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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,104 --> 00:00:05,039 [***] 2 00:00:22,656 --> 00:00:23,524 WHAT IF NO ONE SHOWS UP? 3 00:00:25,259 --> 00:00:28,629 THEY WILL. RIGHT? 4 00:00:31,532 --> 00:00:34,102 I DON'T THINK I CAN HANDLE BEING CANCELED AGAIN. 5 00:00:34,135 --> 00:00:37,405 IT'S GONNA GO GREAT. YOU WORRY TOO MUCH. 6 00:00:37,438 --> 00:00:39,640 YOU ALWAYS THINK EVERYTHING'S GOING TO BE GREAT, 7 00:00:39,673 --> 00:00:41,475 AND THEN IT'S NOT. 8 00:00:41,509 --> 00:00:43,411 DUDE, LOOK AT WHERE YOU'RE AT. 9 00:00:43,444 --> 00:00:44,745 YOU GOTTA ENJOY IT. 10 00:00:44,778 --> 00:00:47,081 I ALMOST HOPE PEOPLE DON'T SHOW UP. 11 00:00:47,115 --> 00:00:48,149 [DUSTIN]: GUYS... 12 00:00:48,182 --> 00:00:50,851 WE'LL BE FINE. 13 00:00:50,884 --> 00:00:52,353 GUYS... 14 00:00:52,386 --> 00:00:53,187 WHATEVER HAPPENS, 15 00:00:53,221 --> 00:00:55,456 WE'RE ALL IN THIS TOGETHER, RIGHT? 16 00:00:55,489 --> 00:00:57,225 -GUYS! -WHAT? 17 00:00:57,258 --> 00:00:59,560 YOU'RE NOT GONNA BELIEVE THIS. 18 00:00:59,593 --> 00:01:02,396 [DISTANT SCREAMING AND CHEERING] 19 00:01:04,798 --> 00:01:06,234 THIS IS UNBELIEVABLE. 20 00:01:06,267 --> 00:01:08,769 [LAUGHING] OH, MY GOD... 21 00:01:08,802 --> 00:01:11,139 [FANS SCREAMING] 22 00:01:13,274 --> 00:01:14,708 [***] 23 00:01:18,812 --> 00:01:21,415 SHE JUMPED ON THE HOOD OF THE CAR. 24 00:01:21,449 --> 00:01:22,816 ZACK! 25 00:01:28,522 --> 00:01:30,224 DID SHE JUST JUMP? 26 00:01:36,830 --> 00:01:39,367 [DELIRIOUS SCREAMING] 27 00:01:41,869 --> 00:01:43,604 [LAUGHING IN DISBELIEF] 28 00:01:51,379 --> 00:01:54,182 [DEAFENING SCREAMS] 29 00:02:18,906 --> 00:02:20,608 TIME OUT. [EVERYTHING FALLS SILENT] 30 00:02:22,576 --> 00:02:24,812 NOT BAD. 31 00:02:24,845 --> 00:02:26,514 GUESS THEY LIKE US. 32 00:02:26,547 --> 00:02:28,249 IT WASN'T ALWAYS LIKE THIS, THOUGH. 33 00:02:28,282 --> 00:02:29,617 SAVED BY THE BELL WAS A WILD RIDE. 34 00:02:29,650 --> 00:02:30,618 WE ALMOST DIDN'T-- 35 00:02:30,651 --> 00:02:31,619 WAIT A SECOND. 36 00:02:31,652 --> 00:02:32,620 JUST STOP, OKAY? 37 00:02:32,653 --> 00:02:34,388 WHOA, WHOA, YOU CAN'T DO THAT. 38 00:02:34,422 --> 00:02:35,723 YEAH, I CAN. 39 00:02:35,756 --> 00:02:37,825 THIS TIME, IT'S NOT ALL ABOUT YOU. 40 00:02:37,858 --> 00:02:39,660 THIS IS MY STORY, 41 00:02:39,693 --> 00:02:40,894 WHAT REALLY HAPPENED BEHIND THE SCENES 42 00:02:40,928 --> 00:02:43,231 OF AMERICA'S FAVORITE SATURDAY MORNING SHOW. 43 00:02:43,264 --> 00:02:44,865 AT LEAST, IT'S THE WAY I REMEMBER IT, 44 00:02:44,898 --> 00:02:46,467 AND I WAS THERE FROM THE VERY FIRST EPISODE 45 00:02:46,500 --> 00:02:47,735 TO THE VERY LAST. 46 00:02:47,768 --> 00:02:49,370 [THE GO-GOS' "WE GOT THE BEAT" PLAYS] 47 00:02:51,772 --> 00:02:54,675 * SEE THE PEOPLE WALKING DOWN THE STREET * 48 00:02:54,708 --> 00:02:57,778 * FALL IN LINE JUST WATCHING ALL THEIR FEET * 49 00:02:57,811 --> 00:03:00,214 * THEY DON'T KNOW WHERE THEY WANT TO GO * 50 00:03:00,248 --> 00:03:02,950 * BUT THEY'RE WALKING IN TIME 51 00:03:02,983 --> 00:03:05,653 * THEY GOT THE BEAT THEY GOT THE BEAT * 52 00:03:05,686 --> 00:03:07,555 * THEY GOT THE BEAT... 53 00:03:07,588 --> 00:03:08,756 [DUSTIN NARRATES]: THE TRUTH IS, 54 00:03:08,789 --> 00:03:09,523 SAVED BY THE BELL WASN'T EVEN SUPPOSED TO BE 55 00:03:09,557 --> 00:03:10,691 ABOUT THE STUDENTS AT FIRST. 56 00:03:10,724 --> 00:03:13,261 IT WAS SUPPOSED TO BE ABOUT THE TEACHERS. 57 00:03:14,628 --> 00:03:16,630 [BRANDON]: MISS BLISS TAUGHT MY EIGHT GRADE HISTORY CLASS, 58 00:03:16,664 --> 00:03:18,466 BUT SHE WAS MORE THAN A TEACHER. 59 00:03:18,499 --> 00:03:19,633 SHE... 60 00:03:19,667 --> 00:03:21,769 WE COULD TALK TO HER, ABOUT ANYTHING. 61 00:03:21,802 --> 00:03:23,771 SHE REALLY MADE EVERY KID FEEL 62 00:03:23,804 --> 00:03:24,905 LIKE SHE BELIEVED IN US. 63 00:03:24,938 --> 00:03:26,474 A SHOW ABOUT A SCHOOL, 64 00:03:26,507 --> 00:03:28,942 THE KIND OF SCHOOL THAT WE WISH WE'D ALL GONE TO. 65 00:03:28,976 --> 00:03:30,378 THAT'S WHOLESOME AND SAFE. 66 00:03:30,411 --> 00:03:32,813 MM-HMM, IT'S A SHOW THAT OUR KIDS COULD WATCH. 67 00:03:32,846 --> 00:03:33,881 THAT THE WHOLE FAMILY COULD WATCH TOGETHER. 68 00:03:33,914 --> 00:03:35,316 THAT'S GREAT, BRANDON. 69 00:03:35,349 --> 00:03:36,917 EVERYBODY HAS A TEACHER THEY LOVED. 70 00:03:36,950 --> 00:03:39,253 MAYBE WE SET IT IN THE MIDWEST, SOMETHING ALL-AMERICAN? 71 00:03:39,287 --> 00:03:40,854 LIKE INDIANA. 72 00:03:40,888 --> 00:03:42,290 HAVE THEY EVER SET A SHOW IN INDIANA? 73 00:03:42,323 --> 00:03:43,757 WHY WOULD THEY? 74 00:03:43,791 --> 00:03:47,261 I DON'T KNOW, THE WHOLE CLASSROOM, TEENAGE THING, 75 00:03:47,295 --> 00:03:48,962 I'M NOT SURE I'M THE RIGHT GUY FOR THIS. 76 00:03:48,996 --> 00:03:49,863 TRUST ME, PETER, 77 00:03:49,897 --> 00:03:52,533 I HAVE A VERY GOOD FEELING ABOUT THIS SHOW. 78 00:03:52,566 --> 00:03:54,735 * THAT'S WHEN WE FALL IN LINE * 79 00:03:54,768 --> 00:03:56,504 * 'CAUSE WE GOT THE BEAT 80 00:03:56,537 --> 00:03:57,471 PICK IT UP, LET'S GO. 81 00:03:57,505 --> 00:03:58,306 OKAY. 82 00:04:00,741 --> 00:04:02,810 OKAY... 83 00:04:02,843 --> 00:04:03,711 HEY, DUSTIN! 84 00:04:03,744 --> 00:04:04,945 THEY BROUGHT YOU BACK IN FOR SCREECH, HUH? 85 00:04:04,978 --> 00:04:06,647 -YUP. -FOR THE SIXTH TIME. 86 00:04:06,680 --> 00:04:08,015 HOW HARD CAN IT BE TO FIGURE THIS OUT? 87 00:04:08,048 --> 00:04:08,916 THEY JUST WANT TO SEE 88 00:04:08,949 --> 00:04:10,451 SOME OF THE ZACKS AND SCREECHES TOGETHER. 89 00:04:10,484 --> 00:04:11,619 I'M SURE IT WON'T BE TOO LONG. 90 00:04:11,652 --> 00:04:13,754 BETTER NOT BE. 91 00:04:13,787 --> 00:04:15,323 IT'S NOT HER FAULT. 92 00:04:16,657 --> 00:04:17,991 IT'S JUST A LOT OF TROUBLE, THAT'S ALL, 93 00:04:18,025 --> 00:04:19,793 HOUR DRIVE BOTH WAYS, 94 00:04:19,827 --> 00:04:21,028 AND I'M MISSING WORK AGAIN. 95 00:04:21,061 --> 00:04:22,029 I'M SORRY. 96 00:04:22,062 --> 00:04:24,465 I HOPE YOU APPRECIATE THIS. 97 00:04:24,498 --> 00:04:25,733 WE'RE ALL MAKING SACRIFICES 98 00:04:25,766 --> 00:04:27,868 FOR THIS ACTING DREAM OF YOURS. 99 00:04:27,901 --> 00:04:29,537 I KNOW. 100 00:04:31,071 --> 00:04:33,841 SAME LECTURE EVERY TIME WE WENT ON AN AUDITION. 101 00:04:33,874 --> 00:04:35,443 BUT TO BE FAIR, 102 00:04:35,476 --> 00:04:36,710 IT WASN'T LIKE ANY OF US REALIZED 103 00:04:36,744 --> 00:04:38,078 THE COURSE OF OUR ENTIRE LIVES 104 00:04:38,111 --> 00:04:39,780 WAS ABOUT TO CHANGE FOREVER. 105 00:04:39,813 --> 00:04:41,982 * DO THE WATUSI JUST GIVE US A CHANCE * 106 00:04:42,015 --> 00:04:44,852 * THAT'S WHEN WE FALL IN LINE * 107 00:04:44,885 --> 00:04:47,721 * 'CAUSE WE GOT THE BEAT WE GOT THE BEAT * 108 00:04:47,755 --> 00:04:49,990 * WE GOT THE BEAT * 109 00:04:50,023 --> 00:04:51,459 * WE GOT IT! * 110 00:04:52,826 --> 00:04:53,761 * WE GOT THE BEAT * 111 00:04:55,929 --> 00:04:57,398 * WE GOT THE BEAT * 112 00:04:59,066 --> 00:05:01,068 [CLEARS THROAT AWKWARDLY] 113 00:05:01,101 --> 00:05:02,536 HEY... 114 00:05:02,570 --> 00:05:03,904 YOU'RE READING FOR ZACK, RIGHT? 115 00:05:03,937 --> 00:05:05,406 UH, YEAH. 116 00:05:05,439 --> 00:05:07,007 I'M IN FOR SCREECH. 117 00:05:07,040 --> 00:05:08,709 WANNA RUN THE SCENE TOGETHER? 118 00:05:08,742 --> 00:05:11,612 NO, THAT'S NOT REALLY MY PROCESS. 119 00:05:11,645 --> 00:05:13,781 OH, YOU HAVE A PROCESS. 120 00:05:13,814 --> 00:05:16,484 DO YOU MIND? 121 00:05:16,517 --> 00:05:18,118 YOU WANNA RUN LINES? 122 00:05:18,151 --> 00:05:19,487 YEAH, SURE. 123 00:05:20,688 --> 00:05:22,523 LARK VOORHIES? 124 00:05:22,556 --> 00:05:24,358 THEY'RE READY FOR YOU. 125 00:05:24,392 --> 00:05:26,994 * THEY GOT THE BEAT KIDS GOT THE BEAT * 126 00:05:27,027 --> 00:05:28,462 COMING? 127 00:05:28,496 --> 00:05:29,096 YEAH, RIGHT BEHIND YOU. 128 00:05:30,764 --> 00:05:32,500 BE RIGHT BACK. 129 00:05:32,533 --> 00:05:34,001 SO I TOLD HER, 130 00:05:34,034 --> 00:05:36,069 HONEY, THIS IS NOT GONNA FLY WITH ME. 131 00:05:36,103 --> 00:05:38,372 WHEN I VOLUNTEERED TO BE A CANDY STRIPER, 132 00:05:38,406 --> 00:05:39,773 I DIDN'T REALIZE THAT ACTUALLY MEANT 133 00:05:39,807 --> 00:05:41,442 YOU HAD TO WEAR STRIPES. 134 00:05:41,475 --> 00:05:42,410 [CHUCKLING] 135 00:05:42,443 --> 00:05:44,144 [QUIETLY]: SHE'S READING THE LISA TURTLE SCENE. 136 00:05:44,177 --> 00:05:46,580 YEAH, SHE'S GREAT, ISN'T SHE? 137 00:05:46,614 --> 00:05:48,015 LISA TURTLE'S SUPPOSED TO BE 138 00:05:48,048 --> 00:05:49,883 A JEWISH AMERICAN PRINCESS. 139 00:05:49,917 --> 00:05:52,052 NOT ANYMORE SHE ISN'T. 140 00:05:52,085 --> 00:05:54,922 [SNAPS FINGERS] DON'T EVEN GET ME STARTED. 141 00:05:54,955 --> 00:05:56,924 * THEY GOT THE BEAT THEY GOT THE BEAT * 142 00:05:56,957 --> 00:05:59,727 * THEY GOT THE BEAT 143 00:05:59,760 --> 00:06:02,162 * YEAH, THEY GOT THE BEAT * 144 00:06:02,195 --> 00:06:04,765 ARE YOU SURE THIS IS A GOOD IDEA? 145 00:06:04,798 --> 00:06:06,834 [SCOFFS] HAVE I EVER LED YOU WRONG, SCREECH? 146 00:06:06,867 --> 00:06:08,802 WELL, THERE WAS THAT ONE TIME 147 00:06:08,836 --> 00:06:09,870 YOU TOLD ME IT WAS SAFE TO EAT 148 00:06:09,903 --> 00:06:10,871 THOSE RED CHILI PEPPERS. 149 00:06:10,904 --> 00:06:12,440 OKAY, FINE, MAYBE ONE TIME. 150 00:06:12,473 --> 00:06:13,507 AND THEN THERE WAS THE TIME 151 00:06:13,541 --> 00:06:14,442 YOU SAID IT WAS OKAY 152 00:06:14,475 --> 00:06:16,410 TO STICK MY FINGER IN THAT LIGHT SOCKET. 153 00:06:16,444 --> 00:06:17,778 THAT WAS A BIT SHOCKING. 154 00:06:17,811 --> 00:06:19,112 [LAUGHING] 155 00:06:19,146 --> 00:06:20,080 YOU KNOW, SCREECH, 156 00:06:20,113 --> 00:06:21,649 I WORRY ABOUT YOU SOMETIMES. 157 00:06:21,682 --> 00:06:23,551 YOU REALLY HAVE TO STOP BEING SO NEGATIVE. 158 00:06:23,584 --> 00:06:24,618 [LAUGHTER] 159 00:06:24,652 --> 00:06:25,619 [DUSTIN]: THAT'S WHERE ZACK AND SCREECH 160 00:06:25,653 --> 00:06:27,087 GOT THEIR START. 161 00:06:27,120 --> 00:06:28,922 NOT ON SAVED BY THE BELL, 162 00:06:28,956 --> 00:06:31,425 BUT ON A SHOW CALLED "GOOD MORNING, MISS BLISS." 163 00:06:31,459 --> 00:06:33,561 EVEN THOUGH WE STARTED OFF AT NBC, 164 00:06:33,594 --> 00:06:36,129 THE NETWORK PASSED ON THE SHOW ORIGINALLY. 165 00:06:36,163 --> 00:06:37,297 THAT MIGHT HAVE BEEN THE END OF IT. 166 00:06:37,330 --> 00:06:40,100 BUT A NEW CABLE NETWORK ONLY A FEW YEARS OLD 167 00:06:40,133 --> 00:06:41,969 DECIDED TO GIVE US A CHANCE... 168 00:06:42,002 --> 00:06:44,472 THE DISNEY CHANNEL. 169 00:06:44,505 --> 00:06:47,475 [YOUNG MC'S "PRINCIPAL'S OFFICE" PLAYS] 170 00:06:51,579 --> 00:06:52,913 COOL. 171 00:06:54,347 --> 00:06:56,950 * NOW, AS I GET TO SCHOOL I HEAR THE LATE BELL RINGING * 172 00:06:56,984 --> 00:06:59,587 * RUNNING THROUGH THE HALL I HEAR THE GLEE CLUB SINGING * 173 00:06:59,620 --> 00:07:01,822 * GET TO THE OFFICE I CAN HARDLY SPEAK * 174 00:07:01,855 --> 00:07:02,990 * 'CAUSE IT'S THE THIRD LATE PASS * 175 00:07:03,023 --> 00:07:04,257 * THAT I GOT THIS WEEK 176 00:07:04,291 --> 00:07:06,994 * SO TO MY FIRST CLASS I RUN AND DON'T WALK * 177 00:07:07,027 --> 00:07:09,463 * ALL I HEAR IS MY SNEAKERS AND THE SCRATCH OF THE CHALK * 178 00:07:09,497 --> 00:07:11,465 * AND WHEN I GET TO THE ROOM I HEAR THE TEACHER SAY * 179 00:07:11,499 --> 00:07:14,468 * MR. YOUNG, I'M HAPPY THAT YOU COULD JOIN US TODAY * 180 00:07:14,502 --> 00:07:16,870 * I TRY TO SIT DOWN SO I CAN TAKE SOME NOTES * 181 00:07:16,904 --> 00:07:19,507 * BUT I CAN'T READ WHAT THE KID NEXT TO ME WROTE * 182 00:07:19,540 --> 00:07:21,609 * AND IF THAT WASN'T ENOUGH TO MAKE MY MORNING COMPLETE * 183 00:07:21,642 --> 00:07:24,545 * AS I TRY TO GET UP I FIND THERE'S GUM ON MY SEAT * 184 00:07:24,578 --> 00:07:26,780 * AND WITH THE SEAT STUCK TO ME I RAISE MY HAND * 185 00:07:26,814 --> 00:07:28,215 * AND SAY, EXCUSE ME BUT CAN I GO TO THE BATHROOM, MA'AM... * 186 00:07:28,248 --> 00:07:29,517 DUSTIN! 187 00:07:29,550 --> 00:07:30,183 HAVE YOU SEEN YOUR DRESSING ROOM YET? 188 00:07:30,217 --> 00:07:31,652 I HAVE MY OWN DRESSING ROOM? 189 00:07:31,685 --> 00:07:33,554 DUDE, I DON'T EVEN HAVE MY OWN ROOM AT HOME. 190 00:07:35,989 --> 00:07:37,891 OH, CHECK THIS OUT! 191 00:07:47,968 --> 00:07:49,269 HEY, LARK, PRETTY COOL, HUH? 192 00:07:49,302 --> 00:07:51,138 YEAH. IT'S NICE. 193 00:07:52,540 --> 00:07:53,707 MARK-PAUL, WHERE ARE YOU GOING? 194 00:07:53,741 --> 00:07:54,675 UH... NOWHERE. 195 00:07:54,708 --> 00:07:55,709 I THOUGHT YOU WERE GOING TO REVIEW YOUR LINES, 196 00:07:55,743 --> 00:07:57,277 MAKE SURE YOU'RE PREPARED FOR THE TABLE READ. 197 00:07:57,310 --> 00:07:58,278 I DID. 198 00:07:58,311 --> 00:07:59,713 HI, I'M PAULINE, MARK-PAUL'S MOM. 199 00:07:59,747 --> 00:08:00,614 HEY. NICE TO MEET YOU. 200 00:08:00,648 --> 00:08:01,815 WE WON'T BE LONG, I PROMISE. 201 00:08:01,849 --> 00:08:03,584 15 MINUTES. IT'S YOUR FIRST REHEARSAL. 202 00:08:04,852 --> 00:08:05,686 IS YOUR MOM ASIAN? 203 00:08:05,719 --> 00:08:06,887 PART INDONESIAN. 204 00:08:06,920 --> 00:08:08,288 NOT EXACTLY WHAT YOU EXPECT, HUH? 205 00:08:08,321 --> 00:08:09,990 I DON'T THINK ANYONE TOLD YOUR HAIR 206 00:08:10,023 --> 00:08:12,059 IT WAS PART INDONESIAN. 207 00:08:15,228 --> 00:08:16,764 ARE WE SUPPOSED TO BE UP HERE? 208 00:08:16,797 --> 00:08:17,865 I DON'T KNOW. 209 00:08:20,067 --> 00:08:22,536 * MY BOOKS ARE REAL HEAVY I WALK AND I'M DRAGGIN' IT * 210 00:08:22,570 --> 00:08:25,038 * NO SCHOOL LUNCH NEXT WEEK I'M BROWN-BAGGING IT * 211 00:08:25,072 --> 00:08:27,174 * FORGET CLASS I'MMA SHOOT SOME BALL * 212 00:08:27,207 --> 00:08:29,777 * WITH A LATE PASS I GOT NO TROUBLE AT ALL * 213 00:08:29,810 --> 00:08:32,112 * BUT THEN THE NURSE WALKS UP AND SAYS, "WHADDAYA KNOW * 214 00:08:32,145 --> 00:08:35,015 * IT'S OFF TO THE PRINCIPAL'S OFFICE YOU GO" * 215 00:08:35,048 --> 00:08:36,717 [***] 216 00:08:38,852 --> 00:08:40,621 OH, HEY, DUSTIN, BY THE WAY... 217 00:08:40,654 --> 00:08:41,755 YOU'RE IT! 218 00:08:41,789 --> 00:08:44,592 [***] 219 00:08:53,734 --> 00:08:54,868 * RECESS! 220 00:08:54,902 --> 00:08:55,836 HAYLEY, 221 00:08:55,869 --> 00:08:57,705 THIS IS DENNIS HASKINS, OUR PRINCIPAL BELDING. 222 00:08:57,738 --> 00:08:58,706 DENNIS, I'D LIKE YOU TO MEET 223 00:08:58,739 --> 00:09:00,140 MISS BLISS, 224 00:09:00,173 --> 00:09:01,108 HAYLEY MILLS. 225 00:09:01,141 --> 00:09:02,242 [SIGHS NERVOUSLY] 226 00:09:02,275 --> 00:09:03,877 I'M A BIG FAN, MISS MILLS. 227 00:09:03,911 --> 00:09:05,579 HAYLEY, PLEASE. 228 00:09:05,613 --> 00:09:07,114 I HAD SUCH A CRUSH ON YOU 229 00:09:07,147 --> 00:09:08,649 BACK WHEN YOU DID THE PARENT TRAP. 230 00:09:09,750 --> 00:09:11,118 BOTH OF YOU, ACTUALLY. 231 00:09:11,151 --> 00:09:12,019 [GIGGLING] 232 00:09:13,954 --> 00:09:17,124 WELL, I THINK THIS IS GOING TO BE A LOT OF FUN. 233 00:09:17,157 --> 00:09:19,159 I HEAR YOU'RE A VERY TALENTED YOUNG MAN. 234 00:09:19,192 --> 00:09:21,228 YOU MUST HAVE BEEN TALKING TO MY MOM. 235 00:09:21,261 --> 00:09:22,429 [CHUCKLING] 236 00:09:22,462 --> 00:09:25,833 ALL RIGHT, LET'S JUST READ THROUGH THE SCENE ONCE, OKAY? 237 00:09:30,738 --> 00:09:31,571 I'LL BE HONEST. 238 00:09:31,605 --> 00:09:34,107 I AM SERIOUSLY CONSIDERING EXPULSION. 239 00:09:34,141 --> 00:09:35,609 PRINCIPAL BELDING, 240 00:09:35,643 --> 00:09:38,111 I KNOW THAT IF YOU GIVE ZACK ONE MORE CHANCE, 241 00:09:38,145 --> 00:09:39,980 HE'LL PROVE HOW SORRY HE IS. 242 00:09:40,013 --> 00:09:41,314 I DIDN'T MEAN TO SET THE FIRE ALARM-- 243 00:09:41,348 --> 00:09:43,617 QUACK! QUACK! QUACK! 244 00:09:43,651 --> 00:09:44,752 [QUACKING, KIDS GIGGLING] 245 00:09:45,986 --> 00:09:47,154 [GIGGLES AND LAUGHTER] 246 00:09:48,155 --> 00:09:50,123 DUSTIN! SHH! 247 00:09:52,025 --> 00:09:53,193 SORRY. 248 00:09:55,262 --> 00:09:56,697 QUACK. 249 00:09:56,730 --> 00:09:57,698 [LAUGHTER] 250 00:09:57,731 --> 00:09:58,799 DUSTIN... 251 00:10:01,201 --> 00:10:03,036 WHAT IS WRONG WITH THAT KID? 252 00:10:03,070 --> 00:10:04,004 HE'S AWESOME. 253 00:10:04,037 --> 00:10:05,906 [DUSTIN]: IT WAS MY FIRST TIME 254 00:10:05,939 --> 00:10:07,374 BEING PART OF A BIG SERIES, 255 00:10:07,407 --> 00:10:09,710 AND EVEN THOUGH I WAS THE YOUNGEST BY FAR, 256 00:10:09,743 --> 00:10:11,745 IT WAS LIKE FINDING A FAMILY YOU NEVER KNEW YOU HAD, 257 00:10:11,779 --> 00:10:13,013 OR GOING TO A SCHOOL WHERE NOBODY MADE FUN OF YOU, 258 00:10:13,046 --> 00:10:15,148 OR CALLED YOU A DORK. 259 00:10:15,182 --> 00:10:16,917 I'D NEVER BEEN HAPPIER, 260 00:10:16,950 --> 00:10:18,886 AND I HOPED IT WOULD LAST FOREVER. 261 00:10:18,919 --> 00:10:20,020 [PETER]: UNFORTUNATELY, 262 00:10:20,053 --> 00:10:23,957 THE DISNEY CHANNEL HAS DECIDED TO CANCEL MISS BLISS. 263 00:10:25,425 --> 00:10:27,861 I'M SORRY. 264 00:10:27,895 --> 00:10:31,832 I KNOW YOU ALL PUT YOUR HEARTS INTO THIS SHOW. 265 00:10:31,865 --> 00:10:34,968 I'M AFRAID THIS WEEK'S GOING TO BE OUR LAST EPISODE. 266 00:10:36,469 --> 00:10:38,972 AND JUST LIKE THAT, IT WAS OVER. 267 00:10:39,006 --> 00:10:40,340 WE WERE DONE. 268 00:10:40,373 --> 00:10:42,209 OF COURSE, AT THAT POINT, WE COULDN'T KNOW 269 00:10:42,242 --> 00:10:44,812 THIS WAS JUST OUR FIRST TIME TO BE CANCELED, 270 00:10:44,845 --> 00:10:46,079 AND IT WASN'T GOING TO BE OUR LAST. 271 00:10:46,113 --> 00:10:47,748 THE FRUSTRATING PART IS 272 00:10:47,781 --> 00:10:49,783 WE WERE JUST STARTING TO REALLY GEL. 273 00:10:49,817 --> 00:10:52,052 WE NEEDED MORE TIME. 274 00:10:52,085 --> 00:10:54,054 MY DAUGHTER REALLY LIKED THE SHOW. 275 00:10:54,087 --> 00:10:55,455 THE THING IS, 276 00:10:55,488 --> 00:10:57,925 SHE DIDN'T CARE SO MUCH ABOUT THE TEACHERS. 277 00:10:57,958 --> 00:10:59,292 WHAT SHE REALLY LOVED WERE THE KIDS. 278 00:11:00,994 --> 00:11:04,965 WHAT IF WE BROUGHT THE SHOW BACK TO NBC? 279 00:11:04,998 --> 00:11:07,768 MADE IT PART OF OUR SATURDAY MORNING LINE-UP? 280 00:11:07,801 --> 00:11:09,402 BUT SATURDAY MORNINGS 281 00:11:09,436 --> 00:11:11,004 ARE FOR CARTOONS. 282 00:11:11,038 --> 00:11:12,840 THAT'S WHAT CHILDREN WANT TO WATCH. 283 00:11:12,873 --> 00:11:15,108 THAT'S BECAUSE THAT'S ALL WE'VE GIVEN THEM TO WATCH. 284 00:11:15,142 --> 00:11:18,045 BUT WHAT ABOUT THE KIDS WHO WANT MORE THAN CARTOONS? 285 00:11:18,078 --> 00:11:20,247 THE 11 YEAR-OLDS, THE 12 YEAR-OLDS? 286 00:11:20,280 --> 00:11:21,882 THE KIDS THAT AREN'T CHILDREN ANYMORE, 287 00:11:21,915 --> 00:11:23,851 BUT THEY'RE NOT TEENS EITHER. 288 00:11:23,884 --> 00:11:26,153 YEAH, FORGET THE TEACHERS, 289 00:11:26,186 --> 00:11:27,454 MAKE IT ABOUT THE KIDS. 290 00:11:27,487 --> 00:11:30,090 NOBODY HAS EVER DONE A LIVE-ACTION COMEDY 291 00:11:30,123 --> 00:11:30,924 WITH JUST KIDS. 292 00:11:30,958 --> 00:11:33,126 EXACTLY. 293 00:11:33,160 --> 00:11:34,728 DO YOU THINK ENOUGH PEOPLE WILL WATCH IT 294 00:11:34,762 --> 00:11:36,864 IF IT DOESN'T HAVE AN ADULT STAR? 295 00:11:36,897 --> 00:11:38,365 KIDS DON'T CARE ABOUT ADULT STARS. 296 00:11:38,398 --> 00:11:41,001 THEY JUST WANT TO SEE THEMSELVES. 297 00:11:41,034 --> 00:11:41,869 WE COULD MAKE IT MORE FUN. 298 00:11:41,902 --> 00:11:43,904 WE'LL MOVE THE SCHOOL TO CALIFORNIA. 299 00:11:43,937 --> 00:11:46,774 EVERYBODY WANTS TO GO TO SCHOOL CLOSE TO THE BEACH, DON'T THEY? 300 00:11:47,841 --> 00:11:49,342 IT'S RISKY, 301 00:11:49,376 --> 00:11:52,980 BUT IT'S KIND OF EXCITING TOO. 302 00:11:53,013 --> 00:11:54,081 YOU'LL HAVE YOUR WORK CUT OUT FOR YOU. 303 00:11:54,114 --> 00:11:57,117 WE'VE GOT TO TRY TO FIND A WAY TO REACH AN AUDIENCE 304 00:11:57,150 --> 00:11:59,753 THAT NO ONE'S REALLY TAPPED INTO BEFORE. 305 00:11:59,787 --> 00:12:02,790 I'VE GOT IT! 306 00:12:02,823 --> 00:12:06,259 WE'LL CALL IT... "WHEN THE BELL RINGS!" 307 00:12:06,293 --> 00:12:07,795 HMM. 308 00:12:16,904 --> 00:12:19,272 HEY, BUDDY, HOW WAS SCHOOL TODAY? 309 00:12:19,306 --> 00:12:20,941 TERRIBLE. 310 00:12:20,974 --> 00:12:22,943 AWFUL. HUMILIATING. 311 00:12:22,976 --> 00:12:24,477 SAME AS ALWAYS. 312 00:12:24,511 --> 00:12:25,779 YEAH, WELL, YOU CAN'T LET PEOPLE PUSH YOU AROUND. 313 00:12:25,813 --> 00:12:27,514 YOU'VE GOT TO STAND UP FOR YOURSELF. 314 00:12:27,547 --> 00:12:28,581 RIGHT. 315 00:12:28,615 --> 00:12:30,283 AND THEN YOU CAN COME PICK ME UP IN THE HOSPITAL 316 00:12:30,317 --> 00:12:31,484 AFTERWARDS. 317 00:12:31,518 --> 00:12:33,020 MAYBE IF YOU STOPPED READING 318 00:12:33,053 --> 00:12:34,154 ALL THOSE FUNNY BOOKS 319 00:12:34,187 --> 00:12:35,956 AND YOU DID SOMETHING, LIKE... 320 00:12:35,989 --> 00:12:36,990 PLAYED A SPORT. 321 00:12:37,024 --> 00:12:38,125 HOW ABOUT BASEBALL? 322 00:12:38,158 --> 00:12:39,960 THAT MIGHT WORK. 323 00:12:39,993 --> 00:12:41,194 IT WON'T WORK. NOTHING WILL. 324 00:12:41,228 --> 00:12:43,196 WELL, YOU BETTER DO SOMETHING. 325 00:12:43,230 --> 00:12:45,365 [TELEPHONE RINGS] 326 00:12:46,967 --> 00:12:48,568 HELLO? 327 00:12:48,601 --> 00:12:50,470 YEAH, THIS IS DUSTIN, WHO'S THIS? 328 00:12:52,405 --> 00:12:54,074 REALLY? 329 00:12:54,107 --> 00:12:56,543 OH MY-- YEAH, THAT'D BE GREAT. 330 00:12:56,576 --> 00:12:58,011 OF COURSE! 331 00:12:58,045 --> 00:13:00,580 YEAH, HE'S RIGHT HERE, ONE SEC. 332 00:13:00,613 --> 00:13:01,581 IT'S THE SHOW, 333 00:13:01,614 --> 00:13:02,850 THEY'RE GOING TO BRING IT BACK, 334 00:13:02,883 --> 00:13:03,750 AND THIS TIME, 335 00:13:03,783 --> 00:13:05,285 IT'S GONNA BE ALL ABOUT SCREECH AND ZACK. 336 00:13:05,318 --> 00:13:07,354 MAYBE WE'LL BECOME ONE OF THOSE GREAT COMEDY TEAMS, 337 00:13:07,387 --> 00:13:09,089 LIKE LENNY AND SQUIGGY. 338 00:13:09,122 --> 00:13:11,391 AND NO MORE SCHOOL! 339 00:13:11,424 --> 00:13:12,860 YEAH. 340 00:13:12,893 --> 00:13:14,027 SOUNDS GOOD. 341 00:13:14,061 --> 00:13:15,262 OKAY. 342 00:13:15,295 --> 00:13:17,230 AS SOON AS THEY'RE DONE SEEING THE SLATERS, 343 00:13:17,264 --> 00:13:19,366 WE'LL BE CALLING IN THE KELLYS. 344 00:13:19,399 --> 00:13:21,434 [***] 345 00:13:26,139 --> 00:13:28,475 YOU'RE HERE FOR KELLY TOO? 346 00:13:28,508 --> 00:13:30,010 I GUESS WE'RE SUPPOSED TO, 347 00:13:30,043 --> 00:13:32,145 LIKE, HATE EACH OTHER OR SOMETHING, RIGHT? 348 00:13:32,179 --> 00:13:33,380 WELL, I PROMISE NOT TO HATE YOU 349 00:13:33,413 --> 00:13:34,381 IF YOU PROMISE NOT TO HATE ME. 350 00:13:34,414 --> 00:13:36,016 DEAL. 351 00:13:36,049 --> 00:13:37,417 I'M TIFFANI-AMBER. 352 00:13:37,450 --> 00:13:39,286 ELIZABETH. 353 00:13:39,319 --> 00:13:41,221 YOU KNOW, YOU ACTUALLY LOOK REALLY FAMILIAR. 354 00:13:41,254 --> 00:13:42,422 HAVE WE MET BEFORE? 355 00:13:42,455 --> 00:13:44,024 I DON'T KNOW. 356 00:13:44,057 --> 00:13:44,958 [GASPS] 357 00:13:44,992 --> 00:13:46,526 DO YOU TAKE CLASSES AT WESTSIDE BALLET? 358 00:13:46,559 --> 00:13:48,161 NO. 359 00:13:48,195 --> 00:13:49,262 ARE YOU A DANCER? 360 00:13:49,296 --> 00:13:51,298 YEAH, DANCING IS MY PASSION. 361 00:13:51,331 --> 00:13:52,632 I ACTUALLY GOT TO GO TO NEW YORK AND TRAIN 362 00:13:52,665 --> 00:13:53,633 LAST SUMMER. 363 00:13:53,666 --> 00:13:55,135 IT WAS AMAZING. 364 00:13:55,168 --> 00:13:58,972 I BET YOU'RE A BEAUTIFUL DANCER. 365 00:13:59,006 --> 00:14:00,273 OH, MY GOD, 366 00:14:00,307 --> 00:14:00,908 YOU'RE A MODEL, AREN'T YOU? 367 00:14:00,941 --> 00:14:02,910 THAT'S WHY I RECOGNIZE YOU. 368 00:14:02,943 --> 00:14:04,144 I SAW THAT PHOTO SPREAD YOU DID. 369 00:14:04,177 --> 00:14:05,412 YOU'RE THE COVER GIRL MODEL OF THE YEAR. 370 00:14:05,445 --> 00:14:06,479 THAT'S YOU, ISN'T IT? 371 00:14:06,513 --> 00:14:08,115 YEAH, THE THING IS, 372 00:14:08,148 --> 00:14:11,018 I REALLY WANT PEOPLE TO SEE ME AS AN ACTRESS. 373 00:14:11,051 --> 00:14:12,285 I KNOW. I FEEL THE SAME WAY. 374 00:14:12,319 --> 00:14:14,054 I JUST WANT TO BE TAKEN SERIOUSLY. 375 00:14:14,087 --> 00:14:15,455 EXACTLY. 376 00:14:17,925 --> 00:14:19,359 OH, I HATE THIS. 377 00:14:19,392 --> 00:14:21,461 -WHAT? -YOU'RE SO NICE. 378 00:14:21,494 --> 00:14:23,330 IT FEELS UNFAIR THAT WE HAVE TO GO UP AGAINST EACH OTHER. 379 00:14:23,363 --> 00:14:25,132 I KNOW. 380 00:14:25,165 --> 00:14:26,366 [SIGHING HEAVILY] 381 00:14:26,399 --> 00:14:30,971 A.C. SLATER IS SUPPOSED TO BE OUR JOHN TRAVOLTA CHARACTER, 382 00:14:31,004 --> 00:14:33,073 ITALIAN, A REAL LADIES' MAN. 383 00:14:33,106 --> 00:14:34,507 JUST GIVE HIM A CHANCE. 384 00:14:34,541 --> 00:14:36,276 I'M TELLING YOU, YOU'RE GONNA LOVE THIS KID. 385 00:14:36,309 --> 00:14:38,011 AND THE GIRLS ARE GONNA LOVE HIM TOO. 386 00:14:38,045 --> 00:14:39,346 HE'S LATINO. 387 00:14:39,379 --> 00:14:40,680 HE'S PERFECT. 388 00:14:40,713 --> 00:14:42,582 [***] 389 00:14:46,386 --> 00:14:48,455 READY WHEN YOU ARE. 390 00:14:57,530 --> 00:14:59,332 WE'RE UP. 391 00:15:03,203 --> 00:15:05,405 [LAUGHING] 392 00:15:05,438 --> 00:15:07,374 [***] 393 00:15:16,749 --> 00:15:20,120 SO WE'RE ELIMINATING THIS GIRL, JENNIE GARTH? 394 00:15:20,153 --> 00:15:22,122 I LIKE HER, 395 00:15:22,155 --> 00:15:24,224 BUT I THINK WE'VE GOT BETTER CHOICES. 396 00:15:24,257 --> 00:15:26,359 LEAVES US WITH TIFFANI-AMBER AND ELIZABETH. 397 00:15:26,393 --> 00:15:28,095 TIFFANI-AMBER WON 398 00:15:28,128 --> 00:15:29,062 THE MISS JUNIOR AMERICA BEAUTY PAGEANT, 399 00:15:29,096 --> 00:15:30,530 AND SHE WAS A COVER GIRL MODEL. 400 00:15:30,563 --> 00:15:31,631 SHE'S NEVER ACTED BEFORE, THOUGH. 401 00:15:31,664 --> 00:15:32,966 I JUST DON'T KNOW IF SHE'S READY. 402 00:15:33,000 --> 00:15:34,734 ELIZABETH IS A COUPLE OF YEARS OLDER, 403 00:15:34,767 --> 00:15:35,568 A LITTLE MORE EXPERIENCED, 404 00:15:35,602 --> 00:15:37,670 AND SHE'S GOT MORE RANGE. 405 00:15:37,704 --> 00:15:39,106 IT'S A COMEDY ABOUT KIDS. 406 00:15:39,139 --> 00:15:40,340 HOW MUCH RANGE DO YOU NEED? 407 00:15:40,373 --> 00:15:42,009 IT'S SHOOTING IN FRONT OF A LIVE AUDIENCE. 408 00:15:42,042 --> 00:15:44,111 THAT'S A LOT OF PRESSURE. 409 00:15:44,144 --> 00:15:46,746 TIFFANI-AMBER SEEMS MORE LIKE KELLY, 410 00:15:46,779 --> 00:15:48,215 BUT THEY'RE BOTH GREAT. 411 00:15:48,248 --> 00:15:49,316 THAT'S RIGHT, 412 00:15:49,349 --> 00:15:51,985 THEY ARE. 413 00:15:52,019 --> 00:15:52,986 SO WHY NOT USE BOTH OF THEM? 414 00:15:53,020 --> 00:15:55,122 IT'S SUPPOSED TO BE THREE GUYS AND TWO GIRLS. 415 00:15:55,155 --> 00:15:56,323 THEN WE'LL CHANGE IT. 416 00:15:56,356 --> 00:15:58,158 WE'LL WRITE A NEW CHARACTER SPECIFICALLY FOR ELIZABETH. 417 00:15:59,159 --> 00:16:01,194 [SIGHS] OF COURSE YOU WILL. 418 00:16:04,497 --> 00:16:07,067 [***] 419 00:16:13,340 --> 00:16:14,507 I HOPE YOU APPRECIATE-- 420 00:16:14,541 --> 00:16:15,775 I KNOW! I KNOW. 421 00:16:15,808 --> 00:16:17,210 SEE YOU LATER. 422 00:16:18,445 --> 00:16:21,081 [***] 423 00:16:24,417 --> 00:16:26,086 OH, HI, MRS. GOSSELAAR. 424 00:16:26,119 --> 00:16:27,254 WHERE'S MARK-PAUL? 425 00:16:27,287 --> 00:16:28,688 DOWN IN THE REHEARSAL STUDIO. 426 00:16:28,721 --> 00:16:30,290 YOU'D BETTER HURRY, YOU'LL BE LATE. 427 00:16:30,323 --> 00:16:31,691 [***] 428 00:16:35,762 --> 00:16:37,297 [NEEDLE SCRATCHES ON RECORD] 429 00:16:37,330 --> 00:16:38,398 [EVERYONE CHATTING] 430 00:16:38,431 --> 00:16:40,200 ...AS SOON AS I GET MY LICENSE... 431 00:16:40,233 --> 00:16:42,035 [CHATTING] 432 00:16:42,069 --> 00:16:43,570 HEY, MARK-PAUL. 433 00:16:43,603 --> 00:16:45,038 HEY. 434 00:16:45,072 --> 00:16:46,339 SO, WHEN YOU GO IN FOR YOUR TEST, 435 00:16:46,373 --> 00:16:48,441 DO THEY TRY AND TRICK YOU OR ANYTHING LIKE THAT? 436 00:16:48,475 --> 00:16:50,343 NO, MAN, IT'S EASY. YOU'LL ACE IT. 437 00:16:50,377 --> 00:16:51,311 WHEN DO YOU GO IN? 438 00:16:51,344 --> 00:16:52,279 A FEW MONTHS. 439 00:16:52,312 --> 00:16:53,313 [LARK]: YOU'RE GONNA BE FINE. 440 00:16:53,346 --> 00:16:55,048 MEMORIZING'S NOT THAT HARD. 441 00:16:55,082 --> 00:16:56,249 I JUST DON'T WANT TO MESS IT UP 442 00:16:56,283 --> 00:16:57,817 FOR EVERYONE ELSE. 443 00:16:57,850 --> 00:16:59,619 WE CAN ALL RUN LINES TOGETHER. 444 00:16:59,652 --> 00:17:01,588 IF EVERYONE COULD FIND A SEAT, 445 00:17:01,621 --> 00:17:02,755 WE'LL GET STARTED. 446 00:17:06,759 --> 00:17:07,594 [CLEARING THROAT AWKWARDLY] 447 00:17:20,373 --> 00:17:21,541 DUSTIN... 448 00:17:21,574 --> 00:17:23,110 I THINK YOU'RE ON THIS SIDE. 449 00:17:33,253 --> 00:17:35,155 I KNOW YOU'RE ALL EXCITED TO GET STARTED. 450 00:17:35,188 --> 00:17:36,423 WE'VE GOT SEVERAL NEW FACES. 451 00:17:36,456 --> 00:17:38,625 WELCOME. 452 00:17:38,658 --> 00:17:42,762 SO THIS NEW VERSION OF THE SHOW IS COMPLETELY DIFFERENT. 453 00:17:42,795 --> 00:17:44,397 WE'LL BE CENTERING AROUND THE STUDENTS... 454 00:17:45,765 --> 00:17:47,800 PARTICULARLY AROUND ZACK. 455 00:17:49,402 --> 00:17:50,670 HE WILL BE OUR WINDOW 456 00:17:50,703 --> 00:17:52,505 INTO THE WORLD OF BAYSIDE HIGH. 457 00:17:54,341 --> 00:17:55,542 HEY, WHAT ABOUT SCREECH? 458 00:17:55,575 --> 00:17:56,509 [CHUCKLES RUEFULLY] 459 00:17:56,543 --> 00:17:59,246 I GUESS YOU'RE JUST NOT BLOND ENOUGH, KID. 460 00:17:59,279 --> 00:18:00,147 NOW, I KNOW FOR MOST OF YOU, 461 00:18:00,180 --> 00:18:01,514 THIS IS YOUR FIRST SERIES, 462 00:18:01,548 --> 00:18:03,716 SO I WANT TO MAKE A FEW RULES CLEAR. 463 00:18:03,750 --> 00:18:05,652 THIS IS A JOB, 464 00:18:05,685 --> 00:18:07,187 AND I EXPECT YOU ALL 465 00:18:07,220 --> 00:18:09,122 TO BEHAVE ACCORDINGLY. 466 00:18:09,156 --> 00:18:10,290 NO SWEARING, 467 00:18:10,323 --> 00:18:12,225 NO DISRUPTIONS WHILE WE'RE WORKING, 468 00:18:12,259 --> 00:18:13,793 AND MOST IMPORTANTLY, 469 00:18:13,826 --> 00:18:16,263 I NEED YOU TO KEEP YOUR PERSONAL RELATIONSHIPS 470 00:18:16,296 --> 00:18:17,430 STRICTLY PROFESSIONAL. 471 00:18:20,467 --> 00:18:22,402 I UNDERSTAND, YOU'RE TEENAGERS, 472 00:18:22,435 --> 00:18:23,903 YOU'RE GROWING UP. 473 00:18:23,936 --> 00:18:26,906 BUT WHEN YOU'RE HERE, 474 00:18:26,939 --> 00:18:28,708 YOU MUST BE ACTORS FIRST. 475 00:18:30,910 --> 00:18:33,480 I HAVE THE HIGHEST LEVEL OF EXPECTATION 476 00:18:33,513 --> 00:18:35,815 FOR EACH AND EVERY ONE OF YOU. 477 00:18:35,848 --> 00:18:37,884 BUT I KNOW YOU'RE NOT GOING TO LET ME DOWN. 478 00:18:43,590 --> 00:18:44,557 CLEARLY, 479 00:18:44,591 --> 00:18:47,694 PETER DIDN'T KNOW MUCH ABOUT REAL TEENAGERS. 480 00:18:56,969 --> 00:18:59,272 OKAY, HERE WE GO, WE'RE GOING TO DO REHEARSAL. 481 00:18:59,306 --> 00:19:00,907 I NEED EVERYONE TO SETTLE. 482 00:19:00,940 --> 00:19:02,809 ALL RIGHT, HOLD THE WORK, OKAY? 483 00:19:02,842 --> 00:19:03,910 READY? 484 00:19:03,943 --> 00:19:05,912 ACTION, REHEARSAL. 485 00:19:08,348 --> 00:19:10,450 IT'S NONE OF YOUR BUSINESS, PREPPY. 486 00:19:10,483 --> 00:19:11,818 I'LL ASK HER OUT IF I WANT TO. 487 00:19:11,851 --> 00:19:13,386 ABSOLUTELY NOT. 488 00:19:13,420 --> 00:19:14,487 I FORBID IT. 489 00:19:14,521 --> 00:19:16,923 [SCOFFS] YOU FORBID IT? 490 00:19:18,725 --> 00:19:20,393 [SIGHS] WAIT, WHAT'S THAT LINE AGAIN? 491 00:19:21,461 --> 00:19:22,895 UH... 492 00:19:22,929 --> 00:19:24,664 "WHO ARE YOU, THE KING OF ENGLAND?" 493 00:19:24,697 --> 00:19:26,366 RIGHT, SORRY. 494 00:19:26,399 --> 00:19:27,400 I DON'T KNOW WHY I KEEP FORGETTING THAT. 495 00:19:27,434 --> 00:19:28,368 THAT'S ALL RIGHT. 496 00:19:28,401 --> 00:19:29,502 [CLEARS THROAT] 497 00:19:29,536 --> 00:19:31,704 WHO ARE YOU, THE KING OF ENGLAND? 498 00:19:31,738 --> 00:19:33,440 SOMETIMES HE THINKS HE IS. 499 00:19:33,473 --> 00:19:34,241 LARK, LARK, 500 00:19:34,274 --> 00:19:35,475 YOU'RE GOING TO HAVE TO SPEAK UP. 501 00:19:35,508 --> 00:19:36,343 WE'VE GOT AN AUDIENCE THIS TIME. 502 00:19:36,376 --> 00:19:37,310 NO ONE'S GOING TO BE ABLE TO HEAR YOU. 503 00:19:38,411 --> 00:19:40,413 SOMETIMES HE THINKS HE IS. 504 00:19:40,447 --> 00:19:41,648 WELL, PEOPLE DO SAY 505 00:19:41,681 --> 00:19:42,749 I HAVE SORT OF A ROYAL AIR-- 506 00:19:42,782 --> 00:19:43,716 CAN I COME OUT YET? 507 00:19:43,750 --> 00:19:44,884 NO, NO, DUSTIN, 508 00:19:44,917 --> 00:19:47,520 YOU'VE GOT TO LET MARIO AND MARK-PAUL FINISH THEIR BIT 509 00:19:47,554 --> 00:19:48,855 BEFORE YOU OPEN THE DOOR. 510 00:19:48,888 --> 00:19:50,390 OKAY? 511 00:19:54,327 --> 00:19:56,263 THIS IS A DISASTER. 512 00:19:56,296 --> 00:19:57,464 THEY'LL GET BETTER. 513 00:19:57,497 --> 00:19:59,266 GIVE THEM A LITTLE TIME. 514 00:19:59,299 --> 00:20:00,767 WE'RE SHOOTING IN FRONT OF A LIVE AUDIENCE. 515 00:20:00,800 --> 00:20:03,536 SOME OF THESE KIDS HAVE NEVER DONE THAT BEFORE. 516 00:20:03,570 --> 00:20:05,004 SO WE'LL KEEP WORKING WITH THEM. 517 00:20:05,037 --> 00:20:06,706 WE'LL GET THEM READY. 518 00:20:06,739 --> 00:20:08,341 YOU WON'T GET ONE LAUGH 519 00:20:08,375 --> 00:20:10,343 IF THEY'RE FUMBLING EVERY OTHER LINE. 520 00:20:10,377 --> 00:20:12,279 THEY WON'T. 521 00:20:12,312 --> 00:20:13,946 BRANDON'S STICKING HIS NECK OUT, 522 00:20:13,980 --> 00:20:16,616 TAKING A RISK ON THIS. 523 00:20:16,649 --> 00:20:19,218 WE HAVE TO MAKE IT WORK. 524 00:20:20,553 --> 00:20:22,622 ALL RIGHT, EVERYONE, HERE WE GO! 525 00:20:22,655 --> 00:20:25,292 REHEARSAL'S UP. 526 00:20:27,727 --> 00:20:29,462 [SLATER]: IT'S NONE OF YOUR BUSINESS, PREPPY. 527 00:20:39,439 --> 00:20:41,541 WHICH ARE THE SMALL ANGLES AGAIN, 528 00:20:41,574 --> 00:20:42,575 ACUTE OR OBTUSE? 529 00:20:42,609 --> 00:20:43,876 ACUTE. 530 00:20:43,910 --> 00:20:45,545 ACUTE, THANK YOU. 531 00:20:45,578 --> 00:20:46,979 I CAN REMEMBER ALL MY LINES, 532 00:20:47,013 --> 00:20:48,815 BUT I CAN'T REMEMBER THAT. 533 00:20:50,917 --> 00:20:52,719 I'LL BE RIGHT BACK. 534 00:20:52,752 --> 00:20:54,687 KEEP WORKING ON YOUR INDIVIDUAL ASSIGNMENTS. 535 00:21:00,660 --> 00:21:03,029 OH, MY GOD, THIS SUCKS! 536 00:21:03,062 --> 00:21:04,731 WHEN I GOT CAST, I WAS STOKED, 537 00:21:04,764 --> 00:21:05,665 'CAUSE I THOUGHT IT MEANT NO SCHOOL. 538 00:21:05,698 --> 00:21:06,999 BUT WE'RE TRAPPED IN THIS ROOM 539 00:21:07,033 --> 00:21:08,435 MORE THAN WE'RE OUT ON THE STAGE. 540 00:21:08,468 --> 00:21:10,069 IT'S TRUE. 541 00:21:10,102 --> 00:21:11,571 HEY, DID THE PRODUCERS ASK YOU GUYS 542 00:21:11,604 --> 00:21:13,373 WHAT TALENTS YOU HAVE? 543 00:21:13,406 --> 00:21:14,541 YEAH. 544 00:21:14,574 --> 00:21:16,876 THEY SAID THEY WANT TO, LIKE, WRITE IT INTO OUR CHARACTERS 545 00:21:16,909 --> 00:21:17,744 OR SOMETHING. 546 00:21:17,777 --> 00:21:18,911 TRY AND MAKE US MORE REAL. 547 00:21:18,945 --> 00:21:21,948 ALL I CAN THINK OF IS THAT I RIDE HORSES. 548 00:21:21,981 --> 00:21:22,982 I DON'T REALLY SEE THEM 549 00:21:23,015 --> 00:21:24,016 BRINGING HORSES ONTO THE SET. 550 00:21:24,050 --> 00:21:26,085 [LAUGHTER] 551 00:21:26,118 --> 00:21:27,587 WELL, YOU DID BEAUTY PAGEANTS ALL THOSE YEARS, 552 00:21:27,620 --> 00:21:29,389 MAYBE THEY CAN USE THAT? 553 00:21:29,422 --> 00:21:30,289 YEAH. 554 00:21:30,323 --> 00:21:32,359 I MEAN, I JUST TOLD THEM ABOUT MY DANCING. 555 00:21:32,392 --> 00:21:33,493 ME TOO. 556 00:21:33,526 --> 00:21:34,694 [SCOFFS] 557 00:21:34,727 --> 00:21:36,796 YOU'RE A DANCER? 558 00:21:36,829 --> 00:21:38,998 [CHUCKLES] 559 00:21:39,031 --> 00:21:40,433 YOU TELL ME. 560 00:21:40,467 --> 00:21:42,068 -NO. -COME ON. 561 00:21:42,101 --> 00:21:43,002 -NO. -JUST ONE DANCE. 562 00:21:43,035 --> 00:21:44,871 [ALL MURMURING IN ENCOURAGEMENT] 563 00:21:44,904 --> 00:21:46,473 -DO IT. -ACCEPT THE CHALLENGE. 564 00:21:46,506 --> 00:21:47,974 ALL RIGHT. FINE. 565 00:21:49,976 --> 00:21:52,078 OKAY, YOU READY? A SIMPLE TWO-STEP. 566 00:21:56,516 --> 00:21:58,050 VOILA. 567 00:21:58,084 --> 00:21:59,118 [CLAPPING] 568 00:21:59,151 --> 00:22:00,453 THANK YOU, THANK YOU. 569 00:22:00,487 --> 00:22:01,388 I THOUGHT YOU TOLD ME 570 00:22:01,421 --> 00:22:03,790 THAT YOU WERE A STATE CHAMPION WRESTLER? 571 00:22:03,823 --> 00:22:05,625 I AM. 572 00:22:05,658 --> 00:22:07,727 BUT I GREW UP IN CHULA VISTA. 573 00:22:07,760 --> 00:22:09,061 AND IF YOU'RE A GUY WHO DANCES, 574 00:22:09,095 --> 00:22:10,763 YOU SURE AS HELL BETTER KNOW HOW TO FIGHT TOO. 575 00:22:10,797 --> 00:22:11,764 [CHUCKLING] 576 00:22:11,798 --> 00:22:13,400 I STARTED KARATE. 577 00:22:13,433 --> 00:22:14,667 WHEN I GET MY BLACK BELT, 578 00:22:14,701 --> 00:22:16,068 I'LL BE ABLE TO KICK ASS TOO. 579 00:22:16,102 --> 00:22:17,704 COOL. 580 00:22:20,540 --> 00:22:21,841 [TIFFANI-AMBER]: I DON'T SEE 581 00:22:21,874 --> 00:22:23,643 HOW DANCING, OR WRESTLING, OR WHATEVER 582 00:22:23,676 --> 00:22:25,445 IS GOING TO HELP US. 583 00:22:25,478 --> 00:22:27,814 WE HAVE TO FIGURE OUT HOW TO BE FUNNIER. 584 00:22:27,847 --> 00:22:29,081 [MARK-PAUL]: YOU CAN'T MAKE YOURSELF 585 00:22:29,115 --> 00:22:30,850 BE FUNNIER. 586 00:22:30,883 --> 00:22:33,453 WE JUST HAVE TO TRY AND RELAX WHEN WE'RE OUT THERE. 587 00:22:33,486 --> 00:22:35,788 YEAH, WELL, THAT'S EASY FOR YOU TO SAY. 588 00:22:35,822 --> 00:22:36,923 HE CAN JUST BE HIMSELF, 589 00:22:36,956 --> 00:22:38,925 MR. ALL-AMERICAN BOY. 590 00:22:38,958 --> 00:22:39,926 WHOA, WHOA, WHOA, WHOA. 591 00:22:39,959 --> 00:22:42,395 FIRST OF ALL, I AM NOTHING LIKE ZACK, OKAY? 592 00:22:42,429 --> 00:22:44,631 MY DAD IS DUTCH, 593 00:22:44,664 --> 00:22:46,065 MY MOM IS PART INDONESIAN. 594 00:22:46,098 --> 00:22:47,567 I'M THE FIRST MEMBER OF MY FAMILY 595 00:22:47,600 --> 00:22:48,668 TO BE BORN IN AMERICA, 596 00:22:48,701 --> 00:22:50,670 THANK YOU VERY MUCH. 597 00:22:50,703 --> 00:22:52,739 YOU'RE NOT REALLY BLOND, EITHER. 598 00:22:52,772 --> 00:22:53,840 WHAT? 599 00:22:53,873 --> 00:22:55,141 [KIDS MURMUR AND CHUCKLE] 600 00:22:55,174 --> 00:22:58,010 LOOK, THE POINT... OF THIS IS... 601 00:22:58,044 --> 00:22:59,979 [LAUGHING] 602 00:23:00,012 --> 00:23:01,080 LOOK, THE POINT IS, 603 00:23:01,113 --> 00:23:03,115 FOR THIS SHOW TO WORK, WE HAVE TO HELP EACH OTHER. 604 00:23:03,149 --> 00:23:05,985 IF WE'RE HAVING FUN, THE AUDIENCE WILL FEEL THAT. 605 00:23:06,018 --> 00:23:06,953 IT'S TRUE. 606 00:23:06,986 --> 00:23:08,054 IT IS TRUE. 607 00:23:08,087 --> 00:23:12,091 IT'S HARD TO HAVE FUN WHEN YOU'RE SCARED TO DEATH. 608 00:23:14,527 --> 00:23:15,495 YEAH. 609 00:23:15,528 --> 00:23:17,464 WELL, THE ONLY THING I'M SCARED OF RIGHT NOW 610 00:23:17,497 --> 00:23:18,598 IS THIS TEACHER, 611 00:23:18,631 --> 00:23:21,468 AND I'M TRYING TO FINISH UP BEFORE SHE COMES BACK, SO... 612 00:23:21,501 --> 00:23:22,602 [LAUGHING] IT'S NEVER GOING TO STAY. 613 00:23:22,635 --> 00:23:24,003 [***] 614 00:23:24,036 --> 00:23:25,638 IT'S NEVER GOING TO STAY... 615 00:23:27,106 --> 00:23:29,108 NOPE. HERE. 616 00:23:29,141 --> 00:23:31,678 [CAMEO'S "WORD UP" PLAYS] 617 00:23:38,050 --> 00:23:41,754 * YO, PRETTY LADIES AROUND THE WORLD * 618 00:23:41,788 --> 00:23:43,756 * GOT A WEIRD THING TO SHOW YOU * 619 00:23:43,790 --> 00:23:45,892 * SO TELL ALL THE BOYS AND GIRLS * 620 00:23:45,925 --> 00:23:49,862 * TELL YOUR BROTHER, YOUR SISTER AND YOUR MAMMA TOO * 621 00:23:49,896 --> 00:23:52,031 * 'CAUSE WE'RE ABOUT TO THROW DOWN * 622 00:23:52,064 --> 00:23:54,166 * AND YOU'LL KNOW JUST WHAT TO DO * 623 00:23:54,200 --> 00:23:58,571 * WAVE YOUR HANDS IN THE AIR LIKE YOU DON'T CARE * 624 00:23:58,605 --> 00:24:00,239 * GLIDE BY THE PEOPLE * 625 00:24:00,272 --> 00:24:02,575 * AS THEY START TO LOOK AND STARE * 626 00:24:02,609 --> 00:24:06,579 * DO YOUR DANCE, DO YOUR DANCE DO YOUR DANCE QUICK * 627 00:24:06,613 --> 00:24:07,747 * MAMMA * 628 00:24:07,780 --> 00:24:10,650 * COME ON BABY, TELL ME WHAT'S THE WORD * 629 00:24:10,683 --> 00:24:15,221 * WORD UP, EVERYBODY SAY * 630 00:24:15,254 --> 00:24:19,058 * WHEN YOU HEAR THE CALL YOU'VE GOT TO GET IT UNDERWAY * 631 00:24:19,091 --> 00:24:23,530 * WORD UP, IT'S THE CODE WORD * 632 00:24:23,563 --> 00:24:25,732 * NO MATTER WHERE YOU SAY IT * 633 00:24:25,765 --> 00:24:27,266 * YOU'LL KNOW THAT YOU'LL BE HEARD NOW * 634 00:24:27,299 --> 00:24:31,804 * ALL YOU SUCKER DJs WHO THINK YOU'RE FLY * 635 00:24:31,838 --> 00:24:35,675 * THERE'S GOT TO BE A REASON AND WE KNOW THE REASON WHY * 636 00:24:35,708 --> 00:24:39,812 * YOU TRY TO PUT ON THOSE AIRS AND ACT REAL COOL * 637 00:24:39,846 --> 00:24:41,848 * BUT YA GOT TO REALIZE * 638 00:24:41,881 --> 00:24:45,051 * THAT YOU'RE ACTING LIKE FOOLS * 639 00:24:45,084 --> 00:24:46,919 QUIET, PLEASE. 640 00:24:46,953 --> 00:24:48,187 CAMERAS ROLLING. 641 00:24:48,220 --> 00:24:50,122 AND...ACTION. 642 00:24:51,257 --> 00:24:53,025 I CAN'T WAIT FOR THIS WEEKEND. 643 00:24:53,059 --> 00:24:54,627 PRESIDENT'S DAY MEANS ONE THING, 644 00:24:54,661 --> 00:24:56,028 SALES! 645 00:24:56,062 --> 00:24:57,697 RODEO DRIVE, HERE I COME. 646 00:24:57,730 --> 00:24:58,998 [AUDIENCE LAUGHS] 647 00:24:59,031 --> 00:25:00,833 CAN I COME WITH YOU? 648 00:25:00,867 --> 00:25:02,602 I CAN'T ACTUALLY AFFORD TO BUY ANYTHING, 649 00:25:02,635 --> 00:25:04,270 BUT IT'S ALWAYS FUN WATCHING YOU SPEND. 650 00:25:04,303 --> 00:25:05,538 [AUDIENCE LAUGHTER] 651 00:25:05,572 --> 00:25:07,006 I REFUSE TO CELEBRATE PRESIDENT'S DAY 652 00:25:07,039 --> 00:25:09,175 UNTIL WE HAVE OUR FIRST WOMAN PRESIDENT. 653 00:25:09,208 --> 00:25:10,176 [SLATER LAUGHS] 654 00:25:10,209 --> 00:25:11,077 WHAT? 655 00:25:11,110 --> 00:25:13,279 YOU DON'T THINK A WOMAN CAN BE PRESIDENT? 656 00:25:13,312 --> 00:25:14,380 SURE, 657 00:25:14,413 --> 00:25:17,083 AS LONG AS SHE HAS A GUY SHE CAN ASK FOR DIRECTIONS. 658 00:25:17,116 --> 00:25:18,618 [AUDIENCE]: OH... -YOU'RE SUCH A CHAUVINIST. 659 00:25:18,651 --> 00:25:19,586 [AUDIENCE CHUCKLES] 660 00:25:19,619 --> 00:25:21,988 IF THAT MEANS DEVILISHLY HANDSOME AND CHARMING, 661 00:25:22,021 --> 00:25:23,790 THEN I PLEAD GUILTY. 662 00:25:23,823 --> 00:25:25,257 [AUDIENCES LAUGHS HEARTILY] 663 00:25:25,291 --> 00:25:27,660 [LISA]: I'M SO READY FOR THIS WEEK TO BE OVER. 664 00:25:27,694 --> 00:25:31,598 [JESSIE]: TELL ME ABOUT IT, I'VE GOT TWO TESTS TOMORROW... 665 00:25:31,631 --> 00:25:32,999 [DUSTIN]: THE NEW SAVED BY THE BELL 666 00:25:33,032 --> 00:25:35,868 WAS COMPLETELY DIFFERENT FROM THE FIRST SHOW, 667 00:25:35,902 --> 00:25:38,671 LOUDER AND CRAZIER. 668 00:25:38,705 --> 00:25:40,673 BUT WE WERE ALSO MORE LIKE REAL TEENAGERS. 669 00:25:40,707 --> 00:25:41,841 OVER THE TOP, MAYBE, 670 00:25:41,874 --> 00:25:43,242 BUT NOT SO DIFFERENT FROM KIDS YOU MIGHT SEE 671 00:25:43,275 --> 00:25:45,612 AT YOUR OWN SCHOOL. 672 00:25:45,645 --> 00:25:46,713 AND AS IT ALL CAME TOGETHER, 673 00:25:46,746 --> 00:25:48,648 WE FINALLY STARTED TO TRUST EACH OTHER 674 00:25:48,681 --> 00:25:49,682 AND JUST HAVE FUN. 675 00:25:49,716 --> 00:25:50,750 YEAH, OF COURSE I REMEMBERED, MOM. 676 00:25:50,783 --> 00:25:52,218 YOU THINK I'D FORGET SOMETHING 677 00:25:52,251 --> 00:25:53,853 AS IMPORTANT AS YOUR BIRTHDAY DINNER? 678 00:25:53,886 --> 00:25:54,954 YEAH, OKAY, I'LL SEE YOU LATER. 679 00:25:54,987 --> 00:25:56,088 BYE. 680 00:25:56,122 --> 00:25:58,190 I TOTALLY FORGOT MY MOM'S BIRTHDAY DINNER. 681 00:25:58,224 --> 00:25:59,291 WHICH WOULDN'T BE SO BAD, 682 00:25:59,325 --> 00:26:01,193 EXCEPT I FINALLY GOT KELLY TO GO ON A DATE WITH ME 683 00:26:01,227 --> 00:26:02,294 THAT SAME NIGHT. 684 00:26:06,332 --> 00:26:09,368 "A HOUSE DIVIDED AGAINST ITSELF CANNOT STAND." 685 00:26:09,401 --> 00:26:11,337 [LAUGHTER] 686 00:26:11,370 --> 00:26:13,305 WHAT ARE YOU DOING? 687 00:26:13,339 --> 00:26:14,841 GETTING READY FOR PRESIDENTS DAY. 688 00:26:14,874 --> 00:26:16,042 WHO ARE YOU GOING AS? 689 00:26:16,075 --> 00:26:17,777 [LAUGHTER] 690 00:26:17,810 --> 00:26:19,812 UH, YOU KNOW IT'S NOT HALLOWEEN, RIGHT, SCREECH? 691 00:26:19,846 --> 00:26:20,780 I KNOW. 692 00:26:20,813 --> 00:26:22,181 IT'S EVEN BETTER! 693 00:26:22,214 --> 00:26:23,816 [LAUGHTER] 694 00:26:23,850 --> 00:26:25,752 HI, ZACK, WE STILL ON FOR SATURDAY NIGHT? 695 00:26:25,785 --> 00:26:26,786 YOU KNOW IT. 696 00:26:26,819 --> 00:26:28,254 [SCREECH]: ARE WE STILL ON FOR SATURDAY NIGHT? 697 00:26:28,287 --> 00:26:29,288 [LISA]: SURE. 698 00:26:29,321 --> 00:26:31,123 SOMEBODY HAS TO CARRY MY BAGS. 699 00:26:31,157 --> 00:26:33,860 [LAUGHTER] 700 00:26:33,893 --> 00:26:35,828 [APPLAUSE] 701 00:26:40,733 --> 00:26:41,934 HOW ABOUT A HUGE ROUND OF APPLAUSE 702 00:26:41,968 --> 00:26:43,770 FOR OUR AMAZING CAST! 703 00:26:43,803 --> 00:26:46,272 DENNIS HASKINS AS PRINCIPAL BELDING! 704 00:26:46,305 --> 00:26:49,375 [APPLAUSE] 705 00:26:49,408 --> 00:26:52,945 ELIZABETH BERKLEY AS JESSIE SPANO! 706 00:26:52,979 --> 00:26:55,047 [APPLAUSE AND CHEERS] 707 00:26:55,081 --> 00:26:57,950 MARIO LOPEZ AS A.C. SLATER! 708 00:26:57,984 --> 00:26:59,786 [APPLAUSE AND CHEERING] 709 00:27:01,387 --> 00:27:04,256 LARK VOORHIES AS LISA TURTLE! 710 00:27:04,290 --> 00:27:06,258 [APPLAUSE AND CHEERING] 711 00:27:06,292 --> 00:27:08,094 TIFFANI-AMBER THIESSEN 712 00:27:08,127 --> 00:27:10,763 AS KELLY KAPOWSKI! 713 00:27:10,797 --> 00:27:11,664 [APPLAUSE AND CHEERING] 714 00:27:13,132 --> 00:27:15,702 DUSTIN DIAMOND AS SCREECH POWERS! 715 00:27:15,735 --> 00:27:16,836 [CHEERING AND APPLAUSE] 716 00:27:27,313 --> 00:27:31,050 AND MARK-PAUL GOSSELAAR AS ZACK MORRIS! 717 00:27:31,083 --> 00:27:32,184 [APPLAUSE AND CHEERS] 718 00:27:32,218 --> 00:27:34,854 [CHEERING] 719 00:27:40,126 --> 00:27:42,695 [CROWD WHISTLES AND CHEERS] 720 00:27:49,435 --> 00:27:50,269 [MARK-PAUL READS]: "SAVED BY THE BELL 721 00:27:50,302 --> 00:27:52,004 FEATURES WOODEN ACTING, CHEAP SETS, 722 00:27:52,038 --> 00:27:53,172 AND RIDICULOUS PLOTS. 723 00:27:53,205 --> 00:27:54,907 THIS IS LOW-QUALITY PROGRAMMING. 724 00:27:54,941 --> 00:27:56,909 KIDS DESERVE BETTER. 725 00:27:56,943 --> 00:27:59,979 THE YOUNG CAST WAS CLEARLY CHOSEN FOR THEIR LOOKS 726 00:28:00,012 --> 00:28:01,347 AND NOT THEIR TALENT." 727 00:28:01,380 --> 00:28:02,882 GIMME THAT. 728 00:28:04,250 --> 00:28:05,184 DOUCHEBAGS. 729 00:28:08,020 --> 00:28:10,723 WHY DO THEY HATE US SO MUCH? 730 00:28:10,757 --> 00:28:12,859 WE SHOULDN'T READ ANY MORE. 731 00:28:12,892 --> 00:28:14,193 WE DON'T HAVE TO. 732 00:28:14,226 --> 00:28:17,229 THEY ALL SAY THE SAME THING. 733 00:28:17,263 --> 00:28:18,497 [SNIFFLING] 734 00:28:18,530 --> 00:28:20,232 HEY, DON'T CRY. 735 00:28:20,266 --> 00:28:22,201 WHAT DO THEY KNOW ANYWAY? 736 00:28:22,234 --> 00:28:23,302 YOU KNOW, IN CHURCH, 737 00:28:23,335 --> 00:28:24,336 THEY TELL US 738 00:28:24,370 --> 00:28:26,806 WE SHOULDN'T HAVE TOO MUCH PRIDE. 739 00:28:26,839 --> 00:28:29,041 SOMETIMES THAT'S REALLY HARD. 740 00:28:29,075 --> 00:28:31,377 [DUSTIN]: WHY ARE YOU GUYS SO HUNG UP ON THE REVIEWS? 741 00:28:31,410 --> 00:28:33,079 THE SHOW'S FOR KIDS. 742 00:28:33,112 --> 00:28:35,014 WHO CARES WHAT THE CRITICS SAY? 743 00:28:35,047 --> 00:28:36,983 EVERYBODY IS GOING TO READ THOSE. 744 00:28:37,016 --> 00:28:38,150 ALL OUR FRIENDS. 745 00:28:38,184 --> 00:28:39,018 AND FAMILIES. 746 00:28:39,051 --> 00:28:41,087 YEAH, BUT THEY DON'T CARE ABOUT THAT. 747 00:28:41,120 --> 00:28:42,955 IT'S NOT THAT BIG A DEAL. 748 00:28:44,791 --> 00:28:47,193 "SCREECH IS EASILY ONE OF THE MOST ANNOYING 749 00:28:47,226 --> 00:28:48,327 AND LEAST LIKEABLE CHARACTERS 750 00:28:48,360 --> 00:28:50,496 TO HIT TELEVISION IN RECENT YEARS. 751 00:28:50,529 --> 00:28:51,931 YOUNG COMEDIAN DUSTIN DIAMOND'S 752 00:28:51,964 --> 00:28:53,299 AWKWARD ATTEMPTS AT HUMOR 753 00:28:53,332 --> 00:28:56,202 ARE PAINFUL TO WATCH." 754 00:28:57,870 --> 00:28:59,939 SO? 755 00:29:09,515 --> 00:29:11,150 IT'S GOING TO BE OKAY. 756 00:29:11,183 --> 00:29:12,184 I'M GOING IN. 757 00:29:16,222 --> 00:29:18,090 [SIGHING HEAVILY] 758 00:29:18,124 --> 00:29:19,525 [ELEVATOR DINGS] 759 00:29:32,872 --> 00:29:34,306 I DON'T KNOW, THIS JERRY SEINFELD, 760 00:29:34,340 --> 00:29:35,975 HE'S VERY FUNNY, 761 00:29:36,008 --> 00:29:39,078 BUT THE PILOT FEELS TOO... JEWISH, TOO NEW YORK. 762 00:29:39,111 --> 00:29:40,046 LET ME CALL YOU BACK. 763 00:29:40,079 --> 00:29:42,181 I JUST HAD A BIG STAR WALK INTO MY OFFICE. 764 00:29:42,214 --> 00:29:43,349 OKAY? 765 00:29:43,382 --> 00:29:44,516 HEY, DUSTIN. 766 00:29:44,550 --> 00:29:46,085 THIS IS A SURPRISE. 767 00:29:46,118 --> 00:29:49,221 I JUST WALKED IN, I'M SORRY. IS THAT OKAY? 768 00:29:49,255 --> 00:29:50,189 FOR YOU, NO PROBLEM. 769 00:29:50,222 --> 00:29:51,057 WHAT'S ON YOUR MIND? 770 00:29:51,090 --> 00:29:52,859 OKAY, WELL, UH, 771 00:29:52,892 --> 00:29:53,993 YOU'RE, LIKE, THE HEAD OF EVERYTHING, RIGHT? 772 00:29:54,994 --> 00:29:57,596 MAYBE NOT EVERYTHING, BUT... 773 00:29:57,629 --> 00:29:59,298 I THINK WE SHOULD CHANGE SCREECH. 774 00:29:59,331 --> 00:30:01,033 I MEAN, WHY DOES HE HAVE TO BE SUCH A GEEK? 775 00:30:02,301 --> 00:30:04,937 WELL, THAT'S WHAT MAKES HIM FUNNY. 776 00:30:04,971 --> 00:30:07,006 YOU'RE GREAT AT THAT. 777 00:30:07,039 --> 00:30:08,374 ALL THE OTHER KIDS GET TO BE COOL. 778 00:30:08,407 --> 00:30:10,877 THEIR HAIR, AND THEIR CLOTHES, AND EVERYTHING, 779 00:30:10,910 --> 00:30:12,879 AND I'M JUST THE GUY THAT EVERYBODY LAUGHS AT. 780 00:30:12,912 --> 00:30:14,480 THAT'S THE CHARACTER, NOT YOU. 781 00:30:14,513 --> 00:30:16,048 YEAH, WELL, TELL THEM THAT. 782 00:30:18,184 --> 00:30:19,919 YOU KNOW WHAT, I LOVE SCREECH. 783 00:30:19,952 --> 00:30:22,554 AND THE TRUTH IS, 784 00:30:22,588 --> 00:30:25,424 EVERY ONE OF US HAS A LITTLE GEEK INSIDE OF US, 785 00:30:25,457 --> 00:30:28,560 SOME OF US MORE THAN OTHERS, BUT... 786 00:30:28,594 --> 00:30:30,296 MY DAUGHTER SAYS YOU MAKE HER LAUGH 787 00:30:30,329 --> 00:30:31,898 MORE THAN ANYBODY ELSE ON THE SHOW, 788 00:30:31,931 --> 00:30:34,033 AND SHE'S NOT SAYING THAT BECAUSE SHE'S LAUGHING AT YOU. 789 00:30:34,066 --> 00:30:36,068 YOU JUST... YOU MAKE HER SMILE. 790 00:30:37,904 --> 00:30:38,971 AND AS YOU GET OLDER, 791 00:30:39,005 --> 00:30:41,140 YOU'LL REALIZE HOW IMPORTANT THAT IS. 792 00:30:43,175 --> 00:30:45,611 SO SCREECH DATING THE HOTTEST GIRL IN SCHOOL IS OUT? 793 00:30:47,013 --> 00:30:48,881 [CHUCKLES] MAYBE FOR NOW. 794 00:30:48,915 --> 00:30:50,416 BUT FOR DUSTIN DIAMOND, 795 00:30:50,449 --> 00:30:52,919 ANYTHING IS POSSIBLE. 796 00:30:57,089 --> 00:31:01,460 WELL, I WISH I HAD BETTER NEWS, 797 00:31:01,493 --> 00:31:05,464 BUT THE RATINGS JUST AREN'T WHAT THE NETWORK HOPED. 798 00:31:06,966 --> 00:31:08,467 [WHISPERING] WE'RE GETTING CANCELED? 799 00:31:08,500 --> 00:31:11,337 BUGS BUNNY'S KICKING OUR BUTTS. 800 00:31:11,370 --> 00:31:13,205 [PETER]: I WANT YOU TO KNOW 801 00:31:13,239 --> 00:31:16,675 THAT YOU ALL DID A FANTASTIC JOB. 802 00:31:16,708 --> 00:31:19,511 WE COULDN'T BE PROUDER. 803 00:31:20,980 --> 00:31:24,216 I TOLD YOU IT WASN'T GONNA BE THE LAST TIME. 804 00:31:24,250 --> 00:31:26,585 A LOT OF PEOPLE AT THE NETWORK DIDN'T BELIEVE IN US. 805 00:31:26,618 --> 00:31:29,989 THEY WOULD'VE BEEN THRILLED TO SEE US CANCELED. 806 00:31:30,022 --> 00:31:31,958 BUT THEN SOMETHING AMAZING STARTED TO HAPPEN. 807 00:31:31,991 --> 00:31:33,960 [***] 808 00:31:33,993 --> 00:31:35,227 KIDS STARTED TALKING, 809 00:31:35,261 --> 00:31:36,228 AND THE MORE THEY TALKED, 810 00:31:36,262 --> 00:31:38,130 THE MORE PEOPLE STARTED WATCHING. 811 00:31:40,399 --> 00:31:44,103 * YO, PRETTY LADIES AROUND THE WORLD * 812 00:31:44,136 --> 00:31:46,005 * GOT A WEIRD THING TO SHOW YOU * 813 00:31:46,038 --> 00:31:48,174 * SO TELL ALL THE BOYS AND GIRLS * 814 00:31:48,207 --> 00:31:53,980 * NO ROMANCE, NO ROMANCE NO ROMANCE FOR ME, MAMMA... * 815 00:31:54,013 --> 00:31:55,247 [DUSTIN]: THE SHOW THAT WOULDN'T DIE 816 00:31:55,281 --> 00:31:56,582 GOT YET ANOTHER CHANCE? 817 00:31:56,615 --> 00:31:58,450 PETER! 818 00:31:58,484 --> 00:32:00,286 HAVE YOU SEEN THE NUMBERS? 819 00:32:00,319 --> 00:32:01,520 [SIGHS] 820 00:32:01,553 --> 00:32:03,555 I KNOW, THEY, UH, AREN'T WHAT YOU HOPED. 821 00:32:03,589 --> 00:32:06,492 YOU DON'T UNDERSTAND, PETER. 822 00:32:06,525 --> 00:32:08,494 IT'S LIKE EVERY TEENAGER IN AMERICA 823 00:32:08,527 --> 00:32:10,496 SUDDENLY DISCOVERED THIS SHOW. 824 00:32:10,529 --> 00:32:11,630 SO THE RATINGS WENT UP? 825 00:32:11,663 --> 00:32:12,364 UP? 826 00:32:12,398 --> 00:32:14,166 THEY WENT THROUGH THE ROOF. 827 00:32:14,200 --> 00:32:17,369 PETER, YOU HAVE A BONA FIDE HIT ON YOUR HANDS. 828 00:32:17,403 --> 00:32:19,471 [CHUCKLES IN DISBELIEF] 829 00:32:19,505 --> 00:32:20,406 CONGRATULATIONS. 830 00:32:20,439 --> 00:32:21,707 GOOD JOB. 831 00:32:26,312 --> 00:32:27,113 [***] 832 00:32:27,146 --> 00:32:29,081 [DUSTIN]: GUYS! [MARK-PAUL]: WHAT? 833 00:32:29,115 --> 00:32:30,049 [DUSTIN]: YOU'RE NOT GOING TO BELIEVE THIS. 834 00:32:30,082 --> 00:32:35,121 [DISTANT SCREAMING] 835 00:32:35,154 --> 00:32:36,155 OH, MY GOD. 836 00:32:36,188 --> 00:32:38,590 THIS IS UNBELIEVABLE. 837 00:32:38,624 --> 00:32:41,027 [FANS SCREAMING AND CHEERING] 838 00:32:59,545 --> 00:33:00,779 [DUSTIN]: BY THE TIME 839 00:33:00,812 --> 00:33:02,048 THE SECOND SEASON OF SAVED BY THE BELL STARTED, 840 00:33:02,081 --> 00:33:05,051 EVERY KID IN AMERICA HAD HEARD OF ZACK AND KELLY, 841 00:33:05,084 --> 00:33:06,585 JESSIE AND SLATER, 842 00:33:06,618 --> 00:33:07,686 LISA TURTLE, 843 00:33:07,719 --> 00:33:09,188 AND EVEN SCREECH... 844 00:33:09,221 --> 00:33:10,422 SCREECH! SCREECH! 845 00:33:10,456 --> 00:33:11,757 [CHEERING IN EXCITEMENT] 846 00:33:11,790 --> 00:33:14,093 YOU'RE SO FUNNY! 847 00:33:14,126 --> 00:33:15,394 THANK YOU. 848 00:33:15,427 --> 00:33:17,063 CAN I HAVE YOUR AUTOGRAPH? 849 00:33:17,096 --> 00:33:18,064 SURE. 850 00:33:19,131 --> 00:33:21,300 LISA TURTLE SHOULD TOTALLY GO OUT WITH YOU, SCREECH! 851 00:33:21,333 --> 00:33:22,468 [DUSTIN CHUCKLES] 852 00:33:22,501 --> 00:33:23,569 HERE YOU GO. 853 00:33:23,602 --> 00:33:26,405 [GASPING IN EXCITEMENT] 854 00:33:28,074 --> 00:33:29,208 I LOVE YOU, KELLY! 855 00:33:29,241 --> 00:33:31,077 I LOVE YOU TOO. 856 00:33:31,110 --> 00:33:32,678 YOU'RE EVEN CUTER IN PERSON! 857 00:33:32,711 --> 00:33:34,413 [LAUGHS] THANK YOU. 858 00:33:34,446 --> 00:33:36,248 WILL YOU SIGN MY BELLY BUTTON? 859 00:33:36,282 --> 00:33:38,084 UH, SURE. 860 00:33:38,117 --> 00:33:39,585 MINE TOO. 861 00:33:39,618 --> 00:33:40,486 MOM! 862 00:33:40,519 --> 00:33:42,154 NO PROBLEM. 863 00:33:42,188 --> 00:33:44,323 [SCREAMING AND CHEERING] 864 00:33:44,356 --> 00:33:45,324 HI! 865 00:33:48,327 --> 00:33:50,262 WHOA, WHOA, EASY, THERE, GUYS. 866 00:33:50,296 --> 00:33:53,065 WHOA, HEY, HEY, HEY! HEY, HEY, HEY! 867 00:33:53,099 --> 00:33:54,800 COME ON, MAN! GET THEM OFF OF ME! 868 00:33:54,833 --> 00:33:56,102 OKAY, THAT'S IT. 869 00:33:56,135 --> 00:33:59,771 OUT! OUT! GO, GO, GO, GO! 870 00:33:59,805 --> 00:34:01,640 [FANS SCREAMING] 871 00:34:08,114 --> 00:34:09,248 [ALL BURST OUT LAUGHING] 872 00:34:09,281 --> 00:34:11,150 [CHEERING IN TRIUMPH] 873 00:34:14,286 --> 00:34:15,754 [***] 874 00:34:15,787 --> 00:34:16,788 LOOK AT YOUR SHIRT! 875 00:34:21,393 --> 00:34:23,562 "SAVED BY THE BELL" ISN'T JUST A SUCCESSFUL SHOW FOR US, 876 00:34:23,595 --> 00:34:25,664 IT'S BECOMING A VERY IMPORTANT COMMODITY. 877 00:34:25,697 --> 00:34:28,367 WE'RE CLOSING MORE FOREIGN RIGHTS DEALS EVERY DAY. 878 00:34:28,400 --> 00:34:29,535 IT'S GOING GLOBAL. 879 00:34:29,568 --> 00:34:32,404 WHICH MEANS WE NEED TO PROTECT THE SHOW. 880 00:34:32,438 --> 00:34:33,839 PART OF WHAT MAKES THIS SHOW WORK 881 00:34:33,872 --> 00:34:35,641 IS THE WHOLESOME IMAGE OF ITS STARS. 882 00:34:35,674 --> 00:34:38,810 THEY'RE SUPPOSED TO BE FUNNY AND SWEET. 883 00:34:38,844 --> 00:34:40,412 NOT THIS. 884 00:34:41,747 --> 00:34:43,815 WHO AUTHORIZED THESE PICTURES? 885 00:34:43,849 --> 00:34:46,352 SEXY SELLS. ISN'T THAT WHAT WE WANT? 886 00:34:46,385 --> 00:34:48,587 NO. NOT WHEN IT UNDERMINES THE BRAND. 887 00:34:50,289 --> 00:34:51,557 WE NEED TO TAKE CONTROL. 888 00:34:51,590 --> 00:34:52,891 KEEP THESE KIDS IN LINE. 889 00:34:52,924 --> 00:34:54,860 THEY'RE TEENAGERS IN HOLLYWOOD. 890 00:34:54,893 --> 00:34:56,228 THEY'RE GONNA GET IN TROUBLE. 891 00:34:56,262 --> 00:34:57,229 IT'S LIKE AN UNWRITTEN LAW. 892 00:34:57,263 --> 00:34:59,298 OUR JOB IS TO MAKE SURE THAT DOESN'T HAPPEN. 893 00:35:01,233 --> 00:35:02,468 THIS SHOW IS POTENTIALLY WORTH 894 00:35:02,501 --> 00:35:04,136 HUNDREDS OF MILLIONS TO THE NETWORK. 895 00:35:04,170 --> 00:35:07,173 WE DO WHATEVER IT TAKES TO PROTECT OUR INVESTMENT. 896 00:35:07,206 --> 00:35:08,440 IT'S NOT FAIR! 897 00:35:08,474 --> 00:35:09,208 THE RULES HAVEN'T CHANGED 898 00:35:09,241 --> 00:35:10,709 JUST BECAUSE THE SHOW'S DOING WELL. 899 00:35:10,742 --> 00:35:12,711 WELL, I'M 16! I WANT TO BUY MY OWN CAR! 900 00:35:12,744 --> 00:35:14,413 WHAT'S WRONG WITH THAT? 901 00:35:14,446 --> 00:35:16,682 YOU GET $20 A WEEK TO SPEND AS YOU SEE FIT. 902 00:35:16,715 --> 00:35:18,650 THAT'S NOT ENOUGH TO BUY A CAR. 903 00:35:18,684 --> 00:35:19,851 I'M MAKING THOUSANDS! 904 00:35:19,885 --> 00:35:21,287 AND YOUR DAD AND I 905 00:35:21,320 --> 00:35:22,854 ARE PUTTING IT ALL INTO AN ACCOUNT FOR YOU. 906 00:35:22,888 --> 00:35:24,356 FOR COLLEGE. 907 00:35:24,390 --> 00:35:25,191 FOR THE FUTURE. 908 00:35:25,224 --> 00:35:27,326 I'M THE ONE WHO DOES THE WORK, OKAY? 909 00:35:27,359 --> 00:35:28,360 IT'S MY MONEY, 910 00:35:28,394 --> 00:35:29,361 AND I SHOULD BE ABLE TO DO WHAT I WANT WITH IT! 911 00:35:30,829 --> 00:35:32,598 I KNOW THIS DOESN'T SEEM FAIR RIGHT NOW. 912 00:35:32,631 --> 00:35:33,732 BUT WE'RE DOING THIS FOR YOU. 913 00:35:33,765 --> 00:35:34,766 IT'S STUPID. 914 00:35:34,800 --> 00:35:36,468 HEY! WATCH THE TONE. 915 00:35:36,502 --> 00:35:38,704 DO YOU WANT TO BE GROUNDED AGAIN? 916 00:35:38,737 --> 00:35:40,439 GROUNDED? SERIOUSLY? 917 00:35:40,472 --> 00:35:41,240 SERIOUSLY. 918 00:35:47,213 --> 00:35:48,514 [DOOR SLAMS] 919 00:35:55,421 --> 00:35:57,423 [LAUGHING] 920 00:36:00,259 --> 00:36:01,260 [ELIZABETH]: IT JUST FEELS WEIRD, YOU KNOW? 921 00:36:01,293 --> 00:36:02,494 IN REAL LIFE, 922 00:36:02,528 --> 00:36:04,763 I GRADUATED FROM HIGH SCHOOL LAST WEEK, 923 00:36:04,796 --> 00:36:07,599 BUT THE WHOLE WORLD STILL JUST SEES ME AS A SOPHOMORE. 924 00:36:07,633 --> 00:36:10,269 I JUST ALWAYS FIGURED AFTER I GRADUATED, 925 00:36:10,302 --> 00:36:11,637 I WOULD BE HEADING OFF TO COLLEGE 926 00:36:11,670 --> 00:36:13,939 SOMEWHERE TOTALLY EXCITING. 927 00:36:13,972 --> 00:36:16,708 BUT INSTEAD, I'M STILL JUST TRAPPED IN HIGH SCHOOL. 928 00:36:16,742 --> 00:36:18,344 AT LEAST YOU'RE GETTING PAID FOR IT. 929 00:36:18,377 --> 00:36:19,445 [CHUCKLES] YEAH. 930 00:36:19,478 --> 00:36:21,247 HI... 931 00:36:21,280 --> 00:36:22,648 WE'RE SORRY TO BOTHER YOU, BUT... 932 00:36:22,681 --> 00:36:23,749 WE JUST WANTED TO SAY 933 00:36:23,782 --> 00:36:25,817 HOW MUCH WE LOVE YOU, 934 00:36:25,851 --> 00:36:26,685 ALL OF YOU. 935 00:36:26,718 --> 00:36:29,488 OH, THAT'S SO SWEET. 936 00:36:29,521 --> 00:36:31,423 MAYBE THIS SOUNDS DUMB, 937 00:36:31,457 --> 00:36:33,425 BUT IT FEELS LIKE I KNOW YOU. 938 00:36:33,459 --> 00:36:34,793 [GIGGLING] 939 00:36:34,826 --> 00:36:36,528 NO, THAT DOESN'T SOUND DUMB AT ALL. 940 00:36:36,562 --> 00:36:37,563 WHEN YOU CAUGHT ZACK 941 00:36:37,596 --> 00:36:38,630 LYING TO YOU, 942 00:36:38,664 --> 00:36:41,267 AND YOU STOOD UP FOR YOURSELF? 943 00:36:41,300 --> 00:36:44,403 OH, MY GOD, I WENT OUT THE NEXT DAY 944 00:36:44,436 --> 00:36:45,604 AND BROKE UP WITH MY BOYFRIEND 945 00:36:45,637 --> 00:36:47,506 BECAUSE I KNEW HE WAS LYING TO ME TOO. 946 00:36:47,539 --> 00:36:50,809 OH, THAT'S... THAT'S TERRIBLE. 947 00:36:50,842 --> 00:36:54,413 SO THE SHOW REALLY MADE A DIFFERENCE FOR YOU? 948 00:36:54,446 --> 00:36:58,250 IT'S LIKE WATCHING MY LIFE RIGHT THERE ON TV. 949 00:37:02,354 --> 00:37:03,555 [MARIO]: THE PRODUCERS WILL NEVER GO FOR IT. 950 00:37:03,589 --> 00:37:04,823 THE SHOW'S WORKING. 951 00:37:04,856 --> 00:37:05,791 THEY'RE NOT GONNA WANT TO CHANGE IT. 952 00:37:05,824 --> 00:37:07,959 YEAH, BUT YOU SHOULD HAVE HEARD THESE GIRLS. 953 00:37:07,993 --> 00:37:10,729 SAVED BY THE BELL REALLY SPEAKS TO THEM. 954 00:37:10,762 --> 00:37:11,730 THEY'RE JUST HAVING A GOOD TIME. 955 00:37:11,763 --> 00:37:13,965 I MEAN, WHY RUIN IT BY GETTING ALL SERIOUS? 956 00:37:13,999 --> 00:37:15,834 IT'S MORE THAN THAT. THESE GIRLS IDENTIFY WITH US. 957 00:37:15,867 --> 00:37:17,703 IT'S LIKE THEY'RE GOING TO SCHOOL WITH US. 958 00:37:17,736 --> 00:37:18,670 WHICH IS WHY WE SHOULD BE TACKLING 959 00:37:18,704 --> 00:37:20,306 MORE SERIOUS SUBJECTS, 960 00:37:20,339 --> 00:37:22,674 REAL THINGS THAT REAL TEENAGERS ARE DEALING WITH. 961 00:37:22,708 --> 00:37:24,310 WE COULD ACTUALLY HAVE A VOICE. 962 00:37:24,343 --> 00:37:25,544 YEAH, BUT WE'RE A COMEDY. 963 00:37:25,577 --> 00:37:27,346 M.A.S.H. WAS A COMEDY. 964 00:37:27,379 --> 00:37:29,047 ALL IN THE FAMILY WAS A COMEDY, 965 00:37:29,080 --> 00:37:31,016 AND THEY DEALT WITH A LOT OF SERIOUS SUBJECTS. 966 00:37:31,049 --> 00:37:33,485 YEAH, WE COULD BE LIKE THAT, BUT FOR KIDS OUR AGE. 967 00:37:33,519 --> 00:37:34,753 LIKE MAYBE THE WRITERS COULD COME UP 968 00:37:34,786 --> 00:37:35,654 WITH SOMETHING ON DRUNK DRIVING. 969 00:37:35,687 --> 00:37:36,555 OR DRUG ABUSE. 970 00:37:36,588 --> 00:37:37,889 I DON'T KNOW. 971 00:37:37,923 --> 00:37:39,325 DOESN'T THAT SOUND KIND OF... HEAVY? 972 00:37:39,358 --> 00:37:41,327 IT COULD BE GREAT. 973 00:37:41,360 --> 00:37:42,728 YEAH, BUT WE NEED YOU GUYS TO BACK US UP. 974 00:37:42,761 --> 00:37:43,862 WE HAVE TO STAND TOGETHER, 975 00:37:43,895 --> 00:37:44,830 OR THEY'LL JUST IGNORE US. 976 00:37:44,863 --> 00:37:45,697 YEAH. 977 00:37:49,601 --> 00:37:50,936 WHAT DID YOU HAVE IN MIND? 978 00:37:52,904 --> 00:37:54,440 OKAY, WE'LL START WITH THE WRITERS. 979 00:37:54,473 --> 00:37:55,874 JUST SMALL THINGS AT FIRST. 980 00:37:55,907 --> 00:37:56,942 YEAH, AND IF WE CAN CONVINCE THEM 981 00:37:56,975 --> 00:37:58,310 TO KEEP MAKING IT MORE REAL, 982 00:37:58,344 --> 00:37:59,478 THEY'LL CONVINCE PETER. 983 00:37:59,511 --> 00:38:00,546 ALL THOSE CRITICS SAID 984 00:38:00,579 --> 00:38:02,481 THAT WE WERE DOING JUST A DUMB HIGH SCHOOL SHOW. 985 00:38:02,514 --> 00:38:05,484 WE'RE GOING TO PROVE THEM WRONG. 986 00:38:05,517 --> 00:38:06,885 [DUSTIN]: GROWING UP IN FRONT OF THE CAMERA 987 00:38:06,918 --> 00:38:07,853 SOUNDS PRETTY EXCITING, HUH? 988 00:38:09,655 --> 00:38:11,890 SOMETIMES IT WAS. 989 00:38:11,923 --> 00:38:13,459 BUT A LOT OF THE TIME WE JUST SPENT WAITING AROUND, 990 00:38:13,492 --> 00:38:15,794 TRYING NOT TO BE BORED OUT OF OUR MINDS. 991 00:38:31,777 --> 00:38:33,645 [SCREAMING] 992 00:38:33,679 --> 00:38:34,646 [LAUGHING] 993 00:38:34,680 --> 00:38:36,815 IT'S OKAY, IT'S NOT REAL. 994 00:38:36,848 --> 00:38:40,051 I HATE WORKING WITH KIDS. 995 00:38:42,053 --> 00:38:44,423 GEEZ, IT WAS JUST A JOKE. 996 00:38:48,560 --> 00:38:49,795 [DUSTIN]: MARIO, OF COURSE, 997 00:38:49,828 --> 00:38:52,798 FOUND OTHER WAYS TO PASS THE TIME. 998 00:38:52,831 --> 00:38:54,800 THIS IS WHERE ALL THE MAGIC HAPPENS. 999 00:38:54,833 --> 00:38:55,934 I CAN'T BELIEVE I'M HERE. 1000 00:38:55,967 --> 00:38:57,803 THIS LOOKS JUST LIKE ON TV. 1001 00:38:57,836 --> 00:38:59,671 YOU REALLY LIKE THE SHOW, HUH? 1002 00:38:59,705 --> 00:39:01,940 WHAT'S YOUR FAVORITE PART? 1003 00:39:01,973 --> 00:39:03,842 YOU. 1004 00:39:13,619 --> 00:39:15,721 COME ON, I'LL SHOW YOU THE REST. 1005 00:39:24,730 --> 00:39:26,532 [GIGGLES ECHOING] 1006 00:39:40,912 --> 00:39:41,880 SO WHAT'S YOUR FAVORITE PART? 1007 00:39:43,749 --> 00:39:44,783 DUSTIN... 1008 00:39:44,816 --> 00:39:45,617 DUSTIN! 1009 00:39:46,918 --> 00:39:48,153 HEY. 1010 00:39:48,186 --> 00:39:49,555 HERE'S NEXT WEEK'S EPISODE. 1011 00:39:49,588 --> 00:39:52,023 IT'S PRETTY FUNNY. 1012 00:39:52,057 --> 00:39:54,760 YOU GET TO DRESS UP LIKE A LADY JANITOR. 1013 00:40:11,577 --> 00:40:12,678 OH, HEY, I, UH... 1014 00:40:12,711 --> 00:40:14,813 I GOT YOU SOMETHING. 1015 00:40:14,846 --> 00:40:15,814 YOU DID? 1016 00:40:15,847 --> 00:40:17,883 YUP, FOR YOUR BIRTHDAY. 1017 00:40:17,916 --> 00:40:19,184 BET YOU DIDN'T THINK I'D REMEMBER, DID YOU? 1018 00:40:19,217 --> 00:40:22,120 I DON'T REALLY LIKE TO MAKE A BIG DEAL OUT OF IT. 1019 00:40:22,153 --> 00:40:23,955 WHY? 1020 00:40:23,989 --> 00:40:25,524 IT'S YOUR BIRTHDAY, 1021 00:40:25,557 --> 00:40:28,159 IT'S THE ONE DAY OF THE YEAR WHERE IT'S ALL ABOUT YOU. 1022 00:40:28,193 --> 00:40:30,128 GO ON, OPEN IT. 1023 00:40:37,503 --> 00:40:39,671 THE THING IS, 1024 00:40:39,705 --> 00:40:42,040 I'M NOT REALLY SUPPOSED TO. 1025 00:40:42,073 --> 00:40:44,843 JEHOVAH'S WITNESSES DON'T CELEBRATE BIRTHDAYS, 1026 00:40:44,876 --> 00:40:47,012 OR CHRISTMASES, OR... 1027 00:40:47,045 --> 00:40:48,747 MOST HOLIDAYS. 1028 00:40:50,682 --> 00:40:51,783 OH. 1029 00:40:53,785 --> 00:40:54,620 I'M SORRY, I SHOULDN'T HAVE. 1030 00:40:54,653 --> 00:40:55,954 I HAD NO IDEA. 1031 00:40:55,987 --> 00:40:57,623 NO, NO, IT'S NICE. 1032 00:41:00,659 --> 00:41:01,527 YOU'RE NICE. 1033 00:41:04,029 --> 00:41:05,196 BEING ON THIS SHOW, 1034 00:41:05,230 --> 00:41:09,167 IT'S OPENED MY EYES TO SO MANY NEW THINGS. 1035 00:41:09,200 --> 00:41:14,506 THERE'S A LOT OF THINGS I'M NOT SUPPOSED TO DO. 1036 00:41:14,540 --> 00:41:15,974 BUT SOMETIMES I WANT TO. 1037 00:41:16,007 --> 00:41:17,643 YEAH. 1038 00:41:17,676 --> 00:41:20,178 YEAH, ME TOO. I, UH... 1039 00:41:20,211 --> 00:41:22,047 I WANT TO. 1040 00:41:27,553 --> 00:41:29,655 [ELIZABETH]: MARK-PAUL, ARE YOU UP HERE? 1041 00:41:29,688 --> 00:41:31,790 OH, MY GOSH, I AM SO SORRY. 1042 00:41:31,823 --> 00:41:32,691 I'LL JUST GO. 1043 00:41:32,724 --> 00:41:34,926 NO, I-I HAVE A FITTING. 1044 00:41:34,960 --> 00:41:35,827 I SHOULD GO. 1045 00:41:37,696 --> 00:41:38,864 [ELIZABETH WHISPERS] I'M SO SORRY. 1046 00:41:38,897 --> 00:41:39,798 THAT'S OKAY. 1047 00:41:43,835 --> 00:41:45,070 [SIGHING HEAVILY] 1048 00:41:45,103 --> 00:41:47,939 I AM SO SORRY. 1049 00:41:47,973 --> 00:41:50,576 I DIDN'T KNOW. 1050 00:41:50,609 --> 00:41:51,276 OH, MAN. 1051 00:41:55,080 --> 00:41:56,582 ARE YOU AND LARK A THING? 1052 00:41:56,615 --> 00:41:57,649 YEAH. 1053 00:41:57,683 --> 00:41:58,684 I THINK WE'RE DATING. 1054 00:41:58,717 --> 00:41:59,785 [CHUCKLES] 1055 00:41:59,818 --> 00:42:02,888 YOU "THINK" YOU'RE DATING? 1056 00:42:02,921 --> 00:42:04,155 THAT DOESN'T SOUND GOOD. 1057 00:42:04,189 --> 00:42:07,092 WELL, WE HAVE TO KEEP IT A SECRET, 1058 00:42:07,125 --> 00:42:09,828 SO IT'S NOT LIKE WE CAN GO OUT AND DO THINGS. 1059 00:42:09,861 --> 00:42:11,262 BECAUSE OF HER PARENTS? 1060 00:42:11,296 --> 00:42:12,798 IT'S NOT JUST THEM, 1061 00:42:12,831 --> 00:42:14,032 IT'S PETER AND THE NETWORK, AND... 1062 00:42:14,065 --> 00:42:16,935 THEY'D FREAK OUT IF PEOPLE KNEW. 1063 00:42:16,968 --> 00:42:19,004 YOU'RE ALLOWED TO HAVE A LIFE. 1064 00:42:20,238 --> 00:42:21,272 AM I? 1065 00:42:22,641 --> 00:42:24,843 IT'S SO STUPID. 1066 00:42:24,876 --> 00:42:27,112 I HAVE GIRLS WRITING LETTERS TO ME EVERY DAY 1067 00:42:27,145 --> 00:42:30,582 TELLING ME HOW MUCH THEY'RE IN LOVE WITH ME... 1068 00:42:32,217 --> 00:42:35,553 AND I CAN'T GO OUT ON A DATE WITH THE ONE GIRL I REALLY LIKE. 1069 00:42:44,930 --> 00:42:47,365 [DUSTIN]: IF MARK-PAUL THOUGHT HE WAS CONFUSED ABOUT LARK, 1070 00:42:47,398 --> 00:42:49,100 HE WAS ABOUT TO GET A WHOLE LOT MORE CONFUSED 1071 00:42:49,134 --> 00:42:51,136 ABOUT TIFFANI. 1072 00:42:52,638 --> 00:42:53,939 DID YOU SEE THIS? 1073 00:42:53,972 --> 00:42:55,607 IS THAT NEXT WEEK'S? 1074 00:42:55,641 --> 00:42:56,341 LOOK. 1075 00:43:07,653 --> 00:43:08,920 WELL, I GUESS THAT'S WHAT HAPPENS 1076 00:43:08,954 --> 00:43:09,788 WHEN YOU ASK THE WRITERS 1077 00:43:09,821 --> 00:43:12,624 TO MAKE THE STORYLINES MORE DRAMATIC. 1078 00:43:12,658 --> 00:43:13,458 I MEAN, IT'S NOT LIKE WE DIDN'T KNOW 1079 00:43:13,491 --> 00:43:15,060 IT WOULD HAPPEN EVENTUALLY, RIGHT? 1080 00:43:15,093 --> 00:43:16,327 YOU'RE RIGHT. 1081 00:43:16,361 --> 00:43:18,129 I MEAN, IT'S JUST A KISS. 1082 00:43:18,163 --> 00:43:19,765 YEAH. 1083 00:43:19,798 --> 00:43:22,901 YEAH, AND WE'RE FRIENDS AND GOOD ACTORS, SO... 1084 00:43:22,934 --> 00:43:24,102 IT'S NO BIG DEAL, RIGHT? 1085 00:43:24,135 --> 00:43:25,837 YEAH. 1086 00:43:25,871 --> 00:43:28,273 OKAY, SO WE'RE GONNA KISS FOR THE FIRST TIME 1087 00:43:28,306 --> 00:43:32,243 IN FRONT OF THE CAST, THE CREW, 1088 00:43:32,277 --> 00:43:35,280 AND, LIKE, A HUNDRED PEOPLE IN THE AUDIENCE. 1089 00:43:35,313 --> 00:43:37,348 OH, MY GOD. 1090 00:43:40,719 --> 00:43:41,687 WE HAVE TO PRACTICE. 1091 00:43:43,021 --> 00:43:44,355 ALL RIGHT. 1092 00:43:46,124 --> 00:43:47,693 [CLEARING THROAT] 1093 00:43:48,860 --> 00:43:49,895 KISS ME. 1094 00:43:51,029 --> 00:43:51,897 SORRY. 1095 00:43:51,930 --> 00:43:52,931 [CLEARS THROAT AWKWARDLY] 1096 00:43:54,099 --> 00:43:55,233 OKAY. 1097 00:44:00,839 --> 00:44:01,840 [WINCING] 1098 00:44:03,074 --> 00:44:05,443 WE HAVE TO MAKE IT LOOK REAL. 1099 00:44:05,476 --> 00:44:07,412 YEAH, UH, OKAY. 1100 00:44:07,445 --> 00:44:10,081 YOU NEED TO KISS ME BACK, THEN, 1101 00:44:10,115 --> 00:44:12,083 'CAUSE, YOU KNOW, THAT'S WHAT PEOPLE DO WHEN THEY KISS. 1102 00:44:12,117 --> 00:44:13,151 OKAY. 1103 00:44:13,184 --> 00:44:14,152 YEAH. 1104 00:44:14,185 --> 00:44:15,420 SHOULD I DO IT AGAIN? 1105 00:44:15,453 --> 00:44:16,421 MM-HMM. 1106 00:44:16,454 --> 00:44:18,323 [CLEARING THROAT] 1107 00:44:18,356 --> 00:44:20,091 [SIGHS] 1108 00:44:33,404 --> 00:44:35,373 [GIGGLING] 1109 00:44:37,943 --> 00:44:39,845 I THINK WE GOT THIS. 1110 00:44:39,878 --> 00:44:41,847 YEAH. YEAH, WE'RE GOOD. 1111 00:44:41,880 --> 00:44:43,314 [CHUCKLING] UH... 1112 00:44:45,150 --> 00:44:46,251 YEAH. 1113 00:44:46,284 --> 00:44:47,152 YEAH. 1114 00:44:47,185 --> 00:44:48,286 YEAH. OKAY. 1115 00:44:49,755 --> 00:44:50,889 [***] 1116 00:44:59,030 --> 00:45:01,867 ALL RIGHT, LET'S RESET, 1117 00:45:01,900 --> 00:45:03,301 GET THE SHOTS WITH THE KIDS. 1118 00:45:03,334 --> 00:45:05,971 LET'S GET SOME PLAYFUL ZACK AND KELLYS FIRST. 1119 00:45:06,004 --> 00:45:07,873 [BELL BIV DEVOE'S "POISON" PLAYS] 1120 00:45:09,107 --> 00:45:13,211 * GIRL, I MUST WARN YOU 1121 00:45:13,244 --> 00:45:15,947 * I SENSE SOMETHING STRANGE IN MY MIND... * 1122 00:45:15,981 --> 00:45:18,049 STOP, YOU'RE TICKLING ME. 1123 00:45:18,083 --> 00:45:19,350 DON'T LAUGH. 1124 00:45:19,384 --> 00:45:20,385 [LARK]: CAN YOU BELIEVE HER? 1125 00:45:20,418 --> 00:45:23,121 [MOCKING] "STOP, YOU'RE TICKLING ME." 1126 00:45:23,154 --> 00:45:24,790 SHE KNOWS YOU LIKE HIM. 1127 00:45:24,823 --> 00:45:26,357 WHY DOES SHE HAVE TO BE SO FLIRTY? 1128 00:45:26,391 --> 00:45:29,060 ALL RIGHT, LET'S GET THE GIRLS TOGETHER. 1129 00:45:30,228 --> 00:45:31,529 COME ON. 1130 00:45:31,562 --> 00:45:32,898 IT'S FINE. 1131 00:45:35,300 --> 00:45:39,771 * IT'S ALL SO DEADLY... 1132 00:45:39,805 --> 00:45:40,538 OW! 1133 00:45:40,571 --> 00:45:42,040 OH, SORRY. 1134 00:45:42,073 --> 00:45:43,074 ACCIDENT. 1135 00:45:44,042 --> 00:45:44,876 WHAT'S HER PROBLEM? 1136 00:45:44,910 --> 00:45:45,844 GIRLS, 1137 00:45:45,877 --> 00:45:46,878 SMILE! 1138 00:45:46,912 --> 00:45:50,181 * IT'S DRIVIN' ME OUT OF MY MIND * 1139 00:45:50,215 --> 00:45:54,886 * THAT'S WHY IT'S HARD FOR ME TO FIND * 1140 00:45:54,920 --> 00:45:58,990 * CAN'T GET IT OUT OF MY HEAD * 1141 00:45:59,024 --> 00:46:00,792 * MISS HER, KISS HER * 1142 00:46:00,826 --> 00:46:01,927 SERIOUSLY, STOP IT. 1143 00:46:01,960 --> 00:46:03,294 * THAT GIRL IS POISON * 1144 00:46:03,328 --> 00:46:05,196 OKAY, ENOUGH. 1145 00:46:05,230 --> 00:46:07,198 [***] 1146 00:46:09,067 --> 00:46:10,368 * NEVER TRUST A BIG BUTT AND SMILE * 1147 00:46:10,401 --> 00:46:13,504 * THAT GIRL IS POISON 1148 00:46:18,209 --> 00:46:21,980 * IF I WERE YOU I'D TAKE PRECAUTION * 1149 00:46:22,013 --> 00:46:26,584 * BEFORE I START TO MEET FLY GIRL, YOU KNOW? * 1150 00:46:26,617 --> 00:46:30,521 * 'CAUSE IN SOME PORTIONS 1151 00:46:30,555 --> 00:46:34,525 * YOU'LL THINK SHE'S THE BEST THING IN THE WORLD * 1152 00:46:37,395 --> 00:46:38,396 WHAT ARE YOU DOING? GET UP. 1153 00:46:38,429 --> 00:46:41,132 I'M FINE. 1154 00:46:41,166 --> 00:46:43,935 ALL RIGHT, GUYS, COME ON IN. 1155 00:46:43,969 --> 00:46:44,903 YOU'RE SUCH A PRICK. 1156 00:46:44,936 --> 00:46:46,838 DUSTIN! LANGUAGE. 1157 00:46:46,872 --> 00:46:48,273 YOU WANT TO SAY THAT TO MY FACE? 1158 00:46:48,306 --> 00:46:49,307 OH, IS THAT SUPPOSED TO SCARE ME? 1159 00:46:49,340 --> 00:46:50,341 'CAUSE IT DOESN'T. 1160 00:46:50,375 --> 00:46:51,209 WOULD YOU TWO SHUT UP? 1161 00:46:51,242 --> 00:46:52,343 HE JUST CALLED ME A PRICK. 1162 00:46:52,377 --> 00:46:53,111 ENOUGH, GUYS. 1163 00:46:53,144 --> 00:46:54,012 I'LL TAKE HIM DOWN RIGHT HERE-- 1164 00:46:54,045 --> 00:46:55,280 COME ON. 1165 00:46:55,313 --> 00:46:56,081 LET'S SEE THOSE CHARACTERS. 1166 00:46:57,282 --> 00:47:00,285 [***] 1167 00:47:02,087 --> 00:47:03,188 OH, GROSS, YOU'RE SWEATY. 1168 00:47:03,221 --> 00:47:04,155 SORRY. 1169 00:47:04,189 --> 00:47:05,390 IT'S KINDA GROSS. 1170 00:47:05,423 --> 00:47:06,524 CAN YOU PLEASE STOP PUSHING ME? 1171 00:47:06,557 --> 00:47:07,458 I'M NOT. 1172 00:47:07,492 --> 00:47:08,994 COME ON, GUYS, SMILE! 1173 00:47:09,027 --> 00:47:10,996 [ALL ARGUING] 1174 00:47:11,029 --> 00:47:11,796 SMILES! 1175 00:47:11,829 --> 00:47:13,098 ALL YOU HAVE TO DO IS KNEEL IN FRONT. 1176 00:47:13,131 --> 00:47:14,065 I'M NOT KNEELING. 1177 00:47:14,099 --> 00:47:15,033 GUYS, SMILE! 1178 00:47:16,434 --> 00:47:18,369 WELL, THE NETWORK DIDN'T KILL US, 1179 00:47:18,403 --> 00:47:20,171 BUT THE HORMONES MIGHT. 1180 00:47:20,205 --> 00:47:21,907 * POISON... * 1181 00:47:26,011 --> 00:47:27,145 EVERYBODY, CLEAR THE SET. 1182 00:47:27,178 --> 00:47:29,380 THAT'S MARKS. 1183 00:47:29,414 --> 00:47:31,349 AND... ACTION. 1184 00:47:41,126 --> 00:47:43,094 [DUSTIN]: THE SOUND STAGE WHERE WE TAPED SAVED BY THE BELL 1185 00:47:43,128 --> 00:47:45,363 BECAME OUR VERY OWN HIGH SCHOOL. 1186 00:47:45,396 --> 00:47:47,532 TO FIGURE OUT WHO WAS DATING IN REAL LIFE, 1187 00:47:47,565 --> 00:47:48,666 ALL YOU HAD TO KNOW WAS 1188 00:47:48,699 --> 00:47:52,603 WHICH CHARACTERS WERE DATING ON THE SHOW. 1189 00:47:52,637 --> 00:47:55,406 THIS NIGHT HAS BEEN AMAZING. 1190 00:47:55,440 --> 00:47:57,308 I CAN'T BELIEVE WE ACTUALLY PULLED IT OFF. 1191 00:47:57,342 --> 00:48:00,345 YEAH, THE DECORATIONS LOOK GREAT, MOMMA. 1192 00:48:03,214 --> 00:48:05,450 WHAT IS KRISTY DOING HERE? 1193 00:48:05,483 --> 00:48:07,252 I THOUGHT YOU SAID SHE WAS SICK. 1194 00:48:07,285 --> 00:48:09,387 YEAH, WELL... 1195 00:48:09,420 --> 00:48:10,688 SEEMS LIKE SHE'S DOING BETTER, HUH? 1196 00:48:10,721 --> 00:48:12,690 [LAUGHTER] 1197 00:48:12,723 --> 00:48:13,925 YOU DIDN'T TELL HER, DID YOU? 1198 00:48:16,394 --> 00:48:18,930 DID YOU ASK US BOTH TO THE DANCE? 1199 00:48:18,964 --> 00:48:19,998 KINDA. 1200 00:48:20,031 --> 00:48:21,566 [AUDIENCE GROANS] OOH... 1201 00:48:21,599 --> 00:48:22,667 BUT THE THING IS, 1202 00:48:22,700 --> 00:48:24,002 I REALLY THOUGHT YOU WERE GONNA SAY NO. 1203 00:48:24,035 --> 00:48:25,536 YOU'RE UNBELIEVABLE! 1204 00:48:25,570 --> 00:48:27,605 I'M ASSUMING YOU DON'T MEAN THAT IN A GOOD WAY? 1205 00:48:27,638 --> 00:48:28,439 [LAUGHTER] 1206 00:48:28,473 --> 00:48:29,240 WHAT WAS I THINKING, 1207 00:48:29,274 --> 00:48:32,043 EVER BELIEVING YOU WOULD CHANGE? 1208 00:48:35,246 --> 00:48:37,015 JESSIE! 1209 00:48:37,048 --> 00:48:38,349 AND... CUT! ALL RIGHT. 1210 00:48:38,383 --> 00:48:40,118 [APPLAUSE] 1211 00:48:41,319 --> 00:48:42,287 RESET. 1212 00:48:44,555 --> 00:48:46,524 AGAIN? 1213 00:48:46,557 --> 00:48:48,259 QUIET, AND ACTION. 1214 00:48:48,293 --> 00:48:51,562 [DUSTIN]: EVEN SCREECH GOT IN ON THE ACTION. 1215 00:48:51,596 --> 00:48:53,198 I HAD MY FIRST REAL KISS RIGHT THERE ON THAT STAGE... 1216 00:48:53,231 --> 00:48:55,300 OF COURSE, VIOLET. 1217 00:48:55,333 --> 00:48:56,601 I'LL ALWAYS BE HERE FOR YOU. 1218 00:48:59,470 --> 00:49:01,072 [AUDIENCE GASPS] OOH! 1219 00:49:02,673 --> 00:49:04,309 [DUSTIN]: AND NOT JUST FROM ANY GIRL, EITHER. 1220 00:49:04,342 --> 00:49:06,544 MY FIRST KISS WAS FROM TORI SPELLING, 1221 00:49:06,577 --> 00:49:08,179 THE BEAUTIFUL DAUGHTER 1222 00:49:08,213 --> 00:49:11,349 OF THE MOST SUCCESSFUL PRODUCER IN HOLLYWOOD. 1223 00:49:11,382 --> 00:49:13,684 [CHEERING AND APPLAUSE] 1224 00:49:16,021 --> 00:49:18,523 THINGS DIDN'T ALWAYS WORK OUT SO EASILY IN REAL LIFE. 1225 00:49:18,556 --> 00:49:19,690 REMEMBER THE EPISODE 1226 00:49:19,724 --> 00:49:21,026 WHERE YOU GUYS DID THE COMMERCIALS 1227 00:49:21,059 --> 00:49:21,959 FOR THE BUDDY BANDS? 1228 00:49:23,428 --> 00:49:24,495 THAT WAS SO FUNNY. 1229 00:49:24,529 --> 00:49:27,698 YEAH, I LIKED THAT ONE TOO. 1230 00:49:27,732 --> 00:49:29,634 BUT YOU KNOW WHAT I LIKE EVEN BETTER? 1231 00:49:29,667 --> 00:49:31,636 YOU. 1232 00:49:31,669 --> 00:49:33,438 [CHUCKLES SHYLY] 1233 00:49:35,206 --> 00:49:39,344 DO YOU THINK YOU COULD MAYBE INTRODUCE ME TO MARK-PAUL? 1234 00:49:41,546 --> 00:49:46,184 UH... YEAH. COME ON. 1235 00:49:46,217 --> 00:49:48,153 WE'RE NOT TALKING ABOUT TURNING THIS INTO A DRAMA. 1236 00:49:48,186 --> 00:49:50,521 THAT'S KIND OF WHAT IT SOUNDS LIKE. 1237 00:49:50,555 --> 00:49:51,589 THE KIDS THAT WATCH OUR SHOW, 1238 00:49:51,622 --> 00:49:55,226 THEY SEE IT AS A REFLECTION OF THEIR OWN LIVES. 1239 00:49:55,260 --> 00:49:57,762 THAT'S WHY THEY CARE ABOUT THE CHARACTERS SO MUCH. 1240 00:49:57,795 --> 00:49:58,729 IT'S THE CHARACTERS 1241 00:49:58,763 --> 00:49:59,797 I'M WORRIED ABOUT. 1242 00:49:59,830 --> 00:50:01,432 WE NEED THE AUDIENCE TO LIKE THEM. 1243 00:50:01,466 --> 00:50:03,634 NO, WE NEED OUR AUDIENCE TO RELATE TO THEM. 1244 00:50:05,170 --> 00:50:06,737 TEENAGERS SCREW UP, THEY MAKE MISTAKES, 1245 00:50:06,771 --> 00:50:09,040 THEY LEARN FROM THEM. 1246 00:50:09,074 --> 00:50:10,175 SURE, FUNNY MISTAKES. 1247 00:50:10,208 --> 00:50:12,177 REAL MISTAKES. 1248 00:50:12,210 --> 00:50:13,811 THE KIND THAT HAVE REAL CONSEQUENCES 1249 00:50:13,844 --> 00:50:15,246 TO HELP THEM GROW. 1250 00:50:15,280 --> 00:50:17,082 THAT'S WHAT OUR KIDS NEED TO EXPERIENCE. 1251 00:50:17,115 --> 00:50:19,184 I'M SORRY, PETER, 1252 00:50:19,217 --> 00:50:22,287 THERE'S JUST NO WAY THE NETWORK CAN ALLOW THIS. 1253 00:50:22,320 --> 00:50:23,654 I THINK IT'S A GREAT IDEA. 1254 00:50:23,688 --> 00:50:24,789 WE THOUGHT YOU'D LIKE IT. 1255 00:50:24,822 --> 00:50:26,324 YEAH, IT'S JUST WHAT THE SHOW NEEDS. 1256 00:50:26,357 --> 00:50:27,392 LIKE A TEENAGER'S LIFE, 1257 00:50:27,425 --> 00:50:30,228 CONSTANTLY GROWING AND EVOLVING. 1258 00:50:30,261 --> 00:50:31,162 I LIKE IT. GOOD WORK. 1259 00:50:31,196 --> 00:50:32,263 THANK YOU. 1260 00:50:32,297 --> 00:50:33,131 DADDY! 1261 00:50:33,164 --> 00:50:34,465 OH, HEY! 1262 00:50:34,499 --> 00:50:36,101 WE'RE GOING TO SEE KEVIN THE ROBOT! 1263 00:50:36,134 --> 00:50:37,602 ARE YOU? THAT'S...THAT'S GREAT. 1264 00:50:37,635 --> 00:50:39,070 SCREECH IS GONNA SHOW ME. 1265 00:50:39,104 --> 00:50:40,271 YOU MEAN "DUSTIN," HONEY? 1266 00:50:40,305 --> 00:50:42,807 SCREECH IS JUST WHO HE PLAYS, RIGHT? 1267 00:50:42,840 --> 00:50:44,742 OH, SORRY. 1268 00:50:44,775 --> 00:50:45,676 THAT'S OKAY. 1269 00:50:45,710 --> 00:50:47,312 YOU CAN JUST CALL ME SCREECH. 1270 00:50:47,345 --> 00:50:49,680 LOOK, HE'S RIGHT OVER THERE. 1271 00:50:51,182 --> 00:50:52,150 YOU'VE GROWN UP A LOT 1272 00:50:52,183 --> 00:50:53,551 SINCE I LAST SAW YOU. 1273 00:50:53,584 --> 00:50:57,155 WELL, YOU KNOW, I'M NOT A LITTLE KID ANYMORE. 1274 00:50:57,188 --> 00:50:59,424 DEFINITELY NOT. 1275 00:50:59,457 --> 00:51:01,259 YOU LOOK GOOD, YOU SEEM... 1276 00:51:01,292 --> 00:51:02,560 AT HOME HERE. 1277 00:51:02,593 --> 00:51:04,595 YEAH, IT'S GOOD. 1278 00:51:04,629 --> 00:51:06,831 I MEAN, THIS IS THE EASY PART. 1279 00:51:06,864 --> 00:51:07,832 [CHUCKLES] 1280 00:51:07,865 --> 00:51:08,733 YEAH. 1281 00:51:08,766 --> 00:51:10,235 OKAY. HAVE FUN. 1282 00:51:10,268 --> 00:51:11,736 -SEE YOU. -SEE YOU. 1283 00:51:11,769 --> 00:51:13,070 [CHUCKLES FONDLY] 1284 00:51:14,872 --> 00:51:16,741 LOOK! 1285 00:51:16,774 --> 00:51:18,209 WE DID IT! 1286 00:51:18,243 --> 00:51:19,477 WE DID? 1287 00:51:20,911 --> 00:51:22,513 'CAUSE I'M PRETTY SURE I'D REMEMBER THAT. 1288 00:51:22,547 --> 00:51:24,315 FUNNY. 1289 00:51:24,349 --> 00:51:25,450 DID YOU READ THIS WEEK'S EPISODE? 1290 00:51:25,483 --> 00:51:27,718 NOT UNTIL I HAVE TO. 1291 00:51:27,752 --> 00:51:30,188 THE PRODUCERS FINALLY GOT THE NETWORK TO LISTEN TO US. 1292 00:51:30,221 --> 00:51:32,757 LOOK, JESSIE IS ADDICTED TO PILLS! 1293 00:51:33,824 --> 00:51:35,793 THEY'RE LETTING YOU POP PILLS? 1294 00:51:35,826 --> 00:51:37,195 ISN'T THAT GREAT? 1295 00:51:37,228 --> 00:51:38,429 SHE'S DOING ALL OF THESE THINGS, 1296 00:51:38,463 --> 00:51:40,431 SHE'S STUDYING FOR MIDTERMS, AND SHE'S IN A SINGING GROUP, 1297 00:51:40,465 --> 00:51:42,700 AND THE PRESSURE JUST BECOMES TOO MUCH. 1298 00:51:42,733 --> 00:51:44,735 [GASPS] I WONDER IF I SHOULD TALK TO AN ACTUAL ADDICT. 1299 00:51:44,769 --> 00:51:46,171 YOU KNOW, TO UNDERSTAND 1300 00:51:46,204 --> 00:51:48,139 WHAT JESSIE'S REALLY GOING THROUGH. 1301 00:51:48,173 --> 00:51:49,140 SURE. 1302 00:51:51,842 --> 00:51:53,478 YOU THINK I CAN DO IT? 1303 00:51:54,612 --> 00:51:57,415 I THINK YOU'LL BE FANTASTIC. 1304 00:52:00,218 --> 00:52:03,388 I, UH, BETTER GET WORKING ON THIS. 1305 00:52:09,560 --> 00:52:11,196 [DUSTIN]: SO ELIZABETH GOT HER WAY, 1306 00:52:11,229 --> 00:52:12,530 AND THE END RESULT 1307 00:52:12,563 --> 00:52:14,665 WAS THE MOST TALKED-ABOUT SCENE IN THE HISTORY OF THE SHOW. 1308 00:52:18,469 --> 00:52:19,470 DRUGS? 1309 00:52:19,504 --> 00:52:20,338 YOU ARE TAKING DRUGS? 1310 00:52:20,371 --> 00:52:21,206 I HAD TO. 1311 00:52:21,239 --> 00:52:22,240 YOU HAVE TO STOP. LET ME HAVE THEM. 1312 00:52:22,273 --> 00:52:22,907 NO, I CAN'T, ZACK! 1313 00:52:22,940 --> 00:52:24,542 NOT TONIGHT-- 1314 00:52:24,575 --> 00:52:25,776 [SHRIEKING] NO, I CAN'T! 1315 00:52:25,810 --> 00:52:26,911 I NEED THEM, ZACK, TO HELP ME SING! 1316 00:52:26,944 --> 00:52:27,845 THEY AREN'T GOING TO HELP YOU! 1317 00:52:27,878 --> 00:52:29,914 YES, THEY WILL! 1318 00:52:29,947 --> 00:52:31,716 * I'M SO EXCITED 1319 00:52:31,749 --> 00:52:33,618 I'M SO EXCITED... 1320 00:52:33,651 --> 00:52:35,786 [SOBBING] I'M SO... 1321 00:52:35,820 --> 00:52:37,555 SCARED! 1322 00:52:37,588 --> 00:52:39,790 [SOBBING] 1323 00:52:42,693 --> 00:52:44,662 [LAUGHING] 1324 00:52:46,264 --> 00:52:46,864 WHAT? 1325 00:52:48,333 --> 00:52:49,200 IT'S CAFFEINE PILLS. 1326 00:52:49,234 --> 00:52:51,436 IT'S NOT LIKE SHE'S ADDICTED TO HEROIN. 1327 00:52:53,238 --> 00:52:54,705 THAT WAS GREAT. 1328 00:52:54,739 --> 00:52:57,308 THAT WAS INCREDIBLE, ELIZABETH. 1329 00:52:57,342 --> 00:52:59,844 BOTH OF YOU GUYS WERE SO GOOD. 1330 00:52:59,877 --> 00:53:01,412 YOU'RE SUCH AN IDIOT. 1331 00:53:11,322 --> 00:53:12,189 HEY... 1332 00:53:18,596 --> 00:53:20,431 DUDE... 1333 00:53:20,465 --> 00:53:24,669 WHAT'D THE TRASH CAN DO TO YOU? 1334 00:53:24,702 --> 00:53:27,338 HEY, I KNOW YOU. YOU'RE ON THAT SHOW, RIGHT? 1335 00:53:27,372 --> 00:53:30,308 YEAH. I'M THE IDIOT. 1336 00:53:30,341 --> 00:53:32,209 I SAW IT A COUPLE OF TIMES. PRETTY FUNNY. 1337 00:53:33,278 --> 00:53:34,178 I GUESS. 1338 00:53:34,211 --> 00:53:37,948 I AUDITIONED FOR A SMALL PART A WHILE BACK. 1339 00:53:37,982 --> 00:53:39,617 DIDN'T GET IT. 1340 00:53:41,319 --> 00:53:42,620 YOU WORKING ON SOMETHING ON THE LOT? 1341 00:53:42,653 --> 00:53:44,489 YEAH. 1342 00:53:44,522 --> 00:53:48,693 WELL, I MEAN, MOSTLY AS AN EXTRA RIGHT NOW. 1343 00:53:48,726 --> 00:53:51,028 WORKING MY WAY UP. 1344 00:53:51,061 --> 00:53:52,963 YEAH... 1345 00:53:54,832 --> 00:53:56,367 HEY, UM... 1346 00:53:56,401 --> 00:53:58,769 YOU WANT A SWIG? 1347 00:54:01,306 --> 00:54:02,340 WHAT IS IT? 1348 00:54:02,373 --> 00:54:04,775 NOTHING. JUST PLAIN VODKA. 1349 00:54:06,411 --> 00:54:08,513 SURE. 1350 00:54:17,555 --> 00:54:18,689 [SPLUTTERING] 1351 00:54:18,723 --> 00:54:19,890 [LAUGHS] 1352 00:54:19,924 --> 00:54:21,626 [CHUCKLING] 1353 00:54:21,659 --> 00:54:22,693 IT GETS EASIER. 1354 00:54:22,727 --> 00:54:24,061 [GRIMACES] 1355 00:54:24,094 --> 00:54:25,896 IT GETS EASIER. 1356 00:54:25,930 --> 00:54:28,366 DON'T WORRY. 1357 00:54:28,399 --> 00:54:30,668 GO AHEAD, MAN, THERE'S PLENTY. 1358 00:54:33,003 --> 00:54:34,505 [COUGHING] 1359 00:54:34,539 --> 00:54:36,307 [CHUCKLING] 1360 00:54:41,379 --> 00:54:43,581 [***] 1361 00:54:48,819 --> 00:54:50,421 BY THE THIRD SEASON, 1362 00:54:50,455 --> 00:54:51,822 SAVED BY THE BELL WAS THE HIGHEST-RATED SHOW 1363 00:54:51,856 --> 00:54:53,023 ON SATURDAY MORNINGS. 1364 00:54:53,057 --> 00:54:55,560 WE WERE ALSO PLAYING SEVERAL TIMES A DAY IN SYNDICATION, 1365 00:54:55,593 --> 00:54:57,395 HAD WON A SLEW OF KIDS' TV AWARDS, 1366 00:54:57,428 --> 00:54:58,696 AND GONE INTERNATIONAL. 1367 00:54:58,729 --> 00:55:02,066 EVERYONE WAS LOOKING FOR WAYS, YOU KNOW, TO KEEP THINGS FRESH. 1368 00:55:02,099 --> 00:55:04,702 THE WRITERS GAVE US SUMMER JOBS AT A BEACH RESORT, 1369 00:55:04,735 --> 00:55:05,936 AND THEY BROUGHT IN NEW LOVE INTERESTS 1370 00:55:05,970 --> 00:55:07,605 TO STIR UP TROUBLE. 1371 00:55:07,638 --> 00:55:09,574 OF COURSE, YOU KNOW, BY THIS POINT, 1372 00:55:09,607 --> 00:55:12,443 WE COULD PERFORM OUR CHARACTERS WITH OUR EYES CLOSED, 1373 00:55:12,477 --> 00:55:15,312 WHICH MEANT WE HAD A LOT MORE FREE TIME ON OUR HANDS. 1374 00:55:17,648 --> 00:55:19,550 AND...ACTION! 1375 00:55:19,584 --> 00:55:21,952 DUDE, YOU CANNOT SHOW STACEY THIS PICTURE. 1376 00:55:21,986 --> 00:55:23,721 BUT YOU LOOK SO PRETTY IN A DRESS. 1377 00:55:23,754 --> 00:55:24,989 ALL RIGHT, FINE, 1378 00:55:25,022 --> 00:55:26,691 IF YOU SHOW HER THAT PICTURE, 1379 00:55:26,724 --> 00:55:28,393 I'M GOING TO SHOW EVERYONE THE PICTURE OF YOU 1380 00:55:28,426 --> 00:55:29,994 ON PAGE 67. 1381 00:55:31,762 --> 00:55:33,063 OH, MAN, THAT'S DISGUSTING. 1382 00:55:33,097 --> 00:55:34,565 [LAUGHS] 1383 00:55:34,599 --> 00:55:37,602 I MEAN, IT'S REALLY A THING OF BEAUTY. 1384 00:55:37,635 --> 00:55:39,136 THAT BUTT IS SO WHITE IT MIGHT BLIND ME. 1385 00:55:39,169 --> 00:55:40,571 CUT! 1386 00:55:40,605 --> 00:55:42,473 [LAUGHTER] 1387 00:55:42,507 --> 00:55:44,875 GENTLEMEN, PLEASE. 1388 00:55:44,909 --> 00:55:46,777 LET'S TRY THIS ONCE MORE. 1389 00:55:46,811 --> 00:55:48,145 SORRY. OKAY. 1390 00:55:48,178 --> 00:55:50,515 CAN WE PLEASE GET THIS SCENE BEFORE LUNCH? 1391 00:55:50,548 --> 00:55:51,749 SORRY. I'M GOOD. SORRY. 1392 00:55:51,782 --> 00:55:52,850 [DUSTIN]: THE PROBLEM WAS, 1393 00:55:52,883 --> 00:55:54,885 THE MORE SUCCESSFUL THE SHOW BECAME, 1394 00:55:54,919 --> 00:55:57,354 THE MORE WE REALIZED HOW TRAPPED WE REALLY WERE. 1395 00:55:58,789 --> 00:56:01,692 HI, I'M ELIZABETH BERKLEY. 1396 00:56:01,726 --> 00:56:03,394 WHAT ARE YOU HERE FOR? 1397 00:56:03,428 --> 00:56:06,130 OH, UM, I'M HERE FOR "AHEAD OF HER TIME." 1398 00:56:06,163 --> 00:56:08,733 OH, ARE YOU SURE? 1399 00:56:08,766 --> 00:56:10,501 I THINK SO... 1400 00:56:10,535 --> 00:56:12,570 I MEAN, THAT'S THE TV MOVIE ABOUT ELEANOR ROOSEVELT, 1401 00:56:12,603 --> 00:56:13,738 ISN'T IT? 1402 00:56:13,771 --> 00:56:15,005 RIGHT. 1403 00:56:15,039 --> 00:56:17,608 IT'S JUST DOWN THE HALL TO THE LEFT. 1404 00:56:17,642 --> 00:56:18,876 GREAT. THANKS. 1405 00:56:22,447 --> 00:56:27,418 OH, MY GOD, I CAN'T BELIEVE SHE'S AUDITIONING. 1406 00:56:27,452 --> 00:56:29,987 I MEAN, IT'S JUST A SILLY SATURDAY MORNING KIDS' SHOW. 1407 00:56:30,020 --> 00:56:31,422 [LAUGHS] 1408 00:56:41,231 --> 00:56:42,733 WHAT? WHAT'S WRONG? 1409 00:56:42,767 --> 00:56:43,634 NOTHING. 1410 00:56:43,668 --> 00:56:44,769 TELL ME. 1411 00:56:47,705 --> 00:56:49,139 TIFFANI-AMBER. 1412 00:56:49,173 --> 00:56:51,876 LARK, TIFFANI-AMBER AND I ARE JUST FRIENDS. 1413 00:56:51,909 --> 00:56:52,710 YOU KEEP SAYING THAT, 1414 00:56:52,743 --> 00:56:54,579 BUT THEY HAVE ALL THESE PICTURES. 1415 00:56:54,612 --> 00:56:56,213 WE WENT TO THE MOVIES. SO WHAT? 1416 00:56:56,246 --> 00:56:57,915 YOU KNOW HOW THE MAGAZINES TWIST THOSE THINGS AROUND. 1417 00:56:57,948 --> 00:56:59,550 SO YOU DON'T REALLY LIKE HER? 1418 00:56:59,584 --> 00:57:00,885 NOT LIKE THAT, NO. 1419 00:57:00,918 --> 00:57:02,853 I MEAN, WE'RE CLOSE FRIENDS. 1420 00:57:02,887 --> 00:57:03,654 HOW CLOSE? 1421 00:57:05,723 --> 00:57:08,893 WE'RE FRIENDS, WE'RE CLOSE FRIENDS. 1422 00:57:08,926 --> 00:57:09,960 AND WHAT AM I? 1423 00:57:09,994 --> 00:57:11,629 I DON'T KNOW! 1424 00:57:11,662 --> 00:57:13,564 WE NEVER GET TO HANG OUT, WE NEVER GET TO DO STUFF. 1425 00:57:13,598 --> 00:57:14,665 I DON'T KNOW WHAT WE ARE. 1426 00:57:14,699 --> 00:57:18,836 THEN I GUESS WE'RE JUST AS FAKE AS ZACK AND KELLY. 1427 00:57:24,542 --> 00:57:25,676 WE'RE NOTHING. 1428 00:57:27,712 --> 00:57:29,013 [***] 1429 00:57:42,292 --> 00:57:43,761 YOU RUIN THE SHOW, MAN. 1430 00:57:43,794 --> 00:57:46,096 WHY DON'T THEY JUST FIRE YOUR ASS? 1431 00:57:46,130 --> 00:57:46,997 [LAUGHTER AND GIGGLES] 1432 00:57:48,132 --> 00:57:49,500 IGNORE HIM. 1433 00:57:50,635 --> 00:57:52,803 YOU KNOW WHAT? 1434 00:57:52,837 --> 00:57:54,672 YOU'RE EVEN WEIRDER LOOKING IN PERSON. 1435 00:57:54,705 --> 00:57:57,608 HE'S PROBABLY THE ONLY ONE ON THE SHOW NOT GETTING ANY. 1436 00:57:57,642 --> 00:57:58,909 [LAUGHTER] 1437 00:57:58,943 --> 00:58:01,946 WHO'S THAT, YOUR BOYFRIEND? 1438 00:58:04,982 --> 00:58:06,551 WHY DON'T YOU JUST SHUT UP? 1439 00:58:06,584 --> 00:58:08,118 WHO'S GONNA MAKE ME, SCREECH? 1440 00:58:08,152 --> 00:58:09,019 YOU? 1441 00:58:09,053 --> 00:58:10,521 YOU'RE A JOKE. 1442 00:58:12,156 --> 00:58:13,558 [COUGHING AND SPLUTTERING] 1443 00:58:13,591 --> 00:58:15,860 I AM NOT SCREECH! 1444 00:58:15,893 --> 00:58:17,762 [COUGHING] 1445 00:58:19,730 --> 00:58:21,699 [DUSTIN]: FOR ALL OF US, 1446 00:58:21,732 --> 00:58:23,067 IT WAS GETTING HARDER TO LIVE IN THE SQUEAKY-CLEAN WORLD 1447 00:58:23,100 --> 00:58:24,334 OF BAYSIDE HIGH, 1448 00:58:24,368 --> 00:58:27,972 WHERE THINGS ALWAYS WORKED OUT FINE IN THE END... 1449 00:58:28,005 --> 00:58:31,208 NOT WHEN REAL LIFE WAS SO MUCH MORE COMPLICATED. 1450 00:58:32,643 --> 00:58:33,944 HEY, PETER. 1451 00:58:35,212 --> 00:58:38,215 [POINTEDLY] HEY, PETER. 1452 00:58:38,248 --> 00:58:40,785 [SIGHING] SORRY. 1453 00:58:40,818 --> 00:58:42,186 JUST GOT SOME BAD NEWS. 1454 00:58:42,219 --> 00:58:44,555 BRANDON TARTIKOFF AND HIS DAUGHTER, CALLA, 1455 00:58:44,589 --> 00:58:46,223 WERE IN A CAR ACCIDENT. 1456 00:58:46,256 --> 00:58:47,758 WHAT? 1457 00:58:47,792 --> 00:58:48,893 WHAT? 1458 00:58:48,926 --> 00:58:50,695 IS IT SERIOUS? 1459 00:58:50,728 --> 00:58:52,897 IT LOOKS LIKE BRANDON'S GOING TO BE OKAY. 1460 00:58:52,930 --> 00:58:55,099 THEY'RE TRANSFERRING HIM OUT OF THE INTENSIVE CARE UNIT. 1461 00:58:55,132 --> 00:58:57,034 WHAT ABOUT CALLA? 1462 00:58:57,067 --> 00:58:58,268 IT'S NOT GOOD. 1463 00:58:58,302 --> 00:59:01,606 HER INJURIES ARE... SEVERE. 1464 00:59:04,975 --> 00:59:06,577 EXCUSE ME. 1465 00:59:17,087 --> 00:59:20,124 YOU OKAY? 1466 00:59:20,157 --> 00:59:21,692 SHE'S JUST A LITTLE GIRL. 1467 00:59:23,193 --> 00:59:24,028 WHY DON'T YOU CALL YOUR DAD? 1468 00:59:24,061 --> 00:59:24,962 HAVE HIM PICK YOU UP, 1469 00:59:24,995 --> 00:59:26,030 GET OUT OF HERE FOR A WHILE, CLEAR YOUR HEAD? 1470 00:59:26,063 --> 00:59:26,997 I'M FINE. 1471 00:59:28,866 --> 00:59:31,035 [***] 1472 01:00:21,719 --> 01:00:22,552 THE FOURTH SEASON 1473 01:00:22,586 --> 01:00:25,222 WAS ALWAYS SUPPOSED TO BE OUR LAST. 1474 01:00:25,255 --> 01:00:28,392 FOUR SEASONS TO REPRESENT FOUR YEARS OF HIGH SCHOOL. 1475 01:00:28,425 --> 01:00:29,727 BRANDON AGREED TO THAT FROM THE START. 1476 01:00:29,760 --> 01:00:31,228 YEAH, WELL, BRANDON'S AT HOME NOW 1477 01:00:31,261 --> 01:00:32,730 TAKING CARE OF HIS DAUGHTER, 1478 01:00:32,763 --> 01:00:33,998 AND THE NETWORK FEELS THAT SAVED BY THE BELL 1479 01:00:34,031 --> 01:00:36,266 IS TOO IMPORTANT TO END. 1480 01:00:36,300 --> 01:00:38,435 I THINK IT'S A MISTAKE. 1481 01:00:38,468 --> 01:00:40,671 YOU KNOW, PETER, UNFORTUNATELY, 1482 01:00:40,705 --> 01:00:42,239 YOU'RE A VICTIM OF YOUR OWN SUCCESS. 1483 01:00:42,272 --> 01:00:43,941 THE SHOW'S A GLOBAL PHENOMENON. 1484 01:00:43,974 --> 01:00:46,143 THERE'S NO WAY THAT WE CAN STOP NOW. 1485 01:00:46,176 --> 01:00:48,746 WE CAN'T KEEP THE KIDS FROM GROWING UP. 1486 01:00:48,779 --> 01:00:50,214 THEY'VE BEEN DOING THIS FOR YEARS NOW. 1487 01:00:50,247 --> 01:00:52,750 THEY'RE READY TO MOVE ON AND TRY NEW THINGS. 1488 01:00:52,783 --> 01:00:53,751 THAT'S WHAT KIDS DO. 1489 01:00:53,784 --> 01:00:56,153 WE NEED 26 MORE EPISODES. 1490 01:00:56,186 --> 01:00:57,254 WELL, WE ONLY HAVE THE CAST UNDER CONTRACT 1491 01:00:57,287 --> 01:00:58,355 FOR HALF THAT MANY. 1492 01:00:58,388 --> 01:01:00,190 THEN WE CONVINCE THEM TO STAY. 1493 01:01:00,224 --> 01:01:02,026 THE COLD, HARD TRUTH IS, 1494 01:01:02,059 --> 01:01:03,994 WITHOUT THIS SHOW, THOSE KIDS ARE NOTHING. 1495 01:01:04,028 --> 01:01:05,963 LET'S GIVE THEM A TASTE OF THE GOOD LIFE. 1496 01:01:05,996 --> 01:01:08,165 WE'LL HAVE THEM BEGGING US TO STAY. 1497 01:01:12,436 --> 01:01:14,171 PARIS? 1498 01:01:14,204 --> 01:01:17,875 OH, MY GOD, THAT'S AMAZING! 1499 01:01:17,908 --> 01:01:18,575 YOU'LL BE DOING PRESS 1500 01:01:18,608 --> 01:01:19,744 AND A COUPLE OF FAN EVENTS, 1501 01:01:19,777 --> 01:01:21,912 BUT THERE'LL BE PLENTY OF TIME TO SEE THE SIGHTS, TOO. 1502 01:01:21,946 --> 01:01:23,714 SO, WHEN DO WE GO? 1503 01:01:23,748 --> 01:01:25,449 IN A FEW WEEKS. 1504 01:01:25,482 --> 01:01:27,217 LARK AND ELIZABETH, 1505 01:01:27,251 --> 01:01:28,986 WE'D LIKE THE TWO OF YOU TO GO TO NEW YORK. 1506 01:01:29,019 --> 01:01:29,954 [GASPING IN DELIGHT] 1507 01:01:29,987 --> 01:01:31,989 [TOGETHER]: I LOVE NEW YORK! 1508 01:01:32,022 --> 01:01:33,090 WHAT ABOUT ME? 1509 01:01:33,123 --> 01:01:34,258 HOW DOES MIAMI SOUND? 1510 01:01:34,291 --> 01:01:37,061 OH, AND YOU'LL BE ON YOUR OWN. 1511 01:01:37,094 --> 01:01:38,062 NOT FOR LONG. 1512 01:01:38,095 --> 01:01:39,229 [CHUCKLING] 1513 01:01:39,263 --> 01:01:41,398 AND WHERE AM I GOING? 1514 01:01:41,431 --> 01:01:44,334 SPARTANBURG, SOUTH CAROLINA. 1515 01:01:44,368 --> 01:01:46,203 WE HAVE A SURPRISINGLY BIG FAN BASE THERE. 1516 01:01:51,776 --> 01:01:52,542 [DUSTIN]: OF COURSE. 1517 01:01:52,576 --> 01:01:53,710 THE REST OF THE CAST GOT TO GO 1518 01:01:53,744 --> 01:01:56,313 TO THE MOST GLAMOROUS CITIES IN THE WORLD, 1519 01:01:56,346 --> 01:01:57,848 WHILE I ENDED UP SIGNING AUTOGRAPHS 1520 01:01:57,882 --> 01:01:59,950 IN SOME REC CENTER IN SOUTH CAROLINA. 1521 01:01:59,984 --> 01:02:03,220 [CROWD CHATTING IN EXCITEMENT] 1522 01:02:08,492 --> 01:02:10,260 DUDE, THIS SUCKS. 1523 01:02:10,294 --> 01:02:11,328 ARE YOU KIDDING? 1524 01:02:11,361 --> 01:02:13,197 LOOK AT ALL THOSE GIRLS, MAN, THEY'RE HERE FOR YOU. 1525 01:02:13,230 --> 01:02:14,464 YOU'RE A STAR. 1526 01:02:14,498 --> 01:02:16,300 ALL THEY'RE GOING TO DO IS ASK ABOUT MARK-PAUL 1527 01:02:16,333 --> 01:02:17,301 AND MARIO, 1528 01:02:17,334 --> 01:02:18,869 AND "OOH, THEY'RE SO CUTE!" 1529 01:02:18,903 --> 01:02:20,170 DUDE, RELAX, OKAY? 1530 01:02:20,204 --> 01:02:21,105 BY THE TIME THIS NIGHT IS OVER, 1531 01:02:21,138 --> 01:02:23,874 WE WILL HAVE TWO, OR MORE, OF THOSE GIRLS 1532 01:02:23,908 --> 01:02:26,476 UP IN OUR HOTEL ROOM. * HOTEL ROOM, HOTEL ROOM... 1533 01:02:26,510 --> 01:02:28,112 YEAH, RIGHT. 1534 01:02:28,145 --> 01:02:30,480 I'M SURE MY CHAPERONE WOULD REALLY LET THAT HAPPEN. 1535 01:02:30,514 --> 01:02:31,648 I'LL HANDLE IT, ALL RIGHT? 1536 01:02:31,681 --> 01:02:34,484 YOU GOT TO LEARN HOW TO APPRECIATE WHAT YOU GOT, MAN. 1537 01:02:34,518 --> 01:02:36,153 I'M TRYING. 1538 01:02:36,186 --> 01:02:37,121 HEY, STICK WITH ME, MAN. 1539 01:02:37,154 --> 01:02:40,324 ONE THING I KNOW IS HOW TO HAVE A GOOD TIME. 1540 01:02:40,357 --> 01:02:42,159 NO, NO, NO, IT'S ALL RIGHT. 1541 01:02:42,192 --> 01:02:43,828 I'VE ALREADY GOT A LITTLE BUZZ. 1542 01:02:43,861 --> 01:02:45,129 TRUST ME, MAN, 1543 01:02:45,162 --> 01:02:47,431 THE MORE DRUNK YOU ARE, THE MORE FUN YOU ARE. 1544 01:02:51,869 --> 01:02:53,003 ALL RIGHT, ALL RIGHT. 1545 01:02:53,037 --> 01:02:54,438 [LAUGHING] 1546 01:02:55,472 --> 01:02:56,440 CHEERS. 1547 01:02:56,473 --> 01:02:57,441 CHEERS, DUDE. 1548 01:03:05,215 --> 01:03:07,918 HOW COULD YOU BE SO IRRESPONSIBLE? 1549 01:03:07,952 --> 01:03:09,553 I TOLD YOU, I WAS SICK. 1550 01:03:09,586 --> 01:03:11,121 I HAD FOOD POISONING OR SOMETHING. 1551 01:03:11,155 --> 01:03:13,090 YOU WERE DRUNK, DUSTIN. 1552 01:03:13,123 --> 01:03:15,893 NOT ONLY IS THAT ILLEGAL, 1553 01:03:15,926 --> 01:03:18,162 IT GOES AGAINST EVERYTHING THAT OUR SHOW IS ABOUT. 1554 01:03:18,195 --> 01:03:19,864 WHEN YOU'RE AT FAN EVENTS, 1555 01:03:19,897 --> 01:03:21,598 YOU'RE AN AMBASSADOR FOR ALL OF US. 1556 01:03:21,631 --> 01:03:23,167 I KNOW. 1557 01:03:23,200 --> 01:03:25,502 THE LOCAL AFFILIATE IS THREATENING TO DROP THE SHOW 1558 01:03:25,535 --> 01:03:27,037 BECAUSE OF YOUR BEHAVIOR. 1559 01:03:27,071 --> 01:03:29,073 OH, COME ON, IT WASN'T THAT BIG A DEAL. 1560 01:03:29,106 --> 01:03:30,074 IT WAS A BIG DEAL! 1561 01:03:31,541 --> 01:03:32,442 THAT'S WHAT I NEED 1562 01:03:32,476 --> 01:03:34,578 TO MAKE SURE YOU UNDERSTAND. 1563 01:03:34,611 --> 01:03:38,949 IF ANYTHING LIKE THIS EVER HAPPENS AGAIN, 1564 01:03:38,983 --> 01:03:41,185 WE'LL HAVE NO CHOICE BUT TO LET YOU GO. 1565 01:03:41,218 --> 01:03:43,120 IT'S NOT LIKE I'M THE ONLY ONE WHO'S DONE ANYTHING WRONG. 1566 01:03:43,153 --> 01:03:44,421 WHY DON'T YOU EVER GIVE THE OTHERS 1567 01:03:44,454 --> 01:03:45,289 AS MUCH CRAP AS YOU GIVE ME? 1568 01:03:45,322 --> 01:03:46,190 DUSTIN-- 1569 01:03:46,223 --> 01:03:46,991 WELL, HE DOESN'T. 1570 01:03:47,992 --> 01:03:49,159 YOU ALL TREAT THEM 1571 01:03:49,193 --> 01:03:49,994 LIKE THEY'RE SO MUCH BETTER THAN ME, 1572 01:03:50,027 --> 01:03:51,261 AND THEY'RE NOT. 1573 01:03:51,295 --> 01:03:52,229 HEY! THAT'S ENOUGH! 1574 01:04:05,642 --> 01:04:07,945 WE ALL MAKE MISTAKES. 1575 01:04:09,246 --> 01:04:12,549 I'VE MADE MY SHARE, 1576 01:04:12,582 --> 01:04:15,219 BUT THE BIGGEST MISTAKE YOU CAN MAKE 1577 01:04:15,252 --> 01:04:17,521 IS THINKING THAT YOU'VE GOT SOMETHING TO PROVE. 1578 01:04:20,490 --> 01:04:22,259 [SIGHS] 1579 01:04:24,628 --> 01:04:26,997 I'LL SEE YOU AT REHEARSAL. 1580 01:04:43,147 --> 01:04:44,281 WHAT THE HELL WERE YOU THINKING? 1581 01:04:44,314 --> 01:04:46,550 WE WERE JUST HAVING FUN. 1582 01:04:46,583 --> 01:04:47,884 YOU COULD'VE GOTTEN YOURSELF FIRED! 1583 01:04:50,687 --> 01:04:52,656 I GOT WASTED AND I GOT LAID. 1584 01:04:52,689 --> 01:04:55,659 FOR ONCE, I WASN'T THE GEEK EVERYONE WAS LAUGHING AT. 1585 01:04:55,692 --> 01:04:58,128 ISN'T THAT WHAT YOU ALWAYS WANTED, 1586 01:04:58,162 --> 01:05:00,430 A SON THAT WASN'T THE BIGGEST FREAK IN THE ROOM? 1587 01:05:00,464 --> 01:05:02,132 [TABLE CRASHING] 1588 01:05:08,438 --> 01:05:11,141 THEY SURE LIKE TO HUG AND KISS A LOT, HUH? 1589 01:05:11,175 --> 01:05:13,610 [IMITATING FRENCH ACCENT] "ZACK MORRIS, I LOVE YOU!" 1590 01:05:13,643 --> 01:05:15,545 WOW, YOU DO A REALLY BAD FRENCH ACCENT. 1591 01:05:15,579 --> 01:05:17,181 RIGHT? 1592 01:05:18,548 --> 01:05:21,218 DU VIN, MADEMOISELLE? 1593 01:05:21,251 --> 01:05:23,053 UM... OKAY. 1594 01:05:27,124 --> 01:05:28,392 ET VOUS, MONSIEUR? 1595 01:05:28,425 --> 01:05:29,960 YEAH. 1596 01:05:34,131 --> 01:05:35,732 MAR-SEE. 1597 01:05:35,765 --> 01:05:37,167 [CHUCKLES] 1598 01:05:38,435 --> 01:05:39,603 ARE YOU GONNA DRINK IT? 1599 01:05:39,636 --> 01:05:41,205 I DON'T KNOW. 1600 01:05:41,238 --> 01:05:42,606 I NEVER HAVE BEFORE. 1601 01:05:42,639 --> 01:05:44,374 ME NEITHER. 1602 01:05:44,408 --> 01:05:46,176 EH, WHAT THE HELL, 1603 01:05:46,210 --> 01:05:47,644 MY MOM'S NOT HERE TO TELL ME NO. 1604 01:05:47,677 --> 01:05:50,981 HERE'S TO NEW ADVENTURES. 1605 01:05:51,015 --> 01:05:52,216 TO NEW ADVENTURES. 1606 01:05:59,256 --> 01:06:00,724 [COUGHING] 1607 01:06:00,757 --> 01:06:02,492 NO. 1608 01:06:02,526 --> 01:06:04,461 IT'S SO GOOD. 1609 01:06:04,494 --> 01:06:05,595 YOU LIKE THAT? 1610 01:06:05,629 --> 01:06:07,364 UGH. 1611 01:06:08,632 --> 01:06:11,201 UH... 1612 01:06:11,235 --> 01:06:14,371 SO, ELIZABETH AND I HAVE BEEN TALKING... 1613 01:06:14,404 --> 01:06:17,174 MM-HMM. 1614 01:06:17,207 --> 01:06:20,410 WE'VE BOTH DECIDED NOT TO EXTEND OUR CONTRACTS. 1615 01:06:20,444 --> 01:06:24,581 WE'RE LEAVING THE SHOW. 1616 01:06:24,614 --> 01:06:27,084 WAIT, SORRY, WHAT? 1617 01:06:28,652 --> 01:06:31,188 WE JUST BOTH FEEL LIKE IT'S TIME. 1618 01:06:31,221 --> 01:06:33,090 WELL, I... 1619 01:06:33,123 --> 01:06:34,358 YOU KNOW, ELIZABETH, I UNDERSTAND. 1620 01:06:34,391 --> 01:06:37,761 SHE'S WANTED TO DO MOVIES FOR A WHILE, BUT... 1621 01:06:37,794 --> 01:06:39,263 [SIGHS] I HAD NO IDEA 1622 01:06:39,296 --> 01:06:40,764 YOU WERE EVEN THINKING OF LEAVING THE SHOW. 1623 01:06:40,797 --> 01:06:42,666 I JUST, I FEEL LIKE 1624 01:06:42,699 --> 01:06:44,568 THE FIRST COUPLE OF YEARS ON BELL, 1625 01:06:44,601 --> 01:06:46,770 I WAS GROWING SO MUCH. 1626 01:06:46,803 --> 01:06:49,306 YOU KNOW, I BECAME SO MUCH MORE CONFIDENT. 1627 01:06:49,339 --> 01:06:51,241 YEAH, WE ALL DID. 1628 01:06:51,275 --> 01:06:52,642 I WANT TO KEEP GROWING. 1629 01:06:52,676 --> 01:06:55,512 MAYBE GET ON A PRIMETIME SERIES, 1630 01:06:55,545 --> 01:06:59,316 YOU KNOW, PLAY A DIFFERENT CHARACTER. 1631 01:07:03,353 --> 01:07:05,522 I WANTED YOU TO BE THE FIRST TO KNOW. 1632 01:07:08,625 --> 01:07:10,694 SAY SOMETHING. 1633 01:07:15,632 --> 01:07:18,535 WHAT'S SAVED BY THE BELL WITHOUT ZACK AND KELLY? 1634 01:07:20,537 --> 01:07:22,306 MAYBE YOU SHOULD GET OUT NOW TOO. 1635 01:07:22,339 --> 01:07:24,341 AND DO WHAT? 1636 01:07:24,374 --> 01:07:26,376 YOU'RE SO TALENTED. 1637 01:07:26,410 --> 01:07:28,345 YOU COULD DO SO MANY ROLES. 1638 01:07:28,378 --> 01:07:30,480 EVERYBODY SEES ME AS ZACK MORRIS. 1639 01:07:30,514 --> 01:07:33,317 THAT'S... THAT'S ALL THEY KNOW ME AS. 1640 01:07:33,350 --> 01:07:35,785 THAT'S THE ONLY WAY THEY'LL EVER KNOW YOU, 1641 01:07:35,819 --> 01:07:37,087 OR ME, OR ELIZABETH, 1642 01:07:37,121 --> 01:07:39,289 OR ANY OF US, 1643 01:07:39,323 --> 01:07:40,424 UNLESS WE GO OUT THERE, 1644 01:07:40,457 --> 01:07:43,427 AND WE SHOW THEM SOMETHING THEY'VE NEVER SEEN BEFORE. 1645 01:07:43,460 --> 01:07:44,728 COME ON, YOU HAVE TO SHOW THE WORLD 1646 01:07:44,761 --> 01:07:50,134 WHO MARK-PAUL GOSSELAAR REALLY IS. 1647 01:07:50,167 --> 01:07:52,702 AND WHAT IF I DON'T KNOW? 1648 01:07:52,736 --> 01:07:54,471 WELL, THEN, YOU'D BETTER FIND OUT. 1649 01:07:55,905 --> 01:07:57,574 BECAUSE EVEN IF YOU DO STAY, 1650 01:07:57,607 --> 01:08:00,477 SAVED BY THE BELL WON'T LAST FOREVER. 1651 01:08:12,456 --> 01:08:13,690 HEY, GUYS. 1652 01:08:13,723 --> 01:08:15,559 WE'RE DONE, WE JUST... 1653 01:08:15,592 --> 01:08:18,328 WANTED TO COME SAY GOODBYE. 1654 01:08:18,362 --> 01:08:19,429 I'M GONNA MISS YOU. 1655 01:08:23,333 --> 01:08:25,502 IT'S GONNA BE WEIRD WITHOUT YOU. 1656 01:08:25,535 --> 01:08:27,804 IT'S NOT LIKE I'M MOVING OR ANYTHING. 1657 01:08:27,837 --> 01:08:30,140 WE CAN STILL HANG OUT SOMETIMES. 1658 01:08:30,174 --> 01:08:31,675 SURE. IF YOU DON'T FORGET US LITTLE PEOPLE 1659 01:08:31,708 --> 01:08:33,143 WHEN YOU BECOME A BIG MOVIE STAR. 1660 01:08:33,177 --> 01:08:34,378 GIVE ME A HUG. 1661 01:08:36,413 --> 01:08:37,847 GOOD LUCK, 1662 01:08:37,881 --> 01:08:39,883 NOT THAT YOU'RE GONNA NEED IT. 1663 01:08:39,916 --> 01:08:41,185 YOU'RE GONNA DO GREAT. 1664 01:08:46,856 --> 01:08:49,593 STOP. 1665 01:08:49,626 --> 01:08:51,728 IF YOU CRY, I WILL TOO. 1666 01:08:51,761 --> 01:08:53,230 [SIGHING] I'M NOT. 1667 01:08:53,263 --> 01:08:55,365 [CLEARS THROAT] 1668 01:08:56,900 --> 01:08:59,169 IT'S JUST, UH... 1669 01:09:00,870 --> 01:09:04,808 IT FEELS STRANGE, YOU KNOW? 1670 01:09:14,684 --> 01:09:16,286 WELL... 1671 01:09:16,320 --> 01:09:18,555 I GUESS WE'D BETTER GET GOING. 1672 01:09:18,588 --> 01:09:20,757 BYE. 1673 01:09:20,790 --> 01:09:22,459 EVERYONE. 1674 01:09:22,492 --> 01:09:24,294 BYE. 1675 01:09:24,328 --> 01:09:26,563 BYE, GUYS. 1676 01:09:27,931 --> 01:09:29,499 BYE. 1677 01:09:43,847 --> 01:09:47,617 THAT WASN'T SO BAD, WAS IT? 1678 01:09:47,651 --> 01:09:50,554 AT LEAST I DIDN'T CRY. 1679 01:09:50,587 --> 01:09:51,988 [SIGHS HEAVILY] 1680 01:09:52,021 --> 01:09:53,590 SO WE DID IT. 1681 01:09:53,623 --> 01:09:55,392 WE'RE FINE. 1682 01:09:59,796 --> 01:10:00,797 WHO'S THAT? 1683 01:10:00,830 --> 01:10:02,299 UM... 1684 01:10:02,332 --> 01:10:05,235 I THINK HER NAME'S LEANNA. 1685 01:10:05,269 --> 01:10:09,239 SHE'S THE NEW GIRL THEY HIRED. 1686 01:10:09,273 --> 01:10:12,576 THE GIRL THEY CAST TO REPLACE US? 1687 01:10:12,609 --> 01:10:14,378 YEAH. 1688 01:10:14,411 --> 01:10:16,546 THAT'S HER. 1689 01:10:18,982 --> 01:10:21,351 DID WE DO THE RIGHT THING? 1690 01:10:21,385 --> 01:10:22,819 YES. 1691 01:10:22,852 --> 01:10:25,689 ABSOLUTELY. 1692 01:10:26,756 --> 01:10:30,794 WHY DOES IT FEEL SO BAD? 1693 01:10:30,827 --> 01:10:33,263 [***] 1694 01:11:04,894 --> 01:11:06,963 YOU SHOULD SEE THE LOOK ON YOUR FACE RIGHT NOW. 1695 01:11:06,996 --> 01:11:08,998 NO WAY THIS IS YOURS. 1696 01:11:09,032 --> 01:11:10,500 YEAH. YOU WANT A RIDE? 1697 01:11:10,534 --> 01:11:12,836 [SCOFFS] PETER'S GONNA KILL YOU. 1698 01:11:12,869 --> 01:11:14,037 WHAT ABOUT THE NO-DANGEROUS-ACTIVITIES CLAUSE 1699 01:11:14,070 --> 01:11:15,305 IN OUR CONTRACTS? 1700 01:11:15,339 --> 01:11:17,307 I DON'T REALLY READ CONTRACTS. 1701 01:11:17,341 --> 01:11:18,207 THAT'S WHAT LAWYERS ARE FOR. 1702 01:11:18,241 --> 01:11:20,377 I CAN'T BELIEVE YOUR MOM LET YOU BUY THIS. 1703 01:11:20,410 --> 01:11:21,845 I DIDN'T ASK HER. 1704 01:11:21,878 --> 01:11:23,780 GET ON. 1705 01:11:23,813 --> 01:11:25,014 COME ON. 1706 01:11:25,048 --> 01:11:27,551 AW, WHAT? ARE YOU CHICKEN? 1707 01:11:28,718 --> 01:11:30,354 DO I LOOK CHICKEN TO YOU, PREPPY? 1708 01:11:30,387 --> 01:11:31,655 NO. 1709 01:11:31,688 --> 01:11:33,022 [DUSTIN]: THAT LAST SEASON OF SAVED BY THE BELL WAS A MESS. 1710 01:11:33,056 --> 01:11:36,860 THE EPISODES WE'D ALREADY SHOT WITH TIFFANI-AMBER AND ELIZABETH 1711 01:11:36,893 --> 01:11:38,595 WERE JUST MIXED UP WITH THE NEW EPISODES 1712 01:11:38,628 --> 01:11:40,497 FEATURING TOUGH-GIRL TORI. 1713 01:11:40,530 --> 01:11:43,433 ONE WEEK, KELLY AND JESSIE WERE AROUND BAYSIDE, 1714 01:11:43,467 --> 01:11:44,934 THE NEXT WEEK, POOF! 1715 01:11:44,968 --> 01:11:46,102 NO SIGN OF THEM. 1716 01:11:46,135 --> 01:11:48,037 [CHEERING] WHOO! 1717 01:11:48,071 --> 01:11:50,540 THE SHOW HAD BECOME AS CHAOTIC AS OUR OWN LIVES. 1718 01:11:50,574 --> 01:11:52,476 [LAUGHING] 1719 01:11:52,509 --> 01:11:53,543 NO? 1720 01:11:53,577 --> 01:11:54,678 [LAUGHING] NO, MAN. 1721 01:11:54,711 --> 01:11:57,581 IT'S WORKING, COME ON, GIVE ME CREDIT. 1722 01:11:57,614 --> 01:11:58,782 PARTY ON, DUDE! 1723 01:11:58,815 --> 01:12:00,517 PARTY ON! 1724 01:12:00,550 --> 01:12:03,553 WE'RE NOT WORTHY! 1725 01:12:03,587 --> 01:12:05,622 HEY, DUDE, WHAT DID PETER SAY 1726 01:12:05,655 --> 01:12:08,057 ABOUT ME PLAYING TORI'S EX-BOYFRIEND? 1727 01:12:09,726 --> 01:12:12,629 UH... THEY ALREADY GOT A GUY FOR THAT, 1728 01:12:12,662 --> 01:12:15,865 BUT, UH, I THINK THEY SAID HE'D TRY TO FIND SOMEBODY. 1729 01:12:15,899 --> 01:12:17,066 I DON'T REALLY REMEMBER. I DON'T KNOW. 1730 01:12:19,436 --> 01:12:22,672 [LAUGHING] OH, IT CAME OUT MY NOSE! 1731 01:12:24,408 --> 01:12:26,976 DUDE, YOU GOTTA STAY ON TOP OF HIM, OKAY? 1732 01:12:27,010 --> 01:12:29,679 [LAUGHING] THAT'S WHAT SHE SAID! 1733 01:12:29,713 --> 01:12:31,080 SCH-WING! 1734 01:12:31,114 --> 01:12:32,816 [LAUGHING AND COUGHING] 1735 01:12:32,849 --> 01:12:34,384 STUFF'S GETTING IN MY MOUTH. 1736 01:12:34,418 --> 01:12:35,885 [SPITTING] 1737 01:12:37,186 --> 01:12:40,023 * I LIKE BIG BUTTS AND I CAN NOT LIE * 1738 01:12:40,056 --> 01:12:41,925 * YOU OTHER BROTHERS CAN'T DENY * 1739 01:12:41,958 --> 01:12:43,860 * THAT WHEN A GIRL WALKS IN WITH AN ITTY BITTY WAIST * 1740 01:12:43,893 --> 01:12:45,028 * AND A ROUND THING IN YOUR FACE * 1741 01:12:45,061 --> 01:12:47,631 * YOU GET SPRUNG WANNA PULL OUT YOUR TOUGH * 1742 01:12:47,664 --> 01:12:49,599 * 'CAUSE YOU NOTICE THAT BUTT WAS STUFFED * 1743 01:12:49,633 --> 01:12:51,167 * DEEP IN THE JEANS SHE'S WEARING * 1744 01:12:51,200 --> 01:12:52,969 * I'M HOOKED AND I CAN'T STOP STARING * 1745 01:12:53,002 --> 01:12:55,071 * OH, BABY I WANNA GET WIT' YA * 1746 01:12:55,104 --> 01:12:56,906 * AND TAKE YOUR PICTURE * 1747 01:12:56,940 --> 01:12:58,708 * MY HOMEBOYS TRIED TO WARN ME * 1748 01:12:58,742 --> 01:13:00,944 * BUT THAT BUTT YOU GOT MAKES ME SO HORNY * 1749 01:13:00,977 --> 01:13:02,646 * OOH, RUMP-O'-SMOOTH-SKIN * 1750 01:13:02,679 --> 01:13:04,113 * YOU SAY YOU WANNA GET IN MY BENZ? * 1751 01:13:04,147 --> 01:13:06,149 * WELL, USE ME, USE ME * 1752 01:13:06,182 --> 01:13:08,552 * 'CAUSE YOU AIN'T THAT AVERAGE GROUPIE * 1753 01:13:08,585 --> 01:13:09,953 * I'VE SEEN HER DANCIN' * 1754 01:13:09,986 --> 01:13:11,688 * TO HELL WITH ROMANCIN' * 1755 01:13:11,721 --> 01:13:13,790 * SHE'S SWEAT, WET, * 1756 01:13:13,823 --> 01:13:15,592 * GOT IT GOIN' LIKE A TURBO 'VETTE * 1757 01:13:15,625 --> 01:13:17,427 * I'M TIRED OF MAGAZINES * 1758 01:13:17,461 --> 01:13:19,996 * SAYIN' FLAT BUTTS ARE MY THING... * 1759 01:13:20,029 --> 01:13:21,097 YOU LOOK BEAUTIFUL. 1760 01:13:21,130 --> 01:13:23,032 I REALLY WANT TO KISS YOU RIGHT NOW. 1761 01:13:23,066 --> 01:13:24,501 [GIGGLES] 1762 01:13:24,534 --> 01:13:26,436 WHAT'S STOPPING YOU? 1763 01:13:37,180 --> 01:13:39,716 GIVE ME A SEC'. 1764 01:13:39,749 --> 01:13:41,485 HEY, GINA'S HEADING TO THIS PARTY IN THE HILLS. 1765 01:13:41,518 --> 01:13:42,652 SHE WANTS US TO GO WITH HER. 1766 01:13:42,686 --> 01:13:44,988 DUDE, MY PARENTS WILL KILL ME IF I MISS CURFEW AGAIN. 1767 01:13:45,021 --> 01:13:46,990 IT'S SATURDAY. IT'S NOT EVEN MIDNIGHT. 1768 01:13:47,023 --> 01:13:48,892 I KNOW, BUT YOU KNOW HOW THEY ARE, MAN. 1769 01:13:48,925 --> 01:13:50,026 OKAY, SO WE'LL STAY FOR AN HOUR, 1770 01:13:50,059 --> 01:13:50,994 AND YOU WON'T BE THAT LATE. 1771 01:13:51,027 --> 01:13:52,496 [SIGHING] 1772 01:13:52,529 --> 01:13:54,731 OR I COULD GO 1773 01:13:54,764 --> 01:13:57,734 AND TELL YOU WHAT AN AWESOME TIME YOU MISSED. 1774 01:13:59,869 --> 01:14:01,638 -I HATE YOU. -I KNOW. 1775 01:14:01,671 --> 01:14:02,606 LET'S DO IT. 1776 01:14:02,639 --> 01:14:03,439 WE'RE BOTH IN. 1777 01:14:05,041 --> 01:14:06,810 JUST, UH... GIVE ME A SEC. 1778 01:14:06,843 --> 01:14:08,144 ALL RIGHT. 1779 01:14:10,514 --> 01:14:11,748 ELIZABETH, HEY! 1780 01:14:11,781 --> 01:14:13,883 YOU WERE GOING TO LEAVE AND NOT EVEN SAY HI? 1781 01:14:13,917 --> 01:14:15,885 OH, I DIDN'T WANT TO CRAMP YOUR STYLE. 1782 01:14:15,919 --> 01:14:17,521 LOOKED LIKE YOU GUYS WERE HAVING FUN. 1783 01:14:18,655 --> 01:14:20,557 YOU LOOK... AMAZING. 1784 01:14:20,590 --> 01:14:22,025 THANKS. 1785 01:14:22,058 --> 01:14:24,794 YOU LOOK... RELAXED, 1786 01:14:24,828 --> 01:14:25,995 LIKE YOU'RE ACTUALLY ENJOYING YOURSELF. 1787 01:14:26,029 --> 01:14:28,064 YEAH, I... AM. 1788 01:14:28,097 --> 01:14:29,766 MOSTLY. 1789 01:14:29,799 --> 01:14:30,534 YOU FINALLY GETTING USED TO 1790 01:14:30,567 --> 01:14:32,536 BEING AMERICA'S TEEN HEARTTHROB? 1791 01:14:32,569 --> 01:14:34,270 NEVER. 1792 01:14:34,303 --> 01:14:36,873 BUT I AM REALIZING IT HAS ITS PERKS. 1793 01:14:37,941 --> 01:14:39,876 I SAW. 1794 01:14:39,909 --> 01:14:41,511 SO I HEAR YOU'RE UP FOR A MOVIE. 1795 01:14:41,545 --> 01:14:42,378 THAT'S AWESOME. 1796 01:14:42,411 --> 01:14:43,880 IT'S DOWN TO ME AND ONE OTHER GIRL. 1797 01:14:43,913 --> 01:14:44,814 NICE. 1798 01:14:44,848 --> 01:14:46,750 WELL, I'M SURE YOU'LL GET IT. 1799 01:14:46,783 --> 01:14:48,585 FINGERS CROSSED. 1800 01:14:48,618 --> 01:14:49,686 [LAUGHS] 1801 01:14:51,921 --> 01:14:53,523 [BOTH START TALKING AT ONCE] 1802 01:14:53,557 --> 01:14:54,758 PLEASE. [LAUGHS] 1803 01:14:54,791 --> 01:14:56,259 JUST, ME AND MARIO 1804 01:14:56,292 --> 01:14:58,061 WERE GONNA GO TO THIS PARTY IN THE HILLS. 1805 01:14:58,094 --> 01:15:00,964 I DON'T KNOW IF YOU WANTED TO COME OR NOT? 1806 01:15:00,997 --> 01:15:03,900 I'M ACTUALLY FEELING A LITTLE TIRED. I'LL... 1807 01:15:03,933 --> 01:15:05,702 YEAH. OKAY. 1808 01:15:05,735 --> 01:15:07,637 IT WAS GREAT TO SEE YOU, THOUGH. 1809 01:15:07,671 --> 01:15:09,105 YEAH, YOU TOO. 1810 01:15:10,707 --> 01:15:11,775 AND THAT MOVIE PART, 1811 01:15:11,808 --> 01:15:12,942 YOU'RE GOING TO GET IT, I KNOW IT. 1812 01:15:12,976 --> 01:15:14,778 THANKS. 1813 01:15:14,811 --> 01:15:16,279 ALL RIGHT. BYE. 1814 01:15:21,184 --> 01:15:22,552 [DUSTIN]: BUT THE GOOD TIMES COULDN'T LAST. 1815 01:15:22,586 --> 01:15:25,021 WE WERE ALL GROWING UP TOO FAST. 1816 01:15:25,054 --> 01:15:26,756 THINGS WERE BOUND TO IMPLODE EVENTUALLY... 1817 01:15:26,790 --> 01:15:28,291 [DUSTIN ON VIDEO]: PARTY ON, DUDE! 1818 01:15:28,324 --> 01:15:29,325 [ERIC, BEHIND CAMERA]: PARTY ON. 1819 01:15:29,358 --> 01:15:33,162 WE'RE NOT WORTHY! 1820 01:15:33,196 --> 01:15:34,197 [ERIC]: HEY, DUDE, 1821 01:15:34,230 --> 01:15:35,231 WHAT DID PETER SAY 1822 01:15:35,264 --> 01:15:39,936 ABOUT ME PLAYING TORI'S EX-BOYFRIEND? 1823 01:15:39,969 --> 01:15:40,970 [DUSTIN, COUGHING]: UH... 1824 01:15:41,004 --> 01:15:43,907 [PAUSES VIDEO] 1825 01:15:43,940 --> 01:15:45,174 YOU'RE MY FRIEND. 1826 01:15:45,208 --> 01:15:46,843 A REAL FRIEND 1827 01:15:46,876 --> 01:15:47,944 WOULD'VE GOTTEN ME SOMETHING MORE 1828 01:15:47,977 --> 01:15:49,813 THAN JUST A STUPID EXTRA JOB. 1829 01:15:49,846 --> 01:15:52,716 THAT'S THE WHOLE REASON YOU HUNG OUT WITH ME? 1830 01:15:54,050 --> 01:15:55,218 IT'S NOT PERSONAL. 1831 01:15:55,251 --> 01:15:56,820 IT'S JUST SHOWBIZ. 1832 01:15:56,853 --> 01:15:58,955 I TRUSTED YOU! 1833 01:15:58,988 --> 01:16:00,957 HEY, BACK OFF, OR I SWEAR TO GOD 1834 01:16:00,990 --> 01:16:02,025 I'LL SEND COPIES OF THAT TAPE 1835 01:16:02,058 --> 01:16:03,660 TO EVERY NEWS SHOW OUT THERE. 1836 01:16:03,693 --> 01:16:04,628 WHAT IF I DON'T CARE? 1837 01:16:04,661 --> 01:16:05,795 YOU CARE. 1838 01:16:05,829 --> 01:16:07,831 'CAUSE ONCE THIS GETS OUT, YOU'RE DONE. 1839 01:16:07,864 --> 01:16:08,898 YOU'LL GET FIRED, 1840 01:16:08,932 --> 01:16:10,233 AND YOU'LL BE NOTHING FOR THE REST OF YOUR LIFE. 1841 01:16:10,266 --> 01:16:11,868 YOU'RE NOBODY WITHOUT SCREECH. 1842 01:16:19,676 --> 01:16:20,844 HEY, YOU TAKE CARE OF ME, 1843 01:16:20,877 --> 01:16:24,614 THE NETWORK WILL NEVER SEE THIS. 1844 01:16:24,648 --> 01:16:27,016 I JUST WANT A PIECE OF WHAT YOU'VE GOT, D. 1845 01:16:28,952 --> 01:16:31,054 YOU'RE LIVING THE DREAM. 1846 01:16:47,971 --> 01:16:50,106 OUT AT CLUBS, DATING CELEBRITIES, 1847 01:16:50,139 --> 01:16:51,207 GOD KNOWS WHAT ELSE. 1848 01:16:51,240 --> 01:16:52,909 THEY'RE TURNING INTO YOUNG HOOLIGANS. 1849 01:16:52,942 --> 01:16:54,210 THEY'RE JUST BEING TEENAGERS. 1850 01:16:54,243 --> 01:16:55,679 YEAH, WELL, I WISH THEY'D STOP. 1851 01:16:55,712 --> 01:16:56,846 [CHUCKLING] THEY WON'T. 1852 01:16:56,880 --> 01:16:58,948 TRY NOT TO GLOAT SO MUCH. 1853 01:16:58,982 --> 01:17:00,750 THEY'RE ACTUALLY REALLY GOOD KIDS. 1854 01:17:00,784 --> 01:17:02,819 IT COULD'VE BEEN MUCH WORSE. 1855 01:17:02,852 --> 01:17:04,988 SO, WHAT DO WE DO? 1856 01:17:05,021 --> 01:17:06,723 WE LET THEM GROW UP. 1857 01:17:06,756 --> 01:17:08,091 WE SEND THEM, AND THE SHOW, 1858 01:17:08,124 --> 01:17:09,325 OFF IN STYLE. 1859 01:17:09,358 --> 01:17:11,861 YOU HAVE SOMETHING IN MIND. 1860 01:17:13,129 --> 01:17:14,831 KIDS AROUND THE WORLD 1861 01:17:14,864 --> 01:17:15,865 FEEL LIKE THEY'VE GONE TO HIGH SCHOOL 1862 01:17:15,899 --> 01:17:17,701 WITH THESE SIX CHARACTERS. 1863 01:17:17,734 --> 01:17:19,903 SO LET'S GIVE THEM WHAT THEY'VE ALL BEEN WAITING FOR. 1864 01:17:21,437 --> 01:17:23,773 [CHUCKLES AND SIGHS] 1865 01:17:23,807 --> 01:17:26,209 IT'S ABOUT TIME. 1866 01:17:26,242 --> 01:17:29,112 HUH, I LOOK PRETTY SMART RIGHT NOW, HUH? 1867 01:17:29,145 --> 01:17:30,714 HMM. YEAH. 1868 01:17:30,747 --> 01:17:31,414 HMM. 1869 01:17:31,447 --> 01:17:32,448 [LAUGHS] 1870 01:17:32,481 --> 01:17:34,250 I LOOK RIDICULOUS. 1871 01:17:34,283 --> 01:17:35,451 [LAUGHING] 1872 01:17:35,484 --> 01:17:37,153 REALLY? 1873 01:17:37,186 --> 01:17:38,855 THE LAST EPISODE HAD TO BE ABOUT BALLET? 1874 01:17:38,888 --> 01:17:40,123 WE COULDN'T DO A CAR CHASE OR SOMETHING? 1875 01:17:40,156 --> 01:17:43,026 THEN IT WOULDN'T HAVE BEEN SAVED BY THE BELL. 1876 01:17:43,059 --> 01:17:44,193 HEY! 1877 01:17:44,227 --> 01:17:45,829 WE'RE BACK! 1878 01:17:45,862 --> 01:17:48,197 OH, MY GOD. 1879 01:17:48,231 --> 01:17:49,298 [LAUGHING AND SQUEALING HAPPILY] 1880 01:17:49,332 --> 01:17:50,266 -HOW ARE YOU? -YOU LOOK GREAT. 1881 01:17:50,299 --> 01:17:52,001 BALLET. BALLET SCENE. 1882 01:17:52,035 --> 01:17:54,003 -HEY. -SO GROWN UP IN THAT HAT. 1883 01:17:54,037 --> 01:17:56,873 YEAH. YOU LOOK IT. 1884 01:17:56,906 --> 01:18:00,176 I FEEL LIKE I HAVEN'T TALKED TO YOU IN MONTHS. 1885 01:18:00,209 --> 01:18:02,245 I KNOW, I MEANT TO CALL, I JUST.... IT'S CRAZY. 1886 01:18:02,278 --> 01:18:03,412 I'M SURE YOU'VE BEEN BUSY. 1887 01:18:03,446 --> 01:18:04,513 NOT THAT BUSY. 1888 01:18:04,547 --> 01:18:07,350 OH, IT'S SO GOOD TO SEE YOU. [LAUGHING IN DELIGHT] 1889 01:18:07,383 --> 01:18:08,818 [CLEARING THROAT] 1890 01:18:08,852 --> 01:18:10,186 WOW. 1891 01:18:10,219 --> 01:18:11,054 LOOK AT THAT. 1892 01:18:11,087 --> 01:18:12,455 NOT A LOT OF PEOPLE COULD PULL THAT OFF. 1893 01:18:12,488 --> 01:18:15,424 RIGHT? IT'S FUNNY. 1894 01:18:15,458 --> 01:18:18,061 YEAH, BUT YOU, UH, YOU LOOK AMAZING. 1895 01:18:18,094 --> 01:18:20,396 AW. YEAH, YOU TOO. 1896 01:18:20,429 --> 01:18:21,731 YOUR HAIR, IT'S... 1897 01:18:21,765 --> 01:18:24,267 YEAH, DARKER, A LITTLE BIT. 1898 01:18:24,300 --> 01:18:26,502 I LIKE IT. 1899 01:18:26,535 --> 01:18:28,037 I WAS REALLY EXCITED TO HEAR 1900 01:18:28,071 --> 01:18:29,773 YOU GUYS WERE GONNA COME BACK AND DO THIS. 1901 01:18:29,806 --> 01:18:32,341 YEAH, I'M GLAD THEY ASKED. 1902 01:18:32,375 --> 01:18:34,077 TRUTH IS, I MISSED BEING HERE. 1903 01:18:35,078 --> 01:18:36,045 ANYWAYS, 1904 01:18:36,079 --> 01:18:38,281 THAT CAP AND GOWN MAKES YOU LOOK PRETTY SMART. 1905 01:18:38,314 --> 01:18:40,083 RIGHT? 1906 01:18:40,116 --> 01:18:41,317 THAT'S EXACTLY WHAT I WAS JUST SAYING. 1907 01:18:41,350 --> 01:18:42,318 OH, YOU GUYS, 1908 01:18:42,351 --> 01:18:44,287 LOOK AT US, ALL TOGETHER AGAIN! 1909 01:18:44,320 --> 01:18:46,389 I DON'T KNOW WHETHER TO BE HAPPY OR SAD. 1910 01:18:46,422 --> 01:18:47,824 IS IT REALLY OVER? 1911 01:18:49,158 --> 01:18:50,226 UH... WHERE'S DUSTIN? 1912 01:18:50,259 --> 01:18:51,227 HE'S PROBABLY PLAYING VIDEO GAMES 1913 01:18:51,260 --> 01:18:52,195 IN HIS DRESSING ROOM. 1914 01:18:52,228 --> 01:18:54,931 SOME THINGS NEVER CHANGE. 1915 01:18:54,964 --> 01:18:55,832 [LAUGHTER] 1916 01:18:55,865 --> 01:18:59,168 I'LL GO FIND HIM. 1917 01:19:10,847 --> 01:19:12,548 HEY, THERE YOU ARE. I WAS LOOKING FOR YOU. 1918 01:19:12,581 --> 01:19:15,985 THE READ-THROUGH IS ABOUT TO START. 1919 01:19:19,188 --> 01:19:20,523 WHAT'S UP? 1920 01:19:20,556 --> 01:19:22,391 YOU CARE? 1921 01:19:22,425 --> 01:19:24,127 YEAH, I DO. 1922 01:19:27,964 --> 01:19:30,233 LOOK, I KNOW, UH, 1923 01:19:30,266 --> 01:19:33,336 I KNOW THINGS HAVEN'T ALWAYS BEEN EASY FOR YOU HERE. 1924 01:19:33,369 --> 01:19:34,537 I MEAN, YOU KNOW, 1925 01:19:34,570 --> 01:19:35,905 YOU WERE THE YOUNGEST, AND-- 1926 01:19:35,939 --> 01:19:36,906 THE WEIRDEST. 1927 01:19:36,940 --> 01:19:38,007 [CHUCKLES] 1928 01:19:38,041 --> 01:19:40,509 YEAH, MAYBE THAT, TOO. 1929 01:19:44,213 --> 01:19:48,084 DUSTIN, I'M SORRY IF I WAS EVER A JERK TO YOU. 1930 01:19:48,117 --> 01:19:49,853 THAT WAS JUST, YOU KNOW, 1931 01:19:49,886 --> 01:19:52,188 STUPID KID STUFF. 1932 01:19:52,221 --> 01:19:56,926 BUT... I AM SORRY. 1933 01:19:58,627 --> 01:20:00,096 THANKS. 1934 01:20:02,031 --> 01:20:04,200 NOW TELL ME WHAT'S GOING ON. 1935 01:20:04,233 --> 01:20:05,334 YOU REALLY WANT TO KNOW? 1936 01:20:05,368 --> 01:20:06,469 YEAH. 1937 01:20:06,502 --> 01:20:07,937 [SIGHS HEAVILY] 1938 01:20:07,971 --> 01:20:09,438 OKAY, YOU KNOW THAT GUY ERIC? 1939 01:20:09,472 --> 01:20:11,307 WHAT, THE EXTRA? 1940 01:20:11,340 --> 01:20:12,575 YEAH. NEVER LIKED THAT GUY. 1941 01:20:12,608 --> 01:20:14,310 YEAH, WELL... 1942 01:20:14,343 --> 01:20:16,012 YOU WERE RIGHT. 1943 01:20:18,982 --> 01:20:20,917 ALL RIGHT, PEOPLE, LET'S GET STARTED. 1944 01:20:20,950 --> 01:20:24,020 WELCOME BACK, LADIES. 1945 01:20:24,053 --> 01:20:27,456 I DON'T HAVE A ZACK OR A SCREECH. 1946 01:20:27,490 --> 01:20:30,193 I'LL SEE IF I CAN FIND THEM. 1947 01:20:33,462 --> 01:20:35,164 WHOA, OKAY, LOOK, DUSTIN, 1948 01:20:35,198 --> 01:20:36,565 THIS GUY IS A DOUCHEBAG. 1949 01:20:36,599 --> 01:20:37,833 YOU HAVE TO GO TO THE NETWORK. 1950 01:20:37,867 --> 01:20:40,069 TRUST ME, THEY'RE GOING TO WANT TO PROTECT THEIR INVESTMENT. 1951 01:20:40,103 --> 01:20:41,037 YEAH? 1952 01:20:41,070 --> 01:20:42,171 ABSOLUTELY. 1953 01:20:42,205 --> 01:20:43,506 THEY WILL BURY THAT GUY IN LAWSUITS. 1954 01:20:43,539 --> 01:20:44,607 HE WON'T KNOW WHAT HIT HIM. 1955 01:20:44,640 --> 01:20:47,410 I JUST FEEL SO STUPID. 1956 01:20:47,443 --> 01:20:48,978 DON'T. 1957 01:20:49,012 --> 01:20:51,280 THE GUY WAS OBVIOUSLY TRYING TO TAKE ADVANTAGE OF YOU. 1958 01:20:53,582 --> 01:20:56,119 GUYS, EVERYBODY'S WAITING FOR YOU. 1959 01:20:56,152 --> 01:20:59,055 YEAH, JUST ONE SEC. 1960 01:20:59,088 --> 01:21:02,091 YOU KNOW, WE'VE PLAYED BEST FRIENDS 1961 01:21:02,125 --> 01:21:04,060 FOR FIVE YEARS. 1962 01:21:04,093 --> 01:21:06,462 THIS MAY BE THE LONGEST CONVERSATION WE EVER HAD. 1963 01:21:06,495 --> 01:21:08,164 [CHUCKLES RUEFULLY] 1964 01:21:08,197 --> 01:21:09,999 YEAH. 1965 01:21:10,033 --> 01:21:11,901 WELL... 1966 01:21:11,935 --> 01:21:13,469 BETTER LATE THAN NEVER, RIGHT? 1967 01:21:15,038 --> 01:21:15,972 COME ON, 1968 01:21:16,005 --> 01:21:18,474 WE'VE GOT A SHOW TO DO. 1969 01:21:18,507 --> 01:21:21,110 [HUM OF BUSY CROWD] 1970 01:21:27,516 --> 01:21:29,185 I THINK YOU ALL KNOW HOW PROUD I AM 1971 01:21:29,218 --> 01:21:30,353 OF EACH AND EVERY ONE OF YOU. 1972 01:21:30,386 --> 01:21:33,522 WHEN WE STARTED THIS, 1973 01:21:33,556 --> 01:21:35,258 A LOT OF PEOPLE THOUGHT WE WERE CRAZY. 1974 01:21:35,291 --> 01:21:38,294 BUT WE PROVED THEM WRONG. 1975 01:21:38,327 --> 01:21:40,496 WE CREATED SOMETHING UNIQUE 1976 01:21:40,529 --> 01:21:42,631 THAT TOUCHES PEOPLE'S HEARTS. 1977 01:21:42,665 --> 01:21:46,235 WE MADE THE WHOLE WORLD SIT UP AND TAKE NOTICE. 1978 01:21:48,304 --> 01:21:50,639 WE'RE NOT GONNA WORRY ABOUT ALL THAT NOW, THOUGH. 1979 01:21:50,673 --> 01:21:53,142 I WANT YOU TO GO OUT THERE 1980 01:21:53,176 --> 01:21:56,479 AND DO WHAT YOU DO BEST, 1981 01:21:56,512 --> 01:21:58,381 MAKE THEM LAUGH. 1982 01:21:58,414 --> 01:21:59,715 [LAUGHING AND SNIFFLING] 1983 01:21:59,748 --> 01:22:01,484 COME ON. 1984 01:22:01,517 --> 01:22:03,019 [ALL CHUCKLING TOGETHER] 1985 01:22:05,521 --> 01:22:06,422 [APPLAUDING] 1986 01:22:06,455 --> 01:22:07,490 YOU ARE THE GRADUATING CLASS 1987 01:22:07,523 --> 01:22:11,294 OF 1993! 1988 01:22:11,327 --> 01:22:13,562 [CHEERING AND APPLAUSE] 1989 01:22:13,596 --> 01:22:15,431 LISA TURTLE. 1990 01:22:15,464 --> 01:22:17,700 [APPLAUSE AND CHEERING] 1991 01:22:19,168 --> 01:22:23,172 [***] 1992 01:22:26,109 --> 01:22:27,143 JESSICA SPANO. 1993 01:22:27,176 --> 01:22:29,178 [CHEERING AND APPLAUSE] 1994 01:22:31,314 --> 01:22:34,683 [***] 1995 01:22:39,188 --> 01:22:42,325 KELLY KAPOWSKI. 1996 01:22:42,358 --> 01:22:45,628 [CHEERING AND APPLAUSE] 1997 01:22:46,695 --> 01:22:49,732 [***] 1998 01:22:54,103 --> 01:22:57,106 A.C. SLATER. 1999 01:22:57,140 --> 01:22:59,575 [CHEERING AND APPLAUSE] 2000 01:23:01,610 --> 01:23:04,347 [*** 2001 01:23:09,152 --> 01:23:11,320 SAMUEL "SCREECH" POWERS. 2002 01:23:11,354 --> 01:23:14,990 [CHEERING AND APPLAUSE] 2003 01:23:18,361 --> 01:23:21,464 [***] 2004 01:23:26,169 --> 01:23:28,271 ZACK MORRIS. 2005 01:23:28,304 --> 01:23:32,375 [CHEERING AND APPLAUSE] 2006 01:23:36,845 --> 01:23:38,247 [CHEERING] 2007 01:23:43,386 --> 01:23:46,489 [***] 2008 01:23:50,859 --> 01:23:52,095 WHOO! 2009 01:23:52,128 --> 01:23:53,329 [ALL CHEERING IN EXCITEMENT] 2010 01:23:57,733 --> 01:23:59,668 [CHEERING] 2011 01:23:59,702 --> 01:24:00,503 [SIGHS HEAVILY] 2012 01:24:00,536 --> 01:24:03,206 I CAN'T BELIEVE IT'S REALLY OVER. 2013 01:24:03,239 --> 01:24:05,108 OH, I WOULD IMAGINE THIS IS FAR FROM THE END 2014 01:24:05,141 --> 01:24:06,775 FOR SAVED BY THE BELL. 2015 01:24:06,809 --> 01:24:08,444 CALL ME MONDAY. 2016 01:24:08,477 --> 01:24:09,745 WE'LL TALK. 2017 01:24:13,216 --> 01:24:14,117 [SIGHS HEAVILY] 2018 01:24:18,587 --> 01:24:21,390 TIME OUT! 2019 01:24:21,424 --> 01:24:23,426 YOU PROBABLY KNOW SHE WAS RIGHT, 2020 01:24:23,459 --> 01:24:26,162 IT WASN'T QUITE THE END WE ALL IMAGINED IT WAS. 2021 01:24:26,195 --> 01:24:27,796 THE NETWORK BROUGHT THE GANG BACK TOGETHER 2022 01:24:27,830 --> 01:24:29,265 FOR THE COLLEGE YEARS, 2023 01:24:29,298 --> 01:24:31,667 BUT THAT SHOW DIED AFTER ONE SEASON. 2024 01:24:31,700 --> 01:24:33,669 OUR FINAL CANCELLATION. 2025 01:24:33,702 --> 01:24:37,673 NOBODY EVER WANTED TO SEE US GROW UP. 2026 01:24:37,706 --> 01:24:39,775 WE ALL WENT ON TO DO OTHER THINGS. 2027 01:24:39,808 --> 01:24:41,377 LARK'S NEVER STOPPED ACTING, 2028 01:24:41,410 --> 01:24:45,648 WORKING IN SOAP OPERAS, TV SERIES, MUSIC VIDEOS. 2029 01:24:45,681 --> 01:24:49,852 MARIO'S DONE COMEDIES, DRAMAS, TV, AND MOVIES, 2030 01:24:49,885 --> 01:24:50,619 AND YOU MIGHT KNOW HIM BEST 2031 01:24:50,653 --> 01:24:53,189 AS THE LONG-RUNNING HOST OF EXTRA! 2032 01:24:55,824 --> 01:24:57,226 ELIZABETH... 2033 01:24:57,260 --> 01:24:58,861 FINALLY ACHIEVED HER DREAM 2034 01:24:58,894 --> 01:25:00,529 OF BEING IN THE MOVIES. 2035 01:25:00,563 --> 01:25:03,132 SHOWGIRLS WAS SUPPOSED TO BE HER BIG BREAK. 2036 01:25:03,166 --> 01:25:05,368 IT DIDN'T EXACTLY WORK OUT THAT WAY, 2037 01:25:05,401 --> 01:25:07,170 BUT SHE BOUNCED BACK, 2038 01:25:07,203 --> 01:25:08,904 AND SHE HASN'T STOPPED WORKING SINCE. 2039 01:25:08,937 --> 01:25:11,440 SHE EVEN APPEARED ON BROADWAY. 2040 01:25:14,177 --> 01:25:15,444 TIFFANI DROPPED THE "AMBER" 2041 01:25:15,478 --> 01:25:17,313 AND WENT ON TO PLAY BAD GIRL VALERIE MALONE 2042 01:25:17,346 --> 01:25:20,749 IN BEVERLY HILLS, 90210. 2043 01:25:20,783 --> 01:25:22,151 IT TOOK MARK-PAUL A FEW YEARS 2044 01:25:22,185 --> 01:25:25,288 TO SHAKE THE WHOLE ZACK MORRIS IMAGE, 2045 01:25:25,321 --> 01:25:26,722 BUT HE LOST THE BLOND HAIR, 2046 01:25:26,755 --> 01:25:28,191 AND CHANGED HIS IMAGE AROUND 2047 01:25:28,224 --> 01:25:31,860 TO PLAY A TOUGH COP ON NYPD BLUE. 2048 01:25:31,894 --> 01:25:33,929 AND ME? 2049 01:25:33,962 --> 01:25:36,799 I GUESS SOME PART OF ME WILL ALWAYS BE SCREECH. 2050 01:25:36,832 --> 01:25:38,567 AND YOU KNOW WHAT? 2051 01:25:38,601 --> 01:25:40,769 I'M OKAY WITH THAT. 2052 01:25:40,803 --> 01:25:42,438 TIME IN. 2053 01:25:42,471 --> 01:25:44,807 [APPLAUSE AND CHEERING] 2054 01:25:47,276 --> 01:25:48,744 OKAY, EVERYBODY, 2055 01:25:48,777 --> 01:25:50,746 THAT IS A WRAP! 2056 01:25:50,779 --> 01:25:55,218 [CROWD ROARING] 2057 01:25:55,251 --> 01:25:56,785 [WHISTLES AND CHEERS] 2058 01:26:14,237 --> 01:26:17,806 [***] 2059 01:26:52,441 --> 01:26:55,344 [***] 129706

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