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Narrator: AROUND THE WORLD,
THE RACE TO WIN WARS
2
00:00:04,438 --> 00:00:05,838
AND EXPLORE THE UNIVERSE
3
00:00:05,840 --> 00:00:07,306
HAS CREATED SOME OF THE MOST
4
00:00:07,308 --> 00:00:09,041
INCREDIBLE PRODUCTS
EVER DESIGNED,
5
00:00:09,043 --> 00:00:10,842
AND WE USE THEM EVERY DAY,
6
00:00:10,844 --> 00:00:14,313
UNAWARE OF THEIR
AMAZING ORIGINS.
7
00:00:14,315 --> 00:00:17,515
ON "INCREDIBLE INVENTIONS,"
THE DRUM,
8
00:00:17,517 --> 00:00:18,984
ITS USE IN KEEPING TIME
9
00:00:18,986 --> 00:00:21,286
BOTH MUSICALLY
AND ON THE BATTLEFIELD,
10
00:00:24,859 --> 00:00:25,924
THE SLINKY,
11
00:00:25,926 --> 00:00:28,126
HOW A SIMPLE METAL
SPRING DEFIES
12
00:00:28,128 --> 00:00:31,730
THE LAWS OF PHYSICS,
13
00:00:31,732 --> 00:00:33,599
AND THE FENCING SWORD,
14
00:00:33,601 --> 00:00:36,334
THE DEADLY PAST
OF AN OLYMPIC SPORT.
15
00:00:36,336 --> 00:00:38,937
WE REVEAL THE AMAZING HISTORY
16
00:00:38,939 --> 00:00:40,605
AND ENGINEERING OF THESE
17
00:00:40,607 --> 00:00:43,142
INCREDIBLE INVENTIONS.
18
00:00:43,144 --> 00:00:46,278
-- Captions by VITAC --
www.vitac.com
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00:00:46,280 --> 00:00:49,214
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:00:49,216 --> 00:00:52,251
âªâª
21
00:01:00,427 --> 00:01:03,295
FROM THE NEOLITHIC ERA
TO THE 21ST CENTURY,
22
00:01:03,297 --> 00:01:06,664
THE DRUM HAS LIVED UP
TO ITS NOISY REPUTATION.
23
00:01:06,666 --> 00:01:09,834
IT'S BEEN USED BY THE ANCIENT
CHINESE AND MONGOLIAN TRIBES,
24
00:01:09,836 --> 00:01:11,303
THE AZTECS OF MEXICO,
25
00:01:11,305 --> 00:01:12,971
AND NATIVE AMERICANS
IN THE PLAINS
26
00:01:12,973 --> 00:01:18,310
OF THE UNITED STATES.
27
00:01:18,312 --> 00:01:21,646
Hicks: WHEN IT COMES TO DRUMS,
YOU'VE GOT TO GO BACK IN TIME,
28
00:01:21,648 --> 00:01:23,515
REALLY ANCIENT TIMES, AFRICA,
29
00:01:23,517 --> 00:01:24,783
THE HOLLOWED-OUT LOG,
30
00:01:24,785 --> 00:01:27,119
YOU KNOW, INTIMIDATING
THE NEXT TRIBE,
31
00:01:27,121 --> 00:01:29,188
THE ENEMY OR THE NEXT VILLAGE
YOU'RE COMING.
32
00:01:29,190 --> 00:01:31,256
THE NATIVE AMERICANS,
WITH THEIR DRUMS,
33
00:01:31,258 --> 00:01:34,059
IT'S TELLING YOU, WE'RE COMING.
34
00:01:34,061 --> 00:01:36,394
Narrator: AS ONE OF THE OLDEST
MUSICAL INSTRUMENTS,
35
00:01:36,396 --> 00:01:38,663
A DRUM'S BASIC DESIGN
HAS REMAINED
36
00:01:38,665 --> 00:01:41,800
ALMOST THE SAME
FOR THOUSANDS OF YEARS.
37
00:01:41,802 --> 00:01:43,601
CLASSIFIED AS A MEMBRANOPHONE
38
00:01:43,603 --> 00:01:46,205
BECAUSE IT CONSISTS
OF AT LEAST ONE ANIMAL HIDE
39
00:01:46,207 --> 00:01:47,473
THAT HAS BEEN STRETCHED AND,
40
00:01:47,475 --> 00:01:49,474
WHEN STRUCK BY THE HAND
OR DRUMSTICK,
41
00:01:49,476 --> 00:01:54,279
PRODUCES A DEEP AND LOUD SOUND.
42
00:01:54,281 --> 00:01:55,880
WHILE THE DRUM
IS COMMONLY REGARDED
43
00:01:55,882 --> 00:01:57,349
AS THE ROOT OF ALL MUSIC,
44
00:01:57,351 --> 00:02:01,153
IT CAN'T ESCAPE ITS BLOODY PAST
ON THE BATTLEFIELDS OF HISTORY.
45
00:02:01,155 --> 00:02:02,487
MANY KINGDOMS, TRIBES
46
00:02:02,489 --> 00:02:04,289
AND NATIONS
HAVE RISEN AND FALLEN
47
00:02:04,291 --> 00:02:06,492
TO THE SOUND
OF A BEATING DRUM.
48
00:02:08,696 --> 00:02:10,695
WELL, THE MOST SIMPLE USE
FOR THE DRUM
49
00:02:10,697 --> 00:02:12,831
IS MARKING TIME
FOR THE REGIMENT
50
00:02:12,833 --> 00:02:14,700
AND BEATING THE TIME
OF THEIR DIFFERENT MOVEMENTS
51
00:02:14,702 --> 00:02:16,101
WHEN THEY'RE DOING THEIR DRILL.
52
00:02:16,103 --> 00:02:17,969
BOTH IN THE ENGLISH
AND THE AMERICAN CIVIL WAR,
53
00:02:17,971 --> 00:02:19,972
THE DRUM BEAT WAS PARAMOUNT.
54
00:02:19,974 --> 00:02:21,840
IT WAS THE MOST
IMPORTANT THING.
55
00:02:21,842 --> 00:02:23,575
WITHOUT IT, YOU COULDN'T
GET ALL OF YOUR MEN
56
00:02:23,577 --> 00:02:24,977
TO PRESENT AT THE RIGHT TIME,
57
00:02:24,979 --> 00:02:27,045
FIRE AT THE RIGHT TIME.
58
00:02:27,047 --> 00:02:29,414
OTHERWISE, IT WOULD BE CHAOS
ON THE BATTLEFIELD.
59
00:02:34,321 --> 00:02:36,521
LIBERTY HAS BEEN MAKING DRUMS
60
00:02:36,523 --> 00:02:39,057
IN COUNTY DURHAM,
ENGLAND SINCE 2006,
61
00:02:39,059 --> 00:02:41,660
AND ALL THEIR DRUMS
ARE ENTIRELY HANDMADE,
62
00:02:41,662 --> 00:02:43,462
MAKING THEM UNIQUE.
63
00:02:46,000 --> 00:02:48,267
Street: WE BUILD THE DRUMS
FROM THE RAW TIMBER,
64
00:02:48,269 --> 00:02:50,535
SO WE SOURCE IN THE BIRCHES,
65
00:02:50,537 --> 00:02:51,670
THE MAPLES, MAHOGANIES,
66
00:02:51,672 --> 00:02:55,607
AND WE BUILD OUR KITS
PLY BY PLY.
67
00:02:55,609 --> 00:02:58,209
ESSENTIALLY, EVERY ELEMENT
IS HANDMADE.
68
00:02:58,211 --> 00:03:00,412
ALL THE TIMBERS ARE
ALWAYS HANDLED BY HAND,
69
00:03:00,414 --> 00:03:01,747
RIGHT TO THE FINISHING PROCESS.
70
00:03:01,749 --> 00:03:04,683
IT'S A, YOU KNOW,
A REALLY FINE INSTRUMENT.
71
00:03:08,021 --> 00:03:11,557
Narrator: THE PROCESS BEGINS
WITH THE SELECTION OF THE TIMBER
72
00:03:11,559 --> 00:03:15,760
TO MAKE THE SHELL
OF THE SNARE DRUM.
73
00:03:15,762 --> 00:03:18,029
STRIPS OF PLYWOOD
ARE MEASURED OUT
74
00:03:18,031 --> 00:03:21,432
AND PRECISELY CUT TO SIZE.
75
00:03:21,434 --> 00:03:22,900
THESE WILL BE
LAMINATED TOGETHER
76
00:03:22,902 --> 00:03:24,770
TO FORM THE DRUM SHELL.
77
00:03:24,772 --> 00:03:26,371
FOR THE OUTER LAYER OF THE DRUM,
78
00:03:26,373 --> 00:03:27,705
TWO STRIPS OF THE PLYWOOD
79
00:03:27,707 --> 00:03:29,241
ARE LAYERED UP ON EITHER SIDE
80
00:03:29,243 --> 00:03:30,775
OF A DECORATIVE BEADING STRIP
81
00:03:30,777 --> 00:03:33,111
AND HELD IN PLACE
USING MASKING TAPE.
82
00:03:36,583 --> 00:03:39,317
EACH PLYWOOD LAYER IS COATED
WITH A SPECIAL GLUE
83
00:03:39,319 --> 00:03:41,453
AND CAREFULLY
MANIPULATED INTO PLACE
84
00:03:41,455 --> 00:03:43,455
WITHIN A SOLID-WALLED MOLD.
85
00:03:45,926 --> 00:03:48,327
EACH FRAME GETS A COAT
OF GLUE BY HAND
86
00:03:48,329 --> 00:03:50,595
AND THEN PLACED IN THE MOLD.
87
00:03:50,597 --> 00:03:54,332
EACH PLY, WE USE
A SPECIFIC COMPOUND OF GLUE,
88
00:03:54,334 --> 00:03:56,468
AND THEN EACH LEAF OR VENEER,
89
00:03:56,470 --> 00:03:58,870
WE'VE PLACED IN THE MOLD
TO MAKE THAT SPECIFIC DRUM.
90
00:03:58,872 --> 00:04:01,006
SO IT DEPENDS THE TYPE,
THE DESIGN OF THE DRUM,
91
00:04:01,008 --> 00:04:03,809
HOW THICK, HOW MANY VENEERS.
92
00:04:03,811 --> 00:04:06,611
THE MOLD'S PURPOSE IS
TO APPLY EXTERNAL PRESSURE
93
00:04:06,613 --> 00:04:08,013
TO THE PLYWOOD LAYERS.
94
00:04:08,015 --> 00:04:10,749
THE SHELL IS LEFT TO DRY
NATURALLY IN THE MOLD
95
00:04:10,751 --> 00:04:13,418
FOR 24 HOURS
TO ENSURE A GOOD BOND.
96
00:04:13,420 --> 00:04:18,356
ONCE DRY, THE DRUM IS EXTRACTED
FROM THE MOLD AND CHECKED
97
00:04:18,358 --> 00:04:20,892
FOR ANY IMPERFECTIONS
ON THE LAMINATE.
98
00:04:25,899 --> 00:04:27,165
THE EDGES OF THE DRUM
99
00:04:27,167 --> 00:04:29,835
ARE THEN PRECISELY TRIMMED
USING A CIRCULAR SAW.
100
00:04:35,109 --> 00:04:38,042
THE DRUM'S SURFACE IS THEN
CAREFULLY SANDED BY HAND
101
00:04:38,044 --> 00:04:42,047
TO ENSURE A GOOD, SMOOTH FINISH.
102
00:04:42,049 --> 00:04:44,649
NEXT, THE DECORATIVE BEAD
IS MASKED WITH TAPE,
103
00:04:44,651 --> 00:04:45,984
AND ONE HALF OF THE DRUM
104
00:04:45,986 --> 00:04:48,186
IS STAINED
WITH A COLORED LACQUER.
105
00:04:53,793 --> 00:04:56,461
ONCE THE LACQUER IS DRY,
THE WHOLE DRUM IS COATED
106
00:04:56,463 --> 00:04:58,396
WITH A LAYER OF WAX
FOR PROTECTION
107
00:04:58,398 --> 00:05:02,333
AND TO GIVE A SMOOTH FINISH.
108
00:05:02,335 --> 00:05:03,869
WHEN THE FINISH IS COMPLETE,
109
00:05:03,871 --> 00:05:08,406
THE EDGES OF THE DRUM ARE
BEVELED USING A ROUTING TOOL.
110
00:05:08,408 --> 00:05:09,807
THIS WILL FORM A BEARING EDGE
111
00:05:09,809 --> 00:05:12,311
FOR ATTACHING THE DRUM
SKINS LATER ON.
112
00:05:17,417 --> 00:05:19,685
NEXT, MASKING TAPE
IS APPLIED AROUND
113
00:05:19,687 --> 00:05:21,086
THE CIRCUMFERENCE OF THE DRUM
114
00:05:21,088 --> 00:05:23,188
SO THAT IT CAN BE
MARKED UP FOR DRILLING.
115
00:05:26,427 --> 00:05:28,359
A TEMPLATE IS USED
TO MARK THE POSITIONS
116
00:05:28,361 --> 00:05:30,262
WHERE THE DRUM WILL BE DRILLED.
117
00:05:32,966 --> 00:05:36,100
MORE MASKING TAPE
IS APPLIED
118
00:05:36,102 --> 00:05:37,902
AT EACH POSITION
AROUND THE DRUM,
119
00:05:37,904 --> 00:05:40,238
AND A TEMPLATE IS USED TO MARK
THE CORRECT POSITIONS
120
00:05:40,240 --> 00:05:42,674
FOR DRILLING THE HOLES.
121
00:05:47,314 --> 00:05:49,181
HOLES ARE DRILLED
THROUGH THE DRUM
122
00:05:49,183 --> 00:05:51,182
SHELL AT ALL
THE MARKED LOCATIONS,
123
00:05:51,184 --> 00:05:53,919
AND THEN ALL THE EXTERNAL
METALWORK IS SCREWED ON AROUND
124
00:05:53,921 --> 00:05:55,320
THE EDGES OF THE DRUM.
125
00:06:01,261 --> 00:06:03,261
THESE ARE USED FOR
ATTACHING THE DRUM HEADS
126
00:06:03,263 --> 00:06:06,598
AS WELL AS THE SNARE WIRES.
127
00:06:06,600 --> 00:06:09,534
NEXT, THE BOTTOM DRUM HEAD
IS ATTACHED TO THE DRUM
128
00:06:09,536 --> 00:06:10,869
USING A METAL HOOP,
129
00:06:10,871 --> 00:06:15,807
WHICH IS SCREWED ONTO THE DRUM
THROUGH THE METAL LUGS.
130
00:06:15,809 --> 00:06:17,209
THE DRUMHEAD IS THEN TIGHTENED
131
00:06:17,211 --> 00:06:19,411
AND TUNED TO ENSURE
EVEN TENSION AROUND
132
00:06:19,413 --> 00:06:21,246
THE HEAD USING A DRUM KEY.
133
00:06:23,350 --> 00:06:26,284
THE WIRE SNARES ATTACH DOWN
TO THE BOTTOM HEAD OF THE DRUM.
134
00:06:26,286 --> 00:06:29,020
THE SNARE WIRES STAY
IN CONTACT WITH THE DRUMHEAD
135
00:06:29,022 --> 00:06:31,356
AND VIBRATE
WHEN THE DRUM IS HIT.
136
00:06:31,358 --> 00:06:33,224
IT IS THIS THAT
GIVES A SNARE DRUM
137
00:06:33,226 --> 00:06:35,193
ITS UNIQUE, SNAPPY SOUND.
138
00:06:37,898 --> 00:06:41,767
THE FINAL STEP IS TO ATTACH
THE TOP DRUMHEAD AND TUNE IT.
139
00:06:41,769 --> 00:06:44,369
NOW, IT IS READY FOR A
THOROUGH TEST IN A DRUM ROOM.
140
00:06:52,446 --> 00:06:55,580
[ DRUM ROLL TO BACKBEAT ]
141
00:06:55,582 --> 00:06:57,515
SO THERE IT IS, THE SNARE DRUM.
142
00:06:57,517 --> 00:06:59,651
FROM MARCHING BAND
TO ROCKSTAR,
143
00:06:59,653 --> 00:07:03,522
IT REALLY IS
AN INCREDIBLE INVENTION.
144
00:07:03,524 --> 00:07:05,323
AFTER THE BREAK, WE EXPLORE,
145
00:07:05,325 --> 00:07:07,993
HOW DID A HAPPY ACCIDENT
DURING WORLD WAR II
146
00:07:07,995 --> 00:07:10,729
CREATE ONE OF AMERICA'S
MOST POPULAR TOYS?
147
00:07:22,476 --> 00:07:24,342
Narrator:
THE SLINKY, A METAL MARVEL
148
00:07:24,344 --> 00:07:27,946
THAT STILL CONTINUES
TO AMAZE YOUNG AND OLD ALIKE.
149
00:07:27,948 --> 00:07:31,283
BUT HOW IS THIS INNOCENT TOY
CONNECTED TO WORLD WAR II,
150
00:07:31,285 --> 00:07:34,352
AND WHAT IS THE AMAZING SCIENCE
BEHIND ITS STRANGE ABILITY
151
00:07:34,354 --> 00:07:37,088
TO WALK DOWN STAIRS?
152
00:07:37,090 --> 00:07:39,357
THE SIMPLE PRECOMPRESSED
HELICAL SPRING,
153
00:07:39,359 --> 00:07:40,758
THAT'S A COIL TO YOU AND ME,
154
00:07:40,760 --> 00:07:42,694
IS FIRST INVENTED
BY RICHARD JAMES WAY
155
00:07:42,696 --> 00:07:44,362
BACK IN THE EARLY 1940S
156
00:07:44,364 --> 00:07:47,632
WHILE HE'S WORKING
WITH THE US NAVY.
157
00:07:47,634 --> 00:07:49,034
AS PART OF THE WAR EFFORT,
158
00:07:49,036 --> 00:07:52,103
JAMES AND HIS TEAM ARE BUSY
BUILDING SPRING SHOCK ABSORBERS
159
00:07:52,105 --> 00:07:55,106
TO KEEP DELICATE NAVIGATION
INSTRUMENTS ON BOARD WARSHIPS
160
00:07:55,108 --> 00:07:57,975
SAFE AND FREE FROM DAMAGE,
EVEN IN THE HEAVIEST OF STORMS.
161
00:07:57,977 --> 00:08:02,780
THE SLINKY WAS AN ACCIDENTAL
INVENTION, IF YOU WILL.
162
00:08:02,782 --> 00:08:04,649
IT WAS DISCOVERED
BY RICHARD JAMES
163
00:08:04,651 --> 00:08:06,184
WHEN HE KNOCKED
OVER SOME SPRINGS.
164
00:08:06,186 --> 00:08:08,586
HE REALIZED THE WAY THAT
THEY WALKED ACROSS THE FLOOR
165
00:08:08,588 --> 00:08:10,455
COULD BE POSSIBLY
BECOMING A PRODUCT,
166
00:08:10,457 --> 00:08:12,857
AND THIS PRODUCT
BASICALLY WAS DESIGNED
167
00:08:12,859 --> 00:08:14,793
SUCH THAT YOU
COULD PLAY WITH IT.
168
00:08:14,795 --> 00:08:16,194
HE SHOWED IT TO A LOT
OF LITTLE KIDS.
169
00:08:16,196 --> 00:08:17,996
THE CHILDREN THERE LOVED IT,
170
00:08:17,998 --> 00:08:19,664
AND HE REALIZED
HE WAS ONTO A WINNER.
171
00:08:19,666 --> 00:08:21,198
Narrator: WITH THE EXCITEMENT
OF HIS INVENTION
172
00:08:21,200 --> 00:08:22,533
STILL FRESH IN HIS MIND,
173
00:08:22,535 --> 00:08:24,736
JAMES AND HIS WIFE BORROW $500
174
00:08:24,738 --> 00:08:26,537
AND SPEND THE NEXT YEAR
RESEARCHING
175
00:08:26,539 --> 00:08:27,739
AND DEVELOPING THE IDEA
176
00:08:27,741 --> 00:08:31,342
SO IT'S READY
FOR THE 1945 CHRISTMAS RUSH.
177
00:08:31,344 --> 00:08:33,878
AT FIRST, THE BIG
DEPARTMENT STORES ARE SKEPTICAL,
178
00:08:33,880 --> 00:08:36,414
SO JAMES TAKES INITIATIVE
BY DEMONSTRATING
179
00:08:36,416 --> 00:08:39,350
HIS CREATION TO SHOPPERS,
180
00:08:39,352 --> 00:08:42,153
AND BY THE END OF THE YEAR,
THE SLINKY IS THE MUST-HAVE
181
00:08:42,155 --> 00:08:46,290
TOY ALL ACROSS THE USA.
182
00:08:46,292 --> 00:08:49,493
THE SLINKY'S FORM MAY BE SIMPLE,
BUT DON'T UNDERESTIMATE
183
00:08:49,495 --> 00:08:52,897
THE COMPLICATED SCIENTIFIC
PRINCIPLES AT PLAY.
184
00:08:52,899 --> 00:08:55,300
NUDGE THE COILED SPRING
DOWN A FLIGHT OF STAIRS
185
00:08:55,302 --> 00:08:58,770
AND BE PREPARED
FOR A MAJOR PHYSICS LESSON.
186
00:08:58,772 --> 00:08:59,905
WITH A LIFE OF ITS OWN,
187
00:08:59,907 --> 00:09:01,506
THE TOY BEGINS TO MOVE BY
188
00:09:01,508 --> 00:09:03,642
INDEPENDENTLY
FALLING OVER ITSELF
189
00:09:03,644 --> 00:09:06,911
FROM ONE STEP TO THE NEXT
IN A FLUID MOVEMENT.
190
00:09:06,913 --> 00:09:09,447
THE SLINKY IS DEMONSTRATING
A NUMBER OF FORCES
191
00:09:09,449 --> 00:09:10,849
AS IT MOVES DOWN THE STEPS.
192
00:09:10,851 --> 00:09:13,250
FRICTION, INERTIA,
193
00:09:13,252 --> 00:09:15,653
MOMENTUM AND POTENTIAL
AND KINETIC ENERGY
194
00:09:15,655 --> 00:09:18,790
ARE ALL ACTING
ON THAT COILED SPRING.
195
00:09:18,792 --> 00:09:21,459
AT REST, THE SLINKY IS
STILL AND DOES NOT MOVE.
196
00:09:21,461 --> 00:09:23,194
THIS IS CALLED INERTIA,
197
00:09:23,196 --> 00:09:25,330
AND IS THE RESISTANCE
OF ANY PHYSICAL OBJECT
198
00:09:25,332 --> 00:09:29,200
TO CHANGE ITS STAGE
OF MOTION OR REST.
199
00:09:29,202 --> 00:09:31,803
INERTIA IS AIDED BY
THE EFFECTS OF FRICTION,
200
00:09:31,805 --> 00:09:34,205
A FORCE THAT RESISTS
THE MOVEMENT OF OBJECTS
201
00:09:34,207 --> 00:09:36,541
AS THEY SLIDE
AGAINST ONE ANOTHER.
202
00:09:36,543 --> 00:09:39,210
IN THE SLINKY'S CASE,
THE AIR THAT PASSES THROUGH IT
203
00:09:39,212 --> 00:09:42,814
AND THE CARPET
THAT COVERS THE STEPS.
204
00:09:42,816 --> 00:09:45,416
THE FACT THAT THE SLINKY
IS AT THE TOP OF THE STAIRS
205
00:09:45,418 --> 00:09:47,018
MEANS THE EFFECTS OF GRAVITY
206
00:09:47,020 --> 00:09:48,953
ARE STORED AS POTENTIAL ENERGY
207
00:09:48,955 --> 00:09:51,623
AS SPRING TENSION.
208
00:09:51,625 --> 00:09:54,359
IF THIS ENERGY IS RELEASED,
THE POTENTIAL ENERGY
209
00:09:54,361 --> 00:09:57,495
IS CONVERTED
TO KINETIC ENERGY,
210
00:09:57,497 --> 00:09:59,631
THE FORM OF ENERGY
GOVERNED BY MOTION,
211
00:09:59,633 --> 00:10:01,633
WHICH MEANS THE SLINKY
IS NOW MOVING.
212
00:10:01,635 --> 00:10:04,836
SO WHY DOES THE SLINKY
KEEP GOING?
213
00:10:04,838 --> 00:10:06,905
WELL, AS THE SLINKY
TAKES ITS DIVE DOWN
214
00:10:06,907 --> 00:10:11,376
THE FIRST STEP, IT STRETCHES,
THEREBY STORING ENERGY.
215
00:10:11,378 --> 00:10:12,977
THAT ENERGY REACHES A POINT
216
00:10:12,979 --> 00:10:14,846
WHERE IT MUST
PULL THE TAIL ALONG,
217
00:10:14,848 --> 00:10:18,049
FLIPPING IT OVER
TO THE NEXT STEP.
218
00:10:18,051 --> 00:10:19,784
NOW, MOMENTUM
COMES INTO PLAY.
219
00:10:19,786 --> 00:10:22,920
THIS FLIPPING ACTION CONTINUES
AS THE SLINKY'S MOMENTUM
220
00:10:22,922 --> 00:10:25,056
CANNOT BE STOPPED BY THE FORCES
ACTING AGAINST IT,
221
00:10:25,058 --> 00:10:27,525
FOR EXAMPLE THE FRICTION.
222
00:10:27,527 --> 00:10:29,194
OBJECTS WITH A LARGER MOMENTUM
223
00:10:29,196 --> 00:10:32,063
REQUIRE MORE ENERGY
TO MOVE AND TO STOP,
224
00:10:32,065 --> 00:10:33,330
WHILE THOSE WITH LOW MASS
225
00:10:33,332 --> 00:10:35,133
AND VELOCITY
HAVE LESS MOMENTUM,
226
00:10:35,135 --> 00:10:37,335
THUS THE GREATER
THE WEIGHT OF THE SLINKY
227
00:10:37,337 --> 00:10:39,537
AND THE DOWNWARD ANGLE
IN WHICH IT IS TRAVELING,
228
00:10:39,539 --> 00:10:40,939
THE GREATER THE MOMENTUM,
229
00:10:40,941 --> 00:10:42,607
WHICH IS WHY A METAL SLINKY
230
00:10:42,609 --> 00:10:44,142
IS BETTER AT TRAVELING
DOWN STAIRS
231
00:10:44,144 --> 00:10:45,810
THAN A PLASTIC ONE.
232
00:10:45,812 --> 00:10:48,613
THIS COMPLICATED BUT PLAYFUL
ACTION HAS CAPTIVATED CHILDREN
233
00:10:48,615 --> 00:10:52,884
EVER SINCE IT WAS FIRST
INTRODUCED OVER 70 YEARS AGO,
234
00:10:52,886 --> 00:10:56,154
AND ITS POPULARITY SHOWS
NO SIGNS OF DECLINING.
235
00:10:56,156 --> 00:10:57,555
ENOUGH SLINKYS HAVE BEEN SOLD
236
00:10:57,557 --> 00:11:01,226
TO GO AROUND THE EARTH
A STAGGERING 121 TIMES.
237
00:11:01,228 --> 00:11:04,229
THAT'S OVER 300 MILLION
INDIVIDUAL ITEMS.
238
00:11:04,231 --> 00:11:07,232
THEY'VE GONE TO SPACE
ON THE SHUTTLE
239
00:11:07,234 --> 00:11:09,367
AND BEEN USED BY US
TROOPS IN VIETNAM
240
00:11:09,369 --> 00:11:11,636
AS PORTABLE RADIO ANTENNAE.
241
00:11:15,241 --> 00:11:16,908
IT SEEMS THERE'S NO STOPPING
242
00:11:16,910 --> 00:11:18,643
THE EXCITEMENT OF THE OLD TOY.
243
00:11:18,645 --> 00:11:23,047
THE SLINKY, TRULY AN
INCREDIBLE INVENTION.
244
00:11:23,049 --> 00:11:25,450
COMING UP, A SPECIAL SLOW-MOTION
245
00:11:25,452 --> 00:11:26,584
EXPERIMENT THAT REVEALS
246
00:11:26,586 --> 00:11:29,120
JUST HOW THE SLINKY
ACTUALLY WORKS.
247
00:11:41,067 --> 00:11:43,667
âªâª
248
00:11:43,669 --> 00:11:45,403
Narrator: THE SLINKY MIGHT
HAVE BEEN FLYING --
249
00:11:45,405 --> 00:11:46,504
SHOULD THAT BE FLOATING? --
250
00:11:46,506 --> 00:11:48,606
OFF THE SHELVES
SINCE THE 1940S,
251
00:11:48,608 --> 00:11:51,876
BUT CAN IT ACTUALLY FLY --
OR MORE CORRECTLY, FLOAT?
252
00:11:51,878 --> 00:11:54,345
LET'S TRY AND FIND OUT.
253
00:11:54,347 --> 00:11:58,016
THE EXPERIMENT -- WE WILL DROP A
LARGE SLINKY FROM A GREAT HEIGHT
254
00:11:58,018 --> 00:12:00,618
AND FILM IT USING
A SPECIAL SLOW-MOTION CAMERA
255
00:12:00,620 --> 00:12:02,687
TO CAPTURE THE RESULTS.
256
00:12:02,689 --> 00:12:04,288
TO START, A LARGE BUILDING
257
00:12:04,290 --> 00:12:07,225
WITH EASY WINDOW ACCESS
TO ALLOW FOR VERY SCIENTIFIC
258
00:12:07,227 --> 00:12:10,895
DROPPING OF CLASSIC
CHILDREN'S TOY, CHECK.
259
00:12:10,897 --> 00:12:12,897
LARGE SLINKY, CHECK.
260
00:12:12,899 --> 00:12:14,565
SPECIAL SLOW-MOTION CAMERA
261
00:12:14,567 --> 00:12:15,900
FOCUSED AND EXPOSED
262
00:12:15,902 --> 00:12:18,036
AT THE ABSOLUTE PERFECT
SETTINGS TO CAPTURE
263
00:12:18,038 --> 00:12:20,705
OUR SPECTACULAR
SLINKY FALL, CHECK.
264
00:12:20,707 --> 00:12:22,707
OUR FEARLESS TESTER
ASCENDS THE STAIRS,
265
00:12:22,709 --> 00:12:26,911
TAKES POSITION AND IS ALL SET
FOR THE EXPERIMENT TO BEGIN.
266
00:12:26,913 --> 00:12:29,446
WITH HIS ARM STRETCHED OUT
AT A PERFECT 90 DEGREES
267
00:12:29,448 --> 00:12:31,783
TO HIS BODY,
HE LETS THE SLINKY UNRAVEL
268
00:12:31,785 --> 00:12:33,384
TO ITS FULLEST EXTENT
269
00:12:33,386 --> 00:12:35,520
WHILE EXPERTLY
HOLDING ONTO ONE END.
270
00:12:35,522 --> 00:12:36,921
HE SIGNALS THAT HE IS READY,
271
00:12:36,923 --> 00:12:40,325
AND A DISEMBODIED HAND
PRESSES RECORD ON THE CAMERA.
272
00:12:40,327 --> 00:12:42,593
THE TEST CAN BEGIN.
273
00:12:42,595 --> 00:12:44,462
OUR MAN LETS GO
OF THE SLINKY AND,
274
00:12:44,464 --> 00:12:47,599
LESS THAN 2 SECONDS LATER,
IT HITS THE GROUND.
275
00:12:47,601 --> 00:12:49,267
DID YOU SEE
THE SLINKY FLOAT?
276
00:12:49,269 --> 00:12:50,868
NO?
277
00:12:50,870 --> 00:12:53,238
NEITHER DID WE.
LET'S REVIEW THE TAPE.
278
00:12:55,809 --> 00:12:58,409
NOW, SEEN AT 150
FRAMES PER SECOND,
279
00:12:58,411 --> 00:13:01,012
WE CAN SEE SOMETHING
AMAZING HAPPEN.
280
00:13:01,014 --> 00:13:02,546
AS THE SLINKY IS RELEASED,
281
00:13:02,548 --> 00:13:04,482
THE TOP OF THE TOY
FALLS VERTICALLY,
282
00:13:04,484 --> 00:13:07,018
AS YOU WOULD EXPECT,
BUT LOOK AT THE BOTTOM.
283
00:13:07,020 --> 00:13:08,753
IT'S NOT MOVING.
284
00:13:08,755 --> 00:13:11,155
ASTONISHED?
WELL, WE ARE.
285
00:13:11,157 --> 00:13:13,691
BUT HOW IS THIS STEEL
SPRING CHEATING GRAVITY?
286
00:13:13,693 --> 00:13:16,761
AGAIN, SCIENCE
COMES TO OUR AID.
287
00:13:16,763 --> 00:13:18,229
BEFORE IT IS DROPPED,
288
00:13:18,231 --> 00:13:20,231
THE BOTTOM OF THE SLINKY
IS SUSPENDED,
289
00:13:20,233 --> 00:13:22,500
WITH GRAVITY PULLING IT DOWN
IN ONE DIRECTION
290
00:13:22,502 --> 00:13:25,169
AND THE SPRING'S TENSION
PULLING IT UP ON THE OTHER,
291
00:13:25,171 --> 00:13:26,971
SO EQUAL AND OPPOSITE FORCES
292
00:13:26,973 --> 00:13:29,107
ACT ON THE BOTTOM,
LEAVING IT MOTIONLESS.
293
00:13:29,109 --> 00:13:31,910
WHEN THE TOP IS RELEASED,
THE INFORMATION THAT THE TENSION
294
00:13:31,912 --> 00:13:33,444
HAS CHANGED TAKES A MOMENT
295
00:13:33,446 --> 00:13:35,580
TO REACH THE BOTTOM
OF THE SPRING.
296
00:13:35,582 --> 00:13:39,851
ONCE THE WEIGHT HITS
THE BOTTOM OF THE SLINKY,
297
00:13:39,853 --> 00:13:42,653
IT KNOWS TO FALL TO THE BOTTOM,
SO TO SPEAK.
298
00:13:42,655 --> 00:13:44,856
SO THERE YOU HAVE IT.
POINT PROVED.
299
00:13:44,858 --> 00:13:47,791
THE SLINKY CAN FLOAT,
WELL, SORT OF.
300
00:13:47,793 --> 00:13:49,060
AS WE SAID BEFORE,
301
00:13:49,062 --> 00:13:52,664
THE SLINKY REALLY IS
AN INCREDIBLE INVENTION.
302
00:13:54,033 --> 00:13:57,402
FENCING IS A SPORT OF PRECISION,
STYLE AND GRACE.
303
00:13:57,404 --> 00:14:00,070
WATCHING TWO WORLD-CLASS FENCERS
ON THE OLYMPIC STAGE
304
00:14:00,072 --> 00:14:01,739
IS SOMETHING TO BEHOLD.
305
00:14:01,741 --> 00:14:04,342
HOWEVER, IT IS A WORLD AWAY
FROM THE DARK HISTORY
306
00:14:04,344 --> 00:14:06,978
OF DUELING THAT WAS
THE PREDECESSOR OF THE SPORT.
307
00:14:09,482 --> 00:14:12,016
BEGINNING WITH PREHISTORIC CLUBS
AND SPEARS,
308
00:14:12,018 --> 00:14:15,753
ARMED COMBAT HAS BEEN AROUND
ALMOST AS LONG AS MANKIND.
309
00:14:15,755 --> 00:14:19,757
THROUGHOUT HISTORY, THERE ARE
PLENTY OF REFERENCES TO DUELS.
310
00:14:19,759 --> 00:14:21,826
WE'VE ALL HEARD
ABOUT ROMAN GLADIATORS,
311
00:14:21,828 --> 00:14:23,895
BUT IT IS PERHAPS
A LESSER-KNOWN FACT
312
00:14:23,897 --> 00:14:25,429
THAT ROMANS FREQUENTING BATHS
313
00:14:25,431 --> 00:14:27,165
OFTEN DUELED WITH STICKS,
314
00:14:27,167 --> 00:14:28,899
AN EARLY SIGN
OF WHAT WAS TO EVOLVE
315
00:14:28,901 --> 00:14:31,235
IN TO MODERN FENCING.
316
00:14:31,237 --> 00:14:33,437
DUELING IS THE ENGAGEMENT
IN COMBAT
317
00:14:33,439 --> 00:14:34,973
BETWEEN TWO INDIVIDUALS,
318
00:14:34,975 --> 00:14:36,574
BOTH WITH MATCHING WEAPONS
319
00:14:36,576 --> 00:14:38,910
AND OFTEN WITH
A SET OF PRE-AGREED RULES.
320
00:14:38,912 --> 00:14:40,845
DUELS ARE FOUGHT
AS A WAY OF REGAINING
321
00:14:40,847 --> 00:14:42,446
OR RETAINING A SENSE OF HONOR,
322
00:14:42,448 --> 00:14:45,249
AS OPPOSED TO NECESSARILY
KILLING THE OPPONENT.
323
00:14:45,251 --> 00:14:48,118
ROMAN SOLDIERS ARE TRAINED
TO THRUST INSTEAD OF CUT,
324
00:14:48,120 --> 00:14:49,520
AS A RAISED-ARM
CUTTING MOTION
325
00:14:49,522 --> 00:14:51,656
WOULD EXPOSE VITAL ORGANS
TO THE ENEMY.
326
00:14:51,658 --> 00:14:55,727
THIS THRUST IS THE BASIS
OF MODERN FENCING TECHNIQUE.
327
00:14:55,729 --> 00:14:57,061
BY THE 14TH CENTURY,
328
00:14:57,063 --> 00:14:58,730
SWORD-FIGHTING SCHOOLS
ARE COMMON
329
00:14:58,732 --> 00:15:00,331
IN MANY EUROPEAN COUNTRIES.
330
00:15:00,333 --> 00:15:02,800
THESE ESTABLISHED A CORRECT WAY
TO FIGHT WITH A SWORD,
331
00:15:02,802 --> 00:15:06,670
AND THE INABILITY TO DO
SO IS SEEN AS UNGENTLEMANLY.
332
00:15:07,874 --> 00:15:10,674
IT WAS A FENCING INSTRUCTOR
CALLED GEORGE DE SILVA
333
00:15:10,676 --> 00:15:13,744
WHO ACTUALLY SAID THAT,
IF A MAN CARRIES A SWORD
334
00:15:13,746 --> 00:15:15,413
BUT CANNOT USE IT,
335
00:15:15,415 --> 00:15:17,481
IT'S AS FULL RIDICULOUS
AS A MAN
336
00:15:17,483 --> 00:15:19,484
WHO CARRIES BOOKS
BUT CANNOT READ.
337
00:15:19,486 --> 00:15:21,019
Narrator: BY THE 19TH CENTURY,
338
00:15:21,021 --> 00:15:23,955
AS DUELS BECOME LESS COMMON
AND ACTIVELY DISCOURAGED,
339
00:15:23,957 --> 00:15:26,958
FENCING IS INCREASINGLY
RECOGNIZED AS A SPORT.
340
00:15:26,960 --> 00:15:30,160
SLOWLY, THE COMBATIVE
ASPECT OF FENCING FADES
341
00:15:30,162 --> 00:15:32,830
UNTIL WE ARE LEFT WITH
THE PURE SPORT OF TODAY.
342
00:15:32,832 --> 00:15:36,634
IT BECOMES AN OLYMPIC
SPORT IN 1896.
343
00:15:36,636 --> 00:15:38,702
AFTER THE BREAK,
WE GET STRAIGHT TO THE POINT
344
00:15:38,704 --> 00:15:41,339
AND SEE HOW A MODERN
FENCING SWORD IS CRAFTED.
345
00:15:52,985 --> 00:15:54,451
Narrator:
MODERN OLYMPIC-STANDARD FENCING
346
00:15:54,453 --> 00:15:56,187
IS BROKEN INTO THREE CATEGORIES,
347
00:15:56,189 --> 00:15:57,989
EACH REFERRING
TO THE WEAPON USED,
348
00:15:57,991 --> 00:16:00,724
AND EACH WITH THEIR OWN
DIFFERING SET OF RULES.
349
00:16:00,726 --> 00:16:03,594
FOIL FENCING USES
A LIGHT AND FLEXIBLE SWORD.
350
00:16:03,596 --> 00:16:05,396
ARMS AND LEGS AREN'T
ALLOWED TO BE TARGETED,
351
00:16:05,398 --> 00:16:07,264
SO ALL OF THE ACTION TAKES PLACE
352
00:16:07,266 --> 00:16:10,601
WITH ACCURATE THRUSTS
TO THE TORSO, NECK AND GROIN.
353
00:16:10,603 --> 00:16:12,803
EPEE IS SIMILAR,
BUT THE SWORD IS HEAVIER
354
00:16:12,805 --> 00:16:14,405
AND THE WHOLE BODY
CAN BE TARGETED.
355
00:16:14,407 --> 00:16:16,807
SABRE FENCING
ONLY ALLOWS ATHLETES
356
00:16:16,809 --> 00:16:18,276
TO TARGET ABOVE THE WAIST
357
00:16:18,278 --> 00:16:20,544
AND USES A LIGHT,
CUTTING SABER SWORD.
358
00:16:20,546 --> 00:16:23,281
TODAY, BECAUSE OF THE HIGH-SPEED
NATURE OF THE SPORT,
359
00:16:23,283 --> 00:16:24,682
AND TO ENSURE ACCURACY,
360
00:16:24,684 --> 00:16:26,617
ALL JUDGING IS DONE
ELECTRONICALLY.
361
00:16:26,619 --> 00:16:28,218
ONE OF THE LEADING PRODUCERS
362
00:16:28,220 --> 00:16:29,887
OF MODERN
OLYMPIC FENCING EQUIPMENT
363
00:16:29,889 --> 00:16:31,822
IS LONDON-BASED LEON PAUL.
364
00:16:31,824 --> 00:16:35,159
SO WE'VE BEEN PRODUCING
FENCING EQUIPMENT FOR 96 YEARS,
365
00:16:35,161 --> 00:16:36,828
BUT WE'VE BEEN CREATING SWORDS
366
00:16:36,830 --> 00:16:39,830
AND FORGING THE BLADES
FOR ABOUT 60 YEARS NOW.
367
00:16:39,832 --> 00:16:44,702
Narrator:
SO HOW ARE THESE INCREDIBLE
INVENTIONS ACTUALLY MADE?
368
00:16:44,704 --> 00:16:47,704
THERE ARE MANY INDIVIDUAL
PROCESSES INVOLVED IN PRODUCING
369
00:16:47,706 --> 00:16:50,441
AN OLYMPIC-STANDARD
FENCING SWORD.
370
00:16:50,443 --> 00:16:52,977
IT BEGINS WITH
MARAGING STEEL,
371
00:16:52,979 --> 00:16:55,045
A METAL OF SUPERIOR STRENGTH
AND TOUGHNESS,
372
00:16:55,047 --> 00:16:57,648
YET THAT HAS A HIGH LEVEL
OF MALLEABILITY.
373
00:16:57,650 --> 00:17:00,852
WE USE MARAGING STEEL
FOR THE OLYMPIC BLADES,
374
00:17:00,854 --> 00:17:03,387
AND THAT'S BECAUSE IT HAS
VERY LITTLE CARBON IN,
375
00:17:03,389 --> 00:17:06,257
AND THAT MEANS LESS FLAWS
ARE LIKELY TO PROPAGATE,
376
00:17:06,259 --> 00:17:07,725
AND THAT MEANS THAT
IT'S GOING TO LAST
377
00:17:07,727 --> 00:17:09,327
A VERY LONG PERIOD OF TIME.
378
00:17:09,329 --> 00:17:11,128
Narrator:
THE STEEL IS FIRST CUT
379
00:17:11,130 --> 00:17:12,997
TO THE CORRECT LENGTH
USING A SAW.
380
00:17:12,999 --> 00:17:16,734
THIS PARTICULAR AUTOMATED SAW
CAN CUT MANY BLADES AT A TIME
381
00:17:16,736 --> 00:17:19,870
TO PRECISELY THE RIGHT
MEASUREMENTS NEEDED.
382
00:17:19,872 --> 00:17:22,874
ONCE CUT, THE AREA OF THE BLADE
THAT WILL FORM THE HANDLE
383
00:17:22,876 --> 00:17:25,742
IS THEN HEATED TO FORM
WHAT IS KNOWN AS THE TANG.
384
00:17:25,744 --> 00:17:28,679
THESE TANGS ARE ROUNDED
AND ALLOW FOR COMFORTABLE GRIP
385
00:17:28,681 --> 00:17:32,350
OR THE ADDITION OF A MOLDED
OR WOODEN HANDLE.
386
00:17:32,352 --> 00:17:34,886
THE BLADE IS THEN TAKEN
TO THE MAIN FORGE,
387
00:17:34,888 --> 00:17:36,354
WHERE IT IS HEATED
TO APPROXIMATELY
388
00:17:36,356 --> 00:17:38,288
1,500 DEGREES FAHRENHEIT,
389
00:17:38,290 --> 00:17:40,091
USING RADIOFREQUENCY COILS,
390
00:17:40,093 --> 00:17:43,094
MUCH LIKE THE HEATING PROCESS
IN A MICROWAVE.
391
00:17:43,096 --> 00:17:44,495
ONCE THE METAL IS RED-HOT,
392
00:17:44,497 --> 00:17:47,664
ROWS AND ROWS OF VERY STRONG
HAMMERS THIN THE BLADE OUT
393
00:17:47,666 --> 00:17:49,033
TO THE CORRECT PROPORTIONS
394
00:17:49,035 --> 00:17:51,969
TO PRODUCE
THE PERFECT FOIL SHAPE.
395
00:17:51,971 --> 00:17:53,971
NOW FORMED,
THE BLADE IS BEGINNING
396
00:17:53,973 --> 00:17:56,440
TO RESEMBLE A RECOGNIZABLE FOIL.
397
00:17:56,442 --> 00:17:57,975
THE METAL IS THEN HEAT TREATED.
398
00:17:57,977 --> 00:18:03,848
THIS IS VITAL TO PRODUCING
A GREAT-QUALITY BLADE.
399
00:18:03,850 --> 00:18:06,451
BECAUSE THE STEEL CAN BECOME
BRITTLE IN THE FORGING PROCESS,
400
00:18:06,453 --> 00:18:09,720
HEAT TREATING RESTRENGTHENS
THE METAL AND ALSO INCREASES
401
00:18:09,722 --> 00:18:15,659
ITS FLEXIBILITY AND LONGEVITY.
402
00:18:15,661 --> 00:18:19,063
THE WORLD RECORD
FOR THE LONGEST LIFESPAN
403
00:18:19,065 --> 00:18:22,666
OF A BLADE
IS ABOUT 37,000 CYCLES,
404
00:18:22,668 --> 00:18:24,601
SO THAT'S 37,000 HITS,
405
00:18:24,603 --> 00:18:27,405
AND THAT RECORD IS ACTUALLY HELD
BY A LEON PAUL BLADE.
406
00:18:28,607 --> 00:18:30,274
Narrator: THE SURFACE OF THE
BLADE IS THEN FINISHED,
407
00:18:30,276 --> 00:18:31,609
FIRST IN A GRINDING MACHINE
408
00:18:31,611 --> 00:18:32,877
WHICH GIVES IT A SMOOTH FINISH.
409
00:18:39,953 --> 00:18:41,218
NOW THE BLADE CONTINUES
410
00:18:41,220 --> 00:18:43,087
THROUGH THE SHOT
PEENING PROCESS.
411
00:18:43,089 --> 00:18:45,289
THIS FIRES SMALL BEADS OF GLASS
AT THE STEEL
412
00:18:45,291 --> 00:18:48,359
THAT CREATE A COMPOSITE RESIDUAL
STRESS LAYER IN ADDITION
413
00:18:48,361 --> 00:18:52,029
TO INCREASING ITS SHEEN.
414
00:18:52,031 --> 00:18:54,031
THE BLADE IS TAKEN
TO BE LASER ENGRAVED
415
00:18:54,033 --> 00:18:55,566
WITH THE LEON PAUL STAMP,
416
00:18:55,568 --> 00:18:57,034
SHOWING WHEN AND WHERE
IT WAS MADE
417
00:18:57,036 --> 00:18:59,370
AS WELL AS THE GRADE OF STEEL.
418
00:19:05,044 --> 00:19:06,677
A WIRE THAT CONNECTS
THE ELECTRONIC
419
00:19:06,679 --> 00:19:09,580
TIP OF THE BLADE TO THE SENSOR
IS FITTED WITH GLUE,
420
00:19:09,582 --> 00:19:11,249
COMPLETING THE
BLADE-MAKING PROCESS.
421
00:19:11,251 --> 00:19:17,188
IT IS NOW TIME TO CREATE
THE GUARD OF THE SWORD.
422
00:19:17,190 --> 00:19:19,590
THIS IS MADE FROM
AN ALUMINUM SHEET,
423
00:19:19,592 --> 00:19:22,059
WHICH IS BENT TO SHAPE
USING A HYDRAULIC PRESS,
424
00:19:22,061 --> 00:19:23,928
WHICH FORMS THE PERFECT
ROUNDED SHAPE
425
00:19:23,930 --> 00:19:25,596
FOR PROTECTING
THE HAND OF THE USER.
426
00:19:25,598 --> 00:19:29,734
IT IS THEN RIVETED IN ORDER
TO REINFORCE THE BASE
427
00:19:29,736 --> 00:19:32,136
BEFORE BEING STAMPED
WITH THE LEON PAUL LOGO.
428
00:19:34,673 --> 00:19:35,673
THE BASE IS THEN POLISHED
429
00:19:35,675 --> 00:19:37,275
BY RUNNING WATER
OVER THE METAL,
430
00:19:37,277 --> 00:19:38,743
SCRUBBING IT WITH CHINA
431
00:19:38,745 --> 00:19:41,145
AND FINISHING IT OFF
UNDER THE POLISHING WHEEL.
432
00:19:44,016 --> 00:19:46,483
NOW THAT WE HAVE A FINISHED
BLADE AND GUARD TO MATCH,
433
00:19:46,485 --> 00:19:48,819
IT ALL NEEDS TO BE ASSEMBLED
INTO A FULL SWORD.
434
00:19:48,821 --> 00:19:52,956
THE ELECTRONIC WIRES ATTACH
TO THE ELECTRONIC SOCKET,
435
00:19:52,958 --> 00:19:54,358
MEANING THE SWORD
IS NOW EQUIPPED
436
00:19:54,360 --> 00:19:56,093
TO SCORE ELECTRONICALLY.
437
00:19:56,095 --> 00:19:59,029
THIS IS FITTED ALONG WITH
A CUSHION PAD AND HANDLE.
438
00:19:59,031 --> 00:20:03,033
THE HANDLE CAN BE CUSTOM-MADE
USING A 3-D PRINTER OR BE FITTED
439
00:20:03,035 --> 00:20:04,701
WITH A MORE TRADITIONAL
WOODEN HANDLE
440
00:20:04,703 --> 00:20:06,504
THAT HAS BEEN
HAND-WRAPPED IN LEATHER.
441
00:20:06,506 --> 00:20:10,107
THE SWORD IS THEN TESTED
TO ENSURE IT CONFORMS
442
00:20:10,109 --> 00:20:11,976
WITH ALL THE OFFICIAL
REGULATIONS.
443
00:20:15,648 --> 00:20:16,847
THE FENCING SWORD,
444
00:20:16,849 --> 00:20:19,350
CERTAINLY AN
INCREDIBLE INVENTION.
445
00:20:21,387 --> 00:20:22,386
SO THERE YOU HAVE IT,
446
00:20:22,388 --> 00:20:23,520
A GLANCE THROUGH
THE HIDDEN HISTORY
447
00:20:23,522 --> 00:20:25,589
AND SUPER SCIENCE
OF SOME AMAZING PRODUCTS
448
00:20:25,591 --> 00:20:27,391
WE USE EVERY DAY,
449
00:20:27,393 --> 00:20:32,396
THE DRUM, THE SLINKY,
AND THE FENCING SWORD.
450
00:20:32,398 --> 00:20:34,398
THEY MAY SEEM COMMON
AND ORDINARY,
451
00:20:34,400 --> 00:20:36,600
HOWEVER, THESE PRODUCES
HELPED CHANGE THE WORLD
452
00:20:36,602 --> 00:20:46,143
ONE INCREDIBLE INVENTION
AT A TIME.
49295
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