All language subtitles for Hawaii 5-O s07e19 Study in Rage.eng

[ "HAWAII FIVE-O THEME" PLAYS ]

Man: AND HEADLINING THE LOCAL
NEWS, A BIZARRE MURDER CASE.

THE COAST GUARD RETURNED
TO HONOLULU THIS MORNING,

CARRYING THE BODY OF
A 50-YEAR-OLD LOS ANGELES MAN,

VICTOR MARTIN.

LAST NIGHT, THE COAST GUARD
ANSWERED A DISTRESS CALL

FROM A CABIN CRUISER, WHICH
THE MURDERED MAN HAD RENTED

FOR A SOLO VOYAGE TO KAUAI.

AFTER A SEARCH
OF SEVERAL HOURS,

THE COAST GUARD FOUND

A RUBBER LIFE RAFT ADRIFT.

SPRAWLED IN THE RAFT
WAS THE BODY OF MARTIN.

HE HAD BEEN BLUDGEONED
TO DEATH.

DEBRIS FOUND FLOATING
AROUND THE LIFE RAFT INDICATED

THAT THE CABIN CRUISER
HAD BEEN BURNED AND SUNK

AFTER MARTIN'S BODY
WAS SET ADRIFT.

MARTIN, CHAIRMAN OF THE BOARD
OF MARTIN INDUSTRIES,

WAS VISITING HONOLULU

ON A COMBINED
BUSINESS AND VACATION TRIP.

NEITHER H.P.D.
NOR HAWAII FIVE-O

HAVE YET UNCOVERED ANY LEADS
IN THE CASE.

MORE NEWS AFTER THIS MESSAGE.

[ TURNS TV OFF ]

Man: IT WAS HIS FAULT.

IT WAS ALL HIS FAULT.

Man: LOOK, MIKE,
YOU DON'T KNOW THAT FOR A FACT.

Mike: DOC, I'M TELLING YOU,
IT WAS VICTOR MARTIN.

I SHOULD'VE SPLIT
HIS SKULL OPEN.

IF HE'D HAVE STAYED OUT OF IT,
GLYNIS AND ME,

WE WOULD'VE MADE IT.

MARTIN EVER COMES BACK
TO THIS ISLAND,

SO HELP ME, I'LL KILL HIM.

EVERYBODY SAID,
"GLYNIS AND MIKE, NO WAY."

HE HAD IT MADE, DOC.
IT WAS RIGHT, YOU KNOW?

IT WAS FOR REAL.

WE LOVED EACH OTHER.

MAN, THE PLANS I HAD FOR US.

AND THEN --

[ RECORDING STOPS ]

Jenny: HAWAII FIVE-O.

THIS IS DR. SPEAR.

-OH, HELLO, DOCTOR.
-IS MR. McGARRETT IN?

NO, I'M SORRY.
HE'S IN HILO WITH THE GOVERNOR.

I SEE. IS MR. WILLIAMS IN?

YEAH, JUST A MOMENT.

DANNY, WILL YOU TAKE THIS,
PLEASE? IT'S DR. SPEAR.

WILLIAMS. HELLO, DOCTOR.

MR. WILLIAMS,

I MAY HAVE SOME INFORMATION
ON THE VICTOR MARTIN MURDER.

I'D LIKE TO TALK TO YOU.
CAN YOU COME TO MY OFFICE?

I'M ON MY WAY.

CHIN, LET'S GO.

[ GRUNTING ]

LOOKS LIKE HE WAS AFTER
SOMETHING OTHER THAN DR. SPEAR.

THE QUESTION IS,
DID HE GET IT?

WHAT CAN YOU
TELL US, DOC?

NOT MUCH, EXCEPT WHATEVER
HE WAS STRANGLED WITH

WAS NO MORE THAN MAYBE
A 16th OF AN INCH IN DIAMETER.

-[ TELEPHONE RINGING ]
-ANY IDEA WHAT IT WAS?

SMOOTH SURFACE.
STRONG.

CHANCE SOME FIBERS WERE EMBEDDED
IN THE VICTIM'S NECK.

TELL YOU AFTER THE AUTOPSY.

SOON AS YOU CAN, HUH, DOC?

DANNY.

FRANK,
OUT AT THE ILIKAI.

-YEAH, FRANK?
-JUST FINISHED GOING THROUGH

VICTOR MARTIN'S
PERSONAL EFFECTS.

DID YOU FIND ANY LINK
BETWEEN MARTIN AND DR. SPEAR?

NO, BUT I FOUND AN ADDRESS
FOR A GLYNIS MARTIN IN L.A.

HIS WIFE?

HIS DAUGHTER.

Danno: OKAY.
NOTIFY HER RIGHT AWAY.

-PLACE IS ALL YOURS.
-HOW YOU DO ON PRINTS, CHE?

LOTS OF THEM.

WHO BELONGS TO WHAT
AND HOW MANY DIFFERENT SETS

I'M GONNA HAVE TO UNTANGLE.

OKAY, THANKS.

WELL, CHIN, WE MAY AS WELL
START GETTING THIS PLACE

PULLED BACK TOGETHER.

OH. GO THROUGH DR. SPEAR'S
FILES AND PAPERS

AND SEE IF YOU CAN FIND MARTIN'S
NAME MENTIONED ANYWHERE.

OKAY.

-[ TELEPHONE RINGS ]
-WILLIAMS.

JUST GOT BACK TO THE OFFICE,
DANNO.

JENNY BROUGHT ME UP TO DATE.
WHAT'S HAPPENING THERE?

WE'RE JUST WRAPPING IT UP HERE,
STEVE.

OKAY, I'M GOING OUT
TO THE SPEAR HOME.

I WANNA TALK
TO THE DOCTOR'S WIDOW.

KEEP ME POSTED.

JUST BEFORE YOUR HUSBAND DIED,
MRS. SPEAR, HE CALLED FIVE-O.

HE CLAIMED TO HAVE
SOME INFORMATION

ABOUT THE MURDER
OF VICTOR MARTIN.

ARTHUR?

WHY, WHAT COULD HE
POSSIBLY KNOW ABOUT IT?

I WAS HOPING
YOU COULD TELL ME.

WELL, I HAVEN'T
THE FAINTEST IDEA.

COULD VICTOR MARTIN HAVE BEEN
A PATIENT OF YOUR HUSBAND'S?

WELL,
THAT'S ENTIRELY POSSIBLE,

BUT, WELL, I'M AFRAID
I CAN'T HELP YOU THERE, EITHER.

ARTHUR MADE IT
A POINT

NEVER TO DISCUSS
HIS PATIENTS WITH ME.

I SEE.

DO YOU MIND IF I
HAVE A LOOK AROUND?

WHY, NO,
OF COURSE NOT.

ALL OF THESE PAINTINGS
WERE DONE BY YOUR HUSBAND?

YES.

QUITE AN ARTIST.

STRANGE.

YES, BUT DON'T ASK ME
WHAT IT MEANS.

ALL I KNOW IS THAT IT WAS
ARTHUR'S LATEST IDEA.

TRYING TO CAPTURE
ON CANVAS

WHAT WENT ON IN THE MINDS
OF ONE OF HIS PATIENTS.

HE BROUGHT HOME
TAPED INTERVIEWS.

ARTHUR ALWAYS --
ALWAYS RECORDED HIS PATIENTS.

ANY IDEA WHAT THESE LETTERS
AND NUMBERS MEAN?

Mrs. Spear: NO.

Man: PAGING DR. CHOU.

TELEPHONE CALL
FOR DR. M.S. CHOU.

TELEPHONE CALL FOR DR. CHOU.

DR. CHOU.

OH, YES. MRS. LANDRY.

Chou: IS HE RUNNING
A TEMPERATURE?

WELL, THEN I WOULDN'T WORRY.

LET'S KEEP HIM ON THE MEDICATION
I PRESCRIBED

FOR ANOTHER DAY OR TWO.

FINE. GOODBYE.

-HI, MIKE.
-MORNING.

-HOW YOU FEELING?
-BETTER, THANKS.

SAY, DID YOU HEAR
ABOUT DR. SPEAR?

YEAH, I HEARD.

WERE YOU STILL
SEEING HIM?

-NOT FOR MONTHS.
-TERRIBLE THING.

-TERRIBLE.
-YEAH.

-ARE YOU READY, DOC?
-LET'S GO.

[ TELEPHONE RINGING ]

HELLO?

YES, HE IS.

IT'S FOR YOU.

THANK YOU. McGARRETT.

NOT A SIGN OF
MARTIN'S NAME HERE, STEVE.

BUT I CAME UP WITH SOMETHING.

ACCORDING TO THE SEQUENCE
OF SPEAR'S FILING SYSTEM,

ONE OF THE FILES
SEEMS TO BE MISSING.

ANYTHING ELSE GONE?

YEAH. THE CORRESPONDING TAPES
WITH THE SAME CODE NUMBERS.

I FOUND THE BOOK THAT
BREAKS DOWN THE CODE LETTERS,

BUT ALL IT TELLS IS
THE NAME OF THE DOCTOR

WHO REFERRED THE PATIENT,
AND THE DATE.

Chin: THE REFERRING DOCTOR
WAS WILLIAM CHOU.

"1037 KOLOA AVENUE, KAHALA."

FIND HIM, CHIN, AND ASK HIM
TO COME TO THE OFFICE.

AND, CHIN, YOU MENTIONED A FILE
THAT WAS MISSING.

WHAT WERE THE CODE LETTERS
AND NUMBERS?

"WK-42-74."

MEAN ANYTHING TO YOU?

YEAH.

A PORTRAIT OF A KILLER.

Woman: DR. CHOU'S OFFICE.

I'D LIKE TO SPEAK
TO DR. CHOU, PLEASE.

Woman: I'M SORRY,
BUT DR. CHOU ISN'T IN.

THIS IS HIS ANSWERING SERVICE.

IF YOU'D CARE TO LEAVE
A MESSAGE...

WELL, THIS IS CHIN HO KELLY,
HAWAII FIVE-O.

CAN YOU TELL ME WHERE I CAN
FIND HIM? NOW, IT'S URGENT.

Woman: THE DOCTOR SAID
HE COULD BE REACHED

AT THE KEOKEA TENNIS CLUB
UNTIL 2:00.

THANKS.

TIME.

GREAT VOLLEY, MIKE.
JEEZ, I REALLY ENJOYED IT.

WELL, KEEP IT UP, DOC,
YOU'LL BE STEALING MY JOB.

[Chuckling]
SOME CHANCE.

I'LL SEE YOU ON WEDNESDAY.

YEAH.

I WAS TOLD BY DR. CHOU'S
ANSWERING SERVICE

THAT I COULD
FIND HIM HERE.

IF YOU GIVE ME YOUR NAME,
I'LL HAVE HIM PAGED.

PHIL,
GET AN AMBULANCE QUICK.

DR. CHOU HAS HAD
A HEART ATTACK.

SOON, BABY, SOON.

Man: THREE T-77,
THE ONE ON QUEEN --

Chin: DID YOU SEE DR. CHOU
BEFORE HE WENT OUT ON THE COURT?

Man: I DID,
IN THE LOCKER ROOM.

Chin: DID HE SAY ANYTHING
ABOUT HOW HE FELT?

Man: NO. I MEAN, YOU KNOW,
I SAID, "HOW ARE YOU, DOC?"

AND HE SAID, "WELL, FINE,"
OR, "GREAT,"

OR SOMETHING LIKE THAT.

WE WERE JUST STANDING THERE
HAVING A DRINK,

AND ALL OF A SUDDEN,
HE STARTS GETTING DIZZY.

WE WERE KIDDING HIM ABOUT
GETTING LOADED ON ONE DRINK.

-YOU KNOW.
-YEAH.

THEN THE NEXT THING, HE--
HE STARTS GASPING,

HE JERKS A LITTLE,
AND DOWN HE GOES.

HE TAKE ANY PILLS OR MEDICATION?
ANYTHING LIKE THAT?

-I DIDN'T SEE ANY.
-[ ENGINE STARTS ]

OKAY. THANK YOU.

[ SIREN BLARING ]

WE, UH -- WE HAD
THIS HERE RALLY GOING.

MAYBE IT WAS TOO MUCH FOR HIM.

WELL, I DON'T KNOW.

DR. CHOU WAS ALWAYS
KIND OF PUSHING TOO HARD.

DID HE SEEM ILL TO YOU
IN ANY WAY?

NOT THE WAY HE WAS PLAYING.
NO, SIR. HE SEEMED FINE.

IS THERE ANYTHING ELSE
YOU CAN TELL US?

I WISH I COULD,
BUT THAT'S ALL I KNOW.

OKAY, THANKS.

THEY'RE PRETTY SHOOK-UP.

ONE MINUTE, THE DOCTOR'S HAVING
A DRINK, JOKING WITH THEM.

THE NEXT MINUTE, HE GETS DIZZY,
STARTS CHOKING AND DROPS DEAD.

THAT'S ALL THEY SAW,
AND THAT'S ALL THEY KNOW.

MAYBE THAT'S
ALL THEY TOLD YOU.

RESPIRATORY FAILURE?

NO, DOC. NO, NO,
THAT'S NOT GOOD ENOUGH.

THAT'S ALL I CAN TELL YOU
RIGHT NOW.

LOOK, DOC,

WE'VE GOT TWO MURDERS
ON OUR HANDS.

TWO WITHIN THE PAST 24 HOURS,
AND SOMEHOW THEY CONNECT.

THEN WE GET A LEAD ON SOMEBODY

WHO JUST MIGHT LEAD US
TO THE KILLER,

AND WHEN WE GET TO HIM,
HE'S DEAD.

NOW, DO YOU EXPECT ME
TO BUY RESPIRATORY FAILURE?

IT'S GONNA HAVE TO DO
UNTIL THE AUTOPSY.

OKAY, DOC, MAKE IT FAST.

[ TELEPHONE RINGING ]

McGARRETT.

YEAH, DANNO.

WHEN?

HOW IS HE?

DID YOU GET ANYTHING FROM HIM?

NO, NO, NO.
I DON'T WANT ANYTHING TOUCHED.

GET THE LAB BOYS OVER THERE,

AND GO OVER THE PLACE
INCH FOR INCH.

YEAH, THANK YOU.

H.P.D. ANSWERED A CALL

FROM A CLEANUP MAN
IN DR. CHOU'S BUILDING.

THE GUY WENT IN.
THE DOCTOR'S OFFICE WAS OPEN.

BEFORE HE COULD
LOOK AROUND,

SOMEBODY CREASED HIS SKULL
WITH A LAMP.

AND THE FILES?

DANNO SAID IT LOOKS
LIKE A DISASTER AREA.

Woman, echoing:
IS THAT YOU, DARLING?

[ INDISTINCT RADIO CHATTER ]

THE WAY HE CLEANS UP HIS TRAIL,
HE MUST BE A PRETTY SMART GUY.

YEAH, EXCEPT FOR THE BODIES
HE LEAVES LAYING AROUND.

YEAH.

McGarrett: McGARRETT
TO WILLIAMS.

-McGARRETT TO WILLIAMS.
-WILLIAMS.

DANNO, ON THOSE PRINTS CHE
PICKED UP IN SPEAR'S OFFICE,

ONE SET MATCHES
SOME OF THE PRINTS WE FOUND

ABOARD VICTOR MARTIN'S BOAT.

COULD BE WE'RE LOOKING
FOR THE SAME GUY.

OKAY, WE'RE ON OUR WAY.

MAYBE HE'S NOT AS NEAT
AS WE THOUGHT HE WAS.

OR MAYBE HE JUST DOESN'T CARE
ABOUT LEAVING HIS PRINTS

ALL OVER THE PLACE.

OR MAYBE HE HAS
NO PREVIOUS ARRESTS.

MAYBE NO MILITARY-SERVICE
RECORD.

WELL, THAT DOESN'T
DO MUCH FOR US.

TELLS US MORE ABOUT HIM
THAN WE KNEW TEN MINUTES AGO.

-MIKE?
-YEAH?

WHERE YOU BEEN, MAN?

I'VE BEEN CALLING
ALL OVER FOR YOU.

WHAT'S UP?

A COUPLE OF HAOLE CHICKS CHECKED
INTO THE HOTEL THIS MORNING.

YOU SHOULD SEE THEM, BRUDDAH.

GORGEOUS.

WE'RE PICKING THEM UP AT 5:00.

WHAT DO YOU SAY?

ABOUT WHAT?

THE CHICKS, MAN.

THE FOXES.

NO, NOT TONIGHT.

OH, COME ON, MAN. KNOCK IT OFF.

WHAT?

MIKE.

THIS IS CHARLIE,
RIGHT?

I LIVE HERE TOO, REMEMBER?

YOU KNOW WHAT I MEAN.
THAT OLD TOSS SHIP YOU'RE ON.

-I'M TIRED, THAT'S ALL.
-BULL.

YOU'VE BEEN ACTING
LIKE A ZOMBIE

EVER SINCE THAT HAOLE BROAD
TOOK OFF TO THE MAINLAND

AND LEFT YOU STANDING
IN THE PROP WASH,

WAVING GOODBYE
LIKE A SICK BULL CALF.

YOU DON'T THINK SHE'LL COME BACK
HERE AND MARRY YOU, DO YOU?

I KNOW SHE WILL.

WHAT MAKES YOU THINK

SHE'S ANY DIFFERENT
FROM THE REST?

COME OVER HERE,
FIND A NICE NATIVE BOY,

PLAY A FAST GAME
OF BEACH-BLANKET BINGO.

THEN, ALOHA.

MAHALO.

GONE, MAN.

HEY, LOOK. DON'T PUSH IT, HUH?

SIX MONTHS AGO,
YOU WERE THE ONE

THAT WAS RUNNING UP
THE CHICKS FOR US.

YOU HAD TO BEAT THEM OFF
WITH A SURFBOARD.

NOW...

YOU KNOW WHAT I THINK?

YOU'VE FORGOTTEN
HOW MUCH OF YOU IS KANAKA

AND HOW MUCH IS HAOLE.

TAKE A LOOK IN THE MIRROR,

AND CHECK THE COLOR.

YOU MAY BE HALF AND HALF,

BUT FACE IT, BRUDDAH,

THERE'S ONLY ONE SIDE
THAT'LL HAVE YOU.

[ DOOR SHUTS ]

[ WOMAN AND CHILD LAUGHING ]

[ BOTH LAUGHING ]

NO.

NO, NO.

NO.

[ BOTH LAUGHING ]

McGarrett: WE HAVE
FIVE COMPARTMENTS.

EACH OF THEM ILLUSTRATING
SOMETHING IN THE SUSPECT'S PAST,

SOMETHING WHICH HE TOLD
DR. SPEAR, WE ASSUME,

DURING THE VISITS,

AND SOMETHING WHICH DR. SPEAR
LATER TRANSLATED TO CANVAS.

NOW, OUR MAJOR PROBLEM
IS TRYING TO COMPREHEND

DR. SPEAR'S SYMBOLISM.

HOW FAR OUT IS IT?
HOW MUCH ON THE NOSE?

DANNO, WHAT DO YOU SEE
IN NUMBER ONE HERE?

UHH...

LONELINESS.

REJECTION.

YEAH, COULD BE.

LET'S PUT THAT DOWN.

LONELINESS.

LONELINESS.

REJECTION.

CHIN?

I'D, UM, ADD FEAR, MAYBE.

ALL RIGHT.

WE'LL TRY FEAR.

NOW, LET'S TAKE A LOOK
AT NUMBER TWO.

RATHER TRANQUIL SETTING.

LOOKS LIKE A YOUNG MAN
AND A WOMAN HOLDING HANDS,

WATCHING THE SUNSET.

BUT WHAT ABOUT THE STORM CLOUDS?

TROUBLE ON THE HORIZON.

STORMY MARRIAGE, MAYBE?

COULD BE.

COULD BE. THAT'S A POSSIBILITY.
LET'S PUT THAT DOWN.

[ DOOR OPENS ]

-STEVE?
-YEAH?

WASHINGTON PRINT BANK
JUST REPLIED.

NO PRIOR CRIMINAL
OR MILITARY RECORD

ON THE SUSPECT'S
PRINTS.

DEAD END. HOW YOU DOING
ON THE PAINTING?

PRETTY GOOD. SIT DOWN.

LET'S SEE WHAT KIND
OF A SHRINK YOU'D MAKE.

THAT'S A DEAD FISH,
A LOVER'S HEART

AND TWO SETS OF INITIALS.

C.H. AND M.A.

IT COULD BE A BROKEN MARRIAGE
OR LOVE AFFAIR

THAT TIES INTO THE BOY AND GIRL
ON THE MOUNTAINTOP.

WHY A HUNTER?
WHY NOT A FISHERMAN?

MAYBE SYMBOLIC
OF A LOVER'S TRIANGLE.

AN IRATE HUSBAND OR BOYFRIEND
WHO FEELS BETRAYED.

COULD BE.

BUT IT'S THE INITIALS,

C.H. AND M.A., THAT INTRIGUE ME.

ONE OF THEM COULD BE OUR MAN.

C.H.

M.A.

LET'S TAKE A LOOK
AT NUMBER FOUR.

THAT'S MAUNA LANI
HIGH SCHOOL,

CLASS OF '67.

IT LOOKS LIKE THE SAME GIRL
THAT'S IN COMPARTMENT 2.

Danno: BUT WHAT COULD THE
PUPPETS ON STRINGS REPRESENT?

I DON'T KNOW,
BUT WE CAN FIND OUT.

FRANK,
YOU TAKE THAT ONE.

CHECK THE CLASS OF '67,
MAUNA LANI HIGH SCHOOL.

I WANT THE NAMES OF ANYONE

WHOSE INITIALS ARE C.H. OR M.A.

FIRST THING
IN THE MORNING.

NUMBER FIVE'S
NOT COMPLETED.

RIGHT NOW,
IT DOESN'T TELL US A THING.

STRANGE.
EVERY COMPARTMENT

WHERE OUR SUSPECT IS

LOOKS LIKE
HE'S IN SOME KIND OF SHADOW.

NOW, DR. SPEAR
HAD TO MEAN SOMETHING BY THAT.

WELL,

DO WE KNOW ANYTHING MORE NOW
THAN WE DID BEFORE,

OR ARE WE JUST KIDDING
OURSELVES?

-MISS GLYNIS MARTIN?
-YES.

DAN WILLIAMS,
HAWAII FIVE-O.

-HOW DO YOU DO?
-HOW DO YOU DO?

I'M VERY SORRY
ABOUT YOUR FATHER.

THANK YOU.

FEW QUESTIONS WE'D LIKE TO ASK.

SURE.

COME THIS WAY, PLEASE.

I'VE NO IDEA AT ALL,
MR. WILLIAMS.

MY FATHER WAS
VERY WELL-LIKED.

WHY ANYONE WOULD WANT
TO TAKE HIS LIFE IS, UH...

I GUESS I JUST
DON'T UNDERSTAND.

AND YOU NEVER HEARD
THE NAME DR. ARTHUR SPEAR?

NO.

IF THERE WERE ANYTHING
THAT I KNEW

THAT WOULD HELP YOU
CATCH THIS PERSON,

YOU WOULD CERTAINLY BE
THE FIRST TO KNOW.

WELL, I'M SURE OF THAT,
MISS MARTIN.

HOW LONG WILL YOU BE
STAYING IN THE ISLANDS?

I DON'T KNOW.

A COUPLE OF DAYS,
I GUESS.

UNTIL I CAN CLAIM --

UNTIL I -- I CAN MAKE
THE NECESSARY ARRANGEMENTS

TO TAKE MY FATHER HOME.

WHERE WILL YOU BE
STAYING?

THE ILIKAI HOTEL.

I'LL DROP YOU OFF THERE,

AND WE'LL KEEP IN TOUCH.

THANK YOU.

WHERE'S STEVE?

H.P.D., MEETING WITH THE CHIEF.
WHAT DO YOU GOT?

PAY DIRT, MAYBE. THE ONLY MEMBER
OF THE GRADUATING CLASS

WITH THE INITIALS C.H.
IS A CONNIE HONAKA.

NOBODY WITH
THE INITIALS M.A.

-YOU GOT AN ADDRESS ON HER?
-NOT YET, BUT I WILL.

[ KNOCKING ON DOOR ]

MIKE.

HELLO.

COME ON IN.

HOW DID YOU KNOW
I WAS HERE?

THE NEWS.

AFTER I HEARD WHAT HAPPENED,
I TRIED TO CALL YOU IN L.A.

BUT THERE WASN'T
ANY ANSWER.

IT'S SO GOOD
TO SEE YOU.

SAME HERE.

THESE LAST SIX MONTHS
HAVE BEEN --

I DON'T KNOW
WHAT TO SAY.

I MEAN, ABOUT WHAT
HAPPENED TO YOU.

WELL, THERE'S NOTHING,
REALLY, ANYONE CAN SAY.

DO THE POLICE HAVE ANY IDEA
WHY HE WAS...

NO.

NOT --

NOT YET, ANYWAY.

OH, IT'S SO SENSELESS.

IF YOU'D ONLY KNOWN HIM,
YOU'D UNDERSTAND WHAT I MEAN.

HE WAS THE KINDEST,

MOST GENTLE,

SENSITIVE HUMAN BEING
I'VE EVER KNOWN.

HE NEVER HURT ANOTHER PERSON
IN HIS LIFE.

SO WHY WOULD SOMEONE
WANT TO DO SOMETHING LIKE THIS?

LOOK,

IF THERE'S
ANYTHING I CAN DO,

JUST NAME IT.

I'D FORGOTTEN
WHAT A GOOD FRIEND YOU ARE.

[ SOBBING ]

CHOU DIED
OF PULMONARY EDEMA,

FAILURE OF THE LEFT VENTRICLE
DUE TO HYPERTENSION,

CORONARY ARTERY INSUFFICIENCY,
MYOCARDITIS OR PERICARDITIS,

NONE OF WHICH HE HAD
ANY HISTORY OF.

WHAT ARE YOU
GETTING AT, DOC?

BECAUSE HE HAD NO HISTORY
OF ANY OF THOSE,

I WASN'T SATISFIED.

SO I STARTED LOOKING AROUND
FOR SOME OTHER REASON.

HIS ALCOHOL LEVEL
WAS ALMOST NIL,

AND THERE WERE
NO BARBITURATES PRESENT.

SO I RAN SOME
BIOCHEMICAL TESTS.

ONE OF THEM WAS FOR AN
ACETYLCHOLINESTERASE LEVEL

IN THE BRAIN.

IT WAS WAY
BELOW NORMAL.

CHOU WAS POISONED.

VHP,
VERATHION PHOSPHATE.

IT'S AN ORGANIC COMPOUND
SIMILAR TO NERVE GAS.

ISN'T THAT THE SAME STUFF
THEY USE IN PESTICIDES?

HMM. POTENT STUFF.

WORKS ANYWHERE
FROM 15 MINUTES TO 24 HOURS.

LEAVES NO VISIBLE MEANS
OF DETECTION OR ODOR.

HOW WAS IT ADMINISTERED?

I DON'T KNOW.

THERE WERE NO NEEDLE PUNCTURES,
AND IT WASN'T INGESTED.

HAD TO BE BY ABSORPTION.

DOES CHE HAVE HIS CLOTHING?

I'VE ALREADY CALLED HIM.
THE LAB'S CHECKING IT OUT NOW.

OKAY, DOC. THANKS.

-YEAH?
-FRANK KEMANA, FIVE-O.

THIS IS
SERGEANT RUTILA.

WE'D LIKE TO SEE
A CONNIE HONAKA.

WHAT DO YOU WANT WITH HER?

Frank: JUST WANNA TALK TO HER.
A FEW QUESTIONS.

IT'S OKAY, POP.
I'LL TALK TO THEM.

HMM.

WHAT DO YOU WANT?

ANY PLACE WE CAN TALK?

WELL, NOT IN THERE.
THAT'S FOR SURE.

COME OUT.

I'M LOOKING FOR SOMEBODY
YOU WENT TO HIGH SCHOOL WITH.

-WHO IS IT?
-I DON'T KNOW.

BUT HIS INITIALS
ARE M.A.

I DON'T THINK I'VE EVER KNOWN
ANYBODY WITH THOSE INITIALS.

IT'S IMPORTANT.

WELL, WHAT DID HE DO?

YOU HAVE TO TELL ME THAT FIRST.
OTHERWISE, I DON'T SAY NOTHING.

HE'S A SUSPECT IN A MURDER CASE.

OH, BULL. MIKE WOULD NEVER --

MIKE?

I DON'T HAVE
TO TELL YOU ANYTHING.

HEY, LISTEN,
IF IT ISN'T HIM, IT'S OKAY.

BUT IF IT IS,

HE COULD VERY EASILY
KILL AGAIN.

COULD YOU LIVE WITH THAT?

YOU HAVE TO BE --
YOU HAVE TO BE WRONG.

HE'S NEVER HURT
ANYONE BEFORE.

HE WAS THE ONE THAT WAS ALWAYS
GETTING HURT FIRST.

MY FATHER, HE BUSTED US UP.

YOU WANNA HEAR SOMETHING FUNNY?

HE SAID MIKE WASN'T
GOOD ENOUGH FOR ME.

SO NOW WHAT HAVE I GOT?

A BABY THAT MY HOPPED-UP OLD MAN
LEFT ME WITH

WHEN THE COPS BUSTED HIM.

BUT TO A HONAKA,

THE OLD ROYALTY,

A CHOP SUEY, HALF-HAWAIIAN,

HAPA HAOLE
JUST WASN'T GOOD ENOUGH.

WHAT KIND OF A GUY WAS MIKE?

MIKE WAS A NICE GUY.

A GOOD GUY.

HE DIDN'T HAVE MUCH OF A FAMILY.

HIS MOTHER DIED
WHEN SHE HAD HIM,

AND HIS FATHER KICKED OFF
IN SOME CANE FIELD.

I DON'T KNOW EXACTLY
WHAT HAPPENED.

WE MET WHEN HE MOVED
INTO THE NEIGHBORHOOD.

THEY SAID THAT HE COULD STAY
WITH ANOTHER FAMILY.

AND THEN WE STARTED DATING.

UNTIL MY FATHER FOUND OUT

AND TOLD HIM TO STAY
AWAY FROM ME

OR HE'D KILL HIM.

POOR MIKE.

NOBODY EVER REALLY WANTED HIM,

EXCEPT ME.

YOU STILL HAVEN'T TOLD ME
HIS LAST NAME.

ANAPO.

MIKE ANAPO.

YOU FEEL BETTER?

MM. MUCH.

I'D FORGOTTEN
HOW BEAUTIFUL THE ISLANDS ARE.

MAYBE THIS TIME YOU'LL STAY.

OH.

I WISH I COULD.

SOMEDAY.

COME ON.

MAYBE I CAN CONVINCE YOU.

-WHERE ARE WE GOING?
-[ LAUGHS ]

-YOU'LL SEE.
-[ CHUCKLES ]

OH, MIKE, I --
I SHOULDN'T, REALLY.

COME ON.

COME ON.

-ALL RIGHT.
-[ CHUCKLES ]

COME ON.

[ CHUCKLES ]

-COME ON!
-[ CHUCKLES ]

Che: NOTHING ON DR. CHOU'S
TENNIS OUTFIT.

BUT THE TOWEL AROUND HIS NECK

WAS COVERED WITH THE SAME
CHEMICAL DOC TOLD YOU ABOUT.

THE TOWEL, HUH?

I CAN'T THINK OF A BETTER WAY
TO ABSORB SOMETHING LIKE THAT.

WORK UP A GOOD SWEAT.
PORES ARE WIDE OPEN.

WRAP THE TOWEL AROUND THE AREA,
AND LET IT SINK IN.

IT'S INGENIOUS.

AND UNDER THOSE CONDITIONS,
FAST ACTING.

WE SEEM TO BE PRETTY
WELL-TIED INTO TENNIS.

THOSE FIBERS EMBEDDED
IN DR. SPEAR'S NECK,

IT'S A STEER GUT.

TAKE A LOOK.

IT'S USED TO STRING
TENNIS RACKETS.

I DON'T SUPPOSE
YOU COULD TELL ME

WHAT KIND OF RACKET
THESE FIBERS COME FROM.

NOT A CHANCE.

THERE'S NO WAY OF TELLING FOR
SURE THEY COME FROM A RACKET.

IT COULD HAVE COME RIGHT OFF
A ROLL IN A REPAIR SHOP.

WELL, I BETTER LAY THIS
ON STEVE. THANKS, CHE.

VERATHION PHOSPHATE.
VHP, DOC CALLED IT.

-IT'S AN ORGANIC COMPOUND.
-I KNOW. I'M FAMILIAR WITH IT.

AND DOC IS SURE

THAT IT WAS ADMINISTERED
TO CHOU BY ABSORPTION?

HE IS.

AND THE OTHER DOCTOR,
SPEAR,

HE WAS STRANGLED
WITH A PIECE OF STEER GUT.

AS CHE SAID, WE SEEM TO BE TIED
TO TENNIS IN SOME WAY.

BUT HOW? SPEAR DIDN'T
PLAY TENNIS, DID HE?

NO.

AS FAR AS WE KNOW,
NEITHER DID VICTOR MARTIN.

LEAST NOT HERE IN THE ISLANDS.

SPEAR AND CHOU, DANNO.

TWO DOCTORS.

THE KEY TO THIS.

ONE, A PSYCHIATRIST,

ONE, A SPECIALIST
IN ALLERGIES.

BOTH OFFICES RANSACKED.
WHY?

YOU KNOW,
ALL OF DR. SPEAR'S PATIENTS

WERE REFERRALS
FROM OTHER DOCTORS.

YEAH.

LET'S LOOK AT IT THIS WAY.

[ SNAPPING FINGERS ]

OUR KILLER GOES TO DR. CHOU

AND COMPLAINS OF AN ALLERGY
OF SOME SORT.

CHOU REALIZES
THAT IT'S PSYCHOSOMATIC,

SO HE REFERS HIM
TO DR. SPEAR.

NOW, THE KILLER UNLOADS
TO DR. SPEAR,

AND WHEN VICTOR MARTIN
TURNS UP DEAD,

SPEAR SEES A CONNECTION

WITH SOMETHING
THE PATIENT HAD TOLD HIM.

SO THE PATIENT HAD TO KILL
DR. SPEAR TO KEEP HIM QUIET.

YEAH, AND THEN GOES AFTER CHOU

BECAUSE HE REALIZES THAT,
SOONER OR LATER,

WE'D CHECK ALL THE PATIENTS
SENT TO SPEAR,

BY CHOU
OR ANYONE ELSE.

NO. NO, I WAS WRONG,
DANNO.

THE KEY TO THIS
ISN'T SPEAR AND CHOU.

IT'S CHOU.

CHOU AND THAT TENNIS CLUB

AND SOMEONE THERE
WHO WAS ABLE TO ADMINISTER

THAT LETHAL DOSE
OF VHP TO DR. CHOU.

AND HAD EASY ACCESS
TO THE STEER GUT

FROM THE CLUB'S
REPAIR SHOP.

RIGHT. LET'S GO.

Man: THIS IS STEER'S GUT.

OF COURSE,
WE USE OTHER TYPES, TOO.

AND THE RE-STRINGING IS DONE
RIGHT HERE ON THE PREMISES?

IN THE BACK.

CHECK IT OUT,
DANNO, WILL YOU?

-[ TELEPHONE RINGING ]
-EXCUSE ME.

HELLO?

MR. McGARRETT, IT'S FOR YOU.

OH. THANK YOU.

McGARRETT.

-GOT A NAME, STEVE.
-GO AHEAD.

ANAPO. MIKE ANAPO.

A-N-A-P-O.

ANAPO.

OPANA.

THANK YOU.

I DON'T KNOW WHERE MIKE IS.

I HAVEN'T SEEN HIM
ALL DAY.

WOULD YOU MIND TELLING ME
WHAT'S COMING DOWN?

HE'S WANTED ON SUSPICION
OF MURDER.

-WHO, MIKE?
-YEAH.

[ CHUCKLES ]

YOU GOTTA BE
PUTTING ME ON, MAN.

YOU SEEN THE GIRL
IN THIS PICTURE?

THIS ONE.

YOU MEAN MIKE KILLED HER?

NO, BUT HE MIGHT HAVE THAT
IN HIS MIND.

HEY, MAN, YOU'RE WAY OFF.

FIRST OF ALL,
SHE LIVES ON THE MAINLAND.

SECOND OF ALL,

HE'S BEEN HUNG UP ON HER
FOR ALMOST A YEAR.

WELL, SHE'S BACK
ON THE ISLAND NOW.

HAVE YOU EVER HEARD
OF A VICTOR MARTIN?

MARTIN?

A GUY THAT WAS KILLED.
THE GUY ON A BOAT, RIGHT?

THAT'S RIGHT.

THE GIRL IN THOSE PICTURES
IS HIS DAUGHTER.

OH, WOW, MAN.

MIKE WENT OFF THE DEEP END
FOR HER.

NOTHING HAPPENED.

I TRIED TO TELL HIM
IT WAS JUST A VACATION HUSTLE.

YOU KNOW HOW DAMES ARE
WHEN THEY COME HERE

FROM THE MAINLAND.

JUST A LITTLE FUN
FOR THE SCRAPBOOK.

MIKE WOULDN'T LISTEN.

HE FIGURED THIS WAS FOR REAL.

HE WANTED THE WHOLE LOVE SCENE,
MARRIAGE, KIDS.

HE EVEN BUILT A HOUSE
FOR THE BOTH OF THEM.

WHERE?

I DON'T KNOW.

YOU DON'T KNOW?

MIKE NEVER TOLD ME.

IT WAS LIKE A BIG SECRET
WITH MIKE.

I REALLY DON'T KNOW
WHERE IT'S AT.

JUST LEFT MISS MARTIN'S HOTEL,
STEVE. SHE'S GONE.

THE DOORMAN SAW HER DRIVE OFF
ABOUT A HALF HOUR AGO

WITH A MAN ANSWERING
THE DESCRIPTION OF MIKE OPANA.

OKAY, CHIN.
WE GOT IT.

DANNO, GET A MAKE
ON OPANA'S CAR.

GET OUT AN APB.

BETTER DO IT UNDER BOTH NAMES.
DON'T APPREHEND.

I JUST WANNA KNOW
WHERE THEY ARE.

RIGHT.

AND GET AN ADDRESS
ON THAT HOUSE OPANA BUILT.

THE LAND WAS PROBABLY PURCHASED
UNDER HIS LEGAL NAME, ANAPO.

YOU GOT IT.

IT FEELS SO GOOD.

THE SUN, THE FRESH AIR.
I -- I ALMOST FEEL GUILTY.

MIKE, I REALLY
OUGHT TO GO BACK.

YOU GOT NO REASON
TO FEEL GUILTY ABOUT ANYTHING.

BESIDES, YOU HAVEN'T SEEN
THE SURPRISE YET.

-YEAH?
-[ CHUCKLES ]

WHAT KIND OF SURPRISE?

AH. YOU SEE. YOU SEE.

WILLIAMS TO CENTRAL.
WILLIAMS TO CENTRAL.

Woman: CENTRAL.

PATCH ME THROUGH
TO McGARRETT, FAST.

-[ TELEPHONE RINGING ]
-McGARRETT.

STEVE, I GOT
AN ADDRESS FOR YOU.

LET'S HAVE IT.

2037 INAKOIE RIDGE ROAD.

GOOD WORK, DANNO.
YOU HEAD ON UP THERE.

I'LL SEND SOME BLUE-AND-WHITE
BACKUP UNITS,

AND I'LL MEET YOU THERE.

McGARRETT TO CENTRAL.
McGARRETT TO CENTRAL. CODE RED.

Woman: GO AHEAD, McGARRETT.
ALL CHANNELS CLEARED FOR YOU.

SEND SUPPORT UNITS

TO 2037 INAKOIE RIDGE ROAD.

REPEAT, 2037 INAKOIE RIDGE ROAD.

REPORT TO DAN WILLIAMS
ON THE SCENE. SILENT APPROACH.

REPEAT, SILENT APPROACH.

WHAT ARE WE STOPPING
HERE FOR?

YOU'LL SEE.

COME ON.

[ CHUCKLES ]

HURRY.

MY GOD.

COME ON.

WAIT TILL YOU SEE
THE VIEW.

LIKE THEY SAY ON THE MAINLAND,
YOU AIN'T SEEN NOTHING YET.

LOOK.

-WHAT DO YOU THINK?
-[ CHUCKLES ]

IT'S LOVELY.

WHOSE HOUSE IS IT?

OURS.

OURS?

YOURS AND MINE.

I SUPERVISED
EVERY PIECE OF WOOD, NAIL.

BUILT MOST OF IT MYSELF.

JUST FOR US.

MIKE...

COME ON, YOU HAVEN'T SEEN
ANYTHING YET.

WE'VE GOT A FULL KITCHEN,
TWO BEDROOM, NURSERY --

-MIKE, HOLD ON A SECOND.
-AND THE --

I DON'T THINK
I UNDERSTAND.

WHAT'S THERE TO
UNDERSTAND?

THERE'S NO REASON FOR YOU

TO GO BACK
TO THE MAINLAND ANYMORE.

YOU KNOW HOW I FEEL
ABOUT YOU.

AND I KNOW HOW YOU
REALLY FEEL ABOUT ME.

MIKE...

I LIKE YOU. I REALLY DO.
I LIKE YOU VERY MUCH.

YOU BELONG HERE WITH ME.

I MEAN,
NOW WITH YOUR FATHER GONE,

THERE'S NOBODY
TO COME BETWEEN US.

MY FATHER HAD NOTHING
TO DO WITH THIS.

LISTEN, I KNOW WE HAD
A GOOD TIME TOGETHER.

I ENJOY BEING WITH YOU.

I STILL DO.

AS A FRIEND.

WHAT'S WITH THE --
WHAT'S WITH THE FRIEND BIT?

THAT'S ALL THERE IS,
MIKE.

I'M ENGAGED TO BE MARRIED,

TO SOMEONE I LOVE VERY MUCH.

MIKE, YOU'RE HURTING ME.

LET GO OF ME.

YOU WOULD HAVE COME BACK,

IF IT HADN'T BEEN
FOR YOUR FATHER.

MY FATHER?

MY FATHER HAD NOTHING
TO DO WITH THE WAY I FELT.

YOU DON'T HAVE TO LIE TO ME.
IT WAS HIM. HE BROKE US UP!

AND HE WON'T BE ABLE TO DO IT
THIS TIME! I SAW TO THAT!

OH, MY GOD.

-IS HE ARMED?
-WE DON'T KNOW, STEVE.

THEN WE ASSUME HE IS.

YOU KILLED HIM.

YOU KILLED MY FATHER!

McGarrett: OPANA!

McGARRETT, FIVE-O.

YOU'RE SURROUNDED.

WE DON'T WANT ANYONE
TO GET HURT.

COME OUT WITH YOUR HANDS UP.

HE KILLED HIM!

[Yelling] HE KILLED HIM!

HE KILLED MY FATHER!

WE GO IN,
WE CAN TRY RUSHING HIM.

CHIN, COVER THE BACK.

FRANK, BREAK OUT THE GAS GUNS.

DANNO, GET US SOME MASKS.

WE'LL LOB IN A FEW CANISTERS,

SEE IF WE CAN
TAKE HIM ALIVE.

OH, PLEASE.
GLYNIS, PLEASE, I'M SORRY.

I DIDN'T MEAN --
I DID IT FOR US.

PLEASE, I'M SORRY.

-YOU'RE CRAZY!
-NO.

OPANA?

CAN YOU HEAR ME?

COME OUT WITH YOUR HANDS UP.

Glynis: GET AWAY FROM ME!
YOU KILLED HIM!

YOU KILLED MY FATHER!

YOU KILLED HIM.

YOU KILLED MY FATHER.

[ SCREAMS ]

NO. GET AWAY FROM ME.
GET AWAY!

YOU KILLED MY FATHER!
GET AWAY FROM ME!

FIRE!

[ SCREAMS ]

McGarrett: HOLD IT!

HANDS UP.

-HANDS UP!
-[ COUGHING ]

GET HER OUT!

BUT DON'T TRY AND TAKE ME,
I'LL KILL YOU!

[ MIKE COUGHS ]

GLYNIS OKAY?

YEAH, SHE'S OKAY.

BOOK HIM, SERGEANT.
MURDER ONE, THREE COUNTS.

[ "HAWAII FIVE-O THEME" PLAYS ]

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