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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,480 --> 00:00:06,180 [ "HAWAII FIVE-O" THEME PLAYS ] 2 00:02:07,214 --> 00:02:09,744 YOU DON'T LOOK SO GOOD, BABY. 3 00:02:09,781 --> 00:02:14,051 NEVER MIND HOW I LOOK. YOU GOT SOMETHING FOR ME? 4 00:02:14,090 --> 00:02:15,400 THAT'S MY QUESTION. 5 00:02:15,439 --> 00:02:17,439 LOOK, LEW, I -- 6 00:02:17,485 --> 00:02:18,435 WAIT, WAIT, WAIT A MINUTE. 7 00:02:18,486 --> 00:02:20,096 -LISTEN, LEW. -HOLD IT THERE. 8 00:02:20,140 --> 00:02:21,620 YOU SAID A DIME BAG. 9 00:02:21,663 --> 00:02:23,233 I SAID, HAVE YOU GOT THE PRICE? YOU SAID, YEAH, YOU DID. 10 00:02:23,273 --> 00:02:25,453 WELL, I THOUGHT I'D HAVE IT FOR YOU. 11 00:02:25,493 --> 00:02:27,193 WHAT YOU THOUGHT DON'T BUY NOTHING. 12 00:02:27,234 --> 00:02:29,114 I'LL HAVE IT FOR YOU IN A COUPLE OF DAYS. 13 00:02:29,149 --> 00:02:32,109 -GREAT. CALL ME THEN. -LEW, MY GOD, I'M BEGGING YOU. 14 00:02:32,152 --> 00:02:34,372 LET GO OF ME. NOW LOOK, 15 00:02:34,415 --> 00:02:36,155 I'M GONNA FORGET ABOUT THE TWO BILLS 16 00:02:36,199 --> 00:02:37,979 YOU ALREADY OWE ME. 17 00:02:38,027 --> 00:02:40,807 BUT I DON'T WANNA HEAR FROM YOU AGAIN. NEVER. 18 00:02:40,856 --> 00:02:43,546 -YOU UNDERSTAND? -[ SOBBING ] 19 00:02:43,598 --> 00:02:45,818 OH, LEW, I'M BEGGING YOU. 20 00:02:45,861 --> 00:02:47,911 I'LL DO ANYTHING. 21 00:02:47,950 --> 00:02:50,300 ANYTHING. ANYTHING. 22 00:02:50,344 --> 00:02:54,094 HAVE YOU LOOKED AT YOURSELF, SWEETHEART? 23 00:02:54,130 --> 00:02:57,350 ALL YOU CAN DO FOR ME IS TURN MY STOMACH. 24 00:02:57,394 --> 00:02:58,924 [ SOBBING ] 25 00:03:01,398 --> 00:03:03,708 [ SCREAMS ] 26 00:03:06,447 --> 00:03:08,357 [ SOBBING, PANTING ] 27 00:03:12,540 --> 00:03:13,850 [ SOBBING ] 28 00:04:20,477 --> 00:04:22,477 JENNY, THOSE AFFIDAVITS 29 00:04:22,523 --> 00:04:24,483 ON THE McFARLAND CASE COME IN YET? 30 00:04:24,525 --> 00:04:26,825 -RIGHT HERE. -OH, GOOD. THANK YOU. 31 00:04:26,875 --> 00:04:28,485 -STEVE IN? -HI, DUKE. 32 00:04:28,529 --> 00:04:30,749 YOU WON'T BELIEVE THIS, BUT HE TOOK THE DAY OFF. 33 00:04:30,792 --> 00:04:32,142 -YOU'RE KIDDING. -NOPE. 34 00:04:32,184 --> 00:04:33,324 HE WENT SAILING. 35 00:04:33,360 --> 00:04:34,620 WHO WAS THE SILVER-TONGUED ORATOR 36 00:04:34,665 --> 00:04:35,835 WHO TALKED HIM INTO THAT? 37 00:04:35,884 --> 00:04:37,324 -THE GOVERNOR. -WELL, THAT EXPLAINS IT. 38 00:04:37,364 --> 00:04:40,244 BUT EVEN HE NEEDED SOME HELP FROM THE SPEAKER OF THE HOUSE. 39 00:04:40,280 --> 00:04:41,540 [ LAUGHS ] 40 00:04:41,585 --> 00:04:44,235 -ANYTHING IMPORTANT, DUKE? -NO, I'LL CATCH HIM LATER. 41 00:04:44,284 --> 00:04:45,814 -HEARD THE NEWS? -WHAT? 42 00:04:45,850 --> 00:04:47,590 ON THE RADIO, JUST AS I DROVE UP. 43 00:04:47,635 --> 00:04:49,805 LEW CHANG WAS FOUND DEAD UP ON WAIMANALO BEACH, 44 00:04:49,854 --> 00:04:52,034 LYING BESIDE HIS CAR WITH A SLUG IN HIS BACK. 45 00:04:52,074 --> 00:04:54,294 NO KIDDING. 46 00:04:54,337 --> 00:04:56,727 WELL, I CAN'T THINK OF ANYBODY MORE DESERVING, HUH? 47 00:04:56,774 --> 00:04:59,564 H.P.D. GOT ANY LINE ON WHO DROPPED HIM? 48 00:04:59,603 --> 00:05:02,913 WITH A PUSHER LIKE CHANG, IT'S "STANDING ROOM ONLY" TIME. 49 00:06:12,459 --> 00:06:14,639 Woman: HI. 50 00:06:14,678 --> 00:06:16,248 [ BOTH LAUGHING ] 51 00:06:16,288 --> 00:06:17,588 DINA. 52 00:06:17,638 --> 00:06:20,548 WHERE HAVE YOU BEEN? 53 00:06:20,597 --> 00:06:22,857 -WE'VE BEEN WORRIED ABOUT YOU. -WE CALLED AND CALLED. 54 00:06:22,904 --> 00:06:25,174 -DIDN'T GET AN ANSWER. -PHONE HAD BEEN DISCONNECTED. 55 00:06:25,210 --> 00:06:27,600 WHEN WE WENT TO YOUR PLACE, ALL THE LANDLADY WOULD SAY 56 00:06:27,648 --> 00:06:30,388 -WAS THAT YOU WERE GONE. -WHERE HAVE YOU BEEN? 57 00:06:30,433 --> 00:06:31,613 IN A CLINIC. 58 00:06:31,652 --> 00:06:33,262 OH, DINA. 59 00:06:33,305 --> 00:06:34,565 I HAD TO HAVE HELP. 60 00:06:34,611 --> 00:06:37,011 I FINALLY REALIZED I COULDN'T DO IT ALONE. 61 00:06:37,048 --> 00:06:39,488 HONEY, YOU WEREN'T ALONE. 62 00:06:39,529 --> 00:06:41,179 NOT WITH YOU, MAYBE. 63 00:06:41,226 --> 00:06:42,656 BUT WITH THEM, 64 00:06:42,706 --> 00:06:45,186 SITTING AROUND ONCE A WEEK, LISTENING TO THEM GRIPE 65 00:06:45,230 --> 00:06:46,540 BECAUSE THE JERKS THEY'RE MARRIED TO 66 00:06:46,580 --> 00:06:49,630 GIVE THEM HELL WHEN DINNER'S LATE? 67 00:06:49,670 --> 00:06:50,710 OR BAWL THEIR EYES OUT 68 00:06:50,758 --> 00:06:53,328 BECAUSE HE'S CHASING THE NEW GIRL AT THE OFFICE. 69 00:06:53,369 --> 00:06:55,499 WHAT DO THEY KNOW? 70 00:06:55,545 --> 00:06:57,675 THEY KNOW WHAT THEY FEEL, 71 00:06:57,721 --> 00:06:59,381 AND IT HELPS TO GET IT OUT. 72 00:06:59,419 --> 00:07:01,119 LOOK, I'M NOT KNOCKING IT, 73 00:07:01,159 --> 00:07:03,289 IT'S JUST THAT I HAD TO GO ANOTHER ROUTE. 74 00:07:03,335 --> 00:07:05,155 AND IT WORKED. 75 00:07:05,207 --> 00:07:09,247 HEY, LOOK AT MY HEAD. IS IT ON STRAIGHT? 76 00:07:10,430 --> 00:07:11,300 PERFECT. 77 00:07:11,343 --> 00:07:13,613 -YOU LOOK WONDERFUL. -[ LAUGHING ] 78 00:07:14,608 --> 00:07:15,778 AND HOW ABOUT YOU TWO? 79 00:07:15,826 --> 00:07:17,256 HAS EVERYTHING BEEN COMING UP ROSES 80 00:07:17,306 --> 00:07:19,176 NOW THAT YOU'VE BEEN LETTING IT ALL HANG OUT? 81 00:07:23,747 --> 00:07:25,837 I'M SORRY. 82 00:07:28,578 --> 00:07:29,618 HOW'S JOHNNY? 83 00:07:33,975 --> 00:07:35,975 HE NEEDS ANOTHER OPERATION. 84 00:07:37,108 --> 00:07:39,628 AND HOW IS SITTING IN ON THIS TALKATHON 85 00:07:39,676 --> 00:07:40,896 GONNA GET IT FOR HIM? 86 00:07:40,938 --> 00:07:44,458 LOOK, TALK MAY HELP YOU, BUT IT CAN'T HELP YOUR KID. 87 00:07:44,507 --> 00:07:46,937 THERE'S ONLY ONE THING THAT CAN SOLVE THAT PROBLEM, 88 00:07:46,988 --> 00:07:48,288 YOURS, AND MINE, AND YOURS TOO, 89 00:07:48,337 --> 00:07:49,987 IF YOU REALLY MEANT WHAT YOU SAID IN THERE 90 00:07:50,034 --> 00:07:51,254 A COUPLE OF MONTHS AGO. 91 00:07:51,296 --> 00:07:53,726 MONEY. 92 00:07:53,777 --> 00:07:54,907 [ CHUCKLES ] 93 00:07:54,952 --> 00:07:57,962 I CAN'T ARGUE WITH THAT. 94 00:07:57,999 --> 00:08:01,919 NOW ALL WE HAVE TO DO IS FIND A WAY TO GET IT. 95 00:08:01,959 --> 00:08:04,439 THERE'S ALWAYS ONE WAY. 96 00:08:04,484 --> 00:08:05,704 HOW? 97 00:08:08,313 --> 00:08:09,623 STEAL IT. 98 00:08:11,316 --> 00:08:14,316 YOU -- 99 00:08:14,363 --> 00:08:15,893 YOU CAN'T BE SERIOUS. 100 00:08:15,930 --> 00:08:17,670 WHY NOT? 101 00:08:17,714 --> 00:08:20,674 BECAUSE IT'S -- 102 00:08:20,717 --> 00:08:22,107 IT'S CRAZY. 103 00:08:23,503 --> 00:08:25,983 WE COULDN'T DO IT. 104 00:08:26,027 --> 00:08:28,597 I COULD. 105 00:08:28,638 --> 00:08:31,338 AND HOW DO YOU KNOW YOU COULDN'T? 106 00:08:31,380 --> 00:08:33,470 I -- 107 00:08:35,558 --> 00:08:36,908 I JUST COULDN'T. 108 00:08:36,951 --> 00:08:38,871 THEN WHAT WAS ALL THAT TALK ABOUT HOW YOU'D DROP 109 00:08:38,909 --> 00:08:40,779 THAT HUSBAND OF YOURS RIGHT NOW 110 00:08:40,824 --> 00:08:42,574 IF ONLY YOU HAD A STAKE OF YOUR OWN? 111 00:08:42,609 --> 00:08:44,179 WAS IT JUST TALK? 112 00:08:44,219 --> 00:08:45,999 NO. 113 00:08:46,047 --> 00:08:47,607 BUT WHAT YOU'RE SUGGESTING -- 114 00:08:47,657 --> 00:08:49,827 [ SIGHS ] 115 00:08:49,877 --> 00:08:52,307 MAYBE YOU'RE RIGHT. 116 00:08:52,357 --> 00:08:53,877 MAYBE IT IS CRAZY. 117 00:08:56,144 --> 00:08:58,804 ALL I KNOW IS THAT IF I DON'T GET MY HANDS ON SOME MONEY, 118 00:08:58,842 --> 00:09:01,632 I'M GONNA GO RIGHT BACK DOWN THE SLIDE. 119 00:09:01,671 --> 00:09:03,631 NO, DINA, NOT IF YOU'RE -- 120 00:09:03,673 --> 00:09:04,943 IF WHAT? 121 00:09:04,979 --> 00:09:07,109 I'M STRONG ENOUGH? 122 00:09:07,155 --> 00:09:09,365 WELL, I'M NOT, AND I KNOW IT. 123 00:09:09,418 --> 00:09:10,718 HOW DO I LIVE? 124 00:09:10,767 --> 00:09:13,637 AN EX-JUNKIE WITH A RECORD FROM HERE TO BOSTON? 125 00:09:13,683 --> 00:09:15,823 NOBODY'D HIRE ME TO TAKE OUT THE GARBAGE. 126 00:09:15,859 --> 00:09:18,429 WHAT ABOUT YOUR FAMILY? 127 00:09:18,470 --> 00:09:20,040 MY FAMILY? 128 00:09:20,081 --> 00:09:21,471 THEY'D LOCK THE DOORS 129 00:09:21,517 --> 00:09:23,557 IF THEY SAW ME WALKING HOME ACROSS THE PACIFIC. 130 00:09:23,606 --> 00:09:25,126 THIS IS ONE LITTLE ORPHAN ANNIE 131 00:09:25,173 --> 00:09:27,573 WHOSE DADDY WARBUCKS WON'T GIVE HER THE TIME OF DAY. 132 00:09:32,006 --> 00:09:33,826 I -- I HAVE TO GET HOME. 133 00:09:33,877 --> 00:09:35,967 AND I HAVE TO GO TO THE HOSPITAL. 134 00:09:36,010 --> 00:09:37,970 I'LL DROP YOU ON THE WAY. 135 00:09:44,018 --> 00:09:45,628 WE'LL BE IN TOUCH. 136 00:09:48,326 --> 00:09:49,366 I HOPE SO. 137 00:09:50,851 --> 00:09:54,811 YOU KNOW... 138 00:09:54,855 --> 00:09:57,595 THERE WAS ONE GOOD THING 139 00:09:57,640 --> 00:10:00,730 I GOT OUT OF THOSE RAP SESSIONS IN THERE. 140 00:10:01,296 --> 00:10:04,646 THE WAY THE THREE OF US... 141 00:10:04,691 --> 00:10:06,741 WELL... 142 00:10:06,780 --> 00:10:08,740 SORT OF... 143 00:10:08,782 --> 00:10:10,612 FOUND ONE ANOTHER. 144 00:10:12,699 --> 00:10:18,489 I GUESS I WANTED A MOTHER AGAIN SO BADLY I... 145 00:10:22,012 --> 00:10:23,622 ADOPTED TWO OF THEM. 146 00:10:28,932 --> 00:10:32,202 [ DOOR CLOSES, ENGINE STARTS ] 147 00:10:40,988 --> 00:10:43,118 McGarrett: WELL, THAT'S A WRAP-UP. 148 00:10:43,164 --> 00:10:45,864 SAM MANDEL, PHIL KAWA, 15 YEARS. 149 00:10:45,906 --> 00:10:47,386 NO PAROLE. 150 00:10:47,429 --> 00:10:48,869 THERE'S STILL SOME MOPPING UP TO DO 151 00:10:48,909 --> 00:10:50,779 ON THEIR NORTH SHORE OPERATION, THOUGH. 152 00:10:50,824 --> 00:10:52,434 H.P.D. CAN HANDLE THAT. 153 00:10:52,477 --> 00:10:53,907 NO PROBLEM. 154 00:10:53,957 --> 00:10:56,087 OKAY, HOW'S THE DEPARTMENT DOING ON THE LEW CHANG HIT? 155 00:10:56,133 --> 00:10:59,093 NO LEADS YET. ODD THING ABOUT IT, 156 00:10:59,136 --> 00:11:01,226 WE FOUND ALMOST A HALF A KILO OF HEROIN 157 00:11:01,269 --> 00:11:02,709 UNDER THE BACK SEAT OF CHANG'S CAR. 158 00:11:02,749 --> 00:11:04,139 IF IT WAS A CONTRACT JOB, 159 00:11:04,185 --> 00:11:05,795 A PRO HIT MAN WOULD HAVE GIVEN THE CAR A TOSS 160 00:11:05,839 --> 00:11:07,229 AND FOUND IT IN TWO SECONDS. 161 00:11:07,275 --> 00:11:09,885 WHAT YOU'RE SAYING IS THAT IT WAS AN AMATEUR? 162 00:11:09,930 --> 00:11:11,800 IT'S BEGINNING TO SMELL LIKE IT. 163 00:11:11,845 --> 00:11:13,795 [ SIREN BLARING ] 164 00:11:28,557 --> 00:11:31,817 MRS. SCOTT, MR. HOFFMAN OF THE BUSINESS OFFICE 165 00:11:31,865 --> 00:11:34,775 WOULD LIKE TO SEE YOU BEFORE YOU LEAVE. 166 00:11:34,824 --> 00:11:36,524 YES. 167 00:12:17,345 --> 00:12:20,385 BRINGING THE UNPAID BALANCE AS OF YESTERDAY 168 00:12:20,435 --> 00:12:24,825 TO $1,436.80. 169 00:12:24,874 --> 00:12:27,834 AND NOW I UNDERSTAND DR. LINDEN 170 00:12:27,877 --> 00:12:31,267 FEELS THAT ADDITIONAL SURGERY IS NECESSARY. 171 00:12:31,315 --> 00:12:33,875 TREMENDOUSLY EXPENSIVE SURGERY. 172 00:12:33,927 --> 00:12:34,967 YES. 173 00:12:35,015 --> 00:12:37,835 WITH THE POSTOPERATIVE CARE HE'LL REQUIRE, 174 00:12:37,887 --> 00:12:40,147 IT COULD RUN TO OVER $10,000. 175 00:12:43,588 --> 00:12:46,108 YOUR MEDICAL INSURANCE HAS RUN OUT, I SEE. 176 00:12:46,156 --> 00:12:48,246 ALSO THAT YOU'RE DIVORCED. 177 00:12:48,289 --> 00:12:50,069 BUT WHAT ABOUT THE BOY'S FATHER? 178 00:12:50,117 --> 00:12:51,247 COULDN'T HE HELP? 179 00:12:51,292 --> 00:12:55,042 I DON'T KNOW WHERE HE IS. 180 00:12:58,560 --> 00:13:01,650 I'M NOT PRESSING, UNDERSTAND, MRS. SCOTT, 181 00:13:01,693 --> 00:13:03,783 BUT THE HOSPITAL -- 182 00:13:03,826 --> 00:13:05,826 ALL THE HOSPITAL HAS TO DO 183 00:13:05,872 --> 00:13:08,182 IS TAKE CARE OF MY SON, MR. HOFFMAN. 184 00:13:14,228 --> 00:13:18,058 YOU'LL GET YOUR MONEY. EVERY CENT OF IT. 185 00:13:18,101 --> 00:13:21,191 [ TELEPHONE RINGING ] 186 00:13:21,235 --> 00:13:23,795 [ TV EXPLOSIONS, PHONE RINGING ] 187 00:13:23,846 --> 00:13:25,456 MAGGIE. 188 00:13:27,981 --> 00:13:31,071 GET THE PHONE, MAGGIE. 189 00:13:31,114 --> 00:13:33,554 [ RINGING CONTINUES ] 190 00:13:33,595 --> 00:13:35,505 MAGGIE! 191 00:13:38,730 --> 00:13:40,170 PHONE. 192 00:13:40,210 --> 00:13:43,260 WHERE YOU DOING THE LAUNDRY NOW, ACROSS THE STREET? 193 00:13:43,300 --> 00:13:44,260 HELLO? 194 00:13:44,301 --> 00:13:46,261 MARGARET? 195 00:13:46,303 --> 00:13:48,093 FAY. 196 00:13:48,131 --> 00:13:50,571 I'VE BEEN THINKING ABOUT WHAT DINA SAID. 197 00:13:50,612 --> 00:13:54,442 MAYBE WE SHOULD TAKE HER UP ON HER IDEA. 198 00:13:54,485 --> 00:13:57,005 I'VE BEEN THINKING THE SAME THING. 199 00:13:57,053 --> 00:13:59,663 I'VE BEEN THINKING A LOT ABOUT IT. 200 00:14:07,542 --> 00:14:12,072 WHERE'S IT GO AFTER HAWAII KAI? 201 00:14:12,112 --> 00:14:15,252 ALONG KALANIANAOLE HIGHWAY, 202 00:14:15,289 --> 00:14:18,069 PAST, UH, MAKAPUU POINT. 203 00:14:18,118 --> 00:14:21,858 THE BEST PLACE WOULD BE HERE, AT SHERWOOD FOREST. 204 00:14:21,904 --> 00:14:24,864 ALL RIGHT, BE THERE. 205 00:14:29,085 --> 00:14:31,605 I DON'T WANT IT. 206 00:14:32,436 --> 00:14:34,436 WHAT ARE YOU GONNA USE, YOUR CHARM? 207 00:14:34,482 --> 00:14:36,352 DINA. 208 00:14:36,397 --> 00:14:37,217 TAKE IT. 209 00:14:37,267 --> 00:14:39,697 LOOK, MAYBE WE SHOULD -- 210 00:14:39,748 --> 00:14:42,138 IT IS TOO LATE FOR MAYBES. NOW TAKE THIS THING. 211 00:14:42,185 --> 00:14:44,405 IT'S NOT EVEN LOADED. 212 00:14:44,448 --> 00:14:46,018 YOU DON'T HAVE TO USE IT, MARGARET. 213 00:14:46,059 --> 00:14:49,669 Dina: PUT IT IN YOUR BAG. 214 00:14:54,371 --> 00:14:57,111 NOW LET'S GET ON THAT BUS. 215 00:15:30,059 --> 00:15:33,979 WELL, FOLKS, OUR NEXT STOP WILL BE KAILUA, 216 00:15:34,020 --> 00:15:36,670 A PICTURESQUE BEACH COMMUNITY. 217 00:15:36,718 --> 00:15:39,808 MOST OF THE VEGETATION YOU SEE ON THE ISLAND 218 00:15:39,851 --> 00:15:44,251 HAS BEEN PLANTED EITHER BY BIRDS OR HUMAN HANDS. 219 00:15:44,291 --> 00:15:46,601 RIGHT NOW, LOOKING TO THE LEFT, 220 00:15:46,641 --> 00:15:49,081 HERE WE SEE THE BEAUTIFUL MOUNT OLOMANA. 221 00:15:49,122 --> 00:15:52,862 OLOMANA TELLS ABOUT THE CHIEF 222 00:15:52,908 --> 00:15:54,648 BACK IN THE EARLY YEARS. 223 00:15:54,692 --> 00:15:57,262 WHAT HAPPENED WAS, THE CHIEF DID WRONG TO THE PEOPLE 224 00:15:57,304 --> 00:15:59,834 IN THE EARLY YEARS. 225 00:15:59,871 --> 00:16:03,141 SO THE PEOPLE GATHERED TOGETHER, SLIT HIM FROM HEAD TO TOE, 226 00:16:03,179 --> 00:16:04,569 THEN THEY THREW HIS BODY 227 00:16:04,615 --> 00:16:07,225 TO THE SEA AND ELECTED A NEW CHIEF, 228 00:16:07,270 --> 00:16:09,580 WHO MADE VERY, VERY SURE 229 00:16:09,620 --> 00:16:13,800 HE NEVER DID ANY WRONG TO THE PEOPLE. 230 00:16:20,196 --> 00:16:23,496 TURN OFF HERE INTO SHERWOOD FOREST. 231 00:16:25,375 --> 00:16:27,065 OKAY, THIS IS A HOLD UP. 232 00:16:27,116 --> 00:16:28,416 [ PEOPLE GASPING ] 233 00:16:28,465 --> 00:16:31,115 EVERYBODY DO AS I SAY AND NOBODY WILL GET HURT. 234 00:16:50,139 --> 00:16:52,839 OKAY, STOP HERE. 235 00:16:55,318 --> 00:16:58,058 PUT YOUR CASH AND JEWELRY IN THE BAG. 236 00:16:58,104 --> 00:16:59,374 COME ON. 237 00:17:00,454 --> 00:17:01,934 COME ON! 238 00:17:15,077 --> 00:17:16,507 [ ENGINE RUNNING ] 239 00:17:30,832 --> 00:17:32,442 HURRY IT UP. 240 00:17:38,361 --> 00:17:39,321 MOVE IT! 241 00:17:47,675 --> 00:17:49,365 COME ON. 242 00:18:05,432 --> 00:18:07,702 DRIVE AND KEEP DRIVING. 243 00:18:14,876 --> 00:18:17,486 [ CAMERA CLICKING ] 244 00:18:22,405 --> 00:18:24,315 GET IN! 245 00:18:24,364 --> 00:18:26,374 -PLEASE, NO. -GET IN. 246 00:18:28,237 --> 00:18:30,327 [ MARGARET SOBBING ] 247 00:18:30,370 --> 00:18:32,070 GET OUT OF HERE. 248 00:18:39,161 --> 00:18:40,951 YEAH. 249 00:18:42,469 --> 00:18:43,909 WHAT? 250 00:18:45,080 --> 00:18:46,600 GOT IT. 251 00:18:53,523 --> 00:18:55,873 GOT A WILD ONE, STEVE. 252 00:18:57,005 --> 00:18:59,395 -WHAT DO YOU MEAN "WILD ONE"? -HOLD UP NEAR WAIMANALO. 253 00:18:59,442 --> 00:19:01,492 TWO WOMEN KNOCKED OVER A TOUR BUS. 254 00:19:01,531 --> 00:19:03,011 TWO WOMEN? ARMED ROBBERY? 255 00:19:03,054 --> 00:19:06,234 YEAH. H.P.D.'S GETTING THE DETAILS NOW. 256 00:19:07,668 --> 00:19:10,238 DANNO, TOURISTS ARE BREAD AND BUTTER TO THESE ISLANDS, 257 00:19:10,279 --> 00:19:13,979 AND THEY DON'T COME HERE TO GET RIPPED OFF BY MEN OR WOMEN. 258 00:19:14,022 --> 00:19:16,242 GIVE H.P.D. A HAND AND REPORT BACK. 259 00:19:16,285 --> 00:19:18,195 RIGHT. 260 00:19:20,115 --> 00:19:23,155 Duke: WHY DON'T YOU CHECK THE BACK SEAT AGAIN? 261 00:19:26,426 --> 00:19:28,906 -WHAT HAVE YOU GOT, DUKE? -YOU NAME IT, I GOT IT. 262 00:19:28,950 --> 00:19:31,210 I CAN'T GET THE SAME DESCRIPTION TWICE. 263 00:19:31,257 --> 00:19:32,737 HAIR, CLOTHES, NOTHING. 264 00:19:32,780 --> 00:19:34,090 YOU KNOW WHAT WITNESSES ARE LIKE 265 00:19:34,129 --> 00:19:35,569 AFTER THEY LOOK DOWN THE END OF A GUN. 266 00:19:35,609 --> 00:19:37,519 -YEAH. -I DID GET ONE THING. 267 00:19:37,567 --> 00:19:39,867 A GUY CLAIMS HE TOOK SIX PICTURES OF THE TWO GIRLS 268 00:19:39,917 --> 00:19:41,347 AS THEY RAN FROM THE SCENE. 269 00:19:41,397 --> 00:19:44,567 I DON'T KNOW HOW GOOD IT IS, BUT THE GUY WAS PRETTY JUMPY. 270 00:19:44,618 --> 00:19:46,358 WELL, LET'S FIND OUT. 271 00:19:46,402 --> 00:19:48,062 -GET IT TO THE LAB. -RIGHT. 272 00:19:48,099 --> 00:19:50,229 I'LL HAVE A LOOK INSIDE. 273 00:19:58,762 --> 00:20:00,292 WHICH ONE ARE YOU TALKING ABOUT? 274 00:20:00,329 --> 00:20:01,639 THE ONE AT THE FRONT OF THE BUS. 275 00:20:01,678 --> 00:20:04,248 THAT WAS THE OTHER ONE. THE ONE IN THE FRONT HAD LONG -- 276 00:20:04,290 --> 00:20:05,470 -LADIES, LADIES. -I OUGHT TO KNOW! 277 00:20:05,508 --> 00:20:07,508 SHE WAS SITTING WITH HER GUN RIGHT IN MY FACE. 278 00:20:07,554 --> 00:20:09,824 -CAN YOU DESCRIBE THE GUN? -YES. IT WAS SMALL AND -- 279 00:20:09,860 --> 00:20:12,300 SMALL? IT WAS THE BIGGEST GUN I EVER SAW IN MY LIFE. 280 00:20:12,341 --> 00:20:14,561 ALL RIGHT, LADIES, THANK YOU VERY MUCH. 281 00:20:14,604 --> 00:20:17,304 YOU'VE BEEN A GREAT HELP. 282 00:20:17,346 --> 00:20:18,996 -HOW'S IT GOING, CHIN? -SWELL. 283 00:20:19,043 --> 00:20:21,663 IF I BOUGHT EVERY DESCRIPTION I'VE HEARD SO FAR, 284 00:20:21,698 --> 00:20:24,608 I'D SAY TEN DIFFERENT WOMEN HELD UP THAT BUS. 285 00:20:24,658 --> 00:20:26,618 SEE IF YOU CAN ELIMINATE ABOUT EIGHT OF THEM. 286 00:20:26,660 --> 00:20:28,840 I'M GOING BACK TO THE OFFICE. 287 00:20:35,016 --> 00:20:36,756 Danno: THEN THEY GOT OFF THE BUS 288 00:20:36,800 --> 00:20:38,280 AND TOLD THE DRIVER TO DRIVE ON. 289 00:20:38,324 --> 00:20:40,204 DESCRIPTIONS OF THE WOMEN VARY. 290 00:20:40,239 --> 00:20:44,199 NO CHANCE OF GETTING H.P.D. COMPOSITES OR COMPUTER READOUTS. 291 00:20:44,243 --> 00:20:47,253 BEST ESTIMATE OF THEIR TAKE IS $10,000 CASH AND JEWELRY. 292 00:20:47,289 --> 00:20:49,379 DIDN'T EVEN BOTHER WITH TRAVELER'S CHECKS. 293 00:20:49,422 --> 00:20:52,642 -LAB BOYS GET ANY PRINTS? -NO, NOT A SMEAR. 294 00:20:52,686 --> 00:20:55,076 BUT H.P.D. DID COME UP WITH SOME FRESH TIRE TRACKS, 295 00:20:55,123 --> 00:20:57,213 NEAR THE SCENE, BEHIND SOME HEAVY FOLIAGE. 296 00:20:57,256 --> 00:20:59,166 BUT NOT GOOD ENOUGH FOR PLASTER CASTS. 297 00:20:59,214 --> 00:21:03,004 TOO BAD. I'LL BE WITH CHE AT THE LAB. 298 00:21:40,951 --> 00:21:44,351 -WHAT HAVE YOU GOT, CHE? -TAKE A LOOK. 299 00:21:46,174 --> 00:21:48,704 BEST I COULD DO. THE GUY WAS PRETTY SHAKY. 300 00:21:48,742 --> 00:21:50,792 HIS CAMERA WAS SET AT NORMAL SHUTTER SPEED. 301 00:21:50,831 --> 00:21:52,571 IT WOULDN'T FREEZE THE WOMEN'S MOVEMENTS. 302 00:21:52,615 --> 00:21:54,915 THAT'S WHY THEY'RE SO BLURRED. 303 00:22:00,406 --> 00:22:03,276 McGarrett: THERE IS NO WAY WE CAN RUN A MAKE ON THESE. 304 00:22:03,322 --> 00:22:05,632 ANY WAY YOU CAN CLEAR THEM UP? 305 00:22:05,672 --> 00:22:08,152 THERE IS A PROCESS USED BY THE SPACE PROGRAM. 306 00:22:08,196 --> 00:22:11,106 IT'S CALLED COMPUTER IMAGE ENHANCEMENT. 307 00:22:11,155 --> 00:22:13,455 IT WAS ORIGINALLY DEVELOPED TO IMPROVE THE CLARITY 308 00:22:13,506 --> 00:22:15,416 OF LUNAR AND PLANETARY PHOTOS. 309 00:22:15,464 --> 00:22:19,694 IT, UH, REMOVES DISTORTION, MAGNIFIES, ENHANCES RESOLUTION. 310 00:22:19,729 --> 00:22:21,379 IT MIGHT GIVE US A BETTER PICTURE. 311 00:22:21,427 --> 00:22:23,337 GIVE IT A TRY. 312 00:22:28,390 --> 00:22:32,310 WHOLE TIME IT WAS HAPPENING, I KEPT TELLING MYSELF, 313 00:22:32,351 --> 00:22:34,701 "I'M NOT DOING THIS. IT'S SOMEONE ELSE. 314 00:22:34,744 --> 00:22:37,054 I'M NOT DOING IT." 315 00:22:37,094 --> 00:22:39,584 IT'S PRETTY UNREAL, ISN'T IT? 316 00:22:39,619 --> 00:22:41,799 WHAT IF WE GET CAUGHT? 317 00:22:41,838 --> 00:22:44,538 THEN WE GET CAUGHT. 318 00:22:48,062 --> 00:22:50,762 THERE ISN'T ANYTHING WE CAN DO ABOUT IT, 319 00:22:50,804 --> 00:22:52,594 SO DON'T THINK ABOUT IT. 320 00:22:52,632 --> 00:22:56,512 THERE IS ONE THING WE COULD DO. 321 00:22:56,549 --> 00:22:58,029 STOP. 322 00:22:58,072 --> 00:23:02,212 NOT UNTIL I GET THE MONEY FOR JOHNNY. 323 00:23:02,250 --> 00:23:04,430 IF I SHOULD LOSE HIM, 324 00:23:04,470 --> 00:23:08,950 I -- I WOULDN'T CARE WHAT HAPPENED TO ME. 325 00:23:08,996 --> 00:23:13,516 AND WOULD PRISON BE THAT MUCH WORSE THAN WHAT YOU'VE GOT NOW? 326 00:23:14,523 --> 00:23:17,663 HOW FAR DO YOU THINK THAT WILL TAKE YOU? 327 00:23:17,700 --> 00:23:20,180 HOW LONG COULD YOU LIVE ON IT? 328 00:23:20,224 --> 00:23:23,494 LOOK, I'VE BEEN THERE, I KNOW. 329 00:23:23,532 --> 00:23:25,492 [ SIGHS ] 330 00:23:25,534 --> 00:23:29,674 AFTER LYLE LEFT ME, I -- 331 00:23:29,712 --> 00:23:32,632 IT TOOK SIX MONTHS JUST TO GET THE NERVE 332 00:23:32,672 --> 00:23:34,592 TO GO OUT AND LOOK FOR A JOB. 333 00:23:34,630 --> 00:23:37,630 AND THEN AFTER I FOUND THE NERVE, 334 00:23:37,677 --> 00:23:40,377 I FOUND OUT SOMETHING ELSE. 335 00:23:40,419 --> 00:23:43,509 THERE WASN'T ONE DAMN THING I KNEW HOW TO DO, 336 00:23:43,552 --> 00:23:46,212 EXCEPT KEEP HOUSE. 337 00:23:46,250 --> 00:23:47,950 [ DOORBELL RINGING ] 338 00:23:58,132 --> 00:23:59,792 -[ CHUCKLES ] -[ SIGHS ] 339 00:23:59,829 --> 00:24:01,699 WAIT TILL YOU SEE WHAT I'VE GOT. 340 00:24:01,744 --> 00:24:02,834 YOU SOLD THE JEWELRY. 341 00:24:02,876 --> 00:24:05,486 TO A FRIEND OF A FRIEND OF MINE. 342 00:24:05,531 --> 00:24:08,531 -2,000 FOR YOU? -6,000? 343 00:24:08,577 --> 00:24:10,747 AND 2,000 FOR YOU. 344 00:24:10,797 --> 00:24:13,667 AND 2,000 AND WHAT FOR ME? 345 00:24:13,713 --> 00:24:15,243 HERE, 1,500. 346 00:24:15,279 --> 00:24:16,589 [ LAUGHS ] 347 00:24:16,629 --> 00:24:17,799 KEEP THIS FOR ME. 348 00:24:17,847 --> 00:24:21,067 IF I TAKE IT HOME, ED MIGHT FIND IT. 349 00:24:21,111 --> 00:24:22,721 WELL, GIRLS, 350 00:24:22,765 --> 00:24:24,895 WHEN DO WE GO BACK TO WORK? 351 00:24:26,552 --> 00:24:29,692 EVERYBODY STAY IN THEIR SEATS. 352 00:24:42,306 --> 00:24:46,216 CUTE. REAL CUTE. 353 00:24:51,794 --> 00:24:54,624 PUT IT IN THE BAG. 354 00:24:54,667 --> 00:24:57,147 PUT IT IN THE BAG! 355 00:25:02,675 --> 00:25:03,975 [ PEOPLE SCREAMING ] 356 00:25:07,201 --> 00:25:08,641 [ SCREAMING ] 357 00:25:08,681 --> 00:25:11,471 [ LAUGHING HYSTERICALLY ] 358 00:25:23,434 --> 00:25:26,354 Frank: THOSE SAME TWO WOMEN AGAIN, STEVE. 359 00:25:26,394 --> 00:25:29,794 ONE OF THEM THOUGHT SHE WAS IN A SHOOTING GALLERY. 360 00:25:29,832 --> 00:25:31,532 LUCKY NO ONE WAS SERIOUSLY HURT. 361 00:25:31,573 --> 00:25:34,143 THANK GOD FOR THAT. ANYONE SEE A GETAWAY CAR THIS TIME? 362 00:25:34,184 --> 00:25:36,364 -NO. -HOW MUCH DID THEY GET? 363 00:25:36,404 --> 00:25:37,804 ABOUT 5,000 IN CASH. 364 00:25:37,840 --> 00:25:39,540 NO TELLING YET HOW MUCH IN JEWELRY. 365 00:25:39,581 --> 00:25:41,411 THEY SKIPPED TRAVELER'S CHECKS THIS TIME TOO, 366 00:25:41,452 --> 00:25:42,502 AS NEAR AS WE CAN TELL. 367 00:25:42,541 --> 00:25:45,331 OKAY, FRANK. THANK YOU. 368 00:25:45,369 --> 00:25:48,809 WE'VE GOT A BIGGER PROBLEM THAN WE FIGURED, GENTLEMEN. 369 00:25:48,851 --> 00:25:53,421 ONE OF THOSE WOMEN OBVIOUSLY FLIPPED OUT FOR SOME REASON. 370 00:25:53,464 --> 00:25:55,034 NOW, IF IT HAPPENS AGAIN, 371 00:25:55,075 --> 00:25:58,635 SHE MAY START BLASTING PEOPLE INSTEAD OF WINDOWS. 372 00:25:58,687 --> 00:26:01,647 GET OUT THERE, GIVE FRANK AND DUKE A HAND. 373 00:26:01,690 --> 00:26:03,000 HIT THIS AND HIT IT HARD 374 00:26:03,039 --> 00:26:04,649 BEFORE IT GETS COMPLETELY OUT OF HAND. 375 00:26:04,693 --> 00:26:06,523 IT WAS STUPID. 376 00:26:06,565 --> 00:26:07,865 Dina: WHY ARE WE CARRYING GUNS 377 00:26:07,914 --> 00:26:09,224 IF WE'RE NOT SUPPOSED TO USE THEM? 378 00:26:09,263 --> 00:26:12,183 YOU DIDN'T HAVE TO USE IT. 379 00:26:12,222 --> 00:26:14,092 I THINK WE'D BETTER STOP RIGHT NOW. 380 00:26:14,137 --> 00:26:15,527 NO WAY. 381 00:26:15,574 --> 00:26:17,454 WE MADE A DEAL. 382 00:26:17,488 --> 00:26:20,578 WE SAID 10,000 APIECE, AND THAT'S WHAT WE'RE GONNA GET. 383 00:26:20,622 --> 00:26:24,232 I'M WONDERING IF YOU'RE IN THIS FOR SOMETHING MORE THAN MONEY. 384 00:26:24,278 --> 00:26:26,108 WHAT'S THAT SUPPOSED TO MEAN? 385 00:26:27,542 --> 00:26:30,552 YOU THINK I'M STILL ON JUNK, DON'T YOU? 386 00:26:30,589 --> 00:26:31,719 DON'T YOU? 387 00:26:34,027 --> 00:26:35,247 NO. 388 00:26:35,289 --> 00:26:38,599 WELL, I DON'T CARE WHO'S IN THIS FOR WHAT. 389 00:26:38,640 --> 00:26:40,120 I'M GOING HOME. 390 00:26:40,163 --> 00:26:41,733 TO WHAT? 391 00:26:41,774 --> 00:26:42,824 DINA. 392 00:26:42,862 --> 00:26:44,602 IT'S ALL RIGHT. 393 00:26:47,170 --> 00:26:50,830 MARGARET! 394 00:26:50,870 --> 00:26:52,440 WAIT. 395 00:26:54,482 --> 00:26:57,352 I'M SORRY. 396 00:26:57,398 --> 00:27:00,838 I DON'T KNOW WHAT HAPPENED. I JUST LOST MY HEAD. 397 00:27:03,926 --> 00:27:06,446 LOOK, I'M JUST AS SCARED AS YOU ARE. 398 00:27:14,720 --> 00:27:16,030 WHAT ABOUT YOU? 399 00:27:20,813 --> 00:27:21,773 [ SIGHS ] 400 00:27:21,814 --> 00:27:24,084 I SURE BLEW IT, DIDN'T I? 401 00:27:27,950 --> 00:27:30,870 WHAT ABOUT JOHNNY? 402 00:27:30,910 --> 00:27:33,040 I'LL GET THE MONEY SOME OTHER WAY. 403 00:27:33,086 --> 00:27:36,346 LOOK, YOU CAN HAVE MY SHARE. 404 00:27:36,393 --> 00:27:38,093 I'LL SELL ALL THE JEWELRY THAT WE GOT TODAY, 405 00:27:38,134 --> 00:27:39,794 AND THAT'LL GIVE YOU ENOUGH TO -- 406 00:27:39,832 --> 00:27:40,792 NO, DINA. 407 00:27:40,833 --> 00:27:42,973 I DON'T WANT IT. 408 00:27:43,009 --> 00:27:45,749 THANKS ANYWAY. 409 00:28:00,766 --> 00:28:02,246 STILL FRIENDS? 410 00:28:02,289 --> 00:28:04,469 OF COURSE. 411 00:28:04,508 --> 00:28:05,508 CALL ME? 412 00:28:06,728 --> 00:28:07,768 SURE. 413 00:28:15,519 --> 00:28:17,299 [ DOOR CLOSES ] 414 00:28:22,831 --> 00:28:25,401 McGarrett: VERY IMPRESSIVE. HOW DID YOU DO IT? 415 00:28:25,442 --> 00:28:27,142 TAKE A LOOK. 416 00:28:29,098 --> 00:28:31,448 AS YOU KNOW, PICTURES ARE MADE UP 417 00:28:31,492 --> 00:28:35,502 OF A COMPOSITION OF SMALL SPOTS OR DOTS CALLED RESEAU MARKS. 418 00:28:35,539 --> 00:28:38,239 NOW, THE ENHANCEMENT PROCESS REMOVES DISTORTION 419 00:28:38,281 --> 00:28:40,761 BY UTILIZING THE COMPUTER TO LOCATE THESE RESEAU MARKS, 420 00:28:40,806 --> 00:28:44,716 AND THEN TRANSFORMS THE PICTURE INTO CORRECT GEOMETRY, 421 00:28:44,766 --> 00:28:47,376 BASED ON THE OBSERVED LOCATION OF THE RESEAU MARKS. 422 00:28:47,421 --> 00:28:48,991 WHAT DOES THAT MEAN IN ENGLISH, CHE? 423 00:28:49,031 --> 00:28:52,031 SIMPLY, THE COMPUTER LOCATES THE DOTS, 424 00:28:52,078 --> 00:28:54,338 CLEANS THEM UP, AND PUTS THEM BACK IN THE RIGHT PLACE. 425 00:28:54,384 --> 00:28:56,784 GOOD, THAT'S THE WAY I LIKE IT. 426 00:28:56,822 --> 00:29:00,092 LET'S GET RIGHT TO THE NITTY-GRITTY, HUH? 427 00:29:00,129 --> 00:29:02,519 WELL, THE WIGS AND SUNGLASSES SURE DON'T HELP ANY. 428 00:29:02,566 --> 00:29:05,176 I DOUBT IF WE COULD GET A MAKE. 429 00:29:09,486 --> 00:29:11,266 WHAT IS THIS AREA RIGHT HERE? 430 00:29:11,314 --> 00:29:14,624 Che: LOOKS LIKE A SHADOW, BUT COULD BE MOST ANYTHING. 431 00:29:14,665 --> 00:29:17,405 McGarrett: HOW FAR CAN YOU TAKE THAT ENHANCEMENT PROCESS? 432 00:29:17,451 --> 00:29:18,931 Che: NO GUARANTEE, BUT I'LL DO 433 00:29:18,974 --> 00:29:20,544 A VERSION OF THAT SECTION. 434 00:29:20,584 --> 00:29:22,064 GOOD. 435 00:29:22,108 --> 00:29:24,238 I UNDERSTAND YOUR BOYS DUG SOME SLUGS OUT OF THAT BUS. 436 00:29:24,284 --> 00:29:25,814 RIGHT. DAVE'S WORKING ON IT NOW. 437 00:29:25,851 --> 00:29:28,031 KEEP ON IT, CHE. LET ME KNOW. 438 00:29:37,514 --> 00:29:40,394 HEY, WHAT IS THIS? YOU KNOW I BOWL TONIGHT. 439 00:29:40,430 --> 00:29:42,350 OH, I'M SORRY. I FORGOT. 440 00:29:42,389 --> 00:29:43,869 YOU'VE BEEN FORGETTING AN AWFUL LOT LATELY, 441 00:29:43,912 --> 00:29:46,792 SINCE YOU BEEN GOING TO THEM BULL SESSIONS WITH THOSE DAMES. 442 00:29:46,828 --> 00:29:47,868 ED, JUST GIVE ME THE SHIRT. 443 00:29:47,916 --> 00:29:49,736 I'VE HAD IT UP TO HERE. 444 00:29:49,788 --> 00:29:51,568 YOU GO TO ONE MORE OF THOSE HEN PARTIES, 445 00:29:51,615 --> 00:29:54,225 I'LL GIVE YOU SOMETHING TO BELLYACHE ABOUT. 446 00:29:59,928 --> 00:30:01,668 [ DOOR SHUTS ] 447 00:30:09,198 --> 00:30:11,368 NO DOUBT ABOUT IT. 448 00:30:19,034 --> 00:30:21,174 McGARRETT. YEAH, CHE? 449 00:30:21,210 --> 00:30:22,560 ARE YOU SITTING DOWN? 450 00:30:22,603 --> 00:30:24,873 WELL, IT'S KIND OF HARD TO DRIVE STANDING UP. 451 00:30:24,910 --> 00:30:28,090 WE JUST GOT HIT WITH SOMETHING FROM OUT IN LEFT FIELD. 452 00:30:28,130 --> 00:30:30,090 THOSE SLUGS WE DUG FROM THE TOUR BUS 453 00:30:30,132 --> 00:30:32,312 CAME FROM THE SAME GUN THAT DROPPED LEW CHANG. 454 00:30:32,352 --> 00:30:36,012 STEVE? ARE YOU THERE? 455 00:30:36,051 --> 00:30:37,971 YEAH, CHE. 456 00:30:38,010 --> 00:30:39,450 ARE YOU SURE? 457 00:30:39,489 --> 00:30:40,659 POSITIVE. 458 00:30:50,674 --> 00:30:52,114 DANNO? 459 00:30:52,154 --> 00:30:54,114 PAY DIRT, STEVE. 460 00:30:54,156 --> 00:30:56,806 THE GETAWAY CAR. 461 00:30:56,855 --> 00:30:59,375 AND OUR THIRD PARTY, HUH? 462 00:31:01,381 --> 00:31:03,381 THE CAR LOOKS LIKE A 1964 COMET. 463 00:31:03,426 --> 00:31:06,596 CHE COULDN'T BRING OUT THE LICENSE NUMBERS. 464 00:31:06,647 --> 00:31:08,207 McGarrett: WELL, MAYBE WE CAN GET IT. 465 00:31:08,257 --> 00:31:10,127 HAVE MOTOR VEHICLES GIVE US THE NAMES 466 00:31:10,172 --> 00:31:12,702 OF EVERY REGISTERED OWNER OF THIS MODEL ON THE ISLAND. 467 00:31:12,740 --> 00:31:14,660 HAVE COPIES MADE, GET THEM TO H.P.D. 468 00:31:14,698 --> 00:31:15,698 RIGHT. 469 00:31:15,743 --> 00:31:18,793 -HEAR ABOUT LEW CHANG? -YEAH, SAME GUN. 470 00:31:18,833 --> 00:31:19,833 SAME GUN. 471 00:31:41,203 --> 00:31:42,343 175 TO CENTRAL. 472 00:31:42,378 --> 00:31:44,288 Man: CENTRAL DISPATCH. 473 00:31:44,337 --> 00:31:47,037 I'VE GOT A TOUR BUS PARKED ON THE OLD DIAMOND HEAD ROAD 474 00:31:47,079 --> 00:31:48,729 NEAR THE TUNNEL. 475 00:31:48,776 --> 00:31:52,686 COULD BE THOSE FEMALE SUSPECTS ON A POSSIBLE 211. 476 00:31:53,781 --> 00:31:56,001 SEND ME SOME BACKUP. I'M GONNA CHECK IT OUT. 477 00:31:56,044 --> 00:31:57,704 TEN-FOUR. 478 00:32:05,706 --> 00:32:07,486 [ TIRES SCREECHING ] 479 00:32:09,014 --> 00:32:10,674 [ PASSENGERS SCREAMING ] 480 00:32:13,453 --> 00:32:16,803 Officer: STAY WHERE YOU ARE. DROP YOUR WEAPON. 481 00:32:16,847 --> 00:32:18,107 [ SCREAMS ] 482 00:32:18,153 --> 00:32:19,463 [ GUNFIRE ] 483 00:32:23,028 --> 00:32:24,988 [ GUNSHOTS, GLASS SHATTERING ] 484 00:32:27,989 --> 00:32:29,469 [ ENGINE STARTS ] 485 00:32:35,692 --> 00:32:36,962 [ SOBBING ] 486 00:32:38,478 --> 00:32:41,568 FORGET HER. SHE'S DEAD. 487 00:32:42,873 --> 00:32:44,353 GET IN. 488 00:34:11,666 --> 00:34:12,406 WHO GOT IT? 489 00:34:12,450 --> 00:34:14,400 TOM KAMAKA, A YEAR ON THE FORCE. 490 00:34:14,452 --> 00:34:16,412 I KNEW TOM AND HIS WIFE, MILEY, PRETTY WELL. 491 00:34:16,454 --> 00:34:19,104 MAYBE I SHOULD BE THE ONE TO BREAK THE NEWS. 492 00:34:19,152 --> 00:34:21,282 YEAH, DUKE, MAYBE YOU SHOULD. 493 00:34:23,939 --> 00:34:25,209 WHAT ABOUT THE DEAD WOMAN, DANNO? 494 00:34:25,245 --> 00:34:26,555 ON HER WAY TO THE MORGUE. 495 00:34:26,594 --> 00:34:28,294 -ANY I.D.? -TENTATIVE. 496 00:34:28,335 --> 00:34:29,555 WE FOUND AN ENVELOPE IN HER POCKET 497 00:34:29,597 --> 00:34:31,167 ADDRESSED TO A MRS. EDWARD HUDSON. 498 00:34:31,208 --> 00:34:32,688 CHIN'S CHECKING THE ADDRESS NOW. 499 00:34:32,731 --> 00:34:35,951 BUT WHOEVER SHE IS, STEVE, SHE DIDN'T KILL OFFICER KAMAKA. 500 00:34:35,995 --> 00:34:37,515 HOW DO YOU KNOW THAT? 501 00:34:37,562 --> 00:34:41,432 EMPTY. AND IT HASN'T BEEN FIRED RECENTLY, IF EVER. 502 00:34:41,479 --> 00:34:43,309 SATURDAY NIGHT SPECIAL, HUH? 503 00:34:43,350 --> 00:34:44,610 Chin Ho: STEVE, DANNY, 504 00:34:44,656 --> 00:34:46,356 GOT A REPORT FROM MOTOR VEHICLES. 505 00:34:46,397 --> 00:34:47,747 THEY'VE GOT A MARGARET HUDSON 506 00:34:47,789 --> 00:34:49,969 AT THE ADDRESS ON THAT ENVELOPE WE FOUND. 507 00:34:50,009 --> 00:34:53,759 OKAY, CHIN, YOU AND DANNO HIT IT. 508 00:34:56,102 --> 00:34:59,972 YOUR WIFE WAS KILLED WHILE ATTEMPTING ARMED ROBBERY. 509 00:35:00,019 --> 00:35:02,199 MAGGIE? 510 00:35:02,239 --> 00:35:04,329 NO, THERE'S SOME MISTAKE. 511 00:35:04,371 --> 00:35:07,241 I'M SORRY, MR. HUDSON. IT'S NO MISTAKE. 512 00:35:07,287 --> 00:35:08,947 YOUR WIFE AND TWO OTHER WOMEN 513 00:35:08,984 --> 00:35:11,294 PULLED OFF THREE TOUR-BUS ROBBERIES. 514 00:35:11,335 --> 00:35:15,035 CLOSE TO 25,000 IN JEWELRY AND CASH TAKEN 515 00:35:15,078 --> 00:35:16,428 AND A POLICE OFFICER KILLED. 516 00:35:16,470 --> 00:35:19,160 NO, YOU GOTTA BE WRONG. 517 00:35:19,212 --> 00:35:21,122 Chin Ho: THESE WERE TAKEN BY A PASSENGER 518 00:35:21,171 --> 00:35:23,601 AT THE SCENE OF THE FIRST ROBBERY. 519 00:35:36,447 --> 00:35:38,237 Hudson: I CAN'T BELIEVE IT. 520 00:35:38,275 --> 00:35:39,975 IT DON'T MAKE NO SENSE. 521 00:35:40,015 --> 00:35:43,455 I WORK MY BUTT OFF FOR THAT BROAD TEN HOURS A DAY. 522 00:35:43,497 --> 00:35:45,937 BUT THAT WASN'T ENOUGH FOR HER. 523 00:35:45,978 --> 00:35:47,418 SHE HAD TO GO AND -- 524 00:35:47,458 --> 00:35:48,588 [ CRUMPLING PAPER ] 525 00:35:48,633 --> 00:35:51,593 WHAT ABOUT THE OTHER TWO WOMEN? DO YOU KNOW THEM? 526 00:35:51,636 --> 00:35:53,856 NO, SHE NEVER TOLD ME NOTHING. 527 00:35:53,899 --> 00:35:55,509 YOU GOT NO IDEA WHERE SHE WENT OR WHAT SHE DID 528 00:35:55,553 --> 00:35:56,683 WHENEVER SHE LEFT THE HOUSE? 529 00:35:56,728 --> 00:36:00,078 SHE SPENT ALL HER TIME AT THAT WOMAN'S CENTER. 530 00:36:00,123 --> 00:36:01,553 -WOMEN'S CENTER? -YEAH. 531 00:36:01,602 --> 00:36:03,382 YAKKING ALL DAY WITH A BUNCH OF BROADS 532 00:36:03,430 --> 00:36:05,120 ABOUT HOW TOUGH THEIR LIFE WAS. 533 00:36:06,346 --> 00:36:08,136 [ SIGHS ] 534 00:36:08,174 --> 00:36:09,484 MAGGIE. 535 00:36:16,400 --> 00:36:18,400 -MISS KEOLA? -YES? 536 00:36:18,445 --> 00:36:20,185 WILLIAMS, KELLY, FIVE-O. 537 00:36:20,230 --> 00:36:21,620 WE'D LIKE TO ASK A FEW QUESTIONS. 538 00:36:21,666 --> 00:36:24,276 -WON'T YOU COME IN? -THANK YOU. 539 00:36:27,367 --> 00:36:29,157 WHAT CAN I DO FOR YOU TODAY? 540 00:36:29,195 --> 00:36:31,675 DO YOU RECOGNIZE THESE TWO WOMEN? 541 00:36:34,461 --> 00:36:35,891 Keola: THE HAIR'S NOT RIGHT, 542 00:36:35,941 --> 00:36:37,981 BUT I'M SURE THIS IS CINDY AND CAROL. 543 00:36:38,030 --> 00:36:40,720 THAT WOMAN HAS BEEN IDENTIFIED AS A MARGARET HUDSON. 544 00:36:40,772 --> 00:36:43,602 YOU COULD BE RIGHT, BUT I KNOW HER ONLY AS CAROL. 545 00:36:43,644 --> 00:36:45,824 -WELL, HOW'S THAT? -LET ME EXPLAIN. 546 00:36:45,864 --> 00:36:48,084 THE WOMEN IN THE ENCOUNTER GROUPS HERE AT THE CENTER 547 00:36:48,127 --> 00:36:50,657 DON'T USE THEIR REAL NAME. IT'S A POLICY. 548 00:36:50,695 --> 00:36:52,915 EVEN THOUGH SOME OF THEM BECOME FRIENDS, 549 00:36:52,958 --> 00:36:55,268 THEY MAY HAVE A SOCIAL, PROFESSIONAL, 550 00:36:55,308 --> 00:36:58,448 OR EVEN A FAMILY LIFE TO PROTECT. 551 00:36:58,485 --> 00:37:00,315 DO YOU KNOW THIS WOMAN? 552 00:37:06,276 --> 00:37:08,106 ONLY AS LAURA. 553 00:37:08,147 --> 00:37:10,497 DO YOU KNOW WHERE WE CAN FIND HER OR THE OTHER TWO? 554 00:37:10,541 --> 00:37:13,501 Keola: NO. BECAUSE OF THE NATURE OF OUR SESSIONS, 555 00:37:13,544 --> 00:37:15,544 THE CENTER DOESN'T REQUIRE ANY REGISTRATION 556 00:37:15,589 --> 00:37:18,079 AND WE DON'T KEEP ANY RECORDS. 557 00:37:18,113 --> 00:37:19,633 OKAY. THANK YOU. 558 00:37:22,422 --> 00:37:23,772 [ DOORBELL RINGING ] 559 00:37:23,815 --> 00:37:27,385 -WHO IS IT? -IT'S DINA. 560 00:37:53,584 --> 00:37:54,884 GONNA INVITE ME IN? 561 00:37:54,933 --> 00:37:56,023 [ SIGHS ] 562 00:37:56,064 --> 00:37:57,414 CAN I GET YOU A DRINK? 563 00:37:57,457 --> 00:37:59,857 I'LL GET IT. 564 00:38:03,637 --> 00:38:05,427 YOU SAID YOU WERE GONNA CALL. 565 00:38:05,465 --> 00:38:08,255 I'VE BEEN BUSY. 566 00:38:11,602 --> 00:38:12,292 JOIN ME. 567 00:38:12,342 --> 00:38:14,432 NO, THANKS. 568 00:38:16,346 --> 00:38:19,656 I STOPPED BY YOUR OFFICE. THEY SAID YOU QUIT. 569 00:38:19,697 --> 00:38:22,397 UH -- I'VE BEEN LOOKING FOR ANOTHER JOB. 570 00:38:22,439 --> 00:38:25,359 -IN HONOLULU? -YES. 571 00:38:26,921 --> 00:38:29,701 YOU KNOW, I WAS THINKING, 572 00:38:29,750 --> 00:38:32,440 WE SHOULD SEND SOME FLOWERS TO MARGARET'S FUNERAL. 573 00:38:32,492 --> 00:38:34,712 ANONYMOUSLY, OF COURSE. 574 00:38:34,755 --> 00:38:38,155 YOU FELT SO STRONGLY ABOUT HER. 575 00:38:38,193 --> 00:38:40,583 IT'S REALLY A PITY YOU WON'T BE AROUND 576 00:38:40,631 --> 00:38:43,371 WHEN SHE'S... LAID TO REST. 577 00:38:43,416 --> 00:38:46,766 YOU REALLY THOUGHT YOU COULD LEAVE WITHOUT ME KNOWING? 578 00:38:46,811 --> 00:38:48,501 I CALLED THE HOSPITAL AND THEY TOLD ME 579 00:38:48,552 --> 00:38:49,722 YOUR SON'S BEEN TRANSFERRED 580 00:38:49,770 --> 00:38:51,460 TO ANOTHER HOSPITAL ON THE BIG ISLAND. 581 00:38:51,511 --> 00:38:53,331 ALL RIGHT, SO I'M LEAVING. 582 00:38:53,383 --> 00:38:55,423 WHAT BUSINESS IS IT OF YOURS? 583 00:38:55,472 --> 00:38:57,602 HALF OF MARGARET'S MONEY. 584 00:38:59,432 --> 00:39:03,782 TAKE IT, ALL OF IT, AND GET OUT OF HERE. 585 00:39:06,439 --> 00:39:09,359 ALL RIGHT, IF THAT'S THE WAY YOU WANT IT. 586 00:39:12,315 --> 00:39:14,575 STILL NOT TOO LATE TO CHANGE YOUR MIND. 587 00:39:14,621 --> 00:39:17,451 WE NEVER REALLY NEEDED MARGARET ANYWAY. 588 00:39:17,494 --> 00:39:20,064 AND IT WOULD SAVE ME THE TROUBLE OF FINDING SOMEONE ELSE 589 00:39:20,105 --> 00:39:21,325 TO WORK WITH. 590 00:39:21,367 --> 00:39:24,547 SOMEONE ELSE? 591 00:39:24,588 --> 00:39:26,988 YOU'RE NOT THINKING OF -- 592 00:39:28,505 --> 00:39:30,245 WHY, YOU'RE OUT OF YOUR MIND. 593 00:39:30,289 --> 00:39:32,909 EVERY POLICEMAN ON THE ISLAND IS LOOKING FOR YOU. 594 00:39:32,944 --> 00:39:34,774 AND SOONER OR LATER, YOU'LL GET CAUGHT. 595 00:39:34,815 --> 00:39:38,035 AND YOU THINK THAT WILL BE THE END OF IT? 596 00:39:38,079 --> 00:39:39,649 OH, NO. 597 00:39:39,690 --> 00:39:42,820 IF I GET CAUGHT, YOU GET CAUGHT. 598 00:39:45,783 --> 00:39:47,693 [ GLASS SHATTERING ] 599 00:39:51,702 --> 00:39:53,262 [ DOOR SHUTS ] 600 00:40:56,767 --> 00:40:58,377 [ RINGING ] 601 00:41:05,602 --> 00:41:07,082 YEAH? 602 00:41:09,301 --> 00:41:11,121 Danno: WE TALKED TO A MISS KEOLA. 603 00:41:11,172 --> 00:41:12,782 SHE'S THE COUNSELOR FOR THE ENCOUNTER GROUP 604 00:41:12,826 --> 00:41:14,086 AT THE WOMEN'S CENTER. 605 00:41:14,132 --> 00:41:16,092 Chin Ho: YEAH. SHE RECOGNIZES ALL THREE WOMEN, 606 00:41:16,134 --> 00:41:17,654 BUT SHE SAYS NONE OF THE MEMBERS 607 00:41:17,701 --> 00:41:19,831 AT THE ENCOUNTER SESSION USE THEIR REAL NAMES. 608 00:41:19,877 --> 00:41:21,837 ENCOURAGES THEM TO REALLY UNLOAD. 609 00:41:21,879 --> 00:41:23,019 THERE'S NO REGISTRATION. 610 00:41:23,054 --> 00:41:25,314 THE CENTER DOESN'T KEEP ANY RECORD OF ITS WOMEN, 611 00:41:25,360 --> 00:41:27,620 IN ORDER TO PROTECT THEIR ANONYMITY. 612 00:41:27,667 --> 00:41:29,587 SO WE HIT ANOTHER DEAD END, HUH? 613 00:41:29,626 --> 00:41:31,016 [ DOOR OPENS ] 614 00:41:31,062 --> 00:41:33,232 GOT A LIST OF ALL THE OWNER OF 1964 COMET SEDANS. 615 00:41:33,281 --> 00:41:35,151 THERE'S OVER 200 OF THEM. 616 00:41:35,196 --> 00:41:36,546 McGarrett: 200? 617 00:41:36,589 --> 00:41:38,289 WELL, AT LEAST THAT'S BETTER 618 00:41:38,330 --> 00:41:41,420 THAN THE COMPUTER CAME UP WITH ON HER. 619 00:41:41,464 --> 00:41:42,464 OKAY, GENTLEMEN, 620 00:41:42,508 --> 00:41:45,728 WE HAVE A PICTURE OF OUR DRIVER WITH NO NAME. 621 00:41:45,772 --> 00:41:48,422 BUT IF SHE HAS A DRIVER'S LICENSE, 622 00:41:48,471 --> 00:41:51,561 MOTOR VEHICLES HAS A PICTURE OF HER WITH A NAME. 623 00:41:51,604 --> 00:41:53,734 FRANK, CONTACT THE BUREAU. 624 00:41:53,780 --> 00:41:55,300 GET A COPY OF THE DRIVER'S LICENSE 625 00:41:55,347 --> 00:41:57,177 OF EVERY WOMAN WHO OWNS A '64 COMET. 626 00:41:57,218 --> 00:42:00,268 WE MIGHT GET LUCKY. CHIN, WARM UP THE COMPUTER. 627 00:42:00,308 --> 00:42:01,398 Chin Ho: ON IT. 628 00:42:07,751 --> 00:42:09,401 [ CAR APPROACHING ] 629 00:42:16,760 --> 00:42:18,060 MR. HUDSON? 630 00:42:18,109 --> 00:42:20,549 YEAH. AND WHAT'S YOUR NAME? 631 00:42:20,590 --> 00:42:22,760 THAT'S NOT IMPORTANT. 632 00:42:22,809 --> 00:42:25,379 YOU WERE IN ON THOSE BUS HEISTS WITH MY WIFE, WEREN'T YOU? 633 00:42:26,334 --> 00:42:29,644 WE CAME HERE TO DISCUSS $5,000, REMEMBER? 634 00:42:29,686 --> 00:42:31,736 I'M LISTENING. 635 00:42:31,775 --> 00:42:33,775 [ UNFASTENING BAG ] 636 00:42:33,820 --> 00:42:35,510 I WANT YOU TO DO SOMETHING FOR ME. 637 00:42:35,561 --> 00:42:37,561 WHAT? 638 00:42:37,607 --> 00:42:40,567 I WANT YOU TO -- 639 00:42:40,610 --> 00:42:42,780 -TO KILL HER. -WHAT? 640 00:42:42,829 --> 00:42:44,179 YOU HEARD ME. 641 00:42:44,222 --> 00:42:47,312 WHAT MAKES YOU THINK I'D DO SOMETHING LIKE THAT? 642 00:42:48,182 --> 00:42:51,752 BECAUSE I KNOW YOU, MR. HUDSON. 643 00:42:51,795 --> 00:42:53,365 FROM MARGARET. 644 00:42:53,405 --> 00:42:57,675 I KNOW EVERY BRUTAL, SELFISH, GREEDY BONE IN YOUR BODY. 645 00:42:57,714 --> 00:42:58,674 SO PLEASE 646 00:42:58,715 --> 00:43:03,195 DON'T, UH, TRY TO FOOL ME. 647 00:43:08,159 --> 00:43:09,339 HALF NOW. 648 00:43:11,031 --> 00:43:15,511 IF YOU, UH, WANT THIS DINA HALE DEAD SO BAD, 649 00:43:15,558 --> 00:43:16,868 WHY DON'T YOU DO IT YOURSELF? 650 00:43:18,212 --> 00:43:21,212 I WOULD, 651 00:43:21,259 --> 00:43:23,089 IF I COULD. 652 00:43:24,828 --> 00:43:25,698 BUT I CAN'T. 653 00:43:25,742 --> 00:43:29,182 THE REST WHEN IT'S DONE. 654 00:43:29,223 --> 00:43:31,313 I DON'T KNOW. I'D HAVE TO THINK ABOUT IT. 655 00:43:35,795 --> 00:43:37,845 I'D LIKE YOU TO CALL ME SOON. 656 00:43:42,280 --> 00:43:44,020 MY NUMBER. 657 00:43:59,819 --> 00:44:02,439 "ELAINE AMAKO." 658 00:44:12,440 --> 00:44:14,700 "AUDREY AMES." 659 00:44:23,800 --> 00:44:25,710 "JEAN ANAPOA." 660 00:44:59,052 --> 00:45:01,272 [ TELEPHONE RINGING ] 661 00:45:05,972 --> 00:45:07,672 HELLO. 662 00:47:13,970 --> 00:47:15,970 "ANITA MALEMO." 663 00:47:23,762 --> 00:47:25,672 "WILMA NELSON." 664 00:47:34,033 --> 00:47:36,473 WHOA. WAIT, WAIT. WAIT A MINUTE. 665 00:47:36,514 --> 00:47:38,084 LET ME EXPLAIN, WILL YOU? LET ME EXPLAIN. 666 00:47:38,124 --> 00:47:41,514 -EMPTY YOUR POCKETS. -YEAH, YEAH. 667 00:47:41,562 --> 00:47:45,262 THAT'S ALL. IT'S ALL I GOT. 668 00:47:46,785 --> 00:47:48,705 HERE. 669 00:47:50,093 --> 00:47:51,003 -YOU? -OH! 670 00:47:51,050 --> 00:47:53,610 WAIT A MINUTE. WAIT A MINUTE. 671 00:47:53,661 --> 00:47:54,831 SHE PAID ME TO KILL YOU. 672 00:47:54,880 --> 00:47:56,400 -SHE? -YEAH, SCOTT. 673 00:47:56,447 --> 00:47:59,147 HER NAME'S SCOTT. AND SHE GAVE ME -- 674 00:47:59,189 --> 00:48:00,939 GONNA GIVE ME $5,000, 675 00:48:00,973 --> 00:48:02,233 HALF NOW AND HALF WHEN -- 676 00:48:39,011 --> 00:48:40,491 "LUCY SANDS." 677 00:48:48,803 --> 00:48:49,933 "FAY SCOTT." 678 00:48:56,550 --> 00:49:00,030 THAT'S IT. 679 00:49:00,076 --> 00:49:02,126 RIGHT. GREAT. 680 00:49:02,165 --> 00:49:04,125 GOT IT, CHIN. GOOD WORK. 681 00:49:04,167 --> 00:49:06,997 YOU AND FRANK GET THERE ON THE DOUBLE. I'LL MEET YOU. 682 00:49:07,039 --> 00:49:07,999 DANNO? 683 00:49:08,040 --> 00:49:11,300 DANNO, LET'S GO. 684 00:50:16,935 --> 00:50:18,195 [ GUNSHOT ] 685 00:50:19,938 --> 00:50:21,638 [ GASPING ] 686 00:50:30,340 --> 00:50:33,160 READ THEM THEIR RIGHTS, DANNO, THEN BOOK THEM. 687 00:50:33,212 --> 00:50:35,912 MURDER ONE, TWO COUNTS FOR THIS ONE. 688 00:50:39,479 --> 00:50:43,229 [ "HAWAII FIVE-O" THEME PLAYS ] 689 00:50:43,279 --> 00:50:47,829 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 47852

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