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1
00:00:02,480 --> 00:00:06,180
[ "HAWAII FIVE-O" THEME PLAYS ]
2
00:01:22,343 --> 00:01:23,873
McGarrett: COME IN.
3
00:01:23,909 --> 00:01:27,129
I THINK YOU BETTER GET
RANDOLPH UP HERE, LELAND.
4
00:01:27,174 --> 00:01:29,224
-CONGRATULATIONS.
-FOR WHAT?
5
00:01:29,263 --> 00:01:32,613
THE INTERNATIONAL MONTAIGNE
SOCIETY MAN-OF-THE-YEAR AWARD.
6
00:01:32,657 --> 00:01:34,137
SINCE YOU COULDN'T
ATTEND THE BANQUET,
7
00:01:34,181 --> 00:01:35,571
THEY SENT THE PLAQUE OVER.
8
00:01:35,617 --> 00:01:37,787
I SIGNED FOR IT.
I HOPE YOU DIDN'T MIND.
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00:01:37,836 --> 00:01:39,186
NO, I DON'T MIND.
10
00:01:39,229 --> 00:01:42,099
WE DON'T EVEN HAVE TO SUBSCRIBE
TO THEIR MAGAZINE, HUH?
11
00:01:42,145 --> 00:01:43,275
NO.
12
00:01:43,320 --> 00:01:44,500
PUT IT OVER THERE,
WILL YOU, PLEASE?
13
00:01:44,539 --> 00:01:47,669
RANDOLPH MIGHT HAVE SOME
EXPLANATION FOR WHAT HAPPENED.
14
00:01:47,716 --> 00:01:49,326
USE THE PHONE THERE,
PLEASE.
15
00:01:49,370 --> 00:01:50,550
YES, SIR.
16
00:01:56,377 --> 00:01:57,937
[ EXPLOSION ]
17
00:02:19,269 --> 00:02:21,879
[ BANGING ON DOOR ]
18
00:02:24,187 --> 00:02:25,447
-MY GOD!
-[ SCREAMS ]
19
00:02:25,493 --> 00:02:28,413
CALL AN AMBULANCE.
GET THE FIRE DEPARTMENT!
20
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HERE AT IOLANI PALACE,
A BOMB HAS EXPLODED
21
00:02:34,589 --> 00:02:36,329
IN THE OFFICE
OF STEVE McGARRETT,
22
00:02:36,373 --> 00:02:38,903
THE HEAD OF THE HAWAII STATE
POLICE AGENCY.
23
00:02:38,941 --> 00:02:42,161
McGARRETT WAS IN THE OFFICE
AT THE TIME OF THE EXPLOSION.
24
00:02:42,205 --> 00:02:43,765
SO WAS OFFICER LELAND OPAHA
25
00:02:43,815 --> 00:02:45,375
OF THE HONOLULU
POLICE DEPARTMENT.
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00:02:45,426 --> 00:02:47,296
THAT'S FIVE-O AGENT
DAN WILLIAMS
27
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ACCOMPANYING A BODY
28
00:02:48,820 --> 00:02:50,170
BEING BROUGHT OUT
FROM THE BLAST SCENE.
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00:02:50,213 --> 00:02:52,433
-MR. WILLIAMS, WHAT HAPPENED?
-CAN'T TALK NOW, BOB. PLEASE.
30
00:02:52,476 --> 00:02:55,256
-HOW DID THE BOMB GET IN THERE? -LATER, PLEASE.
31
00:02:55,305 --> 00:02:57,785
IS THAT McGARRETT?
32
00:02:57,829 --> 00:02:59,609
CLEARLY, THERE ARE
A NUMBER OF QUESTIONS
33
00:02:59,657 --> 00:03:01,267
THAT WE'RE NOT GOING TO GET ANSWERS TO AT THIS TIME.
34
00:03:01,311 --> 00:03:03,491
PERHAPS IF WE CAN MOVE
THE CAMERA STRAIGHT IN HERE,
35
00:03:03,531 --> 00:03:05,401
WE CAN TAKE A LOOK
AT THE BOMB BLAST DAMAGE.
36
00:03:05,446 --> 00:03:07,926
SORRY, NO.
37
00:03:07,970 --> 00:03:10,320
FOR NOW, IT LOOKS AS THOUGH
THAT'S ALL WE'RE GOING TO GET
38
00:03:10,364 --> 00:03:11,934
HERE AT IOLANI PALACE.
39
00:03:11,974 --> 00:03:14,194
WE'LL STAY ON THE SCENE.
IF THERE ARE FURTHER DEVEL--
40
00:03:14,237 --> 00:03:15,847
[ CLICK ]
41
00:03:15,891 --> 00:03:17,501
SPARE MY BLUSHES.
42
00:03:18,807 --> 00:03:22,107
THAT'S A MIND BLOWER.
HE REALLY KILLED McGARRETT.
43
00:03:22,158 --> 00:03:24,418
AS YOU'VE JUST SEEN
ON THE TELLY,
44
00:03:24,465 --> 00:03:27,895
YOUR COMMON ENEMY,
STEVEN McGARRETT, IS NO MORE.
45
00:03:27,946 --> 00:03:29,726
WE CAN NOW GET ON
WITH THE REASON
46
00:03:29,774 --> 00:03:32,174
THAT BROUGHT ME TO HONOLULU
IN THE FIRST PLACE.
47
00:03:32,212 --> 00:03:34,482
YEAH? LETS HEAR ABOUT THAT.
48
00:03:34,518 --> 00:03:36,258
HOW YOU GOING
TO MAKE US ALL RICH?
49
00:03:36,303 --> 00:03:39,703
THE METHOD, MR. TANAKA,
IS EXPANSION.
50
00:03:39,741 --> 00:03:42,831
TONY, THE EXHIBIT,
IF YOU'D BE SO KIND.
51
00:03:42,874 --> 00:03:45,924
GENTLEMEN, ANOTHER DRINK. KI?
52
00:03:55,974 --> 00:03:57,454
THANK YOU.
53
00:03:57,498 --> 00:04:00,938
THESE, OF COURSE, ARE YOUR
PRESENT AREAS OF OPERATION.
54
00:04:00,979 --> 00:04:03,029
BUT BE GOOD ENOUGH
TO OBSERVE, GENTLEMEN,
55
00:04:03,068 --> 00:04:04,768
THESE AREAS WHERE
NONE OF YOU HAVE,
56
00:04:04,809 --> 00:04:07,119
SHALL WE SAY, JURISDICTION.
57
00:04:07,159 --> 00:04:08,859
YET THERE ARE SHOPS HERE,
58
00:04:08,900 --> 00:04:13,170
HOTELS, RESTAURANTS,
BUSINESSES AND MONEY.
59
00:04:13,209 --> 00:04:15,429
MONEY FOR THE TAKING.
60
00:04:15,472 --> 00:04:18,562
ALL THAT'S REQUIRED
IS ENTERPRISE,
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00:04:18,606 --> 00:04:20,516
IMAGINATION,
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00:04:20,564 --> 00:04:22,444
NEW LEADERSHIP.
63
00:04:22,479 --> 00:04:26,399
NOW, IF YOU WILL TRUST ME,
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00:04:26,440 --> 00:04:29,230
I CAN GUARANTEE THAT
WE WILL, IN DUE --
65
00:04:29,269 --> 00:04:30,399
"WE"?
66
00:04:30,444 --> 00:04:33,534
YOU DEALING YOURSELF IN, PAL?
67
00:04:33,577 --> 00:04:35,057
NOT IN MY GAME, YOU'RE NOT.
68
00:04:35,100 --> 00:04:39,320
MR. MEER,
S.N. SAVAGE SEEKS NO PART
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00:04:39,366 --> 00:04:42,406
OF ANY MAN'S EXISTING CLAIMS
IN THESE ISLANDS.
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00:04:43,761 --> 00:04:45,941
MAY ONE HUMBLY ASK,
MY FRIEND,
71
00:04:45,981 --> 00:04:48,421
WHAT DO YOU PROPOSE
TO DO FOR YOURSELF
72
00:04:48,462 --> 00:04:50,332
IN THESE MATTERS?
73
00:04:50,377 --> 00:04:53,077
35% OF ALL PROFITS
74
00:04:53,118 --> 00:04:54,728
DERIVED FROM ANY
NEW ENTERPRISES
75
00:04:54,772 --> 00:04:58,082
I'M ABLE TO DEVELOP
IN YOUR VARIOUS TERRITORIES.
76
00:04:58,123 --> 00:05:00,873
AND ONE WOULDN'T CALL
THAT GREEDY, I SHOULDN'T THINK.
77
00:05:03,564 --> 00:05:04,484
IT'S WORTH TALKING ABOUT.
78
00:05:04,521 --> 00:05:09,571
BRAVO, MR. KIM.
LET'S TALK ABOUT IT.
79
00:05:09,613 --> 00:05:11,093
TONY?
80
00:05:15,184 --> 00:05:17,584
PRETTY, WOULDN'T YOU SAY?
81
00:05:17,621 --> 00:05:18,971
AND SO SIMPLE.
82
00:05:19,014 --> 00:05:21,844
IN THE TWINKLING
OF AN EYE,
83
00:05:21,886 --> 00:05:24,536
I'VE ALMOST DOUBLED
YOUR TERRITORIES
84
00:05:24,585 --> 00:05:26,235
AND YOUR TAKE-HOME PAY.
85
00:05:26,282 --> 00:05:29,242
RATHER IMPRESSIVE, HUH?
86
00:05:29,285 --> 00:05:31,415
AND THAT'S JUST OAHU.
87
00:05:31,461 --> 00:05:33,291
WE CAN DO THE SAME THING
ON MAUI,
88
00:05:33,333 --> 00:05:34,603
THE BIG ISLAND OF HAWAII --
89
00:05:34,638 --> 00:05:36,598
[ TELEPHONE RINGING ]
90
00:05:36,640 --> 00:05:37,860
EXCUSE ME.
91
00:05:41,341 --> 00:05:43,391
YES, CAN I HELP YOU?
92
00:05:43,430 --> 00:05:45,520
OH.
93
00:05:45,562 --> 00:05:47,782
ONE MOMENT.
94
00:05:47,825 --> 00:05:50,125
MR. MEER, IT'S FOR YOU.
95
00:05:53,657 --> 00:05:55,917
YEAH?
96
00:05:55,964 --> 00:05:57,444
RIGHT NOW?
97
00:05:57,487 --> 00:05:59,657
THANKS.
98
00:05:59,707 --> 00:06:02,617
DUDE THAT WORKS FOR ME
SAYS TO TURN ON THE TV.
99
00:06:04,494 --> 00:06:06,634
THAT THE MAN KILLED
IN THE EXPLOSION
100
00:06:06,670 --> 00:06:08,320
HERE AT IOLANI PALACE TODAY
101
00:06:08,368 --> 00:06:10,198
WAS OFFICER LELAND OPAHA
102
00:06:10,239 --> 00:06:12,889
OF THE HONOLULU POLICE
DEPARTMENT. STEVE McGARRETT,
103
00:06:12,937 --> 00:06:15,587
WHO WAS IN THE OFFICE
AT THE TIME OF THE EXPLOSION,
104
00:06:15,636 --> 00:06:16,936
HAS ESCAPED SERIOUS INJURY.
105
00:06:16,985 --> 00:06:18,985
HE IS BEING TREATED
FOR SUPERFICIAL BURNS.
106
00:06:19,030 --> 00:06:22,290
IT'S ALSO BEEN LEARNED
THAT THE EXPLOSIVE DEVI--
107
00:06:22,338 --> 00:06:23,508
[ CLICK ]
108
00:06:23,557 --> 00:06:24,727
FAT MOUTH.
109
00:06:31,173 --> 00:06:36,183
PUT ONE FOOT IN MY TERRITORY,
AND I'LL CUT YOUR LEGS OFF.
110
00:06:40,922 --> 00:06:44,492
THAT MAN IS CLEARLY NO RESPECTER
OF THE GRAPHIC ARTS.
111
00:06:44,534 --> 00:06:46,014
[ DOOR SHUTS ]
112
00:06:56,503 --> 00:07:00,333
[ DOOR OPENS, SHUTS ]
113
00:07:00,376 --> 00:07:02,156
[ CAR STARTS ]
114
00:07:13,955 --> 00:07:17,645
MR. SIG MEER
IS A PROBLEM, TONY.
115
00:07:32,452 --> 00:07:34,152
DON'T STAY TOO LONG.
116
00:07:42,679 --> 00:07:44,119
STEVE?
117
00:07:47,249 --> 00:07:48,559
HI, DANNO.
118
00:07:48,598 --> 00:07:50,728
HOW'S IT GOING?
119
00:07:50,774 --> 00:07:53,214
OH, NOT TOO BAD,
THANK GOD.
120
00:07:54,648 --> 00:07:55,908
A FEW BURNS.
121
00:07:55,953 --> 00:07:58,263
THEY TOOK A CHUNK OF TIN
OUT OF THIS ARM.
122
00:07:58,303 --> 00:08:00,873
I'LL BE OKAY.
WHAT HAVE YOU GOT?
123
00:08:00,915 --> 00:08:03,565
PROBABLY WHAT
YOU'VE ALREADY GUESSED.
124
00:08:03,613 --> 00:08:06,143
THERE ISN'T ANY
INTERNATIONAL MONTAIGNE SOCIETY.
125
00:08:08,009 --> 00:08:10,359
WHAT ABOUT THAT PLAQUE?
HAVE YOU GOT A LINE ON IT?
126
00:08:10,402 --> 00:08:12,192
WE'RE WORKING ON IT.
IT'S NOT EASY.
127
00:08:12,230 --> 00:08:14,190
THERE'S NOTHING LEFT
BUT A HANDFUL OF SPLINTERS.
128
00:08:14,232 --> 00:08:18,852
SOMEBODY HAD TO MAKE
THAT PLAQUE, DANNO.
129
00:08:18,889 --> 00:08:23,759
THEN MAYBE SEND IT TO ANOTHER
PLACE TO BE HOLLOWED OUT,
130
00:08:23,807 --> 00:08:27,417
AND PROBABLY TO A THIRD PERSON
TO BE ARMED.
131
00:08:28,595 --> 00:08:31,685
SOMEBODY'S GIVEN AN AWFUL LOT
OF THOUGHT TO MY MURDER, DANNO.
132
00:08:31,728 --> 00:08:35,298
YEAH. PROBABLY STILL
THINKING ABOUT IT.
133
00:08:35,340 --> 00:08:37,780
YEAH.
134
00:08:37,821 --> 00:08:39,171
QUESTION IS, WHO?
135
00:08:39,214 --> 00:08:42,744
IT DOESN'T SMELL TO ME
LIKE LOCAL TALENT, STEVE.
136
00:08:42,783 --> 00:08:48,053
MAYBE NOT,
BUT THE M.O. IS STILL A BOMB.
137
00:08:49,354 --> 00:08:54,014
NOW, YOU CAN WRAP IT IN ANY KIND
OF FANCY PACKAGE YOU WANT,
138
00:08:54,055 --> 00:08:56,185
AND IT STILL ENDS UP A BOMB.
139
00:08:57,754 --> 00:09:01,764
LET'S RUN A SWEEP ON ANY BOMBERS
WE HAVE IN THE COMPUTER.
140
00:09:01,802 --> 00:09:02,982
RIGHT.
141
00:09:35,226 --> 00:09:37,876
A LIST OF ALL
BOMBING M.O.s, STEVE.
142
00:09:37,925 --> 00:09:41,095
BERNSTEIN, KEALOHA,
FRANK, CHANG,
143
00:09:41,145 --> 00:09:43,795
TAYLOR, GRIFFITH, MATSUDA,
144
00:09:43,844 --> 00:09:48,684
NODELLA, LOWEN, NIPP, MEER.
145
00:09:48,718 --> 00:09:51,328
YEAH. FAT SIG MEER
COULD BE A POSSIBILITY.
146
00:09:51,373 --> 00:09:53,463
ISN'T THIS A LITTLE
FANCY FOR SIG?
147
00:09:53,505 --> 00:09:54,635
HIS USUAL M.O. WOULD BE
148
00:09:54,681 --> 00:09:56,771
TO THROW A TON OF TNT
THROUGH YOUR WINDOW.
149
00:09:56,813 --> 00:09:57,813
MAYBE HE'S ASSOCIATING
150
00:09:57,858 --> 00:10:00,028
WITH A CLASSIER BUNCH OF CATS
THESE DAYS, DANNO.
151
00:10:00,077 --> 00:10:02,077
LETS BRING HIM IN,
SEE WHAT HE KNOWS.
152
00:10:02,123 --> 00:10:03,783
OKAY. TAKE CARE
OF YOURSELF, STEVE.
153
00:10:03,820 --> 00:10:05,000
THANKS.
154
00:10:26,887 --> 00:10:28,407
FIVE-O.
155
00:10:28,453 --> 00:10:31,633
-WHAT'S THE MATTER?
-PLEASE, COME THIS WAY.
156
00:10:39,247 --> 00:10:41,377
IT HAPPENED ABOUT
TEN MINUTES AGO.
157
00:10:47,734 --> 00:10:49,784
DO SIT DOWN.
158
00:10:55,698 --> 00:10:57,918
I'M SO GLAD YOU COULD COME.
159
00:10:57,961 --> 00:11:01,971
NOW, SHALL WE RESUME
OUR BUSINESS?
160
00:11:17,067 --> 00:11:19,287
ANYTHING NEW
ON THE SIG MEER HIT?
161
00:11:19,330 --> 00:11:23,030
NO, THE BULLET IS STILL
IN BALLISTICS.
162
00:11:23,073 --> 00:11:24,813
I DON'T SUPPOSE YOU COULD
GET ANYTHING USEFUL
163
00:11:24,858 --> 00:11:26,248
OUT OF HIS PEOPLE, HUH?
164
00:11:26,294 --> 00:11:28,734
THE USUAL PATTERN, STEVE.
WHEN THE BOSS IS KILLED,
165
00:11:28,775 --> 00:11:30,465
EVERYBODY ELSE HEADS
FOR THE HIGH GRASS.
166
00:11:30,515 --> 00:11:33,775
NOBODY'S WILLING TO RISK THEIR
HEALTH BY TALKING TO THE FUZZ.
167
00:11:33,823 --> 00:11:37,173
I SAY WE JUST COLOR IT
ROUTINE GANGLAND SLAYING,
168
00:11:37,218 --> 00:11:39,178
TYPE 6B.
169
00:11:39,220 --> 00:11:40,530
MAYBE, DANNO.
MAYBE NOT.
170
00:11:40,569 --> 00:11:42,699
SOMEHOW, I CAN'T
GET OVER THE FEELING
171
00:11:42,745 --> 00:11:46,785
THAT THERE IS SOME CONNECTION
BETWEEN THAT AND THIS.
172
00:11:46,836 --> 00:11:48,706
YOU MEAN A GUT FEELING?
173
00:11:48,751 --> 00:11:51,841
NO, A RINGING IN MY EARS
AND SOMETHING YOU SAID.
174
00:11:51,885 --> 00:11:53,665
WHAT'S THAT?
175
00:11:53,713 --> 00:11:56,543
YOU SAID IT DIDN'T LOOK LIKE
LOCAL TALENT, REMEMBER?
176
00:11:56,585 --> 00:11:58,365
YEAH. SO?
177
00:11:58,413 --> 00:12:02,853
OFFHAND, CAN YOU THINK
OF ANY LOCAL TALENT
178
00:12:02,896 --> 00:12:05,986
WITH THE GUTS
TO TAKE ON SIG MEER?
179
00:12:06,029 --> 00:12:07,029
NO.
180
00:12:07,074 --> 00:12:08,604
WELL, NEITHER CAN I.
181
00:12:08,640 --> 00:12:10,860
IT'S NOT MUCH TO GO ON,
BUT I WANT TO PUSH IT.
182
00:12:10,904 --> 00:12:13,124
IF THERE'S ANYBODY NEW IN TOWN,
I WANNA KNOW WHO IT IS.
183
00:12:13,167 --> 00:12:15,337
OKAY,
WE'LL PUSH IT.
184
00:12:15,386 --> 00:12:17,816
WHOEVER HE IS, HE SURE KNEW
HOW TO WRECK AN OFFICE.
185
00:12:17,867 --> 00:12:19,127
YEAH.
186
00:12:23,046 --> 00:12:25,876
THANK YOU, KI.
187
00:12:25,919 --> 00:12:28,789
LOOK, SAVAGE, LET ME LAY
IT ON YOU FOR ALL OF US.
188
00:12:28,835 --> 00:12:30,785
ALL YOUR MAPS
AND ALL YOUR COLORS
189
00:12:30,837 --> 00:12:32,877
AND ALL YOUR FANCY TALK
DON'T MEAN A THING
190
00:12:32,926 --> 00:12:35,226
WHILE McGARRETT'S
STILL ON THE BRICKS.
191
00:12:35,276 --> 00:12:38,886
YOU GOT AN OKAY OUT OF US
BY PROMISING TO WASTE McGARRETT.
192
00:12:38,932 --> 00:12:41,802
BUDDY, NOTHING'S HAPPENING.
193
00:12:41,848 --> 00:12:43,238
MR. KIM,
194
00:12:43,284 --> 00:12:45,424
I'M SURE YOU WON'T DISAGREE
WITH ME WHEN I POINT OUT
195
00:12:45,460 --> 00:12:48,770
THAT EVERY COMMONPLACE WAY
TO ERADICATE McGARRETT
196
00:12:48,811 --> 00:12:52,471
HAS BEEN ATTEMPTED
AND NONE HAS SUCCEEDED.
197
00:12:52,510 --> 00:12:53,990
ADDITIONALLY,
I'M INFORMED
198
00:12:54,034 --> 00:12:56,044
THAT McGARRETT
IS CURRENTLY BEING GUARDED
199
00:12:56,079 --> 00:12:58,299
BY A FORCE ROUGHLY
THE EQUIVALENT
200
00:12:58,342 --> 00:13:00,482
OF A BRIGADE
OF THE EQUESTRIAN GUARDS.
201
00:13:00,518 --> 00:13:02,478
THAT'S BECAUSE YOU BLEW
YOUR FIRST ONE, BABY.
202
00:13:02,520 --> 00:13:05,350
MAYBE THAT SLOB
SIG MEER WAS RIGHT.
203
00:13:05,393 --> 00:13:08,353
UNDER THE CIRCUMSTANCES,
I DOUBT IF HE'D AGREE WITH YOU.
204
00:13:08,396 --> 00:13:11,226
MR. KIM, I HAVE BEEN
LOOKING INTO THE MATTER
205
00:13:11,268 --> 00:13:12,658
AND I CAN ASSURE YOU
206
00:13:12,704 --> 00:13:15,754
THERE IS ONLY ONE RELIABLE WAY
TO KILL McGARRETT,
207
00:13:15,795 --> 00:13:19,185
AND THAT IS TO TAKE HIM
COMPLETELY BY SURPRISE.
208
00:13:19,233 --> 00:13:22,323
TO DO THAT, WE MUST PUT HIM
OFF HIS GUARD.
209
00:13:22,366 --> 00:13:25,626
THE MOMENT HE BELIEVES HIMSELF
SECURE FROM ATTACK,
210
00:13:25,674 --> 00:13:29,724
THE MOMENT HE ALLOWS HIMSELF
A SECOND'S RELAXATION,
211
00:13:29,765 --> 00:13:32,115
THAT IS THE MOMENT
I'M PLANNING TO ACHIEVE.
212
00:13:32,159 --> 00:13:33,289
AND WHEN WILL THAT BE?
213
00:13:33,334 --> 00:13:36,084
AT PRECISELY
THE PROPER POINT IN TIME.
214
00:13:36,119 --> 00:13:38,989
NO SOONER, NO LATER.
215
00:13:39,035 --> 00:13:43,385
MEANWHILE, WE'LL GET OUR LITTLE
JOINT VENTURE UNDER WAY.
216
00:13:45,215 --> 00:13:48,255
[ VEHICLE APPROACHING,
TIRES SCREECHING ]
217
00:13:57,140 --> 00:14:00,320
IT WAS A TRAVEL AGENCY
IN WAIKIKI, STEVE.
218
00:14:00,361 --> 00:14:01,931
LUCKILY, THE PREMISES
WERE VACANT
219
00:14:01,971 --> 00:14:03,281
AT THE TIME
OF THE EXPLOSION.
220
00:14:03,320 --> 00:14:04,930
THERE WERE NO CASUALTIES.
221
00:14:04,974 --> 00:14:07,024
THERE WILL BE
NEXT TIME.
222
00:14:07,063 --> 00:14:08,943
THEY WON'T NEED
A NEXT TIME.
223
00:14:08,978 --> 00:14:12,068
THAT WAS A FORMAL ANNOUNCEMENT,
GENTLEMEN.
224
00:14:12,112 --> 00:14:13,852
SOMEBODY SAYING,
"OKAY, YOU FAT CATS
225
00:14:13,896 --> 00:14:16,806
"WHO RUN THE WAIKIKI HOTELS,
NIGHTCLUBS, AND RESTAURANTS.
226
00:14:16,856 --> 00:14:20,636
NOW IT'S YOUR TURN.
PAY UP OR GET BLOWN UP."
227
00:14:20,685 --> 00:14:22,075
AND THEY'LL PAY UP.
228
00:14:22,122 --> 00:14:23,952
AND SHUT UP.
229
00:14:23,993 --> 00:14:25,523
UNLESS WE CAN FIND
OURSELVES A HERO
230
00:14:25,560 --> 00:14:27,000
WHO'S WILLING TO RISK
HIS HOTEL LOBBY
231
00:14:27,040 --> 00:14:29,040
TO TELL US WHO'S TRYING
TO MOVE INTO WAIKIKI.
232
00:14:29,085 --> 00:14:32,085
YEAH. YEAH.
LET'S FIND US THAT HERO.
233
00:14:32,132 --> 00:14:34,442
LET'S FIND ONE.
234
00:14:34,482 --> 00:14:37,142
TALK TO EVERY HOTEL MANAGER,
EVERY RESTAURANT OWNER,
235
00:14:37,180 --> 00:14:39,010
EVERY SHOPKEEPER ALONG
THE BEACH.
236
00:14:39,052 --> 00:14:41,102
FIND ME ONE PERSON.
237
00:14:41,141 --> 00:14:43,931
JUST ONE PERSON
WITH ENOUGH GUTS,
238
00:14:43,970 --> 00:14:44,970
WITH ENOUGH MORAL COURAGE
239
00:14:45,014 --> 00:14:49,194
TO STAND UP TO THESE
SLIMY SHAKEDOWN ARTISTS.
240
00:15:00,160 --> 00:15:02,290
[ SPEAKING INAUDIBLY ]
241
00:15:14,000 --> 00:15:15,920
[ SPEAKING INAUDIBLY ]
242
00:15:26,795 --> 00:15:31,885
YES? LET ME HAVE THE NAME
AND ADDRESS AGAIN, PLEASE.
243
00:15:31,931 --> 00:15:36,981
MARNI HOWARD,
KAPIOLANI GALLERIES. YES?
244
00:15:37,023 --> 00:15:39,463
FOUR-TWO-SEVEN. GOT IT.
245
00:15:39,503 --> 00:15:40,983
THANK YOU.
246
00:15:43,159 --> 00:15:45,289
Danno: STRUCK OUT, STEVE.
NOT A SINGLE HERO
247
00:15:45,335 --> 00:15:46,815
FROM THE YACHT HARBOR
TO THE AQUARIUM.
248
00:15:46,858 --> 00:15:48,468
WHAT WOULD YOU SAY
TO A HEROINE?
249
00:15:48,512 --> 00:15:50,562
-HUH?
-CHIN, LETS GO.
250
00:16:14,147 --> 00:16:15,977
ANYBODY HOME?
251
00:16:22,894 --> 00:16:24,984
Woman: MAY I HELP YOU?
252
00:16:25,027 --> 00:16:27,027
MISS HOWARD?
IS IT MISS?
253
00:16:27,073 --> 00:16:29,473
IT'S BOTH. HOWARD AND MISS.
254
00:16:29,510 --> 00:16:32,300
McGARRETT,
HAWAII FIVE-O.
255
00:16:32,339 --> 00:16:33,729
MY ASSOCIATE,
DANNY WILLIAMS.
256
00:16:33,775 --> 00:16:35,035
HOW DO YOU DO?
257
00:16:35,081 --> 00:16:36,261
PLEASED TO MEET YOU.
258
00:16:36,299 --> 00:16:37,779
UH, YOU'RE HERE
259
00:16:37,822 --> 00:16:40,352
BECAUSE OF MY TELEPHONE CALL
THIS MORNING.
260
00:16:40,390 --> 00:16:42,440
I MUST SAY, YOU'RE VERY PROMPT.
261
00:16:42,479 --> 00:16:44,529
YOU REPORTED
AN EXTORTION ATTEMPT.
262
00:16:44,568 --> 00:16:46,528
THAT'S VERY
IMPORTANT TO US.
263
00:16:46,570 --> 00:16:48,140
NOW, WHAT CAN YOU
TELL US?
264
00:16:48,181 --> 00:16:49,181
WHAT WOULD YOU
LIKE TO KNOW?
265
00:16:49,225 --> 00:16:51,095
DID THIS PERSON
IDENTIFY HIMSELF?
266
00:16:51,140 --> 00:16:52,450
NO.
267
00:16:52,489 --> 00:16:54,539
DID HE INDICATE HE WAS
WORKING FOR SOMEONE ELSE?
268
00:16:54,578 --> 00:16:56,448
I KNOW WHAT YOU'RE THINKING.
WAS HE A CRANK CALLER?
269
00:16:56,493 --> 00:16:58,063
NO, I DON'T THINK HE WAS.
270
00:16:58,104 --> 00:17:01,414
HE KEPT SAYING THINGS LIKE,
"THEY WANT YOU TO DO THIS,"
271
00:17:01,455 --> 00:17:04,675
"THEY TOLD ME TO TELL YOU,"
ET CETERA.
272
00:17:04,719 --> 00:17:06,759
WHAT DID THEY TELL HIM
TO TELL YOU?
273
00:17:06,808 --> 00:17:09,248
TO HAVE THE MONEY READY
BY TOMORROW AFTERNOON.
274
00:17:09,289 --> 00:17:11,729
HOW MUCH MONEY?
275
00:17:11,769 --> 00:17:13,549
$2,500.
276
00:17:13,597 --> 00:17:15,767
THAT WAS TO BE
THE FIRST PAYMENT.
277
00:17:15,817 --> 00:17:18,167
MEANING MANY MORE PAYMENTS,
INCLUDING LARGER ONES.
278
00:17:18,211 --> 00:17:21,301
I TOOK IT TO MEAN THAT.
279
00:17:21,344 --> 00:17:23,874
AND WHEN THE MONEY WAS READY,
THEN WHAT?
280
00:17:23,912 --> 00:17:26,782
I WAS TO WAIT
FOR FURTHER INSTRUCTIONS.
281
00:17:26,828 --> 00:17:29,788
MISS HOWARD,
282
00:17:29,831 --> 00:17:31,351
WERE ANY THREATS
283
00:17:31,398 --> 00:17:34,178
MADE AGAINST YOUR PERSON
OR YOUR PROPERTY?
284
00:17:34,227 --> 00:17:36,227
YES, AGAINST BOTH.
285
00:17:36,272 --> 00:17:38,882
IF I FAILED TO COMPLY
WITH THE INSTRUCTIONS,
286
00:17:38,927 --> 00:17:41,097
HE SAID MY SHOP
WOULD BE DAMAGED.
287
00:17:41,147 --> 00:17:44,977
AND IF I CONTINUED TO REFUSE,
I WOULD BE DAMAGED.
288
00:17:45,020 --> 00:17:48,550
THE IMPLICATION WAS
THE DAMAGE WOULD BE SEVERE.
289
00:17:50,286 --> 00:17:52,246
CAN I TELL YOU
ANYTHING ELSE?
290
00:17:54,029 --> 00:17:56,249
YEAH.
291
00:17:56,292 --> 00:17:57,512
WEREN'T YOU FRIGHTENED?
292
00:17:58,642 --> 00:18:02,042
MR. McGARRETT, I BOUGHT MY SHOP
FROM A MR. KALAHAI
293
00:18:02,081 --> 00:18:03,781
HARDLY THREE MONTHS AGO.
294
00:18:03,821 --> 00:18:08,261
I'VE PUT ALL MY SAVINGS INTO IT.
I CAN'T AFFORD TO BE FRIGHTENED.
295
00:18:08,304 --> 00:18:10,484
THAT'S WHY
I CALLED THE POLICE.
296
00:18:10,524 --> 00:18:13,224
I WISH SOME OF OUR LOCAL
MERCHANTS COULD MEET YOU.
297
00:18:13,266 --> 00:18:15,266
MISS HOWARD,
298
00:18:15,311 --> 00:18:17,361
WOULD YOU BE WILLING
TO HELP US,
299
00:18:17,400 --> 00:18:19,010
TO TESTIFY IF NECESSARY,
300
00:18:19,054 --> 00:18:20,934
EVEN THOUGH THERE'S
SOME DANGER INVOLVED?
301
00:18:20,969 --> 00:18:25,229
AGAIN, IT'S A QUESTION
OF ECONOMICS.
302
00:18:25,278 --> 00:18:26,708
OF COURSE I'LL HELP.
303
00:18:26,757 --> 00:18:30,067
WHAT WOULD YOU
LIKE ME TO DO?
304
00:18:30,109 --> 00:18:32,849
WHEN YOU HEAR FROM HIM,
CALL ME IMMEDIATELY.
305
00:18:35,201 --> 00:18:37,161
I ADMIRE YOU.
306
00:18:37,203 --> 00:18:39,733
THANK YOU.
307
00:18:39,770 --> 00:18:41,950
LET'S GO, DANNO.
308
00:19:00,835 --> 00:19:02,225
GOT SOMETHING
FOR ME, YOSH?
309
00:19:02,271 --> 00:19:06,411
COULD BE. I HEAR YOU'VE BEEN
ASKING AROUND ABOUT SIG MEER.
310
00:19:06,449 --> 00:19:08,059
THAT'S WHAT I'VE
BEEN HEARING.
311
00:19:08,103 --> 00:19:09,503
SO?
312
00:19:09,539 --> 00:19:13,409
SO HE WENT TO A MEETING,
A BIG MEETING LAST WEEK.
313
00:19:13,456 --> 00:19:16,236
MAYBE TWO,
MAYBE THREE.
314
00:19:16,285 --> 00:19:17,845
WHO DID HE MEET?
315
00:19:17,895 --> 00:19:22,025
THERE WERE FOUR OF THEM
BESIDES HIM. THERE WAS--
316
00:19:22,073 --> 00:19:24,253
TANAKA.
317
00:19:24,293 --> 00:19:28,473
KIM THE KOREAN,
LIN CHOY, AND --
318
00:19:28,515 --> 00:19:30,465
-AND?
-AND SOMEBODY ELSE.
319
00:19:31,866 --> 00:19:33,036
WHO ELSE?
320
00:19:35,086 --> 00:19:38,436
I COULDN'T GET HIS NAME.
HE'S NOT FROM HERE.
321
00:19:38,481 --> 00:19:40,881
HE'S NOT LOCAL.
HE'S A STRANGER.
322
00:19:40,918 --> 00:19:43,878
AND HE BROUGHT
AN ARM WITH HIM.
323
00:19:43,921 --> 00:19:45,491
Frank: YOU MEAN HE'S NOT
FROM THESE ISLANDS?
324
00:19:45,532 --> 00:19:49,362
NO, HE'S SOME KIND
OF EUROPEAN WITH MUSCLE.
325
00:19:49,405 --> 00:19:52,575
THAT'S WHAT I HEAR
AROUND THE STREET.
326
00:19:56,107 --> 00:19:58,457
WELL, THANKS.
BUY YOURSELF SOME PEANUTS.
327
00:19:58,501 --> 00:20:01,031
OH, FINE. THANK YOU.
328
00:20:11,819 --> 00:20:13,209
HOW DID YOU
MAKE OUT, DANNO?
329
00:20:13,255 --> 00:20:15,425
I RAN A ROUTINE ON HER
AS YOU ASKED, STEVE.
330
00:20:15,475 --> 00:20:18,385
SHE'S WHO SHE SAYS SHE IS.
CHECKS OUT COMPLETELY.
331
00:20:18,434 --> 00:20:19,524
STRICTLY LEGIT.
332
00:20:19,566 --> 00:20:21,436
BOUGHT THE BUSINESS
ABOUT THREE MONTHS AGO.
333
00:20:21,481 --> 00:20:23,351
GOOD. LET'S HOPE
SHE HANGS IN THERE, HUH?
334
00:20:23,396 --> 00:20:25,486
STEVE, I JUST MET
WITH MY MAN.
335
00:20:25,528 --> 00:20:28,138
THE PIPELINE HAS IT THERE WAS
A MEETING THREE TIMES LAST WEEK.
336
00:20:28,183 --> 00:20:32,063
SIG MEER, LIN CHOY, TANAKA,
AND KIM THE KOREAN.
337
00:20:32,100 --> 00:20:33,010
WHO DID THEY MEET WITH?
338
00:20:33,057 --> 00:20:36,097
A STRANGER.
EUROPEAN, WITH MUSCLE.
339
00:20:36,147 --> 00:20:37,147
[ SIGHS ]
340
00:20:37,192 --> 00:20:38,192
THAT MAKES IT A TOUGH ONE,
FRANK.
341
00:20:38,237 --> 00:20:40,457
THOUSANDS OF VISITORS
TO THESE ISLANDS ARE EUROPEAN.
342
00:20:40,500 --> 00:20:41,540
WE SURE CAN'T QUESTION THEM ALL
343
00:20:41,588 --> 00:20:43,588
JUST BECAUSE ONE OF YOUR SOURCES
SAID HE HAD A MEETING
344
00:20:43,633 --> 00:20:45,333
THREE TIMES LAST WEEK.
345
00:20:45,374 --> 00:20:47,254
ALONG WITH FOUR
OF OUR BIGGEST CATS?
346
00:20:47,289 --> 00:20:50,469
WELL, IT'S JUST POSSIBLE
THE NEW CAT IS IN TOWN,
347
00:20:50,510 --> 00:20:51,550
TRYING TO MOVE
IN AND TO TAKE OVER.
348
00:20:51,598 --> 00:20:53,298
HE COULD BE EUROPEAN.
349
00:20:53,339 --> 00:20:54,689
LET'S SEE IF WE CAN
FIND OUT WHO HE IS.
350
00:20:54,731 --> 00:20:57,261
-CONTACT INTERPOL.
-OKAY.
351
00:20:57,299 --> 00:21:00,519
[ BUZZING ]
352
00:21:00,563 --> 00:21:02,393
YES, JENNY?
353
00:21:04,001 --> 00:21:06,311
PUT HER ON.
354
00:21:06,352 --> 00:21:09,142
MISS HOWARD?
355
00:21:09,180 --> 00:21:11,270
THEY CONTACTED YOU? WHEN?
356
00:21:12,401 --> 00:21:14,661
DID HE IDENTIFY HIMSELF?
357
00:21:16,318 --> 00:21:18,318
WHAT DID HE TELL YOU TO DO?
358
00:21:19,365 --> 00:21:21,145
I SEE.
359
00:21:21,192 --> 00:21:23,192
3:00 TOMORROW.
360
00:21:24,413 --> 00:21:25,983
VERY WELL.
361
00:21:26,023 --> 00:21:29,513
NOW, MISS HOWARD, I WANT YOU
TO LISTEN TO ME VERY CAREFULLY
362
00:21:29,549 --> 00:21:31,419
AND DO EXACTLY AS I SAY.
363
00:21:31,464 --> 00:21:34,214
YES.
364
00:21:36,556 --> 00:21:38,116
YES.
365
00:21:41,038 --> 00:21:42,948
I UNDERSTAND.
366
00:22:23,429 --> 00:22:25,609
[ SCREAMS ]
367
00:22:25,648 --> 00:22:28,518
KEMANA FOR GARRETT.
KEMANA FOR GARRETT.
368
00:22:28,564 --> 00:22:30,134
McGarrett: McGARRETT.
369
00:22:30,174 --> 00:22:32,054
MISS HOWARD'S BEEN TAKEN
TO QUEEN'S HOSPITAL.
370
00:22:32,089 --> 00:22:33,569
SHE WAS BEATEN UP
IN HER GALLERY.
371
00:22:33,613 --> 00:22:35,223
ASSAILANT UNKNOWN.
372
00:22:35,266 --> 00:22:39,176
OKAY.
WE'LL HEAD FOR THE HOSPITAL.
373
00:22:45,538 --> 00:22:49,318
AND THEN HE STARTED SMASHING
AND BREAKING THINGS.
374
00:22:49,368 --> 00:22:52,808
AND I TRIED TO RUN,
AND HE -- HE FOLLOWED ME.
375
00:22:54,111 --> 00:22:56,941
AND I THOUGHT HE WAS --
WAS GOING TO KILL ME.
376
00:22:56,984 --> 00:23:00,424
WAS IT THE SAME MAN
WHO APPROACHED YOU BEFORE?
377
00:23:00,466 --> 00:23:03,556
YES. I DON'T UNDERSTAND.
378
00:23:03,599 --> 00:23:05,599
I TOLD THEM
I WAS WILLING TO PAY.
379
00:23:05,645 --> 00:23:07,775
HE MUST HAVE OVERHEARD
YOUR PHONE CALL TO FIVE-O.
380
00:23:07,821 --> 00:23:12,001
I GUESS I'M NOT VERY GOOD
AT TRAPPING CRIMINALS, AM I?
381
00:23:12,042 --> 00:23:15,052
YOU DID FINE, MISS HOWARD. FINE.
382
00:23:15,089 --> 00:23:17,049
IF THERE'S ANYONE TO BLAME,
IT'S ME.
383
00:23:17,091 --> 00:23:18,611
THERE'S A CALL FOR YOU,
MR. McGARRETT.
384
00:23:18,658 --> 00:23:20,048
I HAD IT TRANSFERRED
IN HERE.
385
00:23:20,094 --> 00:23:21,364
THANK YOU.
386
00:23:23,097 --> 00:23:25,187
McGARRETT.
387
00:23:25,229 --> 00:23:26,449
WHO'S THIS?
388
00:23:26,492 --> 00:23:28,892
MR. McGARRETT,
THIS IS JUST A SMALL EXAMPLE
389
00:23:28,929 --> 00:23:33,459
OF WHAT HAPPENS WHEN A CLIENT
OF OURS GOES TO THE AUTHORITIES.
390
00:23:33,499 --> 00:23:35,849
KEEP IT IN MIND.
391
00:23:58,524 --> 00:24:01,574
I'D LIKE TO STATION
SOME MEN HERE, MISS HOWARD.
392
00:24:01,614 --> 00:24:03,184
YOU'RE STILL TAKING
ALL THE BLAME
393
00:24:03,224 --> 00:24:04,664
FOR WHAT HAPPENED,
AREN'T YOU?
394
00:24:04,704 --> 00:24:05,974
I DON'T HAVE ANY CHOICE.
395
00:24:06,009 --> 00:24:08,579
BUT I DON'T
BLAME YOU.
396
00:24:08,621 --> 00:24:09,881
WELL, THANK YOU.
THAT HELPS SOME.
397
00:24:09,926 --> 00:24:13,406
AT LEAST YOU LOOK LIKE YOU
CAME THROUGH IT ALL RIGHT.
398
00:24:13,452 --> 00:24:16,592
I GOT OFF A LOT BETTER
THAN YOU DID.
399
00:24:16,629 --> 00:24:20,369
WELL, HAVING BOMBS THROWN
AT YOU WHEN YOU'RE A COP
400
00:24:20,415 --> 00:24:21,715
COMES WITH THE TERRITORY,
401
00:24:21,764 --> 00:24:24,334
BUT NOT WHEN YOU'RE RUNNING
AN ART GALLERY.
402
00:24:24,375 --> 00:24:27,505
MISS HOWARD, DO YOU MIND
IF WE STATION SOME PEOPLE HERE?
403
00:24:27,553 --> 00:24:30,563
COULD YOU CALL ME MARNI?
404
00:24:30,599 --> 00:24:33,559
VERY WELL.
405
00:24:33,602 --> 00:24:37,082
DO YOU MIND IF I ASSIGN
SOMEONE HERE?
406
00:24:37,127 --> 00:24:41,177
IF I DON'T OPEN UP
THE ART GALLERY AGAIN,
407
00:24:41,218 --> 00:24:43,698
THEN THEY HAVE NO REASON
TO DEMAND PROTECTION MONEY
408
00:24:43,743 --> 00:24:46,573
FROM ME, DO THEY?
409
00:24:46,615 --> 00:24:49,705
THEN YOU INTEND TO KEEP
THE GALLERY CLOSED?
410
00:24:49,749 --> 00:24:53,319
I INTEND TO STAY
VERY CLOSE TO HOME
411
00:24:53,361 --> 00:24:55,541
AND NOT TO OPEN MY DOOR
TO ANY STRANGERS.
412
00:24:55,581 --> 00:24:57,281
GOOD. GOOD.
413
00:24:57,321 --> 00:24:59,801
BUT PROMISE ME ONE THING,
MISS HOWARD, PLEASE.
414
00:24:59,846 --> 00:25:02,586
IF YOU'LL CALL ME MARNI.
415
00:25:03,719 --> 00:25:06,329
ALL RIGHT. IF --
416
00:25:06,374 --> 00:25:10,164
IF YOU FEEL THAT YOU'VE BEEN
THREATENED IN ANY WAY,
417
00:25:10,204 --> 00:25:13,424
IF YOU EVEN GET THAT IMPRESSION,
PLEASE TELEPHONE ME IMMEDIATELY.
418
00:25:13,468 --> 00:25:15,818
YOU MEAN, ANY TIME?
419
00:25:17,254 --> 00:25:19,654
DAY OR NIGHT?
420
00:25:19,692 --> 00:25:23,702
ANY TIME, DAY OR NIGHT.
421
00:25:23,739 --> 00:25:26,919
EVEN AROUND 7:30
IN THE EVENING?
422
00:25:26,960 --> 00:25:32,620
WHEN I FEEL THREATENED,
IT'S USUALLY AROUND DINNERTIME.
423
00:25:32,661 --> 00:25:34,921
I CAN'T THINK WHY.
424
00:25:34,968 --> 00:25:37,138
PERHAPS IT'S BECAUSE
425
00:25:37,187 --> 00:25:39,667
DINING ALONE USUALLY CARRIES
WITH IT THE THREAT OF SPENDING
426
00:25:39,712 --> 00:25:41,842
THE REST OF THE EVENING ALONE.
427
00:25:41,888 --> 00:25:43,148
THAT'S AN INTERESTING
CONDITION.
428
00:25:43,193 --> 00:25:45,593
JUST -- JUST AROUND
DINNERTIME, HUH?
429
00:25:45,631 --> 00:25:46,851
YES.
430
00:25:46,893 --> 00:25:48,683
ESPECIALLY ON MONDAYS.
431
00:25:48,721 --> 00:25:50,331
ALL RIGHT.
432
00:25:50,374 --> 00:25:55,644
IN THAT CASE, SUPPOSE I CALL
FOR YOU ON MONDAY ABOUT 7:00,
433
00:25:55,684 --> 00:25:57,034
JUST SO YOU WON'T
FEEL THREATENED?
434
00:25:57,077 --> 00:26:00,597
THAT COULD BE COMFORTING.
435
00:26:00,646 --> 00:26:01,856
IS IT STEVE?
436
00:26:01,908 --> 00:26:03,168
YES, IT'S STEVE.
437
00:26:03,213 --> 00:26:05,653
STEPHEN ALOYSIUS,
BUT DON'T TELL A SOUL.
438
00:26:05,694 --> 00:26:07,004
[ CHUCKLES ]
439
00:26:10,525 --> 00:26:13,695
Frank: THE NAME, YOSH.
WHAT'S THE NAME?
440
00:26:13,746 --> 00:26:17,786
MY FRIEND SAID THERE'S
A "SINGER" IN IT.
441
00:26:17,837 --> 00:26:20,187
"WINSINGER"
OR "LUMSINGER"
442
00:26:20,230 --> 00:26:22,280
OR SOME KIND OF NAME LIKE THAT.
443
00:26:23,799 --> 00:26:25,759
DOES YOUR FRIEND KNOW
WHO THIS MAN IS?
444
00:26:25,801 --> 00:26:29,501
HE'S FROM THE MAINLAND.
UH, HE'S --
445
00:26:29,544 --> 00:26:30,634
HE'S IMPORTANT.
446
00:26:30,676 --> 00:26:33,496
IMPORTANT? IN WHAT WAY?
447
00:26:33,548 --> 00:26:37,248
HE'S A HIT MAN, A --
A KILLER FOR HIRE.
448
00:26:38,814 --> 00:26:42,564
VERY EXPENSIVE
AND VERY ACCURATE.
449
00:26:42,601 --> 00:26:45,341
DOES YOUR FRIEND KNOW
WHO HIRED THIS GUN?
450
00:26:45,386 --> 00:26:46,686
NO.
451
00:26:46,735 --> 00:26:48,865
WELL, CAN HE TELL ME
WHERE HE IS NOW
452
00:26:48,911 --> 00:26:49,961
OR CAN ANYONE POINT
HIM OUT TO ME?
453
00:26:49,999 --> 00:26:53,699
I COULD, PERHAPS,
PURCHASE THAT INFORMATION.
454
00:26:53,742 --> 00:26:55,572
WELL, DO IT.
455
00:26:55,614 --> 00:26:58,274
THE SELLER WOULD LIKE TO KNOW
456
00:26:58,312 --> 00:27:01,012
WHAT I INTEND TO USE
TO MAKE MY PURCHASE.
457
00:27:15,851 --> 00:27:18,721
BENSINGER.
HUGH BENSINGER.
458
00:27:18,767 --> 00:27:20,507
HE'S SUSPECTED,
BUT IT CAN'T BE PROVED,
459
00:27:20,551 --> 00:27:21,941
TO BEING THE MAJOR HIT MAN
460
00:27:21,988 --> 00:27:24,078
IN 18 GANGLAND KILLINGS
OVER THE LAST SEVEN YEARS.
461
00:27:24,120 --> 00:27:26,080
18?
462
00:27:28,472 --> 00:27:29,562
IS HE SYNDICATE?
463
00:27:29,604 --> 00:27:31,694
NO. HE'S THE LAST
OF THE INDEPENDENT OPERATORS.
464
00:27:31,737 --> 00:27:33,387
THE BUREAU THINKS
HE'S RESPONSIBLE
465
00:27:33,434 --> 00:27:35,044
FOR THE DEATH
OF MEYER STRONSKY.
466
00:27:35,088 --> 00:27:37,828
HE WAS PAID 50 BIG ONES
FOR IT BY WHITEY DOYLE.
467
00:27:37,873 --> 00:27:39,753
SOUNDS LIKE SOMEBODY
HIRED A GUN FOR YOU.
468
00:27:41,877 --> 00:27:43,047
YEAH.
469
00:27:45,925 --> 00:27:48,225
AND YOUR MAN
IS GONNA FINGER HIM?
470
00:27:48,275 --> 00:27:50,095
HE SAYS SO.
471
00:27:50,146 --> 00:27:51,666
ALL RIGHT.
GET ON IT FAST, FRANK.
472
00:27:51,713 --> 00:27:54,413
FIND HIM, TAIL HIM, AND DON'T
LET HIM OUT OF YOUR SIGHT.
473
00:27:54,455 --> 00:27:55,455
GOTCHA.
474
00:28:00,766 --> 00:28:02,326
[ DOOR SHUTS ]
475
00:28:10,210 --> 00:28:11,300
Marni: IT SEEMED A GOOD IDEA
476
00:28:11,341 --> 00:28:13,741
TO GET OUT OF
THE COUNTRY FOR A WHILE,
477
00:28:13,779 --> 00:28:16,089
ONLY WE NEVER WENT BACK.
478
00:28:16,129 --> 00:28:19,219
MY FATHER DIED IN INDONESIA
SIX YEARS AGO.
479
00:28:19,262 --> 00:28:20,962
AND MY MOTHER'S MARRIED
480
00:28:21,003 --> 00:28:22,273
TO A SHEEP RANCHER
IN NEW ZEALAND.
481
00:28:22,309 --> 00:28:24,959
THANK YOU. AND WHEN DID YOU
COME TO THE ISLANDS?
482
00:28:25,007 --> 00:28:26,527
ABOUT A YEAR
AND A HALF AGO.
483
00:28:28,141 --> 00:28:30,271
ARE YOU GOING TO ASK ME
TO SIGN THAT STATEMENT?
484
00:28:30,317 --> 00:28:31,967
HAVE I BEEN INTERROGATING YOU?
I'M SORRY.
485
00:28:32,014 --> 00:28:34,454
I GUESS IT'S HABIT.
486
00:28:34,495 --> 00:28:38,365
I GUESS YOU'RE RIGHT.
A COP IS A COP IS A COP.
487
00:28:38,412 --> 00:28:41,422
YOU GONNA HAVE A DRINK,
OR ARE YOU JUST GONNA SIT THERE?
488
00:28:41,458 --> 00:28:44,898
I'M JUST GOING TO SIT HERE.
RELAX, BRUDDAH.
489
00:28:47,116 --> 00:28:51,856
I'LL BET YOU YOU'RE A...
490
00:28:51,904 --> 00:28:53,734
CAPRICORN.
491
00:28:53,775 --> 00:28:55,385
NOW, HOW DID YOU KNOW THAT?
492
00:28:55,429 --> 00:28:58,259
WELL, YOU SEEM
SO WELL-ORGANIZED,
493
00:28:58,301 --> 00:29:00,651
A MAN OF STRICT HABITS.
494
00:29:01,957 --> 00:29:03,917
WHICH HABITS ARE YOU
TALKING ABOUT,
495
00:29:03,959 --> 00:29:05,739
THE GOOD ONES
OR THE BAD ONES?
496
00:29:05,787 --> 00:29:09,787
OH, I'M SURE MR. STEVE McGARRETT
DOESN'T HAVE ANY BAD HABITS.
497
00:29:09,835 --> 00:29:12,135
I DON'T KNOW WHO YOU'VE
BEEN TALKING TO ABOUT ME,
498
00:29:12,185 --> 00:29:13,795
BUT I'D SURE
LIKE TO THANK HIM.
499
00:29:13,839 --> 00:29:16,799
BUT YOU'RE A VERY FAMOUS MAN
IN HONOLULU.
500
00:29:16,842 --> 00:29:18,372
EVERYBODY KNOWS ABOUT YOU.
501
00:29:18,408 --> 00:29:20,538
I KNOW SOME
WHO WISH THEY DIDN'T.
502
00:29:20,584 --> 00:29:24,204
BUT YOU DO LEAD A VERY
REGULAR LIFE.
503
00:29:24,240 --> 00:29:26,810
YOU PROBABLY GET UP AROUND 7:00,
504
00:29:26,852 --> 00:29:29,642
AND I BET YOU JOG
505
00:29:29,680 --> 00:29:32,120
THREE TIMES AROUND
THE BLOCK BY 7:30.
506
00:29:32,161 --> 00:29:35,561
IF YOU'RE ASKING ME
ABOUT MY SCHEDULE,
507
00:29:35,599 --> 00:29:36,949
I GET UP AT 5:00.
508
00:29:36,992 --> 00:29:39,392
I USUALLY JOG IN THE PARK
THREE TIMES A WEEK.
509
00:29:39,429 --> 00:29:41,649
TUESDAY, THURSDAY,
AND SATURDAY.
510
00:29:41,692 --> 00:29:44,132
SEE? REGULAR HABITS.
511
00:29:44,173 --> 00:29:46,133
NOW, WAIT A MINUTE,
YOU SAID STRICT HABITS,
512
00:29:46,175 --> 00:29:48,085
NOT REGULAR ONES,
AND I SAID I USUALLY JOG.
513
00:29:48,134 --> 00:29:49,884
BIG DIFFERENCE.
514
00:29:49,918 --> 00:29:51,438
WELL, WHEN DON'T YOU GO?
515
00:29:51,485 --> 00:29:54,525
THE DAY I USUALLY
GET A HAIRCUT.
516
00:29:55,881 --> 00:29:57,361
AND WHEN'S THAT?
517
00:29:57,404 --> 00:30:00,064
YOU GOING TO ASK ME TO SIGN THIS
STATEMENT, MISS HOWARD?
518
00:30:00,102 --> 00:30:01,712
[ GIGGLES ]
519
00:30:01,756 --> 00:30:03,926
I'M SORRY.
520
00:30:03,976 --> 00:30:05,406
I DIDN'T MEAN TO --
521
00:30:10,983 --> 00:30:12,943
Marni: THANK YOU VERY MUCH.
522
00:30:12,985 --> 00:30:14,375
THAT WAS A REALLY
LOVELY RESTAURANT.
523
00:30:14,421 --> 00:30:15,861
McGarrett:
GLAD YOU LIKED IT.
524
00:30:15,901 --> 00:30:18,121
IT'S ONE OF MY FAVORITES.
525
00:30:18,164 --> 00:30:21,954
YOU KNOW, YOU'RE NOT THE WAY
I THOUGHT YOU'D BE AT ALL.
526
00:30:21,994 --> 00:30:24,214
-WHAT WAY WAS THAT?
-WELL,
527
00:30:24,257 --> 00:30:26,387
THE WAY EVERYONE
DESCRIBES YOU.
528
00:30:26,433 --> 00:30:28,093
I DIDN'T KNOW
EVERYONE DESCRIBED ME.
529
00:30:28,130 --> 00:30:29,610
[ CHUCKLES ]
530
00:30:29,653 --> 00:30:32,533
-WOULD YOU CARE FOR A DRINK?
-NO, THANKS.
531
00:30:32,569 --> 00:30:35,699
OH, YES.
McGARRETT THE LONER.
532
00:30:35,746 --> 00:30:40,186
McGARRETT, THE MAN WHO IS MADE
OF IRON OR ICE.
533
00:30:40,229 --> 00:30:41,669
McGARRETT, THE MAN
534
00:30:41,709 --> 00:30:45,499
WHO NEVER EATS, SLEEPS,
OR LIVES ANYWHERE.
535
00:30:45,539 --> 00:30:47,759
SOUNDS LIKE SOME
KIND OF ROBOT.
536
00:30:47,802 --> 00:30:49,672
YES, EXACTLY.
537
00:30:49,717 --> 00:30:52,627
A ROBOT WHO LIVES
AND BREATHES POLICE WORK,
538
00:30:52,676 --> 00:30:54,496
WHO DOESN'T DO
ANYTHING ELSE.
539
00:30:54,548 --> 00:30:56,988
DOESN'T RELAX,
DOESN'T PLAY,
540
00:30:57,029 --> 00:30:59,289
DOESN'T...
541
00:30:59,335 --> 00:31:00,855
-DOESN'T WHAT?
-[ GIGGLES ]
542
00:31:02,382 --> 00:31:03,862
NOTHING.
543
00:31:05,951 --> 00:31:07,601
WHO'S THAT?
544
00:31:27,146 --> 00:31:30,926
OH, CHIN.
EVERYTHING ALL RIGHT?
545
00:31:30,976 --> 00:31:32,926
EVERYTHING'S COOL, STEVE.
546
00:31:32,978 --> 00:31:34,938
THANK YOU. SORRY.
547
00:31:36,068 --> 00:31:41,328
THEY SEEM TO FOLLOW YOU
EVERYWHERE.
548
00:31:41,377 --> 00:31:44,207
DOESN'T IT BOTHER YOU?
549
00:31:44,250 --> 00:31:45,820
ONLY AT TIMES LIKE THIS.
550
00:31:47,079 --> 00:31:50,129
I'M AFRAID PRIVACY'S GOING
TO BE A LITTLE HARD TO COME BY
551
00:31:50,169 --> 00:31:53,349
UNTIL WE NAIL WHOEVER'S
BEEN TRYING TO KILL ME.
552
00:31:53,389 --> 00:31:56,349
I'M ALSO AFRAID THAT
WE HAVE TO CALL IT A NIGHT.
553
00:31:56,392 --> 00:31:58,052
THANK YOU FOR
A VERY PLEASANT EVENING.
554
00:31:58,090 --> 00:32:02,140
-WHAT TIME IS IT?
-ALMOST MIDNIGHT.
555
00:32:02,181 --> 00:32:03,881
WILL YOU TURN
INTO A PUMPKIN?
556
00:32:03,922 --> 00:32:06,492
NO, JUST A SLEEPY COP.
557
00:32:06,533 --> 00:32:09,413
CAN WE DO IT AGAIN, STEVE?
558
00:32:09,449 --> 00:32:12,019
ANYTIME.
559
00:32:12,060 --> 00:32:13,060
YOU MEAN, ME AND MY SHADOW?
560
00:32:13,105 --> 00:32:16,195
YES, YOU AND YOUR SHADOW.
561
00:32:20,416 --> 00:32:22,376
GOOD NIGHT,
PRETTY GIRL.
562
00:32:25,987 --> 00:32:28,767
GOOD NIGHT.
563
00:32:34,996 --> 00:32:36,906
[ DOOR OPENS ]
564
00:32:46,660 --> 00:32:48,490
THAT'S HIM.
565
00:32:59,542 --> 00:33:01,982
ALL RIGHT. YOU BETTER
TAKE OFF, YOSH.
566
00:33:27,179 --> 00:33:29,489
[ CAMERA CLICKS ]
567
00:33:32,445 --> 00:33:34,875
THE ONE ON THE RIGHT
IS BENSINGER.
568
00:33:34,925 --> 00:33:37,925
THE OTHER DUDE MUST
BE OUR MYSTERIOUS EUROPEAN.
569
00:33:37,972 --> 00:33:42,542
OKAY. PUT IT ON THE PHOTOFAX.
GET IT OFF TO INTERPOL.
570
00:33:42,585 --> 00:33:44,275
TELL THEM WE WANT
IDENTIFICATION.
571
00:33:44,326 --> 00:33:45,276
TOP PRIORITY.
572
00:33:45,327 --> 00:33:48,027
RIGHT AWAY.
573
00:33:50,680 --> 00:33:52,860
McGarrett:
THIS A PICTURE OF YOU?
574
00:33:55,076 --> 00:33:58,246
WELL, ITS NOT
A VERY GOOD ONE, IS IT?
575
00:33:58,297 --> 00:34:00,127
LOOK HERE,
WHO ARE YOU ANYWAY?
576
00:34:00,168 --> 00:34:03,168
McGARRETT,
HAWAII FIVE-O.
577
00:34:03,215 --> 00:34:05,165
IS THIS ONE
ANY BETTER?
578
00:34:07,523 --> 00:34:10,273
NOW, WHO IN THE WORLD
IS THAT?
579
00:34:10,309 --> 00:34:13,309
THAT IS A PICTURE
OF ONE S.N. SAVAGE,
580
00:34:13,355 --> 00:34:15,225
KINGPIN OF ALL
OF LONDON'S GAMBLING,
581
00:34:15,270 --> 00:34:17,490
PROSTITUTION, AND DOPE.
582
00:34:17,533 --> 00:34:19,233
IT'S ALSO A PICTURE OF YOU.
583
00:34:19,274 --> 00:34:21,674
HOW AWFULLY FLATTERING,
BUT I'M AFRAID IT'S NOT.
584
00:34:21,711 --> 00:34:23,501
YOU MUST HAVE THE WRONG HOUSE.
585
00:34:23,539 --> 00:34:26,979
YOU SEE, MY NAME IS DEMPSTER.
I'M A REAL-ESTATE DEVELOPER.
586
00:34:27,021 --> 00:34:29,851
I'M HERE ON VACATION
IN YOUR BEAUTIFUL STATE.
587
00:34:31,808 --> 00:34:35,378
YOU ARE ONE OF THE TOP TEN
CRIME FIGURES
588
00:34:35,421 --> 00:34:37,251
ON INTERPOL'S WANTED LIST.
589
00:34:37,292 --> 00:34:40,382
YOU'RE HERE IN HONOLULU
FOR THE PURPOSE OF TAKING OVER
590
00:34:40,426 --> 00:34:42,376
THE ORGANIZED RACKETS
IN THIS STATE,
591
00:34:42,428 --> 00:34:44,558
AND I'VE GOT YOU
TO THANK FOR THIS.
592
00:34:44,604 --> 00:34:47,964
THERE REALLY MUST
BE SOME MISTAKE.
593
00:34:47,998 --> 00:34:50,308
WHAT DID YOU SAY YOUR NAME
WAS AGAIN? McGARRETT?
594
00:34:51,437 --> 00:34:55,567
ARE YOU, BY ANY CHANCE,
WITH THE CHAMBER OF COMMERCE?
595
00:34:58,487 --> 00:35:01,227
STATE POLICE, MR. SAVAGE.
596
00:35:01,273 --> 00:35:02,493
DEMPSTER.
597
00:35:02,535 --> 00:35:06,625
SAVAGE,
WHEN I PUT THIS CASE TOGETHER,
598
00:35:06,669 --> 00:35:08,059
I'M GOING TO NAIL YOU
FOR MURDER,
599
00:35:08,106 --> 00:35:11,806
FOR ATTEMPTED MURDER,
AND FOR EXTORTION.
600
00:35:11,848 --> 00:35:14,898
NOW, YOU MAY HAVE COME HERE
TO KILL ME,
601
00:35:14,938 --> 00:35:18,248
BUT YOU'RE GOING TO END UP
IN OAHU STATE PRISON FOR GOOD.
602
00:35:18,290 --> 00:35:20,550
THAT'S A PROMISE.
603
00:35:25,079 --> 00:35:28,339
JUST SO I'LL RECOGNIZE YOU
IN CASE I SEE YOU AGAIN.
604
00:35:30,867 --> 00:35:35,127
FAIR WARNING,
MR. SAVAGE.
605
00:35:35,176 --> 00:35:37,436
DEMPSTER.
606
00:35:37,483 --> 00:35:40,753
[ DOOR OPENS, SHUTS ]
607
00:35:46,318 --> 00:35:47,538
YOU CAN COME OUT NOW.
608
00:35:53,325 --> 00:35:56,715
FORCEFUL SORT OF CHAP,
YOUR McGARRETT, ISN'T HE?
609
00:35:56,763 --> 00:35:59,853
AND VERY SMART, TOO.
I TOLD YOU.
610
00:35:59,896 --> 00:36:03,066
I THINK IT'S TIME
TO FINISH THIS OFF,
611
00:36:03,117 --> 00:36:04,947
ONCE AND FOR ALL.
612
00:36:04,988 --> 00:36:06,378
RIGHT.
613
00:36:16,522 --> 00:36:18,222
[ CAR HORN HONKING ]
614
00:36:47,640 --> 00:36:50,080
McGarrett:
WELL, THERE SHE GOES.
615
00:36:51,513 --> 00:36:53,303
YOU SURE WERE RIGHT
ABOUT HER, STEVE.
616
00:36:53,341 --> 00:36:55,651
[ CLICKS TONGUE ]
617
00:36:55,691 --> 00:36:57,431
SHE ASKED
TOO MANY QUESTIONS.
618
00:36:57,476 --> 00:37:00,126
WHAT'S SO INTERESTING
ABOUT WHEN AND WHERE I JOG
619
00:37:00,174 --> 00:37:02,054
OR GET A HAIRCUT?
620
00:37:04,439 --> 00:37:06,439
BETTER PUT A TAG
ON HER, DANNO.
621
00:37:06,485 --> 00:37:08,695
CENTRAL, McGARRETT.
622
00:37:08,748 --> 00:37:11,968
PATCH ME THROUGH
TO FRANK KEMANA.
623
00:37:12,012 --> 00:37:14,542
FROM WHAT WE'VE FOUND
OUT ABOUT SAVAGE,
624
00:37:14,580 --> 00:37:16,150
IT'S HIS STYLE ALL THE WAY.
625
00:37:16,190 --> 00:37:19,110
A TWO-PART OPERATION.
GET ME OFF GUARD,
626
00:37:19,149 --> 00:37:20,589
THEN MOVE IN WITH
THE HEAVY ARTILLERY
627
00:37:20,629 --> 00:37:22,409
WHEN I'M NOT EXPECTING IT.
628
00:37:22,457 --> 00:37:23,807
AND NOW HE'S
STARTING OVER.
629
00:37:23,850 --> 00:37:25,850
WRECKING MISS HOWARD'S GALLERY
WAS JUST PART ONE.
630
00:37:25,895 --> 00:37:27,415
YEAH, AND HUGH BENSINGER
IS PART TWO.
631
00:37:27,462 --> 00:37:29,422
I BET THE THREE OF THEM
ARE PLOTTING RIGHT NOW
632
00:37:29,464 --> 00:37:31,954
WHEN AND WHERE
TO HIT ME.
633
00:37:31,988 --> 00:37:35,038
STEVE, IT'S JUST A THEORY,
NOT ENOUGH TO MOVE ON.
634
00:37:35,078 --> 00:37:38,428
HOW CAN WE DEVELOP
IT SO WE CAN COLLAR THEM?
635
00:37:38,473 --> 00:37:40,433
DANNO, ONCE HE GETS
A BEAD ON MY HEAD
636
00:37:40,475 --> 00:37:45,045
FROM SOME SECOND-STORY WINDOW,
IT NO LONGER IS THEORY.
637
00:37:45,088 --> 00:37:45,868
LET'S GET ON IT.
638
00:37:45,915 --> 00:37:47,345
THEY'RE CHANGING
THEIR WATCH NOW.
639
00:38:04,499 --> 00:38:07,369
CENTRAL, PATCH ME THROUGH
TO McGARRETT.
640
00:38:07,415 --> 00:38:08,585
McGarrett: McGARRETT.
641
00:38:08,634 --> 00:38:11,074
STEVE, SHE'S JUST
LEAVING H.P.D.
642
00:38:11,114 --> 00:38:12,944
SHE PICKED UP A PERMIT
TO CARRY A GUN.
643
00:38:12,986 --> 00:38:15,336
OKAY, FRANK,
STAY WITH HER.
644
00:38:15,380 --> 00:38:17,340
LET ME KNOW WHEN
SHE HITS A GUN SHOP.
645
00:38:17,382 --> 00:38:19,122
RIGHT.
646
00:38:19,166 --> 00:38:20,776
BUYING A GUN?
647
00:38:52,504 --> 00:38:53,724
[ RADIO BUZZING ]
648
00:38:53,766 --> 00:38:55,026
-STEVE?
-YEAH, FRANK.
649
00:38:55,071 --> 00:38:57,251
SHE WENT INTO THE GUN SHOP
ON BETHEL STREET.
650
00:38:58,510 --> 00:39:00,820
-THE ONE ON THE MAKAISIDE?
-RIGHT.
651
00:39:00,860 --> 00:39:02,990
GOT IT.
652
00:39:13,438 --> 00:39:15,178
FOR PROTECTION, RIGHT?
653
00:39:15,222 --> 00:39:16,662
YES.
654
00:39:16,702 --> 00:39:19,922
WE LIVE IN A VERY
UNHAPPY WORLD, DEAR LADY.
655
00:39:19,966 --> 00:39:22,656
WHY DON'T YOU
FILL THIS OUT?
656
00:39:22,708 --> 00:39:24,058
[ TELEPHONE RINGS ]
657
00:39:24,100 --> 00:39:26,320
-EXCUSE ME ONE MOMENT, PLEASE.
-OF COURSE.
658
00:39:29,541 --> 00:39:30,721
HELLO. GUN SHOP.
659
00:39:30,759 --> 00:39:32,539
THIS IS STEVE McGARRETT
OF HAWAII FIVE-O.
660
00:39:32,587 --> 00:39:34,497
YOU HAVE A CUSTOMER
IN THERE RIGHT NOW
661
00:39:34,546 --> 00:39:36,586
WHO WANTS TO BUY A GUN.
662
00:39:36,635 --> 00:39:39,025
YES, A MISS MARNI HOWARD.
663
00:39:39,072 --> 00:39:41,472
NOW, I WANT YOU TO LISTEN
TO ME VERY CAREFULLY
664
00:39:41,509 --> 00:39:42,859
AND FOLLOW MY INSTRUCTIONS.
665
00:39:53,826 --> 00:39:57,826
THIS IS WHERE HE JOGS,
BENSINGER.
666
00:39:57,873 --> 00:40:00,753
THREE TIMES A WEEK.
EARLY.
667
00:40:00,789 --> 00:40:02,749
WHAT DAYS, MY LOVE?
668
00:40:02,791 --> 00:40:05,451
MONDAY, WEDNESDAY,
AND FRIDAY.
669
00:40:05,490 --> 00:40:09,280
Bensinger: SHOULD BE
NO PROBLEM.
670
00:40:09,319 --> 00:40:10,499
I'LL FIND A COZY SPOT
671
00:40:10,538 --> 00:40:13,448
WHERE I CAN GET A GOOD,
CLEAN SHOT.
672
00:40:13,498 --> 00:40:15,498
A BIT OF ACTION
AT LAST.
673
00:40:15,543 --> 00:40:20,113
IT'S BOUND TO PLEASE MY SOMEWHAT
MOTLEY ASSORTMENT OF ASSOCIATES.
674
00:40:20,156 --> 00:40:22,716
WELL, SHALL WE SAY
WEDNESDAY?
675
00:40:22,768 --> 00:40:24,728
WEDNESDAY IT IS.
676
00:40:24,770 --> 00:40:25,730
TONY.
677
00:40:39,437 --> 00:40:43,137
KAPIOLANI PARK ROSE GARDEN.
RIGHT WHERE YOU JOG.
678
00:40:43,179 --> 00:40:44,919
SURE LOOKS LIKE
THEY'RE SETTING YOU UP.
679
00:40:44,964 --> 00:40:46,624
YEAH.
680
00:40:46,661 --> 00:40:50,101
STAY ON THEM, CHIN.
YOU TOO, FRANK.
681
00:41:32,577 --> 00:41:35,837
HE'S WONDERING
WHAT'S KEEPING YOU, STEVE.
682
00:41:35,884 --> 00:41:37,364
HE KEEPS LOOKING AT HIS WATCH.
683
00:41:37,407 --> 00:41:39,797
SOMEBODY GAVE HIM
A BUM STEER, CHIN.
684
00:41:39,845 --> 00:41:41,975
I DON'T JOG ON WEDNESDAY.
685
00:41:42,021 --> 00:41:43,681
SO MUCH FOR THEIR
INTELLIGENCE.
686
00:41:43,718 --> 00:41:45,758
[ TAPPING ON DESK ]
I WONDER.
687
00:41:45,807 --> 00:41:49,587
MAYBE HE'S SUPPOSED TO HAVE
THE WRONG DAY, HUH?
688
00:41:49,637 --> 00:41:51,027
LET'S WAIT AND SEE.
689
00:42:33,028 --> 00:42:34,638
[ GUNSHOT ]
[ GRUNTS ]
690
00:42:55,398 --> 00:42:57,268
IT'S NOT GETTING
ANY CLEARER, STEVE.
691
00:42:57,313 --> 00:42:59,753
WHY WOULD THEY KNOCK OFF
THEIR OWN HIT MAN?
692
00:42:59,794 --> 00:43:00,884
[ TAPPING ON DESK ]
693
00:43:00,926 --> 00:43:03,666
I COULD BE WRONG, GENTLEMEN.
694
00:43:03,711 --> 00:43:06,061
I SAID MISS HOWARD WAS STEP ONE
695
00:43:06,105 --> 00:43:09,935
AND BENSINGER STEP TWO.
696
00:43:09,978 --> 00:43:13,458
IT COULD BE JUST
THE OTHER WAY AROUND.
697
00:43:13,503 --> 00:43:15,983
YOU MEAN HE WAS A DECOY
AND SHE'S THE HEAVY ARTILLERY?
698
00:43:16,028 --> 00:43:19,338
YEAH. IF THE MAN
WHO'S SUPPOSED TO HIT ME
699
00:43:19,379 --> 00:43:21,819
GETS WASTED BEFORE
THE JOB IS DONE,
700
00:43:21,860 --> 00:43:25,170
I -- I COULD FEEL VERY SECURE
FOR A WHILE, WOULDN'T YOU SAY?
701
00:43:25,211 --> 00:43:27,611
SECURE ENOUGH TO GO OUT
WITHOUT A BODYGUARD.
702
00:43:28,997 --> 00:43:31,567
NOW, IT'S POSSIBLE
THAT THE WHOLE THING
703
00:43:31,609 --> 00:43:33,519
HAD BEEN PLANNED THAT WAY.
704
00:43:33,567 --> 00:43:35,697
[ TELEPHONE RINGING ]
705
00:43:35,743 --> 00:43:36,833
McGARRETT.
706
00:43:36,875 --> 00:43:38,525
YES, MARNI?
707
00:43:38,572 --> 00:43:39,792
STEVE?
708
00:43:39,834 --> 00:43:42,924
DID YOU PUT SOMEONE
AT MY HOUSE AFTER ALL?
709
00:43:42,968 --> 00:43:44,708
BECAUSE THERE'S A MAN
OUT THERE.
710
00:43:44,752 --> 00:43:46,452
I SAW HIM JUST A MINUTE AGO.
711
00:43:46,493 --> 00:43:48,933
NO, MARNI, NO ONE
FROM THIS OFFICE IS THERE.
712
00:43:50,584 --> 00:43:52,674
VERY WELL.
713
00:43:52,717 --> 00:43:53,807
I'LL BE OUT.
714
00:43:53,848 --> 00:43:55,198
OKAY.
715
00:43:58,853 --> 00:44:00,333
SHE'S THE HEAVY ARTILLERY.
716
00:44:01,856 --> 00:44:04,686
TOO BAD.
717
00:44:04,729 --> 00:44:05,989
LET'S GO.
718
00:45:04,745 --> 00:45:06,045
MARNI?
719
00:45:16,975 --> 00:45:18,445
MARNI?
720
00:45:24,809 --> 00:45:26,069
MARNI?
721
00:45:27,812 --> 00:45:28,772
MARNI?
722
00:45:49,921 --> 00:45:52,451
WHAT ARE YOU MADE OF?
723
00:45:55,274 --> 00:45:58,024
NOTHING SPECIAL ABOUT ME.
724
00:45:58,059 --> 00:46:00,109
IT'S THESE CUSTOM BLANKS
725
00:46:00,148 --> 00:46:02,058
YOUR GUN WAS LOADED WITH.
726
00:46:02,107 --> 00:46:03,587
-BLANKS?
-THAT'S RIGHT.
727
00:46:03,630 --> 00:46:06,760
I TELEPHONED THE STORE OWNER
WHILE YOU WERE BUYING THIS GUN.
728
00:46:10,376 --> 00:46:12,856
OH, MARNI,
729
00:46:12,900 --> 00:46:15,990
I WAS REALLY HOPING
I WAS WRONG.
730
00:46:16,034 --> 00:46:19,564
WELL, WHAT ARE YOU
GOING TO DO?
731
00:46:19,602 --> 00:46:21,002
THAT DEPENDS ON YOU.
732
00:46:21,039 --> 00:46:22,039
YOU'RE IN A LOT
OF TROUBLE, HONEY.
733
00:46:22,083 --> 00:46:24,833
I COULD HOLD YOU FOR
THE ATTEMPTED MURDER
734
00:46:24,869 --> 00:46:25,959
OF A POLICE OFFICIAL,
735
00:46:26,000 --> 00:46:27,740
AND I CAN SHOW
PROBABLE CAUSE
736
00:46:27,785 --> 00:46:29,865
THAT YOU WERE AN ACCESSORY
TO THE MURDERS
737
00:46:29,917 --> 00:46:31,437
OF HUGH BENSINGER
AND SIG MEER.
738
00:46:31,484 --> 00:46:36,054
YOU COULD GO TO PRISON
UNTIL YOU'RE A VERY OLD LADY,
739
00:46:36,097 --> 00:46:38,927
UNLESS YOU DECIDE
TO COOPERATE.
740
00:46:38,970 --> 00:46:43,320
COOPERATE?
741
00:46:43,365 --> 00:46:44,235
HOW?
742
00:46:44,279 --> 00:46:47,109
BY DOING WHATEVER IT WAS
743
00:46:47,152 --> 00:46:50,502
SAVAGE TOLD YOU TO DO
AFTER YOU'D KILLED ME.
744
00:46:53,549 --> 00:46:55,809
[ RINGING ]
745
00:46:55,856 --> 00:46:56,986
HELLO?
746
00:46:58,946 --> 00:47:00,596
I DID IT.
747
00:47:00,643 --> 00:47:02,473
IS HE DEAD?
748
00:47:04,169 --> 00:47:05,779
YES, HE IS.
749
00:47:05,823 --> 00:47:08,433
HOW ABSOLUTELY MARVELOUS.
750
00:47:08,477 --> 00:47:10,777
NOW, REMEMBER WHAT TO DO,
DEAR GIRL.
751
00:47:10,828 --> 00:47:12,478
RING THROUGH TO THE POLICE
752
00:47:12,525 --> 00:47:17,095
AND TELL THEM YOU HAVE
JUST KILLED McGARRETT
753
00:47:17,138 --> 00:47:19,228
BECAUSE YOU THOUGHT
HE WAS A PROWLER
754
00:47:19,271 --> 00:47:23,061
WHO WAS GOING
TO DO YOU HARM.
755
00:47:23,101 --> 00:47:25,061
THAT'S A GOOD GIRL.
756
00:47:34,895 --> 00:47:36,455
THERE, YOU SEE?
757
00:47:36,505 --> 00:47:39,375
THE POPULATION OF THESE ISLANDS
HAS JUST BEEN REDUCED
758
00:47:39,421 --> 00:47:43,731
BY THE 900 LIVES
OF STEVE McGARRETT.
759
00:47:43,773 --> 00:47:45,513
BOOK HER.
760
00:47:54,872 --> 00:47:58,052
[ ENGINE STARTS ]
-CENTRAL, THIS IS McGARRETT.
761
00:47:58,092 --> 00:48:00,492
PATCH ME THROUGH
TO CHIN HO KELLY.
762
00:48:00,529 --> 00:48:02,749
CHIN, ARE THEY
STILL THERE?
763
00:48:04,055 --> 00:48:06,795
-STILL THERE, STEVE.
-ALL OF THEM?
764
00:48:06,840 --> 00:48:07,890
RIGHT.
765
00:48:07,928 --> 00:48:09,838
OKAY. WE'RE ONLY
A FEW MINUTES AWAY.
766
00:48:09,887 --> 00:48:12,977
WHEN WE PASS,
FALL IN BEHIND WITH H.P.D.
767
00:48:24,945 --> 00:48:27,465
GENTLEMEN, A TOAST.
768
00:48:27,513 --> 00:48:30,733
TO OUR FUTURE ENTERPRISES.
769
00:48:34,824 --> 00:48:36,004
YOU'RE OKAY, SAVAGE.
770
00:48:36,043 --> 00:48:38,263
WE'RE ALL
GOING TO BE OKAY.
771
00:48:58,674 --> 00:48:59,894
Man: HOLD IT!
772
00:49:01,982 --> 00:49:03,812
Man: HOLD IT!
773
00:49:10,469 --> 00:49:11,819
-LET'S GET OUT --
-BACK UP!
774
00:49:11,861 --> 00:49:14,341
GET BACK IN THE ROOM.
GET BACK IN THE ROOM!
775
00:49:14,386 --> 00:49:17,296
PUT YOUR HANDS UP HIGH.
776
00:49:17,345 --> 00:49:19,295
MY APOLOGIES,
GENTLEMEN.
777
00:49:21,697 --> 00:49:23,997
McGarrett: STILL THINK WE GOT
THE WRONG HOUSE?
778
00:49:24,048 --> 00:49:26,268
HERE'S A WARRANT.
779
00:49:26,311 --> 00:49:28,181
TELL ME, McGARRETT,
780
00:49:28,226 --> 00:49:31,056
ARE YOUR OTHER 899 LIVES
781
00:49:31,098 --> 00:49:33,268
AS INDESTRUCTIBLE AS THIS ONE?
782
00:49:33,318 --> 00:49:35,058
YOU'D BETTER BELIEVE IT.
BOOK HIM, DANNO.
783
00:49:35,102 --> 00:49:36,412
MURDER ONE, TWO COUNTS,
784
00:49:36,451 --> 00:49:38,631
AND ALL THE REST
ARE HIS ACCESSORIES FOR OPENERS.
785
00:49:38,671 --> 00:49:41,021
LET'S GO.
786
00:49:48,289 --> 00:49:51,989
[ "HAWAII FIVE-O" THEME PLAYS ]
787
00:49:52,039 --> 00:49:56,589
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