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These are the user uploaded subtitles that are being translated: 1 00:00:05,539 --> 00:00:08,776 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 2 00:00:15,883 --> 00:00:19,887 Man: * I'LL TELL THEE A TALE * 3 00:00:19,887 --> 00:00:24,292 * NOW LIST' TO ME * 4 00:00:24,292 --> 00:00:28,296 * WITH A HEY, HO * 5 00:00:28,296 --> 00:00:31,499 * THE WIND AND THE RAIN * 6 00:00:33,301 --> 00:00:36,904 * BUT MERRY OR SAD * 7 00:00:36,904 --> 00:00:40,308 * WHICH SHALL IT BE? * 8 00:00:40,308 --> 00:00:48,116 * FOR THE RAIN IT RAINETH EVERY DAY * 9 00:00:48,916 --> 00:00:52,320 Man: ONCE UPON TWELFTH NIGHT, 10 00:00:52,320 --> 00:00:53,721 OR WHAT YOU WILL, 11 00:00:53,721 --> 00:00:57,591 ABOARD A SHIP BOUND HOME TO MESSALINE, 12 00:00:57,591 --> 00:00:59,793 THE FESTIVE COMPANY, 13 00:00:59,793 --> 00:01:05,666 DRESSED FOR MASQUERADE AND SINGING SONGS EACH OTHER TO AMUSE, 14 00:01:05,666 --> 00:01:10,671 DELIGHT ABOVE THE REST IN TWO YOUNG TWINS... 15 00:01:10,671 --> 00:01:14,142 Twins: * O MISTRESS MINE, WHERE ARE YOU ROAMING? * 16 00:01:14,142 --> 00:01:17,278 * O, STAY AND HEAR * 17 00:01:17,278 --> 00:01:19,280 * YOUR TRUE LOVE'S * 18 00:01:19,280 --> 00:01:22,283 * COMING * 19 00:01:22,283 --> 00:01:25,719 * THAT CAN SING BOTH HIGH AND... * 20 00:01:25,719 --> 00:01:27,655 * LOW * 21 00:01:27,655 --> 00:01:31,159 * THAT CAN SING BOTH HIGH AND... * 22 00:01:31,159 --> 00:01:37,531 * LOW * 23 00:01:58,486 --> 00:02:03,090 Man: THE STORM HAS FORCED THEIR VESSEL FROM ITS COURSE, 24 00:02:03,090 --> 00:02:06,294 AND NOW THEY STRIKE UPON SUBMERGED ROCKS. 25 00:02:27,348 --> 00:02:30,518 Man: UNCERTAIN WHAT TO LEAVE AND WHAT TO SAVE, 26 00:02:30,518 --> 00:02:36,324 BROTHER AND SISTER, ORPHANED SINCE THEIR FATHER'S DEATH, 27 00:02:36,324 --> 00:02:41,795 HAVE BUT THEMSELVES ALONE IN ALL THE WORLD. 28 00:03:08,789 --> 00:03:11,191 Brother: NO! 29 00:03:15,463 --> 00:03:18,031 NO! 30 00:03:18,031 --> 00:03:19,967 NO! 31 00:03:51,432 --> 00:03:56,470 Man: DEEP CURRENTS AND THE SINKING BARK ABOVE THEM 32 00:03:56,470 --> 00:04:00,908 DIVIDE WHAT NAUGHT HAD EVER KEPT APART. 33 00:04:25,466 --> 00:04:30,671 THE POOR SURVIVORS REACH AN ALIEN SHORE. 34 00:04:32,072 --> 00:04:34,475 FOR MESSALINE... 35 00:04:34,475 --> 00:04:36,677 WITH THIS COUNTRY... 36 00:04:36,677 --> 00:04:40,280 IS AT WAR. 37 00:05:00,501 --> 00:05:03,303 WHAT COUNTRY, FRIENDS, IS THIS? 38 00:05:04,505 --> 00:05:07,908 THIS IS ILLYRIA, LADY. 39 00:05:07,908 --> 00:05:11,445 AND WHAT SHOULD I DO IN ILLYRIA? 40 00:05:11,445 --> 00:05:15,115 MY BROTHER... 41 00:05:15,115 --> 00:05:20,087 HE IS IN ELYSIUM. 42 00:05:26,126 --> 00:05:28,996 PERCHANCE HE IS NOT DROWNED. 43 00:05:28,996 --> 00:05:31,832 MY LADY VIOLA, 44 00:05:31,832 --> 00:05:37,137 IT IS PERCHANCE THAT YOU YOURSELF WERE SAVED. 45 00:05:37,137 --> 00:05:38,906 MY POOR BROTHER! 46 00:05:42,275 --> 00:05:46,880 Viola: SEBASTIAN! 47 00:05:48,749 --> 00:05:52,052 SEBASTIAN! 48 00:06:15,443 --> 00:06:18,579 THE WAR BETWEEN THE MERCHANTS HERE AND OURS 49 00:06:18,579 --> 00:06:21,582 TOO OFT HAS GIVEN US BLOODY ARGUMENT. 50 00:06:21,582 --> 00:06:24,952 WE MUST NOT BE DISCOVERED IN THIS PLACE. 51 00:07:21,975 --> 00:07:23,243 WHO GOVERNS HERE? 52 00:07:23,243 --> 00:07:24,277 THE DUKE... 53 00:07:24,277 --> 00:07:26,246 ORSINO. 54 00:07:26,246 --> 00:07:27,781 ORSINO. 55 00:07:27,781 --> 00:07:31,251 I HAVE HEARD MY FATHER NAME HIM. 56 00:07:31,251 --> 00:07:33,487 HE WAS A BACHELOR THEN. 57 00:07:33,487 --> 00:07:35,255 AND SO IS NOW, 58 00:07:35,255 --> 00:07:37,457 OR WAS SO VERY LATE. 59 00:07:37,457 --> 00:07:40,928 'TIS SAID NO WOMAN MAY APPROACH HIS COURT, BUT A MONTH AGO 60 00:07:40,928 --> 00:07:44,164 'TWAS FRESH IN MURMUR THAT HE DID SEEK THE LOVE OF FAIR OLIVIA. 61 00:08:17,698 --> 00:08:20,000 Viola: WHAT'S SHE? 62 00:08:20,000 --> 00:08:21,334 THAT SAME OLIVIA, 63 00:08:21,334 --> 00:08:26,574 THE DAUGHTER OF A COUNT WHO DIED SOME TWELVEMONTH SINCE. 64 00:08:28,108 --> 00:08:31,912 HER BROTHER HAS LATELY ALSO DIED. 65 00:08:33,113 --> 00:08:35,716 FOR WHOSE DEAR LOVE, THEY SAY, SHE HATH ABJURED 66 00:08:35,716 --> 00:08:37,384 THE SIGHT AND COMPANY OF MEN. 67 00:08:39,386 --> 00:08:43,724 O, THAT I SERVED THAT LADY. 68 00:08:43,724 --> 00:08:45,693 THAT WERE HARD TO COMPASS, 69 00:08:45,693 --> 00:08:49,296 BECAUSE SHE WILL ADMIT NO KIND OF SUIT, 70 00:08:49,296 --> 00:08:52,633 NO, NOT THE DUKE'S. 71 00:08:57,104 --> 00:09:00,107 I PRITHEE, BE MY AID FOR SUCH DISGUISE 72 00:09:00,107 --> 00:09:02,843 AS HAPLY SHALL BECOME THE FORM OF MY INTENT. 73 00:09:02,843 --> 00:09:05,112 I'LL SERVE THIS DUKE. 74 00:09:05,112 --> 00:09:08,716 I SHALL PRESENT ME AS A BOY TO HIM. 75 00:09:08,716 --> 00:09:11,118 IT MAY BE WORTH THY PAINS: 76 00:09:11,118 --> 00:09:15,122 FOR I CAN SING, AND SPEAK TO HIM IN MANY SORTS OF MUSIC, 77 00:09:15,122 --> 00:09:17,925 THAT WILL ALLOW ME VERY WORTH HIS SERVICE. 78 00:09:19,326 --> 00:09:20,327 OHH. 79 00:09:20,327 --> 00:09:21,995 I THANK THEE. 80 00:11:46,273 --> 00:11:50,077 IF MUSIC BE THE FOOD OF LOVE, PLAY ON. 81 00:11:51,478 --> 00:11:53,881 GIVE ME... 82 00:11:53,881 --> 00:11:56,884 EXCESS OF IT; 83 00:11:56,884 --> 00:12:04,091 THAT, SURFEITING, THE APPETITE MAY SICKEN, AND SO... 84 00:12:04,091 --> 00:12:05,492 DIE. 85 00:12:30,517 --> 00:12:31,919 THAT STRAIN AGAIN. 86 00:12:33,486 --> 00:12:35,522 IT HAD A DYING FALL. 87 00:12:37,324 --> 00:12:40,961 O, IT CAME O'ER MY EAR LIKE THE SWEET SOUND 88 00:12:40,961 --> 00:12:44,932 THAT BREATHES UPON A BANK OF VIOLETS; 89 00:12:44,932 --> 00:12:47,935 STEALING AND GIVING ODOR. 90 00:13:04,151 --> 00:13:05,552 ENOUGH. 91 00:13:09,622 --> 00:13:11,558 NO MORE! 92 00:13:12,826 --> 00:13:16,429 'TIS NOT SO SWEET NOW AS IT WAS BEFORE. 93 00:13:18,866 --> 00:13:20,968 HOW NOW? WHAT NEWS FROM OLIVIA? 94 00:13:20,968 --> 00:13:23,103 SO PLEASE MY LORD, I MIGHT NOT BE ADMITTED... 95 00:13:23,103 --> 00:13:27,374 BUT FROM HER HANDMAID DO RETURN THIS ANSWER: 96 00:13:27,374 --> 00:13:30,978 "THE ELEMENT ITSELF, TILL SEVEN YEARS' HEAT, 97 00:13:30,978 --> 00:13:34,581 "SHALL NOT BEHOLD HER FACE AT AMPLE VIEW; 98 00:13:34,581 --> 00:13:36,316 BUT LIKE A CLOISTRESS--" 99 00:13:37,384 --> 00:13:40,387 "ALL THIS TO SEASON A BROTHER'S DEAD LOVE, 100 00:13:40,387 --> 00:13:44,457 WHICH SHE WOULD KEEP FRESH AND LASTING, IN HER SAD REMEMBRANCE." 101 00:13:46,994 --> 00:13:49,496 O, SHE THAT HATH A HEART OF THAT FINE FRAME 102 00:13:49,496 --> 00:13:54,601 TO PAY THIS DEBT OF LOVE BUT TO A BROTHER... 103 00:13:57,737 --> 00:13:59,172 MY LORD ORSINO... 104 00:14:19,927 --> 00:14:22,029 AHEM. 105 00:14:23,931 --> 00:14:26,499 Viola: HERE COMES THE COUNT! 106 00:14:26,499 --> 00:14:28,501 WHO SAW CESARIO, HMM? 107 00:14:28,501 --> 00:14:31,905 Viola: ON YOUR ATTENDANCE, MY LORD, HERE. 108 00:14:32,772 --> 00:14:34,374 CESARIO... 109 00:14:46,786 --> 00:14:48,588 Duke: THOU KNOW'ST NO LESS BUT ALL: 110 00:14:48,588 --> 00:14:54,261 I HAVE UNCLASPED TO THEE THE BOOK EVEN OF MY SECRET SOUL. 111 00:14:56,596 --> 00:14:59,799 THEREFORE, GOOD YOUTH, ADDRESS THY GAIT UNTO HER, 112 00:14:59,799 --> 00:15:02,602 STAND AT HER DOORS, AND TELL THEM, 113 00:15:02,602 --> 00:15:06,206 THERE THY FIXED FOOT SHALL GROW TILL THOU HAVE AUDIENCE. 114 00:15:06,206 --> 00:15:07,674 SURE, MY NOBLE LORD, 115 00:15:07,674 --> 00:15:09,809 IF SHE BE SO ABANDONED TO HER SORROW AS IT IS SPAKE, 116 00:15:09,809 --> 00:15:11,211 SHE NEVER WILL ADMIT ME. 117 00:15:11,211 --> 00:15:14,214 BE CLAMOROUS AND LEAP ALL CIVIL BOUNDS. 118 00:15:14,214 --> 00:15:16,549 SAY I DO SPEAK WITH HER, MY LORD, WHAT THEN? 119 00:15:16,549 --> 00:15:20,220 O, THEN UNFOLD THE PASSION OF MY LOVE; 120 00:15:20,220 --> 00:15:22,422 IT SHALL BECOME THEE WELL TO ACT MY WOES; 121 00:15:22,422 --> 00:15:25,825 SHE WILL ATTEND IT BETTER IN THY YOUTH. 122 00:15:25,825 --> 00:15:27,827 I THINK NOT SO, MY LORD. 123 00:15:27,827 --> 00:15:29,496 DEAR LAD, BELIEVE IT. 124 00:15:29,496 --> 00:15:33,833 FOR THEY SHALL YET BELIE THY HAPPY YEARS, THAT SAY THOU ART A MAN. 125 00:15:33,833 --> 00:15:35,235 AHEM. 126 00:15:35,235 --> 00:15:37,604 DIANA'S LIP IS NOT MORE SMOOTH AND RUBIOUS; 127 00:15:37,604 --> 00:15:41,608 THY SMALL PIPE IS AS A WOMAN'S ORGAN, SHRILL AND SOUND-- 128 00:15:41,608 --> 00:15:44,811 AND ALL IS SEMBLATIVE A WOMAN'S PART. 129 00:15:44,811 --> 00:15:45,812 UHH! 130 00:15:56,223 --> 00:16:00,427 I KNOW THY CONSTELLATION IS RIGHT APT FOR THIS AFFAIR. 131 00:16:07,234 --> 00:16:10,203 Duke: SOME THREE OR FOUR ATTEND HIM. 132 00:17:35,322 --> 00:17:41,528 BY MY TROTH, SIR TOBY, YOU MUST COME IN EARLIER O' NIGHTS. 133 00:17:43,196 --> 00:17:46,333 THAT QUAFFING AND DRINKING WILL UNDO YOU: 134 00:17:46,333 --> 00:17:49,536 I HEARD MY LADY TALK OF IT YESTERDAY. 135 00:17:51,738 --> 00:17:55,342 AND OF A FOOLISH KNIGHT, THAT YOU BROUGHT IN ONE NIGHT HERE, TO BE HER WOOER. 136 00:17:55,342 --> 00:17:56,943 WHO? SIR ANDREW AGUECHEEK? 137 00:17:56,943 --> 00:17:58,111 AY, HE. 138 00:17:58,111 --> 00:17:59,946 HE'S AS TALL A MAN AS ANY'S IN ILLYRIA. 139 00:17:59,946 --> 00:18:01,814 WHAT'S THAT TO TH' PURPOSE? 140 00:18:01,814 --> 00:18:03,450 HE HAS 3,000 DUCATS A YEAR. 141 00:18:03,450 --> 00:18:06,553 HE SPEAKS THREE OR FOUR LANGUAGES WORD FOR WORD WITHOUT BOOK-- 142 00:18:06,553 --> 00:18:08,188 HE'S A FOOL. 143 00:18:08,188 --> 00:18:10,757 HE'S A GREAT QUARRELER: AND BUT THAT HE HATH THE GIFT OF A COWARD, 144 00:18:10,757 --> 00:18:12,692 'TIS THOUGHT HE WOULD QUICKLY HAVE THE GIFT OF A GRAVE. 145 00:18:12,692 --> 00:18:14,727 Man: SIR TOBY BELCH! 146 00:18:14,727 --> 00:18:18,198 SIR ANDREW AGUEFACE! 147 00:18:18,198 --> 00:18:20,967 HOW NOW, SIR TOBY BELCH? 148 00:18:20,967 --> 00:18:22,502 SWEET SIR ANDREW! 149 00:18:24,103 --> 00:18:25,838 BLESS YOU, FAIR SHREW. 150 00:18:25,838 --> 00:18:27,440 AND YOU TOO, SIR. 151 00:18:27,440 --> 00:18:28,975 ACCOST, SIR ANDREW, ACCOST. 152 00:18:28,975 --> 00:18:30,510 WHAT'S THAT? 153 00:18:30,510 --> 00:18:32,779 MY NIECE'S CHAMBERMAID. 154 00:18:32,779 --> 00:18:37,850 O, GOOD MISTRESS ACCOST, I DESIRE BETTER ACQUAINTANCE. 155 00:18:37,850 --> 00:18:39,986 MY NAME IS MARY, SIR. 156 00:18:39,986 --> 00:18:41,721 GOOD MISTRESS MARY ACCOST. 157 00:18:43,523 --> 00:18:47,994 UH, "ACCOST" IS-- IS FRONT HER, 158 00:18:47,994 --> 00:18:50,997 BOARD HER, WOO HER, 159 00:18:50,997 --> 00:18:52,232 ASSAIL HER. 160 00:18:52,232 --> 00:18:55,402 FARE YOU WELL, GENTLEMEN. 161 00:18:55,402 --> 00:18:58,605 IS THAT THE MEANING OF "ACCOST"? 162 00:18:58,605 --> 00:19:00,072 MMM. KNOW IT. 163 00:19:00,072 --> 00:19:03,343 WHEN DID I SEE THEE SO PUT DOWN? 164 00:19:05,878 --> 00:19:10,617 WHAT A PLAGUE MEANS MY NIECE, TO TAKE THE DEATH OF HER BROTHER THUS? 165 00:19:10,617 --> 00:19:14,487 I AM SURE CARE'S AN ENEMY TO LIFE. 166 00:19:14,487 --> 00:19:18,225 I'LL RIDE HOME TOMORROW, SIR TOBY. 167 00:19:18,225 --> 00:19:20,827 POURQUOI, MY DEAR KNIGHT? 168 00:19:20,827 --> 00:19:23,230 WHAT IS POURQUOI? 169 00:19:23,230 --> 00:19:24,631 DO OR NOT DO? 170 00:19:24,631 --> 00:19:27,634 I WOULD I HAD BESTOWED THAT TIME IN THE TONGUES, 171 00:19:27,634 --> 00:19:29,636 THAT I HAVE IN FENCING AND DANCING. 172 00:19:29,636 --> 00:19:32,439 O, HAD I BUT FOLLOWED THE ARTS! 173 00:19:33,640 --> 00:19:36,243 FAITH, I'LL HOME TOMORROW, SIR TOBY. 174 00:19:36,243 --> 00:19:38,645 YOUR NIECE WILL NOT BE SEEN, 175 00:19:38,645 --> 00:19:41,113 OR IF SHE BE IT'S FOUR TO ONE SHE'LL NONE OF ME: 176 00:19:41,113 --> 00:19:42,549 THE COUNT HIMSELF HERE HARD BY WOOS HER. 177 00:19:42,549 --> 00:19:44,651 SHE'LL NONE O'TH' COUNT-- 178 00:19:44,651 --> 00:19:46,853 SHE'LL NOT MATCH ABOVE HER DEGREE; 179 00:19:46,853 --> 00:19:49,121 I'VE HEARD HER SWEAR'T. 180 00:19:49,121 --> 00:19:51,591 TUT, THERE'S LIFE IN'T, MAN! 181 00:19:51,591 --> 00:19:54,261 I'LL STAY A MONTH LONGER... 182 00:19:54,261 --> 00:19:56,663 I AM A FELLOW O'TH' STRANGEST MIND I'TH' WORLD: 183 00:19:56,663 --> 00:20:00,667 I DELIGHT IN MASQUES AND REVELS SOMETIMES ALTOGETHER. 184 00:20:00,667 --> 00:20:03,570 ART THOU GOOD AT THESE KICKSHAWSES, KNIGHT? 185 00:20:03,570 --> 00:20:06,273 FAITH, I CAN CUT A CAPER, 186 00:20:06,273 --> 00:20:08,675 AND I THINK I HAVE THE BACK-TRICK 187 00:20:08,675 --> 00:20:10,877 SIMPLY AS STRONG AS ANY MAN IN ILLYRIA. 188 00:20:15,682 --> 00:20:18,485 WHEREFORE ARE THESE THINGS HID? 189 00:20:19,686 --> 00:20:22,689 WHEREFORE HAVE THESE GIFTS A CURTAIN BEFORE 'EM? 190 00:20:25,692 --> 00:20:30,697 WHY DOST THOU NOT GO TO CHURCH IN A GALLIARD 191 00:20:30,697 --> 00:20:34,301 AND COME HOME IN A CORANTO? 192 00:20:36,202 --> 00:20:38,305 IS IT A WORLD TO HIDE VIRTUES IN? 193 00:20:38,305 --> 00:20:40,907 EXCELLENT! HA HA HA! 194 00:21:16,743 --> 00:21:19,346 MY LADY WILL HANG THEE FOR THY ABSENCE. 195 00:21:19,346 --> 00:21:22,349 LET HER HANG ME: I FEAR NO COLOURS. 196 00:21:22,349 --> 00:21:24,584 I CAN TELL THEE WHERE THAT SAYING WAS BORN. 197 00:21:24,584 --> 00:21:27,354 WHERE, GOOD MISTRESS MARY? 198 00:21:27,354 --> 00:21:28,755 IN THE WAR. 199 00:21:28,755 --> 00:21:31,758 WELL, GOD GIVE THEM WISDOM THAT HAVE IT; 200 00:21:31,758 --> 00:21:38,565 AND THOSE THAT ARE FOOLS, LET THEM USE THEIR TALENTS. 201 00:21:40,367 --> 00:21:42,769 YOU ARE RESOLUTE, THEN? 202 00:21:42,769 --> 00:21:44,671 I'M RESOLVED ON TWO POINTS-- 203 00:21:44,671 --> 00:21:46,773 THAT IF ONE BREAK, THE OTHER WILL HOLD; 204 00:21:46,773 --> 00:21:48,441 OR IF BOTH BREAK, YOUR BRITCHES FALL. 205 00:21:48,441 --> 00:21:50,410 WELL, GO THY WAYS. 206 00:21:54,246 --> 00:21:56,182 THAT IF SIR TOBY WOULD LEAVE DRINKING, 207 00:21:56,182 --> 00:21:58,385 THOU WERT AS WITTY A PIECE OF EVE'S FLESH AS ANY IN ILLYRIA. 208 00:21:58,385 --> 00:21:59,819 PEACE, YOU ROGUE. 209 00:22:02,389 --> 00:22:03,690 NO MORE O'THAT. 210 00:23:00,447 --> 00:23:01,848 Man: GOD BLESS THEE, LADY! 211 00:23:01,848 --> 00:23:03,315 Olivia: TAKE THE FOOL AWAY. 212 00:23:03,315 --> 00:23:05,452 Feste: DO YOU NOT HEAR, FELLOWS? TAKE AWAY THE LADY. 213 00:23:05,452 --> 00:23:06,853 GO TO: I'LL NO MORE OF YOU: 214 00:23:06,853 --> 00:23:08,455 BESIDES, YOU GROW DISHONEST. 215 00:23:08,455 --> 00:23:11,858 BID THE DISHONEST MAN MEND HIMSELF; 216 00:23:11,858 --> 00:23:13,860 IF HE MEND, HE IS NO LONGER DISHONEST; 217 00:23:13,860 --> 00:23:16,863 IF HE CANNOT, LET THE BOTCHER MEND HIM: 218 00:23:16,863 --> 00:23:20,266 ANY THING THAT'S MENDED IS BUT PATCHED: 219 00:23:20,266 --> 00:23:24,070 VIRTUE THAT TRANSGRESSES, IS BUT PATCHED WITH SIN, 220 00:23:24,070 --> 00:23:26,473 AND SIN THAT AMENDS 221 00:23:26,473 --> 00:23:28,875 IS BUT PATCHED WITH VIRTUE. 222 00:23:28,875 --> 00:23:32,078 AS THERE IS NO TRUE CUCKOLD BUT CALAMITY, 223 00:23:32,078 --> 00:23:34,481 SO BEAUTY'S A FLOWER: 224 00:23:34,481 --> 00:23:37,484 THE LADY BADE TAKE AWAY THE FOOL, 225 00:23:37,484 --> 00:23:39,886 THEREFORE I SAY AGAIN, TAKE HER AWAY. 226 00:23:39,886 --> 00:23:41,888 SIR, I BADE THEM TAKE AWAY YOU. 227 00:23:41,888 --> 00:23:44,891 MISPRISION IN THE HIGHEST DEGREE! 228 00:23:44,891 --> 00:23:47,093 GOOD MADONNA, GIVE ME LEAVE TO PROVE YOU A FOOL. 229 00:23:47,093 --> 00:23:48,495 CAN YOU DO IT? 230 00:23:48,495 --> 00:23:50,096 DEXTERIOUSLY, GOOD MADONNA. 231 00:23:50,096 --> 00:23:52,098 MAKE YOUR PROOF. 232 00:23:55,902 --> 00:24:00,106 MUST CATECHIZE YOU FOR IT... 233 00:24:00,106 --> 00:24:01,708 MADONNA. 234 00:24:03,510 --> 00:24:06,112 GOOD MY MOUSE OF VIRTUE, 235 00:24:06,112 --> 00:24:07,714 ANSWER ME. 236 00:24:09,315 --> 00:24:14,120 Olivia: WELL, SIR, FOR WANT OF OTHER IDLENESS. 237 00:24:15,922 --> 00:24:18,124 GOOD MADONNA, WHY MOURN'ST THOU? 238 00:24:19,526 --> 00:24:22,929 GOOD FOOL, FOR MY BROTHER'S DEATH. 239 00:24:22,929 --> 00:24:25,932 I THINK HIS SOUL IS IN HELL, MADONNA. 240 00:24:25,932 --> 00:24:28,735 I KNOW HIS SOUL IS IN HEAVEN, FOOL. 241 00:24:28,735 --> 00:24:33,139 THE MORE FOOL, MADONNA, TO MOURN FOR YOUR BROTHER'S SOUL, BEING IN HEAVEN... 242 00:24:35,942 --> 00:24:38,477 TAKE AWAY THE FOOL, GENTLEMAN. 243 00:24:39,946 --> 00:24:42,148 WHAT THINK YOU, MALVOLIO? 244 00:24:42,148 --> 00:24:44,150 DOTH HE NOT MEND? 245 00:24:46,553 --> 00:24:47,954 YES... 246 00:24:47,954 --> 00:24:50,857 AND SHALL DO, TILL THE PANGS OF DEATH SHAKE HIM: 247 00:24:50,857 --> 00:24:54,561 INFIRMITY, THAT DECAYS THE WISE, 248 00:24:54,561 --> 00:24:57,163 DOTH EVER MAKE THE BETTER FOOL. 249 00:24:57,163 --> 00:24:59,566 GOD SEND YOU, SIR, A SPEEDY INFIRMITY, 250 00:24:59,566 --> 00:25:01,634 FOR THE BETTER INCREASING YOUR FOLLY. 251 00:25:05,972 --> 00:25:08,975 HOW SAY YOU TO THAT, MALVOLIO? 252 00:25:08,975 --> 00:25:13,546 I MARVEL YOUR LADYSHIP TAKES DELIGHT IN SUCH A BARREN RASCAL. 253 00:25:13,546 --> 00:25:17,984 LOOK YOU NOW, HE'S OUT OF HIS GUARD ALREADY; 254 00:25:17,984 --> 00:25:23,222 UNLESS YOU LAUGH AND MINISTER OCCASION TO HIM, HE IS GAGGED. 255 00:25:23,222 --> 00:25:27,594 Olivia: O, YOU ARE SICK OF SELF-LOVE, MALVOLIO, 256 00:25:27,594 --> 00:25:30,997 AND TASTE WITH A DISTEMPERED APPETITE. 257 00:25:30,997 --> 00:25:34,601 THERE IS NO SLANDER IN AN ALLOWED FOOL, 258 00:25:34,601 --> 00:25:36,603 THOUGH HE DO NOTHING BUT RAIL; 259 00:25:36,603 --> 00:25:39,606 NOR NO RAILING IN A KNOWN DISCREET MAN, 260 00:25:39,606 --> 00:25:42,008 THOUGH HE DO NOTHING BUT REPROVE. 261 00:25:42,008 --> 00:25:43,475 MADAM, THERE IS AT THE GATE 262 00:25:43,475 --> 00:25:46,613 A YOUNG GENTLEMAN WHO MUCH DESIRES TO SPEAK WITH YOU. 263 00:25:47,614 --> 00:25:49,215 FROM THE COUNT ORSINO, IS IT? 264 00:25:49,215 --> 00:25:50,449 Maria: I KNOW NOT, MADAM. 265 00:25:50,449 --> 00:25:53,419 WHO OF MY PEOPLE HOLD HIM IN DELAY? 266 00:25:53,419 --> 00:25:54,987 SIR TOBY, MADAM. 267 00:25:54,987 --> 00:25:56,756 HE SPEAKS NOTHING BUT MADMAN. 268 00:25:56,756 --> 00:25:58,324 GO YOU, MALVOLIO: 269 00:25:58,324 --> 00:26:00,760 IF IT BE A SUIT FROM THE COUNT, I AM SICK OR NOT AT HOME... 270 00:26:00,760 --> 00:26:02,962 WHAT YOU WILL, TO DISMISS IT. 271 00:26:12,171 --> 00:26:17,376 NOW YOU SEE, SIR, HOW YOUR FOOLING GROWS OLD, 272 00:26:17,376 --> 00:26:19,578 AND PEOPLE... 273 00:26:20,379 --> 00:26:22,581 DISLIKE IT. 274 00:26:30,790 --> 00:26:32,792 THOU HAST SPOKE FOR US, MADONNA, 275 00:26:32,792 --> 00:26:35,394 AS IF THY ELDEST SON SHOULD BE A FOOL... 276 00:26:36,495 --> 00:26:37,797 WHOSE SKULL JOVE CRAM WITH BRAINS! 277 00:26:37,797 --> 00:26:39,799 FOR HERE COMES ONE OF THY KIN, 278 00:26:39,799 --> 00:26:41,400 HAS A MOST WEAK PIA MATER. 279 00:26:41,400 --> 00:26:44,603 BY MINE HONOUR, HALF DRUNK. 280 00:26:57,817 --> 00:27:01,020 AHEM. WHAT IS HE AT THE GATE, COUSIN? 281 00:27:01,020 --> 00:27:02,454 A GENTLEMAN. 282 00:27:02,454 --> 00:27:05,825 WHAT GENTLEMAN? 283 00:27:05,825 --> 00:27:07,426 'TIS A GENTLEMAN THERE... 284 00:27:08,828 --> 00:27:11,230 A PLAGUE O'THESE PICKLED HERRING. 285 00:27:16,836 --> 00:27:20,439 HOW NOW, SOT! 286 00:27:20,439 --> 00:27:23,342 GOOD SIR TOBY! 287 00:27:23,342 --> 00:27:26,112 COUSIN...COUSIN, 288 00:27:26,112 --> 00:27:28,547 HOW HAVE YOU COME SO EARLY BY THIS LETHARGY? 289 00:27:28,547 --> 00:27:30,850 LECHERY! 290 00:27:30,850 --> 00:27:34,153 I DEFY LECHERY! 291 00:27:36,856 --> 00:27:38,925 THERE'S ONE AT THE GATE. 292 00:27:38,925 --> 00:27:41,260 AY, MARRY, WHAT IS HE? 293 00:27:41,260 --> 00:27:44,864 LET HIM BE THE DEVIL, AN HE WILL, I CARE NOT; 294 00:27:44,864 --> 00:27:49,068 GIVE ME FAITH, SAY I. 295 00:27:51,470 --> 00:27:52,839 WELL, IT'S ALL ONE. 296 00:28:15,895 --> 00:28:18,297 WHAT'S A DRUNKEN MAN LIKE? 297 00:28:18,297 --> 00:28:22,902 LIKE A DROWNED MAN, A FOOL, AND A MAD MAN: 298 00:28:22,902 --> 00:28:25,905 THE FIRST DRAUGHT ABOVE HEAT MAKES HIM A FOOL, 299 00:28:25,905 --> 00:28:27,506 THE SECOND MADS HIM, 300 00:28:27,506 --> 00:28:29,909 AND THE THIRD DROWNS HIM. 301 00:28:29,909 --> 00:28:32,912 GO THOU AND SEEK THE CORONER. 302 00:28:33,913 --> 00:28:36,715 HE'S DROWNED. 303 00:28:46,725 --> 00:28:50,797 BUT, MADAM, YON YOUNG FELLOW SWEARS HE WILL SPEAK WITH YOU. 304 00:28:50,797 --> 00:28:52,131 I TOLD HIM YOU WERE SICK. 305 00:28:52,131 --> 00:28:53,632 I TOLD HIM YOU WERE ASLEEP. 306 00:28:53,632 --> 00:28:55,001 TELL HIM HE SHALL NOT SPEAK WITH ME. 307 00:28:55,001 --> 00:28:56,568 HAS BEEN TOLD SO; 308 00:28:56,568 --> 00:29:00,940 AND HE SAYS HE'LL STAND AT YOUR DOOR LIKE A SHERIFF'S POST, 309 00:29:00,940 --> 00:29:02,541 BUT HE'LL SPEAK WITH YOU. 310 00:29:02,541 --> 00:29:04,143 WHAT KIND O' MAN IS HE? 311 00:29:04,143 --> 00:29:05,744 OF MANKIND. 312 00:29:07,947 --> 00:29:09,515 WHAT MANNER OF MAN? 313 00:29:09,515 --> 00:29:12,218 OF VERY ILL MANNER; HE'LL SPEAK WITH YOU, WILL YOU, OR NO. 314 00:29:12,218 --> 00:29:14,753 OF WHAT PERSONAGE AND YEARS IS HE? 315 00:29:14,753 --> 00:29:16,956 NOT YET OLD ENOUGH FOR A MAN, 316 00:29:16,956 --> 00:29:18,757 NOR YOUNG ENOUGH FOR A BOY. 317 00:29:18,757 --> 00:29:22,862 ONE WOULD THINK HIS MOTHER'S MILK WERE SCARCE OUT OF HIM. 318 00:29:24,563 --> 00:29:25,898 LET HIM APPROACH. 319 00:29:25,898 --> 00:29:29,035 CALL IN MY GENTLEWOMAN. 320 00:29:32,571 --> 00:29:34,773 GENTLEWOMAN. 321 00:29:36,575 --> 00:29:38,777 MY LADY CALLS. 322 00:29:41,147 --> 00:29:44,183 WE'LL ONCE MORE HEAR ORSINO'S EMBASSY. 323 00:29:46,986 --> 00:29:48,787 GIVE ME MY VEIL. 324 00:30:22,654 --> 00:30:24,456 UH... 325 00:30:24,456 --> 00:30:26,258 THE, UH... 326 00:30:26,258 --> 00:30:29,028 HONORABLE LADY OF THE HOUSE... 327 00:30:29,028 --> 00:30:30,496 WHICH IS SHE? 328 00:30:31,931 --> 00:30:36,235 SPEAK TO ME, I SHALL ANSWER FOR HER: 329 00:30:36,235 --> 00:30:37,836 YOUR WILL? 330 00:30:42,241 --> 00:30:45,044 AHEM. 331 00:30:45,044 --> 00:30:49,248 MOST RADIANT, EXQUISITE, AND UNMATCHED BEAUTY! 332 00:30:50,749 --> 00:30:53,652 I PRAY YOU, TELL ME IF THIS BE THE LADY OF THE HOUSE, 333 00:30:53,652 --> 00:30:54,921 FOR I NEVER SAW HER. 334 00:30:54,921 --> 00:30:56,188 I WOULD BE LOATH TO CAST AWAY MY SPEECH. 335 00:30:56,188 --> 00:30:58,057 I HAVE TAKEN GREAT PAINS TO LEARN IT. 336 00:30:58,057 --> 00:30:59,125 WHENCE CAME YOU, SIR? 337 00:30:59,125 --> 00:31:01,460 THAT QUESTION'S OUT OF MY PART. 338 00:31:01,460 --> 00:31:03,062 GOOD GENTLE ONE, GIVE ME MODEST ASSURANCE 339 00:31:03,062 --> 00:31:04,696 IF YOU BE THE LADY OF THE HOUSE. 340 00:31:04,696 --> 00:31:06,198 ARE YOU A COMEDIAN? 341 00:31:06,198 --> 00:31:09,068 NO, MY PROFOUND HEART: 342 00:31:09,068 --> 00:31:12,171 ARE YOU THE LADY OF THE HOUSE? 343 00:31:12,171 --> 00:31:13,339 I AM. 344 00:31:13,339 --> 00:31:15,074 I WILL ON WITH MY SPEECH IN YOUR PRAISE. 345 00:31:15,074 --> 00:31:16,542 COME TO WHAT IS IMPORTANT IN'T: 346 00:31:16,542 --> 00:31:18,077 I FORGIVE YOU THE PRAISE. 347 00:31:18,077 --> 00:31:20,079 ALAS, I TOOK GREAT PAINS TO STUDY IT. 348 00:31:20,079 --> 00:31:21,480 'TIS POETICAL. 349 00:31:21,480 --> 00:31:22,949 IT IS THE MORE LIKE TO BE FEIGNED. 350 00:31:22,949 --> 00:31:24,683 I HEARD YOU WERE SAUCY AT MY GATES, 351 00:31:24,683 --> 00:31:27,686 AND ALLOWED YOUR APPROACH RATHER TO WONDER AT YOU THAN TO HEAR YOU. 352 00:31:27,686 --> 00:31:29,088 IF YOU BE MAD, BE GONE; 353 00:31:29,088 --> 00:31:31,623 IF YOU HAVE REASON, BE BRIEF. 354 00:31:31,623 --> 00:31:34,826 WILL YOU HOIST SAIL, SIR? HERE LIES YOUR WAY. 355 00:31:34,826 --> 00:31:36,228 NO, GOOD SWABBER; 356 00:31:36,228 --> 00:31:38,230 I AM TO HULL HERE A LITTLE LONGER... 357 00:31:38,230 --> 00:31:40,432 SOME MOLLIFICATION FOR YOUR GIANT, SWEET LADY. 358 00:31:40,432 --> 00:31:42,434 SPEAK YOUR OFFICE. 359 00:31:43,835 --> 00:31:49,241 IT ALONE CONCERNS YOUR EAR. 360 00:31:49,241 --> 00:31:51,543 I BRING NO OVERTURE OF WAR; 361 00:31:51,543 --> 00:31:53,745 MY WORDS ARE AS FULL OF PEACE AS MATTER. 362 00:31:53,745 --> 00:31:55,014 YET YOU BEGAN RUDELY. 363 00:31:55,014 --> 00:31:56,248 WHAT ARE YOU? WHAT WOULD YOU? 364 00:31:56,248 --> 00:31:57,416 THE RUDENESS THAT HATH APPEARED IN ME 365 00:31:57,416 --> 00:32:00,052 HAVE I LEARNED FROM MY ENTERTAINMENT. 366 00:32:01,253 --> 00:32:04,856 WHAT I AM, AND WHAT I WOULD, 367 00:32:04,856 --> 00:32:07,559 ARE AS SECRET AS MAIDENHEAD: 368 00:32:07,559 --> 00:32:10,262 TO YOUR EARS, DIVINITY; 369 00:32:10,262 --> 00:32:12,498 TO ANY OTHERS, PROFANATION. 370 00:32:28,280 --> 00:32:32,084 GIVE US THIS PLACE ALONE: 371 00:32:32,084 --> 00:32:35,621 WE WILL HEAR THIS DIVINITY. 372 00:32:37,789 --> 00:32:40,159 NOW, SIR, WHAT IS YOUR TEXT? 373 00:32:41,493 --> 00:32:42,694 MOST SWEET LADY-- 374 00:32:42,694 --> 00:32:44,696 A COMFORTABLE DOCTRINE, AND MUCH MAY BE SAID OF IT. 375 00:32:44,696 --> 00:32:45,964 WHERE LIES YOUR TEXT? 376 00:32:45,964 --> 00:32:47,399 IN ORSINO'S BOSOM. 377 00:32:47,399 --> 00:32:49,301 IN HIS BOSOM? 378 00:32:49,301 --> 00:32:51,170 IN WHAT CHAPTER OF HIS BOSOM? 379 00:32:51,170 --> 00:32:52,971 IN THE FIRST OF HIS HEART. 380 00:32:52,971 --> 00:32:56,108 O, I HAVE READ IT; IT'S HERESY. 381 00:32:57,909 --> 00:33:00,912 HAVE YOU NO MORE TO SAY? 382 00:33:00,912 --> 00:33:03,715 GOOD MADAM, LET ME SEE YOUR FACE. 383 00:33:03,715 --> 00:33:08,320 HAVE YOU ANY COMMISSION FROM YOUR LORD TO NEGOTIATE WITH MY FACE? 384 00:33:08,320 --> 00:33:10,922 YOU ARE NOW OUT OF YOUR TEXT: 385 00:33:10,922 --> 00:33:12,924 BUT WE WILL DRAW THE CURTAIN, 386 00:33:12,924 --> 00:33:15,127 AND SHOW YOU THE PICTURE. 387 00:33:18,530 --> 00:33:20,532 LOOK YOU, SIR. 388 00:33:20,532 --> 00:33:23,001 IS'T NOT WELL 389 00:33:23,001 --> 00:33:24,936 EXCELLENTLY DONE... 390 00:33:24,936 --> 00:33:27,739 IF GOD DID ALL. 391 00:33:27,739 --> 00:33:32,544 'TIS IN GRAIN, SIR, 'TWILL ENDURE WIND AND WEATHER. 392 00:33:35,781 --> 00:33:39,017 'TIS BEAUTY TRULY BLENT. 393 00:33:39,017 --> 00:33:42,354 LADY, YOU ARE THE CRUELL'ST SHE ALIVE, 394 00:33:42,354 --> 00:33:44,956 IF YOU WILL LEAD THESE GRACES TO THE GRAVE, 395 00:33:44,956 --> 00:33:47,093 AND LEAVE THE WORLD NO COPY. 396 00:33:47,093 --> 00:33:50,496 O, SIR, I WILL NOT BE SO HARD-HEARTED; 397 00:33:50,496 --> 00:33:54,100 I WILL GIVE OUT DIVERS SCHEDULES OF MY BEAUTY: 398 00:33:54,100 --> 00:33:56,768 IT SHALL BE INVENTORIED, 399 00:33:56,768 --> 00:34:00,972 AND EVERY PARTICLE AND UTENSIL LABELED: AS, ITEM, 400 00:34:00,972 --> 00:34:02,974 TWO LIPS INDIFFERENT RED; 401 00:34:02,974 --> 00:34:07,379 ITEM, TWO BROWN EYES WITH LIDS TO THEM; 402 00:34:07,379 --> 00:34:10,582 ITEM, ONE NECK, ONE CHIN, AND SO FORTH. 403 00:34:10,582 --> 00:34:12,584 I SEE WHAT YOU ARE, 404 00:34:12,584 --> 00:34:14,386 YOU ARE TOO PROUD; 405 00:34:14,386 --> 00:34:17,989 BUT, THOUGH YOU WERE THE DEVIL, YOU ARE FAIR... 406 00:34:17,989 --> 00:34:21,393 MY LORD AND MASTER LOVES YOU; 407 00:34:21,393 --> 00:34:23,395 SUCH LOVE COULD BE BUT RECOMPENSED, 408 00:34:23,395 --> 00:34:25,597 THOUGH YOU WERE CROWNED THE NONPAREIL OF BEAUTY! 409 00:34:25,597 --> 00:34:26,998 HOW DOES HE LOVE ME? 410 00:34:26,998 --> 00:34:30,001 WITH ADORATIONS... 411 00:34:30,001 --> 00:34:33,004 WITH FERTILE TEARS... 412 00:34:33,004 --> 00:34:37,008 WITH GROANS THAT THUNDER LOVE... 413 00:34:37,008 --> 00:34:41,613 WITH SIGHS OF FIRE. 414 00:34:45,417 --> 00:34:49,020 YOUR LORD DOES KNOW MY MIND, 415 00:34:49,020 --> 00:34:51,423 I CANNOT LOVE HIM: 416 00:34:51,423 --> 00:34:53,425 YET I SUPPOSE HIM VIRTUOUS, 417 00:34:53,425 --> 00:34:56,295 KNOW HIM NOBLE, OF GREAT ESTATE, 418 00:34:56,295 --> 00:34:58,029 OF FRESH AND STAINLESS YOUTH, 419 00:34:58,029 --> 00:35:01,433 LEARNED AND VALIANT: 420 00:35:01,433 --> 00:35:04,670 BUT YET I CANNOT LOVE HIM. 421 00:35:04,670 --> 00:35:07,439 IF I DID LOVE YOU IN MY MASTER'S FLAME, 422 00:35:07,439 --> 00:35:08,907 WITH SUCH A SUFF'RING, 423 00:35:08,907 --> 00:35:13,445 SUCH A DEADLY LIFE, IN YOUR DENIAL I FIND NO SENSE, 424 00:35:13,445 --> 00:35:16,047 I WOULD NOT UNDERSTAND IT. 425 00:35:16,047 --> 00:35:19,251 WHY, WHAT WOULD YOU? 426 00:35:21,052 --> 00:35:24,456 MAKE ME A WILLOW CABIN AT YOUR GATE, 427 00:35:24,456 --> 00:35:28,794 AND CALL UPON MY SOUL WITHIN THE HOUSE, 428 00:35:28,794 --> 00:35:31,397 WRITE LOYAL CANTONS OF CONTEMNED LOVE, 429 00:35:31,397 --> 00:35:34,833 AND SING THEM LOUD EVEN IN THE DEAD OF NIGHT; 430 00:35:34,833 --> 00:35:37,903 HOLLA YOUR NAME TO THE REVERBERATE HILLS, 431 00:35:37,903 --> 00:35:44,476 AND MAKE THE BABBLING GOSSIP OF THE AIR CRY OUT... 432 00:35:44,476 --> 00:35:49,681 OLIVIA! 433 00:35:49,681 --> 00:35:50,816 SHH! 434 00:35:52,218 --> 00:35:57,088 O, YOU SHOULD NOT REST BETWEEN THE ELEMENTS OF AIR AND EARTH, 435 00:35:57,088 --> 00:36:00,692 BUT YOU SHOULD PITY ME. 436 00:36:00,692 --> 00:36:02,694 YOU MIGHT DO MUCH. 437 00:36:07,032 --> 00:36:09,501 WHAT IS YOUR PARENTAGE? 438 00:36:09,501 --> 00:36:12,704 ABOVE MY FORTUNES, YET MY STATE IS WELL: 439 00:36:12,704 --> 00:36:15,307 I AM A GENTLEMAN. 440 00:36:19,077 --> 00:36:21,112 GET YOU TO YOUR LORD; 441 00:36:21,112 --> 00:36:23,715 I CANNOT LOVE HIM. 442 00:36:28,119 --> 00:36:30,322 LET HIM SEND NO MORE. 443 00:36:32,791 --> 00:36:35,994 UNLESS--PERCHANCE-- YOU COME TO ME AGAIN, 444 00:36:35,994 --> 00:36:37,729 TO TELL ME HOW HE TAKES IT... 445 00:36:37,729 --> 00:36:39,130 FARE THEE WELL. 446 00:36:39,130 --> 00:36:41,132 I THANK YOU FOR YOUR PAINS: 447 00:36:41,132 --> 00:36:42,534 SPEND THIS FOR ME. 448 00:36:42,534 --> 00:36:43,902 I AM NO FEE'D POST, LADY; 449 00:36:43,902 --> 00:36:44,903 KEEP YOUR PURSE. 450 00:36:44,903 --> 00:36:49,741 MY MASTER, NOT MYSELF, LACKS RECOMPENSE. 451 00:36:51,543 --> 00:36:56,147 FAREWELL, FAIR CRUELTY. 452 00:36:59,551 --> 00:37:01,420 Olivia, thinking: WHAT IS YOUR PARENTAGE? 453 00:37:01,420 --> 00:37:05,123 ABOVE MY FORTUNES, YET MY STATE IS WELL: 454 00:37:05,123 --> 00:37:06,525 I AM A GENTLEMAN. 455 00:37:06,525 --> 00:37:08,159 I'LL BE SWORN THOU ART! 456 00:37:08,159 --> 00:37:10,562 NAY! NOT TOO FAST: SOFT! SOFT! 457 00:37:10,562 --> 00:37:12,931 UNLESS THE MASTER WERE THE MAN... 458 00:37:12,931 --> 00:37:13,965 HOW NOW! 459 00:37:13,965 --> 00:37:17,168 EVEN SO QUICKLY MAY ONE CATCH THE PLAGUE? 460 00:37:17,168 --> 00:37:20,105 METHINKS I FEEL THIS YOUTH'S PERFECTIONS 461 00:37:20,105 --> 00:37:22,173 WITH AN INVISIBLE AND SUBTLE STEALTH 462 00:37:22,173 --> 00:37:25,176 TO CREEP IN AT MINE EYES... 463 00:37:25,176 --> 00:37:27,779 WELL... 464 00:37:27,779 --> 00:37:29,180 LET IT BE. 465 00:37:29,180 --> 00:37:32,384 WHAT, HO, MALVOLIO! 466 00:37:34,185 --> 00:37:36,988 HERE, MADAM, AT YOUR SERVICE. 467 00:37:36,988 --> 00:37:39,925 UH, RUN AFTER THAT SAME PEEVISH MESSENGER, 468 00:37:39,925 --> 00:37:41,327 THE COUNTY'S MAN: 469 00:37:41,327 --> 00:37:42,594 HE LEFT THIS RING BEHIND HIM, 470 00:37:42,594 --> 00:37:45,196 WOULD I OR NOT; TELL HIM I'LL NONE OF IT. 471 00:37:45,196 --> 00:37:46,598 DESIRE HIM NOT TO FLATTER WITH HIS LORD 472 00:37:46,598 --> 00:37:48,199 NOR HOLD HIM UP WITH HOPES-- 473 00:37:48,199 --> 00:37:49,601 I AM NOT FOR HIM: 474 00:37:49,601 --> 00:37:51,603 IF THAT YOUTH WILL COME THIS WAY TOMORROW, 475 00:37:51,603 --> 00:37:54,806 I'LL, UH, GIVE HIM REASONS FOR'T. 476 00:37:56,942 --> 00:37:59,210 HIE THEE, MALVOLIO. 477 00:37:59,210 --> 00:38:01,413 MADAM, I WILL. 478 00:38:03,048 --> 00:38:05,250 I DO I KNOW NOT WHAT, 479 00:38:05,250 --> 00:38:08,754 AND FEAR TO FIND MINE EYE TOO GREAT A FLATTERER FOR MY MIND... 480 00:38:08,754 --> 00:38:10,689 FATE, SHOW THY FORCE-- 481 00:38:10,689 --> 00:38:12,358 OURSELVES WE DO NOT OWE-- 482 00:38:12,358 --> 00:38:17,062 WHAT IS DECREED, MUST BE; AND BE THIS SO! 483 00:38:43,789 --> 00:38:46,392 WERE YOU NOT EVEN NOW WITH THE COUNTESS OLIVIA? 484 00:38:46,392 --> 00:38:47,826 EVEN NOW, SIR. 485 00:38:47,826 --> 00:38:50,396 ON A MODERATE PACE I HAVE SINCE ARRIVED BUT HITHER. 486 00:38:50,396 --> 00:38:52,398 SHE RETURNS THIS RING TO YOU, SIR; 487 00:38:52,398 --> 00:38:53,799 YOU MIGHT HAVE SAVED ME MY PAINS, 488 00:38:53,799 --> 00:38:55,634 TO HAVE TAKEN IT AWAY YOURSELF. 489 00:38:55,634 --> 00:38:58,537 SHE ADDS MOREOVER, THAT YOU SHOULD PUT YOUR LORD INTO A DESPERATE ASSURANCE 490 00:38:58,537 --> 00:39:00,005 SHE WILL NONE OF HIM. 491 00:39:00,005 --> 00:39:01,773 WELL, RECEIVE IT SO. 492 00:39:01,773 --> 00:39:03,174 SHE TOOK THE RING OF ME... 493 00:39:03,174 --> 00:39:04,376 I'LL NONE OF IT. 494 00:39:04,376 --> 00:39:07,513 COME, SIR, YOU PEEVISHLY THREW IT TO HER; 495 00:39:07,513 --> 00:39:09,915 AND HER WILL IS, IT SHOULD BE SO RETURNED. 496 00:39:10,816 --> 00:39:12,384 IF IT BE WORTH STOOPING FOR, 497 00:39:12,384 --> 00:39:13,819 THERE IT LIES IN YOUR EYE; 498 00:39:13,819 --> 00:39:16,622 IF NOT, BE IT HIS THAT FINDS IT. 499 00:39:17,623 --> 00:39:20,025 I LEFT NO RING WITH HER. 500 00:39:25,163 --> 00:39:27,733 Viola: WHAT MEANS THIS LADY? 501 00:39:27,733 --> 00:39:31,637 FORTUNE FORBID MY OUTSIDE HAVE NOT CHARMED HER. 502 00:39:33,439 --> 00:39:36,241 SHE MADE GOOD VIEW OF ME... 503 00:39:36,241 --> 00:39:39,845 INDEED SO MUCH, METHOUGHT HER EYES HAD LOST HER TONGUE, 504 00:39:39,845 --> 00:39:45,050 FOR SHE DID SPEAK IN STARTS... DISTRACTEDLY. 505 00:39:47,052 --> 00:39:49,655 SHE LOVES ME. 506 00:39:50,889 --> 00:39:51,990 SURE. 507 00:39:54,460 --> 00:39:58,664 I AM THE MAN. 508 00:40:01,467 --> 00:40:03,268 WILL YOU STAY NO LONGER? 509 00:40:04,269 --> 00:40:07,072 LET ME YET KNOW OF YOU WHITHER YOU ARE BOUND. 510 00:40:07,072 --> 00:40:08,474 NO... 511 00:40:08,474 --> 00:40:10,075 SOOTH, SIR. 512 00:40:19,485 --> 00:40:22,087 YOU MUST KNOW OF ME THEN, ANTONIO... 513 00:40:23,221 --> 00:40:26,892 MY NAME IS SEBASTIAN. 514 00:40:26,892 --> 00:40:29,628 MY FATHER WAS THAT SEBASTIAN OF MESSALINE, 515 00:40:29,628 --> 00:40:31,897 WHOM I KNOW YOU HAVE HEARD OF. 516 00:40:31,897 --> 00:40:38,003 HE LEFT BEHIND HIM MYSELF AND MY SISTER VIOLA, 517 00:40:38,003 --> 00:40:39,505 BOTH BORN IN AN HOUR: 518 00:40:39,505 --> 00:40:42,508 WOULD WE HAD SO ENDED! 519 00:40:42,508 --> 00:40:45,644 BUT YOU, SIR, ALTERED THAT, 520 00:40:45,644 --> 00:40:50,181 BEFORE YOU TOOK ME FROM THE BREACH OF THE SEA WAS MY SISTER DROWNED. 521 00:40:50,181 --> 00:40:52,050 ALAS, THE DAY! 522 00:40:53,519 --> 00:40:56,522 A LADY, SIR... 523 00:40:56,522 --> 00:40:59,925 THOUGH IT WAS SAID SHE MUCH RESEMBLED ME, 524 00:40:59,925 --> 00:41:03,128 WAS YET OF MANY ACCOUNTED BEAUTIFUL. 525 00:41:14,940 --> 00:41:17,342 GOOD ANTONIO, FORGIVE ME YOUR TROUBLE. 526 00:41:17,342 --> 00:41:22,147 IF YOU WILL NOT MURDER ME FOR MY LOVE, LET ME BE YOUR SERVANT. 527 00:41:22,147 --> 00:41:23,549 DESIRE IT NOT. 528 00:41:23,549 --> 00:41:25,751 FARE THEE WELL AT ONCE. 529 00:41:35,961 --> 00:41:38,564 I AM BOUND FOR THE COUNT ORSINO'S COURT-- 530 00:41:38,564 --> 00:41:40,065 FAREWELL! 531 00:41:43,569 --> 00:41:47,973 THE GENTLENESS OF ALL THE GODS GO WITH THEE. 532 00:41:47,973 --> 00:41:50,976 I HAVE MANY ENEMIES IN ORSINO'S COURT, 533 00:41:50,976 --> 00:41:56,014 ELSE WOULD I VERY SHORTLY SEE THEE THERE. 534 00:41:56,982 --> 00:42:01,587 O, WHEN MINE EYES DID SEE OLIVIA FIRST... 535 00:42:01,587 --> 00:42:05,190 METHOUGHT SHE PURGED THE AIR OF PESTILENCE. 536 00:42:10,596 --> 00:42:12,998 THAT INSTANT WAS I TURNED INTO A HEART 537 00:42:12,998 --> 00:42:16,201 AND MY DESIRES LIKE FELL AND CRUEL HANDS 538 00:42:16,201 --> 00:42:18,469 HAVE SINCE PURSUE ME. 539 00:42:20,271 --> 00:42:23,141 HA HA HA! 540 00:42:33,151 --> 00:42:36,622 APPROACH, SIR ANDREW. 541 00:42:36,622 --> 00:42:39,625 SIR ANDREW? 542 00:42:48,634 --> 00:42:49,968 HELP! 543 00:42:57,976 --> 00:42:59,444 MARIA! 544 00:43:04,049 --> 00:43:06,051 MARIA! 545 00:43:07,786 --> 00:43:10,455 MARIAN, I SAY! 546 00:43:10,455 --> 00:43:12,590 A STOUP OF WINE! 547 00:43:17,262 --> 00:43:20,465 DID YOU NEVER SEE THE PICTURE OF "WE THREE"? 548 00:43:20,465 --> 00:43:22,067 AAH! 549 00:43:22,067 --> 00:43:23,468 AAH! 550 00:43:23,468 --> 00:43:25,070 HA HA HA! 551 00:43:25,070 --> 00:43:27,338 WELCOME, ASS. 552 00:43:28,807 --> 00:43:30,642 * THREE MERRY MEN BE WE * 553 00:43:30,642 --> 00:43:33,111 * THREE MERRY MEN BE WE * 554 00:43:33,111 --> 00:43:37,082 * THREE MERRY MEN BE WE * 555 00:43:37,082 --> 00:43:38,549 SHH! SIR TOBY! 556 00:43:38,549 --> 00:43:40,686 SHH! 557 00:43:40,686 --> 00:43:43,889 TILLYVALLY! "LADY"! 558 00:43:43,889 --> 00:43:46,457 BESHREW ME, THE KNIGHT IS IN ADMIRABLE FOOLING. 559 00:43:46,457 --> 00:43:51,663 * THERE DWELT A MAN IN BABYLON, LADY, LADY * 560 00:44:05,043 --> 00:44:06,712 MALVOLIO'S NOSE IS NO WHIPSTOCK: 561 00:44:06,712 --> 00:44:09,647 AND THE MYRMIDONS ARE NO BOTTLE-ALE HOUSES. 562 00:44:09,647 --> 00:44:12,984 HA HA HA! EXCELLENT! 563 00:44:17,555 --> 00:44:20,025 NOW A SONG! 564 00:44:22,027 --> 00:44:25,697 HERE COMES FIT THIS SIXPENCE FOR YOU. LET'S HAVE A SONG. 565 00:44:29,334 --> 00:44:33,939 THAT OLD AND ANTIC SONG WE HEARD LAST NIGHT: 566 00:44:33,939 --> 00:44:36,708 METHOUGHT IT DID RELIEVE MY PASSION MUCH. 567 00:44:36,708 --> 00:44:40,545 HE IS NOT HERE, SO PLEASE YOUR LORDSHIP, WHO SHOULD SING IT? 568 00:44:40,545 --> 00:44:41,947 WHO WAS IT? 569 00:44:41,947 --> 00:44:43,448 UH, FESTE, MY LORD, 570 00:44:43,448 --> 00:44:48,453 A FOOL THAT THE LADY OLIVIA'S FATHER TOOK MUCH DELIGHT IN. 571 00:44:48,453 --> 00:44:52,157 WILL YOU HAVE A LOVE-SONG, OR A SONG OF GOOD LIFE? 572 00:44:52,157 --> 00:44:53,524 A LOVE-SONG. 573 00:44:53,524 --> 00:44:54,960 A LOVE-SONG. 574 00:44:54,960 --> 00:44:57,428 AY, AY. I CARE NOT FOR GOOD LIFE. 575 00:45:04,502 --> 00:45:10,275 * O MISTRESS MINE, WHERE ARE YOU ROAMING? * 576 00:45:10,275 --> 00:45:19,951 * O, STAY AND HEAR, YOUR TRUE LOVE'S COMING * 577 00:45:19,951 --> 00:45:21,152 * THAT... * 578 00:45:46,611 --> 00:45:49,180 HOW DOST THOU LIKE THIS TUNE? 579 00:45:50,415 --> 00:45:53,985 IT GIVES A VERY ECHO TO THE SEAT WHERE LOVE IS THRONED. 580 00:45:55,020 --> 00:45:57,355 THOU DOST SPEAK MASTERLY. 581 00:45:59,757 --> 00:46:07,632 * EVERY WISE MAN'S SON DOTH KNOW * 582 00:46:07,632 --> 00:46:09,634 EXCELLENT GOOD, I'FAITH. 583 00:46:09,634 --> 00:46:11,502 GOOD, GOOD. 584 00:46:11,502 --> 00:46:13,504 * WHAT IS LOVE * 585 00:46:13,504 --> 00:46:16,174 * 'TIS NOT HEREAFTER * 586 00:46:16,174 --> 00:46:23,214 * PRESENT MIRTH HATH PRESENT LAUGHTER * 587 00:46:23,214 --> 00:46:26,317 MY LIFE UPON'T, YOUNG THOUGH THOU ART, 588 00:46:26,317 --> 00:46:29,787 THINE EYE HATH STAYED UPON SOME FAVOUR THAT IT LOVES: 589 00:46:29,787 --> 00:46:32,257 HATH IT NOT, BOY? 590 00:46:33,658 --> 00:46:35,226 A LITTLE, BY YOUR FAVOUR. 591 00:46:36,461 --> 00:46:38,463 WHAT KIND OF WOMAN IS'T? 592 00:46:39,664 --> 00:46:41,232 OF YOUR COMPLEXION. 593 00:46:42,667 --> 00:46:46,071 SHE IS NOT WORTH THEE THEN. 594 00:46:46,071 --> 00:46:48,506 WHAT YEARS, I'FAITH? 595 00:46:48,506 --> 00:46:49,908 O, ABOUT YOUR YEARS. 596 00:46:49,908 --> 00:46:51,676 TOO OLD, BY HEAVEN. 597 00:46:52,978 --> 00:46:56,681 LET STILL THE WOMAN TAKE AN ELDER THAN HERSELF; 598 00:46:56,681 --> 00:46:58,683 SO WEARS SHE TO HIM, 599 00:46:58,683 --> 00:47:02,687 FOR, BOY... 600 00:47:02,687 --> 00:47:05,490 HOWEVER WE DO PRAISE OURSELVES, 601 00:47:05,490 --> 00:47:08,493 OUR FANCIES ARE MORE GIDDY AND UNFIRM, 602 00:47:08,493 --> 00:47:11,096 MORE LONGING, WAVERING, 603 00:47:11,096 --> 00:47:15,100 SOONER LOST AND WORN, THAN WOMEN'S ARE. 604 00:47:15,100 --> 00:47:16,501 I THINK IT WELL, MY LORD. 605 00:47:16,501 --> 00:47:21,306 THEN LET THY LOVE BE YOUNGER THAN THYSELF, HMM? 606 00:47:21,306 --> 00:47:23,108 WOMEN ARE... 607 00:47:23,108 --> 00:47:29,114 AS ROSES, WHOSE FAIR FLOWER BEING ONCE DISPLAYED... 608 00:47:29,114 --> 00:47:32,550 DOTH FALL THAT VERY HOUR. 609 00:47:35,320 --> 00:47:36,922 SO THEY ARE. 610 00:47:39,590 --> 00:47:43,561 ALAS, THAT THEY ARE SO. 611 00:47:45,130 --> 00:47:51,536 TO DIE, EVEN WHEN THEY TO PERFECTION GROW! 612 00:47:51,536 --> 00:47:56,942 * WHAT'S TO COME IS STILL UNSURE * 613 00:47:56,942 --> 00:48:06,884 * WHAT'S TO COME IS STILL UNSURE * 614 00:48:06,884 --> 00:48:11,389 * IN DELAY THERE LIES NO PLENTY * 615 00:48:11,389 --> 00:48:20,298 * THEN COME KISS ME, SWEET AND TWENTY * 616 00:48:20,298 --> 00:48:25,470 * YOUTH'S A STUFF WILL NOT ENDURE * 617 00:48:25,470 --> 00:48:33,979 * YOUTH'S A STUFF WILL NOT ENDURE * 618 00:48:33,979 --> 00:48:40,118 * YOUTH'S A STUFF WILL NOT ENDURE * 619 00:48:40,118 --> 00:48:52,063 * YOUTH'S A STUFF WILL NOT ENDURE * 620 00:48:59,537 --> 00:49:02,007 HUH. 621 00:49:06,644 --> 00:49:10,581 A MELLIFLUOUS VOICE, AS I AM TRUE KNIGHT. 622 00:49:10,581 --> 00:49:12,150 CONTAGIOUS BREATH. 623 00:49:12,150 --> 00:49:16,087 VERY SWEET AND CONTAGIOUS, I'FAITH. 624 00:49:17,822 --> 00:49:21,626 BUT SHALL WE... 625 00:49:21,626 --> 00:49:25,997 SHALL WE MAKE THE WELKIN DANCE INDEED? 626 00:49:25,997 --> 00:49:27,598 SHALL WE DO THAT? 627 00:49:27,598 --> 00:49:29,367 NO, AND I DO NOT! 628 00:49:29,367 --> 00:49:31,702 * THERE DWELT A MAN IN BABYLON * 629 00:49:31,702 --> 00:49:33,638 * THERE DWELT A MAN IN BABYLON * 630 00:49:33,638 --> 00:49:35,440 * THERE DWELT A MAN IN BABYLON * 631 00:49:40,245 --> 00:49:41,412 * BABYLON * 632 00:49:41,412 --> 00:49:42,713 * THERE DWELT A MAN IN BABYLON * 633 00:49:42,713 --> 00:49:44,282 * THERE DWELT A MAN IN BABYLON * 634 00:49:44,282 --> 00:49:46,517 * THERE DWELT A MAN IN BABYLON * 635 00:49:46,517 --> 00:49:50,421 * O' THE TWELFTH DAY OF DECEMBER * 636 00:49:50,421 --> 00:49:54,625 * MY TRUE LOVE SAID TO ME * 637 00:50:25,290 --> 00:50:29,560 MY MASTERS, ARE YOU MAD? 638 00:50:29,560 --> 00:50:31,696 HAVE YOU NO WIT, MANNERS, NOR HONESTY, 639 00:50:31,696 --> 00:50:35,300 BUT TO GABBLE LIKE TINKERS AT THIS TIME OF NIGHT? 640 00:50:35,300 --> 00:50:38,769 DO YE MAKE AN ALE-HOUSE OF MY LADY'S HOUSE? 641 00:50:41,706 --> 00:50:45,543 IS THERE NO RESPECT OF PLACE, PERSONS, NOR TIME IN YOU? 642 00:50:45,543 --> 00:50:48,646 WE DID KEEP TIME, SIR, IN OUR CATCHES. 643 00:50:50,515 --> 00:50:52,317 SNECK UP. 644 00:51:06,697 --> 00:51:08,766 SIR TOBY... 645 00:51:08,766 --> 00:51:11,369 I MUST BE ROUND WITH YOU. 646 00:51:11,369 --> 00:51:13,771 MY MISTRESS BADE ME TELL YOU, 647 00:51:13,771 --> 00:51:17,608 THAT, THOUGH SHE HARBOURS YOU AS HER KINSMAN, 648 00:51:17,608 --> 00:51:19,910 SHE'S NOTHING ALLIED TO YOUR DISORDERS. 649 00:51:19,910 --> 00:51:24,382 IF YOU CAN SEPARATE YOURSELF AND YOUR MISDEMEANOURS, 650 00:51:24,382 --> 00:51:26,384 YOU ARE WELCOME TO THE HOUSE; 651 00:51:26,384 --> 00:51:31,021 IF NOT, SHE IS VERY WILLING TO BID YOU FAREWELL. 652 00:51:31,021 --> 00:51:34,959 * FAREWELL, DEAR HEART * 653 00:51:34,959 --> 00:51:36,394 * SINCE I MUST NEEDS BE GONE * 654 00:51:36,394 --> 00:51:38,796 NAY, GOOD SIR TOBY. 655 00:51:38,796 --> 00:51:43,801 * HIS EYES DO SHOW HIS DAYS ARE ALMOST DONE * 656 00:51:45,403 --> 00:51:47,672 * BUT I WILL NEVER DIE * 657 00:51:47,672 --> 00:51:50,375 * SIR TOBY, THERE YOU LIE * 658 00:51:50,375 --> 00:51:52,410 THIS IS MUCH CREDIT TO YOU. 659 00:51:52,410 --> 00:51:53,411 * SHALL I BID HIM GO? * 660 00:51:53,411 --> 00:51:55,513 * WHAT AN IF YOU DO? * 661 00:51:55,513 --> 00:51:58,283 * SHALL I BID HIM GO AND SPARE NOT? * 662 00:51:58,283 --> 00:51:59,684 * O NO, NO, NO, NO, * 663 00:51:59,684 --> 00:52:02,019 * NO, NO, NO, NO, NO, NO * 664 00:52:02,019 --> 00:52:05,423 * YOU DARE NOT * 665 00:52:07,024 --> 00:52:09,627 OUT O' TUNE, SIR. 666 00:52:09,627 --> 00:52:11,229 YOU LIE... 667 00:52:19,437 --> 00:52:23,374 ART ANY MORE THAN A STEWARD? 668 00:52:26,244 --> 00:52:32,450 DOST THOU THINK BECAUSE THOU ART VIRTUOUS, 669 00:52:32,450 --> 00:52:34,852 THERE SHALL BE NO MORE CAKES AND ALE? 670 00:52:34,852 --> 00:52:39,357 Feste: YES, BY SAINT ANNE, AND GINGER SHALL BE HOT I'TH' MOUTH TOO. 671 00:52:39,357 --> 00:52:40,758 TH'ART I'TH' RIGHT. 672 00:52:40,758 --> 00:52:43,027 GO, SIR, RUB YOUR CHAIN WITH CRUMBS... 673 00:52:43,027 --> 00:52:45,263 A STOUP OF WINE, MARIA. 674 00:52:48,666 --> 00:52:51,068 MISTRESS MARY... 675 00:52:51,068 --> 00:52:53,304 IF YOU PRIZED MY LADY'S FAVOUR 676 00:52:53,304 --> 00:52:56,874 AT ANYTHING MORE THAN CONTEMPT, 677 00:52:56,874 --> 00:53:01,546 YOU WOULD NOT GIVE MEANS FOR THIS UNCIVIL RULE. 678 00:53:21,098 --> 00:53:23,401 SHE SHALL KNOW OF IT. 679 00:53:28,105 --> 00:53:29,707 BY THIS HAND. 680 00:53:33,444 --> 00:53:36,281 GO SHAKE YOUR EARS. 681 00:53:37,582 --> 00:53:42,119 Sir Toby: ENOUGH OF THESE OVERWHELMING RULES... 682 00:53:42,119 --> 00:53:43,721 BOLTS AND SHACKLES! 683 00:53:43,721 --> 00:53:45,122 NOW BE PATIENT! 684 00:53:45,122 --> 00:53:46,724 YEAH! 685 00:53:49,527 --> 00:53:53,531 FOR MONSIEUR MALVOLIO... 686 00:53:53,531 --> 00:53:56,133 IF I DO NOT MAKE HIM A COMMON RECREATION, 687 00:53:56,133 --> 00:53:57,535 DO NOT THINK I HAVE WIT ENOUGH 688 00:53:57,535 --> 00:53:59,136 TO LIE STRAIGHT IN MY BED: 689 00:53:59,136 --> 00:54:00,538 I KNOW I CAN DO IT. 690 00:54:00,538 --> 00:54:04,742 POSSESS US, POSSESS US, TELL US SOMETHING OF HIM. 691 00:54:04,742 --> 00:54:06,544 MARRY, SIR... 692 00:54:06,544 --> 00:54:09,380 SOMETIMES HE IS A KIND OF PURITAN. 693 00:54:09,380 --> 00:54:11,382 O, IF I THOUGHT THAT, I'D BEAT HIM LIKE A DOG. 694 00:54:11,382 --> 00:54:12,817 Maria: DEVIL A PURITAN THAT HE IS, 695 00:54:12,817 --> 00:54:15,820 OR ANY THING CONSTANTLY BUT A TIME-PLEASER, 696 00:54:15,820 --> 00:54:18,556 SO CRAMMED, AS HE THINKS, WITH EXCELLENCIES, 697 00:54:18,556 --> 00:54:20,157 THAT IT IS HIS GROUND OF FAITH 698 00:54:20,157 --> 00:54:22,360 THAT ALL THAT LOOK ON HIM LOVE HIM; 699 00:54:22,360 --> 00:54:28,165 AND ON THAT VICE IN HIM WILL MY REVENGE FIND NOTABLE CAUSE TO WORK. 700 00:54:28,165 --> 00:54:29,767 WHAT WILT THOU DO? 701 00:54:33,571 --> 00:54:36,173 I WILL DROP IN HIS WAY 702 00:54:36,173 --> 00:54:38,976 SOME OBSCURE EPISTLE OF LOVE, 703 00:54:38,976 --> 00:54:44,382 WHEREIN HE WILL FIND HIMSELF MOST FEELINGLY PERSONATED. 704 00:54:48,486 --> 00:54:53,391 I CAN WRITE VERY LIKE MY LADY YOUR NIECE... 705 00:54:54,592 --> 00:54:56,594 ON A FORGOTTEN MATTER 706 00:54:56,594 --> 00:54:59,196 WE CAN HARDLY MAKE DISTINCTION OF OUR HANDS. 707 00:54:59,196 --> 00:55:00,798 EXCELLENT! 708 00:55:00,798 --> 00:55:02,199 I SMELL A DEVICE. 709 00:55:02,199 --> 00:55:04,802 I HAVE'T IN MY NOSE TOO. 710 00:55:04,802 --> 00:55:06,404 FOR THIS NIGHT... 711 00:55:07,805 --> 00:55:08,806 TO BED. 712 00:55:14,812 --> 00:55:16,414 AHEM. 713 00:55:18,215 --> 00:55:20,418 DREAM ON THE EVENT. 714 00:55:21,819 --> 00:55:23,421 FAREWELL. 715 00:55:25,623 --> 00:55:29,827 GOOD NIGHT, PENTHESILEA. 716 00:55:34,632 --> 00:55:38,235 BEFORE ME, SHE'S A GOOD WENCH. 717 00:55:38,235 --> 00:55:42,239 SHE'S A BEAGLE, TRUE-BRED... 718 00:55:42,239 --> 00:55:45,443 AND ONE THAT ADORES ME. 719 00:55:47,244 --> 00:55:48,479 WHAT O' THAT? 720 00:55:50,247 --> 00:55:53,384 I WAS ADORED ONCE TOO. 721 00:55:56,854 --> 00:55:59,457 COME, I'LL GO BURN SOME SACK, 722 00:55:59,457 --> 00:56:02,460 'TIS TOO LATE TO GO TO BED NOW. 723 00:56:09,266 --> 00:56:11,469 UH! 724 00:56:19,276 --> 00:56:26,684 DISGUISE, I SEE THOU ART A WICKEDNESS, 725 00:56:26,684 --> 00:56:30,488 WHEREIN THE PREGNANT ENEMY DOTH MUCH. 726 00:56:33,290 --> 00:56:36,827 HOW WILL THIS FADGE? 727 00:56:38,295 --> 00:56:41,699 AS I AM MAN... 728 00:56:41,699 --> 00:56:47,304 MY STATE IS DESPERATE FOR MY MASTER'S LOVE. 729 00:56:47,304 --> 00:56:50,307 AS I AM WOMAN... 730 00:56:50,307 --> 00:56:51,709 NOW ALAS THE DAY! 731 00:56:51,709 --> 00:56:57,915 WHAT THRIFTLESS SIGHS WILL POOR OLIVIA BREATHE? 732 00:57:19,937 --> 00:57:20,938 COME HITHER, BOY. 733 00:57:23,941 --> 00:57:25,409 AHEM. 734 00:57:25,409 --> 00:57:27,211 COME, BOY. COME. 735 00:57:46,163 --> 00:57:49,567 HOW WILL SHE LOVE WHEN THE RICH, GOLDEN SHAFT 736 00:57:49,567 --> 00:57:54,572 HAS KILLED THE FLOCK OF ALL AFFECTIONS ELSE THAT LIVE IN HER... 737 00:58:02,179 --> 00:58:11,488 AND WHEN BRAIN AND HEART ARE ALL SUPPLIED WITH ONE SELF KING? 738 00:58:26,403 --> 00:58:29,006 SIR, SHALL I TO THIS LADY? 739 00:58:30,407 --> 00:58:32,409 AY, THAT'S THE THEME. 740 00:58:32,409 --> 00:58:34,612 TO HER IN HASTE. 741 00:58:36,213 --> 00:58:41,852 TELL HER MY LOVE WILL GIVE NO PLACE, BIDE NO DENAY... 742 00:58:43,554 --> 00:58:48,025 MALVOLIO IS COMING DOWN THIS WALK! 743 00:58:53,831 --> 00:58:55,532 COME THY WAYS, SIGNIOR FABIAN. 744 00:58:55,532 --> 00:58:58,435 WOULDST THOU NOT BE GLAD TO HAVE THE NIGGARDLY RASCALLY SHEEP-BITER 745 00:58:58,435 --> 00:58:59,837 COME BY SOME NOTABLE SHAME? 746 00:58:59,837 --> 00:59:01,839 YOU KNOW, HE BROUGHT ME OUT O'FAVOUR WITH MY LADY 747 00:59:01,839 --> 00:59:03,774 ABOUT A BEAR-BAITING HERE. 748 00:59:08,445 --> 00:59:10,648 GET YE ALL THREE INTO THE BOX-TREE. 749 00:59:14,051 --> 00:59:17,054 MY LADY. 750 00:59:17,054 --> 00:59:20,057 MY LADY! 751 00:59:20,057 --> 00:59:22,526 COUNTESS. 752 00:59:22,526 --> 00:59:24,028 AHEM. 753 00:59:24,028 --> 00:59:27,665 HERE COMES THE TROUT THAT MUST BE CAUGHT WITH TICKLING. 754 00:59:30,134 --> 00:59:34,071 'TIS BUT FORTUNE, ALL IS FORTUNE. 755 00:59:36,473 --> 00:59:39,877 MARIA ONCE TOLD ME SHE DID AFFECT ME, 756 00:59:39,877 --> 00:59:42,880 AND I HAVE HEARD HERSELF COME THUS NEAR, 757 00:59:42,880 --> 00:59:45,349 THAT SHOULD SHE FANCY... 758 00:59:47,484 --> 00:59:52,089 IT SHOULD BE ONE OF MY COMPLEXION. 759 00:59:54,725 --> 01:00:00,965 BESIDES, SHE USES ME WITH A MORE EXALTED... 760 01:00:00,965 --> 01:00:03,734 'SLIGHT, I COULD SO BEAT THE ROGUE! 761 01:00:03,734 --> 01:00:07,037 TO BE COUNT MALVOLIO! 762 01:00:07,037 --> 01:00:09,073 AH, ROGUE! 763 01:00:11,508 --> 01:00:13,110 AH. 764 01:00:16,313 --> 01:00:19,917 HAVING BEEN THREE MONTHS MARRIED TO HER, 765 01:00:19,917 --> 01:00:22,019 SITTING IN MY STATE... 766 01:00:22,019 --> 01:00:25,923 O, FOR MY STONE-BOW, TO HIT HIM IN THE EYE! 767 01:00:25,923 --> 01:00:31,729 CALLING MY OFFICERS ABOUT ME, IN MY BRANCHED VELVET GOWN... 768 01:00:34,932 --> 01:00:43,307 HAVING COME FROM A DAY-BED WHERE, I LEFT OLIVIA SLEEPING. 769 01:00:47,544 --> 01:00:50,848 AND AFTER A DEMURE TRAVEL OF REGARD, 770 01:00:50,848 --> 01:00:52,549 TELLING THEM I KNOW MY PLACE 771 01:00:52,549 --> 01:00:54,584 AS I WOULD THEY SHOULD DO THEIRS, 772 01:00:54,584 --> 01:00:58,155 TO ASK FOR MY KINSMAN... 773 01:00:58,155 --> 01:00:59,423 TOBY. 774 01:00:59,423 --> 01:01:01,158 BOLTS AND SHACKLES! 775 01:01:02,960 --> 01:01:07,164 I FROWN THE WHILE, AND PERCHANCE WIND UP MY WATCH, 776 01:01:07,164 --> 01:01:10,768 OR PLAY WITH MY... 777 01:01:12,169 --> 01:01:14,171 SOME RICH JEWEL. 778 01:01:15,572 --> 01:01:17,674 TOBY APPROACHES; 779 01:01:17,674 --> 01:01:19,076 CURTSIES THERE TO ME. 780 01:01:19,076 --> 01:01:24,982 I EXTEND MY HAND TO HIM THUS; SAYING, "COUSIN TOBY, 781 01:01:24,982 --> 01:01:27,651 YOU MUST AMEND YOUR DRUNKENNESS." 782 01:01:27,651 --> 01:01:28,953 OUT, SCAB! 783 01:01:33,590 --> 01:01:37,461 WHAT EMPLOYMENT HAVE WE HERE? 784 01:01:47,337 --> 01:01:49,406 BY MY LIFE... 785 01:01:49,406 --> 01:01:52,542 THIS IS MY LADY'S HAND. 786 01:01:52,542 --> 01:02:00,217 "TO THE UNKNOWN BELOVED, THIS, AND MY GOOD WISHES." 787 01:02:01,618 --> 01:02:03,187 BY YOUR LEAVE, WAX. 788 01:02:03,187 --> 01:02:07,624 SOFT!--AND THE IMPRESSURE HER LUCRECE, 789 01:02:07,624 --> 01:02:10,227 WITH WHICH SHE USES TO SEAL. 790 01:02:15,632 --> 01:02:17,835 'TIS MY LADY. 791 01:02:19,036 --> 01:02:21,238 TO WHOM SHOULD THIS BE? 792 01:02:24,041 --> 01:02:27,044 "JOVE KNOWS I LOVE: BUT WHO? 793 01:02:27,044 --> 01:02:30,047 LIPS, DO NOT MOVE! NO MAN MUST KNOW." 794 01:02:32,649 --> 01:02:34,651 NO MAN MUST KNOW... 795 01:02:36,653 --> 01:02:41,959 IF THIS SHOULD BE THEE, MALVOLIO! 796 01:02:41,959 --> 01:02:44,361 "I MAY COMMAND WHERE I ADORE: 797 01:02:44,361 --> 01:02:46,463 "BUT SILENCE, LIKE A LUCRECE KNIFE, 798 01:02:46,463 --> 01:02:49,066 "WITH BLOODLESS STROKE MY HEART DOTH GORE: 799 01:02:49,066 --> 01:02:51,869 M, O, A, I, DOTH SWAY MY LIFE." 800 01:02:53,270 --> 01:02:54,104 "M..." 801 01:02:54,104 --> 01:02:57,274 EXCELLENT WENCH, SAY I. 802 01:02:57,274 --> 01:02:59,509 LET ME SEE HERE. 803 01:02:59,509 --> 01:03:02,880 "M, O, A, I." 804 01:03:04,548 --> 01:03:08,085 "I MAY COMMAND WHERE I ADORE." 805 01:03:08,085 --> 01:03:11,688 WHY, SHE MAY COMMAND ME; 806 01:03:11,688 --> 01:03:14,491 I SERVE HER, SHE IS MY LADY. 807 01:03:14,491 --> 01:03:18,695 AND THE END: WHAT SHOULD THAT ALPHABETICAL POSITION PORTEND? 808 01:03:18,695 --> 01:03:21,298 "M, O, A, I." 809 01:03:21,298 --> 01:03:23,300 MOAI. 810 01:03:23,300 --> 01:03:25,302 MOAI? 811 01:03:25,302 --> 01:03:27,104 "M..." 812 01:03:27,104 --> 01:03:28,705 "M"--MALVOLIO--"M." 813 01:03:28,705 --> 01:03:32,109 WHY, THAT BEGINS MY NAME--"M." 814 01:03:32,109 --> 01:03:34,511 "A" SHOULD FOLLOW, BUT "O" DOES. 815 01:03:34,511 --> 01:03:38,515 "M, O, A." AND YET, TO CRUSH THIS A LITTLE, 816 01:03:38,515 --> 01:03:44,321 IT WOULD BOW TO ME, FOR EVERY ONE OF THESE LETTERS ARE IN MY NAME. 817 01:03:44,321 --> 01:03:46,190 SOFT! 818 01:03:55,132 --> 01:03:56,967 HERE FOLLOWS PROSE... 819 01:03:56,967 --> 01:04:00,905 "IN MY STARS, I AM ABOVE THEE, 820 01:04:00,905 --> 01:04:03,140 "BUT BE NOT AFRAID OF GREATNESS: 821 01:04:03,140 --> 01:04:05,142 "SOME ARE BORN GREAT, SOME ACHIEVE GREATNESS, 822 01:04:05,142 --> 01:04:07,978 "AND SOME HAVE GREATNESS THRUST UPON THEM. 823 01:04:07,978 --> 01:04:11,882 "BE OPPOSITE WITH A KINSMAN, SURLY WITH SERVANTS; 824 01:04:11,882 --> 01:04:15,552 "LET THY TONGUE TANG ARGUMENTS OF STATE; 825 01:04:15,552 --> 01:04:19,156 "PUT THYSELF INTO THE TRICK OF SINGULARITY. 826 01:04:19,156 --> 01:04:23,760 "SHE THUS ADVISES THEE THAT SIGHS FOR THEE. 827 01:04:23,760 --> 01:04:25,362 REMEMBER WHO..." 828 01:04:27,164 --> 01:04:31,435 "REMEMBER WHO COMMENDED THY YELLOW STOCKINGS, 829 01:04:31,435 --> 01:04:34,371 "AND WISHED TO SEE THEE EVER CROSS-GARTERED: 830 01:04:34,371 --> 01:04:35,572 "I SAY, REMEMBER. 831 01:04:35,572 --> 01:04:38,575 "GO TO, THOU ART MADE, IF THOU DESIR'ST TO BE SO; 832 01:04:38,575 --> 01:04:42,046 "IF NOT, LET ME SEE THEE A STEWARD STILL! 833 01:04:42,046 --> 01:04:44,982 "THE FELLOW OF SERVANTS, AND NOT WORTHY TO TOUCH FORTUNE'S FINGERS. 834 01:04:44,982 --> 01:04:51,188 FAREWELL. SHE, THAT WOULD ALTER SERVICES WITH THEE, THE FORTUNATE-UNHAPPY." 835 01:04:51,188 --> 01:04:54,258 DAYLIGHT AND CHAMPIAN DISCOVERS NOT MORE: 836 01:04:54,258 --> 01:04:59,196 I WILL BE PROUD, I WILL BAFFLE SIR TOBY, 837 01:04:59,196 --> 01:05:01,598 I WILL WASH OFF GROSS ACQUAINTANCE, 838 01:05:01,598 --> 01:05:05,602 I WILL BE POINT-DEVICE THE VERY MAN. 839 01:05:05,602 --> 01:05:10,207 I DO NOT NOW FOOL MYSELF, TO LET IMAGINATION JADE ME; 840 01:05:10,207 --> 01:05:14,811 FOR EVERY REASON EXCITES ME TO THIS, 841 01:05:14,811 --> 01:05:18,382 THAT MY LADY LOVES ME. 842 01:05:19,083 --> 01:05:21,918 JOVE, AND MY STARS BE PRAISED! 843 01:05:21,918 --> 01:05:25,322 LOOK. HERE IS YET A POSTSCRIPT. 844 01:05:25,322 --> 01:05:27,724 "THOU CANST NOT CHOOSE BUT KNOW WHO I AM. 845 01:05:27,724 --> 01:05:30,927 "IF THOU ENTERTAIN'ST MY LOVE, LET IT APPEAR IN THY SMILING, 846 01:05:30,927 --> 01:05:32,729 "THY SMILES BECOME THEE WELL. 847 01:05:32,729 --> 01:05:39,536 THEREFORE IN MY PRESENCE STILL SMILE, DEAR, MY SWEET, I PRITHEE." 848 01:05:41,538 --> 01:05:44,541 JOVE, I THANK THEE. 849 01:05:44,541 --> 01:05:47,144 I WILL SMILE. 850 01:05:55,685 --> 01:05:59,689 I WILL DO EVERYTHING THAT THOU WILT HAVE ME! 851 01:05:59,689 --> 01:06:03,893 JOVE, I THANK THEE! 852 01:06:03,893 --> 01:06:07,131 Malvolio: JOVE, I AM HAPPY! 853 01:06:07,131 --> 01:06:09,299 DAYLIGHT, CHAMPIAN! 854 01:06:09,299 --> 01:06:10,967 I WILL NOT GIVE MY PART OF THIS SPORT 855 01:06:10,967 --> 01:06:12,369 FOR A PENSION OF THOUSANDS! 856 01:06:12,369 --> 01:06:13,837 I COULD MARRY THIS WENCH FOR THIS DEVICE. 857 01:06:13,837 --> 01:06:15,572 SO COULD I TOO. 858 01:06:17,007 --> 01:06:20,944 WILT THOU SET THY FOOT O' MY NECK? 859 01:06:20,944 --> 01:06:22,346 OR O' MINE EITHER? 860 01:06:23,980 --> 01:06:27,251 NAY, BUT SAY TRUE, DOES IT WORK UPON HIM? 861 01:06:27,251 --> 01:06:29,986 LIKE AQUA-VITAE WITH A MIDWIFE. 862 01:06:29,986 --> 01:06:34,391 THEN MARK HIS FIRST APPROACH BEFORE MY LADY: 863 01:06:34,391 --> 01:06:37,961 HE WILL COME TO HER IN YELLOW STOCKINGS, 864 01:06:37,961 --> 01:06:40,997 AND 'TIS A COLOUR SHE ABHORS. 865 01:06:40,997 --> 01:06:43,733 HA HA HA! 866 01:07:19,636 --> 01:07:21,238 UH! 867 01:07:35,852 --> 01:07:40,056 SAVE THEE, FRIEND: DOST THOU LIVE BY THY MUSIC? 868 01:07:40,056 --> 01:07:42,659 NO, SIR, I LIVE BY THE CHURCH. 869 01:07:42,659 --> 01:07:44,060 ART THOU A CHURCHMAN? 870 01:07:44,060 --> 01:07:46,463 NO SUCH MATTER, SIR, I DO LIVE BY THE CHURCH: 871 01:07:46,463 --> 01:07:48,064 FOR I DO LIVE AT MY HOUSE, 872 01:07:48,064 --> 01:07:51,201 AND MY HOUSE DOTH STAND BY THE CHURCH. 873 01:07:52,669 --> 01:07:53,670 HOLD. 874 01:07:56,072 --> 01:07:58,642 THERE'S EXPENSES FOR THEE. 875 01:07:58,642 --> 01:08:00,577 NOW... 876 01:08:00,577 --> 01:08:04,080 JOVE, IN HIS NEXT COMMODITY OF HAIR, 877 01:08:04,080 --> 01:08:05,849 SEND THEE A BEARD! 878 01:08:07,083 --> 01:08:09,085 BY MY TROTH I'LL TELL THEE, 879 01:08:09,085 --> 01:08:11,688 I AM ALMOST SICK FOR ONE... 880 01:08:13,089 --> 01:08:15,392 BUT I WOULD NOT HAVE IT GROW ON MY CHIN. 881 01:08:15,392 --> 01:08:18,695 IS THY LADY WITHIN? 882 01:08:20,497 --> 01:08:23,367 I WOULD PLAY LORD PANDARUS OF PHRYGIA, SIR, 883 01:08:23,367 --> 01:08:26,703 TO BRING A CRESSIDA TO THIS TROILUS. 884 01:08:26,703 --> 01:08:28,705 I UNDERSTAND YOU, SIR, 885 01:08:28,705 --> 01:08:30,507 'TIS WELL BEGGED. 886 01:08:30,507 --> 01:08:34,110 THE MATTER IS NOT GREAT, SIR; 887 01:08:34,110 --> 01:08:36,313 BEGGING BUT A BEGGAR. 888 01:08:40,717 --> 01:08:43,720 CRESSIDA WAS A BEGGAR. 889 01:08:45,722 --> 01:08:47,157 MY LADY IS WITHIN, SIR. 890 01:08:47,157 --> 01:08:50,727 I WILL CONSTER TO HER WHENCE YOU COME. 891 01:09:16,152 --> 01:09:18,154 GOD SAVE YOU, GENTLEMAN. 892 01:09:18,154 --> 01:09:19,556 AND YOU, SIR. 893 01:09:19,556 --> 01:09:21,157 DIEU VOUS GARDE, MONSIEUR. 894 01:09:21,157 --> 01:09:24,160 ET VOUS AUSSI; VOTRE SERVITEUR. 895 01:09:24,160 --> 01:09:27,564 I HOPE, SIR, YOU ARE-- AND I AM YOURS. 896 01:09:27,564 --> 01:09:30,767 MY NIECE IS DESIROUS YOU SHOULD ENTER, 897 01:09:30,767 --> 01:09:32,569 IF YOUR TRADE BE TO HER. 898 01:09:32,569 --> 01:09:35,004 YOUR NIECE, SIR, IS THE LIST OF MY VOYAGE. 899 01:09:35,004 --> 01:09:36,873 Viola: BUT WE HAVE PREVENTED. 900 01:09:39,543 --> 01:09:41,144 MOST EXCELLENT ACCOMPLISHED LADY, 901 01:09:41,144 --> 01:09:43,179 THE HEAVENS RAIN ODOURS ON YOU. 902 01:09:43,179 --> 01:09:44,581 RAIN ODOURS? 903 01:09:44,581 --> 01:09:46,783 THAT YOUTH'S A RARE COURTIER. 904 01:09:52,589 --> 01:09:54,591 MY MASTER HATH NO VOICE, LADY, 905 01:09:54,591 --> 01:09:57,794 BUT TO YOUR OWN MOST PREGNANT AND VOUCHSAFED EAR. 906 01:09:59,195 --> 01:10:00,597 ODOURS... 907 01:10:00,597 --> 01:10:02,198 PREGNANT AND VOUCHSAFED: 908 01:10:02,198 --> 01:10:04,368 I'LL GET 'EM ALL THREE ALL READY. 909 01:10:10,206 --> 01:10:12,676 LET THE GARDEN DOOR BE SHUT, 910 01:10:12,676 --> 01:10:14,778 AND LEAVE ME TO MY HEARING. 911 01:10:24,220 --> 01:10:26,623 GIVE ME YOUR HAND, SIR. 912 01:10:26,623 --> 01:10:30,427 MY DUTY, MADAM, AND MOST HUMBLE SERVICE. 913 01:10:36,232 --> 01:10:38,034 WHAT'S YOUR NAME? 914 01:10:38,034 --> 01:10:41,638 CESARIO IS YOUR SERVANT'S NAME, FAIR PRINCESS. 915 01:10:41,638 --> 01:10:44,641 Y'ARE SERVANT TO THE COUNT ORSINO, YOUTH. 916 01:10:44,641 --> 01:10:48,645 AND HE IS YOURS, AND HIS MUST NEEDS BE YOURS. 917 01:10:48,645 --> 01:10:51,247 WELL, FOR HIM, I THINK NOT ON HIM: 918 01:10:51,247 --> 01:10:52,649 NOT FOR HIS THOUGHTS. 919 01:10:52,649 --> 01:10:54,651 WOULD THEY WERE BLANKS, RATHER THAN FILLED WITH ME! 920 01:10:54,651 --> 01:10:56,853 I COME TO WHET YOUR THOUGHTS ON HIS BEHALF. 921 01:10:56,853 --> 01:10:58,254 GIVE ME LEAVE... 922 01:10:58,254 --> 01:10:59,856 BESEECH YOU. 923 01:11:04,861 --> 01:11:07,263 I DID SEND... 924 01:11:07,263 --> 01:11:10,700 AFTER THE LAST ENCHANTMENT YOU DID HERE... 925 01:11:12,201 --> 01:11:14,404 A RING IN CHASE OF YOU; 926 01:11:14,404 --> 01:11:17,674 SO DID I ABUSE MYSELF, 927 01:11:17,674 --> 01:11:20,877 MY SERVANT AND, I FEAR ME, YOU... 928 01:11:22,412 --> 01:11:25,682 TO FORCE THAT ON YOU IN A SHAMEFUL CUNNING 929 01:11:25,682 --> 01:11:29,285 WHICH YOU KNEW NONE OF YOURS: 930 01:11:29,285 --> 01:11:31,688 WHAT MIGHT YOU THINK? 931 01:11:31,688 --> 01:11:34,958 HAVE YOU NOT SET MINE HONOUR AT THE STAKE? 932 01:11:36,292 --> 01:11:38,895 LET ME HEAR YOU SPEAK. 933 01:11:40,296 --> 01:11:44,300 I PITY YOU. 934 01:11:44,300 --> 01:11:46,436 THAT'S A DEGREE TO LOVE. 935 01:11:46,436 --> 01:11:49,706 NO, NOT A GRISE; 936 01:11:49,706 --> 01:11:55,512 FOR 'TIS A VULGAR PROOF, THAT VERY OFT WE PITY ENEMIES. 937 01:12:08,925 --> 01:12:11,327 WHY THEN... 938 01:12:11,327 --> 01:12:15,331 METHINKS 'TIS TIME TO SMILE AGAIN. 939 01:12:18,735 --> 01:12:23,339 THE CLOCK UPBRAIDS ME WITH THE WASTE OF TIME. 940 01:12:26,743 --> 01:12:30,346 BE NOT AFRAID, GOOD YOUTH, I WILL NOT HAVE YOU. 941 01:12:30,346 --> 01:12:31,748 OH. 942 01:12:31,748 --> 01:12:37,754 AND YET, WHEN WIT AND YOUTH IS COME TO HARVEST, 943 01:12:37,754 --> 01:12:41,558 YOUR WIFE IS LIKE TO REAP A PROPER MAN. 944 01:12:42,759 --> 01:12:46,563 THERE LIES YOUR WAY, DUE WEST. 945 01:12:48,264 --> 01:12:52,368 THEN, UH, WESTWARD-HO! 946 01:12:54,170 --> 01:12:55,371 OH. 947 01:12:55,371 --> 01:13:01,645 YOU'LL NOTHING, MADAM, TO MY LORD BY ME? 948 01:13:05,181 --> 01:13:07,584 STAY! 949 01:13:09,786 --> 01:13:12,789 I PRITHEE, TELL ME WHAT THOU THINK'ST OF ME. 950 01:13:12,789 --> 01:13:15,792 THAT YOU DO THINK YOU ARE NOT WHAT YOU ARE. 951 01:13:15,792 --> 01:13:18,394 WELL, IF I THINK SO, I THINK THE SAME OF YOU. 952 01:13:18,394 --> 01:13:19,996 WELL, THEN THINK YOU RIGHT; 953 01:13:19,996 --> 01:13:21,397 I AM NOT WHAT I AM. 954 01:13:21,397 --> 01:13:23,399 I WOULD YOU WERE AS I WOULD HAVE YOU BE! 955 01:13:23,399 --> 01:13:24,801 WOULD IT BE BETTER, MADAM, THAN I AM, 956 01:13:24,801 --> 01:13:26,402 I WISH IT MIGHT, FOR NOW I AM YOUR FOOL. 957 01:13:26,402 --> 01:13:29,405 O, WHAT A DEAL OF SCORN LOOKS BEAUTIFUL 958 01:13:29,405 --> 01:13:31,407 IN THE CONTEMPT AND ANGER OF HIS LIP! 959 01:13:31,407 --> 01:13:33,810 O, GRACE MY GOOD DISPOSITION 960 01:13:33,810 --> 01:13:37,013 TO TEND YOUR LADYSHIP. 961 01:13:37,814 --> 01:13:40,416 CESARIO, BY THE ROSES OF THE SPRING, 962 01:13:40,416 --> 01:13:44,488 BY MAIDHOOD, HONOUR, TRUTH, AND EVERY THING, 963 01:13:44,488 --> 01:13:47,891 I LOVE THEE SO, THAT, MAUGRE ALL THY PRIDE, 964 01:13:47,891 --> 01:13:50,960 NOR WIT NOR REASON CAN MY PASSION HIDE. 965 01:13:53,062 --> 01:13:54,864 BY INNOCENCE I SWEAR, 966 01:13:54,864 --> 01:13:57,867 AND BY MY YOUTH, I HAVE ONE HEART, 967 01:13:57,867 --> 01:13:59,869 ONE BOSOM, AND ONE TRUTH, 968 01:13:59,869 --> 01:14:02,672 AND THAT NO WOMAN HAS... 969 01:14:03,873 --> 01:14:08,678 NOR NEVER NONE SHALL MISTRESS BE OF IT, SAVE I ALONE. 970 01:14:13,483 --> 01:14:15,084 AND SO... 971 01:14:17,086 --> 01:14:20,289 ADIEU, GOOD MADAM! 972 01:14:20,289 --> 01:14:24,093 NEVER MORE WILL I MY MASTER'S TEARS TO YOU DEPLORE. 973 01:14:24,093 --> 01:14:25,495 YET COME AGAIN: 974 01:14:25,495 --> 01:14:27,497 FOR THOU PERHAPS MAYST MOVE THAT HEART, 975 01:14:27,497 --> 01:14:30,099 WHICH NOW ABHORS, TO LIKE HIS LOVE. 976 01:15:27,957 --> 01:15:30,560 I COULD NOT STAY BEHIND YOU. 977 01:15:30,560 --> 01:15:33,763 MY KIND ANTONIO. 978 01:15:34,964 --> 01:15:36,966 BUT NOT ALL LOVE TO SEE YOU. 979 01:15:36,966 --> 01:15:39,969 YOU, SIR, ARE A STRANGER IN THESE PARTS. 980 01:15:39,969 --> 01:15:44,574 I CAN NO OTHER ANSWER MAKE BUT THANKS, AND THANKS; 981 01:15:44,574 --> 01:15:46,976 AND EVER OFT GOOD TURNS ARE SHUFFLED OFF 982 01:15:46,976 --> 01:15:49,779 WITH SUCH UNCURRENT PAY. 983 01:15:52,582 --> 01:15:56,185 I AM NOT WEARY. 'TIS LONG TILL NIGHT. 984 01:15:57,086 --> 01:16:00,256 I PRAY YOU, LET US SATISFY OUR EYES 985 01:16:00,256 --> 01:16:04,994 WITH THE MEMORIALS AND THINGS OF FAME THAT DO RENOWN THIS CITY. 986 01:16:04,994 --> 01:16:07,997 I DO NOT WITHOUT DANGER WALK THESE STREETS. 987 01:16:07,997 --> 01:16:12,001 ONCE IN A SEA FIGHT 'GAINST ORSINO'S GALLEYS 988 01:16:12,001 --> 01:16:15,404 I DID SOME SERVICE, OF SUCH NOTE INDEED 989 01:16:15,404 --> 01:16:18,742 THAT WERE I TA'EN HERE, IT WOULD SCARCE BE ANSWERED. 990 01:16:18,742 --> 01:16:21,611 BELIKE YOU SLEW GREAT NUMBER OF HIS PEOPLE. 991 01:16:21,611 --> 01:16:25,615 FOR WHICH, IF I BE LAPSED IN THIS PLACE, 992 01:16:25,615 --> 01:16:26,816 I SHALL PAY DEAR. 993 01:16:26,816 --> 01:16:29,018 DO NOT THEN WALK TOO OPEN. 994 01:16:29,018 --> 01:16:32,822 YOU SHALL FIND ME AT THE ELEPHANT. 995 01:16:35,491 --> 01:16:36,626 WHY I YOUR PURSE? 996 01:16:36,626 --> 01:16:39,028 HAPLY YOUR EYE SHALL LIGHT ON 997 01:16:39,028 --> 01:16:42,632 SOME TOY YOU HAVE DESIRE TO PURCHASE; 998 01:16:42,632 --> 01:16:45,034 AND YOUR STORE, I THINK, 999 01:16:45,034 --> 01:16:48,905 IS NOT FOR IDLE MARKETS, SIR. 1000 01:16:52,709 --> 01:16:54,243 AT TH'ELEPHANT. 1001 01:16:54,243 --> 01:16:55,845 I DO REMEMBER. 1002 01:17:00,183 --> 01:17:03,653 EVER THOU SHALL LOVE REMEMBER ME. 1003 01:17:05,054 --> 01:17:08,858 FOR, SUCH AS I AM ALL TRUE LOVERS ARE... 1004 01:17:12,061 --> 01:17:16,666 UNSTAID AND SKITTISH IN ALL MOTIONS ELSE, 1005 01:17:16,666 --> 01:17:19,068 SAVE IN THE CONSTANT IMAGE 1006 01:17:19,068 --> 01:17:22,271 OF THE CREATURE THAT IS BELOVED. 1007 01:17:49,098 --> 01:17:52,702 O FELLOW, COME, PLAY THAT PIECE OF SONG WE HEARD LAST NIGHT. 1008 01:17:52,702 --> 01:17:56,706 MARK IT, CESARIO, IT IS OLD AND PLAIN: 1009 01:17:56,706 --> 01:18:00,176 THE SPINNERS AND THE KNITTERS IN THE SUN USED TO CHANT IT. 1010 01:18:00,176 --> 01:18:02,812 PRITHEE, SING. 1011 01:18:07,784 --> 01:18:13,823 * COME AWAY * 1012 01:18:13,823 --> 01:18:19,328 * COME AWAY DEATH * 1013 01:18:19,328 --> 01:18:31,407 * AND IN SAD CYPRESS LET ME BE LAID * 1014 01:18:31,407 --> 01:18:36,279 * FLY AWAY BREATH * 1015 01:18:36,279 --> 01:18:43,152 * FLY AWAY, FLY AWAY BREATH * 1016 01:18:43,152 --> 01:18:55,064 * I AM SLAIN BY A FAIR CRUEL MAID * 1017 01:18:58,868 --> 01:19:04,107 * NOT A FRIEND * 1018 01:19:04,107 --> 01:19:08,945 * NOT A FRIEND GREET * 1019 01:19:08,945 --> 01:19:15,184 * MY POOR CORPSE * 1020 01:19:15,184 --> 01:19:21,057 * WHERE MY BONES SHALL BE THROWN * 1021 01:19:21,057 --> 01:19:30,566 * A THOUSAND THOUSAND SIGHS TO SAVE * 1022 01:19:30,566 --> 01:19:33,269 * LAY ME O WHERE * 1023 01:19:33,269 --> 01:19:45,314 * SAD TRUE LOVER NEVER FIND MY GRAVE * 1024 01:19:46,615 --> 01:19:55,992 * TO WEEP THERE * 1025 01:20:01,898 --> 01:20:03,900 THERE'S FOR THY PAINS. 1026 01:20:03,900 --> 01:20:06,602 NO PAINS, SIR. I TAKE PLEASURE IN SINGING. 1027 01:20:06,602 --> 01:20:08,404 I'LL PAY THY PLEASURE, THEN. 1028 01:20:08,404 --> 01:20:10,606 TRULY, SIR, AND PLEASURE WILL BE PAID... 1029 01:20:10,606 --> 01:20:12,942 ONE TIME OR ANOTHER. 1030 01:20:18,147 --> 01:20:20,749 NOW, THE MELANCHOLY GOD PROTECT YOU, 1031 01:20:20,749 --> 01:20:24,287 FOR YOUR MIND IS A VERY OPAL. 1032 01:20:24,287 --> 01:20:25,855 FAREWELL. 1033 01:20:26,755 --> 01:20:28,757 Duke: ONCE MORE, CESARIO, 1034 01:20:28,757 --> 01:20:32,161 GET THEE TO YON SAME SOVEREIGN CRUELTY. 1035 01:20:32,161 --> 01:20:34,530 BUT IF SHE CANNOT LOVE YOU, SIR? 1036 01:20:34,530 --> 01:20:36,032 I CANNOT SO BE ANSWERED. 1037 01:20:36,032 --> 01:20:37,700 SOOTH, BUT YOU MUST. 1038 01:20:37,700 --> 01:20:40,569 SAY THAT SOME LADY, AS PERHAPS THERE IS, HATH FOR YOUR LOVE 1039 01:20:40,569 --> 01:20:42,972 AS GREAT A PANG OF HEART AS YOU HAVE FOR OLIVIA: 1040 01:20:42,972 --> 01:20:45,942 YOU CANNOT LOVE HER; YOU TELL HER SO; MUST SHE NOT THEN BE ANSWERED? 1041 01:20:45,942 --> 01:20:47,944 THERE IS NO WOMAN'S SIDES 1042 01:20:47,944 --> 01:20:49,778 CAN BEAR THE BEATING OF SO STRONG A PASSION 1043 01:20:49,778 --> 01:20:51,580 AS LOVE DOTH GIVE MY HEART: 1044 01:20:51,580 --> 01:20:55,184 NO WOMAN'S HEART SO BIG, TO HOLD SO MUCH, THEY LACK RETENTION. 1045 01:20:55,184 --> 01:20:57,586 ALAS, THEIR LOVE MAY BE CALLED APPETITE-- 1046 01:20:57,586 --> 01:21:01,390 BUT MINE IS ALL AS HUNGRY AS THE SEA, AND CAN DIGEST AS MUCH. 1047 01:21:03,059 --> 01:21:06,795 MAKE NO COMPARE BETWEEN THAT LOVE A WOMAN CAN BEAR ME AND THAT I OWE OLIVIA. 1048 01:21:06,795 --> 01:21:08,864 AY, BUT I KNOW-- 1049 01:21:08,864 --> 01:21:11,267 WHAT DOST THOU KNOW? 1050 01:21:11,267 --> 01:21:13,602 TOO WELL WHAT LOVE WOMEN TO MEN MAY OWE: 1051 01:21:13,602 --> 01:21:16,805 IN FAITH THEY ARE AS TRUE OF HEART AS WE. 1052 01:21:16,805 --> 01:21:19,608 MY FATHER HAD A DAUGHTER LOVED A MAN, 1053 01:21:19,608 --> 01:21:27,483 AS IT MIGHT BE, PERHAPS, WERE I A WOMAN, I SHOULD YOUR LORDSHIP. 1054 01:21:29,218 --> 01:21:31,020 AND WHAT'S HER HISTORY? 1055 01:21:38,827 --> 01:21:42,131 A BLANK, MY LORD. 1056 01:21:46,835 --> 01:21:50,639 SHE NEVER TOLD HER LOVE... 1057 01:21:50,639 --> 01:21:55,844 BUT LET CONCEALMENT LIKE A WORM I'TH' BUD 1058 01:21:55,844 --> 01:21:58,414 FEED ON HER DAMASK CHEEK. 1059 01:22:00,249 --> 01:22:04,320 SHE PINED IN THOUGHT... 1060 01:22:05,854 --> 01:22:08,857 AND WITH A GREEN AND YELLOW MELANCHOLY 1061 01:22:08,857 --> 01:22:13,196 SHE SAT LIKE PATIENCE ON A MONUMENT... 1062 01:22:15,864 --> 01:22:19,202 SMILING AT GRIEF. 1063 01:22:21,670 --> 01:22:26,709 WAS NOT THIS LOVE, INDEED? 1064 01:22:29,745 --> 01:22:30,946 OH. 1065 01:22:31,880 --> 01:22:35,884 WE MEN MAY SAY MORE, SWEAR MORE-- 1066 01:22:35,884 --> 01:22:39,688 BUT INDEED OUR SHOWS ARE MORE THAN WILL; 1067 01:22:39,688 --> 01:22:48,231 FOR STILL WE PROVE MUCH IN OUR VOWS, BUT LITTLE IN OUR LOVE. 1068 01:22:54,303 --> 01:22:57,706 BUT DIED THY SISTER OF HER LOVE, MY BOY? 1069 01:22:57,706 --> 01:23:00,509 I AM ALL THE DAUGHTERS OF MY FATHER'S HOUSE... 1070 01:23:01,910 --> 01:23:05,314 AND ALL THE BROTHERS TOO... 1071 01:23:05,314 --> 01:23:08,717 AND YET I KNOW NOT... 1072 01:23:33,942 --> 01:23:37,280 I'LL DO MY BEST TO WOO YOUR LADY. 1073 01:23:39,948 --> 01:23:43,352 Viola, thinking: YET, A BARFUL STRIFE! 1074 01:23:43,352 --> 01:23:47,556 WHOE'ER I WOO, MYSELF WOULD BE HIS WIFE. 1075 01:24:35,604 --> 01:24:36,805 HEY! 1076 01:25:21,016 --> 01:25:23,452 NO, FAITH, I'LL NOT STAY A JOT LONGER. 1077 01:25:23,452 --> 01:25:25,854 THY REASON, DEAR VENOM, GIVE THY REASON. 1078 01:25:25,854 --> 01:25:29,858 MARRY, I SAW YOUR NIECE DO MORE FAVOURS TO THE COUNT'S SERVING-MAN 1079 01:25:29,858 --> 01:25:32,861 THAN EVER SHE BESTOWED ON ME; I SAW'T I'TH'GARDEN. 1080 01:25:32,861 --> 01:25:36,064 Sir Toby: DID SHE SEE THEE THE WHILE, OLD BOY? TELL ME THAT. 1081 01:25:36,064 --> 01:25:37,866 AS PLAIN AS I SEE YOU NOW. 1082 01:25:37,866 --> 01:25:40,469 Fabian: THIS WAS A GREAT ARGUMENT OF LOVE IN HER TOWARD YOU. 1083 01:25:40,469 --> 01:25:43,472 'SLIGHT! WILL YOU MAKE AN ASS O' ME? 1084 01:25:43,472 --> 01:25:47,476 SHE DID SHOW FAVOUR TO THE YOUTH IN YOUR SIGHT, 1085 01:25:47,476 --> 01:25:50,279 ONLY TO EXASPERATE YOU, TO AWAKE YOUR DORMOUSE VALOUR: 1086 01:25:50,279 --> 01:25:56,485 YOU SHOULD THEN HAVE ACCOSTED HER, AND BANGED THE YOUTH INTO DUMBNESS: 1087 01:25:56,485 --> 01:26:00,489 YOU ARE NOW SAILED INTO THE NORTH OF MY LADY'S OPINION, 1088 01:26:00,489 --> 01:26:02,491 UNLESS YOU DO REDEEM IT 1089 01:26:02,491 --> 01:26:05,494 BY SOME LAUDABLE ATTEMPT OF EITHER VALOUR OR POLICY. 1090 01:26:05,494 --> 01:26:08,497 IT MUST BE WITH VALOUR, FOR POLICY I HATE: 1091 01:26:08,497 --> 01:26:10,899 I HAD AS LIEF BE A PURITAN, AS A POLITICIAN. 1092 01:26:10,899 --> 01:26:16,505 Sir Toby: WHY THEN. CHALLENGE THE COUNT'S YOUTH TO FIGHT WITH HIM, 1093 01:26:16,505 --> 01:26:19,074 HURT HIM IN ELEVEN PLACES-- 1094 01:26:19,074 --> 01:26:21,109 MY NIECE SHALL TAKE NOTE OF IT, 1095 01:26:21,109 --> 01:26:24,513 AND THERE IS NO LOVE-BROKER IN THE WORLD 1096 01:26:24,513 --> 01:26:26,081 CAN MORE PREVAIL WITH WOMAN THAN REPORT OF VALOUR. 1097 01:26:26,081 --> 01:26:28,517 Sir Andrew: WILL EITHER OF YOU BEAR ME A CHALLENGE TO HIM? 1098 01:26:28,517 --> 01:26:31,920 GO, WRITE IT IN A MARTIAL HAND, BE CURST AND BRIEF; 1099 01:26:31,920 --> 01:26:36,124 IT IS NO MATTER HOW WITTY, SO IT BE ELOQUENT. 1100 01:26:36,124 --> 01:26:37,393 ABOUT IT. 1101 01:26:37,393 --> 01:26:40,529 Sir Toby: TAUNT HIM WITH THE LICENSE OF INK. 1102 01:26:40,529 --> 01:26:42,130 WHERE WILL I FIND YOU? 1103 01:26:42,130 --> 01:26:43,332 GO, GO. 1104 01:26:43,332 --> 01:26:46,535 WE'LL CALL THEE AT THY CUBICULUM. 1105 01:26:47,936 --> 01:26:51,139 THIS WAS A DEAR MANAKIN TO YOU, SIR TOBY. 1106 01:26:51,139 --> 01:26:53,542 I HAVE BEEN DEAR TO HIM, LAD-- 1107 01:26:53,542 --> 01:26:56,345 SOME TWO THOUSAND STRONG, OR SO. 1108 01:26:58,146 --> 01:27:02,551 YON GULL MALVOLIO IS TURNED HEATHEN... 1109 01:27:02,551 --> 01:27:05,153 HE IS IN YELLOW STOCKINGS! 1110 01:27:05,153 --> 01:27:06,755 AND CROSS 1111 01:27:18,767 --> 01:27:21,203 HOW NOW, MALVOLIO? 1112 01:27:21,203 --> 01:27:23,772 SWEET... 1113 01:27:23,772 --> 01:27:26,174 LADY. 1114 01:27:26,174 --> 01:27:28,176 Olivia: SMIL'ST THOU? 1115 01:27:28,176 --> 01:27:30,346 I SENT FOR THEE UPON A SAD OCCASION. 1116 01:27:30,346 --> 01:27:31,780 SAD, LADY? 1117 01:27:31,780 --> 01:27:33,316 I COULD BE SAD: 1118 01:27:33,316 --> 01:27:38,186 THIS DOES MAKE SOME OBSTRUCTION IN THE BLOOD, THIS CROSS-GARTERING-- 1119 01:27:38,186 --> 01:27:39,655 BUT WHAT OF THAT? 1120 01:27:39,655 --> 01:27:44,192 IF IT PLEASE THE EYE OF ONE, "PLEASE ONE AND PLEASE ALL." 1121 01:27:44,192 --> 01:27:46,061 Olivia: WHY, HOW DOST THOU, MAN? 1122 01:27:46,061 --> 01:27:47,463 WHAT IS THE MATTER WITH THEE? 1123 01:27:47,463 --> 01:27:52,401 NOT BLACK IN MY MIND, THOUGH YELLOW IN MY LEGS... 1124 01:27:55,203 --> 01:27:57,139 IT DID COME TO HIS HANDS, 1125 01:27:57,139 --> 01:28:02,545 AND COMMANDS SHALL BE EXECUTED. 1126 01:28:05,213 --> 01:28:08,784 I THINK WE DO KNOW THE SWEET ROMAN HAND. 1127 01:28:15,624 --> 01:28:18,827 WILT THOU GO TO BED, MALVOLIO? 1128 01:28:18,827 --> 01:28:20,363 TO BED! 1129 01:28:22,230 --> 01:28:25,834 AY, SWEET-HEART... 1130 01:28:27,235 --> 01:28:29,838 AND I'LL COME TO THEE. 1131 01:28:29,838 --> 01:28:31,006 GOD COMFORT THEE! 1132 01:28:31,006 --> 01:28:34,643 WHY DOST THOU SMILE SO, AND KISS THY HAND SO OFT? 1133 01:28:34,643 --> 01:28:36,244 HOW DO YOU, MALVOLIO? 1134 01:28:36,244 --> 01:28:41,216 WHY APPEAR YOU WITH THIS RIDICULOUS BOLDNESS BEFORE MY LADY? 1135 01:28:41,216 --> 01:28:42,351 "BE NOT AFRAID OF GREATNESS": 1136 01:28:42,351 --> 01:28:43,852 'TWAS WELL WRIT. 1137 01:28:43,852 --> 01:28:45,621 WHAT MEAN'ST THOU BY THAT, MALVOLIO? 1138 01:28:45,621 --> 01:28:46,722 "SOME ARE BORN GREAT, 1139 01:28:46,722 --> 01:28:48,056 SOME ACHIEVE GREATNESS..." 1140 01:28:48,056 --> 01:28:49,291 WHAT SAY'ST THOU? 1141 01:28:49,291 --> 01:28:51,627 "AND SOME HAVE GREATNESS THRUST UPON THEM." 1142 01:28:51,627 --> 01:28:53,028 OH, GOD! STOP IT! 1143 01:28:53,028 --> 01:28:55,364 "REMEMBER, WHO COMMENDED THY YELLOW STOCKINGS 1144 01:28:55,364 --> 01:28:56,832 AND WISHED TO SEE THEE CROSS-GARTERED." 1145 01:28:56,832 --> 01:28:58,300 CROSS 1146 01:28:58,300 --> 01:29:00,469 "GO TO, THOU ART MADE, IF THOU DESIR'ST TO BE SO--" AM I MADE? 1147 01:29:00,469 --> 01:29:02,638 "IF NOT, LET ME SEE THEE A SERVANT STILL." 1148 01:29:02,638 --> 01:29:04,507 WHY, THIS IS VERY MIDSUMMER MADNESS. 1149 01:29:04,507 --> 01:29:07,643 Servant: MADAM, THE YOUNG GENTLEMAN 1150 01:29:07,643 --> 01:29:08,844 OF THE COUNT ORSINO'S IS RETURNED. 1151 01:29:08,844 --> 01:29:10,546 I'LL COME TO HIM. 1152 01:29:11,647 --> 01:29:13,982 GOOD MARIA, LET THIS FELLOW BE LOOKED TO. 1153 01:29:13,982 --> 01:29:15,718 WHERE'S MY COUSIN TOBY? 1154 01:29:15,718 --> 01:29:18,821 LET SOME OF MY PEOPLE HAVE A SPECIAL CARE OF HIM. 1155 01:29:20,656 --> 01:29:25,661 DO YOU COME NEAR ME NOW? 1156 01:29:25,661 --> 01:29:30,966 NO WORSE MAN THAN SIR TOBY TO LOOK TO ME! 1157 01:29:32,367 --> 01:29:35,404 SHE SENDS HIM ON PURPOSE, THAT I MAY APPEAR STUBBORN TO HIM. 1158 01:29:35,404 --> 01:29:37,973 I HAVE LIMED HER! 1159 01:29:39,675 --> 01:29:45,280 BUT IT IS GOD'S DOING, AND GOD MAKE ME THANKFUL! 1160 01:29:45,280 --> 01:29:47,282 AND WHEN SHE WENT AWAY NOW, 1161 01:29:47,282 --> 01:29:48,684 "LET THIS FELLOW BE LOOKED TO": 1162 01:29:48,684 --> 01:29:53,288 NOT MALVOLIO, NOT AFTER MY DEGREE, BUT A "FELLOW." 1163 01:29:53,288 --> 01:29:55,524 WHY, EVERY THING ADHERES TOGETHER. 1164 01:29:57,159 --> 01:30:00,095 WHAT CAN BE SAID? 1165 01:30:00,095 --> 01:30:07,436 NOTHING THAT CAN BE, CAN COME BETWEEN ME AND THE FULL PROSPECT OF MY HOPES. 1166 01:30:08,871 --> 01:30:10,405 ... IN THE NAME OF SANCTITY? 1167 01:30:10,405 --> 01:30:12,307 IF ALL THE DEVILS OF HELL POSSESS HIM, I'LL SPEAK TO HIM. 1168 01:30:12,307 --> 01:30:14,309 HOW IS'T WITH YOU, SIR? 1169 01:30:14,309 --> 01:30:17,079 Malvolio: GO OFF, I DISCARD YOU. 1170 01:30:17,079 --> 01:30:19,314 SIR TOBY, MY LADY PRAYS YOU TO HAVE A CARE OF HIM. 1171 01:30:19,314 --> 01:30:20,916 AH, HA! 1172 01:30:20,916 --> 01:30:23,452 DOES SHE SO! 1173 01:30:23,452 --> 01:30:26,722 WHAT, MAN! DEFY THE DEVIL. 1174 01:30:26,722 --> 01:30:28,724 DO YOU KNOW WHAT YOU SAY? 1175 01:30:28,724 --> 01:30:30,793 LA YOU! AN YOU SPEAK ILL OF THE DEVIL, 1176 01:30:30,793 --> 01:30:32,761 HOW HE TAKES IT AT HEART! 1177 01:30:32,761 --> 01:30:34,730 CARRY HIS WATER TO TH'WISE WOMAN. 1178 01:30:34,730 --> 01:30:37,132 IT SHALL BE DONE TO-MORROW MORNING. 1179 01:30:37,132 --> 01:30:39,935 MY LADY WOULD NOT LOSE HIM FOR MORE THAN I'LL SAY. 1180 01:30:39,935 --> 01:30:41,336 HOW NOW, MISTRESS! 1181 01:30:41,336 --> 01:30:42,538 O LORD! 1182 01:30:43,739 --> 01:30:45,541 Malvolio: LET ME ENJOY MY PRIVATE. 1183 01:30:45,541 --> 01:30:49,111 Maria: GET HIM TO SAY HIS PRAYERS, GOOD SIR TOBY, GET HIM TO PRAY. 1184 01:30:49,111 --> 01:30:50,846 MY PRAYERS, MINX! 1185 01:30:50,846 --> 01:30:53,749 NO, I WARRANT YOU, HE WILL NOT HEAR OF GODLINESS. 1186 01:30:53,749 --> 01:30:56,752 Malvolio: YOU ARE IDLE SHALLOW THINGS-- 1187 01:30:56,752 --> 01:30:59,221 I AM NOT OF YOUR ELEMENT-- 1188 01:30:59,221 --> 01:31:02,024 YOU SHALL KNOW MORE HEREAFTER. 1189 01:31:18,974 --> 01:31:19,975 SHH! 1190 01:31:23,378 --> 01:31:25,614 IS'T POSSIBLE? 1191 01:31:30,786 --> 01:31:32,788 IF THIS WERE PLAYED UPON A STAGE NOW, 1192 01:31:32,788 --> 01:31:36,191 I WOULD CONDEMN IT AS AN IMPROBABLE FICTION. 1193 01:31:36,191 --> 01:31:41,797 COME, WE'LL HAVE HIM IN A DARK ROOM AND BOUND. 1194 01:31:41,797 --> 01:31:45,200 WHY, WE SHALL MAKE HIM MAD INDEED. 1195 01:31:45,200 --> 01:31:48,203 MY NIECE IS ALREADY IN THE BELIEF THAT HE'S MAD; 1196 01:31:48,203 --> 01:31:53,008 WE MAY CARRY IT THUS, FOR OUR PLEASURE AND HIS PENANCE. 1197 01:31:54,810 --> 01:31:57,145 Sir Andrew: "...SCURVY FELLOW. 1198 01:31:57,145 --> 01:31:59,014 ...IN THY THROAT." 1199 01:32:01,416 --> 01:32:03,619 MORE MATTER FOR A MAY MORNING! 1200 01:32:06,221 --> 01:32:09,224 Sir Andrew: HERE'S THE CHALLENGE, READ IT: 1201 01:32:09,224 --> 01:32:11,960 I WARRANT THERE'S VINEGAR AND PEPPER IN'T. 1202 01:32:11,960 --> 01:32:13,028 IS'T SO SAUCY? 1203 01:32:13,028 --> 01:32:14,429 DO BUT READ. 1204 01:32:14,429 --> 01:32:16,031 GIVE ME. 1205 01:32:19,101 --> 01:32:24,439 Sir Toby: "YOUTH, WHATSOEVER THOU ART, THOU ART BUT A SCURVY FELLOW." 1206 01:32:24,439 --> 01:32:26,208 GOOD, AND VALIANT. 1207 01:32:26,208 --> 01:32:30,345 "THOU COM'ST TO THE LADY OLIVIA, AND IN MY SIGHT SHE USES THEE KINDLY: 1208 01:32:30,345 --> 01:32:35,851 BUT THAT IS NOT THE MATTER I CHALLENGE THEE FOR." 1209 01:32:35,851 --> 01:32:39,087 VERY BRIEF, AND TO EXCEEDING GOOD SENSE. 1210 01:32:39,087 --> 01:32:47,062 "I WILL WAYLAY THEE GOING HOME, WHERE IF IT BE THY CHANCE TO KILL ME,"-- 1211 01:32:47,062 --> 01:32:48,263 GOOD. 1212 01:32:48,263 --> 01:32:53,268 "THOU KILL'ST ME LIKE A ROGUE AND A VILLAIN." 1213 01:32:53,268 --> 01:32:57,339 STILL YOU KEEP TO THE THE WINDY SIDE OF THE LAW: GOOD. 1214 01:32:57,339 --> 01:33:02,477 Sir Toby: "FARE THEE WELL, AND GOD HAVE MERCY UPON ONE OF OUR SOULS! 1215 01:33:02,477 --> 01:33:04,179 "HE MAY HAVE MERCY UPON MINE, 1216 01:33:04,179 --> 01:33:08,684 BUT MY HOPE IS BETTER, AND SO LOOK TO THYSELF." 1217 01:33:09,752 --> 01:33:11,687 "THY FRIEND..." 1218 01:33:18,293 --> 01:33:25,300 "AS THOU USEST HIM, AND THY SWORN ENEMY, ANDREW AGUECHEEK." 1219 01:33:25,300 --> 01:33:29,604 IF THIS LETTER MOVE HIM NOT, HIS LEGS CANNOT: I'LL GIVE'T HIM. 1220 01:33:30,906 --> 01:33:33,508 HE IS NOW IN SOME COMMERCE WITH MY LADY, 1221 01:33:33,508 --> 01:33:35,510 BUT WILL BY AND BY DEPART. 1222 01:33:35,510 --> 01:33:36,912 GO, SIR ANDREW; 1223 01:33:36,912 --> 01:33:39,514 SCOUT ME FOR HIM AT THE CORNER OF THE ORCHARD 1224 01:33:39,514 --> 01:33:40,916 LIKE A BUM-BAILY: 1225 01:33:40,916 --> 01:33:43,518 SO SOON AS EVER THOU SEEST HIM, DRAW THY SWORD. 1226 01:33:43,518 --> 01:33:45,520 AS THOU DRAW'ST, SWEAR HORRIBLE. 1227 01:33:45,520 --> 01:33:46,789 AWAY! 1228 01:33:47,923 --> 01:33:50,759 NAY, LET ME ALONE FOR SWEARING. 1229 01:33:51,960 --> 01:33:54,697 I'LL DELIVER HIS CHALLENGE BY WORD OF MOUTH. 1230 01:33:55,864 --> 01:33:58,133 Olivia: AND I BESEECH YOU COME AGAIN TOMORROW. 1231 01:33:58,133 --> 01:34:00,736 WHAT SHALL YOU ASK OF ME, THAT I'LL DENY? 1232 01:34:00,736 --> 01:34:04,139 NOTHING BUT THIS-- YOUR TRUE LOVE FOR MY MASTER. 1233 01:34:04,139 --> 01:34:07,342 HOW WITH MINE HONOUR MAY I GIVE HIM THAT WHICH I HAVE GIVEN TO YOU? 1234 01:34:07,342 --> 01:34:09,745 I WILL ACQUIT YOU. 1235 01:34:09,745 --> 01:34:11,546 Sebastian: THOU ART A FOOLISH FELLOW. 1236 01:34:11,546 --> 01:34:14,950 WILL YOU MAKE ME BELIEVE THAT I AM NOT SENT FOR YOU? 1237 01:34:16,351 --> 01:34:18,353 GO TO. 1238 01:34:18,353 --> 01:34:20,022 GO TO! 1239 01:34:20,022 --> 01:34:24,159 WELL, COME AGAIN TO-MORROW: FARE THEE WELL. 1240 01:34:24,159 --> 01:34:27,362 A FIEND, LIKE THEE, MIGHT BEAR MY SOUL TO HELL. 1241 01:34:27,362 --> 01:34:28,964 Viola: AH! 1242 01:34:31,366 --> 01:34:34,369 LET ME BE CLEAR OF THEE. 1243 01:34:34,369 --> 01:34:35,938 WELL HELD OUT. 1244 01:34:43,779 --> 01:34:45,380 GENTLEMAN, GOD SAVE THEE. 1245 01:34:45,380 --> 01:34:46,782 AND YOU, SIR. 1246 01:34:46,782 --> 01:34:49,184 THAT DEFENSE THOU HAST, BETAKE THEE TO'T: 1247 01:34:49,184 --> 01:34:53,789 OF WHAT NATURE THE WRONGS ARE THOU HAST DONE HIM, I KNOW NOT; 1248 01:34:53,789 --> 01:34:56,792 BUT THY INTERCEPTER, BLOODY AS THE HUNTER, 1249 01:34:56,792 --> 01:34:59,394 ATTENDS THEE AT THE ORCHARD END. 1250 01:34:59,394 --> 01:35:00,796 YOU MISTAKE, SIR. 1251 01:35:00,796 --> 01:35:01,797 I AM SURE NO MAN HATH 1252 01:35:01,797 --> 01:35:03,198 ANY QUARREL TO ME. 1253 01:35:03,198 --> 01:35:06,001 YOU'LL FIND IT OTHERWISE, I ASSURE YOU: 1254 01:35:06,001 --> 01:35:10,806 THEREFORE, IF YOU HOLD YOUR LIFE AT ANY PRICE, BETAKE YOU TO YOUR GUARD; 1255 01:35:10,806 --> 01:35:12,975 FOR YOUR OPPOSITE HATH IN HIM 1256 01:35:12,975 --> 01:35:17,813 WHAT YOUTH, STRENGTH, SKILL AND WRATH CAN FURNISH MAN. 1257 01:35:17,813 --> 01:35:21,216 I BESEECH YOU, SIR, WHAT IS HE? 1258 01:35:21,216 --> 01:35:24,219 HE IS A DEVIL IN PRIVATE BRAWL: 1259 01:35:24,219 --> 01:35:28,223 SOULS AND BODIES HATH HE DIVORCED...THREE. 1260 01:35:28,223 --> 01:35:31,226 I WILL RETURN AGAIN INTO THE HOUSE 1261 01:35:31,226 --> 01:35:33,829 AND DESIRE SOME CONDUCT OF THE LADY. 1262 01:35:33,829 --> 01:35:36,231 I AM NO FIGHTER. 1263 01:35:36,231 --> 01:35:39,234 I BESEECH YOU TO KNOW OF THE KNIGHT WHAT MY OFFENCE TO HIM IS; 1264 01:35:39,234 --> 01:35:42,637 IT IS SOMETHING OF MY NEGLIGENCE, NOTHING OF MY PURPOSE. 1265 01:35:42,637 --> 01:35:46,842 SIGNIOR FABIAN, STAND YOU BY THE GENTLEMAN TILL I RETURN. 1266 01:35:46,842 --> 01:35:49,845 I PRAY YOU, SIR, DO YOU KNOW OF THIS MATTER? 1267 01:35:49,845 --> 01:35:52,247 I KNOW THE KNIGHT IS INCENSED AGAINST YOU, 1268 01:35:52,247 --> 01:35:53,949 EVEN TO A MORTAL ARBITREMENT. 1269 01:35:53,949 --> 01:35:56,551 WHY, MAN, HE'S THE VERY DEVIL, 1270 01:35:56,551 --> 01:35:58,453 I HAVE NOT SEEN SUCH A FIRAGO... 1271 01:35:58,453 --> 01:36:00,655 I HAD A PASS WITH HIM, 1272 01:36:00,655 --> 01:36:04,659 AND HE GIVES ME THE STUCK IN WITH SUCH A MORTAL MOTION THAT IT IS INEVITABLE. 1273 01:36:04,659 --> 01:36:08,864 THEY SAY HE HAS BEEN THE FENCER TO THE SHAH OF PERSIA. 1274 01:36:08,864 --> 01:36:11,266 POX ON'T. I'LL NOT MEDDLE WITH HIM. 1275 01:36:11,266 --> 01:36:13,869 AY, BUT HE WILL NOT NOW BE PACIFIED: 1276 01:36:13,869 --> 01:36:16,805 FABIAN CAN SCARCE HOLD HIM YONDER. 1277 01:36:16,805 --> 01:36:18,073 PLAGUE ON'T. 1278 01:36:18,073 --> 01:36:20,275 LET HIM LET THE MATTER SLIP, 1279 01:36:20,275 --> 01:36:22,477 AND I'LL GIVE HIM MY HORSE. 1280 01:36:22,477 --> 01:36:25,280 I'LL MAKE THE MOTION: 1281 01:36:25,280 --> 01:36:29,684 STAND HERE, MAKE A GOOD SHOW ON'T. 1282 01:36:29,684 --> 01:36:33,021 I'LL RIDE YOUR HORSE AS WELL AS I RIDE YOU. 1283 01:36:33,021 --> 01:36:36,291 I WILL MAKE YOUR PEACE WITH HIM IF I CAN. 1284 01:36:36,291 --> 01:36:38,961 I'LL BE MUCH BOUND TO YOU FOR IT. 1285 01:36:39,895 --> 01:36:41,897 I HAVE PERSUADED HIM THE YOUTH'S A DEVIL. 1286 01:36:41,897 --> 01:36:44,266 HE IS AS HORRIBLY CONCEITED OF HIM. 1287 01:36:44,266 --> 01:36:45,700 MM-HMM. 1288 01:36:45,700 --> 01:36:51,373 THERE'S NO REMEDY, SIR, HE WILL FIGHT WITH YOU FOR'S OATH SAKE. 1289 01:36:55,310 --> 01:36:58,046 GIVE GROUND, IF YOU SEE HIM FURIOUS. 1290 01:36:58,046 --> 01:37:00,315 COME, SIR ANDREW, THERE'S NO REMEDY, 1291 01:37:00,315 --> 01:37:03,886 THE GENTLEMAN WILL FOR HIS HONOUR'S SAKE HAVE ONE BOUT WITH YOU. 1292 01:37:24,672 --> 01:37:26,074 COME ON. 1293 01:37:28,143 --> 01:37:29,244 TO'T! 1294 01:37:40,555 --> 01:37:42,024 YA! 1295 01:37:45,560 --> 01:37:47,362 UH! 1296 01:38:24,399 --> 01:38:25,467 AH! 1297 01:38:49,958 --> 01:38:53,228 Antonio: PUT UP YOUR SWORD. 1298 01:38:56,431 --> 01:39:01,136 Antonio: IF THIS YOUNG GENTLEMAN HAVE DONE OFFENCE... 1299 01:39:01,136 --> 01:39:03,038 I TAKE THE FAULT ON ME. 1300 01:39:03,038 --> 01:39:05,473 Sir Toby: YOU, SIR! 1301 01:39:05,473 --> 01:39:06,641 AND WHAT ARE YOU? 1302 01:39:06,641 --> 01:39:10,645 ONE, SIR, THAT FOR HIS LOVE DARES YET DO MORE 1303 01:39:10,645 --> 01:39:13,515 THAN YOU HAVE HEARD HIM BRAG TO YOU HE WILL. 1304 01:39:15,450 --> 01:39:19,954 NAY, IF YOU BE AN UNDERTAKER, I AM FOR YOU. 1305 01:39:29,464 --> 01:39:32,200 HOLD; HERE COME THE OFFICERS. 1306 01:39:32,200 --> 01:39:34,269 I'LL BE WITH YOU ANON. 1307 01:39:40,475 --> 01:39:42,877 PRAY, SIR, PUT YOUR SWORD UP. 1308 01:39:42,877 --> 01:39:45,480 FOR THAT I PROMISED YOU, I'LL BE AS GOOD AS MY WORD. 1309 01:39:45,480 --> 01:39:47,682 HE WILL BEAR YOU EASILY, AND REINS WELL. 1310 01:39:47,682 --> 01:39:49,151 Officer: THIS IS THE MAN. 1311 01:39:49,151 --> 01:39:53,088 Second officer: ANTONIO, I ARREST THEE IN THE NAME OF ORSINO. 1312 01:39:53,088 --> 01:39:54,889 YOU DO MISTAKE ME, SIR. 1313 01:39:54,889 --> 01:39:58,760 First officer: NO, SIR, NO JOT; I KNOW YOUR FAVOUR WELL: 1314 01:39:58,760 --> 01:40:02,497 THOUGH NOW YOU WEAR NO SEA-CAP ON YOUR HEAD... 1315 01:40:02,497 --> 01:40:06,701 TAKE HIM AWAY, HE KNOWS I KNOW HIM WELL. 1316 01:40:06,701 --> 01:40:08,103 I MUST OBEY. 1317 01:40:08,103 --> 01:40:10,505 THIS COMES WITH SEEKING YOU. 1318 01:40:10,505 --> 01:40:14,109 WHAT WILL YOU DO, NOW MY NECESSITY MAKES ME TO ASK YOU FOR MY PURSE? 1319 01:40:14,109 --> 01:40:15,510 COME, AWAY, SIR. 1320 01:40:15,510 --> 01:40:17,845 I MUST ENTREAT OF YOU SOME OF THAT MONEY. 1321 01:40:17,845 --> 01:40:19,714 WHAT MONEY, SIR? 1322 01:40:19,714 --> 01:40:23,351 FOR THE FAIR KINDNESS YOU HAVE SHOWED ME HERE, I'LL LEND YOU SOMETHING. 1323 01:40:25,120 --> 01:40:28,323 WILL YOU DENY ME NOW? 1324 01:40:30,092 --> 01:40:31,926 Second officer: COME, SIR, I PRAY YOU, GO. 1325 01:40:31,926 --> 01:40:35,363 THIS YOUTH THAT YOU SEE HERE I SNATCHED ONE HALF OUT OF THE JAWS OF DEATH. 1326 01:40:35,363 --> 01:40:36,631 First officer: WHAT'S THAT TO US? 1327 01:40:36,631 --> 01:40:40,135 GO TELL MY LORD ORSINO WE WILL HOLD HIM HERE. 1328 01:40:40,135 --> 01:40:41,736 LEAD ME ON. 1329 01:40:47,142 --> 01:40:52,347 A VERY DISHONEST AND PALTRY BOY, AND MORE A COWARD THAN A HARE, 1330 01:40:52,347 --> 01:40:55,350 LEAVING HIS FRIEND HERE IN NECESSITY AND DENYING HIM. 1331 01:40:55,350 --> 01:40:58,753 A COWARD, A MOST DEVOUT COWARD, RELIGIOUS IN IT. 1332 01:40:58,753 --> 01:41:01,756 'SLID, I'LL AFTER HIM AGAIN AND BEAT HIM. 1333 01:41:01,756 --> 01:41:04,726 DO, CUFF HIM SOUNDLY, BUT NEVER DRAW THY SWORD. 1334 01:41:04,726 --> 01:41:06,561 AN I DO NOT. 1335 01:41:07,962 --> 01:41:10,432 Malvolio: THY WRONGED ME! 1336 01:41:10,432 --> 01:41:13,801 THY HAVE PUT ME INTO DARKNESS! 1337 01:41:16,271 --> 01:41:17,872 THE WORLD SHALL KNOW IT! 1338 01:41:26,281 --> 01:41:28,283 Feste: NO, I DO NOT KNOW YOU, 1339 01:41:28,283 --> 01:41:31,286 NOR I AM NOT SENT TO YOU BY MY LADY, 1340 01:41:31,286 --> 01:41:33,087 NOR YOUR NAME IS NOT MASTER CESARIO, 1341 01:41:33,087 --> 01:41:38,526 NOR THIS IS NOT MY NOSE NEITHER: NOTHING THAT IS SO, IS SO. 1342 01:41:38,526 --> 01:41:40,295 I PRITHEE, FOOLISH GREEK, VENT THY FOLLY SOMEWHERE ELSE, 1343 01:41:40,295 --> 01:41:41,896 THOU KNOW'ST NOT ME. 1344 01:41:41,896 --> 01:41:43,298 VENT MY FOLLY! 1345 01:41:43,298 --> 01:41:45,700 TELL ME WHAT SHALL I VENT TO MY LADY: 1346 01:41:45,700 --> 01:41:48,303 SHALL I VENT TO HER THAT THOU ART COMING? 1347 01:41:48,303 --> 01:41:50,505 THERE'S MONEY FOR THEE. 1348 01:41:53,107 --> 01:41:57,312 IF YOU TARRY ANY LONGER, I SHALL GIVE YOU WORSE PAYMENT. 1349 01:41:57,312 --> 01:42:00,282 BY MY TROTH, THOU HAST AN OPEN HAND. 1350 01:42:02,717 --> 01:42:05,320 NOW, SIR, HAVE I MET YOU AGAIN? THERE'S FOR YOU. 1351 01:42:05,320 --> 01:42:06,788 Sebastian: OOH! 1352 01:42:12,394 --> 01:42:14,396 THERE'S FOR THEE. 1353 01:42:17,232 --> 01:42:18,466 AND THERE. 1354 01:42:18,466 --> 01:42:19,467 OOH! 1355 01:42:19,467 --> 01:42:21,135 AND-- 1356 01:42:26,341 --> 01:42:28,142 Sebastian: ARE ALL THE PEOPLE MAD? 1357 01:42:28,142 --> 01:42:30,144 Sir Toby: HOLD, SIR, OR I'LL THROW YOUR DAGGER O'ER THE HOUSE. 1358 01:42:30,144 --> 01:42:33,348 Feste: I WOULD NOT BE IN SOME OF YOUR COATS FOR TWO PENCE. 1359 01:42:33,348 --> 01:42:35,149 I'LL HAVE AN ACTION OF BATTERY AGAINST HIM: 1360 01:42:35,149 --> 01:42:37,219 THOUGH I STRUCK HIM FIRST, YET IT'S NO MATTER FOR THAT. 1361 01:42:37,219 --> 01:42:38,620 LET GO THY HAND! 1362 01:42:38,620 --> 01:42:40,355 I WILL NOT LET YOU GO, MY YOUNG SOLDIER. 1363 01:42:40,355 --> 01:42:42,557 I WILL BE FREE FROM THEE. 1364 01:42:42,557 --> 01:42:44,058 AH! 1365 01:42:44,058 --> 01:42:45,460 AH! 1366 01:42:46,961 --> 01:42:48,230 WHAT WOULD'ST THOU NOW? 1367 01:42:48,230 --> 01:42:51,966 WHAT, WHAT? 1368 01:42:53,735 --> 01:42:57,572 NAY, THEN I MUST HAVE AN OUNCE OR TWO OF THIS MALAPERT BLOOD FROM YOU. 1369 01:43:01,976 --> 01:43:05,213 HOLD, TOBY! 1370 01:43:07,749 --> 01:43:11,686 ON THY LIFE, I CHARGE THEE, HOLD! 1371 01:43:11,686 --> 01:43:13,388 MADAM. 1372 01:43:13,388 --> 01:43:15,022 WILL IT BE EVER THUS? 1373 01:43:15,022 --> 01:43:16,391 UNGRACIOUS WRETCH. 1374 01:43:16,391 --> 01:43:18,526 FIT FOR THE MOUNTAINS AND THE BARBAROUS CAVES, 1375 01:43:18,526 --> 01:43:20,395 WHERE MANNERS NE'ER WERE PREACHED! 1376 01:43:20,395 --> 01:43:21,996 OUT OF MY SIGHT! 1377 01:43:21,996 --> 01:43:24,999 BE NOT OFFENDED, DEAR CESARIO... 1378 01:43:24,999 --> 01:43:26,801 RUDESBY, BE GONE! 1379 01:43:26,801 --> 01:43:29,804 I PRITHEE, GENTLE FRIEND, GO WITH ME TO THE HOUSE, 1380 01:43:29,804 --> 01:43:32,006 AND HEAR THOU THERE HOW MANY FRUITLESS PRANKS 1381 01:43:32,006 --> 01:43:33,808 THIS RUFFIAN HATH BOTCHED UP, 1382 01:43:33,808 --> 01:43:35,810 THAT THOU THEREBY MAY SMILE AT THIS... 1383 01:43:35,810 --> 01:43:38,246 THOU SHALT NOT CHOOSE BUT GO; DO NOT DENY. 1384 01:43:39,647 --> 01:43:43,618 WHAT RELISH IS IN THIS? HOW RUNS THE STREAM? 1385 01:43:44,419 --> 01:43:47,555 OR I AM MAD, OR ELSE THIS IS A DREAM: 1386 01:43:47,555 --> 01:43:51,025 LET FANCY STILL MY SENSE IN LETHE STEEP-- 1387 01:43:51,025 --> 01:43:53,428 IF IT BE THUS TO DREAM, 1388 01:43:53,428 --> 01:43:54,929 STILL LET ME SLEEP! 1389 01:43:54,929 --> 01:43:56,197 NAY, COME, I PRITHEE: 1390 01:43:56,197 --> 01:43:58,933 WOULD THOU'DST BE RULED BY ME! 1391 01:43:58,933 --> 01:44:00,635 MADAM... 1392 01:44:02,637 --> 01:44:05,039 I WILL. 1393 01:44:05,039 --> 01:44:09,243 O, SAY SO, AND SO BE! 1394 01:44:17,452 --> 01:44:20,988 Viola, thinking: PROVE TRUE, IMAGINATION. 1395 01:44:22,657 --> 01:44:26,328 PROVE TRUE. 1396 01:44:26,328 --> 01:44:28,530 [MALVOLIO YELLING AND BANGING ON DOOR] 1397 01:44:29,864 --> 01:44:33,668 I WOULD I WERE THE FIRST THAT EVER DISSEMBLED IN SUCH A GOWN. 1398 01:44:42,477 --> 01:44:44,479 JOVE BLESS THEE, MASTER PARSON! 1399 01:44:44,479 --> 01:44:46,047 BONOS DIES, SIR TOBY: 1400 01:44:46,047 --> 01:44:48,883 FOR AS THE OLD HERMIT OF PRAGUE, WHO NEVER SAW PEN AND INK, 1401 01:44:48,883 --> 01:44:52,487 VERY WITTILY SAID TO A NIECE OF KING GORBODUC, "THAT THAT IS, IS": 1402 01:44:52,487 --> 01:44:54,489 SO I, BEING MASTER PARSON, AM MASTER PARSON; 1403 01:44:54,489 --> 01:44:55,490 FOR WHAT IS "THAT" BUT THAT 1404 01:44:55,490 --> 01:44:57,692 TO HIM, MASTER TOPAS. 1405 01:45:03,365 --> 01:45:04,932 Feste: WHAT, HO! 1406 01:45:04,932 --> 01:45:06,501 PEACE IN THIS PRISON! 1407 01:45:06,501 --> 01:45:08,503 Malvolio: WHO CALLS THERE? 1408 01:45:09,904 --> 01:45:15,910 MASTER TOPAS THE CURATE WHO COMES TO VISIT MALVOLIO THE LUNATIC. 1409 01:45:15,910 --> 01:45:21,516 Malvolio, breathing heavily: MASTER TOPAS, GOOD MASTER TOPAS, GO TO MY LADY. 1410 01:45:21,516 --> 01:45:22,917 OUT, HYPERBOLICAL FIEND! 1411 01:45:22,917 --> 01:45:25,286 TALKEST THOU NOTHING BUT OF LADIES? 1412 01:45:25,286 --> 01:45:27,589 THE KNAVE COUNTERFEITS WELL. 1413 01:45:27,589 --> 01:45:31,526 Malvolio: GOOD MASTER TOPAS, DO NOT THINK I AM MAD; 1414 01:45:31,526 --> 01:45:35,530 THEY HAVE LAID ME HERE IN HIDEOUS DARKNESS. 1415 01:45:35,530 --> 01:45:38,132 SAY'ST THOU THIS HOUSE IS DARK? 1416 01:45:38,132 --> 01:45:39,567 AS HELL, MASTER TOPAS. 1417 01:45:39,567 --> 01:45:43,337 WHY, IT HATH BAY WINDOWS TRANSPARENT AS BARRICADOES, 1418 01:45:43,337 --> 01:45:47,509 AND THE CLERESTORIES TO THE SOUTH-NORTH ARE AS LUSTROUS AS EBONY. 1419 01:45:47,509 --> 01:45:49,076 I AM NOT MAD. 1420 01:46:08,963 --> 01:46:13,835 THIS IS THE AIR, THAT IS THE GLORIOUS SUN. 1421 01:46:16,571 --> 01:46:20,174 THIS PEARL SHE GAVE ME, 1422 01:46:20,174 --> 01:46:23,445 I DO FEEL'T AND SEE'T. 1423 01:46:24,979 --> 01:46:27,982 YET DOTH THIS ACCIDENT AND FLOOD OF FORTUNE 1424 01:46:27,982 --> 01:46:31,385 SO FAR EXCEED ALL INSTANCE, ALL DISCOURSE, 1425 01:46:31,385 --> 01:46:37,992 THAT I AM READY TO DISTRUST MINE EYES AND WRANGLE WITH MY REASON, 1426 01:46:37,992 --> 01:46:42,664 THAT PERSUADES ME TO ANY OTHER TRUST BUT THAT I AM MAD. 1427 01:46:42,664 --> 01:46:47,401 I AM NO MORE MAD THAN YOU ARE. 1428 01:46:47,401 --> 01:46:48,870 [MALVOLIO BANGS ON DOOR AND CRIES] 1429 01:46:48,870 --> 01:46:50,071 FARE THEE WELL. 1430 01:46:50,071 --> 01:46:52,574 MASTER TOPAS! 1431 01:46:52,574 --> 01:46:57,545 I WOULD WE WERE WELL RID OF THIS KNAVERY. 1432 01:47:00,682 --> 01:47:04,686 FOR I AM NOW SO FAR IN OFFENCE WITH MY NIECE, 1433 01:47:04,686 --> 01:47:08,490 THAT I CANNOT PURSUE IT WITH ANY SAFETY. 1434 01:47:25,707 --> 01:47:28,510 COME BY AND BY TO MY CHAMBER. 1435 01:47:41,155 --> 01:47:44,792 Feste: * JOLLY ROBIN * 1436 01:47:45,727 --> 01:47:49,330 * TELL ME HOW MY LADY DOES * 1437 01:47:49,330 --> 01:47:50,932 FESTE. 1438 01:47:54,335 --> 01:47:56,337 Malvolio: FESTE! 1439 01:47:56,337 --> 01:47:57,939 FESTE! 1440 01:47:57,939 --> 01:48:02,343 WHO CALLS, HA? 1441 01:48:02,343 --> 01:48:04,145 FESTE! 1442 01:48:04,145 --> 01:48:11,152 FESTE, GOOD FESTE, HELP ME TO A CANDLE, PEN, INK AND PAPER. 1443 01:48:11,152 --> 01:48:16,157 MASTER MALVOLIO! ALAS, SIR, HOW FELL YOU BESIDES YOUR FIVE WITS? 1444 01:48:16,157 --> 01:48:18,760 THERE WAS NEVER A MAN SO NOTORIOUSLY ABUSED. 1445 01:48:18,760 --> 01:48:20,762 THEY HAVE HERE PROPERTIED ME; 1446 01:48:20,762 --> 01:48:23,164 KEEP ME IN DARKNESS, SEND MINISTERS TO ME. 1447 01:48:23,164 --> 01:48:27,769 I TELL THEE, I AM AS WELL IN MY WITS, AS ANY MAN IN ILLYRIA. 1448 01:48:27,769 --> 01:48:29,771 WELL-A-DAY THAT YOU WERE, SIR! 1449 01:48:29,771 --> 01:48:31,773 BY THIS HAND, I AM... 1450 01:48:31,773 --> 01:48:35,176 GOOD FESTE, SOME INK, PAPER AND LIGHT: 1451 01:48:35,176 --> 01:48:38,479 AND CONVEY WHAT I WILL SET DOWN TO MY LADY. 1452 01:48:38,479 --> 01:48:39,981 Sebastian: OR ELSE THE LADY'S MAD. 1453 01:48:42,183 --> 01:48:46,788 YET, IF 'TWERE SO, SHE COULD NOT SWAY HER HOUSE, COMMAND HER FOLLOWERS, 1454 01:48:46,788 --> 01:48:49,390 TAKE AND GIVE BACK AFFAIRS AND THEIR DISPATCH, 1455 01:48:49,390 --> 01:48:52,193 AS I PERCEIVE SHE DOES: 1456 01:48:52,193 --> 01:48:56,197 THERE'S SOMETHING IN'T THAT IS...DECEIVABLE. 1457 01:48:56,197 --> 01:49:00,401 Olivia: BLAME NOT THIS HASTE OF MINE... 1458 01:49:00,401 --> 01:49:01,936 IF YOU MEAN WELL, 1459 01:49:01,936 --> 01:49:05,607 NOW GO WITH ME AND WITH THIS HOLY MAN INTO THE CHANTRY BY: 1460 01:49:05,607 --> 01:49:08,610 THERE, BEFORE HIM, PLIGHT ME THE FULL ASSURANCE OF YOUR FAITH, 1461 01:49:08,610 --> 01:49:12,213 THAT MY MOST JEALOUS AND TOO DOUBTFUL SOUL MAY LIVE AT PEACE. 1462 01:49:12,213 --> 01:49:16,017 HE SHALL CONCEAL IT, WHILES YOU ARE WILLING IT SHALL COME TO NOTE. 1463 01:49:16,017 --> 01:49:17,619 WHAT DO YOU SAY? 1464 01:49:19,821 --> 01:49:22,824 I'LL FOLLOW THIS GOOD MAN AND GO WITH YOU, 1465 01:49:22,824 --> 01:49:26,293 AND HAVING SWORN TRUTH, EVER WILL BE TRUE. 1466 01:49:27,561 --> 01:49:31,432 BUT TELL ME TRUE, ARE YOU NOT MAD INDEED? 1467 01:49:31,432 --> 01:49:34,435 OR DO YOU BUT COUNTERFEIT? 1468 01:49:34,435 --> 01:49:38,439 BELIEVE ME, I AM NOT-- 1469 01:49:38,439 --> 01:49:40,574 I TELL THEE TRUE. 1470 01:49:41,643 --> 01:49:47,014 NAY, I'LL NE'ER BELIEVE A MADMAN TILL I SEE HIS BRAINS. 1471 01:49:47,014 --> 01:49:48,049 AH! 1472 01:49:48,049 --> 01:49:51,485 I WILL FETCH THEE LIGHT AND PAPER AND INK. 1473 01:49:51,485 --> 01:49:54,255 I'LL REQUITE IT IN THE HIGHEST DEGREE. 1474 01:49:54,255 --> 01:49:57,859 Feste: * I AM GONE, SIR, AND ANON, SIR * 1475 01:49:57,859 --> 01:50:01,062 * I'LL BE WITH YOU AGAIN * 1476 01:50:02,263 --> 01:50:06,467 * IN A TRICE, LIKE TO THE OLD VICE * 1477 01:50:06,467 --> 01:50:10,872 * YOUR NEED TO SUSTAIN * 1478 01:50:10,872 --> 01:50:14,141 * WHO WITH DAGGER OF LATH * 1479 01:50:14,141 --> 01:50:17,511 * IN HIS RAGE AND HIS WRATH * 1480 01:50:17,511 --> 01:50:24,485 * CRIES AH HA, TO THE DEVIL * 1481 01:50:24,485 --> 01:50:26,587 * LIKE A MAD LAD * 1482 01:50:26,587 --> 01:50:28,723 * PARE THY NAILS DAD * 1483 01:50:28,723 --> 01:50:36,964 * ADIEU GOODMAN DEVIL * 1484 01:50:48,976 --> 01:50:52,113 Fabian: NOW, AS THOU LOV'ST ME, SHOW ME HIS LETTER. 1485 01:50:54,315 --> 01:50:57,919 BELONG YOU TO THE LADY OLIVIA, FRIENDS? 1486 01:50:57,919 --> 01:51:01,088 Feste: AY, SIR, WE ARE SOME OF HER TRAPPINGS. 1487 01:51:01,088 --> 01:51:03,190 Duke: IF YOU WILL LET YOUR LADY KNOW I'M HERE, 1488 01:51:03,190 --> 01:51:05,526 AND BRING HER ALONG WITH YOU, 1489 01:51:05,526 --> 01:51:06,961 IT MAY AWAKE MY BOUNTY FURTHER. 1490 01:51:06,961 --> 01:51:10,932 MARRY, SIR, LULLABY TO YOUR BOUNTY TILL I COME AGAIN. 1491 01:51:10,932 --> 01:51:13,134 Viola: THIS IS THE MAN, SIR, THAT DID RESCUE ME. 1492 01:51:18,940 --> 01:51:21,342 THAT FACE OF HIS I DO REMEMBER WELL. 1493 01:51:21,342 --> 01:51:24,946 ORSINO, THIS IS THAT ANTONIO THAT TOOK THE PHOENIX 1494 01:51:24,946 --> 01:51:27,081 WHEN YOUR YOUNG COUSIN TITUS LOST HIS LEG. 1495 01:51:27,081 --> 01:51:29,550 HE DID ME KINDNESS, SIR, DREW ON MY SIDE. 1496 01:51:29,550 --> 01:51:30,952 NOTABLE PIRATE! 1497 01:51:30,952 --> 01:51:32,486 THOU SALT-WATER THIEF! 1498 01:51:32,486 --> 01:51:35,757 WHAT FOOLISH BOLDNESS BROUGHT THEE TO THEIR MERCIES, 1499 01:51:35,757 --> 01:51:41,562 WHOM THOU, IN TERMS SO BLOODY AND SO DEAR, HAST MADE THINE ENEMIES? 1500 01:51:41,562 --> 01:51:44,498 ORSINO, NOBLE SIR, 1501 01:51:44,498 --> 01:51:48,702 ANTONIO NEVER YET WAS THIEF OR PIRATE, THOUGH I CONFESS, 1502 01:51:48,702 --> 01:51:52,774 ON BASE AND GROUND ENOUGH, ORSINO'S ENEMY. 1503 01:51:54,575 --> 01:51:57,711 A WITCHCRAFT DREW ME HITHER: 1504 01:51:57,711 --> 01:52:02,917 THAT MOST INGRATEFUL BOY THERE BY YOUR SIDE. 1505 01:52:04,218 --> 01:52:07,989 HIS LIFE I GAVE HIM AND DID THERETO ADD MY LOVE WITHOUT RETENTION. 1506 01:52:07,989 --> 01:52:11,192 FOR HIS SAKE, FACED THE DANGER OF THIS ADVERSE TOWN. 1507 01:52:11,192 --> 01:52:12,593 HOW CAN THIS BE? 1508 01:52:12,593 --> 01:52:13,727 WHEN CAME HE TO THIS TOWN? 1509 01:52:13,727 --> 01:52:15,429 YESTERDAY; 1510 01:52:15,429 --> 01:52:19,266 AND FOR THREE MONTHS BEFORE, BOTH DAY AND NIGHT DID WE KEEP COMPANY. 1511 01:52:19,266 --> 01:52:22,603 Duke: HERE COMES THE COUNTESS! 1512 01:52:22,603 --> 01:52:25,539 NOW HEAVEN WALKS ON EARTH... 1513 01:52:25,539 --> 01:52:29,410 BUT FOR THEE, FELLOW-- FELLOW, THY WORDS ARE MADNESS, 1514 01:52:29,410 --> 01:52:32,479 THREE MONTHS THIS YOUTH HATH TENDED ON ME. 1515 01:52:34,015 --> 01:52:35,783 Duke: BRING HIM AWAY. 1516 01:52:55,036 --> 01:52:58,439 WHAT WOULD MY LORD, BUT THAT HE MAY NOT HAVE? 1517 01:52:58,439 --> 01:53:01,375 CESARIO, YOU DO NOT KEEP PROMISE WITH ME. 1518 01:53:01,375 --> 01:53:02,509 MADAM? 1519 01:53:06,047 --> 01:53:07,915 GRACIOUS OLIVIA,-- 1520 01:53:07,915 --> 01:53:10,451 WHAT DO YOU SAY, CESARIO?-- GOOD, MY LORD,-- 1521 01:53:10,451 --> 01:53:13,454 MY LORD WOULD SPEAK, MY DUTY HUSHES ME. 1522 01:53:17,058 --> 01:53:19,861 IF IT BE AUGHT TO THE OLD TUNE, MY LORD, 1523 01:53:19,861 --> 01:53:23,430 IT IS AS FAT AND FULSOME TO MINE EAR AS HOWLING AFTER MUSIC. 1524 01:53:26,267 --> 01:53:27,401 STILL SO CRUEL? 1525 01:53:27,401 --> 01:53:28,936 STILL SO CONSTANT, LORD. 1526 01:53:28,936 --> 01:53:31,672 WHAT, TO PERVERSENESS? 1527 01:53:31,672 --> 01:53:33,140 YOU UNCIVIL LADY, 1528 01:53:33,140 --> 01:53:37,078 MY SOUL THE FAITHFUL'ST OFF'RINGS HATH BREATHED OUT, 1529 01:53:37,078 --> 01:53:40,281 THAT E'ER DEVOTION TENDERED! 1530 01:53:40,281 --> 01:53:41,682 WHAT SHALL I DO? 1531 01:53:41,682 --> 01:53:45,186 Olivia: EVEN WHAT IT PLEASE MY LORD, THAT SHALL BECOME HIM. 1532 01:53:45,186 --> 01:53:47,188 WHY SHOULD I NOT IN SAVAGE JEALOUSY, 1533 01:53:47,188 --> 01:53:49,390 LIKE TO TH'EGYPTIAN THIEF, ON POINT OF DEATH, 1534 01:53:49,390 --> 01:53:50,791 KILL WHAT I LOVE? 1535 01:53:50,791 --> 01:53:52,593 BUT, MADAM, HEAR ME THIS: 1536 01:53:52,593 --> 01:53:55,596 SINCE YOU TO NON-REGARDANCE CAST MY FAITH, 1537 01:53:55,596 --> 01:53:59,600 LIVE YOU, THE MARBLE-BREASTED TYRANT, STILL; 1538 01:53:59,600 --> 01:54:03,204 BUT THIS YOUR MINION, WHOM I KNOW YOU LOVE, 1539 01:54:03,204 --> 01:54:05,806 AND WHOM, BY HEAVEN I SWEAR, I TENDER DEARLY, 1540 01:54:05,806 --> 01:54:08,209 HIM WILL I TEAR OUT OF THAT CRUEL EYE. 1541 01:54:08,209 --> 01:54:10,811 AND I, MOST JOCUND, APT AND WILLINGLY, TO DO YOU REST, 1542 01:54:10,811 --> 01:54:12,613 A THOUSAND DEATHS WOULD DIE. 1543 01:54:12,613 --> 01:54:15,849 COME, BOY, WITH ME. MY THOUGHTS ARE RIPE IN MISCHIEF. 1544 01:54:15,849 --> 01:54:17,484 WHERE GOES CESARIO? 1545 01:54:17,484 --> 01:54:19,620 AFTER HIM I LOVE MORE THAN I LOVE THESE EYES, MORE THAN MY LIFE, 1546 01:54:19,620 --> 01:54:22,823 MORE, BY ALL MORES, THAN E'ER I SHALL LOVE WIFE. 1547 01:54:22,823 --> 01:54:26,227 AY ME, DETESTED! HOW AM I BEGUILED! 1548 01:54:26,227 --> 01:54:28,829 WHO DOES BEGUILE YOU? WHO DOES DO YOU WRONG? 1549 01:54:28,829 --> 01:54:31,832 HAST THOU FORGOT THYSELF? IS IT SO LONG? 1550 01:54:31,832 --> 01:54:33,400 CALL FORTH THE HOLY FATHER. 1551 01:54:33,400 --> 01:54:34,635 Duke: COME, AWAY! 1552 01:54:34,635 --> 01:54:39,506 Olivia: WHITHER, MY LORD? CESARIO, HUSBAND, STAY. 1553 01:54:43,844 --> 01:54:45,046 HUSBAND? 1554 01:54:45,046 --> 01:54:47,448 AY, HUSBAND. 1555 01:54:47,448 --> 01:54:49,450 CAN HE THAT DENY? 1556 01:54:49,450 --> 01:54:50,851 HER HUSBAND, SIRRAH? 1557 01:54:50,851 --> 01:54:53,454 NO, MY LORD, 1558 01:54:53,454 --> 01:54:54,521 NOT I. 1559 01:54:54,521 --> 01:54:57,858 FEAR NOT, CESARIO, TAKE THY FORTUNES UP. 1560 01:54:57,858 --> 01:54:59,994 O, WELCOME, FATHER! 1561 01:54:59,994 --> 01:55:02,796 FATHER, I CHARGE THEE, BY THY REVERENCE, 1562 01:55:02,796 --> 01:55:06,667 HERE TO UNFOLD--THOUGH LATELY WE INTENDED TO KEEP IN DARKNESS, 1563 01:55:06,667 --> 01:55:10,871 WHAT THOU DOST KNOW HATH NEWLY PASSED BETWEEN THIS YOUTH AND ME. 1564 01:55:10,871 --> 01:55:13,540 A CONTRACT OF ETERNAL BOND OF LOVE, 1565 01:55:13,540 --> 01:55:16,677 CONFIRMED BY MUTUAL JOINDER OF YOUR HANDS, 1566 01:55:16,677 --> 01:55:20,347 STRENGTH'NED BY INTERCHANGEMENT OF YOUR RINGS, 1567 01:55:20,347 --> 01:55:24,485 SEALED IN MY FUNCTION, BY MY TESTIMONY. 1568 01:55:31,292 --> 01:55:35,162 O, THOU DISSEMBLING CUB! 1569 01:55:36,697 --> 01:55:42,103 WHAT WILT THOU BE WHEN TIME HATH SOWED A GRIZZLE ON THY CASE? 1570 01:55:43,904 --> 01:55:48,709 FAREWELL, AND TAKE HER, BUT DIRECT THY FEET 1571 01:55:48,709 --> 01:55:52,913 WHERE THOU AND I HENCEFORTH MAY NEVER MEET. 1572 01:55:52,913 --> 01:55:54,715 MY LORD, I DO PROTEST-- 1573 01:55:54,715 --> 01:56:00,321 O, DO NOT SWEAR! HOLD LITTLE FAITH, THOUGH THOU HAST TOO MUCH FEAR. 1574 01:56:00,321 --> 01:56:01,855 Sir Andrew: FOR THE LOVE OF GOD, A SURGEON! 1575 01:56:01,855 --> 01:56:04,091 SEND ONE PRESENTLY TO SIR TOBY. 1576 01:56:04,091 --> 01:56:06,994 FOR THE LOVE OF GOD, YOUR HELP! 1577 01:56:06,994 --> 01:56:08,795 WHAT'S THE MATTER? 1578 01:56:08,795 --> 01:56:13,334 H'AS BROKE MY HEAD ACROSS AND HAS GIVEN SIR TOBY A BLOODY COXCOMB TOO. 1579 01:56:13,334 --> 01:56:16,337 I HAD RATHER THAN FORTY POUND I WERE AT HOME. 1580 01:56:16,337 --> 01:56:18,339 WHO HAS DONE THIS, SIR ANDREW? 1581 01:56:18,339 --> 01:56:21,342 THE COUNT'S GENTLEMAN, ONE CESARIO: 1582 01:56:21,342 --> 01:56:23,944 HE'S THE VERY DEVIL INCARDINATE. 1583 01:56:23,944 --> 01:56:25,946 MY GENTLEMAN, CESARIO? 1584 01:56:25,946 --> 01:56:27,881 'OD'S LIFELINGS, HERE HE IS! 1585 01:56:27,881 --> 01:56:31,952 YOU BROKE MY HEAD FOR NOTHING, AND THAT I DID, I WAS SET ON TO DO'T BY SIR TOBY. 1586 01:56:31,952 --> 01:56:34,355 WHY DO YOU SPEAK TO ME? I NEVER HURT YOU: 1587 01:56:34,355 --> 01:56:36,757 YOU DREW YOUR SWORD ON ME WITHOUT CAUSE. 1588 01:56:36,757 --> 01:56:39,360 IF A BLOODY COXCOMB BE A HURT, YOU HAVE HURT ME. 1589 01:56:39,360 --> 01:56:41,762 HERE COMES SIR TOBY HALTING. 1590 01:56:41,762 --> 01:56:45,699 IF HE HAD NOT BEEN IN DRINK, HE WOULD HAVE TICKLED YOU OTHERGATES THAN HE DID. 1591 01:56:49,770 --> 01:56:52,539 Duke: HOW NOW, GENTLEMAN! HOW IS'T WITH YOU? 1592 01:56:52,539 --> 01:56:54,375 THAT'S ALL ONE-- HE'S HURT ME, AND THERE'S TH'END ON'T... 1593 01:56:54,375 --> 01:56:58,112 SOT, DIDST SEE DICK SURGEON, SOT? 1594 01:56:58,112 --> 01:57:01,382 O HE'S DRUNK, SIR TOBY, AN HOUR AGONE. 1595 01:57:01,382 --> 01:57:02,883 I HATE A DRUNKEN ROGUE. 1596 01:57:02,883 --> 01:57:06,387 AWAY WITH HIM! WHO HATH MADE THIS HAVOC WITH THEM? 1597 01:57:06,387 --> 01:57:09,590 I'LL HELP YOU, SIR TOBY, BECAUSE WE'LL BE DRESSED TOGETHER. 1598 01:57:09,590 --> 01:57:11,992 WILL YOU HELP ME? 1599 01:57:11,992 --> 01:57:14,228 AN ASS-HEAD, 1600 01:57:14,228 --> 01:57:17,098 AND A COXCOMB, 1601 01:57:17,098 --> 01:57:19,400 AND A KNAVE! 1602 01:57:19,400 --> 01:57:24,205 A THIN-FACED KNAVE, A GULL! 1603 01:57:36,817 --> 01:57:41,222 GET HIM TO BED, AND LET HIS HURT BE LOOKED TO. 1604 01:57:56,036 --> 01:57:57,604 I AM SORRY, MADAM. 1605 01:57:59,440 --> 01:58:01,442 I HAVE HURT YOUR KINSMAN; 1606 01:58:01,442 --> 01:58:03,444 BUT HAD IT BEEN THE BROTHER OF MY BLOOD, 1607 01:58:03,444 --> 01:58:06,247 I MUST HAVE DONE NO LESS WITH WIT AND SAFETY. 1608 01:58:07,448 --> 01:58:09,650 Sebastian: PARDON ME, SWEET ONE, 1609 01:58:09,650 --> 01:58:13,254 EVEN FOR THE VOWS WE MADE EACH OTHER BUT SO LATE AGO. 1610 01:58:19,059 --> 01:58:20,361 ANTONIO! 1611 01:58:21,662 --> 01:58:23,864 MY DEAR ANTONIO! 1612 01:58:23,864 --> 01:58:28,068 HOW HAVE THE HOURS RACKED AND TORTURED ME, SINCE I HAVE LOST THEE! 1613 01:58:28,068 --> 01:58:31,071 SEBASTIAN ARE YOU? 1614 01:58:31,071 --> 01:58:33,474 FEAR'ST THOU THAT, ANTONIO? 1615 01:58:33,474 --> 01:58:38,479 HOW HAVE YOU MADE DIVISION OF YOURSELF? 1616 01:58:38,479 --> 01:58:40,814 Antonio: WHICH IS SEBASTIAN? 1617 01:58:52,092 --> 01:58:54,828 MOST WONDERFUL! 1618 01:58:56,096 --> 01:58:58,299 DO I STAND THERE? 1619 01:59:00,701 --> 01:59:02,369 I NEVER HAD A BROTHER. 1620 01:59:06,106 --> 01:59:07,508 I HAD A SISTER, 1621 01:59:07,508 --> 01:59:12,379 WHOM THE BLIND WAVES AND SURGES HAVE DEVOURED... 1622 01:59:14,215 --> 01:59:17,718 OF CHARITY, WHAT KIN ARE YOU TO ME? 1623 01:59:19,119 --> 01:59:21,722 WHAT COUNTRYMAN? 1624 01:59:21,722 --> 01:59:23,324 WHAT NAME? 1625 01:59:24,725 --> 01:59:25,326 WHAT PARENTAGE? 1626 01:59:25,326 --> 01:59:27,160 OF MESSALINE. 1627 01:59:28,829 --> 01:59:31,432 SEBASTIAN WAS MY FATHER. 1628 01:59:33,234 --> 01:59:37,838 SUCH A SEBASTIAN WAS MY BROTHER TOO: 1629 01:59:37,838 --> 01:59:42,042 SO WENT HE SUITED TO HIS WATERY TOMB. 1630 01:59:42,042 --> 01:59:46,947 Sebastian: WERE YOU A WOMAN, AS THE REST GOES EVEN... 1631 01:59:48,048 --> 01:59:51,852 I SHOULD MY TEARS LET FALL UPON YOUR CHEEK... 1632 01:59:54,255 --> 02:00:01,862 AND SAY "THRICE-WELCOME, DROWNED VIOLA!" 1633 02:00:04,265 --> 02:00:07,868 MY FATHER HAD A MOLE UPON HIS BROW. 1634 02:00:07,868 --> 02:00:09,470 AND SO HAD MINE. 1635 02:00:11,272 --> 02:00:15,676 AND DIED THAT DAY WHEN VIOLA FROM HER BIRTH-- 1636 02:00:15,676 --> 02:00:18,745 THAT DAY THAT MADE MY SISTER THIRTEEN YEARS. 1637 02:00:20,681 --> 02:00:25,085 IF NOTHING LETS TO MAKE US HAPPY BOTH, 1638 02:00:25,085 --> 02:00:30,691 BUT THIS MY MASCULINE USURPED ATTIRE, DO NOT EMBRACE ME 1639 02:00:30,691 --> 02:00:37,898 TILL EACH CIRCUMSTANCE OF PLACE, TIME, FORTUNE, DO COHERE AND JUMP 1640 02:00:37,898 --> 02:00:39,500 THAT I AM... 1641 02:00:45,306 --> 02:00:46,807 VIOLA. 1642 02:00:57,318 --> 02:01:02,323 WHICH TO CONFIRM, I'LL BRING YOU TO A CAPTAIN 1643 02:01:02,323 --> 02:01:08,329 BY WHOSE GENTLE HELP I WAS PRESERVED... 1644 02:01:08,329 --> 02:01:11,565 TO SERVE THIS NOBLE COUNT. 1645 02:01:14,735 --> 02:01:17,838 SO, COMES IT, LADY, YOU HAVE BEEN MISTOOK. 1646 02:01:24,745 --> 02:01:27,948 BUT NATURE TO HER BIAS DREW IN THAT. 1647 02:01:29,350 --> 02:01:32,553 YOU WOULD HAVE BEEN CONTRACTED TO A MAID. 1648 02:01:37,758 --> 02:01:41,762 NOR ARE YOU THEREIN, BY MY LIFE, DECEIVED, 1649 02:01:41,762 --> 02:01:46,433 YOU ARE BETROTHED BOTH TO A MAID AND MAN. 1650 02:01:58,379 --> 02:02:03,384 IF THIS BE SO, AS YET THE GLASS SEEMS TRUE, 1651 02:02:03,384 --> 02:02:07,988 I SHALL HAVE SHARE IN THIS MOST HAPPY WRACK. 1652 02:02:14,995 --> 02:02:16,597 BOY... 1653 02:02:18,799 --> 02:02:21,802 THOU HAST SAID TO ME A THOUSAND TIMES 1654 02:02:21,802 --> 02:02:24,405 THOU NEVER SHOULDST LOVE WOMAN LIKE TO ME. 1655 02:02:24,405 --> 02:02:28,409 AND ALL THOSE SAYINGS WILL I OVER-SWEAR. 1656 02:02:28,409 --> 02:02:30,577 GIVE ME THY HAND. 1657 02:02:31,812 --> 02:02:36,417 YOUR MASTER QUITS YOU; AND FOR YOUR SERVICES DONE HIM, 1658 02:02:36,417 --> 02:02:39,886 SO MUCH AGAINST THE METTLE OF YOUR SEX. 1659 02:02:41,422 --> 02:02:43,356 HERE IS MY HAND. 1660 02:02:44,825 --> 02:02:52,032 YOU SHALL FROM THIS TIME BE YOUR MASTER'S MISTRESS. 1661 02:03:02,843 --> 02:03:06,647 LET ME SEE THEE IN THY WOMAN'S WEEDS. 1662 02:03:14,821 --> 02:03:16,122 OH. 1663 02:03:19,059 --> 02:03:22,663 A SISTER! YOU ARE SHE. 1664 02:03:50,491 --> 02:03:52,158 FROM MALVOLIO? 1665 02:04:10,511 --> 02:04:14,481 HOW NOW, MALVOLIO? 1666 02:04:19,920 --> 02:04:24,991 MADAM, YOU HAVE DONE ME WRONG, NOTORIOUS WRONG. 1667 02:04:24,991 --> 02:04:27,293 HAVE I, MALVOLIO? 1668 02:04:27,293 --> 02:04:28,428 NO! 1669 02:04:28,428 --> 02:04:30,697 LADY, YOU HAVE. 1670 02:04:30,697 --> 02:04:34,835 PRAY YOU, PERUSE THAT LETTER... 1671 02:04:34,835 --> 02:04:39,506 YOU MUST NOT NOW DENY IT IS YOUR HAND. 1672 02:04:39,506 --> 02:04:45,111 WELL, GRANT IT THEN, AND TELL ME, IN THE MODESTY OF HONOUR, 1673 02:04:45,111 --> 02:04:49,115 WHY YOU HAVE GIVEN ME SUCH CLEAR LIGHTS OF FAVOUR, 1674 02:04:49,115 --> 02:04:54,588 BADE ME COME SMILING AND CROSS-GARTERED TO YOU, 1675 02:04:54,588 --> 02:05:00,594 AND, ACTING THIS IN AN OBEDIENT HOPE, 1676 02:05:00,594 --> 02:05:04,130 WHY YOU HAVE SUFFERED ME TO BE IMPRISONED, 1677 02:05:04,130 --> 02:05:07,901 KEPT IN A DARK HOUSE, VISITED BY THE PRIEST, 1678 02:05:07,901 --> 02:05:13,339 AND MADE THE MOST NOTORIOUS GECK AND GULL 1679 02:05:13,339 --> 02:05:15,275 THAT E'RE INVENTION PLAYED ON? 1680 02:05:15,275 --> 02:05:19,012 TELL ME...WHY. 1681 02:05:21,748 --> 02:05:26,687 ALAS, MALVOLIO, THIS IS NOT MY WRITING... 1682 02:05:28,789 --> 02:05:33,226 THOUGH, I CONFESS, MUCH LIKE THE CHARACTER. 1683 02:05:34,761 --> 02:05:39,566 BUT, OUT OF QUESTION, 'TIS MARIA'S HAND. 1684 02:05:39,566 --> 02:05:44,137 AND NOW I DO BETHINK ME, IT WAS SHE FIRST TOLD ME THOU WAST MAD. 1685 02:05:45,772 --> 02:05:50,376 THIS PRACTICE HATH MOST SHREWDLY PASSED UPON THEE. 1686 02:05:50,376 --> 02:05:53,614 GOOD MADAM, HEAR ME SPEAK. 1687 02:05:56,182 --> 02:06:02,188 MOST FREELY I CONFESS, MARIA WRIT THE LETTER AT SIR TOBY'S GREAT IMPORTANCE, 1688 02:06:02,188 --> 02:06:07,260 IN RECOMPENSE WHEREOF HE HATH MARRIED HER. 1689 02:06:09,796 --> 02:06:18,805 ALAS, POOR FOOL! HOW HAVE THEY BAFFLED THEE! 1690 02:06:18,805 --> 02:06:20,841 Feste: WHY, "SOME ARE BORN GREAT, 1691 02:06:20,841 --> 02:06:25,211 "SOME ACHIEVE GREATNESS, 1692 02:06:25,211 --> 02:06:30,016 AND SOME HAVE GREATNESS THROWN UPON THEM." 1693 02:06:31,818 --> 02:06:37,423 I WAS ONE, SIR, IN THIS INTERLUDE, 1694 02:06:37,423 --> 02:06:41,161 ONE MASTER TOPAS. 1695 02:06:42,829 --> 02:06:46,833 "BY THE LORD, FOOL, I AM NOT MAD!" 1696 02:06:46,833 --> 02:06:48,234 BUT DO YOU REMEMBER? 1697 02:06:48,234 --> 02:06:50,837 "MADAM, WHY LAUGH YOU AT SUCH A BARREN RASCAL? 1698 02:06:50,837 --> 02:06:53,139 AN YOU SMILE NOT, HE'S GAGGED." 1699 02:07:02,849 --> 02:07:05,118 THUS THE WHIRLIGIG OF TIME... 1700 02:07:07,854 --> 02:07:10,657 BRINGS IN HIS REVENGES. 1701 02:07:25,471 --> 02:07:27,941 I'LL BE REVENGED... 1702 02:07:34,881 --> 02:07:37,951 ON THE WHOLE PACK OF YOU. 1703 02:07:58,304 --> 02:08:01,107 PURSUE HIM, AND ENTREAT HIM TO A PEACE. 1704 02:08:06,980 --> 02:08:09,850 * WHEN THAT I WAS AND A LITTLE TINY BOY * 1705 02:08:09,850 --> 02:08:13,987 * WITH A HEY, HO, THE WIND AND THE RAIN * 1706 02:08:13,987 --> 02:08:17,123 * A FOOLISH THING WAS BUT A TOY * 1707 02:08:17,123 --> 02:08:22,328 * FOR THE RAIN IT RAINETH EVERY DAY * 1708 02:08:22,328 --> 02:08:25,799 * BUT WHEN I CAME TO MAN'S ESTATE * 1709 02:08:25,799 --> 02:08:29,535 * WITH A HEY, HO, THE WIND AND THE RAIN * 1710 02:08:29,535 --> 02:08:32,839 * 'GAINST KNAVES AND THIEVES MEN SHUT THEIR GATE * 1711 02:08:32,839 --> 02:08:38,178 * FOR THE RAIN IT RAINETH EVERY DAY * 1712 02:08:40,280 --> 02:08:43,950 HE HATH BEEN MOST NOTORIOUSLY ABUSED. 1713 02:08:43,950 --> 02:08:49,956 WHEN THAT IS DONE, AND GOLDEN TIME CONVENTS, 1714 02:08:49,956 --> 02:08:54,627 A SOLEMN COMBINATION SHALL BE MADE OF OUR DEAR SOULS. 1715 02:08:54,627 --> 02:08:58,298 * BUT WHEN I CAME ALAS TO WIVE * 1716 02:08:58,298 --> 02:09:02,102 * WITH A HEY, HO, THE WIND AND THE RAIN * 1717 02:09:02,102 --> 02:09:05,738 * BY SWAGGERING COULD I NEVER THRIVE * 1718 02:09:05,738 --> 02:09:10,443 * FOR THE RAIN IT RAINETH EVERY DAY * 1719 02:09:12,712 --> 02:09:15,782 * BUT WHEN I CAME UNTO MY BEDS * 1720 02:09:15,782 --> 02:09:20,020 * WITH A HEY, HO, THE WIND AND THE RAIN * 1721 02:09:20,020 --> 02:09:22,989 * WITH TOSS-POTS STILL HAD DRUNKEN HEADS * 1722 02:09:22,989 --> 02:09:28,962 * FOR THE RAIN IT RAINETH EVERY DAY * 1723 02:10:36,997 --> 02:10:40,200 * A GREAT WHILE AGO THE WORLD BEGUN * 1724 02:10:40,200 --> 02:10:44,404 * WITH A HEY, HO, THE WIND AND THE RAIN * 1725 02:10:44,404 --> 02:10:47,573 * BUT THAT'S ALL ONE, MY TALE IS DONE * 1726 02:10:47,573 --> 02:10:52,578 * AND I'LL STRIVE TO PLEASE YOU EVERY DAY * 1727 02:10:55,949 --> 02:11:01,421 * AND I'LL STRIVE TO PLEASE YOU EVERY DAY * 1728 02:11:05,491 --> 02:11:07,060 EVERY DAY. 1729 02:11:09,495 --> 02:11:10,897 HA HA HA! 1730 02:11:10,897 --> 02:11:12,698 EVERY DAY. 1731 02:11:12,698 --> 02:11:15,701 CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO 1732 02:11:15,701 --> 02:11:18,504 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1733 02:11:18,504 --> 02:11:22,108 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 119914

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