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These are the user uploaded subtitles that are being translated: 1 00:00:01,369 --> 00:00:03,571 ANNOUNCER: Thanks for downloading this Fox show. 2 00:00:03,604 --> 00:00:05,739 And don't miss all-new episodes only on Fox. 3 00:00:07,775 --> 00:00:09,077 * IN THESE DANGEROUS TIMES WHERE THE WORLD * 4 00:00:09,110 --> 00:00:10,244 * IS RIPPING APART AT THE SEAMS * 5 00:00:10,278 --> 00:00:11,212 * WE CAN LEARN FROM THOSE WHO STARE DEATH 6 00:00:11,245 --> 00:00:12,480 IN THE FACE EVERY DAY * * BY REACHING OUT TO 7 00:00:12,513 --> 00:00:15,149 EACH OTHER AND * * BONDING AS A COMMUNITY 8 00:00:15,183 --> 00:00:16,817 RATHER THAN HIDING FROM THE TERRORS * 9 00:00:16,850 --> 00:00:17,251 * OF LIFE * DECEMBER 24 10 00:00:41,642 --> 00:00:42,710 * 9:00 PM * 1991 11 00:00:42,743 --> 00:00:43,677 I START TO SHOOT MY LATEST FILM TODAY * 12 00:00:43,711 --> 00:00:44,878 * LET'S SEE IF I'VE GOT ANYTHING TO SAY * 13 00:00:44,912 --> 00:00:46,180 >> I DOUBT IT! 14 00:00:46,214 --> 00:00:47,448 * FIRST SHOT â " ROGER TUNING HIS FENDER GUITAR 15 00:00:47,481 --> 00:00:48,282 HE HASN'T PLAYED IN A YEAR * >> THIS WON'T TUNE. 16 00:00:48,316 --> 00:00:49,083 * SO WE HEAR HE'S JUST COMING BACK * 17 00:00:49,117 --> 00:00:50,118 * FROM HALF A YEAR OF WITHDRAWAL * 18 00:00:50,151 --> 00:00:51,152 * ARE YOU TALKING TO ME? * NOT AT ALL 19 00:00:51,185 --> 00:00:52,453 TELL THE FOLKS AT HOME WHAT YOU'RE DOING, ROGER * 20 00:00:52,486 --> 00:00:53,754 * I'M WRITING ONE GREAT [ PHONE RINGING ] 21 00:00:53,787 --> 00:00:55,022 * SAVED! [ PHONE RINGING ] 22 00:00:55,055 --> 00:00:56,090 * WE SCREEN ZOOM IN ON THE ANSWERING MACHINE * 23 00:00:56,124 --> 00:00:57,191 * SPEAK * THAT WAS A VERY LOUD 24 00:00:57,225 --> 00:00:58,092 BEEP * * I DON'T EVEN KNOW 25 00:00:58,126 --> 00:00:59,127 IF THIS IS WORKING * * MARK MARK 26 00:00:59,160 --> 00:01:00,261 ARE YOU THERE * * ARE YOU SCREENING 27 00:01:00,294 --> 00:01:01,229 YOUR CALLS, IT'S MOM * * WE WANTED 28 00:01:01,262 --> 00:01:02,563 >> SCREEN? WHO, ME? 29 00:01:02,596 --> 00:01:03,297 * TELL THE FOLKS AT HOME WHAT YOU'RE DOING ROGER * 30 00:01:03,331 --> 00:01:04,932 * I'M WRITING ONE GREAT SONG * 31 00:01:04,965 --> 00:01:05,299 [ PHONE RINGING ] [ PHONE RINGING ] 32 00:01:47,375 --> 00:01:48,342 * YESSS * WE SCREEN 33 00:01:48,376 --> 00:01:49,410 * SPEAK * "CHESTNUTS ROASTING" 34 00:01:49,443 --> 00:01:50,178 >> COLLINS! 35 00:01:50,211 --> 00:01:50,911 * I'M DOWNSTAIRS >> HEY! 36 00:01:50,944 --> 00:01:51,945 >> THROW DOWN THE KEY. 37 00:01:51,979 --> 00:01:57,017 * A WILD NIGHT IS NOW PRE-ORDAINED * 38 00:01:57,050 --> 00:01:57,485 >> I MAY BE DETAINED. 39 00:01:57,518 --> 00:01:58,686 >> DETAINED? 40 00:01:58,719 --> 00:01:59,920 COLLINS? 41 00:01:59,953 --> 00:02:02,190 HELLO? 42 00:02:02,223 --> 00:02:03,357 WHAT DOES HE MEAN? 43 00:02:03,391 --> 00:02:07,495 [ PHONE RINGING ] WHAT DO YOU MEAN â " DETAINED? 44 00:02:07,528 --> 00:02:08,162 >> HO HO HO. 45 00:02:08,196 --> 00:02:08,629 >> BENNY! 46 00:02:08,662 --> 00:02:09,330 >> CRAP! 47 00:02:09,363 --> 00:02:09,830 >> DUDES, I'M ON MY WAY. 48 00:02:09,863 --> 00:02:10,331 >> GREAT! 49 00:02:10,364 --> 00:02:10,964 >> DAMN. 50 00:02:10,998 --> 00:02:11,365 >> I NEED THE RENT. 51 00:02:11,399 --> 00:02:12,500 >> WHAT RENT? 52 00:02:12,533 --> 00:02:13,334 >> THIS PAST YEAR'S RENT, WHICH I LET SLIDE. 53 00:02:13,367 --> 00:02:14,134 >> LET SLIDE? 54 00:02:14,168 --> 00:02:16,604 YOU SAID WE WERE "GOLDEN." 55 00:02:16,637 --> 00:02:17,405 >> WHEN YOU BOUGHT THE BUILDING. 56 00:02:17,438 --> 00:02:18,939 >> WITH YOUR FATHER-IN-LAW'S MONEY. 57 00:02:18,972 --> 00:02:20,541 REMEMBER -- YOU USED TO LIVE HERE. 58 00:02:20,574 --> 00:02:22,543 >> HOW COULD I FORGET? 59 00:02:22,576 --> 00:02:24,178 YOU, ME, COLLINS AND MAUREEN. 60 00:02:24,212 --> 00:02:26,380 HOW IS THE DRAMA QUEEN? 61 00:02:26,414 --> 00:02:27,715 >> SHE'S PERFORMING TONIGHT. 62 00:02:27,748 --> 00:02:28,182 YOU KNOW THAT PROTEST? 63 00:02:28,216 --> 00:02:29,317 AT THE LOT? 64 00:02:29,350 --> 00:02:30,518 >> OH, I KNOW. 65 00:02:30,551 --> 00:02:32,353 * STILL HER PRODUCTION MANAGER? * 66 00:02:32,386 --> 00:02:35,656 >> TWO DAYS AGO I WAS BUMPED. 67 00:02:35,689 --> 00:02:37,991 * YOU STILL DATING HER? >> LAST MONTH I WAS DUMPED. 68 00:02:38,025 --> 00:02:41,662 * SHE'S IN LOVE >> SHE'S GOT A NEW MAN? 69 00:02:41,695 --> 00:02:42,396 >> WELL, NO. 70 00:02:42,430 --> 00:02:43,163 >> WHAT'S HIS NAME? 71 00:02:43,197 --> 00:02:46,300 >> JOANNE. 72 00:02:46,334 --> 00:02:48,736 >> RENT, MY AMIGOS, IS DUE. 73 00:02:48,769 --> 00:02:51,872 OR I WILL HAVE TO EVICT YOU. 74 00:02:51,905 --> 00:03:01,915 BE THERE IN A FEW. 75 00:03:01,949 --> 00:03:13,661 BE THERE IN A FEW. 76 00:03:13,694 --> 00:03:14,662 >> THE POWER BLOWS. 77 00:03:14,695 --> 00:03:25,105 ** * THIS IS NOT THE FIRST TIME 78 00:03:25,138 --> 00:03:26,274 THEY'VE LOST THE POWER HOW DO YOU DOCUMENT 79 00:03:26,307 --> 00:03:27,341 REAL LIFE * * WHEN REAL LIFE'S 80 00:03:27,375 --> 00:03:28,409 GETTING MORE LIKE FICTION EACH DAY * 81 00:03:28,442 --> 00:03:29,410 * HEADLINES BREAD-LINE BLOW MY MIND 82 00:03:29,443 --> 00:03:34,081 AND NOW THIS DEADLINE * * EVICTION OR PAY 83 00:03:34,114 --> 00:03:37,451 ** ** 84 00:03:37,485 --> 00:03:39,620 * RENT * HOW DO YOU DOCUMENT 85 00:03:39,653 --> 00:03:42,222 REAL LIFE WHEN REAL LIFE'S GETTING MORE 86 00:03:42,256 --> 00:03:50,264 LIKE FICTION EACH DAY * * HEADLINES BREAD-LINES 87 00:03:50,298 --> 00:03:51,265 BLOW MY MIND AND NOW THIS DEADLINE 88 00:03:51,299 --> 00:03:52,333 EVICTION OR PAY * * HOW DO YOU WRITE A SONG 89 00:03:52,366 --> 00:03:53,601 WHEN THE CHORDS SOUND WRONG THOUGH THEY ONCE SOUNDED 90 00:03:53,634 --> 00:03:54,868 RIGHT AND RARE * * WHEN THE NOTES ARE SOUR 91 00:03:54,902 --> 00:03:55,803 WHERE IS THE POWER YOU ONCE HAD TO 92 00:03:55,836 --> 00:03:57,070 IGNITE THE AIR * * WE'RE HUNGRY AND FROZEN 93 00:03:57,104 --> 00:03:58,372 SOME LIFE THAT WE'VE CHOSEN HOW WE GONNA PAY * 94 00:03:58,406 --> 00:03:59,440 * HOW WE GONNA PAY HOW WE GONNA PAY 95 00:03:59,473 --> 00:04:05,279 LAST YEAR'S RENT * ** 96 00:04:05,313 --> 00:04:13,821 ** * HOW DO YOU START A FIRE 97 00:04:13,854 --> 00:04:17,257 WHEN THERE'S NOTHING TO BURN AND IT FEELS LIKE SOMETHING'S 98 00:04:17,291 --> 00:04:21,395 STUCK IN YOUR FLUE * * HOW CAN YOU GENERATE HEAT 99 00:04:21,429 --> 00:04:26,434 WHEN YOU CAN'T FEEL YOUR FEET AND THEY'RE TURNING BLUE * 100 00:04:26,467 --> 00:04:27,635 * YOU LIGHT UP A MEAN BLAZE WITH POSTERS 101 00:04:27,668 --> 00:04:31,639 AND SCREENPLAYS * * HOW WE GONNA PAY 102 00:04:31,672 --> 00:04:37,077 HOW WE GONNA PAY HOW WE GONNA PAY 103 00:04:37,110 --> 00:04:42,082 LAST YEAR'S RENT * * DON'T SCREEN, MAUREEN 104 00:04:42,115 --> 00:04:43,317 IT'S ME JOANNE YOUR SUBSTITUTE 105 00:04:43,351 --> 00:04:47,855 PRODUCTION MANAGER * * HEY HEY HEY DID YOU EAT 106 00:04:47,888 --> 00:04:51,459 DON'T CHANGE THE SUBJECT MAUREEN 107 00:04:51,492 --> 00:04:53,361 BUT DARLING * * YOU HAVEN'T EATEN ALL DAY 108 00:04:53,394 --> 00:04:54,528 YOU WON'T THROW UP YOU WON'T THROW UP 109 00:04:54,562 --> 00:04:57,798 THE DIGITAL DELAY * * DIDN'T BLOW UP, EXACTLY 110 00:04:57,831 --> 00:05:00,968 THERE MAY HAVE BEEN ONE TEENY TINY SPARK 111 00:05:01,001 --> 00:05:06,807 YOU'RE NOT CALLING MARK * * HOW DO YOU STAY ON YOUR FEET 112 00:05:06,840 --> 00:05:08,509 WHEN ON EVERY STREET IT'S TRICK OR TREAT 113 00:05:08,542 --> 00:05:12,112 AND TONIGHT IT'S TRICK * * WELCOME BACK TO TOWN 114 00:05:12,145 --> 00:05:18,386 I SHOULD LIE DOWN EVERYTHING'S BROWN * 115 00:05:18,419 --> 00:05:19,319 * AND UH-OH I FEEL SICK * 116 00:05:19,353 --> 00:05:21,689 >> WHERE IS HE? 117 00:05:21,722 --> 00:05:26,827 * HOW WE GONNA PAY HOW WE GONNA PAY 118 00:05:26,860 --> 00:05:36,870 HOW WE GONNA PAY LAST YEAR'S RENT * 119 00:05:36,904 --> 00:05:44,712 HOW WE GONNA PAY LAST YEAR'S RENT * 120 00:05:44,745 --> 00:05:47,915 * ALISON BABY YOU SOUND SAD 121 00:05:47,948 --> 00:05:50,217 I CAN'T BELIEVE THOSE TWO AFTER EVERYTHING I'VE DONE * 122 00:05:50,250 --> 00:05:51,519 * EVER SINCE OUR WEDDING I'M DIRT 123 00:05:51,552 --> 00:05:53,521 THEY'LL SEE * * I CAN HELP THEM ALL OUT 124 00:05:53,554 --> 00:05:57,057 IN THE LONG RUN * >> UGH! 125 00:05:57,090 --> 00:06:02,496 "THE MUSIC IGNITES THE NIGHT ARE GATHERING UGH -- 126 00:06:02,530 --> 00:06:03,931 WITH PASSIONATE FIRE" FORCES UGH -- 127 00:06:03,964 --> 00:06:05,098 >> MAUREEN, I'M NOT A THEATRE PERSON ARE GATHERING UGH -- 128 00:06:05,132 --> 00:06:06,266 >> THE NARRATION CAN'T UGH -- CRACKLES AND POPS TURN AWAY 129 00:06:06,299 --> 00:06:07,234 UGH -- WITH INCENDIARY WIT" FORCES 130 00:06:07,267 --> 00:06:08,936 UGH -- >> COULD NEVER BE A THEATRE 131 00:06:08,969 --> 00:06:13,741 PERSON ARE GATHERING I CAN'T THINK. 132 00:06:13,774 --> 00:06:14,942 >> ZOOM IN AS THEY BURN THE PAST FORCES UGH -- 133 00:06:14,975 --> 00:06:15,943 TO THE GROUND ARE GATHERING UGH -- 134 00:06:15,976 --> 00:06:17,177 [ PHONE RINGS ] >> AND FEEL THE HEAT HELLO? 135 00:06:17,210 --> 00:06:17,745 UGH -- >> HELLO? 136 00:06:17,778 --> 00:06:18,211 >> HELLO? 137 00:06:18,245 --> 00:06:18,946 MAUREEN? 138 00:06:18,979 --> 00:06:19,713 YOUR EQUIPMENT WON'T WORK? 139 00:06:19,747 --> 00:06:20,714 OKAY, ALL RIGHT, I'LL GO! 140 00:06:20,748 --> 00:06:24,384 * HOW DO YOU LEAVE THE PAST BEHIND 141 00:06:24,418 --> 00:06:26,386 WHEN IT KEEPS FINDING WAYS TO GET TO YOUR HEART * 142 00:06:26,420 --> 00:06:29,189 * IT REACHES WAY DOWN DEEP AND TEARS YOU INSIDE OUT 143 00:06:29,222 --> 00:06:33,961 'TIL YOU'RE TORN APART * * HOW CAN YOU CONNECT 144 00:06:33,994 --> 00:06:36,630 IN AN AGE WHERE STRANGERS 145 00:06:36,664 --> 00:06:38,632 LANDLORDS, LOVERS * * YOUR OWN BLOOD 146 00:06:38,666 --> 00:06:42,770 CELLS BETRAY CONFIDENT, RIOTOUS 147 00:06:42,803 --> 00:06:43,804 ANGRY, HOPEFUL * * WHAT BINDS THE 148 00:06:43,837 --> 00:06:45,439 FABRIC TOGETHER WHEN THE RAGING * 149 00:06:45,473 --> 00:06:49,409 * SHIFTING WINDS OF CHANGE KEEP RIPPING AWAY * 150 00:06:49,443 --> 00:06:52,646 * DRAW A LINE IN THE SAND AND THEN MAKE A STAND * 151 00:06:52,680 --> 00:06:54,648 * USE YOUR CAMERA TO SPAR USE YOUR GUITAR 152 00:06:54,682 --> 00:06:57,451 WHEN THEY ACT TOUGH YOU CALL THEIR BLUFF * 153 00:06:57,485 --> 00:07:02,222 * WE'RE NOT GONNA PAY WE'RE NOT GONNA PAY 154 00:07:02,255 --> 00:07:09,296 WE'RE NOT GONNA PAY LAST YEAR'S RENT * 155 00:07:09,329 --> 00:07:14,101 * THIS YEAR'S RENT NEXT YEAR'S RENT 156 00:07:14,134 --> 00:07:16,904 RENT RENT RENT * * RENT RENT 157 00:07:16,937 --> 00:07:26,947 WE'RE NOT GONNA PAY RENT CAUSE EVERYTHING IS RENT ** 158 00:07:26,980 --> 00:07:39,627 WE'RE NOT GONNA PAY RENT CAUSE EVERYTHING IS RENT ** 159 00:07:39,660 --> 00:07:44,765 [ BELLS CHIME ] * CHRISTMAS BELLS 160 00:07:44,798 --> 00:07:46,266 ARE RINGING CHRISTMAS BELLS 161 00:07:46,299 --> 00:07:50,270 ARE RINGING * * CHRISTMAS BELLS 162 00:07:50,303 --> 00:07:52,472 ARE RINGING SOMEWHERE ELSE! 163 00:07:52,506 --> 00:07:56,644 NOT HERE * ** 164 00:07:56,677 --> 00:07:58,512 * YOU OKAY HONEY? 165 00:07:58,546 --> 00:08:01,682 I'M AFRAID SO THEY GET ANY MONEY? * 166 00:08:01,715 --> 00:08:06,486 * NO * HAD NONE TO GET 167 00:08:06,520 --> 00:08:11,725 BUT THEY PURLOINED MY COAT * >> WELL YOU MISSED A SLEEVE! 168 00:08:11,759 --> 00:08:13,727 >> THANKS. 169 00:08:13,761 --> 00:08:17,297 >> HELL, IT'S CHRISTMAS EVE. 170 00:08:17,330 --> 00:08:20,400 I'M ANGEL. 171 00:08:20,433 --> 00:08:23,203 ANGEL DUMOTT SCHUNARD. 172 00:08:23,236 --> 00:08:26,073 WELL, THAT'S WHO I'M GOING FOR THIS WEEK, AT LEAST. 173 00:08:26,106 --> 00:08:30,811 >> FRIENDS CALL ME COLLINS. >> YOU MADE THAT TREE? 174 00:08:30,844 --> 00:08:32,012 >> I HAVE MANY TALENTS. 175 00:08:32,045 --> 00:08:34,715 >> LET'S GET A BAND-AID FOR YOUR KNEE. 176 00:08:34,748 --> 00:08:36,717 * I'LL CHANGE THEN A "LIFE SUPPORT" MEETING 177 00:08:36,750 --> 00:08:39,920 AT 9:30 * * YES, THIS BODY PROVIDES 178 00:08:39,953 --> 00:08:42,656 A COMFORTABLE HOME FOR THE ACQUIRED IMMUNE 179 00:08:42,690 --> 00:08:48,228 DEFICIENCY SYNDROME * * AS DOES MINE 180 00:08:48,261 --> 00:08:49,897 OH, WE'LL GET ALONG FINE GET YOU A COAT, HAVE A BITE 181 00:08:49,930 --> 00:08:52,566 MAKE A NIGHT * * I'M FLUSH 182 00:08:52,600 --> 00:08:56,570 MY FRIENDS ARE WAITING -- YOU'RE CUTE WHEN YOU BLUSH * 183 00:08:56,604 --> 00:08:59,773 * THE MORE THE MERRY HO HO HO 184 00:08:59,807 --> 00:09:10,951 AND I DO NOT TAKE NO * >> I DON'T SUPPOSE YOU'D LIKE TO 185 00:09:10,984 --> 00:09:13,721 SEE HER PERFORMANCE PROTEST THING IN THE LOT TONIGHT? 186 00:09:13,754 --> 00:09:17,257 MAYBE COME TO DINNER? 187 00:09:17,290 --> 00:09:18,926 BUT THINK ABOUT IT. 188 00:09:18,959 --> 00:09:22,062 WOULD BE GOOD FOR YOU TO GET OUT OF THE HOUSE. 189 00:09:22,095 --> 00:09:28,035 AND IT'S TIME TO TAKE YOUR AZT. 190 00:09:28,068 --> 00:09:30,771 >> HIS GIRLFRIEND APRIL LEFT A NOTE SAYING "WE'VE GOT AIDS" 191 00:09:30,804 --> 00:09:39,479 BEFORE SLITTING HER WRISTS IN THE BATHROOM. 192 00:09:39,512 --> 00:09:40,147 >> I'LL CHECK UP ON YOU LATER. 193 00:09:40,180 --> 00:09:45,452 CHANGE YOUR MIND. 194 00:09:45,485 --> 00:09:59,833 >> I'M WRITING ONE GREAT SONG BEFORE I -- 195 00:09:59,867 --> 00:10:09,910 ** ** 196 00:10:09,943 --> 00:10:24,024 ** ** 197 00:10:24,057 --> 00:10:29,529 * ONE SONG GLORY ONE SONG BEFORE I GO 198 00:10:29,562 --> 00:10:36,003 GLORY * * ONE SONG TO LEAVE BEHIND 199 00:10:36,036 --> 00:10:39,139 FIND ONE SONG ONE LAST REFRAIN 200 00:10:39,172 --> 00:10:42,009 GLORY * * FROM THE PRETTY BOY 201 00:10:42,042 --> 00:10:49,449 FRONT MAN WHO WASTED OPPORTUNITY 202 00:10:49,482 --> 00:10:51,785 ONE SONG * * HE HAD THE WORLD 203 00:10:51,819 --> 00:10:55,455 AT HIS FEET GLORY * 204 00:10:55,488 --> 00:10:56,890 * IN THE EYES OF A YOUNG GIRL 205 00:10:56,924 --> 00:11:05,032 A YOUNG GIRL FIND GLORY * 206 00:11:05,065 --> 00:11:06,734 * BEYOND THE CHEAP COLORED LIGHTS 207 00:11:06,767 --> 00:11:09,302 ONE SONG * * BEFORE THE SUN SETS 208 00:11:09,336 --> 00:11:13,306 GLORY ON ANOTHER EMPTY LIFE 209 00:11:13,340 --> 00:11:23,350 TIME FLIES TIME DIES * * GLORY 210 00:11:23,383 --> 00:11:32,359 TIME FLIES TIME DIES * * GLORY 211 00:11:32,392 --> 00:11:39,900 ONE BLAZE OF GLORY ONE BLAZE OF GLORY 212 00:11:39,933 --> 00:11:49,709 GLORY * * FIND GLORY 213 00:11:49,743 --> 00:11:55,082 GLORY * * FIND GLORY 214 00:11:55,115 --> 00:12:01,388 IN A SONG THAT RINGS TRUE TRUTH LIKE A BLAZING FIRE 215 00:12:01,421 --> 00:12:08,528 AN ETERNAL FLAME * * FIND ONE SONG 216 00:12:08,561 --> 00:12:12,866 A SONG ABOUT LOVE GLORY * 217 00:12:12,900 --> 00:12:16,436 * FROM THE SOUL OF A YOUNG MAN 218 00:12:16,469 --> 00:12:22,776 A YOUNG MAN FIND THE ONE SONG * 219 00:12:22,810 --> 00:12:24,912 * BEFORE THE VIRUS TAKES HOLD 220 00:12:24,945 --> 00:12:27,948 GLORY * * LIKE A SUNSET 221 00:12:27,981 --> 00:12:32,385 ONE SONG TO REDEEM THIS EMPTY LIFE 222 00:12:32,419 --> 00:12:39,159 TIME FLIES * * AND THEN 223 00:12:39,192 --> 00:12:51,939 NO NEED TO ENDURE ANYMORE TIME DIES 224 00:12:51,972 --> 00:12:57,777 [ KNOCK AT DOOR ] THE DOOR * 225 00:12:57,811 --> 00:12:58,979 >> DAMN IT, MARK. 226 00:12:59,012 --> 00:13:00,914 WHAT'D YOU FORGET? 227 00:13:00,948 --> 00:13:01,781 >> GOT A LIGHT? 228 00:13:01,815 --> 00:13:04,584 * I KNOW YOU YOU'RE -- 229 00:13:04,617 --> 00:13:08,021 YOU'RE SHIVERING * * IT'S NOTHING 230 00:13:08,055 --> 00:13:11,358 THEY TURNED OFF MY HEAT AND I'M JUST A LITTLE 231 00:13:11,391 --> 00:13:18,465 WEAK ON MY FEET * * WOULD YOU LIGHT MY CANDLE? 232 00:13:18,498 --> 00:13:22,469 WHAT ARE YOU STARING AT? * * NOTHING 233 00:13:22,502 --> 00:13:29,609 YOUR HAIR IN THE MOONLIGHT YOU LOOK FAMILIAR * 234 00:13:29,642 --> 00:13:33,180 * CAN YOU MAKE IT? 235 00:13:33,213 --> 00:13:35,983 JUST HAVEN'T EATEN MUCH TODAY AT LEAST THE ROOM STOPPED 236 00:13:36,016 --> 00:13:39,052 SPINNING ANYWAY * >> WHAT? 237 00:13:39,086 --> 00:13:41,488 >> NOTHING. 238 00:13:41,521 --> 00:13:44,291 >> YOUR SMILE REMINDED ME OF -- >> I ALWAYS REMIND PEOPLE OF -- 239 00:13:44,324 --> 00:13:45,825 WHO IS SHE? 240 00:13:45,859 --> 00:13:47,127 >> SHE DIED. 241 00:13:47,160 --> 00:13:48,295 HER NAME WAS APRIL. 242 00:13:48,328 --> 00:13:54,234 * IT'S OUT AGAIN SORRY ABOUT YOUR FRIEND 243 00:13:54,267 --> 00:14:00,540 WOULD YOU LIGHT MY CANDLE? * >> WELL -- 244 00:14:00,573 --> 00:14:01,708 >> YEAH. 245 00:14:01,741 --> 00:14:02,910 >> OW! 246 00:14:02,943 --> 00:14:04,211 >> OH. 247 00:14:04,244 --> 00:14:07,014 THE WAX -- IT'S -- >> DRIPPING! 248 00:14:07,047 --> 00:14:10,150 I LIKE IT -- BETWEEN MY -- >> FINGERS. 249 00:14:10,183 --> 00:14:12,519 I FIGURED -- OH, WELL. 250 00:14:12,552 --> 00:14:22,062 GOODNIGHT. 251 00:14:22,095 --> 00:14:24,064 IT BLEW OUT AGAIN? 252 00:14:24,097 --> 00:14:25,665 >> NO. 253 00:14:25,698 --> 00:14:27,100 I THINK THAT I DROPPED MY STASH. 254 00:14:27,134 --> 00:14:29,937 * I KNOW I'VE SEEN YOU OUT AND ABOUT 255 00:14:29,970 --> 00:14:33,907 WHEN I USED TO GO OUT YOUR CANDLE'S OUT * 256 00:14:33,941 --> 00:14:37,077 * I'M ILLIN' I HAD IT WHEN I WALKED 257 00:14:37,110 --> 00:14:39,079 IN THE DOOR IT WAS PURE * 258 00:14:39,112 --> 00:14:39,546 * IS IT ON THE FLOOR? 259 00:14:39,579 --> 00:14:43,883 THE FLOOR? 260 00:14:43,917 --> 00:14:47,120 THEY SAY I HAVE THE BEST ASS BELOW 14TH STREET * 261 00:14:47,154 --> 00:14:49,923 * IS IT TRUE? >> WHAT? 262 00:14:49,957 --> 00:14:51,925 >> YOU'RE STARING AGAIN. 263 00:14:51,959 --> 00:14:54,127 >> OH NO. 264 00:14:54,161 --> 00:14:57,464 I MEAN YOU DO -- HAVE A NICE-- I MEAN -- YOU LOOK FAMILIAR. 265 00:14:57,497 --> 00:14:59,399 >> LIKE YOUR DEAD GIRLFRIEND? 266 00:14:59,432 --> 00:15:01,768 >> ONLY WHEN YOU SMILE. 267 00:15:01,801 --> 00:15:04,571 BUT I'M SURE I'VE SEEN YOU SOMEWHERE ELSE. 268 00:15:04,604 --> 00:15:07,074 >> DO YOU GO TO THE CAT SCRATCH CLUB? 269 00:15:07,107 --> 00:15:11,311 THAT'S WHERE I WORK I DANCE HELP ME LOOK 270 00:15:11,344 --> 00:15:12,412 >> YES! 271 00:15:12,445 --> 00:15:14,914 * THEY USED TO TIE YOU UP IT'S A LIVING 272 00:15:14,948 --> 00:15:17,985 I DIDN'T RECOGNIZE YOU WITHOUT THE HANDCUFFS * 273 00:15:18,018 --> 00:15:28,061 * WE COULD LIGHT THE CANDLE OH WON'T YOU LIGHT THE CANDLE 274 00:15:28,095 --> 00:15:33,233 * WE COULD LIGHT THE CANDLE OH WON'T YOU LIGHT THE CANDLE 275 00:15:33,266 --> 00:15:35,168 WHY DON'T YOU FORGET THAT STUFF * 276 00:15:35,202 --> 00:15:39,072 * YOU LOOK LIKE YOU'RE 16 I'M 19 277 00:15:39,106 --> 00:15:44,311 BUT I'M OLD FOR MY AGE I'M JUST BORN TO BE BAD * 278 00:15:44,344 --> 00:15:48,648 * I ONCE WAS BORN TO BE BAD I USED TO SHIVER LIKE THAT 279 00:15:48,681 --> 00:15:50,317 I HAVE NO HEAT I TOLD YOU * 280 00:15:50,350 --> 00:15:52,152 * I USED TO SWEAT I GOT A COLD 281 00:15:52,185 --> 00:15:54,321 UH-UH I USED TO BE A JUNKIE * 282 00:15:54,354 --> 00:15:55,788 * BUT NOW AND THEN I LIKE TO UH-HUH 283 00:15:55,822 --> 00:15:58,258 FEEL GOOD HERE IT.. 284 00:15:58,291 --> 00:15:58,791 UM... 285 00:15:58,825 --> 00:15:59,492 >> WHAT'S THAT? 286 00:15:59,526 --> 00:16:02,095 >> A CANDY BAR WRAPPER. 287 00:16:02,129 --> 00:16:12,139 * WE COULD LIGHT THE CANDLE WHAT'D YOU DO TO MY CANDLE? 288 00:16:12,172 --> 00:16:17,644 * WE COULD LIGHT THE CANDLE WHAT'D YOU DO TO MY CANDLE? 289 00:16:17,677 --> 00:16:21,181 THAT WAS MY LAST MATCH * * OUR EYES'LL ADJUST 290 00:16:21,214 --> 00:16:24,151 THANK GOD FOR THE MOON MAYBE IT'S NOT 291 00:16:24,184 --> 00:16:27,987 THE MOON AT ALL * * I HEAR SPIKE LEE'S 292 00:16:28,021 --> 00:16:32,792 SHOOTING DOWN THE STREET BAH HUMBUG 293 00:16:32,825 --> 00:16:36,363 BAH HUMBUG * * COLD HANDS 294 00:16:36,396 --> 00:16:41,868 YOURS TOO * >> BIG LIKE MY FATHER'S. 295 00:16:41,901 --> 00:16:45,172 >> YOU WANNA DANCE? >> WITH YOU? 296 00:16:45,205 --> 00:16:46,005 >> NO. 297 00:16:46,039 --> 00:16:52,212 * WITH MY FATHER I'M ROGER 298 00:16:52,245 --> 00:17:02,021 THEY CALL ME THEY CALL ME MIMI * 299 00:17:02,055 --> 00:17:12,265 THEY CALL ME THEY CALL ME MIMI * 300 00:17:12,299 --> 00:17:17,237 >> LAST NIGHT ONE OF OUR CAST MEMBERS SUSTAINED AN INJURY. 301 00:17:17,270 --> 00:17:20,873 BRENDAN HUNT, OUR ROGER, HAS BROKEN HIS FOOT AND WILL BE 302 00:17:20,907 --> 00:17:23,910 UNABLE TO PERFORM TONIGHT. >> BUT BRENT HAS ALWAYS BEEN 303 00:17:23,943 --> 00:17:27,847 ABOUT COMMUNITY, RESILIENCY AND BOUNCING BACK. 304 00:17:27,880 --> 00:17:29,916 SO THE SHOW MUST GO ON. 305 00:17:29,949 --> 00:17:33,286 >> MOST OF WHAT YOU'LL SEE TONIGHT WILL COME FROM LAST 306 00:17:33,320 --> 00:17:37,224 NIGHT'S PERFORMANCE, BUT WE HAVE ALL RALLIED TOGETHER TO REWORK 307 00:17:37,257 --> 00:17:41,861 THE FINAL ACT SO THAT ALL OF US INCLUDING BRENNAN AND THE 308 00:17:41,894 --> 00:17:46,366 ORIGINAL BROADWAY CAST OF "RENT" CAN PERFORM IT FOR YOU LIVE. 309 00:17:46,399 --> 00:17:48,768 IN THE WORDS OF JONATHAN LARSON -- 310 00:17:48,801 --> 00:17:49,169 >> NO DAY BUT TODAY! 311 00:17:52,972 --> 00:17:55,242 >> LOOK WHO I FOUND! 312 00:17:55,275 --> 00:17:59,946 ENTER TOM COLLINS: COMPUTER GENIUS, ADJUNCT PROFESSOR, AND 313 00:17:59,979 --> 00:18:07,086 THE UNDISPUTED COOLEST MAN TO EVER LIVE IN OUR APARTMENT. 314 00:18:07,120 --> 00:18:09,088 * BUSTELO MARLBORO 315 00:18:09,122 --> 00:18:14,661 BANANA BY THE BUNCH A BOX OF CAPTAIN CRUNCH * 316 00:18:14,694 --> 00:18:16,663 * WILL TASTE SO GOOD AND FIREWOOD 317 00:18:16,696 --> 00:18:21,801 LOOK IT'S SANTA CLAUS HOLD YOUR APPLAUSE * 318 00:18:21,834 --> 00:18:23,170 * OH HI OH HI AFTER SEVEN MONTHS? 319 00:18:23,203 --> 00:18:25,004 SORRY * * THIS BOY COULD 320 00:18:25,037 --> 00:18:31,311 USE SOME STOLI OH HOLY NIGHT 321 00:18:31,344 --> 00:18:34,181 YOU STRUCK GOLD AT MIT? * * THEY EXPELLED ME 322 00:18:34,214 --> 00:18:37,317 FOR MY THEORY OF ACTUAL REALITY 323 00:18:37,350 --> 00:18:39,352 WHICH I'LL SOON IMPART * * TO THE COUCH POTATOES 324 00:18:39,386 --> 00:18:41,521 AT NEW YORK UNIVERSITY STILL HAVEN'T 325 00:18:41,554 --> 00:18:43,256 LEFT THE HOUSE? * * I WAS WAITING FOR YOU 326 00:18:43,290 --> 00:18:46,025 DON'T YOU KNOW WELL, TONIGHT'S THE NIGHT 327 00:18:46,058 --> 00:18:47,694 COME TO THE LIFE CAFE * * AFTER MAUREEN'S SHOW 328 00:18:47,727 --> 00:18:51,698 NO FLOW GENTLEMEN, OUR BENEFACTOR 329 00:18:51,731 --> 00:18:55,302 ON THIS CHRISTMAS EVE * * WHOSE CHARITY IS ONLY 330 00:18:55,335 --> 00:18:58,438 MATCHED BY TALENT I BELIEVE * 331 00:18:58,471 --> 00:19:01,608 * A NEW MEMBER OF THE ALPHABET CITY 332 00:19:01,641 --> 00:19:11,651 AVANT GARDE ANGEL DUMOTT SCHUNARD * 333 00:19:11,684 --> 00:19:18,325 AVANT GARDE ANGEL DUMOTT SCHUNARD * 334 00:19:18,358 --> 00:19:23,363 * TODAY FOR YOU TOMORROW FOR ME * 335 00:19:23,396 --> 00:19:29,369 * TODAY FOR YOU TOMORROW FOR ME * 336 00:19:29,402 --> 00:19:31,404 >> AND YOU SHOULD HEAR HER BEAT! 337 00:19:31,438 --> 00:19:32,572 >> YOU EARNED THAT ON THE STREET? 338 00:19:32,605 --> 00:19:36,209 * IT WAS MY LUCKY DAY TODAY ON AVENUE A 339 00:19:36,243 --> 00:19:39,246 WHEN A LADY IN A LIMOUSINE DROVE MY WAY * 340 00:19:39,279 --> 00:19:41,748 * SHE SAID, "DAHLING BE A DEAR 341 00:19:41,781 --> 00:19:44,551 HAVEN'T SLEPT IN A YEAR I NEED YOUR HELP * 342 00:19:44,584 --> 00:19:48,388 * TO MAKE MY NEIGHBOR'S YAPPY DOG DISAPPEAR 343 00:19:48,421 --> 00:19:51,190 THIS AKITA EVITA JUST WON'T SHUT UP * 344 00:19:51,224 --> 00:19:54,026 * I BELIEVE IF YOU PLAY NON-STOP 345 00:19:54,060 --> 00:19:57,264 THAT PUP WILL BREATHE ITS VERY LAST * 346 00:19:57,297 --> 00:20:00,433 * HIGH STRUNG BREATH I'M CERTAIN THAT CUR 347 00:20:00,467 --> 00:20:04,003 WILL BARK ITSELF TO DEATH" * * TODAY FOR YOU 348 00:20:04,036 --> 00:20:07,440 TOMORROW FOR ME * * TODAY FOR YOU 349 00:20:07,474 --> 00:20:11,077 TOMORROW FOR ME * * WE AGREED ON A FEE 350 00:20:11,110 --> 00:20:15,047 A THOUSAND DOLLAR GUARANTEE TAX-FREE AND BONUS 351 00:20:15,081 --> 00:20:19,852 IF I TRIM HER TREE * * NOW WHO COULD FORETELL 352 00:20:19,886 --> 00:20:21,421 THAT IT WOULD GO SO WELL BUT SURE AS I AM HERE 353 00:20:21,454 --> 00:20:25,024 THAT DOG IS NOW * * IN DOGGY HELL 354 00:20:25,057 --> 00:20:28,595 AFTER AN HOUR, EVITA IN ALL HER GLORY 355 00:20:28,628 --> 00:20:31,798 ON THE WINDOW LEDGE OF THAT 23RD STORY * 356 00:20:31,831 --> 00:20:35,302 * LIKE THELMA AND LOUISE DID WHEN THEY GOT THE BLUES 357 00:20:35,335 --> 00:20:38,104 SWAN DOVE INTO THE COURTYARD OF THE GRACIE MEWS * 358 00:20:38,137 --> 00:20:42,074 * TODAY FOR YOU TOMORROW FOR ME * 359 00:20:42,108 --> 00:20:49,316 * TODAY FOR YOU TOMORROW FOR ME * 360 00:20:49,349 --> 00:21:00,827 ** ** 361 00:21:00,860 --> 00:21:04,297 * THEN BACK ON THE STREET WHERE I MET MY SWEET 362 00:21:04,331 --> 00:21:06,299 AS HE WAS MOANING AND GROANING * 363 00:21:06,333 --> 00:21:09,902 * ON THE COLD CONCRETE THE NURSE TOOK HIM HOME 364 00:21:09,936 --> 00:21:12,271 FOR SOME MERCUROCHROME AND I DRESSED HIS WOUNDS * 365 00:21:12,305 --> 00:21:13,906 * AND GOT HIM BACK ON HIS FEET 366 00:21:13,940 --> 00:21:16,676 SINGING * * TODAY FOR YOU 367 00:21:16,709 --> 00:21:19,479 TOMORROW FOR ME * * TODAY FOR YOU 368 00:21:19,512 --> 00:21:23,850 TOMORROW FOR ME * * I SAID TODAY FOR YOU TOMORROW 369 00:21:23,883 --> 00:21:26,653 FOR ME TODAY FOR YOU 370 00:21:26,686 --> 00:21:32,659 TOMORROW FOR ME * * OH OH OH 371 00:21:32,692 --> 00:21:42,502 FOR ME [ CHEERS AND APPLAUSE ] 372 00:21:42,535 --> 00:21:44,871 >> JOY TO THE WORLD. 373 00:21:44,904 --> 00:21:46,439 >> BENNY STILL HAS A KEY? 374 00:21:46,473 --> 00:21:48,875 >> BENNY OWNS THE BUILDING. 375 00:21:48,908 --> 00:21:49,342 >> HEY YOU BUM! 376 00:21:49,376 --> 00:21:49,876 YEAH, YOU! 377 00:21:49,909 --> 00:21:50,843 MOVE OVER! 378 00:21:50,877 --> 00:21:52,479 GET YOUR ASS OFF THAT RANGE ROVER! 379 00:21:52,512 --> 00:21:55,682 >> THAT ATTITUDE TOWARD THE HOMELESS IS EXACTLY WHAT MAUREEN 380 00:21:55,715 --> 00:21:58,351 IS PROTESTING TONIGHT. 381 00:21:58,385 --> 00:22:00,487 >> MAUREEN IS PROTESTING LOSING HER PERFORMANCE SPACE. 382 00:22:00,520 --> 00:22:02,789 NOT MY ATTITUDE. 383 00:22:02,822 --> 00:22:07,394 SHE'S NOT WORRIED ABOUT THE PEOPLE WHO LIVE IN THAT EMPTY 384 00:22:07,427 --> 00:22:08,828 LOT. 385 00:22:08,861 --> 00:22:09,228 SHE'S WORRIED ABOUT LOSING A HOME FOR HER ANGRY LITTLE 386 00:22:09,261 --> 00:22:09,996 PROTEST SKITS. 387 00:22:10,029 --> 00:22:10,730 >> WHAT'S HAPPENED TO BENNY? 388 00:22:10,763 --> 00:22:13,132 WHAT HAPPENED TO HIS HEART? 389 00:22:13,165 --> 00:22:16,235 AND THE IDEALS HE ONCE PURSUED? 390 00:22:16,268 --> 00:22:19,906 >> ANY OWNER OF THAT LOT NEXT DOOR HAS THE RIGHT TO DO WITH IT 391 00:22:19,939 --> 00:22:22,709 AS HE PLEASES. 392 00:22:22,742 --> 00:22:24,711 >> HAPPY BIRTHDAY, JESUS! 393 00:22:24,744 --> 00:22:26,345 >> THE RENT -- >> YOU'RE WASTING YOUR TIME. 394 00:22:26,379 --> 00:22:27,514 >> WE'RE BROKE. 395 00:22:27,547 --> 00:22:31,418 AND YOU BROKE YOUR WORD. 396 00:22:31,451 --> 00:22:32,552 THIS IS ABSURD. 397 00:22:32,585 --> 00:22:33,420 >> THERE IS ONE WAY YOU WON'T HAVE TO PAY. 398 00:22:33,453 --> 00:22:34,554 >> I KNEW IT! 399 00:22:34,587 --> 00:22:38,558 >> NEXT DOOR THE HOME OF CYBERARTS YOU SEE. 400 00:22:38,591 --> 00:22:41,728 AND NOW THAT THE BLOCK IS RE-ZONED, OUR DREAM CAN BECOME A 401 00:22:41,761 --> 00:22:51,571 REALITY YOU'LL SEE BOYS YOU'LL A STATE OF THE ART DIGITAL 402 00:22:51,604 --> 00:22:57,577 VIRTUAL INTERACTIVE STUDIO I'LL FOREGO YOUR RENT AND ON PAPER 403 00:22:57,610 --> 00:23:00,379 GUARANTEE THAT YOU CAN STAY HERE FOR FREE IF YOU DO ME ONE SMALL 404 00:23:00,413 --> 00:23:03,182 FAVOR. 405 00:23:03,215 --> 00:23:04,283 >> WHAT? 406 00:23:04,316 --> 00:23:05,351 >> CONVINCE MAUREEN TO CANCEL HER PROTEST. 407 00:23:05,384 --> 00:23:07,954 >> WHY NOT JUST GET AN INJUNCTION OR CALL THE COPS? 408 00:23:07,987 --> 00:23:11,558 >> I DID AND THEY'RE ON STANDBY. 409 00:23:11,591 --> 00:23:14,627 BUT MY INVESTORS WOULD RATHER I HANDLE THIS QUIETLY YOU CAN'T 410 00:23:14,661 --> 00:23:17,564 QUIETLY WIPE OUT AN ENTIRE TENT CITY, THEN WATCH 'IT'S A 411 00:23:17,597 --> 00:23:19,566 WONDERFUL LIFE' ON TV! 412 00:23:19,599 --> 00:23:21,400 YOU WANT TO PRODUCE FILMS AND WRITE SONGS? 413 00:23:21,434 --> 00:23:24,604 YOU NEED SOMEWHERE TO PERFECT IT. 414 00:23:24,637 --> 00:23:25,972 IT'S WHAT WE USED TO DREAM ABOUT, THINK TWICE BEFORE YOU 415 00:23:26,005 --> 00:23:28,207 REJECT IT. 416 00:23:28,240 --> 00:23:36,616 YOU'LL SEE BOYS YOU'LL SEE BOYS YOU'LL SEE THE BEAUTY OF A 417 00:23:36,649 --> 00:23:42,455 STUDIO THAT LETS US DO OUR WORK AND GET PAID WITH CONDOS ON THE 418 00:23:42,489 --> 00:23:51,263 TOP WHOSE RENT KEEPS OPEN OUR SHOP JUST STOP HER PROTEST AND 419 00:23:51,297 --> 00:23:57,670 YOU'LL HAVE IT MADE YOU'LL SEE OR YOU'LL PACK. 420 00:23:57,704 --> 00:23:58,471 THAT BOY COULD USE SOME PROZAC. 421 00:23:58,505 --> 00:23:59,071 OR HEAVY DRUGS. 422 00:23:59,105 --> 00:24:03,242 OR GROUP HUGS. 423 00:24:03,275 --> 00:24:10,517 >> WHICH REMINDS ME -â " WE HAVE A DETOUR TO MAKE TONIGHT. 424 00:24:10,550 --> 00:24:11,951 ANYONE WHO WANTS TO CAN COME ALONG. 425 00:24:11,984 --> 00:24:13,252 >> LIFE SUPPORT IS A GROUP FOR PEOPLE COPING WITH LIFE. 426 00:24:13,285 --> 00:24:14,253 >> WE DON'T HAVE TO STAY TOO LONG. 427 00:24:14,286 --> 00:24:15,321 >> FIRST I'VE GOT THAT PROTEST TO SAVE. 428 00:24:15,354 --> 00:24:16,322 >> ROGER? 429 00:24:16,355 --> 00:24:17,289 * I'M NOT MUCH COMPANY YOU'LL FIND 430 00:24:17,323 --> 00:24:18,124 BEHAVE * * HE'LL CATCH UP LATER 431 00:24:18,157 --> 00:24:18,925 HE'S JUST GOT OTHER THINGS ON HIS MIND 432 00:24:18,958 --> 00:24:25,031 YOU'LL SEE BOYS * * WE'LL SEE BOYS 433 00:24:25,064 --> 00:24:29,836 LET IT BE BOYS! 434 00:24:29,869 --> 00:24:34,641 I LIKE BOYS BOYS LIKE ME 435 00:24:34,674 --> 00:24:46,553 * WE'LL SEE [ PHONE RINGS ] 436 00:24:46,586 --> 00:24:47,687 [ BEEP ] >> YOU'VE REACHED MAUREEN AND 437 00:24:47,720 --> 00:24:48,855 JOANNE. 438 00:24:48,888 --> 00:24:53,292 BE AT MY SHOW TONIGHT AT THE 11TH STREET LOT. 439 00:24:53,325 --> 00:24:55,662 * WELL, JOANNE, WE'RE OFF I TRIED YOU AT THE OFFICE 440 00:24:55,695 --> 00:24:57,329 AND THEY SAID YOU'RE STAGE MANAGING * 441 00:24:57,363 --> 00:25:00,700 * OR SOMETHING THE HEARINGS OH YES KITTEN 442 00:25:00,733 --> 00:25:03,169 MUMMY'S CONFIRMATION HEARING BEGINS ON THE TENTH * 443 00:25:03,202 --> 00:25:04,336 * WE'LL NEED YOU ALONE BY THE SIXTH * 444 00:25:04,370 --> 00:25:05,504 >> HAROLD! 445 00:25:05,538 --> 00:25:08,708 * FOR MUMMY'S SAKE, KITTEN NO DOC MARTENS THIS TIME 446 00:25:08,741 --> 00:25:14,714 AND WEAR A DRESS OH AND KITTEN HAVE A MERRY * 447 00:25:14,747 --> 00:25:19,552 >> AND A BRA!!! 448 00:25:19,586 --> 00:25:21,754 >> TONIGHT'S BIG SHOW IS IN MORTAL DANGER DUE TO TECHNICAL 449 00:25:21,788 --> 00:25:24,223 DIFFICULTIES. 450 00:25:24,256 --> 00:25:27,727 CAN MAUREEN'S PATHETIC EX SAVE THE DAY? 451 00:25:27,760 --> 00:25:28,561 >> MARK? 452 00:25:28,595 --> 00:25:29,261 >> YEAH. 453 00:25:29,295 --> 00:25:32,198 AND YOU MUST BE JOANNE. 454 00:25:32,231 --> 00:25:36,736 ** * I TOLD HER NOT TO CALL YOU 455 00:25:36,769 --> 00:25:37,937 THAT'S MAUREEN BUT CAN I HELP SINCE I'M HERE 456 00:25:37,970 --> 00:25:44,443 I HIRED AN ENGINEER * * GREAT 457 00:25:44,476 --> 00:25:46,913 SO, NICE TO HAVE MET YOU WAIT 458 00:25:46,946 --> 00:25:54,754 SHE'S THREE HOURS LATE * * THE SAMPLES WON'T DELAY 459 00:25:54,787 --> 00:25:56,022 BUT THE CABLE THERE'S ANOTHER WAY 460 00:25:56,055 --> 00:25:59,225 SAY SOMETHING * * ANYTHING 461 00:25:59,258 --> 00:26:05,197 TEST ONE TWO THREE ANYTHING BUT THAT 462 00:26:05,231 --> 00:26:06,699 THIS IS WEIRD * * IT'S WEIRD 463 00:26:06,733 --> 00:26:09,602 VERY WEIRD SUPER WEIRD 464 00:26:09,636 --> 00:26:10,803 I'M SO MAD * * THAT I DON'T KNOW 465 00:26:10,837 --> 00:26:14,741 WHAT TO DO FIGHTING WITH MICROPHONES 466 00:26:14,774 --> 00:26:17,944 FREEZING DOWN TO MY BONES * * AND TO TOP IT ALL OFF 467 00:26:17,977 --> 00:26:22,581 I'M WITH YOU FEEL LIKE GOING INSANE? 468 00:26:22,615 --> 00:26:25,885 GOT A FIRE IN YOUR BRAIN? * * AND YOU'RE THINKING 469 00:26:25,918 --> 00:26:27,820 OF DRINKING GASOLINE? 470 00:26:27,854 --> 00:26:31,824 AS A MATTER OF FACT HONEY, I KNOW THIS ACT * 471 00:26:31,858 --> 00:26:35,795 * IT'S CALLED THE TANGO MAUREEN 472 00:26:35,828 --> 00:26:41,668 THE TANGO MAUREEN IT'S A DARK, DIZZY * 473 00:26:41,701 --> 00:26:45,638 * MERRY-GO-ROUND AS SHE KEEPS YOU DANGLING 474 00:26:45,672 --> 00:26:49,275 YOU'RE WRONG YOUR HEART SHE IS MANGLING * 475 00:26:49,308 --> 00:26:52,912 * IT'S DIFFERENT WITH ME AND YOU TOSS AND YOU TURN 476 00:26:52,945 --> 00:26:55,247 'CAUSE HER COLD EYES CAN BURN YET YOU YEARN * 477 00:26:55,281 --> 00:27:00,019 * AND YOU CHURN AND REBOUND I THINK I KNOW WHAT YOU MEAN 478 00:27:00,052 --> 00:27:06,826 THE TANGO MAUREEN * * HAS SHE EVER 479 00:27:06,859 --> 00:27:11,831 POUTED HER LIPS AND CALLED YOU 'POOKIE' 480 00:27:11,864 --> 00:27:15,467 NEVER * * HAVE YOU EVER 481 00:27:15,501 --> 00:27:16,803 DOUBTED A KISS OR TWO? 482 00:27:16,836 --> 00:27:21,440 THIS IS SPOOKY DID YOU SWOON * 483 00:27:21,473 --> 00:27:22,709 * WHEN SHE WALKED THROUGH THE DOOR? 484 00:27:22,742 --> 00:27:27,847 EVERY TIME SO BE CAUTIOUS * 485 00:27:27,880 --> 00:27:30,883 * DID SHE MOON OVER OTHER BOYS? 486 00:27:30,917 --> 00:27:35,354 MORE THAN MOON I'M GETTING NAUSEOUS * 487 00:27:35,387 --> 00:27:45,397 ** >> WHERE'D YOU LEARN TO TANGO? 488 00:27:45,431 --> 00:27:50,870 ** >> WHERE'D YOU LEARN TO TANGO? 489 00:27:50,903 --> 00:27:52,304 >> WITH THE SPANISH AMBASSADOR'S DAUGHTER IN HER DORM ROOM AT 490 00:27:52,338 --> 00:27:53,239 MISS PORTER'S. 491 00:27:53,272 --> 00:27:56,475 AND YOU? 492 00:27:56,508 --> 00:27:58,144 >> WITH NANETTE HIMMELFARB, THE RABBI'S DAUGHTER, AT THE 493 00:27:58,177 --> 00:28:02,715 SCARSDALE JEWISH COMMUNITY CENTER. 494 00:28:02,749 --> 00:28:04,350 >> IT'S HARD TO DO THIS BACKWARDS. 495 00:28:04,383 --> 00:28:07,887 >> YOU SHOULD TRY IT IN HEELS! 496 00:28:07,920 --> 00:28:09,155 * SHE CHEATED SHE CHEATED 497 00:28:09,188 --> 00:28:11,523 MAUREEN CHEATED YUP SHE CHEATED * 498 00:28:11,557 --> 00:28:14,326 * I'M DEFEATED I SHOULD GIVE UP RIGHT NOW 499 00:28:14,360 --> 00:28:17,830 GOTTA LOOK ON THE BRIGHT SIDE WITH ALL YOUR MIGHT * 500 00:28:17,864 --> 00:28:22,268 * I'D FALL FOR HER STILL ANYHOW 501 00:28:22,301 --> 00:28:26,572 WHEN YOU'RE DANCING HER DANCE YOU DON'T STAND A CHANCE * 502 00:28:26,605 --> 00:28:30,576 * HER GRIP OF ROMANCE MAKES YOU FALL 503 00:28:30,609 --> 00:28:34,580 SO YOU THINK, 'MIGHT AS WELL' DANCE A TANGO TO HELL * 504 00:28:34,613 --> 00:28:36,916 * AT LEAST I'LL HAVE TANGOED AT ALL 505 00:28:36,949 --> 00:28:41,788 THE TANGO MAUREEN * * GOTTA DANCE 'TIL 506 00:28:41,821 --> 00:28:48,527 YOUR DIVA IS THROUGH YOU PRETEND TO BELIEVE HER 507 00:28:48,560 --> 00:28:54,100 CAUSE IN THE END YOU CAN'T LEAVE HER * 508 00:28:54,133 --> 00:28:56,769 * BUT THE END IT WILL COME STILL YOU HAVE TO PLAY DUMB 509 00:28:56,803 --> 00:28:59,939 'TIL YOU'RE GLUM AND YOU BUM AND TURN BLUE * 510 00:28:59,972 --> 00:29:09,248 * WHY DO WE LOVE WHEN SHE'S MEAN? * 511 00:29:09,281 --> 00:29:14,220 * AND SHE CAN BE SO OBSCENE TRY THE MIKE * 512 00:29:14,253 --> 00:29:15,054 MY MAUREEN * >> PATCHED. 513 00:29:15,087 --> 00:29:16,555 >> THANKS. 514 00:29:16,588 --> 00:29:18,157 >> YOU KNOW, I FEEL GREAT NOW! 515 00:29:18,190 --> 00:29:19,758 >> I FEEL LOUSY. 516 00:29:19,792 --> 00:29:28,134 [ PHONE RINGS ] >> HI, HONEY, WE'RE -- 517 00:29:28,167 --> 00:29:34,807 "POOKIE?" YOU'VE NEVER CALLED ME "POOKIE." 518 00:29:34,841 --> 00:29:35,207 >> TOLD YA SO. 519 00:29:35,241 --> 00:29:35,641 >> FORGET IT. 520 00:29:35,674 --> 00:29:38,777 WE'RE PATCHED. 521 00:29:38,811 --> 00:29:40,779 * THE TANGO: MAUREEN! >>> BY THE END OF 1991, NEARLY 522 00:29:55,895 --> 00:29:59,698 TEN MILLION PEOPLE WORLDWIDE, INCLUDING ONE MILLION AMERICANS 523 00:29:59,731 --> 00:30:03,369 HAVE BEEN DIAGNOSED WITH HIV. THERE ARE 206,563 REPORTED CASES 524 00:30:03,402 --> 00:30:04,803 OF AIDS. 525 00:30:04,837 --> 00:30:08,007 WHILE THE ANTIRETROVIRAL MEDICATION KNOWN AS AZT SHOWS 526 00:30:08,040 --> 00:30:13,880 PROMISE AS A TREATMENT, PROMISE AS A TREATMENT, ITS 527 00:30:13,913 --> 00:30:15,281 EFFECTIVENESS REMAINS UNCERTAIN. 528 00:30:15,314 --> 00:30:23,222 156,143 PEOPLE HAVE DIED FROM THE DISEASE. 529 00:30:23,255 --> 00:30:27,626 MORE THAN 31,000 PEOPLE HAVE DIED IN NEW YORK CITY ALONE. 530 00:30:27,659 --> 00:30:29,896 >> PAM. 531 00:30:29,929 --> 00:30:31,898 >> GORDON. 532 00:30:31,931 --> 00:30:33,199 >> ALI. 533 00:30:33,232 --> 00:30:36,002 >> STEVE. 534 00:30:36,035 --> 00:30:39,872 >> SUE. 535 00:30:39,906 --> 00:30:41,140 >> I'M ANGEL. 536 00:30:41,173 --> 00:30:42,308 >> TOM. 537 00:30:42,341 --> 00:30:43,042 >> COLLINS. 538 00:30:43,075 --> 00:30:43,910 >> I'M CY. 539 00:30:43,943 --> 00:30:47,479 LET'S BEGIN. 540 00:30:47,513 --> 00:30:51,884 >> THERE'S ONLY US. 541 00:30:51,918 --> 00:30:55,021 THERE'S ONLY THIS. 542 00:30:55,054 --> 00:30:56,088 >> SORRY EXCUSE ME. 543 00:30:56,122 --> 00:30:56,555 OOPS. 544 00:30:56,588 --> 00:30:58,891 >> AND YOU ARE? 545 00:30:58,925 --> 00:31:00,893 >> OH I'M NOT -- I'M JUST HERE TO -- I DON'T HAVE -- 546 00:31:00,927 --> 00:31:08,067 I'M HERE WITH -- MARK, I'M MARK. 547 00:31:08,100 --> 00:31:13,272 WELL, THIS IS QUITE AN OPERATION >> SIT DOWN, MARK. 548 00:31:13,305 --> 00:31:15,274 WE'LL CONTINUE THE AFFIRMATION. 549 00:31:15,307 --> 00:31:20,446 >> FORGET REGRET, OR LIFE IS YOURS TO MISS. 550 00:31:20,479 --> 00:31:30,456 >> EXCUSE ME, FOLKS I'M HAVING A PROBLEM WITH THIS CREDO. 551 00:31:30,489 --> 00:31:31,223 MY T CELLS ARE LOW. 552 00:31:31,257 --> 00:31:33,192 I REGRET THAT NEWS, OKAY? 553 00:31:33,225 --> 00:31:34,360 >> ALL RIGHT. 554 00:31:34,393 --> 00:31:35,527 >> BUT GORDON, HOW DO YOU FEEL TODAY? 555 00:31:35,561 --> 00:31:36,262 >> WHAT DO YOU MEAN? 556 00:31:36,295 --> 00:31:36,795 >> HOW DO YOU FEEL TODAY? 557 00:31:36,828 --> 00:31:37,363 >> OKAY. 558 00:31:37,396 --> 00:31:38,697 >> IS THAT ALL? 559 00:31:38,730 --> 00:31:40,699 >> BEST I'VE FELT ALL YEAR. 560 00:31:40,732 --> 00:31:45,037 >> THEN WHY CHOOSE FEAR? >> I'M A NEW YORKER! 561 00:31:45,071 --> 00:31:49,108 FEAR'S MY LIFE! 562 00:31:49,141 --> 00:31:54,280 LOOK I FIND SOME OF WHAT YOU TEACH SUSPECT BECAUSE I'M USED 563 00:31:54,313 --> 00:31:58,117 TO RELYING ON INTELLECT BUT I TRY TO OPEN UP TO WHAT I DON'T 564 00:31:58,150 --> 00:32:02,554 KNOW. 565 00:32:02,588 --> 00:32:11,297 >> BECAUSE REASON SAYS I SHOULD HAVE DIED SIX MONTHS AGO. 566 00:32:11,330 --> 00:32:23,142 >> NO OTHER ROAD, NO OTHER WAY, NO DAY BUT TODAY. 567 00:32:23,175 --> 00:32:32,951 * WHAT'S THE TIME WELL IT'S GOTTA BE 568 00:32:32,985 --> 00:32:39,525 * WHAT'S THE TIME WELL IT'S GOTTA BE 569 00:32:39,558 --> 00:32:44,663 CLOSE TO MIDNIGHT MY BODY'S TALKING TO ME * 570 00:32:44,696 --> 00:32:50,169 * IT SAYS TIME FOR DANGER IT SAYS I WANNA 571 00:32:50,202 --> 00:32:54,273 COMMIT A CRIME WANNA BE THE CAUSE * 572 00:32:54,306 --> 00:32:59,778 * OF A FIGHT WANNA PUT ON A TIGHT SKIRT 573 00:32:59,811 --> 00:33:06,885 AND FLIRT WITH A STRANGER I'VE HAD A KNACK * 574 00:33:06,918 --> 00:33:08,854 * FROM WAY BACK AT BREAKING THE RULES 575 00:33:08,887 --> 00:33:12,491 ONCE I LEARN THE GAMES GET UP LIFE'S TOO QUICK * 576 00:33:12,524 --> 00:33:13,792 * I KNOW SOMEPLACE SICK WHERE THIS CHICK'LL 577 00:33:13,825 --> 00:33:21,233 DANCE IN THE FLAMES WE DON'T NEED ANY MONEY * 578 00:33:21,267 --> 00:33:26,004 * I ALWAYS GET IN FOR FREE YOU CAN GET IN TOO 579 00:33:26,038 --> 00:33:38,684 IF YOU GET IN WITH ME LET'S GO OUT TONIGHT * 580 00:33:38,717 --> 00:33:47,025 * I HAVE TO GO OUT TONIGHT YOU WANNA PLAY 581 00:33:47,059 --> 00:33:49,828 LET'S RUN AWAY WE WON'T BE BACK * 582 00:33:49,861 --> 00:33:59,871 * BEFORE IT'S CHRISTMAS DAY WHEN I GET A WINK 583 00:33:59,905 --> 00:34:09,248 * BEFORE IT'S CHRISTMAS DAY WHEN I GET A WINK 584 00:34:09,281 --> 00:34:14,220 FROM THE DOORMAN DO YOU KNOW HOW LUCKY YOU'LL BE * 585 00:34:14,253 --> 00:34:18,056 * THAT YOU'RE ON LINE WITH THE FELINE 586 00:34:18,090 --> 00:34:28,300 OF AVENUE B LET'S GO OUT TONIGHT * 587 00:34:28,334 --> 00:34:38,744 * I HAVE TO GO OUT TONIGHT YOU WANNA PROWL BE MY NIGHT OWL 588 00:34:38,777 --> 00:34:42,714 WELL TAKE MY HAND * * WE'RE GONNA HOWL 589 00:34:42,748 --> 00:34:49,121 OUT TONIGHT IN THE EVENING 590 00:34:49,155 --> 00:34:52,958 I'VE GOT TO ROAM * * CAN'T SLEEP IN THE CITY 591 00:34:52,991 --> 00:34:59,765 OF NEON AND CHROME FEELS TOO DAMN 592 00:34:59,798 --> 00:35:03,402 MUCH LIKE HOME * * WHEN THE BABIES CRY 593 00:35:03,435 --> 00:35:06,104 SO LET'S FIND A BAR SO DARK WE FORGET 594 00:35:06,138 --> 00:35:10,176 WHO WE ARE * * WHERE ALL THE SCARS 595 00:35:10,209 --> 00:35:17,183 OF THE NEVERS AND MAYBES DIE 596 00:35:17,216 --> 00:35:27,626 LET'S GO OUT TONIGHT * * HAVE TO GO OUT TONIGHT 597 00:35:27,659 --> 00:35:34,333 YOU'RE SWEET WANNA HIT THE STREET 598 00:35:34,366 --> 00:35:39,137 WANNA WAIL AT THE MOON * * LIKE A CAT IN HEAT 599 00:35:39,171 --> 00:35:48,647 JUST TAKE ME OUT TONIGHT PLEASE TAKE ME OUT TONIGHT 600 00:35:48,680 --> 00:35:56,988 DON'T FORSAKE ME * * OUT TONIGHT 601 00:35:57,022 --> 00:36:04,963 I'LL LET YOU MAKE ME OUT TONIGHT 602 00:36:04,996 --> 00:36:15,006 TONIGHT TONIGHT TONIGHT * * WHO DO YOU THINK YOU ARE 603 00:36:15,040 --> 00:36:23,181 TONIGHT TONIGHT TONIGHT * * WHO DO YOU THINK YOU ARE 604 00:36:23,215 --> 00:36:26,818 BARGING IN ON ME AND MY GUITAR 605 00:36:26,852 --> 00:36:29,588 LITTLE GIRL HEY * * THE DOOR IS THAT WAY 606 00:36:29,621 --> 00:36:33,091 YOU BETTER GO YOU KNOW THE FIRE'S OUT ANYWAY 607 00:36:33,124 --> 00:36:36,262 TAKE YOUR POWDER * * TAKE YOUR CANDLE 608 00:36:36,295 --> 00:36:40,266 YOUR SWEET WHISPER I JUST CAN'T HANDLE 609 00:36:40,299 --> 00:36:43,068 WELL TAKE YOUR HAIR * * IN THE MOONLIGHT 610 00:36:43,101 --> 00:36:48,674 YOUR BROWN EYES GOODBYE, GOODNIGHT 611 00:36:48,707 --> 00:36:53,512 I SHOULD TELL YOU * * I SHOULD TELL YOU 612 00:36:53,545 --> 00:36:55,013 I SHOULD TELL YOU I SHOULD NO 613 00:36:55,046 --> 00:36:57,783 ANOTHER TIME ANOTHER PLACE * * OUR TEMPERATURE 614 00:36:57,816 --> 00:36:58,884 WOULD CLIMB THERE'D BE A 615 00:36:58,917 --> 00:37:02,120 LONG EMBRACE * * WE'D DO ANOTHER DANCE 616 00:37:02,153 --> 00:37:04,923 IT'D BE ANOTHER PLAY LOOKING FOR ROMANCE 617 00:37:04,956 --> 00:37:18,437 COME BACK ANOTHER DAY * * THE HEART MAY FREEZE 618 00:37:18,470 --> 00:37:23,642 OR IT CAN BURN THE PAIN WILL 619 00:37:23,675 --> 00:37:30,816 EASE IF I CAN LEARN * * THERE IS NO FUTURE 620 00:37:30,849 --> 00:37:36,288 THERE IS NO PAST I LIVE THIS MOMENT 621 00:37:36,322 --> 00:37:48,667 AS MY LAST * * THERE'S ONLY US 622 00:37:48,700 --> 00:37:52,304 THERE'S ONLY THIS FORGET REGRET OR LIFE 623 00:37:52,338 --> 00:37:58,176 IS YOURS TO MISS * * NO OTHER ROAD 624 00:37:58,209 --> 00:38:07,285 NO OTHER WAY NO DAY BUT TODAY 625 00:38:07,319 --> 00:38:10,922 EXCUSE ME IF I'M OFF TRACK * * BUT IF YOU'RE SO WISE 626 00:38:10,956 --> 00:38:13,291 THEN TELL ME WHY DO YOU NEED SMACK 627 00:38:13,325 --> 00:38:16,528 TAKE YOUR NEEDLE * * TAKE YOUR FANCY PRAYER 628 00:38:16,562 --> 00:38:18,864 AND DON'T FORGET GET THE MOONLIGHT 629 00:38:18,897 --> 00:38:20,866 OUT OF YOUR HAIR * * LONG AGO YOU MIGHT'VE 630 00:38:20,899 --> 00:38:23,669 LIT UP MY HEART BUT THE FIRE'S DEAD 631 00:38:23,702 --> 00:38:32,310 AIN'T NEVER EVER * * GONNA START ANOTHER TIME 632 00:38:32,344 --> 00:38:34,780 THE WORDS WOULD ONLY RHYME WE'D BE IN OUTER SPACE 633 00:38:34,813 --> 00:38:38,316 IT'D BE ANOTHER SONG * * WE'D SING ANOTHER WAY 634 00:38:38,350 --> 00:38:44,222 YOU WANNA PROVE ME WRONG COME BACK ANOTHER DAY 635 00:38:44,255 --> 00:38:53,832 ANOTHER DAY * * THERE'S ONLY YES 636 00:38:53,865 --> 00:39:02,641 ONLY TONIGHT WE MUST LET GO 637 00:39:02,674 --> 00:39:08,914 TO KNOW WHAT'S RIGHT * * NO OTHER COURSE 638 00:39:08,947 --> 00:39:17,222 NO OTHER WAY NO DAY BUT TODAY 639 00:39:17,255 --> 00:39:22,528 I CAN'T CONTROL * * CONTROL YOUR TEMPER 640 00:39:22,561 --> 00:39:28,834 MY DESTINY SHE DOESN'T SEE 641 00:39:28,867 --> 00:39:33,939 I TRUST MY SOUL * * WHO SAY'S THAT 642 00:39:33,972 --> 00:39:42,247 THERE 'S A SOUL MY ONLY GOAL IS 643 00:39:42,280 --> 00:39:49,054 JUST TO BE * * JUST LET ME BE 644 00:39:49,087 --> 00:39:51,557 THERE'S ONLY NOW WHO DO YOU THINK 645 00:39:51,590 --> 00:39:52,691 THERE'S ONLY HERE * * GIVE IN TO LOVE 646 00:39:52,724 --> 00:39:55,393 BARGING IN ON ME OR LIVE IN FEAR 647 00:39:55,427 --> 00:39:57,463 AND MY GUITAR * * NO OTHER PATH 648 00:39:57,496 --> 00:39:59,397 LITTLE GIRL HEY NO OTHER WAY 649 00:39:59,431 --> 00:40:05,771 THE DOOR IS THAT WAY * * NO DAY BUT TODAY 650 00:40:05,804 --> 00:40:11,777 THE FIRE'S OUT ANYWAY NO DAY BUT TODAY 651 00:40:11,810 --> 00:40:18,083 TAKE THE POWDER * * TAKE THE CANDLE 652 00:40:18,116 --> 00:40:20,418 NO DAY BUT TODAY TAKE YOUR BROWN EYES 653 00:40:20,452 --> 00:40:23,555 YOUR PRETTY SMILE * * YOUR SILHOUETTE 654 00:40:23,589 --> 00:40:26,458 NO DAY BUT TODAY ANOTHER TIME 655 00:40:26,492 --> 00:40:28,293 ANOTHER PLACE * * ANOTHER RHYME 656 00:40:28,326 --> 00:40:31,129 A WARM EMBRACE NO DAY BUT TODAY 657 00:40:31,162 --> 00:40:32,297 ANOTHER DANCE * * ANOTHER WAY 658 00:40:32,330 --> 00:40:37,135 ANOTHER CHANCE ANOTHER DAY 659 00:40:37,168 --> 00:40:47,178 NO DAY BUT TODAY * >> I'M WRITING ONE GREAT SONG 660 00:40:47,212 --> 00:41:00,492 NO DAY BUT TODAY * >> I'M WRITING ONE GREAT SONG 661 00:41:00,526 --> 00:41:10,536 BEFORE I -- * WILL I LOSE MY DIGNITY 662 00:41:10,569 --> 00:41:21,279 BEFORE I -- * WILL I LOSE MY DIGNITY 663 00:41:21,312 --> 00:41:31,523 WILL SOMEONE CARE WILL I WAKE TOMORROW 664 00:41:31,557 --> 00:41:41,132 FROM THIS NIGHTMARE * * WILL I LOSE MY DIGNITY 665 00:41:41,166 --> 00:41:49,875 WILL SOMEONE CARE WILL I WAKE TOMORROW 666 00:41:49,908 --> 00:42:00,686 FROM THIS NIGHTMARE * * WILL I LOSE MY DIGNITY 667 00:42:00,719 --> 00:42:11,663 WILL SOMEONE CARE WILL I WAKE TOMORROW 668 00:42:11,697 --> 00:42:24,042 FROM THIS NIGHTMARE * * WILL I LOSE MY DIGNITY 669 00:42:24,075 --> 00:42:35,621 WILL SOMEONE CARE WILL I WAKE TOMORROW 670 00:42:35,654 --> 00:42:41,927 FROM THIS NIGHTMARE * >> WILL I WAKE FROM THIS 671 00:42:41,960 --> 00:42:46,598 NIGHTMARE? 672 00:43:44,022 --> 00:43:56,935 * CHRISTMAS BELLS ARE RINGING CHRISTMAS BELLS ARE RINGING* 673 00:43:56,968 --> 00:44:01,707 CHRISTMAS BELLS ARE RINGING OUT OF TOWN* SANTA FE 674 00:44:01,740 --> 00:44:05,543 >> EVENING, OFFICERS! >> SMILE FOR TED KOPPEL, OFFICER 675 00:44:05,576 --> 00:44:12,818 MARTIN! * AND A MERRY CHRISTMAS TO YOUR 676 00:44:12,851 --> 00:44:18,156 FAMILY* >> G'NIGHT. 677 00:44:18,189 --> 00:44:19,624 * WHO THE HELL DO YOU THINK YOU ARE?* 678 00:44:19,657 --> 00:44:21,492 * I DON'T NEED ANY DAMN HELP FROM SOME BLEEDING* HEART 679 00:44:21,526 --> 00:44:24,662 CAMERAMAN MY LIFE'S NOT FOR YOU TO * 680 00:44:24,696 --> 00:44:28,299 * MAKE A NAME FOR YOURSELF ON! 681 00:44:28,333 --> 00:44:31,737 * EASY SUGAR, EASY HE WAS JUST TRYING TO -- 682 00:44:31,770 --> 00:44:34,239 * JUST TRYING TO USE ME TO KILL HIS GUILT * 683 00:44:34,272 --> 00:44:37,475 * IT'S NOT THAT KIND OF MOVIE, HONEY* LET'S GO THIS BLOCK HAS 684 00:44:37,508 --> 00:44:42,881 GOTTEN* * WAY TOO FULL OF ARTISTS HEY 685 00:44:42,914 --> 00:44:45,350 ARTIST -- YOU GOTTA DOLLAR? 686 00:44:45,383 --> 00:44:48,086 I THOUGHT NOT. ** 687 00:44:57,295 --> 00:45:00,065 * NEW YORK CITY UH HUH * CENTER OF THE UNIVERSE SING IT 688 00:45:00,098 --> 00:45:02,500 GIRL* * TIMES AIN'T PRETTY BUT I'M 689 00:45:02,533 --> 00:45:04,702 SURE THEY* * CAN'T GET ANY WORSE >> I HEAR 690 00:45:04,736 --> 00:45:07,505 YOU. * IT'S A COMFORT TO KNOW WHEN 691 00:45:07,538 --> 00:45:09,540 YOU'RE SINGING* * THE HIT THE ROAD BLUES THAT 692 00:45:09,574 --> 00:45:11,542 ANYWHERE ELSE* YOU COULD POSSIBLY GO* 693 00:45:11,576 --> 00:45:19,117 * AFTER NEW YORK'D BE A PLEASURE CRUISE* 694 00:45:19,150 --> 00:45:26,624 >> NOW YOU'RE TALKING. * WELL, I'M THWARTED BY A 695 00:45:26,657 --> 00:45:31,096 METAPHYSIC PUZZLE* AND I'M SICK OF GRADING PAPERS THAT I 696 00:45:31,129 --> 00:45:35,901 KNOW* AND I'M SHOUTING IN MY SLEEP I NEED A MUZZLE* 697 00:45:35,934 --> 00:45:42,573 * ALL THIS MISERY PAYS NO SALARY, SO* LET'S OPEN UP A 698 00:45:42,607 --> 00:45:47,813 RESTAURANT IN SANTA FE* SUNNY SANTA FE WOULD BE NICE WE'LL 699 00:45:47,846 --> 00:45:53,651 OPEN UP A RESTAURANT* * IN SANTA FE AND LEAVE THIS 700 00:45:53,684 --> 00:46:03,728 * TO THE ROACHES AND MICE OH -- OH -- 701 00:46:03,761 --> 00:46:14,339 * TO THE ROACHES AND MICE OH -- OH -- 702 00:46:14,372 --> 00:46:17,142 >> YOU TEACH? >> I TEACH -- COMPUTER AGE 703 00:46:17,175 --> 00:46:20,011 PHILOSOPHY. BUT MY STUDENTS WOULD RATHER 704 00:46:20,045 --> 00:46:22,347 WATCH TV. >> AMERICA. 705 00:46:22,380 --> 00:46:26,284 >> AMERICA! * YOU'RE A SENSITIVE AESTHETE 706 00:46:26,317 --> 00:46:31,456 BRUSH THE SAUCE ONTO THE MEAT* * YOU COULD MAKE THE MENU 707 00:46:31,489 --> 00:46:34,926 SPARKLE WITH RHYME* * YOU COULD DRUM A GENTLE DRUM I 708 00:46:34,960 --> 00:46:38,930 COULD SEAT GUESTS* * AS THEY COME CHATTING NOT 709 00:46:38,964 --> 00:46:42,600 ABOUT HEIDEGGER* * BUT WINE! 710 00:46:42,633 --> 00:46:47,705 LET'S OPEN UP A RESTAURANT* IN SANTA FE SANTA FE* 711 00:46:47,738 --> 00:46:50,976 * OUR LABORS WOULD REAP FINANCIAL GAINS* 712 00:46:51,009 --> 00:46:54,980 * GAINS, GAINS, GAINS WE'LL OPEN UP A RESTAURANT* 713 00:46:55,013 --> 00:46:57,648 * IN SANTA FE SANTA FE * AND SAVE FROM DEVASTATION OUR 714 00:46:57,682 --> 00:47:01,887 BRAINS* * SAVE OUR BRAINS WE'LL PACK UP 715 00:47:01,920 --> 00:47:05,623 ALL OUR JUNK* * AND FLY SO FAR AWAY DEVOTE 716 00:47:05,656 --> 00:47:10,395 OURSELVES TO* * PROJECTS THAT SELL WE'LL OPEN 717 00:47:10,428 --> 00:47:14,699 UP A RESTAURANT* IN SANTA FE* 718 00:47:14,732 --> 00:47:20,338 * FORGET THIS COLD BOHEMIAN HELL* 719 00:47:20,371 --> 00:47:30,381 * OH OH OH OH * DO YOU KNOW THE WAY TO SANTA 720 00:47:30,415 --> 00:47:40,458 * OH OH OH OH * DO YOU KNOW THE WAY TO SANTA 721 00:47:40,458 --> 00:47:45,430 * OH OH OH OH * DO YOU KNOW THE WAY TO SANTA 722 00:47:45,463 --> 00:47:51,336 FE?* * YOU KNOW, TUMBLEWEEDS PRAIRIE 723 00:47:51,369 --> 00:48:01,379 DOGS* * YEAH 724 00:48:01,412 --> 00:48:07,718 DOGS* * YEAH 725 00:48:07,752 --> 00:48:08,686 >> SO, I'M GOING TO LEAVE YOU TWO 726 00:48:08,719 --> 00:48:11,089 ALONE. 727 00:48:11,122 --> 00:48:13,458 SEE YOU AT MAUREEN'S SHOW. >> TRY AND CONVINCE ROGER TO 728 00:48:13,491 --> 00:48:19,097 COME! >> HAVE FUN, YOU TWO. 729 00:48:19,130 --> 00:48:21,899 >> SO HOW DO YOU LIKE THE OUTFIT? 730 00:48:21,933 --> 00:48:23,534 BE HONEST. 731 00:48:23,568 --> 00:48:26,704 >> IT'S A GREAT LOOK FOR YOU. OF COURSE, I LIKED THE OTHER 732 00:48:26,737 --> 00:48:29,607 LOOK TOO. >> I THINK THIS IS THE ONE, 733 00:48:29,640 --> 00:48:35,080 COLLINS. >> I FINALLY FEEL LIKE ME. 734 00:48:35,113 --> 00:48:36,948 >> WELL, THEN, I LOVE IT. 735 00:48:36,982 --> 00:48:41,752 OH, YOU LOVE IT? YOU CAN FALL IN LOVE WITH -- AN 736 00:48:41,786 --> 00:48:45,723 OUTFIT SO FAST? >> I DO BELIEVE I CAN, MS. ANGEL 737 00:48:45,756 --> 00:48:50,161 DUMOTT SHUNARD. SO... ARE WE A THING? 738 00:48:50,195 --> 00:48:53,331 >> DARLING, WE'RE EVERYTHING. ** 739 00:48:53,364 --> 00:48:57,302 * LIVE IN MY HOUSE I'LL BE YOUR SHELTER* 740 00:48:57,335 --> 00:49:01,306 * JUST PAY ME BACK WITH ONE THOUSAND KISSES* 741 00:49:01,339 --> 00:49:11,582 * BE MY LOVER AND I'LL COVER YOU* 742 00:49:11,616 --> 00:49:14,419 * OPEN YOUR DOOR I'LL BE YOUR TENANT* 743 00:49:14,452 --> 00:49:17,989 * DON'T GOT MUCH BAGGAGE TO LAY AT YOUR FEET* 744 00:49:18,023 --> 00:49:22,093 * BUT SWEET KISSES I'VE GOT TO SPARE* 745 00:49:22,127 --> 00:49:27,665 * I'LL BE THERE AND I'LL COVER YOU* 746 00:49:27,698 --> 00:49:32,003 * I THINK THEY MEANT IT WHEN THEY SAID* YOU CAN'T BUY LOVE 747 00:49:32,037 --> 00:49:35,640 NOW I KNOW YOU CAN RENT IT* A NEW LEASE YOU ARE, MY LOVE ON 748 00:49:35,673 --> 00:49:45,683 LIFE* * BE MY LIFE 749 00:49:45,716 --> 00:49:53,058 LIFE* * BE MY LIFE 750 00:49:53,091 --> 00:49:59,030 * JUST SLIP ME ON I'LL BE YOUR BLANKET* 751 00:49:59,064 --> 00:50:04,202 * WHEREVER, WHATEVER I'LL BE YOUR COAT* 752 00:50:04,235 --> 00:50:09,006 * YOU'LL BE MY KING AND I'LL BE YOUR CASTLE* NO, YOU'LL BE MY 753 00:50:09,040 --> 00:50:12,577 QUEEN AND I'LL BE YOUR MOAT* I THINK THEY MEANT IT WHEN THEY 754 00:50:12,610 --> 00:50:18,083 SAID* YOU CAN'T BUY LOVE NOW I KNOW YOU CAN RENT IT* A NEW 755 00:50:18,116 --> 00:50:28,059 LEASE YOU ARE, MY LOVE ON LIFE* * BE MY LIFE I'VE LONGED TO 756 00:50:28,093 --> 00:50:32,197 DISCOVER SOMETHING AS TRUE AS THIS IS * SO WITH A THOUSAND 757 00:50:32,230 --> 00:50:38,436 SWEET KISSES* * IF YOU'RE COLD AND YOU'RE 758 00:50:38,469 --> 00:50:42,840 LONELY* * I'LL COVER YOU WITH A THOUSAND 759 00:50:42,873 --> 00:50:45,610 SWEET KISSES* YOU'VE GOT ONE NICKEL ONLY * I'LL COVER YOU 760 00:50:45,643 --> 00:50:50,248 WITH A THOUSAND SWEET KISSES* WHEN YOU'RE WORN OUT AND TIRED 761 00:50:50,281 --> 00:50:54,719 * I'LL COVER YOU WITH A THOUSAND SWEET KISSES* 762 00:50:54,752 --> 00:51:01,859 * I'LL COVER YOU WHEN YOUR HEART HAS EXPIRED* OH LOVER, I'LL 763 00:51:01,892 --> 00:51:07,098 COVER YOU YEAH-AH-AH-AH-AH* * OH LOVER, I'LL COVER YOU 764 00:51:07,132 --> 00:51:12,170 * * STEVE? 765 00:51:28,186 --> 00:51:29,086 JOANNE THE MURGET CASE? * 766 00:51:29,120 --> 00:51:30,155 * A DISMISSAL! 767 00:51:30,188 --> 00:51:32,657 GOOD WORK COUNSELOR * [ PHONE RINGING ] 768 00:51:32,690 --> 00:51:36,227 * WE'RE OKAY * HONEYBEAR - WAIT! 769 00:51:36,261 --> 00:51:38,296 * I'M ON THE OTHER PHONE YES, I HAVE THE COWBELL 770 00:51:38,329 --> 00:51:43,768 WE'RE OKAY * * SO TELL THEM WE'LL SUE 771 00:51:43,801 --> 00:51:45,470 BUT A SETTLEMENT WILL DO * * SEXUAL HARASSMENT AND 772 00:51:45,503 --> 00:51:47,472 CIVIL RIGHTS TOO STEVE, YOU'RE GREAT * 773 00:51:47,505 --> 00:51:50,107 * NO, YOU CUT THE PAPER PLATE * 774 00:51:50,141 --> 00:51:52,577 DIDJA CHEAT ON MARK A LOT WOULD YOU SAY? * 775 00:51:52,610 --> 00:51:56,147 * WE'RE OKAY HONEY, HOLD ON * 776 00:51:56,181 --> 00:51:59,250 * STEVE HOLD ON * 777 00:51:59,284 --> 00:51:59,750 * HELLO? 778 00:51:59,784 --> 00:52:00,618 DAD YES * 779 00:52:00,651 --> 00:52:03,188 * I BEEPED YOU MAUREEN IS COMING TO 780 00:52:03,221 --> 00:52:04,822 MOTHER'S HEARING * * WE'RE OKAY 781 00:52:04,855 --> 00:52:08,826 * HONEYBEAR WHAT? * 782 00:52:08,859 --> 00:52:12,430 * NEWT'S LESBIAN SISTER I'LL TELL THEM * 783 00:52:12,463 --> 00:52:13,498 * YOU HEARD? * THEY HEARD 784 00:52:13,531 --> 00:52:16,334 WE'RE OKAY * * AND TO YOU, DAD 785 00:52:16,367 --> 00:52:17,101 * OH, JILL IS THERE? 786 00:52:17,134 --> 00:52:18,369 WAIT * * STEVE, GOTTA 787 00:52:18,403 --> 00:52:19,937 * JILL WITH THE SHORT BLACK HAIR? 788 00:52:19,970 --> 00:52:21,539 THE CALVIN KLEIN MODEL? * * STEVE GOTTA GO! 789 00:52:21,572 --> 00:52:31,849 * THE MODEL, WHO LIVES IN PENTHOUSE A? * 790 00:52:31,882 --> 00:52:36,321 * WE'RE WE'RE OKAY * 791 00:52:36,354 --> 00:52:46,964 * I'M ON MY WAY * CHRISTMAS BELLS ARE 792 00:52:46,997 --> 00:52:49,367 RINGING * * CHRISTMAS BELLS ARE 793 00:52:49,400 --> 00:52:57,242 SINGING * * HOW TIME FLIES 794 00:52:57,275 --> 00:53:02,547 WHEN COMPASSION DIES * * NO SLEIGHBELLS 795 00:53:02,580 --> 00:53:06,551 NO CANDY CANES NO YULE LOG * 796 00:53:06,584 --> 00:53:08,819 * NO TINSEL NO HOLLY 797 00:53:08,853 --> 00:53:10,821 NO HEARTH * * NO 798 00:53:10,855 --> 00:53:15,192 * SANTA CLAUS IS COMING * â *CAUSE SANTA CLAUS AIN'T 799 00:53:15,226 --> 00:53:17,562 COMING * * NO ROOM AT THE 800 00:53:17,595 --> 00:53:23,901 HOLIDAY INN OH NO * 801 00:53:23,934 --> 00:53:28,706 * AND IT'S BEGINNING TO SNOW * 802 00:53:28,739 --> 00:53:31,108 * HOW ABOUT A FUR IN PERFECT SHAPE M 803 00:53:31,141 --> 00:53:38,616 * OWNED BY AN MBA FROM UPTOWN * 804 00:53:38,649 --> 00:53:39,784 * I GOT A TWEED BROKEN IN BY A GREEDY 805 00:53:39,817 --> 00:53:41,352 BROKER WHO WENT BROKE * * AND THEN BROKE DOWN 806 00:53:41,386 --> 00:53:44,221 * YOU DON'T HAVE TO DO THIS * 807 00:53:44,255 --> 00:53:47,292 * HUSH YOUR MOUTH IT'S CHRISTMAS * 808 00:53:47,325 --> 00:53:52,930 * I DO NOT DESERVE YOU ANGEL * 809 00:53:52,963 --> 00:53:56,901 * GIVE GIVE * 810 00:53:56,934 --> 00:53:59,236 * WAIT * ALL YOU DO 811 00:53:59,270 --> 00:54:04,442 * WHAT'S ON THE FLOOR? * IS GIVE 812 00:54:04,475 --> 00:54:06,444 GIVE * * LET'S SEE SOME MORE 813 00:54:06,477 --> 00:54:09,280 * ME SOME WAY TO SHOW * NO 814 00:54:09,314 --> 00:54:14,319 NO NO * 815 00:54:14,352 --> 00:54:16,487 * NO * HOW YOU'VE TOUCHED 816 00:54:16,521 --> 00:54:22,327 ME SO * * KISS ME 817 00:54:22,360 --> 00:54:24,429 IT'S BEGINNING TO SNOW * * SHE SAID, â WOULD YOU LIGHT 818 00:54:24,462 --> 00:54:25,930 MY CANDLEâ * * AND SHE PUT ON A POUT 819 00:54:25,963 --> 00:54:27,332 AND SHE WANTED YOU TO TAKE HER OUT TONIGHT? * 820 00:54:27,365 --> 00:54:31,068 * RIGHT * SHE GOT YOU OUT! 821 00:54:31,101 --> 00:54:34,305 * SHE WAS MORE THAN OKAY BUT I PUSHED HER AWAY 822 00:54:34,339 --> 00:54:37,842 IT WAS BAD * * I GOT MAD 823 00:54:37,875 --> 00:54:38,943 AND I HAD * * TO GET HER OUT OF 824 00:54:38,976 --> 00:54:40,177 MY SIGHT * * WAIT 825 00:54:40,210 --> 00:54:44,982 * THERE THAT'S HER * 826 00:54:45,015 --> 00:54:51,288 * MAUREEN? * MIMI! 827 00:54:51,322 --> 00:54:53,758 * WHOA! * I SHOULD GO 828 00:54:53,791 --> 00:54:56,093 * HEY, IT'S BEGINNING TO * FOLLOW THE MAN 829 00:54:56,126 --> 00:54:58,429 FOLLOW THE MAN * * WITH HIS POCKETS 830 00:54:58,463 --> 00:55:00,097 FULL OF THE JAM * * FOLLOW THE MAN 831 00:55:00,130 --> 00:55:01,532 GOT ANY D, MAN? * * FOLLOW THE MAN 832 00:55:01,566 --> 00:55:02,333 FOLLOW THE MAN * GOT ANY C, MAN? 833 00:55:02,367 --> 00:55:03,334 FOLLOW THE MAN * * GOT ANY X 834 00:55:03,368 --> 00:55:04,369 ANY SMACK ANY HORSE * 835 00:55:04,402 --> 00:55:05,202 * ANY JUGIE BOOGIE BOY 836 00:55:05,235 --> 00:55:12,810 ANY BLOW? * * HEY 837 00:55:12,843 --> 00:55:15,680 * HEY * I JUST WANT TO SAY 838 00:55:15,713 --> 00:55:17,615 I'M SORRY FOR THE WAY * * FORGET IT 839 00:55:17,648 --> 00:55:22,319 * I BLEW UP CAN I MAKE IT UP TO YOU? * 840 00:55:22,353 --> 00:55:24,355 * HOW? * DINNER PARTY? 841 00:55:24,389 --> 00:55:28,325 * THAT'LL DO * HEY, LOVER BOY 842 00:55:28,359 --> 00:55:31,128 CUTIE PIE YOU STEAL MY CLIENT * 843 00:55:31,161 --> 00:55:32,196 * YOU DIE * YOU DIDN'T MISS ME 844 00:55:32,229 --> 00:55:33,464 YOU WON'T MISS HER * * YOU'LL NEVER LACK 845 00:55:33,498 --> 00:55:36,801 FOR CUSTOMERS * * WISH ME LUCK, ALISON 846 00:55:36,834 --> 00:55:39,504 THE PROTEST IS ON * * GOT ANY C, MAN? 847 00:55:39,537 --> 00:55:41,506 * L.L. BEAN, GEOFFREY BEENE BURBERRY ZIP-OUT LINING * 848 00:55:41,539 --> 00:55:44,642 * GOT ANY D, MAN? * HONEST LIVING 849 00:55:44,675 --> 00:55:54,685 * MARK, THIS IS MIMI * SHE'LL BE DINING 850 00:55:54,719 --> 00:56:06,063 * MARK, THIS IS MIMI * SHE'LL BE DINING 851 00:56:06,096 --> 00:56:07,197 WITH US * * GOT ANY B, MAN? 852 00:56:07,231 --> 00:56:08,399 * HERE'S A NEW ARRIVAL * THAT IS AN OUNCE 853 00:56:08,433 --> 00:56:15,606 * HATS, DATS, BATS * GOT ANY CRACK? 854 00:56:15,640 --> 00:56:17,575 * THAT'S MY COAT! * GOT ANY X? 855 00:56:17,608 --> 00:56:19,276 * WE GIVE DISCOUNTS * GOT ANY C, MAN? 856 00:56:19,309 --> 00:56:20,578 * I THINK WE'VE MET * LET'S GET A BETTER ONE 857 00:56:20,611 --> 00:56:21,846 * IT'S A SHAM * GOT ANY D, MAN? 858 00:56:21,879 --> 00:56:23,380 * THAT'S WHAT HE SAID * I SAID IT'S A GRAM! 859 00:56:23,414 --> 00:56:24,449 * BUT SHE'S A THIEF! * GOT ANY B, MAN? 860 00:56:24,482 --> 00:56:26,283 * BUT SHE BROUGHT US TOGETHER * 861 00:56:26,316 --> 00:56:29,086 * WHICH INVESTORâ *S COMING? * 862 00:56:29,119 --> 00:56:30,555 * GOT ANY CRACK? * I'LL TAKE THE LEATHER 863 00:56:30,588 --> 00:56:35,392 * GOT ANY X? * YOUR FATHER? 864 00:56:35,426 --> 00:56:39,464 DAMN! * * GOT ANY C, MAN? 865 00:56:39,497 --> 00:56:41,466 GOT ANY D, MAN? 866 00:56:41,499 --> 00:56:44,902 GOT ANY B, MAN? * * GOT ANY X? 867 00:56:44,935 --> 00:56:48,205 CRACK? * * I'M WILLINâ * 868 00:56:48,238 --> 00:56:49,440 Iâ *M ILLINâ * * * GOTTA GET MY 869 00:56:49,474 --> 00:56:51,642 SICKNESS OFF * * C-D HELP ME 870 00:56:51,676 --> 00:56:52,643 FOLLOW THE MAN FOLLOW THE MAN * 871 00:56:52,677 --> 00:56:53,644 * FOLLOW THE MAN JUGIE BOOGIE 872 00:56:53,678 --> 00:56:54,445 JUGIE BOOGIE * * FOLLOW THE MAN 873 00:56:54,479 --> 00:56:55,613 FOLLOW THE MAN ANY CRACK * 874 00:56:55,646 --> 00:56:56,647 * ANY X ANY JUGIE BOOGIE, BOY * 875 00:56:56,681 --> 00:57:02,419 * ANY BLOW ANY X 876 00:57:02,453 --> 00:57:05,255 ANY JUGIE BOOGIE, BOY * * GOT ANY D, MAN? 877 00:57:05,289 --> 00:57:06,657 GOT ANY C, MAN? * * GOT ANY CRACK 878 00:57:06,691 --> 00:57:07,558 ANY X ANY JUGIE BOOGIE? * 879 00:57:07,592 --> 00:57:08,659 * I'M DREAMING OF A RIGHT CHRISTMAS * 880 00:57:08,693 --> 00:57:09,594 * JUST LIKE THE ONES I USED TO KNOW * 881 00:57:09,627 --> 00:57:10,595 * JINGLE BELLS PRISON CELLS * 882 00:57:10,628 --> 00:57:11,729 * FA LA LA LA LA LA FA LA LA LA LA * 883 00:57:11,762 --> 00:57:14,465 * YOU HAVE THE RIGHT TO REMAIN 884 00:57:14,499 --> 00:57:15,500 SILENT NIGHT * * HOLY NIGHT 885 00:57:15,533 --> 00:57:16,634 * FALL ON YOUR KNEES OH NIGHT DIVINE 886 00:57:16,667 --> 00:57:23,508 YOUâ *LL DO SOME TIME * * FA LA LA LA LA 887 00:57:23,541 --> 00:57:25,743 >> TENSIONS BETWEEN THE EAST VILLAGE HOMELESS POPULATION AND 888 00:57:25,776 --> 00:57:27,745 THE NYPD ARE REACHING A FEVER PITCH. 889 00:57:27,778 --> 00:57:30,447 [ CHANTING ] >> NO HOUSING, NO PEACE! 890 00:57:30,481 --> 00:57:32,517 NO HOUSING, NO PEACE! 891 00:57:32,550 --> 00:57:35,252 >> AS 1991 DRAWS TO A CLOSE. 892 00:57:35,285 --> 00:57:39,156 TONIGHT, ONE WOMAN ATTEMPTS TO HEAL THE DIVIDE, OR PERHAPS FAN 893 00:57:39,189 --> 00:57:42,359 THE FLAMES. 894 00:57:42,392 --> 00:57:44,361 >> AND WE GET TO WATCH EITHER WAY! 895 00:57:44,394 --> 00:57:44,829 >> QUÃ GUAPA. 896 00:57:44,862 --> 00:57:45,462 QUÃ BELLA. 897 00:57:45,496 --> 00:57:57,474 MIRÃ , TAN CUTE! 898 00:57:57,508 --> 00:57:59,877 >> LAST NIGHT I HAD A DREAM. 899 00:57:59,910 --> 00:58:09,386 I FOUND MYSELF IN A DESERT CALLED CYBERLAND. 900 00:58:09,419 --> 00:58:11,722 IT WAS HOT. 901 00:58:11,756 --> 00:58:21,532 MY CANTEEN HAD SPRUNG A LEAK AND I WAS THIRSTY. 902 00:58:21,566 --> 00:58:29,306 MY CANTEEN HAD SPRUNG A LEAK AND I WAS THIRSTY. 903 00:58:29,339 --> 00:58:30,641 OUT OF THE ABYSS WALKED A COW -â " ELSIE. 904 00:58:30,675 --> 00:58:31,709 I ASKED IF SHE HAD ANYTHING TO DRINK. 905 00:58:31,742 --> 00:58:39,550 SHE SAID -- * I'M FORBIDDEN 906 00:58:39,584 --> 00:58:46,356 TO PRODUCE MILK IN CYBERLAND 907 00:58:46,390 --> 00:58:52,763 WE ONLY DRINK DIET COKE * [ ECHOS ] 908 00:58:52,797 --> 00:58:55,099 SHE SAID -- * ONLY THING TO DO 909 00:58:55,132 --> 00:58:57,668 IS JUMP OVER THE MOON THEY'VE CLOSED 910 00:58:57,702 --> 00:59:07,712 EVERYTHING REAL DOWN * * LIKE BARNS, TROUGHS 911 00:59:07,745 --> 00:59:20,725 EVERYTHING REAL DOWN * * LIKE BARNS, TROUGHS 912 00:59:20,758 --> 00:59:21,859 PERFORMANCE SPACES AND REPLACED IT ALL 913 00:59:21,892 --> 00:59:23,260 WITH LIES AND RULES * * AND VIRTUAL LIFE 914 00:59:23,293 --> 00:59:24,228 [ ECHOS ] BUT THERE IS WAY OUT. 915 00:59:24,261 --> 00:59:25,763 * LEAP OF FAITH LEAP OF FAITH 916 00:59:25,796 --> 00:59:36,073 LEAP OF FAITH LEAP OF FAITH * 917 00:59:36,106 --> 00:59:37,074 * ONLY THING TO DO LEAP OF FAITH 918 00:59:37,107 --> 00:59:47,117 LEAP OF FAITH IS JUMP OVER THE MOON * 919 00:59:47,151 --> 00:59:59,463 LEAP OF FAITH IS JUMP OVER THE MOON * 920 00:59:59,496 --> 01:00:00,464 * LEAP OF FAITH LEAP OF FAITH* 921 01:00:00,497 --> 01:00:01,732 I GOTTA GET OUT HERE IT'S LIKE I'M BEING * 922 01:00:01,766 --> 01:00:02,667 * TIED TO THE HOOD OF A YELLOW RENTAL TRUCK 923 01:00:02,700 --> 01:00:05,435 PACKED IN WITH FERTILIZER AND FUEL OIL * 924 01:00:05,469 --> 01:00:11,842 * PUSHED OVER A CLIFF BY A SUICIDAL MICKEY MOUSE 925 01:00:11,876 --> 01:00:14,645 I'VE GOTTA GOTTA GOTTA GOTTA * 926 01:00:14,679 --> 01:00:18,115 * GOTTA GOTTA GOTTA GOTTA FIND A WAY 927 01:00:18,148 --> 01:00:28,158 TO JUMP OVER THE MOON LEAP OF FAITH * 928 01:00:28,192 --> 01:00:34,098 TO JUMP OVER THE MOON LEAP OF FAITH * 929 01:00:34,131 --> 01:00:35,132 * LEAP OF FAITH ONLY THING TO DO 930 01:00:35,165 --> 01:00:36,767 LEAP OF FAITH LEAP OF FAITH * 931 01:00:36,801 --> 01:00:39,469 * IS JUMP OVER THE MOON LEAP OF FAITH 932 01:00:39,503 --> 01:00:42,840 LEAP OF FAITH ** >> THEN A LITTLE BULLDOG 933 01:00:42,873 --> 01:00:45,142 ENTERED. 934 01:00:45,175 --> 01:00:47,878 HIS NAME WAS BENNY. 935 01:00:47,912 --> 01:00:49,146 >> REALLY, MAUREEN? 936 01:00:49,179 --> 01:00:51,148 >> AND ALTHOUGH HE ONCE HAD PRINCIPLES, 937 01:00:51,181 --> 01:00:53,117 HE ABANDONED THEM TO LIVE AS A LAP DOG TO A WEALTHY PRINCESS OF 938 01:00:53,150 --> 01:00:55,485 THE ESTABLISHMENT. 939 01:00:55,519 --> 01:00:58,723 A 1-2-3, â THAT'S BULL", BENNY SAID. 940 01:00:58,756 --> 01:01:00,290 EVER SINCE THE CAT TOOK UP THE FIDDLE. 941 01:01:00,324 --> 01:01:01,458 THAT COW'S BEEN. 942 01:01:01,491 --> 01:01:04,561 JUMPY. 943 01:01:04,594 --> 01:01:08,699 SHE'S HAD TROUBLE WITH HER MILK AND THAT MOON EVER SINCE. 944 01:01:08,733 --> 01:01:11,035 MAYBE IT'S A FEMALE THING. 945 01:01:11,068 --> 01:01:13,370 CAUSE WHO'D WANT TO LEAVE CYBERLAND ANYWAY? 946 01:01:13,403 --> 01:01:15,840 WALLS AIN'T SO BAD. 947 01:01:15,873 --> 01:01:17,374 THE DISH AND SPOON FOR INSTANCE. 948 01:01:17,407 --> 01:01:18,542 THEY WERE DOWN ON THEIR LUCK. 949 01:01:18,575 --> 01:01:19,710 KNOCKED ON MY DOGHOUSE DOOR. 950 01:01:19,744 --> 01:01:30,821 I SAID -- NOT IN MY BACKYARD, UTENSILS. 951 01:01:30,855 --> 01:01:31,255 THE ONLY WAY OUT. 952 01:01:31,288 --> 01:01:37,728 IS UP. 953 01:01:37,762 --> 01:01:52,009 * A LEAP OF FAITH STILL THIRSTY? ** 954 01:01:52,042 --> 01:01:53,944 PARCHED. 955 01:01:53,978 --> 01:01:59,116 HAVE SOME MILK. 956 01:01:59,149 --> 01:02:03,420 I LOWERED MYSELF BENEATH HER SWOLLEN UDDER AND SUCKED THE 957 01:02:03,453 --> 01:02:06,223 SWEETEST MILK I'D EVER TASTED. 958 01:02:06,256 --> 01:02:13,764 [ SLURPING ] * CLIMB ON BOARD 959 01:02:13,798 --> 01:02:18,869 AS A HARVEST MOON ROSE OVER CYBERLAND, WE REARED BACK AND 960 01:02:18,903 --> 01:02:19,736 SPRANG INTO A GALLOP. 961 01:02:19,770 --> 01:02:32,449 LEAPING OUT OF ORBIT, I AWOKE SINGING. 962 01:02:32,482 --> 01:02:33,617 * LEAP OF FAITH LEAP OF FAITH 963 01:02:33,650 --> 01:02:35,986 LEAP OF FAITH LEAP OF FAITH * 964 01:02:36,020 --> 01:02:39,623 * ONLY THING TO DO LEAP OF FAITH 965 01:02:39,656 --> 01:02:42,426 LEAP OF FAITH ONLY THING TO DO IS JUMP * 966 01:02:42,459 --> 01:02:45,229 * LEAP OF FAITH LEAP OF FAITH 967 01:02:45,262 --> 01:02:46,831 ONLY THING TO DO IS JUMP LEAP OF FAITH * 968 01:02:46,864 --> 01:02:48,799 * LEAP OF FAITH OVER THE MOON 969 01:02:48,833 --> 01:02:50,000 LEAP OF FAITH LEAP OF FAITH * 970 01:02:50,034 --> 01:02:51,802 * ONLY THING TO DO IS JUMP LEAP OF FAITH 971 01:02:51,836 --> 01:02:53,570 LEAP OF FAITH OVER THE MOON * 972 01:02:53,603 --> 01:02:54,604 * LEAP OF FAITH LEAP OF FAITH * 973 01:02:54,638 --> 01:02:57,842 * OVER THE MOON OVER THE 974 01:02:57,875 --> 01:03:02,646 MOOOOOOOO MOOOOOOOO * 975 01:03:02,679 --> 01:03:07,084 * MOOOOOOOO MOO WITH ME. 976 01:03:07,117 --> 01:03:17,127 THANK YOU. 977 01:03:17,161 --> 01:03:27,204 THANK YOU. 978 01:03:27,204 --> 01:03:32,809 THANK YOU. 979 01:03:32,843 --> 01:03:33,878 * NO PLEASE NO NOT TONIGHT PLEASE NO 980 01:03:33,911 --> 01:03:34,678 MISTER CAN'T YOU GO * 981 01:03:34,711 --> 01:03:35,712 * NOT TONIGHT CAN'T HAVE A SCENE 982 01:03:35,745 --> 01:03:37,281 WHAT GO, PLEASE GO * 983 01:03:37,314 --> 01:03:38,048 * YOU HELLO, SIR? 984 01:03:38,082 --> 01:03:39,216 I SAID NO IMPORTANT CUSTOMER * 985 01:03:39,249 --> 01:03:40,717 * WHAT AM I JUST A BLUR 986 01:03:40,750 --> 01:03:42,719 YOU SIT ALL NIGHT YOU NEVER BUY * 987 01:03:42,752 --> 01:03:44,855 * THAT'S A LIE THAT'S A LIE 988 01:03:44,889 --> 01:03:46,857 * I HAD A TEA THE OTHER DAY YOU COULDN'T PAY 989 01:03:46,891 --> 01:03:52,696 OH YEAH ** * BENJAMIN COFFIN THE THIRD -- 990 01:03:52,729 --> 01:03:57,501 HERE WINE & BEER 991 01:03:57,534 --> 01:04:01,906 THE ENEMY OF AVENUE A AND MR. GREY * 992 01:04:01,939 --> 01:04:04,641 * WHAT BRINGS THE MOGUL IN HIS OWN MIND 993 01:04:04,674 --> 01:04:09,746 TO THE LIFE CAFÃ I WOULD LIKE TO PROPOSE A TOAST 994 01:04:09,779 --> 01:04:14,551 TO MAUREEN'S NOBLE TRY * * IT WENT WELL 995 01:04:14,584 --> 01:04:15,752 GO TO HELL WHY DID MUFFY -- 996 01:04:15,785 --> 01:04:16,921 ALISON * * MISS THE SHOW 997 01:04:16,954 --> 01:04:20,090 THERE WAS A DEATH IN THE FAMILY* * IF YOU MUST KNOW 998 01:04:20,124 --> 01:04:21,358 A BEAT * * WHO DIED 999 01:04:21,391 --> 01:04:24,161 OUR AKITA EVITA * 1000 01:04:24,194 --> 01:04:28,933 * MIMI I'M SURPRISED A BRIGHT AND CHARMING 1001 01:04:28,966 --> 01:04:33,670 GIRL LIKE YOU * * HANGS OUT 1002 01:04:33,703 --> 01:04:36,907 WITH THESE SLACKERS** >> WHO DON'T ADHERE TO DEALS. 1003 01:04:36,941 --> 01:04:38,208 THEY MAKE FUN. 1004 01:04:38,242 --> 01:04:42,079 YET I'M THE ONE. * ATTEMPTING TO DO SOME GOOD 1005 01:04:42,112 --> 01:04:45,182 OR DO YOU REALLY WANT A NEIGHBORHOOD 1006 01:04:45,215 --> 01:04:47,117 WHERE PEOPLE PUKE * * ON YOUR STOOP 1007 01:04:47,151 --> 01:04:51,088 EVERY NIGHT BOHEMIA, BOHEMIAâ *S 1008 01:04:51,121 --> 01:04:57,962 A FALLACY IN YOUR HEAD ** >> THIS IS CALCUTTA. 1009 01:04:57,995 --> 01:05:04,268 BOHEMIA IS DEAD. * DEARLY BELOVED 1010 01:05:04,301 --> 01:05:10,607 WE GATHER HERE TO SAY OUR GOODBYES * 1011 01:05:10,640 --> 01:05:12,943 * DIES IRAE DIES ILLA 1012 01:05:12,977 --> 01:05:20,150 KERIE ELEISON YITGADAL V' YITKADASH * 1013 01:05:20,184 --> 01:05:21,051 * HERE SHE LIES NO ONE KNEW HER WORTH 1014 01:05:21,085 --> 01:05:25,322 THE LATE, GREAT DAUGHTER OF MOTHER EARTH * 1015 01:05:25,355 --> 01:05:28,058 * ON THIS NIGHT WHEN WE CELEBRATE 1016 01:05:28,092 --> 01:05:32,162 THE BIRTH * >> WAAAA! 1017 01:05:32,196 --> 01:05:36,800 * IN THAT LITTLE TOWN OF BETHLEHEM 1018 01:05:36,833 --> 01:05:47,944 WE RAISE OUR GLASS YOU BET YOUR -- TO * 1019 01:05:47,978 --> 01:05:55,519 * LA VIE BOHEME LA VIE BOHEME 1020 01:05:55,552 --> 01:06:06,997 LA VIE BOHEME LA VIE BOHEME * 1021 01:06:07,031 --> 01:06:09,466 * LA VIE BOHEME TO DAYS OF INSPIRATION 1022 01:06:09,499 --> 01:06:10,967 PLAYING HOOKY MAKING SOMETHING * 1023 01:06:11,001 --> 01:06:12,602 * LA VIE BOHEME OUT OF NOTHING 1024 01:06:12,636 --> 01:06:14,971 THE NEED TO EXPRESS * 1025 01:06:15,005 --> 01:06:17,774 * TO COMMUNICATE LA VIE BOHEME 1026 01:06:17,807 --> 01:06:18,975 TO GOING AGAINST THE GRAIN GOING INSANE * 1027 01:06:19,009 --> 01:06:22,179 * LA VIE BOHEME GOING MAD 1028 01:06:22,212 --> 01:06:23,213 TO LOVING TENSION LA VIE BOHEME * 1029 01:06:23,247 --> 01:06:26,050 * NO PENSION TO MORE THAN ONE DIMENSION 1030 01:06:26,083 --> 01:06:28,152 LA VIE BOHEME TO STARVING FOR ATTENTION * 1031 01:06:28,185 --> 01:06:29,653 * HATING CONVENTION HATING PRETENSION 1032 01:06:29,686 --> 01:06:32,489 LA VIE BOHEME NOT TO MENTION OF COURSE * 1033 01:06:32,522 --> 01:06:33,457 * HATING DEAR OLD MOM AND DAD 1034 01:06:33,490 --> 01:06:39,296 LA VIE BOHEME TO RIDING YOUR BIKE * 1035 01:06:39,329 --> 01:06:40,464 * LA VIE BOHEME MIDDAY PAST THE THREE 1036 01:06:40,497 --> 01:06:41,998 PIECE SUITS LA VIE BOHEME * 1037 01:06:42,032 --> 01:06:43,900 * TO FRUITS TO NO ABSOLUTES 1038 01:06:43,933 --> 01:06:45,902 LA VIE BOHEME TO ABSOLUTE * 1039 01:06:45,935 --> 01:06:47,571 * TO CHOICE TO THE VILLAGE VOICE 1040 01:06:47,604 --> 01:06:51,908 LA VIE BOHEME TO ANY PASSING FAD * 1041 01:06:51,941 --> 01:06:59,049 * TO BEING AN US FOR ONCE INSTEAD OF A THEM 1042 01:06:59,083 --> 01:07:04,388 LA VIE BOHEME LA VIE BOHEME * 1043 01:07:04,421 --> 01:07:06,656 * IS THE EQUIPMENT IN A PYRAMID 1044 01:07:06,690 --> 01:07:09,093 IT IS MAUREEN * * THE MIXER 1045 01:07:09,126 --> 01:07:12,596 DOESN'T HAVE A CASE DON'T GIVE ME THAT FACE * 1046 01:07:12,629 --> 01:07:14,598 >> LADIES -- * HEY MISTER 1047 01:07:14,631 --> 01:07:18,235 SHE'S MY SISTER * >> MAUREEN, WE NEED TO -- 1048 01:07:18,268 --> 01:07:21,338 * TO HAND-CRAFTED BEERS MADE IN LOCAL BREWERIES 1049 01:07:21,371 --> 01:07:22,906 TO YOGA TO YOGURT * 1050 01:07:22,939 --> 01:07:24,541 * TO RICE AND BEANS AND CHEESE 1051 01:07:24,574 --> 01:07:26,543 TO LEATHER TO LATEX * 1052 01:07:26,576 --> 01:07:30,514 * TO CURRY VINDALOO TO HUEVOS RANCHEROS 1053 01:07:30,547 --> 01:07:33,183 AND MAYA ANGELOU EMOTION * 1054 01:07:33,217 --> 01:07:35,185 * DEVOTION TO CAUSING A COMMOTION 1055 01:07:35,219 --> 01:07:36,853 CREATION VACATION * 1056 01:07:36,886 --> 01:07:40,090 * MUCHO -- COMPASSION 1057 01:07:40,124 --> 01:07:43,193 TO FASHION TO PASSION WHEN IT'S NEW * 1058 01:07:43,227 --> 01:07:44,428 * TO SONTAG TO SONDHEIM 1059 01:07:44,461 --> 01:07:49,233 TO ANYTHING TABOO GINSBERG, DYLAN * 1060 01:07:49,266 --> 01:07:51,568 * CUNNINGHAM AND CAGE LENNY BRUCE 1061 01:07:51,601 --> 01:07:53,903 LANGSTON HUGHES TO THE STAGE * 1062 01:07:53,937 --> 01:07:56,273 * TO UTA TO BUDDHA 1063 01:07:56,306 --> 01:08:02,312 PABLO NERUDA, TOO WHY DOROTHY AND TOTO * 1064 01:08:02,346 --> 01:08:06,716 * WENT OVER THE RAINBOW TO BLOW OFF AUNTIE EM 1065 01:08:06,750 --> 01:08:12,589 LA VIE BOHEME * * AND WIPE THE SPEAKERS OFF 1066 01:08:12,622 --> 01:08:14,258 BEFORE YOU PACK YES MAUREEN 1067 01:08:14,291 --> 01:08:18,928 WELL HURRY BACK * * THEY KISS DEEP. 1068 01:08:18,962 --> 01:08:22,566 SISTERS WE'RE CLOSE 1069 01:08:22,599 --> 01:08:25,235 BROTHERS * * BISEXUALS 1070 01:08:25,269 --> 01:08:27,404 TRISEXUALS HOMO SAPIENS * 1071 01:08:27,437 --> 01:08:29,673 * CARCINOGENS HALLUCINOGENS 1072 01:08:29,706 --> 01:08:31,675 MEN PEEWEE HERMAN * 1073 01:08:31,708 --> 01:08:32,609 * GERMAN WINE TURPENTINE 1074 01:08:32,642 --> 01:08:34,144 GERTRUDE STEIN * * ANTONIONI 1075 01:08:34,178 --> 01:08:37,281 BERTOLUCCI KUROSAWA 1076 01:08:37,314 --> 01:08:39,283 CARMINA BURANA * * TO APATHY 1077 01:08:39,316 --> 01:08:41,618 TO ENTROPY TO EMPATHY 1078 01:08:41,651 --> 01:08:43,287 -- * * VACLAV HAVEL 1079 01:08:43,320 --> 01:08:46,323 THE -- PISTOLS 8BC * 1080 01:08:46,356 --> 01:08:47,624 * TO NO SHAME NEVER 1081 01:08:47,657 --> 01:08:51,595 PLAYING THE FAME GAME * * TO -- 1082 01:08:51,628 --> 01:08:54,264 TO SODOMY IT'S BETWEEN GOD 1083 01:08:54,298 --> 01:08:57,934 AND ME * * TO S&M 1084 01:08:57,967 --> 01:08:58,702 WAITER WAITER 1085 01:08:58,735 --> 01:09:04,208 LA VIE BOHEME * >> THIS JUST IN! 1086 01:09:04,241 --> 01:09:07,444 THE MYTHICAL LAND OF BOHEMIA, LONG BELIEVED TO BE DEAD, IS 1087 01:09:07,477 --> 01:09:09,346 SHOWING SHOCKING SIGNS OF LIFE! 1088 01:09:09,379 --> 01:09:12,649 >> MIMI MARQUEZ HAS BEGUN SERVING HER LIFETIME APPOINTMENT 1089 01:09:12,682 --> 01:09:16,152 AS MINISTER OF NATIONAL SECURITY AND BDSM. 1090 01:09:16,186 --> 01:09:18,355 >> MARK COHEN IS YOUR NEW SECRETARY OF STATE PROPAGANDA! 1091 01:09:18,388 --> 01:09:20,224 [ CHEERS ] >> THANK YOU, THANK YOU. 1092 01:09:20,257 --> 01:09:23,393 AND PLEASE KEEP IT GOING FOR THE REVOLUTIONARY RIOT GRRRL WHO 1093 01:09:23,427 --> 01:09:26,062 MADE TONIGHT POSSIBLE IN THE FIRST PLACE. 1094 01:09:26,095 --> 01:09:32,869 THE REIGNING QUEEN OF BOHEMIA, MS. MAUREEN JOHNSON! 1095 01:09:32,902 --> 01:09:36,039 * YOUR NEW BOYFRIEND DOESN'T KNOW ABOUT US 1096 01:09:36,072 --> 01:09:38,475 THERE'S NOTHING TO KNOW * * DON'T YOU THINK 1097 01:09:38,508 --> 01:09:40,477 THAT WE SHOULD DISCUSS IT WAS THREE MONTHS AGO * 1098 01:09:40,510 --> 01:09:43,647 >> AND ROGER, THE UNOFFICIAL BARD OF BOHEMIA, WILL ATTEMPT TO 1099 01:09:43,680 --> 01:09:47,984 WRITE A BITTERSWEET, EVOCATIVE LOVE SONG. 1100 01:09:48,017 --> 01:09:51,588 THAT DOESN'T REMIND US OF MUSETTA'S WALTZ. 1101 01:09:51,621 --> 01:09:55,425 >> ANGEL DUMOTT SCHUNARD TAKES HER RIGHTFUL PLACE AS FIRST 1102 01:09:55,459 --> 01:10:00,697 LADY, QUEEN OF ALL SHE SURVEYS, AND BEACON OF HOPE IN THESE 1103 01:10:00,730 --> 01:10:02,366 DARKEST OF DAYS. 1104 01:10:02,399 --> 01:10:05,502 >> AND FIRST PHILOSOPHER TOM COLLINS WILL RECOUNT HIS 1105 01:10:05,535 --> 01:10:07,504 EXPLOITS AS AN ANARCHIST, INCLUDING THE TALE OF HIS 1106 01:10:07,537 --> 01:10:11,007 SUCCESSFUL REPROGRAMMING OF THE MIT VIRTUAL REALITY EQUIPMENT TO 1107 01:10:11,040 --> 01:10:13,343 SELF-DESTRUCT, AS IT BROADCASTS THE WORDS -- 1108 01:10:13,377 --> 01:10:14,278 * ACTUAL REALITY ACT UP 1109 01:10:14,311 --> 01:10:19,283 FIGHT AIDS * * EXCUSE ME 1110 01:10:19,316 --> 01:10:21,718 DID I DO SOMETHING WRONG * * I GET INVITED 1111 01:10:21,751 --> 01:10:24,454 THEN IGNORED ALL NIGHT LONG * 1112 01:10:24,488 --> 01:10:27,257 * I'VE BEEN TRYING I'M NOT LYING 1113 01:10:27,291 --> 01:10:34,097 NO ONE'S PERFECT I'VE GOT BAGGAGE * 1114 01:10:34,130 --> 01:10:35,231 * LIFE'S TOO SHORT BABE TIME IS FLYING 1115 01:10:35,265 --> 01:10:38,468 I'M LOOKING FOR BAGGAGE THAT GOES WITH MINE * 1116 01:10:38,502 --> 01:10:39,303 * I SHOULD TELL YOU. 1117 01:10:39,336 --> 01:10:41,638 I'VE GOT BAGGAGE TOO SHOULD TELL YOU 1118 01:10:41,671 --> 01:10:43,940 BAGGAGE * * WINE AND BEER! 1119 01:10:43,973 --> 01:10:55,552 [ BEEPERS ] * AZT BREAK 1120 01:10:55,585 --> 01:10:58,322 YOU ME 1121 01:10:58,355 --> 01:11:06,330 YOU * * I SHOULD TELL YOU 1122 01:11:06,363 --> 01:11:20,143 I SHOULD TELL YOU I'M DISASTER 1123 01:11:20,176 --> 01:11:26,115 I FORGET HOW TO BEGIN IT * * LET'S JUST MAKE 1124 01:11:26,149 --> 01:11:32,088 THIS PART GO FASTER I HAVE YET TO BE IN IT 1125 01:11:32,121 --> 01:11:34,858 I SHOULD TELL YOU * * I SHOULD TELL YOU 1126 01:11:34,891 --> 01:11:37,661 I SHOULD TELL YOU I SHOULD TELL YOU 1127 01:11:37,694 --> 01:11:44,801 I SHOULD TELL * * I BLEW THE CANDLE OUT 1128 01:11:44,834 --> 01:11:51,975 JUST TO GET BACK IN I'D FORGOTTEN HOW TO SMILE 1129 01:11:52,008 --> 01:11:57,447 UNTIL YOUR CANDLE * * BURNED MY SKIN 1130 01:11:57,481 --> 01:11:59,449 I SHOULD TELL YOU I SHOULD TELL YOU 1131 01:11:59,483 --> 01:12:04,688 I SHOULD TELL YOU * * I SHOULD TELL 1132 01:12:04,721 --> 01:12:16,633 WELL, HERE WE GO NOW WE 1133 01:12:16,666 --> 01:12:24,140 OH NO * * I KNOW 1134 01:12:24,173 --> 01:12:27,377 THIS SOMETHING IS HERE GOES 1135 01:12:27,411 --> 01:12:32,416 HERE GOES * * GUESS SO 1136 01:12:32,449 --> 01:12:37,220 IT'S STARTING TO WHO KNOWS 1137 01:12:37,253 --> 01:12:39,656 WHO KNOWS * * WHO KNOWS WHERE 1138 01:12:39,689 --> 01:12:47,163 WHO GOES THERE WHO KNOWS 1139 01:12:47,196 --> 01:12:52,268 HERE GOES * * TRUSTING DESIRE 1140 01:12:52,301 --> 01:13:01,545 STARTING TO LEARN WALKING THROUGH FIRE 1141 01:13:01,578 --> 01:13:09,453 WITHOUT A BURN * * CLINGING A SHOULDER 1142 01:13:09,486 --> 01:13:13,457 A LEAP BEGINS STINGING AND OLDER 1143 01:13:13,490 --> 01:13:23,299 ASLEEP ON PINS * * SO HERE WE GO 1144 01:13:23,332 --> 01:13:29,706 NOW WE OH NO 1145 01:13:29,739 --> 01:13:35,244 I KNOW * * OH NO 1146 01:13:35,278 --> 01:13:41,551 WHO KNOWS WHERE WHO GOES THERE 1147 01:13:41,585 --> 01:13:49,493 HERE GOES * * HERE GOES 1148 01:13:49,526 --> 01:13:57,501 HERE GOES HERE GOES 1149 01:13:57,534 --> 01:14:07,511 HERE GOES * * HERE GOES 1150 01:14:07,544 --> 01:14:09,513 >> ARE WE PACKED? 1151 01:14:09,546 --> 01:14:11,848 >> YES, AND BY NEXT WEEK I WANT YOU TO BE. 1152 01:14:11,881 --> 01:14:13,016 >> POOKIE? 1153 01:14:13,049 --> 01:14:14,150 >> MY NAME IS NOT POOKIE. 1154 01:14:14,183 --> 01:14:15,351 AND WE WILL DISCUSS US LATER. 1155 01:14:15,384 --> 01:14:18,955 AND MARK -- * YOU SHOULD SEE. 1156 01:14:18,988 --> 01:14:20,156 THEY'VE PADLOCKED. 1157 01:14:20,189 --> 01:14:21,257 YOUR BUILDING. 1158 01:14:21,290 --> 01:14:22,626 AND THEY'RE RIOTING * * ON AVENUE B 1159 01:14:22,659 --> 01:14:24,528 >> BENNY CALLED THE COPS. 1160 01:14:24,561 --> 01:14:26,129 >> WHAT?! 1161 01:14:26,162 --> 01:14:29,298 * THEY DON'T KNOW WHAT THEY'RE DOING 1162 01:14:29,332 --> 01:14:32,936 THE COPS ARE SWEEPING THE LOT * 1163 01:14:32,969 --> 01:14:34,103 >> BUT NO ONE'S LEAVING. 1164 01:14:34,137 --> 01:14:35,605 THEY'RE SITTING THERE, MOOING! 1165 01:14:35,639 --> 01:14:37,607 * YEA TO DANCE 1166 01:14:37,641 --> 01:14:39,175 NO WAY TO MAKE A LIVING MASOCHISM * 1167 01:14:39,208 --> 01:14:40,376 * PAIN PERFECTION 1168 01:14:40,409 --> 01:14:41,678 MUSCLE SPASM CHIROPRACTORS * 1169 01:14:41,711 --> 01:14:43,547 * SHORT CAREERS EATING DISORDERS 1170 01:14:43,580 --> 01:14:45,515 FILM ADVENTURE * 1171 01:14:45,549 --> 01:14:46,783 * TEDIUM NO FAMILY 1172 01:14:46,816 --> 01:14:49,986 BORING LOCATIONS DARK ROOMS * 1173 01:14:50,019 --> 01:14:50,787 * PERFECT FACES EGOS 1174 01:14:50,820 --> 01:14:51,688 MONEY HOLLYWOOD AND SLEAZE * 1175 01:14:51,721 --> 01:14:52,722 * MUSIC FOOD OF LOVE 1176 01:14:52,756 --> 01:14:53,523 EMOTION MATHEMATICS * 1177 01:14:53,557 --> 01:14:54,190 * ISOLATION RHYTHM 1178 01:14:54,223 --> 01:14:55,124 POWER FEELING * 1179 01:14:55,158 --> 01:14:56,626 * HARMONY AND HEAVY COMPETITION 1180 01:14:56,660 --> 01:14:58,628 ANARCHY REVOLUTION * 1181 01:14:58,662 --> 01:14:59,563 * JUSTICE SCREAMING FOR SOLUTIONS 1182 01:14:59,596 --> 01:15:00,730 FORCING CHANGES, RISK AND DANGER * 1183 01:15:00,764 --> 01:15:02,732 * MAKING NOISE AND MAKING PLEAS 1184 01:15:02,766 --> 01:15:05,501 TO -- -- * 1185 01:15:05,535 --> 01:15:06,570 * -- CROSS DRESSERS TOO 1186 01:15:06,603 --> 01:15:07,403 TO ME TO ME * 1187 01:15:07,436 --> 01:15:09,405 * TO ME TO YOU, AND YOU AND YOU 1188 01:15:09,438 --> 01:15:11,174 YOU AND YOU TO PEOPLE LIVING WITH * 1189 01:15:11,207 --> 01:15:14,210 * LIVING WITH LIVING WITH 1190 01:15:14,243 --> 01:15:17,714 NOT DYING FROM DISEASE * * LET HE AMONG US WITHOUT SIN 1191 01:15:17,747 --> 01:15:24,988 BE THE FIRST TO CONDEMN LA VIE BOHEME 1192 01:15:25,021 --> 01:15:31,327 LA VIE BOHEME * * LA VIE BOHEME 1193 01:15:31,360 --> 01:15:33,229 ANYONE OUT OF THE MAINSTREAM LA VIE BOHEME 1194 01:15:33,262 --> 01:15:36,766 IS ANYONE IN THE MAINSTREAM * * LA VIE BOHEME 1195 01:15:36,800 --> 01:15:40,403 ANYONE ALIVE WITH A -- DRIVE LA VIE BOHEME 1196 01:15:40,436 --> 01:15:42,405 TEAR DOWN THE WALL * * AREN'T WE ALL 1197 01:15:42,438 --> 01:15:44,741 THE OPPOSITE OF WAR ISN'T PEACE 1198 01:15:44,774 --> 01:15:50,379 IT'S CREATION ** [ CHEERS ] 1199 01:15:50,413 --> 01:15:55,184 >> IN HERE, THE PARTY CONTINUES ALL NIGHT LONG. 1200 01:15:55,218 --> 01:15:57,120 OUTSIDE, THE SNOW DANCES. 1201 01:15:57,153 --> 01:16:00,123 A RIOT BREAKS OUT IN THE LOT. [ CHANTING ] 1202 01:16:00,156 --> 01:16:01,457 * OPEN OUR PARK NO POLICE STATE 1203 01:16:01,490 --> 01:16:02,759 OPEN OUR PARK NO POLICE STATE * 1204 01:16:02,792 --> 01:16:07,063 * OPEN OUR PARK NO POLICE STATE ** 1205 01:16:07,096 --> 01:16:09,432 >> AND OBLIVIOUS TO IT ALL, MIMI AND ROGER SHARE A SMALL, LOVELY 1206 01:16:09,465 --> 01:16:16,572 KISS. 1207 01:16:16,606 --> 01:16:19,042 * VIVA LA VIE 1208 01:16:19,075 --> 01:16:19,776 BOHEME ** >>> NEW YEAR'S EVE, 1991. 1209 01:16:50,674 --> 01:16:54,177 FOUR OF MY BEST FRIENDS HAVE BEEN DIAGNOSED WITH HIV. 1210 01:16:54,210 --> 01:16:58,481 THIS COULD BE THE YEAR WE THIS COULD BE THE YEAR WE LOSE 1211 01:16:58,514 --> 01:17:00,016 ONE OF THEM. THIS COULD BE THE YEAR WE LOSE 1212 01:17:00,049 --> 01:17:02,852 THEM ALL. 1213 01:17:02,886 --> 01:17:04,854 * FIVE HUNDRED TWENTY FIVE THOUSAND 1214 01:17:04,888 --> 01:17:07,657 SIX HUNDRED MINUTES * 1215 01:17:07,691 --> 01:17:09,659 * FIVE HUNDRED TWENTY FIVE THOUSAND 1216 01:17:09,693 --> 01:17:11,828 SIX HUNDRED MINUTES * 1217 01:17:11,861 --> 01:17:14,831 * MOMENTS SO DEAR FIVE HUNDRED TWENTY 1218 01:17:14,864 --> 01:17:20,704 FIVE THOUSAND SIX HUNDRED MINUTES * 1219 01:17:20,737 --> 01:17:24,708 * HOW DO YOU MEASURE MEASURE A YEAR * 1220 01:17:24,741 --> 01:17:30,313 >> THE HOLIDAYS WERE REALLY HARD TO GET THROUGH. 1221 01:17:30,346 --> 01:17:37,120 >> I JUST GOT SOME REALLY DISCOURAGING NEWS. 1222 01:17:37,153 --> 01:17:40,656 >> I DON'T KNOW HOW I'M GONNA -- >> HEY, JUST TAKE IT DAY BY DAY, 1223 01:17:40,690 --> 01:17:43,459 HOUR BY HOUR. 1224 01:17:43,492 --> 01:17:45,729 >> EVEN MINUTE BY MINUTE. 1225 01:17:45,762 --> 01:17:47,463 * IN DAYLIGHTS IN SUNSETS 1226 01:17:47,496 --> 01:17:50,533 IN MIDNIGHTS IN CUPS OF COFFEE * 1227 01:17:50,566 --> 01:17:52,902 * IN INCHES IN MILES 1228 01:17:52,936 --> 01:17:55,839 IN LAUGHTER IN STRIFE * 1229 01:17:55,872 --> 01:17:57,707 * FIVE HUNDRED TWENTY FIVE THOUSAND 1230 01:17:57,741 --> 01:18:00,977 SIX HUNDRED MINUTES * 1231 01:18:01,010 --> 01:18:04,513 * HOW DO YOU MEASURE A YEAR 1232 01:18:04,547 --> 01:18:08,484 IN THE LIFE HOW ABOUT LOVE * 1233 01:18:08,517 --> 01:18:16,893 * HOW ABOUT LOVE HOW ABOUT LOVE 1234 01:18:16,926 --> 01:18:26,936 MEASURE IN LOVE SEASONS OF LOVE * 1235 01:18:26,970 --> 01:18:39,783 MEASURE IN LOVE SEASONS OF LOVE * 1236 01:18:39,816 --> 01:18:42,585 * FIVE HUNDRED TWENTY FIVE THOUSAND 1237 01:18:42,618 --> 01:18:44,954 SIX HUNDRED MINUTES * 1238 01:18:44,988 --> 01:18:46,589 * FIVE HUNDRED TWENTY FIVE THOUSAND 1239 01:18:46,622 --> 01:18:53,763 SIX HUNDRED JOURNEYS TO PLAN * 1240 01:18:53,797 --> 01:18:54,931 * FIVE HUNDRED TWENTY FIVE THOUSAND 1241 01:18:54,964 --> 01:18:59,368 SIX HUNDRED MINUTES * 1242 01:18:59,402 --> 01:19:01,370 HOW DO YOU MEASURE THE LIFE OF A WOMAN OR A MAN 1243 01:19:01,404 --> 01:19:06,142 IN TRUTHS THAT SHE LEARNED OR IN TIMES THAT HE CRIED * 1244 01:19:06,175 --> 01:19:12,148 * IN BRIDGES HE BURNED OR THE WAY THAT SHE DIED 1245 01:19:12,181 --> 01:19:16,419 IT'S TIME NOW TO SING OUT THE STORY NEVER ENDS * 1246 01:19:16,452 --> 01:19:19,989 * LET'S CELEBRATE REMEMBER A YEAR 1247 01:19:20,023 --> 01:19:25,594 IN THE LIFE OF FRIENDS REMEMBER THE LOVE * 1248 01:19:25,628 --> 01:19:29,165 * REMEMBER THE LOVE REMEMBER THE LOVE 1249 01:19:29,198 --> 01:19:38,641 MEASURE IN LOVE MEASURE YOUR LIFE IN LOVE * 1250 01:19:38,674 --> 01:19:48,684 * SEASONS OF LOVE SEASONS OF LOVE * 1251 01:19:48,717 --> 01:19:58,761 * SEASONS OF LOVE SEASONS OF LOVE * 1252 01:19:58,761 --> 01:20:10,673 * SEASONS OF LOVE SEASONS OF LOVE * 1253 01:20:10,706 --> 01:20:15,979 >> IT'S BEEN EXACTLY ONE WEEK SINCE ROGER MET MIMI, ANGEL MET 1254 01:20:16,012 --> 01:20:21,817 COLLINS, MAUREEN INADVERTENTLY STARTED A MASSIVE RIOT OF WHICH 1255 01:20:21,851 --> 01:20:25,821 I HAPPENED TO GET SOME AMAZING FOOTAGE, BY THE WAY AND JOANNE 1256 01:20:25,855 --> 01:20:28,224 DUMPED MAUREEN. OH, AND BENNY LOCKED US OUT OF 1257 01:20:28,257 --> 01:20:30,526 OUR BUILDING. 1258 01:20:30,559 --> 01:20:32,896 * IT'S STILL WINTER IT'S STILL COLD 1259 01:20:32,929 --> 01:20:34,063 AND SO TONIGHT IN HONOR OF THE * 1260 01:20:34,097 --> 01:20:36,499 * ONE WEEK ANNIVERSARY OF THIS AUSPICIOUS OCCASION 1261 01:20:36,532 --> 01:20:39,002 WE CELEBRATE THE ONLY WAY WE KNOW HOW * 1262 01:20:39,035 --> 01:20:42,071 >> WE TRY TO BREAK BACK IN. 1263 01:20:42,105 --> 01:20:42,838 HAPPY NEW YEAR. 1264 01:20:42,872 --> 01:20:43,639 >> HOW LONG TIL NEXT YEAR? 1265 01:20:43,672 --> 01:20:46,042 >> THREE AND A HALF MINUTES. 1266 01:20:46,075 --> 01:20:48,077 * I'M GIVING UP MY VICES I'M GOING BACK 1267 01:20:48,111 --> 01:20:56,052 BACK TO SCHOOL EVICTION OR NOT * 1268 01:20:56,085 --> 01:20:59,088 * THIS WEEK'S BEEN SO HOT THAT LONG AS I'VE GOT YOU 1269 01:20:59,122 --> 01:21:03,226 I KNOW I'LL BE COOL I COULDN'T CRACK * 1270 01:21:03,259 --> 01:21:05,895 * THE LOVE CODE DEAR TIL YOU MADE THE LOCK 1271 01:21:05,929 --> 01:21:07,897 ON MY HEART EXPLODE IT'S GONNA BE * 1272 01:21:07,931 --> 01:21:17,873 * A HAPPY NEW YEAR A HAPPY NEW YEAR * 1273 01:21:17,907 --> 01:21:19,008 >> COAST IS CLEAR. 1274 01:21:19,042 --> 01:21:21,077 YOU'RE SUPPOSED TO BE WORKING. 1275 01:21:21,110 --> 01:21:21,911 THAT'S FOR MIDNIGHT. 1276 01:21:21,945 --> 01:21:23,079 WHERE ARE THEY? 1277 01:21:23,112 --> 01:21:24,948 THERE ISN'T MUCH TIME. 1278 01:21:24,981 --> 01:21:26,582 >> MAYBE THEY'RE DRESSING. 1279 01:21:26,615 --> 01:21:30,553 >> I MEAN WHAT DOES ONE WEAR THAT 'S APROPOS FOR A PARTY, 1280 01:21:30,586 --> 01:21:31,720 THAT'S ALSO A CRIME? 1281 01:21:31,754 --> 01:21:33,389 >> CHIPS, ANYONE? 1282 01:21:33,422 --> 01:21:36,092 >> YOU CAN TAKE THE GIRL OUT OF JERSEY BUT YOU CAN'T TAKE THE 1283 01:21:36,125 --> 01:21:38,894 JERSEY OUT OF THE GIRL. 1284 01:21:38,928 --> 01:21:42,131 >> MY RIOT GOT YOU ON TV, I DESERVE A ROYALTY. 1285 01:21:42,165 --> 01:21:46,936 >> BE NICE YOU TWO OR NO GOD AWFUL CHAMPAGNE. 1286 01:21:46,970 --> 01:21:47,937 >> DON'T MIND IF I DO >> NO LUCK? 1287 01:21:47,971 --> 01:21:49,138 >> BOLTED, PLYWOOD, PADLOCKED WITH A CHAIN. 1288 01:21:49,172 --> 01:21:51,307 >> A TOTAL DEAD END. 1289 01:21:51,340 --> 01:21:57,947 >> JUST LIKE MY EX-GIRLFRIEND. 1290 01:21:57,981 --> 01:21:59,148 HONEY? 1291 01:21:59,182 --> 01:22:00,749 I KNOW YOU'RE THERE. 1292 01:22:00,783 --> 01:22:02,751 PLEASE PICK UP THE PHONE. 1293 01:22:02,785 --> 01:22:06,322 ARE YOU OKAY? 1294 01:22:06,355 --> 01:22:09,959 IT'S NOT FUNNY, IT'S NOT FAIR, HOW CAN I ATONE? 1295 01:22:09,993 --> 01:22:13,129 ARE YOU OKAY? 1296 01:22:13,162 --> 01:22:15,498 >> I LOSE CONTROL BUT I CAN LEARN TO BE GOOD GIVE ME ONE 1297 01:22:15,531 --> 01:22:16,632 MORE CHANCE. 1298 01:22:16,665 --> 01:22:18,301 AND I'LL DO WHAT I SHOULD. 1299 01:22:18,334 --> 01:22:19,135 I'LL KISS YOUR DOC MARTENS. 1300 01:22:19,168 --> 01:22:20,970 LET ME KISS YOUR DOC MARTENS. 1301 01:22:21,004 --> 01:22:25,108 DO EVERYTHING YOU WISH I WOULD. 1302 01:22:25,141 --> 01:22:25,841 >> THAT MIGHT BE --OKAY. 1303 01:22:25,874 --> 01:22:27,776 DOWN GIRL. 1304 01:22:27,810 --> 01:22:30,146 HEEL, STAY. 1305 01:22:30,179 --> 01:22:31,347 >> I DID A BIT OF RESEARCH. 1306 01:22:31,380 --> 01:22:34,083 WITH MY FRIENDS AT LEGAL AID. 1307 01:22:34,117 --> 01:22:36,585 TECHNICALLY, YOU'RE SQUATTERS. 1308 01:22:36,619 --> 01:22:37,520 THERE'S HOPE, BUT JUST IN CASE -- 1309 01:22:37,553 --> 01:22:38,587 >> ROPE? 1310 01:22:38,621 --> 01:22:40,856 >> WE CAN HOIST A LINE -- >> TO A FIRE ESCAPE-- 1311 01:22:40,889 --> 01:22:42,091 >> IN THE BACK, WE'LL TIE OFF AT -- 1312 01:22:42,125 --> 01:22:44,827 >> THERE'S A BENCH! 1313 01:22:44,860 --> 01:22:47,196 >> I CAN'T TAKE THEM AS CHUMS. 1314 01:22:47,230 --> 01:22:54,803 >> START HOISTING, WENCH. >> LAST WEEK I WANTED JUST TO 1315 01:22:54,837 --> 01:22:56,439 DISAPPEAR MY LIFE WAS DUST. 1316 01:22:56,472 --> 01:23:01,210 BUT NOW IT JUST MAY BE A HAPPY NEW YEAR. 1317 01:23:01,244 --> 01:23:06,782 A HAPPY NEW YEAR. 1318 01:23:06,815 --> 01:23:09,185 >> BOND, JAMES BOND. 1319 01:23:09,218 --> 01:23:09,885 >> AND PUSSY GALORE. 1320 01:23:09,918 --> 01:23:10,686 IN PERSON. 1321 01:23:10,719 --> 01:23:12,655 >> PUSSY, YOU CAME PREPARED! 1322 01:23:12,688 --> 01:23:14,223 >> I WAS A BOY SCOUT ONCE. 1323 01:23:14,257 --> 01:23:16,659 AND A BROWNIE, 'TIL SOME BRAT GOT SCARED. 1324 01:23:16,692 --> 01:23:19,462 >> AHA! MONEYPENNY, MY MARTINI! 1325 01:23:19,495 --> 01:23:21,830 >> WILL BAD CHAMPAGNE DO? 1326 01:23:21,864 --> 01:23:22,631 >>THAT'S SHAKEN, NOT STIRRED. 1327 01:23:22,665 --> 01:23:25,068 PUSSY, THE BOLTS. 1328 01:23:25,101 --> 01:23:26,569 >> JUST SAY THE WORD >> TWO MINUTES LEFT TO EXECUTE OUR 1329 01:23:26,602 --> 01:23:27,336 PLAN. 1330 01:23:27,370 --> 01:23:28,137 >> WHERE'S EVERYONE ELSE? 1331 01:23:28,171 --> 01:23:31,040 >> PLAYING SPIDER-MAN . 1332 01:23:31,074 --> 01:23:35,244 >> BECAUSE WHILE WE WERE LOCKED OUT, BENNY HAD HAD THE POWER 1333 01:23:35,278 --> 01:23:38,214 TURNED BACK ON. 1334 01:23:38,247 --> 01:23:41,684 MARK WALKS TO THE PHONE, PRESSES A BUTTON. 1335 01:23:41,717 --> 01:23:42,851 * MARK MARK ARE YOU THERE ARE YOU THERE 1336 01:23:42,885 --> 01:23:46,055 ARE YOU SCREENING YOUR CALLS * 1337 01:23:46,089 --> 01:23:49,258 * IT'S MOM WE'RE ALL IMPRESSED THAT THE RIOT 1338 01:23:49,292 --> 01:23:51,160 FOOTAG EMADE THE NIGHTLY NEWS * 1339 01:23:51,194 --> 01:23:53,262 * AND YOUR FATHER SAYS MAZEL TOV 1340 01:23:53,296 --> 01:23:59,602 HONEY. CALL HIM LOVE, MOM * 1341 01:23:59,635 --> 01:24:02,405 >> ALEXI DARLING >> ALEXI DARLING FROM BUZZLINE. 1342 01:24:02,438 --> 01:24:04,273 THAT TRASHY TABLOID NEWS SHOW? 1343 01:24:04,307 --> 01:24:05,541 WHAT DO THEY WANT WITH ME? 1344 01:24:05,574 --> 01:24:08,411 >> YOUR FOOTAGE OF THE RIOTS A-ONE. 1345 01:24:08,444 --> 01:24:11,080 FEATURE SEGMENT NETWORK DEAL TIME. 1346 01:24:11,114 --> 01:24:11,880 I'M SENDING YOU A CONTRACT. 1347 01:24:11,914 --> 01:24:13,882 KER-CHING, KER-CHING. 1348 01:24:13,916 --> 01:24:21,090 MARKY GIVE US A CALL, 970-4301 OR AT HOME TRY 863-6754. 1349 01:24:21,124 --> 01:24:27,296 OR MY CELLPHONE AT 919-763-0090 OR YOU CAN E-MAIL ME AT -- 1350 01:24:27,330 --> 01:24:28,264 >> I THINK WE NEED AN AGENT! 1351 01:24:28,297 --> 01:24:29,298 >> WE? 1352 01:24:29,332 --> 01:24:33,736 >> THAT'S SELLING OUT. 1353 01:24:33,769 --> 01:24:37,740 >> BUT IT'S NICE TO DREAM >> YEAH, IT'S NETWORK TV. 1354 01:24:37,773 --> 01:24:39,375 AND IT'S ALL THANKS TO ME >> SOMEHOW I THINK I SMELL THE 1355 01:24:39,408 --> 01:24:40,543 WHIFF OF A SCHEME. 1356 01:24:40,576 --> 01:24:44,147 >> ME TOO. 1357 01:24:44,180 --> 01:24:45,214 >> WE CAN PLAN ANOTHER PROTEST. 1358 01:24:45,248 --> 01:24:46,482 >> WE? 1359 01:24:46,515 --> 01:24:48,484 >> THIS TIME YOU CAN SHOOT FROM THE START. 1360 01:24:48,517 --> 01:24:51,154 >> YOU'LL DIRECT, STARRING ME! 1361 01:24:51,187 --> 01:24:53,156 >> OPEN SESAME! 1362 01:24:53,189 --> 01:24:53,656 >> HAPPY NEW YEAR! 1363 01:24:53,689 --> 01:25:00,763 HAPPY NEW YEAR! 1364 01:25:00,796 --> 01:25:07,936 >> I SEE THAT YOU'VE BEATEN ME TO THE PUNCH 1365 01:25:07,970 --> 01:25:10,306 >> HOW'D YOU KNOW WE'D BE HERE? 1366 01:25:10,339 --> 01:25:11,507 >> I HAD A HUNCH. 1367 01:25:11,540 --> 01:25:12,741 >> YOU'RE NOT MAD? 1368 01:25:12,775 --> 01:25:13,942 >> I'M HERE TO END THIS WAR. 1369 01:25:13,976 --> 01:25:16,179 IT'S A SHAME YOU WENT AND DESTROYED THE DOOR. 1370 01:25:16,212 --> 01:25:18,181 >> WHY ALL THE SUDDEN THE BIG ABOUT FACE? 1371 01:25:18,214 --> 01:25:19,815 >> THE CREDIT IS YOURS YOU MADE A GOOD CASE. 1372 01:25:19,848 --> 01:25:20,683 >> WHAT CASE? 1373 01:25:20,716 --> 01:25:21,484 >> MIMI CAME TO SEE ME. 1374 01:25:21,517 --> 01:25:22,985 AND SHE HAD MUCH TO SAY. 1375 01:25:23,018 --> 01:25:24,320 >> THAT'S NOT HOW YOU PUT IT AT ALL YESTERDAY. 1376 01:25:24,353 --> 01:25:25,788 I COULDN'T STOP THINKING. 1377 01:25:25,821 --> 01:25:30,959 ABOUT THE WHOLE MESS. 1378 01:25:30,993 --> 01:25:32,027 MARK, YOU'LL WANT TO GET THIS ON FILM? 1379 01:25:32,060 --> 01:25:33,462 >> I GUESS. 1380 01:25:33,496 --> 01:25:33,962 >> I REGRET THE UNLUCKY CIRCUMSTANCES OF THE PAST SEVEN 1381 01:25:33,996 --> 01:25:34,497 DAYS. 1382 01:25:34,530 --> 01:25:35,364 >> CIRCUMSTANCE? 1383 01:25:35,398 --> 01:25:38,534 YOU PADLOCKED OUR DOOR. 1384 01:25:38,567 --> 01:25:41,337 >> AND IT'S WITH GREAT PLEASURE ON BEHALF OF CYBERARTS THAT I 1385 01:25:41,370 --> 01:25:44,039 HAND YOU THIS KEY. 1386 01:25:44,072 --> 01:25:45,708 >> I HAD NO JUICE IN MY BATTERY. 1387 01:25:45,741 --> 01:25:46,775 >> RESHOOT. 1388 01:25:46,809 --> 01:25:48,844 >> I SEE, THIS IS A PHOTO OPPORTUNITY. 1389 01:25:48,877 --> 01:25:50,346 >> THE BENEVOLENT GOD USHERS THE POOR ARTISTS BACK TO THEIR 1390 01:25:50,379 --> 01:25:53,182 FLAT. WERE YOU PLANNING TO TAKE DOWN 1391 01:25:53,216 --> 01:25:54,383 THE BARBED WIRE FROM THE LOT? 1392 01:25:54,417 --> 01:25:55,318 >> AND LET THOSE PEOPLE BACK IN? 1393 01:25:55,351 --> 01:25:56,452 ANYTHING BUT THAT! 1394 01:25:56,485 --> 01:25:59,188 >> MIMI, SINCE YOUR WAYS ARE SO SEDUCTIVE. 1395 01:25:59,222 --> 01:26:00,356 >> YOU CAME ON TO ME! 1396 01:26:00,389 --> 01:26:02,291 >> PERSUADE HIM NOT TO BE SO COUNTERPRODUCTIVE. 1397 01:26:02,325 --> 01:26:03,526 >> LIAR! 1398 01:26:03,559 --> 01:26:04,993 >> WHY NOT TELL THEM WHAT YOU WORE TO MY PLACE? 1399 01:26:05,027 --> 01:26:05,561 >> I WAS ON MY WAY TO WORK -- >> BLACK LEATHER AND LACE! 1400 01:26:05,594 --> 01:26:06,362 MY DESK WAS A MESS. 1401 01:26:06,395 --> 01:26:07,563 I THINK I'M STILL SORE. 1402 01:26:07,596 --> 01:26:08,797 >> CAUSE I KICKED HIM. 1403 01:26:08,831 --> 01:26:09,965 AND TOLD HIM I WASN'T HIS WHORE! 1404 01:26:09,998 --> 01:26:10,733 >> DOES YOUR BOYFRIEND KNOW. 1405 01:26:10,766 --> 01:26:12,235 WHO YOUR LAST BOYFRIEND WAS? 1406 01:26:12,268 --> 01:26:16,339 >> I'M NOT HER BOYFRIEND I DON'T CARE WHAT SHE DOES 1407 01:26:16,372 --> 01:26:17,373 >> PEOPLE! 1408 01:26:17,406 --> 01:26:17,840 IS THIS ANY WAY TO START A NEW YEAR? 1409 01:26:17,873 --> 01:26:21,410 HAVE COMPASSION. 1410 01:26:21,444 --> 01:26:22,545 BENNY JUST LOST HIS CAT >> MY DOG, BUT I APPRECIATE 1411 01:26:22,578 --> 01:26:23,812 THAT. 1412 01:26:23,846 --> 01:26:26,215 >> MY CAT HAD A FALL AND I WENT THROUGH HELL. 1413 01:26:26,249 --> 01:26:27,816 >> IT'S LIKE LOSING A -- HOW DID YOU KNOW THAT SHE FELL? 1414 01:26:27,850 --> 01:26:29,017 >> CHAMPAGNE? 1415 01:26:29,051 --> 01:26:30,185 >> DON'T MIND IF I DO. 1416 01:26:30,219 --> 01:26:31,420 TO DOGS. 1417 01:26:31,454 --> 01:26:33,822 >> NO BENNY -- TO YOU! 1418 01:26:33,856 --> 01:26:35,391 >> LET'S MAKE A RESOLUTION. 1419 01:26:35,424 --> 01:26:37,393 >> I'LL DRINK TO THAT. 1420 01:26:37,426 --> 01:26:40,563 >> LET'S ALWAYS STAY FRIENDS. 1421 01:26:40,596 --> 01:26:42,064 >> THO' WE MAY HAVE OUR DISPUTES. 1422 01:26:42,097 --> 01:26:45,401 >> THIS FAMILY TREE'S GOT DEEP ROOTS 1423 01:26:45,434 --> 01:26:49,238 >> FRIENDSHIP IS THICKER THAN BLOOD. 1424 01:26:49,272 --> 01:26:50,439 >> THAT DEPENDS >> THAT A SHOT AT ME? 1425 01:26:50,473 --> 01:26:51,206 >> YEAH, IT WAS. 1426 01:26:51,240 --> 01:26:52,040 DEPENDS ON TRUE DEVOTION. 1427 01:26:52,074 --> 01:26:54,343 DEPENDS ON LOVE. 1428 01:26:54,377 --> 01:26:56,345 >> DEPENDS ON NOT DENYING EMOTION. 1429 01:26:56,379 --> 01:26:59,114 >> PERHAPS. 1430 01:26:59,147 --> 01:27:01,450 >> IT'S GONNA BE A HAPPY NEW YEAR. 1431 01:27:01,484 --> 01:27:03,919 >> I GUESS. 1432 01:27:03,952 --> 01:27:05,921 >> IT'S GONNA BE A HAPPY NEW YEAR. 1433 01:27:05,954 --> 01:27:08,424 >> YOU'RE RIGHT. 1434 01:27:08,457 --> 01:27:16,265 >> IT'S GONNA BE A HAPPY NEW YEAR. 1435 01:27:16,299 --> 01:27:17,466 >> I'M SORRY. 1436 01:27:17,500 --> 01:27:19,868 >> COMING? 1437 01:27:19,902 --> 01:27:23,872 >> IN A MINUTE. 1438 01:27:23,906 --> 01:27:38,487 I'M FINE. GO. 1439 01:27:38,521 --> 01:27:42,891 >> WELL, WELL, WELL. WHAT HAVE WE HERE? 1440 01:27:42,925 --> 01:27:47,663 IT'S GONNA BE A HAPPY NEW YEAR. 1441 01:28:09,718 --> 01:28:13,422 >> VALENTINE'S DAY, 1992. 1442 01:28:13,456 --> 01:28:15,358 I DO NOT HAVE A DATE. 1443 01:28:15,391 --> 01:28:17,860 OR A JOB. 1444 01:28:17,893 --> 01:28:19,428 ALEXI DARLING KEEPS CALLING ABOUT THE BUZZLINE GIG. 1445 01:28:19,462 --> 01:28:25,368 I KEEP SAYING NO. 1446 01:28:25,401 --> 01:28:27,703 I STILL HAVE A SOUL. AS FOR MY EX, SHE IS, AS FAR AS 1447 01:28:27,736 --> 01:28:35,143 I KNOW, BACK WITH HER EX. >> I SAID ONCE MORE FROM THE 1448 01:28:35,177 --> 01:28:36,379 TOP. >> I SAID NO. 1449 01:28:36,412 --> 01:28:37,380 >> -- BUT MAYBE CHECK IN ON THAT AGAIN TOMORROW. 1450 01:28:37,413 --> 01:28:42,117 >> YOU CANNOT JUST STAND THERE AND MOO AGAIN. 1451 01:28:42,150 --> 01:28:43,652 >> YOU SHOOT DOWN EVERY SINGLE ONE OF MY IDEAS. 1452 01:28:43,686 --> 01:28:44,720 >> YOU'VE BEEN PLANNING THIS PROTEST FOR A MONTH AND YOU HAVE 1453 01:28:44,753 --> 01:28:51,994 NOTHING. >> I HAVE THE GROUNDHOG THING. 1454 01:28:52,027 --> 01:28:53,396 >> YOU, DRESSED AS A CYBER GROUNDHOG TO PROTEST THE 1455 01:28:53,429 --> 01:28:54,997 CYBERARTS GROUNDBREAKING? LESS THAN BRILLIANT. 1456 01:28:55,030 --> 01:28:56,031 >> THAT'S IT, MISS IVY LEAGUE. >> WHAT DOES IVY LEAGUE HAVE TO 1457 01:28:56,064 --> 01:28:58,367 DO WITH ANYTHING? >> EVER SINCE NEW YEAR'S I HAVE 1458 01:28:58,401 --> 01:28:59,201 BEEN ON MY BEST BEHAVIOR. 1459 01:28:59,234 --> 01:29:04,373 I LET YOU DIRECT. 1460 01:29:04,407 --> 01:29:05,974 I DIDN'T PIERCE MY NIPPLES BECAUSE IT GROSSED YOU OUT. 1461 01:29:06,008 --> 01:29:07,976 I DIDN'T STAY AND DANCE AT PANDORA'S BOX THAT NIGHT, 1462 01:29:08,010 --> 01:29:11,146 â ~CAUSE YOU WANTED TO GO HOME. >> YOU WERE FLIRTING WITH THAT 1463 01:29:11,179 --> 01:29:18,721 WOMAN IN RUBBER. >> JOANNE. 1464 01:29:18,754 --> 01:29:20,155 HONESTLY. 1465 01:29:20,188 --> 01:29:21,424 THERE WILL ALWAYS BE WOMEN IN RUBBER FLIRTING WITH ME. 1466 01:29:21,457 --> 01:29:30,866 GIVE ME A BREAK. * EVERY SINGLE DAY I WALK DOWN 1467 01:29:30,899 --> 01:29:34,169 THE STREET * I HEAR PEOPLE SAY, "BABY'S SO SWEET" * EVER 1468 01:29:34,202 --> 01:29:37,406 SINCE PUBERTY EVERYBODY STARES AT ME * BOYS, GIRLS I CAN'T 1469 01:29:37,440 --> 01:29:48,451 HELP IT BABY * SO BE KIND AND DON'T LOSE YOUR MIND * JUST 1470 01:29:48,484 --> 01:30:02,297 REMEMBER THAT I'M YOU'RE BABY TAKE ME FOR WHAT I AM * WHO I 1471 01:30:02,330 --> 01:30:08,804 WAS MEANT TO BE AND IF YOU GIVE A DAMN * TAKE ME BABY OR LEAVE 1472 01:30:08,837 --> 01:30:21,484 ME TAKE ME BABY OR LEAVE ME * * A TIGER IN A CAGE CAN NEVER 1473 01:30:21,517 --> 01:30:23,418 SEE THE SUN * THIS DIVA NEEDS HER STAGE BABY LET'S HAVE FUN! * 1474 01:30:23,452 --> 01:30:24,653 * YOU ARE THE ONE I CHOOSE FOLKS'D KILL TO FILL YOUR 1475 01:30:24,687 --> 01:30:26,321 SHOES * YOU LOVE THE LIMELIGHT TOO, NOW BABY SO BE MINE AND 1476 01:30:26,354 --> 01:30:30,993 DON'T WASTE MY TIME * CRYIN' "HONEYBEAR ARE YOU STILL MY 1477 01:30:31,026 --> 01:30:38,634 BABY?" * TAKE ME FOR WHAT I AM WHO I WAS MEANT TO BE * AND IF 1478 01:30:38,667 --> 01:30:42,471 YOU GIVE A DAMN TAKE ME BABY OR LEAVE ME * NO WAY CAN I BE 1479 01:30:42,505 --> 01:30:53,682 WHAT I'M NOT BUT HEY - DON'T YOU WANT YOUR GIRL HOT! * DON'T 1480 01:30:53,716 --> 01:30:58,320 FIGHT DON'T LOSE YOUR HEAD CAUSE EVERY NIGHT - WHO'S IN YOUR 1481 01:30:58,353 --> 01:31:08,363 BED? * WHO'S IN YOUR BED? KISS, POOKIE. 1482 01:31:08,396 --> 01:31:22,711 BED? * WHO'S IN YOUR BED? KISS, POOKIE. 1483 01:31:22,745 --> 01:31:24,146 >> IT WON'T WORK. * I LOOK BEFORE I LEAP I LOVE 1484 01:31:24,179 --> 01:31:25,514 MARGINS AND DISCIPLINE * I MAKE LISTS IN MY SLEEP BABY 1485 01:31:25,548 --> 01:31:36,158 WHAT'S MY SIN? * NEVER QUIT, I FOLLOW THROUGH * I HATE MESS - 1486 01:31:36,191 --> 01:31:37,726 BUT I LOVE YOU WHAT TO DO WITH MY IMPROMPTU BABY * SO BE WISE 1487 01:31:37,760 --> 01:31:39,562 â ~CAUSE THIS GIRL SATISFIES * * YOU'VE GOT A PRIZE WHO DON'T 1488 01:31:39,595 --> 01:31:46,969 COMPROMISE YOU'RE ONE LUCKY BABY * TAKE ME FOR WHAT I AM 1489 01:31:47,002 --> 01:31:51,707 >> * A CONTROL FREAK >> * WHO I WAS MEANT TO BE 1490 01:31:51,740 --> 01:31:58,747 >> * A SNOB, YET OVERATTENTIVE >> * AND IF YOU GIVE A DAMN 1491 01:31:58,781 --> 01:32:02,718 >> * A LOVABLE, DROLL GEEK >> * TAKE ME BABY OR LEAVE ME 1492 01:32:02,751 --> 01:32:07,322 >> * AND ANAL RETENTIVE! >> * THAT'S IT! 1493 01:32:07,355 --> 01:32:11,827 >> * THE STRAW THAT BREAKS MY >> * THE STRAW THAT BREAKS MY 1494 01:32:11,860 --> 01:32:13,328 BACK * >> * I QUIT >> UNLESS YOU 1495 01:32:13,361 --> 01:32:14,930 TAKE IT BACK * >> WOMEN >> * WHAT IS IT ABOUT THEM? >> 1496 01:32:14,963 --> 01:32:16,765 * CAN'T LIVE >> WITH THEM >> * OR WITHOUT THEM! TAKE 1497 01:32:16,799 --> 01:32:26,842 ME FOR WHAT I AM WHO I WAS MEANT TO BE * AND IF YOU GIVE A DAMN 1498 01:32:26,875 --> 01:32:34,617 ME FOR WHAT I AM WHO I WAS MEANT TO BE * AND IF YOU GIVE A DAMN 1499 01:32:34,650 --> 01:32:36,184 TAKE ME BABY OR LEAVE ME * * TAKE ME BABY OR LEAVE ME GUESS 1500 01:32:36,218 --> 01:32:46,228 I'M LEAVIN' I'M GONE! * >> IT'S >> IT'S THE COLDEST, NASTIEST 1501 01:32:46,261 --> 01:32:56,304 I'M LEAVIN' I'M GONE! * >> IT'S >> IT'S THE COLDEST, NASTIEST 1502 01:32:56,304 --> 01:33:02,611 I'M LEAVIN' I'M GONE! * >> IT'S >> IT'S THE COLDEST, NASTIEST 1503 01:33:02,645 --> 01:33:12,587 MARCH I CAN REMEMBER. ANGEL HAS SPENT MOST OF THE YEAR 1504 01:33:12,621 --> 01:33:13,622 IN THE HOSPITAL, WITH COLLINS ALWAYS AT HER SIDE. 1505 01:33:13,656 --> 01:33:23,431 ROGER'S STILL TRYING TO WRITE THAT SONG. 1506 01:33:23,465 --> 01:33:24,667 BUT NOW HE'S USUALLY WORKING AT MIMI'S. 1507 01:33:24,700 --> 01:33:25,901 MAUREEN AND JOANNE ARE OFFICIALLY BROKEN UP. 1508 01:33:25,934 --> 01:33:31,006 IT SEEMS MIMI AND ROGER ARE NOT FAR BEHIND. 1509 01:33:31,039 --> 01:33:31,774 >> SORRY. 1510 01:33:31,807 --> 01:33:32,274 SORRY I'M LATE. SORRY. 1511 01:33:32,307 --> 01:33:33,175 >> WHERE WERE YOU? 1512 01:33:33,208 --> 01:33:46,488 [ COUGHS ] >> ARE YOU ALRIGHT? 1513 01:33:46,521 --> 01:33:57,666 >> I'M FINE, DON'T WORRY ABOUT ME. 1514 01:33:57,700 --> 01:33:58,934 HOW'S BENNY? >> I WASN'T WITH BENNY. 1515 01:33:58,967 --> 01:33:59,968 >> OF COURSE NOT. 1516 01:34:00,002 --> 01:34:00,869 I'M GOING BACK TO MY PLACE. >> WAIT. 1517 01:34:00,903 --> 01:34:01,603 I SHOULD TELL YOU. I SHOULD -- 1518 01:34:01,636 --> 01:34:02,537 NEVER MIND. >> YEAH, NEVER MIND. 1519 01:34:02,570 --> 01:34:04,039 HAPPY SPRING. >> * WITHOUT YOU THE GROUND 1520 01:34:04,072 --> 01:34:13,615 THAWS * THE RAIN FALLS THE GRASS GROWS * WITHOUT YOU THE 1521 01:34:13,648 --> 01:34:22,290 THAWS * THE RAIN FALLS THE GRASS GROWS * WITHOUT YOU THE 1522 01:34:22,324 --> 01:34:32,334 SEEDS ROOT * THE FLOWERS BLOOM THE CHILDREN PLAY * THE STARS 1523 01:34:32,367 --> 01:34:40,976 SEEDS ROOT * THE FLOWERS BLOOM THE CHILDREN PLAY * THE STARS 1524 01:34:41,009 --> 01:34:51,019 GLEAM THE POETS DREAM * THE EAGLES FLY WITHOUT YOU * THE 1525 01:34:51,053 --> 01:34:56,091 GLEAM THE POETS DREAM * THE EAGLES FLY WITHOUT YOU * THE 1526 01:34:56,124 --> 01:35:06,168 EARTH TURNS THE SUN BURNS * * BUT I DIE WITHOUT YOU 1527 01:35:06,201 --> 01:35:15,510 EARTH TURNS THE SUN BURNS * * BUT I DIE WITHOUT YOU 1528 01:35:15,543 --> 01:35:25,087 * WITHOUT YOU THE BREEZE WARMS * THE GIRL SMILES THE CLOUD 1529 01:35:25,120 --> 01:35:35,798 MOVES * WITHOUT YOU THE TIDES CHANGE * THE BOYS RUN THE 1530 01:35:35,831 --> 01:35:45,874 OCEANS CRASH * THE CROWDS ROAR *LONELY 1531 01:35:45,908 --> 01:35:55,951 OCEANS CRASH * THE CROWDS ROAR *LONELY 1532 01:35:55,951 --> 01:36:05,894 OCEANS CRASH * THE CROWDS ROAR *LONELY 1533 01:36:05,928 --> 01:36:15,971 OCEANS CRASH * THE CROWDS ROAR *LONELY 1534 01:36:15,971 --> 01:36:25,914 OCEANS CRASH * THE CROWDS ROAR *LONELY 1535 01:36:25,948 --> 01:36:38,861 OCEANS CRASH * THE CROWDS ROAR *LONELY 1536 01:36:38,894 --> 01:36:39,995 *BLUE *WITHIN 1537 01:36:40,028 --> 01:36:46,835 *ME, *WITHOUT 1538 01:36:46,869 --> 01:36:56,879 *YOU * THE TEARS DRY 1539 01:36:56,912 --> 01:37:06,955 *YOU * THE TEARS DRY 1540 01:37:06,955 --> 01:37:16,899 *YOU * THE TEARS DRY 1541 01:37:16,932 --> 01:37:26,975 *YOU * THE TEARS DRY 1542 01:37:26,975 --> 01:37:32,915 *YOU * THE TEARS DRY 1543 01:37:32,948 --> 01:37:42,991 * WITHOUT YOU * WITHOUT YOU 1544 01:37:43,025 --> 01:37:53,068 * WITHOUT YOU * WITHOUT YOU 1545 01:37:53,068 --> 01:38:03,011 * WITHOUT YOU * WITHOUT YOU 1546 01:38:03,045 --> 01:38:13,521 * WITHOUT YOU * WITHOUT YOU 1547 01:38:13,555 --> 01:38:17,960 >> IT'S TOO HOT TO ANSWER YOU. 1548 01:38:17,993 --> 01:38:19,527 >> IT'S TOO HOT TO ANSWER YOU. 1549 01:38:19,561 --> 01:38:23,966 >> ALEXI DARLING MEMORIAL DAY WEEKEND IN EAST HAMPTON ON THE 1550 01:38:23,999 --> 01:38:27,202 BEACH * JUST SAW ALEC BALDWIN 1551 01:38:27,235 --> 01:38:30,305 TOLD HIM YOU SAY HI >> JUST KIDDING WE STILL NEED 1552 01:38:30,338 --> 01:38:31,940 DIRECTORS YOU STILL NEED MONEY YOU KNOW YOU NEED MONEY PICK UP 1553 01:38:31,974 --> 01:38:39,147 THE PHONE DON'T BE AFRAID OF KER-CHING KERCHING MARKY SELL US 1554 01:38:39,181 --> 01:38:42,784 YOUR SOLE SOUL. 1555 01:38:42,817 --> 01:38:43,952 JUST KIDDING. 1556 01:38:43,986 --> 01:38:45,420 WE ARE WAITING. 1557 01:38:45,453 --> 01:38:49,757 >> KEEP WAITING ALEXI. 1558 01:38:49,791 --> 01:38:52,327 SUMMER'S JUST GETTING STARTED. 1559 01:38:52,360 --> 01:38:55,998 BUT IT WILL BE OVER BEFORE WE KNOW IT. 1560 01:38:56,031 --> 01:39:06,074 * HOT HOT * HOT HOT 1561 01:39:06,108 --> 01:39:16,151 * HOT HOT * HOT HOT 1562 01:39:16,151 --> 01:39:26,094 * HOT HOT * HOT HOT 1563 01:39:26,128 --> 01:39:33,201 * HOT HOT * HOT HOT 1564 01:39:33,235 --> 01:39:35,203 HOT SWEAT 1565 01:39:35,237 --> 01:39:36,538 * SWEET WET 1566 01:39:36,571 --> 01:39:38,173 WET * WET 1567 01:39:38,206 --> 01:39:44,146 RED HEAT 1568 01:39:44,179 --> 01:39:56,291 * LET HER HOT >>BASTARD! SWEAT 1569 01:39:56,324 --> 01:39:57,559 >> YOU WHORE! SWEET >> YOU CANNIBAL! WET WET 1570 01:39:57,592 --> 01:40:02,697 >> WET MORE! 1571 01:40:02,730 --> 01:40:03,898 >> RED >> YOU ANIMAL! HEAT * NO LATEX 1572 01:40:03,931 --> 01:40:05,033 PLEASE DON'T STOP RUBBER PLEASE, PLEASE 1573 01:40:05,067 --> 01:40:09,171 RUBBER DON'T STOP, STOP * * FIRE STOP, STOP, STOP 1574 01:40:09,204 --> 01:40:21,049 LATEX RUBBER DON'T PLEASE RED, RED PLEASE, PLEASE 1575 01:40:21,083 --> 01:40:23,418 PLEASE PLEASE * * FLUID NO HOT 1576 01:40:23,451 --> 01:40:24,419 FLUID NO HOT CONTACT YES HOT 1577 01:40:24,452 --> 01:40:25,687 NO CONTACT SWEAT, SWEET * * FIRE WET 1578 01:40:25,720 --> 01:40:26,588 FIRE WET BURN WET 1579 01:40:26,621 --> 01:40:34,862 BURN, YES! RED, HEAT * NO LATEX 1580 01:40:34,896 --> 01:40:35,697 RUBBER RUBBER 1581 01:40:35,730 --> 01:40:36,531 FIRE * * LATEX RUBBER 1582 01:40:36,564 --> 01:40:37,399 LATEX BUMMER LOVER BUMMER 1583 01:40:37,432 --> 01:40:38,433 THE SHEET DISAPPEARS * TAKE ME 1584 01:40:38,466 --> 01:40:39,201 TAKE ME* TAKE ME* 1585 01:40:39,234 --> 01:40:40,034 * AHH TAKE ME 1586 01:40:40,068 --> 01:40:40,868 TAKE ME, OH * TODAY FOR YOU 1587 01:40:40,902 --> 01:40:41,903 TOMORROW FOR ME TODAY ME, TOMORROW YOU 1588 01:40:41,936 --> 01:40:45,173 * TOMORROW YOU LOVE 1589 01:40:45,207 --> 01:40:47,242 YOU LOVE * YOU LOVE 1590 01:40:47,275 --> 01:40:54,282 I LOVE YOU * I LOVE YOU! 1591 01:40:54,316 --> 01:40:55,083 AHH TAKE ME 1592 01:40:55,117 --> 01:41:00,455 TAKE ME TAKE ME * 1593 01:41:00,488 --> 01:41:03,091 >> UM. >> WAIT. 1594 01:41:03,125 --> 01:41:03,358 >> NO. 1595 01:41:03,391 --> 01:41:03,858 >> OW! 1596 01:41:03,891 --> 01:41:07,295 >> WHERE'D IT GO? 1597 01:41:07,329 --> 01:41:09,264 >> SAFE. >> DAMN. 1598 01:41:09,297 --> 01:41:13,067 >> I THINK I MISSED. 1599 01:41:13,101 --> 01:41:17,071 DON'T GET PISSED. 1600 01:41:17,105 --> 01:41:18,473 >> IT WAS BAD FOR ME. 1601 01:41:18,506 --> 01:41:19,974 WAS IT BAD FOR YOU? 1602 01:41:20,007 --> 01:41:22,110 >> IT'S OKAY. 1603 01:41:22,144 --> 01:41:24,212 >> IT'S OVER. >> IT'S OVER. 1604 01:41:24,246 --> 01:41:28,483 >> IT'S OVER. 1605 01:41:28,516 --> 01:41:33,155 >> SO WE THANK YOU, DEAR ANGEL, FOR LIGHTING OUR WAY WITH STYLE 1606 01:41:33,188 --> 01:41:41,963 AND GRACE AND LOVE. 1607 01:41:41,996 --> 01:41:45,133 >> SHE PULLED ME ASIDE ONE NIGHT TO TALK LEGAL ADVICE. 1608 01:41:45,167 --> 01:41:50,338 NOT FOR HER; FOR EVERYONE IN THE EAST VILLAGE. 1609 01:41:50,372 --> 01:41:53,175 >> SQUATTERS, CHILD PROTECTIVE SERVICES, MEDICAL INSURANCE. 1610 01:41:53,208 --> 01:41:54,742 SHE WANTED TO HELP. 1611 01:41:54,776 --> 01:41:56,744 AND SHE ALWAYS DID. 1612 01:41:56,778 --> 01:42:08,156 >> ANGEL WAS ONE OF MY CLOSEST FRIENDS. IT'S RIGHT THAT IT'S 1613 01:42:08,190 --> 01:42:13,328 HALLOWEEN, BECAUSE IT WAS HER FAVORITE HOLIDAY. 1614 01:42:13,361 --> 01:42:19,701 I KNEW WE'D HIT IT OFF THE MOMENT WE MET. 1615 01:42:19,734 --> 01:42:25,807 SOME SKINHEAD WAS BOTHERING HER, AND SHE SAID SHE WAS MORE OF A 1616 01:42:25,840 --> 01:42:30,044 MAN THAN HE'D EVER BE AND MORE OF A WOMAN THAN HE'D EVER GET. 1617 01:42:30,077 --> 01:42:33,181 >> AND THEN THERE WAS THE TIME HE-- SHE-- 1618 01:42:33,215 --> 01:42:36,518 WALKED UP TO THIS GROUP OF TOURISTS. AND THEY WERE 1619 01:42:36,551 --> 01:42:39,987 PETRIFIED BECAUSE, A - THEY WERE OBVIOUSLY LOST AND B - HAD 1620 01:42:40,021 --> 01:42:43,191 PROBABLY NEVER SPOKEN TO A PERSON LIKE HER BEFORE IN THEIR 1621 01:42:43,225 --> 01:42:50,398 LIVES. BUT SHE OFFERED TO TAKE A PICTURE WITH THEM. AND THEN SHE 1622 01:42:50,432 --> 01:42:57,572 SAID SHE'D HELP 'EM FIND THE STATUE OF LIBERTY. 1623 01:42:57,605 --> 01:43:01,409 >> SO MUCH MORE ORIGINAL THAN ANY OF US. 1624 01:43:01,443 --> 01:43:05,413 YOU'D FIND AN OLD TABLECLOTH ON THE STREET AND MAKE A DRESS AND 1625 01:43:05,447 --> 01:43:13,321 NEXT YEAR, SURE ENOUGH, THEY'D BE SELLING THEM AT SAKS. 1626 01:43:13,355 --> 01:43:16,991 >> YOU ALWAYS SAID HOW LUCKY YOU WERE THAT WE WERE ALL FRIENDS 1627 01:43:17,024 --> 01:43:27,034 BUT IT WAS US, BABY, WHO WERE THE LUCKY ONES. 1628 01:43:27,068 --> 01:43:41,249 BUT IT WAS US, BABY, WHO WERE THE LUCKY ONES. 1629 01:43:41,283 --> 01:43:51,293 * LIVE IN MY HOUSE I'LL BE YOUR SHELTER 1630 01:43:51,326 --> 01:43:57,532 * LIVE IN MY HOUSE I'LL BE YOUR SHELTER 1631 01:43:57,565 --> 01:44:07,575 JUST PAY ME BACK WITH * ONE THOUSAND KISSES 1632 01:44:07,609 --> 01:44:13,815 JUST PAY ME BACK WITH * ONE THOUSAND KISSES 1633 01:44:13,848 --> 01:44:23,891 BE MY LOVER AND I'LL COVER YOU 1634 01:44:23,925 --> 01:44:31,666 BE MY LOVER AND I'LL COVER YOU 1635 01:44:31,699 --> 01:44:38,840 * OPEN YOUR DOOR I'LL BE YOUR TENANT 1636 01:44:38,873 --> 01:44:46,314 DON'T GOT MUCH BAGGAGE TO LAY AT YOUR FEET 1637 01:44:46,348 --> 01:44:51,118 * BUT SWEET KISSES I'VE GOT TO SPARE 1638 01:44:51,152 --> 01:44:59,927 I'LL BE THERE * AND I'LL COVER YOU 1639 01:44:59,961 --> 01:45:04,332 I THINK THEY MEANT IT WHEN THEY SAID YOU 1640 01:45:04,366 --> 01:45:10,538 * CAN'T BUY LOVE NOW I KNOW YOU CAN RENT IT 1641 01:45:10,572 --> 01:45:17,345 A NEW LEASE YOU ARE, MY LOVE ON LIFE 1642 01:45:17,379 --> 01:45:31,225 * ALL MY LIFE I'VE LONGED TO DISCOVER 1643 01:45:31,258 --> 01:45:38,366 SOMETHING AS TRUE AS THIS IS * 1644 01:45:38,400 --> 01:45:40,502 * SO WITH A THOUSAND FIVE HUNDRED 1645 01:45:40,535 --> 01:45:43,538 SWEET KISSES * * IF YOU'RE COLD TWENTY-FIVE 1646 01:45:43,571 --> 01:45:55,550 THOUSAND I'LL COVER YOU * 1647 01:45:55,583 --> 01:46:00,988 * AND YOU'RE LONELY SIX-HUNDRED MINUTES 1648 01:46:01,022 --> 01:46:02,390 WITH A THOUSAND FIVE HUNDRED * * SWEET KISSES YOU'VE GOT ONE 1649 01:46:02,424 --> 01:46:08,162 TWENTY-FIVE THOUSAND I'LL COVER YOU NICKEL ONLY 1650 01:46:08,195 --> 01:46:12,567 MOMENTS SO DEAR * * WITH A THOUSAND FIVE HUNDRED 1651 01:46:12,600 --> 01:46:16,270 SWEET KISSES WHEN YOU'RE WORN OUT TWENTY-FIVE THOUSAND 1652 01:46:16,303 --> 01:46:28,182 * I'LL COVER YOU AND TIRED SIX-HUNDRED MINUTES * 1653 01:46:28,215 --> 01:46:32,086 WITH A THOUSAND FIVE HUNDRED * SWEET KISSES TWENTY-FIVE 1654 01:46:32,119 --> 01:46:34,288 THOUSAND * WHEN YOUR HEART 1655 01:46:34,321 --> 01:46:35,222 * HAS EXPIRED * OH LOVER 1656 01:46:35,256 --> 01:46:36,390 I'LL COVER YOU * * YEAH-AH-AH-AH 1657 01:46:36,424 --> 01:46:37,291 OH LOVER * I'LL COVER YOU * 1658 01:46:37,324 --> 01:46:38,460 * FIVE HUNDRED TWENTY-FIVE THOUSAND * 1659 01:46:38,493 --> 01:46:39,561 SIX HUNDRED MINUTES * FIVE HUNDRED TWENTY-FIVE 1660 01:46:39,594 --> 01:46:49,604 THOUSAND SEASONS OF LOVE * 1661 01:46:49,637 --> 01:46:59,681 THOUSAND SEASONS OF LOVE * 1662 01:46:59,681 --> 01:47:11,593 THOUSAND SEASONS OF LOVE * 1663 01:47:11,626 --> 01:47:12,627 >> HI. 1664 01:47:12,660 --> 01:47:15,797 IS THIS ALEXI DARLING? HI. 1665 01:47:15,830 --> 01:47:23,270 MARK COHEN. YES, I'M STILL ALIVE. 1666 01:47:23,304 --> 01:47:24,506 YEAH. 1667 01:47:24,539 --> 01:47:25,640 I'D LIKE TO COME WORK FOR YOU GUYS. 1668 01:47:25,673 --> 01:47:26,774 TODAY? 1669 01:47:26,808 --> 01:47:31,579 TODAY'S NOT GREAT. I'M AT MY FRIEND'S -- 1670 01:47:31,613 --> 01:47:34,849 TWENTY MINUTES? 1671 01:47:34,882 --> 01:47:37,652 OKAY. 1672 01:47:37,685 --> 01:47:38,853 I'LL BE THERE. YEAH. 1673 01:47:38,886 --> 01:47:49,096 HAPPY HALLOWEEN TO YOU TOO. * HOW DID WE GET HERE? 1674 01:47:49,130 --> 01:47:50,665 HOW THE HELL -- * * HOW DID I GET HERE? 1675 01:47:50,698 --> 01:48:01,876 HOW THE HELL -- * CHRISTMAS. 1676 01:48:01,909 --> 01:48:06,981 * CHRISTMAS EVE LAST YEAR, HOW COULD A NIGHT SO FROZEN BE SO 1677 01:48:07,014 --> 01:48:16,123 SCALDING HOT? * HOW CAN A MORNING THIS MILD BE SO RAW? * 1678 01:48:16,157 --> 01:48:20,528 * WHY ARE ENTIRE YEARS STREWN ON THE CUTTING ROOM FLOOR OF 1679 01:48:20,562 --> 01:48:24,899 MEMORY * WHEN SINGLE FRAMES FROM ONE MAGIC NIGHT * FOREVER 1680 01:48:24,932 --> 01:48:33,207 FLICKER IN CLOSEUP ON THE 3D IMAX OF MY MIND * THAT'S POETIC. 1681 01:48:33,240 --> 01:48:35,176 THAT'S PATHETIC. * WHY DID MIMI KNOCK ON ROGER'S 1682 01:48:35,209 --> 01:48:38,646 DOOR * * AND COLLINS CHOOSE THAT PHONE 1683 01:48:38,680 --> 01:48:41,549 BOOTH * * BACK WHERE ANGEL SET UP HER 1684 01:48:41,583 --> 01:48:43,150 DRUMS * * WHY DID MAUREEN'S EQUIPMENT 1685 01:48:43,184 --> 01:48:47,555 BREAK DOWN * * WHY AM I THE WITNESS AND WHEN 1686 01:48:47,589 --> 01:48:58,733 I CAPTURE IT ON FILM * * WILL IT MEAN THAT IT'S THE END 1687 01:48:58,766 --> 01:49:06,207 AND I'M ALONE * I TOOK THAT JOB AT BUZZLINE. 1688 01:49:06,240 --> 01:49:11,012 >> * IT'S TRUE YOU SOLD YOUR GUITAR AND BOUGHT A CAR? * 1689 01:49:11,045 --> 01:49:14,181 >> * IT'S TRUE I'M LEAVING NOW FOR SANTA FE * 1690 01:49:14,215 --> 01:49:16,951 * IT'S TRUE YOU'RE WITH THIS YUPPIE SCUM? * 1691 01:49:16,984 --> 01:49:20,955 >> * YOU SAID YOU'D NEVER SPEAK TO HIM AGAIN * 1692 01:49:20,988 --> 01:49:25,760 >> NOT NOW. >> * WHO SAID THAT YOU HAVE ANY 1693 01:49:25,793 --> 01:49:28,062 SAY IN WHO SHE SAYS THINGS TO AT ALL? * 1694 01:49:28,095 --> 01:49:30,798 >> YEAH. >> * WHO SAID THAT YOU SHOULD 1695 01:49:30,832 --> 01:49:32,066 STICK YOUR NOSE IN OTHER PEOPLE'S -- * 1696 01:49:32,099 --> 01:49:34,802 >> WHO SAID I WAS TALKING TO YOU? 1697 01:49:34,836 --> 01:49:36,704 >> * WE USED TO HAVE THIS FIGHT EACH NIGHT * 1698 01:49:36,738 --> 01:49:38,806 CALM DOWN. * SHE'D NEVER ADMIT I EXISTED 1699 01:49:38,840 --> 01:49:41,475 EVERYONE PLEASE. >> * HE WAS THE SAME WAY HE WAS 1700 01:49:41,508 --> 01:49:43,477 ALWAYS * * "RUN AWAY, HIT THE ROAD, 1701 01:49:43,510 --> 01:49:44,779 * DON'T COMMIT" YOU'RE FULL OF IT * 1702 01:49:44,812 --> 01:49:46,648 >> MIMI -- >> * SHE'S IN DENIAL 1703 01:49:46,681 --> 01:49:49,450 >> * HE'S IN DENIAL * DIDN'T GIVE AN INCH 1704 01:49:49,483 --> 01:49:50,785 GUYS. * WHEN I GAVE A MILE 1705 01:49:50,818 --> 01:49:52,620 COME ON. >> * I GAVE A MILE 1706 01:49:52,654 --> 01:49:57,892 >> * GAVE A MILE TO WHO? >> * COME ON GUYS CHILL. 1707 01:49:57,925 --> 01:50:02,664 >> * I'D BE HAPPY TO DIE FOR A TASTE OF WHAT ANGEL HAD * 1708 01:50:02,697 --> 01:50:09,003 * SOMEONE TO LIVE FOR UNAFRAID TO SAY I LOVE YOU * 1709 01:50:09,036 --> 01:50:11,806 >> * ALL YOUR WORDS ARE NICE MIMI * 1710 01:50:11,839 --> 01:50:14,475 * BUT LOVE'S NOT A THREE WAY STREET * 1711 01:50:14,508 --> 01:50:17,812 * YOU'LL NEVER SHARE REAL LOVE UNTIL YOU LOVE YOUR SELF * 1712 01:50:17,845 --> 01:50:27,689 * I SHOULD KNOW >> * YOU ALL SAID YOU'D BE COOL 1713 01:50:27,722 --> 01:50:32,026 TODAY SO PLEASE FOR MY SAKE -- * * I CAN'T BELIEVE SHE'S GONE I 1714 01:50:32,059 --> 01:50:38,700 CAN'T BELIEVE YOU'RE GOING * * I CAN'T BELIEVE THIS FAMILY 1715 01:50:38,733 --> 01:50:43,504 WILL DIE * * ANGEL HELPED US BELIEVE IN 1716 01:50:43,537 --> 01:50:46,841 LOVE I CAN'T BELIEVE YOU DISAGREE * 1717 01:50:46,874 --> 01:50:57,484 >> * I CAN'T BELIEVE THIS IS GOODBYE * 1718 01:50:57,518 --> 01:51:03,457 I MISSED YOU SO MUCH. >> I MISSED YOU. 1719 01:51:03,490 --> 01:51:06,227 >> OW. >> CALM DOWN, MAUREEN. 1720 01:51:06,260 --> 01:51:16,137 >> CALM DOWN, MAUREEN? >> GUYS. 1721 01:51:16,170 --> 01:51:30,752 >> THOMAS B. COLLINS? >> COMING. 1722 01:51:30,785 --> 01:51:33,254 >> * I HEAR THERE ARE GREAT RESTAURANTS OUT WEST * 1723 01:51:33,287 --> 01:51:34,756 >> * SOME OF THE BEST. 1724 01:51:34,789 --> 01:51:39,994 HOW COULD SHE? * >> * HOW COULD YOU LET HER GO? 1725 01:51:40,027 --> 01:51:45,166 >> * YOU JUST DON'T KNOW HOW COULD WE LOSE ANGEL? * 1726 01:51:45,199 --> 01:51:49,103 >> * MAYBE YOU'LL SEE WHY WHEN YOU STOP ESCAPING YOUR PAIN * 1727 01:51:49,136 --> 01:51:55,109 * AT LEAST NOW IF YOU TRY ANGEL'S DEATH WON'T BE IN VAIN * 1728 01:51:55,142 --> 01:52:01,916 >> * HER DEATH IS IN VAIN >> * ARE YOU INSANE? 1729 01:52:01,949 --> 01:52:05,753 THERE'S SO MUCH TO CARE ABOUT * * THERE'S ME THERE'S MIMI 1730 01:52:05,787 --> 01:52:07,088 >> * MIMI'S GOT HER BAGGAGE TOO * 1731 01:52:07,121 --> 01:52:11,759 >> * SO DO YOU >> * WHO ARE YOU TO TELL ME WHAT 1732 01:52:11,793 --> 01:52:16,130 I KNOW, WHAT TO DO * >> * A FRIEND 1733 01:52:16,163 --> 01:52:22,804 >> * BUT WHO, MARK, ARE YOU? "MARK HAS GOT HIS WORK" * 1734 01:52:22,837 --> 01:52:26,941 * THEY SAY "MARK LIVES FOR HIS WORK" AND "MARK'S IN LOVE WITH 1735 01:52:26,974 --> 01:52:29,610 HIS WORK" * IMPORTANT WORK, LIKE BUZZLINE. 1736 01:52:29,643 --> 01:52:31,578 KEEP HIDING IN YOUR WORK. >> HIDING? 1737 01:52:31,612 --> 01:52:35,582 FROM WHAT? >> * FACING YOUR FAILURE FACING 1738 01:52:35,616 --> 01:52:39,954 YOUR LONELINESS * * FACING THE FACT YOU LIVE A 1739 01:52:39,987 --> 01:52:44,391 LIE * * YES, YOU LIVE A LIE TELL YOU 1740 01:52:44,425 --> 01:52:49,563 WHY * * YOU'RE ALWAYS PREACHING NOT TO 1741 01:52:49,596 --> 01:52:51,966 BE NUMB WHEN THAT'S HOW YOU THRIVE * 1742 01:52:51,999 --> 01:52:55,469 * YOU SAY YOU KNOW HOW WE ALL FEEL, BUT YOU REALLY DETACH FROM 1743 01:52:55,502 --> 01:52:59,440 FEELING ALIVE * >> * PERHAPS IT'S BECAUSE I'M 1744 01:52:59,473 --> 01:53:10,584 THE ONE OF US TO SURVIVE * >> POOR BABY. 1745 01:53:10,617 --> 01:53:14,188 >> * MIMI STILL LOVES ROGER IS ROGER REALLY JEALOUS OR AFRAID 1746 01:53:14,221 --> 01:53:19,360 THAT MIMI'S WEAK * >> * MIMI DID LOOK PALE 1747 01:53:19,393 --> 01:53:22,830 >> * MIMI'S GOTTEN THIN MIMI'S RUNNING OUT OF TIME ROGER'S 1748 01:53:22,864 --> 01:53:24,966 RUNNING OUT THE DOOR -- * >> * NO MORE. 1749 01:53:24,999 --> 01:53:37,611 OH NO. I'VE GOTTA GO * I'LL CALL. 1750 01:53:37,644 --> 01:53:44,018 I HATE THE FALL. * YOU HEARD? 1751 01:53:44,051 --> 01:53:55,029 >> * EVERY WORD YOU DON'T WANT BAGGAGE * 1752 01:53:55,062 --> 01:53:59,466 * WITHOUT LIFETIME GUARANTEES YOU DON'T WANT TO WATCH ME 1753 01:53:59,500 --> 01:54:03,737 DIE? * * I JUST CAME TO SAY GOODBYE, 1754 01:54:03,770 --> 01:54:09,410 LOVE * * GOODBYE, LOVE CAME TO SAY 1755 01:54:09,443 --> 01:54:14,548 GOODBYE, LOVE, GOODBYE * >> * JUST TO CAME TO SAY 1756 01:54:14,581 --> 01:54:18,886 >> * GLORY >> * GOODBYE LOVE 1757 01:54:18,920 --> 01:54:22,890 >> * ONE BLAZE OF >> * GOODBYE LOVE 1758 01:54:22,924 --> 01:54:24,091 >> * GLORY >> * GOODBYE LOVE, GOODBYE 1759 01:54:24,125 --> 01:54:29,263 >> * I HAVE TO FIND >> * PLEASE DON'T TOUCH ME 1760 01:54:29,296 --> 01:54:33,100 UNDERSTAND * * I'M SCARED I NEED TO GO AWAY 1761 01:54:33,134 --> 01:54:35,269 >> I KNOW A PLACE, A CLINIC. >> A REHAB. 1762 01:54:35,302 --> 01:54:38,072 >> I COULD NEVER -- >> I'LL PAY. 1763 01:54:38,105 --> 01:54:43,544 >> * GOODBYE LOVE GOODBYE LOVE * CAME TO SAY GOODBYE, LOVE, 1764 01:54:43,577 --> 01:54:44,946 GOODBYE * * JUST CAME TO SAY GOODBYE 1765 01:54:44,979 --> 01:54:52,920 LOVE * * JUST CAME TO SAY GOODBYE 1766 01:54:52,954 --> 01:55:01,462 LOVE * * GOODBYE LOVE GOODBYE LOVE 1767 01:55:01,495 --> 01:55:12,106 * HELLO DISEASE >> * OFF THE PREMISES NOW.? 1768 01:55:12,139 --> 01:55:14,108 WE DON'T GIVE HANDOUTS HERE. * >> * WHAT HAPPENED TO "REST IN 1769 01:55:14,141 --> 01:55:16,944 PEACE?" * >> * OFF THE PREMISES, QUEER. 1770 01:55:16,978 --> 01:55:18,912 >> HEY. 1771 01:55:18,946 --> 01:55:20,948 TELL THE PRIEST I'LL BE RIGHT IN TO TAKE CARE OF IT. 1772 01:55:20,982 --> 01:55:22,549 AND WATCH YOUR MOUTH. YOU'RE TALKING TO MY FRIEND. 1773 01:55:22,583 --> 01:55:26,120 >> MUST BE NICE TO HAVE MONEY. >> SURE IS. 1774 01:55:26,153 --> 01:55:28,489 >> I THINK IT ONLY FAIR TO TELL YOU, YOU JUST PAID FOR THE 1775 01:55:28,522 --> 01:55:30,491 FUNERAL OF THE PERSON WHO KILLED YOUR DOG. 1776 01:55:30,524 --> 01:55:31,959 >> I KNOW. 1777 01:55:31,993 --> 01:55:34,595 I ALWAYS HATED THAT DOG. LET'S PAY HIM OFF, THEN WE'LL 1778 01:55:34,628 --> 01:55:35,963 ALL GET DRUNK. >> CAN'T. 1779 01:55:35,997 --> 01:55:41,568 I HAVE A BUSINESS MEETING. >> PUNK. 1780 01:55:41,602 --> 01:55:42,503 >> LET'S GO. >> WELL. 1781 01:55:42,536 --> 01:55:45,572 I GUESS I'M OFF TO SELL MY SOUL. 1782 01:55:45,606 --> 01:55:47,941 "MARK COHEN, FOR BUZZLINE. 1783 01:55:47,975 --> 01:55:49,576 COMING UP, DEVIL WORSHIPING WELFARE QUEENS ARE COMING TO 1784 01:55:49,610 --> 01:55:56,650 TAKE YOUR JOBS." OH MY GOD, WHAT AM I DOING? 1785 01:55:56,683 --> 01:56:03,124 * DON'T BREATHE TOO DEEP DON'T THINK ALL DAY * 1786 01:56:03,157 --> 01:56:13,000 * DIVE INTO WORK DRIVE THE OTHER WAY * 1787 01:56:13,034 --> 01:56:17,004 * THAT DRIP OF HURT THAT PINT OF SHAME * 1788 01:56:17,038 --> 01:56:26,013 * GOES AWAY JUST PLAY THE GAME * YOU'RE LIVING IN AMERICA AT 1789 01:56:26,047 --> 01:56:34,055 THE END OF THE MILLENNIUM * * YOU'RE LIVING IN AMERICA LEAVE 1790 01:56:34,088 --> 01:56:40,027 YOUR CONSCIENCE AT THE TONE * * AND WHEN YOU'RE LIVING IN 1791 01:56:40,061 --> 01:56:46,233 AMERICA AT THE END OF THE MILLENNIUM * 1792 01:56:46,267 --> 01:56:54,675 * YOU'RE WHAT YOU OWN >> * THE FILMMAKER CANNOT SEE 1793 01:56:54,708 --> 01:56:58,312 >> * AND THE SONGWRITER CANNOT HEAR * 1794 01:56:58,345 --> 01:57:03,084 >> * YET I SEE MIMI EVERYWHERE >> * ANGEL'S VOICE IS IN MY 1795 01:57:03,117 --> 01:57:07,088 EAR * >> * JUST TIGHTEN THOSE 1796 01:57:07,121 --> 01:57:10,091 SHOULDERS * >> * JUST CLENCH YOUR JAW TIL 1797 01:57:10,124 --> 01:57:14,928 YOU FROWN * >> * JUST DON'T LET GO 1798 01:57:14,961 --> 01:57:22,069 >> * OR YOU MAY DROWN * YOU'RE LIVING IN AMERICA AT 1799 01:57:22,103 --> 01:57:29,676 THE END OF THE MILLENNIUM * * YOU'RE LIVING IN AMERICA WHERE 1800 01:57:29,710 --> 01:57:36,450 IT'S LIKE THE TWILIGHT ZONE * * AND WHEN YOU'RE LIVING IN 1801 01:57:36,483 --> 01:57:46,293 AMERICA AT THE END OF THE MILLENNIUM * YOU'RE WHAT YOU 1802 01:57:46,327 --> 01:57:54,701 OWN SO I OWN NOT A NOTION * I ESCAPE AND APE CONTENT I DON'T 1803 01:57:54,735 --> 01:58:02,143 OWN EMOTION, I RENT * WHAT WAS IT ABOUT THAT NIGHT WHAT WAS IT 1804 01:58:02,176 --> 01:58:07,481 ABOUT THAT NIGHT * CONNECTION IN AN ISOLATING AGE * FOR ONCE 1805 01:58:07,514 --> 01:58:09,450 THE SHADOWS GAVE WAY TO LIGHT FOR ONCE THE SHADOWS GAVE WAY TO 1806 01:58:09,483 --> 01:58:17,724 LIGHT * FOR ONCE I DIDN'T DISENGAGE ANGEL, MIMI * I HEAR 1807 01:58:17,758 --> 01:58:26,900 YOU I SEE YOU I HEAR IT I SEE IT * I SEE IT I HEAR IT I SEE 1808 01:58:26,933 --> 01:58:31,305 IT I HEAR IT * MY FILM! 1809 01:58:31,338 --> 01:58:34,341 MY SONG! * ALEXI? 1810 01:58:34,375 --> 01:58:40,781 ONE SONG * MARK GLORY CALL ME A HYPOCRITE MIMI * BUT I 1811 01:58:40,814 --> 01:58:46,353 NEED -- YOUR EYES I QUIT. * >> * DYING IN AMERICA AT THE END 1812 01:58:46,387 --> 01:58:53,026 OF THE MILLENNIUM * WE'RE DYING IN AMERICA TO COME INTO 1813 01:58:53,059 --> 01:58:59,500 OUR OWN * BUT WHEN YOU'RE DYING IN AMERICA AT THE END OF 1814 01:58:59,533 --> 01:59:10,977 THE MILLENNIUM * YOU'RE NOT ALONE * I'M NOT ALONE I'M NOT 1815 01:59:11,011 --> 01:59:14,315 ALONE * * SPEAK 1816 01:59:40,907 --> 01:59:43,677 * ROGER THIS IS YOUR MOTHER * 1817 01:59:43,710 --> 01:59:46,847 * ROGER, HONEY I DON'T GET THESE 1818 01:59:46,880 --> 01:59:55,989 POSTCARDS * * MOVING TO SANTA FE, BACK IN 1819 01:59:56,022 --> 02:00:05,566 NEW YORK, STARTING A ROCK BAND * * ROGER WHERE ARE YOU 1820 02:00:05,599 --> 02:00:06,733 * MIMI, CHICA DONDE ESTAS? * 1821 02:00:06,767 --> 02:00:07,834 * TU MAMA ESTA LLAMANDO DONDE ESTAS MIMI? * 1822 02:00:07,868 --> 02:00:09,503 * KITTEN WHEREVER ARE YOU * 1823 02:00:09,536 --> 02:00:13,039 * MARK, ARE YOU THERE ARE YOU THERE * 1824 02:00:13,073 --> 02:00:15,842 * I DON'T KNOW IF HE'S THERE WE'RE ALL HERE WISHING YOU 1825 02:00:15,876 --> 02:00:17,411 WERE HERE TOO * * WHERE ARE YOU 1826 02:00:17,444 --> 02:00:18,279 MARK, ARE YOU THERE ARE YOU * 1827 02:00:18,312 --> 02:00:19,380 * WHERE ARE YOU MARK ARE YOU THERE 1828 02:00:19,413 --> 02:00:21,448 ARE YOU THERE * * I DON'T KNOW IF 1829 02:00:21,482 --> 02:00:31,258 * PLEASE CALL * YOUR MOTHER 1830 02:00:31,292 --> 02:00:34,094 * DECEMBER 24 10:00 PM * 1831 02:00:34,127 --> 02:00:36,096 * EASTERN STANDARD TIME I CAN'T BELIEVE A YEAR WENT 1832 02:00:36,129 --> 02:00:39,400 BY SO FAST * * NOW WE MEASURE HOW 1833 02:00:39,433 --> 02:00:46,373 THE YEAR HAS PASSED TURN THE PROJECTOR ON * 1834 02:00:46,407 --> 02:00:47,641 * FIRST SHOT ROGER WITH THE FENDER GUITAR 1835 02:00:47,674 --> 02:00:49,643 HE JUST GOT OUT OF HOCK * * WHEN HE SOLD THE CAR 1836 02:00:49,676 --> 02:00:51,278 THAT TOOK HIM AWAY AND BACK * 1837 02:00:51,312 --> 02:00:53,647 * I FOUND MY SONG * FOUND HIS SONG 1838 02:00:53,680 --> 02:00:57,618 IF HE COULD JUST FIND MIMI * 1839 02:00:57,651 --> 02:00:59,119 >> I TRIED - YOU KNOW I TRIED. 1840 02:00:59,152 --> 02:01:03,557 * FADE IN ON MARK WHO'S STILL IN THE DARK * 1841 02:01:03,590 --> 02:01:05,091 * BUT HE'S GOT GREAT FOOTAGE * 1842 02:01:05,125 --> 02:01:11,465 * WHICH HE'S CUT TOGETHER * TO SCREEN TONIGHT 1843 02:01:11,498 --> 02:01:13,400 >> FOR AN AUDIENCE OF ONE. 1844 02:01:13,434 --> 02:01:14,267 >> A NON-PAYING AUDIENCE OF ONE. 1845 02:01:14,301 --> 02:01:15,469 >> THIS IS GONNA BE GOOD. 1846 02:01:15,502 --> 02:01:16,303 >> YOU DON'T HAVE TO SAY THAT. 1847 02:01:16,337 --> 02:01:21,508 >> I MEAN IT. 1848 02:01:21,542 --> 02:01:23,276 I'M GLAD YOU'RE WORKING ON THIS. 1849 02:01:23,310 --> 02:01:28,349 >> I'M GLAD YOU'RE HOME. 1850 02:01:28,382 --> 02:01:29,683 >> THEN AGAIN, MAYBE WE WON'T SCREEN IT TONIGHT. 1851 02:01:29,716 --> 02:01:31,284 >> I CAN FIX IT. 1852 02:01:31,318 --> 02:01:31,818 I JUST NEED TO FIGURE OUT HOW TO FIND THE FLASHLIGHT IN THE DARK. 1853 02:01:31,852 --> 02:01:37,123 WITHOUT A FLASHLIGHT. 1854 02:01:37,157 --> 02:01:39,926 >> MAN, WHAT DO YOU TWO DO WHEN I'M NOT HERE? 1855 02:01:39,960 --> 02:01:41,528 >> I HAD A LITTLE HUNCH. 1856 02:01:41,562 --> 02:01:44,297 YOU COULD USE A LITTLE FLOW. 1857 02:01:44,331 --> 02:01:46,333 * TUTORING AGAIN? >> NEGATIVE. 1858 02:01:46,367 --> 02:01:47,534 >> BACK AT N.Y.U.? 1859 02:01:47,568 --> 02:01:51,104 >> NO, NO, NO -- I REWIRED THE ATM AT THE FOOD 1860 02:01:51,137 --> 02:01:53,874 EMPORIUM. 1861 02:01:53,907 --> 02:01:57,878 TO PROVIDE AN HONORARIUM TO ANYONE WITH THE CODE. 1862 02:01:57,911 --> 02:02:05,352 * THE CODE * A-N-G-E-L 1863 02:02:05,386 --> 02:02:08,622 >> YET, ROBIN HOODING ISN'T THE SOLUTION. 1864 02:02:08,655 --> 02:02:13,394 THE POWERS THAT BE MUST BE UNDERMINED WHERE THEY DWELL. 1865 02:02:13,427 --> 02:02:18,031 IN A SMALL, EXCLUSIVE GOURMET INSTITUTION -- 1866 02:02:18,064 --> 02:02:21,201 * WHERE WE OVERCHARGE THE WEALTHY CLIENTELE * 1867 02:02:21,234 --> 02:02:22,403 * LET'S OPEN UP A RESTAURANT IN * 1868 02:02:22,436 --> 02:02:24,371 * AHH, AHH * SANTA FE 1869 02:02:24,405 --> 02:02:26,373 * SANTA FE * WITH A PRIVATE 1870 02:02:26,407 --> 02:02:28,341 CORNER BANQUETTE * * AHH, AHH 1871 02:02:28,375 --> 02:02:30,043 * IN THE BACK * IN THE BACK 1872 02:02:30,076 --> 02:02:31,645 * WE'LL MAKE IT YET * AHH, AHH 1873 02:02:31,678 --> 02:02:33,580 * WE'LL SOMEHOW GET TO SANTA FE * 1874 02:02:33,614 --> 02:02:35,181 * SANTA FE * BUT YOU'D MISS NEW YORK 1875 02:02:35,215 --> 02:02:43,156 BEFORE YOU COULD UNPACK * * OHH 1876 02:02:43,189 --> 02:02:44,257 * MARK! 1877 02:02:44,290 --> 02:02:45,426 ROGER! 1878 02:02:45,459 --> 02:02:48,228 ANYONE * * HELP! 1879 02:02:48,261 --> 02:02:50,063 * MAUREEN? >> IT'S MIMI - WE CAN'T GET HER 1880 02:02:50,096 --> 02:02:52,733 UP THE STAIRS. 1881 02:02:52,766 --> 02:03:00,574 * NO! * SHE WAS HUDDLED IN THE PARK 1882 02:03:00,607 --> 02:03:05,278 IN THE DARK * * AND SHE WAS FREEZING 1883 02:03:05,311 --> 02:03:07,781 AND BEGGED TO SEE YOU * >> LET'S GET HER INSIDE. 1884 02:03:07,814 --> 02:03:08,582 >> OH GOD. 1885 02:03:08,615 --> 02:03:13,620 >> ROGER -- * GOT A LIGHT 1886 02:03:13,654 --> 02:03:17,624 I KNOW YOU YOU'RE SHIVERING * 1887 02:03:17,658 --> 02:03:19,693 >> SHE'S BEEN LIVING ON THE STREET. 1888 02:03:19,726 --> 02:03:20,561 >> WE NEED SOME HEAT. 1889 02:03:20,594 --> 02:03:22,463 >> I'M SHIVERING. 1890 02:03:22,496 --> 02:03:27,601 >> WE CAN BUY SOME WOOD, AND SOMETHING TO EAT. 1891 02:03:27,634 --> 02:03:31,538 * I'M AFRAID SHE NEEDS MORE THAN HEAT * 1892 02:03:31,572 --> 02:03:34,040 >> I HEARD THAT. 1893 02:03:34,074 --> 02:03:38,278 * COLLINS WILL CALL FOR A DOCTOR, HONEY * 1894 02:03:38,311 --> 02:03:40,781 * DON'T WASTE YOUR MONEY ON MIMI, ME, ME * 1895 02:03:40,814 --> 02:03:41,247 >> HELLO? 1896 02:03:41,281 --> 02:03:41,915 911? 1897 02:03:41,948 --> 02:03:43,917 I'M ON HOLD. 1898 02:03:43,950 --> 02:03:45,919 COLD, COLD -- * WOULD YOU LIGHT 1899 02:03:45,952 --> 02:03:51,057 MY CANDLE * >> YES. 1900 02:03:51,091 --> 02:03:56,630 >> OH, GOD -- * FIND A 1901 02:03:56,663 --> 02:04:02,636 * I SHOULD TELL YOU I SHOULD TELL YOU * 1902 02:04:02,669 --> 02:04:05,806 * I SHOULD TELL YOU I SHOULD TELL YOU * 1903 02:04:05,839 --> 02:04:15,482 * I SHOULD TELL YOU BENNY WASN'T ANY * 1904 02:04:15,516 --> 02:04:19,653 >> SHHH I KNOW. 1905 02:04:19,686 --> 02:04:22,288 * I SHOULD TELL YOU WHY I LEFT * 1906 02:04:22,322 --> 02:04:23,490 * IT WASN'T â ~CAUSE I DIDN'T * 1907 02:04:23,524 --> 02:04:24,491 * I KNOW I SHOULD TELL YOU * 1908 02:04:24,525 --> 02:04:26,693 * I SHOULD TELL YOU * I SHOULD TELL YOU 1909 02:04:26,727 --> 02:04:36,770 I LOVE YOU * * WHO DO YOU THINK 1910 02:04:36,803 --> 02:04:42,142 I LOVE YOU * * WHO DO YOU THINK 1911 02:04:42,175 --> 02:04:45,311 YOU ARE? * * LEAVING ME ALONE WITH 1912 02:04:45,345 --> 02:04:49,315 MY GUITAR * * HOLD ON 1913 02:04:49,349 --> 02:04:54,120 * THERE'S SOMETHING YOU SHOULD HEAR * 1914 02:04:54,154 --> 02:05:06,733 * IT ISN'T MUCH BUT IT TOOK ALL YEAR * 1915 02:05:06,767 --> 02:05:16,342 * YOUR EYES AS WE SAID OUR GOODBYES * 1916 02:05:16,376 --> 02:05:19,512 * CAN'T GET THEM OUT OF MY MIND 1917 02:05:19,546 --> 02:05:25,418 AND I FIND * * I CAN'T HIDE FROM 1918 02:05:25,451 --> 02:05:31,758 YOUR EYES * * THE ONES THAT TOOK ME 1919 02:05:31,792 --> 02:05:35,762 BY SURPRISE * * THE NIGHT YOU CAME INTO 1920 02:05:35,796 --> 02:05:41,534 MY LIFE * * WHERE THERE'S MOONLIGHT 1921 02:05:41,568 --> 02:05:50,944 I SEE YOUR EYES * * HOW'D I LET YOU SLIP AWAY 1922 02:05:50,977 --> 02:05:55,749 WHEN I'M LONGING SO TO HOLD YOU * 1923 02:05:55,782 --> 02:05:58,418 * NOW I'D DIE FOR ONE MORE DAY * 1924 02:05:58,451 --> 02:06:03,223 * 'CAUSE THERE'S SOMETHING I SHOULD HAVE TOLD YOU * 1925 02:06:03,256 --> 02:06:09,562 * YES, THERE'S SOMETHING I SHOULD HAVE TOLD YOU * 1926 02:06:09,596 --> 02:06:12,799 * WHEN I LOOKED INTO YOUR EYES * 1927 02:06:12,833 --> 02:06:17,604 * WHY DOES DISTANCE MAKE US WISE? * 1928 02:06:17,638 --> 02:06:22,776 * YOU WERE THE SONG ALL ALONG * 1929 02:06:22,809 --> 02:06:28,749 * AND BEFORE THE SONG DIES * 1930 02:06:28,782 --> 02:06:34,220 * I SHOULD TELL YOU I SHOULD TELL YOU * 1931 02:06:34,254 --> 02:06:44,264 * I HAVE ALWAYS LOVED YOU YOU CAN SEE IT IN MY EYES * 1932 02:06:44,297 --> 02:06:57,778 * I HAVE ALWAYS LOVED YOU YOU CAN SEE IT IN MY EYES * 1933 02:06:57,811 --> 02:07:07,821 * MIMI! * MOOOOOOOOOO! 1934 02:07:07,854 --> 02:07:17,898 * MIMI! * MOOOOOOOOOO! 1935 02:07:17,898 --> 02:07:27,473 * MIMI! * MOOOOOOOOOO! 1936 02:07:27,507 --> 02:07:29,776 >> WHAT? 1937 02:07:29,810 --> 02:07:30,643 >> I JUMPED OVER THE MOOOOOOON! 1938 02:07:30,677 --> 02:07:34,280 >> YES! 1939 02:07:34,314 --> 02:07:37,450 >> I WAS IN A TUNNEL. 1940 02:07:37,483 --> 02:07:38,551 HEADING FOR THIS WARM, WHITE LIGHT -- 1941 02:07:38,584 --> 02:07:39,720 >> OH, MY GOD. 1942 02:07:39,753 --> 02:07:43,023 >> AND I SWEAR ANGEL WAS THERE. 1943 02:07:43,056 --> 02:07:46,492 AND SHE LOOKED GOOD! 1944 02:07:46,526 --> 02:07:49,830 AND SHE SAID, "TURN AROUND GIRLFRIEND, AND LISTEN TO THAT 1945 02:07:49,863 --> 02:07:52,132 BOY'S SONG --" * SHE'S DRENCHED 1946 02:07:52,165 --> 02:07:59,672 * HER FEVER'S BREAKING * THERE IS NO FUTURE 1947 02:07:59,706 --> 02:08:06,880 THERE IS NO PAST * * THANK GOD THIS MOMENT'S 1948 02:08:06,913 --> 02:08:15,521 NOT THE LAST * * THERE'S ONLY US 1949 02:08:15,555 --> 02:08:21,928 THERE'S ONLY THIS * * FORGET REGRET OR LIFE 1950 02:08:21,962 --> 02:08:26,332 IS YOURS TO MISS * * NO OTHER ROAD NO 1951 02:08:26,366 --> 02:08:37,744 OTHER WAY NO DAY BUT TODAY * 1952 02:08:37,778 --> 02:08:42,916 * I CAN'T CONTROL * WILL I LOSE MY DIGNITY 1953 02:08:42,949 --> 02:08:50,556 * MY DESTINY * WILL SOMEONE CARE 1954 02:08:50,590 --> 02:08:53,359 * I TRUST MY SOUL * WILL I WAKE TOMORROW 1955 02:08:53,393 --> 02:08:59,599 * MY ONLY GOAL * FROM THIS 1956 02:08:59,632 --> 02:09:03,236 * IS JUST TO BE * NIGHTMARE 1957 02:09:03,269 --> 02:09:05,371 * WITHOUT YOU * THERE'S ONLY NOW 1958 02:09:05,405 --> 02:09:07,207 * THE HAND GROPES * THERE'S ONLY 1959 02:09:07,240 --> 02:09:09,575 * THE EAR HEARS * HERE 1960 02:09:09,609 --> 02:09:13,146 * THE PULSE BEATS * GIVE IN TO LOVE 1961 02:09:13,179 --> 02:09:16,749 * LIFE GOES ON * OR LIVE IN FEAR 1962 02:09:16,783 --> 02:09:19,886 * BUT I'M GONE * NO OTHER PATH 1963 02:09:19,920 --> 02:09:22,655 * â *CAUSE * * NO OTHER WAY 1964 02:09:22,688 --> 02:09:24,991 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1965 02:09:25,025 --> 02:09:32,598 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1966 02:09:32,632 --> 02:09:36,970 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1967 02:09:37,003 --> 02:09:41,407 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1968 02:09:41,441 --> 02:09:44,978 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1969 02:09:45,011 --> 02:09:50,183 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1970 02:09:50,216 --> 02:09:58,024 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1971 02:09:58,058 --> 02:10:02,863 * I DIE WITHOUT YOU NO DAY BUT TODAY * 1972 02:10:02,896 --> 02:10:08,034 * NO DAY BUT TODAY * FIVE HUNDRED TWENTY-FIVE 1973 02:10:08,068 --> 02:10:18,111 THOUSAND * * FIVE HUNDRED TWENTY-FIVE 1974 02:10:18,144 --> 02:10:28,188 THOUSAND * * FIVE HUNDRED TWENTY-FIVE 1975 02:10:28,188 --> 02:10:38,131 THOUSAND * * FIVE HUNDRED TWENTY-FIVE 1976 02:10:38,164 --> 02:10:48,208 THOUSAND * * FIVE HUNDRED TWENTY-FIVE 1977 02:10:48,208 --> 02:10:54,147 THOUSAND * * FIVE HUNDRED TWENTY-FIVE 1978 02:10:54,180 --> 02:10:58,851 THOUSAND * * SIX HUNDRED MINUTES 1979 02:10:58,885 --> 02:11:02,889 FIVE HUNDRED TWENTY-FIVE THOUSAND * 1980 02:11:02,923 --> 02:11:05,992 * MOMENTS SO DEAR ELVE HUNDRED 1981 02:11:06,026 --> 02:11:09,562 TWENTY-FIVE THOUSAND * * SIX HUNDRED MINUTES 1982 02:11:09,595 --> 02:11:19,940 HOW DO YOU MEASURE MEASURE A YEAR? * 1983 02:11:19,973 --> 02:11:27,347 * HOW ABOUT LOVE * HOW ABOUT LOVE 1984 02:11:27,380 --> 02:11:37,523 * HOW ABOUT LOVE * MEASURE IN LOVE 1985 02:11:37,557 --> 02:11:43,096 * SEASONS OF LOVE * LOVE 1986 02:11:43,129 --> 02:11:55,575 * SEASONS OF * LOVE 1987 02:11:55,608 --> 02:11:56,776 * FIVE HUNDRED TWENTY-FIVE THOUSAND * 1988 02:11:56,809 --> 02:11:57,910 * SIX HUNDRED MINUTES FIVE HUNDRED 1989 02:11:57,944 --> 02:11:58,945 TWENTY-FIVE THOUSAND * * JOURNEYS TO PLAN 1990 02:11:58,979 --> 02:12:00,380 * FIVE HUNDRED TWENTY-FIVE THOUSAND * 1991 02:12:00,413 --> 02:12:03,950 * SIX HUNDRED MINUTES HOW DO YOU MEASURE 1992 02:12:03,984 --> 02:12:09,122 THE LIFE * * OF A WOMAN OR A MAN? 1993 02:12:09,155 --> 02:12:14,294 * IN TRUTHS THAT SHE LEARNED OR IN TIMES THAT HE CRIED * 1994 02:12:14,327 --> 02:12:16,963 * IN BRIDGES HE BURNED OR THE WAY THAT SHE 1995 02:12:16,997 --> 02:12:20,233 DIED * * IT'S TIME NOW 1996 02:12:20,266 --> 02:12:26,572 TO SING OUT * * THO' THE STORY NEVER ENDS 1997 02:12:26,606 --> 02:12:28,174 LET'S CELEBRATE * * REMEMBER A YEAR IN THE 1998 02:12:28,208 --> 02:12:30,977 LIFE OF FRIENDS * * REMEMBER THE LOVE 1999 02:12:31,011 --> 02:12:38,151 REMEMBER THE LOVE REMEMBER THE LOVE * 2000 02:12:38,184 --> 02:12:44,124 * MEASURE IN LOVE * MEASURE, MEASURE YOUR 2001 02:12:44,157 --> 02:12:54,167 LIFE IN LOVE * * SEASONS OF LOVE 2002 02:12:54,200 --> 02:13:04,344 LIFE IN LOVE * * SEASONS OF LOVE 2003 02:13:04,377 --> 02:13:11,817 * SEASONS OF LOVE 2004 02:14:31,597 --> 02:14:33,133 MAN: Thanks for watching. 2005 02:14:33,166 --> 02:14:35,435 Here are a few more shows to check out from Fox. 2006 02:14:37,670 --> 02:14:39,472 Welcome to the galaxy. 2007 02:14:40,673 --> 02:14:42,642 Should be fun. I'll lead. 2008 02:14:44,477 --> 02:14:47,380 * We're breaking waves Shooting stars * 2009 02:14:47,413 --> 02:14:48,748 We're gonna make a run for it. 2010 02:14:48,781 --> 02:14:49,982 * Live for glory, not forever * 2011 02:14:50,015 --> 02:14:54,454 -Go! -* Reach out * 2012 02:14:54,487 --> 02:14:58,057 * Make this right here Right now * 2013 02:14:58,090 --> 02:15:01,827 * Stand up * 2014 02:15:01,861 --> 02:15:04,630 -* Here right now * -Now! 143997

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