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1
00:00:02,136 --> 00:00:06,136
[ "HAWAII FIVE-O" THEME PLAYS ]
2
00:01:08,669 --> 00:01:11,339
Man: YES, I HAVE YOUR VIEW
ON THE SUBJECT,
3
00:01:11,372 --> 00:01:13,742
AND, UH, WE WILL --
SURE, SURE,
4
00:01:13,774 --> 00:01:15,514
I WILL BE GLAD TO DO THAT.
5
00:01:15,543 --> 00:01:17,453
SERGEANT COOPER. HE KNOWS ME.
6
00:01:17,478 --> 00:01:20,378
THANK YOU VERY MUCH, MA'AM.
7
00:01:20,414 --> 00:01:21,454
UH,
8
00:01:21,482 --> 00:01:23,652
COLONEL CHADWAY
IS NOT IN HIS APARTMENT.
9
00:01:23,684 --> 00:01:24,694
PERHAPS YOU'D, UH,
10
00:01:24,718 --> 00:01:27,188
LIKE TO LEAVE
A MESSAGE, SIR?
11
00:01:27,221 --> 00:01:29,561
COLONEL CHAD--
12
00:01:29,590 --> 00:01:31,490
LOOK, DID YOU TELL HIM
IT WAS JESSE COOPER?
13
00:01:31,525 --> 00:01:34,055
WELL, I JUST SPOKE
TO MRS. CHADWAY.
14
00:01:34,094 --> 00:01:36,064
COLONEL CHADWAY IS NOT IN NOW,
15
00:01:36,096 --> 00:01:38,026
BUT I TOLD MRS. CHADWAY,
16
00:01:38,065 --> 00:01:40,725
UH, SERGEANT COOPER, RIGHT?
17
00:01:40,768 --> 00:01:43,368
LOOK, YOU MUST HAVE CALLED
THE WRONG ROOM,
18
00:01:43,404 --> 00:01:45,674
BECAUSE I SAW HIM.
I WAS COMING UP FROM THE STREET.
19
00:01:45,706 --> 00:01:47,536
IF YOU'D CARE TO LEAVE
A MESSAGE, SIR...
20
00:01:48,642 --> 00:01:51,282
HEY, 503. GO ON, TRY IT,
WILL YOU?
21
00:01:51,312 --> 00:01:53,482
TELL HIM IT'S JESSE COOPER.
COME ON, 503!
22
00:01:53,514 --> 00:01:56,224
COLONEL CHADWAY LIVES IN 403.
23
00:01:56,250 --> 00:01:58,920
I'M -- I'M AFRAID
YOU'RE A BIT CONFUSED.
24
00:01:58,952 --> 00:02:01,192
UH, TRY BACK LATER,
OKAY?
25
00:02:01,222 --> 00:02:03,992
UH, CALL FIRST.
26
00:02:04,024 --> 00:02:06,334
UH,
27
00:02:06,360 --> 00:02:08,760
MR. COOPER,
JUST A MINUTE.
28
00:02:08,796 --> 00:02:10,626
YOU CAN'T GO UP THERE.
29
00:02:10,664 --> 00:02:13,234
MR. COOPER, YOU --
YOU CAN'T GO UP THERE.
30
00:02:13,267 --> 00:02:14,767
LOOK, HE WAS MY C.O.
31
00:02:14,802 --> 00:02:16,842
UH, COLONEL CHADWAY
IS NOT IN HIS APARTMENT.
32
00:02:16,870 --> 00:02:18,370
LOOK, WHY DON'T YOU JUST
COME WITH ME?
33
00:02:18,406 --> 00:02:19,636
GET AWAY FROM ME,
34
00:02:19,673 --> 00:02:21,383
-WILL YOU?
-ALL RIGHT!
35
00:02:21,409 --> 00:02:24,379
IF YOU'D RATHER TALK
TO THE POLICE...
36
00:02:32,753 --> 00:02:34,763
STUMBLEBUM.
37
00:02:39,393 --> 00:02:41,663
[ SIREN BLARING ]
38
00:02:51,171 --> 00:02:52,841
[ TIRES SCREECHING ]
39
00:03:06,620 --> 00:03:10,060
WELL, I DIDN'T WANT TO GET
INTO A KNOCKDOWN-DRAGOUT THING.
40
00:03:10,090 --> 00:03:12,290
HE'S HARMLESS,
I THINK.
41
00:03:12,326 --> 00:03:14,726
JUST OLD AND, UH,
KIND OF STUBBORN.
42
00:03:14,762 --> 00:03:18,402
COOPER, SERGEANT COOPER,
AND YOU SAY THAT TENANT
43
00:03:18,432 --> 00:03:20,032
COLONEL CHADWAY KNOWS HIM?
44
00:03:20,067 --> 00:03:21,697
THAT'S WHAT COOPER SAYS.
45
00:03:21,735 --> 00:03:23,065
WAS HE AGITATED?
46
00:03:23,103 --> 00:03:24,343
NO, UH...
47
00:03:24,372 --> 00:03:27,982
I'D SAY UNSTABLE.
WHAT CAN I TELL YOU?
48
00:03:28,008 --> 00:03:31,308
I'LL TAKE IT, FRANK.
FRIENDLY PERSUASION.
49
00:03:31,345 --> 00:03:33,505
ROOM 403.
50
00:03:37,318 --> 00:03:39,288
YES, WELL, THE COLONEL
MUST BE VISITING.
51
00:03:39,320 --> 00:03:41,360
HE HAS A LOT OF FRIENDS
IN THIS BUILDING.
52
00:03:41,389 --> 00:03:43,019
LOOK.
I'M SERGEANT COOPER.
53
00:03:43,056 --> 00:03:44,926
I KNOW WHO YOU ARE,
SERGEANT.
54
00:03:44,958 --> 00:03:46,028
I KNOW HE'S IN THE BUILDING.
55
00:03:46,059 --> 00:03:48,099
I SAW HIM WALKING IN THE DOOR
FROM THE STREET.
56
00:03:48,128 --> 00:03:49,528
WELL,
YOU MUST BE MISTAKEN.
57
00:03:49,563 --> 00:03:50,763
Cooper: NO, I'M NOT.
58
00:03:50,798 --> 00:03:52,898
HE TOLD ME I COULD COME HERE
ANYTIME AND TALK TO HIM.
59
00:03:52,933 --> 00:03:54,503
-SERGEANT COOPER?
-WELL, HE'S NOT HOME.
60
00:03:54,535 --> 00:03:56,695
SARGE, YOU DON'T THINK
THE LADY'S LYING?
61
00:03:56,737 --> 00:03:58,507
LOOK, I GOT TO TALK
TO THE COLONEL!
62
00:03:58,539 --> 00:03:59,669
COME ON, SARGE.
63
00:03:59,707 --> 00:04:02,277
WILL YOU TALK TO HIM?
I AM SICK AND TIRED OF IT.
64
00:04:02,310 --> 00:04:03,810
[ SCREAMING ]
65
00:04:05,746 --> 00:04:07,676
[ BOTH GRUNTING ]
66
00:04:18,359 --> 00:04:19,759
[ GUNSHOT ]
67
00:04:19,793 --> 00:04:22,363
SHOT!
68
00:04:22,396 --> 00:04:24,696
THE STAIRS! IT'S FASTER!
TAKE THE STAIRS!
69
00:05:02,169 --> 00:05:04,569
[ BREATHING AGITATEDLY ]
70
00:05:57,391 --> 00:06:00,961
Man: OFFICER! HOLD YOUR FIRE!
71
00:06:00,994 --> 00:06:04,734
OFFICER, I'M COMING OUT.
72
00:06:07,234 --> 00:06:08,244
WHERE IS HE?
73
00:06:08,268 --> 00:06:09,438
HE'S NOT ON THIS FLOOR.
74
00:06:09,470 --> 00:06:11,940
-CALL AN AMBULANCE.
-I ALREADY HAVE.
75
00:06:11,972 --> 00:06:13,372
[ GUNSHOT ]
76
00:06:13,407 --> 00:06:15,107
[ GUNSHOTS ]
77
00:06:19,647 --> 00:06:20,977
-WHA--
-SHH!
78
00:06:23,283 --> 00:06:25,453
[ SIRENS BLARING ]
79
00:06:31,459 --> 00:06:33,829
[ TIRES SCREECHING ]
80
00:06:39,066 --> 00:06:42,196
Man: ALBERMARLE APARTMENTS,
1109 EUCLID.
81
00:06:42,235 --> 00:06:45,505
GUNMAN MAY BE HOLDING HOSTAGE.
82
00:06:45,539 --> 00:06:49,439
HAWAII FIVE-O, 1109 EUCLID.
83
00:06:49,477 --> 00:06:51,607
[ SIREN BLARING ]
84
00:06:57,217 --> 00:06:58,987
[ TIRES SCREECHING ]
85
00:07:07,695 --> 00:07:10,195
MR. MORRISON?
STAY IN YOUR APARTMENT
86
00:07:10,230 --> 00:07:14,540
AND PLEASE DON'T COME OUT
IN THE HALL. THANK YOU.
87
00:07:14,568 --> 00:07:19,508
Man: ATTENTION, ALL TENANTS
OF THE ALBERMARLE APARTMENTS,
88
00:07:19,540 --> 00:07:22,410
PLEASE STAY
IN YOUR APARTMENTS.
89
00:07:22,442 --> 00:07:26,652
THIS IS CAPTAIN GLOVER OF
THE HONOLULU POLICE DEPARTMENT.
90
00:07:26,680 --> 00:07:29,950
THERE IS NO
IMMEDIATE DANGER.
91
00:07:29,983 --> 00:07:34,223
ATTENTION, ALL TENANTS
OF THE ALBERMARLE APARTMENTS,
92
00:07:34,254 --> 00:07:36,494
PLEASE STAY
IN YOUR APARTMENTS
93
00:07:36,524 --> 00:07:39,634
TO AVOID ANY CHANCE
OF ACCIDENT.
94
00:07:39,660 --> 00:07:41,960
PLEASE STAY
IN YOUR APARTMENTS.
95
00:07:41,995 --> 00:07:46,465
CAPTAIN, WE THINK THE KID
IS SAYING, "RUTH," NOT "ROOF."
96
00:07:50,037 --> 00:07:51,067
OFFICER BAILEY,
97
00:07:51,104 --> 00:07:53,414
CHECK THE APARTMENTS
DIRECTLY BELOW.
98
00:07:53,440 --> 00:07:56,540
SIR, THAT COULD MEAN THE SUSPECT
IS HOLDING A HOSTAGE.
99
00:07:56,577 --> 00:07:58,207
NO ONE HAS SEEN A HOSTAGE.
100
00:07:58,245 --> 00:08:00,205
NO ONE HAS SEEN
THE SUSPECT WITH A HOSTAGE.
101
00:08:27,741 --> 00:08:28,881
WHAT DO WE GOT?
102
00:08:28,909 --> 00:08:31,339
COP SHOOTER.
FIVE-TWENTY-THREE, TOP FLOOR.
103
00:08:31,378 --> 00:08:32,678
THE WINDOW
WAY ON THE RIGHT.
104
00:08:36,316 --> 00:08:38,846
-IS HE HOLDING SOMEBODY?
-MY GUESS, A TEENAGE GIRL.
105
00:08:38,886 --> 00:08:41,686
WE DON'T KNOW THAT.
106
00:08:41,722 --> 00:08:43,922
CAPTAIN, YOU GOT THINGS
NICELY STAKED OUT HERE.
107
00:08:43,957 --> 00:08:45,257
GOOD WORK.
108
00:08:45,292 --> 00:08:48,432
WE KNOW HOW TO HANDLE
THESE THINGS.
109
00:08:48,461 --> 00:08:49,731
NOW, WHAT I DON'T WANT
110
00:08:49,763 --> 00:08:51,363
IS THIS KOOK
THINKING HE'S ON TOP OF US.
111
00:08:51,398 --> 00:08:53,528
GETS A LITTLE CONFIDENCE,
HE'LL BE EGO-TRIPPING
112
00:08:53,567 --> 00:08:56,037
HOW HE PINNED DOWN THE WHOLE
HONOLULU POLICE DEPARTMENT.
113
00:08:56,069 --> 00:08:58,069
I'M GOING TO GIVE HIM
AN ULTIMATUM.
114
00:08:58,105 --> 00:09:02,105
FIVE MINUTES,
I LAY DOWN THE FLAK.
115
00:09:02,142 --> 00:09:03,612
ATTENTION --
116
00:09:03,644 --> 00:09:06,584
CAPTAIN,
117
00:09:06,614 --> 00:09:08,854
WE CHECK OUT THE HOSTAGE FIRST.
118
00:09:08,882 --> 00:09:11,222
RIGHT?
THAT'S FOR OPENERS.
119
00:09:15,589 --> 00:09:17,729
DANNO, OFFICER PEARSON,
120
00:09:17,758 --> 00:09:19,628
-GET HIM UP THERE.
-RIGHT.
121
00:09:19,660 --> 00:09:21,830
CHIN,
REMEMBER THAT POLE BIT?
122
00:09:21,862 --> 00:09:23,832
SEE IF YOU CAN TRY THAT
FROM THE ADJACENT APARTMENT.
123
00:09:23,864 --> 00:09:25,774
-SEE IF IT WORKS.
-YEAH.
124
00:09:30,037 --> 00:09:32,037
McGARRETT.
125
00:09:32,072 --> 00:09:36,242
HAVE US PATCHED IN TO
THE APARTMENT SWITCHBOARD.
126
00:09:36,276 --> 00:09:37,406
HOW'S OFFICER WADE?
127
00:09:37,444 --> 00:09:39,184
CRITICAL.
128
00:09:39,212 --> 00:09:41,552
WHAT ABOUT AMMO?
DOES HE HAVE ANYTHING
129
00:09:41,581 --> 00:09:43,151
BESIDE WHAT WAS IN
WADE'S .38?
130
00:09:45,819 --> 00:09:48,259
-I'LL CHECK IT.
-THANK YOU, CAPTAIN.
131
00:09:51,291 --> 00:09:52,731
THIS IS McGARRETT.
132
00:10:36,303 --> 00:10:40,613
BEN, HER NAME WAS RUTHIE?
133
00:10:40,640 --> 00:10:43,540
AND RUTHIE WENT UPSTAIRS
WITH THE MAN?
134
00:10:43,576 --> 00:10:45,406
AH, GOOD BOY, BENNY.
GOOD BOY.
135
00:10:45,445 --> 00:10:48,275
SIR, I THINK A GIRL
WAS BABYSITTING FOR HIM.
136
00:10:48,315 --> 00:10:50,515
I DON'T KNOW HER. SHE DOESN'T
LIVE IN THE BUILDING.
137
00:10:50,550 --> 00:10:51,750
WHAT ABOUT
THE BOY'S PARENTS?
138
00:10:51,785 --> 00:10:53,585
WELL, I'LL TRY TO
LOCATE HIS MOTHER.
139
00:10:53,620 --> 00:10:55,820
SHE'S, UH,
KIND OF A FLAKE.
140
00:10:55,856 --> 00:10:57,786
ALL RIGHT, CHECK ALL
THE FAMILIES
141
00:10:57,825 --> 00:10:59,185
IN THE BUILDINGS
WHO HAVE KIDS.
142
00:10:59,226 --> 00:11:01,486
SEE IF THEY KNOW
A BABY-SITTER NAMED RUTHIE.
143
00:11:01,528 --> 00:11:03,328
YES, SIR.
144
00:11:05,132 --> 00:11:07,772
-HERE'S THE FLAK VEST.
-I DON'T NEED THAT.
145
00:11:07,801 --> 00:11:09,841
-YOU GOTTA WEAR IT.
-IT'S TOO RESTRICTIVE.
146
00:11:09,870 --> 00:11:12,910
NO CHOICE.
HE'S ARMED.
147
00:11:12,940 --> 00:11:15,140
OKAY, YOU'RE RIGHT.
148
00:11:17,911 --> 00:11:20,811
-FIT ALL RIGHT?
-GOOD.
149
00:11:30,858 --> 00:11:33,858
McGarrett: CHIN?
150
00:11:33,894 --> 00:11:37,404
TO THE LEFT, JUST A LITTLE.
151
00:11:37,430 --> 00:11:42,670
YEAH. THAT'S GOOD.
NOW, DOWN AND TIP IT.
152
00:11:42,702 --> 00:11:45,272
CAN YOU SEE ANYTHING?
153
00:11:45,305 --> 00:11:47,905
THAT SHOULD BE
JUST ABOUT IT.
154
00:11:47,941 --> 00:11:49,741
CHIN, HAVE YOU GOT
ANYTHING YET?
155
00:11:53,080 --> 00:11:55,380
AHH. HE CAN'T MAKE
THE RIGHT ANGLE.
156
00:11:55,415 --> 00:11:57,145
OH, DAMN IT.
157
00:11:57,184 --> 00:12:00,454
GENTLEMEN,
I'M COLONEL CHADWAY.
158
00:12:00,487 --> 00:12:02,187
McGARRETT, FIVE-O.
159
00:12:02,222 --> 00:12:04,222
I WANT TO TALK TO YOU, BUT...
160
00:12:04,257 --> 00:12:06,087
WOULD YOU CHECK
ARMY RECORDS CENTER?
161
00:12:06,126 --> 00:12:08,296
WE HAVE A TENTATIVE I.D.
ON A JESSE COOPER.
162
00:12:08,328 --> 00:12:11,598
THAT'S YOUR MAN.
I WAS HIS C.O.
163
00:12:11,631 --> 00:12:13,631
OKAY.
164
00:12:13,666 --> 00:12:15,766
I WANT HIS PERSONNEL JACKET.
165
00:12:15,803 --> 00:12:17,603
WILL YOU GET ON THE PHONE
AND HAVE IT SENT?
166
00:12:17,637 --> 00:12:19,237
CERTAINLY. GOOD IDEA.
167
00:12:58,478 --> 00:13:01,578
DANNO, IS PEARSON READY?
168
00:13:01,614 --> 00:13:02,924
Danno: READY, STEVE.
169
00:13:02,950 --> 00:13:05,750
REMEMBER, CHUCK,
WE DON'T WANT ANY HEROICS.
170
00:13:05,785 --> 00:13:06,985
JUST FIND OUT
WHETHER OR NOT
171
00:13:07,020 --> 00:13:08,920
THAT BABYSITTER'S
IN THERE OR NOT, HUH?
172
00:13:08,956 --> 00:13:10,786
YOU KNOW IT.
173
00:13:57,737 --> 00:13:59,367
[ PEOPLE MURMURING ]
174
00:14:59,466 --> 00:15:01,596
Pearson: THERE'S
A YOUNG GIRL IN THERE.
175
00:15:01,634 --> 00:15:04,274
SHE'S OKAY.
SHE'S LOOKING RIGHT AT ME.
176
00:15:20,753 --> 00:15:23,193
[ PEOPLE SCREAMING ]
177
00:15:31,898 --> 00:15:33,698
[ GUN CLICKING ]
178
00:15:48,248 --> 00:15:50,518
-CHUCK, YOU OKAY?
-YEAH, I'M OKAY.
179
00:15:50,550 --> 00:15:53,720
I SAW HER.
SHE LOOKED RIGHT AT ME.
180
00:15:53,753 --> 00:15:56,323
-IT HIT?
-YEAH.
181
00:15:57,957 --> 00:16:00,487
STEVE, CHUCK'S HIT,
BUT NOT BAD.
182
00:16:00,527 --> 00:16:02,657
LISTEN, HE SAW THE GIRL.
SHE SEEMS TO BE OKAY.
183
00:16:02,695 --> 00:16:04,855
OKAY, DANNO. LISTEN,
184
00:16:04,897 --> 00:16:06,897
I WANT TO SET UP
IN THE HALL.
185
00:16:06,933 --> 00:16:08,403
Danno: OKAY, STEVE.
186
00:16:08,435 --> 00:16:09,495
CAPTAIN,
187
00:16:09,536 --> 00:16:11,366
SEE IF A COUPLE OF YOUR MEN
CAN GET A HEAVY TABLE
188
00:16:11,404 --> 00:16:14,314
AND GET IT UP TO DANNY WILLIAMS
ON THE FIFTH FLOOR.
189
00:16:14,341 --> 00:16:16,611
LOOK, McGARRETT,
HE'S GOT A HOSTAGE UP THERE.
190
00:16:16,643 --> 00:16:19,153
LET'S NOT DIDDLE AROUND WITH
HIM, IF YOU KNOW WHAT I MEAN.
191
00:16:21,648 --> 00:16:24,478
DUKE, GET A COUPLE
OF EXTRA FLAK SUITS
192
00:16:24,517 --> 00:16:26,617
AND BRING THEM UP TO DANNY
ON THE FIFTH FLOOR.
193
00:16:26,653 --> 00:16:27,823
NOW, TAKE IT EASY.
194
00:16:27,854 --> 00:16:29,294
WE DON'T WANNA
RUFFLE THIS GUY.
195
00:16:29,322 --> 00:16:31,392
OH, NO, LET'S NOT OFFEND HIM.
196
00:16:32,725 --> 00:16:33,955
THAT'S RIGHT, CAPTAIN.
197
00:16:33,993 --> 00:16:35,233
WE'RE GOING TO TRY
TO COMMUNICATE.
198
00:16:35,262 --> 00:16:37,102
NOW THERE'S A WORD FOR YOU,
199
00:16:37,130 --> 00:16:38,300
COMMUNICATE.
200
00:16:38,331 --> 00:16:41,731
THIS IS GONNA BE GREAT.
GROUP THERAPY.
201
00:16:43,270 --> 00:16:44,640
YOU GOT A COMPLAINT, CAPTAIN?
202
00:16:44,671 --> 00:16:46,371
ME? NOT ME.
203
00:16:46,406 --> 00:16:48,106
OFFICER WADE'S GOT
A BULLET IN HIM.
204
00:16:48,141 --> 00:16:50,381
HE'S GOT A COMPLAINT. ME?
I JUST GOT MY OWN OPINION
205
00:16:50,410 --> 00:16:52,010
AND 23 YEARS' EXPERIENCE.
206
00:16:52,045 --> 00:16:54,275
WELL, YOU'RE A LITTLE SHORT,
CAPTAIN.
207
00:16:54,314 --> 00:16:57,254
WE'RE GOING ON THE EXPERIENCE
OF A LOT OF SMART COPS
208
00:16:57,284 --> 00:16:59,094
ALL OVER THE COUNTRY
WHO HAVE BEEN TO SCHOOL
209
00:16:59,119 --> 00:17:00,149
ON THIS SORT OF THING.
210
00:17:00,187 --> 00:17:02,017
YEAH, I KNOW.
YOU BOYS OVER AT FIVE-O
211
00:17:02,055 --> 00:17:03,255
MAKE ALL THE --
212
00:17:03,290 --> 00:17:06,530
LOOK, WHOEVER THAT GUY
IS UP THERE,
213
00:17:06,559 --> 00:17:08,199
HE'S GOT A PROBLEM,
BUT MORE THAN THAT,
214
00:17:08,228 --> 00:17:10,258
HE'S GOT A YOUNG GIRL
HOSTAGE UP THERE.
215
00:17:10,297 --> 00:17:12,197
NOW, THERE'S A LIFE
IN DANGER.
216
00:17:12,232 --> 00:17:16,272
MAYBE MANY LIVES,
YOURS AND MINE AND HIS INCLUDED.
217
00:17:16,303 --> 00:17:19,273
NOW, WE'RE GOING TO TRY
TO GET THROUGH TO HIM!
218
00:17:19,306 --> 00:17:21,236
THAT'S THE OPERATIONAL
PROCEDURE!
219
00:17:21,274 --> 00:17:22,314
-CLEAR?
-CLEAR!
220
00:17:22,342 --> 00:17:25,382
OKAY, THE TABLE
UP THERE ON THE DOUBLE!
221
00:17:25,412 --> 00:17:27,082
YES, SIR!
222
00:17:30,717 --> 00:17:33,617
DANNO, TABLE COMING UP.
223
00:17:36,889 --> 00:17:39,459
I TALKED WITH ARMY RECORDS
CENTER IN ST. LOUIS.
224
00:17:39,492 --> 00:17:41,162
THEY GAVE ME SOME
INFORMATION.
225
00:17:41,194 --> 00:17:43,534
CITATIONS, SILVER STAR
WITH CLUSTERS,
226
00:17:43,563 --> 00:17:45,803
PURPLE HEART, COURT-MARTIAL.
227
00:17:45,832 --> 00:17:47,772
THEY'RE TELEXING THE REST
OF THE RECORDS OVER.
228
00:17:49,769 --> 00:17:52,369
IS THIS RIGHT?
HE WAS IN COMBAT AT 15?
229
00:17:52,405 --> 00:17:55,575
HE LIED ABOUT HIS AGE,
BUT HE WAS A GREAT SOLDIER.
230
00:17:58,111 --> 00:17:59,551
PSYCHO?
231
00:17:59,579 --> 00:18:00,849
OH, NO, NO.
232
00:18:00,880 --> 00:18:03,820
HE WAS MORE LIKE A --
WELL, A NATURAL SOLDIER.
233
00:18:03,850 --> 00:18:05,490
QUIET. RESPECTFUL.
234
00:18:05,518 --> 00:18:09,218
ACTUALLY, IF I MAY MAKE
A SUGGESTION,
235
00:18:09,256 --> 00:18:12,356
HE STILL LOOKS UPON ME
AS HIS C.O.
236
00:18:12,392 --> 00:18:14,492
I KNOW IF I GAVE HIM AN ORDER...
237
00:18:14,527 --> 00:18:17,327
WELL, WHAT I MEAN IS,
I'M SOMEONE
238
00:18:17,364 --> 00:18:19,074
WHO CAN COMMUNICATE
WITH SERGEANT COOPER.
239
00:18:19,098 --> 00:18:21,128
I SEE.
240
00:18:21,168 --> 00:18:24,338
WERE YOU IN YOUR APARTMENT
WHEN HE CALLED UP FROM THE DESK?
241
00:18:24,371 --> 00:18:28,111
YES, BUT THE GUY HAD BEEN
COMING DOWN TO MY HEALTH CLUB,
242
00:18:28,141 --> 00:18:29,811
HANGING AROUND, MOOCHING MONEY.
243
00:18:29,842 --> 00:18:31,982
I GOT TIRED OF IT!
244
00:18:32,011 --> 00:18:33,681
IT WASN'T THE MONEY.
245
00:18:33,713 --> 00:18:37,283
JUST THAT, WELL, SERGEANT COOPER
ALWAYS A LITTLE, UH...
246
00:18:37,317 --> 00:18:40,817
A LITTLE WHAT? UNSTABLE?
247
00:18:43,756 --> 00:18:45,116
EXCITABLE.
248
00:18:46,926 --> 00:18:48,826
ALL RIGHT, UH...
249
00:18:49,929 --> 00:18:52,229
I'LL TELL YOU WHAT
I'D LIKE YOU TO DO NOW.
250
00:18:52,265 --> 00:18:54,165
ABOUT THESE BATTLES THAT
YOU WERE IN TOGETHER,
251
00:18:54,201 --> 00:18:59,111
I'D LIKE YOU TO WRITE DOWN
EVERY DETAIL THAT COMES TO MIND.
252
00:18:59,138 --> 00:19:01,108
THINGS THAT
HE MIGHT REMEMBER.
253
00:19:01,140 --> 00:19:02,840
THINGS THAT INVOLVE
COOPER.
254
00:19:02,875 --> 00:19:05,905
CERTAINLY, BUT YOU DON'T
WANT ME TO TALK TO HIM?
255
00:19:05,945 --> 00:19:09,615
LET'S SUPPOSE THAT
HE WAS IN SERIOUS TROUBLE.
256
00:19:09,649 --> 00:19:12,249
HE COMES TO YOU
AS A LAST RESORT.
257
00:19:12,285 --> 00:19:13,785
NOW, IF HE FEELS THAT YOU
258
00:19:13,820 --> 00:19:16,220
DELIBERATELY TURNED
YOUR BACK ON HIM...
259
00:19:17,724 --> 00:19:20,334
THAT COULD REALLY
SET HIM OFF THIS TIME.
260
00:19:20,360 --> 00:19:22,700
YOU SAID THAT
HE WAS EXCITABLE.
261
00:19:22,729 --> 00:19:25,469
-YES, BUT I DON'T THINK --
-NOW, LOOK, COLONEL!
262
00:19:26,466 --> 00:19:29,166
HE SHOT A POLICEMAN.
263
00:19:29,202 --> 00:19:30,802
NOW, IF HE GOES
OVER THE LINE THIS TIME,
264
00:19:30,837 --> 00:19:32,737
HE COULD TAKE IT OUT
ON THAT LITTLE GIRL UP THERE.
265
00:19:32,772 --> 00:19:36,242
I UNDERSTAND, BUT I WAS
IN THE ARMY FOR 25 YEARS.
266
00:19:36,276 --> 00:19:37,376
I'VE GOT TO TELL YOU!
267
00:19:37,410 --> 00:19:40,550
OKAY, COLONEL,
YOU HAD YOUR CHANCE
268
00:19:40,580 --> 00:19:43,950
TO TALK TO SERGEANT COOPER
WHEN HE CAME TO YOUR DOOR.
269
00:19:43,983 --> 00:19:48,463
NOW, IF YOU'LL EXCUSE ME,
I HAVE WORK TO DO.
270
00:20:15,315 --> 00:20:16,545
SIR?
271
00:20:18,485 --> 00:20:21,845
-COULD I TURN ON THE TV?
-NO!
272
00:20:24,991 --> 00:20:28,361
NOW, YOU QUIT YOUR WHINING!
273
00:20:28,395 --> 00:20:31,295
I'M NOT WHINING.
274
00:20:32,532 --> 00:20:34,872
BESIDES, THERE'S NOTHING
GOOD ON TV NOW ANYWAY.
275
00:20:34,901 --> 00:20:37,241
WILL YOU SHUT UP?
276
00:20:56,556 --> 00:20:57,816
Chin Ho: STEVE.
277
00:20:59,091 --> 00:21:02,531
THIS IS MRS. MARTIN.
HER DAUGHTER'S THE HOSTAGE.
278
00:21:02,562 --> 00:21:04,562
SORRY, MRS. MARTIN.
279
00:21:04,597 --> 00:21:06,727
VERY PRETTY GIRL.
WHAT CAN YOU TELL US?
280
00:21:06,766 --> 00:21:09,136
SHE'S A LOVELY CHILD,
REALLY.
281
00:21:09,168 --> 00:21:10,468
VERY BRIGHT
FOR HER AGE.
282
00:21:10,503 --> 00:21:14,413
IS SHE EMOTIONALLY STABLE?
IS SHE COOL IN CRISES?
283
00:21:14,441 --> 00:21:17,611
WELL, YES,
I THINK SO.
284
00:21:17,644 --> 00:21:19,014
SHE'S A COMPETITIVE
SWIMMER.
285
00:21:19,045 --> 00:21:21,175
SHE'S ON THE DEBATING
TEAM AT SCHOOL.
286
00:21:21,213 --> 00:21:22,523
THAT'S GOOD. THAT'S GOOD.
287
00:21:22,549 --> 00:21:24,249
THEY'VE TOLD YOU WE'VE SEEN HER?
288
00:21:24,283 --> 00:21:26,023
YES.
289
00:21:26,052 --> 00:21:28,592
HOW IS THE OFFICER?
THE ONE WHO WAS SHOT?
290
00:21:28,621 --> 00:21:30,021
WE DON'T KNOW YET.
291
00:21:58,551 --> 00:22:00,051
-WHAT IS IT?
-GET A LOAD OF THIS, WILL YOU?
292
00:22:00,086 --> 00:22:02,146
THIS GUY WANTS A PARACHUTE,
AN ARMY PLANE,
293
00:22:02,188 --> 00:22:05,858
CLOTHES, SUIT, TIE, SHOES,
AND 500 BUCKS CASH.
294
00:22:05,892 --> 00:22:07,532
HE'S NUTS!
295
00:22:07,560 --> 00:22:10,100
CHIN, STAY ON
COMMUNICATIONS.
296
00:22:32,885 --> 00:22:35,285
-DID YOU TALK TO HIM?
-WE TRIED.
297
00:22:35,321 --> 00:22:36,561
THE DOOR IS SPRUNG.
298
00:22:36,589 --> 00:22:38,559
HE SHOT OFF THE LOCK,
AND IT WON'T STAY SHUT.
299
00:22:38,591 --> 00:22:40,861
HE'S GOT THAT CHAIR
PROPPED AGAINST IT.
300
00:22:40,893 --> 00:22:43,233
YEAH, I SEE.
[ SNAPPING FINGERS ]
301
00:22:43,262 --> 00:22:45,772
LET'S SEE IF
HE WANTS TO TALK.
302
00:22:45,798 --> 00:22:47,668
SERGEANT!
303
00:22:50,202 --> 00:22:52,512
SERGEANT COOPER?
304
00:22:52,539 --> 00:22:54,839
JESSE COOPER?
305
00:22:59,612 --> 00:23:02,152
JESSE COOPER?
306
00:23:02,181 --> 00:23:03,981
IS HE CALLING YOU?
307
00:23:04,016 --> 00:23:05,546
I KNOW, I KNOW!
308
00:23:05,585 --> 00:23:07,345
McGarrett: JESSE COOPER,
309
00:23:07,386 --> 00:23:09,586
THIS IS STEVE McGARRETT,
HAWAII FIVE-O.
310
00:23:09,622 --> 00:23:12,092
I'D LIKE TO TALK TO YOU.
311
00:23:12,124 --> 00:23:15,264
LOOK, YOU JUST BRING ME
WHAT I ASKED FOR!
312
00:23:15,294 --> 00:23:17,364
THAT'S ALL! NO TALK!
313
00:23:17,396 --> 00:23:20,266
McGarrett: OKAY, JESSE, WE'RE
WORKING ON IT. WE'LL GET IT.
314
00:23:20,299 --> 00:23:23,069
WISH WE COULD GET A LOOK
IN THERE, SEE WHAT'S GOING ON.
315
00:23:23,102 --> 00:23:26,012
IF I COULD GET ON THE HINGE SIDE
OF THAT DOOR THERE, YOU KNOW,
316
00:23:26,038 --> 00:23:27,768
I COULD PUSH IT
A LITTLE FARTHER OPEN.
317
00:23:30,443 --> 00:23:31,983
YEAH, MAYBE.
318
00:23:32,011 --> 00:23:34,051
MAYBE WE COULD OPEN IT
A LITTLE MORE.
319
00:23:34,080 --> 00:23:35,350
LET ME TRY.
320
00:23:35,381 --> 00:23:38,321
OKAY, GET YOURSELF
A SHORT POLE.
321
00:23:38,350 --> 00:23:40,820
-BE CAREFUL.
-RIGHT.
322
00:23:42,054 --> 00:23:44,264
HEY, JESSE,
323
00:23:44,290 --> 00:23:45,930
THIS IS STEVE McGARRETT!
324
00:23:45,958 --> 00:23:48,928
YOU OKAY?
325
00:23:53,165 --> 00:23:55,535
JESSE, WE PUT IN A CALL
TO THE AIR FORCE.
326
00:23:55,568 --> 00:23:57,168
WE DON'T KNOW HOW LONG
IT'S GOING TO TAKE
327
00:23:57,203 --> 00:23:59,543
TO ROUND UP A PLANE.
328
00:23:59,572 --> 00:24:00,942
YOU'VE HAD A LOT MORE EXPERIENCE
329
00:24:00,973 --> 00:24:03,443
WITH THE ARMED FORCES
THAN ANY OF US HAVE.
330
00:24:06,479 --> 00:24:07,709
[ SIGHS ]
331
00:24:07,747 --> 00:24:10,617
HE'S JUST YOUR AVERAGE
CONVERSATIONALIST.
332
00:24:10,650 --> 00:24:12,250
NO BIG WORDS, NO LITTLE WORDS.
333
00:24:12,284 --> 00:24:14,824
[ RADIO BEEPING ]
334
00:24:14,854 --> 00:24:16,464
WILLIAMS.
335
00:24:19,892 --> 00:24:21,932
STEVE, YOU BETTER TAKE THIS.
336
00:24:21,961 --> 00:24:23,361
IT'S THE HEAD OF YOUR FAN CLUB.
337
00:24:23,395 --> 00:24:24,795
[ SIGHS ]
338
00:24:24,831 --> 00:24:26,701
-McGARRETT.
-Glover: HELLO, McGARRETT?
339
00:24:26,733 --> 00:24:27,833
CAPTAIN GLOVER?
340
00:24:27,867 --> 00:24:29,797
LISTEN, I GOT A YOUNG FELLOW
DOWN HERE NAMED HOLDEN.
341
00:24:29,836 --> 00:24:32,096
RICHARD HOLDEN.
HE'S AN APPLICANT FOR H.P.D.
342
00:24:32,138 --> 00:24:34,338
NOW, HE WANTS TO VOLUNTEER
TO BE A SUBSTITUTE HOSTAGE
343
00:24:34,373 --> 00:24:35,643
IF COOPER'LL GO FOR IT.
344
00:24:35,675 --> 00:24:37,335
SHOULD I SEND HIM UP?
345
00:24:37,376 --> 00:24:40,246
A SUBSTITUTE HOSTAGE?
346
00:24:40,279 --> 00:24:41,679
THAT'S ALL WE NEED.
347
00:24:41,714 --> 00:24:44,654
UH, CAPTAIN,
LEAVE HIM ON THE BENCH.
348
00:24:45,718 --> 00:24:47,748
-SIT TIGHT, HOLDEN.
-YES, SIR.
349
00:24:47,787 --> 00:24:50,087
"LEAVE HIM ON THE BENCH."
350
00:24:55,227 --> 00:24:57,257
THIS OUGHT TO DO IT.
351
00:24:57,296 --> 00:24:59,696
YEAH,
THAT LOOKS GOOD.
352
00:24:59,732 --> 00:25:02,132
-DANNO, GOT A PEN?
-YEAH.
353
00:25:05,471 --> 00:25:07,041
LOOK.
354
00:25:09,842 --> 00:25:13,882
HERE'S THE HALL
THAT WE'RE IN.
355
00:25:13,913 --> 00:25:15,553
HERE'S THE BARRICADE.
356
00:25:15,582 --> 00:25:18,322
HERE'S THE ELEVATOR SHAFT.
HERE'S THE PLANT.
357
00:25:18,350 --> 00:25:19,790
OKAY.
358
00:25:23,022 --> 00:25:25,092
HERE'S THE OPEN DOOR,
FRANK.
359
00:25:25,124 --> 00:25:27,894
NOW, FRANK, THIS IS WHAT
YOU HAVE TO LOOK FOR.
360
00:25:27,927 --> 00:25:30,197
THERE'S A MIRROR
IN THE APARTMENT
361
00:25:30,229 --> 00:25:32,129
RIGHT ABOUT HERE.
362
00:25:32,164 --> 00:25:33,674
BUT BE CAREFUL.
363
00:25:33,700 --> 00:25:36,900
NOW, YOU'LL HAVE TO CRAWL
RIGHT ALONG THIS WALL.
364
00:25:36,936 --> 00:25:38,036
RIGHT.
365
00:25:38,070 --> 00:25:41,240
WHAT ABOUT A DISTRACTION?
HOW ABOUT RINGING THE PHONE?
366
00:25:41,273 --> 00:25:44,313
YEAH, THAT'S A GOOD IDEA. DO IT.
367
00:25:45,945 --> 00:25:48,505
CHIN, HAVE THE SWITCHBOARD
RING THE ROOM.
368
00:25:48,547 --> 00:25:50,017
IF HE ANSWERS --
369
00:25:50,049 --> 00:25:51,949
HOW DO YOU WANT
TO HANDLE THE SITUATION?
370
00:25:51,984 --> 00:25:54,494
UH, CHIN,
371
00:25:54,520 --> 00:25:55,890
CALL HIM BY HIS FIRST NAME,
372
00:25:55,922 --> 00:25:57,862
TELL HIM WE'RE WORKING
ON HIS CLOTHES,
373
00:25:57,890 --> 00:26:00,090
AND KEEP HIM COOL.
374
00:26:02,328 --> 00:26:03,858
GOT THAT, CHIN? RIGHT.
375
00:26:03,896 --> 00:26:06,796
WAIT TILL THE PHONE RINGS,
FRANK.
376
00:26:08,300 --> 00:26:09,870
CAREFUL.
377
00:26:29,355 --> 00:26:31,315
[ TELEPHONE RINGING ]
378
00:26:34,393 --> 00:26:36,663
[ RINGING CONTINUES ]
379
00:26:38,264 --> 00:26:41,304
[ RINGING CONTINUES ]
380
00:26:44,671 --> 00:26:47,841
[ RINGING CONTINUES ]
381
00:26:48,975 --> 00:26:50,875
[ RINGING CONTINUES ]
382
00:26:50,910 --> 00:26:52,210
SHOULD I ANSWER IT?
383
00:26:53,880 --> 00:26:55,750
[ RINGING CONTINUES ]
384
00:26:57,616 --> 00:27:01,486
[ RINGING CONTINUES ]
385
00:27:01,520 --> 00:27:04,120
AREN'T YOU GOING TO
ANSWER IT?
386
00:27:58,477 --> 00:28:00,047
[ GUNSHOT ]
387
00:28:01,447 --> 00:28:03,777
[ GUNSHOT ]
388
00:28:14,593 --> 00:28:16,463
CLOSE THE DOOR!
389
00:28:30,777 --> 00:28:32,977
-YOU OKAY?
-STILL IN ONE PIECE.
390
00:28:33,012 --> 00:28:34,412
DID YOU GET A LOOK
AT THE GIRL?
391
00:28:34,446 --> 00:28:36,816
YEAH, SHE'S OKAY.
DIDN'T EVEN LOOK SCARED.
392
00:28:36,849 --> 00:28:37,919
HOW ABOUT
OUR FRIEND JESSE?
393
00:28:37,950 --> 00:28:40,050
NOW, HIM, HE DID LOOK SCARED.
394
00:28:40,086 --> 00:28:41,616
WELL, THAT FIGURES.
395
00:28:41,653 --> 00:28:42,923
WHAT'S NEXT?
396
00:28:42,955 --> 00:28:44,985
WE GOT TO KEEP HIM TALKING.
397
00:28:45,024 --> 00:28:46,764
[ RADIO BEEPS ]
398
00:28:46,793 --> 00:28:48,393
GO AHEAD, CHIN.
399
00:28:49,495 --> 00:28:51,755
GOOD. HAVE HIM LEAVE IT
ON LANDING 5.
400
00:28:51,798 --> 00:28:53,668
OFFICER RAU IS THERE.
401
00:28:53,699 --> 00:28:54,799
THEY GOT THE PARACHUTE
402
00:28:54,834 --> 00:28:56,074
AND SOME OF
THE CLOTHING.
403
00:28:56,102 --> 00:28:58,172
MAYBE THAT WILL OPEN HIM UP.
404
00:28:58,204 --> 00:28:59,314
JESSE!
405
00:28:59,338 --> 00:29:01,968
THIS IS STEVE McGARRETT.
WE'VE GOT YOUR CHUTE
406
00:29:02,008 --> 00:29:03,638
AND SOME OF THE CLOTHING COMING.
407
00:29:03,675 --> 00:29:05,875
HOW DO YOU WANT US
TO HANDLE IT?
408
00:29:07,579 --> 00:29:11,449
JESSE, IF YOU LET US KNOW,
WE'LL TRY TO DO IT YOUR WAY.
409
00:29:14,887 --> 00:29:21,087
JESSE, DO YOU WANT US TO LEAVE
THE STUFF IN FRONT OF THE DOOR?
410
00:29:22,829 --> 00:29:26,569
HE'S TRYING TO BE NICE TO YOU.
411
00:29:26,598 --> 00:29:31,468
McGarrett: DO YOU WANT US TO TRY
TO PUSH IT INSIDE THE ROOM?
412
00:29:31,503 --> 00:29:35,473
OKAY, BUT DON'T TRY
ANYTHING FUNNY.
413
00:29:36,442 --> 00:29:38,852
SEE IF THEY GOT
ANY COFFEE IN THE KITCHEN.
414
00:29:41,848 --> 00:29:43,248
GO ON.
415
00:30:00,266 --> 00:30:04,336
JESSE, THIS IS
STEVE McGARRETT.
416
00:30:04,370 --> 00:30:08,140
WE'VE GOT
THE CLOTHES YOU WANT.
417
00:30:08,174 --> 00:30:11,044
WE'RE GONNA PUT THEM INSIDE
THE DOOR. IS THAT OKAY WITH YOU?
418
00:30:11,077 --> 00:30:13,477
-[ DOOR OPENS ]
-HEY!
419
00:30:13,512 --> 00:30:15,282
HEY, GET DOWN.
420
00:30:15,314 --> 00:30:16,784
SORRY, SORRY.
421
00:30:16,815 --> 00:30:18,175
-WHO ARE YOU?
-RICHARD HOLDEN, SIR.
422
00:30:18,217 --> 00:30:19,547
WHAT ARE YOU DOING
UP HERE?
423
00:30:19,585 --> 00:30:22,345
CAPTAIN GLOVER TOLD ME I COULD
SUBSTITUTE FOR THE HOSTAGE.
424
00:30:22,388 --> 00:30:24,358
-HE SENT YOU UP HERE?
-NO, SIR.
425
00:30:24,390 --> 00:30:26,930
I FIGURED SOMETHING
WAS GOING TO HAPPEN,
426
00:30:26,959 --> 00:30:28,829
SO IF YOU WANT ME
TO SUBSTITUTE FOR THE GIRL...
427
00:30:28,861 --> 00:30:30,961
DO YOU WANT TO GET
YOUR HEAD BLOWN OFF?
428
00:30:34,466 --> 00:30:37,566
DANNO, GET A SOUND
TECHNICIAN ON THE ROOF,
429
00:30:37,603 --> 00:30:40,113
AND ONE IN THE APARTMENT
DIRECTLY BELOW.
430
00:30:40,139 --> 00:30:42,309
SEE IF YOU CAN PICK UP
THE EXACT POSITION
431
00:30:42,341 --> 00:30:44,511
OF JESSE AND THE GIRL
WITH DIRECTIONAL MIKES.
432
00:30:44,543 --> 00:30:46,453
-ALL RIGHT.
-I'LL BE BACK AS SOON AS I CAN.
433
00:30:46,478 --> 00:30:50,248
LET'S GO.
434
00:30:52,251 --> 00:30:53,591
MY MOTHER DOES THIS
AT HOME
435
00:30:53,619 --> 00:30:56,389
WHEN THE COFFEE IN THE JAR
GETS HARD.
436
00:31:18,010 --> 00:31:20,010
IT'S GOOD.
437
00:31:20,046 --> 00:31:22,046
THANKS.
438
00:31:22,081 --> 00:31:23,581
YOU'RE WELCOME.
439
00:31:47,339 --> 00:31:49,679
NOW, KEEP HIM OUT OF HERE.
440
00:31:51,077 --> 00:31:52,677
WHAT HAVE WE GOT?
441
00:31:52,711 --> 00:31:57,081
HERE'S SIX PAGES.
I COULD DO 20 MORE.
442
00:31:57,116 --> 00:32:00,246
LOOKS GOOD.
NAMES, PLACES, DATES.
443
00:32:00,286 --> 00:32:02,086
THAT'S EXACTLY WHAT I WANT.
444
00:32:02,121 --> 00:32:05,791
ALL CAME BACK,
JUST LIKE IT HAPPENED YESTERDAY.
445
00:32:05,824 --> 00:32:07,934
IT WAS AN IMPORTANT TIME.
446
00:32:09,895 --> 00:32:11,995
YEAH, COLONEL, I GUESS IT WAS.
447
00:32:12,031 --> 00:32:13,301
THANK YOU.
448
00:32:17,069 --> 00:32:20,169
CHIN, THIS LOOKS LIKE
IT'S GETTING OUT OF HAND.
449
00:32:20,206 --> 00:32:22,506
CLEAR THE AREA.
EVERYBODY.
450
00:32:31,650 --> 00:32:34,050
MR. McGARRETT,
451
00:32:34,086 --> 00:32:36,486
YOU DON'T THINK
SHE'S BEEN MOLESTED?
452
00:32:36,522 --> 00:32:38,562
MOLESTED?
453
00:32:38,590 --> 00:32:41,660
I DON'T THINK HE'S THE TYPE.
HE HASN'T BOTHERED HER SO FAR.
454
00:32:41,693 --> 00:32:45,463
EVERY MINUTE,
HER CHANCES GET BETTER.
455
00:32:45,497 --> 00:32:48,327
WE STUDY THESE HOSTAGE
SITUATIONS VERY CAREFULLY.
456
00:32:48,367 --> 00:32:50,397
OUR WHOLE EFFORT
IS TO GET THE GIRL OUT.
457
00:32:51,837 --> 00:32:53,337
WELL, IT'S JUST THAT --
458
00:32:53,372 --> 00:32:54,972
I MEAN, I DON'T THINK THAT WAY,
459
00:32:55,007 --> 00:32:57,037
BUT SOMEONE SAID HE --
460
00:32:57,076 --> 00:32:59,606
HE HAS A RECORD OF SEX OFFENSE.
461
00:32:59,645 --> 00:33:01,205
WHO SAID THAT?
462
00:33:01,247 --> 00:33:03,617
I SAID. IT'S TRUE.
463
00:33:03,649 --> 00:33:05,779
YOU WANT TO KNOW WHO YOU'RE
DEALING WITH, DON'T YOU?
464
00:33:05,817 --> 00:33:07,747
WHAT CHARGE, CAPTAIN?
465
00:33:07,786 --> 00:33:09,516
I DON'T KNOW.
466
00:33:09,555 --> 00:33:10,685
WELL, FIND OUT.
467
00:33:10,722 --> 00:33:13,032
YES, SIR. ONE SUGGESTION.
468
00:33:13,059 --> 00:33:14,159
YOU KEEP TALKING TO THIS NUT
469
00:33:14,193 --> 00:33:15,733
AS LONG AS YOU THINK
YOU'RE DOING ANY GOOD.
470
00:33:15,761 --> 00:33:17,931
BUT I'M TELLING YOU TO BORE
SOME HOLES IN THAT TABLE,
471
00:33:17,963 --> 00:33:19,633
LET ME SEND
A SHARPSHOOTER UP THERE.
472
00:33:19,665 --> 00:33:21,495
AT THAT DISTANCE,
MY MAN COULD SHOOT
473
00:33:21,533 --> 00:33:23,903
THE FRECKLES OFF COOPER'S EAR.
474
00:33:23,935 --> 00:33:26,465
THAT'S UNLESS YOU DON'T WANT
TO SEE HER DAUGHTER GET RAPED.
475
00:33:29,875 --> 00:33:31,235
SORRY.
476
00:33:39,851 --> 00:33:40,951
HOW'S IT GOING, DANNO?
477
00:33:40,986 --> 00:33:42,386
CHARLIE'S RIGHT BELOW HIM.
478
00:33:42,421 --> 00:33:45,461
HE CAN PRACTICALLY HEAR
COOPER BREATHING.
479
00:33:51,497 --> 00:33:52,557
RUTH.
480
00:33:54,200 --> 00:33:55,600
McGarrett: RUTH.
481
00:33:56,635 --> 00:34:00,505
YOU KNOW THAT JESSE
WAS A HERO IN THE WAR?
482
00:34:00,539 --> 00:34:02,709
IT'S TRUE. HE GOT A MEDAL
FOR SAVING THE LIVES
483
00:34:02,741 --> 00:34:05,941
OF THREE OTHER
AMERICAN SOLDIERS.
484
00:34:05,977 --> 00:34:08,047
HE REALLY DID.
485
00:34:09,215 --> 00:34:12,615
HEY, YOU REALLY DID?
486
00:34:15,254 --> 00:34:16,664
-STEVE.
-YEAH?
487
00:34:16,688 --> 00:34:19,428
GIRL SAID,
"HEY, YOU REALLY DID?"
488
00:34:19,458 --> 00:34:22,888
HER POSITION IN THE ROOM,
RIGHT HERE.
489
00:34:22,928 --> 00:34:25,298
THAT'S GOOD. OKAY.
490
00:34:27,533 --> 00:34:29,203
RUTH, THAT'S TRUE,
YOU KNOW.
491
00:34:29,235 --> 00:34:31,735
THE ARMY SAID
HE WAS WOUNDED HIMSELF,
492
00:34:31,770 --> 00:34:34,440
BUT HE HELD OFF A WHOLE SQUAD
OF ENEMY SOLDIERS.
493
00:34:34,473 --> 00:34:38,113
HE HELD THEM OFF A COUPLE
OF HOURS, AS A MATTER OF FACT,
494
00:34:38,144 --> 00:34:40,554
TILL A HELICOPTER CAME
AND RESCUED THEM.
495
00:34:40,579 --> 00:34:43,779
YOU DID? REALLY?
496
00:34:48,887 --> 00:34:51,687
JESSE,
497
00:34:51,723 --> 00:34:54,063
YOU KNOW, I MET
A GUY FROM THE 191st
498
00:34:54,092 --> 00:34:55,792
AT SOME CONVENTION
IN L.A.
499
00:34:55,827 --> 00:35:00,997
MAYBE YOU KNOW HIM.
HIS NAME WAS, UH, ART FLORES.
500
00:35:01,032 --> 00:35:03,702
DO YOU KNOW ART?
501
00:35:06,938 --> 00:35:08,368
ART WAS MY BUDDY.
502
00:35:08,407 --> 00:35:11,277
WE WORKED IN CONSTRUCTION
AFTER THE WAR ON THE MAINLAND.
503
00:35:11,310 --> 00:35:12,880
COMMON LABORERS.
504
00:35:12,911 --> 00:35:15,711
I -- I--
505
00:35:16,915 --> 00:35:18,845
YOU KNOW, ART WENT TO COLLEGE,
BUT I COULDN'T GET IN
506
00:35:18,884 --> 00:35:21,024
BECAUSE I NEVER
W-WENT THROUGH HIGH SCHOOL.
507
00:35:21,052 --> 00:35:22,422
SO I GOT MARRIED.
508
00:35:26,192 --> 00:35:29,132
I CAME BACK TO THE ISLANDS.
509
00:35:31,663 --> 00:35:35,133
HEY, ART -- ART HAD A MOTHER,
SUCH A NICE LADY.
510
00:35:35,167 --> 00:35:36,537
SHE USED TO MAKE
SOME KIND OF PANCAKES,
511
00:35:36,568 --> 00:35:38,538
YOU KNOW, WRAPPED AROUND
SOME KIND OF GREEN STUFF.
512
00:35:38,570 --> 00:35:41,210
I TELL YOU, IT WAS THE BEST FOOD
I EVER TASTED.
513
00:35:41,240 --> 00:35:42,570
HEY, McGARRETT.
514
00:35:42,608 --> 00:35:43,708
YEAH.
515
00:35:43,742 --> 00:35:45,482
Cooper: DO YOU KNOW
THAT A BULLET
516
00:35:45,511 --> 00:35:47,811
ONCE WENT THROUGH
ART'S HELMET LINER?
517
00:35:47,846 --> 00:35:49,376
RIGHT THROUGH THE LINER.
518
00:35:49,415 --> 00:35:52,145
YOU TALK ABOUT CLOSE,
IT NEVER EVEN TOUCHED HIM.
519
00:35:52,184 --> 00:35:54,494
IS THAT RIGHT?
YOU KNOW, THAT HAPPENED
520
00:35:54,520 --> 00:35:57,520
TO A BUDDY OF MINE ONCE
IN KOREA.
521
00:35:57,556 --> 00:35:58,956
IT ALMOST SCALPED HIM.
522
00:35:58,990 --> 00:36:00,290
HEY, YOU IN THE ARMY?
523
00:36:00,326 --> 00:36:01,986
NO, NO, I WAS IN THE NAVY.
524
00:36:02,027 --> 00:36:03,087
OH, NAVY.
525
00:36:03,128 --> 00:36:05,958
HEY, YOU GUYS HAD IT SOFT.
YOU KNOW, YOU HAD --
526
00:36:05,997 --> 00:36:07,597
YOU SLEEP IN SHEETS, AND, UH,
527
00:36:07,633 --> 00:36:11,603
YOU HAD DRY CLOTHES
AND HOT FOOD, MOVIES.
528
00:36:11,637 --> 00:36:13,737
YEAH.
529
00:36:13,772 --> 00:36:16,112
YEAH, I AGREE
WITH YOU, JESSE.
530
00:36:16,141 --> 00:36:18,381
WE REALLY HAD IT SOFT.
531
00:36:19,311 --> 00:36:22,251
UNTIL THE SHIP
WENT DOWN, AND THEN...
532
00:36:22,281 --> 00:36:24,051
YOU WISH YOU WERE
IN A FOXHOLE.
533
00:36:24,082 --> 00:36:26,622
YEAH.
534
00:36:26,652 --> 00:36:30,422
YEAH, I GUESS NOBODY
HAD IT SOFT. NOT IN THE WAR.
535
00:36:30,456 --> 00:36:31,986
EXCEPT MAYBE CIVILIANS.
536
00:36:32,023 --> 00:36:36,033
NOT EVEN THEM ANYMORE.
537
00:36:36,061 --> 00:36:37,631
THEY'RE GOING TO BUY IT TOO.
538
00:36:37,663 --> 00:36:39,103
HUH?
539
00:36:39,130 --> 00:36:41,970
McGarrett: DID YOU EVER HEAR
THE STORY ABOUT EINSTEIN?
540
00:36:42,000 --> 00:36:42,970
SOMEBODY SAID TO HIM,
541
00:36:43,001 --> 00:36:45,741
"WHAT WEAPON WILL BE USED
IN WORLD WAR III?"
542
00:36:45,771 --> 00:36:47,041
AND HE SAID
HE COULDN'T ANSWER THAT.
543
00:36:47,072 --> 00:36:51,342
BUT HE COULD SAY WHAT WEAPON
WOULD BE USED IN WORLD WAR IV.
544
00:36:51,377 --> 00:36:52,577
STONES.
545
00:36:52,611 --> 00:36:54,881
STONES?
546
00:36:56,147 --> 00:36:58,377
STONES!
547
00:36:58,417 --> 00:37:01,517
YEAH, HEY, THAT'S PRETTY GOOD.
I GET IT.
548
00:37:01,553 --> 00:37:03,053
HOW ABOUT
SOMETHING TO EAT?
549
00:37:03,088 --> 00:37:04,858
OH, THAT WOULD BE NICE, STEVE.
550
00:37:04,890 --> 00:37:06,760
I'M GETTING TIRED
OF THE STALE COFFEE IN HERE.
551
00:37:06,792 --> 00:37:10,702
GOOD. GOOD, JESSE.
I'LL SEND SOME HAMBURGERS UP.
552
00:37:10,729 --> 00:37:12,829
-YOU GOT HIM TALKING.
-YEAH.
553
00:37:12,864 --> 00:37:15,704
DANNO, TAKE OVER HERE.
I'LL BE RIGHT BACK.
554
00:37:28,213 --> 00:37:30,253
[ INAUDIBLE SPEECH ]
555
00:37:37,289 --> 00:37:39,559
McGarrett: EXCUSE ME, PLEASE.
556
00:37:40,592 --> 00:37:41,732
SHE ASKED
IF YOU WERE HERE
557
00:37:41,760 --> 00:37:44,060
AND IF SHE COULD HAVE
A HAMBURGER.
558
00:37:44,095 --> 00:37:45,525
BUT NOT IN THAT ORDER?
559
00:37:45,564 --> 00:37:46,904
[ McGARRETT LAUGHS ]
560
00:37:46,932 --> 00:37:49,302
NO. NO, THE HAMBURGER
CAME FIRST,
561
00:37:49,335 --> 00:37:51,765
BUT YOU RAN A CLOSE SECOND.
562
00:37:51,803 --> 00:37:53,173
SHE'S COOL.
563
00:37:53,204 --> 00:37:54,844
YEAH.
564
00:37:54,873 --> 00:37:57,013
A PSYCHIATRIST AT
THE VETERAN'S ADMINISTRATION
565
00:37:57,042 --> 00:37:59,612
HAS BEEN SEEING COOPER.
HE SAID HE'S HAD A HISTORY
566
00:37:59,645 --> 00:38:01,345
OF EMOTIONAL
AND FAMILY PROBLEMS,
567
00:38:01,380 --> 00:38:03,650
BUT HE'S NEVER SEEN
ANY SIGN OF VIOLENCE.
568
00:38:03,682 --> 00:38:08,422
NOW, WHAT WE HAVE TO DO
IS KEEP HIM CALM AND TALKING.
569
00:38:08,454 --> 00:38:10,724
IF NOBODY TRIGGERS HIM,
WE'RE GONNA MAKE IT.
570
00:38:12,458 --> 00:38:13,988
YOU'RE DOING GOOD.
571
00:38:14,025 --> 00:38:16,225
SO ARE YOU, HON.
572
00:38:16,261 --> 00:38:18,531
SO ARE YOU.
573
00:38:27,072 --> 00:38:28,772
McGARRETT.
574
00:38:28,807 --> 00:38:31,177
I DON'T THINK
WE'VE MET, STEVE.
575
00:38:31,209 --> 00:38:34,549
I'M WILEY SHEPPARD,
ANCHORMAN ON THE LATE NEWS.
576
00:38:36,081 --> 00:38:37,521
THIS IS MRS. COOPER.
577
00:38:38,550 --> 00:38:41,450
AND I AM
THE REVEREND CRAIGHILL.
578
00:38:41,487 --> 00:38:43,017
NOW, WE'VE INTERVIEWED
MRS. COOPER,
579
00:38:43,054 --> 00:38:45,194
AND SHE GUARANTEES US
HER HUSBAND
580
00:38:45,223 --> 00:38:47,193
HAS NEVER BEEN INVOLVED
IN ANYTHING LIKE THIS.
581
00:38:47,225 --> 00:38:49,755
MRS. COOPER BELIEVES THAT
IF SHE HAD THE OPPORTUNITY --
582
00:38:49,795 --> 00:38:51,555
EXCUSE ME.
583
00:38:52,598 --> 00:38:54,928
CAPTAIN, WHAT ABOUT
THAT CHARGE YOU MENTIONED?
584
00:38:54,966 --> 00:38:56,436
I GOT A BUM REPORT.
585
00:38:56,468 --> 00:38:58,368
HE WAS DRUNK
AND DISORDERLY.
586
00:38:58,404 --> 00:39:00,274
HE TOOK HIS CLOTHES OFF
IN PUBLIC.
587
00:39:00,305 --> 00:39:04,475
MRS. COOPER ADMITS THERE'S
A PROBLEM OF ALCOHOL.
588
00:39:04,510 --> 00:39:07,080
-YEAH, DRUNK.
-WHAT IS IT YOU WANT?
589
00:39:07,112 --> 00:39:09,582
LET MRS. COOPER
TALK TO HER HUSBAND.
590
00:39:09,615 --> 00:39:10,915
LIVE AND IN LIVING COLOR
591
00:39:10,949 --> 00:39:12,779
EXCLUSIVELY ON YOUR STATION
YOU MEAN, HUH?
592
00:39:12,818 --> 00:39:15,688
OUR FIRST CONSIDERATION,
BELIEVE ME,
593
00:39:15,721 --> 00:39:17,291
IS THAT THE GIRL
SHOULD NOT BE HURT.
594
00:39:17,322 --> 00:39:19,062
SURE. SURE.
595
00:39:19,090 --> 00:39:21,390
WE CAN GET RIGHT UP THERE
ON THE FIFTH FLOOR.
596
00:39:21,427 --> 00:39:22,687
ONE CAMERA.
597
00:39:22,728 --> 00:39:25,958
LET JESSE SEE HE'S NOT BEEN
ABANDONED BY HIS LOVED ONES.
598
00:39:27,032 --> 00:39:28,632
MRS. COOPER,
HOW LONG HAS IT BEEN
599
00:39:28,667 --> 00:39:31,137
SINCE YOU'VE LIVED WITH JESSE
AS HUSBAND AND WIFE?
600
00:39:31,169 --> 00:39:33,709
HUH?
601
00:39:35,140 --> 00:39:36,640
REVEREND, WHEN'S THE LAST TIME
602
00:39:36,675 --> 00:39:39,075
YOU TRIED TO COUNSEL JESSE,
TRIED TO HELP HIM?
603
00:39:39,110 --> 00:39:40,780
YOU EVER TRIED
TO GET HIM TO A.A.?
604
00:39:40,812 --> 00:39:42,352
HAS HE BEEN
IN YOUR CHURCH LATELY?
605
00:39:42,380 --> 00:39:44,120
Sheppard: HEY, McGARRETT,
606
00:39:44,149 --> 00:39:45,679
COME ON.
607
00:39:45,717 --> 00:39:49,147
THEY WANT TO COOPERATE
WITH H.P.D., COMMUNICATE.
608
00:39:49,187 --> 00:39:52,457
WHY, THESE TWO PEOPLE ARE CLOSER
TO THAT POOR GUY UP THERE
609
00:39:52,491 --> 00:39:53,991
THAN ANYBODY ELSE
IN THE WORLD.
610
00:39:54,025 --> 00:39:56,895
MR. SHEPPARD, IF THESE TWO
PEOPLE COULD COMMUNICATE,
611
00:39:56,928 --> 00:39:59,528
HE MAY NOT BE
THAT POOR GUY UP THERE.
612
00:39:59,565 --> 00:40:00,765
[ GUNSHOTS ]
613
00:40:00,799 --> 00:40:02,999
THOSE ARE SHOTS!
GET BACK!
614
00:40:18,283 --> 00:40:22,093
WHAT IN GOD'S NAME HAPPENED?
WHAT WERE THE SHOTS?
615
00:40:22,120 --> 00:40:24,590
I WAS ON THE INTERCOM,
I LOOKED UP, HERE COMES HOLDEN
616
00:40:24,623 --> 00:40:26,223
WALTZING DOWN
THAT SIDE PASSAGEWAY,
617
00:40:26,257 --> 00:40:28,587
SAYING, "LET THE GIRL GO.
I'LL BE YOUR HOSTAGE."
618
00:40:28,627 --> 00:40:31,227
BEFORE I COULD STOP HIM, HE HAD
THE DOOR OPEN, JESSE SHOT HIM.
619
00:40:31,262 --> 00:40:33,262
-IS THE GIRL ALL RIGHT?
-AS FAR AS WE CAN TELL.
620
00:40:33,298 --> 00:40:35,068
THAT WAS JUST THE TRIGGER
I WAS WORRIED ABOUT.
621
00:40:35,100 --> 00:40:37,500
-WHERE IS HE?
-RIGHT OVER THERE.
622
00:40:39,337 --> 00:40:41,807
SO YOU FINALLY
TRIED IT, HUH?
623
00:40:41,840 --> 00:40:43,040
I TRIED.
624
00:40:43,074 --> 00:40:44,744
GET HIM OUT OF HERE.
625
00:40:44,776 --> 00:40:47,746
-COME ON.
-GET HIM OUT OF HERE.
626
00:40:57,923 --> 00:41:00,893
POLICE DEPARTMENTS
ALL OVER THE WORLD
627
00:41:00,926 --> 00:41:03,656
POOL THEIR INTELLIGENCE,
THEIR EXPERIENCE.
628
00:41:03,695 --> 00:41:05,755
WE SPEND WEEKS IN SEMINARS
629
00:41:05,797 --> 00:41:08,927
LEARNING THE VARIOUS KINDS
OF HOSTAGE SITUATIONS.
630
00:41:08,967 --> 00:41:12,037
THEN YOU GET TO THE SCENE,
YOU TURN YOUR BACK,
631
00:41:12,070 --> 00:41:15,370
AND SOME IDIOT TRIES SOME
STUPID KIND OF HOME REMEDY.
632
00:41:15,406 --> 00:41:17,106
COUNT ON IT,
633
00:41:17,142 --> 00:41:20,512
GIVEN THE CHANCE, SOME IDIOT
WILL BLOW IT FOR YOU EVERY TIME!
634
00:41:20,546 --> 00:41:22,746
I SHOULD HAVE LOCKED
THAT NUT UP MYSELF.
635
00:41:22,781 --> 00:41:25,581
DID YOU SEE THE LOOK ON HIS FACE
AFTER HE WAS SHOT?
636
00:41:25,617 --> 00:41:26,717
HE LOVED IT.
637
00:41:26,752 --> 00:41:28,922
-HE LOVED IT.
-YEAH.
638
00:41:30,021 --> 00:41:32,161
WE BETTER COOL IT
FOR A MINUTE.
639
00:41:53,579 --> 00:41:56,549
HEY. GET IN THE CLOSET.
640
00:41:56,582 --> 00:41:59,052
COME ON.
IN THE CLOSET.
641
00:42:04,189 --> 00:42:05,759
[ DOOR SHUTS ]
642
00:42:08,359 --> 00:42:11,899
ONE OF THEM SEEMS TO HAVE
LEFT THE ROOM, DANNY.
643
00:42:11,930 --> 00:42:14,070
THE TV SET
HAS BEEN TURNED ON.
644
00:42:17,035 --> 00:42:19,635
McGARRETT HASN'T TALKED TO
MR. COOPER SINCE THE SHOOTING.
645
00:42:19,671 --> 00:42:21,111
HAVE YOU HEARD
FROM THE HOSPITAL?
646
00:42:21,139 --> 00:42:22,839
HAVE YOU HEARD
HOW OFFICER WADE IS?
647
00:42:22,874 --> 00:42:25,684
HE'LL BE COMING OUT OF SURGERY
IN ABOUT A HALF AN HOUR.
648
00:42:25,711 --> 00:42:27,711
[ TV CHATTER
THROUGH HEADPHONES ]
649
00:42:27,746 --> 00:42:29,176
HE'S GOT THE TV ON.
650
00:42:29,214 --> 00:42:32,224
I'M HAVING A HARD TIME
PICKING UP ANY MOVEMENT.
651
00:42:34,285 --> 00:42:36,345
HERE, DANNO,
COUNT THE MONEY AGAIN.
652
00:42:36,387 --> 00:42:38,617
MAKE SURE IT'S RIGHT.
IT'S ONE OF THOSE LITTLE THINGS
653
00:42:38,657 --> 00:42:41,557
THAT COULD REALLY
SET HIM OFF AGAIN.
654
00:42:41,593 --> 00:42:44,733
LET'S SEE IF HE'S
COOLED OFF.
655
00:42:44,763 --> 00:42:49,703
JESSE,
IT'S STEVE McGARRETT HERE.
656
00:42:52,070 --> 00:42:53,170
YOU OKAY?
657
00:42:55,040 --> 00:42:57,240
HOW IS RUTH? CAN SHE TALK?
658
00:43:01,446 --> 00:43:02,806
WE MAY HAVE LOST HIM.
659
00:43:06,251 --> 00:43:07,221
MONEY'S ALL HERE.
660
00:43:07,252 --> 00:43:11,892
JESSE, WE'VE GOT YOUR MONEY.
I COUNTED IT.
661
00:43:11,923 --> 00:43:14,233
WE'RE GONNA PUT IT
BY THE DOOR.
662
00:43:14,259 --> 00:43:16,899
[ MUSIC PLAYING ]
663
00:43:16,928 --> 00:43:21,698
McGarrett: JESSE,
I'VE GOT YOUR MONEY
664
00:43:21,733 --> 00:43:24,003
AND I'M UNARMED.
665
00:43:25,170 --> 00:43:27,140
I'M COMING DOWN.
666
00:43:41,586 --> 00:43:43,656
IT'S ALL HERE, JESSE.
667
00:43:45,323 --> 00:43:48,733
I'M GOING TO PUT IT
IN FRONT OF THE DOOR.
668
00:44:04,509 --> 00:44:07,749
I UNDERSTAND. I JUST WANT
TO CHECK WITH MR. McGARRETT.
669
00:44:07,779 --> 00:44:09,379
I DON'T SEE
WHAT'S WRONG WITH THAT.
670
00:44:09,414 --> 00:44:11,424
IF McGARRETT DIDN'T
WANT YOU ON THE TUBE,
671
00:44:11,449 --> 00:44:12,379
HE WOULD HAVE TOLD YOU.
672
00:44:12,417 --> 00:44:14,547
DON'T YOU THINK
I WANT TO COOPERATE?
673
00:44:14,585 --> 00:44:17,355
THIS IS A PUBLIC SERVICE.
674
00:44:17,388 --> 00:44:21,928
I JUST WANT TO CHECK.
DO YOU MIND?
675
00:44:22,794 --> 00:44:25,204
[ MUSIC CONTINUES ]
676
00:44:34,305 --> 00:44:35,865
COME HERE.
677
00:44:37,342 --> 00:44:39,782
NOW, GET DOWN ON YOUR BELLY
LIKE A SOLDIER.
678
00:44:39,811 --> 00:44:41,181
GO ON.
679
00:44:42,513 --> 00:44:43,753
GO ON, GET THE MONEY.
680
00:44:46,551 --> 00:44:48,391
Cooper: GO AHEAD.
681
00:45:15,580 --> 00:45:17,080
I GOT IT, STEVE! I GOT IT!
682
00:45:17,115 --> 00:45:19,375
IT'S ALL THERE, JESSE, ISN'T IT?
683
00:45:19,417 --> 00:45:21,487
YEP. 500 CLAMS.
684
00:45:21,519 --> 00:45:23,149
YOU'RE IN THE MONEY.
685
00:45:23,188 --> 00:45:26,358
HEY, DID YOU EVER HEAR
ABOUT INFLATION, HUH?
686
00:45:26,391 --> 00:45:30,101
YEAH, I HEARD.
BELIEVE ME, I HEARD.
687
00:45:31,696 --> 00:45:35,926
YOU KNOW, STEVE,
THIS KID DOESN'T CRY.
688
00:45:35,967 --> 00:45:38,667
SHE'S WORTH A LOT MORE
THAN 500 BUCKS.
689
00:45:38,703 --> 00:45:41,673
NOW, BOTH MY KIDS CRIED.
690
00:45:41,706 --> 00:45:43,236
BOTH OF THEM, EVEN THE BOY.
691
00:45:43,274 --> 00:45:46,914
BUT THIS KID,
SHE'S A REAL SOLDIER.
692
00:45:46,945 --> 00:45:48,945
McGarrett: THAT'S WHAT
HER MOTHER SAID.
693
00:45:48,980 --> 00:45:51,450
YOU KNOW, I DIDN'T WHINE.
694
00:45:51,482 --> 00:45:53,282
WHEN I WAS HER AGE,
I WAS OUT IN THE WAR
695
00:45:53,318 --> 00:45:56,148
GETTING MY BUTT SHOT OFF,
BUT I DIDN'T WHINE.
696
00:45:56,187 --> 00:45:58,417
YOU KNOW, ME AND ART FLORES
AND THE REST OF THE GUYS,
697
00:45:58,456 --> 00:46:01,256
GUYS THAT NEVER CAME BACK.
GUYS THAT NEVER CAME BACK
698
00:46:01,292 --> 00:46:02,932
AND MADE THE WORLD
A BETTER PLACE TO LIVE IN!
699
00:46:02,961 --> 00:46:05,331
BUT I WAS GETTING
MY BUTT SHOT OFF!
700
00:46:05,363 --> 00:46:08,503
I WAS PUTTING MY LIFE
ON THE LINE!
701
00:46:08,533 --> 00:46:11,503
YOU DID FINE, JESSE.
702
00:46:11,536 --> 00:46:14,036
YOU DID FINE. YOU WERE A HERO.
703
00:46:14,072 --> 00:46:16,472
SO WHY COULDN'T I
GET A JOB?
704
00:46:18,243 --> 00:46:20,413
MAYBE IT'S THE BOOZE, JESSE.
705
00:46:24,282 --> 00:46:26,082
BOOZE?
706
00:46:28,486 --> 00:46:30,416
THOSE WHO HAVE
KNOWN YOU BEST,
707
00:46:30,455 --> 00:46:32,185
THOSE WHO HAVE
LOVED YOU LONGEST,
708
00:46:32,223 --> 00:46:33,593
LOUELLA,
YOUR PRETTY WIFE
709
00:46:33,624 --> 00:46:35,094
AND SHARON,
YOUR LOVELY DAUGHTER.
710
00:46:35,126 --> 00:46:37,456
MR. COOPER,
YOUR WIFE'S ON TV.
711
00:46:37,495 --> 00:46:41,225
AND THERE'S A MAN, SAYS HE'S
TALKING TO YOU HEART-TO-HEART.
712
00:46:41,266 --> 00:46:43,466
THIS DEVIL'S DISEASE,
ALCOHOLISM,
713
00:46:43,501 --> 00:46:46,071
YOU COULD NOT FIND IT
IN YOUR HEART TO PURPOSELY HURT
714
00:46:46,104 --> 00:46:47,544
ANOTHER FELLOW HUMAN BEING.
715
00:46:47,572 --> 00:46:49,572
BROTHER COOPER --
716
00:46:49,607 --> 00:46:52,777
[ GUNSHOTS ]
717
00:46:52,810 --> 00:46:54,650
PHONY!
718
00:46:54,679 --> 00:46:56,579
[ GLASS SHATTERING ]
719
00:46:59,584 --> 00:47:00,924
JESSE!
720
00:47:08,693 --> 00:47:10,533
LET'S PUT THE GUNS DOWN, JESSE.
721
00:47:15,433 --> 00:47:17,543
RUTH, GO OUTSIDE.
722
00:47:19,504 --> 00:47:20,844
IS IT OKAY?
723
00:47:26,477 --> 00:47:27,607
GOODBYE, MR. COOPER.
724
00:47:35,921 --> 00:47:38,221
McGarrett: JESSE,
GIVE ME THE GUN.
725
00:47:39,257 --> 00:47:40,857
GIVE ME THE GUN, JESSE.
726
00:47:42,860 --> 00:47:45,530
OKAY, THEN. LET'S GO.
727
00:47:46,764 --> 00:47:47,674
WHY?
728
00:47:47,698 --> 00:47:50,868
OH, COME ON, JESSE,
WE'VE BOTH HAD A --
729
00:47:50,902 --> 00:47:52,872
WE'VE BOTH HAD
A VERY HARD DAY.
730
00:47:52,904 --> 00:47:54,174
LET'S CALL IT QUITS,
HUH?
731
00:47:54,205 --> 00:47:58,905
HOW -- HOW'S THE COP
ON THE FLOOR BELOW?
732
00:47:58,944 --> 00:48:00,384
YOU KNOW, THE ONE WHO WAS SHOT?
733
00:48:00,411 --> 00:48:01,651
OFFICER WADE?
734
00:48:01,679 --> 00:48:03,649
HE'S COMING OUT OF SURGERY.
HE'S GOING TO BE OKAY.
735
00:48:03,681 --> 00:48:07,021
GEE, I HOPE YOU'RE NOT JUST --
JUST SAYING THAT.
736
00:48:07,052 --> 00:48:09,052
I REALLY HOPE SO.
737
00:48:09,087 --> 00:48:10,357
HE WAS JUST A KID, YOU KNOW?
738
00:48:10,388 --> 00:48:13,618
HE'S ALL RIGHT, JESSE, HONESTLY.
739
00:48:13,658 --> 00:48:15,788
HE'S GOING TO BE ALL RIGHT.
740
00:48:15,826 --> 00:48:17,356
COME ON, GIVE ME THE GUN.
741
00:48:39,850 --> 00:48:41,320
COME ON, JESSE.
742
00:48:57,735 --> 00:49:01,065
MAMA!
MAMA!
743
00:49:01,106 --> 00:49:03,106
OH, RUTH, THANK GOD!
744
00:49:03,141 --> 00:49:05,141
[ BOTH SOBBING ]
745
00:49:08,946 --> 00:49:10,116
CONGRATULATIONS,
McGARRETT.
746
00:49:10,148 --> 00:49:12,078
IT'S NOT MY STYLE,
BUT WHAT THE HELL, IT WORKED.
747
00:49:12,117 --> 00:49:14,947
COMING FROM YOU, CAPTAIN,
THAT'S HIGH PRAISE.
748
00:49:14,986 --> 00:49:16,716
COME ON, COOPER.
749
00:49:16,754 --> 00:49:19,064
WAIT.
750
00:49:34,372 --> 00:49:36,472
LET'S GO.
751
00:49:46,151 --> 00:49:49,721
[ "HAWAII FIVE-O" THEME PLAYS ]
752
00:49:49,771 --> 00:49:54,321
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