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These are the user uploaded subtitles that are being translated: 1 00:00:01,668 --> 00:00:02,838 PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"... 2 00:00:02,836 --> 00:00:03,866 I'LL GET THE MONEY TODAY. 3 00:00:03,870 --> 00:00:04,940 I'M RUNNING LATE. 4 00:00:04,938 --> 00:00:05,938 I JUST NEED TO TALK TO YOU FOR A SECOND. 5 00:00:05,939 --> 00:00:07,309 IS HE RAPING YOU FOR THAT MONEY? 6 00:00:07,307 --> 00:00:08,707 I'M GOOD. 7 00:00:08,709 --> 00:00:10,379 YOU STILL GOT ONE OF THOSE NARC COPS DOWN ON OUR PAYROLL? 8 00:00:10,376 --> 00:00:11,676 Yeah, I need you to pop somebody for me. 9 00:00:11,678 --> 00:00:12,678 The name is Warlock. 10 00:00:12,679 --> 00:00:14,209 I WANT TO SHOW YOU YOUR ROOM. 11 00:00:15,582 --> 00:00:16,982 WHEN WILL THE FUNDS BE AVAILABLE? 12 00:00:16,983 --> 00:00:18,423 JUST AS SOON AS THIS IS PROCESSED. 13 00:00:18,418 --> 00:00:20,718 ‐I GOT IT. ‐I HOPE YOU NOT PLAYING GAMES. 14 00:00:20,721 --> 00:00:22,061 ‐NO GAMES. ‐HERE. 15 00:00:22,055 --> 00:00:23,355 WHAT'S THIS? 16 00:00:23,356 --> 00:00:24,886 IT'S THE RING YOU'RE GONNA GIVE TO MELISSA. 17 00:00:24,891 --> 00:00:28,261 WHAT THE HELL DO YOU WANT ‐‐ TO TELL ME MY SON HAS BEEN WHAT? 18 00:00:28,261 --> 00:00:30,201 HE DIED. 19 00:00:30,196 --> 00:00:32,966 HE O. D.'d. 20 00:00:35,101 --> 00:00:38,071 [ SNIFFLES ] WHAT? 21 00:00:38,071 --> 00:00:42,081 I'M SORRY, MR. CRYER. 22 00:00:42,075 --> 00:00:45,075 [ SNIFFLES ] 23 00:00:45,078 --> 00:00:47,008 I'M SORRY, MR. CRYER. 24 00:00:47,013 --> 00:00:50,083 WHAT HAPPENED? 25 00:00:50,083 --> 00:00:52,123 I'M NOT SURE. 26 00:01:00,534 --> 00:01:02,444 WHERE WAS HE? 27 00:01:08,274 --> 00:01:10,114 HE WAS FOUND AT A HOTEL. 28 00:01:14,047 --> 00:01:16,247 WAS HE ALONE? 29 00:01:16,249 --> 00:01:18,849 I DON'T KNOW. 30 00:01:21,254 --> 00:01:23,094 PLEASE DON'T TELL ‐‐ 31 00:01:24,625 --> 00:01:27,255 PLEASE DON'T TELL ME MY SON DIED ALONE. 32 00:01:27,260 --> 00:01:29,260 I'M NOT SURE. 33 00:01:33,299 --> 00:01:35,869 DO YOU KNOW WHO FOUND HIM? 34 00:01:35,869 --> 00:01:38,399 NO, I DON'T. 35 00:01:38,404 --> 00:01:41,344 WAS THERE A DETECTIVE THAT ASKED YOU ANY QUESTIONS? 36 00:01:41,341 --> 00:01:43,711 ‐YES, YES. ‐WHAT WAS THE DETECTIVE'S NAME? 37 00:01:43,710 --> 00:01:45,510 BLAKE. 38 00:01:45,512 --> 00:01:48,012 AND WHAT DID BLAKE SAY? 39 00:01:48,014 --> 00:01:50,984 THEY THINK HE OVERDOSED. 40 00:01:50,984 --> 00:01:54,764 THEY THINK, OR THEY KNOW? 41 00:01:56,690 --> 00:02:00,430 THEY KNOW. 42 00:02:00,433 --> 00:02:02,303 OKAY. 43 00:02:06,139 --> 00:02:08,579 SO THEY TOOK HIM TO THE HOSPITAL? 44 00:02:08,575 --> 00:02:10,535 I‐I THINK SO. 45 00:02:10,544 --> 00:02:12,554 I DON'T KNOW. [ SNIFFLES ] 46 00:02:12,546 --> 00:02:15,216 AND... 47 00:02:15,215 --> 00:02:18,375 WAS HE DEAD THERE? 48 00:02:18,384 --> 00:02:21,564 I'M NOT SURE. I'M SORRY. 49 00:02:21,555 --> 00:02:24,585 ♪♪♪♪ 50 00:02:28,529 --> 00:02:31,259 OH, NO, NO, NO. 51 00:02:31,264 --> 00:02:33,074 NO. NO. 52 00:02:33,066 --> 00:02:35,196 ‐CALM DOWN. ‐NO, I NEED TO GET OUT OF HERE. 53 00:02:35,201 --> 00:02:37,071 ‐CALM DOWN. ‐GUARDS? 54 00:02:37,070 --> 00:02:38,440 I NEED ‐‐ GUARD? 55 00:02:38,438 --> 00:02:40,568 HEY, GUARD. 56 00:02:40,574 --> 00:02:41,984 I NEED ‐‐ GUARD. 57 00:02:41,975 --> 00:02:43,005 GET IN HERE. ‐WHAT IS IT? 58 00:02:43,009 --> 00:02:44,309 SON OF A BITCH, JENNIFER SALLISON. 59 00:02:44,310 --> 00:02:45,610 I NEED TO GET OUT OF HERE. 60 00:02:45,612 --> 00:02:47,212 I NEED YOU TO GET JENNIFER SALLISON RIGHT HERE, RIGHT NOW. 61 00:02:47,213 --> 00:02:48,283 ‐PIPE DOWN, CYRER. ‐NO. 62 00:02:48,281 --> 00:02:50,451 I NEED YOU TO GET JENNIFER SALLISON'S ASS 63 00:02:50,450 --> 00:02:53,020 DOWN HERE RIGHT NOW. ‐WE DON'T WORK FOR YOU. 64 00:02:53,019 --> 00:02:54,989 NO, I NEED JENNIFER. 65 00:02:54,988 --> 00:02:56,488 [ GRUNTS ] 66 00:02:56,489 --> 00:02:57,989 NO, HANNA, HANNA, HANNA. 67 00:02:57,991 --> 00:02:59,231 PLEASE ‐‐ PLEASE DON'T GO. 68 00:02:59,225 --> 00:03:00,885 I DON'T KNOW WHY YOU WANT ME TO STAY. 69 00:03:00,894 --> 00:03:02,744 BECAUSE I NEED YOU TO DO SOMETHING FOR ME, HANNA. 70 00:03:02,736 --> 00:03:03,936 TO DO WHAT? 71 00:03:03,937 --> 00:03:06,107 I NEED YOU TO GO TO THE D. A.'s OFFICE FOR ME, PLEASE. 72 00:03:06,106 --> 00:03:07,266 MR. CRYER... 73 00:03:07,273 --> 00:03:08,413 HANNA ‐‐ HEY, HEY. 74 00:03:08,408 --> 00:03:09,678 LET ME UP. I'M ALL RIGHT. 75 00:03:09,676 --> 00:03:11,006 I'M OKAY. 76 00:03:11,011 --> 00:03:12,551 I'M ‐‐ PLEASE HANNA. 77 00:03:12,546 --> 00:03:15,016 PLEASE JUST ‐‐ I JUST NEED YOU TO DELIVER A MESSAGE. 78 00:03:15,015 --> 00:03:17,015 NO, NO, NO, I NEED YOU TO JUST GO 79 00:03:17,017 --> 00:03:18,547 AND DELIVER ONE SIMPLE MESSAGE FOR ME. 80 00:03:18,552 --> 00:03:20,152 I'M NOT YOUR MESSENGER. 81 00:03:20,153 --> 00:03:21,863 I'M SORRY YOU ARE GOING THOUGH ALL OF THIS. 82 00:03:21,855 --> 00:03:22,855 IT'S ONE SIMPLE ‐‐ 83 00:03:22,856 --> 00:03:24,956 BUT I DON'T WORK FOR YOU OR YOUR WIFE. 84 00:03:24,958 --> 00:03:28,128 I'M HAVING A ROUGH TIME OF THIS. 85 00:03:28,128 --> 00:03:30,028 HANNA, I‐I‐I'LL PAY YOU. 86 00:03:30,030 --> 00:03:31,130 HOW MUCH DO YOU WANT? WHAT DO YOU WANT? 87 00:03:31,131 --> 00:03:32,601 I DON'T WANT YOUR MONEY. 88 00:03:32,599 --> 00:03:34,799 I KNOW THAT, JUST ‐‐ 89 00:03:34,801 --> 00:03:38,071 I‐I JUST WANT YOU TO DO ‐‐ HANNA. 90 00:03:38,071 --> 00:03:40,341 I NEED YOU TO DO THIS ONE FAVOR FOR ME. 91 00:03:40,340 --> 00:03:41,510 [ BUZZER ] 92 00:03:41,508 --> 00:03:42,938 I CAN'T BE IN HERE NOW. 93 00:03:42,943 --> 00:03:45,153 I CAN'T BE IN HERE NOW. 94 00:03:45,145 --> 00:03:47,005 I CAN'T BE IN HERE NOW. 95 00:03:47,013 --> 00:03:50,153 HANNA, I CAN'T BE IN HERE. 96 00:03:50,150 --> 00:03:53,150 ‐‐Captions by VITAC‐‐ www.vitac.com 97 00:03:53,153 --> 00:03:56,163 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 98 00:03:56,156 --> 00:03:59,186 ♪♪♪♪ 99 00:04:09,876 --> 00:04:11,376 [ CHUCKLES ] 100 00:04:11,377 --> 00:04:12,947 THIS MOTHER ‐‐ 101 00:04:12,946 --> 00:04:14,106 WHAT UP? 102 00:04:14,114 --> 00:04:15,584 THIS DAMN PHONE. 103 00:04:15,582 --> 00:04:17,182 WHAT? 104 00:04:17,183 --> 00:04:18,753 YOU KNOW DAVID HARRINGTON? 105 00:04:18,752 --> 00:04:19,822 NO, WHO'S THAT? 106 00:04:19,820 --> 00:04:21,090 THIS CAT DID SOMETHING TO MY PHONES, MAN. 107 00:04:21,087 --> 00:04:23,717 YOU WANT ME TO TALK TO HIM? 108 00:04:23,724 --> 00:04:26,494 NO, I'M GONNA HANDLE THIS FOOL. 109 00:04:26,492 --> 00:04:30,832 JUST GOT TO FIND OUT WHAT'S UP FOR US. 110 00:04:30,831 --> 00:04:33,901 I'M GONNA GO TALK TO HIM. 111 00:04:36,836 --> 00:04:39,166 NAH, B. HANG ON FOR A SECOND. 112 00:04:39,172 --> 00:04:40,212 WHY? 113 00:04:40,206 --> 00:04:41,906 JUST CHILL OUT FOR A LITTLE WHILE, MAN. 114 00:04:41,908 --> 00:04:43,308 BRO, I NEED TO TALK TO HIM. 115 00:04:43,309 --> 00:04:45,049 B, JUST HANG OUT MAN. 116 00:04:45,045 --> 00:04:46,545 FOR WHAT? WHY? 117 00:04:46,547 --> 00:04:48,407 LOOK, YOU DON'T NEED TO RUN OUT OF HERE HOT‐HEADED, ALL RIGHT? 118 00:04:48,414 --> 00:04:50,454 BESIDES, HOW OFTEN DO WE GET THE HANG, MAN? 119 00:04:50,450 --> 00:04:51,590 JUST CHILL OUT. COME ON. 120 00:04:51,585 --> 00:04:54,685 WAR, THE MAN'S MESSING WITH MY MONEY. 121 00:04:54,688 --> 00:04:56,318 OH, YEAH, I KNOW THAT FEELING. 122 00:04:56,322 --> 00:04:58,062 I DON'T LIKE IT. ‐YOU FEEL ME? 123 00:04:58,058 --> 00:04:59,988 OH, YEAH. MADE ME WANT TO KILL A FOOL. 124 00:04:59,993 --> 00:05:01,433 NOW THAT'S WHAT I'M SAYING. 125 00:05:01,434 --> 00:05:03,244 YEAH, I FEEL YOU. 126 00:05:03,236 --> 00:05:04,466 CHILL OUT, MAN. 127 00:05:04,470 --> 00:05:06,170 HAVE A SEAT. 128 00:05:06,172 --> 00:05:09,212 ♪♪♪♪ 129 00:05:15,816 --> 00:05:18,586 JUST CHILL OUT. 130 00:05:18,585 --> 00:05:20,785 I GOT YOU. 131 00:05:22,656 --> 00:05:24,686 [ CHUCKLES ] 132 00:05:30,831 --> 00:05:33,131 NOW YOU'RE THE PEACEMAKER? 133 00:05:33,133 --> 00:05:36,043 HEY, THERE'S A LOT OF DIFFERENT SIDES TO WAR. 134 00:05:36,036 --> 00:05:39,066 ♪♪♪♪ 135 00:06:15,516 --> 00:06:16,976 [ DOOR OPENS ] 136 00:06:16,983 --> 00:06:19,693 WHAT'S UP? 137 00:06:19,686 --> 00:06:22,016 ‐THAT'S A LONG COFFEE BREAK. ‐YEAH. 138 00:06:22,022 --> 00:06:24,092 YOU DIDN'T BRING YOUR BOY ANY? 139 00:06:24,090 --> 00:06:26,160 YOU GOT YOUR OWN. 140 00:06:26,159 --> 00:06:27,829 THAT'S WRONG MAN. 141 00:06:27,828 --> 00:06:29,728 YEAH, ALL RIGHT. YOU CLOSED YET OR WHAT? 142 00:06:29,730 --> 00:06:32,300 NO, AND I WAS ABOUT TO STEP TO THIS HARRINGTON DUDE. 143 00:06:32,298 --> 00:06:35,138 ‐WHAT YOU WAITING ON? ‐WELL, WAR OVER HERE. 144 00:06:35,135 --> 00:06:37,595 WHAT'S UP WITH THIS DUDE? 145 00:06:37,604 --> 00:06:39,074 WELL, APPARENTLY I'M TOO HYPE. 146 00:06:39,072 --> 00:06:40,642 WAR WANTS ME TO CALM DOWN. 147 00:06:40,641 --> 00:06:42,741 OH, YEAH? DON'T SOUND LIKE YOU, WAR. 148 00:06:42,743 --> 00:06:44,083 THAT'S WHAT I'M SAYING. 149 00:06:44,077 --> 00:06:46,077 THOUGHT YOU LIKED TO GET IT STARTED. 150 00:06:46,079 --> 00:06:47,079 ‐OH, YEAH? ‐YEAH. 151 00:06:47,080 --> 00:06:48,310 YOU DON'T KNOW ABOUT ME, HOMEBOY. 152 00:06:48,314 --> 00:06:49,354 WELL, THAT'S WHAT I HEARD. 153 00:06:49,349 --> 00:06:50,549 YEAH, WHO YOU BEEN TALKING TO? 154 00:06:50,551 --> 00:06:52,021 YEAH, SOME FOLKS HERE AND THERE, ALL RIGHT? 155 00:06:52,018 --> 00:06:53,888 YEAH, WELL, TELL FOLKS TO KEEP MY NAME OUT THEY MOUTH. 156 00:06:53,887 --> 00:06:55,257 YEAH, ALL RIGHT. 157 00:06:55,255 --> 00:06:57,615 COME ON, B, I'M WITH YOU. LET'S JUST ROLL THIS DUDE. 158 00:07:00,967 --> 00:07:03,097 NO, B AIN'T GOING NOWHERE. 159 00:07:03,103 --> 00:07:05,813 ‐WHAT? ‐YOU HEARD WHAT I SAID. 160 00:07:05,806 --> 00:07:07,166 YO, WHAT'S UP WITH YOU MAN? 161 00:07:07,173 --> 00:07:09,413 WAR, I APPRECIATE YOU COMING BY TO HANG OUT, 162 00:07:09,409 --> 00:07:11,109 BUT I GOT THINGS I GOT TO DO. 163 00:07:11,111 --> 00:07:13,151 I SAID YOU ‐‐ [ CELL PHONE DINGS ] 164 00:07:13,146 --> 00:07:14,616 NO, MAN, WHAT'S UP WITH YOU? 165 00:07:14,615 --> 00:07:16,015 YEAH, WHY CAN'T HE LEAVE, HUH? 166 00:07:16,016 --> 00:07:18,146 TRYING TO WATCH HIM OR SOMETHING? 167 00:07:20,053 --> 00:07:21,763 NAH. 168 00:07:21,755 --> 00:07:23,985 JUST KIDDING, MAN. THAT'S MY DAWG RIGHT HERE, MAN. 169 00:07:23,990 --> 00:07:25,460 Y'ALL GO AHEAD, MAN. I'M TRIPPIN. 170 00:07:25,458 --> 00:07:26,688 YEAH, YOU GO AHEAD, TOO. 171 00:07:26,693 --> 00:07:27,993 YEAH, I'M GONNA RUN. 172 00:07:27,994 --> 00:07:29,704 ‐I'M GONNA HOLLA AT YOU. ‐YEAH, YOU DO THAT. 173 00:07:32,633 --> 00:07:33,733 WHERE'VE YOU BEEN? 174 00:07:33,734 --> 00:07:35,804 YOU KNOW HOW I GET WHEN THAT DUDE'S AROUND. 175 00:07:35,802 --> 00:07:37,372 YEAH, I KNOW. 176 00:07:37,370 --> 00:07:38,670 YOU TALK TO THIS HARRINGTON DUDE? 177 00:07:38,672 --> 00:07:39,812 YOU FIND OUT WHERE HE'S AT? 178 00:07:39,806 --> 00:07:41,366 YEAH, I THINK SO. 179 00:07:41,374 --> 00:07:42,484 ALL RIGHT. 180 00:07:44,177 --> 00:07:46,277 AND IF HE AIN'T THERE, THEN WE GO GONNA WAIT ON HIM. 181 00:07:46,279 --> 00:07:48,949 YEAH, I'M DOWN. I'M DOWN. 182 00:07:50,083 --> 00:07:51,693 LET'S DO IT. 183 00:07:51,685 --> 00:07:53,015 LET'S DO IT. 184 00:07:53,019 --> 00:07:55,259 YOU NEED TO COME MOVE YOUR CAR. 185 00:07:56,657 --> 00:07:58,687 ‐I'D BE GLAD TO. ‐RIGHT NOW. 186 00:07:58,692 --> 00:08:00,572 BE MY PLEASURE. 187 00:08:03,837 --> 00:08:05,607 COME ON, LET'S ROLL THIS DUDE. 188 00:08:05,606 --> 00:08:07,636 ♪♪♪♪ 189 00:08:11,477 --> 00:08:14,517 ♪♪♪♪ 190 00:08:16,182 --> 00:08:18,622 HERE IT IS. DON'T GET TOO COMFORTABLE. 191 00:08:18,619 --> 00:08:21,519 THIS IS NICE. 192 00:08:21,522 --> 00:08:25,592 WOW, SHE'S GOT THIS ALL FIGURED OUT, DOESN'T SHE. 193 00:08:25,592 --> 00:08:29,062 DON'T GET TOO COMFORTABLE. 194 00:08:29,062 --> 00:08:30,662 OKAY. 195 00:08:30,664 --> 00:08:32,234 IS THIS HOW THIS IS GOING TO BE? 196 00:08:32,232 --> 00:08:34,302 YEP. 197 00:08:34,300 --> 00:08:35,340 OKAY, FINE. 198 00:08:35,335 --> 00:08:36,535 SO BE IT. 199 00:08:36,537 --> 00:08:38,707 SO, HOW DOES IT FEEL? 200 00:08:38,705 --> 00:08:40,505 WHAT? 201 00:08:40,507 --> 00:08:42,807 TO BE A TWO‐BIT WHORE. 202 00:08:42,809 --> 00:08:44,809 YOU TELL ME. 203 00:08:44,811 --> 00:08:47,251 I'M NOT THE ONE DOING IT FOR MONEY. 204 00:08:47,247 --> 00:08:49,377 OKAY, THEN WHY ARE YOU DOING IT? 205 00:08:49,382 --> 00:08:50,622 TO PLEASE MOMMY? 206 00:08:50,617 --> 00:08:52,917 YOU'RE DOING IT FOR MONEY, MELISSA. 207 00:08:52,919 --> 00:08:55,059 I'M DOING IT FOR MY MOTHER AND MY FATHER, 208 00:08:55,055 --> 00:08:59,325 SO I GUESS THAT PUTS US BOTH IN THE SAME BOAT. 209 00:08:59,325 --> 00:09:02,035 WELL, I'M GONNA FIND A WAY OUT OF THIS. 210 00:09:02,035 --> 00:09:04,095 JEFFERY, I DON'T WANT TO BE IN THIS AS MUCH AS YOU DON'T. 211 00:09:04,104 --> 00:09:05,644 [ SCOFFS ] YEAH, RIGHT. 212 00:09:05,639 --> 00:09:08,139 YOU THINK I WANT TO DO THIS ‐‐ 213 00:09:08,141 --> 00:09:10,141 HAVE YOU LOOK AT ME LIKE YOU HATE ME, 214 00:09:10,143 --> 00:09:11,883 LIKE I'M SOME LEPER? 215 00:09:11,878 --> 00:09:14,178 YOU ARE TO ME. 216 00:09:14,180 --> 00:09:16,980 I LOVE MY PARENTS, SO IF YOU CAN FIND A WAY 217 00:09:16,983 --> 00:09:19,223 OUT OF THIS THAT GETS US THE SAME RESULT ‐‐ 218 00:09:19,219 --> 00:09:20,219 WHAT RESULT? 219 00:09:20,220 --> 00:09:22,720 TAKING CARE OF MY PARENTS. 220 00:09:22,723 --> 00:09:24,593 I CAN'T GUARANTEE YOU THAT, MELISSA. 221 00:09:24,591 --> 00:09:27,791 THEN YOU CAN'T GET OUT OF THIS. 222 00:09:27,794 --> 00:09:29,564 I WILL. 223 00:09:29,563 --> 00:09:32,573 JEFFERY, I HAVE TO TAKE CARE OF MY PARENTS. 224 00:09:39,172 --> 00:09:42,682 MELISSA... 225 00:09:42,676 --> 00:09:44,546 I'M NOT HAPPY HERE. 226 00:09:44,545 --> 00:09:46,045 THIS IS JUST A FACADE. 227 00:09:46,046 --> 00:09:47,246 YOU DO YOU, I'LL DO ME. 228 00:09:47,247 --> 00:09:48,977 WE'LL MAKE HER HAPPY IN BETWEEN. 229 00:09:48,982 --> 00:09:50,482 WHAT'S SO WRONG WITH THAT? 230 00:09:50,483 --> 00:09:53,193 ‐IT'S A LIE. ‐AND YOU HAVEN'T LIED BEFORE? 231 00:09:58,825 --> 00:10:00,585 I'M NOT STAYING IN THIS. 232 00:10:00,594 --> 00:10:02,644 I AM ALL FOR GETTING OUT OF THIS. 233 00:10:02,636 --> 00:10:05,806 BUT THE TRUTH IS THIS ‐‐ IF YOU CAN FIND A WAY TO GET ME 234 00:10:05,806 --> 00:10:08,366 OUT OF THIS WITH SOME MONEY FROM MY PARENTS, 235 00:10:08,374 --> 00:10:10,884 THEN I WILL TAKE THAT BITCH OF A MOTHER OF YOURS 236 00:10:10,877 --> 00:10:11,947 DOWN WITH YOU. 237 00:10:11,945 --> 00:10:13,745 I CAN'T STAND HER ASS. 238 00:10:13,747 --> 00:10:17,047 BUT IF YOU CAN'T, YOU NEED TO WALK DOWN THOSE STAIRS 239 00:10:17,050 --> 00:10:21,120 AND KISS AND HUG ME AND GRAB THESE BOOBS AND THIS ASS 240 00:10:21,121 --> 00:10:23,491 LIKE I AM THE HOTTEST GUY YOU HAVE EVER MET. 241 00:10:23,489 --> 00:10:25,659 BECAUSE I HAVE A LOT RIDING ON THIS. 242 00:10:25,659 --> 00:10:27,159 I MEAN IT. 243 00:10:29,930 --> 00:10:32,970 ♪♪♪♪ 244 00:10:57,490 --> 00:11:00,260 DAVID. 245 00:11:00,260 --> 00:11:02,940 YOU MADE IT. 246 00:11:02,936 --> 00:11:05,066 ONLY TO GET MY SON. 247 00:11:05,071 --> 00:11:07,411 OH, DAVID, THIS IS A FESTIVE OCCASION, 248 00:11:07,407 --> 00:11:10,337 SO DON'T COME HERE RUINING THINGS, OKAY? 249 00:11:10,343 --> 00:11:12,513 COME IN BY THE WAY. 250 00:11:12,513 --> 00:11:13,753 WHERE IS HE? 251 00:11:13,747 --> 00:11:16,117 ‐HE'S UPSTAIRS. ‐JEFFERY! 252 00:11:16,116 --> 00:11:19,286 HE'S WITH MELISSA, AND THEY'RE PROBABLY HAVING 253 00:11:19,285 --> 00:11:22,185 A PRIVATE MOMENT, SO YOU MIGHT HAVE TO WAIT. 254 00:11:22,188 --> 00:11:24,288 JEFFERY! 255 00:11:24,290 --> 00:11:26,490 DAD? 256 00:11:30,063 --> 00:11:33,603 MR. HARRINGTON. 257 00:11:33,600 --> 00:11:36,640 MELISSA. 258 00:11:36,637 --> 00:11:38,767 HOW ARE YOU? 259 00:11:38,772 --> 00:11:40,612 SON, WE ARE LEAVING. 260 00:11:42,175 --> 00:11:43,705 HE'S NOT LEAVING. 261 00:11:43,710 --> 00:11:48,280 I FILED FOR DIVORCE AND YOU ARE NOT SAFE HERE 262 00:11:48,281 --> 00:11:50,751 WITH YOUR MOTHER, SO LET'S GO. 263 00:11:54,254 --> 00:11:56,964 HE'S NOT LEAVING. 264 00:11:56,957 --> 00:11:59,527 YOU'RE A FOOL IF YOU THINK HE IS STAYING HERE. 265 00:11:59,526 --> 00:12:00,996 JEFFERY, COME ON. 266 00:12:01,001 --> 00:12:03,141 DAD, WAIT, WAIT. 267 00:12:04,571 --> 00:12:06,971 I'M GONNA STAY HERE. 268 00:12:06,973 --> 00:12:08,783 WHAT? 269 00:12:08,775 --> 00:12:10,475 YEAH. 270 00:12:10,476 --> 00:12:13,946 SON, THE CAT IS ALREADY OUT OF THE BAG. 271 00:12:13,947 --> 00:12:16,477 SHE HAS NOTHING ON YOU NOW. 272 00:12:16,482 --> 00:12:18,352 YES, SHE DOES. 273 00:12:22,956 --> 00:12:24,956 WHAT? 274 00:12:24,958 --> 00:12:27,488 HMM, YOU WANT TO SPEAK? 275 00:12:29,329 --> 00:12:33,869 WHATEVER IT IS, IT CAN'T BE THAT BAD, SO LET'S JUST GO. 276 00:12:33,867 --> 00:12:36,237 COME WITH ME. 277 00:12:36,236 --> 00:12:38,066 OH, IT'S PRETTY BAD. 278 00:12:38,071 --> 00:12:39,571 OOH, IT'S AWFUL. 279 00:12:39,573 --> 00:12:41,073 DRINK, MR. HARRINGTON? 280 00:12:41,074 --> 00:12:43,214 NO, WILL YOU LEAVE US NOW, PLEASE ‐‐ 281 00:12:43,209 --> 00:12:46,179 ALL OF YOU. ‐ALICE, I AM SO SORRY. 282 00:12:46,179 --> 00:12:50,619 JUST WAIT IN THE KITCHEN, PLEASE. 283 00:12:50,617 --> 00:12:52,887 MELISSA, YOU SHOULD GO HOME. 284 00:12:52,886 --> 00:12:54,416 MELISSA IS HOME. 285 00:12:54,420 --> 00:12:56,460 SHE AND JEFFERY ARE MOVING IN WITH ME 286 00:12:56,456 --> 00:12:59,086 UNTIL AFTER THE WEDDING AND AFTER THE BABY IS BORN. 287 00:12:59,092 --> 00:13:00,562 HAVE YOU LOST YOUR MIND? 288 00:13:00,561 --> 00:13:03,401 WE'VE ALREADY ESTABLISHED THAT, HONEY. 289 00:13:03,403 --> 00:13:06,713 ‐MELISSA. ‐GO ON UPSTAIRS, DEAR. 290 00:13:06,707 --> 00:13:10,707 I'LL CALL YOU DOWN AFTER I TALK TO THIS RAGING MAD MAN, 291 00:13:10,711 --> 00:13:12,711 YELLING AT THE HELP. 292 00:13:15,148 --> 00:13:18,418 SON, YOU HAVE BEEN DOWN THIS ROAD BEFORE. 293 00:13:18,418 --> 00:13:21,418 NOW, YOU LISTEN TO ME. 294 00:13:21,421 --> 00:13:23,521 SHE HAD THE CAR. 295 00:13:23,524 --> 00:13:26,564 SHE DIDN'T TURN YOU IN THEN. 296 00:13:26,560 --> 00:13:29,660 NOW, WHATEVER IT IS NOW, IT CAN'T BE AS BAD AS THAT. 297 00:13:29,663 --> 00:13:31,503 IT'S AS BAD AS THAT. 298 00:13:31,497 --> 00:13:34,127 IT'S PRETTY AWFUL. 299 00:13:34,134 --> 00:13:36,004 WHAT IS IT? 300 00:13:39,172 --> 00:13:41,742 TALK TO YOUR FATHER. 301 00:13:41,742 --> 00:13:42,982 TELL HIM. 302 00:13:42,976 --> 00:13:44,776 SON? 303 00:13:48,481 --> 00:13:50,151 I CAN HELP YOU. 304 00:13:50,150 --> 00:13:51,420 YOU CAN'T HELP HIM WITH THIS. 305 00:13:51,417 --> 00:13:53,317 SHUT UP. 306 00:13:53,319 --> 00:13:55,889 HMM. 307 00:13:55,889 --> 00:13:58,529 FINALLY STANDING UP TO ME, HUH? 308 00:14:01,034 --> 00:14:02,844 WHAT IS IT, JEFFERY? 309 00:14:07,874 --> 00:14:09,814 TELL YOUR FATHER. TALK TO HIM. 310 00:14:09,810 --> 00:14:10,980 SON? 311 00:14:13,479 --> 00:14:15,549 GO ON, SON. 312 00:14:17,217 --> 00:14:18,887 [ SIGHS ] 313 00:14:18,885 --> 00:14:20,545 LOOK, MY DINNER IS GETTING COLD 314 00:14:20,554 --> 00:14:22,394 AND THE CAVIAR IS STARTING TO BREW, 315 00:14:22,388 --> 00:14:25,628 SO IF YOU CAN'T ACCEPT THAT THIS IS A HAPPY OCCASION ‐‐ 316 00:14:25,626 --> 00:14:28,696 WE ARE CELEBRATING OUR SON'S ENGAGEMENT. 317 00:14:28,695 --> 00:14:30,255 IF YOU CAN'T DO THAT, THEN YOU'RE ARE JUST GONNA 318 00:14:30,263 --> 00:14:32,133 HAVE TO LEAVE, SWEETHEART. ‐OH, I'M LEAVING. 319 00:14:32,132 --> 00:14:34,102 BUT I'M NOT LEAVING YOU HERE. 320 00:14:34,100 --> 00:14:35,570 Alice: MRS. HARRINGTON? 321 00:14:35,569 --> 00:14:37,839 ALICE, WE SAID THE KITCHEN. 322 00:14:37,838 --> 00:14:39,938 ‐THIS IS IMPORTANT. ‐WELL, WHAT IS IT DEAR? 323 00:14:39,940 --> 00:14:41,240 PHONE. 324 00:14:43,810 --> 00:14:46,150 PLEASE EXCUSE ME. 325 00:14:46,146 --> 00:14:48,046 ‐DAD, I GOT TO STAY. ‐HELLO. 326 00:14:48,048 --> 00:14:50,048 ‐NO, YOU'RE NOT. ‐NO, I HAVE TO STAY. 327 00:14:50,050 --> 00:14:51,750 I CAN'T FORCE YOU TO COME WITH ME. 328 00:14:51,752 --> 00:14:53,892 OH, MY GOODNESS! 329 00:14:53,887 --> 00:14:55,287 KATHERYN. 330 00:14:55,288 --> 00:14:57,688 OH, I'M SO SORRY, KATHERYN. 331 00:14:57,691 --> 00:14:59,791 OH, LISTEN, I'M ON MY WAY OVER THERE. 332 00:14:59,793 --> 00:15:01,843 I'M COMING OVER RIGHT NOW. 333 00:15:01,835 --> 00:15:03,435 I'LL SEE YOU SHORTLY. 334 00:15:03,436 --> 00:15:06,436 BYE‐BYE. 335 00:15:06,439 --> 00:15:10,009 OH, SO MUCH DRAMA. 336 00:15:10,010 --> 00:15:11,480 HMM. 337 00:15:11,477 --> 00:15:13,007 JEFFERY, PLEASE. 338 00:15:13,013 --> 00:15:14,883 HE'S GONNA WANT TO COME WITH ME. 339 00:15:14,881 --> 00:15:16,551 WHY IS THAT? 340 00:15:16,550 --> 00:15:19,690 WELL, IT SEEMS WYATT IS DEAD. 341 00:15:19,686 --> 00:15:21,786 ‐WHAT? ‐WHAT? 342 00:15:21,788 --> 00:15:23,218 O.D.'d OR SOMETHING. 343 00:15:23,223 --> 00:15:24,663 OH, JIM. 344 00:15:24,658 --> 00:15:26,428 WHAT? 345 00:15:26,426 --> 00:15:28,826 SON, COME WITH ME NOW. 346 00:15:32,232 --> 00:15:33,802 JIM. 347 00:15:33,800 --> 00:15:36,940 GO SEE ABOUT YOUR JIM. 348 00:15:36,937 --> 00:15:39,767 IT'S OKAY SWEETHEART. I HAVE YOU. 349 00:15:39,773 --> 00:15:42,483 YOUR DAD'S GOT GO GO CHECK ON JIM. 350 00:15:42,475 --> 00:15:44,675 HE ALWAYS DOES. 351 00:15:49,415 --> 00:15:53,445 FIRST, YOUR DAD'S BITCH DIES, AND NOW YOURS DOES. 352 00:15:56,422 --> 00:16:00,402 IT'S KIND OF CRAZY. 353 00:16:00,400 --> 00:16:03,470 HMM. 354 00:16:03,469 --> 00:16:08,009 BUT YOU'VE ALWAYS GOT MELISSA AND THE BABY. 355 00:16:16,883 --> 00:16:19,923 ♪♪♪♪ 356 00:16:49,382 --> 00:16:52,392 YOU KNOW, BENNY ALMOST CAME CLOSE TO GETTING GOT. 357 00:16:52,385 --> 00:16:54,015 I KNOW. 358 00:16:54,020 --> 00:16:56,090 I WOULD HAVE HATED TO DO THAT. 359 00:16:56,089 --> 00:16:58,729 I KNOW. 360 00:16:58,725 --> 00:17:00,585 WHAT THE HELL TOOK YOU SO LONG? 361 00:17:00,594 --> 00:17:03,404 WE HAD TO CALL THREE BRANCHES TO MAKE THIS HAPPEN. 362 00:17:03,403 --> 00:17:04,613 THAT'S WHY I'M SO LATE. 363 00:17:04,605 --> 00:17:06,435 BANKS CLOSED A WHILE AGO, CANDY. 364 00:17:06,439 --> 00:17:09,039 I KNOW, AND I'M SORRY. 365 00:17:09,042 --> 00:17:11,242 IS IT ALL HERE? 366 00:17:11,244 --> 00:17:13,184 YES. 367 00:17:13,179 --> 00:17:15,379 IT'S ALL THERE, WAR. 368 00:17:18,084 --> 00:17:19,924 DO I NEED TO COUNT THIS? 369 00:17:19,920 --> 00:17:22,090 WAR, IT'S THERE. 370 00:17:22,088 --> 00:17:23,718 CANDY, IF I GET HOME AND THERE'S ONE DOLLAR MISSING ‐‐ 371 00:17:23,724 --> 00:17:25,764 WAR, IT'S ALL THERE. 372 00:17:25,759 --> 00:17:28,089 IT'S THERE. 373 00:17:30,997 --> 00:17:34,097 I DON'T THINK I EVER HAD THIS MUCH CASH AT ONE TIME BEFORE. 374 00:17:34,100 --> 00:17:35,970 YOU CAME THROUGH, GIRL. 375 00:17:35,969 --> 00:17:37,799 YEAH, I DID. 376 00:17:37,804 --> 00:17:39,374 YOU ALWAYS DO. 377 00:17:39,372 --> 00:17:41,682 MY DAMN CANDY CANE. 378 00:17:41,675 --> 00:17:43,975 THAT'S ME. 379 00:17:43,977 --> 00:17:46,877 YEAH, YOU PULLED IT OFF, REAL TALK. 380 00:17:46,880 --> 00:17:48,210 OKAY. 381 00:17:48,214 --> 00:17:49,724 GOOD FOR YOU. 382 00:17:49,716 --> 00:17:52,686 SO, ARE WE GOOD? 383 00:17:52,686 --> 00:17:54,386 YEAH, BABY, WE GOOD. 384 00:17:54,387 --> 00:17:56,457 LOOK, I KEEP MY WORD. 385 00:17:56,456 --> 00:17:57,816 I'M NOT THE ONE THAT LIES. 386 00:17:57,824 --> 00:18:00,264 I DO WHAT I SAY I'M GONNA DO. 387 00:18:00,260 --> 00:18:02,570 I KNOW. 388 00:18:02,569 --> 00:18:05,639 AND YOU KNOW I HATE TO NOT DO. 389 00:18:05,639 --> 00:18:07,639 I KNOW, THAT'S WHY I WANT TO THANK YOU 390 00:18:07,641 --> 00:18:09,511 FOR GIVING ME A LITTLE BIT MORE TIME. 391 00:18:09,510 --> 00:18:11,380 YOU BOUGHT THAT TIME. 392 00:18:13,514 --> 00:18:17,124 LOOK, CANDY, I AM SORRY ABOUT ALL THIS. 393 00:18:17,117 --> 00:18:18,817 I'M... 394 00:18:18,819 --> 00:18:21,289 GO AHEAD, YOU CAN SAY IT. 395 00:18:21,287 --> 00:18:23,387 I'M SORRY, TOO. 396 00:18:23,389 --> 00:18:26,029 ME TOO, REALLY. 397 00:18:27,160 --> 00:18:30,460 I SHOULD HAVE TOLD YOU ABOUT THE FOUR MILLION IN THE BEGINNING. 398 00:18:30,463 --> 00:18:32,203 YES, YOU SHOULD HAVE. 399 00:18:32,198 --> 00:18:34,428 BUT THANK YOU FOR HAVING MY BACK. 400 00:18:34,434 --> 00:18:37,444 I DID HAVE YOUR BACK. 401 00:18:37,437 --> 00:18:38,637 I KNOW. 402 00:18:38,639 --> 00:18:41,109 BUT I WAS GONNA BREAK IT. 403 00:18:41,107 --> 00:18:44,947 I KNEW THAT, TOO. 404 00:18:44,945 --> 00:18:48,345 THEY DON'T CALL ME WAR FOR NOTHING, BABY. 405 00:18:48,348 --> 00:18:51,078 YEP. 406 00:18:51,084 --> 00:18:54,994 ALL RIGHT, WE COOL AGAIN. 407 00:18:54,988 --> 00:18:58,158 THAT MAKES ME ‐‐ THAT MAKES ME HAPPY. 408 00:18:59,926 --> 00:19:01,566 I'LL SEE YOU AROUND. 409 00:19:01,568 --> 00:19:04,138 AT MY HOUSE? 410 00:19:04,137 --> 00:19:05,607 YOU KNOW, I MIGHT STOP BY 411 00:19:05,606 --> 00:19:09,306 FROM TIME TO TIME FOR A LITTLE TUNE UP. 412 00:19:09,309 --> 00:19:12,409 WILL I KNOW YOU'RE COMING? 413 00:19:12,412 --> 00:19:14,822 LOOK, WE BACK TO THE WAY WE WERE. 414 00:19:14,815 --> 00:19:16,945 ALL RIGHT, YOU BOUGHT YOUR RESPECT BACK, 415 00:19:16,950 --> 00:19:19,350 TWO MILLION TIMES OVER. 416 00:19:19,352 --> 00:19:21,092 OKAY. 417 00:19:21,087 --> 00:19:22,457 ALL RIGHT. 418 00:19:22,455 --> 00:19:26,755 BUT IF YOU COME BY, YOU'LL CALL FIRST? 419 00:19:26,760 --> 00:19:30,160 I COULD DO THAT. 420 00:19:30,163 --> 00:19:32,203 OKAY. 421 00:19:32,198 --> 00:19:33,728 YOU GONNA ANSWER? 422 00:19:33,734 --> 00:19:35,844 SOMETIMES. 423 00:19:35,836 --> 00:19:37,096 I'M KIDDING. 424 00:19:37,103 --> 00:19:39,843 NO, YOUR ASS NOT, BUT IT'S COOL. 425 00:19:39,840 --> 00:19:41,340 YOU GOOD AT WHAT YOU DO, BABY. 426 00:19:41,341 --> 00:19:43,011 BEST I EVER HAD. 427 00:19:43,009 --> 00:19:45,179 THEN WHY AM I PAYING YOU? 428 00:19:45,178 --> 00:19:46,448 DON'T PUSH IT. 429 00:19:49,249 --> 00:19:51,419 BYE. 430 00:19:51,417 --> 00:19:52,687 BYE. 431 00:19:52,686 --> 00:19:55,716 ♪♪♪♪ 432 00:20:04,538 --> 00:20:06,568 [ ENGINE STARTS ] 433 00:20:21,187 --> 00:20:23,217 [ CRYING ] 434 00:20:45,979 --> 00:20:47,449 WHY ARE YOU JUST SITTING THERE? 435 00:20:47,447 --> 00:20:48,847 WHAT DO YOU MEAN? 436 00:20:48,849 --> 00:20:50,819 MRS. CRYER JUST CALLED AND SAID THAT WYATT GOT HURT. 437 00:20:50,817 --> 00:20:52,947 SHE SAID THAT WYATT WAS DEAD. 438 00:20:52,953 --> 00:20:55,093 YOU'RE LYING. 439 00:20:55,088 --> 00:20:56,218 ‐JEFFERY. ‐YOU ARE. 440 00:20:56,222 --> 00:20:57,792 ‐ABOUT? ‐ABOUT WYATT. 441 00:20:57,791 --> 00:20:59,961 LET'S JUST GO OVER TO THE CRYER'S THEN. 442 00:20:59,960 --> 00:21:01,270 YEAH, LET'S. 443 00:21:01,267 --> 00:21:03,437 OKAY. 444 00:21:03,436 --> 00:21:05,506 [ SIGHS ] 445 00:21:05,506 --> 00:21:06,766 WHY ARE YOU JUST SITTING THERE? 446 00:21:06,773 --> 00:21:09,313 WOULD YOU GIVE ME A SECOND? HE'S DEAD. 447 00:21:09,309 --> 00:21:11,179 THERE'S NOTHING YOU CAN DO ABOUT IT NOW. 448 00:21:11,177 --> 00:21:13,307 ‐WHY DO YOU NEED TO BE SUCH A ‐‐ ‐SAY IT. 449 00:21:13,313 --> 00:21:15,123 SEE, NOW THAT'S THE KIND OF LANGUAGE 450 00:21:15,115 --> 00:21:17,945 THAT WILL GET YOU A SPANKING. 451 00:21:17,951 --> 00:21:20,221 [ SCOFFS ] 452 00:21:20,220 --> 00:21:21,790 WHERE ARE YOU GOING? 453 00:21:21,788 --> 00:21:23,158 I'M GOING TO THE CRYER'S. 454 00:21:23,156 --> 00:21:24,726 NOT WITHOUT ME, YOU'RE NOT. 455 00:21:24,725 --> 00:21:26,225 I NEED TO GO AND SEE ‐‐ 456 00:21:26,226 --> 00:21:29,556 NO, I NEED YOU TO DRIVE ME BECAUSE I'M DRINKING. 457 00:21:29,563 --> 00:21:30,633 WELL, THEN COME ON. 458 00:21:30,631 --> 00:21:31,831 I AM NOT READY. 459 00:21:31,832 --> 00:21:32,832 MOM. 460 00:21:32,833 --> 00:21:34,873 JEFFERY, SIT DOWN! 461 00:21:37,203 --> 00:21:39,273 DID YOU HEAR ME? 462 00:21:39,272 --> 00:21:42,212 NOW COME AND SIT DOWN, BOY. 463 00:21:54,988 --> 00:21:58,988 DAMN FLORAL PRINTS. 464 00:21:58,992 --> 00:22:03,402 LOOK AT YOU. 465 00:22:03,403 --> 00:22:06,643 TEARING UP. 466 00:22:06,640 --> 00:22:09,740 YOU'RE GRIEVING YOUR MAN. 467 00:22:09,743 --> 00:22:12,753 HE'S NOT MY MAN. HE'S MY FRIEND. 468 00:22:12,746 --> 00:22:14,576 WELL, NOT ANYMORE. 469 00:22:17,283 --> 00:22:19,793 WOW. 470 00:22:19,786 --> 00:22:23,156 IF LOOKS COULD KILL, I'LL BE DEAD. 471 00:22:26,292 --> 00:22:29,562 DO YOU WANT ME DEAD, JEFFERY? 472 00:22:29,563 --> 00:22:32,673 I'M BREATHING AND HE'S NOT. 473 00:22:32,666 --> 00:22:35,766 [ SIGHS ] 474 00:22:35,769 --> 00:22:38,839 IT'S JUST AS WELL. 475 00:22:38,839 --> 00:22:42,779 HE WAS NO GOOD FOR YOU. 476 00:22:42,776 --> 00:22:46,546 THAT BOY WAS RUINING YOU. 477 00:22:46,547 --> 00:22:50,417 NOW YOU CAN BE FREE FOR MELISSA. 478 00:22:50,416 --> 00:22:53,446 WHY DON'T YOU LIKE HER, HUH? 479 00:22:53,453 --> 00:22:56,923 I MEAN, SHE'S PRETTY, SHE'S GOT A GREAT BODY, 480 00:22:56,923 --> 00:22:59,893 EVEN THOUGH SHE JUST EATS WAY TOO MANY CARBS. 481 00:22:59,893 --> 00:23:03,573 I TOOK HER TO LUNCH THE OTHER DAY, AND SHE SAT THERE 482 00:23:03,570 --> 00:23:07,710 AND JUST ORDERED EVERYTHING FRIED AND CARBS. 483 00:23:07,708 --> 00:23:09,578 AND I THINK IF SHE SAW A VEGETABLE, 484 00:23:09,576 --> 00:23:11,276 SHE WOULDN'T EVEN RECOGNIZE IT. 485 00:23:11,277 --> 00:23:14,107 SHE'S JUST, WELL... 486 00:23:14,114 --> 00:23:16,184 YOU KNOW, IT'S TYPICAL OF THESE 487 00:23:16,182 --> 00:23:19,192 POOR BLACK GIRLS BORN IN THE HOOD. 488 00:23:19,185 --> 00:23:22,155 ALL THEY WANT IS THE FRIED CHICKEN. 489 00:23:22,155 --> 00:23:24,525 THEY'RE NOT USED TO ANYTHING ELSE, YOU KNOW? 490 00:23:24,525 --> 00:23:26,055 THEY'RE JUST ‐‐ IN THEIR HOOD, 491 00:23:26,059 --> 00:23:28,729 ALL THERE IS IS A FRIED CHICKEN CHAIN, 492 00:23:28,729 --> 00:23:30,829 THE CHECK CASHIERS, 493 00:23:30,831 --> 00:23:33,271 THE DOLLAR STORE, AND THE LIQUOR STORE. 494 00:23:33,266 --> 00:23:37,266 THAT'S ALL THERE IS, SO YOU CAN'T BLAME HER. 495 00:23:37,270 --> 00:23:38,910 WE CAN CLASSIFY ‐‐ 496 00:23:38,905 --> 00:23:40,605 [ SIGHS ] 497 00:23:42,943 --> 00:23:45,583 WHY ARE YOU SO ANTSY? 498 00:23:45,579 --> 00:23:48,849 [ SIGHS ] 499 00:23:48,849 --> 00:23:51,049 SIT DOWN! 500 00:23:51,051 --> 00:23:53,621 ‐LET'S GO NOW. ‐SIT DOWN. 501 00:23:53,620 --> 00:23:55,820 I SAID SIT DOWN. 502 00:24:00,466 --> 00:24:03,466 ♪♪♪♪ 503 00:24:03,469 --> 00:24:05,669 GOD, I HATE IT. 504 00:24:26,593 --> 00:24:28,033 THE BOY IS DEAD. 505 00:24:28,028 --> 00:24:29,258 STOP SAYING THAT. 506 00:24:29,262 --> 00:24:31,002 WELL, HE IS. 507 00:24:30,997 --> 00:24:32,997 [ SNIFFLES ] 508 00:24:32,999 --> 00:24:37,669 THERE THEY ARE ‐‐ TEARS. 509 00:24:37,671 --> 00:24:41,511 NOW WHEN YOU STOP DOING THAT PANSY‐ASS THING 510 00:24:41,508 --> 00:24:43,438 YOU'RE DOING RIGHT NOW, 511 00:24:43,443 --> 00:24:47,513 WE CAN GO VIEW YOUR PRECIOUS WYATT'S BODY. 512 00:24:49,783 --> 00:24:55,063 BUT YOU GOT TO STOP ALL THAT SNOTTING AND CRYING. 513 00:24:55,055 --> 00:24:57,315 DO YOU HEAR ME? 514 00:24:57,323 --> 00:24:59,063 AND YOU LISTEN TO ME. 515 00:24:59,059 --> 00:25:03,139 WHEN WE GET OVER TO THE CRYER'S, YOU WON'T DO THAT. 516 00:25:03,136 --> 00:25:06,566 YOU WILL STAND UP STRAIGHT LIKE A MAN. 517 00:25:06,573 --> 00:25:10,413 YOU WON'T GO IN THERE WHIMPERING AND SAPPY. 518 00:25:13,079 --> 00:25:15,019 DO YOU HEAR ME, BOY? 519 00:25:17,383 --> 00:25:21,253 I'M SO GLAD WE'RE HAVING A BOY. 520 00:25:24,224 --> 00:25:27,264 I CAN GET A DO‐OVER. 521 00:25:30,997 --> 00:25:33,367 I CAN RAISE A MAN... 522 00:25:37,671 --> 00:25:40,471 ...NOT LIKE YOU. 523 00:25:40,473 --> 00:25:43,743 EVERY TIME I SEE YOU WALKING AROUND WITH THEM 524 00:25:43,744 --> 00:25:47,114 TIGHT PANTS AND FLORAL JACKETS, 525 00:25:47,113 --> 00:25:48,883 ACTING LIKE SOME KIND OF GIRL ‐‐ 526 00:25:48,882 --> 00:25:51,352 JUST JUMPING AND RUNNING AFTER SOME MAN 527 00:25:51,351 --> 00:25:53,251 LIKE YOU CRAZY, I CAN'T STAND IT. 528 00:25:53,253 --> 00:25:56,963 I JUST WANT TO CALL QUINCY TO COME BEAT YOUR ASS AGAIN. 529 00:25:59,793 --> 00:26:02,403 HOW WAS THAT ASS WHIPPING, HUH? 530 00:26:05,205 --> 00:26:09,635 YOU ‐‐ YOU GOT HIM BACK. 531 00:26:09,643 --> 00:26:13,313 YOU GOT HIM GOOD. 532 00:26:13,313 --> 00:26:15,723 GIRL, YOU DID IT. 533 00:26:15,716 --> 00:26:18,146 YOU DID IT, GIRLFRIEND. 534 00:26:20,621 --> 00:26:24,361 THAT'S IT. 535 00:26:24,357 --> 00:26:28,657 NOW JUST DRY YOUR EYES, AND WE CAN GO. 536 00:26:28,662 --> 00:26:31,202 I SAID DRY YOUR EYES, BOY. 537 00:26:35,368 --> 00:26:38,438 THAT'S IT. 538 00:26:38,438 --> 00:26:40,938 THAT'S IT. 539 00:26:42,509 --> 00:26:45,679 ALICE! 540 00:26:45,679 --> 00:26:48,009 THIS BITCH IS HARD OF HEARING. 541 00:26:48,014 --> 00:26:49,884 ALICE! 542 00:26:49,883 --> 00:26:51,723 YES. 543 00:26:51,718 --> 00:26:52,848 [ SCOFFS ] 544 00:26:52,853 --> 00:26:55,893 UM...I'M SO SORRY, DARLING. 545 00:26:55,889 --> 00:26:57,659 WE ARE GONNA HAVE TO PUT ALL THE FOOD AWAY. 546 00:26:57,658 --> 00:27:01,068 I'M GONNA HAVE TO GO OUT AND DEAL WITH SOME FOOLISHNESS. 547 00:27:01,067 --> 00:27:03,597 AND, ALICE... ‐YES. 548 00:27:03,604 --> 00:27:07,144 EVERY SINGLE PIECE OF CLOTHING THAT MY SON HAS BROUGHT 549 00:27:07,140 --> 00:27:10,540 INTO THIS HOUSE, THROW IT AWAY, GIVE IT AWAY. 550 00:27:10,544 --> 00:27:13,714 DO ANYTHING WITH IT. GET IT OUT OF HERE. 551 00:27:13,714 --> 00:27:16,954 I BOUGHT ALL NEW THINGS FOR YOU. 552 00:27:16,950 --> 00:27:21,390 THEY'RE UPSTAIRS WHEN YOU GET BACK, OKAY? 553 00:27:21,387 --> 00:27:23,257 THANK YOU. 554 00:27:23,256 --> 00:27:24,756 YES, MA'AM. 555 00:27:24,758 --> 00:27:26,558 MELISSA! 556 00:27:30,496 --> 00:27:32,326 YES. 557 00:27:32,332 --> 00:27:34,842 WE'RE GONNA HAVE TO GO OUT, DEAR. 558 00:27:34,835 --> 00:27:37,565 SO WE'LL CONTINUE THIS WHEN WE GET BACK, OKAY? 559 00:27:37,571 --> 00:27:39,111 IS EVERYTHING OKAY? 560 00:27:39,105 --> 00:27:41,535 YES, JUST ONE OF JEFFERY'S JUNKIE FRIENDS. 561 00:27:41,542 --> 00:27:43,582 IT'S NOTHING TO WORRY ABOUT. 562 00:27:43,577 --> 00:27:44,607 IS HE OKAY? 563 00:27:44,611 --> 00:27:46,951 HE'S DEAD, BUT IT'S FINE. 564 00:27:46,947 --> 00:27:48,447 HMM. 565 00:27:48,448 --> 00:27:52,448 SO, ALICE IS GONNA HELP YOU UNPACK, OKAY? 566 00:27:52,452 --> 00:27:53,492 OKAY. 567 00:27:53,486 --> 00:27:55,116 NOW THERE IS SOME BUBBLE BATH UPSTAIRS 568 00:27:55,121 --> 00:27:56,161 THAT YOU SHOULD TRY. 569 00:27:56,156 --> 00:27:57,886 IT'S LAVENDER. IT'S WONDERFUL. 570 00:27:57,891 --> 00:27:59,491 YOU'LL LOVE IT. 571 00:27:59,492 --> 00:28:00,862 I KNOW IT'S SOMETHING JEFFERY'S 572 00:28:00,861 --> 00:28:03,101 GONNA WANT TO GET INTO WHEN HE GETS BACK. 573 00:28:04,538 --> 00:28:06,868 ALL RIGHT, LET'S GO. 574 00:28:06,873 --> 00:28:08,583 COME ON. 575 00:28:13,146 --> 00:28:15,016 COME ON, BOY. 576 00:28:24,090 --> 00:28:26,290 WHERE YOU GOING? 577 00:28:26,292 --> 00:28:28,462 KISS THIS GIRL. 578 00:28:35,902 --> 00:28:38,042 DO IT AGAIN. 579 00:28:38,038 --> 00:28:41,678 SEE, THAT'S WHAT FEMININE LIPS TASTE LIKE. 580 00:28:41,675 --> 00:28:43,205 YOU LIKE IT? 581 00:28:43,209 --> 00:28:45,009 TRY IT AGAIN. 582 00:28:45,011 --> 00:28:46,351 DO IT AGAIN. 583 00:28:52,753 --> 00:28:54,693 WE GONNA BE ALL RIGHT. 584 00:28:54,688 --> 00:28:56,618 WE GONNA BE ALL RIGHT. 585 00:28:56,623 --> 00:28:58,663 OKAY. OKAY, SWEETIE, BYE. 586 00:28:58,659 --> 00:29:02,239 BYE. 587 00:29:02,235 --> 00:29:04,395 COME ON, WE GONNA BE GOOD 588 00:29:04,404 --> 00:29:07,374 COME ON, YOU GONNA DRIVE YOUR MOMMY? 589 00:29:07,373 --> 00:29:12,553 DRIVE YOUR MOTHER TO THE CRYER'S TO SEE DEAD WYATT. 590 00:29:12,546 --> 00:29:13,976 COME ON. 591 00:29:18,652 --> 00:29:21,662 ♪♪♪♪ 592 00:29:22,956 --> 00:29:24,986 [ SIREN WAILING ] 593 00:29:34,535 --> 00:29:37,765 MAN, WHAT DO THESE FOOLS WANT? 594 00:29:37,771 --> 00:29:39,911 STEP OUT OF THE CAR, SIR. 595 00:29:39,906 --> 00:29:41,336 MAN, I AIN'T BREAKING NO LAWS. 596 00:29:41,341 --> 00:29:43,741 STEP OUT OF THE CAR NOW, SIR. 597 00:29:43,744 --> 00:29:47,384 DAMN. 598 00:29:47,380 --> 00:29:49,520 WALK BACKWARDS WITH YOUR HANDS ON YOUR HEAD. 599 00:29:49,516 --> 00:29:52,516 ‐MAN, I AIN'T DO NOTHING. ‐DO IT NOW, SIR! 600 00:29:52,519 --> 00:29:55,059 MAN, THAT'S SOME BULL RIGHT HERE, MAN. 601 00:29:55,055 --> 00:29:57,185 ‐ON YOUR KNEES, SIR. ‐MAN, LOOK... 602 00:29:57,190 --> 00:29:58,390 ON YOUR KNEES. 603 00:29:58,391 --> 00:29:59,931 DO IT. 604 00:29:59,926 --> 00:30:01,896 ARE YOU HARD OF HEARING, SIR? 605 00:30:08,441 --> 00:30:10,481 [ POLICE RADIO CHATTER ] 606 00:30:15,516 --> 00:30:16,546 MAN, WHAT'S WRONG WITH YOU? 607 00:30:16,550 --> 00:30:17,820 YOU AIN'T GOT TO BE SO ROUGH, MAN. 608 00:30:17,818 --> 00:30:19,088 I AIN'T EVEN DO NOTHING. 609 00:30:19,085 --> 00:30:20,785 ‐YOU GOT YOUR LICENSE ON YOU? ‐IN MY POCKET. 610 00:30:20,787 --> 00:30:22,457 WHAT ABOUT YOUR REGISTRATION AND INSURANCE? 611 00:30:22,455 --> 00:30:24,955 MAN, YOU NEED TO BE TELLING ME WHY YOU PULLING ME OVER? 612 00:30:24,958 --> 00:30:27,558 ‐CAN WE SEARCH YOUR CAR? ‐NO, YOU CANNOT. 613 00:30:27,561 --> 00:30:29,701 Y'ALL AIN'T GOT PROBABLE CAUSE, SO I'M NOT GIVING IT TO YOU. 614 00:30:29,696 --> 00:30:32,196 Y'ALL AIN'T GOT NOTHING ON ME, MAN. 615 00:30:32,198 --> 00:30:34,128 HEY, MAN, YOU AIN'T SUPPOSED TO BE IN THERE. 616 00:30:34,134 --> 00:30:36,304 WE GOT A CALL ABOUT YOU DEALING WARLOCK. 617 00:30:36,302 --> 00:30:38,002 MAN, HOW YOU KNOW MY NAME? 618 00:30:38,004 --> 00:30:39,544 MAN, I DON'T KNOW WHAT YOU TALKING ABOUT? 619 00:30:39,540 --> 00:30:42,040 ‐OH, YEAH, I THINK YOU DO. ‐MAN, YOU WRONG, BRO. 620 00:30:42,042 --> 00:30:44,382 WE'RE GONNA POP THE TRUNK. 621 00:30:44,377 --> 00:30:46,877 I AIN'T GIVING Y'ALL PERMISSION, SO THAT'S ILLEGAL. 622 00:30:46,880 --> 00:30:49,380 NOT IF WE GOT A TIP ON YOU, BIG DAWG. 623 00:30:49,382 --> 00:30:51,422 POP THE TRUNK. 624 00:30:59,626 --> 00:31:01,096 LOOK AT ALL THIS CASH. 625 00:31:01,101 --> 00:31:02,341 MAN, THAT AIN'T ILLEGAL. 626 00:31:02,335 --> 00:31:03,635 WHERE'D YOU GET ALL THAT MONEY? 627 00:31:03,637 --> 00:31:05,007 I'M GOING TO THE LAUNDROMAT. 628 00:31:05,005 --> 00:31:06,505 YEAH, THEN THIS SHOULD ALL BE IN QUARTERS. 629 00:31:06,507 --> 00:31:08,167 MAN, YOU AIN'T GOT NOTHING ON ME, BRO. 630 00:31:08,174 --> 00:31:11,214 ♪♪♪♪ 631 00:31:15,181 --> 00:31:17,351 LOOK WHAT'S IN THE TRUNK. 632 00:31:17,350 --> 00:31:19,250 WHAT THE HELL IS THAT? YO, THAT AIN'T MINE. 633 00:31:19,252 --> 00:31:21,762 DUDE, THAT'S A LOT OF TIME RIGHT THERE, WAR. 634 00:31:21,755 --> 00:31:23,755 THAT IS NOT MINE. 635 00:31:23,757 --> 00:31:26,227 OKAY, OKAY. 636 00:31:26,226 --> 00:31:28,426 TELL THAT TO THE D. A. 637 00:31:33,600 --> 00:31:35,500 OKAY, CANDACE. 638 00:31:35,501 --> 00:31:36,771 OKAY. 639 00:31:36,770 --> 00:31:38,770 YOU SET ME UP, BITCH. 640 00:31:38,772 --> 00:31:40,212 I GOT YOU. 641 00:31:40,206 --> 00:31:41,876 I GOT YOU. 642 00:31:41,875 --> 00:31:43,875 I GOT YOU. 643 00:31:43,877 --> 00:31:56,687 ♪♪♪♪ 644 00:32:00,534 --> 00:32:03,504 ♪♪♪♪ 645 00:32:09,409 --> 00:32:11,509 YOU NEED TO TRY TO EAT SOMETHING. 646 00:32:11,512 --> 00:32:13,782 I CAN'T. 647 00:32:13,780 --> 00:32:15,320 YOU HAVEN'T EATEN ALL NIGHT. 648 00:32:15,315 --> 00:32:17,215 ‐COME ON NOW. ‐I CAN'T EAT. 649 00:32:17,217 --> 00:32:19,817 [ DOORBELL RINGS ] 650 00:32:19,820 --> 00:32:21,860 I'LL GET IT. 651 00:32:34,134 --> 00:32:36,974 HANNA, PICK IT UP. 652 00:32:36,970 --> 00:32:40,340 PICK IT UP YOUR DAMN SELF. 653 00:32:40,340 --> 00:32:43,740 JEFFERY, PICK IT UP. 654 00:32:43,744 --> 00:32:45,454 JEFF... 655 00:32:49,816 --> 00:32:52,846 PLEASE TELL ME IT'S NOT TRUE. 656 00:32:52,853 --> 00:32:54,863 I'M SORRY, JEFFERY. 657 00:32:54,855 --> 00:32:57,185 OH, NO. 658 00:32:57,190 --> 00:33:01,000 [ GROANS ] 659 00:33:01,001 --> 00:33:02,271 IT'S ALL RIGHT. 660 00:33:02,268 --> 00:33:04,038 NO. 661 00:33:04,037 --> 00:33:05,537 NO, NO. 662 00:33:05,539 --> 00:33:08,309 IT'S ALL RIGHT. 663 00:33:08,308 --> 00:33:10,338 [ CRYING ] 664 00:33:12,445 --> 00:33:14,275 NO. 665 00:33:14,280 --> 00:33:16,580 JEFFERY, PLEASE. 666 00:33:16,583 --> 00:33:18,623 [ CRYING ] 667 00:33:30,931 --> 00:33:33,501 JEFFERY, WHAT DID I TELL YOU? 668 00:33:33,499 --> 00:33:35,439 IT'S FINE, VERONICA. 669 00:33:35,435 --> 00:33:36,935 NO IT ISN'T, JEFFERY. 670 00:33:36,937 --> 00:33:38,167 HE WAS MY FRIEND. 671 00:33:38,171 --> 00:33:39,641 YES, YES. 672 00:33:39,640 --> 00:33:40,710 RIGHT. 673 00:33:40,707 --> 00:33:43,537 HE WAS YOUR FRIEND, BUT WE ARE HERE 674 00:33:43,544 --> 00:33:46,754 TO SHOW STRENGTH FOR KATHERYN, RIGHT? 675 00:33:48,214 --> 00:33:50,254 VERONICA, IT'S FINE. 676 00:33:50,250 --> 00:33:52,250 WE ALL KNOW HOW MUCH HE LOVED HIM. 677 00:33:52,252 --> 00:33:54,292 YES, WE DO. 678 00:34:02,836 --> 00:34:05,066 HANNA. 679 00:34:05,071 --> 00:34:07,971 MY SON DOES NOT NEED TO BE COMFORTED. 680 00:34:07,974 --> 00:34:11,244 NEITHER DOES MINE, BUT YOU DO IT ANYWAY. 681 00:34:18,318 --> 00:34:20,588 JEFFERY, YOU WILL NOT BEHAVE THIS WAY. 682 00:34:20,587 --> 00:34:23,517 HE JUST FOUND OUT HE LOST HIS FRIEND, VERONICA. 683 00:34:23,524 --> 00:34:25,734 [ SCOFFS ] 684 00:34:25,726 --> 00:34:27,486 I UNDERSTAND THAT, 685 00:34:27,493 --> 00:34:30,333 BUT WE DON'T ACT THAT WAY IN THIS NEIGHBORHOOD. 686 00:34:30,330 --> 00:34:34,070 PAIN HAS THE SAME BEHAVIOR ANYWHERE. 687 00:34:34,067 --> 00:34:38,367 NO, DARLING IT DOESN'T ‐‐ NOT ON THIS SIDE OF THE TRACKS. 688 00:34:38,371 --> 00:34:43,641 YOU SEE, ON THIS SIDE OF THE TRACKS WE ARE CIVILIZED. 689 00:34:43,644 --> 00:34:47,854 HE'S ACTING LIKE HE'S ON YOUR STREET. 690 00:34:47,848 --> 00:34:50,548 NOW JEFFERY, STOP. 691 00:34:50,551 --> 00:34:53,691 ‐VERONICA. ‐NO, KATHERYN, THIS BOTHERS ME. 692 00:34:53,687 --> 00:34:57,317 IT'S SO ‐‐ IT'S JUST ‐‐ 693 00:34:57,323 --> 00:35:00,033 ‐SO WHAT? ‐MEN DON'T ACT LIKE THIS. 694 00:35:00,026 --> 00:35:01,866 HE'S A MAN. 695 00:35:01,868 --> 00:35:04,838 HE'S DOING IT ‐‐ HE'S UPSET. 696 00:35:04,838 --> 00:35:07,808 IT'S OKAY, JEFFERY. ‐STOP TOUCHING MY SON. 697 00:35:07,808 --> 00:35:09,778 I WILL AS SOON AS YOU STOP TOUCHING MINE. 698 00:35:13,346 --> 00:35:15,976 THIS WAS A MISTAKE. I'M SORRY. 699 00:35:15,982 --> 00:35:17,622 WE SHOULDN'T HAVE COME HERE. 700 00:35:17,618 --> 00:35:22,318 I‐I NEEDED A DRIVER AND I WANTED TO CHECK ON YOU, KATHERYN. 701 00:35:22,322 --> 00:35:25,662 I'VE HAD A DRINK OR TWO MAYBE. 702 00:35:25,659 --> 00:35:28,229 IT'S ALL IN MODERATION. 703 00:35:28,228 --> 00:35:29,898 I'M FINE, VERONICA 704 00:35:29,896 --> 00:35:32,596 YOU DIDN'T HAVE TO COME. 705 00:35:32,599 --> 00:35:35,639 I JUST DIDN'T WANT YOU TO HEAR ABOUT IT ON THE NEWS. 706 00:35:35,636 --> 00:35:39,836 OKAY, THEN MAYBE WE'LL JUST LEAVE, OKAY? 707 00:35:39,840 --> 00:35:41,710 HMM? 708 00:35:50,383 --> 00:35:53,293 WHERE IS HE? 709 00:35:53,286 --> 00:35:54,956 JEFFERY, WE'RE GOING. LET'S GO. 710 00:35:54,955 --> 00:35:56,355 NO, I'M NOT LEAVING. 711 00:35:56,356 --> 00:35:58,886 JEFFERY, YOU'RE MAKING A FOOL OUT OF YOURSELF ‐‐ 712 00:35:58,892 --> 00:36:00,872 SITTING HERE CRYING OVER A MAN. 713 00:36:00,867 --> 00:36:02,337 GET UP, LET'S GO. 714 00:36:02,335 --> 00:36:04,805 WE'RE LEAVING. ‐I'M NOT LEAVING. 715 00:36:04,805 --> 00:36:06,235 I WANT TO SEE HIM, I CAN'T BELIEVE ‐‐ 716 00:36:06,239 --> 00:36:07,569 ‐STOP IT! ‐VERONICA. 717 00:36:07,574 --> 00:36:09,244 KATHERYN, THIS IS CRAZY. 718 00:36:12,445 --> 00:36:15,475 I UNDERSTAND, JEFFERY. 719 00:36:17,884 --> 00:36:22,194 I‐IT DOESN'T SEEM REAL UNTIL YOU SEE SOMEONE YOU LOVE. 720 00:36:26,793 --> 00:36:28,433 WYATT WAS HIS FRIEND. 721 00:36:28,428 --> 00:36:31,358 OH, HE'S NOT CRYING BECAUSE IT WAS HIS FRIEND. 722 00:36:31,364 --> 00:36:35,604 HE'S CRYING BECAUSE HE'S... 723 00:36:35,602 --> 00:36:37,272 [ SNIFFLES ] 724 00:36:37,270 --> 00:36:39,310 LET'S GO. 725 00:36:39,305 --> 00:36:42,675 LET'S GO, BOY. NOW! 726 00:36:42,676 --> 00:36:45,246 I'M NOT LEAVING. 727 00:36:45,245 --> 00:36:48,145 HE LOVED HIM. 728 00:36:48,148 --> 00:36:52,118 THIS IS SICK. 729 00:36:52,118 --> 00:36:56,158 NOW YOU GET YOUR ASS IN THE CAR, AND YOU STOP EMBARRASSING ME. 730 00:36:56,156 --> 00:36:58,856 HOW DARE YOU BE THIS PERSON? 731 00:36:58,859 --> 00:37:00,859 I TOLD YOU NOT TO BE THIS. 732 00:37:00,861 --> 00:37:03,741 I TOLD YOU NOT TO DO THIS. 733 00:37:03,737 --> 00:37:06,767 IT'S OKAY, JEFFERY. YOU GO ON AND CRY, BABY. 734 00:37:06,773 --> 00:37:09,113 I KNOW THIS HURTS. 735 00:37:09,108 --> 00:37:11,038 I'LL HAVE FREDERICK DROP YOU HOME. 736 00:37:11,044 --> 00:37:12,714 NO, JEFFERY IS DRIVING ME HOME. 737 00:37:12,712 --> 00:37:15,012 HE WANTS TO STAY. 738 00:37:15,014 --> 00:37:16,824 ‐HE'S LEAVING. ‐VERONICA! 739 00:37:16,816 --> 00:37:18,346 NO, KATHERYN. 740 00:37:18,351 --> 00:37:19,621 WAIT A DAMN MINUTE. 741 00:37:19,620 --> 00:37:21,620 THIS WOMAN JUST LOST HER SON. 742 00:37:21,622 --> 00:37:23,962 ARE YOU REALLY DOING THIS? 743 00:37:23,957 --> 00:37:25,857 LOOK AT THIS BOY! 744 00:37:25,859 --> 00:37:28,229 THIS BOY IS HURTING. 745 00:37:28,228 --> 00:37:30,728 CAN'T YOU SEE THAT? WHAT KIND OF MOTHER ARE YOU? 746 00:37:30,731 --> 00:37:32,571 ONE WHO PROVIDES FOR HER CHILD. 747 00:37:32,566 --> 00:37:34,936 ARE YOU TRYING TO SAY I DON'T? 748 00:37:34,935 --> 00:37:36,895 GET UP. GET UP. 749 00:37:36,903 --> 00:37:38,303 ‐YOU NEED TO GO, VERONICA. ‐MOVE! 750 00:37:38,304 --> 00:37:40,244 ‐VERONICA! ‐YOU TURNED MY CHILD LOOSE. 751 00:37:40,240 --> 00:37:41,580 ‐GET UP! ‐HANNA! 752 00:37:41,575 --> 00:37:44,545 GET UP, GET UP, JEFFERY. 753 00:37:44,545 --> 00:37:46,245 STEP BACK. 754 00:37:46,246 --> 00:37:48,616 ‐I'M SORRY. ‐STEP BACK. 755 00:37:48,615 --> 00:37:50,715 I'M SORRY. 756 00:37:50,717 --> 00:37:52,487 I CAN'T DO THIS. 757 00:37:52,485 --> 00:37:53,715 I'M SORRY. 758 00:37:53,720 --> 00:37:55,860 THIS IS WHY I DIDN'T WANT TO COME OVER HERE. 759 00:37:55,856 --> 00:37:57,516 THIS IS WHY I ASKED YOU TO WAIT. 760 00:37:57,524 --> 00:37:59,194 I ASKED YOU TO. 761 00:37:59,192 --> 00:38:01,202 I SAID, "LET'S JUST SIT HERE AND WAIT JEFFERY." 762 00:38:01,201 --> 00:38:02,971 BUT NOT YOU, NO. 763 00:38:02,969 --> 00:38:05,169 YOU WANTED TO JUST RUSH OVER HERE. 764 00:38:05,171 --> 00:38:08,171 I WANTED YOU TO GET ALL OF THIS GRIEF OUT OF YOUR SYSTEM. 765 00:38:08,174 --> 00:38:10,614 ‐GET IT OUT OF HIS SYSTEM? ‐I WASN'T TALKING TO YOU! 766 00:38:10,611 --> 00:38:12,911 HANNA. 767 00:38:12,913 --> 00:38:17,253 NOW, JEFFERY, I WANT YOU TO GET UP LIKE A MAN. 768 00:38:17,250 --> 00:38:19,790 STOP ALL THESE TEARS. 769 00:38:19,786 --> 00:38:23,586 STOP BEING A DRAMA QUEEN BOY, AND GET UP. 770 00:38:23,590 --> 00:38:25,790 STOP ACTING LIKE A WOMAN. 771 00:38:25,792 --> 00:38:27,632 DO YOU HEAR ME? 772 00:38:27,628 --> 00:38:30,228 YOU'RE ACTING LIKE AN OLD SISSY AT A FUNERAL. 773 00:38:30,230 --> 00:38:31,600 YOU STOP IT! 774 00:38:34,067 --> 00:38:36,297 NO, THIS IS NOT YOU. 775 00:38:42,543 --> 00:38:45,213 WHY DO YOU KEEP LOOKING AT THAT BOTTLE? 776 00:38:45,211 --> 00:38:47,611 BECAUSE I WANT TO HIT YOU OVER THE HEAD WITH IT. 777 00:38:47,614 --> 00:38:49,124 JEFFERY, NO. 778 00:38:49,115 --> 00:38:53,045 [ LAUGHING ] 779 00:38:53,053 --> 00:38:54,993 OH, KATHERYN. 780 00:38:54,988 --> 00:38:57,058 HE'S NOT GONNA HIT ME. 781 00:38:57,057 --> 00:38:58,587 [ LAUGHS ] 782 00:38:58,592 --> 00:39:00,192 MNH‐MNH. 783 00:39:00,193 --> 00:39:02,503 HE'S NOT GONNA HIT ME. 784 00:39:10,310 --> 00:39:13,050 WHAT'S STOPPING YOU? 785 00:39:13,046 --> 00:39:15,616 THE FACT THAT YOU'RE MY MOTHER. 786 00:39:15,616 --> 00:39:19,986 THAT'S NOT WHAT IT IS. 787 00:39:19,986 --> 00:39:23,856 YOU DON'T HAVE THE HEART. 788 00:39:23,857 --> 00:39:29,297 YOU SEE, REAL MEN NEED A HEART TO GO TO BATTLE, 789 00:39:29,295 --> 00:39:32,665 AND YOU DON'T HAVE THE HEART. 790 00:39:35,135 --> 00:39:37,995 I'M A MAN. 791 00:39:38,004 --> 00:39:41,844 A MAN WHO'S SITTING HERE CRYING OVER ANOTHER MAN. 792 00:39:41,842 --> 00:39:43,712 HE WAS MY FRIEND. 793 00:39:43,710 --> 00:39:46,050 YES. 794 00:39:46,046 --> 00:39:48,676 HE WAS YOUR FRIEND. 795 00:39:48,682 --> 00:39:52,692 BUT WE ALL LOVED WYATT. 796 00:39:52,686 --> 00:39:55,086 LOOK AROUND YOU. 797 00:39:55,088 --> 00:39:57,188 LOOK, LOOK, LOOK! 798 00:39:57,190 --> 00:39:58,560 LOOK! 799 00:39:58,559 --> 00:40:00,759 LOOK AT ALL THESE WOMEN IN THIS ROOM. 800 00:40:00,761 --> 00:40:02,601 DO YOU SEE ANY OF THEM BEHAVING 801 00:40:02,603 --> 00:40:04,673 THE WAY YOU'RE BEHAVING RIGHT NOW? 802 00:40:04,671 --> 00:40:06,341 DO YOU SEE ANY OF THEM BEHAVING 803 00:40:06,339 --> 00:40:08,069 THE WAY YOU'RE BEHAVING RIGHT NOW? 804 00:40:08,074 --> 00:40:09,614 NONE OF THEM ‐‐ 805 00:40:09,610 --> 00:40:13,350 NOT THE POOR, DOWNTRODDEN MAID, 806 00:40:13,346 --> 00:40:16,676 NOT EVEN HIS MOTHER. 807 00:40:16,683 --> 00:40:19,423 NOW, WHAT DOES THAT TELL YOU? 808 00:40:22,923 --> 00:40:25,133 WHAT SHOULD IT TELL ME? 809 00:40:25,125 --> 00:40:29,395 IT SHOULD TELL YOU THAT YOU'RE OUT OF LINE. 810 00:40:33,734 --> 00:40:38,674 SO MY LOVE FOR HIM IS OUT OF LINE? 811 00:40:38,672 --> 00:40:42,682 YES. 812 00:40:42,676 --> 00:40:45,546 VERONICA, I'LL HAVE FREDERICK DRIVE YOU HOME. 813 00:40:45,546 --> 00:40:48,276 NO, KATHERYN, I WANT THIS BOY TO GET IT. 814 00:40:48,281 --> 00:40:50,081 HE'S GONNA GET IT TODAY. 815 00:40:50,083 --> 00:40:54,893 HE IS GOING TO GET IT TODAY. 816 00:40:54,888 --> 00:40:56,358 NOW, COME ON. 817 00:40:56,356 --> 00:40:59,486 COME ON, SON. 818 00:40:59,492 --> 00:41:02,342 I'M SO SORRY. I'M SORRY. 819 00:41:02,335 --> 00:41:03,565 I SHOULDN'T HAVE BROUGHT HIM. 820 00:41:03,570 --> 00:41:05,540 I SHOULDN'T HAVE BROUGHT HIM HERE AGAIN. 821 00:41:05,539 --> 00:41:07,569 HE HASN'T BEEN HIMSELF. 822 00:41:07,574 --> 00:41:10,544 CAN YOU IMAGINE HE WANTS TO HIT ME IN THE HEAD WITH A BOTTLE? 823 00:41:10,544 --> 00:41:12,184 NO, THAT'S ‐‐ 824 00:41:12,178 --> 00:41:14,448 THAT'S LIKE SOME KIND OF GHETTO BITCH IN A CLUB. 825 00:41:14,447 --> 00:41:16,717 THAT'S NOT MY SON. THAT'S NOT WHO YOU ARE. 826 00:41:16,717 --> 00:41:17,917 DIDN'T I TELL YOU TO GET UP? 827 00:41:17,918 --> 00:41:19,718 DIDN'T I TELL ‐‐ ‐STOP! 828 00:41:27,193 --> 00:41:29,503 NEXT ON "THE HAVES AND THE HAVE NOTS"... 829 00:41:29,495 --> 00:41:31,595 ‐I THINK I KILLED MY MOTHER. ‐DISPATCH. 830 00:41:31,598 --> 00:41:33,698 THEY ON THE WAY. 831 00:41:33,700 --> 00:41:35,000 YOU BITCH. 832 00:41:35,001 --> 00:41:36,871 YOU WANT ME TO PUSH IT IN A LITTLE FURTHER? 833 00:41:36,870 --> 00:41:38,870 WHO WOULD WANT TO HURT WYATT CRYER? 834 00:41:38,872 --> 00:41:39,942 YOU'RE KIDDING RIGHT? 835 00:41:39,940 --> 00:41:41,010 WHAT ARE YOU SAYING? 836 00:41:41,007 --> 00:41:42,207 TAKE A LOOK AT THIS. 837 00:41:42,208 --> 00:41:44,078 JEFFERY JUST TOLD ME HE STABBED HIS MOTHER. 838 00:41:44,077 --> 00:41:45,747 WHAT? Did he kill her? 839 00:41:45,746 --> 00:41:47,276 I SURE IN THE HELL HOPE SO. 840 00:41:47,280 --> 00:41:49,550 SHE IS PROSECUTING YOUR CASE PERSONALLY. 841 00:41:49,550 --> 00:41:51,750 YOU SHOULD NOT TALK TO HER IN THIS STATE OF MIND. 842 00:41:51,752 --> 00:41:52,952 I NEED TO. 843 00:41:52,953 --> 00:41:54,453 THIS IS ABOUT WYATT CRYER. 844 00:41:54,454 --> 00:41:56,064 WE NEED TO SEE KATHERYN CRYER. 845 00:41:56,056 --> 00:41:57,156 I NEED TO SEE HER RIGHT NOW. 56048

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