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♪ Caminare E Cantare by Bill Ruha ♪
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HI.
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DID YOU ASK TO SPEAKWITH THE OWNER?
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UH, YEAH.
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IS THERE SOMETHING WRONG WITH THE FOOD?
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NO, IT'S GREAT LOOKING...UH..GREAT EATING, THE FOOD.
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THE FOOD IS GOOD.
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I JUST HAVE A FEW QUESTIONSABOUT DONATELLO'S.
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THE FOARE YOU A FOOD CRITIC?
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NO.
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I WRITE A BLOG ABOUTBEING SINGLE, AND 30
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AND UNEMPLOYED,AND MISERABLE.
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I DON'T ALLOW 'MISERABLE'IN MY PLACE.
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I'M JOEY.
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CAITLYN.
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YOU KNOW, LIFE CANSURPRISE YOU.
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I ALWAYS THOUGHTI'D BE A JOURNALIST
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OR A STAND UP COMEDIAN
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OR THE PATRON SAINTOF UNMARRIED FEMALE BLOGGERS.
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[guests laughs]
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BUT I NEVER THOUGHT I THAT IWOULD EVER BE ITALIAN...
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...OR SO HAPPY.
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[guests applauds]
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FOREVER.
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FOREVER.
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[clink]
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[crowd murmurs]HERE, HERE.
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[guests applaud]
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♪ Signed Sealed Delivered, I'm Yours" by Stevie Wonder ♪
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♪
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AH, OOO.THANK YOU.
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AS MISS COLORADOSPECIAL DELIVERY,
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IT HAS BEEN MYHONOR TO INAUGURATE
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NUMEROUS AUTOMATEDSTAMP DISPENSERS
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THROUGHOUT THEMETRO DENVER AREA.
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BUT NO CEREMONYSEEMS QUITE AS AUS...
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AUSPICIOUS.
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BODING WELL FOR THEFUTURE.
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RIGHT, QUITEIOUS. AS AUSPICIOUS
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AS TODAY'S DEDICATION OFTHE SOUTH LOGAN STREET
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AUTOSTAMP MACHINE!
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AND THE CROWDGOES WILD!
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AHH!
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[applauding lightly]
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AHH![Shane]WHOOO!
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IT IS FRE-EZING OUT.
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AM I MISTAKENOR IS IT
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YOUR BIRTHDAY TODAY?
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YOU ARE MISTAKEN.
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IT'S NEXT MONDAY.
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SO, THERE'S STILLTIME TO SHOP.
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OH, GOOD.
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AND FYI, I'VE ALREADYGOT A GIANT PAIR
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OF GOLDENSCISSORS.
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OH, THESE ARE FOR RITA'SRIBBON--CUTTING.
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OLIVER WROTE ME ABEAUTIFUL SPEECH...
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I THINK.
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YOU'RE GOINGTHROUGH WITH IT?
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IT'S GOING DOWN TO EIGHTDEGREES ON WEDNESDAY.
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YOU'LL FREEZE YOUR A...
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CROWN OFF.
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[laughter]
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NO RAIN NOR WINDNOR SNOW,
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NO DARK OF NIGHT,MS. MCINERNEY, HMM?
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WHEN WILL THIS WINTER END?
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IT JUST GOES ON AND ON AND ON...
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YES, BUT JUST WAIT.
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YOU HAVEN'T YETEXPERIENCED YOUR FIRST
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COLORADO SPRING.
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TRUST ME, ONCE YOU'VE SEENTHE CHERRY BLOSSOMSIRST
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BLOOM IN APRIL ALONGTHE POTOMAC RIVER,
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NOTHING ELSECOMPARES.
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UNLESS IT'S SPRINGTIMEIN THE ROCKIES.
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OHH, I LOVE THAT SONG!
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WHAT SONG?
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[Oliver Sings]WHEN IT'S SPRINGTIME
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IN THEROCKIES,
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I'LL BE COMING HOME TO YOU.
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LITTLE SWEETHEART OFTHE MOUNTAINS,
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WITH YOUR BONNIEEYES SO BLUE...
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[clears throat]
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OR SOMETHINGLIKE THAT.
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HMM, WELL, OLIVER O'TOOLE,THE SINGING POSTAL DETECTIVE.
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WHAT'S THIS?
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OH, UH, SEEMS TO BESECONDARY TRANSFER
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OF ORGANIC MATERIALVIA FOOTWEAR.
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OH, UH, SEEMS TO BESECONDARY TR[sniff]
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OH, YEAH, I GUESS SOMEBODYSTEPPED IN SOME--
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THANK YOU, NORMAN.
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[clears throat]
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POSTMARKED TWO YEARS AGO,CAITLYN-SOMETHING.
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THE ADDRESS IS VIRTUALLYUNREADABLE.
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[tear!]
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THE ADDRESS IS VIRTUALLYOOO, DIVORCE PAPERS.
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MS. MCINERNEY!
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YOU HAVE A DISTRESSINGHABIT OF OPENING PACKAGES
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WITHOUT MY EXPRESSPERMISSION.
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YOU HAVE A DISTRESSINGHATHIS CANNOT CONTINUE. S
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THE ADDRESS WAS HOPELESS.
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YOUR PROMISE, PLEASE...
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FINE. I PROMISE.
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[buzz!]
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INCOMING!
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HEADS UP DOWN THERE!
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THAT GUY FROMINTERNATIONAL MISDIRECTS
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IS SO AGGRESSIVE.
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I GOT THIS.
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OHH...
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OH, SEEMS TO BE SOMETHINGCAUGHT IN THE CORNER.
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A COIN, I BELIEVE.
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A RING, OH.
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JOEY, YOU TWO HAVE BEEN TOGETHER...WHAT?
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SIX, SEVEN YEARS?
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COUNT TO TEN BEFORE YOU MAIL THAT.
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ONCE IT'S OUT THERE, YOU CAN'T TAKE IT BACK.
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[Shane] OUCH.
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THAT GUY REALLY MUST HAVEWANTED TO GET DIVORCED.
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I MEAN, ONCE YOU TAKETHE RING OFF THE FINGER
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THERE'S REALLY NO HOPE--
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WHAT ARE THOSE?
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LITTLE CURLICUES?
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NO, THOSE ARE INTERTWINED INITIALS.
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SEE, THERE'S A "J" AND...A "C."
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NO, T"C" FOR CAITLYN INTERTWINAND "J" FOR...?
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OOH, I'VE SEEN RINGS LIKETHIS BEFORE!
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THERE'S A WHOLE STREET OFBOUTIQUES IN LARIMER SQUARE
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AND THEY MAKE CUSTOMJEWELLERY
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RIGHT IN THEIRSTUDIOS.
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WELL, THE INSCRIPTION,I'M ASSUMING,
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IS THEIR WEDDINGDAY, IT'S NINE YEARS AGO.
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THERE'S A PARTIALDATE HERE.
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THESE DIVORCE PAPERS WEREDRAWN UP TWO YEARS AGO.
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THERE'S A PARTIALWHATEVER IT WAS,
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THEY'RE DIVORCED NOW, SO, WHAT'S THE RUSH.
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OURS IS NOT A QUESTIONOF 'WHY', MS. MCINERNEY.
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"THE SEEDS OF DUTY KNOWNOT THE FLOWER
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NOR ITSBLOOMING DAY."
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WHO WROTE THAT?
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WELL...IT'S A LINEFROM A VERSE
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I COMPOSED INWHO WROTE THHIGH SCHOOL...
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UM... ABOUT MAIL DELIVERY, ACTUALLY.
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THE SINGING DETECTIVEPHILOSOPHER POET.
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WHERE DOES IT ALL END?
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NORMAN!
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OH NO.
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WHAT?AN!
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[sigh]OH NO.
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MAYBE IT ROLLED AWAY
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WHEN WE EMPTIED THE BIN.
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CONSIDERING THE CONDITIONOF THE ENVELOPE,
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IT'S A MIRACLE IT DIDN'TFALL OUT A LONG--
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NO!NO! NO! NO! NO--
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[door slams shut]
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BE HONEST, OLIVER, YOU THINKWE'RE GONNA DIE IN HERE.
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AND YOU'RE WRITING[dYOUR WILL, AREN'T YOU?
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BE HONEST, OLIVER, YOU THINKWE'RE UH, NO. E IN HERE.
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TIMES SUCH AS THIS
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PROVIDE ONE WITHA CERTAIN CLARITY.
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WELL, THE RING ISHERE SOMEWHERE.
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AS SOON AS WE FIND IT, WE CANLOCATE THE JEWELLER.
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[Shane] I DID NOT OPEN IT.
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HONESTLY, I'M JUST SORRYTHAT I EVER LOOKED
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AT HOLLY'S ADDRESS IN THEFIRST PLACE BECAUSE--
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BECAUSE...
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BECAUSE UNTIL THAT MOMENT
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WHEN I SAW HER NAME ANDHER STREET NUMBER,
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SHE WASJUST A CONCEPT:
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THE MYSTERIOUS ABSENT WIFE IN PARIS.
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NOW, THERE'S A REALENVELOPE IN YOUR POCKET
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THAT COULD BE DELIVEREDTO A REAL PERSON.
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IT'S FUNNY, REMEMBER THE DAY WE FIRST MET? T
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I HAD A LETTER I WASAFRAID TO OPEN.
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AND NOW YOUHAVE A LETTER
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THAT YOU'RE AFRAIDTO MAIL.
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I AM NOT AFRAID TO... MAIL THIS LETTER.
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THAT YOU'RE AFRAIDT[thunder rumbling]
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♪
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A CRAFTSMAN WHOVALUES HIS WORK
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WILL CERTAINLY KEEPRECORDS...
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DON'T YOU THINK,MS. MCINERNEY?
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MS. MCINERNEY?
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[door squeeks]
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HMM...
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[♪]
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[♪]
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[beeping]
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WHAT A GREATIDEA, NORMAN.
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HMM?
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WHAT A GREATOH.EA, NORMAN.
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OH, I TOOK THISTO THE PARK ONCE
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AND FOUND ALL TYPEST A GREATOF COOL STUFF...EA, NORMAN.
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LIKE...A SPOON...AND A... A KNIFE.
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OH, WOULD HAVE BEENNICE TO FIND A FORK.
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MAYBE WHEN THE SNOW MELTS WE COULD
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TAKE ITTO THE PARK
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AND YOU COULD SHOW MEHOW IT WORKS.
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OH, WELL, UM..
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[high pitched beep]
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[high pitched beeping]
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AH!
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TA-DA! pitched beeping]
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GREAT!
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NICELY DONE, TA-DA! pitched beNORMAN!
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HERE'S A LIST OF JEWELLERY SHOPS.
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THANK YOU RITA.
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IN THE ABSENCE OF MS. MCINERNEY,
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WOULD YOU CARETO ACCOMPANY ME?
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OH, SURE, YEAH. I'LL JUST GET MY COAT.
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[yelp!]
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SHH!
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RITA?
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00:10:07,587 --> 00:10:13,469
OH, UMM, I... JUST REMEMBERED...
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I HAVE TO UMM...
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OH, UMM, I... SING?...UST REMEMBERED...
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[whispers]SPEAK?
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OH,PRACTICE!
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PRACTICE MY SPEECH!
218
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I HAVE TO PRACTICE MY SPEECH.TICE!
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MAYBE YOU COULDTAKE NORMAN?
220
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OH, ALRIGHT.
221
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NORMAN, WOULD YOU LIKE TOLOOK AT WEDDING RINGS?
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YES, THIS IS ONE OF OURS.
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OH, EXCELLENT!
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WHEW!
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JUST IN TIME.
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YOU'RE THE LAST ONEON THE BLOCK.
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WERE YOU HOPING TOHAVE IT RESIZED?
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OH, NO, I'MALREADY...UH
229
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... SHE AND I...
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UH...IT'S A LONG STORY?
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LOVE IS A MYSTERY.
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CLEARLY.
233
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BUT, IN THE MEANTIME,
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WE'D LIKE TO LOCATE THE OWNER OF THIS RING.
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WE'RE HOPING YOU KEEPRECORDS OF YOUR CLIENTS.
236
00:11:11,620 --> 00:11:14,123
OUT OF THE QUESTIONS, OURRECORDS ARE CONFIDENTIAL.
237
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DID WE MENTION THE PART ABOUT
238
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OUT BEING AN ELITENS, OURRECOTASK FORCE WITHNTIAL.
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00:11:17,961 --> 00:11:19,546
WIDE POWERS OF POSTAL DISCRETION?
240
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LIKE THE AVENGERS...THE INCREDIBLES.
241
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WELL, WE'RE THE POSTABLES.
242
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DID WE MENTION THAT PART?
243
00:11:27,555 --> 00:11:28,556
TWICE.
244
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JUST LEAVE IT WITH US
245
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AND WE'LL SEE THATIT'S RETURNED.
246
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I'M SORRY, THIS ISNOW A MATTER
247
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FOR THE US POSTAL SERVICE.
248
00:11:34,563 --> 00:11:36,566
YOU WILL JUST HAVE TO TRUST US.
249
00:11:36,566 --> 00:11:38,735
YOU'RE GOING TO HAVE TO DO BETTER THAN THAT.
250
00:11:38,735 --> 00:11:40,362
[squeak]
251
00:11:41,572 --> 00:11:43,449
[Shane] BECAUSE I REALLY NEED AN
252
00:11:43,491 --> 00:11:44,408
EXTRA-LARGE AMERICANO
253
00:11:44,408 --> 00:11:46,119
WITH A DOUBLE SHOT OF ESPRESSO
254
00:11:46,160 --> 00:11:48,079
AND A SIDE OF STEAMEDLOW-FAT MILK
255
00:11:48,121 --> 00:11:50,665
WITH TWO PUMPS OF AMARETTO RIGHT NOW.
256
00:11:50,707 --> 00:11:51,375
OKAY?
257
00:11:51,375 --> 00:11:53,293
RITA, CAN YOU KEEP A SECRET?
258
00:11:53,335 --> 00:11:54,044
PROBABLY NOT.
259
00:11:54,086 --> 00:11:56,297
I'LL TRY, BUT STUFF COMES OUT.
260
00:11:56,297 --> 00:11:57,883
YOU'RE GONNA HAVE TO STRETCH YOURSELF.
261
00:11:57,924 --> 00:11:58,717
I'LL TRY, BUT STUFF COME ON.ES OUT.
262
00:11:58,759 --> 00:11:59,384
OKAY.
263
00:12:08,478 --> 00:12:10,814
I FOUND THIS ININTERNATIONAL MISDIRECTS
264
00:12:10,856 --> 00:12:11,565
THIS MORNING.
265
00:12:11,607 --> 00:12:12,816
IT LOOKS A LOT LIKE A LETTER
266
00:12:12,858 --> 00:12:14,443
THAT OLIVER MAILEDTO HOLLY
267
00:12:14,443 --> 00:12:16,154
A FEW MONTHS AGO.
268
00:12:16,195 --> 00:12:17,572
OH, WOW.
269
00:12:17,572 --> 00:12:19,282
IF IT'S WHATI THINK IT IS,
270
00:12:19,282 --> 00:12:20,617
IT NEVER ARRIVEDIN PARIS.OH, WOW.
271
00:12:20,617 --> 00:12:22,745
SO, HE PROBABLY THINKSSHE NEVER BOTHERED
272
00:12:22,787 --> 00:12:23,621
TO ANSWER HIM.
273
00:12:23,621 --> 00:12:25,039
AND HOLLY PROBABLYTHINKS THAT OLIVER
274
00:12:25,080 --> 00:12:26,832
NEVER BOTHERED TO FIND HER.
275
00:12:26,874 --> 00:12:27,750
OH, WOW.
276
00:12:27,792 --> 00:12:29,169
THAT'S ASSUMING ITISHIS LETTER.
277
00:12:29,210 --> 00:12:32,173
BUT WE CAN'T BE ABSOLUTELY SURE UNLESS...
278
00:12:32,214 --> 00:12:33,174
UNLESS YOU OPEN IT.
279
00:12:33,215 --> 00:12:36,052
WHICH YOU PROMISEDYOU WOULD NEVER DO...
280
00:12:36,052 --> 00:12:39,431
WHICH IS WHY YOUGAVE IT TO ME...
281
00:12:39,472 --> 00:12:40,808
WHICH YOU PROMISEDYOU OH, I CAN'T.DO...
282
00:12:40,808 --> 00:12:42,267
HE'LL KILL ME.
283
00:12:42,267 --> 00:12:43,769
HE WON'T WHICH YOU PROMISEDKILL YOU. OU OH, I CAN'T.DO...
284
00:12:43,811 --> 00:12:46,564
YOU'RE MISS SPECIAL DELIVERY,E'LL KILL ME.
285
00:12:46,605 --> 00:12:50,819
YOU'RE THE HOLYGRAIL OF FIRST CLASS MAIL,
286
00:12:50,819 --> 00:12:54,031
YOU'RE DYING TO OPEN IT...
287
00:12:54,031 --> 00:12:56,492
TOO?
288
00:12:56,534 --> 00:12:58,703
YOU'RE DYING TO OPEN IT...[sigh]
289
00:13:06,546 --> 00:13:08,465
[paper tears]
290
00:13:12,219 --> 00:13:15,848
OH, GEEZ, IT'SREALLY A MESS.
291
00:13:15,848 --> 00:13:17,726
OKAY, LET ME SEE.
292
00:13:17,767 --> 00:13:19,936
IT LOOKS LIKE "DEAR"...
293
00:13:19,978 --> 00:13:23,023
"DEAR" SOMEONE.
294
00:13:24,817 --> 00:13:27,988
OH, "SO MUCH TIMEHAS PASSED..."
295
00:13:28,029 --> 00:13:30,198
[Oliver] AND THERE IS SO MUCH TO SAY
296
00:13:30,198 --> 00:13:32,534
AND PERHAPS LITTLE TIME LEFT TO SAY IT.
297
00:13:32,534 --> 00:13:33,744
[Oliver] A I CURRENTLY FIND MYSELFAY
298
00:13:33,785 --> 00:13:37,123
IN A POSITION WHERE MY LIFE MAY BE AT RISK.
299
00:13:37,123 --> 00:13:39,918
"THERE WAS NEVER A BETTER...
300
00:13:39,960 --> 00:13:45,007
EXAMPLE OF THAT THAN MY LIFETHE NIGHT WE MET."SK.
301
00:13:45,048 --> 00:13:45,799
Oh...
302
00:13:45,841 --> 00:13:47,093
HOW DID THEY MEET?
303
00:13:47,135 --> 00:13:50,138
IN A SNOWSTORM, ON A MOUNTAIN PASS.
304
00:13:50,138 --> 00:13:51,598
HOLLY'S CAR WENTOFF THE ROAD
305
00:13:51,598 --> 00:13:53,600
AND OLIVER DUG HEROUT OF THE SNOWDRIFT,
306
00:13:53,643 --> 00:13:56,396
RIGHT BEFORE HOLLY'S CAR ROLLED OFF
307
00:13:56,437 --> 00:13:58,106
THE SIDE OF THE CLIFF.
308
00:13:58,148 --> 00:14:00,651
THEN THEY SPENT THE NIGHT IN HIS JAGUAR
309
00:14:00,651 --> 00:14:01,860
WAITING FOR THESNOWPLOUGHS
310
00:14:01,902 --> 00:14:03,362
THETO GET THROUGHHE NIAND RESCUE THEM.R
311
00:14:03,404 --> 00:14:05,823
[scoffs]YOU GOTTA BE KIDDING ME.
312
00:14:05,865 --> 00:14:08,576
HE'S PRACTICALLY A HERO.
313
00:14:08,576 --> 00:14:10,078
HE KEPT HER FROM FREEZING.
314
00:14:10,078 --> 00:14:11,705
WELL, I BET HE DID.
315
00:14:11,747 --> 00:14:14,583
WELL, SHE SAID HE WAS A PERFECT GENTLEMAN.
316
00:14:14,583 --> 00:14:16,795
SO, IS IT HIS?
317
00:14:16,836 --> 00:14:21,716
OKAY... "I SUPPOSEE SAID HE WAS I SHOULD NOTRFECT GENTLEMAN.
318
00:14:21,716 --> 00:14:23,969
HAVE BEEN SURPRISED..."
319
00:14:24,011 --> 00:14:25,471
OKAY... "I S[Oliver]AID HE WAS I I HAVE A FEELING THATMAN.
320
00:14:25,513 --> 00:14:28,809
FROM THE DAY WE MET, YOU BEGAN LEAVING ME.
321
00:14:28,850 --> 00:14:30,644
WHAT I KNEW OF THE WORLD
322
00:14:30,686 --> 00:14:32,145
COULD NEVER COMPETE WITH YOUR DREAMS
323
00:14:32,187 --> 00:14:34,148
OF DISCOVERING IT FOR YOURSELF,
324
00:14:34,190 --> 00:14:36,651
OF TRAVELLING THE UNCHARTED COURSE,
325
00:14:36,693 --> 00:14:39,821
OF LIVING THE BOHEMIAN LIFE OF ARTIST AND POET.
326
00:14:39,821 --> 00:14:41,448
[Shane] "IF YOU HAVE LEFT ME
327
00:14:41,448 --> 00:14:43,784
BEHIND FOREVER,OHEMIAN I WILL ACCEPT THAT.D POET.
328
00:14:43,826 --> 00:14:45,954
BUT IF YOU REGRETYOUR DECISION
329
00:14:45,995 --> 00:14:48,372
AND SIMPLY DO NOTKNOW HOW
330
00:14:48,414 --> 00:14:51,793
TO FIND YOUR WAYHOME, THEN COME BACK.
331
00:14:51,835 --> 00:14:54,755
I AM HERE WILLINGTO TRY AGAIN,
332
00:14:54,797 --> 00:14:58,134
TO SEE YOUR DREAMSTHROUGH YOUR EYES.
333
00:14:58,134 --> 00:15:02,306
UNTIL I HEAR FROM YOU, IREMAIN FAITHFULLY...
334
00:15:05,476 --> 00:15:07,103
...OLIVER.
335
00:15:08,855 --> 00:15:13,068
WOW, IT DEFINITELY IS HIS.
336
00:15:13,527 --> 00:15:16,155
HE WANTED HER BACK.
337
00:15:16,990 --> 00:15:18,950
[keyboard typing]
338
00:15:18,992 --> 00:15:19,868
[click]
339
00:15:21,370 --> 00:15:24,373
WELL, SHE'S STILL LIVING IN PARIS.
340
00:15:24,373 --> 00:15:28,336
THE ADDRESS LABEL ISPRINTING OUT NOW.
341
00:15:28,378 --> 00:15:30,714
ARE YOU SURE YOU STILL WANT TO MAIL THIS?ARIS.
342
00:15:30,714 --> 00:15:33,550
I'M NOT MAILING IT...IT'S UP TO OLIVER.
343
00:15:33,592 --> 00:15:36,721
ARBUT I'M SURE HE DOESN'T WANTWANTTO WASTE ANY MORE TIME--
344
00:15:36,721 --> 00:15:38,681
WOW.
345
00:15:38,723 --> 00:15:39,682
ARBUT I'M SURE HE DOESN'T WANTWANTTO WAWOW.NY MORE TIME--
346
00:15:39,682 --> 00:15:40,475
WHAT?
347
00:15:40,517 --> 00:15:43,145
ARWELL, IT SEEMSE DOESN'T WANTTHAT HOLLY HAS A...RE TIME--
348
00:15:43,186 --> 00:15:44,187
MS. MCINERNEY?
349
00:15:45,981 --> 00:15:47,066
HOW DID IT GO?
350
00:15:47,108 --> 00:15:48,860
IT DIDN'T GO.
351
00:15:48,902 --> 00:15:50,529
WE WENT TO FOURDIFFERENT JEWELLERS,
352
00:15:50,570 --> 00:15:51,946
FINALLY FOUND THE RIGHT ONE,
353
00:15:51,946 --> 00:15:53,532
AND THEN... HE DIDN'T LIKE US.
354
00:15:53,532 --> 00:15:54,867
FINALLY FOUND THE RIGHT ONE,IMPOSSIBLE.
355
00:15:54,867 --> 00:15:56,786
EVERYONE LIKES YOU.
356
00:15:56,827 --> 00:15:58,788
WELL, THEY SHOULD,ANYWAYS.
357
00:16:00,707 --> 00:16:02,334
MS. MCINERNEY, PERHAPSYOUR COMPUTER
358
00:16:02,376 --> 00:16:03,877
MIGHT BE OF SOMESERVICE.
359
00:16:03,919 --> 00:16:06,172
OH, YES, SURE.
360
00:16:06,213 --> 00:16:09,676
UH, LET ME SEE,
361
00:16:09,717 --> 00:16:10,552
[click]
362
00:16:10,593 --> 00:16:12,054
LET ME SEE THE INSCRIPTION
363
00:16:12,054 --> 00:16:14,181
ON THE RING AGAIN.
364
00:16:17,226 --> 00:16:20,063
[typing]
365
00:16:24,902 --> 00:16:27,238
OKAY, I HAVE AN IDEA,
366
00:16:27,280 --> 00:16:28,739
WITH SO LITTLE DATA,
367
00:16:28,781 --> 00:16:30,491
IT COULD TAKE A DAY OR TWO
368
00:16:30,491 --> 00:16:31,910
BUT I CAN PROGRAM A SEARCH
369
00:16:31,952 --> 00:16:34,413
FOR WEDDINGS RECORDED ON THEDAY INSCRIBED HERE
370
00:16:34,455 --> 00:16:36,498
SCREENING FOR THEPARAMETERS CAITLYN
371
00:16:36,498 --> 00:16:38,084
AND THE HUSBAND'SINITIAL J...
372
00:16:38,125 --> 00:16:38,668
SCREENING FOR THE[Rita gasps]ETERS CAITLYN
373
00:16:38,710 --> 00:16:39,419
- NO!- NORMAN!
374
00:16:39,419 --> 00:16:40,378
[whoosh!]
375
00:16:40,420 --> 00:16:41,213
- NO!- UH-OHN!
376
00:16:42,505 --> 00:16:43,549
WHAT'S GOING ON?
377
00:16:43,591 --> 00:16:44,299
NOTHING!
378
00:16:44,342 --> 00:16:45,801
NORMAN JUSTPUT A REGULAR AIRMAIL
379
00:16:45,801 --> 00:16:48,471
ENVELOPE INTO THEOVERNIGHT EXPRESS TUBE.
380
00:16:49,556 --> 00:16:50,932
NORMAN JUOH, THAT'S A SMALLPUT A REGULAR AIRMMISTAKE.
381
00:16:50,974 --> 00:16:53,685
SOME FORTUNATE PERSON WILLSIMPLY RECEIVE THEIR LETTER
382
00:16:53,685 --> 00:16:55,730
TOMORROW INSTEADOF NEXT WEEK.
383
00:16:55,771 --> 00:16:58,191
I SUPPOSED WORSE THINGS WILLSHAVE HAPPENED, HMM. LETTER
384
00:16:58,233 --> 00:16:59,109
RIGHT.
385
00:16:59,150 --> 00:17:00,276
[nervous laughing]OH, WORSE THINGS.
386
00:17:00,276 --> 00:17:01,987
YUP, MUCH WORSE.
387
00:17:07,034 --> 00:17:12,415
[nervous laughing] ♪ upbeat song in French ♪
388
00:17:21,593 --> 00:17:24,513
♪
389
00:17:37,153 --> 00:17:41,241
♪
390
00:17:47,623 --> 00:17:50,585
[Ramon]LADIES AND GENTLEMEN,
391
00:17:50,627 --> 00:17:52,462
IT IS MY VERY PERSONAL HONOR
392
00:17:52,504 --> 00:17:54,464
TO INTRODUCE THE FIRST LADY
393
00:17:54,506 --> 00:17:56,467
OF THE UNITED STATESPOSTAL SERVICE
394
00:17:56,509 --> 00:17:59,179
IN THE GREAT STATEOF COLORADO...
395
00:17:59,220 --> 00:18:03,058
THE BEAUTIFUL,TALENTED, THE POSTAL!
396
00:18:03,099 --> 00:18:05,102
MISS RITA HAYWITH.
397
00:18:05,144 --> 00:18:09,857
[crowd applauds]
398
00:18:09,857 --> 00:18:12,235
GOOD MORNING AND THANK YOU WERRY,
399
00:18:12,277 --> 00:18:13,361
[deep exhale]
400
00:18:13,361 --> 00:18:17,200
FERY--OH, I'M SORRY, I THINK MY LIPS JUST FROZE...
401
00:18:17,408 --> 00:18:18,242
ALLOW ME.
402
00:18:18,242 --> 00:18:20,954
OH.
403
00:18:20,995 --> 00:18:23,207
WHY, THANK YOU RAMON.
404
00:18:24,667 --> 00:18:26,293
AS MISS COLORADOSPECIAL DELIVERY,
405
00:18:26,293 --> 00:18:29,714
IT HAS BEEN AN HONOR TO INAUGURATE
406
00:18:29,714 --> 00:18:30,799
AS MISS COLORADONUMEROUS AUTOMATED...
407
00:18:30,841 --> 00:18:32,217
IT HAS BEEN AN HONOR TO INAU[giggles]
408
00:18:32,217 --> 00:18:34,261
OH, THANK YOU.
409
00:18:34,886 --> 00:18:37,056
IT HASWHENEVER OUR PATHS CROSSTO IWITH MR. RODRIGUEZ,
410
00:18:37,056 --> 00:18:40,143
HE SEEMS INTENT TO MAKE ANIMPRESSION UPON ON OUR RITA.
411
00:18:40,185 --> 00:18:42,270
HE'S VERY POPULAR THESE DAYS.
412
00:18:42,312 --> 00:18:44,982
HE'S THE KBC'S NEW WEATHERMAN, NOW,
413
00:18:45,023 --> 00:18:48,194
AND I HEARD HE MAY GET HIS OWN TALK SHOW.
414
00:18:48,236 --> 00:18:49,529
OH, TALK SHOW?
415
00:18:49,571 --> 00:18:52,782
BUT WHO KNOWS WHAT HE'S EVEN TALKING ABOUT?
416
00:18:52,824 --> 00:18:57,162
TRULY, THERE IS STILL ROOMFOR WE, THE AMERICAN...
417
00:18:57,204 --> 00:18:58,373
[shivers]
418
00:18:58,414 --> 00:18:59,916
THIS IS RIDICULOUS!
419
00:18:59,958 --> 00:19:04,087
I'D GIVE ANYTHING TO BEIN MIAMI RIGHT NOW.
420
00:19:04,087 --> 00:19:06,632
YESTERDAY, YOU WANTED TOBE IN WASHINGTON
421
00:19:06,673 --> 00:19:08,134
ANYWHERE BUT HERE.
422
00:19:08,175 --> 00:19:13,015
WASHINGTON, MIAMI...PARIS.
423
00:19:13,056 --> 00:19:16,477
THERE'S ALWAYSAPRIL IN PARIS.
424
00:19:16,519 --> 00:19:17,561
AND AUTUMN IN NEW YORK
425
00:19:17,603 --> 00:19:20,023
AND, WELL, YOU COULD MOVETO A REMOTE ISLAND
426
00:19:20,064 --> 00:19:20,982
IN THE PACIFIC
427
00:19:21,024 --> 00:19:23,568
AND AVOID THE COLDALTOGETHER, MS. MCINERNEY.
428
00:19:23,610 --> 00:19:26,071
I BELIEVE A HARD WINTER LIKE THIS
429
00:19:26,113 --> 00:19:28,741
TEACHES US TO FINDSIGNS OF HOPE
430
00:19:28,783 --> 00:19:30,201
IN THE SMALLEST OF THINGS.
431
00:19:30,201 --> 00:19:32,704
YOU SEE A ROBIN ON THEWINDOW SILL,
432
00:19:32,704 --> 00:19:34,080
A CROCUS PEEKING OUT OF THE SNOW,
433
00:19:34,122 --> 00:19:38,044
AND YOU NEVER TAKE SPRINGFOR GRANTED AGAIN.
434
00:19:40,297 --> 00:19:41,298
WHEN I WAS LITTLE
435
00:19:41,298 --> 00:19:44,968
WE HAD ONE OF THOSE OLDFASHIONED PORCH SWINGS
436
00:19:44,968 --> 00:19:48,890
I USED TO SWING ON IT FOR HOURS ALL SUMMER LONG.
437
00:19:48,932 --> 00:19:51,100
BUT IN NOVEMBER,
438
00:19:51,100 --> 00:19:52,977
BEFORE THE FIRST SNOW,
439
00:19:53,020 --> 00:19:56,566
WE'D TAKE IT DOWN AND PUTIT IN THE GARAGE.BER,
440
00:19:56,566 --> 00:19:59,069
AND THEN A FEW MONTHS LATER
441
00:19:59,069 --> 00:20:00,946
WE'D I'D BE WALKING HOMETIT INFROM SCHOOL.BER,
442
00:20:00,987 --> 00:20:04,115
AND THERE IT WOULDFBE AGAIN. LATER
443
00:20:04,158 --> 00:20:05,367
AND I ALWAYS KNEW
444
00:20:05,409 --> 00:20:07,662
WHEN THE SWINGWAS BACK ON THE PORCH,
445
00:20:07,704 --> 00:20:10,207
SPRING WAS ALMOST HERE.
446
00:20:10,248 --> 00:20:14,336
WELL, IT'S ALMOST ASGOOD AS THE ROBIN,
447
00:20:14,336 --> 00:20:16,129
I SUPPOSE.
448
00:20:16,172 --> 00:20:17,256
WELL, IT'S AL[Rita]GOOD AS...UNITED STATES
449
00:20:17,298 --> 00:20:19,008
POSTAL SERVICE.
450
00:20:19,008 --> 00:20:20,343
THANK YOU.
451
00:20:20,384 --> 00:20:21,260
[crowd applauds]
452
00:20:21,303 --> 00:20:24,348
YOU WROTE A VERY LOVELY SPEECH, OLIVER.
453
00:20:24,348 --> 00:20:25,515
THANK YOU.
454
00:20:27,059 --> 00:20:28,894
YOU WROTE A VERY OH, OKAY. LOVELY SPEECH, OLIVER.
455
00:20:30,396 --> 00:20:32,899
[Rita giggles]
456
00:20:33,233 --> 00:20:34,443
OLIVER, THERE'S SOMETHING
457
00:20:34,443 --> 00:20:37,071
I SHOULD HAVE TOLD YOU ABOUT.
458
00:20:37,113 --> 00:20:38,364
WELL, IT CAN'T OLIVER, BE THAT BAD. THERE'S SOMETHING
459
00:20:38,364 --> 00:20:39,449
IT'S ONLY WEDNESDAY,
460
00:20:39,491 --> 00:20:41,368
YOU USUALLY SAVE THE BADTHINGS FOR A FRIDAY.
461
00:20:41,409 --> 00:20:42,494
[nervous laugh]
462
00:20:42,535 --> 00:20:46,207
NO,THIS IS BAD.
463
00:20:46,207 --> 00:20:47,708
MY BAD.
464
00:20:49,711 --> 00:20:51,921
THE LETTER YOUWROTE TO HOLLY,
465
00:20:51,921 --> 00:20:54,258
AND MAILED AT THEHOSPITAL LAST SUMMER,
466
00:20:54,299 --> 00:20:57,470
THE LETTER YOUWIN THE RAIN.Y,
467
00:20:57,512 --> 00:21:00,431
IT...CAME BACK.
468
00:21:05,229 --> 00:21:07,106
IT WAS QUITEDAMAGED, YOU SAY?
469
00:21:07,106 --> 00:21:08,608
YES.
470
00:21:10,443 --> 00:21:13,405
IAND SOMEONE DAMAGOPENED IT?Y?
471
00:21:13,405 --> 00:21:14,364
I DIDN'T.
472
00:21:14,406 --> 00:21:16,409
I'M JUST THE ONE WHO MAILED IT, ACCIDENTALLY.
473
00:21:16,450 --> 00:21:17,701
I READ IT.
474
00:21:17,743 --> 00:21:18,577
SOME OF IT...
475
00:21:18,577 --> 00:21:20,413
TO CONFIRM WHOSE IT WAS.
476
00:21:20,413 --> 00:21:21,540
YOU PROMISED ME
477
00:21:21,540 --> 00:21:23,125
YOU WOULD TO CONFIRM WHOSE INEVER AGAIN
478
00:21:23,167 --> 00:21:24,459
READ THE CONTENTS OF A LETTERED ME
479
00:21:24,501 --> 00:21:26,879
WITHOUT RECEIVING MYAPPROVAL.
480
00:21:26,921 --> 00:21:29,757
WELL, TECHNICALLY, I OPENED IT.
481
00:21:29,757 --> 00:21:32,302
BUT I MADE HER DO IT.
482
00:21:32,343 --> 00:21:34,179
WE'RE SORRY,OLIVER.
483
00:21:34,221 --> 00:21:36,765
WE JUST CAREABOUT YOU,
484
00:21:36,765 --> 00:21:38,434
THAT'S ALL.
485
00:21:38,434 --> 00:21:39,436
DON'T WE?
486
00:21:39,436 --> 00:21:41,729
I DO.
487
00:21:42,439 --> 00:21:46,444
I CARE ABOUT DON'ALL KINDS OF THINGS.
488
00:21:46,610 --> 00:21:50,865
MY WIFE IS RECEIVINGTHIS LETTER TODAY
489
00:21:50,907 --> 00:21:52,659
THAT I WROTE MONTHS AGO,
490
00:21:52,659 --> 00:21:57,623
AND IT'S TOO LATETO DO ANYTHING ABOUT IT.
491
00:21:59,625 --> 00:22:01,837
UMM, T I WROTE THERE'S MORE? AGO,
492
00:22:01,878 --> 00:22:03,171
MS. MCINERNEY,
493
00:22:03,213 --> 00:22:05,632
I DON'T BELIEVE I CAN TAKE
494
00:22:05,632 --> 00:22:06,633
ANY MORE RIGHT NOW.
495
00:22:06,633 --> 00:22:07,634
PLEASE EXCUSE ME.
496
00:22:08,052 --> 00:22:09,345
PERHAPS YOU SHOULD TURNYOUR ATTENTION
497
00:22:09,387 --> 00:22:12,682
TO THAT COMPUTER PROGRAM YOU SO STRONGLY BELIEVE...
498
00:22:13,475 --> 00:22:16,312
THAT YOU BELIEVE IN SO...
499
00:22:17,313 --> 00:22:19,774
IN WHICH YOUSO STRONGLY BELIEVE.
500
00:22:27,324 --> 00:22:29,244
[beep, beep!]
501
00:22:38,504 --> 00:22:40,340
[car engine starts]
502
00:22:40,340 --> 00:22:41,967
[OLIVER] DON'T BE FRIGHTENED.
503
00:22:41,967 --> 00:22:43,593
WE'LL GET THROUGH THIS.
504
00:22:43,635 --> 00:22:46,430
[OLIVER] THE SECRET IS TO STAY AWAKE.
505
00:22:46,472 --> 00:22:48,975
[wind howling]
506
00:22:48,975 --> 00:22:53,480
MAYBE IF WE KEEP TALKING, THAT WILL HELP, HMM?
507
00:22:54,189 --> 00:22:55,190
FIRST THINGS FIRST.
508
00:22:55,190 --> 00:22:57,402
I'M OLIVER O'TOOLE.
509
00:22:57,443 --> 00:22:59,195
I WORK WITH THE DEADLETTER OFFICE
510
00:22:59,195 --> 00:23:01,656
FOR THE UNITED STATES POSTAL SERVICE.
511
00:23:03,909 --> 00:23:06,537
GETTING ANY WARMER?
512
00:23:06,537 --> 00:23:07,705
[she murmers]
513
00:23:07,747 --> 00:23:09,206
GETTII'M SORRY?MER?
514
00:23:09,206 --> 00:23:12,920
I THINK WE'RE GOING... TO DIE IN HERE.
515
00:23:12,961 --> 00:23:14,087
NO,NO.
516
00:23:14,129 --> 00:23:18,342
I WOULD NOT LETTHAT HAPPEN.
517
00:23:18,384 --> 00:23:20,386
[knocking!]
518
00:23:23,557 --> 00:23:25,475
OLIVER, THE PROGRAM KICKED OUT A NAME.
519
00:23:25,475 --> 00:23:26,435
THE DIVORCE PAPERS WERE MAILED
520
00:23:26,476 --> 00:23:28,396
OLTO A CAITLYNOGRAM KICASTELLUCI.NAME.
521
00:23:28,438 --> 00:23:31,691
SHE RUNS A RESTAURANT ON SOUTH BROADWAY.
522
00:23:33,902 --> 00:23:39,366
♪ Taste the wine... ♪
523
00:23:39,408 --> 00:23:41,828
YOU HAVEN'T SAID A WORD IN TWENTY MINUTES.
524
00:23:41,828 --> 00:23:43,663
ARE YOU GOING TO FORGIVE ME?
525
00:23:43,705 --> 00:23:44,707
YOU HAVEN'T SAID A WORD IN TWENTY MINUTESTWO?
526
00:23:44,707 --> 00:23:47,543
OH, NO, WE'RE LOOKING FORA CAITLYN CASTELLUCI.
527
00:23:47,585 --> 00:23:48,586
YOU HAVEN'T SAID A WORD IN TWENTY SHE'S NOT HERE.
528
00:23:48,627 --> 00:23:49,587
CAN I HELP YOU?
529
00:23:49,628 --> 00:23:52,466
I'M OLIVER O'TOOLE, FROMTHE US POSTAL SERVICE.
530
00:23:52,507 --> 00:23:54,426
WE HAVE A DELIVERY FOR HER.
531
00:23:54,468 --> 00:23:55,552
I'M HER HUSBAND.
532
00:23:55,594 --> 00:23:56,428
I CAN TAKE IT...
533
00:23:56,470 --> 00:23:57,304
I'M SORRY,
534
00:23:57,346 --> 00:23:59,432
DID YOU JUST SAY,YOU'RE HER HUSBAND?
535
00:23:59,432 --> 00:24:01,601
YEAH.
536
00:24:04,605 --> 00:24:06,482
DID YOU JUST WHERE DID YOU'RE HER HYOU GET THAT?
537
00:24:06,523 --> 00:24:08,651
IT WAS MAILED TWO YEARS AGO.
538
00:24:08,693 --> 00:24:12,822
IT GOT LOST...I KNOW.
539
00:24:13,949 --> 00:24:20,414
LISTEN, SHE HAS NO IDEATHESE EVER EXISTED.
540
00:24:20,456 --> 00:24:25,004
PLEASE...DON'TDELIVER THAT TO HER.
541
00:24:35,391 --> 00:24:37,559
YOU MAILED THIS TWO YEARSAGO, TO YOUR WIFE?
542
00:24:37,601 --> 00:24:41,063
YES. NO. NOT EXACTLY.
543
00:24:43,525 --> 00:24:45,736
I NEVER TOLD HER ABOUT IT.
544
00:24:47,946 --> 00:24:50,283
LISTEN, IF SHE NEVER GETS IT,
545
00:24:50,324 --> 00:24:53,245
WHAT'S THE DIFFERENCE?
546
00:24:53,287 --> 00:24:54,914
AND TECHNICALLY, IT'SSTILL MINE, RIGHT?
547
00:24:54,955 --> 00:24:57,875
ACTUALLY, IT'S NOW THE PROPERTYOF THE POST OFFICE.
548
00:24:57,917 --> 00:25:00,002
I CAN SEE ITS DELIVERY
549
00:25:00,002 --> 00:25:00,921
MAY CAUSE SOME DISTRESS,
550
00:25:00,921 --> 00:25:03,840
BUT MY HANDS ARE TIED HERE.
551
00:25:03,840 --> 00:25:05,509
MAY CAUSE I WISH THERE WERE...S,
552
00:25:05,551 --> 00:25:08,470
A WAY OF MAKING DS THIS EASIER ON YOU...E.
553
00:25:08,512 --> 00:25:10,598
WHEN WILL YOUR WIFECOMING BACK?
554
00:25:10,640 --> 00:25:11,933
TOMORROW.
555
00:25:11,933 --> 00:25:13,685
SHE'S DRIVING BACKFROM CALIFORNIA.
556
00:25:13,726 --> 00:25:15,688
FROM A WINEAUCTION. RROW.
557
00:25:15,729 --> 00:25:17,898
SHE'LL BE HERE AT SIX.
558
00:25:17,940 --> 00:25:19,525
PERHAPS IF WE COME BACK AFTER THAT,
559
00:25:19,525 --> 00:25:22,737
YOU'D HAVE ALITTLE TIME TO PREPARE.
560
00:25:24,990 --> 00:25:26,283
YEAH.
561
00:25:30,037 --> 00:25:32,582
YOU ARE A LOT OF THINGS,OLIVER O'TOOLE.
562
00:25:32,623 --> 00:25:35,211
OPINIONATED, APERFECTIONIST,
563
00:25:35,252 --> 00:25:36,420
BASICALLY A HUMAN ANTIQUE.
564
00:25:36,462 --> 00:25:39,298
BUT I NEVER FIGURED YOUFOR A HYPOCRITE.
565
00:25:39,340 --> 00:25:40,216
I BEG YOUR PARDON?
566
00:25:40,257 --> 00:25:41,718
YOU STOOD RIGHT THERE
567
00:25:41,718 --> 00:25:44,512
AND REFUSED TO LET THATMAN DECIDE WHAT TO DO
568
00:25:44,554 --> 00:25:45,931
WITH THOSE OOD OLD DIVORCE PAPERS.
569
00:25:45,973 --> 00:25:47,391
BUT LESS THAN AN HOUR AGO
570
00:25:47,391 --> 00:25:50,436
YOU WANTED THE SAME CHANCETO DECIDE WHAT TO DO
571
00:25:50,478 --> 00:25:52,897
WITH YOUR LETTER TO HOLLY.
572
00:25:52,939 --> 00:25:55,234
MY LETTER SHOULD HAVE BEENPROCESSED AND MAILED,
573
00:25:55,234 --> 00:25:57,236
AND TREATED THE SAME AS ANYOTHER DEAD LETTER.
574
00:25:57,277 --> 00:25:58,404
OH, RIGHT...
575
00:25:58,446 --> 00:26:01,407
MY QUARREL WITH YOU IS THAT YOUBROKE YOUR PROMISE TO ME.
576
00:26:01,407 --> 00:26:02,826
YOU OPENEDTHAT ENVELOPE
577
00:26:02,868 --> 00:26:05,746
ON THE PRETEXT OF LOCATINGAN I.D. WHEN, IN FACT,
578
00:26:05,746 --> 00:26:09,584
IT WAS TO, ONCE AGAIN,SATISFY YOUR CURIOSITY.
579
00:26:09,626 --> 00:26:10,752
THAT IS NOT FAIR.
580
00:26:10,752 --> 00:26:11,794
I WAS JUST TRYING--
581
00:26:11,836 --> 00:26:16,091
MS. MCINERNEY, YOUOBVIOUSLY DO NOT SHARE
582
00:26:16,133 --> 00:26:18,594
MY COMMITMENT TO PUTTING YOUR HEART AND SOUL
583
00:26:18,636 --> 00:26:21,305
INTO DOINGYOUR JOB WELL.
584
00:26:21,347 --> 00:26:25,185
INTO DOING THE ONE THINGRIGHT IN MY LIFE THAT...
585
00:26:48,796 --> 00:26:50,840
OH, HUH.
586
00:26:59,434 --> 00:27:01,477
[mouthing words]
587
00:27:01,519 --> 00:27:04,314
I WAS THINKING ABOUT THAT
588
00:27:04,314 --> 00:27:07,693
METAL DETECTOR IDEA THAT YOU HAD.
589
00:27:07,734 --> 00:27:12,114
FEEL THIS,IT'S CASHMERE.
590
00:27:12,157 --> 00:27:14,868
AH, UM...CASHMERE BLEND.
591
00:27:14,910 --> 00:27:16,870
ACTUALLY PRETTY CHEAP.
592
00:27:16,912 --> 00:27:20,583
RAYON AND ... A LITTLEBIT OF POLYESTER.
593
00:27:20,624 --> 00:27:23,169
STILL, RAMON DOESHAVE EXCELLENT TASTE,
594
00:27:23,169 --> 00:27:24,254
DON'T YOU THINK.
595
00:27:25,965 --> 00:27:29,259
STILL, RAI DON'T THINK ABOUTHAVE EXCELLERAMON VERY MUCH.
596
00:27:29,302 --> 00:27:30,220
HMM.
597
00:27:31,512 --> 00:27:34,140
[machinery noise]
598
00:27:34,140 --> 00:27:35,684
YOU SAID EARLIER TODAY
599
00:27:35,684 --> 00:27:37,436
THAT THERE WAS MORE INEEDED TO KNOW.noise]
600
00:27:40,189 --> 00:27:41,983
WHEN I WAS CHECKINGHOLLY'S ADDRESS,
601
00:27:42,024 --> 00:27:44,987
HER NAME SHOWED UP IN A VIDEO ON YOUTUBE.
602
00:27:45,028 --> 00:27:45,696
ON WHAT?
603
00:27:45,738 --> 00:27:49,617
YOUTUBE, IT'S UH...NEVER MIND.
604
00:27:49,658 --> 00:27:51,535
IT'S A VIDEO OF A BUNCHOF FRENCH PEOPLE
605
00:27:51,578 --> 00:27:54,206
IN A BOOKSTORE READING POETRY, I THINK.
606
00:27:54,206 --> 00:27:55,457
LOOK.
607
00:27:55,790 --> 00:27:57,835
MESDAMES ET MESSIEURS.
608
00:27:57,835 --> 00:28:05,844
UN POEME PAR MA INCROYABLE COPINE, HOLLY O'TOOLE.
609
00:28:05,844 --> 00:28:08,848
MESDAMES "LA NUIT DE NEIGES"
610
00:28:08,848 --> 00:28:10,141
UN POEME PAR MA INCROYABLE C [speaking French]LE.
611
00:28:10,141 --> 00:28:13,061
THE WHOLE THING IS"LA IN FRENCH.IGES"
612
00:28:13,061 --> 00:28:15,230
SHE ALWAYS WANTED A INCROYABLETO LEARN FRENCH. French]LE.
613
00:28:15,230 --> 00:28:17,190
DO YOU SPEAK FRENCH?
614
00:28:17,232 --> 00:28:18,901
NO.
615
00:28:18,942 --> 00:28:22,155
WELL, RITA CALLED SOMEONE SHE KNOWS.
616
00:28:22,196 --> 00:28:24,908
YEAH, HE SAID WE COULD DROPBY HIS OFFICE TOMORROW.
617
00:28:24,949 --> 00:28:29,246
IS IT A PROFESSOR OFFRENCH LITERATURE?
618
00:28:29,288 --> 00:28:30,581
[angrily]NO.
619
00:28:31,082 --> 00:28:33,627
[Ramon]AND, OVER HERE
620
00:28:33,669 --> 00:28:35,837
WE HAVE NORTHERN COLORADO,
621
00:28:35,879 --> 00:28:38,883
VERY COLD, TOO COLD FOR ME,
622
00:28:38,925 --> 00:28:40,593
TOO COLD FOR YOU.
623
00:28:40,593 --> 00:28:42,094
HE'S POINTING TO IDAHO.
624
00:28:42,094 --> 00:28:43,012
THANK YOU, RAMON.
625
00:28:43,055 --> 00:28:44,514
ANY CHANCE WE'LLINTING GET ENOUGH POWDERHO.
626
00:28:44,514 --> 00:28:45,724
TO HIT THE SLOPESTHIS WEEKEND?
627
00:28:45,766 --> 00:28:48,561
ANY CHANCE WE'LLINTI[chuckles]GET ENOUGH POWDERHOOH, NO,NO.
628
00:28:48,602 --> 00:28:50,939
BUT PROBABLY, YES.
629
00:28:51,773 --> 00:28:55,069
WELL, THAT'S IT FOR THEKBC AFTERNOON UPDATE.
630
00:28:55,110 --> 00:28:57,571
IN THE KITCHEN WITHMERRY LYNNE IS UP NEXT.
631
00:28:57,612 --> 00:28:58,656
[Director] AND, WE'RE OUT!
632
00:28:58,656 --> 00:29:00,658
[bell rings]THANK YOU, EVERYBODY.
633
00:29:00,700 --> 00:29:02,285
[Director[Ramon] AND, WE'RE MISS RITA
634
00:29:02,327 --> 00:29:06,790
AND HER LITTLE FRIENDS.SUCH A PLEASURE.
635
00:29:06,790 --> 00:29:09,877
WHEN I SAID I WAS AT YOURSERVICE, MISS RITA,
636
00:29:09,919 --> 00:29:11,379
I MEANT IT WITHALL MY HEART.
637
00:29:11,421 --> 00:29:13,047
BUT MY HEARTCOULD NEVER IMAGINE
638
00:29:13,090 --> 00:29:15,133
THAT YOU WOULD NEED MYSERVICES SO SOON.
639
00:29:15,175 --> 00:29:16,134
OH, WELL,
640
00:29:16,134 --> 00:29:20,431
I NEVER THOUGHT I'D NEEDTO BE SERVICED SO SOON.
641
00:29:20,473 --> 00:29:22,058
OVILEAR!
642
00:29:22,100 --> 00:29:22,767
RAMON.
643
00:29:22,809 --> 00:29:24,018
ALWAYS SUCH A PLEASURE.
644
00:29:24,060 --> 00:29:26,271
HAVE YOU ANDTHE LOVELY SHANE
645
00:29:26,313 --> 00:29:29,359
CONTINUED YOURDANCING TOGETHER?
646
00:29:29,400 --> 00:29:30,067
WELL...
647
00:29:30,067 --> 00:29:31,819
YOU WERE MY BEST STUDENTS.
648
00:29:31,861 --> 00:29:34,990
IT'S SUCH A NATURAL RHYTHMWELL...
649
00:29:34,990 --> 00:29:35,699
[boisterous laughs]
650
00:29:35,741 --> 00:29:36,908
BETWEEN YOU TWO.
651
00:29:36,908 --> 00:29:38,911
YOU CAN'T TEACHTHAT, YOU KNOW.
652
00:29:38,953 --> 00:29:39,662
BETWEEN YOU TWO.HMM.
653
00:29:39,662 --> 00:29:41,163
I UNDERSTANDYOU SPEAK FRENCH.
654
00:29:41,163 --> 00:29:43,500
I SPEAK ALL THEROMANCE LANGUAGES.
655
00:29:43,541 --> 00:29:44,918
REALLY?
656
00:29:44,960 --> 00:29:45,460
YES.
657
00:29:45,502 --> 00:29:46,044
LATIN?
658
00:29:46,086 --> 00:29:46,670
OF COURSE.
659
00:29:46,712 --> 00:29:47,170
PORTUGUESE?
660
00:29:47,170 --> 00:29:48,088
I BREATHE IT.
661
00:29:48,130 --> 00:29:48,797
PORTUGUESE?ROMANIAN.
662
00:29:48,839 --> 00:29:50,008
MY MOTHER TONGUE.
663
00:29:50,008 --> 00:29:51,217
NORMAN...
664
00:29:51,217 --> 00:29:54,053
IT'S CLEAR THATMY MOTRAMON IS MULTILINGUAL.
665
00:29:54,095 --> 00:29:54,971
SHALL WE PROCEED.
666
00:29:54,971 --> 00:29:59,351
UM, YES,HERE IS THE POEM.
667
00:30:00,853 --> 00:30:03,982
IT'S A LITTLE HARD TO HEAR, SO...HALL WE PROCEED.
668
00:30:06,360 --> 00:30:10,239
AH, OOHH...
669
00:30:10,281 --> 00:30:12,325
[Ramon stops abruptly]
670
00:30:12,367 --> 00:30:14,870
UH...
671
00:30:14,870 --> 00:30:16,413
MHMM.
672
00:30:16,830 --> 00:30:18,206
HMM.
673
00:30:22,211 --> 00:30:24,298
[gasps]
674
00:30:25,048 --> 00:30:29,762
WELL...IT'S NOTA VERY GOOD POEM.
675
00:30:29,804 --> 00:30:31,889
THE FRENCHIS POOR,
676
00:30:31,931 --> 00:30:34,643
THE IMAGERY IS CLICHÉ,
677
00:30:34,685 --> 00:30:37,146
AND QUITE FRANKLYIT DOESN'T EVEN RHYME.
678
00:30:37,188 --> 00:30:38,314
BUT!
679
00:30:38,355 --> 00:30:40,567
IT HAS PASSION.
680
00:30:40,567 --> 00:30:42,694
AND WHAT IS A POEM?
681
00:30:42,735 --> 00:30:46,824
IT IS GREAT PASSION PUSHEDINTO LITTLE TINY WORDS!
682
00:30:46,824 --> 00:30:49,368
COULD YOU TELL US WHAT IT SAYS?
683
00:30:49,410 --> 00:30:51,412
IT IS GREAT PASSION PUSHEDOF COURSE.LE TINY WORDS!
684
00:30:51,412 --> 00:30:52,997
IT IS CALLED
685
00:30:53,039 --> 00:30:57,795
IT IS GREAT PASSION PUSHEDOF COU"THE NIGHT OF SNOW"
686
00:30:57,837 --> 00:31:02,884
"YOU FOUND ME ONE NIGHT ONA MOUNTAIN IN THE DARK,
687
00:31:02,926 --> 00:31:06,930
IN THE SNOW, THE SNOWTHAT ONLY GOT DEEPER,
688
00:31:06,930 --> 00:31:09,641
AND DEEPER, AND DEEPER,
689
00:31:09,683 --> 00:31:11,018
AND DEEPER..."
690
00:31:11,060 --> 00:31:12,979
IT'S DEEP,WE GET IT.
691
00:31:12,979 --> 00:31:15,690
"DEATH, WHISPEREDTO ME IN THE WIND
692
00:31:15,690 --> 00:31:17,943
'COME AWAY,IT'S DEEP,COME AWAY.'WE GET IT.
693
00:31:17,985 --> 00:31:21,322
"BUT FROM A PLACESTRONGER THAN DEATH,
694
00:31:21,364 --> 00:31:25,827
IN WINTER'S VERY EMBRACE,THERE YOU WERE,
695
00:31:25,869 --> 00:31:30,124
SEARCHING FOR ME,CALLING FOR ME...
696
00:31:30,124 --> 00:31:35,506
YOU SAVED MY LIFE IN AWORLD OF SNOW,
697
00:31:35,547 --> 00:31:38,550
BUT WHAT SHALL I DO WITHMY LIFE NOW?
698
00:31:38,550 --> 00:31:41,513
NOW THAT I CANSEE THE SUN.
699
00:31:41,554 --> 00:31:43,973
BUT WHAT SHALL I DO WITH[deep inhale]
700
00:31:43,973 --> 00:31:46,143
LIKE I SAID,IT'S TRASH.
701
00:31:46,143 --> 00:31:47,645
GARBAGE.
702
00:31:47,686 --> 00:31:49,897
LIKE I SAID,BUT PASSIONATE GARBAGE.
703
00:31:49,938 --> 00:31:52,483
NOW, IF YOU WANT TO HEARSOME GREAT POETRY,
704
00:31:52,483 --> 00:31:54,653
MISS HAYWITH,
705
00:31:54,653 --> 00:31:56,696
NOWWOULD YOU ACCOMPANYARSME THIS SATURDAY,
706
00:31:56,738 --> 00:32:01,118
TO A LITTLE SOIREE OF CLOSEFRIENDS AT MY OLD DANCE STUDIO?
707
00:32:01,118 --> 00:32:02,828
OH, THAT SOUNDS FUN.
708
00:32:02,870 --> 00:32:03,914
TO A LITTLE SOIREE IT'S OSEFRIENDS AT MY OLD SAMBA NIGHT.?
709
00:32:03,955 --> 00:32:06,291
OH, WE'RE GOING FOR COFFEEAT THE MAILBOX GRILLE,
710
00:32:06,333 --> 00:32:07,418
WANNA COME?
711
00:32:07,709 --> 00:32:10,171
ARE YOU ALRIGHT?
712
00:32:13,466 --> 00:32:15,010
UHH...THE POEM IS ABOUT ME.
713
00:32:25,021 --> 00:32:30,361
♪ Spring Will Be A Little LateThis Year by Ella Fitzgerald ♪
714
00:32:32,863 --> 00:32:42,875
♪ spring will be, a little late this year,♪
715
00:32:44,877 --> 00:32:50,551
♪ a little late arriving,
716
00:32:50,551 --> 00:32:56,308
♪ in my lonely world over here. ♪
717
00:32:56,350 --> 00:33:01,981
♪ ♪ for you have left me, ♪
718
00:33:01,981 --> 00:33:07,321
♪ and where is our april love ♪
719
00:33:07,363 --> 00:33:12,744
♪ ♪ you have left me, ♪e, ♪
720
00:33:12,785 --> 00:33:16,999
♪ and winter continues cold, ♪
721
00:33:17,040 --> 00:33:27,052
♪ as if to say, spring will be a little slow to start, ♪
722
00:33:29,138 --> 00:33:34,560
♪ a little slow reviving, ♪
723
00:33:34,602 --> 00:33:39,942
♪ that music it made in my heart ♪
724
00:33:39,984 --> 00:33:45,032
♪ yes, time heals all things. ♪
725
00:33:45,032 --> 00:33:46,950
[Rita]SO, HOW DO YOU KNOW,
726
00:33:46,992 --> 00:33:49,412
LIKE REALLY KNOW, WHENs allIT'S GOING TO RAIN. ♪
727
00:33:49,453 --> 00:33:50,955
IT'S SOMETHINGONE JUST FEELS
728
00:33:50,955 --> 00:33:55,460
WELL, SOMEBODY'S GOT TOGET BACK TO THE DLO.
729
00:33:55,460 --> 00:34:00,132
OKAY.
730
00:34:00,174 --> 00:34:03,678
[whispers]OLIVER, WE NEED TO TALK.
731
00:34:03,678 --> 00:34:08,309
"DEATH WHISPERED TO ME INTHE WIND."
732
00:34:08,309 --> 00:34:12,980
[whispers]OLWHAT DOES THAT MEAN?K.
733
00:34:12,980 --> 00:34:17,110
OKAY, YOU GUYS HAVE FIVEMINUTES TO BE WEIRD
734
00:34:17,152 --> 00:34:18,987
[whiAND THEN IT'S OLWHAT DOES BACK TO WORK.
735
00:34:22,616 --> 00:34:24,118
[clears throat]
736
00:34:24,160 --> 00:34:26,955
RITA, I KNOW IT'SBEEN A BIG WEEK,
737
00:34:26,997 --> 00:34:28,540
DEDICATING THESTAMP DISPENSER,
738
00:34:28,582 --> 00:34:30,167
VISITING THE WEATHERMAN,
739
00:34:30,209 --> 00:34:32,253
BUT WE CAN'TFALL BEHIND...
740
00:34:32,295 --> 00:34:33,629
OH, YES, OF COURSE.
741
00:34:33,671 --> 00:34:35,841
IT'S JUST, CAN RAMONFINISH HIS STORY
742
00:34:35,841 --> 00:34:38,302
ABOUT WHEN HE WAS ACLIFF DIVER IN COZUMEL?
743
00:34:38,344 --> 00:34:41,388
YOU USED TO BE A CLIFF DIVER?
744
00:34:41,889 --> 00:34:43,266
OH, YES.
745
00:34:43,308 --> 00:34:46,519
OH, WELL, THAT'S ...SCARY.
746
00:34:46,519 --> 00:34:48,522
ONCE WE FACE THETHINGS THAT WE FEAR,
747
00:34:48,522 --> 00:34:52,777
THEY NO LONGER HAVEPOWER OVER US.
748
00:34:52,819 --> 00:34:54,403
NO?
749
00:34:54,403 --> 00:34:56,615
NO.
750
00:34:56,656 --> 00:34:58,117
YES.NO?
751
00:34:58,117 --> 00:35:00,369
THAT'S QUITEPROFOUND, ACTUALLY.
752
00:35:00,369 --> 00:35:01,161
YRITA,NO?
753
00:35:01,203 --> 00:35:02,705
FIVE MINUTES.
754
00:35:02,705 --> 00:35:03,999
OH, OKAY.
755
00:35:04,374 --> 00:35:05,709
[music begins playing]
756
00:35:05,751 --> 00:35:08,837
♪ 'Baby, you've got what it takes' by Brook Benton
757
00:35:08,879 --> 00:35:10,506
and Dinah Washington ♪
758
00:35:10,547 --> 00:35:11,423
MISS RITA
759
00:35:11,423 --> 00:35:13,551
ME?
760
00:35:18,223 --> 00:35:22,228
♪ and it takes two lips MISS RIfor fire ♪
761
00:35:22,270 --> 00:35:25,482
♪ to melt away the snow. ♪
762
00:35:25,524 --> 00:35:29,236
♪ well, it takes two hearts a-cooking ♪
763
00:35:29,278 --> 00:35:32,573
♪ to make a fire grow ♪
764
00:35:32,615 --> 00:35:41,959
♪ and baby, you've got what it takes. ♪
765
00:35:42,001 --> 00:35:47,424
NORMAN, YOU ARE IN DANGEROF STANDING BY,
766
00:35:47,465 --> 00:35:49,385
LETTING RITA BESWEPT OFF HER FEET.
767
00:35:49,427 --> 00:35:53,056
WHAT CAN I DO? I CAN'TCOMPETE WITH THAT?
768
00:35:56,268 --> 00:35:59,021
DO YOU REALIZETHIS IS THE FIRST TIME
769
00:35:59,063 --> 00:36:02,400
YOU'VE EVER ADMITTED YOURFEELINGS FOR RITA?
770
00:36:02,442 --> 00:36:05,737
I TOLD MY GRANDMOTHER, SORT OF.
771
00:36:05,737 --> 00:36:07,573
SHE TOLD ME TOTELL HER,
772
00:36:07,614 --> 00:36:08,574
I TOLD MY GBUT I DIDN'TSORT KNOW HOW.
773
00:36:08,615 --> 00:36:13,287
AND NOW, SHE'S OVERTHERE, GETTING SWEPT.
774
00:36:13,287 --> 00:36:16,708
IT IS HARD TO IGNOREA CONFIDENT MAN
775
00:36:16,750 --> 00:36:18,001
WITH A BROOM.
776
00:36:18,001 --> 00:36:19,337
HMM.
777
00:36:22,465 --> 00:36:26,720
WITH A BROOM.WHAT DO I DO?
778
00:36:26,720 --> 00:36:32,185
WELL, YOUGET A BETTER BROOM.
779
00:36:32,227 --> 00:36:33,686
WITH A BROOM.HMM.T DO I DO?
780
00:36:33,728 --> 00:36:35,480
THAT'S A METAPHOR, RIGHT?
781
00:36:35,521 --> 00:36:37,941
YES, IT IS.
782
00:36:37,983 --> 00:36:40,319
YOU KNOW WHEN I WAS AFOSTER KID,
783
00:36:40,361 --> 00:36:43,322
NO ONE EVER CALLEDME BY MY REAL NAME.
784
00:36:43,322 --> 00:36:45,158
JUSTNICKNAMES LIKE
785
00:36:45,158 --> 00:36:48,996
STORMY NORMAN, BORE-MAN,
786
00:36:48,996 --> 00:36:52,166
KID IN BED NUMBER FIVE.
787
00:36:52,166 --> 00:36:55,336
I DIDN'T TELL THEMWHAT MY MIDDLE NAME WAS,
788
00:36:55,336 --> 00:36:57,839
YOU CAN IMAGINE WHATTHEY'D DO WITH XAVIER.
789
00:36:57,839 --> 00:36:59,174
[light chuckle]
790
00:36:59,216 --> 00:37:00,551
THAT DAY WHENI MET RITA
791
00:37:00,593 --> 00:37:01,761
AND SHE ASKED ME MY NAME,
792
00:37:01,802 --> 00:37:04,014
IT JUST ALL CAMEOUT AT ONCE.
793
00:37:04,014 --> 00:37:06,266
IT WAS THE FIRST TIMEI'D EVER TOLD ANYONE
794
00:37:06,307 --> 00:37:11,689
MY REAL NAME,CAUSE...
795
00:37:11,689 --> 00:37:15,485
CAUSE I JUST FELTSAFE WITH HER.
796
00:37:15,527 --> 00:37:17,570
I BELIEVE YOU ARE.
797
00:37:17,612 --> 00:37:20,408
HMM?
798
00:37:21,534 --> 00:37:23,452
I'M NOT INHER LEAGUE.
799
00:37:23,494 --> 00:37:28,542
NORMAN, LOVE CAN ONLYSURVIVE ON SWAGGER
800
00:37:28,583 --> 00:37:30,711
AND CHARISMA FOR SO LONG.
801
00:37:30,711 --> 00:37:35,550
RITA NEEDS A MAN OFTRUE SUBSTANCE.
802
00:37:35,591 --> 00:37:39,388
SHE'S HOLDING OUTFOR A HERO, NORMAN.
803
00:37:39,388 --> 00:37:42,349
THAT HEROCOULD BE YOU.
804
00:37:48,941 --> 00:37:54,030
♪...and baby, you've got what it takes ♪
805
00:38:15,263 --> 00:38:16,639
[chair creaks]
806
00:38:16,681 --> 00:38:19,226
HI. I'M HOLLY.
807
00:38:21,770 --> 00:38:24,232
WOULD YOU LIKE A YOO-HOO?
808
00:38:26,485 --> 00:38:28,904
UMM, NO? THANKS?
809
00:38:28,946 --> 00:38:34,285
I USUALLY LEAVE THOSEFOR OLI-- MR. O'TOOLE.
810
00:38:34,327 --> 00:38:37,664
I'M HIS WIFE, YOU KNOW.
811
00:38:37,706 --> 00:38:39,625
UH-HUH.
812
00:38:39,625 --> 00:38:42,253
WE ALL THOUGHT YOUWERE IN PARIS.
813
00:38:42,294 --> 00:38:43,170
AWW.
814
00:38:43,212 --> 00:38:45,798
HEY, DO NORMAN AND RITASTILL WORK HERE?
815
00:38:45,840 --> 00:38:48,426
YES, YES, THEY DO.
816
00:38:48,468 --> 00:38:49,553
AND WHAT DO YOU DO?
817
00:38:49,595 --> 00:38:54,851
UMM...TECH SUPPORT.
818
00:38:54,893 --> 00:38:58,438
WELL, GOOD, OLIVERCAN USE SOME HELP
819
00:38:58,480 --> 00:38:59,314
IN THATDEPARTMENT.
820
00:38:59,314 --> 00:39:00,482
I MEAN, HE REALLYIS VERY SMART
821
00:39:00,482 --> 00:39:02,818
BUT HE NEVER QUITE GOTTHE HANG OF THE INTERNET.
822
00:39:04,654 --> 00:39:10,077
WELL, HE'S DEFINITELY OFEALLYANOTHER TIME.ERY SMART
823
00:39:10,077 --> 00:39:13,498
YEAH, HE'S ALWAYSGOT A STORY
824
00:39:13,540 --> 00:39:14,999
WELL, HE'S OR A QUOTE FORALLYANOTHEEVERY OCCASION.T
825
00:39:15,041 --> 00:39:17,419
HE WOULD HAVE BEENSO FUN AT PARTIES,
826
00:39:17,419 --> 00:39:19,254
IF HE WOULDGO, WHICH HE WON'T,
827
00:39:19,254 --> 00:39:21,048
HBECAUSE THAT'SEENJUST NOT WHO HE IS.
828
00:39:21,048 --> 00:39:24,177
WELL, I'M SORT OF WOULDNEW AROUND HERE...HE WON'T,
829
00:39:24,218 --> 00:39:26,095
LEMME GIVE YOU AEENJUTIP, OKAY. HE IS.
830
00:39:26,137 --> 00:39:27,764
IF HE GOES TO A RESTAURANT
831
00:39:27,764 --> 00:39:30,017
AND HE ORDERS CLAMSAND RED WINE,
832
00:39:30,017 --> 00:39:33,145
HE'S VERY, TOVERY ANGRY.NT
833
00:39:33,188 --> 00:39:36,524
IT'S HARD TO IMAGINEMR. O'TOOLE
834
00:39:36,566 --> 00:39:41,155
EVER BEING ANGRY ENOUGHTO...EAT CLAMS.
835
00:39:41,197 --> 00:39:42,156
[cheerfully laughing]
836
00:39:42,198 --> 00:39:43,115
REALLY?
837
00:39:43,157 --> 00:39:46,161
I GUESS I JUST HAVE THATEFFECT ON HIM, HUH?
838
00:39:46,161 --> 00:39:48,371
[nervous laughter]
839
00:39:48,371 --> 00:39:51,875
I GUWANT TO KNOW THETHATFUNNIEST THING ABOUT HIM,
840
00:39:53,502 --> 00:39:56,798
THAT MAN[nervCAN KISS.ter]
841
00:39:57,674 --> 00:39:58,717
I MEAN THAT WAS THEPROBLEM, RIGHT.
842
00:39:58,717 --> 00:40:01,471
HE'D KISS MEAND I'D FORGET EVERY
843
00:40:01,512 --> 00:40:05,016
PROMISE I EVERMADE TO MYSELF?
844
00:40:05,058 --> 00:40:06,893
SO...
845
00:40:06,893 --> 00:40:08,562
[slow exhale]SO?
846
00:40:08,562 --> 00:40:12,734
SO, I JUST STOPPED KISSINGHIM AND IT WORKED.
847
00:40:12,734 --> 00:40:14,902
I WENT TO PARIS.
848
00:40:14,902 --> 00:40:15,987
NOW YOU'RE BACK!
849
00:40:16,028 --> 00:40:16,613
I WENT TYEAH.IS.
850
00:40:16,654 --> 00:40:17,197
WOW.
851
00:40:17,239 --> 00:40:18,782
WOW.
852
00:40:18,824 --> 00:40:24,205
I MEAN, WHEN YOU GETA LETTER LIKE THIS,
853
00:40:24,247 --> 00:40:26,541
WHAT ELSE ARE YOUGOING TO DO?
854
00:40:26,583 --> 00:40:29,461
THE THINGS HE SAIDIN THIS LETTER
855
00:40:29,503 --> 00:40:31,213
MADE ME REALIZE THAT--
856
00:40:36,594 --> 00:40:38,764
[softly]HI.
857
00:40:38,764 --> 00:40:40,975
[softly]HI.
858
00:40:42,143 --> 00:40:44,562
[akwardly]HI!
859
00:40:57,452 --> 00:41:01,165
WELL, MR. O'TOOLE,
860
00:41:01,206 --> 00:41:04,544
I STILL HAVE SOME WORKTO DO ON THOSE DIVOR--
861
00:41:04,585 --> 00:41:10,676
THOSE PAPERS FORMR. CASTELLUCI, SO...
862
00:41:10,717 --> 00:41:13,345
THANK YOU, MS. MCINERNEY.
863
00:41:23,691 --> 00:41:26,820
I ALWAYS THOUGHT I'D KNOWWHAT I WAS GOING TO SAY.
864
00:41:28,822 --> 00:41:30,324
I READ YOUR POEM.
865
00:41:30,365 --> 00:41:31,116
WHICH ONE?
866
00:41:31,158 --> 00:41:32,326
HOW MANY HAVE YOU WRITTEN?
867
00:41:32,368 --> 00:41:35,121
I HAVE A WHOLE BOOK OF THEMCOMING OUT THIS FALL.
868
00:41:35,163 --> 00:41:36,331
REALLY?
869
00:41:36,372 --> 00:41:37,541
WELL DONE.
870
00:41:37,583 --> 00:41:40,169
YOU ALWAYS SAID YOUWANTED TO BE A POET.
871
00:41:40,169 --> 00:41:42,504
I'VE ALWAYS BEEN A POET.I JUST DIDN'T KNOW IT.
872
00:41:42,504 --> 00:41:43,756
[chuckles]
873
00:41:43,798 --> 00:41:45,132
I'VE ALWAYS BEEN A POET.[Holly chuckles]NOW IT.
874
00:41:45,174 --> 00:41:47,135
DID YOU MEANTO DO THAT?
875
00:41:47,177 --> 00:41:48,511
WHAT?
876
00:41:48,511 --> 00:41:52,057
YOU JUST SAID"KNOW IT" AND "POET"
877
00:41:53,517 --> 00:41:55,854
[Holly chuckles]
878
00:41:55,895 --> 00:41:58,440
I'M SO SORRY,I'M NOT FOLLOWING.
879
00:41:59,483 --> 00:42:00,860
[whispering]THEY'RE JUST STANDING
880
00:42:00,860 --> 00:42:01,861
THERE, TALKING.
881
00:42:01,902 --> 00:42:04,739
[whispering]HOW CLOSE ARE THEY STANDING?
882
00:42:04,780 --> 00:42:05,740
WHAT ARE YOUGUYS DOING?
883
00:42:05,781 --> 00:42:09,703
[Shane gasps]SHHH...
884
00:42:10,287 --> 00:42:12,581
WELL, I HELPED MYSELFTO A YOO-HOO,
885
00:42:12,623 --> 00:42:14,208
SOME THINGS NEVERCHANGE, RIGHT.
886
00:42:14,250 --> 00:42:15,418
OH, WELL, I DON'T KNOW.
887
00:42:15,460 --> 00:42:16,378
YOU'RE HERE.
888
00:42:16,378 --> 00:42:18,671
AND IF YOU'RE HERE,
889
00:42:18,714 --> 00:42:20,716
THAT MEANS YOU MUST HAVEYREAD WHAT I WROTE
890
00:42:20,716 --> 00:42:22,968
ABOUT BEINGWILLING TO CHANGE...
891
00:42:24,178 --> 00:42:25,722
YOU KNOW, I WANT TO TALK.
892
00:42:25,722 --> 00:42:28,767
I DO, BUT ITWAS A LONG FLIGHT
893
00:42:28,808 --> 00:42:29,894
AND I NEED TOSLEEP.
894
00:42:29,935 --> 00:42:30,728
OH, OF COURSE.
895
00:42:30,728 --> 00:42:34,690
UHH, WHERE WOULDYOU LIKE TO DO THAT?
896
00:42:34,732 --> 00:42:39,195
I GOT A ROOM ATTHE BROWN PALACE.
897
00:42:39,195 --> 00:42:42,574
AH, YOU ALWAYS SAID
898
00:42:42,574 --> 00:42:45,787
YOU WANTED TOGOT A ROOM ATSTAY THERE SOMEDAY.OWN PALACE.
899
00:42:47,622 --> 00:42:50,208
DON'T LOOK SO SAD.
900
00:42:50,250 --> 00:42:55,006
OLLY, IT'S GOING TO BE OKAY.
901
00:42:57,884 --> 00:42:59,970
I WROTE A POEMABOUT THAT TOO.
902
00:42:59,970 --> 00:43:01,430
OH.
903
00:43:01,430 --> 00:43:03,265
IDRINKS, POEMIN THE LOBBY,O.
904
00:43:03,265 --> 00:43:06,311
TONIGHT, TEN O'CLOCK?
905
00:43:06,352 --> 00:43:10,399
YES.
906
00:43:10,441 --> 00:43:12,819
OKAY.
907
00:43:17,449 --> 00:43:18,951
[whispering]SHE'S COMING!
908
00:43:18,992 --> 00:43:19,952
-OH!-OH!
909
00:43:27,586 --> 00:43:29,463
[whispering]
910
00:43:29,504 --> 00:43:31,006
-OH!-OH!
911
00:43:31,966 --> 00:43:34,009
AH, THERE YOU AREMS. MCINERNEY.
912
00:43:34,051 --> 00:43:36,387
I'M THINKING PERHAPS IT'STIME TO DELIVER
913
00:43:36,429 --> 00:43:38,139
OUR LETTER TO MS. CASTELLUCI.
914
00:43:38,181 --> 00:43:41,643
WELL, IT'S A LITTLEEARLY ISN'T IT?
915
00:43:41,643 --> 00:43:42,895
IT IS A RESTAURANT.
916
00:43:42,895 --> 00:43:44,313
WE COULD HAVEAN EARLY DINNER.
917
00:43:44,313 --> 00:43:46,733
I'M HAVING A RARE CRAVINGFOR SARDINIAN CLAMST.
918
00:43:46,774 --> 00:43:49,987
AND A NICE GLASS OF ANUNASSUMING BRUNELLO.
919
00:43:52,906 --> 00:43:58,955
♪
920
00:44:06,882 --> 00:44:10,719
OLIVER, ARE WE GOING TOTALK ABOUT THIS?
921
00:44:10,761 --> 00:44:13,681
I'M SORRY?
922
00:44:13,723 --> 00:44:17,435
IT JUST SEEMS A LITTLE ODDTHAT YOUR MISSING WIFE
923
00:44:17,477 --> 00:44:18,854
FINALLY CAMEBACK FROM PARIS
924
00:44:18,896 --> 00:44:23,526
AND YOU'RE HAVINGDINNER WITH ME.
925
00:44:23,526 --> 00:44:26,571
WELL, I THOUGHT I COULDKILL TWO BIRDS WITH
926
00:44:26,613 --> 00:44:27,697
AND YOU'RE HAVINGDINNER WITH MEONE STONE.
927
00:44:27,697 --> 00:44:29,366
RETURN THE LETTER TOCAITLYN AND...
928
00:44:29,408 --> 00:44:32,327
GET SOME EMERGENCY CLAMS?
929
00:44:34,872 --> 00:44:38,084
HOLLY TOLD ME ABOUTTHE CLAM THING.
930
00:44:40,379 --> 00:44:44,967
AH.
931
00:44:45,009 --> 00:44:47,387
AND, WHAT ELSE DID SHE SAY?
932
00:44:47,387 --> 00:44:53,018
OH, SHE DID MENTION YOUCAN CHANGE HER MIND WITH A...
933
00:44:55,939 --> 00:44:57,982
OLIVER, THIS HAS BEEN A ELSE TERRIBLE SHOCK. SHE SAY?
934
00:44:58,024 --> 00:44:59,609
IF YOU HAVETO LEAVE,
935
00:44:59,651 --> 00:45:03,030
I CAN HANDLE CAITLYNAND THE LETTER.
936
00:45:03,072 --> 00:45:04,740
TO BE HONEST, MS. MCINERNEY,
937
00:45:04,782 --> 00:45:11,582
I CAN'T IMAGINE DOINGANYTHING ELSE RIGHT NOW.
938
00:45:11,623 --> 00:45:16,588
THIS IS WHAT WE DO BEST.
939
00:45:16,629 --> 00:45:18,090
WE DELIVER.
940
00:45:18,090 --> 00:45:22,303
WE ARE GOOD ATTHIS, AREN'T WE?
941
00:45:26,808 --> 00:45:28,518
SLOW NIGHT.
942
00:45:28,518 --> 00:45:30,687
WELL, THE FOOD ISMARVELLOUS.
943
00:45:30,729 --> 00:45:33,774
I IMAGINE THIS IS QUITESLTHE POPULAR PLACE.
944
00:45:33,774 --> 00:45:36,069
WELL, WE HAVE OUR GOODYEARS AND OUR BAD YEARS.
945
00:45:36,111 --> 00:45:38,113
I IMAGINE THIS IS QUITEJUST LIKE A MARRIAGE.ACE.
946
00:45:38,154 --> 00:45:39,448
I UNDERSTAND THAT.
947
00:45:41,993 --> 00:45:43,619
WE WERE SO CRAZY ABOUT EACH OTHER.
948
00:45:43,660 --> 00:45:45,913
WE HAD THAT KIND OF THING WHERE YOU TELL YOURSELF
949
00:45:45,955 --> 00:45:49,126
"THIS IS NOT THE KIND OF GIRL I EVER THOUGHT I'D MARRY"
950
00:45:49,126 --> 00:45:50,794
BUT THEN YOU DO.
951
00:45:50,836 --> 00:45:58,303
FOR THE FIRST FEW YEARS, THINGS WERE SO GREAT.
952
00:45:58,303 --> 00:46:00,848
THEN THE RECESSION HIT US HARD.
953
00:46:00,890 --> 00:46:03,183
WE ALMOSTLOST THIS PLACE.
954
00:46:03,225 --> 00:46:06,396
CATIE ALWAYS FOUNDSOMETHING TO CHEER US UP,
955
00:46:06,437 --> 00:46:07,647
MAKE ME LAUGH.
956
00:46:07,647 --> 00:46:10,025
I'VE ACTUALLY SEENA GIANT MISQUITO
957
00:46:10,066 --> 00:46:11,693
TAKE AWAY MY BROTHER...
958
00:46:11,735 --> 00:46:12,611
DIDN'T KEEP HIM FOR LONG...
959
00:46:12,653 --> 00:46:13,988
JUST DROPPEDHIM OFF IN TOPEKA
960
00:46:13,988 --> 00:46:16,658
THANK YOU GUYS SO MUCH,YOU GUYS HAVE BEEN...
961
00:46:16,699 --> 00:46:19,077
[crowd applauds]
962
00:46:19,119 --> 00:46:22,915
WE HAD TO WORK SIX DAYS A WEEK JUST TO KEEP IT TOGETHER,
963
00:46:22,956 --> 00:46:28,797
SO WE DECIDED TO WAITTO START A FAMILY.
964
00:46:28,838 --> 00:46:30,424
[sigh]
965
00:46:30,465 --> 00:46:34,136
I DECIDED.
966
00:46:34,178 --> 00:46:36,389
WHEN WE FINALLY FELTLIKE WE WERE READY,
967
00:46:36,389 --> 00:46:40,769
THE DOCTOR TOLD CATIETHAT SHE COULDN'T.
968
00:46:40,769 --> 00:46:45,191
WHEN AND, OH MAN, LTLIKETHAT WAS TOUGH.
969
00:46:45,191 --> 00:46:47,902
THAFTER THAT WE JUSTTKIND OF DRIFTED.
970
00:46:47,902 --> 00:46:49,988
INTO OUR OWN LITTLE WORLDS.
971
00:46:50,030 --> 00:46:55,453
WE JUST STOPPED BEINGTCATIE AND JOEY.
972
00:46:55,494 --> 00:46:58,832
I COULD SEE THINGS WERE STARTING TO FALL APART.
973
00:46:58,873 --> 00:47:01,752
THEN SHE STARTED GOING OUT MONDAY NIGHTS...
974
00:47:01,794 --> 00:47:04,922
THAT'S THE NIGHT WE'RE CLOSED.
975
00:47:04,922 --> 00:47:06,716
I'D STAY HOME AND WATCH FOOTBALL,
976
00:47:06,757 --> 00:47:09,636
SHE WENT TO THET MOVIES WITH THE GIRLS,
977
00:47:09,678 --> 00:47:15,059
AT LEAST THAT'S WHAT SHE TOLD ME.
978
00:47:15,101 --> 00:47:16,143
ONE MONDAY NIGHT, I FOLLOWED HER...
979
00:47:16,185 --> 00:47:17,395
SHE WALKED IN ALONE,
980
00:47:17,395 --> 00:47:21,233
BUT THAT'S NOT HOW SHE WALKED OUT.
981
00:47:26,447 --> 00:47:27,866
WE'D BOTH SEEN IT COMING,
982
00:47:27,907 --> 00:47:32,204
I JUST THOUGHT I'D GET IT OVER WITH.
983
00:47:32,246 --> 00:47:34,915
SO, I HAD THE PAPERS DRAWN UP.
984
00:47:34,915 --> 00:47:36,251
I WAITED A WHILE,
985
00:47:36,292 --> 00:47:37,878
I WENT BACK AND FORTH.
986
00:47:37,878 --> 00:47:46,053
YOU KNOW, I ALMOST MAILED THEM BUT I COULDN'T.
987
00:47:46,053 --> 00:47:48,556
I WENT BACKTHEN WHO DID MAIL THEM?
988
00:47:48,598 --> 00:47:50,183
YOU KNOW, I ALMOST MAILED THEM BI DID,OULDN'T.
989
00:47:50,225 --> 00:47:51,184
ACCIDENTALLY.
990
00:47:51,226 --> 00:47:53,354
THAT'S HOW I GOTTHIS BUM LEG.
991
00:47:53,396 --> 00:47:55,606
I GOT IN A FIGHT TRYING TO STOP A CAR-JACKING.
992
00:47:55,606 --> 00:48:00,279
A COUPLE OF GUYS BEAT ME UP, PRETTY GOOD.
993
00:48:00,279 --> 00:48:01,989
I ALMOST DIED.
994
00:48:02,031 --> 00:48:03,115
[car alarm rings]
995
00:48:03,157 --> 00:48:05,159
[woman screams] HELP! SOMEONE HELP ME!
996
00:48:05,201 --> 00:48:06,411
YOU KNOW, THEAMAZING THING...
997
00:48:06,452 --> 00:48:09,289
IS THAT CATIE WALKEDINTO THAT HOSPITAL ROOM
998
00:48:09,289 --> 00:48:10,624
TWO YEARS AGO,
999
00:48:10,624 --> 00:48:13,878
AND SHE NEVER LEFT MY SIDE AGAIN.
1000
00:48:13,878 --> 00:48:15,672
WE GOT OUR MARRIAGE BACK.
1001
00:48:15,672 --> 00:48:19,551
I NEVER TOLD HER IKNEW WHAT SHE DID..
1002
00:48:19,592 --> 00:48:22,971
I FORGAVE HERAND I MOVED ON.
1003
00:48:22,971 --> 00:48:25,141
[Oliver clears throat]
1004
00:48:25,183 --> 00:48:29,313
YOU FORGAVE HER?
1005
00:48:29,354 --> 00:48:32,107
JOEY, OLIVER IS VERYGOOD AT HIS JOB,
1006
00:48:32,149 --> 00:48:35,027
AND IF THERE'S ONE THINGTHAT HE'S TAUGHT ME,
1007
00:48:35,069 --> 00:48:40,325
IT'S THAT THINGS HAPPEN,ALL THE TIME.
1008
00:48:40,325 --> 00:48:44,872
THAT AT FIRST MAYSEEM ALL WRONG,
1009
00:48:44,914 --> 00:48:49,169
BUT WHEN WE HAVE FAITHTHAT SOMETHING GREATER
1010
00:48:49,169 --> 00:48:50,337
MIGHT BE AT WORK,
1011
00:48:50,337 --> 00:48:55,551
ALL THOSE THINGS JUST END UPWORKING TOGETHER FOR GOOD.
1012
00:49:06,439 --> 00:49:07,357
MIGHT [clears throat]
1013
00:49:07,398 --> 00:49:14,031
I THINK IN LIGHT OFTHE CIRCUMSTANCES,
1014
00:49:14,031 --> 00:49:16,283
PERHAPS WE CAN MAKE AN ALLOWANCE
1015
00:49:16,325 --> 00:49:17,952
AND ENTRUSTTHE ENVELOPE TO
1016
00:49:17,952 --> 00:49:20,789
YOU TO DO WITHIT AS YOU SEE FIT.
1017
00:49:20,789 --> 00:49:25,544
THANK YOU,ENTRUSTTHANK YOU SO MUCH.PE TO
1018
00:49:25,544 --> 00:49:27,756
YOU TO DO WITHIT THAT'S ODD. IT.
1019
00:49:27,756 --> 00:49:30,217
THI MUST HAVE LEFT ITTHANK YOBACK AT THE DLO.
1020
00:49:30,217 --> 00:49:33,053
I'M SORRY, I HAVE BEEN A BITDISTRACTED TODAY... IT.
1021
00:49:33,053 --> 00:49:34,138
JOEY!
1022
00:49:35,097 --> 00:49:36,141
I'M SORRY, I HAVE BEEN A BITDISTRACTEHEY MICHAEL!T.
1023
00:49:36,141 --> 00:49:37,433
GET THE RESTOUT OF MY CAR,
1024
00:49:37,475 --> 00:49:40,145
I'M SORRY, I AND PUT THEMBITDISTRACTEIN THE BACK.T.
1025
00:49:40,186 --> 00:49:41,688
- HEY.- HEY.
1026
00:49:41,730 --> 00:49:43,440
MWAH!
1027
00:49:43,482 --> 00:49:45,484
HI, I'M CAITLYN.
1028
00:49:45,526 --> 00:49:46,403
HI.
1029
00:49:46,403 --> 00:49:47,069
HOW'S THE FOOD?
1030
00:49:47,069 --> 00:49:48,363
IT'S DELICOUS.
1031
00:49:48,405 --> 00:49:49,197
HOW'S THE FOODOLIVER!
1032
00:49:49,239 --> 00:49:51,074
HEY, GUESS WHATYOU GUYS FORGOT.
1033
00:49:51,074 --> 00:49:51,825
CAITYN'S LETTER...
1034
00:49:51,867 --> 00:49:53,035
- NO, NORMAN...- UHH.
1035
00:49:53,076 --> 00:49:54,287
OH, THAT'S FOR ME.
1036
00:49:54,287 --> 00:49:56,039
CATIE, WE SHOULD TALKBEFORE YOU...
1037
00:49:56,080 --> 00:49:57,582
OH, THAT'S WHAT IS THIS?
1038
00:49:57,582 --> 00:49:59,042
IT'S TWO YEARS OLD.
1039
00:49:59,083 --> 00:50:01,628
DOESN'T MATTER.YOU SHOULD JUST THROW IT...
1040
00:50:03,380 --> 00:50:07,302
YOU WERE GOING TO DIVORCE ME?
1041
00:50:07,343 --> 00:50:08,720
IT WAS A MISTAKE.
1042
00:50:08,720 --> 00:50:10,096
WHEN DIDYOU MAIL THESE?
1043
00:50:10,096 --> 00:50:12,183
IT WAS THE NIGHTTHAT I GOT HURT.E.
1044
00:50:12,183 --> 00:50:14,852
SO I JUST SPENTTHE LAST TWO YEARS
1045
00:50:14,852 --> 00:50:17,897
IT WAS THE NURSING A MANTHAT I GOTWHO WAS PLANNING
1046
00:50:17,939 --> 00:50:18,940
SO I JUST SPENTTHE TO DIVORCE ME?
1047
00:50:18,982 --> 00:50:21,652
I DIDN'T TELL YOU BECAUSEIT DOESN'T MATTER.
1048
00:50:21,694 --> 00:50:23,028
I FORGIVE YOU.
1049
00:50:23,070 --> 00:50:24,738
FOR WHAT?
1050
00:50:24,780 --> 00:50:25,781
WHAT ARE YOUTALKING ABOUT?
1051
00:50:25,823 --> 00:50:27,491
YOU KNOW WHATI'M TALKING ABOUT.
1052
00:50:27,533 --> 00:50:29,160
NO, JOEY,I HAVE ABSOLUTELY
1053
00:50:29,202 --> 00:50:31,163
NO CLUE WHAT YOUARE TALKING ABOUT.
1054
00:50:31,163 --> 00:50:33,332
TWO YEARS AGO I SAW YOUWITH ANOTHER MAN
1055
00:50:33,373 --> 00:50:34,625
IN A PARKING LOT WHAT YOUOUTSIDE THE CLUB...G ABOUT.
1056
00:50:34,625 --> 00:50:37,337
YOU SAW ME IN A PARKINGLOT WITH A MAN...
1057
00:50:37,378 --> 00:50:38,671
IN A PARKIWELL, THERE GOESOUTSIDE THE THE MARRIAGE.T.
1058
00:50:38,714 --> 00:50:41,633
IT WAS MORE THAN THATAND YOU KNOW IT.
1059
00:50:51,478 --> 00:50:54,064
YOU LIED TO ME.
1060
00:50:54,106 --> 00:50:56,692
YOU TOLD ME YOU LOSTTHIS IN THE FIGHT.
1061
00:50:56,692 --> 00:50:59,654
YOU LIED TO ME, EVERYMONDAY FOR WEEKS.
1062
00:50:59,696 --> 00:51:01,740
YOU TOLD ME YOU LOSTTHIEVERY MONDAY...
1063
00:51:04,118 --> 00:51:08,331
OH MY GOSH.
1064
00:51:08,373 --> 00:51:11,001
THAT MAN YOU SAWIN THE PARKING LOT
1065
00:51:11,001 --> 00:51:12,794
WAS THE OWNER OF THE NIGHTCLUB
1066
00:51:12,836 --> 00:51:14,171
WE USED TO GO TO.
1067
00:51:14,213 --> 00:51:15,965
DO YOU REMEMBER THOSE OPEN MIC NIGHTS
1068
00:51:16,007 --> 00:51:19,344
AND HOW HE WAS ALWAYS SAYING HE'S LOOKING FOR NEW TALENT?
1069
00:51:19,386 --> 00:51:21,179
WELL, I WENT TO GO SEE HIM.
1070
00:51:21,221 --> 00:51:25,809
I'M FINDING OUT THAT WHENYOU MARRY AN ITALIAN CHEF,
1071
00:51:25,851 --> 00:51:28,354
YOU HAVE GOT TO KNOW THE LINGO.
1072
00:51:28,396 --> 00:51:33,068
SPAGHETTI, ROTINI,RIGATONI, CROSTINI,
1073
00:51:33,110 --> 00:51:36,113
CANNELLONI, CALAMARI,RAVIOLI, FUSILI,
1074
00:51:36,113 --> 00:51:38,909
LINGUINI, EENY-MEENYFETTUCCINE.
1075
00:51:38,950 --> 00:51:39,993
CANNELLONI, CALAMARI,R[crowd laughs]
1076
00:51:40,035 --> 00:51:42,913
DO THEY NOT EAT ANY FOODTHAT ENDS IN A CONSONANT?
1077
00:51:42,954 --> 00:51:45,166
WHAT ARE THEY SAVING THECONSONANTS FOR?
1078
00:51:45,207 --> 00:51:47,710
AND HE LIKED THE WAY I COULD TELL A STORY,
1079
00:51:47,710 --> 00:51:49,171
SO HE SAID HE WOULD COACH ME.
1080
00:51:49,212 --> 00:51:51,381
AND I GOT TO THINKING, MAYBE IF HE COULD TEACH ME
1081
00:51:51,423 --> 00:51:53,634
AT HOW TO BE GOOD AT BEING FUNNY,
1082
00:51:53,676 --> 00:51:55,261
I COULD SURPRISE YOU,
1083
00:51:55,303 --> 00:51:56,720
TAKE YOU BACK THAT NIGHTCLUB
1084
00:51:56,720 --> 00:51:59,057
AND WATCH YOUR FACE WHENTHEY'D INTRODUCE ME
1085
00:51:59,057 --> 00:52:01,893
AND I'D WALK UP ON STAGEAND KNOCK 'EM DEAD.
1086
00:52:06,232 --> 00:52:10,487
AND THEN I'D GET TO SEEYOU LAUGH AGAIN.
1087
00:52:10,529 --> 00:52:14,909
IT'S THETRUTH.
1088
00:52:14,951 --> 00:52:17,078
I SHOULD HAVE TOLD YOUWHAT I WAS TRYING TO DO,
1089
00:52:17,078 --> 00:52:23,419
I JUST DIDN'T WANTTO FAIL AT THAT...
1090
00:52:23,419 --> 00:52:25,088
[crying]THE WAY I FAILED
1091
00:52:25,088 --> 00:52:26,464
WITH THE BABY.
1092
00:52:26,464 --> 00:52:30,134
OH, DON'T SAY THAT...DON'T SAY THAT.
1093
00:52:30,176 --> 00:52:32,471
YOU DIDN'T FAIL.I FAILED YOU. BABY.
1094
00:52:32,512 --> 00:52:33,263
I SHOULD HAVE...
1095
00:52:33,305 --> 00:52:35,641
I SHOULD HAVE TOLDYOU HOW I FELT,
1096
00:52:35,683 --> 00:52:36,684
AND I DIDN'T,
1097
00:52:36,726 --> 00:52:39,604
AND I ALMOSTLOST YOU.
1098
00:52:39,646 --> 00:52:41,732
DO YOU FORGIVE ME?
1099
00:52:41,773 --> 00:52:47,614
OF COURSE.THAT'S WHAT WE DO.
1100
00:53:03,382 --> 00:53:07,052
♪
1101
00:53:16,523 --> 00:53:19,151
[telephone clink]
1102
00:53:19,151 --> 00:53:20,485
[inaudible voice]
1103
00:53:20,485 --> 00:53:23,030
YES, MS. HOLLY O'TOOLE'SROOM, PLEASE.
1104
00:53:23,071 --> 00:53:24,407
ONE MOMENT.
1105
00:53:27,076 --> 00:53:31,039
♪
1106
00:53:32,624 --> 00:53:33,709
[clink]
1107
00:53:43,679 --> 00:53:45,222
WHERE WOULDYOU LIKE TO SIT?
1108
00:53:45,264 --> 00:53:47,391
OH, I DON'T CARE.ANYWHERE.
1109
00:53:47,391 --> 00:53:48,017
UMM.
1110
00:53:48,017 --> 00:53:51,354
OH, HOW ABOUT RE.RIGHT HERE?
1111
00:53:51,354 --> 00:53:54,650
OOO, I WOULD JUSTLOVE ONE OF THOSE.
1112
00:53:54,650 --> 00:53:56,861
TWO, ACTUALLY, PLEASE.
1113
00:53:56,861 --> 00:53:58,529
OOO, I WOULD JUSTLOVE ONE THANKS.E.
1114
00:53:58,529 --> 00:53:59,656
TWO, ACTUALLY, PLEASSO...
1115
00:53:59,698 --> 00:54:00,824
SO...
1116
00:54:03,368 --> 00:54:04,453
[clink]
1117
00:54:07,207 --> 00:54:11,211
THIS FEELS VERY STRANGE.
1118
00:54:11,211 --> 00:54:14,506
THE LETTER I WROTE TO YOUWAS LOST SO LONG AGO,
1119
00:54:14,548 --> 00:54:17,927
I CAN BARELYREMEMBER WHAT I SAID.
1120
00:54:17,969 --> 00:54:20,222
WELL, YOU SAID IF I CAME BACK
1121
00:54:20,263 --> 00:54:22,933
YOU WOULD TRY TO SEEMY DREAMS THROUGH MY EYES.
1122
00:54:22,975 --> 00:54:24,602
THAT'S RIGHT.
1123
00:54:24,643 --> 00:54:27,230
AND YOU SAID IFI'D LEFT FOREVER,
1124
00:54:27,230 --> 00:54:29,566
YOU'D ACCEPTTHAT.
1125
00:54:29,566 --> 00:54:31,568
AND YOU SAIDI WAS LOCKED I'D LEFT FORIN A BANK VAULT
1126
00:54:31,610 --> 00:54:35,155
AT THE TIME I WROTETHAT, ACTUALLY...
1127
00:54:35,155 --> 00:54:38,118
SO, WHAT ARE YOU SAYING?
1128
00:54:38,159 --> 00:54:40,536
DO YOU TIME I WROTEWANT ME BACK?TUALLY...
1129
00:54:40,579 --> 00:54:42,122
DO I WANT YOU BACK?
1130
00:54:42,163 --> 00:54:45,752
UMM, HOLLY, I WANTAN EXPLANATION.
1131
00:54:45,752 --> 00:54:49,506
I WANT TO KNOW WHY MY WIFERAN AWAY TO PARIS,
1132
00:54:49,506 --> 00:54:52,425
NEVER EVEN CALLED.NEVER WROTE.
1133
00:54:52,425 --> 00:54:58,432
DO YOU HAVE ANY IDEA WHATEYOU PUT ME THROUGH?
1134
00:54:58,474 --> 00:55:00,435
YOU LET SIT HERE, TWO YEARS,
1135
00:55:00,435 --> 00:55:03,022
TERRIFIED THAT MAYBESOMETHING HAPPENED TO YOU.
1136
00:55:03,063 --> 00:55:03,981
BUT NOTHINGHAPPENED.
1137
00:55:04,023 --> 00:55:08,278
WELL, LOTS HAPPENEDBUT NOTHING BAD.
1138
00:55:08,278 --> 00:55:12,073
THAT WOULD HAVEBEEN NICE TO KNOW.
1139
00:55:12,115 --> 00:55:13,575
OLLY...
1140
00:55:13,617 --> 00:55:15,077
PLEASE DON'T CALL ME THAT.
1141
00:55:15,119 --> 00:55:17,914
WHY DID YOU MARRY ME?
1142
00:55:17,955 --> 00:55:19,582
WHAT?
1143
00:55:19,624 --> 00:55:23,211
WHY DID YOU MARRYME?
1144
00:55:23,253 --> 00:55:30,554
YOU MADE MEUNCOMFORTABLE WITH MY LIFE
1145
00:55:30,554 --> 00:55:31,888
AND I THOUGHT MAYBE THAT'S GOOD,
1146
00:55:31,930 --> 00:55:36,519
MAYBE MY LIFE NEEDSUNCOA LITTLE SHAKING UP.FE
1147
00:55:36,561 --> 00:55:39,773
AND YOU CERTAINLYDID THAT.
1148
00:55:39,815 --> 00:55:41,692
YOU KNOW THEFIRST NIGHT WE MET,
1149
00:55:41,733 --> 00:55:44,278
I WAS PERFECTLYHONEST WITH YOU.
1150
00:55:44,320 --> 00:55:46,363
I TOLD YOU THATI NEEDED TO BE FREE,
1151
00:55:46,405 --> 00:55:48,741
WE WERE LOST IN ABLIZZARD.
1152
00:55:48,783 --> 00:55:51,619
YOU WERE DELIRIOUS.
1153
00:55:51,661 --> 00:55:54,247
YOU WERE AMAZING IN THAT STORM.
1154
00:55:54,289 --> 00:55:58,419
YOU LOVED BEING MY HEROAND I NEEDED ONE.
1155
00:55:58,461 --> 00:56:02,466
AND I LEARNED SO MUCHFROM YOU, OLIVER.
1156
00:56:02,507 --> 00:56:04,176
BUT THE BIGGESTTHING I LEARNED,
1157
00:56:04,218 --> 00:56:05,928
THE BIGGESTTHING...
1158
00:56:05,970 --> 00:56:08,889
IS THAT IF YOU WANTTO BE A GROWN UP,
1159
00:56:08,932 --> 00:56:11,518
YOU GOT TO BE YOUR OWN HERO.
1160
00:56:11,560 --> 00:56:14,939
I'M SORRY,
1161
00:56:14,981 --> 00:56:17,817
I DON'T UNDERSTAND HOWLEAVING YOUR HUSBAND
1162
00:56:17,859 --> 00:56:19,944
AT THE PONYEXPRESS EXHIBIT AT THE
1163
00:56:19,986 --> 00:56:26,119
NATIONAL POSTAL MUSEUM CANBE CONSIDERED HEROIC.
1164
00:56:26,119 --> 00:56:32,209
OH, WELL, HEROESCAN BE COWARDS.
1165
00:56:32,209 --> 00:56:34,294
NATIONAL POSTAL MUSEUM CANBE CONSIDWHAT?HEROIC.
1166
00:56:34,336 --> 00:56:36,839
I HAVE NO IDEA WHATYOU'RE TALKING ABOUT.
1167
00:56:36,839 --> 00:56:38,799
SEE! THAT'S IT.
1168
00:56:38,841 --> 00:56:40,426
YOU LEAVE US VE NO IDEA WHATALONE IN A CARE TALKING ABOUT.
1169
00:56:40,468 --> 00:56:42,679
WITH ONLY THE TWO OFUS TO HEAT EACH OTHER UP
1170
00:56:42,721 --> 00:56:45,641
AND WE COMMUNICATE JUST FINE.
1171
00:56:45,682 --> 00:56:48,728
BUT TALKING,WITH ACTUAL WORDS,
1172
00:56:48,770 --> 00:56:50,313
WE WERE NEVERVERY GOOD AT THAT,
1173
00:56:50,355 --> 00:56:51,606
WHICH IS WHY IT'S SO AMAZING
1174
00:56:51,648 --> 00:56:53,108
THAT IN THE PASTTWO YEARS,
1175
00:56:53,150 --> 00:56:54,485
I'VE REALLY LEARNEDTO EXPRESS MYSELF.
1176
00:56:54,485 --> 00:56:56,737
IN TWO LANGUAGESAPPARENTLY.
1177
00:56:56,779 --> 00:57:01,910
CAN YOU USE ONE OF THEM TO TELLTO EME WHY YOU CAME BACK?
1178
00:57:01,951 --> 00:57:07,583
TO SEE YOU. TO FIND OUTWHAT I WANT.
1179
00:57:07,583 --> 00:57:08,876
WHAT ABOUT WHAT I WANT?
1180
00:57:08,918 --> 00:57:10,796
WHAT DO YOU WANT?
1181
00:57:10,837 --> 00:57:13,840
[deep inhale]
1182
00:57:13,882 --> 00:57:16,052
PEACE.
1183
00:57:16,093 --> 00:57:18,054
THAT'S BEAUTIFUL.
1184
00:57:18,054 --> 00:57:21,308
NO, THAT'S ESSENTIAL.
1185
00:57:21,308 --> 00:57:26,397
I DON'T WANT TO BE THEFIRST ONE TO SAY IT.
1186
00:57:26,439 --> 00:57:28,983
NO, THAT'WHAT?ENTIAL.
1187
00:57:30,985 --> 00:57:33,655
ARE YOU TALKINGABOUT DIVORCE?
1188
00:57:33,697 --> 00:57:36,241
NO. MAYBE. I DON'T KNOW.
1189
00:57:36,283 --> 00:57:38,786
IF WE SAY IT, WE CAN'TTAKE IT BACK.
1190
00:57:38,786 --> 00:57:40,080
NO, WE CAN'T.
1191
00:57:40,121 --> 00:57:46,253
IF WEAND MARRIAGE IS SO SACRED,TAKE ITSO PRECIOUS.
1192
00:57:46,295 --> 00:57:49,299
ENDING IT SHOULDN'T BEAN EASY THING TO DO.
1193
00:57:55,264 --> 00:58:00,019
HOLLY, IT'S BEEN A LONG DAY.
1194
00:58:00,019 --> 00:58:00,729
YES.
1195
00:58:00,770 --> 00:58:02,231
I'VE HAD A LOT OFN SURPRISES,Y.
1196
00:58:02,272 --> 00:58:03,983
I'VE EATEN ALOT OF CLAMS.
1197
00:58:03,983 --> 00:58:10,156
LET US NOT GET DIVORCED TONIGHT.
1198
00:58:10,156 --> 00:58:11,407
OKAY.
1199
00:58:11,449 --> 00:58:14,996
WE'LL TALK IT OVER,DITOMORROW.NIGHT.
1200
00:58:14,996 --> 00:58:16,288
TOMORROW.
1201
00:58:16,330 --> 00:58:19,125
I'M GOING TO GO UPSTAIRS.
1202
00:58:19,166 --> 00:58:23,046
I THINK I'M GOING TO WRITEA POEM ABOUT THIS.
1203
00:58:33,183 --> 00:58:35,770
GOOD IDEA.
1204
00:58:41,192 --> 00:58:44,405
♪ soft jazz ♪
1205
00:59:04,303 --> 00:59:09,684
♪ Song for You by Adam Woodall Band ♪
1206
00:59:17,109 --> 00:59:19,028
GOING MY WAY?
1207
00:59:21,739 --> 00:59:24,326
AH, MS. MCINERNEY.
1208
00:59:24,367 --> 00:59:26,787
YOU'RE IN EARLY.
1209
00:59:26,829 --> 00:59:28,247
I COULDN'T SLEEP.
1210
00:59:28,289 --> 00:59:30,333
NEITHER COULD I.
1211
00:59:30,374 --> 00:59:33,587
COME ON UP HERE WITH ME.
1212
00:59:33,587 --> 00:59:39,135
COM'ON.COME ON.
1213
00:59:39,885 --> 00:59:41,221
COME ON UP [clears throat]
1214
00:59:51,233 --> 00:59:56,989
SO, DO YOU KNOW WHATYOU'RE GOING TO DO?
1215
00:59:57,030 --> 01:00:01,953
I'D LIKE TO DO THE RIGHT THING.
1216
01:00:01,953 --> 01:00:04,164
YOU ALWAYS DO.
1217
01:00:04,206 --> 01:00:10,005
NO... NO, I DON'T.
1218
01:00:10,046 --> 01:00:12,758
I WAITED MORETHAN A YEAR
1219
01:00:12,799 --> 01:00:17,764
TO WRITE HER A LETTERBECAUSE I JUST...
1220
01:00:21,643 --> 01:00:28,734
THERE IS SO MUCH I COULDHAVE DONE AND I DIDN'T.
1221
01:00:28,776 --> 01:00:30,069
[deep inhale]
1222
01:00:30,111 --> 01:00:34,825
AND I DON'T KNOW WHY.
1223
01:00:34,825 --> 01:00:38,288
BECAUSE IT HURT.
1224
01:00:38,288 --> 01:00:42,333
AND IT FROZE YOU UP.
1225
01:00:42,333 --> 01:00:44,169
YOU'RE LIKE THE SNOWMANI SAW IN THE PARKURT.
1226
01:00:44,210 --> 01:00:46,130
ON MY WAYIN THIS MORNING.
1227
01:00:46,130 --> 01:00:48,883
HE'S JUST STUCK THERE,
1228
01:00:48,883 --> 01:00:52,262
LEFT BEHIND BY SOMEONEWHO MADE HIM THAT WAY.
1229
01:00:52,262 --> 01:00:55,057
ALL HE CAN DO ISWAIT FOR THE THAW
1230
01:00:55,098 --> 01:00:57,643
LEFT BEFORE HE SOMEONEWHO CAN CHANGE.AT WAY.
1231
01:00:57,643 --> 01:01:07,655
BUT... THEN HE MELTS.
1232
01:01:08,698 --> 01:01:11,702
YOU HAVEN'T FORGIVENEONEWHER, HAVE YOU?AT WAY.
1233
01:01:11,702 --> 01:01:15,872
[deep breath]
1234
01:01:15,914 --> 01:01:22,214
YFORGIVENESS IS DOING THERIGHT THING, OLIVER. .
1235
01:01:22,214 --> 01:01:23,506
THAT HAS TO HAPPEN FIRST
1236
01:01:23,548 --> 01:01:28,221
AND THEN YOU'LL JUST...KNOW WHAT TO DO NEXT.
1237
01:01:34,103 --> 01:01:42,696
YOU ARE, SURPRISINGLYGOOD AT THIS.
1238
01:01:42,738 --> 01:01:45,907
WELL, I LEARNED FROM THE BEST.
1239
01:01:45,907 --> 01:01:50,622
SOME SINGING POSTALDETECTIVE PHILOSOPHER GUY
1240
01:01:50,663 --> 01:01:52,457
WHO BELIEVESIN SPRING
1241
01:01:52,499 --> 01:01:56,253
AND DOING THE RIGHT THING.
1242
01:01:56,253 --> 01:01:58,422
"SPRING." "THING." HMM.
1243
01:02:02,927 --> 01:02:05,848
♪
1244
01:02:05,890 --> 01:02:08,768
YOU KNOW, THEY FOUND A 5600YEAR OLD POPCORN KERNELS
1245
01:02:08,768 --> 01:02:11,687
THAT WERE STILL POPPABLE,BURIED IN AN ANCIENT
1246
01:02:11,730 --> 01:02:13,982
YOU KNOW, THEY FOUND A 5600YEARPERUVIAN FUNERAL URN.
1247
01:02:14,024 --> 01:02:15,401
OH.
1248
01:02:15,401 --> 01:02:18,029
HEY, YOU GUYS MADE IT!
1249
01:02:18,070 --> 01:02:18,780
OH.WE DID.
1250
01:02:18,821 --> 01:02:19,947
THIS IS SO EXCITING.
1251
01:02:19,947 --> 01:02:22,700
KINDA LIKE RETURNING TOTHE SCENE OF THE CRIME.
1252
01:02:25,203 --> 01:02:26,997
THIS IYEAH, I JUSTSO EXCITINTHOUGHT,
1253
01:02:27,039 --> 01:02:30,168
WHAT BETTER PLACETO CELEBRATE, RIGHT?
1254
01:02:30,209 --> 01:02:30,960
WHERE'S OLIVER?
1255
01:02:30,960 --> 01:02:33,463
OH, HE HAD ALAST-MINUTE DINNER
1256
01:02:33,463 --> 01:02:34,839
AND HE SENDSHIS BEST.
1257
01:02:34,882 --> 01:02:37,301
OH, THAT'S TOO BAD,HE WOULD HAVE BEEN PERFECT.
1258
01:02:37,342 --> 01:02:38,303
FOR WHAT?
1259
01:02:38,344 --> 01:02:41,306
FOR KEN. THE OWNER GUY.
1260
01:02:41,347 --> 01:02:42,473
HE'S THE EMCEE
1261
01:02:42,515 --> 01:02:44,601
AND HE LIKES TO WARMUP THE AUDIENCE.
1262
01:02:44,643 --> 01:02:46,687
BUT HE GOT A FLAT TIRE.
1263
01:02:46,728 --> 01:02:48,690
AND COMEDIANS DON'TLIKE TO GO ON COLD,
1264
01:02:48,731 --> 01:02:50,650
SO IT'S GOING TO BEA LITTLE BIT OF A WAIT.
1265
01:02:50,650 --> 01:02:52,610
OH, THAT'SA SHAME.
1266
01:02:52,652 --> 01:02:54,154
HEY, WHATABOUT RAMON!
1267
01:02:54,154 --> 01:02:56,114
HE'S REALLY GOOD ATINTRODUCING PEOPLE
1268
01:02:56,114 --> 01:02:57,450
AND TALKING TO CROWDS.
1269
01:02:57,491 --> 01:02:58,117
HE'S REALLY GOOD ATINTRODUCING RAMON?
1270
01:02:58,117 --> 01:02:59,869
MY FRIEND, RAMONRODRIGUEZ.
1271
01:02:59,911 --> 01:03:01,370
HE'S REALLY GOOD ATOH, THEINTRODUCING RAMON?WEATHERMAN!
1272
01:03:01,412 --> 01:03:02,246
MHMM.
1273
01:03:02,288 --> 01:03:04,708
OH, THE SHOWMUST GO ON, RIGHT?
1274
01:03:04,749 --> 01:03:08,421
RITA, YOU'RE MISS SPECIALDELIVERY, YOU GET UP THERE.
1275
01:03:08,463 --> 01:03:09,214
WHAT?
1276
01:03:09,255 --> 01:03:11,716
I CAN'T! I DON'T KNOWWHAT TO SAY.
1277
01:03:11,758 --> 01:03:13,343
YOU SPEAK IN PUBLICALL THE TIME.
1278
01:03:13,343 --> 01:03:15,304
BUT OLIVER WRITESMY SPEECHES.
1279
01:03:15,346 --> 01:03:17,849
I CAN'T JUST GO UPTHERE AND BE FUNNY.
1280
01:03:17,849 --> 01:03:19,601
IT'S TOO SCARY.
1281
01:03:19,642 --> 01:03:21,853
I CAN'T JUST GREMEMBER WHATTHERE AND BE FURAMON SAYS?
1282
01:03:21,894 --> 01:03:23,521
"ONCE WE FACEOUR FEARS,
1283
01:03:23,563 --> 01:03:27,318
THEY NO LONGERHAVE POWER OVER US."
1284
01:03:27,360 --> 01:03:28,527
RAMONSAID THAT?
1285
01:03:28,527 --> 01:03:30,614
ODDLY, YES.
1286
01:03:32,073 --> 01:03:34,368
I JUST HAVE THIS FEELINGIT'S REALLY IMPORTANT
1287
01:03:34,368 --> 01:03:38,038
FOR THE AUDIENCE TO GET WARMEDUP, AND GET THINGS GOING.
1288
01:03:38,038 --> 01:03:39,874
I THINK JOEY REALLYNEEDS THIS...
1289
01:03:39,874 --> 01:03:42,043
[microphone rings]
1290
01:03:42,085 --> 01:03:44,004
[nervously]HI...
1291
01:03:45,171 --> 01:03:48,885
MY NAME IS NORMAN.
1292
01:03:48,926 --> 01:03:50,845
NORMAN...
1293
01:03:50,845 --> 01:03:55,142
NORMAN XAVIER DORMAN.
1294
01:03:55,183 --> 01:03:58,687
I'M NOT A COMEDIAN ORANYTHING LIKE THAT,
1295
01:03:58,729 --> 01:04:02,233
BUT WHILE WE'RE WAITINGFOR THE SHOW TO START,
1296
01:04:02,275 --> 01:04:04,111
YOU HAVE TO GET WARM,
1297
01:04:04,153 --> 01:04:06,363
SO I THOUGHT I WOULDTALK A LITTLE
1298
01:04:06,405 --> 01:04:07,532
WHILE YOU DO THAT.
1299
01:04:07,532 --> 01:04:08,699
[audience laughs]
1300
01:04:08,741 --> 01:04:16,041
SO, I KNOW A LOT OF STUFFABOUT UNUSUAL STUFF.
1301
01:04:16,083 --> 01:04:23,258
LIKE POLYESTER, AND BARBEDWIRE, AND WELL, LET'S SEE.
1302
01:04:23,258 --> 01:04:26,554
FLORIDIAN BEEKEEPING,WELL, SOUTHERN FLORIDA...
1303
01:04:29,432 --> 01:04:30,433
[lights match]
1304
01:04:44,533 --> 01:04:46,076
SO SOMEONE READ THEM,
1305
01:04:46,118 --> 01:04:50,957
AND GAVE THEM TO APUBLISHER, AND VOILA...
1306
01:04:50,957 --> 01:04:51,916
YOU ARE A POET.
1307
01:04:51,958 --> 01:04:54,211
YEAH, OF SORTS.
1308
01:04:54,252 --> 01:04:58,132
I MEAN, LET'S FACE IT, I'MNOT A VERY GOOD POET.
1309
01:04:58,132 --> 01:05:01,177
BUT I LOVE IT.
1310
01:05:01,219 --> 01:05:03,555
I MEAN, LET'SIT TAKES ME'MNOT A VERYOUT OF MY HEAD
1311
01:05:03,555 --> 01:05:11,314
AND PUTS ME BACKIN MY HEART.
1312
01:05:11,356 --> 01:05:15,694
I MI WROTE A POEMAKES ME'MABOUT US LAST NIGHT.Y HEAD
1313
01:05:15,694 --> 01:05:18,114
OH.
1314
01:05:18,155 --> 01:05:20,783
I MI WROTE A POEMAKES ME'MAB[clears throat]T.Y HEAD
1315
01:05:20,825 --> 01:05:24,287
UMM, BEFOREYOU READ IT,
1316
01:05:24,329 --> 01:05:30,253
I WANT TO SAYHOW SORRY I AM.
1317
01:05:30,294 --> 01:05:33,006
THAT I TOOK SOLONG TO COME BACK,
1318
01:05:33,006 --> 01:05:35,509
I SHOULDN'THAVE WAITED
1319
01:05:35,550 --> 01:05:40,265
BUT THE LONGER I WAITEDTHE FURTHER AWAY
1320
01:05:40,306 --> 01:05:43,977
THE ROUTE HOME SEEMED.
1321
01:05:44,019 --> 01:05:45,937
BUT I'M HERE NOW,
1322
01:05:45,937 --> 01:05:50,693
AND I JUST HOPETHAT WE CAN...
1323
01:05:50,693 --> 01:05:54,072
BI DON'T KNOW...,
1324
01:05:54,114 --> 01:05:56,742
AND I JUST HOPESHOULD I READ IT, NOW?...
1325
01:06:01,539 --> 01:06:11,551
[deep breath]
1326
01:06:11,551 --> 01:06:20,812
[deep breath]
1327
01:06:20,853 --> 01:06:30,865
IS THIS WHAT YOU WANT?deep breath]
1328
01:06:31,741 --> 01:06:34,953
YEAH.
1329
01:06:41,836 --> 01:06:43,421
[crowd applauds and laughs]
1330
01:06:43,421 --> 01:06:45,507
AND RELIGIOUS RELICSOF THE AMISH,
1331
01:06:45,507 --> 01:06:48,552
HOLY PLOWS,SACRED SPINDLES.
1332
01:06:48,552 --> 01:06:52,849
AND, I ALSO KNOW ALL THE RETIREDZIP CODES OF NORTH AMERICA...
1333
01:06:52,890 --> 01:06:56,103
AND I BET YOU'RESWONDERING WHY..
1334
01:06:56,103 --> 01:06:57,438
[crowd yells] YEAH, WHY?
1335
01:06:57,480 --> 01:06:59,899
WELL, I WORK AT THEDEAD LETTER OFFICE
1336
01:06:59,941 --> 01:07:01,943
AT THE US POSTALSERVICE DOWNTOWN
1337
01:07:01,943 --> 01:07:05,197
AND WE GET TO FIGURE OUTWHERE ALL THE LOST LETTERS
1338
01:07:05,239 --> 01:07:06,406
AT THE US POSTALSAND BOXES GO.WN
1339
01:07:06,448 --> 01:07:09,452
OH, ONE TIME WE GOT AGIANT BEAR,
1340
01:07:09,452 --> 01:07:12,789
AND SOMEONE'SOLD DEAD ASHES...
1341
01:07:14,332 --> 01:07:15,459
OH, THANK YOU!
1342
01:07:15,501 --> 01:07:17,294
YOU'VE BEENA WONDERFUL AUDIENCE!
1343
01:07:17,294 --> 01:07:18,129
STAY WARM!
1344
01:07:18,170 --> 01:07:20,632
YOU'VE BEENA[audience applauds]
1345
01:07:20,632 --> 01:07:22,967
NORMAN DORMAN...
1346
01:07:22,967 --> 01:07:27,431
WHAT A FUNNY,FUNNYGUY. OKAY.
1347
01:07:27,473 --> 01:07:28,766
NORMAN, THAT WAS...
1348
01:07:28,766 --> 01:07:32,436
YOU BLEWEVERYONE AWAY.
1349
01:07:32,479 --> 01:07:36,150
NSOME PEOPLE TALKTABOUT THE WEATHER...
1350
01:07:36,150 --> 01:07:37,777
AND SOME PEOPLEMAKE IT.
1351
01:07:38,152 --> 01:07:40,696
[Emcee]SO, WE HAVE A SPECIAL
1352
01:07:40,738 --> 01:07:41,656
GUEST TONIGHT.
1353
01:07:41,656 --> 01:07:43,491
UH, A FEW YEARS AGO,
1354
01:07:43,533 --> 01:07:46,203
SHE CAME TO ME TOLEARN THE ROPES
1355
01:07:46,203 --> 01:07:48,664
BECAUSE SHE WANTEDTO SURPRISE HER HUSBAND
1356
01:07:48,705 --> 01:07:50,500
SHE CAME TO ME TOWITH HER OWN ACT.
1357
01:07:50,542 --> 01:07:51,918
THEY'VE BEEN THROUGHSOME ROUGH TIMES
1358
01:07:51,959 --> 01:07:54,254
BUT THEY'REFINALLY HERE.
1359
01:07:54,296 --> 01:07:58,759
SO, PLEASE LET'S PUTOUR HANDS TOGETHER
1360
01:07:58,759 --> 01:08:01,554
AND WELCOME TOTHE STAGE...
1361
01:08:01,595 --> 01:08:05,976
SO, HER HUSBAND, PUTOJOEY CASTELLUCI.R
1362
01:08:05,976 --> 01:08:07,019
[audience applaudes]
1363
01:08:07,019 --> 01:08:08,854
SO, HER HUSBAND, PUTOYOU'RE KIDDING..R
1364
01:08:09,689 --> 01:08:13,026
[audience applauding]
1365
01:08:15,821 --> 01:08:18,199
[microphone rings]
1366
01:08:18,240 --> 01:08:22,495
HI, A FEW YEARS AGO MYWIFE STARTED COMING HERE
1367
01:08:22,537 --> 01:08:26,124
BECAUSE SHE WANTEDTO SURPRISE ME.
1368
01:08:26,166 --> 01:08:31,464
CAITLYN, YOU ARE THEMOST AMAZING WOMAN
1369
01:08:31,505 --> 01:08:33,132
IN THE WORLD.
1370
01:08:33,174 --> 01:08:35,009
YOU CAME HEREA LONG TIME AGO
1371
01:08:35,051 --> 01:08:37,930
TO LEARN HOW TOMAKE ME LAUGH.
1372
01:08:37,930 --> 01:08:46,482
AND I'M HERE TONIGHT TOMAKE YOU A DEAL.
1373
01:08:46,523 --> 01:08:51,070
IF YOU PUT THIS RINGBACK ON MY FINGER,
1374
01:08:51,070 --> 01:08:52,489
I PROMISE YOU,
1375
01:08:52,530 --> 01:08:56,619
IF YI WILL NEVERRINGTAKE IT OFF AGAIN.
1376
01:08:56,619 --> 01:09:01,582
CAITLYN CASTELLUCI,WILL YOU MARRY ME...
1377
01:09:01,624 --> 01:09:03,209
IF YI ONE MOREERRINGTAKE ITIME? AGAIN.
1378
01:09:03,251 --> 01:09:13,263
[audience applaudes]
1379
01:09:16,141 --> 01:09:21,188
[audience chants]YES.YES.
1380
01:09:22,231 --> 01:09:23,608
YES.
1381
01:09:23,608 --> 01:09:28,406
[audience cheers and applauds]
1382
01:09:34,663 --> 01:09:40,586
A FUNNY THING HAPPENED ONTHE WAY TO OUR DIVORCE.
1383
01:09:40,586 --> 01:09:43,006
WE FELL BACK IN LOVE...
1384
01:09:43,048 --> 01:09:49,096
A F[audience applauds]ONTHE WAY AWWW...IVORCE.
1385
01:09:51,265 --> 01:09:55,979
♪ April in Paris by Ella Fitzgerald & Louis Armstrong ♪
1386
01:09:55,979 --> 01:09:57,856
DANCE WITH ME?
1387
01:09:57,898 --> 01:09:59,942
REALLY?
1388
01:10:04,238 --> 01:10:09,495
SINCE WHEN DID YOULEARN HOW TO DANCE?
1389
01:10:09,537 --> 01:10:11,914
YOU ASKED METO, REMEMBER?
1390
01:10:11,956 --> 01:10:21,968
♪ April in Paris, this is... ♪
1391
01:10:22,259 --> 01:10:25,180
GOSH, YOU REALLY DID IT.
1392
01:10:25,180 --> 01:10:27,891
I TRIED SO HARD BUT YOUWOULDN'T DO IT FOR ME.
1393
01:10:27,933 --> 01:10:31,520
AND I THOUGHT I COULD TALKYOU INTO ANYTHING.
1394
01:10:31,520 --> 01:10:39,489
IF I REMEMBER, I COULD TALKYOU OUT OF ANYTHING.
1395
01:10:39,530 --> 01:10:47,373
♪ I never knew the charm of spring, ♪
1396
01:10:47,373 --> 01:10:54,131
♪ never met it face to face. ♪
1397
01:10:54,172 --> 01:10:57,551
♪ I never knew my heart could sing...♪
1398
01:10:57,551 --> 01:11:01,597
[whispers]DON'T KISS HER.DON'T KISS HER.
1399
01:11:01,639 --> 01:11:07,187
♪ I never knew my ♪ never missed a warm embrace ♪
1400
01:11:07,229 --> 01:11:14,905
♪ till April in Paris. ♪
1401
01:11:14,946 --> 01:11:21,913
♪ who can I run to?
1402
01:11:21,913 --> 01:11:31,925
♪ What have you done to my heart? ♪
1403
01:11:35,512 --> 01:11:39,099
♪ In the Wee Small Hours of the Morning by Stacey Kent ♪
1404
01:11:39,099 --> 01:11:43,604
♪ In the wee small hours,of the morning ♪
1405
01:11:43,604 --> 01:11:51,280
♪ when the whole, wide, world,is fast asleep ♪
1406
01:11:51,280 --> 01:12:00,749
♪ you lie awake, and thinkabout the boy ♪♪
1407
01:12:00,791 --> 01:12:07,549
♪ and never even think ofcounting sheep ♪
1408
01:12:07,591 --> 01:12:15,767
♪ when the whole, wide, worldhas learned it's lesson ♪
1409
01:12:15,809 --> 01:12:17,978
♪ he'd be yours-- ♪
1410
01:12:17,978 --> 01:12:18,980
SHANE?
1411
01:12:18,980 --> 01:12:21,148
[gasp!]
1412
01:12:21,148 --> 01:12:23,985
YOU SCARED ME.SHANE?
1413
01:12:24,026 --> 01:12:29,074
WHY ARE YOU PUTTING YOURSTUFF IN A BOX?
1414
01:12:29,116 --> 01:12:35,164
I WROTEYOU A LETTER.
1415
01:12:35,164 --> 01:12:39,920
I'M LEAVING.
1416
01:12:39,962 --> 01:12:42,340
I'M MOVINGYOUAWAY.TTER.
1417
01:12:42,340 --> 01:12:43,674
WHAT?
1418
01:12:43,716 --> 01:12:50,391
I JUST REALIZED THAT...
1419
01:12:50,432 --> 01:12:55,813
I DON'T REALLY BELONGHERE ANYMORE.
1420
01:12:55,813 --> 01:12:59,902
NO. OF COURSEYOU DO.
1421
01:12:59,902 --> 01:13:02,196
I ARE YOU GOING BACK TOHEWASHINGTON DC?
1422
01:13:02,196 --> 01:13:07,661
NO, I'M QUITTING THEPOSTAL SERVICE FOR GOOD.
1423
01:13:10,498 --> 01:13:14,210
HOW COULD THATBE GOOD?
1424
01:13:21,052 --> 01:13:25,765
I LOVE YOU BOTHSO MUCH.
1425
01:13:25,807 --> 01:13:31,940
THIS IS NOT HOW IWANTED TO SAY GOODBYE.
1426
01:13:31,981 --> 01:13:39,031
WAIT, I DON'T UNDERSTAND.WHAT HAPPENED?
1427
01:13:39,073 --> 01:13:42,577
NOTHING.
1428
01:13:42,618 --> 01:13:50,795
NOTHING FINALLYHAPPENED.
1429
01:13:50,837 --> 01:13:58,261
DON'T LET NOTHING HAPPENTO THE TWO OF YOU. OKAY?
1430
01:14:02,058 --> 01:14:03,226
[soft kiss]
1431
01:14:12,987 --> 01:14:15,281
WHAT ABOUTTHE POSTABLES?
1432
01:14:18,869 --> 01:14:20,747
[holding back tears]OH, NORMAN.
1433
01:14:20,788 --> 01:14:22,915
WE'LL ALWAYS HAVE THE POSTABLES.
1434
01:14:26,128 --> 01:14:31,259
[Rita weeps softly]
1435
01:14:59,542 --> 01:15:01,835
"DEAR FRIENDS,
1436
01:15:01,877 --> 01:15:05,131
I CAN'T TELL YOU HOW MUCHIT HAS MEANT TO ME
1437
01:15:05,173 --> 01:15:09,970
TO SPEND THIS LASTYEAR WITH ALL OF YOU...
1438
01:15:10,012 --> 01:15:13,558
IT'S FUNNY WHAT LESSONSI'VE LEARNED
1439
01:15:13,558 --> 01:15:20,441
ABOUT LIVING BY DELIVERINGA DEAD LETTER.
1440
01:15:20,441 --> 01:15:23,194
IT'SABOUT SAYING THEONSTHINGS WE MEAN...
1441
01:15:24,987 --> 01:15:28,784
ABAND FINDING THE RIGHTINGWORDS TO SAY THEM."
1442
01:15:36,335 --> 01:15:43,301
"BUT SOMEHOW I CAN'T SEEMTO FIND THE RIGHT WORDS
1443
01:15:43,301 --> 01:15:48,599
TO EXPLAIN WHY I'MSAYING GOODBYE.
1444
01:15:48,640 --> 01:15:52,394
"BUJUST KNOW THAT IT'SEEMTO FIFOR THE BEST. ORDS
1445
01:15:52,394 --> 01:15:56,233
ALWAYS, SHANE"
1446
01:15:56,233 --> 01:15:59,653
"BUJUWHAT IS SHET IT'SEEMTO TALKING ABOUT?. ORDS
1447
01:15:59,695 --> 01:16:02,949
HOLLY.
1448
01:16:02,991 --> 01:16:10,082
HOLLY? WHAT DOES HOLLYHAVE TO DO WITH THIS.
1449
01:16:10,124 --> 01:16:13,002
OH, NORMAN.
1450
01:16:13,043 --> 01:16:15,756
WHEN TWO PEOPLEWHO TRULY CARE
1451
01:16:15,756 --> 01:16:19,093
ABOUT EACH OTHER DON'TTELL EACH OTHER THAT THEY
1452
01:16:19,093 --> 01:16:21,345
WHEN TTRULY CARE WHO TRABOUT THEM,
1453
01:16:21,345 --> 01:16:22,972
THEN THE PERSONTHEY CARE ABOUT
1454
01:16:23,014 --> 01:16:27,185
WCAN THINK THEY DON'TWHOCARE ABOUT THEM
1455
01:16:27,227 --> 01:16:30,230
AND THEN THEYFIND SOMEONE ELSE
1456
01:16:30,230 --> 01:16:32,942
WHO CARESABOUT THEM
1457
01:16:36,280 --> 01:16:40,117
AAND THENTHEYIT'S TOO LATE.LSE
1458
01:16:40,159 --> 01:16:42,620
I KNOW THIS DOESN'TMAKE ANY SENSE...
1459
01:16:42,662 --> 01:16:45,957
OH, NO, IT DOES.
1460
01:16:45,999 --> 01:16:47,375
IT DOES?
1461
01:16:50,796 --> 01:16:56,303
YOU ALWAYS MAKESENSE TO ME, RITA.
1462
01:16:56,303 --> 01:16:57,470
I DO?
1463
01:17:17,202 --> 01:17:20,372
YOARE YOU IN LOVESENSEWITH RAMON?A.
1464
01:17:20,414 --> 01:17:26,129
RAMON? NO!
1465
01:17:26,171 --> 01:17:32,220
NO,NO, I'M ...
1466
01:17:32,261 --> 01:17:36,475
I'M...
1467
01:17:36,475 --> 01:17:39,854
I'M IN LOVEWITH YOU.
1468
01:17:39,895 --> 01:17:44,525
I AM IN LOVE WITH YOU,NORMAN XAVIER DORMAN--
1469
01:17:47,278 --> 01:17:50,532
♪
1470
01:18:05,550 --> 01:18:10,723
[burst out laughing]
1471
01:18:17,230 --> 01:18:18,565
ARE YOU HUNGRY?
1472
01:18:18,565 --> 01:18:21,027
[Rita laughs]
1473
01:18:21,068 --> 01:18:22,737
ARE YOU HUNGRY?YEAH.
1474
01:18:22,737 --> 01:18:23,821
I'M STARVING.
1475
01:18:23,821 --> 01:18:27,159
[Rita laughs boisterously]
1476
01:18:33,917 --> 01:18:40,257
♪ When your lonely heart hasI'M Slearned its lesson. ♪
1477
01:18:40,257 --> 01:18:49,643
♪ You'd be his, if only he would call. ♪
1478
01:18:54,231 --> 01:19:01,240
♪ When WHAT ON EARTH?art hasI'M SOLIVER, WHAT IS...? ♪
1479
01:19:01,282 --> 01:19:04,869
AN EARLY BIRTHDAY PRESENT.
1480
01:19:04,911 --> 01:19:07,581
IF YOU PUT YOUR WEAPON DOWN,
1481
01:19:07,622 --> 01:19:10,960
I'LL LET YOU SWING ON IT.
1482
01:19:10,960 --> 01:19:13,254
THIS IS MINE!
1483
01:19:13,296 --> 01:19:15,715
BEING DISPATCHED BY MYFAVOURITE LETTER OPENER.
1484
01:19:15,756 --> 01:19:17,759
NOW THAT ISPOETIC JUSTICE.
1485
01:19:17,801 --> 01:19:24,266
CAN WE PLEASE NOT DISCUSSPOETRY RIGHT NOW?
1486
01:19:24,308 --> 01:19:26,018
HOW LONG HAVEYOU BEEN HERE?
1487
01:19:26,018 --> 01:19:28,396
HOUR AND A HALF.IT WOULD HAVE BEEN LESS,
1488
01:19:28,438 --> 01:19:30,483
HOW LONG HAVEBUT I HAD TO YOU BEEN HERSTOP TO EXPLAIN
1489
01:19:30,524 --> 01:19:31,859
TO A COUPLEPOLICE OFFICERS
1490
01:19:31,900 --> 01:19:34,821
WHY I WAS INSTALLING APORCH SWING AT TWO AM.
1491
01:19:34,821 --> 01:19:36,322
WHY WERE YOU?
1492
01:19:36,322 --> 01:19:39,869
WHY ITHE REASON WHYG APORCTHAT BOX CONTAINS.
1493
01:19:39,910 --> 01:19:42,747
THE ENTIRE CONTENTSOF YOUR WORKSTATION?
1494
01:19:42,788 --> 01:19:44,165
I'VE QUIT.
1495
01:19:44,165 --> 01:19:45,416
YOU'VE QUIT?
1496
01:19:45,458 --> 01:19:47,127
I HAVE ENDEDMY EMPLOYMENTT.
1497
01:19:47,168 --> 01:19:49,505
WITH THE UNITED STATESPOSTAL SERVICE FOREVER
1498
01:19:49,505 --> 01:19:53,551
AND UNALTERABLY AND ... FOREVER.
1499
01:19:53,551 --> 01:19:54,386
HMM.
1500
01:19:54,427 --> 01:19:56,429
AND UNWHAT?ABLY I'VE REALLY QUIT.
1501
01:19:56,471 --> 01:19:57,973
NO, YOU HAVEN'T.
1502
01:19:58,015 --> 01:19:59,057
I HAVE TOO.
1503
01:19:59,057 --> 01:20:03,187
MS. MCINERNEY, YOU HAVE AHABIT OF SELF-TERMINATING
1504
01:20:03,187 --> 01:20:05,398
WHENEVER CONFRONTEDI HAVE TOO.WITH A SITUATION
1505
01:20:05,439 --> 01:20:08,402
YOU CANNOT CONTROL.
1506
01:20:08,443 --> 01:20:11,531
WELL, I'M REALLY GOINGTO DO IT THIS TIME.
1507
01:20:11,531 --> 01:20:13,157
BUT WHY?
1508
01:20:13,198 --> 01:20:15,368
WELL, WE'VE BEEN TOGETHER,WORKING TOGETHER,
1509
01:20:15,368 --> 01:20:19,873
FOR ALMOST A YEAR AND IT'SBECOMING OBVIOUS THAT
1510
01:20:19,873 --> 01:20:23,586
THERE'S JUST NO FUTURE FORWME WITH...THE JOB.
1511
01:20:23,628 --> 01:20:25,212
OF COURSETHERE IS.
1512
01:20:25,255 --> 01:20:28,050
IT JUST TAKES SOME TIME TOGET TO KNOW EACH OTHER,
1513
01:20:28,050 --> 01:20:29,718
EACH OTHER'S STRENGTHSAND ABILITIES
1514
01:20:29,718 --> 01:20:32,430
AND TO SEE IF WE HAVETHE RIGHT CHEMISTRY...
1515
01:20:32,471 --> 01:20:35,183
TO WORK TOGETHER.
1516
01:20:35,224 --> 01:20:37,226
WELL, I THINK I'VESEEN ENOUGH
1517
01:20:37,226 --> 01:20:38,270
TO KNOW WHERE THISIS GOING
1518
01:20:38,312 --> 01:20:41,065
AND I THINK MAYBETHERES SOMEONE BETTER
1519
01:20:41,106 --> 01:20:42,858
FOR THE JOB.
1520
01:20:42,900 --> 01:20:44,402
IF YOU RECALL, MS.MCINERNEY,
1521
01:20:44,444 --> 01:20:47,823
THE POSITION DIDN'T EVEN EXISTUNTIL YOU CAME ALONG.
1522
01:20:47,864 --> 01:20:50,993
I DON'T THINK IEVEN REALIZED
1523
01:20:50,993 --> 01:20:53,788
WHAT A HUGEHOLE I HAD IN MY...
1524
01:20:53,830 --> 01:20:57,250
IDEPARTMENT UNTILEVENYOU CAMED
1525
01:20:57,250 --> 01:21:00,087
AND FILLED IT.
1526
01:21:00,128 --> 01:21:01,422
IDEPARTMENT UNTILEVENYOU CAMEDWELL, NOW YOU KNOW
1527
01:21:01,422 --> 01:21:04,008
AND I'M SURE YOU WON'T WASTEANY TIME REPLACING ME.
1528
01:21:04,008 --> 01:21:05,552
IDTHAT WOULD NTILBE IMPOSSIBLE.ELL, NOW YOU KNOW
1529
01:21:05,594 --> 01:21:07,387
AND I'M SURWELL, I'VE MADETEANY TIME RUP MY MIND.
1530
01:21:07,429 --> 01:21:12,101
I WISH YOU NOTHINGBUT HAPPINESS, OLIVER.
1531
01:21:12,142 --> 01:21:13,519
BOTH OFYOU.
1532
01:21:13,561 --> 01:21:17,315
BOTH OF... MS. MCINERNEY,
1533
01:21:17,357 --> 01:21:22,696
MY WIFE HASRETURNED TO PARIS.
1534
01:21:22,739 --> 01:21:25,283
WHAT?
1535
01:21:25,325 --> 01:21:29,412
WE WISHED EACH OTHER WELL,
1536
01:21:29,454 --> 01:21:33,292
KISSED EACH OTHERGOOD-BYE.
1537
01:21:38,965 --> 01:21:41,385
YOU KISSED HER GOOD-BYE?
1538
01:21:41,426 --> 01:21:45,473
YES.
1539
01:21:45,473 --> 01:21:47,267
AND THAT DIDN'T...
1540
01:21:47,308 --> 01:21:51,480
NO, THAT DID NOT.
1541
01:22:00,866 --> 01:22:05,121
SO, HOW DOYOU FEEL?
1542
01:22:05,163 --> 01:22:07,206
YOU KNOW, FOR TWO YEARS
1543
01:22:07,248 --> 01:22:10,544
I'VE IMAGINED WHATIT MIGHT BE LIKE
1544
01:22:10,544 --> 01:22:13,047
IF IT BECAME ABSOLUTELYCLEAR THAT MY
1545
01:22:13,088 --> 01:22:14,757
I'VE IMAGINED WHATMARRIAGE WAS OVER.
1546
01:22:14,757 --> 01:22:17,177
ONCE ALL THE QUESTIONSWERE ANSWERED
1547
01:22:17,177 --> 01:22:18,929
AND I KNEW ID WHATWOULD NEVERS OVER.
1548
01:22:18,970 --> 01:22:21,432
BE HOLLY'SHUSBAND AGAIN,
1549
01:22:21,473 --> 01:22:23,225
HOW WOULDI FEEL?
1550
01:22:23,267 --> 01:22:25,687
WHAT WOULDI DO?
1551
01:22:25,687 --> 01:22:28,356
WHAT DIDYOU DO?
1552
01:22:28,356 --> 01:22:30,609
[softly speaking]I WENT OUT
1553
01:22:30,651 --> 01:22:34,906
AND I BOUGHTA PORCH SWING.
1554
01:22:36,616 --> 01:22:39,578
[chuckle]
1555
01:22:49,590 --> 01:22:52,384
IS IT LIKE THEONE YOU HAD
1556
01:22:52,384 --> 01:22:54,386
WHEN YOU WEREA LITTLE GIRL?
1557
01:22:54,428 --> 01:22:57,224
IT'S BETTER.
1558
01:22:57,224 --> 01:23:00,310
THERE'S NO VIEW OF THEPOTOMAC, OF COURSE,
1559
01:23:00,310 --> 01:23:05,734
BUT IF YOU LOOK RIGHT THERE...
1560
01:23:08,570 --> 01:23:13,576
TH[Shane] VIEW OF THEA CROCUS.OF COURSE,
1561
01:23:13,618 --> 01:23:17,664
IT WAS A LONG WINTER
1562
01:23:17,664 --> 01:23:23,587
BUT SPRING IS ALMOST HERE.
1563
01:23:23,587 --> 01:23:30,804
IT WAS A IT'S COMING.LONG WINTER
1564
01:23:30,846 --> 01:23:34,392
BIT'S COMING.IS ALMOST HERE.
1565
01:23:41,275 --> 01:23:43,986
♪
1566
01:24:05,303 --> 01:24:08,014
♪
101173
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