TO THE DOOR. 1776 00:57:11,796 --> 00:57:12,963 I NEED TO TALK TO YOU. 1777 00:57:12,963 --> 00:57:14,499 IT'S MATT. 1778 00:57:16,534 --> 00:57:17,835 >> HELLO. YOU'VE REACHED THE 1779 00:57:17,835 --> 00:57:19,203 DESK OF JERRY COOPER. 1780 00:57:19,203 --> 00:57:21,105 IF YOU HAVE A SCOOP OR A STORY, 1781 00:57:21,105 --> 00:57:22,006 LET ME KNOW. 1782 00:57:22,006 --> 00:57:23,207 YOU JUST MIGHT BE IN THE PAPER 1783 00:57:23,207 --> 00:57:24,141 NEXT WEEK. 1784 00:57:27,778 --> 00:57:29,780 >> HEY, JERRY, IT'S MATT, MAN. 1785 00:57:29,780 --> 00:57:32,049 UH, S-SORRY IF I WOKE YOU UP. 1786 00:57:32,049 --> 00:57:33,951 UM, UH, WHEN YOU GET THIS 1787 00:57:33,951 --> 00:57:35,753 MESSAGE IN THE MORNING, UH, 1788 00:57:35,753 --> 00:57:36,721 PLEASE CALL ME BACK. 1789 00:57:36,721 --> 00:57:38,956 I NEED YOU TO DO ME A FAVOR AND 1790 00:57:38,956 --> 00:57:40,658 FIND OUT AS MUCH AS YOU CAN 1791 00:57:40,658 --> 00:57:42,727 ABOUT SCOTT ROBERTS. 1792 00:57:42,727 --> 00:57:45,796 UH, HE'S A PORN PRODUCER. 1793 00:57:47,164 --> 00:57:49,800 ALYSSA! IT'S MATT! 1794 00:57:49,800 --> 00:57:51,168 IF YOU'RE IN THERE, PLEASE COME 1795 00:57:51,168 --> 00:57:51,902 TO THE DOOR! 1796 00:57:51,902 --> 00:57:52,970 I NEED TO TALK TO YOU. 1797 00:57:52,970 --> 00:57:54,138 I NEED TO KNOW IF YOU'RE ALL 1798 00:57:54,138 --> 00:57:54,772 RIGHT. 1799 00:57:54,772 --> 00:57:57,542 UM, I HAVE SOME GENERAL 1800 00:57:57,542 --> 00:58:00,611 CONCERNS, UM, ABOUT HIM. 1801 00:58:00,611 --> 00:58:01,746 >> WHAT ARE YOU GONNA DO ABOUT 1802 00:58:01,746 --> 00:58:02,146 IT? 1803 00:58:02,146 --> 00:58:03,213 YEAH, YOU'RE GONNA TELL US, BUT 1804 00:58:03,213 --> 00:58:05,916 WE'RE PRETTY MUCH STILL SCREWED. 1805 00:58:05,916 --> 00:58:07,184 >> GIVE ME A CALL IN THE MORNING 1806 00:58:07,184 --> 00:58:08,686 WHEN YOU WAKE UP, OR I'LL CALL 1807 00:58:08,686 --> 00:58:09,820 YOU. 1808 00:58:09,820 --> 00:58:12,156 THANKS, JERRY. BYE. 1809 00:58:14,191 --> 00:58:15,292 >> YOU'RE SO FULL OF SHIT. 1810 00:58:15,292 --> 00:58:16,861 HOW DO YOU EVEN LISTEN TO 1811 00:58:16,861 --> 00:58:18,763 YOURSELF AND -- AND STAND IT? 1812 00:58:18,763 --> 00:58:20,330 >> IF YOU HAVE ANY BETTER IDEAS, 1813 00:58:20,330 --> 00:58:22,299 I'M OPEN TO -- TO HEAR THEM, BUT 1814 00:58:22,299 --> 00:58:25,002 UNTIL THEN, LIKE, I DON'T KNOW. 1815 00:58:25,002 --> 00:58:26,303 CHECK YOUR FUCKING ATTITUDE, 1816 00:58:26,303 --> 00:58:28,038 MAN, BECAUSE I TOLD YOU, WHEN WE 1817 00:58:28,038 --> 00:58:29,339 STARTED THIS THING, WE'RE GONNA 1818 00:58:29,339 --> 00:58:30,641 HAVE TO FUCKING WING IT. 1819 00:58:30,641 --> 00:58:31,809 THIS IS GUERRILLA FILMMAKING. 1820 00:58:31,809 --> 00:58:33,177 >> THIS IS BEYOND WINGING IT. 1821 00:58:33,177 --> 00:58:34,645 OH, MY GOD. 1822 00:58:39,349 --> 00:58:40,217 >> HEY, IT'S ALYSSA. 1823 00:58:40,217 --> 00:58:40,918 >> ALYSSA? 1824 00:58:40,918 --> 00:58:41,919 >> I'M NOT HERE RIGHT NOW, BUT 1825 00:58:41,919 --> 00:58:42,787 LEAVE ME A MESSAGE... 1826 00:58:42,787 --> 00:58:43,621 >> DAMN IT! 1827 00:58:43,621 --> 00:58:44,755 >> ...AND I'LL CALL YOU BACK. 1828 00:58:46,791 --> 00:58:48,192 >> ALYSSA, IT'S MATT. 1829 00:58:48,192 --> 00:58:51,028 LOOK, I'VE GOT TO SEE YOU. 1830 00:58:51,028 --> 00:58:52,029 WE'VE GOT TO TALK. 1831 00:58:52,029 --> 00:58:53,964 I-I GAVE YOU -- I GAVE YOU THE 1832 00:58:53,964 --> 00:58:54,832 LAST OF OUR MONEY. 1833 00:58:54,832 --> 00:58:55,900 EVERYONE IS PISSED AT ME. 1834 00:58:55,900 --> 00:58:57,802 AND I'M WORRIED ABOUT YOU, AND 1835 00:58:57,802 --> 00:59:00,871 I JUST DON'T FEEL RIGHT, OKAY? 1836 00:59:00,871 --> 00:59:02,840 OKAY, BYE. 1837 00:59:05,676 --> 00:59:07,778 >> OHH, BOY. 1838 00:59:07,778 --> 00:59:09,246 BEEN A LONG DAY. 1839 00:59:09,246 --> 00:59:10,380 LET'S GET THIS STRAIGHT. 1840 00:59:10,380 --> 00:59:11,649 ALL RIGHT. 1841 00:59:11,649 --> 00:59:12,850 SO, YOU WENT TO HER APARTMENT 1842 00:59:12,850 --> 00:59:13,884 THAT NIGHT. 1843 00:59:13,884 --> 00:59:16,621 >> YEAH, TO GIVE HER THE MONEY. 1844 00:59:16,621 --> 00:59:17,221 >> ALL RIGHT. 1845 00:59:17,221 --> 00:59:18,823 DID YOU HAVE A CAMERA WITH YOU, 1846 00:59:18,823 --> 00:59:20,791 ONE OF THOSE VIDEO CAMERAS? 1847 00:59:20,791 --> 00:59:22,226 >> YEAH, I-I DON'T REMEMBER. 1848 00:59:22,226 --> 00:59:23,794 I THINK IT WAS IN THE VAN. 1849 00:59:26,096 --> 00:59:28,265 >> MATT. MATT. 1850 00:59:28,265 --> 00:59:30,701 COME ON, MAN. 1851 00:59:30,701 --> 00:59:32,169 >> LOOK, MAN, WHAT'S THAT GOT TO 1852 00:59:32,169 --> 00:59:34,772 DO WITH ANYTHING? 1853 00:59:34,772 --> 00:59:36,106 >> YOU HAD A CAMERA WITH YOU. 1854 00:59:36,106 --> 00:59:37,675 YOU WENT OVER TO HER APARTMENT. 1855 00:59:37,675 --> 00:59:40,277 DID YOU HAPPEN TO PHOTOGRAPH HER 1856 00:59:40,277 --> 00:59:42,847 THAT NIGHT, TOO? 1857 00:59:42,847 --> 00:59:43,681 >> NO. 1858 00:59:43,681 --> 00:59:45,215 >> DID YOU ASK HER NICELY TO 1859 00:59:45,215 --> 00:59:47,084 TAKE HER CLOTHES OFF, OR DID YOU 1860 00:59:47,084 --> 00:59:47,752 MAKE HER? 1861 00:59:47,752 --> 00:59:49,286 >> NO FUCKING WAY. 1862 00:59:49,286 --> 00:59:51,088 I DIDN'T TOUCH HER. 1863 00:59:51,088 --> 00:59:51,956 >> ALL RIGHT. 1864 00:59:51,956 --> 00:59:53,423 SO, YOUR STATEMENT IS YOU WENT 1865 00:59:53,423 --> 00:59:55,359 THERE WITH A CAMERA -- MAYBE TO 1866 00:59:55,359 --> 00:59:56,694 THE VAN, MAYBE IT ISN'T -- YOU 1867 00:59:56,694 --> 00:59:57,928 GO INSIDE TO GIVE HER SOME 1868 00:59:57,928 --> 01:00:01,699 MONEY, AND...NOTHING HAPPENED. 1869 01:00:01,699 --> 01:00:03,200 OH, LOOK. 1870 01:00:03,200 --> 01:00:04,401 >> I DIDN'T FUCKING TOUCH HER, 1871 01:00:04,401 --> 01:00:05,102 MAN. 1872 01:00:05,102 --> 01:00:06,336 >> WHY DON'T YOU WATCH THIS? 1873 01:00:06,336 --> 01:00:07,071 OH, LOOK. 1874 01:00:07,071 --> 01:00:08,739 >> THIS WILL BE AMAZING. 1875 01:00:08,739 --> 01:00:10,875 >> WHY DON'T YOU WATCH THIS? 1876 01:00:10,875 --> 01:00:12,076 >> THIS WILL BE AMAZING. 1877 01:00:20,150 --> 01:00:24,388 >> TAKE YOUR SHIRT OFF. 1878 01:00:24,388 --> 01:00:29,694 GO AHEAD... 1879 01:00:29,694 --> 01:00:31,361 TAKE IT OFF. 1880 01:00:42,439 --> 01:00:44,842 VERY NICE. 1881 01:00:50,014 --> 01:00:52,216 REMOVE YOUR BRA. 1882 01:01:07,497 --> 01:01:10,200 LOOK BACK AT ME. 1883 01:01:13,771 --> 01:01:15,405 ARE YOU NERVOUS? 1884 01:01:15,405 --> 01:01:18,042 DON'T BE. 1885 01:01:18,042 --> 01:01:20,410 LAY DOWN ON THE BED. 1886 01:01:25,182 --> 01:01:27,752 LET ME SEE THOSE EYES. 1887 01:01:32,890 --> 01:01:36,526 ARE YOU SCARED? 1888 01:01:36,526 --> 01:01:38,395 DON'T BE. 1889 01:01:51,942 --> 01:01:54,278 MATT, IF THERE WAS EVER A GOOD 1890 01:01:54,278 --> 01:01:57,848 TIME TO CHANGE YOUR STORY... 1891 01:01:57,848 --> 01:02:01,819 RIGHT NOW WOULD BE THAT TIME. 1892 01:02:01,819 --> 01:02:03,754 >> COME ON, MATT. 1893 01:02:06,290 --> 01:02:07,557 >> DO YOU WANT TO 1894 01:02:07,557 --> 01:02:12,296 CHANGE YOUR STORY?! 1895 01:02:22,873 --> 01:02:24,374 >> I THINK SHE'LL FIND THAT, UH, 1896 01:02:24,374 --> 01:02:26,376 DOING THIS DOCUMENTARY'S GOING 1897 01:02:26,376 --> 01:02:28,478 TO HELP HER MORE THAN HURT HER, 1898 01:02:28,478 --> 01:02:29,513 SO... 1899 01:02:29,513 --> 01:02:30,080 MYA. 1900 01:02:30,080 --> 01:02:30,981 >> YOU ARE DELUSIONAL. 1901 01:02:30,981 --> 01:02:31,982 >> THAT'S THE SHIT I'M TALKING 1902 01:02:31,982 --> 01:02:32,382 ABOUT. 1903 01:02:32,382 --> 01:02:33,417 >> I'M NOT PARTICIPATING IN ANY 1904 01:02:33,417 --> 01:02:35,752 MORE OF YOUR FUCKING DELUSIONS. 1905 01:02:39,990 --> 01:02:41,225 >> COULD YOU JUST STAY IN THE 1906 01:02:41,225 --> 01:02:42,292 CAR WHILE I GO TALK TO HER A 1907 01:02:42,292 --> 01:02:42,927 MINUTE? 1908 01:02:42,927 --> 01:02:43,994 >> SHUT THE FUCK UP! 1909 01:02:43,994 --> 01:02:45,262 YOU'RE SUCH AN ASSHOLE! 1910 01:02:45,262 --> 01:02:48,298 GOD DAMN IT! SHUT UP! 1911 01:03:00,945 --> 01:03:04,348 >> RING THE BELL. 1912 01:03:33,110 --> 01:03:35,145 SHE'S NOT FUCKING HOME, MAN. 1913 01:03:38,148 --> 01:03:42,486 >> ALYSSA. JENNIFER. 1914 01:03:42,486 --> 01:03:43,988 PLEASE COME TO THE DOOR IF 1915 01:03:43,988 --> 01:03:44,989 YOU'RE IN THERE. 1916 01:03:44,989 --> 01:03:46,056 >> HI. 1917 01:03:46,056 --> 01:03:47,124 CAN I HELP YOU WITH SOMETHING? 1918 01:03:47,124 --> 01:03:47,925 >> HEY, UM, YEAH. 1919 01:03:47,925 --> 01:03:48,658 ARE YOU THEIR NEIGHBOR -- 1920 01:03:48,658 --> 01:03:49,526 JENNIFER AND ALYSSA'S? 1921 01:03:49,526 --> 01:03:50,427 >> NO, ACTUALLY, I'M THE 1922 01:03:50,427 --> 01:03:51,095 LANDLORD. 1923 01:03:51,095 --> 01:03:51,962 WHAT CAN I DO FOR YOU? 1924 01:03:51,962 --> 01:03:52,930 >> OH, YOU'RE THE LANDLORD. 1925 01:03:52,930 --> 01:03:53,363 >> YEAH. 1926 01:03:53,363 --> 01:03:54,999 >> GREAT. UM, I'M JUST TRYING TO 1927 01:03:54,999 --> 01:03:55,933 FIND ALYSSA. 1928 01:03:55,933 --> 01:03:57,467 >> THEY MOVED OUT LAST NIGHT. 1929 01:03:57,467 --> 01:03:58,235 >> WHAT? 1930 01:03:58,235 --> 01:03:59,669 >> YEAH, A COUPLE OF GUYS AND 1931 01:03:59,669 --> 01:04:01,238 HER -- THEY PACKED UP A BIG 1932 01:04:01,238 --> 01:04:02,372 TRUCK AND HEADED OUT. 1933 01:04:02,372 --> 01:04:03,207 >> WHO -- WHAT GUYS? 1934 01:04:03,207 --> 01:04:03,941 >> SAID SHE -- 1935 01:04:03,941 --> 01:04:04,975 >> WHAT -- WHAT ARE YOU TALKING 1936 01:04:04,975 --> 01:04:05,375 ABOUT? 1937 01:04:05,375 --> 01:04:06,410 >> SHE HAD TWO BIG GUYS WITH 1938 01:04:06,410 --> 01:04:07,011 HER. 1939 01:04:07,011 --> 01:04:08,078 THEY HAD A TRUCK, AND THEY JUST 1940 01:04:08,078 --> 01:04:09,246 LOADED EVERYTHING OUT. 1941 01:04:09,246 --> 01:04:11,015 >> I JUST SAW HER THE OTHER DAY. 1942 01:04:11,015 --> 01:04:12,149 >> OH, YEAH? 1943 01:04:12,149 --> 01:04:13,450 SHE HAD SHE HAD SOME JOB GOING 1944 01:04:13,450 --> 01:04:15,052 ON -- A MOVIE. 1945 01:05:00,497 --> 01:05:04,434 >> MATT, HE'S NOT HOME. 1946 01:05:04,434 --> 01:05:08,738 Matt! 1947 01:05:08,738 --> 01:05:10,107 You got to be kidding me. 1948 01:05:10,107 --> 01:05:11,976 >> Matt, no! Matt. 1949 01:05:11,976 --> 01:05:16,013 >> We got to go! 1950 01:05:16,013 --> 01:05:17,681 >> Matt! 1951 01:05:26,190 --> 01:05:28,492 >> This isn't good. 1952 01:05:36,700 --> 01:05:38,302 Oh, my God. What's he doing? 1953 01:05:38,302 --> 01:05:42,539 >> I don't know. Shut up. 1954 01:05:42,539 --> 01:05:43,407 >> Mya, just relax. 1955 01:05:43,407 --> 01:05:44,574 I'm just gonna go check on him. 1956 01:05:44,574 --> 01:05:45,742 I'll be right back. 1957 01:05:45,742 --> 01:05:47,677 >> Oh, fuck! 1958 01:05:51,148 --> 01:05:52,516 >> Dude, what the fuck are you 1959 01:05:52,516 --> 01:05:53,183 doing?! 1960 01:05:53,183 --> 01:05:53,650 >> Shh! 1961 01:05:53,650 --> 01:05:54,551 >> What are you doing?! 1962 01:05:54,551 --> 01:05:56,720 >> Shut the fuck up. 1963 01:05:56,720 --> 01:05:58,322 Doesn't look like anybody's 1964 01:05:58,322 --> 01:05:59,323 home. 1965 01:05:59,323 --> 01:06:00,057 >> Yeah. 1966 01:06:00,057 --> 01:06:01,258 We shouldn't even be here. 1967 01:06:01,258 --> 01:06:03,727 What are you -- oh, come on. 1968 01:06:03,727 --> 01:06:05,562 >> It's unlocked. 1969 01:06:05,562 --> 01:06:08,065 >> Oh, my God. 1970 01:06:08,065 --> 01:06:08,632 You -- 1971 01:06:08,632 --> 01:06:10,434 >> Shh! 1972 01:06:10,434 --> 01:06:11,068 >> Matt. 1973 01:06:11,068 --> 01:06:12,169 >> If you're coming, I want you 1974 01:06:12,169 --> 01:06:13,637 to shut the fuck up. 1975 01:06:17,507 --> 01:06:18,675 >> What are you even looking 1976 01:06:18,675 --> 01:06:19,476 for? 1977 01:06:19,476 --> 01:06:20,377 >> Shh! 1978 01:06:21,078 --> 01:06:23,013 This is so stupid. 1979 01:06:33,090 --> 01:06:36,260 Matt, what are you doing?! 1980 01:06:40,830 --> 01:06:42,466 >> There's lots of tapes. 1981 01:06:42,466 --> 01:06:43,533 >> How fucking great. 1982 01:06:43,533 --> 01:06:48,105 Get them. Let's go. 1983 01:06:48,105 --> 01:06:49,239 Matt, what are you doing? 1984 01:06:49,239 --> 01:06:52,376 Just grab them and go. 1985 01:06:52,376 --> 01:06:53,410 Oh, come on. 1986 01:06:53,410 --> 01:06:54,178 >> Let's go. 1987 01:06:54,178 --> 01:06:55,745 I got some tapes. 1988 01:06:58,382 --> 01:06:59,849 >> WHAT THE FUCK IS GOING ON?! 1989 01:06:59,849 --> 01:07:00,584 >> COME ON! 1990 01:07:00,584 --> 01:07:01,685 RUN! 1991 01:07:05,389 --> 01:07:08,292 >> COME ON. 1992 01:07:08,292 --> 01:07:10,527 GO, GO. 1993 01:07:23,607 --> 01:07:24,774 >> HEY, THIS ONE SAYS 1994 01:07:24,774 --> 01:07:26,810 "SLAUGHTER CREEK." 1995 01:07:26,810 --> 01:07:28,712 >> WHAT? 1996 01:07:33,817 --> 01:07:35,185 WHAT DO YOU MEAN IT SAYS 1997 01:07:35,185 --> 01:07:35,819 "SLAUGHTER CREEK"? 1998 01:07:35,819 --> 01:07:38,388 >> MATT, JUST GIVE ME THE TAPE. 1999 01:07:42,192 --> 01:07:43,693 >> NO! 2000 01:07:43,693 --> 01:07:45,362 PLEASE! 2001 01:07:45,362 --> 01:07:46,296 PLEASE! 2002 01:07:52,469 --> 01:07:54,338 >> NO! 2003 01:07:54,338 --> 01:07:55,572 NO! 2004 01:07:55,572 --> 01:07:56,640 PLEASE! 2005 01:07:57,441 --> 01:07:58,675 AAAH! 2006 01:07:58,675 --> 01:08:01,311 PLEASE, NO! 2007 01:08:02,679 --> 01:08:04,248 PLEASE! 2008 01:08:04,248 --> 01:08:05,549 NO! 2009 01:08:28,338 --> 01:08:29,406 NO, PLEASE! 2010 01:08:29,406 --> 01:08:30,640 >> LOOK AT THAT. 2011 01:08:30,640 --> 01:08:31,508 >> NO! 2012 01:08:42,619 --> 01:08:46,823 WHERE'S MY PHONE? 2013 01:08:46,823 --> 01:08:48,425 >> WHO YOU GONNA CALL? 2014 01:08:48,425 --> 01:08:51,928 >> I'M CALLING ALYSSA. 2015 01:08:51,928 --> 01:08:53,230 >> HEY, IT'S ALYSSA. 2016 01:08:53,230 --> 01:08:54,498 LEAVE ME A MESSAGE, AND I'LL 2017 01:08:54,498 --> 01:08:55,765 CALL YOU BACK. 2018 01:08:55,765 --> 01:08:57,334 >> HEY, ALYSSA, IT'S -- IT'S 2019 01:08:57,334 --> 01:08:57,734 MATT. 2020 01:08:57,734 --> 01:08:59,603 UM, I REALLY NEED YOU TO CALL ME 2021 01:08:59,603 --> 01:09:00,204 BACK. 2022 01:09:00,204 --> 01:09:02,439 UM, I'M AFRAID WHAT YOU'RE 2023 01:09:02,439 --> 01:09:04,374 GETTING INTO, UM, IS NOT WHAT 2024 01:09:04,374 --> 01:09:05,309 YOU THINK. 2025 01:09:05,309 --> 01:09:06,576 UH, I'M NOT CALLING YOU ABOUT 2026 01:09:06,576 --> 01:09:07,444 THE DOCUMENTARY. 2027 01:09:07,444 --> 01:09:09,513 I'M CALLING YOU AS A FRIEND. 2028 01:09:09,513 --> 01:09:11,548 PLEASE CALL ME BACK. 2029 01:09:11,548 --> 01:09:13,417 PLEASE. 2030 01:09:23,393 --> 01:09:24,761 >> GIVE IT UP, MATT. 2031 01:09:24,761 --> 01:09:25,529 COME ON, MAN. 2032 01:09:25,529 --> 01:09:26,596 YOU GOT TO TALK ABOUT IT. 2033 01:09:26,596 --> 01:09:27,831 THIS IS SOME OF THE SICKEST SHIT 2034 01:09:27,831 --> 01:09:28,665 THAT I'VE EVER SEEN. 2035 01:09:28,665 --> 01:09:29,699 AND WHAT'S THIS -- WHAT THIS YOU 2036 01:09:29,699 --> 01:09:30,367 GOT ON? 2037 01:09:30,367 --> 01:09:31,501 YOU GOT YOUR FAVORITE RAPE. 2038 01:09:32,802 --> 01:09:35,439 BONDAGE. 2039 01:09:35,439 --> 01:09:36,940 SADOMASOCHISM. 2040 01:09:36,940 --> 01:09:38,242 DUDE, WHAT THE FUCK'S WRONG WITH 2041 01:09:38,242 --> 01:09:38,608 YOU? 2042 01:09:38,608 --> 01:09:39,709 AND, OH, YEAH, OUR PERSONAL 2043 01:09:39,709 --> 01:09:40,844 FAVORITE -- YOU WANT TO WATCH 2044 01:09:40,844 --> 01:09:42,312 THIS WITH US? 2045 01:09:42,312 --> 01:09:42,979 GET SOME POPCORN. 2046 01:09:42,979 --> 01:09:44,314 WE'LL PUT THIS IN FOR YOU. 2047 01:09:44,314 --> 01:09:44,914 WHAT DO YOU SAY? 2048 01:09:54,691 --> 01:09:55,492 >> HEY. 2049 01:09:55,492 --> 01:09:56,793 >> GLAD TO SEE YOU FOUND THE 2050 01:09:56,793 --> 01:09:57,461 PLACE. 2051 01:09:57,461 --> 01:09:59,429 >> ARE YOU THE BROKER I SPOKE TO 2052 01:09:59,429 --> 01:09:59,996 ON THE PHONE? 2053 01:09:59,996 --> 01:10:02,466 >> SO...A COAT OF PAINT... 2054 01:10:05,302 --> 01:10:09,639 WOW. THIS PLACE IS HUGE. 2055 01:10:09,639 --> 01:10:10,607 WHAT'S ALL THIS? 2056 01:10:11,608 --> 01:10:13,643 MAKING A LITTLE MOVIE HERE. 2057 01:10:13,643 --> 01:10:14,678 >> REALLY? 2058 01:10:14,678 --> 01:10:16,012 WELL, WHAT'S IT ALL ABOUT? 2059 01:10:16,012 --> 01:10:17,581 >> IT'S ABOUT A WOMAN LOOKING TO 2060 01:10:17,581 --> 01:10:19,983 BUY A PIECE OF PROPERTY, WHO 2061 01:10:19,983 --> 01:10:21,651 GETS A BREAK FOR BEING IN THE 2062 01:10:21,651 --> 01:10:26,356 MOVIE -- YOU KNOW, $50,000? 2063 01:10:26,356 --> 01:10:28,425 >> $50,000? 2064 01:10:38,368 --> 01:10:39,736 I'M NOT COMFORTABLE WITH THIS. 2065 01:10:39,736 --> 01:10:40,637 I CAN'T DO THIS ANYMORE. 2066 01:10:40,637 --> 01:10:41,438 I CHANGED MY MIND. 2067 01:10:41,438 --> 01:10:44,474 AAH! AAH! AAAH! 2068 01:10:49,546 --> 01:10:51,781 PLEASE! NO! 2069 01:10:51,781 --> 01:10:53,850 NO! NO! 2070 01:10:57,387 --> 01:10:59,756 PLEASE, PLEASE. 2071 01:10:59,756 --> 01:11:02,826 OH, PLEASE, NO! 2072 01:11:07,364 --> 01:11:09,399 AAH! 2073 01:11:09,399 --> 01:11:10,334 OHH. 2074 01:11:10,334 --> 01:11:13,703 >> SHE'S STILL BREATHING. 2075 01:11:37,093 --> 01:11:40,797 SOMEBODY MADE THAT TAPE, MATT. 2076 01:11:40,797 --> 01:11:42,632 THERE'S A DEAD GIRL ON THAT 2077 01:11:42,632 --> 01:11:44,501 TAPE, MATT. 2078 01:11:48,104 --> 01:11:51,741 >> WE KNOW YOU DID IT. 2079 01:11:51,741 --> 01:11:52,609 >> LOOK, GUYS. 2080 01:11:52,609 --> 01:11:54,778 ALL RIGHT, LOOK -- I GOT THESE 2081 01:11:54,778 --> 01:11:56,713 TAPES FROM A GUY'S HOUSE WHERE I 2082 01:11:56,713 --> 01:11:58,482 THOUGHT ALYSSA MIGHT HAVE BEEN. 2083 01:11:58,482 --> 01:11:59,549 I DIDN'T KNOW WHAT I WAS LOOKING 2084 01:11:59,549 --> 01:11:59,983 FOR. 2085 01:11:59,983 --> 01:12:00,950 THEN I WENT INTO HIS HOME. 2086 01:12:00,950 --> 01:12:02,085 I FOUND THIS BOX OF TAPES. 2087 01:12:02,085 --> 01:12:04,454 I TOOK THEM BACK TO MY MOTEL AND 2088 01:12:04,454 --> 01:12:08,892 WATCHED IT. 2089 01:12:08,892 --> 01:12:10,394 >> YOU BROKE INTO A HOUSE. 2090 01:12:10,394 --> 01:12:11,961 >> YEAH, I STOLE THE TAPES. 2091 01:12:11,961 --> 01:12:16,132 >> WELL, WHAT GUY? WHAT HOUSE? 2092 01:12:16,132 --> 01:12:17,967 WHAT HOUSE?! WHAT GUY?! 2093 01:12:17,967 --> 01:12:19,503 >> WE NEED YOU TO START TALKING, 2094 01:12:19,503 --> 01:12:21,070 MATT. 2095 01:12:21,070 --> 01:12:25,074 >> THE TRUTH, MATT! COME ON! 2096 01:12:25,074 --> 01:12:26,743 >> COME ON, GUYS. 2097 01:12:26,743 --> 01:12:27,511 COME ON. 2098 01:12:27,511 --> 01:12:28,745 >> WHOSE HOUSE WAS IT?! 2099 01:12:28,745 --> 01:12:29,946 >> SCOTT ROBERTS'! 2100 01:12:29,946 --> 01:12:32,115 >> AGAIN WITH SCOTT ROBERTS! 2101 01:12:32,115 --> 01:12:33,082 STOP STAYING HIS NAME! 2102 01:12:33,082 --> 01:12:34,818 YOU KEEP SAYING HIS NAME! 2103 01:12:34,818 --> 01:12:36,185 YOU SAID SO YOURSELF -- YOU HAVE 2104 01:12:36,185 --> 01:12:38,488 NO IDEA WHO SCOTT ROBERTS IS! 2105 01:12:38,488 --> 01:12:39,523 YOU'VE NEVER SEEN HIM! 2106 01:12:39,523 --> 01:12:40,424 YOU'VE NEVER MET HIM! 2107 01:12:40,424 --> 01:12:41,525 WHY DO YOU KEEP ACCUSING 2108 01:12:41,525 --> 01:12:43,627 SCOTT ROBERTS OF WHAT YOU DID -- 2109 01:12:43,627 --> 01:12:44,894 OF WHAT YOU DID?! 2110 01:12:44,894 --> 01:12:46,496 THERE'S A DEAD GIRL ON THAT 2111 01:12:46,496 --> 01:12:47,797 TAPE! 2112 01:12:48,498 --> 01:12:49,599 I SWEAR TO 2113 01:12:49,599 --> 01:12:50,434 GOD, MAN. 2114 01:12:50,434 --> 01:12:51,735 WHY DON'T YOU GUYS FUCKING 2115 01:12:51,735 --> 01:12:52,469 BELIEVE ME? 2116 01:12:52,469 --> 01:12:54,137 IT'S... 2117 01:13:00,744 --> 01:13:01,845 >> HEY, MATT, WHY DON'T WE JUST 2118 01:13:01,845 --> 01:13:02,979 GET IN THE VAN AND DRIVE AROUND? 2119 01:13:02,979 --> 01:13:08,718 >> HANG ON A SECOND. 2120 01:13:09,653 --> 01:13:11,154 >> Hello. This Jerry at 2121 01:13:11,154 --> 01:13:12,589 The Dallas Times. 2122 01:13:12,589 --> 01:13:13,723 Can I help you? 2123 01:13:13,723 --> 01:13:15,124 >> HEY, JERRY. YEAH, MATT. 2124 01:13:15,124 --> 01:13:16,460 >> Hey. Yeah, Matt. 2125 01:13:16,460 --> 01:13:17,761 >> DID YOU GET ANYTHING? 2126 01:13:17,761 --> 01:13:19,463 >> Listen, man, I found out a 2127 01:13:19,463 --> 01:13:20,564 lot of stuff about 2128 01:13:20,564 --> 01:13:21,731 Mr. Scott Roberts. 2129 01:13:21,731 --> 01:13:22,666 >> CAN YOU -- 2130 01:13:22,666 --> 01:13:24,501 >> Now, listen, you got a fax 2131 01:13:24,501 --> 01:13:25,034 machine? 2132 01:13:25,034 --> 01:13:26,803 >> YEAH. UM, HANG ON A SECOND. 2133 01:13:26,803 --> 01:13:28,538 >> This guy ain't no freaking 2134 01:13:28,538 --> 01:13:29,005 saint. 2135 01:13:29,005 --> 01:13:30,874 Matt, what'd you get yourself 2136 01:13:30,874 --> 01:13:32,509 into? 2137 01:13:32,509 --> 01:13:33,943 >> YOU GUYS HAVE A FAX MACHINE I 2138 01:13:33,943 --> 01:13:34,644 COULD USE? 2139 01:13:34,644 --> 01:13:36,780 NO? THANKS. APPRECIATE IT. 2140 01:13:36,780 --> 01:13:38,915 GIVE ME TWO SECONDS, OKAY? 2141 01:13:38,915 --> 01:13:40,650 >> Man, this ain't high school, 2142 01:13:40,650 --> 01:13:41,017 dude. 2143 01:13:41,017 --> 01:13:42,586 >> WATCH YOUR STEP, ROBBIE. 2144 01:13:42,586 --> 01:13:43,987 >> You might be in over your 2145 01:13:43,987 --> 01:13:46,956 head on this. 2146 01:13:46,956 --> 01:13:47,891 >> EXCUSE ME, MA'AM? 2147 01:13:47,891 --> 01:13:48,958 >> YES, SIR? HOW ARE YOU? 2148 01:13:48,958 --> 01:13:49,893 >> DO YOU WORK HERE? 2149 01:13:49,893 --> 01:13:50,594 >> YES, I DO. 2150 01:13:50,594 --> 01:13:51,695 >> DO YOU GUYS HAVE A FAX 2151 01:13:51,695 --> 01:13:52,061 MACHINE? 2152 01:13:52,061 --> 01:13:53,062 >> UH, WE DO. 2153 01:13:53,062 --> 01:13:54,998 >> SO, WHAT DOES IT SAY IN THE 2154 01:13:54,998 --> 01:13:55,599 FAX? 2155 01:13:55,599 --> 01:13:56,966 >> LOOK FOR YOURSELF. 2156 01:13:56,966 --> 01:13:58,868 CASE AFTER CASE AFTER CASE OF 2157 01:13:58,868 --> 01:14:00,670 SEXUAL ACTS OF ABUSE. 2158 01:14:00,670 --> 01:14:03,072 ALL OF THEM HAVE BEEN DISMISSED, 2159 01:14:03,072 --> 01:14:06,610 EVERY SINGLE ONE... 2160 01:14:06,610 --> 01:14:08,077 WHICH MEANS HE HAS FRIENDS IN 2161 01:14:08,077 --> 01:14:11,247 HIGH PLACES... 2162 01:14:11,247 --> 01:14:12,916 WHICH MEANS IF HE DOES MAKE 2163 01:14:12,916 --> 01:14:14,551 SNUFF FILMS, IT'S PROBABLY 2164 01:14:14,551 --> 01:14:16,152 BOUGHT FROM FUCKING JUDGES AND 2165 01:14:16,152 --> 01:14:17,921 POLITICIANS AND GOD KNOWS WHO 2166 01:14:17,921 --> 01:14:18,522 ELSE. 2167 01:14:18,522 --> 01:14:20,123 >> NO ONE'S GONNA LET HIM MAKE 2168 01:14:20,123 --> 01:14:20,890 SNUFF FILMS. 2169 01:14:21,791 --> 01:14:23,092 SOME SICK FUCKERS OUT THERE, 2170 01:14:23,092 --> 01:14:23,593 MAN. 2171 01:14:23,593 --> 01:14:24,894 >> WHAT'S THIS AERIAL SHOT? 2172 01:14:24,894 --> 01:14:25,962 IS THIS HIS PROPERTY? 2173 01:14:25,962 --> 01:14:28,732 >> YEAH. 2174 01:14:28,732 --> 01:14:30,934 >> IS THIS A BARN OR SOMETHING 2175 01:14:30,934 --> 01:14:31,901 IN THIS PICTURE? 2176 01:14:31,901 --> 01:14:33,537 >> THAT'S WHAT IT LOOKS LIKE, 2177 01:14:33,537 --> 01:14:35,905 MYA. 2178 01:14:35,905 --> 01:14:37,607 ARE THERE ANY LAND MARKINGS 2179 01:14:37,607 --> 01:14:39,208 AROUND THE BARN THAT WE CAN -- 2180 01:14:39,208 --> 01:14:41,044 >> IT'S JUST EMPTY FIELD. 2181 01:14:41,044 --> 01:14:42,779 >> JUST AN EMPTY FIELD? 2182 01:14:42,779 --> 01:14:44,981 >> LOOKS LIKE THERE'S A HOUSE OR 2183 01:14:44,981 --> 01:14:46,616 SOMETHING NEXT TO IT. 2184 01:14:46,616 --> 01:14:48,151 THERE'S SOMETHING ELSE THAT 2185 01:14:48,151 --> 01:14:49,686 LOOKS LIKE A BUILDING. 2186 01:14:49,686 --> 01:14:52,622 JUST A LONG DRIVE UP TO IT. 2187 01:14:52,622 --> 01:14:57,326 >> LET ME SEE THAT. 2188 01:14:57,326 --> 01:15:00,764 WHICH WAY SHOULD I GO? 2189 01:15:00,764 --> 01:15:01,297 >> FLIP A COIN. 2190 01:15:01,297 --> 01:15:02,331 I MEAN, WE DON'T HAVE ANY 2191 01:15:02,331 --> 01:15:03,232 INFORMATION TO GO ON. 2192 01:15:03,232 --> 01:15:04,634 >> JUST POINT ME IN A DIRECTION. 2193 01:15:04,634 --> 01:15:06,936 JUST DO IT, RIGHT? 2194 01:15:12,676 --> 01:15:13,943 >> DO YOU THINK IT WOULD BE A 2195 01:15:13,943 --> 01:15:15,144 GOOD IDEA TO ASK SOMEBODY? 2196 01:15:15,144 --> 01:15:18,147 >> ASK THEM WHAT? 2197 01:15:18,147 --> 01:15:20,617 DO YOU GUYS SEE ANYBODY? 2198 01:15:24,654 --> 01:15:25,889 >> NOPE. 2199 01:15:25,889 --> 01:15:29,693 >> THIS PLACE IS DEAD. 2200 01:15:29,693 --> 01:15:30,226 >> OH. 2201 01:15:30,226 --> 01:15:31,360 >> SEE ANYBODY? 2202 01:15:31,360 --> 01:15:33,930 SIR, HOW YOU DOING TODAY? 2203 01:15:33,930 --> 01:15:36,966 UM, LISTEN, I GOT A -- WE'RE 2204 01:15:36,966 --> 01:15:38,367 TRYING TO FIND A-A BARN OUT 2205 01:15:38,367 --> 01:15:38,968 HERE. 2206 01:15:38,968 --> 01:15:40,704 WE'RE SHOOTING JUST A BIT OF A 2207 01:15:40,704 --> 01:15:41,337 DOCUMENTARY. 2208 01:15:41,337 --> 01:15:43,640 UM, WE KNOW THAT IT'S OFF THIS 2209 01:15:43,640 --> 01:15:44,107 ROAD. 2210 01:15:44,107 --> 01:15:47,376 >> THIS HERE'S ABOUT, UH... 2211 01:15:47,376 --> 01:15:48,978 IT'S ABOUT 6 MILES THAT WAY. 2212 01:15:48,978 --> 01:15:49,613 >> OKAY. 2213 01:15:49,613 --> 01:15:51,014 >> WHAT YOU'RE GONNA WANT TO 2214 01:15:51,014 --> 01:15:55,318 DO...I THINK... 2215 01:15:55,318 --> 01:15:57,220 >> OKAY, HERE'S THE STOP SIGN. 2216 01:15:57,220 --> 01:15:59,589 >> MAKE A RIGHT. 2217 01:16:05,294 --> 01:16:06,896 MATT, THIS CAN'T BE IT. 2218 01:16:06,896 --> 01:16:08,865 >> IT LOOKS -- THAT'S A FUCKING 2219 01:16:08,865 --> 01:16:09,966 BARN, IS IT NOT? 2220 01:16:09,966 --> 01:16:11,334 RED-BRICK HOUSE, BARN. 2221 01:16:11,334 --> 01:16:16,305 >> IT'S NOT A BARN. 2222 01:16:16,305 --> 01:16:17,406 MATT. 2223 01:16:17,406 --> 01:16:19,876 >> LET ME CHECK IT OUT. 2224 01:16:28,351 --> 01:16:32,889 MATT! 2225 01:16:32,889 --> 01:16:34,123 YOU HAVE THE PICTURE. 2226 01:16:34,123 --> 01:16:38,662 THAT'S THE BARN, RIGHT? 2227 01:16:38,662 --> 01:16:42,732 THAT'S THE BARN. 2228 01:16:42,732 --> 01:16:43,900 >> MATT, WHAT ARE YOU GONNA DO? 2229 01:16:43,900 --> 01:16:44,968 YOU'RE GONNA JUST DRIVE UP 2230 01:16:44,968 --> 01:16:45,268 THERE? 2231 01:16:45,268 --> 01:16:46,670 >> YEAH, I'M GONNA FUCKING DRIVE 2232 01:16:46,670 --> 01:16:47,070 UP THERE. 2233 01:16:47,070 --> 01:16:48,237 I'M GONNA PULL HER THE FUCK OUT 2234 01:16:48,237 --> 01:16:49,906 OF THERE. 2235 01:16:49,906 --> 01:16:51,307 >> MATT, YOU REALLY SHOULD THINK 2236 01:16:51,307 --> 01:16:52,108 THIS THROUGH. 2237 01:16:52,108 --> 01:16:55,011 WHAT ARE YOU THINKING? 2238 01:16:55,011 --> 01:16:58,682 >> SHIT. 2239 01:16:58,682 --> 01:17:00,016 >> YOU GUYS JUST STAY IN THE 2240 01:17:00,016 --> 01:17:02,018 CAR, OKAY? 2241 01:17:02,018 --> 01:17:03,753 MYA, YOU GET IN THE DRIVER'S 2242 01:17:03,753 --> 01:17:06,455 SEAT, ALL RIGHT? 2243 01:17:06,455 --> 01:17:07,724 >> WHAT DO YOU THINK YOU'RE 2244 01:17:07,724 --> 01:17:08,091 GONNA DO? 2245 01:17:08,091 --> 01:17:09,258 >> I'M GONNA GRAB HER, IF SHE'S 2246 01:17:09,258 --> 01:17:10,393 IN THERE, AND GET HER THE FUCK 2247 01:17:10,393 --> 01:17:11,094 OUT OF THERE. 2248 01:17:11,094 --> 01:17:13,329 >> WHAT IF SHE'S NOT? 2249 01:17:13,329 --> 01:17:14,831 >> THEN WE KEEP FUCKING LOOKING. 2250 01:17:14,831 --> 01:17:16,099 IF SHE'S NOT, I'M GOING TO THE 2251 01:17:16,099 --> 01:17:17,734 FUCKING POLICE. 2252 01:17:24,173 --> 01:17:25,041 >> GET IN THE CAR! 2253 01:17:25,041 --> 01:17:25,942 >> GET IN THE CAR! 2254 01:17:25,942 --> 01:17:26,710 GET IN THE VAN! 2255 01:17:26,710 --> 01:17:27,276 >> GO, GO, GO! 2256 01:17:27,276 --> 01:17:31,480 >> COME ON! 2257 01:17:34,117 --> 01:17:34,984 >> COME HERE! 2258 01:17:35,885 --> 01:17:36,820 >> GOD DAMN IT! 2259 01:17:36,820 --> 01:17:37,987 >> COME ON, MATT, GO! 2260 01:17:43,827 --> 01:17:47,430 >> FUCK! 2261 01:17:47,430 --> 01:17:50,199 WITH A FUCKING SHOTGUN? 2262 01:17:50,199 --> 01:17:53,069 FUCK! 2263 01:17:53,069 --> 01:17:54,470 >> SO, YOU GOT AN EX-GIRLFRIEND 2264 01:17:54,470 --> 01:17:56,039 THAT YOU START FUCKING AGAIN, 2265 01:17:56,039 --> 01:17:57,273 FINDS OUT YOU'RE CHEATING. 2266 01:17:57,273 --> 01:17:58,141 >> SHE'S DEAD. 2267 01:17:58,141 --> 01:17:59,508 >> YOUR BEST BUDDY CAMERAMAN 2268 01:17:59,508 --> 01:18:01,077 FINDS OUT YOU'RE TAKING MONEY 2269 01:18:01,077 --> 01:18:02,478 OUT OF THE PRODUCTION BUDGET. 2270 01:18:02,478 --> 01:18:04,748 >> HE'S DEAD. 2271 01:18:04,748 --> 01:18:06,349 >> AND THEN THE WANNABE PORN 2272 01:18:06,349 --> 01:18:08,317 STAR, WHO YOU'RE THE LAST ONE TO 2273 01:18:08,317 --> 01:18:09,385 BE SEEN WITH... 2274 01:18:09,385 --> 01:18:10,887 >> SHE MIGHT BE DEAD. 2275 01:18:10,887 --> 01:18:12,789 >> AND IT'S ALL SCOTT ROBERTS' 2276 01:18:12,789 --> 01:18:14,824 FAULT? 2277 01:18:14,824 --> 01:18:19,128 >> I'M DONE. I'M DONE. I'M DONE. 2278 01:18:19,128 --> 01:18:20,897 >> DID YOU GUYS EVER LOOK UP 2279 01:18:20,897 --> 01:18:22,465 SCOTT ROBERTS? 2280 01:18:41,150 --> 01:18:42,485 >> GO, GO! 2281 01:18:42,485 --> 01:18:45,454 >> SHIT, SHIT! 2282 01:18:45,454 --> 01:18:46,890 >> WHAT ARE YOU DOING?! 2283 01:18:46,890 --> 01:18:47,857 >> IT'S NOT ME! 2284 01:18:47,857 --> 01:18:49,025 IT'S THE FUCKING CAR! 2285 01:18:49,025 --> 01:18:50,559 GOD FUCKING DAMN IT. 2286 01:18:50,559 --> 01:18:55,064 WHY THE FUCK IS THIS HAPPENING?! 2287 01:18:55,064 --> 01:18:56,299 >> MATT, PLEASE TELL ME YOU KNOW 2288 01:18:56,299 --> 01:18:58,868 WHAT YOU'RE DOING IN THERE. 2289 01:18:58,868 --> 01:19:00,970 >> WELL? 2290 01:19:00,970 --> 01:19:01,437 HELLO? 2291 01:19:01,437 --> 01:19:03,372 >> HOW THE FUCK SHOULD I KNOW? 2292 01:19:03,372 --> 01:19:05,308 >> OKAY, I'M CALLING THE COPS. 2293 01:19:05,308 --> 01:19:10,179 >> WE'RE FUCKING DEAD. 2294 01:19:10,179 --> 01:19:11,948 YOU GETTING ANYTHING? 2295 01:19:11,948 --> 01:19:14,117 >> CAN'T GET A SIGNAL. 2296 01:19:14,117 --> 01:19:16,953 SHIT. 2297 01:19:16,953 --> 01:19:19,889 OH, TWO BARS. 2298 01:19:19,889 --> 01:19:20,990 >> IS IT RINGING? 2299 01:19:20,990 --> 01:19:23,459 >> SHH! 2300 01:19:23,459 --> 01:19:25,094 HELLO, HELLO. YES. 2301 01:19:25,094 --> 01:19:27,296 WE'RE -- WE JUST GOT SHOT AT. 2302 01:19:27,296 --> 01:19:29,165 OUR CAR IS BROKEN DOWN. 2303 01:19:29,165 --> 01:19:30,333 WE NEED HELP. 2304 01:19:30,333 --> 01:19:31,100 HELLO? 2305 01:19:31,100 --> 01:19:33,402 >> WHAT HAPPENED? WHAT HAPPENED? 2306 01:19:33,402 --> 01:19:35,004 >> HELLO? 2307 01:19:35,004 --> 01:19:36,472 GIVE ME YOUR PHONE. 2308 01:19:36,472 --> 01:19:38,174 >> HERE, HERE, HERE. 2309 01:19:41,377 --> 01:19:45,214 SHIT. 2310 01:19:45,214 --> 01:19:46,349 THERE'S A CAR DOWN THERE. 2311 01:19:46,349 --> 01:19:47,516 I'M GONNA GO FLAG HIM DOWN. 2312 01:19:47,516 --> 01:19:51,220 >> MYA, MYA, WAIT. NO. 2313 01:19:51,220 --> 01:19:51,855 THAT'S HIM. 2314 01:19:51,855 --> 01:19:53,022 THAT'S THE GUY, THAT'S THE GUY. 2315 01:19:53,022 --> 01:19:54,223 STAY DOWN, STAY DOWN, STAY DOWN, 2316 01:19:54,223 --> 01:19:57,861 STAY DOWN, STAY DOWN. 2317 01:19:57,861 --> 01:20:00,096 HERE, I GOTCHA. 2318 01:21:15,638 --> 01:21:16,973 COME ON. COME ON. 2319 01:21:16,973 --> 01:21:18,641 LET'S STAY AWAY FROM THE ROAD. 2320 01:21:18,641 --> 01:21:22,445 COME ON, LET'S GO. 2321 01:21:22,445 --> 01:21:24,113 COME ON. 2322 01:21:48,271 --> 01:21:50,940 >> COME ON. I GOT YOUR BACK. 2323 01:21:57,313 --> 01:21:58,581 >> LET'S SEE IF WE CAN GET 2324 01:21:58,581 --> 01:21:59,182 INSIDE. 2325 01:21:59,182 --> 01:22:00,349 >> GEEZ. 2326 01:22:16,365 --> 01:22:20,169 WHAT IS HE DOING? 2327 01:22:20,169 --> 01:22:22,605 HE'S GOT A SHOTGUN. 2328 01:22:49,465 --> 01:22:51,367 ALL RIGHT, LET'S GO. 2329 01:23:15,058 --> 01:23:17,060 >> ALL RIGHT, LET'S JUST HURRY 2330 01:23:17,060 --> 01:23:19,095 UP AND GET OUT OF HERE. 2331 01:23:19,095 --> 01:23:19,795 >> WATCH OUT. 2332 01:23:19,795 --> 01:23:26,602 JUST WATCH WHERE YOU'RE WALKING. 2333 01:23:26,602 --> 01:23:31,574 >> WHAT IS THAT SMELL? 2334 01:23:31,574 --> 01:23:33,276 >> WATCH OUT. 2335 01:23:39,482 --> 01:23:41,117 WATCH YOUR STEP, WATCH YOUR 2336 01:23:41,117 --> 01:23:41,484 STEP. 2337 01:23:47,223 --> 01:23:51,760 >> STEP UP. 2338 01:23:51,760 --> 01:23:53,462 BREAKERS. 2339 01:24:11,447 --> 01:24:13,649 TWO STEPS DOWN. 2340 01:24:20,523 --> 01:24:22,225 >> THIS LOOKS LIKE -- THIS LOOKS 2341 01:24:22,225 --> 01:24:23,159 LIKE THE PLACE. 2342 01:24:23,159 --> 01:24:24,627 >> THIS IS WHERE THEY SHOT THAT 2343 01:24:24,627 --> 01:24:26,262 SNUFF FILM. 2344 01:24:32,435 --> 01:24:33,869 OH, I THINK THAT'S BLOOD. 2345 01:24:33,869 --> 01:24:39,475 >> NO WAY. 2346 01:24:39,475 --> 01:24:41,144 NO WAY THAT'S COMING OFF. 2347 01:24:48,317 --> 01:24:49,318 >> DAMN IT, ROBBIE. 2348 01:24:49,318 --> 01:24:49,918 >> I'M SORRY. 2349 01:24:49,918 --> 01:24:51,454 >> WATCH WHERE YOU'RE FUCKING 2350 01:24:51,454 --> 01:24:52,188 GOING, MAN. 2351 01:24:52,188 --> 01:24:55,858 >> SORRY. 2352 01:24:55,858 --> 01:24:57,326 >> LET'S GET THE FUCK OUT OF 2353 01:24:57,326 --> 01:25:02,298 HERE. 2354 01:25:02,298 --> 01:25:05,668 >> OH, MY GOD. 2355 01:25:05,668 --> 01:25:06,669 >> OH, GOD. 2356 01:25:06,669 --> 01:25:08,537 >> THAT'S ALYSSA'S SHIRT. 2357 01:25:08,537 --> 01:25:09,605 >> OH, GEEZ. 2358 01:25:09,605 --> 01:25:10,539 >> GET UP. 2359 01:25:10,539 --> 01:25:12,475 WE GOT TO GET OUT OF HERE. 2360 01:25:12,475 --> 01:25:13,476 GET UP. WE HAVE TO GO. 2361 01:25:13,476 --> 01:25:13,876 COME ON! 2362 01:25:13,876 --> 01:25:14,743 >> MATT, COME ON. 2363 01:25:14,743 --> 01:25:15,644 WE GOT TO GET OUT. 2364 01:25:15,644 --> 01:25:18,914 >> COME ON! 2365 01:25:18,914 --> 01:25:20,483 >> WE GOT TO GET OUT OF HERE, 2366 01:25:20,483 --> 01:25:20,783 MAN. 2367 01:25:24,887 --> 01:25:25,721 >> ROBBIE. 2368 01:25:27,956 --> 01:25:29,958 YOU SON OF A BITCH! 2369 01:26:08,964 --> 01:26:10,399 >> I'M GONNA ASK YOU ONE MORE 2370 01:26:10,399 --> 01:26:12,635 QUESTION, MATT. 2371 01:26:12,635 --> 01:26:15,204 AND YOU ANSWER IT IF YOU WANT. 2372 01:26:19,342 --> 01:26:21,844 DO YOU BELIEVE IN GHOSTS? 2373 01:26:21,844 --> 01:26:23,979 >> WHAT? 2374 01:26:23,979 --> 01:26:27,783 >> YOU KNOW, GHOSTS, DEAD PEOPLE 2375 01:26:27,783 --> 01:26:31,854 AMONG US, SHIT LIKE THAT. 2376 01:26:31,854 --> 01:26:34,623 >> YEAH, SURE. WHY NOT? 2377 01:26:42,465 --> 01:26:43,999 >> I WANT TO SHOW YOU SOMETHING. 2378 01:26:43,999 --> 01:26:47,403 THIS IS A DEATH CERTIFICATE. 2379 01:26:47,403 --> 01:26:49,538 I WANT YOU TO READ THE NAME ON 2380 01:26:49,538 --> 01:26:53,008 THAT CERTIFICATE AND I WANT YOU 2381 01:26:53,008 --> 01:26:55,711 TO READ IT OUT LOUD SO YOU CAN 2382 01:26:55,711 --> 01:26:57,380 HEAR YOURSELF. 2383 01:27:08,324 --> 01:27:13,729 READ IT, MATT. WHAT'S IT SAY? 2384 01:27:13,729 --> 01:27:16,499 >> SCOTT ROBERTS. 2385 01:27:16,499 --> 01:27:19,668 >> WHAT'S THE DEATH DATE? 2386 01:27:19,668 --> 01:27:23,839 >> NOVEMBER 11, 1976. 2387 01:27:23,839 --> 01:27:25,408 >> THAT WAS A LONG TIME AGO, 2388 01:27:25,408 --> 01:27:26,675 MATT. 2389 01:27:33,949 --> 01:27:39,054 I KNOW IT WAS YOU. 2390 01:27:39,054 --> 01:27:40,889 I CAN SEE IT IN YOUR EYES RIGHT 2391 01:27:40,889 --> 01:27:44,693 NOW. 2392 01:27:44,693 --> 01:27:45,861 MAYBE YOU DON'T EVEN KNOW WHAT 2393 01:27:45,861 --> 01:27:51,634 YOU DID. 2394 01:27:51,634 --> 01:27:54,970 MAYBE YOU NEVER WILL. 2395 01:27:54,970 --> 01:27:58,441 YOU GO AHEAD AND KEEP THAT. 2396 01:27:58,441 --> 01:28:00,509 I GOT A COPY. 2397 01:29:42,445 --> 01:29:43,479 >> Hey, it's Alyssa. 2398 01:29:43,479 --> 01:29:44,713 I'm not here right now, but 2399 01:29:44,713 --> 01:29:46,014 leave me a message, and I'll 2400 01:29:46,014 --> 01:29:46,815 call you back. 2401 01:29:47,450 --> 01:29:49,552 >> HEY, ALYSSA. IT'S MATT. 2402 01:29:49,552 --> 01:29:51,687 UH, YOU KNOW THAT THING WE 2403 01:29:51,687 --> 01:29:53,689 TALKED ABOUT WITH MYA -- 2404 01:29:53,689 --> 01:29:56,158 EVERYTHING'S SMOOTHED OVER NOW. 2405 01:29:56,158 --> 01:30:01,864 THERE'S NO MORE TENSION. 2406 01:30:01,864 --> 01:30:06,769 I WORKED EVERYTHING OUT, SO WHEN 2407 01:30:06,769 --> 01:30:09,171 YOU GET A SECOND, GIVE ME A CALL 2408 01:30:09,171 --> 01:30:11,607 BACK, OKAY? 2409 01:30:11,607 --> 01:30:13,476 I REALLY MISS YOU. 2410 01:30:13,476 --> 01:30:17,446 I WANT TO SEE YOU. OKAY. 2411 01:30:58,120 --> 01:30:59,588 >> * THERE'S BLOOD ON THE 2412 01:30:59,588 --> 01:31:01,289 MOUNTAIN * 2413 01:31:01,289 --> 01:31:04,560 * THERE'S BLOOD ON THE SAND * 2414 01:31:04,560 --> 01:31:07,295 * THEY'RE KILLING FOR THINGS * 2415 01:31:07,295 --> 01:31:10,733 * I DON'T UNDERSTAND * 2416 01:31:10,733 --> 01:31:13,602 * THEY'RE BLINDED BY GREED * 2417 01:31:13,602 --> 01:31:16,805 * HALF-DRUNK WITH POWER * 2418 01:31:16,805 --> 01:31:17,840 * THERE'S BLOOD ON THE 2419 01:31:17,840 --> 01:31:19,742 MOUNTAIN * 2420 01:31:19,742 --> 01:31:22,911 * THERE'S BLOOD ON THE SAND * 2421 01:31:22,911 --> 01:31:25,914 * NEVER KNOW * 2422 01:31:25,914 --> 01:31:34,923 * WHEN THE DEVIL'S GONNA CALL * 2423 01:31:34,923 --> 01:31:38,060 * YOU SOLD YOUR SOUL * 2424 01:31:38,060 --> 01:31:42,565 * IT'S TIME TO PAY YOUR TOLL * 2425 01:31:47,202 --> 01:31:50,138 * THERE'S BLOOD IN THE OCEAN * 2426 01:31:50,138 --> 01:31:53,275 * THERE'S BLOOD ON THE LAND * 2427 01:31:53,275 --> 01:31:56,244 * THEY'RE MAKING THEIR PLANS * 2428 01:31:56,244 --> 01:31:59,247 * THEY'RE WRINGING THEIR HANDS * 2429 01:31:59,247 --> 01:32:02,250 * THEY'RE BLINDED BY GREED * 2430 01:32:02,250 --> 01:32:05,220 * THEY'RE PLAYING WITH FIRE * 2431 01:32:05,220 --> 01:32:08,323 * THERE'S BLOOD IN THE OCEAN * 2432 01:32:08,323 --> 01:32:11,627 * THERE'S BLOOD ON THE LAND * 2433 01:32:11,627 --> 01:32:14,663 * YOU NEVER KNOW * 2434 01:32:14,663 --> 01:32:18,934 * WHEN THE DEVIL'S GONNA CALL * 2435 01:32:23,371 --> 01:32:26,341 * YOU SOLD YOUR SOUL * 2436 01:32:26,341 --> 01:32:30,879 * IT'S TIME TO PAY YOUR TOLL * 139907

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