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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:54,880 --> 00:00:56,273 [ GASPS ] 2 00:04:02,677 --> 00:04:05,680 [ "HAWAII FIVE-O" THEME PLAYS ] 3 00:05:00,648 --> 00:05:02,258 [ SIRENS WAILING ] 4 00:05:08,177 --> 00:05:10,919 [ TIRES SCREECH ] 5 00:05:18,666 --> 00:05:20,363 STEVE! 6 00:05:23,235 --> 00:05:25,020 ANOTHER TWIST OF THE KNIFE? 7 00:05:25,063 --> 00:05:28,458 IT'S NOT THAT I WANT TO BE HERE, STEVE. 8 00:05:28,502 --> 00:05:29,851 I GOT TO BE HERE. 9 00:05:31,374 --> 00:05:34,246 ALL RIGHT. COME ON. 10 00:05:36,510 --> 00:05:39,382 STEVE -- 11 00:05:39,426 --> 00:05:41,384 OH. ALL RIGHT, KEONY. THIS IS JERRY RHODES. 12 00:05:41,428 --> 00:05:43,517 HE'S A PRIVATE INVESTIGATOR. HE'S ALL RIGHT. 13 00:05:43,560 --> 00:05:45,170 YES, SIR. 14 00:05:56,356 --> 00:05:58,836 LET'S GET ONE FROM THE OTHER SIDE, TOO. 15 00:06:23,034 --> 00:06:24,427 WHO'S NUMBER FIVE? 16 00:06:24,471 --> 00:06:27,735 ANGELA WARING, SINGLE, AGE 31. 17 00:06:27,778 --> 00:06:30,390 SHE WAS A NURSE AT QUEEN'S HOSPITAL, 18 00:06:30,433 --> 00:06:31,739 CHILDREN'S WARD. 19 00:06:31,782 --> 00:06:34,219 SHE LEFT THE HOSPITAL LAST NIGHT AT 7:30. 20 00:06:34,263 --> 00:06:36,483 TIME OF DEATH BETWEEN 8:00 AND 9:00. 21 00:06:36,526 --> 00:06:39,399 AS USUAL, THE NEIGHBORS HEARD NOTHING, SAW NOTHING. 22 00:06:39,442 --> 00:06:41,966 NO ROBBERY, NO SIGNS OF A STRUGGLE. 23 00:06:42,010 --> 00:06:44,229 DOC SAYS SHE WAS NOT SEXUALLY ASSAULTED. 24 00:06:48,756 --> 00:06:49,974 ANY PRINTS? 25 00:06:50,018 --> 00:06:51,454 NOTHING YET. 26 00:06:51,498 --> 00:06:53,500 AND NO SIGNS OF BREAKING OR ENTERING. 27 00:06:53,543 --> 00:06:55,240 SAME M.O. AS ALL THE OTHERS. 28 00:06:55,284 --> 00:06:56,546 KILLER WITH A KEY? 29 00:06:56,590 --> 00:06:58,156 OR THEY, UM, LET HIM IN. 30 00:06:58,200 --> 00:06:59,854 VICTIM NUMBER FOUR DIDN'T. 31 00:06:59,897 --> 00:07:01,595 SHE WAS KILLED IN HER SLEEP 32 00:07:01,638 --> 00:07:05,773 UNDER 50 CCs OF DEMEROL GIVEN TO HER BY A DOCTOR, REMEMBER? 33 00:07:05,816 --> 00:07:08,471 -PULLING THE PSYCHOS AGAIN? -YEAH, AGAIN. 34 00:07:08,515 --> 00:07:10,908 AND CHECK FOR PEOPLE IN THE COSMETICS BUSINESS -- 35 00:07:10,952 --> 00:07:13,258 BEAUTICIAN, HAIR DRESSER -- SOMEBODY LIKE THAT. 36 00:07:13,302 --> 00:07:14,782 SAME AS BEFORE. 37 00:07:14,825 --> 00:07:17,480 REALLY WEIRD THE WAY HE MAKES EACH ONE LOOK THE SAME. 38 00:07:17,524 --> 00:07:19,700 YEAH, LIKE A PAINTED DOLL. 39 00:07:22,833 --> 00:07:24,008 OR A HOOKER. 40 00:07:29,971 --> 00:07:32,016 I'LL SEE YOU, STEVE. 41 00:07:53,560 --> 00:07:55,518 JERRY. 42 00:08:00,305 --> 00:08:03,570 I SAW WHAT HAPPENED IN THERE, AND I MADE A DECISION. 43 00:08:03,613 --> 00:08:05,876 I DON'T WANT YOU AROUND THIS ONE. 44 00:08:05,920 --> 00:08:07,312 HEY, LOOK, STEVE. 45 00:08:07,356 --> 00:08:09,924 IF YOU HAVE TO BLEED, BLEED IN PRIVATE. 46 00:08:09,967 --> 00:08:11,752 I DON'T WANT TO WATCH IT. 47 00:08:11,795 --> 00:08:14,581 NOW, UNTIL THIS GUY IS CAUGHT, I DON'T WANT TO SEE YOU ANYMORE. 48 00:08:14,624 --> 00:08:16,887 YOU KNOW -- WAIT, STEVE. I'M INVOLVED. 49 00:08:16,931 --> 00:08:18,672 YEAH, THAT'S JUST THE POINT. 50 00:08:18,715 --> 00:08:21,457 IF YOU WERE ON THE FORCE, I WOULDN'T LET YOU NEAR THIS CASE. 51 00:08:21,501 --> 00:08:23,328 SO WHAT DO YOU WANT ME TO DO -- 52 00:08:23,372 --> 00:08:25,766 GO BACK TO MY OFFICE, SET UP A DIVORCE RAID, 53 00:08:25,809 --> 00:08:27,550 MAYBE FIND A MISSING PERSON? 54 00:08:27,594 --> 00:08:29,509 YOUR BUSINESS, JERRY. 55 00:08:29,552 --> 00:08:32,512 NO, IT'S MY BUSINESS TO FIND THE PSYCHO WHO KILLED MY WIFE! 56 00:08:32,555 --> 00:08:33,861 AND IF YOU FIND HIM, THEN WHAT? 57 00:08:33,904 --> 00:08:35,732 THEN YOU TAKE OVER. 58 00:08:35,776 --> 00:08:37,255 YOU MEAN AFTER YOU DELIVER THE CORPSE? 59 00:08:37,299 --> 00:08:39,170 -THAT'S NOT WHAT I SAID. -THAT'S WHAT YOU'RE THINKING. 60 00:08:39,214 --> 00:08:40,955 YES, IT'S WHAT I'M THINKING 61 00:08:40,998 --> 00:08:43,697 EVER SINCE HE MADE MY WIFE NUMBER THREE! 62 00:08:43,740 --> 00:08:46,917 IN MY MIND I'VE KILLED HIM A THOUSAND TIMES -- 63 00:08:46,961 --> 00:08:48,353 IN MY MIND. 64 00:08:49,703 --> 00:08:52,183 STEVE, I'M NOT STUPID. 65 00:08:52,227 --> 00:08:56,144 KILLING HIM WON'T BRING MARY BACK. 66 00:08:56,187 --> 00:08:57,711 I KNOW THAT. 67 00:08:57,754 --> 00:09:00,322 I'D BE THROWING MY LIFE AWAY. 68 00:09:00,365 --> 00:09:03,891 THAT'S SOMETHING MARY'D NEVER WANT ME TO DO. 69 00:09:03,934 --> 00:09:06,807 I JUST WANT SIMPLE JUSTICE, STEVE. 70 00:09:08,243 --> 00:09:09,723 OKAY? 71 00:09:11,115 --> 00:09:12,116 OKAY. 72 00:09:16,251 --> 00:09:18,514 -IS THE LAB REPORT READY? -FEW MINUTES. ANYTHING? 73 00:09:18,558 --> 00:09:20,690 WE SIFTED THROUGH EVERY PSYCHO ON THE ISLAND. 74 00:09:20,734 --> 00:09:22,649 NEIGHBORS AND TRADESMEN ALL CHECK OUT. 75 00:09:22,692 --> 00:09:24,128 STEVE -- 76 00:09:24,172 --> 00:09:27,305 ON THE BOYFRIEND -- HE'S AN INTERN AT THE HOSPITAL. 77 00:09:27,349 --> 00:09:29,525 HE WAS ON DUTY ALL LAST NIGHT. 78 00:09:29,569 --> 00:09:31,396 HE'S CLEAN. 79 00:09:31,440 --> 00:09:34,574 NOW, GENTLEMEN, WE TURN TO THE QUESTION 80 00:09:34,617 --> 00:09:38,403 OF HOW DOES A KILLER GET INTO THE VICTIM'S HOME? 81 00:09:38,447 --> 00:09:40,623 HERE WE HAVE EXACT DUPLICATES 82 00:09:40,667 --> 00:09:44,627 OF THE FRONT-DOOR LOCKS OF ALL FIVE MURDER VICTIMS. 83 00:09:44,671 --> 00:09:48,152 FIRST WE TAKE THE SIMPLE IDEA OF A PASSKEY. 84 00:09:50,067 --> 00:09:52,243 SEE, IT WORKS FOR LOCK "B." 85 00:09:52,287 --> 00:09:55,203 CAN'T POSSIBLY WORK FOR LOCK "C" OR "E." 86 00:09:55,246 --> 00:09:57,074 "C" IS A BAXTER POLICE LOCK. 87 00:09:57,118 --> 00:09:59,381 I BELIEVE THAT WAS YOUR HOME, JERRY. 88 00:09:59,424 --> 00:10:00,600 YEAH. 89 00:10:00,643 --> 00:10:02,123 AND "E" IS A GERMAN LOCK. 90 00:10:02,166 --> 00:10:04,908 NOW, I'D SAY THE ODDS OF HIS HAVING A PASSKEY TO THAT 91 00:10:04,952 --> 00:10:06,910 ARE ABOUT 1,000 TO 1. 92 00:10:06,954 --> 00:10:08,433 BUT NOT IMPOSSIBLE. 93 00:10:08,477 --> 00:10:11,175 CORRECT, BUT IF PASSKEYS WERETHE ANSWER, 94 00:10:11,219 --> 00:10:13,656 HE'D NEED ONE FOR BOTH "A" AND "E." 95 00:10:13,700 --> 00:10:16,311 "A" IS MADE IN MILWAUKEE, "E" IN NEW YORK -- 96 00:10:16,354 --> 00:10:18,313 TWO TOTALLY DIFFERENT TUMBLER SYSTEMS. 97 00:10:18,356 --> 00:10:20,358 I'D SAY THE ODDS ARE GETTING HIGHER, STEVE. 98 00:10:20,402 --> 00:10:22,709 THEN WE KNOW TWO THINGS ABOUT HOW THE KILLER GETS IN. 99 00:10:22,752 --> 00:10:24,841 ONE, THAT IT'S IMPOSSIBLE. TWO, THAT HE DOES IT. 100 00:10:26,626 --> 00:10:27,844 WHAT ELSE, CHE? 101 00:10:27,888 --> 00:10:30,847 OUR GRAPHIC BOYS CAME UP WITH THIS COMPOSITE -- 102 00:10:30,891 --> 00:10:33,023 ALL THE VICTIMS ROLLED INTO ONE. 103 00:10:33,067 --> 00:10:35,896 ALL RIGHT, RUN OFF A COUPLE HUNDRED OF THESE. 104 00:10:35,939 --> 00:10:38,550 CHIN, YOU AND KONO COVER THE PROSTITUTE ANGLE. 105 00:10:38,594 --> 00:10:41,945 DANNO, CONTACT HPD, DETAIL AS MANY MEN AS YOU NEED, 106 00:10:41,989 --> 00:10:45,645 STAKE OUT THE PLACES WHERE THE WOMEN WEAR HEAVY PAINT -- 107 00:10:45,688 --> 00:10:49,170 NIGHT CLUBS, NUDIE JOINTS, PICK-UP BARS. 108 00:10:49,213 --> 00:10:51,302 SUPERMARKETS? 109 00:10:51,346 --> 00:10:54,566 YOU GOT ANY BETTER IDEAS? 110 00:10:54,610 --> 00:10:57,482 NOPE. 111 00:10:59,615 --> 00:11:01,008 [ BELL DINGS ] 112 00:11:07,928 --> 00:11:10,191 [ BELL RINGS ] 113 00:11:16,110 --> 00:11:17,981 BOURBON ON THE ROCKS, PETE. 114 00:11:18,025 --> 00:11:19,591 YOU GOT IT, MR. RHODES. 115 00:11:21,768 --> 00:11:23,378 COPS IN TODAY? 116 00:11:23,421 --> 00:11:25,380 YEAH, WITH A PICTURE OF THE BLONDE 117 00:11:25,423 --> 00:11:27,034 WITH THE MOLE ON HER CHEEK. 118 00:11:27,077 --> 00:11:28,644 DO I KNOW ANY HUSTLERS THAT LOOK LIKE THAT? 119 00:11:28,688 --> 00:11:29,906 NATURALLY YOU DON'T. 120 00:11:29,950 --> 00:11:32,126 THAT'S RIGHT, MR. RHODES, I DON'T. 121 00:11:32,169 --> 00:11:34,737 ANY NEW ONES COME IN SINCE I SAW YOU LAST? 122 00:11:34,781 --> 00:11:37,305 AT THE END OF THE BAR. HER NAME'S SHEILA. 123 00:11:37,348 --> 00:11:38,785 SHEILA. 124 00:11:41,613 --> 00:11:43,572 SEND HER OVER, PETE. 125 00:11:43,615 --> 00:11:45,269 KEEP THE CHANGE. 126 00:11:45,313 --> 00:11:47,141 MR. RHODES, THIS IS A $20. 127 00:11:47,184 --> 00:11:49,665 IT PAYS TO DEAL WITH PRIVATE BUSINESSMEN. 128 00:12:19,347 --> 00:12:22,132 YOU WANT TO PLAY DOUBLES? 129 00:12:22,176 --> 00:12:25,179 HOW WELL DO YOU PLAY? 130 00:12:25,222 --> 00:12:26,658 TRY ME. 131 00:12:26,702 --> 00:12:29,966 THANKS. I GO FOR BLONDES, DARK EYES. 132 00:12:30,010 --> 00:12:31,663 YOU GOT ANY FRIENDS? 133 00:12:31,707 --> 00:12:34,101 WITH A TEASED HAIRDO, A MOLE ON HER CHEEK, 134 00:12:34,144 --> 00:12:35,929 AND WHAT'S YOUR BADGE NUMBER? 135 00:12:35,972 --> 00:12:36,930 HEY. 136 00:12:36,973 --> 00:12:39,280 PRIVATE. NO SWEAT. 137 00:12:39,323 --> 00:12:40,977 HOW COME YOU KNOW SO MUCH? 138 00:12:41,021 --> 00:12:43,675 WORD'S OUT ON THE COCONUT WIRELESS. 139 00:12:43,719 --> 00:12:46,853 EVERY COP IN TOWN IS LOOKING FOR THAT CHICK. 140 00:12:46,896 --> 00:12:48,768 YOU KNOW HER? 141 00:12:48,811 --> 00:12:51,292 WHAT DO YOUCARE? 142 00:12:51,335 --> 00:12:54,251 YOU'LL BE DOING HER A FAVOR. SHE'S GOT MONEY COMING. 143 00:12:54,295 --> 00:12:56,036 I WORK FOR INSURANCE PEOPLE. 144 00:12:56,079 --> 00:12:58,603 I BET. 145 00:12:58,647 --> 00:13:01,824 YOU DON'T BELIEVE MUCH, DO YOU? 146 00:13:01,868 --> 00:13:04,000 NOT MUCH. 147 00:13:04,044 --> 00:13:06,742 WELL, I GUESS YOU SAW THROUGH MY LIE. 148 00:13:06,786 --> 00:13:08,439 WHICH ONE? 149 00:13:08,483 --> 00:13:11,312 ABOUT GOING FOR BLONDES. 150 00:13:11,355 --> 00:13:14,402 YOU, UH, YOU STILL WANT TO PLAY DOUBLES? 151 00:13:14,445 --> 00:13:16,360 [ SIGHS ] 152 00:13:16,404 --> 00:13:17,797 SURE. 153 00:13:20,234 --> 00:13:23,715 OR SHE COULD BE SOMEONE WHO DIED LONG AGO. 154 00:13:23,759 --> 00:13:28,242 SHE MIGHT EVEN BE A FIGMENT OF THE KILLER'S IMAGINATION. 155 00:13:28,285 --> 00:13:30,679 HOW DO YOU PEG THIS GUY, DOC? 156 00:13:30,722 --> 00:13:34,030 PERFECTIONIST, CONSISTENT, 157 00:13:34,074 --> 00:13:36,903 HOMICIDAL BRILLIANCE. 158 00:13:36,946 --> 00:13:39,122 I WOULD SAY CHANCES ARE HE LIVES ALONE -- 159 00:13:39,166 --> 00:13:42,082 A SINGLE MAN WITHOUT MUCH USE FOR WOMEN. 160 00:13:42,125 --> 00:13:43,300 HOMOSEXUAL? 161 00:13:43,344 --> 00:13:45,825 POSSIBLY, BUT NOT NECESSARILY. 162 00:13:45,868 --> 00:13:48,392 WE KNOW HE NEVER ASSAULTS THEM. 163 00:13:48,436 --> 00:13:52,222 HE COULD BE IMPOTENT, BASED ON ANY NUMBER OF THINGS. 164 00:13:52,266 --> 00:13:55,399 POSSIBLY AN EXPERIENCE OF REJECTION. 165 00:13:55,443 --> 00:13:57,271 LIKE A GIRLFRIEND? 166 00:13:57,314 --> 00:13:59,621 COULD BE ANY WOMAN IN HIS LIFE -- 167 00:13:59,664 --> 00:14:02,842 MOTHER, GIRLFRIEND, PROSTITUTE. 168 00:14:02,885 --> 00:14:04,800 WHOEVER SHE WAS, 169 00:14:04,844 --> 00:14:07,890 SHE SENT HIM INTO A RAGE THAT TRIGGERED HIS PSYCHOSIS, 170 00:14:07,934 --> 00:14:11,720 BUT HIS ATTEMPTS AT REVENGE ARE BLOCKED. 171 00:14:11,763 --> 00:14:14,679 CONSEQUENTLY, HE TAKES IT OUT ON OTHER WOMEN -- 172 00:14:14,723 --> 00:14:18,074 KILLS THEM AND REMAKES THEIR IDENTITY. 173 00:14:18,118 --> 00:14:21,121 WOULD YOU SAY THAT THIS REJECTION WAS RECENT? 174 00:14:21,164 --> 00:14:23,340 I CERTAINLY HOPE SO, STEVE. 175 00:14:23,384 --> 00:14:24,776 WHY IS THAT, DOC? 176 00:14:24,820 --> 00:14:28,084 IT COULD MEAN THAT THE WOMAN IS PROBABLY ALIVE, 177 00:14:28,128 --> 00:14:29,738 SOMEONE YOU COULD FIND, 178 00:14:29,781 --> 00:14:31,914 AND THROUGH HER, THE KILLER. 179 00:14:31,958 --> 00:14:34,221 BUT IF SHE'S DEAD OR IMAGINARY, 180 00:14:34,264 --> 00:14:37,702 THEN HE'LL GO ON KILLING OTHER WOMEN IN HER PLACE... 181 00:14:37,746 --> 00:14:41,663 AGAIN AND AGAIN AND AGAIN. 182 00:15:00,334 --> 00:15:02,727 [ TIRES SCREECH ] 183 00:15:02,771 --> 00:15:04,468 WHAT HAVE YOU GOT, DANNO? 184 00:15:04,512 --> 00:15:06,470 CABDRIVER NAME -- TOME YOSHIKO. 185 00:15:06,514 --> 00:15:08,864 FELL OUT OF OUR ROUTINE TAXI CHECK UP. 186 00:15:08,908 --> 00:15:11,388 HE'S GOT INFORMATION ON NUMBER THREE, JERRY'S WIFE. 187 00:15:11,432 --> 00:15:13,260 YOU KNOW MARY RHODES? 188 00:15:13,303 --> 00:15:16,654 WELL, NOT KNOWHER, REALLY. 189 00:15:16,698 --> 00:15:19,701 SHE WAS A FARE, A STIFF. 190 00:15:19,744 --> 00:15:23,096 NICE LADY BUT LOUSY TIPPER. 191 00:15:23,139 --> 00:15:26,882 I CLOCKED 50 MILES WITH HER IN ONE AFTERNOON, 192 00:15:26,926 --> 00:15:29,972 AND SHE TIPPED ME A QUARTER -- A QUARTER! 193 00:15:30,016 --> 00:15:32,975 BUT I'M SURE SORRY ABOUT WHAT HAPPENED. 194 00:15:33,019 --> 00:15:35,673 WHY DIDN'T YOU COME FORWARD SOONER? 195 00:15:35,717 --> 00:15:38,328 BECAUSE I WAS ON THE MAINLAND FOR THE PAST SIX MONTHS, 196 00:15:38,372 --> 00:15:40,156 AND I DIDN'T KNOW SHE WAS KILLED. 197 00:15:40,200 --> 00:15:42,985 WHEN WAS THE LAST TIME YOU SAW MRS. RHODES? 198 00:15:43,029 --> 00:15:45,857 UH, BACK IN APRIL. 199 00:15:45,901 --> 00:15:48,991 I PICKED HER UP OUTSIDE A RESTAURANT ON KALIKAWI, 200 00:15:49,035 --> 00:15:52,038 YOU KNOW, SEMI-STONED AND ARGUING WITH THIS GUY. 201 00:15:52,081 --> 00:15:55,302 SHE GOT INTO MY CAB AND ASKED ME TO DRIVE HER HOME. 202 00:15:55,345 --> 00:15:58,392 WELL, WHEN WE GOT THERE -- WHAM! -- IT HITS HER. 203 00:15:58,435 --> 00:16:01,047 SHE FORGOT HER PURSE IN THE RESTAURANT. 204 00:16:01,090 --> 00:16:02,962 AND THE KEYS WERE IN IT? 205 00:16:03,005 --> 00:16:05,007 RIGHT, SO WE TURN AROUND AND GO BACK. 206 00:16:05,051 --> 00:16:06,269 KEYS WERE STILL THERE? 207 00:16:06,313 --> 00:16:09,794 THE KEYS, YES, BUT NOT THE GUY. 208 00:16:09,838 --> 00:16:13,711 WELL, THE GUY -- DO YOU REMEMBER HIS NAME? 209 00:16:13,755 --> 00:16:15,975 OH, EVERYBODY KNOWS HIM. 210 00:16:16,018 --> 00:16:18,107 HE'S ALWAYS IN THE PAPERS. 211 00:16:18,151 --> 00:16:21,589 HE'S A BIG KAMAAINA FAMILY ON THE ISLAND, 212 00:16:21,632 --> 00:16:24,287 BUT ALSO A LOUSY TIPPER. 213 00:16:24,331 --> 00:16:26,463 UH... 214 00:16:26,507 --> 00:16:29,379 CRENSHAW. RAYMOND CRENSHAW. 215 00:16:29,423 --> 00:16:32,121 SHE'S NOT ONE OF MY GIRLS, CHIN. 216 00:16:32,165 --> 00:16:34,645 COME ON. WHO IS SHE, GLORIA? 217 00:16:34,689 --> 00:16:37,300 YOU RUN A BIG STRING OF GIRLS. 218 00:16:37,344 --> 00:16:41,043 WHAT? I RUN A LEGITIMATE ESCORT BUSINESS. 219 00:16:41,087 --> 00:16:43,002 MEN COME TO HONOLULU. 220 00:16:43,045 --> 00:16:46,266 THEY WANT COMPANY, SO I PROVIDE IT. 221 00:16:46,309 --> 00:16:48,529 AW, COME ON. 222 00:16:48,572 --> 00:16:50,357 I'M CHIN. 223 00:16:52,272 --> 00:16:54,839 UH, MAYBE IT'S TIME I CALL MY LAWYER. 224 00:16:54,883 --> 00:16:59,192 LOOK, I'M NOT HERE ON A BUST THIS TIME. 225 00:16:59,235 --> 00:17:02,064 GLORIA, THINK OF IT THIS WAY -- 226 00:17:02,108 --> 00:17:05,502 THIS GIRL CAN LEAD US TO THE STRANGLER. 227 00:17:05,546 --> 00:17:08,201 UNTIL WE NAIL THAT PSYCHO, 228 00:17:08,244 --> 00:17:11,160 NO WOMAN IN HONOLULU IS SAFE. 229 00:17:11,204 --> 00:17:12,596 NOWOMAN. 230 00:17:12,640 --> 00:17:16,992 LEAVE IT WITH ME. 231 00:17:17,036 --> 00:17:19,038 I'LL ASK AROUND. 232 00:17:20,735 --> 00:17:22,824 IT'S NOT A HOUSE, BUT IT'S HOME. 233 00:17:22,867 --> 00:17:24,739 YOU WANT BOURBON, RIGHT? 234 00:17:27,394 --> 00:17:29,352 HEY, WHAT ARE YOU DOING? 235 00:17:29,396 --> 00:17:31,224 HEY, THAT'S MY STUFF! YOU -- 236 00:17:34,792 --> 00:17:36,229 YOU CREEP. 237 00:17:36,272 --> 00:17:38,274 GET OUT OF HERE! GET OUT! 238 00:17:44,802 --> 00:17:46,413 VITAMIN SHOTS? 239 00:17:46,456 --> 00:17:48,632 I THOUGHT YOU'RE NOT THE FUZZ. 240 00:17:48,676 --> 00:17:51,418 I'M NOT, BUT SOME OF MY BEST FRIENDS MAY BE. 241 00:17:51,461 --> 00:17:53,855 NOW, I GOT A FEELING YOU KNOW WHERE THE BLOND CHICK IS, 242 00:17:53,898 --> 00:17:55,422 SO SPILL IT. 243 00:17:55,465 --> 00:17:57,119 WHAT DO YOU WANT HER FOR? 244 00:17:57,163 --> 00:17:59,556 AND DON'T GIVE ME THAT INSURANCE CROCK. 245 00:17:59,600 --> 00:18:02,385 I'M LOOKING FOR A GUY. THE BLOND CHICK KNOWS HIM. 246 00:18:02,429 --> 00:18:05,388 NO, I WON'T TELL YOU. GET LOST. 247 00:18:05,432 --> 00:18:07,912 NO, YOU'RE THE ONE GETS LOST, BABY. 248 00:18:07,956 --> 00:18:11,133 ONE TELEPHONE CALL. 249 00:18:19,446 --> 00:18:22,492 [ DIALING ] 250 00:18:25,278 --> 00:18:29,456 HER NAME'S CATHY FIELDS, USED TO BE HANES. 251 00:18:29,499 --> 00:18:31,936 SHE'S MARRIED TO AN ARMY OFFICER. 252 00:18:34,200 --> 00:18:36,550 HONEY, WHAT DO YOU THINK OF THE STEW? 253 00:18:36,593 --> 00:18:38,160 IT'S YOUR SISTER'S RECIPE. 254 00:18:38,204 --> 00:18:40,380 PRETTY GOOD. NEEDS SALT. 255 00:18:40,423 --> 00:18:42,730 MMM. THAT'S WHAT I THOUGHT. 256 00:18:47,082 --> 00:18:49,432 -THERE YOU ARE. -THANK YOU. 257 00:18:51,304 --> 00:18:53,349 HEY, WAIT. THAT'S ENOUGH. 258 00:18:53,393 --> 00:18:55,046 [ LAUGHS ] 259 00:18:55,090 --> 00:18:56,396 HONEY, DO YOU THINK 260 00:18:56,439 --> 00:18:59,399 WE COULD PAINT THE BABY'S ROOM THIS WEEKEND? 261 00:18:59,442 --> 00:19:02,880 CATHY, WHAT'S THE BIG RUSH? YOU GOT FIVE MONTHS TO GO. 262 00:19:02,924 --> 00:19:04,186 OH, I KNOW. 263 00:19:04,230 --> 00:19:06,971 BUT YESTERDAY I WAS LOOKING AT SOME COLORS, 264 00:19:07,015 --> 00:19:09,539 AND THEY REALLY HAVE SOME PRETTY ONES -- 265 00:19:09,583 --> 00:19:12,499 SUNSHINE YELLOW, PRISM BLUE. 266 00:19:12,542 --> 00:19:14,979 I GUESS YELLOW WOULD BE THE SAFEST, THOUGH. 267 00:19:15,023 --> 00:19:17,765 YOU KNOW, YOU COULD USE IT FOR EITHER A GIRL OR A BOY. 268 00:19:17,808 --> 00:19:20,811 I WAS THINKING OF GOING OUT ON THE BOAT AND FISHING. 269 00:19:20,855 --> 00:19:25,251 OH, HANK, YOU KNOW I CAN'T GO. I GET SICK SO EASILY NOW. 270 00:19:25,294 --> 00:19:28,602 [ CLICKS TONGUE ] OKAY, WE PAINT. 271 00:19:28,645 --> 00:19:29,907 OH, GOOD. 272 00:19:29,951 --> 00:19:32,823 I'VE GOT TO GET BACK TO THE BASE, HONEY. 273 00:19:32,867 --> 00:19:34,869 -HANK? -YEAH? 274 00:19:34,912 --> 00:19:37,045 YOU'RE NOT MAD AT ME, ARE YOU? 275 00:19:37,088 --> 00:19:38,655 WHY SHOULD I BE MAD? 276 00:19:38,699 --> 00:19:40,309 OH, I DON'T KNOW. 277 00:19:40,353 --> 00:19:45,314 I JUST FEEL SO BIG AND SLOPPY, AND I CAN'T DO ANYTHING ANYMORE. 278 00:19:45,358 --> 00:19:48,361 HONEY, THE ONLY THING I WANT FROM YOU 279 00:19:48,404 --> 00:19:52,191 IS FOR YOU TO BE A NICE, PRETTY, PREGNANT LADY. 280 00:19:52,234 --> 00:19:53,714 -OKAY? -OKAY. 281 00:19:53,757 --> 00:19:55,411 -[ LAUGHS ] -OH. 282 00:19:55,455 --> 00:19:57,065 [ KNOCK ON DOOR ] 283 00:19:57,108 --> 00:19:59,676 WOULD YOU GET THAT FOR ME? 284 00:20:08,076 --> 00:20:09,991 HELLO, CATHY. 285 00:20:10,034 --> 00:20:12,820 GLORIA, WHAT ARE YOU DOING HERE? 286 00:20:12,863 --> 00:20:15,518 IT'S VERY IMPORTANT, CATHY. I WOULDN'T HAVE COME UNLESS -- 287 00:20:15,562 --> 00:20:17,216 WHO IS IT, HONEY? 288 00:20:17,259 --> 00:20:19,043 OH, HANK, THIS IS GLORIA MARSHALL. 289 00:20:19,087 --> 00:20:22,177 WE'RE OLD FRIENDS. WE'VE GOT LOTS TO TALK ABOUT -- 290 00:20:22,221 --> 00:20:26,050 GIRL STUFF, SO I SUGGEST THAT YOU GET GOING FAST. 291 00:20:26,094 --> 00:20:27,791 -GOODBYE, HONEY. -MM. BYE. 292 00:20:27,835 --> 00:20:29,140 WON'T YOU COME IN? 293 00:20:29,184 --> 00:20:31,142 THANKS. 294 00:20:33,101 --> 00:20:34,972 NICE MEETING YOU, GLORIA. BYE, HONEY. 295 00:20:35,016 --> 00:20:36,235 BYE. 296 00:20:40,761 --> 00:20:44,112 WELL, CATHY... 297 00:20:44,155 --> 00:20:48,464 YOU HAVE EVERYTHING EVERY ONE OF US WANTS. 298 00:20:48,508 --> 00:20:51,250 AT LEAST WE SAY WE DO. 299 00:20:51,293 --> 00:20:53,339 DOES HE KNOW? 300 00:20:53,382 --> 00:20:56,167 NO, HE DOESN'T KNOW ANYTHING. 301 00:20:56,211 --> 00:20:58,431 WHAT DO YOU WANT, GLORIA? 302 00:20:58,474 --> 00:21:02,696 WELL, THE POLICE CAME TO SEE ME TODAY. 303 00:21:02,739 --> 00:21:05,612 THEY SHOWED ME THIS. 304 00:21:08,310 --> 00:21:10,399 IS IT ME? 305 00:21:10,443 --> 00:21:15,186 IT'S A COMPOSITE PICTURE OF ALL THE STRANGLER'S VICTIMS. 306 00:21:15,230 --> 00:21:18,538 THEY THINK THAT'STHE GIRL HE'S REALLY AFTER. 307 00:21:18,581 --> 00:21:23,020 WHY -- WHY ME? 308 00:21:23,064 --> 00:21:25,109 I DON'T UNDERSTAND. 309 00:21:25,153 --> 00:21:29,723 THE MURDERS BEGAN RIGHT AFTER YOU LEFT THE BUSINESS, CATHY. 310 00:21:29,766 --> 00:21:32,116 WELL, WHAT DO YOU WANT ME TO DO? 311 00:21:32,160 --> 00:21:34,728 FOR YOUR OWN PROTECTION, GO TO THE POLICE. 312 00:21:34,771 --> 00:21:36,338 NO! 313 00:21:36,382 --> 00:21:39,385 TELL THEM EVERYTHING, CATHY -- YOUR LIST, EVERYTHING. 314 00:21:39,428 --> 00:21:41,778 DO YOU REALIZE WHAT YOU'RE ASKING ME?! 315 00:21:41,822 --> 00:21:43,780 YES, I'M ASKING YOU TO SAVE YOUR LIFE 316 00:21:43,824 --> 00:21:45,391 AND MAYBE A LOT OF OTHERS. 317 00:21:47,218 --> 00:21:50,309 SOMEWHERE, RIGHT NOW, IN THIS CITY THERE'S A WOMAN, 318 00:21:50,352 --> 00:21:51,745 MAYBE NUMBER SIX. 319 00:21:51,788 --> 00:21:54,748 A WOMAN WHO'LL BE DEAD IN A COUPLE OF DAYS OR WEEKS 320 00:21:54,791 --> 00:21:57,185 UNLESS YOU DO SOMETHING TO HELP HER. 321 00:21:57,228 --> 00:22:00,362 I CAN'T. HE'S NOT A SAINT, GLORIA. 322 00:22:00,406 --> 00:22:04,453 WE BICKER, WE FIGHT, WE MAKE UP, WE MAKE LOVE. 323 00:22:04,497 --> 00:22:06,803 IT'S NOT A GARDEN OF EDEN, 324 00:22:06,847 --> 00:22:09,632 BUT I WOULDN'T HAVE IT ANY OTHER WAY. 325 00:22:09,676 --> 00:22:11,112 BECAUSE IT'S REAL! 326 00:22:11,155 --> 00:22:13,157 BECAUSE WHEN I GO TO SLEEP, 327 00:22:13,201 --> 00:22:15,899 I KNOW WHERE I'M GOING TO WAKE UP. 328 00:22:15,943 --> 00:22:19,903 AND I'M NOT GONNA TAKE THE CHANCE OF LOSING THAT, GLORIA, 329 00:22:19,947 --> 00:22:22,036 NOT FOR ANYBODY! 330 00:22:44,667 --> 00:22:46,234 WAX FINISH, MA'AM? 331 00:22:46,277 --> 00:22:47,714 NO, JUST A WASH. 332 00:23:19,049 --> 00:23:20,834 [ CAR DOOR SHUTS ] 333 00:23:20,877 --> 00:23:22,575 -MR. CRENSHAW. -YES? 334 00:23:22,618 --> 00:23:23,967 McGARRETT, HAWAII FIVE-O. 335 00:23:24,011 --> 00:23:25,752 I'D LIKE TO ASK YOU A FEW QUESTIONS. 336 00:23:25,795 --> 00:23:27,884 I'LL BE GLAD TO ANSWER THEM, MR. McGARRETT. 337 00:23:29,408 --> 00:23:31,932 WELL, MAYBE WE BETTER TALK IN PRIVATE. 338 00:23:31,975 --> 00:23:34,935 I HAVE NO SECRETS FROM MY WIFE, MR. McGARRETT. 339 00:23:34,978 --> 00:23:36,327 GO AHEAD. 340 00:23:38,417 --> 00:23:39,722 VERY WELL. 341 00:23:39,766 --> 00:23:42,029 HOW WELL DID YOU KNOW MRS. RHODES? 342 00:23:42,072 --> 00:23:45,119 WE HAD AN AFFAIR... 343 00:23:45,162 --> 00:23:46,555 QUITE BRIEFLY. 344 00:23:46,599 --> 00:23:49,210 LOOKING BACK ON IT, I MUST HAVE BEEN OUT OF MY MIND. 345 00:23:49,253 --> 00:23:52,169 NO, RAYMOND. WE HAD NO MARRIAGE THEN. 346 00:23:52,213 --> 00:23:54,824 LUCKILY, WE WERE BOTH WILLING TO CHANGE. 347 00:23:55,999 --> 00:23:59,263 WAS MRS. RHODES AS OPEN ABOUT THIS AFFAIR AS YOU ARE? 348 00:23:59,307 --> 00:24:02,310 YOU MEAN, DID SHE TELL HER HUSBAND? I DOUBT IT. 349 00:24:02,353 --> 00:24:05,008 HE WAS NEVER HOME LONG ENOUGH TO LISTEN -- 350 00:24:05,052 --> 00:24:07,097 KEPT AWAY FOR DAYS AT A TIME. 351 00:24:07,141 --> 00:24:09,230 HE'S A PRIVATE DETECTIVE. 352 00:24:09,273 --> 00:24:10,971 YES. YES, I KNOW. 353 00:24:11,014 --> 00:24:12,625 ONE MORE QUESTION -- 354 00:24:12,668 --> 00:24:16,933 WHERE WERE YOU ON APRIL THE 14th BETWEEN 9:00 AND 10:00 AT NIGHT? 355 00:24:16,977 --> 00:24:21,155 WE WERE AT A PARTY IN HILO -- FRIEND'S WEDDING ANNIVERSARY. 356 00:24:21,198 --> 00:24:25,376 HUNDREDS OF PEOPLE SAW US THERE, AND WE STAYED QUITE LATE. 357 00:24:26,595 --> 00:24:29,293 STEVE? WHAT'S THE MATTER? 358 00:24:29,337 --> 00:24:31,687 YOU HELD OUT ON ME, AND I DON'T LIKE IT. 359 00:24:31,731 --> 00:24:33,602 I DON'T READ YOU. 360 00:24:33,646 --> 00:24:35,212 OH, YOU READ ME, 361 00:24:35,256 --> 00:24:39,303 AND WE'RE GONNA TALK ABOUT A GUY NAMED RAYMOND CRENSHAW... 362 00:24:39,347 --> 00:24:41,044 AND YOUR WIFE. 363 00:24:45,658 --> 00:24:47,790 [ LIQUID POURS ] 364 00:24:47,834 --> 00:24:51,228 SO YOU KNOW ABOUT CRENSHAW AND MY WIFE? 365 00:24:51,272 --> 00:24:52,534 YEAH, I KNOW. 366 00:24:52,578 --> 00:24:54,971 AND NOT THROUGH ANY HELP OF YOURS. 367 00:24:55,015 --> 00:24:57,452 IT'S NOT THE KIND OF THING A MAN BRAGS ABOUT. 368 00:24:57,496 --> 00:24:59,193 NO ONE'S ASKING YOU TO BRAG, 369 00:24:59,236 --> 00:25:01,978 BUT YOU WITHHELD VITAL INFORMATION ON THIS CASE. 370 00:25:02,022 --> 00:25:03,980 TO PROTECT HER. 371 00:25:06,374 --> 00:25:09,159 IT WASMY FAULT -- STAYING AWAY FROM HOME SO MUCH. 372 00:25:09,203 --> 00:25:10,509 A WOMAN GETS LONELY. 373 00:25:10,552 --> 00:25:12,380 YOU CAN'T EXPECT THEM TO WAIT AROUND FOREVER. 374 00:25:12,423 --> 00:25:14,121 WHAT'S THIS BIG ACT, JERRY? 375 00:25:14,164 --> 00:25:16,776 IF IT WAS ALL OVER BETWEEN YOU AND MARY, 376 00:25:16,819 --> 00:25:19,561 WHAT'S THIS OBSESSION TO FIND HER KILLER? 377 00:25:19,605 --> 00:25:22,172 THAT'S JUST IT. IT WASN'T OVER. 378 00:25:22,216 --> 00:25:24,871 OH, SURE, I KNEW IT WAS GOING ON. 379 00:25:24,914 --> 00:25:26,568 I KNEW ALL THE SIGNS. 380 00:25:26,612 --> 00:25:28,744 I'VE SEEN THEM 100 TIMES IN DIVORCE CASES -- 381 00:25:28,788 --> 00:25:32,052 MESSAGES ON THE PHONE FROM PEOPLE I NEVER HEARD OF, 382 00:25:32,095 --> 00:25:34,968 WATCHING MARY GET ALL DRESSED UP AND PERFUMED 383 00:25:35,011 --> 00:25:37,318 TO GO OUT TO LUNCH WITH THE GIRLS. 384 00:25:37,361 --> 00:25:40,843 YOU KNOW, BUT YOU PUT IT OUT OF YOUR MIND. 385 00:25:40,887 --> 00:25:43,063 AND THEN ONE DAY YOU CAN'T 386 00:25:43,106 --> 00:25:46,849 BECAUSE IT'S STARING YOU RIGHT IN THE FACE. 387 00:25:46,893 --> 00:25:50,113 SO WE HAD IT OUT THAT NIGHT... 388 00:25:50,157 --> 00:25:51,593 ALLNIGHT -- 389 00:25:51,637 --> 00:25:54,161 TEARS, HOLLERING, ACCUSATIONS. 390 00:25:54,204 --> 00:25:57,599 BY THE TIME THE SUN CAME UP, WE WERE BEAT. 391 00:25:57,643 --> 00:26:03,910 BUT WE BOTH KNEW THERE WAS A CHANCE WE COULD MAKE IT AGAIN. 392 00:26:03,953 --> 00:26:07,609 AND THAT KILLER, THAT PSYCHO -- 393 00:26:07,653 --> 00:26:10,525 HE ROBBED ME OF MY CHANCE. 394 00:26:10,569 --> 00:26:12,614 AND THAT'S WHY I'VE GOT TO FIND HIM. 395 00:26:12,658 --> 00:26:15,878 I'LL FIND HIM, JERRY. I'LLFIND HIM. 396 00:26:15,922 --> 00:26:17,750 YOU'RE OFF THE CASE -- 397 00:26:17,793 --> 00:26:21,231 NO SPECIAL PRIVILEGES, NO POLICE INFORMATION, 398 00:26:21,275 --> 00:26:22,798 NOTHING! 399 00:26:22,842 --> 00:26:24,452 AND THIS TIME I MEAN IT, BUDDY. 400 00:26:24,495 --> 00:26:26,889 I'M YOUR FRIEND, STEVE. YOU CAN'T ACE ME OUT! 401 00:26:26,933 --> 00:26:28,543 MY FRIEND? 402 00:26:28,587 --> 00:26:31,590 LISTEN, FRIEND, YOU CONNED ME ONCE. YOU DON'T CON ME TWICE. 403 00:26:31,633 --> 00:26:33,417 I KNOW EXACTLY WHAT YOU WANT. 404 00:26:33,461 --> 00:26:36,507 IF I HAD ANY DOUBTS ABOUT IT, I DON'T HAVE THEM ANYMORE. 405 00:26:36,551 --> 00:26:39,423 YOU WANT TO FIND THIS GUY AND YOU WANT TO KILL HIM, 406 00:26:39,467 --> 00:26:41,121 AND I'M NOT GONNA LET YOU. 407 00:26:55,352 --> 00:26:58,355 [ DIALING ] 408 00:26:58,399 --> 00:27:00,357 [ TELEPHONE RINGS ] 409 00:27:03,534 --> 00:27:05,275 -HELLO? -Hello, Cathy? 410 00:27:05,319 --> 00:27:07,800 Hey, I've been trying to get you. 411 00:27:07,843 --> 00:27:09,410 WHO IS THIS? 412 00:27:09,453 --> 00:27:12,239 WE HAVEN'T EXACTLY MET, 413 00:27:12,282 --> 00:27:16,025 BUT, UH, I BET YOU'VE HEARD THAT MORE THAN ONCE. 414 00:27:16,069 --> 00:27:18,549 UH, I'M AFRAID YOU HAVE THE WRONG NUMBER. 415 00:27:18,593 --> 00:27:20,203 Captain Henry Fields' house? 416 00:27:20,247 --> 00:27:23,032 Not that I want to talk to the captain. 417 00:27:23,076 --> 00:27:26,993 AFTER ALL, WHAT COULD I TELL A MAN LIKE THAT... 418 00:27:27,036 --> 00:27:30,561 EXCEPT MAYBE A FEW THINGS ABOUT HIS WIFE? 419 00:27:30,605 --> 00:27:33,390 WHO ARE YOU? WHAT DO YOU WANT?! 420 00:27:33,434 --> 00:27:35,436 WHAT ARE YOU DOING?! 421 00:27:35,479 --> 00:27:37,090 DOING? 422 00:27:37,133 --> 00:27:39,179 HEY, I'M NOT DOING ANYTHING, CATHY. 423 00:27:39,222 --> 00:27:41,877 I'M ONLY ASKING... 424 00:27:41,921 --> 00:27:45,098 FOR A LITTLE BLACK BOOK THAT BELONGED TO CATHY HANES -- 425 00:27:45,141 --> 00:27:50,103 names and addresses of gentlemen callers. 426 00:27:50,146 --> 00:27:52,888 NO, NO. THERE IS NO BLACK BOOK. 427 00:27:52,932 --> 00:27:55,717 I-I-I BURNED IT A LONG TIME AGO. 428 00:27:55,761 --> 00:27:57,153 I DON'T BUY IT, BABY. 429 00:27:57,197 --> 00:27:59,634 BOOKS LIKE THAT ARE WORTH TOO MUCH. 430 00:27:59,678 --> 00:28:02,811 SOMETIMES THEY'RE SOLD, SOMETIMES EVEN GIVEN AWAY. 431 00:28:02,855 --> 00:28:06,336 But burn them? Never. 432 00:28:08,338 --> 00:28:11,994 THEY WAY I HEARD IT, YOU WERE REALLY SOMETHING, CATHY. 433 00:28:12,038 --> 00:28:13,953 And the way I heard it 434 00:28:13,996 --> 00:28:16,999 is the way your captain's gonna hear it. 435 00:28:17,043 --> 00:28:21,612 [ SOBBING ] NO. 436 00:28:21,656 --> 00:28:27,401 I -- I-I GAVE IT TO SOMEONE -- 437 00:28:27,444 --> 00:28:30,317 SUSAN WATKINS. 438 00:28:30,360 --> 00:28:35,931 222 Komani Avenue. 439 00:28:35,975 --> 00:28:39,413 APARTMENT 15. 440 00:28:39,456 --> 00:28:42,155 NOW LEAVE ME ALONE! 441 00:29:48,221 --> 00:29:49,570 [ DIALING ] 442 00:29:51,833 --> 00:29:53,313 Hello? 443 00:29:53,356 --> 00:29:55,315 IS HERBERT SAUNDERS THERE? 444 00:29:55,358 --> 00:29:57,883 No, he's not here. Any messages? 445 00:29:57,926 --> 00:29:59,493 TELL HIM CATHY'S BACK 446 00:29:59,536 --> 00:30:01,582 AND WANTS TO TALK TO HIM ABOUT OLD TIMES. 447 00:30:01,625 --> 00:30:05,716 THE NUMBER'S 287-1299. YOU GOT THAT? 448 00:30:05,760 --> 00:30:06,935 Yeah. 449 00:30:06,979 --> 00:30:08,458 ALL RIGHT. 450 00:30:20,949 --> 00:30:22,777 Mr. Tanaka's wire. 451 00:30:22,821 --> 00:30:24,300 ANSWERING SERVICE? 452 00:30:24,344 --> 00:30:26,172 Yes, sir. May I help you? 453 00:30:26,215 --> 00:30:27,869 TELL MR. TANAKA CATHY'S BACK, 454 00:30:27,913 --> 00:30:29,871 WANTS TO TALK TO HIM ABOUT OLD TIMES. 455 00:30:29,915 --> 00:30:34,136 THE NUMBER'S 287-1299. YOU GOT THAT? 456 00:30:34,180 --> 00:30:35,921 I'll give him the message, sir. 457 00:30:35,964 --> 00:30:36,965 THANKS. 458 00:30:42,362 --> 00:30:43,754 [ DIALING ] 459 00:30:51,458 --> 00:30:52,851 Hello? 460 00:30:52,894 --> 00:30:54,330 MARTY WAKEMAN? 461 00:30:54,374 --> 00:30:55,636 Yeah. 462 00:30:55,679 --> 00:30:57,594 THOUGHT YOU'D LIKE TO KNOW THAT CATHY'S BACK. 463 00:30:57,638 --> 00:31:00,162 Not interested, and don't call me anymore. 464 00:31:00,206 --> 00:31:01,729 [ Click ] 465 00:31:01,772 --> 00:31:03,862 [ RECEIVER CLATTERS ] 466 00:31:03,905 --> 00:31:06,473 [ PAPER RUSTLES ] 467 00:31:50,082 --> 00:31:51,692 AAH! 468 00:31:57,263 --> 00:31:59,091 UGH. 469 00:32:19,720 --> 00:32:21,765 I WANT EVERY PARTICLE OF DUST, 470 00:32:21,809 --> 00:32:23,550 EVERY PIECE OF PAPER IN HER DESK, 471 00:32:23,593 --> 00:32:26,074 CONTENTS OF HER POCKETBOOK, EVERYTHING. 472 00:32:26,118 --> 00:32:27,902 THEN I WANT TO KNOW EVERYTHING ABOUT THE GIRL. 473 00:32:27,946 --> 00:32:29,686 THEN GET ME THE INFORMATION ON THE OTHER FIVE 474 00:32:29,730 --> 00:32:31,514 AND A COUPLE OF GALLONS OF COFFEE, 475 00:32:31,558 --> 00:32:33,908 AND DON'T MAKE ANY PLANS FOR TONIGHT OR TOMORROW. 476 00:32:33,952 --> 00:32:36,519 WE'RE NOT GONNA LEAVE THE OFFICE TILL SOMETHING BREAKS. 477 00:32:36,563 --> 00:32:38,217 TELL CHIN AND THE OTHERS. 478 00:32:38,260 --> 00:32:40,001 I DON'T SEE JERRY AROUND. 479 00:32:40,045 --> 00:32:42,003 YOU BETTER BELIEVE IT. 480 00:32:47,008 --> 00:32:49,532 [ TELEPHONE RINGS ] 481 00:32:52,057 --> 00:32:54,711 OKAY. HELLO? 482 00:32:54,755 --> 00:32:57,366 Who is this? 483 00:32:57,410 --> 00:32:59,629 WHO DO YOU WANT? 484 00:33:02,328 --> 00:33:08,290 Got a message on my answering service from Cathy. 485 00:33:08,334 --> 00:33:10,423 IS THIS VIC? 486 00:33:12,686 --> 00:33:14,079 Who are you? 487 00:33:14,122 --> 00:33:16,603 I'M HER MANAGER. 488 00:33:16,646 --> 00:33:18,909 I MAKE ALL HER APPOINTMENTS. 489 00:33:21,738 --> 00:33:24,393 Can I see her tonight? 490 00:33:24,437 --> 00:33:28,180 WELL, NOT TONIGHT. 491 00:33:28,223 --> 00:33:31,096 Please. 492 00:33:31,139 --> 00:33:33,750 10:00 TOMORROW MORNING. 493 00:33:36,405 --> 00:33:40,105 I'M SORRY, THAT'S ALL THAT'S AVAILABLE. 494 00:33:40,148 --> 00:33:42,629 VIC, IT'S 10:00 OR NOTHING. 495 00:33:42,672 --> 00:33:45,066 [ Clears throat ] 496 00:33:45,110 --> 00:33:47,068 Where? 497 00:33:47,112 --> 00:33:50,550 297 WANEMA STREET. 498 00:33:50,593 --> 00:33:52,421 YOU GOT THAT? 499 00:33:52,465 --> 00:33:54,902 297 WANEMA STREET. 500 00:33:57,122 --> 00:33:59,733 I'll be there. 501 00:33:59,776 --> 00:34:00,995 GOOD. 502 00:34:01,039 --> 00:34:02,257 [ Click ] 503 00:34:10,135 --> 00:34:12,093 VICTIMS "A," "B," AND "E," 504 00:34:12,137 --> 00:34:15,792 HAD CHARGE ACCOUNTS AT THE SAME DEPARTMENT STORE. 505 00:34:15,836 --> 00:34:17,403 VICTIMS "B" AND "F" 506 00:34:17,446 --> 00:34:20,884 HAD BANK ACCOUNTS IN THE SAME BANK BUT DIFFERENT BRANCHES. 507 00:34:20,928 --> 00:34:22,103 VICTIMS "E" AND "F" 508 00:34:22,147 --> 00:34:24,236 BOUGHT GASOLINE IN THE SAME STATION. 509 00:34:24,279 --> 00:34:26,847 NO RECORD ON WHERE THE OTHERS BOUGHT THEIRS. 510 00:34:26,890 --> 00:34:29,458 VICTIMS "A," "C," AND "E" 511 00:34:29,502 --> 00:34:32,766 DID THEIR SHOPPING AT THE SAME CHAIN SUPERMARKET. 512 00:34:32,809 --> 00:34:35,638 THREE OF THEM WORKED. TWO WERE HOUSEWIVES. 513 00:34:35,682 --> 00:34:38,163 ONE WAS SINGLE AND UNEMPLOYED. 514 00:34:38,206 --> 00:34:39,642 NO CHURCHES, CIVIC GROUPS, 515 00:34:39,686 --> 00:34:41,862 OR POLITICAL ORGANIZATIONS IN COMMON. 516 00:34:41,905 --> 00:34:45,170 YEAH, BUT THEY HAD SOMETHING ELSE IN COMMON -- 517 00:34:45,213 --> 00:34:47,998 A KEY... BORROWED, COPIED, OR STOLEN. 518 00:34:48,042 --> 00:34:50,871 BUT HOW, HUH? HOW? 519 00:34:53,700 --> 00:34:57,356 KONO, START READING THE FILES ONE BY ONE, ITEM BY ITEM. 520 00:34:57,399 --> 00:34:59,140 DON'T LEAVE ANYTHING OUT. 521 00:35:01,186 --> 00:35:05,015 "VICTIM "A" -- MADELINE GOLD, AGE 32. 522 00:35:05,059 --> 00:35:09,019 ARRIVED IN HAWAII AT THE AGE OF 17 WITH HER PARENTS, 523 00:35:09,063 --> 00:35:12,501 MR. AND MRS. ERNEST GOLD, WALLPAPER BUSINESS. 524 00:35:12,545 --> 00:35:14,199 SHE ATTENDED UNIVERSITY OF HAWAII... 525 00:35:14,242 --> 00:35:16,070 VICTIM "B" QUIT HER JOB 526 00:35:16,114 --> 00:35:18,855 AS A SECRETARY AT THE MID-SEAS CONSTRUCTION COMPANY, 527 00:35:18,899 --> 00:35:21,902 THEN MARRIED LAWRENCE D'AMICO, POST-OFFICE EMPLOYEE. 528 00:35:21,945 --> 00:35:24,339 THEY HAD TWO CHILDREN, THERESA, NOW 6... 529 00:35:24,383 --> 00:35:26,994 VICTIM "D" HAD A LIBRARY CARD, 530 00:35:27,037 --> 00:35:31,085 TOOK OUT AT LEAST THREE BOOKS A WEEK, AS A RULE NON-FICTION. 531 00:35:31,129 --> 00:35:34,175 ALSO LIKED BALLET, CONCERTS, PLAYS, 532 00:35:34,219 --> 00:35:35,437 ALWAYS SAT IN THE ORCHESTRA SECTION... 533 00:35:35,481 --> 00:35:36,830 ...AT WHICH TIME, 534 00:35:36,873 --> 00:35:39,398 VICTIM "F" PARKED HER CAR IN THE BUILDING GARAGE, 535 00:35:39,441 --> 00:35:41,661 WENT UP TO HER FLAT, AND WAS MURDERED. 536 00:35:41,704 --> 00:35:42,749 THAT'S IT. 537 00:35:48,494 --> 00:35:50,670 STEVE, ALMOST 7:00. 538 00:35:50,713 --> 00:35:52,541 [ Sighs ] YEAH. 539 00:35:52,585 --> 00:35:54,891 COFFEE, STEVE? 540 00:35:54,935 --> 00:35:59,331 NO, THANKS. I'M UP TO HERE WITH COFFEE. 541 00:35:59,374 --> 00:36:01,202 [ YAWNS ] 542 00:36:01,246 --> 00:36:03,596 I MUST BE GETTING PUNCHY. 543 00:36:03,639 --> 00:36:06,903 LOOKS LIKE WE'RE GETTING NOWHERE. 544 00:36:06,947 --> 00:36:09,819 NO, YOU'RE NOT GETTING PUNCHY, BROTHER. 545 00:36:09,863 --> 00:36:12,126 NO MATTER WHO THREW THE DICE, 546 00:36:12,170 --> 00:36:15,651 THEY COME UP LOSERS ALL OVER THE MAP. 547 00:36:15,695 --> 00:36:20,352 NO. NO, NOT EXACTLY ALL OVER THE MAP. 548 00:36:22,484 --> 00:36:26,575 THEY COME UP HERE WITH MORE FREQUENCY THAN ANYWHERE ELSE. 549 00:36:26,619 --> 00:36:28,229 [ TAPS ] 550 00:36:28,273 --> 00:36:32,886 DANNO, GIVE IT TO ME AGAIN FOR THIS AREA, HUH? 551 00:36:32,929 --> 00:36:35,976 WELL, "A" AND "C" LIVED HERE. 552 00:36:36,019 --> 00:36:38,283 "E " -- "F" WORKED HERE, 553 00:36:38,326 --> 00:36:42,548 AND HERE, "E," RIGHT AT THE HOSPITAL. 554 00:36:42,591 --> 00:36:46,378 "B" HAD HER HAIR DONE HERE AT THE HAIRDRESSER, SAME AS "A." 555 00:36:46,421 --> 00:36:49,119 IN OTHER WORDS, EVERY ONE OF THE VICTIMS 556 00:36:49,163 --> 00:36:52,427 HAD TO BE IN THIS AREA SOMETIME DURING EACH WEEK. 557 00:36:52,471 --> 00:36:55,952 EXCEPT "D" -- LIVED UP HERE. 558 00:36:55,996 --> 00:36:58,216 WHERE DID SHE WORK? 559 00:36:58,259 --> 00:37:01,044 -HERE. -YEAH. 560 00:37:01,088 --> 00:37:07,312 SHE HAD TO DRIVE RIGHT THROUGH THIS AREA EVERY DAY. 561 00:37:09,401 --> 00:37:12,534 ALL RIGHT, I WANT TO KNOW EVERYTHING ABOUT THIS QUADRANT, 562 00:37:12,578 --> 00:37:14,971 EVERY SHOP, EVERY BUSINESS, 563 00:37:15,015 --> 00:37:17,278 ANYPLACE THAT A WOMAN COULD CONCEIVABLY GO. 564 00:37:17,322 --> 00:37:19,149 ALL RIGHT, GENTLEMEN, LET'S GET ON IT. 565 00:37:19,193 --> 00:37:21,587 I'M GONNA SHOWER AND CHANGE. LET'S GO. 566 00:37:31,771 --> 00:37:34,556 THE PALM GARDEN MOVIE THEATER, THE HIBISCUS HOTEL, 567 00:37:34,600 --> 00:37:35,818 GREGARIO'S DRUGSTORE, 568 00:37:35,862 --> 00:37:37,864 POST OFFICE SUBSTATION NUMBER TWO, 569 00:37:37,907 --> 00:37:39,474 HAWAIIAN ROSE BEAUTY PARLOR, 570 00:37:39,518 --> 00:37:41,781 FRANK'S CAR WASH AND FILLING STATION -- 571 00:37:41,824 --> 00:37:44,610 HOLD IT. HOLD IT. CAR WASH? 572 00:37:44,653 --> 00:37:46,220 YEAH, CAR WASH. 573 00:37:46,264 --> 00:37:47,700 WHAT ABOUT IT? 574 00:37:47,743 --> 00:37:49,832 COME ON. I'LL EXPLAIN ON THE WAY. 575 00:38:03,629 --> 00:38:07,067 ALL RIGHT, YOU'RE A KILLER IN SEARCH OF A VICTIM. 576 00:38:07,110 --> 00:38:08,547 WHAT DO YOU DO? 577 00:38:12,377 --> 00:38:15,031 I'VE GOT A NAME. I'VE GOT AN ADDRESS. 578 00:38:15,075 --> 00:38:16,381 YEAH. 579 00:38:26,434 --> 00:38:29,568 AND I'VE GOT A KEY. 580 00:38:41,275 --> 00:38:43,712 SIX MONTHS?! OH, YOU GOT TO BE KIDDING. 581 00:38:43,756 --> 00:38:47,281 I'M LUCKY IF I GET ONE OF THESE GUYS TO STAY AROUND ONE WEEK. 582 00:38:47,325 --> 00:38:49,239 BUMS AND WINOS, THAT'S ALL I GET. 583 00:38:49,283 --> 00:38:51,329 THEY MAKE A LITTLE MONEY, YOU KNOW, 584 00:38:51,372 --> 00:38:53,374 AND A COUPLE OF BOTTLES OF MUSCATEL, 585 00:38:53,418 --> 00:38:54,854 AND IT'S GOODBYE, CHARLIE. 586 00:38:54,897 --> 00:38:57,639 HEY, JOE, A LITTLE MORE MUSCLE. 587 00:38:57,683 --> 00:38:59,162 COME ON, FRANK, THINK. 588 00:38:59,206 --> 00:39:02,340 THERE'S GOT TO BE SOMEBODY WHO'S BEEN HERE SIX MONTHS. 589 00:39:02,383 --> 00:39:04,342 JUST ONE GUY. THERE HAS TO BE. 590 00:39:04,385 --> 00:39:06,082 YEAH, THERE WASONE GUY. 591 00:39:06,126 --> 00:39:09,259 THEN HE QUIT TWO YEARS AGO AND MOVED TO L.A. 592 00:39:09,303 --> 00:39:10,652 I'M SORRY, FELLAS. 593 00:39:12,872 --> 00:39:16,092 HEY! WAIT! 594 00:39:16,136 --> 00:39:18,007 SIX MONTHS, YEAH, HE MAKES IT. 595 00:39:18,051 --> 00:39:21,184 UH, BUT HE'S ONLY A PART-TIME WORKER. DOES THAT MATTER? 596 00:39:21,228 --> 00:39:22,447 NO, NO. WHO? 597 00:39:22,490 --> 00:39:25,101 VIC TANAKA -- SOME KIND OF MECHANIC I THINK. 598 00:39:25,145 --> 00:39:26,973 HE WORKS HERE WEDNESDAY, OUR BUSY DAY. 599 00:39:27,016 --> 00:39:28,540 WEDNESDAY WE TAKE LADIES FREE. 600 00:39:33,196 --> 00:39:35,938 HE'S IN BUNGALOW "A." WE DON'T KNOW IF HE'S HOME. 601 00:39:40,465 --> 00:39:43,032 ALL RIGHT, DON'T TAKE ANY CHANCES WITH THIS ONE. 602 00:39:43,076 --> 00:39:44,860 DANNY AND I WILL HIT THE FRONT. 603 00:39:44,904 --> 00:39:46,949 YOU AND CHIN HIT THE BACK. LET'S GO. 604 00:39:55,305 --> 00:39:58,570 VIC TANAKA? POLICE. OPEN UP. 605 00:40:23,333 --> 00:40:24,770 CLEAN. 606 00:40:34,519 --> 00:40:37,260 KEY-MAKING MACHINERY. 607 00:40:37,304 --> 00:40:39,175 THIS GUY DOESN'T NEED A LOCKSMITH. 608 00:40:39,219 --> 00:40:40,699 YEAH. 609 00:40:40,742 --> 00:40:43,441 I WANT THIS PLACE SEARCHED TO THE FLOORBOARDS. 610 00:41:36,102 --> 00:41:37,625 STEVE, WE GOT HIM. 611 00:41:37,669 --> 00:41:39,627 WIGS, MAKEUP -- IT'S ALL HERE. 612 00:41:39,671 --> 00:41:43,370 YEAH...HERE, TOO. 613 00:41:43,413 --> 00:41:46,939 TELEPHONE NUMBER. NAME -- CATHY. 614 00:41:46,982 --> 00:41:49,507 297 WANEMA. 615 00:42:18,405 --> 00:42:20,233 [ VACUUM RUNNING ] 616 00:42:45,737 --> 00:42:47,695 [ VACUUM TURNS OFF ] 617 00:42:59,577 --> 00:43:02,580 [ GASPS ] WHAT ARE YOU DOING HERE? 618 00:43:02,623 --> 00:43:05,452 YOU DO REMEMBER ME, CATHY? 619 00:43:07,715 --> 00:43:11,589 VIC. VIC TANAKA. 620 00:43:11,632 --> 00:43:15,897 OH. OF COURSE I REMEMBER YOU, VIC. 621 00:43:20,249 --> 00:43:23,992 YOU DYED YOUR HAIR. 622 00:43:24,036 --> 00:43:26,908 IT WAS SO PRETTY... 623 00:43:26,952 --> 00:43:29,302 LIKE SUNLIGHT. 624 00:43:29,345 --> 00:43:33,001 T-THAT WAS A LONG TIME AGO. 625 00:43:33,045 --> 00:43:37,223 WHY ARE YOU SURPRISED TO SEE ME, CATHY? 626 00:43:37,266 --> 00:43:40,966 I MADE A DATE WITH YOU LAST NIGHT. 627 00:43:41,009 --> 00:43:43,316 I TALKED TO YOUR MANAGER. 628 00:43:43,359 --> 00:43:45,666 MANAGER? 629 00:43:45,710 --> 00:43:50,932 WE ALWAYS DIDN'T NEED SOMEONE BETWEEN US, CATHY. 630 00:43:50,976 --> 00:43:54,022 I USED TO CALL YOU AT HOME, 631 00:43:54,066 --> 00:43:57,939 AND YOU LET ME COME TO SEE YOU. 632 00:44:05,599 --> 00:44:10,648 WHY DID YOU STOP LETTING ME SEE YOU, CATHY? 633 00:44:12,780 --> 00:44:15,827 I'M SORRY IF I HURT YOU, VIC. 634 00:44:15,870 --> 00:44:17,437 HURT ME? 635 00:44:21,223 --> 00:44:23,530 [ SOBS ] 636 00:44:23,573 --> 00:44:29,318 YOU HURT ME, BUT I FOUND YOU, CATHY. 637 00:44:33,496 --> 00:44:38,980 NOW THE HURT WILL GO AWAY. 638 00:44:41,243 --> 00:44:43,681 NO. 639 00:44:43,724 --> 00:44:46,422 DON'T. NO! 640 00:44:46,466 --> 00:44:48,163 AH! 641 00:44:48,207 --> 00:44:50,296 [ WHIMPERING ] 642 00:44:55,214 --> 00:44:57,695 NO! AAH! 643 00:44:57,738 --> 00:44:59,522 AAAAH! 644 00:44:59,566 --> 00:45:02,351 AAAAH! 645 00:45:02,395 --> 00:45:04,745 AAAAAAAAH! 646 00:45:04,789 --> 00:45:06,791 HELP ME! 647 00:45:06,834 --> 00:45:08,880 TANAKA. 648 00:45:17,715 --> 00:45:19,412 AAH! 649 00:45:19,455 --> 00:45:22,241 [ GUNSHOT ] 650 00:45:26,288 --> 00:45:28,116 [ CRYING ] 651 00:45:28,160 --> 00:45:30,249 AH! 652 00:45:36,429 --> 00:45:38,083 IT'S ALL RIGHT. IT'S ALL RIGHT. 653 00:45:38,126 --> 00:45:39,911 IT'S ALL RIGHT. IT'S ALL OVER NOW. 654 00:45:39,954 --> 00:45:41,477 IT'S ALL OVER, MRS. FIELDS. 655 00:45:41,521 --> 00:45:43,001 YOU'RE ALL RIGHT. IT'S OKAY. 656 00:45:43,044 --> 00:45:44,872 IT'S OKAY. COME ON. 657 00:45:46,395 --> 00:45:48,180 THERE YOU GO. 658 00:45:48,223 --> 00:45:51,052 IT'S ALL RIGHT, MRS. FIELDS. IT'S ALL RIGHT. 659 00:45:51,096 --> 00:45:53,620 WE GOT HIM... 660 00:45:53,663 --> 00:45:55,753 WITH THIS. 661 00:45:55,796 --> 00:45:58,364 BUT YOU... 662 00:45:58,407 --> 00:46:02,629 YEAH. BUT DON'T WORRY. DON'T WORRY. 663 00:46:02,672 --> 00:46:05,284 NO ONE'S EVER GONNA SEE THIS AGAIN. 664 00:46:05,327 --> 00:46:07,025 NEVER. 665 00:46:42,930 --> 00:46:45,019 HOLD IT. 666 00:46:56,465 --> 00:46:58,859 YOU GET "A" FOR MARKSMANSHIP, JERRY -- 667 00:46:58,903 --> 00:47:00,513 THREE SHOTS, THREE HITS. 668 00:47:00,556 --> 00:47:03,995 HAD TO DO IT, STEVE. HE WAS TRYING TO KILL THE GIRL. 669 00:47:10,131 --> 00:47:11,916 HOW DID YOU FIND HIM? 670 00:47:11,959 --> 00:47:14,832 THAT'S PRIVILEGED INFORMATION -- 671 00:47:14,875 --> 00:47:16,746 MY OWN INVESTIGATION. 672 00:47:16,790 --> 00:47:19,010 ALL RIGHT, LET ME GUESS. 673 00:47:19,053 --> 00:47:21,055 YOU FOUND HIM HERE... 674 00:47:21,099 --> 00:47:24,058 BECAUSE YOU SENT HIM HERE. 675 00:47:24,102 --> 00:47:26,713 ME? 676 00:47:26,756 --> 00:47:28,454 HEY, COME ON. 677 00:47:28,497 --> 00:47:30,325 THEN WHAT WAS YOUR PHONE NUMBER DOING 678 00:47:30,369 --> 00:47:32,371 WRITTEN IN HIS APARTMENT OVER CATHY'S NAME? 679 00:47:34,068 --> 00:47:35,722 NO, JERRY, YOU SET HIM UP, 680 00:47:35,765 --> 00:47:38,464 AND THEN YOU SHOT HIM DEAD TO SILENCE HIM. 681 00:47:38,507 --> 00:47:41,510 HEY, NOW, WAIT A MINUTE. WHAT ARE YOU TALKING ABOUT? 682 00:47:41,554 --> 00:47:43,991 YOU KILLED YOUR WIFE, JERRY. 683 00:47:45,427 --> 00:47:48,343 THE STRANGLER KILLED THE OTHERS, BUT YOU KILLED MARY. 684 00:47:48,387 --> 00:47:52,260 YOU STUDIED THE CASE HISTORIES OF THE FIRST TWO. 685 00:47:52,304 --> 00:47:53,653 YOU GOT HIS M.O. 686 00:47:53,696 --> 00:47:56,830 YOU FIGURED THAT IF YOU KILLED MARY THE SAME WAY 687 00:47:56,874 --> 00:48:00,094 THAT WE WOULD CHALK HER UP AS VICTIM NUMBER THREE, 688 00:48:00,138 --> 00:48:02,705 AND IT ALMOST WORKED... 689 00:48:02,749 --> 00:48:05,230 EXCEPT FOR ONE THING -- 690 00:48:05,273 --> 00:48:07,667 THE KILLER WORKED IN A CAR WASH. 691 00:48:07,710 --> 00:48:10,365 THAT'S WHERE HE GOT HIS VICTIM'S KEYS. 692 00:48:10,409 --> 00:48:12,367 SO? 693 00:48:12,411 --> 00:48:16,719 MARY NEVER DROVE, NEVER LEARNED. 694 00:48:16,763 --> 00:48:19,287 NO CAR, NO DRIVER'S LICENSE... 695 00:48:19,331 --> 00:48:22,464 NO WAY TO GET TO A CAR WASH -- NO WAY. 696 00:48:22,508 --> 00:48:26,164 SHE TOOK TAXIS ALL OVER TOWN. 697 00:48:26,207 --> 00:48:28,862 YOU KILLED MARY, JERRY. 698 00:48:31,996 --> 00:48:34,041 IT JUST HAPPENED, STEVE. 699 00:48:34,085 --> 00:48:37,262 A DAY CAME AND IT HAPPENED. 700 00:48:37,305 --> 00:48:39,481 IT WAS NOTHING PLANNED. 701 00:48:41,483 --> 00:48:45,574 WHEN I FOUND OUT ABOUT CRENSHAW, SOMETHING BLEW INSIDE ME. 702 00:48:45,618 --> 00:48:47,402 AND THE NEXT THING I KNEW 703 00:48:47,446 --> 00:48:50,318 I WAS CHOKING HER, SQUEEZING HER NECK. 704 00:48:50,362 --> 00:48:52,407 SHE WAS... 705 00:48:54,279 --> 00:48:55,802 ...SHE WAS DEAD. 706 00:48:57,891 --> 00:49:01,939 IT WAS AFTERWARDS I GOT THE IDEA TO USE THE STRANGLER'S M.O., 707 00:49:01,982 --> 00:49:04,245 NOT BEFORE. 708 00:49:06,465 --> 00:49:08,467 IT WAS JUST AN IMPULSE, STEVE. 709 00:49:12,688 --> 00:49:15,953 UNPREMEDITATED MANSLAUGHTER. 710 00:49:17,867 --> 00:49:19,652 10 YEARS. 711 00:49:21,610 --> 00:49:25,788 MAYBE THREE OFF WITH GOOD BEHAVIOR, HUH? 712 00:49:25,832 --> 00:49:27,312 WHAT DO YOU THINK? 713 00:49:27,355 --> 00:49:30,793 JERRY, GOT YOUR CAR? 714 00:49:30,837 --> 00:49:34,972 NO, DANNO, NO. WE'LL BE GIVING JERRY A LIFT. 715 00:49:37,496 --> 00:49:39,063 BOOK HIM. 716 00:49:50,857 --> 00:49:52,467 MURDER ONE. 717 00:50:00,171 --> 00:50:03,174 [ "HAWAII FIVE-O" THEME PLAYS ] 718 00:50:03,224 --> 00:50:07,774 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 50326

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