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1
00:00:01,668 --> 00:00:03,568
PREVIOUSLY ON "THE HAVESAND THE HAVE NOTS"...
2
00:00:03,570 --> 00:00:04,970
LOOK, I NEED
SOME BLOW, MAN.
3
00:00:04,971 --> 00:00:06,911
I'M NOT GONNA SELL YOU
ANY MORE DRUGS.
4
00:00:06,907 --> 00:00:09,177
YEAH, YOU THINK YOU'RE
THE ONLY GAME IN TOWN, DUDE?
5
00:00:09,175 --> 00:00:11,335
I KNOW I'M THE ONLY ONE
THAT YOU KNOW.
6
00:00:11,344 --> 00:00:12,984
BENNY, WAR AIN'T
GONNA HURT CANDY.
7
00:00:12,979 --> 00:00:14,149
YO, YOU DON'T KNOW WAR.
8
00:00:14,147 --> 00:00:15,517
YEAH, I DO.
I PRACTICALLY RAISED HIM.
9
00:00:15,516 --> 00:00:17,076
HE THREATENED TO KILL HER,
ALL RIGHT?
10
00:00:17,083 --> 00:00:18,523
HE'S BAD NEWS.
YOU DON'T KNOW HIM.
11
00:00:18,519 --> 00:00:19,989
WHAT?
AND I'M GOING TO GET HER.
12
00:00:19,986 --> 00:00:22,616
WE BURIED THE BODY
IN THE BACKYARD.
13
00:00:22,623 --> 00:00:24,123
Veronica:
WHAT? YOU'RE KIDDING.
14
00:00:24,124 --> 00:00:26,464
I'M DEALING
WITH TWO GENIUSES HERE.
15
00:00:26,459 --> 00:00:28,999
WHAT THE HELL YOU WANT?
I WAS LOOKING FOR SOME BLOW.
16
00:00:28,995 --> 00:00:30,855
GOT SOME MONEY ON YOU?
YEAH, YEAH.
17
00:00:30,864 --> 00:00:32,904
LOOK, MAN, I JUST NEED A FIX.
AH, AH, AH, HEY, HEY, HEY.
18
00:00:32,899 --> 00:00:34,399
DON'T MOVE, HOMEY.
DON'T DO THAT.
19
00:00:34,400 --> 00:00:37,800
NOW, I'M GONNA ASK YOU THIS
ONE MORE TIME, KATHERYN.
20
00:00:37,804 --> 00:00:39,874
WHAT HAPPENED?
I SHOT THE BITCH.
21
00:00:39,873 --> 00:00:41,613
GIVE ME THE KEYS
TO THE HOUSE.
22
00:00:41,608 --> 00:00:44,278
I'M SURE THEY CHANGED THE LOCKS.
WHY?
23
00:00:44,277 --> 00:00:46,507
THE BANK FORECLOSED
ON THE HOUSE.
24
00:00:46,513 --> 00:00:48,453
THAT FORECLOSURE
JUST SAVED YOUR LIFE.
25
00:00:48,448 --> 00:00:50,718
I WANTED TO THANK YOU
FOR THE FLOWERS.
26
00:00:50,717 --> 00:00:52,517
THROW THEM OUT.
WHAT?
27
00:00:52,519 --> 00:00:54,589
Throw them out.
OKAY.
28
00:00:54,588 --> 00:00:57,158
Put them outside
your room now.
29
00:01:01,902 --> 00:01:03,442
WHAT'S THE MATTER?
30
00:01:03,436 --> 00:01:06,706
YOU DON'T LIKE
THE FLOWERS?
31
00:01:06,707 --> 00:01:08,107
WHO ARE YOU?
32
00:01:08,108 --> 00:01:09,778
I'M VERONICA HARRINGTON.
33
00:01:09,776 --> 00:01:11,776
AND YOU ARE?
34
00:01:11,778 --> 00:01:13,848
CAN I HELP YOU
WITH SOMETHING?
35
00:01:13,847 --> 00:01:16,377
ERICA, LET ME SPEAK TO HER.
36
00:01:16,382 --> 00:01:19,322
I'M SORRY?
LET ME SPEAK TO HER.
37
00:01:19,319 --> 00:01:21,049
WHO IS THIS?
Please.
38
00:01:21,054 --> 00:01:23,294
AS I SAID,
I'M VERONICA HARRINGTON.
39
00:01:23,289 --> 00:01:24,989
AND YOU ARE?
40
00:01:24,991 --> 00:01:26,891
Put her on the phone.
41
00:01:32,799 --> 00:01:34,269
YES?
VERONICA?
42
00:01:34,267 --> 00:01:35,767
Oh. Hi, darling.
43
00:01:35,769 --> 00:01:38,539
YOU NEED TO WALK AWAY
FROM THIS RIGHT NOW.
44
00:01:38,539 --> 00:01:40,369
OH, YEAH?
Yeah.
45
00:01:40,373 --> 00:01:42,713
I DON'T THINK SO.
VERONICA.
46
00:01:42,709 --> 00:01:45,049
Oh, you sound
so stressed.
47
00:01:45,045 --> 00:01:46,845
I'M NOT PLAYING WITH YOU.
48
00:01:46,847 --> 00:01:49,617
MM. WHO IS THIS, DAVID?
49
00:01:49,616 --> 00:01:52,146
AND HOW MUCH
IS SHE CHARGING YOU?
50
00:01:52,152 --> 00:01:54,562
She's young and pretty.
51
00:01:54,555 --> 00:01:56,655
Got to be a hooker.
52
00:01:56,657 --> 00:01:58,987
DARLING?
MM?
53
00:01:58,992 --> 00:02:00,792
WHERE CAN I FIND
YOUR PIMP?
54
00:02:00,794 --> 00:02:02,944
EXCUSE ME?
Veronica, stop.
55
00:02:02,936 --> 00:02:04,606
THIS WHORE
IS HARD OF HEARING.
56
00:02:04,605 --> 00:02:07,835
SOMEBODY MUST HAVE BANGED
HER HEARING TO DEATH.
57
00:02:07,841 --> 00:02:10,341
[ CHUCKLES ]
[ Loudly ] YOUR PIMP?
58
00:02:10,343 --> 00:02:13,113
WHERE CAN I FIND
YOUR PIMP?
59
00:02:13,113 --> 00:02:15,383
Leave her alone right now.
60
00:02:15,381 --> 00:02:18,051
I'M NOT DOING ANYTHING
TO HER.
61
00:02:18,051 --> 00:02:21,151
CAN I HAVE MY PHONE PLEASE?
SHE WANTS HER PHONE, BABY.
62
00:02:21,154 --> 00:02:22,724
GIVE IT TO ME.
IN A MOMENT.
63
00:02:22,723 --> 00:02:25,563
I'M TALKING TO MY HUSBAND.
JUST A MOMENT, OKAY?
64
00:02:25,559 --> 00:02:28,489
I MEAN IT, VERONICA.
LEAVE HER ALONE.
65
00:02:28,494 --> 00:02:30,664
OKAY. [ CHUCKLES ]
I WILL.
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00:02:30,664 --> 00:02:31,934
Veronica, listen.
67
00:02:31,932 --> 00:02:33,632
WHAT'S GOING ON
WITH YOU, DAVID?
68
00:02:33,634 --> 00:02:35,344
YOU GO FROM WHITE GIRL
TO BEIGE GIRL.
69
00:02:35,335 --> 00:02:37,595
ARE YOU WORKING YOUR WAY
BACK TO MY COMPLEXION,
70
00:02:37,604 --> 00:02:42,084
OR HAVE YOU JUST GIVEN UP
ON REAL BLACK ALL TOGETHER?
71
00:02:42,075 --> 00:02:43,775
BECAUSE THAT'S HOW
SOME OF YOU DO, YOU KNOW?
72
00:02:43,777 --> 00:02:45,107
YOU MAKE A LITTLE MONEY,
73
00:02:45,111 --> 00:02:48,351
AND THEN YOU WANT
TO LEAVE US BEHIND.
74
00:02:48,348 --> 00:02:50,048
BUT YOU KNOW ME.
75
00:02:50,050 --> 00:02:54,450
I WILL NOT GO QUIETLY
INTO THAT GREAT NIGHT.
76
00:02:54,454 --> 00:02:56,864
Listen to me, Veronica.
77
00:02:56,857 --> 00:02:59,657
THIS IS BETWEEN YOU AND ME.
78
00:02:59,660 --> 00:03:02,670
IF YOU NEED TO SPEAK TO ME,
THEN DO THAT.
79
00:03:02,669 --> 00:03:04,639
BUT LEAVE HER OUT OF THIS.
80
00:03:04,638 --> 00:03:07,008
YOU'RE VERY PROTECTIVE.
81
00:03:07,007 --> 00:03:09,607
YOU ONLY GET THAT WAY
WHEN YOU LIKE SOMEONE.
82
00:03:11,678 --> 00:03:13,878
HOW LONG HAS THIS BEEN
GOING ON, BABY?
83
00:03:13,880 --> 00:03:15,580
Veronica.
84
00:03:15,582 --> 00:03:17,622
YOU'RE NOT GONNA
TELL ME ANYTHING.
85
00:03:17,618 --> 00:03:19,548
UGH.
86
00:03:19,553 --> 00:03:21,963
VERONICA?
87
00:03:21,955 --> 00:03:24,785
DAMN IT!
88
00:03:24,791 --> 00:03:26,731
[ ENGINE STARTS ]
89
00:03:26,727 --> 00:03:30,827
♪♪♪♪
90
00:03:30,831 --> 00:03:32,301
NOW CAN YOU GIVE ME
MY PHONE, PLEASE?
91
00:03:32,298 --> 00:03:34,898
SURE.
EEXCUSE ME?
92
00:03:34,901 --> 00:03:37,901
Captions by VITAC
www.vitac.com
93
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
94
00:03:40,907 --> 00:03:44,007
♪♪♪♪
95
00:03:52,485 --> 00:03:54,685
SO YOU'RE THE NEW ONE.
96
00:03:54,688 --> 00:03:57,858
GET RID OF ONE,
AND THEN HERE COMES ANOTHER.
97
00:03:57,858 --> 00:03:59,428
YOU NEED TO LEAVE
RIGHT NOW.
98
00:03:59,425 --> 00:04:01,935
AS SOON AS I'M DONE.
99
00:04:01,935 --> 00:04:05,165
I SAID LEAVE.
100
00:04:05,171 --> 00:04:07,111
HOW OLD ARE YOU,
LITTLE GIRL?
101
00:04:07,107 --> 00:04:09,007
[ CHUCKLES ]
LADY
102
00:04:09,009 --> 00:04:10,579
LADY, YES.
103
00:04:10,577 --> 00:04:12,047
I LIKE THAT.
104
00:04:12,045 --> 00:04:13,305
YOU WON'T TELL ME YOUR AGE,
105
00:04:13,313 --> 00:04:16,923
SO YOU MUST BE 30s, 40s?
106
00:04:16,917 --> 00:04:19,347
YOU WON'T GET ME
TO RESPOND TO YOUR INSULTS.
107
00:04:19,352 --> 00:04:21,522
YOU KNOW I'M NOT AS OLD
AS YOU ARE.
108
00:04:21,522 --> 00:04:25,062
I CAN'T TELL.
109
00:04:25,058 --> 00:04:27,628
YOU NEED TO LEAVE.
110
00:04:27,628 --> 00:04:29,728
I WILL.
111
00:04:29,730 --> 00:04:32,530
SO, NOW, WHAT'S YOUR NAME?
112
00:04:32,533 --> 00:04:34,233
OKAY, DO I NEED
TO CALL HOTEL SECURITY?
113
00:04:34,233 --> 00:04:35,673
DO WHAT YOU LIKE.
114
00:04:35,669 --> 00:04:37,799
I WILL.
115
00:04:37,804 --> 00:04:41,844
SO TELL ME AGAIN,
WHO'S YOUR PIMP?
116
00:04:41,842 --> 00:04:44,242
[ TELEPHONE BEEPS ]
117
00:04:44,244 --> 00:04:46,384
I MEAN, I'VE DEFENDED
QUITE A FEW OF THEM HERE,
118
00:04:46,379 --> 00:04:48,449
AND THERE ARE ABOUT
SEVEN IN THIS TOWN
119
00:04:48,448 --> 00:04:51,518
THAT WOULD HAVE
SOMEONE LIKE YOU.
120
00:04:51,518 --> 00:04:54,088
HMM. IS IT RICO?
121
00:04:54,087 --> 00:04:57,157
THEY CALL HIM
PRETTY RICKY.
122
00:04:57,157 --> 00:05:01,227
OR ARE YOU
JOHNNY WAN'S GIRL?
123
00:05:01,234 --> 00:05:03,344
YOU LOOK LIKE YOU COULD BE
JOHNNY WAN'S GIRL.
124
00:05:03,336 --> 00:05:05,936
OR MAYBE JIETA?
125
00:05:05,939 --> 00:05:07,739
YOU KNOW JIETA,
DON'T YOU?
126
00:05:07,741 --> 00:05:11,211
YES. YES, I NEED
SECURITY TO MY ROOM.
127
00:05:11,211 --> 00:05:14,051
I HAVE SOMEONE HERE
THAT WON'T LEAVE.
128
00:05:14,047 --> 00:05:16,447
THANK YOU.
129
00:05:16,449 --> 00:05:17,749
I WILL FIND OUT.
130
00:05:17,751 --> 00:05:19,991
[ CHUCKLES ]
I WILL.
131
00:05:19,986 --> 00:05:22,786
BECAUSE YOU WILL NOT HAVE
MY HUSBAND.
132
00:05:22,789 --> 00:05:24,119
YOU'RE THE EXWIFE.
133
00:05:24,124 --> 00:05:26,564
I'M THE CURRENT WIFE.
134
00:05:26,560 --> 00:05:28,290
[ CHUCKLES ]
135
00:05:28,294 --> 00:05:29,834
I HEARD YOU WERE
GETTING DIVORCED.
136
00:05:29,830 --> 00:05:31,460
YOU HEARD WRONG.
137
00:05:31,464 --> 00:05:33,774
WELL, ACCORDING TO THE PAPERS
I SAW FILED,
138
00:05:33,767 --> 00:05:36,097
I'M NOT WRONG.
139
00:05:36,102 --> 00:05:37,972
YOU SAW PAPERS?
140
00:05:37,971 --> 00:05:39,971
YES, I DID.
141
00:05:39,973 --> 00:05:42,943
I DO RESEARCH
ON THE MEN THAT I SLEEP WITH.
142
00:05:42,943 --> 00:05:46,853
SLEEP WITH.
YEAH.
143
00:05:46,847 --> 00:05:49,617
[ CELLPHONE RINGING ]
144
00:05:49,616 --> 00:05:51,916
MM, BETTER GET IT.
145
00:05:51,918 --> 00:05:53,518
IT'S DAVID.
146
00:05:53,520 --> 00:05:56,320
[ CHUCKLES ]
147
00:05:56,322 --> 00:05:57,662
HELLO?
148
00:05:57,658 --> 00:06:00,558
IS SHE STILL THERE?
149
00:06:00,561 --> 00:06:03,201
YEP.
I called hotel security.
150
00:06:03,203 --> 00:06:05,713
YEAH, SO DID I.
GOOD. STAY ON THE PHONE WITH ME
151
00:06:05,706 --> 00:06:07,836
UNTIL THEY GET THERE.
NO, THERE'S NO NEED.
152
00:06:07,841 --> 00:06:10,041
Erica.
THERE'S NO NEED.
153
00:06:10,043 --> 00:06:11,213
I'LL TAKE CARE OF IT.
154
00:06:11,211 --> 00:06:13,451
YOU DON'T KNOW
WHO YOU'RE DEALING WITH.
155
00:06:13,446 --> 00:06:15,976
TRUST ME,
I CAN HANDLE THIS.
156
00:06:18,151 --> 00:06:19,721
I'LL CALL YOU BACK.
ERICA!
157
00:06:19,720 --> 00:06:21,860
[ CELLPHONE BEEPS ]
DAMN IT.
158
00:06:26,560 --> 00:06:30,300
SO, YOU CAN HANDLE ME.
159
00:06:30,296 --> 00:06:33,096
OH, YEAH.
160
00:06:33,099 --> 00:06:35,369
THEN WHY DO YOU LOOK
SO NERVOUS?
161
00:06:35,368 --> 00:06:37,568
I'M NOT.
YOU LIE WELL.
162
00:06:37,571 --> 00:06:39,871
YOU SHOULD SEE ME
ON MY BACK.
163
00:06:39,873 --> 00:06:42,143
OH, I'M NOT INTO THAT,
164
00:06:42,142 --> 00:06:45,252
BUT THANKS FOR THE OFFER.
165
00:06:45,245 --> 00:06:48,305
SO WHAT DO YOU WANT?
166
00:06:48,314 --> 00:06:51,454
I WANTED
TO GET A LOOK AT YOU.
167
00:06:51,451 --> 00:06:52,991
OKAY.
168
00:06:52,986 --> 00:06:54,916
SHALL I TURN AROUND?
169
00:06:57,190 --> 00:06:59,190
YOU DON'T KNOW ME.
170
00:06:59,192 --> 00:07:01,502
SO LET ME
INTRODUCE MYSELF.
171
00:07:01,502 --> 00:07:02,872
I'M VERONICA HARRINGTON.
172
00:07:02,869 --> 00:07:05,539
OH, YES, YOU SAID THAT.
[ CHUCKLES ]
173
00:07:05,539 --> 00:07:07,809
I KNOW, AND IT'S CUSTOMARY
AND POLITE
174
00:07:07,808 --> 00:07:10,078
THAT WHEN SOMEONE
INTRODUCES THEMSELVES,
175
00:07:10,076 --> 00:07:14,376
YOU THEN GIVE THEM
YOUR FULL NAME.
176
00:07:14,380 --> 00:07:17,250
ERICA IS ALL
YOU NEED TO KNOW.
177
00:07:21,421 --> 00:07:25,361
HOW LONG HAS THIS BEEN
GOING ON BETWEEN YOU TWO?
178
00:07:25,358 --> 00:07:28,358
I WILL NOT ANSWER
ANY MORE OF YOUR QUESTIONS,
179
00:07:28,361 --> 00:07:30,761
BECAUSE YOU BORE ME.
180
00:07:30,764 --> 00:07:32,604
NOW GET THE HELL
OUT OF HERE.
181
00:07:35,536 --> 00:07:37,766
YOU'RE FROM FLORIDA, NO?
182
00:07:42,475 --> 00:07:43,935
YEAH.
183
00:07:43,944 --> 00:07:47,054
YOU LOOK LIKE
YOU'RE FROM A WARM CLIMATE.
184
00:07:47,047 --> 00:07:52,387
YOUR SKIN IS SUN DRENCHED
AND...AGED.
185
00:07:52,385 --> 00:07:55,855
YOU REALLY SHOULD WEAR SUNSCREEN
AND WATCH THE U. V. s.
186
00:07:55,856 --> 00:07:59,726
PROBABLY NEED
A VERY HIGH SPF.
187
00:07:59,726 --> 00:08:01,066
YEAH.
188
00:08:01,067 --> 00:08:03,867
YOU'RE FROM FLORIDA,
WHICH IS REALLY GOOD,
189
00:08:03,870 --> 00:08:05,840
BECAUSE PEOPLE
FROM FLORIDA KNOW
190
00:08:05,839 --> 00:08:10,539
HOW TO BATTEN DOWN THE HOUSE
WHEN A HURRICANE COMES.
191
00:08:10,544 --> 00:08:14,184
YOU KNOW,
WHEN THE METEOROLOGIST GI
192
00:08:14,180 --> 00:08:18,050
WHEN THE WEATHERMAN
GIVES A FORECAST
193
00:08:18,051 --> 00:08:21,051
THAT A HURRICANE IS COMING,
EVERYONE ON THE SHORE,
194
00:08:21,054 --> 00:08:24,864
THEY THEY BRACE THEMSELVES
FOR IT.
195
00:08:24,858 --> 00:08:27,088
THEY DO THAT BY COVERING
THE WINDOWS
196
00:08:27,093 --> 00:08:28,333
AND COVERING THE DOORS,
197
00:08:28,328 --> 00:08:30,898
AND SOMETIMES
THEY EVEN PUT OUT SANDBAGS.
198
00:08:30,897 --> 00:08:35,237
THEY DO WHATEVER THEY CAN
TO STOP THE HURRICANE.
199
00:08:35,235 --> 00:08:37,765
SOMETIMES THE HURRICANE COMES,
AND SOMETIMES IT DOESN'T,
200
00:08:37,771 --> 00:08:40,911
AND THEY WILL HAVE DONE
ALL THAT WORK FOR NOTHING.
201
00:08:43,276 --> 00:08:48,346
BUT I AM HERE TODAY
WITH THE WARNING FOR YOU.
202
00:08:48,348 --> 00:08:52,218
THERE'S A HURRICANE
COMING, ERICA,
203
00:08:52,218 --> 00:08:55,558
AND HER NAME IS VERONICA.
204
00:08:55,556 --> 00:08:57,816
AND WHEN THIS BITCH HITS,
205
00:08:57,824 --> 00:09:01,504
IT DESTROYS EVERYTHING
YOU'VE EVER KNOWN.
206
00:09:03,469 --> 00:09:06,409
NOW, YOU...
207
00:09:06,406 --> 00:09:08,936
ARE VERY, VERY PRETTY.
208
00:09:08,942 --> 00:09:12,382
[ CHUCKLES ]
AND THAT'S SAD.
209
00:09:12,378 --> 00:09:16,348
IT'S UNFORTUNATE, ACTUALLY,
BECAUSE IT'S ALWAYS EASIER
210
00:09:16,349 --> 00:09:20,589
FOR AN UNATTRACTIVE WOMAN
TO LOSE HER LOOKS.
211
00:09:24,390 --> 00:09:26,830
[ KNOCK ON DOOR ]
HOTEL SECURITY.
212
00:09:26,827 --> 00:09:28,557
I WAS JUST LEAVING.
[ CHUCKLES ]
213
00:09:28,562 --> 00:09:30,432
BYE, ERICA.
214
00:09:32,098 --> 00:09:33,868
HELLO.
215
00:09:39,472 --> 00:09:41,612
EVERYTHING ALL RIGHT,
MA'AM?
216
00:09:41,608 --> 00:09:45,308
YEAH. NO, THANK YOU.
SHE WAS THE PROBLEM.
217
00:09:45,311 --> 00:09:47,051
OKAY.
218
00:09:51,384 --> 00:09:53,294
[ DOOR SHUTS ]
219
00:09:59,760 --> 00:10:03,900
WHERE THE HELL IS YOUR MOTHER?
I DON'T KNOW.
220
00:10:03,904 --> 00:10:05,544
DAMN.
221
00:10:05,539 --> 00:10:07,869
HOW LONG ARE
WE GONNA STAY HERE?
222
00:10:07,874 --> 00:10:09,014
WHAT DO YOU MEAN?
223
00:10:09,009 --> 00:10:11,009
I MEAN,
WE'RE JUST SITTING HERE.
224
00:10:14,581 --> 00:10:16,321
I'M WAITING.
225
00:10:16,316 --> 00:10:18,616
FOR WHAT?
I DON'T KNOW.
226
00:10:23,489 --> 00:10:25,859
WHAT DO WHAT DO YOU
THINK SHE'S DOING?
227
00:10:25,859 --> 00:10:29,129
[ CELLPHONE RINGING, BEEPS ]
228
00:10:29,129 --> 00:10:31,299
UH, HOW WOULD I KNOW?
229
00:10:31,297 --> 00:10:34,667
HOW WOULD YOU KNOW? BECAUSE
THE TWO OF YOU THINK ALIKE.
230
00:10:34,668 --> 00:10:36,198
NO, WE DON'T.
231
00:10:36,202 --> 00:10:38,072
YES, YOU DO.
232
00:10:38,071 --> 00:10:39,941
YOU BOTH THINK
FROM THE FROM THE BOTTOM UP.
233
00:10:39,940 --> 00:10:43,310
LIKE, YOU ANALYZE EVERYTHING,
EVERY SCENARIO.
234
00:10:43,309 --> 00:10:46,309
YOU DON'T JUST
DO THINGS RANDOMLY.
235
00:10:46,312 --> 00:10:49,182
SO, WHAT IS SHE UP TO?
236
00:10:50,851 --> 00:10:53,791
[ SIGHS ]
I DON'T KNOW.
237
00:10:53,787 --> 00:10:55,757
I WOULD THINK SHE'S
238
00:10:55,756 --> 00:10:58,826
SHE WENT TO THE HOUSE
TO CHALLENGE THE WARRANT.
239
00:11:01,201 --> 00:11:04,641
THEN THAT'S WHAT
SHE'S GONNA DO.
240
00:11:04,638 --> 00:11:06,968
[ CELLPHONE RINGING ]
241
00:11:06,973 --> 00:11:09,883
YOU GONNA ANSWER IT?
242
00:11:09,876 --> 00:11:13,276
[ CELLPHONE BEEPS ]
WHO IS THAT?
243
00:11:13,279 --> 00:11:15,779
BENNY.
ANSWER IT.
244
00:11:15,782 --> 00:11:18,152
I CAN'T FACE HIM RIGHT NOW.
245
00:11:18,151 --> 00:11:20,991
WHY NOT?
YOU KNOW WHAT? JUST FORGET IT.
246
00:11:20,987 --> 00:11:23,817
I DON'T I DON'T EVEN WANT
TO KNOW. I DON'T WANT TO KNOW
247
00:11:23,824 --> 00:11:27,164
YOUR PROBLEMS DID SOMETHING
TO HIM, TOO.
248
00:11:27,160 --> 00:11:28,830
JEFFERY.
249
00:11:28,829 --> 00:11:30,729
NO, LOOK,
IT'S NONE OF MY BUSINESS.
250
00:11:30,731 --> 00:11:32,371
I DON'T I DON'T WANT
TO ARGUE WITH YOU.
251
00:11:32,365 --> 00:11:37,165
GOOD, BECAUSE I'M NOT
IN THE MOOD RIGHT NOW.
252
00:11:37,170 --> 00:11:38,940
SO WHAT DID YOU DO?
253
00:11:42,308 --> 00:11:44,138
THE MORTGAGE.
254
00:11:44,144 --> 00:11:46,354
IT'S HIS, THE TOW YARD.
255
00:11:46,346 --> 00:11:49,916
YOU ALREADY KNOW.
OH, WOW.
256
00:11:49,916 --> 00:11:51,476
[ SIGHS ]
257
00:11:51,484 --> 00:11:53,654
I GOT INTO SOME TROUBLE
AND I NEEDED MONEY,
258
00:11:53,654 --> 00:11:57,824
SO...I DID IT.
259
00:11:57,824 --> 00:12:00,764
SEE THAT?
YOU'RE JUST LIKE MY MOM.
260
00:12:00,761 --> 00:12:03,241
YOU USE PEOPLE
TO DO WHAT YOU NEED.
261
00:12:03,236 --> 00:12:07,166
♪♪♪♪
262
00:12:07,173 --> 00:12:09,543
I DIDN'T USE HIM.
263
00:12:09,543 --> 00:12:11,753
YEAH, OKAY.
264
00:12:11,745 --> 00:12:14,075
OKAY.
265
00:12:14,080 --> 00:12:16,250
I DID SOMETHING GOOD
FOR HIM.
266
00:12:16,249 --> 00:12:18,019
OH, YEAH.
I
267
00:12:20,921 --> 00:12:22,661
I BOUGHT HIM A PLACE.
268
00:12:22,656 --> 00:12:25,886
AND MORTGAGED IT
AND TOOK IT BACK.
269
00:12:28,294 --> 00:12:30,904
YOU WANT TO TALK
ABOUT USING?
270
00:12:33,399 --> 00:12:35,439
WHAT?
EXCUSE ME?
271
00:12:35,435 --> 00:12:38,765
LIKE YOU'RE NOT
USING THAT OFFICER.
272
00:12:38,772 --> 00:12:41,942
WHAT DOES THAT MEAN?
WAIT.
273
00:12:41,942 --> 00:12:43,742
IIIT'S NOT EVEN
LIKE THAT.
274
00:12:43,744 --> 00:12:45,954
WHAT ARE YOU
TALKING ABOUT?
275
00:12:45,946 --> 00:12:47,976
YOU'RE NOT USING HIM?
276
00:12:47,981 --> 00:12:51,891
NO. II'VE NEVER
THREATENED HIM.
277
00:12:51,885 --> 00:12:55,455
YOU THINK YOU HAVE TO THREATEN
SOMEONE TO USE THEM?
278
00:12:55,455 --> 00:12:57,555
YOU AND I BOTH KNOW
THERE IS A DIFFERENCE
279
00:12:57,558 --> 00:12:59,928
BETWEEN THREATENING SOMEONE
AND USING SOMEONE.
280
00:12:59,926 --> 00:13:02,696
YES. WE DO.
281
00:13:09,810 --> 00:13:11,950
SO I'M NOT USING HIM.
282
00:13:14,114 --> 00:13:16,254
LOOK AT YOU.
283
00:13:16,249 --> 00:13:18,749
YOU LIKE HIM.
284
00:13:18,752 --> 00:13:23,022
WHAT? I DON'T EVEN
KNOW HIM THAT WELL.
285
00:13:23,023 --> 00:13:25,593
YOU LIKE HIM.
286
00:13:25,592 --> 00:13:27,762
YOU'VE FALLEN IN LOVE
WITH HIM, JEFFERY.
287
00:13:27,761 --> 00:13:30,101
I DON'T EVEN KNOW HIM.
288
00:13:30,096 --> 00:13:32,826
IT'S NOT LIKE THAT.
289
00:13:32,833 --> 00:13:37,403
BUT YOU LIKE HIM,
AND HE SURE AS HELL LIKES YOU.
290
00:13:37,403 --> 00:13:40,113
NO, HE DOESN'T.
291
00:13:40,106 --> 00:13:41,736
DAMN.
292
00:13:41,742 --> 00:13:45,052
I TOLD YOU
TO GET CLOSE TO HIM, BUT...
293
00:13:45,045 --> 00:13:46,775
I DIDN'T SAY
FALL IN LOVE WITH HIM.
294
00:13:46,780 --> 00:13:49,780
I DON'T LOVE HIM.
GOOD.
295
00:13:49,783 --> 00:13:51,923
BECAUSE THAT'S THE FIRST THING
THAT WILL GET YOU MESSED UP
296
00:13:51,918 --> 00:13:55,158
IN THIS GAME.
297
00:13:55,155 --> 00:13:57,615
I DID IT TWICE, AND...
298
00:13:57,624 --> 00:14:00,064
I WILL NEVER DO IT AGAIN.
299
00:14:00,060 --> 00:14:03,340
FIRST OF ALL, I AM NOT
IN THE GAME. OKAY?
300
00:14:03,336 --> 00:14:05,336
THAT'S YOU AND MY MOTHER.
301
00:14:09,743 --> 00:14:12,383
SAY WHAT YOU WANT
TO FEEL WHAT YOU NEED TO FEEL.
302
00:14:12,378 --> 00:14:15,748
SECONDLY,
I DO NOT LOVE HIM.
303
00:14:19,520 --> 00:14:20,950
MM.
304
00:14:23,990 --> 00:14:26,260
BUT YOU LIKE HIM, AND HE LIKES
THE HELL OUT OF YOU.
305
00:14:26,259 --> 00:14:28,229
NO, HE DOESN'T.
306
00:14:28,228 --> 00:14:33,068
JEFFERY, THAT MAN CAN GO TO JAIL
FOR DOING WHAT HE'S DOING.
307
00:14:33,066 --> 00:14:34,866
HE'S A COP.
308
00:14:34,868 --> 00:14:36,768
II DON'T KNOW
WHAT YOU DID TO HIM,
309
00:14:36,770 --> 00:14:41,210
BUT YOU'RE DOING
SOMETHING TO HIM.
310
00:14:41,207 --> 00:14:44,377
CANDACE, I'M NOT EVEN
DOING THIS WITH YOU RIGHT NOW.
311
00:14:44,377 --> 00:14:46,577
WHAT ARE YOU DOING
WITH HIM?
312
00:14:49,583 --> 00:14:51,593
NOTHING.
I'M I'M
313
00:14:51,585 --> 00:14:54,015
[ CELLPHONE RINGING ]
314
00:14:58,458 --> 00:14:59,958
ANSWER IT.
315
00:15:02,202 --> 00:15:04,342
NO.
YOU
316
00:15:04,337 --> 00:15:07,407
YOU'RE ONLY GONNA
MAKE HIM MAD AND UPSET.
317
00:15:16,482 --> 00:15:18,852
YOU JUST WANT TO SEE ME UPSET,
DON'T YOU?
318
00:15:18,852 --> 00:15:21,962
YOU? UPSET? PLEASE.
319
00:15:21,955 --> 00:15:23,585
EXCUSE ME?
320
00:15:23,590 --> 00:15:27,260
YOU HAVE TO HAVE FEELINGS
AND A HEART TO BE UPSET.
321
00:15:27,260 --> 00:15:30,630
SOCIOPATHS DON'T GET UPSET.
322
00:15:30,631 --> 00:15:32,631
GO TO HELL, JEFFERY.
323
00:15:41,041 --> 00:15:42,581
OH, HELL NO.
324
00:15:53,954 --> 00:15:55,394
[ Sighing ]
OH, HELL NO.
325
00:15:55,388 --> 00:15:57,918
WHAT?
YOU WANT TO SEE UPSET?
326
00:15:57,924 --> 00:16:00,064
WHAT?
WATCH.
327
00:16:00,060 --> 00:16:02,040
CANDACE.
328
00:16:02,035 --> 00:16:04,235
WHAT ARE YOU DOING HERE?
329
00:16:04,237 --> 00:16:07,067
GET AWAY FROM ME,
OR I WILL FALL ON THIS FLOOR
330
00:16:07,073 --> 00:16:09,713
AND SCREAM RAPE AND MURDER.
331
00:16:09,710 --> 00:16:11,110
WAIT, YOU KNOW WHAT?
332
00:16:11,111 --> 00:16:13,051
THERE'S A REASON FOR THIS.
YOU'RE HERE FOR A REASON.
333
00:16:13,046 --> 00:16:15,576
I SAID GET AWAY FROM ME.
CAN YOU GET LOST, PLEASE?
334
00:16:15,582 --> 00:16:18,182
EXCUSE ME?
I'M TALKING TO HER.
335
00:16:18,184 --> 00:16:20,354
YEAH?
DON'T YOU DARE.
336
00:16:20,353 --> 00:16:22,563
UH, YOU KNOW WHAT?
I'M GONNA GET ME A KNIFE,
337
00:16:22,556 --> 00:16:24,486
HELP YOU GET RID
OF THIS ONE, TOO.
338
00:16:24,490 --> 00:16:26,630
I MEAN, WE ALREADY
IN DEEP, RIGHT?
339
00:16:26,627 --> 00:16:28,027
WHAT'S ONE MORE?
340
00:16:28,028 --> 00:16:31,158
YEAH, HANG OUT.
341
00:16:31,164 --> 00:16:32,574
GET LOST.
WHAT'S HE TALKING ABOUT?
342
00:16:32,566 --> 00:16:34,596
IF YOU DON'T LEAVE, I'M GONNA
CAUSE THE BIGGEST SCENE.
343
00:16:34,601 --> 00:16:36,241
OH, YOU'RE ABOUT TO SEE
THE BIGGEST SCENE.
344
00:16:36,236 --> 00:16:40,306
YOU HAVE 10 SECONDS.
I JUST NEED 5.
345
00:16:40,306 --> 00:16:42,306
[ DOOR OPENS ]
346
00:16:42,308 --> 00:16:44,338
YOU SEE?
347
00:16:44,344 --> 00:16:46,084
THAT'S MY MAN.
348
00:16:50,684 --> 00:16:52,424
THAT'S MY MARK, CANDACE.
349
00:16:52,418 --> 00:16:54,688
HE'S THE FAVORITE
FOR THE PRESIDENTIAL ELECTION.
350
00:16:54,688 --> 00:16:56,018
HE'S HERE IN THIS HOTEL
351
00:16:56,022 --> 00:16:58,422
STOMPING ALL OVER THE STATE
OF GEORGIA FOR HIS CAMPAIGN.
352
00:16:58,424 --> 00:16:59,994
HE'S CLEAN AS A WHISTLE.
353
00:16:59,993 --> 00:17:02,943
HE'S SINGLE,
AND YOU CAN GET HIM.
354
00:17:02,936 --> 00:17:05,636
YOU CAN GET HIM,
AND I NEED YOUR HELP TO GET HIM.
355
00:17:05,639 --> 00:17:07,639
I'M GETTING PAID
BY SOME VERY POWERFUL PEOPLE
356
00:17:07,641 --> 00:17:09,341
TO GET IN BED WITH HIM.
357
00:17:09,342 --> 00:17:11,782
WELL, NOT LITERALLY.
358
00:17:11,778 --> 00:17:14,178
I NEED A WAY IN,
AND YOU CAN GET HIM.
359
00:17:14,180 --> 00:17:17,520
YOU WON'T GET HURT IN THIS.
HE WILL FALL FOR YOU.
360
00:17:17,518 --> 00:17:21,388
LOOK, YOU'RE HIS TYPE.
361
00:17:21,387 --> 00:17:22,787
THIS IS HIS LATE WIFE.
362
00:17:22,789 --> 00:17:25,329
SHE DIED A YEAR AGO,
AND THE SYMPATHY VOTE
363
00:17:25,325 --> 00:17:27,625
IS GONNA TAKE HIM
ALL THE WAY TO THE WHITE HOUSE.
364
00:17:27,628 --> 00:17:29,798
CANDACE, HE'S A KID.
365
00:17:29,796 --> 00:17:32,026
HE'S ONLY 37.
YOU CAN GET HIM, CANDACE.
366
00:17:32,032 --> 00:17:33,432
CANDACE, GO
GET AWAY FROM ME.
367
00:17:33,433 --> 00:17:35,643
GO GET HIM, CANDACE.
GET AWAY FROM ME.
368
00:17:35,636 --> 00:17:37,966
GET AWAY FROM ME!
369
00:17:45,045 --> 00:17:47,275
[ CELLPHONE RINGING ]
[ SPEAKS INDISTINCTLY ]
370
00:17:48,114 --> 00:17:50,784
[ CELLPHONE BEEPS ]
371
00:17:50,784 --> 00:17:52,294
Hey.
HI.
372
00:17:52,285 --> 00:17:55,255
Are you safe?
YEAH.
373
00:17:55,255 --> 00:17:57,555
Where are you?
UM, I'M AT THE HOTEL.
374
00:17:57,558 --> 00:17:58,958
All right, I'm on my way.
375
00:17:58,959 --> 00:18:01,799
I'M AT THE ARTESIAN.
What room?
376
00:18:01,802 --> 00:18:03,802
ROOM?
I DON'T HAVE A ROOM.
377
00:18:03,804 --> 00:18:05,644
Get one.
[ Beep ]
378
00:18:05,639 --> 00:18:08,339
[ STAMMERS ]
HELLO? JUSTIN?
379
00:18:08,341 --> 00:18:12,281
HELLO?
380
00:18:12,278 --> 00:18:14,518
YOU GETTING A ROOM?
[ CELLPHONE RINGING ]
381
00:18:14,515 --> 00:18:17,445
GETTING YOUR PHONE?
382
00:18:17,450 --> 00:18:20,550
[ CELLPHONE RINGS, BEEPS ]
383
00:18:20,554 --> 00:18:22,294
HELLO?
384
00:18:22,288 --> 00:18:23,588
HOW ARE YOU?
385
00:18:23,590 --> 00:18:25,930
UH, NOT GOOD.
386
00:18:25,926 --> 00:18:27,826
Yeah, neither am I.
387
00:18:27,828 --> 00:18:29,228
WHAT'S GOING ON?
388
00:18:29,229 --> 00:18:32,829
YOU FIRST.
No. You. Go on.
389
00:18:32,833 --> 00:18:37,543
OKAY, WELL I JUST GOT A VISIT
FROM VERONICA HARRINGTON.
390
00:18:37,538 --> 00:18:40,368
WHAT?
Yeah.
391
00:18:40,373 --> 00:18:43,043
AT THE SARANDON?
No, I didn't stay there.
392
00:18:43,043 --> 00:18:44,853
WELL, WHERE ARE YOU?
393
00:18:44,845 --> 00:18:47,005
I'M AT THE ARTESIAN.
394
00:18:47,013 --> 00:18:48,523
REALLY? SO AM I.
395
00:18:48,515 --> 00:18:50,945
Are you?
YEAH.
396
00:18:50,951 --> 00:18:54,121
Well, then, come up to my room.
2015.
397
00:18:54,120 --> 00:18:55,820
OKAY, I'M ON MY WAY.
398
00:19:07,207 --> 00:19:08,907
DAVID, IT'S FINE.
399
00:19:08,909 --> 00:19:10,979
Are you sure?
YES.
400
00:19:10,977 --> 00:19:12,407
I'm so sorry.
401
00:19:12,412 --> 00:19:14,622
WELL, DON'T BE.
402
00:19:14,615 --> 00:19:16,275
YOU CAN MAKE IT UP TO ME.
403
00:19:16,282 --> 00:19:18,252
Anything.
404
00:19:18,251 --> 00:19:19,751
TAKE ME OUT
TO DINNER TONIGHT.
405
00:19:19,753 --> 00:19:22,063
That's the least
I can do.
406
00:19:22,055 --> 00:19:23,415
[ CHUCKLES ]
OKAY.
407
00:19:23,423 --> 00:19:25,333
What time?
408
00:19:25,325 --> 00:19:28,455
UH, II CAN BE READY
IN AN HOUR.
409
00:19:28,461 --> 00:19:30,801
Yes, yes, I can be
free by then.
410
00:19:30,797 --> 00:19:32,767
OKAY.
I'll see you then.
411
00:19:32,766 --> 00:19:35,166
OKAY, BYE.
Bye.
412
00:19:35,168 --> 00:19:37,198
[ KNOCKING ON DOOR ]
413
00:19:45,045 --> 00:19:46,375
HEY.
HEY.
414
00:19:46,379 --> 00:19:49,179
[ BOTH CHUCKLE ]
415
00:19:49,182 --> 00:19:52,222
SO SHE CAME HERE?
416
00:19:52,218 --> 00:19:53,818
YEAH.
417
00:19:53,820 --> 00:19:55,160
HMM.
418
00:19:58,124 --> 00:20:00,464
HOW DOES SHE
KNOW ABOUT YOU?
419
00:20:00,460 --> 00:20:02,670
II DON'T KNOW.
420
00:20:02,669 --> 00:20:05,209
SHE'S HAVING HIM FOLLOWED.
421
00:20:05,205 --> 00:20:08,165
MIGHT BE.
422
00:20:08,174 --> 00:20:11,854
WATCH OUT FOR HER, ERICA.
SHE'S CRAZY.
423
00:20:11,845 --> 00:20:14,745
[ CHUCKLES ]
YEAH, WELL, YOU KNOW ME.
424
00:20:14,748 --> 00:20:16,318
YEAH, I DO.
425
00:20:16,316 --> 00:20:18,216
AND WE'RE CRAZIER.
426
00:20:18,218 --> 00:20:21,248
YEAH, BUT SHE'S
ON ANOTHER LEVEL OF CRAZY
427
00:20:21,254 --> 00:20:26,134
LIKE, "MENTALLY ILL BUT
SOMETIMES SANE MOMENTS" CRAZY.
428
00:20:26,126 --> 00:20:27,926
[ CHUCKLES ]
YEAH.
429
00:20:27,928 --> 00:20:29,928
WELL, YEAH, THOSE ARE
THE MOST DANGEROUS ONES.
430
00:20:29,930 --> 00:20:32,870
TELL ME ABOUT IT.
431
00:20:32,866 --> 00:20:34,966
LIKE WAR.
432
00:20:34,968 --> 00:20:37,668
YEAH. YEAH.
433
00:20:37,671 --> 00:20:39,671
YOU HAVEN'T HEARD
FROM HIM LATELY, HAVE YOU?
434
00:20:39,673 --> 00:20:40,773
NO.
GOOD.
435
00:20:40,774 --> 00:20:41,814
NO.
436
00:20:41,808 --> 00:20:43,478
SO, SHE JUST
SHOWED UP HERE.
437
00:20:43,476 --> 00:20:44,976
WHAT DID SHE SAY?
438
00:20:44,978 --> 00:20:47,248
OH, SHE THREATENED ME.
439
00:20:47,247 --> 00:20:49,377
YOU KNOW HOW WIVES DO.
440
00:20:49,382 --> 00:20:51,482
NOTHING NEW.
I MEAN, WE'RE USED TO IT.
441
00:20:51,484 --> 00:20:53,594
YEAH.
JUST INSULTS.
442
00:20:53,587 --> 00:20:55,957
YOU WENT TOE FOR TOE?
443
00:20:55,956 --> 00:20:59,126
WORD FOR WORD.
THAT'S MY GIRL.
444
00:20:59,125 --> 00:21:02,335
I THOUGHT SHE LEFT TO GO
TAKE CARE OF A SITUATION FOR ME.
445
00:21:02,335 --> 00:21:04,935
SHE WAS UP HERE WITH YOU.
446
00:21:04,938 --> 00:21:06,908
WHAT SITUATION?
447
00:21:06,907 --> 00:21:08,737
THE MORTGAGE.
448
00:21:08,742 --> 00:21:11,812
ALL OF IT BACKFIRED.
449
00:21:11,812 --> 00:21:14,982
YOU KNOW, THE PAPERWORK.
450
00:21:14,981 --> 00:21:16,981
I'M SORRY.
451
00:21:16,983 --> 00:21:18,893
I LOST THE HOUSE.
452
00:21:18,885 --> 00:21:20,285
WHAT?
YEAH.
453
00:21:20,286 --> 00:21:21,786
NO. CANDACE,
WHAT ARE YOU GONNA DO?
454
00:21:21,788 --> 00:21:23,888
I DON'T KNOW.
455
00:21:23,890 --> 00:21:25,360
WELL, OSCAR, HE'S
456
00:21:25,358 --> 00:21:28,488
NO, HE'S NO HELP AT ALL.
457
00:21:28,494 --> 00:21:29,864
DAMN.
458
00:21:33,466 --> 00:21:36,796
YOU KNOW, THEY TOOK
ALL MY MONEY FROM THE HOUSE.
459
00:21:36,803 --> 00:21:38,303
WHO?
460
00:21:38,304 --> 00:21:40,274
THE POLICE.
461
00:21:42,142 --> 00:21:45,412
WAIT, CANDACE,
WHAT'S GOING ON?
462
00:21:55,088 --> 00:21:57,458
CANDACE, WHAT'S
WHAT'S GOING ON?
463
00:21:59,425 --> 00:22:03,195
I MAY AS WELL TELL YOU.
464
00:22:03,203 --> 00:22:06,473
WE STABBED QUINCY.
465
00:22:06,472 --> 00:22:09,042
WHAT?
YEAH.
466
00:22:09,042 --> 00:22:10,442
WE KILLED HIM.
467
00:22:10,443 --> 00:22:13,483
BENNY BURIED HIM
IN MY BACKYARD.
468
00:22:13,479 --> 00:22:15,949
WWAIT, WHAT?
469
00:22:15,949 --> 00:22:17,779
WE HAD NO CHOICE.
470
00:22:17,784 --> 00:22:21,294
NEIGHBOR'S CAMERAS
WERE FIXED ON MY DOOR.
471
00:22:21,287 --> 00:22:24,727
DAMN, THAT'S CRAZY.
472
00:22:24,725 --> 00:22:27,725
WHY DIDN'T YOU TELL ME?
473
00:22:27,728 --> 00:22:29,728
FOR WHAT?
474
00:22:29,730 --> 00:22:31,730
I COULD HAVE HELPED YOU.
HOW?
475
00:22:31,732 --> 00:22:34,502
THERE'S ALREADY
ENOUGH PEOPLE INVOLVED.
476
00:22:34,500 --> 00:22:36,770
WELL, YOU KNOW I KNOW PEOPLE,
SO...
477
00:22:36,770 --> 00:22:38,400
YOUR PEOPLE ARE MY PEOPLE.
478
00:22:38,404 --> 00:22:40,874
DON'T YOU THINK
I KNOW THAT?
479
00:22:40,874 --> 00:22:42,584
MMHMM.
480
00:22:42,576 --> 00:22:44,746
I THOUGHT ABOUT IT,
481
00:22:44,745 --> 00:22:47,575
BUT THE POLICE
FOUND THE BODY,
482
00:22:47,581 --> 00:22:51,281
SO WHO KNOWS HOW LONG
I'LL BE FREE.
483
00:22:53,920 --> 00:22:56,460
WOW, THIS
THIS CAN'T BE HAPPENING.
484
00:22:56,456 --> 00:22:58,286
YEAH, IT IS.
485
00:23:00,627 --> 00:23:03,067
[ CELLPHONE RINGING ]
486
00:23:07,473 --> 00:23:09,613
UGH.
487
00:23:09,610 --> 00:23:12,380
WHAT?
BENNY.
488
00:23:12,378 --> 00:23:13,978
ARE YOU
ARE YOU GONNA GET IT?
489
00:23:13,980 --> 00:23:16,480
HE CALLED ME
LIKE 25 TIMES.
490
00:23:16,482 --> 00:23:18,322
IT COULD BE IMPORTANT.
491
00:23:23,356 --> 00:23:24,416
BENNY.
492
00:23:24,424 --> 00:23:26,534
BENNY:
Where are you?
493
00:23:26,527 --> 00:23:28,157
I'M SORRY I DIDN'T COME.
494
00:23:28,161 --> 00:23:30,231
Where are you?
495
00:23:30,230 --> 00:23:31,800
I'M AT A HOTEL.
496
00:23:31,798 --> 00:23:34,198
What hotel?
497
00:23:34,200 --> 00:23:35,470
THE ARTESIAN.
498
00:23:35,468 --> 00:23:37,738
I'm on my way.
499
00:23:37,738 --> 00:23:39,868
BENNY?
What room?
500
00:23:39,873 --> 00:23:41,913
BBENNY.
What room?
501
00:23:41,908 --> 00:23:44,078
I'LL BE IN THE LOBBY.
502
00:23:44,077 --> 00:23:45,507
I'm on my way.
503
00:23:45,512 --> 00:23:46,852
"B."
504
00:23:46,847 --> 00:23:48,447
[ Beep ]
505
00:23:50,884 --> 00:23:53,424
HE SOUNDS MAD.
YOU HEARD HIM?
506
00:23:53,419 --> 00:23:57,189
[ Chuckling ]
YEAH.
507
00:23:57,190 --> 00:23:59,830
ALL RIGHT, WELL,
508
00:23:59,826 --> 00:24:01,936
I'LL CALL YOU.
509
00:24:01,935 --> 00:24:03,265
YEAH.
510
00:24:03,269 --> 00:24:06,809
WELL, LET ME KNOW
IF YOU NEED ANYTHING.
511
00:24:06,807 --> 00:24:09,237
MONEY.
512
00:24:09,242 --> 00:24:14,752
WELL, YOU KNOW I'M HERE
IN THIS HOTEL ROOM ON A STUNT.
513
00:24:14,748 --> 00:24:16,648
YEAH, I KNOW.
514
00:24:16,650 --> 00:24:20,290
I'LL CALL YOU.
515
00:24:20,286 --> 00:24:21,986
OKAY.
516
00:24:47,881 --> 00:24:49,681
MAN, LOOK AT THIS, MAN.
517
00:24:56,456 --> 00:24:58,286
LOOK LIKE
A LITTLE CRYER.
518
00:24:58,291 --> 00:25:00,861
GUYS
DAMN.
519
00:25:00,861 --> 00:25:04,041
PLEASE, JUST TAKE WHAT YOU WANT
AND LEAVE.
520
00:25:04,037 --> 00:25:05,907
OH, WE GONNA DO THAT.
521
00:25:10,210 --> 00:25:12,210
I DON'T HAVE ANYTHING ELSE.
COME ON.
522
00:25:12,212 --> 00:25:14,852
YOU GOT A BANK CARD.
[ GROANS ]
523
00:25:14,848 --> 00:25:16,718
I TOOK ALL THE MONEY
I CAN OUT.
524
00:25:16,717 --> 00:25:18,077
[ LAUGHS ]
525
00:25:18,084 --> 00:25:19,994
THAT'S TODAY.
526
00:25:22,856 --> 00:25:25,326
JUST JUST LEAVE,
AND I WON'T CALL THE POLICE.
527
00:25:25,325 --> 00:25:26,425
[ LAUGHS ]
528
00:25:26,426 --> 00:25:28,256
THE POLICE?
529
00:25:28,261 --> 00:25:30,131
MAN, WHITE BOY, YOU FUNNY.
530
00:25:33,634 --> 00:25:35,304
GOT SOME FOOD AROUND HERE
OR SOMETHING?
531
00:25:35,301 --> 00:25:37,001
FOR REAL.
532
00:25:37,003 --> 00:25:39,143
NO. I DON'T.
533
00:25:43,710 --> 00:25:46,150
LOOK AT HIM.
HE SWEATING.
534
00:25:49,182 --> 00:25:50,622
YOU SCARED?
535
00:25:50,617 --> 00:25:54,757
NO, HE JUST ON A COMEDOWN.
HE FEENIN'.
536
00:25:54,755 --> 00:25:56,415
PLEASE, JUST
537
00:25:58,792 --> 00:26:00,032
OH, THAT'S RIGHT.
538
00:26:00,026 --> 00:26:03,666
WE SUPPOSED
TO GET YOU SOMETHING, HUH?
539
00:26:03,670 --> 00:26:05,140
I JUST WANT
540
00:26:05,138 --> 00:26:06,638
HEY, YOU YOU AIN'T
GOING NOWHERE.
541
00:26:06,640 --> 00:26:08,470
NO, I NEED SOMETHING.
COME ON. JUST GIVE ME
542
00:26:08,474 --> 00:26:10,414
WHAT YOU NEED?
ANYTHING.
543
00:26:10,410 --> 00:26:13,350
ANYTHING, MAN, PLEASE.
DO YOU HAVE ANYTHING?
544
00:26:13,346 --> 00:26:16,416
YOU KNOW WHAT?
YEAH, I GOT SOMETHING.
545
00:26:16,416 --> 00:26:19,446
PLEASE. PLEASE.
PLEASE, JUST
546
00:26:19,452 --> 00:26:22,492
"PLEASE, PLEASE, PLEASE."
547
00:26:22,488 --> 00:26:24,158
LOOK AT THIS DUDE, MAN.
548
00:26:24,157 --> 00:26:25,857
I SEE HIM.
549
00:26:30,897 --> 00:26:34,227
DAMN. THAT'S A NICE BED.
550
00:26:36,537 --> 00:26:38,867
I LIKE THIS, OOH.
551
00:26:38,872 --> 00:26:40,072
GOT THEM GOOD SHEETS.
552
00:26:40,073 --> 00:26:42,513
HOW MUCH MONEY YOU GOT,
WHITE BOY?
553
00:26:46,580 --> 00:26:49,580
YOU HAVE IT.
OH, NO, WE DIDN'T.
554
00:26:52,185 --> 00:26:54,415
COME ON.
555
00:26:54,420 --> 00:26:56,390
JUST TAKE WHAT YOU WANT.
556
00:26:56,389 --> 00:26:58,089
YOU GOT MORE MONEY
IN THE BANK.
557
00:26:58,091 --> 00:27:00,701
NO.
OH, YOU GOT MORE.
558
00:27:03,604 --> 00:27:04,974
NO, I DON'T.
559
00:27:04,971 --> 00:27:07,741
[ CHUCKLES ]
YEAH, YOU DO.
560
00:27:10,343 --> 00:27:13,683
WE GONNA STAY
WITH YOU TONIGHT.
561
00:27:13,680 --> 00:27:16,350
WHAT?
YEAH,
562
00:27:16,349 --> 00:27:18,179
WE GONNA STAY
WITH YOU TILL TOMORROW,
563
00:27:18,184 --> 00:27:19,994
AND THEN WE GOING
TO THE BANK,
564
00:27:19,986 --> 00:27:22,356
AND WE GETTING
ALL THE MONEY FROM YOU.
565
00:27:22,355 --> 00:27:24,985
WHAT?
566
00:27:27,260 --> 00:27:28,430
COME ON, PLEASE.
567
00:27:28,428 --> 00:27:30,298
"PLEASE." THAT'S RIGHT.
568
00:27:30,296 --> 00:27:34,426
PLEASE GIVE US
ALL YOUR MONEY.
569
00:27:34,434 --> 00:27:36,904
YOU GOT SOME FOOD OR SOMETHING?
I NEED SOME FOOD OR SOMETHING.
570
00:27:36,903 --> 00:27:39,573
MAN, FOR REAL
LET'S GET A PIZZA.
571
00:27:39,573 --> 00:27:42,443
OKAY.
HERE, TAKE THE CREDIT CARD.
572
00:27:42,442 --> 00:27:44,752
OKAY.
573
00:27:57,290 --> 00:27:59,290
WHO TOLD YOU YOU COULD MOVE,
HOMEBOY?
574
00:27:59,292 --> 00:28:01,302
LET HIM MOVE.
575
00:28:01,301 --> 00:28:03,971
TOLD YOU
HE ON THE COMEDOWN.
576
00:28:03,970 --> 00:28:06,510
HE GONNA BE THROWING UP
IN A MINUTE, TOO.
577
00:28:08,642 --> 00:28:12,382
GOOD THING
THIS AIN'T MY CRIB.
578
00:28:12,378 --> 00:28:14,178
WHERE THE PHONE AT, MAN?
579
00:28:24,290 --> 00:28:26,490
WHAT'S IN THERE?
NOTHING.
580
00:28:30,063 --> 00:28:32,233
[ SPEAKING INDISTINCTLY ]
581
00:28:55,088 --> 00:28:56,218
HEY.
582
00:28:56,222 --> 00:28:57,662
LET'S GO.
BENNY, I'M SORRY.
583
00:28:57,658 --> 00:28:59,288
COME ON.
HEAR ME?
584
00:28:59,292 --> 00:29:00,632
NO, I DON'T WANT
TO HEAR IT.
585
00:29:00,627 --> 00:29:02,097
NO.
BENNY, PLEASE.
586
00:29:02,102 --> 00:29:03,902
THERE'S NOTHING YOU CAN SAY
TO ME, CANDACE.
587
00:29:03,904 --> 00:29:05,414
LET ME TELL YOU
WHAT I NEED TO SAY.
588
00:29:05,405 --> 00:29:06,935
YO, COME ON.
WHERE ARE YOU GOING?
589
00:29:06,940 --> 00:29:08,910
I'M NOT PLAYING WITH YOU
RIGHT NOW, LITTLE GIRL.
590
00:29:08,909 --> 00:29:10,309
BENNY, PLEASE.
I SAID COME ON.
591
00:29:10,310 --> 00:29:13,310
I TRIED TO GET
THE MONEY, OKAY?
592
00:29:13,313 --> 00:29:15,553
YOU WANT TO DO THIS RIGHT HERE?
THIS IS GONNA PISS ME OFF.
593
00:29:15,549 --> 00:29:18,079
I'M NOT TRYING TO DO THAT.
YEAH, YOU ALREADY HAVE!
594
00:29:18,084 --> 00:29:20,154
JUST HEAR ME.
JUST HEAR ME.
595
00:29:20,153 --> 00:29:21,393
ALL RIGHT, WHAT?
596
00:29:21,387 --> 00:29:22,887
I WENT TO THE HOUSE
TO GET THE MONEY.
597
00:29:22,889 --> 00:29:25,559
THE POLICE TOOK IT, OKAY?
I DON'T BELIEVE
598
00:29:25,559 --> 00:29:27,259
ANYTHING YOU'RE SAYING TO ME.
I'M NOT LYING.
599
00:29:27,260 --> 00:29:28,860
YOU'RE NOT LYING?
NO.
600
00:29:28,862 --> 00:29:32,332
AND WHY IN THE HELL
SHOULD I BELIEVE THAT?!
601
00:29:32,332 --> 00:29:33,602
YOU ARE CAUSING A SCENE.
602
00:29:33,600 --> 00:29:37,040
I DON'T GIVE A...ABOUT THAT!
603
00:29:37,037 --> 00:29:38,767
BENNY.
IF THAT WAS THE CASE,
604
00:29:38,772 --> 00:29:41,612
WHY COULDN'T YOU JUST CALL ME
AND TELL ME YOU COULDN'T GET IT?
605
00:29:41,608 --> 00:29:44,408
BECAUSE III KEEP
DISAPPOINTING YOU.
606
00:29:44,410 --> 00:29:46,350
YEAH.
AND I COULDN'T.
607
00:29:46,346 --> 00:29:50,516
YO, LET'S GO.
NO, I'M NOT GOING.
608
00:29:50,517 --> 00:29:52,787
BENNY, I'M SORRY.
609
00:29:52,786 --> 00:29:54,586
YOU'RE SORRY? NO.
HOW IN THE HELL
610
00:29:54,588 --> 00:29:56,458
CAN YOU LET THOSE WORDS
COME OUT OF YOUR MOUTH?
611
00:29:56,456 --> 00:29:57,856
II LOVE YOU, OKAY?
612
00:29:57,858 --> 00:29:59,188
YOU YOU LOVE ME?
613
00:29:59,192 --> 00:30:00,262
YES.
HOW CAN YOU SAY THAT?
614
00:30:00,260 --> 00:30:01,940
THAT DON'T MEAN NOTHING
COMING FROM YOU.
615
00:30:01,935 --> 00:30:03,565
THEY KICKED ME
OUT OF MY HOUSE!
616
00:30:03,570 --> 00:30:05,270
I KNOW THAT.
YOU KNOW THAT?
617
00:30:05,271 --> 00:30:07,611
DID YOU KNOW YOUR SON
WAS WATCHING ME?
618
00:30:07,608 --> 00:30:08,838
YES.
SHUT UP. JUST SHUT UP!
619
00:30:08,842 --> 00:30:12,082
LET'S GO.
NO. WHERE ARE WE GOING?
620
00:30:12,078 --> 00:30:13,408
YOU'RE GOING TO THE HOTEL
621
00:30:13,413 --> 00:30:14,883
WITH ME AND MOMMY,
YOUR NEW HOME.
622
00:30:14,881 --> 00:30:16,681
NO, I'M NOT DOING THAT.
I'M NOT DOING THAT.
623
00:30:16,683 --> 00:30:18,993
YO, DON'T YOU START THAT...
DON'T START IT, AND I MEAN IT.
624
00:30:18,985 --> 00:30:21,285
YOU'RE GOING.
NO, I'M NOT.
625
00:30:21,287 --> 00:30:23,817
CANDACE, I'LL DRAG YOUR ASS
OUT OF HERE.
626
00:30:23,824 --> 00:30:25,494
BENNY, PLEASE, I'LL
WHAT?
627
00:30:25,491 --> 00:30:29,361
CANDACE, YOU BROUGHT THIS
BASTARD INTO OUR LIVES, OKAY?
628
00:30:29,362 --> 00:30:30,962
YOU HAD HIM
BURN DOWN MOMMY'S HOUSE.
629
00:30:30,964 --> 00:30:33,174
I DIDN'T TELL HIM TO DO THAT.
IT DOESN'T MATTER.
630
00:30:33,166 --> 00:30:35,366
YOU BROUGHT HIM INTO OUR LIVES,
DON'T YOU GET THAT?
631
00:30:35,368 --> 00:30:36,868
DO YOU GET THAT?
632
00:30:36,870 --> 00:30:38,740
YOU ARE RESPONSIBLE FOR THIS.
LOOK AT ME.
633
00:30:38,739 --> 00:30:42,439
TAKE SOME RESPONSIBILITY FOR IT.
GROW UP. YOU DID THIS, DAMN IT.
634
00:30:42,442 --> 00:30:44,552
I
"I" NOTHING!
635
00:30:44,545 --> 00:30:47,445
YOU MORTGAGED
EVERYTHING YOU GAVE ME.
636
00:30:47,447 --> 00:30:51,787
[ Voice breaking ]
I'M GONNA TRY AND FIX IT, OKAY?
637
00:30:51,785 --> 00:30:54,815
YOU CAN'T.
YOU CAN'T, ALL RIGHT?
638
00:30:54,821 --> 00:30:56,261
IT'S ENOUGH OF THIS BULL...
639
00:30:56,256 --> 00:30:58,886
THAT'S ALL IT IS, BULL...
IT'S ENOUGH.
640
00:30:58,892 --> 00:31:01,172
BENNY, I'M SORRY, OKAY?
641
00:31:01,167 --> 00:31:03,397
I'M SORRY.
642
00:31:03,403 --> 00:31:06,343
I'M NOT GOING WITH MAMA.
I'M NOT.
643
00:31:06,339 --> 00:31:08,339
LET ME TELL YOU SOMETHING,
CANDACE.
644
00:31:08,341 --> 00:31:10,241
YOU'RE GOING
WHERE I SAY YOU'RE GOING, OKAY?
645
00:31:10,243 --> 00:31:12,283
I LOST EVERYTHING
BECAUSE OF YOU!
646
00:31:12,278 --> 00:31:14,108
I GOT NOTHING!
'CAUSE OF YOU!
647
00:31:14,114 --> 00:31:16,324
I WAS ONLY TRYING TO HELP.
OH, YOU'RE TRYING TO HELP,
648
00:31:16,316 --> 00:31:18,586
AND I'M BROKE. SO THAT DON'T
MEAN NOTHING, DOES IT?
649
00:31:18,585 --> 00:31:20,885
LET'S GO.
NO, I'M NOT.
650
00:31:20,887 --> 00:31:22,917
I'M NOT GOING.
651
00:31:22,923 --> 00:31:25,133
I'VE BEEN ON MY OWN
SINCE I WAS 17,
652
00:31:25,125 --> 00:31:26,355
AND I CAN TAKE CARE
OF MYSELF.
653
00:31:26,359 --> 00:31:28,029
DON'T CARE ABOUT NONE OF THAT.
IF YOU AIN'T GOING,
654
00:31:28,028 --> 00:31:29,728
WHERE WHERE YOU GONNA
STAY AT? WHERE YOU GOING?
655
00:31:29,730 --> 00:31:30,900
I'M RIGHT HERE.
RIGHT HERE?
656
00:31:30,897 --> 00:31:32,867
YEAH.
WITH WHAT MONEY?
657
00:31:32,866 --> 00:31:34,896
I'LL FIGURE IT OUT.
OH, YOU GONNA FIGURE OUT
658
00:31:34,901 --> 00:31:37,141
WHAT, YOU GONNA TURN A TRICK
OUT OF ONE OF THESE CATS?
659
00:31:37,137 --> 00:31:38,337
GET YOUR ASS IN THE TRUCK.
660
00:31:38,338 --> 00:31:41,778
YO, I'M SO PISSED OFF
AT YOU RIGHT NOW, CANDACE.
661
00:31:41,775 --> 00:31:43,935
I PROMISE
I WILL TAKE YOU OUT OF HERE!
662
00:31:43,944 --> 00:31:45,614
I HAVE A CAR.
YO, GET YOUR ASS IN THE TRUCK.
663
00:31:45,612 --> 00:31:48,052
I HAVE A CAR.
YOU DON'T HAVE NOTHING.
664
00:31:48,048 --> 00:31:49,778
YOU DON'T HAVE
A DAMN THING.
665
00:31:49,783 --> 00:31:52,953
A CAR? YOU DON'T HAVE A CAR.
THEY'RE LOOKING FOR IT.
666
00:31:52,953 --> 00:31:55,563
WHAT?
YES, THEY'RE LOOKING FOR IT.
667
00:31:55,556 --> 00:31:57,786
YOU SEE, CANDACE,
IT'S STOLEN PROPERTY,
668
00:31:57,791 --> 00:31:59,291
SO THE BANK'S
LOOKING FOR IT.
669
00:31:59,292 --> 00:32:03,042
THE BANK OWNS IT. THAT'S WHY
MITCH IS IN JAIL RIGHT NOW.
670
00:32:03,036 --> 00:32:04,936
WWHAT IS HE WHY?
671
00:32:04,938 --> 00:32:06,868
YO, DO YOU HEAR ME?
ARE YOU STUPID?
672
00:32:06,873 --> 00:32:08,413
LISTEN,
THIS IS HOW IT WORKS.
673
00:32:08,408 --> 00:32:09,778
THE BANK TOOK HIS TRUCK.
674
00:32:09,776 --> 00:32:11,406
LIKE ANY MAN,
HE TRIED TO GET IT BACK,
675
00:32:11,411 --> 00:32:13,511
AND THEY ARRESTED HIM.
AND THAT'S HIS!
676
00:32:13,514 --> 00:32:16,154
I DIDN'T KNOW THAT.
OH. WELL, DID YOU KNOW THIS?
677
00:32:16,149 --> 00:32:17,449
THEY TOOK MY TRUCK, TOO?
678
00:32:17,450 --> 00:32:20,120
THE TRUCK I JUST BOUGHT
IS GONE.
679
00:32:20,120 --> 00:32:21,920
IT'S GONE!
I'M GONNA MAKE UP FOR IT.
680
00:32:21,922 --> 00:32:23,322
NO, YOU CAN'T MAKE THIS UP.
681
00:32:23,323 --> 00:32:24,933
DON'T YOU GET THAT?
DO YOU HEAR ME?
682
00:32:24,925 --> 00:32:28,025
NOT THIS TIME.
YOU CAN'T MAKE IT UP.
683
00:32:28,028 --> 00:32:30,698
BENNY, I'M SORRY.
BUT
684
00:32:30,697 --> 00:32:32,597
YO, COME ON.
YOU'RE COMING WITH ME.
685
00:32:32,599 --> 00:32:34,739
NO, I'M NOT.
686
00:32:34,735 --> 00:32:36,735
YES, YOU ARE.
687
00:32:36,737 --> 00:32:39,007
NO. NO, I'M NOT.
688
00:32:39,005 --> 00:32:41,305
YOU GONNA SIT ON YOUR OWN?
689
00:32:41,307 --> 00:32:42,707
WHAT YOU GONNA DO,
RUN AROUND
690
00:32:42,709 --> 00:32:44,609
IN THE WORLD
BY YOURSELF, ON YOUR OWN?
691
00:32:44,611 --> 00:32:46,281
I'VE BEEN ON MY OWN
SINCE I WAS 17.
692
00:32:46,279 --> 00:32:47,979
II CAN TAKE CARE
OF MYSELF.
693
00:32:47,981 --> 00:32:52,321
WAR IS OUT!
YOU HEAR ME?!
694
00:32:52,318 --> 00:32:55,118
HE'S OUT,
AND HE'S LOOKING FOR YOU.
695
00:32:55,121 --> 00:32:57,991
WHAT?
YES.
696
00:32:57,991 --> 00:32:59,891
HE'S LOOKING FOR YOU.
A BUDDY OF MINE JUST CALLED ME
697
00:32:59,893 --> 00:33:01,643
AND SAID HE'S BEEN
LOOKING EVERYWHERE FOR YOU.
698
00:33:01,635 --> 00:33:02,795
I'M SURPRISED
HE AIN'T HERE.
699
00:33:02,803 --> 00:33:04,303
HOW DID HE GET OUT?
NO. I DON'T KNOW,
700
00:33:04,304 --> 00:33:05,574
BUT I'M NOT JUST
GONNA SIT HERE
701
00:33:05,572 --> 00:33:07,572
AND LET HIM HURT YOU,
SO LET'S GO.
702
00:33:07,574 --> 00:33:09,484
MA'AM, IT'S ALL RIGHT.
WE'VE ALREADY CALLED SECURITY.
703
00:33:09,475 --> 00:33:11,375
NO, GET YOUR ASS OUT OF HERE
BEFORE I KNOCK YOU OUT.
704
00:33:11,377 --> 00:33:12,977
IT'S FINE.
YO, COME ON, COME ON. COME ON.
705
00:33:12,979 --> 00:33:14,819
LET'S GO. GO!
706
00:33:33,433 --> 00:33:36,843
YEAH, YES, OKAY.
707
00:33:36,837 --> 00:33:38,637
THANK YOU.
708
00:33:43,176 --> 00:33:44,746
WHY THE HELL
ARE YOU STILL HERE?
709
00:33:44,745 --> 00:33:47,805
POLICE HAVE CONFIRMED THAT D. A.JENNIFER SALLISON IS MISSING.
710
00:33:47,814 --> 00:33:49,684
ARE YOU LISTENING TO ME?
Shh.
711
00:33:49,683 --> 00:33:52,053
DON'T YOU DARE SHUSH ME.
712
00:33:52,052 --> 00:33:53,852
THE D. A.'s OFFICEWENT TO HER HOME,
713
00:33:53,854 --> 00:33:55,764
WHERE THEY DID NOT FIND HER.
714
00:33:55,756 --> 00:33:58,216
THERE WAS NO SIGN OF FOUL PLAY.
715
00:33:58,224 --> 00:34:01,434
ONE WITNESS SAIDTHIS IS NOT LIKE HER AT ALL.
716
00:34:01,434 --> 00:34:03,074
THERE'S NO WAYSHE WOULD HAVE DISAPPEARED.
717
00:34:03,069 --> 00:34:05,539
WE HAVE THE ENTIRE POLICE FORCEON THE MATTER.
718
00:34:05,539 --> 00:34:08,409
WE'LL TALK TO THE FBI.
719
00:34:08,408 --> 00:34:13,108
WHEN WE COME BACK,A CHILD GETS HIS WISH GRANTED.
720
00:34:13,113 --> 00:34:14,653
JIM, I WANT YOU OUT
OF THIS HOUSE.
721
00:34:14,648 --> 00:34:16,718
DID YOU NOT HEAR
WHAT THEY JUST SAID?
722
00:34:16,717 --> 00:34:19,747
I DON'T GIVE A DAMN.
723
00:34:19,753 --> 00:34:21,253
THIS IS THE FBI, KATHERYN,
724
00:34:21,254 --> 00:34:24,464
NOT OUR BLUNDERING IDIOTS
FROM COUNTY.
725
00:34:24,457 --> 00:34:27,657
I DON'T CARE
IF IT'S THE KGB OR THE CIA.
726
00:34:27,661 --> 00:34:29,101
I WANT YOU
OUT OF THIS HOUSE.
727
00:34:29,095 --> 00:34:32,395
YOU NEED TO UNDERSTAND
THAT ME BEING IN THIS HOUSE
728
00:34:32,398 --> 00:34:35,468
IS YOUR BEST CHANCE
RIGHT NOW.
729
00:34:35,468 --> 00:34:37,268
GET OUT.
730
00:34:37,270 --> 00:34:39,540
NO. I'M NOT LEAVING.
731
00:34:39,540 --> 00:34:42,210
ARE YOU KIDDING ME?
DO I LOOK LIKE I'M KIDDING?
732
00:34:42,208 --> 00:34:43,538
I'M NOT LEAVING, KATHERYN,
733
00:34:43,544 --> 00:34:45,284
BECAUSE IF I LEAVE YOU
TO YOUR OWN DEVICES,
734
00:34:45,278 --> 00:34:48,308
YOU'RE LIABLE TO DO
SOMETHING ELSE REALLY STUPID.
735
00:34:48,314 --> 00:34:51,084
STUPID.
YES, LIKE KILLING THE D. A.
736
00:34:51,084 --> 00:34:54,424
IN COLD BLOOD IN THE MIDDLE
OF THE DAMN LIVING ROOM.
737
00:34:54,420 --> 00:34:56,420
I HANDLED IT.
NO, YOU DIDN'T, KATHERYN,
738
00:34:56,422 --> 00:34:58,122
WHAT YOU DID
WAS YOU CREATED A MESS,
739
00:34:58,124 --> 00:35:00,434
AND NOW I'VE GOT
TO CLEAN IT UP.
740
00:35:00,426 --> 00:35:02,596
[ SCOFFS ]
YOU SON OF A BITCH.
741
00:35:02,603 --> 00:35:05,343
YOU CREATED THIS MESS
A LONG TIME AGO.
742
00:35:05,338 --> 00:35:08,368
ALL RIGHT, HERE WE GO.
YES, HERE WE GO.
743
00:35:08,374 --> 00:35:10,684
I'M ALWAYS CLEANING UP
YOUR MESSES.
744
00:35:10,677 --> 00:35:12,077
GO AHEAD,
SING THE OLD SONG
745
00:35:12,078 --> 00:35:15,048
SONG ABOUT THE PRIEST, SONG
ABOUT AMANDA, SONG ABOUT WYATT.
746
00:35:18,018 --> 00:35:20,118
SING A SONG?
YES,
747
00:35:20,120 --> 00:35:21,560
THE SONG
THAT HAS EVERY BAD THING
748
00:35:21,555 --> 00:35:23,685
THAT'S EVER HAPPENED TO US
BE MY FAULT.
749
00:35:23,690 --> 00:35:26,660
OUR DAUGHTER IS DEAD.
750
00:35:26,660 --> 00:35:27,960
REALLY?
751
00:35:27,961 --> 00:35:30,161
I WASN'T AWARE
OF THAT, KATHERYN.
752
00:35:30,163 --> 00:35:32,603
DON'T YOU THINK I HAVE TO LIVE
WITH THAT EVERY DAMN DAY?
753
00:35:32,599 --> 00:35:35,669
AND OUR SON?
YES, I KNOW.
754
00:35:35,669 --> 00:35:38,339
I DON'T KNOW WHY
I HAVE LET THIS GO ON SO LONG.
755
00:35:38,338 --> 00:35:39,968
JIM, I WANT YOU OUT
OF THIS HOUSE.
756
00:35:39,973 --> 00:35:43,613
I AM NOT LEAVING THIS HOUSE
UNTIL I AM RELATIVELY SURE
757
00:35:43,610 --> 00:35:45,480
THAT THIS IS UNDER CONTROL,
758
00:35:45,478 --> 00:35:48,008
AND UNTIL I'M RELATIVELY SURE
THAT YOU'VE GOT SOME AIR
759
00:35:48,014 --> 00:35:51,324
IN THAT OXYGENDEPRIVED BRAIN
OF YOURS.
760
00:35:51,317 --> 00:35:54,687
OXYGENDEPRIVED?
YES.
761
00:35:54,688 --> 00:35:56,818
HOW ELSE WOULD YOU EXPLAIN IT,
KATHERYN? HMM?
762
00:35:56,823 --> 00:35:58,663
HOW DO YOU EXPLAIN THE FACT
763
00:35:58,659 --> 00:36:01,969
THAT YOU ARE GOING AFTER
A MASTERMIND OF DEFENSE
764
00:36:01,968 --> 00:36:04,338
WITH THE BULL... STORY
THAT YOU TOLD ME?
765
00:36:04,337 --> 00:36:08,137
HOW ARE YOU GOING
TO EXPLAIN THAT?
766
00:36:08,141 --> 00:36:11,081
GET OUT OF THIS HOUSE.
767
00:36:11,077 --> 00:36:13,277
YOU NEED TO CALM DOWN.
768
00:36:13,279 --> 00:36:16,379
NOT UNTIL YOU'RE GONE.
769
00:36:16,382 --> 00:36:20,152
OKAY, YOU WANT ME GONE
THAT BAD?
770
00:36:20,153 --> 00:36:22,463
I'LL LEAVE. FINE.
771
00:36:22,455 --> 00:36:24,655
THANK YOU.
UNDER ONE CONDITION.
772
00:36:24,658 --> 00:36:26,388
YOU ARE IN NO POSITION
TO MAKE CONDITIONS.
773
00:36:26,392 --> 00:36:29,762
YOU NEED TO TALK
TO VERONICA.
774
00:36:29,763 --> 00:36:31,733
WHAT?!
YOU NEED TO TALK TO VERONICA.
775
00:36:31,732 --> 00:36:33,232
YOU NEED TO TELL HER
YOU WERE WRONG,
776
00:36:33,233 --> 00:36:35,573
AND YOU NEED TO MAKE NICE.
777
00:36:35,569 --> 00:36:39,409
JIM, I AM NEVER
TALKING TO HER AGAIN.
778
00:36:39,405 --> 00:36:42,405
YOU SEE? THIS IS THE PROBLEM
WITH YOU, ALL RIGHT?
779
00:36:42,408 --> 00:36:45,108
YOU'RE ALWAYS THINKING
ABOUT THE SMALL PICTURE.
780
00:36:45,111 --> 00:36:46,511
THE SMALL PICTURE,
KATHERYN.
781
00:36:46,513 --> 00:36:49,653
WHAT YOU NEED TO UNDERSTAND
IS THAT BITCH NEEDS TO THINK
782
00:36:49,650 --> 00:36:51,720
THAT WE ARE ALL
IN THIS TOGETHER.
783
00:36:51,718 --> 00:36:53,648
SHE NEEDS TO THINK
THAT WE ARE ON HER SIDE.
784
00:36:53,654 --> 00:36:57,864
IF SHE SAYS ONE WRONG WORD,
THE WHOLE THING CRUMBLES.
785
00:36:57,858 --> 00:37:01,128
I WILL HAVE THE BANK FORECLOSE
ON EVERYTHING SHE OWNS,
786
00:37:01,134 --> 00:37:03,444
AND HER ENTIRE WORLD
WILL CRUMBLE.
787
00:37:03,436 --> 00:37:05,536
SO WHAT?
SO WHAT?
788
00:37:05,539 --> 00:37:07,639
REPUTATION
IS EVERYTHING TO HER,
789
00:37:07,641 --> 00:37:09,841
SO MUCH SO THAT SHE WON'T EVEN
LET HER OWN SON BE GAY.
790
00:37:09,843 --> 00:37:11,813
I UNDERSTAND THAT,
BUT NO ONE IS TALKING TO HER.
791
00:37:11,811 --> 00:37:13,081
IF NO ONE IS TALKING
TO HER,
792
00:37:13,079 --> 00:37:14,749
THEN WE DON'T KNOW
WHAT SHE'S THINKING.
793
00:37:14,748 --> 00:37:16,348
IF WE DON'T KNOW
WHAT SHE'S THINKING,
794
00:37:16,349 --> 00:37:18,789
WE HAVE NO IDEA
WHAT HER NEXT MOVE IS.
795
00:37:18,785 --> 00:37:19,885
I DON'T CARE!
796
00:37:19,886 --> 00:37:22,916
DAVID'S NOT TALKING TO HER,
ALL RIGHT?
797
00:37:22,923 --> 00:37:25,493
YOU NEED TO DO IT.
YOU NEED TO MAKE THIS HAPPEN.
798
00:37:25,491 --> 00:37:27,691
ONLY YOU CAN DO THAT.
799
00:37:27,694 --> 00:37:29,604
GET YOUR ASS OUT OF HERE.
800
00:37:29,596 --> 00:37:32,526
YOU GET YOUR ASS ON THE PHONE.
CALL AND APOLOGIZE TO HER.
801
00:37:32,533 --> 00:37:34,373
SHE IS UNSTABLE.
802
00:37:34,367 --> 00:37:36,697
I AM NOT SPEAKING TO HER
EVER AGAIN.
803
00:37:36,703 --> 00:37:39,313
KATHERYN,
SHE IS A WILD CARD.
804
00:37:39,305 --> 00:37:43,275
WE NEED TO CONTROL HER.
WE NEED TO CONTROL THIS.
805
00:37:43,276 --> 00:37:47,546
GET ON THE PHONE
AND APOLOGIZE TO VERONICA.
806
00:37:47,548 --> 00:37:49,148
HELL WILL FREEZE OVER FIRST.
807
00:37:49,149 --> 00:37:50,779
OH. ALL RIGHT, FINE.
THEN I'LL DO IT.
808
00:37:50,784 --> 00:37:52,694
I'LL DO IT.
WELL, YOU DO THAT.
809
00:37:52,686 --> 00:37:55,916
AND THEN AFTER YOU DO THAT, GET
YOUR THINGS AND GET OUT OF HERE.
810
00:38:00,193 --> 00:38:02,043
I'M NOT JOKING
WITH YOU, JIM.
811
00:38:02,035 --> 00:38:05,265
[ CHUCKLES ]
OH, I KNOW THAT.
812
00:38:05,271 --> 00:38:07,411
SWEETHEART, I KNOW THAT.
813
00:38:07,407 --> 00:38:09,007
ALL RIGHT.
814
00:38:09,009 --> 00:38:12,249
[ TV TURNS ON ]
815
00:38:12,245 --> 00:38:15,615
AND THE BODY WAS BURIEDIN THE BACKYARD OF THE HOUSE.
816
00:38:15,616 --> 00:38:18,376
THE BODY APPARENTLYHAD BEEN BURIED THERE.
817
00:38:18,384 --> 00:38:21,254
THE BODY IS THAT OF QUINCY MA
818
00:38:22,523 --> 00:38:24,163
THE
819
00:38:24,157 --> 00:38:26,227
THE HELL ARE YOU DOING THERE?
820
00:38:29,830 --> 00:38:32,670
...BODY IS THATOF QUINCY MAXWELL.
821
00:38:32,666 --> 00:38:34,936
THE POLICE ARE LOOKINGFOR THE OWNER OF THE HOUSE,
822
00:38:34,935 --> 00:38:36,495
A CANDACE YOUNG.
823
00:38:36,503 --> 00:38:39,773
THE POLICE ARE NOT CONSIDERINGHER A SUSPECT AT THIS TIME.
824
00:38:39,773 --> 00:38:43,483
HOWEVER, THEY ARE CONSIDERINGHER A SPECIAL INTEREST.
825
00:38:43,476 --> 00:38:46,306
THIS IS DIANA NICELLA REP
[ TV SHUTS OFF ]
826
00:38:46,312 --> 00:38:49,352
♪♪♪♪
827
00:38:51,952 --> 00:38:53,592
ARE LOOKING FOR THE OWNEROF THE HOUSE,
828
00:38:53,587 --> 00:38:55,687
A CANDACE YOUNG.
MAMA.
829
00:38:55,689 --> 00:38:58,019
WHAT?
THAT'S MY MAMA.
830
00:38:58,024 --> 00:38:59,864
AT THIS TIME. HOWEVER...
WHAT?
831
00:38:59,860 --> 00:39:03,040
THEY ARE CONSIDERING HERA SPECIAL INTEREST.
832
00:39:03,036 --> 00:39:06,866
ALL THE POLICE ARE SAYING THEBODY WAS FOUND IN THE BACKYARD.
833
00:39:06,873 --> 00:39:09,513
Diana:
IN THE BACKYARD OF THE HOUSE.APPARENTLY, THE BODY
834
00:39:09,510 --> 00:39:11,440
"Q."
YEAH, GRANDMA?
835
00:39:11,444 --> 00:39:13,514
THE BODY IS THATOF QUINCY MAXWELL.
836
00:39:13,514 --> 00:39:15,554
GO LISTEN TO YOUR MUSIC.
POLICE ARE LOOKING
837
00:39:15,549 --> 00:39:18,319
FOR THE OWNER OF THE HOUSE,A CANDACE YOUNG.
838
00:39:18,318 --> 00:39:20,488
THEY'RE ACTUALLY TRYINGTO LOCATE THE HOMEOWNER,
839
00:39:20,486 --> 00:39:24,216
WHO HAS BEEN IDENTIFIEDAS CANDACE YOUNG.
840
00:39:24,224 --> 00:39:26,734
IT'S NOT MUSIC.
IT'S A VIDEO GAME.
841
00:39:26,727 --> 00:39:29,827
GO PLAY IT. PUT YOUR
GO OVER THERE AND
842
00:39:29,830 --> 00:39:32,600
TAKE IT OVER THERE.
PUT YOUR HEADPHONES ON NOW.
843
00:39:34,568 --> 00:39:36,238
NOW, WHEN I WASOUT THERE EARLIER,
844
00:39:36,236 --> 00:39:39,136
THE SCENE WAS VERY BIZARRE.
845
00:39:39,139 --> 00:39:42,609
WHEN I LOOKED AROUND, THEREWERE POLICE ALL OVER THE PLACE.
846
00:39:42,609 --> 00:39:45,449
AND I ASKED ONE OF THE OFFICERSIF HE HAD SPOKEN TO MS. YOUNG.
847
00:39:45,445 --> 00:39:47,205
HE SAID SHE WAS THERE
848
00:39:47,213 --> 00:39:50,123
BUT HAD LEFTWHEN THEY TRIED TO FIND HER.
849
00:39:50,116 --> 00:39:53,246
I HAVE THEM ON.
OKAY!
850
00:39:53,253 --> 00:39:56,363
DON'T HAVE TO YELL.
SORRY, BABY.
851
00:39:56,356 --> 00:39:58,526
I'M SORRY.
852
00:39:58,525 --> 00:40:00,325
NOW, OUR SOURCESHAVE CONFIRMED
853
00:40:00,326 --> 00:40:03,966
THERE WAS A SET OF JAGUARCAR KEYS FOUND ON THE BODY.
854
00:40:03,970 --> 00:40:06,210
THE POLICE WILL BE RUNNINGTHE SERIAL NUMBERS
855
00:40:06,206 --> 00:40:08,976
ON THOSE KEYS,AS WELL AS A BRACELET
856
00:40:08,975 --> 00:40:11,705
WHICH DID NOT SEEMTO BELONG TO THE VICTIM.
857
00:40:11,712 --> 00:40:13,812
IT WAS A BRAIDED,ROPETYPE MATERIAL,
858
00:40:13,814 --> 00:40:16,454
SO THEY SHOULD BE ABLETO RUN THAT FOR DNA.
859
00:40:16,449 --> 00:40:18,819
NOW, THAT'S ALL THE INFORMATIONI HAVE AT THIS TIME,
860
00:40:18,819 --> 00:40:21,219
BUT WHAT I CAN CONFIRMIS A BODY
861
00:40:21,221 --> 00:40:23,861
THAT IS BELIEVEDTO BE QUINCY MAXWELL
862
00:40:23,857 --> 00:40:25,227
WAS FOUND IN THE BACKYARD
863
00:40:25,225 --> 00:40:27,525
OF A HOMEOWNED BY CANDACE YOUNG.
864
00:40:27,528 --> 00:40:30,558
♪♪♪♪
865
00:40:35,301 --> 00:40:37,171
THE CAUSE OF DEATH IS UNKNOWN,
866
00:40:37,170 --> 00:40:40,370
AND THE POLICE CONTINUE
TO INVESTIGATE AT THIS TIME.
867
00:40:44,077 --> 00:40:45,707
Man:
WELL, A LOT TO GO OVER TONIGHT.
868
00:40:45,712 --> 00:40:47,782
WE'RE ALSO GETTING WORD
THAT THE D. A.'s OFFICE
869
00:40:47,781 --> 00:40:50,051
IS LOOKING
FOR D. A. JENNIFER SALLISON.
870
00:40:50,050 --> 00:40:52,620
THE SEARCH HAS BEEN ON SINCE
SHE MISSED SEVERAL APPOINTMENTS.
871
00:40:52,619 --> 00:40:55,359
AT THIS POINT, THEY'RE NOT
RULING OUT FOUL PLAY.
872
00:41:02,168 --> 00:41:04,098
WHERE'S YOUR BRACELET,
BENNY?
873
00:41:11,778 --> 00:41:14,048
NEXT ON "THE HAVESAND THE HAVE NOTS"...
874
00:41:14,047 --> 00:41:16,117
WHEN YOU LOOK INTO MY EYES,
I GET HOT.
875
00:41:16,116 --> 00:41:20,216
AND WHEN MY HAND IS ON THE SMALL
OF YOUR BACK, I GET HARD.
876
00:41:20,220 --> 00:41:22,320
I WOULD LIKE YOU
TO BE DAMN SURE
877
00:41:22,322 --> 00:41:24,122
THAT YOU DON'T GO
TALKING TO THE COPS
878
00:41:24,124 --> 00:41:26,464
ABOUT OUR FRIEND
WHO GOT SHOT.
879
00:41:26,459 --> 00:41:29,899
GRANDMA, YOU'RE SCREAMING.
I DON'T LIKE THAT.
880
00:41:29,896 --> 00:41:31,966
WHAT YOU GOT FOR ME?
I AIN'T GOT NOTHING FOR YOU.
881
00:41:31,965 --> 00:41:34,395
[ LAUGHING ]
882
00:41:37,137 --> 00:41:39,167
WHO CARES ABOUT ALL THIS?
OUR DAUGHTER IS DEAD.
883
00:41:39,172 --> 00:41:41,712
WYATT IS GOD KNOWS WHERE,
AND NOW I'M READY TO GO.
884
00:41:41,708 --> 00:41:43,008
TAKE YOUR CLOTHES OFF.
885
00:41:43,009 --> 00:41:45,009
YOU DON'T HAVE TO HELP, OKAY?
I'LL DO IT MYSELF.
886
00:41:45,011 --> 00:41:47,311
YOU LIKE THEM MUCH YOUNGER.
AND DARK.
887
00:41:47,313 --> 00:41:49,023
I'VE BEEN KNOWN TO DIP
888
00:41:49,015 --> 00:41:51,175
INTO THAT FLAVOR
OF MY ICE CREAM MYSELF.
889
00:41:51,184 --> 00:41:53,424
IF I GOT TO BEAT YOUR ASS
EVERY DAY OF YOUR LIFE
890
00:41:53,419 --> 00:41:55,789
TO SAVE YOUR LIFE,
I WILL DO IT! TELL ME!
891
00:41:55,789 --> 00:41:56,859
STOP IT!
62787
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