All language subtitles for Fantasy Island s01e07 The Romance & the Bromance.eng

[soft music]

- Good morning.

No. No, no, no.

Good morning. Mm-hmm.

That one.

♪ ♪

Good morning.

- Morning.

- Um, how are you?
[chuckles]

- I'm good.
Why are you acting weird?

- I'm not acting weird.
[chuckles]

I simply want to make sure
that you're fine.

- Totally fine.
- After, you know--

- I do know.

- I want you
to understand that--

- Fantasies and--yeah, yeah.

I got it the first time.
- Oh, okay.

- You mind if I
open the door now?

- Please do.

I'm gonna be up there
at my greeting spot.

Okay.

♪ ♪

- Everything okay
between you two?

- Of course.

- Just seemed
a little awkward.

- Oh, look, our guest is here.
- Oh.

- There you go.
- Ooh!

- You okay?
- Yeah, I'm good.

Just a little queasy.

Happens every time I fly.

- Hmm.
- Okay. That way?

- Right there.
- Okay.

Thanks.
- You're welcome.

- Hi, Miss Marshall.

I'm your host, Elena Roarke,
and this is my associate Ruby.

- Welcome to Fantasy Island.

- I think I'm gonna throw up.

- Oh.
- Oh.

[playful music]

- Small sips.
- Thanks.

- Sorry, it's just like
planes, trains, automobiles,

they all make me feel
kind of green.

I'm more of a horses, bicycles,

foot kind of person, you know?

- Well, how about you
take a seat right on he--

oh.
- Oh, wow.

- Oh, okay.

We actually have rocks
on the island.

You didn't need
to bring your own.

Golly.
- I'm sorry. It's books.

Edith Wharton, Jane Austen.

R.S. Coldwater is my favorite.

I'm obsessed; I'm the girl
who's had her nose in a book

ever since elementary school.

I even managed
to make reading my job.

I'm a copy editor.

- So tell me, Miss Marshall,

what can the island do for you?

- I need to get a life.

And I need to get my nose
out of books.

And I've tried before,
but the world

is--it's so much.

And books are where
I feel safe.

- You don't feel safe
in the real world?

- I feel out of step.

Like I don't really belong.

And I'm worried my whole life
is one big, "No, thank you."

And I want it to be a yes.

I--
[sighs]

So I guess that's my fantasy,
to have the courage

to say yes to real life,

whatever that is,
not just life in books.

- Real life
can be intimidating.

And getting lost
in a good book,

I mean, shoot,
there's nothing better,

especially if it's romance.
[chuckles]

- You ever read R.S. Coldwater?
- Mm-mm.

- Okay. Okay.

These are the Agnes novels.

That's book one of three.
Start there.

I got introduced to these
my freshman year of college.

And Agnes is the first woman
I ever fell in love with.

- Really?
- Yeah.

- What was it about her?

- She's independent
and strong and so smart.

She wears breeches
and men's shirts.

Just does whatever she wants.

- Sounds like
my kind of woman.

You'll need this.

Here you go.

Follow me, please.

Say yes, Miss Marshall.

- Okay.

- Your fantasy begins now.

Mm.

[bright music]

♪ ♪

[gasps, laughs]

[indistinct chatter]

[soft chamber music]

♪ ♪

- You look lost.

Can I help you?

- Are you Agnes?

- You must be a fan
of my husband's work.

I'm Rachel Coldwater.

[dreamy music]

♪ ♪

- You're Rachel Coldwater?

I'm--what? Wow!

- Whoever you are,
you're very American.

- Sorry.
Am I supposed to curtsy or--

- Please.

Women keep their heads
held high around here.

- Oh.
- May I?

Good heavens. Reggie.

- What is it, darling?

I was just getting
to the punch line.

- This is your cousin Isabel.

She's come all the way
from New York.

- Your cousin?
Yes, I mean that's right.

I am--I am your cousin
from New York.

- Yes.

Why, you were three years old
last time I saw you.

Oh, this calls
for a fresh round of drinks.

Let me just get Winnie.

You know, I swear
I spend half of my time

trying to find the maid.

Just hold on.

- [laughs]

- How long can you stay for,
cousin?

- I have no idea.

Do you also write,
Mrs. Coldwater?

- Oh, yes. All the time.

Invitations to tea,
list for the market,

thank you notes
for invitations to tea.

Come.

Let me introduce you
to our friends.

[lively percussive music]

♪ ♪

- Brian Cole. Hmm.
Right on time.

- Finding the spot
wasn't exactly a challenge.

- Elena Roarke, your host.

So tell me, Mr. Cole,
what can the island do for you?

- Ah.

My fantasy is to experience
the ultimate physical

and mental challenge
and overcome it, hopefully.

- Hopefully?
- I'm an extreme survivalist.

The uncertainty
is part of the fun.

My wife never saw it that way.

Ex-wife. I just got divorced.

She thought I had
an unhealthy obsession.

I saw it as a normal
human drive to excel.

- Why Fantasy Island?

There's tougher terrain
out there.

- It's all been conquered.
Most of it by me.

I want to be tested in ways
I never have been before.

- I like your confidence,
Mr. Cole.

- Give me your worst.
I can take it.

Please hand over your gear.

- You want my boots?
- Unnecessary.

There's a machete
a little ways up the trail.

You'll have no other tools.

I'll see you on the other side.

- All right.

Hey, whatever
happens out there,

no help, no rescue.

- No problem.

[birds chirping]

[suspenseful music]

♪ ♪

- Reginald, Rachel, thank you
so much for having me.

This has been amazing.

Wait, you're both R. Coldwater.

- Yes, well, we like to match
whenever possible.

That's why she wears trousers,
you know.

- Just like Agnes.

Those novels changed my life.

- All right.

Good night, wife.

Sleep well, dear cousin.

I'll see you in the morning.

- Good night.

- How?

- What?

- How did the Agnes novels
change your life?

- Oh, well, they just
showed me who I really was,

and that love was so much more

than I could ever
possibly imagine.

- Reginald will be very pleased
to hear that.

- Oh.

But words on the page can't
compare to beating hearts

and warm breath

and the blood coursing
through one's veins.

This is your room, cousin.

[soft music]

♪ ♪

- I'm sorry. I--[laughs]

I don't normally do
that kind of thing.

- You never kissed
a woman before?

- I'm usually the--the kissee,
not the kisser.

I'm just trying new things.
[laughs]

- Well, you surprise me,
Isabel.

And that doesn't happen
very often.

Have a restful sleep.

♪ ♪

[tense percussive music]

- 181, 182, 183.

Ooh.
[laughs]

Almost a record.

♪ ♪

Who's out there?

Hello?

♪ ♪

[soft mysterious music]

♪ ♪

- Two manuscripts?

Written in different hands?

[footsteps approaching]

♪ ♪

[loud thud]
[gasps]

- What are you doing here,
cousin?

- I knew it!
I knew it was you.

This is so cool!

You're R.S. Coldwater!

- You don't know what you're
talking about, cousin.

- Uh, the ink
on your fingertips,

the duplicate manuscripts.

Reginald obviously
copies your work

and then takes all the credit.

I always knew
that the Agnes novels

could not have been written
by a man,

and I was right, wasn't I?

Rachel, you can trust me.

- No one can learn about this.

- But it's wrong for Reggie
to take credit.

- He's not taking anything.

I gave it to him.

Ours is a marriage
of convenience.

I asked him to marry me.

I asked him to become
R.S. Coldwater.

It was the only way
that I could gain access

to London's best publisher.

- Walsh and Sons.
- You know them?

- Just their Wikipedia page.

- Then you know
that they don't publish

any female authors.

No reputable publisher does.

If Edmund Walsh
finds out about this,

Agnes will be pulled
from the shelves,

and we could lose our contract.

If you love my work
like you say you do,

then you must keep this quiet.

[dramatic music]

♪ ♪

- As you wish.

- Thank you.

[lively percussive music]

♪ ♪

- [groaning]

- Whoever you are,
I just saved your life.

Drinking from that pond,
you can get dysentery.

Stand up.

[inquisitive music]

Oh, my God.

- What?

- You're me.

- So what are you writing?

- Since you asked,
it's a love scene.

- Oh, tell me.

- Well, Agnes
is engaged to George.

But she's just met
the very dashing Mr. Hall.

In this scene,
Agnes and Mr. Hall

are walking through
a field, and--

- They get caught in the rain.

- Yes. How did you know that?
[laughs]

Have you had your cheeky
little nose in my notebook?

You have, haven't you?

Well, did you like it?

- I had to read it
with one hand.

- [chuckles]
Oh.

[soft suggestive music]

And what were you doing
with the other hand?

Was it something like this?

- It was more
like this, actually.

♪ ♪

- Well, that's good to know.

[footsteps approaching]

Oh.

[laughs]

- I should probably
put these in water.

♪ ♪

Oh, my God. Hi!

Wait, you're here?
I'm not ready to leave yet.

- I'm just checking in.
It's okay.

And I must say,
this time suits you.

You're practically glowing.

- Well, I do feel
at home here.

And I've been
quite the adventuress.

Do you know that Rachel
is R.S. Coldwater?

- I hope she inspires you
to drive your own story

instead of living
inside another.

- Well, she definitely
is inspiring.

I'm really living.
But it is kind of frightening.

- Is it possible that you need
to say yes to the fear?

- [sighs]

- You need to put those
in water before they wilt.

- Yes.

Bye.
- Bye.

- You know, you could
have found a better way

to introduce yourself.

- You stole my machete.

- Well, technically,
it's as much mine

as it is yours, since I'm you.

You sure I'm you?

- Quite sure.

- Could be worse.

- Gee, thanks.
All right, listen, little me--

- I'm average sized for my age.

- Do you want to survive this
to make it back home?

- Duh.

Are you always this unfriendly?

- I don't like you. Never have.

- What? Why not?
No, I'm pretty awesome.

- Okay, I've got my reasons.

If we're gonna get
out of here, you need to do

everything exactly as I tell you,

including letting me concentrate.

That clear?

- Look, I might be you,
but I'm not a moron.

[inquisitive music]

Okay, okay, truce.

Look, if we're gonna do this,
can we try to get along?

I mean, we are family,
after all,

with, like,
everything in common.

- Would you please
stop talking?

- I'm growing on you.
Oh, come on, admit it.

- And get rid of that absurd
windbreaker, would you?

It's the exact opposite
of camouflage.

- You know, I won that
doing the running man

in Northville Has Talent '91,
so.

Or don't you remember?

- No, I don't.

♪ ♪

- Ooh. Aces high.
You now owe me 20.

- Nicely done, cousin.
- Mm-hmm.

- Can't you think of
something else to do, Reggie?

She's going to go broke.

- I've gone hunting.

And I've napped twice.
What else is there to do? Hmm?

- Ah, there you are,
Mr. Coldwater.

[tense music]

♪ ♪

Mrs. Coldwater.

- Mr. Walsh.
What a delightful surprise.

It's all right, Winnie.

This is my brilliant publisher.

- Mr. Walsh, I'm sorry
that I'm dressed so casually.

I've just been out riding.

- Ah. And who's this?
- Yes.

Let me introduce
my cousin Isabel from America.

Ah, Isabel, Edmund Walsh.

- The foremost publisher
of Victorian literature.

I'm well aware.
- Oh, aren't you charming?

- To what do we owe the visit?
- Business in Paris.

But I thought I'd stop by
and hand deliver your contract.

We have some things to discuss.

- Ah. Well, we're much obliged.

- And can you stay for dinner?

- Oh, yes. I'd planned on it.

And I think I'll spend
the night too.

♪ ♪

- [grunts]
When do we eat?

All right, and I don't mean
lizards or roaches.

I mean something
we can put on a bun.

- There's a great pizza place
just over the next ridge.

- Ha, ha.

You know,
one thing I gotta know.

Did we ever go on a date
with Hope Emory?

- Yeah.

- That should have been
the first thing you told me.

Hey, way to go.

- We even get married.

- Yes! Oh, my God!

My--my head just exploded.

Well, we've definitely
gotta survive now.

- Don't get too excited.
We're divorced.

- You married our dream woman
and you blew it?

- Well, I didn't blow it,
all right?

Relationships are complicated.

- You think I don't know that?

We're the child of divorce.

Did you really expect
a goddess like Hope Emory

to just hang around while you--

you spent months off in Borneo
living off cockroaches?

All the things we wanted to do,

the future we dreamed of.

What happened to me
to become you?

Get away from--
- Whoa.

- Whoa!
[yells]

[groans]

- Dude! Dude, are you okay?

- No. Not okay.

[groans]

- [groans]

- Hold on. I'm on my way.

- Oh, take your time.
Not going anywhere.

- Ouch. That can't feel good.

- Roarke.

Where'd you come from?

- Well,
given the circumstances,

I hope that you'll
change your mind

about wanting to be rescued.

[suspenseful music]

- Why would I do that?

- The possibility
of death comes to mind.

- Now you're starting to sound
like my ex-wife.

- So she's also concerned
about your death wish.

Why are you here, Brian?

- Because being trapped
under this boulder

with no idea whether I'm gonna
manage to crawl out of here

is the purest state of being
there is.

- Mm-hmm.

- What, you don't believe me?

- I'm almost there.
Hang on, buddy.

- Maybe you'll discover
that some burdens

can turn out to be gifts.

- I'm here.

[bright classical music]

♪ ♪

- Thank you.
I can serve Mr. Walsh.

- Miss Marshall,
will you be visiting London?

I would be glad to show you
around our fair city.

Unless, of course, you have
a beau who would be offended.

- Well, there is someone.

Tell me, Mr. Walsh,

do you know Charles Dickens?

- Ugh,
relentlessly ambitious fellow

who doesn't sell as many books

as Mr. Coldwater's
Agnes novels.

- No.

- However, I am afraid
the sales could plummet.

There are some nasty rumors
going around.

- I find it best
to ignore idle gossip.

Don't you?

- Some claim that you
are not the true author

of the Agnes books,
Mr. Coldwater.

- A jealous rival, no doubt.

[all chuckle]

- And there is speculation
that Mrs. Coldwater

is the true writer.

- I can hardly write
a proper recipe.

Far less a novel.
- Oh, hush.

You're very good
with your stitching, dear.

It's pure slander, sir.

[tense music]

- Would you excuse me
for just one moment?

- Tell me, Reggie,

what happens
in the third Agnes book?

- Well, I've not
quite finished it.

- Oh, yes,
but you must have some sense

of your characters
and their fate.

For example, does Agnes intend
to marry Gerald in book three?

- Well, Walsh, you don't
want me to ruin the surprise.

- Does she marry Gerald
or not?

- I believe you mean George,
not Gerald.

And no, Mr. Coldwater
has decided

that Agnes
does not marry George

because she doesn't want
to be anyone's property.

Right?

- That's right.
Thank you, Isabel.

- And how would you know that,
Miss Marshall?

- Well, it's all right here
in distinctly male hand.

Reggie has hired me
to be his proofreader.

You're far too generous
with your commas.

- I'll do better.

- Intellect as well as beauty,
Miss Marshall.

You're a revelation.

[clears throat]

Forgive me for taking us
down this unpleasant path.

Had to be done.
- Mm.

- Winnie, I believe it's time
for some more wine.

- You can do this.

[suspenseful music]

- [grunting]

- Come on!

- Yes! I did it.

- Yeah.

- Oh.
- What?

- It's--it's not like
I can see bone, but--

Holy crap. Holy crap.
Holy crap.

I can see bone.

Sounds like
a compound fracture,

which means I've got about six
hours before sepsis sets in.

Then it's fever,
gangrene, and death.

- No, no, no.
I can't--I can't do this.

I cannot deal--

- Hey, I'm depending on you
to survive this.

Big breath in.
Slow breath out.

Brian, I'm you,
and I'm telling you

you're gonna
get me out of here.

- I'm gonna get you
out of here.

No man left behind.

- Why is the lady of the house
doing manual labor?

- You know by now
that I am no lady.

I was just a criminal
destroying the evidence.

- Then I'm complicit.
There's some ash here.

- Thank you for your help
tonight with Walsh.

- It was fun.
And you have to keep writing.

- My books are where
I can truly be myself.

I feel free when I write.

- Then we're a good pair

'cause I feel very free
when I read.

- Wouldn't it be nice
if we could both

just feel free all the time?

[soft romantic music]

When we met, you asked me
if I was Agnes.

The truth is,
when I write, I am.

- Liars!
- [gasps]

- You'll never publish
another word.

I'll see to it. You're through.

[dramatic music]

- Mr. Walsh. You misheard--

- Enough, Miss Coldwater.

I made it abundantly clear
that Walsh and Sons

is only interested
in works of prestige.

- So if a book is written
by a woman, it's foolish,

but if it's written by a man,
it's genius?

- I am rescinding
your contract,

effective immediately.

- Please don't do this.
I beg you.

- Wait, you like brunettes,
don't you, Mr. Walsh?

- I beg your pardon?

- Martha Carrier,
she's a brunette, right?

- I have no idea who that is.
- She's your mistress.

You keep her in the slums
of St. Giles in an apartment

that's barely big enough
for her and the children

that you share together.

It would just be a real shame
if your wife found out,

and your readers.

- You little bitch.

How could you possibly
know that?

- Oh, 'cause I can see
the future.

And this is what's
gonna happen.

You are going to continue
to publish the genius works

of R.S. Coldwater,
to much wealth and acclaim,

and you're gonna do right
by your mistress

and dramatically improve
her living situation

by giving her a new apartment

and a salary of two pounds
a month.

Does that sound good?

- Five is more appropriate.
- Five pounds a month.

[tense music]

- I will leave
the signed contract upstairs.

If you'll excuse me,
I have to pack my things.

- It's lovely to see you,
Mr. Walsh.

Come again soon.

[both laugh]

- [groans]
Ow, ow, ow.

- No, I'm gonna
figure something out.

- Until today, I thought
I had a handle on you.

Now I'm realizing, not so much.

Because I never thought
you were someone

who could
face a situation like this

without giving into the fear.

- Yeah, me neither,
to be honest.

- Maybe this is, uh, weird,
but...

I'm proud of you.

And by the way, you're right.

It was all my fault,
the divorce.

Of course Hope left.

She couldn't make a life
with someone

obsessed with proving himself
in all the wrong ways.

[sentimental music]

- Maybe she should have
tried harder

to understand why you do that.

You know what we need?
- Hmm?

- A rock with a sharp edge
to use as a chisel.

- Yeah, yeah.

- I get you're feeling
nostalgic,

but no running man
while I'm gone.

- [chuckles]

- Oh, my Victorian swoon. Oh!

[both laughing]

Did I get it?

- It's dazzling.
- Oh, my gosh.

I just started
the second Agnes novel.

Oh, Elena, these books,

I mean, really,
you should read them.

- I don't have time to read,
sadly.

- Well, I gotta admit,
I am so jealous of Isabel.

I would love to be gallivanting

around the countryside
with women in trousers.

- You can galivant here,
you know,

with whomever
you want to galivant.

- I know. Someday.

Thanks to women
like Rachel Coldwater.

- [chuckles]
Yes.

- Well, I am off to Agnes.

Expect to see a "Do Not
Disturb" sign on my door.

- Not a problem.

[soft inquisitive music]

♪ ♪

- Okay. Hmm.

- Ahh!

When do they invent
the hair tie?

[knock on door]

[soft music]

I've made a knot of my hair.

- Can I help you?

♪ ♪

You see, it's--oh.
- There you go.

- [sighs]
- Now, tell me.

How did you know

all of those things
about Walsh?

- If I told you,
you would not believe me.

- Well, you were magnificent.

You are magnificent.

- I was terrified.

I couldn't let him silence you.

- Your breathing is lively.
- Is it?

These corsets are very tight.

- I'll loosen it for you.
- Yes.

[gasps]

- Sorry.
I have to get some slack.

- [breathing heavily]

- Is that better?

- Yes.

Yes.

- ♪ Like a chain of light ♪

♪ Guiding me through
the darkest night ♪

- Do you ever think you were
born in the wrong time?

[gentle music]

- Not when I'm with you.
- Hmm.

- Our hopes for the future,

I wish I could be alive
to experience it.

What about you?

- Sometimes.

But not today.

♪ ♪

- I have to go.

I need to get back to my room

before Winnie comes home
from chapel.

- [laughs]

- What am I gonna do with you?

- Whatever you want.

♪ ♪

- Saying yes, are you?

- Oh, my God.
How do you do that?

- I hope you remember
this feeling later

when you go back home.

- How can I ever forget
this feeling?

Look...

Rachel doesn't belong here.

I think she needs
to come back with me.

She deserves to live in a place

where she doesn't
have to hide.

- So you want to bring
Rachel Coldwater

back with you to the present?

- Uh, yeah.

- And you're asking this

because it's in Rachel's
best interest,

not because you're in love
with her

and you don't want
to say goodbye?

- Okay, hear me out.

You, this place, Rachel,

you're just all giving me
the courage to really live.

And I just want
to keep doing that.

With her.

And I think that she wants
the same thing too.

So what do you say?

♪ ♪

- One sec.

Oh, I'm--I'm sorry.

I'm just getting to the end
of this chapter.

Oh!
[chuckles]

Okay. What's going on?

- I have a job for you.

- Ooh.

- No. Not good.

Ugh. It tastes of sulfur.

- Sorry.

I'll go find another stream.

You know,
I--I just don't get it.

What are we even doing
out here?

Why would you put yourself
in situations like this

over and over?

I would never do this.

So why do you?

- You want to know?
I'll tell you.

[sentimental music]

You're in ninth grade, right?

- Yeah. Two months in.
- Right.

So not long from now,
a week after Thanksgiving,

you'll be walking home,
minding your own business.

Randy Boyle--

- What, the dickweed who's made

my life a misery
since elementary school?

- Yeah, he and his buddies
pull you off the street,

put you
in the trunk of his car.

- Seriously?

- And that's the fun part.

They drive you out
to the Adirondack preserve,

in the middle of nowhere,

take your coat,
sneakers, socks.

- In December?

- They think it's hilarious.

You just wander around
aimlessly for a while.

But by morning,
you're hypothermic.

- But I find my way out?

- No, you get lucky.

A hiker spots you eventually.

But what's worse, when I was
dying out there in those woods,

is the humiliation you feel

when everyone looks at you
and just whispers.

♪ ♪

- Oh, man.

This is gonna be so bad.

- I swore to myself
I'd never be that weak again.

- That's why you hate me.

Because I'm weak.

- No.

See, that's the point.

You're not weak.

I am.

I thought I got over it.

You know, put it behind me,
but I never did the work.

I just buried it.

Kept trying to prove to myself
that I wasn't you.

- And that throws Hope away.

Damn.

- I never admitted that
to anyone.

♪ ♪

And you know what?

There's nothing wrong with you.

You were just a kid, doing
the best you could, surviving.

I'm sorry I was so hard on you.

- Oh. No, no.

It's okay, dude.

[stammering]

- I'm sorry.

- We're gonna be fine.
We're gonna be fine.

I promise.
We're gonna be fine.

[crying]

♪ ♪

- I'm having to return
to London

in a couple of weeks.
- Mm-hmm.

- I would love you
to come with me.

- Hmm.
- What, is something wrong?

Do you have to return
to America?

- It's complicated,
but no, I can't stay.

- When I first met you,

I thought that my life
was complete.

But now--

now I can see
that I wasn't living.

- I feel the same way.

Wait, why don't you
come with me?

- Isabel Marshall,
there you are.

- Ruby, what a surprise!

- Uh, Ruby is--

- Oh, I'm a friend of Isabel's.
Hi.

I'm delivering a speech
at an abolitionist conference

in Vienna in a couple of days.

So I hope you don't mind
me barging in.

- Of course not.
You must stay for dinner.

I will tell Reggie
that we've got one more guest.

Excuse me.

♪ ♪

- Roarke said no, didn't she?

- Not exactly.

You know,
I am so grateful for you

for introducing me
to the Agnes novels.

So many generations
paved the way

so that you and I can be
whoever we want to be.

You know, because they
were brave, we can be too.

- You mean women like Rachel?

- And if she's not here
to pave the way...

- Then there won't be a road.

- Well, less of one,
that's for sure.

- So Rachel has to stay

because her voice needs
to be heard here and now.

- I'm so sorry.

Do you want to say
goodbye first?

- No.

I don't think that I can.

Let's just go.

- Welcome back, Miss Marshall.

[apprehensive music]

♪ ♪

[hopeful percussive music]

♪ ♪

- You survived, Mr. Cole.

Ahead of schedule, no less.

- I feel like I just
relived a lifetime.

- I hope you felt
it was a gift, not a burden.

- Oh, it was a huge gift.
Thank you.

I'm gonna go home and see
if I can win her back.

- Ah. Fingers crossed.
[chuckles]

Oh! Okay.

- That is for reintroducing me
to someone

I'd never given a chance.

Now we are friends
and living together.

And that's all because of you.

- Moments like this, Mr. Cole,

are the reason I do what I do.

♪ ♪

[soft music]

♪ ♪

- Plane leaves in 15.

- Yeah.

- Guess we won't have
a storybook ending this time.

- Isabel learned to say yes.

That's what she was here to do.
Hmm?

- I know, it just...
[sighs]

Doesn't feel right,
though, does it?

You know, I finished
the last Agnes novel.

- How does it end?
- Hmm. With a surprise twist.

After suddenly disappearing
from her life,

Agnes's lover returns
to be with her forever.

♪ ♪

Agnes knew their time together
was drawing to a close.

There was a chill
in the morning air now,

and the peonies had dropped
their last blossoms.

They said goodbye.

- Miss Marshall, it's time

for the next chapter
of your story.

- I was just remembering...

- A woman like Agnes,

perhaps she was not deserving
of long-lasting love.

- You know, every guest should
leave Fantasy Island reborn,

ready to live
their best true life.

And I know that you found
your best life.

- Yeah.

- And it's not New York.

[uplifting music]

♪ ♪

- Wait, what are you saying?

- Well, you can walk with me
to the plane,

and you'll never
see Rachel again,

or you can walk
through that door,

and you'll become a part
of history forever.

- I can go back?

- If you say yes.

- Take your time.
I know it's a big--

- Yes, Roarke, yes!

- [laughs]

Well, then,
whenever you're ready.

Go.

- Like--
- Go.

- Agnes accepted her fate.

She resigned herself
to solitude.

- Yes.

♪ ♪

- And then, from a distance,
she heard her name.

- Rachel!

- ♪ Light ♪

♪ In the skies all above so ♪

♪ High ♪

♪ ♪

- Once again,
the flowers bloomed.

Only this time,
it would be an endless summer.

- I knew you were a romantic.

- Okay, sometimes.

- Uh-huh.
[both laugh]

[plane engine roaring]

- Yes, yes. Yes.

♪ ♪

[dreamy music]

♪ ♪

Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0