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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:07,308 --> 00:00:10,144 - ( phone beeps ) - ( man speaking Catalan ) 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:23,757 --> 00:00:25,526 ( phone clicks ) 5 00:00:34,402 --> 00:00:36,304 - ( beeps ) - ( Marc speaking ) 6 00:00:53,487 --> 00:00:55,623 - ( beeps ) - ( Raquel speaking Catalan ) 7 00:01:07,335 --> 00:01:08,702 ( clicks ) 8 00:01:08,736 --> 00:01:12,473 ( wave crashes ) 9 00:01:12,506 --> 00:01:14,675 ( man speaking Catalan ) 10 00:01:29,357 --> 00:01:31,625 - ( applause ) - ( rock music playing ) 11 00:01:32,726 --> 00:01:34,662 ( cheering ) 12 00:02:01,789 --> 00:02:04,292 ( laughter ) 13 00:02:54,675 --> 00:02:56,210 ( chuckles ) 14 00:03:16,964 --> 00:03:18,732 ( laughter ) 15 00:03:31,912 --> 00:03:33,314 ( applause ) 16 00:03:33,347 --> 00:03:36,384 ( rock music playing ) 17 00:04:11,018 --> 00:04:14,488 ( in English ) * I LIKE YOUR NOSE, I LIKE YOUR HAIR * 18 00:04:14,522 --> 00:04:18,392 * I LIKE YOU CLOTHED, I LIKE YOU BARE * 19 00:04:18,426 --> 00:04:22,596 * I LIKE YOUR BOOTS, YOUR SKIRTS AND YOUR BLOUSES * 20 00:04:22,630 --> 00:04:26,467 * I LIKE YOUR SUITS, YOUR SHIRTS AND YOUR TROUSERS * 21 00:04:26,500 --> 00:04:30,338 * I LIKE YOUR MILD POLITICAL STANCES * 22 00:04:30,371 --> 00:04:33,974 * I LIKE YOUR WILD SPONTANEOUS DANCES * 23 00:04:34,007 --> 00:04:36,577 * I LIKE THE WAY YOU DRIVE ME INSANE * 24 00:04:36,610 --> 00:04:39,513 * MORNING, NOON AND NIGHT 25 00:04:39,547 --> 00:04:41,782 * I LIKE YOU 'CAUSE YOU'RE SEXY * 26 00:04:41,815 --> 00:04:45,753 * I LIKE THE SEXY THINGS YOU DRESS IN * 27 00:04:45,786 --> 00:04:50,524 * I LIKE IT WHEN YOU'RE SITTING NEXT TO ME * 28 00:04:50,558 --> 00:04:54,528 * WHISPERING SEXY THINGS 29 00:04:54,562 --> 00:04:57,398 * I LIKE YOU 'CAUSE YOU LIKE ME * 30 00:04:57,431 --> 00:05:00,868 * I LIKE THE POEMS THAT YOU WRITE ME * 31 00:05:00,901 --> 00:05:05,673 * I LIKE THE PICTURES THAT YOU THOUGHTFULLY * 32 00:05:05,706 --> 00:05:07,941 * DRAW FOR ME 33 00:05:07,975 --> 00:05:10,944 * THAT MAKE ME LOOK ALL RIGHT * 34 00:05:10,978 --> 00:05:12,813 * OH YEAH 35 00:05:12,846 --> 00:05:17,851 * I LIKE, I LIKE, I LIKE 36 00:05:19,687 --> 00:05:23,524 * I LIKE THE WAY YOU MAKE ME LAUGH * 37 00:05:23,557 --> 00:05:27,528 * I LIKE YOUR BRAIN, BOTH LEFT AND RIGHT HALF * 38 00:05:27,561 --> 00:05:31,131 * I LIKE THE SONGS YOU SING WHEN YOU'RE BATHING * 39 00:05:31,164 --> 00:05:34,802 * I LIKE YOUR DOG WHEN HE'S BEHAVING * 40 00:05:34,835 --> 00:05:38,639 * I LIKE YOUR CAR, YOU CURSE LIKE A TROOPER * 41 00:05:38,672 --> 00:05:42,710 * DURING A HARD REVERSING MANEUVER * 42 00:05:42,743 --> 00:05:45,746 * I LIKE THE WAY WE KISS AND WE MAKE UP * 43 00:05:45,779 --> 00:05:48,916 * AFTER A FIGHT, I LIKE YOU * 44 00:05:48,949 --> 00:05:50,818 - * 'CAUSE YOU'RE SEXY... - FOLLOW ME. 45 00:05:50,851 --> 00:05:54,588 * I LIKE THE SEXY THINGS YOU DRESS IN * 46 00:05:54,622 --> 00:05:58,992 * I LIKE IT WHEN YOU'RE SITTING NEXT TO ME * 47 00:05:59,026 --> 00:06:03,130 * TEXTING ME SEXY THINGS 48 00:06:03,163 --> 00:06:05,833 * I LIKE YOU 'CAUSE YOU LIKE ME * 49 00:06:05,866 --> 00:06:10,438 * I LIKE THE POEMS THAT YOU WRITE ME, I LIKE... * 50 00:06:10,471 --> 00:06:11,772 - HI. - HEY. 51 00:06:14,708 --> 00:06:16,410 ( in English ) * DRAW FOR ME 52 00:06:16,444 --> 00:06:20,013 * THAT MAKE ME LOOK ALL RIGHT. * 53 00:06:20,047 --> 00:06:22,750 ( in Catalan ) 54 00:06:25,486 --> 00:06:27,621 - ( child crying ) - ( people chattering ) 55 00:06:33,461 --> 00:06:34,762 ( chuckles ) 56 00:06:52,245 --> 00:06:53,914 ( chuckles ) 57 00:06:56,083 --> 00:06:58,819 - ( mutters ) - ( elevator chimes ) 58 00:07:07,027 --> 00:07:08,896 ( van chimes, whirring ) 59 00:07:10,964 --> 00:07:14,067 ( in English ) I AM SO SORRY. I DON'T SPEAK ANY JAPANESE. 60 00:07:14,101 --> 00:07:16,136 THE INTERPRETER COULDN'T MAKE IT, 61 00:07:16,169 --> 00:07:18,506 BUT I'M SURE YOU'RE GOING TO LOVE IT. 62 00:07:18,539 --> 00:07:21,041 GETTING A TABLE ON THE LAST NIGHT IS ALMOST IMPOSSIBLE. 63 00:07:21,074 --> 00:07:22,442 ( paper rustles ) 64 00:07:24,978 --> 00:07:26,880 ( blows nose ) 65 00:07:26,914 --> 00:07:29,449 ( in Japanese ) 66 00:07:41,995 --> 00:07:44,698 ( engine starts ) 67 00:07:44,732 --> 00:07:45,866 ( in Catalan ) 68 00:07:45,899 --> 00:07:49,136 ( man, in English ) YES, DOCTOR, I UNDERSTAND. 69 00:07:49,169 --> 00:07:52,606 IT'S JUST ALL SO UNEXPECTED THAT-- 70 00:07:52,640 --> 00:07:55,609 YES, OF COURSE. UH, FINE. SHE'S FINE. 71 00:07:57,611 --> 00:08:00,681 SURE. DOES THAT MEAN THAT SHE CAN GO TO THIS DINNER? 72 00:08:00,714 --> 00:08:04,117 THAT IS IF SHE WANTS TO, OBVIOUSLY. 73 00:08:04,151 --> 00:08:07,588 VERY WELL THEN. THANK YOU, DOCTOR. 74 00:08:07,621 --> 00:08:09,089 GOODBYE THEN. GOODBYE. 75 00:08:09,122 --> 00:08:11,592 - THAT'S IT. I'M GOING. - ( phone clatters ) 76 00:08:11,625 --> 00:08:14,562 I SEE, MADAM. SHALL I PREPARE THE CAR? 77 00:08:14,595 --> 00:08:17,998 YES, BUT FIRST FETCH THE LADDER. 78 00:08:19,232 --> 00:08:21,501 WE'RE TAKING HIM ALONG. 79 00:08:22,335 --> 00:08:24,304 YES, MADAM. 80 00:08:24,337 --> 00:08:27,941 WELL, DO GET A MOVE ON, BURTON. 81 00:08:27,975 --> 00:08:31,178 I MEAN, YOU'VE GOT TO GET ME READY TOO 82 00:08:31,211 --> 00:08:35,649 AND DO MY HAIR AND ALL THAT. 83 00:08:35,683 --> 00:08:38,218 HONESTLY, I DON'T KNOW WHY I PAY YOU. 84 00:08:38,251 --> 00:08:40,788 YES, MADAM. 85 00:08:42,723 --> 00:08:45,525 ( jazz music playing ) 86 00:08:50,631 --> 00:08:52,700 ( glasses clink ) 87 00:09:15,623 --> 00:09:17,725 ( engine puttering ) 88 00:09:56,163 --> 00:09:58,966 - ( parking brake clicks ) - ( door opens ) 89 00:10:08,008 --> 00:10:10,143 ( people chattering ) 90 00:10:12,112 --> 00:10:14,014 ( in Catalan ) 91 00:10:15,082 --> 00:10:16,717 ( chuckles ) 92 00:11:14,341 --> 00:11:15,275 ( mutters ) 93 00:11:17,210 --> 00:11:18,979 - MMM. - ( Mar chuckles ) 94 00:12:07,394 --> 00:12:08,728 ( camera clicks ) 95 00:12:10,530 --> 00:12:12,966 - ( in English ) GOOD EVENING. - ( in Catalan ) 96 00:12:13,000 --> 00:12:15,335 - Max: HELLO. - Mar: HELLO. 97 00:12:17,237 --> 00:12:18,338 Both: HELLO. 98 00:12:19,807 --> 00:12:21,508 YOSHIO TAKAMURA, 99 00:12:21,541 --> 00:12:24,377 - ISAO KAMIKAMA-- - KAMIYAMA. 100 00:12:24,411 --> 00:12:27,881 ( in English ) KAMIYAMA, SORRY-- ARE BOTH VERY EXCITED 101 00:12:27,915 --> 00:12:31,251 - TO COME HERE TO DINNER TONIGHT. - ( in Japanese ) 102 00:12:31,284 --> 00:12:33,186 ( in English ) THANK YOU SO MUCH FOR COMING. 103 00:12:33,220 --> 00:12:35,122 WE'RE SO PLEASED TO HAVE YOU HERE AND WE'RE SO HONORED 104 00:12:35,155 --> 00:12:38,091 THAT YOU'VE COME ALL THE WAY FROM TOKYO TO ENJOY OUR MEAL. 105 00:12:38,125 --> 00:12:38,992 ( in Japanese ) 106 00:12:39,026 --> 00:12:40,327 ( in English ) THANK YOU. 107 00:12:40,360 --> 00:12:43,163 UMM... 108 00:12:47,167 --> 00:12:49,302 - AH. - MMM. 109 00:12:53,941 --> 00:12:57,144 ( in English ) THE PRESENTS. THE PRESENTS. 110 00:12:57,177 --> 00:12:59,146 ( clatters ) 111 00:13:00,881 --> 00:13:02,282 ( both in Japanese ) 112 00:13:05,318 --> 00:13:08,188 - ( both speak ) - ( Max, in English ) AND NOW 113 00:13:08,221 --> 00:13:10,123 WE'LL START YOU OFF WITH A COCKTAIL. 114 00:13:38,251 --> 00:13:40,888 ( in Catalan ) 115 00:13:42,589 --> 00:13:44,091 ( chuckles ) 116 00:14:12,519 --> 00:14:13,887 YEAH YEAH YEAH. 117 00:14:39,246 --> 00:14:40,180 ( mutters ) 118 00:15:02,469 --> 00:15:04,171 YEAH YEAH YEAH. ( chuckles ) 119 00:15:20,220 --> 00:15:22,455 - ( parking brake clicks ) - ( engine stops ) 120 00:15:41,108 --> 00:15:43,210 - MATILDA. - ( in English ) DARLING. 121 00:15:45,045 --> 00:15:46,513 I CAN'T BELIEVE IT. YOU CAME. 122 00:15:46,546 --> 00:15:48,681 NO, NOW DON'T GO ALL MUSHY ON ME 123 00:15:48,715 --> 00:15:51,351 OR I'M LEAVING. MAX. 124 00:15:51,384 --> 00:15:54,321 - COUNTESS. - ARE YOU OKAY? WHAT HAPPENED? 125 00:15:54,354 --> 00:15:57,224 OH, THIS? OH, NO NO, IT'S NOTHING. 126 00:15:57,257 --> 00:16:00,427 WELL, THEY WENT CRAZY DOING TESTS. 127 00:16:00,460 --> 00:16:04,097 SO I'M A LITTLE ANEMIC. WHAT DO THEY EXPECT? 128 00:16:04,131 --> 00:16:07,500 - ( scoffs ) DOCTORS. - IS THAT WHAT I THINK IT IS? 129 00:16:09,102 --> 00:16:11,738 MMM. HE WOULDN'T WANT TO MISS THIS. 130 00:16:11,771 --> 00:16:14,307 YOU KNOW HE NEVER CHANGED HIS PLANS. 131 00:16:14,341 --> 00:16:17,210 - MM-HMM. - STUBBORN AS A MULE. 132 00:16:17,244 --> 00:16:19,179 MATILDA, THANKS SO MUCH FOR COMING. 133 00:16:19,212 --> 00:16:22,282 YOU DON'T KNOW WHAT IT MEANS TO ME TO HAVE YOU HERE TONIGHT. 134 00:16:22,315 --> 00:16:25,218 THEY SHOULD'VE CLOSED THIS PLACE DOWN YEARS AGO, 135 00:16:25,252 --> 00:16:27,620 - SEEING HOW YOU COOK. - SURE, SURE. 136 00:16:27,654 --> 00:16:30,157 ANYHOW, WHAT WAS I TO DO? STAY HOME? 137 00:16:30,190 --> 00:16:32,625 FRANKLY, I'D RATHER MAKE A FOOL OF MYSELF, 138 00:16:32,659 --> 00:16:35,262 COME HERE ALONE AND DINE ALONE. 139 00:16:35,295 --> 00:16:39,166 AT LEAST THAT WAY IT GIVES THEM ALL SOMETHING TO GOSSIP ABOUT. 140 00:16:39,199 --> 00:16:42,402 - MATILDA, I HAVE TO GO. - IT'S PAID FOR, YES? 141 00:16:42,435 --> 00:16:44,404 YES, OF COURSE. 142 00:16:44,437 --> 00:16:46,206 OH, GOOD. 143 00:16:46,239 --> 00:16:48,208 THE FIRST TO ARRIVE, THE LAST TO BE GREETED. 144 00:16:48,241 --> 00:16:50,510 MY APOLOGIES. MAX BARNEY, DIRECTOR OF CHAKULA. 145 00:16:50,543 --> 00:16:53,146 - WALTER REILLY. - OF COURSE. MR. REILLY. 146 00:16:53,180 --> 00:16:56,249 WELL, WELCOME. I HOPE YOU HAVE A WONDERFUL EVENING. 147 00:16:56,283 --> 00:16:58,351 THANK YOU. I'VE BEEN LOOKING FORWARD 148 00:16:58,385 --> 00:17:00,720 TO THIS MOMENT FOR A VERY LONG TIME. 149 00:17:00,753 --> 00:17:03,423 WELL, WE'RE VERY GLAD TO HAVE YOU WITH US. PLEASE, IF YOU NEED ANYTHING, 150 00:17:03,456 --> 00:17:06,359 - DON'T HESITATE TO ASK A MEMBER OF OUR STAFF. - DON'T WORRY ABOUT ME. 151 00:17:06,393 --> 00:17:08,128 IF I GET BORED, I'LL LET YOU KNOW. 152 00:17:13,300 --> 00:17:15,435 ( men speaking ) 153 00:17:28,548 --> 00:17:30,049 YES. 154 00:18:01,214 --> 00:18:03,350 ( people chattering ) 155 00:18:33,646 --> 00:18:35,482 UMM... 156 00:18:39,519 --> 00:18:41,120 ( chuckles ) 157 00:18:48,795 --> 00:18:50,530 YES. 158 00:19:08,281 --> 00:19:09,382 ( camera clicks ) 159 00:19:10,417 --> 00:19:11,584 UH. 160 00:19:14,821 --> 00:19:17,524 ( sighs ) 161 00:19:17,557 --> 00:19:21,160 - ( in English ) DO YOU NEED HELP? - OH, NO NO NO. NO THANK YOU. 162 00:19:23,296 --> 00:19:26,799 WELL, YES. WOULD YOU MIND HOLDING THIS FOR A MOMENT? 163 00:19:26,833 --> 00:19:28,601 SURE, OF COURSE. 164 00:19:28,635 --> 00:19:30,270 - THANK YOU. - OKAY. 165 00:19:30,303 --> 00:19:32,939 ( exhales sharply ) AH. CAREFUL NOW. 166 00:19:32,972 --> 00:19:34,507 THAT'S MY HUSBAND. 167 00:19:34,541 --> 00:19:36,943 OH. LOVELY. 168 00:19:36,976 --> 00:19:39,746 OH, NOT TO WORRY, DEAR. HE'S ALREADY DEAD. 169 00:19:39,779 --> 00:19:42,782 - I HOPE SO. - ( laughs ) 170 00:19:42,815 --> 00:19:46,819 ALIVE, HE WOULD'VE GIVEN YOU SOMETHING TO WORRY ABOUT. 171 00:19:46,853 --> 00:19:50,323 THANK YOU. I'LL-- I'LL TAKE THAT AS A COMPLIMENT. 172 00:19:50,357 --> 00:19:53,960 - ARE YOU MARRIED? - UMM... WAS. 173 00:19:53,993 --> 00:19:56,763 - OH. HE DIED TOO? - NO. 174 00:19:56,796 --> 00:19:59,632 NO NO. WE'RE... DIVORCED. 175 00:19:59,666 --> 00:20:01,434 OH, DIVORCED. 176 00:20:02,469 --> 00:20:03,836 WELL... 177 00:20:03,870 --> 00:20:05,572 MAKE THE MOST OF IT, DEAR. 178 00:20:05,605 --> 00:20:07,640 LIFE IS SHORT. 179 00:20:11,311 --> 00:20:14,747 - ( door opens ) - ( sighs ) 180 00:20:14,781 --> 00:20:17,517 MMM! ( mumbles ) 181 00:20:20,620 --> 00:20:21,821 ( mumbles ) 182 00:20:43,976 --> 00:20:45,512 ( in English ) HELLO. 183 00:20:48,448 --> 00:20:50,517 - ( beeps ) - ( seagulls cawing ) 184 00:20:53,052 --> 00:20:54,487 IT'S BEAUTIFUL. 185 00:20:56,489 --> 00:20:58,625 IT'S RINGING, BUT NOBODY'S PICKING UP. 186 00:20:58,658 --> 00:21:00,760 - YOU'RE KILLING ME. - Man: LISTEN, THEY'RE NOT PICKING UP. 187 00:21:00,793 --> 00:21:03,029 SHOULD I JUST GET IN THE CAR AND WE LEAVE? 188 00:21:03,062 --> 00:21:04,831 OH, I DON'T KNOW. YES! 189 00:21:04,864 --> 00:21:06,399 ALL RIGHT, LET'S GO. COME ON. 190 00:21:07,800 --> 00:21:09,902 - DIANE, COME ON. - THANK YOU. 191 00:21:09,936 --> 00:21:11,871 ( chattering ) 192 00:21:21,848 --> 00:21:23,816 ( whispers ) 193 00:21:23,850 --> 00:21:25,685 ( clears throat ) 194 00:21:36,829 --> 00:21:38,498 ( laughter ) 195 00:21:52,979 --> 00:21:54,547 ( in English ) THANK YOU. 196 00:22:05,057 --> 00:22:07,394 ( applause ) 197 00:22:12,999 --> 00:22:14,734 ( in English ) LADIES AND GENTLEMEN, 198 00:22:14,767 --> 00:22:15,968 FOR THE LAST TIME, 199 00:22:16,002 --> 00:22:18,871 WELCOME AND ENJOY. 200 00:22:18,905 --> 00:22:19,972 PLEASE. 201 00:22:20,006 --> 00:22:22,675 ( chattering ) 202 00:22:31,017 --> 00:22:32,952 ( sizzling ) 203 00:22:52,972 --> 00:22:54,707 HOLD ON NOW. 204 00:22:54,741 --> 00:22:57,744 I-- I DON'T NEED THIS HUGE TABLE. 205 00:22:57,777 --> 00:22:59,746 IT LOOKS LIKE I'M EXPECTING SOMEONE. 206 00:22:59,779 --> 00:23:02,615 - ORDERS FROM UP TOP. - THIS IS WHERE YOU PARK THE OLD LADY 207 00:23:02,649 --> 00:23:04,484 SO SHE DOESN'T CAUSE ANY TROUBLE. 208 00:23:17,797 --> 00:23:19,766 ( chattering ) 209 00:23:30,710 --> 00:23:32,612 ( clears throat ) 210 00:23:36,215 --> 00:23:38,050 ( in Japanese ) 211 00:23:38,084 --> 00:23:40,687 ( in English ) AND NOW WE WILL FOLLOW UP THE COCKTAIL 212 00:23:40,720 --> 00:23:42,522 BY SERVING OUR TASTING MENU, 213 00:23:42,555 --> 00:23:44,223 WHAT WE LIKE TO CALL THE SECOND ACT. 214 00:23:44,256 --> 00:23:47,093 AFTERWARDS, WE WILL RETURN TO THE TERRACE 215 00:23:47,126 --> 00:23:49,128 FOR DESSERTS AND LIQUORS. 216 00:23:49,161 --> 00:23:52,431 AND FINALLY, TONIGHT'S SURPRISE DISH. 217 00:24:03,009 --> 00:24:04,944 SAYONARA. ( chuckles ) 218 00:24:04,977 --> 00:24:06,513 SAYONARA. 219 00:24:07,213 --> 00:24:08,715 ( in Japanese ) 220 00:24:08,748 --> 00:24:09,849 ( in English ) ENJOY YOUR MEAL. 221 00:24:17,256 --> 00:24:19,025 - ( server speaks ) - Marc: GOOD EVENING. 222 00:24:31,170 --> 00:24:32,939 ( Marc in Catalan ) THANKS. 223 00:24:34,741 --> 00:24:35,975 HMM? 224 00:24:39,011 --> 00:24:40,880 ( laughs ) 225 00:25:06,172 --> 00:25:08,975 ( chuckles ) YEAH. 226 00:25:14,881 --> 00:25:16,983 - UMM... - ( clears throat ) 227 00:25:25,958 --> 00:25:27,594 ( whispers, in English ) GO FOR IT, YOUNG MAN. 228 00:25:27,627 --> 00:25:29,061 SHE'S AVAILABLE. 229 00:25:31,297 --> 00:25:33,132 DIVORCED. 230 00:26:06,032 --> 00:26:08,034 ( man, in English ) I MANAGED TO REACH THE RESTAURANT AND TOLD THEM 231 00:26:08,067 --> 00:26:10,136 WE'RE RUNNING A LITTLE LATE, SO QUIT YOUR POUTING, DANIEL. 232 00:26:10,169 --> 00:26:13,673 ACTUALLY, DO YOU WANT ME TO TEXT HER AND TELL HER WE LANDED SAFELY? 233 00:26:13,706 --> 00:26:16,208 NO. THANK YOU. YOU KNOW WHAT I'D LIKE YOU TO DO? 234 00:26:16,242 --> 00:26:19,211 - YEAH? - KEEP YOUR EYES ON THE ROAD, DRIVE A LITTLE FASTER, 235 00:26:19,245 --> 00:26:20,947 SO WE DON'T HAVE TO BE SO DAMN LATE. 236 00:26:20,980 --> 00:26:23,049 HE'S JUST JEALOUS. CAN'T YOU TELL HE'S DYING 237 00:26:23,082 --> 00:26:25,217 TO BE WITH A LITERARY STAR 10 YEARS YOUNGER THAN HIM? 238 00:26:25,251 --> 00:26:26,719 NO, SHE'S 20 YEARS YOUNGER THAN ME. 239 00:26:26,753 --> 00:26:29,388 20 YEARS. NOW CAN WE GET OFF THIS NOW, PLEASE? 240 00:26:29,421 --> 00:26:31,157 WE'VE BEEN ON IT SINCE NEW YORK. 241 00:26:33,325 --> 00:26:34,794 ( Mar speaking ) 242 00:26:47,239 --> 00:26:49,608 ( chattering ) 243 00:26:54,881 --> 00:26:55,848 ( bell dings ) 244 00:26:59,285 --> 00:27:01,120 Max: MAR. 245 00:27:20,172 --> 00:27:21,107 ( sighs ) 246 00:27:30,416 --> 00:27:32,151 YEAH YEAH YEAH YEAH. 247 00:27:37,056 --> 00:27:39,091 ( cracks ) 248 00:27:40,827 --> 00:27:44,296 ( in English ) SO... A TOAST. WE NEED TO TOAST. 249 00:27:44,330 --> 00:27:46,032 TO A WONDERFUL EVENING 250 00:27:46,065 --> 00:27:48,234 AND TO THE SUCCESS OF YOUR BUSINESS, 251 00:27:48,267 --> 00:27:51,037 YOUR NEW BUSINESS. CHIN-CHIN. 252 00:27:51,070 --> 00:27:53,439 OH. IN JAPANESE, 253 00:27:53,472 --> 00:27:55,908 WE DON'T USE THAT WORD AT THE DINNER TABLE. 254 00:27:55,942 --> 00:27:57,910 - WHAT WORD? - CHINCHIN. 255 00:27:57,944 --> 00:28:01,080 - WHY? - IN JAPANESE, IT'S SOMETHING WE HAVE 256 00:28:01,113 --> 00:28:02,915 BUT YOU DON'T. 257 00:28:02,949 --> 00:28:04,216 WHAT? 258 00:28:07,019 --> 00:28:09,221 OH, I GET IT. 259 00:28:09,255 --> 00:28:12,725 ( laughing ) YOU MEAN A PENIS. 260 00:28:13,960 --> 00:28:16,228 CHINCHIN MEANS PENIS IN JAPANESE. 261 00:28:17,496 --> 00:28:20,266 I LOVE IT. PENIS-PENIS. 262 00:28:32,244 --> 00:28:33,913 ( engine stops ) 263 00:28:44,190 --> 00:28:45,257 MMM? 264 00:28:48,127 --> 00:28:50,296 ( both laughing ) 265 00:29:23,195 --> 00:29:24,163 ( exhales sharply ) 266 00:29:26,265 --> 00:29:28,868 ( sighs ) 267 00:29:36,943 --> 00:29:39,411 ( in English ) MR. REILLY, THE WINE LIST. 268 00:29:39,445 --> 00:29:41,013 OH PLEASE. 269 00:29:42,614 --> 00:29:44,250 ( in Catalan ) FINCA GARBET, 2005. 270 00:29:44,283 --> 00:29:45,451 FINCA GARBET. 271 00:29:45,484 --> 00:29:46,886 ( in English ) I ASSUME YOU HAVE IT. 272 00:29:46,919 --> 00:29:48,420 ABSOLUTELY. EXCELLENT CHOICE. 273 00:29:48,454 --> 00:29:50,589 - I KNOW WHAT I LIKE. - UMM... 274 00:29:50,622 --> 00:29:52,558 IS EVERYTHING ALL RIGHT? ARE YOU ENJOYING YOUR FOOD? 275 00:29:52,591 --> 00:29:54,293 DELICIOUS, THANK YOU. 276 00:29:54,326 --> 00:29:56,929 - WOULD YOU LIKE TO TRY ONE? - OH, NO NO NO. 277 00:29:56,963 --> 00:29:58,931 THANK YOU VERY MUCH. THOSE ARE FOR YOU. 278 00:30:00,032 --> 00:30:02,935 UMM... THE MAITRE D' HAS BEEN TELLING ME 279 00:30:02,969 --> 00:30:04,904 THAT YOU'VE BEEN DISCUSSING THE MENU. 280 00:30:04,937 --> 00:30:07,173 HE'S VERY IMPRESSED WITH YOUR KNOWLEDGE OF GASTRONOMY. 281 00:30:07,206 --> 00:30:09,508 OH, I KNOW VERY LITTLE. I HAVE A PASSION 282 00:30:09,541 --> 00:30:12,378 FOR FINE CUISINE, THAT'S ALL. 283 00:30:13,612 --> 00:30:16,415 I'M INTRIGUED BY THE PROCESS. 284 00:30:16,448 --> 00:30:18,617 WELL, PERHAPS YOU'D LIKE TO COME AND VISIT OUR KITCHEN LATER. 285 00:30:18,650 --> 00:30:20,286 THAT WON'T BE NECESSARY. 286 00:30:21,420 --> 00:30:23,022 OF COURSE. 287 00:30:23,055 --> 00:30:25,291 - ( clears throat ) MR. BARNEY? - YES? 288 00:30:26,625 --> 00:30:28,327 EXCUSE ME. 289 00:30:34,300 --> 00:30:35,968 UMM... 290 00:31:44,170 --> 00:31:46,405 - ( gasps ) - ( Mar chuckles ) 291 00:31:46,438 --> 00:31:50,142 ( in English ) I KNEW YOU'D END UP BEING DEMOTED TO WAITRESS. 292 00:31:50,176 --> 00:31:52,578 - SERVES YOU RIGHT. - MIND IF I SIT DOWN? 293 00:31:52,611 --> 00:31:54,513 OH, IF YOU INSIST. 294 00:31:54,546 --> 00:31:56,548 THANK YOU. 295 00:31:56,582 --> 00:31:59,151 - ( whispers ) - OKAY. 296 00:31:59,185 --> 00:32:01,487 DON'T YOU LIKE THE TABLE I CHOSE FOR YOU? 297 00:32:01,520 --> 00:32:04,156 ( chuckles ) WHEN YOU GET TO MY AGE 298 00:32:04,190 --> 00:32:05,691 YOU'LL KNOW WHAT IT FEELS LIKE. 299 00:32:05,724 --> 00:32:09,295 THERE'S NOTHING WORSE THAN BEING PITIED. 300 00:32:10,596 --> 00:32:13,032 - HOW'S THE COUNT DOING? - WELL, YOU KNOW, 301 00:32:13,065 --> 00:32:15,267 SO FAR HE HASN'T SENT ANYTHING BACK. 302 00:32:15,301 --> 00:32:17,970 PLEASE DON'T SPREAD THE ASHES AROUND HERE. 303 00:32:18,004 --> 00:32:19,238 YOU COULD USE THEM AS AN INGREDIENT. 304 00:32:19,271 --> 00:32:21,240 THAT'D BE SOMETHING NEW FOR YOU. 305 00:32:22,274 --> 00:32:24,410 DON'T YOU HAVE SOME WORK TO DO? 306 00:32:24,443 --> 00:32:26,378 I DON'T NEED A BABYSITTER. 307 00:32:26,412 --> 00:32:29,748 MATILDA, THERE IS NOTHING WRONG IN MISSING HIM. 308 00:32:29,781 --> 00:32:31,717 - I MISS HIM TOO. - GO-- GO TO WORK. 309 00:32:31,750 --> 00:32:34,320 GO BOIL AN EGG OR DO SOMETHING USEFUL. 310 00:32:34,353 --> 00:32:35,954 GO ON. 311 00:32:38,157 --> 00:32:40,492 ( kisses ) BON APPETIT. 312 00:32:46,298 --> 00:32:47,366 HI. 313 00:33:31,143 --> 00:33:32,278 ( Raquel speaks ) 314 00:33:35,781 --> 00:33:37,416 ( laughs ) YES YES YES. 315 00:33:42,088 --> 00:33:44,022 NO NO NO NO. 316 00:33:51,263 --> 00:33:52,198 YES. 317 00:33:56,368 --> 00:33:57,603 NO NO NO. 318 00:33:59,305 --> 00:34:00,539 ( laughs ) YEAH. 319 00:34:02,408 --> 00:34:04,410 ( in English ) YEAH YEAH. YEAH YEAH YEAH YEAH. 320 00:34:05,711 --> 00:34:06,645 THANK YOU. 321 00:34:07,779 --> 00:34:11,117 ( inhales deeply, moans ) 322 00:34:11,150 --> 00:34:13,252 ( crickets chirping ) 323 00:34:16,788 --> 00:34:19,525 ( in English ) HIDALGO, HEY, IT'S MAX. 324 00:34:24,630 --> 00:34:26,632 ( music playing on radio ) 325 00:34:49,755 --> 00:34:51,123 HEY HEY. 326 00:35:03,635 --> 00:35:05,337 ( speaks Catalan ) 327 00:35:08,640 --> 00:35:10,542 ( chuckles ) 328 00:35:17,616 --> 00:35:19,151 ( chattering ) 329 00:35:24,423 --> 00:35:25,524 ( clicks ) 330 00:35:45,811 --> 00:35:48,146 ( cellphone ringing ) 331 00:35:50,749 --> 00:35:53,852 ( in English ) LOOK, IT'S REALLY VERY BUSY RIGHT NOW. 332 00:35:53,885 --> 00:35:55,321 I HAVE TO GO. 333 00:35:56,288 --> 00:35:58,290 I'M LIKING WHERE THIS IS GOING. 334 00:35:58,324 --> 00:36:00,259 WHAT ARE YOU DOING HERE? ARE YOU CRAZY? 335 00:36:00,292 --> 00:36:02,294 THIS IS A SURPRISE. DO YOU LIKE MY SURPRISE? 336 00:36:02,328 --> 00:36:04,796 - WHAT ARE YOU TALKING ABOUT? - WE JUST SAT IN A TABLE 337 00:36:04,830 --> 00:36:06,365 IN NEW YORK AND SAID IT WAS A BUMMER 338 00:36:06,398 --> 00:36:08,367 WE COULDN'T BE HERE TOGETHER AT THIS THING. 339 00:36:08,400 --> 00:36:10,336 WELL, HERE WE ARE, WE'RE TOGETHER. 340 00:36:10,369 --> 00:36:12,571 WE'RE NOT EXACTLY TOGETHER, BECAUSE YOU GOTTA DEAL WITH HIM, 341 00:36:12,604 --> 00:36:14,573 - BUT STILL-- - I DON'T UNDERSTAND, OKAY? 342 00:36:14,606 --> 00:36:16,475 HOW LONG HAVE YOU HAD THIS PLANNED? 343 00:36:16,508 --> 00:36:19,245 I DIDN'T PLAN THIS. DIANE HAD A FRIEND 344 00:36:19,278 --> 00:36:21,213 WHO GOT PREGNANT AND SHE COULDN'T FLY, 345 00:36:21,247 --> 00:36:23,415 SO I JUST TOOK HER SPOT. 346 00:36:23,449 --> 00:36:24,983 I MEAN... 347 00:36:25,016 --> 00:36:27,719 THAT WAS A WEEK AGO, BUT IT WASN'T A PLAN. 348 00:36:27,753 --> 00:36:29,621 YOU'RE HAPPY TO SEE ME, RIGHT? 349 00:36:29,655 --> 00:36:32,591 DAN, YOU CAN'T JUST SHOW UP HERE WITHOUT CHECKING WITH ME. 350 00:36:34,260 --> 00:36:36,695 WAIT, SO YOU'RE SAYING YOU'RE NOT HAPPY TO SEE ME? 351 00:36:37,863 --> 00:36:39,465 ( stammers ) 352 00:36:40,666 --> 00:36:41,733 ( door opens ) 353 00:37:10,762 --> 00:37:12,331 ( in English ) IT'S TRUE. 354 00:37:12,364 --> 00:37:14,300 ( blows nose ) IT'S TRUE. 355 00:37:14,333 --> 00:37:16,702 IT'S CALLED "COSTA BRAVA LIFESTYLE." 356 00:37:16,735 --> 00:37:21,307 IT'S ABOUT THE SEA, THE LANDSCAPE, THE LIGHT, 357 00:37:21,340 --> 00:37:23,275 AND WITH THE FOOD. YEAH. 358 00:37:23,309 --> 00:37:26,378 EATING OUT IN THE SUNSHINE WITH A NICE WINE. 359 00:37:26,412 --> 00:37:29,415 - MMM. DO YOU UNDERSTAND? - YES. 360 00:37:30,649 --> 00:37:33,285 IT'S FOR THAT THAT YOU NEED A CALM SEA. 361 00:37:33,319 --> 00:37:36,722 HERE WE DON'T HAVE EARTHQUAKES OR TSUNAMIS. 362 00:37:36,755 --> 00:37:39,758 WE-- WE ARE RELAXED PEOPLE. 363 00:37:39,791 --> 00:37:41,793 YES. 364 00:37:41,827 --> 00:37:44,029 UMM... PLEASE. 365 00:37:44,062 --> 00:37:46,832 WHY DON'T YOU HAVE ANOTHER GLASS? 366 00:37:46,865 --> 00:37:50,736 AND THEN YOU CAN TELL ME WHAT THE FOOD TASTES LIKE. 367 00:37:53,038 --> 00:37:54,840 ANYWAY, WE DON'T HAVE TO PAY. 368 00:37:59,645 --> 00:38:01,447 'CAUSE WE DON'T HAVE TO PAY. 369 00:38:36,915 --> 00:38:39,918 YES. ( scoffs ) 370 00:39:04,543 --> 00:39:06,712 - ( in English ) WHO IS SHE WITH? - WHO? 371 00:39:08,146 --> 00:39:10,516 OH, UH, NOBODY. 372 00:39:10,549 --> 00:39:12,918 JUST HER EX. THEY HAVE SOME... ( inhales sharply ) 373 00:39:12,951 --> 00:39:14,820 JUST-- I DON'T KNOW-- 374 00:39:14,853 --> 00:39:17,856 - THINGS TO WRAP UP. - ( paper tears ) 375 00:39:19,024 --> 00:39:20,492 YES SIR? 376 00:39:21,860 --> 00:39:24,830 ( whispers ) GIVE THAT TO THE WOMAN OVER THERE IN THE RED DRESS. 377 00:39:26,498 --> 00:39:28,834 - THANK YOU. - ( pen clicks ) 378 00:39:28,867 --> 00:39:31,603 DANIEL'S VERY MYSTERIOUS TONIGHT, DON'T YOU AGREE? 379 00:39:31,637 --> 00:39:33,872 HE IS, ISN'T HE? AND HE SEEMS SO MUCH YOUNGER 380 00:39:33,905 --> 00:39:35,641 SINCE HE STARTED DATING RACHEL. 381 00:39:35,674 --> 00:39:38,009 AND IT EVEN LOOKS LIKE HE'S GROWN MORE HAIR. 382 00:39:38,043 --> 00:39:40,512 I HAVE HAIR PLUGS. 383 00:39:49,154 --> 00:39:51,490 ( whispers ) 384 00:40:06,137 --> 00:40:07,739 ( in English ) "MY LOVE, I HAVEN'T TOLD YOU 385 00:40:07,773 --> 00:40:09,508 THAT YOU LOOK GLORIOUS TONIGHT. 386 00:40:09,541 --> 00:40:12,978 WHY DON'T WE SWIM NAKED UNDER THE MOONLIGHT?" 387 00:40:13,011 --> 00:40:14,412 ( coughs ) 388 00:40:17,115 --> 00:40:19,551 ( exhales sharply ) 389 00:40:21,587 --> 00:40:22,721 YEAH? 390 00:40:24,890 --> 00:40:25,824 ( chuckles ) 391 00:41:23,081 --> 00:41:25,651 ( Marc sighs ) 392 00:42:15,601 --> 00:42:16,935 ( clears throat ) 393 00:42:33,318 --> 00:42:35,320 ( in English ) HEY, FORGIVE THE INTERRUPTION. 394 00:42:35,353 --> 00:42:38,757 - IT'S MARC. YOU'RE MARC, RIGHT? - YEAH. ( clears throat ) 395 00:42:38,790 --> 00:42:40,191 - HOW ARE YOU? - GOOD. 396 00:42:40,225 --> 00:42:42,160 I JUST WANTED TO COME BY AND TAKE A MINUTE 397 00:42:42,193 --> 00:42:44,830 - TO TALK MAN TO MAN, IF YOU DON'T MIND. - NO NO, NOT AT ALL. 398 00:42:44,863 --> 00:42:46,832 YEAH, RAQUEL TOLD ME YOU ARE WORKING HARD ON THE NEW BOOK. 399 00:42:46,865 --> 00:42:48,199 SHE DIDN'T TELL YOU, DID SHE? 400 00:42:48,233 --> 00:42:51,136 NO. WHAT HASN'T SHE TOLD ME? 401 00:42:51,169 --> 00:42:53,171 RACHEL AND I ARE TOGETHER, MARC. 402 00:42:53,204 --> 00:42:55,240 YOU MEAN WORKING TOGETHER. 403 00:42:55,273 --> 00:42:56,975 I MEAN WE'RE GETTING MARRIED. 404 00:43:00,178 --> 00:43:02,113 IT'S A TOUGH WAY TO FIND OUT, HUH? 405 00:43:29,374 --> 00:43:30,876 ( chuckles ) 406 00:43:42,353 --> 00:43:44,022 ( toilet flushes ) 407 00:43:46,858 --> 00:43:48,226 ( sighs ) 408 00:43:52,764 --> 00:43:54,900 - ( chattering ) - ( footsteps approaching ) 409 00:44:18,790 --> 00:44:20,191 ( footsteps depart ) 410 00:44:49,487 --> 00:44:51,823 - ( waves crashing ) - ( crying ) 411 00:44:58,496 --> 00:45:00,799 ( sizzling ) 412 00:45:05,403 --> 00:45:07,105 ( snapping fingers ) 413 00:45:11,977 --> 00:45:13,845 - ( in English ) YES? - I WANT YOU TO TAKE THIS 414 00:45:13,879 --> 00:45:15,847 TO RACHEL GROSSMAN WITH HER DESSERT. 415 00:45:15,881 --> 00:45:18,383 - I'M SORRY-- - AH! SAVE THE SMALL TALK 416 00:45:18,416 --> 00:45:20,318 FOR YOUR BOYFRIEND. THIS IS IMPORTANT. 417 00:45:26,257 --> 00:45:27,725 YOU'RE STILL HERE. 418 00:45:29,127 --> 00:45:30,261 YES SIR. 419 00:45:37,135 --> 00:45:39,470 ( crunches ) 420 00:45:39,504 --> 00:45:41,739 ( in Japanese ) 421 00:45:43,008 --> 00:45:44,509 ( in English ) IT'S GOOD. 422 00:45:44,542 --> 00:45:46,311 ( Yoshio, in Japanese ) 423 00:45:56,822 --> 00:45:59,157 ( in English ) BUT IT'S GOOD OR BAD? 424 00:46:03,494 --> 00:46:05,797 ( crunching ) 425 00:46:08,867 --> 00:46:10,301 OH. OH, I'M SORRY. 426 00:46:10,335 --> 00:46:12,270 I'LL BRING YOU ANOTHER CARROT TANGLE STRAIGHT AWAY. 427 00:46:12,303 --> 00:46:14,405 ( chuckles ) NO, THAT'S FINE, EDUARDO. THANK YOU. 428 00:46:14,439 --> 00:46:17,208 - THEY WERE TANGLED UP TO BEGIN WITH. - MY APOLOGIES. 429 00:46:17,242 --> 00:46:18,910 YOU'RE SURE YOU DON'T WANT A NEW ONE? 430 00:46:18,944 --> 00:46:22,180 NO NO, IT'S FINE, REALLY. THANK YOU. 431 00:46:22,213 --> 00:46:23,849 TELL ME-- 432 00:46:23,882 --> 00:46:26,985 DO PEOPLE USUALLY FIGHT LIKE THAT IN HERE? 433 00:46:28,186 --> 00:46:30,288 NO. NO, NOT REALLY. 434 00:46:30,321 --> 00:46:31,890 BUT HERE... 435 00:46:31,923 --> 00:46:33,892 THERE'S A SURPRISE EVERY MINUTE. 436 00:46:33,925 --> 00:46:35,026 ( chuckles ) OF COURSE. 437 00:46:35,060 --> 00:46:37,062 - THANK YOU. - ( chuckles ) 438 00:46:44,469 --> 00:46:46,504 - HEY. - HEY. 439 00:46:46,537 --> 00:46:50,075 ( inhales deeply, sighs ) 440 00:46:51,042 --> 00:46:52,911 IT'S A NICE SPOT, HUH? 441 00:46:52,944 --> 00:46:54,312 I WAS THINKING MAYBE WE SHOULD BUY THE PLACE, 442 00:46:54,345 --> 00:46:56,414 OPEN A RESTAURANT OR SOMETHING. WHAT DO YOU THINK? 443 00:47:23,208 --> 00:47:24,242 ( sighs ) 444 00:47:25,610 --> 00:47:27,512 ( in English ) WHAT, THEY DIDN'T LIKE THE FOOD? 445 00:47:27,545 --> 00:47:29,014 MMM. 446 00:47:36,654 --> 00:47:38,323 ( sighs ) 447 00:47:46,164 --> 00:47:47,298 ( chuckles ) 448 00:47:58,176 --> 00:47:59,144 ( scoffs ) 449 00:48:24,269 --> 00:48:26,304 ( scoffs ) 450 00:48:36,447 --> 00:48:38,149 ( chuckles ) 451 00:48:54,232 --> 00:48:55,466 ( gasps ) 452 00:49:10,481 --> 00:49:12,150 ( snaps ) 453 00:49:20,691 --> 00:49:24,462 ( in English ) NO, REALLY, I LOVE TO SING. 454 00:49:24,495 --> 00:49:26,231 IT'S MY HOBBY. 455 00:49:26,264 --> 00:49:29,500 NEVER PROFESSIONALLY, ONLY IN THE KARAOKE BAR. 456 00:49:29,534 --> 00:49:33,104 BUT YOU'VE GOT A LOT OF KARAOKE BARS IN JAPAN, RIGHT? 457 00:49:33,138 --> 00:49:37,075 - YES, WE DO. - AND HAVE YOU EVER SUNG IN A KARAOKE BAR? 458 00:49:37,108 --> 00:49:39,244 YES, I LOVE SINGING. 459 00:49:39,277 --> 00:49:40,178 ( in Japanese ) 460 00:49:42,147 --> 00:49:44,149 ( in English ) WHO'S YOUR FAVORITE SINGER? 461 00:49:45,250 --> 00:49:47,518 LADY GAGA. 462 00:49:51,622 --> 00:49:54,125 ( both laugh ) 463 00:50:39,204 --> 00:50:40,271 MMM. 464 00:50:45,176 --> 00:50:48,579 - EDUARDO. - ( in English ) YES? 465 00:50:48,613 --> 00:50:51,182 I AM VERY FLATTERED, 466 00:50:51,216 --> 00:50:54,219 BUT YOU ARE FAR TOO YOUNG. 467 00:50:54,252 --> 00:50:57,555 AND I THINK YOU KNOW WHERE THIS RING BELONGS. 468 00:50:57,588 --> 00:51:00,158 - YES, I DO. - MMM. 469 00:51:00,191 --> 00:51:02,560 I WILL TAKE CARE OF THAT. 470 00:51:05,863 --> 00:51:07,532 THANK YOU. 471 00:51:13,538 --> 00:51:15,606 ( chimes, ticking ) 472 00:51:39,297 --> 00:51:41,666 - ( laughing ) - ( clicking ) 473 00:51:41,699 --> 00:51:44,202 ( in English ) GENTLEMEN, HOW IS EVERYTHING? IS EVERYTHING ALL RIGHT? 474 00:51:44,235 --> 00:51:46,471 OH, EVERYTHING IS GREAT. THANK YOU VERY MUCH. 475 00:51:46,504 --> 00:51:48,539 - WELL, YOU'RE REALLY WELCOME. - Mina: THANK YOU. 476 00:51:49,907 --> 00:51:51,842 WELL, IF THERE'S ANYTHING YOU NEED, 477 00:51:51,876 --> 00:51:54,479 - JUST ASK, OKAY? - ( laughing ) 478 00:52:01,786 --> 00:52:04,121 ( music playing on radio ) 479 00:52:24,642 --> 00:52:27,144 ( chattering, applause ) 480 00:52:31,682 --> 00:52:33,418 - MAX. - YEAH? 481 00:52:45,830 --> 00:52:48,399 ( sighs ) 482 00:52:50,668 --> 00:52:52,437 ( mutters ) 483 00:52:52,470 --> 00:52:54,472 ( in English ) LADIES AND GENTLEMEN. LADIES AND GENTLEMEN, 484 00:52:54,505 --> 00:52:56,241 IF I CAN HAVE YOUR ATTENTION PLEASE. 485 00:52:56,274 --> 00:52:57,475 THE NIGHT'S NOT OVER, 486 00:52:57,508 --> 00:52:59,210 BUT WE'RE GONNA CHANGE THE VENUE. 487 00:52:59,244 --> 00:53:01,279 IF YOU'VE GOT A DRINK, BRING IT WITH YOU. 488 00:53:01,312 --> 00:53:04,449 IF NOT, PLEASE COME AND JOIN US FOR A COCKTAIL EN EL CHIRINGUITO. 489 00:53:09,387 --> 00:53:12,957 - MY HUSBAND AND I CAME HERE QUITE OFTEN. - Raquel: MM-HMM. 490 00:53:12,990 --> 00:53:15,460 HE WAS REALLY VERY FOND OF MAR. 491 00:53:15,493 --> 00:53:19,730 I SUPPOSE SHE'S, WELL, THE DAUGHTER WE NEVER HAD. 492 00:53:19,764 --> 00:53:22,633 ( chuckles ) YOUR HUSBAND SOUNDS LIKE AN AMAZING MAN. 493 00:53:22,667 --> 00:53:25,336 ( laughs ) OH, YOU CANNOT IMAGINE, MISS... UMM-- 494 00:53:25,370 --> 00:53:27,338 - RACHEL, PLEASE. - OH, RACHEL. 495 00:53:27,372 --> 00:53:29,974 PRETTY NAME, MMM? ( chuckles ) 496 00:53:30,007 --> 00:53:31,309 ( waves crashing ) 497 00:53:31,342 --> 00:53:34,912 MY HUSBAND WAS A BUSINESSMAN. 498 00:53:34,945 --> 00:53:37,348 NOT A VERY GOOD ONE, I'M AFRAID. 499 00:53:37,382 --> 00:53:39,917 - ( women chuckle ) - HE WAS, UMM... 500 00:53:39,950 --> 00:53:43,421 AN ADVENTURER. ONE OF THOSE MEN FOR WHOM 501 00:53:43,454 --> 00:53:46,457 THE WORLD IS JUST TOO SMALL. ( sniffs ) 502 00:53:46,491 --> 00:53:50,361 I SEEM TO COME ACROSS MEN FOR WHOM THE WORLD IS TOO BIG. 503 00:53:52,763 --> 00:53:57,468 FERNANDO ATE MORE THAN ANYONE, DRANK MORE THAN ANYONE, 504 00:53:57,502 --> 00:54:00,004 - SHOUTED MORE THAN ANYONE AND-- - ( Marc chuckles ) 505 00:54:00,037 --> 00:54:02,573 OH, DON'T SAY IT. I CAN ALREADY IMAGINE. 506 00:54:02,607 --> 00:54:05,610 NO NO, THAT IS NOT WHAT I WAS GOING TO SAY, YOU CHEEKY YOUNG LADY. 507 00:54:05,643 --> 00:54:08,413 I WAS GOING TO SAY THAT EVERYONE KNEW HIM EVERYWHERE, 508 00:54:08,446 --> 00:54:12,483 AND WHEN HE SPOKE, NOBODY DARED OPEN HIS MOUTH. 509 00:54:12,517 --> 00:54:14,419 EXCEPT FOR ME. ( chuckles ) 510 00:54:14,452 --> 00:54:19,390 YOU KNOW, I HAD NEVER REALLY UNDERSTOOD HIS TASTES. 511 00:54:20,558 --> 00:54:22,827 BUT I REALLY RATHER MISS HIS... 512 00:54:22,860 --> 00:54:25,530 WALKS ON THE WILD SIDE. 513 00:54:25,563 --> 00:54:28,833 I WANTED TO CRAWL INTO A HOLE AND DIE 514 00:54:28,866 --> 00:54:31,369 AT EVERY FRESH ENCOUNTER, BUT... 515 00:54:32,937 --> 00:54:37,508 TRUTH BE TOLD, THAT'S WHEN HE MADE ME LAUGH THE MOST. 516 00:54:37,542 --> 00:54:39,410 EXCUSE ME. 517 00:54:47,752 --> 00:54:50,087 - ( cellphone ringing ) - OH, WILL YOU EXCUSE ME? 518 00:54:50,120 --> 00:54:52,590 - YEAH. - ( beeps ) 519 00:54:52,623 --> 00:54:54,425 HELLO. THANK YOU. 520 00:54:55,493 --> 00:54:57,362 YES, I'M STILL HERE. 521 00:54:57,395 --> 00:55:00,798 YES, NO NEWS. EVERYTHING'S STILL THE SAME. 522 00:55:00,831 --> 00:55:03,601 WHAT CAN I TELL YOU? IF THERE'S NO NEWS, THERE'S NO NEWS. 523 00:55:03,634 --> 00:55:06,437 I'M SORRY. CAN'T TALK NOW. I'LL CALL YOU BACK. 524 00:55:08,373 --> 00:55:10,475 - SORRY ABOUT THAT. - NO, NO PROBLEM. 525 00:55:12,142 --> 00:55:14,479 THIS IS REALLY KINDA SILLY, NOW THAT DINNER'S OVER, 526 00:55:14,512 --> 00:55:16,481 IT'S NOT GONNA MATTER ONE WAY OR ANOTHER, BUT-- 527 00:55:16,514 --> 00:55:18,048 I'M SORRY, I JUST HAVE TO ASK. YOU WOULDN'T-- 528 00:55:18,082 --> 00:55:20,050 - ( cellphone buzzes ) - EXCUSE ME. 529 00:55:20,084 --> 00:55:21,486 ( beeps ) 530 00:55:30,795 --> 00:55:32,463 ( in English ) WHAT?! 531 00:55:34,399 --> 00:55:37,635 ( clattering ) 532 00:55:37,668 --> 00:55:39,670 ( Mar speaking ) 533 00:56:04,662 --> 00:56:06,363 MAR? 534 00:56:12,770 --> 00:56:13,938 YEAH YEAH. 535 00:56:15,673 --> 00:56:16,874 YEAH YEAH YEAH. 536 00:56:16,907 --> 00:56:18,943 MAR? 537 00:56:45,803 --> 00:56:48,138 - CAN WE TALK? - DANIEL, WHAT ARE YOU DOING HERE? 538 00:56:48,172 --> 00:56:50,908 I JUST THINK WE SHOULD TALK GIVEN WHAT'S HAPPENED, PRIVATELY. 539 00:56:50,941 --> 00:56:53,544 - WHAT ARE YOU TALKING ABOUT? - WHAT DO YOU MEAN-- 540 00:56:53,578 --> 00:56:55,613 - ( sighs ) LISTEN-- - AM I TALKING TO YOU, MARC? 541 00:56:55,646 --> 00:56:57,948 - 'CAUSE I DON'T THINK I AM. - ( glass shatters ) 542 00:56:59,650 --> 00:57:01,185 - ( exhales ) - OH! 543 00:57:01,218 --> 00:57:03,788 - ( clears throat ) - Marc: ARE YOU OKAY? 544 00:57:03,821 --> 00:57:06,524 - LET ME SEE. LET ME SEE. - ( Matilda breathing heavily ) 545 00:57:06,557 --> 00:57:08,626 WATER. A GLASS OF WATER, PLEASE. 546 00:57:08,659 --> 00:57:10,895 Daniel: WHAT, ME? LOU, GET HER A GLASS OF WATER. 547 00:57:10,928 --> 00:57:13,698 ( breathlessly ) IT'S JUST MY BLOOD PRESSURE. 548 00:57:13,731 --> 00:57:18,435 - CAN I SIT DOWN SOMEWHERE? - SURE. 549 00:57:20,104 --> 00:57:22,540 WELL, THE PULSE IS FINE 550 00:57:22,573 --> 00:57:24,709 AND I DON'T REALLY SEE ANYTHING WRONG. 551 00:57:24,742 --> 00:57:26,777 I'M FINE, REALLY, I TOLD YOU. 552 00:57:26,811 --> 00:57:29,680 - PLEASE LEAVE. - WELL, ARE YOU SURE THAT'S A GOOD IDEA? 553 00:57:29,714 --> 00:57:31,782 GO, PLEASE. 554 00:57:31,816 --> 00:57:33,050 - OKAY. - SHOO! 555 00:57:33,083 --> 00:57:35,753 UH, SHE CAN STAY... 556 00:57:35,786 --> 00:57:39,123 - IF SHE WANTS TO. - OKAY OKAY OKAY. 557 00:57:39,156 --> 00:57:41,058 - THANK YOU, DOCTOR. - YOU'RE WELCOME. 558 00:57:43,861 --> 00:57:46,163 THERE'S NOTHING WRONG WITH YOU, IS THERE? 559 00:57:46,196 --> 00:57:49,099 DO YOU KNOW WHAT A FRIGHT YOU GAVE EVERYONE? 560 00:57:49,133 --> 00:57:51,502 DON'T YOU START COMPLAINING, YOUNG LADY. 561 00:57:51,536 --> 00:57:54,004 I SAVED YOU FROM A DOOZY. 562 00:57:55,640 --> 00:57:58,909 DO YOU REALIZE WHAT WAS ABOUT TO HAPPEN OUT THERE? 563 00:57:58,943 --> 00:58:02,112 BOTH YOUR MEN IN THE SAME RESTAURANT? 564 00:58:02,146 --> 00:58:03,480 - ( humphs ) - ( clicks ) 565 00:58:07,151 --> 00:58:11,622 - AND THEY SAY WOMEN ARE THE SMART ONES. - YOU'RE A REAL PIECE OF WORK. 566 00:58:11,656 --> 00:58:13,858 SO FERNANDO TOLD ME-- MANY TIMES. 567 00:58:13,891 --> 00:58:16,193 ACTUALLY, I'M AFRAID YOU CAN'T SMOKE IN HERE. 568 00:58:16,226 --> 00:58:18,095 ACTUALLY, I'M AFRAID I CAN. 569 00:58:18,128 --> 00:58:20,598 - ( blows ) - ( coughs ) 570 00:58:24,068 --> 00:58:25,736 I, UH-- 571 00:58:26,837 --> 00:58:29,640 - I HAVE SOMETHING OF YOURS. - MINE? 572 00:58:29,674 --> 00:58:34,779 ONE OF YOUR MEN IS EXPECTING A LITTLE SOMETHING EXTRA TONIGHT. 573 00:58:39,784 --> 00:58:41,586 ( sighs ) 574 00:58:41,619 --> 00:58:44,755 WHO-- WHO GAVE YOU THIS? 575 00:58:45,790 --> 00:58:47,958 ( Max sighs ) 576 00:58:47,992 --> 00:58:48,926 ( Ramon speaks ) 577 00:59:00,237 --> 00:59:01,672 ( in English ) I DON'T KNOW. 578 00:59:06,276 --> 00:59:08,545 ( chattering ) 579 00:59:16,220 --> 00:59:18,756 ( laughs ) 580 01:00:08,338 --> 01:00:10,875 ( murmuring ) 581 01:00:15,946 --> 01:00:18,615 - WHAT DID SHE SAY? - I'M NOT SURE. 582 01:00:19,383 --> 01:00:20,785 ( whispers ) 583 01:00:20,818 --> 01:00:22,853 UMM... ( clears throat ) 584 01:00:22,887 --> 01:00:24,989 THE THING IS THE MUSICIANS THAT CAME TO PLAY FOR YOU TONIGHT 585 01:00:25,022 --> 01:00:27,424 AND THE CAPTAIN OF THE SHIP ARE-- 586 01:00:27,457 --> 01:00:30,761 WELL, THEY'RE IN A LIFE RAFT SOMEWHERE OUT THERE AND THEY HAVEN'T BEEN FOUND YET. 587 01:00:30,795 --> 01:00:33,163 BUT WE'RE SURE THAT THEY'RE CLOSE BY. 588 01:00:37,201 --> 01:00:38,869 LOOK, WHY DON'T YOU JUST... 589 01:00:38,903 --> 01:00:42,406 TAKE YOUR DRINKS AND ENJOY THE BEACH? 590 01:00:42,439 --> 01:00:44,842 ( crowd murmuring ) 591 01:00:46,310 --> 01:00:48,946 MAX. MAX! 592 01:00:51,448 --> 01:00:52,783 Max: HEY! 593 01:00:53,818 --> 01:00:55,886 HEY. WHO ARE YOU? 594 01:00:55,920 --> 01:00:57,988 BECAUSE A FOOD CRITIC YOU ARE NOT. 595 01:00:58,022 --> 01:01:00,725 - WHAT ARE YOU TALKING ABOUT? - ( breathes deeply ) 596 01:01:00,758 --> 01:01:02,259 SHOW ME YOUR PASSPORT. 597 01:01:02,292 --> 01:01:03,460 - EXCUSE ME? - Ramon: MAX. 598 01:01:03,493 --> 01:01:04,829 NO NO NO. I WOULD LIKE YOU VERY MUCH 599 01:01:04,862 --> 01:01:05,896 TO SHOW ME YOUR PASSPORT. 600 01:01:05,930 --> 01:01:07,297 IS THERE SOME KIND OF PROBLEM? 601 01:01:07,331 --> 01:01:09,066 JUST SHOW IT TO ME. 602 01:01:14,739 --> 01:01:17,041 ALL RIGHT, FINE. WALTER REILLY, WHO WERE YOU TALKING TO? 603 01:01:26,483 --> 01:01:28,819 ( in English ) MAX. HEY. 604 01:01:30,354 --> 01:01:32,689 ALL RIGHT. DO NOT LET HIM LEAVE. 605 01:01:35,192 --> 01:01:37,461 I SWEAR, I DON'T KNOW WHAT THE PROBLEM IS. 606 01:01:37,494 --> 01:01:39,196 I'M SO SORRY, SIR. 607 01:02:14,264 --> 01:02:15,866 ( in English ) ACTUALLY, IT'S A WONDERFUL PLAN. 608 01:02:15,900 --> 01:02:17,902 I THINK THE BEAUTY OF IT IS IT'S REALLY SIMPLE. 609 01:02:17,935 --> 01:02:19,503 - FOLKS, PLEASE. - Matilda: WHY NOT? 610 01:02:19,536 --> 01:02:21,371 - YOU KNOW, AND I-- - ( shouts ) HEY! 611 01:02:21,405 --> 01:02:23,407 PERHAPS ONE PERSON AT A TIME PLEASE. 612 01:02:23,440 --> 01:02:27,277 OKAY, LOOK, ALL WE'RE SAYING, RIGHT-- WE WANNA HELP, OKAY? 613 01:02:27,311 --> 01:02:29,947 WE DON'T THINK IT'S RIGHT TO BE HERE SITTING ON OUR ASSES, 614 01:02:29,980 --> 01:02:32,917 DRINKING COCKTAILS WHILE THERE ARE PEOPLE LOST AT SEA. 615 01:02:32,950 --> 01:02:34,518 THE COAST GUARD IS DOING WHAT THE COAST GUARD DOES. 616 01:02:34,551 --> 01:02:37,154 OKAY? IT MIGHT TAKE THEM A WHILE, BUT THEY'RE GONNA FIND THEM. 617 01:02:37,187 --> 01:02:39,123 NOW LOOK, YOU'VE ALL PAID TO BE HERE. 618 01:02:39,156 --> 01:02:41,125 YOU HAVE THE RIGHT TO ENJOY THE EVENING. 619 01:02:41,158 --> 01:02:45,395 DON'T YOU TELL ME HOW TO ENJOY MY EVENING, MAX BARNEY. 620 01:02:45,429 --> 01:02:46,931 LOOK, HERE'S THE SITUATION-- 621 01:02:46,964 --> 01:02:50,467 THERE ARE FIVE PEOPLE OUT THERE WHO NEED HELP. 622 01:02:50,500 --> 01:02:53,203 THERE ARE 30 PEOPLE HERE WHO WANT TO HELP. 623 01:02:53,237 --> 01:02:56,006 - EXACTLY. - UMM... 624 01:02:56,040 --> 01:02:59,209 ALL RIGHT, WHAT WOULD THE PLAN BE? 625 01:02:59,243 --> 01:03:02,913 OKAY, THE PLAN IS WE FORM TWO GROUPS. 626 01:03:02,947 --> 01:03:04,481 OKAY? SO THE FIRST GROUP 627 01:03:04,514 --> 01:03:06,851 - IS GONNA GO UP THE CLIFF... - MMM. 628 01:03:06,884 --> 01:03:09,286 ...AND BUILD A FIRE SO THEY CAN SEE US, RIGHT? 629 01:03:09,319 --> 01:03:11,555 - UH-HUH. - AND THEN THE SECOND GROUP TAKES THAT BOAT 630 01:03:11,588 --> 01:03:13,457 - AND GO LOOK FOR THEM. - THAT BOAT? 631 01:03:13,490 --> 01:03:15,459 - YEAH, THAT BOAT. - THAT BOAT HASN'T BEEN USED IN YEARS 632 01:03:15,492 --> 01:03:17,828 AND THE ENGINE ISN'T GONNA START. AND EVEN IF IT DOES, 633 01:03:17,862 --> 01:03:20,831 THE LAST THING WE NEED IS ANOTHER BOATLOAD OF PEOPLE LOST AT SEA. 634 01:03:20,865 --> 01:03:22,466 AND YOU CAN'T BUILD A FIRE ON THE CLIFF, 635 01:03:22,499 --> 01:03:24,935 BECAUSE, WELL, IF THE POLICE CATCH YOU, THEY'LL SHUT US DOWN. 636 01:03:24,969 --> 01:03:26,570 I THOUGHT YOU WERE SHUTTING DOWN ANYWAY. 637 01:03:26,603 --> 01:03:29,940 - ( laughter ) - ( Max clears throat ) 638 01:03:33,477 --> 01:03:35,612 AW, WHAT THE HELL. ALL RIGHT, FINE. 639 01:03:35,645 --> 01:03:39,316 - OKAY. OKAY, EVERYONE. - OKAY. 640 01:03:39,349 --> 01:03:41,418 SO-- SO LET'S GO. 641 01:03:41,451 --> 01:03:43,253 FOLLOW ME AND BRING FLASHLIGHTS. 642 01:03:43,287 --> 01:03:45,189 - AND WHAT ELSE DO YOU THINK WE NEED? - AND FIREWOOD. 643 01:03:45,222 --> 01:03:48,358 - FIREWOOD, FIREWOOD. - COME ON, PEOPLE. COME ALONG. 644 01:03:48,392 --> 01:03:50,360 ( folk music playing ) 645 01:04:06,076 --> 01:04:07,912 - ( in Catalan ) MAR. - YES? 646 01:04:15,252 --> 01:04:16,253 ( in English ) PLEASE. 647 01:04:24,261 --> 01:04:27,097 EMERGENCY COMMUNICATION ARE ALWAYS ON THE SAME FREQUENCY. 648 01:04:27,131 --> 01:04:29,366 - YEAH. - SO WE SHOULD GET SOMETHING IF THERE'S A PATROL 649 01:04:29,399 --> 01:04:32,502 USING THE RADIO WITHIN A SEVEN-KILOMETERS RADIUS. 650 01:04:32,536 --> 01:04:35,105 - ( keyboard clicks ) - OKAY. 651 01:04:35,139 --> 01:04:37,942 - ( static ) - ( man through computer ) 652 01:04:45,515 --> 01:04:48,085 ( in English ) NO NO NO, PLEASE, DO NOT-- DO NOT PUT-- 653 01:04:48,118 --> 01:04:50,154 - Ramon: MAX. - YEAH? 654 01:04:57,995 --> 01:05:00,030 ( in English ) AH. THAT'S GOOD NEWS? 655 01:05:09,706 --> 01:05:12,209 - ( thuds ) - ( music stops ) 656 01:05:12,242 --> 01:05:14,511 ( coughs ) 657 01:05:20,384 --> 01:05:22,119 ( Raquel, in English ) AN HOUR AGO YOU WERE IN A WHEELCHAIR, 658 01:05:22,152 --> 01:05:23,687 AND NOW YOU'RE CLIMBING A MOUNTAIN. 659 01:05:23,720 --> 01:05:26,290 ( Raquel and Matilda laughing ) 660 01:05:26,323 --> 01:05:27,992 Matilda: I KNOW! 661 01:05:29,059 --> 01:05:30,360 - BUT WHATEVER. - ( sighs ) 662 01:05:30,394 --> 01:05:34,298 I HAVEN'T FELT SO ALIVE IN-- OH, FOR YEARS. 663 01:05:34,331 --> 01:05:36,466 OH, IF YOU'RE SITTING DOWN, SO AM I. 664 01:05:38,468 --> 01:05:40,470 - NO, PUT THE LIGHT RIGHT OVER HERE. - ( chattering ) 665 01:05:40,504 --> 01:05:43,140 NO, IT'S NOT THE BATTERY. I DON'T KNOW WHAT TO TELL YOU. 666 01:05:43,173 --> 01:05:45,242 THE MOTOR LOOKS FINE. IT'S GOT GAS. 667 01:05:45,275 --> 01:05:47,711 - IT JUST DOESN'T WANNA START. - MIND IF I TAKE A LOOK? 668 01:05:47,744 --> 01:05:50,180 ( waves lapping ) 669 01:06:04,794 --> 01:06:07,164 - ( clattering ) - Walter: THE OIL LOOKS FINE. 670 01:06:08,232 --> 01:06:09,366 ( splashes ) 671 01:06:10,500 --> 01:06:12,169 AH. 672 01:06:13,637 --> 01:06:16,406 THIS IS NOT GAS. THIS IS RAINWATER. 673 01:06:16,440 --> 01:06:19,343 - ( water drips ) - STAGNANT RAINWATER. 674 01:06:19,376 --> 01:06:22,146 - SO YOU'RE A MECHANIC? - NO, I'M A WATCHMAKER. 675 01:06:22,179 --> 01:06:24,081 - A WATCHMAKER? - WHAT'S THE MATTER? 676 01:06:24,114 --> 01:06:25,582 YOU'VE NEVER SEEN A WATCHMAKER BEFORE? 677 01:06:26,783 --> 01:06:28,152 NO, AS A MATTER OF FACT, I HAVEN'T. 678 01:06:28,185 --> 01:06:30,287 NOT THAT YOU KNEW OF AT THE TIME. 679 01:06:30,320 --> 01:06:33,990 - CAN YOU FIX THIS? - YES, IF YOU GET ME SOME GAS. 680 01:06:35,192 --> 01:06:36,560 GAS? 681 01:06:38,695 --> 01:06:43,200 ONE OF YOU MUST KNOW HOW TO SIPHON GAS FROM THE TANK OF A CAR. 682 01:06:45,269 --> 01:06:47,371 - I'LL DO IT MYSELF. - I'LL COME WITH YOU. 683 01:06:48,372 --> 01:06:50,607 YOU ARE IN A PICKLE, AREN'T YOU? 684 01:06:50,640 --> 01:06:52,576 ( crickets chirping ) 685 01:06:54,811 --> 01:06:56,613 YOU WANNA HEAR SOMETHING FUNNY? 686 01:06:56,646 --> 01:06:58,448 MM-HMM. 687 01:07:00,150 --> 01:07:02,286 WHEN I WAS DOING RESEARCH FOR MY BOOK, 688 01:07:03,553 --> 01:07:06,523 I LIVED WITH THE LAKOTA SIOUX FOR A LONG TIME. 689 01:07:06,556 --> 01:07:09,293 YOU KNOW, I PRACTICALLY BECAME ONE OF THEM. 690 01:07:09,326 --> 01:07:11,161 THEY TAUGHT ME-- 691 01:07:11,195 --> 01:07:13,663 THEY TAUGHT ME ABOUT THEIR COOKING AND THEIR... 692 01:07:13,697 --> 01:07:16,533 RITUALS AND CEREMONIES. 693 01:07:16,566 --> 01:07:18,235 IT WAS INCREDIBLE. 694 01:07:18,268 --> 01:07:23,240 I HAVE NEVER FELT SO CONNECTED IN MY LIFE. 695 01:07:24,508 --> 01:07:28,145 IT'S-- IT'S LIKE I LEARNED NOTHING FROM IT. 696 01:07:28,178 --> 01:07:31,181 - Matilda: HMM. - I MEAN... 697 01:07:33,450 --> 01:07:35,085 I'M ALONE NOW. 698 01:07:35,119 --> 01:07:37,787 I'M ALONE AND I STILL-- 699 01:07:37,821 --> 01:07:40,590 I STILL DON'T FEEL IN CONTROL OF MY LIFE. 700 01:07:42,759 --> 01:07:45,262 WELL, YOU COULD ALWAYS 701 01:07:45,295 --> 01:07:49,299 GO BACK AND SETTLE ON THE RESERVATION. 702 01:07:49,333 --> 01:07:52,369 - ( exasperated sigh ) - YEAH, THAT'S ACTUALLY NOT A BAD IDEA, 703 01:07:52,402 --> 01:07:55,439 BECAUSE RIGHT NOW I'D LOVE TO BE 704 01:07:55,472 --> 01:07:58,675 A MILLION MILES AWAY FROM DAN AND MARC. 705 01:07:58,708 --> 01:08:00,577 - ( chuckles ) - ( exasperated sigh ) 706 01:08:00,610 --> 01:08:03,580 ALTHOUGH IT'S NOT LIKE I DO SO GOOD ON MY OWN. 707 01:08:03,613 --> 01:08:05,349 I'M A DISASTER. 708 01:08:06,850 --> 01:08:08,685 HOW DID YOU DO IT? 709 01:08:10,354 --> 01:08:14,224 - UH, WELL-- - I MEAN REALLY. 710 01:08:15,225 --> 01:08:17,294 WELCOME TO THE HUMAN RACE. 711 01:08:17,327 --> 01:08:20,330 WE'RE ALL CONTRADICTORY. 712 01:08:20,364 --> 01:08:22,499 THERE'S NO WAY AROUND IT. 713 01:08:24,934 --> 01:08:28,605 YOU KNOW, THERE'S NOTHING MORE PRECIOUS THAN FREEDOM. 714 01:08:28,638 --> 01:08:29,706 MMM. 715 01:08:31,241 --> 01:08:34,478 BUT YOU CAN BE FREE WITH SOMEBODY BY YOUR SIDE. 716 01:08:34,511 --> 01:08:36,446 ( laughs ) 717 01:08:36,480 --> 01:08:40,250 I LEARNED THAT FROM FERNANDO. MM-HMM. 718 01:08:41,485 --> 01:08:43,487 YOU'RE JUST FEARFUL. 719 01:08:43,520 --> 01:08:44,888 THAT'S NORMAL. 720 01:08:44,921 --> 01:08:48,325 JUST FOLLOW YOUR HEART. 721 01:08:49,393 --> 01:08:52,596 - ( static ) - ( Ramon sighs ) 722 01:08:53,730 --> 01:08:55,665 ( keyboard clicking ) 723 01:09:00,304 --> 01:09:02,539 - IT'S OKAY? - NOT YET. 724 01:09:04,274 --> 01:09:06,176 OKAY, THIS IS GREAT. LET'S GO! 725 01:09:06,210 --> 01:09:07,811 ARRIBA! CUT US LOOSE! 726 01:09:07,844 --> 01:09:09,813 WAIT WAIT WAIT WAIT WAIT WAIT WAIT. 727 01:09:09,846 --> 01:09:12,616 - WE CAN'T ALL FIT. - YOU NEED ME OUT THERE. 728 01:09:12,649 --> 01:09:15,852 MAXIMUM OF FOUR. WE GOTTA LEAVE ROOM FOR THE OTHERS WHEN WE COME BACK. 729 01:09:15,885 --> 01:09:19,456 - I'M GOING TOO. - YEAH, BIG SURPRISE. IS THAT BECAUSE I'M GOING? 730 01:09:19,489 --> 01:09:21,658 - I'M A DOCTOR, YOU MORON. - ALL RIGHT, LOOK, I'LL GO. 731 01:09:21,691 --> 01:09:24,661 ( clears throat ) HEY. YOU KNOW HOW TO STEER THIS THING, RIGHT? 732 01:09:24,694 --> 01:09:27,397 YES, OF COURSE. WE'LL USE THE FLAME AS A BEACON. 733 01:09:27,431 --> 01:09:29,433 - YOU SHOULD GO. - ALL RIGHT. 734 01:09:30,467 --> 01:09:31,635 HERE WE GO. 735 01:09:31,668 --> 01:09:34,638 - ALL RIGHT. HERE WE GO, PUSH! - LET'S GO. 736 01:09:34,671 --> 01:09:35,739 ( shouts ) 737 01:09:39,709 --> 01:09:41,345 GOOD LUCK. 738 01:09:43,947 --> 01:09:45,749 - ( woman chatters ) - ( women laughing ) 739 01:09:45,782 --> 01:09:47,884 AT LEAST YOU GOT THE FIRE GOING. 740 01:09:47,917 --> 01:09:49,819 - WE COULD HAVE TOAST. - YES! 741 01:09:49,853 --> 01:09:51,655 OOH, YES. 742 01:09:51,688 --> 01:09:53,523 ( distant bang ) 743 01:09:53,557 --> 01:09:56,560 - Mina: IS-- IS THAT A-A-- - WHAT? WHAT DO YOU SEE? 744 01:09:56,593 --> 01:09:58,295 WHAT IS THAT? 745 01:09:58,328 --> 01:09:59,729 Matilda: IT'S A FLARE. 746 01:09:59,763 --> 01:10:02,366 THEY MUST'VE LIT IT WHEN THEY SAW OUR BONFIRE. 747 01:10:02,399 --> 01:10:04,534 IT'S THEM! IT'S THE LIFEBOAT! 748 01:10:04,568 --> 01:10:06,403 - OH! - HELLO! 749 01:10:06,436 --> 01:10:07,837 - YOO-HOO! - ( whistling ) 750 01:10:07,871 --> 01:10:09,706 - YOO-HOO! OVER HERE! - OVER HERE! 751 01:10:09,739 --> 01:10:11,608 - OVER HERE! - OVER HERE! 752 01:10:11,641 --> 01:10:14,478 ( Max speaks ) 753 01:10:16,713 --> 01:10:18,248 MAX. 754 01:10:18,282 --> 01:10:19,849 - YES? - ( in English ) IS THAT THE COAST GUARD? 755 01:10:19,883 --> 01:10:21,885 NO, IT'S A FRIEND WHO'S GOT A FRIEND AT THE COAST GUARD. 756 01:10:21,918 --> 01:10:23,353 HEY, MAX. MAX, MAX! 757 01:10:24,421 --> 01:10:25,455 - ( in English ) YEAH? - WE SAW A FLARE. 758 01:10:25,489 --> 01:10:27,357 - WHERE? - YES, QUITE DISTINCTLY. 759 01:10:27,391 --> 01:10:28,992 - OUT THERE. - OKAY. 760 01:10:29,025 --> 01:10:31,227 PLEASE, JUST ONE SECOND. LOOK, GERARD... 761 01:10:39,736 --> 01:10:40,770 - MAX? - YEAH? 762 01:10:45,475 --> 01:10:46,510 YEAH. 763 01:10:48,912 --> 01:10:50,380 UH-HUH. 764 01:11:02,058 --> 01:11:04,528 ( in English ) OKAY. EXCUSE ME. 765 01:11:19,343 --> 01:11:22,579 LOOK WHAT THE SAND HAS DONE TO MY STOCKING. 766 01:11:22,612 --> 01:11:23,847 ( both laugh ) 767 01:11:23,880 --> 01:11:25,815 ( chattering ) 768 01:11:29,653 --> 01:11:32,356 - IT'S THEM. LOOK! - ( motor puttering ) 769 01:11:33,557 --> 01:11:36,660 - IT'S THE BOAT! ( cheering ) - YOO-HOO! 770 01:11:36,693 --> 01:11:39,329 ( cheering ) 771 01:11:42,866 --> 01:11:44,834 ( whistles ) 772 01:12:07,023 --> 01:12:09,325 ( cheering continues ) 773 01:12:18,868 --> 01:12:20,870 ( crowd laughing ) 774 01:12:27,010 --> 01:12:28,945 ( breathing heavily ) 775 01:12:53,069 --> 01:12:54,471 ( clears throat ) 776 01:12:54,504 --> 01:12:55,972 - ( Daniel chattering ) - ( Santi mutters ) 777 01:12:56,005 --> 01:12:58,808 ( in English ) SORRY, SORRY. EXCUSE ME. EXCUSE ME. 778 01:12:58,842 --> 01:13:00,844 Man: YEAH. 779 01:13:00,877 --> 01:13:03,012 ( in English ) YOU-- YOU ARE THE MAN WHO SAVED THESE PEOPLE? 780 01:13:03,046 --> 01:13:04,414 - YES. YES, I AM. - RIGHT? YEAH. 781 01:13:04,448 --> 01:13:05,649 AND WHAT'S YOUR NAME? 782 01:13:05,682 --> 01:13:07,717 - MY NAME'S DANIEL. - DANIEL. 783 01:13:14,824 --> 01:13:16,660 ( sighs ) 784 01:13:25,001 --> 01:13:27,904 ( Daniel, in English ) YOU KNOW, IT WAS A DECISION POINT. 785 01:13:27,937 --> 01:13:30,674 IT WAS, "I'M GONNA RISK MY LIFE AND SAVE OTHERS." 786 01:13:30,707 --> 01:13:32,542 - YEAH. OKAY. - AND THAT'S WHAT I DID. 787 01:13:33,810 --> 01:13:35,411 HERE'S YOUR RING. 788 01:13:41,618 --> 01:13:43,887 - ( music playing ) - ( coughs ) 789 01:13:52,762 --> 01:13:54,698 ( man singing ) 790 01:14:36,139 --> 01:14:38,074 ( music fades ) 791 01:14:43,780 --> 01:14:44,748 THANK YOU. 792 01:14:46,049 --> 01:14:48,217 ( groans ) 793 01:14:48,251 --> 01:14:49,986 I OWE YOU AN APOLOGY. 794 01:14:50,019 --> 01:14:52,055 REALLY, THERE'S NO NEED. 795 01:14:52,088 --> 01:14:54,290 NO NO NO NO, I MEAN IT. I'M SORRY. 796 01:14:54,323 --> 01:14:56,192 I JUST WANNA THANK YOU FOR ALL YOUR HELP. 797 01:14:56,225 --> 01:15:00,764 YOU'RE WELCOME. IT WAS A CINCH FIXING IT-- THE MOTOR, I MEAN. 798 01:15:02,165 --> 01:15:04,000 CAN I ASK YOU A QUESTION? 799 01:15:04,033 --> 01:15:06,570 WHY'D YOU COME HERE TONIGHT? 800 01:15:07,804 --> 01:15:10,807 I'M AN ADMIRER OF YOUR RESTAURANT. 801 01:15:10,840 --> 01:15:13,276 I'VE VISITED RESTAURANTS ALL OVER THE WORLD, 802 01:15:13,309 --> 01:15:16,813 AND I'VE NEVER EXPERIENCED ANYTHING LIKE THIS. 803 01:15:16,846 --> 01:15:19,916 IT'S UNBEARABLE TO THINK THAT YOU'RE CLOSING. 804 01:15:24,153 --> 01:15:26,022 SO WHO WERE YOU TALKING TO ALL NIGHT? 805 01:15:27,090 --> 01:15:28,558 MY MOTHER. 806 01:15:28,592 --> 01:15:30,794 SHE THINKS I'M IN THE SHOP. 807 01:15:34,097 --> 01:15:37,100 SHE'S A DREADFUL COOK. 808 01:15:37,133 --> 01:15:38,835 ( chuckles ) 809 01:15:45,909 --> 01:15:47,577 ( chuckles ) 810 01:15:51,881 --> 01:15:53,549 ( sighs ) 811 01:16:00,189 --> 01:16:01,557 ( chuckles ) 812 01:16:06,295 --> 01:16:08,564 ( both laugh ) 813 01:16:10,734 --> 01:16:12,769 - ( music continues ) - ( in English ) OKAY. 814 01:16:22,178 --> 01:16:24,180 WHATEVER HE'S OFFERED, 815 01:16:24,213 --> 01:16:26,082 OUR OFFER WILL BE BETTER. 816 01:16:27,884 --> 01:16:30,053 SHALL WE GO TO MY OFFICE AND DISCUSS DETAILS? 817 01:16:32,021 --> 01:16:33,823 NO. 818 01:16:33,857 --> 01:16:35,659 AFTER THE PARTY. 819 01:16:39,228 --> 01:16:40,697 ENJOY. 820 01:17:56,072 --> 01:17:58,174 ( lighter clicks ) 821 01:18:08,017 --> 01:18:09,819 "THANK YOU VERY MUCH FOR EVERYTHING. 822 01:18:09,853 --> 01:18:11,420 IT WAS A NIGHT I WILL NEVER FORGET. 823 01:18:11,454 --> 01:18:13,857 I'M SORRY TO LEAVE YOU THIS WAY, 824 01:18:13,890 --> 01:18:16,392 BUT I FEEL IT'S THE MOST HONEST THING TO DO. 825 01:18:16,425 --> 01:18:18,694 MONEY CORRUPTS ART." 826 01:18:20,329 --> 01:18:22,298 SON OF A BITCH. 827 01:18:29,205 --> 01:18:31,340 - MAX. - MATILDA. 828 01:18:31,374 --> 01:18:33,943 ( in English ) DO YOU MIND IF I BORROW HER FOR A MINUTE? 829 01:18:38,314 --> 01:18:39,849 ( Max speaks ) 830 01:18:41,184 --> 01:18:43,119 ( in English ) WE DID IT. 831 01:19:08,577 --> 01:19:11,180 ( laughs ) 832 01:19:18,087 --> 01:19:20,256 - ( mouths ) - ( whispers in English ) THANK YOU. 833 01:19:25,428 --> 01:19:27,763 ( soft rock music playing ) 834 01:19:29,565 --> 01:19:33,402 * GIVE ME YOUR LOVE 835 01:19:33,436 --> 01:19:35,805 * AND I'LL GIVE YOU 836 01:19:35,839 --> 01:19:38,541 * THE PERFECT LOVE SONG 837 01:19:38,574 --> 01:19:41,911 * WITH A DIVINE 838 01:19:41,945 --> 01:19:44,047 * BEATLES BASS LINE 839 01:19:44,080 --> 01:19:48,985 * AND A BIG OLD BEACH BOYS SOUND * 840 01:19:49,018 --> 01:19:52,889 * I'LL MATCH YOU POUND FOR POUND * 841 01:19:52,922 --> 01:19:57,426 * LIKE HEAVYWEIGHTS IN THE FINAL ROUND * 842 01:19:57,460 --> 01:20:00,897 * WE'LL HOLD ON TO EACH OTHER * 843 01:20:00,930 --> 01:20:05,301 * SO WE DON'T FALL DOWN 844 01:20:07,937 --> 01:20:11,307 * WELL, GIVE ME A WINK 845 01:20:11,340 --> 01:20:13,910 * AND I'LL GIVE YOU 846 01:20:13,943 --> 01:20:16,913 * WHAT I THINK YOU'RE AFTER 847 01:20:16,946 --> 01:20:19,949 * WITH JUST ONE KISS 848 01:20:19,983 --> 01:20:22,418 * I WILL WHISK YOU AWAY 849 01:20:22,451 --> 01:20:27,190 * TO WHERE ANGELS OFTEN TREAD * 850 01:20:27,223 --> 01:20:31,227 * WE'LL PAINT THIS PLANET RED * 851 01:20:31,260 --> 01:20:35,164 * WE'LL STUMBLE BACK TO OUR HOTEL BED * 852 01:20:35,198 --> 01:20:39,002 * AND WE'LL MAKE LOVE TO EACH OTHER * 853 01:20:39,035 --> 01:20:42,371 * TILL WE'RE HALF DEAD 854 01:20:43,639 --> 01:20:46,042 * MAYBE NOW 855 01:20:48,177 --> 01:20:50,246 * YOU CAN SEE 856 01:20:51,981 --> 01:20:54,884 * JUST WHAT YOU... 857 01:20:54,918 --> 01:20:56,485 ( chatting ) 858 01:20:56,519 --> 01:21:00,456 * MEAN TO ME... 859 01:21:16,272 --> 01:21:18,908 ( chatting, laughing ) 860 01:21:34,223 --> 01:21:36,459 * MAYBE NOW 861 01:21:38,962 --> 01:21:40,997 * YOU CAN SEE 862 01:21:42,631 --> 01:21:45,168 * JUST WHAT YOU 863 01:21:47,436 --> 01:21:50,073 * MEAN TO ME 864 01:21:50,106 --> 01:21:53,376 * GIVE ME YOUR LOVE... 865 01:21:53,409 --> 01:21:58,514 * AND I'LL GIVE YOU THE PERFECT LOVE SONG * 866 01:21:58,547 --> 01:22:01,951 * WELL, GIVE ME YOUR WORD 867 01:22:01,985 --> 01:22:04,153 * THAT YOU'LL BE TRUE 868 01:22:04,187 --> 01:22:09,025 * TO ME ALWAYS, COME WHAT MAY * 869 01:22:09,058 --> 01:22:13,196 * FOREVER AND A DAY 870 01:22:13,229 --> 01:22:17,500 * NO MATTER WHAT OTHER PEOPLE MAY SAY * 871 01:22:17,533 --> 01:22:21,070 * WE'LL HOLD ON TO EACH OTHER * 872 01:22:21,104 --> 01:22:25,374 * TILL WE'RE OLD AND GREY 873 01:22:27,043 --> 01:22:29,345 * TILL WE'RE OLD AND GREY 874 01:22:31,014 --> 01:22:34,083 * TILL WE'RE OLD AND GREY. 875 01:22:36,619 --> 01:22:38,554 ( jazz music playing ) 876 01:27:30,779 --> 01:27:32,748 ( music ends ) 58015

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