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1
00:00:54,880 --> 00:00:56,273
[ GASPS ]
2
00:04:02,677 --> 00:04:05,680
[ "HAWAII FIVE-O" THEME PLAYS ]
3
00:05:00,648 --> 00:05:02,258
[ SIRENS WAILING ]
4
00:05:08,177 --> 00:05:10,919
[ TIRES SCREECH ]
5
00:05:18,666 --> 00:05:20,363
STEVE!
6
00:05:23,235 --> 00:05:25,020
ANOTHER TWIST
OF THE KNIFE?
7
00:05:25,063 --> 00:05:28,458
IT'S NOT THAT
I WANT TO BE HERE, STEVE.
8
00:05:28,502 --> 00:05:29,851
I GOT TO BE HERE.
9
00:05:31,374 --> 00:05:34,246
ALL RIGHT. COME ON.
10
00:05:36,510 --> 00:05:39,382
STEVE --
11
00:05:39,426 --> 00:05:41,384
OH. ALL RIGHT, KEONY.
THIS IS JERRY RHODES.
12
00:05:41,428 --> 00:05:43,517
HE'S A PRIVATE INVESTIGATOR.
HE'S ALL RIGHT.
13
00:05:43,560 --> 00:05:45,170
YES, SIR.
14
00:05:56,356 --> 00:05:58,836
LET'S GET ONE
FROM THE OTHER SIDE, TOO.
15
00:06:23,034 --> 00:06:24,427
WHO'S NUMBER FIVE?
16
00:06:24,471 --> 00:06:27,735
ANGELA WARING,
SINGLE, AGE 31.
17
00:06:27,778 --> 00:06:30,390
SHE WAS A NURSE
AT QUEEN'S HOSPITAL,
18
00:06:30,433 --> 00:06:31,739
CHILDREN'S WARD.
19
00:06:31,782 --> 00:06:34,219
SHE LEFT THE HOSPITAL
LAST NIGHT AT 7:30.
20
00:06:34,263 --> 00:06:36,483
TIME OF DEATH
BETWEEN 8:00 AND 9:00.
21
00:06:36,526 --> 00:06:39,399
AS USUAL, THE NEIGHBORS
HEARD NOTHING, SAW NOTHING.
22
00:06:39,442 --> 00:06:41,966
NO ROBBERY,
NO SIGNS OF A STRUGGLE.
23
00:06:42,010 --> 00:06:44,229
DOC SAYS SHE WAS NOT
SEXUALLY ASSAULTED.
24
00:06:48,756 --> 00:06:49,974
ANY PRINTS?
25
00:06:50,018 --> 00:06:51,454
NOTHING YET.
26
00:06:51,498 --> 00:06:53,500
AND NO SIGNS
OF BREAKING OR ENTERING.
27
00:06:53,543 --> 00:06:55,240
SAME M.O.
AS ALL THE OTHERS.
28
00:06:55,284 --> 00:06:56,546
KILLER WITH A KEY?
29
00:06:56,590 --> 00:06:58,156
OR THEY, UM,
LET HIM IN.
30
00:06:58,200 --> 00:06:59,854
VICTIM NUMBER FOUR
DIDN'T.
31
00:06:59,897 --> 00:07:01,595
SHE WAS KILLED
IN HER SLEEP
32
00:07:01,638 --> 00:07:05,773
UNDER 50 CCs OF DEMEROL GIVEN
TO HER BY A DOCTOR, REMEMBER?
33
00:07:05,816 --> 00:07:08,471
-PULLING THE PSYCHOS AGAIN?
-YEAH, AGAIN.
34
00:07:08,515 --> 00:07:10,908
AND CHECK FOR PEOPLE
IN THE COSMETICS BUSINESS --
35
00:07:10,952 --> 00:07:13,258
BEAUTICIAN, HAIR DRESSER --
SOMEBODY LIKE THAT.
36
00:07:13,302 --> 00:07:14,782
SAME AS BEFORE.
37
00:07:14,825 --> 00:07:17,480
REALLY WEIRD THE WAY HE MAKES
EACH ONE LOOK THE SAME.
38
00:07:17,524 --> 00:07:19,700
YEAH, LIKE A PAINTED DOLL.
39
00:07:22,833 --> 00:07:24,008
OR A HOOKER.
40
00:07:29,971 --> 00:07:32,016
I'LL SEE YOU, STEVE.
41
00:07:53,560 --> 00:07:55,518
JERRY.
42
00:08:00,305 --> 00:08:03,570
I SAW WHAT HAPPENED IN THERE,
AND I MADE A DECISION.
43
00:08:03,613 --> 00:08:05,876
I DON'T WANT YOU
AROUND THIS ONE.
44
00:08:05,920 --> 00:08:07,312
HEY, LOOK, STEVE.
45
00:08:07,356 --> 00:08:09,924
IF YOU HAVE TO BLEED,
BLEED IN PRIVATE.
46
00:08:09,967 --> 00:08:11,752
I DON'T WANT TO WATCH IT.
47
00:08:11,795 --> 00:08:14,581
NOW, UNTIL THIS GUY IS CAUGHT,
I DON'T WANT TO SEE YOU ANYMORE.
48
00:08:14,624 --> 00:08:16,887
YOU KNOW -- WAIT, STEVE.
I'M INVOLVED.
49
00:08:16,931 --> 00:08:18,672
YEAH, THAT'S
JUST THE POINT.
50
00:08:18,715 --> 00:08:21,457
IF YOU WERE ON THE FORCE, I
WOULDN'T LET YOU NEAR THIS CASE.
51
00:08:21,501 --> 00:08:23,328
SO WHAT DO YOU
WANT ME TO DO --
52
00:08:23,372 --> 00:08:25,766
GO BACK TO MY OFFICE,
SET UP A DIVORCE RAID,
53
00:08:25,809 --> 00:08:27,550
MAYBE FIND
A MISSING PERSON?
54
00:08:27,594 --> 00:08:29,509
YOUR BUSINESS, JERRY.
55
00:08:29,552 --> 00:08:32,512
NO, IT'S MY BUSINESS TO FIND
THE PSYCHO WHO KILLED MY WIFE!
56
00:08:32,555 --> 00:08:33,861
AND IF YOU FIND HIM,
THEN WHAT?
57
00:08:33,904 --> 00:08:35,732
THEN YOU TAKE OVER.
58
00:08:35,776 --> 00:08:37,255
YOU MEAN AFTER
YOU DELIVER THE CORPSE?
59
00:08:37,299 --> 00:08:39,170
-THAT'S NOT WHAT I SAID.
-THAT'S WHAT YOU'RE THINKING.
60
00:08:39,214 --> 00:08:40,955
YES, IT'S WHAT I'M THINKING
61
00:08:40,998 --> 00:08:43,697
EVER SINCE HE MADE MY WIFE
NUMBER THREE!
62
00:08:43,740 --> 00:08:46,917
IN MY MIND I'VE KILLED HIM
A THOUSAND TIMES --
63
00:08:46,961 --> 00:08:48,353
IN MY MIND.
64
00:08:49,703 --> 00:08:52,183
STEVE, I'M NOT STUPID.
65
00:08:52,227 --> 00:08:56,144
KILLING HIM
WON'T BRING MARY BACK.
66
00:08:56,187 --> 00:08:57,711
I KNOW THAT.
67
00:08:57,754 --> 00:09:00,322
I'D BE THROWING
MY LIFE AWAY.
68
00:09:00,365 --> 00:09:03,891
THAT'S SOMETHING MARY'D
NEVER WANT ME TO DO.
69
00:09:03,934 --> 00:09:06,807
I JUST WANT SIMPLE JUSTICE,
STEVE.
70
00:09:08,243 --> 00:09:09,723
OKAY?
71
00:09:11,115 --> 00:09:12,116
OKAY.
72
00:09:16,251 --> 00:09:18,514
-IS THE LAB REPORT READY?
-FEW MINUTES. ANYTHING?
73
00:09:18,558 --> 00:09:20,690
WE SIFTED THROUGH EVERY PSYCHO
ON THE ISLAND.
74
00:09:20,734 --> 00:09:22,649
NEIGHBORS AND TRADESMEN
ALL CHECK OUT.
75
00:09:22,692 --> 00:09:24,128
STEVE --
76
00:09:24,172 --> 00:09:27,305
ON THE BOYFRIEND --
HE'S AN INTERN AT THE HOSPITAL.
77
00:09:27,349 --> 00:09:29,525
HE WAS ON DUTY
ALL LAST NIGHT.
78
00:09:29,569 --> 00:09:31,396
HE'S CLEAN.
79
00:09:31,440 --> 00:09:34,574
NOW, GENTLEMEN,
WE TURN TO THE QUESTION
80
00:09:34,617 --> 00:09:38,403
OF HOW DOES A KILLER
GET INTO THE VICTIM'S HOME?
81
00:09:38,447 --> 00:09:40,623
HERE WE HAVE
EXACT DUPLICATES
82
00:09:40,667 --> 00:09:44,627
OF THE FRONT-DOOR LOCKS
OF ALL FIVE MURDER VICTIMS.
83
00:09:44,671 --> 00:09:48,152
FIRST WE TAKE THE SIMPLE IDEA
OF A PASSKEY.
84
00:09:50,067 --> 00:09:52,243
SEE, IT WORKS
FOR LOCK "B."
85
00:09:52,287 --> 00:09:55,203
CAN'T POSSIBLY WORK
FOR LOCK "C" OR "E."
86
00:09:55,246 --> 00:09:57,074
"C" IS A BAXTER
POLICE LOCK.
87
00:09:57,118 --> 00:09:59,381
I BELIEVE THAT WAS
YOUR HOME, JERRY.
88
00:09:59,424 --> 00:10:00,600
YEAH.
89
00:10:00,643 --> 00:10:02,123
AND "E" IS A GERMAN LOCK.
90
00:10:02,166 --> 00:10:04,908
NOW, I'D SAY THE ODDS
OF HIS HAVING A PASSKEY TO THAT
91
00:10:04,952 --> 00:10:06,910
ARE ABOUT 1,000 TO 1.
92
00:10:06,954 --> 00:10:08,433
BUT NOT IMPOSSIBLE.
93
00:10:08,477 --> 00:10:11,175
CORRECT, BUT IF PASSKEYS
WERETHE ANSWER,
94
00:10:11,219 --> 00:10:13,656
HE'D NEED ONE
FOR BOTH "A" AND "E."
95
00:10:13,700 --> 00:10:16,311
"A" IS MADE IN MILWAUKEE,
"E" IN NEW YORK --
96
00:10:16,354 --> 00:10:18,313
TWO TOTALLY DIFFERENT
TUMBLER SYSTEMS.
97
00:10:18,356 --> 00:10:20,358
I'D SAY THE ODDS
ARE GETTING HIGHER, STEVE.
98
00:10:20,402 --> 00:10:22,709
THEN WE KNOW TWO THINGS
ABOUT HOW THE KILLER GETS IN.
99
00:10:22,752 --> 00:10:24,841
ONE, THAT IT'S IMPOSSIBLE.
TWO, THAT HE DOES IT.
100
00:10:26,626 --> 00:10:27,844
WHAT ELSE, CHE?
101
00:10:27,888 --> 00:10:30,847
OUR GRAPHIC BOYS CAME UP
WITH THIS COMPOSITE --
102
00:10:30,891 --> 00:10:33,023
ALL THE VICTIMS
ROLLED INTO ONE.
103
00:10:33,067 --> 00:10:35,896
ALL RIGHT, RUN OFF
A COUPLE HUNDRED OF THESE.
104
00:10:35,939 --> 00:10:38,550
CHIN, YOU AND KONO
COVER THE PROSTITUTE ANGLE.
105
00:10:38,594 --> 00:10:41,945
DANNO, CONTACT HPD,
DETAIL AS MANY MEN AS YOU NEED,
106
00:10:41,989 --> 00:10:45,645
STAKE OUT THE PLACES WHERE
THE WOMEN WEAR HEAVY PAINT --
107
00:10:45,688 --> 00:10:49,170
NIGHT CLUBS, NUDIE JOINTS,
PICK-UP BARS.
108
00:10:49,213 --> 00:10:51,302
SUPERMARKETS?
109
00:10:51,346 --> 00:10:54,566
YOU GOT ANY BETTER IDEAS?
110
00:10:54,610 --> 00:10:57,482
NOPE.
111
00:10:59,615 --> 00:11:01,008
[ BELL DINGS ]
112
00:11:07,928 --> 00:11:10,191
[ BELL RINGS ]
113
00:11:16,110 --> 00:11:17,981
BOURBON
ON THE ROCKS, PETE.
114
00:11:18,025 --> 00:11:19,591
YOU GOT IT, MR. RHODES.
115
00:11:21,768 --> 00:11:23,378
COPS IN TODAY?
116
00:11:23,421 --> 00:11:25,380
YEAH, WITH A PICTURE
OF THE BLONDE
117
00:11:25,423 --> 00:11:27,034
WITH THE MOLE
ON HER CHEEK.
118
00:11:27,077 --> 00:11:28,644
DO I KNOW ANY HUSTLERS
THAT LOOK LIKE THAT?
119
00:11:28,688 --> 00:11:29,906
NATURALLY YOU DON'T.
120
00:11:29,950 --> 00:11:32,126
THAT'S RIGHT, MR. RHODES,
I DON'T.
121
00:11:32,169 --> 00:11:34,737
ANY NEW ONES COME IN
SINCE I SAW YOU LAST?
122
00:11:34,781 --> 00:11:37,305
AT THE END OF THE BAR.
HER NAME'S SHEILA.
123
00:11:37,348 --> 00:11:38,785
SHEILA.
124
00:11:41,613 --> 00:11:43,572
SEND HER OVER, PETE.
125
00:11:43,615 --> 00:11:45,269
KEEP THE CHANGE.
126
00:11:45,313 --> 00:11:47,141
MR. RHODES,
THIS IS A $20.
127
00:11:47,184 --> 00:11:49,665
IT PAYS TO DEAL
WITH PRIVATE BUSINESSMEN.
128
00:12:19,347 --> 00:12:22,132
YOU WANT TO PLAY DOUBLES?
129
00:12:22,176 --> 00:12:25,179
HOW WELL DO YOU PLAY?
130
00:12:25,222 --> 00:12:26,658
TRY ME.
131
00:12:26,702 --> 00:12:29,966
THANKS. I GO FOR BLONDES,
DARK EYES.
132
00:12:30,010 --> 00:12:31,663
YOU GOT ANY FRIENDS?
133
00:12:31,707 --> 00:12:34,101
WITH A TEASED HAIRDO,
A MOLE ON HER CHEEK,
134
00:12:34,144 --> 00:12:35,929
AND WHAT'S
YOUR BADGE NUMBER?
135
00:12:35,972 --> 00:12:36,930
HEY.
136
00:12:36,973 --> 00:12:39,280
PRIVATE. NO SWEAT.
137
00:12:39,323 --> 00:12:40,977
HOW COME
YOU KNOW SO MUCH?
138
00:12:41,021 --> 00:12:43,675
WORD'S OUT
ON THE COCONUT WIRELESS.
139
00:12:43,719 --> 00:12:46,853
EVERY COP IN TOWN
IS LOOKING FOR THAT CHICK.
140
00:12:46,896 --> 00:12:48,768
YOU KNOW HER?
141
00:12:48,811 --> 00:12:51,292
WHAT DO YOUCARE?
142
00:12:51,335 --> 00:12:54,251
YOU'LL BE DOING HER A FAVOR.
SHE'S GOT MONEY COMING.
143
00:12:54,295 --> 00:12:56,036
I WORK
FOR INSURANCE PEOPLE.
144
00:12:56,079 --> 00:12:58,603
I BET.
145
00:12:58,647 --> 00:13:01,824
YOU DON'T BELIEVE MUCH,
DO YOU?
146
00:13:01,868 --> 00:13:04,000
NOT MUCH.
147
00:13:04,044 --> 00:13:06,742
WELL, I GUESS YOU
SAW THROUGH MY LIE.
148
00:13:06,786 --> 00:13:08,439
WHICH ONE?
149
00:13:08,483 --> 00:13:11,312
ABOUT GOING FOR BLONDES.
150
00:13:11,355 --> 00:13:14,402
YOU, UH, YOU STILL
WANT TO PLAY DOUBLES?
151
00:13:14,445 --> 00:13:16,360
[ SIGHS ]
152
00:13:16,404 --> 00:13:17,797
SURE.
153
00:13:20,234 --> 00:13:23,715
OR SHE COULD BE SOMEONE
WHO DIED LONG AGO.
154
00:13:23,759 --> 00:13:28,242
SHE MIGHT EVEN BE A FIGMENT
OF THE KILLER'S IMAGINATION.
155
00:13:28,285 --> 00:13:30,679
HOW DO YOU PEG
THIS GUY, DOC?
156
00:13:30,722 --> 00:13:34,030
PERFECTIONIST, CONSISTENT,
157
00:13:34,074 --> 00:13:36,903
HOMICIDAL BRILLIANCE.
158
00:13:36,946 --> 00:13:39,122
I WOULD SAY CHANCES ARE
HE LIVES ALONE --
159
00:13:39,166 --> 00:13:42,082
A SINGLE MAN
WITHOUT MUCH USE FOR WOMEN.
160
00:13:42,125 --> 00:13:43,300
HOMOSEXUAL?
161
00:13:43,344 --> 00:13:45,825
POSSIBLY,
BUT NOT NECESSARILY.
162
00:13:45,868 --> 00:13:48,392
WE KNOW
HE NEVER ASSAULTS THEM.
163
00:13:48,436 --> 00:13:52,222
HE COULD BE IMPOTENT,
BASED ON ANY NUMBER OF THINGS.
164
00:13:52,266 --> 00:13:55,399
POSSIBLY AN EXPERIENCE
OF REJECTION.
165
00:13:55,443 --> 00:13:57,271
LIKE A GIRLFRIEND?
166
00:13:57,314 --> 00:13:59,621
COULD BE ANY WOMAN
IN HIS LIFE --
167
00:13:59,664 --> 00:14:02,842
MOTHER, GIRLFRIEND,
PROSTITUTE.
168
00:14:02,885 --> 00:14:04,800
WHOEVER SHE WAS,
169
00:14:04,844 --> 00:14:07,890
SHE SENT HIM INTO A RAGE
THAT TRIGGERED HIS PSYCHOSIS,
170
00:14:07,934 --> 00:14:11,720
BUT HIS ATTEMPTS AT REVENGE
ARE BLOCKED.
171
00:14:11,763 --> 00:14:14,679
CONSEQUENTLY, HE TAKES IT OUT
ON OTHER WOMEN --
172
00:14:14,723 --> 00:14:18,074
KILLS THEM
AND REMAKES THEIR IDENTITY.
173
00:14:18,118 --> 00:14:21,121
WOULD YOU SAY
THAT THIS REJECTION WAS RECENT?
174
00:14:21,164 --> 00:14:23,340
I CERTAINLY HOPE SO, STEVE.
175
00:14:23,384 --> 00:14:24,776
WHY IS THAT, DOC?
176
00:14:24,820 --> 00:14:28,084
IT COULD MEAN THAT THE WOMAN
IS PROBABLY ALIVE,
177
00:14:28,128 --> 00:14:29,738
SOMEONE YOU COULD FIND,
178
00:14:29,781 --> 00:14:31,914
AND THROUGH HER, THE KILLER.
179
00:14:31,958 --> 00:14:34,221
BUT IF SHE'S DEAD
OR IMAGINARY,
180
00:14:34,264 --> 00:14:37,702
THEN HE'LL GO ON KILLING
OTHER WOMEN IN HER PLACE...
181
00:14:37,746 --> 00:14:41,663
AGAIN AND AGAIN AND AGAIN.
182
00:15:00,334 --> 00:15:02,727
[ TIRES SCREECH ]
183
00:15:02,771 --> 00:15:04,468
WHAT HAVE YOU GOT,
DANNO?
184
00:15:04,512 --> 00:15:06,470
CABDRIVER NAME --
TOME YOSHIKO.
185
00:15:06,514 --> 00:15:08,864
FELL OUT OF OUR ROUTINE
TAXI CHECK UP.
186
00:15:08,908 --> 00:15:11,388
HE'S GOT INFORMATION
ON NUMBER THREE, JERRY'S WIFE.
187
00:15:11,432 --> 00:15:13,260
YOU KNOW MARY RHODES?
188
00:15:13,303 --> 00:15:16,654
WELL, NOT KNOWHER,
REALLY.
189
00:15:16,698 --> 00:15:19,701
SHE WAS A FARE, A STIFF.
190
00:15:19,744 --> 00:15:23,096
NICE LADY BUT LOUSY TIPPER.
191
00:15:23,139 --> 00:15:26,882
I CLOCKED 50 MILES WITH HER
IN ONE AFTERNOON,
192
00:15:26,926 --> 00:15:29,972
AND SHE TIPPED ME
A QUARTER -- A QUARTER!
193
00:15:30,016 --> 00:15:32,975
BUT I'M SURE SORRY
ABOUT WHAT HAPPENED.
194
00:15:33,019 --> 00:15:35,673
WHY DIDN'T YOU
COME FORWARD SOONER?
195
00:15:35,717 --> 00:15:38,328
BECAUSE I WAS ON THE MAINLAND
FOR THE PAST SIX MONTHS,
196
00:15:38,372 --> 00:15:40,156
AND I DIDN'T KNOW
SHE WAS KILLED.
197
00:15:40,200 --> 00:15:42,985
WHEN WAS THE LAST TIME
YOU SAW MRS. RHODES?
198
00:15:43,029 --> 00:15:45,857
UH, BACK IN APRIL.
199
00:15:45,901 --> 00:15:48,991
I PICKED HER UP OUTSIDE
A RESTAURANT ON KALIKAWI,
200
00:15:49,035 --> 00:15:52,038
YOU KNOW, SEMI-STONED
AND ARGUING WITH THIS GUY.
201
00:15:52,081 --> 00:15:55,302
SHE GOT INTO MY CAB
AND ASKED ME TO DRIVE HER HOME.
202
00:15:55,345 --> 00:15:58,392
WELL, WHEN WE GOT THERE --
WHAM! -- IT HITS HER.
203
00:15:58,435 --> 00:16:01,047
SHE FORGOT HER PURSE
IN THE RESTAURANT.
204
00:16:01,090 --> 00:16:02,962
AND THE KEYS WERE IN IT?
205
00:16:03,005 --> 00:16:05,007
RIGHT, SO WE TURN AROUND
AND GO BACK.
206
00:16:05,051 --> 00:16:06,269
KEYS WERE STILL THERE?
207
00:16:06,313 --> 00:16:09,794
THE KEYS, YES,
BUT NOT THE GUY.
208
00:16:09,838 --> 00:16:13,711
WELL, THE GUY --
DO YOU REMEMBER HIS NAME?
209
00:16:13,755 --> 00:16:15,975
OH, EVERYBODY KNOWS HIM.
210
00:16:16,018 --> 00:16:18,107
HE'S ALWAYS IN THE PAPERS.
211
00:16:18,151 --> 00:16:21,589
HE'S A BIG KAMAAINA FAMILY
ON THE ISLAND,
212
00:16:21,632 --> 00:16:24,287
BUT ALSO A LOUSY TIPPER.
213
00:16:24,331 --> 00:16:26,463
UH...
214
00:16:26,507 --> 00:16:29,379
CRENSHAW.
RAYMOND CRENSHAW.
215
00:16:29,423 --> 00:16:32,121
SHE'S NOT
ONE OF MY GIRLS, CHIN.
216
00:16:32,165 --> 00:16:34,645
COME ON.
WHO IS SHE, GLORIA?
217
00:16:34,689 --> 00:16:37,300
YOU RUN
A BIG STRING OF GIRLS.
218
00:16:37,344 --> 00:16:41,043
WHAT? I RUN A LEGITIMATE
ESCORT BUSINESS.
219
00:16:41,087 --> 00:16:43,002
MEN COME TO HONOLULU.
220
00:16:43,045 --> 00:16:46,266
THEY WANT COMPANY,
SO I PROVIDE IT.
221
00:16:46,309 --> 00:16:48,529
AW, COME ON.
222
00:16:48,572 --> 00:16:50,357
I'M CHIN.
223
00:16:52,272 --> 00:16:54,839
UH, MAYBE IT'S TIME
I CALL MY LAWYER.
224
00:16:54,883 --> 00:16:59,192
LOOK, I'M NOT HERE
ON A BUST THIS TIME.
225
00:16:59,235 --> 00:17:02,064
GLORIA,
THINK OF IT THIS WAY --
226
00:17:02,108 --> 00:17:05,502
THIS GIRL CAN LEAD US
TO THE STRANGLER.
227
00:17:05,546 --> 00:17:08,201
UNTIL WE NAIL THAT PSYCHO,
228
00:17:08,244 --> 00:17:11,160
NO WOMAN IN HONOLULU
IS SAFE.
229
00:17:11,204 --> 00:17:12,596
NOWOMAN.
230
00:17:12,640 --> 00:17:16,992
LEAVE IT WITH ME.
231
00:17:17,036 --> 00:17:19,038
I'LL ASK AROUND.
232
00:17:20,735 --> 00:17:22,824
IT'S NOT A HOUSE,
BUT IT'S HOME.
233
00:17:22,867 --> 00:17:24,739
YOU WANT BOURBON, RIGHT?
234
00:17:27,394 --> 00:17:29,352
HEY, WHAT ARE YOU DOING?
235
00:17:29,396 --> 00:17:31,224
HEY, THAT'S MY STUFF!
YOU --
236
00:17:34,792 --> 00:17:36,229
YOU CREEP.
237
00:17:36,272 --> 00:17:38,274
GET OUT OF HERE!
GET OUT!
238
00:17:44,802 --> 00:17:46,413
VITAMIN SHOTS?
239
00:17:46,456 --> 00:17:48,632
I THOUGHT YOU'RE NOT THE FUZZ.
240
00:17:48,676 --> 00:17:51,418
I'M NOT, BUT SOME
OF MY BEST FRIENDS MAY BE.
241
00:17:51,461 --> 00:17:53,855
NOW, I GOT A FEELING YOU KNOW
WHERE THE BLOND CHICK IS,
242
00:17:53,898 --> 00:17:55,422
SO SPILL IT.
243
00:17:55,465 --> 00:17:57,119
WHAT DO YOU WANT HER FOR?
244
00:17:57,163 --> 00:17:59,556
AND DON'T GIVE ME
THAT INSURANCE CROCK.
245
00:17:59,600 --> 00:18:02,385
I'M LOOKING FOR A GUY.
THE BLOND CHICK KNOWS HIM.
246
00:18:02,429 --> 00:18:05,388
NO, I WON'T TELL YOU.
GET LOST.
247
00:18:05,432 --> 00:18:07,912
NO, YOU'RE THE ONE
GETS LOST, BABY.
248
00:18:07,956 --> 00:18:11,133
ONE TELEPHONE CALL.
249
00:18:19,446 --> 00:18:22,492
[ DIALING ]
250
00:18:25,278 --> 00:18:29,456
HER NAME'S CATHY FIELDS,
USED TO BE HANES.
251
00:18:29,499 --> 00:18:31,936
SHE'S MARRIED
TO AN ARMY OFFICER.
252
00:18:34,200 --> 00:18:36,550
HONEY, WHAT DO YOU THINK
OF THE STEW?
253
00:18:36,593 --> 00:18:38,160
IT'S YOUR SISTER'S RECIPE.
254
00:18:38,204 --> 00:18:40,380
PRETTY GOOD.
NEEDS SALT.
255
00:18:40,423 --> 00:18:42,730
MMM.
THAT'S WHAT I THOUGHT.
256
00:18:47,082 --> 00:18:49,432
-THERE YOU ARE.
-THANK YOU.
257
00:18:51,304 --> 00:18:53,349
HEY, WAIT.
THAT'S ENOUGH.
258
00:18:53,393 --> 00:18:55,046
[ LAUGHS ]
259
00:18:55,090 --> 00:18:56,396
HONEY, DO YOU THINK
260
00:18:56,439 --> 00:18:59,399
WE COULD PAINT THE BABY'S ROOM
THIS WEEKEND?
261
00:18:59,442 --> 00:19:02,880
CATHY, WHAT'S THE BIG RUSH?
YOU GOT FIVE MONTHS TO GO.
262
00:19:02,924 --> 00:19:04,186
OH, I KNOW.
263
00:19:04,230 --> 00:19:06,971
BUT YESTERDAY I WAS LOOKING
AT SOME COLORS,
264
00:19:07,015 --> 00:19:09,539
AND THEY REALLY HAVE
SOME PRETTY ONES --
265
00:19:09,583 --> 00:19:12,499
SUNSHINE YELLOW, PRISM BLUE.
266
00:19:12,542 --> 00:19:14,979
I GUESS YELLOW
WOULD BE THE SAFEST, THOUGH.
267
00:19:15,023 --> 00:19:17,765
YOU KNOW, YOU COULD USE IT
FOR EITHER A GIRL OR A BOY.
268
00:19:17,808 --> 00:19:20,811
I WAS THINKING OF GOING OUT
ON THE BOAT AND FISHING.
269
00:19:20,855 --> 00:19:25,251
OH, HANK, YOU KNOW I CAN'T GO.
I GET SICK SO EASILY NOW.
270
00:19:25,294 --> 00:19:28,602
[ CLICKS TONGUE ]
OKAY, WE PAINT.
271
00:19:28,645 --> 00:19:29,907
OH, GOOD.
272
00:19:29,951 --> 00:19:32,823
I'VE GOT TO GET BACK
TO THE BASE, HONEY.
273
00:19:32,867 --> 00:19:34,869
-HANK?
-YEAH?
274
00:19:34,912 --> 00:19:37,045
YOU'RE NOT MAD AT ME, ARE YOU?
275
00:19:37,088 --> 00:19:38,655
WHY SHOULD I BE MAD?
276
00:19:38,699 --> 00:19:40,309
OH, I DON'T KNOW.
277
00:19:40,353 --> 00:19:45,314
I JUST FEEL SO BIG AND SLOPPY,
AND I CAN'T DO ANYTHING ANYMORE.
278
00:19:45,358 --> 00:19:48,361
HONEY, THE ONLY THING
I WANT FROM YOU
279
00:19:48,404 --> 00:19:52,191
IS FOR YOU TO BE
A NICE, PRETTY, PREGNANT LADY.
280
00:19:52,234 --> 00:19:53,714
-OKAY?
-OKAY.
281
00:19:53,757 --> 00:19:55,411
-[ LAUGHS ]
-OH.
282
00:19:55,455 --> 00:19:57,065
[ KNOCK ON DOOR ]
283
00:19:57,108 --> 00:19:59,676
WOULD YOU GET THAT
FOR ME?
284
00:20:08,076 --> 00:20:09,991
HELLO, CATHY.
285
00:20:10,034 --> 00:20:12,820
GLORIA,
WHAT ARE YOU DOING HERE?
286
00:20:12,863 --> 00:20:15,518
IT'S VERY IMPORTANT, CATHY.
I WOULDN'T HAVE COME UNLESS --
287
00:20:15,562 --> 00:20:17,216
WHO IS IT, HONEY?
288
00:20:17,259 --> 00:20:19,043
OH, HANK,
THIS IS GLORIA MARSHALL.
289
00:20:19,087 --> 00:20:22,177
WE'RE OLD FRIENDS.
WE'VE GOT LOTS TO TALK ABOUT --
290
00:20:22,221 --> 00:20:26,050
GIRL STUFF, SO I SUGGEST
THAT YOU GET GOING FAST.
291
00:20:26,094 --> 00:20:27,791
-GOODBYE, HONEY.
-MM. BYE.
292
00:20:27,835 --> 00:20:29,140
WON'T YOU COME IN?
293
00:20:29,184 --> 00:20:31,142
THANKS.
294
00:20:33,101 --> 00:20:34,972
NICE MEETING YOU, GLORIA.
BYE, HONEY.
295
00:20:35,016 --> 00:20:36,235
BYE.
296
00:20:40,761 --> 00:20:44,112
WELL, CATHY...
297
00:20:44,155 --> 00:20:48,464
YOU HAVE EVERYTHING
EVERY ONE OF US WANTS.
298
00:20:48,508 --> 00:20:51,250
AT LEAST WE SAY WE DO.
299
00:20:51,293 --> 00:20:53,339
DOES HE KNOW?
300
00:20:53,382 --> 00:20:56,167
NO, HE DOESN'T KNOW
ANYTHING.
301
00:20:56,211 --> 00:20:58,431
WHAT DO YOU WANT,
GLORIA?
302
00:20:58,474 --> 00:21:02,696
WELL, THE POLICE
CAME TO SEE ME TODAY.
303
00:21:02,739 --> 00:21:05,612
THEY SHOWED ME THIS.
304
00:21:08,310 --> 00:21:10,399
IS IT ME?
305
00:21:10,443 --> 00:21:15,186
IT'S A COMPOSITE PICTURE
OF ALL THE STRANGLER'S VICTIMS.
306
00:21:15,230 --> 00:21:18,538
THEY THINK THAT'STHE GIRL
HE'S REALLY AFTER.
307
00:21:18,581 --> 00:21:23,020
WHY -- WHY ME?
308
00:21:23,064 --> 00:21:25,109
I DON'T UNDERSTAND.
309
00:21:25,153 --> 00:21:29,723
THE MURDERS BEGAN RIGHT AFTER
YOU LEFT THE BUSINESS, CATHY.
310
00:21:29,766 --> 00:21:32,116
WELL, WHAT DO YOU
WANT ME TO DO?
311
00:21:32,160 --> 00:21:34,728
FOR YOUR OWN PROTECTION,
GO TO THE POLICE.
312
00:21:34,771 --> 00:21:36,338
NO!
313
00:21:36,382 --> 00:21:39,385
TELL THEM EVERYTHING, CATHY --
YOUR LIST, EVERYTHING.
314
00:21:39,428 --> 00:21:41,778
DO YOU REALIZE
WHAT YOU'RE ASKING ME?!
315
00:21:41,822 --> 00:21:43,780
YES, I'M ASKING YOU
TO SAVE YOUR LIFE
316
00:21:43,824 --> 00:21:45,391
AND MAYBE A LOT OF OTHERS.
317
00:21:47,218 --> 00:21:50,309
SOMEWHERE, RIGHT NOW,
IN THIS CITY THERE'S A WOMAN,
318
00:21:50,352 --> 00:21:51,745
MAYBE NUMBER SIX.
319
00:21:51,788 --> 00:21:54,748
A WOMAN WHO'LL BE DEAD
IN A COUPLE OF DAYS OR WEEKS
320
00:21:54,791 --> 00:21:57,185
UNLESS YOU DO SOMETHING
TO HELP HER.
321
00:21:57,228 --> 00:22:00,362
I CAN'T.
HE'S NOT A SAINT, GLORIA.
322
00:22:00,406 --> 00:22:04,453
WE BICKER, WE FIGHT,
WE MAKE UP, WE MAKE LOVE.
323
00:22:04,497 --> 00:22:06,803
IT'S NOT A GARDEN OF EDEN,
324
00:22:06,847 --> 00:22:09,632
BUT I WOULDN'T HAVE IT
ANY OTHER WAY.
325
00:22:09,676 --> 00:22:11,112
BECAUSE IT'S REAL!
326
00:22:11,155 --> 00:22:13,157
BECAUSE WHEN I GO TO SLEEP,
327
00:22:13,201 --> 00:22:15,899
I KNOW WHERE
I'M GOING TO WAKE UP.
328
00:22:15,943 --> 00:22:19,903
AND I'M NOT GONNA TAKE THE
CHANCE OF LOSING THAT, GLORIA,
329
00:22:19,947 --> 00:22:22,036
NOT FOR ANYBODY!
330
00:22:44,667 --> 00:22:46,234
WAX FINISH, MA'AM?
331
00:22:46,277 --> 00:22:47,714
NO, JUST A WASH.
332
00:23:19,049 --> 00:23:20,834
[ CAR DOOR SHUTS ]
333
00:23:20,877 --> 00:23:22,575
-MR. CRENSHAW.
-YES?
334
00:23:22,618 --> 00:23:23,967
McGARRETT,
HAWAII FIVE-O.
335
00:23:24,011 --> 00:23:25,752
I'D LIKE TO ASK YOU
A FEW QUESTIONS.
336
00:23:25,795 --> 00:23:27,884
I'LL BE GLAD TO ANSWER THEM,
MR. McGARRETT.
337
00:23:29,408 --> 00:23:31,932
WELL, MAYBE WE BETTER TALK
IN PRIVATE.
338
00:23:31,975 --> 00:23:34,935
I HAVE NO SECRETS FROM MY WIFE,
MR. McGARRETT.
339
00:23:34,978 --> 00:23:36,327
GO AHEAD.
340
00:23:38,417 --> 00:23:39,722
VERY WELL.
341
00:23:39,766 --> 00:23:42,029
HOW WELL DID YOU KNOW
MRS. RHODES?
342
00:23:42,072 --> 00:23:45,119
WE HAD AN AFFAIR...
343
00:23:45,162 --> 00:23:46,555
QUITE BRIEFLY.
344
00:23:46,599 --> 00:23:49,210
LOOKING BACK ON IT, I MUST
HAVE BEEN OUT OF MY MIND.
345
00:23:49,253 --> 00:23:52,169
NO, RAYMOND.
WE HAD NO MARRIAGE THEN.
346
00:23:52,213 --> 00:23:54,824
LUCKILY, WE WERE BOTH
WILLING TO CHANGE.
347
00:23:55,999 --> 00:23:59,263
WAS MRS. RHODES AS OPEN
ABOUT THIS AFFAIR AS YOU ARE?
348
00:23:59,307 --> 00:24:02,310
YOU MEAN, DID SHE TELL
HER HUSBAND? I DOUBT IT.
349
00:24:02,353 --> 00:24:05,008
HE WAS NEVER HOME
LONG ENOUGH TO LISTEN --
350
00:24:05,052 --> 00:24:07,097
KEPT AWAY
FOR DAYS AT A TIME.
351
00:24:07,141 --> 00:24:09,230
HE'S A PRIVATE DETECTIVE.
352
00:24:09,273 --> 00:24:10,971
YES.
YES, I KNOW.
353
00:24:11,014 --> 00:24:12,625
ONE MORE QUESTION --
354
00:24:12,668 --> 00:24:16,933
WHERE WERE YOU ON APRIL THE 14th
BETWEEN 9:00 AND 10:00 AT NIGHT?
355
00:24:16,977 --> 00:24:21,155
WE WERE AT A PARTY IN HILO --
FRIEND'S WEDDING ANNIVERSARY.
356
00:24:21,198 --> 00:24:25,376
HUNDREDS OF PEOPLE SAW US THERE,
AND WE STAYED QUITE LATE.
357
00:24:26,595 --> 00:24:29,293
STEVE?
WHAT'S THE MATTER?
358
00:24:29,337 --> 00:24:31,687
YOU HELD OUT ON ME,
AND I DON'T LIKE IT.
359
00:24:31,731 --> 00:24:33,602
I DON'T READ YOU.
360
00:24:33,646 --> 00:24:35,212
OH, YOU READ ME,
361
00:24:35,256 --> 00:24:39,303
AND WE'RE GONNA TALK ABOUT
A GUY NAMED RAYMOND CRENSHAW...
362
00:24:39,347 --> 00:24:41,044
AND YOUR WIFE.
363
00:24:45,658 --> 00:24:47,790
[ LIQUID POURS ]
364
00:24:47,834 --> 00:24:51,228
SO YOU KNOW
ABOUT CRENSHAW AND MY WIFE?
365
00:24:51,272 --> 00:24:52,534
YEAH, I KNOW.
366
00:24:52,578 --> 00:24:54,971
AND NOT THROUGH
ANY HELP OF YOURS.
367
00:24:55,015 --> 00:24:57,452
IT'S NOT THE KIND OF THING
A MAN BRAGS ABOUT.
368
00:24:57,496 --> 00:24:59,193
NO ONE'S ASKING YOU
TO BRAG,
369
00:24:59,236 --> 00:25:01,978
BUT YOU WITHHELD
VITAL INFORMATION ON THIS CASE.
370
00:25:02,022 --> 00:25:03,980
TO PROTECT HER.
371
00:25:06,374 --> 00:25:09,159
IT WASMY FAULT --
STAYING AWAY FROM HOME SO MUCH.
372
00:25:09,203 --> 00:25:10,509
A WOMAN GETS LONELY.
373
00:25:10,552 --> 00:25:12,380
YOU CAN'T EXPECT THEM
TO WAIT AROUND FOREVER.
374
00:25:12,423 --> 00:25:14,121
WHAT'S THIS BIG ACT,
JERRY?
375
00:25:14,164 --> 00:25:16,776
IF IT WAS ALL OVER
BETWEEN YOU AND MARY,
376
00:25:16,819 --> 00:25:19,561
WHAT'S THIS OBSESSION
TO FIND HER KILLER?
377
00:25:19,605 --> 00:25:22,172
THAT'S JUST IT.
IT WASN'T OVER.
378
00:25:22,216 --> 00:25:24,871
OH, SURE, I KNEW
IT WAS GOING ON.
379
00:25:24,914 --> 00:25:26,568
I KNEW ALL THE SIGNS.
380
00:25:26,612 --> 00:25:28,744
I'VE SEEN THEM 100 TIMES
IN DIVORCE CASES --
381
00:25:28,788 --> 00:25:32,052
MESSAGES ON THE PHONE
FROM PEOPLE I NEVER HEARD OF,
382
00:25:32,095 --> 00:25:34,968
WATCHING MARY GET ALL
DRESSED UP AND PERFUMED
383
00:25:35,011 --> 00:25:37,318
TO GO OUT TO LUNCH
WITH THE GIRLS.
384
00:25:37,361 --> 00:25:40,843
YOU KNOW, BUT YOU PUT IT
OUT OF YOUR MIND.
385
00:25:40,887 --> 00:25:43,063
AND THEN ONE DAY YOU CAN'T
386
00:25:43,106 --> 00:25:46,849
BECAUSE IT'S STARING YOU
RIGHT IN THE FACE.
387
00:25:46,893 --> 00:25:50,113
SO WE HAD IT OUT
THAT NIGHT...
388
00:25:50,157 --> 00:25:51,593
ALLNIGHT --
389
00:25:51,637 --> 00:25:54,161
TEARS, HOLLERING,
ACCUSATIONS.
390
00:25:54,204 --> 00:25:57,599
BY THE TIME THE SUN CAME UP,
WE WERE BEAT.
391
00:25:57,643 --> 00:26:03,910
BUT WE BOTH KNEW THERE WAS
A CHANCE WE COULD MAKE IT AGAIN.
392
00:26:03,953 --> 00:26:07,609
AND THAT KILLER,
THAT PSYCHO --
393
00:26:07,653 --> 00:26:10,525
HE ROBBED ME OF MY CHANCE.
394
00:26:10,569 --> 00:26:12,614
AND THAT'S WHY
I'VE GOT TO FIND HIM.
395
00:26:12,658 --> 00:26:15,878
I'LL FIND HIM, JERRY.
I'LLFIND HIM.
396
00:26:15,922 --> 00:26:17,750
YOU'RE OFF THE CASE --
397
00:26:17,793 --> 00:26:21,231
NO SPECIAL PRIVILEGES,
NO POLICE INFORMATION,
398
00:26:21,275 --> 00:26:22,798
NOTHING!
399
00:26:22,842 --> 00:26:24,452
AND THIS TIME I MEAN IT, BUDDY.
400
00:26:24,495 --> 00:26:26,889
I'M YOUR FRIEND, STEVE.
YOU CAN'T ACE ME OUT!
401
00:26:26,933 --> 00:26:28,543
MY FRIEND?
402
00:26:28,587 --> 00:26:31,590
LISTEN, FRIEND, YOU CONNED ME
ONCE. YOU DON'T CON ME TWICE.
403
00:26:31,633 --> 00:26:33,417
I KNOW EXACTLY
WHAT YOU WANT.
404
00:26:33,461 --> 00:26:36,507
IF I HAD ANY DOUBTS ABOUT IT,
I DON'T HAVE THEM ANYMORE.
405
00:26:36,551 --> 00:26:39,423
YOU WANT TO FIND THIS GUY
AND YOU WANT TO KILL HIM,
406
00:26:39,467 --> 00:26:41,121
AND I'M NOT GONNA
LET YOU.
407
00:26:55,352 --> 00:26:58,355
[ DIALING ]
408
00:26:58,399 --> 00:27:00,357
[ TELEPHONE RINGS ]
409
00:27:03,534 --> 00:27:05,275
-HELLO?
-Hello, Cathy?
410
00:27:05,319 --> 00:27:07,800
Hey, I've been trying
to get you.
411
00:27:07,843 --> 00:27:09,410
WHO IS THIS?
412
00:27:09,453 --> 00:27:12,239
WE HAVEN'T EXACTLY MET,
413
00:27:12,282 --> 00:27:16,025
BUT, UH, I BET YOU'VE HEARD THAT
MORE THAN ONCE.
414
00:27:16,069 --> 00:27:18,549
UH, I'M AFRAID YOU HAVE
THE WRONG NUMBER.
415
00:27:18,593 --> 00:27:20,203
Captain Henry Fields' house?
416
00:27:20,247 --> 00:27:23,032
Not that I want to talk
to the captain.
417
00:27:23,076 --> 00:27:26,993
AFTER ALL, WHAT COULD I TELL
A MAN LIKE THAT...
418
00:27:27,036 --> 00:27:30,561
EXCEPT MAYBE A FEW THINGS
ABOUT HIS WIFE?
419
00:27:30,605 --> 00:27:33,390
WHO ARE YOU?
WHAT DO YOU WANT?!
420
00:27:33,434 --> 00:27:35,436
WHAT ARE YOU DOING?!
421
00:27:35,479 --> 00:27:37,090
DOING?
422
00:27:37,133 --> 00:27:39,179
HEY, I'M NOT DOING ANYTHING,
CATHY.
423
00:27:39,222 --> 00:27:41,877
I'M ONLY ASKING...
424
00:27:41,921 --> 00:27:45,098
FOR A LITTLE BLACK BOOK
THAT BELONGED TO CATHY HANES --
425
00:27:45,141 --> 00:27:50,103
names and addresses
of gentlemen callers.
426
00:27:50,146 --> 00:27:52,888
NO, NO.
THERE IS NO BLACK BOOK.
427
00:27:52,932 --> 00:27:55,717
I-I-I BURNED IT
A LONG TIME AGO.
428
00:27:55,761 --> 00:27:57,153
I DON'T BUY IT, BABY.
429
00:27:57,197 --> 00:27:59,634
BOOKS LIKE THAT
ARE WORTH TOO MUCH.
430
00:27:59,678 --> 00:28:02,811
SOMETIMES THEY'RE SOLD,
SOMETIMES EVEN GIVEN AWAY.
431
00:28:02,855 --> 00:28:06,336
But burn them?
Never.
432
00:28:08,338 --> 00:28:11,994
THEY WAY I HEARD IT, YOU WERE
REALLY SOMETHING, CATHY.
433
00:28:12,038 --> 00:28:13,953
And the way I heard it
434
00:28:13,996 --> 00:28:16,999
is the way your captain's
gonna hear it.
435
00:28:17,043 --> 00:28:21,612
[ SOBBING ]
NO.
436
00:28:21,656 --> 00:28:27,401
I -- I-I GAVE IT
TO SOMEONE --
437
00:28:27,444 --> 00:28:30,317
SUSAN WATKINS.
438
00:28:30,360 --> 00:28:35,931
222 Komani Avenue.
439
00:28:35,975 --> 00:28:39,413
APARTMENT 15.
440
00:28:39,456 --> 00:28:42,155
NOW LEAVE ME ALONE!
441
00:29:48,221 --> 00:29:49,570
[ DIALING ]
442
00:29:51,833 --> 00:29:53,313
Hello?
443
00:29:53,356 --> 00:29:55,315
IS HERBERT SAUNDERS THERE?
444
00:29:55,358 --> 00:29:57,883
No, he's not here.
Any messages?
445
00:29:57,926 --> 00:29:59,493
TELL HIM CATHY'S BACK
446
00:29:59,536 --> 00:30:01,582
AND WANTS TO TALK TO HIM
ABOUT OLD TIMES.
447
00:30:01,625 --> 00:30:05,716
THE NUMBER'S 287-1299.
YOU GOT THAT?
448
00:30:05,760 --> 00:30:06,935
Yeah.
449
00:30:06,979 --> 00:30:08,458
ALL RIGHT.
450
00:30:20,949 --> 00:30:22,777
Mr. Tanaka's wire.
451
00:30:22,821 --> 00:30:24,300
ANSWERING SERVICE?
452
00:30:24,344 --> 00:30:26,172
Yes, sir.
May I help you?
453
00:30:26,215 --> 00:30:27,869
TELL MR. TANAKA
CATHY'S BACK,
454
00:30:27,913 --> 00:30:29,871
WANTS TO TALK TO HIM
ABOUT OLD TIMES.
455
00:30:29,915 --> 00:30:34,136
THE NUMBER'S 287-1299.
YOU GOT THAT?
456
00:30:34,180 --> 00:30:35,921
I'll give him
the message, sir.
457
00:30:35,964 --> 00:30:36,965
THANKS.
458
00:30:42,362 --> 00:30:43,754
[ DIALING ]
459
00:30:51,458 --> 00:30:52,851
Hello?
460
00:30:52,894 --> 00:30:54,330
MARTY WAKEMAN?
461
00:30:54,374 --> 00:30:55,636
Yeah.
462
00:30:55,679 --> 00:30:57,594
THOUGHT YOU'D LIKE TO KNOW
THAT CATHY'S BACK.
463
00:30:57,638 --> 00:31:00,162
Not interested,
and don't call me anymore.
464
00:31:00,206 --> 00:31:01,729
[ Click ]
465
00:31:01,772 --> 00:31:03,862
[ RECEIVER CLATTERS ]
466
00:31:03,905 --> 00:31:06,473
[ PAPER RUSTLES ]
467
00:31:50,082 --> 00:31:51,692
AAH!
468
00:31:57,263 --> 00:31:59,091
UGH.
469
00:32:19,720 --> 00:32:21,765
I WANT EVERY
PARTICLE OF DUST,
470
00:32:21,809 --> 00:32:23,550
EVERY PIECE OF PAPER
IN HER DESK,
471
00:32:23,593 --> 00:32:26,074
CONTENTS OF HER POCKETBOOK,
EVERYTHING.
472
00:32:26,118 --> 00:32:27,902
THEN I WANT TO KNOW
EVERYTHING ABOUT THE GIRL.
473
00:32:27,946 --> 00:32:29,686
THEN GET ME THE INFORMATION
ON THE OTHER FIVE
474
00:32:29,730 --> 00:32:31,514
AND A COUPLE OF GALLONS
OF COFFEE,
475
00:32:31,558 --> 00:32:33,908
AND DON'T MAKE ANY PLANS
FOR TONIGHT OR TOMORROW.
476
00:32:33,952 --> 00:32:36,519
WE'RE NOT GONNA LEAVE THE OFFICE
TILL SOMETHING BREAKS.
477
00:32:36,563 --> 00:32:38,217
TELL CHIN AND THE OTHERS.
478
00:32:38,260 --> 00:32:40,001
I DON'T SEE JERRY AROUND.
479
00:32:40,045 --> 00:32:42,003
YOU BETTER BELIEVE IT.
480
00:32:47,008 --> 00:32:49,532
[ TELEPHONE RINGS ]
481
00:32:52,057 --> 00:32:54,711
OKAY. HELLO?
482
00:32:54,755 --> 00:32:57,366
Who is this?
483
00:32:57,410 --> 00:32:59,629
WHO DO YOU WANT?
484
00:33:02,328 --> 00:33:08,290
Got a message on my
answering service from Cathy.
485
00:33:08,334 --> 00:33:10,423
IS THIS VIC?
486
00:33:12,686 --> 00:33:14,079
Who are you?
487
00:33:14,122 --> 00:33:16,603
I'M HER MANAGER.
488
00:33:16,646 --> 00:33:18,909
I MAKE
ALL HER APPOINTMENTS.
489
00:33:21,738 --> 00:33:24,393
Can I see her tonight?
490
00:33:24,437 --> 00:33:28,180
WELL, NOT TONIGHT.
491
00:33:28,223 --> 00:33:31,096
Please.
492
00:33:31,139 --> 00:33:33,750
10:00 TOMORROW MORNING.
493
00:33:36,405 --> 00:33:40,105
I'M SORRY,
THAT'S ALL THAT'S AVAILABLE.
494
00:33:40,148 --> 00:33:42,629
VIC, IT'S 10:00 OR NOTHING.
495
00:33:42,672 --> 00:33:45,066
[ Clears throat ]
496
00:33:45,110 --> 00:33:47,068
Where?
497
00:33:47,112 --> 00:33:50,550
297 WANEMA STREET.
498
00:33:50,593 --> 00:33:52,421
YOU GOT THAT?
499
00:33:52,465 --> 00:33:54,902
297 WANEMA STREET.
500
00:33:57,122 --> 00:33:59,733
I'll be there.
501
00:33:59,776 --> 00:34:00,995
GOOD.
502
00:34:01,039 --> 00:34:02,257
[ Click ]
503
00:34:10,135 --> 00:34:12,093
VICTIMS "A," "B," AND "E,"
504
00:34:12,137 --> 00:34:15,792
HAD CHARGE ACCOUNTS
AT THE SAME DEPARTMENT STORE.
505
00:34:15,836 --> 00:34:17,403
VICTIMS "B" AND "F"
506
00:34:17,446 --> 00:34:20,884
HAD BANK ACCOUNTS IN THE SAME
BANK BUT DIFFERENT BRANCHES.
507
00:34:20,928 --> 00:34:22,103
VICTIMS "E" AND "F"
508
00:34:22,147 --> 00:34:24,236
BOUGHT GASOLINE
IN THE SAME STATION.
509
00:34:24,279 --> 00:34:26,847
NO RECORD ON WHERE THE OTHERS
BOUGHT THEIRS.
510
00:34:26,890 --> 00:34:29,458
VICTIMS "A," "C," AND "E"
511
00:34:29,502 --> 00:34:32,766
DID THEIR SHOPPING
AT THE SAME CHAIN SUPERMARKET.
512
00:34:32,809 --> 00:34:35,638
THREE OF THEM WORKED.
TWO WERE HOUSEWIVES.
513
00:34:35,682 --> 00:34:38,163
ONE WAS SINGLE
AND UNEMPLOYED.
514
00:34:38,206 --> 00:34:39,642
NO CHURCHES, CIVIC GROUPS,
515
00:34:39,686 --> 00:34:41,862
OR POLITICAL ORGANIZATIONS
IN COMMON.
516
00:34:41,905 --> 00:34:45,170
YEAH, BUT THEY HAD
SOMETHING ELSE IN COMMON --
517
00:34:45,213 --> 00:34:47,998
A KEY...
BORROWED, COPIED, OR STOLEN.
518
00:34:48,042 --> 00:34:50,871
BUT HOW, HUH?
HOW?
519
00:34:53,700 --> 00:34:57,356
KONO, START READING THE FILES
ONE BY ONE, ITEM BY ITEM.
520
00:34:57,399 --> 00:34:59,140
DON'T LEAVE ANYTHING OUT.
521
00:35:01,186 --> 00:35:05,015
"VICTIM "A" --
MADELINE GOLD, AGE 32.
522
00:35:05,059 --> 00:35:09,019
ARRIVED IN HAWAII AT
THE AGE OF 17 WITH HER PARENTS,
523
00:35:09,063 --> 00:35:12,501
MR. AND MRS. ERNEST GOLD,
WALLPAPER BUSINESS.
524
00:35:12,545 --> 00:35:14,199
SHE ATTENDED
UNIVERSITY OF HAWAII...
525
00:35:14,242 --> 00:35:16,070
VICTIM "B" QUIT HER JOB
526
00:35:16,114 --> 00:35:18,855
AS A SECRETARY AT THE
MID-SEAS CONSTRUCTION COMPANY,
527
00:35:18,899 --> 00:35:21,902
THEN MARRIED LAWRENCE D'AMICO,
POST-OFFICE EMPLOYEE.
528
00:35:21,945 --> 00:35:24,339
THEY HAD TWO CHILDREN,
THERESA, NOW 6...
529
00:35:24,383 --> 00:35:26,994
VICTIM "D" HAD A LIBRARY CARD,
530
00:35:27,037 --> 00:35:31,085
TOOK OUT AT LEAST THREE BOOKS
A WEEK, AS A RULE NON-FICTION.
531
00:35:31,129 --> 00:35:34,175
ALSO LIKED BALLET,
CONCERTS, PLAYS,
532
00:35:34,219 --> 00:35:35,437
ALWAYS SAT
IN THE ORCHESTRA SECTION...
533
00:35:35,481 --> 00:35:36,830
...AT WHICH TIME,
534
00:35:36,873 --> 00:35:39,398
VICTIM "F" PARKED HER CAR
IN THE BUILDING GARAGE,
535
00:35:39,441 --> 00:35:41,661
WENT UP TO HER FLAT,
AND WAS MURDERED.
536
00:35:41,704 --> 00:35:42,749
THAT'S IT.
537
00:35:48,494 --> 00:35:50,670
STEVE, ALMOST 7:00.
538
00:35:50,713 --> 00:35:52,541
[ Sighs ] YEAH.
539
00:35:52,585 --> 00:35:54,891
COFFEE, STEVE?
540
00:35:54,935 --> 00:35:59,331
NO, THANKS.
I'M UP TO HERE WITH COFFEE.
541
00:35:59,374 --> 00:36:01,202
[ YAWNS ]
542
00:36:01,246 --> 00:36:03,596
I MUST BE GETTING PUNCHY.
543
00:36:03,639 --> 00:36:06,903
LOOKS LIKE
WE'RE GETTING NOWHERE.
544
00:36:06,947 --> 00:36:09,819
NO, YOU'RE NOT
GETTING PUNCHY, BROTHER.
545
00:36:09,863 --> 00:36:12,126
NO MATTER
WHO THREW THE DICE,
546
00:36:12,170 --> 00:36:15,651
THEY COME UP LOSERS
ALL OVER THE MAP.
547
00:36:15,695 --> 00:36:20,352
NO. NO, NOT EXACTLY
ALL OVER THE MAP.
548
00:36:22,484 --> 00:36:26,575
THEY COME UP HERE WITH MORE
FREQUENCY THAN ANYWHERE ELSE.
549
00:36:26,619 --> 00:36:28,229
[ TAPS ]
550
00:36:28,273 --> 00:36:32,886
DANNO, GIVE IT TO ME AGAIN
FOR THIS AREA, HUH?
551
00:36:32,929 --> 00:36:35,976
WELL, "A" AND "C"
LIVED HERE.
552
00:36:36,019 --> 00:36:38,283
"E " -- "F" WORKED HERE,
553
00:36:38,326 --> 00:36:42,548
AND HERE, "E,"
RIGHT AT THE HOSPITAL.
554
00:36:42,591 --> 00:36:46,378
"B" HAD HER HAIR DONE HERE
AT THE HAIRDRESSER, SAME AS "A."
555
00:36:46,421 --> 00:36:49,119
IN OTHER WORDS,
EVERY ONE OF THE VICTIMS
556
00:36:49,163 --> 00:36:52,427
HAD TO BE IN THIS AREA
SOMETIME DURING EACH WEEK.
557
00:36:52,471 --> 00:36:55,952
EXCEPT "D" --
LIVED UP HERE.
558
00:36:55,996 --> 00:36:58,216
WHERE DID SHE WORK?
559
00:36:58,259 --> 00:37:01,044
-HERE.
-YEAH.
560
00:37:01,088 --> 00:37:07,312
SHE HAD TO DRIVE RIGHT THROUGH
THIS AREA EVERY DAY.
561
00:37:09,401 --> 00:37:12,534
ALL RIGHT, I WANT TO KNOW
EVERYTHING ABOUT THIS QUADRANT,
562
00:37:12,578 --> 00:37:14,971
EVERY SHOP, EVERY BUSINESS,
563
00:37:15,015 --> 00:37:17,278
ANYPLACE THAT A WOMAN
COULD CONCEIVABLY GO.
564
00:37:17,322 --> 00:37:19,149
ALL RIGHT, GENTLEMEN,
LET'S GET ON IT.
565
00:37:19,193 --> 00:37:21,587
I'M GONNA SHOWER AND CHANGE.
LET'S GO.
566
00:37:31,771 --> 00:37:34,556
THE PALM GARDEN MOVIE THEATER,
THE HIBISCUS HOTEL,
567
00:37:34,600 --> 00:37:35,818
GREGARIO'S DRUGSTORE,
568
00:37:35,862 --> 00:37:37,864
POST OFFICE SUBSTATION
NUMBER TWO,
569
00:37:37,907 --> 00:37:39,474
HAWAIIAN ROSE BEAUTY PARLOR,
570
00:37:39,518 --> 00:37:41,781
FRANK'S CAR WASH
AND FILLING STATION --
571
00:37:41,824 --> 00:37:44,610
HOLD IT. HOLD IT.
CAR WASH?
572
00:37:44,653 --> 00:37:46,220
YEAH, CAR WASH.
573
00:37:46,264 --> 00:37:47,700
WHAT ABOUT IT?
574
00:37:47,743 --> 00:37:49,832
COME ON.
I'LL EXPLAIN ON THE WAY.
575
00:38:03,629 --> 00:38:07,067
ALL RIGHT, YOU'RE A KILLER
IN SEARCH OF A VICTIM.
576
00:38:07,110 --> 00:38:08,547
WHAT DO YOU DO?
577
00:38:12,377 --> 00:38:15,031
I'VE GOT A NAME.
I'VE GOT AN ADDRESS.
578
00:38:15,075 --> 00:38:16,381
YEAH.
579
00:38:26,434 --> 00:38:29,568
AND I'VE GOT A KEY.
580
00:38:41,275 --> 00:38:43,712
SIX MONTHS?!
OH, YOU GOT TO BE KIDDING.
581
00:38:43,756 --> 00:38:47,281
I'M LUCKY IF I GET ONE OF THESE
GUYS TO STAY AROUND ONE WEEK.
582
00:38:47,325 --> 00:38:49,239
BUMS AND WINOS,
THAT'S ALL I GET.
583
00:38:49,283 --> 00:38:51,329
THEY MAKE A LITTLE MONEY,
YOU KNOW,
584
00:38:51,372 --> 00:38:53,374
AND A COUPLE
OF BOTTLES OF MUSCATEL,
585
00:38:53,418 --> 00:38:54,854
AND IT'S GOODBYE, CHARLIE.
586
00:38:54,897 --> 00:38:57,639
HEY, JOE,
A LITTLE MORE MUSCLE.
587
00:38:57,683 --> 00:38:59,162
COME ON, FRANK, THINK.
588
00:38:59,206 --> 00:39:02,340
THERE'S GOT TO BE SOMEBODY
WHO'S BEEN HERE SIX MONTHS.
589
00:39:02,383 --> 00:39:04,342
JUST ONE GUY.
THERE HAS TO BE.
590
00:39:04,385 --> 00:39:06,082
YEAH, THERE WASONE GUY.
591
00:39:06,126 --> 00:39:09,259
THEN HE QUIT TWO YEARS AGO
AND MOVED TO L.A.
592
00:39:09,303 --> 00:39:10,652
I'M SORRY, FELLAS.
593
00:39:12,872 --> 00:39:16,092
HEY! WAIT!
594
00:39:16,136 --> 00:39:18,007
SIX MONTHS,
YEAH, HE MAKES IT.
595
00:39:18,051 --> 00:39:21,184
UH, BUT HE'S ONLY A PART-TIME
WORKER. DOES THAT MATTER?
596
00:39:21,228 --> 00:39:22,447
NO, NO. WHO?
597
00:39:22,490 --> 00:39:25,101
VIC TANAKA -- SOME KIND
OF MECHANIC I THINK.
598
00:39:25,145 --> 00:39:26,973
HE WORKS HERE WEDNESDAY,
OUR BUSY DAY.
599
00:39:27,016 --> 00:39:28,540
WEDNESDAY
WE TAKE LADIES FREE.
600
00:39:33,196 --> 00:39:35,938
HE'S IN BUNGALOW "A."
WE DON'T KNOW IF HE'S HOME.
601
00:39:40,465 --> 00:39:43,032
ALL RIGHT, DON'T TAKE
ANY CHANCES WITH THIS ONE.
602
00:39:43,076 --> 00:39:44,860
DANNY AND I
WILL HIT THE FRONT.
603
00:39:44,904 --> 00:39:46,949
YOU AND CHIN HIT THE BACK.
LET'S GO.
604
00:39:55,305 --> 00:39:58,570
VIC TANAKA?
POLICE. OPEN UP.
605
00:40:23,333 --> 00:40:24,770
CLEAN.
606
00:40:34,519 --> 00:40:37,260
KEY-MAKING MACHINERY.
607
00:40:37,304 --> 00:40:39,175
THIS GUY DOESN'T NEED
A LOCKSMITH.
608
00:40:39,219 --> 00:40:40,699
YEAH.
609
00:40:40,742 --> 00:40:43,441
I WANT THIS PLACE SEARCHED
TO THE FLOORBOARDS.
610
00:41:36,102 --> 00:41:37,625
STEVE, WE GOT HIM.
611
00:41:37,669 --> 00:41:39,627
WIGS, MAKEUP --
IT'S ALL HERE.
612
00:41:39,671 --> 00:41:43,370
YEAH...HERE, TOO.
613
00:41:43,413 --> 00:41:46,939
TELEPHONE NUMBER.
NAME -- CATHY.
614
00:41:46,982 --> 00:41:49,507
297 WANEMA.
615
00:42:18,405 --> 00:42:20,233
[ VACUUM RUNNING ]
616
00:42:45,737 --> 00:42:47,695
[ VACUUM TURNS OFF ]
617
00:42:59,577 --> 00:43:02,580
[ GASPS ]
WHAT ARE YOU DOING HERE?
618
00:43:02,623 --> 00:43:05,452
YOU DO REMEMBER ME, CATHY?
619
00:43:07,715 --> 00:43:11,589
VIC. VIC TANAKA.
620
00:43:11,632 --> 00:43:15,897
OH. OF COURSE
I REMEMBER YOU, VIC.
621
00:43:20,249 --> 00:43:23,992
YOU DYED YOUR HAIR.
622
00:43:24,036 --> 00:43:26,908
IT WAS SO PRETTY...
623
00:43:26,952 --> 00:43:29,302
LIKE SUNLIGHT.
624
00:43:29,345 --> 00:43:33,001
T-THAT WAS A LONG TIME AGO.
625
00:43:33,045 --> 00:43:37,223
WHY ARE YOU SURPRISED
TO SEE ME, CATHY?
626
00:43:37,266 --> 00:43:40,966
I MADE A DATE WITH YOU
LAST NIGHT.
627
00:43:41,009 --> 00:43:43,316
I TALKED TO YOUR MANAGER.
628
00:43:43,359 --> 00:43:45,666
MANAGER?
629
00:43:45,710 --> 00:43:50,932
WE ALWAYS DIDN'T NEED
SOMEONE BETWEEN US, CATHY.
630
00:43:50,976 --> 00:43:54,022
I USED TO CALL YOU AT HOME,
631
00:43:54,066 --> 00:43:57,939
AND YOU LET ME
COME TO SEE YOU.
632
00:44:05,599 --> 00:44:10,648
WHY DID YOU STOP
LETTING ME SEE YOU, CATHY?
633
00:44:12,780 --> 00:44:15,827
I'M SORRY
IF I HURT YOU, VIC.
634
00:44:15,870 --> 00:44:17,437
HURT ME?
635
00:44:21,223 --> 00:44:23,530
[ SOBS ]
636
00:44:23,573 --> 00:44:29,318
YOU HURT ME,
BUT I FOUND YOU, CATHY.
637
00:44:33,496 --> 00:44:38,980
NOW THE HURT
WILL GO AWAY.
638
00:44:41,243 --> 00:44:43,681
NO.
639
00:44:43,724 --> 00:44:46,422
DON'T. NO!
640
00:44:46,466 --> 00:44:48,163
AH!
641
00:44:48,207 --> 00:44:50,296
[ WHIMPERING ]
642
00:44:55,214 --> 00:44:57,695
NO! AAH!
643
00:44:57,738 --> 00:44:59,522
AAAAH!
644
00:44:59,566 --> 00:45:02,351
AAAAH!
645
00:45:02,395 --> 00:45:04,745
AAAAAAAAH!
646
00:45:04,789 --> 00:45:06,791
HELP ME!
647
00:45:06,834 --> 00:45:08,880
TANAKA.
648
00:45:17,715 --> 00:45:19,412
AAH!
649
00:45:19,455 --> 00:45:22,241
[ GUNSHOT ]
650
00:45:26,288 --> 00:45:28,116
[ CRYING ]
651
00:45:28,160 --> 00:45:30,249
AH!
652
00:45:36,429 --> 00:45:38,083
IT'S ALL RIGHT.
IT'S ALL RIGHT.
653
00:45:38,126 --> 00:45:39,911
IT'S ALL RIGHT.
IT'S ALL OVER NOW.
654
00:45:39,954 --> 00:45:41,477
IT'S ALL OVER,
MRS. FIELDS.
655
00:45:41,521 --> 00:45:43,001
YOU'RE ALL RIGHT.
IT'S OKAY.
656
00:45:43,044 --> 00:45:44,872
IT'S OKAY. COME ON.
657
00:45:46,395 --> 00:45:48,180
THERE YOU GO.
658
00:45:48,223 --> 00:45:51,052
IT'S ALL RIGHT, MRS. FIELDS.
IT'S ALL RIGHT.
659
00:45:51,096 --> 00:45:53,620
WE GOT HIM...
660
00:45:53,663 --> 00:45:55,753
WITH THIS.
661
00:45:55,796 --> 00:45:58,364
BUT YOU...
662
00:45:58,407 --> 00:46:02,629
YEAH. BUT DON'T WORRY.
DON'T WORRY.
663
00:46:02,672 --> 00:46:05,284
NO ONE'S EVER
GONNA SEE THIS AGAIN.
664
00:46:05,327 --> 00:46:07,025
NEVER.
665
00:46:42,930 --> 00:46:45,019
HOLD IT.
666
00:46:56,465 --> 00:46:58,859
YOU GET "A"
FOR MARKSMANSHIP, JERRY --
667
00:46:58,903 --> 00:47:00,513
THREE SHOTS, THREE HITS.
668
00:47:00,556 --> 00:47:03,995
HAD TO DO IT, STEVE.
HE WAS TRYING TO KILL THE GIRL.
669
00:47:10,131 --> 00:47:11,916
HOW DID YOU FIND HIM?
670
00:47:11,959 --> 00:47:14,832
THAT'S PRIVILEGED
INFORMATION --
671
00:47:14,875 --> 00:47:16,746
MY OWN INVESTIGATION.
672
00:47:16,790 --> 00:47:19,010
ALL RIGHT, LET ME GUESS.
673
00:47:19,053 --> 00:47:21,055
YOU FOUND HIM HERE...
674
00:47:21,099 --> 00:47:24,058
BECAUSE YOU SENT HIM HERE.
675
00:47:24,102 --> 00:47:26,713
ME?
676
00:47:26,756 --> 00:47:28,454
HEY, COME ON.
677
00:47:28,497 --> 00:47:30,325
THEN WHAT WAS
YOUR PHONE NUMBER DOING
678
00:47:30,369 --> 00:47:32,371
WRITTEN IN HIS APARTMENT
OVER CATHY'S NAME?
679
00:47:34,068 --> 00:47:35,722
NO, JERRY, YOU SET HIM UP,
680
00:47:35,765 --> 00:47:38,464
AND THEN YOU SHOT HIM DEAD
TO SILENCE HIM.
681
00:47:38,507 --> 00:47:41,510
HEY, NOW, WAIT A MINUTE.
WHAT ARE YOU TALKING ABOUT?
682
00:47:41,554 --> 00:47:43,991
YOU KILLED YOUR WIFE,
JERRY.
683
00:47:45,427 --> 00:47:48,343
THE STRANGLER KILLED THE OTHERS,
BUT YOU KILLED MARY.
684
00:47:48,387 --> 00:47:52,260
YOU STUDIED THE CASE HISTORIES
OF THE FIRST TWO.
685
00:47:52,304 --> 00:47:53,653
YOU GOT HIS M.O.
686
00:47:53,696 --> 00:47:56,830
YOU FIGURED THAT
IF YOU KILLED MARY THE SAME WAY
687
00:47:56,874 --> 00:48:00,094
THAT WE WOULD CHALK HER UP
AS VICTIM NUMBER THREE,
688
00:48:00,138 --> 00:48:02,705
AND IT ALMOST WORKED...
689
00:48:02,749 --> 00:48:05,230
EXCEPT FOR ONE THING --
690
00:48:05,273 --> 00:48:07,667
THE KILLER WORKED
IN A CAR WASH.
691
00:48:07,710 --> 00:48:10,365
THAT'S WHERE HE GOT
HIS VICTIM'S KEYS.
692
00:48:10,409 --> 00:48:12,367
SO?
693
00:48:12,411 --> 00:48:16,719
MARY NEVER DROVE,
NEVER LEARNED.
694
00:48:16,763 --> 00:48:19,287
NO CAR,
NO DRIVER'S LICENSE...
695
00:48:19,331 --> 00:48:22,464
NO WAY TO GET
TO A CAR WASH -- NO WAY.
696
00:48:22,508 --> 00:48:26,164
SHE TOOK TAXIS
ALL OVER TOWN.
697
00:48:26,207 --> 00:48:28,862
YOU KILLED MARY, JERRY.
698
00:48:31,996 --> 00:48:34,041
IT JUST HAPPENED, STEVE.
699
00:48:34,085 --> 00:48:37,262
A DAY CAME AND IT HAPPENED.
700
00:48:37,305 --> 00:48:39,481
IT WAS NOTHING PLANNED.
701
00:48:41,483 --> 00:48:45,574
WHEN I FOUND OUT ABOUT CRENSHAW,
SOMETHING BLEW INSIDE ME.
702
00:48:45,618 --> 00:48:47,402
AND THE NEXT THING I KNEW
703
00:48:47,446 --> 00:48:50,318
I WAS CHOKING HER,
SQUEEZING HER NECK.
704
00:48:50,362 --> 00:48:52,407
SHE WAS...
705
00:48:54,279 --> 00:48:55,802
...SHE WAS DEAD.
706
00:48:57,891 --> 00:49:01,939
IT WAS AFTERWARDS I GOT THE IDEA
TO USE THE STRANGLER'S M.O.,
707
00:49:01,982 --> 00:49:04,245
NOT BEFORE.
708
00:49:06,465 --> 00:49:08,467
IT WAS JUST AN IMPULSE,
STEVE.
709
00:49:12,688 --> 00:49:15,953
UNPREMEDITATED MANSLAUGHTER.
710
00:49:17,867 --> 00:49:19,652
10 YEARS.
711
00:49:21,610 --> 00:49:25,788
MAYBE THREE OFF
WITH GOOD BEHAVIOR, HUH?
712
00:49:25,832 --> 00:49:27,312
WHAT DO YOU THINK?
713
00:49:27,355 --> 00:49:30,793
JERRY, GOT YOUR CAR?
714
00:49:30,837 --> 00:49:34,972
NO, DANNO, NO.
WE'LL BE GIVING JERRY A LIFT.
715
00:49:37,496 --> 00:49:39,063
BOOK HIM.
716
00:49:50,857 --> 00:49:52,467
MURDER ONE.
717
00:50:00,171 --> 00:50:03,174
[ "HAWAII FIVE-O" THEME PLAYS ]
718
00:50:03,224 --> 00:50:07,774
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