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These are the user uploaded subtitles that are being translated: 1 00:00:02,103 --> 00:00:04,436 Narrator: AROUND THE WORLD, THE RACE TO WIN WARS 2 00:00:04,438 --> 00:00:05,838 AND EXPLORE THE UNIVERSE 3 00:00:05,840 --> 00:00:07,306 HAS CREATED SOME OF THE MOST 4 00:00:07,308 --> 00:00:09,041 INCREDIBLE PRODUCTS EVER DESIGNED, 5 00:00:09,043 --> 00:00:10,842 AND WE USE THEM EVERY DAY, 6 00:00:10,844 --> 00:00:14,313 UNAWARE OF THEIR AMAZING ORIGINS. 7 00:00:14,315 --> 00:00:17,515 ON "INCREDIBLE INVENTIONS," THE DRUM, 8 00:00:17,517 --> 00:00:18,984 ITS USE IN KEEPING TIME 9 00:00:18,986 --> 00:00:21,286 BOTH MUSICALLY AND ON THE BATTLEFIELD, 10 00:00:24,859 --> 00:00:25,924 THE SLINKY, 11 00:00:25,926 --> 00:00:28,126 HOW A SIMPLE METAL SPRING DEFIES 12 00:00:28,128 --> 00:00:31,730 THE LAWS OF PHYSICS, 13 00:00:31,732 --> 00:00:33,599 AND THE FENCING SWORD, 14 00:00:33,601 --> 00:00:36,334 THE DEADLY PAST OF AN OLYMPIC SPORT. 15 00:00:36,336 --> 00:00:38,937 WE REVEAL THE AMAZING HISTORY 16 00:00:38,939 --> 00:00:40,605 AND ENGINEERING OF THESE 17 00:00:40,607 --> 00:00:43,142 INCREDIBLE INVENTIONS. 18 00:00:43,144 --> 00:00:46,278 -- Captions by VITAC -- www.vitac.com 19 00:00:46,280 --> 00:00:49,214 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 20 00:00:49,216 --> 00:00:52,251 ♪♪ 21 00:01:00,427 --> 00:01:03,295 FROM THE NEOLITHIC ERA TO THE 21ST CENTURY, 22 00:01:03,297 --> 00:01:06,664 THE DRUM HAS LIVED UP TO ITS NOISY REPUTATION. 23 00:01:06,666 --> 00:01:09,834 IT'S BEEN USED BY THE ANCIENT CHINESE AND MONGOLIAN TRIBES, 24 00:01:09,836 --> 00:01:11,303 THE AZTECS OF MEXICO, 25 00:01:11,305 --> 00:01:12,971 AND NATIVE AMERICANS IN THE PLAINS 26 00:01:12,973 --> 00:01:18,310 OF THE UNITED STATES. 27 00:01:18,312 --> 00:01:21,646 Hicks: WHEN IT COMES TO DRUMS, YOU'VE GOT TO GO BACK IN TIME, 28 00:01:21,648 --> 00:01:23,515 REALLY ANCIENT TIMES, AFRICA, 29 00:01:23,517 --> 00:01:24,783 THE HOLLOWED-OUT LOG, 30 00:01:24,785 --> 00:01:27,119 YOU KNOW, INTIMIDATING THE NEXT TRIBE, 31 00:01:27,121 --> 00:01:29,188 THE ENEMY OR THE NEXT VILLAGE YOU'RE COMING. 32 00:01:29,190 --> 00:01:31,256 THE NATIVE AMERICANS, WITH THEIR DRUMS, 33 00:01:31,258 --> 00:01:34,059 IT'S TELLING YOU, WE'RE COMING. 34 00:01:34,061 --> 00:01:36,394 Narrator: AS ONE OF THE OLDEST MUSICAL INSTRUMENTS, 35 00:01:36,396 --> 00:01:38,663 A DRUM'S BASIC DESIGN HAS REMAINED 36 00:01:38,665 --> 00:01:41,800 ALMOST THE SAME FOR THOUSANDS OF YEARS. 37 00:01:41,802 --> 00:01:43,601 CLASSIFIED AS A MEMBRANOPHONE 38 00:01:43,603 --> 00:01:46,205 BECAUSE IT CONSISTS OF AT LEAST ONE ANIMAL HIDE 39 00:01:46,207 --> 00:01:47,473 THAT HAS BEEN STRETCHED AND, 40 00:01:47,475 --> 00:01:49,474 WHEN STRUCK BY THE HAND OR DRUMSTICK, 41 00:01:49,476 --> 00:01:54,279 PRODUCES A DEEP AND LOUD SOUND. 42 00:01:54,281 --> 00:01:55,880 WHILE THE DRUM IS COMMONLY REGARDED 43 00:01:55,882 --> 00:01:57,349 AS THE ROOT OF ALL MUSIC, 44 00:01:57,351 --> 00:02:01,153 IT CAN'T ESCAPE ITS BLOODY PAST ON THE BATTLEFIELDS OF HISTORY. 45 00:02:01,155 --> 00:02:02,487 MANY KINGDOMS, TRIBES 46 00:02:02,489 --> 00:02:04,289 AND NATIONS HAVE RISEN AND FALLEN 47 00:02:04,291 --> 00:02:06,492 TO THE SOUND OF A BEATING DRUM. 48 00:02:08,696 --> 00:02:10,695 WELL, THE MOST SIMPLE USE FOR THE DRUM 49 00:02:10,697 --> 00:02:12,831 IS MARKING TIME FOR THE REGIMENT 50 00:02:12,833 --> 00:02:14,700 AND BEATING THE TIME OF THEIR DIFFERENT MOVEMENTS 51 00:02:14,702 --> 00:02:16,101 WHEN THEY'RE DOING THEIR DRILL. 52 00:02:16,103 --> 00:02:17,969 BOTH IN THE ENGLISH AND THE AMERICAN CIVIL WAR, 53 00:02:17,971 --> 00:02:19,972 THE DRUM BEAT WAS PARAMOUNT. 54 00:02:19,974 --> 00:02:21,840 IT WAS THE MOST IMPORTANT THING. 55 00:02:21,842 --> 00:02:23,575 WITHOUT IT, YOU COULDN'T GET ALL OF YOUR MEN 56 00:02:23,577 --> 00:02:24,977 TO PRESENT AT THE RIGHT TIME, 57 00:02:24,979 --> 00:02:27,045 FIRE AT THE RIGHT TIME. 58 00:02:27,047 --> 00:02:29,414 OTHERWISE, IT WOULD BE CHAOS ON THE BATTLEFIELD. 59 00:02:34,321 --> 00:02:36,521 LIBERTY HAS BEEN MAKING DRUMS 60 00:02:36,523 --> 00:02:39,057 IN COUNTY DURHAM, ENGLAND SINCE 2006, 61 00:02:39,059 --> 00:02:41,660 AND ALL THEIR DRUMS ARE ENTIRELY HANDMADE, 62 00:02:41,662 --> 00:02:43,462 MAKING THEM UNIQUE. 63 00:02:46,000 --> 00:02:48,267 Street: WE BUILD THE DRUMS FROM THE RAW TIMBER, 64 00:02:48,269 --> 00:02:50,535 SO WE SOURCE IN THE BIRCHES, 65 00:02:50,537 --> 00:02:51,670 THE MAPLES, MAHOGANIES, 66 00:02:51,672 --> 00:02:55,607 AND WE BUILD OUR KITS PLY BY PLY. 67 00:02:55,609 --> 00:02:58,209 ESSENTIALLY, EVERY ELEMENT IS HANDMADE. 68 00:02:58,211 --> 00:03:00,412 ALL THE TIMBERS ARE ALWAYS HANDLED BY HAND, 69 00:03:00,414 --> 00:03:01,747 RIGHT TO THE FINISHING PROCESS. 70 00:03:01,749 --> 00:03:04,683 IT'S A, YOU KNOW, A REALLY FINE INSTRUMENT. 71 00:03:08,021 --> 00:03:11,557 Narrator: THE PROCESS BEGINS WITH THE SELECTION OF THE TIMBER 72 00:03:11,559 --> 00:03:15,760 TO MAKE THE SHELL OF THE SNARE DRUM. 73 00:03:15,762 --> 00:03:18,029 STRIPS OF PLYWOOD ARE MEASURED OUT 74 00:03:18,031 --> 00:03:21,432 AND PRECISELY CUT TO SIZE. 75 00:03:21,434 --> 00:03:22,900 THESE WILL BE LAMINATED TOGETHER 76 00:03:22,902 --> 00:03:24,770 TO FORM THE DRUM SHELL. 77 00:03:24,772 --> 00:03:26,371 FOR THE OUTER LAYER OF THE DRUM, 78 00:03:26,373 --> 00:03:27,705 TWO STRIPS OF THE PLYWOOD 79 00:03:27,707 --> 00:03:29,241 ARE LAYERED UP ON EITHER SIDE 80 00:03:29,243 --> 00:03:30,775 OF A DECORATIVE BEADING STRIP 81 00:03:30,777 --> 00:03:33,111 AND HELD IN PLACE USING MASKING TAPE. 82 00:03:36,583 --> 00:03:39,317 EACH PLYWOOD LAYER IS COATED WITH A SPECIAL GLUE 83 00:03:39,319 --> 00:03:41,453 AND CAREFULLY MANIPULATED INTO PLACE 84 00:03:41,455 --> 00:03:43,455 WITHIN A SOLID-WALLED MOLD. 85 00:03:45,926 --> 00:03:48,327 EACH FRAME GETS A COAT OF GLUE BY HAND 86 00:03:48,329 --> 00:03:50,595 AND THEN PLACED IN THE MOLD. 87 00:03:50,597 --> 00:03:54,332 EACH PLY, WE USE A SPECIFIC COMPOUND OF GLUE, 88 00:03:54,334 --> 00:03:56,468 AND THEN EACH LEAF OR VENEER, 89 00:03:56,470 --> 00:03:58,870 WE'VE PLACED IN THE MOLD TO MAKE THAT SPECIFIC DRUM. 90 00:03:58,872 --> 00:04:01,006 SO IT DEPENDS THE TYPE, THE DESIGN OF THE DRUM, 91 00:04:01,008 --> 00:04:03,809 HOW THICK, HOW MANY VENEERS. 92 00:04:03,811 --> 00:04:06,611 THE MOLD'S PURPOSE IS TO APPLY EXTERNAL PRESSURE 93 00:04:06,613 --> 00:04:08,013 TO THE PLYWOOD LAYERS. 94 00:04:08,015 --> 00:04:10,749 THE SHELL IS LEFT TO DRY NATURALLY IN THE MOLD 95 00:04:10,751 --> 00:04:13,418 FOR 24 HOURS TO ENSURE A GOOD BOND. 96 00:04:13,420 --> 00:04:18,356 ONCE DRY, THE DRUM IS EXTRACTED FROM THE MOLD AND CHECKED 97 00:04:18,358 --> 00:04:20,892 FOR ANY IMPERFECTIONS ON THE LAMINATE. 98 00:04:25,899 --> 00:04:27,165 THE EDGES OF THE DRUM 99 00:04:27,167 --> 00:04:29,835 ARE THEN PRECISELY TRIMMED USING A CIRCULAR SAW. 100 00:04:35,109 --> 00:04:38,042 THE DRUM'S SURFACE IS THEN CAREFULLY SANDED BY HAND 101 00:04:38,044 --> 00:04:42,047 TO ENSURE A GOOD, SMOOTH FINISH. 102 00:04:42,049 --> 00:04:44,649 NEXT, THE DECORATIVE BEAD IS MASKED WITH TAPE, 103 00:04:44,651 --> 00:04:45,984 AND ONE HALF OF THE DRUM 104 00:04:45,986 --> 00:04:48,186 IS STAINED WITH A COLORED LACQUER. 105 00:04:53,793 --> 00:04:56,461 ONCE THE LACQUER IS DRY, THE WHOLE DRUM IS COATED 106 00:04:56,463 --> 00:04:58,396 WITH A LAYER OF WAX FOR PROTECTION 107 00:04:58,398 --> 00:05:02,333 AND TO GIVE A SMOOTH FINISH. 108 00:05:02,335 --> 00:05:03,869 WHEN THE FINISH IS COMPLETE, 109 00:05:03,871 --> 00:05:08,406 THE EDGES OF THE DRUM ARE BEVELED USING A ROUTING TOOL. 110 00:05:08,408 --> 00:05:09,807 THIS WILL FORM A BEARING EDGE 111 00:05:09,809 --> 00:05:12,311 FOR ATTACHING THE DRUM SKINS LATER ON. 112 00:05:17,417 --> 00:05:19,685 NEXT, MASKING TAPE IS APPLIED AROUND 113 00:05:19,687 --> 00:05:21,086 THE CIRCUMFERENCE OF THE DRUM 114 00:05:21,088 --> 00:05:23,188 SO THAT IT CAN BE MARKED UP FOR DRILLING. 115 00:05:26,427 --> 00:05:28,359 A TEMPLATE IS USED TO MARK THE POSITIONS 116 00:05:28,361 --> 00:05:30,262 WHERE THE DRUM WILL BE DRILLED. 117 00:05:32,966 --> 00:05:36,100 MORE MASKING TAPE IS APPLIED 118 00:05:36,102 --> 00:05:37,902 AT EACH POSITION AROUND THE DRUM, 119 00:05:37,904 --> 00:05:40,238 AND A TEMPLATE IS USED TO MARK THE CORRECT POSITIONS 120 00:05:40,240 --> 00:05:42,674 FOR DRILLING THE HOLES. 121 00:05:47,314 --> 00:05:49,181 HOLES ARE DRILLED THROUGH THE DRUM 122 00:05:49,183 --> 00:05:51,182 SHELL AT ALL THE MARKED LOCATIONS, 123 00:05:51,184 --> 00:05:53,919 AND THEN ALL THE EXTERNAL METALWORK IS SCREWED ON AROUND 124 00:05:53,921 --> 00:05:55,320 THE EDGES OF THE DRUM. 125 00:06:01,261 --> 00:06:03,261 THESE ARE USED FOR ATTACHING THE DRUM HEADS 126 00:06:03,263 --> 00:06:06,598 AS WELL AS THE SNARE WIRES. 127 00:06:06,600 --> 00:06:09,534 NEXT, THE BOTTOM DRUM HEAD IS ATTACHED TO THE DRUM 128 00:06:09,536 --> 00:06:10,869 USING A METAL HOOP, 129 00:06:10,871 --> 00:06:15,807 WHICH IS SCREWED ONTO THE DRUM THROUGH THE METAL LUGS. 130 00:06:15,809 --> 00:06:17,209 THE DRUMHEAD IS THEN TIGHTENED 131 00:06:17,211 --> 00:06:19,411 AND TUNED TO ENSURE EVEN TENSION AROUND 132 00:06:19,413 --> 00:06:21,246 THE HEAD USING A DRUM KEY. 133 00:06:23,350 --> 00:06:26,284 THE WIRE SNARES ATTACH DOWN TO THE BOTTOM HEAD OF THE DRUM. 134 00:06:26,286 --> 00:06:29,020 THE SNARE WIRES STAY IN CONTACT WITH THE DRUMHEAD 135 00:06:29,022 --> 00:06:31,356 AND VIBRATE WHEN THE DRUM IS HIT. 136 00:06:31,358 --> 00:06:33,224 IT IS THIS THAT GIVES A SNARE DRUM 137 00:06:33,226 --> 00:06:35,193 ITS UNIQUE, SNAPPY SOUND. 138 00:06:37,898 --> 00:06:41,767 THE FINAL STEP IS TO ATTACH THE TOP DRUMHEAD AND TUNE IT. 139 00:06:41,769 --> 00:06:44,369 NOW, IT IS READY FOR A THOROUGH TEST IN A DRUM ROOM. 140 00:06:52,446 --> 00:06:55,580 [ DRUM ROLL TO BACKBEAT ] 141 00:06:55,582 --> 00:06:57,515 SO THERE IT IS, THE SNARE DRUM. 142 00:06:57,517 --> 00:06:59,651 FROM MARCHING BAND TO ROCKSTAR, 143 00:06:59,653 --> 00:07:03,522 IT REALLY IS AN INCREDIBLE INVENTION. 144 00:07:03,524 --> 00:07:05,323 AFTER THE BREAK, WE EXPLORE, 145 00:07:05,325 --> 00:07:07,993 HOW DID A HAPPY ACCIDENT DURING WORLD WAR II 146 00:07:07,995 --> 00:07:10,729 CREATE ONE OF AMERICA'S MOST POPULAR TOYS? 147 00:07:22,476 --> 00:07:24,342 Narrator: THE SLINKY, A METAL MARVEL 148 00:07:24,344 --> 00:07:27,946 THAT STILL CONTINUES TO AMAZE YOUNG AND OLD ALIKE. 149 00:07:27,948 --> 00:07:31,283 BUT HOW IS THIS INNOCENT TOY CONNECTED TO WORLD WAR II, 150 00:07:31,285 --> 00:07:34,352 AND WHAT IS THE AMAZING SCIENCE BEHIND ITS STRANGE ABILITY 151 00:07:34,354 --> 00:07:37,088 TO WALK DOWN STAIRS? 152 00:07:37,090 --> 00:07:39,357 THE SIMPLE PRECOMPRESSED HELICAL SPRING, 153 00:07:39,359 --> 00:07:40,758 THAT'S A COIL TO YOU AND ME, 154 00:07:40,760 --> 00:07:42,694 IS FIRST INVENTED BY RICHARD JAMES WAY 155 00:07:42,696 --> 00:07:44,362 BACK IN THE EARLY 1940S 156 00:07:44,364 --> 00:07:47,632 WHILE HE'S WORKING WITH THE US NAVY. 157 00:07:47,634 --> 00:07:49,034 AS PART OF THE WAR EFFORT, 158 00:07:49,036 --> 00:07:52,103 JAMES AND HIS TEAM ARE BUSY BUILDING SPRING SHOCK ABSORBERS 159 00:07:52,105 --> 00:07:55,106 TO KEEP DELICATE NAVIGATION INSTRUMENTS ON BOARD WARSHIPS 160 00:07:55,108 --> 00:07:57,975 SAFE AND FREE FROM DAMAGE, EVEN IN THE HEAVIEST OF STORMS. 161 00:07:57,977 --> 00:08:02,780 THE SLINKY WAS AN ACCIDENTAL INVENTION, IF YOU WILL. 162 00:08:02,782 --> 00:08:04,649 IT WAS DISCOVERED BY RICHARD JAMES 163 00:08:04,651 --> 00:08:06,184 WHEN HE KNOCKED OVER SOME SPRINGS. 164 00:08:06,186 --> 00:08:08,586 HE REALIZED THE WAY THAT THEY WALKED ACROSS THE FLOOR 165 00:08:08,588 --> 00:08:10,455 COULD BE POSSIBLY BECOMING A PRODUCT, 166 00:08:10,457 --> 00:08:12,857 AND THIS PRODUCT BASICALLY WAS DESIGNED 167 00:08:12,859 --> 00:08:14,793 SUCH THAT YOU COULD PLAY WITH IT. 168 00:08:14,795 --> 00:08:16,194 HE SHOWED IT TO A LOT OF LITTLE KIDS. 169 00:08:16,196 --> 00:08:17,996 THE CHILDREN THERE LOVED IT, 170 00:08:17,998 --> 00:08:19,664 AND HE REALIZED HE WAS ONTO A WINNER. 171 00:08:19,666 --> 00:08:21,198 Narrator: WITH THE EXCITEMENT OF HIS INVENTION 172 00:08:21,200 --> 00:08:22,533 STILL FRESH IN HIS MIND, 173 00:08:22,535 --> 00:08:24,736 JAMES AND HIS WIFE BORROW $500 174 00:08:24,738 --> 00:08:26,537 AND SPEND THE NEXT YEAR RESEARCHING 175 00:08:26,539 --> 00:08:27,739 AND DEVELOPING THE IDEA 176 00:08:27,741 --> 00:08:31,342 SO IT'S READY FOR THE 1945 CHRISTMAS RUSH. 177 00:08:31,344 --> 00:08:33,878 AT FIRST, THE BIG DEPARTMENT STORES ARE SKEPTICAL, 178 00:08:33,880 --> 00:08:36,414 SO JAMES TAKES INITIATIVE BY DEMONSTRATING 179 00:08:36,416 --> 00:08:39,350 HIS CREATION TO SHOPPERS, 180 00:08:39,352 --> 00:08:42,153 AND BY THE END OF THE YEAR, THE SLINKY IS THE MUST-HAVE 181 00:08:42,155 --> 00:08:46,290 TOY ALL ACROSS THE USA. 182 00:08:46,292 --> 00:08:49,493 THE SLINKY'S FORM MAY BE SIMPLE, BUT DON'T UNDERESTIMATE 183 00:08:49,495 --> 00:08:52,897 THE COMPLICATED SCIENTIFIC PRINCIPLES AT PLAY. 184 00:08:52,899 --> 00:08:55,300 NUDGE THE COILED SPRING DOWN A FLIGHT OF STAIRS 185 00:08:55,302 --> 00:08:58,770 AND BE PREPARED FOR A MAJOR PHYSICS LESSON. 186 00:08:58,772 --> 00:08:59,905 WITH A LIFE OF ITS OWN, 187 00:08:59,907 --> 00:09:01,506 THE TOY BEGINS TO MOVE BY 188 00:09:01,508 --> 00:09:03,642 INDEPENDENTLY FALLING OVER ITSELF 189 00:09:03,644 --> 00:09:06,911 FROM ONE STEP TO THE NEXT IN A FLUID MOVEMENT. 190 00:09:06,913 --> 00:09:09,447 THE SLINKY IS DEMONSTRATING A NUMBER OF FORCES 191 00:09:09,449 --> 00:09:10,849 AS IT MOVES DOWN THE STEPS. 192 00:09:10,851 --> 00:09:13,250 FRICTION, INERTIA, 193 00:09:13,252 --> 00:09:15,653 MOMENTUM AND POTENTIAL AND KINETIC ENERGY 194 00:09:15,655 --> 00:09:18,790 ARE ALL ACTING ON THAT COILED SPRING. 195 00:09:18,792 --> 00:09:21,459 AT REST, THE SLINKY IS STILL AND DOES NOT MOVE. 196 00:09:21,461 --> 00:09:23,194 THIS IS CALLED INERTIA, 197 00:09:23,196 --> 00:09:25,330 AND IS THE RESISTANCE OF ANY PHYSICAL OBJECT 198 00:09:25,332 --> 00:09:29,200 TO CHANGE ITS STAGE OF MOTION OR REST. 199 00:09:29,202 --> 00:09:31,803 INERTIA IS AIDED BY THE EFFECTS OF FRICTION, 200 00:09:31,805 --> 00:09:34,205 A FORCE THAT RESISTS THE MOVEMENT OF OBJECTS 201 00:09:34,207 --> 00:09:36,541 AS THEY SLIDE AGAINST ONE ANOTHER. 202 00:09:36,543 --> 00:09:39,210 IN THE SLINKY'S CASE, THE AIR THAT PASSES THROUGH IT 203 00:09:39,212 --> 00:09:42,814 AND THE CARPET THAT COVERS THE STEPS. 204 00:09:42,816 --> 00:09:45,416 THE FACT THAT THE SLINKY IS AT THE TOP OF THE STAIRS 205 00:09:45,418 --> 00:09:47,018 MEANS THE EFFECTS OF GRAVITY 206 00:09:47,020 --> 00:09:48,953 ARE STORED AS POTENTIAL ENERGY 207 00:09:48,955 --> 00:09:51,623 AS SPRING TENSION. 208 00:09:51,625 --> 00:09:54,359 IF THIS ENERGY IS RELEASED, THE POTENTIAL ENERGY 209 00:09:54,361 --> 00:09:57,495 IS CONVERTED TO KINETIC ENERGY, 210 00:09:57,497 --> 00:09:59,631 THE FORM OF ENERGY GOVERNED BY MOTION, 211 00:09:59,633 --> 00:10:01,633 WHICH MEANS THE SLINKY IS NOW MOVING. 212 00:10:01,635 --> 00:10:04,836 SO WHY DOES THE SLINKY KEEP GOING? 213 00:10:04,838 --> 00:10:06,905 WELL, AS THE SLINKY TAKES ITS DIVE DOWN 214 00:10:06,907 --> 00:10:11,376 THE FIRST STEP, IT STRETCHES, THEREBY STORING ENERGY. 215 00:10:11,378 --> 00:10:12,977 THAT ENERGY REACHES A POINT 216 00:10:12,979 --> 00:10:14,846 WHERE IT MUST PULL THE TAIL ALONG, 217 00:10:14,848 --> 00:10:18,049 FLIPPING IT OVER TO THE NEXT STEP. 218 00:10:18,051 --> 00:10:19,784 NOW, MOMENTUM COMES INTO PLAY. 219 00:10:19,786 --> 00:10:22,920 THIS FLIPPING ACTION CONTINUES AS THE SLINKY'S MOMENTUM 220 00:10:22,922 --> 00:10:25,056 CANNOT BE STOPPED BY THE FORCES ACTING AGAINST IT, 221 00:10:25,058 --> 00:10:27,525 FOR EXAMPLE THE FRICTION. 222 00:10:27,527 --> 00:10:29,194 OBJECTS WITH A LARGER MOMENTUM 223 00:10:29,196 --> 00:10:32,063 REQUIRE MORE ENERGY TO MOVE AND TO STOP, 224 00:10:32,065 --> 00:10:33,330 WHILE THOSE WITH LOW MASS 225 00:10:33,332 --> 00:10:35,133 AND VELOCITY HAVE LESS MOMENTUM, 226 00:10:35,135 --> 00:10:37,335 THUS THE GREATER THE WEIGHT OF THE SLINKY 227 00:10:37,337 --> 00:10:39,537 AND THE DOWNWARD ANGLE IN WHICH IT IS TRAVELING, 228 00:10:39,539 --> 00:10:40,939 THE GREATER THE MOMENTUM, 229 00:10:40,941 --> 00:10:42,607 WHICH IS WHY A METAL SLINKY 230 00:10:42,609 --> 00:10:44,142 IS BETTER AT TRAVELING DOWN STAIRS 231 00:10:44,144 --> 00:10:45,810 THAN A PLASTIC ONE. 232 00:10:45,812 --> 00:10:48,613 THIS COMPLICATED BUT PLAYFUL ACTION HAS CAPTIVATED CHILDREN 233 00:10:48,615 --> 00:10:52,884 EVER SINCE IT WAS FIRST INTRODUCED OVER 70 YEARS AGO, 234 00:10:52,886 --> 00:10:56,154 AND ITS POPULARITY SHOWS NO SIGNS OF DECLINING. 235 00:10:56,156 --> 00:10:57,555 ENOUGH SLINKYS HAVE BEEN SOLD 236 00:10:57,557 --> 00:11:01,226 TO GO AROUND THE EARTH A STAGGERING 121 TIMES. 237 00:11:01,228 --> 00:11:04,229 THAT'S OVER 300 MILLION INDIVIDUAL ITEMS. 238 00:11:04,231 --> 00:11:07,232 THEY'VE GONE TO SPACE ON THE SHUTTLE 239 00:11:07,234 --> 00:11:09,367 AND BEEN USED BY US TROOPS IN VIETNAM 240 00:11:09,369 --> 00:11:11,636 AS PORTABLE RADIO ANTENNAE. 241 00:11:15,241 --> 00:11:16,908 IT SEEMS THERE'S NO STOPPING 242 00:11:16,910 --> 00:11:18,643 THE EXCITEMENT OF THE OLD TOY. 243 00:11:18,645 --> 00:11:23,047 THE SLINKY, TRULY AN INCREDIBLE INVENTION. 244 00:11:23,049 --> 00:11:25,450 COMING UP, A SPECIAL SLOW-MOTION 245 00:11:25,452 --> 00:11:26,584 EXPERIMENT THAT REVEALS 246 00:11:26,586 --> 00:11:29,120 JUST HOW THE SLINKY ACTUALLY WORKS. 247 00:11:41,067 --> 00:11:43,667 ♪♪ 248 00:11:43,669 --> 00:11:45,403 Narrator: THE SLINKY MIGHT HAVE BEEN FLYING -- 249 00:11:45,405 --> 00:11:46,504 SHOULD THAT BE FLOATING? -- 250 00:11:46,506 --> 00:11:48,606 OFF THE SHELVES SINCE THE 1940S, 251 00:11:48,608 --> 00:11:51,876 BUT CAN IT ACTUALLY FLY -- OR MORE CORRECTLY, FLOAT? 252 00:11:51,878 --> 00:11:54,345 LET'S TRY AND FIND OUT. 253 00:11:54,347 --> 00:11:58,016 THE EXPERIMENT -- WE WILL DROP A LARGE SLINKY FROM A GREAT HEIGHT 254 00:11:58,018 --> 00:12:00,618 AND FILM IT USING A SPECIAL SLOW-MOTION CAMERA 255 00:12:00,620 --> 00:12:02,687 TO CAPTURE THE RESULTS. 256 00:12:02,689 --> 00:12:04,288 TO START, A LARGE BUILDING 257 00:12:04,290 --> 00:12:07,225 WITH EASY WINDOW ACCESS TO ALLOW FOR VERY SCIENTIFIC 258 00:12:07,227 --> 00:12:10,895 DROPPING OF CLASSIC CHILDREN'S TOY, CHECK. 259 00:12:10,897 --> 00:12:12,897 LARGE SLINKY, CHECK. 260 00:12:12,899 --> 00:12:14,565 SPECIAL SLOW-MOTION CAMERA 261 00:12:14,567 --> 00:12:15,900 FOCUSED AND EXPOSED 262 00:12:15,902 --> 00:12:18,036 AT THE ABSOLUTE PERFECT SETTINGS TO CAPTURE 263 00:12:18,038 --> 00:12:20,705 OUR SPECTACULAR SLINKY FALL, CHECK. 264 00:12:20,707 --> 00:12:22,707 OUR FEARLESS TESTER ASCENDS THE STAIRS, 265 00:12:22,709 --> 00:12:26,911 TAKES POSITION AND IS ALL SET FOR THE EXPERIMENT TO BEGIN. 266 00:12:26,913 --> 00:12:29,446 WITH HIS ARM STRETCHED OUT AT A PERFECT 90 DEGREES 267 00:12:29,448 --> 00:12:31,783 TO HIS BODY, HE LETS THE SLINKY UNRAVEL 268 00:12:31,785 --> 00:12:33,384 TO ITS FULLEST EXTENT 269 00:12:33,386 --> 00:12:35,520 WHILE EXPERTLY HOLDING ONTO ONE END. 270 00:12:35,522 --> 00:12:36,921 HE SIGNALS THAT HE IS READY, 271 00:12:36,923 --> 00:12:40,325 AND A DISEMBODIED HAND PRESSES RECORD ON THE CAMERA. 272 00:12:40,327 --> 00:12:42,593 THE TEST CAN BEGIN. 273 00:12:42,595 --> 00:12:44,462 OUR MAN LETS GO OF THE SLINKY AND, 274 00:12:44,464 --> 00:12:47,599 LESS THAN 2 SECONDS LATER, IT HITS THE GROUND. 275 00:12:47,601 --> 00:12:49,267 DID YOU SEE THE SLINKY FLOAT? 276 00:12:49,269 --> 00:12:50,868 NO? 277 00:12:50,870 --> 00:12:53,238 NEITHER DID WE. LET'S REVIEW THE TAPE. 278 00:12:55,809 --> 00:12:58,409 NOW, SEEN AT 150 FRAMES PER SECOND, 279 00:12:58,411 --> 00:13:01,012 WE CAN SEE SOMETHING AMAZING HAPPEN. 280 00:13:01,014 --> 00:13:02,546 AS THE SLINKY IS RELEASED, 281 00:13:02,548 --> 00:13:04,482 THE TOP OF THE TOY FALLS VERTICALLY, 282 00:13:04,484 --> 00:13:07,018 AS YOU WOULD EXPECT, BUT LOOK AT THE BOTTOM. 283 00:13:07,020 --> 00:13:08,753 IT'S NOT MOVING. 284 00:13:08,755 --> 00:13:11,155 ASTONISHED? WELL, WE ARE. 285 00:13:11,157 --> 00:13:13,691 BUT HOW IS THIS STEEL SPRING CHEATING GRAVITY? 286 00:13:13,693 --> 00:13:16,761 AGAIN, SCIENCE COMES TO OUR AID. 287 00:13:16,763 --> 00:13:18,229 BEFORE IT IS DROPPED, 288 00:13:18,231 --> 00:13:20,231 THE BOTTOM OF THE SLINKY IS SUSPENDED, 289 00:13:20,233 --> 00:13:22,500 WITH GRAVITY PULLING IT DOWN IN ONE DIRECTION 290 00:13:22,502 --> 00:13:25,169 AND THE SPRING'S TENSION PULLING IT UP ON THE OTHER, 291 00:13:25,171 --> 00:13:26,971 SO EQUAL AND OPPOSITE FORCES 292 00:13:26,973 --> 00:13:29,107 ACT ON THE BOTTOM, LEAVING IT MOTIONLESS. 293 00:13:29,109 --> 00:13:31,910 WHEN THE TOP IS RELEASED, THE INFORMATION THAT THE TENSION 294 00:13:31,912 --> 00:13:33,444 HAS CHANGED TAKES A MOMENT 295 00:13:33,446 --> 00:13:35,580 TO REACH THE BOTTOM OF THE SPRING. 296 00:13:35,582 --> 00:13:39,851 ONCE THE WEIGHT HITS THE BOTTOM OF THE SLINKY, 297 00:13:39,853 --> 00:13:42,653 IT KNOWS TO FALL TO THE BOTTOM, SO TO SPEAK. 298 00:13:42,655 --> 00:13:44,856 SO THERE YOU HAVE IT. POINT PROVED. 299 00:13:44,858 --> 00:13:47,791 THE SLINKY CAN FLOAT, WELL, SORT OF. 300 00:13:47,793 --> 00:13:49,060 AS WE SAID BEFORE, 301 00:13:49,062 --> 00:13:52,664 THE SLINKY REALLY IS AN INCREDIBLE INVENTION. 302 00:13:54,033 --> 00:13:57,402 FENCING IS A SPORT OF PRECISION, STYLE AND GRACE. 303 00:13:57,404 --> 00:14:00,070 WATCHING TWO WORLD-CLASS FENCERS ON THE OLYMPIC STAGE 304 00:14:00,072 --> 00:14:01,739 IS SOMETHING TO BEHOLD. 305 00:14:01,741 --> 00:14:04,342 HOWEVER, IT IS A WORLD AWAY FROM THE DARK HISTORY 306 00:14:04,344 --> 00:14:06,978 OF DUELING THAT WAS THE PREDECESSOR OF THE SPORT. 307 00:14:09,482 --> 00:14:12,016 BEGINNING WITH PREHISTORIC CLUBS AND SPEARS, 308 00:14:12,018 --> 00:14:15,753 ARMED COMBAT HAS BEEN AROUND ALMOST AS LONG AS MANKIND. 309 00:14:15,755 --> 00:14:19,757 THROUGHOUT HISTORY, THERE ARE PLENTY OF REFERENCES TO DUELS. 310 00:14:19,759 --> 00:14:21,826 WE'VE ALL HEARD ABOUT ROMAN GLADIATORS, 311 00:14:21,828 --> 00:14:23,895 BUT IT IS PERHAPS A LESSER-KNOWN FACT 312 00:14:23,897 --> 00:14:25,429 THAT ROMANS FREQUENTING BATHS 313 00:14:25,431 --> 00:14:27,165 OFTEN DUELED WITH STICKS, 314 00:14:27,167 --> 00:14:28,899 AN EARLY SIGN OF WHAT WAS TO EVOLVE 315 00:14:28,901 --> 00:14:31,235 IN TO MODERN FENCING. 316 00:14:31,237 --> 00:14:33,437 DUELING IS THE ENGAGEMENT IN COMBAT 317 00:14:33,439 --> 00:14:34,973 BETWEEN TWO INDIVIDUALS, 318 00:14:34,975 --> 00:14:36,574 BOTH WITH MATCHING WEAPONS 319 00:14:36,576 --> 00:14:38,910 AND OFTEN WITH A SET OF PRE-AGREED RULES. 320 00:14:38,912 --> 00:14:40,845 DUELS ARE FOUGHT AS A WAY OF REGAINING 321 00:14:40,847 --> 00:14:42,446 OR RETAINING A SENSE OF HONOR, 322 00:14:42,448 --> 00:14:45,249 AS OPPOSED TO NECESSARILY KILLING THE OPPONENT. 323 00:14:45,251 --> 00:14:48,118 ROMAN SOLDIERS ARE TRAINED TO THRUST INSTEAD OF CUT, 324 00:14:48,120 --> 00:14:49,520 AS A RAISED-ARM CUTTING MOTION 325 00:14:49,522 --> 00:14:51,656 WOULD EXPOSE VITAL ORGANS TO THE ENEMY. 326 00:14:51,658 --> 00:14:55,727 THIS THRUST IS THE BASIS OF MODERN FENCING TECHNIQUE. 327 00:14:55,729 --> 00:14:57,061 BY THE 14TH CENTURY, 328 00:14:57,063 --> 00:14:58,730 SWORD-FIGHTING SCHOOLS ARE COMMON 329 00:14:58,732 --> 00:15:00,331 IN MANY EUROPEAN COUNTRIES. 330 00:15:00,333 --> 00:15:02,800 THESE ESTABLISHED A CORRECT WAY TO FIGHT WITH A SWORD, 331 00:15:02,802 --> 00:15:06,670 AND THE INABILITY TO DO SO IS SEEN AS UNGENTLEMANLY. 332 00:15:07,874 --> 00:15:10,674 IT WAS A FENCING INSTRUCTOR CALLED GEORGE DE SILVA 333 00:15:10,676 --> 00:15:13,744 WHO ACTUALLY SAID THAT, IF A MAN CARRIES A SWORD 334 00:15:13,746 --> 00:15:15,413 BUT CANNOT USE IT, 335 00:15:15,415 --> 00:15:17,481 IT'S AS FULL RIDICULOUS AS A MAN 336 00:15:17,483 --> 00:15:19,484 WHO CARRIES BOOKS BUT CANNOT READ. 337 00:15:19,486 --> 00:15:21,019 Narrator: BY THE 19TH CENTURY, 338 00:15:21,021 --> 00:15:23,955 AS DUELS BECOME LESS COMMON AND ACTIVELY DISCOURAGED, 339 00:15:23,957 --> 00:15:26,958 FENCING IS INCREASINGLY RECOGNIZED AS A SPORT. 340 00:15:26,960 --> 00:15:30,160 SLOWLY, THE COMBATIVE ASPECT OF FENCING FADES 341 00:15:30,162 --> 00:15:32,830 UNTIL WE ARE LEFT WITH THE PURE SPORT OF TODAY. 342 00:15:32,832 --> 00:15:36,634 IT BECOMES AN OLYMPIC SPORT IN 1896. 343 00:15:36,636 --> 00:15:38,702 AFTER THE BREAK, WE GET STRAIGHT TO THE POINT 344 00:15:38,704 --> 00:15:41,339 AND SEE HOW A MODERN FENCING SWORD IS CRAFTED. 345 00:15:52,985 --> 00:15:54,451 Narrator: MODERN OLYMPIC-STANDARD FENCING 346 00:15:54,453 --> 00:15:56,187 IS BROKEN INTO THREE CATEGORIES, 347 00:15:56,189 --> 00:15:57,989 EACH REFERRING TO THE WEAPON USED, 348 00:15:57,991 --> 00:16:00,724 AND EACH WITH THEIR OWN DIFFERING SET OF RULES. 349 00:16:00,726 --> 00:16:03,594 FOIL FENCING USES A LIGHT AND FLEXIBLE SWORD. 350 00:16:03,596 --> 00:16:05,396 ARMS AND LEGS AREN'T ALLOWED TO BE TARGETED, 351 00:16:05,398 --> 00:16:07,264 SO ALL OF THE ACTION TAKES PLACE 352 00:16:07,266 --> 00:16:10,601 WITH ACCURATE THRUSTS TO THE TORSO, NECK AND GROIN. 353 00:16:10,603 --> 00:16:12,803 EPEE IS SIMILAR, BUT THE SWORD IS HEAVIER 354 00:16:12,805 --> 00:16:14,405 AND THE WHOLE BODY CAN BE TARGETED. 355 00:16:14,407 --> 00:16:16,807 SABRE FENCING ONLY ALLOWS ATHLETES 356 00:16:16,809 --> 00:16:18,276 TO TARGET ABOVE THE WAIST 357 00:16:18,278 --> 00:16:20,544 AND USES A LIGHT, CUTTING SABER SWORD. 358 00:16:20,546 --> 00:16:23,281 TODAY, BECAUSE OF THE HIGH-SPEED NATURE OF THE SPORT, 359 00:16:23,283 --> 00:16:24,682 AND TO ENSURE ACCURACY, 360 00:16:24,684 --> 00:16:26,617 ALL JUDGING IS DONE ELECTRONICALLY. 361 00:16:26,619 --> 00:16:28,218 ONE OF THE LEADING PRODUCERS 362 00:16:28,220 --> 00:16:29,887 OF MODERN OLYMPIC FENCING EQUIPMENT 363 00:16:29,889 --> 00:16:31,822 IS LONDON-BASED LEON PAUL. 364 00:16:31,824 --> 00:16:35,159 SO WE'VE BEEN PRODUCING FENCING EQUIPMENT FOR 96 YEARS, 365 00:16:35,161 --> 00:16:36,828 BUT WE'VE BEEN CREATING SWORDS 366 00:16:36,830 --> 00:16:39,830 AND FORGING THE BLADES FOR ABOUT 60 YEARS NOW. 367 00:16:39,832 --> 00:16:44,702 Narrator: SO HOW ARE THESE INCREDIBLE INVENTIONS ACTUALLY MADE? 368 00:16:44,704 --> 00:16:47,704 THERE ARE MANY INDIVIDUAL PROCESSES INVOLVED IN PRODUCING 369 00:16:47,706 --> 00:16:50,441 AN OLYMPIC-STANDARD FENCING SWORD. 370 00:16:50,443 --> 00:16:52,977 IT BEGINS WITH MARAGING STEEL, 371 00:16:52,979 --> 00:16:55,045 A METAL OF SUPERIOR STRENGTH AND TOUGHNESS, 372 00:16:55,047 --> 00:16:57,648 YET THAT HAS A HIGH LEVEL OF MALLEABILITY. 373 00:16:57,650 --> 00:17:00,852 WE USE MARAGING STEEL FOR THE OLYMPIC BLADES, 374 00:17:00,854 --> 00:17:03,387 AND THAT'S BECAUSE IT HAS VERY LITTLE CARBON IN, 375 00:17:03,389 --> 00:17:06,257 AND THAT MEANS LESS FLAWS ARE LIKELY TO PROPAGATE, 376 00:17:06,259 --> 00:17:07,725 AND THAT MEANS THAT IT'S GOING TO LAST 377 00:17:07,727 --> 00:17:09,327 A VERY LONG PERIOD OF TIME. 378 00:17:09,329 --> 00:17:11,128 Narrator: THE STEEL IS FIRST CUT 379 00:17:11,130 --> 00:17:12,997 TO THE CORRECT LENGTH USING A SAW. 380 00:17:12,999 --> 00:17:16,734 THIS PARTICULAR AUTOMATED SAW CAN CUT MANY BLADES AT A TIME 381 00:17:16,736 --> 00:17:19,870 TO PRECISELY THE RIGHT MEASUREMENTS NEEDED. 382 00:17:19,872 --> 00:17:22,874 ONCE CUT, THE AREA OF THE BLADE THAT WILL FORM THE HANDLE 383 00:17:22,876 --> 00:17:25,742 IS THEN HEATED TO FORM WHAT IS KNOWN AS THE TANG. 384 00:17:25,744 --> 00:17:28,679 THESE TANGS ARE ROUNDED AND ALLOW FOR COMFORTABLE GRIP 385 00:17:28,681 --> 00:17:32,350 OR THE ADDITION OF A MOLDED OR WOODEN HANDLE. 386 00:17:32,352 --> 00:17:34,886 THE BLADE IS THEN TAKEN TO THE MAIN FORGE, 387 00:17:34,888 --> 00:17:36,354 WHERE IT IS HEATED TO APPROXIMATELY 388 00:17:36,356 --> 00:17:38,288 1,500 DEGREES FAHRENHEIT, 389 00:17:38,290 --> 00:17:40,091 USING RADIOFREQUENCY COILS, 390 00:17:40,093 --> 00:17:43,094 MUCH LIKE THE HEATING PROCESS IN A MICROWAVE. 391 00:17:43,096 --> 00:17:44,495 ONCE THE METAL IS RED-HOT, 392 00:17:44,497 --> 00:17:47,664 ROWS AND ROWS OF VERY STRONG HAMMERS THIN THE BLADE OUT 393 00:17:47,666 --> 00:17:49,033 TO THE CORRECT PROPORTIONS 394 00:17:49,035 --> 00:17:51,969 TO PRODUCE THE PERFECT FOIL SHAPE. 395 00:17:51,971 --> 00:17:53,971 NOW FORMED, THE BLADE IS BEGINNING 396 00:17:53,973 --> 00:17:56,440 TO RESEMBLE A RECOGNIZABLE FOIL. 397 00:17:56,442 --> 00:17:57,975 THE METAL IS THEN HEAT TREATED. 398 00:17:57,977 --> 00:18:03,848 THIS IS VITAL TO PRODUCING A GREAT-QUALITY BLADE. 399 00:18:03,850 --> 00:18:06,451 BECAUSE THE STEEL CAN BECOME BRITTLE IN THE FORGING PROCESS, 400 00:18:06,453 --> 00:18:09,720 HEAT TREATING RESTRENGTHENS THE METAL AND ALSO INCREASES 401 00:18:09,722 --> 00:18:15,659 ITS FLEXIBILITY AND LONGEVITY. 402 00:18:15,661 --> 00:18:19,063 THE WORLD RECORD FOR THE LONGEST LIFESPAN 403 00:18:19,065 --> 00:18:22,666 OF A BLADE IS ABOUT 37,000 CYCLES, 404 00:18:22,668 --> 00:18:24,601 SO THAT'S 37,000 HITS, 405 00:18:24,603 --> 00:18:27,405 AND THAT RECORD IS ACTUALLY HELD BY A LEON PAUL BLADE. 406 00:18:28,607 --> 00:18:30,274 Narrator: THE SURFACE OF THE BLADE IS THEN FINISHED, 407 00:18:30,276 --> 00:18:31,609 FIRST IN A GRINDING MACHINE 408 00:18:31,611 --> 00:18:32,877 WHICH GIVES IT A SMOOTH FINISH. 409 00:18:39,953 --> 00:18:41,218 NOW THE BLADE CONTINUES 410 00:18:41,220 --> 00:18:43,087 THROUGH THE SHOT PEENING PROCESS. 411 00:18:43,089 --> 00:18:45,289 THIS FIRES SMALL BEADS OF GLASS AT THE STEEL 412 00:18:45,291 --> 00:18:48,359 THAT CREATE A COMPOSITE RESIDUAL STRESS LAYER IN ADDITION 413 00:18:48,361 --> 00:18:52,029 TO INCREASING ITS SHEEN. 414 00:18:52,031 --> 00:18:54,031 THE BLADE IS TAKEN TO BE LASER ENGRAVED 415 00:18:54,033 --> 00:18:55,566 WITH THE LEON PAUL STAMP, 416 00:18:55,568 --> 00:18:57,034 SHOWING WHEN AND WHERE IT WAS MADE 417 00:18:57,036 --> 00:18:59,370 AS WELL AS THE GRADE OF STEEL. 418 00:19:05,044 --> 00:19:06,677 A WIRE THAT CONNECTS THE ELECTRONIC 419 00:19:06,679 --> 00:19:09,580 TIP OF THE BLADE TO THE SENSOR IS FITTED WITH GLUE, 420 00:19:09,582 --> 00:19:11,249 COMPLETING THE BLADE-MAKING PROCESS. 421 00:19:11,251 --> 00:19:17,188 IT IS NOW TIME TO CREATE THE GUARD OF THE SWORD. 422 00:19:17,190 --> 00:19:19,590 THIS IS MADE FROM AN ALUMINUM SHEET, 423 00:19:19,592 --> 00:19:22,059 WHICH IS BENT TO SHAPE USING A HYDRAULIC PRESS, 424 00:19:22,061 --> 00:19:23,928 WHICH FORMS THE PERFECT ROUNDED SHAPE 425 00:19:23,930 --> 00:19:25,596 FOR PROTECTING THE HAND OF THE USER. 426 00:19:25,598 --> 00:19:29,734 IT IS THEN RIVETED IN ORDER TO REINFORCE THE BASE 427 00:19:29,736 --> 00:19:32,136 BEFORE BEING STAMPED WITH THE LEON PAUL LOGO. 428 00:19:34,673 --> 00:19:35,673 THE BASE IS THEN POLISHED 429 00:19:35,675 --> 00:19:37,275 BY RUNNING WATER OVER THE METAL, 430 00:19:37,277 --> 00:19:38,743 SCRUBBING IT WITH CHINA 431 00:19:38,745 --> 00:19:41,145 AND FINISHING IT OFF UNDER THE POLISHING WHEEL. 432 00:19:44,016 --> 00:19:46,483 NOW THAT WE HAVE A FINISHED BLADE AND GUARD TO MATCH, 433 00:19:46,485 --> 00:19:48,819 IT ALL NEEDS TO BE ASSEMBLED INTO A FULL SWORD. 434 00:19:48,821 --> 00:19:52,956 THE ELECTRONIC WIRES ATTACH TO THE ELECTRONIC SOCKET, 435 00:19:52,958 --> 00:19:54,358 MEANING THE SWORD IS NOW EQUIPPED 436 00:19:54,360 --> 00:19:56,093 TO SCORE ELECTRONICALLY. 437 00:19:56,095 --> 00:19:59,029 THIS IS FITTED ALONG WITH A CUSHION PAD AND HANDLE. 438 00:19:59,031 --> 00:20:03,033 THE HANDLE CAN BE CUSTOM-MADE USING A 3-D PRINTER OR BE FITTED 439 00:20:03,035 --> 00:20:04,701 WITH A MORE TRADITIONAL WOODEN HANDLE 440 00:20:04,703 --> 00:20:06,504 THAT HAS BEEN HAND-WRAPPED IN LEATHER. 441 00:20:06,506 --> 00:20:10,107 THE SWORD IS THEN TESTED TO ENSURE IT CONFORMS 442 00:20:10,109 --> 00:20:11,976 WITH ALL THE OFFICIAL REGULATIONS. 443 00:20:15,648 --> 00:20:16,847 THE FENCING SWORD, 444 00:20:16,849 --> 00:20:19,350 CERTAINLY AN INCREDIBLE INVENTION. 445 00:20:21,387 --> 00:20:22,386 SO THERE YOU HAVE IT, 446 00:20:22,388 --> 00:20:23,520 A GLANCE THROUGH THE HIDDEN HISTORY 447 00:20:23,522 --> 00:20:25,589 AND SUPER SCIENCE OF SOME AMAZING PRODUCTS 448 00:20:25,591 --> 00:20:27,391 WE USE EVERY DAY, 449 00:20:27,393 --> 00:20:32,396 THE DRUM, THE SLINKY, AND THE FENCING SWORD. 450 00:20:32,398 --> 00:20:34,398 THEY MAY SEEM COMMON AND ORDINARY, 451 00:20:34,400 --> 00:20:36,600 HOWEVER, THESE PRODUCES HELPED CHANGE THE WORLD 452 00:20:36,602 --> 00:20:46,143 ONE INCREDIBLE INVENTION AT A TIME. 49295

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