Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,043 --> 00:00:12,045
I never deserted my family.
2
00:00:12,613 --> 00:00:14,615
‐ VICTORIA:
You never had a family.
3
00:00:14,615 --> 00:00:16,250
And you never will.
4
00:00:17,050 --> 00:00:17,784
‐ Mom?
5
00:00:17,784 --> 00:00:18,785
‐ Father Phil?
6
00:00:18,785 --> 00:00:20,220
‐ Fallen priest.
7
00:00:20,220 --> 00:00:21,421
‐ SUSAN: I just love him.
8
00:00:21,421 --> 00:00:22,356
‐ I married him.
9
00:00:22,356 --> 00:00:24,224
‐ Bob Livingston fired me.
10
00:00:24,224 --> 00:00:25,492
We had a thing.
11
00:00:25,492 --> 00:00:26,793
‐ What about your mother?
12
00:00:26,793 --> 00:00:27,794
‐ It's complicated.
13
00:00:27,794 --> 00:00:28,962
‐ Moms always are.
14
00:00:28,962 --> 00:00:30,631
‐ LUKE:
Keep your family time.
15
00:00:30,631 --> 00:00:32,232
It's important.
16
00:00:32,232 --> 00:00:35,202
Never realized how important
until my dad died.
17
00:00:35,202 --> 00:00:36,703
Now I know.
18
00:00:37,638 --> 00:00:39,106
‐ LUKE: Cortona House.
19
00:00:39,106 --> 00:00:42,242
Stately. Elegant. Historic.
20
00:00:42,242 --> 00:00:46,313
A luxurious throwback to an age
of glamor, grace and...
21
00:00:46,313 --> 00:00:47,781
[ Yelling ]
‐ PHIL: Shit!
22
00:00:47,781 --> 00:00:49,483
♪ Thrilling music ♪
23
00:00:53,787 --> 00:00:55,489
‐ Where is it?
‐ Sh.
24
00:00:55,489 --> 00:00:57,191
[ Demonic voice ]
25
00:01:04,097 --> 00:01:05,666
[ Dramatic bass‐heavy music ]
26
00:01:11,171 --> 00:01:12,472
[ Blood squelching ]
27
00:01:12,472 --> 00:01:14,074
‐ LUKE:
What a serene,
28
00:01:14,074 --> 00:01:15,475
inspiring environment
29
00:01:15,475 --> 00:01:17,444
to nurture the muse
of a creative artist.
30
00:01:17,444 --> 00:01:19,213
I can't tell you
31
00:01:19,213 --> 00:01:21,215
how proud our client is
that Damon has chosen
32
00:01:21,215 --> 00:01:24,218
to record his next album
in our magnificent venue.
33
00:01:24,218 --> 00:01:26,119
I have the lease agreement here
and should Damon happen
34
00:01:26,119 --> 00:01:27,521
to fall in love
with the place
35
00:01:27,521 --> 00:01:29,089
the estate has agreed
to apply it
36
00:01:29,089 --> 00:01:30,490
to the purchase price.
37
00:01:30,490 --> 00:01:31,458
‐ TESSA:
Yes, I'm sure.
38
00:01:31,458 --> 00:01:33,594
You will coordinate
the logistical aspects
39
00:01:33,594 --> 00:01:35,762
of the residence with Zeke,
our engineer.
40
00:01:35,762 --> 00:01:37,764
‐ Tessa, I can assure you
that we are every bit
41
00:01:37,764 --> 00:01:39,366
as committed to
a positive experience
42
00:01:39,366 --> 00:01:40,334
for Damon as‐‐
43
00:01:40,334 --> 00:01:41,268
‐ Let's be clear:
44
00:01:41,268 --> 00:01:43,370
I personally think
that Damon could have found
45
00:01:43,370 --> 00:01:45,105
a much better place,
46
00:01:45,105 --> 00:01:47,341
managed by professionals.
47
00:01:47,341 --> 00:01:48,308
But, here we are, so‐‐
48
00:01:48,308 --> 00:01:49,710
‐ Easy. You're going to
make these people think
49
00:01:49,710 --> 00:01:50,511
you're not nice.
50
00:01:50,511 --> 00:01:52,479
‐ Your brother pays me
to be not nice.
51
00:01:52,479 --> 00:01:54,515
‐ Tessa plays the brother card
whenever she gets mad at me.
52
00:01:54,515 --> 00:01:55,415
‐ Damon is your brother?
53
00:01:55,415 --> 00:01:57,718
‐ I'm the handsome,
well‐adjusted one.
54
00:01:57,718 --> 00:02:00,087
‐ So, for better
or for worse,
55
00:02:00,087 --> 00:02:02,122
Damon is fascinated
by the place
56
00:02:02,122 --> 00:02:04,625
and wishes to know
a bit of its history.
57
00:02:04,625 --> 00:02:05,726
‐ Of course.
58
00:02:05,726 --> 00:02:08,795
The Cortona House
was originally built
59
00:02:08,795 --> 00:02:10,397
in 1880.
60
00:02:10,397 --> 00:02:11,732
♪ Dramatic music ♪
61
00:02:11,732 --> 00:02:14,334
Over the years, it was owned
by a number of individuals
62
00:02:14,334 --> 00:02:16,370
and institutions.
63
00:02:16,370 --> 00:02:19,306
until 1985, when it was
purchased by this man.
64
00:02:19,306 --> 00:02:20,574
♪ Music fades out ♪
65
00:02:20,574 --> 00:02:22,209
Russell Vaughn the Third.
66
00:02:22,209 --> 00:02:25,479
Russell, by all accounts,
was a remarkably unpleasant man,
67
00:02:25,479 --> 00:02:28,081
especially if you were an
environmentalist, a woman,
68
00:02:28,081 --> 00:02:30,050
or a sea otter.
69
00:02:30,050 --> 00:02:31,618
He died a few years back,
leaving the estate
70
00:02:31,618 --> 00:02:34,054
to our client,
his great‐niece,
71
00:02:34,054 --> 00:02:36,190
who he never knew
well enough to hate.
72
00:02:36,190 --> 00:02:37,758
♪ Exciting music ♪
73
00:02:37,758 --> 00:02:40,093
It has been
beautifully restored,
74
00:02:40,093 --> 00:02:41,728
[ Groans ]
75
00:02:41,728 --> 00:02:43,363
meticulously maintained.
76
00:02:43,797 --> 00:02:45,232
[ Groans ]
77
00:02:45,232 --> 00:02:46,667
[ Footstep squelches ]
78
00:02:47,434 --> 00:02:49,436
[ Vacuum seal hissing open ]
79
00:02:49,603 --> 00:02:51,371
[ Grunts ]
80
00:02:52,072 --> 00:02:53,240
It features a
81
00:02:53,240 --> 00:02:54,474
state‐of‐the‐art
recording studio
82
00:02:54,474 --> 00:02:56,076
courtesy of Russell's
third wife,
83
00:02:56,076 --> 00:02:58,245
who fancied herself
either the third Judd,
84
00:02:58,245 --> 00:03:00,647
or the fourth member
of The Chicks.
85
00:03:00,647 --> 00:03:02,749
♪ Dramatic music ♪
86
00:03:02,749 --> 00:03:04,585
[ Growls ]
87
00:03:14,127 --> 00:03:15,596
‐ Hey!
88
00:03:20,634 --> 00:03:22,336
‐ Hey, you big,
89
00:03:22,336 --> 00:03:24,037
smelly piece of shit.
90
00:03:32,179 --> 00:03:33,313
[ Groans ]
91
00:03:33,313 --> 00:03:35,249
[ Yelling ]
92
00:03:35,249 --> 00:03:36,717
Ah!!
93
00:03:37,184 --> 00:03:38,652
Stupid booties!
94
00:03:38,652 --> 00:03:40,053
‐ LUKE:
Anyway,
95
00:03:40,053 --> 00:03:41,221
the place is stunning.
96
00:03:41,221 --> 00:03:42,656
It is inspirational.
97
00:03:44,358 --> 00:03:46,293
‐ SUSAN:
It is uplifting.
98
00:03:46,293 --> 00:03:48,061
‐ Russell Vaughan the Third?
99
00:03:48,328 --> 00:03:50,063
[ Phil groans ]
100
00:03:50,063 --> 00:03:51,532
♪ Music crescendos ♪
101
00:03:51,532 --> 00:03:53,333
[ Metal ball clanging
then bouncing ]
102
00:03:53,333 --> 00:03:54,535
♪♪♪♪♪
103
00:03:54,535 --> 00:03:56,036
[ Panting ]
104
00:03:56,036 --> 00:03:57,304
‐ Nice catch.
105
00:03:57,304 --> 00:03:59,039
♪ Dramatic music ♪
106
00:04:01,742 --> 00:04:03,377
‐ Nooo!!
107
00:04:09,750 --> 00:04:11,485
‐ Ah.
108
00:04:11,485 --> 00:04:13,587
[ Panting ]
109
00:04:14,621 --> 00:04:15,656
‐ TESSA:
Listen:
110
00:04:15,656 --> 00:04:18,058
we would like to see
the place now.
111
00:04:18,058 --> 00:04:19,226
♪ Theme music ♪
112
00:04:19,226 --> 00:04:20,727
Well, I assume it's ready.
113
00:04:21,528 --> 00:04:23,530
‐ Sure it is.
‐ Absolutely.
114
00:04:29,736 --> 00:04:31,438
[ Man screams ]
115
00:04:35,475 --> 00:04:37,978
[ Door squeaks closed,
slams shut ]
116
00:04:38,212 --> 00:04:39,713
[ Footsteps ]
117
00:04:40,347 --> 00:04:41,582
‐ Hm.
118
00:04:41,582 --> 00:04:43,317
The original woodwork
is amazing
119
00:04:44,618 --> 00:04:46,653
and the recording studio
is downstairs.
120
00:04:46,653 --> 00:04:48,322
[ Footsteps recede ]
121
00:04:51,625 --> 00:04:53,327
[ Squelching ]
122
00:04:53,760 --> 00:04:55,462
♪ Dramatic music ♪
123
00:05:04,338 --> 00:05:06,039
♪ Ethereal vocalizing ♪
124
00:05:08,242 --> 00:05:09,109
‐ You got the donuts?
125
00:05:09,109 --> 00:05:11,044
‐ Exactly as specified
in the rider.
126
00:05:11,044 --> 00:05:12,746
‐ Overhead lights
must be 40 watts.
127
00:05:12,746 --> 00:05:14,248
‐ Pre‐set and
totally controllable
128
00:05:14,248 --> 00:05:15,482
if you download
the home's SmartApp.
129
00:05:15,482 --> 00:05:17,084
‐ I already have it.
‐ I knew you would.
130
00:05:17,084 --> 00:05:18,652
‐ I knew you'd know.
131
00:05:19,586 --> 00:05:21,188
♪ Doorbell ♪
132
00:05:21,188 --> 00:05:23,524
‐ That'd be the
studio equipment guys.
133
00:05:23,524 --> 00:05:25,325
Excuse me.
134
00:05:25,325 --> 00:05:26,994
I've gotta get this.
135
00:05:28,262 --> 00:05:29,763
[ Susan clears her throat ]
136
00:05:29,763 --> 00:05:31,398
‐ Anything else?
137
00:05:32,065 --> 00:05:33,500
‐ No.
138
00:05:34,334 --> 00:05:35,969
For now.
139
00:05:37,304 --> 00:05:38,472
‐ What's up?
140
00:05:38,472 --> 00:05:39,473
We were nearly
141
00:05:39,473 --> 00:05:40,474
back at the office when‐‐
142
00:05:40,474 --> 00:05:42,176
What's that?
143
00:05:42,476 --> 00:05:44,444
‐ It appears to be a Slinky.
144
00:05:44,444 --> 00:05:47,481
‐ Came down that big staircase
by itself just now.
145
00:05:47,481 --> 00:05:49,116
‐ Autonomous
locomotion.
146
00:05:49,583 --> 00:05:51,218
Odd.
147
00:05:51,218 --> 00:05:52,753
‐ There's something
still here.
148
00:05:52,753 --> 00:05:54,454
Felt youth.
Innocence.
149
00:05:55,355 --> 00:05:57,224
A whole lotta lonely.
150
00:05:57,224 --> 00:05:58,792
‐ That is not
our oil tycoon.
151
00:05:58,792 --> 00:06:01,161
‐ No, Russell was
a chain dragger.
152
00:06:01,161 --> 00:06:02,763
‐ Could there have been
a second entity?
153
00:06:02,763 --> 00:06:04,498
Living in the shadow
of the bigger one?
154
00:06:04,498 --> 00:06:05,732
‐ A Fredo?
155
00:06:05,732 --> 00:06:07,568
I suppose it's possible.
156
00:06:07,568 --> 00:06:10,604
‐ We need to talk to
the previous owner.
157
00:06:10,604 --> 00:06:12,239
♪ Gentle music ♪
158
00:06:13,640 --> 00:06:15,442
‐ The Catholic diocese.
159
00:06:16,710 --> 00:06:18,345
Yeah, I, uh...
160
00:06:19,446 --> 00:06:22,216
probably still have their
number written down somewhere.
161
00:06:22,216 --> 00:06:23,717
♪ Dramatic music ♪
162
00:06:30,624 --> 00:06:32,359
‐ SISTER MARY ELLEN:
Oh.
163
00:06:32,626 --> 00:06:34,328
It's you.
164
00:06:37,397 --> 00:06:39,066
‐ Sister Mary Ellen.
165
00:06:40,734 --> 00:06:42,503
How are you doing
on that problem like Maria?
166
00:06:42,503 --> 00:06:44,304
Any closer to a solution?
167
00:06:44,605 --> 00:06:46,507
‐ Mister Orley,
168
00:06:46,507 --> 00:06:49,076
you really can't
be stopping up here
169
00:06:49,076 --> 00:06:50,377
24 hours a day.
170
00:06:50,377 --> 00:06:52,012
‐ Oh, I'm sorry.
I thought that's exactly
171
00:06:52,012 --> 00:06:54,047
what the church was for.
172
00:06:54,047 --> 00:06:55,449
No.
173
00:06:55,449 --> 00:06:58,318
No, I'm sorry.
I'm thinking about Denny's.
174
00:06:58,318 --> 00:07:01,455
‐ May I ask what we
can do for you?
175
00:07:01,455 --> 00:07:04,124
‐ I have a client
leasing Cortona House.
176
00:07:04,758 --> 00:07:06,493
The big place
up on Broadmore?
177
00:07:06,493 --> 00:07:08,262
I just need a quick look at the
records, get a little history‐‐
178
00:07:08,262 --> 00:07:09,463
‐ Our records
are private.
179
00:07:09,463 --> 00:07:11,331
‐ Oh, come on!
180
00:07:11,331 --> 00:07:14,001
We're talking 35 years ago.
Who would care?
181
00:07:14,001 --> 00:07:15,502
‐ Church business.
182
00:07:15,502 --> 00:07:17,171
None of your concern.
183
00:07:17,604 --> 00:07:19,306
Let sleeping dogs lie.
184
00:07:21,074 --> 00:07:22,476
[ Footsteps down stairs ]
185
00:07:22,476 --> 00:07:24,244
[ Door opens, closes ]
186
00:07:24,244 --> 00:07:26,046
[ Scoffs ]
187
00:07:26,046 --> 00:07:27,781
‐ SISTER YASMIN:
You're Father Phil.
188
00:07:27,781 --> 00:07:29,483
♪ Gentle music ♪
189
00:07:30,117 --> 00:07:32,052
‐ Just Phil. Orley.
190
00:07:32,052 --> 00:07:33,487
‐ Mm. I'm Yasmin.
191
00:07:34,521 --> 00:07:36,256
Sister.
192
00:07:36,256 --> 00:07:38,725
I know some of the folks
in your old parish.
193
00:07:38,725 --> 00:07:40,994
They still talk about
your carrot cake.
194
00:07:41,395 --> 00:07:44,364
‐ Well, if I could not
bring them comfort and hope,
195
00:07:44,364 --> 00:07:47,568
beta‐carotene and fiber
seemed like the next best thing.
196
00:07:47,568 --> 00:07:51,038
‐ I heard about the day
you left the church.
197
00:07:54,208 --> 00:07:57,311
‐ The organization
wasn't meeting my needs,
198
00:07:57,311 --> 00:08:01,315
so I became a total Karen
and asked to see the manager.
199
00:08:01,515 --> 00:08:02,649
He wasn't available
200
00:08:02,649 --> 00:08:04,051
so I took my
business elsewhere.
201
00:08:04,051 --> 00:08:06,119
‐ Yeah, in the middle of
Easter Mass!
202
00:08:06,119 --> 00:08:07,487
They said you were drunk.
203
00:08:07,487 --> 00:08:09,223
‐ I was drunk.
204
00:08:09,223 --> 00:08:11,058
Gay and drunk.
205
00:08:12,659 --> 00:08:15,696
But I knew, eventually,
I'd be gay and sober.
206
00:08:22,336 --> 00:08:24,471
‐ Think I know what
you're looking for.
207
00:08:24,471 --> 00:08:26,640
Come to the back door
after vespers, around 11.
208
00:08:27,040 --> 00:08:29,309
‐ Why are you
being so helpful?
209
00:08:29,476 --> 00:08:32,513
‐ It's time to wake
a few sleeping dogs.
210
00:08:34,515 --> 00:08:36,116
‐ Hey, Meg. Uh, it's me.
211
00:08:36,116 --> 00:08:38,085
I hope you're having
a really good day.
212
00:08:38,085 --> 00:08:39,353
I'm dealing with some
client issues.
213
00:08:39,353 --> 00:08:41,054
I just wanted to check in
and say last night
214
00:08:41,054 --> 00:08:43,724
was really nice and I hope
to see you again really soon.
215
00:08:43,724 --> 00:08:46,793
I'm going to stop using
the word really so much.
216
00:08:46,793 --> 00:08:49,329
Anyhow, gonna check in
when I can.
217
00:08:49,329 --> 00:08:51,064
♪ High‐pitched
ethereal music ♪
218
00:08:51,064 --> 00:08:53,500
Right now, I really
gotta make another call.
219
00:08:53,500 --> 00:08:55,102
♪ Mysterious music ♪
220
00:08:56,436 --> 00:08:58,705
‐ WHISPERING BOY:
Come play with me.
221
00:09:03,110 --> 00:09:04,578
♪ Ethereal vocalizing ♪
222
00:09:24,631 --> 00:09:26,266
♪ Ethereal vocalizing ♪
223
00:09:28,569 --> 00:09:30,304
Hey.
224
00:09:35,075 --> 00:09:36,510
[ Creaking ]
225
00:09:38,312 --> 00:09:39,746
I know.
226
00:09:39,746 --> 00:09:41,348
But he's gone.
227
00:09:41,348 --> 00:09:43,083
[ Creaking and knocking ]
228
00:09:46,186 --> 00:09:47,321
I cross my heart.
229
00:09:47,321 --> 00:09:48,755
♪ Music booms ♪
230
00:10:13,213 --> 00:10:14,748
[ Car horn honking ]
231
00:10:16,316 --> 00:10:18,652
Great to see this kind of
commitment to client service.
232
00:10:18,652 --> 00:10:20,387
‐ Yeah, well,
you win six Grammys
233
00:10:20,387 --> 00:10:22,256
and I'll bring you
donuts, too.
234
00:10:22,256 --> 00:10:24,057
♪ Funky bass music ♪
235
00:10:24,057 --> 00:10:24,992
‐ DAMON:
Hey, man.
236
00:10:24,992 --> 00:10:26,593
‐ You look good, man. Yep.
‐ Hey, hey, hey.
237
00:10:26,593 --> 00:10:28,228
Mm‐hm.
238
00:10:29,496 --> 00:10:30,631
What up?
239
00:10:30,631 --> 00:10:31,732
Where's Zeke at?
In the stu'?
240
00:10:31,732 --> 00:10:32,933
‐ Do you want me
to show you?
241
00:10:32,933 --> 00:10:36,737
‐ Uh, no, man. I feel like
I've lived here in a past life.
242
00:10:36,737 --> 00:10:38,705
Ooh. Donuts.
Hey, how you doin'?
243
00:10:38,705 --> 00:10:40,374
[ Zooey giggles ]
244
00:10:41,508 --> 00:10:42,776
‐ I'm good.
245
00:10:42,776 --> 00:10:44,444
[ Giggles ]
246
00:10:45,078 --> 00:10:46,480
‐ Think we may have
an opportunity
247
00:10:46,480 --> 00:10:48,115
to prove ourselves
indispensable.
248
00:10:48,649 --> 00:10:50,217
‐ Oh, god. What now?
249
00:10:50,217 --> 00:10:52,753
‐ There is something
still in the house.
250
00:10:52,753 --> 00:10:54,488
‐ What? Is it dangerous?
251
00:10:55,522 --> 00:10:57,624
‐ Think it wants to play.
252
00:10:57,624 --> 00:10:59,359
♪ Playful music ♪
253
00:11:00,627 --> 00:11:02,329
‐ Yo! My guy!
254
00:11:02,329 --> 00:11:03,497
‐ Hey!
255
00:11:03,497 --> 00:11:05,132
‐ What's poppin', man?
256
00:11:05,465 --> 00:11:07,734
Are you ready to get this?
I got the words for track two.
257
00:11:07,734 --> 00:11:09,469
‐ Hey! Do not put your
258
00:11:09,469 --> 00:11:10,671
honey‐glazed fingers
on my shit.
259
00:11:10,671 --> 00:11:12,573
‐ Man, you too serious. You
need to relax your shoulders.
260
00:11:12,573 --> 00:11:14,541
‐ Get in the booth.
‐ All right!
261
00:11:14,541 --> 00:11:16,343
[ Chuckles ]
262
00:11:16,343 --> 00:11:17,978
[ Door closes ]
263
00:11:18,212 --> 00:11:19,980
[ Mic stand down ]
264
00:11:21,748 --> 00:11:23,984
‐ ZEKE (THROUGH SPEAKER):
Okay.
265
00:11:25,752 --> 00:11:27,354
Where'd this come from?
266
00:11:27,354 --> 00:11:28,488
‐ Give it to me!
267
00:11:28,488 --> 00:11:30,224
‐ Huh.
268
00:11:30,224 --> 00:11:30,958
[ Rapping]
‐ Uh
269
00:11:30,958 --> 00:11:32,626
Nobody does it
quite like me
270
00:11:32,626 --> 00:11:34,127
And that's something
to be said
271
00:11:34,127 --> 00:11:35,762
Don't let the gift
go straight to your head
272
00:11:35,762 --> 00:11:38,232
Flex on the mic
like Mike seeing red
273
00:11:38,232 --> 00:11:39,533
Most of them thought
I'd be dead
274
00:11:39,533 --> 00:11:41,068
Going through the motions
275
00:11:41,068 --> 00:11:42,603
Range of emotions
276
00:11:42,603 --> 00:11:44,571
Places I've been
over oceans
277
00:11:44,571 --> 00:11:46,206
Lifestyle of the
rich and the famous
278
00:11:46,206 --> 00:11:48,308
What the goal is
What the aim is
279
00:11:48,308 --> 00:11:49,443
What they want from me
280
00:11:49,443 --> 00:11:50,644
What they
want me to be
281
00:11:50,644 --> 00:11:53,080
Thought to be
mentally free
282
00:11:53,080 --> 00:11:54,648
After a while
it gets hectic
283
00:11:54,648 --> 00:11:56,483
All they're caring about
is the metrics
284
00:11:56,483 --> 00:11:58,552
I was just taking it
deep, down
285
00:11:58,552 --> 00:12:00,487
Meditating on this beat now
286
00:12:00,487 --> 00:12:02,623
They was just
calling me freak, huh
287
00:12:02,623 --> 00:12:04,725
Thinking I
finally peaked? Nah!
288
00:12:06,093 --> 00:12:07,461
‐ Yeah!
289
00:12:08,629 --> 00:12:10,130
‐ That's the way right there.
290
00:12:10,130 --> 00:12:12,266
Play that back.
Play that back.
291
00:12:12,266 --> 00:12:13,767
Mm‐hm.
292
00:12:13,767 --> 00:12:15,335
[ keyboard click ]
293
00:12:15,335 --> 00:12:17,037
[ Music plays ]
294
00:12:17,304 --> 00:12:18,338
[ Recording ]
‐ Uh
295
00:12:18,338 --> 00:12:19,740
Nobody does it
quite like me
296
00:12:19,740 --> 00:12:20,641
And that's something
to be said
297
00:12:20,641 --> 00:12:21,575
Don't let...
298
00:12:21,575 --> 00:12:22,476
‐ Right? Right?
299
00:12:22,476 --> 00:12:23,510
‐ ...your head.
300
00:12:23,510 --> 00:12:24,478
Flex on the mic
like Mike seeing red
301
00:12:24,478 --> 00:12:25,445
‐ Yo.
302
00:12:25,445 --> 00:12:26,647
‐ Most of them
thought I'd be dead
303
00:12:26,647 --> 00:12:28,315
Going through the mo‐‐
304
00:12:29,183 --> 00:12:30,184
‐ What you doin'?
305
00:12:30,184 --> 00:12:31,385
‐ ... since I've
been over oceans.
306
00:12:31,385 --> 00:12:32,786
‐ You hear that?
307
00:12:32,786 --> 00:12:35,622
‐ Man, what you doing?
‐ Oh, you don't hear that?
308
00:12:35,622 --> 00:12:38,358
‐ What they want from me
What they want me to be
309
00:12:38,358 --> 00:12:40,661
‐ LITTLE BOY:
Come play with me.
310
00:12:40,661 --> 00:12:43,597
Somebody play with me.
311
00:12:44,264 --> 00:12:46,466
‐ ... Taking it deep down
Medi‐‐
312
00:12:46,466 --> 00:12:47,601
[ Indistinct whispers ]
313
00:12:47,601 --> 00:12:48,635
‐ LITTLE BOY:
Are you there?
314
00:12:48,635 --> 00:12:50,504
‐ Thinking I
finally peaked? Nah!
315
00:12:50,504 --> 00:12:52,072
[ Multiple whispering voices ]
316
00:12:52,072 --> 00:12:54,341
[ Loud scream ]
‐ What the...?
317
00:12:54,708 --> 00:12:56,310
[ Silence ]
318
00:13:01,741 --> 00:13:03,242
[ Owl hooting ]
319
00:13:03,242 --> 00:13:04,911
‐ Scream. I know a scream
320
00:13:04,911 --> 00:13:06,112
when I hear a s‐‐. Ah!!
321
00:13:06,112 --> 00:13:08,581
That was a scream!
All right? Look.
322
00:13:08,581 --> 00:13:10,283
‐ Maybe there was
a bug in the WiFi?
323
00:13:10,283 --> 00:13:11,317
‐ A bug in Wi‐‐?
324
00:13:11,317 --> 00:13:12,285
This was no bug
in the WiFi, man!
325
00:13:12,285 --> 00:13:16,589
Okay, this was some loud,
screamy, end‐of‐days shit.
326
00:13:16,589 --> 00:13:18,257
‐ If you just give me
a few minutes in the studio.
327
00:13:18,257 --> 00:13:19,759
‐ Ohh...
328
00:13:19,759 --> 00:13:21,527
I don't got time for that.
I don't got time!
329
00:13:21,527 --> 00:13:23,529
Tess, this is on you!
330
00:13:23,529 --> 00:13:25,098
‐ We might have some
acoustical issues
331
00:13:25,098 --> 00:13:25,965
in the house.
332
00:13:25,965 --> 00:13:28,668
‐ I make a living
on acoustical issues
333
00:13:28,668 --> 00:13:30,103
and I have never heard
something like that.
334
00:13:30,103 --> 00:13:31,738
‐ Look, this place
is right for you.
335
00:13:31,738 --> 00:13:32,739
I can feel it.
336
00:13:32,739 --> 00:13:36,709
I just need a little time
to figure it all out.
337
00:13:37,110 --> 00:13:38,244
‐ Acoustical.
338
00:13:38,244 --> 00:13:39,278
‐ Damon...
339
00:13:39,278 --> 00:13:41,547
Damon? Damon.
340
00:13:41,848 --> 00:13:45,151
You gotta tune a Stradivarius
before you play it, right?
341
00:13:45,151 --> 00:13:47,253
Well, you are a Strad, man.
342
00:13:47,253 --> 00:13:49,956
You are the ultimate Strad
of your generation.
343
00:13:49,956 --> 00:13:51,224
And we?
344
00:13:51,224 --> 00:13:53,292
We gotta tune
the room to you.
345
00:13:53,292 --> 00:13:55,294
And that takes
a little time.
346
00:13:55,294 --> 00:13:57,130
♪ Gentle music ♪
347
00:14:01,934 --> 00:14:03,670
‐ I am a Strad.
348
00:14:04,570 --> 00:14:06,939
‐ While we start the
all‐important room tuning,
349
00:14:06,939 --> 00:14:08,675
you must be getting hungry.
350
00:14:10,243 --> 00:14:11,411
‐ I can eat.
351
00:14:11,411 --> 00:14:14,580
‐ Damon, remember the pit‐master
who did the amazing brisket
352
00:14:14,580 --> 00:14:16,749
at Mister Mo
back in your hometown?
353
00:14:16,749 --> 00:14:18,117
‐ You mean Mo‐‐?
354
00:14:18,117 --> 00:14:18,985
‐ MO:
Damon!
355
00:14:18,985 --> 00:14:20,687
‐ Mo‐‐ No, no, no! Mo!
356
00:14:20,687 --> 00:14:22,588
Mo, what are you
doing here, man?
357
00:14:22,588 --> 00:14:24,857
I ain't seen you
since the '80s!
358
00:14:25,024 --> 00:14:26,759
[ Laughs ]
Look at‐‐
359
00:14:26,759 --> 00:14:28,561
Oh‐oh‐oh‐oh. Mo!
360
00:14:28,561 --> 00:14:30,596
‐ How'd you know
about Mister Mo?
361
00:14:30,596 --> 00:14:31,998
‐ Research.
362
00:14:31,998 --> 00:14:34,000
It's what we do.
363
00:14:34,000 --> 00:14:36,102
‐ Your game is strong.
364
00:14:36,102 --> 00:14:38,071
‐ Ours is a
service industry.
365
00:14:38,071 --> 00:14:39,706
♪ Mysterious music ♪
366
00:14:41,674 --> 00:14:43,710
[ Church bell tolls ]
367
00:14:43,710 --> 00:14:45,244
[ Crow caws ]
368
00:14:45,244 --> 00:14:47,080
[ Footsteps ]
369
00:14:49,082 --> 00:14:51,017
‐ I assume
you two have met.
370
00:14:51,017 --> 00:14:53,586
‐ Yeah, we still play
racquetball on Thursdays.
371
00:14:53,586 --> 00:14:54,520
‐ Mm‐hm.
372
00:14:54,520 --> 00:14:56,122
Here's the current file
on Cortona House.
373
00:14:56,122 --> 00:14:57,290
‐ Cortona.
374
00:14:57,290 --> 00:14:58,991
‐ It's in Tuscany.
375
00:14:58,991 --> 00:15:00,827
‐ The home of
Saint Margaret of Cortona,
376
00:15:00,827 --> 00:15:02,228
the patron saint
of unwed mothers.
377
00:15:02,228 --> 00:15:03,830
‐ And prostitutes.
378
00:15:04,230 --> 00:15:05,832
‐ Which tells you everything
you needed to know
379
00:15:05,832 --> 00:15:07,700
about the church's take
on unwed mothers
380
00:15:07,700 --> 00:15:08,301
back in the day.
381
00:15:08,301 --> 00:15:10,570
‐ Mm. Not our finest hour.
382
00:15:11,237 --> 00:15:12,872
But, Phil?
383
00:15:14,107 --> 00:15:16,109
‐ Don't forget about
the good stuff, too.
384
00:15:16,109 --> 00:15:17,577
[ Laughing ]
‐ Yeah.
385
00:15:17,577 --> 00:15:18,845
The good stuff.
386
00:15:18,845 --> 00:15:20,079
‐ Education.
387
00:15:20,079 --> 00:15:22,582
Feeding the hungry.
Caring for the sick.
388
00:15:22,582 --> 00:15:23,716
‐ But, see,
389
00:15:23,716 --> 00:15:26,652
aren't those things kind of...
390
00:15:26,652 --> 00:15:27,954
expected?
391
00:15:27,954 --> 00:15:29,589
I mean, isn't that the
price of admission
392
00:15:29,589 --> 00:15:31,224
if you're gonna tell
1.2 billion people
393
00:15:31,224 --> 00:15:33,693
what they can eat
on a Friday?
394
00:15:34,994 --> 00:15:36,696
[ Exasperated sigh ]
395
00:15:37,630 --> 00:15:39,932
‐ Not much here
for such an old place.
396
00:15:39,932 --> 00:15:41,934
‐ Well, that's the current file.
397
00:15:42,235 --> 00:15:43,970
The archives
are over there.
398
00:15:47,974 --> 00:15:49,676
‐ Oy, gevalt.
399
00:15:51,110 --> 00:15:52,879
[ Box top clatters ]
400
00:15:53,846 --> 00:15:55,481
[ Papers rustling ]
401
00:15:56,249 --> 00:15:57,850
‐ Look, don't make it
weird, okay?
402
00:15:57,850 --> 00:15:58,551
I'm not looking
to get back together.
403
00:15:58,551 --> 00:16:00,820
I was just in the neighbourhood.
404
00:16:01,754 --> 00:16:04,123
By the way,
I like that Sister Yasmin.
405
00:16:04,123 --> 00:16:05,725
Really, I do.
406
00:16:05,725 --> 00:16:07,126
She's got this...
407
00:16:07,126 --> 00:16:08,728
little rebellious streak.
408
00:16:10,563 --> 00:16:12,832
Could use more people like her
around here instead of all these
409
00:16:12,832 --> 00:16:14,233
"yes" nuns.
410
00:16:14,233 --> 00:16:15,935
[ Papers rustle ]
411
00:16:16,836 --> 00:16:19,572
You might want to
transition her into sales.
412
00:16:21,107 --> 00:16:22,842
Anyway,
413
00:16:22,842 --> 00:16:25,545
talking to her
reminded me of this...
414
00:16:25,545 --> 00:16:27,547
thing that happened a while ago.
415
00:16:28,247 --> 00:16:29,949
♪ Contemplative music ♪
416
00:16:31,084 --> 00:16:32,752
[ Scoffs ]
417
00:16:33,820 --> 00:16:36,089
So I'd had this
really lousy day.
418
00:16:36,255 --> 00:16:38,725
I was researching this one house
where they kept seeing
419
00:16:38,725 --> 00:16:41,127
this little girl in a torn dress
420
00:16:41,594 --> 00:16:44,130
sitting in a corner alone,
in a chair.
421
00:16:45,798 --> 00:16:48,534
I tracked down the
social services records and...
422
00:16:49,235 --> 00:16:51,237
there was just some
horrible shit that happened
423
00:16:51,237 --> 00:16:53,239
in this house.
424
00:16:53,239 --> 00:16:56,209
You were probably busy
with some fundraiser, or...
425
00:16:56,209 --> 00:16:57,810
putting another image
of your mom
426
00:16:57,810 --> 00:16:59,112
on a toaster waffle,
or something,
427
00:16:59,112 --> 00:17:00,079
but that doesn't matter.
That's not the point.
428
00:17:00,079 --> 00:17:03,583
The point is is that
I was feeling like crap.
429
00:17:03,583 --> 00:17:05,585
And I'm walking to my car...
430
00:17:07,153 --> 00:17:08,888
it was, um ‐‐
431
00:17:08,888 --> 00:17:11,624
I'd parked across from
St. Cyril's on Third and, um...
432
00:17:11,624 --> 00:17:12,725
[ Snaps fingers ]
433
00:17:12,725 --> 00:17:14,260
Oh, shoot.
434
00:17:14,260 --> 00:17:15,862
Third and ‐‐ Well, you know
where it is. Of course.
435
00:17:15,862 --> 00:17:18,264
What am I even saying?
You're you.
436
00:17:18,264 --> 00:17:19,932
Uh...
437
00:17:20,967 --> 00:17:22,702
And I hear this music.
438
00:17:24,837 --> 00:17:26,939
It's Mozart's Requiem.
439
00:17:26,939 --> 00:17:28,841
The Lacrimosa.
440
00:17:28,841 --> 00:17:31,077
It was, like,
a Thursday night and...
441
00:17:31,077 --> 00:17:33,146
they were having
choir practice.
442
00:17:33,146 --> 00:17:34,947
And so I walked in.
443
00:17:35,882 --> 00:17:37,817
There wasn't a powerful
electric shock
444
00:17:37,817 --> 00:17:41,721
when I touched the door handle,
so I took that as a good sign.
445
00:17:41,721 --> 00:17:44,257
And I'm sitting there
in the back pew
446
00:17:46,125 --> 00:17:47,894
and I just let
447
00:17:47,894 --> 00:17:49,629
the music wash over me.
448
00:17:52,598 --> 00:17:54,934
I hadn't heard it since I, um...
449
00:17:56,936 --> 00:17:58,571
since I left.
450
00:18:00,106 --> 00:18:02,108
And I was surprised how it...
451
00:18:04,577 --> 00:18:06,045
helped.
452
00:18:09,015 --> 00:18:10,683
I felt better.
453
00:18:13,252 --> 00:18:14,954
Gave me strength and...
454
00:18:15,722 --> 00:18:17,223
And comfort.
455
00:18:22,028 --> 00:18:24,230
You could've taken that
away from me.
456
00:18:26,866 --> 00:18:28,935
I'm really glad
that you didn't.
457
00:18:33,072 --> 00:18:34,707
Anyhow, uh...
458
00:18:37,610 --> 00:18:39,946
I got work to do, so, uh...
459
00:18:41,814 --> 00:18:44,083
Just going to stay
focused on this.
460
00:18:49,222 --> 00:18:50,990
Say hi to everyone.
461
00:18:57,597 --> 00:18:58,865
♪ You just wait
until they... ♪
462
00:18:58,865 --> 00:19:01,000
♪ get a taste of me ♪
463
00:19:01,000 --> 00:19:02,802
♪ I'm the one that's
got the juice‐‐ ♪
464
00:19:02,802 --> 00:19:05,138
‐ So, you did
read the rider.
465
00:19:05,571 --> 00:19:06,673
‐ I did.
466
00:19:06,673 --> 00:19:07,707
♪ It's my destiny ♪
467
00:19:07,707 --> 00:19:08,808
♪ It's guaranteed that... ♪
468
00:19:08,808 --> 00:19:10,109
‐ Let's eat!
469
00:19:10,109 --> 00:19:11,310
♪ I'm the one that
makes you go boom ♪
470
00:19:11,310 --> 00:19:13,212
♪ I'm like the morning thunder,
I like to bring... ♪
471
00:19:13,212 --> 00:19:14,147
‐ Hey, guys.
472
00:19:14,147 --> 00:19:16,215
‐ DAMON: Well, hello.
‐ TESSA: Here we go!
473
00:19:16,215 --> 00:19:17,850
♪ I'm Everett's
House of Pain ♪
474
00:19:17,850 --> 00:19:19,085
♪ Too many days I waited ♪
475
00:19:19,085 --> 00:19:21,621
‐ No, really? Get out.
476
00:19:21,621 --> 00:19:22,989
‐ Yeah, it's
actually a thing.
477
00:19:22,989 --> 00:19:24,557
[ Laughter ]
478
00:19:24,991 --> 00:19:26,859
I'm pretty sure all these
little green army men
479
00:19:26,859 --> 00:19:28,728
we keep finding
are a big shout‐out
480
00:19:28,728 --> 00:19:30,229
to Uncle Franco.
You remember how he was?
481
00:19:30,229 --> 00:19:31,531
‐ He always scared me.
482
00:19:31,531 --> 00:19:34,567
‐ Man, that guy, he‐he
wanted me to join the army.
483
00:19:34,567 --> 00:19:36,602
All right, he said my music
was a pipe dream.
484
00:19:36,602 --> 00:19:38,104
"Join the army!
See the world," he said.
485
00:19:38,104 --> 00:19:41,207
‐ Four platinum albums.
How's that for a pipe dream?
486
00:19:41,207 --> 00:19:43,676
‐ I'm pretty sure all this
success and what‐not is‐‐
487
00:19:43,676 --> 00:19:46,579
is me showing Uncle Franco,
hell, yeah! I can do this!
488
00:19:46,579 --> 00:19:47,747
‐ SUSAN:
Mmm.
489
00:19:47,747 --> 00:19:49,749
‐ I‐I bet you
he's smiling right now.
490
00:19:49,749 --> 00:19:51,617
‐ So raise a glass
to Uncle Franco.
491
00:19:51,617 --> 00:19:53,820
‐ A great big glass.
492
00:19:53,820 --> 00:19:55,221
‐ Franco!
493
00:19:55,221 --> 00:19:56,889
[ Light laughter ]
494
00:19:57,223 --> 00:19:58,858
You know, you might
as well enjoy it.
495
00:19:58,858 --> 00:20:00,493
You're paying for it.
496
00:20:01,627 --> 00:20:02,695
‐ Yeah.
497
00:20:02,695 --> 00:20:04,197
‐ Yeah. Fill 'er up.
498
00:20:04,564 --> 00:20:06,199
[ Cell phone vibrates ]
499
00:20:06,199 --> 00:20:08,735
‐ Oh, I need to
take this. Sorry.
500
00:20:08,735 --> 00:20:10,970
[ Hip‐hop music continues
quietly in background ]
501
00:20:10,970 --> 00:20:13,606
‐ Look, I know you and Tessa
go round and round,
502
00:20:13,606 --> 00:20:16,542
but you gotta admit
she knows her wine.
503
00:20:16,843 --> 00:20:18,478
‐ I like Tessa.
504
00:20:18,711 --> 00:20:20,213
I get her.
505
00:20:20,847 --> 00:20:22,682
She's‐she's smart,
506
00:20:22,682 --> 00:20:24,083
organized,
507
00:20:24,083 --> 00:20:26,085
demands the best
for her clients.
508
00:20:28,021 --> 00:20:29,822
She reminds me of me.
509
00:20:30,023 --> 00:20:32,225
‐ I'm going to pretend
I believe that.
510
00:20:32,225 --> 00:20:33,826
[ Susan laughs ]
511
00:20:33,826 --> 00:20:35,662
♪ Mysterious music ♪
512
00:20:54,247 --> 00:20:56,015
[ Toy soldier
clatters on counter ]
513
00:20:56,015 --> 00:20:57,817
‐ I hate this place.
514
00:21:03,890 --> 00:21:05,224
‐ Zeke?
515
00:21:05,224 --> 00:21:06,259
Man, quit playing!
516
00:21:06,259 --> 00:21:08,194
I'm too tired for this, man.
517
00:21:12,065 --> 00:21:13,700
[ Yawns deeply ]
518
00:21:16,869 --> 00:21:19,205
‐ LITTLE BOY (WHISPER):
Play with me.
519
00:21:22,575 --> 00:21:24,243
Come play
520
00:21:24,243 --> 00:21:26,179
with me.
521
00:21:28,748 --> 00:21:30,283
♪♪♪♪♪
522
00:21:30,283 --> 00:21:32,819
‐ How long
have you been up?
523
00:21:33,086 --> 00:21:34,821
‐ I never really slept.
524
00:21:35,988 --> 00:21:37,690
Tracking these
adoption files.
525
00:21:39,125 --> 00:21:40,827
It's really depressing.
526
00:21:41,728 --> 00:21:44,197
‐ You have that
Catholic look on your face.
527
00:21:44,197 --> 00:21:45,798
‐ Yeah, well it seems like
every time I look
528
00:21:45,798 --> 00:21:47,533
they were doing
something horrible.
529
00:21:48,067 --> 00:21:50,003
[ Coffee mug down ]
530
00:21:51,804 --> 00:21:53,573
‐ Might have been
an orphanage.
531
00:21:53,573 --> 00:21:55,908
Turns out it was
something much worse.
532
00:21:55,908 --> 00:21:57,977
‐ It's not your problem
anymore.
533
00:21:59,846 --> 00:22:01,481
‐ I know.
534
00:22:01,714 --> 00:22:03,583
Can I tell you
something?
535
00:22:04,283 --> 00:22:05,985
♪ Contemplative music ♪
536
00:22:05,985 --> 00:22:07,687
‐ I miss it.
537
00:22:08,588 --> 00:22:10,089
I do.
538
00:22:11,090 --> 00:22:12,759
I miss the communion,
539
00:22:13,126 --> 00:22:14,627
the music,
540
00:22:14,627 --> 00:22:16,829
the rituals that have
been around for 2,000 years.
541
00:22:16,829 --> 00:22:17,930
I mean, th‐they're comforting.
542
00:22:17,930 --> 00:22:21,734
‐ Why do you think they've
been around for 2,000 years?
543
00:22:22,035 --> 00:22:23,803
‐ But most of all...
544
00:22:26,272 --> 00:22:28,941
I miss feeling like
somebody's in charge.
545
00:22:31,611 --> 00:22:33,680
Like our destinies
546
00:22:33,680 --> 00:22:35,748
are being crafted
by somebody kind
547
00:22:35,748 --> 00:22:37,550
and benevolent
548
00:22:37,550 --> 00:22:38,985
and wise.
549
00:22:41,287 --> 00:22:42,889
‐ So...
550
00:22:42,889 --> 00:22:45,258
you're not looking for God
551
00:22:45,258 --> 00:22:46,859
as much as
552
00:22:46,859 --> 00:22:48,528
Lin‐Manuel Miranda.
553
00:22:53,833 --> 00:22:57,870
‐ Don't you have a roof
or something to fall off of?
554
00:23:00,840 --> 00:23:02,542
[ Kiss ]
555
00:23:06,979 --> 00:23:08,614
♪ Mischievous music ♪
556
00:23:13,853 --> 00:23:15,955
♪ Militaristic
snare drum music ♪
557
00:23:22,228 --> 00:23:23,830
[ Sharp gasp ]
558
00:23:30,136 --> 00:23:31,804
‐ Oh! Um...
559
00:23:32,939 --> 00:23:34,607
Hey. Um...
560
00:23:35,008 --> 00:23:36,676
Fix your
acoustic issues?
561
00:23:37,643 --> 00:23:39,545
‐ Someone has a
very inappropriate
562
00:23:39,545 --> 00:23:42,515
sense of humor and
way too much spare time!
563
00:23:42,515 --> 00:23:43,950
‐ What?
564
00:23:45,651 --> 00:23:47,854
Wow! Uncle
Franco got busy.
565
00:23:47,854 --> 00:23:50,256
‐ Oh, Uncle Franco?
You think Damon did this?
566
00:23:50,256 --> 00:23:52,125
‐ Look, maybe he's getting
a little tired of you
567
00:23:52,125 --> 00:23:53,826
trying to drag him
outta the house?
568
00:23:53,826 --> 00:23:55,695
He's getting work done.
569
00:23:55,695 --> 00:23:57,096
Okay? Let him be.
570
00:23:57,096 --> 00:23:59,065
♪ Upbeat funky music ♪
571
00:23:59,065 --> 00:24:00,667
‐ Uh‐huh.
572
00:24:00,667 --> 00:24:02,201
Yeah. Okay.
573
00:24:03,036 --> 00:24:04,237
[ Footsteps recede ]
574
00:24:04,237 --> 00:24:05,972
‐ Mm. I'm making coffee.
575
00:24:09,242 --> 00:24:10,977
♪ Emotional music ♪
576
00:24:10,977 --> 00:24:13,579
[ Woman screams]
[ Echoing off ]
577
00:24:13,579 --> 00:24:15,548
‐ Based on
Damon's description,
578
00:24:15,548 --> 00:24:17,283
we're talking
about a boy of
579
00:24:17,283 --> 00:24:18,918
four to seven years.
580
00:24:19,819 --> 00:24:21,654
Metallurgy on this
particular Slinky
581
00:24:21,654 --> 00:24:24,123
indicates a manufacture date
in the early sixties.
582
00:24:24,123 --> 00:24:25,692
‐ Using that data,
583
00:24:25,692 --> 00:24:28,695
we narrowed our search
from the photos we found.
584
00:24:30,730 --> 00:24:32,098
Okay.
585
00:24:32,098 --> 00:24:34,233
If a, um...
586
00:24:34,233 --> 00:24:35,835
woman, or a girl,
587
00:24:35,835 --> 00:24:38,671
was found to be
in the family way,
588
00:24:38,671 --> 00:24:40,840
they could live out their
pregnancy at Cortona house,
589
00:24:40,840 --> 00:24:43,609
away from the judgement
of polite society,
590
00:24:43,609 --> 00:24:47,647
for a generous donation
to the church, of course.
591
00:24:48,848 --> 00:24:51,050
24 hours after giving birth,
592
00:24:51,050 --> 00:24:53,052
the babies would be
put up for adoption
593
00:24:53,052 --> 00:24:54,821
and the young women
could return home
594
00:24:54,821 --> 00:24:57,123
like it was all a bad dream.
595
00:24:57,123 --> 00:24:59,892
Again, the adoption fees
would roll back into...
596
00:25:02,028 --> 00:25:04,030
the sponsor of our program,
but...
597
00:25:05,231 --> 00:25:08,134
the mothers and babies would
never see each other again.
598
00:25:08,134 --> 00:25:09,802
Ever.
599
00:25:10,837 --> 00:25:14,140
‐ We're looking at thousands
of women and children here.
600
00:25:14,974 --> 00:25:17,677
‐ A fair amount of people
died there.
601
00:25:17,677 --> 00:25:19,645
Mostly babies,
a few moms, but
602
00:25:19,645 --> 00:25:22,148
there were very few children
there at any one time.
603
00:25:22,148 --> 00:25:23,850
[ Clears throat ]
604
00:25:23,850 --> 00:25:26,152
These were the kids
that were late to adopt.
605
00:25:26,152 --> 00:25:28,554
Uh, illness,
development issues and‐‐
606
00:25:30,656 --> 00:25:32,125
other factors.
607
00:25:34,193 --> 00:25:37,597
I'm still looking for where
some of these kids went.
608
00:25:38,097 --> 00:25:40,533
‐ That kid is
older than three.
609
00:25:41,100 --> 00:25:43,136
‐ Yeah. Look at this. Zooey?
610
00:25:43,736 --> 00:25:45,204
[ Button clicks ]
611
00:25:48,274 --> 00:25:49,942
[ Button clicks ]
612
00:25:50,576 --> 00:25:52,045
[ Button clicks ]
613
00:25:52,979 --> 00:25:55,481
[ Button clicks ]
‐ That's him.
614
00:25:56,115 --> 00:25:58,618
His fire truck ‐‐
I saw it.
615
00:26:00,620 --> 00:26:01,587
Wait. Who's that?
616
00:26:01,587 --> 00:26:05,091
‐ We don't know who he is.
There's no file.
617
00:26:06,025 --> 00:26:08,928
[ Button clicks ]
618
00:26:09,529 --> 00:26:10,863
‐ He's gone.
619
00:26:11,197 --> 00:26:13,700
‐ 1970. We never see him again.
620
00:26:14,901 --> 00:26:17,670
‐ ZOOEY:
God, I hope he was adopted.
621
00:26:19,205 --> 00:26:21,240
♪ Bass‐heavy
slow hip‐hop music ♪
622
00:26:26,746 --> 00:26:28,948
‐ Dude, you can't be eating
donuts and touching my board.
623
00:26:28,948 --> 00:26:31,117
‐ I don't even know what
you're talking about, man.
624
00:26:31,117 --> 00:26:32,785
Just calm down.
625
00:26:33,286 --> 00:26:35,521
‐ Okay, look, I'm tired, okay?
I'm going to take a break.
626
00:26:35,521 --> 00:26:36,889
You want to hit up track two
when I get back?
627
00:26:36,889 --> 00:26:38,291
‐ Bep‐bep.
628
00:26:38,291 --> 00:26:39,992
[ chair wheels
roll on hard floor ]
629
00:26:41,160 --> 00:26:43,062
[ Door squeaks open,
slams closed ]
630
00:26:46,165 --> 00:26:47,834
I like my donuts.
631
00:26:50,803 --> 00:26:52,238
♪ Ethereal vocalizing ♪
632
00:26:56,542 --> 00:26:58,111
Where is that coming from?
633
00:27:06,886 --> 00:27:08,654
[ Riffs on tune ]
634
00:27:08,855 --> 00:27:10,123
[ Click ]
[ Music starts ]
635
00:27:10,123 --> 00:27:11,891
I need to record this.
636
00:27:16,162 --> 00:27:17,830
Well, don't stop now.
637
00:27:19,932 --> 00:27:21,968
[ Sings along to music ]
638
00:27:34,580 --> 00:27:36,249
‐ Any more
acoustical issues?
639
00:27:36,249 --> 00:27:37,984
‐ Only good ones.
640
00:27:38,518 --> 00:27:40,086
So...
641
00:27:43,656 --> 00:27:46,526
So tell me more
about what you do.
642
00:27:46,526 --> 00:27:47,994
‐ Well...
643
00:27:47,994 --> 00:27:49,796
[ Music continues
through headphones ]
644
00:27:49,796 --> 00:27:51,564
[ Clattering ]
645
00:27:51,564 --> 00:27:53,132
♪ Eerie music ♪
646
00:27:59,906 --> 00:28:01,574
[ Laughs ]
647
00:28:11,117 --> 00:28:12,118
‐ ZEKE:
Okay, so when you say...
648
00:28:12,118 --> 00:28:13,686
... "hard‐to‐sell"...
649
00:28:13,686 --> 00:28:15,121
What, you mean
ugly‐ass houses?
650
00:28:15,121 --> 00:28:16,789
‐ Not necessarily...
651
00:28:17,090 --> 00:28:19,292
‐ I mean, 'cause
this place is beautiful.
652
00:28:19,292 --> 00:28:21,294
‐ But, see,
that's exactly the point.
653
00:28:21,294 --> 00:28:23,262
Every house
is‐is beautiful,
654
00:28:23,262 --> 00:28:25,498
unique, special
in its own way.
655
00:28:25,965 --> 00:28:27,734
To group them
together is...
656
00:28:28,701 --> 00:28:30,603
it's like using
the term hip‐hop.
657
00:28:30,603 --> 00:28:32,705
It can be general
and reductive.
658
00:28:32,705 --> 00:28:34,273
You know, if I were
to tell you
659
00:28:34,273 --> 00:28:36,175
that boom‐bap and trap
were the same,
660
00:28:36,175 --> 00:28:38,644
you'd tell me
to get right out of here.
661
00:28:38,644 --> 00:28:40,780
Just like I would
if you were to tell me
662
00:28:40,780 --> 00:28:43,149
a‐a ranch‐style
Mediterranean
663
00:28:43,149 --> 00:28:45,051
was like a
664
00:28:45,051 --> 00:28:46,953
three‐story Colonial
665
00:28:46,953 --> 00:28:48,621
and now I'm just...
666
00:28:49,522 --> 00:28:50,957
just riffing, so feel
free to jump in‐‐
667
00:28:50,957 --> 00:28:52,792
‐ No, no, I get it, I do.
668
00:28:52,792 --> 00:28:54,193
It's just, um...
669
00:28:54,193 --> 00:28:56,262
‐ DAMON:
Zeke! Zeeeeeeke!
670
00:28:56,262 --> 00:28:58,598
‐ Um... excuse me.
671
00:28:58,598 --> 00:29:00,166
Someone has an unmet need.
672
00:29:04,203 --> 00:29:06,706
‐ Zeke! Zeke!
673
00:29:06,706 --> 00:29:07,974
Zee!
674
00:29:07,974 --> 00:29:10,043
Zeke! Zeke. Zeke.
675
00:29:10,043 --> 00:29:12,612
Man, this house,
man, it's special.
676
00:29:12,612 --> 00:29:14,914
Okay, some special shit
is going on here.
677
00:29:14,914 --> 00:29:17,717
It's reaching out to me!
Look at this.
678
00:29:19,085 --> 00:29:20,687
I was 13.
679
00:29:20,687 --> 00:29:22,221
We was playing some ball,
all right?
680
00:29:22,221 --> 00:29:24,090
I split my head open
on that rusty rim ‐‐
681
00:29:24,090 --> 00:29:26,092
busted my skull!
Remember?
682
00:29:26,092 --> 00:29:27,660
‐ Yeah.
683
00:29:27,660 --> 00:29:29,929
‐ The paramedics ‐‐
they saved my life that day.
684
00:29:29,929 --> 00:29:32,665
Do you know what
they was driving?
685
00:29:34,000 --> 00:29:35,068
‐ Man, that's a reach.
686
00:29:35,068 --> 00:29:36,836
‐ It's a reach?
No‐no‐no, look.
687
00:29:36,836 --> 00:29:38,871
Listen to this.
Listen to this.
688
00:29:38,871 --> 00:29:40,973
[ Sighs ]
‐ Oh, man.
689
00:29:40,973 --> 00:29:42,642
[ Music plays
through headphones ]
690
00:29:42,642 --> 00:29:45,945
‐ LITTLE BOY:
♪ Night has fallen ♪
691
00:29:46,913 --> 00:29:48,214
♪ That's what.. ♪♪♪
692
00:29:48,214 --> 00:29:49,982
‐ Mm‐mm‐mm.
693
00:29:49,982 --> 00:29:51,584
‐ Don't‐don't you see?
694
00:29:51,584 --> 00:29:54,053
The‐the‐the‐the little green
army men, the truck,
695
00:29:54,053 --> 00:29:55,822
the‐the‐the voices in my head,
696
00:29:55,822 --> 00:29:56,956
the words that
come out of nowhere.
697
00:29:56,956 --> 00:29:58,558
And last night,
698
00:29:58,558 --> 00:30:00,093
I saw a Slinky.
699
00:30:00,093 --> 00:30:00,960
‐ A Slinky?
700
00:30:00,960 --> 00:30:02,729
‐ A‐a Slinky!
701
00:30:03,062 --> 00:30:04,664
Coming down the stairs,
all by itself,
702
00:30:04,664 --> 00:30:06,632
telling me to take this
one step at a time!
703
00:30:06,632 --> 00:30:07,867
I mean, all this time
704
00:30:07,867 --> 00:30:10,570
I've been rushing and pushing
too hard when all I gotta do
705
00:30:10,570 --> 00:30:13,773
is sit back and let this house
do what it do, baby.
706
00:30:13,773 --> 00:30:15,241
‐ Okay. Yeah! Yeah.
707
00:30:16,242 --> 00:30:18,745
‐ You‐you think I'm crazy.
That's okay! That's okay.
708
00:30:18,745 --> 00:30:20,179
I just need some air.
I need to breathe.
709
00:30:20,179 --> 00:30:21,014
I'm going to go for a drive.
710
00:30:21,014 --> 00:30:22,849
All right? I'll see ya'
in a bit.
711
00:30:22,849 --> 00:30:24,617
[ Running up stairs ]
712
00:30:24,617 --> 00:30:25,952
[ Sigh ]
713
00:30:25,952 --> 00:30:28,087
[ Cell phone connecting beep ]
714
00:30:28,087 --> 00:30:29,756
[ Ethereal vocalizing ]
715
00:30:33,993 --> 00:30:35,128
[ Rapping ]
Uh.
716
00:30:35,128 --> 00:30:36,663
Nobody does it quite like me
717
00:30:36,663 --> 00:30:38,064
And that's something to be said
718
00:30:38,064 --> 00:30:39,866
Don't let the gift
go straight to your head
719
00:30:39,866 --> 00:30:41,934
Flex on the mic like Mike
seeing red
720
00:30:41,934 --> 00:30:43,536
Most of them thought I'd be dead
721
00:30:43,536 --> 00:30:46,205
Going through the motions
Range of emotions
722
00:30:46,205 --> 00:30:48,074
Now, meditating on this beat.
723
00:30:48,074 --> 00:30:49,008
Wow!
724
00:30:49,008 --> 00:30:50,576
They were just
calling me freak
725
00:30:50,576 --> 00:30:52,645
Huh.
Thinking I finally peaked
726
00:30:52,645 --> 00:30:54,047
Nah!
727
00:30:56,149 --> 00:30:57,650
♪ Dramatic music ♪
728
00:30:57,650 --> 00:30:59,018
[ Screaming ]
729
00:30:59,018 --> 00:31:00,787
[ Crash and rattling ]
730
00:31:04,170 --> 00:31:05,505
‐ It's a miracle
you weren't hurt!
731
00:31:05,505 --> 00:31:06,606
‐ Ah, I told you
the house has character.
732
00:31:06,606 --> 00:31:09,409
‐ Yeah, I didn't think you meant
a Wes Craven character.
733
00:31:09,409 --> 00:31:11,978
Damon, that's it.
We're going back to New York.
734
00:31:11,978 --> 00:31:13,513
‐ Lo‐look,
I‐I don't know, man. I...
735
00:31:13,513 --> 00:31:15,381
‐ Come on, you are onto
something huge here, D.
736
00:31:15,381 --> 00:31:16,983
I'm not sure leaving
is a good idea.
737
00:31:16,983 --> 00:31:18,518
‐ It might follow you, you know.
738
00:31:18,518 --> 00:31:19,452
‐ Follow us?
739
00:31:19,452 --> 00:31:21,087
‐ But it might not.
740
00:31:21,488 --> 00:31:23,523
‐ Oh, brother.
‐ Is that a threat?
741
00:31:23,523 --> 00:31:25,358
‐ It's a fact, Damon.
You are in touch
742
00:31:25,358 --> 00:31:27,961
with something very real
and very special here.
743
00:31:27,961 --> 00:31:29,129
It's the raw,
childlike creativity
744
00:31:29,129 --> 00:31:31,464
that we're all born with
before the world takes it away.
745
00:31:31,464 --> 00:31:32,966
You run away from it now,
746
00:31:32,966 --> 00:31:34,300
you might never,
ever find it again.
747
00:31:34,300 --> 00:31:35,535
‐ That is a crock, Damon.
748
00:31:35,535 --> 00:31:37,237
‐ This house is
talking to you.
749
00:31:37,237 --> 00:31:39,105
Tell me I'm wrong.
750
00:31:39,105 --> 00:31:41,107
‐ Your album,
it's unfinished business.
751
00:31:42,142 --> 00:31:43,443
Finish it.
752
00:31:43,443 --> 00:31:44,644
‐ You're finished.
753
00:31:44,644 --> 00:31:46,312
You're done. You're fired!
754
00:31:47,147 --> 00:31:48,948
I'm done here!
755
00:31:48,948 --> 00:31:50,350
♪ Emotional music ♪
756
00:31:51,184 --> 00:31:53,586
‐ So, we're not actually fired?
757
00:31:53,586 --> 00:31:56,523
‐ Not until I say we are.
What do we know for sure?
758
00:31:56,523 --> 00:31:59,058
‐ Person he reached
out to was you.
759
00:31:59,058 --> 00:32:00,960
‐ You've got the thing.
760
00:32:00,960 --> 00:32:03,229
The gift. The radar love.
761
00:32:03,229 --> 00:32:05,965
‐ Yes, but you
were nice to him.
762
00:32:06,132 --> 00:32:08,134
It's been over 50 years
since he's had a friend.
763
00:32:08,134 --> 00:32:10,303
‐ Maybe even longer.
You've met those nuns.
764
00:32:10,303 --> 00:32:12,338
‐ But then he
attached himself to Damon.
765
00:32:12,338 --> 00:32:14,274
‐ 'Cause he was living there.
766
00:32:14,274 --> 00:32:15,608
‐ Maybe.
767
00:32:15,608 --> 00:32:17,177
That is the first time
people slept in the house
768
00:32:17,177 --> 00:32:18,545
since Russell.
769
00:32:18,545 --> 00:32:20,313
That must have been
really comforting.
770
00:32:20,313 --> 00:32:21,648
‐ Think he was
drawn to the music.
771
00:32:21,648 --> 00:32:23,883
‐ So I was his friend.
772
00:32:25,452 --> 00:32:27,087
That makes Damon what?
773
00:32:30,657 --> 00:32:32,325
Big brother?
774
00:32:33,526 --> 00:32:38,298
‐ What does a little boy need
more than a friend or a brother?
775
00:32:39,532 --> 00:32:41,568
What does a little boy want?
776
00:32:46,106 --> 00:32:47,574
‐ His mother.
777
00:32:51,144 --> 00:32:53,179
Little boy just wants his mom.
778
00:32:58,384 --> 00:33:00,053
‐ Oh.
779
00:33:01,054 --> 00:33:02,455
Mister Orley.
780
00:33:02,455 --> 00:33:04,090
‐ I need a word.
781
00:33:08,027 --> 00:33:09,629
♪ Gentle music ♪
782
00:33:09,629 --> 00:33:11,531
‐ How about this
for a word:
783
00:33:11,531 --> 00:33:13,166
pride.
784
00:33:13,333 --> 00:33:15,535
You left God's work because
785
00:33:15,535 --> 00:33:17,103
the parish's problems
786
00:33:17,103 --> 00:33:19,372
weren't important enough
for you.
787
00:33:19,372 --> 00:33:21,374
You were meant
for bigger things.
788
00:33:22,509 --> 00:33:24,210
That's the sin of pride.
789
00:33:26,946 --> 00:33:28,415
‐ Fair enough.
790
00:33:29,582 --> 00:33:32,352
But maybe I could have
worked things out
791
00:33:32,519 --> 00:33:34,454
if the mother church
didn't brand me a sinner
792
00:33:34,454 --> 00:33:37,957
not for what I did,
but for who I was.
793
00:33:40,293 --> 00:33:41,961
Who I am.
794
00:33:49,269 --> 00:33:50,937
Anyway,
795
00:33:53,406 --> 00:33:56,376
you want to talk sin,
Sister, let's talk sin.
796
00:33:56,376 --> 00:33:58,044
♪ Dramatic music ♪
797
00:34:08,354 --> 00:34:10,023
‐ Those were very...
798
00:34:10,190 --> 00:34:11,624
different times.
799
00:34:12,992 --> 00:34:14,994
These girls had no one,
800
00:34:14,994 --> 00:34:16,963
no‐nowhere to turn. We...
801
00:34:18,064 --> 00:34:20,100
Their families
had cast them out.
802
00:34:21,167 --> 00:34:22,635
The church...
803
00:34:28,441 --> 00:34:32,078
You cannot fault
our intentions.
804
00:34:32,078 --> 00:34:33,546
‐ Watch me.
805
00:34:45,525 --> 00:34:47,927
‐ LITTLE BOY:
No. Don't go.
806
00:34:47,927 --> 00:34:49,362
♪ Eerie music ♪
807
00:34:51,331 --> 00:34:52,966
Hm?
808
00:35:06,012 --> 00:35:07,480
‐ Open this door!
809
00:35:15,321 --> 00:35:16,956
‐ He was such
810
00:35:17,323 --> 00:35:18,958
a sweet child.
811
00:35:19,392 --> 00:35:23,329
No bother at all,
unless he wanted to play.
812
00:35:24,597 --> 00:35:26,232
Or needed a hug.
813
00:35:27,400 --> 00:35:29,135
I'm afraid the sisters were...
814
00:35:31,004 --> 00:35:34,174
very ineffective
in those areas.
815
00:35:35,108 --> 00:35:37,944
The flu took him in, um...
816
00:35:39,279 --> 00:35:41,147
Was it 1969?
817
00:35:41,147 --> 00:35:42,615
‐ Seventy.
818
00:35:43,383 --> 00:35:45,051
‐ Huh.
819
00:35:45,251 --> 00:35:46,920
I was very young.
820
00:35:47,353 --> 00:35:49,022
I didn't‐‐
821
00:35:49,589 --> 00:35:51,224
[ Sigh ]
822
00:35:51,991 --> 00:35:53,460
What exactly
823
00:35:53,560 --> 00:35:55,095
do you want,
824
00:35:55,095 --> 00:35:56,529
Mister Orley?
825
00:35:57,197 --> 00:35:58,631
‐ His mother.
826
00:35:59,566 --> 00:36:01,968
We need her information
so that we can find her.
827
00:36:01,968 --> 00:36:03,403
‐ She's dead.
828
00:36:09,209 --> 00:36:11,945
‐ What are you doing?
Let me out.
829
00:36:13,279 --> 00:36:14,414
‐ Play with me.
830
00:36:14,414 --> 00:36:16,082
[ Boom; rattling ]
831
00:36:18,084 --> 00:36:20,120
‐ Stop that!
‐ PLAY WITH ME!
832
00:36:20,120 --> 00:36:21,588
‐ Help!
833
00:36:22,355 --> 00:36:23,623
Stop it, man!
834
00:36:23,623 --> 00:36:25,091
Help!
835
00:36:25,658 --> 00:36:27,193
Help!
836
00:36:27,527 --> 00:36:29,195
♪ Emotional music ♪
837
00:36:29,195 --> 00:36:30,630
‐ Helen Potter,
838
00:36:31,030 --> 00:36:33,666
a lovely ‐‐
oh, lovely girl.
839
00:36:33,666 --> 00:36:36,402
She had just found a job.
840
00:36:36,402 --> 00:36:38,204
She was going to
841
00:36:38,204 --> 00:36:41,241
take her little boy back
to live with her.
842
00:36:41,241 --> 00:36:44,144
But then there was an accident.
843
00:36:44,144 --> 00:36:45,678
Very sad.
844
00:36:45,678 --> 00:36:47,180
Why,
845
00:36:47,180 --> 00:36:48,615
Mister Orley?
846
00:36:49,983 --> 00:36:52,018
Why do you ask
these questions?
847
00:36:53,186 --> 00:36:55,054
What good could possibly
848
00:36:55,321 --> 00:36:56,956
come of this?
849
00:36:57,457 --> 00:36:59,092
‐ We owe him.
850
00:37:01,327 --> 00:37:02,962
All of us.
851
00:37:09,169 --> 00:37:10,637
‐ His name...
852
00:37:12,238 --> 00:37:13,907
was George.
853
00:37:17,110 --> 00:37:18,978
[ Low rumbling ]
854
00:37:18,978 --> 00:37:21,548
[ Cacophony of musical sounds,
booms and rumbling]
855
00:37:24,484 --> 00:37:26,886
‐ Help! Help!
856
00:37:30,123 --> 00:37:31,017
Help!
857
00:37:35,547 --> 00:37:36,515
‐ Help!
‐ Damon. Damon! Damon!
‐ Help!
858
00:37:36,515 --> 00:37:38,150
‐ Hey!
859
00:37:38,550 --> 00:37:40,219
‐ Help!
860
00:37:40,786 --> 00:37:42,421
Help me!
861
00:37:45,324 --> 00:37:48,060
‐ I can hear him screaming
in the‐in the‐in the studio!
862
00:37:48,060 --> 00:37:48,861
‐ Somebody!
863
00:37:48,861 --> 00:37:49,862
‐ How many people
does it take?
864
00:37:49,862 --> 00:37:51,630
‐ SUSAN: Tessa, it's fine.
‐ TESSA: No, it's not okay.
865
00:37:51,630 --> 00:37:53,632
‐ George?
866
00:37:53,632 --> 00:37:55,534
[ Cacophony subsides ]
867
00:37:56,435 --> 00:37:58,370
Open up, buddy.
868
00:37:58,370 --> 00:38:00,038
[ Lock disengages ]
869
00:38:01,139 --> 00:38:02,708
[ Door squeaks open ]
870
00:38:04,643 --> 00:38:06,278
♪ Poignant music ♪
871
00:38:12,384 --> 00:38:15,387
George, I got some
sad news to tell you.
872
00:38:24,296 --> 00:38:25,731
Come here.
873
00:38:33,038 --> 00:38:34,439
Your mom?
874
00:38:34,439 --> 00:38:36,475
She isn't coming
to get you.
875
00:38:37,643 --> 00:38:39,278
She wanted to.
876
00:38:39,778 --> 00:38:41,780
God, she did
more than anything.
877
00:38:44,583 --> 00:38:48,086
But we don't always get
what we want in life.
878
00:38:48,387 --> 00:38:50,389
But the thing
about moms is,
879
00:38:51,256 --> 00:38:53,292
they never stop
being your mom.
880
00:38:55,294 --> 00:38:57,162
And you gotta believe me
because I know a little bit
881
00:38:57,162 --> 00:38:58,630
about this.
882
00:38:59,665 --> 00:39:01,333
Even when they're away,
883
00:39:02,134 --> 00:39:03,702
they're still‐still
kind of there.
884
00:39:11,510 --> 00:39:13,178
Yep.
885
00:39:14,513 --> 00:39:16,181
You know.
886
00:39:16,548 --> 00:39:18,150
Right there.
887
00:39:18,150 --> 00:39:19,785
[ Sniffles ]
888
00:39:19,785 --> 00:39:21,420
[ Swallows hard ]
889
00:39:21,653 --> 00:39:23,322
[ Emotional inhale ]
890
00:39:24,189 --> 00:39:27,226
But now I need you
to go to sleep.
891
00:39:28,694 --> 00:39:30,362
And when you see
a bright light,
892
00:39:30,362 --> 00:39:32,097
you go there.
893
00:39:34,233 --> 00:39:36,368
Your mom's there.
894
00:39:36,368 --> 00:39:38,103
And a bunch of other kids
to play with
895
00:39:38,103 --> 00:39:40,105
and they're all
waiting for you.
896
00:39:41,640 --> 00:39:43,408
Can you go to them?
897
00:39:45,310 --> 00:39:46,778
Can you do that?
898
00:39:51,116 --> 00:39:54,386
All I need you to do
is go to sleep.
899
00:40:25,551 --> 00:40:27,219
[ Ethereal vocalizing ]
900
00:40:56,582 --> 00:40:59,184
‐ The next time
I saw Sister Yasmin,
901
00:40:59,184 --> 00:41:00,519
she told me that
Sister Mary Ellen
902
00:41:00,519 --> 00:41:01,787
lit a candle that night
903
00:41:01,787 --> 00:41:02,788
[ Blowing ]
904
00:41:02,788 --> 00:41:04,456
for little George,
905
00:41:04,656 --> 00:41:06,291
his mother...
906
00:41:07,125 --> 00:41:10,095
and all the other moms
who never came back.
907
00:41:14,166 --> 00:41:15,634
[ Rumble ]
908
00:41:18,103 --> 00:41:19,438
[ Chuckle ]
909
00:41:19,438 --> 00:41:21,173
‐ CARL:
I'm glad we came here.
910
00:41:21,173 --> 00:41:22,641
We always had fun.
911
00:41:28,280 --> 00:41:30,048
What's wrong with you tonight?
912
00:41:30,549 --> 00:41:32,217
‐ Tough day.
913
00:41:34,052 --> 00:41:35,520
‐ Must be grueling,
914
00:41:36,188 --> 00:41:37,723
lifting those
915
00:41:37,723 --> 00:41:39,391
big pens,
916
00:41:39,391 --> 00:41:41,627
pushing 'em across
pages all day.
917
00:41:42,194 --> 00:41:44,096
‐ Dad, why did mom leave?
918
00:41:47,232 --> 00:41:48,367
‐ I really don't
want to talk‐‐
919
00:41:48,367 --> 00:41:50,502
‐ No, see, you never do.
920
00:41:50,502 --> 00:41:53,305
But what is it that
you're not telling me?
921
00:41:53,305 --> 00:41:54,706
[ Sighs ]
922
00:41:54,706 --> 00:41:55,807
‐ I never lied to you.
923
00:41:55,807 --> 00:41:58,310
‐ That's not
what I'm asking you!
924
00:41:58,510 --> 00:42:01,146
I just want to know if it was me
she was running from or you?
925
00:42:01,146 --> 00:42:03,148
‐ It was, uh...
926
00:42:03,148 --> 00:42:04,182
Us.
927
00:42:04,182 --> 00:42:05,551
‐ I think it was me.
928
00:42:05,551 --> 00:42:07,219
‐ You'd have to
ask her about that.
929
00:42:07,219 --> 00:42:08,120
‐ I did.
930
00:42:08,120 --> 00:42:09,788
‐ You wouldn't know her
if you saw her.
931
00:42:09,788 --> 00:42:12,791
‐ I found the snapshot.
One from the hospital.
932
00:42:13,392 --> 00:42:15,427
‐ Well, that's private.
Who told you could‐‐?
933
00:42:15,427 --> 00:42:17,162
‐ You were dead, Dad!
934
00:42:21,133 --> 00:42:24,303
‐ I guess you found those, uh,
magazines, too, uh?
935
00:42:24,303 --> 00:42:26,371
[ Bowling ball
drops onto lane ]
936
00:42:27,139 --> 00:42:30,209
‐ Look, a man, uh,
a man gets lonely.
937
00:42:30,209 --> 00:42:31,510
‐ You're just going to
joke your way through
938
00:42:31,510 --> 00:42:32,578
this whole thing again, huh?
939
00:42:32,578 --> 00:42:33,679
‐ Uh‐huh.
940
00:42:33,679 --> 00:42:35,347
‐ Ha‐ha!
941
00:42:36,181 --> 00:42:38,150
‐ Would it defuse
this tense moment
942
00:42:38,150 --> 00:42:40,619
if I said something nice
about your shoes?
943
00:42:45,657 --> 00:42:47,359
‐ Luke!
944
00:42:48,327 --> 00:42:49,728
Come on!
945
00:42:51,196 --> 00:42:52,664
[ Loud clicks ]
946
00:43:03,442 --> 00:43:05,244
[ Ethereal vocalizing ]
♪ Nobody does it quite like me ♪
947
00:43:05,244 --> 00:43:06,645
♪ That's something to be said ♪
948
00:43:06,645 --> 00:43:08,447
♪ Don't let the gift go
Straight to your head ♪
949
00:43:08,447 --> 00:43:10,482
♪ Flex on the mic
Like Mike seeing red ♪
950
00:43:10,482 --> 00:43:11,750
♪ Most of them
thought I'd be dead ♪
951
00:43:11,750 --> 00:43:13,051
♪ I go through the motions ♪
952
00:43:13,051 --> 00:43:16,021
♪ My range of emotions
Places I've been over... ♪
64676
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Irish
Italian
Japanese
Javanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof