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>> TOM, LET'S TAKE FIVE.
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>> SURE. SHUT HER DOWN.
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>> HOW WAS YOUR WEEKEND WITH
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DAD, SWEETIE?
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>> [ SCOFFS ] WITH DAD?
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I WOULDN'T KNOW.
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BUT MY WEEKEND WAS GRANDMA AND
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GRANDPA WAS JUST SWELL IF YOU
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LIKE THE SMELL OF HARD CANDY AND
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BENGAY.
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>> LOVE YOU, TOO, PUMPKIN.
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I TOLD HER NOT TO TELL YOU.
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>> JASON.
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>> WHAT?
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>> DON'T TELL ME YOU DUMPED HER
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OFF ON YOUR PARENTS AGAIN.
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>> KELL, I, UNLIKE YOU, HAVE TO
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WORK FOR A LIVING.
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>> [ SCOFFS ]
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>> I DON'T HAVE A RICH
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EX-HUSBAND THAT PAYS MY BILLS.
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OH, WHICH REMINDS ME...
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A-SPLOOSH.
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>> OOH! MY RACETRACK MONEY.
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I'VE GOT RICH DIVORCéE IN THE
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THIRD.
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[ LAUGHS ]
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UH, WAIT.
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THERE'S NO GREEN IN HERE.
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>> REALLY?
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>> MNH-MNH.
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>> HUH.
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OH, BUT THERE ARE SOME WORDS.
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WHAT DOES THIS SAY?
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IT SAYS "CEASE AND DESIST."
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YEAH, I THINK YOU FORGOT THAT
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OUR DIVORCE HAS A
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CONFIDENTIALITY AGREEMENT THAT
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YOU ARE SOIN BREACH OF.
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>> [ SCOFFS ] SO?
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>> SO THAT MEANS YOU CAN'T EVEN
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MENTION MY NAME ON YOUR
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RIDICULOUS SHOW.
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YEAH, I SAW THE PROMO.
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IT'S A TRAIN WRECK.
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KEEP ME OUT OF IT, OR YOU'RE NOT
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GONNA GET ANOTHER DIME OF MY
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MONEY.
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>> [ SCOFFS ] OH, PLEASE, JASON,
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GET OVER YOURSELF.
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NO ONE CARES ABOUT YOUR STUPID
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LITTLE NAME.
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IN FACT, I'VE BEEN THINKING
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ABOUT GETTING OUT OF THE PITTS
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GAME FOR A WHILE NOW.
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HOW DOES "KELLY DEVEREAUX"
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SOUND?
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>> LIKE SOMEONE ELSE'S NAME.
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>> YEAH?
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WELL, I AM SOMEONE ELSE NOW.
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I'M KELLY DEVEREAUX.
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>> OKAY, MISS DEVEREAUX.
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UM, THE NAME OF YOUR SHOW IS
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"EX-BALLER'S WIVES."
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WHO'S THE EX-BALLER?
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WHAT? WHO IS --
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IT'S ME.
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IT'S ME.
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SO WITHOUT ME OR MY NAME, YOU
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HAVE NO SHOW.
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OH. OH, IT HURTS, DOESN'T IT?
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YEAH. YOU DIDN'T THINK ABOUT
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THAT WHEN YOU WERE TOO BUSY
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GOOGLING FRENCH NAMES.
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[ LAUGHS ]
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[ French accent ] AU REVOIR,
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MADEMOISELLE DEVEREAUX.
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[ LAUGHS ]
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>> [ SIGHS ]
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>> [ SIGHS ]
>> ♪
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>> ♪
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>> SO, I BELIEVE, LAST TIME, WE
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WERE MAKING PROGRESS WITH BEN.
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BEN, YOU WERE RECALLING WALKING
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IN ON YOUR DAUGHTER RIGHT AFTER
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SHE HAD PRICKED HERSELF WITH ONE
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OF YOUR DIRTY HEROIN NEEDLES.
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HOW DID THAT MAKE YOU FEEL?
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>> WHOO!
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BREAKTHROUGH TIME, Y'ALL.
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>> OR WE CAN START WITH MALIK.
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>> "M.C. INTERRUPTER" STRIKES
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AGAIN.
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>> NO, NO, NO, NO, NO, Y'ALL.
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THIS TIME, I'M
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"M.C. READY TO SHARE."
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CHECK-A, CHECK-A, CHECK THIS
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OUT.
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ALL RIGHT, SO, DOC, YOU KNOW,
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THE PILLS I'VE BEEN USING --
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I'VE BEEN TAKEN THEM FOR PAIN,
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'CAUSE, AS A STAR ATHLETE, PART
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OF MY JOB IS PAIN MANAGEMENT.
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YOU KNOW WHAT I'M SAYING?
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>> I KNOW WHAT YOU'RE SAYING.
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>> YEAH, SO, THE PRESCRIPTION
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SAYS, "TAKE AS NEEDED," RIGHT?
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>> OKAY.
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>> RIGHT. I WAS DOING THE MATH.
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NOW, ON A GOOD DAY, I ONLY NEED
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FOUR TO FIVE PILLS.
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ON MY WORST DAYS, I NEED
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15 TO 20.
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NOW, DOC, WHAT I NEED TO KNOW
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FROM YOU IS, WHAT NUMBER BETWEEN
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4 AND 20 MAKES ME NOT AN ADDICT?
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>> MALIK, ALLOW ME TO BREAK THIS
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DOWN FOR YOU, PLEASE?
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MIGHT I SUGGEST YOUR THAT
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DEFINITION OF "NEED" HAS MOVED
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FROM A PHYSICAL ONE TO A
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PSYCHOLOGICAL ONE?
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>> SO, WHAT YOU SAYING --
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I AIN'T IN PAIN?
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'CAUSE BEING HIT BY A 300-POUND
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LINEBACKER IS LIKE GETTING HIT
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BY A CAR AT 30 MILES AN HOUR,
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DOC.
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>> NOBODY IS SAYING THAT YOU
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HAVEN'T SUFFERED FROM PHYSICAL
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TRAUMA, BUT PERHAPS NOW YOU ARE
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TAKING THESE PILLS NOT ONLY FOR
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PHYSICAL PAIN, BUT FOR EMOTIONAL
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PAIN, AS WELL.
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>> WELL, PERHAPS I SHOULD WHUP
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YOUR ASS.
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>> UNPROVOKED VIOLENCE -- A
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CLEAR SIGN OF EMOTIONAL PAIN.
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LET'S GO WITH IT.
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WHY DO YOU WANT TO WHUP MY ASS?
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DO I RESEMBLE YOUR FATHER?
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>> WHOA, WHOA, WHOA, WHOA, DOC.
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YOU'RE PLAYING WITH FIRE NOW,
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'CAUSE I'M TRYING TO TELL YOU
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WHAT MY PROBLEM IS, BUT YOU'RE
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BRINGING UP OTHER STUFF.
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>> AH, BUT, MALIK, YOUR PROBLEM
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IS THE OTHER STUFF.
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>> WHEW! OKAY.
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ALL RIGHT, YODA, I SEE WHERE
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YOU'RE TRYING TO GO WITH THIS.
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BUT THE FORCE IS REAL STRONG
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WITH THIS MAN ON THIS.
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SO YOU KNOW WHAT I'M GONNA DO?
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I'M GONNA GET OUT OF HERE BEFORE
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I BREAK YOUR JAW.
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LIVE LONG AND PROSPER.
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OH. AND IF ANY OF YOU DRUGGIES
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MENTION THAT THAT WAS FROM
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"STAR TREK," I'M GONNA CRACK
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YOUR JAW, TOO.
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YOUR JAW, TOO.
BEN, I'M TALKING ABOUT YOUR ASS.
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BEN, I'M TALKING ABOUT YOUR ASS.
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>> [ CAMERA SHUTTERS CLICKING ]
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>> ALL RIGHT.
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>> COME ON OVER HERE.
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>> HERE YOU GO.
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YOU LOOK HOT.
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>> THANK YOU.
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>> WHAT'S GOOD, SON?
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>> OH, EXCUSE YOU.
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>> YOU SHOULD COME UP TO MY
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CLUB, DUDE.
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>> YO, I NEED YOU TO BACK UP,
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OKAY?
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YOU GOT A BUSINESS CARD?
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>> HELL, YEAH, I GOT A BUSINESS
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CARD.
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>> OKAY.
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ALL RIGHT, WE'LL BE IN TOUCH.
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>> ALL RIGHT, PEACE. MY MAN.
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>> PEACE.
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WOW, TASHA, YOU ARE COLD.
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>> COLD AS A NUN'S VAJAYJAY, SO
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YOU DON'T HAVE TO BE, ALL RIGHT?
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LET'S DO THIS.
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Y'ALL WANT A DRINK?
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>> MM-HMM.
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>> OKAY, FOLLOW ME.
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>> HERE COME "PALE-ASS HILTON."
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>> SHE PROBABLY WANTS TO GET
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SOME MAKEUP.
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>> ALL RIGHT.
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[ LAUGHS ]
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>> HEY, DERWIN!
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OOH! IT'S SO GOOD TO SEE YOU!
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>> HEY, WHAT'S UP, KELL?
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>> I'M SORRY. LOOK, UNH-UNH.
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Y'ALL CAN'T DO NO CHOKE HERE.
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JUST KEEP THIS MOVING.
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>> COME ON, TASHA -- JUST TWO
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SECONDS.
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>> NO, KELLY. I'M SORRY.
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DERWIN DAVIS DOES NOT DO
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REALITY, OKAY?
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NEXT THING YOU KNOW, THEY'RE
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GONNA BE CHANGING HIS NAME TO
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"OCHO-UNO" OR SOME MESS.
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>> SORRY, KELLY.
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YOU KNOW, TASH GOT ME ON LOCK.
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>> ♪ IF YOU WANT
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>> FAB, WHAT'S UP?
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>> WHAT'S GOOD, MAN?
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>> WHAT'S UP, MAN?
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>> THANKS FOR COMING THROUGH.
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>> OH, NO DOUBT.
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>> SHE'S JUST TRYING TO PROTECT
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HIS BRAND.
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>> WHATEVER, JEALOUS TRAMPS.
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>> OH!
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>> COME ON, DANNY.
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>> HONESTLY, KELLY, IT'S BEEN
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TWO WEEKS SINCE YOU STORMED OUT
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OF GIRLS' NIGHT.
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>> OH, YOU MEAN SINCE YOU
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UNCEREMONIOUSLY KICKED ME OUT OF
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THE GIRLS' NIGHT THAT I STARTED?
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>> YEAH, WHEN YOU WERE A
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SUNBEAM, AND NOW YOU'RE NOT.
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BUT YOU'RE STILL OUR GIRL, AND
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WE MISS YOU.
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>> YES.
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>> OH, COME ON.
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YOU KNOW YOU MISS US -- THE WINE
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AND THE GIRL TALK -- THE WINE.
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COME AND GET SOME OF THIS.
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>> WHY DON'T YOU GO SWAB YOUR
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ILLEGITIMATE STEPBABY?
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AND WHILE YOU'RE AT IT, STOP
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CALLING YOURSELF A DOCTOR.
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IT'S JUST SAD.
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>> ♪ DON'T...
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>> SHE GOT YOU WITH A TWO-PIECE.
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I WAS WAITING ON THE BISCUIT.
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>> OH, AND, TASHA, IT'S JUST A
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MATTER OF TIME BEFORE DANTE
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REACHES PUBERTY AND DUMPS YOUR
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ASS, JUST LIKE RICK FOX DID.
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ASS, JUST LIKE RICK FOX DID.
>> THERE'S YOUR BISCUIT.
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>> THERE'S YOUR BISCUIT.
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>> [ INSECTS CHIRPING ]
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>> [ INSECTS CHIRPING ]
>> [ FOOTSTEPS ]
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>> [ FOOTSTEPS ]
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>> [ SIGHS ]
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>> JELLYBEAN?
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>> JELLYBEAN?
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THAT'S NOT REALLY SUPERMODEL
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FOOD.
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>> WELL, IT'S EITHER THIS OR
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CRACK.
261
00:05:46,448 --> 00:05:47,278
>> OKAY, WELL, I'LL TAKE SOME OF
262
00:05:47,275 --> 00:05:49,995
THE RED CRACK.
263
00:05:50,000 --> 00:05:51,760
[ SIGHS ]
264
00:05:51,758 --> 00:05:52,898
DR. RANGARAJAN SEND YOU OUT
265
00:05:52,896 --> 00:05:53,896
HERE?
266
00:05:53,896 --> 00:05:55,826
>> NO. YOU JUST LOOKED LIKE YOU
267
00:05:55,827 --> 00:05:56,997
COULD USE A FRIEND, ESPECIALLY
268
00:05:57,000 --> 00:05:58,720
AFTER GROUP.
269
00:05:58,724 --> 00:05:59,864
>> YEAH, WELL, I DON'T REALLY
270
00:05:59,862 --> 00:06:01,972
NEED ANOTHER HALF-ASSED FRIEND.
271
00:06:01,965 --> 00:06:02,685
THAT'S THE REASON WHY I'M HERE
272
00:06:02,689 --> 00:06:04,619
IN THE FIRST PLACE.
273
00:06:04,620 --> 00:06:06,660
THEY DON'T GIVE A DAMN ABOUT ME.
274
00:06:06,655 --> 00:06:09,585
>> YOU, MR. $80 MILLION?
275
00:06:09,586 --> 00:06:10,376
I'M SURE THERE ARE PEOPLE LINED
276
00:06:10,379 --> 00:06:11,409
UP AROUND THE BLOCK TO BE YOUR
277
00:06:11,413 --> 00:06:12,483
FRIEND.
278
00:06:12,482 --> 00:06:14,622
>> OH, YEAH...ALL USERS.
279
00:06:14,620 --> 00:06:15,380
THE MINUTE THEY GET WHAT THEY
280
00:06:15,379 --> 00:06:17,759
WANT, THEY ALL BOUNCE OR--
281
00:06:17,758 --> 00:06:19,208
[CHUCKLES]-- THEY GET A LITTLE
282
00:06:19,206 --> 00:06:20,616
EDUCATION AND A LITTLE CASH AND
283
00:06:20,620 --> 00:06:21,520
THEY WANT TO OPEN UP A CHICKEN
284
00:06:21,517 --> 00:06:22,997
TRUCK.
285
00:06:23,000 --> 00:06:24,310
OR THEY FALL IN LOVE -- THEY
286
00:06:24,310 --> 00:06:25,340
WANT TO BE UP UNDER THEIR MAN
287
00:06:25,344 --> 00:06:26,244
THE WHOLE TIME.
288
00:06:26,241 --> 00:06:28,341
OR THEY GET OLD, AND THEN THEY
289
00:06:28,344 --> 00:06:29,864
WANT TO RETIRE -- SELFISH
290
00:06:29,862 --> 00:06:31,692
BASTARDS.
291
00:06:31,689 --> 00:06:32,449
YO, AND DON'T GET ME STARTED ON
292
00:06:32,448 --> 00:06:33,238
DERWIN.
293
00:06:33,241 --> 00:06:34,551
HE WAS NOTHING UNTIL I STARTED
294
00:06:34,551 --> 00:06:36,481
PUTTING THE BALL IN HIS HANDS.
295
00:06:36,482 --> 00:06:38,482
NOW HE GONNA TELL ME HE GOT TO
296
00:06:38,482 --> 00:06:39,342
SAVE HIS CAREER FROM ME.
297
00:06:39,344 --> 00:06:40,974
I MADE HIS CAREER.
298
00:06:40,965 --> 00:06:42,545
I MADE HIS CAREER.
BOOM THAT.
299
00:06:42,551 --> 00:06:46,971
BOOM THAT.
300
00:06:46,965 --> 00:06:50,165
>> [ HIP-HOP MUSIC PLAYS ]
301
00:06:50,172 --> 00:06:51,102
>> HEY, EVERYBODY, I WANT TO
302
00:06:51,103 --> 00:06:52,243
THANK Y'ALL FOR COMING OUT FOR
303
00:06:52,241 --> 00:06:53,551
MY LISTENING PARTY, MAN.
304
00:06:53,551 --> 00:06:54,521
IT'S -- IT'S GONNA BE A GOOD
305
00:06:54,517 --> 00:06:55,377
NIGHT.
306
00:06:55,379 --> 00:06:56,619
I WANT TO REMIND Y'ALL THAT THE
307
00:06:56,620 --> 00:06:57,860
BAR'S OPEN TONIGHT -- FREE
308
00:06:57,862 --> 00:06:58,862
DRINKS.
309
00:06:58,862 --> 00:06:59,692
AND DON'T FORGET TO CHECK THE
310
00:06:59,689 --> 00:07:01,099
VENDING MACHINES OUT -- I'M
311
00:07:01,103 --> 00:07:02,033
TRYING TO EXPAND THE PORTFOLIO
312
00:07:02,034 --> 00:07:03,214
A LITTLE BIT.
313
00:07:03,206 --> 00:07:04,476
BUT WITH THAT SAID, I THINK IT'S
314
00:07:04,482 --> 00:07:06,592
TIME WE LET THE NEW SINGING GO.
315
00:07:06,586 --> 00:07:07,586
DJ DRAMA, WHAT YOU THINK?
316
00:07:07,586 --> 00:07:08,336
>> COME ON, LET'S KILL THE
317
00:07:08,344 --> 00:07:09,034
COMPETITION.
318
00:07:09,034 --> 00:07:10,004
>> LET'S GO.
319
00:07:10,000 --> 00:07:13,590
>> LET'S GO.
>> [ HIP-HOP MUSIC PLAYS ]
320
00:07:13,586 --> 00:07:16,066
>> [ HIP-HOP MUSIC PLAYS ]
321
00:07:16,068 --> 00:07:18,098
♪ NICE
322
00:07:18,103 --> 00:07:20,663
♪
323
00:07:20,655 --> 00:07:25,135
♪ OH
324
00:07:25,137 --> 00:07:30,237
♪ OH
325
00:07:30,241 --> 00:07:32,971
[ INDISTINCT RAPPING ]
326
00:07:32,965 --> 00:07:34,275
>> WHAT'S UP WITH DERWIN DAVIS?
327
00:07:34,275 --> 00:07:35,025
I THOUGHT YOU WERE GONNA GET HIM
328
00:07:35,034 --> 00:07:35,764
ON CAMERA.
329
00:07:35,758 --> 00:07:36,518
>> I'M TRYING!
330
00:07:36,517 --> 00:07:37,447
THERE'S SOME MAJOR SEA BLOCKING
331
00:07:37,448 --> 00:07:38,718
GOING ON IN HERE.
332
00:07:38,724 --> 00:07:39,664
>> FORGET IT.
333
00:07:39,655 --> 00:07:41,095
FIRST YOU LOSE JASON PITTS.
334
00:07:41,103 --> 00:07:42,523
NOW YOU LOSE DERWIN DAVIS.
335
00:07:42,517 --> 00:07:44,337
KELLY, WE CAN'T DO A SHOW ABOUT
336
00:07:44,344 --> 00:07:46,284
EX-BALLERS' WIVES WITH NO
337
00:07:46,275 --> 00:07:47,165
BALLERS.
338
00:07:47,172 --> 00:07:48,072
>> NO, NO, NO, NO, NO.
339
00:07:48,068 --> 00:07:50,308
I KNOW BALLERS -- DEREK McGEE,
340
00:07:50,310 --> 00:07:51,140
HIGH SCHOOL.
341
00:07:51,137 --> 00:07:52,377
HE OWNS LIKE FOUR DAIRY QUEENS
342
00:07:52,379 --> 00:07:53,859
AND A FIVE-MINUTE CAR WASH.
343
00:07:53,862 --> 00:07:56,072
BALLING! [ CHUCKLES ]
344
00:07:56,068 --> 00:07:57,068
DEREK, PICK UP.
345
00:07:57,068 --> 00:07:58,758
>> KELLY, KELLY.
346
00:07:58,758 --> 00:08:00,278
STOP, PLEASE.
347
00:08:00,275 --> 00:08:02,095
IT'S OVER.
348
00:08:02,103 --> 00:08:02,863
COME ON, DANNY.
349
00:08:02,862 --> 00:08:03,792
LET'S GET A SHOT OF THESE BOOTY
350
00:08:03,793 --> 00:08:04,663
SHAKERS SO THIS WON'T BE A
351
00:08:04,655 --> 00:08:06,095
COMPLETE WASTE OF TIME.
352
00:08:06,103 --> 00:08:07,523
>> NO, NO, NO, NO. NO. NO!
353
00:08:07,517 --> 00:08:08,377
IT IS NOT OVER UNTIL I SAY IT'S
354
00:08:08,379 --> 00:08:09,549
OVER.
355
00:08:09,551 --> 00:08:10,591
DON'T YOU KNOW WHO I AM?
356
00:08:10,586 --> 00:08:13,166
I AM KELLY DEVEREAUX, DAMN IT!
357
00:08:13,172 --> 00:08:16,722
I AM KELLY DEVEREAUX, DAMN IT!
>> [ RAPPING, MUSIC CONTINUE ]
358
00:08:16,724 --> 00:08:54,384
>> [ RAPPING, MUSIC CONTINUE ]
359
00:08:54,379 --> 00:08:55,409
>> I DON'T CARE IF IT'S GOOD
360
00:08:55,413 --> 00:08:56,663
PUBLICITY FOR THE SHOW.
361
00:08:56,655 --> 00:08:57,855
I LOOK LIKE A WHORE!
362
00:08:57,862 --> 00:08:59,382
>> [ RAP MUSIC PLAYING ]
363
00:08:59,379 --> 00:09:00,789
>> OH, REALLY?
364
00:09:00,793 --> 00:09:02,103
NUMBER ONE ON THE INTERNET'S
365
00:09:02,103 --> 00:09:04,003
HOTTEST BOOTY LIST?
366
00:09:04,000 --> 00:09:05,310
COOL!
367
00:09:05,310 --> 00:09:07,590
OKAY. SEE YOU GUYS TOMORROW.
368
00:09:07,586 --> 00:09:09,136
>> HEY, KEL.
369
00:09:09,137 --> 00:09:10,067
>> HOW DID YOU GET IN HERE?
370
00:09:10,068 --> 00:09:10,928
>> YOUR UNDOCUMENTED WORKER LET
371
00:09:10,931 --> 00:09:11,831
ME IN.
372
00:09:11,827 --> 00:09:12,657
>> SHE HAS PAPERS.
373
00:09:12,655 --> 00:09:13,615
>> DOES SHE?
374
00:09:13,620 --> 00:09:14,690
>> NO.
375
00:09:14,689 --> 00:09:15,549
>> WELL, I HOPE YOU'RE PROUD OF
376
00:09:15,551 --> 00:09:16,621
YOUR LITTLE DANCE ROUTINE.
377
00:09:16,620 --> 00:09:18,030
>> OH, RELAX, JUDGE JUDY.
378
00:09:18,034 --> 00:09:19,074
I CAN'T HELP WHAT PEOPLE FILM ON
379
00:09:19,068 --> 00:09:20,618
THEIR SMARTPHONES -- EVEN IF
380
00:09:20,620 --> 00:09:22,790
IT HAPPENS TO BE MY PERFECT
381
00:09:22,793 --> 00:09:24,483
INTERNET BOOTY.
382
00:09:24,482 --> 00:09:25,242
MISS IT?
383
00:09:25,241 --> 00:09:26,001
>> PLEASE, KEL.
384
00:09:26,000 --> 00:09:26,860
I DON'T GIVE A DAMN ABOUT YOUR
385
00:09:26,862 --> 00:09:28,482
FLAT ASS OR YOUR STUPID PORN
386
00:09:28,482 --> 00:09:29,242
VIDEO.
387
00:09:29,241 --> 00:09:30,031
YOU WANT TO WHORE YOURSELF OUT
388
00:09:30,034 --> 00:09:30,864
FOR ATTENTION, THAT'S YOUR
389
00:09:30,862 --> 00:09:32,722
BUSINESS -- UNTIL IT STARTS
390
00:09:32,724 --> 00:09:33,724
RUBBING OFF ON OUR DAUGHTER.
391
00:09:33,724 --> 00:09:34,414
>> OH, WHAT ARE YOU TALKING
392
00:09:34,413 --> 00:09:35,103
ABOUT?
393
00:09:35,103 --> 00:09:36,593
>> I'M TALKING ABOUT THIS...
394
00:09:36,586 --> 00:09:38,306
AND THIS AND THIS AND THIS.
395
00:09:38,310 --> 00:09:39,070
YOU GETTING IT?
396
00:09:39,068 --> 00:09:39,718
>> [ GASPS ]
397
00:09:39,724 --> 00:09:40,524
>> SHE'S GOT THEM SPLATTERED ALL
398
00:09:40,517 --> 00:09:41,277
OVER THE INTERNET FOR EVERYONE
399
00:09:41,275 --> 00:09:41,995
TO SEE.
400
00:09:42,000 --> 00:09:42,760
>> [ GASPS ]
401
00:09:42,758 --> 00:09:43,518
>> APPLE DOESN'T FALL TOO FAR
402
00:09:43,517 --> 00:09:44,207
FROM THE TREE, KELLY.
403
00:09:44,206 --> 00:09:45,136
AND IN THIS CASE, WE'RE TALKING
404
00:09:45,137 --> 00:09:47,027
ABOUT A VERY ROTTEN, SLUTTY,
405
00:09:47,034 --> 00:09:48,314
TAINTED TREE THAT KNOWS HOW TO
406
00:09:48,310 --> 00:09:49,660
MAKE ITS ASS CLAP.
407
00:09:49,655 --> 00:09:50,995
>> I DON'T KNOW WHAT TO SAY.
408
00:09:51,000 --> 00:09:52,000
>> SAY THAT YOU'RE GONNA QUIT
409
00:09:52,000 --> 00:09:52,860
YOUR PATHETIC SHOW.
410
00:09:52,862 --> 00:09:54,622
BECAUSE IF YOU DON'T...
411
00:09:54,620 --> 00:09:56,100
BECAUSE IF YOU DON'T...
I'M TAKING MY DAUGHTER.
412
00:09:56,103 --> 00:10:00,833
I'M TAKING MY DAUGHTER.
413
00:10:00,827 --> 00:10:02,477
>> OH, MY GOD.
414
00:10:02,482 --> 00:10:03,552
>> OH, MY GOD.
[ SIGHS ]
415
00:10:03,551 --> 00:10:06,071
[ SIGHS ]
416
00:10:06,068 --> 00:10:07,208
>> BECAUSE I SAID SO,
417
00:10:07,206 --> 00:10:07,996
YOUNG LADY.
418
00:10:08,000 --> 00:10:08,790
THAT'S WHY.
419
00:10:08,793 --> 00:10:10,103
I BROUGHT YOU INTO THIS WORLD
420
00:10:10,103 --> 00:10:12,073
AND I CAN TAKE YOU OUT!
421
00:10:12,068 --> 00:10:12,998
>> MOM, YOU HAVE TOTALLY LOST
422
00:10:13,000 --> 00:10:14,590
IT.
423
00:10:14,586 --> 00:10:16,786
>> BRIT, I'M GLAD YOU'RE HOME.
424
00:10:16,793 --> 00:10:18,523
WE NEED TO TALK.
425
00:10:18,517 --> 00:10:19,307
>> UM, I CAN'T.
426
00:10:19,310 --> 00:10:20,240
I'M MEETING WYATT AT THE MALL.
427
00:10:20,241 --> 00:10:22,211
I'M MEETING WYATT AT THE MALL.
>> NO, YOU'RE NOT. SIT DOWN.
428
00:10:22,206 --> 00:10:32,966
>> NO, YOU'RE NOT. SIT DOWN.
429
00:10:32,965 --> 00:10:34,965
>> THAT ONE IS MY FAVORITE.
430
00:10:34,965 --> 00:10:36,445
>> ARE YOU SERIOUS?
431
00:10:36,448 --> 00:10:37,898
THIS IS INAPPROPRIATE BEHAVIOR
432
00:10:37,896 --> 00:10:39,686
FOR A 13-YEAR-OLD.
433
00:10:39,689 --> 00:10:40,929
>> IT'S JUST A BIKINI.
434
00:10:40,931 --> 00:10:42,001
WHY'D YOU BUY IT FOR ME IF YOU
435
00:10:42,000 --> 00:10:43,070
DIDN'T WANT ME TO WEAR IT?
436
00:10:43,068 --> 00:10:43,998
>> WELL, I DIDN'T MEAN FOR YOU
437
00:10:44,000 --> 00:10:45,860
TO WEAR IT ON THE INTERNET.
438
00:10:45,862 --> 00:10:46,522
>> I'M WEARING IT IN THE
439
00:10:46,517 --> 00:10:47,237
BATHROOM.
440
00:10:47,241 --> 00:10:48,141
THE PICTURESARE ON THE
441
00:10:48,137 --> 00:10:48,997
INTERNET.
442
00:10:49,000 --> 00:10:50,590
YOU ARE JUST THE WORST.
443
00:10:50,586 --> 00:10:52,896
>> YOU'RETHE WORST.
444
00:10:52,896 --> 00:10:53,616
LOOK, YOU KNOW WHAT I MEAN,
445
00:10:53,620 --> 00:10:54,340
YOUNG LADY.
446
00:10:54,344 --> 00:10:55,144
I DON'T WANT YOU POSTING THESE
447
00:10:55,137 --> 00:10:56,167
KIND OF PHOTOS.
448
00:10:56,172 --> 00:10:57,242
>> WHY NOT?
449
00:10:57,241 --> 00:10:58,931
YOU DO IT, "INTERNET'S HOTTEST
450
00:10:58,931 --> 00:11:00,001
BOOTY."
451
00:11:00,000 --> 00:11:01,280
YOU'RE A HYPOCRITE.
452
00:11:01,275 --> 00:11:03,165
>> I AM AN ADULT.
453
00:11:03,172 --> 00:11:04,622
>> REALLY?
454
00:11:04,620 --> 00:11:06,520
>> YES, REALLY.
455
00:11:06,517 --> 00:11:07,337
YOU KNOW WHAT?
456
00:11:07,344 --> 00:11:08,384
GO TO YOUR ROOM!
457
00:11:08,379 --> 00:11:09,689
>> NO.
458
00:11:09,689 --> 00:11:11,719
>> NO?
459
00:11:11,724 --> 00:11:14,004
BRITTANY OLIVE PITTS, GO TO YOUR
460
00:11:14,000 --> 00:11:16,000
ROOM OR -- OR --
461
00:11:16,000 --> 00:11:17,900
>> OR WHAT? YOU GONNA SPANK ME?
462
00:11:17,896 --> 00:11:18,966
>> GO TO YOUR ROOM.
463
00:11:18,965 --> 00:11:19,755
GO TO YOUR ROOM!
464
00:11:19,758 --> 00:11:20,658
GO TO YOUR ROOM!
465
00:11:20,655 --> 00:11:24,925
>> FINE! GOD, RELAX.
466
00:11:24,931 --> 00:11:26,001
>> FINE! GOD, RELAX.
SPAZ.
467
00:11:26,000 --> 00:11:30,240
SPAZ.
468
00:11:30,241 --> 00:11:34,241
>> TURTLE.
469
00:11:34,241 --> 00:11:35,031
FIGURED IF YOU'RE GONNA GO
470
00:11:35,034 --> 00:11:36,174
CANDY, MIGHT AS WELL HAVE SOME
471
00:11:36,172 --> 00:11:38,452
CLASS ABOUT YOURSELF.
472
00:11:38,448 --> 00:11:41,208
>> NICE.
473
00:11:41,206 --> 00:11:41,966
YOU KNOW, I WAS THINKING ABOUT
474
00:11:41,965 --> 00:11:42,785
YOU.
475
00:11:42,793 --> 00:11:43,623
>> [ CHUCKLES ]
476
00:11:43,620 --> 00:11:44,620
THAT TOTALLY MAKES SENSE.
477
00:11:44,620 --> 00:11:46,000
>> NO. I WAS THINKING ABOUT YOUR
478
00:11:46,000 --> 00:11:48,240
ISSUE -- ALL THE PEOPLE YOU WERE
479
00:11:48,241 --> 00:11:49,381
TALKING ABOUT, YOU KNOW, THE
480
00:11:49,379 --> 00:11:50,759
ONES FALLING IN LOVE, STARTING
481
00:11:50,758 --> 00:11:53,518
BUSINESSES, RETIRING.
482
00:11:53,517 --> 00:11:54,377
SOUNDS TO ME LIKE THEY'RE JUST
483
00:11:54,379 --> 00:11:55,549
GETTING LIVES.
484
00:11:55,551 --> 00:11:56,831
>> OH. OKAY.
485
00:11:56,827 --> 00:11:57,997
YEAH. YEAH, I SEE.
486
00:11:58,000 --> 00:11:58,970
GIVE ME BACK MY CANDY.
487
00:11:58,965 --> 00:11:59,925
>> LOOK, WE'RE GONNA GET OUT OF
488
00:11:59,931 --> 00:12:02,171
THIS HELLHOLE SOON.
489
00:12:02,172 --> 00:12:04,792
WE GOT TO FIGURE IT OUT.
490
00:12:04,793 --> 00:12:05,763
MAYBE I'M MISSING SOMETHING.
491
00:12:05,758 --> 00:12:07,208
YOU TELL ME.
492
00:12:07,206 --> 00:12:07,996
BUT WHAT DID YOU EXPECT YOUR
493
00:12:08,000 --> 00:12:09,450
FRIENDS TO DO?
494
00:12:09,448 --> 00:12:10,618
STAY THE SAME FOREVER?
495
00:12:10,620 --> 00:12:12,480
>> LOOK, I DON'T KNOW, OKAY?
496
00:12:12,482 --> 00:12:13,242
I THOUGHT THINGS WERE GOOD THE
497
00:12:13,241 --> 00:12:15,141
WAY THEY WERE.
498
00:12:15,137 --> 00:12:16,717
>> LOOK, MALIK, I KNOW CHANGE IS
499
00:12:16,724 --> 00:12:17,694
SCARY.
500
00:12:17,689 --> 00:12:18,589
I'M A MODEL.
501
00:12:18,586 --> 00:12:20,136
CHANGE IS MY WORST ENEMY.
502
00:12:20,137 --> 00:12:22,407
IMAGINE YOUR WHOLE LIFE, YOUR
503
00:12:22,413 --> 00:12:23,663
WHOLE EXISTENCE BEING ABOUT HOW
504
00:12:23,655 --> 00:12:26,025
YOU LOOK, GETTING OLDER, GETTING
505
00:12:26,034 --> 00:12:27,384
FATTER.
506
00:12:27,379 --> 00:12:28,409
THE IDEA OF ALL THOSE THINGS
507
00:12:28,413 --> 00:12:30,593
SCARE THE HELL OUT OF ME.
508
00:12:30,586 --> 00:12:31,546
WHY DO YOU THINK I USED TO DRUG
509
00:12:31,551 --> 00:12:34,141
MYSELF INTO A STUPOR?
510
00:12:34,137 --> 00:12:34,997
BUT NOW THAT I'M SOBER, I'VE
511
00:12:35,000 --> 00:12:36,790
REALIZED, AT THE END OF THE DAY,
512
00:12:36,793 --> 00:12:37,903
LIFE'S GONNA GO ON WITH OR
513
00:12:37,896 --> 00:12:40,096
WITHOUT ME.
514
00:12:40,103 --> 00:12:42,483
SO NOW IT'S ON YOU.
515
00:12:42,482 --> 00:12:43,412
DO YOU WANT TO STAND ON THE
516
00:12:43,413 --> 00:12:44,593
SIDELINES AND WATCH WHILE LIFE
517
00:12:44,586 --> 00:12:46,896
PASSES YOU BY...
518
00:12:46,896 --> 00:12:48,516
OR DO YOU WANT TO GET IN THE
519
00:12:48,517 --> 00:12:51,997
GAME AND PLAY?
520
00:12:52,000 --> 00:12:53,550
>> OKAY, I SEE.
521
00:12:53,551 --> 00:12:54,481
SO YOU THREW THE LITTLE FOOTBALL
522
00:12:54,482 --> 00:12:58,932
THING IN THERE SO I CAN RELATE.
523
00:12:58,931 --> 00:13:02,031
WELL-PLAYED.
524
00:13:02,034 --> 00:13:03,664
WELL-PLAYED.
>> THANK YOU.
525
00:13:03,655 --> 00:13:06,515
>> THANK YOU.
526
00:13:06,517 --> 00:13:07,757
>> GIRL, WILL YOU COME ON?
527
00:13:07,758 --> 00:13:08,618
WE DON'T WANT TO MISS DERWIN'S
528
00:13:08,620 --> 00:13:09,520
SEGMENT.
529
00:13:09,517 --> 00:13:10,587
YOU KNOW THAT SEXY JIMMY KIMMEL
530
00:13:10,586 --> 00:13:11,586
BE STARTING ON TIME.
531
00:13:11,586 --> 00:13:13,546
>> UGH! I'M READY. I'M READY.
532
00:13:13,551 --> 00:13:15,661
JUST ZIP ME UP. THANKS.
533
00:13:15,655 --> 00:13:16,545
>> THAT'S CUTE.
534
00:13:16,551 --> 00:13:17,591
>> UH, THANKS FOR SAVING ME SOME
535
00:13:17,586 --> 00:13:19,236
CHEESE.
536
00:13:19,241 --> 00:13:20,071
>> [ KNOCKING ON DOOR ]
537
00:13:20,068 --> 00:13:21,338
>> UNH-UNH. BEAT IT, BLONDIE.
538
00:13:21,344 --> 00:13:22,144
DON'T NOBODY WANT WHAT YOU'RE
539
00:13:22,137 --> 00:13:22,967
SELLING.
540
00:13:22,965 --> 00:13:23,925
>> LOOK, I KNOW YOU GUYS ARE MAD
541
00:13:23,931 --> 00:13:26,171
AT ME, BUT TRUCE.
542
00:13:26,172 --> 00:13:29,282
LOOK AT THIS.
543
00:13:29,275 --> 00:13:30,855
>> OH, HELL.
544
00:13:30,862 --> 00:13:32,862
BEAT HER. BEAT HER ASS.
545
00:13:32,862 --> 00:13:33,972
>> NO, TASHA.
546
00:13:33,965 --> 00:13:34,855
THAT IS NOT HOW YOU RAISE A
547
00:13:34,862 --> 00:13:36,002
CHILD.
548
00:13:36,000 --> 00:13:37,410
IT IS PROVEN CORPORAL PUNISHMENT
549
00:13:37,413 --> 00:13:40,003
DOES NOT YIELD POSITIVE RESULTS.
550
00:13:40,000 --> 00:13:41,480
OH! MAYBE THAT'S WHERE YOU WENT
551
00:13:41,482 --> 00:13:43,932
WRONG WITH MALIK.
552
00:13:43,931 --> 00:13:44,761
>> NO.
553
00:13:44,758 --> 00:13:45,588
>> DO YOU KNOW WHAT BRITTANY
554
00:13:45,586 --> 00:13:46,376
TOLD ME?
555
00:13:46,379 --> 00:13:47,549
SHE TOLD ME I WAS THE WORST.
556
00:13:47,551 --> 00:13:49,141
SHE TOLD ME TO RELAX.
557
00:13:49,137 --> 00:13:49,967
>> WELL I HOPE
558
00:13:49,965 --> 00:13:50,895
YOU PUT HER IN TIME-OUT.
559
00:13:50,896 --> 00:13:51,686
>> [ GASPS ] SEE?
560
00:13:51,689 --> 00:13:52,789
THAT'S SOME WHITE MESS.
561
00:13:52,793 --> 00:13:53,593
>> TASHA, WHY DO YOU ALWAYS HAVE
562
00:13:53,586 --> 00:13:54,716
TO BRING RACE INTO IT?
563
00:13:54,724 --> 00:13:56,314
>> COLUMBINE, TIMOTHY McVEIGH,
564
00:13:56,310 --> 00:13:57,280
LINDSAY LOHAN -- THEM SOME
565
00:13:57,275 --> 00:13:58,445
TIME-OUT BABIES.
566
00:13:58,448 --> 00:13:59,208
>> OH, MY GOD.
567
00:13:59,206 --> 00:14:00,166
JUST BECAUSE SHE TOOK SOME SILLY
568
00:14:00,172 --> 00:14:02,932
BIKINI PHOTOS DOESN'T --
569
00:14:02,931 --> 00:14:03,691
MAYBE A LITTLE BEATING WOULDN'T
570
00:14:03,689 --> 00:14:05,139
HURT.
571
00:14:05,137 --> 00:14:05,997
>> LOOK, I USED TO BE SUCH A
572
00:14:06,000 --> 00:14:07,000
GOOD MOTHER.
573
00:14:07,000 --> 00:14:09,760
WHAT HAPPENED?
574
00:14:09,758 --> 00:14:11,278
>> IT'S NOT YOUR FAULT, KELLY.
575
00:14:11,275 --> 00:14:12,025
>> WOULD YOU STOP LYING TO THE
576
00:14:12,034 --> 00:14:13,074
GIRL?
577
00:14:13,068 --> 00:14:13,928
OKAY, NOW, LOOK, IF WE GONNA
578
00:14:13,931 --> 00:14:14,761
HELP HER, WE GOT TO START
579
00:14:14,758 --> 00:14:15,548
TELLING EACH OTHER THE TRUTH,
580
00:14:15,551 --> 00:14:16,281
OKAY?
581
00:14:16,275 --> 00:14:17,615
NOW, FACTOID ONE -- YOU'RE OUT
582
00:14:17,620 --> 00:14:18,900
THERE SHAKING YOUR ASS AND
583
00:14:18,896 --> 00:14:19,826
TRYING TO BE CUTE ON THIS DAMN
584
00:14:19,827 --> 00:14:21,277
REALITY SHOW, WHEN YOU NEED TO
585
00:14:21,275 --> 00:14:23,335
BE AT HOME BEING A PARENT, OKAY?
586
00:14:23,344 --> 00:14:25,594
>> JASON WAS RIGHT.
587
00:14:25,586 --> 00:14:27,996
I'M A HORRIBLE MOTHER.
588
00:14:28,000 --> 00:14:29,590
>> WELL, THAT WAS FACTOID TWO.
589
00:14:29,586 --> 00:14:32,066
BUT, NOW, FACTOID THREE IS WE
590
00:14:32,068 --> 00:14:33,928
CAN GET THROUGH THIS, ALL RIGHT?
591
00:14:33,931 --> 00:14:35,861
>> YEAH. TASHA'S RIGHT.
592
00:14:35,862 --> 00:14:37,212
BRITTANY'S A GOOD GIRL.
593
00:14:37,206 --> 00:14:38,966
I MEAN, SHE'S JUST ACTING OUT.
594
00:14:38,965 --> 00:14:40,405
SHE'S BEEN THROUGH A LOT -- THE
595
00:14:40,413 --> 00:14:41,693
DIVORCE, JASON AND CAMILLE
596
00:14:41,689 --> 00:14:42,479
BREAKING UP.
597
00:14:42,482 --> 00:14:43,282
>> AND SHE LOVED HER SOME
598
00:14:43,275 --> 00:14:44,995
CAMILLE.
599
00:14:45,000 --> 00:14:47,930
BUT SHE'S GONE. THANK GOD.
600
00:14:47,931 --> 00:14:49,411
>> I'M -- I'M JUST SAYING
601
00:14:49,413 --> 00:14:51,173
BRITTANY'S 13.
602
00:14:51,172 --> 00:14:52,002
THERE'S ONLY SO MUCH SHE CAN
603
00:14:52,000 --> 00:14:52,860
DEAL WITH.
604
00:14:52,862 --> 00:14:54,662
BUT THE TRUTH IS -- SHE'S 13 AND
605
00:14:54,655 --> 00:14:55,995
SHE'LL GET THROUGH THIS, AND YOU
606
00:14:56,000 --> 00:14:57,280
WILL, TOO.
607
00:14:57,275 --> 00:14:58,375
BUT YOU JUST HAVE TO START
608
00:14:58,379 --> 00:14:59,309
MAKING BETTER DECISIONS,
609
00:14:59,310 --> 00:15:00,660
SWEETIE.
610
00:15:00,655 --> 00:15:01,825
>> LOOK AT THIS.
611
00:15:01,827 --> 00:15:03,587
STUDENT HAS BECOME THE MASTER.
612
00:15:03,586 --> 00:15:04,656
>> [ LAUGHS ]
613
00:15:04,655 --> 00:15:05,615
>> I JUST HOPE YOUR STORY
614
00:15:05,620 --> 00:15:07,030
>> I JUST HOPE YOUR STORY
DOESN'T END LIKE MINE.
615
00:15:07,034 --> 00:15:14,144
DOESN'T END LIKE MINE.
616
00:15:14,137 --> 00:15:15,407
>> W-WHAT DO YOU MEAN BY THAT?
617
00:15:15,413 --> 00:15:16,413
>> GIRL, PLEASE, DON'T TRY TO
618
00:15:16,413 --> 00:15:17,313
ACT LIKE YOU DON'T HAVE
619
00:15:17,310 --> 00:15:18,660
BLACK-WOMAN PROBLEMS.
620
00:15:18,655 --> 00:15:20,475
BLACK-WOMAN PROBLEMS.
>> OKAY? [ LAUGHS ]
621
00:15:20,482 --> 00:15:23,142
>> OKAY? [ LAUGHS ]
622
00:15:23,137 --> 00:15:24,617
>> THERE YOU GO, SIR. ENJOY.
623
00:15:24,620 --> 00:15:26,550
HOLLA. WHO'S NEXT?
624
00:15:26,551 --> 00:15:28,341
>> EXCUSE ME.
625
00:15:28,344 --> 00:15:29,664
I SEE YOU GUYS GOT SOME NEW
626
00:15:29,655 --> 00:15:30,925
SPECIALS.
627
00:15:30,931 --> 00:15:32,831
ANY RECOMMENDATIONS?
628
00:15:32,827 --> 00:15:33,477
>> ALOHA WINGS ARE PRETTY
629
00:15:33,482 --> 00:15:34,452
POPULAR.
630
00:15:34,448 --> 00:15:35,168
>> OH, YEAH?
631
00:15:35,172 --> 00:15:36,452
HOW DO YOU MAKE THOSE?
632
00:15:36,448 --> 00:15:37,378
>> HONEY-BARBECUE SAUCE, TOUCH
633
00:15:37,379 --> 00:15:39,479
OF PINEAPPLE.
634
00:15:39,482 --> 00:15:40,312
ORIGINAL RECIPE IS STILL THE
635
00:15:40,310 --> 00:15:41,340
BIGGEST SELLER, THOUGH.
636
00:15:41,344 --> 00:15:42,624
>> YEAH. THOSE ARE GOOD.
637
00:15:42,620 --> 00:15:43,970
>> DUDE, COME ON, I ONLY GOT AN
638
00:15:43,965 --> 00:15:45,235
HOUR FOR BREAK.
639
00:15:45,241 --> 00:15:46,691
>> YO, BRO, RELAX, ALL RIGHT?
640
00:15:46,689 --> 00:15:50,029
YOUR WINGS ARE ON ME.
641
00:15:50,034 --> 00:15:50,864
I DIDN'T REALLY COME UP FOR NO
642
00:15:50,862 --> 00:15:52,452
WINGS, TEE TEE.
643
00:15:52,448 --> 00:15:54,408
>> I KNOW.
644
00:15:54,413 --> 00:15:55,243
>> I'M SORRY ABOUT ME AND YOUR
645
00:15:55,241 --> 00:15:58,621
GIRL.
646
00:15:58,620 --> 00:16:01,030
I'M TRYING TO CHANGE, BRO.
647
00:16:01,034 --> 00:16:05,764
>> I KNOW.
648
00:16:05,758 --> 00:16:10,068
ALL RIGHT, CHECK THESE OUT.
649
00:16:10,068 --> 00:16:11,658
CALL THESE THE RIGHT WINGS.
650
00:16:11,655 --> 00:16:13,205
THEY'RE EXTRA SPICY.
651
00:16:13,206 --> 00:16:14,026
NOW, BE CAREFUL, 'CAUSE THEY
652
00:16:14,034 --> 00:16:16,314
MIGHT BURN YOU, BUT THEY'LL
653
00:16:16,310 --> 00:16:17,690
ALWAYS BE ON THE MENU.
654
00:16:17,689 --> 00:16:18,999
>> THANKS, MAN.
655
00:16:19,000 --> 00:16:21,690
>> YOU GUYS SHOULD JUST KISS.
656
00:16:21,689 --> 00:16:22,759
>> YOU KNOW WHAT, KERMIT?
657
00:16:22,758 --> 00:16:25,408
YOU JUST LOST YOUR FREE WINGS.
658
00:16:25,413 --> 00:16:27,283
>> WHAT'S GOING ON OUT THERE?
659
00:16:27,275 --> 00:16:31,305
THE LINE'S NOT MOVING.
660
00:16:31,310 --> 00:16:32,590
OH...HEY, MALIK.
661
00:16:32,586 --> 00:16:36,686
>> HEY, ALISON.
662
00:16:36,689 --> 00:16:37,999
>> WELL, THE HEART WANTS WHAT
663
00:16:38,000 --> 00:16:42,720
THE HEART WANTS.
664
00:16:42,724 --> 00:16:44,454
>> ♪ FAITHFULLY
665
00:16:44,448 --> 00:16:48,378
>> ♪ FAITHFULLY
♪
666
00:16:48,379 --> 00:16:57,099
♪
667
00:16:57,103 --> 00:16:57,903
>> KELLY, YOU KNOW THIS IS MY
668
00:16:57,896 --> 00:16:58,826
JOB, RIGHT, NOT
669
00:16:58,827 --> 00:17:00,757
ASS SHAKERS ANONYMOUS?
670
00:17:00,758 --> 00:17:02,098
>> JASON, I QUIT THE SHOW.
671
00:17:02,103 --> 00:17:03,523
>> GOOD. THANK GOD.
672
00:17:03,517 --> 00:17:04,337
WHAT WERE YOU THINKING?
673
00:17:04,344 --> 00:17:05,384
>> I DON'T KNOW, JASON.
674
00:17:05,378 --> 00:17:06,828
I'M JUST HAVING A HARD TIME
675
00:17:06,827 --> 00:17:10,407
MOVING ON FROM THIS LIFE -- THE
676
00:17:10,413 --> 00:17:13,003
SABERS, THE SUNBEAMS.
677
00:17:13,000 --> 00:17:13,830
GOD, YOU'RE GONNA LOVE THIS, BUT
678
00:17:13,827 --> 00:17:15,377
I'M -- I'M JUST HAVING A REALLY
679
00:17:15,378 --> 00:17:17,718
I'M -- I'M JUST HAVING A REALLY
HARD TIME MOVING ON FROM YOU.
680
00:17:17,723 --> 00:17:23,313
HARD TIME MOVING ON FROM YOU.
681
00:17:23,310 --> 00:17:26,000
>> WELL, YOU KNOW, WHO WOULDN'T?
682
00:17:26,000 --> 00:17:26,830
WELL, SERIOUSLY, I GET IT.
683
00:17:26,827 --> 00:17:27,687
I MEAN, WHERE ARE YOU GONNA FIND
684
00:17:27,689 --> 00:17:28,409
ANOTHER ME?
685
00:17:28,413 --> 00:17:33,553
>> SHUT UP.
686
00:17:33,551 --> 00:17:34,341
>> YOU KNOW, I DIDN'T EXACTLY
687
00:17:34,344 --> 00:17:35,314
PLAN FOR US TO END UP LIKE THIS,
688
00:17:35,310 --> 00:17:37,590
EITHER.
689
00:17:37,586 --> 00:17:39,716
>> [ SIGHS ]
690
00:17:39,724 --> 00:17:40,664
WE COULDN'T SAVE OUR MARRIAGE,
691
00:17:40,655 --> 00:17:43,995
JASON, BUT WE CAN STILL SAVE OUR
692
00:17:44,000 --> 00:17:48,380
DAUGHTER...
693
00:17:48,379 --> 00:17:52,029
WHICH IS WHY...
694
00:17:52,034 --> 00:17:56,004
I WANT HER TO STAY WITH YOU.
695
00:17:56,000 --> 00:17:56,720
>> WHAT DO YOU MEAN STAY WITH
696
00:17:56,724 --> 00:17:57,384
ME?
697
00:17:57,379 --> 00:17:58,209
WHAT? LIKE EVERY DAY?
698
00:17:58,206 --> 00:17:59,136
KELLY, THAT WAS A THREAT.
699
00:17:59,137 --> 00:18:00,277
YOU QUIT THE SHOW. WE'RE GOOD.
700
00:18:00,275 --> 00:18:01,065
>> JASON, JUST FOR A LITTLE
701
00:18:01,068 --> 00:18:02,028
WHILE.
702
00:18:02,034 --> 00:18:03,004
I JUST -- I NEED TO GET OUT OF
703
00:18:03,000 --> 00:18:05,210
SABERTOWN AND REGROUP.
704
00:18:05,206 --> 00:18:06,716
I NEED TO FIND OUT WHO I AM
705
00:18:06,724 --> 00:18:07,664
WITHOUT BEING STUCK UNDER THE
706
00:18:07,655 --> 00:18:08,925
SHADOW OF YOUR BIG HEAD.
707
00:18:08,931 --> 00:18:09,791
>> OKAY, I GET THAT.
708
00:18:09,793 --> 00:18:11,763
TAKE BRITTANY WITH YOU.
709
00:18:11,758 --> 00:18:12,998
SHE LIKES TO TRAVEL.
710
00:18:13,000 --> 00:18:13,790
>> JASON --
711
00:18:13,793 --> 00:18:14,763
>> KELLY, I'M -- I'M SINGLE
712
00:18:14,758 --> 00:18:15,548
JASON NOW.
713
00:18:15,551 --> 00:18:16,451
I'M SINGLE JASON.
714
00:18:16,448 --> 00:18:17,968
>> JASON, COME ON.
715
00:18:17,965 --> 00:18:19,025
THIS WOULD BE A GREAT TIME FOR
716
00:18:19,034 --> 00:18:20,834
YOU TO BOND WITH YOUR DAUGHTER.
717
00:18:20,827 --> 00:18:22,657
AND I CAN GO AWAY AND REGROUP
718
00:18:22,655 --> 00:18:26,785
AND JUST GET MYSELF TOGETHER.
719
00:18:26,793 --> 00:18:29,073
I REALLY NEED THIS, JASON.
720
00:18:29,068 --> 00:18:30,718
I REALLY NEED THIS, JASON.
I NEED THIS.
721
00:18:30,724 --> 00:18:35,594
I NEED THIS.
722
00:18:35,586 --> 00:18:37,786
>> OKAY, YEAH. I MEAN...
723
00:18:37,793 --> 00:18:38,793
I'M HER DAD, SO I
724
00:18:38,793 --> 00:18:42,593
SHOULD BE ABLE TO -- YEAH, YEAH.
725
00:18:42,586 --> 00:18:43,476
YEAH, TAKE ALL THE TIME YOU
726
00:18:43,482 --> 00:18:44,282
NEED.
727
00:18:44,275 --> 00:18:45,585
NEED.
I GOT IT.
728
00:18:45,586 --> 00:18:53,616
I GOT IT.
729
00:18:53,620 --> 00:18:54,760
>> JUST, UH, TAKE CARE OF
730
00:18:54,758 --> 00:18:58,338
YOURSELF, ALL RIGHT?
731
00:18:58,344 --> 00:19:00,554
>> TAKE CARE OF MY BABY.
732
00:19:00,551 --> 00:19:04,551
>> TAKE CARE OF MY BABY.
>> ♪
733
00:19:04,551 --> 00:19:16,411
>> ♪
734
00:19:16,413 --> 00:19:20,343
>> ♪
>> ♪
735
00:19:20,393 --> 00:19:24,943
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