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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,334 --> 00:00:02,374 ARE YOU GONNA HELP ME OR NOT? 2 00:00:02,368 --> 00:00:03,668 LET ME THINK ABOUT IT, OKAY? 3 00:00:03,670 --> 00:00:05,610 PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"... 4 00:00:05,606 --> 00:00:08,006 NO. HELL, I MIGHT EVEN TESTIFY AGAINST YOU. 5 00:00:08,008 --> 00:00:09,908 I AIN'T LEAVING TILL ONE OF YOU SONS OF BITCHES 6 00:00:09,910 --> 00:00:11,510 TELLS ME WHERE HE IS. 7 00:00:11,512 --> 00:00:12,752 GIVE YOUR SISTER A CALL. 8 00:00:12,746 --> 00:00:14,306 JUST HAVE HER MAKE SURE TO GET THE MONEY BACK TO JIM. 9 00:00:14,314 --> 00:00:15,384 THE DUDE IS DEAD. 10 00:00:15,381 --> 00:00:18,221 CLEAR! COME ON, JIM! DAMN IT! 11 00:00:18,218 --> 00:00:19,948 HOW LONG HAVE YOU BEEN WORKING HERE? 12 00:00:19,953 --> 00:00:21,723 NOT LONG. I JUST HAD TO DO SOMETHING 13 00:00:21,722 --> 00:00:23,992 BECAUSE JIM STOPPED PAYING CHILD SUPPORT. 14 00:00:23,990 --> 00:00:25,260 YOU SEE WHAT YOUR MOM DID TO ME? 15 00:00:25,258 --> 00:00:26,788 IT'S NOT FAIR. YOU SHOULDN'T HAVE HIT HER. 16 00:00:26,793 --> 00:00:28,233 YOU THINK I DESERVE THIS? 17 00:00:28,228 --> 00:00:30,858 YOU'RE GOING TO NEED A SAFE PLACE TO LAY YOUR HEAD. 18 00:00:30,864 --> 00:00:32,774 YOU'RE SAYING THAT I SHOULD SEE CANDACE? 19 00:00:32,766 --> 00:00:33,826 HELL NO. 20 00:00:33,834 --> 00:00:35,144 YOU'RE GLAD THAT SON OF A BITCH IS DEAD. 21 00:00:35,135 --> 00:00:36,095 DEAD? 22 00:00:36,102 --> 00:00:37,272 [ Singsongy voice ] FLATLINED. 23 00:00:37,270 --> 00:00:38,670 COME ON. SHUT UP, WYATT. 24 00:00:38,672 --> 00:00:40,472 HE'S NOT! 25 00:00:40,473 --> 00:00:42,143 HELLO? DID YOU HEAR ME? 26 00:00:42,142 --> 00:00:44,882 SHUT UP! HE'S DEAD. 27 00:00:44,878 --> 00:00:46,948 HE DID NOT. HE'S DEAD. 28 00:00:46,947 --> 00:00:49,017 COME ON. LET'S CELEBRATE. 29 00:00:49,015 --> 00:00:50,045 HE DIED? 30 00:00:50,050 --> 00:00:51,920 YES. 31 00:00:51,918 --> 00:00:53,288 I CAN'T BELIEVE THIS. 32 00:00:53,286 --> 00:00:54,886 YOU PRETENDING TO BE SAD? 33 00:00:54,888 --> 00:00:56,258 FOR WHAT? 34 00:00:56,256 --> 00:00:58,626 I DON'T BELIEVE YOU. 35 00:00:58,625 --> 00:01:01,195 WELL, HE DIED. 36 00:01:01,201 --> 00:01:02,771 HOW DO YOU KNOW? 37 00:01:02,769 --> 00:01:04,569 BECAUSE I SHOT HIM WITH A SHOTGUN. 38 00:01:04,571 --> 00:01:06,211 NO ONE COULD SURVIVE THAT. HE'S DEAD. 39 00:01:06,206 --> 00:01:09,436 WHAT IS THE MATTER WITH YOU? 40 00:01:12,613 --> 00:01:14,823 UH, YOU AND HIM. 41 00:01:14,815 --> 00:01:16,745 WHY WOULD YOU DO THAT? 42 00:01:16,750 --> 00:01:19,890 WHY WOULD YOU DO THAT TO JENNIFER SALLISON? 43 00:01:19,886 --> 00:01:22,986 I DON'T UNDERSTAND THIS, WYATT. 44 00:01:22,989 --> 00:01:25,459 THAT IS YOUR FATHER. 45 00:01:25,458 --> 00:01:27,758 AND I HATED HIM. 46 00:01:27,761 --> 00:01:31,701 ACTUALLY, I THINK I HATED HIM A LITTLE LESS THAN I HATED YOU. 47 00:01:31,698 --> 00:01:34,068 THAT'S WHY YOU'RE STILL ALIVE, YOU OLD BITCH. 48 00:01:37,403 --> 00:01:40,613 YOU KILLED YOUR FATHER. 49 00:01:40,607 --> 00:01:42,307 IS THAT A TEAR? 50 00:01:42,308 --> 00:01:45,678 YOU KILLED YOUR FATHER, WYATT! 51 00:01:45,679 --> 00:01:47,849 THAT IS YOUR FATHER! YES, HELLO, REDHEAD. 52 00:01:47,848 --> 00:01:49,248 GET THAT THROUGH YOUR SKULL. 53 00:01:49,249 --> 00:01:50,579 ARE YOU UPSET? 54 00:01:50,584 --> 00:01:52,854 OF COURSE I'M UPSET, WYATT. 55 00:01:52,853 --> 00:01:55,223 OF COURSE I'M UPSET! 56 00:01:55,221 --> 00:01:58,161 YOU LOVED HIM? 57 00:01:58,158 --> 00:02:00,158 THAT IS YOUR FATHER, SON. 58 00:02:00,160 --> 00:02:02,170 HE WAS. 59 00:02:02,168 --> 00:02:05,008 AND JIMMY CRACK CORN, AND I DON'T CARE. 60 00:02:05,005 --> 00:02:09,205 ♪♪♪♪ 61 00:02:09,209 --> 00:02:11,779 I DON'T UNDERSTAND THIS. 62 00:02:11,778 --> 00:02:14,008 I JUST WANT TO WAKE UP. 63 00:02:14,014 --> 00:02:15,184 I JUST WANT TO WAKE UP. 64 00:02:15,181 --> 00:02:17,751 I JUST WANT THIS NIGHTMARE TO BE OVER. 65 00:02:17,751 --> 00:02:19,621 ME TOO. IT'S BEEN MY WHOLE LIFE. 66 00:02:22,222 --> 00:02:24,532 I CAN'T BELIEVE THIS. 67 00:02:24,525 --> 00:02:26,125 WHY DO YOU KEEP SAYING THAT? 68 00:02:26,126 --> 00:02:27,426 HUH? 69 00:02:27,427 --> 00:02:29,197 COME ON. LET'S TALK ABOUT WHERE WE'RE GONNA BURY HIM. 70 00:02:29,195 --> 00:02:30,655 I WANT TO PISS ON HIS GRAVE. 71 00:02:34,735 --> 00:02:37,435 YOU'RE NOT GONNA BE ABLE TO PISS ON ANYTHING 72 00:02:37,437 --> 00:02:40,107 BECAUSE YOU'RE GONNA BE RIGHT HERE IN THIS PRISON. 73 00:02:40,106 --> 00:02:41,406 YEAH. 74 00:02:41,407 --> 00:02:43,777 ANYTHING'S BETTER THAN LIVING WITH THE TWO OF YOU. 75 00:02:46,046 --> 00:02:47,176 HEY, MOM. LET'S KEEP TALKING. 76 00:02:47,180 --> 00:02:48,180 DON'T SIT DOWN. 77 00:02:48,181 --> 00:02:50,851 HEY. 78 00:02:50,851 --> 00:02:52,821 JUST SHUT UP, WYATT. NO, NO, NO. 79 00:02:52,819 --> 00:02:54,319 LET'S KEEP ‐‐ LET'S KEEP TALKING. 80 00:02:54,320 --> 00:02:55,720 LET'S TALK ABOUT HOW WE'RE GONNA MISS HIS FUNERAL 81 00:02:55,722 --> 00:02:57,192 BECAUSE WE'RE STUCK IN HERE. JUST SHUT UP! 82 00:02:57,190 --> 00:02:58,760 WELL, YOU KNOW, I THINK WE SHOULD BURY HIM 83 00:02:58,759 --> 00:03:00,829 NEXT TO AMANDA. SHUT UP. 84 00:03:00,834 --> 00:03:02,544 DON'T YOU THINK? 85 00:03:02,536 --> 00:03:05,466 HE DID A GOOD JOB WITH HER, TOO. 86 00:03:05,471 --> 00:03:07,271 SHUT UP, WYATT. I MEAN IT. 87 00:03:07,273 --> 00:03:09,783 MOM, HERE IN JAIL, IT DOESN'T WORK THAT WAY. 88 00:03:09,776 --> 00:03:12,106 THERE'S GONNA BE A LOT OF PEOPLE TALKING. 89 00:03:12,112 --> 00:03:13,382 WYATT, JUST... 90 00:03:13,379 --> 00:03:14,619 YOU REALLY DON'T GET IT, DO YOU? 91 00:03:14,615 --> 00:03:15,745 YOU'RE IN JAIL, AND YOU'RE GONNA BE HERE 92 00:03:15,749 --> 00:03:17,419 FOR A VERY, VERY LONG TIME. 93 00:03:17,417 --> 00:03:22,617 THERE'S ONE THING YOU DON'T REALIZE ABOUT YOUR MOTHER. 94 00:03:25,225 --> 00:03:28,225 WHAT'S THAT, HUH? 95 00:03:28,228 --> 00:03:30,258 I'M A VERY POWERFUL WOMAN. 96 00:03:32,465 --> 00:03:34,895 HMM. 97 00:03:34,901 --> 00:03:38,811 WELL, YOU DON'T LOOK SO POWERFUL RIGHT NOW, DO YOU? 98 00:03:41,441 --> 00:03:45,411 THAT'S THE ONE THING ABOUT POWER, SON ‐‐ 99 00:03:45,411 --> 00:03:49,181 THOSE WHO HAVE IT DON'T ALWAYS LOOK LIKE THEY DO. 100 00:03:49,182 --> 00:03:50,482 HMM. 101 00:03:50,483 --> 00:03:53,093 WELL, MISS POWERFUL, 102 00:03:53,086 --> 00:03:56,856 WE SHALL SEE. 103 00:03:56,857 --> 00:03:58,487 YES, WE SHALL. 104 00:03:59,926 --> 00:04:02,436 [ LAUGHS ] OKAY. 105 00:04:02,435 --> 00:04:08,265 ♪♪♪♪ 106 00:04:08,274 --> 00:04:11,284 ‐‐Captions by VITAC‐‐ www.vitac.com 107 00:04:11,277 --> 00:04:14,277 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 108 00:04:14,280 --> 00:04:17,580 ♪♪♪♪ 109 00:04:22,388 --> 00:04:24,218 Woman on P. A.: DR. ZIMMERMAN TO RECOVERY ‐‐ STAT. 110 00:04:24,224 --> 00:04:25,794 ‐DR. DANNY. ‐HEY, DAVID. 111 00:04:25,792 --> 00:04:27,962 David: HEY. HOW ARE YOU? GOOD. 112 00:04:27,961 --> 00:04:29,831 HOW IS JIM? 113 00:04:29,830 --> 00:04:31,330 IT WAS TOUCH AND GO THERE FOR A SECOND, 114 00:04:31,331 --> 00:04:33,071 BUT HE'S GONNA BE JUST FINE. 115 00:04:33,066 --> 00:04:35,326 HEY, GOOD. GOOD NEWS. YEAH. 116 00:04:35,334 --> 00:04:36,804 YEAH, HE'LL BE AWAKE SOON, 117 00:04:36,803 --> 00:04:37,903 BUT HE WAS PRETTY OUT OF IT, THOUGH, 118 00:04:37,904 --> 00:04:39,874 SO HE'LL PROBABLY BE ABOUT AN HOUR OR SO. 119 00:04:39,873 --> 00:04:41,213 OKAY. ALL RIGHT. 120 00:04:41,207 --> 00:04:42,307 ALL RIGHT. THANK YOU. 121 00:04:42,308 --> 00:04:44,278 AND YOU NEED TO SCHEDULE YOUR CHECKUP NOW. 122 00:04:44,277 --> 00:04:45,607 YES, I‐I WILL. 123 00:04:45,612 --> 00:04:46,812 OKAY, THEN. ALL RIGHT. 124 00:04:46,813 --> 00:04:48,113 THANK YOU. IT WAS GOOD TO SEE YOU, DAVID. 125 00:04:48,114 --> 00:04:49,684 YOU TOO. ALL RIGHT. 126 00:04:53,119 --> 00:04:54,789 YOU HEARD THE DOCTOR. 127 00:04:54,788 --> 00:04:56,918 YEAH, I'M SITTING RIGHT HERE. 128 00:04:56,923 --> 00:04:59,333 OKAY. 129 00:04:59,325 --> 00:05:02,935 I CAN CALL YOU AND LET YOU KNOW HOW HE'S DOING. 130 00:05:02,936 --> 00:05:05,206 I'M NOT LEAVING THIS PLACE UNTIL I SEE HIM. 131 00:05:05,205 --> 00:05:06,405 NOW, HE CAN HIDE BEHIND THE GATES, 132 00:05:06,406 --> 00:05:07,566 BUT HE CAN'T HIDE IN HERE. 133 00:05:07,574 --> 00:05:09,484 AH, CELINE, I'M TELLING YOU... 134 00:05:09,475 --> 00:05:11,005 DAVID, PLEASE, OKAY? 135 00:05:11,011 --> 00:05:12,511 HE WOULDN'T LET ME NEAR THE HOUSE, SO I ‐‐ 136 00:05:12,513 --> 00:05:14,583 I AM GOING TO SEE HIM. 137 00:05:14,581 --> 00:05:16,681 I WILL. 138 00:05:16,683 --> 00:05:21,353 NOW, YOU KNOW YOU CAN LOSE THIS JOB, AS WELL. 139 00:05:21,354 --> 00:05:22,594 GO AHEAD. 140 00:05:22,589 --> 00:05:25,759 I'VE GOT NOTHING ELSE, SO DO IT. 141 00:05:25,759 --> 00:05:27,659 I AM TRYING TO BE CIVIL WITH YOU. 142 00:05:27,661 --> 00:05:30,631 NO, YOU'RE TRYING TO PROTECT JIM, LIKE YOU ALWAYS DO. 143 00:05:30,631 --> 00:05:31,671 WHY DON'T YOU JUST ‐‐ 144 00:05:31,665 --> 00:05:32,865 WHY DON'T YOU JUST LEAVE ME ALONE? 145 00:05:32,866 --> 00:05:35,866 HOW ABOUT THAT? JUST LEAVE ME ALONE. 146 00:05:35,869 --> 00:05:37,099 I'M GOING TO SEE HIM. 147 00:05:37,103 --> 00:05:38,343 I MEAN IT. 148 00:05:38,338 --> 00:05:39,768 FINE. SUIT YOURSELF. 149 00:05:39,773 --> 00:05:41,343 HAVE A SEAT. 150 00:05:41,341 --> 00:05:43,981 Woman on P. A.: INHALATION THERAPIST TO CCU. 151 00:05:43,977 --> 00:05:46,907 INHALATION THERAPIST, REPORT TO THE CCU. 152 00:05:46,913 --> 00:05:53,793 ♪♪♪♪ 153 00:05:53,787 --> 00:05:57,217 ♪♪♪♪ 154 00:05:57,223 --> 00:06:00,373 HEY. 155 00:06:00,366 --> 00:06:01,896 HEY. 156 00:06:01,902 --> 00:06:04,512 HEY. MAN, LOOK. 157 00:06:04,505 --> 00:06:06,405 DON'T YOU WANT TO EAT SOMETHING? 158 00:06:06,406 --> 00:06:08,266 NO. 159 00:06:08,274 --> 00:06:10,014 WELL, MAN, YOU GOT TO EAT. 160 00:06:10,010 --> 00:06:13,680 AND YOU GOT TO LET ME OUT HERE. 161 00:06:13,680 --> 00:06:15,980 NO, THAT'S NOT GONNA HAPPEN. AH, COME ON, MAN. 162 00:06:15,982 --> 00:06:17,682 MY MOM'S GONNA BE WORRIED SICK ABOUT ME. 163 00:06:17,684 --> 00:06:20,624 [ CHUCKLES ] YOU'RE A MAMA'S BOY, THEN. 164 00:06:20,621 --> 00:06:22,621 I'M NOT PLAYING WITH YOU. 165 00:06:22,623 --> 00:06:25,193 LOOK, SHE'S NOT GONNA BE. 166 00:06:25,191 --> 00:06:26,791 WHY THE HELL YOU SAY THAT, MAN? 167 00:06:26,793 --> 00:06:27,933 HMM? WHY YOU SAY THAT? 168 00:06:27,928 --> 00:06:29,258 WHAT THE HELL YOU TALKING ABOUT, MAN?! 169 00:06:29,262 --> 00:06:30,432 HEY. 170 00:06:30,430 --> 00:06:31,700 SHE'S NOT GONNA BE WORRIED 'CAUSE YOU'RE 171 00:06:31,698 --> 00:06:33,498 GONNA GIVE HER A CALL. I AIN'T CALLING HER. 172 00:06:33,499 --> 00:06:35,399 SO YOU WANT HER TO BE WORRIED, THEN. 173 00:06:35,401 --> 00:06:36,901 WHAT THE HELL, MAN? 174 00:06:36,903 --> 00:06:38,643 LOOK, YOU'RE JUST GONNA CALL YOUR MOTHER, 175 00:06:38,639 --> 00:06:42,009 HAVE HER MAKE SURE YOUR SISTER GETS THE MONEY BACK TO JIM. 176 00:06:42,008 --> 00:06:45,478 I TOLD YOU ‐‐ THE DUDE IS DEAD! 177 00:06:45,478 --> 00:06:48,108 THAT'S WHERE YOU'RE WRONG. 178 00:06:48,114 --> 00:06:49,624 WHAT... 179 00:06:49,616 --> 00:06:50,876 HE'S NOT? HE'S, UH... 180 00:06:50,884 --> 00:06:53,194 HE'S DOING OKAY. 181 00:06:53,186 --> 00:06:55,586 WHAT THE HELL, MAN? 182 00:06:55,589 --> 00:06:56,859 ALL RIGHT. 183 00:06:56,857 --> 00:06:57,987 GONNA GIVE HER A CALL WHEN I GET BACK. 184 00:06:57,991 --> 00:06:59,491 COME ON, MAN. HEY. WHERE YOU GOING? 185 00:06:59,492 --> 00:07:00,832 I'LL BE BACK. JUST... 186 00:07:00,834 --> 00:07:02,604 [ SIGHS ] 187 00:07:02,603 --> 00:07:05,713 ♪♪♪♪ 188 00:07:05,706 --> 00:07:07,466 [ DOOR OPENS ] 189 00:07:08,709 --> 00:07:09,839 BENNY? 190 00:07:09,843 --> 00:07:11,713 NO, IT'S ME, MAMA. 191 00:07:11,712 --> 00:07:12,852 DID Y'ALL FIND HIM? 192 00:07:12,846 --> 00:07:15,316 NO. 193 00:07:16,750 --> 00:07:19,790 WHAT HAPPENED, MITCH? 194 00:07:19,786 --> 00:07:21,246 HE WENT TO A CLUB. 195 00:07:21,254 --> 00:07:22,564 HE WENT INTO A BACK ROOM WITH A GIRL, 196 00:07:22,556 --> 00:07:24,016 AND THEN HE WAS GONE. 197 00:07:24,024 --> 00:07:26,094 A ROOM WITH A GIRL? YEAH. 198 00:07:26,092 --> 00:07:29,502 WHA‐‐ WHAT KIND OF CLUB? 199 00:07:29,495 --> 00:07:31,665 IT WAS JUST LIKE A ‐‐ A DANCE CLUB. 200 00:07:31,665 --> 00:07:34,325 A STRIP CLUB? 201 00:07:34,334 --> 00:07:35,674 WELL... 202 00:07:35,669 --> 00:07:37,199 WHAT HAPPENED, MITCH? WHAT? 203 00:07:37,203 --> 00:07:38,343 WHAT GIRL? 204 00:07:38,338 --> 00:07:39,768 SHE DOESN'T KNOW WHERE HE IS. 205 00:07:39,773 --> 00:07:41,473 HOW CAN SHE NOT KNOW? 206 00:07:41,474 --> 00:07:43,414 OH, SHE WOULD'VE TOLD ME IF SHE KNEW. 207 00:07:43,409 --> 00:07:45,149 OKAY. I WANT TO TALK TO HER. 208 00:07:45,145 --> 00:07:47,445 I ALREADY DID. 209 00:07:47,447 --> 00:07:48,917 OH, WHAT THE HELL IS GOING ON? 210 00:07:48,915 --> 00:07:50,875 MAMA, WE'LL FIND HIM. 211 00:07:50,884 --> 00:07:52,994 JIM CRYER DID ANYTHING TO MY SON... 212 00:07:52,986 --> 00:07:55,286 JIM? YES. 213 00:07:55,288 --> 00:07:56,818 WHEN I WENT OVER THERE TO THEIR HOUSE, 214 00:07:56,823 --> 00:07:59,363 BENNY'S NAME WAS ON A PIECE OF PAPER WITH TODAY'S DATE. 215 00:07:59,359 --> 00:08:00,869 WHAT? 216 00:08:00,867 --> 00:08:02,097 YEAH. 217 00:08:02,102 --> 00:08:03,702 [ CELLPHONE RINGS ] 218 00:08:03,704 --> 00:08:07,174 ♪♪♪♪ 219 00:08:07,173 --> 00:08:08,243 HELLO? 220 00:08:08,241 --> 00:08:10,011 BENNY: Hello. 221 00:08:10,010 --> 00:08:13,110 BENNY, WHERE YOU AT? 222 00:08:13,113 --> 00:08:15,153 I'm all right. 223 00:08:15,148 --> 00:08:16,518 WHERE ARE YOU AT?! 224 00:08:16,517 --> 00:08:18,147 Ma, I'm okay. 225 00:08:18,151 --> 00:08:20,251 BOY... 226 00:08:20,253 --> 00:08:22,123 WE HAVE BEEN LOOKING FOR YOU, 227 00:08:22,122 --> 00:08:25,932 AND I HAVE BEEN CALLING YOU ALL NIGHT LONG. 228 00:08:25,926 --> 00:08:27,586 I'm okay. 229 00:08:27,594 --> 00:08:30,704 BENNY, JIM CRYER HAD YOUR NAME ON A PIECE OF PAPER. 230 00:08:30,697 --> 00:08:32,767 I KNOW. Where are you? 231 00:08:32,766 --> 00:08:35,266 LOOK, MA, IS CANDACE THERE? 232 00:08:35,268 --> 00:08:36,598 WHAT'S GOING ON, BENNY? 233 00:08:36,603 --> 00:08:37,743 Ma, ma, look, I'm good. 234 00:08:37,738 --> 00:08:38,738 I'll be back soon. All right? 235 00:08:38,739 --> 00:08:40,069 Can I just talk to Candace? 236 00:08:40,073 --> 00:08:41,643 I AIN'T LETTING YOU TALK TO NOBODY TILL YOU TELL ME 237 00:08:41,642 --> 00:08:42,882 WHAT'S GOING ON. 238 00:08:42,876 --> 00:08:45,376 MAMA. Benny! 239 00:08:45,378 --> 00:08:46,948 ALL RIGHT. HE'S... 240 00:08:46,947 --> 00:08:49,947 he's holding me. 241 00:08:49,950 --> 00:08:51,520 WHO'S HOLDING YOU? 242 00:08:51,518 --> 00:08:52,548 JIM. ALL RIGHT? 243 00:08:52,553 --> 00:08:54,123 HE HAS SOME PEOPLE HOLDING ME. 244 00:08:54,120 --> 00:08:55,690 OH, THAT SON OF A BITCH. 245 00:08:55,689 --> 00:08:56,919 But I'm all right. 246 00:08:56,923 --> 00:08:58,933 IT'S ABOUT HIS MONEY? 247 00:08:58,925 --> 00:09:01,865 YEAH, SO I JUST NEED TO TALK TO CANDACE, MOMMY. 248 00:09:01,868 --> 00:09:03,638 Mama, let me ‐‐ Mama, let me talk to her. 249 00:09:03,637 --> 00:09:05,537 YEAH, HERE. 250 00:09:06,239 --> 00:09:07,609 HELLO? 251 00:09:07,608 --> 00:09:09,808 CANDACE, THEY'RE HOLDING ME UNTIL THEY GET THAT MONEY. 252 00:09:09,810 --> 00:09:11,210 REALLY? Yes. 253 00:09:13,313 --> 00:09:14,553 HELLO? 254 00:09:14,548 --> 00:09:16,118 WHO IS THIS? 255 00:09:17,984 --> 00:09:19,524 I'M A KILLER. 256 00:09:20,954 --> 00:09:22,624 YOU BETTER LET MY BROTHER GO. 257 00:09:22,623 --> 00:09:25,093 [ CHUCKLES ] YOU GET THAT MONEY BACK IN THE BANK, HEY? 258 00:09:25,091 --> 00:09:26,961 I AM NOT PLAYING WITH YOU. 259 00:09:26,960 --> 00:09:28,260 WE'RE NOT PLAYING WITH HIM. 260 00:09:28,261 --> 00:09:29,831 HE'S DEAD BY 10:00 IF IT'S NOT THERE. 261 00:09:31,632 --> 00:09:33,232 IT'LL BE THERE, 262 00:09:33,233 --> 00:09:35,573 AND WHEN I FIND YOU, YOU'LL BE DEAD. 263 00:09:35,569 --> 00:09:36,569 CANDACE. 264 00:09:36,570 --> 00:09:39,370 ♪♪♪♪ 265 00:09:39,372 --> 00:09:40,872 [ CELLPHONE BEEPS ] 266 00:09:43,209 --> 00:09:46,249 HE HUNG UP. 267 00:09:46,246 --> 00:09:48,076 [ SIGHS ] 268 00:09:48,081 --> 00:09:54,151 ♪♪♪♪ 269 00:09:54,154 --> 00:10:00,204 ♪♪♪♪ 270 00:10:02,402 --> 00:10:03,442 WHAT HAPPENED? 271 00:10:03,436 --> 00:10:04,836 IT'S ABOUT THAT MONEY. YEAH. 272 00:10:04,838 --> 00:10:06,808 HE'S HOLDING HIM HOSTAGE UNTIL HE GETS HIS MONEY BACK. 273 00:10:06,807 --> 00:10:07,967 IS JIM ALIVE? 274 00:10:07,974 --> 00:10:09,584 I DON'T KNOW, BUT EVEN IF HE'S NOT, 275 00:10:09,576 --> 00:10:11,236 YOU BETTER GIVE THAT MONEY BACK TO KATHERYN. 276 00:10:11,244 --> 00:10:12,354 MAMA. 277 00:10:12,345 --> 00:10:13,775 I'M NOT PLAYING WITH YOU, CANDACE. 278 00:10:13,780 --> 00:10:18,050 I WAS ASKING TO FIND TO OUT WHO HE HIRED TO KIDNAP BENNY. 279 00:10:18,051 --> 00:10:19,351 IT DON'T MATTER. 280 00:10:19,352 --> 00:10:20,752 GIVE IT BACK. 281 00:10:20,754 --> 00:10:22,664 THESE PEOPLE DON'T CARE. 282 00:10:22,656 --> 00:10:24,016 THEY DON'T CARE ABOUT US. 283 00:10:24,024 --> 00:10:25,664 BUT THEIR MONEY ‐‐ GIVE IT BACK. 284 00:10:25,659 --> 00:10:27,389 NO, SHE'S RIGHT, MISS HANNA ‐‐ THEY DON'T CARE. 285 00:10:27,393 --> 00:10:30,803 THEY WILL TAKE THE MONEY, AND THEY WILL STILL KILL BENNY. 286 00:10:30,797 --> 00:10:31,927 I'M CALLING THE POLICE. 287 00:10:31,932 --> 00:10:33,202 I WOULDN'T DO THAT IF I WERE YOU. 288 00:10:33,199 --> 00:10:34,899 WHAT IS WRONG WITH Y'ALL? I'M CALLING THE POLICE. 289 00:10:34,901 --> 00:10:37,271 LOOK, MISS HANNA, I KNOW HOW THIS WORKS. 290 00:10:37,270 --> 00:10:40,740 ALL RIGHT? JUST LET US TRY TO WORK THIS OUT OUR WAY, OKAY? 291 00:10:40,741 --> 00:10:43,511 NO OFFENSE, BUT THIS IS STREET. 292 00:10:43,510 --> 00:10:45,310 YOU DON'T GET IT. 293 00:10:45,311 --> 00:10:46,911 YOU THINK I'M NOT GONNA CALL THE POLICE? 294 00:10:46,913 --> 00:10:49,253 [ SIGHS ] IF YOU DO THAT, THEY WILL KILL HIM. 295 00:10:49,249 --> 00:10:51,719 THEY WILL. WHAT? 296 00:10:51,718 --> 00:10:53,418 WAIT A MINUTE. 297 00:10:53,419 --> 00:10:55,059 PLEASE TELL ME Y'ALL AIN'T TRYING TO RUN NO GAME. 298 00:10:55,055 --> 00:10:56,385 OH! NO, MISS HANNA. 299 00:10:56,389 --> 00:10:57,559 WE WOULD NEVER. 300 00:10:57,558 --> 00:10:59,428 YOU'RE NOT, LIKE, IN THIS WITH HER? 301 00:10:59,425 --> 00:11:00,885 NO. I MEAN, COME... 302 00:11:00,894 --> 00:11:02,844 WOULD YOU CHILL WITH THAT, PLEASE? 303 00:11:02,836 --> 00:11:04,436 LISTEN. 304 00:11:04,437 --> 00:11:06,467 CANDACE, COME ON, NOW. 305 00:11:06,472 --> 00:11:08,642 YOU KNOW HOW YOU CAN GET. 306 00:11:08,642 --> 00:11:11,582 I'M NOT RUNNING GAME. 307 00:11:11,578 --> 00:11:13,908 SHE'S NOT, MISS HANNA. 308 00:11:13,914 --> 00:11:16,554 [ SIGHS ] WHERE DID THEY TAKE HIM? 309 00:11:16,550 --> 00:11:18,320 WHO? JIM. 310 00:11:18,318 --> 00:11:22,088 I DON'T KNOW. I DON'T. 311 00:11:22,088 --> 00:11:24,218 CAN YOU FIND OUT, MITCH? 312 00:11:24,224 --> 00:11:25,894 UH, YEAH. I'LL MAKE A CALL, OKAY? 313 00:11:25,892 --> 00:11:27,232 OKAY. ALL RIGHT. 314 00:11:29,129 --> 00:11:30,529 CANDACE, GIVE HIM HIS MONEY. 315 00:11:32,432 --> 00:11:34,402 IT'S NOT THE THING TO DO. 316 00:11:34,400 --> 00:11:36,440 CALL THE BANK. 317 00:11:36,436 --> 00:11:38,166 IT'S 7:00 IN THE MORNING. THE BANK'S NOT OPEN. 318 00:11:38,171 --> 00:11:39,341 WELL, AS SOON AS THEY DO, CALL THEM 319 00:11:39,339 --> 00:11:40,569 AND GET THEM BACK THEIR MONEY. 320 00:11:40,574 --> 00:11:44,144 THEN WE LOSE ALL LEVERAGE. 321 00:11:44,144 --> 00:11:46,384 LORD, HAVE MERCY. 322 00:11:46,379 --> 00:11:49,649 I HOPE TO GOD YOU AIN'T RUNNING NO GAME ON ME. 323 00:11:49,650 --> 00:11:53,350 OKAY. THIS IS SO TIRED. 324 00:11:53,353 --> 00:11:54,693 LISTEN. [ SIGHS ] 325 00:11:54,688 --> 00:11:57,558 SORRY, HONEY, BUT YOUR REPUTATION MAKES ME 326 00:11:57,558 --> 00:11:58,858 HAVE TO ASK YOU THESE QUESTIONS. 327 00:11:58,859 --> 00:12:00,729 WELL, I DON'T LIKE IT. 328 00:12:00,734 --> 00:12:02,304 WELL, I'M SORRY. 329 00:12:02,302 --> 00:12:04,612 WE GOT A LOT OF HISTORY. 330 00:12:04,605 --> 00:12:06,235 FINE. 331 00:12:08,341 --> 00:12:10,111 LISTEN. 332 00:12:12,546 --> 00:12:15,876 I KNOW YOUR BROTHER WANTED YOU TO KEEP THIS MONEY. 333 00:12:15,882 --> 00:12:18,592 HOW DID WORDS GET ON A PIECE OF PAPER AT JIM'S HOUSE? 334 00:12:18,585 --> 00:12:20,315 DOES THAT MAKE ANY SENSE? 335 00:12:22,523 --> 00:12:24,993 I'M GOING TO THE POLICE STATION AT 9:30. 336 00:12:24,991 --> 00:12:28,261 IF THAT MONEY IS NOT BACK IN HIS ACCOUNT 337 00:12:28,261 --> 00:12:30,501 AND YOUR BROTHER IS NOT HERE, 338 00:12:30,496 --> 00:12:32,196 I'M GONNA TELL THEM EVERYTHING. 339 00:12:32,198 --> 00:12:36,098 ♪♪♪♪ 340 00:12:36,102 --> 00:12:38,142 SO, JIM'S AT ST. CLAUDE. 341 00:12:38,138 --> 00:12:39,908 IS ‐‐ HOW IS HE? 342 00:12:39,906 --> 00:12:42,536 WELL, HE'S ALIVE. LET'S GO TALK TO HIM. 343 00:12:42,543 --> 00:12:43,883 I DON'T KNOW HOW HE'S DOING, BUT HE'S A‐‐ 344 00:12:43,877 --> 00:12:44,877 DOESN'T MATTER. 345 00:12:44,878 --> 00:12:46,178 WHERE ARE YOU GOING? 346 00:12:46,179 --> 00:12:48,149 I WANT TO TALK TO HIS ASS, TOO. 347 00:12:48,148 --> 00:12:51,018 OKAY. 348 00:12:54,254 --> 00:12:57,094 ‐OH, JEFFERY. ‐YEAH? 349 00:12:57,090 --> 00:12:58,960 JIM'S GONNA BE FINE. 350 00:12:58,959 --> 00:12:59,959 WELL, THAT'S GOOD. 351 00:12:59,960 --> 00:13:01,200 YES. 352 00:13:01,201 --> 00:13:04,771 YOU SHOULD GO STAY AT THE ARTESIAN. 353 00:13:04,771 --> 00:13:07,241 WHY? THE HOUSE IS A MESS. 354 00:13:07,240 --> 00:13:09,140 YOU KNOW, THE OFFICER WANTED TO SPEAK TO US. 355 00:13:09,142 --> 00:13:10,312 THEY CALLED ME AND ASKED 356 00:13:10,310 --> 00:13:11,580 IF WE COULD MEET THEM THERE THIS MORNING. 357 00:13:11,578 --> 00:13:13,378 I DON'T WANT YOU TALKING TO THEM. 358 00:13:13,379 --> 00:13:14,949 DAD, I WANT TO. 359 00:13:14,948 --> 00:13:16,678 NO. 360 00:13:16,683 --> 00:13:19,993 GO TO THE ARTESIAN. 361 00:13:19,986 --> 00:13:21,886 YOU THINK SHE'LL SEND SOMEONE ELSE BACK? 362 00:13:21,888 --> 00:13:24,558 I'VE HIRED ARMED GUARDS FOR THE HOUSE. 363 00:13:24,558 --> 00:13:25,688 THEN I SHOULD GO THERE. 364 00:13:27,628 --> 00:13:31,398 IF YOU GO THERE, DON'T TALK TO ANYONE UNTIL I GET THERE. 365 00:13:31,397 --> 00:13:33,167 OKAY. 366 00:13:33,166 --> 00:13:35,636 I'M GONNA SEE JIM, AND THEN I'M GONNA GO HOME. 367 00:13:35,636 --> 00:13:36,696 OKAY. 368 00:13:36,703 --> 00:13:38,613 THERE'S A CLEANING CREW THERE. 369 00:13:38,605 --> 00:13:39,705 ALL RIGHT. 370 00:13:39,706 --> 00:13:41,536 ALL RIGHT, SON... 371 00:13:41,542 --> 00:13:44,442 BE SAFE. 372 00:13:44,444 --> 00:13:47,114 I WILL. 373 00:13:47,113 --> 00:13:48,883 JEFFERY. 374 00:13:48,882 --> 00:13:51,022 CELINE, HEY. HI. 375 00:13:51,017 --> 00:13:53,147 HOW ARE YOU? 376 00:13:53,153 --> 00:13:55,363 YOU KNOW, I'VE BEEN BETTER. 377 00:13:55,355 --> 00:13:57,185 TRUST ME, I UNDERSTAND THAT. 378 00:13:57,190 --> 00:13:58,260 WELL, IT'S SO GOOD TO SEE YOU. 379 00:13:58,258 --> 00:13:59,288 I GOT TO RUN. THANK YOU. 380 00:13:59,292 --> 00:14:01,172 YOU'RE ALWAYS SO KIND. 381 00:14:01,167 --> 00:14:02,037 THANK YOU. 382 00:14:03,436 --> 00:14:04,266 HEY! HEY. 383 00:14:04,270 --> 00:14:05,310 YOU LEAVING? 384 00:14:05,305 --> 00:14:07,205 YEAH. YEAH, ME TOO. 385 00:14:07,207 --> 00:14:08,267 WHERE YOU HEADED? 386 00:14:08,274 --> 00:14:09,944 HOME TO REST. 387 00:14:09,943 --> 00:14:12,713 DO YOU LIVE ANYWHERE NEAR MY DAD'S HOUSE? 388 00:14:12,713 --> 00:14:14,153 UH, NO. 389 00:14:14,147 --> 00:14:16,747 UH, YOU NEED A RIDE? 390 00:14:16,750 --> 00:14:18,990 NAH, IT'S NOT ON YOUR WAY. 391 00:14:18,985 --> 00:14:21,245 NO, I DON'T MIND. NO, IT'S FINE. 392 00:14:21,254 --> 00:14:23,494 I MEAN, I KNOW YOU'VE BEEN WORKING ALL NIGHT, SO... 393 00:14:23,489 --> 00:14:26,189 I REALLY DON'T MIND. 394 00:14:26,192 --> 00:14:27,632 OKAY. THANK YOU. 395 00:14:27,628 --> 00:14:36,268 ♪♪♪♪ 396 00:14:36,269 --> 00:14:39,169 I SEE THE WAY YOU'RE LOOKING AT THEM. 397 00:14:39,172 --> 00:14:41,212 WHAT? 398 00:14:41,207 --> 00:14:43,237 WHATEVER YOU'RE THINKING, THINK AGAIN. 399 00:14:43,243 --> 00:14:46,013 YOU DON'T KNOW WHAT I'M THINKING. 400 00:14:46,012 --> 00:14:47,412 I THINK YOU'VE BEEN THROUGH A LOT. 401 00:14:47,413 --> 00:14:50,823 I THINK YOU NEED TO MIND YOUR OWN BUSINESS. 402 00:14:50,817 --> 00:14:53,287 IT CAN GET A LOT WORSE. 403 00:14:53,286 --> 00:14:55,456 I'M OKAY WITH THAT. 404 00:14:55,455 --> 00:14:57,785 I GOT NOTHING TO LOSE. 405 00:14:57,791 --> 00:15:01,001 IF YOU THINK WHAT MY EX‐WIFE DID TO YOU WAS SOMETHING... 406 00:15:03,203 --> 00:15:05,043 THAT'S YOUR PROBLEM ‐‐ 407 00:15:05,038 --> 00:15:07,808 YOUR FAMILY IS SO FULL OF THREATS. 408 00:15:07,808 --> 00:15:11,548 I'M TELLING YOU, YOU CAN'T HURT ME. 409 00:15:11,545 --> 00:15:13,375 OKAY. 410 00:15:13,379 --> 00:15:16,419 COME NEAR MY SON AGAIN, I'LL SEE WHAT I CAN COME UP WITH. 411 00:15:16,416 --> 00:15:18,116 OKAY. 412 00:15:18,118 --> 00:15:19,748 PISS OFF. 413 00:15:23,790 --> 00:15:25,560 SIR, YOU'RE GONNA BE IN A LOT OF PAIN 414 00:15:25,559 --> 00:15:27,159 WHEN MEDS WEAR OFF. YOU'RE NOT DISCHARGED. 415 00:15:27,160 --> 00:15:28,260 LEAVE ME ALONE. ALL RIGHT? 416 00:15:28,261 --> 00:15:30,261 I'M TELLING YOU. 417 00:15:30,263 --> 00:15:31,003 ♪♪♪♪ 418 00:15:33,066 --> 00:15:38,236 ♪♪♪♪ 419 00:15:38,238 --> 00:15:43,308 ♪♪♪♪ 420 00:15:43,309 --> 00:15:44,309 GOOD RUN? 421 00:15:44,310 --> 00:15:45,610 YEAH. 422 00:15:45,612 --> 00:15:46,852 CLEARED MY HEAD A BIT. 423 00:15:46,847 --> 00:15:49,377 THAT'S GREAT, SIR. 424 00:15:49,382 --> 00:15:50,582 YEAH. 425 00:15:50,584 --> 00:15:53,024 SO, SIR, UH, WE'VE BEGUN TO TURN THE TIDE 426 00:15:53,019 --> 00:15:54,449 ON THIS CANDACE YOUNG SITUATION. 427 00:15:54,454 --> 00:15:55,894 [ SIGHS ] 428 00:15:55,889 --> 00:15:57,159 I JUST SAID I CLEARED MY HEAD. 429 00:15:57,157 --> 00:15:59,387 DO YOU THINK I WANT TO PUT THAT IN THERE? 430 00:15:59,392 --> 00:16:02,042 SORRY, SIR. 431 00:16:02,035 --> 00:16:03,735 WHERE'S LANDON? 432 00:16:03,737 --> 00:16:05,907 SIR, YOU FIRED HIM. YES, I KNOW. 433 00:16:05,906 --> 00:16:07,936 HE DIDN'T TELL YOU HOW I LIKE THINGS DONE? 434 00:16:07,941 --> 00:16:09,641 YES, SIR, HE DID. 435 00:16:09,643 --> 00:16:11,813 WELL, YOU SHOULD KNOW THAT I DON'T WANT TO HEAR ABOUT THAT. 436 00:16:11,812 --> 00:16:14,182 SORRY, SIR. [ SIGHS ] 437 00:16:14,180 --> 00:16:16,020 THANK YOU. 438 00:16:16,016 --> 00:16:18,476 CAN I GET YOU ANYTHING? 439 00:16:18,484 --> 00:16:20,054 YEAH. 440 00:16:20,053 --> 00:16:21,723 LANDON. 441 00:16:21,722 --> 00:16:23,192 I WANT TO TALK TO HIM. 442 00:16:23,189 --> 00:16:25,029 YES, SIR. 443 00:16:25,025 --> 00:16:26,285 OKAY. 444 00:16:26,292 --> 00:16:27,692 HOW LONG? 445 00:16:27,694 --> 00:16:29,964 UH, HE'S IN THE GARAGE TALKING WITH SOME OF THE STAFF. 446 00:16:29,963 --> 00:16:30,963 OKAY. 447 00:16:30,964 --> 00:16:32,374 SEND HIM IN HERE. 448 00:16:32,365 --> 00:16:33,565 YES, SIR. 449 00:16:33,567 --> 00:16:40,907 ♪♪♪♪ 450 00:16:40,907 --> 00:16:48,207 ♪♪♪♪ 451 00:16:48,214 --> 00:16:55,564 ♪♪♪♪ 452 00:16:55,556 --> 00:16:58,826 I WAS JUST GIVING FINAL INSTRUCTIONS. 453 00:16:58,825 --> 00:17:00,525 YOU TRAIN THAT KID? 454 00:17:00,527 --> 00:17:02,567 YES, SIR. I DID. [ SCOFFS ] 455 00:17:02,569 --> 00:17:04,909 WELL, HE OBVIOUSLY DIDN'T LEARN MUCH. 456 00:17:04,905 --> 00:17:08,105 OH. I'M SORRY. 457 00:17:08,108 --> 00:17:11,338 I'M GONNA NEED YOU TO STAY ON TILL WE FIND A REPLACEMENT. 458 00:17:11,344 --> 00:17:12,584 OH. 459 00:17:12,579 --> 00:17:14,179 YES, SIR. 460 00:17:14,180 --> 00:17:15,180 THAT OKAY? 461 00:17:15,181 --> 00:17:16,951 OF COURSE. 462 00:17:16,950 --> 00:17:17,980 GOOD. 463 00:17:17,984 --> 00:17:19,994 THANK YOU. 464 00:17:19,986 --> 00:17:21,916 HOW WAS YOUR RUN? 465 00:17:21,922 --> 00:17:23,462 IT WAS GOOD. 466 00:17:23,456 --> 00:17:25,826 GOOD. 467 00:17:25,826 --> 00:17:29,156 NICE DAY TO CLEAR YOUR HEAD. 468 00:17:29,162 --> 00:17:31,062 YEAH. 469 00:17:31,064 --> 00:17:34,104 I'LL GET YOU SOME GREEN JUICE AND EGG WHITES. 470 00:17:34,100 --> 00:17:36,170 THANK YOU. SURE, SIR. 471 00:17:36,169 --> 00:17:38,709 AND... 472 00:17:38,705 --> 00:17:40,335 TODAY'S PAPER. 473 00:17:40,340 --> 00:17:42,980 LANDON. YES, SIR? 474 00:17:42,976 --> 00:17:46,206 I JUST GOT ON HIM FOR ASKING ME ABOUT HER. 475 00:17:46,212 --> 00:17:48,782 WELL, YOU WANT TO READ THIS. 476 00:17:48,782 --> 00:17:52,722 ♪♪♪♪ 477 00:17:52,719 --> 00:17:55,089 "CANDACE YOUNG: MORE THAN MEETS THE EYE." 478 00:17:55,088 --> 00:17:57,458 YES, SIR. I DON'T. 479 00:17:57,457 --> 00:17:59,087 IT'S NOT A BAD ARTICLE, SIR. 480 00:18:03,970 --> 00:18:06,240 "SHE WAS RAPED, LEFT FOR DEAD, BUT SHE MADE HER WAY." 481 00:18:06,239 --> 00:18:08,409 WHAT IS THIS? 482 00:18:08,408 --> 00:18:09,938 IT'S THE TURNING OF THE TIDE. 483 00:18:09,943 --> 00:18:12,083 THIS MAKES HER LOOK SYMPATHETIC. 484 00:18:12,078 --> 00:18:14,048 YES, SIR. I KNOW. 485 00:18:14,047 --> 00:18:15,877 YOU DID THIS? 486 00:18:15,882 --> 00:18:18,322 I HAD A FEW FAVORS OWED, SIR. 487 00:18:20,286 --> 00:18:21,486 OLIVER? 488 00:18:21,487 --> 00:18:22,817 YES, SIR? 489 00:18:22,823 --> 00:18:24,423 YOU HAD ME TRASH HER, AND NOW LANDON'S WORKING 490 00:18:24,424 --> 00:18:27,034 ON MAKING HER LOOK LIKE A VICTIM? 491 00:18:27,027 --> 00:18:29,827 I DIDN'T KNOW HE WAS DOING THAT, SIR. 492 00:18:29,830 --> 00:18:32,100 WHAT THE HELL IS GOING ON HERE? 493 00:18:32,098 --> 00:18:34,998 WELL, SIR, IT WAS ABOUT DISTANCING AND DISCREDITING HER. 494 00:18:35,001 --> 00:18:37,071 WHAT I HAD YOU DO WAS THE RIGHT THING TO DO. 495 00:18:37,070 --> 00:18:38,670 I DISAGREE. 496 00:18:38,672 --> 00:18:41,072 I KNOW HOW MUCH YOU LIKE HER, SIR, 497 00:18:41,074 --> 00:18:45,514 SO I THOUGHT WE GET HER TO LOOK LIKE A VICTIM. 498 00:18:45,512 --> 00:18:47,352 WHEN WE SEE HER AS SYMPATHETIC, 499 00:18:47,347 --> 00:18:49,577 IT MAKES YOU LOOK LIKE A HERO. 500 00:18:53,353 --> 00:18:54,723 YOU TWO, GET YOUR SHIT TOGETHER. 501 00:18:54,721 --> 00:18:56,761 YES, SIR. 502 00:18:56,757 --> 00:18:58,087 THAT'S ALL. THANK YOU. 503 00:18:58,091 --> 00:18:59,731 NOT YOU. 504 00:18:59,726 --> 00:19:02,736 THAT'S ALL, OLIVER. 505 00:19:02,736 --> 00:19:04,196 YES, SIR. 506 00:19:04,204 --> 00:19:09,444 ♪♪♪♪ 507 00:19:09,442 --> 00:19:10,712 THANK YOU. 508 00:19:10,711 --> 00:19:12,351 YES, SIR. 509 00:19:12,345 --> 00:19:16,115 THERE IS ONE OTHER THING THAT I FOUND OUT FROM MY SOURCES. 510 00:19:16,116 --> 00:19:17,946 AND THAT IS? 511 00:19:17,951 --> 00:19:21,251 KYLE, THE CURRENT ATTORNEY GENERAL... 512 00:19:21,254 --> 00:19:23,394 GO ON. 513 00:19:23,389 --> 00:19:26,289 ...CANDACE ROBBED HIM. 514 00:19:26,292 --> 00:19:29,202 SHE DIDN'T KNOW WHO HE WAS. 515 00:19:29,195 --> 00:19:31,565 THIS IS HIS DOING. 516 00:19:31,565 --> 00:19:34,395 HE LAID IT AT MY DOORSTEP, BUT IT WAS HIM. 517 00:19:36,903 --> 00:19:39,613 KYLE, HUH? YEAH. 518 00:19:39,606 --> 00:19:40,936 THAT'S GOOD TO KNOW. 519 00:19:40,941 --> 00:19:44,441 I'M SORRY I'M JUST FINDING OUT. 520 00:19:44,444 --> 00:19:45,654 THANK YOU. 521 00:19:45,646 --> 00:19:47,176 SURE. 522 00:19:47,180 --> 00:19:49,720 IT'S GOOD TO HAVE YOU BACK. 523 00:19:49,716 --> 00:19:51,686 THANK YOU, SIR. 524 00:19:51,685 --> 00:19:58,255 ♪♪♪♪ 525 00:19:58,258 --> 00:20:04,808 ♪♪♪♪ 526 00:20:04,805 --> 00:20:06,805 DAVID. YES? 527 00:20:06,807 --> 00:20:08,777 YOU CAN SEE HIM NOW. GREAT. 528 00:20:08,775 --> 00:20:10,635 THANK YOU, DANNY. I WANT TO SEE HIM. 529 00:20:10,644 --> 00:20:11,884 CELINE. 530 00:20:11,878 --> 00:20:14,048 I WANT TO SEE HIM. 531 00:20:14,047 --> 00:20:16,777 I WILL TALK TO JIM AND LET HIM KNOW THAT. 532 00:20:16,783 --> 00:20:18,053 DAVID. 533 00:20:18,051 --> 00:20:19,721 HE CAN ONLY HAVE ONE VISITOR AT A TIME. 534 00:20:19,720 --> 00:20:21,250 AND WHO ARE YOU? 535 00:20:21,254 --> 00:20:22,964 I'M A FRIEND OF THE FAMILY. 536 00:20:22,956 --> 00:20:26,726 WELL, I'M SORRY, BUT YOU'RE GONNA HAVE TO GO. 537 00:20:26,727 --> 00:20:28,427 DON'T I KNOW YOU? 538 00:20:28,428 --> 00:20:30,458 UM, DO YOU? 539 00:20:30,463 --> 00:20:32,673 YOU WORK HERE, RIGHT? 540 00:20:32,666 --> 00:20:33,896 YES, YES. 541 00:20:33,900 --> 00:20:35,200 AND YOU WANT TO VISIT A PATIENT. 542 00:20:35,201 --> 00:20:36,501 YES, I DO. 543 00:20:36,503 --> 00:20:39,043 WELL, YOU'LL HAVE TO CHECK WITH YOUR SUPERVISOR. 544 00:20:39,039 --> 00:20:40,169 I'M SORRY. WHY? 545 00:20:40,173 --> 00:20:41,373 THE HOSPITAL HAS RULES ABOUT THAT. 546 00:20:41,374 --> 00:20:42,684 I KNOW, BUT I JUST WANT TO SEE HIM. 547 00:20:42,676 --> 00:20:44,076 JUST CHECK WITH YOUR SUPERVISOR, 548 00:20:44,077 --> 00:20:47,147 AND HE'LL EXPLAIN HOW IT WORKS, OKAY? 549 00:20:47,147 --> 00:20:49,247 SO I CAN'T SEE HIM? 550 00:20:49,249 --> 00:20:51,889 NOT UNTIL YOU FOLLOW PROTOCOL. 551 00:20:51,885 --> 00:20:53,645 ALL RIGHT. OKAY. 552 00:20:53,654 --> 00:20:54,894 I'LL BE BACK. THANKS. 553 00:20:57,190 --> 00:20:58,830 THANK YOU, DANNY. 554 00:20:58,825 --> 00:21:00,285 WHO IS SHE? 555 00:21:00,293 --> 00:21:02,273 AN ANNOYANCE TO JIM. 556 00:21:02,268 --> 00:21:03,868 DO I NEED TO PUT SECURITY ON HIS DOOR? 557 00:21:03,870 --> 00:21:05,710 THAT WOULD BE A GOOD IDEA. 558 00:21:05,706 --> 00:21:07,306 I COULD HAVE HER WRITTEN UP. 559 00:21:07,307 --> 00:21:09,577 UH... 560 00:21:09,576 --> 00:21:11,336 FIRED WOULD BE BETTER. 561 00:21:13,279 --> 00:21:15,449 LET ME GET INTO IT. PLEASE. 562 00:21:15,448 --> 00:21:16,678 SURE. 563 00:21:16,683 --> 00:21:17,953 HE'S RIGHT THROUGH HERE. 564 00:21:20,521 --> 00:21:27,561 ♪♪♪♪ 565 00:21:27,561 --> 00:21:29,661 JIM. HEY. HEY. 566 00:21:29,663 --> 00:21:32,273 YOU'RE AWAKE. 567 00:21:32,265 --> 00:21:35,435 YEAH. YES, I'M AWAKE. 568 00:21:35,435 --> 00:21:36,895 HOW DO YOU FEEL? 569 00:21:36,903 --> 00:21:38,473 [ SIGHS ] 570 00:21:38,471 --> 00:21:39,811 I FEEL LIKE I'VE BEEN SHOT. 571 00:21:39,806 --> 00:21:41,066 [ LAUGHS ] 572 00:21:41,074 --> 00:21:42,884 OF COURSE. I'M SORRY. 573 00:21:42,876 --> 00:21:44,436 MY OWN DAMN SON. SON OF A BITCH. 574 00:21:44,444 --> 00:21:46,984 MY OWN DAMN FLESH AND BLOOD SHOT ME. 575 00:21:46,980 --> 00:21:48,620 I KNOW. 576 00:21:48,615 --> 00:21:50,445 THANK GOD YOU'RE ALIVE. 577 00:21:50,450 --> 00:21:52,150 YEAH, THANK GOD I GOT THIS LITTLE BUTTON. 578 00:21:52,152 --> 00:21:54,862 I CAN GET AS MUCH MORPHINE AS I WANT. 579 00:21:54,855 --> 00:21:56,615 NOW... AND I WANT. 580 00:21:56,623 --> 00:21:58,193 [ LAUGHS ] JIM. 581 00:21:58,191 --> 00:22:01,371 HELL, I WISH I HAD THIS BEFORE I MET HER. 582 00:22:01,367 --> 00:22:02,897 HEY. HOW IS KATHERYN? 583 00:22:02,903 --> 00:22:04,843 WELL... 584 00:22:04,838 --> 00:22:06,908 "WELL..."? 585 00:22:06,907 --> 00:22:08,267 WHAT? 586 00:22:08,274 --> 00:22:11,814 WELL, SHE WASN'T SHOT. 587 00:22:11,812 --> 00:22:14,112 THAT'S GOOD. YEAH. 588 00:22:14,114 --> 00:22:15,954 HOW COME SHE'S NOT HERE, 589 00:22:15,949 --> 00:22:18,079 DOTING WIFE BY HER WOUNDED HUSBAND'S SIDE? 590 00:22:18,084 --> 00:22:20,554 RIGHT, COULDN'T MAKE IT. 591 00:22:20,554 --> 00:22:22,294 HOW COME SHE COULDN'T MAKE IT, DAVID? 592 00:22:22,288 --> 00:22:26,688 BECAUSE KATHERYN HAS BEEN ARRESTED. 593 00:22:26,693 --> 00:22:28,093 WHAT? 594 00:22:28,094 --> 00:22:30,664 YES. 595 00:22:30,664 --> 00:22:32,474 WHAT THE HELL FOR? 596 00:22:32,465 --> 00:22:35,835 FOR THE MURDER OF JENNIFER SALLISON. 597 00:22:35,836 --> 00:22:37,666 OH, GOD. [ SIGHS ] 598 00:22:37,671 --> 00:22:38,971 YES. 599 00:22:38,972 --> 00:22:40,642 I GOT TO GET OUT OF HERE. NO, NO. 600 00:22:40,641 --> 00:22:41,741 I GOT TO GO. JIM. 601 00:22:41,742 --> 00:22:43,112 DAVID. YOU NEED TO REST. 602 00:22:43,109 --> 00:22:44,239 DAVID, YOU KNOW MY WIFE. 603 00:22:44,244 --> 00:22:45,614 YOU KNOW SHE'S BEEN PAMPERED HER WHOLE LIFE. 604 00:22:45,612 --> 00:22:46,682 SHE CANNOT GO TO PRISON. 605 00:22:46,680 --> 00:22:49,620 I NEED TO GET OUT OF HERE AND HELP HER. 606 00:22:49,616 --> 00:22:52,246 NO, JIM, YOU NEED TO TAKE CARE OF YOU RIGHT NOW. 607 00:22:52,252 --> 00:22:53,552 I CAN'T DO THAT RIGHT NOW. 608 00:22:53,554 --> 00:22:54,994 YES, YOU NEED TO. DAVID, NO, I... 609 00:22:54,988 --> 00:22:57,018 WHERE WERE YOU SHOT? 610 00:22:57,023 --> 00:22:59,693 WHAT? WHERE WERE YOU SHOT? 611 00:23:01,234 --> 00:23:04,174 IN ‐‐ IN... 612 00:23:04,170 --> 00:23:05,640 IN THE LIVING ROOM BY THE FIREPLACE. 613 00:23:05,639 --> 00:23:08,109 NO, NO, JIM, JIM... 614 00:23:08,108 --> 00:23:10,378 WHERE ON YOUR BODY WERE YOU SHOT? 615 00:23:10,376 --> 00:23:12,946 OH. [ LAUGHS ] 616 00:23:12,946 --> 00:23:16,746 UM, MY OWN DAMN SON ‐‐ OUCH ‐‐ 617 00:23:16,750 --> 00:23:19,020 SHOT ME IN THE SHOULDER. 618 00:23:19,019 --> 00:23:21,789 AND YOU CAN TOUCH IT? 619 00:23:21,788 --> 00:23:23,618 WELL, YEAH. I GOT THE LITTLE BUTTON. 620 00:23:25,826 --> 00:23:28,256 OH. 621 00:23:28,261 --> 00:23:29,701 SHOTGUN. 622 00:23:29,696 --> 00:23:30,796 YOU'RE LUCKY TO BE ALIVE. 623 00:23:30,797 --> 00:23:32,397 NO, I MAKE MY OWN DAMN LUCK. 624 00:23:32,398 --> 00:23:34,698 THE SHOTGUN WAS FULL OF QUAIL SHOT. 625 00:23:34,701 --> 00:23:36,871 HALF LOADS. THE IDIOT DIDN'T EVEN CHECK. 626 00:23:36,870 --> 00:23:38,840 WELL, FORTUNATELY FOR YOU. 627 00:23:38,839 --> 00:23:41,309 [ SIGHS ] 628 00:23:41,307 --> 00:23:42,507 BUT HE MEANT TO DO IT, DAVID. 629 00:23:42,509 --> 00:23:44,009 HIS INTENTION WAS TO KILL ME. 630 00:23:44,010 --> 00:23:45,110 HE WANTED TO KILL ME. YES, I KNOW. 631 00:23:45,111 --> 00:23:47,911 MY OWN SON WANTED TO KILL HIS FATHER. 632 00:23:47,914 --> 00:23:50,684 I KNOW, JIM. TRY TO STAY CALM. 633 00:23:50,684 --> 00:23:52,024 NO, I CAN'T STAY CALM. 634 00:23:52,018 --> 00:23:54,588 MY OWN DAMN SON TRIED TO KILL ME. 635 00:23:54,588 --> 00:23:58,118 I GOT TO GET OUT OF HERE. NO, NO, JIM. 636 00:23:58,124 --> 00:23:59,364 THEN WOULD YOU GO SEE KATHERYN? 637 00:23:59,359 --> 00:24:00,789 WOULD YOU TALK TO KATHERYN FOR ME? 638 00:24:00,794 --> 00:24:02,204 YES, I WILL. PLEASE, WOULD YOU DO THAT? 639 00:24:02,202 --> 00:24:04,242 YES. 640 00:24:04,237 --> 00:24:05,467 IS MARTY HANDLING HER? UH... 641 00:24:05,471 --> 00:24:06,571 IS IT MARTY? I DON'T KNOW. 642 00:24:06,573 --> 00:24:08,143 PROBABLY. I'LL FIND OUT, OKAY? 643 00:24:08,141 --> 00:24:09,511 I NEED TO TALK TO MARTY. 644 00:24:09,510 --> 00:24:10,880 CAN YOU GET HIM ON THE PHONE? 645 00:24:10,877 --> 00:24:12,347 JIM, RELAX. 646 00:24:12,345 --> 00:24:13,705 I'LL TAKE CARE OF ALL OF IT. I CAN'T RELAX. 647 00:24:13,714 --> 00:24:16,454 DAVE, MY SON SHOT ME. I NEED TO TALK TO MY WIFE. 648 00:24:16,449 --> 00:24:17,679 NO, I CAN'T TALK TO MY WIFE. 649 00:24:17,684 --> 00:24:19,124 I NEED TO TALK TO MARTY ON THE PHONE. 650 00:24:19,119 --> 00:24:20,349 NO, YOU NEED... JUST GET HIM ON THE PHONE. 651 00:24:20,353 --> 00:24:21,493 YOU'RE ON MORPHINE. WHERE'S MY PHONE? 652 00:24:21,487 --> 00:24:22,917 YOU CAN'T TALK TO ANYBODY. 653 00:24:22,923 --> 00:24:24,493 I WILL HANDLE IT. 654 00:24:24,490 --> 00:24:26,730 BUT YOU HAVE TO HANDLE IT. I‐I'M ON IT RIGHT NOW. 655 00:24:26,727 --> 00:24:28,127 YOU HAVE TO REALLY HANDLE ‐‐ I'M ON IT. 656 00:24:28,128 --> 00:24:29,158 HEY, WAIT, WAIT. WAIT, DAVID. 657 00:24:29,162 --> 00:24:31,602 THERE'S, UM, KYLE. 658 00:24:31,598 --> 00:24:33,228 I NEED TO TALK TO KYLE, THE ATTORNEY GENERAL. 659 00:24:33,233 --> 00:24:34,773 I NEED TO TALK TO HIM. WHY? 660 00:24:34,768 --> 00:24:36,198 BECAUSE, UM... 661 00:24:36,202 --> 00:24:38,742 BECAUSE KYLE AND I HAVE AN ARRANGEMENT. 662 00:24:38,739 --> 00:24:40,839 WHAT KIND OF ARRANGEMENT? 663 00:24:40,841 --> 00:24:44,041 HE'S GONNA TAKE THE CASE AWAY FROM THE D. A., 664 00:24:44,044 --> 00:24:45,314 SO I NEED TO TALK TO KYLE. 665 00:24:45,311 --> 00:24:47,151 NO. HOW IS HE GOING TO DO THAT? 666 00:24:47,147 --> 00:24:50,177 I DON'T KNOW, DAVID, AND I DON'T THINK YOU WANT TO KNOW. 667 00:24:50,183 --> 00:24:52,223 HE'S JUST GOING TO HANDLE THAT, OKAY? 668 00:24:52,218 --> 00:24:53,348 OKAY. FINE. SO GET KYLE ON THE PHONE. 669 00:24:53,353 --> 00:24:54,493 I WILL TALK TO KYLE. FOR ME. 670 00:24:54,487 --> 00:24:55,787 THANK YOU. THANK YOU. OKAY? 671 00:24:55,789 --> 00:24:57,959 NOW YOU JUST RELAX. I CAN'T. 672 00:24:57,958 --> 00:24:59,858 STAY CALM. CALM? 673 00:24:59,860 --> 00:25:01,230 TRY. 674 00:25:01,234 --> 00:25:03,144 OKAY? 675 00:25:03,136 --> 00:25:04,736 OKAY. 676 00:25:04,738 --> 00:25:05,938 MY OWN SON. 677 00:25:05,939 --> 00:25:07,209 WHERE THE HELL IS HE? WYATT IS A MESS. 678 00:25:07,207 --> 00:25:08,607 WYATT... WHERE IS HE? 679 00:25:08,609 --> 00:25:09,679 WYATT WAS ARRESTED. 680 00:25:09,676 --> 00:25:12,306 HE'S IN JAIL, TOO. 681 00:25:12,312 --> 00:25:14,212 DAMN IT. YOU WANT ME... 682 00:25:14,214 --> 00:25:15,284 HE'S IN JAIL? 683 00:25:15,281 --> 00:25:16,551 YES. 684 00:25:16,550 --> 00:25:18,720 YOU WANT ME TO DO ANYTHING ABOUT HIM? 685 00:25:18,719 --> 00:25:19,849 YES, I ‐‐ 686 00:25:19,853 --> 00:25:22,893 NO, NO, NO. 687 00:25:22,889 --> 00:25:23,959 LET HIM SIT THERE FOR NOW. 688 00:25:23,957 --> 00:25:25,927 JUST LET HIM... 689 00:25:25,926 --> 00:25:27,326 LET HIM [SIGHS] OKAY. 690 00:25:27,327 --> 00:25:28,527 ...SIT THERE. ALL RIGHT. 691 00:25:28,529 --> 00:25:30,299 HE WILL SIT THERE. I NEED ‐‐ I NEED... 692 00:25:30,296 --> 00:25:31,796 YOU SIT HERE. WOULD YOU TAKE CARE OF THIS? 693 00:25:31,798 --> 00:25:33,268 YOU CAN RELAX. 694 00:25:33,266 --> 00:25:34,536 I WILL TAKE CARE OF ALL OF IT. 695 00:25:34,535 --> 00:25:35,795 I WILL GET BACK TO YOU LATER. 696 00:25:35,802 --> 00:25:36,872 OKAY. 697 00:25:36,870 --> 00:25:38,140 HEY. YOU NEED TO STOP... 698 00:25:38,138 --> 00:25:39,238 DO ME A FAVOR. ...PUSHING THIS BUTTON. 699 00:25:39,239 --> 00:25:40,309 JUST PUSH THE BUTTON. NO. 700 00:25:40,306 --> 00:25:41,366 PUSH ‐‐ COME ON. PUSH THE BUTTON. 701 00:25:41,374 --> 00:25:42,414 NO MORE BUTTON. YOU GOT TO PUSH IT. 702 00:25:42,408 --> 00:25:43,578 NO MORE BUTTON. HEY, DAVID. 703 00:25:43,577 --> 00:25:46,147 THANK YOU. THANK YOU, DAVID. 704 00:25:46,146 --> 00:25:48,616 [ DOOR OPENS ] 705 00:25:48,615 --> 00:25:51,075 CANDACE, LOOK, CAN YOU PLEASE CALL ME BACK? 706 00:25:51,084 --> 00:25:53,624 ALL RIGHT, I REALLY NEED YOU TO DO THIS INTERVIEW, OKAY? 707 00:25:53,620 --> 00:25:55,560 I REALLY THINK THIS IS GONNA WORK FOR US. 708 00:25:55,556 --> 00:25:57,956 CALL ME BACK, PLEASE. 709 00:25:57,958 --> 00:25:59,928 YES, YES. SENATOR, THANK YOU. 710 00:25:59,926 --> 00:26:03,066 THANK YOU. THANK YOU. 711 00:26:03,069 --> 00:26:04,709 WHAT WAS THAT ABOUT? 712 00:26:04,705 --> 00:26:07,665 SENATOR THOMAS WANTS TO MEET WITH THE PRESIDENT‐ELECT. 713 00:26:07,674 --> 00:26:09,844 HE'S NOT GONNA GET AN APPOINTMENT. 714 00:26:09,843 --> 00:26:11,483 I THINK HE SHOULD. 715 00:26:13,914 --> 00:26:15,084 OLIVER. 716 00:26:15,081 --> 00:26:16,281 YES? 717 00:26:16,282 --> 00:26:18,452 WHAT THE HELL ARE YOU DOING? 718 00:26:18,451 --> 00:26:19,921 WHAT DO YOU MEAN? 719 00:26:19,920 --> 00:26:22,090 I KNOW THAT YOU USED TO WORK FOR HIM AS AN INTERN. 720 00:26:22,088 --> 00:26:24,628 YES, YES, I DID. 721 00:26:24,625 --> 00:26:26,185 SO, THAT DOESN'T MEAN HE JUST GETS TO MEET 722 00:26:26,192 --> 00:26:27,862 THE PRESIDENT‐ELECT. 723 00:26:27,861 --> 00:26:29,301 WELL, I WAS HOPING THAT... 724 00:26:29,295 --> 00:26:31,295 WHAT DO YOU OWE HIM? 725 00:26:31,297 --> 00:26:32,997 NOTHING. 726 00:26:32,999 --> 00:26:34,969 REALLY? 727 00:26:34,968 --> 00:26:36,668 WHAT'S YOUR FAMILY OWE HIM? 728 00:26:36,670 --> 00:26:39,170 NOTHING. WE DON'T OWE HIM ANYTHING. 729 00:26:40,707 --> 00:26:41,737 OKAY. 730 00:26:41,742 --> 00:26:42,912 WELL, CALL HIM BACK 731 00:26:42,909 --> 00:26:45,649 AND TELL HIM HE'S NOT GETTING AN APPOINTMENT. 732 00:26:45,646 --> 00:26:47,746 OKAY. YOU KNOW WHAT? 733 00:26:47,748 --> 00:26:50,518 I WILL. WHAT'S GOING ON? 734 00:26:50,517 --> 00:26:51,717 WHAT ARE YOU TALKING ABOUT? 735 00:26:51,718 --> 00:26:53,648 IS YOUR CANDACE YOUNG THING NOT WORKING? 736 00:26:56,222 --> 00:26:59,632 OLIVER, YOU JUST LET ME FIND OUT THAT YOU'RE WORKING AGAINST ME. 737 00:26:59,626 --> 00:27:01,896 JUST LET ME FIND OUT. 738 00:27:01,902 --> 00:27:04,272 I'M NOT. 739 00:27:04,270 --> 00:27:05,570 LET ME FIND OUT. 740 00:27:05,572 --> 00:27:06,612 I'M NOT. 741 00:27:06,607 --> 00:27:07,937 I'M TELLING YOU. 742 00:27:07,941 --> 00:27:14,381 ♪♪♪♪ 743 00:27:14,380 --> 00:27:17,720 ♪♪♪♪ 744 00:27:17,718 --> 00:27:20,848 [ DOORBELL RINGS ] 745 00:27:20,854 --> 00:27:22,064 WHO IS IT? 746 00:27:22,055 --> 00:27:23,685 VERONICA, IT'S GEORGE. 747 00:27:23,690 --> 00:27:30,100 ♪♪♪♪ 748 00:27:30,096 --> 00:27:32,596 VERONICA. 749 00:27:32,599 --> 00:27:34,169 OKAY. 750 00:27:34,167 --> 00:27:36,437 CAN I COME IN? 751 00:27:36,436 --> 00:27:38,236 I'M NOT SURE. 752 00:27:38,238 --> 00:27:39,868 PLEASE. 753 00:27:42,509 --> 00:27:44,139 COME ON. 754 00:27:46,947 --> 00:27:49,217 SO, HOW ARE YOU? 755 00:27:52,919 --> 00:27:55,819 UH, NOT IN THE MOOD FOR YOU. 756 00:27:55,822 --> 00:27:58,022 ALL RIGHT. I'LL MAKE THIS QUICK. 757 00:28:00,694 --> 00:28:03,404 YOU KNOW, THEY HAVE KATHERYN CRYER 758 00:28:03,403 --> 00:28:06,573 FOR JENNIFER SALLISON'S MURDER. 759 00:28:06,573 --> 00:28:10,283 HMM. OKAY. 760 00:28:10,276 --> 00:28:14,246 AND WE HAVE A STRONG CASE WITH WYATT'S TESTIMONY. 761 00:28:14,247 --> 00:28:16,317 AND YOU'RE TELLING ME ALL OF THIS WHY? 762 00:28:16,316 --> 00:28:19,646 BECAUSE I THINK YOU KNOW SOMETHING ABOUT IT. 763 00:28:19,653 --> 00:28:22,893 I DO. 764 00:28:22,889 --> 00:28:25,629 SO, WHAT DO YOU KNOW? 765 00:28:25,626 --> 00:28:28,226 I KNOW THE DETAILS AS TO WHAT HAPPENED. 766 00:28:30,263 --> 00:28:32,533 CARE TO SHARE? 767 00:28:32,533 --> 00:28:35,773 NOW, WHY WOULD I DO THAT? 768 00:28:35,769 --> 00:28:38,139 WELL, YOUR SON TOLD THE OFFICER LAST NIGHT 769 00:28:38,138 --> 00:28:40,808 THAT YOU SENT THUGS TO HIS FATHER'S HOUSE. 770 00:28:40,807 --> 00:28:43,007 MY SON? [ LAUGHS ] 771 00:28:43,009 --> 00:28:44,679 THAT GIRL LIES. 772 00:28:44,678 --> 00:28:45,848 GIRL? 773 00:28:45,846 --> 00:28:47,846 YES, MY SON WANTS TO BE A DAUGHTER. 774 00:28:50,050 --> 00:28:53,890 WELL, I THINK WE CAN TALK ABOUT SOME SORT OF DEAL FOR THAT CRIME 775 00:28:53,887 --> 00:28:55,817 IF YOU GIVE UP KATHERYN CRYER. 776 00:28:55,822 --> 00:28:57,722 [ CHUCKLES ] 777 00:28:57,724 --> 00:29:00,434 ARE YOU REALLY DOING THIS, GEORGE? 778 00:29:00,426 --> 00:29:02,066 EXCUSE ME? 779 00:29:05,939 --> 00:29:08,679 I'M NOT PLAYING LEGAL REINDEER GAMES WITH YOU. 780 00:29:10,977 --> 00:29:12,877 COME ON, VERONICA. 781 00:29:12,879 --> 00:29:16,249 YOU'RE NOT GOOD AT THIS, GEORGE. 782 00:29:16,249 --> 00:29:17,879 YOU'RE NOT GOOD AT IT. 783 00:29:17,884 --> 00:29:20,694 JENNIFER SALLISON WAS MUCH BETTER. 784 00:29:20,687 --> 00:29:22,887 SHE HAD AN AFFAIR WITH DAVID. 785 00:29:22,889 --> 00:29:25,029 IS THAT RIGHT? 786 00:29:25,025 --> 00:29:27,185 IT'S JUST A RUMOR. NO PROOF OF IT. 787 00:29:27,193 --> 00:29:29,963 WELL, THAT'S WHAT THEY DO IN THIS TOWN ‐‐ TELL RUMORS. 788 00:29:29,963 --> 00:29:33,673 SO, WILL YOU HELP US? 789 00:29:36,269 --> 00:29:39,169 DOES BLACK CRACK? 790 00:29:39,172 --> 00:29:41,542 EXCUSE ME? 791 00:29:41,542 --> 00:29:43,512 NO, IT DOESN'T. 792 00:29:43,510 --> 00:29:47,810 SO I WON'T BE HELPING YOU, GEORGE. 793 00:29:47,814 --> 00:29:49,254 YOU SURE? 794 00:29:49,249 --> 00:29:50,879 YES. 795 00:29:54,621 --> 00:29:57,261 YOU KNOW THAT THIS ARROGANCE THAT YOU SHOW 796 00:29:57,257 --> 00:29:59,527 IS GOING TO CATCH UP WITH YOU ONE DAY? 797 00:29:59,526 --> 00:30:02,736 AH, WELL, I HOPE I'M LOOKING FABULOUS WHEN IT DOES. 798 00:30:02,736 --> 00:30:05,106 NOW IF YOU CAN PLEASE EXCUSE ME, 799 00:30:05,105 --> 00:30:07,365 YOUR PRESENCE HERE IS CAUSING ME 800 00:30:07,373 --> 00:30:09,613 TO WANT SOME SHRIMP FRIED RICE. 801 00:30:09,610 --> 00:30:11,110 [ LAUGHS ] 802 00:30:11,111 --> 00:30:12,751 PLEASE. 803 00:30:14,715 --> 00:30:17,575 YOU ARE A RACIST ASS. 804 00:30:17,584 --> 00:30:20,954 WELL, SOMEONE HAS TO LEVEL THE PLAYING FIELD. 805 00:30:20,954 --> 00:30:22,364 HOW WOULD YOU FEEL IF I ASKED YOU 806 00:30:22,355 --> 00:30:26,185 IF YOU WANTED SOME WATERMELON AND FRIED CHICKEN? 807 00:30:26,192 --> 00:30:29,332 [ CHUCKLES ] 808 00:30:29,329 --> 00:30:32,129 I'D LOVE IT. 809 00:30:32,132 --> 00:30:35,502 I WOULDN'T SAY THAT BECAUSE I'M NOT THAT KIND OF PERSON. 810 00:30:35,501 --> 00:30:37,541 NO, YOU'RE NOT, GEORGE. 811 00:30:37,538 --> 00:30:40,868 YOU'RE A DECENT PERSON WHO'S A HORRIBLE D. A. 812 00:30:40,874 --> 00:30:42,784 NOW GET YOUR ASS OUT OF HERE. 813 00:30:42,776 --> 00:30:46,946 ♪♪♪♪ 814 00:30:46,947 --> 00:30:48,407 AND TRY WATERMELON AND CHICKEN. 815 00:30:48,414 --> 00:30:50,754 IT'S REALLY GOOD. 816 00:30:50,751 --> 00:30:52,891 AND SOME WAFFLES, TOO. 817 00:30:52,886 --> 00:30:54,716 I LIKE ALL THAT SHIT. 818 00:30:54,721 --> 00:30:55,021 JUST NOT IN MY HOUSE. 819 00:30:58,258 --> 00:31:05,738 ♪♪♪♪ 820 00:31:05,739 --> 00:31:10,079 ♪♪♪♪ 821 00:31:10,076 --> 00:31:12,806 [ DOOR OPENS ] 822 00:31:12,813 --> 00:31:14,623 [ DOOR CLOSES ] 823 00:31:14,615 --> 00:31:16,845 Conley: GENTLEMEN. 824 00:31:16,850 --> 00:31:19,320 ♪♪♪♪ 825 00:31:19,319 --> 00:31:20,689 [ LAUGHS ] 826 00:31:20,687 --> 00:31:22,157 HI. HEY. 827 00:31:22,155 --> 00:31:23,385 YOU WANTED TO SEE ME? 828 00:31:23,389 --> 00:31:25,989 YEAH. I CALLED YOU OVER 2 HOURS AGO. 829 00:31:25,992 --> 00:31:28,332 YEAH, I‐I KNOW. 830 00:31:28,328 --> 00:31:29,698 WHAT TOOK YOU SO LONG? 831 00:31:29,696 --> 00:31:31,496 YOU SAID YOU WERE GOING FOR A RUN. 832 00:31:31,497 --> 00:31:32,567 THAT'S RIGHT. 833 00:31:32,566 --> 00:31:34,026 I WAS JUST WAITING FOR YOU TO GET BACK. 834 00:31:34,034 --> 00:31:35,904 OH, I WANTED YOU TO COME WITH ME. 835 00:31:35,902 --> 00:31:36,972 [ Laughing ] OH, HO, HO. 836 00:31:36,970 --> 00:31:38,840 OH, COME ON. YOU KNOW MY KNEES. 837 00:31:38,839 --> 00:31:40,539 OH, THERE'S NOTHING WRONG WITH YOUR KNEES. 838 00:31:40,541 --> 00:31:41,541 NO, THEY... 839 00:31:41,542 --> 00:31:43,712 THEY'RE JUST UGLY. NO. 840 00:31:43,710 --> 00:31:45,450 NO, YOU KNOW I DON'T DO ANY RUNNING 841 00:31:45,445 --> 00:31:46,575 UNLESS SOMEONE'S CHASING ME. 842 00:31:46,580 --> 00:31:47,950 YOU KNOW THAT. 843 00:31:47,948 --> 00:31:50,048 WELL, THANKS FOR COMING IN. YEAH, YEAH. 844 00:31:50,050 --> 00:31:54,050 I REMEMBER WHEN I WAS A FIT KID LIKE YOU. 845 00:31:54,054 --> 00:31:56,694 OH, I SEE YOU'RE GOING FOR THE BOOZE AGAIN. 846 00:31:56,690 --> 00:31:58,930 NO, YOU DON'T. YOU DON'T SEE THIS. 847 00:31:58,925 --> 00:32:00,655 FINE. 848 00:32:00,661 --> 00:32:03,601 SO, UM, WHAT DID YOU WANT TO SEE ME FOR? 849 00:32:06,640 --> 00:32:08,270 APPARENTLY FOR YOU TO STEAL MY BOOZE. 850 00:32:08,274 --> 00:32:09,444 OH, COME ON. THEY'RE GONNA GIVE YOU THIS 851 00:32:09,442 --> 00:32:11,582 BY THE CASEFUL OVER AT THE OVAL OFFICE. 852 00:32:11,578 --> 00:32:13,248 NO, WHAT'S GOING ON? 853 00:32:13,246 --> 00:32:15,776 HAVE A SEAT. 854 00:32:15,782 --> 00:32:18,922 THANK YOU. 855 00:32:18,919 --> 00:32:20,189 [ SIGHS ] 856 00:32:20,186 --> 00:32:22,386 I WAS THINKING ABOUT WHAT YOU SAID. 857 00:32:22,388 --> 00:32:23,658 ABOUT? 858 00:32:23,657 --> 00:32:26,027 CANDACE YOUNG. 859 00:32:26,026 --> 00:32:27,456 OKAY. 860 00:32:27,460 --> 00:32:30,900 AND I WANTED TO TELL YOU SOMETHING ABOUT HER. 861 00:32:30,897 --> 00:32:33,967 YEAH? 862 00:32:33,967 --> 00:32:36,967 THAT WOMAN IS UNLIKE ANYONE I'VE EVER SEEN. 863 00:32:36,970 --> 00:32:39,740 REALLY? YEAH. 864 00:32:39,740 --> 00:32:41,710 AND, UM... 865 00:32:41,708 --> 00:32:46,048 SHE DID THINGS TO ME THAT I CAN'T SHAKE. 866 00:32:46,046 --> 00:32:48,276 OOH. DO TELL. 867 00:32:51,017 --> 00:32:52,787 SHE SAW ME. 868 00:32:52,786 --> 00:32:55,516 OH. YOU GET THAT? 869 00:32:55,522 --> 00:32:57,462 OH, I GET THAT. I... 870 00:32:57,457 --> 00:33:00,127 YEAH, BUT NOT ONLY DID SHE SEE ME, 871 00:33:00,126 --> 00:33:03,736 BUT SHE WAS LOOKING RIGHT THROUGH ME. 872 00:33:03,737 --> 00:33:05,067 MM‐HMM. 873 00:33:05,071 --> 00:33:08,341 I MEAN, THAT'S SOMETHING THAT I'VE NEVER HAD. 874 00:33:08,341 --> 00:33:11,041 AND, AT TIMES, SHE COULD BE DARK. 875 00:33:11,044 --> 00:33:12,754 AT TIMES? [ LAUGHS ] 876 00:33:12,746 --> 00:33:15,676 YEAH, BUT SHE KNEW HOW TO LIGHT UP A ROOM. 877 00:33:15,682 --> 00:33:16,752 YEAH. 878 00:33:16,750 --> 00:33:19,020 SHE LOST HER SON TRAGICALLY, 879 00:33:19,019 --> 00:33:22,019 AND SHE'S HAD A VERY HARD LIFE. 880 00:33:22,022 --> 00:33:24,422 AH. 881 00:33:24,424 --> 00:33:26,694 THERE IT IS. 882 00:33:26,693 --> 00:33:28,163 I KNOW WHAT YOU'RE GOING TO SAY. 883 00:33:28,161 --> 00:33:30,561 THEN SAY IT. 884 00:33:30,564 --> 00:33:32,534 YOU THINK I NEED TO BE THE HERO. 885 00:33:32,533 --> 00:33:35,873 YOU NEED A CAUSE, SOMEONE TO SAVE. 886 00:33:35,869 --> 00:33:39,339 YOU ALWAYS HAVE. 887 00:33:39,339 --> 00:33:40,809 WELL, I DO. 888 00:33:40,807 --> 00:33:42,107 SHOULD I APOLOGIZE FOR THAT? 889 00:33:42,108 --> 00:33:44,648 NO, NO, YOU SHOULDN'T. 890 00:33:44,645 --> 00:33:47,075 WELL, SHE'S AMAZING, 891 00:33:47,080 --> 00:33:49,920 AND I KNOW I CAN HELP HER. 892 00:33:49,916 --> 00:33:52,386 SO WHY DID YOU CALL ME HERE? 893 00:33:52,385 --> 00:33:54,385 'CAUSE I WANT YOUR OPINION. 894 00:33:54,387 --> 00:33:55,687 NO, YOU DON'T. 895 00:33:55,689 --> 00:33:57,759 I THINK YOU ALREADY HAVE YOUR OPINION. 896 00:33:57,758 --> 00:33:59,128 COME ON. 897 00:33:59,125 --> 00:34:00,955 YOU'VE ALWAYS BEEN MY TRUSTED FRIEND AND ADVISER. 898 00:34:00,961 --> 00:34:05,141 WELL, I REALLY THINK THAT YOU SHOULD LEAVE 899 00:34:05,138 --> 00:34:08,908 THAT WOMAN WHERE SHE IS. 900 00:34:08,909 --> 00:34:10,639 I KNOW. MM. 901 00:34:12,746 --> 00:34:16,516 NAY, BUT THERE'S MORE IN THIS. 902 00:34:16,517 --> 00:34:19,247 WHAT? THE SEX. 903 00:34:19,252 --> 00:34:20,992 OH, COME ON. NO, NO, NO, NO, NO. 904 00:34:20,987 --> 00:34:22,617 NO, TELL ME. 905 00:34:24,858 --> 00:34:26,058 IT'S GOOD. 906 00:34:26,059 --> 00:34:28,429 IT'S MORE THAN JUST GOOD. 907 00:34:28,428 --> 00:34:31,428 YOU'RE ALWAYS SO CONSERVATIVE, CHARLES. 908 00:34:31,431 --> 00:34:32,501 OH, I GET IT. 909 00:34:32,498 --> 00:34:34,168 SHE FREAKED YOU. CONLEY. 910 00:34:34,167 --> 00:34:35,437 NO, SHE DID. 911 00:34:35,435 --> 00:34:38,395 WHAT DID SHE DO ‐‐ NEW POSITIONS? 912 00:34:40,641 --> 00:34:42,481 NEW EVERYTHING. 913 00:34:42,475 --> 00:34:44,075 WELL, THEN. 914 00:34:44,077 --> 00:34:47,307 I MEAN, DON'T YOU THINK THAT THAT'S WHAT THIS IS ALL ABOUT? 915 00:34:47,313 --> 00:34:51,153 NO, I DON'T. 916 00:34:51,151 --> 00:34:54,861 THAT'S NOT THE ONLY THING? 917 00:34:54,855 --> 00:34:56,355 NOT THE ONLY THING. 918 00:34:56,356 --> 00:34:59,026 CHARLES, LOOK, OF COURSE THE WOMAN MADE YOU FEEL GOOD. 919 00:34:59,025 --> 00:35:00,965 SHE WAS A PROFESSIONAL. IT WAS ABOUT MONEY. 920 00:35:00,967 --> 00:35:02,497 YEAH, I KNOW THAT. 921 00:35:02,503 --> 00:35:04,943 SO ARE YOU SURE SHE WASN'T CONNING YOU? 922 00:35:04,938 --> 00:35:06,368 I KNOW WHEN I'M BEING CONNED. 923 00:35:06,372 --> 00:35:09,142 I UNDERSTAND, BUT MAYBE SHE WAS BETTER AT IT THAN YOU. 924 00:35:09,142 --> 00:35:10,342 WELL, I... 925 00:35:10,343 --> 00:35:13,783 SO MAYBE THAT'S WHAT'S INTRIGUING YOU. 926 00:35:13,780 --> 00:35:15,750 OR NOT. NO? 927 00:35:15,749 --> 00:35:17,079 [ SCOFFS ] LET'S SEE. 928 00:35:17,083 --> 00:35:19,993 WE GOT, UH, GREAT SEX, 929 00:35:19,986 --> 00:35:23,316 DANGER, AND A BETTER CON ‐‐ 930 00:35:23,323 --> 00:35:26,833 ALL THE THINGS THAT WOULD MAKE YOU GO NUTS. 931 00:35:26,827 --> 00:35:30,427 YEAH, BUT NOT ALL THE THINGS THAT MAKE YOU FALL IN LOVE. 932 00:35:33,867 --> 00:35:35,497 IN LOVE? 933 00:35:37,738 --> 00:35:39,438 YEAH. 934 00:35:39,439 --> 00:35:42,609 I'M ‐‐ I'M IN LOVE WITH HER, 935 00:35:42,609 --> 00:35:46,409 AND I CAN'T GET HER OUT OF MY MIND. 936 00:35:46,412 --> 00:35:49,852 WELL, NOW... 937 00:35:49,850 --> 00:35:52,950 WELL, WHAT DO YOU SUGGEST I DO? 938 00:35:54,855 --> 00:35:57,615 MY POSITION HAS NOT CHANGED. 939 00:35:57,624 --> 00:36:01,804 YOU NEED TO LEAVE HER WHERE SHE IS. 940 00:36:01,802 --> 00:36:04,172 I KNEW YOU WOULD SAY THAT. 941 00:36:04,170 --> 00:36:06,310 THEN WHY DID YOU CALL ME OVER HERE? 942 00:36:06,306 --> 00:36:09,776 SO WE COULD GO FOR A RUN. 943 00:36:09,776 --> 00:36:10,976 I'M GOING TO RUN... 944 00:36:10,977 --> 00:36:12,107 BACK TO MY OFFICE. 945 00:36:12,112 --> 00:36:13,752 THANK YOU. 946 00:36:17,350 --> 00:36:18,750 I'LL SEE YOU SOON. 947 00:36:18,752 --> 00:36:22,062 OKAY. 948 00:36:22,055 --> 00:36:23,885 I LOVE YOU, MY FRIEND. 949 00:36:23,890 --> 00:36:25,290 I LOVE YOU, TOO. 950 00:36:25,291 --> 00:36:26,991 SEE YOU SOON. 951 00:36:26,993 --> 00:36:32,333 ♪♪♪♪ 952 00:36:32,332 --> 00:36:33,632 GOOD DAY. 953 00:36:33,634 --> 00:36:42,114 ♪♪♪♪ 954 00:36:42,108 --> 00:36:46,678 ♪♪♪♪ 955 00:36:49,049 --> 00:36:50,549 ♪♪♪♪ 956 00:36:50,551 --> 00:36:51,591 EXCUSE ME. HI. 957 00:36:51,585 --> 00:36:53,315 HI. I'M LOOKING FOR JIM CRYER. 958 00:36:53,319 --> 00:36:54,959 AND YOU ARE? I WORK FOR THE FAMILY. 959 00:36:54,955 --> 00:36:56,885 OKAY. DOWN THE HALL AND TO THE LEFT. IT'S 320. 960 00:36:56,890 --> 00:36:57,960 OKAY. THANK YOU. 961 00:36:57,958 --> 00:36:59,728 MAMA. I DON'T WANT TO HEAR IT. 962 00:36:59,726 --> 00:37:00,756 YOU SHOULD LET ME TALK TO HIM. 963 00:37:00,761 --> 00:37:02,001 I SAID, "I DON'T WANT TO HEAR IT.' 964 00:37:02,001 --> 00:37:03,341 Mitch: JUST LET HER GO. 965 00:37:03,336 --> 00:37:05,806 Woman on P. A.: WHEELCHAIR TO CARDIOLOGY CHECKOUT. 966 00:37:05,805 --> 00:37:09,075 WHEELCHAIR TO CARDIOLOGY CHECKOUT. LINE WAIT. 967 00:37:09,075 --> 00:37:15,475 ♪♪♪♪ 968 00:37:15,481 --> 00:37:16,481 EXCUSE ME. 969 00:37:16,482 --> 00:37:17,782 I'M HERE TO SEE JIM CRYER. 970 00:37:17,784 --> 00:37:18,894 IS HE EXPECTING YOU? 971 00:37:18,885 --> 00:37:20,445 NO, BUT I NEED TO TALK TO HIM. 972 00:37:20,453 --> 00:37:22,623 I'M SORRY, MA'AM, BUT I HAVE A NO‐VISITOR POLICY. 973 00:37:22,623 --> 00:37:24,093 LISTEN. I NEED TO TALK TO HIM. 974 00:37:24,090 --> 00:37:25,960 I'M SORRY. OKAY. 975 00:37:25,959 --> 00:37:27,829 WELL, THEN I'M GONNA WAIT RIGHT HERE UNTIL I CAN. 976 00:37:27,828 --> 00:37:29,858 I‐I CAN'T LET YOU IN THERE. LISTEN. OKAY. 977 00:37:29,863 --> 00:37:32,803 I'M GONNA FIND SOMEBODY ELSE WHO CAN LET ME IN, THEN. 978 00:37:32,799 --> 00:37:33,969 MAMA... 979 00:37:33,967 --> 00:37:34,997 HANDLE THAT. 980 00:37:36,637 --> 00:37:37,637 MY MAN, HOW YOU DOING? 981 00:37:37,638 --> 00:37:39,268 GOOD. 982 00:37:39,272 --> 00:37:40,742 DO YOU KNOW ROSE MALONE? 983 00:37:40,741 --> 00:37:42,441 EVERYBODY IN THIS TOWN KNOWS ROSE MALONE. 984 00:37:42,442 --> 00:37:43,582 RIGHT, RIGHT. 985 00:37:43,577 --> 00:37:46,477 WELL, THAT'S MY GRANDMOTHER, OKAY? 986 00:37:46,479 --> 00:37:50,419 NOW, THESE TWO LOVELY LADIES ARE GONNA GO IN THIS ROOM. 987 00:37:50,416 --> 00:37:52,016 YOU DIDN'T SEE ANYTHING. 988 00:37:52,018 --> 00:37:53,648 RIGHT. OKAY? THANK YOU. 989 00:37:53,654 --> 00:37:55,424 GO AHEAD. 990 00:37:55,421 --> 00:38:01,001 ♪♪♪♪ 991 00:38:01,001 --> 00:38:06,541 ♪♪♪♪ 992 00:38:06,540 --> 00:38:08,810 CANDACE! OH! 993 00:38:08,809 --> 00:38:10,839 WAKE UP, BASTARD. 994 00:38:10,844 --> 00:38:13,154 WHAT THE HELL ARE YOU DOING IN MY ROOM? 995 00:38:13,146 --> 00:38:14,976 WHERE'S MY BROTHER? 996 00:38:14,981 --> 00:38:17,021 GEE, I DON'T KNOW, CANDACE. WHERE'S MY MONEY? 997 00:38:17,017 --> 00:38:18,547 I WAS GOING TO GIVE IT TO YOU. 998 00:38:18,552 --> 00:38:21,092 I NEEDED A LITTLE INSURANCE, DIDN'T I? 999 00:38:21,087 --> 00:38:23,657 WHERE'S MY SON? 1000 00:38:23,657 --> 00:38:26,027 YOU GET THE HELL OUT OF MY ROOM. 1001 00:38:26,026 --> 00:38:27,886 I'M GONNA ASK YOU ONE MORE TIME. 1002 00:38:27,894 --> 00:38:29,034 WHERE'S MY SON? 1003 00:38:29,029 --> 00:38:30,229 I'M GONNA TELL YOU ONE MORE TIME. 1004 00:38:30,230 --> 00:38:31,570 GET THE HELL OUT OF MY ROOM. 1005 00:38:31,565 --> 00:38:33,225 WHERE'S MY SON, MAN?! 1006 00:38:33,233 --> 00:38:36,373 WHERE IS MY MONEY, GIRL? 1007 00:38:36,369 --> 00:38:38,939 CANDACE, GIVE THIS MAN HIS MONEY BACK AND CALL THE BANK. 1008 00:38:38,939 --> 00:38:40,669 LISTEN TO YOUR MOTHER. 1009 00:38:40,674 --> 00:38:45,084 I AM NOT GIVING YOU A DAMN THING UNTIL MY BROTHER COMES HOME. 1010 00:38:45,078 --> 00:38:46,548 WELL, THEN PERHAPS YOU WOULD LIKE HIM DELIVERED 1011 00:38:46,547 --> 00:38:48,517 IN A BODY BAG. DON'T YOU DARE SAY THAT. 1012 00:38:48,515 --> 00:38:50,075 WHY DON'T YOU TELL YOUR DAUGHTER TO GET ME 1013 00:38:50,083 --> 00:38:52,753 MY DAMN MONEY, LITTLE CHRISTIAN WOMAN? 1014 00:38:52,753 --> 00:38:53,793 CANDACE, CALL THE BANK. 1015 00:38:53,787 --> 00:38:55,917 LISTEN TO YOUR MOTHER. 1016 00:38:55,922 --> 00:38:58,532 YOU TRUST THIS SON OF A BITCH? 1017 00:38:58,525 --> 00:39:00,025 WHAT OTHER CHOICE DO WE HAVE? 1018 00:39:00,026 --> 00:39:01,636 I DON'T TRUST HIM. I'M NOT DOING IT. 1019 00:39:01,635 --> 00:39:03,795 CANDACE. GO AHEAD. 1020 00:39:03,804 --> 00:39:05,044 SIGN YOUR BROTHER'S DEATH WARRANT. 1021 00:39:05,038 --> 00:39:08,068 CANDACE, CALL THE BANK. 1022 00:39:08,074 --> 00:39:09,614 IT'S NOT OPEN. 1023 00:39:09,610 --> 00:39:11,550 [ LAUGHS ] 1024 00:39:11,545 --> 00:39:13,845 OKAY. THEN WE GONNA STAY RIGHT HERE UNTIL THEY ARE. 1025 00:39:13,847 --> 00:39:16,217 GREAT. YOU STAY RIGHT HERE AND WATCH ME SLEEP. 1026 00:39:16,216 --> 00:39:17,916 PLEASE GO BACK TO SLEEP 1027 00:39:17,918 --> 00:39:20,848 SO WE CAN FINISH THE JOB YOUR SON STARTED. 1028 00:39:20,854 --> 00:39:23,064 [ LAUGHS ] REALLY? 1029 00:39:23,056 --> 00:39:25,526 HOW DOES IT FEEL TO BE HATED SO MUCH, 1030 00:39:25,526 --> 00:39:29,326 YOUR ONLY SON SHOOTS YOU? 1031 00:39:29,329 --> 00:39:31,259 REALLY? 1032 00:39:31,264 --> 00:39:34,174 YOU WANT TO TALK ABOUT PARENTING AND CHILDREN 1033 00:39:34,167 --> 00:39:37,697 RIGHT NOW? YOU AND ME? 1034 00:39:37,704 --> 00:39:39,874 GO AHEAD. TALK ABOUT MY SON. 1035 00:39:42,075 --> 00:39:43,605 HANNA, HOW DO YOU SUPPOSE IT WAS 1036 00:39:43,610 --> 00:39:46,550 THAT YOU WERE NOT SHOT, HMM? 1037 00:39:46,547 --> 00:39:47,607 HMM? WHA‐‐ 1038 00:39:47,614 --> 00:39:49,124 WHAT ARE YOU TALKING ABOUT? 1039 00:39:49,115 --> 00:39:50,375 YOU SEE, YOUR LOVELY DAUGHTER AND I 1040 00:39:50,383 --> 00:39:51,993 WERE DISCUSSING WHY IT WAS 1041 00:39:51,985 --> 00:39:55,185 THAT ALL THOSE BULLETS WENT INTO YOUR POOR LITTLE QUINCY, 1042 00:39:55,188 --> 00:39:57,658 YOUR LITTLE GRANDSON, LITTLE Q, 1043 00:39:57,658 --> 00:39:59,688 AND NOT ONE OF THEM TOUCHED A HAIR ON YOUR HEAD. 1044 00:39:59,693 --> 00:40:01,743 WHY DO YOU SUPPOSE THAT WAS? 1045 00:40:01,735 --> 00:40:04,135 HAD TO BE ONE HELL OF A MARKSMAN DID THAT JOB. 1046 00:40:04,137 --> 00:40:07,867 COULDN'T BE ONE OF THE THUGS YOUR DAUGHTER HANGS OUT WITH. 1047 00:40:10,476 --> 00:40:11,606 WHAT ARE YOU SAYING? 1048 00:40:11,612 --> 00:40:14,922 WHAT DO YOU THINK I'M SAYING? 1049 00:40:14,915 --> 00:40:16,875 I KNOW YOU NOT TRYING TO... YOU THINK ABOUT IT. 1050 00:40:16,883 --> 00:40:19,593 NOT ONE BULLET TOUCHED ONE OF THOSE LITTLE COARSE HAIRS 1051 00:40:19,586 --> 00:40:22,386 ON YOUR HEAD. 1052 00:40:22,388 --> 00:40:24,658 WHAT THE HELL ARE YOU SAYING? 1053 00:40:24,658 --> 00:40:26,558 I'M SAYING THAT YOUR DAUGHTER BETTER DAMN WELL 1054 00:40:26,560 --> 00:40:29,030 GET ME MY MONEY. 1055 00:40:29,029 --> 00:40:31,899 I'M NOT GETTING YOU A DAMN THING. 1056 00:40:31,898 --> 00:40:34,468 REALLY? 1057 00:40:34,467 --> 00:40:35,737 OKAY. 1058 00:40:35,736 --> 00:40:39,006 HANNA, YOU READY TO BURY ANOTHER RELATIVE? 1059 00:40:39,005 --> 00:40:42,275 CANDACE. HEY, YOU ALL WATCH THIS. 1060 00:40:42,275 --> 00:40:44,775 THIS IS ‐‐ THIS IS MY FAVORITE PART. 1061 00:40:47,047 --> 00:40:48,077 YEAH, YEAH. 1062 00:40:48,081 --> 00:40:49,721 HEY, HI. JIM? 1063 00:40:49,716 --> 00:40:50,746 NO, IT'S... 1064 00:40:50,751 --> 00:40:53,551 OUCH. YEAH, IT'S ME. 1065 00:40:53,554 --> 00:40:56,864 NO, I'M, UH ‐‐ I'M FEELING MUCH BETTER. 1066 00:40:56,857 --> 00:41:00,427 NO, I DON'T. 1067 00:41:00,426 --> 00:41:03,966 I DON'T HAVE ANY OF THE MONEY BACK. 1068 00:41:03,970 --> 00:41:06,770 YEAH. 1069 00:41:06,773 --> 00:41:08,143 KILL HIM. 1070 00:41:08,141 --> 00:41:09,741 JIM! 1071 00:41:11,812 --> 00:41:13,452 KILL HIM. 1072 00:41:17,450 --> 00:41:19,620 YOUR BROTHER IS WORTH $8 MILLION TO ME. 1073 00:41:19,620 --> 00:41:20,720 HOW MUCH IS HE WORTH TO YOU? 1074 00:41:20,721 --> 00:41:22,091 I'M NOT SCARED OF YOU. 1075 00:41:22,088 --> 00:41:23,458 AND WE GONNA WAIT RIGHT HERE... 1076 00:41:23,456 --> 00:41:25,826 NEXT ON "THE HAVES AND THE HAVE NOTS"... 1077 00:41:25,826 --> 00:41:28,696 WHERE ARE YOU ‐‐CANDACE, WHERE ARE YOU GOING? 1078 00:41:28,695 --> 00:41:29,925 Wyatt: SO, CAN YOU GET ME OUT OF HERE? 1079 00:41:29,930 --> 00:41:32,100 George: NO. BUT I HAVE IMMUNITY. 1080 00:41:32,098 --> 00:41:34,198 YES, FOR THE CASTILLE HIT‐AND‐RUN. 1081 00:41:34,200 --> 00:41:35,240 OKAY. SO? 1082 00:41:35,235 --> 00:41:36,495 BUT YOU SHOT YOUR FATHER. 1083 00:41:36,503 --> 00:41:39,073 I'M NOT PLAYING WITH YOU, OR I'M CALLING THE POLICE. 1084 00:41:39,072 --> 00:41:40,712 YOU DON'T WANT TO DO THAT. 1085 00:41:40,707 --> 00:41:43,107 THE CHEATING, LYING BASTARD! 1086 00:41:43,109 --> 00:41:44,379 LEAVE! 1087 00:41:44,377 --> 00:41:45,607 SHOOT HIM. Hanna: NO! 1088 00:41:45,612 --> 00:41:47,712 BENNY: No, don't shoot! [ Gunshot ] 71628

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