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1
00:00:02,570 --> 00:00:05,706
( girls shouting )
2
00:00:07,708 --> 00:00:11,112
( shouts growing louder )
3
00:00:11,179 --> 00:00:12,713
HE'S LOOKING!
4
00:00:12,780 --> 00:00:13,781
HE'S SMILING!
5
00:00:13,847 --> 00:00:15,149
HE SMILED AT ME!
6
00:00:15,216 --> 00:00:16,350
LANE, WE LOVE YOU!
7
00:00:16,417 --> 00:00:18,752
THE WHOLE WORLD LOVES YOU!
8
00:00:27,061 --> 00:00:28,929
HE SAW ME.
HE SMILED AT ME!
9
00:00:28,996 --> 00:00:29,797
DID YOU SEE THAT?
10
00:00:29,863 --> 00:00:30,731
HE NOTICED ME!
11
00:00:30,798 --> 00:00:32,666
LANE, YOU'RE THE BEST!
12
00:00:32,733 --> 00:00:34,702
YOU'RE THE ABSOLUTE BEST!
13
00:00:34,768 --> 00:00:36,137
WE LOVE YOU!
14
00:00:36,204 --> 00:00:37,771
I LOVE YOU!
15
00:00:39,107 --> 00:00:40,174
Man:
COME ON, HARRY.
16
00:00:40,241 --> 00:00:41,675
DON'T GIVE ME THAT, HUH.
17
00:00:41,742 --> 00:00:44,745
HOW MANY TIMES YOU SELL OUT
THE ARENA IN 24 HOURS?
18
00:00:44,812 --> 00:00:46,247
THAT'S BECAUSE
YOU NEVER PROMOTED
19
00:00:46,314 --> 00:00:47,848
A LANE KINCAID CONCERT BEFORE.
20
00:00:47,915 --> 00:00:49,250
HEY, BILL.
21
00:00:49,317 --> 00:00:50,951
THINK WE COULD PLAY
A LITTLE TENNIS?
22
00:00:51,018 --> 00:00:53,421
YOU KNOW BETTER
THAN THAT, LANE.
23
00:00:53,487 --> 00:00:55,556
YEAH. I'VE BEEN
ON THE ROAD SO LONG
24
00:00:55,623 --> 00:00:57,791
I PROBABLY FORGOT
HOW TO KEEP
SCORE ANYWAY.
25
00:00:59,260 --> 00:01:01,529
WE TALKED PERCENTAGES
FIVE WEEKS AGO.
26
00:01:01,595 --> 00:01:04,265
YOU DIDN'T THINK THE KID
WAS BIG ENOUGH THEN.
27
00:01:04,332 --> 00:01:06,066
THAT'S YOUR
OWN TOUGH LUCK.
28
00:01:07,301 --> 00:01:08,902
MISREPRESENTATION?
29
00:01:08,969 --> 00:01:11,705
HARRY, IS IT MY FAULT
YOU DON'T READ THE TRADES?
30
00:01:11,772 --> 00:01:13,974
WELL, YOU SHOULD HAVE
ASKED SOMEBODY
31
00:01:14,041 --> 00:01:16,076
WHO'S A LITTLE BIT
MORE WITH IT.
32
00:01:31,625 --> 00:01:34,462
( crowd of girls shouting )
33
00:01:45,005 --> 00:01:46,574
( car honks )
34
00:01:57,951 --> 00:01:59,920
OH, HERE, LET ME
HELP YOU WITH THAT.
35
00:01:59,987 --> 00:02:00,921
IT'S NO PROBLEM.
36
00:02:00,988 --> 00:02:02,756
I WAS GOING
IN THERE ANYWAY.
37
00:02:35,623 --> 00:02:37,090
HEY, EASY WITH THAT.
38
00:02:37,157 --> 00:02:39,827
HE'S NOT A PIECE OF FURNITURE,
YOU KNOW.
39
00:02:39,893 --> 00:02:42,563
THAT KID IN THERE IS WORTH
TWO MILLION BUCKS.
40
00:04:11,585 --> 00:04:13,621
( doorbell rings )
41
00:04:15,055 --> 00:04:16,156
WE EXPECTING SOMEBODY?
42
00:04:16,223 --> 00:04:19,026
ALRIGHT, HOLD IT!
43
00:04:19,092 --> 00:04:19,927
LANE, LOCK THE DOOR!
44
00:04:19,993 --> 00:04:20,994
SIT DOWN.
45
00:04:27,535 --> 00:04:28,869
WHAT ARE YOU DOING?
46
00:04:28,936 --> 00:04:31,038
TIME TO GO FOR
A LITTLE RIDE. COME ON.
47
00:04:31,104 --> 00:04:33,407
WHERE ARE YOU TAKING ME?
48
00:04:33,474 --> 00:04:35,409
TO YOUR JUST REWARD.
49
00:04:35,476 --> 00:04:37,445
Man:
LET'S GO.
50
00:04:46,119 --> 00:04:47,788
( thunderclap )
51
00:04:49,222 --> 00:04:51,459
* WONDER WOMAN *
52
00:04:53,394 --> 00:04:55,829
* WONDER WOMAN *
53
00:05:13,246 --> 00:05:14,181
( thunderclap )
54
00:05:14,247 --> 00:05:16,083
* WONDER WOMAN *
55
00:05:17,184 --> 00:05:19,653
* WONDER WOMAN *
56
00:05:37,304 --> 00:05:39,673
* WONDER WOMAN! *
57
00:06:05,866 --> 00:06:07,768
Man:
TELL YOU HOW GRATEFUL I AM?
58
00:06:07,835 --> 00:06:09,637
IT'S IMPOSSIBLE.
59
00:06:09,703 --> 00:06:11,839
WELL, THE I.A.D.C.
IS GRATEFUL, TOO,
MR. SPRINGFIELD.
60
00:06:11,905 --> 00:06:13,273
WITHOUT YOUR
COOPERATION
61
00:06:13,340 --> 00:06:14,508
WE COULD NEVER
HAVE STOPPED
62
00:06:14,575 --> 00:06:16,176
THAT ATTEMPTED
SABOTAGE. THANK YOU.
63
00:06:16,243 --> 00:06:19,913
WOULD THAT ALL DEALINGS BETWEEN
GOVERNMENT AND BIG BUSINESS
64
00:06:19,980 --> 00:06:21,181
HAVE SUCH HAPPY ENDINGS.
65
00:06:21,248 --> 00:06:22,916
DADDY, YOU HAVEN'T
DONE ANYTHING.
66
00:06:22,983 --> 00:06:24,618
YOU PROMISED ME
YOU WOULD.
67
00:06:24,685 --> 00:06:26,053
YOU COULD DROP YOUR NAME
68
00:06:26,119 --> 00:06:27,755
AND MAKE THE POLICE
DO SOMETHING.
69
00:06:27,821 --> 00:06:30,891
THIS IS MY DAUGHTER WHITNEY.
70
00:06:30,958 --> 00:06:32,626
WHITNEY, DIANA PRINCE.
71
00:06:32,693 --> 00:06:33,594
HI, WHITNEY.
HI.
72
00:06:33,661 --> 00:06:35,195
THE GOVERNMENT AGENT!
73
00:06:35,262 --> 00:06:36,630
I NEVER TOLD YOU THAT.
74
00:06:36,697 --> 00:06:38,065
I PICK THINGS UP.
75
00:06:38,131 --> 00:06:39,633
ASIDE FROM FORGETTING
HER MANNERS
76
00:06:39,700 --> 00:06:41,134
AND HAVING VERY BIG EARS
77
00:06:41,201 --> 00:06:44,572
WHITNEY IS QUITE CONVINCED
THAT SOME YOUNG SINGING STAR...
78
00:06:44,638 --> 00:06:46,073
LANE KINCAID.
79
00:06:46,139 --> 00:06:48,609
ONE OF HER LATEST
IN A SERIES
80
00:06:48,676 --> 00:06:50,310
OF DESPERATE
HEARTTHROBS.
81
00:06:50,377 --> 00:06:51,411
FOR SOME REASON
82
00:06:51,479 --> 00:06:53,346
SHE THINKS HE'S BEEN ABDUCTED.
83
00:06:53,413 --> 00:06:54,982
HE HAS. I SAW THEM DO IT.
84
00:06:55,048 --> 00:06:58,552
DADDY, THEY'RE GOING TO KILL
HIM, AND IT'LL BE YOUR FAULT.
85
00:06:58,619 --> 00:07:00,721
WHITNEY, MISS PRINCE
HAS A PLANE TO CATCH
86
00:07:00,788 --> 00:07:02,956
AND NEITHER SHE NOR I
NOR ANYONE ELSE
87
00:07:03,023 --> 00:07:04,291
HAS TIME
FOR YOUR NONSENSE.
88
00:07:04,357 --> 00:07:06,994
DADDY, IT'S NOT NONSENSE.
89
00:07:07,060 --> 00:07:11,765
I WISH I COULD STAY, WHITNEY,
BUT I DO HAVE TO PACK.
90
00:07:11,832 --> 00:07:13,400
SAY GOOD-BYE
TO MISS PRINCE.
91
00:07:13,467 --> 00:07:14,602
GOOD-BYE, WHITNEY.
92
00:07:14,668 --> 00:07:16,103
GOOD-BYE.
93
00:07:16,169 --> 00:07:17,638
I WANT TO TELL YOU AGAIN
94
00:07:17,705 --> 00:07:20,508
THAT I'M VERY GRATEFUL
FOR EVERYTHING YOU DID
95
00:07:20,574 --> 00:07:22,075
AND ANYTIME
96
00:07:22,142 --> 00:07:24,311
THAT THERE'S
ANYTHING THAT
WE CAN DO TO HELP...
97
00:07:24,377 --> 00:07:26,246
WELL, THANK YOU,
MR. SPRINGFIELD.
98
00:07:26,313 --> 00:07:27,515
( door closes )
99
00:07:36,624 --> 00:07:38,258
STOP PUSHING ME.
100
00:07:38,325 --> 00:07:39,459
WHO'S PUSHING YOU?
101
00:07:39,527 --> 00:07:42,195
I'M NOT EXACTLY
SLEEPWALKING.
102
00:07:42,262 --> 00:07:43,463
YEAH, YEAH, YEAH.
103
00:07:43,531 --> 00:07:47,535
( playing gentle melody )
104
00:07:59,346 --> 00:08:02,816
SO, THIS IS MR. LANE KINCAID
105
00:08:02,883 --> 00:08:09,089
WHOM MILLIONS OF YOUNG PERSONS
ADMIRE AND ADORE.
106
00:08:09,156 --> 00:08:11,158
WHAT A PLEASURE.
107
00:08:11,224 --> 00:08:14,728
I WISH I COULD SAY THE SAME,
BUT I CAN'T.
108
00:08:14,795 --> 00:08:16,830
WELL, THAT'S QUITE ALRIGHT.
109
00:08:16,897 --> 00:08:18,599
AFTER ALL,
YOU HAVE BEEN KIDNAPPED.
110
00:08:18,666 --> 00:08:20,367
YOUR LIFE IS IN MY HANDS.
111
00:08:20,433 --> 00:08:26,006
IN OTHER WORDS, YOU'D BETTER
KEEP ME ALIVE, WELL AND HAPPY.
112
00:08:26,073 --> 00:08:30,210
BECAUSE IF YOU DON'T,
YOU DON'T GET A CENT.
113
00:08:30,277 --> 00:08:32,680
CORRECT?
114
00:08:34,214 --> 00:08:41,188
AND, RIGHT NOW, I FEEL
LIKE HAVING A LARGE STEAK.
115
00:08:43,356 --> 00:08:44,992
MEDIUM RARE WILL BE FINE.
116
00:08:45,058 --> 00:08:49,196
SHALL WE ACCOMMODATE
THE YOUNG MAN, MR. MORLEY?
117
00:08:49,262 --> 00:08:50,731
YES, SIR.
118
00:08:55,636 --> 00:08:57,605
MR. KINCAID.
119
00:08:59,172 --> 00:09:09,583
DON'T YOU EVER SIT DOWN IN
MY PRESENCE WITHOUT BEING ASKED.
120
00:09:09,650 --> 00:09:10,984
SORRY.
121
00:09:11,051 --> 00:09:13,253
IT WAS AN ACCIDENT.
122
00:09:24,531 --> 00:09:25,465
HI, MISS PRINCE.
123
00:09:25,532 --> 00:09:26,900
HI.
124
00:09:26,967 --> 00:09:28,969
WHITNEY. WHITNEY SPRINGFIELD.
125
00:09:29,036 --> 00:09:30,203
WE JUST MET.
126
00:09:30,270 --> 00:09:31,404
YES, I KNOW.
127
00:09:31,471 --> 00:09:33,440
I FOUND OUT
FROM MY DAD'S SECRETARY
128
00:09:33,506 --> 00:09:34,374
WHERE YOU WERE STAYING.
129
00:09:34,441 --> 00:09:37,044
YOU WERE LOOKING FOR ME?
130
00:09:37,110 --> 00:09:38,111
YES, I WAS.
131
00:09:38,178 --> 00:09:40,047
MAY I CALL
YOU DIANA?
132
00:09:40,113 --> 00:09:41,214
SURE.
133
00:09:41,281 --> 00:09:43,516
THE BROWNFIELD TOWERS
ON RODEO DRIVE.
134
00:09:43,583 --> 00:09:45,352
NO, L.A.X.
135
00:09:45,418 --> 00:09:47,087
I HAVE TO GET
136
00:09:47,154 --> 00:09:48,889
TO THE AIRPORT, WHITNEY--
NOT BEVERLY HILLS.
137
00:09:48,956 --> 00:09:50,490
UH, YOU HEARD
WHAT I SAID, CABBY.
138
00:09:50,557 --> 00:09:52,492
REMEMBER WHAT I TOLD YOU BEFORE?
139
00:09:52,559 --> 00:09:54,995
RODEO DRIVE IT IS.
140
00:10:12,579 --> 00:10:14,514
I TOLD HIM I TIP
30%, WHICH I DO.
141
00:10:14,581 --> 00:10:16,116
WHITNEY...
142
00:10:16,183 --> 00:10:17,951
PLEASE, DIANA,
YOU'VE GOT
TO HELP ME.
143
00:10:18,018 --> 00:10:19,452
LANE'S
BEEN KIDNAPPED.
144
00:10:19,519 --> 00:10:20,654
HE REALLY HAS.
145
00:10:20,721 --> 00:10:22,389
NOW, THERE'S NO WAY
SOMEBODY THAT FAMOUS
146
00:10:22,455 --> 00:10:25,192
COULD BE KIDNAPPED WITHOUT
ANYBODY KNOWING ABOUT IT.
147
00:10:25,258 --> 00:10:27,360
I SNUCK UP THERE
TO GET HIS AUTOGRAPH
148
00:10:27,427 --> 00:10:29,096
AND I SAW A MAN
WITH A MASK AND A GUN
149
00:10:29,162 --> 00:10:30,363
MAKE LANE
LEAVE WITH HIM.
150
00:10:30,430 --> 00:10:31,699
IF HE WAS KIDNAPPED
151
00:10:31,765 --> 00:10:34,434
EVEN THE POLICE COULDN'T
KEEP IT QUIET, WHITNEY.
152
00:10:34,501 --> 00:10:36,870
MAYBE THEY DON'T
KNOW ABOUT IT.
153
00:10:36,937 --> 00:10:39,172
PLEASE, DIANA,
FIND OUT FOR SURE.
154
00:10:39,239 --> 00:10:42,042
YOU'RE A SPY--
YOU CAN FIND
OUT ANYTHING.
155
00:10:42,109 --> 00:10:44,377
PLEASE, I CAN PAY
FOR ANY TROUBLE
I CAUSE YOU.
156
00:10:44,444 --> 00:10:46,179
I GET A HECK
OF AN ALLOWANCE.
157
00:10:46,246 --> 00:10:49,282
I KNOW. YOU TIP 30%.
158
00:10:49,349 --> 00:10:50,317
HOW MUCH?
159
00:10:50,383 --> 00:10:53,520
You heard correctly, Mr. Ripley.
160
00:10:53,586 --> 00:10:55,689
$2 MILLION.
161
00:10:55,756 --> 00:10:57,424
I WON'T PAY IT.
162
00:10:57,490 --> 00:11:02,162
WITH A LANE KINCAID CONCERT
WORTH $1 MILLION COMING UP
163
00:11:02,229 --> 00:11:06,066
and five gold records
last year alone
164
00:11:06,133 --> 00:11:10,103
YOU'LL PAY, MR. RIPLEY.
YOU'LL PAY.
165
00:11:14,274 --> 00:11:16,443
( girls shouting )
166
00:11:28,455 --> 00:11:31,591
HE'S IN THE PENTHOUSE
ON THE TOP FLOOR.
167
00:11:31,658 --> 00:11:33,660
HE'S BLOND, GOOD-LOOKING,
KIND OF LONGISH HAIR
168
00:11:33,727 --> 00:11:35,028
GOOD-LOOKING...
169
00:11:35,095 --> 00:11:36,764
I KNOW WHAT HE LOOKS LIKE,
WHITNEY.
170
00:11:36,830 --> 00:11:38,331
MAKE THEM LET YOU SEE HIM.
171
00:11:38,398 --> 00:11:39,867
TELL THEM
YOU'RE WITH THE GOVERNMENT.
172
00:11:39,933 --> 00:11:41,001
NO, THAT MIGHT SCARE THEM.
173
00:11:41,068 --> 00:11:42,402
TELL THEM
YOU'RE A WRITER.
174
00:11:42,469 --> 00:11:44,571
WHY DON'T YOU LEAVE THAT
TO ME, OKAY?
175
00:11:44,637 --> 00:11:46,339
AND MEET ME BACK AT THE HOTEL?
176
00:11:46,406 --> 00:11:47,574
OKAY, RIGHT.
177
00:11:47,640 --> 00:11:48,809
DIANA?
178
00:11:48,876 --> 00:11:49,777
THANKS.
179
00:11:49,843 --> 00:11:51,544
YOU'RE WELCOME.
180
00:11:51,611 --> 00:11:53,113
BE CAREFUL.
181
00:12:04,291 --> 00:12:06,493
( all squealing and shouting )
182
00:12:41,528 --> 00:12:42,762
( thunderclap )
183
00:14:06,679 --> 00:14:08,548
$2 MILLION.
184
00:14:18,225 --> 00:14:19,726
YEAH, HELLO.
185
00:14:19,792 --> 00:14:22,930
LET ME TALK
TO THE BANK MANAGER, PLEASE.
186
00:14:22,996 --> 00:14:24,631
MR. OVERTON?
187
00:14:24,697 --> 00:14:26,399
YEAH. THIS IS ASH RIPLEY.
188
00:14:48,989 --> 00:14:55,162
Whitney:
I SAW A MAN WITH A MASK AND
A GUN MAKE LANE LEAVE WITH HIM.
189
00:14:57,830 --> 00:15:00,900
I JUST SAW HIM, WHITNEY.
190
00:15:00,968 --> 00:15:02,535
WHO?
191
00:15:02,602 --> 00:15:04,237
LANE. HE WAS IN HIS ROOM
192
00:15:04,304 --> 00:15:07,074
AS BIG AS LIFE,
AS PLAIN AS DAY.
193
00:15:07,140 --> 00:15:08,475
YOU COULDN'T HAVE.
194
00:15:08,541 --> 00:15:11,344
I SAW THEM TAKE HIM AWAY
AT GUNPOINT.
195
00:15:11,411 --> 00:15:13,180
DO YOU THINK I MADE IT UP?
196
00:15:13,246 --> 00:15:15,782
NO. I THINK YOU SAW SOMETHING.
197
00:15:15,848 --> 00:15:17,884
YOU PROBABLY JUST MISUNDERSTOOD.
198
00:15:17,951 --> 00:15:19,619
I DIDN'T MISUNDERSTAND.
199
00:15:19,686 --> 00:15:23,456
I KNOW WHAT A MASK IS FOR,
AND I KNOW WHAT A GUN IS FOR.
200
00:15:23,523 --> 00:15:24,324
I'M NOT A BABY.
201
00:15:24,391 --> 00:15:25,658
I DIDN'T MEAN THAT, WHITNEY.
202
00:15:25,725 --> 00:15:26,659
IF YOU DON'T
BELIEVE ME
203
00:15:26,726 --> 00:15:27,760
JUST SAY SO.
204
00:15:27,827 --> 00:15:29,629
I'M SORRY.
205
00:15:29,696 --> 00:15:30,998
NO, JUST FORGET IT.
206
00:15:31,064 --> 00:15:32,632
I'M SORRY.
207
00:15:32,699 --> 00:15:34,567
JUST FORGET ABOUT
THE WHOLE THING.
208
00:15:34,634 --> 00:15:36,903
LOOK, YOUR BAGS
ARE RIGHT THERE
209
00:15:36,970 --> 00:15:38,305
THE ROOM
IS PAID FOR.
210
00:15:38,371 --> 00:15:40,207
JUST GO BACK
TO WASHINGTON.
211
00:15:44,844 --> 00:15:46,679
YOU KNOW, ON THE NEWS, THEY SAID
212
00:15:46,746 --> 00:15:50,417
THAT LANE HAD BEEN REHEARSING
ALL DAY FOR HIS CONCERT.
213
00:15:50,483 --> 00:15:53,120
WHY DO YOU
THINK THEY'D
LIE LIKE THAT?
214
00:15:54,454 --> 00:15:56,656
AND WHY WOULD LANE
BE IN HIS ROOM
215
00:15:56,723 --> 00:15:59,492
WHEN LOGICALLY HE
WOULD BE REHEARSING?
216
00:16:02,629 --> 00:16:05,665
OKAY. IT SOUNDS
SUSPICIOUS ENOUGH TO ME
217
00:16:05,732 --> 00:16:09,369
TO DO JUST A LITTLE
BIT MORE CHECKING. OKAY?
218
00:16:09,436 --> 00:16:10,970
OKAY.
219
00:16:12,239 --> 00:16:14,707
( gulls cawing )
220
00:16:20,813 --> 00:16:22,915
YOU KNOW, YOU GUYS
COULD HAVE AT LEAST
221
00:16:22,982 --> 00:16:25,518
LET ME AND MY BROTHER
HAVE SOME TIME TO TALK.
222
00:16:25,585 --> 00:16:27,420
IT'S BEEN TEN YEARS,
YOU KNOW.
223
00:16:27,487 --> 00:16:29,789
BUT, THEN, I GUESS
THAT DOESN'T MATTER
224
00:16:29,856 --> 00:16:30,723
TO YOU CREEPS, RIGHT?
225
00:16:30,790 --> 00:16:32,592
KING ME.
226
00:16:33,926 --> 00:16:36,329
IT WASN'T
MR. CRICHTON'S INTENTION
227
00:16:36,396 --> 00:16:38,531
TO ARRANGE
A FAMILY REUNION.
228
00:16:38,598 --> 00:16:41,201
HE DUG UP YOUR BROTHER SO HE
COULD SWITCH PLACES WITH YOU.
229
00:16:41,268 --> 00:16:42,369
NOW NOBODY KNOWS.
230
00:16:42,435 --> 00:16:44,404
NOBODY BUT YOUR
MANAGER KNOWS THE REAL
231
00:16:44,471 --> 00:16:46,539
LANE KINCAID'S BEEN KIDNAPPED.
YOU GOT THAT?
232
00:16:46,606 --> 00:16:49,876
YEAH. IT'S VERY SMART.
VERY SMART.
233
00:16:49,942 --> 00:16:51,044
I GUESS YOUR MR. CROCKTON
234
00:16:51,111 --> 00:16:52,912
MUST THINK
HE'S HOT STUFF.
235
00:16:52,979 --> 00:16:54,481
THAT'S CRICHTON.
236
00:16:54,547 --> 00:16:57,984
( almost whispering ):
CRICHTON. CRICH.
237
00:16:58,051 --> 00:16:59,686
AH.
YOU'RE DARN RIGHT
HE'S HOT STUFF.
238
00:16:59,752 --> 00:17:01,488
IF I TOLD YOU
THE PEOPLE IN HIGH PLACES
239
00:17:01,554 --> 00:17:03,022
AND I MEAN REALLY HIGH PLACES
240
00:17:03,090 --> 00:17:04,924
HE'S KIDNAPPED WITHOUT
ANYBODY CATCHING ON
241
00:17:04,991 --> 00:17:06,626
IT'D BLOW
YOUR SOCKS OFF.
242
00:17:06,693 --> 00:17:08,995
OF COURSE, NOT ALL OF THEM
WERE OBLIGING ENOUGH
243
00:17:09,062 --> 00:17:12,465
TO HAVE A BONA FIDE TWIN
WAITING IN THE WINGS LIKE YOU.
244
00:17:14,534 --> 00:17:16,002
YEAH, WELL, MORLEY,
YOU KNOW WHAT?
245
00:17:16,069 --> 00:17:17,404
WHAT?
246
00:17:17,470 --> 00:17:19,839
RIGHT NOW, I'D LOVE
TO HAVE A B.L.T.
247
00:17:19,906 --> 00:17:22,809
ON WHITE, EXTRA MAYO
248
00:17:22,875 --> 00:17:25,645
LETTUCE, CORN CHIPS...
249
00:17:29,549 --> 00:17:31,984
UM... AND
A ROOT BEER--
250
00:17:32,051 --> 00:17:34,421
SEEING THE GAME'S
OVER ANYWAY.
251
00:17:36,556 --> 00:17:38,725
OKAY, YOU GOT IT.
252
00:17:40,960 --> 00:17:43,062
( mutters under his breath )
253
00:17:53,640 --> 00:17:55,808
DIDN'T I TELL YOU
TO KEEP THE CURTAINS CLOSED?
254
00:17:55,875 --> 00:17:57,244
I'M SORRY.
255
00:17:57,310 --> 00:17:59,779
NOW, YOU, YOU'VE
GOT AN INTERVIEW
IN A HALF HOUR.
256
00:17:59,846 --> 00:18:00,913
YOU'RE KIDDING.
257
00:18:00,980 --> 00:18:02,382
NO, SOME CREEP
FROM THE TRIBUNE
258
00:18:02,449 --> 00:18:03,783
DIDN'T BUY OUR
REHEARSAL STORY.
259
00:18:03,850 --> 00:18:05,084
LISTEN.
260
00:18:05,152 --> 00:18:06,586
NOT ONE WORD ABOUT
WHAT'S HAPPENED.
261
00:18:06,653 --> 00:18:07,854
THE SAME GUYS
WHO BROUGHT YOU IN
262
00:18:07,920 --> 00:18:08,955
IN THAT FURNITURE BOX
263
00:18:09,021 --> 00:18:10,657
THEY COULD JUST
AS EASILY
264
00:18:10,723 --> 00:18:12,125
TAKE YOU OUT IN
A COFFIN. UNDERSTAND?
265
00:18:12,192 --> 00:18:13,893
BUT THEY PROMISED ME
IF I DID AS THEY SAID
266
00:18:13,960 --> 00:18:15,562
THEY WOULDN'T HURT ME
OR MELVIN.
267
00:18:15,628 --> 00:18:17,664
LOOK, AS LONG
AS I'M STUCK WITH YOU
268
00:18:17,730 --> 00:18:19,166
YOU'D BETTER
START ACTING
LIKE LANE KINCAID.
269
00:18:19,232 --> 00:18:20,300
YOU'D BETTER...
270
00:18:20,367 --> 00:18:21,768
MELVIN? WHO'S MELVIN?
271
00:18:21,834 --> 00:18:22,969
LANE, SIR.
272
00:18:23,035 --> 00:18:24,637
HIS REAL NAME'S MELVIN;
MINE'S MICHAEL.
273
00:18:24,704 --> 00:18:26,673
I DON'T CARE IF YOUR
NAMES ARE PUNCH AND JUDY
274
00:18:26,739 --> 00:18:27,974
AND YOU WERE
SEPARATED AT AGE NINE
275
00:18:28,040 --> 00:18:29,342
WHEN THE ALASKAN
PIPELINE BLEW
276
00:18:29,409 --> 00:18:30,810
AND WASHED AWAY
YOUR IGLOO!
277
00:18:30,877 --> 00:18:31,944
AT THE AGE OF FIVE, SIR.
278
00:18:32,011 --> 00:18:33,313
WHEN OUR FOSTER PARENTS...
279
00:18:33,380 --> 00:18:34,514
I DON'T CARE.
280
00:18:34,581 --> 00:18:36,849
FROM NOW ON,
YOU'RE LANE KINCAID.
281
00:18:36,916 --> 00:18:38,485
DON'T FORGET THAT.
282
00:18:38,551 --> 00:18:40,653
YES, SIR.
283
00:18:40,720 --> 00:18:42,189
GOOD.
284
00:18:44,691 --> 00:18:47,260
( intercom buzzes )
285
00:18:52,098 --> 00:18:53,065
TREVOR.
286
00:18:53,132 --> 00:18:54,567
DIANA:
Steve?
287
00:18:54,634 --> 00:18:56,102
OH, DIANA.
YOU AT THE AIRPORT?
288
00:18:56,169 --> 00:18:58,838
UH, NO, STEVE,
I'M STILL IN LOS ANGELES.
289
00:18:58,905 --> 00:19:00,973
I THOUGHT THAT SPRINGFIELD THING
WAS WRAPPED UP.
290
00:19:01,040 --> 00:19:02,542
Well, it is.
291
00:19:02,609 --> 00:19:04,677
LISTEN, UM, I'LL TELL
YOU ABOUT IT LATER.
292
00:19:04,744 --> 00:19:06,246
RIGHT NOW, I NEED
SOME INFORMATION.
293
00:19:06,313 --> 00:19:07,814
INFORMATION, HUH?
294
00:19:07,880 --> 00:19:09,282
WHAT KIND-- HUMAN TYPE,
OR COMPUTER TYPE?
295
00:19:09,349 --> 00:19:11,851
WELL, I THINK A LITTLE OF BOTH.
296
00:19:11,918 --> 00:19:13,653
OH. WELL IN THAT CASE, HANG ON.
297
00:19:13,720 --> 00:19:15,255
I GOT A SURPRISE FOR YOU.
298
00:19:15,322 --> 00:19:16,623
Surprise?
299
00:19:19,058 --> 00:19:21,461
( beeping )
300
00:19:21,528 --> 00:19:23,830
( whirring )
301
00:19:27,367 --> 00:19:28,835
STEVE?
302
00:19:28,901 --> 00:19:30,903
AUTOMATED VOICE:
Try again.
303
00:19:30,970 --> 00:19:32,772
IRA?
304
00:19:32,839 --> 00:19:33,640
Affirmative.
305
00:19:33,706 --> 00:19:35,041
THE PATCH CABLE BETWEEN IRA
306
00:19:35,107 --> 00:19:36,042
AND THE PHONE COMPANY
307
00:19:36,108 --> 00:19:38,010
was completed yesterday.
308
00:19:38,077 --> 00:19:40,280
IRA:
You are the first to benefit
from its installation.
309
00:19:40,347 --> 00:19:41,481
WELL, IMAGINE MY DELIGHT.
310
00:19:41,548 --> 00:19:43,115
WHAT CAN WE DO FOR YOU, KIDDO?
311
00:19:43,182 --> 00:19:44,684
OKAY, FELLAS.
312
00:19:44,751 --> 00:19:46,653
THE SUBJECT IS KIDNAPPING
313
00:19:46,719 --> 00:19:49,389
ONLY THE VICTIM ISN'T MISSING:
314
00:19:49,456 --> 00:19:51,190
ONE LANE KINCAID.
315
00:19:51,258 --> 00:19:53,092
HE SEEMS TO HAVE BEEN REPLACED
316
00:19:53,159 --> 00:19:54,761
by someone else.
317
00:19:54,827 --> 00:19:55,628
Any ideas?
318
00:19:55,695 --> 00:19:57,530
( whirring )
319
00:19:59,666 --> 00:20:01,768
( beeping )
320
00:20:01,834 --> 00:20:04,003
The name Raleigh Crichton
is associated
321
00:20:04,070 --> 00:20:05,772
with a dozen rumored kidnappings
322
00:20:05,838 --> 00:20:08,341
in which the victim
was replaced by a double.
323
00:20:08,408 --> 00:20:11,110
TREVOR:
Oh, yeah. He and I have
crossed paths before.
324
00:20:11,177 --> 00:20:12,945
Crichton supposedly arranges it
325
00:20:13,012 --> 00:20:15,181
so that only those closest
to the victim know
326
00:20:15,248 --> 00:20:16,949
there's even been a kidnapping.
327
00:20:17,016 --> 00:20:19,852
THAT WAY, IT MAKES IT EASIER
FOR THEM TO PAY THE RANSOM
328
00:20:19,919 --> 00:20:22,088
WITHOUT CONTACTING
THE POLICE OR THE F.B.I.
329
00:20:22,154 --> 00:20:24,624
Rumor has it
he's been very successful.
330
00:20:24,691 --> 00:20:27,860
WELL, HE CERTAINLY FOUND
A PERFECT DOUBLE FOR LANE.
331
00:20:27,927 --> 00:20:30,463
Because the Lane Kincaid concert
is tomorrow night
332
00:20:30,530 --> 00:20:32,699
it is logical
that the ransom will be paid
333
00:20:32,765 --> 00:20:34,867
and the victim will be returned
before then.
334
00:20:34,934 --> 00:20:37,870
HIS MANAGER WILL
PROBABLY MAKE THE DROP.
335
00:20:37,937 --> 00:20:39,472
I'LL KEEP AN EYE ON HIM.
336
00:20:39,539 --> 00:20:40,607
THANK YOU, FELLAS.
337
00:20:40,673 --> 00:20:42,609
Keep in touch, Diana Prince.
338
00:20:42,675 --> 00:20:46,879
NOW THAT I'VE GOT YOUR NUMBER,
IRA, YOU BET.
339
00:20:46,946 --> 00:20:48,348
BYE.
340
00:21:02,629 --> 00:21:04,764
( starts car )
341
00:21:10,570 --> 00:21:13,306
( another car starts up )
342
00:22:03,155 --> 00:22:04,824
MR. RIPLEY.
343
00:22:04,891 --> 00:22:08,194
UH, I KNOW THAT LANE
HAS BEEN KIDNAPPED.
344
00:22:08,260 --> 00:22:09,462
I'M HERE TO HELP.
345
00:22:09,529 --> 00:22:11,130
MIND YOUR OWN BUSINESS, LADY.
346
00:22:11,197 --> 00:22:12,465
THAT'S HOW YOU CAN HELP.
347
00:22:12,532 --> 00:22:13,566
WHO ARE YOU?
348
00:22:13,633 --> 00:22:15,134
THAT DOESN'T REALLY MATTER.
349
00:22:15,201 --> 00:22:16,969
YOU CAN'T LET THEM
GET AWAY WITH THIS.
350
00:22:17,036 --> 00:22:20,172
YEAH, WHAT I CAN'T DO IS BLOW
A CONCERT WORTH A MILLION BUCKS
351
00:22:20,239 --> 00:22:21,974
AND YOU'RE NOT GOING TO MAKE ME.
352
00:22:22,041 --> 00:22:23,109
YOU SEE THIS?
353
00:22:23,175 --> 00:22:25,845
NOW, FROM NOW ON
IT'S GOING TO BE
IN MY POCKET
354
00:22:25,912 --> 00:22:28,180
BUT IT'S GOING TO BE AIMED
RIGHT AT YOU.
355
00:22:28,247 --> 00:22:31,918
NOW YOU, UH, JUST MOVE AHEAD
TOWARDS THAT SHACK, OKAY?
356
00:22:31,984 --> 00:22:32,852
SLOWLY.
357
00:22:32,919 --> 00:22:34,421
MOVE IT.
358
00:22:36,122 --> 00:22:37,924
MOVE IT!
359
00:22:45,665 --> 00:22:47,767
GO AHEAD. ALRIGHT,
NOW STOP HERE.
360
00:22:47,834 --> 00:22:49,268
SOMETHING DOESN'T
SMELL RIGHT.
361
00:22:49,335 --> 00:22:50,302
( sighs )
362
00:22:50,369 --> 00:22:51,938
GET IN, NICE AND EASY.
363
00:22:53,806 --> 00:22:55,074
I'M TRYING TO TELL YOU...
364
00:22:55,141 --> 00:22:56,275
COME ON, GET IN THERE.
365
00:22:56,342 --> 00:22:57,977
( groans )
QUIET.
366
00:23:02,649 --> 00:23:04,584
Diana:
YOU'RE MAKING A MISTAKE.
367
00:23:04,651 --> 00:23:05,918
KEEP QUIET!
368
00:23:07,319 --> 00:23:09,355
HE GOT RID OF THE GIRL...
369
00:23:09,422 --> 00:23:11,057
BUT I DON'T LIKE IT.
370
00:23:11,123 --> 00:23:13,125
MAN:
Then neither will Crichton.
Abort.
371
00:23:16,128 --> 00:23:17,997
( thunderclap )
372
00:23:22,669 --> 00:23:24,971
BLOND MAN:
Forget it, Mr. Ripley.
The deal's off.
373
00:23:25,037 --> 00:23:25,972
NO!
374
00:23:26,038 --> 00:23:28,040
NO, NO.
WAIT A MINUTE!
375
00:23:28,107 --> 00:23:31,611
I FOLLOWED ALL THE INSTRUCTIONS
TO THE LETTER, IT'S OKAY!
376
00:23:57,403 --> 00:23:59,071
( tires squeal )
377
00:23:59,138 --> 00:24:00,439
GET IN!
378
00:24:00,507 --> 00:24:02,809
( tires squealing )
379
00:24:04,010 --> 00:24:05,244
ARE YOU OKAY?
380
00:24:05,311 --> 00:24:07,313
YEAH, YEAH.
381
00:24:07,379 --> 00:24:08,681
WHEW!
382
00:24:16,422 --> 00:24:17,624
FLOOR IT.
383
00:24:23,563 --> 00:24:25,532
HELP!
HELP!
384
00:24:25,598 --> 00:24:26,933
OVER HERE!
OVER HERE!
385
00:24:26,999 --> 00:24:29,101
THEY'RE TRYING
TO KILL ME!
386
00:24:30,803 --> 00:24:33,640
( tires squealing )
387
00:24:41,648 --> 00:24:42,849
SORRY, WONDER WOMAN.
388
00:24:42,915 --> 00:24:44,116
YOU WERE INTERFERING
IN MY BUSINESS.
389
00:24:44,183 --> 00:24:46,252
NOW, LOOK,
UH... YOU KNOW
390
00:24:46,318 --> 00:24:47,787
THIS IS NO
CONCERN OF YOURS
OR ANYBODY ELSE'S.
391
00:24:47,854 --> 00:24:49,321
DON'T BOTHER
WITH THAT, HUH?
392
00:24:49,388 --> 00:24:50,957
I MEAN, BECAUSE
393
00:24:51,023 --> 00:24:52,859
I'M GOING TO TELL
YOU THE TRUTH.
394
00:24:52,925 --> 00:24:54,594
BECAUSE THOSE PHONE CALLS
FROM THE KIDNAPPERS
395
00:24:54,661 --> 00:24:56,028
THEY WERE EITHER LONG DISTANCE
OR SHIP-TO-SHORE
396
00:24:56,095 --> 00:24:57,664
YOU KNOW, AND I
DON'T EVEN KNOW
397
00:24:57,730 --> 00:24:58,798
WHO THEY WERE.
398
00:24:58,865 --> 00:25:00,166
AND WHEN YOU TAKE THAT OFF
399
00:25:00,232 --> 00:25:01,233
I'M JUST GOING TO DENY
400
00:25:01,300 --> 00:25:02,368
THERE WAS A KIDNAPPING.
401
00:25:02,434 --> 00:25:05,137
SO THERE'S
NO POINT, RIGHT?
402
00:25:05,204 --> 00:25:08,107
Crichton:
AFTER ALL WE'VE DONE
403
00:25:08,174 --> 00:25:12,178
TO MAKE IT EASY FOR HIM
TO PAY THE RANSOM
404
00:25:12,244 --> 00:25:15,181
THAT FOOL INVOLVED
WONDER WOMAN.
405
00:25:15,247 --> 00:25:17,049
WELL, BOSS,
WE DON'T KNOW FOR SURE.
406
00:25:17,116 --> 00:25:19,586
I MEAN, RIPLEY
WAS JUST AS SURPRISED
407
00:25:19,652 --> 00:25:20,987
AS WE WERE
WHEN SHE SHOWED.
408
00:25:21,053 --> 00:25:23,856
WELL, I SUPPOSE
IT'S ONLY FAIR
409
00:25:23,923 --> 00:25:26,893
TO HEAR BOTH SIDES OF THE STORY
410
00:25:26,959 --> 00:25:29,095
BEFORE TAKING FINAL ACTION.
411
00:25:31,698 --> 00:25:35,101
LOOK, I HAD NOTHING TO DO WITH
WONDER WOMAN'S BEING THERE.
412
00:25:35,167 --> 00:25:37,704
THERE'S BEEN NO DOUBLE CROSS,
BELIEVE ME.
413
00:25:37,770 --> 00:25:39,238
NOW, AS FAR AS SHE
414
00:25:39,305 --> 00:25:41,140
the police,
or anybody else is concerned
415
00:25:41,207 --> 00:25:42,575
there hasn't even
been a kidnapping.
416
00:25:43,943 --> 00:25:46,212
ALRIGHT, LOOK, UH...
417
00:25:46,278 --> 00:25:48,948
LET'S ARRANGE ANOTHER DROP,
ALRIGHT?
418
00:25:49,015 --> 00:25:52,218
UM... I'LL BRING THE $2 MILLION,
ANYTIME, ANYPLACE.
419
00:25:52,284 --> 00:25:54,220
JUST, UH...
LET'S MAKE IT SOON, HUH?
420
00:25:54,286 --> 00:25:56,455
So Lane can be fresh
for the concert.
421
00:25:56,522 --> 00:25:58,858
LANE IS NOT GOING
TO BE IN THE CONCERT.
422
00:25:58,925 --> 00:26:00,660
IT LOOKS LIKE MICHAEL IS.
423
00:26:00,727 --> 00:26:02,061
WHAT?
424
00:26:02,128 --> 00:26:04,230
It's about time
you learned a lesson
425
00:26:04,296 --> 00:26:06,332
about carelessness, Mr. Ripley.
426
00:26:06,398 --> 00:26:08,434
I'LL BE IN TOUCH...
427
00:26:08,500 --> 00:26:10,637
AFTER TOMORROW NIGHT.
428
00:26:10,703 --> 00:26:12,839
NO, WAIT, WAIT. UH...
429
00:26:14,173 --> 00:26:16,308
WITHOUT LANE,
I'M GOING TO BE RUINED.
430
00:26:16,375 --> 00:26:19,278
You're going to end up
with nothing.
431
00:26:24,150 --> 00:26:25,785
BUT IF YOU KNOW
HE'S BEEN KIDNAPPED
432
00:26:25,852 --> 00:26:27,486
AND REPLACED
BY HIS TWIN...
433
00:26:27,553 --> 00:26:29,321
SEE, HIS MANAGER
REFUSES TO REPORT IT.
434
00:26:29,388 --> 00:26:31,791
NOW, IF WE GO AND MAKE
A BIG FUSS ABOUT IT
435
00:26:31,858 --> 00:26:33,525
WELL, WE MIGHT BE
PUTTING LANE IN
EVEN MORE DANGER.
436
00:26:33,592 --> 00:26:34,761
HE'S IN DANGER,
ALRIGHT.
437
00:26:34,827 --> 00:26:36,428
I THOUGHT
THE MEN WHO TOOK HIM
438
00:26:36,495 --> 00:26:37,463
WERE GOING TO KILL HIM.
439
00:26:37,529 --> 00:26:38,597
WHY DO YOU SAY THAT?
440
00:26:38,665 --> 00:26:40,099
SOMETHING THE GUY
IN THE MASK SAID.
441
00:26:40,166 --> 00:26:43,169
HOW COME THEY
HAVEN'T CANCELED
TONIGHT'S CONCERT?
442
00:26:43,235 --> 00:26:45,304
THAT IS A VERY
GOOD QUESTION.
443
00:26:45,371 --> 00:26:47,473
I DON'T SUPPOSE
YOU HAVE AN EXTRA TICKET?
444
00:26:47,539 --> 00:26:50,242
YEAH, I DO. MY HOUSEKEEPER
WAS GOING TO TAKE ME
445
00:26:50,309 --> 00:26:51,610
BUT WILL YOU GO WITH ME?
446
00:26:53,145 --> 00:26:54,146
I'D LOVE TO.
447
00:26:54,213 --> 00:26:55,181
GREAT.
448
00:26:55,247 --> 00:26:58,150
NOW MAYBE WE'LL
FIND OUT WHAT'S GOING ON.
449
00:26:59,418 --> 00:27:01,087
I GOT TO DO SOMETHING.
450
00:27:02,388 --> 00:27:04,356
( snaps fingers )
I GOT IT: LIP-SYNCH.
451
00:27:04,423 --> 00:27:05,892
HE CAN LIP-SYNCH
THE SONGS.
452
00:27:05,958 --> 00:27:07,293
YOU KNOW
WHAT LIP-SYNCH IS?
453
00:27:07,359 --> 00:27:08,527
GOOD.
YES, SIR.
454
00:27:08,594 --> 00:27:10,062
GREAT.
455
00:27:10,129 --> 00:27:11,898
ALRIGHT.
NOW, YOU JUST FAKE IT, RIGHT?
456
00:27:11,964 --> 00:27:13,766
YOU MOVE YOUR LIPS
TO THE RECORDS.
457
00:27:13,833 --> 00:27:15,534
YOU KNOW ALL
LANE'S SONGS,
DON'T YOU?
458
00:27:15,601 --> 00:27:17,536
EVERY RED-BLOODED
AMERICAN KID DOES.
459
00:27:17,603 --> 00:27:19,438
NO, SIR. MY FOSTER PARENTS
NEVER LET ME LISTEN TO RADIO.
460
00:27:19,505 --> 00:27:20,606
YOUR FOSTER PARENTS?
461
00:27:20,673 --> 00:27:22,308
YOUR LOVING FOSTER PARENTS
462
00:27:22,374 --> 00:27:24,476
HAVEN'T EVEN REPORTED YOU
MISSING YET!
463
00:27:24,543 --> 00:27:25,778
HEY, HEY, COOL IT.
464
00:27:25,845 --> 00:27:27,346
NOW, I AM THE
ONLY PERSON HERE
465
00:27:27,413 --> 00:27:28,948
WHO CARES ABOUT YOU.
466
00:27:29,015 --> 00:27:31,250
I AM THE ONLY ONE
WHO CAN HELP YOU NOW.
467
00:27:31,317 --> 00:27:32,651
THE ONLY ONE!
468
00:27:32,719 --> 00:27:34,653
I WANT YOU
TO GET ON THAT STAGE TONIGHT
469
00:27:34,721 --> 00:27:36,055
AND I WANT YOU
TO PERFORM
470
00:27:36,122 --> 00:27:38,124
AND I WANT YOU
TO BE LANE KINCAID!
471
00:27:45,664 --> 00:27:47,700
( sighs )
472
00:27:47,767 --> 00:27:49,568
( softly ):
HEY...
473
00:27:49,635 --> 00:27:50,669
COME ON.
474
00:27:50,737 --> 00:27:52,538
I'M SORRY.
475
00:27:52,604 --> 00:27:54,106
COME HERE.
476
00:27:57,443 --> 00:28:00,579
LISTEN, CAN'T
YOU DO SOMETHING?
477
00:28:00,646 --> 00:28:02,348
I CAN PLAY A LITTLE GUITAR.
478
00:28:02,414 --> 00:28:03,482
A LITTLE BIT OF SINGING.
479
00:28:03,549 --> 00:28:05,451
YEAH? GET A GUITAR.
480
00:28:05,517 --> 00:28:06,318
TERRIFIC.
481
00:28:06,385 --> 00:28:07,854
ALRIGHT, LOOK.
482
00:28:07,920 --> 00:28:10,089
I'M GOING TO, UH,
GET YOU SOME RECORDS.
483
00:28:10,156 --> 00:28:11,523
YOU'RE GOING TO
MEMORIZE THE SONGS
THAT I TELL YOU
484
00:28:11,590 --> 00:28:13,325
AND YOU'RE GOING
TO PRACTICE
485
00:28:13,392 --> 00:28:14,626
YOUR LITTLE HEART OUT
ON THE GUITAR, RIGHT?
486
00:28:14,693 --> 00:28:15,995
YES, SIR.
487
00:28:16,062 --> 00:28:17,229
( whispers ):
GREAT.
488
00:29:17,389 --> 00:29:19,358
ALRIGHT, NOW,
YOU FEEL ALRIGHT, HUH?
489
00:29:19,425 --> 00:29:21,427
NOW, DON'T BE NERVOUS
WHEN YOU GET OUT THERE.
490
00:29:21,493 --> 00:29:23,595
JUST REMEMBER,
EVERYTHING LIP-SYNCH, OKAY?
491
00:29:23,662 --> 00:29:26,265
ALRIGHT. ALRIGHT.
WAIT A SECOND. HOLD ON.
492
00:29:26,332 --> 00:29:27,967
ALRIGHT.
ALRIGHT, YOU LOOK GREAT.
493
00:29:28,034 --> 00:29:29,468
GO AHEAD. GO AHEAD. GO ON.
494
00:29:31,637 --> 00:29:32,939
I THINK I'M
GOING TO BE SICK.
495
00:29:33,005 --> 00:29:36,075
( crowd cheering )
496
00:29:36,142 --> 00:29:39,311
( pop tune starts playing )
497
00:29:42,648 --> 00:29:43,850
HE LOOKS
JUST LIKE HIM.
498
00:29:43,916 --> 00:29:45,351
DO YOU SUPPOSE
WE'RE WRONG?
499
00:29:45,417 --> 00:29:48,287
DO YOU SUPPOSE
THAT'S LANE AFTER ALL?
500
00:29:48,354 --> 00:29:50,923
WE'LL KNOW AS SOON
AS HE STARTS TO SING.
501
00:29:50,990 --> 00:29:52,791
( winding up intro )
502
00:29:52,859 --> 00:29:56,662
* YOU'VE GOT ME ROLLING
LIKE A WHEEL ON THE ROAD *
503
00:29:56,728 --> 00:29:58,364
* TURNING 'ROUND AND 'ROUND *
504
00:29:58,430 --> 00:30:00,299
* NOWHERE TO GO *
505
00:30:00,366 --> 00:30:03,702
* I GOT TO FIND OUT
IF YOU'RE FEELING IT, TOO *
506
00:30:03,769 --> 00:30:05,437
* IT'S HARD TO TELL *
507
00:30:05,504 --> 00:30:09,308
* SO HERE'S WHAT I DO... *
508
00:30:09,375 --> 00:30:10,776
HE'S FAKING IT.
509
00:30:10,843 --> 00:30:12,178
I GUESS WE KNOW NOW
510
00:30:12,244 --> 00:30:14,346
WHY THEY DIDN'T
CANCEL THE CONCERT.
511
00:30:14,413 --> 00:30:16,648
THESE KIDS DON'T BLOW
A MONTH'S ALLOWANCE
512
00:30:16,715 --> 00:30:18,250
JUST TO SEE SOMEONE
MOVE HIS LIPS--
513
00:30:18,317 --> 00:30:20,319
EVEN IF HE DOES
LOOK JUST LIKE LANE.
514
00:30:20,386 --> 00:30:22,354
* ...GO DANCING *
515
00:30:22,421 --> 00:30:24,790
* ALL, ALL, ALL,
ALL NIGHT LONG... *
516
00:30:24,857 --> 00:30:27,293
( crowd starts jeering )
517
00:30:27,359 --> 00:30:29,428
* ...GO DANCING *
518
00:30:29,495 --> 00:30:32,899
* ALL, ALL, ALL,
ALL NIGHT LONG... *
519
00:30:32,965 --> 00:30:35,467
( music continues )
520
00:30:35,534 --> 00:30:36,668
YOU PULLING OUT?
521
00:30:36,735 --> 00:30:38,104
YOU BETTER BELIEVE IT.
522
00:30:38,170 --> 00:30:40,106
ME AND THE ADVANCE MONEY
ARE MOVING TO HIGHER GROUND.
523
00:30:40,172 --> 00:30:41,807
HEY, GIVE
HIM A CHANCE.
HEAR HIM OUT.
524
00:30:41,874 --> 00:30:43,910
LISTEN, THE ONLY VOICE
I WANT TO HEAR RIGHT NOW
525
00:30:43,976 --> 00:30:45,878
IS AN AIRLINE PILOT
WELCOMING ME TO CHICAGO.
526
00:30:45,945 --> 00:30:47,646
I'LL WIRE YOU
THE MONEY THAT I OWE YOU
527
00:30:47,713 --> 00:30:48,680
WHEN I GET THERE.
528
00:30:48,747 --> 00:30:50,282
LISTEN, YOU OUGHT TO
529
00:30:50,349 --> 00:30:51,317
AT LEAST HEAR HIM
LONG ENOUGH.
530
00:30:51,383 --> 00:30:52,751
DON'T USE UP
ALL YOUR STRENGTH.
531
00:30:52,818 --> 00:30:54,686
YOU'RE GOING TO NEED IT
FOR YOUR NEW BUDDY
532
00:30:54,753 --> 00:30:56,188
WHEN THE PEOPLE
OUT THERE KILL HIM.
533
00:30:57,289 --> 00:31:00,692
( loud jeering and hooting )
534
00:31:00,759 --> 00:31:03,129
( music barely audible )
535
00:31:04,763 --> 00:31:06,665
THIS AUDIENCE
ISN'T GOING TO PUT UP
536
00:31:06,732 --> 00:31:08,767
WITH THE CANNED MUSIC
ANY LONGER.
537
00:31:08,834 --> 00:31:10,502
IF I WAS HIM,
I'D START RUNNING NOW.
538
00:31:13,239 --> 00:31:15,241
Young man:
GET OFF THE STAGE!
539
00:31:15,307 --> 00:31:17,243
STOP THE TAPE, PLEASE.
540
00:31:17,309 --> 00:31:19,445
( music stops,
jeering continues )
541
00:31:21,847 --> 00:31:24,716
( jeering abating )
542
00:31:24,783 --> 00:31:26,718
UM...
543
00:31:26,785 --> 00:31:28,720
NO MORE TAPES.
544
00:31:28,787 --> 00:31:30,622
UH, I GUESS IT'S, UH
545
00:31:30,689 --> 00:31:32,624
TIME FOR REAL MUSIC.
546
00:31:32,691 --> 00:31:35,894
UH, THIS IS MY KIND OF STUFF.
547
00:31:38,530 --> 00:31:41,567
( band strikes up new tune )
548
00:31:44,636 --> 00:31:47,139
( playing slower tempo,
jazz-inflected melody )
549
00:31:49,608 --> 00:31:52,211
( band members harmonizing )
550
00:31:52,278 --> 00:31:54,880
* DOO-DOO-DOO-DOO-DOO-DOO *
551
00:31:54,947 --> 00:31:58,050
* DOO-DOO-DOO-DOO-DOO-DOO *
552
00:31:58,117 --> 00:32:00,886
* DOO-DOO-DOO-DOO-DOO-DOO *
553
00:32:00,953 --> 00:32:03,822
* WHEN I THINK OF YOU *
554
00:32:03,889 --> 00:32:05,724
* I THINK OF SUNNY DAYS
IN JUNE *
555
00:32:05,791 --> 00:32:09,962
* WARM NIGHTS IN TUNE
WITH THE SONG IN YOUR HEART *
556
00:32:12,231 --> 00:32:14,000
* WHEN I THINK OF YOU... *
557
00:32:14,066 --> 00:32:16,068
( crowd starts cheering )
558
00:32:17,269 --> 00:32:19,338
( cheering audible )
559
00:32:20,772 --> 00:32:23,875
HIS MUSIC IS DIFFERENT,
BUT IT'S GOOD.
560
00:32:23,942 --> 00:32:25,144
IT'S REALLY GOOD.
561
00:32:25,211 --> 00:32:28,347
WHICH COULD BE BAD FOR LANE.
562
00:32:29,648 --> 00:32:30,882
REALLY BAD.
563
00:32:30,949 --> 00:32:33,152
( enthusiastic cheering )
564
00:32:33,219 --> 00:32:35,587
* NOW THERE'S NOTHING TO DO,
BUT WAIT FOR THE SUMMER *
565
00:32:35,654 --> 00:32:37,723
* WAIT FOR THE SUMMER... *
566
00:32:40,192 --> 00:32:42,528
* AND YOU *
567
00:32:42,594 --> 00:32:44,196
* YOU *
568
00:32:45,931 --> 00:32:47,799
* DOO-DOO-DOO-DOO-DOO-DOO... *
569
00:32:47,866 --> 00:32:49,001
HE'S AS GOOD
AS LANE.
570
00:32:49,068 --> 00:32:50,536
I TRIED TO TELL YOU.
571
00:32:50,602 --> 00:32:51,803
( both laughing )
572
00:32:51,870 --> 00:32:52,838
HE'S AS GOOD
AS LANE!
573
00:32:52,904 --> 00:32:54,473
HE'S WHAT?
574
00:32:54,540 --> 00:32:57,209
YES, SIR. AND THEN HE STARTED
DOING HIS OWN STUFF
575
00:32:57,276 --> 00:32:58,744
AND IT'S NOT BAD, MR. CRICHTON.
576
00:32:58,810 --> 00:33:00,179
GIVE A LISTEN.
577
00:33:05,584 --> 00:33:07,253
* I THINK OF RUNNING
ON THE BEACH *
578
00:33:07,319 --> 00:33:08,887
* CASTLES IN THE HEAT *
579
00:33:08,954 --> 00:33:11,190
* AND THE SAND ON OUR FEET... *
580
00:33:11,257 --> 00:33:14,093
( cheering and whistling )
581
00:33:14,160 --> 00:33:17,463
VERY WELL, MR. SIMPSON.
582
00:33:19,098 --> 00:33:22,801
MEET MR. LUDWIG... AS ARRANGED.
583
00:33:22,868 --> 00:33:25,071
I HAVE SOME
THINKING TO DO.
584
00:33:26,738 --> 00:33:27,739
( hangs up )
585
00:33:27,806 --> 00:33:29,341
WHAT'S GOING ON?
586
00:33:29,408 --> 00:33:32,611
LANE KINCAID IS,
AT THIS VERY MOMENT
587
00:33:32,678 --> 00:33:34,780
GIVING THE FINEST
PERFORMANCE
588
00:33:34,846 --> 00:33:36,348
OF HIS CAREER.
589
00:33:36,415 --> 00:33:37,216
WHAT?
590
00:33:37,283 --> 00:33:39,785
LANE'S TWIN BROTHER APPARENTLY
591
00:33:39,851 --> 00:33:42,821
IS JUST AS TALENTED
AS LANE HIMSELF.
592
00:33:42,888 --> 00:33:45,191
WELL, LET'S HEAR IT FOR MICHAEL.
593
00:33:45,257 --> 00:33:48,127
I GUESS HE FIXED YOUR WAGON,
HUH, CROCKTON?
594
00:33:49,728 --> 00:33:53,665
I'D WORRY ABOUT YOUR WAGON
IF I WERE YOU, MR. KINCAID.
595
00:33:53,732 --> 00:33:57,269
FOR YOU SUDDENLY HAVE
BECOME ABOUT AS USEFUL TO US
596
00:33:57,336 --> 00:33:59,105
AS A DEAD DUCK.
597
00:34:03,041 --> 00:34:05,411
Ripley:
WHAT'S THE MATTER WITH HIM,
HUH?
598
00:34:05,477 --> 00:34:06,812
WHY DOESN'T HE CALL?
599
00:34:06,878 --> 00:34:08,747
WHAT'S HE WAITING FOR?
600
00:34:08,814 --> 00:34:10,949
HE MUST HAVE HEARD
OUR KID WENT OVER BIG.
601
00:34:11,016 --> 00:34:12,418
YEAH, SURE
HE WENT OVER BIG.
602
00:34:12,484 --> 00:34:13,719
BUT HE'S NOT LANE.
603
00:34:13,785 --> 00:34:15,921
IT'LL TAKE YEARS
TO GET HIM TO
THAT PLACE.
604
00:34:15,987 --> 00:34:17,289
I WANT LANE BACK.
605
00:34:17,356 --> 00:34:18,990
I WANT LANE AND MICHAEL.
606
00:34:19,057 --> 00:34:20,559
THERE'S NOTHING WRONG
WITH THAT, HUH?
607
00:34:20,626 --> 00:34:22,494
I MEAN, I'M
GOING TO PAY.
608
00:34:22,561 --> 00:34:24,663
MAYBE THE KIDNAPPER FIGURES
YOU GOT NOTHING TO LOSE NOW.
609
00:34:24,730 --> 00:34:26,798
MAYBE HE THINKS
YOU'LL TRY A DOUBLE CROSS
610
00:34:26,865 --> 00:34:28,334
IF HE TRIES TO RETURN LANE.
611
00:34:28,400 --> 00:34:30,269
AW, COME ON,
HE'S GOT TO RETURN LANE.
612
00:34:30,336 --> 00:34:32,404
WHAT ELSE IS HE GOING
TO DO WITH HIM?
613
00:34:33,705 --> 00:34:34,906
NO.
614
00:34:34,973 --> 00:34:36,642
HE WOULDN'T.
615
00:34:43,649 --> 00:34:47,719
OH... I'M AFRAID NO
BRILLIANT ALTERNATIVE
616
00:34:47,786 --> 00:34:50,922
OCCURRED TO ME
DURING THE NIGHT.
617
00:34:50,989 --> 00:34:55,227
THE BOY IS JUST
TOO GREAT A LIABILITY.
618
00:34:57,028 --> 00:35:00,332
ALERT SAMSON AND LUDWIG.
619
00:35:00,399 --> 00:35:03,469
WE'LL DISPOSE OF HIM
AT THE YARD.
620
00:35:04,470 --> 00:35:06,172
YES, SIR.
621
00:35:08,740 --> 00:35:11,377
LOOK, SERGEANT, I WANT
TO SPEAK TO YOUR SUPERIOR.
622
00:35:11,443 --> 00:35:13,745
HELLO? HELLO?
623
00:35:16,382 --> 00:35:18,150
COPS WOULDN'T BELIEVE YOU?
624
00:35:18,217 --> 00:35:19,585
ARE YOU KIDDING?
625
00:35:19,651 --> 00:35:21,353
AFTER THAT CONCERT
LAST NIGHT?
626
00:35:21,420 --> 00:35:22,654
WHAT HAVE I DONE?
627
00:35:22,721 --> 00:35:25,691
THERE'S GOT TO BE SOMEBODY
THAT CAN HELP US.
628
00:35:25,757 --> 00:35:26,892
WAIT A MINUTE.
629
00:35:26,958 --> 00:35:29,295
THERE WAS THIS LADY
AT THE JUNKYARD.
630
00:35:29,361 --> 00:35:31,597
SHE KNEW ABOUT
THE KIDNAPPING.
631
00:35:31,663 --> 00:35:33,599
BUT I DON'T KNOW
WHERE TO FIND HER.
632
00:35:33,665 --> 00:35:35,167
I DON'T EVEN KNOW
WHO SHE IS.
633
00:35:35,234 --> 00:35:38,103
WHITNEY, RETRACE YOUR STEPS,
OKAY?
634
00:35:38,170 --> 00:35:40,972
YOU'VE GOT TO REMEMBER
WHAT THAT MAN SAID
635
00:35:41,039 --> 00:35:42,908
WHEN HE KIDNAPPED LANE.
636
00:35:42,974 --> 00:35:44,276
I'M TRYING.
637
00:35:44,343 --> 00:35:45,611
( sighs )
638
00:35:45,677 --> 00:35:46,345
THINK.
639
00:35:46,412 --> 00:35:47,979
HE MUST HAVE SAID SOMETHING.
640
00:35:48,046 --> 00:35:49,548
SOMETHING THAT
MADE YOU THINK
641
00:35:49,615 --> 00:35:51,217
THEY WERE GOING
TO KILL HIM.
642
00:35:51,283 --> 00:35:56,522
LANE SAID SOMETHING LIKE,
"WHERE ARE WE GOING?"
643
00:35:56,588 --> 00:35:59,958
AND THE MAN SAID
SOMETHING LIKE...
644
00:36:00,025 --> 00:36:02,628
"TO GET WHAT YOU DESERVE.
645
00:36:02,694 --> 00:36:06,365
"TO... TO GET
YOUR REWARD...
646
00:36:06,432 --> 00:36:08,700
YOUR JUST REWARD."
647
00:36:08,767 --> 00:36:11,270
HE SAID, "I'M TAKING YOU
TO YOUR JUST REWARD."
648
00:36:11,337 --> 00:36:12,471
THAT'S WHAT MADE ME THINK
649
00:36:12,538 --> 00:36:14,706
THEY WERE GOING
TO KILL HIM.
650
00:36:14,773 --> 00:36:17,976
BUT IF THEY WEREN'T GOING
TO KILL HIM
651
00:36:18,043 --> 00:36:19,878
WHY WOULD THEY SAY THAT?
652
00:36:19,945 --> 00:36:24,015
THEY MUST BE TALKING ABOUT
WHERE THEY'RE HOLDING HIM.
653
00:36:24,082 --> 00:36:25,651
THEY TOOK HIM WHERE?
654
00:36:25,717 --> 00:36:27,986
HIS MANAGER SAID
655
00:36:28,053 --> 00:36:32,924
THAT THE PHONE CALLS SOUNDED
LONG DISTANCE, SHIP-TO-SHORE.
656
00:36:32,991 --> 00:36:34,660
"YOUR JUST REWARD..."
657
00:36:40,031 --> 00:36:42,268
OPERATOR,
THIS IS AN EMERGENCY.
658
00:36:42,334 --> 00:36:44,102
GET ME THE COAST GUARD.
659
00:36:44,169 --> 00:36:45,804
THE NAME OF A BOAT!
660
00:36:45,871 --> 00:36:46,905
MAYBE.
661
00:36:46,972 --> 00:36:48,374
JUST MAYBE.
662
00:36:56,248 --> 00:36:57,349
LET'S GO, KID.
663
00:36:57,416 --> 00:36:59,785
YOUR SINGING DAYS ARE OVER.
664
00:36:59,851 --> 00:37:02,688
IN FACT, IT LOOKS LIKE
ALL YOUR DAYS ARE OVER.
665
00:37:05,123 --> 00:37:07,092
DIDN'T CRICHTON SPEAK TO ASH?
666
00:37:07,158 --> 00:37:08,460
IT'S TOO RISKY.
667
00:37:08,527 --> 00:37:09,928
WHAT CAN I SAY?
668
00:37:09,995 --> 00:37:13,699
IN OUR BUSINESS
THESE THINGS HAPPEN.
669
00:37:13,765 --> 00:37:15,267
COME ON.
670
00:37:17,135 --> 00:37:18,103
LET'S GO.
671
00:37:18,169 --> 00:37:19,505
COME ON.
672
00:37:23,208 --> 00:37:25,377
THANK YOU, CAPTAIN.
673
00:37:25,444 --> 00:37:26,945
GOOD.
674
00:37:27,012 --> 00:37:28,547
I'LL BE WAITING.
675
00:37:29,981 --> 00:37:31,149
WHAT'D THEY SAY?
676
00:37:31,216 --> 00:37:33,919
THERE IS A BOAT
OUT OF MARINA DEL RAY
677
00:37:33,985 --> 00:37:35,487
CALLED YOUR JUST REWARD
678
00:37:35,554 --> 00:37:38,857
AND THE COAST GUARD IS
TRYING TO LOCATE IT.
679
00:37:38,924 --> 00:37:41,527
DO YOU THINK THEY'VE
KILLED LANE YET?
680
00:37:41,593 --> 00:37:44,029
WELL, FROM WHAT MY BOSS
IN WASHINGTON
681
00:37:44,095 --> 00:37:46,197
HAS TOLD ME
ABOUT THE KIDNAPPERS
682
00:37:46,264 --> 00:37:48,233
IF THEY HAVEN'T
KILLED HIM YET
683
00:37:48,300 --> 00:37:51,303
IT'S ONLY BECAUSE CRICHTON
HASN'T FIGURED OUT
684
00:37:51,370 --> 00:37:53,004
THE TIDIEST POSSIBLE WAY
TO DO IT.
685
00:38:00,712 --> 00:38:03,048
( aircraft engine running )
686
00:38:05,617 --> 00:38:08,053
Man on radio:
Skyview Three to Central.
687
00:38:14,993 --> 00:38:20,332
They are now in a gray sedan,
license number 2-4-7-P-C-E.
688
00:38:22,668 --> 00:38:25,871
( phone rings )
689
00:38:25,937 --> 00:38:28,206
YES.
690
00:38:28,273 --> 00:38:29,475
THAT'S RIGHT.
691
00:38:29,541 --> 00:38:31,309
WHAT HAVE YOU GOT?
692
00:38:33,945 --> 00:38:36,948
WELL, DO YOU KNOW
WHERE THEY'RE HEADING?
693
00:38:37,015 --> 00:38:39,451
OKAY, WELL,
PLEASE KEEP ME POSTED.
694
00:38:39,518 --> 00:38:41,887
THANK YOU.
695
00:38:41,953 --> 00:38:42,954
WHAT'S HAPPENING?
696
00:38:43,021 --> 00:38:44,456
THEY'VE GOT LANE
697
00:38:44,523 --> 00:38:46,024
IN A CAR HEADED
AWAY FROM THE OCEAN
698
00:38:46,091 --> 00:38:47,893
AND THE POLICE ARE
AFTER THEM.
699
00:38:47,959 --> 00:38:49,194
WELL, LET'S GET GOING.
700
00:38:49,260 --> 00:38:50,596
WE'RE NOT DOING
ANY GOOD HERE.
701
00:38:50,662 --> 00:38:51,930
MAYBE THERE'LL BE A--
702
00:38:51,997 --> 00:38:53,999
YOU ARE GOING HOME,
YOUNG LADY.
703
00:38:54,065 --> 00:38:55,000
NO, DIANA, NO.
704
00:38:55,066 --> 00:38:56,735
LISTEN, WHITNEY
705
00:38:56,802 --> 00:39:00,338
WHATEVER DOES FINALLY HAPPEN,
I DON'T WANT YOU INVOLVED.
706
00:39:00,406 --> 00:39:02,441
DIANA, PLEASE.
707
00:39:02,508 --> 00:39:03,509
WHITNEY.
708
00:39:03,575 --> 00:39:04,576
ALRIGHT, I'LL GO.
709
00:39:04,643 --> 00:39:06,177
BUT YOU'D BETTER PROMISE
710
00:39:06,244 --> 00:39:07,546
TO CALL
AND KEEP ME POSTED.
711
00:39:07,613 --> 00:39:08,814
I PROMISE, NOW GO.
712
00:39:20,959 --> 00:39:23,429
( tires screeching )
713
00:39:27,699 --> 00:39:30,502
( tires screeching )
714
00:39:30,569 --> 00:39:33,972
( siren wailing )
715
00:39:37,008 --> 00:39:38,977
MR. LUDWIG SHOULD
BE READY BY NOW
716
00:39:39,044 --> 00:39:39,845
DON'T YOU THINK?
717
00:39:39,911 --> 00:39:40,879
WE'LL SOON FIND OUT.
718
00:40:21,787 --> 00:40:24,022
( siren wailing )
719
00:40:37,335 --> 00:40:39,337
LUDWIG WILL LOSE THEM
IN NO TIME.
720
00:40:39,404 --> 00:40:40,739
GOOD.
721
00:40:40,806 --> 00:40:43,208
THEN LET'S TAKE CARE
OF OUR IMMEDIATE PROBLEM
722
00:40:43,274 --> 00:40:44,743
SO WE CAN JOIN THEM
AT THE AIRPORT.
723
00:40:48,780 --> 00:40:51,917
WHAT DO YOU MEAN YOU LOST THEM?
724
00:40:53,685 --> 00:40:56,555
WELL, HAVE YOU ANY IDEA
WHERE THEY'RE HEADED?
725
00:40:58,490 --> 00:41:01,560
THANKS ANYWAY, LIEUTENANT.
726
00:41:07,432 --> 00:41:09,167
JUNKYARD.
727
00:41:29,755 --> 00:41:32,724
( engine rattling )
728
00:41:46,437 --> 00:41:48,173
( sighs )
729
00:41:49,174 --> 00:41:50,275
Whitney:
NO.
730
00:41:50,341 --> 00:41:51,309
WHITNEY!
731
00:41:51,376 --> 00:41:52,578
IT WON'T EVEN TURN OVER.
732
00:41:52,644 --> 00:41:54,112
YOU SHOULD ALWAYS
TAKE A TAXI
733
00:41:54,179 --> 00:41:56,514
WHEN YOU HAVE TO
GET SOMEWHERE, DIANA.
734
00:41:56,582 --> 00:41:58,083
WHAT ARE WE GOING
TO DO NOW?
735
00:41:58,149 --> 00:42:00,218
YOU ARE GOING TO LISTEN TO ME,
YOUNG LADY
736
00:42:00,285 --> 00:42:02,220
AND DO NO LESS THAN
WHAT I TELL YOU.
737
00:42:02,287 --> 00:42:05,056
NOW I WANT YOU TO GO OVER TO
THAT STORE, CALL THE POLICE.
738
00:42:05,123 --> 00:42:07,225
TELL THEM TO GET
OUT TO THE JUNKYARD
739
00:42:07,292 --> 00:42:09,460
AT WASHINGTON AND 89th
IMMEDIATELY.
740
00:42:09,527 --> 00:42:11,196
AND THEN YOU STAY PUT.
741
00:42:11,262 --> 00:42:12,297
PROMISE.
742
00:42:12,363 --> 00:42:13,799
WHAT ARE YOU GOING TO DO?
743
00:42:13,865 --> 00:42:15,801
I'M GOING TO CALL YOUR FATHER
744
00:42:15,867 --> 00:42:18,003
UNLESS YOU PROMISE.
745
00:42:18,069 --> 00:42:19,070
OKAY.
746
00:42:21,907 --> 00:42:23,609
GO.
747
00:42:42,227 --> 00:42:43,995
( thunderclap )
748
00:42:44,796 --> 00:42:47,332
( thunderclap )
749
00:43:25,671 --> 00:43:27,673
LET ME SHOW YOU SOMETHING.
750
00:45:02,801 --> 00:45:05,871
SO HOW DO YOU LIKE
YOUR NEW MANAGER SO FAR?
751
00:45:05,937 --> 00:45:07,739
HE'S GOOD, BUT I
MISS ASH, YOU KNOW?
752
00:45:07,806 --> 00:45:10,675
BUT HE COULDN'T HANDLE THE
KIDNAPPING THING TOO WELL.
753
00:45:10,742 --> 00:45:12,377
WELL, THE POLICE
AND THE F.B.I.
754
00:45:12,443 --> 00:45:15,280
WEREN'T TOO THRILLED
WITH HIS BEHAVIOR, EITHER.
755
00:45:15,346 --> 00:45:16,314
THERE YOU GO.
756
00:45:21,652 --> 00:45:24,990
WELL, I DON'T KNOW ABOUT YOU,
BUT THIS GIRL SAVED MY LIFE.
757
00:45:25,056 --> 00:45:27,258
SHE DESERVES MORE
THAN AN AUTOGRAPH.
758
00:45:30,261 --> 00:45:31,596
AND IF IT WEREN'T
FOR HER
759
00:45:31,662 --> 00:45:33,765
WE'D NEVER BE
TOGETHER AGAIN.
760
00:45:36,201 --> 00:45:39,404
Man:
HEY, LANE, MICHAEL,
LET'S GO.
761
00:45:39,470 --> 00:45:42,473
WELL, IT WAS GOOD
SEEING YOU AGAIN, DIANA.
762
00:45:42,540 --> 00:45:43,942
SO LONG.
763
00:45:44,009 --> 00:45:45,376
THANK YOU VERY MUCH
FOR ALL YOUR HELP.
764
00:45:45,443 --> 00:45:47,045
IT WAS NICE MEETING
YOU, MISS PRINCE.
765
00:45:47,112 --> 00:45:49,314
OKAY.
BREAK A LEG, GUYS.
766
00:45:51,316 --> 00:45:53,718
( cheering and applause )
767
00:45:53,785 --> 00:45:56,822
I MAY AS WELL
DIE NOW, DIANA.
768
00:45:56,888 --> 00:45:58,456
WHAT?
769
00:45:58,523 --> 00:46:00,658
I HAVE NOTHING
LEFT TO LIVE FOR.
770
00:46:00,725 --> 00:46:02,393
( disco music begins )
771
00:46:02,460 --> 00:46:05,596
WELL, HOW ABOUT A HOT FUDGE
SUNDAE AFTER THE SHOW?
772
00:46:05,663 --> 00:46:06,764
WITH PEANUTS?
773
00:46:06,832 --> 00:46:07,698
THE WORKS.
774
00:46:07,765 --> 00:46:08,934
YOU'RE ON.
775
00:46:11,602 --> 00:46:15,473
* YOU'VE GOT ME ROLLING LIKE
A WHEEL ON A ROAD *
776
00:46:15,540 --> 00:46:19,744
* TURNING ROUND AND ROUND,
NOWHERE TO GO *
777
00:46:19,811 --> 00:46:23,048
* I GOT TO FIND OUT
IF YOU'RE FEELING IT, TOO *
778
00:46:23,114 --> 00:46:26,317
* IT'S HARD TO TELL,
SO HERE'S WHAT I DO *
779
00:46:26,384 --> 00:46:28,319
( audience clapping to beat )
780
00:46:28,386 --> 00:46:32,023
* AND EVERY TIME I WANT MORE *
781
00:46:32,090 --> 00:46:37,095
* I TAKE YOU OUT ON THE FLOOR *
782
00:46:37,162 --> 00:46:40,866
* I WAS MADE FOR DANCING *
783
00:46:40,932 --> 00:46:44,269
* ALL, ALL, ALL,
ALL NIGHT LONG *
784
00:46:44,335 --> 00:46:45,270
* YES *
785
00:46:45,336 --> 00:46:48,940
* I WAS MADE FOR DANCING *
786
00:46:49,007 --> 00:46:52,110
* ALL, ALL, ALL,
ALL NIGHT LONG *
787
00:46:52,177 --> 00:46:54,412
( disco music continues )
788
00:46:54,479 --> 00:46:57,315
( cheering and applause )
789
00:46:59,784 --> 00:47:02,820
* THE DAYS AND NIGHTS ARE MOVING
BY ME AND YOU *
790
00:47:02,888 --> 00:47:07,725
* IT'S SUCH A CRAZY LOVE,
YOU TEAR ME IN TWO *
791
00:47:07,792 --> 00:47:09,794
* I SPEND MY TIME... *
792
00:47:09,861 --> 00:47:10,862
( cheering )
793
00:47:10,929 --> 00:47:12,197
* IT'S A CRAZY LOVE *
794
00:47:12,263 --> 00:47:16,201
* YOU CAN SEE IT IN MY FACE *
795
00:47:16,267 --> 00:47:19,337
* AND EVERY TIME
I WANT MORE... *
796
00:47:23,008 --> 00:47:25,143
* WONDER WOMAN *
797
00:47:27,545 --> 00:47:29,881
* WONDER WOMAN *
798
00:47:43,028 --> 00:47:44,495
* WONDER WOMAN! *
54292
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