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1
00:00:08,775 --> 00:00:10,511
We stole her from
Livingston‐Kent.
2
00:00:10,511 --> 00:00:12,079
‐ Bob Livingston fired me.
3
00:00:12,079 --> 00:00:13,480
I pushed him back
into the arms of his wife.
4
00:00:13,480 --> 00:00:15,349
‐ You should have pushed
him into a woodchipper.
5
00:00:15,349 --> 00:00:18,118
‐ She spent eight years straight
in the Platinum Ring of Esteem.
6
00:00:18,118 --> 00:00:19,286
‐ What's the
Platinum Ring of Esteem?
7
00:00:19,286 --> 00:00:23,123
‐ It's just this club for people
who do ten million dollars
8
00:00:23,123 --> 00:00:25,259
in volume over a
12‐month period.
9
00:00:25,259 --> 00:00:28,762
‐ The world always assumes that
people who investigate heresies
10
00:00:28,762 --> 00:00:30,163
must be heretics.
11
00:00:30,163 --> 00:00:31,798
I would remind you
of the Travis house.
12
00:00:31,798 --> 00:00:33,734
‐ Those things,
they can hurt you.
13
00:00:33,734 --> 00:00:35,202
They are dangerous.
14
00:00:35,202 --> 00:00:36,503
[ Screaming ]
15
00:00:37,070 --> 00:00:38,739
♪ Gentle music ♪
16
00:00:38,739 --> 00:00:40,340
[ Elevator arriving chime ]
17
00:00:43,210 --> 00:00:44,578
[ August sighs ]
18
00:00:49,049 --> 00:00:50,484
‐ Post‐mortem in five, kids.
19
00:00:53,187 --> 00:00:55,189
[ Bag down ]
20
00:00:57,391 --> 00:00:59,092
‐ What exactly
was that thing?
21
00:00:59,092 --> 00:01:00,027
[ Sigh ]
22
00:01:00,027 --> 00:01:01,328
‐ We call it
a Roadie.
23
00:01:01,328 --> 00:01:03,230
We're going to cover
it all in the wrap‐up.
24
00:01:03,230 --> 00:01:04,598
‐ Those poor people.
25
00:01:05,399 --> 00:01:07,100
Nearly killed each other.
26
00:01:07,100 --> 00:01:08,569
‐ Speaking of
near‐death experiences,
27
00:01:09,469 --> 00:01:11,371
tomorrow night is
the big night.
28
00:01:11,371 --> 00:01:14,007
Platinum Ring of Esteem
annual banquet.
29
00:01:14,007 --> 00:01:15,342
Prom with business cards.
30
00:01:17,244 --> 00:01:19,246
‐ We mock what we
do not understand.
31
00:01:19,246 --> 00:01:20,280
‐ Seriously, though.
32
00:01:20,280 --> 00:01:23,317
Lifetime Achievement Award
at your tender age.
33
00:01:23,317 --> 00:01:25,519
‐ Some of us choose to
measure our lives in closings
34
00:01:25,519 --> 00:01:27,221
rather than years.
35
00:01:30,757 --> 00:01:32,359
‐ Look, sorry, Anthony. Um...
36
00:01:33,360 --> 00:01:34,795
[ Sighs ]
37
00:01:34,795 --> 00:01:36,496
No, that's great.
38
00:01:36,496 --> 00:01:38,398
Yes, no, thank you
for cleaning the house.
39
00:01:38,398 --> 00:01:39,733
I'm sure the
adoption agency people
40
00:01:39,733 --> 00:01:41,735
are going to be very impressed.
41
00:01:42,069 --> 00:01:45,205
Ah, just one more quick meeting
and then I'll be home.
42
00:01:45,205 --> 00:01:47,074
I'll heat it up.
43
00:01:47,074 --> 00:01:49,343
God, Anthony, it's a meatloaf,
not a donor organ.
44
00:01:49,343 --> 00:01:51,078
It'll keep.
45
00:01:51,078 --> 00:01:52,379
Yes, okay.
46
00:01:53,146 --> 00:01:55,015
I love you.
I gotta go. Bye.
47
00:01:55,015 --> 00:01:56,083
[ Hang up beep ]
48
00:01:56,517 --> 00:01:59,086
‐ All right, how long
is this thing going to take?
49
00:01:59,086 --> 00:02:01,088
‐ It shouldn't be too long.
50
00:02:01,088 --> 00:02:04,157
‐ Remarkable resilience
for a Roadie.
51
00:02:04,157 --> 00:02:06,360
I've never seen one
with such...
52
00:02:06,360 --> 00:02:08,095
Violent tendencies.
53
00:02:08,095 --> 00:02:09,496
‐ Okay...
54
00:02:09,496 --> 00:02:11,765
Let's wrap this up;
get into the weekend. ‐
55
00:02:11,765 --> 00:02:14,501
‐ Oh! You've got two new calls
from that reporter ‐‐
56
00:02:14,501 --> 00:02:16,470
Maria something?
57
00:02:16,470 --> 00:02:17,738
Uh, channel seven.
58
00:02:17,738 --> 00:02:19,740
‐ Yeah, she's been bugging
the cops, too.
59
00:02:19,740 --> 00:02:21,175
Where is Susan?
60
00:02:21,175 --> 00:02:22,409
‐ God, can we please
start without her?
61
00:02:22,409 --> 00:02:24,111
I've got places to be.
62
00:02:24,111 --> 00:02:27,247
‐ Sorry, I was just packing up a
little homework for the weekend.
63
00:02:27,247 --> 00:02:28,482
‐ Martyr.
64
00:02:28,482 --> 00:02:30,751
‐ Can we do
this please? Phil?
65
00:02:30,751 --> 00:02:32,319
‐ Okay...
66
00:02:32,486 --> 00:02:35,255
We worked the Jackson house
for two weeks.
67
00:02:35,756 --> 00:02:39,026
Mid‐level engagement
associated with an old fella
68
00:02:39,026 --> 00:02:41,228
who died in the upstairs bedroom
20 years ago
69
00:02:41,228 --> 00:02:43,030
but never got the memo.
70
00:02:43,030 --> 00:02:45,766
Luke helped him move on
but, in doing so,
71
00:02:45,766 --> 00:02:47,467
revealed our next contestant.
72
00:02:47,467 --> 00:02:49,736
‐ Basically a class‐three
shapeshifting demon
73
00:02:49,736 --> 00:02:52,506
that bounces from person
to person looking for a home.
74
00:02:52,506 --> 00:02:54,741
They are attracted
to our type of houses.
75
00:02:54,741 --> 00:02:57,211
They feed on
the spiritual turbulence.
76
00:02:57,211 --> 00:02:59,379
Heavier the engagement,
tastier the meal.
77
00:02:59,379 --> 00:03:01,248
Basically, it looks for
bad places to live
78
00:03:01,248 --> 00:03:03,217
and makes them worse.
79
00:03:03,217 --> 00:03:05,219
‐ What do they look like?
80
00:03:05,219 --> 00:03:07,354
‐ See, that's the thing
about Roadies...
81
00:03:07,354 --> 00:03:10,090
they have no corporeal mass
of their own‐‐
82
00:03:10,090 --> 00:03:12,759
only the host they occupy
at any given moment.
83
00:03:12,759 --> 00:03:14,361
‐ So, you've seen
these things before?
84
00:03:14,361 --> 00:03:15,762
‐ Only twice.
85
00:03:15,762 --> 00:03:18,232
Fortunately, that was enough
for our man, August,
86
00:03:18,232 --> 00:03:20,767
to figure out how modify the
M. E. D. to take it apart nicely.
87
00:03:20,767 --> 00:03:23,337
And that is what
saved our bacon tonight.
88
00:03:23,337 --> 00:03:25,239
‐ PHIL:
Yeah!
89
00:03:25,239 --> 00:03:27,074
[ Whooping ]
90
00:03:27,074 --> 00:03:29,710
‐ To be prepared
is half the victory.
91
00:03:29,710 --> 00:03:31,245
Cervantes.
92
00:03:31,478 --> 00:03:34,014
‐ Man, those Roadies
played rough.
93
00:03:34,014 --> 00:03:36,083
You saw what those Jackson kids
did to their parents.
94
00:03:36,083 --> 00:03:38,151
‐ Yeah. But that's
not the worst of it.
95
00:03:38,151 --> 00:03:41,355
‐ Mm‐mm. If they manage to stay
in the host long enough,
96
00:03:41,355 --> 00:03:43,156
they can take over.
97
00:03:43,156 --> 00:03:45,058
‐ Take over... how?
98
00:03:45,058 --> 00:03:48,128
‐ You know those stories you
hear about the nice, responsible
99
00:03:48,128 --> 00:03:51,732
insurance guy with a nice yard
who goes crazy one day
100
00:03:51,732 --> 00:03:54,201
and kills his entire family
with an axe?
101
00:03:54,201 --> 00:03:55,502
‐ My god.
102
00:03:55,502 --> 00:03:58,205
‐ Doesn't always go that way,
but often enough to, you know‐‐
103
00:03:58,205 --> 00:04:00,073
[ Alarm rings ]
104
00:04:00,073 --> 00:04:02,476
‐ Ooh. That's not
a happy sound.
105
00:04:02,476 --> 00:04:04,111
‐ AUGUST:
That is the breach alarm.
106
00:04:04,111 --> 00:04:05,212
‐ Zooey,
107
00:04:05,212 --> 00:04:07,347
lock down the elevators
and the stairwell, please.
108
00:04:07,347 --> 00:04:08,482
Talk to me, Augie.
109
00:04:08,482 --> 00:04:09,783
‐ Checking now.
110
00:04:09,783 --> 00:04:11,084
‐ What? Is there a fire?
111
00:04:11,084 --> 00:04:12,286
‐ I wish.
112
00:04:12,286 --> 00:04:15,088
‐ I think something
followed us home.
113
00:04:15,088 --> 00:04:16,456
♪ Opening score ♪
114
00:04:22,796 --> 00:04:24,364
[ Man screams ]
115
00:04:26,300 --> 00:04:27,768
‐ AUGUST:
Bear in mind that this
116
00:04:27,768 --> 00:04:30,470
merely indicates presence,
not location.
117
00:04:30,470 --> 00:04:32,472
‐ Now, how did it survive
that blast from the M. E. D.?
118
00:04:32,472 --> 00:04:33,774
‐ It didn't.
119
00:04:33,774 --> 00:04:35,209
It was gone.
120
00:04:35,209 --> 00:04:37,344
Ontologically disassembled.
121
00:04:37,344 --> 00:04:38,278
‐ And yet here it is.
122
00:04:38,278 --> 00:04:40,013
‐ I killed it.
123
00:04:40,013 --> 00:04:41,248
It's dead.
124
00:04:41,248 --> 00:04:43,083
‐ So, I talked to
the building sup.
125
00:04:43,083 --> 00:04:45,352
He's shutting down the elevators
at the ninth floor
126
00:04:45,352 --> 00:04:46,520
and securing
the stairwell.
127
00:04:46,520 --> 00:04:50,224
‐ We have to walk down ten
flights of stairs to get out?
128
00:04:50,224 --> 00:04:52,492
‐ Do you want to
tell her or can I?
129
00:04:52,492 --> 00:04:54,761
‐ Until we manage to wipe this
thing out properly,
130
00:04:54,761 --> 00:04:56,430
we can't take a chance
on letting it out.
131
00:04:56,430 --> 00:04:58,165
‐ Lockdown, baby.
132
00:04:58,165 --> 00:04:59,766
[ Scoffs ]
133
00:04:59,766 --> 00:05:01,301
‐ You're kidding?
134
00:05:03,203 --> 00:05:04,571
He's kidding, right?
135
00:05:05,472 --> 00:05:07,074
‐ ZOOEY:
Nope.
136
00:05:07,074 --> 00:05:08,075
So, we're stuck here?
137
00:05:08,075 --> 00:05:09,176
For how long?
138
00:05:09,176 --> 00:05:11,211
‐ Well, hopefully not for long
but you saw how that thing
139
00:05:11,211 --> 00:05:12,980
hopped from person to person.
140
00:05:13,247 --> 00:05:15,215
We can't risk it
getting out of here.
141
00:05:15,215 --> 00:05:18,085
‐ Can it pass through
walls and doors?
142
00:05:18,085 --> 00:05:20,487
‐ Were you not
paying attention?
143
00:05:20,487 --> 00:05:23,524
It doesn't have a body
except for the host.
144
00:05:23,524 --> 00:05:26,493
It's a Roadie;
never travels alone,
145
00:05:26,493 --> 00:05:28,295
only with the band.
146
00:05:28,295 --> 00:05:30,364
‐ So, how did
it get up here?
147
00:05:30,364 --> 00:05:32,332
‐ It found a host.
148
00:05:33,233 --> 00:05:35,035
♪ Suspenseful music ♪
149
00:05:36,203 --> 00:05:37,571
[ Deep sigh ]
150
00:05:40,474 --> 00:05:42,409
‐ Oh, come on!
151
00:05:42,409 --> 00:05:44,344
‐ The truth is
we don't know.
152
00:05:44,344 --> 00:05:47,147
This thing can sit dormant
in a person for...
153
00:05:47,147 --> 00:05:48,215
Phil, help me out here.
154
00:05:48,215 --> 00:05:51,084
‐ Latency seems to be
uncomfortable for Roadies.
155
00:05:51,084 --> 00:05:51,985
They...
156
00:05:51,985 --> 00:05:55,055
They like to move around,
like a virus.
157
00:05:55,289 --> 00:05:57,524
It infects different people
and takes control
158
00:05:57,524 --> 00:06:00,494
after varying periods of
dormancy and the host
159
00:06:00,494 --> 00:06:02,095
never knows until...
160
00:06:03,230 --> 00:06:05,365
he wakes up holding the axe.
[ Stabbing sounds ]
161
00:06:06,099 --> 00:06:08,402
‐ It was around eight P. M.
when we last saw this thing‐‐
162
00:06:08,402 --> 00:06:10,237
when August thought
that he killed it.
163
00:06:10,237 --> 00:06:12,139
‐ Oh, August
killed it, all right.
164
00:06:12,139 --> 00:06:13,340
‐ Your tech says otherwise.
165
00:06:13,340 --> 00:06:15,742
‐ Then there was
more than one.
166
00:06:15,742 --> 00:06:17,444
‐ A Mary‐Kate and Ashley?
167
00:06:19,112 --> 00:06:20,214
Uh...
168
00:06:20,214 --> 00:06:21,515
I guess it's possible.
169
00:06:21,515 --> 00:06:23,217
‐ Okay.
170
00:06:24,017 --> 00:06:25,085
We stay here for now.
171
00:06:25,085 --> 00:06:27,254
We keep an eye on each other
and we see what pops up.
172
00:06:27,254 --> 00:06:28,288
‐ For how long?
173
00:06:28,288 --> 00:06:30,757
‐ Until we find it and August
smokes it for real.
174
00:06:30,757 --> 00:06:34,027
Phil, do your thing.
See what else you can find out‐‐
175
00:06:34,027 --> 00:06:37,231
And you might want to
look at your own device.
176
00:06:37,497 --> 00:06:39,233
We are on the buddy system.
177
00:06:39,233 --> 00:06:42,002
Susan, you and I can talk
about the Menendez proposal
178
00:06:42,002 --> 00:06:43,337
in my office.
179
00:06:43,337 --> 00:06:45,205
You guys
stick together.
180
00:06:45,205 --> 00:06:47,441
Eyes on each other
all the time.
181
00:06:48,475 --> 00:06:51,144
‐ You've got somebody
to feed Schrodinger?
182
00:06:51,144 --> 00:06:53,480
‐ Yes, I‐‐I'll
call my neighbor.
183
00:06:53,480 --> 00:06:56,483
‐ I gotta call Anthony.
He's gonna freak out.
184
00:06:57,217 --> 00:06:58,752
‐ Yeah, I got people
I gotta call, too.
185
00:06:58,752 --> 00:07:01,021
‐ Why don't you go ahead and get
us some food while you're at it.
186
00:07:01,021 --> 00:07:02,222
Okay, what sounds good?
187
00:07:02,222 --> 00:07:03,757
‐ Mm... a morphine drip?
188
00:07:03,757 --> 00:07:05,092
‐ How's Chinese food?
189
00:07:05,092 --> 00:07:07,094
Is that okay with everybody?
190
00:07:07,094 --> 00:07:08,428
‐ Chinese.
191
00:07:08,428 --> 00:07:10,030
‐ Great. And get the usual.
192
00:07:10,030 --> 00:07:11,365
In the meantime...
193
00:07:13,767 --> 00:07:16,069
Let's all keep our eyes
on each other.
194
00:07:16,069 --> 00:07:17,437
Susan?
195
00:07:23,277 --> 00:07:24,978
[ Sigh ]
196
00:07:26,113 --> 00:07:28,081
[ Three phone lines trilling ]
197
00:07:28,081 --> 00:07:29,449
‐ ALL THREE:
Hello?
198
00:07:30,083 --> 00:07:32,085
‐ No, it's just one of
those work things, Megan.
199
00:07:32,085 --> 00:07:33,754
It could be late.
200
00:07:33,754 --> 00:07:35,589
Certainly no longer
than absolutely necessary.
201
00:07:38,759 --> 00:07:40,761
Okay, bye.
202
00:07:40,761 --> 00:07:42,362
[ Phone drops on desk ]
203
00:07:42,362 --> 00:07:44,164
‐ Just how long are we
going to be stuck here?
204
00:07:44,164 --> 00:07:45,432
‐ It's hard to say.
205
00:07:45,432 --> 00:07:49,069
‐ I don't have to tell you that
I am accepting a major award
206
00:07:49,069 --> 00:07:50,370
in less than 24 hours
207
00:07:50,370 --> 00:07:53,273
and there are certain acts of...
personal maintenance
208
00:07:53,273 --> 00:07:55,209
that need to take place
between now and then.
209
00:07:55,209 --> 00:07:57,077
‐ You look great.
You always look great.
210
00:07:57,077 --> 00:07:58,745
‐ To the untrained eye.
211
00:07:58,745 --> 00:08:02,749
In my own mind, I'm the chick
in the tub in room 237
212
00:08:02,749 --> 00:08:04,251
of the Overlook Hotel.
213
00:08:06,386 --> 00:08:08,488
‐ Look, you are just being
too hard on yourself.
214
00:08:08,488 --> 00:08:11,024
‐ But it is my night, Luke.
215
00:08:11,024 --> 00:08:13,093
It's my one night!
216
00:08:13,093 --> 00:08:15,762
I'll never win an Oscar,
or a Stanley Cup
217
00:08:15,762 --> 00:08:17,764
and the Nobel Prize committee
has an obvious
218
00:08:17,764 --> 00:08:20,133
anti‐real estate bias.
219
00:08:20,133 --> 00:08:22,069
Are you really going to
deny me exfoliation
220
00:08:22,069 --> 00:08:24,404
on my very special day?
221
00:08:24,404 --> 00:08:26,473
Are you that cruel?
222
00:08:26,473 --> 00:08:28,141
‐ I am not denying you anything.
223
00:08:28,141 --> 00:08:29,276
But if this thing
is inside of you,
224
00:08:29,276 --> 00:08:30,444
you don't want it popping out
in the middle of your
225
00:08:30,444 --> 00:08:34,348
acceptance speech and do
some kind of Roadie Rumspringa.
226
00:08:34,348 --> 00:08:36,216
It's going to do nothing
for your personal brand.
227
00:08:36,216 --> 00:08:39,119
Now, do you want to talk
Menendez or not?
228
00:08:39,486 --> 00:08:41,021
[ Deep sigh ]
229
00:08:41,021 --> 00:08:42,256
♪ Gentle music ♪
230
00:08:42,256 --> 00:08:43,757
‐ Yes.
231
00:08:43,757 --> 00:08:46,393
‐ I don't know, Jeffrey!
It's part of my job.
232
00:08:46,393 --> 00:08:48,362
Well, maybe if you ever
had a job, you'd understand.
233
00:08:48,362 --> 00:08:51,365
‐ I thought you'd understand,
but I guess not.
234
00:08:51,365 --> 00:08:52,533
You're stressed out?
235
00:08:52,533 --> 00:08:55,102
Anthony, how do you
think I feel?
236
00:08:55,102 --> 00:08:58,071
Quite honestly, the longer
I stand here talking to you,
237
00:08:58,071 --> 00:09:00,741
‐ ...the longer cat food soaks
in the warm water,
238
00:09:00,741 --> 00:09:02,342
the better she likes it.
239
00:09:03,210 --> 00:09:06,213
No, I'm all out of
the canned food she prefers.
240
00:09:06,213 --> 00:09:09,349
I didn't get to the, uh...
[ Deep rumble ]
241
00:09:09,349 --> 00:09:11,084
♪ Ominous music ♪
242
00:09:11,084 --> 00:09:12,386
[ Squelching ]
243
00:09:15,355 --> 00:09:17,090
To the, uh...
244
00:09:17,491 --> 00:09:19,193
store.
245
00:09:20,761 --> 00:09:24,198
I'm afraid we'll all have to
struggle through this together.
246
00:09:27,301 --> 00:09:29,002
♪ Gentle music ♪
247
00:09:29,736 --> 00:09:31,738
‐ PHIL:
Boy, it's a crowded field.
248
00:09:32,773 --> 00:09:34,508
Okay...
249
00:09:34,508 --> 00:09:36,310
The Slavs call it a Leshy.
250
00:09:37,611 --> 00:09:40,514
The Japanese have a
shape‐shifting trickster fox
251
00:09:40,514 --> 00:09:42,683
called a Kitsune.
252
00:09:42,683 --> 00:09:45,285
For the Algonquins,
a Wendigo.
253
00:09:45,285 --> 00:09:48,155
When it possessed somebody,
254
00:09:48,155 --> 00:09:50,057
it developed
a violent compulsion
255
00:09:50,057 --> 00:09:51,692
to feast on human flesh.
256
00:09:51,692 --> 00:09:53,093
[ Phone reminder chime ]
257
00:09:53,093 --> 00:09:54,595
‐ Hn! Who's hungry?
258
00:09:57,264 --> 00:10:00,133
‐ I had no idea you could
break them down by income.
259
00:10:00,133 --> 00:10:01,502
‐ Used to be you couldn't.
260
00:10:01,502 --> 00:10:03,036
But I developed
this algorithm
261
00:10:03,036 --> 00:10:04,705
that scrapes the
property tax database
262
00:10:04,705 --> 00:10:06,273
and extrapolates
household income
263
00:10:06,273 --> 00:10:07,741
on a separate tab.
264
00:10:07,741 --> 00:10:09,142
‐ Whew. It's fantastic.
265
00:10:09,142 --> 00:10:11,245
‐ Mm‐hm.
‐ Is it legal?
266
00:10:11,245 --> 00:10:13,280
‐ Susan Ireland:
real estate renegade.
267
00:10:15,249 --> 00:10:17,017
‐ Dinner's downstairs.
268
00:10:17,017 --> 00:10:19,286
‐ Why is it downstairs?
He usually brings it upstairs.
269
00:10:19,286 --> 00:10:21,522
‐ Ah, 'cause he can usually
use the elevator.
270
00:10:21,522 --> 00:10:22,689
‐ So where is our dinner?
271
00:10:22,689 --> 00:10:24,658
‐ Down at the security desk.
272
00:10:24,658 --> 00:10:27,794
Larry is probably sniffing
your Crab Rangoon as we speak.
273
00:10:27,794 --> 00:10:29,196
‐ Larry the, uh...
274
00:10:29,196 --> 00:10:31,598
‐ Larry the
security guard.
275
00:10:31,598 --> 00:10:33,667
You know ‐‐ the one
who looks at Susan the way
276
00:10:33,667 --> 00:10:35,202
Kanye looks at Kanye.
277
00:10:35,202 --> 00:10:36,703
♪ Mischievous music ♪
278
00:10:43,177 --> 00:10:45,179
‐ Yeah. Just do
the voice.
279
00:10:48,048 --> 00:10:49,550
‐ Larry!
280
00:10:49,716 --> 00:10:51,285
Hey, you!
281
00:10:51,285 --> 00:10:53,086
[ Fluorescent tubes buzz ]
282
00:10:54,087 --> 00:10:56,056
[ Papers rustle ]
283
00:11:03,030 --> 00:11:04,565
‐ What are these?
284
00:11:04,698 --> 00:11:07,067
‐ The Jacksons had 'em
up on the fridge.
285
00:11:07,067 --> 00:11:10,637
Think the youngest kid drew 'em
when he was chock full o' demon.
286
00:11:10,637 --> 00:11:12,239
‐ What do they mean?
287
00:11:12,239 --> 00:11:13,974
‐ Swirls, chaos...
288
00:11:14,741 --> 00:11:16,276
Two parents,
one sibling...
289
00:11:17,177 --> 00:11:18,612
Who knows?
290
00:11:18,612 --> 00:11:20,214
‐ We should probably
take turns
291
00:11:20,214 --> 00:11:21,048
getting some sleep.
292
00:11:21,048 --> 00:11:24,117
Two of us need to be awake
at all times.
293
00:11:24,117 --> 00:11:27,688
‐ Well, I need a tool
from my workshop.
294
00:11:28,121 --> 00:11:29,690
Who would like to
accompany me to witness
295
00:11:29,690 --> 00:11:33,093
any horrid transformations
that might take place?
296
00:11:33,660 --> 00:11:36,263
‐ Oh, I'd buy
a ticket for that.
297
00:11:38,632 --> 00:11:40,300
[ Light switch clicks ]
298
00:11:40,300 --> 00:11:42,002
♪ Gentle music ♪
299
00:11:42,736 --> 00:11:44,771
[ Electronic hums
and whooshes ]
300
00:11:44,771 --> 00:11:46,173
‐ It's like
301
00:11:46,173 --> 00:11:48,509
Marie Curie/
Edgar Allen Poe
302
00:11:48,509 --> 00:11:50,744
gave birth to Steve Jobs
and we're
303
00:11:50,744 --> 00:11:52,713
looking inside
of its brain.
304
00:11:52,713 --> 00:11:54,281
‐ I've been meaning to tidy up
305
00:11:54,281 --> 00:11:58,051
but there always seems to be
some more compelling need.
306
00:11:59,620 --> 00:12:00,787
‐ Ooh!
307
00:12:00,787 --> 00:12:03,590
Sweet Virgin Airlines!
What is that?
308
00:12:04,658 --> 00:12:07,761
‐ It was living in the furnace
of a mid‐century bungalow
309
00:12:07,761 --> 00:12:09,696
some years ago.
310
00:12:09,696 --> 00:12:11,331
It, uh, obstructed
the ventilation.
311
00:12:12,533 --> 00:12:16,236
Made it impossible to pass the
buyers' pre‐closing inspection.
312
00:12:16,236 --> 00:12:18,472
‐ Can't have that.
‐ Plus...
313
00:12:18,472 --> 00:12:20,040
it ate their cat.
314
00:12:23,710 --> 00:12:26,747
‐ Uh, I don't even understand
most of this shit.
315
00:12:26,747 --> 00:12:30,217
‐ It must be difficult to focus
when you're always
316
00:12:30,217 --> 00:12:33,587
busy trying to formulate
your next ironic remark.
317
00:12:33,587 --> 00:12:35,689
Rather lazy
intellectually, though.
318
00:12:36,690 --> 00:12:38,292
‐ Excuse me?
319
00:12:38,292 --> 00:12:40,027
[ Phone buzzes ]
320
00:12:40,027 --> 00:12:41,695
Uh, I need to take this.
321
00:12:41,695 --> 00:12:44,131
(Demonic voice creeps in)
‐ Oh, I know you do.
322
00:12:44,131 --> 00:12:45,666
‐ What is your problem?
323
00:12:45,666 --> 00:12:47,501
‐ You're strong.
324
00:12:47,501 --> 00:12:50,537
Makes me sad to see you
act so needy.
325
00:12:50,537 --> 00:12:52,172
[ Scoffs ]
‐ Needy?
326
00:12:52,673 --> 00:12:54,508
You think I'm needy?
327
00:12:54,508 --> 00:12:56,710
[ Phone buzzes ]
[ Exasperated sigh ]
328
00:12:56,710 --> 00:12:58,779
I‐I'm gonna take this and
when I get back, you and me,
329
00:12:58,779 --> 00:13:00,614
we're going to have
a little chat.
330
00:13:00,614 --> 00:13:02,182
What is it, Jeffrey?
331
00:13:02,182 --> 00:13:03,650
Why, what did she say?
332
00:13:03,650 --> 00:13:13,193
♪ Mysterious music ♪
333
00:13:13,193 --> 00:13:14,695
[ Deep rumbling ]
334
00:13:18,165 --> 00:13:19,700
[ Squelching ]
335
00:13:29,076 --> 00:13:30,577
[ Squelching ]
336
00:13:32,312 --> 00:13:34,214
[ Door rumbles closed ]
337
00:13:34,781 --> 00:13:37,217
‐ So, this one version
of the Roadie
338
00:13:37,217 --> 00:13:39,286
supposedly manifests
in a large
339
00:13:39,286 --> 00:13:41,021
red, bird‐shaped rash
340
00:13:41,722 --> 00:13:43,724
on the infected person's
left buttock.
341
00:13:46,093 --> 00:13:49,696
‐ What exactly am I supposed
to do with that information?
342
00:13:49,696 --> 00:13:51,698
[ Phone dings ]
‐ Hm.
343
00:13:52,099 --> 00:13:54,201
[ Text whoosh ]
‐ Oh, God.
344
00:13:55,736 --> 00:13:57,271
[ Button clicks ]
345
00:13:59,273 --> 00:14:01,008
[ Text sent swoop ]
346
00:14:01,008 --> 00:14:03,076
[ Text whooshes,
clicks and swoops ]
347
00:14:12,252 --> 00:14:13,754
♪ Gentle music ♪
348
00:14:14,655 --> 00:14:16,089
[ Phone down on table ]
349
00:14:16,089 --> 00:14:17,591
‐ Trouble at home?
350
00:14:19,059 --> 00:14:22,729
‐ I told you Anthony and I
are trying to adopt?
351
00:14:22,729 --> 00:14:25,332
Well, the people are
coming over tomorrow morning.
352
00:14:25,732 --> 00:14:27,167
Anthony's freaking out.
353
00:14:27,167 --> 00:14:28,969
‐ They're gonna love you.
354
00:14:29,770 --> 00:14:31,738
‐ I hope so.
355
00:14:31,738 --> 00:14:34,107
‐ You can trust me
on two subjects...
356
00:14:34,107 --> 00:14:37,110
adjustable‐rate mortgages
and screwed‐up families.
357
00:14:37,244 --> 00:14:39,646
You and Anthony will be
the best dads ever.
358
00:14:39,646 --> 00:14:41,048
[ Chuckles ]
359
00:14:41,048 --> 00:14:43,050
I wish you would adopt me!
360
00:14:44,084 --> 00:14:46,553
‐ We could never afford
the wardrobe.
361
00:14:46,553 --> 00:14:48,522
‐ I cannot believe you are
breaking up with me
362
00:14:48,522 --> 00:14:50,157
over the phone right now!
363
00:14:52,559 --> 00:14:54,661
At least it's not a text.
364
00:14:57,097 --> 00:14:59,099
Can you hold that
whiny rationalization
365
00:14:59,666 --> 00:15:01,201
for a hot second?
366
00:15:05,305 --> 00:15:07,007
Augie?
367
00:15:08,642 --> 00:15:10,677
We're su‐supposed to be...
368
00:15:10,677 --> 00:15:13,113
[ Loud whoosh ]
[ Growl ]
369
00:15:13,113 --> 00:15:14,648
♪ Pulsing music ♪
370
00:15:16,583 --> 00:15:18,785
♪ Music crescendos,
fades out quickly ♪
371
00:15:18,785 --> 00:15:20,621
[ Deep breaths ]
372
00:15:20,621 --> 00:15:22,222
‐ You okay?
373
00:15:23,123 --> 00:15:25,225
‐ Oh, it was just
that stupid dream
374
00:15:25,225 --> 00:15:28,195
where you're doing a closing
375
00:15:28,195 --> 00:15:29,730
and Justin Timberlake's
the buyer
376
00:15:29,730 --> 00:15:32,733
and just as he's about to
sign the HUD‐One statement,
377
00:15:32,733 --> 00:15:35,135
he looks straight into your eyes
and starts singing
378
00:15:35,135 --> 00:15:38,038
"I'm Lovin' It"
and then his pen
379
00:15:38,038 --> 00:15:40,107
turns into this big snake.
380
00:15:40,107 --> 00:15:41,642
[ Inhales ]
381
00:15:45,746 --> 00:15:48,549
Oh, come on.
You've never had that dream?
382
00:15:49,783 --> 00:15:51,618
♪ Gentle music ♪
383
00:15:51,618 --> 00:15:53,620
Where's Zooey
and, uh...
384
00:15:54,688 --> 00:15:56,256
August?
385
00:15:57,024 --> 00:15:58,525
‐ Luke...
386
00:15:59,726 --> 00:16:01,261
I'm‐‐
387
00:16:01,261 --> 00:16:02,796
afraid we have a problem.
388
00:16:02,796 --> 00:16:04,331
♪ Music crescendos ♪
389
00:16:07,067 --> 00:16:08,435
♪ Mysterious music ♪
390
00:16:11,071 --> 00:16:12,372
[ Glass down ]
391
00:16:17,744 --> 00:16:21,181
‐ I was certain I'd blasted
that thing to smithereens.
392
00:16:21,481 --> 00:16:24,084
I still believe...
393
00:16:24,084 --> 00:16:25,385
‐ Where's Zooey?
394
00:16:26,053 --> 00:16:27,454
‐ I don't know.
395
00:16:31,391 --> 00:16:33,393
I sat down at my workbench,
396
00:16:35,229 --> 00:16:38,065
trying to figure out
how to integrate the...
397
00:16:39,533 --> 00:16:41,301
chopping mechanism
into an M. E. D.
398
00:16:43,470 --> 00:16:45,472
The next thing I knew, my‐‐
399
00:16:47,074 --> 00:16:50,244
My arms felt like they were
out of joint and‐‐
400
00:16:52,513 --> 00:16:54,748
Zooey was nowhere
to be found.
401
00:16:54,748 --> 00:16:56,216
‐ We are on lockdown.
402
00:16:56,216 --> 00:16:58,085
She is in this office.
403
00:16:58,085 --> 00:16:59,486
We'll find Zooey.
404
00:16:59,486 --> 00:17:02,756
‐ And we somehow need to
find the blades to a
405
00:17:02,756 --> 00:17:05,225
Karnaj model number 6800
406
00:17:05,225 --> 00:17:07,094
FYB food processor.
407
00:17:07,094 --> 00:17:08,395
‐ There's plenty
of time for that.
408
00:17:08,395 --> 00:17:10,063
‐ No!
409
00:17:10,063 --> 00:17:13,166
The demon focused
on those particular blades.
410
00:17:13,166 --> 00:17:15,736
It took a file
and dulled them
411
00:17:15,736 --> 00:17:17,237
Destroyed them!
412
00:17:18,071 --> 00:17:19,506
If it made that effort,
413
00:17:20,340 --> 00:17:22,075
there is something there.
414
00:17:24,211 --> 00:17:25,746
‐ Okay.
415
00:17:27,714 --> 00:17:29,349
You guys look for Zooey.
416
00:17:30,117 --> 00:17:33,053
And you keep an eye
on each other.
417
00:17:35,489 --> 00:17:37,191
[ Footsteps away ]
418
00:17:38,091 --> 00:17:39,459
‐ Luke,
419
00:17:41,295 --> 00:17:43,797
what if I did to her
what those...
420
00:17:43,797 --> 00:17:45,399
boys did to‐‐?
421
00:17:45,399 --> 00:17:47,067
‐ I can't.
422
00:17:48,735 --> 00:17:50,237
Hey. It's me.
423
00:17:50,504 --> 00:17:53,140
You know that 24‐hour
Sav‐Mor on Brighton?
424
00:17:53,140 --> 00:17:55,442
Yeah, the one across
from the park.
425
00:17:56,143 --> 00:17:59,346
Do you know if they have any
high‐end small appliances?
426
00:18:02,482 --> 00:18:04,351
‐ Elevators are
still locked down.
427
00:18:04,351 --> 00:18:06,053
Stairway door
shows locked.
428
00:18:07,487 --> 00:18:09,189
‐ Zooey!
429
00:18:09,189 --> 00:18:11,491
‐ I mean, it's
a small office.
430
00:18:11,491 --> 00:18:13,760
‐ Come on, Zooey,
quit screwing around!
431
00:18:33,347 --> 00:18:35,082
♪ Ominous music swell ♪
432
00:18:40,354 --> 00:18:41,755
‐ PHIL:
Anything?
433
00:18:41,755 --> 00:18:43,357
‐ Let's check his workshop.
434
00:18:46,093 --> 00:18:47,494
[ Thud ]
435
00:18:47,494 --> 00:18:49,229
♪ Eerie music ♪
436
00:18:49,229 --> 00:18:50,998
[ Squelching ]
437
00:18:56,503 --> 00:18:58,205
[ Animalistic growls ]
438
00:19:25,032 --> 00:19:26,400
‐ Augie.
439
00:19:26,400 --> 00:19:28,068
[ Fingers snapping ]
440
00:19:30,070 --> 00:19:31,738
‐ Any luck?
‐ No.
441
00:19:31,738 --> 00:19:33,340
‐ I've been texting her.
Nothing.
442
00:19:33,340 --> 00:19:35,342
‐ Not Zooey's style
to run away.
443
00:19:35,342 --> 00:19:37,277
‐ Maybe Zooey
wasn't driving.
444
00:19:37,277 --> 00:19:38,412
‐ I need to find her.
445
00:19:38,412 --> 00:19:39,479
‐ You stay where you are.
446
00:19:39,479 --> 00:19:42,316
‐ Luke, we need
to talk to you.
447
00:19:43,083 --> 00:19:44,451
Outside.
448
00:19:46,753 --> 00:19:49,223
‐ You can speak
in front of me.
449
00:19:49,223 --> 00:19:51,191
‐ We looked in
your workshop.
450
00:19:51,391 --> 00:19:53,093
The M. E. D is dismantled.
451
00:19:54,795 --> 00:19:58,265
‐ I told you, the Roadie
filed down the blades.
452
00:19:58,265 --> 00:20:01,034
‐ And what did
you do to Zooey?
453
00:20:02,069 --> 00:20:03,504
‐ Mm, guys, chill out.
454
00:20:03,504 --> 00:20:05,739
‐ Zooey!
‐ PHIL: Where the hell were you?
455
00:20:05,739 --> 00:20:08,141
‐ I was in the hallway.
‐ And before that?
456
00:20:08,141 --> 00:20:09,476
‐ Um...
457
00:20:09,743 --> 00:20:11,311
I was...
458
00:20:11,512 --> 00:20:13,213
Ooh.
459
00:20:14,214 --> 00:20:15,749
I was, um...
460
00:20:16,750 --> 00:20:19,186
Talking on the phone
with Jeffrey and...
461
00:20:20,387 --> 00:20:22,756
I think he broke up with me.
462
00:20:23,357 --> 00:20:25,092
‐ On the phone?
463
00:20:25,092 --> 00:20:26,059
‐ Classy.
464
00:20:26,059 --> 00:20:28,228
‐ Um, I think you're
automatically disqualified
465
00:20:28,228 --> 00:20:30,297
from commenting
on awkward breakups.
466
00:20:30,297 --> 00:20:33,233
Anyway, I was talking
on the phone with Jeffrey
467
00:20:33,233 --> 00:20:35,068
and then I was...
468
00:20:36,069 --> 00:20:37,471
outside the conference room.
469
00:20:37,471 --> 00:20:39,206
[ Phone dings and buzzes ]
470
00:20:39,206 --> 00:20:41,241
‐ Let me see your eyes.
471
00:20:41,241 --> 00:20:43,076
‐ It's too bright in here.
‐ I know.
472
00:20:43,076 --> 00:20:45,012
‐ It's a text from my mom.
473
00:20:45,012 --> 00:20:47,447
"Turn on the TV, local news,
channel seven."
474
00:20:52,386 --> 00:20:54,421
‐ REPORTER:
...where an unidentified couple
475
00:20:54,421 --> 00:20:57,090
are in critical condition
tonight,
476
00:20:57,090 --> 00:21:00,227
their two pre‐teen sons
in the care of social services
477
00:21:00,227 --> 00:21:03,497
following a confrontation that
occurred earlier this evening.
478
00:21:03,497 --> 00:21:06,400
Details are sketchy,
but early reports say that
479
00:21:06,400 --> 00:21:11,004
one or both sons are responsible
for their parents' injuries.
480
00:21:11,004 --> 00:21:14,474
However, Spotlight Seven
has discovered a strange link
481
00:21:14,474 --> 00:21:17,377
between tonight's incident
and a tragedy
482
00:21:17,377 --> 00:21:20,347
that occurred under a year ago.
483
00:21:20,347 --> 00:21:23,150
Questions still linger
about the explosion
484
00:21:23,150 --> 00:21:25,252
that caused the death
of the Travis family...
485
00:21:25,252 --> 00:21:26,787
‐ Oh, dear.
486
00:21:26,787 --> 00:21:28,355
‐ REPORTER:
...but we've discovered
487
00:21:28,355 --> 00:21:29,356
that both the Travises
488
00:21:29,356 --> 00:21:32,359
and the unidentified victims
of tonight's incident
489
00:21:32,359 --> 00:21:35,329
were clients of the same
shadowy real estate firm.
490
00:21:36,230 --> 00:21:38,765
‐ Um, we are
so not shadowy.
491
00:21:38,765 --> 00:21:41,201
‐ We're a little shadowy.
492
00:21:41,201 --> 00:21:42,736
‐ ...and the police
will not comment
493
00:21:42,736 --> 00:21:44,738
on the details
of tonight's incident
494
00:21:44,738 --> 00:21:47,074
or the Travis explosion.
495
00:21:47,074 --> 00:21:48,775
But does this
seeming coincidence
496
00:21:48,775 --> 00:21:50,777
raise some troubling questions
497
00:21:50,777 --> 00:21:53,514
for other clients
of the mysterious firm?
498
00:21:53,514 --> 00:21:55,482
Reporting live, I'm Mari‐‐
499
00:21:55,482 --> 00:21:57,985
[ Remote clatters on table ]
500
00:21:58,752 --> 00:22:00,254
‐ We're so screwed.
501
00:22:04,424 --> 00:22:06,126
♪ Mysterious waltz ♪
502
00:22:24,077 --> 00:22:25,512
♪ Ominous music ♪
503
00:22:26,346 --> 00:22:28,248
[ Struggling for breath ]
504
00:22:37,758 --> 00:22:39,226
‐ ALL:
No!
505
00:22:39,359 --> 00:22:41,361
‐ Nice to see you, too.
506
00:22:42,296 --> 00:22:43,497
‐ How'd you get in here?
507
00:22:43,497 --> 00:22:45,032
‐ The security guy
brought me up.
508
00:22:45,032 --> 00:22:46,099
He has a key.
509
00:22:46,099 --> 00:22:47,334
‐ The security guy has a key?
510
00:22:47,334 --> 00:22:50,070
‐ Yeah, I think they gave it to
him roughly around the same time
511
00:22:50,070 --> 00:22:52,206
they started calling him
"the security guy."
512
00:22:52,206 --> 00:22:54,208
‐ What's going on here?
‐ It's a long story.
513
00:22:54,208 --> 00:22:55,742
The punch line is you're
gonna be stuck in here
514
00:22:55,742 --> 00:22:57,211
with us for a while.
I'll explain in a minute.
515
00:22:57,211 --> 00:22:58,745
Is that the food processor?
516
00:22:58,745 --> 00:23:01,215
‐ Uh, the last one in stock!
517
00:23:01,215 --> 00:23:04,218
Plus I had a coupon
for ten percent off.
518
00:23:07,387 --> 00:23:09,356
‐ Model number 6800‐FYB.
519
00:23:10,023 --> 00:23:11,758
Brilliant.
520
00:23:11,758 --> 00:23:13,026
Thank you.
521
00:23:13,026 --> 00:23:15,095
‐ I, uh, hope the color's okay.
522
00:23:15,095 --> 00:23:16,396
‐ Lovely.
523
00:23:16,396 --> 00:23:19,399
‐ Are you going to
give it to somebody?
524
00:23:20,234 --> 00:23:22,202
‐ I'm certainly going to try.
525
00:23:22,202 --> 00:23:23,303
♪ Mysterious music ♪
526
00:23:26,006 --> 00:23:28,208
‐ So, if that machine
didn't work the first time,
527
00:23:28,208 --> 00:23:30,344
what makes you think
it's going to work now?
528
00:23:30,344 --> 00:23:33,080
‐ First, I maintain
that it did work.
529
00:23:34,014 --> 00:23:37,417
Second, on the remote
possibility that I am wrong,
530
00:23:37,417 --> 00:23:40,020
I am significantly
increasing the speed,
531
00:23:40,020 --> 00:23:41,455
efficiency
532
00:23:41,455 --> 00:23:44,258
and lethality of the device.
533
00:23:44,258 --> 00:23:45,759
‐ So...
534
00:23:46,493 --> 00:23:50,197
we never did deconstruct
that "needy" remark.
535
00:23:51,498 --> 00:23:54,735
‐ Well, perhaps I was commenting
on your apparent need
536
00:23:54,735 --> 00:23:56,737
to be with a certain...
537
00:23:56,737 --> 00:23:58,238
type.
538
00:23:58,238 --> 00:23:59,740
[ Scoffs ]
539
00:23:59,740 --> 00:24:03,043
‐ Okay, I do not have a type.
540
00:24:05,078 --> 00:24:09,149
I‐‐ Jeffrey was nothing
like A. J. who was nothing ‐‐
541
00:24:09,149 --> 00:24:10,484
nothing like Chris.
542
00:24:12,152 --> 00:24:14,354
‐ I stand corrected.
543
00:24:14,354 --> 00:24:16,089
[ August whistles happily ]
544
00:24:22,095 --> 00:24:26,133
‐ I mean, none of them had,
like, careers to speak of but,
545
00:24:26,133 --> 00:24:28,335
once again, that's not a type.
546
00:24:28,335 --> 00:24:31,271
A.J. was studying to
become a bartender.
547
00:24:31,271 --> 00:24:33,473
Took the exam, like,
three times.
548
00:24:33,473 --> 00:24:35,742
Always tripped up
on the mojito.
549
00:24:35,742 --> 00:24:36,910
So, I came up with this
secret phrase,
550
00:24:36,910 --> 00:24:39,479
it's like a memory aid for him
to remember the ingredients ‐‐
551
00:24:39,479 --> 00:24:42,482
rum, lime, mint,
club soda, sugar, ice...
552
00:24:42,482 --> 00:24:45,752
Real Life Murders,
Crime Scene Investigators.
553
00:24:45,752 --> 00:24:47,254
That's so simple, right?
554
00:24:48,222 --> 00:24:50,190
Mmm... Not for A. J.
555
00:24:50,490 --> 00:24:52,226
And Chris?
556
00:24:52,226 --> 00:24:53,527
Chris wrote poetry.
557
00:24:54,761 --> 00:24:55,796
Used to go on these huge rants
558
00:24:55,796 --> 00:25:00,133
about how social media
was commoditizing free verse.
559
00:25:00,133 --> 00:25:04,137
"If everything's a poem,
nothing's a poem."
560
00:25:04,137 --> 00:25:07,374
So, I suggested that maybe she
was better suited for something
561
00:25:07,374 --> 00:25:09,510
like construction.
562
00:25:09,510 --> 00:25:12,079
And let's just say
that ended badly.
563
00:25:13,747 --> 00:25:15,315
And Jeffrey...
564
00:25:16,750 --> 00:25:18,318
Jeffrey does stand‐up.
565
00:25:20,354 --> 00:25:22,289
Not very funny.
566
00:25:22,289 --> 00:25:23,991
Not intentionally, at least.
567
00:25:25,092 --> 00:25:28,529
‐ Would you, uh, mind handing me
that small Allen wrench?
568
00:25:35,469 --> 00:25:38,472
All I'm saying is that
you seem to need...
569
00:25:39,406 --> 00:25:41,108
projects rather than people.
570
00:25:42,442 --> 00:25:44,178
♪ Contemplative music ♪
571
00:25:44,478 --> 00:25:47,047
‐ That's a terrible
thing to say.
572
00:25:52,352 --> 00:25:54,488
‐ You should be with someone...
573
00:25:54,488 --> 00:25:56,223
wonderful.
574
00:25:56,523 --> 00:25:59,393
But such people are
available fully assembled.
575
00:26:00,260 --> 00:26:02,362
You needn't keep
acquiring them
576
00:26:02,362 --> 00:26:04,064
in kit form.
577
00:26:13,740 --> 00:26:15,309
‐ I'm not needy.
578
00:26:16,210 --> 00:26:18,045
You're needy.
579
00:26:19,780 --> 00:26:21,348
[ Chuckles quietly ]
580
00:26:25,352 --> 00:26:27,221
♪ Music fades out ♪
581
00:26:27,221 --> 00:26:28,755
‐ MEGAN:
I can't believe it.
582
00:26:28,755 --> 00:26:30,257
‐ LUKE:
What?
583
00:26:31,225 --> 00:26:33,126
‐ That I believe it.
584
00:26:33,493 --> 00:26:35,762
‐ More things than
heaven and earth, Horatio.
585
00:26:35,762 --> 00:26:37,231
♪ Gentle music ♪
586
00:26:37,231 --> 00:26:39,199
‐ I'm a science girl, Luke.
587
00:26:39,499 --> 00:26:43,303
This haunted house demon stuff
is really a leap for me.
588
00:26:45,005 --> 00:26:47,474
The Travis thing,
that really bothers you.
589
00:26:50,744 --> 00:26:52,312
So, what
really happened?
590
00:26:54,114 --> 00:26:55,482
‐ I got sloppy.
591
00:26:57,217 --> 00:26:58,585
Complacent.
592
00:26:59,219 --> 00:27:00,521
Naive.
593
00:27:01,722 --> 00:27:05,592
I was so eager to believe that
everything would be all right
594
00:27:06,326 --> 00:27:09,096
that I ignored
that voice in my ear.
595
00:27:09,263 --> 00:27:10,764
It's just, I'm‐‐
596
00:27:12,766 --> 00:27:14,301
You already know this...
597
00:27:15,469 --> 00:27:18,338
I have this kind of connection
to these things all my life.
598
00:27:19,139 --> 00:27:22,176
I don't just see them,
I can feel them.
599
00:27:22,509 --> 00:27:24,511
And I can talk to them.
600
00:27:25,078 --> 00:27:28,482
And I can hear them talk
to me, if I listen.
601
00:27:30,117 --> 00:27:31,485
Sometimes people around me,
602
00:27:33,086 --> 00:27:34,454
they can see them.
603
00:27:35,088 --> 00:27:36,490
They can talk to them
604
00:27:37,257 --> 00:27:38,992
just because I'm there.
605
00:27:39,226 --> 00:27:42,196
‐ So, then, what happened
at the Travis house?
606
00:27:45,098 --> 00:27:47,034
‐ I didn't listen
close enough.
607
00:27:47,367 --> 00:27:49,069
‐ SUSAN:
What a waste.
608
00:27:49,736 --> 00:27:51,238
‐ Excuse me?
609
00:27:52,339 --> 00:27:54,041
‐ God, look at you.
610
00:27:54,408 --> 00:27:56,109
You're so smart.
611
00:27:56,743 --> 00:27:58,445
Fairly well‐adjusted,
all things considered.
612
00:27:59,479 --> 00:28:01,181
Objectively attractive.
613
00:28:02,216 --> 00:28:06,053
But you are just like these
houses we're trying to sell.
614
00:28:06,220 --> 00:28:07,754
Damaged.
615
00:28:08,222 --> 00:28:09,790
Horribly damaged.
616
00:28:09,790 --> 00:28:11,458
‐ Susan!
617
00:28:11,758 --> 00:28:13,493
‐ Oh, come on!
618
00:28:13,493 --> 00:28:16,296
You go from that Brock guy
to Luke here?
619
00:28:16,296 --> 00:28:19,099
You are the luckiest woman
on the planet.
620
00:28:20,367 --> 00:28:22,336
You should be
buying lotto tickets.
621
00:28:25,472 --> 00:28:27,241
What?
622
00:28:27,241 --> 00:28:29,142
‐ You guys okay?
623
00:28:29,142 --> 00:28:32,212
‐ Well, Roadies seldom occupy
the same individual twice.
624
00:28:33,013 --> 00:28:36,216
‐ August, Zooey, is the Roadie
inside either of you?
625
00:28:37,084 --> 00:28:39,319
‐ What?
‐ Just answer the question.
626
00:28:41,288 --> 00:28:43,090
‐ BOTH:
No.
627
00:28:43,090 --> 00:28:44,791
‐ How about you?
‐ No.
628
00:28:44,791 --> 00:28:46,994
‐ Megan?
‐ Of course not.
629
00:28:49,096 --> 00:28:50,464
‐ Susan?
630
00:28:50,764 --> 00:28:52,366
‐ Come on, it's not
going to just tell you.
631
00:28:52,366 --> 00:28:54,334
‐ It's this old
Nordic legend I found‐‐
632
00:28:54,334 --> 00:28:56,270
a demon called a Tregastar.
633
00:28:56,270 --> 00:28:58,472
When this thing
takes you over,
634
00:28:58,472 --> 00:29:00,174
you say
635
00:29:00,340 --> 00:29:02,342
what you feel
636
00:29:02,342 --> 00:29:04,011
and you cannot lie.
637
00:29:05,012 --> 00:29:07,047
‐ Were you always this dorky?
638
00:29:07,347 --> 00:29:09,216
Or was that something
that happened
639
00:29:09,216 --> 00:29:10,517
when you and God broke up?
640
00:29:10,517 --> 00:29:13,220
‐ Susan, is it inside you?!
641
00:29:13,220 --> 00:29:15,222
[ Demonic growl ]
642
00:29:15,222 --> 00:29:17,024
‐ PHIL:
Ah! Oh!
643
00:29:17,024 --> 00:29:18,325
♪ Edgy music ♪
644
00:29:19,092 --> 00:29:21,495
‐ The house!
You live in the house!
645
00:29:21,495 --> 00:29:23,096
‐ Screw this.
646
00:29:23,096 --> 00:29:24,364
‐ The wonderful house.
647
00:29:24,364 --> 00:29:26,133
‐ Ah!
648
00:29:26,133 --> 00:29:27,434
[ Growling ]
649
00:29:27,734 --> 00:29:29,269
‐ Get off!
650
00:29:31,238 --> 00:29:33,073
Get her off of me!
651
00:29:33,073 --> 00:29:34,374
[ Growling ]
652
00:29:38,145 --> 00:29:41,381
[ Growling stops ]
[ Susan thuds to floor ]
653
00:29:41,381 --> 00:29:43,183
[ Device powers up ]
654
00:29:44,251 --> 00:29:45,752
[ Device powers down ]
655
00:29:45,752 --> 00:29:47,754
♪ Exciting music ends ♪
656
00:29:47,754 --> 00:29:49,423
‐ SUSAN:
Oh, my god!
657
00:29:49,423 --> 00:29:52,459
‐ Where is it, Augie?
Did we get it?
658
00:29:52,759 --> 00:29:54,761
‐ It rests in pieces.
659
00:29:54,761 --> 00:29:56,363
[ Panting ]
660
00:29:56,363 --> 00:29:58,098
♪ Gentle music ♪
661
00:29:59,499 --> 00:30:03,036
‐ Put it up on the scope
and make sure.
662
00:30:06,240 --> 00:30:07,708
[ Beep]
663
00:30:07,708 --> 00:30:10,344
‐ We got five green.
We're all good.
664
00:30:11,011 --> 00:30:12,513
‐ Nice work.
665
00:30:12,513 --> 00:30:14,081
‐ Ow!
666
00:30:14,081 --> 00:30:16,483
‐ Yeah, there's gonna be
some residual stiffness.
667
00:30:16,483 --> 00:30:19,152
After having that thing bounce
around inside you a while.
668
00:30:19,152 --> 00:30:23,056
‐ No... kidding. This must be
what it feels like to be 30.
669
00:30:23,056 --> 00:30:24,324
[ Silence ]
670
00:30:24,324 --> 00:30:26,059
Ohh.
671
00:30:28,428 --> 00:30:31,231
I seriously need to sleep
for, like, two days.
672
00:30:31,231 --> 00:30:32,332
‐ Okay, I gotta
get outta here.
673
00:30:32,332 --> 00:30:36,036
‐ Zooey, call down and
have them unlock the elevator.
674
00:30:38,071 --> 00:30:39,373
‐ Oh, yeah. Um...
675
00:30:40,073 --> 00:30:41,375
One thing.
676
00:30:42,209 --> 00:30:45,512
So, just before we all
group hug and go home,
677
00:30:46,313 --> 00:30:48,115
can we just acknowledge that
678
00:30:48,482 --> 00:30:50,150
some of us...
679
00:30:50,150 --> 00:30:51,251
♪ Emotional music ♪
680
00:30:51,251 --> 00:30:54,488
said some really hurtful
shit tonight and meant it?
681
00:31:00,027 --> 00:31:03,063
‐ We've been in each other's
faces all night and you‐‐
682
00:31:03,497 --> 00:31:05,232
probably had enough of me.
683
00:31:08,068 --> 00:31:10,470
Last thing you all
need to do is
684
00:31:10,470 --> 00:31:12,472
go to some stupid
banquet tomorrow.
685
00:31:15,008 --> 00:31:16,343
‐ It's tonight.
686
00:31:24,084 --> 00:31:25,452
‐ Sorry.
687
00:31:47,307 --> 00:31:49,042
♪ Thumping party music ♪
688
00:31:49,042 --> 00:31:50,410
[ Indistinct conversations ]
689
00:32:00,754 --> 00:32:02,756
‐ RITA WEISS:
Is that her mother?
690
00:32:02,756 --> 00:32:04,725
It's got to be her mother.
691
00:32:07,361 --> 00:32:10,230
None of the others had
the guts to show their faces.
692
00:32:10,230 --> 00:32:11,331
‐ BOB LIVINGSTON:
I think that's best.
693
00:32:11,331 --> 00:32:12,366
‐ But, Bob, seriously,
694
00:32:12,366 --> 00:32:15,002
who brings their mother
to one of these things?
695
00:32:15,002 --> 00:32:17,304
‐ Leo DiCaprio brought
his mom to the Oscars.
696
00:32:17,304 --> 00:32:20,440
‐ Leonardo DiCaprio
was king of the world.
697
00:32:20,440 --> 00:32:24,411
Susan Ireland is, basically,
Daphne in Scooby Doo.
698
00:32:24,411 --> 00:32:26,146
‐ Well, they did
give our industry
699
00:32:26,146 --> 00:32:28,148
a huge slap
in the face.
700
00:32:28,148 --> 00:32:30,751
‐ Can we just...
not hand out the award?
701
00:32:30,751 --> 00:32:32,452
‐ STACEY:
Not an option.
702
00:32:32,452 --> 00:32:34,221
‐ Well, perhaps
I can talk to her.
703
00:32:34,221 --> 00:32:36,423
We used to be, uh...
704
00:32:36,423 --> 00:32:38,158
‐ Colleagues.
‐ Mmm.
705
00:32:38,158 --> 00:32:40,060
‐ STACEY:
And what are you going to say?
706
00:32:40,060 --> 00:32:43,163
‐ I'll ask her to keep it
brief and tasteful.
707
00:32:43,163 --> 00:32:44,698
She'll listen to me.
708
00:32:44,698 --> 00:32:47,267
I'm a bit of a mentor.
709
00:32:47,267 --> 00:32:48,969
‐ Mm.
710
00:32:49,403 --> 00:32:51,071
‐ BOTH:
Mentor.
711
00:32:54,174 --> 00:32:57,177
‐ Oh, go easy, honey.
Remember, you're speaking soon.
712
00:32:57,444 --> 00:33:00,414
‐ I'm targeting that fine line
that separates relaxed and witty
713
00:33:00,414 --> 00:33:02,282
from actually
opening with a dick joke.
714
00:33:02,282 --> 00:33:04,284
‐ I hope you hit it.
715
00:33:05,052 --> 00:33:06,286
‐ Susan,
716
00:33:06,286 --> 00:33:07,988
you look radiant.
717
00:33:08,222 --> 00:33:09,723
A vision.
718
00:33:10,224 --> 00:33:11,425
‐ How are you, Bob?
719
00:33:11,425 --> 00:33:13,227
‐ Fantastic!
720
00:33:13,227 --> 00:33:15,529
And this must be
your sister?
721
00:33:17,030 --> 00:33:18,398
‐ My mom, Constance.
722
00:33:19,466 --> 00:33:21,168
Mom, Bob Livingston.
723
00:33:22,002 --> 00:33:23,704
He's the guy who stepped out
of the left‐hand tub
724
00:33:23,704 --> 00:33:25,305
in that boner pill commercial.
725
00:33:25,739 --> 00:33:28,175
‐ So much for that fine line.
726
00:33:29,142 --> 00:33:30,978
‐ What a magical evening.
727
00:33:31,211 --> 00:33:34,248
Susan, could I borrow you
for half a shake?
728
00:33:38,318 --> 00:33:39,686
‐ Yep.
729
00:33:39,686 --> 00:33:41,188
‐ Great.
730
00:33:42,689 --> 00:33:44,725
A pleasure to meet you,
Constance.
731
00:33:45,759 --> 00:33:47,995
‐ Die in a fire, Bob.
732
00:33:54,234 --> 00:33:55,669
‐ BOB:
How you doin'?
733
00:33:55,669 --> 00:33:57,104
♪ Gentle music ♪
734
00:33:57,104 --> 00:33:58,739
You know, we were
all very surprised
735
00:33:58,739 --> 00:34:01,175
when you took the job
with Roman.
736
00:34:01,175 --> 00:34:02,709
It's so...
737
00:34:03,210 --> 00:34:04,678
Off‐brand.
738
00:34:04,678 --> 00:34:06,713
Running around with
that bunch of misfits.
739
00:34:06,713 --> 00:34:08,215
You're too good for this.
740
00:34:08,215 --> 00:34:09,683
‐ You fired me, Bob.
741
00:34:09,683 --> 00:34:10,918
I obviously wasn't
too good for that.
742
00:34:10,918 --> 00:34:14,154
‐ Yeah, well that was because
of my wife and she insisted.
743
00:34:14,154 --> 00:34:16,423
‐ Oh, yeah, how is Twyla?
I saw her in here earlier,
744
00:34:16,423 --> 00:34:19,726
checking that big fur coat
made from Dalmatian puppies.
745
00:34:22,196 --> 00:34:24,031
‐ I was hoping we could
keep this civil.
746
00:34:24,031 --> 00:34:26,366
Look, I'm just here as a friend
to ask you to keep your comments
747
00:34:26,366 --> 00:34:28,335
brief and tasteful.
748
00:34:28,335 --> 00:34:31,738
And not to reference your
current employer or his,
749
00:34:31,738 --> 00:34:33,740
you know, band of weirdos.
750
00:34:33,740 --> 00:34:35,409
‐ It's my agency.
751
00:34:35,409 --> 00:34:37,077
And those are my friends.
752
00:34:37,077 --> 00:34:38,478
‐ Oh.
753
00:34:38,478 --> 00:34:40,180
Yeah?
754
00:34:40,681 --> 00:34:42,149
Why aren't they here?
755
00:34:42,149 --> 00:34:43,517
To support you.
756
00:34:45,419 --> 00:34:47,321
I'm here, as a friend,
757
00:34:48,222 --> 00:34:50,224
asking you to please,
758
00:34:50,224 --> 00:34:52,359
please don't
embarrass yourself.
759
00:34:52,359 --> 00:34:54,161
And the rest of us.
760
00:34:55,696 --> 00:34:57,197
And Susan...
761
00:34:58,298 --> 00:35:00,033
Congrats!
762
00:35:08,008 --> 00:35:09,443
♪ Dance music ♪
763
00:35:20,020 --> 00:35:21,321
‐ Are you okay?
764
00:35:21,321 --> 00:35:23,056
‐ STACEY:
Good evening!
765
00:35:23,056 --> 00:35:26,059
Everyone, please
return to your seats.
766
00:35:26,059 --> 00:35:27,694
[ Light conversations ]
767
00:35:29,730 --> 00:35:31,298
Good evening
768
00:35:31,298 --> 00:35:35,669
and welcome to the awards
portion of our program.
769
00:35:35,669 --> 00:35:37,171
[ Applause ]
770
00:35:39,139 --> 00:35:41,308
Ladies and gentlemen,
771
00:35:41,308 --> 00:35:42,776
please join me in‐‐
772
00:35:42,776 --> 00:35:44,444
[ Door opens loudly ]
773
00:35:47,114 --> 00:35:48,448
♪ Funky music ♪
774
00:35:53,720 --> 00:35:55,255
‐ God.
775
00:36:08,402 --> 00:36:10,103
‐ Sorry we're late.
776
00:36:13,140 --> 00:36:15,309
You were right about
the personal maintenance.
777
00:36:16,677 --> 00:36:18,278
‐ Yeah.
778
00:36:19,346 --> 00:36:22,149
‐ As I was saying,
please join me...
779
00:36:22,149 --> 00:36:23,183
‐ Hey.
‐ Hey.
780
00:36:23,183 --> 00:36:26,753
‐ ...in welcoming the new
eight‐time laureate
781
00:36:26,753 --> 00:36:29,289
of the Platinum Ring of Esteem
782
00:36:29,289 --> 00:36:33,227
and the recipient of
our special award
783
00:36:33,227 --> 00:36:37,097
for lifetime achievement
in the real estate arts
784
00:36:37,097 --> 00:36:39,266
and sciences...
785
00:36:39,266 --> 00:36:41,134
Susan Ireland!
786
00:36:41,134 --> 00:36:42,469
♪ Uplifting music ♪
787
00:36:42,469 --> 00:36:44,271
[ Whoops and cheers ]
788
00:36:59,720 --> 00:37:01,722
[ Applause and cheers continue ]
789
00:37:05,225 --> 00:37:08,495
‐ Have none of these people
seen the movie "Carrie"?
790
00:37:08,495 --> 00:37:11,064
[ Music and applause fade out ]
791
00:37:15,702 --> 00:37:17,471
‐ Thank you.
792
00:37:17,471 --> 00:37:20,707
There are many people
I want to acknowledge.
793
00:37:20,707 --> 00:37:24,077
My mom, who is here.
794
00:37:24,077 --> 00:37:26,213
My dad, who isn't,
795
00:37:26,213 --> 00:37:28,448
although I kinda
feel like he is.
796
00:37:30,050 --> 00:37:32,452
I hope he'd have
made time for it.
797
00:37:35,055 --> 00:37:36,690
My current colleagues:
798
00:37:36,690 --> 00:37:40,160
Luke, Phil, August and Zooey,
799
00:37:40,160 --> 00:37:42,296
who gave me a work‐home.
800
00:37:42,296 --> 00:37:44,031
My former colleagues,
801
00:37:44,031 --> 00:37:46,166
who made me realize
I deserved one.
802
00:37:46,166 --> 00:37:47,434
[ Snorts ]
803
00:37:48,068 --> 00:37:50,304
‐ Hope they're wearing
their asbestos underwear.
804
00:37:51,171 --> 00:37:53,740
‐ But I want to thank
all of you, too,
805
00:37:53,740 --> 00:37:56,476
for believing in...
806
00:37:56,476 --> 00:37:58,178
something.
807
00:37:58,345 --> 00:38:00,047
Anything.
808
00:38:00,280 --> 00:38:03,217
Some of you believe in me,
and for that I am
809
00:38:03,217 --> 00:38:05,219
more grateful
than you could know.
810
00:38:05,219 --> 00:38:07,087
♪ Emotional music ♪
811
00:38:07,087 --> 00:38:09,323
Some of you believe
in other things.
812
00:38:10,691 --> 00:38:12,192
Odd things,
813
00:38:12,659 --> 00:38:14,261
amazing things,
beyond imagination.
814
00:38:16,463 --> 00:38:18,198
You've opened my mind
815
00:38:19,166 --> 00:38:21,168
and that's never a bad thing.
816
00:38:22,736 --> 00:38:25,138
But, most of all,
I want to thank you ‐‐
817
00:38:25,138 --> 00:38:27,708
all of you,
everyone in this room,
818
00:38:28,175 --> 00:38:29,977
for believing in this business.
819
00:38:31,144 --> 00:38:32,446
Our business.
820
00:38:33,747 --> 00:38:35,349
The good we do,
821
00:38:35,349 --> 00:38:39,186
helping people move on
and find their way home.
822
00:38:41,755 --> 00:38:43,423
Thank you.
823
00:38:43,423 --> 00:38:45,192
[ Cheers and applause ]
824
00:38:56,069 --> 00:38:57,437
[ Whoosh ]
825
00:38:58,739 --> 00:39:00,474
‐ Oh!
‐ Ah!
826
00:39:00,474 --> 00:39:02,209
[ Crowd reaction]
827
00:39:14,521 --> 00:39:17,191
‐ ANTHONY:
The adoption police
loved us.
They weren't mean at all.
828
00:39:17,191 --> 00:39:18,258
They just wanted
to check us out.
829
00:39:18,258 --> 00:39:22,162
You know, get our views on
education and nutrition.
830
00:39:22,162 --> 00:39:23,530
Running with scissors.
831
00:39:23,697 --> 00:39:24,965
‐ So, what's next?
832
00:39:24,965 --> 00:39:27,401
‐ Well, there's still a lot of
flaming hoops to jump through,
833
00:39:27,401 --> 00:39:29,336
but so far so good.
834
00:39:30,437 --> 00:39:32,139
‐ What's wrong?
835
00:39:33,340 --> 00:39:35,475
‐ There's just something
about last night.
836
00:39:35,475 --> 00:39:37,477
Can't put my finger on it.
837
00:39:38,612 --> 00:39:40,314
‐ Hm.
838
00:39:42,616 --> 00:39:44,484
‐ You were great.
839
00:39:51,525 --> 00:39:53,527
‐ Hey. Thank you
for coming.
840
00:39:55,195 --> 00:39:57,197
‐ That was a fine speech.
841
00:39:57,497 --> 00:40:00,601
What you said about
belief, believing...
842
00:40:00,601 --> 00:40:01,668
Very true.
843
00:40:01,668 --> 00:40:03,370
‐ Mm‐hm.
844
00:40:03,604 --> 00:40:06,173
‐ But the truth isn't
always welcome, is it?
845
00:40:06,173 --> 00:40:07,574
♪ Thumping music
from Zooey's car ♪
846
00:40:07,574 --> 00:40:09,576
It often comes with a cost.
847
00:40:11,345 --> 00:40:13,213
‐ Get in, Mister Needy.
848
00:40:13,213 --> 00:40:15,682
‐ I think I shall be
paying for it for a while.
849
00:40:15,682 --> 00:40:17,384
‐ Hm.
850
00:40:25,125 --> 00:40:26,527
‐ Hey, Susan!
851
00:40:27,427 --> 00:40:29,229
You were pretty badass tonight.
852
00:40:29,229 --> 00:40:30,631
[ Chuckles ]
853
00:40:38,438 --> 00:40:40,174
♪ Gentle music ♪
854
00:40:40,174 --> 00:40:42,075
‐ You really
didn't have to come.
855
00:40:42,075 --> 00:40:43,644
‐ Yeah, we really did.
856
00:40:45,612 --> 00:40:47,481
‐ What are we gonna do?
857
00:40:47,481 --> 00:40:49,516
That news story's
gonna kill us.
858
00:40:52,085 --> 00:40:53,520
‐ We'll figure it out.
859
00:40:55,689 --> 00:40:57,658
‐ I just...
860
00:40:57,658 --> 00:41:00,460
I always try so hard
to be positive.
861
00:41:01,295 --> 00:41:04,131
To make people feel good
and like me.
862
00:41:05,132 --> 00:41:08,235
But I don't always say
everything I'm thinking.
863
00:41:09,069 --> 00:41:10,537
‐ I mean, who does?
864
00:41:11,171 --> 00:41:12,506
But, Susan,
865
00:41:13,607 --> 00:41:15,309
on your worst day,
866
00:41:16,210 --> 00:41:17,544
I like you a lot.
867
00:41:17,544 --> 00:41:19,246
[ Laughs ]
868
00:41:22,482 --> 00:41:24,251
‐ Still think she's lucky.
869
00:41:24,484 --> 00:41:26,220
[ Quiet chuckles ]
870
00:41:31,225 --> 00:41:32,559
Thank you.
871
00:41:35,495 --> 00:41:37,698
‐ Hey! So, where to now?
872
00:41:37,698 --> 00:41:39,399
Wanna grab a bite?
873
00:41:41,335 --> 00:41:43,337
‐ I want to go home.
874
00:41:43,637 --> 00:41:46,440
‐ You want to go
to my place?
875
00:41:46,440 --> 00:41:48,342
‐ Mine.
876
00:41:48,342 --> 00:41:49,710
My place.
877
00:41:51,178 --> 00:41:52,513
‐ I don't‐‐
878
00:41:53,213 --> 00:41:55,415
Why do you want to go there?
I mean, we agreed...
879
00:41:55,415 --> 00:41:57,351
I didn't‐‐
880
00:41:57,351 --> 00:41:59,286
[ Uber car arrived chime ]
881
00:42:00,087 --> 00:42:01,522
Did you call an Uber?
882
00:42:04,291 --> 00:42:06,093
Megan?
883
00:42:06,093 --> 00:42:07,427
♪ Mysterious music ♪
884
00:42:09,696 --> 00:42:11,398
Megan, what's going on?
885
00:42:18,172 --> 00:42:19,506
‐ How are we tonight?
886
00:42:21,241 --> 00:42:22,609
‐ We are wonderful.
887
00:42:28,615 --> 00:42:30,584
[ Animalistic growl ]
888
00:42:30,584 --> 00:42:32,286
[ Squelching ]
889
00:42:33,120 --> 00:42:35,122
(Demonic voice)
Now take us home.
890
00:42:37,658 --> 00:42:39,459
[ Car engine revving ]
891
00:42:41,094 --> 00:42:43,263
♪ Closing credit theme ♪
62455
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