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1
00:00:42,500 --> 00:00:44,000
PROFESSOR FIELDING,
WE FOUND SOMETHING.
2
00:00:45,750 --> 00:00:47,583
REALLY?
3
00:00:47,667 --> 00:00:49,583
OH...
LET'S TAKE A LOOK.
4
00:00:53,125 --> 00:00:55,333
OH...
5
00:00:55,417 --> 00:00:56,417
WHAT DO YOU THINK,
PROFESSOR?
6
00:00:56,500 --> 00:00:57,917
WHAT DO YOU THINK?
7
00:01:03,125 --> 00:01:04,166
KIND OF
LOOKS LIKE...
8
00:01:04,250 --> 00:01:05,458
A SPOON.
9
00:01:05,542 --> 00:01:07,208
SURE DOES.
10
00:01:07,291 --> 00:01:09,417
PLEASE TELL ME IT'S ENGLISH.
11
00:01:09,500 --> 00:01:10,709
IT'S ENGLISH.
12
00:01:11,792 --> 00:01:12,709
SILVER?
13
00:01:12,792 --> 00:01:15,083
YEP.
DEFINITELY SILVER.
14
00:01:15,166 --> 00:01:17,500
AND MOST IMPORTANTLY...
HOW OLD?
15
00:01:17,583 --> 00:01:19,375
1700.
16
00:01:19,458 --> 00:01:20,917
MAYBE 1710.
17
00:01:22,041 --> 00:01:23,583
HEY, HEY, HEY, HEY!
18
00:01:23,667 --> 00:01:25,500
WE'VE ONLY BEEN HERE A WEEK,
19
00:01:25,583 --> 00:01:28,125
AND WE'VE ALREADY FOUND
A 300-YEAR-OLD ARTIFACT.
20
00:01:28,208 --> 00:01:29,458
STILL A HUNDRED YEARS
21
00:01:29,542 --> 00:01:32,125
AFTER THE COLONY AT JAMESTOWN
WAS ESTABLISHED.
22
00:01:32,208 --> 00:01:33,375
OKAY, GUYS,
23
00:01:33,458 --> 00:01:35,375
IF ARCHAEOLOGY
TEACHES US ANYTHING,
24
00:01:35,458 --> 00:01:36,917
IT'S PATIENCE.
25
00:01:37,000 --> 00:01:39,625
MY FATHER SPENT
THE LAST 25 YEARS OF HIS LIFE
26
00:01:39,709 --> 00:01:41,208
LOOKING
FOR THIS LOST COLONY.
27
00:01:41,291 --> 00:01:42,583
THIS SPOON IS A SIGN.
28
00:01:42,667 --> 00:01:46,250
IT'S FLASHING "YOU'RE CLOSE.
KEEP DIGGING."
29
00:01:46,333 --> 00:01:47,542
THIS IS GOOD NEWS.
30
00:01:47,625 --> 00:01:48,792
OKAY.
31
00:01:48,875 --> 00:01:50,417
WHO WANTS TO DO THE HONORS?
32
00:01:52,792 --> 00:01:53,709
GO AHEAD.
33
00:01:58,458 --> 00:02:00,333
NOW THAT IT'S COMPLETE EXPOSED,
34
00:02:00,417 --> 00:02:03,166
CAREY CAN GENTLY REMOVE
THE ARTIFACT.
35
00:02:07,792 --> 00:02:08,667
OKAY, NOW.
36
00:02:08,750 --> 00:02:11,125
CLOSE YOUR EYES.
37
00:02:11,208 --> 00:02:12,250
KNOW THAT YOU ARE
38
00:02:12,333 --> 00:02:15,041
THE FIRST PERSON
IN THREE CENTURIES
39
00:02:15,125 --> 00:02:16,208
TO HOLD THAT SPOON.
40
00:02:19,000 --> 00:02:21,166
IMAGINE THE VERY BEGINNINGS
OF A COLONY...
41
00:02:21,250 --> 00:02:22,625
THE MEN CLEARING BRUSH,
42
00:02:22,709 --> 00:02:25,458
SURVEYING THE LAND,
MAPPING THE SETTLEMENT...
43
00:02:25,542 --> 00:02:27,417
THE WOMEN SETTING UP
AN OUTDOOR SCHOOL
44
00:02:27,500 --> 00:02:29,875
AND PRESERVING FOOD
FOR THE COMING WINTER.
45
00:02:32,083 --> 00:02:34,959
THE LAST PERSON WHO HELD THAT
LIVED AND LOVED
46
00:02:35,041 --> 00:02:37,542
AND FELT SUFFERING AND JOY.
47
00:02:37,625 --> 00:02:39,667
WHAT YOU'RE HOLDING
IN YOUR HAND
48
00:02:39,750 --> 00:02:41,875
IS SOMEONE'S
LIFE STORY.
49
00:02:41,959 --> 00:02:43,792
THAT'S WHAT WE DO!
THAT'S WHAT WE DO.
50
00:02:43,875 --> 00:02:47,375
WE FIND CLUES
ABOUT LIVES LIVED LONG AGO.
51
00:02:47,458 --> 00:02:49,041
SO LET'S KEEP DIGGING!
52
00:02:49,125 --> 00:02:51,583
THERE ARE STORIES UNDERGROUND,
JUST WAITING TO BE DISCOVERED.
53
00:03:27,417 --> 00:03:28,834
HEY, YOUR MOM SHOWED ME
AROUND THE OTHER DAY.
54
00:03:28,917 --> 00:03:30,458
SHE HAS REALLY GOOD TASTE.
55
00:03:30,542 --> 00:03:31,834
PAULINE'S ACTUALLY
MY STEP-MOM,
56
00:03:31,917 --> 00:03:34,917
SO, OBVIOUSLY,
MY DAD HAD GOOD TASTE, TOO.
57
00:03:36,125 --> 00:03:38,625
WELL, THE FIRST TIME
I SAW OSCAR FIELDING,
58
00:03:38,709 --> 00:03:40,083
I WAS LOOKING
THROUGH MY WINDOW,
59
00:03:40,166 --> 00:03:41,917
AND I SAW
THIS STRIKINGLY HANDSOME MAN
60
00:03:42,000 --> 00:03:42,750
WANDERING THROUGH MY FIELDS,
61
00:03:42,834 --> 00:03:44,000
CARRYING A SHOVEL,
62
00:03:44,083 --> 00:03:46,291
AND TALKING TO HIMSELF
ABOUT A LOST COLONY.
63
00:03:46,375 --> 00:03:48,166
I FELL IN LOVE WITH HIM
RIGHT THEN AND THERE.
64
00:03:48,250 --> 00:03:50,333
AND NOW HERE YOU ARE,
BACK IN MY FIELD,
65
00:03:50,417 --> 00:03:51,792
CONTINUING THE WORK
THAT BROUGHT HIM HERE
66
00:03:51,875 --> 00:03:52,959
IN THE FIRST PLACE.
67
00:03:54,375 --> 00:03:55,500
SO, ANY PROGRESS TODAY?
68
00:03:56,458 --> 00:03:57,375
GETTING CLOSER.
69
00:03:57,458 --> 00:03:58,834
OH, WOW!
70
00:03:58,917 --> 00:04:00,083
YEAH!
71
00:04:00,166 --> 00:04:01,417
WOULD YOU PLEASE PUT THIS
IN DAD'S OLD LAB?
72
00:04:01,500 --> 00:04:02,667
I'VE GOT TO GET
THE KIDS BACK.
73
00:04:02,750 --> 00:04:03,959
OKAY, I WILL.
74
00:04:04,041 --> 00:04:05,166
THANK YOU.
75
00:04:19,208 --> 00:04:21,583
'KAY, GUYS, DON'T FORGET
TO UPDATE YOUR NOTES,
76
00:04:21,667 --> 00:04:24,709
AND, YES, THEY WILL COUNT
WHEN WE GET BACK TO CAMPUS.
77
00:04:24,792 --> 00:04:26,250
YOU KNOW, WE WOULD HAVE
GOTTEN TO THAT SPOON
78
00:04:26,333 --> 00:04:27,500
A LOT SOONER
79
00:04:27,583 --> 00:04:29,333
IF WE'D HAVE SENT UP
THE THERMAL-IMAGING DRONE.
80
00:04:29,417 --> 00:04:31,583
YOU WANT TO SEE THE BEST TOOL
IN AN ARCHAEOLOGIST'S KIT?
81
00:05:07,875 --> 00:05:08,792
EMMA...
82
00:05:08,875 --> 00:05:10,834
I HEARD YOU WERE
BACK IN TOWN.
83
00:05:10,917 --> 00:05:12,667
BEEN WONDERING
WHEN I'D SEE YOU.
84
00:05:14,250 --> 00:05:16,875
IT'S NIKKI.
MY DAD USED TO...
85
00:05:16,959 --> 00:05:18,917
RUN THE GARAGE!
RIGHT, NIKKI!
86
00:05:19,000 --> 00:05:21,291
OH, I'M SORRY.
IT'S JUST BEEN SO LONG.
87
00:05:21,375 --> 00:05:24,792
WELL, YOU'VE...
HARDLY CHANGED.
88
00:05:24,875 --> 00:05:26,959
APPARENTLY, YOU CAN'T SAY
THE SAME THING ABOUT ME.
89
00:05:27,041 --> 00:05:28,625
OH, NIKKI, I...
90
00:05:34,083 --> 00:05:34,792
HEY, GORGEOUS.
91
00:05:34,875 --> 00:05:35,834
HEY.
92
00:05:35,917 --> 00:05:37,291
WHAT'S SPECIAL?
93
00:05:37,375 --> 00:05:39,208
MY SHIFT ENDS AT NINE.
94
00:05:39,291 --> 00:05:40,458
IF YOU'RE FREE,
MAYBE WE COULD...
95
00:05:40,542 --> 00:05:41,792
EXCUSE ME A SEC.
96
00:05:46,792 --> 00:05:48,458
EMMA FIELDING.
97
00:05:48,542 --> 00:05:49,792
WILL!
98
00:05:51,000 --> 00:05:51,875
WHAT BRINGS YOU
BACK HERE?
99
00:05:51,959 --> 00:05:53,875
WORK.
I'M DOING A DIG.
100
00:05:53,959 --> 00:05:55,667
I DIDN'T EXPECT
TO SEE YOU.
101
00:05:55,750 --> 00:05:57,959
OH, YOU KNOW, JUST...
WASHED UP WITH THE TIDE.
102
00:05:58,041 --> 00:05:59,333
LAST I HEARD,
YOU WERE IN FLORIDA.
103
00:05:59,417 --> 00:06:00,875
YEAH, ACTUALLY.
104
00:06:00,959 --> 00:06:02,000
I JUST CAME BACK
A FEW MONTHS AGO.
105
00:06:02,083 --> 00:06:03,250
DOING SALVAGE, RIGHT?
106
00:06:03,333 --> 00:06:04,542
UH, WELL...
107
00:06:04,625 --> 00:06:06,625
UNDERWATER EXPLORATION
FOR A PETROLEUM COMPANY
108
00:06:06,709 --> 00:06:08,500
UNTIL OIL PRICES DROPPED,
109
00:06:08,583 --> 00:06:09,709
THEN ON TO SALVAGE, BUT...
110
00:06:09,792 --> 00:06:11,667
ANYWAY, WOKE UP ONE DAY
111
00:06:11,750 --> 00:06:13,166
AND THEN SAID, IT'S TIME
TO MOVE BACK HOME.
112
00:06:13,250 --> 00:06:14,792
I'M GLAD YOU DID.
IT'S SO GOOD TO SEE YOU.
113
00:06:14,875 --> 00:06:15,834
YOU TOO.
114
00:06:18,583 --> 00:06:20,250
SO, DO YOU FIND TIME
115
00:06:20,333 --> 00:06:22,250
BETWEEN TEACHING CLASSES
AND RAIDING TOMBS
116
00:06:22,333 --> 00:06:25,125
TO GET MARRIED
AND HAVE KIDS?
117
00:06:25,208 --> 00:06:26,667
NOT MARRIED.
NO KIDS.
118
00:06:26,750 --> 00:06:29,333
WELL, ACTUALLY, 11...
MY DIG TEAM.
119
00:06:29,417 --> 00:06:30,792
YOU?
120
00:06:31,959 --> 00:06:33,417
LONG STORY,
TOO LONG,
121
00:06:33,500 --> 00:06:34,917
BUT THE SKINNY
VERSION IS...
122
00:06:35,000 --> 00:06:36,458
WILL BRIGGS
IS RIDING SOLO,
123
00:06:36,542 --> 00:06:39,458
AND, AS USUAL,
LOOKING TO REINVENT HIMSELF.
124
00:06:39,542 --> 00:06:41,875
I'VE GOT TO SAY, COMING BACK
AND FINDING YOU HERE?
125
00:06:41,959 --> 00:06:43,166
CHERRY ON THE SUNDAE.
126
00:06:43,250 --> 00:06:45,041
OH, DON'T TALK TO ME
ABOUT CHERRIES.
127
00:06:45,125 --> 00:06:46,250
THAT TIME WE ATE
A WHOLE BAG
128
00:06:46,333 --> 00:06:48,250
YOUR MOM GOT
TO PUT IN A PIE?
129
00:06:48,333 --> 00:06:49,583
SHE STILL REMEMBERS THAT.
130
00:06:49,667 --> 00:06:51,542
MY STOMACH REMEMBERS.
131
00:06:51,625 --> 00:06:52,792
OH, MAN,
132
00:06:52,875 --> 00:06:55,333
I COULDN'T WAIT FOR YOU
TO COME HERE EVERY SUMMER.
133
00:06:55,417 --> 00:06:56,583
I REMEMBER, I USED
TO WRITE IT ON MY CALENDAR.
134
00:06:56,667 --> 00:06:58,500
"EM-DAY."
135
00:06:58,583 --> 00:07:00,375
FIVE MONTHS,
FOUR MONTHS, THREE MONTHS...
136
00:07:00,458 --> 00:07:02,083
AW, WE WERE SO YOUNG.
137
00:07:02,166 --> 00:07:03,959
WE WERE TEENAGERS.
138
00:07:04,041 --> 00:07:05,333
WE'RE NOT
NOT-SO-YOUNG NOW.
139
00:07:05,417 --> 00:07:06,959
UGH, TELL THAT
TO MY STUDENTS.
140
00:07:07,041 --> 00:07:09,291
HALF OF THEM THINK
I'M AN ANTIQUITY.
141
00:07:09,375 --> 00:07:11,542
SO HOW LONG
ARE YOU HERE FOR?
142
00:07:11,625 --> 00:07:12,667
SEVERAL WEEKS,
143
00:07:12,750 --> 00:07:14,291
THEN BACK TO
KENZER COLLEGE.
144
00:07:14,375 --> 00:07:16,709
I JUST HOPE I FIND PROOF
OF THE COLONY'S EXISTENCE
145
00:07:16,792 --> 00:07:18,333
BEFORE THEN.
146
00:07:18,417 --> 00:07:21,208
LOOK AT YOU, HUH?
PROFESSOR EMMA FIELDING.
147
00:07:22,792 --> 00:07:23,750
THIS IS YOU?
148
00:07:23,834 --> 00:07:24,834
YEAH.
149
00:07:24,917 --> 00:07:26,083
GOOD.
HEY, SO LISTEN...
150
00:07:26,166 --> 00:07:28,083
YOU WANT TO DO
DINNER TOMORROW NIGHT?
151
00:07:28,166 --> 00:07:30,625
WE SHOULDN'T GO ANOTHER 20 YEARS
WITHOUT RECONNECTING.
152
00:07:30,709 --> 00:07:33,041
I'D LIKE THAT. SURE.
153
00:07:33,125 --> 00:07:34,041
GOOD NIGHT.
154
00:07:34,125 --> 00:07:35,000
GOOD NIGHT.
155
00:07:43,333 --> 00:07:45,625
HEY! YOU GOT
NO BUSINESS HERE.
156
00:07:45,709 --> 00:07:47,208
WHAT?
157
00:07:47,291 --> 00:07:49,500
YOU GOT
NO BUSINESS HERE.
158
00:07:49,583 --> 00:07:51,458
I REMEMBER YOU.
AUGIE, RIGHT?
159
00:07:51,542 --> 00:07:52,875
WHO DO YOU THINK YOU ARE,
160
00:07:52,959 --> 00:07:54,583
COMING BACK HERE
AND DIGGING THINGS UP,
161
00:07:54,667 --> 00:07:55,417
THINGS THAT DON'T
BELONG TO YOU?
162
00:07:55,500 --> 00:07:56,291
HEY!
163
00:07:58,500 --> 00:08:00,500
ARE YOU OKAY?
164
00:08:08,166 --> 00:08:09,208
AUGIE!
165
00:08:09,291 --> 00:08:10,875
AUGIE!
166
00:08:28,667 --> 00:08:30,000
EMMA?
167
00:08:30,083 --> 00:08:33,417
OH, YOU'RE AN ANGEL
ON CAFFEINATED WINGS.
168
00:08:33,500 --> 00:08:34,709
I TRY.
169
00:08:34,792 --> 00:08:37,166
I HEAR YOU SAW
WILL BRIGGS LAST NIGHT.
170
00:08:37,250 --> 00:08:38,583
VILLAGE NEWS FEED?
171
00:08:38,667 --> 00:08:40,625
KNOWS ALL, SEES ALL.
172
00:08:40,709 --> 00:08:42,667
YOU HAD QUITE A CRUSH
ON WILL ONCE, IF I RECALL.
173
00:08:42,750 --> 00:08:44,083
I WAS A TEENAGER.
174
00:08:44,166 --> 00:08:45,917
WORD IS, HE'S STILL
VERY ATTRACTIVE.
175
00:08:46,000 --> 00:08:47,000
IT'S VERY SWEET OF YOU
176
00:08:47,083 --> 00:08:48,125
TO BE INTERESTED
IN MY LOVE LIFE,
177
00:08:48,208 --> 00:08:50,250
BUT AS YOU KNOW,
I'M HAPPILY SINGLE.
178
00:09:04,250 --> 00:09:06,375
DO YOU REMEMBER
TONY MARKHAM?
179
00:09:06,458 --> 00:09:07,792
HE WORKED
WITH YOUR FATHER.
180
00:09:07,875 --> 00:09:10,625
YEAH, HE'S HEAD OF
MY DEPARTMENT NOW.
181
00:09:10,709 --> 00:09:11,792
HE'S ON HIS WAY
TO OBSERVE
182
00:09:11,875 --> 00:09:13,166
AND STAY OVERNIGHT.
183
00:09:13,250 --> 00:09:15,583
TONY'S OKAY.
HE'S ALWAYS BEEN SUPPORTIVE,
184
00:09:15,667 --> 00:09:17,875
AND VISITING DIG SITES
IS A PART OF HIS JOB.
185
00:09:17,959 --> 00:09:19,250
IS HE STAYING AT THE MOTEL?
186
00:09:19,333 --> 00:09:21,000
THAT'S THE
REAL PROBLEM.
187
00:09:21,083 --> 00:09:22,750
WE'VE TAKEN
ALL THE AVAILABLE ROOMS,
188
00:09:22,834 --> 00:09:24,250
AND TONY'S KIND OF PARTICULAR.
189
00:09:24,333 --> 00:09:26,000
HMM.
190
00:09:26,083 --> 00:09:28,375
HE CAN STAY IN MY GUEST ROOM,
I SUPPOSE,
191
00:09:28,458 --> 00:09:29,250
IF THAT WOULD HELP YOU OUT?
192
00:09:29,333 --> 00:09:30,917
REALLY?
193
00:09:31,000 --> 00:09:32,333
HE WOULD LOVE THAT.
THANK YOU.
194
00:09:32,417 --> 00:09:33,875
YOU'RE WELCOME,
195
00:09:33,959 --> 00:09:36,041
BUT YOU KNOW I'D MUCH RATHER
HAVE YOU STAY HERE WITH ME.
196
00:09:36,125 --> 00:09:37,458
I KNOW,
197
00:09:37,542 --> 00:09:38,875
BUT I'M OLD-FASHIONED.
198
00:09:38,959 --> 00:09:40,083
EVEN THOUGH THEY'RE POST-GRADS,
199
00:09:40,166 --> 00:09:41,917
I FEEL LIKE I NEED
TO KEEP AN EYE ON MY KIDS.
200
00:09:42,000 --> 00:09:45,166
ONE DAY, NO ONE'S
GOING TO BE DIGGING.
201
00:09:45,250 --> 00:09:47,208
I MEAN,
THE TECHNOLOGY'S ALREADY THERE.
202
00:09:47,291 --> 00:09:48,667
IT'LL BE DONE
THROUGH REMOTE SENSING,
203
00:09:48,750 --> 00:09:50,667
TOTALLY NON-INVASIVE TECHNIQUES.
204
00:09:50,750 --> 00:09:52,917
IT'LL BE SO REMOTE THAT
YOU WON'T EVEN HAVE TO SHOW UP.
205
00:09:53,000 --> 00:09:55,250
YOU'LL BE STARING AT A LAPTOP
IN YOUR PARENTS' BASEMENT
206
00:09:55,333 --> 00:09:57,166
WHEN I CALL YOU
TO TELL YOU
207
00:09:57,250 --> 00:09:59,375
I'VE MADE THE ARCHAEOLOGICAL
FIND OF THE CENTURY.
208
00:09:59,458 --> 00:10:00,917
WITH YOUR TWO LITTLE HANDS,
RIGHT?
209
00:10:01,000 --> 00:10:02,166
MM-HMM.
210
00:10:02,250 --> 00:10:04,667
YOU'RE MORE LIKE
FIELDING EVERY DAY.
211
00:10:04,750 --> 00:10:06,625
I ONLY WISH.
212
00:10:19,250 --> 00:10:20,583
EMMA!
213
00:10:20,667 --> 00:10:21,667
TONY.
214
00:10:22,959 --> 00:10:24,667
GOOD TO SEE YOU.
215
00:10:24,750 --> 00:10:25,875
THANK YOU.
216
00:10:25,959 --> 00:10:27,583
I COULDN'T RESIST
COMING FOR A VISIT,
217
00:10:27,667 --> 00:10:30,375
GIVEN WHAT WE HOPE
WE MAY HAVE BURIED HERE.
218
00:10:30,458 --> 00:10:31,792
I'M SO GLAD YOU DID.
219
00:10:31,875 --> 00:10:35,125
EVERYONE, YOU ALL KNOW
PROFESSOR MARKHAM, OF COURSE.
220
00:10:35,208 --> 00:10:37,208
NICE TO SEE YOU AGAIN, SIR.
221
00:10:37,291 --> 00:10:39,375
WELL, NICE TO BE SEEN!
222
00:10:39,458 --> 00:10:42,792
EMMA'S FATHER, OSCAR FIELDING,
WAS MY PROFESSOR,
223
00:10:42,875 --> 00:10:46,083
AND HE TRULY WAS A GIANT
IN AMERICAN ARCHAEOLOGY.
224
00:10:46,166 --> 00:10:47,792
NOW, THERE ARE THOSE
IN OUR FIELD
225
00:10:47,875 --> 00:10:50,583
WHO DIDN'T BELIEVE HIS THEORY
OF A LOST COLONY,
226
00:10:50,667 --> 00:10:52,125
BUT, WELL, THOSE OF US
WHO KNEW HIM
227
00:10:52,208 --> 00:10:55,792
WERE MOVED BY HIS PASSION...
228
00:10:55,875 --> 00:10:58,291
AND SOMETHING THAT HIS
DAUGHTER INHERITED IN SPADES.
229
00:10:58,375 --> 00:11:01,333
WOW, THAT WAS A TERRIBLE PUN.
I APOLOGIZE.
230
00:11:03,375 --> 00:11:04,333
GOING TO GIVE ME A TOUR?
231
00:11:04,417 --> 00:11:05,291
SURE! SURE.
232
00:11:05,375 --> 00:11:06,542
GREAT.
233
00:11:06,625 --> 00:11:08,417
HAVE YOU FOUND
ANYTHING INTERESTING?
234
00:11:08,500 --> 00:11:11,166
WE'VE MADE A FEW
18TH-CENTURY FINDS.
235
00:11:11,250 --> 00:11:12,625
THAT'S SOMETHING.
236
00:11:12,709 --> 00:11:13,750
I FEEL THE CLOCK TICKING.
237
00:11:13,834 --> 00:11:16,000
I'D LIKE TO BE MOVING
A BIT FASTER.
238
00:11:16,083 --> 00:11:17,500
WELL, I ALWAYS
FEEL THAT WAY.
239
00:11:18,834 --> 00:11:20,875
WHAT IS IT?
240
00:11:20,959 --> 00:11:22,417
HEY, DID...
241
00:11:22,500 --> 00:11:24,500
DID ANYONE COME BACK
LAST NIGHT?
242
00:11:24,583 --> 00:11:25,458
NO.
243
00:11:25,542 --> 00:11:26,500
NO.
244
00:11:28,750 --> 00:11:30,125
SOMETHING'S NOT RIGHT.
245
00:11:32,000 --> 00:11:33,959
THIS GROUND HAS BEEN
FRESHLY TURNED.
246
00:11:42,709 --> 00:11:43,667
OH, MY GOODNESS.
247
00:11:45,458 --> 00:11:47,041
OH, NO.
248
00:11:47,125 --> 00:11:49,542
SOMEBODY CALL 9-1-1.
249
00:11:49,625 --> 00:11:50,500
YOU GO IT.
250
00:11:53,750 --> 00:11:55,250
AUGIE...
251
00:11:56,500 --> 00:11:58,500
ALL RIGHT THEN,
I'LL FIND OUT.
252
00:11:59,458 --> 00:12:00,542
EMMA?
253
00:12:02,166 --> 00:12:03,375
EXCUSE ME.
254
00:12:04,625 --> 00:12:06,375
THE CORONER'S OFFICE
HAS A FEW QUESTIONS...
255
00:12:06,458 --> 00:12:07,583
EXCUSE ME.
256
00:12:09,417 --> 00:12:11,041
SPECIAL AGENT JIM CONNOR.
257
00:12:12,125 --> 00:12:12,959
I'M PART OF A RAPID
DEPLOYMENT TEAM
258
00:12:13,041 --> 00:12:14,125
THAT DEALS
WITH THEFT, FORGERY,
259
00:12:14,208 --> 00:12:16,208
AND TRAFFICKING,
OF ANTIQUITIES.
260
00:12:16,291 --> 00:12:17,625
ARE YOU SAYING THAT AUGIE
HAD SOMETHING TO DO
261
00:12:17,709 --> 00:12:19,208
WITH THE TRAFFICKING
OF ANTIQUITIES?
262
00:12:19,291 --> 00:12:21,291
WELL, THAT'S...
I'M HERE TO FIND THAT OUT.
263
00:12:21,375 --> 00:12:22,709
SHERIFF, I'M NOT GOING
TO GET IN YOUR WAY.
264
00:12:22,792 --> 00:12:24,333
WE'RE ACCUSTOMED TO DEALING
WITH THESE TYPES OF CRIMES.
265
00:12:24,417 --> 00:12:25,500
ON ARCHAEOLOGICAL DIGS?
266
00:12:25,583 --> 00:12:28,041
AT IMPORTANT ONES.
267
00:12:28,125 --> 00:12:30,250
THE LOCAL OFFICE TIPPED
ME OFF ABOUT THE BODY,
268
00:12:30,333 --> 00:12:31,291
THAT'S WHY I'M HERE.
269
00:12:31,375 --> 00:12:32,792
I SEE.
270
00:12:32,875 --> 00:12:34,750
WELL, I'LL BE HAPPY
TO COOPERATE.
271
00:12:34,834 --> 00:12:36,333
HOPEFULLY,
THAT'LL BE A TWO-WAY STREET.
272
00:12:44,250 --> 00:12:46,208
THIS IS EMMA'S PROJECT.
273
00:12:46,291 --> 00:12:47,333
SHE'S THE ARCHAEOLOGIST.
274
00:12:47,417 --> 00:12:48,667
I KNOW WHO YOU ARE.
275
00:12:48,750 --> 00:12:50,333
NICE TO MEET YOU,
PROFESSOR FIELDING.
276
00:12:50,417 --> 00:12:51,917
YOU TOO.
277
00:12:52,000 --> 00:12:53,000
SHE'S ALSO THE ONE
278
00:12:53,083 --> 00:12:54,542
THAT FOUND AUGIE...
279
00:12:54,625 --> 00:12:56,375
THE DECEASED.
280
00:12:56,458 --> 00:12:57,750
MUST HAVE BEEN A SHOCK.
281
00:12:57,834 --> 00:13:00,458
YEAH, OBVIOUSLY, MOST
OF MY FINDS ARE MUMMIFIED,
282
00:13:00,542 --> 00:13:02,166
BUT I STUDIED FORENSICS.
283
00:13:02,250 --> 00:13:03,500
SEEN MY SHARE OF DEAD BODIES.
284
00:13:03,583 --> 00:13:05,333
SO, FORENSICS, HUH?
285
00:13:05,417 --> 00:13:06,917
ANCIENT AND MODERN.
286
00:13:08,917 --> 00:13:10,208
YOU CONSIDERING
THIS A HOMICIDE?
287
00:13:10,291 --> 00:13:11,500
MOST LIKELY.
288
00:13:11,583 --> 00:13:13,083
ANY IDEA OF THE CAUSE OF DEATH?
289
00:13:13,166 --> 00:13:15,583
LARGE BRUISE ON THE FOREHEAD,
GASH IN THE BACK OF THE HEAD.
290
00:13:15,667 --> 00:13:18,125
HIS CLOTHES
WERE SOAKED THROUGH,
291
00:13:18,208 --> 00:13:19,917
AND I SAW THE BACK OF HIS HEAD
292
00:13:20,000 --> 00:13:21,250
WHEN THE CORONER'S TEAM
WAS TAKING HIS BODY
293
00:13:21,333 --> 00:13:22,417
OUT OF THE TRENCH.
294
00:13:22,500 --> 00:13:25,083
SOMEBODY GAVE HIM
AN INCREDIBLY HARD WHACK.
295
00:13:27,291 --> 00:13:28,333
SO THE BRUISE
ON THE FOREHEAD,
296
00:13:28,417 --> 00:13:29,583
YOU THINK IT HAPPENED
AT THE SAME TIME?
297
00:13:29,667 --> 00:13:30,750
NO.
298
00:13:31,959 --> 00:13:33,291
NO? WHY?
299
00:13:33,375 --> 00:13:35,208
I DID THAT TO HIM.
300
00:13:36,959 --> 00:13:38,667
I SLAPPED HIS ARM AWAY,
301
00:13:38,750 --> 00:13:40,542
AND HE LOST HIS BALANCE.
302
00:13:40,625 --> 00:13:41,709
HE FELL,
303
00:13:41,792 --> 00:13:44,291
AND THAT'S WHEN
HE DINGED HIS FOREHEAD.
304
00:13:44,375 --> 00:13:46,083
SO HE THREATENED YOU?
305
00:13:46,166 --> 00:13:47,917
YEAH.
306
00:13:48,000 --> 00:13:50,709
WHAT'D HE SAY?
307
00:13:50,792 --> 00:13:54,333
UM, HE SAID THAT I
HAD NO BUSINESS HERE,
308
00:13:54,417 --> 00:13:57,125
THAT I WAS TAKING THINGS
THAT DON'T BELONG TO ME.
309
00:13:57,208 --> 00:13:58,792
OKAY, THEN...
310
00:13:58,875 --> 00:14:00,792
I MAY HAVE TO ASK YOU
A FEW MORE QUESTIONS, EMMA,
311
00:14:00,875 --> 00:14:01,959
BUT YOU'RE NOT GOING
ANYWHERE, ARE YOU?
312
00:14:02,041 --> 00:14:03,208
NO.
313
00:14:03,291 --> 00:14:04,333
GOOD.
314
00:14:10,709 --> 00:14:11,625
SHERIFF?
315
00:14:12,834 --> 00:14:14,208
HEY.
316
00:14:14,291 --> 00:14:15,667
I'M WORRIED
ABOUT THE KIDS.
317
00:14:15,750 --> 00:14:17,583
I'LL POST A DEPUTY UP HERE
318
00:14:17,667 --> 00:14:19,542
DURING THE DAY
WHILE YOU'RE DIGGING, ALL RIGHT?
319
00:14:19,625 --> 00:14:20,542
THANK YOU.
320
00:14:23,542 --> 00:14:25,125
-AGENT CONNOR?
-YEAH?
321
00:14:25,208 --> 00:14:26,542
I'M NOT A SUSPECT, AM I,
322
00:14:26,625 --> 00:14:28,625
'CAUSE OF THE BUMP
ON AUGIE'S HEAD?
323
00:14:28,709 --> 00:14:29,917
WELL, LET'S SEE.
324
00:14:30,000 --> 00:14:32,291
LAST TO SEE THE DECEASED.
FIRST TO FIND THE BODY.
325
00:14:32,375 --> 00:14:34,458
DO YOU THINK THAT
QUALIFIES YOU AS A SUSPECT?
326
00:14:34,542 --> 00:14:35,750
NOT TO AN
ASTUTE DETECTIVE.
327
00:14:35,834 --> 00:14:36,959
NO?
328
00:14:37,041 --> 00:14:39,458
WHY WOULD I BURY
HIS BODY ON MY SITE?
329
00:14:41,250 --> 00:14:43,041
THAT'S A GOOD QUESTION.
330
00:14:43,125 --> 00:14:44,959
I HADN'T THOUGHT ABOUT THAT.
331
00:14:48,917 --> 00:14:50,250
YOU HAD ME GOING THERE.
332
00:14:50,333 --> 00:14:51,250
YOU HAVE A GOOD POKER FACE.
333
00:14:51,333 --> 00:14:54,083
I PRACTICE IN THE MIRROR.
334
00:15:02,041 --> 00:15:03,166
SO THE MAP YOU FOUND,
335
00:15:03,250 --> 00:15:05,375
IT'S, UH,
IT'S HELPING?
336
00:15:05,458 --> 00:15:06,792
WE WOULDN'T BE HERE
WITHOUT IT.
337
00:15:06,875 --> 00:15:08,333
MY DAD KNEW THERE WAS A COLONY,
BUT HE DIDN'T KNOW
338
00:15:08,417 --> 00:15:10,417
WHERE ON THE COAST
THEY'D SETTLED.
339
00:15:10,500 --> 00:15:12,083
THAT'S WHY
HE NEVER CHOSE A SITE,
340
00:15:12,166 --> 00:15:13,667
EVEN AFTER ALL THOSE
YEARS OF RESEARCH.
341
00:15:13,750 --> 00:15:14,959
YEAH.
342
00:15:15,041 --> 00:15:16,417
I JUST GOT LUCKY
TO FIND A MAP
343
00:15:16,500 --> 00:15:18,709
THAT SEEMS TO PINPOINT
THE LOCATION OF THE COLONY.
344
00:15:18,792 --> 00:15:20,583
YEAH.
345
00:15:21,750 --> 00:15:24,375
YOU KNOW, YOUR FATHER
WAS TREATED POORLY
346
00:15:24,458 --> 00:15:26,291
AT THE END OF HIS LIFE.
347
00:15:26,375 --> 00:15:27,500
WHEN HIS COLLEAGUES
DISMISSED HIS THEORY
348
00:15:27,583 --> 00:15:30,166
ON THE LOST COLONY,
349
00:15:30,250 --> 00:15:34,709
WELL, HIS REPUTATION
TOOK A TERRIBLE HIT.
350
00:15:34,792 --> 00:15:35,959
I ALWAYS THOUGHT
351
00:15:36,041 --> 00:15:37,375
THAT HE DESERVED BETTER
THAN THAT,
352
00:15:37,458 --> 00:15:39,792
BUT I DO HOPE
353
00:15:39,875 --> 00:15:42,500
THAT THAT'S NOT THE MAIN
REASON WHY YOU'RE HERE,
354
00:15:42,583 --> 00:15:43,667
TO PROVE HIM RIGHT.
355
00:15:45,125 --> 00:15:47,375
I'M GOING TO PROVE IT
FOR MYSELF, TOO...
356
00:15:47,458 --> 00:15:50,500
NOT TO MENTION THE PRESTIGE
IT'LL BRING THE COLLEGE,
357
00:15:50,583 --> 00:15:51,834
AND A FIND LIKE THIS
IS IMPORTANT
358
00:15:51,917 --> 00:15:53,500
TO THE HISTORY OF OUR COUNTRY.
359
00:15:53,583 --> 00:15:54,667
OF COURSE.
360
00:15:54,750 --> 00:15:56,917
I KNOW THEY'RE GOING
TO SOLVE THIS SOON,
361
00:15:57,000 --> 00:15:58,959
AND WE WILL FIND EVIDENCE
OF THE COLONY.
362
00:15:59,041 --> 00:16:01,000
I'M SURE YOU'RE RIGHT.
363
00:16:04,291 --> 00:16:05,125
I'M THINKING THAT
I'LL STICK AROUND
364
00:16:05,208 --> 00:16:06,375
JUST TO BE SURE
365
00:16:06,458 --> 00:16:08,834
THAT CONTINUING THE DIG
IS THE RIGHT DECISION.
366
00:16:30,834 --> 00:16:32,000
SO, WHY WOULD AUGIE BE BURIED
367
00:16:32,083 --> 00:16:33,625
ON THIS SITE, DO YOU THINK?
368
00:16:33,709 --> 00:16:35,667
WELL, YOU CERTAINLY WOULDN'T
WANT TO BURY A BODY
369
00:16:35,750 --> 00:16:36,875
ON AN ARCHAEOLOGICAL DIG SITE
370
00:16:36,959 --> 00:16:39,125
UNLESS YOU WANTED IT DISCOVERED.
371
00:16:39,208 --> 00:16:41,458
THERE'S A MESSAGE THERE,
372
00:16:41,542 --> 00:16:43,583
AND I'M BEGINNING TO THINK
IT'S AIMED AT EMMA FIELDING.
373
00:16:47,542 --> 00:16:49,041
THANKS.
374
00:16:49,125 --> 00:16:50,125
I NEED TO REPORT A ROBBERY.
375
00:16:51,125 --> 00:16:52,542
-WHERE?
-AT THE DIG SITE.
376
00:16:52,625 --> 00:16:53,959
SOMEBODY STOLE MY MAP.
377
00:16:54,041 --> 00:16:55,208
WAS IT VALUABLE?
378
00:16:55,291 --> 00:16:56,333
THE ORIGINAL IS,
379
00:16:56,417 --> 00:16:57,083
BUT THAT'S BACK
AT THE STATE ARCHIVES.
380
00:16:57,166 --> 00:16:59,000
THIS IS JUST A COPY.
381
00:16:59,083 --> 00:17:00,709
WHY WOULD SOMEONE WANT IT?
382
00:17:00,792 --> 00:17:02,375
I DON'T KNOW.
383
00:17:02,458 --> 00:17:04,125
TURNS OUT
YOU WERE RIGHT, EMMA.
384
00:17:04,208 --> 00:17:05,333
CORONER'S REPORT SHOWS
385
00:17:05,417 --> 00:17:07,375
AUGIE CLEMENTS DIED
OF BLUNT-FORCE TRAUMA.
386
00:17:24,417 --> 00:17:25,625
HEY.
387
00:17:25,709 --> 00:17:27,667
YOU GUYS WITH PROFESSOR
FIELDING'S TEAM?
388
00:17:27,750 --> 00:17:28,625
UH-HUH.
389
00:17:28,709 --> 00:17:30,333
THAT'S COOL.
390
00:17:30,417 --> 00:17:31,792
HEY, WAS SHE STILL
OUT ON THE DIG SITE
391
00:17:31,875 --> 00:17:32,792
WHEN YOU GUYS LEFT?
392
00:17:32,875 --> 00:17:35,125
UH, I THINK SO, YEAH.
393
00:17:35,208 --> 00:17:37,041
ONCE SHE STARTS WORKING,
394
00:17:37,125 --> 00:17:38,625
SHE KIND OF LOSES
TRACK OF TIME.
395
00:17:38,709 --> 00:17:40,291
A BIT OBSESSIVE, ACTUALLY.
396
00:17:40,375 --> 00:17:41,917
SHE IS NOT OBSESSIVE.
397
00:17:42,000 --> 00:17:45,333
SHE JUST LOVES HER WORK MORE
THAN ANYTHING ELSE, THAT'S ALL.
398
00:17:45,417 --> 00:17:47,208
YEAH, THAT'S THE
IMPRESSION I'M GETTING.
399
00:17:47,291 --> 00:17:48,542
THANKS.
400
00:17:52,125 --> 00:17:55,083
OKAY, TOTALLY REASSESSING
PROFESSOR FIELDING.
401
00:17:55,166 --> 00:17:56,375
WHEN SHE'S NOT
IN THE TRENCHES,
402
00:17:56,458 --> 00:17:57,667
SHE'S HANGING OUT
WITH THAT GUY?
403
00:17:57,750 --> 00:18:00,834
YOU ACTUALLY THINK
THAT OLD GUY IS COOL?
404
00:18:00,917 --> 00:18:02,750
COME ON.
YOU'VE GOT TO BE KIDDING ME.
405
00:18:15,834 --> 00:18:17,792
SORRY I'M LATE.
406
00:18:17,875 --> 00:18:19,166
ACTUALLY THOUGHT I'D LOST OUT
407
00:18:19,250 --> 00:18:20,458
TO A BIT OF OLD POTTERY
OR SOMETHING.
408
00:18:22,792 --> 00:18:24,500
YOU OKAY?
409
00:18:24,583 --> 00:18:25,625
EVERYONE?
410
00:18:25,709 --> 00:18:26,625
LISTEN UP.
411
00:18:26,709 --> 00:18:28,041
QUIET DOWN.
412
00:18:29,458 --> 00:18:31,750
WE LOST ONE OF OUR OWN
LAST NIGHT.
413
00:18:31,834 --> 00:18:32,875
YOU ALL KNEW HIM.
414
00:18:32,959 --> 00:18:35,542
HE DIDN'T DESERVE
TO PASS LIKE THAT,
415
00:18:35,625 --> 00:18:37,125
AND, WELL...
416
00:18:40,125 --> 00:18:41,125
HERE'S TO AUGIE.
417
00:18:41,208 --> 00:18:43,041
TO AUGIE!
418
00:18:44,792 --> 00:18:46,625
DO YOU MIND
IF WE GET OUT OF HERE?
419
00:18:46,709 --> 00:18:47,959
I'VE KIND OF LOST MY APPETITE.
420
00:18:48,041 --> 00:18:49,125
YEAH.
421
00:18:59,166 --> 00:19:01,625
SO WHAT'S GOING ON?
WHAT'S BOTHERING YOU?
422
00:19:01,709 --> 00:19:03,583
I'M THE ONE
WHO FOUND AUGIE.
423
00:19:03,667 --> 00:19:04,959
WHAT?
424
00:19:05,041 --> 00:19:06,083
THEY THINK
HE WAS MURDERED.
425
00:19:08,041 --> 00:19:10,166
WOW, THAT MUST'VE BEEN...
426
00:19:10,250 --> 00:19:11,250
HORRIBLE FOR YOU.
427
00:19:11,333 --> 00:19:13,000
YEAH.
428
00:19:13,083 --> 00:19:14,417
WOW.
429
00:19:14,500 --> 00:19:15,709
I WAS ON MY BOAT ALL DAY.
430
00:19:15,792 --> 00:19:16,875
I DIDN'T EVEN KNOW
AUGIE DIED
431
00:19:16,959 --> 00:19:18,583
UNTIL THEY TOASTED HIM
A MINUTE AGO.
432
00:19:18,667 --> 00:19:20,583
HE WAS BURIED
AT MY DIG SITE,
433
00:19:20,667 --> 00:19:22,750
AND SOMEBODY STOLE MY MAP.
434
00:19:22,834 --> 00:19:24,166
MAP?
435
00:19:24,250 --> 00:19:26,667
YEAH, I FOUND IT
IN THE MAINE ARCHIVES.
436
00:19:26,750 --> 00:19:27,875
IT PINPOINTS
THE EXACT LOCATION
437
00:19:27,959 --> 00:19:28,959
OF THE SETTLEMENT.
438
00:19:29,041 --> 00:19:31,000
AT LEAST...
I HOPE IT DOES.
439
00:19:31,083 --> 00:19:32,542
ONLY MY STUDENTS
AND A FEW OTHER PEOPLE
440
00:19:32,625 --> 00:19:34,875
HAVE EVEN SEEN IT.
441
00:19:34,959 --> 00:19:36,291
YOU THINK THE
TWO ARE RELATED?
442
00:19:36,375 --> 00:19:37,542
I DON'T KNOW.
443
00:19:37,625 --> 00:19:39,959
SOMEBODY'S VERY INTERESTED
IN WHAT I'M DOING.
444
00:19:40,041 --> 00:19:41,250
MAYBE THEY THINK
445
00:19:41,333 --> 00:19:43,542
THERE'S SOMETHING OUT THERE
WORTH KILLING FOR.
446
00:19:43,625 --> 00:19:45,208
LIKE WHAT?
447
00:19:45,291 --> 00:19:47,291
GOLD COINS.
448
00:19:47,375 --> 00:19:48,542
YOU MEAN,
LIKE WE USED TO LOOK FOR
449
00:19:48,625 --> 00:19:49,709
WHEN WE WERE KIDS?
450
00:19:49,792 --> 00:19:51,166
YEAH, CHEST FULL
OF GOLD COINS,
451
00:19:51,250 --> 00:19:52,875
GIVEN TO THE COLONISTS
BY THE QUEEN OF ENGLAND.
452
00:19:52,959 --> 00:19:54,875
EVERYBODY KNOWS
THAT'S A MYTH.
453
00:19:54,959 --> 00:19:57,250
MAYBE NOT EVERYBODY.
454
00:20:10,792 --> 00:20:12,333
OH, NO.
455
00:20:19,583 --> 00:20:20,792
HEY.
456
00:20:20,875 --> 00:20:22,208
WHERE'S SHERIFF STANNARD?
457
00:20:22,291 --> 00:20:23,458
HE'S AT THE CORONER'S OFFICE.
458
00:20:23,542 --> 00:20:24,792
I JUST HEARD THE CALL COME IN.
459
00:20:24,875 --> 00:20:26,166
CAME DOWN TO SEE
IF YOU WERE ALL RIGHT.
460
00:20:26,250 --> 00:20:28,166
I'M FINE, BUT...
461
00:20:30,125 --> 00:20:31,291
ANYTHING MISSING?
462
00:20:31,375 --> 00:20:34,041
I DON'T THINK SO,
BUT WHEN YOU ADD IT ALL UP...
463
00:20:34,125 --> 00:20:35,333
YOU, OR AT
LEAST YOUR SITE,
464
00:20:35,417 --> 00:20:36,500
IS BEING TARGETED
BY SOMEBODY.
465
00:20:38,041 --> 00:20:39,625
YOU SEEM TO BE
FINISHING MY THOUGHTS...
466
00:20:39,709 --> 00:20:40,959
GREAT MINDS.
467
00:20:41,041 --> 00:20:42,250
YOU KNOW...
468
00:20:42,333 --> 00:20:45,667
IF YOU REALLY BELIEVE THAT,
I HAVE A PROPOSAL.
469
00:20:47,083 --> 00:20:48,959
OKAY, SOUNDS INTERESTING.
470
00:20:49,041 --> 00:20:50,375
IT'S ABOUT
YOUR INVESTIGATION...
471
00:20:50,458 --> 00:20:51,542
AN OFFER OF HELP.
472
00:20:51,625 --> 00:20:52,875
YOU THINK I NEED HELP?
473
00:20:52,959 --> 00:20:54,250
WELL, I MEAN...
474
00:20:54,333 --> 00:20:56,917
IT'S BEEN ALMOST A WHOLE DAY
SINCE I FOUND AUGIE,
475
00:20:57,000 --> 00:20:59,250
AND DOESN'T THE TRAIL GO COLD
AFTER 48 HOURS?
476
00:20:59,333 --> 00:21:01,875
OH, I SEE, AFTER 48 HOURS,
I HAVE TO DROP THE CASE,
477
00:21:01,959 --> 00:21:05,208
BUT YOU CAN PICK IT UP
AFTER TWO CENTURIES?
478
00:21:05,291 --> 00:21:07,792
IT'S NOT A COMPETITION,
AGENT CONNOR.
479
00:21:07,875 --> 00:21:09,750
A COLLABORATION
WILL HELP US BOTH.
480
00:21:09,834 --> 00:21:11,333
YOU GET TO SAVE YOUR CASE,
481
00:21:11,417 --> 00:21:12,583
AND I KEEP
MY COLLEGE'S GRANT COMMITTEE
482
00:21:12,667 --> 00:21:14,083
FROM SHUTTING DOWN MY DIG.
483
00:21:14,166 --> 00:21:18,000
I'M WILLING TO TAKE TESTIMONY
FROM RELIABLE WITNESSES,
484
00:21:18,083 --> 00:21:19,250
PROFESSOR FIELDING,
485
00:21:19,333 --> 00:21:21,375
BUT I ALSO HAVE PEOPLE
I HAVE TO ANSWER TO,
486
00:21:21,458 --> 00:21:23,375
AND THE BUREAU DOESN'T REALLY
ALLOW US TO...
487
00:21:23,458 --> 00:21:26,917
COLLABORATE
WITH AMATEUR DETECTIVES.
488
00:21:28,208 --> 00:21:30,458
I'M HARDLY AN AMATEUR.
489
00:21:30,542 --> 00:21:31,625
I'M A DETECTIVE
JUST LIKE YOU.
490
00:21:31,709 --> 00:21:33,792
I INVESTIGATE,
491
00:21:33,875 --> 00:21:35,709
AND I MAKE DEDUCTIONS
THAT LEAD TO SOLUTIONS.
492
00:21:35,792 --> 00:21:37,667
MURDER AND THE MOTIVATION
BEHIND IT
493
00:21:37,750 --> 00:21:38,959
ARE THE SAME TODAY
494
00:21:39,041 --> 00:21:40,500
AS WHEN HUMANS
LIVED IN CAVES.
495
00:21:40,583 --> 00:21:42,208
LOOK, IT'S A ONE-TIME OFFER.
496
00:21:43,458 --> 00:21:45,333
I'LL THINK IT OVER.
497
00:21:45,417 --> 00:21:48,166
IN THE MEANTIME,
DON'T TOUCH ANYTHING IN HERE.
498
00:21:48,250 --> 00:21:49,208
I'M GOING TO HAVE
A TEAM COME IN HERE
499
00:21:49,291 --> 00:21:50,417
AND DUST FOR FINGERPRINTS.
500
00:22:00,208 --> 00:22:01,500
HEY, EVERYBODY.
501
00:22:03,333 --> 00:22:05,000
LOOK, I KNOW WHAT HAPPENED
AT THE DIG SITE
502
00:22:05,083 --> 00:22:06,208
WAS UPSETTING
FOR ALL OF US.
503
00:22:06,291 --> 00:22:08,959
THE SHERIFF IS INVESTIGATING,
504
00:22:09,041 --> 00:22:12,250
AND HE'S POSTING
A DEPUTY AT THE DIG SITE
505
00:22:12,333 --> 00:22:13,500
TO KEEP AN EYE ON THINGS,
506
00:22:13,583 --> 00:22:15,625
BUT IF ANYONE FEELS
UNCOMFORTABLE GOING BACK,
507
00:22:15,709 --> 00:22:18,041
I COMPLETELY UNDERSTAND.
508
00:22:19,917 --> 00:22:20,959
WE'RE WITH YOU, PROFESSOR.
509
00:22:23,083 --> 00:22:25,333
OKAY. LET'S GO.
510
00:22:29,583 --> 00:22:33,417
WHO COULD HE BE TRYING
TO IMPRESS, I WONDER?
511
00:22:33,500 --> 00:22:36,083
IT'S GOING TO TAKE
MORE THAN HAIR GEL.
512
00:22:42,834 --> 00:22:44,667
YOU THOUGHT ABOUT WHAT I SAID?
513
00:22:49,291 --> 00:22:50,959
WHAT DO YOU KNOW
ABOUT EMMA'S MAP?
514
00:22:51,041 --> 00:22:53,375
MAP? WHAT MAP?
515
00:22:53,458 --> 00:22:55,250
YOU KNOW EXACTLY
WHAT I'M TALKING ABOUT.
516
00:22:55,333 --> 00:22:57,291
AND I THINK
SHE'S VERY ATTRACTED TO YOU,
517
00:22:57,375 --> 00:22:58,834
MR. BRIGGS.
518
00:22:58,917 --> 00:23:00,500
I CALL THAT OPPORTUNITY--
519
00:23:00,583 --> 00:23:03,667
IF YOU'RE BOLD ENOUGH
TO TAKE ADVANTAGE.
520
00:23:09,291 --> 00:23:11,291
EMMA...
521
00:23:11,375 --> 00:23:13,208
THOUGHT YOU MIGHT'VE CONSIDERED
TAKING THE DAY OFF.
522
00:23:13,291 --> 00:23:15,375
WE HAVE ARTIFACTS TO FIND.
523
00:23:15,458 --> 00:23:16,959
THE STUDENTS
WERE ALL UP FOR IT.
524
00:23:17,041 --> 00:23:20,083
WELL, IT'S ONE THING
WORKING YOURSELF TO EXHAUSTION,
525
00:23:20,166 --> 00:23:21,667
BUT IT'S ANOTHER
TO HAVE THE EXPECTATION
526
00:23:21,750 --> 00:23:22,709
THAT YOUR STUDENTS WILL.
527
00:23:22,792 --> 00:23:24,625
IF YOU'RE NOT GOING TO STOP,
528
00:23:24,709 --> 00:23:26,333
AT LEAST GIVE THEM
THE REST OF THE DAY OFF.
529
00:23:26,417 --> 00:23:27,792
WELL, I MEAN...
530
00:23:27,875 --> 00:23:29,458
WE STILL HAVE
A FEW HOURS TO GO.
531
00:23:29,542 --> 00:23:32,000
GIVEN WHAT HAPPENED YESTERDAY,
I THINK IT'S BEST.
532
00:23:35,583 --> 00:23:37,166
ALL RIGHT, GANG.
533
00:23:37,250 --> 00:23:39,250
LET'S CALL IT A DAY!
534
00:23:39,333 --> 00:23:40,959
I'LL MEET YOU BACK AT THE MOTEL
IN A FEW HOURS.
535
00:23:42,458 --> 00:23:43,625
WHAT'S THAT ABOUT?
536
00:23:51,667 --> 00:23:53,917
TOLD YOU YOU'D REGRET
NOT TAKING ME UP ON MY OFFER.
537
00:23:55,792 --> 00:23:58,000
THAT'S NOT EXACTLY
WHY I'M HERE.
538
00:23:59,000 --> 00:24:00,542
-NO?
-NO.
539
00:24:00,625 --> 00:24:02,583
I WAS HOPING THAT YOU COULD
SHARE SOME OF YOUR TECHNIQUES.
540
00:24:02,667 --> 00:24:03,709
REALLY?
541
00:24:03,792 --> 00:24:05,000
DETECTIVE TO DETECTIVE?
542
00:24:05,083 --> 00:24:06,583
DETECTIVE TO DETECTIVE.
543
00:24:06,667 --> 00:24:08,333
ALL RIGHT.
544
00:24:08,417 --> 00:24:09,542
FIRST LESSON
545
00:24:09,625 --> 00:24:10,792
IS THAT YOU'RE NEVER GOING
TO FIND ANYTHING
546
00:24:10,875 --> 00:24:12,709
UNLESS YOU'RE WILLING
TO GET DOWN AND DIRTY.
547
00:24:12,792 --> 00:24:13,709
GET DOWN HERE.
548
00:24:15,667 --> 00:24:17,125
ALL RIGHT.
549
00:24:17,208 --> 00:24:18,500
WE TAKE UP THE DIRT
AN INCH AT A TIME
550
00:24:18,583 --> 00:24:19,750
ACROSS THE WHOLE PIT.
551
00:24:19,875 --> 00:24:22,250
IF YOU FIND SOMETHING,
EVEN IF YOU WANT TO,
552
00:24:22,333 --> 00:24:24,458
DON'T TAKE IT OUT
UNTIL IT'S FULLY EXPOSED.
553
00:24:24,542 --> 00:24:26,667
THE DEPTH OF THE ARTIFACT
IS WHAT DETERMINES ITS AGE.
554
00:24:26,750 --> 00:24:28,417
OKAY, INCH
AT A TIME.
555
00:24:28,500 --> 00:24:30,000
YEAH, CAREFULLY.
556
00:24:30,083 --> 00:24:32,750
THEN WE TAKE THE DIRT
AND PUT IT IN THIS BUCKET.
557
00:24:32,834 --> 00:24:33,875
WHEN WE'RE DONE,
558
00:24:33,959 --> 00:24:35,667
WE SIFT IT
THROUGH THESE SCREENS
559
00:24:35,750 --> 00:24:37,041
IN CASE WE MISSED
ANY SMALLER ARTIFACTS,
560
00:24:37,125 --> 00:24:39,917
LIKE BONE FRAGMENTS
OR BUTTONS.
561
00:24:40,000 --> 00:24:41,083
MM.
562
00:24:43,041 --> 00:24:44,875
SO...
563
00:24:44,959 --> 00:24:47,000
HOW'D YOU END UP
IN THE ANTIQUITIES DIVISION?
564
00:24:47,083 --> 00:24:48,750
I GOT SHOT.
I WAS CHASING A BAD GUY.
565
00:24:50,166 --> 00:24:51,792
WOW.
566
00:24:51,875 --> 00:24:53,208
MUST'VE BEEN HARD
ON YOUR FAMILY.
567
00:24:53,291 --> 00:24:54,417
IT WAS HARD ON MY SON...
568
00:24:56,250 --> 00:24:57,917
BUT YOU KNOW,
WE'D... GROWN APART
569
00:24:58,000 --> 00:24:59,750
DURING THE DIVORCE
I HAD WITH HIS MOM,
570
00:24:59,834 --> 00:25:02,583
SO THE SILVER LINING
TO TAKING A BULLET
571
00:25:02,667 --> 00:25:04,500
WAS THAT IT BROUGHT US
BACK TOGETHER.
572
00:25:06,041 --> 00:25:08,208
YOU KNOW, HE'S AT COLLEGE NOW,
BUT I SEE HIM A LOT.
573
00:25:08,291 --> 00:25:11,125
SO THIS ASSIGNMENT
574
00:25:11,208 --> 00:25:13,250
IS SORT OF LIKE
BEING PUT OUT TO PASTURE?
575
00:25:14,625 --> 00:25:17,333
THAT'S NOT
THE METAPHOR I'D USE, NO.
576
00:25:17,417 --> 00:25:19,375
SORRY.
577
00:25:19,458 --> 00:25:22,500
I'VE GOT TO ADMIT, THOUGH,
I WASN'T THRILLED AT FIRST,
578
00:25:22,583 --> 00:25:24,583
BUT IT SURE BEATS A DESK JOB.
579
00:25:24,667 --> 00:25:25,583
AND NOW?
580
00:25:25,667 --> 00:25:27,000
NOW I'M DIGGING IT.
581
00:25:27,083 --> 00:25:29,625
YOU DID NOT JUST SAY THAT!
582
00:25:29,709 --> 00:25:32,166
UGH, IT'S GOING TO BE
A LONG AFTERNOON.
583
00:25:32,250 --> 00:25:34,250
SO, WHAT EXACTLY
ARE WE LOOKING FOR HERE?
584
00:25:34,333 --> 00:25:35,959
PROOF THAT
THERE WERE SETTLERS HERE
585
00:25:36,041 --> 00:25:38,083
BEFORE THE COLONISTS LANDED
AT JAMESTOWN.
586
00:25:40,333 --> 00:25:42,041
SO, HOW DO YOU KNOW
WILL BRIGGS?
587
00:25:42,125 --> 00:25:43,458
WE'RE OLD FRIENDS.
588
00:25:43,542 --> 00:25:44,542
SPENT SUMMERS HERE
AS A TEENAGER,
589
00:25:44,625 --> 00:25:46,041
UP UNTIL COLLEGE.
590
00:25:47,417 --> 00:25:48,583
WHY?
591
00:25:48,667 --> 00:25:51,000
JUST GETTING A FEEL
FOR THE LOCAL POPULATION.
592
00:25:51,083 --> 00:25:52,333
STOP!
593
00:25:52,417 --> 00:25:54,333
WHAT?
594
00:25:54,417 --> 00:25:56,125
I THINK
YOU'VE FOUND SOMETHING.
595
00:26:02,542 --> 00:26:03,750
EARTHENWARE.
596
00:26:08,083 --> 00:26:08,959
MADE ON SITE.
597
00:26:10,750 --> 00:26:11,667
LOOKS LIKE THE RIGHT ERA.
598
00:26:11,750 --> 00:26:12,792
HOW CAN YOU TELL THAT?
599
00:26:12,875 --> 00:26:13,792
I MEAN, DO YOU GOT
X-RAY VISION?
600
00:26:15,208 --> 00:26:17,458
NO, I'VE STUDIED THESE...
A LOT OF 'EM,
601
00:26:17,542 --> 00:26:20,667
SO EVEN IF IT'S BROKEN
OR INCOMPLETE,
602
00:26:20,750 --> 00:26:23,166
I CAN TELL FROM THE RIM
WHAT IT SHOULD BE.
603
00:26:25,709 --> 00:26:27,208
WELL, I GUESS I'M A NATURAL.
604
00:26:27,291 --> 00:26:29,208
WELL, YOU HAVE
A VERY GOOD TEACHER.
605
00:26:31,667 --> 00:26:33,834
A BURIED PITCHER?
606
00:26:33,917 --> 00:26:35,667
YOU THINK IT'S PART
OF THE LOST COLONY?
607
00:26:35,750 --> 00:26:37,625
IT MIGHT BE.
608
00:26:37,709 --> 00:26:40,041
WE STILL HAVE TO UNCOVER IT,
DOCUMENT IT AND DATE IT.
609
00:26:40,125 --> 00:26:41,750
THAT'LL TAKE A FEW DAYS.
610
00:26:43,125 --> 00:26:44,875
YOU AND YOUR FATHER...
611
00:26:44,959 --> 00:26:46,500
ONLY PATIENT WHEN
YOU'RE DIGGING.
612
00:26:46,583 --> 00:26:49,875
YOU ARE SO MUCH
LIKE HIM.
613
00:26:49,959 --> 00:26:50,917
IT MAKES ME WORRY.
614
00:26:51,000 --> 00:26:52,417
WORRY?
615
00:26:52,500 --> 00:26:54,709
SOMETIMES, I THINK THAT
YOU DON'T TAKE THE TIME
616
00:26:54,792 --> 00:26:59,041
TO CREATE A LIFE FOR YOURSELF
HERE IN THE PRESENT.
617
00:26:59,125 --> 00:27:00,792
I HAVE A LIFE.
618
00:27:00,875 --> 00:27:04,041
MY WORK, MY RESEARCH,
MY STUDENTS...
619
00:27:04,125 --> 00:27:05,125
I HAVE YOU.
620
00:27:05,208 --> 00:27:07,583
YOU DESERVE
TO FIND SOMEONE SPECIAL.
621
00:27:09,917 --> 00:27:10,875
OKAY, LOOK...
622
00:27:10,959 --> 00:27:13,375
IT'S NOT LIKE
I HAVEN'T TRIED.
623
00:27:13,458 --> 00:27:15,417
WITH THE WAY
I WORK AND TRAVEL,
624
00:27:15,500 --> 00:27:17,750
IT'S REALLY HARD TO BUILD
A LASTING CONNECTION.
625
00:27:17,834 --> 00:27:19,208
I KNOW.
626
00:27:19,291 --> 00:27:21,041
I REMEMBER HOW
YOUR FATHER WAS.
627
00:27:21,125 --> 00:27:23,458
HOW DID YOU TWO
MAKE IT WORK?
628
00:27:23,542 --> 00:27:24,834
OSCAR AND I
WERE EQUAL PARTNERS.
629
00:27:24,917 --> 00:27:26,417
WE SHARED IT ALL.
630
00:27:26,500 --> 00:27:28,000
YOU COULD HAVE SOMETHING
THAT SPECIAL, TOO...
631
00:27:28,083 --> 00:27:31,000
SOMEONE WHO KNOWS YOUR HEART.
632
00:27:31,083 --> 00:27:33,125
THAT DOES SOUND NICE...
633
00:27:35,750 --> 00:27:38,583
BUT, IN THE MEANTIME,
634
00:27:38,667 --> 00:27:39,750
I'M GOING TO GO
CHECK ON THE DIG SITE
635
00:27:39,834 --> 00:27:41,834
BEFORE I HEAD
BACK TO THE MOTEL.
636
00:27:41,917 --> 00:27:43,458
AND I'M GOING
TO HEAD INSIDE.
637
00:27:44,875 --> 00:27:46,000
GOOD NIGHT, EMMA.
638
00:27:46,083 --> 00:27:47,959
GOOD NIGHT.
639
00:27:48,041 --> 00:27:49,500
-OKAY. YOU BE CAREFUL UP THERE.
-I WILL.
640
00:27:49,583 --> 00:27:51,834
OKAY. GOOD NIGHT.
641
00:28:13,625 --> 00:28:14,875
HEY!
642
00:28:16,542 --> 00:28:18,417
THIS IS PRIVATE PROPERTY.
WHAT ARE YOU DOING?
643
00:28:18,500 --> 00:28:20,000
NAME'S GRAHAM TICHNOR.
644
00:28:20,083 --> 00:28:20,917
PAULINE KNOWS ME.
645
00:28:22,333 --> 00:28:23,917
YOU'RE TRESPASSING,
MR. TICHNOR.
646
00:28:26,000 --> 00:28:28,166
SHE NEVER HAD A PROBLEM WITH ME
BEING AROUND HERE BEFORE.
647
00:28:28,250 --> 00:28:30,166
SHE DOES NOW.
648
00:28:31,750 --> 00:28:35,709
NOTHING HERE IS YOURS
UNTIL YOU FIND IT...
649
00:28:35,792 --> 00:28:37,500
IF YOU FIND IT.
650
00:28:47,000 --> 00:28:47,959
GRAHAM TICHNOR.
651
00:28:48,041 --> 00:28:49,750
HE'S A PICKER.
652
00:28:49,834 --> 00:28:51,250
HE SCOURS THE TOWNS
AND VILLAGES
653
00:28:51,333 --> 00:28:54,208
FOR ANYTHING THAT THE DEALERS
DIDN'T GET TO FIRST.
654
00:28:54,291 --> 00:28:56,834
HE'S BEEN KNOWN TO FORGE
HIS OWN "ANTIQUES" OCCASIONALLY
655
00:28:56,917 --> 00:28:58,750
FOR UNSUSPECTING TOURISTS.
656
00:28:58,834 --> 00:29:00,792
SO WHY WOULD HE BE SNOOPING
AROUND THE DIG?
657
00:29:00,875 --> 00:29:01,959
HE'LL DO WHATEVER IT TAKES
658
00:29:02,041 --> 00:29:02,917
TO GET HIS HANDS ON ANYTHING
HE CAN SELL
659
00:29:03,000 --> 00:29:04,667
TO THE HIGHEST BIDDER.
660
00:29:04,750 --> 00:29:07,250
HE OFFERED ME $50
FOR MY GODDESS STATUE!
661
00:29:07,333 --> 00:29:08,625
GODDESS STATUE?
662
00:29:11,291 --> 00:29:13,917
MY MOST PRECIOUS
GIFT FROM OSCAR.
663
00:29:14,000 --> 00:29:16,458
I KEEP IT THERE
SO I CAN SEE IT EVERY MORNING.
664
00:29:16,542 --> 00:29:18,875
LAKSHMI, GODDESS OF PROSPERITY.
665
00:29:18,959 --> 00:29:20,208
ABSOLUTELY RIGHT, TONY.
666
00:29:20,291 --> 00:29:21,166
SHE'S LOVELY.
667
00:29:21,250 --> 00:29:22,208
THANK YOU.
668
00:29:22,291 --> 00:29:23,291
TONY,
669
00:29:23,375 --> 00:29:24,333
I THINK I MAY HAVE
FOUND SOMETHING
670
00:29:24,417 --> 00:29:25,917
AT THE DIG SITE TODAY...
671
00:29:26,000 --> 00:29:27,583
A PIECE OF POTTERY.
672
00:29:27,667 --> 00:29:28,667
IF IT'S WHAT I THINK IT IS,
673
00:29:28,750 --> 00:29:29,667
IT MAY BRING US
SIGNIFICANTLY CLOSER
674
00:29:29,750 --> 00:29:30,667
TO OUR GOAL.
675
00:29:30,750 --> 00:29:32,250
WELL, THAT'S GREAT!
676
00:29:32,333 --> 00:29:33,542
YEAH.
677
00:29:39,250 --> 00:29:40,834
HEY, THANK YOU
FOR MEETING ME.
678
00:29:40,917 --> 00:29:41,917
I GOT YOU
A COFFEE.
679
00:29:42,000 --> 00:29:43,333
OH, THANK YOU!
680
00:29:46,125 --> 00:29:47,709
SO, I'VE BEEN THINKING.
681
00:29:47,792 --> 00:29:49,959
OH.
682
00:29:50,041 --> 00:29:51,500
OKAY, GO ON.
683
00:29:51,583 --> 00:29:54,250
OKAY, A BODY WAS BURIED
AT MY SITE,
684
00:29:54,333 --> 00:29:57,083
THEN MY MAP WAS STOLEN,
AND MY HOTEL ROOM WAS TRASHED.
685
00:29:57,166 --> 00:29:58,834
SO CONNECT THE DOTS,
THEY ALL CONNECT TO YOU.
686
00:29:58,917 --> 00:30:00,000
OR MAYBE IT'S NOT ME.
687
00:30:00,083 --> 00:30:02,375
WHAT IF IT'S MY DIG SITE?
688
00:30:02,458 --> 00:30:03,667
I KEEP THINKING ABOUT SOMETHING
WILL BRIGGS SAID
689
00:30:03,750 --> 00:30:04,834
ABOUT BURIED TREASURE.
690
00:30:04,917 --> 00:30:05,875
BURIED TREASURE?
691
00:30:05,959 --> 00:30:07,875
THE QUEEN'S GOLD COINS.
692
00:30:07,959 --> 00:30:09,667
SUPPOSEDLY, SHE SENT THEM
WITH THE COLONISTS
693
00:30:09,750 --> 00:30:11,291
TO HELP FUND
THE SETTLEMENT.
694
00:30:11,375 --> 00:30:12,500
MY FATHER
DEBUNKED THAT STORY,
695
00:30:12,583 --> 00:30:14,458
BUT WILL SAID A LOT OF PEOPLE
STILL BELIEVE IT.
696
00:30:14,542 --> 00:30:16,208
SO THEY THINK THAT
YOU'RE AFTER THE GOLD COINS,
697
00:30:16,291 --> 00:30:17,625
NOT THE SETTLEMENT.
698
00:30:17,709 --> 00:30:20,375
AUGIE SAID I WAS TAKING THINGS
THAT DON'T BELONG TO ME.
699
00:30:20,458 --> 00:30:23,583
SO, THE COMPETITION
KNOCKED OFF AUGIE,
700
00:30:23,667 --> 00:30:25,458
AND THEY STOLE YOUR MAP
AND SEARCHED YOUR ROOM...
701
00:30:25,542 --> 00:30:26,417
TO SEE
IF I'D FOUND ANYTHING.
702
00:30:26,500 --> 00:30:27,625
IT'S PLAUSIBLE.
703
00:30:27,709 --> 00:30:29,125
I MEAN, IT DOESN'T GIVE ME
A SUSPECT, BUT...
704
00:30:29,208 --> 00:30:30,917
GRAHAM TICHNOR.
705
00:30:31,000 --> 00:30:32,250
HE'S A PICKER.
706
00:30:32,333 --> 00:30:35,834
HE BUYS, STEALS AND FORGES
ANTIQUES AND ARTIFACTS.
707
00:30:35,917 --> 00:30:37,875
I FOUND HIM POKING AROUND
MY SITE LAST NIGHT.
708
00:30:37,959 --> 00:30:39,583
YOU "FOUND" HIM?
709
00:30:39,667 --> 00:30:41,792
WELL, HE WAS TRESPASSING.
I WASN'T.
710
00:30:41,875 --> 00:30:42,875
I THINK
WE NEED TO GO TALK TO HIM.
711
00:30:44,500 --> 00:30:45,542
WE?
712
00:30:45,625 --> 00:30:47,959
OR ME, IF YOU DON'T WANT
TO COME ALONG.
713
00:30:48,041 --> 00:30:49,250
LISTEN, I APPRECIATE
714
00:30:49,333 --> 00:30:51,166
THAT YOU WANT TO BE
INVOLVED IN THIS, I DO...
715
00:30:51,250 --> 00:30:53,834
A MAN MAY HAVE BEEN KILLED
BECAUSE OF WHAT I'M DOING.
716
00:30:53,917 --> 00:30:55,625
OBVIOUSLY, I DON'T WANT
MY PROJECT SHUT DOWN,
717
00:30:55,709 --> 00:30:57,125
BUT I ALSO DON'T WANT
ANYBODY ELSE
718
00:30:57,208 --> 00:30:58,625
TO GET BROUGHT INTO THIS.
719
00:30:59,875 --> 00:31:01,750
OKAY. ALL RIGHT.
720
00:31:01,834 --> 00:31:04,792
I GET IT,
BUT I'VE GOT IT COVERED.
721
00:31:09,083 --> 00:31:10,500
OH, NO...
OH, NO!
722
00:31:12,125 --> 00:31:13,834
SOMEBODY'S BEEN DIGGING.
723
00:31:13,917 --> 00:31:14,917
OKAY...
724
00:31:15,000 --> 00:31:17,166
UH...
725
00:31:17,250 --> 00:31:19,208
I THINK THE BEST THING
WE CAN DO HERE...
726
00:31:19,291 --> 00:31:21,959
PHOTOGRAPH AND LOG
ANY UNAUTHORIZED DIGGING,
727
00:31:22,041 --> 00:31:23,166
BUT FOR NOW,
728
00:31:23,250 --> 00:31:24,917
JUST LEAVE EVERYTHING
AS IT IS.
729
00:31:26,875 --> 00:31:28,709
EMMA, YOU KNOW,
BETWEEN THE MURDER,
730
00:31:28,792 --> 00:31:30,291
AND YOUR MAP...
731
00:31:30,375 --> 00:31:31,750
WE'VE GOT TO THINK
OF THE STUDENTS.
732
00:31:31,834 --> 00:31:32,917
THE STUDENTS COME FIRST.
I KNOW...
733
00:31:33,000 --> 00:31:33,959
AND I AGREE WITH YOU,
734
00:31:34,041 --> 00:31:36,166
BUT THE SHERIFF'S DEPUTY IS HERE
ALL DAY.
735
00:31:36,250 --> 00:31:37,542
THERE'S NO RISK
TO THE STUDENTS.
736
00:31:37,625 --> 00:31:39,375
WELL...
737
00:31:39,458 --> 00:31:40,917
WE'RE GOING TO HAVE
TO TELL HIM ABOUT THIS.
738
00:31:41,000 --> 00:31:42,208
I WILL.
739
00:31:53,583 --> 00:31:56,458
EVERYBODY, COME HERE.
740
00:31:56,542 --> 00:31:59,083
I WANT TO SHOW YOU
SOMETHING REMARKABLE.
741
00:32:09,125 --> 00:32:10,041
WOW.
742
00:32:15,667 --> 00:32:16,542
PROFESSOR?
743
00:32:16,625 --> 00:32:18,333
HEY, AGENT CONNOR.
744
00:32:18,417 --> 00:32:20,291
UM, I THINK
TICHNOR CAME BACK LAST NIGHT
745
00:32:20,375 --> 00:32:21,375
AND WAS DIGGING
AROUND MY SITE
746
00:32:21,458 --> 00:32:23,000
LOOKING FOR SOMETHING.
747
00:32:23,083 --> 00:32:23,959
I THOUGHT YOU WERE
GOING TO QUESTION HIM.
748
00:32:24,041 --> 00:32:24,959
SHERIFF STANNARD'S
BRINGING HIM IN
749
00:32:25,041 --> 00:32:25,917
THIS AFTERNOON.
750
00:32:26,000 --> 00:32:26,959
DON'T WORRY.
751
00:32:27,041 --> 00:32:28,250
I AM WORRIED.
752
00:32:28,333 --> 00:32:29,959
MY DEPARTMENT HEAD
IS CLOSE TO SHUTTING ME DOWN
753
00:32:30,041 --> 00:32:31,500
BECAUSE OF WHAT'S GOING ON.
754
00:32:31,583 --> 00:32:32,750
DO YOU HAVE ANY NEW LEADS?
755
00:32:34,834 --> 00:32:37,166
UH, NO MATCH FOR THE PRINTS
FOUND IN YOUR ROOM.
756
00:32:37,250 --> 00:32:38,709
WHOEVER TRASHED IT
WASN'T IN THE SYSTEM,
757
00:32:38,792 --> 00:32:39,750
AND NO PRINTS AT THE SHED.
758
00:32:39,834 --> 00:32:41,208
PROBABLY WORE GLOVES.
759
00:32:41,291 --> 00:32:42,959
OKAY, WELL,
AUGIE'S CLOTHES WERE SOAKED.
760
00:32:43,041 --> 00:32:43,959
WAS IT SEA WATER?
761
00:32:44,041 --> 00:32:45,125
IT WAS.
762
00:32:45,208 --> 00:32:46,417
IS THAT ALL?
763
00:32:46,500 --> 00:32:47,542
WAS THERE ANYTHING
IN THE POCKETS?
764
00:32:47,625 --> 00:32:48,875
JUST, YOU KNOW,
BITS AND PIECES.
765
00:32:48,959 --> 00:32:50,083
PERFECT.
766
00:32:50,166 --> 00:32:52,417
BITS AND PIECES
ARE MY SPECIALITY.
767
00:32:56,125 --> 00:32:57,458
ALL RIGHT.
768
00:33:01,667 --> 00:33:03,542
"ASSORTED CONTENTS,
UNKNOWN."
769
00:33:03,625 --> 00:33:05,250
OH, MY FAVORITE KIND.
770
00:33:05,333 --> 00:33:08,417
OKAY, WE'VE GOT COMB...
771
00:33:08,500 --> 00:33:10,709
DIME...
DEFINITELY 21ST CENTURY...
772
00:33:10,792 --> 00:33:12,959
CREDIT CARD,
EXPIRED...
773
00:33:16,667 --> 00:33:17,917
CAN WE OPEN
THIS EVIDENCE BAG?
774
00:33:36,709 --> 00:33:38,667
LATE L600S...
775
00:33:38,750 --> 00:33:41,041
WINE FLASK.
776
00:33:41,125 --> 00:33:43,000
YOU CAN TELL THAT
BY LOOKING AT THAT?
777
00:33:43,083 --> 00:33:44,458
YOU MEAN YOU CAN'T?
778
00:33:44,542 --> 00:33:46,542
FUNNY.
779
00:33:46,625 --> 00:33:47,834
THE QUESTION IS...
780
00:33:47,917 --> 00:33:49,458
WHAT WOULD THEY BE
DOING IN AUGIE'S POCKET?
781
00:33:49,542 --> 00:33:50,583
YES, AND THEY WOULDN'T,
782
00:33:50,667 --> 00:33:51,875
UNLESS HE WAS HANGING OUT
WITH SOMEONE
783
00:33:51,959 --> 00:33:54,083
WHO WAS DIGGING TEST HOLES
ON PAULINE'S LAND.
784
00:33:54,166 --> 00:33:55,291
LIKE YOUR FRIEND, MR. TICHNOR.
785
00:33:55,375 --> 00:33:56,250
EXACTLY.
786
00:33:59,583 --> 00:34:00,625
CONNOR.
787
00:34:02,333 --> 00:34:03,792
YEAH, OKAY.
I'LL BE RIGHT THERE.
788
00:34:05,291 --> 00:34:07,667
THEY FOUND AUGIE'S JACKET.
789
00:34:14,834 --> 00:34:16,041
YOU TWO A TEAM NOW?
790
00:34:16,125 --> 00:34:16,875
NO, NOTHING LIKE THAT.
791
00:34:16,959 --> 00:34:19,166
WE'RE NOT A TEAM.
792
00:34:19,250 --> 00:34:21,208
OH, THAT'S A JACKET
AUGIE HAD ON
793
00:34:21,291 --> 00:34:23,583
THE NIGHT I SAW HIM,
794
00:34:23,667 --> 00:34:25,333
BUT NOT WHEN I FOUND HIM
THE NEXT DAY.
795
00:34:26,917 --> 00:34:29,000
I, UH, I KNOW YOU'RE GOING
TO TELL ME ANYWAY,
796
00:34:29,083 --> 00:34:30,834
SO...
WHAT DO YOU THINK HAPPENED?
797
00:34:30,917 --> 00:34:32,458
MAYBE THE JACKET CAME OFF
798
00:34:32,542 --> 00:34:35,250
WHEN THE KILLER DRAGGED
THE BODY OFF THE BOAT,
799
00:34:35,333 --> 00:34:36,500
THROUGH THE SURF,
AND UP TO THE DIG SITE?
800
00:34:36,583 --> 00:34:39,083
AND THEN WHAT WOULD YOU
DEDUCT FROM THAT?
801
00:34:39,166 --> 00:34:40,625
KILLER HAD ACCESS TO A BOAT.
802
00:34:40,709 --> 00:34:42,125
KILLER HAD ACCESS
TO A BOAT.
803
00:34:42,208 --> 00:34:44,417
SO IT COULD BE ANYBODY
IN MAINE.
804
00:34:44,500 --> 00:34:47,041
OKAY, LET ME THINK
FOR A MINUTE.
805
00:34:49,375 --> 00:34:52,750
IF I WAS GOING TO DRAG
A 190-POUND BODY
806
00:34:52,834 --> 00:34:54,875
ALONG THE SAND...
807
00:34:55,917 --> 00:34:57,959
I'D HAVE
TO LEAVE SOMETHING.
808
00:35:04,458 --> 00:35:06,750
CONNOR!
809
00:35:06,834 --> 00:35:09,875
COME HERE. I WANT
TO SHOW YOU SOMETHING.
810
00:35:09,959 --> 00:35:11,250
-YEAH?
-LOOK THERE.
811
00:35:11,333 --> 00:35:13,458
SEE IT?
812
00:35:13,542 --> 00:35:16,333
IT'S A BEAD, THERE.
813
00:35:16,417 --> 00:35:17,875
IT'S A BEAD.
814
00:35:19,041 --> 00:35:19,959
MAYBE A TOURIST DROPPED IT.
815
00:35:20,041 --> 00:35:22,125
NO, TOURISTS DON'T COME
TO THIS BEACH.
816
00:35:22,208 --> 00:35:24,709
YOU CAN'T SWIM.
THE CURRENT'S TOO STRONG.
817
00:35:24,792 --> 00:35:27,667
LOOK HOW IT'S WORN DOWN
ON THE OUTSIDE?
818
00:35:27,750 --> 00:35:29,458
THIS IS FROM A STRING
OF GREEK WORRY BEADS.
819
00:35:31,250 --> 00:35:32,333
YOU MOVE THEM AROUND
IN YOUR HAND,
820
00:35:32,417 --> 00:35:33,333
AND THEY MAKE A RHYTHM.
821
00:35:33,417 --> 00:35:34,542
THE BEADS SWING
AGAINST EACH OTHER
822
00:35:34,625 --> 00:35:36,542
AND MAKE A CLICKING SOUND.
823
00:35:39,208 --> 00:35:42,375
NAME'S GRAHAM TICHNOR.
PAULINE KNOWS ME.
824
00:35:48,792 --> 00:35:52,208
GRAHAM TICHNOR
HAD A STRING OF THESE BEADS.
825
00:35:52,291 --> 00:35:53,542
I SAW THEM,
826
00:35:53,625 --> 00:35:55,834
SO THIS BEAD COULD BE
WHAT LINKS TICHNOR
827
00:35:55,917 --> 00:35:57,417
TO AUGIE'S MURDER.
828
00:35:57,500 --> 00:35:59,542
UH...
829
00:35:59,625 --> 00:36:00,792
CIRCUMSTANTIALLY, MAYBE.
830
00:36:00,875 --> 00:36:02,875
I MEAN, IF THAT WAS
GRAHAM TICHNOR'S BEAD,
831
00:36:02,959 --> 00:36:04,083
HOW DO YOU KNOW
HE JUST DIDN'T DROP IT
832
00:36:04,166 --> 00:36:05,291
WALKING DOWN THE BEACH?
833
00:36:05,375 --> 00:36:06,333
WELL, MAYBE SO, BUT...
834
00:36:06,417 --> 00:36:07,625
YOU KNOW,
YOU'RE RIGHT.
835
00:36:07,709 --> 00:36:10,166
OUR CAREERS ARE MORE SIMILAR
THAN I THOUGHT,
836
00:36:10,250 --> 00:36:12,542
BUT THERE'S ONE IMPORTANT
DIFFERENCE.
837
00:36:12,625 --> 00:36:14,250
YOUR EVIDENCE HAS TO STAND UP
TO PEER REVIEW.
838
00:36:14,333 --> 00:36:15,875
MINE HAS TO STAND UP
IN A COURT OF LAW,
839
00:36:15,959 --> 00:36:17,083
AGAINST A DEFENSE ATTORNEY...
840
00:36:18,625 --> 00:36:21,125
SO A BEAD IS NOT
GOING TO CUT IT.
841
00:36:21,208 --> 00:36:22,667
LISTEN,
842
00:36:22,750 --> 00:36:24,917
DON'T BE TEMPTED TO GO
CHASING AFTER THESE SUSPECTS.
843
00:36:25,000 --> 00:36:26,750
THESE PEOPLE
ARE NOT PLAYING AROUND.
844
00:36:37,834 --> 00:36:39,166
HEY!
845
00:36:40,792 --> 00:36:41,709
WHAT'S GOING ON?
846
00:36:41,792 --> 00:36:42,667
HAVE A LOOK.
847
00:36:43,834 --> 00:36:45,917
NO!
848
00:36:46,000 --> 00:36:47,583
OH, NO,
THEY TOOK THE PITCHER.
849
00:36:47,667 --> 00:36:49,000
BUT WE PHOTOGRAPHED IT!
850
00:36:49,083 --> 00:36:50,375
AND DOCUMENTED IT.
851
00:36:50,458 --> 00:36:51,417
WHICH MEANS
VERY LITTLE
852
00:36:51,500 --> 00:36:53,250
WITHOUT THE
ACTUAL ARTIFACT.
853
00:36:53,333 --> 00:36:54,959
THE EXTRACTION'S
BEEN COMPROMISED.
854
00:36:55,041 --> 00:36:56,208
THERE'S NO WAY FOR US
855
00:36:56,291 --> 00:36:58,375
TO KNOW THE SOIL LEVEL
THAT IT WAS FOUND AT,
856
00:36:58,458 --> 00:37:00,625
OR BE ABLE TO CROSS-REFERENCE IT
WITH OUR OTHER FINDS.
857
00:37:00,709 --> 00:37:02,625
SO WE HAVE NO WAY TO DATE IT.
858
00:37:02,709 --> 00:37:03,750
YEAH, AND EVEN IF
IT TURNED UP
859
00:37:03,834 --> 00:37:06,875
WITH A...
"PRIVATE COLLECTOR" SOMEWHERE...
860
00:37:06,959 --> 00:37:09,625
IT HAS
NO ARCHAEOLOGICAL VALUE AT ALL,
861
00:37:09,709 --> 00:37:11,375
AS IF WE'D NEVER FOUND IT.
862
00:37:14,792 --> 00:37:16,959
SO UNFORTUNATELY,
863
00:37:17,041 --> 00:37:20,333
THIS BRINGS US BACK
TO SQUARE ONE...
864
00:37:20,417 --> 00:37:21,583
WHICH ONLY MEANS
865
00:37:21,667 --> 00:37:24,041
WE HAVE TO WORK HARDER
THAN WE DID BEFORE, RIGHT?
866
00:37:24,125 --> 00:37:25,375
ALL RIGHT,
LET'S DO IT.
867
00:37:25,458 --> 00:37:27,000
GUYS, YOU KNOW...
868
00:37:27,083 --> 00:37:29,208
EVERYBODY'S ALREADY BEEN
WORKING A LOT OF OVERTIME,
869
00:37:29,291 --> 00:37:31,542
SO I THINK PERHAPS
WE SHOULD TAKE THIS CHANCE
870
00:37:31,625 --> 00:37:34,041
TO BE ABLE TO
RECONSIDER OUR OPTIONS.
871
00:37:34,125 --> 00:37:35,750
ALL RIGHT, LET'S PULL
THE PLUG FOR TODAY.
872
00:37:35,834 --> 00:37:37,250
GOOD WORK, EVERYBODY.
873
00:37:37,333 --> 00:37:39,583
OKAY, SURE.
874
00:37:40,834 --> 00:37:42,542
IT'S UNFORTUNATE.
875
00:37:52,291 --> 00:37:53,834
EMMA, I KNOW
THAT YOU'RE UPSET.
876
00:37:55,583 --> 00:37:58,542
TONY, I KNOW THIS
IS YOUR DEPARTMENT,
877
00:37:58,625 --> 00:38:02,041
BUT THIS IS MY MAP,
MY GRANT, AND MY DIG,
878
00:38:02,125 --> 00:38:03,458
AND I'LL TELL MY STUDENTS
WHEN THEY'RE DONE.
879
00:38:03,542 --> 00:38:05,500
I HAD TO STEP IN, ALL RIGHT?
880
00:38:05,583 --> 00:38:07,750
AND I WILL AGAIN IF YOU PUSH
YOUR STUDENTS, OR YOURSELF,
881
00:38:07,834 --> 00:38:11,250
BEYOND WHAT THE COLLEGE DEEMS
TO BE ACCEPTABLE LIMITS.
882
00:38:11,333 --> 00:38:12,750
THIS IS IMPORTANT.
883
00:38:12,834 --> 00:38:13,750
YOU KNOW WE'RE NEVER GOING
TO GET THE FUNDING
884
00:38:13,834 --> 00:38:14,834
OR THE PERMISSION
885
00:38:14,917 --> 00:38:16,291
TO DO THIS DIG AGAIN.
886
00:38:16,375 --> 00:38:19,291
THIS IS THE LAST CHANCE
TO PROVE THE SETTLEMENT EXISTED,
887
00:38:19,375 --> 00:38:21,333
TO PROVE MY FATHER WAS RIGHT.
888
00:38:21,417 --> 00:38:23,208
EMMA, I HATE TO SAY THIS,
889
00:38:23,291 --> 00:38:24,709
BUT YOU ARE FAR TOO INFLUENCED
890
00:38:24,792 --> 00:38:27,375
BY YOUR DESIRE TO RESCUE
YOUR FATHER'S REPUTATION.
891
00:38:27,458 --> 00:38:30,041
DON'T YOU THINK MY REPUTATION'S
ON THE LINE, TOO?
892
00:38:30,125 --> 00:38:32,125
OF COURSE IT IS,
AS IS MINE.
893
00:38:32,208 --> 00:38:34,667
I LOBBIED THE BOARD HARD
TO HAVE THEM APPROVE THIS DIG.
894
00:38:34,750 --> 00:38:37,208
YOU HAVE TO PULL
YOURSELF TOGETHER.
895
00:38:37,291 --> 00:38:38,625
I THOUGHT
YOU WERE HERE TO SUPPORT ME.
896
00:38:38,709 --> 00:38:40,542
OF COURSE I AM.
897
00:38:40,625 --> 00:38:41,875
BY MAKING ME DOUBT MYSELF?
898
00:38:41,959 --> 00:38:44,875
BY SAVING YOUR CAREER.
899
00:38:44,959 --> 00:38:47,625
IT FEELS LIKE
YOU'RE TRYING TO END IT.
900
00:38:49,667 --> 00:38:52,166
EMMA, I'M AT A LOSS
THAT YOU COULD SAY THAT TO ME
901
00:38:52,250 --> 00:38:54,250
AFTER ALL I'VE DONE
TO CHAMPION YOU.
902
00:38:56,125 --> 00:38:58,250
WHEN THE BOARD SHUTS YOU DOWN,
903
00:38:58,333 --> 00:39:00,500
DON'T EXPECT ME TO DEFEND YOU.
904
00:39:36,083 --> 00:39:37,542
BRIGG'S DIVE SHOP?
905
00:39:37,625 --> 00:39:38,667
NOT BAD, HUH?
906
00:39:38,750 --> 00:39:39,625
IMPRESSIVE...
907
00:39:39,709 --> 00:39:40,625
COULDN'T WAIT TO SHOW YOU.
908
00:39:40,709 --> 00:39:41,542
YOU KNOW,
YOU'RE THE FIRST PERSON
909
00:39:41,625 --> 00:39:42,500
I EVER WENT ON A DIVE WITH.
910
00:39:42,583 --> 00:39:43,750
AW.
911
00:39:43,834 --> 00:39:45,083
IT'S A BIG STEP.
912
00:39:45,166 --> 00:39:46,709
AS IN,
"ARE YOU OUT OF YOUR MIND?"
913
00:39:46,792 --> 00:39:48,250
AS IN, I APPLAUD YOUR COURAGE.
914
00:39:48,333 --> 00:39:49,500
THANK YOU.
915
00:39:49,583 --> 00:39:50,583
COME IN,
I WANT TO SHOW YOU AROUND.
916
00:39:57,750 --> 00:39:59,625
I DID MY RESEARCH.
TOURISM'S UP.
917
00:39:59,709 --> 00:40:00,750
I JUST NEED THE RIGHT WEBSITE,
918
00:40:00,834 --> 00:40:03,083
AND I'M GOING
TO BE BOOKED SOLID...
919
00:40:03,166 --> 00:40:04,417
WHICH IS WHERE YOU COME IN,
920
00:40:04,500 --> 00:40:06,417
OR AT LEAST, I HOPE SO...
921
00:40:08,709 --> 00:40:10,208
THAT STORY
ABOUT THE GOLD COINS
922
00:40:10,291 --> 00:40:11,333
AND THE QUEEN OF ENGLAND...
923
00:40:11,417 --> 00:40:13,041
I MEAN,
NOTHING LIKE A LITTLE MYTH
924
00:40:13,125 --> 00:40:14,458
TO GET THE TOURISTS EXCITED.
925
00:40:14,542 --> 00:40:15,959
I WAS THINKING THAT MAYBE
926
00:40:16,041 --> 00:40:18,291
YOU COULD WRITE SOMETHING
FOR THE WEBSITE,
927
00:40:18,375 --> 00:40:19,542
SOMETHING ABOUT THE POSSIBILITY
928
00:40:19,625 --> 00:40:21,166
OF THERE MAYBE BEING
A CHEST FULL OF COINS?
929
00:40:21,250 --> 00:40:22,750
YOU KNOW,
YOU BEING AN ARCHAEOLOGIST,
930
00:40:22,834 --> 00:40:24,458
IT WOULD REALLY
MEAN A LOT.
931
00:40:24,542 --> 00:40:25,667
LOOK, I KNOW...
932
00:40:25,750 --> 00:40:27,458
WE HAVEN'T SEEN EACH OTHER
IN A LONG TIME,
933
00:40:27,542 --> 00:40:30,667
BUT...
SEEING YOU THE OTHER DAY,
934
00:40:30,750 --> 00:40:32,667
REALLY BROUGHT IT BACK,
YOU KNOW...
935
00:40:32,750 --> 00:40:33,917
HOW I USED TO FEEL ABOUT YOU.
936
00:40:35,208 --> 00:40:37,291
LOOK, WILL,
I'D LIKE TO HELP YOU OUT.
937
00:40:37,375 --> 00:40:39,291
I REALLY WOULD, BUT...
938
00:40:39,375 --> 00:40:41,667
TO PUT MY REPUTATION
BEHIND A LIE...
939
00:40:41,750 --> 00:40:44,291
I JUST CAN'T DO IT.
940
00:40:44,375 --> 00:40:46,000
I'M SORRY.
941
00:40:50,709 --> 00:40:52,667
EMMA, I'M GLAD I CAUGHT YOU.
942
00:40:52,750 --> 00:40:54,458
YEAH, IT'S REALLY BLOWING HERE.
943
00:40:54,542 --> 00:40:56,041
I'M WORRIED ABOUT
YOUR EQUIPMENT, YOUR TARPS,
944
00:40:56,125 --> 00:40:57,125
ANYTHING NOT TIED DOWN.
945
00:40:57,208 --> 00:40:58,792
I'M ON MY WAY.
946
00:40:58,875 --> 00:41:00,417
DON'T TRY TO DO
ANYTHING ON YOUR OWN.
947
00:41:00,500 --> 00:41:01,542
BE RIGHT THERE.
948
00:41:01,625 --> 00:41:03,125
OKAY. BYE.
949
00:41:36,625 --> 00:41:38,208
OH, MY GOD!
950
00:41:50,625 --> 00:41:52,458
I NEED TO REPORT A FIRE!
951
00:41:52,542 --> 00:41:55,291
PAULINE FIELDING'S HOUSE,
TWIN COVES POINT!
952
00:41:55,375 --> 00:41:56,917
PLEASE HURRY!
953
00:41:57,000 --> 00:41:58,375
PAULINE!
954
00:42:01,750 --> 00:42:03,750
PAULINE!
955
00:42:05,166 --> 00:42:06,667
NO!
956
00:42:06,750 --> 00:42:08,667
NO, NO, NO!
957
00:42:08,750 --> 00:42:10,291
PAULINE!
958
00:42:17,333 --> 00:42:18,500
OH, NO.
OKAY. OKAY.
959
00:42:18,583 --> 00:42:20,041
OKAY...
960
00:42:22,291 --> 00:42:23,625
ARE YOU OKAY?
961
00:42:25,041 --> 00:42:26,583
PAULINE...
962
00:42:26,667 --> 00:42:28,166
CAN YOU HEAR ME,
SWEETIE?
963
00:42:28,250 --> 00:42:29,291
OKAY.
964
00:42:29,375 --> 00:42:32,417
THEY'RE COMING.
THEY'RE COMING.
965
00:42:39,500 --> 00:42:40,792
PAULINE?
966
00:42:40,875 --> 00:42:41,875
IT'S EMMA.
967
00:42:41,959 --> 00:42:43,166
THEY'RE TAKING YOU
TO THE HOSPITAL.
968
00:42:43,250 --> 00:42:44,625
I'M GOING TO BE
RIGHT BEHIND YOU.
969
00:42:57,959 --> 00:42:59,583
LET ME DRIVE YOU
TO THE HOSPITAL.
970
00:42:59,667 --> 00:43:00,959
THANK YOU.
971
00:43:21,750 --> 00:43:22,959
SMOKE INHALATION
AND MINOR BURNS.
972
00:43:23,041 --> 00:43:24,417
WE'LL KEEP HER HERE FOR NOW
973
00:43:24,500 --> 00:43:27,417
JUST TO BE SURE THAT
THERE AREN'T ANY COMPLICATIONS.
974
00:43:27,500 --> 00:43:30,000
NOW, WITH SOME CARE, I'M SURE
SHE SHOULD BE JUST FINE.
975
00:43:30,083 --> 00:43:31,041
OH, THANK GOODNESS.
976
00:43:31,125 --> 00:43:32,125
WHAT ABOUT TONY MARKHAM?
977
00:43:32,208 --> 00:43:33,417
SUPERFICIAL BURNS,
978
00:43:33,500 --> 00:43:35,208
AND HE'S ABOUT TO BE RELEASED.
979
00:43:35,291 --> 00:43:36,458
WHEN CAN I SEE PAULINE?
980
00:43:36,542 --> 00:43:37,792
SHE NEEDS TO REST RIGHT NOW.
981
00:43:37,875 --> 00:43:38,917
I'LL LET YOU KNOW
WHEN YOU CAN SEE HER.
982
00:43:39,000 --> 00:43:40,417
OKAY.
983
00:43:49,375 --> 00:43:50,709
HERE WE GO.
984
00:43:50,792 --> 00:43:52,291
OH, THANK YOU.
985
00:43:55,834 --> 00:43:58,583
SO YOU AND PAULINE
ARE REALLY CLOSE, HUH?
986
00:43:58,667 --> 00:43:59,625
YEAH.
987
00:43:59,709 --> 00:44:01,792
YEAH, MY, UM...
988
00:44:01,875 --> 00:44:04,834
MY PARENTS GOT DIVORCED
WHEN I WAS 10.
989
00:44:04,917 --> 00:44:06,250
MY MOM GOT REMARRIED,
990
00:44:06,333 --> 00:44:08,458
AND MY DAD AND I WERE JUST
SORT OF LOST FOR A WHILE.
991
00:44:10,083 --> 00:44:11,709
THEN PAULINE CAME
INTO OUR LIVES.
992
00:44:13,125 --> 00:44:16,125
I JUST CAN'T IMAGINE MY LIFE
WITHOUT HER.
993
00:44:16,208 --> 00:44:17,125
TONY...
994
00:44:17,208 --> 00:44:19,083
-HEY.
-HEY.
995
00:44:19,166 --> 00:44:21,250
I AM SO SORRY.
996
00:44:21,333 --> 00:44:22,875
I DIDN'T MEAN
TO ACCUSE YOU OF...
997
00:44:22,959 --> 00:44:24,625
NO, NO.
I UNDERSTAND.
998
00:44:24,709 --> 00:44:25,917
I DO, I UNDERSTAND.
999
00:44:26,000 --> 00:44:27,625
I KNOW IT'S BEEN
DIFFICULT FOR YOU.
1000
00:44:27,709 --> 00:44:29,041
THANK YOU...
1001
00:44:29,125 --> 00:44:30,625
THANK YOU
FOR YOUR UNDERSTANDING,
1002
00:44:30,709 --> 00:44:32,542
BUT MOSTLY,
THANK YOU FOR SAVING PAULINE.
1003
00:44:32,625 --> 00:44:35,000
I WILL NEVER FORGET
WHAT YOU DID.
1004
00:44:36,792 --> 00:44:38,750
I SPOKE WITH THE SHERIFF,
1005
00:44:38,834 --> 00:44:40,500
AND HE SAID THAT THE FIRE CHIEF
WAS CONVINCED
1006
00:44:40,583 --> 00:44:41,667
THAT THIS WAS ARSON.
1007
00:44:43,709 --> 00:44:44,709
EMMA, I MEAN,
1008
00:44:44,792 --> 00:44:49,125
A MURDER, VANDALISM,
AND NOW THIS...
1009
00:44:49,208 --> 00:44:52,041
I MEAN, FOR THE COLLEGE
AND FOR THE KIDS AND FOR YOU,
1010
00:44:52,125 --> 00:44:55,667
I CAN'T ALLOW THIS
DIG TO CONTINUE.
1011
00:44:55,750 --> 00:44:58,333
I KNOW HOW HARD IT IS,
AND I JUST...
1012
00:44:58,417 --> 00:45:00,375
WELL, I HOPE
THAT YOU UNDERSTAND.
1013
00:45:02,000 --> 00:45:03,625
YEAH.
1014
00:45:03,709 --> 00:45:05,000
OKAY.
1015
00:45:17,709 --> 00:45:19,875
PAULINE?
1016
00:45:19,959 --> 00:45:21,667
PAULINE,
IT'S EMMA.
1017
00:45:25,667 --> 00:45:26,917
IT'S OKAY, SWEETIE.
1018
00:45:29,083 --> 00:45:30,333
YOU REST.
1019
00:45:49,917 --> 00:45:51,291
PROFESSOR FIELDING.
1020
00:45:51,375 --> 00:45:54,166
WE WERE
TALKING LAST NIGHT.
1021
00:45:54,250 --> 00:45:56,667
EVERYONE'S REALLY UPSET
ABOUT BEING SHUT DOWN.
1022
00:45:56,750 --> 00:45:58,083
WE'RE CONVINCED
THAT WE WERE THIS CLOSE
1023
00:45:58,166 --> 00:45:59,291
TO PROVING
THE COLONY WAS HERE.
1024
00:45:59,375 --> 00:46:00,583
IF WE COULD JUST...
1025
00:46:00,667 --> 00:46:02,375
PROFESSOR MARKHAM
IS WORRIED ABOUT YOUR SAFETY.
1026
00:46:02,458 --> 00:46:03,792
SO AM I.
1027
00:46:03,875 --> 00:46:05,166
THAT HAS TO BE OUR PRIORITY.
1028
00:46:14,083 --> 00:46:15,208
HOW'S PAULINE?
1029
00:46:15,291 --> 00:46:16,375
BETTER.
1030
00:46:16,458 --> 00:46:17,709
RESTING.
1031
00:46:17,792 --> 00:46:18,750
HOW ARE YOU?
1032
00:46:18,834 --> 00:46:20,458
OH, I'M ALL RIGHT.
1033
00:46:20,542 --> 00:46:21,792
BURN'S A LITTLE LESS
THAN PLEASANT.
1034
00:46:23,750 --> 00:46:24,875
DID THE SHERIFF
OR AGENT CONNOR
1035
00:46:24,959 --> 00:46:26,458
HAVE ANY NEWS?
1036
00:46:26,542 --> 00:46:28,834
UNFORTUNATELY, NOTHING SO FAR.
1037
00:46:30,625 --> 00:46:31,875
I'M SORRY, EMMA.
1038
00:46:31,959 --> 00:46:33,542
YEAH.
1039
00:47:10,667 --> 00:47:13,083
I SENT...
SENDING YOU MESSAGES.
1040
00:47:15,583 --> 00:47:17,125
YEAH, EVERY 15 MINUTES.
YEAH, I KNOW.
1041
00:47:17,208 --> 00:47:19,250
PAULINE ALMOST DIED
IN THIS FIRE,
1042
00:47:19,333 --> 00:47:20,875
AND IT MUST HAVE BEEN
TICHNOR WHO SET IT.
1043
00:47:20,959 --> 00:47:21,875
HE'S THE ONLY ONE...
1044
00:47:21,959 --> 00:47:23,375
IT WASN'T TICHNOR.
HE HAS AN ALIBI.
1045
00:47:23,458 --> 00:47:25,375
I CHECKED IT OUT.
IT'S SOLID.
1046
00:47:28,375 --> 00:47:30,458
BUT PAULINE'S STATUE!
1047
00:47:30,542 --> 00:47:32,291
PAULINE'S STATUE,
IT'S ALWAYS THERE,
1048
00:47:32,375 --> 00:47:33,583
AND IT'S GONE,
1049
00:47:33,667 --> 00:47:35,417
AND PAULINE SAID
THAT TICHNOR WANTED IT.
1050
00:47:35,500 --> 00:47:37,625
ARE YOU POSITIVE
ABOUT HIS ALIBI?
1051
00:47:37,709 --> 00:47:39,083
HE WAS DOWNTOWN.
1052
00:47:39,166 --> 00:47:40,709
SIX DIFFERENT PEOPLE CONFIRM
THAT THEY SAW HIM.
1053
00:47:42,875 --> 00:47:45,125
LISTEN, I WANT TO TALK
ABOUT WILL BRIGGS.
1054
00:47:45,208 --> 00:47:46,834
WHY DO YOU KEEP
ASKING ME ABOUT HIM?
1055
00:47:46,917 --> 00:47:48,583
WELL, DO YOU KNOW
ABOUT HIS LAST JOB?
1056
00:47:48,667 --> 00:47:50,333
YES, SALVAGE DIVING.
1057
00:47:50,417 --> 00:47:52,709
FOR GOLD COINS
OFF THE COAST OF FLORIDA.
1058
00:47:52,792 --> 00:47:55,250
HE KNOWS THAT GOLD COIN STORY IS
NONSENSE.
1059
00:47:55,333 --> 00:47:56,542
WE TALKED ABOUT IT.
1060
00:47:57,875 --> 00:47:59,041
DID YOU KNOW THAT HE DID TIME?
1061
00:47:59,125 --> 00:48:00,000
-WHAT?
-YEAH.
1062
00:48:00,083 --> 00:48:01,375
NO.
1063
00:48:01,458 --> 00:48:03,291
FOR DIVING A RIG THAT WASN'T HIS
WITHOUT A PERMIT,
1064
00:48:03,375 --> 00:48:04,667
WHICH WAS
TANTAMOUNT TO THEFT.
1065
00:48:04,750 --> 00:48:06,959
THERE HAVE TO BE TWO SIDES
TO THAT STORY.
1066
00:48:07,041 --> 00:48:08,250
WHEN YOU GROW UP WITH SOMEONE,
1067
00:48:08,333 --> 00:48:09,333
EVEN IF
I JUST SPENT SUMMERS HERE,
1068
00:48:09,417 --> 00:48:10,583
YOU KNOW THEIR CHARACTER.
1069
00:48:10,667 --> 00:48:12,792
WELL, PEOPLE CHANGE.
1070
00:48:12,875 --> 00:48:14,041
I MEAN, SOMETIMES,
THEY DO DESPERATE THINGS
1071
00:48:14,125 --> 00:48:16,125
WHEN THE GOING GETS ROUGH.
1072
00:48:16,208 --> 00:48:17,625
NO.
1073
00:48:17,709 --> 00:48:19,333
I DON'T BELIEVE IT.
1074
00:48:21,041 --> 00:48:22,834
LOOK, I UNDERSTAND HE'S...
1075
00:48:22,917 --> 00:48:24,000
HE'S YOUR FRIEND.
1076
00:48:24,083 --> 00:48:25,625
YOU WANT TO BELIEVE
THAT HE'S A GOOD GUY.
1077
00:48:25,709 --> 00:48:27,333
ARE YOU INVESTIGATING HIM?
1078
00:48:27,417 --> 00:48:29,333
I SUGGEST THAT YOU KEEP
YOUR DISTANCE FROM HIM.
1079
00:48:31,417 --> 00:48:32,709
LISTEN, UH...
1080
00:48:32,792 --> 00:48:35,291
I'LL MAKE AN INQUIRY
ABOUT PAULINE'S STATUE.
1081
00:48:35,375 --> 00:48:36,834
I'LL FILE IT WITH THE BUREAU.
1082
00:49:13,625 --> 00:49:15,166
-EMMA...
-HI.
1083
00:49:15,250 --> 00:49:17,333
HEY.
I HEARD ABOUT THE FIRE.
1084
00:49:17,417 --> 00:49:18,834
I TRIED CALLING YOU.
HOW'S PAULINE?
1085
00:49:18,917 --> 00:49:19,709
IS SHE OKAY?
1086
00:49:19,792 --> 00:49:20,959
SHE'S BETTER,
1087
00:49:21,041 --> 00:49:22,333
BUT SOMEBODY'S BEEN DOING
EVERYTHING THEY CAN
1088
00:49:22,417 --> 00:49:24,417
TO GET MY PROJECT SHUT DOWN.
1089
00:49:24,500 --> 00:49:25,583
THEY DON'T SEEM TO CARE
1090
00:49:25,667 --> 00:49:26,917
THAT PAULINE WAS HURT
IN THE PROCESS.
1091
00:49:27,000 --> 00:49:28,500
THAT'S TERRIBLE.
1092
00:49:31,083 --> 00:49:32,625
LOOK, ABOUT THE OTHER DAY...
1093
00:49:32,709 --> 00:49:33,709
I'M SORRY THAT I ASKED YOU
1094
00:49:33,792 --> 00:49:35,667
TO MAKE UP A STORY
ABOUT THE COINS.
1095
00:49:35,750 --> 00:49:36,542
I SHOULDN'T HAVE DONE THAT.
1096
00:49:36,625 --> 00:49:37,959
FORGET IT.
1097
00:49:38,041 --> 00:49:40,083
LISTEN, I NEED YOU TO TELL ME
ABOUT GRAHAM TICHNOR.
1098
00:49:41,458 --> 00:49:44,125
WILL, HELP ME.
TELL ME WHAT YOU KNOW.
1099
00:49:44,208 --> 00:49:46,709
I MEAN, TICHNOR'S TROUBLE.
1100
00:49:46,792 --> 00:49:50,041
ALWAYS LOOKING FOR AN ANGLE,
A WAY TO MAKE A QUICK BUCK.
1101
00:49:51,000 --> 00:49:52,458
WHAT?
1102
00:49:54,709 --> 00:49:56,041
HE'S BEEN ASKING ABOUT YOU.
1103
00:50:14,542 --> 00:50:15,709
MENU?
1104
00:50:15,792 --> 00:50:17,417
UH, NO, THANKS.
JUST A COFFEE TO GO, PLEASE.
1105
00:50:24,125 --> 00:50:25,291
THANKS.
1106
00:50:25,375 --> 00:50:27,083
SORRY TO HEAR
ABOUT YOUR STEP-MOM.
1107
00:50:27,166 --> 00:50:28,000
THANK YOU.
1108
00:50:28,083 --> 00:50:28,917
SHE GOING TO BE OKAY?
1109
00:50:29,000 --> 00:50:29,709
SHE IS.
1110
00:50:31,375 --> 00:50:34,542
SO WITH ALL THE PROBLEMS
UP AT THE DIG SITE,
1111
00:50:34,625 --> 00:50:36,125
DOES THAT MEAN YOU'RE GOING
TO HAVE TO LEAVE SOON?
1112
00:50:36,208 --> 00:50:38,041
NOT FOR A WHILE.
1113
00:50:38,125 --> 00:50:40,083
OH.
1114
00:50:40,166 --> 00:50:42,083
WELL, THAT'LL MAKE
WILL HAPPY, HUH?
1115
00:50:42,166 --> 00:50:43,917
YOU TWO SEEM PRETTY TIGHT.
1116
00:50:44,000 --> 00:50:46,375
HARD NOT TO BE.
WE'VE KNOWN EACH OTHER FOREVER.
1117
00:50:46,458 --> 00:50:48,542
HEY, WHAT DO YOU KNOW
ABOUT GRAHAM TICHNOR?
1118
00:50:48,625 --> 00:50:50,542
NOT MUCH.
1119
00:50:50,625 --> 00:50:52,291
LIKE MOST PEOPLE AROUND HERE,
1120
00:50:52,375 --> 00:50:54,667
HE TAKES CARE
TO MIND HIS OWN BUSINESS.
1121
00:50:57,291 --> 00:50:58,750
OKAY.
1122
00:50:58,834 --> 00:50:59,750
THANK YOU.
1123
00:51:04,500 --> 00:51:05,667
FIRST PERSON TO RESPOND
1124
00:51:05,750 --> 00:51:07,291
GETS TO COME
ON AN ADVENTURE WITH ME.
1125
00:51:14,750 --> 00:51:15,667
MRS. FIELDING?
1126
00:51:17,166 --> 00:51:19,083
AGENT CONNOR, RIGHT?
1127
00:51:19,166 --> 00:51:19,917
YEAH. I HOPE
YOU'RE FEELING BETTER.
1128
00:51:20,000 --> 00:51:21,083
MM.
1129
00:51:21,166 --> 00:51:23,000
I CAME TO ASK YOU
A FEW QUESTIONS
1130
00:51:23,083 --> 00:51:24,625
ABOUT THE GODDESS STATUE.
1131
00:51:25,625 --> 00:51:26,583
MY STATUE?
1132
00:51:26,667 --> 00:51:27,667
YEAH, EMMA...
1133
00:51:27,750 --> 00:51:29,583
I MEAN,
PROFESSOR FIELDING MENTIONED
1134
00:51:29,667 --> 00:51:31,625
THAT IT WAS MISSING
AFTER THE FIRE.
1135
00:51:31,709 --> 00:51:32,917
OH, NO.
1136
00:51:34,542 --> 00:51:37,583
MY HUSBAND, OSCAR, FOUND IT
ON A DIG IN BANGLADESH
1137
00:51:37,667 --> 00:51:39,333
ABOUT 20 YEARS AGO.
1138
00:51:40,917 --> 00:51:43,083
CAN YOU PROVIDE
ANY MORE DETAILS?
1139
00:51:43,166 --> 00:51:46,083
I'LL SEARCH FOR OSCAR'S FILE
WHEN I GET HOME.
1140
00:51:46,166 --> 00:51:48,375
IT'LL HAVE EVERYTHING YOU NEED.
1141
00:51:48,458 --> 00:51:50,500
YOU CAN ALWAYS COUNT
ON AN ARCHAEOLOGIST
1142
00:51:50,583 --> 00:51:52,041
TO BE DETAIL-ORIENTED.
1143
00:51:52,125 --> 00:51:53,083
YES...
1144
00:51:53,166 --> 00:51:54,583
I KNOW.
1145
00:51:55,625 --> 00:51:56,667
UH...
1146
00:51:59,083 --> 00:52:00,375
PROFESSOR FIELDING,
1147
00:52:00,458 --> 00:52:02,750
HAS SHE ALWAYS BEEN SO...
1148
00:52:02,834 --> 00:52:03,917
UH...
1149
00:52:04,000 --> 00:52:05,417
CHALLENGING?
1150
00:52:05,500 --> 00:52:08,250
IF SHE WEREN'T...
1151
00:52:08,333 --> 00:52:10,834
WOULD YOU FIND HER
AS INTERESTING?
1152
00:52:15,250 --> 00:52:17,291
THANK YOU.
1153
00:52:27,542 --> 00:52:29,875
WHY ARE WE SPYING
ON PROFESSOR FIELDING?
1154
00:52:29,959 --> 00:52:32,041
BECAUSE EMMA FIELDING
IS IN TROUBLE.
1155
00:52:32,125 --> 00:52:33,291
THE BODY
AT THE DIG SITE,
1156
00:52:33,375 --> 00:52:34,166
THE STOLEN MAP.
1157
00:52:34,250 --> 00:52:35,375
THE FIRE
AT PAULINE'S...
1158
00:52:37,000 --> 00:52:39,291
LOOK. SHE MUST BE
ON TO SOMETHING.
1159
00:52:39,375 --> 00:52:40,792
WHAT MAKES YOU THINK THAT?
1160
00:52:40,875 --> 00:52:43,083
BECAUSE
THAT'S WHAT I WOULD DO.
1161
00:52:43,166 --> 00:52:44,166
WAIT, SO WHAT DO WE DO?
1162
00:52:44,250 --> 00:52:45,375
WE FOLLOW.
1163
00:52:45,458 --> 00:52:46,375
I DON'T KNOW, CAREY...
1164
00:52:46,458 --> 00:52:47,875
COME ON...
1165
00:52:47,959 --> 00:52:48,917
AND GET YOUR DRONE.
1166
00:53:52,834 --> 00:53:53,542
SHOPPING FOR COLLECTIBLES?
1167
00:53:56,500 --> 00:54:00,250
YES, MR. TICHNOR,
I AM LOOKING FOR COLLECTIBLES,
1168
00:54:00,333 --> 00:54:01,917
BOTH EXTREMELY RARE...
1169
00:54:02,000 --> 00:54:03,291
AND MISSING.
1170
00:54:03,375 --> 00:54:07,500
AND YOU THINK
YOU'LL FIND THEM HERE?
1171
00:54:07,583 --> 00:54:09,583
YOU'RE PERFECTLY WELCOME
TO LOOK AROUND.
1172
00:54:14,000 --> 00:54:16,667
THERE'S NO NEED TO BE
NERVOUS, MS. FIELDING.
1173
00:54:39,542 --> 00:54:41,250
COULD YOU TAKE
ANY LONGER?
1174
00:54:41,333 --> 00:54:43,333
YOU WANT IT DONE FAST,
OR DONE RIGHT?
1175
00:54:43,417 --> 00:54:44,458
JUST GET THE THING
IN THE AIR, WILL YOU?
1176
00:54:44,542 --> 00:54:45,959
SO, DONE RIGHT, THEN.
1177
00:55:08,834 --> 00:55:10,166
THERE'S HER CAR,
BUT WHERE'S THE PROFESSOR?
1178
00:55:10,250 --> 00:55:12,250
I DON'T KNOW.
1179
00:55:20,875 --> 00:55:22,333
I'D OFFER YOU REFRESHMENTS,
1180
00:55:22,417 --> 00:55:24,750
BUT I DON'T THINK
IT'S THAT KIND OF VISIT.
1181
00:55:24,834 --> 00:55:26,000
TOO BAD.
1182
00:55:27,792 --> 00:55:28,792
TEA MIGHT HAVE BEEN NICE
WHILE WE DISCUSS
1183
00:55:28,875 --> 00:55:30,959
WHAT YOU TOOK
FROM MY STEPMOTHER...
1184
00:55:31,041 --> 00:55:32,166
AND MY DIG.
1185
00:55:32,250 --> 00:55:35,959
IF YOU'RE ACCUSING ME
OF LARCENY,
1186
00:55:36,041 --> 00:55:37,542
YOU'RE BARKING UP
THE WRONG TREE.
1187
00:55:37,625 --> 00:55:40,291
I DON'T BARK,
MR. TICHNOR...
1188
00:55:40,375 --> 00:55:42,792
I BITE,
1189
00:55:42,875 --> 00:55:44,959
ESPECIALLY WHEN YOU NEARLY
KILLED SOMEONE I CARE ABOUT.
1190
00:55:45,041 --> 00:55:47,333
SO NOW I'M AN ARSONIST
AND MURDERER
1191
00:55:47,417 --> 00:55:48,333
AS WELL AS A THIEF.
1192
00:55:50,041 --> 00:55:52,083
I WAS NOWHERE NEAR
HER PLACE LAST NIGHT.
1193
00:55:52,166 --> 00:55:55,333
AGENT CONNOR KNOWS
MY ALIBI IS ROCK SOLID...
1194
00:55:57,166 --> 00:55:58,792
AND NOW, PROFESSOR...
1195
00:56:01,458 --> 00:56:03,041
I'M AFRAID IT'S
CLOSING TIME.
1196
00:56:32,500 --> 00:56:35,041
IT LOOKS LIKE SHE'S LEAVING.
1197
00:56:35,125 --> 00:56:37,041
HMM, GUESS SHE DIDN'T
NEED US AFTER ALL.
1198
00:56:37,125 --> 00:56:38,250
STAY ON HIM.
1199
00:56:38,333 --> 00:56:39,792
MAKE SURE HE DOESN'T
GO AFTER HER.
1200
00:56:57,917 --> 00:56:58,875
YOU'VE REACHED
AGENT JAMES CONNOR.
1201
00:56:58,959 --> 00:57:00,500
LEAVE A MESSAGE.
1202
00:57:00,583 --> 00:57:02,291
CONNOR, I'M GOING
TO MEET PAULINE AT THE HOSPITAL.
1203
00:57:02,375 --> 00:57:03,917
CAN YOU MEET ME?
IT'S URGENT.
1204
00:57:12,625 --> 00:57:13,583
EMMA!
1205
00:57:13,667 --> 00:57:16,250
HEY!
1206
00:57:16,333 --> 00:57:17,583
I JUST GOT SOME GOOD NEWS
FROM THE DOCTOR
1207
00:57:17,667 --> 00:57:18,959
ABOUT YOUR LUNGS.
1208
00:57:19,041 --> 00:57:20,625
SAID YOU'RE DOING
MUCH BETTER.
1209
00:57:20,709 --> 00:57:22,792
WHAT HAPPENED?
1210
00:57:22,875 --> 00:57:23,917
I DON'T KNOW.
1211
00:57:24,000 --> 00:57:26,583
I COULDN'T FIND MY WAY OUT.
1212
00:57:26,667 --> 00:57:28,083
EVERYTHING WAS SUCH A BLUR.
1213
00:57:29,375 --> 00:57:31,125
I'M SO HAPPY
YOU'RE OKAY.
1214
00:57:32,291 --> 00:57:33,542
THE POLICE THINK
1215
00:57:33,625 --> 00:57:36,208
THAT SOMEONE MAY HAVE
SET THE FIRE INTENTIONALLY.
1216
00:57:36,291 --> 00:57:37,792
REALLY?
1217
00:57:37,875 --> 00:57:38,917
YEAH, I'M...
1218
00:57:39,000 --> 00:57:40,709
I'M AFRAID
THIS IS ALL BECAUSE OF ME...
1219
00:57:40,792 --> 00:57:42,917
MY DIG, MY INVESTIGATING.
1220
00:57:43,000 --> 00:57:44,625
I JUST CAN'T DO THIS
IF IT'S GOING TO--
1221
00:57:44,709 --> 00:57:46,792
NO, DON'T YOU BACK DOWN NOW.
1222
00:57:46,875 --> 00:57:49,250
YOU DO
WHAT YOU DO BEST...
1223
00:57:49,333 --> 00:57:50,667
UNCOVER THE TRUTH.
1224
00:57:50,750 --> 00:57:52,166
NO.
1225
00:57:52,250 --> 00:57:53,542
LOOK, THE DIG IS IMPORTANT,
1226
00:57:53,625 --> 00:57:55,542
BUT IT'S NOT AS IMPORTANT
AS YOU.
1227
00:57:55,625 --> 00:57:57,208
I DON'T EVEN KNOW IF I'M RIGHT.
1228
00:57:58,625 --> 00:58:00,375
WHEN YOUR FATHER PUBLISHED
HIS FIRST PAPER
1229
00:58:00,458 --> 00:58:01,959
ABOUT THE LOST COLONY,
1230
00:58:02,041 --> 00:58:03,417
IT WAS SCOFFED AT
1231
00:58:03,500 --> 00:58:05,417
BY THE ENTIRE
ARCHAEOLOGICAL COMMUNITY,
1232
00:58:05,500 --> 00:58:07,667
BUT YOUR FATHER KNEW
IN HIS HEART
1233
00:58:07,750 --> 00:58:09,000
THAT HE WAS ON TO SOMETHING.
1234
00:58:09,083 --> 00:58:10,917
EVEN THOUGH IT SEEMED CRAZY?
1235
00:58:11,000 --> 00:58:12,166
I KNEW ANYONE
1236
00:58:12,250 --> 00:58:13,917
WITH THAT MUCH CONVICTION
AND DETERMINATION,
1237
00:58:14,000 --> 00:58:15,834
THEY COULDN'T BE WRONG.
1238
00:58:18,625 --> 00:58:21,375
THAT'S WHY I BELIEVE
IN YOU TOO, EMMA.
1239
00:58:25,375 --> 00:58:27,125
HEY, PROFESSOR!
1240
00:58:27,208 --> 00:58:28,834
OH, HEY, GOOD,
YOU GOT MY MESSAGE.
1241
00:58:28,917 --> 00:58:30,208
LISTEN, I WANTED
TO TALK TO YOU ABOUT SOMETHING.
1242
00:58:30,291 --> 00:58:31,625
THERE'S BEEN
ANOTHER SUSPICIOUS DEATH.
1243
00:58:31,709 --> 00:58:32,625
WHAT?
1244
00:58:32,709 --> 00:58:34,125
GRAHAM TICHNOR.
1245
00:58:34,208 --> 00:58:35,375
I JUST SAW HIM!
1246
00:58:36,667 --> 00:58:37,625
YOU... WHEN? WHERE?
1247
00:58:37,709 --> 00:58:40,083
AT HIS HOUSE,
ABOUT TWO HOURS AGO.
1248
00:58:40,166 --> 00:58:42,000
WELL, THAT'S WHEN
THE MEDICAL EXAMINER ESTIMATES
1249
00:58:42,083 --> 00:58:43,166
THAT HE WAS KILLED.
1250
00:58:43,250 --> 00:58:44,250
YOU MAY HAVE BEEN
1251
00:58:44,333 --> 00:58:45,625
THE LAST PERSON
TO SEE HIM ALIVE.
1252
00:58:52,041 --> 00:58:53,792
EXPLAIN IT TO ME, EMMA.
1253
00:58:53,875 --> 00:58:55,875
WHAT WERE YOU DOING HERE
IN THE FIRST PLACE?
1254
00:58:55,959 --> 00:58:58,333
I WAS CONVINCED
HE SET THE FIRE AT PAULINE'S,
1255
00:58:58,417 --> 00:59:00,458
AND I THOUGHT, IF I COULD FIND
HER STATUE...
1256
00:59:00,542 --> 00:59:01,417
DID YOU?
1257
00:59:01,500 --> 00:59:02,291
NO...
1258
00:59:02,375 --> 00:59:04,250
BUT I DID FIND BEADS
1259
00:59:04,333 --> 00:59:05,959
THAT MATCH THE ONE
I FOUND ON THE BEACH.
1260
00:59:06,041 --> 00:59:07,625
THEY'RE RIGHT OUT
ON THE TABLE.
1261
00:59:07,709 --> 00:59:09,250
CONNOR TOLD ME
ABOUT YOUR BEAD THEORY.
1262
00:59:09,333 --> 00:59:10,458
JUST NOT SURE
1263
00:59:10,542 --> 00:59:12,834
THAT IT ACTUALLY ADDS UP
TO PROOF OF ANYTHING.
1264
00:59:12,917 --> 00:59:16,291
IN ANY CASE, YOU'RE GOING
TO HAVE TO MAKE A STATEMENT.
1265
00:59:16,375 --> 00:59:18,041
GRAHAM TICHNOR
WAS ALIVE AND KICKING
1266
00:59:18,125 --> 00:59:19,583
WHEN I SAW HIM LAST.
1267
00:59:19,667 --> 00:59:20,583
THAT'S MY STATEMENT.
1268
00:59:20,667 --> 00:59:22,208
NOT QUITE GOOD ENOUGH.
1269
00:59:22,291 --> 00:59:23,792
AGENT CONNOR,
YOU MIND?
1270
00:59:26,583 --> 00:59:27,875
OKAY, YEP.
1271
00:59:27,959 --> 00:59:29,750
LET'S GET IT OVER WITH.
1272
00:59:33,417 --> 00:59:35,917
WHOSE SIDE ARE YOU ON?
1273
00:59:36,000 --> 00:59:37,542
JUSTICE DOESN'T TAKE SIDES.
1274
00:59:37,625 --> 00:59:38,709
THE FACT THAT I WAS
AT A CRIME SCENE
1275
00:59:38,792 --> 00:59:39,959
IN BOTH INSTANCES...
1276
00:59:40,041 --> 00:59:41,834
IS MORE THAN A COINCIDENCE.
I UNDERSTAND THAT.
1277
00:59:41,917 --> 00:59:43,458
LOOK, I'M SORRY.
I DON'T MEAN TO BE...
1278
00:59:43,542 --> 00:59:45,000
CONDESCENDING TO ME?
1279
00:59:46,375 --> 00:59:48,667
I ALREADY SAID I'M SORRY.
1280
00:59:48,750 --> 00:59:51,125
I'M JUST SAYING
THAT I'M THE COMMON LINK,
1281
00:59:51,208 --> 00:59:52,583
WHICH MEANS I COULD BE NEXT.
1282
00:59:52,667 --> 00:59:54,709
DON'T THINK FOR ONE SECOND
I'D LET THAT HAPPEN...
1283
00:59:55,875 --> 00:59:57,709
UNLESS, OF COURSE,
YOU DO SOMETHING CRAZY.
1284
00:59:57,792 --> 00:59:58,959
SUCH AS?
1285
00:59:59,041 --> 00:59:59,875
WELL, HOW 'BOUT GOING
TO MEET A SUSPECT
1286
00:59:59,959 --> 01:00:00,917
WITHOUT ME BEING THERE.
1287
01:00:01,000 --> 01:00:02,709
OH, NOW TICHNOR'S
A SUSPECT?
1288
01:00:02,792 --> 01:00:04,125
YOU SAT THERE NODDING
LIKE A BOBBLE-HEAD
1289
01:00:04,208 --> 01:00:05,458
WHEN STANNARD
WAS SAYING
1290
01:00:05,542 --> 01:00:06,875
"OH, HE HAS NOTHING TO DO
WITH ANY OF THIS!"
1291
01:00:06,959 --> 01:00:07,834
I DIDN'T NOD
LIKE A BOBBLE-HEAD.
1292
01:00:07,917 --> 01:00:09,208
OKAY, LOOK, LOOK...
1293
01:00:09,291 --> 01:00:11,417
WILL SAID THAT TICHNOR KEPT
TRYING TO INVOLVE HIM
1294
01:00:11,500 --> 01:00:12,542
IN SOME SCHEME.
1295
01:00:12,625 --> 01:00:13,709
WELL, IF TICHNOR'S
THE MASTERMIND,
1296
01:00:13,792 --> 01:00:14,750
THEN WHO KILLED HIM?
1297
01:00:14,834 --> 01:00:17,166
I HAVE NO IDEA.
1298
01:00:18,959 --> 01:00:20,834
LISTEN, YOU'VE GOT
TO STAND DOWN, EMMA...
1299
01:00:20,917 --> 01:00:21,917
PROFESSOR.
1300
01:00:22,000 --> 01:00:23,875
EMMA PROFESSOR.
1301
01:00:23,959 --> 01:00:25,792
HAS A NICE RING.
1302
01:00:25,875 --> 01:00:28,583
YOU HAVE A TALENT
FOR DETECTION...
1303
01:00:28,709 --> 01:00:30,375
AND A PHOTOGRAPHIC MEMORY,
BUT...
1304
01:00:30,458 --> 01:00:31,375
EIDETIC.
1305
01:00:31,458 --> 01:00:32,417
WHAT?
1306
01:00:32,500 --> 01:00:34,709
I HAVE AN EIDETIC MEMORY,
1307
01:00:34,792 --> 01:00:38,250
AN ENHANCED ABILITY TO VIVIDLY
RECALL IMAGES FROM MEMORY.
1308
01:00:38,333 --> 01:00:40,625
OKAY.
1309
01:00:40,709 --> 01:00:42,959
THAT YOU AND TONY WANT ME
TO PACK UP AND GO HOME, KNOW
1310
01:00:43,041 --> 01:00:45,041
BUT I CAN'T LEAVE...
1311
01:00:45,125 --> 01:00:46,834
NOT WHEN PAULINE'S
IN THIS KIND OF SHAPE.
1312
01:00:46,917 --> 01:00:47,917
OKAY, I UNDERSTAND THAT,
1313
01:00:48,000 --> 01:00:49,959
BUT YOU NEED
TO JUST TAKE YOURSELF
1314
01:00:50,041 --> 01:00:51,291
OUT OF THE LINE OF FIRE...
1315
01:00:51,375 --> 01:00:52,750
LITERALLY.
1316
01:01:10,291 --> 01:01:11,667
HEY, GET YOU SOMETHING?
1317
01:01:11,750 --> 01:01:12,792
JUST A BLACK COFFEE.
1318
01:01:16,291 --> 01:01:17,625
ANY NEWS ON
YOUR INVESTIGATION, AGENT?
1319
01:01:17,709 --> 01:01:19,083
I MEAN, THAT
YOU CAN TALK ABOUT?
1320
01:01:19,166 --> 01:01:21,166
HEY...
1321
01:01:21,250 --> 01:01:22,792
HAVE YOU HAD ANY INQUIRIES
1322
01:01:22,875 --> 01:01:25,709
FROM COLLECTORS
OF RECOVERED ARTIFACTS?
1323
01:01:25,792 --> 01:01:27,709
NOT RECENTLY. WHY?
1324
01:01:27,792 --> 01:01:29,250
WE THINK
THAT THIS MIGHT BE THE WORK
1325
01:01:29,333 --> 01:01:31,834
OF AN INTERNATIONAL
ART THEFT RING.
1326
01:01:31,917 --> 01:01:33,625
WE'VE BEEN TRACKING THEM
IN THE NORTHEAST.
1327
01:01:33,709 --> 01:01:36,834
THERE'VE BEEN ROBBERIES
AT MUSEUMS, DIGS.
1328
01:01:36,917 --> 01:01:37,959
REALLY?
1329
01:01:38,041 --> 01:01:38,959
SO YOU DON'T THINK
IT'S SOMEBODY LOCAL
1330
01:01:39,041 --> 01:01:40,083
FROM HERE, NO?
1331
01:01:40,166 --> 01:01:41,792
WELL, THAT'S THEIR METHOD.
1332
01:01:41,875 --> 01:01:44,875
THEY HIRE LOCAL PEOPLE
TO DO THE DIRTY WORK.
1333
01:01:44,959 --> 01:01:46,667
THAT WOULD EXPLAIN
THE AUGIE-TICHNOR CONNECTION.
1334
01:01:46,750 --> 01:01:49,125
HUH, THAT'S INTERESTING.
1335
01:02:02,125 --> 01:02:03,792
HELLO?
1336
01:02:08,291 --> 01:02:09,709
HELLO?
1337
01:02:22,917 --> 01:02:24,166
TONY!
1338
01:02:24,250 --> 01:02:25,166
EMMA!
1339
01:02:25,250 --> 01:02:26,625
YOU SCARED ME.
1340
01:02:26,709 --> 01:02:28,375
WELL, I GUESS WE'RE BOTH
A LITTLE BIT JUMPY.
1341
01:02:29,917 --> 01:02:32,250
THANK YOU FOR LOOKING
BEFORE SWINGING, THOUGH.
1342
01:02:32,333 --> 01:02:34,291
I APPRECIATE THAT.
1343
01:02:34,375 --> 01:02:35,667
WHAT ARE YOU DOING HERE?
1344
01:02:35,750 --> 01:02:36,834
CLEANING UP.
1345
01:02:36,917 --> 01:02:38,041
YOU?
1346
01:02:38,125 --> 01:02:39,709
OH, I JUST HAD
TO PICK UP SOME FILES.
1347
01:02:39,792 --> 01:02:40,834
HOW'S PAULINE?
1348
01:02:40,917 --> 01:02:42,458
IMPROVING.
1349
01:02:42,542 --> 01:02:44,375
THEY WANT TO MONITOR HER LUNG
FOR A COUPLE MORE DAYS.
1350
01:02:44,458 --> 01:02:45,417
THAT'S UNDERSTANDABLE, I GUESS.
1351
01:02:45,500 --> 01:02:46,709
YEAH.
1352
01:02:46,792 --> 01:02:47,750
IT'S INFURIATING
THAT THEY HAVEN'T FIGURED OUT
1353
01:02:47,834 --> 01:02:49,333
WHO'S RESPONSIBLE.
1354
01:02:49,417 --> 01:02:51,917
AT LEAST THE FIRE WAS CONTAINED
TO THE SECOND FLOOR, THOUGH.
1355
01:02:52,000 --> 01:02:53,083
I BUMPED INTO AGENT CONNOR.
1356
01:02:53,166 --> 01:02:54,875
HE HAD SOME INTERESTING
THINGS TO SAY
1357
01:02:54,959 --> 01:02:56,542
THAT MAY SHED SOME LIGHT
ON THE SITUATION.
1358
01:02:56,625 --> 01:02:57,458
REALLY?
1359
01:02:57,542 --> 01:02:58,500
YEAH.
1360
01:02:58,583 --> 01:02:59,792
NEWS TO ME.
1361
01:03:01,041 --> 01:03:02,667
LOOK...
1362
01:03:02,750 --> 01:03:05,667
I'M SORRY ABOUT HOW ALL OF THIS
HAS PLAYED OUT.
1363
01:03:05,750 --> 01:03:07,500
YEAH.
1364
01:03:09,792 --> 01:03:11,208
WELL, GOOD NIGHT.
1365
01:03:23,542 --> 01:03:24,375
HEY, PROFESSOR?
1366
01:03:24,458 --> 01:03:25,500
HEY!
1367
01:03:25,583 --> 01:03:27,333
WE'RE HEADING BACK
TO THE DIG.
1368
01:03:27,417 --> 01:03:30,000
I WANT TO MAP THE SITE
ONE MORE TIME WITH MY DRONE.
1369
01:03:30,083 --> 01:03:31,709
DO YOU WANT
TO COME WITH US?
1370
01:03:31,792 --> 01:03:33,542
SURE.
1371
01:03:33,625 --> 01:03:35,041
SO, CAREY,
1372
01:03:35,125 --> 01:03:37,083
SOUNDS LIKE JOE'S WINNING YOU
OVER TO HIS SIDE.
1373
01:03:37,166 --> 01:03:38,959
NOT ENTIRELY.
1374
01:03:39,041 --> 01:03:40,917
HEY, IS THERE ANY NEWS
FROM AGENT CONNOR YET?
1375
01:03:41,000 --> 01:03:42,500
GOING TO HAVE
TO ASK HIM YOURSELF.
1376
01:03:42,583 --> 01:03:44,041
WHATEVER HE KNOWS,
HE'S NOT TELLING ME.
1377
01:03:53,333 --> 01:03:54,875
PROFESSOR?
1378
01:03:54,959 --> 01:03:56,750
CONNOR! LOOK, LOOK!
I FOUND A BEAD.
1379
01:03:56,834 --> 01:03:58,792
IT'S A MATCH TO THE WORRY BEADS,
AND TICHNOR DROPPED IT
1380
01:03:58,875 --> 01:04:00,041
RIGHT HERE, RIGHT WHERE
HE WOULD HAVE BEEN
1381
01:04:00,125 --> 01:04:01,333
DRAGGING THE BODY
INTO THE TRENCH...
1382
01:04:01,417 --> 01:04:02,417
WE HAVE SOMETHING
MORE IMPORTANT TO TALK ABOUT.
1383
01:04:02,500 --> 01:04:04,000
THE TOXICOLOGY REPORT
CAME BACK.
1384
01:04:04,083 --> 01:04:05,750
TICHNOR WAS POISONED.
1385
01:04:05,834 --> 01:04:07,458
WHAT?
1386
01:04:07,542 --> 01:04:08,667
AGROSTEMMA GITHAGO, A PLANT
THAT'S FOUND IN THIS AREA.
1387
01:04:08,750 --> 01:04:10,792
I KNOW WHAT IT IS.
I WROTE A PAPER ABOUT IT.
1388
01:04:10,875 --> 01:04:12,250
YOU WROTE THE DEFINITIVE PAPER
ON ITS USE AS A POISON
1389
01:04:12,333 --> 01:04:13,959
IN THE 17TH CENTURY.
1390
01:04:14,041 --> 01:04:15,041
I KNOW.
1391
01:04:15,125 --> 01:04:16,583
PROFESSOR FIELDING?
1392
01:04:16,667 --> 01:04:19,500
GOING TO HAVE TO ASK YOU
TO COME WITH US.
1393
01:04:19,583 --> 01:04:21,083
WE HAVE SOME QUESTIONS
1394
01:04:21,166 --> 01:04:22,583
ABOUT THE MURDER
OF GRAHAM TICHNOR.
1395
01:04:29,125 --> 01:04:31,542
IT'S MUCH MORE
THAN A COINCIDENCE, EMMA.
1396
01:04:31,625 --> 01:04:33,750
GRAHAM TICHNOR, POISONED,
1397
01:04:33,834 --> 01:04:35,625
WITH A PLANT
THAT YOU'VE RESEARCHED,
1398
01:04:35,709 --> 01:04:37,750
AFTER YOU WERE THE LAST ONE
TO SEE HIM ALIVE.
1399
01:04:37,834 --> 01:04:40,125
BUT ANYBODY WHO READ MY PAPER
WOULD KNOW ABOUT THAT POISON.
1400
01:04:40,208 --> 01:04:42,000
MAYBE SO,
1401
01:04:42,083 --> 01:04:43,792
BUT WE KNOW YOU WERE THERE
AROUND THE TIME HE DIED,
1402
01:04:43,875 --> 01:04:46,125
AND... YOU HAVE A MOTIVE.
1403
01:04:46,208 --> 01:04:47,542
WHAT MOTIVE?
1404
01:04:47,625 --> 01:04:49,709
AGENT CONNOR SAYS YOU
WERE PRETTY WORKED UP
1405
01:04:49,792 --> 01:04:53,041
ABOUT HIS RAIDING YOUR SITE
AND NEARLY KILLING PAULINE.
1406
01:05:03,208 --> 01:05:05,125
HAVE YOU
PEOPLE LOST YOUR MINDS?
1407
01:05:05,208 --> 01:05:06,208
PROFESSOR FIELDING
NEVER COULD HAVE--
1408
01:05:06,291 --> 01:05:07,792
WHAT SHE MEANS TO SAY,
AGENT CONNOR,
1409
01:05:07,875 --> 01:05:08,875
IS THAT WE HAVE PROOF
1410
01:05:08,959 --> 01:05:10,667
THAT PROFESSOR FIELDING
IS INNOCENT.
1411
01:05:10,750 --> 01:05:11,667
PROOF?
1412
01:05:11,750 --> 01:05:12,917
TAKE A LOOK.
1413
01:05:13,000 --> 01:05:15,291
WATCH THE TIME CODE.
1414
01:05:15,375 --> 01:05:16,667
SHE WAS IN TICHNOR'S HOUSE
FOUR MINUTES.
1415
01:05:16,750 --> 01:05:18,000
SHE LEFT,
AND HE FOLLOWED HER OUT.
1416
01:05:18,083 --> 01:05:19,667
SEE?
1417
01:05:19,750 --> 01:05:21,667
THE POISON
TAKES EFFECT IMMEDIATELY,
1418
01:05:21,750 --> 01:05:23,417
SO IF SHE GAVE IT TO HIM
WHILE THEY WERE TOGETHER,
1419
01:05:23,500 --> 01:05:24,583
HE COULDN'T HAVE WALKED
OUT OF HIS HOUSE
1420
01:05:24,667 --> 01:05:25,542
A FEW MINUTES LATER.
1421
01:05:25,625 --> 01:05:27,083
TICHNOR WAS ALIVE
1422
01:05:27,166 --> 01:05:28,125
WHEN THE PROFESSOR LEFT.
1423
01:05:28,208 --> 01:05:29,083
GOOD WORK.
1424
01:05:41,750 --> 01:05:44,125
COME ON IN, EVERYBODY.
1425
01:05:44,208 --> 01:05:47,500
I JUST WANTED TO SAY MY GOODBYE.
1426
01:05:47,583 --> 01:05:49,667
I'M HEADED BACK TO THE
COLLEGE THIS AFTERNOON,
1427
01:05:49,750 --> 01:05:52,000
AS YOU CONTINUE
TO WRAP UP THE SITE,
1428
01:05:52,083 --> 01:05:54,875
AND THOUGH WE WERE
UNSUCCESSFUL HERE,
1429
01:05:54,959 --> 01:05:58,250
I THINK THAT YOU ALL GAINED
INVALUABLE EXPERIENCE
1430
01:05:58,333 --> 01:06:00,917
WORKING UNDER OUR MOST LAUDED
PROFESSOR EMMA FIELDING.
1431
01:06:02,750 --> 01:06:06,834
THANK YOU.
THANK YOU, PROFESSOR MARKHAM...
1432
01:06:06,917 --> 01:06:09,500
AND I JUST WANT
TO THANK ALL OF YOU
1433
01:06:09,583 --> 01:06:11,458
FOR DIGGING YOUR HEARTS OUT.
1434
01:06:11,542 --> 01:06:12,709
THANK YOU.
1435
01:06:15,917 --> 01:06:16,667
THANK YOU.
1436
01:06:16,750 --> 01:06:18,291
THANK YOU.
1437
01:06:18,375 --> 01:06:19,291
THANKS, PROFESSOR.
1438
01:06:19,375 --> 01:06:20,500
THANK YOU.
1439
01:06:21,500 --> 01:06:23,625
AW, NICELY DONE.
1440
01:06:23,709 --> 01:06:26,166
I JUST CAN'T BELIEVE
THIS IS THE END.
1441
01:06:26,250 --> 01:06:27,834
ALL OUR WORK DOWN THE DRAIN.
1442
01:06:27,917 --> 01:06:29,500
IT'S NOT SO BAD.
1443
01:06:29,583 --> 01:06:30,667
LIKE PROFESSOR MARKHAM SAID,
1444
01:06:30,750 --> 01:06:32,667
WE DID GAIN
VALUABLE DIG EXPERIENCE.
1445
01:06:34,250 --> 01:06:36,333
OKAY, YEAH, IT'S PRETTY BAD.
1446
01:06:39,333 --> 01:06:40,583
GUYS...
1447
01:06:40,667 --> 01:06:42,750
I HEARD AGENT CONNOR TALKING
ABOUT THE CASE LAST NIGHT.
1448
01:06:42,834 --> 01:06:44,583
HE WAS SAYING THIS WHOLE THING
COULD BE THE WORK
1449
01:06:44,667 --> 01:06:46,250
OF AN INTERNATIONAL RING
OF ART THIEVES.
1450
01:06:46,333 --> 01:06:47,250
THEIR TECHNIQUE IS
TO USE LOCAL PEOPLE
1451
01:06:47,333 --> 01:06:48,458
TO STEAL
PRECIOUS ARTIFACTS.
1452
01:06:48,542 --> 01:06:50,333
WAIT, BUT AUGIE AND TICHNOR
ARE BOTH DEAD,
1453
01:06:50,417 --> 01:06:52,959
SO WHO COULD
THE LOCAL PERSON BE?
1454
01:06:53,041 --> 01:06:54,375
LAKSHMI,
GODDESS OF PROSPERITY.
1455
01:06:54,458 --> 01:06:55,500
WHO?
1456
01:06:55,583 --> 01:06:56,667
PAULINE'S
GODDESS STATUE.
1457
01:06:56,750 --> 01:06:57,709
SHE SHOWED IT TO ME.
1458
01:06:57,792 --> 01:06:59,667
PROFESSOR FIELDING
SAID IT WAS MISSING.
1459
01:06:59,750 --> 01:07:01,542
YOU'RE THINKING
THEY'D BE AFTER THAT STATUE.
1460
01:07:03,291 --> 01:07:04,333
SO IF WE FIND THE STATUE...
1461
01:07:04,417 --> 01:07:06,291
WE FIND THE THIEF.
1462
01:07:40,667 --> 01:07:42,333
GOT IT!
1463
01:07:42,417 --> 01:07:43,542
THAT'S THE ONE?
1464
01:07:43,625 --> 01:07:44,792
YUP. THERE ARE ONLY FOUR
IN EXISTENCE,
1465
01:07:44,875 --> 01:07:46,041
INCLUDING PAULINE'S.
1466
01:07:46,125 --> 01:07:47,875
OKAY.
1467
01:07:47,959 --> 01:07:49,458
SO...
1468
01:07:49,542 --> 01:07:53,250
WHO HAD THE MOTIVE
AND THE OPPORTUNITY?
1469
01:07:53,333 --> 01:07:55,291
PROFESSOR FIELDING'S
ALWAYS SAYING
1470
01:07:55,375 --> 01:07:57,500
IT'S NOT JUST HOW TO DIG,
IT'S WHERE TO DIG.
1471
01:07:57,583 --> 01:07:59,125
HMM.
1472
01:08:02,542 --> 01:08:04,166
HEY...
1473
01:08:04,250 --> 01:08:07,917
DOES LOOKING LIKE
A BAD BOY SUGGEST...
1474
01:08:08,000 --> 01:08:09,542
THAT YOU REALLY ARE BAD?
1475
01:08:21,291 --> 01:08:22,083
ENJOY.
1476
01:08:24,917 --> 01:08:26,500
NIKKI?
1477
01:08:26,583 --> 01:08:27,750
I NEED TO TALK
TO YOU OUTSIDE.
1478
01:08:28,792 --> 01:08:30,041
I CAN'T GET AWAY.
WE'RE TOO BUSY.
1479
01:08:30,125 --> 01:08:31,417
IT'S ABOUT WILL.
1480
01:08:34,166 --> 01:08:35,792
COVER FOR ME,
WILL YA?
1481
01:08:45,583 --> 01:08:47,792
SO WHERE ARE WE GOING?
I DON'T HAVE MUCH TIME.
1482
01:08:47,875 --> 01:08:49,959
TRUST ME, YOU'RE GOING
TO WANT TO HEAR THIS.
1483
01:08:50,041 --> 01:08:51,750
GET IN.
IT'S IMPORTANT.
1484
01:08:59,792 --> 01:09:00,792
WHAT?
1485
01:09:00,875 --> 01:09:02,000
I NEED TO SHOW YOU SOMETHING.
1486
01:09:02,083 --> 01:09:03,917
NO WAY.
I CAN'T GO WITH YOU.
1487
01:09:04,000 --> 01:09:06,000
CAN'T, OR WON'T?
1488
01:09:10,542 --> 01:09:11,667
WHAT'S THE MATTER, NIKKI?
1489
01:09:11,750 --> 01:09:13,875
AFRAID THERE'S SOMETHING
WRONG WITH MY CAR?
1490
01:09:13,959 --> 01:09:15,083
I KNOW YOU CUT MY BRAKE LINE.
1491
01:09:15,166 --> 01:09:17,000
WHAT?
1492
01:09:17,083 --> 01:09:19,166
ARE YOU TRYING
TO SCARE ME?
1493
01:09:19,250 --> 01:09:20,917
LIKE HOW YOU TRASHED
MY HOTEL ROOM?
1494
01:09:21,000 --> 01:09:23,625
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
1495
01:09:23,709 --> 01:09:25,083
YOU KNOW, AGENT CONNOR
1496
01:09:25,166 --> 01:09:26,959
HASN'T FOUND A MATCH
FOR THOSE FINGERPRINTS.
1497
01:09:27,041 --> 01:09:29,250
BET HE'D LOVE TO CHECK YOURS.
1498
01:09:29,333 --> 01:09:32,000
YOU CAN TALK TO HIM,
OR YOU CAN TALK TO ME.
1499
01:09:32,083 --> 01:09:33,208
IT'S YOUR CALL.
1500
01:09:40,709 --> 01:09:42,417
IT'S WILL
YOU SHOULD BE QUESTIONING.
1501
01:09:42,500 --> 01:09:44,000
WHY?
1502
01:09:44,083 --> 01:09:46,208
YEAH, YOU DON'T KNOW.
1503
01:09:46,291 --> 01:09:48,166
YOU WERE ONLY HERE SUMMERS.
1504
01:09:48,250 --> 01:09:49,542
HE'D SEE YOU
1505
01:09:49,625 --> 01:09:52,208
AND GET ON
HIS BEST BEHAVIOR.
1506
01:09:53,291 --> 01:09:55,542
YOU DON'T WANT
TO BELIEVE IT?
1507
01:09:55,625 --> 01:09:56,542
YOU WON'T BE
THE FIRST WOMAN
1508
01:09:56,625 --> 01:09:58,875
TO FALL FOR HIS LIES.
1509
01:10:16,000 --> 01:10:17,834
HE LOOKS TOTALLY DISTRACTED.
1510
01:10:17,917 --> 01:10:19,583
LET'S GO FOR IT.
1511
01:10:30,667 --> 01:10:32,375
IT'S LOCKED.
1512
01:10:39,000 --> 01:10:41,083
OKAY, HE'S DOWN
IN HIS BOAT.
1513
01:10:41,166 --> 01:10:42,375
MAYBE WE COULD BREAK IN.
1514
01:10:43,583 --> 01:10:45,041
WE COULD ALSO DO
A FIVE-YEAR STRETCH
1515
01:10:45,125 --> 01:10:46,709
FOR BREAKING AND ENTERING.
1516
01:10:46,792 --> 01:10:49,458
I SIGNED UP FOR AN ADVENTURE,
NOT A FELONY.
1517
01:10:49,542 --> 01:10:51,291
OKAY, WELL, MAYBE...
1518
01:10:51,375 --> 01:10:52,959
HE HID THE STATUE
OUTSIDE THE SHOP.
1519
01:10:53,041 --> 01:10:55,125
THAT WAY, IF HE GOT BUSTED,
HE COULD CLAIM IT WASN'T HIS.
1520
01:10:56,458 --> 01:10:58,750
SURE, I MEAN, IT'S A LONG SHOT,
BUT WHAT THE HECK.
1521
01:10:58,834 --> 01:10:59,583
YOU KEEP AN EYE ON THE BOAT.
1522
01:10:59,667 --> 01:11:00,792
GOT IT.
1523
01:11:23,417 --> 01:11:24,500
HEY, CAREY!
1524
01:11:45,500 --> 01:11:46,917
WHEW.
1525
01:11:48,375 --> 01:11:49,333
SORRY.
1526
01:11:49,417 --> 01:11:50,542
OKAY! JUST...
1527
01:11:55,166 --> 01:11:56,041
WILL?
1528
01:11:56,125 --> 01:11:57,834
HEY, EM.
WHAT'S GOING ON?
1529
01:11:57,917 --> 01:11:59,542
EXACTLY WHAT I CAME HERE
TO ASK YOU.
1530
01:12:01,250 --> 01:12:03,667
WHOA, WHOA, WHOA.
WHAT'RE YOU DOING?
1531
01:12:03,750 --> 01:12:04,750
WE'RE DRIFTING FROM THE DOCK.
1532
01:12:04,834 --> 01:12:05,917
YEAH, JUST TAKING HER
FOR A TEST SPIN.
1533
01:12:06,000 --> 01:12:07,000
I JUST TUNED HER UP.
1534
01:12:07,083 --> 01:12:08,458
NO, NO, WILL, FORGET IT.
I CAN'T...
1535
01:12:08,542 --> 01:12:09,542
WE'LL BE QUICK.
1536
01:12:09,625 --> 01:12:10,250
YOU PROBABLY HAVEN'T BEEN
ON THE WATER
1537
01:12:10,333 --> 01:12:11,166
SINCE YOU'VE BEEN BACK.
1538
01:12:24,291 --> 01:12:25,834
SHE'S LEAVING
WITH HIM.
1539
01:12:28,709 --> 01:12:30,583
THIS ISN'T GOOD.
1540
01:12:31,709 --> 01:12:33,166
YOU CAN SAY THAT AGAIN.
1541
01:12:58,333 --> 01:13:00,375
REMEMBER WHEN WE USED
TO COME TO THIS COVE
1542
01:13:00,458 --> 01:13:01,500
WHEN WE WERE KIDS,
1543
01:13:01,583 --> 01:13:03,917
TALK ABOUT WHAT WE'D DO
WITH OUR LIVES?
1544
01:13:05,166 --> 01:13:06,667
I USED TO DREAM ABOUT THAT
BACK WHEN I WAS...
1545
01:13:06,750 --> 01:13:07,917
IN JAIL?
1546
01:13:12,959 --> 01:13:14,667
YES, ACTUALLY.
1547
01:13:14,750 --> 01:13:16,375
WHAT HAPPENED?
1548
01:13:18,667 --> 01:13:21,250
DESPERATION MET STUPIDITY...
1549
01:13:21,333 --> 01:13:23,333
ON THE CORNER OF BACK LUCK.
1550
01:13:24,834 --> 01:13:27,667
NO EXCUSES.
ONLY REGRETS.
1551
01:13:30,583 --> 01:13:32,208
WILL, I HAVE TO ASK YOU
SOMETHING.
1552
01:13:32,291 --> 01:13:34,291
EM, LOOK,
1553
01:13:34,375 --> 01:13:36,166
I HAD NOTHING TO DO
WITH ANY OF THIS.
1554
01:13:36,250 --> 01:13:37,166
TICHNOR TALKED TO YOU.
1555
01:13:37,250 --> 01:13:39,542
NOW HE'S DEAD.
1556
01:13:39,625 --> 01:13:41,500
MY DIG'S BEEN SHUT DOWN.
1557
01:13:41,583 --> 01:13:43,625
YOUR GIRLFRIEND, NIKKI,
SABOTAGED MY CAR.
1558
01:13:43,709 --> 01:13:45,083
SHE WHAT?
1559
01:13:47,250 --> 01:13:48,417
OKAY, FIRST OF ALL,
SHE'S NOT MY GIRLFRIEND,
1560
01:13:48,500 --> 01:13:50,583
SO WHATEVER SHE DID,
I KNEW NOTHING ABOUT IT.
1561
01:13:50,667 --> 01:13:53,125
SO TICHNOR, AUGIE, NIKKI...
1562
01:13:53,208 --> 01:13:54,709
EVERYBODY'S GUILTY BUT YOU?
1563
01:13:54,792 --> 01:13:55,917
OKAY.
1564
01:13:58,375 --> 01:13:59,709
I HAVEN'T EXACTLY BEEN
FORTHCOMING,
1565
01:13:59,792 --> 01:14:00,875
I'LL ADMIT IT.
1566
01:14:00,959 --> 01:14:02,750
TICHNOR WANTED
TO GET HIS HANDS ON YOUR MAP,
1567
01:14:02,834 --> 01:14:04,500
BUT I TOLD HIM I WANTED
NOTHING TO DO WITH IT,
1568
01:14:04,583 --> 01:14:07,250
AND THAT I WOULD REPORT HIM
IF HE TRIED.
1569
01:14:07,333 --> 01:14:08,875
THEN WHEN I FOUND OUT
THAT YOUR MAP HAD BEEN STOLEN,
1570
01:14:08,959 --> 01:14:10,458
I CONFRONTED HIM.
1571
01:14:10,542 --> 01:14:11,750
HE SWORE UP AND DOWN
IT WASN'T HIM.
1572
01:14:11,834 --> 01:14:13,250
AND YOU BELIEVED HIM?
1573
01:14:13,333 --> 01:14:15,208
DIDN'T MATTER
IF I BELIEVED HIM OR NOT.
1574
01:14:15,291 --> 01:14:17,500
I CAN'T AFFORD ANY TROUBLE,
NOT WITH MY RECORD.
1575
01:14:17,583 --> 01:14:19,667
SO YOU LET
TROUBLE COME TO ME?
1576
01:14:23,625 --> 01:14:25,709
HE RENTED MY BOAT...
TICHNOR.
1577
01:14:25,792 --> 01:14:26,959
PAID ME A LOT OF MONEY.
1578
01:14:27,041 --> 01:14:28,375
I DIDN'T ASK HIM
ANY QUESTIONS,
1579
01:14:28,458 --> 01:14:29,291
DIDN'T KNOW WHERE
HE WAS GOING WITH IT,
1580
01:14:29,375 --> 01:14:30,333
AND THEN THE NEXT DAY,
1581
01:14:30,417 --> 01:14:32,375
WHEN I WAS OUT ON THE WATER,
1582
01:14:32,458 --> 01:14:35,375
THE DAY AUGIE'S BODY
WAS FOUND...
1583
01:14:35,458 --> 01:14:38,291
I SAW WHAT WAS GOING ON
OVER AT YOUR DIG SITE.
1584
01:14:38,375 --> 01:14:39,625
YOU LIED TO ME ABOUT THAT.
1585
01:14:39,709 --> 01:14:40,792
I SAW A YELLOW JACKET,
1586
01:14:40,875 --> 01:14:42,500
THE ONE THAT AUGIE WORE.
1587
01:14:42,583 --> 01:14:44,583
IT WAS ON MY BOAT,
1588
01:14:44,667 --> 01:14:46,083
SO I FIGURED
HE WAS ON HERE WITH TICHNOR.
1589
01:14:46,166 --> 01:14:47,208
LOOK, I DIDN'T WANT
TO GO TO JAIL,
1590
01:14:47,291 --> 01:14:48,542
SO I THREW IT OVERBOARD.
1591
01:14:48,625 --> 01:14:50,083
WHY DIDN'T YOU COME TO ME?
1592
01:14:50,166 --> 01:14:51,583
WHAT COULD YOU HAVE DONE?
1593
01:14:51,667 --> 01:14:54,333
THEY WOULD HAVE SAID THAT
I WAS AN ACCESSORY TO MURDER,
1594
01:14:54,417 --> 01:14:56,291
A MURDER THAT I SWEAR
I HAD NOTHING TO DO WITH.
1595
01:14:56,375 --> 01:14:58,208
WILL...
1596
01:14:58,291 --> 01:14:59,709
THEY'RE NOT GOING
TO BELIEVE ME!
1597
01:14:59,792 --> 01:15:02,333
I'M A CRIMINAL, RIGHT?
1598
01:15:02,417 --> 01:15:04,375
EVEN YOU THINK THAT.
1599
01:15:12,542 --> 01:15:13,583
WHAT?
1600
01:15:13,667 --> 01:15:15,458
WHAT IS IT?
1601
01:15:17,458 --> 01:15:19,333
THEY FOUND MY MAP
AND PAULINE'S STATUE
1602
01:15:19,417 --> 01:15:21,458
HIDDEN BEHIND YOUR DIVE SHOP.
1603
01:15:21,542 --> 01:15:23,333
NO.
1604
01:15:23,417 --> 01:15:24,583
THAT'S NOT RIGHT.
1605
01:15:24,667 --> 01:15:25,792
DID YOU SET THE FIRE?
1606
01:15:26,709 --> 01:15:27,667
NO!
1607
01:15:27,750 --> 01:15:28,875
I LOVE PAULINE.
1608
01:15:28,959 --> 01:15:30,166
-DID YOU KILL AUGIE?
-NO!
1609
01:15:30,250 --> 01:15:31,291
TICHNOR?
1610
01:15:31,375 --> 01:15:32,750
ABSOLUTELY NOT!
EMMA, COME ON, IT'S ME!
1611
01:15:32,834 --> 01:15:33,709
YOU KNOW ME!
1612
01:15:33,792 --> 01:15:35,166
WHAT DO I KNOW, WILL?
1613
01:15:35,250 --> 01:15:37,792
LOOK, I HAVE MADE SOME MISTAKES
IN MY LIFE,
1614
01:15:37,875 --> 01:15:40,000
BUT I AM NOT ABOUT TO LET YOU
SEND ME BACK TO JAIL!
1615
01:15:49,000 --> 01:15:49,792
TAKE ME BACK.
1616
01:15:51,583 --> 01:15:54,000
TAKE ME BACK.
1617
01:15:54,083 --> 01:15:55,709
LOOK, I'M SORRY.
1618
01:15:58,166 --> 01:16:00,125
EM... I...
1619
01:16:05,583 --> 01:16:08,625
EVERYTHING I TOLD YOU
IS THE WHOLE TRUTH.
1620
01:16:08,709 --> 01:16:10,083
I PROMISE, I HAD NOTHING
TO DO WITH THE MURDER,
1621
01:16:10,166 --> 01:16:13,125
THE FIRE,
OR ANYTHING ELSE.
1622
01:16:25,000 --> 01:16:25,959
HEY!
1623
01:16:26,041 --> 01:16:27,667
-HEY.
-YOU OKAY?
1624
01:16:27,750 --> 01:16:29,083
YEAH.
1625
01:16:29,166 --> 01:16:31,250
GOOD TIMING ON
THAT POLICE BOAT.
1626
01:16:31,333 --> 01:16:32,709
OH, WELL, YEAH.
1627
01:16:32,792 --> 01:16:34,709
YOU HAVE TO THANK JOE AND CAREY
FOR THAT,
1628
01:16:34,792 --> 01:16:36,667
AND FOR RECOVERING
YOUR STATUE AND YOUR MAP.
1629
01:16:36,750 --> 01:16:39,333
IT WAS AT
WILL'S DIVE SHOP.
1630
01:16:39,417 --> 01:16:41,625
I DON'T THINK
HE'S THE ONE WHO TOOK THEM.
1631
01:16:43,500 --> 01:16:44,333
YOU THINK
HE'S NOT INVOLVED?
1632
01:16:44,417 --> 01:16:45,834
NO, NO,
I THINK HE'S INVOLVED.
1633
01:16:45,917 --> 01:16:47,834
I JUST THINK
THERE'S SOMETHING MORE,
1634
01:16:47,917 --> 01:16:49,250
SOMETHING WE'RE MISSING.
1635
01:16:49,333 --> 01:16:50,750
OKAY.
1636
01:16:50,834 --> 01:16:52,875
I'M GOING TO GO
TALK TO HIM NOW.
1637
01:16:52,959 --> 01:16:53,834
I'LL TALK TO YOU LATER.
1638
01:16:53,917 --> 01:16:55,208
OKAY.
1639
01:16:55,291 --> 01:16:56,792
I'M GOING TO GO TAKE
ONE LAST LOOK AT THE DIG SITE.
1640
01:17:31,375 --> 01:17:32,291
EMMA.
1641
01:17:35,250 --> 01:17:38,250
I SEE YOU DIDN'T LEAVE TOWN.
1642
01:17:38,333 --> 01:17:40,333
COULDN'T WAIT TO GET
YOUR HANDS DIRTY, HUH?
1643
01:17:41,792 --> 01:17:42,792
EVERY TRENCH NEEDS
A PROPER HARD EDGE
1644
01:17:42,875 --> 01:17:45,583
TO MEASURE DEPTH.
1645
01:17:45,667 --> 01:17:49,000
MY FATHER TAUGHT ME TO KEEP
THAT EDGE FACING THE SUNRISE.
1646
01:17:49,083 --> 01:17:50,583
TAUGHT YOU, TOO.
1647
01:17:50,667 --> 01:17:53,125
LESSONS FROM
THE GREAT OSCAR FIELDING.
1648
01:17:53,208 --> 01:17:54,125
YEAH, APPARENTLY,
1649
01:17:54,208 --> 01:17:56,291
YOU SLEPT THROUGH
SOME OF YOURS,
1650
01:17:56,375 --> 01:17:59,458
OTHERWISE YOU MIGHT'VE
LIVED UP TO YOUR POTENTIAL,
1651
01:17:59,542 --> 01:18:00,834
MADE SOME DISCOVERIES
OF YOUR OWN
1652
01:18:00,917 --> 01:18:02,834
INSTEAD OF KILLING
TO STEAL MINE.
1653
01:18:05,208 --> 01:18:07,333
WELL, THE FBI SEEMS TO BE
UNDER THE IMPRESSION
1654
01:18:07,417 --> 01:18:09,542
THAT THERE IS
AN INTERNATIONAL ART THEFT RING
1655
01:18:09,625 --> 01:18:10,583
AT WORK HERE.
1656
01:18:10,667 --> 01:18:12,041
YEAH.
1657
01:18:12,125 --> 01:18:15,458
THAT WAS AGENT CONNOR
SOWING A LITTLE MISINFORMATION,
1658
01:18:15,542 --> 01:18:16,875
LIKE YOU DID
WITH AUGIE AND TICHNOR
1659
01:18:16,959 --> 01:18:18,333
WHEN YOU TOLD THEM
I WAS SEARCHING
1660
01:18:18,417 --> 01:18:20,458
FOR THE QUEEN OF ENGLAND'S
GOLD COINS.
1661
01:18:20,542 --> 01:18:22,709
IS THAT HOW YOU GOT THEM
TO INTERFERE WITH MY DIG?
1662
01:18:22,792 --> 01:18:24,375
THEN THEY GOT OUT
OF YOUR CONTROL?
1663
01:18:24,458 --> 01:18:26,291
AUGIE THREATENED ME.
1664
01:18:26,375 --> 01:18:29,291
TICHNOR STARTED SEARCHING
FOR THE TREASURE ON HIS OWN.
1665
01:18:29,375 --> 01:18:31,041
SO YOU KILLED THEM BOTH,
1666
01:18:31,125 --> 01:18:33,208
THEN YOU SET THE FIRE
AT PAULINE'S,
1667
01:18:33,291 --> 01:18:35,542
FRAMED WILL.
1668
01:18:35,625 --> 01:18:37,709
THAT'S QUITE A MESS
OF ACCUSATIONS.
1669
01:18:37,792 --> 01:18:39,333
AND WHY WOULD I DO THAT?
1670
01:18:39,417 --> 01:18:40,959
THIS WHOLE TIME,
1671
01:18:41,041 --> 01:18:43,250
YOU'VE BEEN TRYING
TO SHUT DOWN MY SITE,
1672
01:18:43,333 --> 01:18:46,125
TAKE THE GLORY FOR YOURSELF.
1673
01:18:46,208 --> 01:18:47,792
YOU KNEW WE WERE GOING
TO FIND SOMETHING HERE,
1674
01:18:47,875 --> 01:18:50,166
PROVE MY FATHER RIGHT.
1675
01:18:50,250 --> 01:18:53,875
YOUR FATHER MAY HAVE BEEN
AN ABSOLUTE SAINT TO YOU,
1676
01:18:53,959 --> 01:18:56,542
BUT HE WAS NOT TO ME.
1677
01:18:56,625 --> 01:18:59,542
HE CRITICIZED MY RESEARCH.
1678
01:18:59,625 --> 01:19:01,083
HE DISMISSED MY PROPOSALS.
1679
01:19:01,166 --> 01:19:04,417
HE BELITTLED ME
AT EVERY TURN.
1680
01:19:04,500 --> 01:19:06,875
HE DID EVERYTHING
THAT HE COULD
1681
01:19:06,959 --> 01:19:08,125
TO ENSURE MY FAILURE.
1682
01:19:08,208 --> 01:19:10,959
I JUST NEEDED
SOME ADDITIONAL PROOF HERE
1683
01:19:11,041 --> 01:19:13,834
THAT THIS IS THE RIGHT PLACE.
1684
01:19:13,917 --> 01:19:15,959
AFTER SOME TIME,
1685
01:19:16,041 --> 01:19:17,917
I'D SECURE SOME MORE FINANCING
1686
01:19:18,000 --> 01:19:20,917
AND REOPEN THE DIG...
1687
01:19:21,000 --> 01:19:21,917
MY DIG.
1688
01:19:23,792 --> 01:19:26,333
DO YOU REALLY THINK
I'M NOT GOING TO SAY ANYTHING?
1689
01:19:26,417 --> 01:19:27,542
DO YOU THINK I'M GOING
1690
01:19:27,625 --> 01:19:29,750
TO LET YOU TAKE ALL OF THIS
AWAY FROM ME?
1691
01:19:29,834 --> 01:19:33,917
WELL, I HAD HOPED
THAT YOU WOULD BE SMART.
1692
01:19:36,000 --> 01:19:38,333
LIKE I SAID BEFORE,
1693
01:19:38,417 --> 01:19:41,750
YOUR DRIVE, YOUR URGE
TO PROVE YOUR FATHER RIGHT
1694
01:19:41,834 --> 01:19:43,208
IS FAR TOO GREAT,
1695
01:19:43,291 --> 01:19:45,875
SO, UNFORTUNATELY,
1696
01:19:45,959 --> 01:19:46,959
I WON'T BE ABLE
1697
01:19:47,041 --> 01:19:50,667
TO LET YOU LEAVE HERE ALIVE.
1698
01:20:16,291 --> 01:20:17,667
EMMA!
1699
01:20:28,625 --> 01:20:31,583
THERE'S ONLY ONE WAY
THIS IS GOING TO END.
1700
01:20:31,667 --> 01:20:33,667
EMMA!
1701
01:20:33,750 --> 01:20:35,458
THERE'S NO POINT
IN RUNNING.
1702
01:20:43,750 --> 01:20:45,667
BEST GIVE UP NOW.
1703
01:20:45,750 --> 01:20:47,333
YOU CAN'T WIN THIS.
1704
01:20:47,417 --> 01:20:48,458
WE'LL SEE.
1705
01:20:49,625 --> 01:20:51,709
I DON'T KNOW, MARKHAM.
1706
01:20:51,792 --> 01:20:54,041
MY MONEY'S ON EMMA.
1707
01:21:09,125 --> 01:21:11,000
I APPRECIATE YOU
SHOWING UP WHEN YOU DID.
1708
01:21:11,083 --> 01:21:12,291
YOU HAD HIM.
1709
01:21:12,375 --> 01:21:14,417
GLAD YOU THOUGHT SO.
1710
01:21:14,500 --> 01:21:16,041
WHY'D YOU COME OUT HERE?
1711
01:21:16,125 --> 01:21:18,250
OH, I BROUGHT YOU
SOMETHING
1712
01:21:18,333 --> 01:21:19,917
I THINK YOU'RE GOING
TO WANT TO SEE.
1713
01:21:20,000 --> 01:21:21,125
THERE WE GO.
1714
01:21:22,709 --> 01:21:24,417
A PRESENT?
1715
01:21:24,500 --> 01:21:26,000
UH, NOT YET,
BUT MAYBE SOMEDAY.
1716
01:21:26,083 --> 01:21:27,834
IT'S ACTUALLY EVIDENCE.
1717
01:21:27,917 --> 01:21:30,000
CAN WE GO INTO
YOUR FATHER'S LAB?
1718
01:21:30,083 --> 01:21:31,417
YEAH.
1719
01:21:37,166 --> 01:21:38,917
SO, WHAT'S GOING
TO HAPPEN TO WILL?
1720
01:21:39,000 --> 01:21:40,333
TAMPERING WITH EVIDENCE.
1721
01:21:40,417 --> 01:21:42,583
HE'LL NEED A GOOD LAWYER.
1722
01:21:42,667 --> 01:21:44,125
WILL HE GO BACK
TO JAIL?
1723
01:21:44,208 --> 01:21:45,417
THAT'S HARD TO TELL.
1724
01:21:45,500 --> 01:21:48,125
IT WOULD HELP IF HE HAD
A RENOWNED ARCHAEOLOGIST
1725
01:21:48,208 --> 01:21:49,542
AS A CHARACTER WITNESS,
1726
01:21:49,625 --> 01:21:50,625
IF YOU HAPPEN TO KNOW ONE.
1727
01:21:51,834 --> 01:21:53,000
THINK I JUST MIGHT.
1728
01:21:53,083 --> 01:21:55,000
I, UH...
1729
01:21:55,083 --> 01:21:58,166
I FOUND THIS AT TICHNOR'S.
1730
01:21:58,250 --> 01:21:59,166
IT'S THE PITCHER
I DISCOVERED!
1731
01:21:59,250 --> 01:22:00,417
IT'S THE PITCHER
I DISCOVERED...
1732
01:22:00,500 --> 01:22:01,458
I DISCOVERED THE PITCHER.
I FOUND THE PITCHER.
1733
01:22:01,542 --> 01:22:02,417
NO, YOU DIDN'T EVEN
KNOW WHAT IT WAS
1734
01:22:02,500 --> 01:22:04,625
UNTIL I TOLD YOU.
1735
01:22:06,166 --> 01:22:08,083
I ADMIT, PROFESSOR...
1736
01:22:08,166 --> 01:22:09,041
WE WORK WELL TOGETHER.
1737
01:22:10,625 --> 01:22:11,709
WE DO.
1738
01:22:13,875 --> 01:22:15,583
I THINK
WE DESERVE A LITTLE FUN.
1739
01:22:18,625 --> 01:22:19,917
OKAY.
1740
01:22:20,000 --> 01:22:21,917
YOU MAY THINK THIS IS FUN,
BUT MY BACK IS NOT AMUSED.
1741
01:22:22,000 --> 01:22:24,792
HEY, LESS COMPLAINING,
MORE SIFTING.
1742
01:22:24,875 --> 01:22:28,542
YOU ARCHAEOLOGISTS,
YOU KNOW, BUST INTO TOMBS...
1743
01:22:28,625 --> 01:22:30,709
FIGHT SNAKES
AND BAD GUYS
1744
01:22:30,792 --> 01:22:33,083
AND MAKE OFF
WITH PRICELESS OBJECTS.
1745
01:22:33,166 --> 01:22:35,000
YEAH, WE DO...
IN THE MOVIES.
1746
01:22:39,625 --> 01:22:40,417
CONNOR!
1747
01:22:40,500 --> 01:22:41,500
WHAT?
1748
01:22:41,583 --> 01:22:42,750
LOOK.
1749
01:22:45,208 --> 01:22:46,333
WHAT IS THAT?
1750
01:22:51,041 --> 01:22:52,959
IT'S A THEODOLITE.
1751
01:22:53,041 --> 01:22:55,041
IT'S A SURVEYOR'S INSTRUMENT.
1752
01:23:06,709 --> 01:23:07,834
IS THIS THE PROOF
1753
01:23:07,917 --> 01:23:09,750
THAT YOU AND YOUR FATHER
WERE LOOKING FOR? DID...
1754
01:23:09,834 --> 01:23:10,917
YEAH!
1755
01:23:11,000 --> 01:23:12,041
IT IS?
1756
01:23:12,125 --> 01:23:13,417
YES!
1757
01:23:13,500 --> 01:23:14,375
CONGRATULATIONS!
1758
01:23:17,250 --> 01:23:19,125
WELL DONE, EMMA...
1759
01:23:19,208 --> 01:23:20,125
EMMA PROFESSOR.
112604
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