subtitlecat.com

All language subtitles for Lucky.in.Love.2014.1080p.WEBRip.x265-RARBG

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch Download

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French Download

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian Download

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,900 --> 00:00:04,900 [**] 2 00:00:11,900 --> 00:00:14,200 I KNEW YOU TWO WOULD HIT IT OFF. 3 00:00:16,400 --> 00:00:18,467 [**] 4 00:00:18,500 --> 00:00:21,500 MIRA, THE NEW RUG IS TO DIE FOR! 5 00:00:21,533 --> 00:00:23,900 OH, IT'S JUST A LITTLE SOMETHING LIAM AND I PICKED UP IN BALI. 6 00:00:25,967 --> 00:00:28,000 MY LOVE, IT'S YOUR OFFICE. THEY SAY IT'S URGENT. 7 00:00:28,033 --> 00:00:29,933 [SMOOCH] 8 00:00:31,000 --> 00:00:32,100 I'M SORRY, FOLKS. 9 00:00:32,133 --> 00:00:33,467 OCCUPATIONAL HAZARD 10 00:00:33,500 --> 00:00:35,900 WHEN YOU'RE RUNNING A FORTUNE 500 COMPANY. 11 00:00:35,933 --> 00:00:37,033 MIRA! THANK GOODNESS YOU'RE HERE! 12 00:00:37,067 --> 00:00:39,067 WE TRIED TO HANDLE IT, BUT WE NEEDED YOU. 13 00:00:39,100 --> 00:00:41,633 [HEARTY APPLAUSE RISES] 14 00:00:47,467 --> 00:00:50,167 ALRIGHT, I'M HERE TO HANDLE THE PROBLEM. 15 00:00:50,200 --> 00:00:51,167 TELL ME EVERYTHING. 16 00:00:51,200 --> 00:00:54,333 [PERSISTENT BEEPING BEGINS] 17 00:00:54,367 --> 00:00:55,600 WHAT'S THAT NOISE? 18 00:00:55,633 --> 00:00:58,233 PROBABLY ANOTHER PROBLEM ONLY YOU CAN FIX. 19 00:01:00,500 --> 00:01:03,733 [ALARM CLOCK BEEPING] 20 00:01:11,267 --> 00:01:13,967 [WHACK] 21 00:01:20,333 --> 00:01:22,700 [**] 22 00:01:26,600 --> 00:01:29,000 AND BACK TO REAL LIFE WE GO. 23 00:01:29,033 --> 00:01:30,533 MORNING! 24 00:01:32,233 --> 00:01:33,467 [DOOR SHUTS] 25 00:01:33,500 --> 00:01:34,667 REALLY? 26 00:01:34,700 --> 00:01:37,267 -[SHOWER RUNNING] -OUT IN A JIFF! 27 00:01:38,500 --> 00:01:41,100 [**] 28 00:01:43,200 --> 00:01:44,433 [DOORS DING] 29 00:01:44,467 --> 00:01:46,933 MORNING. WHOA-WHOA! [LAUGHS] 30 00:01:46,967 --> 00:01:48,700 DID YOU GET ANY SLEEP LAST NIGHT? 31 00:01:48,733 --> 00:01:51,333 THE MOST SUCCESSFUL PEOPLE EXIST ON MINIMAL SLEEP-- 32 00:01:51,367 --> 00:01:53,467 OPRAH, OBAMA, THE DALAI LAMA-- 33 00:01:53,500 --> 00:01:57,000 THAT'S HOW YOU BECOME THE CEO OF A FORTUNE 500 COMPANY. 34 00:01:57,033 --> 00:02:00,767 YEAH, PRETTY SURE THE DALAI LAMA ISN'T THE CEO OF ANYTHING. 35 00:02:00,800 --> 00:02:03,500 I'M PRETTY SURE HE COULD, IF HE WANTED TO. 36 00:02:03,533 --> 00:02:04,633 [BOTH CHUCKLING] 37 00:02:04,667 --> 00:02:06,067 [**] 38 00:02:06,100 --> 00:02:07,500 SPEAKING OF. 39 00:02:07,533 --> 00:02:10,533 CEO ALERT. 40 00:02:10,567 --> 00:02:12,700 GOOD MORNING. 41 00:02:14,633 --> 00:02:16,633 [WHISPERS]: I'M GONNA BE HER SOMEDAY. 42 00:02:16,667 --> 00:02:18,267 I DON'T DOUBT IT FOR A SECOND. 43 00:02:18,300 --> 00:02:20,400 THE LIGHTNING COULD STRIKE AT ANY MOMENT, 44 00:02:20,433 --> 00:02:22,067 AND I WILL BE READY. 45 00:02:22,100 --> 00:02:23,767 SPEAKING OF, DID YOU GET YOUR PROPOSAL FINISHED? 46 00:02:23,800 --> 00:02:26,033 I DID, NOW I JUST NEED MICHAEL TO CONSIDER IT. 47 00:02:26,067 --> 00:02:27,033 IF HE LIKES MY IDEA, 48 00:02:27,067 --> 00:02:28,400 THEN EVERYTHING I'VE BEEN PREPARING FOR 49 00:02:28,433 --> 00:02:29,600 COULD COME TO FRUITION. 50 00:02:29,633 --> 00:02:30,567 LIGHTNING. 51 00:02:30,600 --> 00:02:32,267 EXACTLY! AND WITH MY BIG IDEAS 52 00:02:32,300 --> 00:02:34,367 AND YOUR BRILLIANT DESIGN SKILLS-- 53 00:02:34,400 --> 00:02:36,267 YEAH, ABOUT THAT. 54 00:02:36,300 --> 00:02:38,000 THERE'S SOMETHING I NEED TO TELL YOU. 55 00:02:38,033 --> 00:02:41,167 I ACCEPTED A JOB AT OURFRIENDS. I'M LEAVING YOURPAGE. 56 00:02:41,200 --> 00:02:43,767 JONAH! YOU'RE THE BEST GRAPHIC ARTIST WE'VE GOT. 57 00:02:43,800 --> 00:02:46,033 YOU CAN'T GO TO OUR BIGGEST COMPETITORS. 58 00:02:46,067 --> 00:02:47,433 APRIL FOOL'S. 59 00:02:47,467 --> 00:02:49,700 -[SMACK] -DO NOT DO THAT TO ME. 60 00:02:49,733 --> 00:02:51,033 [CHUCKLES] COME ON. 61 00:02:51,067 --> 00:02:53,133 I'M JUST HAVING A LITTLE FUN WITH YOU. 62 00:02:53,167 --> 00:02:54,567 FUN? YOU JUST GAVE ME A HEART ATTACK. 63 00:02:54,600 --> 00:02:56,100 APRIL FOOL'S IS HAZARDOUS TO OUR HEALTH 64 00:02:56,133 --> 00:02:57,367 AND, FOR THE GOOD OF MANKIND, 65 00:02:57,400 --> 00:02:59,000 IT SHOULD BE ABOLISHED. 66 00:02:59,033 --> 00:03:00,500 RELAX. I WOULD NEVER GO TO OURFRIENDS. 67 00:03:00,533 --> 00:03:02,100 THEIR INTERFACE REQUIRES 68 00:03:02,133 --> 00:03:04,333 A TWO-STEP AUTHENTICATION PROCESS 69 00:03:04,367 --> 00:03:05,467 JUST TO RESPOND TO A POST. 70 00:03:05,500 --> 00:03:07,533 NO, THANK YOU. USER-UNFRIENDLY. 71 00:03:07,567 --> 00:03:09,500 ALRIGHT. YOU ARE FORGIVEN. 72 00:03:09,533 --> 00:03:11,367 BUT I WILL SAY, 73 00:03:11,400 --> 00:03:13,067 I'M READY FOR APRIL 2nd. 74 00:03:13,100 --> 00:03:14,767 WHAT IS YOUR AVERSION TO APRIL FOOL'S DAY? 75 00:03:14,800 --> 00:03:17,233 SILLY JOKES ARE NOT GOING TO GET ME TO THE EXECUTIVE SUITE. 76 00:03:17,267 --> 00:03:18,833 I PREFER TO STAY ON-TRACK. 77 00:03:18,867 --> 00:03:21,333 RIGHT. BECAUSE THERE'S A LIGHTNING STORM COMING. 78 00:03:22,667 --> 00:03:24,667 OKAY, PEOPLE. LISTEN UP. 79 00:03:24,700 --> 00:03:26,200 DUE TO THE ECONOMY, 80 00:03:26,233 --> 00:03:28,567 ADVERTISERS ARE SEARCHING FOR THE NEXT BIG WEBSITE, 81 00:03:28,600 --> 00:03:30,800 SO WE NEED TO COME UP WITH SOME INNOVATIVE WAYS 82 00:03:30,833 --> 00:03:32,267 TO ATTRACT NEW USERS 83 00:03:32,300 --> 00:03:36,633 WHO WILL MAKE YOURPAGE THEIR ONLY SOCIAL MEDIA SITE. 84 00:03:36,667 --> 00:03:38,300 NOW, THE ADVERTISERS HAVE ASSURED US, 85 00:03:38,333 --> 00:03:40,567 IF WE BUILD IT, THEY WILL COME. 86 00:03:40,600 --> 00:03:43,233 NOW, I WANT YOU ALL TO TAKE A GOOD LOOK 87 00:03:43,267 --> 00:03:44,367 AT OUR WEB PAGE, 88 00:03:44,400 --> 00:03:46,133 AND THINK ABOUT HOW WE CAN MAKE IT STAND OUT 89 00:03:46,167 --> 00:03:47,267 AGAINST THE COMPETITION. 90 00:03:47,300 --> 00:03:49,467 I WANT YOU ALL TO COME UP WITH THREE IDEAS 91 00:03:49,500 --> 00:03:50,700 BY THIS AFTERNOON. 92 00:03:50,733 --> 00:03:53,467 NO, CHECK THAT. THREE GOOD IDEAS. 93 00:03:53,500 --> 00:03:54,600 LIKE HE'LL LISTEN TO THEM ANYWAY. 94 00:03:54,633 --> 00:03:55,767 THAT'S YOUR CUE. 95 00:03:55,800 --> 00:03:56,800 WHY ARE WE STILL STANDING HERE, PEOPLE? LET'S GO. 96 00:03:56,833 --> 00:03:58,600 [CLAPPING] MOVEMENT MAKES ACTION! 97 00:03:58,633 --> 00:04:01,167 COME ON, HE WAS PRACTICALLY BEGGING 98 00:04:01,200 --> 00:04:02,333 FOR YOUR IDEA. 99 00:04:02,367 --> 00:04:04,400 BUT HE'S NOTORIOUS FOR ASKING FOR INPUT 100 00:04:04,433 --> 00:04:05,467 AND THEN IGNORING IT. 101 00:04:05,500 --> 00:04:06,833 I HAVE BEEN WORKING ON THIS FOR MONTHS, 102 00:04:06,867 --> 00:04:08,633 JONAH, I HAVE TO TIME THIS OUT RIGHT. 103 00:04:08,667 --> 00:04:09,733 OKAY. 104 00:04:09,767 --> 00:04:11,900 OKAY. WHO IS THIS PERSON STANDING NEXT TO ME? 105 00:04:11,933 --> 00:04:13,367 'CAUSE THE MIRA I KNOW 106 00:04:13,400 --> 00:04:15,300 HAS ENVISIONED HER PERFECT LIFE 107 00:04:15,333 --> 00:04:17,467 AND WOULD NOT STOP UNTIL SHE GETS IT. 108 00:04:17,500 --> 00:04:19,467 HMM. 109 00:04:22,500 --> 00:04:24,467 I ADDED A DRAWING TO THE CUBE. 110 00:04:24,500 --> 00:04:25,800 FOR LUCK. 111 00:04:27,333 --> 00:04:29,767 I ABSOLUTELY LOVE ALL OF YOUR DRAWINGS, 112 00:04:29,800 --> 00:04:32,533 BUT THIS ONE MIGHT BE MY ALL-TIME FAVORITE. 113 00:04:32,567 --> 00:04:34,467 IT MIGHT BE WORTH SOMETHING SOMEDAY. 114 00:04:34,500 --> 00:04:35,767 I KNOW IT WILL, 115 00:04:35,800 --> 00:04:38,300 AND WHEN "PEGGY THE TIDY PIG" SELLS A MILLION COPIES, 116 00:04:38,333 --> 00:04:40,367 I'LL SELL THIS CUBE ON EBAY AND RETIRE. 117 00:04:40,400 --> 00:04:41,667 GETTING YOUR CHILDREN'S BOOK PUBLISHED 118 00:04:41,700 --> 00:04:43,867 IS LIKE TRYING TO CATCH LIGHTENING IN A BOTTLE. 119 00:04:43,900 --> 00:04:46,200 I'LL SEND MY BOOK OUT... 120 00:04:46,233 --> 00:04:48,400 WHEN IT'S READY, SOMEDAY. 121 00:04:48,433 --> 00:04:51,233 "SOMEDAY" IS RIGHT NOW, JONAH. 122 00:04:51,267 --> 00:04:53,267 YOU GOT TO BE PREPARED FOR YOUR LIGHTNING STORM, TOO. 123 00:04:53,300 --> 00:04:54,800 YOU THINK DR. SEUSS SAID "SOMEDAY?" 124 00:04:54,833 --> 00:04:55,800 MAURICE SENDAK? 125 00:04:55,833 --> 00:04:57,300 THE GUY WHO WROTE THE BOOK 126 00:04:57,333 --> 00:04:59,267 ABOUT THE AWFUL KID WHO DESTROYED THE TREE? 127 00:04:59,300 --> 00:05:00,833 -SHEL SILVERSTEIN. -YEAH, THAT GUY. 128 00:05:00,867 --> 00:05:03,467 I BET HE WAS READY FOR HIS BIG OPPORTUNITY. 129 00:05:03,500 --> 00:05:05,233 YOU'RE RIGHT. 130 00:05:05,267 --> 00:05:07,900 I'M GONNA FINISH "PEGGY" AND SEND IT OUT. 131 00:05:07,933 --> 00:05:09,833 DO I GET TO HEAR THE STORY YET? 132 00:05:09,867 --> 00:05:11,800 NO. NOT UNTIL IT'S DONE. 133 00:05:11,833 --> 00:05:13,200 BUT I'M CLOSE. 134 00:05:13,233 --> 00:05:15,467 WELL, I LOVE THE ARTWORK. NOW FINISH. 135 00:05:15,500 --> 00:05:18,300 AND WHAT ABOUT YOU, HUH? 136 00:05:18,333 --> 00:05:19,833 YOU'RE READY. 137 00:05:19,867 --> 00:05:22,400 GO TELL MICHAEL YOUR BIG IDEA. 138 00:05:22,433 --> 00:05:23,867 RIGHT NOW. 139 00:05:26,000 --> 00:05:27,000 ALRIGHT. 140 00:05:28,933 --> 00:05:30,633 AHEM. ALRIGHT! 141 00:05:30,667 --> 00:05:31,633 I'M GOING. 142 00:05:31,667 --> 00:05:33,233 YOU GOT THIS. 143 00:05:33,267 --> 00:05:34,900 [BOTH TAKING A DEEP BREATH] 144 00:05:41,767 --> 00:05:44,300 YOU SHOULD JUST TELL HER HOW YOU FEEL, MAN. 145 00:05:44,333 --> 00:05:45,833 SHE HAS TO KNOW. 146 00:05:45,867 --> 00:05:48,467 I MEAN... WE ALL DO. 147 00:05:48,500 --> 00:05:50,567 [**] 148 00:05:52,467 --> 00:05:55,200 HERE'S WHAT OUR SITE LOOKS LIKE NOW. 149 00:05:55,233 --> 00:05:57,867 AND... HERE IS WHAT IT WILL LOOK LIKE. 150 00:05:59,300 --> 00:06:00,333 A NEW INTERFACE? 151 00:06:00,367 --> 00:06:01,533 A NEW DESIGN THAT PULLS 152 00:06:01,567 --> 00:06:03,867 INFO FROM UP TO THREE DIFFERENT WEBSITES 153 00:06:03,900 --> 00:06:06,267 AND COMPILES IT ALL HERE ON THE PERSON'S YOURPAGE PROFILE. 154 00:06:06,300 --> 00:06:07,900 HANG ON ONE SEC. 155 00:06:07,933 --> 00:06:10,033 OKAY, GO. 156 00:06:10,067 --> 00:06:13,000 WHETHER IT'S A DATING WEBSITE, OR BUSINESS NETWORKING, 157 00:06:13,033 --> 00:06:15,433 OR PICTURES OF WHAT YOU ATE FOR DINNER, 158 00:06:15,467 --> 00:06:16,867 IT'S ALL NOW IN ONCE PLACE, 159 00:06:16,900 --> 00:06:18,300 ON OUR SITE. 160 00:06:18,333 --> 00:06:20,467 WE'RE THE ONLY PLACE PEOPLE WILL EVER NEED TO LOG IN. 161 00:06:20,500 --> 00:06:23,033 SOUNDS... INNOVATIVE. 162 00:06:23,067 --> 00:06:24,867 I LIKE IT. BUT LONG-TERM, OKAY? 163 00:06:24,900 --> 00:06:26,433 WE NEED TO BEEF UP AD SALES TODAY, 164 00:06:26,467 --> 00:06:28,600 AND I THINK DESIGN CHANGE LIKE THIS IS JUST... 165 00:06:28,633 --> 00:06:30,533 -TOO RADICAL. -RADICAL, YES-- 166 00:06:30,567 --> 00:06:32,667 ...BUT IT GIVES US A HUGE EDGE OVER THE COMPETITION. 167 00:06:32,700 --> 00:06:34,567 LISTEN, MIRA, I LOVE YOUR PASSION. 168 00:06:34,600 --> 00:06:36,033 OKAY? AND... 169 00:06:36,067 --> 00:06:38,467 WELL, BETWEEN YOU AND I, I SUSPECT THAT 170 00:06:38,500 --> 00:06:39,500 I WILL BE IN A POSITION 171 00:06:39,533 --> 00:06:40,933 TO AFFECT SOME SERIOUS CHANGE AROUND HERE 172 00:06:40,967 --> 00:06:43,400 IN THE VERY NEAR FUTURE. 173 00:06:43,433 --> 00:06:45,033 VP OF CREATIVE DEVELOPMENT? 174 00:06:45,067 --> 00:06:46,567 YEAH. SHE SHOULD BE ANNOUNCING 175 00:06:46,600 --> 00:06:48,267 THAT PROMOTION FOR YOURS TRULY THIS WEEK. 176 00:06:48,300 --> 00:06:49,433 SO, LOOK, JUST SIT TIGHT, OKAY? 177 00:06:49,467 --> 00:06:51,733 KNOW THAT YOUR EFFORT IS NOT GOING UNNOTICED. 178 00:06:51,767 --> 00:06:55,467 THANK YOU. AND I HAVE MANY MORE DETAILS IN MY REPORT. 179 00:06:55,500 --> 00:06:57,800 I'LL JUST LEAVE IT RIGHT HERE FOR YOU. 180 00:06:57,833 --> 00:07:00,700 AND MAYBE YOU CAN TALK TO ERIN? 181 00:07:00,733 --> 00:07:03,500 SHE SAYS SHE ALWAYS WANTS TO HEAR EVERYONE'S IDEAS. 182 00:07:03,533 --> 00:07:04,933 YEAH, I'LL, UH, GIVE IT A READ, 183 00:07:04,967 --> 00:07:07,100 AND WHEN I GET A MOMENT, I'LL DISCUSS IT WITH ERIN. 184 00:07:07,133 --> 00:07:08,367 THANK YOU SO MUCH. 185 00:07:08,400 --> 00:07:10,467 OH, HANG ON A SEC. MICHAEL COLLIER. 186 00:07:10,500 --> 00:07:11,700 YEAH, JUST GIVE ME A SECOND. 187 00:07:11,733 --> 00:07:13,400 [WHISPERS]: YOU'RE GOING TO LOVE IT! 188 00:07:13,433 --> 00:07:14,567 OKAY. GOOD! 189 00:07:14,600 --> 00:07:17,400 HOWARD! HOW IS LONDON? 190 00:07:17,433 --> 00:07:19,767 [MIRA]: I'M TELLING YOU, SIS. 191 00:07:19,800 --> 00:07:22,333 MAYBE MICHAEL'S READING IT RIGHT NOW. 192 00:07:22,367 --> 00:07:24,433 MAYBE, WHEN I GET BACK FROM LUNCH... 193 00:07:26,000 --> 00:07:27,467 MY WHOLE LIFE WILL CHANGE 194 00:07:27,500 --> 00:07:29,467 AND I CAN EARN ENOUGH MONEY AND GET MY OWN PLACE. 195 00:07:29,500 --> 00:07:31,500 I THOUGHT YOU LOVED LIVING WITH BROOKE. 196 00:07:31,533 --> 00:07:33,700 I ALSO THINK I'D LOVE MY OWN BATHROOM MORE, 197 00:07:33,733 --> 00:07:35,933 AND WE'VE BEEN LIVING TOGETHER SINCE THE DORM. 198 00:07:35,967 --> 00:07:38,533 I JUST THINK IT MIGHT BE TIME FOR ME TO... 199 00:07:38,567 --> 00:07:40,700 GROW UP, BE MY OWN PERSON, 200 00:07:40,733 --> 00:07:43,100 AND THEN YOU AND I CAN BOTH HAVE PERFECT LIVES. 201 00:07:44,633 --> 00:07:46,767 YOU KNOW, LIFE WOULD BE SO MUCH EASIER 202 00:07:46,800 --> 00:07:48,067 IF WE ALL LIVED 203 00:07:48,100 --> 00:07:49,467 IN THIS FANTASY WORLD OF YOURS. 204 00:07:49,500 --> 00:07:50,767 MY LIFE IS NOT PERFECT, MIRA. 205 00:07:50,800 --> 00:07:53,000 PLEASE. YOU ARE THE HEAD OF YOUR DIVISION, 206 00:07:53,033 --> 00:07:55,867 YOUR HUSBAND IS ADORABLE, YOUR HOUSE IS A DREAM, 207 00:07:55,900 --> 00:07:57,667 AND EVEN YOUR DOG IS TO DIE FOR. 208 00:07:57,700 --> 00:07:58,767 I'M NOT BUYING IT. 209 00:08:00,900 --> 00:08:02,767 YOU KNOW WHAT? 210 00:08:02,800 --> 00:08:04,933 THERE'S SOMEONE I WANT YOU TO MEET. 211 00:08:04,967 --> 00:08:06,467 I DO NOT NEED TO BE SET UP. 212 00:08:06,500 --> 00:08:08,400 JUST HEAR ME OUT, OKAY? 213 00:08:08,433 --> 00:08:11,833 HE'S MANLY, HE'S STRONG, HE'S A LITTLE BIT HAIRY, 214 00:08:11,867 --> 00:08:13,033 BUT HE'S A HEALTHY EATER, 215 00:08:13,067 --> 00:08:16,133 AND I THINK YOU TWO WOULD BE SUPER-COMPATIBLE. 216 00:08:16,167 --> 00:08:17,667 APRIL FOOL'S! 217 00:08:17,700 --> 00:08:18,900 WHAT IS IT ABOUT THIS DAY 218 00:08:18,933 --> 00:08:21,700 THAT TURNS PERFECTLY SANE PEOPLE INTO FIFTH-GRADERS? 219 00:08:21,733 --> 00:08:22,967 OKAY, SERIOUSLY, 220 00:08:23,000 --> 00:08:25,633 THERE IS THIS GUY THAT I WANT YOU TO MEET. 221 00:08:25,667 --> 00:08:27,400 OH, NO, THANK YOU. THE GORILLA AND I ARE JUST FINE. 222 00:08:27,433 --> 00:08:28,467 HE GETS ME. 223 00:08:28,500 --> 00:08:31,433 LOOK HOW CUTE HE IS. 224 00:08:31,467 --> 00:08:34,933 THAT'S... THAT'S NOT THE GUY. 225 00:08:34,967 --> 00:08:36,500 YOU DON'T ALWAYS KNOW. 226 00:08:36,533 --> 00:08:39,400 I MEAN, IT TOOK ME EIGHT DATES TO KNOW WITH BRETT. 227 00:08:39,433 --> 00:08:41,867 SOMETIMES, I STILL DON'T KNOW. 228 00:08:41,900 --> 00:08:44,667 OKAY, YOU DON'T HAVE TO TRY AND MAKE ME FEEL BETTER. 229 00:08:44,700 --> 00:08:47,867 I WILL FIND MY GUY AND LIVE THE DREAM, TOO. 230 00:08:47,900 --> 00:08:49,967 AND BESIDES, I CAN'T GO TONIGHT ANYWAY. 231 00:08:50,000 --> 00:08:51,433 IT'S FONDUE NIGHT 232 00:08:51,467 --> 00:08:53,667 AND "SHELLY'S LOOKING FOR LOVE" WITH THE GIRLS, 233 00:08:53,700 --> 00:08:54,767 AND BROOKE AND I ARE HOSTING. 234 00:08:54,800 --> 00:08:58,533 OKAY, SO YOU WOULD RATHER WATCH A TV SHOW 235 00:08:58,567 --> 00:09:01,533 WHERE SOME GIRL DATES 25 FAME-SEEKERS 236 00:09:01,567 --> 00:09:03,800 THAN MEET ONE AMAZING GUY IN REAL LIFE? 237 00:09:03,833 --> 00:09:05,200 I KNOW WHAT I WANT, 238 00:09:05,233 --> 00:09:07,200 AND I REFUSE TO SETTLE FOR ANYTHING LESS. 239 00:09:07,233 --> 00:09:08,733 [SNICKERS] 240 00:09:08,767 --> 00:09:10,767 YOU KNOW, YOUR FANTASY LIFE 241 00:09:10,800 --> 00:09:13,500 IS REALLY STARTING TO GET IN THE WAY OF YOUR ACTUAL LIFE. 242 00:09:14,733 --> 00:09:16,800 MAYBE IF YOUR LIFE WAS LESS PERFECT, 243 00:09:16,833 --> 00:09:18,067 YOU'D UNDERSTAND. 244 00:09:19,267 --> 00:09:22,567 [**] 245 00:09:22,600 --> 00:09:23,633 MIRA. 246 00:09:23,667 --> 00:09:25,000 JUST THE GIRL I WAS BEEN LOOKING FOR. 247 00:09:25,033 --> 00:09:27,467 LISTEN. I NEED YOU TO DROP OFF ANOTHER BOX 248 00:09:27,500 --> 00:09:28,633 AT THE CORPORATE TOWNHOUSE. 249 00:09:28,667 --> 00:09:30,900 OKAY? THE MESSENGER SERVICE IS BACKED RIGHT UP, 250 00:09:30,933 --> 00:09:33,100 AND THIS OUT-OF-TOWN PROGRAMMER NEEDS IT TODAY. 251 00:09:33,133 --> 00:09:34,767 NOW, HE WON'T BE THERE, 252 00:09:34,800 --> 00:09:36,467 SO JUST LET YOURSELF IN AND LEAVE IT IN THE LIVING ROOM. 253 00:09:36,500 --> 00:09:37,767 YOU STILL GOT THE KEY FROM YESTERDAY? 254 00:09:37,800 --> 00:09:39,000 OH. YEAH. SURE. 255 00:09:39,033 --> 00:09:40,200 GREAT! 256 00:09:40,233 --> 00:09:41,567 GOOD. I KNEW I COULD COUNT ON YOU, 257 00:09:41,600 --> 00:09:42,700 AND LIKE I SAID BEFORE, 258 00:09:42,733 --> 00:09:46,100 YOUR COOPERATION IS NOT GOING UNNOTICED, OKAY? 259 00:09:47,967 --> 00:09:50,667 [**] 260 00:09:56,867 --> 00:09:57,900 AH! 261 00:09:57,933 --> 00:09:59,533 OH, MY GOD. 262 00:09:59,567 --> 00:10:01,067 I AM SO SORRY. LET ME HELP YOU. 263 00:10:01,100 --> 00:10:03,667 IT'S YOU. I KNOW YOU. 264 00:10:03,700 --> 00:10:06,633 THE CITY SCE ARTICLE? 265 00:10:06,667 --> 00:10:08,000 I READ IT LAST NIGHT. 266 00:10:08,033 --> 00:10:10,200 MY ONE AND ONLY CLAIM TO FAME. 267 00:10:10,233 --> 00:10:12,467 I-- WHAT CAN I SAY? 268 00:10:12,500 --> 00:10:14,000 IT'S GOOD FOR BUSINESS. 269 00:10:14,033 --> 00:10:16,967 BUT I-I-- I'M SO SORRY. ARE YOU OKAY? DID I HURT YOU? 270 00:10:17,000 --> 00:10:17,967 IT'S FINE, REALLY. 271 00:10:18,000 --> 00:10:18,967 I'M-- I'M-- I'M FINE. 272 00:10:19,000 --> 00:10:20,200 WELL, IT'S NOT FINE. 273 00:10:20,233 --> 00:10:21,800 I WASN'T WATCHING WHERE I WAS WALKING, 274 00:10:21,833 --> 00:10:24,733 WHICH IS JUST NOT VERY GENTLEMANLY OF ME AT ALL. 275 00:10:24,767 --> 00:10:26,767 WHAT IS IT THEY SAY 276 00:10:26,800 --> 00:10:28,467 IN THOSE PUBLIC SERVICE ANNOUNCEMENTS? 277 00:10:28,500 --> 00:10:30,667 DON'T TEXT AND WALK? 278 00:10:31,767 --> 00:10:33,600 WELL, IF THEY-- IF THEY DON'T SAY THAT, 279 00:10:33,633 --> 00:10:35,200 THEY PROBABLY SHOULD. 280 00:10:35,233 --> 00:10:37,033 OBVIOUSLY, I'M A TERRIBLE HAZARD. 281 00:10:37,067 --> 00:10:38,567 OH, GO AHEAD, TAKE THAT. 282 00:10:38,600 --> 00:10:39,567 I'LL CLEAN THE REST OF THIS UP. 283 00:10:39,600 --> 00:10:40,567 I GOT IT. 284 00:10:40,600 --> 00:10:41,633 IT'S JUST MY SISTER 285 00:10:41,667 --> 00:10:42,800 RELENTLESSLY TRYING TO CONTROL MY LIFE. 286 00:10:42,833 --> 00:10:43,967 IT'S NOT IMPORTANT. 287 00:10:44,000 --> 00:10:46,100 VERY WELL, THEN. 288 00:10:47,933 --> 00:10:48,967 LIAM HENDERSON. 289 00:10:49,000 --> 00:10:50,133 MIRA SIMON. 290 00:10:50,167 --> 00:10:51,467 MIRA SIMON. 291 00:10:51,500 --> 00:10:53,933 VERY NICE TO RUN INTO YOU. LITERALLY. 292 00:10:53,967 --> 00:10:55,833 SO, UH, WHAT'S THE BIG HURRY? 293 00:10:55,867 --> 00:10:57,700 [RINGING] 294 00:10:57,733 --> 00:10:59,600 CAN I ASK YOU 295 00:10:59,633 --> 00:11:00,833 AN ODD FAVOR THAT MIGHT RUN THE RISK 296 00:11:00,867 --> 00:11:02,967 OF YOU THINKING I'M A COMPLETE LUNATIC? 297 00:11:03,000 --> 00:11:04,633 IT'S JUST TO GET MY SISTER OFF MY BACK. 298 00:11:04,667 --> 00:11:07,667 W-WELL, YES. OBVIOUSLY, NOW I'M INTRIGUED. 299 00:11:07,700 --> 00:11:10,167 [LAUGHS] CAN I TAKE A PICTURE OF YOU AND ME? 300 00:11:10,200 --> 00:11:11,667 THAT'S THE FAVOR? THE PICTURE? 301 00:11:11,700 --> 00:11:12,767 UH-HUH. 302 00:11:12,800 --> 00:11:14,967 YEAH, OF COURSE. SURE. LET'S SHOW YOUR SISTER. 303 00:11:16,567 --> 00:11:18,100 [SHE LAUGHS] 304 00:11:18,133 --> 00:11:19,167 LET ME SEE. 305 00:11:19,200 --> 00:11:21,733 [**] 306 00:11:23,167 --> 00:11:25,167 YEAH, THAT LOOKS GOOD. I LIKE THAT. 307 00:11:25,200 --> 00:11:27,600 WILL YOU SEND IT TO ME? 308 00:11:27,633 --> 00:11:29,567 IF YOU-- IF YOU REALLY WANT IT. 309 00:11:29,600 --> 00:11:30,600 DO YOU-- DO YOU REALLY WANT IT? 310 00:11:30,633 --> 00:11:31,867 I REALLY WANT IT. 311 00:11:31,900 --> 00:11:33,600 OKAY. 312 00:11:33,633 --> 00:11:35,733 AND THANKS... 313 00:11:35,767 --> 00:11:36,733 FOR YOUR HELP. 314 00:11:36,767 --> 00:11:37,800 MY PLEASURE. MY PLEASURE. 315 00:11:39,100 --> 00:11:40,300 GOODBYE. 316 00:11:40,333 --> 00:11:41,800 BYE. 317 00:11:42,867 --> 00:11:43,867 HEY! 318 00:11:45,133 --> 00:11:46,833 DON'T FORGET. YOU TEXT ME. 319 00:11:47,867 --> 00:11:49,933 [**] 320 00:12:01,033 --> 00:12:03,167 [**] 321 00:12:08,767 --> 00:12:11,967 MAYBE THIS'LL PUT AN END TO YOUR MEDDLING. 322 00:12:12,000 --> 00:12:14,000 APRIL FOOL'S, SOPHIE. 323 00:12:14,033 --> 00:12:17,067 APRIL FOOL'S DAY CAN BE KIND OF FUN! 324 00:12:17,100 --> 00:12:18,233 [LAUGHS] 325 00:12:19,300 --> 00:12:22,800 [**] 326 00:12:51,967 --> 00:12:54,133 SOMEDAY. 327 00:12:57,933 --> 00:12:59,833 [ANNOUNCER]: "SHELLY LOOKS FOR LOVE." 328 00:12:59,867 --> 00:13:01,100 [SAM]: HEY, I'M SAM. 329 00:13:01,133 --> 00:13:02,733 I'M BACHELOR NUMBER ONE, APPARENTLY-- 330 00:13:02,767 --> 00:13:04,300 [BROADCAST CONTINUES, INDISTINCT] 331 00:13:04,333 --> 00:13:05,700 WHAT IS SHELLY WEARING? 332 00:13:05,733 --> 00:13:06,767 IS THAT A DRESS 333 00:13:06,800 --> 00:13:08,167 OR AN ICE CAPADES COSTUME? 334 00:13:08,200 --> 00:13:09,200 [ALL SNICKERING] 335 00:13:09,233 --> 00:13:10,867 I'LL GET MY FONDUE POT WHEN WE'RE READY 336 00:13:10,900 --> 00:13:12,700 TO MOVE ON TO THE CHOCOLATE. 337 00:13:12,733 --> 00:13:13,700 OH, I LOVE THIS. 338 00:13:13,733 --> 00:13:15,267 KELSEA IN THE SAME BUILDING AS US? 339 00:13:15,300 --> 00:13:17,133 IT'S LIKE THE DORMS ALL OVER AGAIN. 340 00:13:19,167 --> 00:13:21,667 UM... I HAVE SOMETHING... 341 00:13:21,700 --> 00:13:24,267 TO TELL YOU. 342 00:13:24,300 --> 00:13:25,333 I'M MOVING OUT. 343 00:13:25,367 --> 00:13:26,367 [BOTH]: WHERE? 344 00:13:26,400 --> 00:13:28,100 WHAT AM I GONNA DO WITHOUT MY ROOMMATE? 345 00:13:28,133 --> 00:13:30,300 HERE. IT'S MY PERFECT PLACE. 346 00:13:30,333 --> 00:13:32,867 SLEEK LINES, BEAUTIFULLY DESIGNED, 347 00:13:32,900 --> 00:13:34,667 WASHER AND DRYER, IN THE PLACE. 348 00:13:34,700 --> 00:13:35,767 [BROOKE GASPS] 349 00:13:37,233 --> 00:13:39,267 WELL, IT'S EVERYTHING YOU'VE EVER DREAMED OF IN A HOUSE. 350 00:13:39,300 --> 00:13:41,000 HOW ON EARTH CAN YOU AFFORD THAT? 351 00:13:41,033 --> 00:13:42,000 I CAN'T. 352 00:13:42,033 --> 00:13:43,200 APRIL FOOL'S! 353 00:13:43,233 --> 00:13:44,267 OH! 354 00:13:44,300 --> 00:13:45,767 OKAY, GOOD, 355 00:13:45,800 --> 00:13:47,933 BECAUSE I CAN'T AFFORD TO MOVE THERE WITH YOU, 356 00:13:47,967 --> 00:13:49,067 AND I LOVE US. 357 00:13:49,100 --> 00:13:52,333 SOMEDAY, THOUGH. SOMEDAY. 358 00:13:52,367 --> 00:13:53,400 [TV CONTINUES] 359 00:13:53,433 --> 00:13:56,000 UM... WHO IS THIS? 360 00:13:56,033 --> 00:13:57,000 [GASPING] 361 00:13:57,033 --> 00:13:58,733 HE WAS PROFILED IN CITY BEAT. 362 00:13:58,767 --> 00:14:00,167 YES, HE WAS. 363 00:14:00,200 --> 00:14:02,100 THAT'S LIAM, MY DREAM MAN, 364 00:14:02,133 --> 00:14:04,333 BUT THAT WAS JUST AN APRIL FOOL'S JOKE ON-- 365 00:14:04,367 --> 00:14:05,933 ON SOPHIE. 366 00:14:05,967 --> 00:14:07,300 BUT HE DID ASK ME TO TEXT HIM THE PICTURE, 367 00:14:07,333 --> 00:14:09,033 SO I THOUGHT WE'D BE MARRIED BY FRIDAY, 368 00:14:09,067 --> 00:14:12,467 BUT THEN HE NEVER REPLIED. 369 00:14:12,500 --> 00:14:15,100 MY DREAM MAN HATH FORSAKEN ME. 370 00:14:15,133 --> 00:14:16,733 -[GIRLS SNICKERING] -[PHONE CHIMES] 371 00:14:16,767 --> 00:14:18,400 AND THERE SHE IS AGAIN! SHE'S RELENTLESS! 372 00:14:18,433 --> 00:14:20,400 IT'S FROM JONAH. 373 00:14:20,433 --> 00:14:22,900 HE SAYS, "YOU'D BETTER GET SOME SLEEP TONIGHT." 374 00:14:22,933 --> 00:14:23,900 COME ON. 375 00:14:23,933 --> 00:14:26,967 WHO NEEDS SLEEP? IT'S APRIL FOOL'S, FOOL. 376 00:14:27,000 --> 00:14:30,000 OKAY, WRITE BACK, "MY IDEA WAS A HIT, 377 00:14:30,033 --> 00:14:32,167 AND I AM NOW THE HEAD OF THE DEPARTMENT." 378 00:14:32,200 --> 00:14:34,500 BAM! NOW, THAT'S HOW YOU DO AN APRIL FOOL'S JOKE. 379 00:14:35,800 --> 00:14:38,267 [**] 380 00:14:38,300 --> 00:14:40,100 [ELEVATOR DINGS] 381 00:14:42,467 --> 00:14:44,533 HOLD THE ELEVATOR. 382 00:14:45,767 --> 00:14:48,467 [**] 383 00:14:48,500 --> 00:14:50,000 [MUTTERS]: THANK YOU. 384 00:14:50,033 --> 00:14:52,767 OH! HELLO, MIRA. 385 00:14:52,800 --> 00:14:54,767 GOOD MORNING. 386 00:14:54,800 --> 00:14:57,233 [**] 387 00:14:59,333 --> 00:15:00,400 [THUD] 388 00:15:00,433 --> 00:15:02,500 [GASPING] 389 00:15:02,533 --> 00:15:03,833 UH-OH. 390 00:15:03,867 --> 00:15:05,900 [MIRA CHUCKLES, PRESSES BUTTON REPEATEDLY] 391 00:15:05,933 --> 00:15:08,533 I THINK WE MIGHT BE STUCK. 392 00:15:08,567 --> 00:15:09,533 NO. WE CAN'T BE STUCK. 393 00:15:09,567 --> 00:15:10,933 IF WE'RE STUCK, 394 00:15:10,967 --> 00:15:12,300 I MIGHT PANIC. I DON'T WANT TO PANIC. 395 00:15:12,333 --> 00:15:13,500 I DON'T WANT TO PANIC. 396 00:15:13,533 --> 00:15:16,000 I WANT TO STAY REALLY-- [GASPS] ...REALLY CALM. 397 00:15:16,033 --> 00:15:17,133 I DON'T WANT TO BE TRAPPED 398 00:15:17,167 --> 00:15:19,567 IN THIS 20-SQUARE-FOOT METAL BOX OF DEATH. 399 00:15:19,600 --> 00:15:21,400 OKAY, WE'RE-- WE'RE NOT STUCK. 400 00:15:21,433 --> 00:15:24,233 WE'RE JUST, UM... WE'RE JUST NOT MOVING, 401 00:15:24,267 --> 00:15:27,267 BUT, UH, BUT WE WILL. WE WILL SOON. 402 00:15:27,300 --> 00:15:30,133 SO JUST... JUST KEEP BREATHING 403 00:15:30,167 --> 00:15:32,333 AND RELAX. 404 00:15:32,367 --> 00:15:34,967 [**] 405 00:15:36,100 --> 00:15:38,233 [SOOTHING VOICE]: THIS OPENS THE SOLAR PLEXUS 406 00:15:38,267 --> 00:15:40,367 AND IMPROVES CIRCULATION. 407 00:15:40,400 --> 00:15:44,033 NOW TAKE DEEP BREATHS... INTO YOUR ABDOMEN. 408 00:15:44,067 --> 00:15:45,433 [EXHALING DEEPLY] 409 00:15:45,467 --> 00:15:47,167 YOU'RE GOOD AT THIS. 410 00:15:47,200 --> 00:15:50,267 PEOPLE TELL ME I'M CALMING. 411 00:15:50,300 --> 00:15:52,033 CALMING. 412 00:15:52,067 --> 00:15:53,967 [BOTH BREATHING DEEPLY] 413 00:15:55,000 --> 00:15:57,133 AND IF MICHAEL DID READ MY PROPOSAL, 414 00:15:57,167 --> 00:15:58,200 I'LL NEVER KNOW, 415 00:15:58,233 --> 00:15:59,333 BECAUSE WE'RE GONNA LIVE IN HERE FOREVER 416 00:15:59,367 --> 00:16:00,467 AND EVER AND EVER. 417 00:16:00,500 --> 00:16:02,100 [LAUGHING] 418 00:16:02,133 --> 00:16:04,433 WHAT PROPOSAL ARE YOU TALKING ABOUT? 419 00:16:04,467 --> 00:16:06,000 OH. MICHAEL'S GONNA SHOW IT TO YOU 420 00:16:06,033 --> 00:16:07,133 WHEN HE HAS A MOMENT. 421 00:16:07,167 --> 00:16:08,867 I THINK. 422 00:16:08,900 --> 00:16:09,900 I HOPE. 423 00:16:10,967 --> 00:16:12,933 WELL, WE'RE HERE NOW. 424 00:16:12,967 --> 00:16:15,167 I AM A CAPTIVE AUDIENCE. 425 00:16:16,233 --> 00:16:18,500 WHY DON'T YOU SHOW ME? 426 00:16:18,533 --> 00:16:21,167 [**] 427 00:16:21,200 --> 00:16:23,033 AND IT ALL SHOWS UP ON OUR NEWSFEED. 428 00:16:23,067 --> 00:16:24,600 THERE'S MORE DETAILS IN THIS REPORT. 429 00:16:24,633 --> 00:16:26,933 [**] 430 00:16:32,367 --> 00:16:34,233 [FLIPS THE PAGE] 431 00:16:34,267 --> 00:16:37,200 [THUNKING AND WHIRRING] 432 00:16:38,967 --> 00:16:40,400 WE'RE MOVING. 433 00:16:41,433 --> 00:16:43,233 [**] 434 00:16:43,267 --> 00:16:45,000 ALEX? 435 00:16:45,033 --> 00:16:47,333 SCHEDULE THE CORPORATE MEETING FOR 3:00? 436 00:16:47,367 --> 00:16:49,367 MIRA? A PLEASURE. 437 00:16:49,400 --> 00:16:51,933 [CHUCKLING] 438 00:16:51,967 --> 00:16:54,467 [**] 439 00:16:57,067 --> 00:16:59,433 SHE SAID NOTHING. NO REACTION. 440 00:16:59,467 --> 00:17:01,267 WAS IT PRESUMPTUOUS OF ME TO SHOW HER? 441 00:17:01,300 --> 00:17:02,367 I MEAN, SHE ASKED, 442 00:17:02,400 --> 00:17:04,367 BUT MAYBE I SHOULD'VE WAITED FOR MICHAEL. 443 00:17:04,400 --> 00:17:07,000 MIRA, OPPORTUNITY KNOCKED AND YOU WERE READY. 444 00:17:07,033 --> 00:17:08,000 DO YOU THINK BILL GATES 445 00:17:08,033 --> 00:17:09,400 WOULD'VE WAITED FOR MICHAEL? 446 00:17:09,433 --> 00:17:11,700 WOULD ZUCKERBERG? WOULD BRANSON? 447 00:17:11,733 --> 00:17:13,267 YOU'RE RIGHT. 448 00:17:13,300 --> 00:17:14,667 I JUST HOPE I DIDN'T MESS UP. 449 00:17:14,700 --> 00:17:16,233 AND, OBVIOUSLY, THAT TEXT I SENT YOU 450 00:17:16,267 --> 00:17:17,233 WAS AN APRIL FOOL'S JOKE. 451 00:17:17,267 --> 00:17:18,233 [BOTH CHUCKLING] 452 00:17:18,267 --> 00:17:20,100 WELL, IT WASN'T THAT FAR-FETCHED. 453 00:17:20,133 --> 00:17:22,300 MIRA, YOUR IDEA IS GOOD. 454 00:17:22,333 --> 00:17:24,033 YEAH, WELL, I HOPE I DIDN'T JUST SECURE MYSELF 455 00:17:24,067 --> 00:17:25,567 A FUTURE IN OUR CUBICLE FOREVER. 456 00:17:25,600 --> 00:17:28,100 DOESN'T SOUND SO BAD. 457 00:17:28,133 --> 00:17:29,933 UH, HI... 458 00:17:29,967 --> 00:17:31,067 WHAT ARE YOU DOING HERE? 459 00:17:31,100 --> 00:17:33,467 HI. I WAS JUST LEAVING YOU A NOTE. 460 00:17:33,500 --> 00:17:35,967 UH, YOU FORGOT THIS. 461 00:17:36,000 --> 00:17:37,533 FORTUNATELY, 462 00:17:37,567 --> 00:17:39,267 YOUR COMPANY NAME WAS ON IT, SO YOU WERE EASY TO FIND. 463 00:17:39,300 --> 00:17:41,600 THANK YOU FOR RETURNING IT. 464 00:17:41,633 --> 00:17:44,000 OKAY, I HAVE A CONFESSION TO MAKE. 465 00:17:44,033 --> 00:17:46,700 UH, THAT IS NOT THE ONLY REASON THAT I'M HERE. 466 00:17:46,733 --> 00:17:48,567 IT'S THE PICTURE THAT YOU SENT ME. 467 00:17:48,600 --> 00:17:50,333 YOU SEE, I KEEP LOOKING AT IT, 468 00:17:50,367 --> 00:17:51,700 AND, FINALLY, I REALIZED, 469 00:17:51,733 --> 00:17:53,467 I'VE GOT TO TAKE THIS GIRL OUT TO DINNER, 470 00:17:53,500 --> 00:17:56,200 AND I HAPPEN TO KNOW A GREAT PLACE. 471 00:17:56,233 --> 00:17:57,533 I MEAN, NOT RIGHT NOW. 472 00:17:57,567 --> 00:17:59,200 IT'S JUST, LIKE, 2:00 IN THE AFTERNOON, 473 00:17:59,233 --> 00:18:01,633 BUT, UH, FRIDAY NIGHT? 474 00:18:01,667 --> 00:18:04,267 I WOULD LIKE THAT. 475 00:18:05,567 --> 00:18:08,200 GREAT. WELL, I'LL-- I'LL CALL YOU THEN. 476 00:18:08,233 --> 00:18:09,600 -GREAT! -OKAY. 477 00:18:09,633 --> 00:18:10,733 HI. 478 00:18:10,767 --> 00:18:12,367 HEY. 479 00:18:13,400 --> 00:18:15,500 [**] 480 00:18:21,067 --> 00:18:22,533 [AWKWARD CHUCKLING] 481 00:18:22,567 --> 00:18:25,167 [**] 482 00:18:25,200 --> 00:18:26,600 THANK YOU FOR YOUR PATIENCE. 483 00:18:26,633 --> 00:18:29,033 I KNOW I PROMISED A NEW STATE OF THE COMPANY 484 00:18:29,067 --> 00:18:30,100 A LITTLE EARLIER, 485 00:18:30,133 --> 00:18:32,067 BUT I HAD A VERY EXCITING MORNING. 486 00:18:32,100 --> 00:18:33,667 [ALL CHUCKLING] 487 00:18:33,700 --> 00:18:35,000 SEEMS LIKE THESES DAYS, 488 00:18:35,033 --> 00:18:37,333 A NEW SOCIAL NETWORKING SITE POPS UP, 489 00:18:37,367 --> 00:18:40,333 AND WE'VE GOT TO STAY AHEAD OF THE CURVE. 490 00:18:40,367 --> 00:18:41,700 YOU'VE BEEN WAITING FOR ME TO ANNOUNCE 491 00:18:41,733 --> 00:18:44,033 THE NEW VP OF CREATIVE DEVELOPMENT... 492 00:18:44,067 --> 00:18:46,800 I'M READY TO DO THAT RIGHT NOW. 493 00:18:50,167 --> 00:18:52,033 THAT PERSON IS... 494 00:18:53,100 --> 00:18:54,500 MIRA SIMON. 495 00:18:54,533 --> 00:18:57,200 [MIRA AND MICHAEL]: WHAT? 496 00:18:57,233 --> 00:18:58,667 MIRA BROUGHT US 497 00:18:58,700 --> 00:18:59,733 SOME WONDERFUL NEW IDEAS 498 00:18:59,767 --> 00:19:01,600 WE'LL BE IMPLEMENTING ON THE WEBSITE, 499 00:19:01,633 --> 00:19:02,733 PENDING BOARD APPROVAL. 500 00:19:02,767 --> 00:19:04,800 [JONAH STARTS THE APPLAUSE] 501 00:19:04,833 --> 00:19:07,200 [APPLAUSE BUILDS] 502 00:19:13,167 --> 00:19:14,500 OH, THAT'S NICE. GOOD FOR YOU. 503 00:19:14,533 --> 00:19:16,700 [ALL APPLAUDING] 504 00:19:22,333 --> 00:19:24,533 YOU'VE BEEN ON MY RADAR FOR SOME TIME. 505 00:19:24,567 --> 00:19:25,567 I HAD NO IDEA. 506 00:19:25,600 --> 00:19:27,600 YOUR IDEA IS GREAT. 507 00:19:27,633 --> 00:19:29,467 YOU KNOW, EVERY DECISION THAT I'VE MADE 508 00:19:29,500 --> 00:19:31,067 THAT'S GOTTEN ME WHERE I AM TODAY 509 00:19:31,100 --> 00:19:32,833 IS BASED ON MY OWN GOOD JUDGEMENT. 510 00:19:32,867 --> 00:19:34,467 I DON'T MAKE MISTAKES. 511 00:19:34,500 --> 00:19:36,633 SO DON'T BREAK THAT STREAK. 512 00:19:36,667 --> 00:19:40,100 ALRIGHT. THIS IS YOUR NEW OFFICE. 513 00:19:40,133 --> 00:19:43,167 YOU'LL WANT TO BRIEF YOURSELF BEFORE THE BOARD. 514 00:19:43,200 --> 00:19:45,400 THE INFORMATION'S ALL IN THESE BOXES, 515 00:19:45,433 --> 00:19:47,500 AND I CAN HAVE THEM SHIPPED TO YOUR HOUSE. 516 00:19:47,533 --> 00:19:51,467 THESE BOXES WOULD REQUIRE AT LEAST 200 SQUARE FEET, 517 00:19:51,500 --> 00:19:53,700 AND I'M ABOUT 50 SHORT. 518 00:19:53,733 --> 00:19:57,067 VERY SMALL APARTMENT, WITH A VERY PARTICULAR ROOMMATE. 519 00:19:57,100 --> 00:19:58,533 MAKES THAT ELEVATOR WE WEREN'T STUCK IN 520 00:19:58,567 --> 00:20:00,367 LOOK LIKE VERSAILLES. 521 00:20:00,400 --> 00:20:02,433 OH. WELL, THE CORPORATE TOWNHOUSE 522 00:20:02,467 --> 00:20:04,133 IS AVAILABLE AS OF TOMORROW. 523 00:20:04,167 --> 00:20:05,467 WE COULD MOVE YOU IN THERE, IF YOU LIKE. 524 00:20:05,500 --> 00:20:07,567 SERIOUSLY? 525 00:20:07,600 --> 00:20:11,200 YOU'RE PART OF THE EXECUTIVE STAFF NOW, 526 00:20:11,233 --> 00:20:12,600 AND WE'RE GOING TO TRIPLE YOUR SALARY. 527 00:20:12,633 --> 00:20:14,500 TRI-- TRIPLE? 528 00:20:14,533 --> 00:20:15,667 YOU'LL JUST HAVE TO GET USED TO IT. 529 00:20:15,700 --> 00:20:17,433 NOW I'VE GOT TO JUMP ON A CONFERENCE CALL. 530 00:20:17,467 --> 00:20:20,800 IF YOU HAVE ANY QUESTIONS, JUST TALK TO ALEX. 531 00:20:20,833 --> 00:20:22,400 AND BY THE WAY... 532 00:20:22,433 --> 00:20:26,100 THANK YOU FOR SHOWING GRACE UNDER PRESSURE TODAY. 533 00:20:29,500 --> 00:20:30,567 [SQUEALS] 534 00:20:34,167 --> 00:20:35,533 WOW. 535 00:20:35,567 --> 00:20:38,367 YOU PLAYED AN APRIL FOOL'S JOKE AND IT ACTUALLY CAME TRUE. 536 00:20:38,400 --> 00:20:40,200 NOT JUST ONE JOKE. THREE! 537 00:20:40,233 --> 00:20:41,467 JONAH, LIGHTNING STRUCK. 538 00:20:41,500 --> 00:20:43,267 AND THEN AGAIN. AND AGAIN! 539 00:20:43,300 --> 00:20:46,067 THE GUY AND THE JOB AND THE HOUSE? 540 00:20:46,100 --> 00:20:47,700 I JUST GOT EVERYTHING I'VE EVER WANTED, 541 00:20:47,733 --> 00:20:49,267 ALL IN ONE DAY. 542 00:20:49,300 --> 00:20:50,733 [LAUGHS] 543 00:20:56,733 --> 00:20:59,200 THIS IS THE OFFICE OF MIRA SIMON, 544 00:20:59,233 --> 00:21:01,433 EXECUTIVE IN CHARGE OF EVERYTHING. 545 00:21:01,467 --> 00:21:02,567 IT'S PRESIDENT OF THE INTERNET CALLING. 546 00:21:02,600 --> 00:21:03,633 HE MUST SPEAK WITH YOU RIGHT AWAY. 547 00:21:03,667 --> 00:21:05,400 I'M SORRY, I DO NOT HAVE THE TIME. 548 00:21:05,433 --> 00:21:06,767 WE'RE CREATING A NEW INTERFACE HERE. 549 00:21:07,900 --> 00:21:10,433 I'M SORRY. SHE'S BUSY. WE'RE CREATING AN INTERFACE. 550 00:21:10,467 --> 00:21:12,500 [BOTH LAUGHING] 551 00:21:13,567 --> 00:21:15,633 CAN YOU BELIEVE THIS IS HAPPENING? 552 00:21:15,667 --> 00:21:17,167 OH, AND TO TOP IT ALL OFF, 553 00:21:17,200 --> 00:21:19,700 I HAVE A DATE WITH A GORGEOUS RESTAURATEUR ON FRIDAY. 554 00:21:19,733 --> 00:21:21,700 EVERYTHING A GIRL COULD ASK FOR. 555 00:21:21,733 --> 00:21:24,300 [LAUGHS] 556 00:21:24,333 --> 00:21:28,333 OKAY, YOU TAKE YOUR IDEA BEFORE THE BOARD ON THE 23rd, 557 00:21:28,367 --> 00:21:30,600 WHICH GIVES US ABOUT THREE WEEKS. 558 00:21:30,633 --> 00:21:32,400 WE CAN START PREPPING AS SOON 559 00:21:32,433 --> 00:21:33,600 AS I GET BACK FROM LONDON, ON TUESDAY. 560 00:21:33,633 --> 00:21:35,467 OKAY. I'LL HAVE ALL MY MATERIALS FOR YOU. 561 00:21:35,500 --> 00:21:36,767 GOOD. 562 00:21:36,800 --> 00:21:39,267 YOU'LL WANT TO BRIEF YOUR TEAM ABOUT THE NEW INTERFACE. 563 00:21:39,300 --> 00:21:40,867 THEY'LL NEED TO KNOW WHAT'S COMING. 564 00:21:40,900 --> 00:21:43,733 PENDING BOARD APPROVAL, OF COURSE. 565 00:21:43,767 --> 00:21:46,267 YOU'RE THE NEW HEAD OF CREATIVE NOW, 566 00:21:46,300 --> 00:21:50,167 SO YOU'LL BE RUNNING THE STAFF MEETING. 567 00:21:50,200 --> 00:21:52,400 THEY'LL BE LOOKING TO YOU FOR DIRECTION. 568 00:21:52,433 --> 00:21:55,167 WOW. LOOKING TO ME FOR DIRECTION. 569 00:21:56,267 --> 00:21:58,367 ARE YOU UP TO THIS? 570 00:21:58,400 --> 00:22:01,667 YES! I-I-I'VE WATCHED MICHAEL RUN DOZENS. 571 00:22:01,700 --> 00:22:02,967 I CAN DO THIS. 572 00:22:03,000 --> 00:22:04,533 I KNOW YOU CAN. 573 00:22:04,567 --> 00:22:05,800 I'VE GOT FAITH IN YOU. 574 00:22:07,700 --> 00:22:09,967 [**] 575 00:22:14,567 --> 00:22:15,633 [KNOCKS] 576 00:22:15,667 --> 00:22:17,767 YOU GOT A SECOND? 577 00:22:17,800 --> 00:22:19,233 ANYTHING FOR YOU, BOSS. 578 00:22:19,267 --> 00:22:21,333 [CHUCKLES AWKWARDLY] 579 00:22:21,367 --> 00:22:23,533 LOOK. I-I KNOW THIS IS AWKWARD, 580 00:22:23,567 --> 00:22:25,267 AND I WAS... 581 00:22:25,300 --> 00:22:29,500 I WAS AS SURPRISED AS YOU WERE BY THE PROMOTION, BUT... 582 00:22:29,533 --> 00:22:32,767 I WANT YOU TO KNOW THAT I-- I VALUE YOUR EXPERIENCE, 583 00:22:32,800 --> 00:22:35,233 AND I'M GOING TO NEED YOU. 584 00:22:35,267 --> 00:22:37,667 AND I HOPE THAT WE CAN COME TOGETHER 585 00:22:37,700 --> 00:22:39,633 AND DO WHAT'S BEST FOR THE COMPANY. 586 00:22:39,667 --> 00:22:41,633 I ALREADY TALKED TO ERIN ABOUT IT, 587 00:22:41,667 --> 00:22:43,667 AND DON'T WORRY, IT'S NOT MY FIRST RODEO. 588 00:22:43,700 --> 00:22:44,867 I'LL PULL MY WEIGHT. 589 00:22:44,900 --> 00:22:46,533 I'M NOT WORRIED THAT YOU WON'T. 590 00:22:46,567 --> 00:22:47,700 I JUST DON'T WANT THIS 591 00:22:47,733 --> 00:22:48,867 TO MAKE THINGS TOO UNCOMFORTABLE. 592 00:22:48,900 --> 00:22:51,667 TOO LATE. THE DISCOMFORT IS INEVITABLE. 593 00:22:51,700 --> 00:22:53,733 YOU WON. I LOST. 594 00:22:53,767 --> 00:22:55,767 WE LIVE WITH IT, 595 00:22:55,800 --> 00:22:58,800 WE CO-EXIST, WE GET THE JOB DONE. 596 00:23:00,400 --> 00:23:01,467 OKAY, THEN. 597 00:23:01,500 --> 00:23:02,533 OKAY. 598 00:23:02,567 --> 00:23:04,467 GOOD TALK. 599 00:23:05,533 --> 00:23:06,533 AH. 600 00:23:06,567 --> 00:23:09,400 [**] 601 00:23:16,567 --> 00:23:18,833 LIVING ROOM. OBVIOUSLY. 602 00:23:18,867 --> 00:23:20,367 I WOULD LEAVE YOU FOR THIS PLACE, TOO. 603 00:23:20,400 --> 00:23:21,733 AND THE KITCHEN IS THIS WAY. 604 00:23:21,767 --> 00:23:22,733 WAIT! 605 00:23:22,767 --> 00:23:25,033 I HAVE TO PREPARE YOU, BEFORE WE GO IN. 606 00:23:25,067 --> 00:23:26,967 I HAVE A DISHWASHER. 607 00:23:27,000 --> 00:23:29,633 OH! EVERY DAY I HAVE TO GO WITHOUT A DISHWASHER, 608 00:23:29,667 --> 00:23:30,933 MY SOUL DIES A LITTLE. 609 00:23:30,967 --> 00:23:32,600 I FEEL THE SAME WAY ABOUT A BATHTUB. 610 00:23:32,633 --> 00:23:34,367 I HAVE TWO OF THOSE. 611 00:23:34,400 --> 00:23:35,300 MIRA, IT'S ALL HAPPENING! 612 00:23:35,333 --> 00:23:37,367 THIS NEW JOB, YOUR DATE TOMORROW, 613 00:23:37,400 --> 00:23:38,933 THIS INCREDIBLE HOUSE. 614 00:23:38,967 --> 00:23:40,600 WELL, YOU GUYS ARE MORE THAN WELCOME 615 00:23:40,633 --> 00:23:41,967 TO STAY WITH ME ANY TIME. 616 00:23:42,000 --> 00:23:43,500 I'LL BE THE CONSUMMATE HOST. 617 00:23:43,533 --> 00:23:44,667 IT'S GORGEOUS. 618 00:23:44,700 --> 00:23:46,367 IT'S JUST SO FAR UPTOWN. 619 00:23:46,400 --> 00:23:47,567 YEAH, IT TOOK US THREE TRAINS 620 00:23:47,600 --> 00:23:49,033 AND A SIX-BLOCK WALK TO GET HERE. 621 00:23:49,067 --> 00:23:50,967 IT'LL TAKE ME TWO HOURS TO GET TO WORK. 622 00:23:51,000 --> 00:23:53,600 BUT WE WILL COME OUT AND VISIT ALL THE TIME. 623 00:23:53,633 --> 00:23:56,000 WE'LL WATCH SHELLY HERE, WE'LL HAVE OUR FONDUE NIGHTS. 624 00:23:56,033 --> 00:23:57,600 YOU WON'T BE ABLE TO GET RID OF US. 625 00:23:57,633 --> 00:23:58,633 WE PROMISE. 626 00:23:58,667 --> 00:23:59,633 WELL, IF ONLY 627 00:23:59,667 --> 00:24:01,533 TO TAKE A BATH. 628 00:24:01,567 --> 00:24:02,600 SHOW US TO THE TUBS? 629 00:24:02,633 --> 00:24:04,433 [**] 630 00:24:04,467 --> 00:24:06,400 AND SINCE YOURPAGE PULLS THE INFORMATION 631 00:24:06,433 --> 00:24:08,667 FROM YOUR THREE FAVORITE SITES ONTO OUR WEB PAGE-- 632 00:24:08,700 --> 00:24:10,667 WHETHER IT'S BUSINESS, DATING, 633 00:24:10,700 --> 00:24:12,067 OR THE PLACE WHERE YOU POST 634 00:24:12,100 --> 00:24:13,867 THE BILLIONTH PICTURE OF YOUR KIDS-- 635 00:24:13,900 --> 00:24:15,500 IT OPENS US UP TO NEW USERS. 636 00:24:15,533 --> 00:24:19,100 AND THAT'S THE NEW, UM, YOURPAGE. 637 00:24:19,133 --> 00:24:21,533 [EVERYONE APPLAUDING] 638 00:24:23,767 --> 00:24:25,433 AND LUCKY FOR ME, 639 00:24:25,467 --> 00:24:26,967 I HAVE THE BEST TEAM IN THE BUSINESS 640 00:24:27,000 --> 00:24:28,333 RIGHT HERE IN THIS ROOM. 641 00:24:28,367 --> 00:24:30,033 WHEN IS THE BOARD MEETING? 642 00:24:30,067 --> 00:24:31,600 WE HAVE A COUPLE WEEKS TO PREP, 643 00:24:31,633 --> 00:24:33,667 SO WE'LL HIT THE GROUND RUNNING WHEN ERIN RETURNS NEXT WEEK, 644 00:24:33,700 --> 00:24:35,333 AND I WILL NEED ALL OF YOUR HELP. 645 00:24:35,367 --> 00:24:36,400 WE'RE HERE FOR YOU, MIRA. 646 00:24:36,433 --> 00:24:37,533 WHATEVER YOU NEED. 647 00:24:37,567 --> 00:24:38,633 THANK YOU. 648 00:24:38,667 --> 00:24:39,767 AND FOR THE NEXT MEETING, 649 00:24:39,800 --> 00:24:41,433 I'D LOVE FOR EACH OF YOU TO PITCH THREE IDEAS 650 00:24:41,467 --> 00:24:42,700 FOR THE NEW DESIGN. 651 00:24:42,733 --> 00:24:45,867 AND I WANT YOU TO KNOW THAT MY DOOR IS ALWAYS OPEN, 652 00:24:45,900 --> 00:24:47,033 WE'RE IN THIS TOGETHER, 653 00:24:47,067 --> 00:24:49,667 AND I CANNOT WAIT TO GET STARTED. 654 00:25:02,600 --> 00:25:04,500 YOU'RE NOT GOING TO BELIEVE THIS. 655 00:25:04,533 --> 00:25:05,867 WELL, AFTER EVERYTHING THAT'S HAPPENED, 656 00:25:05,900 --> 00:25:07,700 I WILL BELIEVE JUST ABOUT ANYTHING. 657 00:25:07,733 --> 00:25:10,167 MY BUSINESS CARDS CAME IN. 658 00:25:10,200 --> 00:25:13,667 MIRA SIMON, VP CREATIVE DEVELOPMENT. 659 00:25:13,700 --> 00:25:15,567 I AM REALLY PROUD OF YOU. 660 00:25:15,600 --> 00:25:18,667 ONLY, UH, YOU DON'T EXACTLY LOOK LIKE 661 00:25:18,700 --> 00:25:19,933 A VP OF CREATIVE DEVELOPMENT, 662 00:25:19,967 --> 00:25:22,633 MORE LIKE A HOBO WHO JUST WALKED OUT OF A YOGA CLASS. 663 00:25:22,667 --> 00:25:26,067 AND YOU HAVE NOTHING TO WEAR FOR THIS DATE TONIGHT. 664 00:25:26,100 --> 00:25:28,000 I KNOW, IT'S BAD. 665 00:25:28,033 --> 00:25:29,900 AND I'VE WORN THE SAME PANTS EVERY DAY THIS WEEK, 666 00:25:29,933 --> 00:25:31,933 BUT THEY'RE ALL I HAVE OTHER THAN JEANS, SOPHIE. 667 00:25:31,967 --> 00:25:34,533 HMM. YOU KNOW, MIRA. 668 00:25:34,567 --> 00:25:36,867 IT'S TIME TO TAKE OFF THE FLOATIES 669 00:25:36,900 --> 00:25:38,767 AND GET SOME REAL CLOTHES. 670 00:25:38,800 --> 00:25:40,600 SOME EXECUTIVE CLOTHES. 671 00:25:40,633 --> 00:25:42,700 WOW! I'M AN EXECUTIVE NOW. 672 00:25:42,733 --> 00:25:44,433 MM-HMM. 673 00:25:44,467 --> 00:25:46,667 IT'S LIKE, ONE NIGHT, I FELL ASLEEP, 674 00:25:46,700 --> 00:25:48,467 AND WOKE UP THE NEXT MORNING, 675 00:25:48,500 --> 00:25:50,633 AND MY BIG OPPORTUNITY JUST DROPPED IN MY LAP. 676 00:25:50,667 --> 00:25:52,133 IT COULDN'T BE MORE PERFECT. 677 00:25:52,167 --> 00:25:53,667 FOR THE ZILLIONTH TIME, 678 00:25:53,700 --> 00:25:55,567 THERE IS NO SUCH THING AS PERFECT. 679 00:25:55,600 --> 00:25:57,400 LIAM SEEMS PRETTY PERFECT TO ME. 680 00:25:57,433 --> 00:25:59,967 HE HAS A FLAW, MIRA. EVERYBODY DOES. 681 00:26:00,000 --> 00:26:02,200 FINE. I WILL LET YOU KNOW THE SECOND I FIND ONE, 682 00:26:02,233 --> 00:26:03,800 WHICH I PROBABLY NEVER WILL. 683 00:26:03,833 --> 00:26:05,933 [LAUGHS] 684 00:26:05,967 --> 00:26:07,933 ALRIGHT. NINJA SHOPPING TIME. 685 00:26:07,967 --> 00:26:10,167 YOU HAVE ONE HOUR TO BUY A DRESS. 686 00:26:10,200 --> 00:26:13,100 MY TREAT. CONGRATULATIONS ON BECOMING SUCH A BIG-SHOT. 687 00:26:14,700 --> 00:26:17,200 THANK YOU, SOPH. 688 00:26:18,833 --> 00:26:20,233 YOUR RESTAURANT IS SO BEAUTIFUL. 689 00:26:20,267 --> 00:26:21,733 I'VE BEEN WANTING TO TRY IT 690 00:26:21,767 --> 00:26:22,933 SINCE I READ ABOUT IT, 691 00:26:22,967 --> 00:26:23,900 AND I LOVE 692 00:26:23,933 --> 00:26:25,667 THAT YOU NAMED IT AFTER YOUR GRANDMOTHER. 693 00:26:25,700 --> 00:26:26,833 WELL, I ACTUALLY GOT MY LOVE OF FOOD 694 00:26:26,867 --> 00:26:28,733 FROM GRANDMA MILLIE. 695 00:26:28,767 --> 00:26:31,100 THAT IS SO SWEET. 696 00:26:31,133 --> 00:26:34,033 WELL, COINCIDENTLY, "SWEET" IS THE RULE HERE AT MILLICENT'S. 697 00:26:34,067 --> 00:26:35,667 EVERYBODY HERE HAS TO HAVE DESSERT, 698 00:26:35,700 --> 00:26:37,600 BECAUSE GRANDMA MILLIE LIVES FOR DESSERT. 699 00:26:37,633 --> 00:26:38,967 WELL, THAT AND HER GRANDKIDS. 700 00:26:39,000 --> 00:26:42,100 MY SISTER HAS ALREADY GIVEN HER A GREAT-GRANDCHILD, 701 00:26:42,133 --> 00:26:45,600 SO I GUESS I'VE GOT TO GET ON THE BALL HERE AND CATCH UP. 702 00:26:46,667 --> 00:26:48,167 -CHEERS. -CHEERS. 703 00:26:50,200 --> 00:26:51,767 MM. 704 00:26:51,800 --> 00:26:53,933 WELL, WE OPENED THREE YEARS AGO, 705 00:26:53,967 --> 00:26:56,900 AND I FEEL VERY LUCKY THAT IT'S THIS SUCCESSFUL. 706 00:26:56,933 --> 00:26:58,867 IT'S... PERFECT. 707 00:27:01,600 --> 00:27:03,933 I'M SORRY. WOULD YOU MIND EXCUSING ME FOR JUST ONE MINUTE? 708 00:27:03,967 --> 00:27:05,900 SURE. 709 00:27:10,667 --> 00:27:12,700 HERE WE GO. 710 00:27:12,733 --> 00:27:14,167 OH, HE PICKED THE MENU HIMSELF. 711 00:27:15,700 --> 00:27:18,033 I BET HE BRINGS ALL THE GIRLS HERE, RIGHT? 712 00:27:18,067 --> 00:27:19,267 [QUIET CHUCKLE] 713 00:27:19,300 --> 00:27:20,800 BETWEEN YOU AND ME, 714 00:27:20,833 --> 00:27:22,567 YOU'RE THE FIRST DATE I'VE SEEN HIM BRING HERE. 715 00:27:22,600 --> 00:27:24,967 HE MUST REALLY LIKE YOU. 716 00:27:26,100 --> 00:27:27,900 -ENJOY. -THANK YOU. 717 00:27:29,100 --> 00:27:31,567 [FOOTSTEPS] 718 00:27:31,600 --> 00:27:32,867 SORRY ABOUT THAT. 719 00:27:32,900 --> 00:27:34,033 ONE OF OUR REGULARS. 720 00:27:34,067 --> 00:27:36,167 I JUST WANTED TO SAY A QUICK HELLO. 721 00:27:36,200 --> 00:27:37,300 YOU KNOW, REPEAT BUSINESS 722 00:27:37,333 --> 00:27:39,900 HAS BEEN SO MUCH THE KEY TO OUR SUCCESS HERE. 723 00:27:39,933 --> 00:27:43,000 IT'S SO IMPORTANT THAT MY CUSTOMERS KNOW THAT I CARE. 724 00:27:44,067 --> 00:27:46,200 MM. 725 00:27:46,233 --> 00:27:48,067 MILLIE'S FAMOUS CRAB CAKES. 726 00:27:48,100 --> 00:27:49,867 THEY SMELL DELICIOUS. 727 00:27:49,900 --> 00:27:52,567 WELL, YOU'RE GONNA LOVE 'EM. 728 00:27:52,600 --> 00:27:54,233 [CUTLERY CLINKS ON PLATE] 729 00:27:54,267 --> 00:27:57,200 [**] 730 00:27:57,233 --> 00:27:58,933 MM. 731 00:27:58,967 --> 00:28:01,033 [CHUCKLES] 732 00:28:01,067 --> 00:28:02,800 AND THE WATER WAS-- WAS CRYSTAL-CLEAR BLUE, 733 00:28:02,833 --> 00:28:05,233 LIKE NOTHING I'VE EVER SEEN IN MY LIFE. 734 00:28:05,267 --> 00:28:06,333 IN THAT MOMENT, 735 00:28:06,367 --> 00:28:09,233 I SWORE THAT I WOULD GO BACK TO BALI ONE DAY. 736 00:28:09,267 --> 00:28:11,933 BALI... 737 00:28:11,967 --> 00:28:14,333 YEAH. YOU'D LOVE IT. 738 00:28:14,367 --> 00:28:16,367 IT'S-- IT'S SO PEACEFUL THERE. 739 00:28:17,933 --> 00:28:20,233 I THINK YOU SHOULD GO WITH ME THE NEXT TIME. 740 00:28:20,267 --> 00:28:22,833 [LAUGHING] YOU JUST MET ME! 741 00:28:22,867 --> 00:28:24,900 I HAVE VERY GOOD PEOPLE INSTINCTS. 742 00:28:24,933 --> 00:28:27,667 ALSO, I DON'T REALLY BELIEVE IN ACCIDENTS, 743 00:28:27,700 --> 00:28:30,667 SO WHEN A BEAUTIFUL, CHARMING WOMAN 744 00:28:30,700 --> 00:28:33,700 COMES FROM OUT OF NOWHERE AND SWEEPS ME OFF MY FEET-- 745 00:28:33,733 --> 00:28:35,100 LITERALLY-- 746 00:28:35,133 --> 00:28:38,100 I CAN'T JUST SIT BACK AND DO NOTHING. 747 00:28:39,267 --> 00:28:41,667 [**] 748 00:28:54,033 --> 00:28:56,233 [**] 749 00:28:59,067 --> 00:29:01,833 I WANT TO SEE YOU AGAIN. 750 00:29:01,867 --> 00:29:03,400 TOMORROW. 751 00:29:03,433 --> 00:29:05,733 OR THE NEXT DAY. 752 00:29:05,767 --> 00:29:07,033 NO, I WANNA SEE YOU 753 00:29:07,067 --> 00:29:08,367 TOMORROW AND THE NEXT DAY. 754 00:29:08,400 --> 00:29:11,133 [LAUGHS] 755 00:29:15,400 --> 00:29:17,733 [**] 756 00:29:21,267 --> 00:29:23,900 [DOOR SHUTS] 757 00:29:26,833 --> 00:29:28,933 [**] 758 00:29:35,200 --> 00:29:36,933 [CHUCKLING] 759 00:29:36,967 --> 00:29:38,800 OH, I HAVE TO GO. 760 00:29:38,833 --> 00:29:41,667 MY PERSONAL SHOPPER HAS ARRIVED. 761 00:29:41,700 --> 00:29:42,967 BYE. HI! 762 00:29:43,000 --> 00:29:44,433 HI. 763 00:29:44,467 --> 00:29:45,433 YOU'RE NOT DONE? 764 00:29:45,467 --> 00:29:47,833 I'M SORRY, I GOT DISTRACTED BY LIAM. 765 00:29:47,867 --> 00:29:49,000 DID YOU FIND HIS FLAW YET? 766 00:29:49,033 --> 00:29:50,267 NO. 767 00:29:50,300 --> 00:29:51,933 BUT I'LL KEEP LOOKING FOR IT, IF IT'LL MAKE YOU HAPPY. 768 00:29:51,967 --> 00:29:53,267 WELL, DON'T GET ME WRONG. 769 00:29:53,300 --> 00:29:56,333 I DON'T WANT HIM TO HAVE A FLAW, I JUST KNOW THAT HE DOES. 770 00:29:56,367 --> 00:29:58,167 COME ON, HURRY UP. 771 00:29:58,200 --> 00:29:59,267 THERE IS NOTHING I LOVE MORE 772 00:29:59,300 --> 00:30:00,800 THAN SPENDING OTHER PEOPLE'S MONEY. 773 00:30:00,833 --> 00:30:02,300 DID YOU GET YOUR FIRST EXECUTIVE PAYCHECK YET? 774 00:30:02,333 --> 00:30:03,933 JUST THIS MORNING. 775 00:30:03,967 --> 00:30:05,000 WELL, KISS IT GOODBYE. 776 00:30:05,033 --> 00:30:06,367 [**] 777 00:30:06,400 --> 00:30:07,700 HOW DID I EVER LET YOU 778 00:30:07,733 --> 00:30:09,300 TALK ME INTO BUYING SUCH AN EXPENSIVE SCARF? 779 00:30:09,333 --> 00:30:11,800 WHAT'S THE MESSAGE YOU WANT TO SEND, MIRA? 780 00:30:11,833 --> 00:30:15,100 A $2.00 SCARF FROM THE STREET CORNER, 781 00:30:15,133 --> 00:30:16,900 OR A WORK OF ART 782 00:30:16,933 --> 00:30:18,233 IN POWER COLORS 783 00:30:18,267 --> 00:30:19,400 THAT SCREAMS "SUCCESS"? 784 00:30:19,433 --> 00:30:21,167 I GUESS THE SECOND ONE. 785 00:30:21,200 --> 00:30:23,233 PERCEPTION IS EVERYTHING. 786 00:30:23,267 --> 00:30:24,767 PERCEPTION AND CONFIDENCE. 787 00:30:24,800 --> 00:30:26,267 YOU ARE WHAT YOU PORTRAY. 788 00:30:26,300 --> 00:30:27,900 SO... 789 00:30:27,933 --> 00:30:29,833 WHO DO YOU WANT TO BE? 790 00:30:29,867 --> 00:30:31,967 I WANT TO BE THAT GIRL. 791 00:30:33,933 --> 00:30:37,167 BUT YOU'RE GONNA HAVE TO TEACH ME HOW TO TIE THIS. 792 00:30:37,200 --> 00:30:38,700 [LAUGHS] 793 00:30:38,733 --> 00:30:41,300 THE LAST PIECE OF THE PUZZLE IS IN. 794 00:30:41,333 --> 00:30:44,167 YOU'RE NOW THE PERSON YOU'VE ALWAYS DREAMT OF BEING. 795 00:30:44,200 --> 00:30:45,667 HANG UP YOUR YOGA PANTS, BABY SIS, 796 00:30:45,700 --> 00:30:48,967 BECAUSE THERE IS A NEW MIRA IN TOWN. 797 00:30:49,000 --> 00:30:51,767 [**] 798 00:31:04,833 --> 00:31:07,333 [**] 799 00:31:12,333 --> 00:31:15,467 [**] 800 00:31:21,500 --> 00:31:24,300 I SEE A LOT CHANGED WHILE I WAS IN LONDON. 801 00:31:25,767 --> 00:31:27,100 I WENT SHOPPING. 802 00:31:27,133 --> 00:31:29,167 I SEE THAT. 803 00:31:30,933 --> 00:31:33,300 MIRA, WE'VE GOT TO OPEN BIG WITH THE BOARD. 804 00:31:33,333 --> 00:31:35,867 WE WON'T HAVE THEIR ATTENTION LONG, 805 00:31:35,900 --> 00:31:37,833 SO I THOUGHT WE'D BEGIN BY SAYING 806 00:31:37,867 --> 00:31:40,733 THAT WE'RE THE FIRST COMPANY TO DO SOMETHING LIKE THIS, 807 00:31:40,767 --> 00:31:42,367 WHICH IS ALREADY A BIG WIN. 808 00:31:42,400 --> 00:31:44,100 AND THEY WON'T THINK IT'S WEIRD 809 00:31:44,133 --> 00:31:45,867 THAT A LOWER-LEVEL PROJECT MANAGER 810 00:31:45,900 --> 00:31:47,867 IS NOW RUNNING THIS REDESIGN? 811 00:31:47,900 --> 00:31:51,300 YOU ARE NO LONGER A LOWER-LEVEL EXECUTIVE. 812 00:31:51,333 --> 00:31:54,100 YOU GOTTA STOP THINKING OF YOURSELF AS ONE. 813 00:31:54,133 --> 00:31:56,533 YOU'RE RIGHT. 814 00:31:58,233 --> 00:32:00,367 WILLIAM CUDDY. HE ALWAYS LOOKS ANGRY. 815 00:32:00,400 --> 00:32:01,800 THAT'S JUST HIS NATURAL STATE, 816 00:32:01,833 --> 00:32:04,267 BUT HE VOLUNTEERS WITH RESCUE DOGS ON THE WEEKENDS. 817 00:32:04,300 --> 00:32:06,067 -HOLLY-- -"HEIDI." 818 00:32:06,100 --> 00:32:07,300 HEIDI! HEIDI SAXTON. 819 00:32:07,333 --> 00:32:08,933 SMART AS A WHIP, TOUGH AS NAILS. 820 00:32:08,967 --> 00:32:10,067 SHE'LL ASK ALL THE HARD QUESTIONS. 821 00:32:10,100 --> 00:32:11,800 [**] 822 00:32:11,833 --> 00:32:13,267 SHOOT. 823 00:32:14,533 --> 00:32:15,533 I CAN'T REMEMBER THIS GUY. 824 00:32:15,567 --> 00:32:16,833 BLAINE BANNISTER. 825 00:32:16,867 --> 00:32:17,800 BLAINE BANNISTER. 826 00:32:17,833 --> 00:32:19,067 HIS FATHER MADE A KILLING 827 00:32:19,100 --> 00:32:20,400 WHEN FRONT SOURCE WENT PUBLIC. 828 00:32:20,433 --> 00:32:22,167 HE KNOWS NOTHING ABOUT TECH, 829 00:32:22,200 --> 00:32:24,567 BUT DOESN'T WANT US TO KNOW THAT 830 00:32:24,600 --> 00:32:27,867 AND HE IS A DEFINITE "YES" FOR US. 831 00:32:29,500 --> 00:32:31,967 UH, I'M SO SORRY TO KEEP YOU WAITING! 832 00:32:32,000 --> 00:32:34,067 AND I KNOW TODAY YOU WERE GONNA PRESENT YOUR IDEAS, 833 00:32:34,100 --> 00:32:35,300 BUT ERIN AND I HAVE BEEN SO CRAZED 834 00:32:35,333 --> 00:32:36,400 WITH BOARD MEETING PREP, 835 00:32:36,433 --> 00:32:39,133 SO TODAY'S MEETING WILL BE ABBREVIATED. 836 00:32:39,167 --> 00:32:41,133 BUT I-I AM EXCITED TO HEAR ALL OF YOUR IDEAS, 837 00:32:41,167 --> 00:32:42,933 SO HOLD ONTO WHATEVER YOU'VE COME UP WITH, 838 00:32:42,967 --> 00:32:44,400 AND WE'LL GO OVER IT SOON. 839 00:32:44,433 --> 00:32:45,800 DO YOU NEED ANY HELP WITH ANYTHING? 840 00:32:45,833 --> 00:32:46,833 THANKS, BUT... [EXHALES] 841 00:32:46,867 --> 00:32:48,267 I THINK I'VE GOT IT. 842 00:32:48,300 --> 00:32:50,033 SO YOU ALL JUST KEEP DOING WHAT YOU'RE DOING 843 00:32:50,067 --> 00:32:51,100 AND WE'LL REGROUP TOMORROW. 844 00:32:51,133 --> 00:32:53,167 [**] 845 00:32:53,200 --> 00:32:54,833 OKAY? 846 00:32:54,867 --> 00:32:56,367 THANKS. 847 00:32:56,400 --> 00:32:59,033 [**] 848 00:33:06,067 --> 00:33:07,467 AD SALES SENT OVER SOME LOGOS 849 00:33:07,500 --> 00:33:09,100 SO WE CAN USE REAL ADS ON THE WEB PAGE PROTOTYPE. 850 00:33:09,133 --> 00:33:10,533 [KNOCKS] 851 00:33:10,567 --> 00:33:13,033 LIAM. [GASPS] 852 00:33:13,067 --> 00:33:15,167 I LOST TRACK OF TIME. 853 00:33:15,200 --> 00:33:16,167 I TRIED CALLING. 854 00:33:16,200 --> 00:33:18,333 IT'S ON VIBRATE. I'M-- I'M SORRY. 855 00:33:18,367 --> 00:33:21,467 NO, NO, I'M SO SORRY FOR-FOR INTERRUPTING YOUR WORK. 856 00:33:21,500 --> 00:33:23,167 SHOULD-- SHOULD WE CANCEL? 857 00:33:23,200 --> 00:33:24,367 UM... 858 00:33:24,400 --> 00:33:25,600 NO. YOU GO. 859 00:33:25,633 --> 00:33:27,167 I'LL KEEP AT IT. 860 00:33:27,200 --> 00:33:28,900 YOU CAN APPROVE IT WHEN YOU GET BACK. 861 00:33:28,933 --> 00:33:30,567 OKAY. I'LL COME BACK RIGHT AFTER DINNER. 862 00:33:30,600 --> 00:33:31,633 YEAH. 863 00:33:31,667 --> 00:33:32,933 HOW DOES A BURGER SOUND? 864 00:33:32,967 --> 00:33:34,233 I'VE BEEN CRAVING ONE ALL DAY. 865 00:33:34,267 --> 00:33:36,467 ACTUALLY, I'VE GOT RESERVATIONS FOR US 866 00:33:36,500 --> 00:33:38,000 AT WHITE LOTUS. 867 00:33:38,033 --> 00:33:40,567 WHITE LOTUS? I HEARD THAT PLACE IS IMPOSSIBLE TO GET INTO. 868 00:33:40,600 --> 00:33:42,533 I MIGHT KNOW A GUY. 869 00:33:42,567 --> 00:33:43,933 I DON'T KNOW IF I HAVE TIME FOR THAT. 870 00:33:43,967 --> 00:33:45,967 JONAH AND I ARE RIGHT IN THE MIDDLE OF THIS PROPOSAL. 871 00:33:46,000 --> 00:33:47,267 LISTEN, IT'LL TAKE A TAD LONGER THAN A BURGER, 872 00:33:47,300 --> 00:33:49,500 BUT I PROMISE TO HAVE YOU BACK HERE 873 00:33:49,533 --> 00:33:50,500 BEFORE YOU KNOW IT. 874 00:33:50,533 --> 00:33:51,633 WHAT DO YOU SAY? 875 00:33:55,433 --> 00:33:57,000 THANKS, JONAH. 876 00:33:57,033 --> 00:33:59,433 [**] 877 00:34:02,333 --> 00:34:04,700 THANK YOU. 878 00:34:07,633 --> 00:34:09,233 AHEM. 879 00:34:09,267 --> 00:34:12,533 WOW. THAT WAS, LIKE, THE SEVENTH THING THEY BROUGHT OUT. 880 00:34:12,567 --> 00:34:15,267 WELL, IT'S A-- IT'S A 16-COURSE TASTING MENU. 881 00:34:15,300 --> 00:34:17,133 [LAUGHS] 16 COURSES. 882 00:34:19,267 --> 00:34:21,567 OH. YOU'RE NOT KIDDING? 883 00:34:21,600 --> 00:34:24,533 16 DELICIOUS COURSES. 884 00:34:24,567 --> 00:34:25,633 WOW. 885 00:34:25,667 --> 00:34:27,700 AHEM. 886 00:34:27,733 --> 00:34:29,667 [**] 887 00:34:40,667 --> 00:34:42,067 MM. 888 00:34:42,100 --> 00:34:45,233 MONKFISH-LIVER CREAM WITH BLACK SEA BREAM CAVIAR 889 00:34:45,267 --> 00:34:47,000 AND TOASTED WILD CHANTERELLES. 890 00:34:47,033 --> 00:34:48,533 [LIAM]: MM. 891 00:34:48,567 --> 00:34:50,633 [CHUCKLES] DO YOU THINK I COULD JUST GET A BURGER? 892 00:34:50,667 --> 00:34:52,567 [LIAM CHUCKLES] 893 00:34:52,600 --> 00:34:55,100 OH. SHE'S JOKING. 894 00:34:56,167 --> 00:34:57,467 [SERVER CLEARS HIS THROAT] 895 00:35:09,367 --> 00:35:11,333 I KNEW YOU'D LOVE IT. 896 00:35:11,367 --> 00:35:13,233 LISTEN, LIAM, THIS IS AMAZING, 897 00:35:13,267 --> 00:35:16,167 AND EACH DISH IS AS BEAUTIFUL AS THE LAST, 898 00:35:16,200 --> 00:35:18,133 BUT I LEFT JONAH AT WORK AND... 899 00:35:18,167 --> 00:35:19,700 I FEEL GUILTY! 900 00:35:19,733 --> 00:35:22,667 OH, WELL, YOU SHOULDN'T FEEL GUILTY, MIRA. 901 00:35:22,700 --> 00:35:25,300 YOU-- YOU DESERVE THIS. 902 00:35:25,333 --> 00:35:27,667 IT'S REALLY SWEET THAT YOU CARE SO MUCH, 903 00:35:27,700 --> 00:35:31,000 BUT THIS IS TAKING WAY LONGER THAN I THOUGHT IT WOULD. 904 00:35:31,033 --> 00:35:33,600 [CONFUSED CHUCKLE] I THOUGHT YOU'D LOVE IT. 905 00:35:33,633 --> 00:35:35,167 YOU KNOW, THERE'S A YEAR WAITING LIST 906 00:35:35,200 --> 00:35:37,000 TO GET INTO THIS PLACE. I JUST WANTED TO SURPRISE YOU. 907 00:35:37,033 --> 00:35:38,000 UH, NO, IT'S-IT'S... IT'S AMAZING, 908 00:35:38,033 --> 00:35:39,333 I JUST WISH I WASN'T SO DISTRACTED 909 00:35:39,367 --> 00:35:40,600 BY THE TIME IT'S TAKING. 910 00:35:40,633 --> 00:35:43,533 I HAVE SO MUCH TO DO BACK AT THE OFFICE. 911 00:35:43,567 --> 00:35:46,000 MIRA, YOU WORK HARD. LET ME SPOIL YOU. 912 00:35:46,033 --> 00:35:47,300 THANK YOU, LIAM. 913 00:35:47,333 --> 00:35:48,733 THAT'S... 914 00:35:48,767 --> 00:35:50,400 A REALLY SWEET THOUGHT, 915 00:35:50,433 --> 00:35:52,100 AND I'D LOVE FOR YOU SPOIL ME 916 00:35:52,133 --> 00:35:53,567 AFTER THE BOARD MEETING. 917 00:35:53,600 --> 00:35:54,700 [LIAM CHUCKLES] 918 00:35:54,733 --> 00:35:58,300 YOU KNOW, IT CAN'T ALL BE WORK, WORK, WORK. 919 00:35:58,333 --> 00:36:02,067 YOU HAVE TO GIVE YOURSELF TIME TO ENJOY LIFE, TOO. 920 00:36:02,100 --> 00:36:04,367 LOOK, WE ONLY HAVE A FEW MORE COURSES LEFT, 921 00:36:04,400 --> 00:36:05,567 SO LET'S JUST 922 00:36:05,600 --> 00:36:07,400 SAVOR THE MOMENT TOGETHER. 923 00:36:07,433 --> 00:36:10,267 [**] 924 00:36:12,467 --> 00:36:15,100 [**] 925 00:36:32,767 --> 00:36:34,367 I'M BACK, SLEEPY-HEAD. 926 00:36:34,400 --> 00:36:35,467 [WEARY GROAN] 927 00:36:35,500 --> 00:36:37,567 HOW WAS DINNER? 928 00:36:37,600 --> 00:36:38,833 DOES WHITE LOTUS EVEN SERVE BURGERS? 929 00:36:38,867 --> 00:36:42,467 NOT EVEN CLOSE. 930 00:36:42,500 --> 00:36:43,833 I'M SORRY THAT TOOK SO LONG. 931 00:36:43,867 --> 00:36:45,833 HEY, YOU KNOW, IT'S OKAY. 932 00:36:45,867 --> 00:36:48,467 GAVE ME TIME TO FINISH THE FIRST ROUND OF MOCK-UPS. 933 00:36:48,500 --> 00:36:49,733 LET ME SHOW YOU. 934 00:36:49,767 --> 00:36:52,333 [KEYS CLACKING] 935 00:36:56,467 --> 00:36:58,500 I LIKE THE BACKGROUND CONTINUING 936 00:36:58,533 --> 00:36:59,533 THROUGH ALL THE PAGES. 937 00:36:59,567 --> 00:37:00,667 IT'S NICE CONTINUITY. 938 00:37:00,700 --> 00:37:01,700 [KNOCKS] 939 00:37:01,733 --> 00:37:04,733 ERIN? WILLIAM CUDDY'S OFFICE CALLED. 940 00:37:04,767 --> 00:37:06,867 HE NEEDS TO MOVE THE BOARD PRESENTATION UP TO FRIDAY. 941 00:37:06,900 --> 00:37:09,300 YOU MEAN THE DAY- AFTER-TOMORROW FRIDAY? 942 00:37:10,700 --> 00:37:12,500 WE WERE SUPPOSED TO HAVE TWO MORE WEEKS. 943 00:37:12,533 --> 00:37:14,433 CAN-- CAN-- CAN HE DO THAT? 944 00:37:14,467 --> 00:37:15,500 HE CAN. 945 00:37:15,533 --> 00:37:17,467 HE JUST DID. THANKS, ALEX. 946 00:37:18,867 --> 00:37:20,233 ERIN? 947 00:37:20,267 --> 00:37:22,200 YEAH... YEAH. 948 00:37:25,367 --> 00:37:28,433 MICHAEL, I NEED YOU TO RUN THE ADVERTISER NUMBERS 949 00:37:28,467 --> 00:37:30,200 ON RIDGE SOFTWARE, AND GET THOSE TO ME A.S.A.P. 950 00:37:30,233 --> 00:37:31,300 -WILL DO. -THANK YOU. 951 00:37:31,333 --> 00:37:32,500 OH, WAIT, MIRA, ACTUALLY, 952 00:37:32,533 --> 00:37:35,400 I HAD AN IDEA THAT I WANTED TO RUN BY YOU. 953 00:37:35,433 --> 00:37:37,433 AFTER THE BOARD MEETING. 954 00:37:37,467 --> 00:37:38,533 NO, BUT THIS MIGHT HELP WITH THAT. 955 00:37:38,567 --> 00:37:39,633 SERIOUSLY, MICHAEL. 956 00:37:39,667 --> 00:37:41,600 ANYTHING AFTER FRIDAY, I'M ALL EARS. OKAY? 957 00:37:41,633 --> 00:37:43,300 [WORDS CATCH] 958 00:37:44,433 --> 00:37:46,933 RIGHT. [SIGHS] 959 00:37:50,200 --> 00:37:53,200 [**] 960 00:38:09,467 --> 00:38:12,267 [PHONE RINGS] 961 00:38:15,400 --> 00:38:16,267 HEY. 962 00:38:16,300 --> 00:38:18,200 YOU'RE READY. 963 00:38:18,233 --> 00:38:19,700 I'M NERVOUS. MY MIND IS SPINNING. 964 00:38:19,733 --> 00:38:21,733 DISTRACT ME. TELL ME A STORY. 965 00:38:21,767 --> 00:38:23,567 YOU NEED TO SLEEP. 966 00:38:23,600 --> 00:38:24,567 OKAY, THEN TELL ME 967 00:38:24,600 --> 00:38:25,767 A BORING STORY. 968 00:38:25,800 --> 00:38:27,433 OKAY, I'VE GOT THIS NEW ONE 969 00:38:27,467 --> 00:38:28,600 I'VE BEEN WORKING ON. 970 00:38:28,633 --> 00:38:31,667 YOU CAN TELL ME WHAT YOU THINK. 971 00:38:31,700 --> 00:38:35,300 ONCE UPON A TIME, THERE WAS THIS... 972 00:38:35,333 --> 00:38:37,200 FROG, BUT HE REALLY WANTED TO BE-- 973 00:38:37,233 --> 00:38:38,767 A PRINCE! 974 00:38:38,800 --> 00:38:39,900 NO! 975 00:38:39,933 --> 00:38:42,267 AN ACCOUNTANT. HE WANTED TO BE AN ACCOUNTANT. 976 00:38:42,300 --> 00:38:43,367 YOU SAID BORING. 977 00:38:43,400 --> 00:38:44,433 DO YOU WANT ME TO TELL THE STORY OR NOT? 978 00:38:44,467 --> 00:38:45,500 PLEASE? OKAY, I PROMISE. 979 00:38:45,533 --> 00:38:46,900 I WON'T-- I WILL NOT INTERRUPT. 980 00:38:46,933 --> 00:38:48,300 IRONICALLY, 981 00:38:48,333 --> 00:38:51,667 THIS FROG HAD A HUGE AMOUNT OF CREDIT CARD DEBT-- 982 00:38:51,700 --> 00:38:54,300 [**] 983 00:38:55,467 --> 00:38:57,467 [ELEVATOR DINGS] 984 00:39:01,433 --> 00:39:03,367 ARE YOU READY? 985 00:39:03,400 --> 00:39:04,533 MAYBE YOU SHOULD DO THIS. 986 00:39:04,567 --> 00:39:06,300 I'VE ONLY HAD THREE DAYS. 987 00:39:06,333 --> 00:39:08,567 I'D NEVER PUT ANYBODY IN FRONT OF THE BOARD 988 00:39:08,600 --> 00:39:09,700 THAT WASN'T READY. 989 00:39:09,733 --> 00:39:10,833 YOU WILL BE GREAT. 990 00:39:10,867 --> 00:39:14,467 AND I'LL BE WITH YOU EVERY STEP OF THE WAY. 991 00:39:19,500 --> 00:39:20,700 WELCOME. 992 00:39:20,733 --> 00:39:25,500 I'M EXCITED TO PRESENT A NEW INNOVATION, UH, 993 00:39:25,533 --> 00:39:27,433 A NEW WAY-- INNOVATION-- UH... 994 00:39:27,467 --> 00:39:31,867 THE WAY WE COMMUNICATE VIA SOCIAL NETWORKING. 995 00:39:33,333 --> 00:39:34,867 [CLEARS HER THROAT] 996 00:39:34,900 --> 00:39:36,500 WE ARE LOOKING 997 00:39:36,533 --> 00:39:38,333 AT A THREE-FOLD SITE THAT ALLOWS OUR MEMBERS 998 00:39:38,367 --> 00:39:39,533 TO COMBINE THEIR FAVORITE WEBSITES, 999 00:39:39,567 --> 00:39:40,867 AND HERE'S HOW IT WORKS. 1000 00:39:40,900 --> 00:39:43,400 [**] 1001 00:39:43,433 --> 00:39:45,567 AND WE STRONGLY BELIEVE 1002 00:39:45,600 --> 00:39:48,033 THAT, IN THIS DAY AND AGE OF INSTANT GRATIFICATION, 1003 00:39:48,067 --> 00:39:49,867 WE HAVE CREATED THE PERFECT DEFINITION 1004 00:39:49,900 --> 00:39:51,633 OF "ONE-STOP SHOPPING." 1005 00:39:51,667 --> 00:39:54,367 [**] 1006 00:39:56,700 --> 00:39:58,033 EXCELLENT. 1007 00:39:58,067 --> 00:39:59,900 YOU'VE GIVEN US A LOT TO DISCUSS. 1008 00:39:59,933 --> 00:40:01,600 WE'LL TALK AND GET BACK TO YOU LATER TODAY. 1009 00:40:01,633 --> 00:40:04,833 AND IF YOU'VE GOT QUESTIONS, YOU KNOW WHERE TO FIND ME. 1010 00:40:04,867 --> 00:40:06,500 THANKS SO MUCH FOR COMING. 1011 00:40:12,700 --> 00:40:15,433 [**] 1012 00:40:19,767 --> 00:40:21,833 NO NEWS. 1013 00:40:21,867 --> 00:40:24,800 THEY SAID THEY'D CALL YESTERDAY AND STILL NO WORD. 1014 00:40:24,833 --> 00:40:26,933 I'M SURE YOU DID GREAT, MIR. 1015 00:40:26,967 --> 00:40:28,833 I BET YOU'LL HEAR FIRST THING MONDAY MORNING. 1016 00:40:28,867 --> 00:40:30,600 THAT REMINDS ME. I HAVE TO TALK TO MARKETING 1017 00:40:30,633 --> 00:40:32,567 BEFORE THEIR STAFF MEETING ON MONDAY MORNING. 1018 00:40:34,033 --> 00:40:36,367 MIRA? CAN YOU PUT THE WORK DOWN? 1019 00:40:36,400 --> 00:40:39,533 WE CAME ALL THE WAY HERE TO BE WITH YOU, 1020 00:40:39,567 --> 00:40:41,567 NOT YOU AND YOUR COMPUTER. 1021 00:40:41,600 --> 00:40:44,733 I'M SORRY. JUST ONE MORE MINUTE, OKAY? 1022 00:40:47,500 --> 00:40:48,800 [PHONE RINGS] 1023 00:40:48,833 --> 00:40:50,067 THIS IS MIRA. 1024 00:40:50,100 --> 00:40:52,333 OH, HI. YES. I HAVE THOSE NUMBERS FOR YOU RIGHT HERE. 1025 00:40:52,367 --> 00:40:54,667 JUST GIVE ME JUST A SECOND TO PULL THEM UP. 1026 00:41:08,600 --> 00:41:10,000 IT'S 8:00, 1027 00:41:10,033 --> 00:41:12,700 AND YET, SOMEHOW, I KNEW YOU'D STILL BE HERE. 1028 00:41:12,733 --> 00:41:14,933 WAITING. WISHING. HOPING. 1029 00:41:14,967 --> 00:41:18,067 WELL, NOTHING DROWNS SORROW BETTER THAN BUFFALO SAUCE. 1030 00:41:18,100 --> 00:41:19,700 I BROUGHT WINGS. 1031 00:41:19,733 --> 00:41:22,400 YOU ALWAYS KNOW EXACTLY WHAT I NEED. 1032 00:41:23,867 --> 00:41:25,033 YEAH. 1033 00:41:25,067 --> 00:41:28,000 NO NEWS IS BAD NEWS, JONAH. 1034 00:41:28,033 --> 00:41:29,733 IT'S BEEN FOUR DAYS. 1035 00:41:29,767 --> 00:41:33,733 I HAD THE FANTASY IN MY GRASP AND I THINK I BLEW IT. 1036 00:41:34,833 --> 00:41:36,500 BYE-BYE, VIEW. 1037 00:41:36,533 --> 00:41:38,367 FAREWELL, TOWNHOUSE. 1038 00:41:40,033 --> 00:41:41,067 MAYBE THE BOARD 1039 00:41:41,100 --> 00:41:43,967 HASN'T HAD A CHANCE TO VOTE ON IT YET. 1040 00:41:44,000 --> 00:41:47,367 MAYBE WE SHOULD GO TO A MOVIE. 1041 00:41:47,400 --> 00:41:49,433 TAKE YOUR MIND OFF THINGS. 1042 00:41:49,467 --> 00:41:52,367 [PHONE RINGS] 1043 00:41:55,900 --> 00:41:57,700 ERIN. 1044 00:41:57,733 --> 00:41:58,833 THUMBS UP. APPROVED. 1045 00:41:58,867 --> 00:42:00,467 THEY'RE PLANNING A BIG LAUNCH. 1046 00:42:00,500 --> 00:42:02,533 PRESS, STOCKHOLDERS, 1047 00:42:02,567 --> 00:42:03,767 THE WHOLE SHEBANG. 1048 00:42:03,800 --> 00:42:05,067 ARE YOU READY FOR THIS? 1049 00:42:05,100 --> 00:42:08,600 I'VE NEVER BEEN MORE READY FOR ANYTHING IN MY LIFE! 1050 00:42:08,633 --> 00:42:10,633 GOOD. BECAUSE NOW YOU GET TO SHOW EVERYBODY 1051 00:42:10,667 --> 00:42:13,667 WHAT MIRA SIMON REALLY IS MADE OF. 1052 00:42:13,700 --> 00:42:15,067 THANK YOU SO MUCH! 1053 00:42:16,000 --> 00:42:17,633 WE'RE IN! 1054 00:42:17,667 --> 00:42:18,933 YES! 1055 00:42:20,633 --> 00:42:21,867 OH! CONGRATULATIONS! 1056 00:42:21,900 --> 00:42:23,167 THANK YOU! 1057 00:42:27,133 --> 00:42:29,567 HEY! SO MY FRIEND, 1058 00:42:29,600 --> 00:42:30,700 WHO'S A TECH DESIGNER AT OURFRIENDS, 1059 00:42:30,733 --> 00:42:32,400 JUST TOLD ME THEY'RE LAUNCHING THEIR SITE. 1060 00:42:32,433 --> 00:42:33,567 THAT'S NOT NEWS. 1061 00:42:33,600 --> 00:42:35,033 EVERYONE KNOWS THEY'RE REDOING THEIR WEB SITE. 1062 00:42:35,067 --> 00:42:36,500 YEAH, BUT TOMORROW NIGHT, 1063 00:42:36,533 --> 00:42:39,467 THEY'RE GIVING A SNEAK PEEK TO THE PRESS AND EMPLOYEES 1064 00:42:39,500 --> 00:42:40,900 TWO WEEKS BEFORE THE SITE ROLLS OUT. 1065 00:42:40,933 --> 00:42:43,033 YOU GOT A PRESS PASS? 1066 00:42:43,067 --> 00:42:44,067 NO, BUT I AM QUITE RESOURCEFUL. 1067 00:42:44,100 --> 00:42:45,567 -AND SO ARE YOU. -OH, WE'RE GOING! 1068 00:42:45,600 --> 00:42:47,700 YEAH, WE ARE. 1069 00:42:47,733 --> 00:42:49,100 -HI, SUSAN. -HELLO. 1070 00:42:49,133 --> 00:42:50,800 OKAY. 1071 00:42:50,833 --> 00:42:52,833 I'LL SEE YOU LATER. 1072 00:42:54,433 --> 00:42:55,933 [SIGHS] 1073 00:42:59,200 --> 00:43:01,133 YOU SHOULD JUST TELL HER HOW YOU FEEL. 1074 00:43:01,167 --> 00:43:04,633 I MEAN... SHE HAS TO KNOW. 1075 00:43:04,667 --> 00:43:06,667 WE ALL DO. 1076 00:43:06,700 --> 00:43:09,167 [**] 1077 00:43:10,700 --> 00:43:13,167 [BUZZING CHATTER] 1078 00:43:14,667 --> 00:43:16,967 I'M SORRY I HAD TO MOVE OUR DINNER TO THIS EARLY. 1079 00:43:17,000 --> 00:43:18,133 I JUST GOTTA TRY AND GET A JUMP 1080 00:43:18,167 --> 00:43:20,467 ON THE COMPETITION TONIGHT. 1081 00:43:20,500 --> 00:43:21,967 HEY, WE'RE AT MILLICENT'S. 1082 00:43:22,000 --> 00:43:24,067 MIGHT AS WELL EAT WHEN MILLIE EATS. 1083 00:43:25,500 --> 00:43:26,767 LIAM, I CAN TELL 1084 00:43:26,800 --> 00:43:28,900 THAT YOU'RE LESS THAN THRILLED BY THE DEMANDS OF MY JOB, 1085 00:43:28,933 --> 00:43:30,700 BUT I HAVE TO TELL YOU, 1086 00:43:30,733 --> 00:43:31,733 I HAVE BEEN WAITING 1087 00:43:31,767 --> 00:43:33,100 MY WHOLE LIFE FOR THIS TO HAPPEN, 1088 00:43:33,133 --> 00:43:34,800 AND IT FINALLY DID. 1089 00:43:34,833 --> 00:43:37,700 THIS IS MY MOMENT. 1090 00:43:38,833 --> 00:43:39,900 UNDERSTOOD. 1091 00:43:39,933 --> 00:43:42,667 WELL, YOU CAN FOCUS ON THAT, THEN, 1092 00:43:42,700 --> 00:43:45,067 I, ON THE OTHER HAND, WILL BE YOUR STEWARD OF FUN. 1093 00:43:45,100 --> 00:43:47,700 I'VE GOT BIG PLANS FOR US, MIRA. 1094 00:43:47,733 --> 00:43:49,500 I PROMISED TO YOU THAT YOU'D ENJOY YOUR LIFE, 1095 00:43:49,533 --> 00:43:51,467 AND I MEANT THAT. 1096 00:43:51,500 --> 00:43:52,800 THAT ALL SOUNDS GREAT, LIAM, 1097 00:43:52,833 --> 00:43:54,067 BUT WE CAN TAKE OUR TIME. 1098 00:43:54,100 --> 00:43:55,633 WE'RE NOT GOING ANYWHERE. 1099 00:43:55,667 --> 00:43:56,667 MM. 1100 00:43:59,233 --> 00:44:01,200 THIS STEAK IS INCREDIBLE. 1101 00:44:01,233 --> 00:44:03,667 ANCIENT FAMILY RECIPE. 1102 00:44:03,700 --> 00:44:04,967 WELL, DARLING, DON'T ASK THE OWNER 1103 00:44:05,000 --> 00:44:06,300 FOR ANY OF MILLIE'S RECIPES, 1104 00:44:06,333 --> 00:44:08,133 I HEAR HE'S QUITE STINGY WITH THEM. 1105 00:44:09,133 --> 00:44:11,167 I ALSO THINK HE'S HIDING A LOT OF OTHER SECRETS, TOO. 1106 00:44:11,200 --> 00:44:13,833 WH-- WHY WOULD YOU SAY THAT? 1107 00:44:13,867 --> 00:44:15,900 I DON'T HAVE ANY SECRETS FROM YOU, MIRA. 1108 00:44:15,933 --> 00:44:17,100 OF COURSE NOT! 1109 00:44:17,133 --> 00:44:18,300 I'M TEASING YOU. 1110 00:44:18,333 --> 00:44:20,533 -OH! -I'M JUST PLAYING AROUND. 1111 00:44:20,567 --> 00:44:21,533 OKAY, OKAY. 1112 00:44:21,567 --> 00:44:23,967 BUT ALL-- ALL JOKES COME FROM SOMEWHERE. 1113 00:44:25,000 --> 00:44:27,033 I'M BEING GOOFY. OKAY? 1114 00:44:28,833 --> 00:44:30,100 [LAUGHS] 1115 00:44:30,133 --> 00:44:31,567 OKAY. 1116 00:44:31,600 --> 00:44:33,133 I HEAR YOU. 1117 00:44:33,167 --> 00:44:34,767 BUT IF YOU EVER WANT TO ASK ME ANYTHING, 1118 00:44:34,800 --> 00:44:35,867 JUST ASK. 1119 00:44:35,900 --> 00:44:39,133 I HONESTLY HAVE NO SECRETS FROM YOU, MIRA. 1120 00:44:39,167 --> 00:44:40,800 NONE. 1121 00:44:42,667 --> 00:44:44,533 EAT UP. 1122 00:44:44,567 --> 00:44:47,167 [**] 1123 00:44:49,967 --> 00:44:52,333 [CHATTER AND BUZZ] 1124 00:44:58,000 --> 00:44:59,267 HI. NAMES? 1125 00:44:59,300 --> 00:45:01,233 IT'S, UM, RAYLENE. 1126 00:45:01,267 --> 00:45:02,900 SMITH. 1127 00:45:02,933 --> 00:45:04,167 FROM ACCOUNTING. 1128 00:45:04,200 --> 00:45:07,367 THIS IS MY HUSBAND. EARL. 1129 00:45:07,400 --> 00:45:10,267 EARL... UH... YOUR NAME'S NOT ON THE LIST. 1130 00:45:10,300 --> 00:45:12,067 AGAIN? 1131 00:45:12,100 --> 00:45:14,100 THEY ALWAYS DO THIS. 1132 00:45:14,133 --> 00:45:15,833 THEY ALWAYS FORGET ABOUT ACCOUNTING. 1133 00:45:15,867 --> 00:45:17,000 ALWAYS! 1134 00:45:17,033 --> 00:45:18,300 OH-- 1135 00:45:18,333 --> 00:45:19,733 -[SOBS] -HEY... 1136 00:45:19,767 --> 00:45:20,967 NO. OH-- 1137 00:45:21,000 --> 00:45:22,133 DON'T DO THAT. 1138 00:45:23,933 --> 00:45:25,367 COULD YOU CHECK AGAIN, PLEASE? 1139 00:45:25,400 --> 00:45:27,267 IT'S, UH, RAYLENE. 1140 00:45:27,300 --> 00:45:28,933 R-A- 1141 00:45:28,967 --> 00:45:32,333 Y-L-I-N-E? 1142 00:45:32,367 --> 00:45:34,033 OH. HERE YOU ARE. 1143 00:45:34,067 --> 00:45:35,233 OH! 1144 00:45:35,267 --> 00:45:36,600 I'M SORRY ABOUT THAT, GUYS. 1145 00:45:36,633 --> 00:45:38,300 -HAVE A GOOD NIGHT. -THANK YOU. 1146 00:45:39,933 --> 00:45:41,200 REALLY? EARL? 1147 00:45:41,233 --> 00:45:43,233 WHO ELSE WOULD RAYLENE BE MARRIED TO? 1148 00:45:43,267 --> 00:45:45,833 [LAUGHS] AFTER YOU, RAYLENE. 1149 00:45:48,767 --> 00:45:51,700 [**] 1150 00:46:04,300 --> 00:46:06,467 [**] 1151 00:46:09,967 --> 00:46:11,667 COME ON, IT'S A PARTY! 1152 00:46:11,700 --> 00:46:13,700 -TRY AND ENJOY YOURSELF. -IT'S WORK! 1153 00:46:13,733 --> 00:46:15,100 IT'S A WORK PARTY! 1154 00:46:15,133 --> 00:46:17,033 WE NEED TO BLEND. 1155 00:46:17,067 --> 00:46:19,000 COME ON, LET'S DANCE. THAT'S AN ORDER. 1156 00:46:19,033 --> 00:46:20,933 UGH! 1157 00:46:20,967 --> 00:46:22,433 [SONG ENDS] 1158 00:46:22,467 --> 00:46:24,133 [COUNTRY SONG BEGINS] 1159 00:46:24,167 --> 00:46:26,167 OH, COUNTRY MUSIC? 1160 00:46:26,200 --> 00:46:29,100 WE HATE COUNTRY MUSIC, BUT... 1161 00:46:29,133 --> 00:46:31,133 EARL AND RAYLENE LOVE IT! 1162 00:46:31,167 --> 00:46:32,367 THEY DO? 1163 00:46:32,400 --> 00:46:33,667 YES! THEY DO. 1164 00:46:33,700 --> 00:46:35,833 REMEMBER, WE'RE UNDERCOVER. 1165 00:46:35,867 --> 00:46:37,700 EARL, RAYLENE. HI! 1166 00:46:37,733 --> 00:46:41,033 SUCCESS! A GOOD SPY ALWAYS BLENDS. 1167 00:46:41,067 --> 00:46:43,033 I FEEL LIKE JAMES BOND. 1168 00:46:43,067 --> 00:46:44,300 ESPIONAGE... 1169 00:46:44,333 --> 00:46:45,867 A BEAUTIFUL GIRL ON MY ARM. 1170 00:46:45,900 --> 00:46:47,433 HEY, I'M MORE THAN ARM-CANDY, MISTER. 1171 00:46:47,467 --> 00:46:50,033 I KNOW! YOU'RE THE BRAINS. I'M THE BRAWN. 1172 00:46:50,067 --> 00:46:51,967 [BOTH LAUGHING] 1173 00:46:52,000 --> 00:46:54,033 WE MAKE A GOOD TEAM. 1174 00:46:55,133 --> 00:46:57,200 LIKE BATMAN AND ROBIN. SHERLOCK AND WATSON. 1175 00:46:57,233 --> 00:46:58,967 MR. AND MRS. SMITH. 1176 00:46:59,000 --> 00:47:01,867 DIDN'T MR. AND MRS. SMITH TRY TO KILL EACH OTHER? 1177 00:47:01,900 --> 00:47:03,233 -YES... -MM-HMM? 1178 00:47:03,267 --> 00:47:05,100 BUT... 1179 00:47:05,133 --> 00:47:06,833 THERE WAS LOVE THERE. 1180 00:47:08,233 --> 00:47:11,233 [**] 1181 00:47:11,267 --> 00:47:12,233 [MICROPHONE FEEDING BACK] 1182 00:47:12,267 --> 00:47:13,967 ALRIGHT, ALRIGHT! 1183 00:47:14,000 --> 00:47:15,033 DJ, IF YOU COULD TURN DOWN THE MUSIC A LITTLE BIT. 1184 00:47:15,067 --> 00:47:17,100 HOW'S EVERYBODY DOING TONIGHT? 1185 00:47:17,133 --> 00:47:18,900 [CHEERING] 1186 00:47:22,100 --> 00:47:24,800 I'M SORRY TO INTERRUPT THE FIESTA, 1187 00:47:24,833 --> 00:47:26,100 BUT I JUST WANTED TO SAY, 1188 00:47:26,133 --> 00:47:28,100 I AM SO PROUD TO BE HERE THIS EVENING 1189 00:47:28,133 --> 00:47:32,267 TO PRESENT THE BRAND-NEW OURFRIENDS. 1190 00:47:32,300 --> 00:47:34,333 [CHEERING] 1191 00:47:34,367 --> 00:47:36,500 THIS IS GONNA SHOW OUR COMPETITION 1192 00:47:36,533 --> 00:47:38,400 THAT WE ARE HERE TO STAY. 1193 00:47:38,433 --> 00:47:39,967 YOU HEAR THAT, YOURPAGE? 1194 00:47:40,000 --> 00:47:42,367 [CHEERING] 1195 00:47:42,400 --> 00:47:43,400 LADIES AND GENTLEMEN, 1196 00:47:43,433 --> 00:47:45,733 DUE TO ALL YOUR HARD WORK, 1197 00:47:45,767 --> 00:47:48,400 MAY I PRESENT THE NEW OURFRIENDS. 1198 00:47:48,433 --> 00:47:51,400 [CHEERING] 1199 00:47:51,433 --> 00:47:55,033 THIS WEBSITE IS GONNA PULL INFORMATION 1200 00:47:55,067 --> 00:47:57,800 FROM UP TO THREE INDEPENDENT WEBSITES, 1201 00:47:57,833 --> 00:47:59,367 AND COMPILE IT TOGETHER, RIGHT HERE-- 1202 00:47:59,400 --> 00:48:01,867 THAT LOOKS INCREDIBLY SIMILAR TO OUR SITE. 1203 00:48:01,900 --> 00:48:03,900 THAT'S BECAUSE IT'S EXACTLY WHAT WE'RE DOING. 1204 00:48:03,933 --> 00:48:05,867 ALRIGHT, LADIES AND GENTLEMEN, ENOUGH TALK! 1205 00:48:05,900 --> 00:48:07,500 LET'S GET THIS PARTY STARTED! YEAH! 1206 00:48:07,533 --> 00:48:09,833 [CHEERING] 1207 00:48:14,200 --> 00:48:15,467 LOOK, SOMETIMES, 1208 00:48:15,500 --> 00:48:17,033 DIFFERENT PEOPLE COME UP 1209 00:48:17,067 --> 00:48:18,533 WITH THE SAME IDEA AT THE SAME TIME. 1210 00:48:18,567 --> 00:48:19,567 LIKE THAT YEAR 1211 00:48:19,600 --> 00:48:21,233 WHERE THE TWO ASTEROID MOVIES CAME OUT, 1212 00:48:21,267 --> 00:48:22,233 OR THAT OTHER YEAR, 1213 00:48:22,267 --> 00:48:23,467 THE TRUMAN CAPOTE MOVIES CAME OUT. 1214 00:48:23,500 --> 00:48:24,800 SO WHAT IF IT'S A COINCIDENCE? 1215 00:48:24,833 --> 00:48:26,133 WE CAN'T LAUNCH OUR SITE NOW. 1216 00:48:26,167 --> 00:48:27,467 WE'LL LOOK LIKE WE'RE COPYING THEM. 1217 00:48:27,500 --> 00:48:28,900 THIS IS SO BAD, JONAH. 1218 00:48:28,933 --> 00:48:31,200 I HAVE TO FIND ERIN. 1219 00:48:32,200 --> 00:48:33,900 WHAT IF OURFRIENDS STOLE OUR IDEA? 1220 00:48:33,933 --> 00:48:35,467 WHAT IF THERE'S A LEAK IN THE COMPANY? 1221 00:48:35,500 --> 00:48:37,867 NOBODY STOLE OUR IDEA 1222 00:48:37,900 --> 00:48:39,233 AND THERE IS NO CONSPIRACY. 1223 00:48:39,267 --> 00:48:42,533 WE GOT SCOOPED. THAT'S ALL. 1224 00:48:42,567 --> 00:48:44,800 HOW ARE YOU SO CALM ABOUT THIS? 1225 00:48:44,833 --> 00:48:47,233 IT'S NOT THE FIRST TIME IT'S HAPPENED TO ME, 1226 00:48:47,267 --> 00:48:49,300 AND IT WON'T BE THE LAST. 1227 00:48:49,333 --> 00:48:51,067 YOU HAVE TO BE FIRST AND WE WEREN'T. 1228 00:48:51,100 --> 00:48:52,933 SO, WHAT-- WHAT DO WE DO? 1229 00:48:52,967 --> 00:48:54,300 WE JUST... REPACKAGE. 1230 00:48:55,333 --> 00:48:57,833 WHAT, YOU MEAN LIKE A NEW DESIGN? 1231 00:48:57,867 --> 00:48:59,200 EXACTLY. 1232 00:48:59,233 --> 00:49:01,167 A NEW, INNOVATIVE DESIGN 1233 00:49:01,200 --> 00:49:03,533 THAT HASN'T BEEN SEEN IN SOCIAL MEDIA BEFORE. 1234 00:49:03,567 --> 00:49:05,533 ON MONDAY MORNING, WE WILL REGROUP, 1235 00:49:05,567 --> 00:49:08,567 AND COME UP WITH DESIGN IDEAS 1236 00:49:08,600 --> 00:49:10,867 THAT WILL MAKE OURFRIENDS' SITE 1237 00:49:10,900 --> 00:49:13,033 LOOK LIKE IT CAME OUT OF THE DARK AGES. 1238 00:49:13,067 --> 00:49:16,433 [TAKES A BREATH, SIGHS] 1239 00:49:19,067 --> 00:49:21,067 WE'RE GONNA COME UP WITH SOMETHING AMAZING. 1240 00:49:21,100 --> 00:49:23,233 I'M JUST HAPPY I HAVE AN ARTIST LIKE YOU ON MY TEAM. 1241 00:49:23,267 --> 00:49:24,300 SO IS ERIN. 1242 00:49:24,333 --> 00:49:26,000 YOU'RE OUR ACE IN THE HOLE HERE, BUDDY. 1243 00:49:26,033 --> 00:49:28,067 I DON'T KNOW ABOUT THAT. 1244 00:49:28,100 --> 00:49:29,333 WE CAN DO THIS, MIRA. 1245 00:49:29,367 --> 00:49:31,600 IT'S NOT JUST ME. 1246 00:49:31,633 --> 00:49:33,367 I HAVE FAITH IN US. 1247 00:49:38,467 --> 00:49:39,967 AND, UH... 1248 00:49:40,000 --> 00:49:42,267 JUST WHEN IT SEEMS LIKE ALL HOPE IS LOST, 1249 00:49:42,300 --> 00:49:44,033 WE ALWAYS COME UP WITH THAT MAGIC IDEA 1250 00:49:44,067 --> 00:49:45,333 THAT SAVES THE DAY. 1251 00:49:45,367 --> 00:49:47,533 OR FINISHES THE BOOK. 1252 00:49:47,567 --> 00:49:49,033 OR WHATEVER IT IS WE'RE WORKING ON. 1253 00:49:49,067 --> 00:49:50,533 YOU FINISHED IT? 1254 00:49:50,567 --> 00:49:52,300 IT'S JUST A PROTOTYPE. 1255 00:49:52,333 --> 00:49:54,233 I SENT IT OUT TO A FEW PUBLISHERS LAST WEEK. 1256 00:49:54,267 --> 00:49:56,867 JUST TO PUT SOME FEELERS OUT. 1257 00:49:56,900 --> 00:49:59,400 SO LET'S, UH, GET STARTED ON THIS DESIGN, SHALL WE? 1258 00:49:59,433 --> 00:50:01,100 OH, NO. WE HAVE ALL NIGHT, 1259 00:50:01,133 --> 00:50:02,400 AND YOU PROMISED YOU'D TELL ME ABOUT PEGGY 1260 00:50:02,433 --> 00:50:03,967 WHEN IT WAS READY. 1261 00:50:04,000 --> 00:50:05,233 SO SPILL! 1262 00:50:07,233 --> 00:50:08,467 BUT SEE... 1263 00:50:08,500 --> 00:50:10,400 PEGGY HATES BEING MESSY, 1264 00:50:10,433 --> 00:50:13,000 BUT ALL HER PIG FRIENDS LOVE SLOPPING IN THE MUD. 1265 00:50:13,033 --> 00:50:15,300 BUT PEGGY REFUSES 1266 00:50:15,333 --> 00:50:17,500 BECAUSE SHE HAS THESE BIG DREAMS 1267 00:50:17,533 --> 00:50:18,900 OF MOVING AWAY FROM THE FARM, 1268 00:50:18,933 --> 00:50:20,300 LIVING WITH THE MONKEYS, 1269 00:50:20,333 --> 00:50:22,167 WHO ARE OBSESSED WITH GROOMING. 1270 00:50:22,200 --> 00:50:24,900 SHE THINKS THE GRASS IS GREENER IN THE JUNGLE. 1271 00:50:24,933 --> 00:50:26,500 AND MUCH, MUCH TIDIER. 1272 00:50:26,533 --> 00:50:29,167 [LAUGHS] EXACTLY. 1273 00:50:29,200 --> 00:50:31,100 SO THE PIGS FINALLY 1274 00:50:31,133 --> 00:50:33,400 CONVINCE PEGGY TO STOP CLEANING, 1275 00:50:33,433 --> 00:50:37,067 AND SLOP AROUND IN THE MUD WITH THE REST OF THEM... 1276 00:50:37,100 --> 00:50:39,000 JUST ONCE. 1277 00:50:39,033 --> 00:50:41,900 AND GUESS WHAT? 1278 00:50:41,933 --> 00:50:44,033 SHE LETS GO 1279 00:50:44,067 --> 00:50:45,267 AND SHE LOVES IT. 1280 00:50:45,300 --> 00:50:46,267 [QUIET CHUCKLE] 1281 00:50:46,300 --> 00:50:48,267 SO... 1282 00:50:48,300 --> 00:50:51,000 SHE ABANDONS HER FANTASY, 1283 00:50:51,033 --> 00:50:55,600 AND SHE REALIZES SHE CAN BE HAPPY EXACTLY WHERE SHE IS. 1284 00:50:55,633 --> 00:50:57,467 SHE SOUNDS ADORABLE. 1285 00:50:57,500 --> 00:50:59,633 SHE'S COMPLETELY ADORABLE. 1286 00:51:00,733 --> 00:51:03,133 [**] 1287 00:51:04,533 --> 00:51:06,367 MIRA... 1288 00:51:06,400 --> 00:51:09,567 THERE'S SOMETHING I'VE WANTED TO TELL YOU. 1289 00:51:09,600 --> 00:51:11,533 [FOOTSTEPS] 1290 00:51:11,567 --> 00:51:13,233 -MIRA? -[KNOCKING] 1291 00:51:13,267 --> 00:51:16,100 HONEY? I WAS KNOCKING, BUT NO ONE ANSWERED. 1292 00:51:16,133 --> 00:51:18,500 THE DOOR WAS OPEN, SO I... 1293 00:51:19,967 --> 00:51:21,133 OH. 1294 00:51:22,533 --> 00:51:24,233 HI. 1295 00:51:24,267 --> 00:51:25,500 WHEN YOU SAID YOU WERE WORKING, 1296 00:51:25,533 --> 00:51:27,100 I ASSUMED YOU MEANT ALONE, 1297 00:51:27,133 --> 00:51:28,700 SO I BROUGHT SUSTENANCE. 1298 00:51:28,733 --> 00:51:31,667 THERE'S MORE THAN ENOUGH FOR THREE PEOPLE. 1299 00:51:31,700 --> 00:51:33,067 [FOOD SETTLES ON COUNTER] 1300 00:51:33,100 --> 00:51:34,600 [LIAM CHUCKLING] 1301 00:51:34,633 --> 00:51:38,933 SO, THEN THE SOMMELIER SAID-- OH, THE WINE EXPERT-- 1302 00:51:38,967 --> 00:51:41,200 HE SAYS TO ME IN THIS VERY NASTY TONE, 1303 00:51:41,233 --> 00:51:43,200 "LIAM, IF YOU THINK THE WINES COMING OUT 1304 00:51:43,233 --> 00:51:44,300 "OF THE RUSSIAN RIVER VALLEY 1305 00:51:44,333 --> 00:51:45,500 "EVEN COMPARE WITH 1306 00:51:45,533 --> 00:51:47,700 "WHAT'S COMING OUT OF THE LOIRE VALLEY RIGHT NOW, 1307 00:51:47,733 --> 00:51:49,600 THEN YOU ARE SIMPLY OUT OF YOUR MIND." 1308 00:51:49,633 --> 00:51:50,667 NOW, WHAT'S HILARIOUS 1309 00:51:50,700 --> 00:51:53,300 IS THAT I WOULD NEVER SAY THAT. 1310 00:51:53,333 --> 00:51:55,667 I MEAN, COME ON! RIGHT? 1311 00:51:55,700 --> 00:51:57,133 BUT I HAD TO LET HIM GO 1312 00:51:57,167 --> 00:51:58,700 BECAUSE HE SAID THIS IN FRONT OF OUR CUSTOMERS, 1313 00:51:58,733 --> 00:52:00,500 WHICH WAS COMPLETELY UNACCEPTABLE, 1314 00:52:00,533 --> 00:52:03,100 AND FINDING A NEW SOMMELIER ON SHORT NOTICE 1315 00:52:03,133 --> 00:52:05,100 IS NEARLY IMPOSSIBLE. 1316 00:52:05,133 --> 00:52:06,167 BUT I DID. 1317 00:52:06,200 --> 00:52:07,333 [FORCED CHUCKLE] 1318 00:52:07,367 --> 00:52:08,400 MY POINT BEING, 1319 00:52:08,433 --> 00:52:11,033 IN BUSINESS, WE ALL HAVE SETBACKS. 1320 00:52:11,067 --> 00:52:12,233 IN FOUR YEARS FROM NOW, 1321 00:52:12,267 --> 00:52:13,300 YOU WON'T EVEN REMEMBER 1322 00:52:13,333 --> 00:52:15,600 THAT THIS HAPPENED WITH YOUR COMPETITOR. 1323 00:52:15,633 --> 00:52:18,100 ARE YOU SURE THAT NO ONE WANTS TO TRY? 1324 00:52:18,133 --> 00:52:20,100 THIS IS A VERY SPECIAL '94 BORDEAUX 1325 00:52:20,133 --> 00:52:22,633 FROM A VERY SMALL VINEYARD JUST OUTSIDE OF BLAYE. 1326 00:52:22,667 --> 00:52:24,300 I'M SURE IT'S DELICIOUS, 1327 00:52:24,333 --> 00:52:26,167 BUT WE REALLY HAVE A LOT OF WORK TO DO TONIGHT, 1328 00:52:26,200 --> 00:52:29,267 AND WE NEED OUR HEADS TO BE CLEAR. 1329 00:52:29,300 --> 00:52:31,000 [SNIFFS DEEPLY] 1330 00:52:31,033 --> 00:52:33,000 MM! THIS BOUQUET IS AMAZING! 1331 00:52:33,033 --> 00:52:34,200 IT HASN'T EVEN OPENED UP YET, 1332 00:52:34,233 --> 00:52:35,467 AND ALREADY I'M GETTING HINTS OF 1333 00:52:35,500 --> 00:52:38,167 BLACKBERRY AND-AND... 1334 00:52:38,200 --> 00:52:40,067 COFFEE, AND... 1335 00:52:40,100 --> 00:52:41,533 APRICOT! 1336 00:52:43,267 --> 00:52:45,200 MM. THAT'S LOVELY. 1337 00:52:45,233 --> 00:52:46,700 [**] 1338 00:52:46,733 --> 00:52:48,167 AND THESE DAYS, 1339 00:52:48,200 --> 00:52:50,400 WHEN YOU ARE LOOKING FOR A NEW CHEF, 1340 00:52:50,433 --> 00:52:52,033 YOU LOOK NO FURTHER 1341 00:52:52,067 --> 00:52:54,600 THAN THE LATEST REALITY COOKING SHOW. 1342 00:52:54,633 --> 00:52:56,533 THERE ARE DOZENS OF THEM. 1343 00:53:00,233 --> 00:53:03,333 [**] 1344 00:53:05,567 --> 00:53:07,533 [DISHES CLATTERING] 1345 00:53:07,567 --> 00:53:10,067 THIS WAS SO SWEET OF YOU. 1346 00:53:10,100 --> 00:53:12,233 I'M SO GLAD YOU LIKED IT. 1347 00:53:12,267 --> 00:53:15,400 BUT I-I REALLY HAVE TO GET BACK TO WORK. 1348 00:53:15,433 --> 00:53:16,500 [CHUCKLES] 1349 00:53:16,533 --> 00:53:17,800 MIRA AND HER WORK. 1350 00:53:17,833 --> 00:53:20,633 [CELL RINGS] 1351 00:53:21,700 --> 00:53:22,700 HELLO? 1352 00:53:22,733 --> 00:53:25,267 WOW. REALLY? 1353 00:53:27,300 --> 00:53:29,533 MONDAY MORNING? 1354 00:53:29,567 --> 00:53:31,333 UH, THAT'S SO SOON. 1355 00:53:31,367 --> 00:53:34,233 NO, IT'S-- IT'S JUST THAT I'M-- I'M KIND OF 1356 00:53:34,267 --> 00:53:36,800 ON THIS IMPORTANT PROJECT AT MY CURRENT JOB. 1357 00:53:36,833 --> 00:53:38,133 IS THERE ANY WAY WE MIGHT BE ABLE TO-- 1358 00:53:38,167 --> 00:53:41,333 [**] 1359 00:53:42,600 --> 00:53:44,100 NO. YOU KNOW WHAT? 1360 00:53:44,133 --> 00:53:45,500 THIS IS MORE IMPORTANT. 1361 00:53:47,267 --> 00:53:49,267 I HAVE TO GET BACK TO WORK. 1362 00:53:49,300 --> 00:53:50,633 [**] 1363 00:53:50,667 --> 00:53:52,233 IF WE MOVE FORWARD, 1364 00:53:52,267 --> 00:53:55,167 I'LL BE ABLE TO START WORK RIGHT AWAY. 1365 00:53:55,200 --> 00:53:56,633 FANTASTIC. 1366 00:53:56,667 --> 00:53:58,667 I'LL SEE YOU MONDAY MORNING. 1367 00:54:00,200 --> 00:54:01,867 [BEEPS PHONE OFF] 1368 00:54:01,900 --> 00:54:04,167 [**] 1369 00:54:05,600 --> 00:54:07,300 -[KNOCKS] -HEY. YOU GOT A MINUTE? 1370 00:54:07,333 --> 00:54:08,833 ONE. 1371 00:54:08,867 --> 00:54:10,400 OKAY, UM... LOOK. 1372 00:54:10,433 --> 00:54:12,533 YOU KNOW I THINK YOUR IDEA FOR THE SITE IS GREAT, 1373 00:54:12,567 --> 00:54:13,767 BUT THAT BEING SAID, 1374 00:54:13,800 --> 00:54:16,333 I THINK I MAY HAVE FOUND A POTENTIAL ENGINEERING FLAW 1375 00:54:16,367 --> 00:54:18,233 THAT COULD CAUSE A SITE CRASH THE MOMENT WE GO LIVE. 1376 00:54:18,267 --> 00:54:20,833 COULD CRASH OR WILL CRASH? 1377 00:54:20,867 --> 00:54:22,467 WELL, IT'S-- IT'S A HYPOTHETICAL, BUT... 1378 00:54:22,500 --> 00:54:23,567 I'M SORRY, 1379 00:54:23,600 --> 00:54:24,900 BUT I DON'T HAVE TIME FOR HYPOTHETICALS. 1380 00:54:24,933 --> 00:54:26,233 I NEED A NEW DESIGN, 1381 00:54:26,267 --> 00:54:28,367 AND WE CAN'T PUT THIS ON JONAH'S SHOULDERS. 1382 00:54:28,400 --> 00:54:30,300 I NEED YOU TO BRING ME CONCRETE IDEAS, TOO. OKAY? 1383 00:54:30,333 --> 00:54:33,233 RIGHT. OF COURSE. 1384 00:54:33,267 --> 00:54:35,400 IT'S JUST NONE OF THAT MATTERS IF THE SITE CRASHES. 1385 00:54:35,433 --> 00:54:37,267 LOOK, JUST READ THE REPORT, OKAY? 1386 00:54:37,300 --> 00:54:38,267 IT OUTLINES 1387 00:54:38,300 --> 00:54:39,700 THE POTENTIAL PROBLEM AND THE FIX. 1388 00:54:39,733 --> 00:54:41,533 OKAY, JUST PUT IT ON MY DESK, 1389 00:54:41,567 --> 00:54:43,267 AND I'LL LOOK AT IT WHEN I GET A MINUTE. 1390 00:54:43,300 --> 00:54:44,667 OKAY. GREAT. 1391 00:54:49,433 --> 00:54:50,733 UM... 1392 00:54:50,767 --> 00:54:52,800 -SORRY TO INTERRUPT. -OH! 1393 00:54:52,833 --> 00:54:55,300 NO, I WAS... JUST LEAVING. 1394 00:54:55,333 --> 00:54:57,467 I'M SO GLAD YOU'RE HERE. I NEED YOUR ARTIST BRAIN. 1395 00:54:57,500 --> 00:54:58,900 I WAS LOOKING 1396 00:54:58,933 --> 00:55:00,700 AT THE COLLEAGUES' NETWORKING WEBSITE AND ON THEIR INTERFACE-- 1397 00:55:00,733 --> 00:55:02,367 CAN WE TALK? 1398 00:55:02,400 --> 00:55:03,700 OF COURSE. 1399 00:55:03,733 --> 00:55:05,367 ARE YOU OKAY? 1400 00:55:05,400 --> 00:55:08,400 YEAH. UM... 1401 00:55:08,433 --> 00:55:10,633 I'M GREAT. 1402 00:55:10,667 --> 00:55:11,833 [TAKES A BIG BREATH] 1403 00:55:11,867 --> 00:55:13,733 A PUBLISHER IS BUYING MY BOOK. 1404 00:55:13,767 --> 00:55:16,200 THE WHOLE SERIES, ACTUALLY. 1405 00:55:16,233 --> 00:55:18,500 JONAH! I'M SO HAPPY FOR YOU! 1406 00:55:18,533 --> 00:55:20,933 [**] 1407 00:55:20,967 --> 00:55:22,500 AND PEGGY, TOO, OF COURSE. 1408 00:55:22,533 --> 00:55:24,867 YEAH... 1409 00:55:24,900 --> 00:55:26,267 WHAT? WHAT IS IT? 1410 00:55:26,300 --> 00:55:29,667 WELL... I'M ON A DEADLINE. 1411 00:55:29,700 --> 00:55:31,633 WELL, THAT'S NOTHING NEW FOR YOU. 1412 00:55:31,667 --> 00:55:34,767 IT SEEMS LIKE IT'S NOTHING BUT DEADLINES AROUND HERE. 1413 00:55:34,800 --> 00:55:36,767 MIRA... 1414 00:55:36,800 --> 00:55:39,500 I HAVE TO QUIT YOURPAGE. 1415 00:55:39,533 --> 00:55:40,867 IS THAT ANOTHER APRIL FOOL'S JOKE, 1416 00:55:40,900 --> 00:55:42,533 RUNNING BEHIND SCHEDULE? 1417 00:55:42,567 --> 00:55:44,567 BECAUSE IT'S NOT FUNNY. 1418 00:55:45,800 --> 00:55:47,300 I'M SORRY TO LEAVE YOU IN THE LURCH, 1419 00:55:47,333 --> 00:55:49,200 IT'S JUST... 1420 00:55:49,233 --> 00:55:51,767 JONAH, I-- I NEED YOU. 1421 00:55:51,800 --> 00:55:53,667 NO ONE IS BRINGING ME ANYTHING 1422 00:55:53,700 --> 00:55:55,867 AND YOU'RE THE BEST GRAPHIC ARTIST WE'VE GOT. 1423 00:55:55,900 --> 00:55:57,500 JERRY'S JUST AS GOOD. 1424 00:55:57,533 --> 00:55:59,900 AND MICHAEL IS CREATIVE. 1425 00:55:59,933 --> 00:56:01,767 IT COULD BE ANYBODY. 1426 00:56:01,800 --> 00:56:03,867 MIRA... 1427 00:56:03,900 --> 00:56:05,900 THIS IS MY DREAM. 1428 00:56:05,933 --> 00:56:08,367 YOU, OF ALL PEOPLE, SHOULD UNDERSTAND THAT. 1429 00:56:08,400 --> 00:56:10,967 [**] 1430 00:56:11,000 --> 00:56:12,600 WELL, IT'S NOT GONNA BE THE SAME AROUND HERE 1431 00:56:12,633 --> 00:56:13,600 WITHOUT YOU. 1432 00:56:13,633 --> 00:56:15,933 [**] 1433 00:56:17,800 --> 00:56:20,333 HOW MUCH TIME DO WE HAVE? 1434 00:56:21,467 --> 00:56:23,900 I CAN GIVE YOU TWO DAYS. 1435 00:56:23,933 --> 00:56:25,500 [**] 1436 00:56:28,667 --> 00:56:29,833 WHAT'S WITH YOU? 1437 00:56:29,867 --> 00:56:31,467 YOU'VE BARELY EVEN TOUCHED YOUR SALAD. 1438 00:56:31,500 --> 00:56:32,933 I JUST-- I CAN'T BELIEVE HE'S LEAVING ME. 1439 00:56:32,967 --> 00:56:34,967 I MEAN, I'M HAPPY FOR HIM, 1440 00:56:35,000 --> 00:56:36,933 BUT THE TIMING COULD NOT BE WORSE. 1441 00:56:36,967 --> 00:56:39,267 OH... 1442 00:56:39,300 --> 00:56:40,900 WHAT IS HAPPENING WITH MY LIFE? 1443 00:56:40,933 --> 00:56:42,867 YOU GOT EVERYTHING YOU WANTED. 1444 00:56:42,900 --> 00:56:45,333 THAT'S WHAT'S HAPPENING WITH YOUR LIFE. 1445 00:56:45,367 --> 00:56:46,767 WHY DO YOU THINK THEY NEVER SHOW 1446 00:56:46,800 --> 00:56:49,500 WHAT HAPPENS TO CINDERELLA AFTER SHE RIDES OFF WITH THE PRINCE? 1447 00:56:49,533 --> 00:56:51,500 BECAUSE THAT'S WHERE REAL LIFE BEGINS. 1448 00:56:51,533 --> 00:56:53,900 I'M BEGINNING TO REALIZE THAT. 1449 00:56:55,067 --> 00:56:57,667 IS YOUR "PERFECT" LIFE A LITTLE LESS PERFECT THAN YOU THOUGHT? 1450 00:56:58,967 --> 00:57:00,000 OKAY, EVERYONE, 1451 00:57:00,033 --> 00:57:01,867 ERIN HAS ENTRUSTED ME WITH A NEW DESIGN 1452 00:57:01,900 --> 00:57:03,700 FOR THE SITE AND I AM NOT ABOUT 1453 00:57:03,733 --> 00:57:04,833 TO LET HER DOWN, 1454 00:57:04,867 --> 00:57:05,967 SO GIVE ME WHAT YOU'VE GOT. 1455 00:57:06,000 --> 00:57:07,333 MAYBE WE'RE NOT THINKING BROAD ENOUGH 1456 00:57:07,367 --> 00:57:08,400 ABOUT WHO WE MARKET TO. 1457 00:57:08,433 --> 00:57:09,967 YOUNG PEOPLE ARE NOT THE ONLY ONES 1458 00:57:10,000 --> 00:57:11,033 ONLINE ANYMORE. 1459 00:57:11,067 --> 00:57:12,733 -MY GRANDMOTHER-- -NONE OF THAT MATTERS-- 1460 00:57:12,767 --> 00:57:14,633 ...SUSAN, IF WE DON'T HAVE A NEW PAGE DESIGN. 1461 00:57:14,667 --> 00:57:16,100 ANYONE ELSE? 1462 00:57:16,133 --> 00:57:17,933 WELL, UH, STATISTICS MATTER. 1463 00:57:17,967 --> 00:57:19,100 KNOW YOUR AUDIENCE, 1464 00:57:19,133 --> 00:57:20,933 AND YOU CAN GIVE THEM EXACTLY WHAT THEY WANT. 1465 00:57:20,967 --> 00:57:22,933 I UNDERSTAND THE IMPORTANCE OF STATISTICS. 1466 00:57:22,967 --> 00:57:25,700 OKAY. I THOUGHT WE WERE BRAINSTORMING. 1467 00:57:25,733 --> 00:57:26,700 WE ARE, 1468 00:57:26,733 --> 00:57:28,367 BUT I'M JUST NOT HEARING ANYTHING 1469 00:57:28,400 --> 00:57:29,767 THAT DISTINGUISHES US FROM OUR COMPETITORS. 1470 00:57:29,800 --> 00:57:31,533 [SIGHS] 1471 00:57:31,567 --> 00:57:34,433 MAKE-ME-A-MATCH.COM JUST CHANGED THEIR COLORS, 1472 00:57:34,467 --> 00:57:36,333 AND IT LOOKS AMAZING. 1473 00:57:36,367 --> 00:57:38,433 OKAY, YOU'RE PUTTING THE CART BEFORE THE HORSE, JERRY, 1474 00:57:38,467 --> 00:57:39,700 AND WE NEED TO COME UP WITH A DESIGN FIRST, 1475 00:57:39,733 --> 00:57:40,700 AND THEN WE CAN TALK COLORS. 1476 00:57:40,733 --> 00:57:43,400 LISTEN UP, EVERYBODY. 1477 00:57:43,433 --> 00:57:45,433 THE OURFRIENDS SITE IS HAVING A PROBLEM 1478 00:57:45,467 --> 00:57:47,633 HANDLING THEIR TRAFFIC EVER SINCE THEIR LAUNCH. 1479 00:57:47,667 --> 00:57:49,967 SEES THEIR SERVER IS CRASHING OFF AND ON, 1480 00:57:50,000 --> 00:57:53,533 AND I UNDERSTAND THE PROBLEM IS IN THE ENGINEERING. 1481 00:57:53,567 --> 00:57:56,900 NOW, NOT TO REVEL IN SOMEBODY ELSE'S MISFORTUNE, 1482 00:57:56,933 --> 00:57:59,800 BUT IT DOES HELP SALVE THE WOUNDS 1483 00:57:59,833 --> 00:58:02,067 OF BEING BEATEN TO THE PUNCH. 1484 00:58:02,100 --> 00:58:03,467 WE'VE GOT AN OPPORTUNITY HERE. 1485 00:58:03,500 --> 00:58:06,100 I WANT US TO TAKE IT. 1486 00:58:06,133 --> 00:58:07,600 SO, MIRA, 1487 00:58:07,633 --> 00:58:09,533 GIVE ME EVERYTHING YOU'VE GOT BY MORNING. 1488 00:58:09,567 --> 00:58:11,200 GOOD LUCK, EVERYBODY. 1489 00:58:13,167 --> 00:58:15,033 YOU HEARD HER-- LET'S TAKE AN HOUR 1490 00:58:15,067 --> 00:58:16,000 AND MEET BACK HERE. 1491 00:58:16,033 --> 00:58:17,667 I WANT EVERYTHING YOU'VE GOT. 1492 00:58:17,700 --> 00:58:19,067 OKAY? THANK YOU. 1493 00:58:19,100 --> 00:58:21,633 [ALL MURMURING] 1494 00:58:23,033 --> 00:58:24,700 [SUSAN]: IT WAS ALL TALK, 1495 00:58:24,733 --> 00:58:27,633 ALL THAT STUFF ABOUT HOW LUCKY SHE IS TO HAVE US ON HER TEAM. 1496 00:58:27,667 --> 00:58:29,867 NOW IT'S ALL "MY TEAM" AND "I NEED IDEAS," 1497 00:58:29,900 --> 00:58:32,900 LIKE WE'RE JUST INCIDENTAL TO HER SUCCESS. 1498 00:58:32,933 --> 00:58:34,633 WHAT HAPPENED TO HER? 1499 00:58:34,667 --> 00:58:37,067 SHE KNOWS WHAT IT'S LIKE NOT TO BE HEARD-- 1500 00:58:37,100 --> 00:58:38,667 -[FOOTSTEPS] -NO, NO, NO... 1501 00:58:38,700 --> 00:58:40,833 DON'T MIND ME. IT'S OKAY. I GET IT. 1502 00:58:40,867 --> 00:58:42,700 YOU KNOW? I'VE BEEN IN YOUR SHOES. 1503 00:58:42,733 --> 00:58:45,133 BUT I-I'VE BEEN IN HER SHOES, TOO. 1504 00:58:45,167 --> 00:58:46,900 YOU'D THINK MIRA WOULD BE DIFFERENT. 1505 00:58:46,933 --> 00:58:48,167 YEAH, BUT YOU KNOW, IN HER DEFENSE, 1506 00:58:48,200 --> 00:58:49,500 WHEN YOU'RE UNDER THAT MUCH PRESSURE, 1507 00:58:49,533 --> 00:58:51,167 YOU GET PREOCCUPIED. 1508 00:58:51,200 --> 00:58:52,467 IT CAN BE HARD TO LISTEN 1509 00:58:52,500 --> 00:58:55,133 WHEN IT'S NOT EXACTLY WHAT YOU NEED TO HEAR. 1510 00:58:55,167 --> 00:58:56,867 IT'S LIKE SOMEONE POURED CONCRETE IN HER EARS. 1511 00:58:56,900 --> 00:58:58,467 [CHUCKLES]: OKAY, YOU GUYS, LET'S-- 1512 00:58:58,500 --> 00:59:00,467 LET'S CUT HER SOME SLACK, ALRIGHT? 1513 00:59:00,500 --> 00:59:02,467 I MEAN, I WAS IN MANAGEMENT A LOT LONGER THAN HER 1514 00:59:02,500 --> 00:59:04,833 AND, AS WE ALL KNOW, I CLEARLY NEVER MASTERED IT. 1515 00:59:06,267 --> 00:59:07,467 [SUSAN]: I DON'T KNOW. 1516 00:59:07,500 --> 00:59:08,867 ALL SHE TALKS ABOUT IS HER, 1517 00:59:08,900 --> 00:59:11,533 SO LET HER COME UP WITH A NEW DESIGN HERSELF. 1518 00:59:11,567 --> 00:59:13,633 IT'S NOT LIKE SHE NEEDS US ANYWAY. 1519 00:59:13,667 --> 00:59:15,833 [**] 1520 00:59:17,500 --> 00:59:19,000 [KNOCKS SOFTLY] 1521 00:59:19,033 --> 00:59:20,700 GOT A MINUTE? 1522 00:59:20,733 --> 00:59:22,233 YEAH, I'VE GOT AS MANY AS YOU NEED. 1523 00:59:22,267 --> 00:59:24,100 SO... 1524 00:59:24,133 --> 00:59:25,733 I OVERHEARD YOU GUYS TALKING. 1525 00:59:25,767 --> 00:59:26,767 OH... 1526 00:59:26,800 --> 00:59:27,967 RIGHT. 1527 00:59:28,000 --> 00:59:29,867 LOOK, THEY'RE FRUSTRATED 1528 00:59:29,900 --> 00:59:32,900 THAT YOU'RE NOT LISTENING TO THEIR IDEAS. 1529 00:59:34,000 --> 00:59:35,700 YOU KNOW WHAT? YOU KNOW WHAT I THINK IT IS? 1530 00:59:35,733 --> 00:59:37,900 SOMETIMES, YOU-- YOU NEED TO... 1531 00:59:37,933 --> 00:59:41,000 TO NURTURE THE SEED OF AN IDEA, TO HELP IT GROW. 1532 00:59:41,033 --> 00:59:43,533 I MEAN, EVERY IDEA HAS MERIT. 1533 00:59:43,567 --> 00:59:45,167 EVERYONE'S CONTRIBUTING SOMETHING. 1534 00:59:45,200 --> 00:59:46,467 IT MIGHT NOT BE 1535 00:59:46,500 --> 00:59:48,467 THE MAGIC SOLUTION THAT YOU'RE LOOKING FOR, 1536 00:59:48,500 --> 00:59:49,933 BUT IT'S SOMETHING, YOU KNOW? 1537 00:59:49,967 --> 00:59:52,867 I MEAN, I EVEN GAVE YOU A REPORT PREDICTING 1538 00:59:52,900 --> 00:59:55,000 THE ENGINEERING PROBLEMS THAT OURFRIENDS HAD. 1539 00:59:55,033 --> 00:59:56,833 HAVE-- HAVE YOU READ IT? 1540 00:59:56,867 --> 00:59:58,000 I HAVEN'T HAD TIME. 1541 00:59:58,033 --> 00:59:59,133 WE HAVE THREE WEEKS 1542 00:59:59,167 --> 01:00:01,567 TO COME UP WITH A COMPLETELY NEW WEB DESIGN. 1543 01:00:01,600 --> 01:00:03,733 HOW DID YOU MANAGE WITH SUCH A TIME CRUNCH? 1544 01:00:03,767 --> 01:00:06,533 CLEARLY NOT VERY WELL. 1545 01:00:06,567 --> 01:00:08,900 AND I LOST THE PROMOTION OF A LIFETIME 1546 01:00:08,933 --> 01:00:10,867 BECAUSE I DIDN'T LISTEN TO YOUR IDEA. 1547 01:00:10,900 --> 01:00:13,967 I MEAN, YOU NEED TO TRUST YOUR PEOPLE, OKAY? 1548 01:00:14,000 --> 01:00:16,600 THE TEAM IS THE ENGINE THAT MAKES THIS CAR RUN. 1549 01:00:16,633 --> 01:00:18,900 THIS CAR HAS STALLED, MICHAEL. 1550 01:00:18,933 --> 01:00:20,067 UH... 1551 01:00:20,100 --> 01:00:22,567 THEN I'M NOT SURE HOW TO HELP, MIRA. 1552 01:00:24,067 --> 01:00:26,100 [PHONE RINGS] 1553 01:00:28,500 --> 01:00:29,633 HELLO? 1554 01:00:29,667 --> 01:00:31,000 HEY, MIR... 1555 01:00:31,033 --> 01:00:33,467 UM, I'M SORRY, 1556 01:00:33,500 --> 01:00:34,800 BUT WE'RE NOT GONNA BE ABLE 1557 01:00:34,833 --> 01:00:35,967 TO MAKE IT TO FONDUE NIGHT. 1558 01:00:36,000 --> 01:00:38,467 OH... THAT'S TOO BAD. 1559 01:00:38,500 --> 01:00:40,867 I WAS REALLY LOOKING FORWARD TO RECONNECTING. 1560 01:00:40,900 --> 01:00:43,167 I'VE HAD A HORRIBLE DAY. 1561 01:00:43,200 --> 01:00:44,900 ASIDE FROM THE FACT THAT IF WE LEFT RIGHT NOW, 1562 01:00:44,933 --> 01:00:46,067 WE WOULDN'T EVEN GET THERE 1563 01:00:46,100 --> 01:00:47,933 UNTIL NEXT THURSDAY-- 1564 01:00:47,967 --> 01:00:49,700 IT'S NOT THAT FAR, YOU GUYS. 1565 01:00:49,733 --> 01:00:52,467 ACTUALLY, IT KIND OF IS, 1566 01:00:52,500 --> 01:00:53,867 BUT YOU WOULDN'T KNOW THAT, 1567 01:00:53,900 --> 01:00:56,633 BECAUSE YOU NEVER COME BACK HERE ANYMORE. 1568 01:00:56,667 --> 01:00:58,100 I MEAN, YOU CANCELED ON 1569 01:00:58,133 --> 01:01:00,933 THE LAST TWO THAT WE WERE HOSTING. 1570 01:01:00,967 --> 01:01:02,833 I KNOW MY SCHEDULE'S BEEN SO CRAZY, 1571 01:01:02,867 --> 01:01:04,867 AND I'M-- I'M SO SORRY ABOUT THAT. 1572 01:01:04,900 --> 01:01:08,100 IT'S NOT JUST THE SCHEDULE, MIR. 1573 01:01:08,133 --> 01:01:12,267 IT'S NOT FUN AND YOU'RE DISTRACTED. 1574 01:01:12,300 --> 01:01:13,933 UH, LOOK... 1575 01:01:13,967 --> 01:01:15,867 HOW ABOUT WE RESCHEDULE FOR NEXT WEEK? 1576 01:01:15,900 --> 01:01:17,967 YOU CAN COME TO MY PLACE, HERE. 1577 01:01:18,000 --> 01:01:20,833 IF YOU THINK YOU CAN MAKE IT. 1578 01:01:20,867 --> 01:01:22,767 I'LL MAKE IT. 1579 01:01:22,800 --> 01:01:25,533 I PROMISE. 1580 01:01:25,567 --> 01:01:26,600 [BEEPS PHONE OFF] 1581 01:01:28,100 --> 01:01:30,600 [**] 1582 01:01:57,567 --> 01:02:00,733 ONE IDEA. I JUST NEED ONE IDEA. 1583 01:02:02,167 --> 01:02:05,067 [**] 1584 01:02:05,100 --> 01:02:06,967 [PHONE RINGS] 1585 01:02:07,967 --> 01:02:09,333 HELLO? 1586 01:02:09,367 --> 01:02:11,733 HEY. IT'S SOPHIE. 1587 01:02:11,767 --> 01:02:13,000 HEY. 1588 01:02:13,033 --> 01:02:14,600 YEAH, COME ON IN. 1589 01:02:14,633 --> 01:02:16,067 [BEEPS PHONE OFF] 1590 01:02:20,633 --> 01:02:22,667 BRETT AND I HAD A FIGHT. 1591 01:02:22,700 --> 01:02:25,800 I MAY NEED TO CRASH HERE FOR A WHILE. 1592 01:02:25,833 --> 01:02:29,167 I ALWAYS THOUGHT YOU GUYS WERE SO HAPPY. 1593 01:02:30,233 --> 01:02:32,033 WE ARE. 1594 01:02:32,067 --> 01:02:35,267 MOST OF THE TIME. 1595 01:02:35,300 --> 01:02:37,200 BUT IT'S LIKE I ALWAYS SAY-- 1596 01:02:37,233 --> 01:02:39,767 MIR, RELATIONSHIPS CAN BE STRESSFUL. 1597 01:02:41,000 --> 01:02:43,233 SO STRESSFUL THAT YOU HAD TO LEAVE? 1598 01:02:44,900 --> 01:02:47,933 WE BOTH SAID SOME STUFF. 1599 01:02:47,967 --> 01:02:49,967 I MEAN, WE'LL WORK IT OUT. 1600 01:02:50,000 --> 01:02:53,367 THINGS ARE ALWAYS SO MUCH CLEARER IN THE MORNING. 1601 01:02:53,400 --> 01:02:54,833 [SNIFFLES] 1602 01:02:54,867 --> 01:02:57,300 I JUST NEEDED TO GIVE HIM SOME SPACE 1603 01:02:57,333 --> 01:02:59,900 AND I NEEDED SOME SPACE. 1604 01:02:59,933 --> 01:03:02,767 LORD KNOWS, YOU HAVE SPACE TO SPARE, 1605 01:03:02,800 --> 01:03:04,867 SO... 1606 01:03:04,900 --> 01:03:07,000 WELL, I'M SORRY THAT YOU GUYS ARE FIGHTING, 1607 01:03:07,033 --> 01:03:09,400 BUT I'M GLAD THAT YOU'RE HERE. 1608 01:03:09,433 --> 01:03:12,700 I ALWAYS THOUGHT THAT I'D LOVE LIVING ALONE... 1609 01:03:12,733 --> 01:03:14,433 AND IT HAS ITS MOMENTS. 1610 01:03:14,467 --> 01:03:16,433 [**] 1611 01:03:16,467 --> 01:03:19,133 BUT, MOSTLY, IT'S... IT'S LONELY. 1612 01:03:20,733 --> 01:03:23,000 SO MY CORPORATE TOWNHOUSE IS YOUR CORPORATE TOWNHOUSE. 1613 01:03:23,033 --> 01:03:25,667 UNTIL I LOSE IT, WHICH SHOULD BE ANY DAY NOW, 1614 01:03:25,700 --> 01:03:28,167 AND THEN IT'S NEITHER OF OUR CORPORATE TOWNHOUSE. 1615 01:03:29,733 --> 01:03:33,000 SOMETIMES, I WISH I COULD JUST GO BACK, 1616 01:03:33,033 --> 01:03:34,667 BEFORE ALL THIS HAPPENED. 1617 01:03:34,700 --> 01:03:37,367 LIFE WAS SO MUCH EASIER. 1618 01:03:37,400 --> 01:03:39,433 WHO ARE YOU TRYING TO FOOL? 1619 01:03:40,833 --> 01:03:42,833 LOOK, MIRA... 1620 01:03:42,867 --> 01:03:44,300 YOU SPENT HALF YOUR LIFE 1621 01:03:44,333 --> 01:03:48,067 PLANNING OR FANTASIZING ABOUT THE FUTURE. 1622 01:03:48,100 --> 01:03:49,867 WELL, THIS IS IT. 1623 01:03:49,900 --> 01:03:52,000 THIS IS YOUR FANTASY... 1624 01:03:52,033 --> 01:03:54,267 LIVE AND IN COLOR. 1625 01:03:56,033 --> 01:03:57,767 WELL, IT'S NOT WHAT I SIGNED UP FOR, 1626 01:03:57,800 --> 01:03:59,733 AND IT'S OVER. 1627 01:03:59,767 --> 01:04:01,467 I'M DONE. 1628 01:04:01,500 --> 01:04:03,833 [CHUCKLES SADLY] 1629 01:04:03,867 --> 01:04:05,933 [**] 1630 01:04:09,033 --> 01:04:09,933 [KNOCKING] 1631 01:04:09,967 --> 01:04:11,133 OH, HI. COME ON IN. 1632 01:04:11,167 --> 01:04:12,467 I WAS JUST THINKING-- 1633 01:04:12,500 --> 01:04:13,467 ERIN? 1634 01:04:13,500 --> 01:04:15,267 I'M HERE TO TENDER MY RESIGNATION. 1635 01:04:16,900 --> 01:04:18,167 [FILE AND PEN HIT DESK] 1636 01:04:19,467 --> 01:04:21,133 WHAT ARE YOU TALKING ABOUT? 1637 01:04:21,167 --> 01:04:22,433 WITH ALL DUE RESPECT, 1638 01:04:22,467 --> 01:04:25,000 YOU SHOULD'VE MADE MICHAEL VP OF CREATIVE DEVELOPMENT. 1639 01:04:25,033 --> 01:04:26,233 I WASN'T READY. 1640 01:04:26,267 --> 01:04:28,167 MY BRILLIANT IDEA THAT CRASHED OURFRIENDS' SERVERS 1641 01:04:28,200 --> 01:04:30,033 WOULD'VE DONE THE SAME THING TO US. 1642 01:04:30,067 --> 01:04:31,767 I CAN'T SEEM TO MOTIVATE MY TEAM, 1643 01:04:31,800 --> 01:04:34,233 AND WE HAVE THREE WEEKS-- I HAVE NOTHING FOR YOU. 1644 01:04:34,267 --> 01:04:36,233 AS FAR AS YOUR TEAM GOES, 1645 01:04:36,267 --> 01:04:38,867 IT TAKES TIME TO LEARN HOW TO LEAD. 1646 01:04:38,900 --> 01:04:40,267 IF YOU THOUGHT YOU'D COME IN HERE 1647 01:04:40,300 --> 01:04:41,433 AND DO IT PERFECTLY, 1648 01:04:41,467 --> 01:04:42,900 YOU WERE DREAMING. 1649 01:04:42,933 --> 01:04:43,967 I WANT TO INSPIRE MY TEAM 1650 01:04:44,000 --> 01:04:46,967 THE WAY YOU INSPIRE ME. 1651 01:04:47,000 --> 01:04:49,233 I DON'T-- I DON'T EVEN COME CLOSE. 1652 01:04:49,267 --> 01:04:51,733 OH, HONEY. YOU WILL. 1653 01:04:51,767 --> 01:04:53,333 IN TIME. 1654 01:04:53,367 --> 01:04:57,300 IT IS HOW WE RISE TO A CHALLENGE THAT DEFINES US 1655 01:04:57,333 --> 01:05:00,333 AND THIS IS A DEFINING MOMENT FOR YOU... 1656 01:05:01,400 --> 01:05:04,133 SO DON'T CHOOSE TO CRUMBLE. 1657 01:05:04,167 --> 01:05:05,533 AND BESIDES... 1658 01:05:05,567 --> 01:05:08,267 I DON'T ACCEPT YOUR RESIGNATION. 1659 01:05:10,167 --> 01:05:11,400 SO YOU PROMISE 1660 01:05:11,433 --> 01:05:13,133 YOU'LL COME BACK AND VISIT US? 1661 01:05:13,167 --> 01:05:15,200 I PROMISE. 1662 01:05:15,233 --> 01:05:17,433 OH, JONAH! YOU'RE LEAVING US, HUH? 1663 01:05:17,467 --> 01:05:18,800 [SETS BOX DOWN] 1664 01:05:18,833 --> 01:05:20,067 I AM. 1665 01:05:20,100 --> 01:05:23,000 I EXPECT AN AUTOGRAPHED COPY OF THAT BOOK. 1666 01:05:23,033 --> 01:05:24,800 OF COURSE. OUT OF THE FIRST RUN. 1667 01:05:24,833 --> 01:05:26,167 AND, UH... 1668 01:05:26,200 --> 01:05:27,500 THANKS FOR EVERYTHING. 1669 01:05:27,533 --> 01:05:29,167 I REALLY ENJOYED WORKING FOR YOU. 1670 01:05:29,200 --> 01:05:30,433 [**] 1671 01:05:30,467 --> 01:05:33,867 [MIRA'S VOICE CARRYING, INDISTINCT] 1672 01:05:39,900 --> 01:05:41,500 LOOK... 1673 01:05:41,533 --> 01:05:43,900 IT'S NONE OF MY BUSINESS, 1674 01:05:43,933 --> 01:05:44,967 BUT YOU MIGHT WANT 1675 01:05:45,000 --> 01:05:47,100 TO TELL HER HOW YOU FEEL ABOUT HER. 1676 01:05:47,133 --> 01:05:48,833 SHE NEEDS TO KNOW. 1677 01:05:48,867 --> 01:05:50,833 WE ALL DO. 1678 01:05:52,967 --> 01:05:54,433 [QUIET, AMUSED GASP] 1679 01:05:54,467 --> 01:05:56,867 [**] 1680 01:05:56,900 --> 01:05:58,400 OKAY. 1681 01:06:00,900 --> 01:06:02,033 [KNOCKS] 1682 01:06:02,067 --> 01:06:04,200 LIAM. WHAT ARE YOU DOING HERE? 1683 01:06:04,233 --> 01:06:06,533 WELL, I HAVEN'T SEEN YOU IN A FEW DAYS. 1684 01:06:06,567 --> 01:06:08,267 I KNOW HOW HARD YOU'VE BEEN WORKING, 1685 01:06:08,300 --> 01:06:09,600 SO I WANTED TO SURPRISE YOU. 1686 01:06:09,633 --> 01:06:12,200 THEY'RE SO LOVELY! 1687 01:06:12,233 --> 01:06:13,500 THANK YOU, LIAM. 1688 01:06:13,533 --> 01:06:15,400 OH, THOSE AREN'T THE SURPRISE. 1689 01:06:15,433 --> 01:06:16,900 THESE ARE. 1690 01:06:16,933 --> 01:06:20,233 TWO TICKETS TO KENNY CHESNEY WITH BACKSTAGE PASSES. 1691 01:06:20,267 --> 01:06:22,467 I JUST MIGHT KNOW THE BASS PLAYER. 1692 01:06:22,500 --> 01:06:24,867 OH, I DON'T REALLY LIKE COUNTRY MUSIC. 1693 01:06:24,900 --> 01:06:26,233 KENNY CHESNEY'S COUNTRY, RIGHT? 1694 01:06:26,267 --> 01:06:27,933 YOU DON'T KNOW KENNY CHESNEY? 1695 01:06:27,967 --> 01:06:30,867 WELL, THAT'S WHY YOU THINK YOU DON'T LIKE COUNTRY MUSIC. 1696 01:06:30,900 --> 01:06:31,967 I PROMISE YOU, AFTER TONIGHT, 1697 01:06:32,000 --> 01:06:33,500 YOU'LL BE ONE OF HIS BIGGEST FANS. 1698 01:06:33,533 --> 01:06:34,567 NO, YOU'RE NOT LISTENING. 1699 01:06:34,600 --> 01:06:36,433 I REALLY DON'T LIKE COUNTRY MUSIC. 1700 01:06:36,467 --> 01:06:37,967 LIKE, AT ALL. 1701 01:06:38,000 --> 01:06:40,467 [CHUCKLES] WAIT... 1702 01:06:40,500 --> 01:06:41,467 TONIGHT? 1703 01:06:41,500 --> 01:06:45,267 YES. TONIGHT. LIKE, RIGHT NOW. 1704 01:06:45,300 --> 01:06:47,067 LISTEN, MIRA, I PROMISED YOU FUN, 1705 01:06:47,100 --> 01:06:48,133 AND NOW I'M DELIVERING, 1706 01:06:48,167 --> 01:06:49,533 SO STEP AWAY FROM YOUR STRESS, 1707 01:06:49,567 --> 01:06:51,900 AND LET'S BLOW OFF SOME STEAM. 1708 01:06:51,933 --> 01:06:54,233 EVEN IF I LOVED COUNTRY MUSIC, LIAM, 1709 01:06:54,267 --> 01:06:56,533 I COULDN'T GO, I HAVE A DEADLINE. 1710 01:06:56,567 --> 01:06:59,867 WELL, MIRA, YOU CAN GO, YOU'RE THE BOSS. 1711 01:06:59,900 --> 01:07:01,067 WHICH MAKES IT 1712 01:07:01,100 --> 01:07:03,300 EVEN MORE IMPORTANT THAT I STEP UP. 1713 01:07:05,433 --> 01:07:06,633 [FRUSTRATED SIGH] 1714 01:07:06,667 --> 01:07:08,633 LISTEN, MIRA, I-I KNOW 1715 01:07:08,667 --> 01:07:11,100 THAT WE'VE ONLY BEEN SEEING EACH OTHER 1716 01:07:11,133 --> 01:07:12,600 FOR A FEW MONTHS, BUT... 1717 01:07:13,667 --> 01:07:15,567 BUT I REALLY CARE ABOUT YOU, 1718 01:07:15,600 --> 01:07:17,200 AND I WANT THIS TO WORK, 1719 01:07:17,233 --> 01:07:19,633 BUT FOR-FOR THAT TO HAPPEN, 1720 01:07:19,667 --> 01:07:21,567 WE HAVE TO ACTUALLY SPEND TIME TOGETHER. 1721 01:07:21,600 --> 01:07:23,933 I-I KNOW, BUT YOU JUST SPRUNG THIS ON ME. 1722 01:07:23,967 --> 01:07:26,267 I JUST THOUGHT YOU'D BE EXCITED. 1723 01:07:26,300 --> 01:07:28,967 [**] 1724 01:07:32,167 --> 01:07:34,000 I'M GONNA GO. 1725 01:07:34,033 --> 01:07:35,667 OKAY. 1726 01:07:36,700 --> 01:07:39,367 [**] 1727 01:07:42,700 --> 01:07:46,367 LIAM AND I HAVE BEEN DATING FOR THREE MONTHS 1728 01:07:46,400 --> 01:07:49,467 AND HE KNOWS NOTHING ABOUT MY INTERESTS. 1729 01:07:49,500 --> 01:07:51,567 AND WHAT'S EVEN WORSE, IT'S LIKE HE DOESN'T CARE. 1730 01:07:51,600 --> 01:07:54,000 HE JUST KEEPS SPRINGING THINGS ON ME, 1731 01:07:54,033 --> 01:07:56,167 AND I FEEL LIKE I HAVE NO SAY IN THIS RELATIONSHIP. 1732 01:07:56,200 --> 01:07:58,433 TSK. WELL, I THINK WE JUST FOUND HIS FLAW. 1733 01:08:00,200 --> 01:08:01,533 BETWEEN THINGS BEING WEIRD WITH HIM 1734 01:08:01,567 --> 01:08:03,233 AND LOSING JONAH, 1735 01:08:03,267 --> 01:08:05,767 I DON'T KNOW ANYTHING ANYMORE. 1736 01:08:07,700 --> 01:08:10,033 [**] 1737 01:08:10,067 --> 01:08:13,100 [MURMURING TO HIMSELF] 1738 01:08:13,133 --> 01:08:15,433 [**] 1739 01:08:15,467 --> 01:08:17,600 OKAY. LISTEN. 1740 01:08:17,633 --> 01:08:19,200 PEOPLE LOVE TO UPDATE THEIR STATUS 1741 01:08:19,233 --> 01:08:22,700 AND-AND-AND POST PICTURES AND CHECK-IN LOCATIONS, RIGHT? 1742 01:08:22,733 --> 01:08:25,067 SO I'M THINKING WE USE OUR SOCIAL NETWORKING SITE 1743 01:08:25,100 --> 01:08:26,233 AS THE HOME PAGE. 1744 01:08:26,267 --> 01:08:28,000 GOOD IDEA. 1745 01:08:28,033 --> 01:08:29,767 WE HAVEN'T CHOSEN THE HOME PAGE YET. 1746 01:08:29,800 --> 01:08:31,233 LET'S DO IT! 1747 01:08:32,267 --> 01:08:34,500 REALLY? UM... GREAT! 1748 01:08:34,533 --> 01:08:35,600 I KNOW I HAVEN'T BEEN 1749 01:08:35,633 --> 01:08:37,167 VERY OPEN TO IDEAS, 1750 01:08:37,200 --> 01:08:39,000 BUT I'M WORKING ON THAT. 1751 01:08:39,033 --> 01:08:41,500 ACTUALLY, I'M WORKING ON A FEW THINGS-- 1752 01:08:41,533 --> 01:08:42,700 LIKE AN APOLOGY. 1753 01:08:42,733 --> 01:08:46,367 I HAVEN'T EXACTLY BEEN THE BEST TEAM LEADER HERE. 1754 01:08:46,400 --> 01:08:49,200 LOOK, SOMETIMES, WE LEARN FROM OTHER PEOPLE'S MISTAKES 1755 01:08:49,233 --> 01:08:50,333 BETTER THAN FROM OUR OWN. 1756 01:08:50,367 --> 01:08:51,433 I MEAN, BY WATCHING YOU, 1757 01:08:51,467 --> 01:08:53,300 I AM SEEING SO MUCH OF WHAT I DID WRONG. 1758 01:08:53,333 --> 01:08:54,567 WOW! 1759 01:08:54,600 --> 01:08:56,033 OH! NO, THAT-- 1760 01:08:56,067 --> 01:08:58,133 OKAY, THAT SOUNDED HARSH. UM... 1761 01:08:58,167 --> 01:09:00,233 LOOK. 1762 01:09:00,267 --> 01:09:02,667 THINK ABOUT IT. I... 1763 01:09:02,700 --> 01:09:05,200 I WAS YOU, OKAY? 1764 01:09:05,233 --> 01:09:07,533 AND IT DIDN'T GET ME WHERE I WANTED TO GO. 1765 01:09:07,567 --> 01:09:09,800 YOU KNOW, I READ YOUR REPORT. 1766 01:09:09,833 --> 01:09:11,400 OH, YEAH? AND? 1767 01:09:11,433 --> 01:09:12,767 AND IT OCCURRED TO ME 1768 01:09:12,800 --> 01:09:14,567 THAT, OF COURSE, YOU FOUND A TECHNICAL GLITCH, 1769 01:09:14,600 --> 01:09:16,533 BECAUSE THAT'S YOUR AREA OF EXPERTISE. 1770 01:09:16,567 --> 01:09:17,600 I WAS SO FOCUSED 1771 01:09:17,633 --> 01:09:19,433 ON TRYING TO FIGURE IT ALL OUT ON MY OWN, 1772 01:09:19,467 --> 01:09:23,233 THAT I FORGOT THAT I DON'T KNOW EVERYTHING. 1773 01:09:23,267 --> 01:09:25,567 I SHOULD'VE LISTENED TO YOU. 1774 01:09:25,600 --> 01:09:28,400 AND I'M SORRY. 1775 01:09:28,433 --> 01:09:31,167 WELL, UM... 1776 01:09:31,200 --> 01:09:34,500 I THINK I OWE YOU THE EXACT SAME APOLOGY. 1777 01:09:34,533 --> 01:09:36,533 ACCEPTED. 1778 01:09:36,567 --> 01:09:38,467 AND THANK YOU FOR HAVING MY BACK. 1779 01:09:38,500 --> 01:09:39,667 ANYTIME. 1780 01:09:39,700 --> 01:09:41,600 AND I MEAN THAT. 1781 01:09:45,267 --> 01:09:47,467 [TEXT ALERT CHIMES] 1782 01:09:48,600 --> 01:09:51,600 [**] 1783 01:09:52,633 --> 01:09:54,567 [LAUGHS] 1784 01:09:54,600 --> 01:09:57,400 [**] 1785 01:09:57,433 --> 01:09:58,633 [BACKGROUND CHATTER AND MUSIC] 1786 01:09:58,667 --> 01:10:02,100 [JONAH]: SO, ANYWAY, IN THE END, 1787 01:10:02,133 --> 01:10:05,767 PEGGY REALIZES SHE DOESN'T NEED THE JUNGLE TO BE HAPPY, 1788 01:10:05,800 --> 01:10:07,333 SHE CAN BE HAPPY EXACTLY WHERE SHE IS, 1789 01:10:07,367 --> 01:10:09,600 AT HOME WITH THE PIGS. 1790 01:10:18,233 --> 01:10:19,367 HEY! 1791 01:10:19,400 --> 01:10:23,233 HEY! I CAN'T BELIEVE YOU ACTUALLY CAME. OH! 1792 01:10:23,267 --> 01:10:25,633 I WAS TOLD THERE WERE 15-CENT WINGS. 1793 01:10:25,667 --> 01:10:27,433 I MAY HAVE ORDERED 20. 1794 01:10:27,467 --> 01:10:29,567 WHAT ARE YOU, AN AMATEUR? THAT'S NOT NEARLY ENOUGH! 1795 01:10:29,600 --> 01:10:31,633 [CHUCKLING] 1796 01:10:33,100 --> 01:10:34,333 YOU OKAY? 1797 01:10:35,767 --> 01:10:39,433 I'M FEELING A LITTLE LOST WITHOUT YOU, ACTUALLY. 1798 01:10:39,467 --> 01:10:42,067 I THINK MY CREATIVE JUICES ARE ON HOLIDAY. 1799 01:10:42,100 --> 01:10:44,200 WELL, YOU KNOW WHAT YOU NEED? 1800 01:10:44,233 --> 01:10:46,733 OF COURSE I DO. 1801 01:10:47,733 --> 01:10:49,367 BARTENDER? 1802 01:10:49,400 --> 01:10:50,533 [CLINKING] 1803 01:10:54,167 --> 01:10:56,533 OOH! THE FLAMING FISHHOOKS 1804 01:10:56,567 --> 01:10:58,600 ARE STRONG TONIGHT. 1805 01:10:58,633 --> 01:10:59,733 WHEW. 1806 01:10:59,767 --> 01:11:02,533 SO YOUR CREATIVE JUICES ARE ON HOLIDAY, HUH? 1807 01:11:02,567 --> 01:11:06,833 BRILLIANCE LIVES IN THE MOMENTS OUTSIDE OF LUCIDITY. 1808 01:11:06,867 --> 01:11:09,200 LUCIDITY IS DEFINITELY OVERRATED. 1809 01:11:09,233 --> 01:11:10,300 I PREFER FANTASY. 1810 01:11:10,333 --> 01:11:13,167 I'M EXCEPTIONALLY BRILLIANT IN MY FANTASIES. 1811 01:11:13,200 --> 01:11:14,367 AND IN REALITY, 1812 01:11:14,400 --> 01:11:16,833 THINGS NEVER TURN OUT THE WAY WE HOPE THEY WILL. 1813 01:11:18,400 --> 01:11:19,833 I KNOW YOU, MIRA. 1814 01:11:19,867 --> 01:11:22,200 I KNOW WHEN YOU'RE NOT HAPPY. 1815 01:11:22,233 --> 01:11:24,300 AM I THAT TRANSPARENT? 1816 01:11:24,333 --> 01:11:27,267 I MEAN, WHO GETS EVERYTHING THEY'VE EVER DREAMT OF, 1817 01:11:27,300 --> 01:11:29,167 AND THEY'RE MORE MISERABLE THAN BEFORE? 1818 01:11:29,200 --> 01:11:31,800 YOU MADE A FEW APRIL FOOL'S JOKES. 1819 01:11:31,833 --> 01:11:35,167 YOU ASKED AND YOU RECEIVED. 1820 01:11:35,200 --> 01:11:36,433 BUT THAT DOESN'T MEAN 1821 01:11:36,467 --> 01:11:39,700 YOU GET TO CONTROL HOW IT ALL PLAYS OUT. 1822 01:11:39,733 --> 01:11:43,167 DO YOU KNOW THE ORIGINS OF APRIL FOOL'S DAY? 1823 01:11:43,200 --> 01:11:44,167 NO. 1824 01:11:44,200 --> 01:11:45,500 OKAY. 1825 01:11:45,533 --> 01:11:46,900 SO, WAY BACK WHEN, 1826 01:11:46,933 --> 01:11:48,367 IN ORDER TO MAINTAIN CONTROL, 1827 01:11:48,400 --> 01:11:49,500 THE PEOPLE IN CHARGE 1828 01:11:49,533 --> 01:11:51,767 WOULD SEND UNDERLINGS ON A "FOOL'S ERRAND"... 1829 01:11:51,800 --> 01:11:54,600 BUT THEY'D ONLY BE A FOOL 1830 01:11:54,633 --> 01:11:57,433 IF THEY ACCEPTED THE ERRAND. 1831 01:11:57,467 --> 01:11:59,667 MAYBE THE UNIVERSE WAS TRYING TO TELL YOU SOMETHING. 1832 01:12:00,800 --> 01:12:02,700 WHAT? THAT I'M A FOOL? 1833 01:12:02,733 --> 01:12:04,633 THAT'S NOT WHAT I'M TRYING TO SAY. 1834 01:12:06,533 --> 01:12:07,800 MAYBE... 1835 01:12:07,833 --> 01:12:09,567 THERE'S A ROAD 1836 01:12:09,600 --> 01:12:12,900 YOUR IMAGINATION HASN'T THOUGHT OF YET. 1837 01:12:16,233 --> 01:12:17,667 MAYBE YOU SHOULD... 1838 01:12:17,700 --> 01:12:19,567 GIVE THAT ROAD A TRY. 1839 01:12:22,267 --> 01:12:24,900 AND WHAT ROAD WOULD THAT BE? 1840 01:12:28,900 --> 01:12:30,400 ME, MIRA. 1841 01:12:31,900 --> 01:12:33,767 ME. 1842 01:12:39,333 --> 01:12:40,700 JONAH, I'M SORRY-- 1843 01:12:40,733 --> 01:12:42,967 I KNOW. 1844 01:12:43,000 --> 01:12:45,267 I'M NOT A PART OF THE FANTASY. 1845 01:12:46,833 --> 01:12:48,567 [JONAH HUFFS] 1846 01:12:49,600 --> 01:12:51,333 YOU KNOW WHAT? 1847 01:12:51,367 --> 01:12:52,700 I, UH... 1848 01:12:52,733 --> 01:12:55,333 PREFER REALITY. 1849 01:12:56,533 --> 01:12:59,000 [**] 1850 01:13:00,667 --> 01:13:02,000 JONAH? 1851 01:13:05,533 --> 01:13:07,433 GOOD LUCK WITH THE SITE, MIRA. 1852 01:13:07,467 --> 01:13:09,900 I HOPE IT'S A HUGE SUCCESS. 1853 01:13:14,033 --> 01:13:16,000 JONAH. 1854 01:13:16,033 --> 01:13:18,800 [**] 1855 01:13:26,900 --> 01:13:28,567 SO WHAT DID YOU SAY TO THAT? 1856 01:13:28,600 --> 01:13:30,500 I DIDN'T KNOW WHAT TO SAY, 1857 01:13:30,533 --> 01:13:32,000 AND HE JUST LEFT. 1858 01:13:32,033 --> 01:13:33,600 HE SEEMED REALLY ANGRY. 1859 01:13:33,633 --> 01:13:35,567 WELL, SOMETIMES, OTHER EMOTIONS 1860 01:13:35,600 --> 01:13:37,500 CAN WEAR AN "ANGER COSTUME." 1861 01:13:37,533 --> 01:13:38,867 IT WAS SUPER-AWKWARD. 1862 01:13:38,900 --> 01:13:40,733 OR SUPER-AMAZING. 1863 01:13:40,767 --> 01:13:44,467 I MEAN, HE JUST TOLD YOU HE HAS FEELINGS FOR YOU! 1864 01:13:44,500 --> 01:13:47,333 AND NOBODY MAKES YOU AS HAPPY AS THIS GUY. 1865 01:13:47,367 --> 01:13:48,500 I MEAN, YOU HAVE THE SAME SENSE OF HUMOR, 1866 01:13:48,533 --> 01:13:49,667 THE SAME LIKES. 1867 01:13:49,700 --> 01:13:51,867 THAT'S WHAT MAKES A RELATIONSHIP. 1868 01:13:51,900 --> 01:13:53,000 I DON'T KNOW. 1869 01:13:53,033 --> 01:13:55,000 I JUST NEVER THOUGHT ABOUT HIM THAT WAY. 1870 01:13:55,033 --> 01:13:58,300 HE'S ALWAYS JUST BEEN MY BUDDY, JONAH. 1871 01:13:58,333 --> 01:13:59,600 AND NOW? 1872 01:13:59,633 --> 01:14:01,733 AND HOW I NEED TO RETHINK EVERYTHING! 1873 01:14:01,767 --> 01:14:02,833 -EVERYTHING? -EVERYTHING! 1874 01:14:02,867 --> 01:14:04,800 I PLAYED THESE PRANKS AND NOW I FEEL LIKE 1875 01:14:04,833 --> 01:14:06,633 I'M THE ONE GOING ON A FOOL'S ERRAND. 1876 01:14:06,667 --> 01:14:08,800 I... [SIGHS] 1877 01:14:08,833 --> 01:14:11,333 I DON'T WANT TO BE THE FOOL ANYMORE, SOPHIE. 1878 01:14:11,367 --> 01:14:13,700 I NEED TO REFUSE THE ERRAND. 1879 01:14:13,733 --> 01:14:15,400 ALL OF THE ERRANDS. 1880 01:14:15,433 --> 01:14:18,500 [**] 1881 01:14:34,833 --> 01:14:36,967 YOU'RE NOT MY HOME. 1882 01:14:38,467 --> 01:14:40,800 [LAUGHS] 1883 01:14:47,067 --> 01:14:48,667 ARE YOU WATCHING SHELLY? 1884 01:14:48,700 --> 01:14:51,400 OF COURSE WE ARE. IT'S THE FINALE. 1885 01:14:51,433 --> 01:14:52,800 ROOM FOR ONE MORE? 1886 01:14:52,833 --> 01:14:54,700 COME IN. 1887 01:14:54,733 --> 01:14:56,833 HI! 1888 01:14:56,867 --> 01:14:58,833 [ANNOUNCER]: SHELLY LOOKS FOR LOVE. 1889 01:14:58,867 --> 01:15:00,000 [BACHELOR]: I'M SUPER EXCITED. 1890 01:15:00,033 --> 01:15:02,433 [EPISODE CONTINUES] 1891 01:15:04,000 --> 01:15:07,667 I'M SORRY THAT I'VE BEEN SO UNAVAILABLE. 1892 01:15:07,700 --> 01:15:09,067 I'VE MISSED YOU GUYS. 1893 01:15:09,100 --> 01:15:11,967 WE MISSED YOU, TOO. 1894 01:15:13,100 --> 01:15:16,167 I USED TO ALWAYS THINK I'D LOVE LIVING ALONE, 1895 01:15:16,200 --> 01:15:18,133 BUT I USED TO THINK A LOT OF THINGS. 1896 01:15:19,933 --> 01:15:20,867 I LOVE THIS. 1897 01:15:20,900 --> 01:15:24,567 ME, MIRA, KELSEA, AND SHELLY. 1898 01:15:24,600 --> 01:15:26,400 BACK TOGETHER AGAIN. 1899 01:15:26,433 --> 01:15:27,733 [CHUCKLING] 1900 01:15:27,767 --> 01:15:29,633 IT'S THE BEST. 1901 01:15:29,667 --> 01:15:30,833 BUT... 1902 01:15:30,867 --> 01:15:32,900 BROOKE, WE REALLY DO NEED TO MOVE. 1903 01:15:32,933 --> 01:15:35,033 I ALREADY MISS MY BATHTUBS. 1904 01:15:35,067 --> 01:15:37,067 [LAUGHING] 1905 01:15:37,100 --> 01:15:38,167 CHEERS. 1906 01:15:38,200 --> 01:15:39,767 [ALL]: CHEERS. 1907 01:15:39,800 --> 01:15:42,433 [**] 1908 01:15:50,767 --> 01:15:52,933 [**] 1909 01:15:54,633 --> 01:15:56,667 [DOOR THUDS] 1910 01:15:56,700 --> 01:15:58,733 SO LISTEN, I HAVE TO RALLY THE TEAM 1911 01:15:58,767 --> 01:16:00,133 AND BRING EVERYONE BACK TOGETHER 1912 01:16:00,167 --> 01:16:01,833 AND I NEED YOUR HELP. 1913 01:16:01,867 --> 01:16:04,033 OOH... I DON'T KNOW. 1914 01:16:05,167 --> 01:16:06,667 KIDDING! YES. OF COURSE. 1915 01:16:08,600 --> 01:16:11,167 [**] 1916 01:16:21,500 --> 01:16:22,767 LISTEN UP. 1917 01:16:22,800 --> 01:16:24,067 I KNOW THE PAST COUPLE OF MONTHS 1918 01:16:24,100 --> 01:16:25,767 HAVE BEEN GRUELING WITH LITTLE REWARD, 1919 01:16:25,800 --> 01:16:27,800 AND I HAVE BEEN LESS THAN STELLAR AS A BOSS, 1920 01:16:27,833 --> 01:16:30,700 AND THAT BREAKFAST WON'T FIX EVERYTHING... 1921 01:16:30,733 --> 01:16:32,067 -IT COULDN'T HURT. -BUT I NEED YOUR HELP. 1922 01:16:32,100 --> 01:16:33,067 ALL OF YOU. 1923 01:16:33,100 --> 01:16:34,167 WE ALL HAVE STRENGTHS, 1924 01:16:34,200 --> 01:16:35,700 AND WE NEED TO POOL OUR COLLECTIVE RESOURCES 1925 01:16:35,733 --> 01:16:37,833 AND COME UP WITH THE NEW DESIGN TOGETHER. 1926 01:16:37,867 --> 01:16:39,733 I KNOW I HAVEN'T BEEN VERY OPEN, 1927 01:16:39,767 --> 01:16:41,900 BUT I'M READY TO LISTEN NOW, REALLY READY. 1928 01:16:41,933 --> 01:16:46,633 MIRA AND I HAVE COLLECTED SOME ITEMS THAT INSPIRED US, 1929 01:16:46,667 --> 01:16:49,000 SO FEEL FREE TO GRAB SOME MATERIALS FROM YOUR DESKS, 1930 01:16:49,033 --> 01:16:50,200 AND ADD THEM TO THE MIX. 1931 01:16:50,233 --> 01:16:52,633 NOW LET'S GRAB SOMETHING FROM THIS PILE, 1932 01:16:52,667 --> 01:16:54,700 AND GET READY FOR THE MOTHER OF ALL BRAINSTORMING SESSIONS. 1933 01:16:54,733 --> 01:16:56,133 I WANT TO HEAR ALL OF YOUR IDEAS-- 1934 01:16:56,167 --> 01:16:57,233 THE GOOD, THE BAD... 1935 01:16:57,267 --> 01:16:58,833 [WOMAN]: SO PEOPLE DON'T HAVE THE ABILITY 1936 01:16:58,867 --> 01:17:01,167 TO DECORATE THEIR HOMES AS MUCH ANYMORE, 1937 01:17:01,200 --> 01:17:03,733 SO THEY MIGHT ACTUALLY WANT TO DECORATE THEIR SITES, RIGHT? 1938 01:17:03,767 --> 01:17:05,933 WE'LL TAKE PICTURES OF OBJECTS... 1939 01:17:08,233 --> 01:17:10,033 YES! WE NEED A "DISLIKE" BUTTON. 1940 01:17:10,067 --> 01:17:12,033 EVERYBODY'S "LIKING" EVERYTHING, RIGHT? 1941 01:17:12,067 --> 01:17:13,700 WHAT IF IT LOOKS LIKE A PHOTO ALBUM, 1942 01:17:13,733 --> 01:17:15,200 AND YOU TURN THE PAGE TO REPRESENT A DIFFERENT SITE? 1943 01:17:15,233 --> 01:17:16,233 THAT'S INTERESTING. 1944 01:17:16,267 --> 01:17:17,700 OKAY, YOU GUYS-- 1945 01:17:17,733 --> 01:17:19,600 WHAT ABOUT INTEGRATING A GALLERY RIGHT INTO THE DESIGN? 1946 01:17:19,633 --> 01:17:20,733 YEAH! 1947 01:17:20,767 --> 01:17:23,100 -THAT MONET RIGHT THERE-- THOSE ARE OUR COLORS. 1948 01:17:23,133 --> 01:17:25,133 [**] 1949 01:17:25,167 --> 01:17:27,833 OURFRIENDS IS DOING THE THREE-FOLD SITE, 1950 01:17:27,867 --> 01:17:30,100 BUT WHAT IF WE DO A SIX-FOLD SITE? 1951 01:17:30,133 --> 01:17:31,167 EVERYONE HAS SIX WEBSITES 1952 01:17:31,200 --> 01:17:32,700 THAT THEY FREQUENT ON A REGULAR BASIS. 1953 01:17:32,733 --> 01:17:34,600 THE THREE-FOLD SITE CRASHES SERVERS. 1954 01:17:34,633 --> 01:17:35,867 WHAT WOULD SIX DO? 1955 01:17:35,900 --> 01:17:37,800 YEAH, BUT MICHAEL CAME UP WITH A FIX FOR THAT. 1956 01:17:37,833 --> 01:17:39,033 YEAH, THE SERVERS HAVE ALREADY BEEN BACKED UP 1957 01:17:39,067 --> 01:17:40,867 AND RECONFIGURED, SO IT CAN HANDLE THE OVERFLOW. 1958 01:17:40,900 --> 01:17:41,867 THAT'S A GREAT IDEA. 1959 01:17:41,900 --> 01:17:43,100 [TEAM MURMURING IN AGREEMENT] 1960 01:17:43,133 --> 01:17:45,600 [**] 1961 01:17:52,000 --> 01:17:54,333 [**] 1962 01:18:03,167 --> 01:18:04,367 YOU GUYS... 1963 01:18:04,400 --> 01:18:05,900 I THINK WE GOT IT. 1964 01:18:05,933 --> 01:18:07,367 IT'S A CUBE, ONE GIANT GALLERY OF DATA. 1965 01:18:07,400 --> 01:18:08,900 [JERRY]: ONE CLICK TO SPIN THE CUBE 1966 01:18:08,933 --> 01:18:10,133 TO ANOTHER SIDE. 1967 01:18:10,167 --> 01:18:11,867 THERE'S YOUR DATA, PULLED FROM THE NEXT SITE. 1968 01:18:11,900 --> 01:18:13,700 VOILA! 1969 01:18:13,733 --> 01:18:15,067 I'M LIKING THIS. 1970 01:18:15,100 --> 01:18:17,200 WE USE THE YOURPAGE PERSONAL NETWORKING SITE 1971 01:18:17,233 --> 01:18:18,800 AS OUR HOME PAGE-- 1972 01:18:18,833 --> 01:18:20,667 MICHAEL'S IDEA-- AND THEN SPIN THE CUBE AGAIN, 1973 01:18:20,700 --> 01:18:22,867 AND YOU'RE ON THE DATING SITE, FOR THE SINGLES. 1974 01:18:22,900 --> 01:18:24,167 I'LL BE USING THAT ONE. 1975 01:18:24,200 --> 01:18:25,900 [TEAM LAUGHING] 1976 01:18:25,933 --> 01:18:27,133 [MICHAEL]: AND BECAUSE EACH SIDE OF THE CUBE 1977 01:18:27,167 --> 01:18:28,633 IS TREATED AS PART OF THE WHOLE, 1978 01:18:28,667 --> 01:18:30,133 OUR SERVERS WON'T TAKE A HIT. 1979 01:18:30,167 --> 01:18:32,033 MICHAEL FIGURED OUT WHAT CRASHED OURFRIENDS' SERVERS, 1980 01:18:32,067 --> 01:18:33,167 AND CAME UP WITH THIS BYPASS. 1981 01:18:33,200 --> 01:18:34,633 IT IS BRILLIANT! 1982 01:18:34,667 --> 01:18:36,100 AND I LOVE THE COLOR SCHEME! 1983 01:18:36,133 --> 01:18:37,733 THAT WAS ALL SUSAN. 1984 01:18:37,767 --> 01:18:39,300 [ERIN]: MM. 1985 01:18:39,333 --> 01:18:41,367 IT'S PERFECT. IT'S PERFECT. 1986 01:18:41,400 --> 01:18:44,067 NOW WE'LL HAVE SOMETHING TO SHOW AT THE LAUNCH. 1987 01:18:44,100 --> 01:18:45,967 -MM! -[CHUCKLING] 1988 01:18:46,000 --> 01:18:48,133 [**] 1989 01:18:55,833 --> 01:18:58,033 WHAT ARE YOU DOING HERE? 1990 01:18:58,067 --> 01:19:00,167 I WAS HOPING TO TAKE YOU FOR DINNER. 1991 01:19:00,200 --> 01:19:02,233 OH. 1992 01:19:02,267 --> 01:19:04,433 LIAM, CAN WE TALK? 1993 01:19:06,000 --> 01:19:07,867 SURE. 1994 01:19:10,700 --> 01:19:13,667 LIAM, YOU'RE WONDERFUL, 1995 01:19:13,700 --> 01:19:16,067 AND YOU'RE KIND... 1996 01:19:16,100 --> 01:19:18,200 AND GENEROUS 1997 01:19:18,233 --> 01:19:20,400 AND QUITE HONESTLY, PERFECT. 1998 01:19:21,767 --> 01:19:24,200 YOU'RE JUST NOT PERFECT FOR ME, 1999 01:19:24,233 --> 01:19:26,467 AND I'M NOT PERFECT FOR YOU EITHER. 2000 01:19:29,200 --> 01:19:30,900 I'VE KIND OF BEEN 2001 01:19:30,933 --> 01:19:33,933 GETTING THAT SAME FEELING, TOO, LATELY. 2002 01:19:35,767 --> 01:19:38,067 I MEAN, WHO DOESN'T LIKE KENNY CHESNEY? 2003 01:19:38,100 --> 01:19:40,767 [LAUGHING] 2004 01:19:41,867 --> 01:19:43,900 HMM... 2005 01:19:43,933 --> 01:19:46,833 I'M GOING TO MISS YOU, MIRA. 2006 01:19:46,867 --> 01:19:49,067 I'M GONNA MISS YOU, TOO, 2007 01:19:49,100 --> 01:19:53,067 AND I REALLY DO WISH YOU THE BEST IN EVERYTHING. 2008 01:19:54,867 --> 01:19:57,800 [**] 2009 01:20:01,367 --> 01:20:03,000 THANK YOU ALL FOR JOINING US 2010 01:20:03,033 --> 01:20:07,267 TO CELEBRATE THE EVENT OF OUR NEW SITE GOING LIVE TODAY. 2011 01:20:07,300 --> 01:20:09,200 [APPLAUDING AND CHEERING] 2012 01:20:09,233 --> 01:20:11,067 I'M HAPPY TO ANNOUNCE 2013 01:20:11,100 --> 01:20:14,133 THAT WE ARE ADDING PROFILES IN DROVES, 2014 01:20:14,167 --> 01:20:16,233 AND OUR SERVERS ARE DOING JUST FINE! 2015 01:20:16,267 --> 01:20:18,100 LOOK AT EVERYTHING YOU'VE ACCOMPLISHED-- 2016 01:20:18,133 --> 01:20:19,233 WE'RE LIVE AND IT'S A HIT. 2017 01:20:19,267 --> 01:20:20,833 WHAT WE'VE ACCOMPLISHED, MICHAEL. 2018 01:20:20,867 --> 01:20:22,400 I CANNOT TAKE ALL THE CREDIT. 2019 01:20:22,433 --> 01:20:24,833 I MUST CONGRATULATE 2020 01:20:24,867 --> 01:20:27,667 THE TEAM RESPONSIBLE FOR THIS AMAZING INTERFACE. 2021 01:20:27,700 --> 01:20:31,667 MIRA, MICHAEL... YOUR ENTIRE TEAM. 2022 01:20:31,700 --> 01:20:33,700 BRILLIANT WORK. 2023 01:20:33,733 --> 01:20:36,033 AND NOW THAT THE WORK IS ALL DONE, 2024 01:20:36,067 --> 01:20:37,033 IT'S TIME TO PARTY. 2025 01:20:37,067 --> 01:20:39,667 [ALL CHEERING] 2026 01:20:39,700 --> 01:20:41,033 LET'S HUG IT OUT. 2027 01:20:42,133 --> 01:20:44,233 -CONGRATS. -YOU TOO. 2028 01:20:44,267 --> 01:20:46,333 [OVERLAPPING CHATTER] 2029 01:20:46,367 --> 01:20:47,667 -MICHAEL. MICHAEL. -WE DID IT. 2030 01:20:47,700 --> 01:20:48,900 OHH. 2031 01:20:48,933 --> 01:20:51,400 [HAPPY CHATTER CONTINUES] 2032 01:20:51,433 --> 01:20:54,200 I'M SO SORRY I'M LATE! 2033 01:20:54,233 --> 01:20:56,133 CONGRATULATIONS. I'M SO PROUD OF YOU. 2034 01:20:56,167 --> 01:20:57,200 THANK YOU, AND THANK YOU 2035 01:20:57,233 --> 01:20:58,767 FOR BEING MY DATE AT THE LAST MINUTE. 2036 01:20:58,800 --> 01:21:00,933 OH, SWEETIE. ANY TIME. 2037 01:21:02,167 --> 01:21:03,400 YOU OKAY? 2038 01:21:03,433 --> 01:21:05,800 YEAH. BREAKING UP WITH HIM WAS THE RIGHT THING TO DO. 2039 01:21:05,833 --> 01:21:07,800 OF COURSE IT WAS. 2040 01:21:07,833 --> 01:21:09,500 CHAMPAGNE? 2041 01:21:09,533 --> 01:21:10,767 YES, PLEASE. 2042 01:21:12,767 --> 01:21:15,433 [CHATTER AND BUZZ CONTINUE] 2043 01:21:15,467 --> 01:21:17,000 [MAN]: OH, THANK YOU. 2044 01:21:18,800 --> 01:21:20,967 [OVERLAPPING CHATTER] 2045 01:21:21,000 --> 01:21:23,433 [**] 2046 01:21:26,433 --> 01:21:28,267 [MICHAEL]: HEY! JERRY! 2047 01:21:28,300 --> 01:21:30,100 THIS IS, UH, JERRY AND SUSAN. 2048 01:21:30,133 --> 01:21:31,233 NICE TO MEET YOU. 2049 01:21:31,267 --> 01:21:32,500 WHERE HAVE YOU GUYS BEEN? 2050 01:21:32,533 --> 01:21:35,200 UM... 2051 01:21:35,233 --> 01:21:37,067 JONAH'S BOOK SIGNING. 2052 01:21:37,100 --> 01:21:38,233 SORRY WE DUCKED OUT FOR A FEW. 2053 01:21:38,267 --> 01:21:40,200 NO! IT'S FINE. YOU SHOULD... 2054 01:21:40,233 --> 01:21:41,933 BE THERE TO SUPPORT HIM. WAS THERE A GOOD TURNOUT? 2055 01:21:41,967 --> 01:21:43,967 A GREAT TURNOUT. 2056 01:21:45,033 --> 01:21:46,100 COOL! DID-- DID YOU... 2057 01:21:46,133 --> 01:21:47,233 YEAH, YEAH. I HAVE YOUR COPY RIGHT HERE. 2058 01:21:47,267 --> 01:21:49,067 CHECK IT OUT. 2059 01:21:49,100 --> 01:21:50,100 YOU NEED TO TALK TO HIM. 2060 01:21:50,133 --> 01:21:51,200 HE CLEARLY HATES ME. 2061 01:21:51,233 --> 01:21:53,733 HE DIDN'T EVEN INVITE ME TO HIS BOOK SIGNING. 2062 01:21:53,767 --> 01:21:55,233 HE LOVES YOU. 2063 01:21:55,267 --> 01:21:56,833 HE'S JUST HURT. 2064 01:21:56,867 --> 01:21:58,233 THAT'S WHY YOU NEED TO GO TO HIS BOOK SIGNING. NOW. 2065 01:21:58,267 --> 01:21:59,233 I DON'T KNOW. 2066 01:21:59,267 --> 01:22:00,300 HONEY... 2067 01:22:00,333 --> 01:22:01,900 GO! 2068 01:22:01,933 --> 01:22:04,833 [**] 2069 01:22:09,333 --> 01:22:11,200 A MILLION CABS IN THIS CITY 2070 01:22:11,233 --> 01:22:13,300 AND NOT A SINGLE ONE WHEN YOU NEED IT. 2071 01:22:13,333 --> 01:22:14,833 [GROANS] 2072 01:22:14,867 --> 01:22:18,000 [**] 2073 01:22:21,300 --> 01:22:23,300 [SIGHS] 2074 01:22:28,200 --> 01:22:29,967 [TEARFULLY]: HMPH. 2075 01:22:30,000 --> 01:22:31,867 [SNIFFLES] 2076 01:22:31,900 --> 01:22:34,167 [WHIMPERS A SOB AND SIGHS] 2077 01:22:38,433 --> 01:22:41,600 [**] 2078 01:23:01,600 --> 01:23:04,067 [BUZZING CHATTER] 2079 01:23:06,600 --> 01:23:09,533 HEY! DO YOU WANT YOUR USUAL TABLE? 2080 01:23:09,567 --> 01:23:11,967 NO, I THINK I'M GONNA JUST SIT AT THE BAR TONIGHT. 2081 01:23:12,000 --> 01:23:13,267 OH! 2082 01:23:13,300 --> 01:23:16,067 [**] 2083 01:23:25,633 --> 01:23:27,400 FLAMING FISHHOOK, PLEASE. 2084 01:23:27,433 --> 01:23:28,533 MAKE THAT TWO. 2085 01:23:30,100 --> 01:23:31,567 WHAT ARE YOU DOING HERE? 2086 01:23:31,600 --> 01:23:33,567 I WENT UPSTAIRS TO YOUR PARTY, 2087 01:23:33,600 --> 01:23:34,867 BUT YOU WEREN'T THERE, 2088 01:23:34,900 --> 01:23:37,367 SO I THOUGHT THE NEXT BEST THING, 2089 01:23:37,400 --> 01:23:38,867 COME TO OUR FAVORITE PLACE. 2090 01:23:38,900 --> 01:23:40,067 I WENT TO YOUR BOOK SIGNING, 2091 01:23:40,100 --> 01:23:41,233 AND YOU WEREN'T THERE. 2092 01:23:41,267 --> 01:23:42,267 I DIDN'T WANT TO MISS 2093 01:23:42,300 --> 01:23:43,433 THE MOST IMPORTANT NIGHT OF YOUR LIFE, 2094 01:23:43,467 --> 01:23:45,167 EVEN IF I WASN'T INVITED. 2095 01:23:45,200 --> 01:23:47,867 I DIDN'T WANT TO MISS YOURS EITHER. 2096 01:23:47,900 --> 01:23:50,100 I'M SORRY I WAS LATE. 2097 01:23:50,133 --> 01:23:51,967 HEY! NO. I GET IT. 2098 01:23:52,000 --> 01:23:53,967 YOU, UH, YOU HAD STUFF TO DO. 2099 01:23:54,000 --> 01:23:56,467 I'M SORRY I DIDN'T INVITE YOU. 2100 01:23:56,500 --> 01:23:58,333 I, UH... 2101 01:24:03,067 --> 01:24:04,967 I SIGNED IT FOR YOU, 2102 01:24:05,000 --> 01:24:07,633 FOR... WHEN I MIGHT SEE YOU LATER. 2103 01:24:07,667 --> 01:24:09,700 YOU WERE GOING TO SEE ME LATER? 2104 01:24:10,967 --> 01:24:14,600 I CAN'T STOP THINKING ABOUT WHEN I MIGHT SEE YOU LATER. 2105 01:24:16,133 --> 01:24:18,067 I THOUGHT YOU HATED ME. 2106 01:24:18,100 --> 01:24:20,200 YOU INFURIATE ME, MIRA. 2107 01:24:21,200 --> 01:24:23,533 THERE'S A BIG DIFFERENCE. 2108 01:24:24,500 --> 01:24:27,067 [**] 2109 01:24:29,967 --> 01:24:31,500 [LAUGHS] 2110 01:24:31,533 --> 01:24:33,700 [MIRA'S SNIFFLES] 2111 01:24:33,733 --> 01:24:35,733 THANK YOU, JONAH. 2112 01:24:37,367 --> 01:24:39,067 THAT'S... THAT'S BEAUTIFUL. 2113 01:24:39,100 --> 01:24:42,133 [**] 2114 01:24:43,967 --> 01:24:45,567 SO LISTEN. 2115 01:24:45,600 --> 01:24:46,600 [CLOSES THE BOOK] 2116 01:24:46,633 --> 01:24:49,633 YOURPAGE IS UNDER CONTROL, 2117 01:24:49,667 --> 01:24:52,700 AND THE NEW CUBE DESIGN IS A HIT, 2118 01:24:52,733 --> 01:24:55,600 AND... 2119 01:24:56,967 --> 01:24:59,000 I NEED YOU BACK. 2120 01:25:00,500 --> 01:25:02,067 MIRA, I'M NOT... 2121 01:25:02,100 --> 01:25:04,000 I'M NOT COMING BACK TO YOURPAGE. 2122 01:25:04,033 --> 01:25:06,000 I'M SURE YOU CAN FIND 2123 01:25:06,033 --> 01:25:08,233 ANOTHER DESIGNER TO DO YOUR BIDDING. 2124 01:25:08,267 --> 01:25:11,467 I'M NOT SAYING YOURPAGE NEEDS YOU BACK. 2125 01:25:16,067 --> 01:25:18,767 I'M SAYING I NEED YOU BACK. 2126 01:25:20,733 --> 01:25:22,233 MIRA? 2127 01:25:22,267 --> 01:25:25,500 I CAN STOP FANTASIZING ABOUT THE FUTURE 2128 01:25:25,533 --> 01:25:27,467 BECAUSE TODAY IS PERFECT. 2129 01:25:27,500 --> 01:25:30,333 RIGHT NOW, THIS IS PERFECT. 2130 01:25:33,033 --> 01:25:34,367 NOTHING'S PERFECT. 2131 01:25:34,400 --> 01:25:37,600 TRUE. BUT... 2132 01:25:37,633 --> 01:25:39,800 YOU'RE PERFECT FOR ME. 2133 01:25:43,133 --> 01:25:44,233 [CHUCKLES] 2134 01:25:45,267 --> 01:25:46,467 KISS ME, EARL. 2135 01:25:46,500 --> 01:25:50,267 [**] 2136 01:25:58,800 --> 01:26:01,400 [**] 2137 01:26:08,667 --> 01:26:11,667 [**] 135729