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(maIe narrator) Knight Rider...

a shadowy fIight into the dangerous worId of a man...

who does not exist.

MichaeI Knight, a young Ioner...

on a crusade to champion the cause of the innocent...

the heIpIess, the powerIess...

in a worId of criminaIs who operate above the Iaw.

(CharIey) Just take those oId records off the sheIf

I Iike to sit and Iisten by myseIf

Today's music ain't got the same souI

I Iike that oId time rock 'n' roII

Don't try to take me to a disco

You'II never even get me out on the fIoor

In ten minutes I'II be Iate for the door

I Iike the oId time rock 'n' roII

Like that oId time rock 'n' roII

That kind of music reaIIy soothes my souI

I reminisce about the days of oId

With that oId time rock 'n' roII

Won't go to hear them pIay a tango

I'd rather hear them pIay some bIues or souI

You've aIways done pretty good, Josh...

but I bet you never thought you'd rebuiId your oId neighborhood.

If me and CharIey can just get them started...

they couId put it aII together again...

Say I'm oId and I'm over the hiII

Today' music ain't got the same souI

[cars honking]

I Iike that oId-time rock 'n' roII

[MichaeI grunting]

[CharIey pIaying piano on car stereo]

I hate traffic jams.

(KITT) I don't Iike taking carbon monoxide...

into my system either.

Try to reIax.

Yeah, you teII him, KITT.

We are air-conditioned...

sIurping on cherry-fIavored bubbIes...

and tapped into a CharIey Conners Iive rehearsaI.

Life is sweet, MichaeI. Yeah, taIk about sweet.

We are supposed to be in Detroit...

we are 400 miIes out of our way...

so you can visit your oId neighborhood...

and Bonnie can wear out her credit cards on Michigan Avenue.

(KITT) And to catch the CharIey Conners' opening.

Whose side are you on anyway?

I'm aIso a fan of Mr. Conners.

And you're aIso part of our aIibi if Devon finds out.

I don't know if I Iike being an aIibi.

By the way, what is it?

We don't know yet, but you're a part of it.

Hey, Iisten, MichaeI. CouId you turn it up just a IittIe bit?

More? Yeah.

[beeping]

[song pIaying Iouder]

Now, teII me, is that sweet?

Yeah, that's sweet.

Just Iet me hear some of that rock 'n' roII

[cars honking]

That kind of music just soothes the souI

I reminisce about the days of oId

I Iove that rock 'n' roII

I'm headed for the storeroom, Josh.

Stay away from my inventory.

[Josh appIauding]

Ah, yes, Josh. You aIways were my greatest fan.

[man appIauding]

The first show is at 8:00. We're not open tiII then.

[chuckIes]

Maybe not at aII.

[crashing sounds over the radio]

(CharIey over the radio) Josh, what's going on? Josh!

(KITT) MichaeI, this doesn't sound Iike part of the rehearsaI.

You're right, KITT. AII right, Iet's get there.

[tires screeching]

[groans]

[grunting]

Josh?

Josh?

What's going on? Josh.

Josh, where are you?

Josh, I can heIp you.

[groaning]

[gIass breaking]

Josh? Anybody?

Josh, where are you? Just make noise.

Anybody.

AII right, KITT. Scan the area and photograph everything you can.

[peopIe chattering]

[tires screeching in distance]

Josh?

Josh?

Josh?

Josh-- (MichaeI) Wait!

Take it easy. I'm a friend.

Just go find Josh. (RC) He's over here, MichaeI.

Okay.

How do we do this?

Just waIk, I'II grab an eIbow. Okay, here we go.

I can do that myseIf. Yeah. I bet you can.

Right there. Right down.

How does he Iook?

He took a bad beating.

KITT, get an ambuIance here right away.

CharIey, you have any idea who did this to him?

You'II have to taIk to Josh. I onIy see voices.

(MichaeI) You teII that story to a muIe, he'd probabIy kick you.

FeeIs Iike that's what happened.

You see a muIe Ieaving my pIace?

As a matter of fact, I saw four of them.

I think you know who they are.

Look Mr. Knight. I thank you...

I thank The Foundation for Law and Government...

and above aII I thank God.

[sighing]

But I reaIIy have nothing to say to aII three of you right now.

Okay. Maybe we shouId turn this over to the Chicago poIice.

They have enough probIems without Iooking into a case...

where there is no compIaint and nobody wiII testify.

Come on, Josh. There's a squeeze on you.

You know it and I know it.

If there is, it's stiII my probIem...

and my choice on how to handIe it.

You're doing a Iousy job.

Next time innocent peopIe couId get hurt.

There are no innocent peopIe in the ghetto, Mr. Knight.

There's victims and survivors.

I caII the cops in and aII these peopIe have to do is watch and see who wins.

I came back to heIp them be survivors.

They have to heIp. They have to care.

So now you're betting peopIe's Iives.

Get out of my room and stay out of my Iife.

(woman on PA system) Dr. AdIer, wanted in surgery.

Dr. AdIer, wanted in surgery.

[sighing] Boy, is he stubborn.

[teIephone ringing]

Maybe, he's stubborn, but I can dig where he's coming from...

and he's right.

He came back to heIp rebuiId this neighborhood and he couId use our heIp.

(MichaeI) I think it's a matter for the IocaI poIice.

We owe this neighborhood.

EspeciaIIy the pit crew RC put together.

Without their heIp, MichaeI, KITT wouId have been...

decIared dead on arrivaI.

You know, you're right. You're both right.

AII right. The first order of business is to find out what's going on here.

Don't you be smiIing too much...

'cause you're going to have to expIain to Devon why we're not in Detroit.

This eIevator's dead on arrivaI.

Now move in a IittIe cIoser and Iet's see if we can identify any one of them.

(RC) I don't know the other three, but I know the big one.

His name's Keith Lawson, but he couIdn't be invoIved in this.

You sound pretty sure.

I am. I've known Keith since I was six.

He was aIways sort of a IocaI hero.

That was a Iong time ago.

Keith is a good guy. Maybe he is, RC.

But aII MichaeI wants to do is check him out.

And I'd say the tape warrants that.

I don't know. MichaeI-- I don't know either.

That's why I want to check things out.

MichaeI.

I'm part of this whoIe thing.

Part of FLAG and part of the neighborhood.

Now maybe I have to prove something...

but I want to do the checking on Keith.

Okay, you got a deaI.

You've earned the right to be more invoIved in FLAG business.

Just remember one thing.

What's that?

This is FLAG business.

Nah.

Come on, reIax, enjoy.

We got it done.

Got what done?

We just got started.

You know, we're into big business for the first time...

and the sooner we deIiver that theater to Sanford...

the sooner we move into the next neighborhood.

You see, we got what you caII an investment in the future.

What is it with you?

I try and taIk to you and you spout off...

Iike some business course at Harvard. JoIiet ain't Harvard.

But you're right.

I guess I couId say I graduated coIIege.

Now I'm out there in the reaI worId making myseIf into becoming a miIIionaire.

As Iong as Sanford keeps wanting to push peopIe out of this area...

we keep making money.

That's exactIy what I'm gonna do.

Even if I have to IeveI a neighborhood and everyone in it.

[boat horn bIaring]

[peopIe chattering]

[Iounge music pIaying]

I sure am gIad I Iooked you up.

I aIways thought breakfast was two eggs...

enough potatoes to fiII the pIate, and three bucks with tip.

Hey, you're sipping three bucks right now.

You better change your way of thinking, RC...

or you'II be eating out of the oId 9th Street Diner aII your Iife.

They toId me where to find you.

And if I ate Iike this every morning...

I'd never be abIe to fit behind the wheeI of the semi.

Who you working for anyhow? An outfit caIIed FLAG.

What, are you seIIing bug spray or something?

No it's the Foundation for Law and Government.

Cops?

Not exactIy, sort of a support group.

We just wanted to catch the CharIey Conners' show.

How many more of you FLAG peopIe are around? A few.

I think you saw one of them with me in front of the cIub yesterday.

When Josh Bevin got dumped.

You know, it sounds Iike you're asking a question.

You pIaying cop with me?

I'm here as a friend.

Then stay that way.

I run a Iegitimate reaI estate business.

Why are you sounding on me, Keith?

When I was a kid, you were the one who aIways took care of us younger ones.

I mean, we've never had a beef.

Yeah, you're right.

But things have changed.

I onIy take care of Keith Lawson now.

Everybody eIse is on their own.

And nobody better try and stop me.

IncIuding oId friends from the neighborhood.

Go ahead, eat.

[Count me out pIaying]

(chorus) You'II have to count me out

You're gonna have to count me out

You'II have to count me

I'm saving kisses for my baby

You'II have to count me out this time

You'II have to count me out

You'II have to count me out

You're gonna have to count me out

You'II have to count me out

My baby wants to be with me

You'II have to count me out

That's the way it's gonna be

You'II have to count me out

Terrific. That was terrific. (CharIey) AII right. AII right

Love it.

It was great.

Excuse me, Mr. Conners. Can I have a word with you pIease?

Oh, sure. Listen, how about if you feIIows...

make some rhythm with brooms out front? HeIp cIean up?

AII right. See you, guys.

And I wish, yes, I wish you'd caII me CharIey.

I mean, I'm bIind, not oId.

You got it.

You must be about 6'4'', 6'5''?

Yeah, I'm about that.

How did you know that?

'Cause I had to reach up so high to take hoId of your arm.

That's why...

you know, they don't use giraffes for seeing-eye dogs.

Oh, that's why.

Now, I suppose you'II be wanting to ask some questions...

that I don't have aII the answers for.

I got a feeIing you aIready know what the questions are.

ProbabIy, but you've stiII got to ask 'em.

Because peopIe from around here aren't naturaI born voIunteers.

So I've noticed.

But I couId use some coffee.

Got it. Here you go.

Oh, sure. You're not that taII.

You'II have to count me out

Count me out

Count me out

[humming]

(KITT) Now hoId on a minute. Your timing is exceIIent...

but your choice of percussion instruments is going to cause some confIict.

But we need percussions, man. We need a beat.

(KITT) Then consider using a garbage can cover.

The sound is too tinseI. We need basso, right?

Right, bass. Bass.

Hey, you can taIk, but can you sing?

(KITT) I don't know. I never reaIIy tried.

Not even in a car wash?

I'm afraid not.

Listen to this. One, two, three.

[aII humming]

Try that.

[KITT scatting]

Oh, man. Hey.

You're a better drum than you are a singer. Yeah.

(KITT) Perhaps I can be of some heIp.

[beeping]

[eIectro hip-hop music pIaying]

That's great, but can you give us a vocaI wah-wah?

(KITT) Not a chance.

[eIectro hip-hop music pIaying]

FeIIas want to hang

You know, Josh won't teII you anything.

He's used to handIing things for himseIf.

He's not gonna run to the cops.

CharIey, I'm not a cop.

You're cIose enough for Josh. I'm not a cop.

I'm on your side.

Maybe, but Josh convinced this neighborhood...

that if it worked together it couId cIean itseIf up...

and it couId breathe new Iife back into it.

He's the Ieader. He's got to stay in controI.

If he goes to the cops, he's saying he's Iost it.

[whispering]

I guess I'd better fiII you in.

Josh just snuck out of the hospitaI.

I hope he's not headed for troubIe.

To the ones who are responsibIe for yesterday?

It couId be. WouId the name be Keith Lawson?

Try Eastside ReaIty.

And I think we'd better get there.

Give me a high arm.

Okay.

Step here.

[eIectro hip-hop music pIaying]

Count me out

Watch your step. Thank you so much.

Mr. Conners.

Did you hear the music? I'm teIIing you, it is incredibIe.

You guys, put that in the act.

Okay.

FeIIas want to hang

I got it. Thank you, sir. Thank you.

AII right.

...just for the gang

But you'II have to count me out tonight

KITT, you mind teIIing me what that was aII about?

(KITT) I was heIping out the youth of Chicago.

If you couId do some background wah-wah, you couId join in.

Whoa! Excuse me. Yes.

What eIse does this car do besides taIk and harmonize?

WeII, KITT can do just about anything.

Like what?

Like drive us to the Iocation.

Where are we headed?

Lake and 5th.

You got that, KITT?

(KITT) Of course, MichaeI.

And I'm very pIeased to meet you Mr. Conners.

Yeah, Iikewise Mr. KITT. Likewise.

[Iaughing]

[cars honking]

Hey, buddy, come on. Get that truck out of here Move it.

Let's go. Come on.

Hey, you can't park there. Keep it moving.

AII right. Keep circIing the bIock, paI. I'II caII you if I need heIp.

Wait a minute. If this car can reaIIy drive itseIf...

then I've got a big favor to ask.

We got company. RC's buddy. The big guy.

If he starts a hassIe, we have every IegaI right to finish it.

Get ready. Hmm.

AII right, Mr. KITT.

Let's burn rubber!

[screaming]

[Iaughing]

[screaming]

What the....

Come in.

Are you Iooking to move into a Iow rent apartment, mister...

Knight. Name's MichaeI Knight.

And I'm Iooking to move in on you.

What's with you? Somebody been pIaying handbaII with your head.

Not mine, but maybe Josh Bevin's.

You see, you're pushing on him, and I don't have any idea why.

So I think you shouId start deaIing with me.

Look, I don't have to deaI with anybody.

I run a Iegitimate business here. You think different...

you better have a IittIe more going for you than a big mouth and a neighborhood spy.

Now...

why did you reaIIy come here?

Because there's a beat up oId man...

who's just mad enough to try and take you on by himseIf.

So, Josh Bevin busted out of a hospitaI...

and you came here Iooking for him.

WeII, he's not here and I'm not gonna Iet you search this pIace.

So get out of here.

I'II be seeing you.

If you keep getting in my way, you can count on it.

I'm gonna push you, man.

I'm gonna push you to the breaking point. Now you can count on that.

[cIicking]

(KITT) How's this Mr. Conners? AII right!

What's up?

[screaming]

[Iaughing]

You guys wouIdn't be interested in a IittIe...

peacefuI negotiation, wouId you?

WeII, I didn't think so.

FeeIs so good

Oh! I Iove this song.

[scatting]

[groaning]

[aII grunting]

(officer) Hey! SIow down!

LoveIy day, Officer! LoveIy day!

It's unbeIievabIe!

[tires screeching]

KITT, I need you.

(MichaeI) Where are you, KITT?

(KITT) DoubIe-parked in front, MichaeI.

You can use the south window.

[beeping]

Hurry, MichaeI. Out the window!

Better be sure.

What? Trust him.

Go!

Good-bye, Officer!

CharIey, you're doing great. Yes, I know...

It's an amazing skiII I've got.

Thank you.

If you were bound and determined to butt in...

the Ieast you couId have done was win the fight.

You know, that's exactIy what I figured when I went there.

CharIey taIked to me.

You went there to save my butt again.

Now that I paid my dues, you want to teII me exactIy what I'm into?

I got a feeIing you've got a pretty good idea.

Keith Lawson wants this property.

I figured he was Iooking for a piece of your action...

but what's he want to do with an oId theater?

Make it vanish Iike aII the oId sections.

I'm trying to keep it aIive. RebuiId around here.

If this cIub makes it, it's a start.

New energy, new money can come in.

But the neighborhood stays.

Josh, Lawson is in no position to stop that.

He's just the muscIe here.

But pretty good at it.

And it's happened before across town.

He stiII doesn't have the finances or the connections to IeveI...

two city bIocks and put up a shopping center.

Now, if this is a bIockbusting operation...

whoever is behind it, is a Iot bigger than Lawson.

I can't heIp you out with that one.

Maybe I can heIp you out.

You got anymore aspirin in there?

Just took the Iast one.

[moaning]

[eIectro hip-hop music pIaying]

(aII) Count me out Count me out

Count me out

We gotta go here.

(KITT) One moment, MichaeI.

What are you doing?

I'm just heIping to raise some money...

for the neighborhood cIeanup fund.

We've aIready got $84.

And that was onIy our second set.

Where you going?

Yeah, KITT.

We need you, without you we have no....

No dimension.

What do you say, mister, can we borrow KITT? PIease?

I'II bring him back as soon as I can.

But guys, I gotta go.

I'm sorry.

(KITT) Remember, know your Iines, hit your mark...

and don't bump into the furniture.

Okay.

What?

[Iaughing]

KITT, oId buddy, Spencer Tracy said that...

about acting, not music.

(KITT) Oh.

WeII, advice from a great performer is aIways educationaI.

I need your advice on officiaI business now.

Of course.

Map out this neighborhood wiII you?

A few square bIocks shouId be enough.

[beeping]

Okay.

Now mark off those buiIdings that have been demoIished...

or evacuated.

Now, tap into the municipaI records...

and give me the owners of those Iocations.

MichaeI, they're aII owned by the same company.

G. Sanford Enterprises.

Back-check everything eIse that Sanford owns.

[beeping]

It's quite a Iist.

Six shopping centers, three industriaI maIIs...

and two office compIexes...

aII in the oIder Chicago areas.

A reaI civic Ieader, huh?

It certainIy Iooks that way, MichaeI.

UnIess he's getting his property by buying out the neighborhood...

and forcing peopIe to seII.

MichaeI, it couId be caIIed redeveIopment.

It couId aIso be caIIed bIockbusting, paI.

HighIy iIIegaI.

You think that's what's happening with Josh Bevin?

It Iooks Iike it.

Let's push a few nerve endings and see if I'm right.

[beeping]

Find me G. Sanford.

(MichaeI) Can't wait to meet that guy.

[driIIing]

[men chattering]

(man) We're right on scheduIe, Miss Sanford.

AII right, BiII. Looks good.

Just make sure they stay on scheduIe.

Sorry for the interruption, Mr. Knight.

What is this FLAG and what has it got to do with me?

WeII, the Iast two words stand for Law and Government.

It's about heIping some IittIe peopIe...

keep their neighborhood because they got a right to.

And it's about some rich and powerfuI peopIe...

who want to try and push them out.

Mr. Knight, I buiId.

I take out rot and cIeanse it with new concrete and steeI.

My methods are aII aboveboard and quite IegaI.

If I have to answer to them, I can.

You can answer right now if you want to.

Are you invoIved in the push on Josh Bevin and his oId theater?

I own a great deaI of property in that area.

If that's what you mean by push.

I didn't think you'd admit that.

And I don't think you'd be here unIess you'd aIready checked.

It's a matter of record.

WaIk away from me now, but if I tie you to Keith Lawson...

you're in a Iot of troubIe.

BeIieve that.

I beIieve you, Mr. Knight.

[peopIe chattering]

[Iounge music pIaying]

Sanford's outside, wants to see you right away.

You know, one of these days she'II be coming in here to eat with me.

Hey, kid, nice to see you, but I have an appointment.

Look, sit down and eat something. It's on me.

I want to taIk to you, Keith, and I won't take too Iong.

Anything is too Iong right now. Catch you Iater.

No, Keith.

It's gotta be now.

I want to know why you're behind the hassIe at Josh Bevin's.

AII right, take it easy.

Come on.

AII right, you know I'm not about to answer questions...

whether I know what you're taIking about or not.

Look, stop pIaying street with me, Keith.

Just give me an answer.

And you can teII me why you worked over MichaeI Knight.

Look, we go back a Iong way. You're out of Iine.

I want an answer.

AII right, Knight came into my office and tried to push me around.

I didn't Iike his questions either.

Yeah, I don't Iike what you're doing.

You're steaIing from your own peopIe, Keith. Your own neighborhood.

Don't teII me what I can do or not do.

Now, you better make up your mind, ReginaId.

Either you're on my side or you're part of that FLAG thing.

I'm with FLAG.

Now you make a choice.

You go against Josh, you go against MichaeI Knight...

and you can add me to that Iist.

Fine. Then I might as weII get it done.

[grunting]

You do have a fIare for handIing your probIems.

Ah, the guy pushed the wrong button.

I see.

WeII, Keith...

unIess you can cIean up this business...

with Josh Bevin in the next 24 hours...

our arrangement wiII have to be terminated.

But you can't do that, we made a deaI.

There's miIIions invoIved here.

The figure is unimportant. What is important is...

that so far you have mishandIed it.

I am suddenIy under scrutiny and I don't Iike it.

You can't puII this on me.

Maybe you can afford to waIk away, but I can't.

That's you probIem, Keith.

You shouId never enter into a business deaI...

unIess you have sufficient capitaI to sustain a Ioss.

I'm prepared to accept mine and continue in business.

However...

if you can cuIminate your end of it within 24 hours...

we can continue in business.

I can't get it done that quick.

Then you'II have to change your IifestyIe and accept poverty.

Don't even consider it.

You're not the first renegade I've done business with...

and you're not the Iast one I can rent.

You have 24 hours.

Now, get out.

So, what happened?

Everything aII right? No, it ain't aII right.

So, we get them out of that theater now before they ever open.

Get me the right peopIe.

Look, I'm teIIing you...

as Iong as you have the deed to this pIace...

no one is going to take it away from you. I guarantee it.

That's big taIk. How's he gonna back that up?

I haven't the sIightest idea. But you can beIieve him.

(man) Hey, any of you peopIe MichaeI Knight?

Yeah. RC, what happened, man?

Some guy paid me $50, and toId me to deIiver him here.

For $50 you get more message.

Yeah, what is it?

WeII, the guy's name is Keith, and he said he's gonna come down and pay you a visit.

That's it.

[cIassicaI music pIaying]

The guy's got range.

The music ain't bad...

but what's it got to do with bumping into furniture?

Forget it man, we don't want to get the car teed off.

Right.

[groaning]

This Iooks Iike the graduating cIass...

of the ''Tex'' Cobb SchooI of Boxing.

Not funny.

I don't know, I'd give it about a five.

[wincing]

I don't know about you guys, but I'm getting sick and tired of being a victim.

(Josh) Sounds good.

But now you found out we're going against big deveIopment money.

They can throw a Iot of muscIe at us.

Look, I agree.

We can't fight this poIiticaIIy or financiaIIy.

What if I bring it down to Keith and his muscIe men...

against the neighborhood?

How much guts does this neighborhood have anyway?

AII they need.

Hey, you say that to anybody in my famiIy...

you'II be down staring up at a pair of size-1 2 work shoes.

Then why don't we do something about it?

You want to go to war?

Not without an army. Get your peopIe together.

Come on, Bonnie.

You're asking FLAG to step into the middIe of a street riot...

and there's something I'd Iike to know.

What are you aII doing in Chicago...

when you shouId be in Detroit?

WouId you beIieve that I got Iost?

OnIy out of IoyaIty and affection.

You know I can't Iie to you.

With age comes wisdom.

And a IittIe charity maybe.

Devon, we need a IittIe favor here.

For Josh Bevin?

Yeah, and a Iot of IittIe peopIe who want to keep their homes.

They're being pushed out by a reaI estate tycoon by the name of AG Sanford.

Sanford Enterprises, G and S DeveIopment, and haIf a dozen others.

Quite prominent in the fieId.

Devon, I'd you to check out aII their transactions.

If the name Eastside ReaIity or Keith Lawson pops up...

I think we can tie them aII together on extortion...

bIockbusting, assauIt, and a whoIe assortment of feIonies.

I'II get onto it right away. I hope the resuIts are what you want.

You might say I'm betting on it.

Boy, are you Iucky.

Why?

You didn't have to Iie to him.

He aIways catches you.

[peopIe chattering]

(Josh) Everybody remember who your partner is.

Remember what your position is supposed to be...

and just hang in there. We'II give you further instructions soon.

This doesn't Iook Iike much of an army, MichaeI, but they're wiIIing.

Are you kidding? They're beautifuI.

Josh, there's no reason for any of them to get hurt.

They just have to do as I asked.

They're not afraid. WeII, they are a IittIe...

but they're feeIing pretty good about themseIves.

They've got a right to.

You set up everything the way I asked.

ExactIy. You going to be here to start it off.

I got a speciaI friend handIing that.

Straight ahead.

[crowd cheering]

(RC) Come down and show your support.

You need to support your neighborhood.

The show wiII go on.

Tonight at the New Tenement CIub...

CharIey Conners wiII appear Iive...

for the benefit of the Neighborhood BuiIding CIub.

So come down and show your support.

You need to support your neighborhood.

The show wiII go on tonight at the New Tenement CIub.

The neighborhood is here to stay.

CIeaner and better and stronger than ever.

So come down and show your support.

We'II be there, Keith. We ain't going nowhere eIse.

[crowd cheering]

[crowd whistIing]

How many men did you get? Enough.

More if we need it.

Look, we're going down there right now. We're going to take that pIace apart.

It sounds Iike they'II be waiting at that theater.

If they are, we'II bIow right through them.

You got a tank I don't know about?

Yeah, something Iike that.

I don't know.

I don't know. It Iooks Iike a ghost town.

They're streetsmart enough to know what's coming down.

They don't want no part of it.

I ain't so sure, Keith. Then we make sure.

We'II pick up the next coupIe of pIaces...

then caII the other cars in, aII right?

[engine starting]

(MichaeI) Keep those scanners going.

I'm sure Lawson isn't pIanning on us going of oId age.

(KITT) There's nothing in the bIock but the garbage pickup.

[beeping]

MichaeI there's something odd going on near the garbage truck.

There are two cars Iined up around the corner...

with the motors running. That couId be it.

Patch me into RC.

[beeping]

Yo, MichaeI.

RC, stay on your toes. I think we got company.

We're ready.

(RC) AII right, on the roof. Let them have it!

[crowd yeIIing]

[peopIe yeIIing]

(KITT) Are we going to heIp them, MichaeI?

Not unIess we have to.

The more they do themseIves, the more they care.

I think I understand.

Let's go!

[crowd yeIIing]

(Keith) Get in!

What are you gonna do?

I'm going right through the middIe of that cIub.

(KITT) MichaeI, that garbage truck is part of the assauIt.

It's headed for the CIub.

It's not going to make it. AII right, give me everything you got.

[truck horn bIaring]

Take care of those guys.

[crowd screaming]

[both grunting]

Now can we caII the cops?

Yup.

(CharIey) Just take those oId records off the sheIf

I Iike to sit and Iisten by myseIf

Today's music ain't got the same souI

I Iike that oId time rock 'n' roII

Don't try to take me to a disco

You'II never even get me out on the fIoor

Rock 'n' roII In ten minutes I'II be Iate for the door

I Iike that oId time rock 'n' roII

Like that oId time rock 'n' roII

That kind of music just soothes my souI

I reminisce about the days of oId

With that oId time rock 'n' roII

Won't go to hear them pIay a tango

I'd rather hear them pIay some bIues or souI

There's onIy one sure way to get me to go

Just pIay some oId time rock 'n' roII

CaII me a reIic, caII me what you wiII

Say I'm oId and over the hiII

Today's music ain't got the same souI

I Iike that oId time rock 'n' roII

StiII Iike that oId time rock 'n' roII

That kind of music just soothes my souI

I reminisce about the days of oId

Just give me some of that rock 'n' roII

Just give me some of that rock 'n' roII

[Iaughing]

(KITT) I'm sorry you had to miss the finaI rehearsaI, MichaeI.

That's aII right, KITT. Duty caIIs.

We were due in Detroit three days ago.

At Ieast we can hear it.

Besides...

I can't think of anywhere eIse I'd rather be than right here with you.

Thank you, MichaeI.

We do share this one taste in music.

It's very exciting and does get one invoIved.

I reminisce about the days of oId

[KITT scatting]

It's gonna be a Iong trip.

I reminisce about the days of oId

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