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1
00:00:11,900 --> 00:00:14,200
I KNEW YOU TWO
WOULD HIT IT OFF.
2
00:00:18,500 --> 00:00:21,500
MIRA, THE NEW RUG
IS TO DIE FOR!
3
00:00:21,533 --> 00:00:23,900
OH, IT'S JUST A LITTLE SOMETHING
LIAM AND I PICKED UP IN BALI.
4
00:00:25,967 --> 00:00:28,000
MY LOVE, IT'S YOUR OFFICE.
THEY SAY IT'S URGENT.
5
00:00:31,000 --> 00:00:32,100
I'M SORRY, FOLKS.
6
00:00:32,133 --> 00:00:33,467
OCCUPATIONAL HAZARD
7
00:00:33,500 --> 00:00:35,900
WHEN YOU'RE RUNNING
A FORTUNE 500 COMPANY.
8
00:00:35,933 --> 00:00:37,033
MIRA! THANK GOODNESS
YOU'RE HERE!
9
00:00:37,067 --> 00:00:39,067
WE TRIED TO HANDLE IT,
BUT WE NEEDED YOU.
10
00:00:47,467 --> 00:00:50,167
ALRIGHT, I'M HERE
TO HANDLE THE PROBLEM.
11
00:00:50,200 --> 00:00:51,167
TELL ME EVERYTHING.
12
00:00:54,367 --> 00:00:55,600
WHAT'S THAT NOISE?
13
00:00:55,633 --> 00:00:58,233
PROBABLY ANOTHER PROBLEM
ONLY YOU CAN FIX.
14
00:01:26,600 --> 00:01:29,000
AND BACK TO REAL LIFE WE GO.
15
00:01:29,033 --> 00:01:30,533
MORNING!
16
00:01:33,500 --> 00:01:34,667
REALLY?
17
00:01:34,700 --> 00:01:37,267
OUT IN A JIFF!
18
00:01:44,467 --> 00:01:46,933
MORNING.
WHOA-WHOA!
19
00:01:46,967 --> 00:01:48,700
DID YOU GET ANY SLEEP
LAST NIGHT?
20
00:01:48,733 --> 00:01:51,333
THE MOST SUCCESSFUL PEOPLE EXIST
ON MINIMAL SLEEP--
21
00:01:51,367 --> 00:01:53,467
OPRAH, OBAMA,
THE DALAI LAMA--
22
00:01:53,500 --> 00:01:57,000
THAT'S HOW YOU BECOME THE CEO
OF A FORTUNE 500 COMPANY.
23
00:01:57,033 --> 00:02:00,767
YEAH, PRETTY SURE THE DALAI LAMA
ISN'T THE CEO OF ANYTHING.
24
00:02:00,800 --> 00:02:03,500
I'M PRETTY SURE HE COULD,
IF HE WANTED TO.
25
00:02:06,100 --> 00:02:07,500
SPEAKING OF.
26
00:02:07,533 --> 00:02:10,533
CEO ALERT.
27
00:02:10,567 --> 00:02:12,700
GOOD MORNING.
28
00:02:14,633 --> 00:02:16,633
I'M GONNA BE HER SOMEDAY.
29
00:02:16,667 --> 00:02:18,267
I DON'T DOUBT IT
FOR A SECOND.
30
00:02:18,300 --> 00:02:20,400
THE LIGHTNING COULD
STRIKE AT ANY MOMENT,
31
00:02:20,433 --> 00:02:22,067
AND I WILL BE READY.
32
00:02:22,100 --> 00:02:23,767
SPEAKING OF, DID YOU GET
YOUR PROPOSAL FINISHED?
33
00:02:23,800 --> 00:02:26,033
I DID, NOW I JUST NEED
MICHAEL TO CONSIDER IT.
34
00:02:26,067 --> 00:02:27,033
IF HE LIKES MY IDEA,
35
00:02:27,067 --> 00:02:28,400
THEN EVERYTHING I'VE
BEEN PREPARING FOR
36
00:02:28,433 --> 00:02:29,600
COULD COME TO FRUITION.
37
00:02:29,633 --> 00:02:30,567
LIGHTNING.
38
00:02:30,600 --> 00:02:32,267
EXACTLY! AND WITH
MY BIG IDEAS
39
00:02:32,300 --> 00:02:34,367
AND YOUR BRILLIANT
DESIGN SKILLS--
40
00:02:34,400 --> 00:02:36,267
YEAH, ABOUT THAT.
41
00:02:36,300 --> 00:02:38,000
THERE'S SOMETHING
I NEED TO TELL YOU.
42
00:02:38,033 --> 00:02:41,167
I ACCEPTED A JOB AT OURFRIENDS.
I'M LEAVING YOURPAGE.
43
00:02:41,200 --> 00:02:43,767
JONAH! YOU'RE THE BEST
GRAPHIC ARTIST WE'VE GOT.
44
00:02:43,800 --> 00:02:46,033
YOU CAN'T GO
TO OUR BIGGEST COMPETITORS.
45
00:02:46,067 --> 00:02:47,433
APRIL FOOL'S.
46
00:02:47,467 --> 00:02:49,700
DO NOT DO THAT TO ME.
47
00:02:49,733 --> 00:02:51,033
COME ON.
48
00:02:51,067 --> 00:02:53,133
I'M JUST HAVING
A LITTLE FUN WITH YOU.
49
00:02:53,167 --> 00:02:54,567
FUN? YOU JUST
GAVE ME A HEART ATTACK.
50
00:02:54,600 --> 00:02:56,100
APRIL FOOL'S IS
HAZARDOUS TO OUR HEALTH
51
00:02:56,133 --> 00:02:57,367
AND, FOR THE GOOD
OF MANKIND,
52
00:02:57,400 --> 00:02:59,000
IT SHOULD
BE ABOLISHED.
53
00:02:59,033 --> 00:03:00,500
RELAX. I WOULD
NEVER GO TO OURFRIENDS.
54
00:03:00,533 --> 00:03:02,100
THEIR INTERFACE REQUIRES
55
00:03:02,133 --> 00:03:04,333
A TWO-STEP
AUTHENTICATION PROCESS
56
00:03:04,367 --> 00:03:05,467
JUST TO RESPOND TO A POST.
57
00:03:05,500 --> 00:03:07,533
NO, THANK YOU.
USER-UNFRIENDLY.
58
00:03:07,567 --> 00:03:09,500
ALRIGHT.
YOU ARE FORGIVEN.
59
00:03:09,533 --> 00:03:11,367
BUT I WILL SAY,
60
00:03:11,400 --> 00:03:13,067
I'M READY
FOR APRIL 2nd.
61
00:03:13,100 --> 00:03:14,767
WHAT IS YOUR AVERSION
TO APRIL FOOL'S DAY?
62
00:03:14,800 --> 00:03:17,233
SILLY JOKES ARE NOT GOING TO GET
ME TO THE EXECUTIVE SUITE.
63
00:03:17,267 --> 00:03:18,833
I PREFER TO STAY ON-TRACK.
64
00:03:18,867 --> 00:03:21,333
RIGHT. BECAUSE THERE'S
A LIGHTNING STORM COMING.
65
00:03:22,667 --> 00:03:24,667
OKAY, PEOPLE. LISTEN UP.
66
00:03:24,700 --> 00:03:26,200
DUE TO THE ECONOMY,
67
00:03:26,233 --> 00:03:28,567
ADVERTISERS ARE SEARCHING
FOR THE NEXT BIG WEBSITE,
68
00:03:28,600 --> 00:03:30,800
SO WE NEED TO COME UP WITH
SOME INNOVATIVE WAYS
69
00:03:30,833 --> 00:03:32,267
TO ATTRACT NEW USERS
70
00:03:32,300 --> 00:03:36,633
WHO WILL MAKE YOURPAGE
THEIR ONLY SOCIAL MEDIA SITE.
71
00:03:36,667 --> 00:03:38,300
NOW, THE ADVERTISERS
HAVE ASSURED US,
72
00:03:38,333 --> 00:03:40,567
IF WE BUILD IT,
THEY WILL COME.
73
00:03:40,600 --> 00:03:43,233
NOW, I WANT YOU ALL
TO TAKE A GOOD LOOK
74
00:03:43,267 --> 00:03:44,367
AT OUR WEB PAGE,
75
00:03:44,400 --> 00:03:46,133
AND THINK ABOUT HOW
WE CAN MAKE IT STAND OUT
76
00:03:46,167 --> 00:03:47,267
AGAINST THE COMPETITION.
77
00:03:47,300 --> 00:03:49,467
I WANT YOU ALL
TO COME UP WITH THREE IDEAS
78
00:03:49,500 --> 00:03:50,700
BY THIS AFTERNOON.
79
00:03:50,733 --> 00:03:53,467
NO, CHECK THAT.
THREE GOOD IDEAS.
80
00:03:53,500 --> 00:03:54,600
LIKE HE'LL LISTEN
TO THEM ANYWAY.
81
00:03:54,633 --> 00:03:55,767
THAT'S YOUR CUE.
82
00:03:55,800 --> 00:03:56,800
WHY ARE WE STILL STANDING HERE,
PEOPLE? LET'S GO.
83
00:03:56,833 --> 00:03:58,600
MOVEMENT MAKES ACTION!
84
00:03:58,633 --> 00:04:01,167
COME ON, HE WAS
PRACTICALLY BEGGING
85
00:04:01,200 --> 00:04:02,333
FOR YOUR IDEA.
86
00:04:02,367 --> 00:04:04,400
BUT HE'S NOTORIOUS
FOR ASKING FOR INPUT
87
00:04:04,433 --> 00:04:05,467
AND THEN IGNORING IT.
88
00:04:05,500 --> 00:04:06,833
I HAVE BEEN WORKING
ON THIS FOR MONTHS,
89
00:04:06,867 --> 00:04:08,633
JONAH, I HAVE TO
TIME THIS OUT RIGHT.
90
00:04:08,667 --> 00:04:09,733
OKAY.
91
00:04:09,767 --> 00:04:11,900
OKAY. WHO IS THIS PERSON
STANDING NEXT TO ME?
92
00:04:11,933 --> 00:04:13,367
'CAUSE THE MIRA I KNOW
93
00:04:13,400 --> 00:04:15,300
HAS ENVISIONED
HER PERFECT LIFE
94
00:04:15,333 --> 00:04:17,467
AND WOULD NOT STOP
UNTIL SHE GETS IT.
95
00:04:17,500 --> 00:04:19,467
HMM.
96
00:04:22,500 --> 00:04:24,467
I ADDED A DRAWING
TO THE CUBE.
97
00:04:24,500 --> 00:04:25,800
FOR LUCK.
98
00:04:27,333 --> 00:04:29,767
I ABSOLUTELY LOVE
ALL OF YOUR DRAWINGS,
99
00:04:29,800 --> 00:04:32,533
BUT THIS ONE MIGHT BE
MY ALL-TIME FAVORITE.
100
00:04:32,567 --> 00:04:34,467
IT MIGHT BE
WORTH SOMETHING SOMEDAY.
101
00:04:34,500 --> 00:04:35,767
I KNOW IT WILL,
102
00:04:35,800 --> 00:04:38,300
AND WHEN "PEGGY THE TIDY PIG"
SELLS A MILLION COPIES,
103
00:04:38,333 --> 00:04:40,367
I'LL SELL THIS CUBE ON EBAY
AND RETIRE.
104
00:04:40,400 --> 00:04:41,667
GETTING YOUR CHILDREN'S BOOK
PUBLISHED
105
00:04:41,700 --> 00:04:43,867
IS LIKE TRYING TO
CATCH LIGHTENING IN A BOTTLE.
106
00:04:43,900 --> 00:04:46,200
I'LL SEND
MY BOOK OUT...
107
00:04:46,233 --> 00:04:48,400
WHEN IT'S READY, SOMEDAY.
108
00:04:48,433 --> 00:04:51,233
"SOMEDAY"
IS RIGHT NOW, JONAH.
109
00:04:51,267 --> 00:04:53,267
YOU GOT TO BE PREPARED
FOR YOUR LIGHTNING STORM, TOO.
110
00:04:53,300 --> 00:04:54,800
YOU THINK DR. SEUSS
SAID "SOMEDAY?"
111
00:04:54,833 --> 00:04:55,800
MAURICE SENDAK?
112
00:04:55,833 --> 00:04:57,300
THE GUY WHO
WROTE THE BOOK
113
00:04:57,333 --> 00:04:59,267
ABOUT THE AWFUL KID
WHO DESTROYED THE TREE?
114
00:04:59,300 --> 00:05:00,833
-SHEL SILVERSTEIN.
-YEAH, THAT GUY.
115
00:05:00,867 --> 00:05:03,467
I BET HE WAS READY
FOR HIS BIG OPPORTUNITY.
116
00:05:03,500 --> 00:05:05,233
YOU'RE RIGHT.
117
00:05:05,267 --> 00:05:07,900
I'M GONNA FINISH "PEGGY"
AND SEND IT OUT.
118
00:05:07,933 --> 00:05:09,833
DO I GET TO HEAR THE STORY YET?
119
00:05:09,867 --> 00:05:11,800
NO. NOT UNTIL IT'S DONE.
120
00:05:11,833 --> 00:05:13,200
BUT I'M CLOSE.
121
00:05:13,233 --> 00:05:15,467
WELL, I LOVE THE ARTWORK.
NOW FINISH.
122
00:05:15,500 --> 00:05:18,300
AND WHAT
ABOUT YOU, HUH?
123
00:05:18,333 --> 00:05:19,833
YOU'RE READY.
124
00:05:19,867 --> 00:05:22,400
GO TELL MICHAEL YOUR BIG IDEA.
125
00:05:22,433 --> 00:05:23,867
RIGHT NOW.
126
00:05:26,000 --> 00:05:27,000
ALRIGHT.
127
00:05:28,933 --> 00:05:30,633
AHEM. ALRIGHT!
128
00:05:30,667 --> 00:05:31,633
I'M GOING.
129
00:05:31,667 --> 00:05:33,233
YOU GOT THIS.
130
00:05:41,767 --> 00:05:44,300
YOU SHOULD JUST TELL HER
HOW YOU FEEL, MAN.
131
00:05:44,333 --> 00:05:45,833
SHE HAS TO KNOW.
132
00:05:45,867 --> 00:05:48,467
I MEAN...
WE ALL DO.
133
00:05:52,467 --> 00:05:55,200
HERE'S WHAT OUR SITE
LOOKS LIKE NOW.
134
00:05:55,233 --> 00:05:57,867
AND... HERE IS
WHAT IT WILL LOOK LIKE.
135
00:05:59,300 --> 00:06:00,333
A NEW INTERFACE?
136
00:06:00,367 --> 00:06:01,533
A NEW DESIGN THAT PULLS
137
00:06:01,567 --> 00:06:03,867
INFO FROM UP TO THREE
DIFFERENT WEBSITES
138
00:06:03,900 --> 00:06:06,267
AND COMPILES IT ALL HERE ON
THE PERSON'S YOURPAGE PROFILE.
139
00:06:06,300 --> 00:06:07,900
HANG ON ONE SEC.
140
00:06:07,933 --> 00:06:10,033
OKAY, GO.
141
00:06:10,067 --> 00:06:13,000
WHETHER IT'S A DATING WEBSITE,
OR BUSINESS NETWORKING,
142
00:06:13,033 --> 00:06:15,433
OR PICTURES OF
WHAT YOU ATE FOR DINNER,
143
00:06:15,467 --> 00:06:16,867
IT'S ALL NOW IN ONCE PLACE,
144
00:06:16,900 --> 00:06:18,300
ON OUR SITE.
145
00:06:18,333 --> 00:06:20,467
WE'RE THE ONLY PLACE
PEOPLE WILL EVER NEED TO LOG IN.
146
00:06:20,500 --> 00:06:23,033
SOUNDS... INNOVATIVE.
147
00:06:23,067 --> 00:06:24,867
I LIKE IT.
BUT LONG-TERM, OKAY?
148
00:06:24,900 --> 00:06:26,433
WE NEED TO BEEF UP
AD SALES TODAY,
149
00:06:26,467 --> 00:06:28,600
AND I THINK DESIGN CHANGE
LIKE THIS IS JUST...
150
00:06:28,633 --> 00:06:30,533
-TOO RADICAL.
-RADICAL, YES--
151
00:06:30,567 --> 00:06:32,667
...BUT IT GIVES US A HUGE EDGE
OVER THE COMPETITION.
152
00:06:32,700 --> 00:06:34,567
LISTEN, MIRA,
I LOVE YOUR PASSION.
153
00:06:34,600 --> 00:06:36,033
OKAY? AND...
154
00:06:36,067 --> 00:06:38,467
WELL, BETWEEN YOU AND I,
I SUSPECT THAT
155
00:06:38,500 --> 00:06:39,500
I WILL BE
IN A POSITION
156
00:06:39,533 --> 00:06:40,933
TO AFFECT SOME SERIOUS
CHANGE AROUND HERE
157
00:06:40,967 --> 00:06:43,400
IN THE VERY NEAR FUTURE.
158
00:06:43,433 --> 00:06:45,033
VP OF CREATIVE DEVELOPMENT?
159
00:06:45,067 --> 00:06:46,567
YEAH. SHE SHOULD
BE ANNOUNCING
160
00:06:46,600 --> 00:06:48,267
THAT PROMOTION
FOR YOURS TRULY THIS WEEK.
161
00:06:48,300 --> 00:06:49,433
SO, LOOK, JUST SIT TIGHT, OKAY?
162
00:06:49,467 --> 00:06:51,733
KNOW THAT YOUR EFFORT
IS NOT GOING UNNOTICED.
163
00:06:51,767 --> 00:06:55,467
THANK YOU. AND I HAVE
MANY MORE DETAILS IN MY REPORT.
164
00:06:55,500 --> 00:06:57,800
I'LL JUST LEAVE IT
RIGHT HERE FOR YOU.
165
00:06:57,833 --> 00:07:00,700
AND MAYBE YOU CAN TALK TO ERIN?
166
00:07:00,733 --> 00:07:03,500
SHE SAYS SHE ALWAYS WANTS
TO HEAR EVERYONE'S IDEAS.
167
00:07:03,533 --> 00:07:04,933
YEAH, I'LL, UH, GIVE IT A READ,
168
00:07:04,967 --> 00:07:07,100
AND WHEN I GET A MOMENT,
I'LL DISCUSS IT WITH ERIN.
169
00:07:07,133 --> 00:07:08,367
THANK YOU SO MUCH.
170
00:07:08,400 --> 00:07:10,467
OH, HANG ON A SEC.
MICHAEL COLLIER.
171
00:07:10,500 --> 00:07:11,700
YEAH, JUST GIVE ME A SECOND.
172
00:07:11,733 --> 00:07:13,400
YOU'RE GOING TO LOVE IT!
173
00:07:13,433 --> 00:07:14,567
OKAY. GOOD!
174
00:07:14,600 --> 00:07:17,400
HOWARD!
HOW IS LONDON?
175
00:07:17,433 --> 00:07:19,767
I'M TELLING YOU, SIS.
176
00:07:19,800 --> 00:07:22,333
MAYBE MICHAEL'S
READING IT RIGHT NOW.
177
00:07:22,367 --> 00:07:24,433
MAYBE, WHEN
I GET BACK FROM LUNCH...
178
00:07:26,000 --> 00:07:27,467
MY WHOLE LIFE WILL CHANGE
179
00:07:27,500 --> 00:07:29,467
AND I CAN EARN ENOUGH MONEY
AND GET MY OWN PLACE.
180
00:07:29,500 --> 00:07:31,500
I THOUGHT YOU LOVED
LIVING WITH BROOKE.
181
00:07:31,533 --> 00:07:33,700
I ALSO THINK I'D LOVE
MY OWN BATHROOM MORE,
182
00:07:33,733 --> 00:07:35,933
AND WE'VE BEEN LIVING TOGETHER
SINCE THE DORM.
183
00:07:35,967 --> 00:07:38,533
I JUST THINK
IT MIGHT BE TIME FOR ME TO...
184
00:07:38,567 --> 00:07:40,700
GROW UP,
BE MY OWN PERSON,
185
00:07:40,733 --> 00:07:43,100
AND THEN YOU AND I CAN
BOTH HAVE PERFECT LIVES.
186
00:07:44,633 --> 00:07:46,767
YOU KNOW, LIFE WOULD BE
SO MUCH EASIER
187
00:07:46,800 --> 00:07:48,067
IF WE ALL LIVED
188
00:07:48,100 --> 00:07:49,467
IN THIS FANTASY
WORLD OF YOURS.
189
00:07:49,500 --> 00:07:50,767
MY LIFE IS NOT
PERFECT, MIRA.
190
00:07:50,800 --> 00:07:53,000
PLEASE. YOU ARE THE HEAD
OF YOUR DIVISION,
191
00:07:53,033 --> 00:07:55,867
YOUR HUSBAND IS ADORABLE,
YOUR HOUSE IS A DREAM,
192
00:07:55,900 --> 00:07:57,667
AND EVEN YOUR DOG IS TO DIE FOR.
193
00:07:57,700 --> 00:07:58,767
I'M NOT BUYING IT.
194
00:08:00,900 --> 00:08:02,767
YOU KNOW WHAT?
195
00:08:02,800 --> 00:08:04,933
THERE'S SOMEONE
I WANT YOU TO MEET.
196
00:08:04,967 --> 00:08:06,467
I DO NOT NEED TO BE SET UP.
197
00:08:06,500 --> 00:08:08,400
JUST HEAR
ME OUT, OKAY?
198
00:08:08,433 --> 00:08:11,833
HE'S MANLY, HE'S STRONG,
HE'S A LITTLE BIT HAIRY,
199
00:08:11,867 --> 00:08:13,033
BUT HE'S A HEALTHY EATER,
200
00:08:13,067 --> 00:08:16,133
AND I THINK YOU TWO
WOULD BE SUPER-COMPATIBLE.
201
00:08:16,167 --> 00:08:17,667
APRIL FOOL'S!
202
00:08:17,700 --> 00:08:18,900
WHAT IS IT ABOUT THIS DAY
203
00:08:18,933 --> 00:08:21,700
THAT TURNS PERFECTLY SANE PEOPLE
INTO FIFTH-GRADERS?
204
00:08:21,733 --> 00:08:22,967
OKAY, SERIOUSLY,
205
00:08:23,000 --> 00:08:25,633
THERE IS THIS GUY
THAT I WANT YOU TO MEET.
206
00:08:25,667 --> 00:08:27,400
OH, NO, THANK YOU.
THE GORILLA AND I ARE JUST FINE.
207
00:08:27,433 --> 00:08:28,467
HE GETS ME.
208
00:08:28,500 --> 00:08:31,433
LOOK HOW CUTE HE IS.
209
00:08:31,467 --> 00:08:34,933
THAT'S...
THAT'S NOT THE GUY.
210
00:08:34,967 --> 00:08:36,500
YOU DON'T ALWAYS KNOW.
211
00:08:36,533 --> 00:08:39,400
I MEAN, IT TOOK ME EIGHT DATES
TO KNOW WITH BRETT.
212
00:08:39,433 --> 00:08:41,867
SOMETIMES, I STILL DON'T KNOW.
213
00:08:41,900 --> 00:08:44,667
OKAY, YOU DON'T HAVE TO TRY
AND MAKE ME FEEL BETTER.
214
00:08:44,700 --> 00:08:47,867
I WILL FIND MY GUY
AND LIVE THE DREAM, TOO.
215
00:08:47,900 --> 00:08:49,967
AND BESIDES, I CAN'T
GO TONIGHT ANYWAY.
216
00:08:50,000 --> 00:08:51,433
IT'S FONDUE NIGHT
217
00:08:51,467 --> 00:08:53,667
AND "SHELLY'S LOOKING FOR LOVE"
WITH THE GIRLS,
218
00:08:53,700 --> 00:08:54,767
AND BROOKE AND I ARE HOSTING.
219
00:08:54,800 --> 00:08:58,533
OKAY, SO YOU WOULD RATHER
WATCH A TV SHOW
220
00:08:58,567 --> 00:09:01,533
WHERE SOME GIRL DATES
25 FAME-SEEKERS
221
00:09:01,567 --> 00:09:03,800
THAN MEET ONE AMAZING GUY
IN REAL LIFE?
222
00:09:03,833 --> 00:09:05,200
I KNOW WHAT I WANT,
223
00:09:05,233 --> 00:09:07,200
AND I REFUSE TO SETTLE
FOR ANYTHING LESS.
224
00:09:08,767 --> 00:09:10,767
YOU KNOW, YOUR FANTASY LIFE
225
00:09:10,800 --> 00:09:13,500
IS REALLY STARTING TO GET
IN THE WAY OF YOUR ACTUAL LIFE.
226
00:09:14,733 --> 00:09:16,800
MAYBE IF YOUR LIFE
WAS LESS PERFECT,
227
00:09:16,833 --> 00:09:18,067
YOU'D UNDERSTAND.
228
00:09:22,600 --> 00:09:23,633
MIRA.
229
00:09:23,667 --> 00:09:25,000
JUST THE GIRL
I WAS BEEN LOOKING FOR.
230
00:09:25,033 --> 00:09:27,467
LISTEN. I NEED YOU
TO DROP OFF ANOTHER BOX
231
00:09:27,500 --> 00:09:28,633
AT THE CORPORATE
TOWNHOUSE.
232
00:09:28,667 --> 00:09:30,900
OKAY? THE MESSENGER SERVICE
IS BACKED RIGHT UP,
233
00:09:30,933 --> 00:09:33,100
AND THIS OUT-OF-TOWN
PROGRAMMER NEEDS IT TODAY.
234
00:09:33,133 --> 00:09:34,767
NOW, HE WON'T BE THERE,
235
00:09:34,800 --> 00:09:36,467
SO JUST LET YOURSELF IN
AND LEAVE IT IN THE LIVING ROOM.
236
00:09:36,500 --> 00:09:37,767
YOU STILL GOT THE KEY
FROM YESTERDAY?
237
00:09:37,800 --> 00:09:39,000
OH. YEAH. SURE.
238
00:09:39,033 --> 00:09:40,200
GREAT!
239
00:09:40,233 --> 00:09:41,567
GOOD. I KNEW
I COULD COUNT ON YOU,
240
00:09:41,600 --> 00:09:42,700
AND LIKE I SAID BEFORE,
241
00:09:42,733 --> 00:09:46,100
YOUR COOPERATION
IS NOT GOING UNNOTICED, OKAY?
242
00:09:56,867 --> 00:09:57,900
AH!
243
00:09:57,933 --> 00:09:59,533
OH, MY GOD.
244
00:09:59,567 --> 00:10:01,067
I AM SO SORRY.
LET ME HELP YOU.
245
00:10:01,100 --> 00:10:03,667
IT'S YOU.
I KNOW YOU.
246
00:10:03,700 --> 00:10:06,633
THE CITY SCE ARTICLE?
247
00:10:06,667 --> 00:10:08,000
I READ IT LAST NIGHT.
248
00:10:08,033 --> 00:10:10,200
MY ONE AND ONLY
CLAIM TO FAME.
249
00:10:10,233 --> 00:10:12,467
I-- WHAT CAN I SAY?
250
00:10:12,500 --> 00:10:14,000
IT'S GOOD FOR BUSINESS.
251
00:10:14,033 --> 00:10:16,967
BUT I-I-- I'M SO SORRY.
ARE YOU OKAY? DID I HURT YOU?
252
00:10:17,000 --> 00:10:17,967
IT'S FINE, REALLY.
253
00:10:18,000 --> 00:10:18,967
I'M-- I'M-- I'M FINE.
254
00:10:19,000 --> 00:10:20,200
WELL, IT'S NOT FINE.
255
00:10:20,233 --> 00:10:21,800
I WASN'T WATCHING
WHERE I WAS WALKING,
256
00:10:21,833 --> 00:10:24,733
WHICH IS JUST NOT
VERY GENTLEMANLY OF ME AT ALL.
257
00:10:24,767 --> 00:10:26,767
WHAT IS IT THEY SAY
258
00:10:26,800 --> 00:10:28,467
IN THOSE PUBLIC SERVICE
ANNOUNCEMENTS?
259
00:10:28,500 --> 00:10:30,667
DON'T TEXT AND WALK?
260
00:10:31,767 --> 00:10:33,600
WELL, IF THEY--
IF THEY DON'T SAY THAT,
261
00:10:33,633 --> 00:10:35,200
THEY PROBABLY SHOULD.
262
00:10:35,233 --> 00:10:37,033
OBVIOUSLY,
I'M A TERRIBLE HAZARD.
263
00:10:37,067 --> 00:10:38,567
OH, GO AHEAD,
TAKE THAT.
264
00:10:38,600 --> 00:10:39,567
I'LL CLEAN
THE REST OF THIS UP.
265
00:10:39,600 --> 00:10:40,567
I GOT IT.
266
00:10:40,600 --> 00:10:41,633
IT'S JUST MY SISTER
267
00:10:41,667 --> 00:10:42,800
RELENTLESSLY TRYING
TO CONTROL MY LIFE.
268
00:10:42,833 --> 00:10:43,967
IT'S NOT IMPORTANT.
269
00:10:44,000 --> 00:10:46,100
VERY WELL, THEN.
270
00:10:47,933 --> 00:10:48,967
LIAM HENDERSON.
271
00:10:49,000 --> 00:10:50,133
MIRA SIMON.
272
00:10:50,167 --> 00:10:51,467
MIRA SIMON.
273
00:10:51,500 --> 00:10:53,933
VERY NICE TO RUN INTO YOU.
LITERALLY.
274
00:10:53,967 --> 00:10:55,833
SO, UH, WHAT'S
THE BIG HURRY?
275
00:10:57,733 --> 00:10:59,600
CAN I ASK YOU
276
00:10:59,633 --> 00:11:00,833
AN ODD FAVOR
THAT MIGHT RUN THE RISK
277
00:11:00,867 --> 00:11:02,967
OF YOU THINKING
I'M A COMPLETE LUNATIC?
278
00:11:03,000 --> 00:11:04,633
IT'S JUST TO GET
MY SISTER OFF MY BACK.
279
00:11:04,667 --> 00:11:07,667
W-WELL, YES.
OBVIOUSLY, NOW I'M INTRIGUED.
280
00:11:07,700 --> 00:11:10,167
CAN I TAKE
A PICTURE OF YOU AND ME?
281
00:11:10,200 --> 00:11:11,667
THAT'S THE FAVOR?
THE PICTURE?
282
00:11:11,700 --> 00:11:12,767
UH-HUH.
283
00:11:12,800 --> 00:11:14,967
YEAH, OF COURSE. SURE.
LET'S SHOW YOUR SISTER.
284
00:11:18,133 --> 00:11:19,167
LET ME SEE.
285
00:11:23,167 --> 00:11:25,167
YEAH, THAT LOOKS GOOD.
I LIKE THAT.
286
00:11:25,200 --> 00:11:27,600
WILL YOU
SEND IT TO ME?
287
00:11:27,633 --> 00:11:29,567
IF YOU--
IF YOU REALLY WANT IT.
288
00:11:29,600 --> 00:11:30,600
DO YOU--
DO YOU REALLY WANT IT?
289
00:11:30,633 --> 00:11:31,867
I REALLY WANT IT.
290
00:11:31,900 --> 00:11:33,600
OKAY.
291
00:11:33,633 --> 00:11:35,733
AND THANKS...
292
00:11:35,767 --> 00:11:36,733
FOR YOUR HELP.
293
00:11:36,767 --> 00:11:37,800
MY PLEASURE.
MY PLEASURE.
294
00:11:39,100 --> 00:11:40,300
GOODBYE.
295
00:11:40,333 --> 00:11:41,800
BYE.
296
00:11:42,867 --> 00:11:43,867
HEY!
297
00:11:45,133 --> 00:11:46,833
DON'T FORGET.
YOU TEXT ME.
298
00:12:08,767 --> 00:12:11,967
MAYBE THIS'LL PUT
AN END TO YOUR MEDDLING.
299
00:12:12,000 --> 00:12:14,000
APRIL FOOL'S, SOPHIE.
300
00:12:14,033 --> 00:12:17,067
APRIL FOOL'S DAY
CAN BE KIND OF FUN!
301
00:12:51,967 --> 00:12:54,133
SOMEDAY.
302
00:12:57,933 --> 00:12:59,833
"SHELLY LOOKS FOR LOVE."
303
00:12:59,867 --> 00:13:01,100
HEY, I'M SAM.
304
00:13:01,133 --> 00:13:02,733
I'M BACHELOR NUMBER ONE,
APPARENTLY--
305
00:13:04,333 --> 00:13:05,700
WHAT IS
SHELLY WEARING?
306
00:13:05,733 --> 00:13:06,767
IS THAT A DRESS
307
00:13:06,800 --> 00:13:08,167
OR AN ICE CAPADES
COSTUME?
308
00:13:09,233 --> 00:13:10,867
I'LL GET MY FONDUE POT
WHEN WE'RE READY
309
00:13:10,900 --> 00:13:12,700
TO MOVE ON
TO THE CHOCOLATE.
310
00:13:12,733 --> 00:13:13,700
OH, I LOVE THIS.
311
00:13:13,733 --> 00:13:15,267
KELSEA IN THE SAME
BUILDING AS US?
312
00:13:15,300 --> 00:13:17,133
IT'S LIKE THE DORMS
ALL OVER AGAIN.
313
00:13:19,167 --> 00:13:21,667
UM...
I HAVE SOMETHING...
314
00:13:21,700 --> 00:13:24,267
TO TELL YOU.
315
00:13:24,300 --> 00:13:25,333
I'M MOVING OUT.
316
00:13:25,367 --> 00:13:26,367
WHERE?
317
00:13:26,400 --> 00:13:28,100
WHAT AM I GONNA DO
WITHOUT MY ROOMMATE?
318
00:13:28,133 --> 00:13:30,300
HERE. IT'S MY PERFECT PLACE.
319
00:13:30,333 --> 00:13:32,867
SLEEK LINES,
BEAUTIFULLY DESIGNED,
320
00:13:32,900 --> 00:13:34,667
WASHER AND DRYER,
IN THE PLACE.
321
00:13:37,233 --> 00:13:39,267
WELL, IT'S EVERYTHING YOU'VE
EVER DREAMED OF IN A HOUSE.
322
00:13:39,300 --> 00:13:41,000
HOW ON EARTH
CAN YOU AFFORD THAT?
323
00:13:41,033 --> 00:13:42,000
I CAN'T.
324
00:13:42,033 --> 00:13:43,200
APRIL FOOL'S!
325
00:13:43,233 --> 00:13:44,267
OH!
326
00:13:44,300 --> 00:13:45,767
OKAY, GOOD,
327
00:13:45,800 --> 00:13:47,933
BECAUSE I CAN'T AFFORD
TO MOVE THERE WITH YOU,
328
00:13:47,967 --> 00:13:49,067
AND I LOVE US.
329
00:13:49,100 --> 00:13:52,333
SOMEDAY, THOUGH.
SOMEDAY.
330
00:13:53,433 --> 00:13:56,000
UM... WHO IS THIS?
331
00:13:57,033 --> 00:13:58,733
HE WAS PROFILED
IN CITY BEAT.
332
00:13:58,767 --> 00:14:00,167
YES, HE WAS.
333
00:14:00,200 --> 00:14:02,100
THAT'S LIAM, MY DREAM MAN,
334
00:14:02,133 --> 00:14:04,333
BUT THAT WAS JUST
AN APRIL FOOL'S JOKE ON--
335
00:14:04,367 --> 00:14:05,933
ON SOPHIE.
336
00:14:05,967 --> 00:14:07,300
BUT HE DID ASK ME
TO TEXT HIM THE PICTURE,
337
00:14:07,333 --> 00:14:09,033
SO I THOUGHT
WE'D BE MARRIED BY FRIDAY,
338
00:14:09,067 --> 00:14:12,467
BUT THEN HE NEVER REPLIED.
339
00:14:12,500 --> 00:14:15,100
MY DREAM MAN
HATH FORSAKEN ME.
340
00:14:16,767 --> 00:14:18,400
AND THERE SHE IS AGAIN!
SHE'S RELENTLESS!
341
00:14:18,433 --> 00:14:20,400
IT'S FROM JONAH.
342
00:14:20,433 --> 00:14:22,900
HE SAYS, "YOU'D BETTER
GET SOME SLEEP TONIGHT."
343
00:14:22,933 --> 00:14:23,900
COME ON.
344
00:14:23,933 --> 00:14:26,967
WHO NEEDS SLEEP?
IT'S APRIL FOOL'S, FOOL.
345
00:14:27,000 --> 00:14:30,000
OKAY, WRITE BACK,
"MY IDEA WAS A HIT,
346
00:14:30,033 --> 00:14:32,167
AND I AM NOW THE HEAD
OF THE DEPARTMENT."
347
00:14:32,200 --> 00:14:34,500
BAM! NOW, THAT'S HOW
YOU DO AN APRIL FOOL'S JOKE.
348
00:14:42,467 --> 00:14:44,533
HOLD THE ELEVATOR.
349
00:14:48,500 --> 00:14:50,000
THANK YOU.
350
00:14:50,033 --> 00:14:52,767
OH! HELLO, MIRA.
351
00:14:52,800 --> 00:14:54,767
GOOD MORNING.
352
00:15:02,533 --> 00:15:03,833
UH-OH.
353
00:15:05,933 --> 00:15:08,533
I THINK WE MIGHT BE STUCK.
354
00:15:08,567 --> 00:15:09,533
NO. WE CAN'T BE STUCK.
355
00:15:09,567 --> 00:15:10,933
IF WE'RE STUCK,
356
00:15:10,967 --> 00:15:12,300
I MIGHT PANIC.
I DON'T WANT TO PANIC.
357
00:15:12,333 --> 00:15:13,500
I DON'T WANT TO PANIC.
358
00:15:13,533 --> 00:15:16,000
I WANT TO STAY REALLY--
...REALLY CALM.
359
00:15:16,033 --> 00:15:17,133
I DON'T WANT
TO BE TRAPPED
360
00:15:17,167 --> 00:15:19,567
IN THIS 20-SQUARE-FOOT
METAL BOX OF DEATH.
361
00:15:19,600 --> 00:15:21,400
OKAY, WE'RE--
WE'RE NOT STUCK.
362
00:15:21,433 --> 00:15:24,233
WE'RE JUST, UM...
WE'RE JUST NOT MOVING,
363
00:15:24,267 --> 00:15:27,267
BUT, UH, BUT WE WILL.
WE WILL SOON.
364
00:15:27,300 --> 00:15:30,133
SO JUST... JUST
KEEP BREATHING
365
00:15:30,167 --> 00:15:32,333
AND RELAX.
366
00:15:36,100 --> 00:15:38,233
THIS OPENS THE SOLAR PLEXUS
367
00:15:38,267 --> 00:15:40,367
AND IMPROVES CIRCULATION.
368
00:15:40,400 --> 00:15:44,033
NOW TAKE DEEP BREATHS...
INTO YOUR ABDOMEN.
369
00:15:45,467 --> 00:15:47,167
YOU'RE GOOD AT THIS.
370
00:15:47,200 --> 00:15:50,267
PEOPLE TELL ME
I'M CALMING.
371
00:15:50,300 --> 00:15:52,033
CALMING.
372
00:15:55,000 --> 00:15:57,133
AND IF MICHAEL
DID READ MY PROPOSAL,
373
00:15:57,167 --> 00:15:58,200
I'LL NEVER KNOW,
374
00:15:58,233 --> 00:15:59,333
BECAUSE WE'RE GONNA
LIVE IN HERE FOREVER
375
00:15:59,367 --> 00:16:00,467
AND EVER AND EVER.
376
00:16:02,133 --> 00:16:04,433
WHAT PROPOSAL
ARE YOU TALKING ABOUT?
377
00:16:04,467 --> 00:16:06,000
OH. MICHAEL'S
GONNA SHOW IT TO YOU
378
00:16:06,033 --> 00:16:07,133
WHEN HE HAS A MOMENT.
379
00:16:07,167 --> 00:16:08,867
I THINK.
380
00:16:08,900 --> 00:16:09,900
I HOPE.
381
00:16:10,967 --> 00:16:12,933
WELL, WE'RE HERE NOW.
382
00:16:12,967 --> 00:16:15,167
I AM A CAPTIVE AUDIENCE.
383
00:16:16,233 --> 00:16:18,500
WHY DON'T YOU SHOW ME?
384
00:16:21,200 --> 00:16:23,033
AND IT ALL SHOWS UP
ON OUR NEWSFEED.
385
00:16:23,067 --> 00:16:24,600
THERE'S MORE DETAILS
IN THIS REPORT.
386
00:16:38,967 --> 00:16:40,400
WE'RE MOVING.
387
00:16:43,267 --> 00:16:45,000
ALEX?
388
00:16:45,033 --> 00:16:47,333
SCHEDULE THE CORPORATE MEETING
FOR 3:00?
389
00:16:47,367 --> 00:16:49,367
MIRA? A PLEASURE.
390
00:16:57,067 --> 00:16:59,433
SHE SAID NOTHING.
NO REACTION.
391
00:16:59,467 --> 00:17:01,267
WAS IT PRESUMPTUOUS OF ME
TO SHOW HER?
392
00:17:01,300 --> 00:17:02,367
I MEAN, SHE ASKED,
393
00:17:02,400 --> 00:17:04,367
BUT MAYBE I SHOULD'VE
WAITED FOR MICHAEL.
394
00:17:04,400 --> 00:17:07,000
MIRA, OPPORTUNITY KNOCKED
AND YOU WERE READY.
395
00:17:07,033 --> 00:17:08,000
DO YOU THINK BILL GATES
396
00:17:08,033 --> 00:17:09,400
WOULD'VE WAITED
FOR MICHAEL?
397
00:17:09,433 --> 00:17:11,700
WOULD ZUCKERBERG?
WOULD BRANSON?
398
00:17:11,733 --> 00:17:13,267
YOU'RE RIGHT.
399
00:17:13,300 --> 00:17:14,667
I JUST HOPE
I DIDN'T MESS UP.
400
00:17:14,700 --> 00:17:16,233
AND, OBVIOUSLY,
THAT TEXT I SENT YOU
401
00:17:16,267 --> 00:17:17,233
WAS AN APRIL FOOL'S JOKE.
402
00:17:18,267 --> 00:17:20,100
WELL, IT WASN'T
THAT FAR-FETCHED.
403
00:17:20,133 --> 00:17:22,300
MIRA, YOUR IDEA
IS GOOD.
404
00:17:22,333 --> 00:17:24,033
YEAH, WELL, I HOPE
I DIDN'T JUST SECURE MYSELF
405
00:17:24,067 --> 00:17:25,567
A FUTURE IN
OUR CUBICLE FOREVER.
406
00:17:25,600 --> 00:17:28,100
DOESN'T SOUND SO BAD.
407
00:17:28,133 --> 00:17:29,933
UH, HI...
408
00:17:29,967 --> 00:17:31,067
WHAT ARE
YOU DOING HERE?
409
00:17:31,100 --> 00:17:33,467
HI. I WAS JUST
LEAVING YOU A NOTE.
410
00:17:33,500 --> 00:17:35,967
UH, YOU FORGOT THIS.
411
00:17:36,000 --> 00:17:37,533
FORTUNATELY,
412
00:17:37,567 --> 00:17:39,267
YOUR COMPANY NAME WAS ON IT,
SO YOU WERE EASY TO FIND.
413
00:17:39,300 --> 00:17:41,600
THANK YOU
FOR RETURNING IT.
414
00:17:41,633 --> 00:17:44,000
OKAY, I HAVE
A CONFESSION TO MAKE.
415
00:17:44,033 --> 00:17:46,700
UH, THAT IS NOT
THE ONLY REASON THAT I'M HERE.
416
00:17:46,733 --> 00:17:48,567
IT'S THE PICTURE
THAT YOU SENT ME.
417
00:17:48,600 --> 00:17:50,333
YOU SEE, I KEEP LOOKING AT IT,
418
00:17:50,367 --> 00:17:51,700
AND, FINALLY, I REALIZED,
419
00:17:51,733 --> 00:17:53,467
I'VE GOT TO TAKE
THIS GIRL OUT TO DINNER,
420
00:17:53,500 --> 00:17:56,200
AND I HAPPEN TO KNOW
A GREAT PLACE.
421
00:17:56,233 --> 00:17:57,533
I MEAN, NOT RIGHT NOW.
422
00:17:57,567 --> 00:17:59,200
IT'S JUST, LIKE,
2:00 IN THE AFTERNOON,
423
00:17:59,233 --> 00:18:01,633
BUT, UH, FRIDAY NIGHT?
424
00:18:01,667 --> 00:18:04,267
I WOULD LIKE THAT.
425
00:18:05,567 --> 00:18:08,200
GREAT. WELL, I'LL--
I'LL CALL YOU THEN.
426
00:18:08,233 --> 00:18:09,600
-GREAT!
-OKAY.
427
00:18:09,633 --> 00:18:10,733
HI.
428
00:18:10,767 --> 00:18:12,367
HEY.
429
00:18:25,200 --> 00:18:26,600
THANK YOU FOR YOUR PATIENCE.
430
00:18:26,633 --> 00:18:29,033
I KNOW I PROMISED
A NEW STATE OF THE COMPANY
431
00:18:29,067 --> 00:18:30,100
A LITTLE EARLIER,
432
00:18:30,133 --> 00:18:32,067
BUT I HAD
A VERY EXCITING MORNING.
433
00:18:33,700 --> 00:18:35,000
SEEMS LIKE THESES DAYS,
434
00:18:35,033 --> 00:18:37,333
A NEW SOCIAL NETWORKING
SITE POPS UP,
435
00:18:37,367 --> 00:18:40,333
AND WE'VE GOT TO STAY
AHEAD OF THE CURVE.
436
00:18:40,367 --> 00:18:41,700
YOU'VE BEEN WAITING
FOR ME TO ANNOUNCE
437
00:18:41,733 --> 00:18:44,033
THE NEW VP
OF CREATIVE DEVELOPMENT...
438
00:18:44,067 --> 00:18:46,800
I'M READY TO DO THAT
RIGHT NOW.
439
00:18:50,167 --> 00:18:52,033
THAT PERSON IS...
440
00:18:53,100 --> 00:18:54,500
MIRA SIMON.
441
00:18:54,533 --> 00:18:57,200
WHAT?
442
00:18:57,233 --> 00:18:58,667
MIRA BROUGHT US
443
00:18:58,700 --> 00:18:59,733
SOME WONDERFUL NEW IDEAS
444
00:18:59,767 --> 00:19:01,600
WE'LL BE IMPLEMENTING
ON THE WEBSITE,
445
00:19:01,633 --> 00:19:02,733
PENDING BOARD APPROVAL.
446
00:19:13,167 --> 00:19:14,500
OH, THAT'S NICE.
GOOD FOR YOU.
447
00:19:22,333 --> 00:19:24,533
YOU'VE BEEN ON MY RADAR
FOR SOME TIME.
448
00:19:24,567 --> 00:19:25,567
I HAD NO IDEA.
449
00:19:25,600 --> 00:19:27,600
YOUR IDEA IS GREAT.
450
00:19:27,633 --> 00:19:29,467
YOU KNOW,
EVERY DECISION THAT I'VE MADE
451
00:19:29,500 --> 00:19:31,067
THAT'S GOTTEN ME
WHERE I AM TODAY
452
00:19:31,100 --> 00:19:32,833
IS BASED ON
MY OWN GOOD JUDGEMENT.
453
00:19:32,867 --> 00:19:34,467
I DON'T MAKE MISTAKES.
454
00:19:34,500 --> 00:19:36,633
SO DON'T BREAK THAT STREAK.
455
00:19:36,667 --> 00:19:40,100
ALRIGHT.
THIS IS YOUR NEW OFFICE.
456
00:19:40,133 --> 00:19:43,167
YOU'LL WANT TO BRIEF YOURSELF
BEFORE THE BOARD.
457
00:19:43,200 --> 00:19:45,400
THE INFORMATION'S
ALL IN THESE BOXES,
458
00:19:45,433 --> 00:19:47,500
AND I CAN HAVE THEM
SHIPPED TO YOUR HOUSE.
459
00:19:47,533 --> 00:19:51,467
THESE BOXES WOULD REQUIRE
AT LEAST 200 SQUARE FEET,
460
00:19:51,500 --> 00:19:53,700
AND I'M ABOUT 50 SHORT.
461
00:19:53,733 --> 00:19:57,067
VERY SMALL APARTMENT,
WITH A VERY PARTICULAR ROOMMATE.
462
00:19:57,100 --> 00:19:58,533
MAKES THAT ELEVATOR
WE WEREN'T STUCK IN
463
00:19:58,567 --> 00:20:00,367
LOOK LIKE VERSAILLES.
464
00:20:00,400 --> 00:20:02,433
OH. WELL,
THE CORPORATE TOWNHOUSE
465
00:20:02,467 --> 00:20:04,133
IS AVAILABLE AS OF TOMORROW.
466
00:20:04,167 --> 00:20:05,467
WE COULD MOVE YOU IN THERE,
IF YOU LIKE.
467
00:20:05,500 --> 00:20:07,567
SERIOUSLY?
468
00:20:07,600 --> 00:20:11,200
YOU'RE PART OF
THE EXECUTIVE STAFF NOW,
469
00:20:11,233 --> 00:20:12,600
AND WE'RE GOING TO
TRIPLE YOUR SALARY.
470
00:20:12,633 --> 00:20:14,500
TRI-- TRIPLE?
471
00:20:14,533 --> 00:20:15,667
YOU'LL JUST HAVE TO
GET USED TO IT.
472
00:20:15,700 --> 00:20:17,433
NOW I'VE GOT TO JUMP
ON A CONFERENCE CALL.
473
00:20:17,467 --> 00:20:20,800
IF YOU HAVE ANY QUESTIONS,
JUST TALK TO ALEX.
474
00:20:20,833 --> 00:20:22,400
AND BY THE WAY...
475
00:20:22,433 --> 00:20:26,100
THANK YOU FOR SHOWING GRACE
UNDER PRESSURE TODAY.
476
00:20:34,167 --> 00:20:35,533
WOW.
477
00:20:35,567 --> 00:20:38,367
YOU PLAYED AN APRIL FOOL'S JOKE
AND IT ACTUALLY CAME TRUE.
478
00:20:38,400 --> 00:20:40,200
NOT JUST ONE JOKE. THREE!
479
00:20:40,233 --> 00:20:41,467
JONAH, LIGHTNING STRUCK.
480
00:20:41,500 --> 00:20:43,267
AND THEN AGAIN. AND AGAIN!
481
00:20:43,300 --> 00:20:46,067
THE GUY
AND THE JOB AND THE HOUSE?
482
00:20:46,100 --> 00:20:47,700
I JUST GOT EVERYTHING
I'VE EVER WANTED,
483
00:20:47,733 --> 00:20:49,267
ALL IN ONE DAY.
484
00:20:56,733 --> 00:20:59,200
THIS IS THE OFFICE
OF MIRA SIMON,
485
00:20:59,233 --> 00:21:01,433
EXECUTIVE
IN CHARGE OF EVERYTHING.
486
00:21:01,467 --> 00:21:02,567
IT'S PRESIDENT OF THE INTERNET
CALLING.
487
00:21:02,600 --> 00:21:03,633
HE MUST SPEAK WITH YOU
RIGHT AWAY.
488
00:21:03,667 --> 00:21:05,400
I'M SORRY,
I DO NOT HAVE THE TIME.
489
00:21:05,433 --> 00:21:06,767
WE'RE CREATING
A NEW INTERFACE HERE.
490
00:21:07,900 --> 00:21:10,433
I'M SORRY. SHE'S BUSY.
WE'RE CREATING AN INTERFACE.
491
00:21:13,567 --> 00:21:15,633
CAN YOU BELIEVE
THIS IS HAPPENING?
492
00:21:15,667 --> 00:21:17,167
OH, AND TO TOP IT ALL OFF,
493
00:21:17,200 --> 00:21:19,700
I HAVE A DATE WITH A GORGEOUS
RESTAURATEUR ON FRIDAY.
494
00:21:19,733 --> 00:21:21,700
EVERYTHING A GIRL
COULD ASK FOR.
495
00:21:24,333 --> 00:21:28,333
OKAY, YOU TAKE YOUR IDEA
BEFORE THE BOARD ON THE 23rd,
496
00:21:28,367 --> 00:21:30,600
WHICH GIVES US
ABOUT THREE WEEKS.
497
00:21:30,633 --> 00:21:32,400
WE CAN START PREPPING AS SOON
498
00:21:32,433 --> 00:21:33,600
AS I GET BACK FROM LONDON,
ON TUESDAY.
499
00:21:33,633 --> 00:21:35,467
OKAY. I'LL HAVE
ALL MY MATERIALS FOR YOU.
500
00:21:35,500 --> 00:21:36,767
GOOD.
501
00:21:36,800 --> 00:21:39,267
YOU'LL WANT TO BRIEF YOUR TEAM
ABOUT THE NEW INTERFACE.
502
00:21:39,300 --> 00:21:40,867
THEY'LL NEED TO KNOW
WHAT'S COMING.
503
00:21:40,900 --> 00:21:43,733
PENDING BOARD APPROVAL,
OF COURSE.
504
00:21:43,767 --> 00:21:46,267
YOU'RE THE NEW HEAD
OF CREATIVE NOW,
505
00:21:46,300 --> 00:21:50,167
SO YOU'LL BE
RUNNING THE STAFF MEETING.
506
00:21:50,200 --> 00:21:52,400
THEY'LL BE LOOKING
TO YOU FOR DIRECTION.
507
00:21:52,433 --> 00:21:55,167
WOW. LOOKING TO ME
FOR DIRECTION.
508
00:21:56,267 --> 00:21:58,367
ARE YOU UP TO THIS?
509
00:21:58,400 --> 00:22:01,667
YES! I-I-I'VE WATCHED
MICHAEL RUN DOZENS.
510
00:22:01,700 --> 00:22:02,967
I CAN DO THIS.
511
00:22:03,000 --> 00:22:04,533
I KNOW YOU CAN.
512
00:22:04,567 --> 00:22:05,800
I'VE GOT FAITH IN YOU.
513
00:22:15,667 --> 00:22:17,767
YOU GOT A SECOND?
514
00:22:17,800 --> 00:22:19,233
ANYTHING FOR YOU, BOSS.
515
00:22:21,367 --> 00:22:23,533
LOOK. I-I KNOW THIS IS AWKWARD,
516
00:22:23,567 --> 00:22:25,267
AND I WAS...
517
00:22:25,300 --> 00:22:29,500
I WAS AS SURPRISED AS YOU WERE
BY THE PROMOTION, BUT...
518
00:22:29,533 --> 00:22:32,767
I WANT YOU TO KNOW THAT I--
I VALUE YOUR EXPERIENCE,
519
00:22:32,800 --> 00:22:35,233
AND I'M GOING TO NEED YOU.
520
00:22:35,267 --> 00:22:37,667
AND I HOPE
THAT WE CAN COME TOGETHER
521
00:22:37,700 --> 00:22:39,633
AND DO WHAT'S BEST
FOR THE COMPANY.
522
00:22:39,667 --> 00:22:41,633
I ALREADY TALKED
TO ERIN ABOUT IT,
523
00:22:41,667 --> 00:22:43,667
AND DON'T WORRY,
IT'S NOT MY FIRST RODEO.
524
00:22:43,700 --> 00:22:44,867
I'LL PULL MY WEIGHT.
525
00:22:44,900 --> 00:22:46,533
I'M NOT WORRIED
THAT YOU WON'T.
526
00:22:46,567 --> 00:22:47,700
I JUST DON'T WANT THIS
527
00:22:47,733 --> 00:22:48,867
TO MAKE THINGS
TOO UNCOMFORTABLE.
528
00:22:48,900 --> 00:22:51,667
TOO LATE.
THE DISCOMFORT IS INEVITABLE.
529
00:22:51,700 --> 00:22:53,733
YOU WON. I LOST.
530
00:22:53,767 --> 00:22:55,767
WE LIVE WITH IT,
531
00:22:55,800 --> 00:22:58,800
WE CO-EXIST,
WE GET THE JOB DONE.
532
00:23:00,400 --> 00:23:01,467
OKAY, THEN.
533
00:23:01,500 --> 00:23:02,533
OKAY.
534
00:23:02,567 --> 00:23:04,467
GOOD TALK.
535
00:23:05,533 --> 00:23:06,533
AH.
536
00:23:16,567 --> 00:23:18,833
LIVING ROOM. OBVIOUSLY.
537
00:23:18,867 --> 00:23:20,367
I WOULD LEAVE YOU
FOR THIS PLACE, TOO.
538
00:23:20,400 --> 00:23:21,733
AND THE KITCHEN
IS THIS WAY.
539
00:23:21,767 --> 00:23:22,733
WAIT!
540
00:23:22,767 --> 00:23:25,033
I HAVE TO PREPARE YOU,
BEFORE WE GO IN.
541
00:23:25,067 --> 00:23:26,967
I HAVE A DISHWASHER.
542
00:23:27,000 --> 00:23:29,633
OH! EVERY DAY I HAVE TO
GO WITHOUT A DISHWASHER,
543
00:23:29,667 --> 00:23:30,933
MY SOUL DIES A LITTLE.
544
00:23:30,967 --> 00:23:32,600
I FEEL THE SAME WAY
ABOUT A BATHTUB.
545
00:23:32,633 --> 00:23:34,367
I HAVE TWO OF THOSE.
546
00:23:34,400 --> 00:23:35,300
MIRA, IT'S ALL
HAPPENING!
547
00:23:35,333 --> 00:23:37,367
THIS NEW JOB,
YOUR DATE TOMORROW,
548
00:23:37,400 --> 00:23:38,933
THIS INCREDIBLE HOUSE.
549
00:23:38,967 --> 00:23:40,600
WELL, YOU GUYS
ARE MORE THAN WELCOME
550
00:23:40,633 --> 00:23:41,967
TO STAY WITH ME ANY TIME.
551
00:23:42,000 --> 00:23:43,500
I'LL BE THE CONSUMMATE HOST.
552
00:23:43,533 --> 00:23:44,667
IT'S GORGEOUS.
553
00:23:44,700 --> 00:23:46,367
IT'S JUST
SO FAR UPTOWN.
554
00:23:46,400 --> 00:23:47,567
YEAH, IT TOOK US
THREE TRAINS
555
00:23:47,600 --> 00:23:49,033
AND A SIX-BLOCK WALK
TO GET HERE.
556
00:23:49,067 --> 00:23:50,967
IT'LL TAKE ME TWO HOURS
TO GET TO WORK.
557
00:23:51,000 --> 00:23:53,600
BUT WE WILL COME OUT
AND VISIT ALL THE TIME.
558
00:23:53,633 --> 00:23:56,000
WE'LL WATCH SHELLY HERE,
WE'LL HAVE OUR FONDUE NIGHTS.
559
00:23:56,033 --> 00:23:57,600
YOU WON'T BE ABLE
TO GET RID OF US.
560
00:23:57,633 --> 00:23:58,633
WE PROMISE.
561
00:23:58,667 --> 00:23:59,633
WELL, IF ONLY
562
00:23:59,667 --> 00:24:01,533
TO TAKE A BATH.
563
00:24:01,567 --> 00:24:02,600
SHOW US
TO THE TUBS?
564
00:24:04,467 --> 00:24:06,400
AND SINCE YOURPAGE
PULLS THE INFORMATION
565
00:24:06,433 --> 00:24:08,667
FROM YOUR THREE FAVORITE SITES
ONTO OUR WEB PAGE--
566
00:24:08,700 --> 00:24:10,667
WHETHER IT'S BUSINESS, DATING,
567
00:24:10,700 --> 00:24:12,067
OR THE PLACE WHERE YOU POST
568
00:24:12,100 --> 00:24:13,867
THE BILLIONTH PICTURE
OF YOUR KIDS--
569
00:24:13,900 --> 00:24:15,500
IT OPENS US UP TO NEW USERS.
570
00:24:15,533 --> 00:24:19,100
AND THAT'S
THE NEW, UM, YOURPAGE.
571
00:24:23,767 --> 00:24:25,433
AND LUCKY FOR ME,
572
00:24:25,467 --> 00:24:26,967
I HAVE THE BEST TEAM
IN THE BUSINESS
573
00:24:27,000 --> 00:24:28,333
RIGHT HERE IN THIS ROOM.
574
00:24:28,367 --> 00:24:30,033
WHEN IS THE BOARD MEETING?
575
00:24:30,067 --> 00:24:31,600
WE HAVE A COUPLE WEEKS TO PREP,
576
00:24:31,633 --> 00:24:33,667
SO WE'LL HIT THE GROUND RUNNING
WHEN ERIN RETURNS NEXT WEEK,
577
00:24:33,700 --> 00:24:35,333
AND I WILL NEED
ALL OF YOUR HELP.
578
00:24:35,367 --> 00:24:36,400
WE'RE HERE
FOR YOU, MIRA.
579
00:24:36,433 --> 00:24:37,533
WHATEVER YOU NEED.
580
00:24:37,567 --> 00:24:38,633
THANK YOU.
581
00:24:38,667 --> 00:24:39,767
AND FOR THE NEXT MEETING,
582
00:24:39,800 --> 00:24:41,433
I'D LOVE FOR EACH OF YOU
TO PITCH THREE IDEAS
583
00:24:41,467 --> 00:24:42,700
FOR THE NEW DESIGN.
584
00:24:42,733 --> 00:24:45,867
AND I WANT YOU TO KNOW
THAT MY DOOR IS ALWAYS OPEN,
585
00:24:45,900 --> 00:24:47,033
WE'RE IN THIS TOGETHER,
586
00:24:47,067 --> 00:24:49,667
AND I CANNOT WAIT
TO GET STARTED.
587
00:25:02,600 --> 00:25:04,500
YOU'RE NOT GOING TO
BELIEVE THIS.
588
00:25:04,533 --> 00:25:05,867
WELL, AFTER EVERYTHING
THAT'S HAPPENED,
589
00:25:05,900 --> 00:25:07,700
I WILL BELIEVE
JUST ABOUT ANYTHING.
590
00:25:07,733 --> 00:25:10,167
MY BUSINESS CARDS CAME IN.
591
00:25:10,200 --> 00:25:13,667
MIRA SIMON,
VP CREATIVE DEVELOPMENT.
592
00:25:13,700 --> 00:25:15,567
I AM REALLY PROUD OF YOU.
593
00:25:15,600 --> 00:25:18,667
ONLY, UH, YOU DON'T
EXACTLY LOOK LIKE
594
00:25:18,700 --> 00:25:19,933
A VP OF
CREATIVE DEVELOPMENT,
595
00:25:19,967 --> 00:25:22,633
MORE LIKE A HOBO WHO JUST
WALKED OUT OF A YOGA CLASS.
596
00:25:22,667 --> 00:25:26,067
AND YOU HAVE NOTHING
TO WEAR FOR THIS DATE TONIGHT.
597
00:25:26,100 --> 00:25:28,000
I KNOW, IT'S BAD.
598
00:25:28,033 --> 00:25:29,900
AND I'VE WORN THE SAME PANTS
EVERY DAY THIS WEEK,
599
00:25:29,933 --> 00:25:31,933
BUT THEY'RE ALL I HAVE
OTHER THAN JEANS, SOPHIE.
600
00:25:31,967 --> 00:25:34,533
HMM. YOU KNOW, MIRA.
601
00:25:34,567 --> 00:25:36,867
IT'S TIME TO TAKE OFF
THE FLOATIES
602
00:25:36,900 --> 00:25:38,767
AND GET SOME REAL CLOTHES.
603
00:25:38,800 --> 00:25:40,600
SOME EXECUTIVE CLOTHES.
604
00:25:40,633 --> 00:25:42,700
WOW! I'M AN EXECUTIVE NOW.
605
00:25:42,733 --> 00:25:44,433
MM-HMM.
606
00:25:44,467 --> 00:25:46,667
IT'S LIKE,
ONE NIGHT, I FELL ASLEEP,
607
00:25:46,700 --> 00:25:48,467
AND WOKE UP THE NEXT MORNING,
608
00:25:48,500 --> 00:25:50,633
AND MY BIG OPPORTUNITY
JUST DROPPED IN MY LAP.
609
00:25:50,667 --> 00:25:52,133
IT COULDN'T BE MORE PERFECT.
610
00:25:52,167 --> 00:25:53,667
FOR THE ZILLIONTH TIME,
611
00:25:53,700 --> 00:25:55,567
THERE IS NO SUCH THING
AS PERFECT.
612
00:25:55,600 --> 00:25:57,400
LIAM SEEMS PRETTY PERFECT
TO ME.
613
00:25:57,433 --> 00:25:59,967
HE HAS A FLAW, MIRA.
EVERYBODY DOES.
614
00:26:00,000 --> 00:26:02,200
FINE. I WILL LET YOU KNOW
THE SECOND I FIND ONE,
615
00:26:02,233 --> 00:26:03,800
WHICH I PROBABLY NEVER WILL.
616
00:26:05,967 --> 00:26:07,933
ALRIGHT.
NINJA SHOPPING TIME.
617
00:26:07,967 --> 00:26:10,167
YOU HAVE ONE HOUR
TO BUY A DRESS.
618
00:26:10,200 --> 00:26:13,100
MY TREAT. CONGRATULATIONS
ON BECOMING SUCH A BIG-SHOT.
619
00:26:14,700 --> 00:26:17,200
THANK YOU, SOPH.
620
00:26:18,833 --> 00:26:20,233
YOUR RESTAURANT
IS SO BEAUTIFUL.
621
00:26:20,267 --> 00:26:21,733
I'VE BEEN
WANTING TO TRY IT
622
00:26:21,767 --> 00:26:22,933
SINCE I READ ABOUT IT,
623
00:26:22,967 --> 00:26:23,900
AND I LOVE
624
00:26:23,933 --> 00:26:25,667
THAT YOU NAMED IT
AFTER YOUR GRANDMOTHER.
625
00:26:25,700 --> 00:26:26,833
WELL, I ACTUALLY GOT
MY LOVE OF FOOD
626
00:26:26,867 --> 00:26:28,733
FROM GRANDMA MILLIE.
627
00:26:28,767 --> 00:26:31,100
THAT IS SO SWEET.
628
00:26:31,133 --> 00:26:34,033
WELL, COINCIDENTLY, "SWEET"
IS THE RULE HERE AT MILLICENT'S.
629
00:26:34,067 --> 00:26:35,667
EVERYBODY HERE
HAS TO HAVE DESSERT,
630
00:26:35,700 --> 00:26:37,600
BECAUSE GRANDMA MILLIE
LIVES FOR DESSERT.
631
00:26:37,633 --> 00:26:38,967
WELL, THAT
AND HER GRANDKIDS.
632
00:26:39,000 --> 00:26:42,100
MY SISTER HAS ALREADY
GIVEN HER A GREAT-GRANDCHILD,
633
00:26:42,133 --> 00:26:45,600
SO I GUESS I'VE GOT TO GET
ON THE BALL HERE AND CATCH UP.
634
00:26:46,667 --> 00:26:48,167
-CHEERS.
-CHEERS.
635
00:26:50,200 --> 00:26:51,767
MM.
636
00:26:51,800 --> 00:26:53,933
WELL, WE OPENED
THREE YEARS AGO,
637
00:26:53,967 --> 00:26:56,900
AND I FEEL VERY LUCKY
THAT IT'S THIS SUCCESSFUL.
638
00:26:56,933 --> 00:26:58,867
IT'S... PERFECT.
639
00:27:01,600 --> 00:27:03,933
I'M SORRY. WOULD YOU MIND
EXCUSING ME FOR JUST ONE MINUTE?
640
00:27:03,967 --> 00:27:05,900
SURE.
641
00:27:10,667 --> 00:27:12,700
HERE WE GO.
642
00:27:12,733 --> 00:27:14,167
OH, HE PICKED THE MENU HIMSELF.
643
00:27:15,700 --> 00:27:18,033
I BET HE BRINGS
ALL THE GIRLS HERE, RIGHT?
644
00:27:19,300 --> 00:27:20,800
BETWEEN YOU AND ME,
645
00:27:20,833 --> 00:27:22,567
YOU'RE THE FIRST DATE
I'VE SEEN HIM BRING HERE.
646
00:27:22,600 --> 00:27:24,967
HE MUST REALLY LIKE YOU.
647
00:27:26,100 --> 00:27:27,900
-ENJOY.
-THANK YOU.
648
00:27:31,600 --> 00:27:32,867
SORRY ABOUT THAT.
649
00:27:32,900 --> 00:27:34,033
ONE OF OUR REGULARS.
650
00:27:34,067 --> 00:27:36,167
I JUST WANTED TO SAY
A QUICK HELLO.
651
00:27:36,200 --> 00:27:37,300
YOU KNOW,
REPEAT BUSINESS
652
00:27:37,333 --> 00:27:39,900
HAS BEEN SO MUCH THE KEY
TO OUR SUCCESS HERE.
653
00:27:39,933 --> 00:27:43,000
IT'S SO IMPORTANT THAT
MY CUSTOMERS KNOW THAT I CARE.
654
00:27:44,067 --> 00:27:46,200
MM.
655
00:27:46,233 --> 00:27:48,067
MILLIE'S FAMOUS CRAB CAKES.
656
00:27:48,100 --> 00:27:49,867
THEY SMELL DELICIOUS.
657
00:27:49,900 --> 00:27:52,567
WELL, YOU'RE GONNA
LOVE 'EM.
658
00:27:57,233 --> 00:27:58,933
MM.
659
00:28:01,067 --> 00:28:02,800
AND THE WATER WAS--
WAS CRYSTAL-CLEAR BLUE,
660
00:28:02,833 --> 00:28:05,233
LIKE NOTHING I'VE EVER
SEEN IN MY LIFE.
661
00:28:05,267 --> 00:28:06,333
IN THAT MOMENT,
662
00:28:06,367 --> 00:28:09,233
I SWORE THAT I WOULD GO
BACK TO BALI ONE DAY.
663
00:28:09,267 --> 00:28:11,933
BALI...
664
00:28:11,967 --> 00:28:14,333
YEAH. YOU'D LOVE IT.
665
00:28:14,367 --> 00:28:16,367
IT'S-- IT'S
SO PEACEFUL THERE.
666
00:28:17,933 --> 00:28:20,233
I THINK YOU SHOULD GO
WITH ME THE NEXT TIME.
667
00:28:20,267 --> 00:28:22,833
YOU JUST MET ME!
668
00:28:22,867 --> 00:28:24,900
I HAVE VERY GOOD
PEOPLE INSTINCTS.
669
00:28:24,933 --> 00:28:27,667
ALSO, I DON'T REALLY
BELIEVE IN ACCIDENTS,
670
00:28:27,700 --> 00:28:30,667
SO WHEN A BEAUTIFUL,
CHARMING WOMAN
671
00:28:30,700 --> 00:28:33,700
COMES FROM OUT OF NOWHERE
AND SWEEPS ME OFF MY FEET--
672
00:28:33,733 --> 00:28:35,100
LITERALLY--
673
00:28:35,133 --> 00:28:38,100
I CAN'T JUST SIT BACK
AND DO NOTHING.
674
00:28:59,067 --> 00:29:01,833
I WANT TO SEE YOU AGAIN.
675
00:29:01,867 --> 00:29:03,400
TOMORROW.
676
00:29:03,433 --> 00:29:05,733
OR THE NEXT DAY.
677
00:29:05,767 --> 00:29:07,033
NO, I WANNA SEE YOU
678
00:29:07,067 --> 00:29:08,367
TOMORROW
AND THE NEXT DAY.
679
00:29:36,967 --> 00:29:38,800
OH, I HAVE TO GO.
680
00:29:38,833 --> 00:29:41,667
MY PERSONAL SHOPPER
HAS ARRIVED.
681
00:29:41,700 --> 00:29:42,967
BYE. HI!
682
00:29:43,000 --> 00:29:44,433
HI.
683
00:29:44,467 --> 00:29:45,433
YOU'RE NOT DONE?
684
00:29:45,467 --> 00:29:47,833
I'M SORRY,
I GOT DISTRACTED BY LIAM.
685
00:29:47,867 --> 00:29:49,000
DID YOU FIND HIS FLAW YET?
686
00:29:49,033 --> 00:29:50,267
NO.
687
00:29:50,300 --> 00:29:51,933
BUT I'LL KEEP LOOKING FOR IT,
IF IT'LL MAKE YOU HAPPY.
688
00:29:51,967 --> 00:29:53,267
WELL, DON'T GET ME WRONG.
689
00:29:53,300 --> 00:29:56,333
I DON'T WANT HIM TO HAVE A FLAW,
I JUST KNOW THAT HE DOES.
690
00:29:56,367 --> 00:29:58,167
COME ON,
HURRY UP.
691
00:29:58,200 --> 00:29:59,267
THERE IS NOTHING I LOVE MORE
692
00:29:59,300 --> 00:30:00,800
THAN SPENDING
OTHER PEOPLE'S MONEY.
693
00:30:00,833 --> 00:30:02,300
DID YOU GET YOUR FIRST
EXECUTIVE PAYCHECK YET?
694
00:30:02,333 --> 00:30:03,933
JUST THIS MORNING.
695
00:30:03,967 --> 00:30:05,000
WELL, KISS IT GOODBYE.
696
00:30:06,400 --> 00:30:07,700
HOW DID I EVER LET YOU
697
00:30:07,733 --> 00:30:09,300
TALK ME INTO BUYING
SUCH AN EXPENSIVE SCARF?
698
00:30:09,333 --> 00:30:11,800
WHAT'S THE MESSAGE
YOU WANT TO SEND, MIRA?
699
00:30:11,833 --> 00:30:15,100
A $2.00 SCARF
FROM THE STREET CORNER,
700
00:30:15,133 --> 00:30:16,900
OR A WORK OF ART
701
00:30:16,933 --> 00:30:18,233
IN POWER COLORS
702
00:30:18,267 --> 00:30:19,400
THAT SCREAMS "SUCCESS"?
703
00:30:19,433 --> 00:30:21,167
I GUESS THE SECOND ONE.
704
00:30:21,200 --> 00:30:23,233
PERCEPTION IS EVERYTHING.
705
00:30:23,267 --> 00:30:24,767
PERCEPTION AND CONFIDENCE.
706
00:30:24,800 --> 00:30:26,267
YOU ARE WHAT YOU PORTRAY.
707
00:30:26,300 --> 00:30:27,900
SO...
708
00:30:27,933 --> 00:30:29,833
WHO DO YOU WANT TO BE?
709
00:30:29,867 --> 00:30:31,967
I WANT TO BE
THAT GIRL.
710
00:30:33,933 --> 00:30:37,167
BUT YOU'RE GONNA HAVE TO
TEACH ME HOW TO TIE THIS.
711
00:30:38,733 --> 00:30:41,300
THE LAST PIECE
OF THE PUZZLE IS IN.
712
00:30:41,333 --> 00:30:44,167
YOU'RE NOW THE PERSON
YOU'VE ALWAYS DREAMT OF BEING.
713
00:30:44,200 --> 00:30:45,667
HANG UP YOUR YOGA PANTS,
BABY SIS,
714
00:30:45,700 --> 00:30:48,967
BECAUSE THERE IS
A NEW MIRA IN TOWN.
715
00:31:21,500 --> 00:31:24,300
I SEE A LOT CHANGED
WHILE I WAS IN LONDON.
716
00:31:25,767 --> 00:31:27,100
I WENT SHOPPING.
717
00:31:27,133 --> 00:31:29,167
I SEE THAT.
718
00:31:30,933 --> 00:31:33,300
MIRA, WE'VE GOT TO OPEN BIG
WITH THE BOARD.
719
00:31:33,333 --> 00:31:35,867
WE WON'T HAVE
THEIR ATTENTION LONG,
720
00:31:35,900 --> 00:31:37,833
SO I THOUGHT WE'D BEGIN
BY SAYING
721
00:31:37,867 --> 00:31:40,733
THAT WE'RE THE FIRST COMPANY
TO DO SOMETHING LIKE THIS,
722
00:31:40,767 --> 00:31:42,367
WHICH IS ALREADY
A BIG WIN.
723
00:31:42,400 --> 00:31:44,100
AND THEY WON'T THINK
IT'S WEIRD
724
00:31:44,133 --> 00:31:45,867
THAT A LOWER-LEVEL
PROJECT MANAGER
725
00:31:45,900 --> 00:31:47,867
IS NOW RUNNING THIS REDESIGN?
726
00:31:47,900 --> 00:31:51,300
YOU ARE NO LONGER
A LOWER-LEVEL EXECUTIVE.
727
00:31:51,333 --> 00:31:54,100
YOU GOTTA STOP
THINKING OF YOURSELF AS ONE.
728
00:31:54,133 --> 00:31:56,533
YOU'RE RIGHT.
729
00:31:58,233 --> 00:32:00,367
WILLIAM CUDDY.
HE ALWAYS LOOKS ANGRY.
730
00:32:00,400 --> 00:32:01,800
THAT'S JUST HIS NATURAL STATE,
731
00:32:01,833 --> 00:32:04,267
BUT HE VOLUNTEERS WITH
RESCUE DOGS ON THE WEEKENDS.
732
00:32:04,300 --> 00:32:06,067
-HOLLY--
-"HEIDI."
733
00:32:06,100 --> 00:32:07,300
HEIDI!
HEIDI SAXTON.
734
00:32:07,333 --> 00:32:08,933
SMART AS A WHIP,
TOUGH AS NAILS.
735
00:32:08,967 --> 00:32:10,067
SHE'LL ASK ALL
THE HARD QUESTIONS.
736
00:32:11,833 --> 00:32:13,267
SHOOT.
737
00:32:14,533 --> 00:32:15,533
I CAN'T REMEMBER THIS GUY.
738
00:32:15,567 --> 00:32:16,833
BLAINE BANNISTER.
739
00:32:16,867 --> 00:32:17,800
BLAINE BANNISTER.
740
00:32:17,833 --> 00:32:19,067
HIS FATHER
MADE A KILLING
741
00:32:19,100 --> 00:32:20,400
WHEN FRONT SOURCE WENT PUBLIC.
742
00:32:20,433 --> 00:32:22,167
HE KNOWS NOTHING ABOUT TECH,
743
00:32:22,200 --> 00:32:24,567
BUT DOESN'T WANT US
TO KNOW THAT
744
00:32:24,600 --> 00:32:27,867
AND HE IS A DEFINITE "YES"
FOR US.
745
00:32:29,500 --> 00:32:31,967
UH, I'M SO SORRY
TO KEEP YOU WAITING!
746
00:32:32,000 --> 00:32:34,067
AND I KNOW TODAY YOU WERE
GONNA PRESENT YOUR IDEAS,
747
00:32:34,100 --> 00:32:35,300
BUT ERIN AND I
HAVE BEEN SO CRAZED
748
00:32:35,333 --> 00:32:36,400
WITH BOARD MEETING PREP,
749
00:32:36,433 --> 00:32:39,133
SO TODAY'S MEETING
WILL BE ABBREVIATED.
750
00:32:39,167 --> 00:32:41,133
BUT I-I AM EXCITED TO HEAR
ALL OF YOUR IDEAS,
751
00:32:41,167 --> 00:32:42,933
SO HOLD ONTO WHATEVER
YOU'VE COME UP WITH,
752
00:32:42,967 --> 00:32:44,400
AND WE'LL GO OVER IT SOON.
753
00:32:44,433 --> 00:32:45,800
DO YOU NEED
ANY HELP WITH ANYTHING?
754
00:32:45,833 --> 00:32:46,833
THANKS, BUT...
755
00:32:46,867 --> 00:32:48,267
I THINK I'VE GOT IT.
756
00:32:48,300 --> 00:32:50,033
SO YOU ALL JUST KEEP DOING
WHAT YOU'RE DOING
757
00:32:50,067 --> 00:32:51,100
AND WE'LL REGROUP TOMORROW.
758
00:32:53,200 --> 00:32:54,833
OKAY?
759
00:32:54,867 --> 00:32:56,367
THANKS.
760
00:33:06,067 --> 00:33:07,467
AD SALES
SENT OVER SOME LOGOS
761
00:33:07,500 --> 00:33:09,100
SO WE CAN USE REAL ADS
ON THE WEB PAGE PROTOTYPE.
762
00:33:10,567 --> 00:33:13,033
LIAM.
763
00:33:13,067 --> 00:33:15,167
I LOST TRACK OF TIME.
764
00:33:15,200 --> 00:33:16,167
I TRIED CALLING.
765
00:33:16,200 --> 00:33:18,333
IT'S ON VIBRATE.
I'M-- I'M SORRY.
766
00:33:18,367 --> 00:33:21,467
NO, NO, I'M SO SORRY
FOR-FOR INTERRUPTING YOUR WORK.
767
00:33:21,500 --> 00:33:23,167
SHOULD--
SHOULD WE CANCEL?
768
00:33:23,200 --> 00:33:24,367
UM...
769
00:33:24,400 --> 00:33:25,600
NO. YOU GO.
770
00:33:25,633 --> 00:33:27,167
I'LL KEEP AT IT.
771
00:33:27,200 --> 00:33:28,900
YOU CAN APPROVE IT
WHEN YOU GET BACK.
772
00:33:28,933 --> 00:33:30,567
OKAY. I'LL COME BACK
RIGHT AFTER DINNER.
773
00:33:30,600 --> 00:33:31,633
YEAH.
774
00:33:31,667 --> 00:33:32,933
HOW DOES
A BURGER SOUND?
775
00:33:32,967 --> 00:33:34,233
I'VE BEEN CRAVING ONE ALL DAY.
776
00:33:34,267 --> 00:33:36,467
ACTUALLY, I'VE GOT
RESERVATIONS FOR US
777
00:33:36,500 --> 00:33:38,000
AT WHITE LOTUS.
778
00:33:38,033 --> 00:33:40,567
WHITE LOTUS? I HEARD THAT PLACE
IS IMPOSSIBLE TO GET INTO.
779
00:33:40,600 --> 00:33:42,533
I MIGHT KNOW A GUY.
780
00:33:42,567 --> 00:33:43,933
I DON'T KNOW
IF I HAVE TIME FOR THAT.
781
00:33:43,967 --> 00:33:45,967
JONAH AND I ARE RIGHT IN
THE MIDDLE OF THIS PROPOSAL.
782
00:33:46,000 --> 00:33:47,267
LISTEN, IT'LL TAKE
A TAD LONGER THAN A BURGER,
783
00:33:47,300 --> 00:33:49,500
BUT I PROMISE
TO HAVE YOU BACK HERE
784
00:33:49,533 --> 00:33:50,500
BEFORE YOU KNOW IT.
785
00:33:50,533 --> 00:33:51,633
WHAT DO YOU SAY?
786
00:33:55,433 --> 00:33:57,000
THANKS, JONAH.
787
00:34:02,333 --> 00:34:04,700
THANK YOU.
788
00:34:07,633 --> 00:34:09,233
AHEM.
789
00:34:09,267 --> 00:34:12,533
WOW. THAT WAS, LIKE, THE SEVENTH
THING THEY BROUGHT OUT.
790
00:34:12,567 --> 00:34:15,267
WELL, IT'S A--
IT'S A 16-COURSE TASTING MENU.
791
00:34:15,300 --> 00:34:17,133
16 COURSES.
792
00:34:19,267 --> 00:34:21,567
OH. YOU'RE NOT KIDDING?
793
00:34:21,600 --> 00:34:24,533
16 DELICIOUS COURSES.
794
00:34:24,567 --> 00:34:25,633
WOW.
795
00:34:25,667 --> 00:34:27,700
AHEM.
796
00:34:40,667 --> 00:34:42,067
MM.
797
00:34:42,100 --> 00:34:45,233
MONKFISH-LIVER CREAM
WITH BLACK SEA BREAM CAVIAR
798
00:34:45,267 --> 00:34:47,000
AND TOASTED
WILD CHANTERELLES.
799
00:34:47,033 --> 00:34:48,533
MM.
800
00:34:48,567 --> 00:34:50,633
DO YOU THINK
I COULD JUST GET A BURGER?
801
00:34:52,600 --> 00:34:55,100
OH. SHE'S JOKING.
802
00:35:09,367 --> 00:35:11,333
I KNEW YOU'D LOVE IT.
803
00:35:11,367 --> 00:35:13,233
LISTEN, LIAM,
THIS IS AMAZING,
804
00:35:13,267 --> 00:35:16,167
AND EACH DISH IS AS BEAUTIFUL
AS THE LAST,
805
00:35:16,200 --> 00:35:18,133
BUT I LEFT JONAH AT WORK
AND...
806
00:35:18,167 --> 00:35:19,700
I FEEL GUILTY!
807
00:35:19,733 --> 00:35:22,667
OH, WELL, YOU SHOULDN'T
FEEL GUILTY, MIRA.
808
00:35:22,700 --> 00:35:25,300
YOU-- YOU DESERVE THIS.
809
00:35:25,333 --> 00:35:27,667
IT'S REALLY SWEET
THAT YOU CARE SO MUCH,
810
00:35:27,700 --> 00:35:31,000
BUT THIS IS TAKING WAY LONGER
THAN I THOUGHT IT WOULD.
811
00:35:31,033 --> 00:35:33,600
I THOUGHT YOU'D LOVE IT.
812
00:35:33,633 --> 00:35:35,167
YOU KNOW,
THERE'S A YEAR WAITING LIST
813
00:35:35,200 --> 00:35:37,000
TO GET INTO THIS PLACE.
I JUST WANTED TO SURPRISE YOU.
814
00:35:37,033 --> 00:35:38,000
UH, NO, IT'S-IT'S...
IT'S AMAZING,
815
00:35:38,033 --> 00:35:39,333
I JUST WISH I WASN'T
SO DISTRACTED
816
00:35:39,367 --> 00:35:40,600
BY THE TIME IT'S TAKING.
817
00:35:40,633 --> 00:35:43,533
I HAVE SO MUCH TO DO
BACK AT THE OFFICE.
818
00:35:43,567 --> 00:35:46,000
MIRA, YOU WORK HARD.
LET ME SPOIL YOU.
819
00:35:46,033 --> 00:35:47,300
THANK YOU, LIAM.
820
00:35:47,333 --> 00:35:48,733
THAT'S...
821
00:35:48,767 --> 00:35:50,400
A REALLY SWEET THOUGHT,
822
00:35:50,433 --> 00:35:52,100
AND I'D LOVE FOR YOU SPOIL ME
823
00:35:52,133 --> 00:35:53,567
AFTER THE BOARD MEETING.
824
00:35:54,733 --> 00:35:58,300
YOU KNOW, IT CAN'T ALL
BE WORK, WORK, WORK.
825
00:35:58,333 --> 00:36:02,067
YOU HAVE TO GIVE YOURSELF
TIME TO ENJOY LIFE, TOO.
826
00:36:02,100 --> 00:36:04,367
LOOK, WE ONLY HAVE
A FEW MORE COURSES LEFT,
827
00:36:04,400 --> 00:36:05,567
SO LET'S JUST
828
00:36:05,600 --> 00:36:07,400
SAVOR THE MOMENT TOGETHER.
829
00:36:32,767 --> 00:36:34,367
I'M BACK, SLEEPY-HEAD.
830
00:36:35,500 --> 00:36:37,567
HOW WAS DINNER?
831
00:36:37,600 --> 00:36:38,833
DOES WHITE LOTUS
EVEN SERVE BURGERS?
832
00:36:38,867 --> 00:36:42,467
NOT EVEN CLOSE.
833
00:36:42,500 --> 00:36:43,833
I'M SORRY THAT TOOK SO LONG.
834
00:36:43,867 --> 00:36:45,833
HEY, YOU KNOW, IT'S OKAY.
835
00:36:45,867 --> 00:36:48,467
GAVE ME TIME TO FINISH
THE FIRST ROUND OF MOCK-UPS.
836
00:36:48,500 --> 00:36:49,733
LET ME SHOW YOU.
837
00:36:56,467 --> 00:36:58,500
I LIKE
THE BACKGROUND CONTINUING
838
00:36:58,533 --> 00:36:59,533
THROUGH ALL THE PAGES.
839
00:36:59,567 --> 00:37:00,667
IT'S NICE CONTINUITY.
840
00:37:01,733 --> 00:37:04,733
ERIN? WILLIAM CUDDY'S
OFFICE CALLED.
841
00:37:04,767 --> 00:37:06,867
HE NEEDS TO MOVE THE BOARD
PRESENTATION UP TO FRIDAY.
842
00:37:06,900 --> 00:37:09,300
YOU MEAN THE DAY-
AFTER-TOMORROW FRIDAY?
843
00:37:10,700 --> 00:37:12,500
WE WERE SUPPOSED TO
HAVE TWO MORE WEEKS.
844
00:37:12,533 --> 00:37:14,433
CAN-- CAN--
CAN HE DO THAT?
845
00:37:14,467 --> 00:37:15,500
HE CAN.
846
00:37:15,533 --> 00:37:17,467
HE JUST DID.
THANKS, ALEX.
847
00:37:18,867 --> 00:37:20,233
ERIN?
848
00:37:20,267 --> 00:37:22,200
YEAH... YEAH.
849
00:37:25,367 --> 00:37:28,433
MICHAEL, I NEED YOU
TO RUN THE ADVERTISER NUMBERS
850
00:37:28,467 --> 00:37:30,200
ON RIDGE SOFTWARE,
AND GET THOSE TO ME A.S.A.P.
851
00:37:30,233 --> 00:37:31,300
-WILL DO.
-THANK YOU.
852
00:37:31,333 --> 00:37:32,500
OH, WAIT, MIRA, ACTUALLY,
853
00:37:32,533 --> 00:37:35,400
I HAD AN IDEA
THAT I WANTED TO RUN BY YOU.
854
00:37:35,433 --> 00:37:37,433
AFTER THE BOARD MEETING.
855
00:37:37,467 --> 00:37:38,533
NO, BUT THIS MIGHT
HELP WITH THAT.
856
00:37:38,567 --> 00:37:39,633
SERIOUSLY, MICHAEL.
857
00:37:39,667 --> 00:37:41,600
ANYTHING AFTER FRIDAY,
I'M ALL EARS. OKAY?
858
00:37:44,433 --> 00:37:46,933
RIGHT.
859
00:38:15,400 --> 00:38:16,267
HEY.
860
00:38:16,300 --> 00:38:18,200
YOU'RE READY.
861
00:38:18,233 --> 00:38:19,700
I'M NERVOUS.
MY MIND IS SPINNING.
862
00:38:19,733 --> 00:38:21,733
DISTRACT ME.
TELL ME A STORY.
863
00:38:21,767 --> 00:38:23,567
YOU NEED TO SLEEP.
864
00:38:23,600 --> 00:38:24,567
OKAY, THEN TELL ME
865
00:38:24,600 --> 00:38:25,767
A BORING STORY.
866
00:38:25,800 --> 00:38:27,433
OKAY, I'VE GOT
THIS NEW ONE
867
00:38:27,467 --> 00:38:28,600
I'VE BEEN WORKING ON.
868
00:38:28,633 --> 00:38:31,667
YOU CAN TELL ME
WHAT YOU THINK.
869
00:38:31,700 --> 00:38:35,300
ONCE UPON A TIME,
THERE WAS THIS...
870
00:38:35,333 --> 00:38:37,200
FROG,
BUT HE REALLY WANTED TO BE--
871
00:38:37,233 --> 00:38:38,767
A PRINCE!
872
00:38:38,800 --> 00:38:39,900
NO!
873
00:38:39,933 --> 00:38:42,267
AN ACCOUNTANT.
HE WANTED TO BE AN ACCOUNTANT.
874
00:38:42,300 --> 00:38:43,367
YOU SAID BORING.
875
00:38:43,400 --> 00:38:44,433
DO YOU WANT ME
TO TELL THE STORY OR NOT?
876
00:38:44,467 --> 00:38:45,500
PLEASE? OKAY, I PROMISE.
877
00:38:45,533 --> 00:38:46,900
I WON'T--
I WILL NOT INTERRUPT.
878
00:38:46,933 --> 00:38:48,300
IRONICALLY,
879
00:38:48,333 --> 00:38:51,667
THIS FROG HAD A HUGE AMOUNT
OF CREDIT CARD DEBT--
880
00:39:01,433 --> 00:39:03,367
ARE YOU READY?
881
00:39:03,400 --> 00:39:04,533
MAYBE YOU SHOULD DO THIS.
882
00:39:04,567 --> 00:39:06,300
I'VE ONLY HAD THREE DAYS.
883
00:39:06,333 --> 00:39:08,567
I'D NEVER PUT ANYBODY
IN FRONT OF THE BOARD
884
00:39:08,600 --> 00:39:09,700
THAT WASN'T READY.
885
00:39:09,733 --> 00:39:10,833
YOU WILL BE GREAT.
886
00:39:10,867 --> 00:39:14,467
AND I'LL BE WITH YOU
EVERY STEP OF THE WAY.
887
00:39:19,500 --> 00:39:20,700
WELCOME.
888
00:39:20,733 --> 00:39:25,500
I'M EXCITED TO PRESENT
A NEW INNOVATION, UH,
889
00:39:25,533 --> 00:39:27,433
A NEW WAY-- INNOVATION-- UH...
890
00:39:27,467 --> 00:39:31,867
THE WAY WE COMMUNICATE
VIA SOCIAL NETWORKING.
891
00:39:34,900 --> 00:39:36,500
WE ARE LOOKING
892
00:39:36,533 --> 00:39:38,333
AT A THREE-FOLD SITE
THAT ALLOWS OUR MEMBERS
893
00:39:38,367 --> 00:39:39,533
TO COMBINE
THEIR FAVORITE WEBSITES,
894
00:39:39,567 --> 00:39:40,867
AND HERE'S HOW IT WORKS.
895
00:39:43,433 --> 00:39:45,567
AND WE STRONGLY BELIEVE
896
00:39:45,600 --> 00:39:48,033
THAT, IN THIS DAY AND AGE
OF INSTANT GRATIFICATION,
897
00:39:48,067 --> 00:39:49,867
WE HAVE CREATED
THE PERFECT DEFINITION
898
00:39:49,900 --> 00:39:51,633
OF "ONE-STOP SHOPPING."
899
00:39:56,700 --> 00:39:58,033
EXCELLENT.
900
00:39:58,067 --> 00:39:59,900
YOU'VE GIVEN US
A LOT TO DISCUSS.
901
00:39:59,933 --> 00:40:01,600
WE'LL TALK
AND GET BACK TO YOU LATER TODAY.
902
00:40:01,633 --> 00:40:04,833
AND IF YOU'VE GOT QUESTIONS,
YOU KNOW WHERE TO FIND ME.
903
00:40:04,867 --> 00:40:06,500
THANKS SO MUCH FOR COMING.
904
00:40:19,767 --> 00:40:21,833
NO NEWS.
905
00:40:21,867 --> 00:40:24,800
THEY SAID THEY'D CALL YESTERDAY
AND STILL NO WORD.
906
00:40:24,833 --> 00:40:26,933
I'M SURE
YOU DID GREAT, MIR.
907
00:40:26,967 --> 00:40:28,833
I BET YOU'LL HEAR
FIRST THING MONDAY MORNING.
908
00:40:28,867 --> 00:40:30,600
THAT REMINDS ME.
I HAVE TO TALK TO MARKETING
909
00:40:30,633 --> 00:40:32,567
BEFORE THEIR STAFF MEETING
ON MONDAY MORNING.
910
00:40:34,033 --> 00:40:36,367
MIRA? CAN YOU
PUT THE WORK DOWN?
911
00:40:36,400 --> 00:40:39,533
WE CAME ALL THE WAY HERE
TO BE WITH YOU,
912
00:40:39,567 --> 00:40:41,567
NOT YOU AND YOUR COMPUTER.
913
00:40:41,600 --> 00:40:44,733
I'M SORRY.
JUST ONE MORE MINUTE, OKAY?
914
00:40:48,833 --> 00:40:50,067
THIS IS MIRA.
915
00:40:50,100 --> 00:40:52,333
OH, HI. YES. I HAVE THOSE
NUMBERS FOR YOU RIGHT HERE.
916
00:40:52,367 --> 00:40:54,667
JUST GIVE ME JUST A SECOND
TO PULL THEM UP.
917
00:41:08,600 --> 00:41:10,000
IT'S 8:00,
918
00:41:10,033 --> 00:41:12,700
AND YET, SOMEHOW, I KNEW
YOU'D STILL BE HERE.
919
00:41:12,733 --> 00:41:14,933
WAITING. WISHING. HOPING.
920
00:41:14,967 --> 00:41:18,067
WELL, NOTHING DROWNS SORROW
BETTER THAN BUFFALO SAUCE.
921
00:41:18,100 --> 00:41:19,700
I BROUGHT WINGS.
922
00:41:19,733 --> 00:41:22,400
YOU ALWAYS KNOW
EXACTLY WHAT I NEED.
923
00:41:23,867 --> 00:41:25,033
YEAH.
924
00:41:25,067 --> 00:41:28,000
NO NEWS
IS BAD NEWS, JONAH.
925
00:41:28,033 --> 00:41:29,733
IT'S BEEN FOUR DAYS.
926
00:41:29,767 --> 00:41:33,733
I HAD THE FANTASY IN MY GRASP
AND I THINK I BLEW IT.
927
00:41:34,833 --> 00:41:36,500
BYE-BYE, VIEW.
928
00:41:36,533 --> 00:41:38,367
FAREWELL, TOWNHOUSE.
929
00:41:40,033 --> 00:41:41,067
MAYBE THE BOARD
930
00:41:41,100 --> 00:41:43,967
HASN'T HAD A CHANCE
TO VOTE ON IT YET.
931
00:41:44,000 --> 00:41:47,367
MAYBE WE SHOULD GO TO A MOVIE.
932
00:41:47,400 --> 00:41:49,433
TAKE YOUR MIND OFF THINGS.
933
00:41:55,900 --> 00:41:57,700
ERIN.
934
00:41:57,733 --> 00:41:58,833
THUMBS UP. APPROVED.
935
00:41:58,867 --> 00:42:00,467
THEY'RE PLANNING
A BIG LAUNCH.
936
00:42:00,500 --> 00:42:02,533
PRESS, STOCKHOLDERS,
937
00:42:02,567 --> 00:42:03,767
THE WHOLE SHEBANG.
938
00:42:03,800 --> 00:42:05,067
ARE YOU READY FOR THIS?
939
00:42:05,100 --> 00:42:08,600
I'VE NEVER BEEN MORE READY
FOR ANYTHING IN MY LIFE!
940
00:42:08,633 --> 00:42:10,633
GOOD. BECAUSE NOW
YOU GET TO SHOW EVERYBODY
941
00:42:10,667 --> 00:42:13,667
WHAT MIRA SIMON
REALLY IS MADE OF.
942
00:42:13,700 --> 00:42:15,067
THANK YOU SO MUCH!
943
00:42:16,000 --> 00:42:17,633
WE'RE IN!
944
00:42:17,667 --> 00:42:18,933
YES!
945
00:42:20,633 --> 00:42:21,867
OH! CONGRATULATIONS!
946
00:42:21,900 --> 00:42:23,167
THANK YOU!
947
00:42:27,133 --> 00:42:29,567
HEY! SO MY FRIEND,
948
00:42:29,600 --> 00:42:30,700
WHO'S A TECH DESIGNER
AT OURFRIENDS,
949
00:42:30,733 --> 00:42:32,400
JUST TOLD ME THEY'RE
LAUNCHING THEIR SITE.
950
00:42:32,433 --> 00:42:33,567
THAT'S NOT NEWS.
951
00:42:33,600 --> 00:42:35,033
EVERYONE KNOWS
THEY'RE REDOING THEIR WEB SITE.
952
00:42:35,067 --> 00:42:36,500
YEAH, BUT TOMORROW NIGHT,
953
00:42:36,533 --> 00:42:39,467
THEY'RE GIVING A SNEAK PEEK
TO THE PRESS AND EMPLOYEES
954
00:42:39,500 --> 00:42:40,900
TWO WEEKS BEFORE
THE SITE ROLLS OUT.
955
00:42:40,933 --> 00:42:43,033
YOU GOT A PRESS PASS?
956
00:42:43,067 --> 00:42:44,067
NO, BUT I AM
QUITE RESOURCEFUL.
957
00:42:44,100 --> 00:42:45,567
-AND SO ARE YOU.
-OH, WE'RE GOING!
958
00:42:45,600 --> 00:42:47,700
YEAH, WE ARE.
959
00:42:47,733 --> 00:42:49,100
-HI, SUSAN.
-HELLO.
960
00:42:49,133 --> 00:42:50,800
OKAY.
961
00:42:50,833 --> 00:42:52,833
I'LL SEE YOU LATER.
962
00:42:59,200 --> 00:43:01,133
YOU SHOULD JUST
TELL HER HOW YOU FEEL.
963
00:43:01,167 --> 00:43:04,633
I MEAN...
SHE HAS TO KNOW.
964
00:43:04,667 --> 00:43:06,667
WE ALL DO.
965
00:43:14,667 --> 00:43:16,967
I'M SORRY I HAD TO MOVE
OUR DINNER TO THIS EARLY.
966
00:43:17,000 --> 00:43:18,133
I JUST GOTTA TRY
AND GET A JUMP
967
00:43:18,167 --> 00:43:20,467
ON THE COMPETITION
TONIGHT.
968
00:43:20,500 --> 00:43:21,967
HEY, WE'RE AT
MILLICENT'S.
969
00:43:22,000 --> 00:43:24,067
MIGHT AS WELL EAT
WHEN MILLIE EATS.
970
00:43:25,500 --> 00:43:26,767
LIAM, I CAN TELL
971
00:43:26,800 --> 00:43:28,900
THAT YOU'RE LESS THAN THRILLED
BY THE DEMANDS OF MY JOB,
972
00:43:28,933 --> 00:43:30,700
BUT I HAVE TO TELL YOU,
973
00:43:30,733 --> 00:43:31,733
I HAVE BEEN WAITING
974
00:43:31,767 --> 00:43:33,100
MY WHOLE LIFE
FOR THIS TO HAPPEN,
975
00:43:33,133 --> 00:43:34,800
AND IT FINALLY DID.
976
00:43:34,833 --> 00:43:37,700
THIS IS MY MOMENT.
977
00:43:38,833 --> 00:43:39,900
UNDERSTOOD.
978
00:43:39,933 --> 00:43:42,667
WELL, YOU CAN FOCUS
ON THAT, THEN,
979
00:43:42,700 --> 00:43:45,067
I, ON THE OTHER HAND,
WILL BE YOUR STEWARD OF FUN.
980
00:43:45,100 --> 00:43:47,700
I'VE GOT BIG PLANS
FOR US, MIRA.
981
00:43:47,733 --> 00:43:49,500
I PROMISED TO YOU THAT
YOU'D ENJOY YOUR LIFE,
982
00:43:49,533 --> 00:43:51,467
AND I MEANT THAT.
983
00:43:51,500 --> 00:43:52,800
THAT ALL SOUNDS
GREAT, LIAM,
984
00:43:52,833 --> 00:43:54,067
BUT WE CAN TAKE OUR TIME.
985
00:43:54,100 --> 00:43:55,633
WE'RE NOT GOING ANYWHERE.
986
00:43:55,667 --> 00:43:56,667
MM.
987
00:43:59,233 --> 00:44:01,200
THIS STEAK IS INCREDIBLE.
988
00:44:01,233 --> 00:44:03,667
ANCIENT FAMILY RECIPE.
989
00:44:03,700 --> 00:44:04,967
WELL, DARLING,
DON'T ASK THE OWNER
990
00:44:05,000 --> 00:44:06,300
FOR ANY OF MILLIE'S RECIPES,
991
00:44:06,333 --> 00:44:08,133
I HEAR HE'S QUITE STINGY
WITH THEM.
992
00:44:09,133 --> 00:44:11,167
I ALSO THINK HE'S HIDING
A LOT OF OTHER SECRETS, TOO.
993
00:44:11,200 --> 00:44:13,833
WH--
WHY WOULD YOU SAY THAT?
994
00:44:13,867 --> 00:44:15,900
I DON'T HAVE
ANY SECRETS FROM YOU, MIRA.
995
00:44:15,933 --> 00:44:17,100
OF COURSE NOT!
996
00:44:17,133 --> 00:44:18,300
I'M TEASING YOU.
997
00:44:18,333 --> 00:44:20,533
-OH!
-I'M JUST PLAYING AROUND.
998
00:44:20,567 --> 00:44:21,533
OKAY, OKAY.
999
00:44:21,567 --> 00:44:23,967
BUT ALL-- ALL JOKES
COME FROM SOMEWHERE.
1000
00:44:25,000 --> 00:44:27,033
I'M BEING GOOFY. OKAY?
1001
00:44:30,133 --> 00:44:31,567
OKAY.
1002
00:44:31,600 --> 00:44:33,133
I HEAR YOU.
1003
00:44:33,167 --> 00:44:34,767
BUT IF YOU EVER WANT
TO ASK ME ANYTHING,
1004
00:44:34,800 --> 00:44:35,867
JUST ASK.
1005
00:44:35,900 --> 00:44:39,133
I HONESTLY HAVE
NO SECRETS FROM YOU, MIRA.
1006
00:44:39,167 --> 00:44:40,800
NONE.
1007
00:44:42,667 --> 00:44:44,533
EAT UP.
1008
00:44:58,000 --> 00:44:59,267
HI. NAMES?
1009
00:44:59,300 --> 00:45:01,233
IT'S, UM, RAYLENE.
1010
00:45:01,267 --> 00:45:02,900
SMITH.
1011
00:45:02,933 --> 00:45:04,167
FROM ACCOUNTING.
1012
00:45:04,200 --> 00:45:07,367
THIS IS
MY HUSBAND. EARL.
1013
00:45:07,400 --> 00:45:10,267
EARL... UH...
YOUR NAME'S NOT ON THE LIST.
1014
00:45:10,300 --> 00:45:12,067
AGAIN?
1015
00:45:12,100 --> 00:45:14,100
THEY ALWAYS DO THIS.
1016
00:45:14,133 --> 00:45:15,833
THEY ALWAYS FORGET
ABOUT ACCOUNTING.
1017
00:45:15,867 --> 00:45:17,000
ALWAYS!
1018
00:45:17,033 --> 00:45:18,300
OH--
1019
00:45:18,333 --> 00:45:19,733
HEY...
1020
00:45:19,767 --> 00:45:20,967
NO. OH--
1021
00:45:21,000 --> 00:45:22,133
DON'T DO THAT.
1022
00:45:23,933 --> 00:45:25,367
COULD YOU CHECK AGAIN, PLEASE?
1023
00:45:25,400 --> 00:45:27,267
IT'S, UH, RAYLENE.
1024
00:45:27,300 --> 00:45:28,933
R-A-
1025
00:45:28,967 --> 00:45:32,333
Y-L-I-N-E?
1026
00:45:32,367 --> 00:45:34,033
OH. HERE YOU ARE.
1027
00:45:34,067 --> 00:45:35,233
OH!
1028
00:45:35,267 --> 00:45:36,600
I'M SORRY
ABOUT THAT, GUYS.
1029
00:45:36,633 --> 00:45:38,300
-HAVE A GOOD NIGHT.
-THANK YOU.
1030
00:45:39,933 --> 00:45:41,200
REALLY? EARL?
1031
00:45:41,233 --> 00:45:43,233
WHO ELSE WOULD
RAYLENE BE MARRIED TO?
1032
00:45:43,267 --> 00:45:45,833
AFTER
YOU, RAYLENE.
1033
00:46:09,967 --> 00:46:11,667
COME ON, IT'S A PARTY!
1034
00:46:11,700 --> 00:46:13,700
-TRY AND ENJOY YOURSELF.
-IT'S WORK!
1035
00:46:13,733 --> 00:46:15,100
IT'S A WORK PARTY!
1036
00:46:15,133 --> 00:46:17,033
WE NEED TO BLEND.
1037
00:46:17,067 --> 00:46:19,000
COME ON, LET'S DANCE.
THAT'S AN ORDER.
1038
00:46:19,033 --> 00:46:20,933
UGH!
1039
00:46:24,167 --> 00:46:26,167
OH, COUNTRY MUSIC?
1040
00:46:26,200 --> 00:46:29,100
WE HATE COUNTRY MUSIC,
BUT...
1041
00:46:29,133 --> 00:46:31,133
EARL AND RAYLENE
LOVE IT!
1042
00:46:31,167 --> 00:46:32,367
THEY DO?
1043
00:46:32,400 --> 00:46:33,667
YES! THEY DO.
1044
00:46:33,700 --> 00:46:35,833
REMEMBER,
WE'RE UNDERCOVER.
1045
00:46:35,867 --> 00:46:37,700
EARL, RAYLENE. HI!
1046
00:46:37,733 --> 00:46:41,033
SUCCESS!
A GOOD SPY ALWAYS BLENDS.
1047
00:46:41,067 --> 00:46:43,033
I FEEL
LIKE JAMES BOND.
1048
00:46:43,067 --> 00:46:44,300
ESPIONAGE...
1049
00:46:44,333 --> 00:46:45,867
A BEAUTIFUL GIRL ON MY ARM.
1050
00:46:45,900 --> 00:46:47,433
HEY, I'M MORE
THAN ARM-CANDY, MISTER.
1051
00:46:47,467 --> 00:46:50,033
I KNOW! YOU'RE THE BRAINS.
I'M THE BRAWN.
1052
00:46:52,000 --> 00:46:54,033
WE MAKE A GOOD TEAM.
1053
00:46:55,133 --> 00:46:57,200
LIKE BATMAN AND ROBIN.
SHERLOCK AND WATSON.
1054
00:46:57,233 --> 00:46:58,967
MR. AND MRS. SMITH.
1055
00:46:59,000 --> 00:47:01,867
DIDN'T MR. AND MRS. SMITH
TRY TO KILL EACH OTHER?
1056
00:47:01,900 --> 00:47:03,233
-YES...
-MM-HMM?
1057
00:47:03,267 --> 00:47:05,100
BUT...
1058
00:47:05,133 --> 00:47:06,833
THERE WAS LOVE THERE.
1059
00:47:12,267 --> 00:47:13,967
ALRIGHT, ALRIGHT!
1060
00:47:14,000 --> 00:47:15,033
DJ, IF YOU COULD TURN DOWN
THE MUSIC A LITTLE BIT.
1061
00:47:15,067 --> 00:47:17,100
HOW'S EVERYBODY DOING TONIGHT?
1062
00:47:22,100 --> 00:47:24,800
I'M SORRY TO INTERRUPT
THE FIESTA,
1063
00:47:24,833 --> 00:47:26,100
BUT I JUST WANTED TO SAY,
1064
00:47:26,133 --> 00:47:28,100
I AM SO PROUD
TO BE HERE THIS EVENING
1065
00:47:28,133 --> 00:47:32,267
TO PRESENT
THE BRAND-NEW OURFRIENDS.
1066
00:47:34,367 --> 00:47:36,500
THIS IS GONNA SHOW
OUR COMPETITION
1067
00:47:36,533 --> 00:47:38,400
THAT WE ARE HERE TO STAY.
1068
00:47:38,433 --> 00:47:39,967
YOU HEAR THAT, YOURPAGE?
1069
00:47:42,400 --> 00:47:43,400
LADIES AND GENTLEMEN,
1070
00:47:43,433 --> 00:47:45,733
DUE TO ALL YOUR HARD WORK,
1071
00:47:45,767 --> 00:47:48,400
MAY I PRESENT
THE NEW OURFRIENDS.
1072
00:47:51,433 --> 00:47:55,033
THIS WEBSITE
IS GONNA PULL INFORMATION
1073
00:47:55,067 --> 00:47:57,800
FROM UP TO THREE
INDEPENDENT WEBSITES,
1074
00:47:57,833 --> 00:47:59,367
AND COMPILE IT TOGETHER,
RIGHT HERE--
1075
00:47:59,400 --> 00:48:01,867
THAT LOOKS INCREDIBLY
SIMILAR TO OUR SITE.
1076
00:48:01,900 --> 00:48:03,900
THAT'S BECAUSE IT'S
EXACTLY WHAT WE'RE DOING.
1077
00:48:03,933 --> 00:48:05,867
ALRIGHT, LADIES AND GENTLEMEN,
ENOUGH TALK!
1078
00:48:05,900 --> 00:48:07,500
LET'S GET THIS PARTY STARTED!
YEAH!
1079
00:48:14,200 --> 00:48:15,467
LOOK, SOMETIMES,
1080
00:48:15,500 --> 00:48:17,033
DIFFERENT PEOPLE
COME UP
1081
00:48:17,067 --> 00:48:18,533
WITH THE SAME IDEA
AT THE SAME TIME.
1082
00:48:18,567 --> 00:48:19,567
LIKE THAT YEAR
1083
00:48:19,600 --> 00:48:21,233
WHERE THE TWO
ASTEROID MOVIES CAME OUT,
1084
00:48:21,267 --> 00:48:22,233
OR THAT OTHER YEAR,
1085
00:48:22,267 --> 00:48:23,467
THE TRUMAN CAPOTE
MOVIES CAME OUT.
1086
00:48:23,500 --> 00:48:24,800
SO WHAT IF IT'S
A COINCIDENCE?
1087
00:48:24,833 --> 00:48:26,133
WE CAN'T LAUNCH
OUR SITE NOW.
1088
00:48:26,167 --> 00:48:27,467
WE'LL LOOK LIKE
WE'RE COPYING THEM.
1089
00:48:27,500 --> 00:48:28,900
THIS IS SO BAD, JONAH.
1090
00:48:28,933 --> 00:48:31,200
I HAVE TO FIND ERIN.
1091
00:48:32,200 --> 00:48:33,900
WHAT IF OURFRIENDS
STOLE OUR IDEA?
1092
00:48:33,933 --> 00:48:35,467
WHAT IF THERE'S
A LEAK IN THE COMPANY?
1093
00:48:35,500 --> 00:48:37,867
NOBODY STOLE
OUR IDEA
1094
00:48:37,900 --> 00:48:39,233
AND THERE
IS NO CONSPIRACY.
1095
00:48:39,267 --> 00:48:42,533
WE GOT SCOOPED.
THAT'S ALL.
1096
00:48:42,567 --> 00:48:44,800
HOW ARE YOU
SO CALM ABOUT THIS?
1097
00:48:44,833 --> 00:48:47,233
IT'S NOT THE FIRST TIME
IT'S HAPPENED TO ME,
1098
00:48:47,267 --> 00:48:49,300
AND IT WON'T
BE THE LAST.
1099
00:48:49,333 --> 00:48:51,067
YOU HAVE TO BE FIRST
AND WE WEREN'T.
1100
00:48:51,100 --> 00:48:52,933
SO, WHAT-- WHAT DO WE DO?
1101
00:48:52,967 --> 00:48:54,300
WE JUST... REPACKAGE.
1102
00:48:55,333 --> 00:48:57,833
WHAT, YOU MEAN
LIKE A NEW DESIGN?
1103
00:48:57,867 --> 00:48:59,200
EXACTLY.
1104
00:48:59,233 --> 00:49:01,167
A NEW,
INNOVATIVE DESIGN
1105
00:49:01,200 --> 00:49:03,533
THAT HASN'T BEEN SEEN
IN SOCIAL MEDIA BEFORE.
1106
00:49:03,567 --> 00:49:05,533
ON MONDAY MORNING,
WE WILL REGROUP,
1107
00:49:05,567 --> 00:49:08,567
AND COME UP WITH
DESIGN IDEAS
1108
00:49:08,600 --> 00:49:10,867
THAT WILL MAKE
OURFRIENDS' SITE
1109
00:49:10,900 --> 00:49:13,033
LOOK LIKE
IT CAME OUT OF THE DARK AGES.
1110
00:49:19,067 --> 00:49:21,067
WE'RE GONNA COME UP
WITH SOMETHING AMAZING.
1111
00:49:21,100 --> 00:49:23,233
I'M JUST HAPPY I HAVE AN ARTIST
LIKE YOU ON MY TEAM.
1112
00:49:23,267 --> 00:49:24,300
SO IS ERIN.
1113
00:49:24,333 --> 00:49:26,000
YOU'RE OUR ACE IN THE HOLE
HERE, BUDDY.
1114
00:49:26,033 --> 00:49:28,067
I DON'T KNOW
ABOUT THAT.
1115
00:49:28,100 --> 00:49:29,333
WE CAN
DO THIS, MIRA.
1116
00:49:29,367 --> 00:49:31,600
IT'S NOT JUST ME.
1117
00:49:31,633 --> 00:49:33,367
I HAVE FAITH IN US.
1118
00:49:38,467 --> 00:49:39,967
AND, UH...
1119
00:49:40,000 --> 00:49:42,267
JUST WHEN IT SEEMS LIKE
ALL HOPE IS LOST,
1120
00:49:42,300 --> 00:49:44,033
WE ALWAYS COME UP
WITH THAT MAGIC IDEA
1121
00:49:44,067 --> 00:49:45,333
THAT SAVES THE DAY.
1122
00:49:45,367 --> 00:49:47,533
OR FINISHES THE BOOK.
1123
00:49:47,567 --> 00:49:49,033
OR WHATEVER IT IS
WE'RE WORKING ON.
1124
00:49:49,067 --> 00:49:50,533
YOU FINISHED IT?
1125
00:49:50,567 --> 00:49:52,300
IT'S JUST A PROTOTYPE.
1126
00:49:52,333 --> 00:49:54,233
I SENT IT OUT
TO A FEW PUBLISHERS LAST WEEK.
1127
00:49:54,267 --> 00:49:56,867
JUST TO PUT
SOME FEELERS OUT.
1128
00:49:56,900 --> 00:49:59,400
SO LET'S, UH, GET STARTED ON
THIS DESIGN, SHALL WE?
1129
00:49:59,433 --> 00:50:01,100
OH, NO.
WE HAVE ALL NIGHT,
1130
00:50:01,133 --> 00:50:02,400
AND YOU PROMISED YOU'D
TELL ME ABOUT PEGGY
1131
00:50:02,433 --> 00:50:03,967
WHEN IT WAS READY.
1132
00:50:04,000 --> 00:50:05,233
SO SPILL!
1133
00:50:07,233 --> 00:50:08,467
BUT SEE...
1134
00:50:08,500 --> 00:50:10,400
PEGGY HATES BEING MESSY,
1135
00:50:10,433 --> 00:50:13,000
BUT ALL HER PIG FRIENDS
LOVE SLOPPING IN THE MUD.
1136
00:50:13,033 --> 00:50:15,300
BUT PEGGY REFUSES
1137
00:50:15,333 --> 00:50:17,500
BECAUSE SHE HAS
THESE BIG DREAMS
1138
00:50:17,533 --> 00:50:18,900
OF MOVING AWAY FROM THE FARM,
1139
00:50:18,933 --> 00:50:20,300
LIVING WITH THE MONKEYS,
1140
00:50:20,333 --> 00:50:22,167
WHO ARE OBSESSED
WITH GROOMING.
1141
00:50:22,200 --> 00:50:24,900
SHE THINKS THE GRASS
IS GREENER IN THE JUNGLE.
1142
00:50:24,933 --> 00:50:26,500
AND MUCH, MUCH TIDIER.
1143
00:50:26,533 --> 00:50:29,167
EXACTLY.
1144
00:50:29,200 --> 00:50:31,100
SO THE PIGS FINALLY
1145
00:50:31,133 --> 00:50:33,400
CONVINCE PEGGY
TO STOP CLEANING,
1146
00:50:33,433 --> 00:50:37,067
AND SLOP AROUND IN THE MUD
WITH THE REST OF THEM...
1147
00:50:37,100 --> 00:50:39,000
JUST ONCE.
1148
00:50:39,033 --> 00:50:41,900
AND GUESS WHAT?
1149
00:50:41,933 --> 00:50:44,033
SHE LETS GO
1150
00:50:44,067 --> 00:50:45,267
AND SHE LOVES IT.
1151
00:50:46,300 --> 00:50:48,267
SO...
1152
00:50:48,300 --> 00:50:51,000
SHE ABANDONS HER FANTASY,
1153
00:50:51,033 --> 00:50:55,600
AND SHE REALIZES SHE CAN BE
HAPPY EXACTLY WHERE SHE IS.
1154
00:50:55,633 --> 00:50:57,467
SHE SOUNDS ADORABLE.
1155
00:50:57,500 --> 00:50:59,633
SHE'S COMPLETELY ADORABLE.
1156
00:51:04,533 --> 00:51:06,367
MIRA...
1157
00:51:06,400 --> 00:51:09,567
THERE'S SOMETHING
I'VE WANTED TO TELL YOU.
1158
00:51:11,567 --> 00:51:13,233
MIRA?
1159
00:51:13,267 --> 00:51:16,100
HONEY? I WAS KNOCKING,
BUT NO ONE ANSWERED.
1160
00:51:16,133 --> 00:51:18,500
THE DOOR WAS OPEN, SO I...
1161
00:51:19,967 --> 00:51:21,133
OH.
1162
00:51:22,533 --> 00:51:24,233
HI.
1163
00:51:24,267 --> 00:51:25,500
WHEN YOU SAID
YOU WERE WORKING,
1164
00:51:25,533 --> 00:51:27,100
I ASSUMED YOU MEANT ALONE,
1165
00:51:27,133 --> 00:51:28,700
SO I BROUGHT SUSTENANCE.
1166
00:51:28,733 --> 00:51:31,667
THERE'S MORE THAN ENOUGH
FOR THREE PEOPLE.
1167
00:51:34,633 --> 00:51:38,933
SO, THEN THE SOMMELIER SAID--
OH, THE WINE EXPERT--
1168
00:51:38,967 --> 00:51:41,200
HE SAYS TO ME
IN THIS VERY NASTY TONE,
1169
00:51:41,233 --> 00:51:43,200
"LIAM, IF YOU THINK
THE WINES COMING OUT
1170
00:51:43,233 --> 00:51:44,300
"OF THE RUSSIAN RIVER VALLEY
1171
00:51:44,333 --> 00:51:45,500
"EVEN COMPARE WITH
1172
00:51:45,533 --> 00:51:47,700
"WHAT'S COMING OUT OF
THE LOIRE VALLEY RIGHT NOW,
1173
00:51:47,733 --> 00:51:49,600
THEN YOU ARE SIMPLY
OUT OF YOUR MIND."
1174
00:51:49,633 --> 00:51:50,667
NOW, WHAT'S HILARIOUS
1175
00:51:50,700 --> 00:51:53,300
IS THAT I WOULD NEVER
SAY THAT.
1176
00:51:53,333 --> 00:51:55,667
I MEAN, COME ON! RIGHT?
1177
00:51:55,700 --> 00:51:57,133
BUT I HAD TO LET HIM GO
1178
00:51:57,167 --> 00:51:58,700
BECAUSE HE SAID THIS
IN FRONT OF OUR CUSTOMERS,
1179
00:51:58,733 --> 00:52:00,500
WHICH WAS
COMPLETELY UNACCEPTABLE,
1180
00:52:00,533 --> 00:52:03,100
AND FINDING A NEW SOMMELIER
ON SHORT NOTICE
1181
00:52:03,133 --> 00:52:05,100
IS NEARLY IMPOSSIBLE.
1182
00:52:05,133 --> 00:52:06,167
BUT I DID.
1183
00:52:07,367 --> 00:52:08,400
MY POINT BEING,
1184
00:52:08,433 --> 00:52:11,033
IN BUSINESS,
WE ALL HAVE SETBACKS.
1185
00:52:11,067 --> 00:52:12,233
IN FOUR YEARS FROM NOW,
1186
00:52:12,267 --> 00:52:13,300
YOU WON'T EVEN REMEMBER
1187
00:52:13,333 --> 00:52:15,600
THAT THIS HAPPENED
WITH YOUR COMPETITOR.
1188
00:52:15,633 --> 00:52:18,100
ARE YOU SURE
THAT NO ONE WANTS TO TRY?
1189
00:52:18,133 --> 00:52:20,100
THIS IS A VERY SPECIAL
'94 BORDEAUX
1190
00:52:20,133 --> 00:52:22,633
FROM A VERY SMALL VINEYARD
JUST OUTSIDE OF BLAYE.
1191
00:52:22,667 --> 00:52:24,300
I'M SURE IT'S DELICIOUS,
1192
00:52:24,333 --> 00:52:26,167
BUT WE REALLY HAVE A LOT
OF WORK TO DO TONIGHT,
1193
00:52:26,200 --> 00:52:29,267
AND WE NEED
OUR HEADS TO BE CLEAR.
1194
00:52:31,033 --> 00:52:33,000
MM! THIS BOUQUET
IS AMAZING!
1195
00:52:33,033 --> 00:52:34,200
IT HASN'T EVEN
OPENED UP YET,
1196
00:52:34,233 --> 00:52:35,467
AND ALREADY
I'M GETTING HINTS OF
1197
00:52:35,500 --> 00:52:38,167
BLACKBERRY AND-AND...
1198
00:52:38,200 --> 00:52:40,067
COFFEE, AND...
1199
00:52:40,100 --> 00:52:41,533
APRICOT!
1200
00:52:43,267 --> 00:52:45,200
MM. THAT'S LOVELY.
1201
00:52:46,733 --> 00:52:48,167
AND THESE DAYS,
1202
00:52:48,200 --> 00:52:50,400
WHEN YOU ARE LOOKING
FOR A NEW CHEF,
1203
00:52:50,433 --> 00:52:52,033
YOU LOOK NO FURTHER
1204
00:52:52,067 --> 00:52:54,600
THAN THE LATEST
REALITY COOKING SHOW.
1205
00:52:54,633 --> 00:52:56,533
THERE ARE DOZENS OF THEM.
1206
00:53:07,567 --> 00:53:10,067
THIS WAS SO SWEET OF YOU.
1207
00:53:10,100 --> 00:53:12,233
I'M SO GLAD YOU LIKED IT.
1208
00:53:12,267 --> 00:53:15,400
BUT I-I REALLY
HAVE TO GET BACK TO WORK.
1209
00:53:16,533 --> 00:53:17,800
MIRA AND HER WORK.
1210
00:53:21,700 --> 00:53:22,700
HELLO?
1211
00:53:22,733 --> 00:53:25,267
WOW. REALLY?
1212
00:53:27,300 --> 00:53:29,533
MONDAY MORNING?
1213
00:53:29,567 --> 00:53:31,333
UH, THAT'S SO SOON.
1214
00:53:31,367 --> 00:53:34,233
NO, IT'S-- IT'S JUST
THAT I'M-- I'M KIND OF
1215
00:53:34,267 --> 00:53:36,800
ON THIS IMPORTANT PROJECT
AT MY CURRENT JOB.
1216
00:53:36,833 --> 00:53:38,133
IS THERE ANY WAY
WE MIGHT BE ABLE TO--
1217
00:53:42,600 --> 00:53:44,100
NO. YOU KNOW WHAT?
1218
00:53:44,133 --> 00:53:45,500
THIS IS MORE IMPORTANT.
1219
00:53:47,267 --> 00:53:49,267
I HAVE TO GET BACK TO WORK.
1220
00:53:50,667 --> 00:53:52,233
IF WE MOVE FORWARD,
1221
00:53:52,267 --> 00:53:55,167
I'LL BE ABLE TO START WORK
RIGHT AWAY.
1222
00:53:55,200 --> 00:53:56,633
FANTASTIC.
1223
00:53:56,667 --> 00:53:58,667
I'LL SEE YOU MONDAY MORNING.
1224
00:54:05,600 --> 00:54:07,300
HEY. YOU GOT A MINUTE?
1225
00:54:07,333 --> 00:54:08,833
ONE.
1226
00:54:08,867 --> 00:54:10,400
OKAY, UM... LOOK.
1227
00:54:10,433 --> 00:54:12,533
YOU KNOW I THINK YOUR IDEA
FOR THE SITE IS GREAT,
1228
00:54:12,567 --> 00:54:13,767
BUT THAT BEING SAID,
1229
00:54:13,800 --> 00:54:16,333
I THINK I MAY HAVE FOUND
A POTENTIAL ENGINEERING FLAW
1230
00:54:16,367 --> 00:54:18,233
THAT COULD CAUSE A SITE CRASH
THE MOMENT WE GO LIVE.
1231
00:54:18,267 --> 00:54:20,833
COULD CRASH
OR WILL CRASH?
1232
00:54:20,867 --> 00:54:22,467
WELL, IT'S--
IT'S A HYPOTHETICAL, BUT...
1233
00:54:22,500 --> 00:54:23,567
I'M SORRY,
1234
00:54:23,600 --> 00:54:24,900
BUT I DON'T HAVE TIME
FOR HYPOTHETICALS.
1235
00:54:24,933 --> 00:54:26,233
I NEED A NEW DESIGN,
1236
00:54:26,267 --> 00:54:28,367
AND WE CAN'T PUT THIS
ON JONAH'S SHOULDERS.
1237
00:54:28,400 --> 00:54:30,300
I NEED YOU TO BRING ME
CONCRETE IDEAS, TOO. OKAY?
1238
00:54:30,333 --> 00:54:33,233
RIGHT. OF COURSE.
1239
00:54:33,267 --> 00:54:35,400
IT'S JUST NONE OF THAT MATTERS
IF THE SITE CRASHES.
1240
00:54:35,433 --> 00:54:37,267
LOOK, JUST READ
THE REPORT, OKAY?
1241
00:54:37,300 --> 00:54:38,267
IT OUTLINES
1242
00:54:38,300 --> 00:54:39,700
THE POTENTIAL PROBLEM
AND THE FIX.
1243
00:54:39,733 --> 00:54:41,533
OKAY, JUST PUT IT ON MY DESK,
1244
00:54:41,567 --> 00:54:43,267
AND I'LL LOOK AT IT
WHEN I GET A MINUTE.
1245
00:54:43,300 --> 00:54:44,667
OKAY. GREAT.
1246
00:54:49,433 --> 00:54:50,733
UM...
1247
00:54:50,767 --> 00:54:52,800
-SORRY TO INTERRUPT.
-OH!
1248
00:54:52,833 --> 00:54:55,300
NO, I WAS...
JUST LEAVING.
1249
00:54:55,333 --> 00:54:57,467
I'M SO GLAD YOU'RE HERE.
I NEED YOUR ARTIST BRAIN.
1250
00:54:57,500 --> 00:54:58,900
I WAS LOOKING
1251
00:54:58,933 --> 00:55:00,700
AT THE COLLEAGUES' NETWORKING
WEBSITE AND ON THEIR INTERFACE--
1252
00:55:00,733 --> 00:55:02,367
CAN WE TALK?
1253
00:55:02,400 --> 00:55:03,700
OF COURSE.
1254
00:55:03,733 --> 00:55:05,367
ARE YOU OKAY?
1255
00:55:05,400 --> 00:55:08,400
YEAH. UM...
1256
00:55:08,433 --> 00:55:10,633
I'M GREAT.
1257
00:55:11,867 --> 00:55:13,733
A PUBLISHER IS BUYING MY BOOK.
1258
00:55:13,767 --> 00:55:16,200
THE WHOLE SERIES, ACTUALLY.
1259
00:55:16,233 --> 00:55:18,500
JONAH! I'M SO HAPPY FOR YOU!
1260
00:55:20,967 --> 00:55:22,500
AND PEGGY, TOO,
OF COURSE.
1261
00:55:22,533 --> 00:55:24,867
YEAH...
1262
00:55:24,900 --> 00:55:26,267
WHAT? WHAT IS IT?
1263
00:55:26,300 --> 00:55:29,667
WELL... I'M ON A DEADLINE.
1264
00:55:29,700 --> 00:55:31,633
WELL, THAT'S NOTHING
NEW FOR YOU.
1265
00:55:31,667 --> 00:55:34,767
IT SEEMS LIKE IT'S NOTHING
BUT DEADLINES AROUND HERE.
1266
00:55:34,800 --> 00:55:36,767
MIRA...
1267
00:55:36,800 --> 00:55:39,500
I HAVE TO QUIT YOURPAGE.
1268
00:55:39,533 --> 00:55:40,867
IS THAT ANOTHER
APRIL FOOL'S JOKE,
1269
00:55:40,900 --> 00:55:42,533
RUNNING
BEHIND SCHEDULE?
1270
00:55:42,567 --> 00:55:44,567
BECAUSE IT'S NOT FUNNY.
1271
00:55:45,800 --> 00:55:47,300
I'M SORRY
TO LEAVE YOU IN THE LURCH,
1272
00:55:47,333 --> 00:55:49,200
IT'S JUST...
1273
00:55:49,233 --> 00:55:51,767
JONAH, I--
I NEED YOU.
1274
00:55:51,800 --> 00:55:53,667
NO ONE IS
BRINGING ME ANYTHING
1275
00:55:53,700 --> 00:55:55,867
AND YOU'RE THE BEST
GRAPHIC ARTIST WE'VE GOT.
1276
00:55:55,900 --> 00:55:57,500
JERRY'S JUST AS GOOD.
1277
00:55:57,533 --> 00:55:59,900
AND MICHAEL IS CREATIVE.
1278
00:55:59,933 --> 00:56:01,767
IT COULD BE ANYBODY.
1279
00:56:01,800 --> 00:56:03,867
MIRA...
1280
00:56:03,900 --> 00:56:05,900
THIS IS MY DREAM.
1281
00:56:05,933 --> 00:56:08,367
YOU, OF ALL PEOPLE,
SHOULD UNDERSTAND THAT.
1282
00:56:11,000 --> 00:56:12,600
WELL, IT'S NOT
GONNA BE THE SAME AROUND HERE
1283
00:56:12,633 --> 00:56:13,600
WITHOUT YOU.
1284
00:56:17,800 --> 00:56:20,333
HOW MUCH TIME DO WE HAVE?
1285
00:56:21,467 --> 00:56:23,900
I CAN GIVE YOU TWO DAYS.
1286
00:56:28,667 --> 00:56:29,833
WHAT'S WITH YOU?
1287
00:56:29,867 --> 00:56:31,467
YOU'VE BARELY EVEN
TOUCHED YOUR SALAD.
1288
00:56:31,500 --> 00:56:32,933
I JUST-- I CAN'T BELIEVE
HE'S LEAVING ME.
1289
00:56:32,967 --> 00:56:34,967
I MEAN, I'M HAPPY FOR HIM,
1290
00:56:35,000 --> 00:56:36,933
BUT THE TIMING
COULD NOT BE WORSE.
1291
00:56:36,967 --> 00:56:39,267
OH...
1292
00:56:39,300 --> 00:56:40,900
WHAT IS HAPPENING
WITH MY LIFE?
1293
00:56:40,933 --> 00:56:42,867
YOU GOT EVERYTHING YOU WANTED.
1294
00:56:42,900 --> 00:56:45,333
THAT'S WHAT'S HAPPENING
WITH YOUR LIFE.
1295
00:56:45,367 --> 00:56:46,767
WHY DO YOU THINK
THEY NEVER SHOW
1296
00:56:46,800 --> 00:56:49,500
WHAT HAPPENS TO CINDERELLA AFTER
SHE RIDES OFF WITH THE PRINCE?
1297
00:56:49,533 --> 00:56:51,500
BECAUSE THAT'S WHERE
REAL LIFE BEGINS.
1298
00:56:51,533 --> 00:56:53,900
I'M BEGINNING
TO REALIZE THAT.
1299
00:56:55,067 --> 00:56:57,667
IS YOUR "PERFECT" LIFE A LITTLE
LESS PERFECT THAN YOU THOUGHT?
1300
00:56:58,967 --> 00:57:00,000
OKAY, EVERYONE,
1301
00:57:00,033 --> 00:57:01,867
ERIN HAS ENTRUSTED ME
WITH A NEW DESIGN
1302
00:57:01,900 --> 00:57:03,700
FOR THE SITE
AND I AM NOT ABOUT
1303
00:57:03,733 --> 00:57:04,833
TO LET HER DOWN,
1304
00:57:04,867 --> 00:57:05,967
SO GIVE ME WHAT YOU'VE GOT.
1305
00:57:06,000 --> 00:57:07,333
MAYBE WE'RE NOT
THINKING BROAD ENOUGH
1306
00:57:07,367 --> 00:57:08,400
ABOUT WHO WE MARKET TO.
1307
00:57:08,433 --> 00:57:09,967
YOUNG PEOPLE ARE NOT
THE ONLY ONES
1308
00:57:10,000 --> 00:57:11,033
ONLINE ANYMORE.
1309
00:57:11,067 --> 00:57:12,733
-MY GRANDMOTHER--
-NONE OF THAT MATTERS--
1310
00:57:12,767 --> 00:57:14,633
...SUSAN, IF WE DON'T HAVE
A NEW PAGE DESIGN.
1311
00:57:14,667 --> 00:57:16,100
ANYONE ELSE?
1312
00:57:16,133 --> 00:57:17,933
WELL, UH,
STATISTICS MATTER.
1313
00:57:17,967 --> 00:57:19,100
KNOW YOUR AUDIENCE,
1314
00:57:19,133 --> 00:57:20,933
AND YOU CAN GIVE THEM
EXACTLY WHAT THEY WANT.
1315
00:57:20,967 --> 00:57:22,933
I UNDERSTAND
THE IMPORTANCE OF STATISTICS.
1316
00:57:22,967 --> 00:57:25,700
OKAY. I THOUGHT
WE WERE BRAINSTORMING.
1317
00:57:25,733 --> 00:57:26,700
WE ARE,
1318
00:57:26,733 --> 00:57:28,367
BUT I'M JUST NOT
HEARING ANYTHING
1319
00:57:28,400 --> 00:57:29,767
THAT DISTINGUISHES US
FROM OUR COMPETITORS.
1320
00:57:31,567 --> 00:57:34,433
MAKE-ME-A-MATCH.COM
JUST CHANGED THEIR COLORS,
1321
00:57:34,467 --> 00:57:36,333
AND IT LOOKS AMAZING.
1322
00:57:36,367 --> 00:57:38,433
OKAY, YOU'RE PUTTING THE CART
BEFORE THE HORSE, JERRY,
1323
00:57:38,467 --> 00:57:39,700
AND WE NEED TO COME UP
WITH A DESIGN FIRST,
1324
00:57:39,733 --> 00:57:40,700
AND THEN WE CAN TALK COLORS.
1325
00:57:40,733 --> 00:57:43,400
LISTEN UP, EVERYBODY.
1326
00:57:43,433 --> 00:57:45,433
THE OURFRIENDS SITE
IS HAVING A PROBLEM
1327
00:57:45,467 --> 00:57:47,633
HANDLING THEIR TRAFFIC
EVER SINCE THEIR LAUNCH.
1328
00:57:47,667 --> 00:57:49,967
SEES THEIR SERVER
IS CRASHING OFF AND ON,
1329
00:57:50,000 --> 00:57:53,533
AND I UNDERSTAND THE PROBLEM
IS IN THE ENGINEERING.
1330
00:57:53,567 --> 00:57:56,900
NOW, NOT TO REVEL
IN SOMEBODY ELSE'S MISFORTUNE,
1331
00:57:56,933 --> 00:57:59,800
BUT IT DOES HELP
SALVE THE WOUNDS
1332
00:57:59,833 --> 00:58:02,067
OF BEING BEATEN TO THE PUNCH.
1333
00:58:02,100 --> 00:58:03,467
WE'VE GOT
AN OPPORTUNITY HERE.
1334
00:58:03,500 --> 00:58:06,100
I WANT US TO TAKE IT.
1335
00:58:06,133 --> 00:58:07,600
SO, MIRA,
1336
00:58:07,633 --> 00:58:09,533
GIVE ME EVERYTHING YOU'VE GOT
BY MORNING.
1337
00:58:09,567 --> 00:58:11,200
GOOD LUCK, EVERYBODY.
1338
00:58:13,167 --> 00:58:15,033
YOU HEARD HER--
LET'S TAKE AN HOUR
1339
00:58:15,067 --> 00:58:16,000
AND MEET BACK HERE.
1340
00:58:16,033 --> 00:58:17,667
I WANT EVERYTHING YOU'VE GOT.
1341
00:58:17,700 --> 00:58:19,067
OKAY? THANK YOU.
1342
00:58:23,033 --> 00:58:24,700
IT WAS ALL TALK,
1343
00:58:24,733 --> 00:58:27,633
ALL THAT STUFF ABOUT HOW LUCKY
SHE IS TO HAVE US ON HER TEAM.
1344
00:58:27,667 --> 00:58:29,867
NOW IT'S ALL "MY TEAM"
AND "I NEED IDEAS,"
1345
00:58:29,900 --> 00:58:32,900
LIKE WE'RE JUST
INCIDENTAL TO HER SUCCESS.
1346
00:58:32,933 --> 00:58:34,633
WHAT HAPPENED TO HER?
1347
00:58:34,667 --> 00:58:37,067
SHE KNOWS WHAT IT'S LIKE
NOT TO BE HEARD--
1348
00:58:37,100 --> 00:58:38,667
NO, NO, NO...
1349
00:58:38,700 --> 00:58:40,833
DON'T MIND ME.
IT'S OKAY. I GET IT.
1350
00:58:40,867 --> 00:58:42,700
YOU KNOW?
I'VE BEEN IN YOUR SHOES.
1351
00:58:42,733 --> 00:58:45,133
BUT I-I'VE BEEN
IN HER SHOES, TOO.
1352
00:58:45,167 --> 00:58:46,900
YOU'D THINK
MIRA WOULD BE DIFFERENT.
1353
00:58:46,933 --> 00:58:48,167
YEAH, BUT YOU KNOW,
IN HER DEFENSE,
1354
00:58:48,200 --> 00:58:49,500
WHEN YOU'RE UNDER
THAT MUCH PRESSURE,
1355
00:58:49,533 --> 00:58:51,167
YOU GET PREOCCUPIED.
1356
00:58:51,200 --> 00:58:52,467
IT CAN BE HARD TO LISTEN
1357
00:58:52,500 --> 00:58:55,133
WHEN IT'S NOT
EXACTLY WHAT YOU NEED TO HEAR.
1358
00:58:55,167 --> 00:58:56,867
IT'S LIKE SOMEONE POURED
CONCRETE IN HER EARS.
1359
00:58:56,900 --> 00:58:58,467
OKAY, YOU GUYS, LET'S--
1360
00:58:58,500 --> 00:59:00,467
LET'S CUT HER SOME SLACK,
ALRIGHT?
1361
00:59:00,500 --> 00:59:02,467
I MEAN, I WAS IN MANAGEMENT
A LOT LONGER THAN HER
1362
00:59:02,500 --> 00:59:04,833
AND, AS WE ALL KNOW,
I CLEARLY NEVER MASTERED IT.
1363
00:59:06,267 --> 00:59:07,467
I DON'T KNOW.
1364
00:59:07,500 --> 00:59:08,867
ALL SHE TALKS ABOUT IS HER,
1365
00:59:08,900 --> 00:59:11,533
SO LET HER COME UP
WITH A NEW DESIGN HERSELF.
1366
00:59:11,567 --> 00:59:13,633
IT'S NOT LIKE
SHE NEEDS US ANYWAY.
1367
00:59:19,033 --> 00:59:20,700
GOT A MINUTE?
1368
00:59:20,733 --> 00:59:22,233
YEAH, I'VE GOT
AS MANY AS YOU NEED.
1369
00:59:22,267 --> 00:59:24,100
SO...
1370
00:59:24,133 --> 00:59:25,733
I OVERHEARD
YOU GUYS TALKING.
1371
00:59:25,767 --> 00:59:26,767
OH...
1372
00:59:26,800 --> 00:59:27,967
RIGHT.
1373
00:59:28,000 --> 00:59:29,867
LOOK, THEY'RE FRUSTRATED
1374
00:59:29,900 --> 00:59:32,900
THAT YOU'RE NOT LISTENING
TO THEIR IDEAS.
1375
00:59:34,000 --> 00:59:35,700
YOU KNOW WHAT?
YOU KNOW WHAT I THINK IT IS?
1376
00:59:35,733 --> 00:59:37,900
SOMETIMES, YOU--
YOU NEED TO...
1377
00:59:37,933 --> 00:59:41,000
TO NURTURE THE SEED OF AN IDEA,
TO HELP IT GROW.
1378
00:59:41,033 --> 00:59:43,533
I MEAN, EVERY IDEA HAS MERIT.
1379
00:59:43,567 --> 00:59:45,167
EVERYONE'S CONTRIBUTING
SOMETHING.
1380
00:59:45,200 --> 00:59:46,467
IT MIGHT NOT BE
1381
00:59:46,500 --> 00:59:48,467
THE MAGIC SOLUTION
THAT YOU'RE LOOKING FOR,
1382
00:59:48,500 --> 00:59:49,933
BUT IT'S SOMETHING, YOU KNOW?
1383
00:59:49,967 --> 00:59:52,867
I MEAN, I EVEN GAVE YOU
A REPORT PREDICTING
1384
00:59:52,900 --> 00:59:55,000
THE ENGINEERING PROBLEMS
THAT OURFRIENDS HAD.
1385
00:59:55,033 --> 00:59:56,833
HAVE--
HAVE YOU READ IT?
1386
00:59:56,867 --> 00:59:58,000
I HAVEN'T HAD TIME.
1387
00:59:58,033 --> 00:59:59,133
WE HAVE THREE WEEKS
1388
00:59:59,167 --> 01:00:01,567
TO COME UP WITH
A COMPLETELY NEW WEB DESIGN.
1389
01:00:01,600 --> 01:00:03,733
HOW DID YOU MANAGE
WITH SUCH A TIME CRUNCH?
1390
01:00:03,767 --> 01:00:06,533
CLEARLY NOT VERY WELL.
1391
01:00:06,567 --> 01:00:08,900
AND I LOST
THE PROMOTION OF A LIFETIME
1392
01:00:08,933 --> 01:00:10,867
BECAUSE I DIDN'T
LISTEN TO YOUR IDEA.
1393
01:00:10,900 --> 01:00:13,967
I MEAN, YOU NEED
TO TRUST YOUR PEOPLE, OKAY?
1394
01:00:14,000 --> 01:00:16,600
THE TEAM IS THE ENGINE
THAT MAKES THIS CAR RUN.
1395
01:00:16,633 --> 01:00:18,900
THIS CAR HAS STALLED, MICHAEL.
1396
01:00:18,933 --> 01:00:20,067
UH...
1397
01:00:20,100 --> 01:00:22,567
THEN I'M NOT SURE
HOW TO HELP, MIRA.
1398
01:00:28,500 --> 01:00:29,633
HELLO?
1399
01:00:29,667 --> 01:00:31,000
HEY, MIR...
1400
01:00:31,033 --> 01:00:33,467
UM, I'M SORRY,
1401
01:00:33,500 --> 01:00:34,800
BUT WE'RE NOT
GONNA BE ABLE
1402
01:00:34,833 --> 01:00:35,967
TO MAKE IT
TO FONDUE NIGHT.
1403
01:00:36,000 --> 01:00:38,467
OH... THAT'S TOO BAD.
1404
01:00:38,500 --> 01:00:40,867
I WAS REALLY LOOKING FORWARD
TO RECONNECTING.
1405
01:00:40,900 --> 01:00:43,167
I'VE HAD A HORRIBLE DAY.
1406
01:00:43,200 --> 01:00:44,900
ASIDE FROM THE FACT
THAT IF WE LEFT RIGHT NOW,
1407
01:00:44,933 --> 01:00:46,067
WE WOULDN'T
EVEN GET THERE
1408
01:00:46,100 --> 01:00:47,933
UNTIL NEXT THURSDAY--
1409
01:00:47,967 --> 01:00:49,700
IT'S NOT THAT FAR, YOU GUYS.
1410
01:00:49,733 --> 01:00:52,467
ACTUALLY,
IT KIND OF IS,
1411
01:00:52,500 --> 01:00:53,867
BUT YOU WOULDN'T
KNOW THAT,
1412
01:00:53,900 --> 01:00:56,633
BECAUSE YOU NEVER
COME BACK HERE ANYMORE.
1413
01:00:56,667 --> 01:00:58,100
I MEAN, YOU CANCELED ON
1414
01:00:58,133 --> 01:01:00,933
THE LAST TWO
THAT WE WERE HOSTING.
1415
01:01:00,967 --> 01:01:02,833
I KNOW MY SCHEDULE'S
BEEN SO CRAZY,
1416
01:01:02,867 --> 01:01:04,867
AND I'M-- I'M SO SORRY
ABOUT THAT.
1417
01:01:04,900 --> 01:01:08,100
IT'S NOT JUST
THE SCHEDULE, MIR.
1418
01:01:08,133 --> 01:01:12,267
IT'S NOT FUN
AND YOU'RE DISTRACTED.
1419
01:01:12,300 --> 01:01:13,933
UH, LOOK...
1420
01:01:13,967 --> 01:01:15,867
HOW ABOUT WE RESCHEDULE
FOR NEXT WEEK?
1421
01:01:15,900 --> 01:01:17,967
YOU CAN COME
TO MY PLACE, HERE.
1422
01:01:18,000 --> 01:01:20,833
IF YOU THINK
YOU CAN MAKE IT.
1423
01:01:20,867 --> 01:01:22,767
I'LL MAKE IT.
1424
01:01:22,800 --> 01:01:25,533
I PROMISE.
1425
01:01:57,567 --> 01:02:00,733
ONE IDEA.
I JUST NEED ONE IDEA.
1426
01:02:07,967 --> 01:02:09,333
HELLO?
1427
01:02:09,367 --> 01:02:11,733
HEY. IT'S SOPHIE.
1428
01:02:11,767 --> 01:02:13,000
HEY.
1429
01:02:13,033 --> 01:02:14,600
YEAH, COME ON IN.
1430
01:02:20,633 --> 01:02:22,667
BRETT AND I
HAD A FIGHT.
1431
01:02:22,700 --> 01:02:25,800
I MAY NEED TO CRASH
HERE FOR A WHILE.
1432
01:02:25,833 --> 01:02:29,167
I ALWAYS THOUGHT
YOU GUYS WERE SO HAPPY.
1433
01:02:30,233 --> 01:02:32,033
WE ARE.
1434
01:02:32,067 --> 01:02:35,267
MOST OF THE TIME.
1435
01:02:35,300 --> 01:02:37,200
BUT IT'S LIKE I ALWAYS SAY--
1436
01:02:37,233 --> 01:02:39,767
MIR, RELATIONSHIPS
CAN BE STRESSFUL.
1437
01:02:41,000 --> 01:02:43,233
SO STRESSFUL
THAT YOU HAD TO LEAVE?
1438
01:02:44,900 --> 01:02:47,933
WE BOTH SAID SOME STUFF.
1439
01:02:47,967 --> 01:02:49,967
I MEAN,
WE'LL WORK IT OUT.
1440
01:02:50,000 --> 01:02:53,367
THINGS ARE ALWAYS
SO MUCH CLEARER IN THE MORNING.
1441
01:02:54,867 --> 01:02:57,300
I JUST NEEDED TO GIVE HIM
SOME SPACE
1442
01:02:57,333 --> 01:02:59,900
AND I NEEDED SOME SPACE.
1443
01:02:59,933 --> 01:03:02,767
LORD KNOWS,
YOU HAVE SPACE TO SPARE,
1444
01:03:02,800 --> 01:03:04,867
SO...
1445
01:03:04,900 --> 01:03:07,000
WELL, I'M SORRY THAT
YOU GUYS ARE FIGHTING,
1446
01:03:07,033 --> 01:03:09,400
BUT I'M GLAD
THAT YOU'RE HERE.
1447
01:03:09,433 --> 01:03:12,700
I ALWAYS THOUGHT
THAT I'D LOVE LIVING ALONE...
1448
01:03:12,733 --> 01:03:14,433
AND IT HAS ITS MOMENTS.
1449
01:03:16,467 --> 01:03:19,133
BUT, MOSTLY, IT'S...
IT'S LONELY.
1450
01:03:20,733 --> 01:03:23,000
SO MY CORPORATE TOWNHOUSE
IS YOUR CORPORATE TOWNHOUSE.
1451
01:03:23,033 --> 01:03:25,667
UNTIL I LOSE IT,
WHICH SHOULD BE ANY DAY NOW,
1452
01:03:25,700 --> 01:03:28,167
AND THEN IT'S NEITHER OF OUR
CORPORATE TOWNHOUSE.
1453
01:03:29,733 --> 01:03:33,000
SOMETIMES, I WISH I COULD
JUST GO BACK,
1454
01:03:33,033 --> 01:03:34,667
BEFORE ALL THIS HAPPENED.
1455
01:03:34,700 --> 01:03:37,367
LIFE WAS SO MUCH EASIER.
1456
01:03:37,400 --> 01:03:39,433
WHO ARE YOU TRYING TO FOOL?
1457
01:03:40,833 --> 01:03:42,833
LOOK, MIRA...
1458
01:03:42,867 --> 01:03:44,300
YOU SPENT HALF YOUR LIFE
1459
01:03:44,333 --> 01:03:48,067
PLANNING OR FANTASIZING
ABOUT THE FUTURE.
1460
01:03:48,100 --> 01:03:49,867
WELL, THIS IS IT.
1461
01:03:49,900 --> 01:03:52,000
THIS IS YOUR FANTASY...
1462
01:03:52,033 --> 01:03:54,267
LIVE AND IN COLOR.
1463
01:03:56,033 --> 01:03:57,767
WELL, IT'S NOT
WHAT I SIGNED UP FOR,
1464
01:03:57,800 --> 01:03:59,733
AND IT'S OVER.
1465
01:03:59,767 --> 01:04:01,467
I'M DONE.
1466
01:04:09,967 --> 01:04:11,133
OH, HI. COME ON IN.
1467
01:04:11,167 --> 01:04:12,467
I WAS JUST THINKING--
1468
01:04:12,500 --> 01:04:13,467
ERIN?
1469
01:04:13,500 --> 01:04:15,267
I'M HERE TO TENDER
MY RESIGNATION.
1470
01:04:19,467 --> 01:04:21,133
WHAT ARE YOU TALKING ABOUT?
1471
01:04:21,167 --> 01:04:22,433
WITH ALL DUE RESPECT,
1472
01:04:22,467 --> 01:04:25,000
YOU SHOULD'VE MADE MICHAEL
VP OF CREATIVE DEVELOPMENT.
1473
01:04:25,033 --> 01:04:26,233
I WASN'T READY.
1474
01:04:26,267 --> 01:04:28,167
MY BRILLIANT IDEA THAT
CRASHED OURFRIENDS' SERVERS
1475
01:04:28,200 --> 01:04:30,033
WOULD'VE DONE
THE SAME THING TO US.
1476
01:04:30,067 --> 01:04:31,767
I CAN'T SEEM
TO MOTIVATE MY TEAM,
1477
01:04:31,800 --> 01:04:34,233
AND WE HAVE THREE WEEKS--
I HAVE NOTHING FOR YOU.
1478
01:04:34,267 --> 01:04:36,233
AS FAR AS YOUR TEAM GOES,
1479
01:04:36,267 --> 01:04:38,867
IT TAKES TIME
TO LEARN HOW TO LEAD.
1480
01:04:38,900 --> 01:04:40,267
IF YOU THOUGHT
YOU'D COME IN HERE
1481
01:04:40,300 --> 01:04:41,433
AND DO IT PERFECTLY,
1482
01:04:41,467 --> 01:04:42,900
YOU WERE DREAMING.
1483
01:04:42,933 --> 01:04:43,967
I WANT TO
INSPIRE MY TEAM
1484
01:04:44,000 --> 01:04:46,967
THE WAY YOU INSPIRE ME.
1485
01:04:47,000 --> 01:04:49,233
I DON'T--
I DON'T EVEN COME CLOSE.
1486
01:04:49,267 --> 01:04:51,733
OH, HONEY. YOU WILL.
1487
01:04:51,767 --> 01:04:53,333
IN TIME.
1488
01:04:53,367 --> 01:04:57,300
IT IS HOW WE RISE TO A CHALLENGE
THAT DEFINES US
1489
01:04:57,333 --> 01:05:00,333
AND THIS IS A DEFINING MOMENT
FOR YOU...
1490
01:05:01,400 --> 01:05:04,133
SO DON'T CHOOSE TO CRUMBLE.
1491
01:05:04,167 --> 01:05:05,533
AND BESIDES...
1492
01:05:05,567 --> 01:05:08,267
I DON'T ACCEPT
YOUR RESIGNATION.
1493
01:05:10,167 --> 01:05:11,400
SO YOU PROMISE
1494
01:05:11,433 --> 01:05:13,133
YOU'LL COME BACK
AND VISIT US?
1495
01:05:13,167 --> 01:05:15,200
I PROMISE.
1496
01:05:15,233 --> 01:05:17,433
OH, JONAH!
YOU'RE LEAVING US, HUH?
1497
01:05:18,833 --> 01:05:20,067
I AM.
1498
01:05:20,100 --> 01:05:23,000
I EXPECT AN AUTOGRAPHED COPY
OF THAT BOOK.
1499
01:05:23,033 --> 01:05:24,800
OF COURSE.
OUT OF THE FIRST RUN.
1500
01:05:24,833 --> 01:05:26,167
AND, UH...
1501
01:05:26,200 --> 01:05:27,500
THANKS FOR EVERYTHING.
1502
01:05:27,533 --> 01:05:29,167
I REALLY ENJOYED
WORKING FOR YOU.
1503
01:05:39,900 --> 01:05:41,500
LOOK...
1504
01:05:41,533 --> 01:05:43,900
IT'S NONE
OF MY BUSINESS,
1505
01:05:43,933 --> 01:05:44,967
BUT YOU MIGHT WANT
1506
01:05:45,000 --> 01:05:47,100
TO TELL HER
HOW YOU FEEL ABOUT HER.
1507
01:05:47,133 --> 01:05:48,833
SHE NEEDS TO KNOW.
1508
01:05:48,867 --> 01:05:50,833
WE ALL DO.
1509
01:05:56,900 --> 01:05:58,400
OKAY.
1510
01:06:02,067 --> 01:06:04,200
LIAM.
WHAT ARE YOU DOING HERE?
1511
01:06:04,233 --> 01:06:06,533
WELL, I HAVEN'T
SEEN YOU IN A FEW DAYS.
1512
01:06:06,567 --> 01:06:08,267
I KNOW HOW HARD
YOU'VE BEEN WORKING,
1513
01:06:08,300 --> 01:06:09,600
SO I WANTED
TO SURPRISE YOU.
1514
01:06:09,633 --> 01:06:12,200
THEY'RE SO LOVELY!
1515
01:06:12,233 --> 01:06:13,500
THANK YOU, LIAM.
1516
01:06:13,533 --> 01:06:15,400
OH, THOSE AREN'T THE SURPRISE.
1517
01:06:15,433 --> 01:06:16,900
THESE ARE.
1518
01:06:16,933 --> 01:06:20,233
TWO TICKETS TO KENNY CHESNEY
WITH BACKSTAGE PASSES.
1519
01:06:20,267 --> 01:06:22,467
I JUST MIGHT
KNOW THE BASS PLAYER.
1520
01:06:22,500 --> 01:06:24,867
OH, I DON'T REALLY
LIKE COUNTRY MUSIC.
1521
01:06:24,900 --> 01:06:26,233
KENNY CHESNEY'S COUNTRY, RIGHT?
1522
01:06:26,267 --> 01:06:27,933
YOU DON'T KNOW KENNY CHESNEY?
1523
01:06:27,967 --> 01:06:30,867
WELL, THAT'S WHY YOU THINK
YOU DON'T LIKE COUNTRY MUSIC.
1524
01:06:30,900 --> 01:06:31,967
I PROMISE YOU,
AFTER TONIGHT,
1525
01:06:32,000 --> 01:06:33,500
YOU'LL BE
ONE OF HIS BIGGEST FANS.
1526
01:06:33,533 --> 01:06:34,567
NO, YOU'RE NOT
LISTENING.
1527
01:06:34,600 --> 01:06:36,433
I REALLY DON'T LIKE
COUNTRY MUSIC.
1528
01:06:36,467 --> 01:06:37,967
LIKE, AT ALL.
1529
01:06:38,000 --> 01:06:40,467
WAIT...
1530
01:06:40,500 --> 01:06:41,467
TONIGHT?
1531
01:06:41,500 --> 01:06:45,267
YES. TONIGHT.
LIKE, RIGHT NOW.
1532
01:06:45,300 --> 01:06:47,067
LISTEN, MIRA,
I PROMISED YOU FUN,
1533
01:06:47,100 --> 01:06:48,133
AND NOW I'M DELIVERING,
1534
01:06:48,167 --> 01:06:49,533
SO STEP AWAY FROM YOUR STRESS,
1535
01:06:49,567 --> 01:06:51,900
AND LET'S BLOW OFF SOME STEAM.
1536
01:06:51,933 --> 01:06:54,233
EVEN IF I LOVED
COUNTRY MUSIC, LIAM,
1537
01:06:54,267 --> 01:06:56,533
I COULDN'T GO,
I HAVE A DEADLINE.
1538
01:06:56,567 --> 01:06:59,867
WELL, MIRA, YOU CAN GO,
YOU'RE THE BOSS.
1539
01:06:59,900 --> 01:07:01,067
WHICH MAKES IT
1540
01:07:01,100 --> 01:07:03,300
EVEN MORE IMPORTANT
THAT I STEP UP.
1541
01:07:06,667 --> 01:07:08,633
LISTEN, MIRA, I-I KNOW
1542
01:07:08,667 --> 01:07:11,100
THAT WE'VE ONLY BEEN
SEEING EACH OTHER
1543
01:07:11,133 --> 01:07:12,600
FOR A FEW MONTHS, BUT...
1544
01:07:13,667 --> 01:07:15,567
BUT I REALLY CARE ABOUT YOU,
1545
01:07:15,600 --> 01:07:17,200
AND I WANT THIS TO WORK,
1546
01:07:17,233 --> 01:07:19,633
BUT FOR-FOR
THAT TO HAPPEN,
1547
01:07:19,667 --> 01:07:21,567
WE HAVE TO ACTUALLY
SPEND TIME TOGETHER.
1548
01:07:21,600 --> 01:07:23,933
I-I KNOW,
BUT YOU JUST SPRUNG THIS ON ME.
1549
01:07:23,967 --> 01:07:26,267
I JUST THOUGHT
YOU'D BE EXCITED.
1550
01:07:32,167 --> 01:07:34,000
I'M GONNA GO.
1551
01:07:34,033 --> 01:07:35,667
OKAY.
1552
01:07:42,700 --> 01:07:46,367
LIAM AND I HAVE BEEN
DATING FOR THREE MONTHS
1553
01:07:46,400 --> 01:07:49,467
AND HE KNOWS NOTHING
ABOUT MY INTERESTS.
1554
01:07:49,500 --> 01:07:51,567
AND WHAT'S EVEN WORSE,
IT'S LIKE HE DOESN'T CARE.
1555
01:07:51,600 --> 01:07:54,000
HE JUST KEEPS
SPRINGING THINGS ON ME,
1556
01:07:54,033 --> 01:07:56,167
AND I FEEL LIKE I HAVE NO SAY
IN THIS RELATIONSHIP.
1557
01:07:56,200 --> 01:07:58,433
TSK. WELL, I THINK
WE JUST FOUND HIS FLAW.
1558
01:08:00,200 --> 01:08:01,533
BETWEEN THINGS
BEING WEIRD WITH HIM
1559
01:08:01,567 --> 01:08:03,233
AND LOSING JONAH,
1560
01:08:03,267 --> 01:08:05,767
I DON'T KNOW ANYTHING
ANYMORE.
1561
01:08:15,467 --> 01:08:17,600
OKAY. LISTEN.
1562
01:08:17,633 --> 01:08:19,200
PEOPLE LOVE TO UPDATE
THEIR STATUS
1563
01:08:19,233 --> 01:08:22,700
AND-AND-AND POST PICTURES
AND CHECK-IN LOCATIONS, RIGHT?
1564
01:08:22,733 --> 01:08:25,067
SO I'M THINKING WE USE
OUR SOCIAL NETWORKING SITE
1565
01:08:25,100 --> 01:08:26,233
AS THE HOME PAGE.
1566
01:08:26,267 --> 01:08:28,000
GOOD IDEA.
1567
01:08:28,033 --> 01:08:29,767
WE HAVEN'T CHOSEN
THE HOME PAGE YET.
1568
01:08:29,800 --> 01:08:31,233
LET'S DO IT!
1569
01:08:32,267 --> 01:08:34,500
REALLY? UM... GREAT!
1570
01:08:34,533 --> 01:08:35,600
I KNOW I HAVEN'T BEEN
1571
01:08:35,633 --> 01:08:37,167
VERY OPEN TO IDEAS,
1572
01:08:37,200 --> 01:08:39,000
BUT I'M WORKING ON THAT.
1573
01:08:39,033 --> 01:08:41,500
ACTUALLY,
I'M WORKING ON A FEW THINGS--
1574
01:08:41,533 --> 01:08:42,700
LIKE AN APOLOGY.
1575
01:08:42,733 --> 01:08:46,367
I HAVEN'T EXACTLY BEEN
THE BEST TEAM LEADER HERE.
1576
01:08:46,400 --> 01:08:49,200
LOOK, SOMETIMES, WE LEARN
FROM OTHER PEOPLE'S MISTAKES
1577
01:08:49,233 --> 01:08:50,333
BETTER THAN FROM OUR OWN.
1578
01:08:50,367 --> 01:08:51,433
I MEAN, BY WATCHING YOU,
1579
01:08:51,467 --> 01:08:53,300
I AM SEEING SO MUCH OF
WHAT I DID WRONG.
1580
01:08:53,333 --> 01:08:54,567
WOW!
1581
01:08:54,600 --> 01:08:56,033
OH! NO, THAT--
1582
01:08:56,067 --> 01:08:58,133
OKAY, THAT SOUNDED HARSH. UM...
1583
01:08:58,167 --> 01:09:00,233
LOOK.
1584
01:09:00,267 --> 01:09:02,667
THINK ABOUT IT. I...
1585
01:09:02,700 --> 01:09:05,200
I WAS YOU, OKAY?
1586
01:09:05,233 --> 01:09:07,533
AND IT DIDN'T GET ME
WHERE I WANTED TO GO.
1587
01:09:07,567 --> 01:09:09,800
YOU KNOW, I READ YOUR REPORT.
1588
01:09:09,833 --> 01:09:11,400
OH, YEAH? AND?
1589
01:09:11,433 --> 01:09:12,767
AND IT OCCURRED TO ME
1590
01:09:12,800 --> 01:09:14,567
THAT, OF COURSE,
YOU FOUND A TECHNICAL GLITCH,
1591
01:09:14,600 --> 01:09:16,533
BECAUSE THAT'S
YOUR AREA OF EXPERTISE.
1592
01:09:16,567 --> 01:09:17,600
I WAS SO FOCUSED
1593
01:09:17,633 --> 01:09:19,433
ON TRYING TO FIGURE IT
ALL OUT ON MY OWN,
1594
01:09:19,467 --> 01:09:23,233
THAT I FORGOT
THAT I DON'T KNOW EVERYTHING.
1595
01:09:23,267 --> 01:09:25,567
I SHOULD'VE LISTENED TO YOU.
1596
01:09:25,600 --> 01:09:28,400
AND I'M SORRY.
1597
01:09:28,433 --> 01:09:31,167
WELL, UM...
1598
01:09:31,200 --> 01:09:34,500
I THINK I OWE YOU
THE EXACT SAME APOLOGY.
1599
01:09:34,533 --> 01:09:36,533
ACCEPTED.
1600
01:09:36,567 --> 01:09:38,467
AND THANK YOU
FOR HAVING MY BACK.
1601
01:09:38,500 --> 01:09:39,667
ANYTIME.
1602
01:09:39,700 --> 01:09:41,600
AND I MEAN THAT.
1603
01:09:58,667 --> 01:10:02,100
SO, ANYWAY, IN THE END,
1604
01:10:02,133 --> 01:10:05,767
PEGGY REALIZES SHE DOESN'T
NEED THE JUNGLE TO BE HAPPY,
1605
01:10:05,800 --> 01:10:07,333
SHE CAN BE HAPPY
EXACTLY WHERE SHE IS,
1606
01:10:07,367 --> 01:10:09,600
AT HOME WITH THE PIGS.
1607
01:10:18,233 --> 01:10:19,367
HEY!
1608
01:10:19,400 --> 01:10:23,233
HEY! I CAN'T BELIEVE
YOU ACTUALLY CAME. OH!
1609
01:10:23,267 --> 01:10:25,633
I WAS TOLD
THERE WERE 15-CENT WINGS.
1610
01:10:25,667 --> 01:10:27,433
I MAY HAVE ORDERED 20.
1611
01:10:27,467 --> 01:10:29,567
WHAT ARE YOU, AN AMATEUR?
THAT'S NOT NEARLY ENOUGH!
1612
01:10:33,100 --> 01:10:34,333
YOU OKAY?
1613
01:10:35,767 --> 01:10:39,433
I'M FEELING A LITTLE LOST
WITHOUT YOU, ACTUALLY.
1614
01:10:39,467 --> 01:10:42,067
I THINK MY CREATIVE JUICES
ARE ON HOLIDAY.
1615
01:10:42,100 --> 01:10:44,200
WELL, YOU KNOW
WHAT YOU NEED?
1616
01:10:44,233 --> 01:10:46,733
OF COURSE I DO.
1617
01:10:47,733 --> 01:10:49,367
BARTENDER?
1618
01:10:54,167 --> 01:10:56,533
OOH! THE FLAMING FISHHOOKS
1619
01:10:56,567 --> 01:10:58,600
ARE STRONG TONIGHT.
1620
01:10:58,633 --> 01:10:59,733
WHEW.
1621
01:10:59,767 --> 01:11:02,533
SO YOUR CREATIVE JUICES
ARE ON HOLIDAY, HUH?
1622
01:11:02,567 --> 01:11:06,833
BRILLIANCE LIVES IN THE MOMENTS
OUTSIDE OF LUCIDITY.
1623
01:11:06,867 --> 01:11:09,200
LUCIDITY
IS DEFINITELY OVERRATED.
1624
01:11:09,233 --> 01:11:10,300
I PREFER FANTASY.
1625
01:11:10,333 --> 01:11:13,167
I'M EXCEPTIONALLY BRILLIANT
IN MY FANTASIES.
1626
01:11:13,200 --> 01:11:14,367
AND IN REALITY,
1627
01:11:14,400 --> 01:11:16,833
THINGS NEVER TURN OUT
THE WAY WE HOPE THEY WILL.
1628
01:11:18,400 --> 01:11:19,833
I KNOW YOU, MIRA.
1629
01:11:19,867 --> 01:11:22,200
I KNOW WHEN YOU'RE NOT HAPPY.
1630
01:11:22,233 --> 01:11:24,300
AM I THAT TRANSPARENT?
1631
01:11:24,333 --> 01:11:27,267
I MEAN, WHO GETS EVERYTHING
THEY'VE EVER DREAMT OF,
1632
01:11:27,300 --> 01:11:29,167
AND THEY'RE MORE MISERABLE
THAN BEFORE?
1633
01:11:29,200 --> 01:11:31,800
YOU MADE
A FEW APRIL FOOL'S JOKES.
1634
01:11:31,833 --> 01:11:35,167
YOU ASKED
AND YOU RECEIVED.
1635
01:11:35,200 --> 01:11:36,433
BUT THAT DOESN'T MEAN
1636
01:11:36,467 --> 01:11:39,700
YOU GET TO CONTROL
HOW IT ALL PLAYS OUT.
1637
01:11:39,733 --> 01:11:43,167
DO YOU KNOW THE ORIGINS
OF APRIL FOOL'S DAY?
1638
01:11:43,200 --> 01:11:44,167
NO.
1639
01:11:44,200 --> 01:11:45,500
OKAY.
1640
01:11:45,533 --> 01:11:46,900
SO, WAY BACK WHEN,
1641
01:11:46,933 --> 01:11:48,367
IN ORDER TO MAINTAIN CONTROL,
1642
01:11:48,400 --> 01:11:49,500
THE PEOPLE IN CHARGE
1643
01:11:49,533 --> 01:11:51,767
WOULD SEND UNDERLINGS
ON A "FOOL'S ERRAND"...
1644
01:11:51,800 --> 01:11:54,600
BUT THEY'D ONLY BE A FOOL
1645
01:11:54,633 --> 01:11:57,433
IF THEY ACCEPTED THE ERRAND.
1646
01:11:57,467 --> 01:11:59,667
MAYBE THE UNIVERSE WAS TRYING
TO TELL YOU SOMETHING.
1647
01:12:00,800 --> 01:12:02,700
WHAT? THAT I'M A FOOL?
1648
01:12:02,733 --> 01:12:04,633
THAT'S NOT WHAT
I'M TRYING TO SAY.
1649
01:12:06,533 --> 01:12:07,800
MAYBE...
1650
01:12:07,833 --> 01:12:09,567
THERE'S A ROAD
1651
01:12:09,600 --> 01:12:12,900
YOUR IMAGINATION
HASN'T THOUGHT OF YET.
1652
01:12:16,233 --> 01:12:17,667
MAYBE YOU SHOULD...
1653
01:12:17,700 --> 01:12:19,567
GIVE THAT ROAD A TRY.
1654
01:12:22,267 --> 01:12:24,900
AND WHAT ROAD WOULD THAT BE?
1655
01:12:28,900 --> 01:12:30,400
ME, MIRA.
1656
01:12:31,900 --> 01:12:33,767
ME.
1657
01:12:39,333 --> 01:12:40,700
JONAH, I'M SORRY--
1658
01:12:40,733 --> 01:12:42,967
I KNOW.
1659
01:12:43,000 --> 01:12:45,267
I'M NOT A PART OF THE FANTASY.
1660
01:12:49,600 --> 01:12:51,333
YOU KNOW WHAT?
1661
01:12:51,367 --> 01:12:52,700
I, UH...
1662
01:12:52,733 --> 01:12:55,333
PREFER REALITY.
1663
01:13:00,667 --> 01:13:02,000
JONAH?
1664
01:13:05,533 --> 01:13:07,433
GOOD LUCK WITH THE SITE, MIRA.
1665
01:13:07,467 --> 01:13:09,900
I HOPE IT'S A HUGE SUCCESS.
1666
01:13:14,033 --> 01:13:16,000
JONAH.
1667
01:13:26,900 --> 01:13:28,567
SO WHAT DID YOU
SAY TO THAT?
1668
01:13:28,600 --> 01:13:30,500
I DIDN'T KNOW
WHAT TO SAY,
1669
01:13:30,533 --> 01:13:32,000
AND HE JUST LEFT.
1670
01:13:32,033 --> 01:13:33,600
HE SEEMED REALLY ANGRY.
1671
01:13:33,633 --> 01:13:35,567
WELL, SOMETIMES,
OTHER EMOTIONS
1672
01:13:35,600 --> 01:13:37,500
CAN WEAR
AN "ANGER COSTUME."
1673
01:13:37,533 --> 01:13:38,867
IT WAS SUPER-AWKWARD.
1674
01:13:38,900 --> 01:13:40,733
OR SUPER-AMAZING.
1675
01:13:40,767 --> 01:13:44,467
I MEAN, HE JUST TOLD YOU
HE HAS FEELINGS FOR YOU!
1676
01:13:44,500 --> 01:13:47,333
AND NOBODY MAKES YOU
AS HAPPY AS THIS GUY.
1677
01:13:47,367 --> 01:13:48,500
I MEAN, YOU HAVE
THE SAME SENSE OF HUMOR,
1678
01:13:48,533 --> 01:13:49,667
THE SAME LIKES.
1679
01:13:49,700 --> 01:13:51,867
THAT'S WHAT MAKES
A RELATIONSHIP.
1680
01:13:51,900 --> 01:13:53,000
I DON'T KNOW.
1681
01:13:53,033 --> 01:13:55,000
I JUST NEVER THOUGHT
ABOUT HIM THAT WAY.
1682
01:13:55,033 --> 01:13:58,300
HE'S ALWAYS JUST BEEN
MY BUDDY, JONAH.
1683
01:13:58,333 --> 01:13:59,600
AND NOW?
1684
01:13:59,633 --> 01:14:01,733
AND HOW I NEED TO
RETHINK EVERYTHING!
1685
01:14:01,767 --> 01:14:02,833
-EVERYTHING?
-EVERYTHING!
1686
01:14:02,867 --> 01:14:04,800
I PLAYED THESE PRANKS
AND NOW I FEEL LIKE
1687
01:14:04,833 --> 01:14:06,633
I'M THE ONE GOING
ON A FOOL'S ERRAND.
1688
01:14:06,667 --> 01:14:08,800
I...
1689
01:14:08,833 --> 01:14:11,333
I DON'T WANT TO BE
THE FOOL ANYMORE, SOPHIE.
1690
01:14:11,367 --> 01:14:13,700
I NEED TO REFUSE
THE ERRAND.
1691
01:14:13,733 --> 01:14:15,400
ALL OF THE ERRANDS.
1692
01:14:34,833 --> 01:14:36,967
YOU'RE NOT MY HOME.
1693
01:14:47,067 --> 01:14:48,667
ARE YOU WATCHING SHELLY?
1694
01:14:48,700 --> 01:14:51,400
OF COURSE WE ARE.
IT'S THE FINALE.
1695
01:14:51,433 --> 01:14:52,800
ROOM FOR ONE MORE?
1696
01:14:52,833 --> 01:14:54,700
COME IN.
1697
01:14:54,733 --> 01:14:56,833
HI!
1698
01:14:56,867 --> 01:14:58,833
SHELLY LOOKS FOR LOVE.
1699
01:14:58,867 --> 01:15:00,000
I'M SUPER EXCITED.
1700
01:15:04,000 --> 01:15:07,667
I'M SORRY
THAT I'VE BEEN SO UNAVAILABLE.
1701
01:15:07,700 --> 01:15:09,067
I'VE MISSED YOU GUYS.
1702
01:15:09,100 --> 01:15:11,967
WE MISSED YOU, TOO.
1703
01:15:13,100 --> 01:15:16,167
I USED TO ALWAYS THINK
I'D LOVE LIVING ALONE,
1704
01:15:16,200 --> 01:15:18,133
BUT I USED TO THINK
A LOT OF THINGS.
1705
01:15:19,933 --> 01:15:20,867
I LOVE THIS.
1706
01:15:20,900 --> 01:15:24,567
ME, MIRA, KELSEA,
AND SHELLY.
1707
01:15:24,600 --> 01:15:26,400
BACK TOGETHER AGAIN.
1708
01:15:27,767 --> 01:15:29,633
IT'S THE BEST.
1709
01:15:29,667 --> 01:15:30,833
BUT...
1710
01:15:30,867 --> 01:15:32,900
BROOKE, WE REALLY DO
NEED TO MOVE.
1711
01:15:32,933 --> 01:15:35,033
I ALREADY MISS MY BATHTUBS.
1712
01:15:37,100 --> 01:15:38,167
CHEERS.
1713
01:15:38,200 --> 01:15:39,767
CHEERS.
1714
01:15:56,700 --> 01:15:58,733
SO LISTEN,
I HAVE TO RALLY THE TEAM
1715
01:15:58,767 --> 01:16:00,133
AND BRING EVERYONE BACK TOGETHER
1716
01:16:00,167 --> 01:16:01,833
AND I NEED YOUR HELP.
1717
01:16:01,867 --> 01:16:04,033
OOH... I DON'T KNOW.
1718
01:16:05,167 --> 01:16:06,667
KIDDING! YES. OF COURSE.
1719
01:16:21,500 --> 01:16:22,767
LISTEN UP.
1720
01:16:22,800 --> 01:16:24,067
I KNOW THE PAST COUPLE OF MONTHS
1721
01:16:24,100 --> 01:16:25,767
HAVE BEEN GRUELING
WITH LITTLE REWARD,
1722
01:16:25,800 --> 01:16:27,800
AND I HAVE BEEN
LESS THAN STELLAR AS A BOSS,
1723
01:16:27,833 --> 01:16:30,700
AND THAT BREAKFAST
WON'T FIX EVERYTHING...
1724
01:16:30,733 --> 01:16:32,067
-IT COULDN'T HURT.
-BUT I NEED YOUR HELP.
1725
01:16:32,100 --> 01:16:33,067
ALL OF YOU.
1726
01:16:33,100 --> 01:16:34,167
WE ALL HAVE STRENGTHS,
1727
01:16:34,200 --> 01:16:35,700
AND WE NEED TO POOL
OUR COLLECTIVE RESOURCES
1728
01:16:35,733 --> 01:16:37,833
AND COME UP
WITH THE NEW DESIGN TOGETHER.
1729
01:16:37,867 --> 01:16:39,733
I KNOW
I HAVEN'T BEEN VERY OPEN,
1730
01:16:39,767 --> 01:16:41,900
BUT I'M READY TO LISTEN NOW,
REALLY READY.
1731
01:16:41,933 --> 01:16:46,633
MIRA AND I HAVE COLLECTED
SOME ITEMS THAT INSPIRED US,
1732
01:16:46,667 --> 01:16:49,000
SO FEEL FREE TO GRAB
SOME MATERIALS FROM YOUR DESKS,
1733
01:16:49,033 --> 01:16:50,200
AND ADD THEM
TO THE MIX.
1734
01:16:50,233 --> 01:16:52,633
NOW LET'S GRAB
SOMETHING FROM THIS PILE,
1735
01:16:52,667 --> 01:16:54,700
AND GET READY FOR THE MOTHER
OF ALL BRAINSTORMING SESSIONS.
1736
01:16:54,733 --> 01:16:56,133
I WANT TO HEAR
ALL OF YOUR IDEAS--
1737
01:16:56,167 --> 01:16:57,233
THE GOOD, THE BAD...
1738
01:16:57,267 --> 01:16:58,833
SO PEOPLE DON'T HAVE
THE ABILITY
1739
01:16:58,867 --> 01:17:01,167
TO DECORATE THEIR HOMES
AS MUCH ANYMORE,
1740
01:17:01,200 --> 01:17:03,733
SO THEY MIGHT ACTUALLY WANT
TO DECORATE THEIR SITES, RIGHT?
1741
01:17:03,767 --> 01:17:05,933
WE'LL TAKE PICTURES
OF OBJECTS...
1742
01:17:08,233 --> 01:17:10,033
YES! WE NEED
A "DISLIKE" BUTTON.
1743
01:17:10,067 --> 01:17:12,033
EVERYBODY'S "LIKING"
EVERYTHING, RIGHT?
1744
01:17:12,067 --> 01:17:13,700
WHAT IF IT LOOKS
LIKE A PHOTO ALBUM,
1745
01:17:13,733 --> 01:17:15,200
AND YOU TURN THE PAGE
TO REPRESENT A DIFFERENT SITE?
1746
01:17:15,233 --> 01:17:16,233
THAT'S INTERESTING.
1747
01:17:16,267 --> 01:17:17,700
OKAY, YOU GUYS--
1748
01:17:17,733 --> 01:17:19,600
WHAT ABOUT INTEGRATING A GALLERY
RIGHT INTO THE DESIGN?
1749
01:17:19,633 --> 01:17:20,733
YEAH!
1750
01:17:20,767 --> 01:17:23,100
-THAT MONET RIGHT THERE--
THOSE ARE OUR COLORS.
1751
01:17:25,167 --> 01:17:27,833
OURFRIENDS IS DOING
THE THREE-FOLD SITE,
1752
01:17:27,867 --> 01:17:30,100
BUT WHAT IF WE DO
A SIX-FOLD SITE?
1753
01:17:30,133 --> 01:17:31,167
EVERYONE HAS SIX WEBSITES
1754
01:17:31,200 --> 01:17:32,700
THAT THEY FREQUENT
ON A REGULAR BASIS.
1755
01:17:32,733 --> 01:17:34,600
THE THREE-FOLD SITE
CRASHES SERVERS.
1756
01:17:34,633 --> 01:17:35,867
WHAT WOULD SIX DO?
1757
01:17:35,900 --> 01:17:37,800
YEAH, BUT MICHAEL CAME UP
WITH A FIX FOR THAT.
1758
01:17:37,833 --> 01:17:39,033
YEAH, THE SERVERS
HAVE ALREADY BEEN BACKED UP
1759
01:17:39,067 --> 01:17:40,867
AND RECONFIGURED,
SO IT CAN HANDLE THE OVERFLOW.
1760
01:17:40,900 --> 01:17:41,867
THAT'S A GREAT IDEA.
1761
01:18:03,167 --> 01:18:04,367
YOU GUYS...
1762
01:18:04,400 --> 01:18:05,900
I THINK WE GOT IT.
1763
01:18:05,933 --> 01:18:07,367
IT'S A CUBE,
ONE GIANT GALLERY OF DATA.
1764
01:18:07,400 --> 01:18:08,900
ONE CLICK
TO SPIN THE CUBE
1765
01:18:08,933 --> 01:18:10,133
TO ANOTHER SIDE.
1766
01:18:10,167 --> 01:18:11,867
THERE'S YOUR DATA,
PULLED FROM THE NEXT SITE.
1767
01:18:11,900 --> 01:18:13,700
VOILA!
1768
01:18:13,733 --> 01:18:15,067
I'M LIKING THIS.
1769
01:18:15,100 --> 01:18:17,200
WE USE THE YOURPAGE
PERSONAL NETWORKING SITE
1770
01:18:17,233 --> 01:18:18,800
AS OUR HOME PAGE--
1771
01:18:18,833 --> 01:18:20,667
MICHAEL'S IDEA--
AND THEN SPIN THE CUBE AGAIN,
1772
01:18:20,700 --> 01:18:22,867
AND YOU'RE ON THE DATING SITE,
FOR THE SINGLES.
1773
01:18:22,900 --> 01:18:24,167
I'LL BE
USING THAT ONE.
1774
01:18:25,933 --> 01:18:27,133
AND BECAUSE
EACH SIDE OF THE CUBE
1775
01:18:27,167 --> 01:18:28,633
IS TREATED AS
PART OF THE WHOLE,
1776
01:18:28,667 --> 01:18:30,133
OUR SERVERS
WON'T TAKE A HIT.
1777
01:18:30,167 --> 01:18:32,033
MICHAEL FIGURED OUT WHAT CRASHED
OURFRIENDS' SERVERS,
1778
01:18:32,067 --> 01:18:33,167
AND CAME UP
WITH THIS BYPASS.
1779
01:18:33,200 --> 01:18:34,633
IT IS BRILLIANT!
1780
01:18:34,667 --> 01:18:36,100
AND I LOVE THE COLOR SCHEME!
1781
01:18:36,133 --> 01:18:37,733
THAT WAS ALL SUSAN.
1782
01:18:37,767 --> 01:18:39,300
MM.
1783
01:18:39,333 --> 01:18:41,367
IT'S PERFECT.
IT'S PERFECT.
1784
01:18:41,400 --> 01:18:44,067
NOW WE'LL HAVE SOMETHING
TO SHOW AT THE LAUNCH.
1785
01:18:44,100 --> 01:18:45,967
MM!
1786
01:18:55,833 --> 01:18:58,033
WHAT ARE YOU DOING HERE?
1787
01:18:58,067 --> 01:19:00,167
I WAS HOPING
TO TAKE YOU FOR DINNER.
1788
01:19:00,200 --> 01:19:02,233
OH.
1789
01:19:02,267 --> 01:19:04,433
LIAM, CAN WE TALK?
1790
01:19:06,000 --> 01:19:07,867
SURE.
1791
01:19:10,700 --> 01:19:13,667
LIAM, YOU'RE WONDERFUL,
1792
01:19:13,700 --> 01:19:16,067
AND YOU'RE KIND...
1793
01:19:16,100 --> 01:19:18,200
AND GENEROUS
1794
01:19:18,233 --> 01:19:20,400
AND QUITE HONESTLY,
PERFECT.
1795
01:19:21,767 --> 01:19:24,200
YOU'RE JUST
NOT PERFECT FOR ME,
1796
01:19:24,233 --> 01:19:26,467
AND I'M NOT PERFECT
FOR YOU EITHER.
1797
01:19:29,200 --> 01:19:30,900
I'VE KIND OF BEEN
1798
01:19:30,933 --> 01:19:33,933
GETTING THAT SAME
FEELING, TOO, LATELY.
1799
01:19:35,767 --> 01:19:38,067
I MEAN, WHO DOESN'T
LIKE KENNY CHESNEY?
1800
01:19:41,867 --> 01:19:43,900
HMM...
1801
01:19:43,933 --> 01:19:46,833
I'M GOING TO MISS YOU, MIRA.
1802
01:19:46,867 --> 01:19:49,067
I'M GONNA MISS YOU, TOO,
1803
01:19:49,100 --> 01:19:53,067
AND I REALLY DO WISH YOU
THE BEST IN EVERYTHING.
1804
01:20:01,367 --> 01:20:03,000
THANK YOU ALL FOR JOINING US
1805
01:20:03,033 --> 01:20:07,267
TO CELEBRATE THE EVENT OF
OUR NEW SITE GOING LIVE TODAY.
1806
01:20:09,233 --> 01:20:11,067
I'M HAPPY TO ANNOUNCE
1807
01:20:11,100 --> 01:20:14,133
THAT WE ARE ADDING PROFILES
IN DROVES,
1808
01:20:14,167 --> 01:20:16,233
AND OUR SERVERS
ARE DOING JUST FINE!
1809
01:20:16,267 --> 01:20:18,100
LOOK AT EVERYTHING
YOU'VE ACCOMPLISHED--
1810
01:20:18,133 --> 01:20:19,233
WE'RE LIVE AND IT'S A HIT.
1811
01:20:19,267 --> 01:20:20,833
WHAT WE'VE ACCOMPLISHED,
MICHAEL.
1812
01:20:20,867 --> 01:20:22,400
I CANNOT TAKE
ALL THE CREDIT.
1813
01:20:22,433 --> 01:20:24,833
I MUST CONGRATULATE
1814
01:20:24,867 --> 01:20:27,667
THE TEAM RESPONSIBLE
FOR THIS AMAZING INTERFACE.
1815
01:20:27,700 --> 01:20:31,667
MIRA, MICHAEL...
YOUR ENTIRE TEAM.
1816
01:20:31,700 --> 01:20:33,700
BRILLIANT WORK.
1817
01:20:33,733 --> 01:20:36,033
AND NOW THAT THE WORK
IS ALL DONE,
1818
01:20:36,067 --> 01:20:37,033
IT'S TIME TO PARTY.
1819
01:20:39,700 --> 01:20:41,033
LET'S HUG IT OUT.
1820
01:20:42,133 --> 01:20:44,233
-CONGRATS.
-YOU TOO.
1821
01:20:46,367 --> 01:20:47,667
-MICHAEL. MICHAEL.
-WE DID IT.
1822
01:20:47,700 --> 01:20:48,900
OHH.
1823
01:20:51,433 --> 01:20:54,200
I'M SO SORRY I'M LATE!
1824
01:20:54,233 --> 01:20:56,133
CONGRATULATIONS.
I'M SO PROUD OF YOU.
1825
01:20:56,167 --> 01:20:57,200
THANK YOU,
AND THANK YOU
1826
01:20:57,233 --> 01:20:58,767
FOR BEING MY DATE
AT THE LAST MINUTE.
1827
01:20:58,800 --> 01:21:00,933
OH, SWEETIE. ANY TIME.
1828
01:21:02,167 --> 01:21:03,400
YOU OKAY?
1829
01:21:03,433 --> 01:21:05,800
YEAH. BREAKING UP WITH HIM
WAS THE RIGHT THING TO DO.
1830
01:21:05,833 --> 01:21:07,800
OF COURSE IT WAS.
1831
01:21:07,833 --> 01:21:09,500
CHAMPAGNE?
1832
01:21:09,533 --> 01:21:10,767
YES, PLEASE.
1833
01:21:15,467 --> 01:21:17,000
OH, THANK YOU.
1834
01:21:26,433 --> 01:21:28,267
HEY! JERRY!
1835
01:21:28,300 --> 01:21:30,100
THIS IS, UH,
JERRY AND SUSAN.
1836
01:21:30,133 --> 01:21:31,233
NICE TO MEET YOU.
1837
01:21:31,267 --> 01:21:32,500
WHERE HAVE
YOU GUYS BEEN?
1838
01:21:32,533 --> 01:21:35,200
UM...
1839
01:21:35,233 --> 01:21:37,067
JONAH'S
BOOK SIGNING.
1840
01:21:37,100 --> 01:21:38,233
SORRY WE DUCKED OUT
FOR A FEW.
1841
01:21:38,267 --> 01:21:40,200
NO! IT'S FINE.
YOU SHOULD...
1842
01:21:40,233 --> 01:21:41,933
BE THERE TO SUPPORT HIM.
WAS THERE A GOOD TURNOUT?
1843
01:21:41,967 --> 01:21:43,967
A GREAT TURNOUT.
1844
01:21:45,033 --> 01:21:46,100
COOL! DID-- DID YOU...
1845
01:21:46,133 --> 01:21:47,233
YEAH, YEAH. I HAVE
YOUR COPY RIGHT HERE.
1846
01:21:47,267 --> 01:21:49,067
CHECK IT OUT.
1847
01:21:49,100 --> 01:21:50,100
YOU NEED TO TALK TO HIM.
1848
01:21:50,133 --> 01:21:51,200
HE CLEARLY HATES ME.
1849
01:21:51,233 --> 01:21:53,733
HE DIDN'T EVEN INVITE ME
TO HIS BOOK SIGNING.
1850
01:21:53,767 --> 01:21:55,233
HE LOVES YOU.
1851
01:21:55,267 --> 01:21:56,833
HE'S JUST HURT.
1852
01:21:56,867 --> 01:21:58,233
THAT'S WHY YOU NEED TO GO
TO HIS BOOK SIGNING. NOW.
1853
01:21:58,267 --> 01:21:59,233
I DON'T KNOW.
1854
01:21:59,267 --> 01:22:00,300
HONEY...
1855
01:22:00,333 --> 01:22:01,900
GO!
1856
01:22:09,333 --> 01:22:11,200
A MILLION CABS IN THIS CITY
1857
01:22:11,233 --> 01:22:13,300
AND NOT A SINGLE ONE
WHEN YOU NEED IT.
1858
01:22:28,200 --> 01:22:29,967
HMPH.
1859
01:23:06,600 --> 01:23:09,533
HEY! DO YOU WANT
YOUR USUAL TABLE?
1860
01:23:09,567 --> 01:23:11,967
NO, I THINK I'M GONNA JUST
SIT AT THE BAR TONIGHT.
1861
01:23:12,000 --> 01:23:13,267
OH!
1862
01:23:25,633 --> 01:23:27,400
FLAMING FISHHOOK, PLEASE.
1863
01:23:27,433 --> 01:23:28,533
MAKE THAT TWO.
1864
01:23:30,100 --> 01:23:31,567
WHAT ARE YOU DOING HERE?
1865
01:23:31,600 --> 01:23:33,567
I WENT UPSTAIRS
TO YOUR PARTY,
1866
01:23:33,600 --> 01:23:34,867
BUT YOU WEREN'T THERE,
1867
01:23:34,900 --> 01:23:37,367
SO I THOUGHT
THE NEXT BEST THING,
1868
01:23:37,400 --> 01:23:38,867
COME TO
OUR FAVORITE PLACE.
1869
01:23:38,900 --> 01:23:40,067
I WENT TO
YOUR BOOK SIGNING,
1870
01:23:40,100 --> 01:23:41,233
AND YOU WEREN'T THERE.
1871
01:23:41,267 --> 01:23:42,267
I DIDN'T WANT TO MISS
1872
01:23:42,300 --> 01:23:43,433
THE MOST IMPORTANT NIGHT
OF YOUR LIFE,
1873
01:23:43,467 --> 01:23:45,167
EVEN IF
I WASN'T INVITED.
1874
01:23:45,200 --> 01:23:47,867
I DIDN'T WANT
TO MISS YOURS EITHER.
1875
01:23:47,900 --> 01:23:50,100
I'M SORRY I WAS LATE.
1876
01:23:50,133 --> 01:23:51,967
HEY! NO. I GET IT.
1877
01:23:52,000 --> 01:23:53,967
YOU, UH, YOU HAD
STUFF TO DO.
1878
01:23:54,000 --> 01:23:56,467
I'M SORRY
I DIDN'T INVITE YOU.
1879
01:23:56,500 --> 01:23:58,333
I, UH...
1880
01:24:03,067 --> 01:24:04,967
I SIGNED IT FOR YOU,
1881
01:24:05,000 --> 01:24:07,633
FOR... WHEN
I MIGHT SEE YOU LATER.
1882
01:24:07,667 --> 01:24:09,700
YOU WERE GOING TO SEE ME LATER?
1883
01:24:10,967 --> 01:24:14,600
I CAN'T STOP THINKING ABOUT
WHEN I MIGHT SEE YOU LATER.
1884
01:24:16,133 --> 01:24:18,067
I THOUGHT YOU HATED ME.
1885
01:24:18,100 --> 01:24:20,200
YOU INFURIATE ME, MIRA.
1886
01:24:21,200 --> 01:24:23,533
THERE'S A BIG DIFFERENCE.
1887
01:24:33,733 --> 01:24:35,733
THANK YOU, JONAH.
1888
01:24:37,367 --> 01:24:39,067
THAT'S... THAT'S BEAUTIFUL.
1889
01:24:43,967 --> 01:24:45,567
SO LISTEN.
1890
01:24:46,633 --> 01:24:49,633
YOURPAGE IS UNDER CONTROL,
1891
01:24:49,667 --> 01:24:52,700
AND THE NEW CUBE DESIGN
IS A HIT,
1892
01:24:52,733 --> 01:24:55,600
AND...
1893
01:24:56,967 --> 01:24:59,000
I NEED YOU BACK.
1894
01:25:00,500 --> 01:25:02,067
MIRA, I'M NOT...
1895
01:25:02,100 --> 01:25:04,000
I'M NOT COMING BACK
TO YOURPAGE.
1896
01:25:04,033 --> 01:25:06,000
I'M SURE YOU CAN FIND
1897
01:25:06,033 --> 01:25:08,233
ANOTHER DESIGNER
TO DO YOUR BIDDING.
1898
01:25:08,267 --> 01:25:11,467
I'M NOT SAYING
YOURPAGE NEEDS YOU BACK.
1899
01:25:16,067 --> 01:25:18,767
I'M SAYING I NEED YOU BACK.
1900
01:25:20,733 --> 01:25:22,233
MIRA?
1901
01:25:22,267 --> 01:25:25,500
I CAN STOP
FANTASIZING ABOUT THE FUTURE
1902
01:25:25,533 --> 01:25:27,467
BECAUSE
TODAY IS PERFECT.
1903
01:25:27,500 --> 01:25:30,333
RIGHT NOW,
THIS IS PERFECT.
1904
01:25:33,033 --> 01:25:34,367
NOTHING'S PERFECT.
1905
01:25:34,400 --> 01:25:37,600
TRUE. BUT...
1906
01:25:37,633 --> 01:25:39,800
YOU'RE PERFECT FOR ME.
1907
01:25:45,267 --> 01:25:46,467
KISS ME, EARL.
124224
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