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1
00:00:05,239 --> 00:00:07,808
Man: LET'S GET READY
TO ROCK AND ROLL.
2
00:00:07,841 --> 00:00:09,643
TALLY ATWATER,
AFFILIATE PROMO,
3
00:00:09,677 --> 00:00:11,212
STAND BY, TAKE 1.
4
00:00:11,245 --> 00:00:13,214
Man 2: OK, PEOPLE,
LET'S GET IT TOGETHER.
5
00:00:13,247 --> 00:00:14,648
GIMME TALLY ON 1.
6
00:00:14,682 --> 00:00:16,517
I WANT TO HEAR
THE ANNOUNCE.
7
00:00:16,550 --> 00:00:19,220
WE'LL TAKE THE
ANNOUNCE AND TALLY.
8
00:00:20,354 --> 00:00:21,722
LET ME HEAR
THE ANNOUNCE...
9
00:00:21,755 --> 00:00:24,024
Man 3:
TESTING 1, 2, 3.
10
00:00:24,058 --> 00:00:25,826
THIS IS TOM ORR.
11
00:00:25,859 --> 00:00:28,696
TESTING 1, 2, 3.
12
00:00:28,729 --> 00:00:31,099
WE GOT TALLY ON 1.
13
00:00:31,132 --> 00:00:32,766
[MULTIPLE VOICES]
14
00:00:36,204 --> 00:00:39,573
Orr: YOU KNOW THOSE
FACES. YOU REMEMBER
THOSE STORIES.
15
00:00:39,607 --> 00:00:43,244
THEY WERE
THE MEN AND WOMEN
WHO MADE IBS NEWS...
16
00:00:43,277 --> 00:00:45,246
Man: OK, OK,
THAT'S ENOUGH
ON TOM ORR.
17
00:00:45,279 --> 00:00:47,014
LET'S GO TO TALLY.
18
00:00:48,816 --> 00:00:52,353
TALLY, COULD YOU
GIVE US A LEVEL
ON YOUR MIKE, PLEASE?
19
00:00:52,386 --> 00:00:55,256
Tally: WHAT WE
IN THE NEWS BUSINESS
CAN NEVER FORGET...
20
00:00:55,289 --> 00:00:56,524
ONE SECOND. RAISE
HER GAIN A LITTLE BIT.
21
00:00:56,557 --> 00:00:59,393
AGAIN, TALLY.
TESTING 1, 2, 3.
22
00:00:59,427 --> 00:01:02,130
WHAT WE IN
THE NEWS BUSINESS
CAN NEVER FORGET...
23
00:01:02,163 --> 00:01:04,265
Man: YOU'RE PICKING UP
SHADOW ON HER FACE.
24
00:01:04,298 --> 00:01:06,234
TALLY, I NEED TO
SEE YOU RIGHT AT
CAMERA HERE, PLEASE.
25
00:01:06,267 --> 00:01:08,269
Woman: I'LL MAKE SURE
WE GET FOOD IN HERE.
26
00:01:08,302 --> 00:01:11,572
ADD SOME SIDE LIGHT,
PLEASE?
27
00:01:11,605 --> 00:01:14,142
WHAT WE IN THE NEWS BUSINESS
CAN NEVER FORGET
28
00:01:14,175 --> 00:01:17,411
IS WE'RE ONLY AS GOOD
AS THE STORIES WE TELL.
29
00:01:17,445 --> 00:01:19,280
GUYS, GUYS, YOU STILL
GOT THE SHADOW.
30
00:01:19,313 --> 00:01:22,049
A LITTLE MORE
FILL, PLEASE.
31
00:01:22,082 --> 00:01:24,985
IF YOU COULD JUST TALK
A LITTLE BIT ABOUT HOW
YOU GOT STARTED, TALLY.
32
00:01:25,018 --> 00:01:27,621
A FEW BIO BITES
THAT, YOU KNOW,
WE CAN PLAY WITH.
33
00:01:27,655 --> 00:01:30,724
LET'S...
LET'S SHOOT THIS.
34
00:01:30,758 --> 00:01:32,993
LET'S SEE.
35
00:01:33,026 --> 00:01:36,430
I GUESS I ALWAYS PRETTY MUCH
KNEW WHAT I WANTED TO DO.
36
00:01:36,464 --> 00:01:38,132
Woman: SALLY ANN
KNEW EXACTLY
WHAT SHE WANTED.
37
00:01:38,166 --> 00:01:41,001
AND WHAT SHE WANTED
WAS TO BE NUMBER ONE...
38
00:01:41,034 --> 00:01:43,504
IN NEON LIGHTS.
39
00:01:43,537 --> 00:01:46,140
Man: THE SISTER
COMES DOWN
TO 2 BITES, MAX.
40
00:01:46,174 --> 00:01:48,676
SOMETHING CUTE ABOUT
HOW YOU GOT STARTED...
41
00:01:48,709 --> 00:01:51,111
WHAT, YOU WENT
TO COLLEGE?
42
00:01:51,145 --> 00:01:53,414
I TEMPED, WAITED TABLES...
43
00:01:53,447 --> 00:01:55,749
THE MINUTE I WAS OLD ENOUGH,
I DEALT CRAPS.
44
00:01:55,783 --> 00:01:57,618
CRAPS.
45
00:01:57,651 --> 00:02:01,021
I WANTED TO DEAL BACCARAT,
BECAUSE YOU COULD MAKE
MORE MONEY ON TIPS,
46
00:02:01,054 --> 00:02:02,590
BUT WHERE WE WERE LIVING...
47
00:02:02,623 --> 00:02:05,159
IN A LITTLE MINING TOWN
IN THE WEST...
48
00:02:05,193 --> 00:02:07,795
YOU HAVE TO BE CONNECTED
TO DEAL BACCARAT,
49
00:02:07,828 --> 00:02:09,630
AND THE ONLY PERSON
I WAS CONNECTED TO
50
00:02:09,663 --> 00:02:12,132
WAS MY LITTLE SISTER LUANNE.
51
00:02:12,166 --> 00:02:16,170
I WAS GOING TO COMMUNITY
COLLEGE AT NIGHT,
52
00:02:16,204 --> 00:02:18,706
DOUBLING UP ON
COMMUNICATIONS COURSES,
53
00:02:18,739 --> 00:02:20,474
MAKING UP FOR LOST TIME...
54
00:02:20,508 --> 00:02:26,180
EVERYONE SAID, "YOU WANT TO
GET A JOB IN TELEVISION,
55
00:02:26,214 --> 00:02:27,481
YOU HAVE TO MAKE
A DEMO TAPE."
56
00:02:27,515 --> 00:02:30,318
SO I MADE A DEMO TAPE.
57
00:02:30,351 --> 00:02:32,686
YOU MIGHT ASK,
OUT OF THE THOUSANDS
OF YOUNG WOMEN
58
00:02:32,720 --> 00:02:35,155
THAT SEND YOU TAPES,
WHY HIRE SALLY?
59
00:02:35,189 --> 00:02:37,458
I SENT IT TO 37 STATIONS.
60
00:02:37,491 --> 00:02:42,062
WMIA MIAMI, UM,
WAS THE ONLY ANSWER I GOT.
61
00:02:42,095 --> 00:02:45,199
SO I SAID GOOD-BYE
TO LUANNE
62
00:02:45,233 --> 00:02:49,737
AND GOT ON A CONNECTION
TO DALLAS WITH A 4-HOUR
LAYOVER TO MIAMI.
63
00:02:49,770 --> 00:02:53,307
I WANTED IT TO BE 4 DAYS...
I WAS SO SCARED
OF GETTING THERE.
64
00:03:32,546 --> 00:03:35,583
SO... YOU'RE SALLY.
65
00:03:35,616 --> 00:03:37,385
SALLY ATWATER.
66
00:03:37,418 --> 00:03:39,620
THAT'S SALLY
WITH AN "S," RIGHT?
67
00:03:39,653 --> 00:03:41,622
DO YOU THINK
I'M OVERDRESSED?
68
00:03:41,655 --> 00:03:43,624
NO.
NOT IN THE LEAST.
69
00:03:43,657 --> 00:03:47,795
I DIDN'T KNOW IF
THEY'D BE DRESSY
OR COOL...
70
00:03:49,563 --> 00:03:51,732
WARREN,
MISS ATWATER IS HERE.
71
00:03:51,765 --> 00:03:52,633
[RIP]
72
00:03:52,666 --> 00:03:55,536
OK. GO UP THOSE STAIRS,
73
00:03:55,569 --> 00:03:57,471
AND WARREN'S
IN THE CONTROL BOOTH.
74
00:03:57,505 --> 00:04:01,108
[TELEPHONE RINGS]
HEY... I'M NED.
75
00:04:01,141 --> 00:04:02,109
I'M SALLY.
76
00:04:02,142 --> 00:04:04,645
YOU MAJORED
IN COMMUNICATIONS.
77
00:04:04,678 --> 00:04:06,414
YEAH, VIC, LISTEN...
78
00:04:37,445 --> 00:04:39,012
[MULTIPLE VOICES]
79
00:04:41,148 --> 00:04:43,651
WRAP PATTY,
GO TO ROB.
80
00:04:43,684 --> 00:04:46,019
ROB, BACK TO YOU
IN THE STUDIO.
81
00:04:46,053 --> 00:04:47,588
THANK YOU, PATTY,
FOR THAT REPORT.
82
00:04:47,621 --> 00:04:49,256
YOU, OVER HERE.
83
00:04:49,289 --> 00:04:50,624
ROB, YOU'RE RUNNING LONG.
84
00:04:50,658 --> 00:04:52,192
FURTHER DEVELOPMENTS
AS THEY OCCUR
85
00:04:52,225 --> 00:04:54,528
ON THE SITUATION AT
TAMIAMI MIDDLE SCHOOL...
86
00:04:54,562 --> 00:04:56,597
FURTHER DEVELOPMENTS
AS THEY OCCUR
87
00:04:56,630 --> 00:04:59,333
IN THE SITUATION
AT TAMIAMI
MIDDLE SCHOOL...
88
00:04:59,367 --> 00:05:02,336
13-YEAR-OLD STILL HOLDS
HIS MATH CLASS HOSTAGE
WITH AN A-K...
89
00:05:02,370 --> 00:05:04,505
STILL HOLDS HIS
MATH CLASS HOSTAGE...
90
00:05:04,538 --> 00:05:06,707
FULL COVERAGE AT 6:00
FROM THE AWARD-WINNING
CHANNEL 9 NEWS TEAM...
91
00:05:06,740 --> 00:05:08,709
FULL COVERAGE AT 6:00
FROM THE AWARD WINNING...
92
00:05:08,742 --> 00:05:11,512
THIS IS ROB SULLIVAN...
WITH HIS TOUCHY-FEELY TAG...
93
00:05:11,545 --> 00:05:13,213
GOOD-BYE.
BE OF GOOD CHEER.
94
00:05:13,246 --> 00:05:16,116
GOOD-BYE.
BE OF GOOD CHEER.
95
00:05:16,149 --> 00:05:18,118
I MIGHT GET SICK.
96
00:05:18,151 --> 00:05:20,287
GET ME THE 6:00 REPORT.
97
00:05:23,056 --> 00:05:24,057
COME ON.
98
00:05:24,091 --> 00:05:25,793
WARREN, ABOUT
THE ANDERS THING...
99
00:05:25,826 --> 00:05:26,794
COMING, SWEETHEART?
100
00:05:26,827 --> 00:05:27,728
I THINK THE WAY
WE PLAY IT
101
00:05:27,761 --> 00:05:30,798
IS BY CALLING ATTENTION
TO A PUBLIC SERVANT
102
00:05:30,831 --> 00:05:32,366
VIOLATING
THE VOTERS' TRUST.
103
00:05:32,400 --> 00:05:34,234
NO, HARVEY,
WE PLAY IT STRAIGHT...
104
00:05:34,267 --> 00:05:36,804
HARVEY HARRIS
REPORTING FROM THE
DADE COUNTY COURTHOUSE
105
00:05:36,837 --> 00:05:39,640
WHERE TODAY SEMINOLE
SCHOOL PRINCIPAL
LEE ANDERS
106
00:05:39,673 --> 00:05:42,075
WAS FOUND GUILTY OF
BANGING THE 10th GRADE
CLASS PRESIDENT.
107
00:05:42,109 --> 00:05:43,644
NO MORE, NO LESS.
GOT IT?
108
00:05:43,677 --> 00:05:45,245
MORE ON
THAT ACCIDENT
IN HOMESTEAD...
109
00:05:45,278 --> 00:05:47,047
SWEETHEART,
WILL YOU KEEP UP?
110
00:05:47,080 --> 00:05:49,082
SALLY.
111
00:05:49,116 --> 00:05:50,317
EXCUSE?
112
00:05:50,350 --> 00:05:53,153
I SAID SALLY,
NOT SWEETHEART.
113
00:05:53,186 --> 00:05:54,154
GOT IT.
114
00:05:54,187 --> 00:05:55,389
VIC, SALLY.
115
00:05:55,423 --> 00:05:57,257
SALLY'S OUR NEW
DESK ASSISTANT.
116
00:05:57,290 --> 00:05:59,192
DO NOT CALL HER
SWEETHEART.
117
00:06:00,461 --> 00:06:02,262
THERE'S GOT TO BE
A KID TRAPPED
IN THE WRECKAGE
118
00:06:02,295 --> 00:06:03,096
BEFORE WE DO
A BREAK-IN.
119
00:06:03,130 --> 00:06:06,233
NO KID. DAD, MOM,
GRANDMA IN ONE CAR.
120
00:06:06,266 --> 00:06:08,602
THE DRIVER, HIS WIFE
OR GIRLFRIEND
IN THE PICKUP.
121
00:06:08,636 --> 00:06:10,270
THERE'S SOME
DISCREPANCY THERE.
122
00:06:10,303 --> 00:06:11,539
RUN THAT
DISCREPANCY BY ME.
123
00:06:11,572 --> 00:06:13,273
LADY CALLS, SAYS
THE WOMAN IN THE PICKUP
124
00:06:13,306 --> 00:06:14,775
WAS HER HUSBAND'S WHORE,
QUOTE, UNQUOTE.
125
00:06:14,808 --> 00:06:17,110
WARREN,
TRISH AGAIN ON 2.
126
00:06:17,144 --> 00:06:18,245
[PICKING UP PHONE]
127
00:06:18,278 --> 00:06:19,547
TRISH?
128
00:06:19,580 --> 00:06:21,281
YEAH. WE'LL SEND YOU
REFERENCES.
129
00:06:21,314 --> 00:06:23,116
YES.
130
00:06:23,150 --> 00:06:24,618
WEREN'T YOU AND TRISH...
131
00:06:24,652 --> 00:06:27,020
YOU KNOW, IF YOU DON'T
MIND MY ASKING...
132
00:06:27,054 --> 00:06:28,121
I DO MIND.
WHO YOU GOT
ON HOMESTEAD?
133
00:06:28,155 --> 00:06:29,122
NOBODY...
134
00:06:29,156 --> 00:06:31,425
UNLESS YOU WANT
TO FIRE TRISH.
135
00:06:35,796 --> 00:06:39,132
WE... WE DON'T, UH,
WE DON'T USUALLY WEAR
136
00:06:39,166 --> 00:06:40,768
OUR CREDENTIALS
IN THE NEWSROOM.
137
00:06:40,801 --> 00:06:42,770
OH, SORRY.
138
00:06:44,404 --> 00:06:46,239
OH!
139
00:06:46,273 --> 00:06:48,241
I'M SO SORRY.
140
00:06:48,275 --> 00:06:50,444
OH, THAT'S GOOD.
141
00:06:50,478 --> 00:06:51,979
I'M SORRY.
142
00:06:52,012 --> 00:06:53,146
AHEM.
143
00:07:00,521 --> 00:07:02,222
I'M FROM NEVADA.
144
00:07:04,324 --> 00:07:06,426
OK. HERE'S THE RUNDOWN.
145
00:07:06,460 --> 00:07:07,260
AHEM.
146
00:07:07,294 --> 00:07:09,563
WE'LL HAVE THE KID
HOSTAGE STORY LIVE...
147
00:07:09,597 --> 00:07:11,732
NO, NOT LIVE.
BY 6:00 IT'LL BE
"WHAT DOES IT ALL MEAN?"
148
00:07:11,765 --> 00:07:13,066
HAVE LOU DO IT.
149
00:07:13,100 --> 00:07:17,337
OK. CONSUELA'S DOING
THE PBA ENDORSING THE MAYOR
FOR A SECOND TERM.
150
00:07:17,370 --> 00:07:19,507
BURY THAT BEFORE
THE FIRST COMMERCIAL.
151
00:07:19,540 --> 00:07:21,441
HARVEY'S DOING ANDERS,
152
00:07:21,475 --> 00:07:23,644
AND THERE'S THE COCOA PLUM
HOUSEKEEPER KILLING.
153
00:07:23,677 --> 00:07:26,179
LEAD WITH THAT.
BECAUSE...
154
00:07:27,380 --> 00:07:29,783
COME ON,
LET'S HAVE IT.
155
00:07:29,817 --> 00:07:33,487
THE GOLDEN RULE
OF LOCAL NEWS...
IF IT...
156
00:07:33,521 --> 00:07:35,288
I DON'T...
157
00:07:35,322 --> 00:07:37,424
BLEEDS, IT LEADS.
158
00:07:37,457 --> 00:07:39,493
YOUR PREDECESSOR...
159
00:07:39,527 --> 00:07:40,661
TRISH.
160
00:07:40,694 --> 00:07:42,262
TRISH DIDN'T THINK
THE DESK HAD A WHOLE
LOT TO TEACH HER.
161
00:07:42,295 --> 00:07:43,797
HOW 'BOUT YOU?
162
00:07:43,831 --> 00:07:45,265
OH, I THINK THE DESK
CAN TEACH ME.
163
00:07:45,298 --> 00:07:46,534
WHAT?
164
00:07:46,567 --> 00:07:48,468
EVERYTHING.
165
00:07:48,502 --> 00:07:50,470
EVERYTHING?
166
00:07:50,504 --> 00:07:54,207
SO THAT LATER
WHEN I'M...
167
00:07:54,241 --> 00:07:57,277
SO WHEN I'M READY,
I'LL BE ABLE TO DO
A STORY.
168
00:07:57,310 --> 00:08:00,313
EXCUSE ME A SECOND.
169
00:08:00,347 --> 00:08:01,481
OH.
170
00:08:02,816 --> 00:08:04,785
THANK YOU,
LADIES AND GENTLEMEN.
171
00:08:04,818 --> 00:08:07,454
THIS IS A GREAT HONOR,
AND...
172
00:08:07,487 --> 00:08:09,623
[FAST FORWARDING]
173
00:08:09,657 --> 00:08:12,125
ALREADY
A SEASONED NEWSWOMAN.
174
00:08:12,159 --> 00:08:14,461
SHE COVERED THE CRUCIAL
CALIFORNIA YOUTH FORUM...
175
00:08:14,494 --> 00:08:16,564
CRUCIAL CALIFORNIA
YOUTH FORUM
ELECTION, HUH?
176
00:08:16,597 --> 00:08:17,965
[WHISTLES]
177
00:08:17,998 --> 00:08:21,669
YOU MIGHT ASK, OUT OF
THE THOUSANDS OF YOUNG
WOMEN THAT SEND YOU TAPES,
178
00:08:21,702 --> 00:08:23,303
WHY HIRE SALLY?
179
00:08:23,336 --> 00:08:24,738
BECAUSE I'M SALLY,
180
00:08:24,772 --> 00:08:26,540
AND I'M GOING TO BE A STAR.
181
00:08:26,574 --> 00:08:29,209
IF THIS IS TO TELL ME
I HAVE A LOT TO LEARN,
182
00:08:29,242 --> 00:08:31,044
I ALREADY KNOW THAT.
183
00:08:32,780 --> 00:08:34,347
I'M GOING TO LEARN IT.
184
00:08:34,381 --> 00:08:35,415
NOTED.
185
00:08:35,448 --> 00:08:39,152
MEANWHILE,
YOU ANSWER THE PHONES,
WORK THE DATABASE,
186
00:08:39,186 --> 00:08:40,554
GET THE REPORTERS
WHAT THEY NEED...
187
00:08:40,588 --> 00:08:42,756
ADDRESSES, NUMBERS,
188
00:08:42,790 --> 00:08:44,758
WHO, WHAT, WHEN, WHERE...
189
00:08:44,792 --> 00:08:47,327
OH, AND YOU SEE THAT
MR. COFFEE MACHINE
OVER THERE?
190
00:08:47,360 --> 00:08:49,597
I LIKE IT STRONG.
191
00:08:49,630 --> 00:08:50,598
ILEANA,
CANCEL MY DINNER.
192
00:08:50,631 --> 00:08:52,432
WE'RE GONNA
HAVE TO GO LATE.
193
00:08:52,465 --> 00:08:55,402
YOU USED TO COVER
THE WHITE HOUSE.
194
00:08:55,435 --> 00:08:57,337
ARE YOU GONNA TELL ME
YOU WATCHED ME
IN HIGH SCHOOL?
195
00:08:57,370 --> 00:09:01,108
NO. YOU WERE THE ONE WHO
ASKED GEORGE BUSH HOW,
AS FORMER CIA DIRECTOR,
196
00:09:01,141 --> 00:09:04,678
HE DIDN'T KNOW NORIEGA
WAS ON THE CIA PAYROLL.
197
00:09:04,712 --> 00:09:06,614
AND BUSH SAID, "NO
QUESTIONS AT PHOTO OP,"
198
00:09:06,647 --> 00:09:08,248
AND MARLIN FITZWATER
SAID, "PULL THE LIGHTS,"
199
00:09:08,281 --> 00:09:11,284
AND YOU PUT THE WHOLE
THING ON THE AIR.
200
00:09:11,318 --> 00:09:13,020
IT WAS IN A COURSE
I TOOK.
201
00:09:13,053 --> 00:09:15,555
Y... RIGHT. YOU STILL
GET THE COFFEE.
202
00:09:15,589 --> 00:09:17,257
I COULD PROBABLY
GET THE COFFEE.
203
00:09:17,290 --> 00:09:18,191
GOOD.
204
00:09:18,225 --> 00:09:20,027
OTHERWISE, YOU JUST HAD
THE SHORTEST CAREER
205
00:09:20,060 --> 00:09:21,629
IN WMIA
CHANNEL 9 HISTORY,
206
00:09:21,662 --> 00:09:24,264
NEWS HEARTBEAT OF
THE AMERICAN RIVIERA.
207
00:09:24,297 --> 00:09:25,699
SUGAR, NO CREAM.
208
00:09:27,300 --> 00:09:30,403
DO YOU ALWAYS WEAR
THAT MUCH MAKEUP?
209
00:09:35,308 --> 00:09:37,244
TURNING TO THE
WEATHER FRONT...
210
00:09:37,277 --> 00:09:41,281
[TELEPHONES RINGING]
211
00:09:41,314 --> 00:09:43,383
NEWSROOM.
212
00:09:43,416 --> 00:09:45,653
CAN I HAVE
YOUR NAME, PLEASE?
213
00:09:45,686 --> 00:09:49,122
WHAT IS THE NAME
OF THE HOSPITAL?
214
00:09:49,156 --> 00:09:52,125
DOES THIS PERSON
HAVE A NAME?
215
00:09:52,159 --> 00:09:54,995
NO... I AM TRYING
TO HELP YOU.
216
00:09:55,028 --> 00:09:58,666
UH, NO, MA'AM, I DO NOT
REMEMBER MIAMI
217
00:09:58,699 --> 00:10:00,500
BEFORE THERE WERE HAITIANS.
218
00:10:00,533 --> 00:10:01,568
THANK YOU, MA'AM.
219
00:10:01,601 --> 00:10:02,569
[HANGS UP]
220
00:10:02,602 --> 00:10:03,671
HAPPY HALLOWEEN
TO YOU, TOO.
221
00:10:03,704 --> 00:10:05,305
LOOKS LIKE
YOU'RE GETTING
THE HANG OF IT.
222
00:10:05,338 --> 00:10:07,307
UH, I AM. YES.
223
00:10:07,340 --> 00:10:11,111
ACTUALLY, I'VE BEEN
GETTING THE HANG OF IT
SINCE AT LEAST JULY.
224
00:10:11,144 --> 00:10:12,245
HERE YOU GO,
WARREN.
225
00:10:12,279 --> 00:10:13,480
THANKS. GOOD, NED.
226
00:10:13,513 --> 00:10:15,615
THIS IS NOT
A CRITICISM.
227
00:10:15,649 --> 00:10:18,418
IT'S... MORE OF
AN OBSERVATION.
228
00:10:18,451 --> 00:10:20,087
YOU DON'T HAVE
A WEATHER PERSON.
229
00:10:20,120 --> 00:10:21,088
I FIRED HER.
230
00:10:21,121 --> 00:10:23,023
I DON'T LIKE
WEATHER PERSONS.
231
00:10:23,056 --> 00:10:24,357
BUT HAVING THE ANCHOR
DO THE WEATHER
232
00:10:24,391 --> 00:10:25,693
REDUCES HIS CREDIBILITY
AS ANCHOR.
233
00:10:25,726 --> 00:10:27,427
CREDIBILITY? ROB?
234
00:10:27,460 --> 00:10:29,529
IF YOU WANTED
SOMEONE TO DO IT...
235
00:10:29,562 --> 00:10:30,764
YOU THINK YOU MIGHT
BE READY TO...
236
00:10:30,798 --> 00:10:32,299
TAKE ON A LITTLE MORE...
237
00:10:32,332 --> 00:10:33,300
RESPONSIBILITY?
238
00:10:33,333 --> 00:10:34,301
EXACTLY.
239
00:10:34,334 --> 00:10:35,302
HEH...
240
00:10:35,335 --> 00:10:36,670
I'M READY.
241
00:10:36,704 --> 00:10:39,539
OH, YOU KNOW WHAT
YOU ARE READY FOR?
242
00:10:39,572 --> 00:10:41,374
STOP
TOMORROW MORNING
ON YOUR WAY IN...
243
00:10:41,408 --> 00:10:43,376
MY CLEANING...
SHUN LI.
244
00:10:45,145 --> 00:10:46,714
YOU WANT A RIDE HOME?
245
00:10:46,747 --> 00:10:48,716
OTHERWISE I HAVE JUST HAD
THE SHORTEST CAREER
246
00:10:48,749 --> 00:10:51,651
IN THE HISTORY OF
WMIA CHANNEL 9,
247
00:10:51,685 --> 00:10:55,022
NEWS HEARTBEAT
OF THE AMERICAN RIVIERA.
248
00:10:55,055 --> 00:10:57,290
THE RIDE HOME
IS OPTIONAL.
249
00:10:57,324 --> 00:11:00,227
I OPT NO, THANK YOU.
250
00:11:17,110 --> 00:11:20,180
YOU WANT ROB
TO WEAR THAT?
251
00:11:20,213 --> 00:11:21,749
YOU KNOW, WEATHER
IS A SPONSORED SPOT.
252
00:11:21,782 --> 00:11:23,751
WELL, WHAT IF IT'S
NOT RAINING, DAN?
253
00:11:23,784 --> 00:11:25,252
ANY OTHER COSTUME
IDEAS ON TAP?
254
00:11:25,285 --> 00:11:28,355
I WAS THINKING
MAYBE BIG SUNGLASSES.
255
00:11:28,388 --> 00:11:30,490
SHIT. WARREN,
3 HAS HAPPY WEATHER.
256
00:11:30,523 --> 00:11:33,093
DO YOU KNOW WHAT KIND
OF AN OPERATION 3 IS?
257
00:11:33,126 --> 00:11:34,762
THE NIGHT
THE GULF WAR STARTED,
258
00:11:34,795 --> 00:11:36,363
THEY LED WITH
THE BAL-HARBOR
259
00:11:36,396 --> 00:11:38,565
WINTER WONDERLAND
SHOP-A-THON.
260
00:11:38,598 --> 00:11:41,601
AND 3 WAS THEN
AND STILL IS THE TOP-RATED
STATION IN THIS MARKET.
261
00:11:41,634 --> 00:11:43,436
WHAT COULD IT COST
TO TRY THIS? COME ON...
262
00:11:43,470 --> 00:11:44,604
IT WOULD COST YOU
NOTHING.
263
00:11:44,637 --> 00:11:46,173
GIMME A SECOND.
264
00:11:53,146 --> 00:11:54,782
I SAID I WANTED
THEM BOXED.
265
00:11:54,815 --> 00:11:57,050
THEY STILL
DON'T COME BOXED.
266
00:12:00,153 --> 00:12:03,356
LISTEN, I WAS WATCHING
THE NEWS LAST NIGHT...
267
00:12:03,390 --> 00:12:04,624
IS THAT UNUSUAL?
268
00:12:04,657 --> 00:12:07,527
AND I HAVE AN IDEA
ABOUT SOMETHING.
269
00:12:07,560 --> 00:12:09,362
I WAS RETHINKING
THE WEATHER SPOT.
270
00:12:09,396 --> 00:12:11,398
YEAH. EVERYBODY IS.
271
00:12:11,431 --> 00:12:12,766
I COULD DO IT.
I COULD DO THE WEATHER.
272
00:12:12,800 --> 00:12:15,635
I COULD DO THE DESK
AND THE WEATHER,
SAME SALARY.
273
00:12:15,668 --> 00:12:16,636
IF I COULD RESTATE
MY POINT...
274
00:12:16,669 --> 00:12:17,771
I GOT YOUR POINT.
275
00:12:17,805 --> 00:12:19,439
SALARY TO ONE SIDE,
SALLY.
276
00:12:19,472 --> 00:12:21,041
I DID SOME WEATHER
IN RENO.
277
00:12:21,074 --> 00:12:22,609
I WANTED TO HIRE
A REGULAR WEATHER,
278
00:12:22,642 --> 00:12:23,710
AN ARNIE POOLE TYPE.
279
00:12:23,743 --> 00:12:24,711
SAN FRANCISCO'S
GOT ARNIE POOLE.
280
00:12:24,744 --> 00:12:25,745
WE'VE GOT ROB.
281
00:12:25,779 --> 00:12:27,447
ALL I ASK IS TO
LET ROB TRY THIS.
282
00:12:27,480 --> 00:12:28,515
THE WEATHER
IN RENO...
283
00:12:28,548 --> 00:12:32,319
LET'S SEE THEY...
THEY MUST GET SOME
GENUINE WEATHER?
284
00:12:32,352 --> 00:12:33,653
OH, BIG-TIME.
285
00:12:33,686 --> 00:12:36,656
WARREN, YOU PROVE ME
WRONG, I'M EASY.
286
00:12:36,689 --> 00:12:39,292
DAN...
287
00:12:39,326 --> 00:12:41,628
MEET OUR NEW
WEATHER PERSON.
288
00:12:41,661 --> 00:12:43,630
REALLY? HA HA!
289
00:12:43,663 --> 00:12:44,998
REALLY?
290
00:12:45,032 --> 00:12:46,466
THIS IS DAN DUARTE,
OUR STATION MANAGER
291
00:12:46,499 --> 00:12:48,568
AND MY BOSS.
292
00:12:48,601 --> 00:12:50,337
I GO THROUGH LIFE
WITH A SMILE,
293
00:12:50,370 --> 00:12:52,305
TRY TO SPREAD
A LITTLE GOODNESS.
294
00:12:52,339 --> 00:12:54,607
SOME PEOPLE IN THIS
BUSINESS GET JADED,
295
00:12:54,641 --> 00:12:58,011
BECAUSE IT'S ALWAYS
THE SAME AWFUL STORIES.
296
00:12:58,045 --> 00:13:00,447
AND IT IS THE SAME
STORIES,
297
00:13:00,480 --> 00:13:04,284
BUT THEY'RE HAPPENING
TO DIFFERENT PEOPLE.
298
00:13:04,317 --> 00:13:08,121
OUR NEW WEATHER GAL
SEEMS TO BE
UNDER THE WEATHER.
299
00:13:08,155 --> 00:13:09,189
30 SECONDS, ROB.
300
00:13:09,222 --> 00:13:10,123
OK, NOW
WE'RE CLEARING...
301
00:13:10,157 --> 00:13:13,426
FOCUS ON SPREADING
THAT GOODNESS, HUH, ROB?
302
00:13:13,460 --> 00:13:15,295
[MOANING]
303
00:13:16,529 --> 00:13:18,198
UHHHH...
304
00:13:21,501 --> 00:13:23,603
WHAT IS THIS?
305
00:13:23,636 --> 00:13:26,506
OK, COME ON,
GET UP.
306
00:13:26,539 --> 00:13:27,507
COME ON...
307
00:13:27,540 --> 00:13:28,508
NOW... NOW, WHAT IS IT?
308
00:13:28,541 --> 00:13:29,542
OH, I CAN'T DO IT.
309
00:13:29,576 --> 00:13:32,212
COME ON, YOU'VE
DONE THIS BEFORE.
WHAT'S WRONG?
310
00:13:32,245 --> 00:13:35,282
IF YOU'RE SALLY, I WANT YOU
IN MAKEUP NOW, PLEASE.
311
00:13:35,315 --> 00:13:36,283
NOT NOW.
312
00:13:36,316 --> 00:13:39,119
STAY OUTSIDE.
313
00:13:39,152 --> 00:13:40,453
HEY...
314
00:13:40,487 --> 00:13:42,289
SAY "SALLY ATWATER."
315
00:13:42,322 --> 00:13:44,224
SALLY...
316
00:13:44,257 --> 00:13:47,627
SALLY...
317
00:13:47,660 --> 00:13:48,628
SAY IT.
318
00:13:48,661 --> 00:13:49,629
SALLY AT...
AGAIN.
319
00:13:49,662 --> 00:13:50,797
NO, I CAN'T DO IT!
320
00:13:50,830 --> 00:13:53,400
THEN DON'T DO IT.
321
00:13:53,433 --> 00:13:55,702
YOU DON'T
HAVE TO DO IT.
322
00:13:55,735 --> 00:13:57,070
YES, I DO.
323
00:13:57,104 --> 00:13:58,238
WHAT?
324
00:13:58,271 --> 00:13:59,472
YES, I DO.
325
00:13:59,506 --> 00:14:02,209
OK. I'LL GET YOU
THROUGH IT.
326
00:14:02,242 --> 00:14:04,211
Man: HELLO, MISS.
MY NAME IS OCTAVIO.
I'M YOUR FLOOR MANAGER.
327
00:14:04,244 --> 00:14:05,378
YOU'RE GOING TO BE
IN CAMERA THE ENTIRE TIME.
328
00:14:05,412 --> 00:14:11,751
WELCOME TO MIA.
OK, EVERYBODY, HAPPY
WEATHER IN 15, 14...
329
00:14:13,220 --> 00:14:16,389
Man: OK, EVERYBODY,
KEEP ON YOUR TOES.
330
00:14:16,423 --> 00:14:18,425
LET'S DO THIS ONE
FOR UNCLE DAN.
331
00:14:18,458 --> 00:14:21,594
CAN WE HAVE IT QUIET
IN HERE, PLEASE?
332
00:14:21,628 --> 00:14:23,496
ROB, CHECK THE PROMPTER.
333
00:14:26,199 --> 00:14:31,171
AND NOW WITH THE WEATHER,
HERE'S SA... TALLY ATWATER.
334
00:14:31,204 --> 00:14:32,572
TALLY?
335
00:14:32,605 --> 00:14:35,342
Warren: COME ON,
THAT'S YOUR NEW
NAME... TALLY.
336
00:14:35,375 --> 00:14:37,210
IT'S EASY TO SAY.
DON'T LOOK AT ME,
LOOK AT THE CAMERA.
337
00:14:37,244 --> 00:14:38,278
YOU GOT 29 SECONDS
TO COMMERCIAL.
338
00:14:38,311 --> 00:14:39,412
LOOK STRAIGHT
INTO THE CAMERA,
339
00:14:39,446 --> 00:14:41,414
TALK STRAIGHT INTO
THE RED LIGHT.
340
00:14:41,448 --> 00:14:44,584
YOU'LL FIND YOU'VE GOT
A NEW BEST FRIEND.
341
00:14:45,552 --> 00:14:47,120
TALLY?
342
00:14:52,325 --> 00:14:53,626
COME ON, BABY.
343
00:14:53,660 --> 00:14:55,428
TALLY...
344
00:14:55,462 --> 00:14:57,630
THANKS, ROB.
345
00:14:57,664 --> 00:15:00,700
HOW LONG WAS THAT?
WE NEED TO TAKE...
346
00:15:00,733 --> 00:15:02,469
YOU WON'T NEED THIS.
347
00:15:02,502 --> 00:15:03,703
WHAT AN IDEA.
348
00:15:03,736 --> 00:15:06,106
YOU WILL WANT THESE...
349
00:15:06,139 --> 00:15:10,210
OH, ANOTHER
GOOD IDEA, DAN.
350
00:15:10,243 --> 00:15:13,246
WE'RE LOOKING AT
AN EXPECTED HIGH OF 98...
351
00:15:13,280 --> 00:15:15,315
THOSE GLASSES DON'T
SEEM SILLY ON 7.
352
00:15:15,348 --> 00:15:16,984
DOES SHE
COME OUT NEXT
WITH A BANANA?
353
00:15:17,017 --> 00:15:21,088
LOOK FOR A BALMY LOW
OF 86.
354
00:15:21,121 --> 00:15:22,089
PICK IT UP.
355
00:15:22,122 --> 00:15:23,656
MORE HIGH PRESSURE MOVING IN
356
00:15:23,690 --> 00:15:26,126
MEANS THAT THIS SYSTEM IS
DEFINITELY STAYING WITH US.
357
00:15:26,159 --> 00:15:27,727
PACE YOURSELF.
358
00:15:27,760 --> 00:15:30,998
DON'T LOOK AT ME.
LOOK AT THE CAMERA.
359
00:15:32,765 --> 00:15:37,470
AND SO THE 5-DAY FORECAST
IS MORE, MORE, MORE,
HOT, HOT, HOT.
360
00:15:37,504 --> 00:15:39,239
THTAY...
361
00:15:42,375 --> 00:15:44,411
STAY INSIDE,
362
00:15:44,444 --> 00:15:45,378
CUDDLE UP.
363
00:15:45,412 --> 00:15:48,348
CUDDLE UP AND ENJOY
THE AIR CONDITIONING, ROB.
364
00:15:48,381 --> 00:15:50,750
THANKS, TALLY...
365
00:15:50,783 --> 00:15:51,784
YOU MADE YOUR POINT,
WARREN.
366
00:15:51,818 --> 00:15:54,187
THIS IS A NONSTARTER.
367
00:15:54,221 --> 00:15:56,289
SHE EATS THE LENS.
368
00:16:00,493 --> 00:16:03,030
THAT DOES IT FOR NOW.
THIS IS ROB SULLIVAN SAYING,
369
00:16:03,063 --> 00:16:07,100
FOR ADELA SIMMS AND MYSELF
AND ALL OF US HERE
AT CHANNEL 9 NEWS,
370
00:16:07,134 --> 00:16:09,702
GOOD NIGHT.
BE OF GOOD CHEER.
371
00:16:09,736 --> 00:16:12,472
WON'T WANT THIS.
372
00:16:12,505 --> 00:16:15,608
WILL NEED THESE.
373
00:16:15,642 --> 00:16:17,710
NOT TO WORRY, DAN.
374
00:16:17,744 --> 00:16:21,148
UNCLE ROB WAS THERE TO
STEP IN IF IT GOT ANY WORSE.
375
00:16:23,183 --> 00:16:25,152
Man: GOOD JOB,
SALLY.
376
00:16:25,185 --> 00:16:27,620
I WAS BETTING SHE'D
PEE ON THE AIR.
377
00:16:27,654 --> 00:16:31,991
Man: OK, GUYS, WE'LL
DO IT AGAIN TOMORROW,
OK? THANKS.
378
00:16:49,176 --> 00:16:52,745
YOU DON'T HAVE TO
PUT UP WITH HIM, LU.
379
00:16:52,779 --> 00:16:55,148
[KNOCK ON DOOR]
380
00:16:55,182 --> 00:16:59,586
LUANNE... I... I... I HEAR IT,
I HEAR IT.
381
00:17:02,189 --> 00:17:04,657
NO, IT IS NOT THE GUY
FROM THE SWEEPSTAKES.
382
00:17:04,691 --> 00:17:07,494
NOBODY BUT YOU
BELIEVES IN THE GUY
FROM THE SWEEPSTAKES.
383
00:17:07,527 --> 00:17:09,562
IT'S LIKE THE TOOTH FAIRY.
384
00:17:11,631 --> 00:17:14,767
DON'T HANG UP.
I WANT TO
TALK TO YOU.
385
00:17:14,801 --> 00:17:16,736
STILL FEELING
SORRY FOR YOURSELF?
386
00:17:16,769 --> 00:17:19,739
WHAT ARE YOU
DOING HERE?
387
00:17:19,772 --> 00:17:24,611
OH... NBC's MILLION DOLLAR
BABY AND HOW SHE GOT THERE.
388
00:17:24,644 --> 00:17:26,446
NO MIAMI HERALD,
NO WASHINGTON POST,
389
00:17:26,479 --> 00:17:27,614
NO WALL STREET JOURNAL?
390
00:17:27,647 --> 00:17:30,583
YOU GETTING A CHEAP
RUSH FROM THIS?
391
00:17:30,617 --> 00:17:33,120
YOU KNOW THE DEMO
TAPE I SENT YOU?
392
00:17:33,153 --> 00:17:34,121
YEAH.
393
00:17:34,154 --> 00:17:35,522
I FAKED IT.
394
00:17:35,555 --> 00:17:36,523
MM-HMM.
395
00:17:36,556 --> 00:17:39,392
I DIDN'T DO ANY
OF THOSE THINGS
I SAID I DID.
396
00:17:39,426 --> 00:17:42,262
I WENT TO EAST RENO
COMMUNITY COLLEGE
AT NIGHT.
397
00:17:42,295 --> 00:17:43,563
I WASN'T
VALEDICTORIAN.
398
00:17:43,596 --> 00:17:44,564
I DIDN'T EVEN GRADUATE.
399
00:17:44,597 --> 00:17:46,399
I FAKED
THE WHOLE GRADUATION.
400
00:17:46,433 --> 00:17:48,801
I RENTED A CAP AND GOWN,
I DID THE CAMERA MYSELF,
401
00:17:48,835 --> 00:17:50,370
I EVEN THREW
THE CONFETTI MYSELF.
402
00:17:50,403 --> 00:17:52,605
NO CRUCIAL
CALIFORNIA YOUTH
FORUM ELECTIONS?
403
00:17:52,639 --> 00:17:54,641
BIG-TIME WEATHER?
FREELANCE?
404
00:17:54,674 --> 00:17:59,612
ONCE WHEN I WAS
WORKING AT, UM,
UM, CAL-NEVA,
405
00:17:59,646 --> 00:18:05,785
IT GOT SNOWED IN,
AND A RENO STATION
ASKED FOR SOME...
406
00:18:05,818 --> 00:18:08,288
REPORTS... PHONE REPORTS,
AND I DID ONE.
407
00:18:08,321 --> 00:18:09,456
IT WAS
40 SECONDS LONG.
408
00:18:09,489 --> 00:18:10,790
I KNOW ALL THAT.
409
00:18:10,823 --> 00:18:12,459
YOU THINK I DIDN'T
CHECK IT OUT?
410
00:18:12,492 --> 00:18:13,426
SO FIRE ME.
411
00:18:13,460 --> 00:18:15,662
I FIGURE
IF YOU'RE HUNGRY
ENOUGH TO FAKE IT,
412
00:18:15,695 --> 00:18:17,497
YOU MIGHT BE
HUNGRY ENOUGH
TO DO IT.
413
00:18:17,530 --> 00:18:19,399
THE WEATHER
IS NOT GONNA WORK.
414
00:18:19,432 --> 00:18:21,134
HA. YOU DON'T THINK
I KNOW THAT?
415
00:18:21,168 --> 00:18:22,435
YOU COME ACROSS
ON CAMERA.
416
00:18:22,469 --> 00:18:24,003
YOU MADE A SAVE.
417
00:18:24,036 --> 00:18:26,573
I'M GIVING YOU
A SHOT
AS A REPORTER.
418
00:18:27,807 --> 00:18:31,144
THAT'S WHAT
I CAME BY
TO TELL YOU.
419
00:18:32,512 --> 00:18:36,283
THOUGHT I CAME BY
TO FUCK YOU,
DIDN'T YA?
420
00:18:41,721 --> 00:18:43,122
LU.
421
00:18:44,157 --> 00:18:45,992
I THINK
I JUST GOT PROMOTED.
422
00:18:54,467 --> 00:18:57,637
ACTUALLY,
THIS IS A SET-ASIDE.
423
00:18:57,670 --> 00:19:00,640
HARVEY'S BELLE-GLADE
PIECE TELLS ME
A STORY.
424
00:19:00,673 --> 00:19:02,008
YOURS DOESN'T.
425
00:19:04,511 --> 00:19:07,214
MIAMI'S BEAUTIFUL PEOPLE
GOT AN EYEFUL TODAY...
426
00:19:07,247 --> 00:19:08,515
WHAT'S THE STORY?
427
00:19:08,548 --> 00:19:09,449
THE STORY IS...
428
00:19:09,482 --> 00:19:11,651
THE FASHION INDUSTRY
COMES TO
SOUTH BEACH.
429
00:19:11,684 --> 00:19:13,386
IT CAME...
430
00:19:13,420 --> 00:19:14,454
IT WENT.
431
00:19:14,487 --> 00:19:15,788
WE DID THAT STORY.
IT'S GONE.
432
00:19:15,822 --> 00:19:18,691
OK, NOW,
LET'S LAY IN B-ROLL.
433
00:19:18,725 --> 00:19:21,194
SEE IF WE CAN'T
SALVAGE THIS THING.
434
00:19:23,730 --> 00:19:27,300
SOME OF THE FINEST
CIGARMAKERS
EXILED FROM CUBA
435
00:19:27,334 --> 00:19:30,337
ARE MAKING PROFITABLE
BUSINESSES HERE
IN LITTLE HAVANA.
436
00:19:30,370 --> 00:19:34,474
AS I QUICKLY LEARNED,
IT'S NOT AS EASY
AS IT LOOKS...
437
00:19:34,507 --> 00:19:35,642
WHAT'S THE STORY HERE?
438
00:19:35,675 --> 00:19:36,743
IS IT THE CUBAN,
OR ARE YOU GETTING
CUTE WITH THE CIGAR?
439
00:19:36,776 --> 00:19:39,746
THIS IS TALLY ATWATER,
CHANNEL 9 NEWS,
LITTLE HAVANA.
440
00:19:39,779 --> 00:19:41,481
THE CUBAN, OF COURSE.
441
00:19:41,514 --> 00:19:42,649
THEN YOU SHOULD HAVE
FOUND OUT
442
00:19:42,682 --> 00:19:44,717
THAT THIS PARTICULAR
EXILED CIGARMAKER
443
00:19:44,751 --> 00:19:46,719
IS NOT A CIGARMAKER
FROM HAVANA,
444
00:19:46,753 --> 00:19:49,188
BUT A BATISTA
OFFICER.
445
00:19:49,222 --> 00:19:50,690
JUST DO IT BETTER.
446
00:19:50,723 --> 00:19:52,525
RIGHT.
447
00:19:54,294 --> 00:19:56,195
HARVEY'S TRUCK
IS DOWN.
448
00:19:56,229 --> 00:19:57,196
WHAT?
449
00:19:57,230 --> 00:19:59,198
ON HIS WAY TO...
450
00:20:00,467 --> 00:20:02,669
HOW LONG WOULD IT
TAKE US TO GET
TO MIAMI BEACH?
451
00:20:02,702 --> 00:20:05,004
I THOUGHT WE'D BE DOING
THIS BULLSHIT BOAT SHOW
452
00:20:05,037 --> 00:20:06,739
UNTIL YOU DETOURED
ONTO CONNIE'S JEWELRY.
453
00:20:06,773 --> 00:20:09,276
NO, NO, NO. THIS IS
A MUCH BETTER STORY.
HOW LONG?
454
00:20:09,309 --> 00:20:10,710
HALF AN HOUR.
455
00:20:10,743 --> 00:20:13,780
VIC, UH, YEAH, TALLY.
456
00:20:13,813 --> 00:20:17,083
LISTEN, NED AND I
ARE MOMENTS FROM
THIS HARVEY STORY.
457
00:20:17,116 --> 00:20:18,385
YEAH...
458
00:20:47,814 --> 00:20:49,449
HARVEY'S
TRUCK IS DOWN.
459
00:20:49,482 --> 00:20:50,483
I KNOW IT'S DOWN.
460
00:20:50,517 --> 00:20:52,385
I'M COVERING TILL
HE GETS HERE. NED?
461
00:20:52,419 --> 00:20:55,221
BUT IF HE DOESN'T
GET HERE, YOU'LL NEED
AN ON-CAMERA REPORTER.
462
00:20:55,254 --> 00:20:57,490
WHAT? YOU'VE NEVER
DONE A LIVE FEED.
463
00:20:57,524 --> 00:21:00,627
YOU DON'T EVEN KNOW
WHAT THE STORY IS.
464
00:21:00,660 --> 00:21:02,629
GET THE BOAT,
GET THE CABLES,
GET THE BALCONIES,
465
00:21:02,662 --> 00:21:05,998
UM... GET THE SPOKESMAN...
466
00:21:06,032 --> 00:21:09,469
THEN TELL ME
WHAT THE STORY IS.
467
00:21:09,502 --> 00:21:11,338
OK.
468
00:21:11,371 --> 00:21:13,306
SHOW ME
WHAT YOU GOT.
469
00:21:20,513 --> 00:21:21,614
GET IN THERE.
470
00:21:21,648 --> 00:21:24,016
JAM THE DAMN MIKE
IN HIS FACE.
471
00:21:25,485 --> 00:21:27,286
WAIT A MINUTE...
472
00:21:27,320 --> 00:21:28,521
...POSITIVE
I.D. FIRST.
473
00:21:28,555 --> 00:21:30,657
AND... AND HOW DO YOU
DO THAT, SHERIFF?
474
00:21:30,690 --> 00:21:31,491
METRO DADE, MISSY.
475
00:21:31,524 --> 00:21:34,494
I SAID HOW DO YOU MAKE
A POSITIVE I.D.?
476
00:21:34,527 --> 00:21:36,463
I KNOW
SHE'S NEVER DONE
A LIVE FEED, VIC,
477
00:21:36,496 --> 00:21:37,364
BUT I'VE DONE
LIVE FEEDS,
478
00:21:37,397 --> 00:21:39,332
SO IF SHE
CAN'T CUT IT,
I'LL DO IT, OK?
479
00:21:39,366 --> 00:21:41,300
WE CAN CALL
THIS ONE JUAN DOE.
480
00:21:41,334 --> 00:21:43,636
HIS NAME IS JUAN DOE?
481
00:21:43,670 --> 00:21:44,671
HA HA HA...
HA HA HA...
482
00:21:44,704 --> 00:21:47,039
OR IS THAT YOUR WAY
OF SUGGESTING
483
00:21:47,073 --> 00:21:48,675
THAT THIS
PARTICULAR JOHN DOE,
484
00:21:48,708 --> 00:21:52,545
OR UNIDENTIFIED PERSON,
IS OR WAS SPANISH SPEAKING?
485
00:21:52,579 --> 00:21:54,046
CUTE, MISSY.
486
00:21:54,080 --> 00:21:55,348
ALL RIGHT, NOW, LISTEN,
487
00:21:55,382 --> 00:21:57,650
I'M GONNA ASK YOU ALL
JUST TO BEAR WITH US
AND BE PATIENT HERE...
488
00:21:57,684 --> 00:21:59,719
FIRST THING...
STAY UPWIND.
489
00:21:59,752 --> 00:22:01,153
WHICH WAY IS UPWIND?
490
00:22:01,187 --> 00:22:02,622
AWAY FORM THE STINK.
491
00:22:02,655 --> 00:22:05,792
FLOATERS STINK BECAUSE THEIR
STOMACHS FILL WITH GAS.
492
00:22:05,825 --> 00:22:06,793
THAT'S WHAT
BRINGS THEM UP.
493
00:22:06,826 --> 00:22:08,027
SOMETIMES THEY POP.
494
00:22:08,060 --> 00:22:09,295
WE CAN SHOOT
RIGHT HERE.
495
00:22:09,328 --> 00:22:11,498
BUT... BUT THEY'RE
OVER THERE.
496
00:22:11,531 --> 00:22:14,367
OK. RAUL SOTA,
DOMINGO KATZ.
497
00:22:14,401 --> 00:22:16,669
COLOMBIANS.
DECKHANDS ON
THE S.S. BOLIVAR
498
00:22:16,703 --> 00:22:17,670
OUT OF BERENCHIA.
499
00:22:17,704 --> 00:22:19,305
THEY JUMPED SHIP.
500
00:22:19,338 --> 00:22:20,540
I CALLED
THE HARBORMASTER.
501
00:22:20,573 --> 00:22:22,575
CALLING THE HARBORMASTER
IS WHAT REPORTERS DO.
502
00:22:22,609 --> 00:22:24,043
THEY JUST DON'T
SHOW UP ON THE SCENE.
503
00:22:24,076 --> 00:22:26,513
RAUL SOTA
AND DOMINGO KATZ.
504
00:22:26,546 --> 00:22:28,047
WE'RE STILL
TOO CLOSE.
505
00:22:28,080 --> 00:22:30,650
THE STORM THAT
SLAMMED INTO MIAMI
YESTERDAY...
506
00:22:30,683 --> 00:22:32,084
NOT YESTERDAY.
YESTERDAY'S HISTORY.
507
00:22:32,118 --> 00:22:33,152
NEWS HAPPENS TODAY.
508
00:22:33,185 --> 00:22:35,187
TODAY.
FORGET YESTERDAY.
509
00:22:35,221 --> 00:22:36,222
TODAY. OK.
510
00:22:36,255 --> 00:22:37,557
SHOW HER FACE
IN CAMERA...
511
00:22:37,590 --> 00:22:39,392
I THINK
I'M GONNA FAINT.
WHERE'S UPWIND?
512
00:22:39,426 --> 00:22:40,493
NOT WHERE YOU'RE AT.
513
00:22:40,527 --> 00:22:42,595
VIC, ARE YOU WITH ME?
514
00:22:42,629 --> 00:22:44,697
HOW MUCH TIME
HAVE WE GOT?
515
00:22:44,731 --> 00:22:45,732
OK.
516
00:22:45,765 --> 00:22:48,267
A MINUTE AND 12 SECONDS
TO COME UP WITH A LEAD-IN.
517
00:22:48,300 --> 00:22:50,002
OK. NOW, WH-WHAT
ARE YOU DOING?
518
00:22:50,036 --> 00:22:51,037
THIS ISN'T
ABOUT LIPSTICK.
519
00:22:51,070 --> 00:22:52,104
THIS IS ABOUT THEM...
520
00:22:52,138 --> 00:22:53,272
RAUL SOTA, DOMINGO KATZ.
521
00:22:53,305 --> 00:22:55,107
2 GUYS JUMP SHIP
FOR THE LAND OF PLENTY,
522
00:22:55,141 --> 00:22:57,076
AND THEY DROWN 25 FEET
FROM GETTING IT.
523
00:22:57,109 --> 00:22:59,111
PEOPLE LIKE RAUL SOTA
AND DOMINGO KATZ
524
00:22:59,145 --> 00:23:00,613
DON'T GET TAUGHT
HOW TO SWIM.
525
00:23:00,647 --> 00:23:02,582
THAT'S WHAT THIS
STORY'S ABOUT,
NOT MAKEUP.
526
00:23:02,615 --> 00:23:04,451
VIC? ONE MINUTE.
527
00:23:04,484 --> 00:23:07,754
OK. IN THE BLUE WATER
OFF MIAMI TODAY...
528
00:23:07,787 --> 00:23:09,355
MIAMI BEACH TODAY.
529
00:23:09,388 --> 00:23:10,757
RAUL SOTA,
DOMINGO KATZ...
530
00:23:10,790 --> 00:23:12,425
WHAT DID THEY DIE FOR,
WHAT DID THEY WANT?
531
00:23:12,459 --> 00:23:14,727
IN THE BLUE WATER
OFF MIAMI BEACH TODAY,
532
00:23:14,761 --> 00:23:15,762
DIVERS...
533
00:23:15,795 --> 00:23:17,564
HOLD THE DIVERS.
HOLD THE DIVERS.
534
00:23:17,597 --> 00:23:19,298
LEAD WITH RAUL SOTA
AND DOMINGO KATZ.
535
00:23:19,331 --> 00:23:20,299
I'LL TELL YOU
WHAT TO SAY.
536
00:23:20,332 --> 00:23:21,300
I KNOW WHAT TO SAY.
537
00:23:21,333 --> 00:23:22,535
WELL, THEN SAY IT!
538
00:23:22,569 --> 00:23:24,303
RAUL SOTA
AND DOMINGO K...
539
00:23:24,336 --> 00:23:25,538
RAUL SOTA AND DOMINGO...
540
00:23:25,572 --> 00:23:27,273
25 FEET FROM
THE BIG ENCHILADA.
541
00:23:27,306 --> 00:23:29,776
25 FEET FROM
THE PROMISED LAND.
542
00:23:29,809 --> 00:23:32,111
25 FEET FROM WALKING DOWN
COLLINS AVENUE
543
00:23:32,144 --> 00:23:34,447
AND A JOB BUSSING DISHES
AT THE BLUE.
544
00:23:34,481 --> 00:23:37,249
DO YOU HAVE ANY IDEA
WHAT IT'S LIKE TO WANT
SOMETHING THAT BAD?
545
00:23:37,283 --> 00:23:38,250
Ned: 10 SECONDS, WARREN.
546
00:23:38,284 --> 00:23:39,251
ANSWER ME. DO YOU?
547
00:23:39,285 --> 00:23:40,252
YES.
548
00:23:40,286 --> 00:23:41,253
THEN SHOW ME.
549
00:23:41,287 --> 00:23:42,455
ROB CAN'T STRETCH.
550
00:23:42,489 --> 00:23:44,423
SHE'S ON IN 7 SECONDS...
6... 5...
551
00:23:44,457 --> 00:23:45,758
TELL ME A STORY.
552
00:23:45,792 --> 00:23:50,463
4... 3... 2...
553
00:23:50,497 --> 00:23:53,332
2 MEN DROWNED TODAY
OFF MIAMI BEACH.
554
00:23:53,365 --> 00:23:55,301
RAUL SOTA
AND DOMINGO KATZ
555
00:23:55,334 --> 00:23:57,136
DID NOT BELONG
IN THE LUXURIOUS CABANAS
556
00:23:57,169 --> 00:23:58,671
THAT LINE THIS STRETCH
OF THE BEACH.
557
00:23:58,705 --> 00:24:00,139
THEY JUMPED SHIP.
558
00:24:00,172 --> 00:24:02,809
THEY WANTED TO COME
TO AMERICA,
AND THEY DIED...
559
00:24:02,842 --> 00:24:06,579
25 FEET FROM WHAT
THEY MUST HAVE SEEN
AS THE PROMISED LAND.
560
00:24:06,613 --> 00:24:09,281
WERE THESE MEN
SEEKING ASYLUM,
TALLY?
561
00:24:09,315 --> 00:24:14,420
UH, ALL WE KNOW, ROB,
IS THAT A PILGRIMAGE
TO EL NORTE
562
00:24:14,453 --> 00:24:16,989
THAT BEGAN IN
BERENCHIA, COLOMBIA,
563
00:24:17,023 --> 00:24:20,426
SPELLED DEATH TODAY
FOR RAUL SOTA
AND DOMINGO KATZ.
564
00:24:20,459 --> 00:24:24,263
THIS IS TALLY ATWATER
ON MIAMI BEACH.
565
00:24:24,296 --> 00:24:25,264
YES!
566
00:24:25,297 --> 00:24:26,666
GIRL'S GOT CHOPS.
567
00:24:31,403 --> 00:24:32,805
THANK YOU.
568
00:24:32,839 --> 00:24:35,207
I WAS WONDERING
IF YOU COULD SAY THAT.
569
00:24:49,021 --> 00:24:51,691
THAT WAS NICE WORK
ON THE ALIENS.
570
00:24:51,724 --> 00:24:53,192
THANKS.
571
00:24:53,225 --> 00:24:55,461
IT MADE ME
REFLECT ON
572
00:24:55,494 --> 00:24:58,464
HOW MANY OF THEM
EVERY DAY
573
00:24:58,497 --> 00:25:01,033
ACTUALLY GET IN.
574
00:25:01,067 --> 00:25:02,635
FOOD FOR THOUGHT.
575
00:25:04,503 --> 00:25:07,006
I'VE NEVER THOUGHT
OF IT THAT WAY, ROB.
576
00:25:07,039 --> 00:25:09,576
A LITTLE ADVICE
FROM UNCLE ROB.
577
00:25:10,677 --> 00:25:12,579
WATCH WARREN.
578
00:25:12,612 --> 00:25:15,414
DON'T LET HIM BRING
YOU ALONG TOO FAST.
579
00:25:17,083 --> 00:25:19,051
YOU FEEL YOU
NEED A MENTOR...
580
00:25:20,352 --> 00:25:23,222
ROB-ERINO.
581
00:25:23,255 --> 00:25:25,357
THANKS.
582
00:25:25,391 --> 00:25:26,693
OK.
583
00:25:42,609 --> 00:25:45,612
ON TONIGHT'S
ASSIGNMENT EARTH...
584
00:25:45,645 --> 00:25:47,614
SELLING DIRTY AIR.
585
00:25:47,647 --> 00:25:50,216
ENTIENDE USTED...
586
00:25:51,150 --> 00:25:53,452
ENTIENDE...
587
00:25:56,322 --> 00:25:59,358
ME FALTA PRACTICA.
588
00:25:59,391 --> 00:26:01,460
WHEN ORIANA FALACCI
INTERVIEWED FIDEL CASTRO,
589
00:26:01,493 --> 00:26:03,462
SHE DID IT IN SPANISH.
590
00:26:03,495 --> 00:26:07,233
WELL, BEFORE YOU
SET UP YOUR ONE-ON-ONE
WITH FIDEL,
591
00:26:07,266 --> 00:26:10,136
YOU MIGHT WANT TO GET
A NEW JACKET OR TWO.
592
00:26:10,169 --> 00:26:13,272
WE HAVE A CONSULTANT
THAT WE USE...
INEZ CIFUENTES.
593
00:26:14,607 --> 00:26:15,642
OK.
594
00:26:15,675 --> 00:26:17,610
WE HAVE A BUDGET FOR IT.
595
00:26:17,644 --> 00:26:19,712
WE DON'T WANT THE LOOK
TO GET IN THE WAY.
596
00:26:27,486 --> 00:26:31,457
NOW, WARREN SAID
TO KEEP A LITTLE EDGE.
597
00:26:31,490 --> 00:26:33,292
THANK YOU.
598
00:26:34,493 --> 00:26:38,130
IT'S A "WHEN DID YOU
STOP BEATING YOUR WIFE"
KINDA DEAL.
599
00:26:38,164 --> 00:26:40,633
DIAZ ISN'T GOING TO
ADMIT HE'S TAKING MONEY,
600
00:26:40,667 --> 00:26:44,136
SO IF YOU CAN GET
HIM NOT ANSWERING
THE QUESTION ON CAMERA,
601
00:26:44,170 --> 00:26:45,471
WELL, THEN YOU'VE
TOLD THE STORY.
602
00:26:45,504 --> 00:26:46,639
AND ANOTHER THING...
603
00:26:46,673 --> 00:26:48,474
WELL, THAT'S NICE.
604
00:26:49,608 --> 00:26:51,510
EDGY ENOUGH FOR YOU?
605
00:26:54,446 --> 00:26:57,316
INEZ, YOU CAN
DO SOMETHING
ABOUT THE HAIR?
606
00:27:00,687 --> 00:27:03,089
I'M NOT CUTTING MY HAIR.
607
00:27:03,122 --> 00:27:04,991
NED, COME ON.
GET AHEAD OF ME.
608
00:27:06,158 --> 00:27:07,526
SORRY. EXCUSE ME.
609
00:27:07,559 --> 00:27:10,162
[MAN GIVING SPEECH
IN SPANISH]
610
00:27:11,664 --> 00:27:13,465
WE'LL WIN, WE'LL WIN.
611
00:27:13,499 --> 00:27:16,803
UH, CONGRESSMAN, HOW DO
YOU ANSWER ALLEGATIONS
612
00:27:16,836 --> 00:27:18,370
THAT YOU PROFITED
FROM DRUG MONEY?
613
00:27:18,404 --> 00:27:20,139
THAT IS NO LONGER AN ISSUE.
614
00:27:20,172 --> 00:27:21,473
ISN'T IT TRUE
THAT YOUR CAMPAIGN
615
00:27:21,507 --> 00:27:23,676
RECEIVED SIZABLE
CONTRIBUTIONS
616
00:27:23,710 --> 00:27:27,046
FROM AT LEAST
ONE FOREIGN-BASED
INDIVIDUAL?
617
00:27:27,079 --> 00:27:29,315
CONGRESSMAN.
618
00:27:29,348 --> 00:27:31,283
CONGRESSMAN.
619
00:27:31,317 --> 00:27:33,319
WOULD YOU
LIKE TO TAKE
THIS OPPORTUNITY
620
00:27:33,352 --> 00:27:35,287
TO CLEAR UP
THESE ALLEGATIONS?
621
00:27:35,321 --> 00:27:39,291
JUST TELL HIM
I GOT THE MOTHER
OF THE SEX CHANGE BOY.
622
00:27:39,325 --> 00:27:41,694
PROBABLY BECAUSE DONAHUE
WAS A SEX CHANGE BOY.
623
00:27:43,329 --> 00:27:45,164
YEAH, I KNOW SHE'S
A SECOND-TIER.
624
00:27:45,197 --> 00:27:46,298
I ALSO KNOW
SHE'S AVAILABLE.
625
00:27:46,332 --> 00:27:48,000
200 YEARS
OF A FREE PRESS,
626
00:27:48,034 --> 00:27:51,237
AND WE'RE DOWN
TO THE MOTHER OF
A SEX CHANGE BOY.
627
00:27:51,270 --> 00:27:53,572
NO, THERE'S NO POINT IN TRYING
TO GET LOCAL COLOR HERE.
628
00:27:53,605 --> 00:27:56,342
TELL HIM THAT. JUST GET ME
INTO HAVANA ON THURSDAY.
629
00:27:56,375 --> 00:27:59,145
3, 2, 1.
630
00:27:59,178 --> 00:28:03,315
BEHIND THOSE SMOKE-GLASS
WINDOWS IN DOWNTOWN
MIAMI TODAY...
631
00:28:04,383 --> 00:28:07,186
BET THAT ONE'S YOURS.
632
00:28:07,219 --> 00:28:08,387
YOU WIN.
633
00:28:08,420 --> 00:28:10,322
GOT IT?
634
00:28:11,590 --> 00:28:13,659
ASSHOLE DIAZ.
635
00:28:14,693 --> 00:28:16,763
TALLY ATWATER,
JOANNA KENNELLY.
636
00:28:18,765 --> 00:28:20,566
JOANNA'S MY EX-WIFE.
637
00:28:22,268 --> 00:28:23,770
WELL, ONE OF THEM.
638
00:28:23,803 --> 00:28:25,371
THE ONE THAT LEFT ME
IN WASHINGTON
639
00:28:25,404 --> 00:28:27,439
AS OPPOSED TO THE ONE THAT
LEFT ME IN NEW ORLEANS.
640
00:28:27,473 --> 00:28:29,341
JOANNA'S ON HER WAY
TO HAVANA.
641
00:28:29,375 --> 00:28:31,610
WHY DON'T YOU COME WITH ME?
642
00:28:31,643 --> 00:28:34,213
WELL, YOU COULD
THINK ABOUT IT.
643
00:28:36,115 --> 00:28:38,084
DO YOU REALLY EXPECT TO GET
A STATEMENT FROM DIAZ?
644
00:28:38,117 --> 00:28:40,186
TALLY, LET ME SHOW YOU
THE BEAUTY OF
TELEVISION NEWS.
645
00:28:40,219 --> 00:28:42,621
I EXPECTED TO
GET HIM ON CAMERA,
646
00:28:42,654 --> 00:28:43,689
AND I DID.
647
00:28:43,722 --> 00:28:45,191
OF COURSE YOU DID.
648
00:28:45,224 --> 00:28:47,459
GET PLENTY OF
AMBIENT NOISE, OK?
649
00:28:47,493 --> 00:28:48,694
AND BALLOONS.
650
00:28:48,727 --> 00:28:50,229
HOW WOULD YOU DO IT?
651
00:28:50,262 --> 00:28:52,131
OH, PERFECTLY.
652
00:28:52,164 --> 00:28:54,033
I LOVE BALLOONS.
653
00:29:00,639 --> 00:29:02,474
HERE, LOOK AT THIS.
654
00:29:02,508 --> 00:29:04,276
CONGRESSMAN,
CONGRESSMAN.
655
00:29:07,146 --> 00:29:08,447
WATCH THIS.
656
00:29:11,483 --> 00:29:14,453
AND YOU DISSOLVE
FROM THE WINDOW...
657
00:29:14,486 --> 00:29:17,323
TO YOU, LIKE THIS.
658
00:29:17,356 --> 00:29:20,292
THEN...[PUNCHING KEYS]
659
00:29:20,326 --> 00:29:22,161
LAY IN THE SOUND.
660
00:29:24,096 --> 00:29:27,499
Tape: BEHIND THOSE
SMOKE-GLASS WINDOWS
IN DOWNTOWN MIAMI TODAY
661
00:29:27,533 --> 00:29:31,437
IS CONGRESSMAN JORGE DIAZ,
WHO WAS...
662
00:29:31,470 --> 00:29:33,272
[REWINDING TAPE]
663
00:29:33,305 --> 00:29:37,276
SO, YOU AND JOANNA...
664
00:29:37,309 --> 00:29:39,145
JOANNA...
665
00:29:39,178 --> 00:29:41,113
THOUGHT I WAS
A CAPITOL HILL INSIDER,
666
00:29:41,147 --> 00:29:43,149
WHICH AT THE TIME I WAS.
667
00:29:43,182 --> 00:29:47,253
WE WERE A CUTE COUPLE
ON THE SUNDAY SHOWS
FOR A WHILE.
668
00:29:47,286 --> 00:29:49,688
BUT BEING AROUND
IN THE MORNING...
669
00:29:49,721 --> 00:29:52,691
ISN'T MY LONG SUIT.
670
00:29:52,724 --> 00:29:55,627
SEE, YOU GOT
YOUR QUESTIONS,
671
00:29:55,661 --> 00:29:57,997
GOT YOUR AMBIENT NOISE
AT THE RALLY.
672
00:29:59,465 --> 00:30:02,334
CAN'T IMAGINE IT'S
YOUR LONG SUIT, EITHER.
673
00:30:03,469 --> 00:30:05,304
MAYBE NOT.
674
00:30:09,175 --> 00:30:11,210
SO WE KEEP IT LOOSE,
675
00:30:11,243 --> 00:30:12,644
WE KEEP IT OPEN,
676
00:30:12,678 --> 00:30:15,681
AND IF WE GET LUCKY...
677
00:30:19,685 --> 00:30:21,287
GOLD.
678
00:30:32,231 --> 00:30:34,133
WE HEAR YOU.
679
00:30:37,503 --> 00:30:40,172
YOU AND JOANNA HAVE
ANY CHILDREN?
680
00:30:42,841 --> 00:30:44,476
NO.
681
00:30:45,577 --> 00:30:46,545
IRIS AND I HAD...
682
00:30:46,578 --> 00:30:47,546
IRIS?
683
00:30:47,579 --> 00:30:48,714
YEAH, MY FIRST WIFE.
684
00:30:48,747 --> 00:30:51,517
WE HAD A LITTLE GIRL.
685
00:30:51,550 --> 00:30:54,720
SHE LIVED A WEEK,
8 DAYS.
686
00:30:59,525 --> 00:31:02,061
YOU HAVE FAMILY?
687
00:31:02,094 --> 00:31:03,729
MM-HMM. A SISTER.
688
00:31:03,762 --> 00:31:05,431
YOU CLOSE?
689
00:31:05,464 --> 00:31:08,367
MM-HMM. I RAISED HER
AFTER MY MOTHER DIED.
690
00:31:09,635 --> 00:31:14,106
OUR MOM TOTALED THE CAR
ON MOUNT ROSE HIGHWAY.
691
00:31:14,140 --> 00:31:16,075
SHE ALWAYS WANTED
TO SING IN A LOUNGE,
692
00:31:16,108 --> 00:31:17,409
BUT SHE NEVER DID.
693
00:31:17,443 --> 00:31:20,212
SHE HAD THIS WHOLE
PATTI PAGE SET.
694
00:31:20,246 --> 00:31:23,115
SHE WAS OK.
695
00:31:27,553 --> 00:31:30,222
LOOK...
696
00:31:30,256 --> 00:31:32,624
I'VE BEEN HERE BEFORE.
697
00:31:32,658 --> 00:31:35,761
SO HAVE I.
698
00:31:40,332 --> 00:31:41,700
[TELEPHONE RINGS]
699
00:31:43,469 --> 00:31:45,104
[RING]
700
00:31:47,406 --> 00:31:49,275
[RING]
701
00:31:50,809 --> 00:31:52,611
NEWSROOM. JUSTICE.
702
00:31:54,446 --> 00:31:56,983
JUST A MINUTE.
703
00:31:57,016 --> 00:31:58,050
FOR YOU.
704
00:31:58,084 --> 00:31:59,385
FOR ME?
705
00:32:04,690 --> 00:32:06,658
THIS IS TALLY.
706
00:32:07,659 --> 00:32:09,495
HI.
707
00:32:17,369 --> 00:32:19,138
I'LL CALL YOU
WHEN I GET HOME.
708
00:32:30,016 --> 00:32:31,350
I NEED TO TAKE
A FEW DAYS OFF.
709
00:32:31,383 --> 00:32:32,351
SOMETHING WRONG?
710
00:32:32,384 --> 00:32:33,352
NO. NOTHING'S WRONG.
711
00:32:33,385 --> 00:32:35,021
BUT YOU HAVE TO TAKE
SOME DAYS OFF.
712
00:32:35,054 --> 00:32:37,423
IT'S PERSONAL, OK?
713
00:32:52,071 --> 00:32:53,305
[CRYING]
714
00:32:53,339 --> 00:32:54,673
IT'S OK. IT'S OK.
715
00:32:59,578 --> 00:33:01,313
IT'S GONNA BE
ALL RIGHT, LUANNE.
716
00:33:01,347 --> 00:33:03,349
I'LL GET THE MONEY.
I'M HERE.
717
00:33:11,023 --> 00:33:13,059
IT'S NOT ABOUT
ECONOMIC CHAOS
718
00:33:13,092 --> 00:33:14,493
OR POLITICAL UNCERTAINTY.
719
00:33:14,526 --> 00:33:16,395
TONIGHT AT 6:00,
THE CHANNEL 9
NEWS TEAM...
720
00:33:16,428 --> 00:33:18,330
ABOUT THAT OMEGA-7 STORY...
721
00:33:18,364 --> 00:33:19,698
YEAH.
DID IT MAKE A SEVENTH
PAROLE HEARING?
722
00:33:19,731 --> 00:33:21,467
LET STEVE DO IT.
723
00:33:21,500 --> 00:33:22,701
AND IF TALLY'S BACK
TOMORROW AFTERNOON,
724
00:33:22,734 --> 00:33:24,170
SHE CAN DO
AN ACTION WRAP-UP.
725
00:33:24,203 --> 00:33:26,138
I WOULDN'T COUNT ON THAT.
726
00:33:28,507 --> 00:33:32,311
YOU WANT ME TO GET ACCOUNTING
TO WIRE HER THE CASH ADVANCE?
727
00:33:35,047 --> 00:33:36,182
NO.
728
00:33:36,215 --> 00:33:37,416
I'LL TAKE CARE OF IT.
729
00:33:37,449 --> 00:33:41,053
TELL DAN I HEAR
ARNIE POOLE'S CONTRACT'S
UP IN SAN FRANCISCO,
730
00:33:41,087 --> 00:33:44,356
AND I JUST MIGHT GET HIM
A NEW WEATHERMAN.
731
00:33:54,766 --> 00:33:57,669
1, 20, 40, 60, 80, 2...
732
00:33:57,703 --> 00:34:00,372
75.
733
00:34:00,406 --> 00:34:02,441
IT'S NOT MY PROBLEM
IF HER BOYFRIEND
SKIPS OUT ON HER
734
00:34:02,474 --> 00:34:03,675
AND STEALS HER MONEY.
735
00:34:03,709 --> 00:34:06,011
I WANT THE RENT
N-O-W, NOW.
736
00:34:06,044 --> 00:34:07,346
I'LL GET IT TO YOU
TOMORROW.
737
00:34:07,379 --> 00:34:08,447
I MEAN IN FULL.
738
00:34:08,480 --> 00:34:10,782
I TOLD HER THAT
OR ELSE I GOTTA GET
THE MARSHAL IN.
739
00:34:10,816 --> 00:34:12,251
I'LL GET THE REST
OF IT TOMORROW.
740
00:34:12,284 --> 00:34:14,220
TOMORROW'S TODAY.
PAY UP OR OUT
LUANNE GOES.
741
00:34:14,253 --> 00:34:15,221
HOW MUCH?
742
00:34:15,254 --> 00:34:18,056
HUH?
743
00:34:18,090 --> 00:34:19,525
WHAT ARE YOU
DOING HERE?
744
00:34:19,558 --> 00:34:21,026
I'M ON MY WAY
TO SAN FRANCISCO
745
00:34:21,059 --> 00:34:23,229
TO BUY DAN SOME
HAPPY WEATHER.
HOW MUCH?
746
00:34:23,262 --> 00:34:25,297
SHE'S 550 SHORT.
747
00:34:28,134 --> 00:34:29,768
EXTRA GOES ON ACCOUNT.
748
00:34:29,801 --> 00:34:31,703
LET'S GO.
749
00:34:32,571 --> 00:34:35,641
DID YOU INTERVIEW YOU
ANY CELEBRITIES?
750
00:34:35,674 --> 00:34:37,609
COME ON.
751
00:34:43,515 --> 00:34:46,084
YOU STILL GET A RUSH
OUT OF HUMILIATING ME.
752
00:34:46,118 --> 00:34:47,153
I DIDN'T COME HERE
FOR A RUSH.
753
00:34:47,186 --> 00:34:48,654
OH, THEN WHAT DID
YOU COME HERE FOR?
754
00:34:48,687 --> 00:34:50,289
I HAD A HUNCH.
YOU HAD A HUNCH?
755
00:34:50,322 --> 00:34:51,790
YOU HAD A HUNCH
YOU COULD WALK IN HERE
756
00:34:51,823 --> 00:34:54,393
AND GET THE STORY
ON ME AND MY SISTER.
757
00:34:54,426 --> 00:34:56,462
I HAVE NO INTEREST
IN YOUR SISTER. I DON'T
EVEN KNOW YOUR SISTER.
758
00:34:56,495 --> 00:34:57,796
I JUST MET HER
A FEW MINUTES AGO.
759
00:34:57,829 --> 00:34:59,265
WHY DON'T YOU GET
HER IN DEPTH
760
00:34:59,298 --> 00:35:01,633
WASHING HER UNDERWEAR
IN THE BATHROOM SINK
761
00:35:01,667 --> 00:35:03,169
NEXT TO THE
CHEMICAL TOILET?
762
00:35:03,202 --> 00:35:04,770
LOOK, YOU
ASKED FOR CASH.
I PROVIDED IT.
763
00:35:04,803 --> 00:35:06,138
OVER AND OUT.
764
00:35:06,172 --> 00:35:07,606
YOU PROVIDED IT?
765
00:35:07,639 --> 00:35:11,143
WHAT EXACTLY DO YOU
TAKE ME FOR?
766
00:35:11,177 --> 00:35:12,511
NO, WAIT A MINUTE.
YOU COME HERE
767
00:35:12,544 --> 00:35:13,579
AND YOU SPREAD BILLS AROUND
768
00:35:13,612 --> 00:35:16,448
LIKE YOU PICKED ME UP IN
SOME BAR OFF FREMONT STREET
769
00:35:16,482 --> 00:35:18,184
IN FRONT OF THAT ASSHOLE!
770
00:35:18,217 --> 00:35:20,018
YOU HAVE NO
BUSINESS HERE.
771
00:35:20,051 --> 00:35:21,587
HOLD A MINUTE.
HOLD ON.
772
00:35:21,620 --> 00:35:22,688
YOU WORK FOR ME.
773
00:35:22,721 --> 00:35:25,123
YOU ANNOUNCE
YOU'RE TAKING OFF.
774
00:35:25,157 --> 00:35:27,125
YOU FORGET ABOUT THE
PART IF IT'S OK WITH ME.
775
00:35:27,159 --> 00:35:28,627
YOU SHOOT OFF A FAX
DEMANDING CASH.
776
00:35:28,660 --> 00:35:30,196
I'M NOT ALLOWED
TO WONDER WHY?
777
00:35:30,229 --> 00:35:31,497
AND YOU FIGURED YOU'D
DO ME THIS BIG FAVOR
778
00:35:31,530 --> 00:35:32,531
AND I'D OWE YOU.
779
00:35:32,564 --> 00:35:33,532
WELL, THAT
WAS MY MISTAKE.
780
00:35:33,565 --> 00:35:35,434
EVERY GIRL I GREW UP WITH
781
00:35:35,467 --> 00:35:38,604
ENDED UP THINKING
SHE OWED SOME GUY.
782
00:35:38,637 --> 00:35:40,206
THIS DOESN'T
INTEREST ME.
783
00:35:44,176 --> 00:35:47,145
I WAS GONNA GET US
OUT OF HERE.
784
00:35:47,179 --> 00:35:49,215
I REMEMBER TELLING LUANNE
785
00:35:49,248 --> 00:35:51,483
WE'LL GET AN APARTMENT
ON THE UPPER WEST SIDE
786
00:35:51,517 --> 00:35:53,018
BECAUSE I READ
IN SOME MAGAZINE
787
00:35:53,051 --> 00:35:54,686
THAT SAID DIANE SAWYER
LIVED THERE.
788
00:35:54,720 --> 00:35:57,456
I DIDN'T KNOW THE UPPER
WEST SIDE OF WHAT.
789
00:35:57,489 --> 00:36:01,527
I JUST KNEW I HAD
TO GET US THERE.
790
00:36:01,560 --> 00:36:02,561
THAT'S WHAT HAPPENS.
791
00:36:02,594 --> 00:36:04,296
SOME GUY COMES ALONG AND...
792
00:36:04,330 --> 00:36:06,698
NO MORE UPPER WEST SIDE.
793
00:36:06,732 --> 00:36:09,568
DOES THAT INTEREST YOU?
794
00:36:09,601 --> 00:36:11,637
THAT INTERESTS ME.
795
00:36:22,348 --> 00:36:26,184
I NEED ANOTHER
COUPLE OF DAYS
796
00:36:26,218 --> 00:36:28,520
TO MAKE SURE
SHE'S ALL RIGHT.
797
00:36:31,223 --> 00:36:34,159
IF THAT'S OK WITH YOU.
798
00:36:34,192 --> 00:36:36,595
IT'S PERFECTLY OK
WITH ME.
799
00:36:43,802 --> 00:36:45,437
P.A.: ATTENTION, PASSENGERS,
800
00:36:45,471 --> 00:36:47,239
THIS IS THE FINAL
BOARDING CALL
801
00:36:47,273 --> 00:36:49,775
FOR FLIGHT 804
TO SAN FRANCISCO.
802
00:36:49,808 --> 00:36:52,744
ALL REMAINING PASSENGERS
SHOULD BOARD NOW.
803
00:36:58,250 --> 00:37:00,118
SO TAKE AS LONG
AS YOU NEED.
804
00:37:00,151 --> 00:37:04,256
I DIDN'T WANT YOU
TO SEE ANY OF THIS.
805
00:37:04,290 --> 00:37:06,124
SO WHAT?
806
00:37:28,179 --> 00:37:30,248
Warren, on video:
WE'VE COMPLETELY
IGNORED THE FACT
807
00:37:30,282 --> 00:37:33,719
THAT THIS IS A SOCIETY
DIVIDED BY FEAR, HATRED,
808
00:37:33,752 --> 00:37:35,487
AND VIOLENCE.
809
00:37:35,521 --> 00:37:37,055
NOT TRUE.
810
00:37:37,088 --> 00:37:38,624
WE HAVEN'T DISCUSSED...
811
00:37:38,657 --> 00:37:41,427
"PROMISES AND PIE CRUSTS
ARE MADE TO BE BROKEN,"
812
00:37:41,460 --> 00:37:43,128
JONATHAN SWIFT ONCE SAID.
813
00:37:43,161 --> 00:37:45,397
AND THE PRESIDENT'S
ENVIRONMENTAL PACKAGE TODAY
814
00:37:45,431 --> 00:37:48,734
RESEMBLED SO MUCH
CHERRY PIE CRUST.
815
00:37:48,767 --> 00:37:52,404
A SOUTH VIETNAMESE PLANE
STRUCK THE WRONG TARGET
HERE TODAY...
816
00:37:52,438 --> 00:37:53,805
THEIR OWN VILLAGE.
817
00:37:53,839 --> 00:37:56,141
NAPALM BURNED A GROUP
OF CIVILIANS
818
00:37:56,174 --> 00:37:57,476
RUNNING FOR THEIR LIVES.
819
00:37:57,509 --> 00:38:00,746
HERE IS WHAT
WE DO NOT KNOW
820
00:38:00,779 --> 00:38:03,281
ON THIS DAY WHERE OVER 200
U.S. MARINES WERE KILLED
821
00:38:03,315 --> 00:38:05,451
WITH THE DEATH TOLL
STILL RISING.
822
00:38:05,484 --> 00:38:08,186
WE DO NOT KNOW WHY THERE WAS
NO PERIMETER DEFENSE SET UP
823
00:38:08,219 --> 00:38:10,288
THAT MIGHT HAVE STOPPED
THE SUICIDE BOMBER.
824
00:38:10,322 --> 00:38:12,190
WE DO NOT KNOW WHAT ROLE
825
00:38:12,223 --> 00:38:13,659
THESE MARINES WERE
SUPPOSED TO PLAY
826
00:38:13,692 --> 00:38:15,026
IN THIS WAR-RAVAGED CITY.
827
00:38:15,060 --> 00:38:18,296
WE DO NOT KNOW WHY
THEY WERE EVEN HERE.
828
00:38:18,330 --> 00:38:20,699
AND SO AT THE END
OF THIS TERRIBLE DAY,
829
00:38:20,732 --> 00:38:24,135
WHAT WE DO KNOW IS THAT
OVER 200 MARINES DIED
830
00:38:24,169 --> 00:38:25,604
WITHOUT KNOWING WHY.
831
00:38:25,637 --> 00:38:29,541
THIS IS WARREN JUSTICE,
IBS NEWS, BEIRUT, LEBANON.
832
00:38:29,575 --> 00:38:31,810
Reporter: WARREN JUSTICE
STEPPED DOWN TODAY
833
00:38:31,843 --> 00:38:35,381
AS CHIEF WHITE HOUSE
CORRESPONDENT FOR IBS.
834
00:38:35,414 --> 00:38:37,349
AN AWARD-WINNING JOURNALIST,
835
00:38:37,383 --> 00:38:41,152
JUSTICE HAS BEEN A PROMINENT
FIGURE AT IBS...
836
00:38:41,186 --> 00:38:44,189
Tally: SO, WHAT IS IT LIKE
WORKING AT THE NETWORK?
837
00:38:45,424 --> 00:38:47,058
Warren: YOU THINK
YOU GET TO THE NETWORK
838
00:38:47,092 --> 00:38:49,728
AND LOOK BACK
AT EVERYBODY THAT
MADE YOU EAT IT
839
00:38:49,761 --> 00:38:51,129
AND SAY, "UP YOURS,"
840
00:38:51,162 --> 00:38:52,631
BUT IT'S NOT LIKE THAT.
841
00:38:52,664 --> 00:38:54,366
WHAT IS IT LIKE?
842
00:38:54,400 --> 00:38:55,501
IT'S HARD.
843
00:38:55,534 --> 00:38:58,637
FUN.
844
00:38:58,670 --> 00:39:00,706
WHY DID YOU LEAVE?
845
00:39:00,739 --> 00:39:03,709
IT STOPPED
BEING FUN.
846
00:39:03,742 --> 00:39:05,577
TELL ME ABOUT THESE
DUMB CONTESTS
847
00:39:05,611 --> 00:39:08,046
YOU USED TO ENTER
WITH, UH, TAWNY.
848
00:39:08,079 --> 00:39:09,047
TAWNY BUTTON.
849
00:39:09,080 --> 00:39:10,582
WHY DON'T YOU TELL ME WHY
IT STOPPED BEING FUN.
850
00:39:10,616 --> 00:39:12,484
YOU LIKE A CONTEST?
851
00:39:14,753 --> 00:39:15,721
THE CONTEST.
852
00:39:15,754 --> 00:39:17,155
CONTEST.
853
00:39:19,425 --> 00:39:21,560
MISS STATE LINE,
MISS TRUCKEE,
854
00:39:21,593 --> 00:39:25,030
MISS TAHOE,
MISS SIERRA LOGGER.
855
00:39:25,063 --> 00:39:26,064
OOH.
856
00:39:26,097 --> 00:39:27,433
I'LL TELL YOU A SECRET.
857
00:39:27,466 --> 00:39:28,767
I'D KEEP SIERRA LOGGER
A SECRET.
858
00:39:28,800 --> 00:39:31,670
NO. THE SECRET IS
IN NOT ONE OF THEM
859
00:39:31,703 --> 00:39:33,672
DID I FINISH IN THE TOP 5.
860
00:39:33,705 --> 00:39:35,073
SO WHAT'D YOU DO
FOR TALENT?
861
00:39:35,106 --> 00:39:37,776
DID YOU BY ANY CHANCE
SING FEELINGS?
862
00:39:37,809 --> 00:39:39,545
NO. FOR
YOUR INFORMATION,
863
00:39:39,578 --> 00:39:42,347
I DID NOT BY ANY CHANCE
SING FEELINGS.
864
00:39:47,318 --> 00:39:52,758
♪ TO DREAM THE IMPOSSIBLE DREAM ♪
865
00:39:52,791 --> 00:39:58,396
♪ TO FIGHT THE UNBEATABLE FOE ♪
866
00:39:58,430 --> 00:40:04,536
♪ TO BEAR WITH UNBEARABLE SORROW ♪
867
00:40:04,570 --> 00:40:11,076
♪ TO RUN WHERE THE BRAVE DARE NOT GO ♪
868
00:40:11,109 --> 00:40:16,314
♪ TO RIGHT THE UNRIGHTABLE WRONG ♪
869
00:40:16,347 --> 00:40:22,488
♪ TO LOVE PURE AND CHASTE FROM AFAR ♪
870
00:40:22,521 --> 00:40:28,760
♪ TO TRY WHEN YOUR ARMS ARE TOO WEARY ♪
871
00:40:28,794 --> 00:40:36,802
♪ TO REACH THE UNREACHABLE STAR ♪
872
00:40:36,835 --> 00:40:42,608
♪ THIS IS MY QUEST TO FOLLOW THAT STAR ♪
873
00:40:42,641 --> 00:40:43,642
PHONE SEX
IS ON THE RISE.
874
00:40:43,675 --> 00:40:44,643
YEAH, LET HARD COPY DO IT.
875
00:40:44,676 --> 00:40:45,644
WARREN WON'T TOUCH THAT.
876
00:40:45,677 --> 00:40:47,312
ALASKAN WOLVES.
877
00:40:47,345 --> 00:40:48,514
AS IN THE SLAUGHTER OF?
878
00:40:48,547 --> 00:40:53,752
WE HAVE TAPE OF A WOLF
CAUGHT IN A TRAP.
879
00:40:53,785 --> 00:40:55,253
YOU GOT TAPE ON THAT?
YES.
880
00:40:55,286 --> 00:40:56,254
RUN IT AT 6:00.
881
00:40:56,287 --> 00:40:57,489
WELL, METRO-DADE REPORTS
882
00:40:57,523 --> 00:40:59,457
TOURISTS ROBBERY
COMPLAINTS ARE UP 8%.
883
00:40:59,491 --> 00:41:01,259
IT'S NOT A STORY THIS TOWN'S
TALKING ABOUT.
884
00:41:01,292 --> 00:41:02,427
DAN AND I WERE...
885
00:41:02,460 --> 00:41:03,428
CORRECTION.
886
00:41:03,461 --> 00:41:04,730
IT'S NOT A STORY
THIS TOWN WANTS
TO TALK ABOUT.
887
00:41:04,763 --> 00:41:08,534
I DON'T THINK TALLY HAS
HER PULSE ON THE FINGER
OF THE COMMUNITY
888
00:41:08,567 --> 00:41:09,635
THE WAY I DO, WARREN.
889
00:41:09,668 --> 00:41:11,202
I THINK YOU MEAN
FINGER ON THE PULSE
890
00:41:11,236 --> 00:41:12,538
OF THE COMMUNITY, ROB.
891
00:41:12,571 --> 00:41:15,340
ANYWAY... UH, LET'S GET
PEOPLE TALKING ABOUT IT.
892
00:41:15,373 --> 00:41:16,808
HARVEY, WHY DON'T YOU
GET INTO THAT?
893
00:41:16,842 --> 00:41:19,277
LOOK AT IT AS YOUR FIRST STEP
TOWARDS THE PEABODY AWARD.
894
00:41:19,310 --> 00:41:20,812
SOMEBODY GONNA
MAKE ME HAPPY?
895
00:41:20,846 --> 00:41:21,647
OH, WAIT, WAIT.
896
00:41:21,680 --> 00:41:24,349
HERE'S A CROSS-DRESSER
FROM TALLAHASSEE
897
00:41:24,382 --> 00:41:26,151
WHO GETS ALL THE WAY
TO THE FINALS
898
00:41:26,184 --> 00:41:27,819
IN THE MISS FLORIDA
CONTEST.
899
00:41:27,853 --> 00:41:29,154
Rob: BORING.
900
00:41:29,187 --> 00:41:30,989
TALLY, MAYBE YOU WANT
TO HANDLE THAT.
901
00:41:31,022 --> 00:41:33,224
OH, NO.
902
00:41:33,258 --> 00:41:34,125
NO, I HAVE A HUNCH YOU...
903
00:41:34,159 --> 00:41:36,027
YOU COULD DO A REAL
IN-DEPTH PIECE ON IT.
904
00:41:36,061 --> 00:41:38,163
I THINK I'LL PASS.
905
00:41:38,196 --> 00:41:39,665
BUT THINK OF IT,
A CROSS-DRESSER
FROM TALLAHASSEE
906
00:41:39,698 --> 00:41:43,068
WHO ♪ DREAMS THE IMPOSSIBLE DREAM ♪
907
00:41:43,101 --> 00:41:45,704
YOU CANNOT BE TRUSTED.
908
00:41:45,737 --> 00:41:47,673
OK...
909
00:41:47,706 --> 00:41:49,140
ANYTHING ELSE?
910
00:41:55,781 --> 00:41:57,749
SO, THIS
IS WHERE I LIVE.
911
00:41:57,783 --> 00:41:59,484
IT'S...
WHAT?
912
00:41:59,517 --> 00:42:01,386
Police dispatch radio:
POSSIBLE 502.
913
00:42:01,419 --> 00:42:04,089
VEHICLE REGISTERED
TO SKYLIGHT LIMO.
914
00:42:06,391 --> 00:42:08,059
DO YOU KEEP THIS ON
ALL THE TIME?
915
00:42:08,093 --> 00:42:10,495
I FIND IT SOOTHING.
916
00:42:10,528 --> 00:42:13,031
THE SOUND OF
HUMAN INIQUITY.
917
00:42:13,064 --> 00:42:16,501
KNOW WHAT A 502 IS?
918
00:42:16,534 --> 00:42:20,271
D.W.I. DRIVING
WHILE INTOXICATED.
919
00:42:20,305 --> 00:42:22,107
SKYLIGHT LIMO'S THE ONE
THE ROCKERS USE.
920
00:42:22,140 --> 00:42:24,375
PROBABLY A DRUG BUST.
921
00:42:24,409 --> 00:42:27,278
CONTROLLED SUBSTANCES.
922
00:42:28,647 --> 00:42:31,282
TALLY ATWATER
REPORTING LIVE.
923
00:42:34,485 --> 00:42:37,589
YOU BETTER GET GOING.
924
00:42:40,659 --> 00:42:42,628
THE NIGHT WE DID
THE DIAZ STORY
925
00:42:42,661 --> 00:42:44,262
IN THE EDITING ROOM...
926
00:42:44,295 --> 00:42:45,764
I DIDN'T KNOW YOU THEN.
927
00:42:48,099 --> 00:42:50,602
I'M NOT GONNA BE THE GUY
THAT GOES...
928
00:42:50,636 --> 00:42:52,237
NO MORE UPPER WEST SIDE.
929
00:42:52,270 --> 00:42:53,739
SO HOW 'BOUT IT?
930
00:42:55,340 --> 00:42:56,307
FIRST ON THE SCENE,
931
00:42:56,341 --> 00:42:58,076
ONE-ON-ONE WITH
THE LEAD GUITAR?
932
00:42:58,109 --> 00:43:01,079
IT'S WHAT YOU WANT,
ISN'T IT?
933
00:43:01,112 --> 00:43:03,214
WHAT DO YOU WANT?
934
00:43:11,657 --> 00:43:12,991
EH.
935
00:43:21,266 --> 00:43:22,600
I KNEW YOU'D GO.
936
00:43:25,136 --> 00:43:27,172
TALLY ATWATER SAYING
HAPPY NEW YEAR
937
00:43:27,205 --> 00:43:28,674
FROM WMIA CHANNEL 9,
938
00:43:28,707 --> 00:43:31,276
NEWS HEARTBEAT OF
THE AMERICAN RIVIERA.
939
00:43:31,309 --> 00:43:33,611
YOU GIVE US 30 MINUTES,
AND WE GIVE YOU MIAMI,
940
00:43:33,645 --> 00:43:35,146
Y EL MUNDO.
941
00:43:35,180 --> 00:43:37,282
TV reporter: WE'RE BACK
IN TIMES SQUARE...
942
00:43:37,315 --> 00:43:39,584
HAVE YOU EVER MET
BUCKY TERRANOVA?
943
00:43:39,617 --> 00:43:41,119
UH-UH.
944
00:43:41,152 --> 00:43:44,322
AGENTS ARE FOR BABES, TAL,
NOT FOR GRUNTS.
945
00:43:44,355 --> 00:43:48,026
HE'S COMING TO MIAMI
NEXT WEEK FOR A PANEL.
946
00:43:49,695 --> 00:43:51,797
SO IS JOANNA KENNELLY.
947
00:43:54,032 --> 00:43:56,301
YOU KNOW, YOU AND WARREN...
948
00:43:56,334 --> 00:43:58,303
YOU GUYS
AREN'T HAVING A...
949
00:43:58,336 --> 00:44:01,439
YOU KNOW...
THING, ARE YOU?
950
00:44:01,472 --> 00:44:03,374
NO.
951
00:44:03,408 --> 00:44:04,509
THAT'S WHAT I THOUGHT.
952
00:44:04,542 --> 00:44:07,478
UH, THE USUAL DEAL IS
953
00:44:07,512 --> 00:44:09,380
SOMEBODY ENDS UP CRYING.
954
00:44:10,481 --> 00:44:13,451
NOBODY'S GOING
TO END UP CRYING.
955
00:44:13,484 --> 00:44:16,988
AND IT'S USUALLY NOT WARREN.
956
00:44:17,022 --> 00:44:20,191
TV: HAPPY NEW YEAR
TO ALL OF YOU.
957
00:44:26,164 --> 00:44:27,733
[CUBAN ACCENT]
OK, DID YOU GOT THE BABY?
958
00:44:27,766 --> 00:44:29,567
OK, NOW... NOW,
YOU GET ME, OK?
959
00:44:29,600 --> 00:44:31,169
OK.
960
00:44:31,202 --> 00:44:34,005
FERNANDO, YOU WERE
CONVICTED IN JULY
961
00:44:34,039 --> 00:44:35,240
OF ARMED ROBBERY,
962
00:44:35,273 --> 00:44:37,475
YOUR THIRD FELONY
CONVICTION.
963
00:44:37,508 --> 00:44:39,711
NO. UH, 4.
964
00:44:39,745 --> 00:44:41,146
MM-HMM.
965
00:44:41,179 --> 00:44:43,648
SO, YOU GET FREE
BABY CLOTHES,
966
00:44:43,681 --> 00:44:45,751
TOYS, DIAPER SERVICE
FOR A YEAR,
967
00:44:45,784 --> 00:44:48,319
ALL FOR... WHAT ARE YOU
CALLING THE BABY?
968
00:44:48,353 --> 00:44:49,354
FERNANDITO.
969
00:44:49,387 --> 00:44:50,822
I ALWAYS REALLY WANTED
TO NAME HIM
970
00:44:50,856 --> 00:44:52,257
FERNANDO AFTER ME.
971
00:44:52,290 --> 00:44:55,093
LO FELICITO POR SU
HERMOSO BEBE.
972
00:44:55,126 --> 00:44:56,327
GRACIAS.
973
00:44:56,361 --> 00:44:58,730
AND SO FERNANDO BUTTANDA
974
00:44:58,764 --> 00:45:00,431
HEADS NORTH
TO HOLMSBERG PRISON,
975
00:45:00,465 --> 00:45:04,702
LEAVING BEHIND
HIS WIFE AUGUSTINA
AND THEIR 5 CHILDREN...
976
00:45:04,736 --> 00:45:06,071
HERE'S SOMETHING
FROM THE BOOTH.
977
00:45:06,104 --> 00:45:09,440
AND ROSALIO BOTA,
WHO AT 12:02 THIS MORNING
978
00:45:09,474 --> 00:45:13,111
GAVE BIRTH TO HIS SON
FERNANDO JR.,
979
00:45:13,144 --> 00:45:15,613
MIAMI'S FIRST BABY
OF THE NEW YEAR.
980
00:45:15,646 --> 00:45:17,248
SAD STORY, TALLY.
981
00:45:17,282 --> 00:45:18,249
IT IS, ROB.
982
00:45:18,283 --> 00:45:19,417
ONE WITH
A NEW YEAR'S TWIST.
983
00:45:19,450 --> 00:45:20,618
I WAS JUST INFORMED
984
00:45:20,651 --> 00:45:22,453
THAT THE LOCAL
MERCHANT'S ASSOCIATION
985
00:45:22,487 --> 00:45:25,623
DECIDED THAT BECAUSE
OF THE UNUSUAL
CIRCUMSTANCES,
986
00:45:25,656 --> 00:45:26,758
THE FIRSTBORN LAYETTE
987
00:45:26,792 --> 00:45:31,462
SHOULD BE AWARDED
INSTEAD TO LITTLE
TIFFANY POLACHEK.
988
00:45:32,597 --> 00:45:35,700
BORN 12:59 A.M.
AT KAISER HOSPITAL...
989
00:45:35,733 --> 00:45:37,435
YOU MIGHT HAVE
CLEARED THIS
WITH ME.
990
00:45:37,468 --> 00:45:39,304
Director: BACK TO
THE 2-SHOT. TAKE.
991
00:45:40,338 --> 00:45:42,273
TIFFANY WAS
THE SECOND BORN, ROB.
992
00:45:42,307 --> 00:45:44,642
THE LAYETTE WAS SUPPOSED
TO GO TO THE FIRST.
993
00:45:44,675 --> 00:45:46,311
I THINK I SEE
THE MERCHANTS' POINT.
994
00:45:46,344 --> 00:45:47,779
Warren: UH-OH.
ARGUING ON THE AIR.
995
00:45:47,813 --> 00:45:49,547
I'M NOT SURPRISED
YOU DO, ROB.
996
00:45:49,580 --> 00:45:51,449
HAPPY NEW YEAR.
GO TO COMMERCIAL.
997
00:45:51,482 --> 00:45:53,751
UH, NO GO.
30 SECONDS TILL
THE CREDITS.
998
00:45:53,785 --> 00:45:56,621
AFTER ALL, MR. BUTTANDA
IS AN HABITUAL OFFENDER,
999
00:45:56,654 --> 00:45:59,290
AND THE WOMAN HAS
HAD 2 OTHER CHILDREN
OUT OF WEDLOCK.
1000
00:45:59,324 --> 00:46:01,459
AFTER ALL WHAT, ROB?
1001
00:46:01,492 --> 00:46:03,261
GUYS, CUT IT OUT.
1002
00:46:03,294 --> 00:46:05,063
I DON'T THINK WE NEED
TO GO INTO THAT, TALLY.
1003
00:46:05,096 --> 00:46:07,598
YOU GOT 2 CAMERAS ON THEM.
GET ONE ON SOMETHING ELSE.
1004
00:46:07,632 --> 00:46:08,633
WHAT ELSE IS THERE.
1005
00:46:08,666 --> 00:46:10,401
IT'S A RUNAWAY TRAIN.
1006
00:46:10,435 --> 00:46:14,105
ROB, IN THE SPIRIT
OF THE NEW YEAR
1007
00:46:14,139 --> 00:46:16,808
AND THE WHOLE IDEA
OF FIRSTBORN,
1008
00:46:16,842 --> 00:46:19,510
I'M SURE WMIA
WOULD BE DELIGHTED
1009
00:46:19,544 --> 00:46:21,646
TO HONOR MIAMI'S
TRUE FIRSTBORN,
1010
00:46:21,679 --> 00:46:23,481
FERNANDITO BUTTANDA.
1011
00:46:23,514 --> 00:46:24,482
SHE CAN'T DO THAT.
1012
00:46:24,515 --> 00:46:25,483
SHE JUST DID IT.
1013
00:46:25,516 --> 00:46:27,318
15 SECONDS
TO CREDITS.
1014
00:46:27,352 --> 00:46:28,619
THAT'S ALL FOR TONIGHT.
1015
00:46:28,653 --> 00:46:29,787
I'M ROB SULLIVAN.
1016
00:46:29,821 --> 00:46:32,623
TALLY WILL SURELY
JOIN ME IN SAYING
1017
00:46:32,657 --> 00:46:36,127
BE OF GOOD CHEER
AND HAPPY NEW YEAR,
1018
00:46:36,161 --> 00:46:38,096
FROM ALL OF US AT
THE CHANNEL 9 NEWS TEAM.
1019
00:46:38,129 --> 00:46:40,131
GO. ADD IT.
1020
00:46:41,332 --> 00:46:42,333
WELL, THAT TEARS IT.
1021
00:46:42,367 --> 00:46:43,801
ALL RIGHT,
WE GOTTA HOLD THIS
FOR 15.
1022
00:46:43,835 --> 00:46:44,602
KILL THEIR MIKES.
1023
00:46:44,635 --> 00:46:46,637
THIS IS THE LAST TIME
YOU SIT HERE.
1024
00:46:46,671 --> 00:46:50,141
I DIDN'T KNOW YOU'D
BEEN APPOINTED COMMISSAR
OF PUBLIC MORALITY.
1025
00:46:50,175 --> 00:46:52,310
HE'S A CRIMINAL,
AND SHE'S A WHORE.
1026
00:46:52,343 --> 00:46:54,045
IF YOU CAN'T
UNDERSTAND THAT.
1027
00:46:54,079 --> 00:46:56,014
ONLY WHORES HAVE BABIES
OUT OF WEDLOCK?
1028
00:46:56,047 --> 00:46:59,117
WARREN, YOUR PROTÉGEE
IS OUT OF LINE.
1029
00:46:59,150 --> 00:47:01,386
PROTéGéE. DOES
THAT MEAN WHORE, TOO?
1030
00:47:01,419 --> 00:47:03,288
TALLY, SHUT UP
AND SMILE.
1031
00:47:03,321 --> 00:47:04,655
ROB, WE'RE STILL
ON AIR.
1032
00:47:04,689 --> 00:47:05,991
KEEP SMILING.
1033
00:47:06,024 --> 00:47:07,158
WARREN, WE'VE
GOT TO TALK.
1034
00:47:07,192 --> 00:47:08,526
YOU SAW TONIGHT.
1035
00:47:08,559 --> 00:47:09,627
SHE DOESN'T HAVE
THE MATURITY.
1036
00:47:09,660 --> 00:47:11,129
YOU'RE PUSHING HER
TOO FAST.
1037
00:47:11,162 --> 00:47:13,298
YOUR PROTéGéE DOESN'T
HAVE THE MATURITY.
1038
00:47:13,331 --> 00:47:14,499
IS THAT WHAT YOU MEAN?
1039
00:47:14,532 --> 00:47:16,801
IF YOU THINK THAT POMPADOUR
GIVES YOU MATURITY,
1040
00:47:16,834 --> 00:47:19,137
YOU NEED PROFESSIONAL
HELP, ROB.
1041
00:47:19,170 --> 00:47:20,138
THAT'S ENOUGH, TALLY.
1042
00:47:20,171 --> 00:47:21,706
ROB, HANDLING
THE UNEXPECTED
1043
00:47:21,739 --> 00:47:24,075
IS WHAT WE CALL
TELEVISION.
1044
00:47:24,109 --> 00:47:25,643
SHE HAS NO RIGHT...
1045
00:47:25,676 --> 00:47:27,178
TO WHAT, TELL THE TRUTH
1046
00:47:27,212 --> 00:47:28,646
OR CHANGE COPY
TO SOMETHING SAFE?
1047
00:47:28,679 --> 00:47:30,181
WARREN, YOU KNOW
AS WELL AS I DO
1048
00:47:30,215 --> 00:47:32,483
SHE'S OFF THE RESERVATION.
AND IT'S UP TO YOU TO...
1049
00:47:32,517 --> 00:47:34,652
TO WHAT, ROPE HER IN?
CUT HER DOWN TO SIZE,
DAN?
1050
00:47:34,685 --> 00:47:37,688
WHAT SIZE DO YOU
WANT HER? YOUR SIZE?
1051
00:47:37,722 --> 00:47:40,158
WARREN, I'M WARNING YOU.
1052
00:47:40,191 --> 00:47:42,160
Director:
THAT'S A WRAP.
THANK YOU.
1053
00:47:42,193 --> 00:47:44,229
THAT'S UNBELIEVABLE.
UNBELIEVABLE!
1054
00:47:45,430 --> 00:47:47,665
Rob: I'VE NEVER
SEEN SUCH CHILDLIKE,
AMATEURISH BEHAVIOR.
1055
00:47:47,698 --> 00:47:50,068
THEY WOULD HAVE FIRED HER
WHEN I WAS IN ST. LOUIS.
1056
00:47:50,101 --> 00:47:51,269
RIGHT, ROB.
TOUGH SHOP, ST. LOUIS.
1057
00:47:51,302 --> 00:47:52,570
I'M TAKING THIS TO DAN.
1058
00:47:52,603 --> 00:47:54,172
IF YOU DON'T, I WILL.
1059
00:47:54,205 --> 00:47:55,106
LISTEN...
1060
00:47:55,140 --> 00:47:57,275
NEXT TIME YOU WANT TO
EMBARRASS THE STATION,
1061
00:47:57,308 --> 00:47:58,276
QUIT FIRST.
1062
00:47:58,309 --> 00:47:59,444
YOU WANT ME TO QUIT?
1063
00:47:59,477 --> 00:48:00,611
YEAH,
THAT'S WHAT I WANT.
1064
00:48:00,645 --> 00:48:01,679
YOU'D BETTER GET IT
THROUGH YOUR HEAD,
1065
00:48:01,712 --> 00:48:03,714
YOU DON'T GO AROUND
CHANGING STATION
POLICY ON AIR!
1066
00:48:03,748 --> 00:48:05,583
I'M THE ONE THAT HAS
TO GET IT THROUGH MY HEAD?!
1067
00:48:05,616 --> 00:48:07,052
THIS IS A TEAM!
1068
00:48:07,085 --> 00:48:09,120
BUT I'M NOT PART
OF THE TEAM, AM I?
1069
00:48:09,154 --> 00:48:11,422
BECAUSE NO MATTER WHAT I DO,
I WILL ALWAYS BE WRITTEN OFF
1070
00:48:11,456 --> 00:48:13,358
AS THE NEWS DIRECTOR'S
PROTÉGEE!
1071
00:48:13,391 --> 00:48:14,725
SO, FINE!
1072
00:48:14,759 --> 00:48:16,727
I AM PERFECTLY CAPABLE
OF FINDING A JOB
1073
00:48:16,761 --> 00:48:19,397
WHERE I AM NOBODY'S PROTéGéE.
1074
00:48:21,766 --> 00:48:24,602
FELIZ AÑO NUEVO.
1075
00:48:39,084 --> 00:48:40,451
YOU'RE RIGHT.
1076
00:48:40,485 --> 00:48:42,620
MY SISTER HAS A BABY.
HER LIVE-IN HAS A RECORD.
1077
00:48:42,653 --> 00:48:43,621
THAT MAKE HER A WHORE?
1078
00:48:43,654 --> 00:48:44,622
RIGHT AGAIN.
1079
00:48:44,655 --> 00:48:47,758
HE'S JUST STUPID.
1080
00:48:47,792 --> 00:48:50,228
HE'S AN ANCHOR.
1081
00:49:05,143 --> 00:49:06,611
Reporter: MR. TERRANOVA,
MR. TERRANOVA.
1082
00:49:06,644 --> 00:49:08,779
Photographer:
MR. TERRANOVA,
ONE PHOTO, PLEASE.
1083
00:49:08,813 --> 00:49:11,316
Reporter:
UH, JOANNA KENNELLY.
1084
00:49:11,349 --> 00:49:12,617
MR. TERRANOVA.
1085
00:49:12,650 --> 00:49:14,319
TALLY.
1086
00:49:14,352 --> 00:49:15,320
BUCKY, ONE LAST SHOT.
1087
00:49:15,353 --> 00:49:16,321
JOANNA KENNELLY.
WE'VE MET BEFORE.
1088
00:49:16,354 --> 00:49:17,322
YES. HELLO.
1089
00:49:17,355 --> 00:49:18,323
EXCUSE ME,
MISS KENNELLY
1090
00:49:18,356 --> 00:49:19,324
SURE.
1091
00:49:19,357 --> 00:49:20,325
THIS WAY, MR. TERRANOVA.
1092
00:49:20,358 --> 00:49:21,492
HAVE YOU KNOWN
BUCKY FOR LONG?
1093
00:49:21,526 --> 00:49:24,095
OH, NO, I DON'T
ACTUALLY KNOW HIM.
1094
00:49:24,129 --> 00:49:25,696
BUT YOU WANT TO.
1095
00:49:25,730 --> 00:49:27,632
BUCKY, COME HERE.
1096
00:49:27,665 --> 00:49:29,134
EXCUSE ME.
1097
00:49:29,167 --> 00:49:30,268
VERY GOOD.
1098
00:49:30,301 --> 00:49:33,771
TALLY ATWATER,
MR. BUCKY TERRANOVA.
1099
00:49:33,804 --> 00:49:36,374
NEWS HEARTBEAT OF
THE AMERICAN RIVIERA,
1100
00:49:36,407 --> 00:49:40,445
YOU GIVE US 30 MINUTES,
WE'LL GIVE YOU EL MUNDO?
1101
00:49:40,478 --> 00:49:43,148
I WAS WONDERING WHEN
YOU'D WALK INTO MY LIFE.
1102
00:49:43,748 --> 00:49:46,317
PLEASE.
1103
00:49:46,351 --> 00:49:48,053
Joanna: I'M GONNA NEED
A SUITE AT THE WILSHIRE
1104
00:49:48,086 --> 00:49:50,321
AND A FLOOR PASS
AT THE FORUM.
1105
00:49:50,355 --> 00:49:52,557
IT HASN'T GOT
TO DO WITH THAT.
1106
00:49:52,590 --> 00:49:55,293
JUST TELL HIM
IT'S FOR THE DAY
1107
00:49:55,326 --> 00:49:56,627
THAT THE LAKERS PLAY
THE PHOENIX, UM...
1108
00:49:56,661 --> 00:49:57,628
WHAT... WHAT ARE THEY...
1109
00:49:57,662 --> 00:49:58,629
SUNS.
1110
00:49:58,663 --> 00:50:02,533
SUNS. NO,
I'LL CALL YOU BACK.
1111
00:50:02,567 --> 00:50:06,471
SEX AND DRUGS,
THE DOWNSIDE OF BASKETBALL'S
INSTANT MILLIONAIRES.
1112
00:50:06,504 --> 00:50:08,639
A JOANNA KENNELLY
IN-DEPTH REPORT.
1113
00:50:08,673 --> 00:50:11,176
WELL, THOSE
TALL MILLIONAIRES
IN SHORTS WILL LOVE YOU.
1114
00:50:11,209 --> 00:50:12,543
YOU STILL GOT
A NICE ASS.
1115
00:50:12,577 --> 00:50:14,512
BUT IT'S NOT
THIS YEAR'S ASS, IS IT?
1116
00:50:14,545 --> 00:50:16,747
NOT EVEN LAST YEAR'S.
1117
00:50:16,781 --> 00:50:21,319
I AM 7 YEARS AND
3 DOZEN ASSES BACK.
1118
00:50:21,352 --> 00:50:24,722
THE NEXT TIME I SEE YOU...
1119
00:50:25,590 --> 00:50:27,658
IT'LL BE 4 DOZEN.
1120
00:50:27,692 --> 00:50:31,229
UNLESS YOU'RE GONNA TELL ME
THIS ONE'S DIFFERENT.
1121
00:50:33,564 --> 00:50:35,566
WAIT A MINUTE...
1122
00:50:35,600 --> 00:50:38,002
HAS SOMEBODY
FINALLY GOT TO YOU?
1123
00:50:38,703 --> 00:50:40,271
THIS IS NOT
WHAT YOU THINK.
1124
00:50:40,305 --> 00:50:44,175
JUST GOOD FRIENDS.
THAT IS NOVEL.
1125
00:50:45,042 --> 00:50:47,078
WHAT'S IT FEEL LIKE?
1126
00:50:53,551 --> 00:50:57,288
IT FEELS... GOOD.
1127
00:51:03,328 --> 00:51:05,796
YOU GONNA GO WITH HER
WHEN SHE MAKES HER MOVE?
1128
00:51:13,171 --> 00:51:14,439
[CAR HORN HONKS]
1129
00:51:14,472 --> 00:51:16,741
YOU NEED A YEAR OR TWO
IN A MAJOR MARKET.
1130
00:51:16,774 --> 00:51:20,645
PREFERABLY
AT AN O-AND-O.
HEAVY FACE TIME.
1131
00:51:20,678 --> 00:51:23,314
WHAT'S YOUR FEELING
ABOUT PHILADELPHIA?
1132
00:51:24,182 --> 00:51:25,750
WHAT?
1133
00:51:25,783 --> 00:51:28,286
A LARGE CITY
IN PENNSYLVANIA.
I CAN PUT YOU THERE.
1134
00:51:28,319 --> 00:51:30,221
IT'S THE NUMBER 4 MARKET.
1135
00:51:30,255 --> 00:51:31,222
IT'S DOABLE.
1136
00:51:31,256 --> 00:51:32,723
THEY'RE LOOKING
FOR A FRESH FACE.
1137
00:51:32,757 --> 00:51:34,625
LUCKY TIMING.
1138
00:51:35,326 --> 00:51:39,264
YOUR VOICE
IS FULL OF MONEY.
1139
00:51:39,297 --> 00:51:42,267
ANYBODY EVER
TELL YOU THAT?
1140
00:52:01,786 --> 00:52:03,621
AH.
1141
00:52:05,055 --> 00:52:06,023
I WAS HAVING...
1142
00:52:06,056 --> 00:52:07,158
I KNOW WHERE YOU WERE,
1143
00:52:07,192 --> 00:52:09,260
AND I KNOW
WHERE YOU'RE GOING.
1144
00:52:09,294 --> 00:52:12,430
I'LL BET HE SAID YOUR
VOICE WAS FULL OF MONEY.
1145
00:52:14,465 --> 00:52:16,667
IT'S WHAT
HE ALWAYS SAYS.
1146
00:52:16,701 --> 00:52:20,271
HE'S FAMOUS FOR IT.
HE EVEN SAID IT
TO JOANNA.
1147
00:52:20,305 --> 00:52:22,307
YOU KNOW, IT'S ACTUALLY
NOT EVEN HIS LINE.
1148
00:52:22,340 --> 00:52:24,709
IT'S FROM A NOVEL.
1149
00:52:24,742 --> 00:52:26,711
"HER VOICE
WAS FULL OF MONEY.
1150
00:52:26,744 --> 00:52:29,013
"THAT WAS
THE INEXHAUSTIBLE CHARM
1151
00:52:29,046 --> 00:52:31,682
THAT ROSE
AND FELL ON IT."
1152
00:52:33,751 --> 00:52:35,453
HEMINGWAY, RIGHT?
1153
00:52:37,755 --> 00:52:40,691
F. SCOTT FITZGERALD.
1154
00:52:45,696 --> 00:52:48,399
CHEAP SHOT.
1155
00:52:49,234 --> 00:52:52,537
IT'S THE RIGHT MOVE.
1156
00:52:52,570 --> 00:52:54,572
NOBODY EVER CALLED
BUCKY DUMB.
1157
00:52:56,707 --> 00:52:59,310
I GUESS IT'S EVEN
THE RIGHT TIME.
1158
00:53:04,449 --> 00:53:06,150
WE HAD SOME FUN,
YOU AND I.
1159
00:53:06,183 --> 00:53:08,319
DIDN'T WE?
1160
00:53:16,527 --> 00:53:18,596
WHAT IS IT YOU WANT?
1161
00:53:23,301 --> 00:53:25,270
HMM?
1162
00:53:25,303 --> 00:53:28,439
YOU KNOW WHAT I WANT.
1163
00:53:28,473 --> 00:53:31,442
YOU WANT TO GO
TO PHILADELPHIA.
1164
00:53:31,476 --> 00:53:33,344
NO.
1165
00:54:42,279 --> 00:54:45,015
SO, HE SAYS TO ME,
1166
00:54:45,049 --> 00:54:46,651
"IF YOU NEED A MENTOR...
1167
00:54:46,684 --> 00:54:48,686
ROBER-ITO.
1168
00:54:48,719 --> 00:54:50,020
ROBER-ITO?
1169
00:54:50,054 --> 00:54:52,256
ROBER-ITO.
1170
00:54:52,923 --> 00:54:54,759
OH! WILL YOU
DO ME A FAVOR?
1171
00:54:54,792 --> 00:54:55,993
ROBER-ITO,
BUT HE WAS SERIOUS.
1172
00:54:56,026 --> 00:54:58,529
DON'T EVER
SAY THAT AGAIN.
1173
00:55:16,080 --> 00:55:18,616
YOU COULD COME WITH ME.
1174
00:55:20,084 --> 00:55:22,019
FIRST PRIZE,
A WEEK IN PHILADELPHIA.
1175
00:55:22,052 --> 00:55:23,020
SECOND PRIZE...
1176
00:55:23,053 --> 00:55:25,390
2 WEEKS IN PHILADELPHIA.
1177
00:55:26,491 --> 00:55:29,293
IT'S AN OLD JOKE.
1178
00:55:29,326 --> 00:55:31,462
I'VE ALREADY BEEN
WHERE YOU'RE GOING.
1179
00:55:31,496 --> 00:55:33,998
YOU COULD GO BACK.
1180
00:55:34,699 --> 00:55:36,000
NO.
1181
00:55:36,033 --> 00:55:37,001
WHY NOT?
1182
00:55:37,034 --> 00:55:38,135
I ALREADY TOLD YOU.
1183
00:55:38,168 --> 00:55:41,406
YEAH,
ALL YOU TOLD ME IS THAT
IT STOPPED BEING FUN.
1184
00:55:41,439 --> 00:55:44,642
IT WAS A GOOD RUN
WHILE IT LASTED.
1185
00:55:45,443 --> 00:55:47,745
THEN I MADE A MISTAKE.
1186
00:55:48,579 --> 00:55:52,016
WHAT KIND OF MISTAKE?
1187
00:55:52,049 --> 00:55:54,018
I HAD A SOURCE, AND
I TRUSTED THE SOURCE,
1188
00:55:54,051 --> 00:55:57,021
AND I WENT
WITH THE STORY,
AND I GOT BURNED.
1189
00:55:57,054 --> 00:55:59,490
THE SOURCE DID
WHAT SOURCES DO.
1190
00:55:59,524 --> 00:56:02,326
I SHOULD HAVE
PICKED UP THE SIGNALS,
AND I MISSED THEM.
1191
00:56:02,359 --> 00:56:06,263
YOU'RE ALLOWED TO MAKE
A MISTAKE ONCE IN A WHILE.
1192
00:56:07,097 --> 00:56:09,066
NOT REALLY.
1193
00:56:09,934 --> 00:56:12,336
IF YOU CHOOSE
NOT TO PLAY ON THE TEAM,
1194
00:56:12,369 --> 00:56:16,006
YOU CAN'T
AFFORD MISTAKES.
1195
00:56:18,476 --> 00:56:21,446
WHY DIDN'T WE
DO THIS BEFORE?
1196
00:56:24,081 --> 00:56:28,052
BECAUSE IT WAS
ALWAYS GOING TO BE
THIS HARD TO STOP.
1197
00:56:28,986 --> 00:56:32,222
YOU KNOW, WE HAVE
SOME TIME BEFORE YOU GO.
1198
00:56:34,625 --> 00:56:37,728
I DON'T WANT TO GO.
1199
00:56:37,762 --> 00:56:40,130
SURE, YOU DO.
1200
00:56:54,645 --> 00:56:58,549
♪ FOR ALL THOSE TIMES YOU STOOD BY ME ♪
1201
00:56:58,583 --> 00:57:02,553
♪ FOR ALL THE TRUTH THAT YOU MADE ME SEE ♪
1202
00:57:02,587 --> 00:57:06,290
♪ FOR ALL THE JOY YOU BROUGHT TO MY LIFE ♪
1203
00:57:06,323 --> 00:57:10,394
♪ FOR ALL THE WRONGS THAT YOU MADE RIGHT ♪
1204
00:57:10,427 --> 00:57:14,565
♪ FOR EVERY DREAM YOU MADE COME TRUE ♪
1205
00:57:14,599 --> 00:57:19,303
♪ FOR ALL THE LOVE I FOUND IN YOU ♪
1206
00:57:19,336 --> 00:57:23,774
♪ I'LL BE FOREVER THANKFUL, BABY ♪
1207
00:57:23,808 --> 00:57:27,578
♪ YOU'RE THE ONE WHO HELD ME UP ♪
1208
00:57:27,612 --> 00:57:32,016
♪ NEVER LET ME FALL ♪
1209
00:57:32,049 --> 00:57:35,653
♪ YOU'RE THE ONE WHO WHO SAW ME THROUGH ♪
1210
00:57:35,686 --> 00:57:38,789
♪ THROUGH IT ALL ♪
1211
00:57:38,823 --> 00:57:42,259
♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪
1212
00:57:42,292 --> 00:57:46,363
♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪
1213
00:57:46,396 --> 00:57:50,300
♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪
1214
00:57:50,334 --> 00:57:54,505
♪ YOU SAW THE BEST THERE WAS IN ME ♪
1215
00:57:54,539 --> 00:57:58,509
♪ LIFTED ME UP WHEN I COULDN'T REACH ♪
1216
00:57:58,543 --> 00:58:03,614
♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪
1217
00:58:03,648 --> 00:58:10,287
♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪
1218
00:58:10,320 --> 00:58:13,123
♪ OOH, BABY ♪
1219
00:58:14,491 --> 00:58:18,295
♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪
1220
00:58:18,328 --> 00:58:19,797
♪ YOU WERE MY STRENGTH ♪
1221
00:58:19,830 --> 00:58:21,666
♪ YOU WERE MY VOICE WHEN
I COULDN'T SPEAK... ♪
1222
00:58:21,699 --> 00:58:24,401
YOU KNOW SOMETHING,
I NEVER GOT A CHANCE...
1223
00:58:24,434 --> 00:58:26,170
WHAT DO YOU GOT HERE?
FOR ME?
1224
00:58:26,203 --> 00:58:27,071
MM-HMM.
1225
00:58:27,104 --> 00:58:30,140
♪ YOU SAW THE BEST
THERE WAS IN ME... ♪
1226
00:58:30,174 --> 00:58:32,643
OH, MISS SIERRA LOGGER.
1227
00:58:32,677 --> 00:58:33,510
MY GOD.
1228
00:58:33,544 --> 00:58:35,045
♪ LIFTED ME UP
WHEN I COULDN'T REACH ♪
1229
00:58:35,079 --> 00:58:39,483
♪ YOU GAVE ME FAITH
'CAUSE YOU BELIEVED ♪
1230
00:58:39,516 --> 00:58:41,418
♪ I'M EVERYTHING I AM... ♪
1231
00:58:41,451 --> 00:58:42,086
YOU BETTER GO.
1232
00:58:42,119 --> 00:58:46,423
♪ BECAUSE YOU LOVED ME... ♪
1233
00:58:46,456 --> 00:58:47,324
GO.
1234
00:58:47,357 --> 00:58:50,661
♪ YOU WERE MY STRENGTH
WHEN I WAS WEAK ♪
1235
00:58:50,695 --> 00:58:54,732
♪ YOU WERE MY VOICE
WHEN I COULDN'T SPEAK ♪
1236
00:58:54,765 --> 00:58:58,603
♪ YOU WERE MY EYES
WHEN I COULDN'T SEE ♪
1237
00:58:58,636 --> 00:59:03,073
♪ YOU SAW THE BEST
THERE WAS IN ME ♪
1238
00:59:03,107 --> 00:59:07,044
♪ LIFTED ME UP
WHEN I COULDN'T REACH ♪
1239
00:59:07,077 --> 00:59:11,582
♪ YOU GAVE ME FAITH
'CAUSE YOU BELIEVED ♪
1240
00:59:11,616 --> 00:59:18,555
♪ I'M EVERYTHING I AM
BECAUSE YOU LOVED ME ♪
1241
00:59:18,589 --> 00:59:19,690
♪ OH-OHH ♪
1242
00:59:19,724 --> 00:59:26,296
♪ I'M EVERYTHING I AM ♪
1243
00:59:26,330 --> 00:59:30,701
♪ BECAUSE YOU LOVED ME ♪
1244
00:59:30,735 --> 00:59:33,070
Female anchor: UP NEXT,
SHOCKING NEW INFORMATION
1245
00:59:33,103 --> 00:59:34,739
ABOUT A NURSING HOME
SEX SCANDAL.
1246
00:59:34,772 --> 00:59:37,274
STAY WITH US.
WE'LL BE BACK IN A MOMENT.
1247
00:59:37,307 --> 00:59:39,076
JOHN...
1248
00:59:39,109 --> 00:59:42,446
WHOEVER WROTE THAT COPY ABOUT THE
NURSING HOME SHOULD BE FIRED.
1249
00:59:42,479 --> 00:59:44,749
IT'S SILLY, IT'S WRONG,
AND I WON'T SAY IT.
1250
00:59:44,782 --> 00:59:47,117
WELL,
THEN WING IT, MARCIA,
1251
00:59:47,151 --> 00:59:48,452
YOU'RE UP TO SPEED
ON THE STORY.
1252
00:59:48,485 --> 00:59:50,054
REAL WAR HORSE, MARCIA.
1253
00:59:50,087 --> 00:59:52,422
I THOUGHT WE'D GET TOGETHER
FOR A DRINK AFTER THE SHOW
1254
00:59:52,456 --> 00:59:56,093
SO YOU TWO KIDS COULD
GET TO KNOW EACH OTHER.
1255
00:59:57,662 --> 00:59:58,996
JOHN.
1256
01:00:00,197 --> 01:00:01,732
WOULD YOU MIND
HAVING YOUR GUEST MOVE?
1257
01:00:01,766 --> 01:00:03,567
SHE'S IN MY EYE LINE.
1258
01:00:03,600 --> 01:00:05,269
I'M SORRY.
1259
01:00:05,302 --> 01:00:07,471
OH, HERE WE GO AGAIN.
1260
01:00:07,504 --> 01:00:10,474
JOHN, HAVE YOU ANY IDEA
1261
01:00:10,507 --> 01:00:12,476
HOW LITTLE COVERAGE
1262
01:00:12,509 --> 01:00:14,144
WE ACTUALLY DEVOTE
TO SUBSTANTIVE DISCUSSION
1263
01:00:14,178 --> 01:00:15,813
OF PUBLIC POLICY?
1264
01:00:15,846 --> 01:00:18,348
YOU, UH, YOU AN ISSUES
WONK, TOO, TALLY?
1265
01:00:20,284 --> 01:00:22,753
UH, I AGREE,
IT'S AN IMPORTANT POINT.
1266
01:00:22,787 --> 01:00:24,121
WHAT IS?
1267
01:00:24,154 --> 01:00:25,790
THE NEED
FOR SUBSTENANT, UH...
1268
01:00:25,823 --> 01:00:28,258
UM... UH...
BUCKY TOLD ME...
1269
01:00:28,292 --> 01:00:29,259
BUCKY? BUCKY WHO?
1270
01:00:29,293 --> 01:00:32,496
BUCKY TERRANOVA,
MY AGENT, UH...
1271
01:00:32,529 --> 01:00:34,131
SAID THAT TOM ORR
TOLD HIM THAT...
1272
01:00:34,164 --> 01:00:35,132
TOM?
1273
01:00:35,165 --> 01:00:36,033
YOU KNOW TOM?
1274
01:00:36,066 --> 01:00:38,002
WELL, NOT EXACTLY,
BUT ACCORDING TO BUCKY...
1275
01:00:38,035 --> 01:00:40,137
OH, WELL, TOM IS JUST ABOUT
THE WORST OFFENDER.
1276
01:00:40,170 --> 01:00:44,775
WELL, I HAVE
2 CHARITY AUCTIONS
TO ATTEND TONIGHT.
1277
01:00:45,542 --> 01:00:47,611
THAT ACTUALLY
A BANANA DAIQUIRI?
1278
01:00:47,644 --> 01:00:48,679
YEAH.
1279
01:00:48,713 --> 01:00:50,114
SPRING BREAK, LAUDERDALE.
1280
01:00:50,147 --> 01:00:51,148
GOOD NIGHT, TALLY.
1281
01:00:51,181 --> 01:00:53,150
GOOD NIGHT.
1282
01:00:55,352 --> 01:00:56,320
READY, V.T. ONE...
1283
01:00:56,353 --> 01:00:58,522
TIME AGAIN FOR
90 YEARS YOUNG.
1284
01:00:58,555 --> 01:01:00,124
TODAY WE'RE BLESSED
WITH TWINS.
1285
01:01:00,157 --> 01:01:02,292
GO, V.T. ONE.
1286
01:01:05,329 --> 01:01:06,630
IT'S A CUTE SEGMENT.
1287
01:01:06,663 --> 01:01:08,632
WHAT'S CUTE ABOUT IT, DAN?
1288
01:01:08,665 --> 01:01:11,668
Reporter: TO THE ACTIVE
THINGS THEY DID
IN THEIR YOUNGER DAYS.
1289
01:01:11,702 --> 01:01:12,703
THESE LOVELY LADIES
GREW UP IN THE MOUNTAINS...
1290
01:01:12,737 --> 01:01:15,472
YOU THINK IT'S CUTE TO BE
CONDESCENDING TO PEOPLE
1291
01:01:15,505 --> 01:01:17,574
JUST BECAUSE THEY HAPPEN
TO BE OLDER THAN YOU?
1292
01:01:17,607 --> 01:01:19,043
YOU GONNA THINK IT'S CUTE
WHEN YOU'RE 98,
1293
01:01:19,076 --> 01:01:20,677
FIGHTING TO HANG ONTO
YOUR DIGNITY,
1294
01:01:20,711 --> 01:01:22,546
AND THERE'S ROB SULLIVAN
OUT OF THE BLUE
1295
01:01:22,579 --> 01:01:24,648
WITH SOME CHEAP
BIRTHDAY CAKE
1296
01:01:24,681 --> 01:01:26,717
CALLING YOU
A BEAUTIFUL YOUNGSTER?
1297
01:01:26,751 --> 01:01:29,053
I DON'T WANT TO ARGUE
ABOUT THIS, WARREN.
1298
01:01:29,086 --> 01:01:32,056
THERE ARE PEOPLE
FIGHTING OUT THERE
FOR THIS SPOT.
1299
01:01:32,089 --> 01:01:34,024
AND ANY TIME I HAVE A SPOT
1300
01:01:34,058 --> 01:01:35,425
THAT ADVERTISERS
ARE WILLING TO FIGHT FOR,
1301
01:01:35,459 --> 01:01:36,426
THEN, NO PROBLEMA.
1302
01:01:36,460 --> 01:01:37,694
THIS IS A GOOD SPOT.
1303
01:01:37,728 --> 01:01:39,730
OH, IS THAT
WHAT WE'RE DOING?
1304
01:01:39,764 --> 01:01:41,031
IS THAT HOW
WE'RE PROGRAMMING
EVENING NEWS NOW, DAN?
1305
01:01:41,065 --> 01:01:42,266
ASKING THE ADVERTISERS
WHAT THEY WANT?
1306
01:01:42,299 --> 01:01:45,602
SAY AN ADVERTISER
WANTS A LAUGH TRACK
ON THE EVENING LOCAL,
1307
01:01:45,635 --> 01:01:48,105
WHAT ABOUT THAT, DAN?
NO PROBLEMA?
1308
01:01:48,138 --> 01:01:50,007
LIKE IT OR NOT, WARREN,
THIS IS A BUSINESS.
1309
01:01:50,040 --> 01:01:51,108
YEAH, IT'S A BUSINESS.
1310
01:01:51,141 --> 01:01:52,576
THE ENTERTAINMENT
BUSINESS.
1311
01:01:52,609 --> 01:01:55,279
THE HELL WITH THE NEWS.
THE HELL WITH THE TRUTH.
1312
01:01:56,613 --> 01:01:57,714
AHH.
1313
01:01:57,748 --> 01:02:00,717
WHERE HAVE ALL
THE GOOD TIMES GONE?
1314
01:02:00,751 --> 01:02:03,253
PHILADELPHIA.
1315
01:02:04,054 --> 01:02:05,756
OFF THIS
AMBULANCE DRIVER'S STRIKE,
1316
01:02:05,790 --> 01:02:08,392
WE COULD GET INTO THE WHOLE
CRISIS IN EMERGENCY CARE.
1317
01:02:08,425 --> 01:02:10,094
EMERGENCY ROOMS
ARE SO CROWDED,
1318
01:02:10,127 --> 01:02:13,197
HOSPITALS ARE TURNING
AMBULANCES AWAY.
1319
01:02:13,230 --> 01:02:15,065
THEY DON'T HAVE THE BEDS.
1320
01:02:15,099 --> 01:02:17,067
WHAT HOSPITALS, TALLY?
1321
01:02:17,101 --> 01:02:19,603
COUNTY GENERAL,
FOR ONE.
1322
01:02:19,636 --> 01:02:21,705
QUEEN OF ANGELS?
ST. MATTHEW'S?
1323
01:02:21,738 --> 01:02:23,607
HOW MANY HOSPITALS?
1324
01:02:23,640 --> 01:02:26,110
TAL, YOU SAID "HOSPITALS,"
PLURAL.
1325
01:02:26,143 --> 01:02:28,145
WHICH HOSPITALS? WHEN?
1326
01:02:28,178 --> 01:02:30,747
HOW MANY PEOPLE
TURNED AWAY? WHY?
1327
01:02:30,781 --> 01:02:34,718
I, UH, I HAVE A CALL IN
TO THE, UH, THE, UH...
1328
01:02:34,751 --> 01:02:36,386
PARAMEDICS ASSOCIATION.
1329
01:02:36,420 --> 01:02:38,388
WELL, WHEN YOU HAVE
THE STATISTICS,
1330
01:02:38,422 --> 01:02:39,623
I THINK YOU SHOULD
DEFINITELY REINTRODUCE IT.
1331
01:02:39,656 --> 01:02:40,624
OK.
1332
01:02:40,657 --> 01:02:42,059
SHALL WE MOVE ON?
1333
01:02:42,092 --> 01:02:43,627
IF YOU COULD
FIND HIM, ILEANA,
1334
01:02:43,660 --> 01:02:45,462
I ONLY HAVE
A MINUTE. THANKS.
1335
01:02:45,495 --> 01:02:46,596
WARREN!
1336
01:02:46,630 --> 01:02:52,402
SO, I SAW ON
THE WEATHER CHANNEL
IT'S 95 DOWN THERE.
1337
01:02:52,436 --> 01:02:55,739
ACTUALLY, I... I JUST
DIDN'T WANT TO FORGET
1338
01:02:55,772 --> 01:02:57,507
WHAT YOUR VOICE
SOUNDED LIKE.
1339
01:02:57,541 --> 01:03:01,078
NO, I HAVEN'T FORGOTTEN
WHAT YOU LOOK LIKE.
1340
01:03:01,111 --> 01:03:03,580
STOP RIGHT THERE.
WE HAVE TO FEED.
1341
01:03:03,613 --> 01:03:06,984
I MISS YOU, TOO.
1342
01:03:07,017 --> 01:03:10,988
RAPE HAS BECOME
AN UGLY FACT OF LIFE
IN PHILADELPHIA,
1343
01:03:11,021 --> 01:03:12,422
AND IN JUST A MOMENT,
1344
01:03:12,456 --> 01:03:16,093
WE'LL BE HEARING
FROM TALLY ATWATER
ON THAT SUBJECT.
1345
01:03:16,126 --> 01:03:19,263
SOME STATISTICS MAY
CONVEY THE IDEA, MARCIA.
1346
01:03:19,296 --> 01:03:21,098
ACCORDING
TO RECENT STUDIES,
1347
01:03:21,131 --> 01:03:26,036
THE MEDIAN AGE OF MEN
WHO COMMIT RAPE
IN PHILADELPHIA IS 23.
1348
01:03:26,070 --> 01:03:28,672
HALF HAVE
A PRIOR ARREST RECORD.
1349
01:03:28,705 --> 01:03:33,377
9% OF THESE HAVE BEEN
PREVIOUSLY ARRESTED FOR RAPE.
1350
01:03:33,410 --> 01:03:35,379
SOBERING, BUT DON'T
YOU THINK, TALLY,
1351
01:03:35,412 --> 01:03:37,447
THAT STATISTICS
CAN SEEM,
1352
01:03:37,481 --> 01:03:39,149
IN THE FACE OF REAL
HUMAN OUTRAGE,
1353
01:03:39,183 --> 01:03:40,817
WORSE
THAN IRRELEVANT?
1354
01:03:42,853 --> 01:03:44,721
RIGHT, MARCIA.
1355
01:03:45,522 --> 01:03:46,490
COMING UP NEXT,
1356
01:03:46,523 --> 01:03:49,293
BERNIE PLATT
WITH THE WEATHER.
1357
01:03:51,161 --> 01:03:52,129
AHEM.
1358
01:03:52,162 --> 01:03:53,230
YOU WANT SOME
COFFEE OR SOMETHING?
1359
01:03:53,263 --> 01:03:56,533
WELL, UH, I THOUGHT
I OWED YOU A TALK.
1360
01:03:56,566 --> 01:03:58,535
WE'VE GOT
THESE MARKETING
CONSULTANTS UPSTAIRS.
1361
01:03:58,568 --> 01:04:00,404
THEY RUN
FOCUS GROUPS, UH...
1362
01:04:00,437 --> 01:04:03,407
YOU KNOW, SAY THEY
INVITE 20 CITIZENS
IN FOR COLD CUTS,
1363
01:04:03,440 --> 01:04:04,674
SEE WHAT THEY LIKE
AND DON'T LIKE.
1364
01:04:04,708 --> 01:04:07,244
AND I THOUGHT IT MIGHT
BE CONSTRUCTIVE
1365
01:04:07,277 --> 01:04:08,478
IF WE HAD A LOOK-SEE
1366
01:04:08,512 --> 01:04:11,148
AT WHAT THEY HAD TO SAY
ABOUT TALLY ATWATER.
1367
01:04:11,181 --> 01:04:13,650
OH, VERY HELPFUL, JOHN.
1368
01:04:13,683 --> 01:04:15,152
I DON'T LIKE HER.
1369
01:04:15,185 --> 01:04:17,154
I HIT THE REFRIGERATOR
WHEN SHE COMES ON.
1370
01:04:17,187 --> 01:04:19,423
YOU KNOW,
SHE LOOKS LIKE, UH...
1371
01:04:19,456 --> 01:04:21,158
A BUSH-LEAGUE MARCIA.
1372
01:04:21,191 --> 01:04:23,827
IF YOU ASK ME,
IT'S HER HAIR.
1373
01:04:23,860 --> 01:04:27,097
WHY IS IT WOMEN ALWAYS
GO WITH THE HAIR?
1374
01:04:27,131 --> 01:04:29,099
HAIR IS CHARACTER.
1375
01:04:29,133 --> 01:04:31,568
OH, NOBODY FROM NOWHERE.
1376
01:04:31,601 --> 01:04:34,604
WELL, THAT'S
ENOUGH OF THAT.
1377
01:04:34,638 --> 01:04:36,740
TALLY, I HIRED YOU.
1378
01:04:36,773 --> 01:04:38,442
I STILL THINK
YOU HAVE REAL POTENTIAL,
1379
01:04:38,475 --> 01:04:41,045
BUT THERE'S A FEELING
THAT YOU'RE NOT...
1380
01:04:41,078 --> 01:04:42,046
MAKING...
1381
01:04:42,079 --> 01:04:44,048
CONTACT.
1382
01:04:44,081 --> 01:04:45,015
RIGHT.
1383
01:04:45,049 --> 01:04:46,383
YEAH.
1384
01:04:46,416 --> 01:04:47,617
WELL SAID.
1385
01:04:47,651 --> 01:04:50,120
BUT I WANT TO LEAVE THIS
ON A POSITIVE NOTE.
1386
01:04:50,154 --> 01:04:51,121
I THINK WHAT YOU
OUGHT TO DO
1387
01:04:51,155 --> 01:04:53,757
IS TALK TO
THE CONSULTANTS
WHO RUN THESE DEALS
1388
01:04:53,790 --> 01:04:56,360
AND JUST SEE WHAT
THEY HAVE TO SAY, OK?
1389
01:04:56,393 --> 01:04:57,361
OK.
1390
01:04:57,394 --> 01:04:59,429
GREAT.
1391
01:04:59,463 --> 01:05:01,531
Warren: SOMETHING UP?
ANYTHING WRONG?
1392
01:05:01,565 --> 01:05:03,467
NO, NO REASON AT ALL.
1393
01:05:03,500 --> 01:05:05,035
I JUST, UH,
I MEAN, UH...
1394
01:05:05,069 --> 01:05:06,403
I MEAN, WHY SHOULD
ANYTHING BE WRONG?
1395
01:05:06,436 --> 01:05:10,274
I JUST HAPPEN TO BE SO BUSY,
AND I JUST HIT A BREAK.
1396
01:05:10,307 --> 01:05:15,045
SO, BEEN BUSY?
YOU NEED A BREAK?
1397
01:05:15,079 --> 01:05:16,713
WELL, I SAW
THESE CONSULTANTS...
1398
01:05:16,746 --> 01:05:18,282
CONSULTANTS ON WHAT?
1399
01:05:18,315 --> 01:05:20,550
UM, I... I HAD A MAKEOVER.
1400
01:05:20,584 --> 01:05:23,487
A MAKEOVER? WHAT
DO YOU MEAN, A MAKEOVER?
1401
01:05:23,520 --> 01:05:28,625
UM, IT SEEMS THAT I WAS
A LITTLE TOO EDGY FOR PHILLY,
1402
01:05:28,658 --> 01:05:32,296
BUT, UH, MARCIA
COULDN'T BE NICER.
1403
01:05:32,329 --> 01:05:34,164
SHE'S A... SUPER GIRL.
1404
01:05:34,198 --> 01:05:35,632
SUPER?
1405
01:05:35,665 --> 01:05:38,102
MARCIA McGRATH?
1406
01:05:38,835 --> 01:05:44,174
TAL, YOU OK?
ANYTHING I CAN DO?
1407
01:05:44,208 --> 01:05:45,642
NO, EVERYTHING'S GREAT.
1408
01:05:45,675 --> 01:05:49,779
UM, IT'S JUST THAT I...
1409
01:05:49,813 --> 01:05:51,748
IT'S JUST THAT I...
1410
01:05:53,550 --> 01:05:54,751
I, UH...
1411
01:05:56,820 --> 01:05:59,456
WANTED TO SAY HI.
1412
01:05:59,489 --> 01:06:01,458
HI.
1413
01:06:01,491 --> 01:06:03,593
HI.
1414
01:06:03,627 --> 01:06:06,763
YOU WANT TO SAY
HI AGAIN, I'M HERE.
1415
01:06:08,332 --> 01:06:10,200
BYE.
1416
01:06:19,209 --> 01:06:21,378
[LATIN MUSIC PLAYS]
1417
01:06:36,160 --> 01:06:39,129
HABLO INGLéS?
1418
01:06:41,265 --> 01:06:43,233
BUCKY TERRANOVA.
1419
01:06:43,267 --> 01:06:45,635
SO, WARREN,
HOW LONG'S IT BEEN?
1420
01:06:45,669 --> 01:06:48,405
R.F.K. STADIUM.
OWNERS' BOX.
1421
01:06:48,438 --> 01:06:51,341
REDSKINS, GIANTS.
1422
01:06:51,375 --> 01:06:52,642
I WANTED
TO LEAVE WASHINGTON.
1423
01:06:52,676 --> 01:06:54,578
YOU SAID YOU DIDN'T HANDLE
PEOPLE ON THE WAY DOWN.
1424
01:06:54,611 --> 01:06:56,580
REDSKINS WON.
1425
01:06:56,613 --> 01:06:59,216
SO WHAT BRINGS YOU
TO MIAMI?
1426
01:06:59,249 --> 01:07:00,217
STONE CRAB?
1427
01:07:00,250 --> 01:07:01,351
TRY AGAIN.
1428
01:07:01,385 --> 01:07:04,054
WELL,
THE FACT IS, WARREN,
1429
01:07:04,088 --> 01:07:07,224
I HAVE A CLIENT
IN A CERTAIN AMOUNT
OF DISTRESS.
1430
01:07:07,257 --> 01:07:12,396
A CLIENT WITH WHOM
YOU HAVE A SPECIAL
RELATIONSHIP.
1431
01:07:12,429 --> 01:07:14,664
IT OCCURRED TO ME,
YOU MIGHT WANT
TO BE UP THERE
1432
01:07:14,698 --> 01:07:15,999
FOR A PERIOD
OF TIME.
1433
01:07:16,032 --> 01:07:18,102
LAST I HEARD,
I STILL HAD A JOB HERE.
1434
01:07:18,135 --> 01:07:22,439
OH, YES, AND I SEE THAT
IT KEEPS YOU VERY BUSY.
1435
01:07:22,472 --> 01:07:24,441
WHAT IF I CAN
ARRANGE A LEAVE?
1436
01:07:24,474 --> 01:07:26,042
WAIT A MINUTE.
1437
01:07:26,076 --> 01:07:27,577
I'M SEEING DAYLIGHT
OUT OF THIS.
1438
01:07:27,611 --> 01:07:29,613
I BRING MEL CASEY
DOWN FROM ATLANTA
TO SUB FOR YOU.
1439
01:07:29,646 --> 01:07:30,614
HE'S GOT A YOUNG WIFE,
1440
01:07:30,647 --> 01:07:32,282
AND HE WANTS
THE SPOT JOBS.
1441
01:07:32,316 --> 01:07:33,550
MESHUGENA.
BUT IT'S HIS LIFE.
1442
01:07:33,583 --> 01:07:36,019
YOU ALREADY LAID THIS
ON DAN, HAVEN'T YOU?
1443
01:07:36,052 --> 01:07:38,688
YOU, TOO,
COULD USE THE TIME OFF.
1444
01:07:38,722 --> 01:07:40,290
HMM.
1445
01:07:40,324 --> 01:07:41,791
THIS ISN'T ABOUT
YOU AND ME.
1446
01:07:41,825 --> 01:07:44,060
SHE'S IN TROUBLE.
1447
01:07:44,094 --> 01:07:45,295
THINK IT OVER.
1448
01:08:01,010 --> 01:08:02,712
WHAT'S UP?
1449
01:08:10,487 --> 01:08:13,623
I WAS JUST WISHING
I WAS DRIVING DOWN
THE KEYS WITH YOU,
1450
01:08:13,657 --> 01:08:16,593
AND WE WERE ALREADY
PICKING UP HAVANA
ON THE RADIO.
1451
01:08:22,266 --> 01:08:24,268
HOW LONG CAN YOU STAY?
1452
01:08:24,301 --> 01:08:25,769
LONG ENOUGH.
1453
01:08:40,650 --> 01:08:43,086
OH, HEY, WHAT THE...
1454
01:08:43,119 --> 01:08:44,254
OH.
1455
01:08:46,823 --> 01:08:48,792
JOHN. LONG TIME
NO SEE.
1456
01:08:49,659 --> 01:08:51,127
WARREN.
1457
01:08:51,161 --> 01:08:52,996
JOHN AND I COVERED
THE D.E.A. TOGETHER
1458
01:08:53,029 --> 01:08:54,464
IN NEW ORLEANS.
1459
01:08:55,332 --> 01:08:58,802
JUST... LEFT
MY APPOINTMENT BOOK HERE,
1460
01:08:58,835 --> 01:09:01,638
AND I'M ON MY WAY.
1461
01:09:01,671 --> 01:09:04,208
I DIDN'T THINK
YOU WERE COMING BACK.
1462
01:09:04,241 --> 01:09:06,476
I THINK HE FIGURED
THAT OUT, TAL.
1463
01:09:06,510 --> 01:09:08,778
TALLY. WARREN.
1464
01:09:16,553 --> 01:09:19,323
FABIAN, HERE YOU ARE,
BACK HOME IN THE TOWN
1465
01:09:19,356 --> 01:09:21,625
WHERE YOU WERE DISCOVERED
ON YOUR OWN FRONT STEPS
1466
01:09:21,658 --> 01:09:22,992
WHEN YOU WERE ONLY 14...
1467
01:09:23,026 --> 01:09:24,060
[FAST FORWARDING]
1468
01:09:24,093 --> 01:09:25,729
EVERYBODY LOVED THAT PIECE.
WE GOT A HUGE RESPONSE.
1469
01:09:25,762 --> 01:09:27,130
HOW DO YOU JUSTIFY...
1470
01:09:27,163 --> 01:09:28,498
I MEAN... CONSIDERING.
1471
01:09:28,532 --> 01:09:29,666
[FAST FORWARDING]
1472
01:09:29,699 --> 01:09:31,501
WHAT ABOUT THAT GUY
WHO CHOSE TO MURDER
1473
01:09:31,535 --> 01:09:32,702
THAT... THAT... THAT WOMAN?
1474
01:09:32,736 --> 01:09:34,238
[FAST FORWARDING]
1475
01:09:34,271 --> 01:09:35,639
THAT WAS A TERRIFIC IDEA.
1476
01:09:35,672 --> 01:09:37,207
IT JUST WASN'T...
1477
01:09:37,241 --> 01:09:39,042
...CONTEMPORARY
MUSIC TODAY...
1478
01:09:39,075 --> 01:09:41,010
IT WASN'T...
QUITE... EXECUTED.
1479
01:09:41,044 --> 01:09:42,646
YOU AND YOUR CHILDREN
HAVE BEEN HERE
1480
01:09:42,679 --> 01:09:44,314
FOR 7 WEEKS NOW.
1481
01:09:44,348 --> 01:09:45,482
WELL... WHEN...
1482
01:09:45,515 --> 01:09:46,816
YEAH. I WAS, UH...
1483
01:09:46,850 --> 01:09:47,951
[COUGHING]
1484
01:09:47,984 --> 01:09:51,154
I WAS REALLY OFF
THAT DAY, BUT THERE
IS SOME GOOD STUFF
1485
01:09:51,187 --> 01:09:52,589
WITH HER CHILDREN...
1486
01:09:52,622 --> 01:09:55,559
I... I...
1487
01:09:55,592 --> 01:09:58,762
THE, UH... S.R.O.
HOUSING CORPORATION
1488
01:09:58,795 --> 01:10:02,065
OF COURSE,
BEING THE CITY AGENCY
RESPONSIBLE...
1489
01:10:02,098 --> 01:10:04,401
NO, NO. YOU
DIDN'T GET TO THE STUFF
WITH THE CHILDREN.
1490
01:10:04,434 --> 01:10:06,069
I DON'T NEED TO.
1491
01:10:06,102 --> 01:10:07,070
NO, BUT IT'S GOOD.
1492
01:10:07,103 --> 01:10:08,272
IT'S SHIT.
1493
01:10:10,574 --> 01:10:11,575
IT WAS WHAT?
1494
01:10:11,608 --> 01:10:13,277
IT WAS ALL SHIT.
1495
01:10:14,311 --> 01:10:15,712
WHY WAS SHE
IN THE HOSPITAL?
1496
01:10:15,745 --> 01:10:17,281
THE SOCIAL WORKER
TOLD HER
1497
01:10:17,314 --> 01:10:20,083
SHE COULDN'T GET
HER KIDS BACK
UNLESS WHAT?
1498
01:10:20,116 --> 01:10:22,386
DID YOU LISTEN
TO ONE WORD
THAT WOMAN WAS SAYING,
1499
01:10:22,419 --> 01:10:24,521
OR WERE YOU
TOO BUSY WORRYING ABOUT
IMPRESSING THE VIEWERS
1500
01:10:24,554 --> 01:10:26,055
WITH HOW MUCH
POLICY JARGON
YOU COULD SPOUT?
1501
01:10:26,089 --> 01:10:27,223
COME HERE.
1502
01:10:28,458 --> 01:10:29,626
WHO IS THAT?
1503
01:10:29,659 --> 01:10:31,127
WHO THE HELL IS THIS?
1504
01:10:31,160 --> 01:10:33,430
WHAT THE HELL
HAPPENED TO YOU?
1505
01:10:33,463 --> 01:10:35,198
WHERE'S
TALLY ATWATER?
1506
01:10:35,231 --> 01:10:36,600
YOU TELL ME.
YOU SHOULD KNOW.
1507
01:10:36,633 --> 01:10:37,601
YOU INVENTED HER!
1508
01:10:37,634 --> 01:10:39,536
WELL, I DID
ONE LOUSY JOB.
1509
01:10:39,569 --> 01:10:41,405
YOU COME UP HERE,
YOU TAKE ONE LOOK
1510
01:10:41,438 --> 01:10:43,206
AT MARCIA McGRATH'S
UPTOWN EASTERN ACT,
1511
01:10:43,239 --> 01:10:44,173
AND YOU FOLD.
1512
01:10:44,207 --> 01:10:46,109
IF I WAS INTO
INVENTING PEOPLE,
BELIEVE ME,
1513
01:10:46,142 --> 01:10:47,176
I WOULD HAVE
INVENTED SOMEBODY
1514
01:10:47,210 --> 01:10:49,279
A HELL OF A LOT
TOUGHER THAN YOU
TURNED OUT TO BE.
1515
01:10:49,313 --> 01:10:51,615
I AM EXACTLY
THE WAY YOU MADE ME.
1516
01:10:51,648 --> 01:10:53,783
DO IT THIS WAY!
DO IT THAT WAY,
DO IT MY WAY,
1517
01:10:53,817 --> 01:10:56,119
UNTIL I DON'T EVEN KNOW
HOW TO DO IT WITHOUT YOU!
1518
01:10:56,152 --> 01:10:57,621
BULLSHIT! I DRESSED
YOU, I POINTED YOU
TOWARD THE CAMERA,
1519
01:10:57,654 --> 01:10:59,088
BUT YOU DID IT.
1520
01:10:59,122 --> 01:11:00,990
YOU TOLD THE STORY,
AND YOU KNOW
HOW TO DO IT,
1521
01:11:01,024 --> 01:11:02,292
AND YOU'RE GOING
TO START DOING IT
ON YOUR OWN.
1522
01:11:02,326 --> 01:11:03,360
I CAN'T.
1523
01:11:03,393 --> 01:11:05,329
LOOK AT THIS,
BECAUSE WHEN YOU GET
TO THE NETWORK...
1524
01:11:05,362 --> 01:11:06,463
DON'T EVEN TALK
TO ME ABOUT...
1525
01:11:06,496 --> 01:11:07,564
I SAID WHEN YOU
GET TO THE NETWORK,
1526
01:11:07,597 --> 01:11:09,132
20 MILLION PEOPLE
ARE GOING TO BE
DEPENDING ON YOU...
1527
01:11:09,165 --> 01:11:10,133
I DON'T CARE.
1528
01:11:10,166 --> 01:11:11,134
YOU GODDAMN WELL
WILL CARE
1529
01:11:11,167 --> 01:11:12,469
BECAUSE BEFORE
THEY TRUST YOU,
1530
01:11:12,502 --> 01:11:14,404
THEY HAVE TO KNOW
YOU'RE LISTENING
TO THEM.
1531
01:11:14,438 --> 01:11:16,640
AND YOU CAN'T LISTEN
TO THEM UNLESS YOU
DAMN WELL KNOW
1532
01:11:16,673 --> 01:11:18,141
WHO YOU ARE.
1533
01:11:18,174 --> 01:11:19,309
YOU SEE?
1534
01:11:19,343 --> 01:11:21,778
IT'S NOT ALL
MARCIA McGRATH
COUNTRY UP HERE,
1535
01:11:21,811 --> 01:11:24,147
SO GIVE THEM
TALLY ATWATER.
1536
01:11:27,551 --> 01:11:31,321
WHEN I ASKED YOU
HOW LONG YOU COULD STAY
1537
01:11:31,355 --> 01:11:33,523
AND YOU SAID
LONG ENOUGH...
1538
01:11:35,291 --> 01:11:38,795
HOW LONG IS THAT?
1539
01:11:38,828 --> 01:11:40,430
WHEN WE'RE
NOT TOGETHER...
1540
01:11:40,464 --> 01:11:42,198
EVERYTHING SHUTS DOWN.
1541
01:11:46,370 --> 01:11:48,037
AS COUNCILMAN
FOR THIS DISTRICT,
1542
01:11:48,071 --> 01:11:51,708
YOU WERE INFLUENTIAL
IN SECURING THE PERMITS
AND WAIVERS
1543
01:11:51,741 --> 01:11:53,276
THAT ALLOWED
PATRIOT HILL
1544
01:11:53,309 --> 01:11:54,578
TO BEGIN CONSTRUCTION.
1545
01:11:54,611 --> 01:11:57,280
YES, YES. I CUT THROUGH
SOME OF THE RED TAPE
FOR THE DEVELOPERS.
1546
01:11:57,313 --> 01:11:58,382
UH-HUH. THAT WAS ME.
1547
01:11:58,415 --> 01:12:00,350
WHEN PATRIOT HILL
1548
01:12:00,384 --> 01:12:02,218
WAS STILL CALLED
DOG BOTTOM,
1549
01:12:02,251 --> 01:12:04,287
THESE SAME
DEVELOPERS BOUGHT UP
THE NEIGHBORHOOD
1550
01:12:04,320 --> 01:12:05,655
FOR DOG BOTTOM
PRICES.
1551
01:12:05,689 --> 01:12:08,458
WELL, THEY ALSO
ARE IN BUSINESS.
1552
01:12:08,492 --> 01:12:11,160
BIG BUSINESS, FROM
WHAT I UNDERSTAND.
1553
01:12:11,194 --> 01:12:14,130
Anchorman: EVACUATIONS
CONTINUE AT THE HOLLY BALL,
1554
01:12:14,163 --> 01:12:15,665
THE SCENE OF
THE SUSPICIOUS FIRE.
1555
01:12:15,699 --> 01:12:17,300
TALLY, WHAT'S THE LATEST?
1556
01:12:17,333 --> 01:12:19,302
WHETHER THE CHANDELIER
WENT DOWN
1557
01:12:19,335 --> 01:12:21,671
BEFORE OR AFTER
911 GOT CALLED,
1558
01:12:21,705 --> 01:12:23,306
NOBODY IS SAYING.
1559
01:12:23,339 --> 01:12:26,643
BUT THIS HAS TO BE
ONE OF THE MOST
INCENDIARY AFFAIRS
1560
01:12:26,676 --> 01:12:28,144
OF WHAT
SOCIAL REGISTER TYPES
1561
01:12:28,177 --> 01:12:29,713
HERE CALL "THE SEASON."
1562
01:12:29,746 --> 01:12:31,815
WELL, TALLY,
THE HOLLY BALL
1563
01:12:31,848 --> 01:12:34,751
IS ONE OF OUR PRETTIEST
AND MOST TRADITIONAL EVENTS.
1564
01:12:34,784 --> 01:12:36,820
HOW DO YOU SUPPOSE
SUCH A THING HAPPENED?
1565
01:12:36,853 --> 01:12:38,488
UH... JUST KIDS
WITH TOO MUCH TIME
1566
01:12:38,522 --> 01:12:40,356
AND NOTHING TO DO
WITH IT, MARCIA.
1567
01:12:40,390 --> 01:12:41,725
BORED SILLY
1568
01:12:41,758 --> 01:12:43,660
AND DRESSED TO KILL.
1569
01:12:43,693 --> 01:12:45,695
IS THAT YOUR OPINION,
TALLY?
1570
01:12:45,729 --> 01:12:48,331
NO, MARCIA.
THAT IS OBSERVABLE FACT.
1571
01:12:48,364 --> 01:12:50,600
THANK YOU, TALLY.
1572
01:12:50,634 --> 01:12:51,668
BUCKY...
1573
01:12:51,701 --> 01:12:54,270
Marcia:
JOHN, CAN I TALK TO YOU
A MINUTE, PLEASE?
1574
01:12:54,303 --> 01:12:56,039
RIGHT.
SHE IS LOOKING GOOD.
1575
01:12:56,072 --> 01:12:57,607
UH, I'D LIKE TO
SIT DOWN WITH YOU
1576
01:12:57,641 --> 01:12:59,409
SOMETIME THIS WEEK.
1577
01:13:01,478 --> 01:13:04,047
SO, THE RATINGS ARE UP,
1578
01:13:04,080 --> 01:13:05,782
THE RESEARCH
SAYS IT'S TALLY.
I OWE YOU ONE.
1579
01:13:05,815 --> 01:13:07,183
I HADN'T THOUGHT
1580
01:13:07,216 --> 01:13:09,018
THAT SHE WAS GOING
TO NEED HER HAND HELD.
1581
01:13:09,052 --> 01:13:10,554
BUCKY, YOU MAKE
YOUR LIVING
OFF OF PEOPLE
1582
01:13:10,587 --> 01:13:13,289
THAT NEED
THEIR HANDS HELD.
1583
01:13:13,322 --> 01:13:15,124
SHE CAN GO
ALL THE WAY,
CAN'T SHE?
1584
01:13:15,158 --> 01:13:16,460
ASSUMING SHE
DOESN'T GO WIGGY AGAIN.
1585
01:13:16,493 --> 01:13:17,461
MMM.
1586
01:13:17,494 --> 01:13:18,728
DOES A FIRST-RATE JOB,
1587
01:13:18,762 --> 01:13:20,296
MAKES A FEW BREAKS
FOR HERSELF...
1588
01:13:20,329 --> 01:13:22,632
IBS IS THE SHOT.
VERY FLUID LINEUP.
1589
01:13:22,666 --> 01:13:25,068
PLUS WENDY CHAN SHOWS MORE
THAN SHE'S BEEN SHOWING.
1590
01:13:25,101 --> 01:13:26,470
HOW LONG?
1591
01:13:26,503 --> 01:13:29,305
A YEAR, 2 YEARS,
18 MONTHS.
1592
01:13:29,338 --> 01:13:31,441
OH, WHOA, WHOA.
TIME OUT TO DECODE.
1593
01:13:31,475 --> 01:13:33,276
YOU UP
FOR THE DURATION?
1594
01:13:34,644 --> 01:13:38,147
NO COMMENT, READ YES.
MIAMI KNOW THIS?
1595
01:13:38,181 --> 01:13:40,550
DAN AND I
DON'T PUT EACH OTHER
ON SPEED DIAL.
1596
01:13:40,584 --> 01:13:42,285
YEAH, IF DAN HEARS
YOU'RE EVEN THINKING
ABOUT IT,
1597
01:13:42,318 --> 01:13:45,254
YOU'VE SEEN
YOUR LAST MOON
OVER MIAMI.
1598
01:13:45,288 --> 01:13:47,423
FROM THE POINT OF VIEW
OF THE GUYS WHO DO
THE HIRING, WARREN,
1599
01:13:47,457 --> 01:13:49,626
YOU DON'T EXACTLY
READ USER-FRIENDLY.
1600
01:13:49,659 --> 01:13:52,395
YOU LEFT TOO MUCH
SCORCHED EARTH
ON THE LAST PASS.
1601
01:13:52,428 --> 01:13:55,465
WHAT IS THIS, BUCKY?
TOUGH LOVE?
1602
01:13:55,499 --> 01:13:57,266
TRY PETE RAYMOND.
1603
01:13:59,703 --> 01:14:01,471
LAST TIME I SAW
PETE RAYMOND,
1604
01:14:01,505 --> 01:14:02,639
I TOLD HIM
THE ONLY STORY
1605
01:14:02,672 --> 01:14:04,340
I'D BE INTERESTED IN
WATCHING HIM COVER
1606
01:14:04,373 --> 01:14:05,642
WAS HIS OWN
RETIREMENT.
1607
01:14:05,675 --> 01:14:07,310
FUNNY. THAT'S FUNNY.
1608
01:14:07,343 --> 01:14:09,145
BUT YOU SEE THE PROBLEM.
1609
01:14:09,178 --> 01:14:10,346
I GOT IT.
1610
01:14:10,379 --> 01:14:12,081
INCIDENTALLY,
I DIDN'T MENTION
TO TALLY
1611
01:14:12,115 --> 01:14:13,316
I WAS SEEING YOU
TONIGHT.
1612
01:14:13,349 --> 01:14:16,019
STILL DOING IT
YOUR WAY, I SEE.
1613
01:14:16,820 --> 01:14:18,321
YOU GOT LEVERAGE
NOW. TELL MERINO
1614
01:14:18,354 --> 01:14:19,789
IF HE WANTS
TO KEEP HER HAPPY,
1615
01:14:19,823 --> 01:14:21,324
THERE'S A CAMERAMAN
IN MIAMI.
1616
01:14:21,357 --> 01:14:23,159
HE'S A GOOD MAN.
1617
01:14:26,563 --> 01:14:28,798
Man: HEY, TALLY.
1618
01:14:31,034 --> 01:14:32,602
NED!
1619
01:14:33,469 --> 01:14:34,370
HEY.
1620
01:14:34,403 --> 01:14:35,505
[LAUGHING]
1621
01:14:35,539 --> 01:14:37,473
WHAT ARE YOU DOING HERE?
1622
01:14:37,507 --> 01:14:39,809
OH, WARREN PULLED
A FEW STRINGS.
1623
01:14:41,845 --> 01:14:42,812
REALLY?
1624
01:14:42,846 --> 01:14:44,147
IT'S ME.
1625
01:14:45,414 --> 01:14:49,052
HELL OF A TEMPTATION,
WARREN, HAVING YOU
BACK ON THE MARKET.
1626
01:14:49,085 --> 01:14:50,520
NEVER THOUGHT
YOU'D LEAVE MIAMI.
1627
01:14:50,554 --> 01:14:52,155
BUT, END OF THE DAY,
1628
01:14:52,188 --> 01:14:53,623
YOU'RE A HARD-NEWS GUY.
1629
01:14:53,657 --> 01:14:57,293
WE RECENTLY DID
A 5-PARTER ON NANNIES.
1630
01:14:57,326 --> 01:14:59,128
5-PARTER ON NANNIES.
1631
01:14:59,162 --> 01:15:01,230
RIGHT OFF THE CHARTS,
RESPONSE-WISE.
1632
01:15:01,264 --> 01:15:02,331
IS THAT RIGHT?
1633
01:15:02,365 --> 01:15:04,300
OK.
1634
01:15:04,333 --> 01:15:06,135
YOU DON'T DO NANNIES.
1635
01:15:06,169 --> 01:15:08,071
YOU DON'T TAKE PRISONERS.
1636
01:15:08,104 --> 01:15:09,673
YOU OUGHT TO PITCH
SOMEBODY
1637
01:15:09,706 --> 01:15:11,340
YOU DON'T HAVE
A HISTORY WITH.
1638
01:15:11,374 --> 01:15:15,078
THERE'S A HOT YOUNG KID
AT 4 IN BALTIMORE.
1639
01:15:15,111 --> 01:15:16,713
CORD OTAVIO.
1640
01:15:18,181 --> 01:15:19,716
HOLD ALL MY CALLS.
1641
01:15:21,084 --> 01:15:22,151
SO...
1642
01:15:22,185 --> 01:15:24,387
TELL ME SOMETHING
ABOUT YOURSELF, UH...
1643
01:15:24,420 --> 01:15:26,222
"WARREN."
1644
01:15:29,458 --> 01:15:30,594
YOU FIRST...
1645
01:15:30,627 --> 01:15:32,361
"CORD."
1646
01:15:37,801 --> 01:15:39,603
TALKED TO BUCKY
TODAY,
1647
01:15:39,636 --> 01:15:41,204
MENTIONED
YOUR BEING HERE.
1648
01:15:41,237 --> 01:15:42,606
HE ALREADY KNEW IT.
1649
01:15:42,639 --> 01:15:44,674
ASKED HOW YOU WERE.
1650
01:15:46,442 --> 01:15:47,711
SO, HOW ARE YOU?
1651
01:15:47,744 --> 01:15:49,278
I NEVER THOUGHT
A PARTIAL ECLIPSE
1652
01:15:49,312 --> 01:15:52,115
WOULD GET TO BE
MY IDEA OF A GOOD TIME.
1653
01:15:55,384 --> 01:15:57,186
YOU KNOW WHAT I WISH?
1654
01:15:57,220 --> 01:15:59,623
THAT THIS ECLIPSE
WOULD MOVE FASTER.
1655
01:16:01,424 --> 01:16:04,193
I WISH YOU DIDN'T
HAVE TO GO BACK TO MIAMI.
1656
01:16:09,498 --> 01:16:11,067
IT'S WARREN JUSTICE
1657
01:16:11,100 --> 01:16:13,136
CALLING FOR
PETE RAYMOND AGAIN.
1658
01:16:13,169 --> 01:16:16,539
NO, NO, NOT MR. WARREN.
MR. JUSTICE.
1659
01:16:16,572 --> 01:16:19,408
LOOK AT IT THIS WAY.
IF, UH, MR. RAYMOND
DOESN'T KNOW WHO I AM,
1660
01:16:19,442 --> 01:16:22,145
HE DOESN'T HAVE
TO CALL ME BACK.
1661
01:16:25,014 --> 01:16:26,149
[RAPPING]
♪ ALL RIGHT ♪
1662
01:16:26,182 --> 01:16:27,617
♪ UNDER THE BLUE HEAVEN
MORNIN' HERE ♪
1663
01:16:27,651 --> 01:16:29,452
♪ AT RADIO ROCKIN' SOCKIN'
PHILADELPHIA ♪
1664
01:16:29,485 --> 01:16:31,788
♪ CHANNEL 7,
HAVE YOU CHECKED IT OUT? ♪
1665
01:16:31,821 --> 01:16:34,057
♪ THEY GOT THE BABE
THAT MAKES ME SHOUT ♪
1666
01:16:34,090 --> 01:16:35,491
♪ TALKIN' 'BOUT MARCIA
I AM NOT ♪
1667
01:16:35,524 --> 01:16:37,460
♪ OOH, TALLY,
WHAT YOU GOT... ♪
1668
01:16:37,493 --> 01:16:39,062
♪ YOU BETTER BELIEVE IT... ♪
1669
01:16:39,095 --> 01:16:40,263
[CLICK]
1670
01:16:40,296 --> 01:16:42,799
MARCIA, YOU MAY BE
OVERREACTING.
1671
01:16:42,832 --> 01:16:45,468
SHE TAKES MY BROADCAST,
1672
01:16:45,501 --> 01:16:48,437
A BROADCAST
WITH WHICH I AM IDENTIFIED
1673
01:16:48,471 --> 01:16:50,640
AND FOR WHICH
I AM RESPONSIBLE,
1674
01:16:50,674 --> 01:16:54,310
AND SHE MAKES MY BROADCAST,
AND BY EXTENSION, ME,
1675
01:16:54,343 --> 01:16:56,612
THE OBJECT
OF VULGAR INNUENDO.
1676
01:16:56,646 --> 01:16:59,115
THE OBJECT IS NOT YOU.
1677
01:16:59,148 --> 01:17:00,650
IT'S ME.
1678
01:17:10,326 --> 01:17:12,461
[BEEPING]
1679
01:17:15,665 --> 01:17:17,801
IF YOU WANT TO TALK
ABOUT THE D.J., NOBODY...
1680
01:17:17,834 --> 01:17:19,302
JUST FORGET
ABOUT THE D.J.
1681
01:17:19,335 --> 01:17:20,670
WE'VE GOT AN ELECTION
COMING UP HERE.
1682
01:17:20,704 --> 01:17:21,805
I'D HATE TO WASTE
MARCIA.
1683
01:17:21,838 --> 01:17:24,340
SHE KNOWS MORE
ABOUT STATE POLITICS
THAN THE POLS DO,
1684
01:17:24,373 --> 01:17:26,175
SO I OFFER HER SENIOR
POLITICAL CORRESPONDENT
1685
01:17:26,209 --> 01:17:28,044
AND DIRECTOR OF CAMPAIGN
COVERAGE, I DON'T KNOW,
1686
01:17:28,077 --> 01:17:29,445
WHATEVER THE HELL TITLE
SHE WANTED,
1687
01:17:29,478 --> 01:17:31,647
AND SHE, UM...
1688
01:17:31,681 --> 01:17:34,283
WELL, PASSED.
1689
01:17:34,317 --> 01:17:37,020
I WANT YOU TO TAKE OVER
SOME OF HER DUTIES.
1690
01:17:40,556 --> 01:17:43,226
IS THAT WHAT
THIS IS ALL ABOUT?
1691
01:17:43,259 --> 01:17:44,794
YEAH.
1692
01:17:49,198 --> 01:17:51,634
IS SHE STAYING?
1693
01:17:51,667 --> 01:17:53,536
SHE HAS AN OFFER
IN CINCINNATI.
1694
01:17:53,569 --> 01:17:55,304
ANCHOR.
1695
01:17:55,338 --> 01:17:57,340
IT'S A NICE MARKET
FOR HER.
1696
01:18:09,685 --> 01:18:12,722
YOU DON'T USE 20?
1697
01:18:12,756 --> 01:18:16,559
MY RED 28.
YOU SHOULD USE 29.
1698
01:18:18,061 --> 01:18:20,496
THIS AND A QUICK COMB-OUT
1699
01:18:20,529 --> 01:18:22,565
AND I'M READY
TO GO ON AIR
1700
01:18:22,598 --> 01:18:24,533
TOMORROW NIGHT
IN CINCINNATI.
1701
01:18:28,537 --> 01:18:30,273
QUELLE IRONY.
1702
01:18:30,306 --> 01:18:33,777
I WAS OFFERED A JOB
AT WMIA THIS WEEK.
1703
01:18:33,810 --> 01:18:35,678
HMM?
YEAH. CHRIS RICE
WANTED ME
1704
01:18:35,711 --> 01:18:37,346
TO COME IN
AND COANCHOR
WITH ROB SULLIVAN.
1705
01:18:37,380 --> 01:18:38,347
CHRIS RICE?
1706
01:18:38,381 --> 01:18:40,249
YEAH, CHRIS RICE
OF CHICAGO.
DYNAMITE NEWS GUY.
1707
01:18:40,283 --> 01:18:41,517
WHAT'S HE DOING
AT MIA?
1708
01:18:41,550 --> 01:18:43,753
HA! GETTING ALONG
WITH DAN,
1709
01:18:43,787 --> 01:18:46,422
WHICH IS MORE
THAN WARREN
EVER BOTHERED TO DO.
1710
01:18:46,455 --> 01:18:48,057
WELL, I'M REASONABLE.
1711
01:18:48,091 --> 01:18:50,059
A CHIQUITA BANANA
FOR ME, BUT...
1712
01:18:50,093 --> 01:18:51,027
CHRIS IS REALLY
SHAKING THINGS UP
DOWN THERE.
1713
01:18:51,060 --> 01:18:54,397
I ACTUALLY CONSIDERED
BLOWING OFF CINCINNATI,
1714
01:18:54,430 --> 01:18:56,465
STREAKING MY HAIR,
AND...
1715
01:18:56,499 --> 01:18:58,267
GOING DOWN TO WORK
WITH CHRIS,
1716
01:18:58,301 --> 01:19:00,536
BUT YOU GET
TO BE 42, YOU KNOW
WHAT IT COSTS
1717
01:19:00,569 --> 01:19:03,139
TO JUMP OFF
THE HIGH BOARD.
1718
01:19:03,172 --> 01:19:06,042
YOU DIDN'T KNOW
IT WAS CHRIS
WHO REPLACED WARREN?
1719
01:19:08,077 --> 01:19:10,613
WHAT DOES IT TAKE
TO JUMP OFF THE HIGH BOARD?
1720
01:19:10,646 --> 01:19:13,449
YOU GET TO BE 42,
YOU DON'T HAVE TO ASK.
1721
01:19:15,751 --> 01:19:18,421
IT'S NOT YOUR FAULT.
YOU KNOW THAT.
1722
01:19:19,622 --> 01:19:21,157
IT'S NOT
ANYBODY'S FAULT.
1723
01:19:21,190 --> 01:19:23,292
THIS IS THE WAY
IT WORKS.
1724
01:19:24,660 --> 01:19:26,295
ACTUALLY...
1725
01:19:26,329 --> 01:19:27,763
I'M 44.
1726
01:19:27,797 --> 01:19:30,099
NOT EVEN BUCKY
KNOWS THAT.
1727
01:19:34,804 --> 01:19:36,739
Warren: IT'S BEEN
A WHILE, BUFORD.
1728
01:19:36,772 --> 01:19:38,307
GOOD TIMES.
1729
01:19:39,175 --> 01:19:40,409
GOOD TIMES.
1730
01:19:45,714 --> 01:19:48,117
YOU'RE LOOKING
FOR A JOB, AREN'T YOU?
1731
01:19:50,286 --> 01:19:51,620
SHIT, WARREN,
YOU GOT A HABIT
1732
01:19:51,654 --> 01:19:53,756
OF CALLING A HORSE'S ASS
A HORSE'S ASS.
1733
01:19:53,789 --> 01:19:55,624
WE GOT SOME FOLKS
AROUND THAT SHOP
1734
01:19:55,658 --> 01:19:57,994
JUST DON'T
APPRECIATE THAT.
1735
01:19:58,027 --> 01:19:59,162
YOU MEAN
LIKE GABE LAWRENCE,
1736
01:19:59,195 --> 01:20:00,629
VICE PRESIDENT
OF INFOTAINMENT?
1737
01:20:00,663 --> 01:20:02,198
YEAH. WHAT WAS IT
YOU SAID
1738
01:20:02,231 --> 01:20:03,799
ABOUT GABE'S
GRENADA COVERAGE?
1739
01:20:03,833 --> 01:20:05,634
BLOOD, SWEAT,
AND PERRIER.
1740
01:20:05,668 --> 01:20:06,635
HA HA!
1741
01:20:06,669 --> 01:20:08,471
HE NEVER EVEN MADE
THE INVASION.
1742
01:20:08,504 --> 01:20:11,207
IT COINCIDED
WITH AN UNBREAKABLE
PERIODONTAL APPOINTMENT.
1743
01:20:11,240 --> 01:20:13,776
THE FLOSSERS ARE
IN CHARGE NOW, WARREN.
1744
01:20:13,809 --> 01:20:16,812
I'M JUST A NOBLE
FUCKING SAVAGE
1745
01:20:16,846 --> 01:20:19,448
THEY TROT OUT TO
THE AFFILIATE MEETINGS.
1746
01:20:19,482 --> 01:20:21,017
[SIGHS]
1747
01:20:21,050 --> 01:20:25,154
ARE YOUR SOURCES
AT THE PENTAGON
STILL GOOD?
1748
01:20:25,188 --> 01:20:26,555
I THINK SO. WHY?
1749
01:20:26,589 --> 01:20:28,624
YOU MIGHT WANT TO ASK THEM
ABOUT SOUTH OF HERE.
1750
01:20:28,657 --> 01:20:29,625
YEAH?
1751
01:20:29,658 --> 01:20:32,461
1999,
WE GOT TO GIVE BACK
THE PANAMA CANAL,
1752
01:20:32,495 --> 01:20:34,197
AND I JUST CAN'T
SEE THAT HAPPENING
1753
01:20:34,230 --> 01:20:37,066
WITHOUT A WHOLE BUNCH
OF PEOPLE RUNNING
A WHOLE LOT OF BLADES.
1754
01:20:37,100 --> 01:20:38,734
THIS INTUITION, OR
YOU HEAR SOMETHING?
1755
01:20:38,767 --> 01:20:42,305
I HEARD THE USUAL PEOPLE
WERE INTERESTED.
1756
01:20:42,338 --> 01:20:44,473
YOU GOT ANYBODY
ON IT?
1757
01:20:44,507 --> 01:20:46,675
OL' GABE DON'T THINK
THERE'S A STORY.
1758
01:20:46,709 --> 01:20:48,811
YOU GO DOWN THERE,
YOU'D OWN IT.
1759
01:20:54,350 --> 01:20:57,086
KIND OF WANTED
TO STAY AROUND HERE
FOR A WHILE.
1760
01:20:57,120 --> 01:20:59,422
IS SHE WORTH IT?
1761
01:21:01,257 --> 01:21:03,692
DEEP DOWN, SHE
WANTS TO SHOOT UP
THE TOWN.
1762
01:21:03,726 --> 01:21:05,561
OH, HELL, I'M
ALWAYS GOOD FOR LUNCH.
1763
01:21:05,594 --> 01:21:07,363
AW, YOU'VE HEARD
ALL MY STORIES, BUFORD.
1764
01:21:07,396 --> 01:21:09,432
TAKE CARE
OF YOURSELF.
1765
01:21:09,465 --> 01:21:11,400
YOU, TOO.
1766
01:21:19,808 --> 01:21:20,576
HEY.
1767
01:21:20,609 --> 01:21:23,012
I'VE BEEN TRYING
TO CALL YOU ALL DAY.
1768
01:21:23,046 --> 01:21:25,781
I SHOULD'VE LET YOU
KNOW. I WENT UP
TO NEW YORK.
1769
01:21:25,814 --> 01:21:27,350
TO DO WHAT?
1770
01:21:27,383 --> 01:21:29,585
NOTHING MUCH.
YOU SHOULD'VE
BEEN UP THERE.
1771
01:21:29,618 --> 01:21:31,287
THERE'S A STREET FAIR
1772
01:21:31,320 --> 01:21:33,522
ON ONE
OF THESE INCREDIBLE
NEW YORK DAYS.
1773
01:21:33,556 --> 01:21:34,723
SEE ANYBODY
YOU KNOW?
1774
01:21:34,757 --> 01:21:36,459
ALL THESE LITTLE KIDS
RUNNING AROUND
1775
01:21:36,492 --> 01:21:38,261
WITH COTTON CANDY
ON THEIR FACE.
1776
01:21:40,796 --> 01:21:42,631
WHAT?
1777
01:21:42,665 --> 01:21:44,800
ANYTHING HAPPEN
UP THERE?
1778
01:21:44,833 --> 01:21:47,136
YEAH. YEAH.
HERE'S A NEWS BREAK.
1779
01:21:47,170 --> 01:21:48,704
I GOT A CABDRIVER
THAT COULD FIND
PENN STATION...
1780
01:21:48,737 --> 01:21:50,406
OH, WHOA, WHOA,
WAIT A SECOND NOW.
1781
01:21:50,439 --> 01:21:51,574
WHAT?
1782
01:21:53,509 --> 01:21:55,144
IS THERE SOMETHING
YOU DON'T WANT
TO TELL ME?
1783
01:21:55,178 --> 01:21:56,212
YOU ASK A LOT
OF QUESTIONS.
1784
01:21:56,245 --> 01:22:00,649
I DON'T GET
A LOT OF ANSWERS.
1785
01:22:00,683 --> 01:22:02,718
A LOT OF REPORTERS THINK
THEIR JOB IN WASHINGTON
1786
01:22:02,751 --> 01:22:04,753
IS TO COVER THEIR BETS.
WARREN DIDN'T.
1787
01:22:04,787 --> 01:22:07,123
HE THOUGHT HE WAS THERE
TO TELL THE STORY,
1788
01:22:07,156 --> 01:22:11,327
WHICH DIDN'T MAKE HIM
WIDELY POPULAR.
1789
01:22:11,360 --> 01:22:14,263
HE EVER TELL YOU WHY
HE LEFT THE NETWORK?
1790
01:22:15,198 --> 01:22:18,401
HE SAID HE...
MADE A MISTAKE
ON A STORY.
1791
01:22:19,835 --> 01:22:22,138
HE TRUSTED
THE SOURCE, AND
HE SHOULDN'T HAVE.
1792
01:22:22,171 --> 01:22:23,639
THAT'S
WHAT HE TOLD ME.
1793
01:22:23,672 --> 01:22:26,242
HE TRUSTED THE SOURCE
1794
01:22:26,275 --> 01:22:28,244
BECAUSE I WAS THE SOURCE.
1795
01:22:30,213 --> 01:22:32,181
I TOOK A YEAR OFF
FROM THE WASHINGTON BUREAU
1796
01:22:32,215 --> 01:22:33,449
TO RUN BRIEFINGS
FOR STATE.
1797
01:22:33,482 --> 01:22:35,651
WARREN AND I HAD A DEAL.
1798
01:22:35,684 --> 01:22:38,787
I DID WHAT I HAD TO DO,
HE DID WHAT HE HAD TO DO.
1799
01:22:38,821 --> 01:22:42,625
NEVER DREAMED FOR A MINUTE
HE'D BUY THAT STORY.
1800
01:22:42,658 --> 01:22:43,792
BUT HE DID.
1801
01:22:43,826 --> 01:22:45,528
YEAH, HE DID.
1802
01:22:47,830 --> 01:22:49,265
IN THE OVERALL SCHEME
OF THINGS,
1803
01:22:49,298 --> 01:22:51,034
IT SHOULDN'T HAVE MATTERED,
BUT IT DID MATTER,
1804
01:22:51,067 --> 01:22:52,635
BECAUSE THE NETWORK
WAS LOOKING FOR AN EXCUSE,
1805
01:22:52,668 --> 01:22:54,137
AND NOW
THEY HAD AN EXCUSE.
1806
01:22:54,170 --> 01:22:56,272
THEY SAW HIM
AS A WILD CARD
TO BEGIN WITH.
1807
01:22:56,305 --> 01:22:59,808
THEY GOT HIM TO SIT DOWN
AT LUNCH AT 21
WITH BUFORD SELLS.
1808
01:22:59,842 --> 01:23:01,377
BUFORD SELLS
PUT IT TO HIM,
1809
01:23:01,410 --> 01:23:03,479
PLAY IT THE NETWORK'S WAY
OR TAKE THE HIGHWAY,
1810
01:23:03,512 --> 01:23:06,149
AND OUR WARREN
TOOK THE HIGHWAY.
1811
01:23:07,750 --> 01:23:09,718
BUFORD USED TO BE
HIS BEST FRIEND.
1812
01:23:09,752 --> 01:23:11,720
SO, YOU SEE,
IT TOOK A LOT FOR HIM
1813
01:23:11,754 --> 01:23:14,123
TO ASK BU FOR A JOB.
1814
01:23:19,428 --> 01:23:21,997
YOU DO A LOT OF THINGS
FOR A LOT OF PEOPLE.
1815
01:23:22,031 --> 01:23:24,200
THERE CAN'T BE MANY PEOPLE
IN THIS BUSINESS
1816
01:23:24,233 --> 01:23:26,335
WHO DON'T OWE YOU A FAVOR.
1817
01:23:27,736 --> 01:23:30,005
NOW YOU'RE GOING
TO COLLECT ONE.
1818
01:23:31,507 --> 01:23:33,642
YOU'RE GOING TO
COLLECT IT FOR ME.
1819
01:23:37,046 --> 01:23:39,348
OH, WHAT AM I DOING?
1820
01:23:39,382 --> 01:23:40,816
YOU DID THIS TO ME,
TERRANOVA!
1821
01:23:40,849 --> 01:23:42,318
PUT MY BACK
AGAINST THE WALL,
1822
01:23:42,351 --> 01:23:43,686
TELL ME I GOT
TO HIRE THESE GUYS.
1823
01:23:43,719 --> 01:23:45,321
I DON'T HAVE TO
HIRE THESE GUYS!
1824
01:23:45,354 --> 01:23:46,322
I ALREADY WORKED
WITH WARREN JUSTICE.
1825
01:23:46,355 --> 01:23:48,491
HE WORKED
DOWN IN NEW ORLEANS
WITH THE D.E.A.
1826
01:23:48,524 --> 01:23:50,826
ALMOST GOT ME KILLED...
NOT NOW!
1827
01:23:50,859 --> 01:23:52,595
UH, WHATEVER'S GOOD
FOR THE GOVERNOR,
1828
01:23:52,628 --> 01:23:54,563
I'LL, UH, MAKE
MYSELF AVAILABLE.
1829
01:24:01,036 --> 01:24:02,738
WE DO A SERIES
OF BACKGROUNDERS
1830
01:24:02,771 --> 01:24:05,741
ON THE NEWS BEFORE
IT BECOMES NEWS.
1831
01:24:05,774 --> 01:24:08,111
WE START
WITH THE GOVERNOR
1832
01:24:08,144 --> 01:24:10,546
HANGING HIS
RE-ELECTION CAMPAIGN
ON PRISON REFORM.
1833
01:24:10,579 --> 01:24:14,083
McBRIDE'S
UP 24 POINTS
IN THE POLLS
1834
01:24:14,117 --> 01:24:15,451
BECAUSE
THE PUBLIC THINKS
1835
01:24:15,484 --> 01:24:18,521
CUTTING
INMATE PRIVILEGES IS
THE TOUGH WAY TO GO.
1836
01:24:18,554 --> 01:24:19,788
WE ASK
THE QUESTIONS.
1837
01:24:19,822 --> 01:24:20,789
"WE"?
1838
01:24:20,823 --> 01:24:22,458
YOU AND ME.
1839
01:24:22,491 --> 01:24:25,128
HMM.
1840
01:24:25,161 --> 01:24:27,630
LOOK, IT'S "WE,"
WHY DON'T YOU ASK ME
HOW I SAW IT?
1841
01:24:27,663 --> 01:24:29,265
HOW DO YOU SEE IT?
1842
01:24:29,298 --> 01:24:30,633
SEE WHAT THE PRISON
PROFESSIONALS THINK,
1843
01:24:30,666 --> 01:24:32,635
YOU TALK TO THE WARDEN,
YOU TALK TO THE GUARDS.
1844
01:24:32,668 --> 01:24:34,137
McBRIDE THINKS HE'S BEING TOUGH,
1845
01:24:34,170 --> 01:24:37,306
MY BET IS
HE'S JUST BEING BUTCH.
1846
01:24:37,340 --> 01:24:39,308
THEN YOU'LL DO IT?
1847
01:24:39,342 --> 01:24:41,377
WE COULD SEE EACH
OTHER ALL DAY LONG...
1848
01:24:41,410 --> 01:24:43,746
GOD, YOU WANT SOMETHING,
YOU DON'T GIVE UP.
1849
01:24:44,813 --> 01:24:45,881
THERE'S SOMETHING ELSE
I WANT.
1850
01:24:45,914 --> 01:24:49,485
YOU'VE ALREADY GOT ME
DOING ONE THING
I DON'T WANT.
1851
01:24:49,518 --> 01:24:52,155
WHAT OTHER THINGS
YOU GOT IN MIND?
1852
01:24:56,292 --> 01:24:58,461
MARRY ME.
1853
01:25:00,028 --> 01:25:01,230
WHAT?
1854
01:25:02,665 --> 01:25:05,067
MARRY ME.
1855
01:25:06,769 --> 01:25:09,004
I'VE BEEN MARRIED.
1856
01:25:09,037 --> 01:25:11,407
TWICE. BAD IDEA.
1857
01:25:11,440 --> 01:25:13,108
TWICE.
1858
01:25:13,142 --> 01:25:15,511
I WANT YOU AROUND
IN THE MORNING.
1859
01:25:19,114 --> 01:25:21,484
YOU ALREADY HAVE ME
AROUND IN THE MORNING.
1860
01:25:21,517 --> 01:25:23,486
HOW, I DON'T KNOW,
BUT YOU DO.
1861
01:25:25,154 --> 01:25:28,324
I WANT TO KNOW
YOU'RE LEGALLY REQUIRED
TO BE THERE.
1862
01:25:32,228 --> 01:25:34,363
[WEDDING MARCH PLAYS]
1863
01:25:36,165 --> 01:25:37,366
BY THE POWER
VESTED IN ME,
1864
01:25:37,400 --> 01:25:38,601
I NOW PRONOUNCE YOU
MAN AND WIFE.
1865
01:25:38,634 --> 01:25:40,002
[JAZZES UP
WEDDING MARCH]
1866
01:25:40,035 --> 01:25:41,504
YOU MAY KISS YOUR BRIDE.
1867
01:25:43,239 --> 01:25:45,541
THANKS.
1868
01:25:51,847 --> 01:25:53,382
GOING INTO SOME OFFICE
1869
01:25:53,416 --> 01:25:55,484
AND GETTING
THE ROTARY LUNCH SPEECH
FROM THE WARDEN
1870
01:25:55,518 --> 01:25:56,785
WON'T DO IT.
1871
01:25:56,819 --> 01:25:58,654
BUT IF WE COULD SHOW
HOW McBRIDE'S REFORMS
1872
01:25:58,687 --> 01:26:00,823
ARE AFFECTING
JUST ONE INMATE
IN ONE PRISON,
1873
01:26:00,856 --> 01:26:02,391
A DAY IN THE LIFE...
1874
01:26:02,425 --> 01:26:04,193
THAT WOULD TELL
THE STORY.
1875
01:26:04,893 --> 01:26:06,462
YOU LISTENING
TO ME OR NOT?
1876
01:26:06,495 --> 01:26:10,199
I THOUGHT THIS
WAS SUPPOSED TO BE
OUR NIGHT OFF.
1877
01:26:17,406 --> 01:26:19,342
MY WIFE THE CANDY ASS.
1878
01:26:33,556 --> 01:26:35,658
DOES OUR NIGHT OFF
END AT MIDNIGHT?
1879
01:26:35,691 --> 01:26:37,226
REMEMBER
FERNANDO BUTTANDA?
1880
01:26:37,260 --> 01:26:38,261
WHAT?
1881
01:26:38,294 --> 01:26:39,762
THE FATHER OF
THE NEW YEAR'S BABY.
1882
01:26:39,795 --> 01:26:41,830
MIAMI. LAYETTE.
1883
01:26:41,864 --> 01:26:43,232
ROB AND I
FIGHTING ON THE AIR?
1884
01:26:43,266 --> 01:26:45,200
HEY... THEY
SENT HIM UP HERE.
1885
01:26:45,234 --> 01:26:46,201
MM-HMM.
1886
01:26:46,235 --> 01:26:48,504
FROM HOLMSBERG.
1887
01:26:48,537 --> 01:26:51,106
HE'S THE DAY IN THE LIFE.
1888
01:26:53,476 --> 01:26:56,345
FULL-SCREEN HEADLINE...
"GOVERNOR SIGNS
PRISON REFORM ACT."
1889
01:26:56,379 --> 01:26:59,548
CUT TO McBRIDE. SMASH
INTO HIS CAMPAIGN BITES.
1890
01:26:59,582 --> 01:27:01,784
"HOLMSBERG
IS A PRISON.
IT'S NOT A RESORT.
1891
01:27:01,817 --> 01:27:03,419
HOLMSBERG WORKS,"
ETCETERA, ETCETERA,
ETCETERA.
1892
01:27:03,452 --> 01:27:04,620
MEANTIME,
OVER EACH BITE,
1893
01:27:04,653 --> 01:27:06,389
WE SHOW THE JUMP
THAT HE GETS
IN THE POLLS.
1894
01:27:06,422 --> 01:27:07,756
AND THEN WE HAVE
THIS ONE PRISONER...
1895
01:27:07,790 --> 01:27:08,791
AND THE EFFECT
ON HIM
1896
01:27:08,824 --> 01:27:10,793
WHEN McBRIDE ORDERS
ALL THE TV SETS
AND LAPTOPS
1897
01:27:10,826 --> 01:27:11,860
TAKEN OUT
OF EACH CELL.
1898
01:27:11,894 --> 01:27:15,631
AND ALSO DEFUNDED ALL REHAB
AND VOCATIONAL TRAINING.
1899
01:27:15,664 --> 01:27:17,132
WHAT ELSE?
1900
01:27:17,165 --> 01:27:18,601
WHAT DO YOU MEAN,
"WHAT ELSE"?
1901
01:27:18,634 --> 01:27:19,468
WELL, I JUST GET THE SENSE
1902
01:27:19,502 --> 01:27:22,137
YOU MAY BE COMING DOWN
HEAVY ON McBRIDE.
1903
01:27:22,170 --> 01:27:23,539
IF YOU THINK
IT'S HEAVY TO SAY
1904
01:27:23,572 --> 01:27:24,973
THAT McBRIDE HAS
BEEN PEDDLING NITRO
1905
01:27:25,007 --> 01:27:26,241
TO GET HIMSELF
RE-ELECTED,
1906
01:27:26,275 --> 01:27:27,443
THEN WE'RE
COMING DOWN HEAVY.
1907
01:27:27,476 --> 01:27:29,712
LOOK... DO I THINK
THE CRIME ISSUE
1908
01:27:29,745 --> 01:27:31,380
IS MANIPULATED
FOR POLITICAL ENDS?
1909
01:27:31,414 --> 01:27:32,381
ABSOLUTELY.
1910
01:27:32,415 --> 01:27:33,782
THEN WHAT ARE WE
TALKING ABOUT?
1911
01:27:33,816 --> 01:27:35,618
DO I THINK THAT
LARGE NUMBERS OF PEOPLE
1912
01:27:35,651 --> 01:27:37,586
WANT TO HEAR THIS?
NOT NECESSARILY.
1913
01:27:37,620 --> 01:27:40,122
UM... JOHN'S CONCERN IS...
1914
01:27:40,155 --> 01:27:42,291
I KNOW WHAT
JOHN'S CONCERN IS.
1915
01:27:42,325 --> 01:27:44,460
UM... JOHN'S FEELING
IS THAT...
1916
01:27:44,493 --> 01:27:45,761
HE WANTS US
TO TELL THE VIEWERS
1917
01:27:45,794 --> 01:27:47,996
WHAT HE THINKS
THEY WANT TO HEAR.
1918
01:27:51,367 --> 01:27:52,735
DID YOU EVER
ENTERTAIN ANY IDEA
1919
01:27:52,768 --> 01:27:54,637
YOU DIDN'T GET FROM
A FOCUS GROUP, JOHN?
1920
01:27:54,670 --> 01:27:56,639
OH, SHIT.
YOU KNOW, WARREN,
1921
01:27:56,672 --> 01:27:57,473
YOU STAKE OUT
THE MORAL HIGH GROUND,
1922
01:27:57,506 --> 01:27:59,274
EVERYBODY ELSE GETS
ALTITUDE SICKNESS.
1923
01:27:59,308 --> 01:28:00,309
JOHN...
1924
01:28:00,343 --> 01:28:02,311
YOU THINK I WANT
THIS KIND OF SHIT,
1925
01:28:02,345 --> 01:28:03,579
THINK I EVEN WANTED
THIS PROJECT?
1926
01:28:03,612 --> 01:28:04,647
JOHN!
1927
01:28:04,680 --> 01:28:05,748
SHE WANTED IT.
1928
01:28:05,781 --> 01:28:07,149
YOU KNOW, YOU TALK
ABOUT WHAT YOU WANT,
1929
01:28:07,182 --> 01:28:08,484
SHE'S THE ONE
WHO'S OUT THERE
ON THE LINE,
1930
01:28:08,517 --> 01:28:10,118
AND THE ONLY REASON
SHE'S OUT THERE
1931
01:28:10,152 --> 01:28:12,254
IS TO GIVE YOU
SOMETHING TO DO!
1932
01:28:15,290 --> 01:28:17,326
ACTUALLY, I'VE GOT
SOMETHING TO DO.
1933
01:28:30,839 --> 01:28:33,442
Ned: LOOK, TALLY,
HE'LL SHOW UP...
1934
01:28:33,476 --> 01:28:36,445
YOU MOVE DOWN...
IT'S A GREAT STORY...
1935
01:28:37,680 --> 01:28:41,650
HE'S A PROFESSIONAL.
FINE STUFF LIKE THAT.
1936
01:28:43,419 --> 01:28:45,821
LET'S GO IN AND SET UP.
1937
01:28:45,854 --> 01:28:48,357
WARREN JUSTICE
FOR COLONEL PETERS.
1938
01:28:57,165 --> 01:28:58,133
BARRY?
1939
01:28:58,166 --> 01:29:00,002
ARE YOU...
1940
01:29:00,035 --> 01:29:01,470
LONG TIME, RIGHT.
1941
01:29:01,504 --> 01:29:04,306
BARRY, YOU STILL COVERING
PANAMA FOR THE PENTAGON?
1942
01:29:07,576 --> 01:29:09,244
OYEME...
1943
01:29:09,277 --> 01:29:12,080
I WAS WORKING
IN THE INFIRMARY
ALL DAY
1944
01:29:12,114 --> 01:29:14,750
WITH, UH...
I DON'T KNOW,
HOW DO YOU SAY...
1945
01:29:14,783 --> 01:29:16,218
LOS LOCOS?
1946
01:29:16,251 --> 01:29:18,253
THE DISTURBED.
1947
01:29:18,286 --> 01:29:20,155
AND... I LIKE IT,
1948
01:29:20,188 --> 01:29:23,158
AND THEY GO
AND CHUCK OUT
THE PROGRAM...
1949
01:29:23,191 --> 01:29:24,359
[SHOUTING]
1950
01:29:25,861 --> 01:29:27,763
AND WHEN THEY
SHUT DOWN THIS GYM,
1951
01:29:27,796 --> 01:29:29,498
LIKE THEY SAY
THEY WILL DO...
1952
01:29:29,532 --> 01:29:30,433
PUT YOUR HANDS DOWN!
1953
01:29:30,466 --> 01:29:31,500
EVERYBODY IN HERE, MAN,
1954
01:29:31,534 --> 01:29:33,402
IS GOING TO BE A...
1955
01:29:33,436 --> 01:29:35,404
A LOCO...
1956
01:29:35,438 --> 01:29:37,039
DISTURBED.
1957
01:29:37,072 --> 01:29:39,107
ACTUALLY, I'LL BE
IN WASHINGTON LATER TODAY.
1958
01:29:39,141 --> 01:29:40,443
MAYBE WE COULD JUST...
1959
01:29:40,476 --> 01:29:41,777
HUH?
1960
01:29:41,810 --> 01:29:44,513
NO, NO, MAYBE WE
COULD JUST SIT DOWN,
CHEW THE FAT.
1961
01:29:46,048 --> 01:29:47,750
ABOUT THIS AND THAT.
1962
01:29:47,783 --> 01:29:49,084
SPECIFICALLY?
1963
01:29:49,117 --> 01:29:51,086
I'LL CALL YOU
WHEN I GET THERE.
1964
01:29:52,154 --> 01:29:53,789
IF YOU NEED
ANYTHING MORE,
1965
01:29:53,822 --> 01:29:56,091
THIS TV
IS LIGHT DUTY,
SO CALL ME.
1966
01:29:56,124 --> 01:29:57,125
THANK YOU SO MUCH.
1967
01:29:57,159 --> 01:29:58,126
OK, THANK YOU.
1968
01:29:58,160 --> 01:29:59,695
[SIREN]
1969
01:29:59,728 --> 01:30:02,097
YOU GET OVER THERE!
DON'T GO OUT!
1970
01:30:02,130 --> 01:30:03,699
[SHOUTING]
1971
01:30:16,812 --> 01:30:19,047
Radio: ALL UNITS,
ESPECIALLY THOSE
IN THE VICINITY
1972
01:30:19,081 --> 01:30:20,382
OF HOLMSBERG PRISON,
1973
01:30:20,415 --> 01:30:23,318
THE PRISONERS HAVE TAKEN
CONTROL OF THE GYMNASIUM
AND 2 CELL BLOCKS.
1974
01:30:23,351 --> 01:30:24,553
UNCONFIRMED,
1975
01:30:24,587 --> 01:30:27,322
THEY'RE HOLDING
10 TO 12 HOSTAGES.
1976
01:30:27,355 --> 01:30:28,624
A CREW FROM CHANNEL 7
1977
01:30:28,657 --> 01:30:32,094
APPARENTLY HAD BEEN FILMING
WHEN THE RIOT BROKE OUT.
1978
01:30:33,028 --> 01:30:34,630
[HORNS HONKING]
1979
01:30:39,668 --> 01:30:41,470
[SIRENS]
1980
01:30:56,785 --> 01:30:58,420
HEY!
1981
01:30:59,287 --> 01:31:00,489
I GOT GUARDS IN THERE.
1982
01:31:00,523 --> 01:31:02,124
YOU TELL THE PUBLIC,
THEY'RE DEAD.
1983
01:31:02,157 --> 01:31:04,627
I'M TELLING YOU,
STOP CHICKENSHITTING
AROUND AND GO IN.
1984
01:31:04,660 --> 01:31:06,128
THE WARDEN'S GOT...
GOVERNOR'S GOT...
1985
01:31:06,161 --> 01:31:07,329
WHAT'S THE GOVERNOR
GOT TO DO WITH IT?
1986
01:31:07,362 --> 01:31:08,330
THE MAYOR AND
THE COMMISSIONER...
1987
01:31:08,363 --> 01:31:09,698
GET THE COMMISSIONER
ON THE PHONE!
1988
01:31:09,732 --> 01:31:11,299
ANYTHING ON
THE CHANNEL 7
NEWS CREW?
1989
01:31:11,333 --> 01:31:12,535
GARY LOGAN, IBS.
1990
01:31:12,568 --> 01:31:14,469
THE WARDEN'S GOING
TO BE BRIEFING ME.
1991
01:31:14,503 --> 01:31:15,470
WARDEN KEELE?
1992
01:31:15,504 --> 01:31:16,471
YES.
1993
01:31:16,505 --> 01:31:17,840
WARDEN...
1994
01:31:17,873 --> 01:31:21,109
WARDEN, I HAVE INFORMATION
THERE'S A CHANNEL 7 REPORTER
STILL INSIDE.
1995
01:31:21,143 --> 01:31:22,477
CAN YOU CONFIRM
WHETHER OR NOT
SHE'S ALIVE?
1996
01:31:22,511 --> 01:31:24,547
WE WON'T KNOW
UNTIL WE GO IN.
1997
01:31:24,580 --> 01:31:26,348
[ALL ASKING QUESTIONS]
1998
01:31:29,585 --> 01:31:31,787
[SIREN]
1999
01:31:38,527 --> 01:31:41,697
[SEVERAL SIRENS]
2000
01:31:50,172 --> 01:31:51,807
I'M GETTING
SOMETHING ON
THE LINE.
2001
01:31:51,840 --> 01:31:54,142
IT MAY BE TALLY
TRYING TO FEED.
2002
01:31:59,715 --> 01:32:01,149
Tech: IS NED
SHOOTING THIS?
2003
01:32:01,183 --> 01:32:03,518
SOMEBODY IS.
ROLL A PRODUCTION
TAPE.
2004
01:32:07,522 --> 01:32:08,824
TAL?
2005
01:32:10,759 --> 01:32:12,160
ARE YOU THERE?
2006
01:32:15,097 --> 01:32:16,264
TAL?
2007
01:32:18,200 --> 01:32:22,070
TAL, IT'S ME.
ARE YOU THERE?
ARE YOU HEARING ME?
2008
01:32:23,572 --> 01:32:25,674
TAL, CAN YOU
HEAR ME?
2009
01:32:25,708 --> 01:32:27,242
I HEAR YOU!
2010
01:32:27,275 --> 01:32:29,111
STAY AGAINST THE WALL.
WATCH YOUR BACK.
2011
01:32:29,144 --> 01:32:31,279
[COUGHING]
2012
01:32:31,313 --> 01:32:33,782
OK, YOU'VE
GOT ONE THING
GOING FOR YOU.
2013
01:32:33,816 --> 01:32:34,783
YOU'VE GOT
THE CAMERA.
2014
01:32:34,817 --> 01:32:36,785
WHATEVER YOU DO,
DO IT ON-AIR.
2015
01:32:36,819 --> 01:32:38,621
IT'S THE ONLY WEAPON
YOU'VE GOT.
2016
01:32:38,654 --> 01:32:40,522
YOU'RE THEIR CHANCE
TO TELL THE WORLD
2017
01:32:40,555 --> 01:32:41,624
WHAT'S GOING ON
IN THERE.
2018
01:32:41,657 --> 01:32:42,791
USE THE CAMERA.
2019
01:32:42,825 --> 01:32:44,627
I'M NOT ON-AIR!
2020
01:32:44,660 --> 01:32:48,263
THEY DON'T KNOW THAT,
AND BEFORE THEY DO,
YOU WILL BE.
2021
01:32:48,296 --> 01:32:49,164
[COUGHING]
2022
01:32:49,197 --> 01:32:52,367
KEEP IT OUT THERE.
IT'S GONNA PROTECT
YOU.
2023
01:32:52,400 --> 01:32:54,469
KEEP IT IN HIS FACE.
2024
01:32:54,502 --> 01:32:56,639
OR YOU GOT
SOMETHING TO SAY?
2025
01:32:56,672 --> 01:33:01,610
HUH? HUH?
4, 3, 2, 1...
HOLMSBERG PRISON!
2026
01:33:01,644 --> 01:33:04,212
[INDISTINCT SHOUTING]
2027
01:33:04,246 --> 01:33:06,281
THIS IS TALLY ATWATER,
LIVE FROM THE GYMNASIUM
AT HOLMSBERG...
2028
01:33:06,314 --> 01:33:08,617
MAN, JUST TAPE IT.
IT'S NOT GONNA
BE PERFECT.
2029
01:33:08,651 --> 01:33:10,318
YEAH, YEAH!
FIRST OF ALL,
2030
01:33:10,352 --> 01:33:12,254
WE DEMAND ALL
OUR TV BACK!
2031
01:33:12,287 --> 01:33:14,122
WE'RE FEEDING.
THEY CAN SEE US.
2032
01:33:14,156 --> 01:33:15,624
WE'RE NOW
FEEDING LIVE.
2033
01:33:15,658 --> 01:33:18,293
WE'LL TRY NOW TO GO
TO TALLY ATWATER
2034
01:33:18,326 --> 01:33:20,796
FOR A CHANNEL 7
EXCLUSIVE REPORT.
TALLY?
2035
01:33:20,829 --> 01:33:26,301
THIS IS TALLY ATWATER
REPORTING LIVE...
IN HOLMSBERG PRISON.
2036
01:33:26,334 --> 01:33:29,271
AT APPROXIMATELY
4:15 THIS AFTERNOON,
2037
01:33:29,304 --> 01:33:31,273
THE WHISTLE SOUNDED...
2038
01:33:31,306 --> 01:33:33,275
THAT, ALL ACROSS
THIS COUNTRY,
2039
01:33:33,308 --> 01:33:34,409
MEANS "GUARD
IN TROUBLE."
2040
01:33:34,442 --> 01:33:38,146
TALLY, CAN YOU TELL US
WHAT PRECIPITATED
THIS INCIDENT?
2041
01:34:00,402 --> 01:34:04,139
Tech: OK, WARREN,
COMING BACK IN 30.
2042
01:34:12,848 --> 01:34:15,818
TAL, IN 30 SECONDS,
YOU'RE BACK ON-AIR.
2043
01:34:15,851 --> 01:34:18,153
THERE'S SOMETHING
HAPPENING IN "C" BLOCK.
2044
01:34:18,186 --> 01:34:21,690
WE'RE GONNA TRY AND GET CLOSER
AFTER THIS NEXT FEED.
2045
01:34:21,724 --> 01:34:23,225
HOW YOU DOING?
2046
01:34:23,258 --> 01:34:26,028
[SIGHS] I'M SO TIRED.
2047
01:34:27,429 --> 01:34:30,665
YOU KNOW WHAT I
KEEP THINKING ABOUT?
2048
01:34:30,699 --> 01:34:33,135
THAT TIME YOU
TRIED TO TEACH ME
2049
01:34:33,168 --> 01:34:35,237
TO BONE FISH IN THE KEYS.
2050
01:34:35,270 --> 01:34:37,405
I WAS REALLY TERRIBLE,
WASN'T I?
2051
01:34:37,439 --> 01:34:40,142
EH, YOU WERE OK.
2052
01:34:40,175 --> 01:34:42,177
10 SECONDS.
2053
01:34:46,181 --> 01:34:48,383
TAL, THE TAC TEAMS
ARE HERE.
2054
01:34:48,416 --> 01:34:50,485
THEY'RE TAKING UP
POSITIONS.
2055
01:34:50,518 --> 01:34:52,187
Rhonda:...BACK
TO THE STUDIO. DOUG?
2056
01:34:52,220 --> 01:34:55,157
Doug: THANK YOU, RHONDA.
AS YOU KNOW, CHANNEL 7's
TALLY ATWATER
2057
01:34:55,190 --> 01:34:59,027
AND CAMERAMAN NED JACKSON
REMAIN INSIDE HOLMSBERG,
2058
01:34:59,061 --> 01:35:00,695
WHERE THEY HAVE
BEEN REPORTING...
2059
01:35:00,729 --> 01:35:03,231
[TELEPHONE RINGING]
2060
01:35:05,033 --> 01:35:06,201
MERINO.
2061
01:35:06,234 --> 01:35:09,204
THE CHANNEL 7 NEWS TEAM
WAS INSIDE THE PRISON,
2062
01:35:09,237 --> 01:35:12,741
INTERVIEWING INMATES
FOR A SPECIAL REPORT,
WHEN THE RIOT BROKE OUT.
2063
01:35:12,775 --> 01:35:15,377
THE NETWORK WANTS
TO GO LIVE, NATIONAL.
2064
01:35:16,812 --> 01:35:17,846
IT'S YOUR SHOW.
2065
01:35:17,880 --> 01:35:21,549
LET'S TRY TO GO
LIVE ONCE AGAIN
TO TALLY ATWATER.
2066
01:35:21,583 --> 01:35:23,285
TALLY, WHAT CAN
YOU TELL US?
2067
01:35:23,318 --> 01:35:26,021
WE HAVE BEEN TOLD THAT
TACTICAL ASSAULT TEAMS
2068
01:35:26,054 --> 01:35:29,291
ARE TAKING UP POSITIONS
OUTSIDE EVEN AS I SPEAK.
2069
01:35:29,324 --> 01:35:32,027
SHOULD THERE BE
AN ONSLAUGHT, PRISONERS...
2070
01:35:32,060 --> 01:35:34,462
[RUNNING FOOTSTEPS]
2071
01:35:34,496 --> 01:35:38,200
TAL? TAL,
CAN YOU HEAR ME?
2072
01:35:38,233 --> 01:35:39,301
GODDAMN IT!
2073
01:35:39,334 --> 01:35:42,237
WHAT'S GOING ON?
2074
01:35:42,270 --> 01:35:43,705
SIGNAL'S GONE.
2075
01:35:43,738 --> 01:35:45,140
OH, COME ON.
2076
01:35:45,173 --> 01:35:47,309
Doug: WARREN? WARREN,
WHAT'S HAPPENING?
2077
01:35:47,342 --> 01:35:49,444
TAL, ARE YOU THERE?
DO YOU HEAR ME? TAL?
2078
01:35:49,477 --> 01:35:51,613
Tech: THEY'RE GONE.
CAN'T RAISE THEM AT ALL.
2079
01:35:57,485 --> 01:35:59,654
WE'RE RIGHT HERE
IN FRONT OF
HOLMSBERG PRISON
2080
01:35:59,687 --> 01:36:01,323
WHERE THE S.W.A.T.
TEAM HAS COME IN...
2081
01:36:01,356 --> 01:36:03,625
PHILADELPHIA, HANG ON.
NEW YORK, YEAH, WHAT?
2082
01:36:03,658 --> 01:36:06,328
NO, NOT YET. NO.
I DON'T HAVE AUDIO,
EITHER.
2083
01:36:06,361 --> 01:36:09,164
STAND BY. WHEN WE DO,
WE'LL LET YOU KNOW.
STAND BY.
2084
01:36:09,197 --> 01:36:12,167
TOM... LOOK, IF WE GET IT,
WHEN WE GET IT,
2085
01:36:12,200 --> 01:36:14,402
WE'RE GONNA GO NATIONAL.
THAT'S RIGHT.
2086
01:36:24,546 --> 01:36:26,514
Tom Orr:
...CIVIL RIGHTS
ATTORNEY
2087
01:36:26,548 --> 01:36:29,417
AND PRISONER ADVOCATE,
GARY MANDANAK.
2088
01:36:29,451 --> 01:36:33,321
GENTLEMEN, THANK YOU
FOR JOINING US AT THIS
VERY LATE HOUR.
2089
01:36:35,390 --> 01:36:38,260
DID THE WARDEN GIVE
THE GREEN LIGHT...
2090
01:36:38,293 --> 01:36:40,262
WAIT A MINUTE.
WE'RE GET...
2091
01:36:40,295 --> 01:36:42,130
I GOT SOMETHING.
2092
01:36:42,164 --> 01:36:43,131
TAL?
2093
01:36:43,165 --> 01:36:43,999
Tally: FERNANDO?
2094
01:36:44,032 --> 01:36:46,001
Bucky: THAT'S HER.
TAL, CAN YOU HEAR ME?
2095
01:36:53,375 --> 01:36:55,510
[WOMAN SCREAMING]
2096
01:37:00,215 --> 01:37:02,717
[COUGHING]
2097
01:37:02,750 --> 01:37:05,153
[MEN SHOUTING]
2098
01:37:08,356 --> 01:37:10,192
Bucky: WHERE IS SHE?
2099
01:37:12,027 --> 01:37:15,297
Prisoner: OPEN THIS DOOR!
OPEN IT! OPEN IT!
2100
01:37:15,330 --> 01:37:17,199
TAL, CAN YOU
HEAR ME?
2101
01:37:19,567 --> 01:37:21,469
ARE YOU OK?
2102
01:37:21,503 --> 01:37:23,638
I'M OK.
2103
01:37:25,040 --> 01:37:29,144
Tally: FERNANDO,
CAN I TALK TO YOU?
2104
01:37:34,349 --> 01:37:36,151
DO YOU HAVE
THIS SITUATION
UNDER CONTROL?
2105
01:37:36,184 --> 01:37:38,186
UNDER CONTROL.
HOW IS THAT POSSIBLE?
2106
01:37:38,220 --> 01:37:42,657
TOM, THEY'RE
CLAIMING CONTROL.
ASK HER ABOUT THAT.
2107
01:37:42,690 --> 01:37:43,591
TALLY, WE'RE
GETTING WORD
2108
01:37:43,625 --> 01:37:45,727
THAT
THE SITUATION THERE
IS UNDER CONTROL.
2109
01:37:45,760 --> 01:37:48,496
YOU'RE FEEDING LIVE,
TAL... NATIONAL.
2110
01:37:48,530 --> 01:37:51,599
UH... WELL, IT'S
UNDER CONTROL, TOM,
2111
01:37:51,633 --> 01:37:53,601
BUT THE INMATES
HAVE CONTROL...
WHICH INMATES?
2112
01:37:53,635 --> 01:37:57,772
OR, MORE ACCURATELY,
ONE GROUP OF INMATES
HAS CONTROL.
2113
01:37:57,805 --> 01:38:00,608
THIS HAS NOT BEEN GOOD NEWS
FOR OTHER INMATES.
2114
01:38:00,642 --> 01:38:03,778
OF THE 8 MEN I CAN CONFIRM
HAVE BEEN KILLED TODAY,
2115
01:38:03,811 --> 01:38:05,780
NONE... REPEAT...
NONE HAVE BEEN GUARDS.
2116
01:38:05,813 --> 01:38:09,084
ONE, UH...
OF THE 8 DEAD INMATES,
2117
01:38:09,117 --> 01:38:11,619
ONE WAS, APPARENTLY,
SHOT BY TOWER GUARDS.
2118
01:38:11,653 --> 01:38:17,359
THE OTHER 7, IT APPEARS,
WERE VICTIMS OF CONTINUING
RACIAL VENDETTAS HERE...
2119
01:38:17,392 --> 01:38:20,262
Fernando: NO! NO MORE
GANG SHIT, TALLY.
2120
01:38:20,295 --> 01:38:24,566
FERNANDO, HOW MUCH
MORE TIME DO YOU HAVE
LEFT ON YOUR SENTENCE?
2121
01:38:25,667 --> 01:38:27,469
AH, MADRE...
2122
01:38:27,502 --> 01:38:31,239
I GOT 15 MONTHS,
AND THEN I COME UP
FOR PAROLE.
2123
01:38:31,273 --> 01:38:33,775
YOU KNOW WHAT'S
GOING TO HAPPEN WHEN
THE GUARDS COME IN.
2124
01:38:33,808 --> 01:38:35,377
YOU COULD END UP DEAD.
2125
01:38:35,410 --> 01:38:38,580
I COULD END UP DEAD
ON BISCAYNE BOULEVARD.
2126
01:38:41,149 --> 01:38:44,252
Tom: IT IS NOW 2 A.M.
2127
01:38:44,286 --> 01:38:46,254
THE RIOT
HAS BEEN UNDERWAY
2128
01:38:46,288 --> 01:38:48,390
FOR CLOSE TO 10 HOURS.
2129
01:38:48,423 --> 01:38:52,494
WE'RE BACK LIVE WITH
WFIL PHILADELPHIA'S
TALLY ATWATER,
2130
01:38:52,527 --> 01:38:55,630
WHO IS INSIDE
HOLMSBERG PRISON.
2131
01:38:55,663 --> 01:38:57,499
TALLY'S BEEN
KEEPING US INFORMED
2132
01:38:57,532 --> 01:39:00,135
FROM HER BIRD'S-EYE
VIEW OF THE RIOT.
2133
01:39:00,168 --> 01:39:01,269
WHAT'S THE MOOD?
2134
01:39:01,303 --> 01:39:04,006
DESCRIBE THE SCENE,
CAN YOU, TALLY?
2135
01:39:04,039 --> 01:39:06,574
THE MOOD HERE, TOM,
IS OMINOUS.
2136
01:39:06,608 --> 01:39:10,612
INMATES ARE PREPARED
FOR WHAT THEY BELIEVE
WILL BE THE FINAL ASSAULT,
2137
01:39:10,645 --> 01:39:12,147
PROBABLY BEFORE DAWN.
2138
01:39:12,180 --> 01:39:14,416
ARE THEY ARMED?
THESE INMATES
HAVE WEAPONS.
2139
01:39:14,449 --> 01:39:16,684
THEY GIVE EVERY INDICATION
THEY WILL FIGHT
2140
01:39:16,718 --> 01:39:20,022
BECAUSE TO FIGHT
IS A WAY OF LIFE.
2141
01:39:20,055 --> 01:39:23,025
IT'S A WAY OF LIFE
LEARNED ON THE STREETS.
2142
01:39:23,058 --> 01:39:26,261
TO SEE THE FACES
INSIDE THIS PRISON
IS TO REMEMBER
2143
01:39:26,294 --> 01:39:28,363
THAT ON SUCH STREETS,
2144
01:39:28,396 --> 01:39:31,633
CRIME IS JUST
A WAY OF TAKING
CARE OF BUSINESS.
2145
01:39:31,666 --> 01:39:34,536
THIS IS TALLY ATWATER
INSIDE HOLMSBERG PRISON.
2146
01:39:36,671 --> 01:39:38,540
Tally: SHUT IT DOWN.
2147
01:39:46,414 --> 01:39:48,383
[TAC TEAM CHANTING]
2148
01:39:48,416 --> 01:39:51,553
GO! GO! GO! GO! GO...!
2149
01:40:07,402 --> 01:40:09,237
Doug: YOU'RE WATCHING
LIVE FOOTAGE
2150
01:40:09,271 --> 01:40:12,240
OF THE RIOT THAT BROKE OUT
EARLIER AT HOLMSBERG PRISON.
2151
01:40:12,274 --> 01:40:14,709
WFIL's TALLY ATWATER
AND CAMERAMAN NED JACKSON
2152
01:40:14,742 --> 01:40:17,379
ARE INSIDE THE PRISON.
2153
01:40:17,412 --> 01:40:20,748
AS YOU CAN SEE BY
THESE DRAMATIC PICTURES
THAT WE'RE GETTING,
2154
01:40:20,782 --> 01:40:23,651
THE TAC TEAM
HAS ENTERED THE PRISON.
2155
01:40:23,685 --> 01:40:27,222
IN THE NEXT MINUTES AND HOURS,
THE MATTER WILL BE RESOLVED.
2156
01:40:27,255 --> 01:40:31,526
THE ONLY QUESTION IS...
HOW HIGH THE PRICE?
2157
01:40:35,097 --> 01:40:36,264
TAL?
2158
01:40:39,067 --> 01:40:40,435
CAN YOU HEAR ME, TAL?
2159
01:40:40,468 --> 01:40:43,371
YOU CAN SEE
THEY'RE CHAINING
THEM IN THE AREA.
2160
01:40:48,810 --> 01:40:50,778
HOLD ONTO THAT SHOT, GUYS.
2161
01:40:55,083 --> 01:40:56,284
AAH!
2162
01:40:57,652 --> 01:40:58,920
STAND BY.
WE'VE LOST TAL.
2163
01:40:58,953 --> 01:41:02,124
WE'RE STILL FEEDING.
WHEN WE GET HER BACK,
WE'LL LET YOU KNOW.
2164
01:41:06,561 --> 01:41:09,697
[TELEPHONES RINGING]
2165
01:41:46,701 --> 01:41:50,805
Tally: 24 HOURS AGO,
I CAME TO HOLMSBERG PRISON
2166
01:41:50,838 --> 01:41:55,410
TO REPORT ON HOW
GOVERNOR GEORGE McBRIDE'S NEW
"GET TOUGH" PRISON POLICIES
2167
01:41:55,443 --> 01:41:57,812
WERE AFFECTING ONE CONVICT.
2168
01:41:57,845 --> 01:42:02,284
IT WAS MEANT TO BE
A DAY IN THE LIFE OF
FERNANDO BUTTANDA.
2169
01:42:03,785 --> 01:42:05,253
FERNANDO BUTTANDA
2170
01:42:05,287 --> 01:42:07,755
WAS NOT A GOOD MAN
BY SOCIETY'S STANDARDS.
2171
01:42:07,789 --> 01:42:10,625
HE WAS NOT
EVEN A GOOD MAN BY
HIS OWN STANDARDS.
2172
01:42:10,658 --> 01:42:16,631
RECENTLY, HOWEVER, IN
A JOB TRAINING PROGRAM
HERE AT HOLMSBERG,
2173
01:42:16,664 --> 01:42:19,634
FERNANDO BEGAN
TO LEARN NURSING SKILLS.
2174
01:42:19,667 --> 01:42:22,637
HE VOLUNTEERED TO WORK
IN THE PRISON HOSPITAL,
2175
01:42:22,670 --> 01:42:27,108
AT SOME RISK TO HIMSELF,
WITH VIOLENT PATIENTS.
2176
01:42:27,141 --> 01:42:30,111
HE WAS GOOD AT IT.
HE LIKED DOING IT.
2177
01:42:30,144 --> 01:42:34,349
A MONTH AGO,
GOVERNOR GEORGE McBRIDE...
2178
01:42:34,382 --> 01:42:36,351
WHO IS CAMPAIGNING
FOR REELECTION
2179
01:42:36,384 --> 01:42:40,288
ON THE PLEDGE TO REFORM
OTHER PENNSYLVANIA PRISONS,
2180
01:42:40,322 --> 01:42:45,227
AS HE HAS REFORMED HOLMSBERG...
CANCELED THIS PROGRAM.
2181
01:42:45,260 --> 01:42:48,230
"A PRISON
IS ABOUT PUNISHMENT."
2182
01:42:48,263 --> 01:42:51,633
HE ADDED, "IT IS NOT
ABOUT ANOTHER CHANCE."
2183
01:42:51,666 --> 01:42:55,136
DURING THE NEXT
HOURS AND WEEKS,
WE'LL HEAR A LOT
2184
01:42:55,169 --> 01:42:57,639
ABOUT WHAT PRISONS
SHOULD AND SHOULD NOT BE:
2185
01:42:57,672 --> 01:43:01,142
A LOT OF OPINIONS
AS TO WHY THIS RIOT OCCURRED
2186
01:43:01,175 --> 01:43:03,144
IN THIS PLACE AT THIS TIME.
2187
01:43:03,177 --> 01:43:07,249
MANY FIXES WILL BE PROPOSED,
MANY ANSWERS FORMULATED.
2188
01:43:07,282 --> 01:43:09,551
INSIDE HOLMSBERG PRISON
LAST NIGHT,
2189
01:43:09,584 --> 01:43:11,653
ANSWERS
WERE HARD TO COME BY.
2190
01:43:11,686 --> 01:43:15,156
WHAT WE DO KNOW
IS THAT 15 PRISONERS DIED,
2191
01:43:15,189 --> 01:43:17,659
INCLUDING
FERNANDO BUTTANDA.
2192
01:43:17,692 --> 01:43:19,427
THIS IS TALLY ATWATER,
2193
01:43:19,461 --> 01:43:22,697
WFIL NEWS,
HOLMSBERG PRISON.
2194
01:43:22,730 --> 01:43:25,700
Anchor: THANK YOU, TALLY.
AND WE'LL BE RECAPPING...
2195
01:43:28,436 --> 01:43:30,071
YOU WERE GOOD.
2196
01:43:31,606 --> 01:43:35,076
NO. YOU WERE GREAT.
2197
01:44:13,348 --> 01:44:15,483
[WEEPING]
2198
01:44:59,193 --> 01:45:01,629
TALLY ATWATER
FOR MARK LINDNER.
2199
01:45:03,631 --> 01:45:06,701
THIS IS AS FAR
AS I GO.
2200
01:45:06,734 --> 01:45:10,638
ONE FLOOR UP,
FIRST DOOR ON
YOUR LEFT.
2201
01:45:17,244 --> 01:45:19,313
MS. ATWATER,
I'M MARK LINDNER.
2202
01:45:19,347 --> 01:45:21,483
IT'S GOOD OF YOU
TO COME AND SEE US.
2203
01:45:21,516 --> 01:45:23,651
WOULD YOU LIKE SOME COFFEE,
A SOFT DRINK, MINERAL WATER?
2204
01:45:23,685 --> 01:45:24,552
NO, THANK YOU.
I'M FINE.
2205
01:45:24,586 --> 01:45:26,654
KAREN, YOU KNOW
WHAT CALLS TO PUT THROUGH.
2206
01:45:26,688 --> 01:45:28,656
THIS IS BUFORD SELLS.
2207
01:45:28,690 --> 01:45:31,125
HOW DO YOU DO?
IT'S A REAL PLEASURE.
2208
01:45:31,158 --> 01:45:32,627
HELLO.
AND GABE LAWRENCE.
2209
01:45:32,660 --> 01:45:33,795
HOW ARE YOU?
2210
01:45:33,828 --> 01:45:34,796
HAVE A SEAT.
2211
01:45:34,829 --> 01:45:35,830
FOR BETTER OR WORSE,
2212
01:45:35,863 --> 01:45:38,800
WE'RE THE
3 MUSKETEERS WHO RUN
THE NEWS DIVISION.
2213
01:45:38,833 --> 01:45:42,169
THAT WAS QUITE
A JOB YOU DID FOR
US AT HOLMSBERG.
2214
01:45:42,203 --> 01:45:43,371
THANK YOU.
2215
01:45:47,575 --> 01:45:49,076
DON'T GET UP.
2216
01:45:53,214 --> 01:45:54,315
SO.
2217
01:45:54,348 --> 01:45:56,150
SO.
2218
01:45:56,183 --> 01:45:57,652
TELL ME WHAT
THEY SAID.
2219
01:45:57,685 --> 01:46:01,188
WASHINGTON BUREAU...
2220
01:46:01,222 --> 01:46:03,658
WEEKEND ANCHOR,
EVENING NEWS.
2221
01:46:04,358 --> 01:46:07,161
I SAID I'D THINK
ABOUT IT.
2222
01:46:07,194 --> 01:46:08,696
Waiter:
CAN I HELP YOU?
2223
01:46:08,730 --> 01:46:10,432
UM... WE'LL WAIT.
2224
01:46:10,465 --> 01:46:11,399
SURE.
2225
01:46:11,433 --> 01:46:13,034
WEEKEND ANCHOR?
2226
01:46:13,067 --> 01:46:14,268
WHAT'S
TO THINK ABOUT?
2227
01:46:14,301 --> 01:46:21,275
WELL, ACTUALLY,
WHAT I THINK IS WE MAKE
A PRETTY GOOD TEAM.
2228
01:46:21,308 --> 01:46:23,044
IT'S NO GOOD
THAT WAY.
2229
01:46:23,077 --> 01:46:24,679
WE TRIED IT.
IT DOESN'T WORK.
2230
01:46:24,712 --> 01:46:26,548
WE DID HOLMSBERG.
IT WORKED.
2231
01:46:26,581 --> 01:46:28,616
NO. YOU DID HOLMSBERG.
2232
01:46:28,650 --> 01:46:32,420
AND YOU DID IT YOURSELF,
AND YOU WERE TERRIFIC.
2233
01:46:32,454 --> 01:46:33,588
I'VE BEEN MAKING
SOME CALLS,
2234
01:46:33,621 --> 01:46:36,424
AND I THINK THERE'S
A STORY IN PANAMA
NOBODY'S TELLING.
2235
01:46:36,458 --> 01:46:38,125
I HAVE A HUNCH
THAT SOME PEOPLE
2236
01:46:38,159 --> 01:46:40,394
WOULD LIKE TO SEE
US GET INTO A WAR
DOWN THERE
2237
01:46:40,428 --> 01:46:42,396
BECAUSE THEY'RE NOT
THAT ENTHUSIASTIC
2238
01:46:42,430 --> 01:46:44,398
ABOUT TURNING OVER
THE CANAL IN '99.
2239
01:46:44,432 --> 01:46:46,634
WE CAN DO PANAMA.
2240
01:46:46,668 --> 01:46:48,269
NETWORKS
AREN'T INTERESTED.
2241
01:46:48,302 --> 01:46:50,104
WE CAN MAKE THEM
INTERESTED.
2242
01:46:50,137 --> 01:46:51,773
I CAN GO INTO
PANAMA CITY,
2243
01:46:51,806 --> 01:46:54,275
SPEND A FEW DAYS,
PICK UP A LOCAL CREW...
2244
01:46:54,308 --> 01:46:55,777
AND HEAD OUT.
2245
01:46:57,078 --> 01:46:58,580
YOU ALREADY
SET THIS UP.
2246
01:46:58,613 --> 01:46:59,981
TALLY...
2247
01:47:06,320 --> 01:47:08,289
I'VE GOTTA DO THIS
BY MYSELF.
2248
01:47:08,322 --> 01:47:10,291
DO YOU SEE THAT?
2249
01:47:10,324 --> 01:47:13,294
WASN'T THE WHOLE IDEA
FOR US TO BE TOGETHER?
2250
01:47:13,327 --> 01:47:14,328
IT WAS,
2251
01:47:14,361 --> 01:47:16,631
BUT IT CAN'T BE ME
PUTTING WINE ON ICE
2252
01:47:16,664 --> 01:47:18,466
WHILE YOU WRAP UP
THE EVENING NEWS.
2253
01:47:18,500 --> 01:47:20,802
AND IT CAN'T BE YOU
TURNING DOWN A STORY
2254
01:47:20,835 --> 01:47:24,138
BECAUSE YOU DON'T
WANNA LEAVE ME
AT LOOSE ENDS.
2255
01:47:26,340 --> 01:47:28,510
DO YOU WANNA BE WITH ME?
2256
01:47:32,647 --> 01:47:34,649
SO MUCH IT HURTS.
2257
01:47:37,485 --> 01:47:39,153
I DON'T WANNA BE
ANYWHERE
2258
01:47:39,186 --> 01:47:41,623
WHERE I CAN'T SEE
YOU OR TOUCH YOU.
2259
01:47:41,656 --> 01:47:43,190
I DON'T WANNA BE
ANYWHERE
2260
01:47:43,224 --> 01:47:44,626
WHERE I CAN'T HEAR
YOUR VOICE
2261
01:47:44,659 --> 01:47:46,327
OR TELL YOU A STORY
2262
01:47:46,360 --> 01:47:49,130
AND SEE
THIS GREAT SMILE.
2263
01:47:52,199 --> 01:47:57,605
BUT I'VE GOT A
NARROW-BUT-VERY-DEFINITE
WINDOW OF OPPORTUNITY...
2264
01:47:57,639 --> 01:48:01,175
AND... IF I CAN
GET THIS...
2265
01:48:02,476 --> 01:48:03,444
AND IF...
2266
01:48:03,477 --> 01:48:05,012
IF YOU GET LUCKY...
2267
01:48:05,046 --> 01:48:06,480
GOLD.
GOLD.
2268
01:48:08,349 --> 01:48:11,185
DO YOU REALLY WANT THIS?
2269
01:48:11,218 --> 01:48:13,655
YOU MADE ME WANT IT.
2270
01:48:19,093 --> 01:48:23,230
FLIGHT 811 TO MIAMI,
BELIZE, AND PANAMA
2271
01:48:23,264 --> 01:48:25,199
IS IN ITS
FINAL BOARDING
PROCESS.
2272
01:48:25,232 --> 01:48:28,202
ALL PASSENGERS
SHOULD BE ABOARD.
2273
01:48:28,235 --> 01:48:30,672
WE HAVEN'T HAD
ENOUGH TIME.
2274
01:48:30,705 --> 01:48:32,239
HEY...
2275
01:48:32,273 --> 01:48:36,510
EVERY DAY WE HAVE
IS ONE DAY MORE
THAN WE DESERVE.
2276
01:48:36,544 --> 01:48:40,314
I'M GONNA TELL YOU
THE BEST STORY
YOU'VE EVER HEARD.
2277
01:49:01,135 --> 01:49:02,269
UH, DARLING?
2278
01:49:03,738 --> 01:49:05,106
OH!
2279
01:49:07,108 --> 01:49:09,343
BEEN A WHILE SINCE
I'VE DONE THIS.
2280
01:49:09,376 --> 01:49:10,612
HAVE FUN.
2281
01:49:14,649 --> 01:49:17,118
HEY!
2282
01:49:17,151 --> 01:49:19,120
STAY UPWIND.
2283
01:49:34,669 --> 01:49:38,539
Tom:...TO EXPLORE
POSSIBLE REPERCUSSIONS
TO OUR ECONOMY.
2284
01:49:38,572 --> 01:49:41,242
MEANWHILE, THE DOLLAR
CONTINUED ITS FREE FALL
2285
01:49:41,275 --> 01:49:43,244
AGAINST THE YEN
AND THE DEUTSCHE MARK.
2286
01:49:43,277 --> 01:49:45,747
WE'LL BE DISCUSSING
THIS LATEST RUN
ON THE DOLLAR
2287
01:49:45,780 --> 01:49:47,481
TOMORROW NIGHT
ON AMERICAN NOTEBOOK
2288
01:49:47,514 --> 01:49:50,051
WITH TREASURY SECRETARY
WILLIS BARRY.
2289
01:49:50,084 --> 01:49:53,120
THIS IS TOM ORR.
I'LL SEE YOU THEN.
2290
01:49:55,589 --> 01:49:57,291
TALLY,
HOW ARE YOU?
2291
01:49:57,324 --> 01:49:59,761
GO ON, SIT DOWN.
IT WON'T BITE.
2292
01:50:04,598 --> 01:50:06,300
OH, AND, TALLY...
2293
01:50:06,333 --> 01:50:08,602
DON'T GET TOO ATTACHED
TO THAT CHAIR.
2294
01:50:08,636 --> 01:50:10,738
YOU KNOW,
I CALL IT "HOME."
2295
01:50:10,772 --> 01:50:13,140
HAVE YOU GOT
THE UPLINK?
2296
01:50:14,809 --> 01:50:16,778
WE'RE GONNA TRY OUT
A NEW STRINGER.
2297
01:50:16,811 --> 01:50:19,413
JUST CHAT HIM ALONG.
WE GOT A COUPLE
OF MINUTES.
2298
01:50:19,446 --> 01:50:21,515
THAT ONE?
2299
01:50:21,548 --> 01:50:24,151
Buford: SATELLITE TIME
COSTS MONEY, BOYS!
2300
01:50:24,185 --> 01:50:26,520
RUN HIM OUT HERE.
2301
01:50:29,824 --> 01:50:31,458
HERE HE IS.
2302
01:50:33,127 --> 01:50:35,329
[CHUCKLES]
2303
01:50:35,362 --> 01:50:37,198
THAT HAS TO BE
THE DIRTIEST,
2304
01:50:37,231 --> 01:50:39,266
SCRUFFIEST-LOOKING
EXCUSE FOR A REPORTER
2305
01:50:39,300 --> 01:50:41,335
I HAVE EVER SEEN.
2306
01:50:41,368 --> 01:50:44,471
MY GOD... IT'S
THE ANCHOR PERSON.
2307
01:50:44,505 --> 01:50:47,474
NEW HAIRDO, I'LL BET.
SHOES SHINED...
2308
01:50:47,508 --> 01:50:50,311
HEY, BUFORD,
GET THE HELL OUTTA THERE.
2309
01:50:50,344 --> 01:50:53,681
I WANNA TALK TO MY WIFE
WITHOUT YOU LISTENING IN.
2310
01:50:56,650 --> 01:50:58,285
MISS ME?
2311
01:50:58,319 --> 01:51:00,021
OCCASIONALLY.
2312
01:51:00,054 --> 01:51:02,156
WHEN ARE YOU
COMING HOME?
2313
01:51:02,189 --> 01:51:04,625
I GOT A FEW MORE DAYS
IN THE BOONIES...
2314
01:51:04,658 --> 01:51:06,627
THEN I CAN WRAP THIS UP.
2315
01:51:06,660 --> 01:51:08,129
DID YOU GET IT?
2316
01:51:08,162 --> 01:51:09,396
YEAH, I GOT IT.
2317
01:51:09,430 --> 01:51:11,799
I NAILED IT.
2318
01:51:11,833 --> 01:51:14,501
YOU LOOK SO GOOD.
2319
01:51:14,535 --> 01:51:16,637
SORTA GLAD
I CAN'T SEE YOU.
2320
01:51:16,670 --> 01:51:18,639
THE MIND...
2321
01:51:18,672 --> 01:51:21,408
IT'S A WONDERFUL,
DIRTY THING.
2322
01:51:21,442 --> 01:51:23,344
[CHUCKLES]
2323
01:51:23,377 --> 01:51:25,412
WAIT.
2324
01:51:25,446 --> 01:51:28,249
JUST ONE MORE THING
I WANTED TO TELL YOU.
2325
01:51:30,084 --> 01:51:33,154
GOD, I'M HAVING FUN.
2326
01:51:47,368 --> 01:51:51,205
SPEECH!
SPEECH! SPEECH!
COME ON.
2327
01:51:52,073 --> 01:51:54,275
OK. FIRST OF ALL...
2328
01:51:54,308 --> 01:51:56,277
OK. I'M GONNA
TRY NOT TO CRY.
2329
01:51:56,310 --> 01:51:59,046
UM... THIS IS FOR WARREN,
2330
01:51:59,080 --> 01:52:01,048
WHO COULDN'T QUITE MAKE
THE PARTY,
2331
01:52:01,082 --> 01:52:03,584
BUT IS DEFINITELY
ON HIS WAY BACK HOME
2332
01:52:03,617 --> 01:52:06,087
FROM WHAT HE CALLS
"HOG HEAVEN."
2333
01:52:06,120 --> 01:52:08,089
TO WARREN.
TO WARREN.
TO WARREN!
2334
01:52:08,122 --> 01:52:11,358
AND NED, WHO IS
ONE OF TWO PEOPLE
2335
01:52:11,392 --> 01:52:14,628
WHO KNOWS WHAT I REALLY
LOOK LIKE IN THE MORNING.
2336
01:52:14,661 --> 01:52:15,763
WHERE IS HE?
2337
01:52:15,797 --> 01:52:17,464
NED?
2338
01:52:18,565 --> 01:52:21,268
WHAT ARE YOU DOING?
2339
01:52:22,336 --> 01:52:24,538
HA HA HA!
2340
01:52:27,341 --> 01:52:30,477
[SEVERAL CONVERSATIONS
MINGLE]
2341
01:52:36,517 --> 01:52:37,751
Tom:...REPORTS
ARE SKETCHY,
2342
01:52:37,785 --> 01:52:41,622
BUT WE ARE RECEIVING WORD
THAT IN A REMOTE SECTION
OF PANAMA
2343
01:52:41,655 --> 01:52:43,024
NEAR THE COLOMBIA BORDER,
2344
01:52:43,057 --> 01:52:49,296
A FREELANCE NEWS CREW
CAME UNDER HEAVY FIRE
WITHIN THE PAST 24 HOURS.
2345
01:52:49,330 --> 01:52:52,766
THE GROUP INCLUDED
AT LEAST ONE AMERICAN.
2346
01:52:52,800 --> 01:52:55,636
[GUNFIRE]
2347
01:52:59,606 --> 01:53:02,309
Tom: WE STILL DON'T KNOW
IF THE SURVIVORS...
2348
01:53:02,343 --> 01:53:04,345
Woman:
I'VE LIBERATED
THE HARD LIQUOR!
2349
01:53:04,378 --> 01:53:05,479
SHH, SHH!
2350
01:53:05,512 --> 01:53:08,816
WE CAN NOW CONFIRM
BY THIS STARTLING
UNEDITED FOOTAGE
2351
01:53:08,850 --> 01:53:11,252
THAT THE AMERICAN
TRAVELING WITH THIS CREW
2352
01:53:11,285 --> 01:53:14,321
IS FORMER IBS NEWSMAN
WARREN JUSTICE.
2353
01:53:16,790 --> 01:53:18,659
OH, HE'S NOT...
IT'S OK.
Warren:
COME ON. I'M NOT...
2354
01:53:18,692 --> 01:53:21,428
[GUNFIRE ERUPTS]
2355
01:53:21,462 --> 01:53:22,897
GET DOWN!
2356
01:53:22,930 --> 01:53:27,001
IT'S NOW DEFINITELY BEEN
CONFIRMED THAT AT LEAST
2 CREW MEMBERS SURVIVED...
2357
01:53:27,034 --> 01:53:28,369
HE'S OK.
HE MADE IT.
2358
01:53:28,402 --> 01:53:32,273
Tom: WE ARE TRYING
TO TECHNICALLY ENHANCE
THESE PICTURES
2359
01:53:32,306 --> 01:53:35,276
SO WE CAN CONFIRM EXACTLY
WHAT WE ARE SEEING.
2360
01:53:35,309 --> 01:53:38,279
WE STILL DON'T KNOW
WHAT MOTIVATED
THIS ATTACK.
2361
01:53:38,312 --> 01:53:40,481
INFORMATION
IS CONTRADICTORY,
2362
01:53:40,514 --> 01:53:43,650
BUT IT APPEARS TO INDICATE
THAT AN AMBUSH TOOK PLACE
2363
01:53:43,684 --> 01:53:49,156
AT THIS REMOTE AIRSTRIP
NEAR THE COLOMBIAN BORDER
IN SOUTHERN PANAMA.
2364
01:53:49,190 --> 01:53:54,361
WE ARE HEARING
VIA TELEPHONE HOOKUP
WITH SOURCES IN PANAMA
2365
01:53:54,395 --> 01:53:58,232
THAT JUSTICE WAS
INVESTIGATING REPORTS
ABOUT THE ARMING OF GROUPS
2366
01:53:58,265 --> 01:54:03,237
VIOLENTLY OPPOSED
TO TURNING OVER
THE PANAMA CANAL.
2367
01:54:03,270 --> 01:54:04,638
HIS SHOES...
2368
01:54:04,671 --> 01:54:07,141
EXCUSE ME.
2369
01:54:07,174 --> 01:54:12,313
WE'VE NOW CONFIRMED THAT
THE AMERICAN TRAVELING
WITH THIS GROUP,
2370
01:54:12,346 --> 01:54:15,316
FORMER IBS NEWSMAN
WARREN JUSTICE,
2371
01:54:15,349 --> 01:54:17,484
WAS KILLED TODAY
IN PANAMA.
2372
01:54:17,518 --> 01:54:19,653
[SHOCKED REACTIONS]
2373
01:54:20,888 --> 01:54:25,326
WARREN JUSTICE WAS
A SEASONED JOURNALIST
AND A GOOD FRIEND.
2374
01:54:25,359 --> 01:54:27,261
No, he can't be dead...
2375
01:54:27,294 --> 01:54:28,429
SHH!
2376
01:54:28,462 --> 01:54:31,332
AS WE CONTINUE...
TO SORT THIS OUT,
2377
01:54:31,365 --> 01:54:32,733
WE'LL TAKE A SHORT BREAK
2378
01:54:32,766 --> 01:54:36,270
TO ALLOW OUR STATIONS
TO IDENTIFY THEMSELVES.
2379
01:54:36,303 --> 01:54:40,274
WE'LL HAVE MORE ON THIS
BREAKING STORY IN PANAMA
WHEN WE RETURN.
2380
01:54:40,307 --> 01:54:42,276
NO...
2381
01:54:42,309 --> 01:54:45,446
[SOBBING]
2382
01:55:05,066 --> 01:55:09,203
TV: THIS IS
THE IBS EVENING NEWS.
I'M TOM ORR.
2383
01:55:09,236 --> 01:55:11,738
QUESTIONS
EMERGING FROM INFORMATION
2384
01:55:11,772 --> 01:55:17,444
UNCOVERED BY FORMER
IBS NEWSMAN WARREN JUSTICE
BEFORE HIS DEATH IN PANAMA
2385
01:55:17,478 --> 01:55:21,448
ARE BEGINNING TO SEEM
UNCOMFORTABLY CLOSE TO HOME
2386
01:55:21,482 --> 01:55:24,718
TO SOME PEOPLE
IN WASHINGTON.
2387
01:55:24,751 --> 01:55:27,721
THIS NETWORK
IS JUST NOW EDITING TAPE
2388
01:55:27,754 --> 01:55:30,724
OBTAINED BY JUSTICE
IN THE DAYS BEFORE HIS DEATH.
2389
01:55:30,757 --> 01:55:35,296
INFORMATION IN THIS TAPE
SEEMS TO CHANGE THE FACE...
2390
01:55:35,329 --> 01:55:38,465
[SERIOUS, NEWSY
THEME MUSIC PLAYS]
2391
01:55:44,605 --> 01:55:47,008
Tom V.O.:
YOU KNOW THOSE FACES.
2392
01:55:47,041 --> 01:55:49,310
YOU REMEMBER
THOSE STORIES.
2393
01:55:49,343 --> 01:55:53,314
THEY WERE THE MEN AND WOMEN
WHO MADE IBS NEWS, THIS YEAR,
2394
01:55:53,347 --> 01:55:57,651
NUMBER ONE IN 5 OF
YOUR 12 TOP MARKETS.
2395
01:55:57,684 --> 01:56:00,587
NEXT YEAR,
YOU CAN COUNT ON THIS:
2396
01:56:00,621 --> 01:56:02,456
WE'RE GOING
TO BE EVEN BETTER
2397
01:56:02,489 --> 01:56:09,130
BECAUSE THE IBS NEWS
TEAM JUST ACQUIRED
A STEALTH WEAPON.
2398
01:56:09,163 --> 01:56:13,267
YOU MAY NOT HAVE
CAUGHT HER AT WMIA,
2399
01:56:13,300 --> 01:56:16,637
YOU MAY HAVE MISSED HER
AT WFIL,
2400
01:56:16,670 --> 01:56:20,374
BUT NONE OF US WILL SOON FORGET
HER AWARD-WINNING COVERAGE
2401
01:56:20,407 --> 01:56:25,512
OF THE RIOTS
AT HOLMSBERG PRISON.
2402
01:56:25,546 --> 01:56:29,283
Tally: WHAT WE IN
THE NEWS BUSINESS
MUST NEVER FORGET IS
2403
01:56:29,316 --> 01:56:33,287
WE ARE ONLY AS GOOD
AS THE STORIES WE TELL.
2404
01:56:33,320 --> 01:56:37,291
Tom: SHE ARRIVED
IN OUR BUSINESS FROM
SMALLTOWN, U.S.A.
2405
01:56:37,324 --> 01:56:41,128
Woman: YOU COULD SAY THAT
SALLY ANN KNEW EXACTLY
WHAT SHE WANTED,
2406
01:56:41,162 --> 01:56:43,797
AND WHAT SHE WANTED
WAS TO BE NUMBER ONE.
2407
01:56:43,830 --> 01:56:48,302
Tom: AND "SALLY ANN"...
AS HER FAMILY LIKED
TO CALL TALLY...
2408
01:56:48,335 --> 01:56:50,237
WOULDN'T TAKE NO
FOR AN ANSWER.
2409
01:56:50,271 --> 01:56:53,807
Tally: EVERYONE SAID,
"YOU WANT A JOB
IN TELEVISION,
2410
01:56:53,840 --> 01:56:55,809
YOU HAVE TO MAKE
A DEMO TAPE."
2411
01:56:55,842 --> 01:56:58,645
SO... I MADE A DEMO.
2412
01:56:58,679 --> 01:57:00,147
WHY HIRE SALLY?
2413
01:57:00,181 --> 01:57:04,151
BECAUSE I'M SALLY,
AND I'M GOING
TO BE A STAR.
2414
01:57:04,185 --> 01:57:07,654
Warren: SO SHE WALKS
INTO MY OFFICE THAT
FIRST DAY IN MIAMI...
2415
01:57:07,688 --> 01:57:12,493
SKINNY, GOD-AWFUL CLOTHES,
NOT MUCH GOING FOR HER,
2416
01:57:12,526 --> 01:57:15,329
WANTING TO BE
ANYBODY BUT HERSELF...
2417
01:57:15,362 --> 01:57:19,533
AND I MAKE HER GET MY SHIRTS,
I MAKE HER GET THE COFFEE...
2418
01:57:19,566 --> 01:57:22,269
I SHOOT DOWN ALL
OF HER STORIES...
2419
01:57:22,303 --> 01:57:25,106
BUT SHE WAS TOUGHER
THAN ME.
2420
01:57:25,139 --> 01:57:29,210
SHE WAS ALREADY SOMETHING.
2421
01:57:29,243 --> 01:57:32,246
SHE WAS ALREADY
THE SUN AND THE MOON...
2422
01:57:32,279 --> 01:57:34,548
ALL BY HERSELF.
2423
01:57:36,150 --> 01:57:39,520
Lindner: WE AT IBS
HOLD A SPECIAL PLACE
IN OUR HEARTS
2424
01:57:39,553 --> 01:57:42,556
FOR THAT HONORED HANDFUL
OF NEWSMEN AND WOMEN
2425
01:57:42,589 --> 01:57:48,795
WHOSE LIVES AND CAREERS,
IN THE COURSE OF BRINGING
HOME THE NEWS,
2426
01:57:48,829 --> 01:57:53,033
HAVE BEEN CUT
TRAGICALLY SHORT.
2427
01:57:53,066 --> 01:57:55,102
WE SALUTE THEM.
2428
01:57:55,836 --> 01:57:58,305
LADIES AND GENTLEMEN,
2429
01:57:58,339 --> 01:58:02,209
IT'S TIME TO BEGIN
A NEW GENERATION AT IBS...
2430
01:58:02,243 --> 01:58:04,311
TALLY ATWATER.
2431
01:58:04,345 --> 01:58:07,481
[APPLAUSE]
2432
01:58:37,311 --> 01:58:41,815
PANAMA TURNED OUT TO BE
A BIG STORY FOR IBS.
2433
01:58:41,848 --> 01:58:44,318
IT DIDN'T START THAT WAY.
2434
01:58:44,351 --> 01:58:50,491
IT... STARTED WITH ONE REPORTER
WHO... HAD A HUNCH.
2435
01:58:50,524 --> 01:58:53,627
HE HAD A HUNCH,
AND HE WENT OUT ALONE,
2436
01:58:53,660 --> 01:58:55,629
AND HE DID ALL THE LEGWORK,
2437
01:58:55,662 --> 01:58:59,500
AND AT THE END OF THE DAY,
HE GOT IT.
2438
01:59:02,369 --> 01:59:05,472
WHICH IS WHAT DOING THIS
IS ALL ABOUT.
2439
01:59:07,474 --> 01:59:10,043
I... I DIDN'T ALWAYS THINK
2440
01:59:10,076 --> 01:59:13,680
THAT I THOUGHT
IF I EVER STOOD UP AT
SOMETHING LIKE THIS,
2441
01:59:13,714 --> 01:59:19,453
IT WOULD BE ABOUT GLORY
OR, UM... SHOWING PEOPLE.
2442
01:59:19,486 --> 01:59:22,223
IT'S DIFFERENT.
2443
01:59:22,256 --> 01:59:24,191
I KNOW THAT NOW.
2444
01:59:26,560 --> 01:59:30,231
I'M ONLY HERE
FOR ONE REASON:
2445
01:59:30,264 --> 01:59:32,499
TO TELL THE STORY.
2446
01:59:32,533 --> 01:59:37,170
MY HUSBAND TOLD ME THAT
NOT SO LONG AGO.
2447
02:00:43,103 --> 02:00:48,409
[CELINE DION SINGS
BECAUSE YOU LOVED ME]
2448
02:00:48,442 --> 02:00:51,144
♪ OOOOH, BABE ♪
2449
02:00:56,583 --> 02:01:00,721
♪ FOR ALL THOSE TIMES YOU STOOD FOR ME ♪
2450
02:01:00,754 --> 02:01:04,991
♪ FOR ALL THE TRUTH THAT YOU MADE ME SEE ♪
2451
02:01:05,025 --> 02:01:09,129
♪ FOR ALL THE JOY YOU BROUGHT TO MY LIFE ♪
2452
02:01:09,162 --> 02:01:13,066
♪ FOR ALL THE WRONG THAT YOU MADE RIGHT ♪
2453
02:01:13,099 --> 02:01:17,137
♪ FOR EVERY DREAM YOU MADE COME TRUE ♪
2454
02:01:17,170 --> 02:01:21,675
♪ FOR ALL THE LOVE I FOUND IN YOU ♪
2455
02:01:21,708 --> 02:01:26,580
♪ I'LL BE FOREVER THANKFUL, BABY ♪
2456
02:01:26,613 --> 02:01:30,417
♪ YOU'RE THE ONE WHO HELD ME UP ♪
2457
02:01:30,451 --> 02:01:34,421
♪ NEVER LET ME FALL ♪
2458
02:01:34,455 --> 02:01:37,991
♪ YOU'RE THE ONE WHO SAW ME THROUGH ♪
2459
02:01:38,024 --> 02:01:40,794
♪ THROUGH IT ALL... ♪
2460
02:01:40,827 --> 02:01:44,631
♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪
2461
02:01:44,665 --> 02:01:48,802
♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪
2462
02:01:48,835 --> 02:01:52,673
♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪
2463
02:01:52,706 --> 02:01:57,143
♪ YOU SAW THE BEST THERE WAS IN ME ♪
2464
02:01:57,177 --> 02:02:01,147
♪ LIFTED ME UP WHEN I COULDN'T REACH ♪
2465
02:02:01,181 --> 02:02:06,186
♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪
2466
02:02:06,219 --> 02:02:12,626
♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪
2467
02:02:12,659 --> 02:02:14,461
♪ OHH ♪
2468
02:02:14,495 --> 02:02:17,564
♪ YOU WERE ALWAYS THERE FOR ME ♪
2469
02:02:17,598 --> 02:02:22,135
♪ THE TENDER WIND THAT CARRIED ME ♪
2470
02:02:22,168 --> 02:02:24,371
♪ LIGHT IN THE DARK ♪
2471
02:02:24,405 --> 02:02:29,543
♪ SHINING YOUR LOVE INTO MY LIFE ♪
2472
02:02:29,576 --> 02:02:33,346
♪ YOU'VE BEEN MY INSPIRATION ♪
2473
02:02:33,380 --> 02:02:37,651
♪ THROUGH THE LIES YOU WERE THE TRUTH ♪
2474
02:02:37,684 --> 02:02:41,154
♪ MY WORLD IS A BETTER PLACE ♪
2475
02:02:41,187 --> 02:02:45,158
♪ BECAUSE OF YOU ♪
2476
02:02:45,191 --> 02:02:48,395
♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪
2477
02:02:48,429 --> 02:02:52,533
♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪
2478
02:02:52,566 --> 02:02:56,403
♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪
2479
02:02:56,437 --> 02:03:00,607
♪ YOU SAW THE BEST THERE WAS IN ME ♪
2480
02:03:00,641 --> 02:03:04,611
♪ LIFTED ME UP WHEN I COULDN'T REACH ♪
2481
02:03:04,645 --> 02:03:09,716
♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪
2482
02:03:09,750 --> 02:03:16,089
♪ I'M EVERYTHING I AM BECAUSE YOU LOVE ME ♪
2483
02:03:16,122 --> 02:03:17,390
♪ HEY ♪
2484
02:03:17,424 --> 02:03:20,627
♪ YOU WERE MY STRENGTH WHEN I WAS WEAK ♪
2485
02:03:20,661 --> 02:03:24,798
♪ YOU WERE MY VOICE WHEN I COULDN'T SPEAK ♪
2486
02:03:24,831 --> 02:03:28,702
♪ YOU WERE MY EYES WHEN I COULDN'T SEE ♪
2487
02:03:28,735 --> 02:03:33,139
♪ YOU SAW THE BEST THERE WAS IN ME ♪
2488
02:03:33,173 --> 02:03:37,110
♪ LIFTED ME UP WHEN I COULDN'T REACH ♪
2489
02:03:37,143 --> 02:03:42,148
♪ YOU GAVE ME FAITH 'CAUSE YOU BELIEVE ♪
2490
02:03:42,182 --> 02:03:48,321
♪ I'M EVERYTHING I AM BECAUSE YOU LOVED ME ♪
2491
02:03:48,354 --> 02:03:50,256
♪ OHH ♪
2492
02:03:50,290 --> 02:03:56,129
♪ I'M EVERYTHING I AM ♪
2493
02:03:56,162 --> 02:03:56,229
♪ BECAUSE YOU LOVED ME ♪
167840
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